WEBVTT - Throw back Thursday with SWV and Juvenile

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<v Speaker 1>Wake up in the morning. You I'm talking right. I

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<v Speaker 1>know you're about to experience a morning showing like any

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<v Speaker 1>of you. Bast Club, what you guys are doing right now.

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<v Speaker 1>It's the hub culture. Breakfast club is my morning sick.

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<v Speaker 1>I need it and I love it. Something you feel

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<v Speaker 1>like you're really not popping until you do the breakfast

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<v Speaker 1>Club and waiting come to y'all, show man. I know

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<v Speaker 1>you gotta be a big time celebrity to be up

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<v Speaker 1>in here. You gotta be you gotta be a big

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<v Speaker 1>time Djen Ali and Charlotte Maine the guy the breakfast

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<v Speaker 1>club bitches, Wake up, wake up, wake ya. This is

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<v Speaker 1>your time to get it off your chest. Whether you're

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<v Speaker 1>Man or Blake, we want to hear from you on

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<v Speaker 1>the breakfast blob Vast, good morning, Good morning doing what's

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<v Speaker 1>up bro? Get it off your chests? Many morning, Charlotte Man,

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<v Speaker 1>what's up, sir vastor how are you? Sir? Good? Good?

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<v Speaker 1>You know I actually called for envy this morning. Okay,

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<v Speaker 1>what's up to your favorite? I want to do your favorite?

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<v Speaker 1>Lets Okay, you remember that that story you told when

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<v Speaker 1>you were at suth By Southwest and you had a

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<v Speaker 1>chance Ton Brighton killer. Now it wasn't South by Side,

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<v Speaker 1>it was Revolt. It was Revolte Music Conference. But you

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<v Speaker 1>had a chance, but then you passed on. Correct. I

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<v Speaker 1>got somebody to make up for that. Okay, No boy,

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<v Speaker 1>let's hear it. He might don't just don't just trade

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<v Speaker 1>him yet, So that actually not me. It's my friend.

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<v Speaker 1>He's an artist. His name is a Fabo, so that

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<v Speaker 1>he h a being old. He's a singer. You can

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<v Speaker 1>find them on Spotify, Apple Music, bound Cloud, and I

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<v Speaker 1>want to end the thing a little bit for you.

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<v Speaker 1>That core with you the bet. Okay, let me na noa, NOA, noa. Okay,

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<v Speaker 1>hold on, that was the worst NA ever heard. Hello, bro,

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<v Speaker 1>I know you're not trying to play no song over

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<v Speaker 1>the phone on the radio to us. That's how you

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<v Speaker 1>really want to present this guy? Can I send it

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<v Speaker 1>to y'all. Let me send it to y'all. Let me

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<v Speaker 1>send it to y'all. Oh my god, you should have

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<v Speaker 1>shout it out of his Instagram. I didn't ask for email. Patrick,

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<v Speaker 1>Good morning, Good morning, what's up? Patrick? Get it off

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<v Speaker 1>at chet bro bang as I got two things I

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<v Speaker 1>want to get off my chest. I'm a little man

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<v Speaker 1>this morning. Um, you know, I've been trying to call

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<v Speaker 1>in and get some relationship advice from me, and this

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<v Speaker 1>is my first time that would been able to get through.

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<v Speaker 1>But man, I took some advice for y'all and try

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<v Speaker 1>to get some couple's counseling for me and my girlfriend,

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<v Speaker 1>and she just blew up on me, pretty much left

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<v Speaker 1>me hanging. I was at work yesterday, I got home,

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<v Speaker 1>she left for my stuff. Wow, left walking, And I'm

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<v Speaker 1>just did you chase that? Did you follow when she

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<v Speaker 1>was walking? I was that was man like. I don't

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<v Speaker 1>got I don't work two times, bro. I get up

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<v Speaker 1>at two thirty every morning and I don't get back

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<v Speaker 1>home until sometimes Kate thirty advice. You know, I provide

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<v Speaker 1>everything for my family. I think they're everything. I just

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<v Speaker 1>can't see well, I can't come up to a little

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<v Speaker 1>piece in harmony. Well you know what. Hold on, hold on,

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<v Speaker 1>We're gonna put your hole and UM help you out,

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<v Speaker 1>all right, don't hang up? Hello? Who's this angel? Hey angel?

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<v Speaker 1>Get it off your chests. Good morning, breakfast club. But

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<v Speaker 1>I love you guys, to you guys every morning, and

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<v Speaker 1>want to drop a bomb from my beautiful white queen

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<v Speaker 1>at home and Angela yeves. Every morning I can't get

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<v Speaker 1>hey fam out of my head. I'm sorry, dam he said,

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<v Speaker 1>you're beautiful white queen, My beautiful white queen, Jessica, but yes,

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<v Speaker 1>you gotta say Nubian white queen. I'm sorry, my Nubian

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<v Speaker 1>all right, we got you. Ever think you you play

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<v Speaker 1>all my requests every morning. You're welcome to Jay in

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<v Speaker 1>the world. Thank you, man, I'm glad he thinks that.

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<v Speaker 1>All right, get it off your chest call us now

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<v Speaker 1>it was the breakfast club. Good morning, wake up, wake up? Wait,

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<v Speaker 1>this is your time to get it off your chest,

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<v Speaker 1>your man or blast. We want to hear from you

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<v Speaker 1>on a breakfast clos Hello, who's this? Good morning? This

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<v Speaker 1>is getting on to our Charlotte. Off your chest, mama. Okay,

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<v Speaker 1>So my complaint is, why is it that I have

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<v Speaker 1>to hear the same music eating every day? Because it's

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<v Speaker 1>called the radio, sicking hearing CARDI B I don't want

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<v Speaker 1>to hear that Bessmo, Well, I don't want to hear la.

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<v Speaker 1>There is so much music either. Why do you guys

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<v Speaker 1>have the same sellection each and every day? Because this

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<v Speaker 1>radio as far as music, I don't want to hear

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<v Speaker 1>that mess anymore. Every time I hear it, I turned

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<v Speaker 1>the radio. Don't you want to listen to us? I mean,

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<v Speaker 1>I listen to you all, But when I hear Carl

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<v Speaker 1>what's her name? Cardi B Cardi, the radio goes off.

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<v Speaker 1>Well that's fine, just make sure to come back in

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<v Speaker 1>three four minutes. Okay, there's no songs you listen to

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<v Speaker 1>over and over again that you love. No, No, I'm

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<v Speaker 1>sick of it. I don't want to hear it anymore.

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<v Speaker 1>I would you want to hear? Okay, they have the

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<v Speaker 1>new juvenile out? Can you play that? The new jud

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<v Speaker 1>I got it coming up? That to Ashley Cardi BS

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<v Speaker 1>coming up next. Thank you so much. Day, have a

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<v Speaker 1>good day. Hello. Who's this? Hey? This is Janess Henry

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<v Speaker 1>for Springlake. How y'all doing? Get it off your chest? Listen,

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<v Speaker 1>I caused his friendsom positivity. God is good all the time. Yes,

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<v Speaker 1>hey man, Yes, I want to thank the Breakfast Club

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<v Speaker 1>for enter my phone call. A couple of weeks ago.

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<v Speaker 1>I'm a real estate broker out in spring Lake in

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<v Speaker 1>North Carolina, and I called, like where the buyers? So

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<v Speaker 1>I went from having no buyers to already having two

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<v Speaker 1>houses on the contract. Congratulations, attacking me from everywhere. Yes,

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<v Speaker 1>thank you. I just want to say, like, I don't

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<v Speaker 1>mind if people calling me now with nastix A five

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<v Speaker 1>six A two, but only about houses, y'all. I'm already married.

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<v Speaker 1>Anybody even heard you? Just now? You said that number

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<v Speaker 1>way too fast? Oh now I'm one nine six eight

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<v Speaker 1>five six eight eight two and you're an agent in

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<v Speaker 1>North Carolina? Right, yes, call me business, only only about houses.

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<v Speaker 1>She is married, Leave her alone. Don't be trying to

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<v Speaker 1>hilight her. We'll be honest with you. You got your

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<v Speaker 1>damn mind to give away your number on a radio

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<v Speaker 1>station heard by millions of people, say that only people

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<v Speaker 1>are gonna call about how there you go. I'm willing

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<v Speaker 1>to do it. There you go, strong a right blocks

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<v Speaker 1>run through one hundred phone calls before you get to one.

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<v Speaker 1>Let's see, I'm gonna precious you got this morning? That's

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<v Speaker 1>all right? Good luck? Good? Remember God is good. There

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<v Speaker 1>you go for God, ain't tell you to be stupid. Hello,

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<v Speaker 1>who's this d D? What's up? Getting off her chests? Bro?

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<v Speaker 1>What's up? Envy? And what's happening? Brother? Morning? I'm calling man.

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<v Speaker 1>I'm a professor. I was actually hired as the youngest

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<v Speaker 1>professor at when State University. Now I'm at a community

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<v Speaker 1>college of Baltimore. I just want to spread a positivity

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<v Speaker 1>and education to the kids, man, and take advantage of

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<v Speaker 1>your ships, man, relationships, mentorships and friendships man to get ahead. Okay,

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<v Speaker 1>I like that. Well, thank you brother. Yeah, I appreciate you. Man.

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<v Speaker 1>I listen to y'all every day. We appreciate you all right, man?

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<v Speaker 1>You bro? Hello? Who's this? Yo's up? This matter from

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<v Speaker 1>Melana mat? What's up? Bro? Man? I need to spread

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<v Speaker 1>this positivity right here, I swear, and I'm been trying

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<v Speaker 1>to get through what's peace was happening? How to get through?

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<v Speaker 1>For the past two weeks, I've been in real estate

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<v Speaker 1>school and I've been wanting to tell you though. When

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<v Speaker 1>when y'all talking about flipping houses and everything, it's a

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<v Speaker 1>lot more information that these people out here really to

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<v Speaker 1>go out and get and you can do that. About

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<v Speaker 1>getting your license, a lot of people might end up

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<v Speaker 1>in mortgage fraud if they don't do so, you know

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<v Speaker 1>what I mean? Absolutely, I tell people a Google, read

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<v Speaker 1>a book, and like you said, get your license. If

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<v Speaker 1>you got the time, go get your licensing. Yo for

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<v Speaker 1>show for show I paid FO fifty and this is

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<v Speaker 1>my second time taking the course. I still get Like

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<v Speaker 1>three years ago and I was on there on that

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<v Speaker 1>stupid stuff. You know what I'm saying, relationships, be answering,

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<v Speaker 1>all that crazy stuff. But Noah, this year I actually

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<v Speaker 1>did it. I said for you know what I'm saying.

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<v Speaker 1>I'm like, I'm getting it too. I just wanted to

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<v Speaker 1>let the whole city know. Also shout out to try

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<v Speaker 1>City High School, Tennessee State Universe, your rich craud a band. Okay,

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<v Speaker 1>all right, Robert, you got a lot of company. All right, man,

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<v Speaker 1>that way, get it off your chest. You gotta stop

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<v Speaker 1>saying young boys. I was repeated off the him. He

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<v Speaker 1>just said that. He just said it. So I repeated

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<v Speaker 1>after him. That way. You don't repeat it. At the

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<v Speaker 1>point one person says it, he's supposed to go that way.

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<v Speaker 1>I was going that way. That's what I'm saying. I'm

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<v Speaker 1>going that way, that way, that way, now that way.

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<v Speaker 1>The Breakfast Club, it's topic time of the phone called

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<v Speaker 1>eight hundred five eight five one oh five. Want to

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<v Speaker 1>join it to the discussion with the Breakfast Club, talk

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<v Speaker 1>about it morning. Everybody is DJ Envy and Jela Yee

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<v Speaker 1>Charlomagne the guy. We are the breakfast club. Good morning

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<v Speaker 1>now if you just joined us with talking low Cuisia,

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<v Speaker 1>now tell him about lot Quistion. La Quisha is a

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<v Speaker 1>movie about a white man who's pretending to be a

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<v Speaker 1>black woman in order to get a job on radio

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<v Speaker 1>where they're looking for a black woman radio host. All right,

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<v Speaker 1>so when the quess the show becomes successful when he

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<v Speaker 1>lands the job even though he's a white man. So

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<v Speaker 1>let's playing snipping into the trailer right fast. It's brilliant.

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<v Speaker 1>I know the biggest thing in radio, but I still

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<v Speaker 1>need mine. And you leve, Louisia, what's your problem? It's crazy.

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<v Speaker 1>Oh I ain't talking to you, not the way you sound.

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<v Speaker 1>Next collar you go, girl. You just be good at her.

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<v Speaker 1>If you're good at yourself, you can be good at others.

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<v Speaker 1>Don't be too good because the police have come around.

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<v Speaker 1>Louisa is a real role modelfucker. If you're asking an

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<v Speaker 1>American woman's on this play, I think I might be

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<v Speaker 1>a black woman trapped in a white man's body. So

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<v Speaker 1>we're asking eight hundred five eight five one on five one,

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<v Speaker 1>what are your thoughts? Let's start with you. You're a

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<v Speaker 1>black woman, yeah, I thought it was very offensive that

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<v Speaker 1>he tried it. First of all, it sounds like a

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<v Speaker 1>stereotypical what a white person thinks a black woman sounds like.

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<v Speaker 1>And then the name Loquisia is that it just feels

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<v Speaker 1>very like stereotyping what a black woman is. And it's

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<v Speaker 1>already hard enough for black woman to get these positions

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<v Speaker 1>in these jobs. So the fact that you make a

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<v Speaker 1>movie about white man getting this job because he can't

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<v Speaker 1>get it because he's a white man's kind of like,

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<v Speaker 1>you know, we have some type of affrimative action going on,

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<v Speaker 1>like let us have a job that is very few

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<v Speaker 1>and far between for us. But people would say it's

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<v Speaker 1>a movie and you know, they did it in White

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<v Speaker 1>Chicks with Marlon and Damon played uh, they were black

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<v Speaker 1>men that played white chicks. I think that's the exact

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<v Speaker 1>opposite of what this is. What do you think, Well,

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<v Speaker 1>I mean, here's the problem. The problem is there's not

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<v Speaker 1>a black woman behind this, all right. That white guy,

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<v Speaker 1>what's his name, Jeremy Chaville, should have went to one

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<v Speaker 1>of his black female comedian friends and let her be

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<v Speaker 1>let her be the face of this. You know, if

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<v Speaker 1>he did that, I don't think it would be an

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<v Speaker 1>issue because there's an unwritten rule that the oppressor can't

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<v Speaker 1>make films like this about the oppressed, but the oppressed

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<v Speaker 1>can do that to the oppressors. And that's just the

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<v Speaker 1>way it is. But I think that, you know, people

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<v Speaker 1>got to stop being offended by fictional world like it's

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<v Speaker 1>a movie, it's entertainment. Like I grew up on people

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<v Speaker 1>pretending to be other people all the time, and Living

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<v Speaker 1>Color made fun of everybody. Dave Chappelle made fun of everybody.

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<v Speaker 1>You got white chicks. Remember Johanna Man where he pretended

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<v Speaker 1>to be a woman NBA player. We would have never

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<v Speaker 1>gotten chane Ll Wanda in this generation. You tell me,

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<v Speaker 1>you're telling me and Wanda we're positive depictions of black women.

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<v Speaker 1>I kind of this is what a white man thinks

0:11:05.920 --> 0:11:08.599
<v Speaker 1>the black woman sounds and you know, looks like and

0:11:08.640 --> 0:11:10.080
<v Speaker 1>what her names should be. But there is a black

0:11:10.120 --> 0:11:12.800
<v Speaker 1>comedian from the movie who is defending the movie in

0:11:12.960 --> 0:11:16.200
<v Speaker 1>here is what he has to say. If anyone's offended,

0:11:16.240 --> 0:11:18.280
<v Speaker 1>I'm very sorry, But I wasn't trying to make any

0:11:18.440 --> 0:11:20.240
<v Speaker 1>n's a mockery And in fact, I don't think the

0:11:20.360 --> 0:11:23.720
<v Speaker 1>trailer does the movie any justice. I don't think any

0:11:23.760 --> 0:11:25.280
<v Speaker 1>of the black people I worked on it, so we

0:11:25.360 --> 0:11:28.400
<v Speaker 1>were making a mockery. I think we're, at least for myself,

0:11:28.480 --> 0:11:30.880
<v Speaker 1>well versed in our plight and our history and all

0:11:30.920 --> 0:11:33.440
<v Speaker 1>of that. This is a comedy. It's a story about

0:11:33.480 --> 0:11:36.640
<v Speaker 1>one guy who does the wrong thing for the right

0:11:36.679 --> 0:11:39.240
<v Speaker 1>reasons and ultimately he pays the price. I think you

0:11:39.600 --> 0:11:42.200
<v Speaker 1>kind of have to withhold judgment until you see the movie.

0:11:42.320 --> 0:11:43.960
<v Speaker 1>All right, Well, let's go to the phone lines eight

0:11:44.080 --> 0:11:46.640
<v Speaker 1>hundred five eight five one o five one. We have

0:11:46.760 --> 0:11:49.640
<v Speaker 1>Elvis on the line. Elvis, good morning, Hey, good morning.

0:11:49.720 --> 0:11:51.280
<v Speaker 1>What's up. What do you think about? What are your

0:11:51.320 --> 0:11:53.679
<v Speaker 1>thoughts on the movie? I think it's great. I think

0:11:53.720 --> 0:11:55.480
<v Speaker 1>it's a great idea. I think it's the best idea

0:11:55.520 --> 0:11:58.240
<v Speaker 1>of his White Chick. Do you remember White Chick? White

0:11:58.280 --> 0:12:00.679
<v Speaker 1>Chicks were good? I'm not going afraid movie sounds like

0:12:00.720 --> 0:12:03.040
<v Speaker 1>a dope boy there y'all tripping? Well, he actually did.

0:12:03.160 --> 0:12:05.760
<v Speaker 1>The writers and director did act, and the guy who

0:12:05.840 --> 0:12:09.200
<v Speaker 1>started they did actually tag Marlon Wayans and say, Lucretia

0:12:09.320 --> 0:12:11.400
<v Speaker 1>meet white Chicks, and Marlin said, please stop tagging me,

0:12:11.440 --> 0:12:16.360
<v Speaker 1>and this bs. Well Marlin doesn't seem to think so,

0:12:16.640 --> 0:12:18.920
<v Speaker 1>but I mean, listen, white women could have been offended

0:12:18.960 --> 0:12:20.480
<v Speaker 1>by white chicks. White women could have been like, we

0:12:20.520 --> 0:12:22.959
<v Speaker 1>don't act like that, that's stereotypical. They could have done

0:12:23.000 --> 0:12:25.800
<v Speaker 1>the same exact thing. Yeah, we're just always oppressed and um,

0:12:26.120 --> 0:12:30.280
<v Speaker 1>you know, always marginalized. But yeah, that's the thing. It's

0:12:30.280 --> 0:12:34.079
<v Speaker 1>a rule. It's an unwritten rule that that the oppressed

0:12:34.280 --> 0:12:37.079
<v Speaker 1>can't I mean, the oppressor can't do that to the oppressed,

0:12:37.120 --> 0:12:38.559
<v Speaker 1>but their press can do that to the opressent. Just

0:12:38.640 --> 0:12:41.120
<v Speaker 1>it's the way it is. See, I'm torn because I

0:12:41.360 --> 0:12:43.840
<v Speaker 1>do feel it's disrespectful and it's like it makes fun

0:12:43.920 --> 0:12:46.240
<v Speaker 1>of our culture and funt of our black queens. But

0:12:46.400 --> 0:12:49.360
<v Speaker 1>also it is it's jokes, like we all have jokes

0:12:49.440 --> 0:12:51.640
<v Speaker 1>like liver color. With jokes, he made fun of everybody

0:12:51.679 --> 0:12:53.240
<v Speaker 1>and liver color. They made for the gay people, they

0:12:53.320 --> 0:12:55.920
<v Speaker 1>made fun the black people, they made for the white people.

0:12:56.200 --> 0:12:58.240
<v Speaker 1>It was funny then. But is it too sensitive now

0:12:58.320 --> 0:13:00.400
<v Speaker 1>where we can't laugh. I don't know. I think I

0:13:00.480 --> 0:13:02.240
<v Speaker 1>think I think he should have had a black woman.

0:13:02.440 --> 0:13:04.880
<v Speaker 1>I think if it was this whole thing, But I

0:13:04.960 --> 0:13:07.400
<v Speaker 1>think that this just sounds like such a mockery of

0:13:07.520 --> 0:13:09.679
<v Speaker 1>what it is to be a black woman. That's true too.

0:13:09.760 --> 0:13:11.280
<v Speaker 1>Does that make it better if it was a black woman?

0:13:11.280 --> 0:13:13.120
<v Speaker 1>There is still making a mockery of a black woman.

0:13:13.120 --> 0:13:15.320
<v Speaker 1>All eight d I'm a black woman radio house host.

0:13:15.400 --> 0:13:17.240
<v Speaker 1>Do I need to be named Loquisha and talk like that?

0:13:17.480 --> 0:13:19.760
<v Speaker 1>Eight five eight five one oh five one. Call us

0:13:19.760 --> 0:13:23.360
<v Speaker 1>now as the Breakfast Club, go morning, phone, call in

0:13:23.520 --> 0:13:28.360
<v Speaker 1>right now at your opinion to the Breakfast Club top

0:13:28.760 --> 0:13:30.920
<v Speaker 1>break it down. Eight hundred five eighty five, one oh

0:13:31.000 --> 0:13:35.959
<v Speaker 1>five one The Breakfast Club Morning. Everybody is DJ Envy,

0:13:36.120 --> 0:13:39.040
<v Speaker 1>Angela Yee, Charlomagne the God. We all the Breakfast Club.

0:13:39.080 --> 0:13:41.319
<v Speaker 1>If you just joined us, we're talking little quish up that.

0:13:41.400 --> 0:13:43.679
<v Speaker 1>What's a little quisa about you? It's a movie about

0:13:43.800 --> 0:13:45.800
<v Speaker 1>a white man who decides that he wants to get

0:13:45.840 --> 0:13:47.760
<v Speaker 1>a job as a black woman radio host because that's

0:13:47.800 --> 0:13:50.680
<v Speaker 1>what the ad was looking for. And so he decides

0:13:50.720 --> 0:13:53.320
<v Speaker 1>to name himself Loquisha and adopt what he thinks sounds

0:13:53.320 --> 0:13:56.120
<v Speaker 1>like a black woman and how an opinionated black woman

0:13:56.160 --> 0:13:57.719
<v Speaker 1>with town. But let's go to the well, hold on,

0:13:57.840 --> 0:14:00.240
<v Speaker 1>hold on, we got Coo on the line. Go this

0:14:00.360 --> 0:14:03.160
<v Speaker 1>is DEVI I'm sorry, Devin, what are you saying? Devin?

0:14:03.480 --> 0:14:06.240
<v Speaker 1>I don't understand why things was mad because it sounds

0:14:06.280 --> 0:14:08.960
<v Speaker 1>just like that movie Starting to Bother You. I didn't

0:14:08.960 --> 0:14:12.400
<v Speaker 1>see that get out No nothing, not really because Sorry

0:14:12.440 --> 0:14:15.400
<v Speaker 1>to Bother You was about the black guy adopting the

0:14:15.480 --> 0:14:18.880
<v Speaker 1>white voice to sell more as a telemarketers. I guess

0:14:20.880 --> 0:14:22.480
<v Speaker 1>I gone what I did tell them? Mark? You know,

0:14:22.560 --> 0:14:24.440
<v Speaker 1>I had to definitely, I definitely had my white voice on.

0:14:24.800 --> 0:14:29.840
<v Speaker 1>Hi is Sean from Poco Fuel. How are you doing today? Sir? Awesome? Yeah,

0:14:30.280 --> 0:14:32.640
<v Speaker 1>if it's really different, because if you would say, as

0:14:32.680 --> 0:14:34.200
<v Speaker 1>a as a white person, right, if you went at

0:14:34.200 --> 0:14:35.920
<v Speaker 1>a job and telemarketing as a white man, could you

0:14:35.960 --> 0:14:37.720
<v Speaker 1>be like, hey, my name is the question, I'm trying

0:14:37.720 --> 0:14:42.000
<v Speaker 1>to get this job, then what would happen in real life? Na? Okay,

0:14:42.200 --> 0:14:44.320
<v Speaker 1>I don't know about that. It was kind of the opposite. Hello,

0:14:44.400 --> 0:14:47.720
<v Speaker 1>who's this naif Keith? What's something man? We're talking about?

0:14:48.440 --> 0:14:50.280
<v Speaker 1>Lo Keisha? What do you think? What are your thought

0:14:51.280 --> 0:14:54.320
<v Speaker 1>with that? Man? Yo? They just really didn't wasn't black

0:14:54.360 --> 0:14:56.640
<v Speaker 1>Clansman was like kind of like that thing contact like, well,

0:14:56.880 --> 0:15:00.760
<v Speaker 1>boy was trying to change up to this voice to

0:15:00.800 --> 0:15:02.880
<v Speaker 1>be a white person to catch somebody or whatever like

0:15:02.920 --> 0:15:05.160
<v Speaker 1>that seem scenario right. I never saw the Black claimsman.

0:15:05.240 --> 0:15:07.600
<v Speaker 1>I don't see him. Black Claimers was good man, that

0:15:07.640 --> 0:15:11.120
<v Speaker 1>was a good movie. But they they had a recent

0:15:11.200 --> 0:15:16.520
<v Speaker 1>movie like that, same scenario is right too, white kids stuff. Man,

0:15:16.920 --> 0:15:18.760
<v Speaker 1>Would you have a problem if after seeing this movie,

0:15:18.840 --> 0:15:21.640
<v Speaker 1>white man went around talking like they were loquia. No,

0:15:22.280 --> 0:15:25.920
<v Speaker 1>you can say to them all the time, but it's

0:15:26.160 --> 0:15:28.800
<v Speaker 1>it's I would I wouldn't want a white person to

0:15:28.840 --> 0:15:30.960
<v Speaker 1>come up to me and be like, hey, sister girl,

0:15:31.080 --> 0:15:34.320
<v Speaker 1>I hate when people do they do that. Now, heysive

0:15:34.520 --> 0:15:38.840
<v Speaker 1>it's offensive. Now you've ever seen Himpio. Listen. The problem

0:15:39.000 --> 0:15:41.880
<v Speaker 1>is there's an unwitten rule that the oppression can't make

0:15:41.960 --> 0:15:44.680
<v Speaker 1>films you know about the oppressed, But the opress can

0:15:44.760 --> 0:15:46.320
<v Speaker 1>do that to the oppression. That's just the way it is.

0:15:46.400 --> 0:15:48.840
<v Speaker 1>Whether it's a man doing that to a woman, a

0:15:48.960 --> 0:15:51.000
<v Speaker 1>scrape person doing that to a gay person, a white

0:15:51.040 --> 0:15:53.440
<v Speaker 1>person doing that to a black person like you, just

0:15:53.800 --> 0:15:55.640
<v Speaker 1>it never looks good. But they got you think a

0:15:55.680 --> 0:15:57.040
<v Speaker 1>white man can know what it's like to be a

0:15:57.120 --> 0:16:00.480
<v Speaker 1>black woman. No, and accurately portray that. I'm but I'm

0:16:00.560 --> 0:16:02.280
<v Speaker 1>sure that's the whole point of the movie. I'm sure

0:16:02.360 --> 0:16:04.440
<v Speaker 1>by the end of this movie, his whole spot gets

0:16:04.480 --> 0:16:06.640
<v Speaker 1>blown up. I'm sure by the end of this movie,

0:16:06.680 --> 0:16:09.440
<v Speaker 1>his whole spot gets blown up. Mike, Yeah right, Heay,

0:16:09.440 --> 0:16:10.400
<v Speaker 1>what's up, bro? What do you? What do you? What

0:16:10.440 --> 0:16:12.800
<v Speaker 1>are your thoughts for Lotquisha? All right? I got I

0:16:12.880 --> 0:16:14.840
<v Speaker 1>got three points. First of all, when I saw this thing,

0:16:14.960 --> 0:16:17.640
<v Speaker 1>all right, I'm like this movie with it man eighty five,

0:16:17.640 --> 0:16:21.080
<v Speaker 1>I couldn't believe that someone put this. Twenty nineteen, one

0:16:21.080 --> 0:16:24.360
<v Speaker 1>of my biggest deployments was when the Black the movie.

0:16:24.360 --> 0:16:26.160
<v Speaker 1>I can't believe any of them read the script and

0:16:26.320 --> 0:16:29.160
<v Speaker 1>showed up for this cat seeing that you know they

0:16:29.200 --> 0:16:30.960
<v Speaker 1>would endure something like this. I think that that was

0:16:31.000 --> 0:16:34.000
<v Speaker 1>a huge problem. But honestly, the biggest plot hole is

0:16:34.320 --> 0:16:37.080
<v Speaker 1>how many black women named Akuisha are getting hired without

0:16:37.080 --> 0:16:39.320
<v Speaker 1>a face to face interview. Right, that doesn't happen. Ever,

0:16:39.800 --> 0:16:42.360
<v Speaker 1>we haven't seen the movie. Well, that's what happens in

0:16:42.440 --> 0:16:44.000
<v Speaker 1>the movie. He doesn't have a face to face interview.

0:16:44.040 --> 0:16:47.160
<v Speaker 1>That's why he got hired because it didn't. I'm not

0:16:47.160 --> 0:16:48.560
<v Speaker 1>about to sit here and try to figure out a

0:16:48.640 --> 0:16:51.240
<v Speaker 1>fictional movie that is. That's part of the plot is

0:16:51.280 --> 0:16:53.400
<v Speaker 1>that he gets hired without them seeing him. But no,

0:16:53.520 --> 0:16:55.920
<v Speaker 1>but I'm saying it's it's a movie. I'm not gonna

0:16:55.920 --> 0:16:58.200
<v Speaker 1>pick a part a movie like if we know it

0:16:58.360 --> 0:17:01.320
<v Speaker 1>for entertainment purposes, we know it fictional. Hello, who's this

0:17:02.480 --> 0:17:05.760
<v Speaker 1>Mica Michael? What's up? Bro? What? What? What are your thoughts? Man? Well?

0:17:06.000 --> 0:17:08.719
<v Speaker 1>I want to see people keep that same energy when

0:17:08.760 --> 0:17:11.080
<v Speaker 1>it comes to other movies. If they're gonna be dispensed

0:17:11.160 --> 0:17:14.120
<v Speaker 1>to something like Dinner. You can't watch like The Black

0:17:14.160 --> 0:17:17.000
<v Speaker 1>plans Man or A White Sick or something like that.

0:17:17.480 --> 0:17:19.920
<v Speaker 1>When when it's for one of a comedy. So and

0:17:20.119 --> 0:17:23.960
<v Speaker 1>I'm serious about it, and it's I mean, it's a movie.

0:17:24.080 --> 0:17:27.400
<v Speaker 1>Can't take something that that. Yeah, nobody depends black women.

0:17:27.680 --> 0:17:29.159
<v Speaker 1>It don't have nothing to do with that. This is

0:17:29.240 --> 0:17:31.400
<v Speaker 1>a movie like you get You remember that old movie,

0:17:31.440 --> 0:17:33.840
<v Speaker 1>Remember that old movie in ninety six with Whoope Goldberg

0:17:33.920 --> 0:17:36.639
<v Speaker 1>called the Associate. We've seen Eddie Murphy play white people

0:17:36.880 --> 0:17:39.760
<v Speaker 1>like Listen. The problem with this whole thing is they

0:17:39.800 --> 0:17:42.160
<v Speaker 1>should have had a black woman behind it. They should

0:17:42.160 --> 0:17:44.600
<v Speaker 1>have been a black woman executive producer. It should have

0:17:44.640 --> 0:17:47.480
<v Speaker 1>been a black woman. Black women were writing on it,

0:17:47.760 --> 0:17:50.000
<v Speaker 1>like That's the biggest issue here to me is that

0:17:50.119 --> 0:17:52.480
<v Speaker 1>this white guy is at the forefront of this. If

0:17:52.520 --> 0:17:54.040
<v Speaker 1>they would have had a black woman attached to this,

0:17:54.160 --> 0:17:57.480
<v Speaker 1>it wouldn't even be an issue that hashba the black women.

0:17:57.600 --> 0:17:59.560
<v Speaker 1>You give a black woman some coin and then make

0:17:59.600 --> 0:18:02.400
<v Speaker 1>it can seem okay. No, it's more than just having

0:18:02.480 --> 0:18:05.320
<v Speaker 1>a black woman behind that disrespect. It's a movie, and

0:18:05.400 --> 0:18:07.440
<v Speaker 1>black women are finding a disrespectful and don't like it,

0:18:07.520 --> 0:18:09.200
<v Speaker 1>then it's disrespectful. I'm not a black woman, so I

0:18:09.240 --> 0:18:12.600
<v Speaker 1>can't sit here and tell you what I mean. Some

0:18:12.720 --> 0:18:14.680
<v Speaker 1>people are okay with it, some people aren't. What I

0:18:14.720 --> 0:18:17.200
<v Speaker 1>go see this movie? Now? All right, guys, what's the

0:18:17.280 --> 0:18:19.960
<v Speaker 1>movie was to me? I wasn't cracking up when I've

0:18:19.960 --> 0:18:22.160
<v Speaker 1>seen it. The moral of the story is y'all promoted

0:18:22.200 --> 0:18:24.240
<v Speaker 1>the hell out of this white man's movie. My god,

0:18:24.280 --> 0:18:26.360
<v Speaker 1>he's gonna kill it the box office on Netflix, whever

0:18:26.400 --> 0:18:28.679
<v Speaker 1>the Ellis is coming out. I doubt it. There you crazy?

0:18:28.760 --> 0:18:32.280
<v Speaker 1>This movie about the pop. It's about the pop right now?

0:18:32.480 --> 0:18:34.880
<v Speaker 1>Oh my goodness, as keep it locked. This the Breakfast Club,

0:18:34.920 --> 0:18:39.920
<v Speaker 1>The Morning, the Breakfast Club, Keep the Breakfast Club humble,

0:18:40.119 --> 0:18:50.240
<v Speaker 1>slanting the Breakfast class more. Everybody is DJ Envy Angela Yee, Charlemagne,

0:18:50.280 --> 0:18:52.399
<v Speaker 1>the guy, we are the breakfast Club. It's time for

0:18:52.600 --> 0:18:55.760
<v Speaker 1>slander the breakfasts, right, We need the humbling, you know

0:18:55.760 --> 0:18:57.359
<v Speaker 1>what I'm saying. We like to do this every now

0:18:57.440 --> 0:18:59.359
<v Speaker 1>and then just to keep us humble, you know what

0:18:59.400 --> 0:19:01.280
<v Speaker 1>I mean. All Right, Well, let's get to a KLA.

0:19:01.840 --> 0:19:05.560
<v Speaker 1>Good morning guys. Hey, Kelly, who you want to slander? Charlemagne?

0:19:05.920 --> 0:19:10.440
<v Speaker 1>Y you want Charlemagne. I'm a fairy new listener. I've

0:19:10.480 --> 0:19:15.199
<v Speaker 1>been listening for about two years, and m Charlemagne has

0:19:15.280 --> 0:19:17.359
<v Speaker 1>been open and honest about what he went through at

0:19:17.400 --> 0:19:21.800
<v Speaker 1>the child in terms of his sexual molestation. And you know,

0:19:22.800 --> 0:19:25.200
<v Speaker 1>I wonder if maybe you need to explore that a

0:19:25.240 --> 0:19:27.720
<v Speaker 1>little deeper in your therapy, because out of the three

0:19:27.800 --> 0:19:31.120
<v Speaker 1>of y'all, Charlemagne, you are the only one that makes

0:19:31.480 --> 0:19:35.679
<v Speaker 1>so many over the top sexual references about man parts,

0:19:36.440 --> 0:19:40.080
<v Speaker 1>about doing things sexually that most people don't even talk

0:19:40.119 --> 0:19:42.920
<v Speaker 1>about in the privacy of their own home. And I

0:19:43.040 --> 0:19:46.800
<v Speaker 1>wonder because you have residual issues with what happened to you,

0:19:47.280 --> 0:19:50.680
<v Speaker 1>because it's very cringeworthy to listen to you make so

0:19:50.840 --> 0:19:53.720
<v Speaker 1>many over the top sexual reference You do talk about man,

0:19:53.760 --> 0:19:56.359
<v Speaker 1>but aline, yeah, that's a valid point you do talk

0:19:56.400 --> 0:19:58.359
<v Speaker 1>about but I'm not. I'm not even just mutinous. I

0:19:58.440 --> 0:20:01.080
<v Speaker 1>think she might be right. All right, Well, thank you, Kelly.

0:20:01.119 --> 0:20:04.159
<v Speaker 1>Did you hear anything this morning? Uh? Not this morning?

0:20:04.280 --> 0:20:06.240
<v Speaker 1>So I'm kind of room for you this morning. But

0:20:06.480 --> 0:20:08.720
<v Speaker 1>you know, y'all not off the arabs for another forty

0:20:08.760 --> 0:20:10.439
<v Speaker 1>five minutes. You must have just got in the car

0:20:10.960 --> 0:20:12.680
<v Speaker 1>when I told you didn't hit? When I when you

0:20:12.720 --> 0:20:14.879
<v Speaker 1>didn't hit? When I told Envy that just because a

0:20:14.960 --> 0:20:16.720
<v Speaker 1>man tells you to get on your knees like you

0:20:16.840 --> 0:20:19.800
<v Speaker 1>used to, it might not be a reference to hear that. Okay,

0:20:19.960 --> 0:20:23.000
<v Speaker 1>that was trying to mile compare tell how you Yeah?

0:20:23.080 --> 0:20:24.600
<v Speaker 1>That is right? Did you hear how we tell? Ever,

0:20:24.680 --> 0:20:27.240
<v Speaker 1>he was gonna fill in his face. I didn't say no,

0:20:27.760 --> 0:20:31.960
<v Speaker 1>he didn't say that. That didn't happen, But thank you, Kelly. Hey, Jason,

0:20:32.040 --> 0:20:34.920
<v Speaker 1>come on to Jason. It was going on, Envy Angela,

0:20:35.160 --> 0:20:40.879
<v Speaker 1>Look what the hell you just saying? Who? Charlotte man?

0:20:41.119 --> 0:20:46.080
<v Speaker 1>I think he had closet. Everything y'all talk about it

0:20:46.240 --> 0:20:49.520
<v Speaker 1>comes back to some closet homosexual stuff. What's up with that?

0:20:49.640 --> 0:20:52.000
<v Speaker 1>Charlotte Knight? Like? What you mean an example? What's in

0:20:52.119 --> 0:20:56.160
<v Speaker 1>my closet? I mean? An example? Tis like this morning,

0:20:56.280 --> 0:20:58.600
<v Speaker 1>I was talking about the Ressel west Brook. You're talking

0:20:58.600 --> 0:21:02.639
<v Speaker 1>about what basically gay and yeah, I had nothing to

0:21:02.720 --> 0:21:07.359
<v Speaker 1>do with anything, because I don't understand why people just

0:21:07.520 --> 0:21:10.119
<v Speaker 1>jump to the conclusion that that meant slavery just because

0:21:10.119 --> 0:21:11.960
<v Speaker 1>a man tells another man get on your knees like

0:21:12.000 --> 0:21:14.439
<v Speaker 1>you used to. But that's a conclusion Russell Westbrook jump too.

0:21:14.640 --> 0:21:19.080
<v Speaker 1>But why do you grow through the side? Homoside is murder? Sir?

0:21:20.800 --> 0:21:31.200
<v Speaker 1>Oh Roberts, Hey, Robert? How you doing? Oh? How you doing?

0:21:31.440 --> 0:21:35.800
<v Speaker 1>I'm good? Who you want to slander? Why do you

0:21:35.840 --> 0:21:39.680
<v Speaker 1>want to slander me? Bro Man ibusually started following you

0:21:39.680 --> 0:21:43.600
<v Speaker 1>on Instagram. Man, all your's a different call with the

0:21:43.800 --> 0:21:47.720
<v Speaker 1>same hoodio. He got it on? Now who is it?

0:21:47.840 --> 0:21:51.520
<v Speaker 1>What does it say? Is it my guy versus VI enemies?

0:21:52.520 --> 0:21:57.000
<v Speaker 1>I love that brand? I wonder why I love that brand.

0:22:00.800 --> 0:22:03.439
<v Speaker 1>I love that bread. That about it? Yeah, you can

0:22:03.560 --> 0:22:05.520
<v Speaker 1>go to the Body of God dot com to get

0:22:05.560 --> 0:22:07.280
<v Speaker 1>your You know, my dad said that the same Do

0:22:07.320 --> 0:22:08.960
<v Speaker 1>you own any other clothes? You were that same moody

0:22:09.000 --> 0:22:11.440
<v Speaker 1>all the time? Why didn't think it's the same hoodie?

0:22:11.440 --> 0:22:13.520
<v Speaker 1>It's different colors exactly. It might be the same as

0:22:13.560 --> 0:22:17.640
<v Speaker 1>Snells same. It's not one going on going on one?

0:22:17.680 --> 0:22:21.479
<v Speaker 1>What's up mid me going oh lie, hey, what's up

0:22:21.560 --> 0:22:24.520
<v Speaker 1>my Dominican brother. No, you're talking to me, ain't I'm

0:22:24.520 --> 0:22:26.359
<v Speaker 1>not eat something to say West African? So no, I'm

0:22:26.400 --> 0:22:31.920
<v Speaker 1>talking about see poppy, but say you couldn't embrace that man?

0:22:32.520 --> 0:22:35.040
<v Speaker 1>Who you want to slam the poppy he's doing? Man,

0:22:35.119 --> 0:22:36.320
<v Speaker 1>I just want to say with a couple of few guys,

0:22:36.400 --> 0:22:38.600
<v Speaker 1>other few you guys every morning, man, y'all funny Charlotte

0:22:38.600 --> 0:22:40.560
<v Speaker 1>and the guy I gotta love for you. Man, you

0:22:40.720 --> 0:22:42.720
<v Speaker 1>keep it funky all the time. And that's a good thing. Well,

0:22:42.760 --> 0:22:44.640
<v Speaker 1>thank you, sir. But this is slam of the breakfast clubs.

0:22:44.640 --> 0:22:47.680
<v Speaker 1>So we can't talk slan y'all man, And I'm sorry.

0:22:47.800 --> 0:22:50.480
<v Speaker 1>That's because he's not embraceless waffle man. He started to

0:22:50.560 --> 0:22:53.000
<v Speaker 1>break that waffle. He does embrace it. He eats him

0:22:53.040 --> 0:22:56.280
<v Speaker 1>all the time. He is down though, Man, he'd be like,

0:22:56.400 --> 0:23:00.600
<v Speaker 1>he'd be like Charlotte, Yeah, I'm not doing Medican man

0:23:00.640 --> 0:23:04.440
<v Speaker 1>him black. He stuffed his pancakes and why you don't

0:23:04.480 --> 0:23:09.639
<v Speaker 1>invent you Dominican side man, Hi Poppy stylestad thank every morning.

0:23:09.680 --> 0:23:15.000
<v Speaker 1>I'm like, no, worry. You know you got that. It's

0:23:15.040 --> 0:23:17.160
<v Speaker 1>almost spring time. He'll be out here with the white jeans.

0:23:17.520 --> 0:23:20.480
<v Speaker 1>He'll be full blown Dominican by someone Coom style instead

0:23:20.840 --> 0:23:24.159
<v Speaker 1>peace Poppy? What why are you calling him poppy? I

0:23:24.200 --> 0:23:27.159
<v Speaker 1>don't know, d y who you want to sland d

0:23:27.280 --> 0:23:30.320
<v Speaker 1>me poppy? Call you has it for you. He definitely

0:23:30.359 --> 0:23:32.760
<v Speaker 1>called you poppy d. This is the slander, man, because

0:23:33.040 --> 0:23:35.280
<v Speaker 1>I think you're really gay. Man, I really think you're gay,

0:23:35.320 --> 0:23:39.679
<v Speaker 1>and be like because you which y'all always so sensitive? Bro,

0:23:41.280 --> 0:23:45.760
<v Speaker 1>wait now, hug on what to do? It is what's wrong?

0:23:48.000 --> 0:23:51.360
<v Speaker 1>But damn bro, you oh he's got to be so sensitive.

0:23:51.640 --> 0:23:55.480
<v Speaker 1>So goddamn Charlomagne. Bro, I love you, bro. What you

0:23:55.520 --> 0:24:00.440
<v Speaker 1>look like a Warner wallet? Bro wallet? Yes, I'm game,

0:24:00.520 --> 0:24:08.639
<v Speaker 1>but he's done everything about your face. Broad. That's all

0:24:08.640 --> 0:24:12.520
<v Speaker 1>I'm gonna say, and I'm gonna go back there talk

0:24:12.560 --> 0:24:15.760
<v Speaker 1>every yo. You need to start playing some real man,

0:24:15.960 --> 0:24:18.360
<v Speaker 1>some real stuff. Man. You don't get paid to play

0:24:18.440 --> 0:24:22.280
<v Speaker 1>real music. And then I'm saying, y'all can always complaining

0:24:22.320 --> 0:24:25.040
<v Speaker 1>about home man. We tired of hearing the stream stuff

0:24:25.200 --> 0:24:28.440
<v Speaker 1>and just he played the same waxy he died. You

0:24:28.520 --> 0:24:30.639
<v Speaker 1>whacked for that. That you ain't got nothing for ye

0:24:30.920 --> 0:24:33.960
<v Speaker 1>ye I love you, yea. He goes laugh like a

0:24:34.080 --> 0:24:36.240
<v Speaker 1>four year old little girl, and you need to fix

0:24:36.320 --> 0:24:38.520
<v Speaker 1>your whole laugh and down. In fact, let's go to

0:24:38.600 --> 0:24:45.040
<v Speaker 1>Disney Lane, something new for your life. Okay, I liked it.

0:24:45.119 --> 0:24:46.960
<v Speaker 1>I liked it. I liked your slander this morning. It

0:24:47.040 --> 0:24:49.280
<v Speaker 1>started off strong. I don't mind laughing like a flame.

0:24:49.440 --> 0:24:51.400
<v Speaker 1>Ended a little week, but it was strong all right. Bye,

0:24:51.520 --> 0:24:54.679
<v Speaker 1>man Slander The Breakfast Club eight hundred five five one

0:24:54.760 --> 0:24:56.879
<v Speaker 1>or five one, keeping lock this to Breakfast Club, the

0:24:57.040 --> 0:25:04.160
<v Speaker 1>Breakfast Club more than everybody's DJ Envy Angela Yee, Charlomagne

0:25:04.200 --> 0:25:05.960
<v Speaker 1>the guy. We are the Breakfast Club. I want to

0:25:05.960 --> 0:25:09.040
<v Speaker 1>do this go ahead. We had some very special guests

0:25:09.119 --> 0:25:13.440
<v Speaker 1>in the building. It is as Deba to w V

0:25:13.720 --> 0:25:18.280
<v Speaker 1>here you actually spelled it with you sometimes, well I

0:25:18.359 --> 0:25:26.920
<v Speaker 1>did you and Tod your head was happening everything We

0:25:27.040 --> 0:25:30.560
<v Speaker 1>are feeling like villains representing holding it down in the hood. Okay,

0:25:30.800 --> 0:25:35.680
<v Speaker 1>y'all got a new show, Ladies Night reality show. We

0:25:35.800 --> 0:25:38.680
<v Speaker 1>were approached by BT to do a show about girl

0:25:38.760 --> 0:25:41.240
<v Speaker 1>groups and the struggles and the ups and downs that

0:25:41.320 --> 0:25:43.240
<v Speaker 1>we go through. We were more than happy to do

0:25:43.320 --> 0:25:45.160
<v Speaker 1>it because people don't. I mean, first of all, there's

0:25:45.200 --> 0:25:47.440
<v Speaker 1>no more girl groups, right, and then like they don't

0:25:47.480 --> 0:25:50.000
<v Speaker 1>realize that SMV and something Pepper are still around. Like,

0:25:50.280 --> 0:25:51.960
<v Speaker 1>so we went out there. We decided to put it

0:25:52.000 --> 0:25:53.879
<v Speaker 1>out there and open. I mean you literally see the

0:25:53.960 --> 0:25:56.320
<v Speaker 1>struggle of being a mother, a wife. Coco was going

0:25:56.359 --> 0:25:58.840
<v Speaker 1>through the dio. Yes, it was just and then we're

0:25:58.920 --> 0:26:00.480
<v Speaker 1>on the road out of the car on tree. I

0:26:00.520 --> 0:26:02.840
<v Speaker 1>got sick. I mean it was crazy. Guys are on

0:26:02.920 --> 0:26:12.560
<v Speaker 1>a safari and Sari, I'm the animal lover. I love her. Listen,

0:26:12.720 --> 0:26:17.760
<v Speaker 1>I'm taking I know what she means. Now, we didn't

0:26:17.760 --> 0:26:20.639
<v Speaker 1>have the opportunity to see the first episode. You did good. Yes,

0:26:20.760 --> 0:26:22.879
<v Speaker 1>and one of the recurring themes is where it's Cocoa

0:26:23.200 --> 0:26:28.720
<v Speaker 1>right and I don't do Coco. She she actually was

0:26:28.760 --> 0:26:30.760
<v Speaker 1>trying to get here. She had a little setback this morning.

0:26:30.800 --> 0:26:32.960
<v Speaker 1>I couldn't have her out here looking crazy, so we

0:26:33.200 --> 0:26:35.000
<v Speaker 1>told her we'll hold it down until she gets here.

0:26:35.160 --> 0:26:37.399
<v Speaker 1>So let's talk about s WV and Salt and Peppa

0:26:37.480 --> 0:26:39.719
<v Speaker 1>doing the show together because some Peppa said they've never

0:26:40.240 --> 0:26:43.879
<v Speaker 1>even been on the road. I know another thing, Yes,

0:26:44.000 --> 0:26:46.399
<v Speaker 1>another girl group. And so for you guys working with

0:26:46.480 --> 0:26:48.200
<v Speaker 1>them because it felt like there's a little bit of

0:26:48.320 --> 0:26:54.200
<v Speaker 1>like they're very take charge. Salt, yeah, very take Charis.

0:26:54.280 --> 0:26:55.719
<v Speaker 1>Is what we're gonna do. This is we're gonna tell them,

0:26:55.760 --> 0:26:57.480
<v Speaker 1>and you guys are like, nah, we're not, you know

0:26:57.640 --> 0:27:00.320
<v Speaker 1>there with that? So how is it? How do you guys? Alan?

0:27:00.840 --> 0:27:03.600
<v Speaker 1>You have to compromise. You literally have to compromise, especially

0:27:03.640 --> 0:27:05.760
<v Speaker 1>when you have so many egos and play and then

0:27:05.960 --> 0:27:09.560
<v Speaker 1>um other outside forces if at play. So you really

0:27:09.600 --> 0:27:12.720
<v Speaker 1>have to learn to compromise and be willing to step

0:27:12.800 --> 0:27:14.840
<v Speaker 1>back and let somebody else take the lead. Sometimes it

0:27:14.920 --> 0:27:17.080
<v Speaker 1>is just Sol super religious though, so is she like

0:27:17.200 --> 0:27:22.600
<v Speaker 1>trying to check Lely? She has religious moments yea the

0:27:22.640 --> 0:27:25.159
<v Speaker 1>show and she definitely is having her She's having a

0:27:25.200 --> 0:27:27.320
<v Speaker 1>good time. It seems like, you see the thing about

0:27:27.359 --> 0:27:30.600
<v Speaker 1>it is everybody's trying to check Lely. Everybody y'all think

0:27:30.600 --> 0:27:33.639
<v Speaker 1>it's super spiritual. It's really not. Lely is just she

0:27:33.840 --> 0:27:37.080
<v Speaker 1>just says she ain't supposed to say sometimes, but I

0:27:37.240 --> 0:27:39.640
<v Speaker 1>just say what they want to say because in the back,

0:27:39.720 --> 0:27:44.520
<v Speaker 1>in the back, they'd be like, yeah, yeah, you know,

0:27:45.240 --> 0:27:47.240
<v Speaker 1>but you know, in fun of y'all, in fun of

0:27:47.280 --> 0:27:50.080
<v Speaker 1>those they'd be like Oh that's the name of the Lord.

0:27:51.520 --> 0:27:53.200
<v Speaker 1>I think it's a balance though. You gotta have ratchet

0:27:53.320 --> 0:27:58.640
<v Speaker 1>and you gotta have righteous and that that's me. I'm

0:27:58.720 --> 0:28:00.880
<v Speaker 1>broned to New York all day. That's all You're gonna

0:28:00.920 --> 0:28:06.080
<v Speaker 1>get what you mean. I've had my crazy too. It's

0:28:07.160 --> 0:28:11.480
<v Speaker 1>now let's talk about because I remember seeing with y'all

0:28:11.560 --> 0:28:14.560
<v Speaker 1>when you had just got your butt done. Slov was

0:28:14.640 --> 0:28:26.800
<v Speaker 1>loving my but trying your video footage. You know, Sharlo

0:28:26.960 --> 0:28:29.760
<v Speaker 1>made is so much. He happens to be one of

0:28:29.840 --> 0:28:32.600
<v Speaker 1>my favorite people in the entire world. I love, I

0:28:32.680 --> 0:28:37.280
<v Speaker 1>just feel like people. He's so misunderstood, but he says

0:28:37.440 --> 0:28:41.680
<v Speaker 1>everything that people want to say but don't say it,

0:28:41.800 --> 0:28:44.440
<v Speaker 1>so I can relate to him in the craziest way,

0:28:44.600 --> 0:28:46.960
<v Speaker 1>Like we're like soul mates in a way. So how

0:28:47.080 --> 0:28:50.920
<v Speaker 1>is your beat holding up after that? Because well, it's

0:28:51.000 --> 0:28:55.680
<v Speaker 1>it's it's holding up. It's holding enough. It's nice and

0:28:55.840 --> 0:29:00.880
<v Speaker 1>settle you know you I was together on to How

0:29:00.920 --> 0:29:02.920
<v Speaker 1>did y'a keep the piece amongst each other? Oh we didn't.

0:29:04.240 --> 0:29:07.600
<v Speaker 1>We were We were separated for like eight years. Oh no,

0:29:07.760 --> 0:29:09.720
<v Speaker 1>you got to grow up before you can come back together.

0:29:09.760 --> 0:29:12.280
<v Speaker 1>And I think breaking up as a group was one

0:29:12.320 --> 0:29:13.960
<v Speaker 1>of the best things that could have happened to us

0:29:14.080 --> 0:29:18.040
<v Speaker 1>because literally we found each other. We found ourselves once

0:29:18.080 --> 0:29:20.840
<v Speaker 1>we had to separate. When you come back together after

0:29:20.880 --> 0:29:23.280
<v Speaker 1>you know who you are, it works better. And that's

0:29:23.280 --> 0:29:25.880
<v Speaker 1>when Coco went solo. Yes, and I remember she was

0:29:26.000 --> 0:29:29.760
<v Speaker 1>dating um Ishmael from Digibo Plan. They have a son. Yeah,

0:29:29.880 --> 0:29:32.040
<v Speaker 1>they have a son together. So is that part of

0:29:32.080 --> 0:29:33.760
<v Speaker 1>the reason why the group, Like she kind of went

0:29:33.840 --> 0:29:35.760
<v Speaker 1>off and she wanted to do her own thing, so

0:29:35.960 --> 0:29:38.360
<v Speaker 1>she went off and tried it and came back. We

0:29:38.680 --> 0:29:41.920
<v Speaker 1>no matter how many times we separate, we realize we're

0:29:41.960 --> 0:29:45.960
<v Speaker 1>better together than I listened to s WV like daily

0:29:46.040 --> 0:29:53.520
<v Speaker 1>to this day. I love you guys, know we do

0:29:53.920 --> 0:29:56.440
<v Speaker 1>for real. We're not just a pair just saying that.

0:29:56.680 --> 0:29:59.720
<v Speaker 1>But it's different with music, Like music is different than radio,

0:30:00.000 --> 0:30:01.520
<v Speaker 1>you know what I'm saying. Like you listen to radio sometime,

0:30:01.560 --> 0:30:03.440
<v Speaker 1>you listen to music all the time. We listen to

0:30:03.600 --> 0:30:07.080
<v Speaker 1>y'all all the time. They basically go together, though, but

0:30:07.120 --> 0:30:08.600
<v Speaker 1>you ain't just turning all. You can't say I'm gonna

0:30:08.600 --> 0:30:10.000
<v Speaker 1>turn on this breakfast club. I'm so win to you

0:30:11.480 --> 0:30:13.640
<v Speaker 1>know what I'm saying. Music, Okay, I get you. I

0:30:13.720 --> 0:30:15.320
<v Speaker 1>love to hear, but I turned on the Breast Club

0:30:15.400 --> 0:30:18.720
<v Speaker 1>every morning, like Downtown's a great songs at the movie

0:30:18.880 --> 0:30:21.920
<v Speaker 1>like that. It was crazy to think that that song

0:30:22.040 --> 0:30:28.080
<v Speaker 1>was Downtown comes after the four play what you No?

0:30:28.320 --> 0:30:30.960
<v Speaker 1>It comes after the kissing and stuff. But they kiss

0:30:31.520 --> 0:30:42.600
<v Speaker 1>the four play in the cue. But the girl I

0:30:42.800 --> 0:30:46.840
<v Speaker 1>was four play no no, not in my world? Really,

0:30:47.680 --> 0:30:53.240
<v Speaker 1>like they start with the movie. That's what I'm trying

0:30:53.240 --> 0:30:59.880
<v Speaker 1>to tell him. He want to go straight to the kids.

0:31:00.080 --> 0:31:02.320
<v Speaker 1>So the four place starts up top. Yeah, the fourth

0:31:02.400 --> 0:31:05.120
<v Speaker 1>Place starts on top. You learning something? Yes I Am.

0:31:05.520 --> 0:31:07.520
<v Speaker 1>Isn't a crazy thing. Downtown was such it was a

0:31:07.600 --> 0:31:10.320
<v Speaker 1>risky song. Back in the day. We talk about that

0:31:10.400 --> 0:31:14.680
<v Speaker 1>and now we support all the holes. So we hear

0:31:16.720 --> 0:31:22.680
<v Speaker 1>we heard Coble look what we can. What was the

0:31:22.760 --> 0:31:27.040
<v Speaker 1>label saying when y'all recorded us on what they say? Yeah? Really,

0:31:29.080 --> 0:31:37.400
<v Speaker 1>back in the day, they look out leaving about you.

0:31:37.480 --> 0:31:40.840
<v Speaker 1>They get you, like we don't ever talk about women

0:31:41.040 --> 0:31:43.160
<v Speaker 1>how they be on the room. Let's cut right to it,

0:31:44.600 --> 0:31:52.640
<v Speaker 1>ay me, it's non negotiable. You should let random fans

0:31:52.720 --> 0:31:57.160
<v Speaker 1>do it. Okay, you can take no no, but if

0:31:57.200 --> 0:32:00.920
<v Speaker 1>you take me, hey, game is just that that's just it.

0:32:01.240 --> 0:32:12.240
<v Speaker 1>You gotta lick it before you stick it. Yeah, everybody

0:32:12.280 --> 0:32:16.120
<v Speaker 1>about me. I'm trying to keep it PG. I stay

0:32:16.160 --> 0:32:19.760
<v Speaker 1>in trouble, you know, but the best all right? We

0:32:19.840 --> 0:32:22.360
<v Speaker 1>got more with s WV. When we come back, don't move.

0:32:22.400 --> 0:32:24.640
<v Speaker 1>It's to breakfast Club. Go more. This is the breakfast

0:32:24.680 --> 0:32:29.160
<v Speaker 1>Club morning. Everybody's DJ Envy Angela Yee, Charlomagne the guy.

0:32:29.200 --> 0:32:31.880
<v Speaker 1>We are to Breakfast Club is Flashback Friday and we

0:32:32.040 --> 0:32:34.720
<v Speaker 1>have s WV in the building. Are you guys still

0:32:34.760 --> 0:32:38.640
<v Speaker 1>doing a biopick? We are working on it. It's it's

0:32:38.680 --> 0:32:40.720
<v Speaker 1>a lot to The thing about our ball pick is

0:32:41.160 --> 0:32:44.200
<v Speaker 1>it has to be um more than one hour, more

0:32:44.240 --> 0:32:48.000
<v Speaker 1>than two hours. We got twenty seven years of stuff

0:32:48.280 --> 0:32:50.880
<v Speaker 1>to talk about because somebody's story is gonna be left out.

0:32:50.920 --> 0:32:54.840
<v Speaker 1>We're three individuals who had three individual stories even though

0:32:54.880 --> 0:32:57.200
<v Speaker 1>we're in the same group. As a group, we went

0:32:57.280 --> 0:33:00.600
<v Speaker 1>through stuff, but individually it was a like completely different

0:33:00.600 --> 0:33:05.280
<v Speaker 1>from other traumatic. Yeah, some of it was traumatic, some

0:33:05.360 --> 0:33:07.240
<v Speaker 1>of it was great. And it's just hard to tell

0:33:07.280 --> 0:33:09.640
<v Speaker 1>a story with no time. So if we can't tell

0:33:09.680 --> 0:33:11.240
<v Speaker 1>it right, we don't want to do it. But you've

0:33:11.280 --> 0:33:13.600
<v Speaker 1>been working on it. We've been approached to do it. Yes,

0:33:14.000 --> 0:33:15.840
<v Speaker 1>I think TLC did it kind of right too, even

0:33:15.840 --> 0:33:18.200
<v Speaker 1>though I'm sure it could have been more. They couldn't

0:33:18.240 --> 0:33:20.920
<v Speaker 1>get everything in there, so you still have missing peace

0:33:21.040 --> 0:33:24.000
<v Speaker 1>and you're gonna make people mad. You know. If somebody

0:33:24.120 --> 0:33:26.640
<v Speaker 1>was a part of your story and some things happened,

0:33:26.880 --> 0:33:28.800
<v Speaker 1>you know, and they had a certain level of life

0:33:28.920 --> 0:33:32.360
<v Speaker 1>right now and it changed, it pissed you off to

0:33:32.520 --> 0:33:35.440
<v Speaker 1>kind of relive those moments again. But you have to

0:33:35.560 --> 0:33:37.680
<v Speaker 1>live in truth. Like who would be mad from an

0:33:37.760 --> 0:33:44.880
<v Speaker 1>SWV story? You know? I'm trying to be saved and

0:33:44.960 --> 0:33:53.920
<v Speaker 1>filled with the Holy Ghost today, you see, I saved today, Jesus.

0:33:55.080 --> 0:33:58.440
<v Speaker 1>I need a spirit of Charlemagne. And what about for

0:33:58.520 --> 0:34:02.280
<v Speaker 1>the three year with each other? What something? That? That's

0:34:02.320 --> 0:34:08.160
<v Speaker 1>just rude. Damn, I'm getting nervous all that the face.

0:34:08.680 --> 0:34:11.440
<v Speaker 1>You know, they say men with beards, beards are dirtier

0:34:11.480 --> 0:34:14.120
<v Speaker 1>than dogs. You told us that, right, I posted it.

0:34:14.239 --> 0:34:17.680
<v Speaker 1>I posted it, yeah, and they said it. So you

0:34:17.719 --> 0:34:23.160
<v Speaker 1>know what, Hey, my dude is a I love right

0:34:23.320 --> 0:34:26.160
<v Speaker 1>and to me, I don't need to be cut up

0:34:26.440 --> 0:34:32.000
<v Speaker 1>down there. Yeah, try, you gotta get in the beard

0:34:32.080 --> 0:34:34.319
<v Speaker 1>to I don't want to deal with that. The Beard's

0:34:34.400 --> 0:34:37.840
<v Speaker 1>rough on the poem. Poem is what you're seeing? He's like, no, no,

0:34:38.560 --> 0:34:46.440
<v Speaker 1>I face bath, face bath. You can't a facial, you're skinner, smooth.

0:34:46.640 --> 0:34:49.760
<v Speaker 1>I can't show you what it is, Charlo let me google.

0:34:53.640 --> 0:34:55.600
<v Speaker 1>Don't you get don't you get facials? I do? I

0:34:55.680 --> 0:34:59.399
<v Speaker 1>get facials, chemical pills on the face bath me too,

0:34:59.719 --> 0:35:06.160
<v Speaker 1>fa if you would tell us your face, Charlemagne, Yeah,

0:35:07.600 --> 0:35:13.680
<v Speaker 1>so you're a squirt, Charlomagne. You will never find I

0:35:13.880 --> 0:35:18.719
<v Speaker 1>can't show you. Okay, I don't. I don't need a

0:35:18.760 --> 0:35:23.640
<v Speaker 1>lot of digging in my ass. Oh no, I mean

0:35:24.520 --> 0:35:26.400
<v Speaker 1>in your ass. But it's a good thing. There you go,

0:35:29.719 --> 0:35:34.840
<v Speaker 1>it's really good. Yeah, okay, playing some swvy. I understand

0:35:35.280 --> 0:35:37.200
<v Speaker 1>anything with the bio pick that y'all would be scared

0:35:37.200 --> 0:35:38.960
<v Speaker 1>to put in because Lely said, y'all got to live

0:35:38.960 --> 0:35:40.640
<v Speaker 1>your truth. But is there anything y'all be scared to

0:35:40.680 --> 0:35:43.239
<v Speaker 1>put it on me? I feel like the story has

0:35:43.239 --> 0:35:44.759
<v Speaker 1>to be told by y'all. That's why I like all

0:35:44.760 --> 0:35:47.160
<v Speaker 1>of these biopicks while people are still alive. I'm sorry

0:35:48.000 --> 0:35:50.839
<v Speaker 1>you got married so young, right, I was thirty three

0:35:50.920 --> 0:35:53.600
<v Speaker 1>when I got married. That's not old though, But all

0:35:54.000 --> 0:35:57.240
<v Speaker 1>but what did you ever step out like in your relationships?

0:35:57.239 --> 0:36:01.000
<v Speaker 1>Do you ever get am the most loyal? I can't

0:36:01.000 --> 0:36:02.680
<v Speaker 1>answer this, let me tell you because it has to

0:36:02.760 --> 0:36:05.799
<v Speaker 1>be hard because I can't answer this question for her

0:36:06.360 --> 0:36:09.160
<v Speaker 1>because a lot of these men came to me to

0:36:09.360 --> 0:36:12.399
<v Speaker 1>hook them up with her. She had and I will

0:36:12.480 --> 0:36:15.440
<v Speaker 1>not name no names, but she had some of the richest,

0:36:15.520 --> 0:36:18.440
<v Speaker 1>some of the most popular guys. Was like, Yo, they

0:36:18.520 --> 0:36:21.080
<v Speaker 1>won't give me twenty grand if I get them a

0:36:21.160 --> 0:36:28.960
<v Speaker 1>day with her. I'm oute they came to me when

0:36:29.040 --> 0:36:31.560
<v Speaker 1>they just wanted to dare her that bad. When I

0:36:31.600 --> 0:36:33.560
<v Speaker 1>say I'm loyal, I mean that if you're loyal to me,

0:36:33.640 --> 0:36:35.480
<v Speaker 1>I'm down for you one hundred and ten percent. But

0:36:35.600 --> 0:36:40.800
<v Speaker 1>what I'm in a relationships with loyal to a fault.

0:36:40.840 --> 0:36:43.239
<v Speaker 1>And it drives me crazy because I don't do I've

0:36:43.280 --> 0:36:47.319
<v Speaker 1>never stepped out on any of my boyfriends, even before

0:36:47.400 --> 0:36:54.480
<v Speaker 1>I'm looking for somebody to cheat now I'm doing. I'm

0:36:54.520 --> 0:36:56.040
<v Speaker 1>just saying I feel like it has to be hard

0:36:56.080 --> 0:36:57.640
<v Speaker 1>because as women, when you're on the road, I know

0:36:57.760 --> 0:36:59.800
<v Speaker 1>guys are trying to high at y'all, and some of

0:36:59.880 --> 0:37:02.239
<v Speaker 1>them I would be surprised. Yeah. But See, my thing

0:37:02.480 --> 0:37:06.040
<v Speaker 1>is I have not met anybody who's worth risking my life.

0:37:06.160 --> 0:37:12.120
<v Speaker 1>My life nothing, I don't say. I don't remember the

0:37:12.239 --> 0:37:13.960
<v Speaker 1>time when you could just look at a guy and

0:37:14.120 --> 0:37:16.799
<v Speaker 1>y'all just have this chemistry and you hook up. Now,

0:37:17.480 --> 0:37:21.239
<v Speaker 1>even if it's pretty, you'd be like, damn, what, what's

0:37:21.280 --> 0:37:28.120
<v Speaker 1>in it? It's just too much? Less it? Sure, it's

0:37:28.200 --> 0:37:34.800
<v Speaker 1>pretty much you can't can't even I'm glad you said that,

0:37:34.840 --> 0:37:36.800
<v Speaker 1>because a lot of women don't think penises are pretty.

0:37:37.160 --> 0:37:40.560
<v Speaker 1>Oh no, I've seen some pretty. What makes it pretty?

0:37:41.560 --> 0:37:43.640
<v Speaker 1>It's clean, it's gotta be the same color as the

0:37:43.719 --> 0:37:49.239
<v Speaker 1>rest of his body. No, penis is really pretty? Ya huh,

0:37:50.680 --> 0:37:53.920
<v Speaker 1>get rid of that. Have you ever seen an uncircumcised

0:37:55.920 --> 0:37:59.480
<v Speaker 1>I don't it looks nice. It looks okay when it's erect.

0:38:00.080 --> 0:38:08.719
<v Speaker 1>But when when? When when the turtle had his head

0:38:08.760 --> 0:38:16.160
<v Speaker 1>in the shell. I'm still I'm still dripping. Other fact,

0:38:16.239 --> 0:38:18.880
<v Speaker 1>Lily wants to know what's inside the penis? Has ever shower?

0:38:19.000 --> 0:38:24.680
<v Speaker 1>I'm just saying this, And students, we don't seen someone everything.

0:38:24.840 --> 0:38:27.960
<v Speaker 1>We know it's some nasty dude. All right, We got

0:38:28.080 --> 0:38:31.000
<v Speaker 1>more with s WUV is Flashback Friday. Matter fact, let's

0:38:31.000 --> 0:38:33.439
<v Speaker 1>get into an s WV mini mix. It's the breakfast Club,

0:38:33.480 --> 0:38:38.840
<v Speaker 1>Good Morning, the Breakfast Club. That was s w V

0:38:39.080 --> 0:38:43.359
<v Speaker 1>Mini Mix Morning. Everybody is DJ n v Angela Yee,

0:38:43.480 --> 0:38:46.600
<v Speaker 1>Charlomagne the guy we are the breakfast Club. S WV

0:38:47.000 --> 0:38:49.000
<v Speaker 1>is here, Charlomagne. Do you'll feel like y'all got y'all

0:38:49.000 --> 0:38:51.359
<v Speaker 1>just do financially and just as far as credit from

0:38:51.400 --> 0:38:54.399
<v Speaker 1>the culture, No, yeah, no, we we missed a few

0:38:54.480 --> 0:38:57.440
<v Speaker 1>steps or a few steps missed us, but it's it's

0:38:57.480 --> 0:39:00.480
<v Speaker 1>all good. You live and learn. I'm just we hadn't

0:39:00.520 --> 0:39:02.880
<v Speaker 1>gotten our just do because we never won an award.

0:39:03.040 --> 0:39:05.600
<v Speaker 1>I remember that when vah one on a y'all, it

0:39:05.680 --> 0:39:08.160
<v Speaker 1>was like the first time plenties of soul. Yeah, that

0:39:08.280 --> 0:39:09.880
<v Speaker 1>was the first time we ever got an award. I mean,

0:39:10.040 --> 0:39:13.640
<v Speaker 1>we never received an award, and that's crazy. That song

0:39:13.880 --> 0:39:17.400
<v Speaker 1>is twice platinum alone. That wasn't even album. It was

0:39:17.440 --> 0:39:19.840
<v Speaker 1>just that song and it never received an award. You know,

0:39:20.000 --> 0:39:22.279
<v Speaker 1>numbers don't lie. That's why the BIOPICCK would be great

0:39:22.280 --> 0:39:23.440
<v Speaker 1>because I look at what it did for a new

0:39:23.640 --> 0:39:25.640
<v Speaker 1>edition with a younger kid went out because I think

0:39:25.680 --> 0:39:28.520
<v Speaker 1>that will help people. Even with TLC did there, that

0:39:28.560 --> 0:39:30.920
<v Speaker 1>really helps people who are younger that might they might

0:39:31.040 --> 0:39:33.000
<v Speaker 1>know the songs but not really know the story because

0:39:33.000 --> 0:39:34.759
<v Speaker 1>they didn't grow up on it. I think that's so

0:39:34.920 --> 0:39:36.640
<v Speaker 1>helpful and I think for that that will launch y'all

0:39:36.719 --> 0:39:39.680
<v Speaker 1>to that. The show actually helped that as well Ladies Night,

0:39:39.760 --> 0:39:42.080
<v Speaker 1>because they can see a performed they see everything that

0:39:42.160 --> 0:39:43.840
<v Speaker 1>we do. They hear the old music, they hear some

0:39:43.920 --> 0:39:45.880
<v Speaker 1>of the new music because we also worked on a

0:39:45.960 --> 0:39:48.799
<v Speaker 1>new song together Salt Pepp and SWV. So I think

0:39:48.840 --> 0:39:51.279
<v Speaker 1>this show is a step in the right direction toward that.

0:39:51.680 --> 0:39:54.520
<v Speaker 1>Hopefully the biopick will be able to be done right

0:39:54.600 --> 0:39:56.560
<v Speaker 1>and we can y'all gotta get y'all had a reality

0:39:56.640 --> 0:39:59.120
<v Speaker 1>show before those last Did that change things for y'all?

0:39:59.280 --> 0:40:02.879
<v Speaker 1>And no, okay, you know what, the show was good,

0:40:03.080 --> 0:40:11.840
<v Speaker 1>but I think you are Charlottage stop that he smelled

0:40:11.880 --> 0:40:22.480
<v Speaker 1>like a horse on there or something. Yeah, I don't

0:40:22.520 --> 0:40:28.040
<v Speaker 1>think I don't know stuff to teach him something, clue,

0:40:31.080 --> 0:40:36.359
<v Speaker 1>I tell some stuff. The one he change anything? Well,

0:40:36.480 --> 0:40:39.160
<v Speaker 1>you know what it is what reality television? And I

0:40:39.239 --> 0:40:42.040
<v Speaker 1>think they really need to rename that whole genre. You

0:40:42.239 --> 0:40:45.080
<v Speaker 1>have to embellish the truth. If I'm just telling you

0:40:45.120 --> 0:40:46.960
<v Speaker 1>about how my day is, I'm gonna have a great day,

0:40:47.040 --> 0:40:48.680
<v Speaker 1>but the day needs to be bad to cause some

0:40:48.840 --> 0:40:51.560
<v Speaker 1>kind of build up to make it interested. And it

0:40:51.680 --> 0:40:54.360
<v Speaker 1>just it drives me crazy. And I think they embellished

0:40:54.360 --> 0:40:56.759
<v Speaker 1>a little too much with the first show, and it

0:40:57.160 --> 0:41:00.319
<v Speaker 1>was a negative reaction to it, so it didn't really

0:41:00.360 --> 0:41:02.040
<v Speaker 1>help a lot. It just made people think we were

0:41:02.120 --> 0:41:04.600
<v Speaker 1>fucking crazy. We were not. Back then, all the groups

0:41:04.600 --> 0:41:07.080
<v Speaker 1>were so polished. Yeah, so they only presented the best.

0:41:07.200 --> 0:41:09.080
<v Speaker 1>So you didn't know, y'all, you know what I mean.

0:41:09.239 --> 0:41:11.359
<v Speaker 1>And then when something came out, it was like, oh

0:41:11.520 --> 0:41:16.239
<v Speaker 1>my god, they fight. Yeah, I tell you what. Social

0:41:16.320 --> 0:41:21.239
<v Speaker 1>media wasn't around in the nineties. In jail. Why would

0:41:21.280 --> 0:41:22.800
<v Speaker 1>y'all be in jail if they had social media in

0:41:22.840 --> 0:41:25.080
<v Speaker 1>the nineties. Because we were young, We have fun. It

0:41:25.239 --> 0:41:29.319
<v Speaker 1>was command crime. Yeah everything. Now you said, people don't

0:41:29.360 --> 0:41:31.440
<v Speaker 1>know how to judge what's good and what's bad. They

0:41:31.440 --> 0:41:33.520
<v Speaker 1>don't know how to make things how it is. So

0:41:34.160 --> 0:41:36.120
<v Speaker 1>if they saw some of the stuff that we did

0:41:36.160 --> 0:41:37.920
<v Speaker 1>it back in the days, we know, you know, you

0:41:38.200 --> 0:41:40.719
<v Speaker 1>were pretty okay. I mean, but I'm just saying by

0:41:40.800 --> 0:41:46.200
<v Speaker 1>guilty by association, no crimes. We just had fun. We

0:41:46.320 --> 0:41:49.840
<v Speaker 1>just had fun. They were young. Was the craziest relationships

0:41:49.960 --> 0:41:53.080
<v Speaker 1>and one of what you did to somebody's car. Oh,

0:41:53.120 --> 0:41:57.040
<v Speaker 1>we heard about that. This was social media when you

0:41:57.120 --> 0:41:59.920
<v Speaker 1>broke all the windows out of the legendary at Lovers

0:42:00.680 --> 0:42:04.239
<v Speaker 1>everything she did several cars. She would have got your

0:42:04.640 --> 0:42:09.439
<v Speaker 1>That was twenty year old Lely. I was off the chain.

0:42:09.960 --> 0:42:12.160
<v Speaker 1>These guys feel like they could just hurt you and

0:42:12.320 --> 0:42:14.920
<v Speaker 1>do what they want to do. And no, I'm not

0:42:15.000 --> 0:42:18.799
<v Speaker 1>gonna You're gonna feel listening your carn't think the same

0:42:20.640 --> 0:42:22.719
<v Speaker 1>from the Bronx. Yeah, Oh, Mike, what's the world thing

0:42:22.760 --> 0:42:26.319
<v Speaker 1>you ever did to somebody's car? Rob bring up five

0:42:26.400 --> 0:42:29.480
<v Speaker 1>thousand dollars worth of damage? They called me. He was like,

0:42:29.600 --> 0:42:31.800
<v Speaker 1>oh my god, he's looking for he's gonna kill you.

0:42:32.920 --> 0:42:36.920
<v Speaker 1>Did you have to pay for it? He no, Hayden

0:42:37.000 --> 0:42:42.560
<v Speaker 1>hurting pain. I just messed it up. I just walked

0:42:42.600 --> 0:42:45.759
<v Speaker 1>around and about ten times with a box cutter and

0:42:46.400 --> 0:42:50.239
<v Speaker 1>took the COVID and the mirrors out. It was it

0:42:50.400 --> 0:42:58.160
<v Speaker 1>was so thoroughputing it was a custom bathfinder. I'm sorry.

0:42:58.640 --> 0:43:01.839
<v Speaker 1>What did he do to you? Oh? He cheated? How

0:43:01.880 --> 0:43:04.880
<v Speaker 1>do you find out without Because I would change the

0:43:05.040 --> 0:43:08.279
<v Speaker 1>number at the house and then the girl actually get

0:43:08.360 --> 0:43:10.640
<v Speaker 1>the number she would call me and tell me how

0:43:10.760 --> 0:43:15.440
<v Speaker 1>temporary I was. I was like, damn, so that's both.

0:43:15.719 --> 0:43:18.880
<v Speaker 1>Oh yeah, Oh she's lucky I ain't see her. She

0:43:18.960 --> 0:43:21.719
<v Speaker 1>would have got a letely whip ass back then. But

0:43:22.280 --> 0:43:24.480
<v Speaker 1>I don't care anymore. He's he's married, he's moved on.

0:43:24.600 --> 0:43:27.439
<v Speaker 1>That's my friend, that's my boy. Did he forgive you? Yeah?

0:43:27.600 --> 0:43:30.279
<v Speaker 1>I think he did, And I forgave his ass too.

0:43:30.719 --> 0:43:32.959
<v Speaker 1>It ain't all about the car. He hurt my heart,

0:43:34.280 --> 0:43:37.000
<v Speaker 1>so you can't repeat. I'm still getting mad thinking about that.

0:43:37.520 --> 0:43:39.680
<v Speaker 1>So the girls you can beat up over guys back

0:43:39.680 --> 0:43:41.279
<v Speaker 1>in the day. You're gonna put that in the movie too. No,

0:43:41.360 --> 0:43:44.480
<v Speaker 1>I didn't think anybody over guys, but they wanted to

0:43:44.560 --> 0:43:49.719
<v Speaker 1>whip my ass lely at everybody after her, which you

0:43:49.760 --> 0:43:52.120
<v Speaker 1>could have seen like that car scene in the movie. Absolutely,

0:43:52.200 --> 0:43:55.839
<v Speaker 1>that was my truth. And that was the first guy

0:43:55.960 --> 0:43:59.000
<v Speaker 1>that I old, the gentleman that I ever loved, And

0:43:59.120 --> 0:44:01.640
<v Speaker 1>everybody was just trying to talk me out of that.

0:44:02.080 --> 0:44:05.239
<v Speaker 1>Why are you here when you got this guy I had.

0:44:06.040 --> 0:44:09.760
<v Speaker 1>I had a good little selected, I got a good option,

0:44:09.880 --> 0:44:13.919
<v Speaker 1>I had some great option, But you know I loved him, Yeah,

0:44:14.040 --> 0:44:21.520
<v Speaker 1>I just love It's challenging relationship. Charlotte Man, I already

0:44:21.640 --> 0:44:25.640
<v Speaker 1>know what you're trying to do, but the devil would

0:44:25.680 --> 0:44:34.040
<v Speaker 1>get no victim to day not okay. The show premier

0:44:34.160 --> 0:44:37.239
<v Speaker 1>is April thirtieth at ten pm on b ET and

0:44:37.400 --> 0:44:40.920
<v Speaker 1>BT HERB and when you watch it, hashtag Ladies Night

0:44:41.000 --> 0:44:45.200
<v Speaker 1>b ET Man. Two thirds of s w V. Thank

0:44:45.280 --> 0:44:48.840
<v Speaker 1>y'all for coming always ye don't forget. We're gonna be

0:44:48.840 --> 0:44:50.759
<v Speaker 1>hang you up next year because y'all said, y'all, damn

0:44:50.880 --> 0:44:55.840
<v Speaker 1>for y'all, don't forget. We would love to do the

0:44:55.960 --> 0:44:59.840
<v Speaker 1>young old g ball cool. Yes, I'm I see y'all tomorrow.

0:44:59.840 --> 0:45:01.879
<v Speaker 1>I'm I'll be listening. I listened every morning. I love

0:45:02.040 --> 0:45:04.399
<v Speaker 1>donkey of today. I live thank you outside the gym,

0:45:04.440 --> 0:45:07.480
<v Speaker 1>and I don't want to ever make dunkey today. I

0:45:07.560 --> 0:45:10.080
<v Speaker 1>want to make it nice that would never happen for you.

0:45:10.200 --> 0:45:14.879
<v Speaker 1>They just say something nice that you do. She's very nice,

0:45:15.840 --> 0:45:20.920
<v Speaker 1>but she just today. You're dunkey to day. You can

0:45:21.000 --> 0:45:29.600
<v Speaker 1>forget it. It's the breakfast club. Thank you, Breakfast Club man.

0:45:29.760 --> 0:45:33.319
<v Speaker 1>Say that gang don't get the shape man you are.

0:45:37.800 --> 0:45:40.480
<v Speaker 1>Dunkey today does not discriminate. I might not have the

0:45:40.560 --> 0:45:42.640
<v Speaker 1>song of today, but I got to Donkey that so

0:45:42.719 --> 0:45:44.320
<v Speaker 1>if you ever feel I need to be a Donkey

0:45:44.360 --> 0:45:49.359
<v Speaker 1>man the breakfast club, bitch, I just don't keep today

0:45:49.480 --> 0:45:52.399
<v Speaker 1>today Wow. Donkey to Day goes to a fifty hy

0:45:52.400 --> 0:45:55.680
<v Speaker 1>old woman named Michelle Jackson. Now, Michelle Jackson is from

0:45:55.680 --> 0:45:57.400
<v Speaker 1>New Orleans. Sleut to everyone who listens to us. On

0:45:57.480 --> 0:45:59.360
<v Speaker 1>qu ninety three point three in New orlet's drop on

0:45:59.360 --> 0:46:03.880
<v Speaker 1>a clue's bombing all his damage right now, Michelle was

0:46:03.960 --> 0:46:07.960
<v Speaker 1>drinking with her ex boyfriend. He's the ex boyfriend now

0:46:08.280 --> 0:46:11.399
<v Speaker 1>when he told her he wanted to see someone else.

0:46:11.880 --> 0:46:13.960
<v Speaker 1>Why do y'all tell y'all significant others you want to

0:46:13.960 --> 0:46:16.800
<v Speaker 1>see other people while you hanging out with them? You

0:46:16.880 --> 0:46:20.240
<v Speaker 1>know how disrespectful and heartbreaking that is. Eagles are very fragile.

0:46:20.320 --> 0:46:22.600
<v Speaker 1>So imagine were hanging out and I think we're having

0:46:22.600 --> 0:46:24.439
<v Speaker 1>a good time, and in the midst of us having

0:46:24.480 --> 0:46:26.200
<v Speaker 1>a fake good time, you tell me I want to

0:46:26.200 --> 0:46:29.120
<v Speaker 1>see other people. Were they drunk? I think they both

0:46:29.120 --> 0:46:31.879
<v Speaker 1>were drinking, you know, But that's just so disrespectful because

0:46:31.880 --> 0:46:34.440
<v Speaker 1>that just means that we are hanging together right now,

0:46:34.560 --> 0:46:37.239
<v Speaker 1>you're not enjoying my company. That wouldn't break your heart.

0:46:37.560 --> 0:46:40.160
<v Speaker 1>That's heartbreaking. Pro tip. If any of y'all want to

0:46:40.160 --> 0:46:42.400
<v Speaker 1>break up with your significant others this weekend, if you

0:46:42.440 --> 0:46:44.840
<v Speaker 1>want to see other people, tell them through text message,

0:46:45.040 --> 0:46:47.600
<v Speaker 1>all right, DM them? All right? Called him nothing wrong

0:46:47.600 --> 0:46:49.480
<v Speaker 1>with being a coward, because when you're a coward, you

0:46:49.560 --> 0:46:52.799
<v Speaker 1>avoid situations like this. Because after Michelle Jackson was told

0:46:52.840 --> 0:46:55.920
<v Speaker 1>by her now ex boyfriend that he wanted to see

0:46:56.000 --> 0:46:59.680
<v Speaker 1>someone else, he made the fatal mistake of going to sleep.

0:46:59.719 --> 0:47:03.360
<v Speaker 1>Who are these rookies, you know, making rookie break up mistakes.

0:47:03.400 --> 0:47:05.560
<v Speaker 1>If you're gonna be if you're not gonna be a coward,

0:47:05.719 --> 0:47:08.080
<v Speaker 1>and you're gonna attempt to have integrity and tell a

0:47:08.120 --> 0:47:10.000
<v Speaker 1>woman to her face that you want to see other people,

0:47:10.239 --> 0:47:12.239
<v Speaker 1>why the hell would you go to sleep? All right?

0:47:12.280 --> 0:47:14.040
<v Speaker 1>You might get a hot grits thrown on you, You

0:47:14.160 --> 0:47:16.120
<v Speaker 1>might get your penis cut off, or in the case

0:47:16.200 --> 0:47:19.520
<v Speaker 1>of Michelle Jackson, when her ex boyfriend woke up, he

0:47:19.600 --> 0:47:22.600
<v Speaker 1>had an injured hand and a large cut on his

0:47:22.719 --> 0:47:25.640
<v Speaker 1>head that was dripping blood. Are you ready to know

0:47:25.800 --> 0:47:30.400
<v Speaker 1>what happened? Yes? Tell us, Well, Michelle's ex boyfriend he

0:47:30.520 --> 0:47:34.600
<v Speaker 1>has a prosthetic leg, and Michelle used her ex boyfriend's

0:47:34.600 --> 0:47:40.480
<v Speaker 1>prosthetic leg to beat his ass. Okay, not making not

0:47:40.560 --> 0:47:43.440
<v Speaker 1>making this up, people, all right, this is horrible on

0:47:43.680 --> 0:47:46.759
<v Speaker 1>so many levels. One because this man got beat and

0:47:46.920 --> 0:47:49.160
<v Speaker 1>two do you think he still wants to walk on

0:47:49.320 --> 0:47:52.080
<v Speaker 1>the weapon that assaulted him? You know what I'm saying.

0:47:52.320 --> 0:47:55.160
<v Speaker 1>I would need a whole new leg now, okay, and

0:47:55.320 --> 0:47:57.800
<v Speaker 1>those things are expensive. I wouldn't want to. I wouldn't

0:47:57.800 --> 0:47:59.759
<v Speaker 1>want to walk on the weapon that assaulted me. And

0:48:00.000 --> 0:48:02.239
<v Speaker 1>if you don't have no insurance, you know what I'm saying, Paul,

0:48:02.280 --> 0:48:05.239
<v Speaker 1>one legged man can't even get to work. And view

0:48:05.360 --> 0:48:08.120
<v Speaker 1>do you think a one legged man works? That's a

0:48:08.160 --> 0:48:14.920
<v Speaker 1>good question. I hop God's not funny. He really does

0:48:14.960 --> 0:48:17.160
<v Speaker 1>work at EU. Hop he does. I don't know, Okay,

0:48:17.960 --> 0:48:21.160
<v Speaker 1>but seriously, poor guy probably can't even afford a new

0:48:21.239 --> 0:48:24.040
<v Speaker 1>prosthetic leg. Angelie, what do you think this one legged

0:48:24.120 --> 0:48:27.120
<v Speaker 1>man was doing at the ATM? What was he doing

0:48:27.160 --> 0:48:30.360
<v Speaker 1>at the ATM? Yes, I don't know, checking his balance.

0:48:30.440 --> 0:48:34.439
<v Speaker 1>He had to figure out, he had to figure out,

0:48:38.239 --> 0:48:40.120
<v Speaker 1>he had to figure out if he had the money

0:48:40.200 --> 0:48:43.399
<v Speaker 1>to buy a new prosthetic leg. Guy. Stop y'all. People

0:48:43.440 --> 0:48:46.040
<v Speaker 1>don't think I'm trying to I'm being insensitive. This is sad.

0:48:46.400 --> 0:48:48.800
<v Speaker 1>All right. Michelle Jackson didn't think this through because she

0:48:48.920 --> 0:48:50.560
<v Speaker 1>was acting off of motion. All right, if you take

0:48:50.600 --> 0:48:53.520
<v Speaker 1>your boyfriend's prosthetic leg and beat him with it, you

0:48:53.600 --> 0:48:55.640
<v Speaker 1>know what I'm saying. You're adding a different degree of

0:48:55.760 --> 0:48:59.440
<v Speaker 1>difficulty to his life. How is he gonna get around? Now?

0:48:59.480 --> 0:49:04.239
<v Speaker 1>You gotta hit hitchhike that What do you say to

0:49:04.360 --> 0:49:07.520
<v Speaker 1>a one legged hitchhiker? What do you say? Hop In?

0:49:07.840 --> 0:49:11.160
<v Speaker 1>Be a good Sumaritan, Be a good Sumaritan? Hop in?

0:49:11.440 --> 0:49:14.440
<v Speaker 1>All right? Now, Us Marston was eventually tracked Michelle down

0:49:14.480 --> 0:49:16.479
<v Speaker 1>at our house, and she is in the Jefferson Paris

0:49:16.560 --> 0:49:19.399
<v Speaker 1>Correctional Center, and she is being held without barn. Now,

0:49:19.560 --> 0:49:21.919
<v Speaker 1>some dunkey of the days just sell themselves. But before

0:49:21.960 --> 0:49:23.560
<v Speaker 1>I give out this, he hall. Now, it was a

0:49:23.680 --> 0:49:30.399
<v Speaker 1>great time to play a game of guess what racing days? Now?

0:49:31.160 --> 0:49:35.720
<v Speaker 1>Here are your clothes? Okay, New Orleans? All right? Michelle

0:49:35.960 --> 0:49:41.640
<v Speaker 1>last name Jackson beat her man with his own prosthetic leg. Angelae, Ye,

0:49:42.200 --> 0:49:47.400
<v Speaker 1>guess what racis? Well? Initially I would have said Caucasian,

0:49:47.480 --> 0:49:52.279
<v Speaker 1>but I'm gonna say African American. Okay, Well, why do

0:49:52.360 --> 0:49:54.879
<v Speaker 1>you think this? Yes? Why do you think that? Um? Well,

0:49:54.920 --> 0:49:57.160
<v Speaker 1>her last name is Jackson. They are in New Orleans,

0:49:57.400 --> 0:50:00.879
<v Speaker 1>and she did beat his ass okay, okay, dj envy,

0:50:01.160 --> 0:50:06.880
<v Speaker 1>Guess what rat she is? Might I'd have to agree

0:50:06.960 --> 0:50:13.279
<v Speaker 1>with Angela Ye okay, New Orleans black? Why that's all

0:50:13.440 --> 0:50:16.560
<v Speaker 1>Jackson black? Okay okay? And then she beat her boyfriend's

0:50:16.600 --> 0:50:22.040
<v Speaker 1>ass black, all right, just for just for fsis and giggle. Steve, Steve,

0:50:23.280 --> 0:50:27.000
<v Speaker 1>Steve Stephen, the white demon. Here your clues, New Orleans, Michelle,

0:50:27.120 --> 0:50:33.279
<v Speaker 1>last name you don't need. Okay, guess what rat she is? Black?

0:50:33.440 --> 0:50:37.080
<v Speaker 1>Why do you think that? Don't you know? I don't

0:50:37.120 --> 0:50:42.400
<v Speaker 1>like to look at you. I think the last one

0:50:42.480 --> 0:50:45.680
<v Speaker 1>was a white guy. So I'm gonna go with the odds,

0:50:46.000 --> 0:50:51.480
<v Speaker 1>the odds. Alright, alright, I hate to say it, Say

0:50:51.719 --> 0:50:54.720
<v Speaker 1>all y'all are correct. I know she is. Michelle Jackson

0:50:54.840 --> 0:50:59.759
<v Speaker 1>is African American. Word the beating with the prosthetic leg

0:51:00.160 --> 0:51:01.680
<v Speaker 1>away from me, because the black woman will beat your

0:51:01.680 --> 0:51:03.440
<v Speaker 1>ass with anything, all right. Think about all the things

0:51:03.480 --> 0:51:05.200
<v Speaker 1>your mom beat you with when we were younger. Whatever

0:51:05.280 --> 0:51:07.520
<v Speaker 1>she could get her hands on you was getting beat with.

0:51:07.560 --> 0:51:09.400
<v Speaker 1>All right. My mom beat me with the wooden spoons

0:51:09.440 --> 0:51:11.520
<v Speaker 1>that were on the wall in the kitchen. Packs of

0:51:11.600 --> 0:51:14.279
<v Speaker 1>aluminum foil. If it's long and got some whiff and

0:51:14.360 --> 0:51:16.560
<v Speaker 1>some weight to it, you're getting hit with it, all right,

0:51:16.640 --> 0:51:19.600
<v Speaker 1>So please give this black queen from New Orleans, Michelle

0:51:19.719 --> 0:51:27.600
<v Speaker 1>Jackson the biggest he are, yes, all right, all right,

0:51:27.719 --> 0:51:30.800
<v Speaker 1>all right, guys, everybody's scraping up. Okay, well, thank you

0:51:30.880 --> 0:51:33.880
<v Speaker 1>for that dokey to day now when we come back. Okay,

0:51:34.080 --> 0:51:36.200
<v Speaker 1>did she break his prosthetic leg or is it okay?

0:51:36.239 --> 0:51:38.000
<v Speaker 1>Though you can still wear it? That's a good question.

0:51:38.040 --> 0:51:39.200
<v Speaker 1>I don't know if he took it off before he

0:51:39.200 --> 0:51:43.359
<v Speaker 1>went to sp Oh yeah, yeah, yeah, yeah, yeah, yeah.

0:51:44.160 --> 0:51:47.000
<v Speaker 1>He's probably hurt. He probably beat up bad bad. No,

0:51:47.120 --> 0:51:48.600
<v Speaker 1>you have some blood dripping from his head. It will

0:51:48.600 --> 0:51:50.560
<v Speaker 1>be at all right. We got more coming up next

0:51:50.640 --> 0:51:55.400
<v Speaker 1>with a breakfast club. I'm gonna keep some real advice

0:51:55.480 --> 0:51:59.160
<v Speaker 1>with any get's ask ye one and everybody is DJ

0:51:59.600 --> 0:52:02.839
<v Speaker 1>mv Angela yee Charlomagne the guy. We all the breakfast club.

0:52:02.880 --> 0:52:05.839
<v Speaker 1>It is time to ask Hey, Hello, who's this? Hi?

0:52:06.040 --> 0:52:09.799
<v Speaker 1>This is Samantha, Hey, Samantha, Hi, talk to me. What's

0:52:09.840 --> 0:52:12.319
<v Speaker 1>going on? Kind of freaking out right now? But uh

0:52:12.840 --> 0:52:16.239
<v Speaker 1>I just got off of work. Is I just did

0:52:16.320 --> 0:52:20.440
<v Speaker 1>a whole shift overnight, and uh, I'm sitting outside of

0:52:20.520 --> 0:52:23.520
<v Speaker 1>my house and I've been I've been having these suspicions

0:52:23.600 --> 0:52:26.200
<v Speaker 1>of my boyfriend cheating. But now there's a car sitting

0:52:26.200 --> 0:52:29.239
<v Speaker 1>outside my house. What should I do? Do I go

0:52:29.360 --> 0:52:31.919
<v Speaker 1>in there? I'm like, wait, but this is your house.

0:52:31.960 --> 0:52:34.759
<v Speaker 1>I'm freaking out. I'm freaking out right now, Samantha. Hold on,

0:52:34.840 --> 0:52:37.440
<v Speaker 1>this is your house, right of course, yeah, we share

0:52:37.440 --> 0:52:41.719
<v Speaker 1>it together. So it's like, oh, man, because you know

0:52:41.760 --> 0:52:43.680
<v Speaker 1>you're supposed to be coming home. Yeah, I mean I

0:52:43.760 --> 0:52:46.959
<v Speaker 1>always come home, but I'm like thirty minutes early, forty

0:52:47.000 --> 0:52:54.680
<v Speaker 1>five minutes early. So you guys, what's Amantha before all

0:52:54.719 --> 0:52:56.680
<v Speaker 1>of that? Maybe we don't know whose car it is.

0:52:56.719 --> 0:52:58.279
<v Speaker 1>We don't know what's going on, so you should go

0:52:58.320 --> 0:53:01.040
<v Speaker 1>inside of your house thinking too, but who it's just

0:53:01.239 --> 0:53:03.640
<v Speaker 1>me and him that lives there, so who is going

0:53:04.160 --> 0:53:06.879
<v Speaker 1>Maybe it's a family member, maybe it's a friend, maybe

0:53:06.920 --> 0:53:10.360
<v Speaker 1>it's a no, let's go check. Let's go right now,

0:53:10.440 --> 0:53:11.920
<v Speaker 1>let's go check. Keep us on the phone just in

0:53:12.000 --> 0:53:14.920
<v Speaker 1>case anything happens, will be your proof. Very serious, I'm

0:53:14.960 --> 0:53:17.080
<v Speaker 1>seriously speaking out now, let's go check. Let's go go,

0:53:17.239 --> 0:53:19.439
<v Speaker 1>not gonna go over now wait before it, Samantha, before

0:53:19.440 --> 0:53:21.080
<v Speaker 1>you do that, let's just say there is a woman

0:53:21.120 --> 0:53:23.000
<v Speaker 1>in there. What my god, what's gonna happen? You know,

0:53:23.080 --> 0:53:24.960
<v Speaker 1>I've been sitting in the car for a while listening

0:53:25.000 --> 0:53:27.000
<v Speaker 1>to the radio, just thinking to myself, and I'm like,

0:53:27.320 --> 0:53:29.000
<v Speaker 1>forget it. I'm just gonna call them and see what

0:53:29.080 --> 0:53:32.319
<v Speaker 1>they say. Listen, Samantha, you're better than me, because right now,

0:53:32.440 --> 0:53:34.560
<v Speaker 1>what do I do? Yeah, better than me? Because what

0:53:34.640 --> 0:53:36.360
<v Speaker 1>I would have done already is hit up on my

0:53:36.440 --> 0:53:38.719
<v Speaker 1>friends and let them know what's going on, just in

0:53:38.800 --> 0:53:41.640
<v Speaker 1>case I need some backup. And then I'm not gonna lie.

0:53:41.680 --> 0:53:45.480
<v Speaker 1>I don't really tell people like what's going on, because

0:53:45.600 --> 0:53:47.279
<v Speaker 1>you're like, if I stay with him, I don't want

0:53:47.280 --> 0:53:50.080
<v Speaker 1>my friends to know all the nasty, terrible things he's doing.

0:53:50.280 --> 0:53:53.000
<v Speaker 1>All right, So go in the house. Let's go on. Wait,

0:53:53.040 --> 0:53:58.040
<v Speaker 1>it's your house. Let's go. Oh, okay, hold on one second,

0:53:58.160 --> 0:54:00.719
<v Speaker 1>let me go. I'm good now, all Samantha, Let's go

0:54:01.480 --> 0:54:07.960
<v Speaker 1>all right, hold on, all right, Samantha. Oh my heart

0:54:08.080 --> 0:54:13.640
<v Speaker 1>is beating so fat, Samantha. Just take a deep breakfast

0:54:13.680 --> 0:54:15.880
<v Speaker 1>her she's going inside to her in her house. She

0:54:16.120 --> 0:54:18.360
<v Speaker 1>lives here. Okay, I'm not gonna tell her not to

0:54:18.440 --> 0:54:23.040
<v Speaker 1>go on her house. My name is on. You just

0:54:23.080 --> 0:54:24.759
<v Speaker 1>called the police on the lady for trust president. She

0:54:24.800 --> 0:54:29.239
<v Speaker 1>doesn't know if there's a lady house on. Let me

0:54:29.400 --> 0:54:31.080
<v Speaker 1>listen to the door really great and see if I

0:54:31.160 --> 0:54:35.719
<v Speaker 1>hear anything. Okay, hold on, hold on then like her

0:54:35.840 --> 0:54:42.960
<v Speaker 1>hold on. Oh my gosh, oh boy, keep breathing, Samantha,

0:54:45.920 --> 0:54:52.279
<v Speaker 1>that's exactly where bitch I knew. I saw, I saw

0:54:52.360 --> 0:54:58.200
<v Speaker 1>he had one second, bitch hard This is y'all fault.

0:54:58.640 --> 0:55:01.400
<v Speaker 1>This is y'all fault. Is the NBA leave fall. Charlayne

0:55:01.400 --> 0:55:03.840
<v Speaker 1>had nothing to do with this one. Guys, y'all silly,

0:55:03.920 --> 0:55:05.440
<v Speaker 1>it's not my fun. She went into her own house.

0:55:05.440 --> 0:55:06.799
<v Speaker 1>Why would you tell her going? How have you thought

0:55:06.800 --> 0:55:08.360
<v Speaker 1>another girl wasn't didn't know who was in there? She

0:55:08.440 --> 0:55:12.600
<v Speaker 1>said outside her specifically said she thought her man came in,

0:55:12.880 --> 0:55:16.359
<v Speaker 1>came in later whatever I heard her there, you came

0:55:16.480 --> 0:55:18.319
<v Speaker 1>and know that. I think y'all would be stupid enough

0:55:18.360 --> 0:55:21.320
<v Speaker 1>to tell her to go and call the police. And

0:55:22.880 --> 0:55:25.319
<v Speaker 1>what I think. It's a strange person in my house

0:55:25.440 --> 0:55:29.480
<v Speaker 1>with her boyfriend. At the least the police show up.

0:55:29.560 --> 0:55:31.920
<v Speaker 1>So when you walk in the police there, Now she's

0:55:31.960 --> 0:55:36.600
<v Speaker 1>gonna get an assault charge. Yes, no, crazy she getting

0:55:36.600 --> 0:55:39.560
<v Speaker 1>her ass kicked right now? All right, hop because because

0:55:39.880 --> 0:55:41.279
<v Speaker 1>they have to call us back and let us know

0:55:42.880 --> 0:55:45.160
<v Speaker 1>blood and beat up. We hope, we hope neither. We

0:55:45.239 --> 0:55:47.120
<v Speaker 1>hope neither. I would I would love to see if

0:55:47.120 --> 0:55:49.239
<v Speaker 1>one of yall wouldn't come in your own house. Absolutely

0:55:49.280 --> 0:55:50.600
<v Speaker 1>I would go in my own house and no, you

0:55:50.600 --> 0:55:56.000
<v Speaker 1>would into tables. I wouldn't the police were radio her name.

0:55:56.239 --> 0:55:58.600
<v Speaker 1>I wouldn't have called the radio either. That was terrible advice.

0:55:58.880 --> 0:56:01.640
<v Speaker 1>Who I advice to the call the radio and you

0:56:01.680 --> 0:56:04.600
<v Speaker 1>got her ask because she had her phone in one

0:56:06.120 --> 0:56:08.200
<v Speaker 1>she had her phone in one hand. That the girl

0:56:08.320 --> 0:56:11.560
<v Speaker 1>probably hit her just to start everything off. Amantha, call

0:56:11.640 --> 0:56:13.960
<v Speaker 1>us back, ask you eight hundred and five eight five

0:56:14.040 --> 0:56:15.840
<v Speaker 1>one oh five one. If you need relationship advice, hit

0:56:15.880 --> 0:56:17.800
<v Speaker 1>ye now. It's the breakfast Club. Good morning. Come on,

0:56:19.080 --> 0:56:23.440
<v Speaker 1>need relationship advice, need personal advice, just need real advice?

0:56:23.640 --> 0:56:29.840
<v Speaker 1>Call up now for ask ye morning. Everybody is DJ

0:56:30.400 --> 0:56:33.560
<v Speaker 1>Envy Angela, Yee, Charlomagne. The guy we are the breakfast

0:56:33.640 --> 0:56:36.719
<v Speaker 1>Club is ask ye time eight hundred five eighty five

0:56:36.840 --> 0:56:41.040
<v Speaker 1>one o five one. Hello, who's this from Brooklyn? How

0:56:41.120 --> 0:56:44.160
<v Speaker 1>y'all doing. What's up, bro? What's your question for you? Well,

0:56:44.200 --> 0:56:46.480
<v Speaker 1>I'm trying to find out. Man, I'm faith the dude

0:56:46.880 --> 0:56:49.040
<v Speaker 1>and my girl, like for the first time, last we

0:56:49.120 --> 0:56:52.320
<v Speaker 1>got at the boodle and um, okay, I want I

0:56:52.440 --> 0:56:53.960
<v Speaker 1>just want to have a three shon. You know, she

0:56:54.040 --> 0:56:55.320
<v Speaker 1>want me to get a bootle. I want to have

0:56:55.360 --> 0:56:59.120
<v Speaker 1>a three shill. I guess he wants to them to

0:56:59.160 --> 0:57:01.200
<v Speaker 1>do it together and for her to agree to it. Yeah,

0:57:01.239 --> 0:57:03.360
<v Speaker 1>we want to. I want to experience some difference. You

0:57:03.440 --> 0:57:05.800
<v Speaker 1>want to experience something different, and I want to experience

0:57:05.840 --> 0:57:09.879
<v Speaker 1>something different. Okay, all right, right now. So she doesn't

0:57:09.880 --> 0:57:12.279
<v Speaker 1>want to have a threesome. Nah, okay, well then leave

0:57:12.320 --> 0:57:14.200
<v Speaker 1>it alone. If she's not with it, she's not with it.

0:57:14.320 --> 0:57:16.360
<v Speaker 1>You can't. You should never pressure your partner to do

0:57:16.440 --> 0:57:18.160
<v Speaker 1>something that they don't want to do. I didn't want

0:57:18.200 --> 0:57:20.440
<v Speaker 1>to eat no boodle. Well you did? You did it?

0:57:20.520 --> 0:57:22.880
<v Speaker 1>Did you enjoy it? It was all right? I mean,

0:57:23.240 --> 0:57:24.680
<v Speaker 1>I don't know if I'm gonna do it again, but

0:57:25.760 --> 0:57:28.480
<v Speaker 1>but you know, I think that threesomes also involve a

0:57:28.560 --> 0:57:31.720
<v Speaker 1>whole other person, and for some people that's a difficult

0:57:31.800 --> 0:57:33.760
<v Speaker 1>thing and they don't want to do that. Listen. If

0:57:33.800 --> 0:57:35.600
<v Speaker 1>my boyfriend asked me to have a threesome, I'm gonna

0:57:35.600 --> 0:57:38.000
<v Speaker 1>tell him no, I'm not doing that. And you don't

0:57:38.040 --> 0:57:40.840
<v Speaker 1>want to make her feel uncomfortable because that could go

0:57:41.000 --> 0:57:43.480
<v Speaker 1>terribly wrong and it could ruin your entire relationship if

0:57:43.520 --> 0:57:45.240
<v Speaker 1>you try to talk her into doing something that she's

0:57:45.280 --> 0:57:48.200
<v Speaker 1>not comfortable with. Okay, Okay, I got you, I got you.

0:57:48.480 --> 0:57:50.960
<v Speaker 1>You'll be okay, right, You'll still be faithful without a threesome.

0:57:51.280 --> 0:57:53.160
<v Speaker 1>I'm gonna try to be Why don't you tell her

0:57:53.160 --> 0:57:55.280
<v Speaker 1>to dress up, put on a wig, do something different.

0:57:55.960 --> 0:57:58.800
<v Speaker 1>I'm gonna take advice. I appreciate you. I can let

0:57:58.840 --> 0:58:06.000
<v Speaker 1>her wear scrap on me. Ain't going damn it ain't

0:58:06.000 --> 0:58:08.160
<v Speaker 1>supposed to go down to go up. Charlotte Mane talking

0:58:08.160 --> 0:58:18.840
<v Speaker 1>about spicing up his life. He's tried before. All right,

0:58:18.920 --> 0:58:21.760
<v Speaker 1>thank you, brot having something in your butt? MC guy

0:58:21.960 --> 0:58:28.280
<v Speaker 1>laugh five. One thought we got David on the line. David,

0:58:28.280 --> 0:58:30.920
<v Speaker 1>what's up going on? Butter? How y'are doing? Be good?

0:58:30.920 --> 0:58:33.960
<v Speaker 1>What's your question for you? Bro man? Listen? My son

0:58:34.080 --> 0:58:36.760
<v Speaker 1>is five years old. I picked the school every morning

0:58:37.320 --> 0:58:39.520
<v Speaker 1>and I kissed him on the lips. Far but bar

0:58:39.720 --> 0:58:42.560
<v Speaker 1>leads and I had another father recently tell me that

0:58:43.120 --> 0:58:45.440
<v Speaker 1>I should stop kissing my son in my lips because

0:58:45.520 --> 0:58:49.040
<v Speaker 1>that's gay. So my question for years, do you see

0:58:49.040 --> 0:58:51.320
<v Speaker 1>anything wrong with that? Because I know me personally, My

0:58:51.480 --> 0:58:53.640
<v Speaker 1>father kissed me and took me to school every day

0:58:53.720 --> 0:58:56.960
<v Speaker 1>until until I felt like that. Tell you while, yeah,

0:58:57.360 --> 0:59:00.520
<v Speaker 1>a question for my friends, but you already know, David,

0:59:00.640 --> 0:59:03.560
<v Speaker 1>is do you think that's gay? I don't, okay, So

0:59:03.680 --> 0:59:06.320
<v Speaker 1>then it's not like, come on now, that's ridiculous. Does

0:59:06.360 --> 0:59:09.680
<v Speaker 1>your son have a problem with it? Okay, don't worry

0:59:09.680 --> 0:59:12.000
<v Speaker 1>about what other people say. That's how you raise your son. Now.

0:59:12.120 --> 0:59:15.240
<v Speaker 1>When your son says all right, dad, enough, that's when

0:59:15.280 --> 0:59:17.280
<v Speaker 1>you're like, okay, you know, just give him a hug

0:59:17.360 --> 0:59:19.200
<v Speaker 1>and the kiss on the cheek if that's what he wins.

0:59:19.480 --> 0:59:20.960
<v Speaker 1>But as long as your son is fine with it,

0:59:21.040 --> 0:59:22.760
<v Speaker 1>and you're fine with it and you know what it is,

0:59:23.080 --> 0:59:25.919
<v Speaker 1>that shouldn't matter. That's your child. Yeah, for sure, for sure,

0:59:26.040 --> 0:59:28.640
<v Speaker 1>for sure. And I think you gotta tell the other

0:59:28.720 --> 0:59:31.240
<v Speaker 1>parent man he gotta relax. He should never even be

0:59:31.320 --> 0:59:33.120
<v Speaker 1>weighing in on what you're doing with your son. That's

0:59:33.200 --> 0:59:36.280
<v Speaker 1>so innocent. Because what I thought of with the arm

0:59:36.400 --> 0:59:38.480
<v Speaker 1>and made me. Think of what d L said. Even

0:59:38.600 --> 0:59:42.160
<v Speaker 1>some people would touch the wrong way, showing affection the

0:59:42.240 --> 0:59:44.240
<v Speaker 1>wrong way or not showing them the way. You say

0:59:44.360 --> 0:59:49.520
<v Speaker 1>that he was showing enough affection or not showing enough affection, right, yeah,

0:59:49.760 --> 0:59:53.360
<v Speaker 1>I appreciate all right, good David, half fun and I

0:59:53.480 --> 0:59:55.000
<v Speaker 1>love that you take your son to school every morning.

0:59:55.040 --> 0:59:58.160
<v Speaker 1>And I'm sure he loves that too, for sure. Thank you?

0:59:58.720 --> 1:00:00.760
<v Speaker 1>All right, Andy. Have you ever kiss your sons on

1:00:00.840 --> 1:00:02.280
<v Speaker 1>the lips? Yeah? I used to kiss. I used to

1:00:02.320 --> 1:00:04.640
<v Speaker 1>kiss my son on lips. Yeah, my daughters on the lips.

1:00:04.760 --> 1:00:07.320
<v Speaker 1>And that wasn't gay. That's ridiculous. No, I don't kiss,

1:00:07.480 --> 1:00:10.440
<v Speaker 1>I kiss, I can anybody on I don't think my day.

1:00:10.480 --> 1:00:13.120
<v Speaker 1>I kiss LOGI. You kiss your dad, You kiss your

1:00:13.200 --> 1:00:16.280
<v Speaker 1>dad on the lips. Everybody know you kiss Charlagne on

1:00:16.360 --> 1:00:19.200
<v Speaker 1>the lips, and everybody I called my brother, I called

1:00:19.200 --> 1:00:22.560
<v Speaker 1>my brother's son because he shined like one. You are yellow, Charlemagne,

1:00:22.600 --> 1:00:24.920
<v Speaker 1>kiss me on the list one time. Okay, finally some

1:00:25.040 --> 1:00:28.560
<v Speaker 1>truth is being told. All right he did? Okay? True? True?

1:00:28.880 --> 1:00:33.880
<v Speaker 1>How did it go? How did he go? Then? Don't stop? Now,

1:00:34.200 --> 1:00:36.040
<v Speaker 1>don't stop now you want to go down, let's go there.

1:00:38.520 --> 1:00:42.479
<v Speaker 1>This guy blazed. But this guy's crazy. Yo, he's really gay.

1:00:42.920 --> 1:00:46.080
<v Speaker 1>I'm crazy. I'm crazy. You just saying you're talking about

1:00:46.080 --> 1:00:47.960
<v Speaker 1>you kiss me on the lips? Now, you kiss me

1:00:48.040 --> 1:00:51.040
<v Speaker 1>on the lips. Now. Inquiring minds want to know. All right,

1:00:51.080 --> 1:00:53.439
<v Speaker 1>we don't move. We got more. Asky when we come back.

1:00:53.640 --> 1:00:57.040
<v Speaker 1>It's the breakfast Club. Good morning. I'm gonna kip real

1:00:58.280 --> 1:01:02.120
<v Speaker 1>some real advice with ANTHELI ask ye morning. Everybody is

1:01:02.200 --> 1:01:06.080
<v Speaker 1>DJ Envy, Angela Yee Scharlaman, the guy we all the

1:01:06.160 --> 1:01:09.360
<v Speaker 1>breakfast club with in the middle of ask ye Hello,

1:01:09.480 --> 1:01:12.720
<v Speaker 1>who's this? Hey? It's travel Man, travel something. Want that

1:01:12.800 --> 1:01:16.680
<v Speaker 1>call every morning? Yeah? What's your question for you? Bro?

1:01:17.320 --> 1:01:19.840
<v Speaker 1>Hey man? Hey? Yeah, i''ll been trying to embox you

1:01:19.920 --> 1:01:21.640
<v Speaker 1>for a while on Instagram and I know you have

1:01:22.000 --> 1:01:23.560
<v Speaker 1>got a lot of things to do. But hey, I've

1:01:23.560 --> 1:01:25.560
<v Speaker 1>been in the friend zone with this female for a

1:01:25.640 --> 1:01:28.800
<v Speaker 1>while now, right, And it's like she got an ex

1:01:28.920 --> 1:01:32.440
<v Speaker 1>boyfriend and it's like I'm playing number two. Is like

1:01:32.640 --> 1:01:35.919
<v Speaker 1>if he isn't around and I'm around, and if I'm

1:01:35.960 --> 1:01:38.680
<v Speaker 1>not around, he's around, and it's like I don't want

1:01:38.720 --> 1:01:40.439
<v Speaker 1>to say I want to be stuck in the friend

1:01:40.560 --> 1:01:44.200
<v Speaker 1>zone because it's like I lost a lot of respect

1:01:44.320 --> 1:01:46.520
<v Speaker 1>for her in the last few years, was being in

1:01:46.560 --> 1:01:49.280
<v Speaker 1>the friends Well you've been doing this for years. Yeah,

1:01:49.360 --> 1:01:51.720
<v Speaker 1>I understand that, but it's like, you know, I try

1:01:51.760 --> 1:01:54.280
<v Speaker 1>to try to get out of that, and it's like,

1:01:54.760 --> 1:01:57.880
<v Speaker 1>you know, I got myself in the jam with you know,

1:01:58.000 --> 1:02:01.600
<v Speaker 1>like her birthday was around the corner, and you know,

1:02:01.680 --> 1:02:03.360
<v Speaker 1>I don't want to be like, hey, I'm not beating

1:02:03.400 --> 1:02:05.360
<v Speaker 1>you nothing because of how you did this and how

1:02:05.440 --> 1:02:07.360
<v Speaker 1>you did that, or I don't want to be there

1:02:07.560 --> 1:02:09.840
<v Speaker 1>this year. Okay, so you're in the friend zone. You

1:02:09.880 --> 1:02:12.920
<v Speaker 1>consider this woman to be your friend, but you have

1:02:13.040 --> 1:02:16.440
<v Speaker 1>some benefits. No, so you're just her friends. So what's

1:02:16.480 --> 1:02:19.360
<v Speaker 1>the problem? She said, a double standard, like I can't

1:02:19.400 --> 1:02:21.040
<v Speaker 1>do such a thing that she would do, but she

1:02:21.160 --> 1:02:23.240
<v Speaker 1>feels like she can do it, you know, because you

1:02:23.360 --> 1:02:26.000
<v Speaker 1>let her. I mean, I understand that, but I don't

1:02:26.040 --> 1:02:28.560
<v Speaker 1>want to be the person that's I don't want to be. Jeff.

1:02:28.640 --> 1:02:30.640
<v Speaker 1>You can do whatever you want to do. Who can

1:02:30.720 --> 1:02:33.240
<v Speaker 1>tell you what you can and can't do? I understand

1:02:33.320 --> 1:02:35.720
<v Speaker 1>that I do. There's the decisions that you're making based

1:02:35.760 --> 1:02:38.280
<v Speaker 1>off of what she wants. Yes, it sounds like she's

1:02:38.360 --> 1:02:41.480
<v Speaker 1>lost respect for you. I mean, I understand that, but

1:02:41.560 --> 1:02:43.960
<v Speaker 1>I don't think it's lost the respect because I feel

1:02:44.000 --> 1:02:46.440
<v Speaker 1>like I just don't want to, you know, be if

1:02:46.480 --> 1:02:49.240
<v Speaker 1>that person that's just you know, want to be there

1:02:49.320 --> 1:02:51.320
<v Speaker 1>for somebody that don't feel like they're there for me,

1:02:51.560 --> 1:02:53.840
<v Speaker 1>you know. Okay, So do you like her as more

1:02:53.920 --> 1:02:55.800
<v Speaker 1>than a friend? I'm confused because you said y'all are

1:02:55.840 --> 1:02:58.600
<v Speaker 1>just friends. Yeah. Yeah, I like her more than a friend.

1:02:58.680 --> 1:03:01.360
<v Speaker 1>But it's like, it's not can do you know what's so, Craig.

1:03:01.440 --> 1:03:03.040
<v Speaker 1>It's my first time calling you guys, and I just

1:03:03.200 --> 1:03:07.200
<v Speaker 1>got poured over on the radio. Well, so she doesn't

1:03:07.240 --> 1:03:09.400
<v Speaker 1>like you. So that's what it is. Like. She considers

1:03:09.400 --> 1:03:11.680
<v Speaker 1>you a friend. She knows you like her. It's great

1:03:11.720 --> 1:03:14.800
<v Speaker 1>for her ego. You're for years. I've been willing to

1:03:14.880 --> 1:03:16.920
<v Speaker 1>accept that, even though you've been pining away for her.

1:03:16.960 --> 1:03:25.840
<v Speaker 1>But she's not interested in yourself adopted. This guy's having

1:03:25.880 --> 1:03:28.920
<v Speaker 1>a terribly Let me talk to him, Tim, Let me

1:03:28.960 --> 1:03:31.800
<v Speaker 1>talk to the officer. I'm a truck driver. I stopped

1:03:31.800 --> 1:03:34.400
<v Speaker 1>at the Comerica Bank and I poured off because that's fine.

1:03:34.480 --> 1:03:37.040
<v Speaker 1>That's fine that I gets at the house right next

1:03:37.080 --> 1:03:39.760
<v Speaker 1>door where you pulled out. We got the burglary learned

1:03:39.760 --> 1:03:42.360
<v Speaker 1>from early in the morning offer from donuts. I just

1:03:42.400 --> 1:03:46.520
<v Speaker 1>wanted to stop talking good This shar from the breakfast club.

1:03:46.600 --> 1:03:48.400
<v Speaker 1>He offered me to tell you he needs some going

1:03:48.800 --> 1:03:56.880
<v Speaker 1>but I doubt it. Whoa, Yeah, I'm sorry, but he

1:03:57.040 --> 1:04:04.120
<v Speaker 1>had a name drive truck to office. Yeah, off depot equipment. Okay.

1:04:04.160 --> 1:04:05.640
<v Speaker 1>I don't know if I'm more offended that he didn't

1:04:05.640 --> 1:04:06.880
<v Speaker 1>want to do nuts and he don't know who I am.

1:04:08.920 --> 1:04:12.600
<v Speaker 1>You definitely don't know who you are. Oh sorry, it's

1:04:12.600 --> 1:04:14.560
<v Speaker 1>just right. I'm actually on the phone with the radio

1:04:14.720 --> 1:04:16.560
<v Speaker 1>right now. No, not the radio, say the breakfast club.

1:04:16.560 --> 1:04:18.480
<v Speaker 1>Ask him if you listen to the breath Definitely doesn't,

1:04:19.200 --> 1:04:22.040
<v Speaker 1>he said, if you guys listen to the breakfast Okay, okay,

1:04:22.520 --> 1:04:24.760
<v Speaker 1>I'm asking the whole line for a second. Okay, okay,

1:04:24.960 --> 1:04:26.360
<v Speaker 1>before you open that. You know what I mean, weapons

1:04:26.440 --> 1:04:29.800
<v Speaker 1>or anything? I know? He stay on the phone. Yeah,

1:04:29.840 --> 1:04:36.320
<v Speaker 1>don't get arrested, trap, don't get shot. Okay, right back here.

1:04:36.600 --> 1:04:38.920
<v Speaker 1>So I take it he doesn't listen to the breakfast club. No, yeah,

1:04:39.040 --> 1:04:44.360
<v Speaker 1>this girl, this girl is ruining your life together. There

1:04:44.440 --> 1:04:47.800
<v Speaker 1>you go, weapon drying dangerous. Then we'll open it. Off.

1:04:47.840 --> 1:04:49.720
<v Speaker 1>Make sure you got your that office equipment like you said,

1:04:49.760 --> 1:04:51.800
<v Speaker 1>and then we'll we'll go from the narrow. I have

1:04:51.960 --> 1:04:53.920
<v Speaker 1>to got to deliver to the police station. I delivered

1:04:53.920 --> 1:04:56.840
<v Speaker 1>to you guys every day. Say I bring y'all y'all

1:04:56.880 --> 1:04:59.720
<v Speaker 1>donuts every morning. I pray to guy that he only

1:04:59.760 --> 1:05:01.800
<v Speaker 1>has office equipment in the back of the hand truck.

1:05:02.000 --> 1:05:03.440
<v Speaker 1>I just don't want you to open up the back

1:05:03.520 --> 1:05:07.400
<v Speaker 1>here before trap sound like they're illegally searching you. I

1:05:07.400 --> 1:05:09.440
<v Speaker 1>wouldn't have game a commission. Yeah, you shouldn't have gave

1:05:09.480 --> 1:05:13.560
<v Speaker 1>a commissioner V. That's that's it's it's a weird week, man,

1:05:14.280 --> 1:05:19.439
<v Speaker 1>It's really weird. Thank Traffraff, don't listen to think, Yeah

1:05:19.720 --> 1:05:21.800
<v Speaker 1>you want to talk to on Marphis. I'm really literally

1:05:21.920 --> 1:05:28.000
<v Speaker 1>it does not want to talk to us an out

1:05:28.040 --> 1:05:31.800
<v Speaker 1>you sound suspicious on the ground, Traff. You don't have

1:05:31.920 --> 1:05:37.160
<v Speaker 1>to open up your call. Okay, Okay, he he's trying

1:05:37.160 --> 1:05:39.240
<v Speaker 1>to let me go. I'm so sorry about that, you guys.

1:05:39.320 --> 1:05:43.439
<v Speaker 1>I'm so sorry. Jab I'm sorry. I want to say, Chap,

1:05:43.480 --> 1:05:45.720
<v Speaker 1>you're a very nice guy. You need to find you

1:05:45.800 --> 1:05:48.080
<v Speaker 1>a woman that wants to be with you. What you

1:05:48.200 --> 1:05:50.280
<v Speaker 1>calling him? And I don't calling the prom Detroit and

1:05:50.360 --> 1:05:53.080
<v Speaker 1>sarlom Mane. I want to ask that, ye and Envy

1:05:53.240 --> 1:05:56.400
<v Speaker 1>is always in Detroit, but you never come. I'd be home. Listen,

1:05:56.440 --> 1:05:58.520
<v Speaker 1>we need better promo and marketing the Detroit because these

1:05:58.560 --> 1:06:01.520
<v Speaker 1>cops don't know us. Right, you worried about charlotage, now

1:06:01.520 --> 1:06:04.520
<v Speaker 1>coming to trait You about to get locked up, traff Travis.

1:06:04.560 --> 1:06:07.320
<v Speaker 1>I'll be in Detroit in a couple of weeks. We

1:06:07.440 --> 1:06:10.200
<v Speaker 1>got We're gonna find you a nice woman, because there's

1:06:10.240 --> 1:06:13.440
<v Speaker 1>no reason that you should be somebody's uh not even choice.

1:06:13.480 --> 1:06:16.360
<v Speaker 1>She doesn't. She's just consists you a friend. She's using you. Yeah,

1:06:16.400 --> 1:06:20.360
<v Speaker 1>I understand that. I understand that. Okay, but she had

1:06:20.440 --> 1:06:23.240
<v Speaker 1>bailed you out if you got arrested. Yeah, but she

1:06:23.440 --> 1:06:25.080
<v Speaker 1>more like the type of person she wants to know

1:06:25.280 --> 1:06:28.400
<v Speaker 1>what you did and what happened. Well, of course you guys, obviously,

1:06:28.560 --> 1:06:30.400
<v Speaker 1>I mean, yeah, but she wanted to act like, you know,

1:06:30.520 --> 1:06:33.120
<v Speaker 1>it was my fun. I got poured over like I'm

1:06:33.160 --> 1:06:35.120
<v Speaker 1>from the city and she from the suburbs. Let's say

1:06:35.120 --> 1:06:36.919
<v Speaker 1>it like that. She's not used to dealing with gods.

1:06:37.160 --> 1:06:41.680
<v Speaker 1>She think I'm a regular hood dude. But you know, well,

1:06:41.680 --> 1:06:44.280
<v Speaker 1>you from the west. You're from the west side soft

1:06:44.320 --> 1:06:49.120
<v Speaker 1>Wood River route the course, the soft Wood traf. I

1:06:49.160 --> 1:06:51.840
<v Speaker 1>don't want to give the phone with you, Broker operation,

1:06:51.960 --> 1:06:54.680
<v Speaker 1>Like I said, that corner out there next to the bank,

1:06:55.000 --> 1:06:56.720
<v Speaker 1>we had a Berkeley alarm there that I was down

1:06:56.760 --> 1:06:59.960
<v Speaker 1>the way through the trap. Tell them listen to them

1:07:00.000 --> 1:07:04.800
<v Speaker 1>Breakfast club every morning on w JLB. Tell listen to

1:07:04.960 --> 1:07:08.160
<v Speaker 1>w JLB every morning. Traf w j OB. Tell me

1:07:08.320 --> 1:07:12.360
<v Speaker 1>to the breakfast Club ninety seven nine. You're listening to

1:07:12.520 --> 1:07:15.240
<v Speaker 1>w JLB ninety seven point nine to Detroit right now,

1:07:15.360 --> 1:07:18.840
<v Speaker 1>the breakfast club. Tell listen back. Okay, all right, you

1:07:18.880 --> 1:07:22.439
<v Speaker 1>gotta take care enough take it by raf. Oh my god,

1:07:22.960 --> 1:07:26.440
<v Speaker 1>Travis Crazy. He wants to know if you want to

1:07:26.480 --> 1:07:28.840
<v Speaker 1>donut Crazy. I don't live in the trech. I'm fine

1:07:28.960 --> 1:07:31.640
<v Speaker 1>dropping the clues bombs for Breakfast club listeners. Damn it

1:07:32.240 --> 1:07:38.880
<v Speaker 1>the best, the best. Nobody got better listening, nobody. There's

1:07:38.960 --> 1:07:41.880
<v Speaker 1>no radio show in the country who got better listeners

1:07:41.920 --> 1:07:43.920
<v Speaker 1>than us. Right, we don't have a listeners. We have

1:07:44.040 --> 1:07:47.120
<v Speaker 1>other members of the club. That's right, the club. Stupid

1:07:47.240 --> 1:07:50.520
<v Speaker 1>questions officer, would you like a donut? Charlot Mane wants

1:07:50.520 --> 1:07:52.920
<v Speaker 1>to know what, all right, We got more coming up

1:07:52.960 --> 1:07:58.280
<v Speaker 1>next with a breakfast club, the Breakfast Club to throw

1:07:58.360 --> 1:08:00.600
<v Speaker 1>back Thursday. We got a special guest in the building.

1:08:00.920 --> 1:08:07.280
<v Speaker 1>Juven now just celebrated the birthday. By the way, I'm

1:08:07.320 --> 1:08:09.439
<v Speaker 1>squeezing this limit and then trying to get there, trying

1:08:09.440 --> 1:08:12.200
<v Speaker 1>to trying to sap, you know, trying to salvage my voice.

1:08:12.320 --> 1:08:15.080
<v Speaker 1>How you feel good? You don't look no older, you

1:08:15.120 --> 1:08:21.040
<v Speaker 1>don't look that. That's that man life. You know it's

1:08:21.040 --> 1:08:24.360
<v Speaker 1>good though, because you got the new album coming? Yeah, yeah,

1:08:24.560 --> 1:08:26.880
<v Speaker 1>why now? Why this project? Now? I think it was

1:08:26.960 --> 1:08:29.000
<v Speaker 1>time me and them never worked together, you know, and

1:08:29.080 --> 1:08:31.639
<v Speaker 1>then our friendship, you know, we really build our friendship

1:08:31.720 --> 1:08:34.280
<v Speaker 1>back up over the last couple of years, hanging and stuff.

1:08:34.560 --> 1:08:36.200
<v Speaker 1>So I think I just felt like it was time.

1:08:36.320 --> 1:08:38.000
<v Speaker 1>Then I've been away for a minute. I ain't gonna

1:08:38.000 --> 1:08:40.639
<v Speaker 1>come back out straight up with me with a solo album,

1:08:40.680 --> 1:08:42.640
<v Speaker 1>and I need to get my feet wet first. How

1:08:42.680 --> 1:08:44.919
<v Speaker 1>do you avoid like not being in the same situations

1:08:44.960 --> 1:08:46.320
<v Speaker 1>you was in in the past, because like, you know,

1:08:46.520 --> 1:08:49.680
<v Speaker 1>like the money, financial situations with money, I mean I've

1:08:49.720 --> 1:08:52.439
<v Speaker 1>done things over there. Financial, I'm good, you know, I

1:08:52.560 --> 1:08:54.640
<v Speaker 1>made a few moves, you know, I really don't even

1:08:54.680 --> 1:08:56.960
<v Speaker 1>I don't brag about what I do outside of the

1:08:57.080 --> 1:08:59.200
<v Speaker 1>music business, but I'm doing a few things outside of

1:08:59.200 --> 1:09:02.920
<v Speaker 1>the music businesses they stable, but not just that. I

1:09:03.040 --> 1:09:05.280
<v Speaker 1>stay busy when it comes down and being booked. I'm

1:09:05.320 --> 1:09:07.920
<v Speaker 1>one of the few cats who stay booked all the time.

1:09:09.200 --> 1:09:10.800
<v Speaker 1>Years old. This shit. Yeah, I'm gonna keep you know,

1:09:12.479 --> 1:09:14.720
<v Speaker 1>if they're CRAI enough to keep booking. It's anybody that

1:09:14.760 --> 1:09:17.280
<v Speaker 1>comes see, I'm gonna keep showing up. They I ain't

1:09:17.280 --> 1:09:19.320
<v Speaker 1>gonna never stop showing up. Did you think that record

1:09:19.360 --> 1:09:21.880
<v Speaker 1>would be so timeless when you first recorded it? Nah?

1:09:22.600 --> 1:09:24.519
<v Speaker 1>I mean behind this man, when you make songs like

1:09:24.640 --> 1:09:27.160
<v Speaker 1>that and they blew up and they get that big,

1:09:27.880 --> 1:09:29.400
<v Speaker 1>I don't think it's all as out that I say.

1:09:29.400 --> 1:09:34.280
<v Speaker 1>They knew it nobly, and I could try to do

1:09:34.400 --> 1:09:36.400
<v Speaker 1>stuff that goes viral, You could try to do stuff

1:09:36.439 --> 1:09:39.240
<v Speaker 1>that's timeless, but the people really make that decision. Yeah,

1:09:39.600 --> 1:09:42.120
<v Speaker 1>you know, I mean, and it's one of them songs

1:09:42.240 --> 1:09:45.280
<v Speaker 1>that they play at waiting receptions, you know. And I

1:09:45.439 --> 1:09:47.600
<v Speaker 1>think when when it got to that point and I

1:09:47.720 --> 1:09:49.720
<v Speaker 1>heard old people say I like to dance to this,

1:09:49.880 --> 1:09:51.280
<v Speaker 1>and you know, when it got to that point, I

1:09:51.360 --> 1:09:54.439
<v Speaker 1>felt like, you know, hey, I think I really made one.

1:09:54.640 --> 1:09:57.200
<v Speaker 1>I heard you. Didn't want to make that record originally though, nah,

1:09:57.479 --> 1:10:00.320
<v Speaker 1>because and you know why, because I can't from that

1:10:00.439 --> 1:10:02.760
<v Speaker 1>kind of music. You know, the bounce music was she

1:10:02.960 --> 1:10:05.120
<v Speaker 1>and She'll tell you that's pretty much the whole scene

1:10:05.120 --> 1:10:06.960
<v Speaker 1>in New Orleans, and I just didn't want to get

1:10:07.000 --> 1:10:09.320
<v Speaker 1>sucked in like everybody else. So I was trying to

1:10:09.360 --> 1:10:12.040
<v Speaker 1>avoid that as much as possible. It was gonna be

1:10:12.120 --> 1:10:14.439
<v Speaker 1>local if you did it. I really my intentions was

1:10:14.520 --> 1:10:16.639
<v Speaker 1>to do when we when we originally done it, that's

1:10:16.640 --> 1:10:19.160
<v Speaker 1>what it was for New Orleans, but it went somewhere else.

1:10:19.200 --> 1:10:21.800
<v Speaker 1>So now you know, it got to the point to

1:10:21.840 --> 1:10:23.639
<v Speaker 1>where I got to feed everybody with the same kind

1:10:23.680 --> 1:10:25.360
<v Speaker 1>of music, and it's kind of hard to make another

1:10:25.400 --> 1:10:28.840
<v Speaker 1>back that. It's impossible for me. Yeah, it's authentic though,

1:10:28.880 --> 1:10:31.120
<v Speaker 1>to represent where you're from. And you hear people trying

1:10:31.120 --> 1:10:33.679
<v Speaker 1>to take that sound now and other types of music,

1:10:33.760 --> 1:10:36.000
<v Speaker 1>and you're like, all right, well this called me and

1:10:36.040 --> 1:10:37.760
<v Speaker 1>let me get a check. Man, I'll be okay with

1:10:38.040 --> 1:10:39.439
<v Speaker 1>but if you don't put me on the song, I'm

1:10:39.479 --> 1:10:45.000
<v Speaker 1>definitely gonna dish you. I mean, but if you if

1:10:45.080 --> 1:10:47.760
<v Speaker 1>you if you make a New Orleans bound song and

1:10:47.840 --> 1:10:50.760
<v Speaker 1>you don't use my version, you know I won't get

1:10:50.880 --> 1:10:52.880
<v Speaker 1>nothing for that. I know you've seen all the memes

1:10:52.880 --> 1:10:54.840
<v Speaker 1>of everyone running to the damn flowing back to the

1:10:54.920 --> 1:10:58.479
<v Speaker 1>as I saw Chris Brown. They had something on the

1:10:58.520 --> 1:11:01.439
<v Speaker 1>internet with Chris Brown constrict before y'all on stage, and

1:11:01.439 --> 1:11:03.080
<v Speaker 1>it was all like all women. I don't know what

1:11:03.160 --> 1:11:05.880
<v Speaker 1>arena it was, and they played it. It was going

1:11:05.960 --> 1:11:07.680
<v Speaker 1>on for that song, harder than he did when he

1:11:07.720 --> 1:11:10.240
<v Speaker 1>actually got on stage and perfom it was going in.

1:11:10.439 --> 1:11:12.639
<v Speaker 1>But I'm talking about all off the Balgramies, Like I said,

1:11:12.680 --> 1:11:17.000
<v Speaker 1>what that reaction ever get older? You though? No? When

1:11:17.040 --> 1:11:19.080
<v Speaker 1>it gets no, when it it gets funny. When I

1:11:19.120 --> 1:11:28.639
<v Speaker 1>see somebody up in age, do it? You do your thing? Man?

1:11:29.080 --> 1:11:32.120
<v Speaker 1>We up in age so so No, I'm talking about

1:11:32.160 --> 1:11:35.360
<v Speaker 1>sixty one yea, I heard him like that. I mean

1:11:35.479 --> 1:11:38.640
<v Speaker 1>Paddy La Belle told me this was this song is

1:11:38.640 --> 1:11:41.360
<v Speaker 1>an inspiration. She was like working out to it. I'm saying,

1:11:41.800 --> 1:11:44.080
<v Speaker 1>that's how it came up with Patty's Pie. Well, you know,

1:11:44.120 --> 1:11:48.880
<v Speaker 1>a padded bagging up down. We don't have something to

1:11:51.120 --> 1:11:54.040
<v Speaker 1>my top five Paddy the bell, Yeah, Patty back up

1:11:54.040 --> 1:11:58.280
<v Speaker 1>on you can you grind on? No, man, what is

1:11:58.320 --> 1:12:01.320
<v Speaker 1>she doing? Y'all find into that because Patty Son already

1:12:01.320 --> 1:12:04.680
<v Speaker 1>had to check. You're back out of here. You call

1:12:04.760 --> 1:12:07.559
<v Speaker 1>the son. You see, man, I ain't doing nothing while man,

1:12:07.640 --> 1:12:13.120
<v Speaker 1>I love your mom, Man Carial or something else still

1:12:13.160 --> 1:12:15.400
<v Speaker 1>on his good side. Hold on. If you're at a concert,

1:12:15.600 --> 1:12:18.960
<v Speaker 1>say Angela Bastard and Patty label back that as bast

1:12:19.400 --> 1:12:21.479
<v Speaker 1>I'm married man, but don't do that. I'm married to

1:12:21.560 --> 1:12:24.680
<v Speaker 1>But just I'm just saying, Angela, bast you're pushing me

1:12:24.720 --> 1:12:31.120
<v Speaker 1>in a coner man back that as you right there, man,

1:12:36.120 --> 1:12:39.640
<v Speaker 1>that little you gotta keep that space, and I've got

1:12:39.760 --> 1:12:42.439
<v Speaker 1>to do with him. A man can't be no contact

1:12:42.520 --> 1:12:44.599
<v Speaker 1>between clubs. Just got to be a little space in between.

1:12:44.720 --> 1:12:46.840
<v Speaker 1>I was arguing with somebody from New Orleans, aguing him,

1:12:46.840 --> 1:12:48.559
<v Speaker 1>my man Van he from New Orleans. I was aguing

1:12:48.640 --> 1:12:52.000
<v Speaker 1>him about jay Z's verse on High because he said,

1:12:52.040 --> 1:12:54.559
<v Speaker 1>in New Orleans everybody was like, man, this is whack man,

1:12:54.880 --> 1:13:01.519
<v Speaker 1>like this dog with like they. I don't know what

1:13:01.640 --> 1:13:05.400
<v Speaker 1>it was. It was the Tupac, you know. Tupac kind

1:13:05.439 --> 1:13:07.680
<v Speaker 1>of made people in New Orleans not like jay Z.

1:13:07.760 --> 1:13:10.160
<v Speaker 1>And jay Z ain't did nobody nothing. Then I was

1:13:10.200 --> 1:13:13.599
<v Speaker 1>a jay Z fan. But when Tupac made all these

1:13:13.680 --> 1:13:16.760
<v Speaker 1>dishes and stuff towards everybody, people felt like they had

1:13:16.800 --> 1:13:20.040
<v Speaker 1>to choose you, Like you got pock Riders everywhere, So

1:13:20.320 --> 1:13:22.960
<v Speaker 1>all the POC New Orleans full of pock Riders, they

1:13:23.080 --> 1:13:25.280
<v Speaker 1>weren't gonna listen to jay Z oh that wanted. Did

1:13:25.360 --> 1:13:28.240
<v Speaker 1>he do that himself? Did he reach out? He did

1:13:28.280 --> 1:13:30.160
<v Speaker 1>it on his own. When you heard it like everybody else,

1:13:30.240 --> 1:13:33.040
<v Speaker 1>you heard it like everybody else, really, and then you know,

1:13:33.160 --> 1:13:36.080
<v Speaker 1>of course NI being so sleek with their business, they

1:13:36.479 --> 1:13:38.519
<v Speaker 1>hurry up and put the remix on the album, add

1:13:38.560 --> 1:13:40.280
<v Speaker 1>a couple of songs, took one off and made it,

1:13:40.360 --> 1:13:42.640
<v Speaker 1>put it on the album, and record sales star. But

1:13:42.920 --> 1:13:44.559
<v Speaker 1>where was you when you heard it for the first time?

1:13:45.439 --> 1:13:48.559
<v Speaker 1>Probably had cash money office, probably at the office when

1:13:48.600 --> 1:13:50.240
<v Speaker 1>they first played it to him. And I'm like what,

1:13:50.439 --> 1:13:52.320
<v Speaker 1>because you know I was the real jay Z fan.

1:13:52.439 --> 1:13:54.760
<v Speaker 1>Me and man Wayne, we was listening to jay Z Hall.

1:13:55.080 --> 1:13:57.800
<v Speaker 1>Everybody else wasn't. They said, you're gonna flip out when

1:13:57.800 --> 1:13:59.760
<v Speaker 1>you see what happen when you hit this, and they

1:13:59.800 --> 1:14:02.439
<v Speaker 1>turned on he said, you liked the verse, jay Z,

1:14:02.720 --> 1:14:08.000
<v Speaker 1>I don't care about what he said. I like the verse.

1:14:08.320 --> 1:14:10.280
<v Speaker 1>I liked it too. When I'm saying, you know, when

1:14:10.320 --> 1:14:12.040
<v Speaker 1>I first heard it, the first time I heard it,

1:14:12.240 --> 1:14:14.800
<v Speaker 1>I didn't care what he said. I really didn't. I'm

1:14:14.960 --> 1:14:18.080
<v Speaker 1>I was excited about the fact that somebody that I

1:14:18.320 --> 1:14:20.960
<v Speaker 1>really liked did a song, you know, And then I

1:14:21.080 --> 1:14:22.760
<v Speaker 1>felt like, now I could go to New York and

1:14:22.880 --> 1:14:25.439
<v Speaker 1>get that that real love. Because I was coming up

1:14:25.479 --> 1:14:26.840
<v Speaker 1>here and he was like, we liked the song. When

1:14:26.840 --> 1:14:29.000
<v Speaker 1>you're gonna You're gonna do something else, you know, it

1:14:29.120 --> 1:14:31.240
<v Speaker 1>was high and that was it. Now. The fact, when

1:14:31.280 --> 1:14:34.200
<v Speaker 1>I came up here to the tunnel, Flex told me

1:14:34.439 --> 1:14:36.439
<v Speaker 1>why not Flex one of the guys back. They said, look,

1:14:36.840 --> 1:14:40.240
<v Speaker 1>if you don't saying just high only, they're gonna buo you.

1:14:41.400 --> 1:14:45.240
<v Speaker 1>I'm like, I said, boo you, bro, I'm telling you

1:14:45.439 --> 1:14:47.799
<v Speaker 1>saying that one song I saw something. How three times

1:14:48.200 --> 1:14:51.599
<v Speaker 1>I rocked the crowd. I tore it down three times?

1:14:51.800 --> 1:14:54.320
<v Speaker 1>Three times? All right? We got more with Juvenile High

1:14:54.400 --> 1:14:56.200
<v Speaker 1>when we come back. Matter of fact, let's get into

1:14:56.439 --> 1:14:59.360
<v Speaker 1>a mini mix. It's the Breakfast Clock the Morning Breakfast CLU.

1:15:00.080 --> 1:15:03.960
<v Speaker 1>That was a juvenile mini mix. Morning Everybody's DJ Envy

1:15:04.120 --> 1:15:06.960
<v Speaker 1>Angela yee, Charlomagne the guy, we all the breakfast Club

1:15:07.360 --> 1:15:10.920
<v Speaker 1>juveniles here ye. So now let's fast forward to this

1:15:11.000 --> 1:15:13.479
<v Speaker 1>album that you and berr Man put together. So how

1:15:13.479 --> 1:15:15.360
<v Speaker 1>did it even come about? Like, how did the conversation start?

1:15:15.439 --> 1:15:17.160
<v Speaker 1>What made y'all decide to do this? How long did

1:15:17.200 --> 1:15:20.600
<v Speaker 1>it take? Really, Like I'm gonna say two weeks in

1:15:20.680 --> 1:15:22.840
<v Speaker 1>the conversation, it really wasn't a conversation. I said, man,

1:15:22.920 --> 1:15:25.760
<v Speaker 1>let's do a mixtape, you know, And after we got

1:15:25.840 --> 1:15:28.559
<v Speaker 1>to like song number four, start listening to it, Like, look, bro,

1:15:28.680 --> 1:15:31.000
<v Speaker 1>we could keep doing songs like this. We got a sound,

1:15:31.080 --> 1:15:33.360
<v Speaker 1>we could do an album. And I really think we

1:15:33.400 --> 1:15:35.000
<v Speaker 1>could do a hell of an album because people, it's

1:15:35.040 --> 1:15:37.320
<v Speaker 1>just gonna be so unexpected, Like we just popped up

1:15:37.560 --> 1:15:39.559
<v Speaker 1>on y'all with a single, and all of a sudden,

1:15:39.560 --> 1:15:41.720
<v Speaker 1>we got an album coming out. I think it's just

1:15:41.880 --> 1:15:44.360
<v Speaker 1>it's shocking to everybody because they didn't think me, of

1:15:44.439 --> 1:15:46.680
<v Speaker 1>all people, would be doing an album with Bert. Many

1:15:47.000 --> 1:15:50.040
<v Speaker 1>people don't think we have made friends. So that's weird,

1:15:50.160 --> 1:15:53.200
<v Speaker 1>right money many times the interviews you said, y'all cool, Yeah,

1:15:53.240 --> 1:15:55.600
<v Speaker 1>people still don't. Nobody want to accept the last of

1:15:55.600 --> 1:15:58.960
<v Speaker 1>time I came here. I'm cool. Yeah, I'm not trippling

1:15:59.000 --> 1:16:03.200
<v Speaker 1>on may they want to come here with you? But

1:16:03.400 --> 1:16:07.560
<v Speaker 1>I was asking, why are you looking at me? I

1:16:07.640 --> 1:16:14.360
<v Speaker 1>saw cut out? That cut out you got jokes? No,

1:16:14.520 --> 1:16:16.080
<v Speaker 1>I think he does want to come back up here.

1:16:16.320 --> 1:16:18.200
<v Speaker 1>From what I've heard, I wish he would have came.

1:16:19.400 --> 1:16:21.639
<v Speaker 1>It would have been great y'all doing any promo together.

1:16:23.320 --> 1:16:24.720
<v Speaker 1>I mean, I'm going to meet with him in the

1:16:24.800 --> 1:16:28.080
<v Speaker 1>next hour, so so he's here. He didn't want he's here,

1:16:28.800 --> 1:16:31.439
<v Speaker 1>He's definitely. I mean my birthday was last night. Yeah,

1:16:32.160 --> 1:16:34.840
<v Speaker 1>it would have been real strange if he wouldn't have been.

1:16:35.000 --> 1:16:38.599
<v Speaker 1>That had cake for you. Yeah, they had a few

1:16:38.680 --> 1:16:40.640
<v Speaker 1>things for me. I didn't see no features on the

1:16:40.680 --> 1:16:43.479
<v Speaker 1>project with that on purpose. Now I'm shelfish bro. Yeah,

1:16:43.600 --> 1:16:46.080
<v Speaker 1>I don't heard enough of these about your son. Your

1:16:46.120 --> 1:16:51.120
<v Speaker 1>son on the album? You know what he mad about now? Now?

1:16:51.520 --> 1:16:56.160
<v Speaker 1>Bet he recorded a couple songs. I just don't know

1:16:56.280 --> 1:16:58.000
<v Speaker 1>if I don't know if they felt them like you

1:16:58.000 --> 1:16:59.840
<v Speaker 1>know what I'm saying. I don't know if they liked

1:17:00.200 --> 1:17:01.760
<v Speaker 1>you know what I'm saying. Who is they? If you're

1:17:01.920 --> 1:17:05.519
<v Speaker 1>one he heard them, it's slim and be and whoever

1:17:05.680 --> 1:17:08.720
<v Speaker 1>make the choices on you know, slim be probably d rock. Yeah,

1:17:09.080 --> 1:17:11.920
<v Speaker 1>how's your lyrical content change as you as you grow?

1:17:12.000 --> 1:17:14.599
<v Speaker 1>I'm a beast, bro, that's one thing. I really ain't

1:17:14.600 --> 1:17:17.560
<v Speaker 1>not take pride in the lyrics, the lyrical content. So

1:17:18.479 --> 1:17:20.599
<v Speaker 1>I'm a beast. But what do you talk about though?

1:17:20.640 --> 1:17:23.840
<v Speaker 1>Like the same way, like your your circle changes? Yeah,

1:17:23.960 --> 1:17:26.200
<v Speaker 1>just grown grown man. But I'm still I still. I'll

1:17:26.200 --> 1:17:28.720
<v Speaker 1>still give you stories. I like telling stories and scenarios

1:17:28.800 --> 1:17:31.360
<v Speaker 1>that happened in my life. I'm I like telling stories.

1:17:31.520 --> 1:17:33.360
<v Speaker 1>Do you have a question any of your old lyrics,

1:17:33.760 --> 1:17:35.800
<v Speaker 1>especially in this era? You'd be like, I don't know

1:17:35.800 --> 1:17:38.320
<v Speaker 1>if I should say that now exactly. I mean I

1:17:38.439 --> 1:17:41.080
<v Speaker 1>couldn't have the songs on four hundred degrees. I don't

1:17:41.160 --> 1:17:43.680
<v Speaker 1>think I could. If I was writing a song right now,

1:17:43.760 --> 1:17:46.240
<v Speaker 1>I don't think I would go that direction, because that's

1:17:46.280 --> 1:17:49.679
<v Speaker 1>not when I'm mad in life. On Julie on Fire,

1:17:49.720 --> 1:17:51.080
<v Speaker 1>you said, if I'm in the room with a bitch

1:17:51.120 --> 1:17:56.280
<v Speaker 1>and the like a man, I'm my meet and get money. Yeah,

1:17:57.600 --> 1:18:06.559
<v Speaker 1>ain't having it right, thank you, Charlotte. Man keep looking

1:18:06.560 --> 1:18:12.040
<v Speaker 1>outside because she can't hear you. Later she's gonna hear,

1:18:12.160 --> 1:18:14.519
<v Speaker 1>trust me, So you walk out here. As soon as

1:18:14.560 --> 1:18:17.160
<v Speaker 1>y'all posted to do anything. She don't know. That lyric

1:18:17.240 --> 1:18:19.320
<v Speaker 1>comes up so much like when brothers be sitting around

1:18:19.320 --> 1:18:22.080
<v Speaker 1>and we'll be questioning, Like old we used to hear

1:18:22.120 --> 1:18:26.719
<v Speaker 1>that Mayor raised man he said you know, I'm gonna

1:18:26.720 --> 1:18:28.519
<v Speaker 1>tell you what I man and said he just getting

1:18:28.560 --> 1:18:33.960
<v Speaker 1>the coat and turned that on. Just look at you

1:18:34.040 --> 1:18:41.960
<v Speaker 1>know what's happening, repeating, keep repeating it like right now,

1:18:42.000 --> 1:18:48.840
<v Speaker 1>we don't. That's that's the place. The only point. Baby.

1:18:51.800 --> 1:18:54.799
<v Speaker 1>Are you guys gonna go on to our for the album? Oh, definitely, definitely.

1:18:54.840 --> 1:18:57.240
<v Speaker 1>I'm trying to cancel some stuff now because man, missing

1:18:57.280 --> 1:18:59.840
<v Speaker 1>Live Nation. I'm like Live Nation or so we're gonna

1:18:59.840 --> 1:19:01.280
<v Speaker 1>be and them kind of checks. Let me go on

1:19:01.800 --> 1:19:05.120
<v Speaker 1>cancel some of these shows now, I had counseled, but yeah,

1:19:05.160 --> 1:19:07.400
<v Speaker 1>we're going on tour though. Speaking of touring, you have

1:19:07.560 --> 1:19:09.880
<v Speaker 1>some other tours that you're on as well. Yeah, Legends

1:19:09.920 --> 1:19:12.479
<v Speaker 1>of Southern hip Hop. That's one, two or the other.

1:19:12.560 --> 1:19:14.800
<v Speaker 1>When it's Legends of hip Hop. So it were gnawed

1:19:14.960 --> 1:19:18.879
<v Speaker 1>in southwa. So who's who's on it? Me? Eight Ball, MJG,

1:19:19.640 --> 1:19:23.840
<v Speaker 1>too Short, Trina, DJ Quick. I can't think that's what

1:19:23.920 --> 1:19:30.759
<v Speaker 1>you're seeing all them as old the women. That exactly, yeah, exactly.

1:19:30.960 --> 1:19:32.760
<v Speaker 1>That rough Rider tour, man, that's I feel like that

1:19:32.760 --> 1:19:34.439
<v Speaker 1>should have been It should have been a documentary made

1:19:34.439 --> 1:19:36.960
<v Speaker 1>about that tour. Yeah, because it was real. I mean,

1:19:37.320 --> 1:19:39.960
<v Speaker 1>you know, it's crazy. It was successful to it when

1:19:40.000 --> 1:19:42.720
<v Speaker 1>we actually did the shows. But you know, after the

1:19:42.800 --> 1:19:45.479
<v Speaker 1>Boston thing, they canceled like all all the shows of

1:19:45.560 --> 1:19:47.439
<v Speaker 1>the West coast, so we didn't ever make it to

1:19:47.520 --> 1:19:49.559
<v Speaker 1>the West Coast with that tour. This is one video

1:19:49.600 --> 1:19:51.800
<v Speaker 1>they always showed from that show. Were always calling women

1:19:51.880 --> 1:19:54.280
<v Speaker 1>on stage and they always talk you know what I'm

1:19:54.320 --> 1:19:58.320
<v Speaker 1>talking about, I messed with men too, or something like that.

1:19:58.760 --> 1:20:04.080
<v Speaker 1>Oh no, I don't remember that right now. An never

1:20:04.200 --> 1:20:09.240
<v Speaker 1>agree that you heard something that you probably heard something

1:20:09.400 --> 1:20:12.479
<v Speaker 1>and thought you you thought I was talking about who video.

1:20:12.800 --> 1:20:20.880
<v Speaker 1>I'm gonna show it to you. Yeah, y'all come up here.

1:20:21.720 --> 1:20:28.040
<v Speaker 1>It's cool like that. But I'm just asking. That's how

1:20:28.080 --> 1:20:30.160
<v Speaker 1>we're talking to one in the week. Our thing is

1:20:30.680 --> 1:20:35.280
<v Speaker 1>with you. That's how we talked that. We've been talking

1:20:35.360 --> 1:20:37.320
<v Speaker 1>like that so that you tried. You tried it, It

1:20:37.400 --> 1:20:40.160
<v Speaker 1>didn't listen, It didn't work. This is the beauty of

1:20:40.760 --> 1:20:46.600
<v Speaker 1>the interview. For urban legends. That a stop to that

1:20:49.600 --> 1:20:51.800
<v Speaker 1>next time we don't get a chance. You didn't stick around.

1:20:52.040 --> 1:20:55.960
<v Speaker 1>It's all love. I'm here. I remember that night. I

1:20:56.040 --> 1:21:02.040
<v Speaker 1>can't remember if you want to show me this night.

1:21:02.280 --> 1:21:06.240
<v Speaker 1>I'm looking at them where I come from, because I've

1:21:06.280 --> 1:21:09.519
<v Speaker 1>been looking for that piece for a log, for real chat.

1:21:09.600 --> 1:21:12.959
<v Speaker 1>It's probably I probably got this story somewhere, my man, juvenile.

1:21:13.320 --> 1:21:15.840
<v Speaker 1>The album is out right now. Just another gangster, just

1:21:15.960 --> 1:21:19.759
<v Speaker 1>another game Friday, right, yeah, Friday. Yeah, it's a breakfast

1:21:19.800 --> 1:21:24.280
<v Speaker 1>club morning. Everybody is DJ Envy Angela Yee. Charlomagne the guy.

1:21:24.360 --> 1:21:27.200
<v Speaker 1>We are the breakfast club. Shout to everybody that picked

1:21:27.240 --> 1:21:29.400
<v Speaker 1>up tickets to my car show again. I so appreciate it.

1:21:29.720 --> 1:21:33.479
<v Speaker 1>September seventh is the date. And also, Charlomagne, you got

1:21:33.520 --> 1:21:35.840
<v Speaker 1>a positive note? Yeah, man, My positive note is simply

1:21:35.920 --> 1:21:40.400
<v Speaker 1>this man. Always remember karma. Okay, there's no need for revenge.

1:21:40.880 --> 1:21:43.320
<v Speaker 1>Just sit back and wait. Those who hurt you will

1:21:43.360 --> 1:21:46.720
<v Speaker 1>eventually screw up themselves, and if you're lucky, God will

1:21:46.800 --> 1:21:47.400
<v Speaker 1>let you watch