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Speaker 1: Wake up in the morning. You I'm talking right. I

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Speaker 1: know you're about to experience a morning showing like any

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Speaker 1: of you. Bast Club, what you guys are doing right now.

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Speaker 1: It's the hub culture. Breakfast club is my morning sick.

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Speaker 1: I need it and I love it. Something you feel

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Speaker 1: like you're really not popping until you do the breakfast

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Speaker 1: Club and waiting come to y'all, show man. I know

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Speaker 1: you gotta be a big time celebrity to be up

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Speaker 1: in here. You gotta be you gotta be a big

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Speaker 1: time Djen Ali and Charlotte Maine the guy the breakfast

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Speaker 1: club bitches, Wake up, wake up, wake ya. This is

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Speaker 1: your time to get it off your chest. Whether you're

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Speaker 1: Man or Blake, we want to hear from you on

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Speaker 1: the breakfast blob Vast, good morning, Good morning doing what's

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Speaker 1: up bro? Get it off your chests? Many morning, Charlotte Man,

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Speaker 1: what's up, sir vastor how are you? Sir? Good? Good?

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Speaker 1: You know I actually called for envy this morning. Okay,

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Speaker 1: what's up to your favorite? I want to do your favorite?

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Speaker 1: Lets Okay, you remember that that story you told when

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Speaker 1: you were at suth By Southwest and you had a

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Speaker 1: chance Ton Brighton killer. Now it wasn't South by Side,

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Speaker 1: it was Revolt. It was Revolte Music Conference. But you

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Speaker 1: had a chance, but then you passed on. Correct. I

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Speaker 1: got somebody to make up for that. Okay, No boy,

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Speaker 1: let's hear it. He might don't just don't just trade

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Speaker 1: him yet, So that actually not me. It's my friend.

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Speaker 1: He's an artist. His name is a Fabo, so that

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Speaker 1: he h a being old. He's a singer. You can

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Speaker 1: find them on Spotify, Apple Music, bound Cloud, and I

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Speaker 1: want to end the thing a little bit for you.

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Speaker 1: That core with you the bet. Okay, let me na noa, NOA, noa. Okay,

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Speaker 1: hold on, that was the worst NA ever heard. Hello, bro,

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Speaker 1: I know you're not trying to play no song over

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Speaker 1: the phone on the radio to us. That's how you

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Speaker 1: really want to present this guy? Can I send it

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Speaker 1: to y'all. Let me send it to y'all. Let me

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Speaker 1: send it to y'all. Oh my god, you should have

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Speaker 1: shout it out of his Instagram. I didn't ask for email. Patrick,

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Speaker 1: Good morning, Good morning, what's up? Patrick? Get it off

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Speaker 1: at chet bro bang as I got two things I

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Speaker 1: want to get off my chest. I'm a little man

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Speaker 1: this morning. Um, you know, I've been trying to call

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Speaker 1: in and get some relationship advice from me, and this

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Speaker 1: is my first time that would been able to get through.

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Speaker 1: But man, I took some advice for y'all and try

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Speaker 1: to get some couple's counseling for me and my girlfriend,

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Speaker 1: and she just blew up on me, pretty much left

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Speaker 1: me hanging. I was at work yesterday, I got home,

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Speaker 1: she left for my stuff. Wow, left walking, And I'm

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Speaker 1: just did you chase that? Did you follow when she

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Speaker 1: was walking? I was that was man like. I don't

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Speaker 1: got I don't work two times, bro. I get up

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Speaker 1: at two thirty every morning and I don't get back

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Speaker 1: home until sometimes Kate thirty advice. You know, I provide

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Speaker 1: everything for my family. I think they're everything. I just

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Speaker 1: can't see well, I can't come up to a little

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Speaker 1: piece in harmony. Well you know what. Hold on, hold on,

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Speaker 1: We're gonna put your hole and UM help you out,

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Speaker 1: all right, don't hang up? Hello? Who's this angel? Hey angel?

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Speaker 1: Get it off your chests. Good morning, breakfast club. But

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Speaker 1: I love you guys, to you guys every morning, and

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Speaker 1: want to drop a bomb from my beautiful white queen

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Speaker 1: at home and Angela yeves. Every morning I can't get

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Speaker 1: hey fam out of my head. I'm sorry, dam he said,

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Speaker 1: you're beautiful white queen, My beautiful white queen, Jessica, but yes,

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Speaker 1: you gotta say Nubian white queen. I'm sorry, my Nubian

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Speaker 1: all right, we got you. Ever think you you play

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Speaker 1: all my requests every morning. You're welcome to Jay in

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Speaker 1: the world. Thank you, man, I'm glad he thinks that.

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Speaker 1: All right, get it off your chest call us now

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Speaker 1: it was the breakfast club. Good morning, wake up, wake up? Wait,

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Speaker 1: this is your time to get it off your chest,

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Speaker 1: your man or blast. We want to hear from you

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Speaker 1: on a breakfast clos Hello, who's this? Good morning? This

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Speaker 1: is getting on to our Charlotte. Off your chest, mama. Okay,

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Speaker 1: So my complaint is, why is it that I have

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Speaker 1: to hear the same music eating every day? Because it's

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Speaker 1: called the radio, sicking hearing CARDI B I don't want

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Speaker 1: to hear that Bessmo, Well, I don't want to hear la.

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Speaker 1: There is so much music either. Why do you guys

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Speaker 1: have the same sellection each and every day? Because this

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Speaker 1: radio as far as music, I don't want to hear

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Speaker 1: that mess anymore. Every time I hear it, I turned

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Speaker 1: the radio. Don't you want to listen to us? I mean,

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Speaker 1: I listen to you all, But when I hear Carl

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Speaker 1: what's her name? Cardi B Cardi, the radio goes off.

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Speaker 1: Well that's fine, just make sure to come back in

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Speaker 1: three four minutes. Okay, there's no songs you listen to

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Speaker 1: over and over again that you love. No, No, I'm

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Speaker 1: sick of it. I don't want to hear it anymore.

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Speaker 1: I would you want to hear? Okay, they have the

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Speaker 1: new juvenile out? Can you play that? The new jud

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Speaker 1: I got it coming up? That to Ashley Cardi BS

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Speaker 1: coming up next. Thank you so much. Day, have a

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Speaker 1: good day. Hello. Who's this? Hey? This is Janess Henry

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Speaker 1: for Springlake. How y'all doing? Get it off your chest? Listen,

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Speaker 1: I caused his friendsom positivity. God is good all the time. Yes,

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Speaker 1: hey man, Yes, I want to thank the Breakfast Club

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Speaker 1: for enter my phone call. A couple of weeks ago.

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Speaker 1: I'm a real estate broker out in spring Lake in

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Speaker 1: North Carolina, and I called, like where the buyers? So

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Speaker 1: I went from having no buyers to already having two

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Speaker 1: houses on the contract. Congratulations, attacking me from everywhere. Yes,

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Speaker 1: thank you. I just want to say, like, I don't

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Speaker 1: mind if people calling me now with nastix A five

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Speaker 1: six A two, but only about houses, y'all. I'm already married.

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Speaker 1: Anybody even heard you? Just now? You said that number

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Speaker 1: way too fast? Oh now I'm one nine six eight

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Speaker 1: five six eight eight two and you're an agent in

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Speaker 1: North Carolina? Right, yes, call me business, only only about houses.

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Speaker 1: She is married, Leave her alone. Don't be trying to

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Speaker 1: hilight her. We'll be honest with you. You got your

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Speaker 1: damn mind to give away your number on a radio

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Speaker 1: station heard by millions of people, say that only people

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Speaker 1: are gonna call about how there you go. I'm willing

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Speaker 1: to do it. There you go, strong a right blocks

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Speaker 1: run through one hundred phone calls before you get to one.

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Speaker 1: Let's see, I'm gonna precious you got this morning? That's

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Speaker 1: all right? Good luck? Good? Remember God is good. There

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Speaker 1: you go for God, ain't tell you to be stupid. Hello,

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Speaker 1: who's this d D? What's up? Getting off her chests? Bro?

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Speaker 1: What's up? Envy? And what's happening? Brother? Morning? I'm calling man.

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Speaker 1: I'm a professor. I was actually hired as the youngest

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Speaker 1: professor at when State University. Now I'm at a community

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Speaker 1: college of Baltimore. I just want to spread a positivity

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Speaker 1: and education to the kids, man, and take advantage of

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Speaker 1: your ships, man, relationships, mentorships and friendships man to get ahead. Okay,

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Speaker 1: I like that. Well, thank you brother. Yeah, I appreciate you. Man.

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Speaker 1: I listen to y'all every day. We appreciate you all right, man?

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Speaker 1: You bro? Hello? Who's this? Yo's up? This matter from

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Speaker 1: Melana mat? What's up? Bro? Man? I need to spread

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Speaker 1: this positivity right here, I swear, and I'm been trying

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Speaker 1: to get through what's peace was happening? How to get through?

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Speaker 1: For the past two weeks, I've been in real estate

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Speaker 1: school and I've been wanting to tell you though. When

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Speaker 1: when y'all talking about flipping houses and everything, it's a

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Speaker 1: lot more information that these people out here really to

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Speaker 1: go out and get and you can do that. About

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Speaker 1: getting your license, a lot of people might end up

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Speaker 1: in mortgage fraud if they don't do so, you know

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Speaker 1: what I mean? Absolutely, I tell people a Google, read

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Speaker 1: a book, and like you said, get your license. If

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Speaker 1: you got the time, go get your licensing. Yo for

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Speaker 1: show for show I paid FO fifty and this is

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Speaker 1: my second time taking the course. I still get Like

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Speaker 1: three years ago and I was on there on that

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Speaker 1: stupid stuff. You know what I'm saying, relationships, be answering,

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Speaker 1: all that crazy stuff. But Noah, this year I actually

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Speaker 1: did it. I said for you know what I'm saying.

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Speaker 1: I'm like, I'm getting it too. I just wanted to

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Speaker 1: let the whole city know. Also shout out to try

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Speaker 1: City High School, Tennessee State Universe, your rich craud a band. Okay,

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Speaker 1: all right, Robert, you got a lot of company. All right, man,

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Speaker 1: that way, get it off your chest. You gotta stop

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Speaker 1: saying young boys. I was repeated off the him. He

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Speaker 1: just said that. He just said it. So I repeated

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Speaker 1: after him. That way. You don't repeat it. At the

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Speaker 1: point one person says it, he's supposed to go that way.

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Speaker 1: I was going that way. That's what I'm saying. I'm

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Speaker 1: going that way, that way, that way, now that way.

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Speaker 1: The Breakfast Club, it's topic time of the phone called

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Speaker 1: eight hundred five eight five one oh five. Want to

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Speaker 1: join it to the discussion with the Breakfast Club, talk

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Speaker 1: about it morning. Everybody is DJ Envy and Jela Yee

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Speaker 1: Charlomagne the guy. We are the breakfast club. Good morning

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Speaker 1: now if you just joined us with talking low Cuisia,

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Speaker 1: now tell him about lot Quistion. La Quisha is a

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Speaker 1: movie about a white man who's pretending to be a

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Speaker 1: black woman in order to get a job on radio

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Speaker 1: where they're looking for a black woman radio host. All right,

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Speaker 1: so when the quess the show becomes successful when he

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Speaker 1: lands the job even though he's a white man. So

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Speaker 1: let's playing snipping into the trailer right fast. It's brilliant.

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Speaker 1: I know the biggest thing in radio, but I still

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Speaker 1: need mine. And you leve, Louisia, what's your problem? It's crazy.

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Speaker 1: Oh I ain't talking to you, not the way you sound.

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Speaker 1: Next collar you go, girl. You just be good at her.

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Speaker 1: If you're good at yourself, you can be good at others.

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Speaker 1: Don't be too good because the police have come around.

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Speaker 1: Louisa is a real role modelfucker. If you're asking an

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Speaker 1: American woman's on this play, I think I might be

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Speaker 1: a black woman trapped in a white man's body. So

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Speaker 1: we're asking eight hundred five eight five one on five one,

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Speaker 1: what are your thoughts? Let's start with you. You're a

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Speaker 1: black woman, yeah, I thought it was very offensive that

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Speaker 1: he tried it. First of all, it sounds like a

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Speaker 1: stereotypical what a white person thinks a black woman sounds like.

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Speaker 1: And then the name Loquisia is that it just feels

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Speaker 1: very like stereotyping what a black woman is. And it's

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Speaker 1: already hard enough for black woman to get these positions

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Speaker 1: in these jobs. So the fact that you make a

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Speaker 1: movie about white man getting this job because he can't

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Speaker 1: get it because he's a white man's kind of like,

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Speaker 1: you know, we have some type of affrimative action going on,

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Speaker 1: like let us have a job that is very few

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Speaker 1: and far between for us. But people would say it's

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Speaker 1: a movie and you know, they did it in White

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Speaker 1: Chicks with Marlon and Damon played uh, they were black

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Speaker 1: men that played white chicks. I think that's the exact

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Speaker 1: opposite of what this is. What do you think, Well,

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Speaker 1: I mean, here's the problem. The problem is there's not

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Speaker 1: a black woman behind this, all right. That white guy,

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Speaker 1: what's his name, Jeremy Chaville, should have went to one

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Speaker 1: of his black female comedian friends and let her be

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Speaker 1: let her be the face of this. You know, if

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Speaker 1: he did that, I don't think it would be an

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Speaker 1: issue because there's an unwritten rule that the oppressor can't

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Speaker 1: make films like this about the oppressed, but the oppressed

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Speaker 1: can do that to the oppressors. And that's just the

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Speaker 1: way it is. But I think that, you know, people

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Speaker 1: got to stop being offended by fictional world like it's

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Speaker 1: a movie, it's entertainment. Like I grew up on people

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Speaker 1: pretending to be other people all the time, and Living

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Speaker 1: Color made fun of everybody. Dave Chappelle made fun of everybody.

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Speaker 1: You got white chicks. Remember Johanna Man where he pretended

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Speaker 1: to be a woman NBA player. We would have never

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Speaker 1: gotten chane Ll Wanda in this generation. You tell me,

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Speaker 1: you're telling me and Wanda we're positive depictions of black women.

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Speaker 1: I kind of this is what a white man thinks

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Speaker 1: the black woman sounds and you know, looks like and

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Speaker 1: what her names should be. But there is a black

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Speaker 1: comedian from the movie who is defending the movie in

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Speaker 1: here is what he has to say. If anyone's offended,

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Speaker 1: I'm very sorry, But I wasn't trying to make any

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Speaker 1: n's a mockery And in fact, I don't think the

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Speaker 1: trailer does the movie any justice. I don't think any

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Speaker 1: of the black people I worked on it, so we

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Speaker 1: were making a mockery. I think we're, at least for myself,

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Speaker 1: well versed in our plight and our history and all

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Speaker 1: of that. This is a comedy. It's a story about

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Speaker 1: one guy who does the wrong thing for the right

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Speaker 1: reasons and ultimately he pays the price. I think you

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Speaker 1: kind of have to withhold judgment until you see the movie.

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Speaker 1: All right, Well, let's go to the phone lines eight

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Speaker 1: hundred five eight five one o five one. We have

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Speaker 1: Elvis on the line. Elvis, good morning, Hey, good morning.

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Speaker 1: What's up. What do you think about? What are your

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Speaker 1: thoughts on the movie? I think it's great. I think

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Speaker 1: it's a great idea. I think it's the best idea

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Speaker 1: of his White Chick. Do you remember White Chick? White

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Speaker 1: Chicks were good? I'm not going afraid movie sounds like

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Speaker 1: a dope boy there y'all tripping? Well, he actually did.

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Speaker 1: The writers and director did act, and the guy who

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Speaker 1: started they did actually tag Marlon Wayans and say, Lucretia

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Speaker 1: meet white Chicks, and Marlin said, please stop tagging me,

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Speaker 1: and this bs. Well Marlin doesn't seem to think so,

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Speaker 1: but I mean, listen, white women could have been offended

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Speaker 1: by white chicks. White women could have been like, we

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Speaker 1: don't act like that, that's stereotypical. They could have done

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Speaker 1: the same exact thing. Yeah, we're just always oppressed and um,

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Speaker 1: you know, always marginalized. But yeah, that's the thing. It's

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Speaker 1: a rule. It's an unwritten rule that that the oppressed

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Speaker 1: can't I mean, the oppressor can't do that to the oppressed,

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Speaker 1: but their press can do that to the opressent. Just

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Speaker 1: it's the way it is. See, I'm torn because I

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Speaker 1: do feel it's disrespectful and it's like it makes fun

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Speaker 1: of our culture and funt of our black queens. But

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Speaker 1: also it is it's jokes, like we all have jokes

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Speaker 1: like liver color. With jokes, he made fun of everybody

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Speaker 1: and liver color. They made for the gay people, they

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Speaker 1: made fun the black people, they made for the white people.

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Speaker 1: It was funny then. But is it too sensitive now

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Speaker 1: where we can't laugh. I don't know. I think I

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Speaker 1: think I think he should have had a black woman.

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Speaker 1: I think if it was this whole thing, But I

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Speaker 1: think that this just sounds like such a mockery of

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Speaker 1: what it is to be a black woman. That's true too.

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Speaker 1: Does that make it better if it was a black woman?

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Speaker 1: There is still making a mockery of a black woman.

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Speaker 1: All eight d I'm a black woman radio house host.

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Speaker 1: Do I need to be named Loquisha and talk like that?

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Speaker 1: Eight five eight five one oh five one. Call us

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Speaker 1: now as the Breakfast Club, go morning, phone, call in

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Speaker 1: right now at your opinion to the Breakfast Club top

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Speaker 1: break it down. Eight hundred five eighty five, one oh

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Speaker 1: five one The Breakfast Club Morning. Everybody is DJ Envy,

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Speaker 1: Angela Yee, Charlomagne the God. We all the Breakfast Club.

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Speaker 1: If you just joined us, we're talking little quish up that.

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Speaker 1: What's a little quisa about you? It's a movie about

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Speaker 1: a white man who decides that he wants to get

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Speaker 1: a job as a black woman radio host because that's

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Speaker 1: what the ad was looking for. And so he decides

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Speaker 1: to name himself Loquisha and adopt what he thinks sounds

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Speaker 1: like a black woman and how an opinionated black woman

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Speaker 1: with town. But let's go to the well, hold on,

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Speaker 1: hold on, we got Coo on the line. Go this

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Speaker 1: is DEVI I'm sorry, Devin, what are you saying? Devin?

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Speaker 1: I don't understand why things was mad because it sounds

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Speaker 1: just like that movie Starting to Bother You. I didn't

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Speaker 1: see that get out No nothing, not really because Sorry

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Speaker 1: to Bother You was about the black guy adopting the

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Speaker 1: white voice to sell more as a telemarketers. I guess

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Speaker 1: I gone what I did tell them? Mark? You know,

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Speaker 1: I had to definitely, I definitely had my white voice on.

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Speaker 1: Hi is Sean from Poco Fuel. How are you doing today? Sir? Awesome? Yeah,

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Speaker 1: if it's really different, because if you would say, as

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Speaker 1: a as a white person, right, if you went at

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Speaker 1: a job and telemarketing as a white man, could you

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Speaker 1: be like, hey, my name is the question, I'm trying

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Speaker 1: to get this job, then what would happen in real life? Na? Okay,

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Speaker 1: I don't know about that. It was kind of the opposite. Hello,

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Speaker 1: who's this naif Keith? What's something man? We're talking about?

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Speaker 1: Lo Keisha? What do you think? What are your thought

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Speaker 1: with that? Man? Yo? They just really didn't wasn't black

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Speaker 1: Clansman was like kind of like that thing contact like, well,

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Speaker 1: boy was trying to change up to this voice to

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Speaker 1: be a white person to catch somebody or whatever like

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Speaker 1: that seem scenario right. I never saw the Black claimsman.

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Speaker 1: I don't see him. Black Claimers was good man, that

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Speaker 1: was a good movie. But they they had a recent

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Speaker 1: movie like that, same scenario is right too, white kids stuff. Man,

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Speaker 1: Would you have a problem if after seeing this movie,

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Speaker 1: white man went around talking like they were loquia. No,

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Speaker 1: you can say to them all the time, but it's

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Speaker 1: it's I would I wouldn't want a white person to

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Speaker 1: come up to me and be like, hey, sister girl,

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Speaker 1: I hate when people do they do that. Now, heysive

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Speaker 1: it's offensive. Now you've ever seen Himpio. Listen. The problem

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Speaker 1: is there's an unwitten rule that the oppression can't make

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Speaker 1: films you know about the oppressed, But the opress can

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Speaker 1: do that to the oppression. That's just the way it is.

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Speaker 1: Whether it's a man doing that to a woman, a

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Speaker 1: scrape person doing that to a gay person, a white

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Speaker 1: person doing that to a black person like you, just

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Speaker 1: it never looks good. But they got you think a

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Speaker 1: white man can know what it's like to be a

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Speaker 1: black woman. No, and accurately portray that. I'm but I'm

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Speaker 1: sure that's the whole point of the movie. I'm sure

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Speaker 1: by the end of this movie, his whole spot gets

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Speaker 1: blown up. I'm sure by the end of this movie,

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Speaker 1: his whole spot gets blown up. Mike, Yeah right, Heay,

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Speaker 1: what's up, bro? What do you? What do you? What

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Speaker 1: are your thoughts for Lotquisha? All right? I got I

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Speaker 1: got three points. First of all, when I saw this thing,

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Speaker 1: all right, I'm like this movie with it man eighty five,

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Speaker 1: I couldn't believe that someone put this. Twenty nineteen, one

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Speaker 1: of my biggest deployments was when the Black the movie.

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Speaker 1: I can't believe any of them read the script and

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Speaker 1: showed up for this cat seeing that you know they

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Speaker 1: would endure something like this. I think that that was

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Speaker 1: a huge problem. But honestly, the biggest plot hole is

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Speaker 1: how many black women named Akuisha are getting hired without

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Speaker 1: a face to face interview. Right, that doesn't happen. Ever,

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Speaker 1: we haven't seen the movie. Well, that's what happens in

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Speaker 1: the movie. He doesn't have a face to face interview.

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Speaker 1: That's why he got hired because it didn't. I'm not

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Speaker 1: about to sit here and try to figure out a

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Speaker 1: fictional movie that is. That's part of the plot is

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Speaker 1: that he gets hired without them seeing him. But no,

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Speaker 1: but I'm saying it's it's a movie. I'm not gonna

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Speaker 1: pick a part a movie like if we know it

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Speaker 1: for entertainment purposes, we know it fictional. Hello, who's this

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Speaker 1: Mica Michael? What's up? Bro? What? What? What are your thoughts? Man? Well?

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Speaker 1: I want to see people keep that same energy when

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Speaker 1: it comes to other movies. If they're gonna be dispensed

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Speaker 1: to something like Dinner. You can't watch like The Black

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Speaker 1: plans Man or A White Sick or something like that.

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Speaker 1: When when it's for one of a comedy. So and

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Speaker 1: I'm serious about it, and it's I mean, it's a movie.

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Speaker 1: Can't take something that that. Yeah, nobody depends black women.

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Speaker 1: It don't have nothing to do with that. This is

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Speaker 1: a movie like you get You remember that old movie,

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Speaker 1: Remember that old movie in ninety six with Whoope Goldberg

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Speaker 1: called the Associate. We've seen Eddie Murphy play white people

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Speaker 1: like Listen. The problem with this whole thing is they

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Speaker 1: should have had a black woman behind it. They should

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Speaker 1: have been a black woman executive producer. It should have

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Speaker 1: been a black woman. Black women were writing on it,

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Speaker 1: like That's the biggest issue here to me is that

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Speaker 1: this white guy is at the forefront of this. If

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Speaker 1: they would have had a black woman attached to this,

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Speaker 1: it wouldn't even be an issue that hashba the black women.

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Speaker 1: You give a black woman some coin and then make

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Speaker 1: it can seem okay. No, it's more than just having

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Speaker 1: a black woman behind that disrespect. It's a movie, and

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Speaker 1: black women are finding a disrespectful and don't like it,

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Speaker 1: then it's disrespectful. I'm not a black woman, so I

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Speaker 1: can't sit here and tell you what I mean. Some

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Speaker 1: people are okay with it, some people aren't. What I

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Speaker 1: go see this movie? Now? All right, guys, what's the

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Speaker 1: movie was to me? I wasn't cracking up when I've

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Speaker 1: seen it. The moral of the story is y'all promoted

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Speaker 1: the hell out of this white man's movie. My god,

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Speaker 1: he's gonna kill it the box office on Netflix, whever

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Speaker 1: the Ellis is coming out. I doubt it. There you crazy?

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Speaker 1: This movie about the pop. It's about the pop right now?

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Speaker 1: Oh my goodness, as keep it locked. This the Breakfast Club,

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Speaker 1: The Morning, the Breakfast Club, Keep the Breakfast Club humble,

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Speaker 1: slanting the Breakfast class more. Everybody is DJ Envy Angela Yee, Charlemagne,

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Speaker 1: the guy, we are the breakfast Club. It's time for

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Speaker 1: slander the breakfasts, right, We need the humbling, you know

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Speaker 1: what I'm saying. We like to do this every now

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Speaker 1: and then just to keep us humble, you know what

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Speaker 1: I mean. All Right, Well, let's get to a KLA.

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Speaker 1: Good morning guys. Hey, Kelly, who you want to slander? Charlemagne?

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Speaker 1: Y you want Charlemagne. I'm a fairy new listener. I've

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Speaker 1: been listening for about two years, and m Charlemagne has

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Speaker 1: been open and honest about what he went through at

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Speaker 1: the child in terms of his sexual molestation. And you know,

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Speaker 1: I wonder if maybe you need to explore that a

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Speaker 1: little deeper in your therapy, because out of the three

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Speaker 1: of y'all, Charlemagne, you are the only one that makes

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Speaker 1: so many over the top sexual references about man parts,

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Speaker 1: about doing things sexually that most people don't even talk

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Speaker 1: about in the privacy of their own home. And I

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Speaker 1: wonder because you have residual issues with what happened to you,

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Speaker 1: because it's very cringeworthy to listen to you make so

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Speaker 1: many over the top sexual reference You do talk about man,

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Speaker 1: but aline, yeah, that's a valid point you do talk

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Speaker 1: about but I'm not. I'm not even just mutinous. I

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Speaker 1: think she might be right. All right, Well, thank you, Kelly.

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Speaker 1: Did you hear anything this morning? Uh? Not this morning?

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Speaker 1: So I'm kind of room for you this morning. But

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Speaker 1: you know, y'all not off the arabs for another forty

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Speaker 1: five minutes. You must have just got in the car

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Speaker 1: when I told you didn't hit? When I when you

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Speaker 1: didn't hit? When I told Envy that just because a

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Speaker 1: man tells you to get on your knees like you

419
00:20:16,840 --> 00:20:19,800
Speaker 1: used to, it might not be a reference to hear that. Okay,

420
00:20:19,960 --> 00:20:23,000
Speaker 1: that was trying to mile compare tell how you Yeah?

421
00:20:23,080 --> 00:20:24,600
Speaker 1: That is right? Did you hear how we tell? Ever,

422
00:20:24,680 --> 00:20:27,240
Speaker 1: he was gonna fill in his face. I didn't say no,

423
00:20:27,760 --> 00:20:31,960
Speaker 1: he didn't say that. That didn't happen, But thank you, Kelly. Hey, Jason,

424
00:20:32,040 --> 00:20:34,920
Speaker 1: come on to Jason. It was going on, Envy Angela,

425
00:20:35,160 --> 00:20:40,879
Speaker 1: Look what the hell you just saying? Who? Charlotte man?

426
00:20:41,119 --> 00:20:46,080
Speaker 1: I think he had closet. Everything y'all talk about it

427
00:20:46,240 --> 00:20:49,520
Speaker 1: comes back to some closet homosexual stuff. What's up with that?

428
00:20:49,640 --> 00:20:52,000
Speaker 1: Charlotte Knight? Like? What you mean an example? What's in

429
00:20:52,119 --> 00:20:56,160
Speaker 1: my closet? I mean? An example? Tis like this morning,

430
00:20:56,280 --> 00:20:58,600
Speaker 1: I was talking about the Ressel west Brook. You're talking

431
00:20:58,600 --> 00:21:02,639
Speaker 1: about what basically gay and yeah, I had nothing to

432
00:21:02,720 --> 00:21:07,359
Speaker 1: do with anything, because I don't understand why people just

433
00:21:07,520 --> 00:21:10,119
Speaker 1: jump to the conclusion that that meant slavery just because

434
00:21:10,119 --> 00:21:11,960
Speaker 1: a man tells another man get on your knees like

435
00:21:12,000 --> 00:21:14,439
Speaker 1: you used to. But that's a conclusion Russell Westbrook jump too.

436
00:21:14,640 --> 00:21:19,080
Speaker 1: But why do you grow through the side? Homoside is murder? Sir?

437
00:21:20,800 --> 00:21:31,200
Speaker 1: Oh Roberts, Hey, Robert? How you doing? Oh? How you doing?

438
00:21:31,440 --> 00:21:35,800
Speaker 1: I'm good? Who you want to slander? Why do you

439
00:21:35,840 --> 00:21:39,680
Speaker 1: want to slander me? Bro Man ibusually started following you

440
00:21:39,680 --> 00:21:43,600
Speaker 1: on Instagram. Man, all your's a different call with the

441
00:21:43,800 --> 00:21:47,720
Speaker 1: same hoodio. He got it on? Now who is it?

442
00:21:47,840 --> 00:21:51,520
Speaker 1: What does it say? Is it my guy versus VI enemies?

443
00:21:52,520 --> 00:21:57,000
Speaker 1: I love that brand? I wonder why I love that brand.

444
00:22:00,800 --> 00:22:03,439
Speaker 1: I love that bread. That about it? Yeah, you can

445
00:22:03,560 --> 00:22:05,520
Speaker 1: go to the Body of God dot com to get

446
00:22:05,560 --> 00:22:07,280
Speaker 1: your You know, my dad said that the same Do

447
00:22:07,320 --> 00:22:08,960
Speaker 1: you own any other clothes? You were that same moody

448
00:22:09,000 --> 00:22:11,440
Speaker 1: all the time? Why didn't think it's the same hoodie?

449
00:22:11,440 --> 00:22:13,520
Speaker 1: It's different colors exactly. It might be the same as

450
00:22:13,560 --> 00:22:17,640
Speaker 1: Snells same. It's not one going on going on one?

451
00:22:17,680 --> 00:22:21,479
Speaker 1: What's up mid me going oh lie, hey, what's up

452
00:22:21,560 --> 00:22:24,520
Speaker 1: my Dominican brother. No, you're talking to me, ain't I'm

453
00:22:24,520 --> 00:22:26,359
Speaker 1: not eat something to say West African? So no, I'm

454
00:22:26,400 --> 00:22:31,920
Speaker 1: talking about see poppy, but say you couldn't embrace that man?

455
00:22:32,520 --> 00:22:35,040
Speaker 1: Who you want to slam the poppy he's doing? Man,

456
00:22:35,119 --> 00:22:36,320
Speaker 1: I just want to say with a couple of few guys,

457
00:22:36,400 --> 00:22:38,600
Speaker 1: other few you guys every morning, man, y'all funny Charlotte

458
00:22:38,600 --> 00:22:40,560
Speaker 1: and the guy I gotta love for you. Man, you

459
00:22:40,720 --> 00:22:42,720
Speaker 1: keep it funky all the time. And that's a good thing. Well,

460
00:22:42,760 --> 00:22:44,640
Speaker 1: thank you, sir. But this is slam of the breakfast clubs.

461
00:22:44,640 --> 00:22:47,680
Speaker 1: So we can't talk slan y'all man, And I'm sorry.

462
00:22:47,800 --> 00:22:50,480
Speaker 1: That's because he's not embraceless waffle man. He started to

463
00:22:50,560 --> 00:22:53,000
Speaker 1: break that waffle. He does embrace it. He eats him

464
00:22:53,040 --> 00:22:56,280
Speaker 1: all the time. He is down though, Man, he'd be like,

465
00:22:56,400 --> 00:23:00,600
Speaker 1: he'd be like Charlotte, Yeah, I'm not doing Medican man

466
00:23:00,640 --> 00:23:04,440
Speaker 1: him black. He stuffed his pancakes and why you don't

467
00:23:04,480 --> 00:23:09,639
Speaker 1: invent you Dominican side man, Hi Poppy stylestad thank every morning.

468
00:23:09,680 --> 00:23:15,000
Speaker 1: I'm like, no, worry. You know you got that. It's

469
00:23:15,040 --> 00:23:17,160
Speaker 1: almost spring time. He'll be out here with the white jeans.

470
00:23:17,520 --> 00:23:20,480
Speaker 1: He'll be full blown Dominican by someone Coom style instead

471
00:23:20,840 --> 00:23:24,159
Speaker 1: peace Poppy? What why are you calling him poppy? I

472
00:23:24,200 --> 00:23:27,159
Speaker 1: don't know, d y who you want to sland d

473
00:23:27,280 --> 00:23:30,320
Speaker 1: me poppy? Call you has it for you. He definitely

474
00:23:30,359 --> 00:23:32,760
Speaker 1: called you poppy d. This is the slander, man, because

475
00:23:33,040 --> 00:23:35,280
Speaker 1: I think you're really gay. Man, I really think you're gay,

476
00:23:35,320 --> 00:23:39,679
Speaker 1: and be like because you which y'all always so sensitive? Bro,

477
00:23:41,280 --> 00:23:45,760
Speaker 1: wait now, hug on what to do? It is what's wrong?

478
00:23:48,000 --> 00:23:51,360
Speaker 1: But damn bro, you oh he's got to be so sensitive.

479
00:23:51,640 --> 00:23:55,480
Speaker 1: So goddamn Charlomagne. Bro, I love you, bro. What you

480
00:23:55,520 --> 00:24:00,440
Speaker 1: look like a Warner wallet? Bro wallet? Yes, I'm game,

481
00:24:00,520 --> 00:24:08,639
Speaker 1: but he's done everything about your face. Broad. That's all

482
00:24:08,640 --> 00:24:12,520
Speaker 1: I'm gonna say, and I'm gonna go back there talk

483
00:24:12,560 --> 00:24:15,760
Speaker 1: every yo. You need to start playing some real man,

484
00:24:15,960 --> 00:24:18,360
Speaker 1: some real stuff. Man. You don't get paid to play

485
00:24:18,440 --> 00:24:22,280
Speaker 1: real music. And then I'm saying, y'all can always complaining

486
00:24:22,320 --> 00:24:25,040
Speaker 1: about home man. We tired of hearing the stream stuff

487
00:24:25,200 --> 00:24:28,440
Speaker 1: and just he played the same waxy he died. You

488
00:24:28,520 --> 00:24:30,639
Speaker 1: whacked for that. That you ain't got nothing for ye

489
00:24:30,920 --> 00:24:33,960
Speaker 1: ye I love you, yea. He goes laugh like a

490
00:24:34,080 --> 00:24:36,240
Speaker 1: four year old little girl, and you need to fix

491
00:24:36,320 --> 00:24:38,520
Speaker 1: your whole laugh and down. In fact, let's go to

492
00:24:38,600 --> 00:24:45,040
Speaker 1: Disney Lane, something new for your life. Okay, I liked it.

493
00:24:45,119 --> 00:24:46,960
Speaker 1: I liked it. I liked your slander this morning. It

494
00:24:47,040 --> 00:24:49,280
Speaker 1: started off strong. I don't mind laughing like a flame.

495
00:24:49,440 --> 00:24:51,400
Speaker 1: Ended a little week, but it was strong all right. Bye,

496
00:24:51,520 --> 00:24:54,679
Speaker 1: man Slander The Breakfast Club eight hundred five five one

497
00:24:54,760 --> 00:24:56,879
Speaker 1: or five one, keeping lock this to Breakfast Club, the

498
00:24:57,040 --> 00:25:04,160
Speaker 1: Breakfast Club more than everybody's DJ Envy Angela Yee, Charlomagne

499
00:25:04,200 --> 00:25:05,960
Speaker 1: the guy. We are the Breakfast Club. I want to

500
00:25:05,960 --> 00:25:09,040
Speaker 1: do this go ahead. We had some very special guests

501
00:25:09,119 --> 00:25:13,440
Speaker 1: in the building. It is as Deba to w V

502
00:25:13,720 --> 00:25:18,280
Speaker 1: here you actually spelled it with you sometimes, well I

503
00:25:18,359 --> 00:25:26,920
Speaker 1: did you and Tod your head was happening everything We

504
00:25:27,040 --> 00:25:30,560
Speaker 1: are feeling like villains representing holding it down in the hood. Okay,

505
00:25:30,800 --> 00:25:35,680
Speaker 1: y'all got a new show, Ladies Night reality show. We

506
00:25:35,800 --> 00:25:38,680
Speaker 1: were approached by BT to do a show about girl

507
00:25:38,760 --> 00:25:41,240
Speaker 1: groups and the struggles and the ups and downs that

508
00:25:41,320 --> 00:25:43,240
Speaker 1: we go through. We were more than happy to do

509
00:25:43,320 --> 00:25:45,160
Speaker 1: it because people don't. I mean, first of all, there's

510
00:25:45,200 --> 00:25:47,440
Speaker 1: no more girl groups, right, and then like they don't

511
00:25:47,480 --> 00:25:50,000
Speaker 1: realize that SMV and something Pepper are still around. Like,

512
00:25:50,280 --> 00:25:51,960
Speaker 1: so we went out there. We decided to put it

513
00:25:52,000 --> 00:25:53,879
Speaker 1: out there and open. I mean you literally see the

514
00:25:53,960 --> 00:25:56,320
Speaker 1: struggle of being a mother, a wife. Coco was going

515
00:25:56,359 --> 00:25:58,840
Speaker 1: through the dio. Yes, it was just and then we're

516
00:25:58,920 --> 00:26:00,480
Speaker 1: on the road out of the car on tree. I

517
00:26:00,520 --> 00:26:02,840
Speaker 1: got sick. I mean it was crazy. Guys are on

518
00:26:02,920 --> 00:26:12,560
Speaker 1: a safari and Sari, I'm the animal lover. I love her. Listen,

519
00:26:12,720 --> 00:26:17,760
Speaker 1: I'm taking I know what she means. Now, we didn't

520
00:26:17,760 --> 00:26:20,639
Speaker 1: have the opportunity to see the first episode. You did good. Yes,

521
00:26:20,760 --> 00:26:22,879
Speaker 1: and one of the recurring themes is where it's Cocoa

522
00:26:23,200 --> 00:26:28,720
Speaker 1: right and I don't do Coco. She she actually was

523
00:26:28,760 --> 00:26:30,760
Speaker 1: trying to get here. She had a little setback this morning.

524
00:26:30,800 --> 00:26:32,960
Speaker 1: I couldn't have her out here looking crazy, so we

525
00:26:33,200 --> 00:26:35,000
Speaker 1: told her we'll hold it down until she gets here.

526
00:26:35,160 --> 00:26:37,399
Speaker 1: So let's talk about s WV and Salt and Peppa

527
00:26:37,480 --> 00:26:39,719
Speaker 1: doing the show together because some Peppa said they've never

528
00:26:40,240 --> 00:26:43,879
Speaker 1: even been on the road. I know another thing, Yes,

529
00:26:44,000 --> 00:26:46,399
Speaker 1: another girl group. And so for you guys working with

530
00:26:46,480 --> 00:26:48,200
Speaker 1: them because it felt like there's a little bit of

531
00:26:48,320 --> 00:26:54,200
Speaker 1: like they're very take charge. Salt, yeah, very take Charis.

532
00:26:54,280 --> 00:26:55,719
Speaker 1: Is what we're gonna do. This is we're gonna tell them,

533
00:26:55,760 --> 00:26:57,480
Speaker 1: and you guys are like, nah, we're not, you know

534
00:26:57,640 --> 00:27:00,320
Speaker 1: there with that? So how is it? How do you guys? Alan?

535
00:27:00,840 --> 00:27:03,600
Speaker 1: You have to compromise. You literally have to compromise, especially

536
00:27:03,640 --> 00:27:05,760
Speaker 1: when you have so many egos and play and then

537
00:27:05,960 --> 00:27:09,560
Speaker 1: um other outside forces if at play. So you really

538
00:27:09,600 --> 00:27:12,720
Speaker 1: have to learn to compromise and be willing to step

539
00:27:12,800 --> 00:27:14,840
Speaker 1: back and let somebody else take the lead. Sometimes it

540
00:27:14,920 --> 00:27:17,080
Speaker 1: is just Sol super religious though, so is she like

541
00:27:17,200 --> 00:27:22,600
Speaker 1: trying to check Lely? She has religious moments yea the

542
00:27:22,640 --> 00:27:25,159
Speaker 1: show and she definitely is having her She's having a

543
00:27:25,200 --> 00:27:27,320
Speaker 1: good time. It seems like, you see the thing about

544
00:27:27,359 --> 00:27:30,600
Speaker 1: it is everybody's trying to check Lely. Everybody y'all think

545
00:27:30,600 --> 00:27:33,639
Speaker 1: it's super spiritual. It's really not. Lely is just she

546
00:27:33,840 --> 00:27:37,080
Speaker 1: just says she ain't supposed to say sometimes, but I

547
00:27:37,240 --> 00:27:39,640
Speaker 1: just say what they want to say because in the back,

548
00:27:39,720 --> 00:27:44,520
Speaker 1: in the back, they'd be like, yeah, yeah, you know,

549
00:27:45,240 --> 00:27:47,240
Speaker 1: but you know, in fun of y'all, in fun of

550
00:27:47,280 --> 00:27:50,080
Speaker 1: those they'd be like Oh that's the name of the Lord.

551
00:27:51,520 --> 00:27:53,200
Speaker 1: I think it's a balance though. You gotta have ratchet

552
00:27:53,320 --> 00:27:58,640
Speaker 1: and you gotta have righteous and that that's me. I'm

553
00:27:58,720 --> 00:28:00,880
Speaker 1: broned to New York all day. That's all You're gonna

554
00:28:00,920 --> 00:28:06,080
Speaker 1: get what you mean. I've had my crazy too. It's

555
00:28:07,160 --> 00:28:11,480
Speaker 1: now let's talk about because I remember seeing with y'all

556
00:28:11,560 --> 00:28:14,560
Speaker 1: when you had just got your butt done. Slov was

557
00:28:14,640 --> 00:28:26,800
Speaker 1: loving my but trying your video footage. You know, Sharlo

558
00:28:26,960 --> 00:28:29,760
Speaker 1: made is so much. He happens to be one of

559
00:28:29,840 --> 00:28:32,600
Speaker 1: my favorite people in the entire world. I love, I

560
00:28:32,680 --> 00:28:37,280
Speaker 1: just feel like people. He's so misunderstood, but he says

561
00:28:37,440 --> 00:28:41,680
Speaker 1: everything that people want to say but don't say it,

562
00:28:41,800 --> 00:28:44,440
Speaker 1: so I can relate to him in the craziest way,

563
00:28:44,600 --> 00:28:46,960
Speaker 1: Like we're like soul mates in a way. So how

564
00:28:47,080 --> 00:28:50,920
Speaker 1: is your beat holding up after that? Because well, it's

565
00:28:51,000 --> 00:28:55,680
Speaker 1: it's it's holding up. It's holding enough. It's nice and

566
00:28:55,840 --> 00:29:00,880
Speaker 1: settle you know you I was together on to How

567
00:29:00,920 --> 00:29:02,920
Speaker 1: did y'a keep the piece amongst each other? Oh we didn't.

568
00:29:04,240 --> 00:29:07,600
Speaker 1: We were We were separated for like eight years. Oh no,

569
00:29:07,760 --> 00:29:09,720
Speaker 1: you got to grow up before you can come back together.

570
00:29:09,760 --> 00:29:12,280
Speaker 1: And I think breaking up as a group was one

571
00:29:12,320 --> 00:29:13,960
Speaker 1: of the best things that could have happened to us

572
00:29:14,080 --> 00:29:18,040
Speaker 1: because literally we found each other. We found ourselves once

573
00:29:18,080 --> 00:29:20,840
Speaker 1: we had to separate. When you come back together after

574
00:29:20,880 --> 00:29:23,280
Speaker 1: you know who you are, it works better. And that's

575
00:29:23,280 --> 00:29:25,880
Speaker 1: when Coco went solo. Yes, and I remember she was

576
00:29:26,000 --> 00:29:29,760
Speaker 1: dating um Ishmael from Digibo Plan. They have a son. Yeah,

577
00:29:29,880 --> 00:29:32,040
Speaker 1: they have a son together. So is that part of

578
00:29:32,080 --> 00:29:33,760
Speaker 1: the reason why the group, Like she kind of went

579
00:29:33,840 --> 00:29:35,760
Speaker 1: off and she wanted to do her own thing, so

580
00:29:35,960 --> 00:29:38,360
Speaker 1: she went off and tried it and came back. We

581
00:29:38,680 --> 00:29:41,920
Speaker 1: no matter how many times we separate, we realize we're

582
00:29:41,960 --> 00:29:45,960
Speaker 1: better together than I listened to s WV like daily

583
00:29:46,040 --> 00:29:53,520
Speaker 1: to this day. I love you guys, know we do

584
00:29:53,920 --> 00:29:56,440
Speaker 1: for real. We're not just a pair just saying that.

585
00:29:56,680 --> 00:29:59,720
Speaker 1: But it's different with music, Like music is different than radio,

586
00:30:00,000 --> 00:30:01,520
Speaker 1: you know what I'm saying. Like you listen to radio sometime,

587
00:30:01,560 --> 00:30:03,440
Speaker 1: you listen to music all the time. We listen to

588
00:30:03,600 --> 00:30:07,080
Speaker 1: y'all all the time. They basically go together, though, but

589
00:30:07,120 --> 00:30:08,600
Speaker 1: you ain't just turning all. You can't say I'm gonna

590
00:30:08,600 --> 00:30:10,000
Speaker 1: turn on this breakfast club. I'm so win to you

591
00:30:11,480 --> 00:30:13,640
Speaker 1: know what I'm saying. Music, Okay, I get you. I

592
00:30:13,720 --> 00:30:15,320
Speaker 1: love to hear, but I turned on the Breast Club

593
00:30:15,400 --> 00:30:18,720
Speaker 1: every morning, like Downtown's a great songs at the movie

594
00:30:18,880 --> 00:30:21,920
Speaker 1: like that. It was crazy to think that that song

595
00:30:22,040 --> 00:30:28,080
Speaker 1: was Downtown comes after the four play what you No?

596
00:30:28,320 --> 00:30:30,960
Speaker 1: It comes after the kissing and stuff. But they kiss

597
00:30:31,520 --> 00:30:42,600
Speaker 1: the four play in the cue. But the girl I

598
00:30:42,800 --> 00:30:46,840
Speaker 1: was four play no no, not in my world? Really,

599
00:30:47,680 --> 00:30:53,240
Speaker 1: like they start with the movie. That's what I'm trying

600
00:30:53,240 --> 00:30:59,880
Speaker 1: to tell him. He want to go straight to the kids.

601
00:31:00,080 --> 00:31:02,320
Speaker 1: So the four place starts up top. Yeah, the fourth

602
00:31:02,400 --> 00:31:05,120
Speaker 1: Place starts on top. You learning something? Yes I Am.

603
00:31:05,520 --> 00:31:07,520
Speaker 1: Isn't a crazy thing. Downtown was such it was a

604
00:31:07,600 --> 00:31:10,320
Speaker 1: risky song. Back in the day. We talk about that

605
00:31:10,400 --> 00:31:14,680
Speaker 1: and now we support all the holes. So we hear

606
00:31:16,720 --> 00:31:22,680
Speaker 1: we heard Coble look what we can. What was the

607
00:31:22,760 --> 00:31:27,040
Speaker 1: label saying when y'all recorded us on what they say? Yeah? Really,

608
00:31:29,080 --> 00:31:37,400
Speaker 1: back in the day, they look out leaving about you.

609
00:31:37,480 --> 00:31:40,840
Speaker 1: They get you, like we don't ever talk about women

610
00:31:41,040 --> 00:31:43,160
Speaker 1: how they be on the room. Let's cut right to it,

611
00:31:44,600 --> 00:31:52,640
Speaker 1: ay me, it's non negotiable. You should let random fans

612
00:31:52,720 --> 00:31:57,160
Speaker 1: do it. Okay, you can take no no, but if

613
00:31:57,200 --> 00:32:00,920
Speaker 1: you take me, hey, game is just that that's just it.

614
00:32:01,240 --> 00:32:12,240
Speaker 1: You gotta lick it before you stick it. Yeah, everybody

615
00:32:12,280 --> 00:32:16,120
Speaker 1: about me. I'm trying to keep it PG. I stay

616
00:32:16,160 --> 00:32:19,760
Speaker 1: in trouble, you know, but the best all right? We

617
00:32:19,840 --> 00:32:22,360
Speaker 1: got more with s WV. When we come back, don't move.

618
00:32:22,400 --> 00:32:24,640
Speaker 1: It's to breakfast Club. Go more. This is the breakfast

619
00:32:24,680 --> 00:32:29,160
Speaker 1: Club morning. Everybody's DJ Envy Angela Yee, Charlomagne the guy.

620
00:32:29,200 --> 00:32:31,880
Speaker 1: We are to Breakfast Club is Flashback Friday and we

621
00:32:32,040 --> 00:32:34,720
Speaker 1: have s WV in the building. Are you guys still

622
00:32:34,760 --> 00:32:38,640
Speaker 1: doing a biopick? We are working on it. It's it's

623
00:32:38,680 --> 00:32:40,720
Speaker 1: a lot to The thing about our ball pick is

624
00:32:41,160 --> 00:32:44,200
Speaker 1: it has to be um more than one hour, more

625
00:32:44,240 --> 00:32:48,000
Speaker 1: than two hours. We got twenty seven years of stuff

626
00:32:48,280 --> 00:32:50,880
Speaker 1: to talk about because somebody's story is gonna be left out.

627
00:32:50,920 --> 00:32:54,840
Speaker 1: We're three individuals who had three individual stories even though

628
00:32:54,880 --> 00:32:57,200
Speaker 1: we're in the same group. As a group, we went

629
00:32:57,280 --> 00:33:00,600
Speaker 1: through stuff, but individually it was a like completely different

630
00:33:00,600 --> 00:33:05,280
Speaker 1: from other traumatic. Yeah, some of it was traumatic, some

631
00:33:05,360 --> 00:33:07,240
Speaker 1: of it was great. And it's just hard to tell

632
00:33:07,280 --> 00:33:09,640
Speaker 1: a story with no time. So if we can't tell

633
00:33:09,680 --> 00:33:11,240
Speaker 1: it right, we don't want to do it. But you've

634
00:33:11,280 --> 00:33:13,600
Speaker 1: been working on it. We've been approached to do it. Yes,

635
00:33:14,000 --> 00:33:15,840
Speaker 1: I think TLC did it kind of right too, even

636
00:33:15,840 --> 00:33:18,200
Speaker 1: though I'm sure it could have been more. They couldn't

637
00:33:18,240 --> 00:33:20,920
Speaker 1: get everything in there, so you still have missing peace

638
00:33:21,040 --> 00:33:24,000
Speaker 1: and you're gonna make people mad. You know. If somebody

639
00:33:24,120 --> 00:33:26,640
Speaker 1: was a part of your story and some things happened,

640
00:33:26,880 --> 00:33:28,800
Speaker 1: you know, and they had a certain level of life

641
00:33:28,920 --> 00:33:32,360
Speaker 1: right now and it changed, it pissed you off to

642
00:33:32,520 --> 00:33:35,440
Speaker 1: kind of relive those moments again. But you have to

643
00:33:35,560 --> 00:33:37,680
Speaker 1: live in truth. Like who would be mad from an

644
00:33:37,760 --> 00:33:44,880
Speaker 1: SWV story? You know? I'm trying to be saved and

645
00:33:44,960 --> 00:33:53,920
Speaker 1: filled with the Holy Ghost today, you see, I saved today, Jesus.

646
00:33:55,080 --> 00:33:58,440
Speaker 1: I need a spirit of Charlemagne. And what about for

647
00:33:58,520 --> 00:34:02,280
Speaker 1: the three year with each other? What something? That? That's

648
00:34:02,320 --> 00:34:08,160
Speaker 1: just rude. Damn, I'm getting nervous all that the face.

649
00:34:08,680 --> 00:34:11,440
Speaker 1: You know, they say men with beards, beards are dirtier

650
00:34:11,480 --> 00:34:14,120
Speaker 1: than dogs. You told us that, right, I posted it.

651
00:34:14,239 --> 00:34:17,680
Speaker 1: I posted it, yeah, and they said it. So you

652
00:34:17,719 --> 00:34:23,160
Speaker 1: know what, Hey, my dude is a I love right

653
00:34:23,320 --> 00:34:26,160
Speaker 1: and to me, I don't need to be cut up

654
00:34:26,440 --> 00:34:32,000
Speaker 1: down there. Yeah, try, you gotta get in the beard

655
00:34:32,080 --> 00:34:34,319
Speaker 1: to I don't want to deal with that. The Beard's

656
00:34:34,400 --> 00:34:37,840
Speaker 1: rough on the poem. Poem is what you're seeing? He's like, no, no,

657
00:34:38,560 --> 00:34:46,440
Speaker 1: I face bath, face bath. You can't a facial, you're skinner, smooth.

658
00:34:46,640 --> 00:34:49,760
Speaker 1: I can't show you what it is, Charlo let me google.

659
00:34:53,640 --> 00:34:55,600
Speaker 1: Don't you get don't you get facials? I do? I

660
00:34:55,680 --> 00:34:59,399
Speaker 1: get facials, chemical pills on the face bath me too,

661
00:34:59,719 --> 00:35:06,160
Speaker 1: fa if you would tell us your face, Charlemagne, Yeah,

662
00:35:07,600 --> 00:35:13,680
Speaker 1: so you're a squirt, Charlomagne. You will never find I

663
00:35:13,880 --> 00:35:18,719
Speaker 1: can't show you. Okay, I don't. I don't need a

664
00:35:18,760 --> 00:35:23,640
Speaker 1: lot of digging in my ass. Oh no, I mean

665
00:35:24,520 --> 00:35:26,400
Speaker 1: in your ass. But it's a good thing. There you go,

666
00:35:29,719 --> 00:35:34,840
Speaker 1: it's really good. Yeah, okay, playing some swvy. I understand

667
00:35:35,280 --> 00:35:37,200
Speaker 1: anything with the bio pick that y'all would be scared

668
00:35:37,200 --> 00:35:38,960
Speaker 1: to put in because Lely said, y'all got to live

669
00:35:38,960 --> 00:35:40,640
Speaker 1: your truth. But is there anything y'all be scared to

670
00:35:40,680 --> 00:35:43,239
Speaker 1: put it on me? I feel like the story has

671
00:35:43,239 --> 00:35:44,759
Speaker 1: to be told by y'all. That's why I like all

672
00:35:44,760 --> 00:35:47,160
Speaker 1: of these biopicks while people are still alive. I'm sorry

673
00:35:48,000 --> 00:35:50,839
Speaker 1: you got married so young, right, I was thirty three

674
00:35:50,920 --> 00:35:53,600
Speaker 1: when I got married. That's not old though, But all

675
00:35:54,000 --> 00:35:57,240
Speaker 1: but what did you ever step out like in your relationships?

676
00:35:57,239 --> 00:36:01,000
Speaker 1: Do you ever get am the most loyal? I can't

677
00:36:01,000 --> 00:36:02,680
Speaker 1: answer this, let me tell you because it has to

678
00:36:02,760 --> 00:36:05,799
Speaker 1: be hard because I can't answer this question for her

679
00:36:06,360 --> 00:36:09,160
Speaker 1: because a lot of these men came to me to

680
00:36:09,360 --> 00:36:12,399
Speaker 1: hook them up with her. She had and I will

681
00:36:12,480 --> 00:36:15,440
Speaker 1: not name no names, but she had some of the richest,

682
00:36:15,520 --> 00:36:18,440
Speaker 1: some of the most popular guys. Was like, Yo, they

683
00:36:18,520 --> 00:36:21,080
Speaker 1: won't give me twenty grand if I get them a

684
00:36:21,160 --> 00:36:28,960
Speaker 1: day with her. I'm oute they came to me when

685
00:36:29,040 --> 00:36:31,560
Speaker 1: they just wanted to dare her that bad. When I

686
00:36:31,600 --> 00:36:33,560
Speaker 1: say I'm loyal, I mean that if you're loyal to me,

687
00:36:33,640 --> 00:36:35,480
Speaker 1: I'm down for you one hundred and ten percent. But

688
00:36:35,600 --> 00:36:40,800
Speaker 1: what I'm in a relationships with loyal to a fault.

689
00:36:40,840 --> 00:36:43,239
Speaker 1: And it drives me crazy because I don't do I've

690
00:36:43,280 --> 00:36:47,319
Speaker 1: never stepped out on any of my boyfriends, even before

691
00:36:47,400 --> 00:36:54,480
Speaker 1: I'm looking for somebody to cheat now I'm doing. I'm

692
00:36:54,520 --> 00:36:56,040
Speaker 1: just saying I feel like it has to be hard

693
00:36:56,080 --> 00:36:57,640
Speaker 1: because as women, when you're on the road, I know

694
00:36:57,760 --> 00:36:59,800
Speaker 1: guys are trying to high at y'all, and some of

695
00:36:59,880 --> 00:37:02,239
Speaker 1: them I would be surprised. Yeah. But See, my thing

696
00:37:02,480 --> 00:37:06,040
Speaker 1: is I have not met anybody who's worth risking my life.

697
00:37:06,160 --> 00:37:12,120
Speaker 1: My life nothing, I don't say. I don't remember the

698
00:37:12,239 --> 00:37:13,960
Speaker 1: time when you could just look at a guy and

699
00:37:14,120 --> 00:37:16,799
Speaker 1: y'all just have this chemistry and you hook up. Now,

700
00:37:17,480 --> 00:37:21,239
Speaker 1: even if it's pretty, you'd be like, damn, what, what's

701
00:37:21,280 --> 00:37:28,120
Speaker 1: in it? It's just too much? Less it? Sure, it's

702
00:37:28,200 --> 00:37:34,800
Speaker 1: pretty much you can't can't even I'm glad you said that,

703
00:37:34,840 --> 00:37:36,800
Speaker 1: because a lot of women don't think penises are pretty.

704
00:37:37,160 --> 00:37:40,560
Speaker 1: Oh no, I've seen some pretty. What makes it pretty?

705
00:37:41,560 --> 00:37:43,640
Speaker 1: It's clean, it's gotta be the same color as the

706
00:37:43,719 --> 00:37:49,239
Speaker 1: rest of his body. No, penis is really pretty? Ya huh,

707
00:37:50,680 --> 00:37:53,920
Speaker 1: get rid of that. Have you ever seen an uncircumcised

708
00:37:55,920 --> 00:37:59,480
Speaker 1: I don't it looks nice. It looks okay when it's erect.

709
00:38:00,080 --> 00:38:08,719
Speaker 1: But when when? When when the turtle had his head

710
00:38:08,760 --> 00:38:16,160
Speaker 1: in the shell. I'm still I'm still dripping. Other fact,

711
00:38:16,239 --> 00:38:18,880
Speaker 1: Lily wants to know what's inside the penis? Has ever shower?

712
00:38:19,000 --> 00:38:24,680
Speaker 1: I'm just saying this, And students, we don't seen someone everything.

713
00:38:24,840 --> 00:38:27,960
Speaker 1: We know it's some nasty dude. All right, We got

714
00:38:28,080 --> 00:38:31,000
Speaker 1: more with s WUV is Flashback Friday. Matter fact, let's

715
00:38:31,000 --> 00:38:33,439
Speaker 1: get into an s WV mini mix. It's the breakfast Club,

716
00:38:33,480 --> 00:38:38,840
Speaker 1: Good Morning, the Breakfast Club. That was s w V

717
00:38:39,080 --> 00:38:43,359
Speaker 1: Mini Mix Morning. Everybody is DJ n v Angela Yee,

718
00:38:43,480 --> 00:38:46,600
Speaker 1: Charlomagne the guy we are the breakfast Club. S WV

719
00:38:47,000 --> 00:38:49,000
Speaker 1: is here, Charlomagne. Do you'll feel like y'all got y'all

720
00:38:49,000 --> 00:38:51,359
Speaker 1: just do financially and just as far as credit from

721
00:38:51,400 --> 00:38:54,399
Speaker 1: the culture, No, yeah, no, we we missed a few

722
00:38:54,480 --> 00:38:57,440
Speaker 1: steps or a few steps missed us, but it's it's

723
00:38:57,480 --> 00:39:00,480
Speaker 1: all good. You live and learn. I'm just we hadn't

724
00:39:00,520 --> 00:39:02,880
Speaker 1: gotten our just do because we never won an award.

725
00:39:03,040 --> 00:39:05,600
Speaker 1: I remember that when vah one on a y'all, it

726
00:39:05,680 --> 00:39:08,160
Speaker 1: was like the first time plenties of soul. Yeah, that

727
00:39:08,280 --> 00:39:09,880
Speaker 1: was the first time we ever got an award. I mean,

728
00:39:10,040 --> 00:39:13,640
Speaker 1: we never received an award, and that's crazy. That song

729
00:39:13,880 --> 00:39:17,400
Speaker 1: is twice platinum alone. That wasn't even album. It was

730
00:39:17,440 --> 00:39:19,840
Speaker 1: just that song and it never received an award. You know,

731
00:39:20,000 --> 00:39:22,279
Speaker 1: numbers don't lie. That's why the BIOPICCK would be great

732
00:39:22,280 --> 00:39:23,440
Speaker 1: because I look at what it did for a new

733
00:39:23,640 --> 00:39:25,640
Speaker 1: edition with a younger kid went out because I think

734
00:39:25,680 --> 00:39:28,520
Speaker 1: that will help people. Even with TLC did there, that

735
00:39:28,560 --> 00:39:30,920
Speaker 1: really helps people who are younger that might they might

736
00:39:31,040 --> 00:39:33,000
Speaker 1: know the songs but not really know the story because

737
00:39:33,000 --> 00:39:34,759
Speaker 1: they didn't grow up on it. I think that's so

738
00:39:34,920 --> 00:39:36,640
Speaker 1: helpful and I think for that that will launch y'all

739
00:39:36,719 --> 00:39:39,680
Speaker 1: to that. The show actually helped that as well Ladies Night,

740
00:39:39,760 --> 00:39:42,080
Speaker 1: because they can see a performed they see everything that

741
00:39:42,160 --> 00:39:43,840
Speaker 1: we do. They hear the old music, they hear some

742
00:39:43,920 --> 00:39:45,880
Speaker 1: of the new music because we also worked on a

743
00:39:45,960 --> 00:39:48,799
Speaker 1: new song together Salt Pepp and SWV. So I think

744
00:39:48,840 --> 00:39:51,279
Speaker 1: this show is a step in the right direction toward that.

745
00:39:51,680 --> 00:39:54,520
Speaker 1: Hopefully the biopick will be able to be done right

746
00:39:54,600 --> 00:39:56,560
Speaker 1: and we can y'all gotta get y'all had a reality

747
00:39:56,640 --> 00:39:59,120
Speaker 1: show before those last Did that change things for y'all?

748
00:39:59,280 --> 00:40:02,879
Speaker 1: And no, okay, you know what, the show was good,

749
00:40:03,080 --> 00:40:11,840
Speaker 1: but I think you are Charlottage stop that he smelled

750
00:40:11,880 --> 00:40:22,480
Speaker 1: like a horse on there or something. Yeah, I don't

751
00:40:22,520 --> 00:40:28,040
Speaker 1: think I don't know stuff to teach him something, clue,

752
00:40:31,080 --> 00:40:36,359
Speaker 1: I tell some stuff. The one he change anything? Well,

753
00:40:36,480 --> 00:40:39,160
Speaker 1: you know what it is what reality television? And I

754
00:40:39,239 --> 00:40:42,040
Speaker 1: think they really need to rename that whole genre. You

755
00:40:42,239 --> 00:40:45,080
Speaker 1: have to embellish the truth. If I'm just telling you

756
00:40:45,120 --> 00:40:46,960
Speaker 1: about how my day is, I'm gonna have a great day,

757
00:40:47,040 --> 00:40:48,680
Speaker 1: but the day needs to be bad to cause some

758
00:40:48,840 --> 00:40:51,560
Speaker 1: kind of build up to make it interested. And it

759
00:40:51,680 --> 00:40:54,360
Speaker 1: just it drives me crazy. And I think they embellished

760
00:40:54,360 --> 00:40:56,759
Speaker 1: a little too much with the first show, and it

761
00:40:57,160 --> 00:41:00,319
Speaker 1: was a negative reaction to it, so it didn't really

762
00:41:00,360 --> 00:41:02,040
Speaker 1: help a lot. It just made people think we were

763
00:41:02,120 --> 00:41:04,600
Speaker 1: fucking crazy. We were not. Back then, all the groups

764
00:41:04,600 --> 00:41:07,080
Speaker 1: were so polished. Yeah, so they only presented the best.

765
00:41:07,200 --> 00:41:09,080
Speaker 1: So you didn't know, y'all, you know what I mean.

766
00:41:09,239 --> 00:41:11,359
Speaker 1: And then when something came out, it was like, oh

767
00:41:11,520 --> 00:41:16,239
Speaker 1: my god, they fight. Yeah, I tell you what. Social

768
00:41:16,320 --> 00:41:21,239
Speaker 1: media wasn't around in the nineties. In jail. Why would

769
00:41:21,280 --> 00:41:22,800
Speaker 1: y'all be in jail if they had social media in

770
00:41:22,840 --> 00:41:25,080
Speaker 1: the nineties. Because we were young, We have fun. It

771
00:41:25,239 --> 00:41:29,319
Speaker 1: was command crime. Yeah everything. Now you said, people don't

772
00:41:29,360 --> 00:41:31,440
Speaker 1: know how to judge what's good and what's bad. They

773
00:41:31,440 --> 00:41:33,520
Speaker 1: don't know how to make things how it is. So

774
00:41:34,160 --> 00:41:36,120
Speaker 1: if they saw some of the stuff that we did

775
00:41:36,160 --> 00:41:37,920
Speaker 1: it back in the days, we know, you know, you

776
00:41:38,200 --> 00:41:40,719
Speaker 1: were pretty okay. I mean, but I'm just saying by

777
00:41:40,800 --> 00:41:46,200
Speaker 1: guilty by association, no crimes. We just had fun. We

778
00:41:46,320 --> 00:41:49,840
Speaker 1: just had fun. They were young. Was the craziest relationships

779
00:41:49,960 --> 00:41:53,080
Speaker 1: and one of what you did to somebody's car. Oh,

780
00:41:53,120 --> 00:41:57,040
Speaker 1: we heard about that. This was social media when you

781
00:41:57,120 --> 00:41:59,920
Speaker 1: broke all the windows out of the legendary at Lovers

782
00:42:00,680 --> 00:42:04,239
Speaker 1: everything she did several cars. She would have got your

783
00:42:04,640 --> 00:42:09,439
Speaker 1: That was twenty year old Lely. I was off the chain.

784
00:42:09,960 --> 00:42:12,160
Speaker 1: These guys feel like they could just hurt you and

785
00:42:12,320 --> 00:42:14,920
Speaker 1: do what they want to do. And no, I'm not

786
00:42:15,000 --> 00:42:18,799
Speaker 1: gonna You're gonna feel listening your carn't think the same

787
00:42:20,640 --> 00:42:22,719
Speaker 1: from the Bronx. Yeah, Oh, Mike, what's the world thing

788
00:42:22,760 --> 00:42:26,319
Speaker 1: you ever did to somebody's car? Rob bring up five

789
00:42:26,400 --> 00:42:29,480
Speaker 1: thousand dollars worth of damage? They called me. He was like,

790
00:42:29,600 --> 00:42:31,800
Speaker 1: oh my god, he's looking for he's gonna kill you.

791
00:42:32,920 --> 00:42:36,920
Speaker 1: Did you have to pay for it? He no, Hayden

792
00:42:37,000 --> 00:42:42,560
Speaker 1: hurting pain. I just messed it up. I just walked

793
00:42:42,600 --> 00:42:45,759
Speaker 1: around and about ten times with a box cutter and

794
00:42:46,400 --> 00:42:50,239
Speaker 1: took the COVID and the mirrors out. It was it

795
00:42:50,400 --> 00:42:58,160
Speaker 1: was so thoroughputing it was a custom bathfinder. I'm sorry.

796
00:42:58,640 --> 00:43:01,839
Speaker 1: What did he do to you? Oh? He cheated? How

797
00:43:01,880 --> 00:43:04,880
Speaker 1: do you find out without Because I would change the

798
00:43:05,040 --> 00:43:08,279
Speaker 1: number at the house and then the girl actually get

799
00:43:08,360 --> 00:43:10,640
Speaker 1: the number she would call me and tell me how

800
00:43:10,760 --> 00:43:15,440
Speaker 1: temporary I was. I was like, damn, so that's both.

801
00:43:15,719 --> 00:43:18,880
Speaker 1: Oh yeah, Oh she's lucky I ain't see her. She

802
00:43:18,960 --> 00:43:21,719
Speaker 1: would have got a letely whip ass back then. But

803
00:43:22,280 --> 00:43:24,480
Speaker 1: I don't care anymore. He's he's married, he's moved on.

804
00:43:24,600 --> 00:43:27,439
Speaker 1: That's my friend, that's my boy. Did he forgive you? Yeah?

805
00:43:27,600 --> 00:43:30,279
Speaker 1: I think he did, And I forgave his ass too.

806
00:43:30,719 --> 00:43:32,959
Speaker 1: It ain't all about the car. He hurt my heart,

807
00:43:34,280 --> 00:43:37,000
Speaker 1: so you can't repeat. I'm still getting mad thinking about that.

808
00:43:37,520 --> 00:43:39,680
Speaker 1: So the girls you can beat up over guys back

809
00:43:39,680 --> 00:43:41,279
Speaker 1: in the day. You're gonna put that in the movie too. No,

810
00:43:41,360 --> 00:43:44,480
Speaker 1: I didn't think anybody over guys, but they wanted to

811
00:43:44,560 --> 00:43:49,719
Speaker 1: whip my ass lely at everybody after her, which you

812
00:43:49,760 --> 00:43:52,120
Speaker 1: could have seen like that car scene in the movie. Absolutely,

813
00:43:52,200 --> 00:43:55,839
Speaker 1: that was my truth. And that was the first guy

814
00:43:55,960 --> 00:43:59,000
Speaker 1: that I old, the gentleman that I ever loved, And

815
00:43:59,120 --> 00:44:01,640
Speaker 1: everybody was just trying to talk me out of that.

816
00:44:02,080 --> 00:44:05,239
Speaker 1: Why are you here when you got this guy I had.

817
00:44:06,040 --> 00:44:09,760
Speaker 1: I had a good little selected, I got a good option,

818
00:44:09,880 --> 00:44:13,919
Speaker 1: I had some great option, But you know I loved him, Yeah,

819
00:44:14,040 --> 00:44:21,520
Speaker 1: I just love It's challenging relationship. Charlotte Man, I already

820
00:44:21,640 --> 00:44:25,640
Speaker 1: know what you're trying to do, but the devil would

821
00:44:25,680 --> 00:44:34,040
Speaker 1: get no victim to day not okay. The show premier

822
00:44:34,160 --> 00:44:37,239
Speaker 1: is April thirtieth at ten pm on b ET and

823
00:44:37,400 --> 00:44:40,920
Speaker 1: BT HERB and when you watch it, hashtag Ladies Night

824
00:44:41,000 --> 00:44:45,200
Speaker 1: b ET Man. Two thirds of s w V. Thank

825
00:44:45,280 --> 00:44:48,840
Speaker 1: y'all for coming always ye don't forget. We're gonna be

826
00:44:48,840 --> 00:44:50,759
Speaker 1: hang you up next year because y'all said, y'all, damn

827
00:44:50,880 --> 00:44:55,840
Speaker 1: for y'all, don't forget. We would love to do the

828
00:44:55,960 --> 00:44:59,840
Speaker 1: young old g ball cool. Yes, I'm I see y'all tomorrow.

829
00:44:59,840 --> 00:45:01,879
Speaker 1: I'm I'll be listening. I listened every morning. I love

830
00:45:02,040 --> 00:45:04,399
Speaker 1: donkey of today. I live thank you outside the gym,

831
00:45:04,440 --> 00:45:07,480
Speaker 1: and I don't want to ever make dunkey today. I

832
00:45:07,560 --> 00:45:10,080
Speaker 1: want to make it nice that would never happen for you.

833
00:45:10,200 --> 00:45:14,879
Speaker 1: They just say something nice that you do. She's very nice,

834
00:45:15,840 --> 00:45:20,920
Speaker 1: but she just today. You're dunkey to day. You can

835
00:45:21,000 --> 00:45:29,600
Speaker 1: forget it. It's the breakfast club. Thank you, Breakfast Club man.

836
00:45:29,760 --> 00:45:33,319
Speaker 1: Say that gang don't get the shape man you are.

837
00:45:37,800 --> 00:45:40,480
Speaker 1: Dunkey today does not discriminate. I might not have the

838
00:45:40,560 --> 00:45:42,640
Speaker 1: song of today, but I got to Donkey that so

839
00:45:42,719 --> 00:45:44,320
Speaker 1: if you ever feel I need to be a Donkey

840
00:45:44,360 --> 00:45:49,359
Speaker 1: man the breakfast club, bitch, I just don't keep today

841
00:45:49,480 --> 00:45:52,399
Speaker 1: today Wow. Donkey to Day goes to a fifty hy

842
00:45:52,400 --> 00:45:55,680
Speaker 1: old woman named Michelle Jackson. Now, Michelle Jackson is from

843
00:45:55,680 --> 00:45:57,400
Speaker 1: New Orleans. Sleut to everyone who listens to us. On

844
00:45:57,480 --> 00:45:59,360
Speaker 1: qu ninety three point three in New orlet's drop on

845
00:45:59,360 --> 00:46:03,880
Speaker 1: a clue's bombing all his damage right now, Michelle was

846
00:46:03,960 --> 00:46:07,960
Speaker 1: drinking with her ex boyfriend. He's the ex boyfriend now

847
00:46:08,280 --> 00:46:11,399
Speaker 1: when he told her he wanted to see someone else.

848
00:46:11,880 --> 00:46:13,960
Speaker 1: Why do y'all tell y'all significant others you want to

849
00:46:13,960 --> 00:46:16,800
Speaker 1: see other people while you hanging out with them? You

850
00:46:16,880 --> 00:46:20,240
Speaker 1: know how disrespectful and heartbreaking that is. Eagles are very fragile.

851
00:46:20,320 --> 00:46:22,600
Speaker 1: So imagine were hanging out and I think we're having

852
00:46:22,600 --> 00:46:24,439
Speaker 1: a good time, and in the midst of us having

853
00:46:24,480 --> 00:46:26,200
Speaker 1: a fake good time, you tell me I want to

854
00:46:26,200 --> 00:46:29,120
Speaker 1: see other people. Were they drunk? I think they both

855
00:46:29,120 --> 00:46:31,879
Speaker 1: were drinking, you know, But that's just so disrespectful because

856
00:46:31,880 --> 00:46:34,440
Speaker 1: that just means that we are hanging together right now,

857
00:46:34,560 --> 00:46:37,239
Speaker 1: you're not enjoying my company. That wouldn't break your heart.

858
00:46:37,560 --> 00:46:40,160
Speaker 1: That's heartbreaking. Pro tip. If any of y'all want to

859
00:46:40,160 --> 00:46:42,400
Speaker 1: break up with your significant others this weekend, if you

860
00:46:42,440 --> 00:46:44,840
Speaker 1: want to see other people, tell them through text message,

861
00:46:45,040 --> 00:46:47,600
Speaker 1: all right, DM them? All right? Called him nothing wrong

862
00:46:47,600 --> 00:46:49,480
Speaker 1: with being a coward, because when you're a coward, you

863
00:46:49,560 --> 00:46:52,799
Speaker 1: avoid situations like this. Because after Michelle Jackson was told

864
00:46:52,840 --> 00:46:55,920
Speaker 1: by her now ex boyfriend that he wanted to see

865
00:46:56,000 --> 00:46:59,680
Speaker 1: someone else, he made the fatal mistake of going to sleep.

866
00:46:59,719 --> 00:47:03,360
Speaker 1: Who are these rookies, you know, making rookie break up mistakes.

867
00:47:03,400 --> 00:47:05,560
Speaker 1: If you're gonna be if you're not gonna be a coward,

868
00:47:05,719 --> 00:47:08,080
Speaker 1: and you're gonna attempt to have integrity and tell a

869
00:47:08,120 --> 00:47:10,000
Speaker 1: woman to her face that you want to see other people,

870
00:47:10,239 --> 00:47:12,239
Speaker 1: why the hell would you go to sleep? All right?

871
00:47:12,280 --> 00:47:14,040
Speaker 1: You might get a hot grits thrown on you, You

872
00:47:14,160 --> 00:47:16,120
Speaker 1: might get your penis cut off, or in the case

873
00:47:16,200 --> 00:47:19,520
Speaker 1: of Michelle Jackson, when her ex boyfriend woke up, he

874
00:47:19,600 --> 00:47:22,600
Speaker 1: had an injured hand and a large cut on his

875
00:47:22,719 --> 00:47:25,640
Speaker 1: head that was dripping blood. Are you ready to know

876
00:47:25,800 --> 00:47:30,400
Speaker 1: what happened? Yes? Tell us, Well, Michelle's ex boyfriend he

877
00:47:30,520 --> 00:47:34,600
Speaker 1: has a prosthetic leg, and Michelle used her ex boyfriend's

878
00:47:34,600 --> 00:47:40,480
Speaker 1: prosthetic leg to beat his ass. Okay, not making not

879
00:47:40,560 --> 00:47:43,440
Speaker 1: making this up, people, all right, this is horrible on

880
00:47:43,680 --> 00:47:46,759
Speaker 1: so many levels. One because this man got beat and

881
00:47:46,920 --> 00:47:49,160
Speaker 1: two do you think he still wants to walk on

882
00:47:49,320 --> 00:47:52,080
Speaker 1: the weapon that assaulted him? You know what I'm saying.

883
00:47:52,320 --> 00:47:55,160
Speaker 1: I would need a whole new leg now, okay, and

884
00:47:55,320 --> 00:47:57,800
Speaker 1: those things are expensive. I wouldn't want to. I wouldn't

885
00:47:57,800 --> 00:47:59,759
Speaker 1: want to walk on the weapon that assaulted me. And

886
00:48:00,000 --> 00:48:02,239
Speaker 1: if you don't have no insurance, you know what I'm saying, Paul,

887
00:48:02,280 --> 00:48:05,239
Speaker 1: one legged man can't even get to work. And view

888
00:48:05,360 --> 00:48:08,120
Speaker 1: do you think a one legged man works? That's a

889
00:48:08,160 --> 00:48:14,920
Speaker 1: good question. I hop God's not funny. He really does

890
00:48:14,960 --> 00:48:17,160
Speaker 1: work at EU. Hop he does. I don't know, Okay,

891
00:48:17,960 --> 00:48:21,160
Speaker 1: but seriously, poor guy probably can't even afford a new

892
00:48:21,239 --> 00:48:24,040
Speaker 1: prosthetic leg. Angelie, what do you think this one legged

893
00:48:24,120 --> 00:48:27,120
Speaker 1: man was doing at the ATM? What was he doing

894
00:48:27,160 --> 00:48:30,360
Speaker 1: at the ATM? Yes, I don't know, checking his balance.

895
00:48:30,440 --> 00:48:34,439
Speaker 1: He had to figure out, he had to figure out,

896
00:48:38,239 --> 00:48:40,120
Speaker 1: he had to figure out if he had the money

897
00:48:40,200 --> 00:48:43,399
Speaker 1: to buy a new prosthetic leg. Guy. Stop y'all. People

898
00:48:43,440 --> 00:48:46,040
Speaker 1: don't think I'm trying to I'm being insensitive. This is sad.

899
00:48:46,400 --> 00:48:48,800
Speaker 1: All right. Michelle Jackson didn't think this through because she

900
00:48:48,920 --> 00:48:50,560
Speaker 1: was acting off of motion. All right, if you take

901
00:48:50,600 --> 00:48:53,520
Speaker 1: your boyfriend's prosthetic leg and beat him with it, you

902
00:48:53,600 --> 00:48:55,640
Speaker 1: know what I'm saying. You're adding a different degree of

903
00:48:55,760 --> 00:48:59,440
Speaker 1: difficulty to his life. How is he gonna get around? Now?

904
00:48:59,480 --> 00:49:04,239
Speaker 1: You gotta hit hitchhike that What do you say to

905
00:49:04,360 --> 00:49:07,520
Speaker 1: a one legged hitchhiker? What do you say? Hop In?

906
00:49:07,840 --> 00:49:11,160
Speaker 1: Be a good Sumaritan, Be a good Sumaritan? Hop in?

907
00:49:11,440 --> 00:49:14,440
Speaker 1: All right? Now, Us Marston was eventually tracked Michelle down

908
00:49:14,480 --> 00:49:16,479
Speaker 1: at our house, and she is in the Jefferson Paris

909
00:49:16,560 --> 00:49:19,399
Speaker 1: Correctional Center, and she is being held without barn. Now,

910
00:49:19,560 --> 00:49:21,919
Speaker 1: some dunkey of the days just sell themselves. But before

911
00:49:21,960 --> 00:49:23,560
Speaker 1: I give out this, he hall. Now, it was a

912
00:49:23,680 --> 00:49:30,399
Speaker 1: great time to play a game of guess what racing days? Now?

913
00:49:31,160 --> 00:49:35,720
Speaker 1: Here are your clothes? Okay, New Orleans? All right? Michelle

914
00:49:35,960 --> 00:49:41,640
Speaker 1: last name Jackson beat her man with his own prosthetic leg. Angelae, Ye,

915
00:49:42,200 --> 00:49:47,400
Speaker 1: guess what racis? Well? Initially I would have said Caucasian,

916
00:49:47,480 --> 00:49:52,279
Speaker 1: but I'm gonna say African American. Okay, Well, why do

917
00:49:52,360 --> 00:49:54,879
Speaker 1: you think this? Yes? Why do you think that? Um? Well,

918
00:49:54,920 --> 00:49:57,160
Speaker 1: her last name is Jackson. They are in New Orleans,

919
00:49:57,400 --> 00:50:00,879
Speaker 1: and she did beat his ass okay, okay, dj envy,

920
00:50:01,160 --> 00:50:06,880
Speaker 1: Guess what rat she is? Might I'd have to agree

921
00:50:06,960 --> 00:50:13,279
Speaker 1: with Angela Ye okay, New Orleans black? Why that's all

922
00:50:13,440 --> 00:50:16,560
Speaker 1: Jackson black? Okay okay? And then she beat her boyfriend's

923
00:50:16,600 --> 00:50:22,040
Speaker 1: ass black, all right, just for just for fsis and giggle. Steve, Steve,

924
00:50:23,280 --> 00:50:27,000
Speaker 1: Steve Stephen, the white demon. Here your clues, New Orleans, Michelle,

925
00:50:27,120 --> 00:50:33,279
Speaker 1: last name you don't need. Okay, guess what rat she is? Black?

926
00:50:33,440 --> 00:50:37,080
Speaker 1: Why do you think that? Don't you know? I don't

927
00:50:37,120 --> 00:50:42,400
Speaker 1: like to look at you. I think the last one

928
00:50:42,480 --> 00:50:45,680
Speaker 1: was a white guy. So I'm gonna go with the odds,

929
00:50:46,000 --> 00:50:51,480
Speaker 1: the odds. Alright, alright, I hate to say it, Say

930
00:50:51,719 --> 00:50:54,720
Speaker 1: all y'all are correct. I know she is. Michelle Jackson

931
00:50:54,840 --> 00:50:59,759
Speaker 1: is African American. Word the beating with the prosthetic leg

932
00:51:00,160 --> 00:51:01,680
Speaker 1: away from me, because the black woman will beat your

933
00:51:01,680 --> 00:51:03,440
Speaker 1: ass with anything, all right. Think about all the things

934
00:51:03,480 --> 00:51:05,200
Speaker 1: your mom beat you with when we were younger. Whatever

935
00:51:05,280 --> 00:51:07,520
Speaker 1: she could get her hands on you was getting beat with.

936
00:51:07,560 --> 00:51:09,400
Speaker 1: All right. My mom beat me with the wooden spoons

937
00:51:09,440 --> 00:51:11,520
Speaker 1: that were on the wall in the kitchen. Packs of

938
00:51:11,600 --> 00:51:14,279
Speaker 1: aluminum foil. If it's long and got some whiff and

939
00:51:14,360 --> 00:51:16,560
Speaker 1: some weight to it, you're getting hit with it, all right,

940
00:51:16,640 --> 00:51:19,600
Speaker 1: So please give this black queen from New Orleans, Michelle

941
00:51:19,719 --> 00:51:27,600
Speaker 1: Jackson the biggest he are, yes, all right, all right,

942
00:51:27,719 --> 00:51:30,800
Speaker 1: all right, guys, everybody's scraping up. Okay, well, thank you

943
00:51:30,880 --> 00:51:33,880
Speaker 1: for that dokey to day now when we come back. Okay,

944
00:51:34,080 --> 00:51:36,200
Speaker 1: did she break his prosthetic leg or is it okay?

945
00:51:36,239 --> 00:51:38,000
Speaker 1: Though you can still wear it? That's a good question.

946
00:51:38,040 --> 00:51:39,200
Speaker 1: I don't know if he took it off before he

947
00:51:39,200 --> 00:51:43,359
Speaker 1: went to sp Oh yeah, yeah, yeah, yeah, yeah, yeah.

948
00:51:44,160 --> 00:51:47,000
Speaker 1: He's probably hurt. He probably beat up bad bad. No,

949
00:51:47,120 --> 00:51:48,600
Speaker 1: you have some blood dripping from his head. It will

950
00:51:48,600 --> 00:51:50,560
Speaker 1: be at all right. We got more coming up next

951
00:51:50,640 --> 00:51:55,400
Speaker 1: with a breakfast club. I'm gonna keep some real advice

952
00:51:55,480 --> 00:51:59,160
Speaker 1: with any get's ask ye one and everybody is DJ

953
00:51:59,600 --> 00:52:02,839
Speaker 1: mv Angela yee Charlomagne the guy. We all the breakfast club.

954
00:52:02,880 --> 00:52:05,839
Speaker 1: It is time to ask Hey, Hello, who's this? Hi?

955
00:52:06,040 --> 00:52:09,799
Speaker 1: This is Samantha, Hey, Samantha, Hi, talk to me. What's

956
00:52:09,840 --> 00:52:12,319
Speaker 1: going on? Kind of freaking out right now? But uh

957
00:52:12,840 --> 00:52:16,239
Speaker 1: I just got off of work. Is I just did

958
00:52:16,320 --> 00:52:20,440
Speaker 1: a whole shift overnight, and uh, I'm sitting outside of

959
00:52:20,520 --> 00:52:23,520
Speaker 1: my house and I've been I've been having these suspicions

960
00:52:23,600 --> 00:52:26,200
Speaker 1: of my boyfriend cheating. But now there's a car sitting

961
00:52:26,200 --> 00:52:29,239
Speaker 1: outside my house. What should I do? Do I go

962
00:52:29,360 --> 00:52:31,919
Speaker 1: in there? I'm like, wait, but this is your house.

963
00:52:31,960 --> 00:52:34,759
Speaker 1: I'm freaking out. I'm freaking out right now, Samantha. Hold on,

964
00:52:34,840 --> 00:52:37,440
Speaker 1: this is your house, right of course, yeah, we share

965
00:52:37,440 --> 00:52:41,719
Speaker 1: it together. So it's like, oh, man, because you know

966
00:52:41,760 --> 00:52:43,680
Speaker 1: you're supposed to be coming home. Yeah, I mean I

967
00:52:43,760 --> 00:52:46,959
Speaker 1: always come home, but I'm like thirty minutes early, forty

968
00:52:47,000 --> 00:52:54,680
Speaker 1: five minutes early. So you guys, what's Amantha before all

969
00:52:54,719 --> 00:52:56,680
Speaker 1: of that? Maybe we don't know whose car it is.

970
00:52:56,719 --> 00:52:58,279
Speaker 1: We don't know what's going on, so you should go

971
00:52:58,320 --> 00:53:01,040
Speaker 1: inside of your house thinking too, but who it's just

972
00:53:01,239 --> 00:53:03,640
Speaker 1: me and him that lives there, so who is going

973
00:53:04,160 --> 00:53:06,879
Speaker 1: Maybe it's a family member, maybe it's a friend, maybe

974
00:53:06,920 --> 00:53:10,360
Speaker 1: it's a no, let's go check. Let's go right now,

975
00:53:10,440 --> 00:53:11,920
Speaker 1: let's go check. Keep us on the phone just in

976
00:53:12,000 --> 00:53:14,920
Speaker 1: case anything happens, will be your proof. Very serious, I'm

977
00:53:14,960 --> 00:53:17,080
Speaker 1: seriously speaking out now, let's go check. Let's go go,

978
00:53:17,239 --> 00:53:19,439
Speaker 1: not gonna go over now wait before it, Samantha, before

979
00:53:19,440 --> 00:53:21,080
Speaker 1: you do that, let's just say there is a woman

980
00:53:21,120 --> 00:53:23,000
Speaker 1: in there. What my god, what's gonna happen? You know,

981
00:53:23,080 --> 00:53:24,960
Speaker 1: I've been sitting in the car for a while listening

982
00:53:25,000 --> 00:53:27,000
Speaker 1: to the radio, just thinking to myself, and I'm like,

983
00:53:27,320 --> 00:53:29,000
Speaker 1: forget it. I'm just gonna call them and see what

984
00:53:29,080 --> 00:53:32,319
Speaker 1: they say. Listen, Samantha, you're better than me, because right now,

985
00:53:32,440 --> 00:53:34,560
Speaker 1: what do I do? Yeah, better than me? Because what

986
00:53:34,640 --> 00:53:36,360
Speaker 1: I would have done already is hit up on my

987
00:53:36,440 --> 00:53:38,719
Speaker 1: friends and let them know what's going on, just in

988
00:53:38,800 --> 00:53:41,640
Speaker 1: case I need some backup. And then I'm not gonna lie.

989
00:53:41,680 --> 00:53:45,480
Speaker 1: I don't really tell people like what's going on, because

990
00:53:45,600 --> 00:53:47,279
Speaker 1: you're like, if I stay with him, I don't want

991
00:53:47,280 --> 00:53:50,080
Speaker 1: my friends to know all the nasty, terrible things he's doing.

992
00:53:50,280 --> 00:53:53,000
Speaker 1: All right, So go in the house. Let's go on. Wait,

993
00:53:53,040 --> 00:53:58,040
Speaker 1: it's your house. Let's go. Oh, okay, hold on one second,

994
00:53:58,160 --> 00:54:00,719
Speaker 1: let me go. I'm good now, all Samantha, Let's go

995
00:54:01,480 --> 00:54:07,960
Speaker 1: all right, hold on, all right, Samantha. Oh my heart

996
00:54:08,080 --> 00:54:13,640
Speaker 1: is beating so fat, Samantha. Just take a deep breakfast

997
00:54:13,680 --> 00:54:15,880
Speaker 1: her she's going inside to her in her house. She

998
00:54:16,120 --> 00:54:18,360
Speaker 1: lives here. Okay, I'm not gonna tell her not to

999
00:54:18,440 --> 00:54:23,040
Speaker 1: go on her house. My name is on. You just

1000
00:54:23,080 --> 00:54:24,759
Speaker 1: called the police on the lady for trust president. She

1001
00:54:24,800 --> 00:54:29,239
Speaker 1: doesn't know if there's a lady house on. Let me

1002
00:54:29,400 --> 00:54:31,080
Speaker 1: listen to the door really great and see if I

1003
00:54:31,160 --> 00:54:35,719
Speaker 1: hear anything. Okay, hold on, hold on then like her

1004
00:54:35,840 --> 00:54:42,960
Speaker 1: hold on. Oh my gosh, oh boy, keep breathing, Samantha,

1005
00:54:45,920 --> 00:54:52,279
Speaker 1: that's exactly where bitch I knew. I saw, I saw

1006
00:54:52,360 --> 00:54:58,200
Speaker 1: he had one second, bitch hard This is y'all fault.

1007
00:54:58,640 --> 00:55:01,400
Speaker 1: This is y'all fault. Is the NBA leave fall. Charlayne

1008
00:55:01,400 --> 00:55:03,840
Speaker 1: had nothing to do with this one. Guys, y'all silly,

1009
00:55:03,920 --> 00:55:05,440
Speaker 1: it's not my fun. She went into her own house.

1010
00:55:05,440 --> 00:55:06,799
Speaker 1: Why would you tell her going? How have you thought

1011
00:55:06,800 --> 00:55:08,360
Speaker 1: another girl wasn't didn't know who was in there? She

1012
00:55:08,440 --> 00:55:12,600
Speaker 1: said outside her specifically said she thought her man came in,

1013
00:55:12,880 --> 00:55:16,359
Speaker 1: came in later whatever I heard her there, you came

1014
00:55:16,480 --> 00:55:18,319
Speaker 1: and know that. I think y'all would be stupid enough

1015
00:55:18,360 --> 00:55:21,320
Speaker 1: to tell her to go and call the police. And

1016
00:55:22,880 --> 00:55:25,319
Speaker 1: what I think. It's a strange person in my house

1017
00:55:25,440 --> 00:55:29,480
Speaker 1: with her boyfriend. At the least the police show up.

1018
00:55:29,560 --> 00:55:31,920
Speaker 1: So when you walk in the police there, Now she's

1019
00:55:31,960 --> 00:55:36,600
Speaker 1: gonna get an assault charge. Yes, no, crazy she getting

1020
00:55:36,600 --> 00:55:39,560
Speaker 1: her ass kicked right now? All right, hop because because

1021
00:55:39,880 --> 00:55:41,279
Speaker 1: they have to call us back and let us know

1022
00:55:42,880 --> 00:55:45,160
Speaker 1: blood and beat up. We hope, we hope neither. We

1023
00:55:45,239 --> 00:55:47,120
Speaker 1: hope neither. I would I would love to see if

1024
00:55:47,120 --> 00:55:49,239
Speaker 1: one of yall wouldn't come in your own house. Absolutely

1025
00:55:49,280 --> 00:55:50,600
Speaker 1: I would go in my own house and no, you

1026
00:55:50,600 --> 00:55:56,000
Speaker 1: would into tables. I wouldn't the police were radio her name.

1027
00:55:56,239 --> 00:55:58,600
Speaker 1: I wouldn't have called the radio either. That was terrible advice.

1028
00:55:58,880 --> 00:56:01,640
Speaker 1: Who I advice to the call the radio and you

1029
00:56:01,680 --> 00:56:04,600
Speaker 1: got her ask because she had her phone in one

1030
00:56:06,120 --> 00:56:08,200
Speaker 1: she had her phone in one hand. That the girl

1031
00:56:08,320 --> 00:56:11,560
Speaker 1: probably hit her just to start everything off. Amantha, call

1032
00:56:11,640 --> 00:56:13,960
Speaker 1: us back, ask you eight hundred and five eight five

1033
00:56:14,040 --> 00:56:15,840
Speaker 1: one oh five one. If you need relationship advice, hit

1034
00:56:15,880 --> 00:56:17,800
Speaker 1: ye now. It's the breakfast Club. Good morning. Come on,

1035
00:56:19,080 --> 00:56:23,440
Speaker 1: need relationship advice, need personal advice, just need real advice?

1036
00:56:23,640 --> 00:56:29,840
Speaker 1: Call up now for ask ye morning. Everybody is DJ

1037
00:56:30,400 --> 00:56:33,560
Speaker 1: Envy Angela, Yee, Charlomagne. The guy we are the breakfast

1038
00:56:33,640 --> 00:56:36,719
Speaker 1: Club is ask ye time eight hundred five eighty five

1039
00:56:36,840 --> 00:56:41,040
Speaker 1: one o five one. Hello, who's this from Brooklyn? How

1040
00:56:41,120 --> 00:56:44,160
Speaker 1: y'all doing. What's up, bro? What's your question for you? Well,

1041
00:56:44,200 --> 00:56:46,480
Speaker 1: I'm trying to find out. Man, I'm faith the dude

1042
00:56:46,880 --> 00:56:49,040
Speaker 1: and my girl, like for the first time, last we

1043
00:56:49,120 --> 00:56:52,320
Speaker 1: got at the boodle and um, okay, I want I

1044
00:56:52,440 --> 00:56:53,960
Speaker 1: just want to have a three shon. You know, she

1045
00:56:54,040 --> 00:56:55,320
Speaker 1: want me to get a bootle. I want to have

1046
00:56:55,360 --> 00:56:59,120
Speaker 1: a three shill. I guess he wants to them to

1047
00:56:59,160 --> 00:57:01,200
Speaker 1: do it together and for her to agree to it. Yeah,

1048
00:57:01,239 --> 00:57:03,360
Speaker 1: we want to. I want to experience some difference. You

1049
00:57:03,440 --> 00:57:05,800
Speaker 1: want to experience something different, and I want to experience

1050
00:57:05,840 --> 00:57:09,879
Speaker 1: something different. Okay, all right, right now. So she doesn't

1051
00:57:09,880 --> 00:57:12,279
Speaker 1: want to have a threesome. Nah, okay, well then leave

1052
00:57:12,320 --> 00:57:14,200
Speaker 1: it alone. If she's not with it, she's not with it.

1053
00:57:14,320 --> 00:57:16,360
Speaker 1: You can't. You should never pressure your partner to do

1054
00:57:16,440 --> 00:57:18,160
Speaker 1: something that they don't want to do. I didn't want

1055
00:57:18,200 --> 00:57:20,440
Speaker 1: to eat no boodle. Well you did? You did it?

1056
00:57:20,520 --> 00:57:22,880
Speaker 1: Did you enjoy it? It was all right? I mean,

1057
00:57:23,240 --> 00:57:24,680
Speaker 1: I don't know if I'm gonna do it again, but

1058
00:57:25,760 --> 00:57:28,480
Speaker 1: but you know, I think that threesomes also involve a

1059
00:57:28,560 --> 00:57:31,720
Speaker 1: whole other person, and for some people that's a difficult

1060
00:57:31,800 --> 00:57:33,760
Speaker 1: thing and they don't want to do that. Listen. If

1061
00:57:33,800 --> 00:57:35,600
Speaker 1: my boyfriend asked me to have a threesome, I'm gonna

1062
00:57:35,600 --> 00:57:38,000
Speaker 1: tell him no, I'm not doing that. And you don't

1063
00:57:38,040 --> 00:57:40,840
Speaker 1: want to make her feel uncomfortable because that could go

1064
00:57:41,000 --> 00:57:43,480
Speaker 1: terribly wrong and it could ruin your entire relationship if

1065
00:57:43,520 --> 00:57:45,240
Speaker 1: you try to talk her into doing something that she's

1066
00:57:45,280 --> 00:57:48,200
Speaker 1: not comfortable with. Okay, Okay, I got you, I got you.

1067
00:57:48,480 --> 00:57:50,960
Speaker 1: You'll be okay, right, You'll still be faithful without a threesome.

1068
00:57:51,280 --> 00:57:53,160
Speaker 1: I'm gonna try to be Why don't you tell her

1069
00:57:53,160 --> 00:57:55,280
Speaker 1: to dress up, put on a wig, do something different.

1070
00:57:55,960 --> 00:57:58,800
Speaker 1: I'm gonna take advice. I appreciate you. I can let

1071
00:57:58,840 --> 00:58:06,000
Speaker 1: her wear scrap on me. Ain't going damn it ain't

1072
00:58:06,000 --> 00:58:08,160
Speaker 1: supposed to go down to go up. Charlotte Mane talking

1073
00:58:08,160 --> 00:58:18,840
Speaker 1: about spicing up his life. He's tried before. All right,

1074
00:58:18,920 --> 00:58:21,760
Speaker 1: thank you, brot having something in your butt? MC guy

1075
00:58:21,960 --> 00:58:28,280
Speaker 1: laugh five. One thought we got David on the line. David,

1076
00:58:28,280 --> 00:58:30,920
Speaker 1: what's up going on? Butter? How y'are doing? Be good?

1077
00:58:30,920 --> 00:58:33,960
Speaker 1: What's your question for you? Bro man? Listen? My son

1078
00:58:34,080 --> 00:58:36,760
Speaker 1: is five years old. I picked the school every morning

1079
00:58:37,320 --> 00:58:39,520
Speaker 1: and I kissed him on the lips. Far but bar

1080
00:58:39,720 --> 00:58:42,560
Speaker 1: leads and I had another father recently tell me that

1081
00:58:43,120 --> 00:58:45,440
Speaker 1: I should stop kissing my son in my lips because

1082
00:58:45,520 --> 00:58:49,040
Speaker 1: that's gay. So my question for years, do you see

1083
00:58:49,040 --> 00:58:51,320
Speaker 1: anything wrong with that? Because I know me personally, My

1084
00:58:51,480 --> 00:58:53,640
Speaker 1: father kissed me and took me to school every day

1085
00:58:53,720 --> 00:58:56,960
Speaker 1: until until I felt like that. Tell you while, yeah,

1086
00:58:57,360 --> 00:59:00,520
Speaker 1: a question for my friends, but you already know, David,

1087
00:59:00,640 --> 00:59:03,560
Speaker 1: is do you think that's gay? I don't, okay, So

1088
00:59:03,680 --> 00:59:06,320
Speaker 1: then it's not like, come on now, that's ridiculous. Does

1089
00:59:06,360 --> 00:59:09,680
Speaker 1: your son have a problem with it? Okay, don't worry

1090
00:59:09,680 --> 00:59:12,000
Speaker 1: about what other people say. That's how you raise your son. Now.

1091
00:59:12,120 --> 00:59:15,240
Speaker 1: When your son says all right, dad, enough, that's when

1092
00:59:15,280 --> 00:59:17,280
Speaker 1: you're like, okay, you know, just give him a hug

1093
00:59:17,360 --> 00:59:19,200
Speaker 1: and the kiss on the cheek if that's what he wins.

1094
00:59:19,480 --> 00:59:20,960
Speaker 1: But as long as your son is fine with it,

1095
00:59:21,040 --> 00:59:22,760
Speaker 1: and you're fine with it and you know what it is,

1096
00:59:23,080 --> 00:59:25,919
Speaker 1: that shouldn't matter. That's your child. Yeah, for sure, for sure,

1097
00:59:26,040 --> 00:59:28,640
Speaker 1: for sure. And I think you gotta tell the other

1098
00:59:28,720 --> 00:59:31,240
Speaker 1: parent man he gotta relax. He should never even be

1099
00:59:31,320 --> 00:59:33,120
Speaker 1: weighing in on what you're doing with your son. That's

1100
00:59:33,200 --> 00:59:36,280
Speaker 1: so innocent. Because what I thought of with the arm

1101
00:59:36,400 --> 00:59:38,480
Speaker 1: and made me. Think of what d L said. Even

1102
00:59:38,600 --> 00:59:42,160
Speaker 1: some people would touch the wrong way, showing affection the

1103
00:59:42,240 --> 00:59:44,240
Speaker 1: wrong way or not showing them the way. You say

1104
00:59:44,360 --> 00:59:49,520
Speaker 1: that he was showing enough affection or not showing enough affection, right, yeah,

1105
00:59:49,760 --> 00:59:53,360
Speaker 1: I appreciate all right, good David, half fun and I

1106
00:59:53,480 --> 00:59:55,000
Speaker 1: love that you take your son to school every morning.

1107
00:59:55,040 --> 00:59:58,160
Speaker 1: And I'm sure he loves that too, for sure. Thank you?

1108
00:59:58,720 --> 01:00:00,760
Speaker 1: All right, Andy. Have you ever kiss your sons on

1109
01:00:00,840 --> 01:00:02,280
Speaker 1: the lips? Yeah? I used to kiss. I used to

1110
01:00:02,320 --> 01:00:04,640
Speaker 1: kiss my son on lips. Yeah, my daughters on the lips.

1111
01:00:04,760 --> 01:00:07,320
Speaker 1: And that wasn't gay. That's ridiculous. No, I don't kiss,

1112
01:00:07,480 --> 01:00:10,440
Speaker 1: I kiss, I can anybody on I don't think my day.

1113
01:00:10,480 --> 01:00:13,120
Speaker 1: I kiss LOGI. You kiss your dad, You kiss your

1114
01:00:13,200 --> 01:00:16,280
Speaker 1: dad on the lips. Everybody know you kiss Charlagne on

1115
01:00:16,360 --> 01:00:19,200
Speaker 1: the lips, and everybody I called my brother, I called

1116
01:00:19,200 --> 01:00:22,560
Speaker 1: my brother's son because he shined like one. You are yellow, Charlemagne,

1117
01:00:22,600 --> 01:00:24,920
Speaker 1: kiss me on the list one time. Okay, finally some

1118
01:00:25,040 --> 01:00:28,560
Speaker 1: truth is being told. All right he did? Okay? True? True?

1119
01:00:28,880 --> 01:00:33,880
Speaker 1: How did it go? How did he go? Then? Don't stop? Now,

1120
01:00:34,200 --> 01:00:36,040
Speaker 1: don't stop now you want to go down, let's go there.

1121
01:00:38,520 --> 01:00:42,479
Speaker 1: This guy blazed. But this guy's crazy. Yo, he's really gay.

1122
01:00:42,920 --> 01:00:46,080
Speaker 1: I'm crazy. I'm crazy. You just saying you're talking about

1123
01:00:46,080 --> 01:00:47,960
Speaker 1: you kiss me on the lips? Now, you kiss me

1124
01:00:48,040 --> 01:00:51,040
Speaker 1: on the lips. Now. Inquiring minds want to know. All right,

1125
01:00:51,080 --> 01:00:53,439
Speaker 1: we don't move. We got more. Asky when we come back.

1126
01:00:53,640 --> 01:00:57,040
Speaker 1: It's the breakfast Club. Good morning. I'm gonna kip real

1127
01:00:58,280 --> 01:01:02,120
Speaker 1: some real advice with ANTHELI ask ye morning. Everybody is

1128
01:01:02,200 --> 01:01:06,080
Speaker 1: DJ Envy, Angela Yee Scharlaman, the guy we all the

1129
01:01:06,160 --> 01:01:09,360
Speaker 1: breakfast club with in the middle of ask ye Hello,

1130
01:01:09,480 --> 01:01:12,720
Speaker 1: who's this? Hey? It's travel Man, travel something. Want that

1131
01:01:12,800 --> 01:01:16,680
Speaker 1: call every morning? Yeah? What's your question for you? Bro?

1132
01:01:17,320 --> 01:01:19,840
Speaker 1: Hey man? Hey? Yeah, i''ll been trying to embox you

1133
01:01:19,920 --> 01:01:21,640
Speaker 1: for a while on Instagram and I know you have

1134
01:01:22,000 --> 01:01:23,560
Speaker 1: got a lot of things to do. But hey, I've

1135
01:01:23,560 --> 01:01:25,560
Speaker 1: been in the friend zone with this female for a

1136
01:01:25,640 --> 01:01:28,800
Speaker 1: while now, right, And it's like she got an ex

1137
01:01:28,920 --> 01:01:32,440
Speaker 1: boyfriend and it's like I'm playing number two. Is like

1138
01:01:32,640 --> 01:01:35,919
Speaker 1: if he isn't around and I'm around, and if I'm

1139
01:01:35,960 --> 01:01:38,680
Speaker 1: not around, he's around, and it's like I don't want

1140
01:01:38,720 --> 01:01:40,439
Speaker 1: to say I want to be stuck in the friend

1141
01:01:40,560 --> 01:01:44,200
Speaker 1: zone because it's like I lost a lot of respect

1142
01:01:44,320 --> 01:01:46,520
Speaker 1: for her in the last few years, was being in

1143
01:01:46,560 --> 01:01:49,280
Speaker 1: the friends Well you've been doing this for years. Yeah,

1144
01:01:49,360 --> 01:01:51,720
Speaker 1: I understand that, but it's like, you know, I try

1145
01:01:51,760 --> 01:01:54,280
Speaker 1: to try to get out of that, and it's like,

1146
01:01:54,760 --> 01:01:57,880
Speaker 1: you know, I got myself in the jam with you know,

1147
01:01:58,000 --> 01:02:01,600
Speaker 1: like her birthday was around the corner, and you know,

1148
01:02:01,680 --> 01:02:03,360
Speaker 1: I don't want to be like, hey, I'm not beating

1149
01:02:03,400 --> 01:02:05,360
Speaker 1: you nothing because of how you did this and how

1150
01:02:05,440 --> 01:02:07,360
Speaker 1: you did that, or I don't want to be there

1151
01:02:07,560 --> 01:02:09,840
Speaker 1: this year. Okay, so you're in the friend zone. You

1152
01:02:09,880 --> 01:02:12,920
Speaker 1: consider this woman to be your friend, but you have

1153
01:02:13,040 --> 01:02:16,440
Speaker 1: some benefits. No, so you're just her friends. So what's

1154
01:02:16,480 --> 01:02:19,360
Speaker 1: the problem? She said, a double standard, like I can't

1155
01:02:19,400 --> 01:02:21,040
Speaker 1: do such a thing that she would do, but she

1156
01:02:21,160 --> 01:02:23,240
Speaker 1: feels like she can do it, you know, because you

1157
01:02:23,360 --> 01:02:26,000
Speaker 1: let her. I mean, I understand that, but I don't

1158
01:02:26,040 --> 01:02:28,560
Speaker 1: want to be the person that's I don't want to be. Jeff.

1159
01:02:28,640 --> 01:02:30,640
Speaker 1: You can do whatever you want to do. Who can

1160
01:02:30,720 --> 01:02:33,240
Speaker 1: tell you what you can and can't do? I understand

1161
01:02:33,320 --> 01:02:35,720
Speaker 1: that I do. There's the decisions that you're making based

1162
01:02:35,760 --> 01:02:38,280
Speaker 1: off of what she wants. Yes, it sounds like she's

1163
01:02:38,360 --> 01:02:41,480
Speaker 1: lost respect for you. I mean, I understand that, but

1164
01:02:41,560 --> 01:02:43,960
Speaker 1: I don't think it's lost the respect because I feel

1165
01:02:44,000 --> 01:02:46,440
Speaker 1: like I just don't want to, you know, be if

1166
01:02:46,480 --> 01:02:49,240
Speaker 1: that person that's just you know, want to be there

1167
01:02:49,320 --> 01:02:51,320
Speaker 1: for somebody that don't feel like they're there for me,

1168
01:02:51,560 --> 01:02:53,840
Speaker 1: you know. Okay, So do you like her as more

1169
01:02:53,920 --> 01:02:55,800
Speaker 1: than a friend? I'm confused because you said y'all are

1170
01:02:55,840 --> 01:02:58,600
Speaker 1: just friends. Yeah. Yeah, I like her more than a friend.

1171
01:02:58,680 --> 01:03:01,360
Speaker 1: But it's like, it's not can do you know what's so, Craig.

1172
01:03:01,440 --> 01:03:03,040
Speaker 1: It's my first time calling you guys, and I just

1173
01:03:03,200 --> 01:03:07,200
Speaker 1: got poured over on the radio. Well, so she doesn't

1174
01:03:07,240 --> 01:03:09,400
Speaker 1: like you. So that's what it is. Like. She considers

1175
01:03:09,400 --> 01:03:11,680
Speaker 1: you a friend. She knows you like her. It's great

1176
01:03:11,720 --> 01:03:14,800
Speaker 1: for her ego. You're for years. I've been willing to

1177
01:03:14,880 --> 01:03:16,920
Speaker 1: accept that, even though you've been pining away for her.

1178
01:03:16,960 --> 01:03:25,840
Speaker 1: But she's not interested in yourself adopted. This guy's having

1179
01:03:25,880 --> 01:03:28,920
Speaker 1: a terribly Let me talk to him, Tim, Let me

1180
01:03:28,960 --> 01:03:31,800
Speaker 1: talk to the officer. I'm a truck driver. I stopped

1181
01:03:31,800 --> 01:03:34,400
Speaker 1: at the Comerica Bank and I poured off because that's fine.

1182
01:03:34,480 --> 01:03:37,040
Speaker 1: That's fine that I gets at the house right next

1183
01:03:37,080 --> 01:03:39,760
Speaker 1: door where you pulled out. We got the burglary learned

1184
01:03:39,760 --> 01:03:42,360
Speaker 1: from early in the morning offer from donuts. I just

1185
01:03:42,400 --> 01:03:46,520
Speaker 1: wanted to stop talking good This shar from the breakfast club.

1186
01:03:46,600 --> 01:03:48,400
Speaker 1: He offered me to tell you he needs some going

1187
01:03:48,800 --> 01:03:56,880
Speaker 1: but I doubt it. Whoa, Yeah, I'm sorry, but he

1188
01:03:57,040 --> 01:04:04,120
Speaker 1: had a name drive truck to office. Yeah, off depot equipment. Okay.

1189
01:04:04,160 --> 01:04:05,640
Speaker 1: I don't know if I'm more offended that he didn't

1190
01:04:05,640 --> 01:04:06,880
Speaker 1: want to do nuts and he don't know who I am.

1191
01:04:08,920 --> 01:04:12,600
Speaker 1: You definitely don't know who you are. Oh sorry, it's

1192
01:04:12,600 --> 01:04:14,560
Speaker 1: just right. I'm actually on the phone with the radio

1193
01:04:14,720 --> 01:04:16,560
Speaker 1: right now. No, not the radio, say the breakfast club.

1194
01:04:16,560 --> 01:04:18,480
Speaker 1: Ask him if you listen to the breath Definitely doesn't,

1195
01:04:19,200 --> 01:04:22,040
Speaker 1: he said, if you guys listen to the breakfast Okay, okay,

1196
01:04:22,520 --> 01:04:24,760
Speaker 1: I'm asking the whole line for a second. Okay, okay,

1197
01:04:24,960 --> 01:04:26,360
Speaker 1: before you open that. You know what I mean, weapons

1198
01:04:26,440 --> 01:04:29,800
Speaker 1: or anything? I know? He stay on the phone. Yeah,

1199
01:04:29,840 --> 01:04:36,320
Speaker 1: don't get arrested, trap, don't get shot. Okay, right back here.

1200
01:04:36,600 --> 01:04:38,920
Speaker 1: So I take it he doesn't listen to the breakfast club. No, yeah,

1201
01:04:39,040 --> 01:04:44,360
Speaker 1: this girl, this girl is ruining your life together. There

1202
01:04:44,440 --> 01:04:47,800
Speaker 1: you go, weapon drying dangerous. Then we'll open it. Off.

1203
01:04:47,840 --> 01:04:49,720
Speaker 1: Make sure you got your that office equipment like you said,

1204
01:04:49,760 --> 01:04:51,800
Speaker 1: and then we'll we'll go from the narrow. I have

1205
01:04:51,960 --> 01:04:53,920
Speaker 1: to got to deliver to the police station. I delivered

1206
01:04:53,920 --> 01:04:56,840
Speaker 1: to you guys every day. Say I bring y'all y'all

1207
01:04:56,880 --> 01:04:59,720
Speaker 1: donuts every morning. I pray to guy that he only

1208
01:04:59,760 --> 01:05:01,800
Speaker 1: has office equipment in the back of the hand truck.

1209
01:05:02,000 --> 01:05:03,440
Speaker 1: I just don't want you to open up the back

1210
01:05:03,520 --> 01:05:07,400
Speaker 1: here before trap sound like they're illegally searching you. I

1211
01:05:07,400 --> 01:05:09,440
Speaker 1: wouldn't have game a commission. Yeah, you shouldn't have gave

1212
01:05:09,480 --> 01:05:13,560
Speaker 1: a commissioner V. That's that's it's it's a weird week, man,

1213
01:05:14,280 --> 01:05:19,439
Speaker 1: It's really weird. Thank Traffraff, don't listen to think, Yeah

1214
01:05:19,720 --> 01:05:21,800
Speaker 1: you want to talk to on Marphis. I'm really literally

1215
01:05:21,920 --> 01:05:28,000
Speaker 1: it does not want to talk to us an out

1216
01:05:28,040 --> 01:05:31,800
Speaker 1: you sound suspicious on the ground, Traff. You don't have

1217
01:05:31,920 --> 01:05:37,160
Speaker 1: to open up your call. Okay, Okay, he he's trying

1218
01:05:37,160 --> 01:05:39,240
Speaker 1: to let me go. I'm so sorry about that, you guys.

1219
01:05:39,320 --> 01:05:43,439
Speaker 1: I'm so sorry. Jab I'm sorry. I want to say, Chap,

1220
01:05:43,480 --> 01:05:45,720
Speaker 1: you're a very nice guy. You need to find you

1221
01:05:45,800 --> 01:05:48,080
Speaker 1: a woman that wants to be with you. What you

1222
01:05:48,200 --> 01:05:50,280
Speaker 1: calling him? And I don't calling the prom Detroit and

1223
01:05:50,360 --> 01:05:53,080
Speaker 1: sarlom Mane. I want to ask that, ye and Envy

1224
01:05:53,240 --> 01:05:56,400
Speaker 1: is always in Detroit, but you never come. I'd be home. Listen,

1225
01:05:56,440 --> 01:05:58,520
Speaker 1: we need better promo and marketing the Detroit because these

1226
01:05:58,560 --> 01:06:01,520
Speaker 1: cops don't know us. Right, you worried about charlotage, now

1227
01:06:01,520 --> 01:06:04,520
Speaker 1: coming to trait You about to get locked up, traff Travis.

1228
01:06:04,560 --> 01:06:07,320
Speaker 1: I'll be in Detroit in a couple of weeks. We

1229
01:06:07,440 --> 01:06:10,200
Speaker 1: got We're gonna find you a nice woman, because there's

1230
01:06:10,240 --> 01:06:13,440
Speaker 1: no reason that you should be somebody's uh not even choice.

1231
01:06:13,480 --> 01:06:16,360
Speaker 1: She doesn't. She's just consists you a friend. She's using you. Yeah,

1232
01:06:16,400 --> 01:06:20,360
Speaker 1: I understand that. I understand that. Okay, but she had

1233
01:06:20,440 --> 01:06:23,240
Speaker 1: bailed you out if you got arrested. Yeah, but she

1234
01:06:23,440 --> 01:06:25,080
Speaker 1: more like the type of person she wants to know

1235
01:06:25,280 --> 01:06:28,400
Speaker 1: what you did and what happened. Well, of course you guys, obviously,

1236
01:06:28,560 --> 01:06:30,400
Speaker 1: I mean, yeah, but she wanted to act like, you know,

1237
01:06:30,520 --> 01:06:33,120
Speaker 1: it was my fun. I got poured over like I'm

1238
01:06:33,160 --> 01:06:35,120
Speaker 1: from the city and she from the suburbs. Let's say

1239
01:06:35,120 --> 01:06:36,919
Speaker 1: it like that. She's not used to dealing with gods.

1240
01:06:37,160 --> 01:06:41,680
Speaker 1: She think I'm a regular hood dude. But you know, well,

1241
01:06:41,680 --> 01:06:44,280
Speaker 1: you from the west. You're from the west side soft

1242
01:06:44,320 --> 01:06:49,120
Speaker 1: Wood River route the course, the soft Wood traf. I

1243
01:06:49,160 --> 01:06:51,840
Speaker 1: don't want to give the phone with you, Broker operation,

1244
01:06:51,960 --> 01:06:54,680
Speaker 1: Like I said, that corner out there next to the bank,

1245
01:06:55,000 --> 01:06:56,720
Speaker 1: we had a Berkeley alarm there that I was down

1246
01:06:56,760 --> 01:06:59,960
Speaker 1: the way through the trap. Tell them listen to them

1247
01:07:00,000 --> 01:07:04,800
Speaker 1: Breakfast club every morning on w JLB. Tell listen to

1248
01:07:04,960 --> 01:07:08,160
Speaker 1: w JLB every morning. Traf w j OB. Tell me

1249
01:07:08,320 --> 01:07:12,360
Speaker 1: to the breakfast Club ninety seven nine. You're listening to

1250
01:07:12,520 --> 01:07:15,240
Speaker 1: w JLB ninety seven point nine to Detroit right now,

1251
01:07:15,360 --> 01:07:18,840
Speaker 1: the breakfast club. Tell listen back. Okay, all right, you

1252
01:07:18,880 --> 01:07:22,439
Speaker 1: gotta take care enough take it by raf. Oh my god,

1253
01:07:22,960 --> 01:07:26,440
Speaker 1: Travis Crazy. He wants to know if you want to

1254
01:07:26,480 --> 01:07:28,840
Speaker 1: donut Crazy. I don't live in the trech. I'm fine

1255
01:07:28,960 --> 01:07:31,640
Speaker 1: dropping the clues bombs for Breakfast club listeners. Damn it

1256
01:07:32,240 --> 01:07:38,880
Speaker 1: the best, the best. Nobody got better listening, nobody. There's

1257
01:07:38,960 --> 01:07:41,880
Speaker 1: no radio show in the country who got better listeners

1258
01:07:41,920 --> 01:07:43,920
Speaker 1: than us. Right, we don't have a listeners. We have

1259
01:07:44,040 --> 01:07:47,120
Speaker 1: other members of the club. That's right, the club. Stupid

1260
01:07:47,240 --> 01:07:50,520
Speaker 1: questions officer, would you like a donut? Charlot Mane wants

1261
01:07:50,520 --> 01:07:52,920
Speaker 1: to know what, all right, We got more coming up

1262
01:07:52,960 --> 01:07:58,280
Speaker 1: next with a breakfast club, the Breakfast Club to throw

1263
01:07:58,360 --> 01:08:00,600
Speaker 1: back Thursday. We got a special guest in the building.

1264
01:08:00,920 --> 01:08:07,280
Speaker 1: Juven now just celebrated the birthday. By the way, I'm

1265
01:08:07,320 --> 01:08:09,439
Speaker 1: squeezing this limit and then trying to get there, trying

1266
01:08:09,440 --> 01:08:12,200
Speaker 1: to trying to sap, you know, trying to salvage my voice.

1267
01:08:12,320 --> 01:08:15,080
Speaker 1: How you feel good? You don't look no older, you

1268
01:08:15,120 --> 01:08:21,040
Speaker 1: don't look that. That's that man life. You know it's

1269
01:08:21,040 --> 01:08:24,360
Speaker 1: good though, because you got the new album coming? Yeah, yeah,

1270
01:08:24,560 --> 01:08:26,880
Speaker 1: why now? Why this project? Now? I think it was

1271
01:08:26,960 --> 01:08:29,000
Speaker 1: time me and them never worked together, you know, and

1272
01:08:29,080 --> 01:08:31,639
Speaker 1: then our friendship, you know, we really build our friendship

1273
01:08:31,720 --> 01:08:34,280
Speaker 1: back up over the last couple of years, hanging and stuff.

1274
01:08:34,560 --> 01:08:36,200
Speaker 1: So I think I just felt like it was time.

1275
01:08:36,320 --> 01:08:38,000
Speaker 1: Then I've been away for a minute. I ain't gonna

1276
01:08:38,000 --> 01:08:40,639
Speaker 1: come back out straight up with me with a solo album,

1277
01:08:40,680 --> 01:08:42,640
Speaker 1: and I need to get my feet wet first. How

1278
01:08:42,680 --> 01:08:44,919
Speaker 1: do you avoid like not being in the same situations

1279
01:08:44,960 --> 01:08:46,320
Speaker 1: you was in in the past, because like, you know,

1280
01:08:46,520 --> 01:08:49,680
Speaker 1: like the money, financial situations with money, I mean I've

1281
01:08:49,720 --> 01:08:52,439
Speaker 1: done things over there. Financial, I'm good, you know, I

1282
01:08:52,560 --> 01:08:54,640
Speaker 1: made a few moves, you know, I really don't even

1283
01:08:54,680 --> 01:08:56,960
Speaker 1: I don't brag about what I do outside of the

1284
01:08:57,080 --> 01:08:59,200
Speaker 1: music business, but I'm doing a few things outside of

1285
01:08:59,200 --> 01:09:02,920
Speaker 1: the music businesses they stable, but not just that. I

1286
01:09:03,040 --> 01:09:05,280
Speaker 1: stay busy when it comes down and being booked. I'm

1287
01:09:05,320 --> 01:09:07,920
Speaker 1: one of the few cats who stay booked all the time.

1288
01:09:09,200 --> 01:09:10,800
Speaker 1: Years old. This shit. Yeah, I'm gonna keep you know,

1289
01:09:12,479 --> 01:09:14,720
Speaker 1: if they're CRAI enough to keep booking. It's anybody that

1290
01:09:14,760 --> 01:09:17,280
Speaker 1: comes see, I'm gonna keep showing up. They I ain't

1291
01:09:17,280 --> 01:09:19,320
Speaker 1: gonna never stop showing up. Did you think that record

1292
01:09:19,360 --> 01:09:21,880
Speaker 1: would be so timeless when you first recorded it? Nah?

1293
01:09:22,600 --> 01:09:24,519
Speaker 1: I mean behind this man, when you make songs like

1294
01:09:24,640 --> 01:09:27,160
Speaker 1: that and they blew up and they get that big,

1295
01:09:27,880 --> 01:09:29,400
Speaker 1: I don't think it's all as out that I say.

1296
01:09:29,400 --> 01:09:34,280
Speaker 1: They knew it nobly, and I could try to do

1297
01:09:34,400 --> 01:09:36,400
Speaker 1: stuff that goes viral, You could try to do stuff

1298
01:09:36,439 --> 01:09:39,240
Speaker 1: that's timeless, but the people really make that decision. Yeah,

1299
01:09:39,600 --> 01:09:42,120
Speaker 1: you know, I mean, and it's one of them songs

1300
01:09:42,240 --> 01:09:45,280
Speaker 1: that they play at waiting receptions, you know. And I

1301
01:09:45,439 --> 01:09:47,600
Speaker 1: think when when it got to that point and I

1302
01:09:47,720 --> 01:09:49,720
Speaker 1: heard old people say I like to dance to this,

1303
01:09:49,880 --> 01:09:51,280
Speaker 1: and you know, when it got to that point, I

1304
01:09:51,360 --> 01:09:54,439
Speaker 1: felt like, you know, hey, I think I really made one.

1305
01:09:54,640 --> 01:09:57,200
Speaker 1: I heard you. Didn't want to make that record originally though, nah,

1306
01:09:57,479 --> 01:10:00,320
Speaker 1: because and you know why, because I can't from that

1307
01:10:00,439 --> 01:10:02,760
Speaker 1: kind of music. You know, the bounce music was she

1308
01:10:02,960 --> 01:10:05,120
Speaker 1: and She'll tell you that's pretty much the whole scene

1309
01:10:05,120 --> 01:10:06,960
Speaker 1: in New Orleans, and I just didn't want to get

1310
01:10:07,000 --> 01:10:09,320
Speaker 1: sucked in like everybody else. So I was trying to

1311
01:10:09,360 --> 01:10:12,040
Speaker 1: avoid that as much as possible. It was gonna be

1312
01:10:12,120 --> 01:10:14,439
Speaker 1: local if you did it. I really my intentions was

1313
01:10:14,520 --> 01:10:16,639
Speaker 1: to do when we when we originally done it, that's

1314
01:10:16,640 --> 01:10:19,160
Speaker 1: what it was for New Orleans, but it went somewhere else.

1315
01:10:19,200 --> 01:10:21,800
Speaker 1: So now you know, it got to the point to

1316
01:10:21,840 --> 01:10:23,639
Speaker 1: where I got to feed everybody with the same kind

1317
01:10:23,680 --> 01:10:25,360
Speaker 1: of music, and it's kind of hard to make another

1318
01:10:25,400 --> 01:10:28,840
Speaker 1: back that. It's impossible for me. Yeah, it's authentic though,

1319
01:10:28,880 --> 01:10:31,120
Speaker 1: to represent where you're from. And you hear people trying

1320
01:10:31,120 --> 01:10:33,679
Speaker 1: to take that sound now and other types of music,

1321
01:10:33,760 --> 01:10:36,000
Speaker 1: and you're like, all right, well this called me and

1322
01:10:36,040 --> 01:10:37,760
Speaker 1: let me get a check. Man, I'll be okay with

1323
01:10:38,040 --> 01:10:39,439
Speaker 1: but if you don't put me on the song, I'm

1324
01:10:39,479 --> 01:10:45,000
Speaker 1: definitely gonna dish you. I mean, but if you if

1325
01:10:45,080 --> 01:10:47,760
Speaker 1: you if you make a New Orleans bound song and

1326
01:10:47,840 --> 01:10:50,760
Speaker 1: you don't use my version, you know I won't get

1327
01:10:50,880 --> 01:10:52,880
Speaker 1: nothing for that. I know you've seen all the memes

1328
01:10:52,880 --> 01:10:54,840
Speaker 1: of everyone running to the damn flowing back to the

1329
01:10:54,920 --> 01:10:58,479
Speaker 1: as I saw Chris Brown. They had something on the

1330
01:10:58,520 --> 01:11:01,439
Speaker 1: internet with Chris Brown constrict before y'all on stage, and

1331
01:11:01,439 --> 01:11:03,080
Speaker 1: it was all like all women. I don't know what

1332
01:11:03,160 --> 01:11:05,880
Speaker 1: arena it was, and they played it. It was going

1333
01:11:05,960 --> 01:11:07,680
Speaker 1: on for that song, harder than he did when he

1334
01:11:07,720 --> 01:11:10,240
Speaker 1: actually got on stage and perfom it was going in.

1335
01:11:10,439 --> 01:11:12,639
Speaker 1: But I'm talking about all off the Balgramies, Like I said,

1336
01:11:12,680 --> 01:11:17,000
Speaker 1: what that reaction ever get older? You though? No? When

1337
01:11:17,040 --> 01:11:19,080
Speaker 1: it gets no, when it it gets funny. When I

1338
01:11:19,120 --> 01:11:28,639
Speaker 1: see somebody up in age, do it? You do your thing? Man?

1339
01:11:29,080 --> 01:11:32,120
Speaker 1: We up in age so so No, I'm talking about

1340
01:11:32,160 --> 01:11:35,360
Speaker 1: sixty one yea, I heard him like that. I mean

1341
01:11:35,479 --> 01:11:38,640
Speaker 1: Paddy La Belle told me this was this song is

1342
01:11:38,640 --> 01:11:41,360
Speaker 1: an inspiration. She was like working out to it. I'm saying,

1343
01:11:41,800 --> 01:11:44,080
Speaker 1: that's how it came up with Patty's Pie. Well, you know,

1344
01:11:44,120 --> 01:11:48,880
Speaker 1: a padded bagging up down. We don't have something to

1345
01:11:51,120 --> 01:11:54,040
Speaker 1: my top five Paddy the bell, Yeah, Patty back up

1346
01:11:54,040 --> 01:11:58,280
Speaker 1: on you can you grind on? No, man, what is

1347
01:11:58,320 --> 01:12:01,320
Speaker 1: she doing? Y'all find into that because Patty Son already

1348
01:12:01,320 --> 01:12:04,680
Speaker 1: had to check. You're back out of here. You call

1349
01:12:04,760 --> 01:12:07,559
Speaker 1: the son. You see, man, I ain't doing nothing while man,

1350
01:12:07,640 --> 01:12:13,120
Speaker 1: I love your mom, Man Carial or something else still

1351
01:12:13,160 --> 01:12:15,400
Speaker 1: on his good side. Hold on. If you're at a concert,

1352
01:12:15,600 --> 01:12:18,960
Speaker 1: say Angela Bastard and Patty label back that as bast

1353
01:12:19,400 --> 01:12:21,479
Speaker 1: I'm married man, but don't do that. I'm married to

1354
01:12:21,560 --> 01:12:24,680
Speaker 1: But just I'm just saying, Angela, bast you're pushing me

1355
01:12:24,720 --> 01:12:31,120
Speaker 1: in a coner man back that as you right there, man,

1356
01:12:36,120 --> 01:12:39,640
Speaker 1: that little you gotta keep that space, and I've got

1357
01:12:39,760 --> 01:12:42,439
Speaker 1: to do with him. A man can't be no contact

1358
01:12:42,520 --> 01:12:44,599
Speaker 1: between clubs. Just got to be a little space in between.

1359
01:12:44,720 --> 01:12:46,840
Speaker 1: I was arguing with somebody from New Orleans, aguing him,

1360
01:12:46,840 --> 01:12:48,559
Speaker 1: my man Van he from New Orleans. I was aguing

1361
01:12:48,640 --> 01:12:52,000
Speaker 1: him about jay Z's verse on High because he said,

1362
01:12:52,040 --> 01:12:54,559
Speaker 1: in New Orleans everybody was like, man, this is whack man,

1363
01:12:54,880 --> 01:13:01,519
Speaker 1: like this dog with like they. I don't know what

1364
01:13:01,640 --> 01:13:05,400
Speaker 1: it was. It was the Tupac, you know. Tupac kind

1365
01:13:05,439 --> 01:13:07,680
Speaker 1: of made people in New Orleans not like jay Z.

1366
01:13:07,760 --> 01:13:10,160
Speaker 1: And jay Z ain't did nobody nothing. Then I was

1367
01:13:10,200 --> 01:13:13,599
Speaker 1: a jay Z fan. But when Tupac made all these

1368
01:13:13,680 --> 01:13:16,760
Speaker 1: dishes and stuff towards everybody, people felt like they had

1369
01:13:16,800 --> 01:13:20,040
Speaker 1: to choose you, Like you got pock Riders everywhere, So

1370
01:13:20,320 --> 01:13:22,960
Speaker 1: all the POC New Orleans full of pock Riders, they

1371
01:13:23,080 --> 01:13:25,280
Speaker 1: weren't gonna listen to jay Z oh that wanted. Did

1372
01:13:25,360 --> 01:13:28,240
Speaker 1: he do that himself? Did he reach out? He did

1373
01:13:28,280 --> 01:13:30,160
Speaker 1: it on his own. When you heard it like everybody else,

1374
01:13:30,240 --> 01:13:33,040
Speaker 1: you heard it like everybody else, really, and then you know,

1375
01:13:33,160 --> 01:13:36,080
Speaker 1: of course NI being so sleek with their business, they

1376
01:13:36,479 --> 01:13:38,519
Speaker 1: hurry up and put the remix on the album, add

1377
01:13:38,560 --> 01:13:40,280
Speaker 1: a couple of songs, took one off and made it,

1378
01:13:40,360 --> 01:13:42,640
Speaker 1: put it on the album, and record sales star. But

1379
01:13:42,920 --> 01:13:44,559
Speaker 1: where was you when you heard it for the first time?

1380
01:13:45,439 --> 01:13:48,559
Speaker 1: Probably had cash money office, probably at the office when

1381
01:13:48,600 --> 01:13:50,240
Speaker 1: they first played it to him. And I'm like what,

1382
01:13:50,439 --> 01:13:52,320
Speaker 1: because you know I was the real jay Z fan.

1383
01:13:52,439 --> 01:13:54,760
Speaker 1: Me and man Wayne, we was listening to jay Z Hall.

1384
01:13:55,080 --> 01:13:57,800
Speaker 1: Everybody else wasn't. They said, you're gonna flip out when

1385
01:13:57,800 --> 01:13:59,760
Speaker 1: you see what happen when you hit this, and they

1386
01:13:59,800 --> 01:14:02,439
Speaker 1: turned on he said, you liked the verse, jay Z,

1387
01:14:02,720 --> 01:14:08,000
Speaker 1: I don't care about what he said. I like the verse.

1388
01:14:08,320 --> 01:14:10,280
Speaker 1: I liked it too. When I'm saying, you know, when

1389
01:14:10,320 --> 01:14:12,040
Speaker 1: I first heard it, the first time I heard it,

1390
01:14:12,240 --> 01:14:14,800
Speaker 1: I didn't care what he said. I really didn't. I'm

1391
01:14:14,960 --> 01:14:18,080
Speaker 1: I was excited about the fact that somebody that I

1392
01:14:18,320 --> 01:14:20,960
Speaker 1: really liked did a song, you know, And then I

1393
01:14:21,080 --> 01:14:22,760
Speaker 1: felt like, now I could go to New York and

1394
01:14:22,880 --> 01:14:25,439
Speaker 1: get that that real love. Because I was coming up

1395
01:14:25,479 --> 01:14:26,840
Speaker 1: here and he was like, we liked the song. When

1396
01:14:26,840 --> 01:14:29,000
Speaker 1: you're gonna You're gonna do something else, you know, it

1397
01:14:29,120 --> 01:14:31,240
Speaker 1: was high and that was it. Now. The fact, when

1398
01:14:31,280 --> 01:14:34,200
Speaker 1: I came up here to the tunnel, Flex told me

1399
01:14:34,439 --> 01:14:36,439
Speaker 1: why not Flex one of the guys back. They said, look,

1400
01:14:36,840 --> 01:14:40,240
Speaker 1: if you don't saying just high only, they're gonna buo you.

1401
01:14:41,400 --> 01:14:45,240
Speaker 1: I'm like, I said, boo you, bro, I'm telling you

1402
01:14:45,439 --> 01:14:47,799
Speaker 1: saying that one song I saw something. How three times

1403
01:14:48,200 --> 01:14:51,599
Speaker 1: I rocked the crowd. I tore it down three times?

1404
01:14:51,800 --> 01:14:54,320
Speaker 1: Three times? All right? We got more with Juvenile High

1405
01:14:54,400 --> 01:14:56,200
Speaker 1: when we come back. Matter of fact, let's get into

1406
01:14:56,439 --> 01:14:59,360
Speaker 1: a mini mix. It's the Breakfast Clock the Morning Breakfast CLU.

1407
01:15:00,080 --> 01:15:03,960
Speaker 1: That was a juvenile mini mix. Morning Everybody's DJ Envy

1408
01:15:04,120 --> 01:15:06,960
Speaker 1: Angela yee, Charlomagne the guy, we all the breakfast Club

1409
01:15:07,360 --> 01:15:10,920
Speaker 1: juveniles here ye. So now let's fast forward to this

1410
01:15:11,000 --> 01:15:13,479
Speaker 1: album that you and berr Man put together. So how

1411
01:15:13,479 --> 01:15:15,360
Speaker 1: did it even come about? Like, how did the conversation start?

1412
01:15:15,439 --> 01:15:17,160
Speaker 1: What made y'all decide to do this? How long did

1413
01:15:17,200 --> 01:15:20,600
Speaker 1: it take? Really, Like I'm gonna say two weeks in

1414
01:15:20,680 --> 01:15:22,840
Speaker 1: the conversation, it really wasn't a conversation. I said, man,

1415
01:15:22,920 --> 01:15:25,760
Speaker 1: let's do a mixtape, you know, And after we got

1416
01:15:25,840 --> 01:15:28,559
Speaker 1: to like song number four, start listening to it, Like, look, bro,

1417
01:15:28,680 --> 01:15:31,000
Speaker 1: we could keep doing songs like this. We got a sound,

1418
01:15:31,080 --> 01:15:33,360
Speaker 1: we could do an album. And I really think we

1419
01:15:33,400 --> 01:15:35,000
Speaker 1: could do a hell of an album because people, it's

1420
01:15:35,040 --> 01:15:37,320
Speaker 1: just gonna be so unexpected, Like we just popped up

1421
01:15:37,560 --> 01:15:39,559
Speaker 1: on y'all with a single, and all of a sudden,

1422
01:15:39,560 --> 01:15:41,720
Speaker 1: we got an album coming out. I think it's just

1423
01:15:41,880 --> 01:15:44,360
Speaker 1: it's shocking to everybody because they didn't think me, of

1424
01:15:44,439 --> 01:15:46,680
Speaker 1: all people, would be doing an album with Bert. Many

1425
01:15:47,000 --> 01:15:50,040
Speaker 1: people don't think we have made friends. So that's weird,

1426
01:15:50,160 --> 01:15:53,200
Speaker 1: right money many times the interviews you said, y'all cool, Yeah,

1427
01:15:53,240 --> 01:15:55,600
Speaker 1: people still don't. Nobody want to accept the last of

1428
01:15:55,600 --> 01:15:58,960
Speaker 1: time I came here. I'm cool. Yeah, I'm not trippling

1429
01:15:59,000 --> 01:16:03,200
Speaker 1: on may they want to come here with you? But

1430
01:16:03,400 --> 01:16:07,560
Speaker 1: I was asking, why are you looking at me? I

1431
01:16:07,640 --> 01:16:14,360
Speaker 1: saw cut out? That cut out you got jokes? No,

1432
01:16:14,520 --> 01:16:16,080
Speaker 1: I think he does want to come back up here.

1433
01:16:16,320 --> 01:16:18,200
Speaker 1: From what I've heard, I wish he would have came.

1434
01:16:19,400 --> 01:16:21,639
Speaker 1: It would have been great y'all doing any promo together.

1435
01:16:23,320 --> 01:16:24,720
Speaker 1: I mean, I'm going to meet with him in the

1436
01:16:24,800 --> 01:16:28,080
Speaker 1: next hour, so so he's here. He didn't want he's here,

1437
01:16:28,800 --> 01:16:31,439
Speaker 1: He's definitely. I mean my birthday was last night. Yeah,

1438
01:16:32,160 --> 01:16:34,840
Speaker 1: it would have been real strange if he wouldn't have been.

1439
01:16:35,000 --> 01:16:38,599
Speaker 1: That had cake for you. Yeah, they had a few

1440
01:16:38,680 --> 01:16:40,640
Speaker 1: things for me. I didn't see no features on the

1441
01:16:40,680 --> 01:16:43,479
Speaker 1: project with that on purpose. Now I'm shelfish bro. Yeah,

1442
01:16:43,600 --> 01:16:46,080
Speaker 1: I don't heard enough of these about your son. Your

1443
01:16:46,120 --> 01:16:51,120
Speaker 1: son on the album? You know what he mad about now? Now?

1444
01:16:51,520 --> 01:16:56,160
Speaker 1: Bet he recorded a couple songs. I just don't know

1445
01:16:56,280 --> 01:16:58,000
Speaker 1: if I don't know if they felt them like you

1446
01:16:58,000 --> 01:16:59,840
Speaker 1: know what I'm saying. I don't know if they liked

1447
01:17:00,200 --> 01:17:01,760
Speaker 1: you know what I'm saying. Who is they? If you're

1448
01:17:01,920 --> 01:17:05,519
Speaker 1: one he heard them, it's slim and be and whoever

1449
01:17:05,680 --> 01:17:08,720
Speaker 1: make the choices on you know, slim be probably d rock. Yeah,

1450
01:17:09,080 --> 01:17:11,920
Speaker 1: how's your lyrical content change as you as you grow?

1451
01:17:12,000 --> 01:17:14,599
Speaker 1: I'm a beast, bro, that's one thing. I really ain't

1452
01:17:14,600 --> 01:17:17,560
Speaker 1: not take pride in the lyrics, the lyrical content. So

1453
01:17:18,479 --> 01:17:20,599
Speaker 1: I'm a beast. But what do you talk about though?

1454
01:17:20,640 --> 01:17:23,840
Speaker 1: Like the same way, like your your circle changes? Yeah,

1455
01:17:23,960 --> 01:17:26,200
Speaker 1: just grown grown man. But I'm still I still. I'll

1456
01:17:26,200 --> 01:17:28,720
Speaker 1: still give you stories. I like telling stories and scenarios

1457
01:17:28,800 --> 01:17:31,360
Speaker 1: that happened in my life. I'm I like telling stories.

1458
01:17:31,520 --> 01:17:33,360
Speaker 1: Do you have a question any of your old lyrics,

1459
01:17:33,760 --> 01:17:35,800
Speaker 1: especially in this era? You'd be like, I don't know

1460
01:17:35,800 --> 01:17:38,320
Speaker 1: if I should say that now exactly. I mean I

1461
01:17:38,439 --> 01:17:41,080
Speaker 1: couldn't have the songs on four hundred degrees. I don't

1462
01:17:41,160 --> 01:17:43,680
Speaker 1: think I could. If I was writing a song right now,

1463
01:17:43,760 --> 01:17:46,240
Speaker 1: I don't think I would go that direction, because that's

1464
01:17:46,280 --> 01:17:49,679
Speaker 1: not when I'm mad in life. On Julie on Fire,

1465
01:17:49,720 --> 01:17:51,080
Speaker 1: you said, if I'm in the room with a bitch

1466
01:17:51,120 --> 01:17:56,280
Speaker 1: and the like a man, I'm my meet and get money. Yeah,

1467
01:17:57,600 --> 01:18:06,559
Speaker 1: ain't having it right, thank you, Charlotte. Man keep looking

1468
01:18:06,560 --> 01:18:12,040
Speaker 1: outside because she can't hear you. Later she's gonna hear,

1469
01:18:12,160 --> 01:18:14,519
Speaker 1: trust me, So you walk out here. As soon as

1470
01:18:14,560 --> 01:18:17,160
Speaker 1: y'all posted to do anything. She don't know. That lyric

1471
01:18:17,240 --> 01:18:19,320
Speaker 1: comes up so much like when brothers be sitting around

1472
01:18:19,320 --> 01:18:22,080
Speaker 1: and we'll be questioning, Like old we used to hear

1473
01:18:22,120 --> 01:18:26,719
Speaker 1: that Mayor raised man he said you know, I'm gonna

1474
01:18:26,720 --> 01:18:28,519
Speaker 1: tell you what I man and said he just getting

1475
01:18:28,560 --> 01:18:33,960
Speaker 1: the coat and turned that on. Just look at you

1476
01:18:34,040 --> 01:18:41,960
Speaker 1: know what's happening, repeating, keep repeating it like right now,

1477
01:18:42,000 --> 01:18:48,840
Speaker 1: we don't. That's that's the place. The only point. Baby.

1478
01:18:51,800 --> 01:18:54,799
Speaker 1: Are you guys gonna go on to our for the album? Oh, definitely, definitely.

1479
01:18:54,840 --> 01:18:57,240
Speaker 1: I'm trying to cancel some stuff now because man, missing

1480
01:18:57,280 --> 01:18:59,840
Speaker 1: Live Nation. I'm like Live Nation or so we're gonna

1481
01:18:59,840 --> 01:19:01,280
Speaker 1: be and them kind of checks. Let me go on

1482
01:19:01,800 --> 01:19:05,120
Speaker 1: cancel some of these shows now, I had counseled, but yeah,

1483
01:19:05,160 --> 01:19:07,400
Speaker 1: we're going on tour though. Speaking of touring, you have

1484
01:19:07,560 --> 01:19:09,880
Speaker 1: some other tours that you're on as well. Yeah, Legends

1485
01:19:09,920 --> 01:19:12,479
Speaker 1: of Southern hip Hop. That's one, two or the other.

1486
01:19:12,560 --> 01:19:14,800
Speaker 1: When it's Legends of hip Hop. So it were gnawed

1487
01:19:14,960 --> 01:19:18,879
Speaker 1: in southwa. So who's who's on it? Me? Eight Ball, MJG,

1488
01:19:19,640 --> 01:19:23,840
Speaker 1: too Short, Trina, DJ Quick. I can't think that's what

1489
01:19:23,920 --> 01:19:30,759
Speaker 1: you're seeing all them as old the women. That exactly, yeah, exactly.

1490
01:19:30,960 --> 01:19:32,760
Speaker 1: That rough Rider tour, man, that's I feel like that

1491
01:19:32,760 --> 01:19:34,439
Speaker 1: should have been It should have been a documentary made

1492
01:19:34,439 --> 01:19:36,960
Speaker 1: about that tour. Yeah, because it was real. I mean,

1493
01:19:37,320 --> 01:19:39,960
Speaker 1: you know, it's crazy. It was successful to it when

1494
01:19:40,000 --> 01:19:42,720
Speaker 1: we actually did the shows. But you know, after the

1495
01:19:42,800 --> 01:19:45,479
Speaker 1: Boston thing, they canceled like all all the shows of

1496
01:19:45,560 --> 01:19:47,439
Speaker 1: the West coast, so we didn't ever make it to

1497
01:19:47,520 --> 01:19:49,559
Speaker 1: the West Coast with that tour. This is one video

1498
01:19:49,600 --> 01:19:51,800
Speaker 1: they always showed from that show. Were always calling women

1499
01:19:51,880 --> 01:19:54,280
Speaker 1: on stage and they always talk you know what I'm

1500
01:19:54,320 --> 01:19:58,320
Speaker 1: talking about, I messed with men too, or something like that.

1501
01:19:58,760 --> 01:20:04,080
Speaker 1: Oh no, I don't remember that right now. An never

1502
01:20:04,200 --> 01:20:09,240
Speaker 1: agree that you heard something that you probably heard something

1503
01:20:09,400 --> 01:20:12,479
Speaker 1: and thought you you thought I was talking about who video.

1504
01:20:12,800 --> 01:20:20,880
Speaker 1: I'm gonna show it to you. Yeah, y'all come up here.

1505
01:20:21,720 --> 01:20:28,040
Speaker 1: It's cool like that. But I'm just asking. That's how

1506
01:20:28,080 --> 01:20:30,160
Speaker 1: we're talking to one in the week. Our thing is

1507
01:20:30,680 --> 01:20:35,280
Speaker 1: with you. That's how we talked that. We've been talking

1508
01:20:35,360 --> 01:20:37,320
Speaker 1: like that so that you tried. You tried it, It

1509
01:20:37,400 --> 01:20:40,160
Speaker 1: didn't listen, It didn't work. This is the beauty of

1510
01:20:40,760 --> 01:20:46,600
Speaker 1: the interview. For urban legends. That a stop to that

1511
01:20:49,600 --> 01:20:51,800
Speaker 1: next time we don't get a chance. You didn't stick around.

1512
01:20:52,040 --> 01:20:55,960
Speaker 1: It's all love. I'm here. I remember that night. I

1513
01:20:56,040 --> 01:21:02,040
Speaker 1: can't remember if you want to show me this night.

1514
01:21:02,280 --> 01:21:06,240
Speaker 1: I'm looking at them where I come from, because I've

1515
01:21:06,280 --> 01:21:09,519
Speaker 1: been looking for that piece for a log, for real chat.

1516
01:21:09,600 --> 01:21:12,959
Speaker 1: It's probably I probably got this story somewhere, my man, juvenile.

1517
01:21:13,320 --> 01:21:15,840
Speaker 1: The album is out right now. Just another gangster, just

1518
01:21:15,960 --> 01:21:19,759
Speaker 1: another game Friday, right, yeah, Friday. Yeah, it's a breakfast

1519
01:21:19,800 --> 01:21:24,280
Speaker 1: club morning. Everybody is DJ Envy Angela Yee. Charlomagne the guy.

1520
01:21:24,360 --> 01:21:27,200
Speaker 1: We are the breakfast club. Shout to everybody that picked

1521
01:21:27,240 --> 01:21:29,400
Speaker 1: up tickets to my car show again. I so appreciate it.

1522
01:21:29,720 --> 01:21:33,479
Speaker 1: September seventh is the date. And also, Charlomagne, you got

1523
01:21:33,520 --> 01:21:35,840
Speaker 1: a positive note? Yeah, man, My positive note is simply

1524
01:21:35,920 --> 01:21:40,400
Speaker 1: this man. Always remember karma. Okay, there's no need for revenge.

1525
01:21:40,880 --> 01:21:43,320
Speaker 1: Just sit back and wait. Those who hurt you will

1526
01:21:43,360 --> 01:21:46,720
Speaker 1: eventually screw up themselves, and if you're lucky, God will

1527
01:21:46,800 --> 01:21:47,400
Speaker 1: let you watch