WEBVTT - Ghosts of the Wind and Rain

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<v Speaker 1>My welcome to Stuff to Blow Your Mind, the production

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<v Speaker 1>of My Heart Radio. Hey, welcome to Stuff to Blow

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<v Speaker 1>your Mind. My name is Robert lamp and I'm Joe McCormick.

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<v Speaker 1>And Rob correct me if I'm wrong, But I think

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<v Speaker 1>this is finally the year that you've gotten full blown

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<v Speaker 1>into Rocky Ericson. Is that right? Uh? Yeah, yeah, I

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<v Speaker 1>guess so, yeah, I got. I listened to him a

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<v Speaker 1>little in the past, and in this year I got

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<v Speaker 1>even more into him. Yeah. Okay, So Rocky has long

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<v Speaker 1>been one of my favorite rock and roll vampires, and

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<v Speaker 1>one of the things I love about Rocky Ericson Monster

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<v Speaker 1>songs is how much they're about the weather. Um. So

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<v Speaker 1>you may remember the line from his great, his great

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<v Speaker 1>anthem The Night of the Vampire, if it's raining and

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<v Speaker 1>you're running, don't slip in mud, because if you do,

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<v Speaker 1>you'll slip in blood. I mean, that's is logic, and

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<v Speaker 1>there's a really infectious glee to that kind of logic.

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<v Speaker 1>But also I enjoyed the weather, weather represented in songs

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<v Speaker 1>like the Wind and More, which I know compares sort

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<v Speaker 1>of the the voice of Lucifer to to the storm

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<v Speaker 1>winds that are battering through the house. Yeah. Absolutely, And

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<v Speaker 1>and if anyone out there is not sure who we're

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<v Speaker 1>talking about, um, you should look up Rocky Ericson, uh,

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<v Speaker 1>who also was the other group garage Psychan from the

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<v Speaker 1>late sixties early seventies based in I think Austin, definitely

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<v Speaker 1>out of Texas. Uh, fantastic psychedelic rock. But then Rocky

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<v Speaker 1>Ericson had had a long solo career after that of

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<v Speaker 1>all different kinds of music, you know. He he um

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<v Speaker 1>so some of the stuff he released, uh he he

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<v Speaker 1>had a lot of troubles with mental health and at

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<v Speaker 1>some points he was in psychiatric institutions. But even in

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<v Speaker 1>those periods would sort of make these little demos of

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<v Speaker 1>UH songs recorded it sounds like just on a tape

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<v Speaker 1>recorder that are very simi bowl but but strangely beautiful.

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<v Speaker 1>And then at other times you would make full blown

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<v Speaker 1>UH monster rock and roll albums. There's one called Evil

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<v Speaker 1>One that's just fantastic, that's got a kind of credence

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<v Speaker 1>clearwater revival style rock production, but all the songs are

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<v Speaker 1>about demons and ghosts and and fifties atomic age monster movies. Yeah,

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<v Speaker 1>and it's pretty hard stuff too, Like it's like it's

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<v Speaker 1>it's it's got a hard rock vibe that I think

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<v Speaker 1>might surprise some people. So it's I think it was

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<v Speaker 1>produced by somebody from Credence of Memories, So I think

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<v Speaker 1>so yeah, but but but but harder than Credence, uh

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<v Speaker 1>in my opinion. Well, all that is preamble to the

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<v Speaker 1>fact that today we wanted to talk about the intersection

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<v Speaker 1>of ghosts and weather. Yeah, and I have to stress

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<v Speaker 1>that we absolutely won't be able to cover everything here

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<v Speaker 1>because there are just too many storm monsters and storm

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<v Speaker 1>deities out there, storm related ghosts and other creatures. But

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<v Speaker 1>we're gonna be covering various examples that seem related to

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<v Speaker 1>some of the core ideas that we were kicking around

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<v Speaker 1>for this episode. And uh and and really the the

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<v Speaker 1>central idea has to do with a recent trip you

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<v Speaker 1>went on. Oh yeah, so I was recently in coastal

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<v Speaker 1>South Carolina. Rob, Have you been to coastal South Carolina?

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<v Speaker 1>I assume probably, oh yeah, yeah. And and of course

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<v Speaker 1>South Carolina placed with a lot of ghosts, tons of

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<v Speaker 1>ghosts everywhere you go there, Like you can find a

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<v Speaker 1>little local visitor center that's got a local uh self

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<v Speaker 1>published ghost author who's collected all the lore and they've

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<v Speaker 1>got it in a in a book that the font

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<v Speaker 1>of the book is usually Times New Roman. Uh, but

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<v Speaker 1>it's but it will have lots of great, you know,

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<v Speaker 1>local ghost stories in it. And so there's one that

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<v Speaker 1>I was reading about from a particular place on the

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<v Speaker 1>South Carolina coast, a little island called Paul's Island. And

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<v Speaker 1>so to explain this, on refer to an article that

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<v Speaker 1>was published by Myrtle Beach Online. So it's a local

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<v Speaker 1>news article from the Myrtle Beach area that's also coastal

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<v Speaker 1>South Carolina by a writer named Tyler Fleming. The article

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<v Speaker 1>says it was last updated in September nineteen. I'm not

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<v Speaker 1>sure if that's when it was originally published, but it's

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<v Speaker 1>this local news article trying to track down the origins

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<v Speaker 1>of a bit of ghost lore from this area of

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<v Speaker 1>the South Carolina coastline. And specifically, this is the story

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<v Speaker 1>of a being called the Gray Man. You know, I'd

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<v Speaker 1>say it's used a lot, but I'm still a sucker

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<v Speaker 1>for for that formulation of a creature name just the

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<v Speaker 1>blank man, especially if whatever the word in the middle

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<v Speaker 1>is is a single syllable. Yeah, yeah, yeah, like the

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<v Speaker 1>Green Man. The tall Man. Yeah. So, according to the legend,

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<v Speaker 1>this is a spirit that wanders around on the shore

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<v Speaker 1>on and around this small island called Paul's Island, South Carolina. Uh,

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<v Speaker 1>usually appearing just before the landfall of terrible storms as

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<v Speaker 1>a translucent gray figure stalking the beaches and boardwalks in

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<v Speaker 1>a long cloak. Sometimes he's literally described as dressed like

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<v Speaker 1>a pirate. Uh. And one one funny I think, a

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<v Speaker 1>little little justified accusation of his identity is that he

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<v Speaker 1>is black Beard. He is Uh. I don't know how

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<v Speaker 1>you're supposed to say his last name Edward Teach or

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<v Speaker 1>Teach or Thatch, however it is yeah, yeah, with the

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<v Speaker 1>with the burning brands and his beard. This gets into

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<v Speaker 1>an interesting area that I like about about ghosts of

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<v Speaker 1>this nature because uh, and this is all thoroughly non scientific,

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<v Speaker 1>of course, but we have this idea that you know,

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<v Speaker 1>that something bad happens, and the ghost is like a

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<v Speaker 1>lingering after effect of that thing. Um. And then certainly

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<v Speaker 1>there's also this idea that a ghost, say black Beard's

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<v Speaker 1>ghost or just this mysterious gray man, would have potentially

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<v Speaker 1>insider information about what's going to happen. Maybe you know,

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<v Speaker 1>they died at sea, and therefore they know the sea

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<v Speaker 1>a little better and they can they can warn us

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<v Speaker 1>about things. But then there's also an idea of the

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<v Speaker 1>of of hauntings as being uh, you know, things that

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<v Speaker 1>work in both directions and time, that they can be

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<v Speaker 1>harbingers of of the terrible events. Um, you know, perhaps

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<v Speaker 1>they're even attached to events that have yet to come. Well, yeah,

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<v Speaker 1>and that is exactly the case with the Gray Man.

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<v Speaker 1>So contrary to what you might assume about this spectral figure,

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<v Speaker 1>you know, crunching along through the sand, in the in

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<v Speaker 1>the in the storms and the wind, local legend usually

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<v Speaker 1>describes the Gray Man as a benign or even a

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<v Speaker 1>helpful spirit, and the purpose of his hauntings is to

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<v Speaker 1>serve as a warning to people who live nearby that

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<v Speaker 1>the coming storm is going to be especially destructive. So

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<v Speaker 1>as a few examples of this, uh, this belief among locals,

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<v Speaker 1>I was looking at article in Southern Living by Megan

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<v Speaker 1>over Deep about this ghost legend, and it describes how

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<v Speaker 1>there were locals in in South Carolina who claimed sightings

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<v Speaker 1>of the Gray Man just before Hurricane Hazel and nineteen

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<v Speaker 1>fifty four and Hurricane Hugo in nineteen eighty nine. But

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<v Speaker 1>as a more recent example, also this This article embedded

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<v Speaker 1>tweets like people tweeting grainy photos of alleged gray Man

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<v Speaker 1>sightings ahead of Hurricane Florence in eighteen. So Rob, I've

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<v Speaker 1>embedded one for you to look at here. Listeners, you

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<v Speaker 1>can go look up this article in Southern Living if

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<v Speaker 1>you want to find these tweets. But this one embeds

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<v Speaker 1>a photo that is allegedly taken at a boardwalk that

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<v Speaker 1>goes over the beach on Pouli's Island, and there is

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<v Speaker 1>I don't know, so it's it's a very grainy photograph.

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<v Speaker 1>It's got a lot of what looks like digital artifacts

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<v Speaker 1>and pixelation in it, and then there's this big sort

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<v Speaker 1>of pale gray smudge in the middle of it that looks,

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<v Speaker 1>oh yeah, maybe like it could be some kind of

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<v Speaker 1>vertical object on the boardwalk. But some people apparently looked

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<v Speaker 1>at that and said, hey, it's the gray Man. Well,

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<v Speaker 1>I have to point out that the tweet that is

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<v Speaker 1>shared in this article, uh the twee eater does have

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<v Speaker 1>a blue check mark, So this is verified. This is

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<v Speaker 1>this is verified. It proof of the afterlife confirmed as usual?

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<v Speaker 1>Why does sidings of the paranormal so strongly favor low

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<v Speaker 1>fidelity documentation. I think, I'm not positive, but this looks

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<v Speaker 1>like it's from some kind of like uh uh, stationary

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<v Speaker 1>live camera that sort of documents, you know, foot traffic

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<v Speaker 1>on the beach. I think that you can tune into

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<v Speaker 1>and see what's going on there. I'm not positive that's

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<v Speaker 1>what it is, but I know there is stuff like

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<v Speaker 1>that around there, and so that that's what it looks

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<v Speaker 1>like to me, But it could be something else anyway. Yeah,

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<v Speaker 1>it's very grainy, it's got all you know, it's got

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<v Speaker 1>the pixelated artifacts in it, and I just want some

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<v Speaker 1>high definition gray Man, but I can't get it. Yeah,

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<v Speaker 1>I mean, obviously, I think that gets down to just

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<v Speaker 1>the fact that sightings occur when things are obscured and

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<v Speaker 1>uncertain They emerge out of uncertainty and uh and and

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<v Speaker 1>and and depleted visual efficiency. I think that'll come back,

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<v Speaker 1>say or with something I want to get into in

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<v Speaker 1>a minute. So to quote from this article by Tyler

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<v Speaker 1>Fleming here quote. Not only does he warn people, but

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<v Speaker 1>he's also known to protect their property from a storm.

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<v Speaker 1>A woman in nineteen fifty four claimed to see the

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<v Speaker 1>gray Man ahead of the infamous Hurricane Hazel hitting the area.

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<v Speaker 1>She said, not only was her house spared from the devastation,

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<v Speaker 1>the beach towels she left on her balcony were still

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<v Speaker 1>hanging up. So the ghost is like, oh, Madam, I

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<v Speaker 1>I I those those beach towels are just too beautiful.

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<v Speaker 1>I can't stand to see them swept into the store.

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<v Speaker 1>I'll protect your house, But what about all the people

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<v Speaker 1>who died? I mean, shouldn't the ghost and prioritize the

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<v Speaker 1>people instead of the beach towels. I've seen people to

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<v Speaker 1>these beach towels. My god, they're beautiful. So this article

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<v Speaker 1>in Myrtle Beach Online goes on to list some of

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<v Speaker 1>the local speculation about the alleged origin of this ghost.

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<v Speaker 1>It does not mention black Beard that one might be

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<v Speaker 1>a kind of spurious allegation. Uh well, I mean, I

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<v Speaker 1>think all of these are probably just made up later legends.

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<v Speaker 1>But but trying to track down at least what are

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<v Speaker 1>the earliest of the legends. Um. So, the source that

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<v Speaker 1>the article sites on these is the Georgetown Museum. Georgetown

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<v Speaker 1>is a city near Apoli's Island. Um, and so they've

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<v Speaker 1>got I guess a museum that has some stuff about

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<v Speaker 1>this local legend, and one story, this this appears to

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<v Speaker 1>be the dominant one, is about a man who perished

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<v Speaker 1>in the South Carolina low country in eighteen twenty two.

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<v Speaker 1>And the tale goes that this young man had been

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<v Speaker 1>traveling abroad for two years, and in September of eighteen

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<v Speaker 1>twenty two, he decided he wanted to come home so

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<v Speaker 1>he could see his fiancee uh back in South Carolina

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<v Speaker 1>and they could set a date for their wedding. And

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<v Speaker 1>he was apparently in such a hurry to get back

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<v Speaker 1>and see her face again that he took a short

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<v Speaker 1>cut through the marsh and he ended up stuck in quicksand,

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<v Speaker 1>which spelled his doom and then his fiance she's grieving

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<v Speaker 1>over the fact that, I guess, I don't know if

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<v Speaker 1>she found out that he died or if he just

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<v Speaker 1>never showed up, but she's grieving for some reason. And

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<v Speaker 1>she goes out walking along the shore and she's treading

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<v Speaker 1>through the sand, and while strolling alone on the beach,

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<v Speaker 1>she sees a dark silhouette. It's a it's the figure

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<v Speaker 1>of a man, and she realizes that it's the soul

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<v Speaker 1>of her would be husband, who died in in the marsh,

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<v Speaker 1>and she's so troubled by this vision and others like it,

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<v Speaker 1>that she has later that that her family decides to

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<v Speaker 1>relocate inland. They move away from that house, and the

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<v Speaker 1>very next day after they leave, a hurricane sweeps through,

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<v Speaker 1>leaving a path of destruction that would have killed them

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<v Speaker 1>had they not left. And it's apparently this legend that

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<v Speaker 1>that could give rise to this this common belief that

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<v Speaker 1>the ghost appears to people to warn them of storms.

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<v Speaker 1>And as a quick side note, I wanted to mention

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<v Speaker 1>I love that the story involves quicksand, which of course

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<v Speaker 1>is one of my favorite plot devices, but that does

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<v Speaker 1>have an environmental reality to it. You might not want

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<v Speaker 1>to call it quicksand, but the South Carolina low country,

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<v Speaker 1>especially the marshes, it's sort of like the mouth of

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<v Speaker 1>the what they could usually call the creeks, you know,

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<v Speaker 1>the little uh the tributary of water that eventually drained

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<v Speaker 1>out into the ocean. Um. These areas will form this

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<v Speaker 1>build up of fine sediment that is known as pluff

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<v Speaker 1>mud and uh So I was reading at least one

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<v Speaker 1>article from the I think it was the Hilton Head

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<v Speaker 1>area that was all about the story of a lady

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<v Speaker 1>who goes out walking in the marsh for some reason

0:12:37.480 --> 0:12:40.040
<v Speaker 1>and she ends up stuck in the pluff mud and

0:12:40.160 --> 0:12:42.280
<v Speaker 1>she's there until like into the evening and they have

0:12:42.360 --> 0:12:45.960
<v Speaker 1>to send rescuers and to dig her out. Because you

0:12:46.000 --> 0:12:48.560
<v Speaker 1>can very easily get stuck in this stuff. You can

0:12:48.720 --> 0:12:50.760
<v Speaker 1>sink into it. It's a there are a lot of

0:12:50.800 --> 0:12:54.280
<v Speaker 1>myths about quicksand and uh and and things like it

0:12:54.360 --> 0:12:57.200
<v Speaker 1>that you would like sink down under your head and drown.

0:12:57.320 --> 0:13:00.160
<v Speaker 1>That's usually not a very common thing to happen, if

0:13:00.200 --> 0:13:02.840
<v Speaker 1>it happens at all. Really, I think the risk of

0:13:02.840 --> 0:13:05.839
<v Speaker 1>of quicksand and even pluff mud is just that you

0:13:05.880 --> 0:13:09.400
<v Speaker 1>would get stuck in it and have trouble getting yourself out. Yeah,

0:13:09.400 --> 0:13:12.120
<v Speaker 1>I've certainly been in. I don't know if it constitutes

0:13:12.480 --> 0:13:15.280
<v Speaker 1>plus mud or or if it's just you know, very

0:13:15.280 --> 0:13:17.520
<v Speaker 1>wet sand, but I've been in. I've noticed some coastal

0:13:17.520 --> 0:13:21.120
<v Speaker 1>situations where you have a real, real bootsucker or sandal

0:13:21.160 --> 0:13:24.319
<v Speaker 1>sucker of of a situation, you know, where the sand

0:13:24.400 --> 0:13:26.760
<v Speaker 1>is just the right consistency that if you you step

0:13:26.800 --> 0:13:30.080
<v Speaker 1>into it you might be pulling a bare foot back out. Yes,

0:13:30.080 --> 0:13:33.040
<v Speaker 1>And it's it's almost it's wonderful that it creates this um,

0:13:34.360 --> 0:13:37.360
<v Speaker 1>this almost untouchable terrain, because there are a lot of

0:13:37.400 --> 0:13:39.840
<v Speaker 1>areas around in the low country where you can, like

0:13:40.240 --> 0:13:42.079
<v Speaker 1>if there there will be a nature preserve and you

0:13:42.080 --> 0:13:44.160
<v Speaker 1>can take a board walk out over the marsh, and

0:13:44.200 --> 0:13:46.680
<v Speaker 1>if you look down on it, you see all kinds

0:13:46.679 --> 0:13:48.840
<v Speaker 1>of life. You know, things are happening down in the

0:13:48.880 --> 0:13:51.520
<v Speaker 1>pluff mud. There may be these big colonies of oysters,

0:13:51.520 --> 0:13:53.800
<v Speaker 1>and you can see fiddler crabs popping up out of

0:13:53.800 --> 0:13:56.440
<v Speaker 1>holes and running around, and all the birds hunting them.

0:13:57.360 --> 0:13:59.560
<v Speaker 1>But yeah, it's the kind of place where you wouldn't

0:13:59.559 --> 0:14:02.800
<v Speaker 1>really want to go down and venture yourself, at least

0:14:02.800 --> 0:14:06.000
<v Speaker 1>not without some special equipment maybe like weight displacement boots

0:14:06.120 --> 0:14:09.760
<v Speaker 1>or something. Now, apparently there's some alternatives for the origin

0:14:09.840 --> 0:14:13.320
<v Speaker 1>of the gray man legend um uh. To quote again

0:14:13.400 --> 0:14:17.800
<v Speaker 1>from that the Myrtle Beach Online article quote uh. Other

0:14:17.880 --> 0:14:20.320
<v Speaker 1>theories tell a different story. One still has a man

0:14:20.400 --> 0:14:23.920
<v Speaker 1>returning from c but this time his fiance decided to

0:14:24.040 --> 0:14:27.760
<v Speaker 1>marry his best friend instead, he throws himself into the

0:14:27.760 --> 0:14:30.200
<v Speaker 1>wacam All. This is the Wakemall River, which is a

0:14:30.240 --> 0:14:33.480
<v Speaker 1>nearby river, and then later his fiance and friend do

0:14:33.680 --> 0:14:36.880
<v Speaker 1>the same. Other stories say he was an unknown sailor

0:14:36.960 --> 0:14:40.080
<v Speaker 1>who washed up on shore and died shortly after. Some

0:14:40.160 --> 0:14:43.720
<v Speaker 1>believe he is the original owner of Paully's Island, George Pauley,

0:14:43.880 --> 0:14:53.800
<v Speaker 1>who lived there in the early seventeen hundreds than now.

0:14:53.880 --> 0:14:57.880
<v Speaker 1>Of course, this would be far from the only legendary

0:14:57.960 --> 0:15:02.200
<v Speaker 1>supernatural being associate aided with weather phenomena. You know, they're

0:15:02.200 --> 0:15:05.400
<v Speaker 1>there are tons of ghosts and monsters and creatures and

0:15:05.480 --> 0:15:09.600
<v Speaker 1>gods that may not serve exactly this purpose, saying like, hey,

0:15:09.640 --> 0:15:12.320
<v Speaker 1>a storm's coming, but they're in one way or another

0:15:12.440 --> 0:15:18.440
<v Speaker 1>associated specifically with storms or other transient weather phenomena. And so,

0:15:18.440 --> 0:15:20.840
<v Speaker 1>while poking around on the subject, I came across what

0:15:20.920 --> 0:15:23.600
<v Speaker 1>I thought was an interesting and kind of funny article.

0:15:24.400 --> 0:15:27.400
<v Speaker 1>So this was on. This was a weather news article

0:15:27.560 --> 0:15:30.880
<v Speaker 1>by Michael Cune on accu weather dot com with the

0:15:30.920 --> 0:15:35.800
<v Speaker 1>headline quote ghost hunter colon thunderstorms cause an increase in

0:15:35.840 --> 0:15:38.840
<v Speaker 1>paranormal activity. Well, I mean, certainly, if you've watched enough

0:15:38.880 --> 0:15:41.280
<v Speaker 1>horror films and ghost movies, you know that this is

0:15:41.320 --> 0:15:43.880
<v Speaker 1>the case. You've gotta have a thunderstorm going in the background, right,

0:15:43.920 --> 0:15:46.120
<v Speaker 1>I mean, it's it's a classic of horror fiction. Right,

0:15:46.560 --> 0:15:49.560
<v Speaker 1>so you could argue about the the order of causality there,

0:15:49.600 --> 0:15:52.280
<v Speaker 1>but uh, yeah, you know, you got the classic what's

0:15:52.280 --> 0:15:55.120
<v Speaker 1>the bulward Lytton line? It was a dark and stormy

0:15:55.240 --> 0:15:59.400
<v Speaker 1>night and then the idea that it seems that stormy

0:15:59.440 --> 0:16:04.400
<v Speaker 1>conditions have long inspired Gothic modes of thought. I mean,

0:16:04.520 --> 0:16:07.800
<v Speaker 1>you know, there's the classic story of Uh, how did

0:16:08.120 --> 0:16:11.720
<v Speaker 1>Mary Wilston craft Shelley come up with the idea for Frankenstein.

0:16:11.800 --> 0:16:15.040
<v Speaker 1>It was during that summer when when she and Byron

0:16:15.040 --> 0:16:17.560
<v Speaker 1>and the whole crew were sort of like stuck inside

0:16:17.640 --> 0:16:20.000
<v Speaker 1>due to this this dark and stormy summer sort of

0:16:20.040 --> 0:16:22.120
<v Speaker 1>it was the year without a summer, which uh, in

0:16:22.200 --> 0:16:24.960
<v Speaker 1>a weird twist of fate, I think was likely due

0:16:24.960 --> 0:16:28.720
<v Speaker 1>to volcanic activity on the other side of the world. Um,

0:16:28.880 --> 0:16:30.760
<v Speaker 1>that that was the summer where she worked out the

0:16:30.800 --> 0:16:33.240
<v Speaker 1>ideas for the story that would become Frankenstein, sort of

0:16:33.280 --> 0:16:37.200
<v Speaker 1>a foundational text of modern horror. And so it's kind

0:16:37.200 --> 0:16:38.640
<v Speaker 1>of hard for me to believe that the dark and

0:16:38.760 --> 0:16:41.360
<v Speaker 1>stormy summer didn't in a way play a role in

0:16:41.400 --> 0:16:43.920
<v Speaker 1>the formation of that story in her mind. But um,

0:16:45.000 --> 0:16:48.240
<v Speaker 1>but anyway, so so this article about the paranormal activity

0:16:48.240 --> 0:16:52.360
<v Speaker 1>in the thunderstorm. So the article consults a paranormal enthusiast

0:16:52.920 --> 0:16:56.280
<v Speaker 1>named Mark Keys, who at the time of this article

0:16:56.320 --> 0:17:00.240
<v Speaker 1>at least was director of the Pennsylvania Paranormal Associated san.

0:17:00.840 --> 0:17:02.840
<v Speaker 1>I looked him up and it seems like he's featured

0:17:02.880 --> 0:17:05.679
<v Speaker 1>on somein some ghost hunter type TV shows. The one

0:17:05.720 --> 0:17:08.720
<v Speaker 1>that was I forget the name is called like Paranormal

0:17:08.800 --> 0:17:12.200
<v Speaker 1>nine one one or something, And based on his quotes,

0:17:12.240 --> 0:17:15.400
<v Speaker 1>I think I think this guy seems to uh take

0:17:15.480 --> 0:17:19.560
<v Speaker 1>a sort of ghost realist position, at least like he

0:17:19.560 --> 0:17:22.480
<v Speaker 1>he uh he cites, for example, the advice of a

0:17:22.640 --> 0:17:25.600
<v Speaker 1>of a spirit medium as if he believes this is

0:17:25.680 --> 0:17:30.320
<v Speaker 1>likely to contain information. And so do you think there

0:17:30.359 --> 0:17:32.960
<v Speaker 1>are skeptical ghost hunters who you call them they show

0:17:33.000 --> 0:17:34.840
<v Speaker 1>up at their door and you're like, hey, I think

0:17:34.840 --> 0:17:36.560
<v Speaker 1>I've got a hunting and their first thing as well,

0:17:36.600 --> 0:17:39.800
<v Speaker 1>look first of all, ghost well there and there could

0:17:39.840 --> 0:17:42.480
<v Speaker 1>be there could be open minded but skeptical ghost hunters.

0:17:42.520 --> 0:17:44.960
<v Speaker 1>I mean, I don't know, Like I I feel like

0:17:45.000 --> 0:17:47.000
<v Speaker 1>that's the attitude I would try to take. I would say,

0:17:47.000 --> 0:17:49.880
<v Speaker 1>you know, I I probably I think most ghost sightings

0:17:49.880 --> 0:17:52.920
<v Speaker 1>are probably all of them are not really a spectral

0:17:52.960 --> 0:17:56.040
<v Speaker 1>beings from another play, and they're probably something about the

0:17:56.040 --> 0:17:59.359
<v Speaker 1>perception of the person experiencing, but you don't know for sure.

0:17:59.520 --> 0:18:01.359
<v Speaker 1>I mean, at least look and see you try to

0:18:01.359 --> 0:18:03.480
<v Speaker 1>find something out. I mean, it would be beneficial to

0:18:03.520 --> 0:18:06.800
<v Speaker 1>have more people in that in that mode where like

0:18:06.920 --> 0:18:09.360
<v Speaker 1>they're an expert you consult and they're like, Okay, there

0:18:09.359 --> 0:18:11.960
<v Speaker 1>are no said there's there're no ghosts, but here a

0:18:12.080 --> 0:18:14.439
<v Speaker 1>list of things that that could contribute to this this

0:18:14.600 --> 0:18:17.920
<v Speaker 1>very real and potentially frightening experience that you have. I'm

0:18:17.960 --> 0:18:20.640
<v Speaker 1>sure there are some people like that, but I guess

0:18:20.640 --> 0:18:23.040
<v Speaker 1>I would assume this may not be fair. I don't know,

0:18:23.119 --> 0:18:25.280
<v Speaker 1>but I would assume if you've got like TV shows,

0:18:26.359 --> 0:18:29.600
<v Speaker 1>you're you're probably at least at least for the cameras,

0:18:29.720 --> 0:18:35.080
<v Speaker 1>leaning into embracing the sort of ghost realist position. Yeah,

0:18:35.119 --> 0:18:37.360
<v Speaker 1>nobody's watching. I guess you could watch it. I could.

0:18:37.440 --> 0:18:39.520
<v Speaker 1>I guess I could imagine a ghost Hunter show with

0:18:39.560 --> 0:18:42.159
<v Speaker 1>this kind of a thing like we're here to bust

0:18:42.160 --> 0:18:44.560
<v Speaker 1>the ghosts, but not only the ghosts themselves, with the

0:18:44.640 --> 0:18:46.679
<v Speaker 1>idea of ghosts that that could be fine. Kind of

0:18:46.680 --> 0:18:50.360
<v Speaker 1>a pen and teller um, you know, kind of approach

0:18:50.400 --> 0:18:52.119
<v Speaker 1>to it. Yeah, yeah, sure, right, I don't know, it

0:18:52.160 --> 0:18:54.600
<v Speaker 1>could be done well, Like I feel like like most things,

0:18:54.680 --> 0:18:56.879
<v Speaker 1>you know, it could be done well if it was

0:18:56.920 --> 0:18:59.920
<v Speaker 1>done well. But coming back to this article, the thing

0:19:00.040 --> 0:19:01.959
<v Speaker 1>it really got a hook in my brain about it,

0:19:02.280 --> 0:19:04.720
<v Speaker 1>and that I thought was really interesting was that the

0:19:04.840 --> 0:19:09.760
<v Speaker 1>article made an attempt to posit a physical mechanism by

0:19:09.760 --> 0:19:14.119
<v Speaker 1>which thunderstorms allow ghosts to appear. And I think basically

0:19:14.160 --> 0:19:19.280
<v Speaker 1>the implication is that ghosts need to get charged up

0:19:19.280 --> 0:19:23.200
<v Speaker 1>by lightning. It's not said explicitly, but this does appear

0:19:23.240 --> 0:19:26.320
<v Speaker 1>to be the implication given by the guy sided in

0:19:26.320 --> 0:19:29.879
<v Speaker 1>this article. So to quote from the article, some believe

0:19:29.960 --> 0:19:33.439
<v Speaker 1>that apparitions or spirits need some source of energy to

0:19:33.520 --> 0:19:36.919
<v Speaker 1>manifest their presence into the physical plane in order to

0:19:36.960 --> 0:19:40.480
<v Speaker 1>communicate with the living. This could include drawing energy from

0:19:40.520 --> 0:19:45.199
<v Speaker 1>electrical circuits and even batteries. And then this is quoting

0:19:45.200 --> 0:19:48.440
<v Speaker 1>from keys. If a spirit is trying to manifest, that is,

0:19:48.600 --> 0:19:52.119
<v Speaker 1>become physically visible, it will pull energy out of the

0:19:52.280 --> 0:19:55.720
<v Speaker 1>environment to do that. This could include heat, as cold

0:19:55.760 --> 0:19:59.000
<v Speaker 1>spots are commonly reported, as well as in areas where

0:19:59.080 --> 0:20:01.920
<v Speaker 1>haunting has been report worded. It seems to be shortly

0:20:01.960 --> 0:20:05.400
<v Speaker 1>after a lightning storm that they do notice an increase,

0:20:05.480 --> 0:20:08.320
<v Speaker 1>he said. And then then this is the part where

0:20:08.359 --> 0:20:11.080
<v Speaker 1>Keys claims that his psychic medium will back up the

0:20:11.119 --> 0:20:13.680
<v Speaker 1>fact that after a thunderstorm there is quote a lot

0:20:13.680 --> 0:20:18.000
<v Speaker 1>more activity. Um. Now, you know, as as I think, uh,

0:20:18.359 --> 0:20:19.840
<v Speaker 1>we'll be clear if you've listened to us for a

0:20:19.840 --> 0:20:22.240
<v Speaker 1>while or even from our earlier discussion, I would say

0:20:22.240 --> 0:20:25.879
<v Speaker 1>we generally take a you know, broadly open minded, but

0:20:26.080 --> 0:20:31.720
<v Speaker 1>specifically skeptical position on the physical reality of paranormal reports

0:20:31.760 --> 0:20:34.840
<v Speaker 1>like this. So so while we're not going to embrace

0:20:34.880 --> 0:20:38.159
<v Speaker 1>the ghost realist position, I would be potentially open to

0:20:38.600 --> 0:20:42.880
<v Speaker 1>the claim from the the experience of a paranormal investigator

0:20:43.280 --> 0:20:47.399
<v Speaker 1>who says that thunderstorms are correlated with increased reports of

0:20:47.440 --> 0:20:51.280
<v Speaker 1>ghost sightings, poulter geist hauntings, and so forth. So I

0:20:51.320 --> 0:20:53.080
<v Speaker 1>think that could well be true, and that could well

0:20:53.119 --> 0:20:56.160
<v Speaker 1>be informed by experience, because there would be nothing supernatural

0:20:56.200 --> 0:20:58.439
<v Speaker 1>in that. You just have to say, well, yeah, people

0:20:58.480 --> 0:21:01.280
<v Speaker 1>do say they get haunted more often after there's been

0:21:01.320 --> 0:21:04.840
<v Speaker 1>a storm or around the time of a storm. Um,

0:21:04.880 --> 0:21:06.960
<v Speaker 1>But I would tend to think that if this is true,

0:21:07.440 --> 0:21:10.960
<v Speaker 1>the mechanism would more likely be the thunderstorm somehow causes

0:21:11.000 --> 0:21:14.920
<v Speaker 1>the perception of ghosts and wandering spirits rather than literally

0:21:15.000 --> 0:21:17.280
<v Speaker 1>conjuring them. Yeah, I mean we have to remember that

0:21:17.320 --> 0:21:21.000
<v Speaker 1>what is what does lightning do? But but very briefly

0:21:21.119 --> 0:21:25.520
<v Speaker 1>illuminates the darkened world, um and just a flash and

0:21:25.560 --> 0:21:27.760
<v Speaker 1>gives us a chance to sort of fill in in

0:21:28.080 --> 0:21:31.360
<v Speaker 1>the gaps there with whatever you might you know, expect

0:21:31.359 --> 0:21:33.960
<v Speaker 1>to be there in the storm. That's a really good point,

0:21:34.040 --> 0:21:37.240
<v Speaker 1>and it's further informed by some of the stuff that's

0:21:37.280 --> 0:21:39.480
<v Speaker 1>quoted in this article is like, what are the most

0:21:39.520 --> 0:21:43.520
<v Speaker 1>common things people report as evidence of hauntings in their homes?

0:21:43.920 --> 0:21:47.440
<v Speaker 1>According to this paranormal investigator. He says that, Okay, so

0:21:47.680 --> 0:21:50.240
<v Speaker 1>first of all, you've got I think, you know, visual

0:21:50.320 --> 0:21:54.439
<v Speaker 1>evidence such as people witnessing shadows and spectral human forms,

0:21:55.119 --> 0:21:58.000
<v Speaker 1>which I mean seems like the darkened sky, and then

0:21:58.119 --> 0:22:02.200
<v Speaker 1>like briefly illuminated flash is of lightning. That seems like, okay,

0:22:02.200 --> 0:22:05.760
<v Speaker 1>that's sort of perfect conditions to create illusory perceptions of

0:22:06.400 --> 0:22:10.760
<v Speaker 1>strangely shaped shadows and things like that. But then another

0:22:10.800 --> 0:22:12.879
<v Speaker 1>thing that it identifies, and this is something that I

0:22:12.920 --> 0:22:17.080
<v Speaker 1>think from my reading, is is a very common source

0:22:17.200 --> 0:22:21.440
<v Speaker 1>of paranormal reports what what I would call appliance phenomena.

0:22:21.640 --> 0:22:25.320
<v Speaker 1>Um So, the the article says, quote reports of lights

0:22:25.400 --> 0:22:28.920
<v Speaker 1>flickering and electronic equipment turning on and off on its

0:22:28.920 --> 0:22:33.240
<v Speaker 1>own even when unplugged is common. Other people report more

0:22:33.240 --> 0:22:36.639
<v Speaker 1>physical activities such as doors opening or closing, lights or

0:22:36.680 --> 0:22:40.080
<v Speaker 1>TVs turning off by themselves. Believe it or not, we've

0:22:40.080 --> 0:22:43.280
<v Speaker 1>had a lot of reports of stereos radios turning themselves

0:22:43.280 --> 0:22:46.879
<v Speaker 1>on when they're not even plugged in, and so, you know,

0:22:46.920 --> 0:22:49.520
<v Speaker 1>it's hard to judge just from generalizations like this, but

0:22:49.600 --> 0:22:52.520
<v Speaker 1>it's funny to me, how much like everything that was

0:22:52.600 --> 0:22:56.639
<v Speaker 1>just listed, except for the unplugged part uh is stuff

0:22:56.680 --> 0:23:00.119
<v Speaker 1>that would be pretty much perfectly explained by the the

0:23:00.119 --> 0:23:03.399
<v Speaker 1>physical effects of a storm. So like doors opening and

0:23:03.440 --> 0:23:05.920
<v Speaker 1>closing by themselves. Of course, during a storm, you have

0:23:06.040 --> 0:23:09.040
<v Speaker 1>wind and pressure differentials that can blow a door one

0:23:09.080 --> 0:23:12.760
<v Speaker 1>way or the other. And then the appliance phenomena that's

0:23:12.800 --> 0:23:16.800
<v Speaker 1>the the anomalous activation or deactivation of electrical appliances, which

0:23:17.000 --> 0:23:19.720
<v Speaker 1>I know from personal experience and probably most of you

0:23:19.800 --> 0:23:22.160
<v Speaker 1>do as well, that this can happen due to storms

0:23:22.160 --> 0:23:24.560
<v Speaker 1>affecting the power grid and the power lines. Leading to

0:23:24.600 --> 0:23:26.880
<v Speaker 1>your house and Rob, I don't know if you've ever

0:23:26.880 --> 0:23:29.440
<v Speaker 1>had this happen in your house, but sometimes, like power

0:23:29.440 --> 0:23:32.800
<v Speaker 1>supply issues during a storm don't affect the entire house

0:23:32.840 --> 0:23:36.480
<v Speaker 1>at once, you know, so like you can have um uh,

0:23:36.520 --> 0:23:38.719
<v Speaker 1>you can have like a power outage where just everything

0:23:38.760 --> 0:23:41.320
<v Speaker 1>goes out. We usually recognize what that is, but we

0:23:41.320 --> 0:23:45.240
<v Speaker 1>we occasionally have stuff happen where, you know, like some

0:23:45.400 --> 0:23:47.920
<v Speaker 1>parts of the household kind of flash on and off

0:23:47.960 --> 0:23:51.320
<v Speaker 1>and other things won't. Yeah, yeah, absolutely, Now I think

0:23:51.359 --> 0:23:54.280
<v Speaker 1>that would not explain issues where people are claiming that

0:23:54.400 --> 0:23:57.960
<v Speaker 1>appliances that are not plugged in start turning on and stuff,

0:23:58.000 --> 0:24:00.119
<v Speaker 1>like a lot of the reports emphasize these x or

0:24:00.200 --> 0:24:03.560
<v Speaker 1>levels of implausibility. You know, the stereo wasn't even plugged

0:24:03.600 --> 0:24:07.560
<v Speaker 1>in and it started playing Whalen and uh. I have

0:24:07.600 --> 0:24:10.119
<v Speaker 1>no way of knowing this, but part of me just

0:24:10.200 --> 0:24:15.120
<v Speaker 1>kind of suspects that the appliance was unplugged claim In particular,

0:24:16.119 --> 0:24:18.400
<v Speaker 1>it seems like a like a just a very likely

0:24:19.480 --> 0:24:23.800
<v Speaker 1>exaggeration place to go, like maybe you witness some apparently

0:24:23.840 --> 0:24:28.359
<v Speaker 1>anomalous activation or deactivation of an appliance, an electrical appliance,

0:24:28.800 --> 0:24:32.199
<v Speaker 1>and it feels really notable when you first notice it,

0:24:32.600 --> 0:24:36.040
<v Speaker 1>but then thinking back on it, uh, oh yeah, sometimes

0:24:36.080 --> 0:24:38.080
<v Speaker 1>things do just turn on and off. This kind of

0:24:38.119 --> 0:24:40.399
<v Speaker 1>needs some extra beef. And it's like, well, we're we

0:24:40.480 --> 0:24:42.159
<v Speaker 1>even sure it was plugged in. It might not have

0:24:42.240 --> 0:24:44.399
<v Speaker 1>even been plugged in. Yeah, I mean, we have so

0:24:44.400 --> 0:24:46.360
<v Speaker 1>many things plugged in these days. It's sometimes it's hard

0:24:46.359 --> 0:24:48.800
<v Speaker 1>to keep count of what's what's plugged in, what's unplugged.

0:24:48.800 --> 0:24:50.359
<v Speaker 1>And you got to unplug one thing and you actually

0:24:50.440 --> 0:24:54.520
<v Speaker 1>unplugged the other. So plenty of room for misunderstanding and

0:24:54.600 --> 0:24:57.600
<v Speaker 1>altered memory there. Yeah. But so the other main fork

0:24:57.640 --> 0:25:00.840
<v Speaker 1>of the storm causation here on on the hauntings, I

0:25:00.840 --> 0:25:03.600
<v Speaker 1>would think would tend to be um the effects of

0:25:03.960 --> 0:25:08.480
<v Speaker 1>storms on human psychology as storms or even atmospheric conditions

0:25:08.520 --> 0:25:11.760
<v Speaker 1>before or after storms. Yeah, I mean this makes perfect sense.

0:25:11.840 --> 0:25:15.760
<v Speaker 1>You know, ghosts are often associated with darkness. Lightning again

0:25:15.800 --> 0:25:20.840
<v Speaker 1>momentarily illuminates the dark and even if it's not nighttime. Uh,

0:25:20.880 --> 0:25:22.560
<v Speaker 1>you know, you have a storm roll in, what does

0:25:22.560 --> 0:25:24.919
<v Speaker 1>it do? It brings a certain level of darkness and

0:25:24.960 --> 0:25:28.800
<v Speaker 1>shadow with it, throwing the rain, uh, some booming thunder,

0:25:28.880 --> 0:25:31.760
<v Speaker 1>and you have just a creepy environment, not just creepy.

0:25:31.840 --> 0:25:36.280
<v Speaker 1>But I'm thinking about the informational and sensory effects of storms.

0:25:36.280 --> 0:25:39.440
<v Speaker 1>Coming back to that grainy photo we were talking about earlier,

0:25:39.880 --> 0:25:44.880
<v Speaker 1>I would argue that stormy weather reduces the sensory resolution

0:25:45.000 --> 0:25:49.200
<v Speaker 1>of your environment. Um, So there's darkening due to cloud cover.

0:25:49.640 --> 0:25:53.760
<v Speaker 1>They're less light, means less visual information or certainly less

0:25:53.760 --> 0:25:57.080
<v Speaker 1>certainty in your visual information. And then once you get

0:25:57.400 --> 0:26:01.919
<v Speaker 1>mist and rain, visibility is further reduce boost and wind

0:26:02.000 --> 0:26:05.439
<v Speaker 1>and thunder and rain also reduce the auditory clarity of

0:26:05.480 --> 0:26:08.840
<v Speaker 1>your environment. So imagine, you know, turning up the volume

0:26:08.840 --> 0:26:12.800
<v Speaker 1>on a staticky radio channel. It's harder to discern the

0:26:12.840 --> 0:26:16.520
<v Speaker 1>true signals sound signals around you, and it's easier to

0:26:16.680 --> 0:26:19.960
<v Speaker 1>mistakenly perceive a signal within the noise. And I think

0:26:19.960 --> 0:26:21.800
<v Speaker 1>this would fit with what I said earlier about ghosts

0:26:21.840 --> 0:26:25.840
<v Speaker 1>so often appearing these days on low resolution film, video

0:26:25.880 --> 0:26:29.800
<v Speaker 1>and audio recordings. Yeah, if I'm not sure what I see,

0:26:30.160 --> 0:26:34.320
<v Speaker 1>if I'm not sure what is recorded in one form

0:26:34.400 --> 0:26:38.320
<v Speaker 1>or another, then that creates an opportunity to lean into

0:26:38.359 --> 0:26:41.760
<v Speaker 1>some sort of supernatural understanding of what it might be. Now,

0:26:41.800 --> 0:26:44.440
<v Speaker 1>I was trying to think about other things here where

0:26:44.600 --> 0:26:49.159
<v Speaker 1>um could could there be other sensations people get maybe

0:26:49.160 --> 0:26:52.600
<v Speaker 1>when a storm is approaching that puts them in an

0:26:52.600 --> 0:26:56.879
<v Speaker 1>alternative an alternative state of mind, or has some detectable

0:26:56.880 --> 0:27:01.840
<v Speaker 1>effect on humans that could lead to paranormal experience. Is um.

0:27:01.880 --> 0:27:04.520
<v Speaker 1>I'm not convinced on this one, but there there are

0:27:04.520 --> 0:27:07.760
<v Speaker 1>at least some questions I would like to pose um.

0:27:07.800 --> 0:27:10.000
<v Speaker 1>And so, for example, one of the things I was

0:27:10.040 --> 0:27:13.880
<v Speaker 1>thinking about was barometric pressure. So we all live under

0:27:13.960 --> 0:27:18.320
<v Speaker 1>atmospheric pressure. At sea level. Under normal conditions, you walk

0:27:18.359 --> 0:27:22.160
<v Speaker 1>around with about fourteen points seven pounds per square inch

0:27:22.320 --> 0:27:27.080
<v Speaker 1>of atmosphere pressing down on and around you. But we

0:27:27.119 --> 0:27:29.960
<v Speaker 1>don't normally perceive the weight of the atmosphere because we're

0:27:29.960 --> 0:27:33.640
<v Speaker 1>equalized to it. Uh And in fact, if a significant

0:27:33.640 --> 0:27:36.200
<v Speaker 1>amount of that weight were to be removed, we could

0:27:36.240 --> 0:27:39.760
<v Speaker 1>probably notice it, Like if you go high up enough,

0:27:39.880 --> 0:27:42.240
<v Speaker 1>if you go to a high altitude, you can feel

0:27:42.240 --> 0:27:45.399
<v Speaker 1>a difference in the reduced air pressure, obviously, because you

0:27:45.440 --> 0:27:47.600
<v Speaker 1>know the higher up you go, the less atmosphere there

0:27:47.720 --> 0:27:51.400
<v Speaker 1>is two is above you to press down. But air

0:27:51.400 --> 0:27:55.399
<v Speaker 1>pressure at any surface altitude is variable. So at sea level,

0:27:56.280 --> 0:27:59.320
<v Speaker 1>changes in the weather, changes of the heating of the

0:27:59.320 --> 0:28:04.880
<v Speaker 1>Earth's surface can cause imbalances in barometric pressure. So as

0:28:04.920 --> 0:28:07.520
<v Speaker 1>you have a region of the Earth's surface that gets hot,

0:28:07.840 --> 0:28:10.960
<v Speaker 1>that hot air rises, you can almost imagine it being

0:28:11.040 --> 0:28:14.440
<v Speaker 1>sucked up into the upper atmosphere by a giant vacuum.

0:28:14.480 --> 0:28:16.920
<v Speaker 1>This forms a vacuum below it. It forms a low

0:28:17.000 --> 0:28:20.199
<v Speaker 1>pressure system. And when you have a low pressure region,

0:28:20.320 --> 0:28:24.200
<v Speaker 1>pressure is falling. That means air from the surrounding regions

0:28:24.240 --> 0:28:27.199
<v Speaker 1>of the Earth's surface will flow into that area of

0:28:27.240 --> 0:28:31.040
<v Speaker 1>falling pressure to compensate, and we perceive this flow of

0:28:31.080 --> 0:28:34.080
<v Speaker 1>air as wind. This is what wind is uh. And

0:28:34.119 --> 0:28:37.040
<v Speaker 1>then the rising warm air in a low pressure system

0:28:37.119 --> 0:28:41.200
<v Speaker 1>also carries with it water vapor content, which condenses into

0:28:41.280 --> 0:28:44.000
<v Speaker 1>clouds and eventually has to fall back down as rain.

0:28:44.960 --> 0:28:48.560
<v Speaker 1>So falling barometric pressure is generally taken as a sign

0:28:48.640 --> 0:28:51.680
<v Speaker 1>that storms are coming. If your barometric pressure is going

0:28:51.760 --> 0:28:55.320
<v Speaker 1>down and your wind speed is increasing, you can be

0:28:55.360 --> 0:28:58.160
<v Speaker 1>pretty sure there is a storm headed your way. So

0:28:58.360 --> 0:29:00.920
<v Speaker 1>that's generally factual. But I guess what I was wondering

0:29:00.920 --> 0:29:03.360
<v Speaker 1>about was, well, okay, so do signs like that? Does

0:29:03.480 --> 0:29:07.560
<v Speaker 1>low or falling barometric pressure have any effect on humans?

0:29:07.600 --> 0:29:10.680
<v Speaker 1>That could lead to sort of different states of mind

0:29:10.760 --> 0:29:14.320
<v Speaker 1>or behavior. This one seems uncertain to me. I'm not

0:29:14.400 --> 0:29:17.720
<v Speaker 1>sure psychological studies have tracked all kinds of effects of

0:29:17.800 --> 0:29:21.680
<v Speaker 1>WHETHER on mood, cognition, and behavior. And it seems to

0:29:21.680 --> 0:29:24.040
<v Speaker 1>me that while there have been a few studies finding

0:29:24.120 --> 0:29:27.680
<v Speaker 1>some effects of barometric pressure, if those effects are sound,

0:29:27.840 --> 0:29:30.120
<v Speaker 1>they appear to be a lot more subtle than the

0:29:30.240 --> 0:29:35.040
<v Speaker 1>stronger effects of factors like temperature. But to cite just

0:29:35.120 --> 0:29:38.320
<v Speaker 1>a couple at least of the reported effects. For for

0:29:38.360 --> 0:29:41.360
<v Speaker 1>one example, I was looking at a study called a

0:29:41.440 --> 0:29:44.160
<v Speaker 1>Warm Heart and a Clear Head, The Contingent Effects of

0:29:44.160 --> 0:29:48.040
<v Speaker 1>WHETHER on mood and cognition. This was published in Psychological

0:29:48.040 --> 0:29:50.920
<v Speaker 1>Science in two thousand five. This was a study of

0:29:51.000 --> 0:29:54.800
<v Speaker 1>whether as a as a function generally of seasonal changes,

0:29:54.880 --> 0:29:59.320
<v Speaker 1>and and looking somewhat into questions about seasonal effective disorder.

0:30:00.160 --> 0:30:02.240
<v Speaker 1>But the authors here right in their abstract quote in

0:30:02.280 --> 0:30:06.960
<v Speaker 1>two correlational studies and an experiment manipulating participants time outdoors

0:30:07.360 --> 0:30:12.000
<v Speaker 1>pleasant weather, this would mean higher temperature or higher barometric

0:30:12.040 --> 0:30:16.240
<v Speaker 1>pressure was related to higher mood, better memory, and broadened

0:30:16.320 --> 0:30:20.920
<v Speaker 1>cognitive style during the spring, as time spent outside increased,

0:30:21.080 --> 0:30:24.040
<v Speaker 1>the same relationships between mood and weather we're not observed

0:30:24.080 --> 0:30:27.240
<v Speaker 1>during other times of year though, and indeed hotter weather

0:30:27.320 --> 0:30:30.440
<v Speaker 1>was associated with lower mood in the summer. Uh though

0:30:30.440 --> 0:30:33.120
<v Speaker 1>of course, obviously you know you can have hot weather

0:30:33.200 --> 0:30:36.400
<v Speaker 1>in the summer that is associated with low pressure regions

0:30:36.440 --> 0:30:39.560
<v Speaker 1>that lead up to to a storm. And to further

0:30:39.600 --> 0:30:42.680
<v Speaker 1>elucidate their findings that there right in their results section

0:30:42.760 --> 0:30:45.320
<v Speaker 1>that quote as in some of the previous research, and

0:30:45.320 --> 0:30:48.320
<v Speaker 1>they site Clark and Watson in nine and Watson in

0:30:48.320 --> 0:30:53.240
<v Speaker 1>two thousand, neither temperature nor barometric pressure was directly related

0:30:53.240 --> 0:30:57.040
<v Speaker 1>to mood valants. However, the interactions of time spin outside

0:30:57.320 --> 0:31:01.200
<v Speaker 1>with temperature and with barometric pressure were both significantly related

0:31:01.240 --> 0:31:04.760
<v Speaker 1>to mood valence in the expected direction. As time spin

0:31:04.800 --> 0:31:08.880
<v Speaker 1>outside increase, the temperature, mood and pressure mood relationships became

0:31:08.960 --> 0:31:12.520
<v Speaker 1>more positive. So basically, if you have participants, if you

0:31:12.560 --> 0:31:15.240
<v Speaker 1>tell them they need to spend more than thirty minutes outside,

0:31:15.320 --> 0:31:19.400
<v Speaker 1>higher temperatures and higher pressure are associated with better moods

0:31:19.400 --> 0:31:22.840
<v Speaker 1>and outcomes, um and uh and, but if you have

0:31:22.960 --> 0:31:27.520
<v Speaker 1>people spend less than thirty minutes outside, then the relationship

0:31:27.600 --> 0:31:30.760
<v Speaker 1>is actually reversed. So like good weather outside and having

0:31:30.760 --> 0:31:34.120
<v Speaker 1>to stay indoors apparently has has a negative effect on

0:31:34.280 --> 0:31:37.040
<v Speaker 1>mood and cognition in this finding, right, Yeah, I think

0:31:37.040 --> 0:31:38.600
<v Speaker 1>most of us can relate to that. You know, if

0:31:38.640 --> 0:31:40.760
<v Speaker 1>you if it's a nice day outside, but it's a

0:31:40.880 --> 0:31:43.760
<v Speaker 1>day where you only get to experience that whilst moving

0:31:43.800 --> 0:31:46.760
<v Speaker 1>from one indoor environment to another, Yeah, that's kind of

0:31:46.760 --> 0:31:49.440
<v Speaker 1>a bummer. But if you get to be outside the

0:31:49.480 --> 0:31:51.760
<v Speaker 1>whole day or a large portion of the data, that's great.

0:31:52.200 --> 0:31:56.120
<v Speaker 1>But unfortunately, so while this did look at barometric pressure

0:31:56.120 --> 0:31:59.520
<v Speaker 1>as one of the things informing the the weather states,

0:31:59.520 --> 0:32:02.880
<v Speaker 1>it was looking at this combination of temperature and barometric pressure,

0:32:02.920 --> 0:32:04.560
<v Speaker 1>what they were really looking at was like, what are

0:32:04.600 --> 0:32:07.680
<v Speaker 1>the effects of good good at you know, so like

0:32:07.800 --> 0:32:11.720
<v Speaker 1>high pressure, high temperature. Is there anything that directly tests

0:32:11.760 --> 0:32:13.280
<v Speaker 1>for no? No, no, what is it? What is it

0:32:13.320 --> 0:32:16.600
<v Speaker 1>about low pressure specifically you know that state when you

0:32:16.600 --> 0:32:19.840
<v Speaker 1>would expect a storm to be heading your way. Uh.

0:32:19.840 --> 0:32:23.320
<v Speaker 1>There are some other findings that seem potentially more directly

0:32:23.400 --> 0:32:26.520
<v Speaker 1>informative on this question, but I also feel somewhat cautious

0:32:26.560 --> 0:32:30.720
<v Speaker 1>about them that they don't feel uh, super conclusive. So,

0:32:30.840 --> 0:32:33.440
<v Speaker 1>for example, one study I came across was published in

0:32:33.480 --> 0:32:36.440
<v Speaker 1>the Canadian Journal of Psychiatry in two thousand three by

0:32:36.480 --> 0:32:41.760
<v Speaker 1>Thomas shorey at all. And it looked at documented emergency

0:32:41.800 --> 0:32:46.120
<v Speaker 1>psychiatric visits to a city psychiatric emergency room in the

0:32:46.280 --> 0:32:51.560
<v Speaker 1>r nineteen in a midsized city, and they also looked

0:32:51.560 --> 0:32:55.160
<v Speaker 1>at city police department data and suicide data, and what

0:32:55.320 --> 0:32:58.320
<v Speaker 1>they found was, quote, the data suggests that total numbers

0:32:58.320 --> 0:33:01.719
<v Speaker 1>of acts of violence and emerging and see psychiatry visits

0:33:01.760 --> 0:33:05.880
<v Speaker 1>are significantly associated with low barometric pressure. But then they

0:33:05.880 --> 0:33:10.880
<v Speaker 1>found that psychiatric inpatient admissions and suicides were not associated

0:33:10.920 --> 0:33:14.320
<v Speaker 1>with any of the weather variables they investigated. So that's

0:33:14.360 --> 0:33:17.280
<v Speaker 1>one of those things that's okay that that's a a

0:33:17.360 --> 0:33:21.200
<v Speaker 1>bird's eye level observation of something that happened in one

0:33:21.240 --> 0:33:23.960
<v Speaker 1>city that might mirror it further investigation. But I don't

0:33:23.960 --> 0:33:26.400
<v Speaker 1>think we could say anything conclusive just based on that.

0:33:27.520 --> 0:33:30.040
<v Speaker 1>Um So I would be skeptical about drawing too many

0:33:30.040 --> 0:33:35.120
<v Speaker 1>conclusions from from ideas about the relationship between barometric pressure

0:33:35.160 --> 0:33:40.200
<v Speaker 1>specifically and psychology. But the conditions that precede a storm,

0:33:40.320 --> 0:33:45.080
<v Speaker 1>both the obvious and cognitively recognized conditions like clouds, darkening skies,

0:33:45.120 --> 0:33:50.440
<v Speaker 1>and thunder, and then perhaps some subconsciously perceived conditions like

0:33:50.520 --> 0:33:54.920
<v Speaker 1>dropping barometric pressure or increasing winds I think it could

0:33:54.960 --> 0:33:57.440
<v Speaker 1>possibly give rise to a different state of mind when

0:33:57.440 --> 0:34:07.920
<v Speaker 1>a storm is approaching, certainly the cognitively recognized ones. So

0:34:07.960 --> 0:34:10.279
<v Speaker 1>I think these are all excellent ideas to keep in

0:34:10.400 --> 0:34:13.680
<v Speaker 1>mind as we proceed through the rest of the episode,

0:34:13.840 --> 0:34:16.440
<v Speaker 1>where I thought we might just look at some various

0:34:16.520 --> 0:34:21.759
<v Speaker 1>ghosts and monsters and sometimes divine or partially divine figures

0:34:22.000 --> 0:34:25.799
<v Speaker 1>from around the world that have something to do with

0:34:25.800 --> 0:34:28.120
<v Speaker 1>with weather or in or at least in one in

0:34:28.120 --> 0:34:30.680
<v Speaker 1>one case, has nothing to do with weather, but gets

0:34:30.680 --> 0:34:34.479
<v Speaker 1>into the idea of a ghost harpinger. So, um, first

0:34:34.520 --> 0:34:35.640
<v Speaker 1>of all, we'll go ahead and get the one out

0:34:35.640 --> 0:34:37.520
<v Speaker 1>of the way that doesn't really seem to have anything

0:34:37.560 --> 0:34:39.920
<v Speaker 1>to do with weather. Um. Well, actually, I guess I

0:34:39.920 --> 0:34:43.560
<v Speaker 1>have a couple of them here, and the first one

0:34:43.600 --> 0:34:46.680
<v Speaker 1>here is is Hernie the Hunter. Have you heard of

0:34:46.719 --> 0:34:49.400
<v Speaker 1>this particular ghost and not until you introduced him to me?

0:34:49.680 --> 0:34:53.799
<v Speaker 1>So this is apparently a ghostly phosphorescent mounted hunter said

0:34:53.840 --> 0:34:57.040
<v Speaker 1>to ride through the woods surrounding Windsor Castle in the UK.

0:34:57.800 --> 0:35:00.480
<v Speaker 1>He's covered in furs and his head as a secured

0:35:00.560 --> 0:35:03.640
<v Speaker 1>by the skull and antlers of a great stack. And

0:35:03.719 --> 0:35:04.960
<v Speaker 1>when I when I heard about this, I had to,

0:35:05.000 --> 0:35:08.240
<v Speaker 1>of course look it up in in Carol Rose's encyclopedic

0:35:08.320 --> 0:35:12.120
<v Speaker 1>volumes on monsters and fairies and whatnot, and she makes

0:35:12.239 --> 0:35:16.000
<v Speaker 1>a possible connection here between this legend and older Celtic

0:35:16.320 --> 0:35:21.239
<v Speaker 1>beliefs in a particular horned fertility god whose name was

0:35:21.760 --> 0:35:24.920
<v Speaker 1>Sir nunus Um. That's c e r in you in

0:35:25.000 --> 0:35:28.000
<v Speaker 1>an Os. That's at least one modern spelling of it.

0:35:28.600 --> 0:35:32.520
<v Speaker 1>But this UH, this particular apparition was referenced by Shakespeare,

0:35:32.719 --> 0:35:35.919
<v Speaker 1>and UH in the twentieth century at least has come

0:35:35.960 --> 0:35:39.480
<v Speaker 1>to be seen as a harbinger of disaster, not of storms,

0:35:39.520 --> 0:35:43.120
<v Speaker 1>but of economic and political disaster, which I found interesting.

0:35:43.719 --> 0:35:46.520
<v Speaker 1>So sightings of the Hunter here have been attributed to

0:35:46.719 --> 0:35:51.640
<v Speaker 1>the nine economic Depression, the nineteen thirty six abdication crisis,

0:35:51.680 --> 0:35:54.640
<v Speaker 1>the nineteen thirty nine Declaration of War, and the nineteen

0:35:54.680 --> 0:35:58.879
<v Speaker 1>fifty two death of George the sixth. Another version I've

0:35:58.920 --> 0:36:02.160
<v Speaker 1>read is that her name a Hunter always appears when

0:36:02.160 --> 0:36:05.160
<v Speaker 1>a monarch is close to death. Well, this raises a

0:36:05.239 --> 0:36:07.880
<v Speaker 1>question for me about a distinction we could make about

0:36:07.880 --> 0:36:11.840
<v Speaker 1>harbinger deities, or maybe not deities. I don't know if

0:36:12.000 --> 0:36:14.040
<v Speaker 1>if her name here is a is a God or

0:36:14.120 --> 0:36:17.319
<v Speaker 1>just a creature being of some kind, whatever you would

0:36:17.320 --> 0:36:22.280
<v Speaker 1>call it, the these harbinger beings, you could say that, okay,

0:36:22.360 --> 0:36:25.000
<v Speaker 1>if they appear right before a disaster of some kind,

0:36:25.000 --> 0:36:28.279
<v Speaker 1>whether that's a hurricane or or an economic depression or

0:36:28.320 --> 0:36:31.400
<v Speaker 1>the death of a monarch, are they appearing in a

0:36:31.520 --> 0:36:34.800
<v Speaker 1>benign spirit saying like, Hey, I have divine fore knowledge

0:36:34.840 --> 0:36:37.640
<v Speaker 1>because I'm of the other plane. I'm not of this world,

0:36:37.640 --> 0:36:39.399
<v Speaker 1>so I'm not bound by time, and I'm just giving

0:36:39.440 --> 0:36:41.400
<v Speaker 1>you a warning, like I'm here to let you know

0:36:41.520 --> 0:36:45.239
<v Speaker 1>so you can prepare. Or are they on the sort

0:36:45.280 --> 0:36:49.680
<v Speaker 1>of uh, disastrous causation side is like, you know, are

0:36:49.719 --> 0:36:53.279
<v Speaker 1>they an ill omen is seeing them in some way

0:36:53.920 --> 0:36:57.600
<v Speaker 1>part of the causative structure of the disaster that comes?

0:36:57.719 --> 0:37:02.200
<v Speaker 1>Or do they even directly bring it about by appearing? Yeah? Yeah,

0:37:02.920 --> 0:37:05.680
<v Speaker 1>you can see various interpretations I guess of what exactly

0:37:05.760 --> 0:37:10.239
<v Speaker 1>is going on? Um, And and we'll we'll keep discussing this.

0:37:10.400 --> 0:37:13.560
<v Speaker 1>But uh, another little tale that I read this was

0:37:13.600 --> 0:37:19.360
<v Speaker 1>in Rose's book, referring to work by folklore's Ruth Tongue. Um.

0:37:19.360 --> 0:37:22.920
<v Speaker 1>It's a story. The Tongue rights of this tale that

0:37:23.000 --> 0:37:26.239
<v Speaker 1>was circulating about three British youths who were decked out

0:37:26.280 --> 0:37:29.239
<v Speaker 1>in the teddy boy style of the nineteen sixties. You

0:37:29.280 --> 0:37:31.920
<v Speaker 1>can look that up if if you need a visual

0:37:32.040 --> 0:37:34.439
<v Speaker 1>of what that would look like. Uh, they were, they were,

0:37:35.239 --> 0:37:36.680
<v Speaker 1>you know, up to I don't know if they were

0:37:36.760 --> 0:37:38.160
<v Speaker 1>up to no good, but they were. They were out.

0:37:38.280 --> 0:37:39.719
<v Speaker 1>They were hanging out in the woods and what do

0:37:39.800 --> 0:37:43.239
<v Speaker 1>they find? A horn? And um, I believe the story

0:37:43.280 --> 0:37:44.560
<v Speaker 1>goes that they were thinking, oh, well, there must have

0:37:44.560 --> 0:37:46.759
<v Speaker 1>been some sort of a film shoot going on here,

0:37:46.760 --> 0:37:49.279
<v Speaker 1>and they left a prop. Uh, we've got this horn,

0:37:49.360 --> 0:37:51.560
<v Speaker 1>let's go ahead and blow it. So they blow the horn,

0:37:51.960 --> 0:37:56.280
<v Speaker 1>and then sure enough, the unseen spirit begins to pursue

0:37:56.320 --> 0:37:59.800
<v Speaker 1>them through the woods and you know, getting closer and closer,

0:37:59.840 --> 0:38:03.880
<v Speaker 1>and finally an arrow seems to fly and slays one

0:38:03.920 --> 0:38:06.440
<v Speaker 1>of them dead. But there's not a single physical wound.

0:38:06.480 --> 0:38:08.560
<v Speaker 1>It seems to have been some sort of a ghost era.

0:38:09.520 --> 0:38:12.800
<v Speaker 1>Uh So that's that's a that's a fun little tale

0:38:12.880 --> 0:38:16.799
<v Speaker 1>as well. And of course this all relates back to

0:38:16.920 --> 0:38:19.919
<v Speaker 1>other traditions of the wild hunt myth of some sort

0:38:19.960 --> 0:38:24.000
<v Speaker 1>of of a ghostly being or beings sometimes in the

0:38:24.040 --> 0:38:27.640
<v Speaker 1>company of of of hell hounds that goes out on

0:38:27.719 --> 0:38:29.680
<v Speaker 1>strange hunts in the night and you don't want to

0:38:29.760 --> 0:38:32.920
<v Speaker 1>run a foul of them. Something is incongruous between that

0:38:33.000 --> 0:38:35.160
<v Speaker 1>and the teddy boy thing. I'm hung up on the

0:38:35.160 --> 0:38:38.200
<v Speaker 1>teddy boy detail. Is this a commentary on the teddy

0:38:38.239 --> 0:38:41.200
<v Speaker 1>boy fashion trend or I think it's just, you know,

0:38:41.320 --> 0:38:43.760
<v Speaker 1>on the youth of the day. So it's like whatever

0:38:43.880 --> 0:38:48.040
<v Speaker 1>the youth. You can imagine various youth fashion trends in

0:38:48.200 --> 0:38:50.840
<v Speaker 1>Britain and uh and then being reflected in versions of

0:38:50.840 --> 0:38:52.839
<v Speaker 1>this story. It makes it seem very cinematic. I can

0:38:52.880 --> 0:38:55.520
<v Speaker 1>imagine the cinematic version is so if her name has

0:38:55.520 --> 0:38:57.440
<v Speaker 1>a stag skull on top of his head and you

0:38:57.480 --> 0:38:59.959
<v Speaker 1>look up teddy boy hairstyles, I mean you could see

0:39:00.120 --> 0:39:04.879
<v Speaker 1>some certain basic shape and contour similarities where their pompadours

0:39:04.880 --> 0:39:07.640
<v Speaker 1>look kind of like stag skulls. Yeah, yeah, I guess

0:39:07.680 --> 0:39:12.080
<v Speaker 1>without horns. But now as far as is ghostly harbingers go,

0:39:12.360 --> 0:39:14.760
<v Speaker 1>I know some of you are probably thinking of this, Um,

0:39:14.920 --> 0:39:17.319
<v Speaker 1>this is more in the realm of cryptids and and

0:39:17.680 --> 0:39:23.160
<v Speaker 1>ufo ology. But um, there's the the alleged supernatural harbinger

0:39:23.360 --> 0:39:26.680
<v Speaker 1>of the Silver Bridge collapse of nineteen sixty seven, there's

0:39:26.680 --> 0:39:30.279
<v Speaker 1>the bridge that spanned the Ohio River. Uh. The Mothman. Uh.

0:39:30.360 --> 0:39:33.560
<v Speaker 1>They've been books and movies about this, but the connection,

0:39:33.600 --> 0:39:36.720
<v Speaker 1>the original connection between the collapse and sightings of the Mothman,

0:39:36.760 --> 0:39:39.239
<v Speaker 1>I'm to understand, are largely due to the writings of

0:39:39.400 --> 0:39:42.880
<v Speaker 1>UFO ologist John Keel. I think this story is the

0:39:42.920 --> 0:39:46.400
<v Speaker 1>inspiration behind the plot of that Richard Gear movie, The

0:39:46.440 --> 0:39:50.640
<v Speaker 1>Mothman Prophecies, isn't it It is? Yeah, I've never seen it,

0:39:50.680 --> 0:39:52.840
<v Speaker 1>but I am familiar with you know what, So we

0:39:52.960 --> 0:39:55.680
<v Speaker 1>watched it a few years back. We'd like to revisit, uh,

0:39:56.160 --> 0:39:58.520
<v Speaker 1>not just classic horror films, but you know, Rachel and

0:39:58.560 --> 0:40:01.960
<v Speaker 1>I sometimes watch like Fallen by the Wayside, horror films

0:40:02.000 --> 0:40:04.839
<v Speaker 1>that nobody really talks about anymore. And so this one

0:40:04.960 --> 0:40:06.319
<v Speaker 1>was what did this come out in the early two

0:40:06.320 --> 0:40:09.759
<v Speaker 1>thousands or something? Um, I think that sometime around then

0:40:09.800 --> 0:40:13.600
<v Speaker 1>has Richard Gear and it's about this whole situation, and

0:40:13.800 --> 0:40:16.040
<v Speaker 1>you know what, I gotta say it It's not perfect,

0:40:16.120 --> 0:40:18.680
<v Speaker 1>but there it's got some good ghostly atmosphere and it

0:40:18.880 --> 0:40:23.960
<v Speaker 1>was actually pretty spooky, A pretty solid thumbs up. Now,

0:40:24.239 --> 0:40:27.920
<v Speaker 1>there are some other Harbinger spirits of note, there's the Chira,

0:40:28.600 --> 0:40:31.280
<v Speaker 1>which is a harbinger spirit, and the folklore of whales,

0:40:31.719 --> 0:40:35.279
<v Speaker 1>it's a bandshe like being that whales and groans as

0:40:35.320 --> 0:40:37.719
<v Speaker 1>she passes through the city streets at night, warning of

0:40:37.760 --> 0:40:43.239
<v Speaker 1>impending disaster, including epidemics, which of course is interesting. And then,

0:40:43.440 --> 0:40:46.880
<v Speaker 1>of course, speaking of there's the Bansheet of Irish legend

0:40:46.920 --> 0:40:49.640
<v Speaker 1>that whales under the window of a family member to

0:40:49.719 --> 0:40:53.200
<v Speaker 1>portend that family member's death. I guess this comes back

0:40:53.200 --> 0:40:55.000
<v Speaker 1>to the question I brought up a minute ago, because

0:40:55.000 --> 0:40:56.840
<v Speaker 1>I think I've read about this in the context of

0:40:56.880 --> 0:40:59.400
<v Speaker 1>the band sheet before, where it's not really clear to

0:40:59.440 --> 0:41:01.960
<v Speaker 1>me whether the belief is that the band she knows

0:41:02.080 --> 0:41:04.319
<v Speaker 1>the death is going to happen and is sort of

0:41:04.360 --> 0:41:07.359
<v Speaker 1>informing the family of such by their behavior, or whether

0:41:07.440 --> 0:41:09.960
<v Speaker 1>or not it's intentional on the bench's part the banshees

0:41:10.000 --> 0:41:13.520
<v Speaker 1>letting them know, or the banshee's presence is somehow causing

0:41:13.640 --> 0:41:19.320
<v Speaker 1>the death. Yeah, yeah, so unanswerable questions about the strange

0:41:19.360 --> 0:41:21.799
<v Speaker 1>doings of of weird creatures, and I guess that's one

0:41:21.840 --> 0:41:23.480
<v Speaker 1>of the reasons that makes them weird in other world

0:41:23.680 --> 0:41:25.239
<v Speaker 1>is you don't know what their role in the whole

0:41:25.280 --> 0:41:28.080
<v Speaker 1>scenario is, uh, you know, what are you doing here?

0:41:28.080 --> 0:41:31.520
<v Speaker 1>Are you're feeding off of the the of the misery

0:41:31.680 --> 0:41:34.920
<v Speaker 1>of the bereavement, or are you here as an agent

0:41:35.040 --> 0:41:37.879
<v Speaker 1>of death? What exactly is going on? Are you trying

0:41:37.880 --> 0:41:39.880
<v Speaker 1>to warn us or is it something to be on

0:41:40.160 --> 0:41:44.120
<v Speaker 1>any of these interpretations, They're here on ghost business. That's

0:41:44.120 --> 0:41:47.319
<v Speaker 1>all you know. Right now, Let's get back into just

0:41:47.480 --> 0:41:52.560
<v Speaker 1>ideas of storms and rain and water and cataclysmic weather.

0:41:53.200 --> 0:41:57.520
<v Speaker 1>So plenty of cultures have major flood storm and cataclysm myths,

0:41:57.560 --> 0:42:00.239
<v Speaker 1>and and China is no exception. Uh. There's a course,

0:42:00.280 --> 0:42:02.719
<v Speaker 1>the story of You the Great who overcomes the day

0:42:02.840 --> 0:42:06.520
<v Speaker 1>lose with drainage channels and earthwork. Uh. There's also the

0:42:06.600 --> 0:42:10.879
<v Speaker 1>Chinese flood myth concerning the water god U Gong gong Uh,

0:42:10.920 --> 0:42:14.960
<v Speaker 1>sometimes relegated as one of the four perils. So this

0:42:15.080 --> 0:42:18.399
<v Speaker 1>is a vast serpent with a human head red hair,

0:42:19.040 --> 0:42:22.280
<v Speaker 1>and gong Gong is said to have caused a great

0:42:22.320 --> 0:42:26.560
<v Speaker 1>flood by bumping into Mount Buzio, which caused the sky

0:42:26.680 --> 0:42:30.080
<v Speaker 1>pillar to collapse, resulting in his cosmic disorder. You end

0:42:30.160 --> 0:42:33.120
<v Speaker 1>up having to have the goddess nuah uh step in

0:42:33.320 --> 0:42:37.359
<v Speaker 1>repair the sky pillar in order to bring order back

0:42:37.400 --> 0:42:40.439
<v Speaker 1>out of chaos. And sometimes this myth and the myth

0:42:40.480 --> 0:42:43.520
<v Speaker 1>of You the Great are are linked together. And then

0:42:43.560 --> 0:42:47.680
<v Speaker 1>there's the myth of Hogi, the the Archer. You may

0:42:47.719 --> 0:42:50.319
<v Speaker 1>remember him from his key row in the myth of

0:42:50.320 --> 0:42:53.399
<v Speaker 1>the Surplus Sons or his part in the lunar myth

0:42:53.640 --> 0:42:57.240
<v Speaker 1>of Changa and the Potion of Immortality. But to refresh

0:42:57.360 --> 0:43:00.319
<v Speaker 1>during the time of the Ten Sons, Emperor Gal calls

0:43:00.400 --> 0:43:03.360
<v Speaker 1>upon Ye to shoot the nine Surplus Sons out of

0:43:03.400 --> 0:43:05.879
<v Speaker 1>the sky, and he does so, saving the earth from

0:43:06.040 --> 0:43:09.640
<v Speaker 1>fiery desolation. But the time of the Ten Sons is

0:43:09.680 --> 0:43:13.560
<v Speaker 1>also a period of great disruption, and many unnatural beings

0:43:13.719 --> 0:43:17.440
<v Speaker 1>roam free to commit great offenses against the gods, and

0:43:17.480 --> 0:43:20.360
<v Speaker 1>so Emperor Yo charges Ye with the destruction of these

0:43:20.400 --> 0:43:23.080
<v Speaker 1>monsters as well. He has to hunt them down and

0:43:23.200 --> 0:43:25.960
<v Speaker 1>slay them in order to protect the people. So is

0:43:26.000 --> 0:43:28.720
<v Speaker 1>this after the sun shoots down the nine Surplus Sons

0:43:28.880 --> 0:43:31.839
<v Speaker 1>and then goes after he has to clean up afterwards

0:43:31.840 --> 0:43:36.000
<v Speaker 1>with the monsters, right, yeah, yeah, Because the cosmic disorder,

0:43:36.440 --> 0:43:38.080
<v Speaker 1>it kind of is You've left with the idea that

0:43:38.080 --> 0:43:40.960
<v Speaker 1>it kind of unleashed these beings, or it created an

0:43:41.000 --> 0:43:43.640
<v Speaker 1>atmosphere in which they could thrive, and now they need

0:43:43.680 --> 0:43:47.920
<v Speaker 1>to be put back and check rounded up the loose ponies. Yeah. Now,

0:43:47.960 --> 0:43:52.200
<v Speaker 1>According to the translator's John Major at All in two

0:43:52.280 --> 0:43:55.640
<v Speaker 1>thousand tens the Huai non Z, a Guide to the

0:43:55.640 --> 0:43:59.960
<v Speaker 1>Theory and Practice of Government in early Han China, these monsters,

0:44:00.520 --> 0:44:05.040
<v Speaker 1>these monsters that that Ye has to has to hunt down. Um.

0:44:05.360 --> 0:44:08.360
<v Speaker 1>They pop up in various warring states and Han works

0:44:08.360 --> 0:44:12.120
<v Speaker 1>and seem to represent destructive forces of nature. One of

0:44:12.160 --> 0:44:14.680
<v Speaker 1>these monsters you'll learn about next week on the Monster

0:44:14.760 --> 0:44:18.520
<v Speaker 1>Factor or Wednesday Shorty episode UH. And that one I

0:44:18.520 --> 0:44:21.480
<v Speaker 1>think you can also make. There's also a strong evidence

0:44:21.480 --> 0:44:23.319
<v Speaker 1>to support the idea that it represents some sort of

0:44:23.400 --> 0:44:27.480
<v Speaker 1>natural disaster as well. But there's one uh in particular

0:44:27.520 --> 0:44:30.480
<v Speaker 1>that's very connected to the idea of storms, and that

0:44:30.640 --> 0:44:34.640
<v Speaker 1>is the wind bird daufing. So this literally means a

0:44:34.760 --> 0:44:38.640
<v Speaker 1>strong wind. Sometimes I see it translated as typhoon. It's

0:44:38.680 --> 0:44:42.480
<v Speaker 1>a giant, ferocious bird of prey that brings with its

0:44:42.480 --> 0:44:46.520
<v Speaker 1>strong winds whipped up by its mighty wings, so everywhere

0:44:46.520 --> 0:44:48.680
<v Speaker 1>it goes it brings destructive winds with it. So of

0:44:48.680 --> 0:44:50.480
<v Speaker 1>course Ye has to has to hunt it down, and

0:44:50.520 --> 0:44:53.279
<v Speaker 1>he uses the interestingly enough, he basically just uses the

0:44:53.320 --> 0:44:57.239
<v Speaker 1>techniques that one would use in hunting birds, especially during

0:44:57.239 --> 0:45:00.399
<v Speaker 1>this time period. He attaches a chord to his arrow

0:45:00.719 --> 0:45:04.000
<v Speaker 1>and shoots the mighty bird out of the sky. He

0:45:04.080 --> 0:45:06.680
<v Speaker 1>holds the cord firmly so that he can, you know,

0:45:07.000 --> 0:45:08.480
<v Speaker 1>keep track of it and kind of bring it down,

0:45:08.719 --> 0:45:11.640
<v Speaker 1>and then he follows that chord to the site where

0:45:11.640 --> 0:45:15.239
<v Speaker 1>he has grounded the mighty Uh daffing, and then he

0:45:15.320 --> 0:45:19.200
<v Speaker 1>cuts its head off with his sword Wow. In other tales,

0:45:19.320 --> 0:45:24.040
<v Speaker 1>Ye also exacts revenge on the damaging river god he Bow,

0:45:24.440 --> 0:45:27.640
<v Speaker 1>who he blinded in one eye, and then he also

0:45:27.760 --> 0:45:30.680
<v Speaker 1>hunts down or seeks a vengeance on the wind god

0:45:31.120 --> 0:45:34.560
<v Speaker 1>thing Bow, who he shot in the knee. So you

0:45:34.640 --> 0:45:37.440
<v Speaker 1>might be a win god on a chariot pulled by dragons,

0:45:37.560 --> 0:45:39.560
<v Speaker 1>or a or a god who actually takes on the

0:45:39.560 --> 0:45:42.320
<v Speaker 1>form of a dragon. But that doesn't mean Ye doesn't

0:45:42.360 --> 0:45:44.239
<v Speaker 1>have a receipt for you if you caused a bunch

0:45:44.239 --> 0:45:47.080
<v Speaker 1>of storm damage. So this raises a thought for me.

0:45:47.440 --> 0:45:51.360
<v Speaker 1>I'm thinking about, um, what are the different influences that

0:45:51.640 --> 0:45:57.400
<v Speaker 1>determine sort of what level the embodiment of the storms

0:45:58.080 --> 0:46:03.120
<v Speaker 1>Uh represents within the pantheon or maybe not even the pantheon,

0:46:03.160 --> 0:46:08.200
<v Speaker 1>the sort of the supernatural theater of a mythological belief system,

0:46:08.239 --> 0:46:11.120
<v Speaker 1>because I'm thinking about these cases where you can have

0:46:11.320 --> 0:46:15.120
<v Speaker 1>a specific monster or creature. In this case, it is

0:46:15.160 --> 0:46:20.319
<v Speaker 1>a ferocious monster being that represents a kind of disorder.

0:46:20.480 --> 0:46:22.320
<v Speaker 1>It is that it is a pony that has gotten

0:46:22.360 --> 0:46:26.480
<v Speaker 1>loose from a from a unharmonious phase of the universe,

0:46:26.920 --> 0:46:29.640
<v Speaker 1>and it has to be slain and set right. So

0:46:29.719 --> 0:46:31.839
<v Speaker 1>this is the embodiment of storms in this one type

0:46:31.880 --> 0:46:35.200
<v Speaker 1>of mythology. But you have plenty of other mythologies where

0:46:35.480 --> 0:46:39.960
<v Speaker 1>storms are not only part of the natural divine order,

0:46:40.200 --> 0:46:43.760
<v Speaker 1>but they are particularly the power of the like most

0:46:43.960 --> 0:46:46.560
<v Speaker 1>powerful god or the king of the gods. Think of,

0:46:46.719 --> 0:46:50.520
<v Speaker 1>you know, the storm associations with with Zeus or Jupiter,

0:46:50.719 --> 0:46:53.640
<v Speaker 1>or the storm associations with the some of the chief

0:46:53.680 --> 0:46:57.399
<v Speaker 1>gods of the ancient Near Eastern pantheons. Yeah, it's it's

0:46:57.400 --> 0:46:59.200
<v Speaker 1>it's interesting to think about this, yeah, because you can

0:46:59.640 --> 0:47:03.520
<v Speaker 1>the huge difference between the storm that is caused by

0:47:04.000 --> 0:47:07.360
<v Speaker 1>the high god or a particularly powerful deity, one that

0:47:07.480 --> 0:47:11.360
<v Speaker 1>is worshiped, and a storm caused by various monsters that

0:47:11.400 --> 0:47:16.680
<v Speaker 1>are rampaging. Uh, you know, things that represent cosmic disalignment,

0:47:17.360 --> 0:47:20.520
<v Speaker 1>um and uh, and you know you can have ramifications

0:47:20.520 --> 0:47:23.399
<v Speaker 1>based on how you view that. But uh, it's it's

0:47:23.400 --> 0:47:26.200
<v Speaker 1>interesting to think about, even in our modern times, what

0:47:26.239 --> 0:47:29.480
<v Speaker 1>do we do with hurricanes and tropical storms. You know,

0:47:29.560 --> 0:47:31.839
<v Speaker 1>we name them, and of course they're they're very good

0:47:31.880 --> 0:47:34.399
<v Speaker 1>reasons to name a storm, to give it a human name.

0:47:34.480 --> 0:47:37.760
<v Speaker 1>It it helps, uh in communicating things about that storm

0:47:37.800 --> 0:47:40.760
<v Speaker 1>and tracking them and making sure that people were prepared

0:47:40.800 --> 0:47:43.640
<v Speaker 1>for this particular storm and not approaching it like you know,

0:47:43.680 --> 0:47:46.759
<v Speaker 1>the last storm. You know, each each hurricane that makes

0:47:47.000 --> 0:47:49.560
<v Speaker 1>landfall is coming in a difference in different intensities, and

0:47:49.600 --> 0:47:52.200
<v Speaker 1>it's an infect a different area, uh, in a different way.

0:47:52.320 --> 0:47:54.880
<v Speaker 1>It does seem interesting that I could be wrong about this,

0:47:54.960 --> 0:47:58.320
<v Speaker 1>but my gut feeling is that people have an easier

0:47:58.360 --> 0:48:01.400
<v Speaker 1>time knowing which hurricane you're talking about when they have

0:48:01.560 --> 0:48:03.839
<v Speaker 1>names attached to them then they would if you were

0:48:03.880 --> 0:48:08.359
<v Speaker 1>just referencing it by like a year or something. You know, yeah, yeah,

0:48:08.400 --> 0:48:11.040
<v Speaker 1>the storm of ninety seven or something. But if you

0:48:11.160 --> 0:48:13.160
<v Speaker 1>if you give it a human name, yeah, you're you're

0:48:13.160 --> 0:48:16.319
<v Speaker 1>anthropomorphizing it a little bit. Just you know, there's no

0:48:16.360 --> 0:48:19.480
<v Speaker 1>way around it. Uh, but people are going to remember it,

0:48:19.480 --> 0:48:21.200
<v Speaker 1>people are going to know it's coming. It seems to

0:48:21.200 --> 0:48:24.359
<v Speaker 1>me that like when you say Andrew, that conjures up

0:48:24.400 --> 0:48:28.400
<v Speaker 1>like specific imagery that you recall from being associated with

0:48:28.440 --> 0:48:31.479
<v Speaker 1>that name, versus like if you were just to say

0:48:31.480 --> 0:48:33.040
<v Speaker 1>the year number. I don't know, maybe it would be

0:48:33.040 --> 0:48:34.719
<v Speaker 1>different if we were referred to it by years, but

0:48:34.760 --> 0:48:43.520
<v Speaker 1>that's my feeling on it now to move elsewhere in

0:48:43.560 --> 0:48:46.640
<v Speaker 1>the world. Another one that I ran across the Blue

0:48:46.680 --> 0:48:49.160
<v Speaker 1>Men of Niche. Uh So. There are a lot of

0:48:49.239 --> 0:48:52.279
<v Speaker 1>mur folk myths and legends out there that involve the

0:48:52.320 --> 0:48:55.799
<v Speaker 1>creatures having some degree of control over or knowledge of

0:48:55.880 --> 0:48:58.920
<v Speaker 1>weather in storms, and they're ultimately just too numerous to

0:48:58.960 --> 0:49:01.759
<v Speaker 1>go through. There's a lot of similarities between them, but

0:49:01.800 --> 0:49:05.200
<v Speaker 1>this one stood out to me. Them people were said

0:49:05.640 --> 0:49:07.800
<v Speaker 1>this particular variety of murder people anyway, were said to

0:49:07.880 --> 0:49:13.239
<v Speaker 1>haunt the Minch passage of the Alter Hebrides off of Scotland.

0:49:13.760 --> 0:49:16.799
<v Speaker 1>Uh This body of water is known in Gaelic as

0:49:17.040 --> 0:49:21.480
<v Speaker 1>uh thruth Na fear Gorma, the channel of the blue Men.

0:49:22.320 --> 0:49:24.879
<v Speaker 1>Uh So, this is also interesting considered they were talking

0:49:24.880 --> 0:49:26.719
<v Speaker 1>about gray men and here we are with blue men.

0:49:27.560 --> 0:49:30.000
<v Speaker 1>So they were said to look like normal humans, except

0:49:30.400 --> 0:49:33.920
<v Speaker 1>with entirely blue skin and gray beards. And it's a

0:49:33.960 --> 0:49:36.840
<v Speaker 1>treacherous passage of water, apparently, And so the legend was

0:49:36.960 --> 0:49:39.160
<v Speaker 1>that the blue men would rise up from their deep

0:49:39.200 --> 0:49:42.399
<v Speaker 1>caves and they would summon fierce storms against trespassing human

0:49:42.480 --> 0:49:46.480
<v Speaker 1>ships and wreck them. But wise captains knew that the

0:49:46.480 --> 0:49:51.040
<v Speaker 1>blue men loved rhyming contests, so they could earn the

0:49:51.040 --> 0:49:54.400
<v Speaker 1>ship's safety across the passage if they just had some

0:49:54.480 --> 0:50:00.160
<v Speaker 1>great rhymes up their sleeves. Now, Carol Roseen in her

0:50:00.200 --> 0:50:02.360
<v Speaker 1>book She she shares that the myth is thought to

0:50:02.400 --> 0:50:06.600
<v Speaker 1>be based on Moorish slaves marooned by Vikings in the

0:50:06.680 --> 0:50:11.360
<v Speaker 1>area during the ninth century. And the idea here is that, uh,

0:50:11.400 --> 0:50:16.280
<v Speaker 1>that these these individuals would have worn long blue robes

0:50:16.640 --> 0:50:21.520
<v Speaker 1>and gray blue veils. Huh. And incidentally, the Tuareg people

0:50:21.920 --> 0:50:27.600
<v Speaker 1>of Saharan Africa, uh, apparently do wear these fashions like

0:50:27.600 --> 0:50:30.920
<v Speaker 1>these are the traditional fashions of the Tuareg people. Now

0:50:30.960 --> 0:50:32.960
<v Speaker 1>do you know if that's more of a kind of

0:50:33.080 --> 0:50:37.280
<v Speaker 1>legendary explanation or is that thought by any modern scholars

0:50:37.320 --> 0:50:41.239
<v Speaker 1>to have any likely explanatory power in the origin of

0:50:41.239 --> 0:50:43.040
<v Speaker 1>the myth. Well, I was looking into it a bit,

0:50:43.040 --> 0:50:47.160
<v Speaker 1>and apparently Scottish Folklore's Donald A. McKenzie, who lived eighteen

0:50:47.239 --> 0:50:49.960
<v Speaker 1>seventy three through nineteen thirty six, it was kind of

0:50:49.960 --> 0:50:55.960
<v Speaker 1>the the individual who really popularized this hypothesis. And today

0:50:56.000 --> 0:50:58.720
<v Speaker 1>I think there's some individuals who think that the true

0:50:58.719 --> 0:51:02.520
<v Speaker 1>origin might just be accounts of the tire people, although

0:51:02.600 --> 0:51:05.839
<v Speaker 1>the Saharan Africa that traveled um you know, some sort

0:51:05.880 --> 0:51:09.480
<v Speaker 1>of you know, communication of this idea, maybe that you

0:51:09.520 --> 0:51:12.080
<v Speaker 1>have some sort of amr fault tradition and you combine

0:51:12.160 --> 0:51:15.560
<v Speaker 1>that with with uh, you know, some sort of knowledge

0:51:15.600 --> 0:51:19.359
<v Speaker 1>of of tireg people and what they wore, or if

0:51:19.360 --> 0:51:23.640
<v Speaker 1>not the tire people, then perhaps um predecessors to them

0:51:23.640 --> 0:51:27.440
<v Speaker 1>that had similar fashions and similar uh you know, dies

0:51:27.520 --> 0:51:32.160
<v Speaker 1>and use. But another suggested explanation is that this belief

0:51:32.200 --> 0:51:35.280
<v Speaker 1>in the blue people the blue men, that it refers

0:51:35.320 --> 0:51:39.440
<v Speaker 1>in some fashion to tattooed pits. Uh. These would have

0:51:39.480 --> 0:51:42.640
<v Speaker 1>been uh uh you know, people who were known for

0:51:42.680 --> 0:51:47.440
<v Speaker 1>their tattoos uh. And the Latin origin of picks is

0:51:47.560 --> 0:51:51.640
<v Speaker 1>painted people. I seem to recall this from the Roman period,

0:51:51.680 --> 0:51:54.000
<v Speaker 1>at least some author talking about the idea that there

0:51:54.000 --> 0:51:57.200
<v Speaker 1>would be people in um. I don't know what they

0:51:57.239 --> 0:51:59.560
<v Speaker 1>called it at the time. It was at Caledonia, you know,

0:51:59.640 --> 0:52:02.200
<v Speaker 1>the area that is now Scotland, you know, north of England,

0:52:02.480 --> 0:52:05.000
<v Speaker 1>so you would have had Roman Britain, and then at

0:52:05.000 --> 0:52:07.480
<v Speaker 1>a certain point that you have Hadrian's Wall, and then

0:52:07.480 --> 0:52:09.879
<v Speaker 1>there are tribes that live north of that that they

0:52:09.880 --> 0:52:13.319
<v Speaker 1>regarded as very barbaric, and I think they there's some

0:52:13.400 --> 0:52:16.320
<v Speaker 1>reference there to these people being painted in blue, or

0:52:16.360 --> 0:52:20.040
<v Speaker 1>their warriors being painted in blue. Yeah, so ultimately, you know,

0:52:20.080 --> 0:52:22.600
<v Speaker 1>we don't we don't know exactly what the blue men

0:52:22.680 --> 0:52:26.120
<v Speaker 1>of Minch is referring to, or what indeed which what

0:52:26.239 --> 0:52:29.600
<v Speaker 1>influences or what combination of influences led to this tradition,

0:52:30.280 --> 0:52:32.440
<v Speaker 1>but it was said they can control the weather, so

0:52:32.920 --> 0:52:36.239
<v Speaker 1>it's certainly worth mentioning here. Now another one, I have

0:52:36.280 --> 0:52:38.279
<v Speaker 1>to get into the realm of Yokai here for a

0:52:38.280 --> 0:52:41.919
<v Speaker 1>bit um And. And I'm especially excited to talk about

0:52:41.960 --> 0:52:44.719
<v Speaker 1>this because I recently picked up a fun little book

0:52:44.880 --> 0:52:48.120
<v Speaker 1>to read with my son titled Yokai Attacked the Japanese

0:52:48.120 --> 0:52:52.880
<v Speaker 1>Monster Survival Guide UM. This is by Yoda and Alt

0:52:53.080 --> 0:52:58.399
<v Speaker 1>and illustrated by by Tatsuya Marino, and it's a fun

0:52:58.480 --> 0:53:02.239
<v Speaker 1>little book with that that has some wonderful illustrations but

0:53:02.280 --> 0:53:05.359
<v Speaker 1>also some great information in it. It's well sighted and

0:53:06.040 --> 0:53:10.200
<v Speaker 1>very informative and very fun for young readers. Uh So

0:53:10.400 --> 0:53:12.960
<v Speaker 1>uh I was looking through that, and I was like, okay,

0:53:13.160 --> 0:53:15.600
<v Speaker 1>I know there's some yokai that relate to the weather

0:53:15.920 --> 0:53:18.319
<v Speaker 1>or to the water, so there's got to be something

0:53:18.360 --> 0:53:20.759
<v Speaker 1>good in here. Lay it on me. Well, there's one

0:53:20.800 --> 0:53:24.719
<v Speaker 1>by the name of Umi Bozoo. Uh. They're known as

0:53:24.760 --> 0:53:29.320
<v Speaker 1>the sea monks Japanese yokai, said to resemble great black

0:53:29.480 --> 0:53:33.960
<v Speaker 1>bull b like beings with glowing eyes emerging from the water. Uh.

0:53:34.000 --> 0:53:36.440
<v Speaker 1>In the black may or may not be fur if

0:53:36.440 --> 0:53:40.200
<v Speaker 1>you could touch it, depending on the the account. Also

0:53:40.239 --> 0:53:42.680
<v Speaker 1>depending on the account, they might be vengeful ghosts of

0:53:42.760 --> 0:53:45.600
<v Speaker 1>the sea uh. And in this they have much in

0:53:45.680 --> 0:53:49.759
<v Speaker 1>common with some Chinese ghost traditions uh the boat spirits

0:53:49.920 --> 0:53:54.520
<v Speaker 1>or fun jura, which you'll find illustrations off as well.

0:53:55.360 --> 0:53:57.920
<v Speaker 1>But in anyway, the the Umi Bozo are said to

0:53:58.080 --> 0:54:01.399
<v Speaker 1>rise from the surface of the ocean even during the day.

0:54:01.480 --> 0:54:03.920
<v Speaker 1>Even so, even if they're there's there's nothing going on,

0:54:04.160 --> 0:54:06.920
<v Speaker 1>you know, with darkness and storm but they bring with

0:54:07.040 --> 0:54:11.480
<v Speaker 1>them atmospheric disturbances and storms. Um. And of course this

0:54:11.520 --> 0:54:13.760
<v Speaker 1>means that ultimately what they're trying to do, of course,

0:54:14.160 --> 0:54:18.200
<v Speaker 1>is they want to bring down vessels. They want to

0:54:18.239 --> 0:54:21.040
<v Speaker 1>cause your ship to sink, drag it to the bottom

0:54:21.040 --> 0:54:23.840
<v Speaker 1>of the ocean. And the smaller ones you might be

0:54:23.840 --> 0:54:25.799
<v Speaker 1>able to drive away, but the larger ones are just

0:54:25.880 --> 0:54:28.520
<v Speaker 1>too powerful. Okay. So this would be more in line

0:54:28.560 --> 0:54:30.680
<v Speaker 1>with the type of creature like the wind bird from

0:54:30.760 --> 0:54:35.120
<v Speaker 1>from Chinese legend that literally brings the storm and weather

0:54:35.239 --> 0:54:39.640
<v Speaker 1>disturbances by its own like it directly causes them. Yeah. Yeah,

0:54:39.640 --> 0:54:43.160
<v Speaker 1>it would seem to be the case. Um. And these

0:54:43.200 --> 0:54:45.359
<v Speaker 1>are these are fun ideas to get into as well, because,

0:54:45.400 --> 0:54:47.280
<v Speaker 1>first of all, the idea of any kind of enormous

0:54:47.320 --> 0:54:51.080
<v Speaker 1>being certainly um, you know this, this black creature emerging

0:54:51.200 --> 0:54:54.280
<v Speaker 1>from the water. Uh, it instantly makes us think of whales.

0:54:54.440 --> 0:54:58.400
<v Speaker 1>And indeed there may be some connection there between between

0:54:58.640 --> 0:55:03.360
<v Speaker 1>these legendary creatures and whale sightings. And also there's a

0:55:03.400 --> 0:55:06.560
<v Speaker 1>possibility that there's some sort of atmosphereic ghost lighting involved

0:55:06.560 --> 0:55:10.640
<v Speaker 1>as well, which is, you know, something worth remembering anytime

0:55:10.680 --> 0:55:13.640
<v Speaker 1>you're dealing with ghosts of the ocean. But one of

0:55:13.640 --> 0:55:16.239
<v Speaker 1>the interesting takes I was reading about the phono uri

0:55:16.560 --> 0:55:19.520
<v Speaker 1>that the Chinese version of this the boat spirits UH,

0:55:19.640 --> 0:55:23.719
<v Speaker 1>is that they were sometimes attributed with ladling water into

0:55:23.760 --> 0:55:27.279
<v Speaker 1>ships and causing them to sink, or or just by

0:55:27.280 --> 0:55:30.680
<v Speaker 1>their very presence causing compasses not to work. But they

0:55:30.680 --> 0:55:34.359
<v Speaker 1>were also said to simply hold ships in place, and

0:55:34.719 --> 0:55:38.280
<v Speaker 1>some have theorized that this might occur due to dead water.

0:55:38.960 --> 0:55:42.719
<v Speaker 1>So this is a nautical phenomenon which UH you see

0:55:42.719 --> 0:55:45.800
<v Speaker 1>take at least a couple of different forms. UH. For instance,

0:55:45.840 --> 0:55:50.080
<v Speaker 1>you see it in in far northern Um environments. You

0:55:50.160 --> 0:55:53.600
<v Speaker 1>see this situation where slow moving vessels can become stuck

0:55:53.960 --> 0:55:57.320
<v Speaker 1>due to a thin layer of fresh water spreading over

0:55:57.360 --> 0:56:02.680
<v Speaker 1>the sea from melting ice UM. But then also you

0:56:02.760 --> 0:56:07.360
<v Speaker 1>see the situation with internal waves due to shallow brackish

0:56:07.360 --> 0:56:11.040
<v Speaker 1>water and the upper layer of the water column, making

0:56:11.040 --> 0:56:14.280
<v Speaker 1>it where a ship will feel stuck in the water

0:56:14.800 --> 0:56:18.040
<v Speaker 1>as if something is holding it there. So it's been

0:56:18.560 --> 0:56:21.480
<v Speaker 1>hypothesized that this could be a possible one of the

0:56:21.520 --> 0:56:23.759
<v Speaker 1>possible reasons for this kind of myth, like something is

0:56:23.800 --> 0:56:25.920
<v Speaker 1>holding the ship in place, what is it? It must

0:56:25.960 --> 0:56:28.560
<v Speaker 1>be some sort of ghostly presence. Oh yeah, I think

0:56:29.080 --> 0:56:31.320
<v Speaker 1>this makespain recalled. It might have been in our episodes

0:56:31.360 --> 0:56:36.719
<v Speaker 1>about the sarcassum seaweed that we uh discussed other other

0:56:36.760 --> 0:56:40.080
<v Speaker 1>supernatural ideas about the dull drums and ways that your

0:56:40.080 --> 0:56:44.200
<v Speaker 1>ship can become stuck in water without a propelling wind. Yeah.

0:56:44.360 --> 0:56:46.960
<v Speaker 1>And the course that's interesting too, right, because because the

0:56:46.960 --> 0:56:50.000
<v Speaker 1>the idea of a terrible storm can be devastating to

0:56:50.000 --> 0:56:53.040
<v Speaker 1>the ship at sea, but also uh in a complete

0:56:53.040 --> 0:56:57.319
<v Speaker 1>absence of weather can be equally disturbing. Yeah. Now here's

0:56:57.360 --> 0:56:59.879
<v Speaker 1>another creature that came up when I was looking around,

0:57:00.000 --> 0:57:03.840
<v Speaker 1>and that's uh Um the Alps an interesting lake monster

0:57:03.920 --> 0:57:06.719
<v Speaker 1>at this time from the folklore of Switzerland centered on

0:57:06.800 --> 0:57:11.800
<v Speaker 1>the lake um uh Sellsburg see near Lucerne. Uh sightings

0:57:11.800 --> 0:57:15.439
<v Speaker 1>are recorded from fifteen eighty four through ninety six. Kind

0:57:15.440 --> 0:57:19.400
<v Speaker 1>of a bulky, multi limbed dragon creature that may suddenly

0:57:19.480 --> 0:57:23.640
<v Speaker 1>surface alongside boats and scare people. Also may rage sheep

0:57:24.600 --> 0:57:29.320
<v Speaker 1>herds at night and leave disturbingly mutilated bodies in its wake. Um.

0:57:29.360 --> 0:57:31.560
<v Speaker 1>But their appearance in the water was said to foretell

0:57:31.680 --> 0:57:35.280
<v Speaker 1>a powerful storm. Um. And so I had to look

0:57:35.280 --> 0:57:37.520
<v Speaker 1>this lake up. I wasn't familiar with it. Uh It's

0:57:37.520 --> 0:57:40.840
<v Speaker 1>also known as Seeley and it covers forty four acres

0:57:40.840 --> 0:57:45.520
<v Speaker 1>and reaches depths of thirty seven ms or feet. Now,

0:57:45.520 --> 0:57:49.840
<v Speaker 1>in Irish mythology you also have the Fomorians. Um these

0:57:49.880 --> 0:57:52.640
<v Speaker 1>were said to be the original occupants of Ireland who

0:57:52.640 --> 0:57:56.240
<v Speaker 1>were defeated by the invading fur Bags and then transformed

0:57:56.280 --> 0:57:59.520
<v Speaker 1>into grotesque monsters or giants. And then of course the

0:57:59.560 --> 0:58:01.280
<v Speaker 1>to off the to then and come along and they

0:58:01.320 --> 0:58:03.880
<v Speaker 1>invade and they defeat the defeat the fur Bags, and

0:58:03.920 --> 0:58:07.120
<v Speaker 1>so the Fomorians are sometimes attributed with power over weather,

0:58:07.560 --> 0:58:10.960
<v Speaker 1>over storms, as well as given the power to blight crops.

0:58:11.360 --> 0:58:13.400
<v Speaker 1>Oh yeah, we we We talked about for more ins

0:58:13.440 --> 0:58:18.560
<v Speaker 1>in the context of Kuhlan or Kukullen. Yeah. Now, another

0:58:18.800 --> 0:58:23.160
<v Speaker 1>interesting monster that is that is definitely tied to the wind,

0:58:23.160 --> 0:58:26.280
<v Speaker 1>at least in its origins are the harpies. And I

0:58:26.280 --> 0:58:29.040
<v Speaker 1>think harpies are interesting because I think a lot of

0:58:29.080 --> 0:58:32.920
<v Speaker 1>modern monster fans probably think of of maybe two or

0:58:32.960 --> 0:58:36.080
<v Speaker 1>three different things when you imagine the harpy. First of all,

0:58:36.080 --> 0:58:39.080
<v Speaker 1>they're Ray Harry Howson's Harpies from Jason and the Argonauts.

0:58:39.080 --> 0:58:42.400
<v Speaker 1>Do you remember these, oh yeah, these terrible blue women

0:58:42.520 --> 0:58:45.800
<v Speaker 1>with the with the large blue bat wings. Yeah, they

0:58:45.800 --> 0:58:49.440
<v Speaker 1>have bat like wings in uh in Jason and the Argonauts,

0:58:49.440 --> 0:58:53.440
<v Speaker 1>but they're they're pretty creepy, very gargoyle esque. Um. Outside

0:58:53.440 --> 0:58:56.440
<v Speaker 1>of this tradition, they're they're pretty weak enemies and dungeons

0:58:56.440 --> 0:58:59.919
<v Speaker 1>and dragons, uh, not very impressive, but there's some cool

0:59:00.000 --> 0:59:03.480
<v Speaker 1>frustrations of them. And then of course there's the harpy

0:59:03.520 --> 0:59:08.400
<v Speaker 1>in the Last Unicorn, which is a terrifying and powerful

0:59:08.440 --> 0:59:11.200
<v Speaker 1>creature that is is pretty much the direct opposite of

0:59:11.200 --> 0:59:14.320
<v Speaker 1>everything they are in Dungeons and Dragons and so in.

0:59:14.800 --> 0:59:17.320
<v Speaker 1>I think, you know, generally, in our interpretation of the harpies,

0:59:17.360 --> 0:59:21.640
<v Speaker 1>we think of grotesque hybrids of vultures and women, sometimes

0:59:21.680 --> 0:59:24.920
<v Speaker 1>with other influences thrown in. I've seen accounts where they

0:59:24.920 --> 0:59:27.600
<v Speaker 1>say that they have bare ears wait and in wait,

0:59:28.000 --> 0:59:30.960
<v Speaker 1>bare ears, bare ears like the ears of a bear.

0:59:31.080 --> 0:59:33.920
<v Speaker 1>I can't even picture bare ears. What a bare ears

0:59:34.000 --> 0:59:36.080
<v Speaker 1>look like? I don't. I mean, That's why I'm I

0:59:36.080 --> 0:59:38.760
<v Speaker 1>think we we often just just whittle it down to

0:59:38.840 --> 0:59:43.280
<v Speaker 1>just uh, you know, old woman plus uh vulture, you know,

0:59:43.280 --> 0:59:45.320
<v Speaker 1>because you throw in these other influences. Yet what does

0:59:45.320 --> 0:59:49.880
<v Speaker 1>it even mean? Okay? I just look worn times barriers

0:59:49.920 --> 0:59:52.800
<v Speaker 1>they're little nubs, I mean like barriers. Do not seem

0:59:52.880 --> 0:59:56.400
<v Speaker 1>like especially notable kinds of animal ears. Yeah, well maybe

0:59:56.400 --> 0:59:59.560
<v Speaker 1>an admant more during the time when when this was

0:59:59.560 --> 1:00:02.880
<v Speaker 1>a tribute, it to their, to their their, these these monsters.

1:00:03.440 --> 1:00:05.680
<v Speaker 1>That's such a funny choice. I love it. Now. In

1:00:05.760 --> 1:00:08.480
<v Speaker 1>Greek and Roman myth the number of the harpies it

1:00:08.640 --> 1:00:10.520
<v Speaker 1>it varies. There may be as few as one or

1:00:10.560 --> 1:00:14.120
<v Speaker 1>as many as five. And in origin they are linked

1:00:14.120 --> 1:00:17.640
<v Speaker 1>to traditions of wind spirits, and we see that in

1:00:17.680 --> 1:00:20.640
<v Speaker 1>the various names that have been attributed to them. So

1:00:20.760 --> 1:00:25.600
<v Speaker 1>in the Theogeny Hesiod rights quote and Thomas wedded Electra,

1:00:25.760 --> 1:00:29.040
<v Speaker 1>the daughter of deep flowing ocean, and she bare him

1:00:29.120 --> 1:00:33.160
<v Speaker 1>swift iris and the long haired harpies a l o

1:00:33.440 --> 1:00:38.160
<v Speaker 1>storm swift and nosepates swift flyer, who on their swift

1:00:38.200 --> 1:00:41.240
<v Speaker 1>wings keep pace with the blasts of the winds and

1:00:41.320 --> 1:00:46.320
<v Speaker 1>the birds for quick as time they dart along by

1:00:46.360 --> 1:00:49.720
<v Speaker 1>the way dungeons and dragons. Gives harpies a laughable forty

1:00:49.760 --> 1:00:53.160
<v Speaker 1>foot flying speed. Come on, that does not sound as

1:00:53.200 --> 1:00:56.240
<v Speaker 1>fast as time? What is it? Okay? So I don't

1:00:56.240 --> 1:00:59.040
<v Speaker 1>know flying speeds usually what is oh? I think I've

1:00:59.080 --> 1:01:02.040
<v Speaker 1>got a think my character, who's kind of a whimp,

1:01:02.040 --> 1:01:04.880
<v Speaker 1>has a thirty foot walking speed. Is that right? Yeah? Yeah,

1:01:04.880 --> 1:01:08.720
<v Speaker 1>thirty foot walking walking is like a general humanoid walking speed.

1:01:08.880 --> 1:01:13.680
<v Speaker 1>So the harpy can fly just a little further than

1:01:14.160 --> 1:01:17.520
<v Speaker 1>a human being can walk. Uh in Dungeons and Dragons,

1:01:17.520 --> 1:01:20.560
<v Speaker 1>which is clearly this is a creature that needs a

1:01:21.040 --> 1:01:24.080
<v Speaker 1>needs a reboot. In the Monster Manual, now a Homer

1:01:24.200 --> 1:01:27.880
<v Speaker 1>also wrote of harpies, particularly the harpy podar j which

1:01:27.920 --> 1:01:30.680
<v Speaker 1>means a swift foot, and this is said to be

1:01:30.720 --> 1:01:34.400
<v Speaker 1>the mother of Balius and xanthus the speeds of Achilles,

1:01:34.840 --> 1:01:37.520
<v Speaker 1>And in a more general sense, the harpy is a

1:01:37.680 --> 1:01:40.680
<v Speaker 1>human bird hybrid of course, and we see a lot

1:01:40.760 --> 1:01:43.280
<v Speaker 1>of these and global myth cycles, and it's often pointed

1:01:43.280 --> 1:01:46.520
<v Speaker 1>out that this sort of particular hybrid between humans and

1:01:46.560 --> 1:01:48.640
<v Speaker 1>creatures of the air, it often has some sort of

1:01:48.680 --> 1:01:51.760
<v Speaker 1>connection between earth and sky, between the world of mortals

1:01:51.800 --> 1:01:55.240
<v Speaker 1>and the abode of the gods. Uh. The harpy also

1:01:55.400 --> 1:01:58.400
<v Speaker 1>specifically is often brought up as an example of the

1:01:58.440 --> 1:02:03.160
<v Speaker 1>monstrous feminine in in myth making, so an imagined creature

1:02:03.320 --> 1:02:07.640
<v Speaker 1>used to convey negative attitudes about females. And female bodies. Yeah,

1:02:07.680 --> 1:02:09.600
<v Speaker 1>I think of it as a kind of standard genre

1:02:09.680 --> 1:02:13.240
<v Speaker 1>of misogynist comment to to compare a woman that you

1:02:13.280 --> 1:02:17.160
<v Speaker 1>don't like to a harpy. Yeah, but it seems that

1:02:17.240 --> 1:02:20.040
<v Speaker 1>in their original form, in their origins, they were more

1:02:20.080 --> 1:02:24.160
<v Speaker 1>like minor wind gods or or wind demons, perhaps more

1:02:24.160 --> 1:02:27.200
<v Speaker 1>in keeping with the furies who might descend on a

1:02:27.320 --> 1:02:30.240
<v Speaker 1>mortal at the behest of a god. By the way,

1:02:30.240 --> 1:02:32.040
<v Speaker 1>an interesting wrinkle on all of this I think we've

1:02:32.040 --> 1:02:36.000
<v Speaker 1>discussed before is that the sirens who we often think

1:02:36.000 --> 1:02:38.480
<v Speaker 1>of now, and this is represented in our you think

1:02:38.480 --> 1:02:41.600
<v Speaker 1>of mermaids, or you think of you know, beautiful veiled

1:02:41.640 --> 1:02:44.800
<v Speaker 1>women emerging from the surf, but they were originally bird

1:02:44.840 --> 1:02:48.640
<v Speaker 1>female hybrids as well, and so ancient depictions of what

1:02:48.720 --> 1:02:51.200
<v Speaker 1>we might think of his harpies in the modern sense,

1:02:51.680 --> 1:02:55.000
<v Speaker 1>uh might have been sirens, or in some cases, UH

1:02:55.640 --> 1:02:58.600
<v Speaker 1>just were something else, some other kind of bird human hybrid.

1:02:59.040 --> 1:03:03.280
<v Speaker 1>For instance, there's tomb, the tomb of Xanthus uh, and

1:03:03.920 --> 1:03:06.120
<v Speaker 1>there's a carving from it, various carvings from it, I

1:03:06.120 --> 1:03:08.240
<v Speaker 1>think that you can find in the British Museum, and

1:03:08.320 --> 1:03:10.720
<v Speaker 1>it's it's been referred to for a long time as

1:03:10.760 --> 1:03:14.000
<v Speaker 1>the harpy too. I mean, you see this winged female figure.

1:03:14.400 --> 1:03:18.200
<v Speaker 1>Though it's it's it's far from certain that these were sirens,

1:03:18.560 --> 1:03:22.320
<v Speaker 1>but they were probably not harpies either. Uh So I

1:03:22.360 --> 1:03:25.280
<v Speaker 1>think it's still an open question exactly what this particular

1:03:25.360 --> 1:03:28.200
<v Speaker 1>being is supposed to be, you know, bringing this back

1:03:28.200 --> 1:03:32.480
<v Speaker 1>to the special potency of weather mythology and weather monsters

1:03:32.480 --> 1:03:36.200
<v Speaker 1>when it comes to sailing and ocean going. Uh. This

1:03:36.280 --> 1:03:38.760
<v Speaker 1>reminds me of a few years ago. I had a

1:03:38.760 --> 1:03:42.280
<v Speaker 1>conversation with the author chet VanDuzer about his his books

1:03:42.320 --> 1:03:46.520
<v Speaker 1>about the history of depictions of monsters on maps and

1:03:46.760 --> 1:03:49.240
<v Speaker 1>um and one of the surprising things about that is

1:03:49.280 --> 1:03:51.880
<v Speaker 1>if you had to guess, okay, what are the most

1:03:52.000 --> 1:03:55.680
<v Speaker 1>common types of sea monsters you would imagine depicted on

1:03:55.680 --> 1:03:58.720
<v Speaker 1>a map. Uh, you would probably guess what's some kind

1:03:58.760 --> 1:04:02.000
<v Speaker 1>of like ocean drag and type thing, or maybe the

1:04:02.000 --> 1:04:05.240
<v Speaker 1>the kraken or like a snake like sea monster. No,

1:04:05.680 --> 1:04:09.040
<v Speaker 1>by far, the most common type of monster, at least

1:04:09.080 --> 1:04:11.880
<v Speaker 1>depicted throughout the Western history of maps, is the siren.

1:04:12.040 --> 1:04:14.160
<v Speaker 1>If you're gonna have one type of monster on there,

1:04:14.160 --> 1:04:16.360
<v Speaker 1>it's going to be a siren. And and do you

1:04:16.400 --> 1:04:19.920
<v Speaker 1>remember if it was the the more mur folk style

1:04:20.160 --> 1:04:23.280
<v Speaker 1>siren or the winged siren. I'm cautious to answer that

1:04:23.320 --> 1:04:26.640
<v Speaker 1>because I'm not positive, but I seem to recall representations

1:04:26.680 --> 1:04:30.280
<v Speaker 1>both ways. Um, though, I guess the winged version would

1:04:30.280 --> 1:04:34.680
<v Speaker 1>probably be closer to this association with weather events, Yeah,

1:04:34.720 --> 1:04:37.400
<v Speaker 1>I would, I would think so. Yeah, they and certainly

1:04:37.560 --> 1:04:42.240
<v Speaker 1>the the the curious nature of winds and winds at sea.

1:04:42.280 --> 1:04:44.280
<v Speaker 1>And I guess that's where a lot of this comes

1:04:44.320 --> 1:04:47.080
<v Speaker 1>back to, like how how do we today and how

1:04:47.120 --> 1:04:52.120
<v Speaker 1>have people throughout history thought about weather patterns, particularly destructive

1:04:52.200 --> 1:04:55.040
<v Speaker 1>weather that seemed out of the normal. Uh, you know,

1:04:56.080 --> 1:04:59.080
<v Speaker 1>that are unique and dangerous? How do we think about those?

1:04:59.320 --> 1:05:02.520
<v Speaker 1>Are those the work of strange creatures that we can't

1:05:02.560 --> 1:05:06.080
<v Speaker 1>quite understand? Are they cosmic anomalies? Might there be some

1:05:06.160 --> 1:05:09.120
<v Speaker 1>sort of magical being that would warn us if these

1:05:09.120 --> 1:05:12.120
<v Speaker 1>are occurring? Is there some hero that could protect us

1:05:12.160 --> 1:05:15.600
<v Speaker 1>from them, because they could slay these monsters and return

1:05:15.680 --> 1:05:19.040
<v Speaker 1>the world to to some sort of normality. Um, yeah,

1:05:19.080 --> 1:05:22.400
<v Speaker 1>it's it's fascinating to think about. I wonder about something else,

1:05:22.680 --> 1:05:26.000
<v Speaker 1>coming back to gray Man type sightings of you know,

1:05:26.040 --> 1:05:29.320
<v Speaker 1>the being that would warn you about about a coming storm.

1:05:29.360 --> 1:05:32.880
<v Speaker 1>I wonder to what extent legends like that could also

1:05:32.960 --> 1:05:35.440
<v Speaker 1>sort of be going the other way in terms of

1:05:35.440 --> 1:05:39.760
<v Speaker 1>our internal mental causation, meaning like how much of it

1:05:39.840 --> 1:05:43.760
<v Speaker 1>is based in People have some kind of experience, you know,

1:05:43.800 --> 1:05:46.080
<v Speaker 1>they see what they think is a is a spectral

1:05:46.160 --> 1:05:49.440
<v Speaker 1>figure or spirit of something or something, and they want

1:05:49.480 --> 1:05:52.240
<v Speaker 1>it to mean something. They don't want to just be

1:05:52.360 --> 1:05:55.240
<v Speaker 1>I saw something weird and there's no reason for it,

1:05:55.640 --> 1:05:59.360
<v Speaker 1>so they try to connect it to something significant. It's

1:05:59.400 --> 1:06:03.000
<v Speaker 1>trying to tell me X. This means why when we

1:06:03.040 --> 1:06:05.840
<v Speaker 1>have unusual experiences, I think it's very natural for us

1:06:05.880 --> 1:06:07.680
<v Speaker 1>to try to say no, no, no, that was not

1:06:07.800 --> 1:06:11.040
<v Speaker 1>just an unusual experience. It was an indication of something.

1:06:11.120 --> 1:06:14.680
<v Speaker 1>It was somehow informative, It meant something, And it seems

1:06:14.720 --> 1:06:17.800
<v Speaker 1>like possibly the single easiest place you could go to

1:06:17.920 --> 1:06:23.040
<v Speaker 1>there is connecting it to external environmental events like the weather. Yeah.

1:06:23.080 --> 1:06:24.880
<v Speaker 1>I mean, I think this is one reason there's so

1:06:24.960 --> 1:06:27.800
<v Speaker 1>much weather lore where people can say, oh, you can

1:06:27.800 --> 1:06:29.880
<v Speaker 1>tell the storm's coming when I don't know when a

1:06:29.920 --> 1:06:32.280
<v Speaker 1>cow sits down at night or something like. You know,

1:06:32.360 --> 1:06:36.600
<v Speaker 1>there's a million sayings like that, and it's because weather

1:06:36.760 --> 1:06:40.400
<v Speaker 1>is constantly changing, so there's just like constant opportunities for

1:06:40.480 --> 1:06:43.600
<v Speaker 1>you to observe one thing and then something happens with

1:06:43.680 --> 1:06:46.240
<v Speaker 1>the weather and you make a connection there, yea. And

1:06:46.240 --> 1:06:48.680
<v Speaker 1>our mind is constantly looking for those connections. We want

1:06:48.720 --> 1:06:51.360
<v Speaker 1>to make those connections, and often with weather, the stakes

1:06:51.400 --> 1:06:55.000
<v Speaker 1>are are enormous, particularly when we're talking about highly destructive

1:06:55.040 --> 1:06:58.760
<v Speaker 1>weather patterns. So of course we're looking for some sort

1:06:58.800 --> 1:07:02.280
<v Speaker 1>of connection between the things we see in the world

1:07:02.720 --> 1:07:06.560
<v Speaker 1>and what's going on in the weather. And that includes, uh,

1:07:06.560 --> 1:07:09.880
<v Speaker 1>things we don't completely see, you know, or we we

1:07:09.880 --> 1:07:14.280
<v Speaker 1>we miss see, or we misinterpret or hallucinations and so forth,

1:07:14.520 --> 1:07:17.160
<v Speaker 1>and so yeah, I think that uh. One I guess

1:07:17.200 --> 1:07:19.160
<v Speaker 1>one place I was going with that is that perhaps

1:07:19.200 --> 1:07:22.480
<v Speaker 1>that selective sort of meaning seeking whenever you have a

1:07:22.520 --> 1:07:26.960
<v Speaker 1>strange experience could lead to a form of selective reporting

1:07:27.120 --> 1:07:30.800
<v Speaker 1>that informs So, you know, somebody thinks they see something

1:07:30.880 --> 1:07:33.680
<v Speaker 1>weird in a photo, or thinks they see something weird

1:07:33.760 --> 1:07:36.520
<v Speaker 1>on the beach, and then nothing happens the next day.

1:07:36.520 --> 1:07:38.880
<v Speaker 1>Well maybe I don't know who they really tell about that.

1:07:38.920 --> 1:07:41.200
<v Speaker 1>But if the next day the hurricane hits and you

1:07:41.240 --> 1:07:45.200
<v Speaker 1>think you've discovered some kind of uh, informative correlation there,

1:07:45.280 --> 1:07:49.720
<v Speaker 1>you might be much more likely to tell everybody this story. Yeah,

1:07:49.800 --> 1:07:51.520
<v Speaker 1>and and if it's not, if not the weather, then

1:07:51.520 --> 1:07:54.000
<v Speaker 1>perhaps there's something else that occurs. You know, you see

1:07:54.040 --> 1:07:57.000
<v Speaker 1>something strange and then the next day a monarch dies

1:07:57.640 --> 1:08:01.479
<v Speaker 1>or yeah, storm occurs or a family member grows sick.

1:08:01.840 --> 1:08:04.000
<v Speaker 1>Then you can make that connection. You'd be like, ah,

1:08:04.040 --> 1:08:06.400
<v Speaker 1>this is what that was about. It didn't happen for

1:08:06.440 --> 1:08:09.560
<v Speaker 1>no reason. It was a warning. It was a communication.

1:08:09.920 --> 1:08:11.960
<v Speaker 1>But yeah, it's funny because if you broughten it that

1:08:12.080 --> 1:08:14.720
<v Speaker 1>much to just like basically any significant event. I mean,

1:08:14.720 --> 1:08:17.400
<v Speaker 1>there's always something in the news, you know, it's like

1:08:17.520 --> 1:08:20.320
<v Speaker 1>something happens every day. Yeah, I mean, stuff happens. It

1:08:20.320 --> 1:08:22.240
<v Speaker 1>seems to happen for no reason. And if that, if

1:08:22.280 --> 1:08:24.240
<v Speaker 1>that's the case, you know you have nothing. But if

1:08:24.280 --> 1:08:28.320
<v Speaker 1>you have ghosts, well then you have everything. Right. Very nice,

1:08:28.479 --> 1:08:30.400
<v Speaker 1>very nice to bring it back to Rocky Well, you know,

1:08:30.439 --> 1:08:32.120
<v Speaker 1>they say the moon to the left is a part

1:08:32.120 --> 1:08:33.760
<v Speaker 1>of my thoughts, and a part of my thoughts is

1:08:33.800 --> 1:08:37.120
<v Speaker 1>a part of me is me? Uh so, so maybe

1:08:37.120 --> 1:08:39.080
<v Speaker 1>before our fans get too long, we should cut this

1:08:39.120 --> 1:08:42.400
<v Speaker 1>episode off, all right, But of course we're going to

1:08:42.479 --> 1:08:46.800
<v Speaker 1>be discussing losss of ghostly and monstrous things for the

1:08:46.840 --> 1:08:49.400
<v Speaker 1>rest of this month, and it probably a little bit beyond.

1:08:50.160 --> 1:08:53.519
<v Speaker 1>We're We're We're We're well into the season now, so

1:08:53.600 --> 1:08:56.400
<v Speaker 1>stay tuned. It should be fun. In the meantime if

1:08:56.400 --> 1:08:58.160
<v Speaker 1>you want to listen to other episodes of Stuff to

1:08:58.200 --> 1:09:01.280
<v Speaker 1>blow your mind her core episodes. On Tuesday and Thursday,

1:09:01.840 --> 1:09:05.320
<v Speaker 1>we have an artifact or a monster fact on Wednesday.

1:09:05.439 --> 1:09:07.880
<v Speaker 1>Monday is a listener mail. Friday is Weird How Cinema.

1:09:07.920 --> 1:09:10.840
<v Speaker 1>That's our time to just unwind and discuss a weird film,

1:09:10.880 --> 1:09:12.960
<v Speaker 1>and of course we have some very spooky films to

1:09:13.040 --> 1:09:15.880
<v Speaker 1>discuss this month as well. And then on the weekend

1:09:16.040 --> 1:09:18.040
<v Speaker 1>we do a vault episode, which is of course a

1:09:18.160 --> 1:09:20.840
<v Speaker 1>rerun from the previous year. I just want to give

1:09:20.880 --> 1:09:23.839
<v Speaker 1>a teaser that this week's episode of Weird House Cinema,

1:09:23.880 --> 1:09:26.280
<v Speaker 1>I think is without a doubt, can be our longest

1:09:26.360 --> 1:09:30.240
<v Speaker 1>most epic episode of all time, and uh may may

1:09:30.320 --> 1:09:33.360
<v Speaker 1>remain that way, because I don't know if it can

1:09:33.360 --> 1:09:37.040
<v Speaker 1>be outdone. I wonder if it's longer than the movie itself.

1:09:37.160 --> 1:09:40.960
<v Speaker 1>I think after that happen at least once. Yeah, all right,

1:09:40.960 --> 1:09:43.760
<v Speaker 1>we'll tune in to find out what that is huge,

1:09:43.800 --> 1:09:47.479
<v Speaker 1>thanks as always to our wonderful audio producer Seth Nicholas Johnson.

1:09:47.600 --> 1:09:49.080
<v Speaker 1>If you would like to get in touch with us

1:09:49.080 --> 1:09:51.519
<v Speaker 1>with feedback on this episode or any other, to suggest

1:09:51.640 --> 1:09:53.560
<v Speaker 1>topic for the future, or just to say hello, you

1:09:53.600 --> 1:09:56.320
<v Speaker 1>can email us at contact that Stuff to Blow Your

1:09:56.320 --> 1:10:06.479
<v Speaker 1>Mind dot com. Stuff to Blow Your Mind is production

1:10:06.560 --> 1:10:09.280
<v Speaker 1>of I Heart Radio. For more podcasts for My heart Radio,

1:10:09.520 --> 1:10:12.200
<v Speaker 1>visit the i heart Radio app, Apple Podcasts, or wherever

1:10:12.240 --> 1:10:25.400
<v Speaker 1>you listen to your favorite shows.