WEBVTT - S3 – 2: Rome & Babylon

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<v Speaker 1>Welcomed, unobscured a production of I Heart Radio and Aaron Minky.

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<v Speaker 1>By all accounts, it was a nice spring evening. That's

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<v Speaker 1>why Lizzie was out on a double date, walking Regent's

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<v Speaker 1>Park on Joseph's arm. It was their usual spot, although

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<v Speaker 1>tonight they were joined by Lizzie's sister strolling beside one

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<v Speaker 1>of Joseph's coworkers. At some point, it seems Lizzie and

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<v Speaker 1>Joseph wanted to have a quiet moment alone. With a smile,

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<v Speaker 1>they picked up the pace a bit while the other

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<v Speaker 1>pear trailed behind. You can picture them leaning in together,

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<v Speaker 1>whispering as they passed into the beautifully manicured landscape that

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<v Speaker 1>had made London the envy of the modern world when

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<v Speaker 1>it was first designed a generation before. One writer had

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<v Speaker 1>expressed his awe at its grandeur. Rome had its ruins

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<v Speaker 1>and Jerusalem It's temple, but London had its own shining glories.

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<v Speaker 1>As they ambled through Regent's Park, maybe Lizzie rested her

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<v Speaker 1>head on Joseph's shoulder. Back in eighteen twenty four, London

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<v Speaker 1>had repeat old the city's ancient law against walking the

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<v Speaker 1>streets at night. That was thanks in part to the

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<v Speaker 1>new wonder of the age, light that could throw back

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<v Speaker 1>the darkness on command. Maybe, as the clipped lawns glowed

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<v Speaker 1>under the gas lights that came to life, Lizzie had

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<v Speaker 1>the time to recall the lofty terms in which their

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<v Speaker 1>city had been praised the room of modern history. But

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<v Speaker 1>if it was a beautiful, quiet moment, it would be

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<v Speaker 1>their last. The sound of running feet neared on the

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<v Speaker 1>path behind them. Someone shouted, are you Macy. Joseph turned

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<v Speaker 1>to answer with I don't know what you mean, as

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<v Speaker 1>another voice called out, that's the one. Lizzie looked just

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<v Speaker 1>in time to see half a dozen young men closing

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<v Speaker 1>in anger on their faces, and they were staring at Joseph.

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<v Speaker 1>In an instant, they were upon him. One of them

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<v Speaker 1>grabbed him by the collar. Other hands and arms came

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<v Speaker 1>swinging in more violently. Joseph did his best to fight back,

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<v Speaker 1>throwing up his arms. He was a printer's machinist and

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<v Speaker 1>strong man, but there were too many of them, so

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<v Speaker 1>he took off, running his hat flew into the darkness.

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<v Speaker 1>They were faster, and they came on him too. Suddenly.

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<v Speaker 1>It only took a few moments before Lizzie caught up

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<v Speaker 1>just in time to see a knife flash in the

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<v Speaker 1>shadows between their bodies. As she came within reach, the

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<v Speaker 1>group was already on the run, whooping as they made

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<v Speaker 1>their escape. They had left Joseph draped over a park

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<v Speaker 1>gate with blood running from his mouth. He was gasping.

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<v Speaker 1>At first, she thought he had been punched in the face,

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<v Speaker 1>but he wheezed out the words I am stabbed. Someone

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<v Speaker 1>nearby came over to help and hail a cab, but

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<v Speaker 1>Lizzie could still see the attackers running off and no

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<v Speaker 1>one was giving chase. A righteous fury took hold of her,

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<v Speaker 1>and she set off running. Lizzie could tell they were

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<v Speaker 1>getting away. She yelled stop thief, and a man in

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<v Speaker 1>front of them tried to answer the call. Stepping into

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<v Speaker 1>the group's path. They knocked him aside, but it slowed

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<v Speaker 1>them down just enough for Lizzie to catch up. That's

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<v Speaker 1>when one of them turned and knocked her down. A

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<v Speaker 1>vicious kick smashed her ribs. Before she could get up,

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<v Speaker 1>they disappeared. As she climbed to her feet, she saw

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<v Speaker 1>a group of bystanders taking it all in. Why didn't

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<v Speaker 1>any of you help, she demanded, but the nearest man

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<v Speaker 1>turned away, and then she remembered Joseph still bleeding in

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<v Speaker 1>the park. She got back to him just as he

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<v Speaker 1>was helped into a cab. Lizzie climbed in with him

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<v Speaker 1>and they began rattling toward the hospital. But they wouldn't

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<v Speaker 1>make it. Blood was flowing from Joseph's chest and neck,

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<v Speaker 1>and he died in Lizzie's arms while they were still

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<v Speaker 1>on the way. It was a terrifying, senseless murder. To

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<v Speaker 1>say that it shocked London would be an understatement. Papers

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<v Speaker 1>across Britain, from Leeds to Ipswich to Bristol, reported the

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<v Speaker 1>murder at a frenzied pitch. The story made the same

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<v Speaker 1>splash in Scotland and Ireland. Like the Brighton railway murder.

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<v Speaker 1>It drew the attention of a reading public to the

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<v Speaker 1>turmoil in the streets of London. As suspects were questioned,

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<v Speaker 1>the picture became clear. The attackers were members of the Deck,

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<v Speaker 1>and they'd mistaken Joseph for a member of a rival gang,

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<v Speaker 1>a gang that had attacked them in Regent's Park the

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<v Speaker 1>night before. The knife that had sliced Joseph long was

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<v Speaker 1>a sailor's dagger. The sanitary workers dredged the sewers at

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<v Speaker 1>the request of Scotland Yard and found the six inch

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<v Speaker 1>blade embedded in the mud. Its owner had loaned it

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<v Speaker 1>to the killer, who had carried it to the park

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<v Speaker 1>with revenge on his mind. Youth gang's sailor's knives and

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<v Speaker 1>evidence stashed in sewers, only to be dredged up by

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<v Speaker 1>London's finest It all gave London an air of incredible danger.

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<v Speaker 1>And of course this heinous crime had occurred along Regent

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<v Speaker 1>Street inside Regent's Park. That place was a wonder of

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<v Speaker 1>modern design, meant to replace pestilent alleyways, squalid hovels and

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<v Speaker 1>myrie rhodes at the heart of London with healthy streets,

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<v Speaker 1>elegant buildings and park like scenery, or so they had

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<v Speaker 1>said in eight when the park was first opened. But

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<v Speaker 1>like the Brighton Railway murder, the Regent's Park murder of

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<v Speaker 1>eight would force Britain's wide eyed readership to revisit the

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<v Speaker 1>question asked by the rampaging crowds two years earlier. Had

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<v Speaker 1>the modern world really washed away the worst impulses of

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<v Speaker 1>London's past, or had it simply invited the sins of

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<v Speaker 1>Mother England to play out once more, only this time

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<v Speaker 1>on a much grander scale. This is unobscured. I'm Aaron

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<v Speaker 1>manky m M. London didn't just get this way by itself.

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<v Speaker 1>There's always a backstory. It was certainly true that in

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<v Speaker 1>the eighteen hundreds London was a city on the grow,

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<v Speaker 1>and no one could take more credit for that than

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<v Speaker 1>the Prince Regent himself, George the Fourth, well except maybe

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<v Speaker 1>his architect John Nash. You see, in the centuries before

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<v Speaker 1>the industrial era, much of the land around London was

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<v Speaker 1>owned by the Crown. It was then leased to farmers

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<v Speaker 1>and builders, who used it for their own ends. But

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<v Speaker 1>those leases ended in eighteen eleven, just as the Prince

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<v Speaker 1>Regent was puzzling over England's place in the modern world,

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<v Speaker 1>and if the reports are true, he was especially troubled

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<v Speaker 1>when he looked across the channel and saw the grandeur

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<v Speaker 1>of France. By all accounts, he set out to make

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<v Speaker 1>the city at the center of his empire a metropolis

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<v Speaker 1>that could quite eclipse Napoleon, and he spared no expense.

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<v Speaker 1>Not only did George the Fourth and John Nash create

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<v Speaker 1>Regent Street and Regent's Park, but they remade Buckingham House

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<v Speaker 1>into a pal us worthy of any continental monarch. Acts

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<v Speaker 1>of Parliaments launched three new bridges across the Thames, which

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<v Speaker 1>cleared the way for new roads to cross the river.

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<v Speaker 1>Gas Lights began to pop up in eighteen oh seven

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<v Speaker 1>and spread along London streets for years until their glow

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<v Speaker 1>could be seen throughout the city in the eighteen forties.

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<v Speaker 1>But this was more than a facelift, and the scalpel

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<v Speaker 1>did more than scratch the surface. Along those streets and

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<v Speaker 1>gas lines traveled new sewers that would sluice the city's

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<v Speaker 1>filth to the river that would carry it out to sea.

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<v Speaker 1>At least that was the story for London's West End.

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<v Speaker 1>When the Prince Regent and John Nash were done and

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<v Speaker 1>collecting their praise from observers, others took up the vision

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<v Speaker 1>for creating London anew Throughout the century, huge projects continued

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<v Speaker 1>to be launched, even up to eighteen sixty seven, when

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<v Speaker 1>the Holburn Viaduct, the biggest and most expensive project of

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<v Speaker 1>the century, was built to serve London's financial district. All

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<v Speaker 1>of that remodeling came at a cost, though, and not

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<v Speaker 1>just to a purse, No, it was much more severe

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<v Speaker 1>than that. For the new city to arise, the old

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<v Speaker 1>one had to be cut to pieces. Among the wealth

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<v Speaker 1>and well to do, John Nash was known for his

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<v Speaker 1>beautiful architecture, but among poor and working people he was

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<v Speaker 1>known for the men who cleared the way for those buildings,

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<v Speaker 1>Nash's housebreakers. Here's historian Adam Wood. Fifty years earlier. The rookeries,

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<v Speaker 1>where the poor in the criminal classes congregated, were to

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<v Speaker 1>be found in the West End and Saint Charles Area

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<v Speaker 1>and spill Fields and White chap in the early teen hundreds,

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<v Speaker 1>were by comparison and quite prosperous. When the West End

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<v Speaker 1>was developed, a large number of people were forced from

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<v Speaker 1>the rookeries. And when Oxford Street and Shaws Revenue, which

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<v Speaker 1>are well known West End streets now were developed, that

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<v Speaker 1>St Charles Area was demolished and all the five five

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<v Speaker 1>thousand poor residents were relocated to the East End. That's right,

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<v Speaker 1>thousands of poor Londoners were dispossessed and displaced as the

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<v Speaker 1>West End developed. The homes where they had lived in

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<v Speaker 1>some cases for generations were destroyed and those people were

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<v Speaker 1>simply turned out into the streets. Where did they go?

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<v Speaker 1>Not far? Actually, pushed out from the neighborhoods where they

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<v Speaker 1>used to live. Many now found themselves only a few

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<v Speaker 1>neighborhoods away in the East End, but there was hardly

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<v Speaker 1>a reprieve in the docklands. When a project to build

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<v Speaker 1>the St. Catherine's Docks was arranged, the first thing to

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<v Speaker 1>do was clear the way. House breakers arrived at three

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<v Speaker 1>neighborhoods in the East End called Cat's Whole, Pillory Lane

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<v Speaker 1>and Dark Entry and they left them in ruins. Construction

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<v Speaker 1>on this single project left over eleven thousand people without

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<v Speaker 1>their homes. Here's historian Louise raw If you were better

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<v Speaker 1>off and the property owner, then you get compensation. If

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<v Speaker 1>you didn't tough on, you go. And we presume because

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<v Speaker 1>nobody bothered to record where people went, that they just

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<v Speaker 1>went deeper into London. They just increased the overcrowding everywhere

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<v Speaker 1>else they would had no choice, perhaps stay with friends,

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<v Speaker 1>go wherever you could. A lot of them would just

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<v Speaker 1>have been homeless. And there was a large increase in homelessness.

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<v Speaker 1>So London's posh West End and it's dark East End

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<v Speaker 1>didn't just drop out of the sky or sprout up

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<v Speaker 1>from the soil. Among the Thames River. They were choices

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<v Speaker 1>that had been made by Crown and country that lay

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<v Speaker 1>behind the fashionable facade of the West End and the

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<v Speaker 1>desperation of the East. In fact, many Londoners of the

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<v Speaker 1>Victorian era agreed where we might differ from them, though

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<v Speaker 1>is in whose choice that was. Because for the middle

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<v Speaker 1>class Victorians who looked to the East from their comfortable homes,

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<v Speaker 1>it was clear the east Enders had brought this upon themselves.

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<v Speaker 1>The link they saw was between the squalid conditions of

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<v Speaker 1>the East End neighborhoods and the morality of the people

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<v Speaker 1>who lived there. It was an endless cycle, they thought,

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<v Speaker 1>between bad homes and bad morals. It was as if

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<v Speaker 1>the grandness of Nash's designs had white all memory of

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<v Speaker 1>his house breakers from their minds, assuming, of course, they

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<v Speaker 1>had ever given them a thought in the first place.

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<v Speaker 1>The Regent's Park murder locked a lot of London doors.

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<v Speaker 1>The house breaking and home wrecking that middle class Victorians

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<v Speaker 1>worried about had little to do with fears that their

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<v Speaker 1>home might be destroyed to clear the way for a

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<v Speaker 1>grand promenade. Instead, they worried that someone might break into

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<v Speaker 1>their homes and make off with their belongings, or that

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<v Speaker 1>someone with loose morals might disturb the tranquility of their

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<v Speaker 1>family arrangements with temptations. And that's what had them turning

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<v Speaker 1>to a new organization that grew up alongside the modern city,

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<v Speaker 1>the modern police Department. They turned to men like Charles

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<v Speaker 1>Warren to coordinate and lead the efforts against both violence

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<v Speaker 1>and vice, and they counted on men like Detective Inspector

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<v Speaker 1>Donald Swanson to untie the difficult knot at the center

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<v Speaker 1>of inexplicable crimes. After all, when Swans and arrested the

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<v Speaker 1>Brighton Railway murderer in eight eight one, it wasn't the

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<v Speaker 1>first time that his quick thought and decisive action brought

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<v Speaker 1>relief to London's wealthy. In fact, by then he had

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<v Speaker 1>already solved a string of cases that made him highly

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<v Speaker 1>respected among the public who knew him, but in the

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<v Speaker 1>police department too. In eighteen seventy, when Swanson was still

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<v Speaker 1>just a constable, a small gang of thieves made off

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<v Speaker 1>with gold chains lifted from a pawnbroker's shop on Fleet Street.

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<v Speaker 1>They had used the cover of night to creep to

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<v Speaker 1>the shop's closed shutters with a small metal file and

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<v Speaker 1>a plan while two of them stood look out. The

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<v Speaker 1>other two board holes through the shutters and pulled out

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<v Speaker 1>the valuables they found inside. They had spotted diamond necklaces

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<v Speaker 1>in the shop, and no mere wooden board could stop

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<v Speaker 1>someone with a penchant for drilling his way to wealth.

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<v Speaker 1>But they knew they couldn't attract too much attention. They

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<v Speaker 1>had to work quickly, and they ran out of time.

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<v Speaker 1>The holes they made were too small for the diamonds.

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<v Speaker 1>Only a few thin gold chains would slip through. The

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<v Speaker 1>hall was far us valuable than it could have been,

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<v Speaker 1>but when the thieves vanished with the gold chains, it

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<v Speaker 1>was enough to set the police on the scene. The

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<v Speaker 1>gang would have gotten away completely if it weren't for

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<v Speaker 1>Constable Donald Swanson. He traced their path through the city,

0:13:13.320 --> 0:13:17.560
<v Speaker 1>into the East End and into Whitechapel. Ultimately, Swanson arrested

0:13:17.600 --> 0:13:21.040
<v Speaker 1>three of the four thieves. Alongside the stolen gold chains,

0:13:21.080 --> 0:13:23.280
<v Speaker 1>he found a bent wire in the belongings of a

0:13:23.320 --> 0:13:26.680
<v Speaker 1>woman named Curly Paul. Swanson convinced the judge that the

0:13:26.720 --> 0:13:29.320
<v Speaker 1>wire had been used to lift the stolen gold through

0:13:29.360 --> 0:13:32.920
<v Speaker 1>the punctured shutters of the shop. Curly Paul was convicted

0:13:32.920 --> 0:13:35.880
<v Speaker 1>of acting as a lookout for the group, but that

0:13:35.920 --> 0:13:39.080
<v Speaker 1>was only one case when Swanson slapped the hand reaching

0:13:39.160 --> 0:13:41.600
<v Speaker 1>from the East End, because as well as helping the

0:13:41.640 --> 0:13:45.000
<v Speaker 1>residents and retailers of West London hold onto their valuables,

0:13:45.000 --> 0:13:47.640
<v Speaker 1>he was also tasked with making sure that their moral

0:13:47.720 --> 0:13:51.840
<v Speaker 1>fiber remained intact. The year after catching the pawn shop burglars,

0:13:51.920 --> 0:13:56.080
<v Speaker 1>Swanson worked with another officer, Frederick Aberlein, to investigate a

0:13:56.120 --> 0:13:59.920
<v Speaker 1>different kind of business, one that threatened to corrupt respectable

0:14:00.040 --> 0:14:05.040
<v Speaker 1>und dinners. Here is Adam Wood. Once again, Swanson was

0:14:05.040 --> 0:14:08.280
<v Speaker 1>a PC and Atherline a serjump and complaints have been

0:14:08.280 --> 0:14:10.880
<v Speaker 1>made to the police that the infamous fear to impresario

0:14:10.960 --> 0:14:13.600
<v Speaker 1>George Sanger was putting on plays without a license, and

0:14:13.679 --> 0:14:17.040
<v Speaker 1>to get around this he placed advertisement stating that entry

0:14:17.160 --> 0:14:19.920
<v Speaker 1>was free, but when nearly four hundred people turned up

0:14:19.920 --> 0:14:21.160
<v Speaker 1>on the night, they were told they had to buy

0:14:21.160 --> 0:14:25.280
<v Speaker 1>a program before they had gained admittance. Other Line went

0:14:25.320 --> 0:14:28.680
<v Speaker 1>along in playing clothes and watched the performance and observed

0:14:28.720 --> 0:14:31.880
<v Speaker 1>what the newspapers described. Got it written here as several drunks,

0:14:32.240 --> 0:14:35.120
<v Speaker 1>men of a doubtful character and women of an immoral character,

0:14:35.720 --> 0:14:38.440
<v Speaker 1>causing nuisance to the ability to the public so you

0:14:38.520 --> 0:14:42.040
<v Speaker 1>just imagine what an evening that that was like. Sanger

0:14:42.200 --> 0:14:44.800
<v Speaker 1>eventually appeared before the magistrates and was fined just five

0:14:44.800 --> 0:14:47.120
<v Speaker 1>pound and I know a little bit about saying that

0:14:47.200 --> 0:14:50.960
<v Speaker 1>he did go on to continue with his illegal playhouse career,

0:14:51.080 --> 0:14:54.120
<v Speaker 1>should he say? And he was quite quiet notorious that

0:14:54.480 --> 0:14:57.240
<v Speaker 1>Swanson was transferred to Bow in the East End three

0:14:57.240 --> 0:14:59.680
<v Speaker 1>months later on a line to whitechape Or two years later.

0:15:00.480 --> 0:15:04.080
<v Speaker 1>Those transfers for Donald Swanson and Frederick Aberleine would be

0:15:04.160 --> 0:15:06.920
<v Speaker 1>a fateful one for both men. As they worked in

0:15:06.960 --> 0:15:09.200
<v Speaker 1>the East End, they came to know its streets and

0:15:09.320 --> 0:15:12.960
<v Speaker 1>its people, and those experiences meant that in eighteen eighty eight,

0:15:13.000 --> 0:15:16.440
<v Speaker 1>when Scotland Yard needed detectives to investigate a series of

0:15:16.480 --> 0:15:20.880
<v Speaker 1>gruesome murders, first Frederick Aberleine and then Donald Swanson would

0:15:20.880 --> 0:15:24.640
<v Speaker 1>get the call. Not at first though, because in eighteen

0:15:24.680 --> 0:15:27.840
<v Speaker 1>eighty seven, after nine years as the head of investigation

0:15:27.920 --> 0:15:31.400
<v Speaker 1>in Whitechapel, Aberleine had been transferred to the central office

0:15:31.400 --> 0:15:35.120
<v Speaker 1>at Scotland Yard. Donald Swanson joined him in the same November.

0:15:36.000 --> 0:15:39.360
<v Speaker 1>In eighteen eighty eight, both men were senior officers climbing

0:15:39.400 --> 0:15:42.560
<v Speaker 1>toward the top of the criminal investigation Department or c

0:15:42.760 --> 0:15:47.080
<v Speaker 1>i D, whose responsibilities were more and more administrative, to

0:15:47.160 --> 0:15:51.200
<v Speaker 1>follow the patterns of crime around London. But when murder

0:15:51.280 --> 0:15:54.760
<v Speaker 1>came to Whitechapel in eighteen eighty eight, they found themselves

0:15:54.840 --> 0:15:58.160
<v Speaker 1>facing a pattern they had never seen before, and it

0:15:58.200 --> 0:16:05.520
<v Speaker 1>would prove to be their greatest challenge. Pearly Paul sat

0:16:05.640 --> 0:16:09.040
<v Speaker 1>uneasily looking at the corner. If it was an ordinary week,

0:16:09.080 --> 0:16:11.400
<v Speaker 1>that man would have been Win Baxter, who led the

0:16:11.440 --> 0:16:15.440
<v Speaker 1>inquest into the Brighton railway murder. But Baxter was vacationing

0:16:15.520 --> 0:16:18.600
<v Speaker 1>in Scandinavia. His work got handed down to the next

0:16:18.640 --> 0:16:22.120
<v Speaker 1>in line, so Pearly Paul was faced with Baxter's deputy.

0:16:23.400 --> 0:16:26.960
<v Speaker 1>The newspapers that reported her testimony would mock her. They

0:16:26.960 --> 0:16:30.320
<v Speaker 1>would call her masculine looking and say that her face

0:16:30.480 --> 0:16:33.360
<v Speaker 1>was soddened by drink. But the past few weeks had

0:16:33.400 --> 0:16:36.400
<v Speaker 1>been terrible ones for Paul, and now she was sitting

0:16:36.440 --> 0:16:39.320
<v Speaker 1>at a coroner's inquest, and she was about to relive

0:16:39.400 --> 0:16:43.080
<v Speaker 1>all those weeks again. After all, her friend had been

0:16:43.120 --> 0:16:47.080
<v Speaker 1>murdered when she was first called into the inquest two

0:16:47.080 --> 0:16:49.760
<v Speaker 1>weeks before. Paul was pulled into view the body of

0:16:49.760 --> 0:16:52.520
<v Speaker 1>a dead woman. She told the police that yes, she

0:16:52.600 --> 0:16:55.560
<v Speaker 1>knew her name. Her name was Emma, but the inquest

0:16:55.640 --> 0:16:57.480
<v Speaker 1>came to a halt when the next two women to

0:16:57.520 --> 0:17:00.000
<v Speaker 1>view the body gave different names for the dead woman.

0:17:00.920 --> 0:17:04.359
<v Speaker 1>Frustrated by the confusion, the deputy corner delayed the second

0:17:04.400 --> 0:17:06.719
<v Speaker 1>day of the inquest by two weeks in hopes that

0:17:06.720 --> 0:17:10.120
<v Speaker 1>Scotland Yard could sort out the confusion. At least one

0:17:10.200 --> 0:17:13.119
<v Speaker 1>historian has noted that while wind Baxter was known for

0:17:13.160 --> 0:17:16.760
<v Speaker 1>guiding inquests with cool detachment in the face of gruesome

0:17:16.800 --> 0:17:20.919
<v Speaker 1>injuries and mysterious deaths, this backup Deputy Corner was not

0:17:21.160 --> 0:17:25.760
<v Speaker 1>so collected. His shock and horror are evident in his records.

0:17:26.080 --> 0:17:28.200
<v Speaker 1>We can only imagine how glad he was to put

0:17:28.280 --> 0:17:30.680
<v Speaker 1>the terrible crime out of his mind and turn things

0:17:30.720 --> 0:17:33.480
<v Speaker 1>over to the detectives as they slowly began to put

0:17:33.520 --> 0:17:38.600
<v Speaker 1>together the pieces of Martha Tabram's life. Here's historian Drew Gray.

0:17:39.320 --> 0:17:44.360
<v Speaker 1>She was an alcoholic and she had a reputation for

0:17:44.880 --> 0:17:47.760
<v Speaker 1>being seen out with men that she wasn't going out with,

0:17:47.960 --> 0:17:52.200
<v Speaker 1>which might have tainted her reputation. She was found dead

0:17:52.560 --> 0:17:55.720
<v Speaker 1>on the landing of George Yard Buildings on the seventh

0:17:55.720 --> 0:18:01.520
<v Speaker 1>of August. She can stabbed thirty nine times. Most of

0:18:01.520 --> 0:18:04.639
<v Speaker 1>the wounds are targeted to abdomen. I think at the

0:18:04.720 --> 0:18:07.480
<v Speaker 1>time it was considered to be a very brutal murder,

0:18:07.520 --> 0:18:09.320
<v Speaker 1>and there's a suggestion it might have been carried up

0:18:09.320 --> 0:18:14.520
<v Speaker 1>by soldiers. That suggestion caught on because a constable patrolling

0:18:14.560 --> 0:18:17.919
<v Speaker 1>that neighborhood had talked with the Grenadier guardsman loitering in

0:18:17.960 --> 0:18:21.240
<v Speaker 1>the street around two am. Hurley Paul's testimony made that

0:18:21.320 --> 0:18:24.239
<v Speaker 1>theory even stronger. You see, she and Martha had been

0:18:24.240 --> 0:18:26.480
<v Speaker 1>out drinking with a couple of soldiers on the night

0:18:26.520 --> 0:18:29.520
<v Speaker 1>of the murder. Just before midnight. They left the White

0:18:29.520 --> 0:18:32.920
<v Speaker 1>Swan Pub to go their separate ways with their separate men.

0:18:33.560 --> 0:18:37.280
<v Speaker 1>Hurly Paul had seen Martha walk away on the soldier's arm.

0:18:37.320 --> 0:18:39.959
<v Speaker 1>It was the last time anyone would see Martha alive.

0:18:41.359 --> 0:18:43.679
<v Speaker 1>Her body was found at four fifty a m. The

0:18:43.720 --> 0:18:46.879
<v Speaker 1>next morning in the stairwell of the George Yard buildings,

0:18:46.920 --> 0:18:50.000
<v Speaker 1>just off the White Chapel Road. A dock worker spotted

0:18:50.040 --> 0:18:51.960
<v Speaker 1>her body as he was coming down the street to

0:18:52.000 --> 0:18:54.560
<v Speaker 1>go to work. He rushed to find a constable and

0:18:54.640 --> 0:18:56.560
<v Speaker 1>brought the man who had talked with the soldier. A

0:18:56.600 --> 0:18:59.879
<v Speaker 1>few hours earlier. That brought more police and a Sir

0:19:00.040 --> 0:19:04.520
<v Speaker 1>Rgin to examine Martha's body. What he found was terrifying.

0:19:05.000 --> 0:19:08.480
<v Speaker 1>Small knife wounds covered her thighs, her abdomen, and her chest.

0:19:08.960 --> 0:19:11.600
<v Speaker 1>The surgeon guests they were inflicted with what he called

0:19:11.640 --> 0:19:15.119
<v Speaker 1>an ordinary pen knife. The blade had pierced both lungs

0:19:15.200 --> 0:19:18.840
<v Speaker 1>and Martha's heart as well. One wound that had punctured

0:19:18.840 --> 0:19:22.240
<v Speaker 1>her stern um, though likely required something bigger, a dagger

0:19:22.480 --> 0:19:26.679
<v Speaker 1>or maybe a soldier's bayonet. The doctor did report that

0:19:26.720 --> 0:19:30.040
<v Speaker 1>there was no evidence of recent intimacy to use the

0:19:30.160 --> 0:19:33.199
<v Speaker 1>terms of Victorian propriety that were published in the paper.

0:19:33.640 --> 0:19:36.560
<v Speaker 1>But there's no wonder it was considered a brutal murder

0:19:36.600 --> 0:19:40.880
<v Speaker 1>because that's exactly what it was. So with the White

0:19:40.960 --> 0:19:45.000
<v Speaker 1>Chapel Constable into the detectives rounded up Grenadier guards at

0:19:45.000 --> 0:19:47.520
<v Speaker 1>the Tower of London, especially the ones who had been

0:19:47.520 --> 0:19:50.399
<v Speaker 1>on leave the night of the murder. The constable couldn't

0:19:50.400 --> 0:19:53.080
<v Speaker 1>spot his man among them, or rather, first he picked

0:19:53.080 --> 0:19:56.080
<v Speaker 1>out one man, then changed his mind and picked another.

0:19:56.560 --> 0:19:59.720
<v Speaker 1>After talking with them, the inspector decided the constable had

0:19:59.760 --> 0:20:03.040
<v Speaker 1>made mistake, so a few days later they called Pearly

0:20:03.160 --> 0:20:06.119
<v Speaker 1>Paul She was brought into view an identity parade, and

0:20:06.160 --> 0:20:09.119
<v Speaker 1>the detectives asked her, can you see here either of

0:20:09.160 --> 0:20:12.040
<v Speaker 1>the men you saw with the woman now dead? She

0:20:12.119 --> 0:20:14.600
<v Speaker 1>scrutinized them for a long time, but in the end

0:20:14.680 --> 0:20:17.520
<v Speaker 1>she shook her head. When the inspectors asked her again,

0:20:17.680 --> 0:20:20.359
<v Speaker 1>she looked him in the eye and said he ain't here.

0:20:21.040 --> 0:20:23.879
<v Speaker 1>All she remembered was that the soldiers had white bands

0:20:23.880 --> 0:20:27.440
<v Speaker 1>around their caps. That led the search to the Wellington

0:20:27.520 --> 0:20:30.920
<v Speaker 1>Barracks and the cold Stream Guards. They brought Paul back

0:20:30.960 --> 0:20:33.920
<v Speaker 1>to review more potential killers, and when they came through

0:20:33.920 --> 0:20:36.600
<v Speaker 1>in a lineup, she picked out two men. The trouble

0:20:36.720 --> 0:20:40.480
<v Speaker 1>was both of them had alibis, so the inspector scribbled

0:20:40.480 --> 0:20:46.800
<v Speaker 1>an ominous phrase in his notes. Identification failed. Scotland Yard

0:20:46.880 --> 0:20:49.960
<v Speaker 1>questioned neighbors around the building where Martha's body had been found,

0:20:50.040 --> 0:20:52.720
<v Speaker 1>and people who had passed by along the street that night.

0:20:53.200 --> 0:20:56.040
<v Speaker 1>None had information to add, though in fact, no one

0:20:56.080 --> 0:21:00.560
<v Speaker 1>in the neighborhood where she died even claimed to know her. Strangely,

0:21:00.680 --> 0:21:03.440
<v Speaker 1>the police didn't press the supervisor of the building where

0:21:03.440 --> 0:21:06.560
<v Speaker 1>Martha's body was found. He was questioned, but he told

0:21:06.600 --> 0:21:09.600
<v Speaker 1>the inspectors he hadn't heard anything. Maybe he was just

0:21:09.640 --> 0:21:12.000
<v Speaker 1>trying to keep his head down. His wife told them

0:21:12.040 --> 0:21:15.120
<v Speaker 1>that she had heard someone shout a single word murder,

0:21:15.400 --> 0:21:18.960
<v Speaker 1>but that wasn't so unusual, she said, after all, this

0:21:19.160 --> 0:21:23.000
<v Speaker 1>was the East End. When the inquest reconvened on August,

0:21:23.680 --> 0:21:28.520
<v Speaker 1>only Martha's identity had been established. Her estranged husband, Henry Tabram,

0:21:28.560 --> 0:21:31.080
<v Speaker 1>had come in to identify her from Greenwich, on the

0:21:31.119 --> 0:21:33.560
<v Speaker 1>other side of the Thames and a bit farther downriver.

0:21:33.920 --> 0:21:36.960
<v Speaker 1>Henry said they had been separated for thirteen years and

0:21:37.080 --> 0:21:41.919
<v Speaker 1>I quote owing to her drinking habits. Another Henry, Henry Turner,

0:21:42.119 --> 0:21:44.480
<v Speaker 1>had been her partner since then. She had been his

0:21:44.520 --> 0:21:47.399
<v Speaker 1>wife for nine years, he said, but he had separated

0:21:47.480 --> 0:21:49.960
<v Speaker 1>from her two or three weeks before she was killed.

0:21:50.280 --> 0:21:53.159
<v Speaker 1>Their landlady testified as well, but all she said was

0:21:53.240 --> 0:21:56.760
<v Speaker 1>that Martha owed her two weeks rent. So Pearley Paul

0:21:56.880 --> 0:21:59.280
<v Speaker 1>came last. She gave her account of the night when

0:21:59.280 --> 0:22:03.520
<v Speaker 1>Martha died. She gave her account of reviewing the suspected soldiers.

0:22:03.560 --> 0:22:06.680
<v Speaker 1>She even admitted to saying she might drown herself, though

0:22:06.720 --> 0:22:09.199
<v Speaker 1>at the inquest she tried to take that back. In

0:22:09.200 --> 0:22:12.199
<v Speaker 1>the days since the murder. Paul had taken refuge with

0:22:12.240 --> 0:22:15.280
<v Speaker 1>her cousin on Drury Lane. We can only imagine how

0:22:15.400 --> 0:22:19.600
<v Speaker 1>much she needed that support to not be alone. The

0:22:19.640 --> 0:22:23.320
<v Speaker 1>inspector responsible for Whitechapel told the Deputy coroner that none

0:22:23.359 --> 0:22:25.520
<v Speaker 1>of the soldiers were found with any blood on their

0:22:25.520 --> 0:22:28.639
<v Speaker 1>clothes or weapons. He ended his statement with the plea

0:22:28.720 --> 0:22:32.159
<v Speaker 1>that was published in the London Times on August if

0:22:32.200 --> 0:22:35.800
<v Speaker 1>anyone had information about Martha's death, please let them know.

0:22:36.480 --> 0:22:41.040
<v Speaker 1>They had reached a dead end without The inspector responsible

0:22:41.080 --> 0:22:45.360
<v Speaker 1>for investigating crime in Whitechapel moved on literally. He followed

0:22:45.359 --> 0:22:50.040
<v Speaker 1>Win Baxter's example and left London on vacation. The next day.

0:22:50.119 --> 0:22:53.200
<v Speaker 1>The East London Adviser responded with an article of their own.

0:22:53.520 --> 0:22:56.280
<v Speaker 1>They saw the way that the East Ends reputation was looking,

0:22:56.320 --> 0:22:58.480
<v Speaker 1>and they hoped to head it off. A murder in

0:22:58.520 --> 0:23:02.320
<v Speaker 1>Whitechapel or any in the East End was regarded differently

0:23:02.359 --> 0:23:06.120
<v Speaker 1>from attacks elsewhere in London, say Regent's Park, for example,

0:23:06.480 --> 0:23:10.080
<v Speaker 1>A murder there would get sympathy from a wide British readership.

0:23:10.680 --> 0:23:13.280
<v Speaker 1>But let a poor man sin in the East End,

0:23:13.400 --> 0:23:16.960
<v Speaker 1>they wrote, and it draws the finger of scorn alongside

0:23:16.960 --> 0:23:20.240
<v Speaker 1>the gasp of horror. After all, fearful readers and the

0:23:20.320 --> 0:23:24.080
<v Speaker 1>journalists who fed them stories truly believed east Enders were

0:23:24.080 --> 0:23:28.119
<v Speaker 1>all Ruffians. It seemed the papers used every story to

0:23:28.240 --> 0:23:31.520
<v Speaker 1>reinforce that prejudice too. If the editors of the East

0:23:31.640 --> 0:23:34.800
<v Speaker 1>End Adviser thought Martha Tabram's murder was used to spoil

0:23:34.840 --> 0:23:39.080
<v Speaker 1>their neighborhood's reputation, though they were completely unprepared for what

0:23:39.240 --> 0:23:43.440
<v Speaker 1>was coming, and they had no idea just how bad

0:23:43.480 --> 0:23:50.720
<v Speaker 1>things could get. Regent's Park was built for the Lizzies

0:23:50.760 --> 0:23:53.960
<v Speaker 1>and Josephs of London and their betters. But as we're

0:23:54.000 --> 0:23:57.000
<v Speaker 1>starting to see, that's only one small part of london story.

0:23:57.400 --> 0:23:59.760
<v Speaker 1>When the old city was chewed and swallowed by the

0:23:59.760 --> 0:24:03.200
<v Speaker 1>reads plans and the industrial era crept into the light,

0:24:03.640 --> 0:24:07.600
<v Speaker 1>Londoners saw three faces of their home. To the west

0:24:07.720 --> 0:24:11.000
<v Speaker 1>sat Court and Parliament. It was the city's government seat,

0:24:11.320 --> 0:24:14.440
<v Speaker 1>second at the city center. Tides of money were pulled

0:24:14.480 --> 0:24:16.879
<v Speaker 1>in from all around the globe to create the banks

0:24:16.920 --> 0:24:20.080
<v Speaker 1>and towers, all of which spilled into the creeping suburbs

0:24:20.119 --> 0:24:23.200
<v Speaker 1>for the middle classes who served in them, and finally

0:24:23.480 --> 0:24:26.600
<v Speaker 1>on the eastern side of the city and flowing ever eastward,

0:24:26.680 --> 0:24:30.080
<v Speaker 1>towards the open sea were London's ducks and the factories

0:24:30.080 --> 0:24:34.200
<v Speaker 1>and warehouses that hunched against them. Here's historian Drew Gray.

0:24:35.560 --> 0:24:39.680
<v Speaker 1>The West End, or in popular parlance, the Best End,

0:24:40.480 --> 0:24:44.840
<v Speaker 1>was home to the wealthy. It was a playground for

0:24:44.920 --> 0:24:47.159
<v Speaker 1>those who had money, and of course it was a

0:24:47.200 --> 0:24:49.159
<v Speaker 1>magnet for people who wanted to work. So plenty of

0:24:49.359 --> 0:24:51.600
<v Speaker 1>East London has worked in the West End, worked in

0:24:51.600 --> 0:24:53.639
<v Speaker 1>the shops and the clubs, and the clubs and the

0:24:54.160 --> 0:24:56.640
<v Speaker 1>and came over, you know, the women came over sometimes

0:24:56.640 --> 0:25:00.760
<v Speaker 1>to collactic prostitutes and escorts in that part of town.

0:25:01.440 --> 0:25:03.080
<v Speaker 1>And this is where the shops and the clubs in

0:25:03.080 --> 0:25:06.879
<v Speaker 1>the theaters of Victoria and London were. Um. You know,

0:25:07.160 --> 0:25:09.679
<v Speaker 1>this is where you'd find the elegant streets and the

0:25:09.720 --> 0:25:13.800
<v Speaker 1>squares around Bloomsbury. And this is this is what looked

0:25:13.840 --> 0:25:18.480
<v Speaker 1>like the capital of the greatest empire of the world

0:25:18.520 --> 0:25:23.240
<v Speaker 1>had ever seen, all of it, beautifully lit and well

0:25:23.359 --> 0:25:27.920
<v Speaker 1>served by transport networks. If you contrast that with the

0:25:27.960 --> 0:25:32.920
<v Speaker 1>East End of London, um, this is poor, dark, overcrowded

0:25:32.960 --> 0:25:37.120
<v Speaker 1>and largely degraded. So, as I've said before, the while

0:25:37.200 --> 0:25:40.040
<v Speaker 1>the West End was affluent, the East End was affluent,

0:25:40.280 --> 0:25:42.679
<v Speaker 1>kind of strich, stinking in the noses of those that

0:25:42.880 --> 0:25:46.560
<v Speaker 1>visited it. And that's the image we have of the

0:25:46.600 --> 0:25:49.440
<v Speaker 1>contrast between the East and West ends of London in

0:25:49.560 --> 0:25:52.560
<v Speaker 1>nineteenth century, and it's probably the image that most Londoners

0:25:52.560 --> 0:25:55.240
<v Speaker 1>would have had, certainly most West Londoners and people from

0:25:55.240 --> 0:26:00.320
<v Speaker 1>outside the capital as Londoners white, these factions growing in

0:26:00.359 --> 0:26:03.960
<v Speaker 1>their home, popular songs and political cartoons arrived to tell

0:26:03.960 --> 0:26:07.080
<v Speaker 1>the story of St. Giles and St. James. It was

0:26:07.119 --> 0:26:10.480
<v Speaker 1>an easy way to paint a picture of a divided city. St.

0:26:10.560 --> 0:26:15.119
<v Speaker 1>James represented posh and aristocratic West London. St. Giles was

0:26:15.160 --> 0:26:18.680
<v Speaker 1>the London of hard labor and heavy industry. The swelling

0:26:18.720 --> 0:26:22.160
<v Speaker 1>middle classes and the ranks of money men and industrialists

0:26:22.400 --> 0:26:25.680
<v Speaker 1>were squeezed in between the two worlds. Of course, all

0:26:25.720 --> 0:26:27.959
<v Speaker 1>of this was far too black and white to give

0:26:28.000 --> 0:26:30.880
<v Speaker 1>a clear picture of the real city. Here's Drew Gray

0:26:31.000 --> 0:26:38.080
<v Speaker 1>once again. Well, the East End was poor, it was overcrowded,

0:26:38.400 --> 0:26:43.280
<v Speaker 1>and it was home to those dirty trades that were necessary,

0:26:43.359 --> 0:26:47.160
<v Speaker 1>such as slaughtering and tanning. Those industries has always been

0:26:47.200 --> 0:26:50.080
<v Speaker 1>placed in the east of the capital. Um that that

0:26:50.160 --> 0:26:55.240
<v Speaker 1>goes right back in history. But Charles Bose Great Survey

0:26:55.280 --> 0:26:59.760
<v Speaker 1>of Poverty, um He's macking of London reveals that, yeah,

0:27:00.080 --> 0:27:03.439
<v Speaker 1>were certainly more areas of wealth and prosperity in the

0:27:03.440 --> 0:27:05.840
<v Speaker 1>West End than in the East End. To the east

0:27:05.920 --> 0:27:08.920
<v Speaker 1>End wasn't entirely riddled with poverty, and you will find

0:27:09.160 --> 0:27:13.080
<v Speaker 1>pockets of deprivation across the capitol in West London as well.

0:27:14.160 --> 0:27:18.600
<v Speaker 1>So the contrast is a useful starting point. But London

0:27:18.720 --> 0:27:21.600
<v Speaker 1>was a very mixed city in the eighteen hundreds, and

0:27:21.760 --> 0:27:26.480
<v Speaker 1>poverty and wealth often lived cheap by jiles side by side.

0:27:27.720 --> 0:27:30.520
<v Speaker 1>After visiting the city at the beginning of the nineteenth century,

0:27:30.640 --> 0:27:34.200
<v Speaker 1>one American observer wrote that the constant press of carriage traffic,

0:27:34.359 --> 0:27:37.840
<v Speaker 1>even in London's West End, created and I quote a

0:27:38.040 --> 0:27:42.359
<v Speaker 1>universal hubbub, a sort of uniform grinding and shaking, like

0:27:42.440 --> 0:27:45.800
<v Speaker 1>that experienced in a great mill with fifty pair of stones.

0:27:46.320 --> 0:27:48.719
<v Speaker 1>I should say that it came upon the ear like

0:27:48.760 --> 0:27:52.600
<v Speaker 1>the fall of Niagara, and the city only continued to grow.

0:27:53.000 --> 0:27:55.720
<v Speaker 1>In the East End. It wasn't just factories, it was

0:27:55.760 --> 0:27:57.920
<v Speaker 1>also the homes of the people who worked in those

0:27:57.960 --> 0:28:00.600
<v Speaker 1>factories and on the docks, and yeah, us who worked

0:28:00.640 --> 0:28:02.840
<v Speaker 1>back in the West End too, but we're just too

0:28:02.880 --> 0:28:05.840
<v Speaker 1>poor to live there. But grand as the houses were

0:28:05.880 --> 0:28:08.199
<v Speaker 1>in the West End of London, the houses in the

0:28:08.240 --> 0:28:12.040
<v Speaker 1>East End where the holdovers from another era. Here's Adam

0:28:12.080 --> 0:28:16.760
<v Speaker 1>Wood once again, when you combine that large movement of

0:28:17.080 --> 0:28:20.440
<v Speaker 1>or poverty stricken residents into an area, as I say,

0:28:20.440 --> 0:28:23.919
<v Speaker 1>which had been prosperous, but the buildings were getting older

0:28:23.960 --> 0:28:29.080
<v Speaker 1>and dilapidated. Certainly the the the sewage facilities around the

0:28:29.080 --> 0:28:32.679
<v Speaker 1>East End were getting dated. It just become too overcrowded

0:28:33.400 --> 0:28:36.919
<v Speaker 1>and more. From historian Drew Gray, I always trying to

0:28:36.960 --> 0:28:40.000
<v Speaker 1>imagine that I'm going back in time and I'm stepping

0:28:40.000 --> 0:28:44.440
<v Speaker 1>out onto the rather dirty streets of London in the

0:28:44.520 --> 0:28:49.160
<v Speaker 1>nineteenth century. But I would describe the East End is

0:28:49.200 --> 0:28:54.000
<v Speaker 1>a multicultural melting pot, a kind of vibrant community of

0:28:54.080 --> 0:28:57.000
<v Speaker 1>people struggling to survive in a society, of course, which

0:28:57.040 --> 0:29:01.080
<v Speaker 1>generally failed to support those that fell on on hard times.

0:29:01.520 --> 0:29:04.800
<v Speaker 1>So I see a series of communities, not one community,

0:29:04.800 --> 0:29:07.959
<v Speaker 1>but several communities, and not always seeing eye to eye,

0:29:08.080 --> 0:29:12.040
<v Speaker 1>where kind of new immigrants mingled with established ones and

0:29:12.360 --> 0:29:15.560
<v Speaker 1>native east Enders for want of a better word, robbed

0:29:15.560 --> 0:29:19.200
<v Speaker 1>shoulders with new arrivals and with slumming tourists, you know,

0:29:19.480 --> 0:29:22.240
<v Speaker 1>wealthier people coming into the area to kind of got

0:29:22.440 --> 0:29:25.360
<v Speaker 1>at what they could see. I see White Chapel is

0:29:25.520 --> 0:29:30.880
<v Speaker 1>somewhere where poverty was endemic, but at the same time

0:29:30.920 --> 0:29:37.920
<v Speaker 1>there's an entrepreneurial spirit kind of everywhere. So words I'd

0:29:38.000 --> 0:29:41.640
<v Speaker 1>use to describe White Chaplain in the would be bold,

0:29:41.640 --> 0:29:48.120
<v Speaker 1>with brassy, sometimes shocking, often funny, amusing, always lively and

0:29:48.160 --> 0:29:53.680
<v Speaker 1>exciting and ever changing. There was a city teaming with life,

0:29:54.040 --> 0:29:58.000
<v Speaker 1>full of sorrows and struggles and excitement, and plenty of suffering,

0:29:58.360 --> 0:30:00.760
<v Speaker 1>but also a place of work in a real home

0:30:00.840 --> 0:30:04.160
<v Speaker 1>too many. That's the world that the East London Adviser

0:30:04.280 --> 0:30:07.640
<v Speaker 1>set out to defend in the days after Martha Tabram's murder,

0:30:07.960 --> 0:30:10.520
<v Speaker 1>not to deny the seriousness of the crime, but to

0:30:10.640 --> 0:30:13.280
<v Speaker 1>argue that there was so much more to Whitechapel than

0:30:13.320 --> 0:30:17.280
<v Speaker 1>the shadow of an uncaught killer. But to the journalists

0:30:17.280 --> 0:30:19.720
<v Speaker 1>of the other papers out looking to scare up a story,

0:30:20.080 --> 0:30:23.040
<v Speaker 1>and to the readers who followed them there, the neighborhood

0:30:23.120 --> 0:30:26.160
<v Speaker 1>was most useful as the home to those men of

0:30:26.240 --> 0:30:31.040
<v Speaker 1>doubtful character and immoral women who filled up illegal playhouses

0:30:31.280 --> 0:30:35.040
<v Speaker 1>and worse, if some writers were praising London as the

0:30:35.120 --> 0:30:39.120
<v Speaker 1>rome of modern history. Others weren't so celebratory. When he

0:30:39.200 --> 0:30:42.800
<v Speaker 1>visited London in eighteen seventy six, American writer Henry James

0:30:42.840 --> 0:30:45.800
<v Speaker 1>had harsher words for the city. He dubbed it and

0:30:45.840 --> 0:30:50.440
<v Speaker 1>I quote, the murky modern Babylon. James called London plenty

0:30:50.440 --> 0:30:53.840
<v Speaker 1>of other things too, like a strangely mingled monster that

0:30:53.960 --> 0:30:57.800
<v Speaker 1>stirred together all the classes and activities of English society.

0:30:58.320 --> 0:31:01.360
<v Speaker 1>That one's probably my favorite image. But it also expressed

0:31:01.360 --> 0:31:03.880
<v Speaker 1>a prejudice that we see over and over again in

0:31:03.960 --> 0:31:07.960
<v Speaker 1>writers of the period, that London's worst inhabitants and impulses

0:31:07.960 --> 0:31:10.440
<v Speaker 1>were all mixed up with its best, and it turned

0:31:10.480 --> 0:31:14.440
<v Speaker 1>the whole thing monstrous. But it was that phrase modern

0:31:14.520 --> 0:31:17.840
<v Speaker 1>Babylon that carried the right weight of history, the mix

0:31:17.920 --> 0:31:21.240
<v Speaker 1>of awe and horror and fear of foreigners from the East,

0:31:21.400 --> 0:31:24.360
<v Speaker 1>to really catch on, even more so when the British

0:31:24.440 --> 0:31:27.520
<v Speaker 1>journalist W. T. Stead used it in the title of

0:31:27.520 --> 0:31:30.680
<v Speaker 1>a series of newspaper articles that shocked the reading public.

0:31:31.360 --> 0:31:34.800
<v Speaker 1>In them, he described the depths of the city's depravity,

0:31:34.840 --> 0:31:37.520
<v Speaker 1>and in doing so he launched a wave of fear

0:31:37.600 --> 0:31:41.160
<v Speaker 1>and fury about life in the East End long before

0:31:41.160 --> 0:31:49.600
<v Speaker 1>the name Jack the Ripper was ever whispered. In July,

0:31:50.960 --> 0:31:53.480
<v Speaker 1>the pall Mall Gazette gave it to readers a warning.

0:31:54.240 --> 0:31:57.080
<v Speaker 1>All those who are squeamish and all those who are

0:31:57.160 --> 0:32:00.120
<v Speaker 1>prudish the article read, and all those who pre for

0:32:00.280 --> 0:32:03.720
<v Speaker 1>to live in a fool's paradise of imaginary innocence and

0:32:03.760 --> 0:32:06.960
<v Speaker 1>purity were told that they would do well not to

0:32:07.040 --> 0:32:09.959
<v Speaker 1>read the paper for the next four days, because it

0:32:10.000 --> 0:32:13.240
<v Speaker 1>was about the publish a story of an actual pilgrimage

0:32:13.600 --> 0:32:17.040
<v Speaker 1>into a real hell. Of course, all of this meant

0:32:17.080 --> 0:32:19.560
<v Speaker 1>that the next few issues of the paper sold like

0:32:19.680 --> 0:32:22.520
<v Speaker 1>never before, and the story that it told was indeed

0:32:22.560 --> 0:32:25.920
<v Speaker 1>hellish and diabolical. But if Bryant and May were bad

0:32:26.040 --> 0:32:28.800
<v Speaker 1>enough for exploiting women and girls to make matches in

0:32:28.840 --> 0:32:32.280
<v Speaker 1>their East End factory, well London was home to matchmaking

0:32:32.440 --> 0:32:35.960
<v Speaker 1>of an even more depraved and creditory sort. In his

0:32:36.040 --> 0:32:40.280
<v Speaker 1>series of articles called The Maiden Tribute of Modern Babylon, W. T.

0:32:40.480 --> 0:32:42.960
<v Speaker 1>Stead described a hell that was far too close for

0:32:43.040 --> 0:32:46.840
<v Speaker 1>most of his listeners, child sex trafficking. He argued that

0:32:46.920 --> 0:32:49.239
<v Speaker 1>young girls were being bought and sold rights in the

0:32:49.240 --> 0:32:52.760
<v Speaker 1>heart of the British Empire sold off like sacrifices to

0:32:53.040 --> 0:32:57.120
<v Speaker 1>a vicious god. Instead, it was the deepest damnation of

0:32:57.240 --> 0:32:59.960
<v Speaker 1>Victorian society. And to add to that, he wrote, the

0:33:00.200 --> 0:33:03.880
<v Speaker 1>girls there were being shipped off to foreign sures. Gladstone

0:33:03.880 --> 0:33:08.080
<v Speaker 1>and his Liberal government were focused on military campaigns overseas,

0:33:08.120 --> 0:33:11.120
<v Speaker 1>so Stead realized that in order to make them pay attention,

0:33:11.400 --> 0:33:14.240
<v Speaker 1>he needed the public's help, so he whipped them into

0:33:14.240 --> 0:33:18.640
<v Speaker 1>a fury. In part because Stead crossed the line in

0:33:18.720 --> 0:33:22.120
<v Speaker 1>order to demonstrate the trafficking, he did some himself. He

0:33:22.200 --> 0:33:24.440
<v Speaker 1>convinced the London mother that he had a place for

0:33:24.480 --> 0:33:27.120
<v Speaker 1>her daughter as a domestic servant. Once he had the

0:33:27.160 --> 0:33:29.719
<v Speaker 1>girl in his power, he drugged her and shipped her

0:33:29.760 --> 0:33:32.720
<v Speaker 1>to Paris, where she was held by the Salvation Army.

0:33:32.840 --> 0:33:35.840
<v Speaker 1>As Stead chronicled the process in the Paul mal Gazette,

0:33:37.160 --> 0:33:40.680
<v Speaker 1>and not just his own paper either, London newspapers and

0:33:40.720 --> 0:33:43.880
<v Speaker 1>the stories they published were reaching around the world. Stead

0:33:43.880 --> 0:33:47.280
<v Speaker 1>would proudly announce that his articles on London sex trafficking

0:33:47.320 --> 0:33:51.040
<v Speaker 1>were printed in every capital across Europe and in America too.

0:33:51.440 --> 0:33:56.720
<v Speaker 1>The sensation was international. In London, unauthorized reprints alone sold

0:33:56.720 --> 0:34:02.200
<v Speaker 1>more than one and a half million copies. Now, obviously W. T.

0:34:02.360 --> 0:34:05.640
<v Speaker 1>Stead had a noble vision behind his lured writing. To

0:34:05.720 --> 0:34:08.439
<v Speaker 1>begin with, recent government reports had shown that at least

0:34:08.440 --> 0:34:11.000
<v Speaker 1>thirty three British girls and women had been taken to

0:34:11.080 --> 0:34:14.040
<v Speaker 1>brothels on the European continent in the short time between

0:34:14.040 --> 0:34:17.680
<v Speaker 1>eighteen seventy nine and eighteen eighty, and at the time

0:34:17.880 --> 0:34:20.840
<v Speaker 1>English law set the age of consent at just thirteen.

0:34:21.239 --> 0:34:24.719
<v Speaker 1>Instead correctly saw that the law itself was deeply criminal,

0:34:24.920 --> 0:34:28.000
<v Speaker 1>a moral stain. His spate of articles was meant to

0:34:28.040 --> 0:34:31.280
<v Speaker 1>scrub that away, and there's no doubt that on one level,

0:34:31.360 --> 0:34:34.920
<v Speaker 1>the horrified response to his expose on child trafficking was

0:34:35.000 --> 0:34:38.040
<v Speaker 1>a good thing. As a result, the law did change.

0:34:39.280 --> 0:34:41.920
<v Speaker 1>But there were people Stead had not taken into account,

0:34:42.160 --> 0:34:45.680
<v Speaker 1>which included the girl's parents. Their names were splashed all

0:34:45.719 --> 0:34:48.440
<v Speaker 1>over the papers saying that they had sold their daughters

0:34:48.480 --> 0:34:51.759
<v Speaker 1>into sexual slavery. To their mind, they had trusted the

0:34:51.800 --> 0:34:54.479
<v Speaker 1>word of a respected journalist when he offered to help

0:34:54.560 --> 0:34:57.560
<v Speaker 1>their daughter find a good job. So in response they

0:34:57.680 --> 0:35:00.319
<v Speaker 1>turned around and sued him for defrauding them and for

0:35:00.360 --> 0:35:02.960
<v Speaker 1>committing the very same crime that he was blasting in

0:35:03.040 --> 0:35:07.399
<v Speaker 1>his paper, which to be honest, seems fair. There were

0:35:07.400 --> 0:35:10.560
<v Speaker 1>other consequences too, like the fact that Stead's made a

0:35:10.680 --> 0:35:14.759
<v Speaker 1>tribute of modern Babylon served to deepen middle class distrust

0:35:14.800 --> 0:35:19.840
<v Speaker 1>of London's poor. Here's historian Louise Raw once again. In fact,

0:35:19.840 --> 0:35:23.440
<v Speaker 1>there was this idea that the poor didn't love their children,

0:35:23.440 --> 0:35:26.800
<v Speaker 1>which is a really strange one. How separate of a

0:35:26.920 --> 0:35:30.320
<v Speaker 1>species have you got to be considered if people question

0:35:30.320 --> 0:35:32.520
<v Speaker 1>whether you love your children. And there are even some

0:35:32.600 --> 0:35:35.360
<v Speaker 1>commentators who say, well, you know, I've talked some of

0:35:35.360 --> 0:35:38.799
<v Speaker 1>this poor pl and Jina, they actually do. And once

0:35:38.840 --> 0:35:42.319
<v Speaker 1>those attitudes were exposed, it only got uglier, and some

0:35:42.440 --> 0:35:46.040
<v Speaker 1>of that ugliness was right there insteads articles. Here's a

0:35:46.080 --> 0:35:49.680
<v Speaker 1>bit more from historian Drew Gray. One thing we have

0:35:49.760 --> 0:35:52.400
<v Speaker 1>to remember, of course, is that most people were certainly

0:35:52.480 --> 0:35:57.200
<v Speaker 1>most middle class people, even middle class people in London,

0:35:57.960 --> 0:35:59.719
<v Speaker 1>and these are the people that read most of them

0:35:59.719 --> 0:36:03.000
<v Speaker 1>new papers. Rarely ventured into the East End or any

0:36:03.080 --> 0:36:06.520
<v Speaker 1>of London's other poorer areas, you know, it's like Saint

0:36:06.560 --> 0:36:10.440
<v Speaker 1>Giles or the Borough in Southolk, and they just didn't

0:36:10.440 --> 0:36:15.000
<v Speaker 1>go there. Instead, they learned about those areas through the

0:36:15.080 --> 0:36:19.160
<v Speaker 1>newspapers they read, and papers gave them a partial and

0:36:19.200 --> 0:36:22.439
<v Speaker 1>a biased view of those areas, not unlike the way

0:36:22.440 --> 0:36:26.040
<v Speaker 1>in which Darkest Africa was described by the missionaries who

0:36:26.080 --> 0:36:29.799
<v Speaker 1>went there to loosely use the term civilize it in

0:36:29.840 --> 0:36:33.960
<v Speaker 1>the nineteenth century, so colorful descriptions of the East End,

0:36:34.040 --> 0:36:36.719
<v Speaker 1>you know, featuring the strange people that lived there. There

0:36:36.840 --> 0:36:40.320
<v Speaker 1>they're weird customs there, smelly food and the clothes that

0:36:40.400 --> 0:36:43.560
<v Speaker 1>people we're all printed in ways that was similar to

0:36:43.600 --> 0:36:47.440
<v Speaker 1>the descriptions offered of far away in exotic lands in

0:36:47.440 --> 0:36:52.440
<v Speaker 1>India and China and Africa, all the parts of the

0:36:52.520 --> 0:36:57.840
<v Speaker 1>all the parts touched by the British Empire, and people

0:36:57.960 --> 0:37:03.360
<v Speaker 1>like William Stead, who pioneered what we could probably call

0:37:03.600 --> 0:37:08.960
<v Speaker 1>you know, who pioneered what's been termed new journalism, recognized

0:37:09.120 --> 0:37:12.879
<v Speaker 1>the power that the media had to affect change as

0:37:12.920 --> 0:37:16.680
<v Speaker 1>well as turning a profit by saying newspapers. It was

0:37:16.719 --> 0:37:19.359
<v Speaker 1>the combined fear of the East End, whipped up by

0:37:19.400 --> 0:37:22.680
<v Speaker 1>reporting like the Maiden Tribute stories and the growing fear

0:37:22.719 --> 0:37:25.680
<v Speaker 1>of gang violence stemming from the Regent's Park murder that

0:37:25.760 --> 0:37:29.880
<v Speaker 1>lifted Martha Tabram's death to the headlines. Fear and horror

0:37:29.920 --> 0:37:33.360
<v Speaker 1>about sex among London's poor was already at a boiling point.

0:37:33.719 --> 0:37:36.720
<v Speaker 1>The doctor who examined Martha's body suggested that she hadn't

0:37:36.760 --> 0:37:39.760
<v Speaker 1>been raped, but that barely broke through the real lens

0:37:39.800 --> 0:37:42.799
<v Speaker 1>by which middle class readers saw the East End with

0:37:42.880 --> 0:37:45.319
<v Speaker 1>someone like Pearly Paul as the main witness to an

0:37:45.320 --> 0:37:49.640
<v Speaker 1>East End murder investigation, murder and prostitution were stitched together

0:37:49.760 --> 0:37:53.800
<v Speaker 1>for the public, and it's no coincidence that the London

0:37:53.840 --> 0:37:56.120
<v Speaker 1>docks in the East End were the places where people

0:37:56.200 --> 0:37:59.839
<v Speaker 1>and plunder from around the world entered Britain's bloodstream. When

0:37:59.840 --> 0:38:02.920
<v Speaker 1>the Sailor's knife was found after the Regent's Park murder

0:38:02.920 --> 0:38:05.719
<v Speaker 1>and identified as the murder weapon, it could only have

0:38:05.800 --> 0:38:10.120
<v Speaker 1>reinforced the East Ends reputation for the mysterious and dangerous

0:38:10.120 --> 0:38:12.759
<v Speaker 1>and the fear and suspicion that many readers had of

0:38:12.880 --> 0:38:16.080
<v Speaker 1>lands beyond England Shore. It was exactly the kind of

0:38:16.120 --> 0:38:19.400
<v Speaker 1>thinking that Britain's leaders had used to justify the invasion

0:38:19.480 --> 0:38:23.520
<v Speaker 1>and plundering of lands around the world, so of course

0:38:23.640 --> 0:38:26.680
<v Speaker 1>it brought campaigners to the East End too, As we'll

0:38:26.680 --> 0:38:28.719
<v Speaker 1>see in the future, most of the attention on the

0:38:28.719 --> 0:38:31.439
<v Speaker 1>East End was like this. The women and girls who

0:38:31.440 --> 0:38:34.120
<v Speaker 1>worked in the match factory were looked at as almost

0:38:34.200 --> 0:38:38.800
<v Speaker 1>subhuman species. The poor were considered at best, lost souls

0:38:38.840 --> 0:38:42.960
<v Speaker 1>in need of saving, or reprobates in need of reform.

0:38:43.000 --> 0:38:45.600
<v Speaker 1>The common attitude was that the monstrous darkness of the

0:38:45.600 --> 0:38:48.160
<v Speaker 1>East End needed to be conquered and brought to heal.

0:38:48.640 --> 0:38:51.400
<v Speaker 1>And all of that was before murders began to spot

0:38:51.440 --> 0:38:55.880
<v Speaker 1>Whitechapel with blood, and when sensationalist stories sold papers in

0:38:55.920 --> 0:38:58.840
<v Speaker 1>the name of righteous campaigning. While that could only have

0:38:58.960 --> 0:39:02.400
<v Speaker 1>journalists drooly over a good East End story, one that

0:39:02.440 --> 0:39:06.160
<v Speaker 1>would trigger all of the worst prejudices of their London readership.

0:39:06.920 --> 0:39:11.360
<v Speaker 1>A summer of anxiety was about to become the autumn

0:39:11.600 --> 0:39:20.160
<v Speaker 1>of terror. A sailor's knife and a soldier's bayonet, tools

0:39:20.200 --> 0:39:23.800
<v Speaker 1>of empire and weapons of war. These were the objects

0:39:23.800 --> 0:39:26.960
<v Speaker 1>conjured up by the ink stained hands of London journalists

0:39:27.000 --> 0:39:30.319
<v Speaker 1>to evoke a shutter of horror, not because they were new,

0:39:30.719 --> 0:39:34.560
<v Speaker 1>but because they were being used in London itself. And

0:39:34.640 --> 0:39:38.239
<v Speaker 1>then Charles Cross found the body of Polly Nichols. Like

0:39:38.320 --> 0:39:41.040
<v Speaker 1>the man who discovered Martha Tabram's body, Charles was a

0:39:41.120 --> 0:39:43.440
<v Speaker 1>laborer headed off to work in the early hours of

0:39:43.440 --> 0:39:46.200
<v Speaker 1>the morning when he saw something lying on the cobbles,

0:39:46.520 --> 0:39:50.879
<v Speaker 1>slumped against a gate. Another man going by join him,

0:39:50.960 --> 0:39:53.840
<v Speaker 1>and they approached. The shape was a woman with a

0:39:53.920 --> 0:39:56.839
<v Speaker 1>bonnet tossed to the side. At first the two men

0:39:56.880 --> 0:40:00.160
<v Speaker 1>couldn't tell if she was asleep. Her face was still warm,

0:40:00.200 --> 0:40:03.600
<v Speaker 1>but her hands were deathly cold. Charles said to the other,

0:40:04.160 --> 0:40:06.600
<v Speaker 1>I think she's dead, and they ran off to find

0:40:06.600 --> 0:40:10.600
<v Speaker 1>a policeman. The constables they found, fetched a hand carts

0:40:10.600 --> 0:40:14.040
<v Speaker 1>and a nearby doctor. He pronounced her dead and ordered

0:40:14.040 --> 0:40:16.879
<v Speaker 1>them to move her body to the mortuary for examination.

0:40:17.360 --> 0:40:19.680
<v Speaker 1>But it was when the constables lifted her that they

0:40:19.719 --> 0:40:22.279
<v Speaker 1>saw the blood. It ran from her body to the

0:40:22.280 --> 0:40:26.680
<v Speaker 1>gutter and covered her back. It covered everything Polly's body,

0:40:26.920 --> 0:40:30.200
<v Speaker 1>the stones of the street, and the officer's hands too,

0:40:30.920 --> 0:40:33.160
<v Speaker 1>so they examined the surrounding roads to see if there

0:40:33.200 --> 0:40:36.480
<v Speaker 1>were any marks or traces elsewhere. Nearby, they checked the

0:40:36.520 --> 0:40:40.439
<v Speaker 1>neighborhood's railway lines and embankments, but beyond the location where

0:40:40.440 --> 0:40:42.800
<v Speaker 1>her body had been found, there were no other signs

0:40:42.800 --> 0:40:47.120
<v Speaker 1>of Polly's blood. Soon enough, though, it would stain everything.

0:40:48.200 --> 0:40:50.640
<v Speaker 1>When the doctor arrived to make his examination in the

0:40:50.640 --> 0:40:53.560
<v Speaker 1>mortuary at ten a m. He began by cataloging the

0:40:53.560 --> 0:40:57.360
<v Speaker 1>wounds that would become the next press sensation. Her throats

0:40:57.400 --> 0:41:01.440
<v Speaker 1>had been cut and several deep, jagged wounds crossed her abdomen.

0:41:02.000 --> 0:41:05.160
<v Speaker 1>Experience and evidence led him to surmise that the cuts

0:41:05.200 --> 0:41:09.560
<v Speaker 1>had been made with a very sharp knife. The number

0:41:09.560 --> 0:41:11.680
<v Speaker 1>of wounds made him think that the attack had taken

0:41:11.760 --> 0:41:14.840
<v Speaker 1>as long as five minutes from start to finish, a

0:41:14.920 --> 0:41:18.840
<v Speaker 1>brutally long demonstration of violence, and it had happened just

0:41:19.000 --> 0:41:22.080
<v Speaker 1>one mile east of where Martha Tabram had been killed.

0:41:23.280 --> 0:41:26.920
<v Speaker 1>It had begun. Events were now set in motion that

0:41:26.960 --> 0:41:31.040
<v Speaker 1>would possess an entire nation a deadly series of killings

0:41:31.520 --> 0:41:35.320
<v Speaker 1>that would become forever known as the White Chapel Murders.

0:41:37.200 --> 0:41:41.200
<v Speaker 1>That's it for this week's episode of Unobscured. Stick around

0:41:41.200 --> 0:41:44.440
<v Speaker 1>after this short sponsor break for a preview of what's

0:41:44.480 --> 0:41:52.120
<v Speaker 1>in store for next week. Emma had suffered a brutal

0:41:52.120 --> 0:41:55.040
<v Speaker 1>attack in the street. Afterwards, she was able to make

0:41:55.040 --> 0:41:58.160
<v Speaker 1>her way back to the lodging house where she was staying. There,

0:41:58.239 --> 0:42:01.080
<v Speaker 1>she told other lodgers what had been to her. They

0:42:01.080 --> 0:42:03.799
<v Speaker 1>helped her to the hospital. Along the way, she told

0:42:03.840 --> 0:42:06.439
<v Speaker 1>the women helping her that she was attacked by three men,

0:42:06.880 --> 0:42:10.400
<v Speaker 1>and one of them was only nineteen years old. Emma

0:42:10.480 --> 0:42:12.719
<v Speaker 1>even pointed out the place where she was attacked as

0:42:12.760 --> 0:42:15.359
<v Speaker 1>they passed by, and she talked with the doctors who

0:42:15.400 --> 0:42:18.400
<v Speaker 1>treated her wounds. All of this had reached the papers

0:42:18.440 --> 0:42:21.399
<v Speaker 1>within a week of her death, after the inquest held

0:42:21.400 --> 0:42:25.319
<v Speaker 1>by coroner Win Baxter, was reported in major newspapers like

0:42:25.400 --> 0:42:28.120
<v Speaker 1>The Times of London and the front page of Lloyd's

0:42:28.120 --> 0:42:31.960
<v Speaker 1>Weekly News. Of course, almost five months later, it was

0:42:32.040 --> 0:42:35.040
<v Speaker 1>more profitable for The Star to leave out those details

0:42:35.080 --> 0:42:38.360
<v Speaker 1>and replaced them with the suggestion of a mysterious killer

0:42:38.400 --> 0:42:41.640
<v Speaker 1>who had already taken three lives. It conjured up the

0:42:41.680 --> 0:42:44.600
<v Speaker 1>image of a figure haunting White Chapel who would never

0:42:44.680 --> 0:42:47.520
<v Speaker 1>really leave. It didn't hurt the paper if it brought

0:42:47.520 --> 0:42:50.080
<v Speaker 1>in some cash in the process of spinning up a

0:42:50.280 --> 0:42:54.960
<v Speaker 1>false narrative of events. The thing is, though Emma's murder

0:42:55.040 --> 0:42:58.800
<v Speaker 1>was horrible enough, there's no question that her death, along

0:42:58.800 --> 0:43:01.960
<v Speaker 1>with Martha Tabraham's and now the murder of Polly Nichols,

0:43:02.280 --> 0:43:05.319
<v Speaker 1>were a terrible sign of life in East London. No

0:43:05.520 --> 0:43:09.080
<v Speaker 1>price can be put on any human life, but an

0:43:09.120 --> 0:43:26.400
<v Speaker 1>evening issue of The Star, well, that was just one halfpenny.

0:43:28.080 --> 0:43:31.319
<v Speaker 1>Unobscured was created by me Aaron Manky and produced by

0:43:31.360 --> 0:43:35.040
<v Speaker 1>Matt Frederick, Alex Williams, and Josh Thane in partnership with

0:43:35.080 --> 0:43:38.279
<v Speaker 1>I Heart Radio. Research and writing for this season is

0:43:38.320 --> 0:43:40.800
<v Speaker 1>all the work of my right hand man Carl Nellis

0:43:40.920 --> 0:43:44.040
<v Speaker 1>and the brilliant Chad Lawson composed the brand new soundtrack.

0:43:44.560 --> 0:43:48.440
<v Speaker 1>Learn more about our contributing historians, source material and links

0:43:48.480 --> 0:43:52.839
<v Speaker 1>to our other shows over at history unobscured dot com,

0:43:52.840 --> 0:44:03.600
<v Speaker 1>and until next time, thanks for listening. Un Obscured is

0:44:03.600 --> 0:44:06.000
<v Speaker 1>a production of iHeart Radio and Erin Mankey. For more

0:44:06.040 --> 0:44:08.279
<v Speaker 1>podcasts for My heart Radio, visit I Heart Radio app,

0:44:08.360 --> 0:44:10.880
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.