WEBVTT - Episode 75: James Bond

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<v Speaker 1>Hello everybody, and welcome to another episode of Nerdificent time

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<v Speaker 1>your host, if you want, you wouldn't sit across from me,

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<v Speaker 1>as always heels Danny Fernandez. How's it going. It's going good?

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<v Speaker 1>If good, how's your week going? You know, I'm so

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<v Speaker 1>excited that I don't know when we decided collectively as

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<v Speaker 1>a people that September was October season. Yeah. Yeah, it

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<v Speaker 1>really likes Halloween is getting the Christmas treatment and that

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<v Speaker 1>they're just bumping. Because I was going through the store

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<v Speaker 1>yesterday and Naomi was like Halloween and I was like

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<v Speaker 1>what And it was all decked out with Halloween decorations

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<v Speaker 1>and I was like, all right, have her hang out

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<v Speaker 1>with her Danny. Yeah. No, she's really into hangs and

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<v Speaker 1>seeing Halloween stuff. And it's way cooler now because she

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<v Speaker 1>can vocalize the things that she needs, so it's where

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<v Speaker 1>it's it's easier to be can wait to take her

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<v Speaker 1>to her first real haunted house. I know she's like,

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<v Speaker 1>she's like definitely got the iffy scaredy cat jeans because

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<v Speaker 1>like there was a little like plushed which thing that

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<v Speaker 1>you could put on your porch and it's just like

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<v Speaker 1>a still thing. And I was like, oh, you want

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<v Speaker 1>to see it? And I pulled it down and she

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<v Speaker 1>was in the shopping cart and she like jerked backwards

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<v Speaker 1>like what is this what it was? And I was

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<v Speaker 1>like no when I poked it in the stomach and

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<v Speaker 1>then she was like, okay, I just I mean that's

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<v Speaker 1>good though, because kids can be really terrifying when it

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<v Speaker 1>comes to scary things. One of my friends was telling

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<v Speaker 1>me that his nephew would just be like the man

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<v Speaker 1>is back and just like point to nothing. This is

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<v Speaker 1>this is why I uriously like you. I remember when

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<v Speaker 1>she was a little she was like she was looking

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<v Speaker 1>in a corner where there was nothing and smiling and laughs.

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<v Speaker 1>I was like, oh, there's that there's a ghostian ancestor

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<v Speaker 1>or something. Uh seguine in the world is way possible.

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<v Speaker 1>I'm breaking on. Well. I wanted to be like, you

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<v Speaker 1>have kids, so you I was about the ghost. I

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<v Speaker 1>was gonna say, you two at the table have kids,

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<v Speaker 1>and I do not that. Other voices screenwriter and a

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<v Speaker 1>good friend of ours, Mark bernardin Hey, you know who

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<v Speaker 1>I blame for Halloween moving up Starbucks? Like it's all

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<v Speaker 1>that it's pumpkin spice. Yeah, and like they've been like

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<v Speaker 1>marching that up to the end of August. No, you'all

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<v Speaker 1>gotta slow down. But you're you're a spooky head, right,

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<v Speaker 1>like you're a horror person. Uh, let's okay. There's there's

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<v Speaker 1>a dividing line between me and horror which ends at

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<v Speaker 1>like the Ring. Like before that, like I was totally

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<v Speaker 1>down for it, like, give me all the evil dads,

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<v Speaker 1>give me the nightmre, I'm sure he's giving the Halloween's like,

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<v Speaker 1>give me all that stuff. And then the Ring happened

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<v Speaker 1>and I was like not having it. And then after

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<v Speaker 1>that I turned into like the biggest woos you've ever

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<v Speaker 1>seen in the world, to the point where like I

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<v Speaker 1>won't go you a movie in theaters. I went to

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<v Speaker 1>a birthday party at the at the Alamo Drafthouse over

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<v Speaker 1>the weekend and they've been having clowns only screenings and

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<v Speaker 1>I found myself an elevator with like a dozen clowns,

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<v Speaker 1>and like, have never been more concerned for my well being.

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<v Speaker 1>That's so cool though, because at the AMC that I

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<v Speaker 1>went to to see it, it said no face paint.

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<v Speaker 1>I'm like, you grinches, don't you even try this? Yeah? Yeah,

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<v Speaker 1>it's so funny because that's the same. I'm the same way,

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<v Speaker 1>won't see a scary movie, but now I do. Who

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<v Speaker 1>Shot You? Which is a movie podcast in there, And

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<v Speaker 1>now it's time for the second scary movie because I

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<v Speaker 1>had to see Scary Stories and now I have to

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<v Speaker 1>go see it, which I'm probably gonna see tomorrow morning.

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<v Speaker 1>That's the way. Yeah, go in the day save just

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<v Speaker 1>like stand outside and like through the door. Yet no, yeah, yeah,

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<v Speaker 1>I watched the whole movie with like squinted through like

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<v Speaker 1>tiny eyes. Wow. No, just I'm an omega level was

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<v Speaker 1>when it comes to that for real, I remember you

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<v Speaker 1>told me I forgot what you said that you're like

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<v Speaker 1>going to some haunted experience that you have to do,

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<v Speaker 1>and I was I literally texted you back and was

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<v Speaker 1>just like, if you real life is much scarier than

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<v Speaker 1>so you're already prepped. You're like, no, I don't, I

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<v Speaker 1>don't need It's it's odd enough being like brown in America.

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<v Speaker 1>Everything is scary. Yeah, I don't need to, Like I

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<v Speaker 1>got my jolly and now you want to just watch

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<v Speaker 1>a rom com? Yeah, Mark, We've been starting our podcast

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<v Speaker 1>with what we're geeking out about this week, So what

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<v Speaker 1>are you seeking out about? Two things that have about.

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<v Speaker 1>The first one is um the Terror colon Infanty, Yeah,

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<v Speaker 1>on on AMC, which I didn't see the first season

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<v Speaker 1>of Terror, but as I understand, it was a bunch

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<v Speaker 1>of like, you know, British dudes on a ship in

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<v Speaker 1>the middle of nowhere, like locked in by ice and

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<v Speaker 1>there's a monster whatever. This one is about like Japanese

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<v Speaker 1>interment camps us after like you know, World War two

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<v Speaker 1>kicks out, you just have to Pearl Harbor and it's

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<v Speaker 1>all about like there's a ghost haunting these particular people

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<v Speaker 1>in this particular time, in this particular place. And it

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<v Speaker 1>is so culturally specific to what it was like to

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<v Speaker 1>be a Japanese American when suddenly the country kind of

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<v Speaker 1>turned against you and the specific so the specifically Japanese

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<v Speaker 1>thing that's haunting them, you know. And so it's so

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<v Speaker 1>like just rich and vibrant with texture and and the

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<v Speaker 1>lived and feeling of this is what is haunting people

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<v Speaker 1>who now can't escape from where they want to be.

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<v Speaker 1>It's it's phenomenal. It's so good. The other thing is

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<v Speaker 1>this reality show on Netflix called hyper Drive. Have you

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<v Speaker 1>guys seen this? I've seen the ad. It is like

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<v Speaker 1>like American and Ja Warrior, except it's with car okay,

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<v Speaker 1>and also these people own these cars, right, so it's

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<v Speaker 1>like so it's it's a bunch of like, you know,

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<v Speaker 1>you gotta go drifter on this track here, and you

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<v Speaker 1>gotta like drive up and do a jump off this

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<v Speaker 1>like lip giant cliff that's a balancing beam, and then

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<v Speaker 1>you gotta go hit these cones whatever. Every other run

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<v Speaker 1>is somebody destroying their own like forty dollar car and

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<v Speaker 1>it's like brothers Lamb beginning to do this crash. And

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<v Speaker 1>so it's both like the joy of watching really good

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<v Speaker 1>drivers be very good on the road. It's fast and furious,

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<v Speaker 1>and then watching like super entitled people wrap there like

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<v Speaker 1>like prestige elite motor cars around telephone poles. That has

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<v Speaker 1>to be such a liability though it totally is. That

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<v Speaker 1>would terrify me that like every episode someone might die.

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<v Speaker 1>I mean, they're not gonna like die die, are you sure?

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<v Speaker 1>They're just going to kind of die and they're just

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<v Speaker 1>gonna ruin their life. I mean, it's like Nascar because

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<v Speaker 1>like somebody could die. They never do read but it's

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<v Speaker 1>just like, oh that guy, he deserves it because they

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<v Speaker 1>all because there's always like that camera interviews like my

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<v Speaker 1>name is Billy, blah blah blah blah. Hello, my name

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<v Speaker 1>is Finn. I'm from this gun to be whatever, and

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<v Speaker 1>I've got my fancy God, I'm going to do this thing.

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<v Speaker 1>I guess the douche bags are always the ones about

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<v Speaker 1>themselves around trees. Yeah, and it's always like the you know,

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<v Speaker 1>the the young drifter from Japan who's got his like

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<v Speaker 1>his dad's dots and that he's tuned up. It's like, man,

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<v Speaker 1>I'm gonna win this thing, and he wins this thing. Yeah,

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<v Speaker 1>you know, yes, so I'm here. I'm here for both

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<v Speaker 1>of those shows. I'm very different locking into that. Well me,

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<v Speaker 1>what I'm nerding out about is, uh yeah, I've talked

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<v Speaker 1>about Juno before. He's a horror manga writer and artist,

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<v Speaker 1>and they're actually adapting one of his books into an

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<v Speaker 1>anime for adult Swim, which you know normally I just

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<v Speaker 1>said how I don't like scary stuff, but I think

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<v Speaker 1>Junji stuff is more creepy stuff, except for the Supermodel

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<v Speaker 1>where that one is terrifying, but it's also funny and terrifying, um,

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<v Speaker 1>which you know, if if you haven't Juno, one of

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<v Speaker 1>his stories is this like model that this guy. He's

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<v Speaker 1>going through this book, this guy and he sees this

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<v Speaker 1>woman goes, oh, she's ugly. How is she a model?

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<v Speaker 1>This is so creepy and she's like he keeps starts

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<v Speaker 1>having nightmares of this woman and then he like throws

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<v Speaker 1>the book the magazine away. He's like, oh, man, he's

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<v Speaker 1>telling his friends about it. They don't believe him, and

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<v Speaker 1>he uh, He's like, man, uh, I can't you know uh.

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<v Speaker 1>And he's telling the friends and he's like, I'm gonna

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<v Speaker 1>find the magazine and he can't find the magazine. It

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<v Speaker 1>was like, no, for real. She was horrifying. But they're

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<v Speaker 1>they're filmmakers, and so they're like they're looking for actresses

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<v Speaker 1>for their movie and then the lady sends in her

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<v Speaker 1>head shot and goes, that's that's her. That's the creepy woman.

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<v Speaker 1>And then they're they were like, all right, then we'll

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<v Speaker 1>just cast her, and he's like, no, don't cast her,

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<v Speaker 1>and it's like and so they do cast her and

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<v Speaker 1>it's really awkward, and um, they're driving out to the

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<v Speaker 1>woods for this shot and like one of them makes

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<v Speaker 1>a joke and like it's like shade towards her, but

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<v Speaker 1>she doesn't get it, and she laughs, and when she laughs,

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<v Speaker 1>she opens up her mouth and she has these huge

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<v Speaker 1>giant teeth and they're like, yo, um did you see that?

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<v Speaker 1>And no one else saw it but the guy. He's like,

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<v Speaker 1>she has giant teeth. They're like, you need to calm down,

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<v Speaker 1>and it's it's yeah, you just need to calm down,

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<v Speaker 1>and they're like no, and so like obviously, since they

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<v Speaker 1>like casted her for a gag, they're not really shooting her.

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<v Speaker 1>They're focusing on this model that they're real excited about.

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<v Speaker 1>And she's like, why haven't you taken a photo from me?

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<v Speaker 1>And they're like, oh, we're gonna get to you. We're

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<v Speaker 1>just focusing on her. And then they're like and time

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<v Speaker 1>passes and they have lunch and they'll go where is

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<v Speaker 1>our lead actress? And a guy runs up covered in

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<v Speaker 1>bloods a guy, yo, she's eating the lead actress. And

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<v Speaker 1>they go to the woods and she has these giant

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<v Speaker 1>teeth and she's she's like covered in blood and she goes, well,

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<v Speaker 1>I guess you can focus on me now because you know,

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<v Speaker 1>because she's gone, and she just chases them and murders

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<v Speaker 1>them and it's like the only one of the very

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<v Speaker 1>few like horror horror Junjieto stories, because normally it's just

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<v Speaker 1>like more creepy, kind of Twilight Zone asque stories. But

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<v Speaker 1>that was the first one that was like, this is

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<v Speaker 1>terrifying funny, and so I'm excited for that coming to adults.

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<v Speaker 1>So cool. Yeah, yeah, oh yeah, it's definitely. But then

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<v Speaker 1>he also has a whole book dedicated to his cats,

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<v Speaker 1>like Wholesome, and it sounds like a cat person to

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<v Speaker 1>be honest, I love throwing shade whenever I can as

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<v Speaker 1>a dog person. The thing I'm geeking out about is

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<v Speaker 1>a book by Shelby Lorman. She if you follow her

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<v Speaker 1>on Instagram, you would know her as the account Awards

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<v Speaker 1>for Good Boys. If you don't, you need to. She

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<v Speaker 1>has like three followers. I found her. She's so hilarious.

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<v Speaker 1>The book is Awards for Good Boys, Tales of Dating,

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<v Speaker 1>Double Standards and Doom. It's where she sarcastically gives awards

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<v Speaker 1>uh to the most basic things that you should do

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<v Speaker 1>in a relationship, like didn't man explain the you know

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<v Speaker 1>first four van Halen vinyls. I just made that up.

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<v Speaker 1>But she's great. She's super funny and like everyone I

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<v Speaker 1>feel like in comedy follows her and it's awesome. So

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<v Speaker 1>check out her book. I think it just dropped or

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<v Speaker 1>else I'm just becoming aware of it. But also follow

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<v Speaker 1>her on Instagram. She's hilarious. Mean to be fair, diver

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<v Speaker 1>down is the best, really really the only reason I like.

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<v Speaker 1>I am not you know, I didn't grow up in

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<v Speaker 1>the eighties, and so I don't Why are you laughing?

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<v Speaker 1>That's such a specific I didn't grow out, you know,

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<v Speaker 1>I'm not old. So people no, I feel people we

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<v Speaker 1>don't cuss. I'm gonna say they poop on me. I'm

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<v Speaker 1>not always knowing music from before my generation, but it's

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<v Speaker 1>difficult to have to know the music of my generation,

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<v Speaker 1>the music of the generation now, and the music of

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<v Speaker 1>past generations when it's just not my thing. However, a

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<v Speaker 1>very kind man I will say, he's a very nice

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<v Speaker 1>person that I dated is obsessed with Van Halen and

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<v Speaker 1>so I also named Mark, also named Yeah, let's just

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<v Speaker 1>also named Mark. I didn't even say his name. Let's

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<v Speaker 1>just name him. It's part of the curriculum. Just make

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<v Speaker 1>all of us learn well. The thing about him. He's

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<v Speaker 1>so I think like one of his comedy albums had

0:12:05.440 --> 0:12:07.520
<v Speaker 1>a reference to it. But also we literally in our

0:12:07.559 --> 0:12:10.520
<v Speaker 1>apartment had a frame picture of Eddie van Halen, and

0:12:10.559 --> 0:12:12.400
<v Speaker 1>it was one of those things that he loved them

0:12:12.520 --> 0:12:15.760
<v Speaker 1>so much that it makes you want to learn about

0:12:15.800 --> 0:12:18.560
<v Speaker 1>them just because he was so you know, when someone

0:12:18.600 --> 0:12:21.200
<v Speaker 1>is so passionate that it like oozes out and not

0:12:21.280 --> 0:12:23.160
<v Speaker 1>like let me teach you about it way, but it's like,

0:12:23.200 --> 0:12:26.240
<v Speaker 1>this thing gives me so much happiness now, I I

0:12:26.280 --> 0:12:29.040
<v Speaker 1>feel that I tend to go the other way though,

0:12:29.640 --> 0:12:31.920
<v Speaker 1>Like my wife is a nut for the grateful dead.

0:12:32.800 --> 0:12:36.720
<v Speaker 1>I hate the grateful like with this crazy like burning

0:12:36.720 --> 0:12:38.880
<v Speaker 1>white out heat of a thousand sons And she's like,

0:12:38.920 --> 0:12:41.959
<v Speaker 1>you just gotta listen to an album, and I said no,

0:12:42.160 --> 0:12:46.280
<v Speaker 1>because I don't want. I just don't know every time

0:12:46.280 --> 0:12:49.360
<v Speaker 1>I'm not even kidding you. Any time that Jump would

0:12:49.400 --> 0:12:52.440
<v Speaker 1>come on and he of course listens to everything, but

0:12:52.520 --> 0:12:54.760
<v Speaker 1>like anytime that Jump would come on, he would get

0:12:54.760 --> 0:12:57.160
<v Speaker 1>excited in the car and like, dude, you have listened

0:12:57.200 --> 0:13:01.160
<v Speaker 1>to this song for thirty years, how is it still

0:13:01.240 --> 0:13:03.640
<v Speaker 1>so exciting to you? And that is the power of

0:13:03.720 --> 0:13:09.880
<v Speaker 1>Van Halen, for this man, very kind, nice man, and

0:13:09.960 --> 0:13:16.880
<v Speaker 1>you can just that that's going some documentary. Man, I

0:13:16.880 --> 0:13:19.240
<v Speaker 1>can have a day like whatever that day is, Man,

0:13:19.280 --> 0:13:20.760
<v Speaker 1>it's the worst day ever had. You know what, Man,

0:13:20.760 --> 0:13:26.440
<v Speaker 1>I turn on hotfer Teacher and everything's better suddenly, and

0:13:26.440 --> 0:13:31.079
<v Speaker 1>it's making me the truest statement about him. Also, this

0:13:31.160 --> 0:13:33.160
<v Speaker 1>is hilarious, and we'll and we'll move on. But I

0:13:33.200 --> 0:13:36.600
<v Speaker 1>started doing cryotherapy while we were dating, and he wouldn't

0:13:36.640 --> 0:13:39.680
<v Speaker 1>try it. But Eddie van Halen goes to my cryoplace,

0:13:39.840 --> 0:13:42.439
<v Speaker 1>so all of a sudden that man was in there.

0:13:42.480 --> 0:13:44.600
<v Speaker 1>And I also think Eddie was trying to undo the

0:13:44.720 --> 0:13:50.640
<v Speaker 1>years of drugging. It doesn't work. It looks great. He,

0:13:50.960 --> 0:13:55.520
<v Speaker 1>in my opinion, looks good. Um. But today we're talking

0:13:55.600 --> 0:14:00.640
<v Speaker 1>about another man, another old white man. It looks pretty

0:14:00.640 --> 0:14:04.040
<v Speaker 1>good for his age all things considered. Yes, today we

0:14:04.160 --> 0:14:11.400
<v Speaker 1>are talking about the man the mystery, James Bond. James Bond. Um.

0:14:11.520 --> 0:14:13.840
<v Speaker 1>So you know we're going to do the nitty gritty

0:14:13.960 --> 0:14:16.120
<v Speaker 1>that I always start with. This is the first time

0:14:16.160 --> 0:14:19.560
<v Speaker 1>the nitty gritty is very chunky, like usually, you know,

0:14:19.640 --> 0:14:22.320
<v Speaker 1>the nitty gree We just take the kind of synopsis

0:14:22.360 --> 0:14:25.600
<v Speaker 1>of the subject that kind of launches us into the discussion.

0:14:26.040 --> 0:14:30.520
<v Speaker 1>But James Bond is it's a lot of gritty and yeah, yeah,

0:14:30.520 --> 0:14:34.880
<v Speaker 1>so Phil free to jump in. Commander James Bond cmg

0:14:35.520 --> 0:14:38.840
<v Speaker 1>R n VR is a fictional character created by the

0:14:38.880 --> 0:14:43.040
<v Speaker 1>British journalist and novelist Ian Fleming in ninety three. So

0:14:43.200 --> 0:14:46.480
<v Speaker 1>I guess I was not aware that he was first

0:14:46.520 --> 0:14:51.320
<v Speaker 1>in novels before the films. Yeah, now he was. He

0:14:51.320 --> 0:14:53.040
<v Speaker 1>he wrote like Ian Fleming wrote like two or three

0:14:53.040 --> 0:14:56.600
<v Speaker 1>books that he wrote. Um, I think Casino Royale and

0:14:56.640 --> 0:15:00.120
<v Speaker 1>like On Her Majesty's Secret Service and Dr No in

0:15:00.240 --> 0:15:03.040
<v Speaker 1>some version of that order, and and they were kind

0:15:03.040 --> 0:15:04.760
<v Speaker 1>of like they didn't go anywhere, like they're just gonna

0:15:04.800 --> 0:15:07.600
<v Speaker 1>hit the marketplace and they just kind of died. And

0:15:07.680 --> 0:15:12.240
<v Speaker 1>then um it it became like I think it was

0:15:13.000 --> 0:15:15.880
<v Speaker 1>John F. Kenny did an interview with Playboy magazine back

0:15:15.920 --> 0:15:17.560
<v Speaker 1>in the day and John F. Kenny was like, my

0:15:17.600 --> 0:15:22.080
<v Speaker 1>favorite books are James Bond books. And suddenly became, oh well,

0:15:22.200 --> 0:15:25.400
<v Speaker 1>if President screws a Lot really likes these books, then

0:15:25.640 --> 0:15:28.360
<v Speaker 1>there must be something going on in there. And then suddenly,

0:15:28.360 --> 0:15:31.280
<v Speaker 1>like boom, they became best sellers. Mark, are you telling

0:15:31.320 --> 0:15:37.680
<v Speaker 1>me that John F. Kennedy was the first influencer. I

0:15:37.720 --> 0:15:41.000
<v Speaker 1>think so I think I think he tagged up like this,

0:15:40.880 --> 0:15:46.640
<v Speaker 1>this is a paid post any of the original novel um.

0:15:46.680 --> 0:15:49.960
<v Speaker 1>I read like five or six of them. Um, they're

0:15:49.960 --> 0:15:56.080
<v Speaker 1>shorter than the movies. They are like crazy misogynist. I mean,

0:15:56.400 --> 0:16:00.160
<v Speaker 1>like that's that is that is they're very much a

0:16:00.200 --> 0:16:04.200
<v Speaker 1>product of their time in that like James Bond loved

0:16:04.320 --> 0:16:07.560
<v Speaker 1>Jamaica because Ian Fleming loved Jamaica like he would like

0:16:07.720 --> 0:16:10.600
<v Speaker 1>he would summer there or winter there or whenever he

0:16:10.600 --> 0:16:14.600
<v Speaker 1>can go there. And so like reading like gold Finger,

0:16:15.360 --> 0:16:17.760
<v Speaker 1>which is all set in Jamaica, and you're like, oh,

0:16:18.000 --> 0:16:22.280
<v Speaker 1>like it's kind of oh yeah, I mean like sure

0:16:22.320 --> 0:16:23.840
<v Speaker 1>like that we'll go to the Bahamas and that's gonna

0:16:23.840 --> 0:16:27.480
<v Speaker 1>be different. But you know, it's just like it becomes

0:16:28.200 --> 0:16:30.560
<v Speaker 1>he's got like a black buddy who's not really a buddy.

0:16:30.560 --> 0:16:32.880
<v Speaker 1>He's more like a waiter slash show for a slash valet.

0:16:33.000 --> 0:16:36.400
<v Speaker 1>And and every woman is kind of disposable, you know,

0:16:36.600 --> 0:16:40.480
<v Speaker 1>and it's it is, uh, bringing that to the modern

0:16:40.520 --> 0:16:43.800
<v Speaker 1>era is a challenge, I think is the And and

0:16:43.840 --> 0:16:45.520
<v Speaker 1>you see these James Bond movies as you go you

0:16:45.520 --> 0:16:47.360
<v Speaker 1>go back and look at the Sean Connerys, and they

0:16:47.400 --> 0:16:51.960
<v Speaker 1>still retain that vestige of of old school feelings about

0:16:52.000 --> 0:16:54.560
<v Speaker 1>masculinity and femininity. And then you get to Daniel Craig

0:16:54.600 --> 0:16:56.600
<v Speaker 1>and it's like, listen, you're gonna like have sex with

0:16:56.640 --> 0:16:59.880
<v Speaker 1>a lady, but it's not going to be as unfortunate

0:17:00.120 --> 0:17:04.200
<v Speaker 1>as it. Yeah, it seems like as it moved forward

0:17:04.200 --> 0:17:06.800
<v Speaker 1>in time, it went from the Bond girls to the

0:17:06.840 --> 0:17:10.400
<v Speaker 1>Bond girl, right, you know, I mean there would still

0:17:10.440 --> 0:17:12.639
<v Speaker 1>be the like does he have to like sleep with

0:17:12.920 --> 0:17:16.919
<v Speaker 1>like three women? Like? And there's always like the Bond

0:17:16.960 --> 0:17:21.760
<v Speaker 1>girl who dies early to his you know, adventure. I'm

0:17:21.760 --> 0:17:25.600
<v Speaker 1>really motivated now that now that I can't even remember

0:17:25.600 --> 0:17:28.720
<v Speaker 1>who she was, but she's dead and now revenge must happen.

0:17:29.040 --> 0:17:31.280
<v Speaker 1>And then there's like the good Bond Bond girl who

0:17:31.280 --> 0:17:33.360
<v Speaker 1>manages to survive the adventure so that she can then

0:17:33.400 --> 0:17:36.800
<v Speaker 1>sleep with James Bond before the closing credits. Ah, that's

0:17:36.840 --> 0:17:41.159
<v Speaker 1>the way that goes, which is not enlightened. Yeah. Just

0:17:41.240 --> 0:17:44.159
<v Speaker 1>a couple of things about Ian Fleming who created him. So,

0:17:44.200 --> 0:17:47.679
<v Speaker 1>he was a naval intelligence officer and while working for

0:17:47.760 --> 0:17:52.200
<v Speaker 1>Britain's Naval Intelligence Division during the Second World War, Fleming

0:17:52.280 --> 0:17:56.959
<v Speaker 1>was involved in planning Operation Golden I so we can

0:17:56.960 --> 0:17:59.359
<v Speaker 1>see where that came from. Also didn't know that the

0:17:59.400 --> 0:18:03.359
<v Speaker 1>first Bond novel was Casino Royal, and that is actually

0:18:03.400 --> 0:18:07.000
<v Speaker 1>my favorite Bond film. Really. Have you seen both versions

0:18:07.040 --> 0:18:10.040
<v Speaker 1>of Casino Royal? Oh I didn't see the original? Yeah? No,

0:18:10.200 --> 0:18:14.600
<v Speaker 1>the original is weird because it was men with Daniel Craig.

0:18:14.880 --> 0:18:17.840
<v Speaker 1>Yeah no, yeah, the original was like, there's James Bond

0:18:17.920 --> 0:18:19.880
<v Speaker 1>is played by David Niven, I think, and then there's

0:18:19.960 --> 0:18:24.879
<v Speaker 1>Jimmy Bond, who's played by Woody Allen. Oh boy, yeah, no,

0:18:25.040 --> 0:18:27.159
<v Speaker 1>this was the whole thing. I thought this was gonna be.

0:18:27.280 --> 0:18:29.040
<v Speaker 1>When you said Jimmy Bond, I thought it was I

0:18:29.040 --> 0:18:31.119
<v Speaker 1>thought this was like apa man. No, I thought this

0:18:31.200 --> 0:18:35.240
<v Speaker 1>was an aquaman, an aqua. Lads, here's my boy, Jimmy.

0:18:35.359 --> 0:18:38.400
<v Speaker 1>Can you go get him jim Bond. Yeah, no, it's

0:18:38.440 --> 0:18:43.439
<v Speaker 1>it's not good. Okay. So Casino Royal dropped. The novel

0:18:43.640 --> 0:18:47.080
<v Speaker 1>dropped April nineteen fifty three, So that was the first one.

0:18:47.119 --> 0:18:50.679
<v Speaker 1>That was the first James Bond novel. Um and so

0:18:50.760 --> 0:18:54.000
<v Speaker 1>Fleming ended up writing twelve Bond novels in two short

0:18:54.040 --> 0:18:56.919
<v Speaker 1>story collections, his final two being The Man with the

0:18:56.960 --> 0:19:00.359
<v Speaker 1>Golden Gun and came out in and octoples to see

0:19:01.000 --> 0:19:04.879
<v Speaker 1>Still Wild name I had Still Still Wild and the

0:19:04.920 --> 0:19:08.080
<v Speaker 1>Living Daylights that came out in nineteen sixty six. They

0:19:08.480 --> 0:19:10.440
<v Speaker 1>they used to and I think they might still do.

0:19:10.840 --> 0:19:13.200
<v Speaker 1>They would always have premiers of those movies in London

0:19:13.240 --> 0:19:15.320
<v Speaker 1>and like Royal Albert Hall, and it was always a

0:19:15.400 --> 0:19:18.640
<v Speaker 1>thing where like the Queen and the Prince would come

0:19:18.680 --> 0:19:21.280
<v Speaker 1>to the screenings because it was a whole like it's

0:19:21.359 --> 0:19:24.760
<v Speaker 1>it's the biggest character that that ever came out of Britain.

0:19:25.200 --> 0:19:27.760
<v Speaker 1>You know. I think maybe Harry Potter might now be

0:19:27.840 --> 0:19:30.080
<v Speaker 1>like number two when they might be fighting for number

0:19:30.080 --> 0:19:32.400
<v Speaker 1>one at some point. But it was a national event

0:19:32.400 --> 0:19:34.560
<v Speaker 1>when a Bond movie would come out. And so the

0:19:35.080 --> 0:19:38.880
<v Speaker 1>in Goldfinger, they there's a character and gold Finger named

0:19:38.880 --> 0:19:41.760
<v Speaker 1>pussy Galore and so and they were very concerned about

0:19:41.800 --> 0:19:43.399
<v Speaker 1>whether or not they would like, can we put this

0:19:43.440 --> 0:19:46.120
<v Speaker 1>movie out with this character in pussy Galore? And then

0:19:46.200 --> 0:19:48.359
<v Speaker 1>when the Queen saw the movie and then went to

0:19:48.440 --> 0:19:51.840
<v Speaker 1>like the Broccolis who produced these movies, really look good

0:19:51.920 --> 0:19:54.320
<v Speaker 1>character pussy Galore, Like we got the Queen to say

0:19:54.320 --> 0:19:58.439
<v Speaker 1>pussy Galore in and like Octopussy is the name that

0:19:58.480 --> 0:20:01.399
<v Speaker 1>the Queen had to say, and I remember reading some

0:20:01.440 --> 0:20:06.119
<v Speaker 1>interview with Daniel Craig being somewhat concerned that the Queen

0:20:06.240 --> 0:20:08.480
<v Speaker 1>who would still go see Bond movies by the time

0:20:08.520 --> 0:20:10.720
<v Speaker 1>you got to casino Royale is going to watch him

0:20:10.760 --> 0:20:13.240
<v Speaker 1>get bashed in the nuts over and old held again.

0:20:15.640 --> 0:20:19.680
<v Speaker 1>But the Queen's watched my bollocks smashed in. I remember

0:20:19.760 --> 0:20:23.959
<v Speaker 1>that scene. Um, so I left to the left. Speaking

0:20:23.960 --> 0:20:26.440
<v Speaker 1>of James Bond, can you talk a little bit about

0:20:26.600 --> 0:20:31.639
<v Speaker 1>his his character? Um, I mean James Bond, Is he

0:20:31.840 --> 0:20:34.520
<v Speaker 1>is a well also that name, sorry because that's not

0:20:34.640 --> 0:20:37.720
<v Speaker 1>his name, right, Well, it kind of is, it kind

0:20:37.720 --> 0:20:40.000
<v Speaker 1>of is. There's there's two theories. The theory is that

0:20:40.119 --> 0:20:42.520
<v Speaker 1>like every every actor who comes in and place, James

0:20:42.560 --> 0:20:45.040
<v Speaker 1>Bond is playing the same guy, right, Like it's Sean

0:20:45.040 --> 0:20:47.560
<v Speaker 1>Connery and then it's it's George Lasenby, and then it's

0:20:47.640 --> 0:20:51.439
<v Speaker 1>Roger Moore, and then it's um Pierce Brosen and then

0:20:51.480 --> 0:20:55.600
<v Speaker 1>there was Timothy to be Dalton in there for a second.

0:20:56.240 --> 0:20:58.720
<v Speaker 1>They're just playing the same character as it goes. Or

0:20:59.520 --> 0:21:01.560
<v Speaker 1>there's the idea that James Bond is a code name,

0:21:01.680 --> 0:21:03.680
<v Speaker 1>like James Bond is that that goes with the double

0:21:03.720 --> 0:21:06.600
<v Speaker 1>O seven identity. Like there's there's nine agents who have

0:21:06.600 --> 0:21:09.680
<v Speaker 1>a license to kill, of which Double O seven is

0:21:09.760 --> 0:21:11.320
<v Speaker 1>James Bond is just one of them. And so every

0:21:11.320 --> 0:21:14.399
<v Speaker 1>time James Bond dies, somebody else takes that identity and

0:21:14.400 --> 0:21:16.600
<v Speaker 1>then moves on and does the things Revere doctor who

0:21:16.880 --> 0:21:21.200
<v Speaker 1>in that way, Um, But James Bond is uh. He

0:21:21.240 --> 0:21:24.359
<v Speaker 1>was an orphan. He was raised sort of, you know,

0:21:24.560 --> 0:21:28.320
<v Speaker 1>in in in something feeling like luxury but not quite um.

0:21:28.440 --> 0:21:30.560
<v Speaker 1>He joined the military young age, because that's kind of

0:21:30.600 --> 0:21:32.960
<v Speaker 1>what at least in this world orphans do. Um rose

0:21:33.040 --> 0:21:35.159
<v Speaker 1>up the ranks and then was sort of a blunt

0:21:35.160 --> 0:21:38.280
<v Speaker 1>instrument like he He was never like the spyiest spy ever.

0:21:38.400 --> 0:21:40.119
<v Speaker 1>He was never like I'm going to wear those awesome

0:21:40.160 --> 0:21:42.560
<v Speaker 1>suit and infiltrate because I almost shoot a bunch of

0:21:42.600 --> 0:21:45.440
<v Speaker 1>people and maybe punch him in the face a lot. Um.

0:21:45.640 --> 0:21:48.040
<v Speaker 1>And so he gets recruited into the into the Special Service,

0:21:48.080 --> 0:21:50.840
<v Speaker 1>which is the Double O Section, which there's one guy

0:21:50.920 --> 0:21:52.879
<v Speaker 1>named m who kind of calls all the missions, and

0:21:52.920 --> 0:21:54.960
<v Speaker 1>there's a guy in him Q who's his quartermaster and

0:21:54.960 --> 0:21:57.000
<v Speaker 1>gives him all of his weapons and dud dads and whatever,

0:21:57.480 --> 0:22:00.240
<v Speaker 1>and there was the the executive assistant who was always

0:22:00.280 --> 0:22:02.920
<v Speaker 1>called secretary, name his Moneypenny, who would always be his

0:22:02.960 --> 0:22:05.760
<v Speaker 1>sort of like in house flirtation lady. And and then

0:22:05.800 --> 0:22:07.919
<v Speaker 1>he would he would always he would start on a

0:22:07.920 --> 0:22:09.760
<v Speaker 1>mission that was kind of not really connected to anything.

0:22:10.080 --> 0:22:11.960
<v Speaker 1>He would go and talk to m he get his

0:22:11.960 --> 0:22:13.520
<v Speaker 1>big mission and then go off into the world and

0:22:13.600 --> 0:22:16.080
<v Speaker 1>like globe Trot, which is a big part of what

0:22:16.240 --> 0:22:19.040
<v Speaker 1>made those movies especially work because nobody got to travel

0:22:19.080 --> 0:22:21.280
<v Speaker 1>in the sixties and seventies, like who's got money to

0:22:21.320 --> 0:22:25.320
<v Speaker 1>go to Istanbul or Duchambay or Tokyo or Cairo or

0:22:26.040 --> 0:22:29.119
<v Speaker 1>skiing in the Alps, And so those movies were vicarious

0:22:29.160 --> 0:22:32.520
<v Speaker 1>thrills for people like I've never seen that place. What's Venice?

0:22:32.560 --> 0:22:34.560
<v Speaker 1>Like James Bond went to Venice and now I kind

0:22:34.600 --> 0:22:37.080
<v Speaker 1>of know. And so people would go to see those

0:22:37.080 --> 0:22:41.400
<v Speaker 1>movies like Vacation in a weird, crazy way. I mean

0:22:41.480 --> 0:22:44.359
<v Speaker 1>I feel that way now with the world, with the

0:22:44.600 --> 0:22:48.840
<v Speaker 1>with millennials now, well, no, I feel like that is

0:22:48.920 --> 0:22:51.600
<v Speaker 1>like the kind of like the core of a lot

0:22:51.640 --> 0:22:53.960
<v Speaker 1>of art is like you know, we often talk about,

0:22:54.119 --> 0:22:56.200
<v Speaker 1>you know, the escapism of it, but also just the

0:22:56.359 --> 0:23:00.880
<v Speaker 1>living vicariously Like I remember when I was a When

0:23:00.880 --> 0:23:03.840
<v Speaker 1>I was a teen, the there was a game that

0:23:04.000 --> 0:23:07.680
<v Speaker 1>was called True Crime Streets of l A and they

0:23:07.720 --> 0:23:09.640
<v Speaker 1>had all the different l A streets and I didn't

0:23:09.640 --> 0:23:13.000
<v Speaker 1>have my driver's license yet, so I would like drive

0:23:13.040 --> 0:23:16.000
<v Speaker 1>around the streets, like not solving crimes and all this stuff,

0:23:16.119 --> 0:23:18.520
<v Speaker 1>but just to imagine what it'll be like when I

0:23:18.520 --> 0:23:24.080
<v Speaker 1>have my driver's license driving around l A. Yeah. Yeah,

0:23:24.160 --> 0:23:26.560
<v Speaker 1>I solved more crimes I r L than in the game.

0:23:27.359 --> 0:23:30.320
<v Speaker 1>But yeah, so so there's that that kind of beauty

0:23:30.400 --> 0:23:33.560
<v Speaker 1>of art of just like seeing these you know, beautiful

0:23:33.600 --> 0:23:37.800
<v Speaker 1>places and and experiencing them even though you can't physically

0:23:37.800 --> 0:23:41.199
<v Speaker 1>experience them. Yeah, and like the Bond novels especially, and

0:23:41.200 --> 0:23:46.199
<v Speaker 1>then the movie is sort of after the fashion were aspirational.

0:23:46.320 --> 0:23:48.679
<v Speaker 1>I think to like a generation of men um for

0:23:48.760 --> 0:23:50.800
<v Speaker 1>good and for ill, Like the good of it is

0:23:50.840 --> 0:23:53.480
<v Speaker 1>like James Bond really like dressed well and he lived

0:23:53.520 --> 0:23:56.480
<v Speaker 1>well and he liked good food, and like it's a weird,

0:23:56.520 --> 0:23:59.560
<v Speaker 1>like Soamelier's Guide to Wine and stuff like those books

0:23:59.560 --> 0:24:02.159
<v Speaker 1>are all like super refined and super defeat and super

0:24:02.200 --> 0:24:04.640
<v Speaker 1>like you know, well you wouldn't have the fifty four

0:24:04.760 --> 0:24:07.360
<v Speaker 1>Rothchild before a stake. My God, what kind of barbarian

0:24:07.400 --> 0:24:11.520
<v Speaker 1>are you? It's like, dude, like you're a killer. But

0:24:11.520 --> 0:24:13.679
<v Speaker 1>but and that's that's sort of how it helped tie

0:24:13.720 --> 0:24:15.800
<v Speaker 1>into the Playboy because Playboy was also very much like,

0:24:16.440 --> 0:24:19.119
<v Speaker 1>here's here's the guy that you kind of want to be, Like,

0:24:19.160 --> 0:24:21.320
<v Speaker 1>here's how you should dress, here's the party you should

0:24:21.359 --> 0:24:23.640
<v Speaker 1>go to, here's the music you should listen to. Here's

0:24:23.640 --> 0:24:26.600
<v Speaker 1>the books you should read. Um, here's the women you

0:24:26.640 --> 0:24:30.760
<v Speaker 1>should want to consort with. And James Bond fit right

0:24:30.800 --> 0:24:33.160
<v Speaker 1>into there. It was like he he was the guy

0:24:33.200 --> 0:24:37.439
<v Speaker 1>you wanted to be. Um. That changes over time, you know,

0:24:37.560 --> 0:24:41.919
<v Speaker 1>and especially the as the more diverse a audience gets,

0:24:42.440 --> 0:24:45.400
<v Speaker 1>the less they might want to just be that guy,

0:24:45.600 --> 0:24:48.359
<v Speaker 1>you know. And and James Bond may or may not

0:24:48.640 --> 0:24:51.640
<v Speaker 1>eventually change with those times, because there is no good

0:24:51.680 --> 0:24:54.480
<v Speaker 1>reason why James Bond, if it's going to be played

0:24:54.480 --> 0:24:57.240
<v Speaker 1>by a bunch of different actors, couldn't also be played

0:24:57.320 --> 0:25:00.840
<v Speaker 1>by a person of color. And that's that's been the

0:25:00.920 --> 0:25:04.760
<v Speaker 1>interesting conversation. And and I'll save that one because there's

0:25:04.800 --> 0:25:07.320
<v Speaker 1>stuff about the new one that I definitely want to

0:25:07.359 --> 0:25:12.440
<v Speaker 1>dig into. And yeah, and I definitely want your thoughts on.

0:25:12.880 --> 0:25:14.560
<v Speaker 1>But when we come back, we're going to talk about,

0:25:14.720 --> 0:25:17.199
<v Speaker 1>you know, the double O call sign and kind of

0:25:17.200 --> 0:25:20.000
<v Speaker 1>what that means, and get all into that meeting stuff.

0:25:20.160 --> 0:25:31.159
<v Speaker 1>See you in a bit and we're back. Okay. I

0:25:31.240 --> 0:25:33.959
<v Speaker 1>have one quote that I wanted to say. It's exactly

0:25:34.040 --> 0:25:36.480
<v Speaker 1>what you said about him being a blunt instrument. This

0:25:36.560 --> 0:25:38.840
<v Speaker 1>is from Ian Fleming in The New Yorker from nineteen

0:25:38.920 --> 0:25:41.520
<v Speaker 1>sixty two. He said, when I wrote the first one

0:25:41.600 --> 0:25:45.359
<v Speaker 1>in ninety three, I wanted Bond to be an extremely dull,

0:25:45.520 --> 0:25:49.000
<v Speaker 1>uninteresting man to whom things happen. I wanted him to

0:25:49.040 --> 0:25:51.919
<v Speaker 1>be a blunt instrument. When I was casting around for

0:25:51.960 --> 0:25:55.480
<v Speaker 1>a name for my protagonists, I thought, by god, James

0:25:55.480 --> 0:25:59.560
<v Speaker 1>Bond is the dullest name I've ever heard. That funny

0:25:59.600 --> 0:26:02.720
<v Speaker 1>because when you hear Bond, James Bond, it's like a

0:26:02.800 --> 0:26:06.239
<v Speaker 1>man of mystery, and he's sexy debonair and it's just like,

0:26:06.280 --> 0:26:09.159
<v Speaker 1>oh no, this like dull office worker. Yeah, like he

0:26:09.280 --> 0:26:12.840
<v Speaker 1>I think that he was in his Jamaica estate, which

0:26:12.880 --> 0:26:14.840
<v Speaker 1>is also named Golden Eye because of course it is

0:26:15.480 --> 0:26:17.560
<v Speaker 1>um and he had a wall full of books, and

0:26:17.600 --> 0:26:19.880
<v Speaker 1>one of them was a book on birds, like bird

0:26:19.920 --> 0:26:22.200
<v Speaker 1>watching and stuff, written by a guy named James Bond,

0:26:22.400 --> 0:26:24.080
<v Speaker 1>and I was like, oh god, if that's not the

0:26:24.119 --> 0:26:26.520
<v Speaker 1>most boring person and the most boring man for boring

0:26:26.600 --> 0:26:30.760
<v Speaker 1>dude that's ever been here's my spy. Well, it transforms

0:26:30.800 --> 0:26:32.800
<v Speaker 1>so much, it's so interesting that it was like, Oh,

0:26:32.880 --> 0:26:36.080
<v Speaker 1>just this man that things happened to happen to him,

0:26:36.119 --> 0:26:41.400
<v Speaker 1>to him being this force of nature essentially wrecking He's

0:26:41.400 --> 0:26:43.880
<v Speaker 1>a wrecking ball in my opinion, very much so. And

0:26:43.880 --> 0:26:46.760
<v Speaker 1>and like those movies and even the stories, there's the

0:26:46.880 --> 0:26:49.400
<v Speaker 1>version of those that are very reactionary, right, because like

0:26:49.560 --> 0:26:51.920
<v Speaker 1>James Bond is kind of like this global cop who

0:26:51.960 --> 0:26:54.120
<v Speaker 1>like I'm gonna go right or wrong, but the wrong

0:26:54.200 --> 0:26:56.080
<v Speaker 1>has to happen before he gets called off his game.

0:26:56.520 --> 0:26:58.840
<v Speaker 1>So it's very much like we said, it's like, here's

0:26:58.880 --> 0:27:01.480
<v Speaker 1>your mission, James, go do the thing. And then he

0:27:01.520 --> 0:27:04.359
<v Speaker 1>goes and does the thing. But it would take a

0:27:04.359 --> 0:27:07.040
<v Speaker 1>while before the movies began to make him proactive, before

0:27:07.040 --> 0:27:11.280
<v Speaker 1>they gave him missions and drives and revenge and all

0:27:11.359 --> 0:27:13.320
<v Speaker 1>that stuff that actually makes for here that you want

0:27:13.320 --> 0:27:15.600
<v Speaker 1>to be tuning into over and over again, as opposed

0:27:15.600 --> 0:27:17.560
<v Speaker 1>to just a guy waiting for like a case file

0:27:17.640 --> 0:27:20.720
<v Speaker 1>to fall on his desk, fump, I guess I gotta

0:27:20.760 --> 0:27:27.280
<v Speaker 1>go get that bad again, Jimmy fail. I'm gonna come

0:27:27.280 --> 0:27:30.359
<v Speaker 1>and get you. I'm coming get you. So explain the

0:27:30.400 --> 0:27:33.840
<v Speaker 1>double O seven the license to kill. That's the double

0:27:33.840 --> 0:27:36.680
<v Speaker 1>oh part, right, double there's a whole section, like there's

0:27:37.119 --> 0:27:39.840
<v Speaker 1>the Special Investigative Service, the s I S, which is

0:27:39.880 --> 0:27:42.400
<v Speaker 1>also like m I five or m I six um,

0:27:42.480 --> 0:27:45.480
<v Speaker 1>which are just like spies who do spy stuff in

0:27:45.520 --> 0:27:49.440
<v Speaker 1>the UK. But of that section, and fictionally, I'm assuming

0:27:49.720 --> 0:27:51.760
<v Speaker 1>there's the double O section, and I think the double

0:27:51.800 --> 0:27:53.959
<v Speaker 1>O counts for each kill that you have to make

0:27:54.000 --> 0:27:56.600
<v Speaker 1>to get into that section. And then there's only nine

0:27:56.600 --> 0:27:58.720
<v Speaker 1>of those agents. There's no double O ten, but it's

0:27:58.720 --> 0:28:00.199
<v Speaker 1>just double O one to double oh ni and there

0:28:00.200 --> 0:28:02.080
<v Speaker 1>are the nine people who can kind of travel the

0:28:02.080 --> 0:28:06.840
<v Speaker 1>world with impunity and just kill people, which seems like

0:28:06.880 --> 0:28:09.080
<v Speaker 1>an odd thing to give a person, like, you know,

0:28:09.520 --> 0:28:12.359
<v Speaker 1>what's the test for that? Like my driver's license, I

0:28:12.400 --> 0:28:14.720
<v Speaker 1>got that parallel park, I gotta do a three point turn,

0:28:15.040 --> 0:28:17.359
<v Speaker 1>I gotta whatever, Like what's your double oh license test?

0:28:18.000 --> 0:28:19.320
<v Speaker 1>And in the movie is that you've got to kill

0:28:19.320 --> 0:28:22.960
<v Speaker 1>two people? Oh? Okay, so you can. It's like a

0:28:23.000 --> 0:28:26.359
<v Speaker 1>gang initiation. So you kill two people and then you

0:28:26.359 --> 0:28:28.440
<v Speaker 1>get to be and then you get inducted into the

0:28:28.960 --> 0:28:30.959
<v Speaker 1>it's the two people that like m or whatever has

0:28:30.960 --> 0:28:34.159
<v Speaker 1>assigned you to kill, right, yeah, like Casino Royale. I

0:28:34.200 --> 0:28:37.199
<v Speaker 1>think the good one opens with that with him, you know,

0:28:37.359 --> 0:28:39.800
<v Speaker 1>sort of like stalking some dude in his office building,

0:28:40.320 --> 0:28:42.840
<v Speaker 1>and you know, there's a whole conversations like, well, you know,

0:28:42.880 --> 0:28:44.960
<v Speaker 1>you can't be you haven't had your two kills yet,

0:28:45.360 --> 0:28:47.320
<v Speaker 1>and he talks about like the first one, and then

0:28:47.320 --> 0:28:49.000
<v Speaker 1>he then you flash back to and beat up that

0:28:49.040 --> 0:28:51.320
<v Speaker 1>guy in the men's room, and then there I was like, well,

0:28:51.360 --> 0:28:53.400
<v Speaker 1>what about your second. You'll you'll find your second to

0:28:53.400 --> 0:28:55.600
<v Speaker 1>be like a lot easier. And then he shoots him

0:28:55.600 --> 0:28:57.440
<v Speaker 1>in the head and he's like considerably And so now

0:28:57.480 --> 0:28:59.800
<v Speaker 1>he's officially like we're rebooting James Bond and he's just

0:28:59.800 --> 0:29:02.520
<v Speaker 1>got into the service and he's doing his thing. Is

0:29:02.520 --> 0:29:06.000
<v Speaker 1>that the first of the Daniel Craig Yeah, okay, yeah,

0:29:06.000 --> 0:29:07.640
<v Speaker 1>Like that's how they sort of reset it by like

0:29:08.000 --> 0:29:09.880
<v Speaker 1>go back to the beginning, like day one on the job.

0:29:10.000 --> 0:29:13.040
<v Speaker 1>This is what James Bond. How does that work with

0:29:13.080 --> 0:29:16.200
<v Speaker 1>the rest of the U N Like, how does that

0:29:16.280 --> 0:29:18.960
<v Speaker 1>work with American like we're just all okay, like, oh

0:29:19.040 --> 0:29:23.080
<v Speaker 1>that no, he's allowed to kill, so totally fine. Noo

0:29:23.120 --> 0:29:25.600
<v Speaker 1>coo coo cool he just like that guys, Yeah yeah, yeah,

0:29:25.600 --> 0:29:28.520
<v Speaker 1>I know, but I asked the wrong question, like how

0:29:28.680 --> 0:29:32.960
<v Speaker 1>is that? But what about America? They care? Don't Americans

0:29:33.040 --> 0:29:38.360
<v Speaker 1>care about killing? Um? Hilarious? L O L. I think

0:29:38.400 --> 0:29:41.360
<v Speaker 1>they must have some kind of like back channel, Like listen,

0:29:41.440 --> 0:29:42.880
<v Speaker 1>if he did it, he had to do it for

0:29:42.920 --> 0:29:46.320
<v Speaker 1>a good reason, and it's you know, foreign intelligence, world allies,

0:29:46.360 --> 0:29:48.040
<v Speaker 1>and that's cool. And if he goes bad people, they're

0:29:48.080 --> 0:29:51.480
<v Speaker 1>bad people and that's fine. You're killing the good people. Yeah, please,

0:29:53.360 --> 0:29:55.840
<v Speaker 1>that'd be great. One other thing before we hop over

0:29:56.960 --> 0:30:00.040
<v Speaker 1>talking about his character. So in Fleming stories and in

0:30:00.360 --> 0:30:03.240
<v Speaker 1>the films, James Bond is in his mid to late

0:30:03.320 --> 0:30:06.520
<v Speaker 1>thirties but doesn't age. I think that's really cool. It

0:30:06.680 --> 0:30:08.280
<v Speaker 1>is kind of cool. I mean, it's if we can

0:30:08.360 --> 0:30:10.560
<v Speaker 1>live for what is enough thirty three years, where like

0:30:10.680 --> 0:30:14.520
<v Speaker 1>Bart Simpson is still in fifth grade. Yeah. Well, Daniel Craig,

0:30:15.240 --> 0:30:16.880
<v Speaker 1>he seemed like he was in his forties, like some

0:30:17.000 --> 0:30:19.320
<v Speaker 1>of them have have at least I would say for

0:30:19.680 --> 0:30:22.440
<v Speaker 1>like energy they have like that. But what am I

0:30:22.520 --> 0:30:25.880
<v Speaker 1>trying to say that old man strength? No not, they

0:30:25.960 --> 0:30:29.040
<v Speaker 1>have that like season. You know when Steve Carrell came

0:30:29.080 --> 0:30:31.720
<v Speaker 1>out this year and he had the gray hairs coming

0:30:31.800 --> 0:30:35.560
<v Speaker 1>and everyone's like, whoa, they looked at him differently. That's

0:30:35.600 --> 0:30:37.920
<v Speaker 1>what I mean about them. Yeah, I mean, I think

0:30:38.080 --> 0:30:40.400
<v Speaker 1>like the Bonds usually when they begin, they're sort of

0:30:40.520 --> 0:30:42.760
<v Speaker 1>young and vibrant and like, oh, look at that guy,

0:30:42.840 --> 0:30:45.840
<v Speaker 1>he's awesome, and then over time, like Sean Connery did

0:30:46.040 --> 0:30:48.680
<v Speaker 1>seven of them, and by the last one, like the

0:30:48.760 --> 0:30:51.640
<v Speaker 1>two pay is not holding that tight anymore than like this,

0:30:51.840 --> 0:30:54.320
<v Speaker 1>the there's a big cumber bund on his tuxedos to

0:30:54.400 --> 0:30:56.880
<v Speaker 1>like cover up that mid section, which is tight as

0:30:56.920 --> 0:30:59.040
<v Speaker 1>it was when he was like third place for Mr. Universe.

0:30:59.160 --> 0:31:02.840
<v Speaker 1>Like yeah, um, I mean age age is always a

0:31:02.920 --> 0:31:05.320
<v Speaker 1>problem with things like this, you know, same thing like Batman,

0:31:05.440 --> 0:31:07.840
<v Speaker 1>Like you can't have maybe not so true, you can

0:31:07.920 --> 0:31:09.720
<v Speaker 1>have Michael Keaton playing Batman and he was always like

0:31:09.760 --> 0:31:12.240
<v Speaker 1>forty two years old even when he wasn't. But like,

0:31:12.720 --> 0:31:14.440
<v Speaker 1>you need somebody who looks like they can get the

0:31:14.520 --> 0:31:17.280
<v Speaker 1>job done right. You need somebody who looks like, oh no,

0:31:17.520 --> 0:31:20.720
<v Speaker 1>I buy that this James Bond can actually like punch

0:31:20.760 --> 0:31:23.160
<v Speaker 1>everybody in the face and can actually take on dudes

0:31:23.200 --> 0:31:26.880
<v Speaker 1>with steel jaws and like you know, crazy Japanese suma

0:31:26.920 --> 0:31:30.280
<v Speaker 1>wrestler dudes. And when he stops looking like that, they

0:31:30.320 --> 0:31:32.400
<v Speaker 1>start to get silly, you know. And so many of

0:31:32.400 --> 0:31:34.520
<v Speaker 1>the Roger Moore movies or like him and leisure suits

0:31:34.560 --> 0:31:36.760
<v Speaker 1>traveling the world like beating up on other old dudes.

0:31:37.120 --> 0:31:39.480
<v Speaker 1>And I guess, like, what, this isn't what I signed

0:31:39.560 --> 0:31:42.680
<v Speaker 1>up for, beating up Christopher Lee, Like this is a

0:31:42.760 --> 0:31:45.120
<v Speaker 1>two senior citizen just slapping each other in the face

0:31:45.160 --> 0:31:48.000
<v Speaker 1>a lot, Like that's not worth my eight dollars. Yeah,

0:31:48.840 --> 0:31:51.640
<v Speaker 1>all of this conversation are leading me into all these

0:31:51.760 --> 0:31:54.200
<v Speaker 1>like fun ideas and questions that I want to save

0:31:54.320 --> 0:31:57.880
<v Speaker 1>towards the end because they're all about cool things that

0:31:58.040 --> 0:32:03.280
<v Speaker 1>we think could happen fair enough. But like for me anyway,

0:32:03.320 --> 0:32:05.680
<v Speaker 1>like I was always a comic book reader and uh

0:32:06.080 --> 0:32:08.840
<v Speaker 1>and and the second best part about comic books are

0:32:08.880 --> 0:32:11.280
<v Speaker 1>the bad guys and the various version of the bad guys,

0:32:11.360 --> 0:32:14.360
<v Speaker 1>especially Batman's Rose Gallery and like Spider Man's Rose Gallery,

0:32:14.440 --> 0:32:17.920
<v Speaker 1>and look at the various ways these characters can reflect

0:32:18.000 --> 0:32:21.160
<v Speaker 1>upon your hero and the James Bond Rose Gallery is

0:32:21.200 --> 0:32:26.200
<v Speaker 1>just daffy. He's like that guy loves gold. Okay, sure,

0:32:26.280 --> 0:32:28.280
<v Speaker 1>what about that guy? He wants to go to the moon.

0:32:29.000 --> 0:32:35.960
<v Speaker 1>Where's octopusy want? Unclear? She has eight cats. I don't

0:32:36.040 --> 0:32:40.680
<v Speaker 1>know what's happening here at all. Do you have a favorite? Um?

0:32:41.720 --> 0:32:46.640
<v Speaker 1>My favorite? My favorite Bond villain is in the Bond

0:32:46.720 --> 0:32:50.800
<v Speaker 1>Movie with the Worst James Bond the Worst. The Worst

0:32:50.840 --> 0:32:54.200
<v Speaker 1>Bond Movie is On Her Majesty's Secret Service, which is

0:32:54.280 --> 0:32:57.320
<v Speaker 1>when Sean Connery decided, I don't want to do this anymore,

0:32:57.720 --> 0:33:00.520
<v Speaker 1>screw you guys, I'm going home, and they and George

0:33:00.600 --> 0:33:02.960
<v Speaker 1>lason By who was like an Australian model who could

0:33:03.000 --> 0:33:06.080
<v Speaker 1>not act at all. But the bad guy was Telly Savalas,

0:33:06.520 --> 0:33:09.880
<v Speaker 1>and Telly Savalas was living it like his his Blowfeld

0:33:10.000 --> 0:33:14.240
<v Speaker 1>was like Mountaintop Chalet and like Turtlenecks in The Bald Head.

0:33:14.320 --> 0:33:17.400
<v Speaker 1>And he was freaking kojacked as a bad guy. And

0:33:17.520 --> 0:33:22.080
<v Speaker 1>like as a movie, it's great as a Bond, he's awful. Um,

0:33:22.400 --> 0:33:25.320
<v Speaker 1>But like that's the movie in which you know James

0:33:25.360 --> 0:33:27.760
<v Speaker 1>Bond falls in love, like for real love and gets married.

0:33:27.800 --> 0:33:29.959
<v Speaker 1>By the time that movies he marries Diana Rigg at

0:33:29.960 --> 0:33:32.800
<v Speaker 1>the end of that movie and then like Blowfeld kills

0:33:32.800 --> 0:33:36.000
<v Speaker 1>her and it's super tragic, and that should motivate a

0:33:36.040 --> 0:33:40.000
<v Speaker 1>guy to do a bunch of handle. It's a ton

0:33:40.080 --> 0:33:44.240
<v Speaker 1>of fridging. Um. But like it was the rare Bond

0:33:44.280 --> 0:33:47.120
<v Speaker 1>movie that gave him actual like forward motion. Right, we're

0:33:47.160 --> 0:33:49.719
<v Speaker 1>moving the character along, We're changing this guy who otherwise

0:33:49.720 --> 0:33:53.200
<v Speaker 1>feels like a sitcom character. Um. And then they kind

0:33:53.200 --> 0:33:55.200
<v Speaker 1>of reversed it all in the next movie. He's back

0:33:55.240 --> 0:33:57.040
<v Speaker 1>to being that guy again, and it's all good. It's fine,

0:33:57.080 --> 0:33:59.800
<v Speaker 1>he's gonna he gave us a taste and we tasted

0:33:59.880 --> 0:34:02.440
<v Speaker 1>a yeah, you know, and every now and again they

0:34:02.480 --> 0:34:04.520
<v Speaker 1>will they will sort of like nudge back into that world.

0:34:04.560 --> 0:34:07.760
<v Speaker 1>I think Skyfall kind of try to drag some of

0:34:07.840 --> 0:34:10.880
<v Speaker 1>that past stuff forward and like no James sponsor real

0:34:10.960 --> 0:34:14.400
<v Speaker 1>guy and he's had decades of history and here's here's

0:34:14.440 --> 0:34:17.000
<v Speaker 1>the the Aston Martin from Goldfinger and his garage and

0:34:17.080 --> 0:34:19.000
<v Speaker 1>here's then we're going to his answer stral home and

0:34:19.080 --> 0:34:22.239
<v Speaker 1>seeing his parents graves and we're we're pretending like this

0:34:22.440 --> 0:34:24.680
<v Speaker 1>is all real and all this tonnage would land on

0:34:24.719 --> 0:34:28.080
<v Speaker 1>a guy in a real way. Speaking of Sean Connery.

0:34:28.280 --> 0:34:31.520
<v Speaker 1>So he was the first actor to put portray Bond

0:34:31.640 --> 0:34:35.239
<v Speaker 1>in a film. It was Doctor No. Nineteen six two.

0:34:35.280 --> 0:34:41.000
<v Speaker 1>I've never seen that one. Do you recommend? Uh, it's

0:34:41.040 --> 0:34:43.560
<v Speaker 1>it's it's a thing because like, there's there's a lot

0:34:43.640 --> 0:34:46.360
<v Speaker 1>of you will recognize a lot of elements from that

0:34:46.520 --> 0:34:49.279
<v Speaker 1>movie because they've been in so many other movies. You know.

0:34:49.400 --> 0:34:51.439
<v Speaker 1>It's like there's the henchman guy, and here's the little

0:34:51.520 --> 0:34:53.759
<v Speaker 1>theme song, and here's you know, the girl with the

0:34:53.760 --> 0:34:56.080
<v Speaker 1>awesome bikini rises out of the water, because we're gonna

0:34:56.080 --> 0:34:59.279
<v Speaker 1>do that stuff. Um Like, so much of how we

0:34:59.440 --> 0:35:03.080
<v Speaker 1>began to understand sort of action film kind of began

0:35:03.400 --> 0:35:07.120
<v Speaker 1>in that movie, especially espionage movies. It's super dated and

0:35:07.280 --> 0:35:11.160
<v Speaker 1>it's super problematic, and you know, in the kinds of

0:35:11.280 --> 0:35:12.960
<v Speaker 1>ways that things are when you look back at a

0:35:13.000 --> 0:35:17.040
<v Speaker 1>fifty year old movie with something resembing perspective, you're like, oh, wow,

0:35:17.200 --> 0:35:19.600
<v Speaker 1>you've never met a black person, have any of you know,

0:35:20.400 --> 0:35:23.080
<v Speaker 1>you know, like pigeon English stuff like, oh, mister bod

0:35:23.160 --> 0:35:27.799
<v Speaker 1>let me get you in the boat. Yeah, that's cool,

0:35:28.360 --> 0:35:31.759
<v Speaker 1>But James Bond drinks red stripe in that and so like,

0:35:32.160 --> 0:35:33.759
<v Speaker 1>and so I'd be like that was my like red

0:35:33.800 --> 0:35:36.439
<v Speaker 1>stripe phase. He was like, that's Bonds beer beer, Gonna

0:35:36.480 --> 0:35:39.239
<v Speaker 1>drink Bonds beer. Oh yeah. I had a huge red

0:35:39.360 --> 0:35:42.960
<v Speaker 1>stripe phase for some reason. Everyone I knew was real

0:35:43.080 --> 0:35:44.600
<v Speaker 1>in a red stripe. And I was like, all right,

0:35:44.760 --> 0:35:46.520
<v Speaker 1>this is this is the road we're going down. Just

0:35:46.680 --> 0:35:49.719
<v Speaker 1>a note of moving off of Sean Connery is that

0:35:49.800 --> 0:35:53.160
<v Speaker 1>he was an amateur bodybuilder. Yeah. Yeah, when he said Mr. Universe,

0:35:53.200 --> 0:35:54.680
<v Speaker 1>I went to look it up because that's a fact

0:35:54.760 --> 0:35:58.600
<v Speaker 1>I did not uh and yeah he was swelped up.

0:35:59.040 --> 0:36:02.480
<v Speaker 1>I mean, but also like swelt for, which is not

0:36:02.680 --> 0:36:07.200
<v Speaker 1>very It's so funny because there is like, uh, in bodybuilding,

0:36:07.280 --> 0:36:12.439
<v Speaker 1>they have this other uh category now called classic bodybuilder.

0:36:12.760 --> 0:36:14.480
<v Speaker 1>So it's like, so you don't have to be a

0:36:14.640 --> 0:36:18.879
<v Speaker 1>Kai green super human built, you can be that kind

0:36:18.920 --> 0:36:24.959
<v Speaker 1>of classic still normal muscles, not as roided out look.

0:36:25.360 --> 0:36:27.360
<v Speaker 1>And I was like because because someone, because someone was

0:36:27.400 --> 0:36:29.960
<v Speaker 1>like you should do bodybuilding. I was like, one, no,

0:36:31.239 --> 0:36:33.160
<v Speaker 1>I'm not, I'm not trying to look like that. They're like, no,

0:36:33.320 --> 0:36:36.000
<v Speaker 1>you should try the classic lane. And that's when I

0:36:36.040 --> 0:36:37.840
<v Speaker 1>found out about like that. They went like all the

0:36:37.840 --> 0:36:40.600
<v Speaker 1>way to like crystal PEPSI no, no, no, no, you

0:36:40.680 --> 0:36:47.160
<v Speaker 1>got throttled back classic like actual muscle musclitcher and like

0:36:47.320 --> 0:36:50.200
<v Speaker 1>he can fit into a suit off the rack. Maybe. Yeah.

0:36:50.880 --> 0:36:53.040
<v Speaker 1>So usually a lot of times the villains are the

0:36:53.160 --> 0:36:58.319
<v Speaker 1>title character, right, you have octopusy, the Doctor, No Goldfinger,

0:36:58.480 --> 0:37:01.160
<v Speaker 1>Goldfinger yeah to a point, like the Man with the

0:37:01.200 --> 0:37:04.160
<v Speaker 1>Golden Gun. Eventually they just started like making up names

0:37:04.280 --> 0:37:07.800
<v Speaker 1>with like words that sounded good together, little Die another

0:37:07.960 --> 0:37:15.000
<v Speaker 1>day with so tomorrow Tomorrow never dies. Oh okay, yeah, alright,

0:37:15.400 --> 0:37:17.279
<v Speaker 1>license to kill No, it's she said his wallet, Like

0:37:17.400 --> 0:37:20.160
<v Speaker 1>that's it. Like these things like stopped having this crazy

0:37:20.200 --> 0:37:23.600
<v Speaker 1>awesome residents but um but yeah, like they were always

0:37:24.200 --> 0:37:27.279
<v Speaker 1>somewhat cartoonish in like an outlandish kind of way. It's like,

0:37:27.320 --> 0:37:29.000
<v Speaker 1>all right, well there's gold thing who really likes gold,

0:37:29.080 --> 0:37:30.600
<v Speaker 1>and so everything he has is made of gold and

0:37:30.760 --> 0:37:34.520
<v Speaker 1>that's untenable. But sure, so that's what gold Member was

0:37:34.640 --> 0:37:37.440
<v Speaker 1>making fun of very much. So, like you know, I mean,

0:37:37.440 --> 0:37:39.680
<v Speaker 1>Austin Powers was always living in this world of kind

0:37:39.719 --> 0:37:43.360
<v Speaker 1>of like like this James Bond the Saint kind of

0:37:43.560 --> 0:37:45.200
<v Speaker 1>like we're gonna make fun of all of this like

0:37:45.400 --> 0:37:48.640
<v Speaker 1>swinging sixties stuff. But then gold Member was just straight

0:37:48.719 --> 0:37:51.880
<v Speaker 1>up like we're doing a Bond movie. Yeah, we're not

0:37:51.960 --> 0:37:55.560
<v Speaker 1>even pretend anymore, Like Beyonce is going to play And

0:37:55.880 --> 0:38:00.320
<v Speaker 1>they would always kind of like not just problem actually

0:38:00.360 --> 0:38:02.719
<v Speaker 1>play with like race, but also like women in race,

0:38:02.800 --> 0:38:04.440
<v Speaker 1>and were just like I hear give me the two

0:38:04.480 --> 0:38:07.400
<v Speaker 1>Bongos's Babby and Thumper, and like Thumper is going to

0:38:07.440 --> 0:38:10.040
<v Speaker 1>be like this black girl but like poofy, like you know,

0:38:10.120 --> 0:38:13.719
<v Speaker 1>the puffy afro puffs. And then like my Thumper is

0:38:13.760 --> 0:38:15.560
<v Speaker 1>gonna be like a sweetest blonde and like that's just

0:38:15.640 --> 0:38:18.439
<v Speaker 1>what they do. So Bamby and Thumper and what. Yeah,

0:38:18.840 --> 0:38:22.560
<v Speaker 1>come on, man, Like, couldn't you just have a name

0:38:22.840 --> 0:38:25.680
<v Speaker 1>plenty o'tool? That is not a name of somebody names

0:38:25.719 --> 0:38:30.799
<v Speaker 1>it child. No, we're going to get an email from

0:38:30.880 --> 0:38:34.560
<v Speaker 1>Plenty Like excuse me, listen. I come from a very

0:38:34.600 --> 0:38:37.799
<v Speaker 1>wrong line of plenty. My father was a plenty. I'm

0:38:37.800 --> 0:38:40.040
<v Speaker 1>a plenty. My son is a plenty. Did you read

0:38:40.120 --> 0:38:42.560
<v Speaker 1>any of the comics or collect any of the comics

0:38:42.600 --> 0:38:44.839
<v Speaker 1>of James Bond comics? I never did. I never did.

0:38:44.920 --> 0:38:47.480
<v Speaker 1>And it part of it, I think was because you

0:38:47.560 --> 0:38:50.480
<v Speaker 1>either have the novels which were like super pulpy, or

0:38:50.560 --> 0:38:53.080
<v Speaker 1>you had the movies which were movies and We're awesome,

0:38:53.440 --> 0:38:55.200
<v Speaker 1>and the comic books always felt like this weird half

0:38:55.239 --> 0:38:57.680
<v Speaker 1>step between them. It's like, I'm not gonna get what

0:38:57.760 --> 0:39:00.040
<v Speaker 1>I want out of this because like marvelous but in

0:39:00.080 --> 0:39:02.160
<v Speaker 1>these comics out and I'm sure it's a good idea,

0:39:02.320 --> 0:39:06.000
<v Speaker 1>but the things that I respond to in a Bond

0:39:06.040 --> 0:39:08.279
<v Speaker 1>film as like a fourteen year old boy, are not

0:39:08.440 --> 0:39:14.880
<v Speaker 1>showing up. True. Speaking of things for fourteen year old boys,

0:39:15.000 --> 0:39:20.600
<v Speaker 1>there was there was actually the first Bond video game, UM,

0:39:20.840 --> 0:39:24.160
<v Speaker 1>which was developed by the Parker Brothers and was released

0:39:24.200 --> 0:39:27.280
<v Speaker 1>for Atari. However, that is not the one that comes

0:39:27.360 --> 0:39:32.280
<v Speaker 1>to mind for all of us. It's seven first person

0:39:32.360 --> 0:39:40.120
<v Speaker 1>shooter video game Golden Eye. Because if he's about to

0:39:40.160 --> 0:39:45.279
<v Speaker 1>wax poet Golden I it's so funny because I have

0:39:45.760 --> 0:39:51.000
<v Speaker 1>never seen a single James Bond film Wow, but I

0:39:51.160 --> 0:39:53.719
<v Speaker 1>have played many a Golden Eye. And Golden Eye is

0:39:53.760 --> 0:39:57.520
<v Speaker 1>special in the sense that it had it normalized first

0:39:57.600 --> 0:40:02.160
<v Speaker 1>person shooters. It changed the game literally, uh, and so

0:40:02.840 --> 0:40:06.240
<v Speaker 1>you know, it got people well aware of of crappy

0:40:06.360 --> 0:40:10.000
<v Speaker 1>hit boxes with odd job. If you chose odd job,

0:40:10.080 --> 0:40:13.840
<v Speaker 1>you were a horrible human being. And so like everything

0:40:13.920 --> 0:40:17.239
<v Speaker 1>about Golden Eye is so fun and they recently did

0:40:17.280 --> 0:40:20.120
<v Speaker 1>a source remaster for PC, so you can grab that

0:40:20.280 --> 0:40:24.200
<v Speaker 1>if you're on the PC Master Race. But you know,

0:40:24.760 --> 0:40:27.720
<v Speaker 1>it's super. It was fun, and what kind of sucked

0:40:27.880 --> 0:40:30.360
<v Speaker 1>was it was so good, so nostalgic that a Bond

0:40:30.440 --> 0:40:33.399
<v Speaker 1>game never was able to survive around there. I think

0:40:33.440 --> 0:40:36.440
<v Speaker 1>there was like was it a die? It was either

0:40:36.520 --> 0:40:38.960
<v Speaker 1>die another day or um, what is the one that

0:40:39.080 --> 0:40:43.160
<v Speaker 1>came out for PS two or PS one Night Fire?

0:40:43.760 --> 0:40:46.320
<v Speaker 1>Night Fire? That's what it's saying. James Bond double O

0:40:46.360 --> 0:40:49.839
<v Speaker 1>seven Night Fire for PS two. Okay, I think that's

0:40:49.880 --> 0:40:52.720
<v Speaker 1>what it was. Then it was it was not great.

0:40:52.840 --> 0:40:55.360
<v Speaker 1>I just remember that Golden Eye was the first party

0:40:55.440 --> 0:40:58.080
<v Speaker 1>game I've ever really played. It was, you know, like

0:40:58.280 --> 0:41:00.200
<v Speaker 1>it was. It was a game where some they had

0:41:00.239 --> 0:41:01.920
<v Speaker 1>an N sixty four. You go over and always be

0:41:01.960 --> 0:41:03.759
<v Speaker 1>like five or six people in that house and for

0:41:03.920 --> 0:41:06.360
<v Speaker 1>them would be playing Golden at any given time, and

0:41:06.440 --> 0:41:08.359
<v Speaker 1>there was and it was It became a social event

0:41:08.520 --> 0:41:10.840
<v Speaker 1>in a way that video games hadn't been for me

0:41:10.960 --> 0:41:13.560
<v Speaker 1>and before. And there was always like it. And the

0:41:13.600 --> 0:41:15.520
<v Speaker 1>screen was divided into those four boxes, right, and so

0:41:15.640 --> 0:41:17.239
<v Speaker 1>four people were playing at once. I'm on a giant

0:41:17.280 --> 0:41:20.160
<v Speaker 1>screen there's always one screen where some person could not

0:41:20.320 --> 0:41:27.719
<v Speaker 1>figure out how to focus, Like just look straight ahead, Man,

0:41:28.000 --> 0:41:31.359
<v Speaker 1>I can't do it. Yeah, that was that was next level.

0:41:31.600 --> 0:41:33.520
<v Speaker 1>And you know, just talking about Golden Night, it's crazy

0:41:33.600 --> 0:41:35.400
<v Speaker 1>to think that in sixty four launched two of the

0:41:35.440 --> 0:41:39.560
<v Speaker 1>biggest like multiplayer party games. Uh not counting Mario Party,

0:41:39.640 --> 0:41:41.799
<v Speaker 1>but you have Smash Bros. And you have Golden Ye.

0:41:42.280 --> 0:41:44.879
<v Speaker 1>It's it's crazy to know that all that came from

0:41:44.920 --> 0:41:48.799
<v Speaker 1>the n sixty four totally. I am curious because as

0:41:48.840 --> 0:41:52.759
<v Speaker 1>we're going over these, uh, the actors that have played

0:41:52.840 --> 0:41:55.600
<v Speaker 1>James Bond. To me, Pierce Brosnan was my James Bond

0:41:55.640 --> 0:41:57.800
<v Speaker 1>because he was who I was first introduced to and

0:41:57.840 --> 0:41:59.880
<v Speaker 1>who I grew up with until Daniel Craig came in

0:42:00.000 --> 0:42:03.160
<v Speaker 1>a picture. Who do you consider your James Bond? Um?

0:42:03.760 --> 0:42:08.359
<v Speaker 1>The first Bond movie I ever saw was Never Say

0:42:08.440 --> 0:42:12.640
<v Speaker 1>Never Again. Um, So Sean Connery is my Bond. Um.

0:42:13.640 --> 0:42:16.399
<v Speaker 1>I think I've seen more Roger Moore James Bond movies,

0:42:16.400 --> 0:42:18.880
<v Speaker 1>never seen anybody else. And that was more contemporary for me,

0:42:19.000 --> 0:42:20.360
<v Speaker 1>Like I was a kid of the eighties and he

0:42:20.480 --> 0:42:23.279
<v Speaker 1>was he was a late seventies into like eighty five

0:42:23.360 --> 0:42:25.880
<v Speaker 1>eighties six, I think, but it's kind of always going

0:42:25.920 --> 0:42:27.920
<v Speaker 1>to be Sean Connery for me, and even like never

0:42:28.000 --> 0:42:29.759
<v Speaker 1>was it Never Again is when he's the old Bond,

0:42:30.040 --> 0:42:33.480
<v Speaker 1>he's winning like to pay Bond, like it's just and

0:42:33.560 --> 0:42:37.240
<v Speaker 1>it's a remake of another Bond movie because like MGM

0:42:37.320 --> 0:42:39.600
<v Speaker 1>has the like the lock on James Bond movies and

0:42:39.640 --> 0:42:43.120
<v Speaker 1>I have for since the very beginning. But there was

0:42:43.200 --> 0:42:46.640
<v Speaker 1>some weird dispute with the screenwriter of Thunderball and he

0:42:46.800 --> 0:42:48.920
<v Speaker 1>claimed some rights to it, and so that's the one

0:42:49.000 --> 0:42:51.719
<v Speaker 1>movie that if any other company wants to make, they

0:42:51.760 --> 0:42:55.480
<v Speaker 1>can remake Thunderball. And so it was Thunderball and then

0:42:55.480 --> 0:42:57.120
<v Speaker 1>Never Seen Ever Again, which is just a remake of

0:42:57.200 --> 0:43:02.279
<v Speaker 1>Thunderball again. Um. And so I remember that that was

0:43:02.360 --> 0:43:05.280
<v Speaker 1>a summer and I was a bad boy at school

0:43:05.960 --> 0:43:07.759
<v Speaker 1>and it was just coming out on HBO, and like

0:43:07.880 --> 0:43:11.800
<v Speaker 1>I had forged my report card, like I like the

0:43:11.920 --> 0:43:14.160
<v Speaker 1>kind of forgery that in junior high school you're really

0:43:14.239 --> 0:43:16.000
<v Speaker 1>really good at. So I was like, oh, I'm gonna

0:43:16.040 --> 0:43:18.320
<v Speaker 1>make these f s a's because nobody will notice that,

0:43:18.400 --> 0:43:20.720
<v Speaker 1>and these ds are gonna be bees because that totally works.

0:43:21.280 --> 0:43:24.000
<v Speaker 1>And uh, And I had told my parents like at

0:43:24.080 --> 0:43:26.440
<v Speaker 1>length that I really wanted to see this movie movie.

0:43:26.920 --> 0:43:29.280
<v Speaker 1>And then when I they caught me in my master forgery,

0:43:29.360 --> 0:43:31.360
<v Speaker 1>they were like, you can't do anything for a summer.

0:43:32.200 --> 0:43:34.799
<v Speaker 1>So you know Caribbean parents, that's how that goes. Oh yeah,

0:43:34.960 --> 0:43:38.880
<v Speaker 1>So so from like June through September, I was locked

0:43:38.880 --> 0:43:41.800
<v Speaker 1>in my room. But then like once once I got paroled,

0:43:42.400 --> 0:43:45.239
<v Speaker 1>like my dad had videotaped never Say Never again for me,

0:43:45.719 --> 0:43:48.640
<v Speaker 1>Like that was his present for me as I completed

0:43:48.719 --> 0:43:51.680
<v Speaker 1>my my rounds in in the Big House. And I

0:43:51.760 --> 0:43:53.799
<v Speaker 1>remember watching that movie and loving it to death even

0:43:53.840 --> 0:43:57.280
<v Speaker 1>though it's not great, um, but it didn't matter because

0:43:57.320 --> 0:43:59.800
<v Speaker 1>like this was this was the price. Yeah, that was

0:43:59.880 --> 0:44:01.960
<v Speaker 1>your freedom for this is my freedom for like I'm

0:44:02.040 --> 0:44:08.320
<v Speaker 1>free given. It's funny talking about like your James Bonds

0:44:08.360 --> 0:44:10.719
<v Speaker 1>and stuff like that because you know Danny, you say,

0:44:10.880 --> 0:44:15.040
<v Speaker 1>Daniel Craig was yours, but when he was, But my

0:44:15.280 --> 0:44:20.480
<v Speaker 1>favorite Bond movie is Casino. Because the Internet was not

0:44:20.600 --> 0:44:25.040
<v Speaker 1>happy with Daniel Craig during productions, they had a website

0:44:25.080 --> 0:44:29.080
<v Speaker 1>called Daniel Craig is not Bond dot Com to express

0:44:29.239 --> 0:44:32.040
<v Speaker 1>their satisfaction. Just in case you think they release The

0:44:32.080 --> 0:44:36.160
<v Speaker 1>Snyder Cut Crew is a new thing. We've been wild

0:44:36.280 --> 0:44:39.480
<v Speaker 1>nerds have been wilding on the internet for the history

0:44:39.520 --> 0:44:42.840
<v Speaker 1>that was very Yes, that was a huge thing, and

0:44:42.920 --> 0:44:45.560
<v Speaker 1>it was blonde and he had these weird big ears.

0:44:45.760 --> 0:44:48.040
<v Speaker 1>Yeah that was because he didn't have the same debonair,

0:44:48.760 --> 0:44:52.319
<v Speaker 1>you know, his what am I trying to like small

0:44:52.440 --> 0:44:55.200
<v Speaker 1>features that like right before him Pierce had, you know,

0:44:55.400 --> 0:44:58.560
<v Speaker 1>Like but it's also funny because you're going based off

0:44:58.640 --> 0:45:02.000
<v Speaker 1>of just a portrayal of a book, which like, at least,

0:45:02.120 --> 0:45:05.160
<v Speaker 1>you know, in comic books, it's like I'm seeing something,

0:45:05.239 --> 0:45:07.239
<v Speaker 1>but in a book, it's like like when it was

0:45:07.320 --> 0:45:10.520
<v Speaker 1>a big thing with rubing black, you know, and lots

0:45:10.560 --> 0:45:13.880
<v Speaker 1>of times it's real funny to see how like just

0:45:14.280 --> 0:45:17.640
<v Speaker 1>accurately described black features and books always seem to be

0:45:17.880 --> 0:45:21.960
<v Speaker 1>just skipped over by white people when they read it,

0:45:22.000 --> 0:45:24.360
<v Speaker 1>where it's like oh, curly, oh it must be a ginger,

0:45:25.840 --> 0:45:29.080
<v Speaker 1>you know, he's yeah. Yeah, it's always like wild to see, like,

0:45:29.840 --> 0:45:34.400
<v Speaker 1>you know, just the way people are just conditioned to whitewash.

0:45:34.520 --> 0:45:37.640
<v Speaker 1>But it's even crazier when it's like, yeah, no, just

0:45:37.760 --> 0:45:39.719
<v Speaker 1>a white dude on paper could be a white dude

0:45:39.760 --> 0:45:42.640
<v Speaker 1>on screen. But just we've grown so accustomed that they

0:45:42.680 --> 0:45:45.840
<v Speaker 1>were so mad and then now you know, people are like,

0:45:46.360 --> 0:45:49.360
<v Speaker 1>that's not gonna be it. And it's funny because that

0:45:49.400 --> 0:45:51.600
<v Speaker 1>reminds me of because people are so quick to forget

0:45:51.640 --> 0:45:56.000
<v Speaker 1>on the internet because now Heath Ledger is everyone's favorite joker,

0:45:56.360 --> 0:46:00.319
<v Speaker 1>but when your boy was announced, people were mad Matt

0:46:01.000 --> 0:46:04.040
<v Speaker 1>uh with a you know, a little not as much

0:46:04.080 --> 0:46:06.480
<v Speaker 1>as him because now they've kind of learned a little.

0:46:07.000 --> 0:46:12.160
<v Speaker 1>But Robert Pattinson, yeah, you know, people have Batman. Well, anyway,

0:46:12.160 --> 0:46:14.759
<v Speaker 1>it's funny because like it just got went to show

0:46:14.800 --> 0:46:17.800
<v Speaker 1>you people who don't watch movies outside of comic book movies.

0:46:17.840 --> 0:46:19.719
<v Speaker 1>When they're like, he's not a good act I was like,

0:46:20.120 --> 0:46:25.040
<v Speaker 1>you haven't seen anything besides Twilight. He gives off Hella

0:46:25.120 --> 0:46:29.120
<v Speaker 1>Bruce Wayne vibes. We have to take a really quick break.

0:46:29.160 --> 0:46:31.640
<v Speaker 1>We're going to hop back into the future of James

0:46:31.719 --> 0:46:42.040
<v Speaker 1>Bond right after this and we're back. I just wanted

0:46:42.080 --> 0:46:44.960
<v Speaker 1>to show you all this picture. So this is what

0:46:45.160 --> 0:46:48.120
<v Speaker 1>James Bond looks like to Ian Fleming not not really

0:46:48.239 --> 0:46:50.360
<v Speaker 1>far off in my opinion from some of the like

0:46:50.440 --> 0:46:53.600
<v Speaker 1>Sean Connery ish not. Also, he looks like Alfred the Butler.

0:46:53.920 --> 0:46:56.160
<v Speaker 1>He also looks like that weird guy from the first

0:46:56.280 --> 0:46:59.360
<v Speaker 1>Charlie Angels movie, you remember, the one who was smelling

0:47:02.120 --> 0:47:06.520
<v Speaker 1>Crisp Glover. Yes, how could I forget? Kind of just

0:47:07.160 --> 0:47:11.080
<v Speaker 1>the McFly. Yes, this is interesting. This is like the

0:47:11.200 --> 0:47:14.839
<v Speaker 1>interpretation of what Yeah, Ian Flint thinks that James Bond.

0:47:15.080 --> 0:47:17.200
<v Speaker 1>Not quite in my opinion, So what we're looking at,

0:47:17.320 --> 0:47:21.320
<v Speaker 1>well we'll tweet this out, but um, not quite. He

0:47:21.400 --> 0:47:24.680
<v Speaker 1>looks more like a librarian totally. But that's what it was,

0:47:24.760 --> 0:47:28.160
<v Speaker 1>an ordinary man. She's like a chimney sweep. Yeah. So

0:47:28.280 --> 0:47:30.480
<v Speaker 1>now it's the fun to talk about the future of

0:47:30.640 --> 0:47:33.080
<v Speaker 1>James Bond and I. And then there's lots of fun

0:47:33.160 --> 0:47:35.200
<v Speaker 1>things that we talked about in the past that you've

0:47:35.320 --> 0:47:39.520
<v Speaker 1>kind of educated me on, and that begs so many

0:47:39.640 --> 0:47:43.239
<v Speaker 1>fun questions. First off, and foremost, you know, the big

0:47:43.360 --> 0:47:46.399
<v Speaker 1>news that have come out from the new James Bond

0:47:46.480 --> 0:47:49.880
<v Speaker 1>movie is that there's a let me get this correctly,

0:47:50.000 --> 0:47:52.680
<v Speaker 1>there's a new double oh seven, Yes, and she is

0:47:52.760 --> 0:47:58.080
<v Speaker 1>going to be a black woman. Uh So, do do

0:47:58.280 --> 0:48:03.480
<v Speaker 1>we feel this confirms the the well, because she's not

0:48:03.640 --> 0:48:07.520
<v Speaker 1>going as Bond, even though some headlines have tried to

0:48:07.640 --> 0:48:10.200
<v Speaker 1>push it as but she's going as the new double

0:48:10.239 --> 0:48:14.839
<v Speaker 1>oh seven. Uh, personally, I'm still with the cynic brain,

0:48:14.960 --> 0:48:17.880
<v Speaker 1>which I think is she's going to start get murdered

0:48:17.960 --> 0:48:21.960
<v Speaker 1>and then Bonds like I have to avenge this, this

0:48:22.280 --> 0:48:26.560
<v Speaker 1>death you mean like use this black lady is ammunition

0:48:26.719 --> 0:48:31.520
<v Speaker 1>for him to go No, probably not. I mean it's

0:48:31.680 --> 0:48:34.720
<v Speaker 1>like every little bit of progress is progress. And actually,

0:48:34.800 --> 0:48:37.200
<v Speaker 1>like I know we're gonna make Monty Penny. I'm going

0:48:37.280 --> 0:48:38.799
<v Speaker 1>to promote her and make her a double O seven

0:48:38.840 --> 0:48:40.840
<v Speaker 1>because she's proved capable and she's ready to roll. And

0:48:41.360 --> 0:48:43.719
<v Speaker 1>James Bond is retired and we're gonna pull him back

0:48:43.760 --> 0:48:46.920
<v Speaker 1>into action by X number of reasons. But you know

0:48:47.280 --> 0:48:49.920
<v Speaker 1>it's there is no reason even if it's James Bond.

0:48:50.120 --> 0:48:52.120
<v Speaker 1>Like James Bond, yes, and Flement created him as a

0:48:52.160 --> 0:48:55.280
<v Speaker 1>white guy, um, but there's nothing about him that requires

0:48:55.320 --> 0:48:57.360
<v Speaker 1>him to be white, you know what I mean. Like

0:48:57.520 --> 0:49:01.000
<v Speaker 1>it's it's unlike Bruce Wayne. For me, for my money,

0:49:01.000 --> 0:49:04.160
<v Speaker 1>Bruce Wayne needs to be a white guy who interesting. Yeah,

0:49:04.239 --> 0:49:07.520
<v Speaker 1>because I think as Bruce Wayne as the inheritor of

0:49:07.560 --> 0:49:10.800
<v Speaker 1>the Wayne fortune, as as the last line of the

0:49:10.880 --> 0:49:13.760
<v Speaker 1>people who built Gotham City. Like you're looking at Carnegies

0:49:13.840 --> 0:49:16.080
<v Speaker 1>and Rockefellers and that kind of thing. It needs to

0:49:16.120 --> 0:49:19.040
<v Speaker 1>be old money, and there is no old black money,

0:49:19.520 --> 0:49:21.080
<v Speaker 1>you know, at least not in that way. There's no

0:49:21.280 --> 0:49:24.719
<v Speaker 1>there's no generational guilt and responsibility for a city the

0:49:24.800 --> 0:49:27.759
<v Speaker 1>way you get if you're you know, Nelson Rockefeller's kid.

0:49:28.160 --> 0:49:30.719
<v Speaker 1>And so for Bruce Wayne to be that child who

0:49:30.840 --> 0:49:34.400
<v Speaker 1>decides to like my parents had become like my My

0:49:34.520 --> 0:49:36.040
<v Speaker 1>father was the first one to break from the family

0:49:36.040 --> 0:49:38.640
<v Speaker 1>business become a doctor. My mother was all about charity.

0:49:38.880 --> 0:49:40.920
<v Speaker 1>And then they get killed and I am now the

0:49:41.040 --> 0:49:43.120
<v Speaker 1>last son of the Waynes in the city that my

0:49:43.200 --> 0:49:46.160
<v Speaker 1>family built and they and they died because of this city,

0:49:46.400 --> 0:49:48.799
<v Speaker 1>and I'm a little bit crazy. I'm going to put

0:49:48.840 --> 0:49:51.480
<v Speaker 1>out a mask and punch people, you know, like that

0:49:51.719 --> 0:49:54.960
<v Speaker 1>kind of requires a certain level of Caucasity. I think

0:49:55.040 --> 0:49:57.439
<v Speaker 1>the thing about it is that they're okay with him

0:49:57.600 --> 0:50:01.320
<v Speaker 1>punching out people. He makes along into his own hands,

0:50:01.400 --> 0:50:04.080
<v Speaker 1>and I don't think that a black person would be

0:50:04.120 --> 0:50:05.759
<v Speaker 1>able to do that and get away with it. And

0:50:05.840 --> 0:50:09.400
<v Speaker 1>they're also fair, that would be it. But like James Bond,

0:50:09.800 --> 0:50:12.800
<v Speaker 1>what it requires is an orphan who joins the military,

0:50:13.000 --> 0:50:15.600
<v Speaker 1>who proves very adept at a very certain kind of

0:50:15.840 --> 0:50:18.279
<v Speaker 1>he's got a very particular set of skills, you know,

0:50:18.560 --> 0:50:21.520
<v Speaker 1>and like that doesn't require him being white, like he

0:50:21.560 --> 0:50:25.040
<v Speaker 1>could as easily be a Pakistani guy who a Pakistani

0:50:25.239 --> 0:50:29.040
<v Speaker 1>Londoner who moved there, or a Nigerian Britain or whatever.

0:50:29.680 --> 0:50:31.320
<v Speaker 1>You just got to be an orphan, and there is

0:50:31.400 --> 0:50:33.239
<v Speaker 1>no there's no saying who gets to be an orphan

0:50:33.280 --> 0:50:35.520
<v Speaker 1>like Spider Man, Like listen, you're going to be from

0:50:35.520 --> 0:50:38.000
<v Speaker 1>a broken home in Queens, Like you're probably not white

0:50:39.560 --> 0:50:41.800
<v Speaker 1>like all the things you could be. It's probably not

0:50:42.040 --> 0:50:45.400
<v Speaker 1>that you know, so like it is, it is kind

0:50:45.400 --> 0:50:48.840
<v Speaker 1>of high time that this franchise begins to push in

0:50:48.920 --> 0:50:50.879
<v Speaker 1>a way that reflects the times, because all of those

0:50:50.960 --> 0:50:54.680
<v Speaker 1>movies did, Like that's the it's really interesting looking at

0:50:54.719 --> 0:50:57.800
<v Speaker 1>those movies decade by decade, what they're talking about, what

0:50:58.160 --> 0:51:00.719
<v Speaker 1>who the bad guys are, what the bad guy plans are.

0:51:01.200 --> 0:51:02.880
<v Speaker 1>They seem to be a mirror of the times that

0:51:02.920 --> 0:51:06.000
<v Speaker 1>you're living in. Like Moonrakers and like the late seventies

0:51:06.040 --> 0:51:08.040
<v Speaker 1>early eighties we're all about star Wars and now James

0:51:08.080 --> 0:51:10.480
<v Speaker 1>Bond goes to space, you know, and then you're like

0:51:10.600 --> 0:51:13.080
<v Speaker 1>go go business nineties and like you know, Wall Street

0:51:13.080 --> 0:51:14.600
<v Speaker 1>and eighties and all that stuff, and now James Bond

0:51:14.719 --> 0:51:17.840
<v Speaker 1>is up against like corporate tycoons, and like, here's the

0:51:17.880 --> 0:51:20.200
<v Speaker 1>guy who's got like micro chip plans, because of course

0:51:20.239 --> 0:51:23.120
<v Speaker 1>that's Christopher walking like I got a micro chip. Like

0:51:23.280 --> 0:51:25.759
<v Speaker 1>he's all about a reflection of the time that he's

0:51:25.800 --> 0:51:29.080
<v Speaker 1>in and in our time right now. Like it doesn't

0:51:29.120 --> 0:51:32.200
<v Speaker 1>feel as if that character is actually some like weird

0:51:32.400 --> 0:51:35.480
<v Speaker 1>like hold over to the old like British Empire. Like

0:51:35.600 --> 0:51:38.760
<v Speaker 1>he's probably an immigrant. He's probably a guy who loves

0:51:39.000 --> 0:51:41.680
<v Speaker 1>the UK the way only an immigrant loves the country

0:51:41.719 --> 0:51:44.840
<v Speaker 1>they adopt and will do anything for that country, you know,

0:51:45.080 --> 0:51:46.480
<v Speaker 1>Like he will lay it all on the line for

0:51:46.560 --> 0:51:48.160
<v Speaker 1>these people who took him in and gave him a

0:51:48.200 --> 0:51:49.840
<v Speaker 1>home and gave him a place and gave him a purpose.

0:51:50.440 --> 0:51:53.960
<v Speaker 1>Like just find the new story in the old framework.

0:51:54.000 --> 0:51:55.560
<v Speaker 1>I mean, you should just clip this and give it

0:51:55.640 --> 0:52:00.960
<v Speaker 1>to your manager. That's your picture right there. Um yeah,

0:52:01.280 --> 0:52:03.120
<v Speaker 1>I mean there was such an uproar and it was

0:52:03.239 --> 0:52:06.080
<v Speaker 1>just like I remember I tweeted, and it's James Bond

0:52:06.200 --> 0:52:08.880
<v Speaker 1>is still currently being played by a white guy. Daniel

0:52:08.920 --> 0:52:12.800
<v Speaker 1>Craig is returning. Um, and we do have uh, but

0:52:12.920 --> 0:52:16.560
<v Speaker 1>it's double oh seven, which when they die, that number

0:52:16.640 --> 0:52:18.320
<v Speaker 1>doesn't it's not it doesn't not like a jersey that

0:52:18.400 --> 0:52:25.239
<v Speaker 1>gets retired. Nine. We only have nine now, is the thing.

0:52:25.400 --> 0:52:27.560
<v Speaker 1>I'm like, a woman can be put it up in

0:52:27.600 --> 0:52:32.120
<v Speaker 1>the Manchester United Stadium, have it hanging. Uh. And then

0:52:32.200 --> 0:52:35.560
<v Speaker 1>here's my other question I had about the future. Uh.

0:52:36.200 --> 0:52:39.440
<v Speaker 1>And just based on this last discussion, I'm excited to hear.

0:52:40.080 --> 0:52:43.200
<v Speaker 1>Uh what what would you do you think the James

0:52:43.320 --> 0:52:45.600
<v Speaker 1>Bond because we talked about him being the same age

0:52:45.600 --> 0:52:48.759
<v Speaker 1>and usually the actor aging. Do you think James Bond

0:52:48.760 --> 0:52:51.600
<v Speaker 1>should get like a logan treatment, like an old man

0:52:51.840 --> 0:52:55.319
<v Speaker 1>James Bond. Do you think that's an interesting story? That's

0:52:55.320 --> 0:52:59.080
<v Speaker 1>something YEA, give me the last James Bond story, like,

0:52:59.200 --> 0:53:01.080
<v Speaker 1>you know what is what does that look like? I

0:53:01.080 --> 0:53:03.160
<v Speaker 1>remember there was there was a theory or maybe it's

0:53:03.160 --> 0:53:04.600
<v Speaker 1>a room or maybe it's a fact. I don't know.

0:53:05.320 --> 0:53:08.479
<v Speaker 1>Um where in Skyfall, the second to last, the second

0:53:08.600 --> 0:53:10.919
<v Speaker 1>most recent James Bond movie, there's a character when James

0:53:10.960 --> 0:53:13.840
<v Speaker 1>Bond goes back to the ancestral Bond manner and and

0:53:13.960 --> 0:53:16.000
<v Speaker 1>Albert Finney is like this guy kind of banging around

0:53:16.000 --> 0:53:19.320
<v Speaker 1>that mansion. They wanted that to be Sean Connery, and

0:53:19.440 --> 0:53:22.120
<v Speaker 1>they wanted that to be like the retirement home for

0:53:22.239 --> 0:53:26.160
<v Speaker 1>old James Bonds, you know, but they couldn't get Connery

0:53:26.600 --> 0:53:29.400
<v Speaker 1>for whatever reason I don't understand. But that idea of

0:53:31.239 --> 0:53:33.239
<v Speaker 1>here's a here's a world in which we feel like

0:53:33.320 --> 0:53:36.279
<v Speaker 1>we've moved past the need for this kind of espionage,

0:53:36.400 --> 0:53:38.279
<v Speaker 1>right like you're in the information area you're in, They're like,

0:53:38.760 --> 0:53:42.239
<v Speaker 1>it's all corporate, it's all cyber terrorism, it's all cyber's warfare.

0:53:42.840 --> 0:53:44.920
<v Speaker 1>Like what what would we need a James Bond for?

0:53:45.520 --> 0:53:47.360
<v Speaker 1>And then something happens where we need to literally go

0:53:47.480 --> 0:53:49.880
<v Speaker 1>back and get like the sixty four year old like

0:53:50.000 --> 0:53:53.000
<v Speaker 1>the Liam Neeson aged but like less racist James Bond

0:53:54.680 --> 0:53:56.439
<v Speaker 1>to go out and do the thing that he does

0:53:56.680 --> 0:53:58.719
<v Speaker 1>better and and nobody else is trained to do that

0:53:58.800 --> 0:54:01.719
<v Speaker 1>any Yeah, like that sometimes you need a dinosaur, like

0:54:01.800 --> 0:54:04.480
<v Speaker 1>sometimes you dig a hole with a shovel. Yeah, And

0:54:04.560 --> 0:54:06.000
<v Speaker 1>like he was the guy that you need to get

0:54:06.040 --> 0:54:08.200
<v Speaker 1>to do this thing like I would all day with

0:54:08.280 --> 0:54:11.799
<v Speaker 1>that stone. Yeah. No, I'm sold on now. I ain't

0:54:11.800 --> 0:54:16.040
<v Speaker 1>even seen one new. It was so funny because when

0:54:16.400 --> 0:54:18.520
<v Speaker 1>when you said immigrant, I was like, oh, and I

0:54:18.640 --> 0:54:22.279
<v Speaker 1>pitched this. We just talked about Sherlock Holmes last so

0:54:22.360 --> 0:54:26.759
<v Speaker 1>when you were saying famous, uh British, that was another

0:54:26.800 --> 0:54:29.120
<v Speaker 1>one that popped as far as like Harry Potter, another

0:54:29.200 --> 0:54:32.400
<v Speaker 1>one being just as famous as Sherlock Holmes. The so

0:54:32.640 --> 0:54:36.280
<v Speaker 1>I pitched that the new Sherlock could have been Rammi Malick.

0:54:36.840 --> 0:54:42.839
<v Speaker 1>And I also feel that way about James vond He's

0:54:42.880 --> 0:54:44.640
<v Speaker 1>the bad guy. Hit me. I know he's the bad

0:54:44.719 --> 0:54:46.840
<v Speaker 1>guy in the new one, and he definitely get He

0:54:46.840 --> 0:54:49.759
<v Speaker 1>could give off good and bad vibes. I feel good

0:54:49.800 --> 0:54:53.399
<v Speaker 1>and bad vibes. He's a versatile actor. The new one,

0:54:53.840 --> 0:54:58.680
<v Speaker 1>No Time to Die, is dropping April eight um. It's

0:54:58.760 --> 0:55:02.120
<v Speaker 1>directed by Ry Fukanaga, and that he co wrote with

0:55:02.200 --> 0:55:09.319
<v Speaker 1>Scott z Burns and Phoebe waller Bridge herself. Indeed, which

0:55:09.680 --> 0:55:13.279
<v Speaker 1>like that that in and of itself between Karian and

0:55:13.400 --> 0:55:16.160
<v Speaker 1>Phoebe waller Bridge. I'm more excited for this Bond movie

0:55:16.160 --> 0:55:18.920
<v Speaker 1>than I've been for a while, because you know, you

0:55:19.040 --> 0:55:22.279
<v Speaker 1>can eat as I think you find with like sort

0:55:22.320 --> 0:55:25.560
<v Speaker 1>of Black Panther is a different Marvel movie than every

0:55:25.600 --> 0:55:27.920
<v Speaker 1>other Marvel movie because the perspective of the people who

0:55:27.960 --> 0:55:30.879
<v Speaker 1>get to tell that movie, like Patty Jenkins is Wonder Woman.

0:55:30.920 --> 0:55:33.400
<v Speaker 1>It's a different superhero movie than every other DC superhero

0:55:33.440 --> 0:55:35.600
<v Speaker 1>movie because the lens through which you're telling that story

0:55:36.120 --> 0:55:39.040
<v Speaker 1>is different. And so to look at this now fifty

0:55:39.120 --> 0:55:41.879
<v Speaker 1>year old franchise and look at it through a lens

0:55:41.960 --> 0:55:44.160
<v Speaker 1>through which we've never seen it before, because every other

0:55:44.400 --> 0:55:47.200
<v Speaker 1>director of a Bond movie has been a white British dude.

0:55:48.000 --> 0:55:50.800
<v Speaker 1>And so now you get a sort of you know,

0:55:51.160 --> 0:55:55.799
<v Speaker 1>multi racial, you know, like American with a crazy eye,

0:55:55.880 --> 0:55:58.279
<v Speaker 1>and it's a crazy flair for this sort of thing.

0:55:58.800 --> 0:56:00.239
<v Speaker 1>And then you get a script that's the that's co

0:56:00.320 --> 0:56:02.320
<v Speaker 1>written by one of these smartest women on the planet,

0:56:02.880 --> 0:56:05.960
<v Speaker 1>Like what does what does a James Bond movie from

0:56:06.040 --> 0:56:08.040
<v Speaker 1>those people look like? You know, what does it keep?

0:56:08.080 --> 0:56:10.520
<v Speaker 1>What does it retain? And how does it innovate and

0:56:10.560 --> 0:56:13.480
<v Speaker 1>how does it propel the story forward in a in

0:56:13.520 --> 0:56:15.280
<v Speaker 1>a way that we've never seen before to an audience

0:56:15.320 --> 0:56:17.880
<v Speaker 1>that might not have responded to Bond before this, you know,

0:56:18.040 --> 0:56:20.840
<v Speaker 1>because it is it's an archaic idea, you know, it

0:56:20.960 --> 0:56:23.560
<v Speaker 1>is something of it, of its own cinematic dinosaur. And

0:56:23.719 --> 0:56:26.080
<v Speaker 1>to to find a way to put a fresh coat

0:56:26.080 --> 0:56:27.759
<v Speaker 1>of paint on it, and to and to roll it

0:56:27.840 --> 0:56:30.600
<v Speaker 1>off the assembly line looking like something brand new while

0:56:30.600 --> 0:56:33.839
<v Speaker 1>still feeling like something old. I'm all here for that. Yeah,

0:56:33.960 --> 0:56:36.359
<v Speaker 1>So we have Lashawna Lynch. She will be playing double

0:56:36.400 --> 0:56:39.200
<v Speaker 1>O seven. You will have recognized her from a bunch

0:56:39.239 --> 0:56:44.080
<v Speaker 1>of things, but most recently Captain Marvel. Cannot wait. Cannot wait,

0:56:44.160 --> 0:56:46.560
<v Speaker 1>I mean, And it's like even even if you've been

0:56:46.600 --> 0:56:50.759
<v Speaker 1>burned before, and you know Bond has burned before, it's

0:56:50.920 --> 0:56:53.160
<v Speaker 1>clearly it retains it's its capacity to be like what

0:56:53.800 --> 0:56:56.960
<v Speaker 1>was that all about? You know? There are enough pieces

0:56:57.040 --> 0:57:00.239
<v Speaker 1>to it. You know, it's like it's like I if

0:57:00.280 --> 0:57:02.400
<v Speaker 1>you look at at at a car manufacturer that's been

0:57:02.440 --> 0:57:05.560
<v Speaker 1>making cars forever, like you know, BMW, Mercedes or whatever.

0:57:05.640 --> 0:57:07.279
<v Speaker 1>If you look at like a modern day Mercedes and

0:57:07.320 --> 0:57:10.000
<v Speaker 1>then a Mercedes from fifty years ago, they look like cousins.

0:57:10.080 --> 0:57:12.480
<v Speaker 1>You know, like there's enough elements to it. There's enough

0:57:12.520 --> 0:57:14.359
<v Speaker 1>kind of curves and the bodylines all kind of work

0:57:14.440 --> 0:57:17.680
<v Speaker 1>the same. But you've now brought it into You've innovated,

0:57:17.720 --> 0:57:19.360
<v Speaker 1>and you've put all kinds of bells and whistles on it,

0:57:19.440 --> 0:57:21.280
<v Speaker 1>but it's still that car. And if you can do

0:57:21.360 --> 0:57:22.840
<v Speaker 1>that with James Bond and like you know what, Like

0:57:22.920 --> 0:57:25.560
<v Speaker 1>this was a Rolls Royce from like Night, but like

0:57:25.680 --> 0:57:27.480
<v Speaker 1>look at a Rolls Royce today, Like you can still

0:57:27.560 --> 0:57:29.760
<v Speaker 1>kind of tell this faster and it's leaner and it

0:57:29.840 --> 0:57:33.320
<v Speaker 1>does things better, but it's still it's still a Bond movie. Yeah,

0:57:33.520 --> 0:57:35.720
<v Speaker 1>and like give me that travelogue. Gave me that hero

0:57:35.960 --> 0:57:38.440
<v Speaker 1>who does the impossible when nobody else could pull it off.

0:57:38.560 --> 0:57:41.440
<v Speaker 1>Like give me these women who now have agency in

0:57:41.480 --> 0:57:43.640
<v Speaker 1>a way they've never had before. And give me, you know,

0:57:43.840 --> 0:57:46.760
<v Speaker 1>gadgets I've never seen, like just push it, like make it,

0:57:47.320 --> 0:57:50.400
<v Speaker 1>make it. I would love it if Lashawna is just

0:57:50.480 --> 0:57:53.480
<v Speaker 1>sleeping with men and like okay, it's it's eight am.

0:57:53.840 --> 0:57:58.560
<v Speaker 1>Are you still here? You know, my driver take you?

0:57:58.800 --> 0:58:00.560
<v Speaker 1>And I would love it if she had the bags,

0:58:00.760 --> 0:58:06.400
<v Speaker 1>just like okay, here's a key chain. Oh yeah, I

0:58:06.400 --> 0:58:08.400
<v Speaker 1>don't want to see that. I want to see that movie.

0:58:09.880 --> 0:58:12.640
<v Speaker 1>She like a double O seven like lapel pin ye

0:58:13.040 --> 0:58:16.080
<v Speaker 1>like he've been had. Yeah, you, is there anything that

0:58:16.200 --> 0:58:19.600
<v Speaker 1>we missed that you wanted to talk about? I think

0:58:19.880 --> 0:58:22.439
<v Speaker 1>you know that they're they were like sort of three

0:58:22.560 --> 0:58:25.280
<v Speaker 1>giant like lures to those movies. Right, there's the travelog

0:58:25.360 --> 0:58:27.880
<v Speaker 1>aspect of it. There's the lifestyle aspect of it. But

0:58:27.960 --> 0:58:31.400
<v Speaker 1>then there was the gadget stuff, you know, like it.

0:58:31.600 --> 0:58:34.240
<v Speaker 1>It always felt like a James Bond movie was like

0:58:35.440 --> 0:58:39.520
<v Speaker 1>sharper image catalog of like what cool thing am I

0:58:39.600 --> 0:58:40.880
<v Speaker 1>never gonna be able to get my hands on that

0:58:40.920 --> 0:58:44.000
<v Speaker 1>may or may not exist, but it's like totally crazy. Yeah,

0:58:44.120 --> 0:58:46.920
<v Speaker 1>do I want like a sports car that turns into submarine? Yes?

0:58:47.040 --> 0:58:49.000
<v Speaker 1>I do? When am I gonna I live in the Bronx,

0:58:49.080 --> 0:58:51.720
<v Speaker 1>I'm never gonna have a reason for a submarine, but

0:58:51.840 --> 0:58:54.480
<v Speaker 1>I want one. You know. I think that that's sort

0:58:54.520 --> 0:58:57.560
<v Speaker 1>of the science fiction of it, be like this stuff

0:58:57.600 --> 0:59:00.200
<v Speaker 1>doesn't exist yet, but maybe some day that it will.

0:59:00.280 --> 0:59:03.760
<v Speaker 1>I'm like there was there was just this the cool

0:59:03.840 --> 0:59:07.320
<v Speaker 1>factor of those movies and the cars and this close

0:59:07.480 --> 0:59:10.000
<v Speaker 1>and like it was. It was like consumer paradise for

0:59:10.080 --> 0:59:13.320
<v Speaker 1>stuff that you could never possibly afford and uh and

0:59:13.400 --> 0:59:15.680
<v Speaker 1>there's something aspirational about that that I was responded to.

0:59:17.560 --> 0:59:20.440
<v Speaker 1>All Right, well, you know, where can people find you?

0:59:20.760 --> 0:59:25.120
<v Speaker 1>Let's see on the twitters at Mark Bernardon, on the

0:59:25.160 --> 0:59:29.080
<v Speaker 1>Instagram at Mark Bernardon. Television show that I wrote for

0:59:29.280 --> 0:59:34.920
<v Speaker 1>called tread Stone Um will premiere on October. Tune in

0:59:35.480 --> 0:59:38.440
<v Speaker 1>tune in UM and I think I only took that

0:59:38.520 --> 0:59:42.040
<v Speaker 1>job because again it's globetrotting spy stuff. Really, you mean

0:59:42.120 --> 0:59:44.040
<v Speaker 1>we get to do that and it's like punching people

0:59:44.080 --> 0:59:47.160
<v Speaker 1>in the next a lot. Yes, are the gadgets, yes,

0:59:48.080 --> 0:59:54.920
<v Speaker 1>car chases, Yes, women maybe. But uh but yeah, that

0:59:55.080 --> 0:59:57.240
<v Speaker 1>is that is the most recent thing that I that

0:59:57.360 --> 1:00:00.120
<v Speaker 1>I tippy typed on that you're able to see in

1:00:00.240 --> 1:00:03.480
<v Speaker 1>Carnival Row. Carnival Row the first season dropped about a

1:00:03.560 --> 1:00:07.560
<v Speaker 1>month ago, and h Castle Rock the second season is

1:00:07.600 --> 1:00:11.040
<v Speaker 1>on its way. Um, but yeah, it's uh, it's a

1:00:11.080 --> 1:00:14.520
<v Speaker 1>good time to be a nerd. Yeah, totally, yeah, Um,

1:00:14.920 --> 1:00:17.320
<v Speaker 1>you can catch me. I can finally announce my New

1:00:17.400 --> 1:00:21.640
<v Speaker 1>York Comic Con panels, Thank goodness. Um, I will be

1:00:21.760 --> 1:00:24.600
<v Speaker 1>there Thursday. I have a panel at twelve fifteen called

1:00:24.720 --> 1:00:28.720
<v Speaker 1>Invisible Latino Volume to check it out. Um, I will

1:00:28.760 --> 1:00:32.200
<v Speaker 1>also be doing I'll be at New York Comedy Club

1:00:32.320 --> 1:00:35.520
<v Speaker 1>that night at ten fifteen, and then on Sunday, I

1:00:35.760 --> 1:00:39.760
<v Speaker 1>am sitting down on the main stage with the original

1:00:39.960 --> 1:00:46.280
<v Speaker 1>Disney princesses. It's a conversation with them. Yes, it's talked

1:00:46.320 --> 1:00:49.919
<v Speaker 1>to Jody Benson, Pedo, Hera n Canani Rose. It's gonna

1:00:50.000 --> 1:00:52.880
<v Speaker 1>be amazing. They might sing, I don't know. I don't

1:00:52.920 --> 1:00:54.720
<v Speaker 1>know if I'm allowed to ask them to sing, but

1:00:54.800 --> 1:00:57.040
<v Speaker 1>I'll ask them beforehand if I'm allowed to ask them

1:00:57.080 --> 1:01:01.360
<v Speaker 1>to sing. Definitely check that out. It's going to be iconic. Yes, Yes,

1:01:01.600 --> 1:01:04.960
<v Speaker 1>And I can definitively say that I will not be

1:01:05.080 --> 1:01:09.120
<v Speaker 1>at New York Comic Con because I just found out

1:01:09.480 --> 1:01:13.200
<v Speaker 1>that I will actually be uh in Houston for a

1:01:13.320 --> 1:01:16.240
<v Speaker 1>comedy fest. Uh, the Improv comedy Fest. Me and the

1:01:16.280 --> 1:01:19.560
<v Speaker 1>guys and white Women will be performing. It's going to

1:01:19.640 --> 1:01:22.680
<v Speaker 1>be that same weekend. Uh. Let me look, It'll be

1:01:22.840 --> 1:01:26.680
<v Speaker 1>at Station Theater, So definitely, uh pop in, Uh if

1:01:26.720 --> 1:01:29.200
<v Speaker 1>you're in the Houston area. I will definitely be there

1:01:29.480 --> 1:01:34.280
<v Speaker 1>having barbecue. Yes, ending. It's called the Trill Comedy Fest,

1:01:34.400 --> 1:01:36.760
<v Speaker 1>which you know, I'm glad to just be a part

1:01:36.800 --> 1:01:40.080
<v Speaker 1>of something called that. But yeah, I'll be having fun,

1:01:40.360 --> 1:01:42.560
<v Speaker 1>so pull up. It'll be a good time. I will

1:01:42.600 --> 1:01:45.200
<v Speaker 1>also be at the New York Comic Con. We will

1:01:45.280 --> 1:01:47.320
<v Speaker 1>have to hang out. I know I'll come, so you'd

1:01:47.360 --> 1:01:51.120
<v Speaker 1>be funny. Yeah, I I've Last year I went with

1:01:51.320 --> 1:01:53.520
<v Speaker 1>the for Ralph, I went to Disney People, so I

1:01:53.560 --> 1:01:56.280
<v Speaker 1>didn't actually get to see anything. They just like shuttle

1:01:56.320 --> 1:01:58.400
<v Speaker 1>you behind the scenes, and like you know, I was

1:01:58.440 --> 1:02:00.320
<v Speaker 1>in a green room until in the then you like

1:02:00.440 --> 1:02:03.200
<v Speaker 1>go out and then they shuttle you around, so I didn't.

1:02:03.280 --> 1:02:05.320
<v Speaker 1>I actually get to go on the floor this time.

1:02:05.560 --> 1:02:09.080
<v Speaker 1>That's awesome. I will probably not um because I'm I'm

1:02:09.920 --> 1:02:14.320
<v Speaker 1>hosting on the Sci Fi Wire main stage, hey, which

1:02:14.360 --> 1:02:17.080
<v Speaker 1>means she's like asking random people questions every ten minutes,

1:02:17.200 --> 1:02:19.680
<v Speaker 1>like what are you doing? Good a kid, let's talk

1:02:19.760 --> 1:02:22.720
<v Speaker 1>about it. It's Dean Kane. Let me ask about man

1:02:22.800 --> 1:02:25.480
<v Speaker 1>Dean Kane. It's a lot of that for like three days.

1:02:25.640 --> 1:02:28.400
<v Speaker 1>It's a lot to be on at all times. It is,

1:02:28.640 --> 1:02:31.960
<v Speaker 1>but but I'm also delightful, super delightful, like getting to

1:02:32.000 --> 1:02:34.360
<v Speaker 1>talk to people who I either have never met and

1:02:34.600 --> 1:02:36.919
<v Speaker 1>idolized them afar or people that I love and they're

1:02:37.280 --> 1:02:40.520
<v Speaker 1>like just rolled onto my stage by accident. You're here,

1:02:40.880 --> 1:02:43.440
<v Speaker 1>I had to talk to you for ten minutes. This

1:02:43.520 --> 1:02:45.720
<v Speaker 1>will be great, um, And I love New York, so

1:02:45.800 --> 1:02:47.640
<v Speaker 1>an excuse to go to New York. I had that

1:02:47.680 --> 1:02:50.040
<v Speaker 1>happened with lin Manuel Miranda, and I was like, you

1:02:50.240 --> 1:02:54.680
<v Speaker 1>know who I am lin Manuel Miranda, Well, god, I

1:02:54.800 --> 1:02:58.520
<v Speaker 1>guess I'm somebody this feels great. If we all, if

1:02:58.560 --> 1:03:00.240
<v Speaker 1>we all get that moment of getting to bed asking

1:03:00.360 --> 1:03:06.439
<v Speaker 1>lens light, it makes it all worth it. Um yeah,

1:03:06.560 --> 1:03:11.000
<v Speaker 1>that's it for us. Say stay nerdy, stay nerdy. You

1:03:11.120 --> 1:03:11.480
<v Speaker 1>missed it.