1 00:00:00,720 --> 00:00:10,440 Speaker 1: I am all in again. Oh that's you. 2 00:00:17,760 --> 00:00:21,400 Speaker 2: You'll more Girls Gazette with Amy Sugarman and Danielle Romo, 3 00:00:21,680 --> 00:00:25,119 Speaker 2: an iHeartRadio podcast. It's Bunhead's time. 4 00:00:25,520 --> 00:00:29,960 Speaker 1: It's Bunheads time. Yes, it is. Actually enjoyed this episode. 5 00:00:30,200 --> 00:00:32,120 Speaker 1: It was good for me. 6 00:00:32,400 --> 00:00:36,360 Speaker 2: Look, I'm here for any episode that has drums, and 7 00:00:36,400 --> 00:00:43,879 Speaker 2: this one brought us the the Sasha drums. That was aggressive, 8 00:00:44,000 --> 00:00:45,520 Speaker 2: but you know what, I'm here for it. 9 00:00:46,000 --> 00:00:48,320 Speaker 1: I'm so here for I needed it and I'm here 10 00:00:48,360 --> 00:00:48,839 Speaker 1: for uh. 11 00:00:49,159 --> 00:00:50,960 Speaker 3: I always I'm sorry with always wanting to call her 12 00:00:50,960 --> 00:00:57,400 Speaker 3: Emily Fanny. I love that she's got that guy. He's darling, 13 00:00:57,880 --> 00:01:00,160 Speaker 3: he's so cute. I love that she loves him. I 14 00:01:00,200 --> 00:01:02,920 Speaker 3: love that it's been many, many years. I loved getting 15 00:01:03,600 --> 00:01:06,800 Speaker 3: First of all, we need to not forget Hubble. I 16 00:01:06,800 --> 00:01:10,520 Speaker 3: think sometimes they forget Hubble, and I love that Hubble 17 00:01:10,959 --> 00:01:14,360 Speaker 3: is really important and prominent in this episode. Now I 18 00:01:14,440 --> 00:01:17,680 Speaker 3: have some notes Hello Digger, which we'll talk about. 19 00:01:17,720 --> 00:01:22,080 Speaker 2: O MG, I agree with you. I literally just kept 20 00:01:22,120 --> 00:01:24,080 Speaker 2: screaming Digger, Digger, Digger. 21 00:01:23,800 --> 00:01:25,480 Speaker 3: And I thought he was excellent in this episode. 22 00:01:25,520 --> 00:01:27,679 Speaker 2: He was good and he was not as annoying as Digger. 23 00:01:27,880 --> 00:01:28,760 Speaker 3: I wasn't. 24 00:01:29,400 --> 00:01:32,280 Speaker 1: Digger was always fine with me. Here's my problem with 25 00:01:32,360 --> 00:01:34,920 Speaker 1: the episode. 26 00:01:35,160 --> 00:01:37,360 Speaker 2: Sounds faster. It's just. 27 00:01:40,880 --> 00:01:42,880 Speaker 3: And I'm going to say it again and again and again. 28 00:01:43,560 --> 00:01:50,040 Speaker 3: I love her and younger. The crying scene was so bad, 29 00:01:50,520 --> 00:01:55,920 Speaker 3: and you see Digger like trying to act opposite the 30 00:01:55,960 --> 00:01:59,640 Speaker 3: worst fate crying and I don't want to be critical, 31 00:01:59,640 --> 00:02:03,640 Speaker 3: but yet I that is my job. Emily Fanny is perfection, 32 00:02:03,960 --> 00:02:10,000 Speaker 3: the boyfriend perfection. Sutton Foster at times nails it. At 33 00:02:10,000 --> 00:02:15,200 Speaker 3: other times no, no, no. So first of all, obviously 34 00:02:15,240 --> 00:02:17,000 Speaker 3: we knew Dicker was coming because I saw his name 35 00:02:17,480 --> 00:02:21,440 Speaker 3: and I was super excited. I love their flirt. Their 36 00:02:21,480 --> 00:02:25,920 Speaker 3: flirt is so great, like their chemistry was great. When she, 37 00:02:26,280 --> 00:02:28,799 Speaker 3: you know, gets stuck behind, she starts chatting with him 38 00:02:28,840 --> 00:02:31,640 Speaker 3: and then I love the phone call where he calls 39 00:02:31,680 --> 00:02:32,480 Speaker 3: and asks her out. 40 00:02:32,840 --> 00:02:33,320 Speaker 1: Nailed it. 41 00:02:34,120 --> 00:02:36,160 Speaker 3: I love when they go out again and they go 42 00:02:36,200 --> 00:02:38,079 Speaker 3: see the show again and then they end up in 43 00:02:38,120 --> 00:02:41,240 Speaker 3: the bedroom, which I'm not gonna lie was awkward on 44 00:02:41,280 --> 00:02:43,959 Speaker 3: Gilmore Girls. Also, it's like something about it, You're like, oh, 45 00:02:44,000 --> 00:02:45,799 Speaker 3: I'm ill prepared for that. They don't normally show that 46 00:02:45,840 --> 00:02:50,240 Speaker 3: on Gilmurgirls. The fake first of all, I'm glad she 47 00:02:50,480 --> 00:02:52,840 Speaker 3: had the moment about Hubble right like. 48 00:02:52,919 --> 00:02:56,800 Speaker 2: Well, because you this might bone to pick. He was 49 00:02:56,919 --> 00:03:00,359 Speaker 2: such a big character episode one and then just never 50 00:03:00,400 --> 00:03:03,200 Speaker 2: ever came back. Right. Well, he died, I know that. 51 00:03:03,480 --> 00:03:05,520 Speaker 2: But my point being is he was so. 52 00:03:06,000 --> 00:03:08,520 Speaker 3: Huge we should be talking about him and was talking 53 00:03:08,520 --> 00:03:13,960 Speaker 3: about like a guys Fanny. Fanny should be apoplectic. I know, 54 00:03:14,240 --> 00:03:17,240 Speaker 3: like it's like, what is happening. I don't understand how 55 00:03:17,280 --> 00:03:20,040 Speaker 3: they've bounced back from the Hubble so quickly. 56 00:03:20,440 --> 00:03:23,080 Speaker 2: Fanny is as if her son did not pass. 57 00:03:23,400 --> 00:03:27,600 Speaker 3: Just in love eating eggs, I know, eggs with cayenne pepper. 58 00:03:27,880 --> 00:03:30,200 Speaker 3: First of all, no, thanks for the spicy eggs for me. 59 00:03:30,520 --> 00:03:31,520 Speaker 1: But I love that guy. 60 00:03:31,720 --> 00:03:32,239 Speaker 2: I did too. 61 00:03:32,280 --> 00:03:34,880 Speaker 1: He's good, He's great. I hope he stays around. 62 00:03:36,560 --> 00:03:39,640 Speaker 3: I'm glad that Michelle, I understand, right Like she sleeps 63 00:03:39,640 --> 00:03:42,760 Speaker 3: with this dude bigger and then it all comes to 64 00:03:42,840 --> 00:03:45,720 Speaker 3: her like, oh my god, I was married like he died. 65 00:03:46,520 --> 00:03:47,720 Speaker 1: It was the bad acting. 66 00:03:48,200 --> 00:03:49,920 Speaker 2: I know, I know, I know. 67 00:03:50,080 --> 00:03:51,760 Speaker 1: It was such a bummer. 68 00:03:52,000 --> 00:03:53,960 Speaker 2: Here's what I'm gonna tell you. Saved this episode and 69 00:03:54,160 --> 00:03:57,520 Speaker 2: I just briefly touched upon it. Sasha and Sasha going 70 00:03:57,560 --> 00:04:02,680 Speaker 2: in and having her like rebelly, like is she being 71 00:04:02,720 --> 00:04:03,120 Speaker 2: a rebel? 72 00:04:03,160 --> 00:04:03,520 Speaker 3: Like what? 73 00:04:03,560 --> 00:04:05,080 Speaker 1: Yeah, she's she's got a. 74 00:04:05,000 --> 00:04:07,480 Speaker 3: Whole thing right, She's got drama with her parents, but 75 00:04:07,560 --> 00:04:08,480 Speaker 3: she colors her hair. 76 00:04:08,800 --> 00:04:12,640 Speaker 2: Kelly Bishop in that scene, have it, let her have it, 77 00:04:12,800 --> 00:04:15,680 Speaker 2: and you felt it. 78 00:04:15,840 --> 00:04:18,200 Speaker 1: She felt on you, dude. 79 00:04:18,320 --> 00:04:20,760 Speaker 2: I you know how you always like you never want 80 00:04:20,800 --> 00:04:24,200 Speaker 2: mom and dad to be disappointed with you, like Kelly 81 00:04:24,240 --> 00:04:25,920 Speaker 2: Bishop is third and and she. 82 00:04:25,880 --> 00:04:28,080 Speaker 3: Just took that part away from her and gave it 83 00:04:28,080 --> 00:04:32,000 Speaker 3: to Boo. Now I like that guy for Boo, what 84 00:04:32,200 --> 00:04:35,520 Speaker 3: is going on? I did not like when the other 85 00:04:35,560 --> 00:04:39,440 Speaker 3: two friends came in and and said, no, no, no, 86 00:04:39,480 --> 00:04:41,560 Speaker 3: your lasagna is embarrassing. She doesn't like you. 87 00:04:41,600 --> 00:04:44,720 Speaker 1: And I was just like, I know likes it. 88 00:04:44,880 --> 00:04:47,599 Speaker 3: I know who's falling for that guy, rightfully, So that 89 00:04:47,640 --> 00:04:48,720 Speaker 3: guy loves her. 90 00:04:48,640 --> 00:04:51,640 Speaker 2: I know, I know. And yeah, I know you're right. 91 00:04:51,680 --> 00:04:55,880 Speaker 2: And and finally she's not like swooning over the brother 92 00:04:56,240 --> 00:04:57,360 Speaker 2: that's so gross. 93 00:04:57,640 --> 00:04:58,039 Speaker 1: I know. 94 00:04:58,640 --> 00:04:59,919 Speaker 3: First of all, I don't know where the guy is 95 00:05:00,040 --> 00:05:04,440 Speaker 3: from the Rico's Sun, you know, Oyster Bar or whatever 96 00:05:04,440 --> 00:05:04,840 Speaker 3: it's called. 97 00:05:05,360 --> 00:05:06,600 Speaker 1: I like that guy, and he. 98 00:05:06,560 --> 00:05:09,000 Speaker 3: Seemed to really like Boo. Now, this guy was great 99 00:05:09,040 --> 00:05:10,640 Speaker 3: and adorable and he likes. 100 00:05:10,520 --> 00:05:14,039 Speaker 1: Boo the friends. I didn't like that meanness. I know, 101 00:05:14,279 --> 00:05:21,880 Speaker 1: I know. Hi. 102 00:05:22,160 --> 00:05:24,719 Speaker 4: I'm Kristin Davis, and I want to know Are You 103 00:05:24,760 --> 00:05:28,320 Speaker 4: a Charlotte? In nineteen ninety seven, my life was forever 104 00:05:28,520 --> 00:05:30,920 Speaker 4: changed when I took on the role of Charlotte York 105 00:05:31,279 --> 00:05:33,839 Speaker 4: on a new HBO show called Sex. 106 00:05:33,600 --> 00:05:34,080 Speaker 2: And the City. 107 00:05:34,400 --> 00:05:39,000 Speaker 4: As we watched Carrie, Samantha, Miranda, and Charlotte navigate relationships 108 00:05:39,040 --> 00:05:42,480 Speaker 4: in New York City, the show helped push once unacceptable 109 00:05:42,480 --> 00:05:46,320 Speaker 4: conversation topics out of the shadows and altered the narrative 110 00:05:46,400 --> 00:05:49,520 Speaker 4: around women and sex. We all saw ourselves in them 111 00:05:49,600 --> 00:05:53,040 Speaker 4: as they searched for fulfillment in life, sex and friendships. 112 00:05:53,320 --> 00:05:56,080 Speaker 4: Now I want to connect with you and share untold 113 00:05:56,120 --> 00:06:00,520 Speaker 4: stories and all the behind the scenes together with special guests. 114 00:06:00,680 --> 00:06:01,960 Speaker 1: What will begin with Sex. 115 00:06:01,760 --> 00:06:04,560 Speaker 4: And the City will evolve into talks about themes that 116 00:06:04,600 --> 00:06:08,440 Speaker 4: are still so relevant today. Are You a Charlotte is 117 00:06:08,520 --> 00:06:12,159 Speaker 4: a much more than just rewatching our beloved show. It 118 00:06:12,200 --> 00:06:14,840 Speaker 4: brings the past and the present together as we talk 119 00:06:14,920 --> 00:06:17,200 Speaker 4: with heart, humor, and of. 120 00:06:17,160 --> 00:06:18,960 Speaker 2: Course some optimism. 121 00:06:19,360 --> 00:06:22,479 Speaker 4: Listen to Are You a Charlotte on the iHeartRadio app, 122 00:06:22,640 --> 00:06:26,159 Speaker 4: Apple podcast or wherever you get your podcasts. 123 00:06:27,440 --> 00:06:27,680 Speaker 1: Back. 124 00:06:27,680 --> 00:06:30,400 Speaker 3: On Fanny and her dude, I really like them. I 125 00:06:30,440 --> 00:06:32,480 Speaker 3: love that they were eating under the gazebo, which is interesting. 126 00:06:32,520 --> 00:06:34,040 Speaker 3: There is a gazebo. It's a different type as of 127 00:06:34,040 --> 00:06:39,040 Speaker 3: a gazebo, but there is one. And he's very funny 128 00:06:39,200 --> 00:06:43,279 Speaker 3: about the kinky eggs yep, and that that just keeps 129 00:06:43,320 --> 00:06:45,840 Speaker 3: coming back. Those very Gilmoury, very entertainble. 130 00:06:47,000 --> 00:06:51,880 Speaker 2: What made me cringe was when Sam Foster's character so 131 00:06:52,000 --> 00:06:56,120 Speaker 2: Michelle was like, oh uh, you want me to come 132 00:06:56,200 --> 00:06:59,040 Speaker 2: with you in your room with you know, like there's 133 00:06:59,080 --> 00:07:01,720 Speaker 2: one queen bed and I'm like, oh funny when. 134 00:07:01,640 --> 00:07:03,880 Speaker 3: She picked up the banana that, yeah, that was funny. 135 00:07:04,240 --> 00:07:08,920 Speaker 3: There was Okay, this episode is almost a Gilmore Girl's episode, 136 00:07:08,960 --> 00:07:11,600 Speaker 3: like it's almost perfect and. 137 00:07:11,560 --> 00:07:12,200 Speaker 1: Then guess what. 138 00:07:12,320 --> 00:07:16,040 Speaker 2: That's the problem with the series. It's almost good, it's 139 00:07:16,080 --> 00:07:18,960 Speaker 2: almost good, and then it's not, and the and it's not. 140 00:07:19,480 --> 00:07:24,120 Speaker 3: Because that's scene in the bed. Just I had secondhand embarrassment. 141 00:07:24,280 --> 00:07:25,360 Speaker 3: Understand embarrassment. 142 00:07:25,400 --> 00:07:28,040 Speaker 2: I understand Amy Schrimapelad, you know, wanting to utilize the 143 00:07:28,160 --> 00:07:32,440 Speaker 2: same actors that she utilizes because she has a great 144 00:07:32,520 --> 00:07:34,040 Speaker 2: rapport with them. She wants to give them Mark, and 145 00:07:34,080 --> 00:07:36,720 Speaker 2: she wants to do all that stuff. But this feels 146 00:07:36,760 --> 00:07:40,200 Speaker 2: like trying. Oh I'm gonna get so much hate. This 147 00:07:40,280 --> 00:07:45,080 Speaker 2: feels like trying to revive Gilmore Girls and it ain't working. 148 00:07:45,480 --> 00:07:48,480 Speaker 1: And I know why, s f. 149 00:07:50,840 --> 00:07:53,360 Speaker 2: All of a sudden faster, I saw you. 150 00:07:53,640 --> 00:07:55,760 Speaker 1: I saw your play in New York and I promise 151 00:07:55,840 --> 00:07:56,720 Speaker 1: I thought it was good. 152 00:07:56,760 --> 00:07:59,679 Speaker 3: But I love Younger. It's I don't have a Sutton 153 00:07:59,720 --> 00:08:03,640 Speaker 3: Foster her problem. She's great and Younger she just wasn't. 154 00:08:03,760 --> 00:08:06,760 Speaker 3: It's almost like, okay, but I'm sure. 155 00:08:07,040 --> 00:08:10,040 Speaker 2: I'm sure the people screaming that are that are actors 156 00:08:10,320 --> 00:08:13,200 Speaker 2: that like they're not screaming, or like, you don't hate me, 157 00:08:13,400 --> 00:08:14,480 Speaker 2: you hate the character. 158 00:08:14,640 --> 00:08:18,400 Speaker 1: No, so maybe this is the character. No, no, it's not. 159 00:08:18,640 --> 00:08:23,400 Speaker 2: I like the character over acting because I think she's 160 00:08:23,400 --> 00:08:25,400 Speaker 2: a stage Maybe. 161 00:08:25,120 --> 00:08:26,440 Speaker 1: It is supposed to be her first of all. 162 00:08:26,480 --> 00:08:29,920 Speaker 3: A couple of interesting facts. This was written by Daniel Palladino, which. 163 00:08:29,680 --> 00:08:32,880 Speaker 1: Is probably why it was. It's so funny and good, right. 164 00:08:33,040 --> 00:08:35,360 Speaker 3: I don't have any critique of the writing. I don't 165 00:08:35,400 --> 00:08:39,239 Speaker 3: have any critique of the storylines. But it's Sutton Foster's 166 00:08:39,520 --> 00:08:45,400 Speaker 3: performance in parts as Michelle. It's like she just wasn't 167 00:08:45,600 --> 00:08:49,719 Speaker 3: quite ready, wasn't quite ready. Chris EigerMan, by the way, 168 00:08:49,800 --> 00:08:52,800 Speaker 3: plays Digger and his name and this is Connor. I 169 00:08:53,000 --> 00:08:54,559 Speaker 3: know that we're gonna just call him Digger. And did 170 00:08:54,559 --> 00:08:56,920 Speaker 3: you see brad ellis our boy as the piano player? 171 00:08:57,360 --> 00:08:59,840 Speaker 2: So do you okay? There is one there's one character. 172 00:09:00,160 --> 00:09:03,760 Speaker 2: H we have loves that bothered me in this episode truly, 173 00:09:04,320 --> 00:09:08,040 Speaker 2: no boo, you were bothered by was bothered by? 174 00:09:08,120 --> 00:09:08,400 Speaker 1: Why? 175 00:09:08,800 --> 00:09:13,199 Speaker 2: Because we are what is it eight episodes in right now? 176 00:09:13,720 --> 00:09:14,000 Speaker 1: Yeah? 177 00:09:14,040 --> 00:09:16,400 Speaker 2: This is season one, episode eight. Blank up, it's time. 178 00:09:16,760 --> 00:09:20,000 Speaker 2: We're eight episodes in and she's still wah wah, Like 179 00:09:20,040 --> 00:09:20,640 Speaker 2: I want her. 180 00:09:20,600 --> 00:09:24,600 Speaker 1: To like, oh, pick it up like nafe so woe 181 00:09:24,720 --> 00:09:27,640 Speaker 1: is me? Or just like step them on like a team. 182 00:09:28,160 --> 00:09:30,720 Speaker 2: Just cut like no, tell your friends, Hey, I think 183 00:09:30,720 --> 00:09:31,280 Speaker 2: he's cool. 184 00:09:31,559 --> 00:09:32,280 Speaker 1: You know what I thought was? 185 00:09:32,520 --> 00:09:35,800 Speaker 2: Or hey, I can do this part like she's just 186 00:09:35,840 --> 00:09:36,400 Speaker 2: so like. 187 00:09:37,320 --> 00:09:40,280 Speaker 1: Is incredible though, truly incredible. 188 00:09:40,120 --> 00:09:41,720 Speaker 2: Kelly Bishop, but you're not gonna say that. 189 00:09:42,840 --> 00:09:47,040 Speaker 3: The dance scene with Sasha and the good door Dancer 190 00:09:47,040 --> 00:09:50,400 Speaker 3: I think his name's Jordan. Yeah, first of all, they're incredible, 191 00:09:50,840 --> 00:09:53,800 Speaker 3: but what was amazing is the way they dance around 192 00:09:53,920 --> 00:09:58,000 Speaker 3: the room. With the other performers warming up, but obviously 193 00:09:58,200 --> 00:10:00,880 Speaker 3: every single thing of that is choreographed. 194 00:10:01,000 --> 00:10:03,520 Speaker 1: The way they kind of slid through and then there 195 00:10:03,559 --> 00:10:05,880 Speaker 1: was Anne and sort of a leg up. 196 00:10:06,400 --> 00:10:10,080 Speaker 3: It was so magical that choreography and the way that 197 00:10:10,200 --> 00:10:11,839 Speaker 3: scene was that I was like. 198 00:10:13,720 --> 00:10:19,040 Speaker 2: What, I agree? I agree, Like, holy cow, lots of 199 00:10:19,200 --> 00:10:21,440 Speaker 2: really good things in this episode, and lots of. 200 00:10:21,920 --> 00:10:23,680 Speaker 1: Not lots of one. 201 00:10:25,559 --> 00:10:28,000 Speaker 3: It was directed by Daniel Paladino, It's written by him. 202 00:10:28,280 --> 00:10:31,000 Speaker 3: It's definitely That's why I'm saying it was almost a 203 00:10:31,000 --> 00:10:33,960 Speaker 3: perfect episode of Gilmore Girls. But then it was the 204 00:10:34,040 --> 00:10:37,280 Speaker 3: crying scene in the bed that was over the top weird, 205 00:10:37,600 --> 00:10:40,960 Speaker 3: didn't work, Like why not just go take it again? 206 00:10:41,360 --> 00:10:41,800 Speaker 4: Yeah? 207 00:10:42,160 --> 00:10:46,640 Speaker 1: Ooh, and I like that Carl. I like that guy 208 00:10:46,640 --> 00:10:47,760 Speaker 1: for boo oh. 209 00:10:48,080 --> 00:10:51,240 Speaker 2: You know what we need to talk about is how 210 00:10:51,280 --> 00:10:54,559 Speaker 2: this ends at ballet practice and how Sasha comes to 211 00:10:54,600 --> 00:10:56,360 Speaker 2: Waltzcene in all late and she goes. 212 00:10:56,440 --> 00:10:57,640 Speaker 1: I'm gonna do cheerleading. 213 00:10:58,320 --> 00:11:02,600 Speaker 2: First of all, I know the respect, not anything against cheerleaders, 214 00:11:02,600 --> 00:11:03,000 Speaker 2: but you but. 215 00:11:03,080 --> 00:11:05,120 Speaker 1: They kind of have to do one or the other. Remember, Yeah, 216 00:11:05,200 --> 00:11:05,640 Speaker 1: And it's. 217 00:11:05,480 --> 00:11:08,360 Speaker 2: Also like one of those things that Fanny has been 218 00:11:08,400 --> 00:11:11,480 Speaker 2: there for this girl Sasha has been there for her, 219 00:11:11,640 --> 00:11:15,679 Speaker 2: has provided a structured environment for her, and this is 220 00:11:15,720 --> 00:11:18,280 Speaker 2: the only place Sasha's getting that from, which is why 221 00:11:18,360 --> 00:11:23,120 Speaker 2: she's unleashing her pent up aggression towards it. Is because 222 00:11:23,120 --> 00:11:25,320 Speaker 2: it's the only thing in her life that's keeping her 223 00:11:25,360 --> 00:11:27,640 Speaker 2: in line and holding her accountable. She doesn't get that 224 00:11:27,679 --> 00:11:28,080 Speaker 2: at home. 225 00:11:29,520 --> 00:11:34,080 Speaker 1: You know, I like Sasha because she's complex. Sorry I was. 226 00:11:34,240 --> 00:11:37,280 Speaker 3: I couldn't decide I was gonna say complicated or complex, 227 00:11:37,559 --> 00:11:38,520 Speaker 3: so I sort of blurred it. 228 00:11:38,559 --> 00:11:40,640 Speaker 1: But it works. She's complicated. 229 00:11:40,640 --> 00:11:43,839 Speaker 3: She's complex like she's a She's a rich character, meaning 230 00:11:43,920 --> 00:11:44,439 Speaker 3: like deep. 231 00:11:44,480 --> 00:11:45,400 Speaker 1: There's a lot to her. 232 00:11:45,480 --> 00:11:46,520 Speaker 2: What do you think of the blue hair? 233 00:11:47,720 --> 00:11:50,360 Speaker 3: I mean, I don't look if that's her big rebellion. 234 00:11:50,640 --> 00:11:53,480 Speaker 3: It wasn't that the startlip onto me? And then her 235 00:11:53,640 --> 00:11:56,840 Speaker 3: big mad thing is I'm gonna be a cheerleader, like. 236 00:11:56,960 --> 00:11:58,360 Speaker 2: I'm gonna stay in the sun. 237 00:11:58,760 --> 00:12:01,160 Speaker 1: Yeah, oh the sun. Oh my god, I knew she 238 00:12:01,200 --> 00:12:05,560 Speaker 1: was going to be in trouble. Oh my, that's a 239 00:12:05,600 --> 00:12:06,040 Speaker 1: real thing. 240 00:12:06,040 --> 00:12:07,840 Speaker 2: I mean, I don't do dance, but I'm assuming that's 241 00:12:07,840 --> 00:12:08,560 Speaker 2: like a real thing. 242 00:12:08,880 --> 00:12:09,400 Speaker 1: Probably. 243 00:12:09,600 --> 00:12:12,880 Speaker 3: Here's what I know. I'd call this a great, great 244 00:12:12,960 --> 00:12:17,040 Speaker 3: episode with a scene that was so bad one scene 245 00:12:17,400 --> 00:12:20,960 Speaker 3: and it bummed me out because Chris Eigman was so good. 246 00:12:21,559 --> 00:12:22,920 Speaker 1: She was so good, and he. 247 00:12:22,920 --> 00:12:26,560 Speaker 3: Was even sort of somehow acting opposite and it was 248 00:12:26,600 --> 00:12:29,520 Speaker 3: just like, let something cluster is. She's just that was 249 00:12:29,559 --> 00:12:32,160 Speaker 3: not her best work in that scene. She definitely come 250 00:12:32,280 --> 00:12:34,120 Speaker 3: goes up and down. She had scenes that were really 251 00:12:34,160 --> 00:12:39,480 Speaker 3: really good. Guys watched her younger, she is good and younger. 252 00:12:39,559 --> 00:12:40,160 Speaker 3: We're halfway through. 253 00:12:40,200 --> 00:12:43,280 Speaker 2: We're halfway through the next episode, episode Season one, episode nine, 254 00:12:43,280 --> 00:12:49,040 Speaker 2: No One takes Kalisi's dragons. Whoa I Game of thronespect 255 00:12:49,240 --> 00:12:53,320 Speaker 2: I feel like Khalisi is Fanny and the dragons are 256 00:12:53,360 --> 00:12:53,960 Speaker 2: the girls. 257 00:12:54,080 --> 00:12:56,440 Speaker 1: I've never seen Game of Thrones. I tried once. 258 00:12:56,480 --> 00:13:00,120 Speaker 3: It was very I watch you either and I and 259 00:13:00,120 --> 00:13:01,120 Speaker 3: follow it, but I'll give. 260 00:13:01,000 --> 00:13:01,520 Speaker 1: It another go. 261 00:13:02,200 --> 00:13:34,760 Speaker 5: But AnyWho, bun heads out, bun heads out, Hey. 262 00:13:34,640 --> 00:13:35,680 Speaker 1: Everybody, and don't forget. 263 00:13:35,720 --> 00:13:39,760 Speaker 2: Follow us on Instagram at I Am All In podcast 264 00:13:39,880 --> 00:13:54,040 Speaker 2: and email us at Gilmore at iHeartRadio dot com.