WEBVTT - SMNTY Classics: SMNTY (Doesn't) Go Method

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<v Speaker 1>Hey, this is Annie.

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<v Speaker 2>And Samantha.

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<v Speaker 1>And welcome to Stuff Never Told You, a production of iHeartRadio.

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<v Speaker 1>And today we are bringing back a classic happy hour

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<v Speaker 1>that was very much me venting about something that annoys

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<v Speaker 1>me greatly, and it's method acting. And there are a

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<v Speaker 1>couple of reasons I wanted to bring this one back.

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<v Speaker 1>One is we just had the Emmys. That just happened.

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<v Speaker 1>So it was awards season. It came up in a

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<v Speaker 1>conversation with Samantha and I about Jared Leto and the

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<v Speaker 1>Joker and all that. But also I had a friend

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<v Speaker 1>that sent me a reel of Kristen Stewart talking about this.

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<v Speaker 1>And she had a really interesting take that we didn't

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<v Speaker 1>get into here. But her opinion is that a lot

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<v Speaker 1>of male actors who do this like to present it

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<v Speaker 1>as some kind of thing that is untouchable, unreachable, like

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<v Speaker 1>they have to do.

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<v Speaker 2>I don't know.

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<v Speaker 1>She gave her a lot of great examples, but it

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<v Speaker 1>was something like this many push-ups and punch themselves in

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<v Speaker 1>the face and do all this stuff because you could

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<v Speaker 1>not possibly achieve their genius. When ultimately, being an actor, acting,

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<v Speaker 1>is a very vulnerable, emotional thing, which is something that

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<v Speaker 1>men kind of try to stay away from. And so,

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<v Speaker 1>and she even used the word embarrassing. Like, it's embarrassing sometimes.

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<v Speaker 1>And they don't want that. They want to be the

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<v Speaker 1>only one who can do this. And look how tough

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<v Speaker 1>I am. And that's why I can have this emotional,

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<v Speaker 1>vulnerable scene, which... If you could just get in touch

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<v Speaker 1>with your emotions. Right.

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<v Speaker 3>You should be able to do that. It pretty much

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<v Speaker 3>says it's only men. It's basically just men who did this.

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<v Speaker 3>And that's not actually true. There are others who have

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<v Speaker 3>come out and been like, but this person. But interestingly,

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<v Speaker 3>her counterpart, and I think of him as a counterpart,

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<v Speaker 3>Robert Pattinson, actually said, you never see them method acting

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<v Speaker 3>a good guy.

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<v Speaker 1>Ooh, that is a good point. Mm-hmm. Yeah.

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<v Speaker 3>Yeah.

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<v Speaker 1>So there could be like some wanting to put it

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<v Speaker 1>like a distance there or like have like a real

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<v Speaker 1>tough edge or something.

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<v Speaker 3>Right.

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<v Speaker 1>But I mean, that's true. And we do talk about

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<v Speaker 1>that in this episode is that a lot of women

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<v Speaker 1>actors have come out and said, you know, I can't

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<v Speaker 1>show up to pick up my kids like still in character.

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<v Speaker 3>Right.

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<v Speaker 1>That's just not a thing I can do.

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<v Speaker 2>Exactly.

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<v Speaker 1>Yes. Yeah. So you can hear my rants. I'm not

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<v Speaker 1>a fan in this classic episode. Hey, this is Annie.

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<v Speaker 2>And Samantha.

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<v Speaker 1>And welcome to Stuff I've Never Told You, a production

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<v Speaker 1>by HeartRadio. and welcome to another edition of happy hour

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<v Speaker 1>as always if you choose to drink or whatever you're

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<v Speaker 1>doing please do so responsibly what are you doing samantha

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<v Speaker 1>are you doing it responsibly.

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<v Speaker 3>Always, because I get sleepy. I just love how I'm

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<v Speaker 3>now into the point of adulthood where I'm like, I

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<v Speaker 3>don't party anymore.

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<v Speaker 2>Really, I never really party. Let's be very honest. But

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<v Speaker 2>I barely do any of that.

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<v Speaker 3>I went to clubs for a short span of time

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<v Speaker 3>because I do love dancing.

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<v Speaker 2>I do love dancing.

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<v Speaker 3>And now my clubbing is Zumba classes with the other 40, 50-year-olds,

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<v Speaker 3>and we get into it.

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<v Speaker 2>Just so you know.

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<v Speaker 3>Anyway, but yes, I'm drinking coffee because I am tired

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<v Speaker 3>and it feels groggy and it's cold again.

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<v Speaker 2>Why is it cold for the dear love of God?

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<v Speaker 1>It is very cold here. And I, oh, I made

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<v Speaker 1>the mistake of turning off my radiator because it was hot.

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<v Speaker 1>It was warm for a while.

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<v Speaker 2>I'm really worried about that radiator, to be honest.

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<v Speaker 1>I am too. We have a very adversarial relationship, me

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<v Speaker 1>and this radiator. But now it's steaming up so much,

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<v Speaker 1>I can't see out my windows. And this morning, a

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<v Speaker 1>friend of mine texted me and she's like, it's snowing

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<v Speaker 1>where I am. And I was trying to look out

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<v Speaker 1>the window. I was like, I can't tell. I'm too

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<v Speaker 1>cold to go outside. So we'll never know. I am

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<v Speaker 1>drinking wine because today it's a * * * * * * wine.

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<v Speaker 1>And I want to make this clear at the top.

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<v Speaker 1>This is my opinion. This is my personal opinion. Okay.

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<v Speaker 1>And I might ruffle some feathers in the acting community

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<v Speaker 1>if we've got any actors listening. But, all right.

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<v Speaker 3>Are you really doing something, huh? I feel like that

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<v Speaker 3>was such a big warning. I love drama.

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<v Speaker 2>Let's do this team.

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<v Speaker 1>Oh, my gosh. I've gotten into so many arguments with

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<v Speaker 1>other actors about this.

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<v Speaker 3>All right.

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<v Speaker 1>So it is awards season. as we record this and

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<v Speaker 1>i also want to say it does feel strange um

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<v Speaker 1>i think my monday mini upcoming will be about this

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<v Speaker 1>kind of but it feels strange to talk about this

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<v Speaker 1>when it feels like the world is falling apart but

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<v Speaker 1>we're going to talk about it um so it is

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<v Speaker 1>award season coming up and um i've had this in

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<v Speaker 1>my on my list of possible happy hour topics for

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<v Speaker 1>a while but this was a ways back uh natalie

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<v Speaker 1>portman made this comment where she said method acting is

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<v Speaker 1>a luxury that women can't have. And she was mostly

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<v Speaker 1>commenting on how women are still expected to do a

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<v Speaker 1>lot more domestic work and especially raising kids. So she

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<v Speaker 1>was saying like, I can't show up at the pickup,

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<v Speaker 1>like covered in blood or whatever. I was like, thank you,

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<v Speaker 1>someone finally said that.

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<v Speaker 2>Right, right.

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<v Speaker 1>I will get into it, but I've got a lot

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<v Speaker 1>of thoughts about method actors. Some of them are very

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<v Speaker 1>good and have produced really good performances. I will break

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<v Speaker 1>it down in a minute. But I've always kind of

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<v Speaker 1>had an issue with it. And I know for people,

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<v Speaker 1>I think you know what method acting is. It's when

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<v Speaker 1>someone like, quote, becomes that character. And they ask people

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<v Speaker 1>to call them by that name. Like a lot of

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<v Speaker 1>stuff like that. I do want to differentiate between that

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<v Speaker 1>and doing your research. I think doing the research part

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<v Speaker 1>is good. Like going to work at a factory for

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<v Speaker 1>a month or whatever, as long as you're not a

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<v Speaker 1>total jackass about it. I think that's good. I got

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<v Speaker 1>a lot of thoughts about this. But that's different than

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<v Speaker 1>what I'm talking about. I'm talking about Jared Leto is

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<v Speaker 1>like one of the most famous examples of recent times.

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<v Speaker 3>Oh, yeah.

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<v Speaker 1>When he was in Suicide Squad, he was in there

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<v Speaker 1>for 10 minutes, by the way. He basically... just harassed

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<v Speaker 1>the rest of the cast he had like a assistant

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<v Speaker 1>that would sneak into their dressing rooms and put things

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<v Speaker 1>like rats or used condoms or fish heads because he's

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<v Speaker 1>playing the joker and he was like it adds a

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<v Speaker 1>level that's what the joker does it adds a level

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<v Speaker 1>of surprise and a lot okay a lot of the

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<v Speaker 1>other actors have spoken about it and said it made

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<v Speaker 1>them feel really uncomfortable makes sense He's kind of said

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<v Speaker 1>it's been over exaggerated. I am leaning more toward he

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<v Speaker 1>probably did do that. But, you know, I wasn't there.

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<v Speaker 3>I don't know.

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<v Speaker 1>But that's what I'm talking about. That kind of behavior

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<v Speaker 1>is what I'm talking about. I just feel that as

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<v Speaker 1>a viewer of something, I can have the capacity to know, okay,

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<v Speaker 1>you're the Joker and you're a good actor and I'm

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<v Speaker 1>scared of you. But I actually appreciate this more because

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<v Speaker 1>I know as a human being, you're not that. You

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<v Speaker 1>know what I mean? Right, right. Like, I have the

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<v Speaker 1>capacity to differentiate between those two things.

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<v Speaker 3>Right.

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<v Speaker 1>You don't have to convince me you are the Joker.

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<v Speaker 1>If you do, you've really freaked me out more than

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<v Speaker 1>I think you wanted to. You can be a good

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<v Speaker 1>actor and not convince me that, like, maybe you shouldn't

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<v Speaker 1>be allowed near people.

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<v Speaker 2>Like, there's a difference.

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<v Speaker 3>Right.

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<v Speaker 1>There's a difference. Right.

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<v Speaker 3>I think this all comes back to the understanding that

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<v Speaker 3>if you're good at your craft, you don't have to

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<v Speaker 3>change your personality. It doesn't have to be that way.

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<v Speaker 3>It also kind of comes to people who are like,

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<v Speaker 3>if you truly do this, then you're truly this. As

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<v Speaker 3>in you're not validated until you're willing to push to

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<v Speaker 3>a boundary.

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<v Speaker 2>That's not healthy.

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<v Speaker 1>No, it's not healthy. And there have been a million

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<v Speaker 1>examples of how it's not healthy before. And there is

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<v Speaker 1>a quote, it's frequently attributed to Laurence Olivier, but I

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<v Speaker 1>don't think it's ever been proven he was like the

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<v Speaker 1>one that said it. But it's, you know, my dear boy,

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<v Speaker 1>have you tried acting? Like, you don't have to do

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<v Speaker 1>these things. And it makes people, not just the other actors,

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<v Speaker 1>it makes people on set uncomfortable. Like one time I

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<v Speaker 1>was working with somebody who said they were a method actor.

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<v Speaker 1>He was playing a rapist. Oh, you know how uncomfortable

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<v Speaker 1>that made everyone.

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<v Speaker 2>What does that mean? This method acting? Like, what are

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<v Speaker 2>you talking about?

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<v Speaker 1>Exactly. And it's just it's one of those things. where

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<v Speaker 1>I think, and I have, when I was kind of

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<v Speaker 1>lightly researching this, I found a BuzzFeed list, and it

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<v Speaker 1>was like 17 worst examples of method actors. They were

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<v Speaker 1>all white men. And I just feel like if a

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<v Speaker 1>woman or a person of color did this shit, The

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<v Speaker 1>set wouldn't stand for it. They'd be like, she's crazy.

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<v Speaker 1>Get her out of here. Right. But instead it's like,

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<v Speaker 1>look at this genius work. Right.

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<v Speaker 3>What?

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<v Speaker 2>I don't know. Did Michael B.

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<v Speaker 3>Jordan, did he do, he didn't do method acting for

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<v Speaker 3>Black Panther, right? He said he just isolated himself.

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<v Speaker 1>He he he like went on the streets and isolated himself. Yeah.

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<v Speaker 2>But not necessarily actually full method.

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<v Speaker 3>Right.

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<v Speaker 1>Which is I do think there are different degrees of method. Right.

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<v Speaker 1>And some of them I'm like, OK, I get that. Yeah.

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<v Speaker 1>That's where it sort of blurs the line between research

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<v Speaker 1>and method to me. Right.

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<v Speaker 3>Right.

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<v Speaker 1>I do think there are some method actors that are

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<v Speaker 1>not as obnoxious and, frankly, kind of terrifying. One example

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<v Speaker 1>is I know a lot of actors who use accents

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<v Speaker 1>all the time. Yeah. So, like, if they're doing an

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<v Speaker 1>American accent and they're not American, they'll just start using

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<v Speaker 1>that accent all the time. I think that's okay. Like,

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<v Speaker 1>it would weird me out if I knew the person.

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<v Speaker 3>Right.

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<v Speaker 1>But I understand that.

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<v Speaker 3>Right. I think Renee Zellweger, she did that because she

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<v Speaker 3>couldn't go in and out really well. And she said,

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<v Speaker 3>if I lose it, I'm going to lose it. So

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<v Speaker 3>I'm just have to keep it the entire time. Like

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<v Speaker 3>she would keep her English accent for Bridget Jones Diary.

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<v Speaker 1>Yes, which I get. That makes sense to me. Yeah.

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<v Speaker 1>I agree it's still a little weird. But it makes sense.

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<v Speaker 3>If I knew you personally and you had an accent,

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<v Speaker 3>I would make fun of you the entire time.

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<v Speaker 2>I would have a hard time not... Like, not because

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<v Speaker 2>I'm being mean, but I.

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<v Speaker 3>Just think it's hilarious to see you doing the switch up.

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<v Speaker 1>Yeah, it is. It's just odd. But, I mean, another

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<v Speaker 1>issue I have with this kind of hardcore method acting

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<v Speaker 1>is it has led to instances of sexual assault and

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<v Speaker 1>physical abuse. Mm-hmm. largely against women because they were method,

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<v Speaker 1>which I just think is ridiculous and unacceptable. And I don't,

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<v Speaker 1>kind of going back to what you were saying, I

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<v Speaker 1>don't think if you had to do that as part

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<v Speaker 1>of a role, it almost feels like an excuse to me.

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<v Speaker 1>It just kind of feels like an excuse to act

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<v Speaker 1>like a dick. And in some cases, I think that's

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<v Speaker 1>what it is. In other cases, I think that people

0:13:00.620 --> 0:13:04.060
<v Speaker 1>believe they're pursuing brilliance or whatever, like I'm really going

0:13:04.080 --> 0:13:07.640
<v Speaker 1>to capture this thing. But if that's what it takes,

0:13:07.710 --> 0:13:12.910
<v Speaker 1>then you can go. I don't need your brilliance if

0:13:12.970 --> 0:13:16.849
<v Speaker 1>that's what it takes. And I will, I'm going to

0:13:16.890 --> 0:13:19.790
<v Speaker 1>say here, like actors of all schools can be d * * ks.

0:13:20.390 --> 0:13:23.130
<v Speaker 1>I know this is true. It's not just method actors.

0:13:23.550 --> 0:13:27.230
<v Speaker 1>People who are just famous can be. People have like that.

0:13:27.880 --> 0:13:31.800
<v Speaker 1>I'm an artiste vibe can be. But I don't know.

0:13:31.840 --> 0:13:35.670
<v Speaker 1>There's something about like. I was reading the examples in

0:13:35.690 --> 0:13:39.370
<v Speaker 1>that BuzzFeed article about how people have done this. This

0:13:39.410 --> 0:13:43.290
<v Speaker 1>just sounds like a jack to me. Right. Right.

0:13:43.750 --> 0:13:46.960
<v Speaker 3>I mean, also, there's a crossover, too, where they really

0:13:47.050 --> 0:13:50.220
<v Speaker 3>say this is for film. And it's so much like

0:13:50.400 --> 0:13:52.840
<v Speaker 3>The Last Tango. I was trying to remember which movie was,

0:13:52.880 --> 0:13:57.929
<v Speaker 3>which was Marlon Brando. and they assault a woman on camera.

0:13:58.290 --> 0:14:02.530
<v Speaker 3>And the director and Marlon Brando, the director being, because

0:14:02.550 --> 0:14:04.700
<v Speaker 3>I don't want to just leave one predator name out,

0:14:05.520 --> 0:14:09.720
<v Speaker 3>being Bernardo Bortolucci, they had made this plan not to

0:14:09.780 --> 0:14:11.820
<v Speaker 3>tell her what was going to happen in order to

0:14:11.840 --> 0:14:17.059
<v Speaker 3>get her real reactions in order to f * * * her, essentially.

0:14:17.660 --> 0:14:21.140
<v Speaker 3>And the fact that that case is so infamous... And

0:14:21.440 --> 0:14:24.180
<v Speaker 3>the two of them are still revered. Marlon Brando and

0:14:24.220 --> 0:14:27.300
<v Speaker 3>Bortolucci really are just still revered. I think the conversation

0:14:27.320 --> 0:14:31.140
<v Speaker 3>has gotten bigger about it and understanding. But that level,

0:14:31.620 --> 0:14:36.650
<v Speaker 3>it needs to be real conversation, which takes it to

0:14:36.710 --> 0:14:38.490
<v Speaker 3>the point of why?

0:14:38.950 --> 0:14:41.290
<v Speaker 2>What for you? Why?

0:14:41.570 --> 0:14:43.790
<v Speaker 3>What is it doing for you that you need this

0:14:43.880 --> 0:14:46.120
<v Speaker 3>to happen in this route? And it's giving you a

0:14:46.180 --> 0:14:49.200
<v Speaker 3>thrill that you really want to have it on camera.

0:14:49.800 --> 0:14:53.110
<v Speaker 3>And I think the same thing with The Shining and

0:14:53.170 --> 0:14:57.070
<v Speaker 3>how they tortured Shelley Duvall. They tortured her because she

0:14:57.130 --> 0:15:00.590
<v Speaker 3>wasn't quote-unquote real enough in her reaction. It's such a

0:15:00.810 --> 0:15:04.760
<v Speaker 3>way that it is white men wanting to torture women.

0:15:05.560 --> 0:15:10.600
<v Speaker 1>Yeah, and one of the examples the BuzzFeed article gave was,

0:15:10.680 --> 0:15:12.320
<v Speaker 1>I'd never heard of this, I'd never seen this movie,

0:15:13.600 --> 0:15:16.780
<v Speaker 1>but it was Meryl Streep and Dustin Hoffman. And apparently

0:15:16.870 --> 0:15:20.950
<v Speaker 1>Dustin Hoffman slapped her in a scene. And he wasn't

0:15:21.050 --> 0:15:23.609
<v Speaker 1>supposed to, and he said he did it to get

0:15:23.650 --> 0:15:27.850
<v Speaker 1>her in character. Meryl Streep has won more Oscars than anyone.

0:15:28.170 --> 0:15:30.130
<v Speaker 1>You f * * * ing tell me you need

0:15:30.170 --> 0:15:31.840
<v Speaker 1>to get her in character?

0:15:31.860 --> 0:15:32.920
<v Speaker 2>No.

0:15:32.940 --> 0:15:35.479
<v Speaker 3>They hate each other, right?

0:15:35.700 --> 0:15:38.000
<v Speaker 2>Did I make that up in my head?

0:15:38.080 --> 0:15:40.540
<v Speaker 3>I feel like they really disliked each other and never

0:15:40.580 --> 0:15:43.780
<v Speaker 3>wanted to work with each other again with relevance to

0:15:43.800 --> 0:15:44.720
<v Speaker 3>things like that. Maybe?

0:15:44.740 --> 0:15:47.740
<v Speaker 2>I'm going to look it up before I miss it.

0:15:47.780 --> 0:15:48.560
<v Speaker 2>Represent myself here.

0:15:49.760 --> 0:15:53.520
<v Speaker 1>But the director apparently told Meryl Streep, like, I'm sorry,

0:15:53.540 --> 0:15:55.940
<v Speaker 1>you didn't need that. And she, like, nailed this scene

0:15:55.980 --> 0:15:59.040
<v Speaker 1>and she nailed the scene as she would have. Right.

0:15:59.420 --> 0:16:02.830
<v Speaker 1>And so it's just so, like, you made it about

0:16:02.920 --> 0:16:07.290
<v Speaker 1>you and you belittled her at the same time. And

0:16:07.330 --> 0:16:07.910
<v Speaker 1>you hit her.

0:16:09.250 --> 0:16:12.440
<v Speaker 2>Apparently he's abused her a lot, but that's the first literal....

0:16:13.690 --> 0:16:17.430
<v Speaker 3>Quote that I see from a headline. This wasn't the

0:16:17.470 --> 0:16:20.610
<v Speaker 3>only time Dustin Hoffman allegedly abused Meryl Streep. And this

0:16:20.670 --> 0:16:23.580
<v Speaker 3>is from Screen Rant. So, like, the fact that he

0:16:23.630 --> 0:16:26.790
<v Speaker 3>continued to do that to this woman, who I think

0:16:26.820 --> 0:16:30.000
<v Speaker 3>had already been nominated for things, even though this was

0:16:30.040 --> 0:16:31.200
<v Speaker 3>one of her earlier films.

0:16:31.900 --> 0:16:34.520
<v Speaker 1>Yeah. Well, and that's the thing. I don't even know

0:16:34.560 --> 0:16:36.160
<v Speaker 1>if he... No, he was on that list. He was

0:16:36.180 --> 0:16:41.240
<v Speaker 1>a method actor. I just... It feels like so much

0:16:41.280 --> 0:16:45.420
<v Speaker 1>of it is... it is causing harm to someone else.

0:16:45.590 --> 0:16:47.950
<v Speaker 1>And then you're taking credit for, like, I'm sure probably

0:16:47.970 --> 0:16:50.930
<v Speaker 1>in private conversations, he said, you know, I made Meryl

0:16:50.990 --> 0:16:54.430
<v Speaker 1>Streep who she is. Like, I was the one. She

0:16:54.470 --> 0:16:59.210
<v Speaker 1>complains about it, but I, by doing this, helped her

0:16:59.230 --> 0:17:03.390
<v Speaker 1>get further. And we even talked about it with Bridget, like, the,

0:17:03.810 --> 0:17:05.470
<v Speaker 1>is it Evan Rachel Wood, the music video?

0:17:06.250 --> 0:17:06.530
<v Speaker 3>And I.

0:17:08.270 --> 0:17:12.920
<v Speaker 1>Was thinking about it, too, because I was lying awake

0:17:12.960 --> 0:17:15.210
<v Speaker 1>as I'm want to do, and I'm wrestling with these topics.

0:17:15.609 --> 0:17:18.010
<v Speaker 1>And I was thinking about the audition process. And I

0:17:18.050 --> 0:17:21.750
<v Speaker 1>was like, did Jared Leto, who again was in that

0:17:21.790 --> 0:17:26.310
<v Speaker 1>movie for 10 minutes, did he start the method acting

0:17:26.369 --> 0:17:29.510
<v Speaker 1>for the audition? Or did he start it after? Because

0:17:29.550 --> 0:17:31.630
<v Speaker 1>if you did the audition, you got the part, then

0:17:31.690 --> 0:17:34.350
<v Speaker 1>I think you've already proven you can do it. I

0:17:34.369 --> 0:17:37.050
<v Speaker 1>don't think you need this method part. I don't know.

0:17:37.109 --> 0:17:40.790
<v Speaker 1>Maybe he was doing it before, but like, He's such.

0:17:40.570 --> 0:17:43.149
<v Speaker 2>A bad actor. Maybe he needs it.

0:17:43.190 --> 0:17:45.240
<v Speaker 3>There's a few that's like, you're genuinely good.

0:17:45.260 --> 0:17:46.060
<v Speaker 2>You don't need this.

0:17:46.400 --> 0:17:52.960
<v Speaker 3>Maybe Jared Leto from his infamous times from being Jordan Catalano.

0:17:53.160 --> 0:17:56.640
<v Speaker 2>Catalani? Catalani? Anyway, needed.

0:17:57.670 --> 0:18:01.470
<v Speaker 3>Can't do it without it, especially for a 30-second preview

0:18:01.570 --> 0:18:06.690
<v Speaker 3>because he is that baseless in acting. Say this and

0:18:06.710 --> 0:18:07.250
<v Speaker 3>I'm about to get.

0:18:07.230 --> 0:18:07.700
<v Speaker 2>Attacked, aren't I?

0:18:08.130 --> 0:18:10.460
<v Speaker 1>This is what i tell you we're ruffling some actor

0:18:10.500 --> 0:18:11.399
<v Speaker 1>feathers right now.

0:18:11.600 --> 0:18:26.260
<v Speaker 3>Philip seymour hoffman who was also an infamous method actor

0:18:26.780 --> 0:18:31.110
<v Speaker 3>he was genuinely great he was genuinely great i don't

0:18:31.150 --> 0:18:33.389
<v Speaker 3>know if he needed it again like that kind of

0:18:33.430 --> 0:18:36.980
<v Speaker 3>goes to that same level um I don't know, maybe

0:18:37.000 --> 0:18:39.200
<v Speaker 3>it's that introvert thing, because he was an introvert, I think,

0:18:39.220 --> 0:18:42.760
<v Speaker 3>for the most part, that really felt like his craft

0:18:42.840 --> 0:18:44.200
<v Speaker 3>came from all the emotions.

0:18:44.800 --> 0:18:45.340
<v Speaker 2>I'm assuming.

0:18:45.600 --> 0:18:48.080
<v Speaker 3>These are, like, things that I've seen as an alleged.

0:18:49.030 --> 0:18:54.470
<v Speaker 3>So maybe that's the different level. But, like, again, there's

0:18:54.510 --> 0:18:59.390
<v Speaker 3>nothing about Jared Leto's performances and any performances that I'm like, oh, yeah,

0:18:59.410 --> 0:19:03.370
<v Speaker 3>he's so great. Unless he can be extreme.

0:19:04.280 --> 0:19:08.080
<v Speaker 1>That's interesting. Cause I wonder if, um, I did think

0:19:08.119 --> 0:19:10.300
<v Speaker 1>about this too. Cause I, I was wondering if there's

0:19:10.340 --> 0:19:15.760
<v Speaker 1>some level of insecurity around it of like, I want, I,

0:19:16.140 --> 0:19:19.430
<v Speaker 1>when the critics come, when the award season rolls around,

0:19:19.450 --> 0:19:22.250
<v Speaker 1>I want them to know I lived in the, the

0:19:22.330 --> 0:19:28.169
<v Speaker 1>winter tundra to prepare like quote dedication I put into

0:19:28.790 --> 0:19:33.110
<v Speaker 1>this role and this character. which again, we've talked about

0:19:33.130 --> 0:19:37.720
<v Speaker 1>this before. I think it was in our intimacy coordinator episode,

0:19:38.480 --> 0:19:44.550
<v Speaker 1>but personally, if you're a good actor, then that doesn't

0:19:44.619 --> 0:19:49.930
<v Speaker 1>really necessarily factor into what I'm thinking. And in fact,

0:19:50.010 --> 0:19:52.730
<v Speaker 1>it might take me out of the performance like I'm

0:19:52.780 --> 0:19:57.119
<v Speaker 1>not sitting there thinking oh wow they definitely lived in

0:19:57.180 --> 0:20:03.020
<v Speaker 1>the winter tundra I don't know I like so I

0:20:03.060 --> 0:20:05.260
<v Speaker 1>wonder if there's some kind of thing I've been guilty

0:20:05.300 --> 0:20:07.869
<v Speaker 1>of this too where you want to prove When the

0:20:07.900 --> 0:20:10.770
<v Speaker 1>critics come at you like, but I did all this research, though. Like,

0:20:10.810 --> 0:20:15.530
<v Speaker 1>I did all this. I think research is good. It's the...

0:20:17.730 --> 0:20:20.040
<v Speaker 1>It's the kind of unhingedness.

0:20:20.410 --> 0:20:21.180
<v Speaker 2>Unhingedness?

0:20:21.800 --> 0:20:27.379
<v Speaker 1>Yes. I clearly have strong thoughts about this. Of making

0:20:27.619 --> 0:20:35.990
<v Speaker 1>everyone else uncomfortable. And putting, like, yourself, your performance... before everything.

0:20:36.030 --> 0:20:38.530
<v Speaker 1>Because in a good, I think in a good movie

0:20:38.550 --> 0:20:43.410
<v Speaker 1>or a good production, everyone's working together in a way.

0:20:43.510 --> 0:20:46.330
<v Speaker 1>And sometimes somebody is such a good actor, method or not,

0:20:47.130 --> 0:20:50.030
<v Speaker 1>that you are scared of them because they're doing so

0:20:50.070 --> 0:20:52.200
<v Speaker 1>well and you don't hang out. But you still work

0:20:52.260 --> 0:20:56.240
<v Speaker 1>together really well. You know this isn't actually going to

0:20:56.280 --> 0:20:56.820
<v Speaker 1>kill me.

0:20:57.400 --> 0:21:01.920
<v Speaker 3>Well, as I'm looking at Jared Leto's list, he played

0:21:01.940 --> 0:21:05.180
<v Speaker 3>a serial killer. i don't know any of his films

0:21:05.200 --> 0:21:07.040
<v Speaker 3>and he did get several awards so people are probably

0:21:07.140 --> 0:21:08.760
<v Speaker 3>mad at me like he is a great actor i

0:21:08.780 --> 0:21:10.160
<v Speaker 3>think he's a great actor when he has to play

0:21:10.180 --> 0:21:13.740
<v Speaker 3>something extreme like that's different when it's drama drama versus

0:21:13.780 --> 0:21:17.850
<v Speaker 3>like actual minute like detailed acting that's different i say

0:21:17.920 --> 0:21:21.270
<v Speaker 3>as non-actor uh but like yeah he won for a

0:21:21.330 --> 0:21:23.910
<v Speaker 3>dallas byers club i remember he played a trans woman

0:21:23.930 --> 0:21:26.129
<v Speaker 3>which ruffled a lot of feathers because he's not a

0:21:26.150 --> 0:21:28.930
<v Speaker 3>trans woman so how did he method act for that

0:21:29.890 --> 0:21:34.220
<v Speaker 3>You know what I mean? There's nowhere in life ever, ever,

0:21:34.359 --> 0:21:38.439
<v Speaker 3>ever that he can understand what a trans woman has

0:21:38.460 --> 0:21:41.350
<v Speaker 3>been through. And so there's a lot of questions in

0:21:41.380 --> 0:21:43.550
<v Speaker 3>his method and when he wants to be method and

0:21:43.590 --> 0:21:45.629
<v Speaker 3>how deep of a method actor he wants to be.

0:21:45.890 --> 0:21:48.950
<v Speaker 3>I say this really mainly Really, just don't like Jared Leto, apparently.

0:21:48.990 --> 0:21:49.430
<v Speaker 2>I'm sorry.

0:21:49.490 --> 0:21:51.110
<v Speaker 1>That brought something out of me. You know, I have

0:21:51.430 --> 0:21:53.949
<v Speaker 1>his autograph. I had a huge crush on him when

0:21:53.990 --> 0:21:55.070
<v Speaker 1>I was... Who didn't?

0:21:55.190 --> 0:22:00.340
<v Speaker 3>When he was acting like an emo... Like emo man, young,

0:22:00.720 --> 0:22:04.420
<v Speaker 3>who wasn't creepy and all the other things. Yeah.

0:22:04.820 --> 0:22:07.460
<v Speaker 1>And I want to say, like, when I think about...

0:22:08.380 --> 0:22:10.100
<v Speaker 1>I've done some acting. And when I think about why

0:22:10.140 --> 0:22:13.879
<v Speaker 1>I like it, I like imagining things. And I like...

0:22:14.119 --> 0:22:15.970
<v Speaker 1>But I feel like I would never....

0:22:17.140 --> 0:22:17.340
<v Speaker 3>Ever.

0:22:19.740 --> 0:22:21.970
<v Speaker 1>Maybe part of it is conditioning as a woman. I don't,

0:22:22.210 --> 0:22:25.350
<v Speaker 1>I wouldn't want to make people so uncomfortable. I wouldn't

0:22:25.390 --> 0:22:29.670
<v Speaker 1>want to do like that. And I think there's a

0:22:29.770 --> 0:22:32.530
<v Speaker 1>health thing too, where you can be like, okay, let

0:22:32.570 --> 0:22:35.220
<v Speaker 1>me turn this off for now. It's a stressful role.

0:22:36.180 --> 0:22:39.300
<v Speaker 1>I'll be better if I can like recharge. I know

0:22:39.340 --> 0:22:41.820
<v Speaker 1>some people will argue with me, but I just don't,

0:22:43.440 --> 0:22:46.869
<v Speaker 1>I get the sentiment of I want to really get

0:22:46.890 --> 0:22:50.010
<v Speaker 1>in the mindset of this person. But I also don't

0:22:50.170 --> 0:22:53.600
<v Speaker 1>think that's a super healthy thing to just do and

0:22:53.640 --> 0:22:58.360
<v Speaker 1>completely erase yourself and not think about anybody else.

0:22:58.380 --> 0:22:59.220
<v Speaker 2>I agree.

0:22:59.500 --> 0:23:01.660
<v Speaker 3>I mean, again, I think I'm going back way back

0:23:01.720 --> 0:23:04.969
<v Speaker 3>to like, Because there has been a big conversation. Just

0:23:04.990 --> 0:23:07.879
<v Speaker 3>because someone may not be in acting doesn't mean it's

0:23:07.950 --> 0:23:11.240
<v Speaker 3>not something that's questioned by society. Because as a person

0:23:11.280 --> 0:23:13.879
<v Speaker 3>on the outside, for me, I've heard people talking about this.

0:23:14.240 --> 0:23:17.260
<v Speaker 3>People have had this conversation about, is method acting healthy?

0:23:17.619 --> 0:23:20.500
<v Speaker 3>I think, again, people like Philip Seymour Hoffman, who died

0:23:20.580 --> 0:23:24.730
<v Speaker 3>of drug overdose. Like in general, to be famous and

0:23:24.750 --> 0:23:27.790
<v Speaker 3>to be in that world alone is stressful.

0:23:28.170 --> 0:23:28.450
<v Speaker 1>Yeah.

0:23:28.750 --> 0:23:31.710
<v Speaker 3>So to like have that other layer of like you

0:23:31.770 --> 0:23:34.390
<v Speaker 3>want these deep, dark dramas that really get your name

0:23:34.430 --> 0:23:36.590
<v Speaker 3>out there, which is a lot of like conversation. I

0:23:38.430 --> 0:23:40.550
<v Speaker 3>think in the acting world, maybe I'm wrong, but big

0:23:40.609 --> 0:23:44.389
<v Speaker 3>break and often that big break is something controversial. And

0:23:44.450 --> 0:23:46.800
<v Speaker 3>that I can't imagine what kind of toll, like just

0:23:47.220 --> 0:23:49.240
<v Speaker 3>listening to people talk about, I had to listen to

0:23:49.359 --> 0:23:51.260
<v Speaker 3>this one type of music in order to get me

0:23:51.280 --> 0:23:52.980
<v Speaker 3>into this dark place. I had to think about these

0:23:53.080 --> 0:23:55.860
<v Speaker 3>deaths and to get to me, get to this dark place.

0:23:56.080 --> 0:23:58.180
<v Speaker 3>Like these things are had to go through my childhood

0:23:58.240 --> 0:24:02.420
<v Speaker 3>trauma to get like, could not imagine living in that

0:24:02.580 --> 0:24:05.540
<v Speaker 3>for six months to a year saying that I can't

0:24:05.580 --> 0:24:08.320
<v Speaker 3>let this go or I'm going to fail. Yeah.

0:24:08.840 --> 0:24:10.440
<v Speaker 2>In this endeavor in my career.

0:24:10.160 --> 0:24:12.840
<v Speaker 3>Like there's so many layers to that that you have

0:24:12.880 --> 0:24:15.820
<v Speaker 3>to have like a real conversation about what is worth

0:24:15.880 --> 0:24:19.820
<v Speaker 3>sacrificing for entertainment.

0:24:19.850 --> 0:24:23.350
<v Speaker 1>Yeah yeah and you know we do see a lot

0:24:23.390 --> 0:24:31.970
<v Speaker 1>of unfortunate early deaths in in celebrities and it's just

0:24:32.010 --> 0:24:37.260
<v Speaker 1>people harmed i mean people And not just method acting.

0:24:37.280 --> 0:24:39.280
<v Speaker 1>I mean, one time I did a scene once with

0:24:39.340 --> 0:24:41.600
<v Speaker 1>somebody I was supposed to be pushing. And the next

0:24:41.619 --> 0:24:44.000
<v Speaker 1>day I found out he had all these bruises. I

0:24:44.040 --> 0:24:46.439
<v Speaker 1>still think about it. I feel so bad about it.

0:24:46.900 --> 0:24:52.820
<v Speaker 1>But like those things... I don't know. I just... I

0:24:52.840 --> 0:24:53.750
<v Speaker 1>got a lot of thoughts about it.

0:24:54.500 --> 0:24:54.960
<v Speaker 2>Clearly.

0:24:54.980 --> 0:24:56.639
<v Speaker 1>So maybe we'll come back.

0:24:56.660 --> 0:24:58.359
<v Speaker 2>I have a lot to talk about with it, to

0:24:58.640 --> 0:24:59.240
<v Speaker 2>be honest.

0:24:59.640 --> 0:25:01.600
<v Speaker 1>Well, maybe we'll come back and do a full episode

0:25:01.660 --> 0:25:03.699
<v Speaker 1>on it. And not just my... Rants.

0:25:05.720 --> 0:25:08.060
<v Speaker 3>Apologies to all the Jared Leto lovers. Apparently, I really

0:25:08.100 --> 0:25:10.080
<v Speaker 3>don't like him. I don't know why.

0:25:10.140 --> 0:25:11.379
<v Speaker 1>It came out strong.

0:25:11.600 --> 0:25:14.930
<v Speaker 2>I know, it did. I was like, this fool. My bad.

0:25:15.350 --> 0:25:20.170
<v Speaker 1>He's the Joker. Well, listeners, if you have any thoughts

0:25:20.210 --> 0:25:23.050
<v Speaker 1>about this, please let us know. You can email us

0:25:23.130 --> 0:25:26.369
<v Speaker 1>at hello at stuffwe'llnevertoldyou.com. You can find us on Blue Sky,

0:25:26.430 --> 0:25:30.609
<v Speaker 1>at MomStuffPodcast, on Instagram, and TikTok at stuffwe'llnevertoldyou. We're also

0:25:30.650 --> 0:25:32.649
<v Speaker 1>on YouTube. We have a T-Pillow bookstore and we have

0:25:32.670 --> 0:25:34.170
<v Speaker 1>a book. You can get wherever you get your books.

0:25:34.560 --> 0:25:36.900
<v Speaker 1>Thanks as always to our super producer, Christina, executive producer, Maya,

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<v Speaker 1>and our contributor, Joey.

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<v Speaker 2>Thank you.

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<v Speaker 1>And thanks to you for listening. Stuff I've Never Told

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<v Speaker 1>You is a production of iHeartRadio. For more podcasts from iHeartRadio,

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<v Speaker 1>you can check out the iHeartRadio app, Apple Podcasts, or

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<v Speaker 1>wherever you listen to your favorite shows.