WEBVTT - He Said, He Said Q&A 

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<v Speaker 1>This is he said a Yadiho with Eric Winter and

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<v Speaker 1>Rodalin Fantas. Welcome back to another episode of He said,

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<v Speaker 1>He said, wife, you're still out of town. But this

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<v Speaker 1>is an episode of audience questions, which I always love

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<v Speaker 1>to answer and be able to somewhat have a conversation

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<v Speaker 1>with our listeners, answering your biggest thoughts and questions about

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<v Speaker 1>what's going on in my life. And let's see what

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<v Speaker 1>we have. First audience questions, Sarah Huck how do you

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<v Speaker 1>figure out when is a good time to be alone?

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<v Speaker 1>Our kids are always around, and we have not had

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<v Speaker 1>any good luck keeping that spark making a lone time

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<v Speaker 1>of priority. Oh listen, Sarah, that is a very honest

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<v Speaker 1>and true problem for probably every single couple. I'm very

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<v Speaker 1>fortunate because my mom lives close and my mom is

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<v Speaker 1>always there when we need her. So if we try

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<v Speaker 1>to plan a date night, I know I have somebody

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<v Speaker 1>that can step in and we try to have that

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<v Speaker 1>time to ourselves to go connect, have dinner talk. You

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<v Speaker 1>can have that romantic time, you know, after the fact,

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<v Speaker 1>But otherwise, listen, if you can plan a short get

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<v Speaker 1>away over the weekend, a single night get away, if

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<v Speaker 1>you have somebody that can stay with the kids. I

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<v Speaker 1>don't know how old your kids are. That's always an option.

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<v Speaker 1>That's good. Otherwise, if you don't really have someone that

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<v Speaker 1>can stay or watch the kids, you're just gonna have

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<v Speaker 1>to put the kids to bed and maybe take some,

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<v Speaker 1>you know, some coffee so you can get your energy up,

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<v Speaker 1>and maybe just do a candle at dinner, you know,

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<v Speaker 1>you and your partner and sit and have dinner together

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<v Speaker 1>after everybody's gone to bed. It might be later than usual,

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<v Speaker 1>but that's you know, something you could do, or have

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<v Speaker 1>a late night drink and just talk that way. It

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<v Speaker 1>is hard, but I'm telling you it is a priority.

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<v Speaker 1>You have to navigate it and figure it out within

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<v Speaker 1>both your schedules because to me, it's the key, It's

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<v Speaker 1>the key to everything. So I wish you luck with that.

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<v Speaker 1>I hope you do it the best of your ability. Steven,

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<v Speaker 1>do you listen to motivational speakers and who would you recommend?

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<v Speaker 1>I listened to to try to keep my mental health. Listen.

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<v Speaker 1>I just had a podcast with a great motivational speaker

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<v Speaker 1>and Maury Signal Signal with Mariy and Melissa's a podcast

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<v Speaker 1>that she has Maury Fontine's and uh, I think it's

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<v Speaker 1>extremely valuable. I mean, there are a lot of great

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<v Speaker 1>We have a friend Chris Lee, We've had on the

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<v Speaker 1>podcast School of Greatness is a good podcast. These are

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<v Speaker 1>things you can listen to to try to find that

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<v Speaker 1>pick me up when you're down there. There's so many

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<v Speaker 1>resources out there or even a good book that you

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<v Speaker 1>can read. I used to be all about self help

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<v Speaker 1>books and I would read them constantly. But that's the biggest,

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<v Speaker 1>probably the biggest thing that helped me get through tough times.

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<v Speaker 1>But that those would be my recommendations. I hope you

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<v Speaker 1>you do find a source because I think it's important

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<v Speaker 1>to get, you know, for a pick me up. All right,

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<v Speaker 1>Catherine Guzman, how do you manage to juggle your career,

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<v Speaker 1>Palm Republic, personal life? Who great questions? That is? Uh, Listen,

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<v Speaker 1>I get yelled at a lot by my kids and

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<v Speaker 1>my wife. I'm not perfect because I'm constantly on my

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<v Speaker 1>phone and I'm trying to manage all of these things.

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<v Speaker 1>But it's all balanced, right. I'm not always working, like

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<v Speaker 1>right now, I'm off, I'm not filming, and if another

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<v Speaker 1>job comes up, I'll have to, you know, address it.

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<v Speaker 1>But at the moment I am. I am free, so

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<v Speaker 1>that clears me of that. But I dump a lot

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<v Speaker 1>of time into pond republic. I try to do most

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<v Speaker 1>of it during the day while the kids are in school,

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<v Speaker 1>and then I dedicate the rest of the time to

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<v Speaker 1>the kids and my wife and I and I do

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<v Speaker 1>my best to prioritize my family always comes first, even

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<v Speaker 1>though I might be doing three things at once. I

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<v Speaker 1>need to remind myself. I need to check myself and

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<v Speaker 1>understand that the phone and things can wait. And I

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<v Speaker 1>need to be with my kids and be present and

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<v Speaker 1>being present to me as everything. So that I hope

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<v Speaker 1>that answers that celebrity I want to meet, Oh wow,

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<v Speaker 1>I don't know. I don't know if I have a

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<v Speaker 1>single celebrity that I really care if I meet one

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<v Speaker 1>way or another. I do love if it's Hollywood related.

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<v Speaker 1>I love just talking to people about Hollywood stories, even

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<v Speaker 1>if they're just producers or anybody else. I find it

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<v Speaker 1>fascinating talking about different actors, their personalities, what it's like

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<v Speaker 1>to work with them. I'm a big fan of athletes.

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<v Speaker 1>I love, you know. I'd love to meet Rapha and

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<v Speaker 1>the doll Or, Roger Federer, that'd be really cool, I'd

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<v Speaker 1>have to say, and why simply because I love tennis.

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<v Speaker 1>I love their mental approach to the game. I would

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<v Speaker 1>love to know what it was like for them, you know,

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<v Speaker 1>throughout their career, the ups and downs. Yeah, that would

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<v Speaker 1>be it. How do you and producers come up with

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<v Speaker 1>the topics? Well, I gotta say a lot of it.

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<v Speaker 1>We juggle. It's almost fit to fifty. You know, a

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<v Speaker 1>lot of times Roz and I will totally riff on

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<v Speaker 1>stuff that's present in our lives and things that we're

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<v Speaker 1>facing on a daily basis that come just come up

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<v Speaker 1>and we'll talk about it openly. And then other times

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<v Speaker 1>our producers come up with great topics and questions or

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<v Speaker 1>guests and they present it to us and we pick

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<v Speaker 1>the ones that we think really eight to us and

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<v Speaker 1>we can jump in and give a good perspective on

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<v Speaker 1>Lynn Presley, Toronto, Ontario, Canada. I just recently recovered from

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<v Speaker 1>in the intensity of seven oh eight. Yes, that episode

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<v Speaker 1>was wild. Questions to do with the nuts and bolts

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<v Speaker 1>of shooting that episode, So this was a big, a

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<v Speaker 1>big episode. Let me start by saying this, This La

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<v Speaker 1>Fire episode was shot so far in advance from our

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<v Speaker 1>actual LA fires, which is crazy to think that this

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<v Speaker 1>could even become a reality, and it was awful to

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<v Speaker 1>see how it played out in real life after the

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<v Speaker 1>fact and listen ABC and the Rookie. We tried to

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<v Speaker 1>be very sensitive to that because this had I mean,

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<v Speaker 1>who knew that something like that could happen. But I

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<v Speaker 1>will say that tent scene that you're talking about, or

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<v Speaker 1>we used to call it the burrito scene because it

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<v Speaker 1>was like we were in this foil wrapped breakfast burrito.

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<v Speaker 1>When we first shot the wide, we had an actual

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<v Speaker 1>fire proof, you know, blanket type situation, and it was small.

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<v Speaker 1>We had to find a way to cram into it

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<v Speaker 1>and make it look somewhat realistic. They had to cut

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<v Speaker 1>around it because we had you know, it wasn't very big.

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<v Speaker 1>It's meant for probably one person. So we squeezed in,

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<v Speaker 1>we pulled it around us, they shut the wide. We

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<v Speaker 1>came out of it. A lot of great cuts and

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<v Speaker 1>angles to make that look smooth. But what I was

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<v Speaker 1>shocked is we were saying, on the day, how can

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<v Speaker 1>we even shoot this? For all the dialogue we have

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<v Speaker 1>to do in it, how are they going to create this?

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<v Speaker 1>And when we got to work that day. It literally

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<v Speaker 1>looked like they built a space ship out of aluminum foil.

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<v Speaker 1>It was this big sort of pod thing that it

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<v Speaker 1>was open on one side, closed on the other. We

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<v Speaker 1>had all these lights around it that would look like fire.

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<v Speaker 1>We were on this platform that we had to take

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<v Speaker 1>steps to get up on, with dirt on it and

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<v Speaker 1>all that to make it look like it was the ground.

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<v Speaker 1>And as we would shoot it, the cameras would be

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<v Speaker 1>on the one side that was open. We would do

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<v Speaker 1>our coverage and they would move it the big rig

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<v Speaker 1>that it was on to make it feel like the

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<v Speaker 1>wind from the fires were causing all that rustling and

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<v Speaker 1>lights would flicker and there was like a bun you know,

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<v Speaker 1>there's a bunch of people around the lights and in

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<v Speaker 1>the platform trying to create all that simulation right, the

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<v Speaker 1>effect of the fires, and then the camera guys were

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<v Speaker 1>just really in tight. It was very intimate and funny

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<v Speaker 1>in a way because the camera guys were right there

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<v Speaker 1>in that little burrito with us as we would do

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<v Speaker 1>the scene, and then we'd flip it and we'd do

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<v Speaker 1>the scene facing the other way, and we thought this

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<v Speaker 1>was going to look absurd. I don't know how Mike

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<v Speaker 1>goy pulled this off our director, but he cut together

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<v Speaker 1>a phenomenal scene, the way that the angles and the

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<v Speaker 1>idea of making that whole scene flow. So kudos to

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<v Speaker 1>him and the crew because it was it was awesome,

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<v Speaker 1>and we just did our acting, you know, accordingly, and

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<v Speaker 1>thankfully the scene looked really good because I was concerned

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<v Speaker 1>about it. How did the cast and crew react to

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<v Speaker 1>when the alle fires broke out? Listen, we were all

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<v Speaker 1>in shock, devastated. We had crew members that lost everything.

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<v Speaker 1>It was awful. It was awful. I was glad I

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<v Speaker 1>was able to do a fundraiser and be a part

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<v Speaker 1>of that telethon to raise money. We shut down production

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<v Speaker 1>for a long period of time. I remember going into

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<v Speaker 1>work right like the day after it had started, and

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<v Speaker 1>the air quality was so bad that you could see

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<v Speaker 1>the fires from my house, the Altadena fires, and we

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<v Speaker 1>were in work and we started shooting the actually like

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<v Speaker 1>one of the biggest scenes of our season finale, and

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<v Speaker 1>we started rehearsing and everything, and then we just had

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<v Speaker 1>to We were just told, hey, go home, everybody's going home.

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<v Speaker 1>We're canceling production. The air quality is awful. People's homes

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<v Speaker 1>are in serious danger. People need to go get their stuff,

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<v Speaker 1>and it was it was eye opening. It was really

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<v Speaker 1>really sad and wild. So I'm glad we're on the

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<v Speaker 1>other end of it. I know a lot of people

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<v Speaker 1>are still figuring it out, but it's uh, it's been

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<v Speaker 1>a big recovery process in Los Angeles, something I've never

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<v Speaker 1>I've never seen, to be honest, Rebecca dan Or, if

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<v Speaker 1>the Riders of the Rookie approached you and Sea and

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<v Speaker 1>Sebbi and Dil being an episode or episodes, would you

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<v Speaker 1>what would you do? Would you give it serious consideration

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<v Speaker 1>or shout it down immediately? No listen? If if they asked,

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<v Speaker 1>I mean mckea's daughter, funny enough, has been in an episode.

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<v Speaker 1>If they had asked, or maybe even a couple, if

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<v Speaker 1>they had asked my kids to be in a scene

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<v Speaker 1>for something, I'm sure my kids would be into it.

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<v Speaker 1>My daughter would for sure. My son, I don't know

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<v Speaker 1>if he would care or not. He might be really

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<v Speaker 1>uh freaked out by it, but he does like coming

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<v Speaker 1>to set and seeing things, so he might be okay.

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<v Speaker 1>He might be okay. I know they were. They did

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<v Speaker 1>a little background work in a in a scene for

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<v Speaker 1>Roslind's movie, which was fun. But I would definitely entertain

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<v Speaker 1>something like that. Why not, It would be it'd be

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<v Speaker 1>cool to do something together with them, let's say. Update

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<v Speaker 1>from a fourteen year old who asked about dating when

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<v Speaker 1>her parents had no dating role. Oh I remember this question.

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<v Speaker 1>This is so interesting. Okay, guys, it's Kate with that

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<v Speaker 1>question about the boy and no dating role. Thanks for

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<v Speaker 1>the advice. Even thought I had, I have a completely

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<v Speaker 1>went off tracks. So okay, a lot has happened. But

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<v Speaker 1>long story short, we don't talk anymore because I got

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<v Speaker 1>so confused with my feelings and realized if I'm having

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<v Speaker 1>second thoughts, then that means I don't really like him.

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<v Speaker 1>He also did some questionable things that made me feel

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<v Speaker 1>different about him. I feel terrible, but I told him

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<v Speaker 1>we shouldn't talk until I get my head straight. So

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<v Speaker 1>we aren't talking anymore. Okay. So it really came down

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<v Speaker 1>to having nothing to do with the parents for this

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<v Speaker 1>particular situation. Kate, I'm glad that you were able to

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<v Speaker 1>see through any of the nonsense that he might have

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<v Speaker 1>been presenting or he may have been presenting, because that

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<v Speaker 1>would have been a mess, to be honest, had you

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<v Speaker 1>gotten to your parents then tried to focus on dating

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<v Speaker 1>somebody who was really not being the best version of themselves,

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<v Speaker 1>and now you're in a bad situation, your strained relationship

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<v Speaker 1>with your parents, and now it's a bad situation with

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<v Speaker 1>the guy. So I'm glad you were able to put

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<v Speaker 1>your thinking hat on and really focus on who the

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<v Speaker 1>person is and if it was worth it. So it's

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<v Speaker 1>great to hear that, to be honest, But I do

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<v Speaker 1>think this opens up a chance for you to maybe

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<v Speaker 1>continue that dial with your parents and see if you

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<v Speaker 1>can make any kind of headway and tell them there's

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<v Speaker 1>no no particular person you know in the picture, but

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<v Speaker 1>you would love to have an open dialogue about what

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<v Speaker 1>that looks like down the road. Even more so, you know,

0:11:15.520 --> 0:11:16.719
<v Speaker 1>I don't want to get you into a fight with

0:11:16.760 --> 0:11:19.400
<v Speaker 1>your parents, but I think it's a worthy conversation at

0:11:19.480 --> 0:11:23.240
<v Speaker 1>least to try to be able to communicate. So I

0:11:23.280 --> 0:11:27.040
<v Speaker 1>hope that that helps a little bit, and I appreciate

0:11:27.080 --> 0:11:29.360
<v Speaker 1>you coming back and sharing all of your thoughts with me,

0:11:29.920 --> 0:11:34.480
<v Speaker 1>so thank you. All Right, another fan question here, a

0:11:34.559 --> 0:11:36.880
<v Speaker 1>listener question. Do you or any other actors on the

0:11:36.920 --> 0:11:40.560
<v Speaker 1>show refer back to past scripts or storylines then bring

0:11:40.640 --> 0:11:43.880
<v Speaker 1>inconsistencies up with the writers. If so, how does that

0:11:43.920 --> 0:11:46.760
<v Speaker 1>usually work out? Look at we don't. We don't do that.

0:11:46.880 --> 0:11:48.880
<v Speaker 1>I don't think we go back into past storylines. I

0:11:48.880 --> 0:11:50.960
<v Speaker 1>mean sometimes it pops into our head when we're on set,

0:11:51.000 --> 0:11:54.240
<v Speaker 1>like wait, I don't remember this, tracking this would I

0:11:54.240 --> 0:11:55.760
<v Speaker 1>don't think my character would have said this or this

0:11:55.760 --> 0:11:58.160
<v Speaker 1>wouldn't come up. And we have those conversations, and often,

0:11:58.840 --> 0:12:01.480
<v Speaker 1>to the credit of the writers, they have explanation for it.

0:12:01.559 --> 0:12:03.319
<v Speaker 1>They let us know, this is the journey, this is

0:12:03.360 --> 0:12:07.080
<v Speaker 1>the path where we're going. Continuity is a big thing.

0:12:07.360 --> 0:12:11.199
<v Speaker 1>You know, we try. I will say, you know, Melissa's

0:12:11.440 --> 0:12:14.040
<v Speaker 1>very hung up on continuity a lot I've noticed on set,

0:12:14.080 --> 0:12:16.760
<v Speaker 1>and I do as well. But I often rely on

0:12:16.760 --> 0:12:19.480
<v Speaker 1>the writers and producers to navigate that more. I don't

0:12:19.679 --> 0:12:22.280
<v Speaker 1>put that as my focus a lot, but I do.

0:12:23.600 --> 0:12:25.720
<v Speaker 1>You know, we do catch certain things that we bring

0:12:25.800 --> 0:12:28.679
<v Speaker 1>up and often get a solid explanation for it. But

0:12:29.000 --> 0:12:33.160
<v Speaker 1>I do know that a fan brought up if they

0:12:33.200 --> 0:12:37.040
<v Speaker 1>recall a storyline an outcome that they noticed an inconsistency

0:12:37.280 --> 0:12:40.199
<v Speaker 1>with a storyline that Tim mentions a niece to Angela

0:12:40.600 --> 0:12:43.400
<v Speaker 1>when they're planning her wedding. However, Tim only mentions one

0:12:43.440 --> 0:12:46.439
<v Speaker 1>sibling Jenny and has two who has two boys, which

0:12:46.480 --> 0:12:48.199
<v Speaker 1>we now featured on the show. They've never mentioned the

0:12:48.240 --> 0:12:51.240
<v Speaker 1>niece again. I'll be honest, I don't even remember that.

0:12:52.200 --> 0:12:54.120
<v Speaker 1>I don't remember that episode. I don't remember saying that.

0:12:55.520 --> 0:12:58.800
<v Speaker 1>But if we did, definitely an inconsistency and something that

0:12:58.840 --> 0:13:01.080
<v Speaker 1>didn't work, I would love to god, I would love

0:13:01.120 --> 0:13:04.920
<v Speaker 1>to see that clip. That would be fascinating to find

0:13:04.920 --> 0:13:08.200
<v Speaker 1>out when it happened and how to correct it somehow.

0:13:08.200 --> 0:13:12.719
<v Speaker 1>But thank you for catching it. Yeah, we don't. I

0:13:12.960 --> 0:13:14.880
<v Speaker 1>feel like Tim would have noticed that or caught that,

0:13:14.920 --> 0:13:17.360
<v Speaker 1>but maybe that was before we Maybe that was before

0:13:17.400 --> 0:13:21.000
<v Speaker 1>they even decided if Jenny, you know, Jenny had two

0:13:21.080 --> 0:13:25.600
<v Speaker 1>kids one kid, boy, girl or anything. So that's ironic

0:13:25.679 --> 0:13:29.839
<v Speaker 1>how that worked out. But again, not something that we

0:13:29.840 --> 0:13:32.000
<v Speaker 1>do so many episodes and there's so many moments and

0:13:32.040 --> 0:13:36.680
<v Speaker 1>scenes that I can't keep track of it all to really

0:13:36.760 --> 0:13:39.760
<v Speaker 1>catch something like that or an inconsistency. But that's a

0:13:39.800 --> 0:13:42.760
<v Speaker 1>good one and we need to be on top of it.

0:13:42.760 --> 0:13:44.640
<v Speaker 1>It's like, you know, listen, things happen all the time.

0:13:44.679 --> 0:13:47.560
<v Speaker 1>You remember that big the Starbucks cup on Game of Thrones,

0:13:47.600 --> 0:13:51.640
<v Speaker 1>which was wild that that somehow made it into a cut.

0:13:51.760 --> 0:13:54.120
<v Speaker 1>No one ever saw that on set, and we've had

0:13:54.120 --> 0:13:56.160
<v Speaker 1>that happened before, where things have been you know, there's

0:13:56.200 --> 0:13:58.840
<v Speaker 1>been a cup, there's been a phone, there's been whatever

0:13:58.880 --> 0:14:02.480
<v Speaker 1>in a scene that usually we catch it and we

0:14:02.559 --> 0:14:04.040
<v Speaker 1>have to do a take again. I did a whole

0:14:04.040 --> 0:14:07.360
<v Speaker 1>scene once totally forgot I had a water bottle in

0:14:07.400 --> 0:14:12.360
<v Speaker 1>my back pocket. Long night shoot, everybody's exhausted. We always

0:14:12.360 --> 0:14:13.920
<v Speaker 1>want to get out of there. All Tim and Lucy

0:14:13.960 --> 0:14:16.960
<v Speaker 1>had to do was run upstairs in this mansion and

0:14:17.040 --> 0:14:19.880
<v Speaker 1>I had a damn water bottle from Crafty in my

0:14:20.000 --> 0:14:23.400
<v Speaker 1>back pocket, totally forgot about it. Shot the whole scene

0:14:23.840 --> 0:14:26.240
<v Speaker 1>and realized couldn't use any of it because you saw

0:14:26.280 --> 0:14:29.040
<v Speaker 1>this damn water bottle poking out of my butt. So yeah, listen,

0:14:29.080 --> 0:14:31.200
<v Speaker 1>these mistakes happened all the time, but hopefully you catch

0:14:31.240 --> 0:14:33.480
<v Speaker 1>them and that's the most important part. And there's tons

0:14:33.520 --> 0:14:35.400
<v Speaker 1>of bloopers, you know, and things like that that happen

0:14:35.480 --> 0:14:37.920
<v Speaker 1>on different shows and movies. But great question. Thanks for

0:14:37.920 --> 0:14:40.440
<v Speaker 1>bringing that up. All right, everybody, That wraps up another

0:14:40.480 --> 0:14:43.920
<v Speaker 1>episode of he said, He said, thank you for listening again,

0:14:43.960 --> 0:14:46.680
<v Speaker 1>and remember, if you have something you want to talk about,

0:14:46.840 --> 0:14:49.160
<v Speaker 1>ask us send it to our DMS at, he said

0:14:49.240 --> 0:14:53.040
<v Speaker 1>Ado or feel free just to email us at Ericanroz

0:14:53.080 --> 0:14:57.200
<v Speaker 1>at iHeartRadio dot com. Until next time, bye. Thanks for listening.

0:14:57.360 --> 0:14:59.120
<v Speaker 1>Don't forget to write us a review and tell us

0:14:59.160 --> 0:14:59.600
<v Speaker 1>what you think.

0:14:59.640 --> 0:15:01.760
<v Speaker 2>If you'll want to follow us on Instagram, check us

0:15:01.760 --> 0:15:04.720
<v Speaker 2>out at, he said. Jab Or senos An email Eric

0:15:04.800 --> 0:15:08.400
<v Speaker 2>and Ross at iHeartRadio dot com, he said. AJAB is

0:15:08.480 --> 0:15:11.520
<v Speaker 2>part of iHeartRadio's Micultuda podcast network.

0:15:11.680 --> 0:15:13.080
<v Speaker 1>See you next time. Bye,