1 00:00:02,840 --> 00:00:05,080 Speaker 1: What would you talk about on your on your podcast 2 00:00:05,320 --> 00:00:15,800 Speaker 1: Firm Presents show. You know what I love. People love 3 00:00:15,880 --> 00:00:18,079 Speaker 1: listening to the fifteen Minute Morning Show podcast because we 4 00:00:18,120 --> 00:00:20,720 Speaker 1: actually go behind the scenes of the big show and 5 00:00:20,760 --> 00:00:23,040 Speaker 1: we talked about stuff here. It's like it's like taking 6 00:00:23,079 --> 00:00:26,119 Speaker 1: the behind the scenes tour of Disney when Mickey takes 7 00:00:26,120 --> 00:00:30,400 Speaker 1: his hat off, when Mickey takes his head off, scary. 8 00:00:30,720 --> 00:00:33,080 Speaker 1: For instance, today was the first day I'm back from 9 00:00:33,080 --> 00:00:37,360 Speaker 1: Santa Fe and uh if I didn't want to come back, 10 00:00:37,440 --> 00:00:38,840 Speaker 1: I didn't want to come back to New York because 11 00:00:38,920 --> 00:00:40,760 Speaker 1: New York is just hot and sticking gross. But being 12 00:00:40,760 --> 00:00:42,360 Speaker 1: here in the studio with you guys was great today. 13 00:00:43,240 --> 00:00:45,880 Speaker 1: Loved it. It was great. By the way, it's gonna 14 00:00:45,880 --> 00:00:49,840 Speaker 1: be back. It's gonna be ahead. Anyway. I was watching 15 00:00:50,040 --> 00:00:53,400 Speaker 1: my favorite film, Uh, Willy Wonka and the Chocolate Factory, 16 00:00:53,520 --> 00:00:58,920 Speaker 1: the original, Yeah, the one with uh Eddie Albert Eddie right, 17 00:00:59,400 --> 00:01:08,240 Speaker 1: Eddie Wilder, Yeah, yeah, but Eddie Albert is no. We 18 00:01:08,360 --> 00:01:11,120 Speaker 1: just said that, where have you been? The guy who 19 00:01:11,160 --> 00:01:15,280 Speaker 1: played the grandfather who was also uh Jack Albertson, Jack 20 00:01:15,280 --> 00:01:19,120 Speaker 1: Albertson from Chico and the Man. Yes, I'm old, I 21 00:01:19,160 --> 00:01:21,720 Speaker 1: remember that he played the man. Anyway, So I watched 22 00:01:21,720 --> 00:01:24,080 Speaker 1: the original Willy Wonka and the Chocolate Factory, and I'm 23 00:01:24,120 --> 00:01:26,959 Speaker 1: thinking this would never happen in real life. Wait's part 24 00:01:26,959 --> 00:01:31,320 Speaker 1: of it. I guess you're right. Maybe all of the 25 00:01:32,520 --> 00:01:34,960 Speaker 1: thing that got I'm disgusted with in this film is 26 00:01:35,000 --> 00:01:37,840 Speaker 1: as you know, Charlie lives with his grandpa, I think, 27 00:01:37,920 --> 00:01:41,960 Speaker 1: his mother and then three other old people in this 28 00:01:42,000 --> 00:01:45,560 Speaker 1: one little apartment with eight beds. Okay, that could happen, 29 00:01:46,080 --> 00:01:49,000 Speaker 1: But anyway, Charlie walks into this room with all these 30 00:01:49,040 --> 00:01:50,600 Speaker 1: old people who are just in bed and they haven't 31 00:01:50,600 --> 00:01:53,240 Speaker 1: been out of bed in years. They haven't walked, you know, 32 00:01:53,320 --> 00:02:01,160 Speaker 1: they stink, and Charlie never goes Grandpa. You smell like ash, 33 00:02:01,200 --> 00:02:05,720 Speaker 1: you know what I'm saying. And so I'm thinking it's 34 00:02:05,760 --> 00:02:08,560 Speaker 1: not real. Charlie would never be able to stay in 35 00:02:08,600 --> 00:02:12,560 Speaker 1: this room where there's fecal matter on the floor. Disgusting. 36 00:02:12,639 --> 00:02:15,720 Speaker 1: There's so many inconsistencies. Like The Mighty Ducks were my 37 00:02:15,760 --> 00:02:18,560 Speaker 1: favorite movies, still might be. But in the second one, 38 00:02:18,600 --> 00:02:20,600 Speaker 1: they go to the Junior Olympics and then all of 39 00:02:20,639 --> 00:02:22,400 Speaker 1: a sudden, they like meet this kid who's like a 40 00:02:22,400 --> 00:02:25,040 Speaker 1: street hockey player and they just say, hey, join our team. 41 00:02:25,080 --> 00:02:27,119 Speaker 1: The Olympics have already started and they just add someone 42 00:02:27,120 --> 00:02:29,040 Speaker 1: to the roster. They can't do that. You can't do that, 43 00:02:29,240 --> 00:02:31,239 Speaker 1: you know, I know. I guess it's the magic of film. 44 00:02:32,760 --> 00:02:35,240 Speaker 1: This kid can be totally okay walking into a room 45 00:02:35,320 --> 00:02:37,440 Speaker 1: full of old people that stink, and you can just 46 00:02:37,600 --> 00:02:41,240 Speaker 1: join mid season. And you know what, I didn't understand either, 47 00:02:41,520 --> 00:02:44,560 Speaker 1: Like Charlie's grandfather is like in his bed and he 48 00:02:44,600 --> 00:02:46,280 Speaker 1: can't move and he can't seem to get up. But 49 00:02:46,360 --> 00:02:48,840 Speaker 1: yet when he gets that golden ticket, he gets up 50 00:02:48,880 --> 00:02:53,399 Speaker 1: and gold dig and granddad some workmen's comp fraud right there. 51 00:02:54,760 --> 00:02:56,480 Speaker 1: There's so many of those things that, well, you were 52 00:02:56,480 --> 00:02:58,120 Speaker 1: in a movie that had some b s in it, 53 00:02:58,240 --> 00:03:01,119 Speaker 1: Like what you weren't die Hard with Avenge? Okay, well 54 00:03:01,120 --> 00:03:03,480 Speaker 1: what was that? The guy called the radio station got 55 00:03:03,560 --> 00:03:06,320 Speaker 1: right through? Oh that's right. When I was on the radio, 56 00:03:06,400 --> 00:03:08,440 Speaker 1: Nobody screened his call, nobody asked him like you wanted 57 00:03:08,440 --> 00:03:10,640 Speaker 1: to request the song, just like I speak to Elvis, 58 00:03:10,639 --> 00:03:14,120 Speaker 1: I'm a terrorist, will put your right. That's I thought. 59 00:03:14,240 --> 00:03:16,200 Speaker 1: Everybody see that scene where you're there and you take 60 00:03:16,240 --> 00:03:18,320 Speaker 1: the call and the guys like reporting that, you know, 61 00:03:18,360 --> 00:03:20,440 Speaker 1: there's something bad that's gonna happen. He hit a bomb. 62 00:03:21,320 --> 00:03:23,680 Speaker 1: He hit a bomb in a school. No radio teacher 63 00:03:23,720 --> 00:03:25,639 Speaker 1: would be like, oh, so you put a bomb in 64 00:03:25,720 --> 00:03:29,360 Speaker 1: a school. What happened? You would never have that call. 65 00:03:29,600 --> 00:03:31,360 Speaker 1: But he did get right through. Yeah. You know, I 66 00:03:31,400 --> 00:03:34,239 Speaker 1: noticed when you're watching these these thriller movies or horror movies, 67 00:03:34,480 --> 00:03:36,800 Speaker 1: and then you you hear they hear noises in the attic. 68 00:03:37,400 --> 00:03:39,080 Speaker 1: The first thing I would do is call the police, 69 00:03:39,320 --> 00:03:41,320 Speaker 1: but they never do. They always have to go and 70 00:03:41,400 --> 00:03:43,200 Speaker 1: investigate the situation. The first thing I would do is 71 00:03:43,200 --> 00:03:45,560 Speaker 1: get out of the house. But but God forbid you 72 00:03:45,600 --> 00:03:48,120 Speaker 1: turn on a light. If you're gonna go investigated. Everything's 73 00:03:48,120 --> 00:03:50,640 Speaker 1: in the dark. And no way that that would never 74 00:03:50,640 --> 00:03:52,960 Speaker 1: happen in real life. I got one. Have you ever 75 00:03:53,040 --> 00:03:56,440 Speaker 1: seen The Fast and the Furious Part eight? So they 76 00:03:57,000 --> 00:04:00,200 Speaker 1: they're they're they're driving their cars on like an like 77 00:04:00,440 --> 00:04:03,320 Speaker 1: an ocean that frow that froze over, and a Russian 78 00:04:03,400 --> 00:04:06,839 Speaker 1: submarine comes up into the ice and breaks it. It's 79 00:04:06,880 --> 00:04:09,520 Speaker 1: it's running after them and then shoots like a missile 80 00:04:09,840 --> 00:04:11,920 Speaker 1: right after at the cars. And I'm like, this is 81 00:04:11,960 --> 00:04:14,560 Speaker 1: so believe. They would never be able to drive it 82 00:04:14,560 --> 00:04:17,440 Speaker 1: around the ice and a Russian. I think that's the 83 00:04:17,440 --> 00:04:21,200 Speaker 1: whole point of Festival Star Wars. He gets his hand 84 00:04:21,200 --> 00:04:23,920 Speaker 1: cut off, but then gets a hand. That's not real. 85 00:04:25,360 --> 00:04:28,320 Speaker 1: We're talking about films that are a little more reality, 86 00:04:28,400 --> 00:04:31,440 Speaker 1: not science fiction. The scenes are more reality, right, well, okay, 87 00:04:31,600 --> 00:04:33,560 Speaker 1: this is science fiction. But there's one part that drives 88 00:04:33,600 --> 00:04:35,520 Speaker 1: me nuts. We all saw a Jurissa Park the Lost World, 89 00:04:35,960 --> 00:04:39,760 Speaker 1: not the Last World, the Newest One, whatever it was called. Yeah, 90 00:04:39,800 --> 00:04:42,719 Speaker 1: something like that. Bryce Dallas Howard in that movie is 91 00:04:42,720 --> 00:04:46,840 Speaker 1: wearing high heels through the whole thing, running through the jungle. Yeah, 92 00:04:47,560 --> 00:04:49,680 Speaker 1: from dinosaurs. Like at what point I would have been like, 93 00:04:49,680 --> 00:04:51,320 Speaker 1: take those things off? I was yelling at the whole movie. 94 00:04:51,320 --> 00:04:53,400 Speaker 1: It drove me nuts. But she wanted to look hot, 95 00:04:53,560 --> 00:04:56,000 Speaker 1: well she did, but I just felt like, oh her feet, 96 00:04:56,440 --> 00:05:00,440 Speaker 1: a woman never takes off her ridiculous. Even if the 97 00:05:00,560 --> 00:05:02,720 Speaker 1: Tera dactyl is about to fly down and fly away, 98 00:05:02,680 --> 00:05:05,320 Speaker 1: ye angels was the same way. Remember that would like 99 00:05:05,600 --> 00:05:10,080 Speaker 1: kick like the bad guy with their heels and stuff. Exactly, 100 00:05:10,240 --> 00:05:12,680 Speaker 1: it's not even gonna happen. Why is it that that 101 00:05:12,680 --> 00:05:15,720 Speaker 1: that some films like about you know, government and conspiracy 102 00:05:15,760 --> 00:05:18,599 Speaker 1: things and people have to break into like computer files. 103 00:05:18,640 --> 00:05:22,279 Speaker 1: Everyone could be a hacker within like five seconds on 104 00:05:22,320 --> 00:05:25,799 Speaker 1: the keyboard and in ten seconds to like the police 105 00:05:25,800 --> 00:05:29,159 Speaker 1: records and everyone's I found out that information I needed, 106 00:05:29,279 --> 00:05:31,520 Speaker 1: I figure out the passwork real fast. I was talking 107 00:05:31,560 --> 00:05:33,520 Speaker 1: about that on my Walkers and Talkers podcast that went 108 00:05:33,600 --> 00:05:36,520 Speaker 1: up yesterday. The movie Independence Day, which was a huge hit. 109 00:05:37,000 --> 00:05:39,279 Speaker 1: At the end of the movie, they're in a spaceship 110 00:05:39,440 --> 00:05:41,719 Speaker 1: that that's been on Earth for forty years, but the 111 00:05:41,760 --> 00:05:44,400 Speaker 1: aliens don't recognize that it's an old ship. Imagine you 112 00:05:44,480 --> 00:05:46,240 Speaker 1: drove up in a car that was forty years old 113 00:05:46,320 --> 00:05:48,280 Speaker 1: and people didn't know it was an old car. Right. 114 00:05:48,560 --> 00:05:50,920 Speaker 1: So then he takes out his Mac laptop and he's 115 00:05:50,920 --> 00:05:52,960 Speaker 1: not connected to any Internet because he's in the spaceship. 116 00:05:53,080 --> 00:05:55,200 Speaker 1: How would there be internet? And he uploads the virus 117 00:05:55,279 --> 00:05:58,120 Speaker 1: to the spaceship by the way doing that. This is 118 00:05:58,160 --> 00:06:06,200 Speaker 1: from Brody who just yelled at Greg Tears. What I'm 119 00:06:06,200 --> 00:06:08,200 Speaker 1: saying is I could suspend this belief as long as 120 00:06:08,200 --> 00:06:11,080 Speaker 1: it makes sense. How did he upload a virus in 121 00:06:11,160 --> 00:06:13,839 Speaker 1: a laptop that wasn't hooked up to anything? I have 122 00:06:13,920 --> 00:06:19,080 Speaker 1: two more evolving food and drinks. If you notice, whenever 123 00:06:19,120 --> 00:06:21,000 Speaker 1: someone goes to buy something like a drink or some 124 00:06:21,040 --> 00:06:23,640 Speaker 1: food or whatever. They just give the money. You never 125 00:06:23,720 --> 00:06:25,840 Speaker 1: they never take the time to get the change back. 126 00:06:26,080 --> 00:06:28,160 Speaker 1: You never see them reach into a cash register or 127 00:06:28,200 --> 00:06:31,200 Speaker 1: anything like that. And then secondly, they never touched the food. 128 00:06:31,400 --> 00:06:33,200 Speaker 1: They could be sitting at a restaurant or you could 129 00:06:33,200 --> 00:06:35,760 Speaker 1: be sitting around a kitchen table somewhere and there's and 130 00:06:35,760 --> 00:06:37,400 Speaker 1: and there's food in front of you, and they never 131 00:06:37,400 --> 00:06:39,159 Speaker 1: eat it. They never stopped to take it. It would 132 00:06:39,200 --> 00:06:42,200 Speaker 1: be weird. But you can't talk and deliver lines if 133 00:06:42,240 --> 00:06:44,640 Speaker 1: your mouth is fall But that's not reality. Would be 134 00:06:44,720 --> 00:06:46,719 Speaker 1: hold on a second, as you're telling you, In reality, 135 00:06:46,760 --> 00:06:50,640 Speaker 1: you'd be talking while you're eating, because because Scary talks 136 00:06:50,800 --> 00:06:52,599 Speaker 1: and spits food while he if you would be a 137 00:06:52,640 --> 00:06:57,559 Speaker 1: great eating actor in films or a crappy eating actor. 138 00:06:57,600 --> 00:07:00,680 Speaker 1: I always wanted to know when they snort lines, really 139 00:07:00,720 --> 00:07:03,000 Speaker 1: snorting cocaine, But I want to know, like what are 140 00:07:03,000 --> 00:07:05,800 Speaker 1: they what are they faking? Because if they're really snorting lines, 141 00:07:07,120 --> 00:07:10,760 Speaker 1: like what is the cocaine problem? What goes in their nose? 142 00:07:10,840 --> 00:07:14,480 Speaker 1: And like it doesn't powder. I mean sometimes it's cocaine, 143 00:07:15,480 --> 00:07:17,920 Speaker 1: but it doesn't make them sneeze. Or anything. It's confection 144 00:07:18,000 --> 00:07:22,560 Speaker 1: or sugar. I always say that I don't know, Gandhi 145 00:07:22,720 --> 00:07:25,920 Speaker 1: is looking at up. What do they snort in movies? 146 00:07:26,200 --> 00:07:30,560 Speaker 1: Two actors really snort? Shoot? And while that hold on, 147 00:07:30,680 --> 00:07:38,680 Speaker 1: let's the answer here, one movie problem at a time. Yeah, yeah, scary. 148 00:07:38,920 --> 00:07:41,680 Speaker 1: So what about when people are in cars and they're 149 00:07:41,680 --> 00:07:44,760 Speaker 1: trying to go someplace to a destination. There's always a 150 00:07:44,760 --> 00:07:47,280 Speaker 1: spot right out front. They don't have to circle for parking. 151 00:07:47,520 --> 00:07:51,440 Speaker 1: You know, we call that Doris Day parking because Doris 152 00:07:51,480 --> 00:07:53,760 Speaker 1: Day was an actress a long, long, long long time ago. 153 00:07:53,840 --> 00:07:56,040 Speaker 1: In every movie she did, she would pull right up 154 00:07:56,040 --> 00:07:58,480 Speaker 1: front and just park. And so every time we go 155 00:07:58,640 --> 00:08:01,080 Speaker 1: shopping and there's a parking place, oh my god, doors 156 00:08:01,160 --> 00:08:04,880 Speaker 1: day parker. My dad always says, didn't I tell you? 157 00:08:04,920 --> 00:08:10,480 Speaker 1: I called ahead a joke. So apparently there are different concoctions, 158 00:08:10,480 --> 00:08:12,480 Speaker 1: but the most popular one is a bit of corn 159 00:08:12,560 --> 00:08:16,600 Speaker 1: starch mixed with baby powder. Yes, they said, just regular starch, 160 00:08:16,680 --> 00:08:18,600 Speaker 1: just too sticky and heavy. But how does they make 161 00:08:18,640 --> 00:08:23,280 Speaker 1: them sneeze? Maybe it does, maybe it does. But the 162 00:08:23,280 --> 00:08:25,600 Speaker 1: flip side of scary saying there's always a parking space 163 00:08:25,920 --> 00:08:27,920 Speaker 1: is no one ever looks for their keys. They just 164 00:08:28,000 --> 00:08:30,600 Speaker 1: jump in the car and they pull out. It's like 165 00:08:30,640 --> 00:08:33,480 Speaker 1: the cars pre started. The cars preestarted, and I understand 166 00:08:33,520 --> 00:08:35,640 Speaker 1: pushed to start, but I'm talking about movies where the 167 00:08:35,679 --> 00:08:37,640 Speaker 1: cars are older and there's no push to start. They 168 00:08:37,679 --> 00:08:39,720 Speaker 1: just hop in and pull away. Or what about when 169 00:08:39,720 --> 00:08:41,520 Speaker 1: they're trying to like break into a car to escape 170 00:08:41,559 --> 00:08:43,840 Speaker 1: someone and the doors just opening, the keys and the visor. Yes, 171 00:08:44,960 --> 00:08:46,880 Speaker 1: can we fall down? Can we take a break in 172 00:08:46,920 --> 00:08:49,400 Speaker 1: the action for just a minute? Okay? Look, remember how 173 00:08:49,400 --> 00:08:57,280 Speaker 1: many years ago when the car alarms worthy? I mean 174 00:08:57,720 --> 00:09:01,280 Speaker 1: actually I used to remember in order all the different sounds. 175 00:09:01,320 --> 00:09:02,719 Speaker 1: It was very good. So I haven't heard one of 176 00:09:02,760 --> 00:09:04,840 Speaker 1: those in a thousand years. I heard one the other day. 177 00:09:04,840 --> 00:09:09,320 Speaker 1: I'm like, good god man, wait here, but I have 178 00:09:09,480 --> 00:09:12,400 Speaker 1: never heard any of my car's alarms ever. I don't 179 00:09:12,400 --> 00:09:14,520 Speaker 1: even know what they sound like anymore. Is it because 180 00:09:14,520 --> 00:09:16,679 Speaker 1: people aren't breaking in or people aren't you can't just 181 00:09:16,720 --> 00:09:19,040 Speaker 1: shake the car and make it go off. What has 182 00:09:19,120 --> 00:09:22,040 Speaker 1: happened in car alarm technology that I missed? Maybe we 183 00:09:22,080 --> 00:09:24,360 Speaker 1: should send tea out to like go shake all the cars. 184 00:09:24,400 --> 00:09:25,680 Speaker 1: We used to do this. What was the bit we 185 00:09:25,760 --> 00:09:29,160 Speaker 1: used to do car alarm? No car alarm. We could 186 00:09:29,200 --> 00:09:32,520 Speaker 1: do it tomorrow. So a caller would say, uh, either 187 00:09:32,559 --> 00:09:35,000 Speaker 1: car alarm or no, carl right, describe the car to you, 188 00:09:35,000 --> 00:09:36,439 Speaker 1: and then you would guess. So great to be on 189 00:09:36,480 --> 00:09:38,120 Speaker 1: the street. He would certain moving the car, and if 190 00:09:38,200 --> 00:09:40,360 Speaker 1: the car alarm went off and they said car alarm, 191 00:09:40,400 --> 00:09:43,440 Speaker 1: they went apprized. A couple of times the police came. 192 00:09:44,800 --> 00:09:46,360 Speaker 1: I think the reason you haven't heard the alarm so 193 00:09:46,440 --> 00:09:48,400 Speaker 1: much is, first of all, people ignore them. Second of all, 194 00:09:48,400 --> 00:09:51,280 Speaker 1: I'm not sure they work. My friend has an AUTI 195 00:09:51,360 --> 00:09:53,600 Speaker 1: T T convertible, and so we went to home depot 196 00:09:53,640 --> 00:09:55,440 Speaker 1: and he parked it like far from the entrance, and 197 00:09:55,480 --> 00:09:57,200 Speaker 1: the top was down and the windows were up at 198 00:09:57,200 --> 00:09:59,679 Speaker 1: the top was down, and he left his phone like 199 00:10:00,040 --> 00:10:01,880 Speaker 1: something expensive. And I said, what are you doing. You 200 00:10:01,880 --> 00:10:03,760 Speaker 1: can't leave the top down. First of all, because I'm 201 00:10:03,760 --> 00:10:06,480 Speaker 1: from Brooklyn, we lock everything. I said, you're even valuable. 202 00:10:06,559 --> 00:10:09,240 Speaker 1: He goes, there's alarm sensors. If you reach into the car, 203 00:10:09,280 --> 00:10:11,880 Speaker 1: the alarm goes off. Really yeah, So I said, I 204 00:10:11,880 --> 00:10:13,800 Speaker 1: don't believe that. He said, yeah, if you reach in 205 00:10:13,840 --> 00:10:15,920 Speaker 1: and watch. So I reach in and I grab his phone. 206 00:10:15,920 --> 00:10:18,280 Speaker 1: It doesn't go off. So he takes his shoe off 207 00:10:18,320 --> 00:10:20,559 Speaker 1: and throws it in the car so that he put 208 00:10:20,600 --> 00:10:22,439 Speaker 1: the top up. I think he I think they told 209 00:10:22,480 --> 00:10:24,200 Speaker 1: him that when he brought the car, and he never 210 00:10:24,240 --> 00:10:27,480 Speaker 1: tried it. I don't think cars. Cars don't have alarms anymore. Well, 211 00:10:27,520 --> 00:10:30,559 Speaker 1: he paid for it. Remember those locks used to put 212 00:10:30,559 --> 00:10:33,040 Speaker 1: on the car. What was that coolock? Yeah, you put 213 00:10:33,040 --> 00:10:36,240 Speaker 1: it on your steerings. No, that's I called it to 214 00:10:36,320 --> 00:10:38,040 Speaker 1: have a car cuff. But then there was the other one, 215 00:10:38,160 --> 00:10:43,360 Speaker 1: the most the most popular one is the what is 216 00:10:43,360 --> 00:10:48,240 Speaker 1: it this? It's the red thing that goes across the 217 00:10:48,280 --> 00:10:52,640 Speaker 1: steer the crook lock. No, there was, that was a 218 00:10:52,720 --> 00:10:55,559 Speaker 1: cheap one was manufactured one. Why do you always buy 219 00:10:55,600 --> 00:11:00,280 Speaker 1: the knockoff? It's called. So I have my house out 220 00:11:00,280 --> 00:11:02,680 Speaker 1: in the middle of nowhere. I mean there is not 221 00:11:02,760 --> 00:11:06,040 Speaker 1: a house within a hundred miles from my house, right, 222 00:11:06,559 --> 00:11:08,800 Speaker 1: So we invited Scary out to the house for a party. 223 00:11:09,120 --> 00:11:12,959 Speaker 1: He pulls behind in front of the barn and he 224 00:11:13,160 --> 00:11:18,720 Speaker 1: closes his door. He puts on the club. He closes 225 00:11:18,720 --> 00:11:23,320 Speaker 1: the door in here he alarm, what is the hell 226 00:11:23,360 --> 00:11:25,880 Speaker 1: are you doing? Setting you putting on your club in 227 00:11:25,920 --> 00:11:29,280 Speaker 1: the middle of nowhere? That was That was my first 228 00:11:29,280 --> 00:11:31,960 Speaker 1: experience in the suburbs. I had no idea, and I 229 00:11:32,000 --> 00:11:34,600 Speaker 1: had an ignition cutoffs switch on top of that as 230 00:11:34,600 --> 00:11:37,719 Speaker 1: a secondary um you know, by pass my favorite thing 231 00:11:37,760 --> 00:11:40,600 Speaker 1: city boy in the country, a rabbit hopped by. He went, 232 00:11:40,600 --> 00:11:44,000 Speaker 1: oh my god, so much pet got out. It's a pet. 233 00:11:44,000 --> 00:11:48,680 Speaker 1: It's loving taking scary out of the city. Anytime I 234 00:11:48,720 --> 00:11:50,559 Speaker 1: ever saw a rabbit, it was always in a cage 235 00:11:50,559 --> 00:11:52,520 Speaker 1: and being fed carrots by my neighbors, and it was 236 00:11:52,559 --> 00:11:54,720 Speaker 1: it was something you are Italian in your neighborhood they 237 00:11:54,880 --> 00:11:59,040 Speaker 1: ate the rabbits. Well, go back to the movies. I 238 00:11:59,080 --> 00:12:02,079 Speaker 1: still didn't understand, Like in Titanic, when uh, what's when 239 00:12:02,080 --> 00:12:05,080 Speaker 1: it sinks like she's floating on that like out of 240 00:12:05,080 --> 00:12:07,480 Speaker 1: the piece of wood, Like should that she really like 241 00:12:07,720 --> 00:12:10,680 Speaker 1: lasts in the water all that time? I can't. To me, 242 00:12:10,800 --> 00:12:13,439 Speaker 1: it's like she would have frozen by that. About actually 243 00:12:13,640 --> 00:12:18,160 Speaker 1: let him climb up on top. That's always been the argument. 244 00:12:19,040 --> 00:12:21,000 Speaker 1: The argument is she says Jack will never let you go, 245 00:12:21,080 --> 00:12:23,920 Speaker 1: and then let him and he drops into the bottom 246 00:12:23,960 --> 00:12:26,120 Speaker 1: of here. I think she was saying from her heart, 247 00:12:26,360 --> 00:12:27,840 Speaker 1: I will never let you go. From my heart, But 248 00:12:27,880 --> 00:12:30,080 Speaker 1: as far as sharing my door with you, you gotta 249 00:12:30,120 --> 00:12:34,040 Speaker 1: go exactly, just let me go, and I don't want to. 250 00:12:34,080 --> 00:12:35,680 Speaker 1: I want to know why when a hero takes on 251 00:12:35,720 --> 00:12:37,880 Speaker 1: a bunch of villains they all want to attack him 252 00:12:37,880 --> 00:12:40,719 Speaker 1: at once, that they always take turns, especially in like 253 00:12:40,800 --> 00:12:44,760 Speaker 1: Kung Fu movie. Na. Yeah, I always thought there was 254 00:12:44,800 --> 00:12:48,360 Speaker 1: like some karate code where you can only one person 255 00:12:48,400 --> 00:12:50,640 Speaker 1: attack at a time. Why is it bad guys only 256 00:12:50,640 --> 00:12:53,120 Speaker 1: shoot a bulletproof superheroes, but they don't shoot at the 257 00:12:53,120 --> 00:12:56,440 Speaker 1: superheroes like Hawkeye that aren't bulletproof because he's so smooth 258 00:12:56,440 --> 00:12:57,760 Speaker 1: he just shoots him with the boat right before they 259 00:12:57,800 --> 00:13:00,600 Speaker 1: get a chance. Never noticed about car scenes, like when 260 00:13:00,600 --> 00:13:03,319 Speaker 1: they're chasing each other, like or in the police car 261 00:13:03,440 --> 00:13:06,640 Speaker 1: chasing scenes like right now, we've got cameras everywhere, there's 262 00:13:06,640 --> 00:13:09,280 Speaker 1: no escaping, but in these movies they seem to somehow 263 00:13:09,320 --> 00:13:11,240 Speaker 1: get away from them and then like a car like 264 00:13:11,360 --> 00:13:15,680 Speaker 1: crashes into something like people. There's also in the car 265 00:13:16,640 --> 00:13:20,280 Speaker 1: chase scenes, you're going down an alley and then the 266 00:13:20,400 --> 00:13:24,240 Speaker 1: car in front goes by, and then all of a sudden, 267 00:13:24,360 --> 00:13:27,640 Speaker 1: a moving truck pulls out and then and then it's 268 00:13:27,679 --> 00:13:30,960 Speaker 1: like damn, and there's why is there always a moving 269 00:13:31,000 --> 00:13:33,120 Speaker 1: truck in the way So there's something that I refer 270 00:13:33,200 --> 00:13:36,360 Speaker 1: to his side impact bullshit. It's when somebody's trying to 271 00:13:36,360 --> 00:13:38,680 Speaker 1: get away, right the bad guy, and then from a 272 00:13:38,760 --> 00:13:41,240 Speaker 1: side street, the cop will come flying out of the 273 00:13:41,240 --> 00:13:43,480 Speaker 1: side street and ram in the car. Or a good 274 00:13:43,480 --> 00:13:45,680 Speaker 1: guy is trying to get away and the terrorists who's 275 00:13:45,720 --> 00:13:47,199 Speaker 1: trying to get him will come flying out of the 276 00:13:47,240 --> 00:13:49,960 Speaker 1: side street and hit him inside. How can you see 277 00:13:50,000 --> 00:13:52,199 Speaker 1: the car coming in time and so perfectly that you're 278 00:13:52,200 --> 00:13:56,240 Speaker 1: flying down the street? Eight Because it's in the script's 279 00:13:56,840 --> 00:14:00,920 Speaker 1: side impact bullshit. Anytime that happens, it's lazy writing about 280 00:14:00,960 --> 00:14:03,440 Speaker 1: when things explode, like giant explosions and people are just 281 00:14:03,480 --> 00:14:06,040 Speaker 1: walking away from it all cool, Like there had to 282 00:14:06,080 --> 00:14:08,439 Speaker 1: be there, have some strapnel, your ears would hurt, you 283 00:14:08,480 --> 00:14:10,760 Speaker 1: would fall down something. There's walk away smoking a sound 284 00:14:10,960 --> 00:14:13,480 Speaker 1: because it's in the script. Okay, And I don't care 285 00:14:13,520 --> 00:14:16,880 Speaker 1: if you're thor or if you're Captain America. If you 286 00:14:17,000 --> 00:14:21,000 Speaker 1: have like seventy five people coming at you that one 287 00:14:21,040 --> 00:14:23,760 Speaker 1: person is not kicking all their butts and then walking away, 288 00:14:24,000 --> 00:14:26,280 Speaker 1: it's so ridiculous. I'm like, there is no way in 289 00:14:26,360 --> 00:14:31,880 Speaker 1: hell that this just happened. It's in the script. Sometimes 290 00:14:31,960 --> 00:14:33,880 Speaker 1: I wish you know you're in a predicament in life. 291 00:14:34,000 --> 00:14:36,760 Speaker 1: You could go pause and then write the script out 292 00:14:36,760 --> 00:14:39,720 Speaker 1: where you want that moment to go. Like those books. 293 00:14:39,760 --> 00:14:42,040 Speaker 1: Remember those books, they choose your own adventure books. Well, 294 00:14:42,040 --> 00:14:43,840 Speaker 1: guess what I'm about to write one in the script. Okay, 295 00:14:43,840 --> 00:14:50,560 Speaker 1: but pause everyone, I want this podcast to end. Okay. 296 00:14:51,120 --> 00:14:57,120 Speaker 1: That said, oh my gosh, what a day is the 297 00:14:57,160 --> 00:14:59,880 Speaker 1: weekend Minute Morning show