1 00:00:00,120 --> 00:00:05,720 Speaker 1: Celebrity Book. Hey, my best friend and fellow club kid, 2 00:00:06,200 --> 00:00:08,520 Speaker 1: is that me? Yeah, okay, I know that you listen 3 00:00:08,600 --> 00:00:11,119 Speaker 1: to the pot, but you also make it. No, I'm 4 00:00:11,160 --> 00:00:13,680 Speaker 1: a club kid, and uh, you know what, I've been 5 00:00:13,760 --> 00:00:17,120 Speaker 1: loving the VIP lounges that happen at the end of 6 00:00:17,160 --> 00:00:20,320 Speaker 1: the episode that we record. I love so much those 7 00:00:20,360 --> 00:00:22,360 Speaker 1: lounges that we record at the very end of the episode. 8 00:00:22,360 --> 00:00:24,919 Speaker 1: I think they're so fun. But part of me almost 9 00:00:24,960 --> 00:00:28,080 Speaker 1: wishes that they were on a different day randomly, I know, 10 00:00:28,200 --> 00:00:30,520 Speaker 1: because it's like it's kind of like after Christmas, you 11 00:00:30,560 --> 00:00:33,880 Speaker 1: get depressed because you're like, well, God, all my presents, yes, 12 00:00:34,040 --> 00:00:36,320 Speaker 1: and you get so jealous of your Jewish friends because 13 00:00:36,320 --> 00:00:39,720 Speaker 1: they don't get the open presents every day of days. 14 00:00:40,479 --> 00:00:44,880 Speaker 1: What makes me angry? Well, now Celebrity Book is becoming 15 00:00:44,920 --> 00:00:49,199 Speaker 1: a Jewish holiday and it's the Honego podcast, and you 16 00:00:49,240 --> 00:00:51,879 Speaker 1: will now be getting a VIP lounge on a separate 17 00:00:51,960 --> 00:00:54,600 Speaker 1: day up the way, one freaking day is that I'm 18 00:00:54,640 --> 00:01:00,640 Speaker 1: talking fund t GISs bitches. Your gonna be getting the 19 00:01:00,720 --> 00:01:05,000 Speaker 1: VIP lounge every Friday, That's right. So it's basically two 20 00:01:05,080 --> 00:01:07,400 Speaker 1: episodes now a week. Are you getting two episodes a week, 21 00:01:07,480 --> 00:01:09,399 Speaker 1: or to wake up on Friday and be like, fuck, yes, 22 00:01:09,480 --> 00:01:13,000 Speaker 1: I got like a no holds barred, like wacky CBC episode. 23 00:01:13,000 --> 00:01:15,280 Speaker 1: Oh am, I gonna get through this Friday commune. I 24 00:01:15,319 --> 00:01:19,360 Speaker 1: just want to get to my girlies and start pouring 25 00:01:19,760 --> 00:01:26,839 Speaker 1: the Meilback Hell. Yes, happy Meilback month month. And yeah, 26 00:01:26,880 --> 00:01:30,160 Speaker 1: so it's still gonna be us. Yeah, it's gonna be us. 27 00:01:30,319 --> 00:01:33,319 Speaker 1: But oh yeah, but sometimes it will be insane guests, 28 00:01:33,600 --> 00:01:36,119 Speaker 1: like this Friday, on our very first separate of vip Lounge, 29 00:01:36,120 --> 00:01:39,120 Speaker 1: we will have none other than HBO's job. Will Wilson. 30 00:01:39,560 --> 00:01:43,040 Speaker 1: That's right, this guy has a freaking HBO show. Huh yeah, 31 00:01:43,120 --> 00:01:45,520 Speaker 1: sorry you I'm pressed by Oh you're press Yeah. I 32 00:01:45,520 --> 00:01:47,680 Speaker 1: know guys at HBO. Yeah, I know a lot of 33 00:01:47,680 --> 00:01:50,640 Speaker 1: people at HBO. I know mister HBO. Yeah, okay, I 34 00:01:50,840 --> 00:01:55,160 Speaker 1: clean mister HBO's desk, Clarence HBO. Yeah you did a 35 00:01:55,240 --> 00:01:58,480 Speaker 1: nice dusting job, really dusting job. So yeah, it's just 36 00:01:58,520 --> 00:02:01,720 Speaker 1: a wicked fun a pivot we're doing right now, we're doing. 37 00:02:02,120 --> 00:02:04,400 Speaker 1: We're doing a super fun pivot. So don't get scared 38 00:02:04,400 --> 00:02:05,480 Speaker 1: at the end of the episode when it ends and 39 00:02:05,520 --> 00:02:10,880 Speaker 1: you subscribe and you're like where's my mommy guest you 40 00:02:11,000 --> 00:02:12,639 Speaker 1: subscribe it, getting the slack, come talk to us, We'll 41 00:02:12,680 --> 00:02:15,040 Speaker 1: be there. We'll be chatting with you. We can you know, 42 00:02:15,200 --> 00:02:17,760 Speaker 1: we can gus see up the episode, we can chop 43 00:02:17,800 --> 00:02:20,760 Speaker 1: it up, be weird about it, mix it up, DJ stuff, 44 00:02:20,880 --> 00:02:22,880 Speaker 1: and then Friday you'll get a whole new appold up. 45 00:02:22,919 --> 00:02:27,480 Speaker 1: So stick with us during this And if you're not subscriber, 46 00:02:27,600 --> 00:02:29,560 Speaker 1: like really get in the mix because you're gonna want 47 00:02:29,560 --> 00:02:32,120 Speaker 1: to hear that John Wilson episode, Shit Goes Down. The 48 00:02:32,160 --> 00:02:34,480 Speaker 1: gossip that has been happening on the last few VIP 49 00:02:34,600 --> 00:02:37,600 Speaker 1: lounges has been insane, and people are just texting us 50 00:02:37,639 --> 00:02:40,120 Speaker 1: being like what names are you talking about? Like what 51 00:02:40,160 --> 00:02:42,560 Speaker 1: the fuck? And if you text us, we will tell 52 00:02:42,600 --> 00:02:44,600 Speaker 1: you the names that get bleeped out. So that's here. 53 00:02:44,600 --> 00:02:46,799 Speaker 1: If you get in the slack, yeah, you'll know what's 54 00:02:46,800 --> 00:02:49,040 Speaker 1: going down. And again, it's just kind of like it's 55 00:02:49,040 --> 00:02:51,520 Speaker 1: five bucks some months five and all that got all 56 00:02:51,560 --> 00:02:53,880 Speaker 1: the episodes, Like I mean, we're talking all the restaurant 57 00:02:53,880 --> 00:02:58,079 Speaker 1: ship with Young Me, all the Celebrity plas surgery Ship, 58 00:02:59,040 --> 00:03:02,799 Speaker 1: all that. You'll get access all those episodes Nantucket Waitress Drama, 59 00:03:02,919 --> 00:03:05,240 Speaker 1: from You. That was really good drama and the podcast 60 00:03:05,240 --> 00:03:08,760 Speaker 1: conference Drama from You, so five bucks a month Subscribe 61 00:03:08,880 --> 00:03:14,240 Speaker 1: Patreon dot com, slash CBC the pod. Who's that knocking 62 00:03:14,360 --> 00:03:16,960 Speaker 1: at the door. It's all your friends, you filthy horse. 63 00:03:17,120 --> 00:03:19,639 Speaker 1: Your husband's gone. And we've got books on a bottle 64 00:03:19,680 --> 00:03:24,560 Speaker 1: of wine Hill. It's Hollywood. It's books, it's gossip. I'm shook, 65 00:03:24,919 --> 00:03:31,480 Speaker 1: it's memoir, it's Martini. Clebrity Book Club can read it 66 00:03:31,560 --> 00:03:35,640 Speaker 1: while it's hot. Celebrity Book Club, tell your secrets. We 67 00:03:35,720 --> 00:03:41,600 Speaker 1: won't talk celebrity books. No boys are alloud. Celebrity book 68 00:03:42,800 --> 00:03:47,360 Speaker 1: say it loud and Cloud Celebrity book Club. Buzzman. I 69 00:03:47,480 --> 00:03:51,880 Speaker 1: brought the queer foe. Hey, best friend, how the hell 70 00:03:51,920 --> 00:03:55,960 Speaker 1: are you? Fucker? How are you? Mother? Fuck? Um? You 71 00:03:56,000 --> 00:03:59,280 Speaker 1: look really awesome and you're brand new haircut. Yeah, here 72 00:03:59,280 --> 00:04:02,520 Speaker 1: we are again podcasting and I just got a haircut. 73 00:04:02,560 --> 00:04:06,360 Speaker 1: And yeah, we're gonna hat such a such a running 74 00:04:06,400 --> 00:04:08,840 Speaker 1: plotline on this show and in prof that's what we 75 00:04:08,920 --> 00:04:11,280 Speaker 1: call a callback. Thank you. Yeah, it's kind of a 76 00:04:11,360 --> 00:04:15,880 Speaker 1: running theme. Um. I went to my non binary haircut 77 00:04:15,920 --> 00:04:23,039 Speaker 1: tress and and she they gave you a Yeah, let's 78 00:04:23,080 --> 00:04:27,120 Speaker 1: say that I've been rocking kind of a more Morgan 79 00:04:27,160 --> 00:04:29,000 Speaker 1: wall and you know, not full mullet, but you know, 80 00:04:29,120 --> 00:04:31,080 Speaker 1: just like a little more like biker is a little 81 00:04:31,200 --> 00:04:35,040 Speaker 1: longer shy gear nineties Cobain and the cot they gave 82 00:04:35,120 --> 00:04:37,039 Speaker 1: me is like a little more like rockabilly or just 83 00:04:37,040 --> 00:04:42,320 Speaker 1: six straight up like lesbian extra in The L Word um, 84 00:04:42,680 --> 00:04:45,360 Speaker 1: which you will get into because the book today. And 85 00:04:45,480 --> 00:04:47,000 Speaker 1: but it's cool because now I can kind of go 86 00:04:47,040 --> 00:04:49,839 Speaker 1: back to my rockabilly roots. Yeah, I mean, you weren't 87 00:04:49,880 --> 00:04:52,280 Speaker 1: not rockabilly before, but yeah, I mean because the thing 88 00:04:52,279 --> 00:04:54,200 Speaker 1: you used to have a pompadour for many many years, 89 00:04:54,240 --> 00:04:57,000 Speaker 1: and it was it stayed in place with a combination 90 00:04:57,040 --> 00:05:02,600 Speaker 1: of aquinet elbow grease and a little bit of pure will. Okay, 91 00:05:03,040 --> 00:05:06,840 Speaker 1: no more about my hair, because we read a book 92 00:05:06,880 --> 00:05:09,560 Speaker 1: by one of our favorite actresses of all time. Of course, 93 00:05:09,560 --> 00:05:14,359 Speaker 1: we're talking about Pam Greer and Foxy My Life and 94 00:05:14,520 --> 00:05:18,000 Speaker 1: three acts. Now. Pam Greer many of you know her 95 00:05:18,040 --> 00:05:20,720 Speaker 1: from The L Word, of course, where she plays Jennifer 96 00:05:20,720 --> 00:05:27,120 Speaker 1: Beale's half sister, kit Porter, kit Porter soul singer who 97 00:05:27,160 --> 00:05:29,719 Speaker 1: has fallen on a little bit of hard times because 98 00:05:29,760 --> 00:05:35,520 Speaker 1: of her ways. And then she of course opens up 99 00:05:36,120 --> 00:05:40,960 Speaker 1: a coffee shop slash performance venue slash meeting space called 100 00:05:41,000 --> 00:05:43,400 Speaker 1: the Planet, which becomes real locust for the characters in 101 00:05:43,480 --> 00:05:46,000 Speaker 1: the ol word what's in my mind? I'm just like, yeah, 102 00:05:46,200 --> 00:05:50,000 Speaker 1: Kid started the planet. I fully forgot, Marina started the planet. 103 00:05:50,080 --> 00:05:55,360 Speaker 1: Kit buys the planet from the Count Marina's husband, Marina Racer. 104 00:05:55,480 --> 00:05:59,120 Speaker 1: Where we are being insane Marina racists right now? Yes, 105 00:05:59,400 --> 00:06:03,600 Speaker 1: Marina character played by Courina Lombard, of course, yes, of course, 106 00:06:03,600 --> 00:06:05,400 Speaker 1: he's the original under the planet in season one, like 107 00:06:05,480 --> 00:06:07,240 Speaker 1: that's what it's all about. And Kid actually is not 108 00:06:07,320 --> 00:06:09,680 Speaker 1: such a big character in season one. She's kind of 109 00:06:09,720 --> 00:06:12,440 Speaker 1: like she's a little bit there, but she's mostly there 110 00:06:12,440 --> 00:06:15,920 Speaker 1: to be um. As Pam Grew describes her in this book, 111 00:06:16,279 --> 00:06:19,320 Speaker 1: bets shattered rock. I don't know if that was such 112 00:06:19,360 --> 00:06:23,960 Speaker 1: a beautiful and she also says, bets rock, but she 113 00:06:24,080 --> 00:06:27,000 Speaker 1: shattered shattered At the same time she says, look, she said, 114 00:06:27,160 --> 00:06:30,040 Speaker 1: I didn't have as many lines as the rest of them, 115 00:06:30,160 --> 00:06:32,960 Speaker 1: but I didn't mind because they would give me like 116 00:06:33,040 --> 00:06:37,040 Speaker 1: full episodes. Well, of course, and she was already really 117 00:06:38,240 --> 00:06:41,359 Speaker 1: sort of versed in the idea that there are to 118 00:06:41,520 --> 00:06:47,680 Speaker 1: quote constantin Sanislovsky, there are no small roles, only small actors. 119 00:06:47,800 --> 00:06:49,480 Speaker 1: So it's really about like taking those few lines and 120 00:06:49,560 --> 00:06:51,600 Speaker 1: really running with them. And she obviously did that on 121 00:06:51,680 --> 00:06:53,480 Speaker 1: the Oward and in every role that she's taken on, 122 00:06:53,839 --> 00:06:57,080 Speaker 1: including Foxy Brown Yeah, Pam Grey sorry, queen of the 123 00:06:57,120 --> 00:07:01,839 Speaker 1: black exploitation genre, Foxy Brown, Coffee, and then of course 124 00:07:02,320 --> 00:07:06,280 Speaker 1: Jackie Brown, Tarantino's Oh to the Black Potation films of 125 00:07:06,360 --> 00:07:08,320 Speaker 1: the seventies and this one the nineties. Okay, I watched 126 00:07:08,360 --> 00:07:10,680 Speaker 1: Jackie Brown recently. That movie is so good. I did 127 00:07:10,760 --> 00:07:13,560 Speaker 1: a medley last night last night. Yeah. Well, actually no, 128 00:07:13,680 --> 00:07:15,920 Speaker 1: So I was doing just like Elward rewatches throughout the 129 00:07:15,920 --> 00:07:19,240 Speaker 1: week and that's why I was like, oh, hello, Okaylovsky 130 00:07:19,280 --> 00:07:24,200 Speaker 1: over here. So I was like, let's do just an 131 00:07:24,240 --> 00:07:26,920 Speaker 1: early Elward up. And then last night I did an 132 00:07:26,960 --> 00:07:29,760 Speaker 1: hour of Coffee and an hour and a half of 133 00:07:29,840 --> 00:07:33,040 Speaker 1: Jackie Brown and then I get sleepy. Okay, Wow, you 134 00:07:33,120 --> 00:07:36,720 Speaker 1: were like multiple movie hopping. Yeah, I was movie hopping. 135 00:07:36,720 --> 00:07:38,800 Speaker 1: I was like, I don't think the directors would appreciate that, 136 00:07:38,880 --> 00:07:41,680 Speaker 1: to know that you weren't giving the film. I'm gonna finish. 137 00:07:42,120 --> 00:07:45,680 Speaker 1: I'm gonna finish, and I've seen sorry, I've seen Foxy 138 00:07:45,840 --> 00:07:52,200 Speaker 1: Brown in theaters. I was staying this guy at the time, 139 00:07:52,280 --> 00:07:54,680 Speaker 1: my old man. He picked me up. I said, yeah, sure, 140 00:07:54,680 --> 00:07:57,280 Speaker 1: you got a car, let's go. Movies were a dime. 141 00:07:57,360 --> 00:08:01,120 Speaker 1: Poplan was nickel, and he's still couldn't pay for it all. 142 00:08:01,200 --> 00:08:03,960 Speaker 1: So I said, screw you, and I have to another 143 00:08:04,000 --> 00:08:10,760 Speaker 1: guy's gold Cadillac leather and first seats fur wheels. There's 144 00:08:10,760 --> 00:08:13,480 Speaker 1: so much fur in this pocket. But then she's anti 145 00:08:13,560 --> 00:08:16,280 Speaker 1: for at some point, well, she becomes extremely peter. Yeah, 146 00:08:16,280 --> 00:08:19,360 Speaker 1: but she's not a vegetarian, which I think is her. Yeah, 147 00:08:19,400 --> 00:08:22,160 Speaker 1: she is very health Yeah, she's very healthful. Of course 148 00:08:22,200 --> 00:08:26,720 Speaker 1: after her cancer scared, and she like moves really moves 149 00:08:26,720 --> 00:08:31,520 Speaker 1: to Colorado full time, where she is of course from that. Wow, 150 00:08:31,680 --> 00:08:34,360 Speaker 1: I mean the fact that we haven't we both didn't 151 00:08:34,360 --> 00:08:37,720 Speaker 1: know she was literally from Denver. Yeah, but she's a 152 00:08:37,760 --> 00:08:42,280 Speaker 1: Denver chica. It's I'm still trying to come to terms 153 00:08:42,280 --> 00:08:44,199 Speaker 1: with it, and so did some of the men she dated. 154 00:08:44,280 --> 00:08:46,760 Speaker 1: Oh hello. I mean when she meets John Lennon and 155 00:08:46,800 --> 00:08:49,719 Speaker 1: he's like and he's like, oh that black cowboys in 156 00:08:49,840 --> 00:08:54,440 Speaker 1: Colorado and she's like, yeah, there are, sweetheart, and he's like, 157 00:08:54,600 --> 00:08:57,520 Speaker 1: I want to go there. Take mode to Colorado. I 158 00:08:57,600 --> 00:08:59,920 Speaker 1: want to ride with you. And then he like gets 159 00:09:00,000 --> 00:09:02,400 Speaker 1: so wasted at this club where like the smothers brothers 160 00:09:02,400 --> 00:09:04,120 Speaker 1: are and but like no one cares that the smother's 161 00:09:04,160 --> 00:09:06,079 Speaker 1: brothers are performing because John Lennon is there and he's 162 00:09:06,080 --> 00:09:08,640 Speaker 1: at this booth with Pam Grier and they're like singing 163 00:09:08,679 --> 00:09:11,320 Speaker 1: along and being crazy and then they get thrown out 164 00:09:11,320 --> 00:09:13,800 Speaker 1: of this club. And then of course the celebrity he 165 00:09:14,000 --> 00:09:16,440 Speaker 1: sends her a note and like flowers that's like from 166 00:09:16,480 --> 00:09:20,160 Speaker 1: the dusk of John Lennon, like typed up dearest. Pam 167 00:09:20,200 --> 00:09:24,160 Speaker 1: Greer is so sorry, I embarrassed. Sorry, I embarrassed you 168 00:09:24,320 --> 00:09:27,760 Speaker 1: to smit. Synca goes and then she gave him like 169 00:09:27,920 --> 00:09:34,360 Speaker 1: advice about Yoko and he was like wasted. Was actually beautiful. No, 170 00:09:34,480 --> 00:09:37,160 Speaker 1: they were so party best friends. Immediately she is so 171 00:09:37,240 --> 00:09:39,480 Speaker 1: party restaurant them because like she just Metje Lena and 172 00:09:39,520 --> 00:09:41,920 Speaker 1: she's immediately being like what you and Yoko had, like 173 00:09:42,040 --> 00:09:44,439 Speaker 1: that was so special. I have the scene with John 174 00:09:44,480 --> 00:09:46,040 Speaker 1: Lenna Okay, so I thought this club, no one cares 175 00:09:46,080 --> 00:09:49,800 Speaker 1: about the mother's brothers. Same here, I don't. I don't 176 00:09:49,840 --> 00:09:52,880 Speaker 1: listen to the mother's brothers as John continued to knock 177 00:09:52,920 --> 00:09:55,160 Speaker 1: back drinks, His eyes got a little glassy, his words 178 00:09:55,200 --> 00:09:57,920 Speaker 1: got slurry, and he began to discuss his separation from 179 00:09:57,960 --> 00:10:00,480 Speaker 1: Yoko Ono. How do you feel about her now? I asked? 180 00:10:01,080 --> 00:10:03,640 Speaker 1: Will we miss her? He said, I bet you do. 181 00:10:03,840 --> 00:10:06,320 Speaker 1: I said, there's this woman now and I spent a 182 00:10:06,320 --> 00:10:09,360 Speaker 1: lot of time traveling. He said wistfully. But what do 183 00:10:09,400 --> 00:10:12,440 Speaker 1: you really want? I asked him. You were so involved 184 00:10:12,440 --> 00:10:15,400 Speaker 1: with Yoko, and the two of you built something special together. 185 00:10:15,760 --> 00:10:18,240 Speaker 1: Are you ready to throw it all? The way people 186 00:10:18,360 --> 00:10:21,800 Speaker 1: trade in their mates like cars. I'd love to have 187 00:10:21,920 --> 00:10:25,760 Speaker 1: what you have with Yoko, but I don't you will, 188 00:10:26,080 --> 00:10:30,760 Speaker 1: he said. And then and then she goes, maybe and 189 00:10:30,800 --> 00:10:33,160 Speaker 1: maybe not. I answered, I don't know. I think I 190 00:10:33,200 --> 00:10:35,720 Speaker 1: have to learn a lot more about people. I feel 191 00:10:35,720 --> 00:10:38,880 Speaker 1: like I'm on the outside watching. And then he goes, 192 00:10:39,080 --> 00:10:41,440 Speaker 1: I have to think about what you just said. It's 193 00:10:41,520 --> 00:10:45,600 Speaker 1: kind of beautiful. WoT that we actually insane? Spirit? Sorry 194 00:10:45,679 --> 00:10:48,079 Speaker 1: not you're back to me. But this weekend I was 195 00:10:48,120 --> 00:10:51,160 Speaker 1: at the movie theater seeing a film with a lover 196 00:10:51,760 --> 00:10:56,480 Speaker 1: and we were movie the sort of being like, you know, 197 00:10:56,880 --> 00:11:00,720 Speaker 1: affectionate on the escalator and this guy behind us, British 198 00:11:00,760 --> 00:11:03,920 Speaker 1: guy behind the mask. He was just like, can I 199 00:11:03,960 --> 00:11:07,800 Speaker 1: just say, like, what you have is beautiful? No? No, 200 00:11:07,800 --> 00:11:10,760 Speaker 1: this happened. And then he was just like, and my 201 00:11:10,920 --> 00:11:13,679 Speaker 1: lover died in two thousand and six and what And 202 00:11:13,800 --> 00:11:16,160 Speaker 1: I'm just jealous of what you guys have. And I 203 00:11:16,160 --> 00:11:18,040 Speaker 1: always see that, and not in a weird way. I 204 00:11:18,080 --> 00:11:20,319 Speaker 1: have three daughters and we go to the theaters now 205 00:11:20,360 --> 00:11:22,720 Speaker 1: and it's lovely, but what you have is really loved. 206 00:11:22,960 --> 00:11:26,480 Speaker 1: We see pictures. It was like this grieving husband. But 207 00:11:26,520 --> 00:11:30,040 Speaker 1: I was like, oh, sex girl, get back on the saddle. Yeah, 208 00:11:30,040 --> 00:11:32,800 Speaker 1: it was. He He was like, I don't know, fifty 209 00:11:32,840 --> 00:11:35,880 Speaker 1: two attractive man. I was very just like you like, 210 00:11:35,960 --> 00:11:39,040 Speaker 1: couldn't really, You'll be fine. It's heart out there, I know. 211 00:11:39,160 --> 00:11:41,240 Speaker 1: And I should have had the full Yoko Comfo with him, 212 00:11:41,280 --> 00:11:44,920 Speaker 1: but I should like, you should have been like, listen, baby, 213 00:11:46,320 --> 00:11:50,280 Speaker 1: you're sexy as oh hell, you know that silver hair. 214 00:11:51,160 --> 00:11:56,240 Speaker 1: I don't caress and tell, but I can tell you're okay. 215 00:11:56,280 --> 00:11:58,840 Speaker 1: So let's talk about some of her relationships. So she 216 00:11:58,880 --> 00:12:03,280 Speaker 1: grows up. She's an army bratt. Army bratt like obviously 217 00:12:03,720 --> 00:12:07,920 Speaker 1: very segregated at the time, and very racist. Army. I mean, 218 00:12:08,000 --> 00:12:10,440 Speaker 1: I'm sure it still it was very much today. But 219 00:12:10,520 --> 00:12:12,800 Speaker 1: it's like whatever they were like still had to like 220 00:12:13,520 --> 00:12:16,000 Speaker 1: stay with her grandmother like in the fort in Denver 221 00:12:16,120 --> 00:12:17,960 Speaker 1: and then like went to England and went back. But 222 00:12:18,040 --> 00:12:20,880 Speaker 1: like she had this full like western childhood where she 223 00:12:20,920 --> 00:12:23,800 Speaker 1: was always like bailing hay and like riding horses and 224 00:12:23,920 --> 00:12:26,920 Speaker 1: grandparents liming and they were always going, Okay, the corn 225 00:12:27,000 --> 00:12:32,360 Speaker 1: on the cobs used to like damn, but it was 226 00:12:32,400 --> 00:12:35,720 Speaker 1: hot corn husks. Because I first read that as cob, 227 00:12:35,880 --> 00:12:38,440 Speaker 1: I read it for wiping your ass with a That 228 00:12:38,520 --> 00:12:40,959 Speaker 1: makes so much more sense because I read it as 229 00:12:41,480 --> 00:12:48,559 Speaker 1: eaten cobs. Right. Also, yeah, corn and the ass cut 230 00:12:48,600 --> 00:12:56,200 Speaker 1: out the middle. Hello, Steven, stuff with the bathroom, right, 231 00:12:56,280 --> 00:12:59,160 Speaker 1: but husks? Would you take off if one is too? 232 00:12:59,480 --> 00:13:01,640 Speaker 1: I know that spitched that cob And it's just like, 233 00:13:01,679 --> 00:13:04,200 Speaker 1: why did she can't say cop because I'm only saying 234 00:13:04,200 --> 00:13:06,280 Speaker 1: this now because you saying that aloud. I'm like, it 235 00:13:06,280 --> 00:13:09,160 Speaker 1: can't be true. You don't wipe your ass with a cob. 236 00:13:09,400 --> 00:13:10,760 Speaker 1: I mean, I guess the only thing I can think 237 00:13:10,760 --> 00:13:12,880 Speaker 1: about it is that it is the shape of it 238 00:13:12,920 --> 00:13:15,480 Speaker 1: is kind of like dildo. Dildo, well, not that you 239 00:13:15,520 --> 00:13:18,400 Speaker 1: would put it. Oh, actually you put it all the 240 00:13:18,400 --> 00:13:24,040 Speaker 1: way up. It's like, no, that's crazy. No, I thought 241 00:13:24,080 --> 00:13:26,400 Speaker 1: i'd had more sliding back and forth with a crack 242 00:13:26,840 --> 00:13:29,320 Speaker 1: in all the little crevices of where the colonels were 243 00:13:38,320 --> 00:13:40,880 Speaker 1: must be hu. Yeah, I think it's hush anyway. Yeah, 244 00:13:40,880 --> 00:13:44,040 Speaker 1: her childhood was like country, but not like the grandparents, 245 00:13:44,040 --> 00:13:46,200 Speaker 1: because she did grow up on base on post, as 246 00:13:46,240 --> 00:13:49,680 Speaker 1: we say in Army Wives, right like in Colorado a 247 00:13:49,679 --> 00:13:52,480 Speaker 1: lot of the time. Yes, and her grandmother and her 248 00:13:52,520 --> 00:13:55,839 Speaker 1: were really close until she revealed to her grandfather that 249 00:13:55,920 --> 00:13:59,640 Speaker 1: her grandmother like drinks beer, and then yeah, it was 250 00:14:00,640 --> 00:14:03,000 Speaker 1: and then grandmother was so mean. It was so mean 251 00:14:03,040 --> 00:14:04,560 Speaker 1: to her because then she was like, well, I don't 252 00:14:04,559 --> 00:14:07,480 Speaker 1: trust anymore because you're like a nark. And then also 253 00:14:07,559 --> 00:14:11,160 Speaker 1: it's like every memoir about an not trust. I mean 254 00:14:11,640 --> 00:14:13,520 Speaker 1: it was like by page four, I was like, I 255 00:14:13,559 --> 00:14:17,920 Speaker 1: know it's coming rape and mama was was working full 256 00:14:17,920 --> 00:14:19,720 Speaker 1: time as a nurse. Then she's like, so I was 257 00:14:19,800 --> 00:14:22,880 Speaker 1: playing with my cousins and we love to play like soccer, 258 00:14:23,040 --> 00:14:25,680 Speaker 1: and you're like, here we go at it always the same. 259 00:14:25,720 --> 00:14:27,280 Speaker 1: It's always the bedroom in the middle of the day 260 00:14:27,280 --> 00:14:30,000 Speaker 1: and the parents aren't home. And then that electrician came 261 00:14:30,040 --> 00:14:32,520 Speaker 1: over and he like pulls the boys off of her 262 00:14:32,600 --> 00:14:35,960 Speaker 1: and they're like gang raping her. Kind of it was 263 00:14:36,000 --> 00:14:38,040 Speaker 1: like kind of reminding me of the DMX story in 264 00:14:38,080 --> 00:14:41,040 Speaker 1: reverse a little bit. Yes, although he was not really traumatized. 265 00:14:41,040 --> 00:14:42,640 Speaker 1: He was like, yeah, that was cool. So that hounds 266 00:14:42,680 --> 00:14:45,480 Speaker 1: at six and then she goes to a party at 267 00:14:45,520 --> 00:14:48,680 Speaker 1: like sixteen, and she she also after her six year 268 00:14:48,720 --> 00:14:50,680 Speaker 1: old rape, develops a stutter and they call her shy, 269 00:14:50,760 --> 00:14:53,920 Speaker 1: Pammy sad, and it's so sad. And the only thing 270 00:14:53,960 --> 00:14:57,240 Speaker 1: that makes her not shy is riding a horse, which 271 00:14:57,680 --> 00:14:59,640 Speaker 1: I wanted to bring up because remember how my sister 272 00:15:00,240 --> 00:15:03,400 Speaker 1: did that program called like horsepower. Horse therapy is a 273 00:15:03,440 --> 00:15:09,080 Speaker 1: real thing. Yeah, you're already defensive of horse therapy. Didn't 274 00:15:09,120 --> 00:15:11,880 Speaker 1: say it wasn't real defensive. I guess I'm just like 275 00:15:12,000 --> 00:15:15,400 Speaker 1: it's out there. It's not like if you are in PSA, 276 00:15:15,640 --> 00:15:23,880 Speaker 1: if you're in trouble, find your nearest barn um. Yeah. 277 00:15:23,960 --> 00:15:30,280 Speaker 1: Horse therapy helps developmental disabilities, um trauma, etc. The way 278 00:15:30,320 --> 00:15:32,360 Speaker 1: Paim described it, I mean, she's just like the beauty, 279 00:15:32,480 --> 00:15:35,160 Speaker 1: the majesty of the animals, Like, this is an animal 280 00:15:35,200 --> 00:15:38,760 Speaker 1: that wants to be understood. Yes, they want to communicate. 281 00:15:39,800 --> 00:15:42,960 Speaker 1: One time, she's filming in Italy and it's like a 282 00:15:43,080 --> 00:15:47,760 Speaker 1: Roman war movie and they give her this horse, which 283 00:15:47,800 --> 00:15:50,400 Speaker 1: reminded me of the scene of my favorite movie Onto MM. 284 00:15:51,040 --> 00:15:56,720 Speaker 1: And his name is and he's a black stallion, and 285 00:15:56,880 --> 00:16:00,000 Speaker 1: she's like wild and and she's like, um, I can't 286 00:16:00,040 --> 00:16:01,840 Speaker 1: train this horse and this time, and they're like, you 287 00:16:02,000 --> 00:16:05,000 Speaker 1: have to. This is the horse, and so she is 288 00:16:05,000 --> 00:16:07,400 Speaker 1: no horse trainers and just up to Pam, who happens 289 00:16:07,400 --> 00:16:09,640 Speaker 1: to be a horse girl, to just like really like 290 00:16:10,240 --> 00:16:12,160 Speaker 1: teach this horse and bond with the horse and like 291 00:16:12,320 --> 00:16:14,600 Speaker 1: get the horse to respond to her commands. And then 292 00:16:14,640 --> 00:16:17,800 Speaker 1: he doesn't respond, and that there is one animal handler 293 00:16:17,840 --> 00:16:20,440 Speaker 1: and he's like, you aren't just speaking a Talian to her, 294 00:16:22,080 --> 00:16:24,400 Speaker 1: and then she like starts speaking time she's like, well, 295 00:16:24,440 --> 00:16:27,360 Speaker 1: Donna tell still isn't listening. So finally she's like me 296 00:16:27,440 --> 00:16:30,840 Speaker 1: and Donna Tello bonded and it becomes the scene time 297 00:16:30,880 --> 00:16:33,440 Speaker 1: and she's in just like this tiny little like leopard 298 00:16:33,480 --> 00:16:37,960 Speaker 1: print the most insane like Princess Leiah, like leopard halter 299 00:16:38,040 --> 00:16:43,000 Speaker 1: gladiator sandals, like nothing else, and some handler doesn't you know, 300 00:16:43,160 --> 00:16:45,680 Speaker 1: realize when if the crew comes through and he just 301 00:16:45,680 --> 00:16:48,440 Speaker 1: slaps the back of the horse with the towel, like 302 00:16:48,520 --> 00:16:51,040 Speaker 1: doing the like locker room towel slap on the horse's ass, 303 00:16:51,040 --> 00:16:55,120 Speaker 1: and of course the horse bucks and runs takes there's 304 00:16:55,160 --> 00:16:58,080 Speaker 1: like another fleet of horses that start running with with them, 305 00:16:58,160 --> 00:16:59,800 Speaker 1: and she told the crew, she's like, this is what 306 00:17:00,040 --> 00:17:03,520 Speaker 1: will happen. And she's like, well, they got what they wanted. 307 00:17:03,640 --> 00:17:07,359 Speaker 1: Like a black woman with an afro in a leopard halter, 308 00:17:08,280 --> 00:17:13,160 Speaker 1: speeding with like ten horses. And they're like going through 309 00:17:13,200 --> 00:17:16,439 Speaker 1: like cavalry so many film sets like other films, and 310 00:17:16,480 --> 00:17:20,840 Speaker 1: then they end up on Frederico Fellini's set and like 311 00:17:21,200 --> 00:17:23,800 Speaker 1: finally the horse bucks and since she's like an insane 312 00:17:23,880 --> 00:17:26,400 Speaker 1: jiu jitsu master, she knows how to tuck and rolland 313 00:17:26,400 --> 00:17:30,520 Speaker 1: falls off. She flies off this stallion, tucks and rolls 314 00:17:30,520 --> 00:17:33,080 Speaker 1: and like wakes up and there it's Felini standing over 315 00:17:33,119 --> 00:17:39,200 Speaker 1: her and he's like, let's do lunch. And then they 316 00:17:39,240 --> 00:17:42,399 Speaker 1: have quail. I know. He's like, so we sat for 317 00:17:42,440 --> 00:17:45,280 Speaker 1: an al fresco lunch some quail and he's like, you 318 00:17:45,400 --> 00:17:49,200 Speaker 1: have to be in my movies. Oh no, it's sorry, no, 319 00:17:49,280 --> 00:17:54,479 Speaker 1: it's squab, squab that it was squab. He wanted to 320 00:17:54,480 --> 00:17:56,760 Speaker 1: teach her how to make like a millionnaise or whatever, 321 00:17:56,800 --> 00:17:58,440 Speaker 1: and he was like, we don't have any chicken. Will 322 00:17:58,480 --> 00:18:01,359 Speaker 1: master it with no heed her to teach her how 323 00:18:01,359 --> 00:18:04,560 Speaker 1: to make like American fried chicken. And it was like 324 00:18:04,560 --> 00:18:09,080 Speaker 1: a cross cultural and he makes her Italian, right. She 325 00:18:09,119 --> 00:18:10,720 Speaker 1: was like, I'm gonna ta you red sauce, you teach 326 00:18:10,760 --> 00:18:12,719 Speaker 1: me fried chicken. She was like, well, we have a squab, 327 00:18:13,119 --> 00:18:15,399 Speaker 1: so we're doing Fred's Squab, I mean, which is also 328 00:18:15,440 --> 00:18:19,040 Speaker 1: again like so bespoke restaurant now being so like we're 329 00:18:19,119 --> 00:18:22,640 Speaker 1: playing on the Southern fried chicken by doing um, we're 330 00:18:22,640 --> 00:18:30,159 Speaker 1: doing a pop up fried squab tonight. It's we're pouring 331 00:18:30,200 --> 00:18:33,760 Speaker 1: some glue glue tonight with the fried squad. Oh, it's 332 00:18:33,880 --> 00:18:37,040 Speaker 1: so thirty three eight. That's so insane Italian. It's like 333 00:18:37,480 --> 00:18:40,720 Speaker 1: three film sets have just been busted through. Felini's literally directing, 334 00:18:40,720 --> 00:18:43,080 Speaker 1: and then all of a sudden they're just like, let's 335 00:18:43,119 --> 00:18:49,000 Speaker 1: take a three the Fred's Squab, and that's how a 336 00:18:49,080 --> 00:18:53,119 Speaker 1: movie should be made. It's what's different from like the 337 00:18:53,240 --> 00:18:57,280 Speaker 1: Janice Dickinson seventies kind of film memoir of this. I 338 00:18:57,320 --> 00:18:59,480 Speaker 1: would say, like she's much more mean she literally is 339 00:18:59,520 --> 00:19:04,440 Speaker 1: like very Buddhist informed. The Buddhists are everywhere, like there 340 00:19:04,480 --> 00:19:06,960 Speaker 1: are these kind of crazy stories. But she's definitely more 341 00:19:07,000 --> 00:19:10,320 Speaker 1: introspective and less like he spelling, even though she is 342 00:19:10,359 --> 00:19:13,240 Speaker 1: being like, yes, it was big. Sometimes, you know, there 343 00:19:13,400 --> 00:19:15,600 Speaker 1: is this thing when you're reading this these books from 344 00:19:15,600 --> 00:19:18,119 Speaker 1: this time from like seventies wherever, you were like, I 345 00:19:18,119 --> 00:19:19,679 Speaker 1: don't know, it does seem like it was a little 346 00:19:19,720 --> 00:19:23,840 Speaker 1: easy to become famous because like jealous, I'm just saying, 347 00:19:23,880 --> 00:19:25,560 Speaker 1: it's like you get to la and she was like, 348 00:19:25,640 --> 00:19:27,040 Speaker 1: she was like, so what in the jobs I had? 349 00:19:27,160 --> 00:19:29,199 Speaker 1: Was like, I was a backup singer for Bobby Womack. 350 00:19:29,280 --> 00:19:31,359 Speaker 1: Oh I know, and so who was She was like 351 00:19:31,520 --> 00:19:34,880 Speaker 1: awesome cool DJ and record store reception. I was like, okay, 352 00:19:35,080 --> 00:19:37,560 Speaker 1: she's the coolest check ever. I was dying at that 353 00:19:37,640 --> 00:19:39,760 Speaker 1: She was like, oh, so I was working. She was complaining, 354 00:19:39,840 --> 00:19:41,520 Speaker 1: like I was working three jobs. And then she was like, 355 00:19:41,720 --> 00:19:45,440 Speaker 1: so I was djaying like funky part private parties. At 356 00:19:45,440 --> 00:19:47,960 Speaker 1: that point, she was like, so I was spinning Bobby Womack, 357 00:19:48,280 --> 00:19:52,080 Speaker 1: average white band, Stevie wonder like, and she was like 358 00:19:52,160 --> 00:19:54,280 Speaker 1: singing in Stevie Wonders backup band and then people are 359 00:19:54,280 --> 00:19:56,199 Speaker 1: being like, you should be in movies, and she's just 360 00:19:56,240 --> 00:19:59,600 Speaker 1: like me and actress. I've never done that before, but 361 00:19:59,640 --> 00:20:01,520 Speaker 1: I went into the addition I read once and they said, 362 00:20:01,560 --> 00:20:04,639 Speaker 1: we're flying you to the Philippines, and she's like the Philippines. 363 00:20:04,640 --> 00:20:06,760 Speaker 1: She was like, well, damn, I do love to travel, Like, 364 00:20:06,960 --> 00:20:19,040 Speaker 1: let's do this. This episode is sponsored by Zoktok. You're 365 00:20:19,080 --> 00:20:23,200 Speaker 1: trying to find a cause for your symptoms a key back, headache, running, 366 00:20:23,280 --> 00:20:27,560 Speaker 1: nose itchy. I worked on my genitals, so let me 367 00:20:27,600 --> 00:20:30,520 Speaker 1: guess you stumble down a TikTok rabbit hole full of 368 00:20:30,680 --> 00:20:34,680 Speaker 1: questionable advice from so called experts. Suddenly I have cancer. No, 369 00:20:34,840 --> 00:20:38,920 Speaker 1: thank you. 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We have 397 00:22:22,320 --> 00:22:24,960 Speaker 1: two shows coming up on California. Our LA show is 398 00:22:25,000 --> 00:22:26,879 Speaker 1: sold out, but there are still tickets left for San 399 00:22:26,880 --> 00:22:30,960 Speaker 1: Francisco April thirtieth, on Saturday. It's a Saturday night in 400 00:22:31,080 --> 00:22:35,919 Speaker 1: the San Francisco at Cafe, So get those tickets right 401 00:22:35,920 --> 00:22:39,560 Speaker 1: now before they disappear, and honestly, if make a night 402 00:22:39,600 --> 00:22:41,440 Speaker 1: of it. I mean we're going up to San Francisco 403 00:22:41,480 --> 00:22:43,120 Speaker 1: for the weekend. You can go up to. If you're 404 00:22:43,160 --> 00:22:45,560 Speaker 1: in LA, you're like, oh fuck, I didn't get tickets 405 00:22:44,720 --> 00:22:58,240 Speaker 1: and dead Yeah. Okay. So she starts dating this basketball 406 00:22:58,240 --> 00:23:01,640 Speaker 1: player in LA who she's called Lou, and then there's 407 00:23:01,640 --> 00:23:03,240 Speaker 1: this and then she's talking about him, and then there's 408 00:23:03,240 --> 00:23:05,200 Speaker 1: this reveal. She's like, she's like, he's seven feet tall. 409 00:23:05,240 --> 00:23:06,679 Speaker 1: And then she was like and then she goes, she 410 00:23:06,760 --> 00:23:08,760 Speaker 1: was like, it was around this time he asked me 411 00:23:08,800 --> 00:23:12,639 Speaker 1: to start calling him Kareem abdul Jabbar. And you're like, okay, 412 00:23:12,760 --> 00:23:17,280 Speaker 1: here we go. Okay, so first of all, about Dick's size, 413 00:23:18,760 --> 00:23:20,280 Speaker 1: she goes, well, first of all she's talking about and 414 00:23:20,320 --> 00:23:22,159 Speaker 1: she's like, now, let me tell you what it's like 415 00:23:22,200 --> 00:23:25,479 Speaker 1: to have a sexual relationship with an athlete. Their bodies 416 00:23:25,520 --> 00:23:29,000 Speaker 1: are amazingly strong, Their body temperatures are hotter than the 417 00:23:29,080 --> 00:23:33,400 Speaker 1: average man's and their scent is refreshing, refreshingly clean from 418 00:23:33,400 --> 00:23:36,000 Speaker 1: working out well. Most men take a shower in the 419 00:23:36,080 --> 00:23:38,680 Speaker 1: morning and maybe another before day in the evening. Maybe 420 00:23:38,760 --> 00:23:43,080 Speaker 1: not in parentheses, an athlete takes many showers during the 421 00:23:43,160 --> 00:23:48,280 Speaker 1: day's feeling. Athletes run hotter and shower more frequently. Died 422 00:23:48,520 --> 00:23:52,240 Speaker 1: at this actually very rosa blasi, like like, here's the 423 00:23:52,320 --> 00:23:54,640 Speaker 1: deal with athletes? Like, I mean, that does make sense, 424 00:23:54,680 --> 00:23:58,159 Speaker 1: because like, man, you're normal man, just waking up taking 425 00:23:58,160 --> 00:24:02,119 Speaker 1: this morning shower when it's like you're dirtier throughout the 426 00:24:02,240 --> 00:24:04,640 Speaker 1: day and you have so much sense. But then he's 427 00:24:04,640 --> 00:24:06,680 Speaker 1: wearing a lot of but chrui because he cares about 428 00:24:06,680 --> 00:24:10,199 Speaker 1: his appearance inside it out. Then she goes, we had 429 00:24:10,240 --> 00:24:13,720 Speaker 1: a romantic sex life. There are things people want to know, 430 00:24:13,880 --> 00:24:16,600 Speaker 1: but I've never been one to kiss and tell. Let's 431 00:24:16,600 --> 00:24:20,680 Speaker 1: just say that whatever you're imagining, he measures well beyond that. 432 00:24:21,760 --> 00:24:27,879 Speaker 1: M So he's absolutely I mean he's save seven feet tall. 433 00:24:28,320 --> 00:24:30,280 Speaker 1: What do you think his dick is? Of course, and 434 00:24:30,280 --> 00:24:35,399 Speaker 1: then whatever you're thinking bigger, bigger than the seven A 435 00:24:35,520 --> 00:24:39,240 Speaker 1: log on another log, it must be like logged all 436 00:24:39,280 --> 00:24:43,359 Speaker 1: the way up twelve. Yeah, I think it's twelve, and 437 00:24:43,400 --> 00:24:47,160 Speaker 1: I think it's thick. It probably has. I mean, when 438 00:24:47,160 --> 00:24:49,359 Speaker 1: a dick is that long, there has to be a curve, 439 00:24:49,440 --> 00:24:51,280 Speaker 1: you know. It doesn't it's not just gonna stay straight 440 00:24:51,320 --> 00:24:55,320 Speaker 1: straight straights. Well, and it explains why she stays with 441 00:24:55,400 --> 00:25:00,680 Speaker 1: him for so long. When she it's like, you are dick, Matt. 442 00:25:00,960 --> 00:25:04,960 Speaker 1: So he converts to Islam and there's a good like 443 00:25:05,040 --> 00:25:07,360 Speaker 1: twenty pages where she just is dragging Islam and she's 444 00:25:07,400 --> 00:25:11,119 Speaker 1: just been like, yeah, I'm no, no, no. She's like, so, 445 00:25:11,240 --> 00:25:15,120 Speaker 1: let me get this straight. I'm supposed to walk behind you. 446 00:25:15,800 --> 00:25:18,000 Speaker 1: I can't hang out in the same room as you 447 00:25:18,160 --> 00:25:20,399 Speaker 1: when your boys are over, but I still have to 448 00:25:20,400 --> 00:25:23,440 Speaker 1: come bring you food and then leave. So, like his 449 00:25:23,600 --> 00:25:26,200 Speaker 1: boys are over and she like brings them all sandwiches 450 00:25:26,240 --> 00:25:29,879 Speaker 1: and he's like, okay, go to your room and she's like, bitch. 451 00:25:30,160 --> 00:25:31,760 Speaker 1: She's like, and how long am I supposed to sit 452 00:25:31,840 --> 00:25:34,560 Speaker 1: in the room And he's like, whatever I decide, And 453 00:25:34,640 --> 00:25:37,520 Speaker 1: she's like, I'm going for a drive because it's so 454 00:25:37,640 --> 00:25:40,399 Speaker 1: seventies are just like time to drive. You can't do 455 00:25:40,400 --> 00:25:50,600 Speaker 1: that anymore, am I l um? I'd be better off skiing. 456 00:25:53,080 --> 00:25:57,000 Speaker 1: She again Colorado stuff and other people when she shattered 457 00:25:57,000 --> 00:25:59,920 Speaker 1: stereotypes and people were like a black person a black woman, 458 00:26:00,240 --> 00:26:01,720 Speaker 1: I mean still to this day. Yeah, and there was 459 00:26:01,760 --> 00:26:04,440 Speaker 1: a black person camping, yeah, and she was like, yes 460 00:26:04,480 --> 00:26:07,480 Speaker 1: I camp, Yes, I ski, Yes I do martial arts, 461 00:26:07,640 --> 00:26:11,000 Speaker 1: Yes I ride horses. Mic drop yeah, literal mic drop. 462 00:26:11,359 --> 00:26:16,120 Speaker 1: But what I won't do? So she takes his drive 463 00:26:16,200 --> 00:26:18,880 Speaker 1: and then one of her his boys tells on her 464 00:26:18,920 --> 00:26:20,679 Speaker 1: and he's like, I saw your girl. They wearing a 465 00:26:20,680 --> 00:26:24,400 Speaker 1: crop top of the beach talking to other men. Yeah, 466 00:26:24,440 --> 00:26:26,280 Speaker 1: and he's like you actually have to be fully covered, 467 00:26:26,280 --> 00:26:28,640 Speaker 1: and she's like, wait at the beach, I can't because 468 00:26:28,640 --> 00:26:30,920 Speaker 1: this was before like Nike had invented like the burkini 469 00:26:31,080 --> 00:26:34,879 Speaker 1: or whatever. So it's like well, and she even was like, 470 00:26:34,920 --> 00:26:38,040 Speaker 1: well I heard there's like really progressive like Muslim women 471 00:26:38,080 --> 00:26:40,720 Speaker 1: in Jordan, but like he like wasn't reading that far. 472 00:26:40,840 --> 00:26:43,880 Speaker 1: He was like just getting in to his studies, right, 473 00:26:43,960 --> 00:26:47,160 Speaker 1: he hadn't like gotten to the chapter on like progressive Muslims. Well, 474 00:26:47,160 --> 00:26:49,360 Speaker 1: this is insane because he gives her basically like all 475 00:26:49,400 --> 00:26:52,399 Speaker 1: these like how to Convert to Islam for Dummies books. 476 00:26:52,800 --> 00:26:54,639 Speaker 1: He's always been like, do you have your book. Do 477 00:26:54,720 --> 00:26:56,440 Speaker 1: you have your book? And she's like in the Philippines, 478 00:26:56,440 --> 00:26:59,000 Speaker 1: like shooting all these blaxploitation films and he's like, um, 479 00:26:59,119 --> 00:27:01,160 Speaker 1: did you read the book? Yeah, and it's like did 480 00:27:01,200 --> 00:27:03,240 Speaker 1: you finish? Like did you how to be Muslim? For Dammies? 481 00:27:03,280 --> 00:27:06,600 Speaker 1: And she's like, girl, I'm shooting a movie. Yeah, sorry, 482 00:27:06,600 --> 00:27:08,600 Speaker 1: I got to it. I'm thinking about it right. I'm 483 00:27:08,600 --> 00:27:12,879 Speaker 1: flaming a famous Roger Corman film, famous B movie director 484 00:27:12,880 --> 00:27:16,840 Speaker 1: of the seventies. Um. And then it all so it's 485 00:27:16,840 --> 00:27:19,120 Speaker 1: like and she knows she and he keeps on being 486 00:27:19,160 --> 00:27:21,080 Speaker 1: like I need to know so I can marry you. 487 00:27:21,160 --> 00:27:23,600 Speaker 1: And when he's trying to convince her, at one point 488 00:27:23,640 --> 00:27:26,000 Speaker 1: it's like, girl, be fun. Like we'll go to Mecca 489 00:27:26,080 --> 00:27:29,320 Speaker 1: to gather. And he's like, we can be like moderate 490 00:27:29,359 --> 00:27:32,000 Speaker 1: boots in Mecca and have and you can have like 491 00:27:32,080 --> 00:27:35,480 Speaker 1: other wife friends. This is He keeps it going, No, 492 00:27:35,720 --> 00:27:38,560 Speaker 1: here's the thing. You can say yes or no of 493 00:27:38,600 --> 00:27:41,760 Speaker 1: my other wives that I picked. You get final call. 494 00:27:41,840 --> 00:27:43,720 Speaker 1: And she's like yeah, but there's still gonna be other 495 00:27:43,760 --> 00:27:47,680 Speaker 1: wives and he's like, yeah, but again you get to pick. 496 00:27:49,240 --> 00:27:51,840 Speaker 1: He's like, I am I'm seeing this is a She's 497 00:27:51,840 --> 00:27:55,520 Speaker 1: like I don't know, not for me. And then uh, 498 00:27:56,520 --> 00:28:00,280 Speaker 1: finally they have like this horrible weekend in Wisconsin because 499 00:28:00,280 --> 00:28:04,920 Speaker 1: he's then playing for the Milwaukee Milwaukee back Milwaukee Bucks. 500 00:28:05,160 --> 00:28:08,480 Speaker 1: Do you remember that part where she describes Milwaukee as beautiful. 501 00:28:09,560 --> 00:28:11,679 Speaker 1: She was like, I stepped off the plane in Milwaukee 502 00:28:11,720 --> 00:28:18,520 Speaker 1: and it was absolutely gorgeous. The summer thunders. I will 503 00:28:18,520 --> 00:28:22,000 Speaker 1: say this at someone of having been to coin experience, 504 00:28:22,280 --> 00:28:25,360 Speaker 1: someone who's been to Wisconsin once. Not Milwaukee, but the 505 00:28:25,400 --> 00:28:29,280 Speaker 1: sky there it really does feel bigger, like I felt. 506 00:28:29,320 --> 00:28:31,080 Speaker 1: I was like, I was like, and I did see 507 00:28:31,080 --> 00:28:35,040 Speaker 1: a storm and it's it's just it covers you either. Anyway, 508 00:28:35,080 --> 00:28:37,320 Speaker 1: she's in Milwaukee and they get in this big fight 509 00:28:37,359 --> 00:28:40,320 Speaker 1: during a magnificent rain storm and he's still pushing her 510 00:28:40,400 --> 00:28:44,200 Speaker 1: to convert um. And then and at this when she'd 511 00:28:44,200 --> 00:28:46,080 Speaker 1: already had the like Paisley scarf thing where she was 512 00:28:46,160 --> 00:28:50,280 Speaker 1: driving trying to do a head wrap scarfla fell down 513 00:28:50,320 --> 00:28:52,160 Speaker 1: over her eyes and she like almost crashed and she 514 00:28:52,240 --> 00:28:55,080 Speaker 1: was just like everybody, Yeah, it's also a little bit 515 00:28:55,120 --> 00:28:57,840 Speaker 1: just like, well, you could probably like figure out how 516 00:28:57,840 --> 00:28:59,840 Speaker 1: to tie the scarf. She was being a little bit 517 00:28:59,840 --> 00:29:02,719 Speaker 1: like spirit is present about it. Yeah, she's very spiritual, 518 00:29:02,960 --> 00:29:07,480 Speaker 1: and it's just obviously the sex was very good because 519 00:29:07,520 --> 00:29:10,280 Speaker 1: the whole time she knew she was never going to convert, 520 00:29:10,360 --> 00:29:12,600 Speaker 1: but she kept on reading the book because an actor 521 00:29:12,680 --> 00:29:15,120 Speaker 1: prepares and she carries around the book. Yeah, and actu 522 00:29:15,160 --> 00:29:18,280 Speaker 1: prepares with her wherever she goes. So then here's what 523 00:29:18,320 --> 00:29:20,040 Speaker 1: the insane part was though. So then they kind of 524 00:29:20,040 --> 00:29:22,800 Speaker 1: stopped dating, and then like a couple months later, she 525 00:29:22,880 --> 00:29:25,880 Speaker 1: gets this phone call from him. It's on her birthday. 526 00:29:26,240 --> 00:29:28,720 Speaker 1: By the way, she's kittens are calling all over her. 527 00:29:29,000 --> 00:29:31,720 Speaker 1: She's like, our housecat just had kittens, so kittens are 528 00:29:31,720 --> 00:29:35,200 Speaker 1: crawling all over me. I'm laughing. Having a celebratory drink. 529 00:29:35,280 --> 00:29:38,320 Speaker 1: She doesn't drink. She's having like one champagne cocktail covered 530 00:29:38,360 --> 00:29:40,200 Speaker 1: in kittens. And she was like, you know, I was 531 00:29:40,240 --> 00:29:42,360 Speaker 1: expecting a phone call from him, because sometimes we all 532 00:29:42,400 --> 00:29:44,920 Speaker 1: expect that phone call on her birthday that you know, 533 00:29:44,960 --> 00:29:49,240 Speaker 1: that obligatory text, right, And he calls and she's like, 534 00:29:49,240 --> 00:29:51,600 Speaker 1: oh yeah, and he goes so like, do you want 535 00:29:51,600 --> 00:29:53,360 Speaker 1: to marry me? I kind of need to know now, 536 00:29:53,440 --> 00:29:56,720 Speaker 1: and she's like, huh, so you're kind of still doing 537 00:29:56,720 --> 00:29:59,720 Speaker 1: this and he's like, so, here's the thing. I'm actually 538 00:29:59,760 --> 00:30:02,800 Speaker 1: going to be getting married to a different woman at two. 539 00:30:03,200 --> 00:30:06,480 Speaker 1: I was like two two so it's early, and he's like, 540 00:30:06,520 --> 00:30:09,239 Speaker 1: but I won't if you don't want me to and 541 00:30:09,360 --> 00:30:11,920 Speaker 1: you want to marry him, I can convert like today, 542 00:30:12,120 --> 00:30:14,720 Speaker 1: and she's just like, this is completely insane. This is 543 00:30:14,720 --> 00:30:17,000 Speaker 1: like the rudest thing ever. And then like the mom's 544 00:30:17,000 --> 00:30:18,560 Speaker 1: in the phone. She's like, you should really marry him, 545 00:30:18,560 --> 00:30:19,920 Speaker 1: but you're not going to do right, you know what, 546 00:30:19,960 --> 00:30:21,719 Speaker 1: You're not going to do it, and I totally respect that. 547 00:30:22,200 --> 00:30:24,360 Speaker 1: Then he gets back on the phone and he's like, okay, 548 00:30:24,360 --> 00:30:26,080 Speaker 1: so if you're not going to marry me, can I 549 00:30:26,160 --> 00:30:30,480 Speaker 1: have the book back? It's like get another book? I 550 00:30:30,600 --> 00:30:33,600 Speaker 1: know Kareem Abdul Jabbar like and this was like the 551 00:30:33,800 --> 00:30:36,040 Speaker 1: how to Convert to Islam for Dummies and this was 552 00:30:36,120 --> 00:30:38,240 Speaker 1: at the height of his fame too. It's like, if 553 00:30:38,280 --> 00:30:42,000 Speaker 1: you can find another copy, babe, and that was out 554 00:30:42,040 --> 00:30:44,480 Speaker 1: of the Traveling Pants No, I know. I was like, 555 00:30:45,280 --> 00:30:48,520 Speaker 1: exchange the book and then what It's also it's the seventies, 556 00:30:48,560 --> 00:30:51,920 Speaker 1: so she's like getting back in her GMC truck driving 557 00:30:51,960 --> 00:30:54,440 Speaker 1: to the post office. Right who knows what was going 558 00:30:54,480 --> 00:30:56,560 Speaker 1: at the post office. Those days. Oh my god, So 559 00:30:56,640 --> 00:31:00,320 Speaker 1: there Jabar, I would say this, he carried her so 560 00:31:00,360 --> 00:31:03,600 Speaker 1: but this like he goes for like a long line 561 00:31:03,920 --> 00:31:07,280 Speaker 1: of just she was. She's never been married, only like 562 00:31:07,400 --> 00:31:11,000 Speaker 1: engaged and is always almost there. So she dated fam 563 00:31:11,120 --> 00:31:16,040 Speaker 1: comedian Freddie Prince, who I did not realize shot himself. Yeah, 564 00:31:16,120 --> 00:31:18,600 Speaker 1: quite sad, you know. As you see Freddie Prince Jr's 565 00:31:19,080 --> 00:31:21,479 Speaker 1: she's all that, You're like, oh he was like the 566 00:31:21,520 --> 00:31:25,680 Speaker 1: product of such tragedy. And their dates, Pam and Freddie 567 00:31:25,680 --> 00:31:28,880 Speaker 1: Prince's dates sounded like, so you're dating a comedian, where 568 00:31:28,960 --> 00:31:30,960 Speaker 1: like she was like it was so funny. He would 569 00:31:30,960 --> 00:31:33,360 Speaker 1: always do like British accents and then like pretend we're 570 00:31:33,360 --> 00:31:35,640 Speaker 1: all like captains on a boat. And I was like, okay, 571 00:31:35,800 --> 00:31:39,040 Speaker 1: this is my improv class. Like, yeah, she dates him 572 00:31:39,080 --> 00:31:41,880 Speaker 1: and and Richard Prior and they're both are like doing 573 00:31:41,920 --> 00:31:43,600 Speaker 1: a lot of coke and I'm kind of just like 574 00:31:43,680 --> 00:31:45,600 Speaker 1: the way that like he was like of course he 575 00:31:45,680 --> 00:31:49,160 Speaker 1: was a hot shot comedian, so every night was drug sex, women, alcohol, 576 00:31:49,200 --> 00:31:52,880 Speaker 1: and was like the way this is not comedians today. No, 577 00:31:53,120 --> 00:31:55,280 Speaker 1: that's the whole thing is that like SNL and everything, 578 00:31:55,280 --> 00:31:57,640 Speaker 1: it all used to be like coke and like everyone 579 00:31:57,680 --> 00:32:00,680 Speaker 1: was overdosing. And now it's just like the most stealists 580 00:32:00,720 --> 00:32:05,320 Speaker 1: you see zero pers and beer, zero proof foods, like 581 00:32:06,240 --> 00:32:09,240 Speaker 1: except for like John Mulaney's like nerdy ass. Oh I did? 582 00:32:09,280 --> 00:32:12,400 Speaker 1: I guess? We got completely black out at the Catherine 583 00:32:12,400 --> 00:32:16,120 Speaker 1: Cohen Netflix special party last week. Shout out to my 584 00:32:16,120 --> 00:32:18,480 Speaker 1: friend Cat. That was an incredible parties. But I feel 585 00:32:18,520 --> 00:32:21,040 Speaker 1: like that party was very like a bunch of comedians 586 00:32:21,040 --> 00:32:23,840 Speaker 1: and we were all like getting so wasting because it 587 00:32:23,920 --> 00:32:30,600 Speaker 1: was like our first party. It was the cat like energy. Yeah, 588 00:32:30,680 --> 00:32:32,520 Speaker 1: it was like very very cats party. It was not 589 00:32:32,600 --> 00:32:34,520 Speaker 1: just like a bunch of Richard Pryors who are like 590 00:32:34,880 --> 00:32:37,560 Speaker 1: doing coke off their coconail like every night. So the 591 00:32:37,640 --> 00:32:40,280 Speaker 1: big like thing that when this book came out that 592 00:32:40,480 --> 00:32:44,600 Speaker 1: people talked about is Pam Greer when she's Danny, Richard 593 00:32:44,640 --> 00:32:48,080 Speaker 1: Pryor goes to the gynecologist. He's like, do you do cocaine? 594 00:32:48,120 --> 00:32:51,240 Speaker 1: She's like no, and he's like, well, there's cocaine like 595 00:32:51,400 --> 00:32:57,920 Speaker 1: in your vagina and and he's like do you think 596 00:32:57,960 --> 00:33:01,040 Speaker 1: that does Richard Pryor like put coke on his dick 597 00:33:01,160 --> 00:33:04,000 Speaker 1: before he fucks you? Yeah? Was she doing a hum 598 00:33:04,000 --> 00:33:06,640 Speaker 1: and coke or something. And then and then and then 599 00:33:06,680 --> 00:33:08,280 Speaker 1: he was like, well when he was like, this is 600 00:33:08,280 --> 00:33:10,000 Speaker 1: going to be a very private question, but when you 601 00:33:10,040 --> 00:33:12,360 Speaker 1: give him oral sex to your teeth, feel them. And 602 00:33:12,400 --> 00:33:16,440 Speaker 1: then she was like that motherfu Though, I will say, actually, 603 00:33:16,440 --> 00:33:19,400 Speaker 1: it's like all of her characters, like Foxy Brown and 604 00:33:19,480 --> 00:33:23,360 Speaker 1: Coffee is so just like motherfucker this motherfucker that. But 605 00:33:23,440 --> 00:33:27,840 Speaker 1: she's not so motherfucker this motherfucker that you're talking about. 606 00:33:27,920 --> 00:33:30,240 Speaker 1: She's not so crude with her language. Yeah, Like she 607 00:33:30,360 --> 00:33:32,920 Speaker 1: is not like swearing so much as her Yeah, no, 608 00:33:32,960 --> 00:33:36,680 Speaker 1: it's cool that she doesn't swear too much. Yeah I 609 00:33:36,760 --> 00:33:38,959 Speaker 1: was swearing. No, I think it's awesome that she can 610 00:33:39,000 --> 00:33:41,360 Speaker 1: still be a role model for young women. I'm just 611 00:33:41,400 --> 00:33:47,120 Speaker 1: saying she is very different from her iconic seventies characters. Yeah. 612 00:33:47,160 --> 00:33:49,320 Speaker 1: I think that she is like very much like Kid 613 00:33:49,400 --> 00:33:51,280 Speaker 1: Porter in a lot of ways though, And I think 614 00:33:51,320 --> 00:33:53,840 Speaker 1: what's interesting about all her roles is like that I 615 00:33:53,920 --> 00:33:58,040 Speaker 1: really get in this book is that vulnerability, in that 616 00:33:58,120 --> 00:34:03,240 Speaker 1: fragility and and like you know her like being a 617 00:34:03,280 --> 00:34:07,040 Speaker 1: horse girl and like having this like very wild, interesting childhood. 618 00:34:07,120 --> 00:34:08,719 Speaker 1: She's like moved England and moved all around and was 619 00:34:08,760 --> 00:34:11,480 Speaker 1: an army brat and like was abuse, but was also 620 00:34:11,560 --> 00:34:15,480 Speaker 1: like always in these like really like you know, multicultural 621 00:34:15,719 --> 00:34:20,759 Speaker 1: neighborhoods and like learning how to make polish killed basispect 622 00:34:20,840 --> 00:34:24,359 Speaker 1: writing and to them. But and then like being an 623 00:34:24,360 --> 00:34:26,799 Speaker 1: ocean night. It's like she had a very you know, 624 00:34:27,120 --> 00:34:29,520 Speaker 1: diverse involved childhood and it's like I feel like that 625 00:34:30,120 --> 00:34:32,040 Speaker 1: that would be contributes with this like but there's this 626 00:34:32,080 --> 00:34:35,160 Speaker 1: real like softness to her. I would say extreme that's time. 627 00:34:35,160 --> 00:34:38,640 Speaker 1: I'm like she's very sensitive and she's very introspective, and 628 00:34:38,680 --> 00:34:41,400 Speaker 1: I really see that in her Jackie Brown character. I 629 00:34:41,400 --> 00:34:43,720 Speaker 1: feel like it's so there because like that that character's 630 00:34:43,840 --> 00:34:46,760 Speaker 1: very like nervous and serious and like quiet and quiet 631 00:34:47,600 --> 00:34:50,400 Speaker 1: like in the scene in her like first scene in 632 00:34:50,480 --> 00:34:53,520 Speaker 1: Jackie Brown when they're like the police really questioning her 633 00:34:53,520 --> 00:34:56,200 Speaker 1: and she's not saying anything like it's like coffee which 634 00:34:56,239 --> 00:34:58,720 Speaker 1: I watch. It's basically like she plays this woman who's 635 00:34:58,760 --> 00:35:02,279 Speaker 1: a nurse who's like secretly killing drug dealers because she's 636 00:35:02,280 --> 00:35:04,640 Speaker 1: out for revenge because her like twelve year old sister 637 00:35:04,960 --> 00:35:09,080 Speaker 1: is like a haroin act and and she's not being 638 00:35:09,120 --> 00:35:11,640 Speaker 1: so soft and vulnerable and like she is being like 639 00:35:11,680 --> 00:35:15,000 Speaker 1: I mean, she is being like huge machine gun like, motherfucker, 640 00:35:15,000 --> 00:35:17,440 Speaker 1: you're dead. But then like when she's like out of 641 00:35:17,480 --> 00:35:20,600 Speaker 1: her gun space, she is very like quiet nurse being 642 00:35:20,680 --> 00:35:23,320 Speaker 1: so like isn't it a shame? Like I can't believe 643 00:35:23,400 --> 00:35:27,680 Speaker 1: like my you know, sisters attention to drugs um and 644 00:35:27,760 --> 00:35:31,799 Speaker 1: she also just had some like and she yes, she's 645 00:35:31,800 --> 00:35:34,600 Speaker 1: bringing major gravatas and then her fun attending her Jackie 646 00:35:34,640 --> 00:35:37,319 Speaker 1: Brown character is so like it's not this usual, like 647 00:35:37,400 --> 00:35:41,839 Speaker 1: I'm just trafficking drugs and I'm like hard. It's she's 648 00:35:42,000 --> 00:35:44,960 Speaker 1: very it's like shy. Yeah, and that's also with Kid. 649 00:35:45,080 --> 00:35:49,000 Speaker 1: It's like she also is like sassy in this singer, 650 00:35:49,160 --> 00:35:53,200 Speaker 1: but is like shy and broken and like Bet is 651 00:35:53,280 --> 00:35:57,160 Speaker 1: much more of the like rageholic like insane power lesbian, 652 00:35:57,160 --> 00:35:59,120 Speaker 1: and Kid is always like you need to like calm 653 00:35:59,200 --> 00:36:02,719 Speaker 1: down and like think about Tina and like you're being 654 00:36:02,760 --> 00:36:06,360 Speaker 1: crazy and like too much of a toxic lean pimp. Yeah, 655 00:36:06,400 --> 00:36:09,200 Speaker 1: and she's right. I mean even her singing voice has 656 00:36:09,200 --> 00:36:17,000 Speaker 1: the softness and a fragility to a transformation avation. I know. 657 00:36:17,080 --> 00:36:21,480 Speaker 1: I was. I was looking up her songs because for 658 00:36:21,960 --> 00:36:25,680 Speaker 1: like her earlier movies, someone wanted to record an album 659 00:36:25,719 --> 00:36:29,080 Speaker 1: and that didn't like pop off. Um. Yeah, she was like, 660 00:36:29,080 --> 00:36:30,879 Speaker 1: we didn't record a couple of tracks, but like maybe 661 00:36:30,920 --> 00:36:32,560 Speaker 1: it wasn't my thing. But I mean she does not 662 00:36:32,640 --> 00:36:35,359 Speaker 1: have a powerful voice. No, it's like a soft it's 663 00:36:35,360 --> 00:36:40,759 Speaker 1: a little like smoking. Yeah, she does her club singer voice. 664 00:36:40,880 --> 00:36:43,120 Speaker 1: She and she has her speaking voice too, has a 665 00:36:43,200 --> 00:36:46,040 Speaker 1: sort of a soft, honey like quality to it, mixed 666 00:36:46,120 --> 00:36:50,319 Speaker 1: with a huskiness, like an almost anymore. Like there's a 667 00:36:50,400 --> 00:36:53,120 Speaker 1: depth there as well that I think all really great 668 00:36:53,120 --> 00:36:57,359 Speaker 1: actresses have, like a voice that has like you know, yes, 669 00:36:57,600 --> 00:37:01,520 Speaker 1: it's smokey to it. Yeah, shot, And that might go 670 00:37:01,600 --> 00:37:06,200 Speaker 1: to her western sensibility, you know, the silent cowboy. Yes, okay, yes, 671 00:37:07,080 --> 00:37:10,440 Speaker 1: that masculinity right, that's you know, we think of the 672 00:37:10,560 --> 00:37:15,000 Speaker 1: land the times. She's always mentioned Colorado well water. Oh 673 00:37:15,000 --> 00:37:17,440 Speaker 1: and how fucking good it is. She's like, thank god, 674 00:37:17,719 --> 00:37:23,000 Speaker 1: I was back to my clean I've never been to Colorado, 675 00:37:23,080 --> 00:37:25,960 Speaker 1: and I would die to try through water. You know. 676 00:37:26,280 --> 00:37:29,560 Speaker 1: Sure it's different. Yeah, days, I feel like probably a 677 00:37:29,600 --> 00:37:31,399 Speaker 1: lot of people don't have well water. You know, you're 678 00:37:31,400 --> 00:37:33,440 Speaker 1: a living in Colorado, bangs, you're living in Greater Denver. 679 00:37:33,560 --> 00:37:35,920 Speaker 1: It's like, no, with all these new houses and the building. 680 00:37:36,000 --> 00:37:38,600 Speaker 1: It's totally different Colorado. Can I say something about her 681 00:37:38,600 --> 00:37:40,960 Speaker 1: being a great role model for young women who doesn't swear? 682 00:37:42,880 --> 00:37:45,560 Speaker 1: So this is on the literally the same section she's 683 00:37:45,560 --> 00:37:48,080 Speaker 1: talking about Kreemduljabar's dick, how it's bigger than you're could 684 00:37:48,080 --> 00:37:52,520 Speaker 1: possibly imagine. She was. I want to be clear here 685 00:37:52,600 --> 00:37:55,000 Speaker 1: that I appreciate good sex as much as the next person, 686 00:37:55,480 --> 00:37:58,799 Speaker 1: but in my opinion, women are not valuing or appreciating 687 00:37:58,880 --> 00:38:02,120 Speaker 1: sex enough. When girls start having lots of sex at 688 00:38:02,160 --> 00:38:06,520 Speaker 1: young ages, they wear their vagina is out. Literally, what 689 00:38:06,560 --> 00:38:09,120 Speaker 1: do you expect if you have intercourse four or five 690 00:38:09,160 --> 00:38:11,480 Speaker 1: times a week with different partners starting when you're fifteen 691 00:38:11,520 --> 00:38:13,520 Speaker 1: years old. By the time you grow up and meet 692 00:38:13,560 --> 00:38:18,520 Speaker 1: a great guy, you're all stretched out. Wow wow, And 693 00:38:18,640 --> 00:38:22,239 Speaker 1: it's like but this guy had a massive Yeah. I 694 00:38:22,239 --> 00:38:23,960 Speaker 1: mean I feel like it's like, well, I mean, if 695 00:38:24,000 --> 00:38:26,759 Speaker 1: you're only having sex with Kareem abdul Jaboar by the 696 00:38:26,800 --> 00:38:29,239 Speaker 1: time you're fifteen, you know, from fifteen on, yeah, maybe 697 00:38:29,239 --> 00:38:31,160 Speaker 1: you will be stretched out. But if you have maybe 698 00:38:31,200 --> 00:38:34,200 Speaker 1: more of a variety of size. I mean, let's say 699 00:38:34,200 --> 00:38:36,080 Speaker 1: to our readers, I don't know this is true. I mean, 700 00:38:36,120 --> 00:38:39,759 Speaker 1: I do think that like ultimately the body loses a 701 00:38:39,840 --> 00:38:42,520 Speaker 1: less testity over time, but I don't think that it 702 00:38:42,560 --> 00:38:45,319 Speaker 1: loses less city from use. No, I know that was 703 00:38:45,360 --> 00:38:48,839 Speaker 1: just like such a weird thing, like a six year 704 00:38:48,840 --> 00:38:50,920 Speaker 1: of vagina is not as tight as a twenty two 705 00:38:51,000 --> 00:38:53,920 Speaker 1: year old festy. But same thing with an asshole. I mean, 706 00:38:54,200 --> 00:38:56,680 Speaker 1: pilot of the L word right when Alice is going 707 00:38:56,719 --> 00:38:59,839 Speaker 1: in for doing the article on fasil. But I think 708 00:38:59,840 --> 00:39:03,160 Speaker 1: that it's just normal times. Yeah, it's not like or 709 00:39:03,200 --> 00:39:06,680 Speaker 1: having children. I've heard I have not bore any. But 710 00:39:06,719 --> 00:39:08,960 Speaker 1: then I'm like, I wonder about gay guys who are 711 00:39:09,000 --> 00:39:12,640 Speaker 1: so ran through as the phrase you're always saying being like, oh, 712 00:39:12,680 --> 00:39:15,440 Speaker 1: I don't want to like get into fisting because like 713 00:39:15,480 --> 00:39:18,000 Speaker 1: I don't want my asshole to like, yeah, get huge. 714 00:39:18,040 --> 00:39:19,799 Speaker 1: Well it's not just that I want to get huge, 715 00:39:19,800 --> 00:39:22,080 Speaker 1: it's that I don't want to, as I've explained this 716 00:39:22,120 --> 00:39:26,839 Speaker 1: pot that I don't want to become so desensitized lems 717 00:39:26,880 --> 00:39:29,160 Speaker 1: of sex that I just have to get fisted with 718 00:39:29,280 --> 00:39:31,960 Speaker 1: just like the most insane. Just like do you think 719 00:39:32,280 --> 00:39:37,960 Speaker 1: spiked glove? I feel like Pam has done anal you 720 00:39:38,000 --> 00:39:41,440 Speaker 1: think no, okay, straight up more just I don't know, 721 00:39:41,800 --> 00:39:43,680 Speaker 1: maybe the seventies. I mean, she's day only these men 722 00:39:43,680 --> 00:39:46,479 Speaker 1: who are like they probably wanted to try some funky stuff. Yeah, 723 00:39:46,480 --> 00:39:48,160 Speaker 1: And I feel like she was like, look when you're 724 00:39:48,200 --> 00:39:50,680 Speaker 1: making love with a man. And she also likes that cream. 725 00:39:50,680 --> 00:39:54,160 Speaker 1: Abdul Jabbar showers like eighteen times a day, which makes 726 00:39:54,160 --> 00:39:56,480 Speaker 1: me think that she's so just like it's grossed to 727 00:39:56,480 --> 00:40:01,240 Speaker 1: eat a man's booty and like, I'm not doing that well, 728 00:40:01,360 --> 00:40:07,880 Speaker 1: especially if you're not wiping with corn cobs. Okay, So 729 00:40:07,920 --> 00:40:10,560 Speaker 1: I guess we should. Let's get to some things about 730 00:40:10,640 --> 00:40:15,200 Speaker 1: the L word. One so fabulous, which I didn't know 731 00:40:15,320 --> 00:40:17,680 Speaker 1: the role written for her, right, so it was not 732 00:40:17,840 --> 00:40:23,400 Speaker 1: originally the straight sister of Kit. It was a leather 733 00:40:23,719 --> 00:40:26,600 Speaker 1: butch that blew my mind. So the head of Showtime 734 00:40:26,680 --> 00:40:28,359 Speaker 1: calls her and he's like, you're having dinner with me 735 00:40:28,440 --> 00:40:32,279 Speaker 1: and she's just getting like over cancer and she's like, oh, fuck, 736 00:40:32,320 --> 00:40:34,439 Speaker 1: I forgot I'm having there with you. And he was like, yeah, 737 00:40:34,480 --> 00:40:36,160 Speaker 1: here's the thing. You're having it with me and you 738 00:40:36,239 --> 00:40:38,720 Speaker 1: have a role like we're doing a new series about 739 00:40:38,800 --> 00:40:43,640 Speaker 1: lesbians and women in Los Angeles, and she goes, I 740 00:40:43,640 --> 00:40:45,520 Speaker 1: would be playing the part of Kit, a straight woman 741 00:40:45,640 --> 00:40:48,399 Speaker 1: with a tarnished past. They had written her character as 742 00:40:48,400 --> 00:40:52,600 Speaker 1: a leather butch documentarian whose body was covered in tattoos 743 00:40:52,640 --> 00:40:55,960 Speaker 1: depicting various love entanglements. When the series was finally picked up, 744 00:40:56,000 --> 00:40:58,200 Speaker 1: they changed Kit's character to a straight it's actually curious 745 00:40:58,200 --> 00:41:01,640 Speaker 1: and non judgmental recovering alcohol. So Kit was literally supposed 746 00:41:01,640 --> 00:41:05,719 Speaker 1: to be a mix between Um Dylan Helena's lover right 747 00:41:06,680 --> 00:41:09,840 Speaker 1: season four, and she's also supposed to be like this 748 00:41:10,040 --> 00:41:13,200 Speaker 1: crazy biker butch okay and then who has the chart 749 00:41:13,400 --> 00:41:15,239 Speaker 1: she has shot on the back. But this is the 750 00:41:15,239 --> 00:41:18,320 Speaker 1: most insane part. It's like an it's like a Buddhist 751 00:41:18,440 --> 00:41:22,280 Speaker 1: tribal version of the chart. Yeah, so there is like 752 00:41:22,600 --> 00:41:25,719 Speaker 1: they do it on is that's her? That's they did 753 00:41:25,760 --> 00:41:29,440 Speaker 1: a full three hour temporary tattoo on Pam Grier's back 754 00:41:29,480 --> 00:41:31,120 Speaker 1: that there's a photo of it and they're posting this 755 00:41:31,400 --> 00:41:34,680 Speaker 1: and it's like Kit and then like dabed Tina Kathy 756 00:41:34,800 --> 00:41:38,080 Speaker 1: Georgia Shane is a node. But it's like this insane 757 00:41:38,080 --> 00:41:41,360 Speaker 1: tribal to like an owl and like and it fully 758 00:41:41,400 --> 00:41:45,319 Speaker 1: takes up her entire back. This is so insane that 759 00:41:45,440 --> 00:41:51,600 Speaker 1: Kit was originally this like leather tribal leather documentary filmmaker 760 00:41:51,680 --> 00:41:54,600 Speaker 1: comment filmmaker with a tribal chart on her entire back. 761 00:41:54,719 --> 00:41:58,240 Speaker 1: If our Patreon, if our patre gets the twenty thousand dollars, 762 00:41:59,080 --> 00:42:01,319 Speaker 1: I'll get that too on my back. I will get 763 00:42:01,360 --> 00:42:05,040 Speaker 1: that tattooed both. Well. Okay, so done. There you have it. 764 00:42:07,239 --> 00:42:14,959 Speaker 1: Subscribe um. Also, she truly says the reason she wrote 765 00:42:15,000 --> 00:42:21,440 Speaker 1: this book is because none other than author Jenny I 766 00:42:21,680 --> 00:42:25,520 Speaker 1: was just like Jenny Scheckter, inventor of books. She was like, 767 00:42:25,600 --> 00:42:28,360 Speaker 1: I got the idea from my friend, fictional character Jenny Scheckter, 768 00:42:28,400 --> 00:42:32,120 Speaker 1: who was always writing books on the L word, and 769 00:42:32,239 --> 00:42:34,640 Speaker 1: she's like, oh, and she talks about it's so beautiful 770 00:42:34,880 --> 00:42:37,440 Speaker 1: and you can tell and it's like, come for the 771 00:42:37,600 --> 00:42:39,560 Speaker 1: L word as much as you want, because it's like 772 00:42:40,040 --> 00:42:43,600 Speaker 1: update um. But it's like she talks about like how 773 00:42:43,719 --> 00:42:46,160 Speaker 1: much of like an insane family they were, and you 774 00:42:46,239 --> 00:42:48,600 Speaker 1: can tell that on screen, you know. I agree, But 775 00:42:48,640 --> 00:42:50,839 Speaker 1: I also this thing reading. I do feel like when 776 00:42:51,120 --> 00:42:53,080 Speaker 1: this book came on twenty ten, I think by that time, 777 00:42:53,160 --> 00:42:55,719 Speaker 1: like probably half the people who even know Pam Greer 778 00:42:55,920 --> 00:42:57,640 Speaker 1: who are from the L word, because like that shows 779 00:42:57,680 --> 00:43:00,359 Speaker 1: so popular and like she knows how about the show 780 00:43:00,440 --> 00:43:01,920 Speaker 1: is and like that was like a big reason probably 781 00:43:01,960 --> 00:43:03,960 Speaker 1: why she got the book deal and everything. So it's 782 00:43:04,000 --> 00:43:07,319 Speaker 1: like I do feel like she basically only said really 783 00:43:07,360 --> 00:43:09,640 Speaker 1: positive things about the show, like someone briefly at the end, 784 00:43:09,680 --> 00:43:11,720 Speaker 1: it was kind of like, I mean that the character 785 00:43:11,840 --> 00:43:13,640 Speaker 1: thing was like a huge sucker, but I was like, 786 00:43:13,880 --> 00:43:16,960 Speaker 1: there wasn't so much. It was very like we're all 787 00:43:17,040 --> 00:43:19,040 Speaker 1: best friends and we all love each other. I kind 788 00:43:19,080 --> 00:43:22,120 Speaker 1: of think it was like that except for Jenny. I 789 00:43:22,160 --> 00:43:25,480 Speaker 1: feel like there was some drama with Jenny and everyone else. 790 00:43:25,520 --> 00:43:27,640 Speaker 1: I got along so much. There was drawn with Curser's 791 00:43:27,680 --> 00:43:31,080 Speaker 1: charactercause Urshner's insane. Yeah, she was like i'd be. I 792 00:43:31,200 --> 00:43:33,560 Speaker 1: just feel like they were being so like lesbian family 793 00:43:33,560 --> 00:43:35,160 Speaker 1: and being like I was always checking in on like 794 00:43:35,560 --> 00:43:38,080 Speaker 1: you know, and they were all watching each other's dogs 795 00:43:38,239 --> 00:43:41,440 Speaker 1: when they were away, and she was like Laurel Holloman's 796 00:43:41,560 --> 00:43:44,239 Speaker 1: mom was also a nurse and just like Alice's mom 797 00:43:44,360 --> 00:43:47,319 Speaker 1: was a nurse, and like I encourage like Alice's music 798 00:43:47,440 --> 00:43:50,600 Speaker 1: career of like ah ha her ha ha. Well wait, 799 00:43:50,680 --> 00:43:56,040 Speaker 1: her first band was called the Murmurs and then she right, 800 00:43:56,160 --> 00:43:58,239 Speaker 1: so you think there was like more tea. Well, she 801 00:43:58,520 --> 00:44:02,160 Speaker 1: does talk. She obviously is like so grateful for her 802 00:44:02,239 --> 00:44:04,960 Speaker 1: Jackie Brown roll, which is really what I think revived 803 00:44:05,000 --> 00:44:07,359 Speaker 1: her because then I feel like the reason why she's 804 00:44:07,400 --> 00:44:09,560 Speaker 1: picked for hours because she did some random Showtime show 805 00:44:09,600 --> 00:44:12,680 Speaker 1: called like Links, yeah, which I was like, what, which 806 00:44:12,719 --> 00:44:15,480 Speaker 1: I've never heard of us? That's so Showtime. It's so 807 00:44:15,560 --> 00:44:19,160 Speaker 1: like our less. It's like it's about there's always like 808 00:44:19,200 --> 00:44:23,359 Speaker 1: about a office. It's like some sort of like sexy office. Yeah, 809 00:44:23,360 --> 00:44:25,600 Speaker 1: because Showtime is always getting a little bit sexier, and 810 00:44:25,719 --> 00:44:29,320 Speaker 1: that's why we love him yea. And I mean my 811 00:44:29,560 --> 00:44:33,960 Speaker 1: fucking question for Eileen Shaken Yeah, is why did they 812 00:44:34,080 --> 00:44:36,799 Speaker 1: kill off Kit for gen que Kid's dad. Yeah, it's 813 00:44:36,840 --> 00:44:40,000 Speaker 1: so fucked up because so throughout alivel Ward if you've 814 00:44:40,239 --> 00:44:42,439 Speaker 1: I'm sure you've seen it, if you're listening to the show, 815 00:44:42,760 --> 00:44:46,880 Speaker 1: it's like she's recovering alcoholic and it's like sober for 816 00:44:46,960 --> 00:44:49,000 Speaker 1: the whole show except for like one relapse. And then 817 00:44:50,120 --> 00:44:53,640 Speaker 1: Bett basically says like she died off being like addicted 818 00:44:53,880 --> 00:44:58,160 Speaker 1: to prescription pills because the whole storyline like fighting the 819 00:44:58,239 --> 00:45:01,239 Speaker 1: opioid I was so annoying and just cheap of gen 820 00:45:01,320 --> 00:45:03,279 Speaker 1: Que and so cheap. I mean, gen Que is the 821 00:45:03,440 --> 00:45:07,520 Speaker 1: cheapest show. Yeah, made very sex and the city being 822 00:45:07,600 --> 00:45:10,840 Speaker 1: like and then Stanford went to Japan bye bye, and 823 00:45:10,960 --> 00:45:12,880 Speaker 1: it's like, I don't know if they offered it to 824 00:45:13,000 --> 00:45:14,840 Speaker 1: Kit And she said, I mean to Pam and she 825 00:45:14,960 --> 00:45:17,920 Speaker 1: said no, honestly, no, I mean Colorado. I'm riding horses 826 00:45:18,000 --> 00:45:20,520 Speaker 1: right with my horses. It's possible. I guess I would 827 00:45:20,560 --> 00:45:23,440 Speaker 1: just like answers. I do think that she is obviously 828 00:45:23,520 --> 00:45:26,000 Speaker 1: she likes Dick and she was addictifies. Do you feel 829 00:45:26,000 --> 00:45:29,279 Speaker 1: like she like is a little boy kids quartering that 830 00:45:29,400 --> 00:45:32,560 Speaker 1: way where just like if the right I came along, 831 00:45:32,920 --> 00:45:36,319 Speaker 1: tryon's mask and she would just be like, let's make 832 00:45:36,400 --> 00:45:39,120 Speaker 1: it work, right. She's being there, I don't care about 833 00:45:39,200 --> 00:45:42,960 Speaker 1: I don't the body parts. You know, they're toys as big, 834 00:45:43,200 --> 00:45:46,359 Speaker 1: bigger than Kareem, you know, yeah, exactly know. At the end, 835 00:45:46,719 --> 00:45:48,000 Speaker 1: thank you for saying at the end of this book, 836 00:45:48,040 --> 00:45:49,320 Speaker 1: I was like, and I was because I was like, 837 00:45:49,400 --> 00:45:52,120 Speaker 1: it's a lot of you being alone with horses, babe. No. 838 00:45:52,320 --> 00:45:54,719 Speaker 1: And She's always like, you know, and it's okay that 839 00:45:54,840 --> 00:45:57,360 Speaker 1: I never married, because I have lovers and I've fallen 840 00:45:57,400 --> 00:45:59,840 Speaker 1: in love and I've had all these experiences. And she's like, 841 00:46:00,080 --> 00:46:01,920 Speaker 1: and there's so many children to be loved, and I 842 00:46:01,960 --> 00:46:04,600 Speaker 1: didn't like need my own, and like life is a journey. 843 00:46:04,640 --> 00:46:08,080 Speaker 1: And she gets very introspective and like, isn't like mad 844 00:46:08,239 --> 00:46:11,560 Speaker 1: that some things didn't happen for her, like marriage and kids, 845 00:46:12,520 --> 00:46:15,760 Speaker 1: And I'm just like, I feel like the reason maybe 846 00:46:15,960 --> 00:46:19,000 Speaker 1: like she chose some men that she knew were unavailable, 847 00:46:19,440 --> 00:46:23,800 Speaker 1: Richard Pryor Kareem Freddie Prince. Yes, this guy, this like 848 00:46:24,080 --> 00:46:28,279 Speaker 1: white guy who's like, oh, like Lancer Lance who she 849 00:46:28,480 --> 00:46:30,120 Speaker 1: gives an out. She's like, am I a fetish for you? 850 00:46:30,200 --> 00:46:32,040 Speaker 1: And he's like no. And then three years later he's like, 851 00:46:32,120 --> 00:46:34,000 Speaker 1: I'm actually not gonna invite you want a goat trip 852 00:46:34,080 --> 00:46:36,520 Speaker 1: because like and he literally was fizz with me. He 853 00:46:36,600 --> 00:46:38,640 Speaker 1: was like, you're just like not that. He's like, you're 854 00:46:38,680 --> 00:46:41,000 Speaker 1: not so country club. I was like that's a line 855 00:46:41,040 --> 00:46:44,520 Speaker 1: from jen Q, I know. And she was just like, well, 856 00:46:44,560 --> 00:46:46,760 Speaker 1: I told you that I wasn't so country club in marriage. 857 00:46:46,880 --> 00:46:48,359 Speaker 1: And he's been like, but you need to be more 858 00:46:48,480 --> 00:46:52,680 Speaker 1: like Lily pulitz Er marriage boots, And she's like, boots, Yeah, 859 00:46:52,800 --> 00:46:56,120 Speaker 1: I think that, um, she should be so demi more 860 00:46:56,239 --> 00:47:00,640 Speaker 1: and just like start dating her, like long time hair stylist, 861 00:47:01,120 --> 00:47:04,200 Speaker 1: write me with my hair. And at the end she 862 00:47:04,320 --> 00:47:06,239 Speaker 1: was like, oh the and wait wait with a part 863 00:47:06,360 --> 00:47:08,240 Speaker 1: hold on it and a good thing. When she describes 864 00:47:08,640 --> 00:47:11,040 Speaker 1: with being a switches and she's like, oh and like 865 00:47:11,480 --> 00:47:14,680 Speaker 1: some some women are dominant like a man, and then 866 00:47:14,800 --> 00:47:17,200 Speaker 1: they can be turned around and be submissive in their 867 00:47:17,280 --> 00:47:19,680 Speaker 1: next relations She's like, I learned so much about the 868 00:47:19,880 --> 00:47:35,040 Speaker 1: lesbian community in my research. When your verse segment, motherfucker wear? 869 00:47:35,280 --> 00:47:38,040 Speaker 1: What does she eat? How does she live? Right? What 870 00:47:38,120 --> 00:47:40,840 Speaker 1: does she eat? She she's a foodie. She is a 871 00:47:41,000 --> 00:47:44,920 Speaker 1: total foodie, like she is a food decima and like 872 00:47:45,120 --> 00:47:48,400 Speaker 1: because the way that she describes food like she really 873 00:47:48,640 --> 00:47:53,239 Speaker 1: has like a knowledge and back well because she grew 874 00:47:53,320 --> 00:47:57,520 Speaker 1: up gardening, so she's like fresh leaks, fresh parsley. Our 875 00:47:57,600 --> 00:48:00,719 Speaker 1: white and black neighbors traded vegetables, freshly caught fish, and 876 00:48:00,920 --> 00:48:03,400 Speaker 1: venison to help each other out. As a result, we 877 00:48:03,440 --> 00:48:06,520 Speaker 1: always had fresh lettuce with Italian dressing and ripe, pungent 878 00:48:06,560 --> 00:48:09,279 Speaker 1: tomatoes that were blood red on the inside. We grew 879 00:48:09,320 --> 00:48:12,719 Speaker 1: our onions, scallions, radishes, and carrots on the far side 880 00:48:12,719 --> 00:48:15,360 Speaker 1: of my grandparents house was a big strawberry patch in 881 00:48:15,360 --> 00:48:16,759 Speaker 1: the middle of the badge of a tree that wore 882 00:48:16,840 --> 00:48:19,879 Speaker 1: golden free stone peaches with little clips in the sides 883 00:48:19,920 --> 00:48:22,480 Speaker 1: that turn orange when the peaches were ripe. Beside the 884 00:48:22,520 --> 00:48:24,920 Speaker 1: peach tree was a prolific black walnut tree and cherry 885 00:48:25,000 --> 00:48:27,880 Speaker 1: tree full of dark red bing cherries that weighed the 886 00:48:27,960 --> 00:48:31,279 Speaker 1: branches down when they were ready for picking. It's like 887 00:48:31,520 --> 00:48:33,399 Speaker 1: she knows her food. Did you see that part where 888 00:48:33,440 --> 00:48:34,800 Speaker 1: she's also was talking about how they always had like 889 00:48:34,920 --> 00:48:37,360 Speaker 1: venison spaghetti. I feel like they were doing a venison bullineers. 890 00:48:37,760 --> 00:48:39,680 Speaker 1: They would catch chicken wring its neck and laid across 891 00:48:39,680 --> 00:48:41,880 Speaker 1: the stump chop of its side with a guillotine and 892 00:48:42,040 --> 00:48:45,400 Speaker 1: drain the blood. Not the guillotine, I know. I wond 893 00:48:45,440 --> 00:48:47,200 Speaker 1: if she's doing that Italian pasta that I always want 894 00:48:47,200 --> 00:48:51,400 Speaker 1: to have that has on yolks that you can only 895 00:48:51,560 --> 00:48:55,400 Speaker 1: get from like a pregnant chicken. It's like egg yolks 896 00:48:55,440 --> 00:48:57,480 Speaker 1: that are like taken out of the eggs, that are 897 00:48:57,520 --> 00:49:01,839 Speaker 1: like haven't even been like fall warmed into chickens. They're 898 00:49:02,000 --> 00:49:05,279 Speaker 1: just like haven't even pre laid. Yeah, not that you would, 899 00:49:05,560 --> 00:49:08,040 Speaker 1: of course, you would want this like a free laid 900 00:49:08,080 --> 00:49:11,480 Speaker 1: You're like, I want the pre laid egg. Carbonera. Mom, 901 00:49:12,840 --> 00:49:15,719 Speaker 1: it's for me, the pre laid egg. It just has 902 00:49:15,800 --> 00:49:23,720 Speaker 1: a really unctious, super super rich playing. She is sober. 903 00:49:25,600 --> 00:49:29,239 Speaker 1: Right as we said, she doesn't swear. Doesn't swear. You're 904 00:49:29,360 --> 00:49:32,279 Speaker 1: vagina can get worn out at an early age if 905 00:49:32,280 --> 00:49:34,000 Speaker 1: you have too much sex, And she's which is it. 906 00:49:34,120 --> 00:49:36,319 Speaker 1: She's like, yeah, you're vagina get worn out. But it's 907 00:49:36,360 --> 00:49:40,080 Speaker 1: like her vagina gets like so full of coke. That's 908 00:49:40,200 --> 00:49:41,879 Speaker 1: I guess more of a thing that can happen less 909 00:49:41,880 --> 00:49:45,400 Speaker 1: you're vagina getting worn out. Um, okay, how does she 910 00:49:46,520 --> 00:49:49,680 Speaker 1: do so? I mean she's like stylish, but it's also 911 00:49:49,760 --> 00:49:51,520 Speaker 1: like I had one pair of Goga boots. I'm like 912 00:49:51,760 --> 00:49:54,320 Speaker 1: with seventies and then all of a sudden at the 913 00:49:54,560 --> 00:49:58,440 Speaker 1: end she really bonds with the Elbert costume designer, and 914 00:49:58,520 --> 00:50:05,840 Speaker 1: it's like she turned me onto beautiful design Chanel. I 915 00:50:05,920 --> 00:50:07,560 Speaker 1: think she's kind of rich celebrity style in the kind 916 00:50:07,560 --> 00:50:10,360 Speaker 1: of a Sharon Stone way. I think she's big, crisp, 917 00:50:10,640 --> 00:50:14,640 Speaker 1: white button down and like an awesome like Ermani leather 918 00:50:14,760 --> 00:50:17,759 Speaker 1: jacket or yeah, because she's still doing like western kind 919 00:50:17,840 --> 00:50:20,719 Speaker 1: of inspired look. Yes, and she's like on the range 920 00:50:20,760 --> 00:50:24,120 Speaker 1: in Colorado. I think she's wearing like the like some 921 00:50:24,320 --> 00:50:29,840 Speaker 1: more like bespoke, probably like Colorado flares and like beaded, 922 00:50:31,360 --> 00:50:35,040 Speaker 1: kind of more Native American. Cha. She's getting some like 923 00:50:35,200 --> 00:50:38,920 Speaker 1: Native American inspired like Wade for the house. But then 924 00:50:39,000 --> 00:50:42,360 Speaker 1: absolutely she is going to just like like Drask and 925 00:50:42,560 --> 00:50:45,359 Speaker 1: Flaggin like in Denver and getting like a weird two 926 00:50:45,480 --> 00:50:47,799 Speaker 1: hundred and eighty five dollars because she loves to ski. 927 00:50:47,960 --> 00:50:52,080 Speaker 1: So I think she's getting some like fun. She's picking 928 00:50:52,160 --> 00:50:55,600 Speaker 1: up a few things. I think, yeah, oh yeah, and 929 00:50:55,760 --> 00:50:58,680 Speaker 1: she's like it's so good to feel that crisp aspen 930 00:50:59,000 --> 00:51:06,239 Speaker 1: air o. Hey, how does she live? Buddha bud Bud. 931 00:51:06,760 --> 00:51:10,000 Speaker 1: I think it's um farm sync again. I think it 932 00:51:10,200 --> 00:51:13,719 Speaker 1: is a little bit Pendleton in there, Like I feel 933 00:51:13,760 --> 00:51:16,160 Speaker 1: like maybe her and Miranda Lambert, like their homes are 934 00:51:16,280 --> 00:51:20,879 Speaker 1: not I don't know if it's so like no, it's 935 00:51:20,880 --> 00:51:23,719 Speaker 1: not like Teto's and like, but I think there's like 936 00:51:23,920 --> 00:51:29,200 Speaker 1: gorgeous native blankets Buddha's Oh wait, what amazing art does 937 00:51:29,239 --> 00:51:32,479 Speaker 1: she have? Like framed from like a producer. I feel 938 00:51:32,520 --> 00:51:36,440 Speaker 1: like she's something framed that someone gave to her that 939 00:51:37,040 --> 00:51:42,880 Speaker 1: she's got one thing framed. Yeah, yeah, I definitely just 940 00:51:43,000 --> 00:51:46,920 Speaker 1: like Quentin won this innoction. He sent it to me, right, 941 00:51:47,239 --> 00:51:53,600 Speaker 1: Quentin Quentin, who sounds like our total actors direct. That 942 00:51:53,800 --> 00:51:57,279 Speaker 1: was the thing that she was like, She was, I 943 00:51:57,320 --> 00:51:59,879 Speaker 1: love Quentin, but then she was like, I will say, though, 944 00:52:00,239 --> 00:52:03,200 Speaker 1: I don't think he totally understands where women are or 945 00:52:03,360 --> 00:52:05,759 Speaker 1: come from, because in one scene I cried and he 946 00:52:05,840 --> 00:52:08,160 Speaker 1: wanted me to redo it the scene without me crying. 947 00:52:08,760 --> 00:52:10,080 Speaker 1: And it's kind of like, I think that was just 948 00:52:10,200 --> 00:52:13,520 Speaker 1: maybe him like getting options, because I also feel it's 949 00:52:13,520 --> 00:52:15,200 Speaker 1: so funny. She said that as a reading because I 950 00:52:15,400 --> 00:52:17,520 Speaker 1: was chatting a friend of the pod Arabella today and 951 00:52:17,560 --> 00:52:19,320 Speaker 1: we were talking about Jackie Brown how much she likes it, 952 00:52:19,320 --> 00:52:22,800 Speaker 1: and she was just like, Tarantino just gets women. And 953 00:52:23,000 --> 00:52:26,200 Speaker 1: she said that totally unprovoked. That's such an Arabella thing 954 00:52:26,239 --> 00:52:32,960 Speaker 1: to say. I know you're listening up there, and I 955 00:52:33,160 --> 00:52:35,879 Speaker 1: was like, straight girl stuffed to be like, if there's 956 00:52:35,960 --> 00:52:43,040 Speaker 1: one person who gets women's quinnin Tarantina Tarantino, who are 957 00:52:43,080 --> 00:52:45,160 Speaker 1: you in the book? Okay am I When she's in 958 00:52:45,160 --> 00:52:47,960 Speaker 1: the Philippines shooting one of those movies and there's like 959 00:52:48,160 --> 00:52:50,400 Speaker 1: a friend that She's like, I made friends with this 960 00:52:50,560 --> 00:52:53,880 Speaker 1: really awesome local guy who like showed me where to 961 00:52:53,960 --> 00:52:57,759 Speaker 1: like buy wares from the local women. Okay, and I 962 00:52:57,880 --> 00:53:02,040 Speaker 1: just got a gay vibe. Yeah, or Allan coming, Yeah, 963 00:53:02,040 --> 00:53:05,480 Speaker 1: you're Allen coming, um, who was so fun to work with. 964 00:53:05,880 --> 00:53:09,040 Speaker 1: So she's like he was just so funny, so professional, 965 00:53:09,200 --> 00:53:11,879 Speaker 1: and she was like the guest stars on Theale Word 966 00:53:12,080 --> 00:53:15,040 Speaker 1: were as good as the cast. Yeah, and then she 967 00:53:15,160 --> 00:53:18,759 Speaker 1: just lists all the guest star over Gloria Steinem. Yeah. 968 00:53:20,000 --> 00:53:22,960 Speaker 1: Remember when Emma Goldman said if there's no dancing at 969 00:53:23,000 --> 00:53:27,600 Speaker 1: the Revolution, I'm not coming saying she was. Gloria Steinin 970 00:53:27,719 --> 00:53:30,960 Speaker 1: plays a woman that Bets Dado used to hook up with, 971 00:53:31,160 --> 00:53:34,400 Speaker 1: which they don't explain that in the actual episode to 972 00:53:34,560 --> 00:53:37,520 Speaker 1: get deep intel word stuff. Oh yeah, Chloris Steinem is 973 00:53:37,560 --> 00:53:41,400 Speaker 1: just chilling the never they never say that she like 974 00:53:41,560 --> 00:53:45,400 Speaker 1: hooked up with Ozzie Davis's character. Yeah, yeah, that is interesting. 975 00:53:45,640 --> 00:53:49,480 Speaker 1: I was also thinking maybe like you're her like one 976 00:53:49,520 --> 00:53:55,359 Speaker 1: of her her like more like out their girlfriend Tomara Dobson. Yeah, oh, 977 00:53:55,440 --> 00:53:58,640 Speaker 1: who's kind of the more her glamorous international and like 978 00:53:58,880 --> 00:54:00,800 Speaker 1: all of like Ebony and Jedd are always trying to 979 00:54:00,840 --> 00:54:03,200 Speaker 1: say that their rivals and she's like, we were not rival. 980 00:54:03,280 --> 00:54:06,040 Speaker 1: We were not. They could print whatever they want, shared 981 00:54:06,239 --> 00:54:08,640 Speaker 1: makeup and clothes and live down the offering each other 982 00:54:08,719 --> 00:54:12,240 Speaker 1: in West Hollywood, right, So like, oh, seventies West Hollywood. 983 00:54:12,360 --> 00:54:14,480 Speaker 1: I would love to be tomorrow. I think you're more 984 00:54:14,560 --> 00:54:17,680 Speaker 1: Tomorrow Dobson, and I guess yeah, my Pam Greer and 985 00:54:17,760 --> 00:54:19,520 Speaker 1: like all the magazines are always trying to say we're 986 00:54:19,520 --> 00:54:22,000 Speaker 1: such rivals, um right, and we lived on wait. I 987 00:54:22,080 --> 00:54:27,839 Speaker 1: want to live in West Hollywood and the Halls Tanning, yes. 988 00:54:28,560 --> 00:54:32,760 Speaker 1: Or my alto Vis Davis, wife of Sammy Davis Junior, 989 00:54:33,120 --> 00:54:38,640 Speaker 1: who let women flirt and fuck with her husband and 990 00:54:38,760 --> 00:54:41,760 Speaker 1: that was the deal they had. Or my Elizabeth Taylor 991 00:54:41,960 --> 00:54:45,399 Speaker 1: who like basically she like is like Sammy Davis trying 992 00:54:45,400 --> 00:54:48,000 Speaker 1: to fuck And Elizabeth Taylor's like, here's what would do, Darling. 993 00:54:48,440 --> 00:54:51,439 Speaker 1: You like hide in my jag and I'll drive off 994 00:54:51,520 --> 00:54:55,399 Speaker 1: and we'll like, you know, distract Sammy Davis. Yeah, you're 995 00:54:55,400 --> 00:54:58,480 Speaker 1: super supportive of women, and I think you someone in 996 00:54:58,560 --> 00:55:02,120 Speaker 1: your trunk. Okay. Um. I would give this book like 997 00:55:02,239 --> 00:55:06,080 Speaker 1: a you know, four out of five go go boots. Yeah, 998 00:55:06,320 --> 00:55:11,800 Speaker 1: four batter GMC trucks out of five batter GMC trucks 999 00:55:11,880 --> 00:55:14,920 Speaker 1: because she never really gets a nice car because she's like, 1000 00:55:14,960 --> 00:55:17,360 Speaker 1: I don't need that. Yeah, she's a Western, she's a 1001 00:55:17,440 --> 00:55:19,520 Speaker 1: really cool check. And this, I mean, this is a 1002 00:55:19,719 --> 00:55:23,120 Speaker 1: very classic clebody memoir. It's almost it's almost so like 1003 00:55:23,200 --> 00:55:26,200 Speaker 1: true or form. It's like everything happens in it, like 1004 00:55:26,560 --> 00:55:28,759 Speaker 1: you get your child, so you get your abuse, you 1005 00:55:28,840 --> 00:55:31,640 Speaker 1: get the relationships, you get the seventies, you get the Hollywood. 1006 00:55:31,760 --> 00:55:33,440 Speaker 1: I know, I might be a little bit more by that. 1007 00:55:33,640 --> 00:55:36,879 Speaker 1: The reason I'm uniform is I think her personality really 1008 00:55:36,920 --> 00:55:40,640 Speaker 1: comes through and that sweetness and intelligence and vulnerability and 1009 00:55:40,719 --> 00:55:43,200 Speaker 1: strength is all in there, just even in the way 1010 00:55:43,280 --> 00:55:45,239 Speaker 1: that she like in her asides and the way she 1011 00:55:45,400 --> 00:55:48,200 Speaker 1: like notices. Don't get the vulnerability a lot like you 1012 00:55:48,400 --> 00:55:51,440 Speaker 1: might get like with the Demi or some of the 1013 00:55:51,520 --> 00:55:54,879 Speaker 1: big classics where people are being vulnerable, but I feel 1014 00:55:54,880 --> 00:55:56,799 Speaker 1: like they still have this like wall up and are 1015 00:55:56,880 --> 00:55:58,880 Speaker 1: kind of being fake. Yeah, and I feel like she 1016 00:55:59,120 --> 00:56:01,520 Speaker 1: has something that's more wrong. I mean, the Demi Moore 1017 00:56:01,800 --> 00:56:04,200 Speaker 1: is actually more I think the Jenny Scheckter model of 1018 00:56:04,320 --> 00:56:08,600 Speaker 1: modern memoir that's so confessional and it's like so dramatic 1019 00:56:08,760 --> 00:56:11,279 Speaker 1: and just like I was lying on the floor in 1020 00:56:11,360 --> 00:56:14,440 Speaker 1: a pool of my own sweat, blood tears by out 1021 00:56:14,480 --> 00:56:17,680 Speaker 1: of my mind. You know, I thought I was gonna die, 1022 00:56:17,719 --> 00:56:19,160 Speaker 1: you know what I mean? Like that is a little 1023 00:56:19,160 --> 00:56:21,360 Speaker 1: bit more that she's a little bit more reserved. But 1024 00:56:21,560 --> 00:56:24,520 Speaker 1: in that reservation you feel the authentice, you get a 1025 00:56:24,560 --> 00:56:29,759 Speaker 1: little bit more. Yeah. Well, well, well, Jennifer Scheckter, we 1026 00:56:29,960 --> 00:56:36,000 Speaker 1: read another book. What are we reading next week? Jenny? Um, 1027 00:56:36,320 --> 00:56:42,160 Speaker 1: We're gonna be reading a really amazing picture book. Yeah, um, 1028 00:56:43,200 --> 00:56:46,839 Speaker 1: by none other than Billy Irish and I think it's 1029 00:56:46,920 --> 00:56:49,920 Speaker 1: called just Billy. You know, it's called Bye oh by 1030 00:56:50,040 --> 00:56:55,799 Speaker 1: Why Bye Bye Bye Billy Eilish, Bye Billy. And we'll 1031 00:56:55,840 --> 00:57:00,440 Speaker 1: be joined by the gentle folk from Throwing Fifth. Two 1032 00:57:00,640 --> 00:57:03,480 Speaker 1: straight guys, can you believe it? It's gonna be a 1033 00:57:03,719 --> 00:57:10,359 Speaker 1: laugh riot. We're gonna get into fashion, love clothes. Okay, well, 1034 00:57:10,920 --> 00:57:13,759 Speaker 1: stay tuned for the VIP lounge. Who we're gonna be 1035 00:57:13,760 --> 00:57:16,400 Speaker 1: talking with none other than John Wilson, you know him 1036 00:57:16,560 --> 00:57:21,080 Speaker 1: from his HBO show How to Yes, we have a 1037 00:57:21,200 --> 00:57:24,360 Speaker 1: straight guy with an HBO show. Yeah, oh my god, okay, 1038 00:57:24,480 --> 00:57:26,800 Speaker 1: let me have stop up the chair. Yeah, sorry, whisper 1039 00:57:26,920 --> 00:57:29,760 Speaker 1: room is soaked right now? Thanks so much for another 1040 00:57:29,800 --> 00:57:37,320 Speaker 1: amazing app. Guys, Yeah Fast Fast. Celebrity Book Club is 1041 00:57:37,400 --> 00:57:41,920 Speaker 1: presented by This Funky Club Prolog Projects. The show is 1042 00:57:42,080 --> 00:57:47,680 Speaker 1: produced by Pimp Benjamin Fish, with editorial support from Leon 1043 00:57:47,880 --> 00:57:52,680 Speaker 1: nay Fock, Andrew Parsons Who's a Pusherman, and Madeline Kappin 1044 00:57:52,800 --> 00:57:57,200 Speaker 1: Who's a hooker who Can't get unhooked. Our production manager 1045 00:57:57,440 --> 00:58:04,040 Speaker 1: is Persia Verlin. That Sexy motherfucker. Original theme song by 1046 00:58:04,120 --> 00:58:06,680 Speaker 1: Stephen Phillips Horse I used to see him spin at 1047 00:58:06,760 --> 00:58:12,120 Speaker 1: Studio fifty four When I Will go clubbing with Donna Summer, 1048 00:58:12,600 --> 00:58:18,800 Speaker 1: Bobby Wangmac and the rest of the Jackson five. Art 1049 00:58:18,840 --> 00:58:21,280 Speaker 1: work by Teddy Blanks at Chips and why he makes 1050 00:58:21,360 --> 00:58:25,520 Speaker 1: some real groovy stuff. Follow us on Twitter at CBC 1051 00:58:25,760 --> 00:58:31,520 Speaker 1: The pod Baby Surprise, Subscribe, Sorry that Acid's kicking in. 1052 00:58:32,360 --> 00:58:35,920 Speaker 1: Subscribe on your favorite podcast app, leave us a review, 1053 00:58:36,040 --> 00:58:42,200 Speaker 1: and don't forget to tell your friends, lovers, pimps about us.