WEBVTT - Videos In the Stream

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<v Speaker 1>Get in touch with technology with tech Stuff from how

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<v Speaker 1>stuff works dot com. Hey there, and welcome to tech Stuff.

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<v Speaker 1>I'm Jonathan Strickland and I'm Lauren and today we're going

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<v Speaker 1>to talk about streaming video services, and really we're going

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<v Speaker 1>to focus on three big names in streaming video, knowing

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<v Speaker 1>that there are lots of other names out there, but

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<v Speaker 1>the three were specifically looking at. The three biggest as

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<v Speaker 1>of right now are really kind of sort of maybe

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<v Speaker 1>ish are Hulu plus Amazon Instant and Netflix, And keeping

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<v Speaker 1>in mind, will also talk a little bit about Hulu,

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<v Speaker 1>we'll talk a little bit about probably mentioned some of

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<v Speaker 1>the other services like iTunes obviously also has streaming and

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<v Speaker 1>Apple TV right, and there's so many different choices out there,

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<v Speaker 1>these were the big three. I mean, obviously if you

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<v Speaker 1>own something like um an Xbox three sixty, then you

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<v Speaker 1>also have stuff the Microsoft Video that you can buy

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<v Speaker 1>stuff or rent stuff on. Then there's also PlayStation and

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<v Speaker 1>Sony have a deal. So the Google TV is another example.

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<v Speaker 1>There are a lot of different technologies out there that

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<v Speaker 1>are all about streaming content over the Internet in your

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<v Speaker 1>television or computer. Even YouTube. You could argue, is is

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<v Speaker 1>that content provider? Oh sure, sure, I can. I view

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<v Speaker 1>YouTube all the time when I'm at home. There's this

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<v Speaker 1>great series I love to watch at home on my

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<v Speaker 1>big television. It's called Forward Thinking. It is amazing. The

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<v Speaker 1>host is uber uber Hut and so I watched that

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<v Speaker 1>all the time at home on my big television and

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<v Speaker 1>it's great. I mean, you know, it is filmed with

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<v Speaker 1>the red one, So so the I mean, yeah, actually

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<v Speaker 1>we upgraded to a four kN K to four K.

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<v Speaker 1>I mean they went from two K to four K.

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<v Speaker 1>So they're like, we said, a lot of different choices

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<v Speaker 1>out there, but let's focus on probably the I would

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<v Speaker 1>argue this is probably the most well known name. And

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<v Speaker 1>in the interest of full Disco, sure, we're gonna be

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<v Speaker 1>talking about Netflix. And Netflix has been one of our

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<v Speaker 1>sponsors in the past. They are one of our sponsors

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<v Speaker 1>for tech stuff. But we're just going to talk about

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<v Speaker 1>the way that it works and how it kind of started.

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<v Speaker 1>So if you look all the way back to nineteen seven,

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<v Speaker 1>that's when the company Netflix formed, and at that time

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<v Speaker 1>it was just kind of an idea. It hadn't even

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<v Speaker 1>there wasn't a business there yet. That was really kind

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<v Speaker 1>of the paperwork. So it was on paper. It wouldn't

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<v Speaker 1>be until nine that they actually launched a subscription DVD

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<v Speaker 1>mail to home plan plan. Yeah, they were offering up

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<v Speaker 1>rentals and sales, and but it was when the famous

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<v Speaker 1>subscription service came in, that idea where you would make

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<v Speaker 1>up a list of DVDs that you were really excited

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<v Speaker 1>about seeing, and then they would send you one and

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<v Speaker 1>it would sell on your coffee table for four months,

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<v Speaker 1>and then you'd think, I never really got around to

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<v Speaker 1>watching that, but I want to see the next thing

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<v Speaker 1>on my list, and you send it back without ever watching.

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<v Speaker 1>It was that just me, okay, good, I'm glad it

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<v Speaker 1>wasn't as me, um, I swear I'm going to see

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<v Speaker 1>the Prestige one day. Oh you should. I know, it's

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<v Speaker 1>a terrific film. It sat on my coffee table for

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<v Speaker 1>four months and that's it. That's it. That's a shame,

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<v Speaker 1>I know, I know. But anyway, they were strictly physical

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<v Speaker 1>media at first. In fact, for most of their their

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<v Speaker 1>existence if you look at the full timeline. Yeah, they

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<v Speaker 1>didn't even debut their watch instantly feature until two thousand seven,

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<v Speaker 1>and they did not provide unlimited streaming content until early

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<v Speaker 1>two tho Yeah, and two thousand seven, it was incredibly

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<v Speaker 1>limited and even two thousand eight when you look at

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<v Speaker 1>h This is one of those criticisms that are that

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<v Speaker 1>is often leveled by by people at Netflix, which is,

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<v Speaker 1>you know, I look at what you have available on

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<v Speaker 1>your DVD list, and then I look at what you

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<v Speaker 1>have available on your instant library list, and y'all, there's

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<v Speaker 1>stuff I want to watch that just like I can't

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<v Speaker 1>see on that instant side. And this is because there

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<v Speaker 1>are some really complex deals going on in the back

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<v Speaker 1>end between Netflix, which as a service provider, and the

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<v Speaker 1>content creators that make the content to Netflix. So Netflix

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<v Speaker 1>has to create and this is the same with other

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<v Speaker 1>services as well. They have to enter into these agreements

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<v Speaker 1>with various content creators to be able to broadcast stuff

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<v Speaker 1>over streaming, the same way that a cable channel would

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<v Speaker 1>license to content. Right now, in the case with the

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<v Speaker 1>cable company, a very similar anyway, very similar in the

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<v Speaker 1>case with the cable companies, they're looking at channels or

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<v Speaker 1>bundles of channels. So but with you know, with Netflix,

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<v Speaker 1>it might be it might be a little more pick

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<v Speaker 1>and choose. So instead of saying I want everything that

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<v Speaker 1>MTV produces when it comes to their original content. I

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<v Speaker 1>want every single show. It may be that I want

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<v Speaker 1>these five shows that MTV produces, but that's the only

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<v Speaker 1>five and the and in this case, those agreements can

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<v Speaker 1>go through the instead of a cable company, where it's

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<v Speaker 1>kind of an all or nothing proposition. UM services like

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<v Speaker 1>Netflix can enter into these agreements where they get certain

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<v Speaker 1>things but not other things. And in some cases it's

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<v Speaker 1>not necessarily uh to the benefit of Netflix. It might

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<v Speaker 1>be the key that the content creator says, you know,

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<v Speaker 1>this is my best stuff, and I want to make

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<v Speaker 1>uh my money going through the traditional broadcast or cable

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<v Speaker 1>route and then make more money through DVD sales whatever. Um,

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<v Speaker 1>I don't want to provide this to your subscribers. So

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<v Speaker 1>it's a very complicated dance that Netflix has to do

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<v Speaker 1>every time it's trying to get more content, and obviously,

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<v Speaker 1>from a consumer standpoint, you want there to be as

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<v Speaker 1>much content in whichever service you are subscribing to. Also,

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<v Speaker 1>to make matters even more complicated, there are issues about

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<v Speaker 1>what kind of content can be shown where So in

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<v Speaker 1>other words, if I'm a Netflix customer in Canada, the

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<v Speaker 1>options I have are different than the ones I would

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<v Speaker 1>have in the United states. If I were a customer

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<v Speaker 1>somewhere else in the world, and I would have that

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<v Speaker 1>same sort of issue, right. And that's again because all

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<v Speaker 1>of these licensing agreements are are very conditional. Yeah, some

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<v Speaker 1>of them are conditionally regionally. Some of them are conditional

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<v Speaker 1>based upon the type of equipment you're using to watch

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<v Speaker 1>something on. Right. I don't think Netflix has that issue

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<v Speaker 1>as much, but we will, but we will get into

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<v Speaker 1>that with some of our other discussions. Um. As often,

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<v Speaker 1>there are about twenty nine point eight million Netflix subscribers

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<v Speaker 1>in the US and another seven point six million worldwide, um,

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<v Speaker 1>which is which is up from twenty million at the

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<v Speaker 1>start of so and so. And you know, to another

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<v Speaker 1>judge of another way to judge how popular they are

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<v Speaker 1>based upon not just from a subscriber account, is how

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<v Speaker 1>much traffic Netflix generates on the interwebs, right, Um, supposedly

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<v Speaker 1>Netflix accounts for one third of streaming video on any

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<v Speaker 1>given day. Um. That's that's twice what YouTube does. Yah.

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<v Speaker 1>And keep in mind YouTube, Now, YouTube is generating content

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<v Speaker 1>at a crazy pace. We've talked about this. It's like

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<v Speaker 1>a hundred hours of content every minute. So every minute

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<v Speaker 1>that goes by another hundred hours worth of content gets

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<v Speaker 1>added to YouTube, but if you're looking at actual traffic

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<v Speaker 1>of people watching stuff, Netflix outstrips at three to one.

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<v Speaker 1>Now that might also be because a lot of the

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<v Speaker 1>content on Netflix is long form and a lot of

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<v Speaker 1>the content on YouTube is very short form, and Netflix

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<v Speaker 1>provides a lot more in HD. Yes, that's also true.

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<v Speaker 1>So uh. In other words, those file sizes are are

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<v Speaker 1>bigger for multiple reasons, not only because they are longer,

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<v Speaker 1>as in they last longer, like it's a thirty minute

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<v Speaker 1>show or twenty minute, but it's a larger file to

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<v Speaker 1>begin like exactly. Um as of November twelve, this accounted

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<v Speaker 1>for about a third of all US downstream traffic. Yeah,

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<v Speaker 1>this is uh. It's also why a lot of Internet

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<v Speaker 1>provider companies i sp s are staying to talk about caps. Yeah,

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<v Speaker 1>where they were, like especially initially when Netflix Instant was

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<v Speaker 1>starting off. Now, back then, there weren't as many customers

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<v Speaker 1>who were taking advantage of it. I would say that

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<v Speaker 1>this is something that's really starting to explode. Over the

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<v Speaker 1>last like maybe a year or two, we've really seen

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<v Speaker 1>it like take off. Before that, there were early adopters

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<v Speaker 1>who were very enthusiastic about it, and then there were

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<v Speaker 1>a few other people who were curious about it, and

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<v Speaker 1>some people had it, you know, added on as part

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<v Speaker 1>of their DVD service, and so they played with it

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<v Speaker 1>once or twice. Um now that one. I think. One

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<v Speaker 1>of the things Netflix did that they did really well

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<v Speaker 1>was they got their app on as many different platforms

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<v Speaker 1>as possible. It's one of the things I thought, this company,

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<v Speaker 1>they know what they're doing. They're on Xbox there on,

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<v Speaker 1>you know, PlayStation there on, we they're on you know, computers,

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<v Speaker 1>stay out, telephone and tablet use yeah, so smartphone anyway, exactly. Yeah,

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<v Speaker 1>so they like to call up and listen to my

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<v Speaker 1>favorite movies. Um No, they really were very savvy. They

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<v Speaker 1>got in front of as many eyeballs as possible, and

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<v Speaker 1>that definitely helped a lot. Now, I haven't always been

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<v Speaker 1>incredibly savvy. Back in back, you guys might remember, there

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<v Speaker 1>was the entire Quickster debacle and Netflix was just going

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<v Speaker 1>to become streaming only in a new company called Quickster

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<v Speaker 1>would be all the DVDs, and and that was after

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<v Speaker 1>another controversial thing where where they were um planning on

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<v Speaker 1>on splitting the DVD and streaming plans with like a

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<v Speaker 1>fifty over price Hike to to get both of them, um,

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<v Speaker 1>which was still I mean, because it had originally been

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<v Speaker 1>like ten bucks a month and it was going up

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<v Speaker 1>to like sixteen month bucks a month if you were

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<v Speaker 1>going to have both DVDs and streaming, and that one

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<v Speaker 1>they did push through. It almost makes me think that

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<v Speaker 1>they were joking about Quickster in order to make the

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<v Speaker 1>other things sound. I remember seeing Facebook explode when this happened,

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<v Speaker 1>and Twitch exploded to I had friends who were immediately

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<v Speaker 1>and vociferously proclaiming that they would leave Netflix, never to

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<v Speaker 1>return wherever, and burn the villages behind them, and so

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<v Speaker 1>the ground was salt, whereas I was the like, guys,

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<v Speaker 1>I think you might be overreacting like that sounds like

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<v Speaker 1>six dollars, but I mean, but stock fell from over

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<v Speaker 1>three hundred bucks to share to two under a hundred

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<v Speaker 1>and Read Hastings, the CEO, the founder of Netflix, apologized

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<v Speaker 1>publicly for it. He you know, this is not something

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<v Speaker 1>that happens very frequently where you have a CEO offer

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<v Speaker 1>up an apology. I mean Tim Cook did for Apple.

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<v Speaker 1>That's like the only other one I can think of

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<v Speaker 1>off the top of my head. So, um, you've had

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<v Speaker 1>you know, we've of course seen stories about CEO is

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<v Speaker 1>admitting that certain products in the company's past was were

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<v Speaker 1>possibly a mistake or badly handled. But this was an

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<v Speaker 1>outright apology to the public saying, you know, guys, um

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<v Speaker 1>I was thinking it was a great idea. I clearly

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<v Speaker 1>you guys feel differently. We are not going to do it,

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<v Speaker 1>so don't worry. Yeah, but that was that was a

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<v Speaker 1>big strike against Netflix at that point when they tried

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<v Speaker 1>to do the whole Netflix Quickster thing. Now, Netflix has

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<v Speaker 1>made some pretty big deals. Not all of them are

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<v Speaker 1>ex usive deals. I should say, we're gonna be talking

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<v Speaker 1>about some of the deals that they've made with various

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<v Speaker 1>content creators so that they can be allowed to show

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<v Speaker 1>certain types of content on their channels or on their service.

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<v Speaker 1>I should say, Uh. One of them, which was announced

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<v Speaker 1>the day that we are or I think two days

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<v Speaker 1>before we actually record this podcast, is an exclusive deal,

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<v Speaker 1>and that is that Netflix and the Weinstein Company or

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<v Speaker 1>Weinstein Company, depending on how you want to pronounce it,

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<v Speaker 1>announced that they are going to enter a multi year

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<v Speaker 1>premium pay TV window agreement in the United States starting

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<v Speaker 1>in TWI and that Netflix will become the quote exclusive

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<v Speaker 1>US subscription television service for first run films from the

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<v Speaker 1>Weinstein Company end quote. So this would include movies made

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<v Speaker 1>under TWC, the Weinstein Company and also Dimension Films, and

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<v Speaker 1>that would become available to Netflix members who are subscribed

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<v Speaker 1>to Netflix. So the interesting thing here to me is that, uh,

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<v Speaker 1>it is exclusive. That means you're not going to find

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<v Speaker 1>these same titles on the other services. Will be talking

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<v Speaker 1>about a little bit later. Uh. Now that's not the

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<v Speaker 1>only deal they've made recently. They made a big deal

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<v Speaker 1>with Disney. Yeah, so that agreement starts in seventeen. We're

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<v Speaker 1>talking long term goals here, folks. Now you might notice

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<v Speaker 1>that there are some Disney titles right, which was part

0:12:24.320 --> 0:12:27.560
<v Speaker 1>of this deal as well, but the larger percentage of

0:12:27.600 --> 0:12:30.720
<v Speaker 1>Disney films will be available beginning in twenty seventeen. Again

0:12:30.760 --> 0:12:34.960
<v Speaker 1>not necessarily exclusive, but they will be available on Netflix

0:12:35.400 --> 0:12:40.320
<v Speaker 1>and again depending upon where you are because these the

0:12:40.360 --> 0:12:43.640
<v Speaker 1>regional rules still are in effect here. Then you also

0:12:43.679 --> 0:12:46.800
<v Speaker 1>have the deal Netflix made with DreamWorks. Now, that agreement

0:12:46.800 --> 0:12:50.200
<v Speaker 1>begins inteen, so that's a little earlier, and we I

0:12:50.200 --> 0:12:53.080
<v Speaker 1>have already seen some Dreamwork stuff available there too, but

0:12:53.160 --> 0:12:56.520
<v Speaker 1>it's all kind of like they're second or third tier titles,

0:12:56.520 --> 0:12:59.200
<v Speaker 1>I would say, or sequel stiff movies that I like.

0:12:59.400 --> 0:13:01.200
<v Speaker 1>I would touch this, but I haven't seen the first

0:13:01.200 --> 0:13:03.960
<v Speaker 1>one and it's not available. Um, I'll have to wait

0:13:04.040 --> 0:13:07.440
<v Speaker 1>till I suppose or get a DVD subscription. Now you're

0:13:07.480 --> 0:13:10.720
<v Speaker 1>just talking crazy talk, all right. So Netflix, of course

0:13:10.800 --> 0:13:13.960
<v Speaker 1>is not the only one to make these deals, whether

0:13:13.960 --> 0:13:16.000
<v Speaker 1>they're exclusive or not, in order to get content. That's

0:13:16.040 --> 0:13:17.880
<v Speaker 1>kind of how the game is played, right sure. Sure,

0:13:18.080 --> 0:13:19.840
<v Speaker 1>And and and a lot of it is is kind of

0:13:19.920 --> 0:13:23.959
<v Speaker 1>being continually mixed up between these top three companies. There's

0:13:24.000 --> 0:13:26.800
<v Speaker 1>there's like, for example, I think Amazon just stole Downton

0:13:26.840 --> 0:13:31.280
<v Speaker 1>Abbey out from under Netflix. Um yeah, but like and

0:13:31.360 --> 0:13:34.000
<v Speaker 1>I think, for example, a Netflix had a deal with

0:13:34.080 --> 0:13:36.240
<v Speaker 1>Viacom for a while and then they're letting the deal

0:13:36.240 --> 0:13:39.360
<v Speaker 1>expire and they're not planning on renewing it. But other

0:13:39.520 --> 0:13:43.160
<v Speaker 1>services are going to definitely work with Viacom, so it's

0:13:43.240 --> 0:13:45.960
<v Speaker 1>it's gonna change over time. But there's something else that

0:13:46.080 --> 0:13:48.920
<v Speaker 1>all these companies are doing too, right, Yeah, And and

0:13:49.040 --> 0:13:52.000
<v Speaker 1>this is something that no one else certainly will have,

0:13:52.080 --> 0:13:55.520
<v Speaker 1>and that is Netflix's original content. Yeah, um, this is

0:13:55.600 --> 0:13:57.760
<v Speaker 1>and this is kind of a big deal because you know,

0:13:58.080 --> 0:14:02.840
<v Speaker 1>up until up until um none of these streaming service

0:14:02.880 --> 0:14:06.679
<v Speaker 1>on demand companies were creating their own new stuff. Right.

0:14:06.720 --> 0:14:09.200
<v Speaker 1>They were, they were a pipe, but they weren't creating

0:14:09.200 --> 0:14:10.679
<v Speaker 1>any of the stuff that was in the pipe. They

0:14:10.679 --> 0:14:13.439
<v Speaker 1>were just giving access to it. Um But but as

0:14:13.440 --> 0:14:18.000
<v Speaker 1>of February twelve, they they offered a show called Lily Hammer,

0:14:18.040 --> 0:14:20.920
<v Speaker 1>which was a co production with a Norwegian producer and

0:14:21.160 --> 0:14:23.880
<v Speaker 1>not that many people in the United States have probably

0:14:23.880 --> 0:14:26.120
<v Speaker 1>even heard of it, and it was pretty big in Norway.

0:14:26.200 --> 0:14:29.480
<v Speaker 1>But House of Cards came out. I don't have a

0:14:29.560 --> 0:14:31.760
<v Speaker 1>date on that, no, but well, House of Cards came

0:14:31.760 --> 0:14:33.800
<v Speaker 1>out I think either. I think House of Cards came

0:14:33.800 --> 0:14:37.440
<v Speaker 1>out late. And that was the first um us kind

0:14:37.440 --> 0:14:40.400
<v Speaker 1>of I'm not gonna say blockbuster, but um but but

0:14:40.480 --> 0:14:43.400
<v Speaker 1>the first popular original show. Right. And keep in mind

0:14:43.520 --> 0:14:46.040
<v Speaker 1>this was a remake of a show that was made

0:14:46.040 --> 0:14:49.440
<v Speaker 1>in the UK, but the US version had Kevin Spacey

0:14:49.520 --> 0:14:51.560
<v Speaker 1>in the lead role and that was a big which

0:14:51.600 --> 0:14:54.760
<v Speaker 1>is a big ya You're talking about an award winning

0:14:55.360 --> 0:14:58.720
<v Speaker 1>film actor playing a part in a series that was

0:14:58.760 --> 0:15:01.800
<v Speaker 1>doing something really friend. Now, what Netflix was doing was

0:15:01.840 --> 0:15:06.119
<v Speaker 1>not just producing this series, which would have been remarkable

0:15:06.160 --> 0:15:09.880
<v Speaker 1>all on its own, and then giving the exclusive look

0:15:10.360 --> 0:15:12.880
<v Speaker 1>at the series to its members. You could not watch

0:15:12.880 --> 0:15:15.640
<v Speaker 1>it anywhere else other than if you were to maybe

0:15:15.640 --> 0:15:18.640
<v Speaker 1>buy the DVD set, which you can do. But they

0:15:18.720 --> 0:15:22.560
<v Speaker 1>also offered up the entire series at one time, so

0:15:22.600 --> 0:15:25.000
<v Speaker 1>instead of telling you do you can just you know,

0:15:25.320 --> 0:15:27.960
<v Speaker 1>crunch through the entire series a day or two if

0:15:27.960 --> 0:15:30.720
<v Speaker 1>you want to just marathon it, you totally could because

0:15:30.920 --> 0:15:32.920
<v Speaker 1>the first season of it anyway, Yeah, first season of it.

0:15:33.280 --> 0:15:35.560
<v Speaker 1>So this was a big difference from the way we

0:15:35.640 --> 0:15:39.480
<v Speaker 1>usually because normally it's talking about something that's on a

0:15:39.520 --> 0:15:43.880
<v Speaker 1>regular basis, it might be serialized. Yeah. So Kevin Spacey

0:15:43.960 --> 0:15:45.760
<v Speaker 1>actually had something to say about this. I've got a

0:15:45.800 --> 0:15:48.520
<v Speaker 1>quote from him. He says, I'm not gonna do it.

0:15:48.600 --> 0:15:53.400
<v Speaker 1>Kevin Spacey, uh so much. Yeah, by the way, fantastic

0:15:53.440 --> 0:15:57.840
<v Speaker 1>impressionist Kevin Spacey. Anyway, So here's what he had to say. Clearly,

0:15:57.880 --> 0:16:00.800
<v Speaker 1>the success of the Netflix model releasing the entire season

0:16:00.840 --> 0:16:02.640
<v Speaker 1>of House of Cards it once proved one thing. The

0:16:02.680 --> 0:16:05.880
<v Speaker 1>audience wants the control, they want the freedom. If they

0:16:05.920 --> 0:16:08.600
<v Speaker 1>want to binge, as they've been doing on House of

0:16:08.640 --> 0:16:11.200
<v Speaker 1>Cards and lots of other shows, then we should let

0:16:11.240 --> 0:16:13.840
<v Speaker 1>them binge. I can't tell you how many people have

0:16:13.840 --> 0:16:16.720
<v Speaker 1>stopped me on the street and said thanks, you suck

0:16:16.800 --> 0:16:19.640
<v Speaker 1>three days out of my life. So but I mean,

0:16:19.640 --> 0:16:22.360
<v Speaker 1>that's that's an example of how this model worked. And

0:16:22.400 --> 0:16:26.280
<v Speaker 1>they followed that up with other examples like Arrested Development

0:16:26.320 --> 0:16:30.080
<v Speaker 1>season four YEP, which, by the way, I'm marathon when

0:16:30.120 --> 0:16:33.520
<v Speaker 1>it came out, Hemlock Groves, which I did not watch.

0:16:33.720 --> 0:16:35.600
<v Speaker 1>I have not watched any of that either, or in

0:16:35.640 --> 0:16:38.120
<v Speaker 1>Just The New Black, which I am currently I am

0:16:38.200 --> 0:16:42.000
<v Speaker 1>only not watching it right now because I don't even

0:16:42.080 --> 0:16:43.760
<v Speaker 1>know why. I'm surprised that I don't have it on

0:16:43.760 --> 0:16:45.720
<v Speaker 1>in the background. I just started watching it last night.

0:16:45.720 --> 0:16:49.080
<v Speaker 1>It's so good, guys. I've heard so many people tell

0:16:49.120 --> 0:16:51.000
<v Speaker 1>me that's really really good. I have not. I have

0:16:51.160 --> 0:16:54.040
<v Speaker 1>not started to watch it, but I've heard enough good

0:16:54.040 --> 0:16:55.920
<v Speaker 1>things about it that I'm I'm willing to give it

0:16:55.960 --> 0:16:58.560
<v Speaker 1>a shot. It is it is for mature audiences, or

0:16:58.560 --> 0:17:00.960
<v Speaker 1>for immature mature audiences, her, however you want to state

0:17:01.000 --> 0:17:03.880
<v Speaker 1>that not for kids, right? Not for kids. Let's let's

0:17:03.880 --> 0:17:05.679
<v Speaker 1>put it that way, because I am not mature, and

0:17:05.680 --> 0:17:07.280
<v Speaker 1>I thought you were just telling me that I couldn't

0:17:07.280 --> 0:17:11.000
<v Speaker 1>watch the show. Um uh, They've got upcoming shows from

0:17:11.000 --> 0:17:13.840
<v Speaker 1>from mickeyger Vas, Derek Um and since h from no

0:17:13.920 --> 0:17:19.480
<v Speaker 1>Wachowski siblings the Wakakis. Yeah, excellent. So you know that's

0:17:19.480 --> 0:17:21.960
<v Speaker 1>that's a big deal that this idea not only getting

0:17:21.960 --> 0:17:24.720
<v Speaker 1>these exclusive deals from other content creators, but to create

0:17:24.760 --> 0:17:27.840
<v Speaker 1>your own content. They're getting into this game. Uh. It's

0:17:27.880 --> 0:17:32.679
<v Speaker 1>interesting also because the way Netflix generates revenue is through subscriptions, right,

0:17:32.720 --> 0:17:36.160
<v Speaker 1>they don't they don't have ads in their shows and uh,

0:17:36.200 --> 0:17:39.160
<v Speaker 1>and we'll contrast that with some of the other stuff

0:17:39.200 --> 0:17:41.159
<v Speaker 1>that we'll talk about in a little bit. So there

0:17:41.160 --> 0:17:44.560
<v Speaker 1>are no ads and they're getting it mainly through subscriptions.

0:17:44.600 --> 0:17:47.720
<v Speaker 1>And from what I can tell, Netflix does not really

0:17:47.800 --> 0:17:50.720
<v Speaker 1>let anyone know how many people are watching any given

0:17:50.760 --> 0:17:54.080
<v Speaker 1>title necessarily unless it's say a huge deal and they'll say,

0:17:54.119 --> 0:17:57.240
<v Speaker 1>like over x million people watch this one thing right

0:17:57.240 --> 0:17:59.760
<v Speaker 1>there there, They're being pretty pretty under wraps about it. Yeah,

0:17:59.760 --> 0:18:03.960
<v Speaker 1>So that leads you to wonder is the content creation

0:18:04.080 --> 0:18:07.119
<v Speaker 1>business working for Netflix? Is that is that adding to

0:18:07.160 --> 0:18:09.960
<v Speaker 1>their bottom line? Are they getting more subscribers because of it?

0:18:10.160 --> 0:18:12.919
<v Speaker 1>I think that's what they're trying to figure out right now. Um,

0:18:13.040 --> 0:18:15.760
<v Speaker 1>you know they I I read something that said that

0:18:15.800 --> 0:18:18.760
<v Speaker 1>they could they can see themselves um doubling their current

0:18:18.800 --> 0:18:22.280
<v Speaker 1>content output UM in in the next couple of years

0:18:22.280 --> 0:18:25.680
<v Speaker 1>and even going up to twenty pretty soon. And they're

0:18:25.720 --> 0:18:29.160
<v Speaker 1>looking to get into a documentary production and stand up specials,

0:18:29.520 --> 0:18:33.760
<v Speaker 1>even even which are Spanish soaps. Hodgeman's ragnar Rock was

0:18:33.800 --> 0:18:37.160
<v Speaker 1>a Netflix exclusive, right, yeah, yeah, it was creative for them.

0:18:37.280 --> 0:18:41.000
<v Speaker 1>They're they're being compared to to HBO, Showtime, AMC, these

0:18:41.000 --> 0:18:45.280
<v Speaker 1>big cable heavy hitters um and uh. Ted Serrandos, the

0:18:45.560 --> 0:18:48.440
<v Speaker 1>chief content officer, told g Q in February, the goal

0:18:48.560 --> 0:18:52.600
<v Speaker 1>is to become HBO faster than HBO can become us. Wow,

0:18:53.080 --> 0:18:55.960
<v Speaker 1>that's interesting. That's a really good point because of course

0:18:56.359 --> 0:18:59.639
<v Speaker 1>HBO does have its own Hbo Go service, but you

0:18:59.640 --> 0:19:02.080
<v Speaker 1>have to be a subscriber through cable package in order

0:19:02.119 --> 0:19:04.520
<v Speaker 1>to access it. Yeah, you have to be a double subscriber, right,

0:19:04.520 --> 0:19:06.520
<v Speaker 1>you have to subscribe to cable and you have to

0:19:06.520 --> 0:19:08.920
<v Speaker 1>have a cable subscription that includes HBO in the first

0:19:08.960 --> 0:19:12.960
<v Speaker 1>place before you can have excess HBO Go. So yeah, yeah, yeah,

0:19:12.960 --> 0:19:15.480
<v Speaker 1>And it's really interesting. I mean, you know, the production process.

0:19:15.520 --> 0:19:17.679
<v Speaker 1>These shows are going from pitch to series with no

0:19:17.840 --> 0:19:21.760
<v Speaker 1>pilots in advance, UM, which is allowing Netflix to put

0:19:21.800 --> 0:19:23.919
<v Speaker 1>money into projects that they really believe in, rather than

0:19:23.960 --> 0:19:27.000
<v Speaker 1>playing the odds game of throwing up a single expensive

0:19:27.040 --> 0:19:29.520
<v Speaker 1>episode to see whether or not people like it. They

0:19:29.560 --> 0:19:32.520
<v Speaker 1>can they can really curate what they're putting out there. Yeah,

0:19:32.520 --> 0:19:34.320
<v Speaker 1>it's interesting. And also because they don't have to sell

0:19:34.320 --> 0:19:36.560
<v Speaker 1>it against ads, they don't have to worry about not

0:19:36.680 --> 0:19:42.000
<v Speaker 1>getting support from from ad from different other companies, for example,

0:19:42.080 --> 0:19:44.399
<v Speaker 1>for a show about women in prison that has a

0:19:44.480 --> 0:19:47.280
<v Speaker 1>largely female cast and deals with a lot of gender

0:19:47.320 --> 0:19:49.800
<v Speaker 1>issues as something that you probably wouldn't see on a

0:19:49.800 --> 0:19:53.560
<v Speaker 1>lot of traditional cable companies. So um and and it's

0:19:53.600 --> 0:19:57.000
<v Speaker 1>it's it's paying off in terms of critical acclaim. They

0:19:57.040 --> 0:20:00.720
<v Speaker 1>just got fourteen Emmy nominations for Original con tent. Yeah,

0:20:00.760 --> 0:20:02.520
<v Speaker 1>and that's, by the way, we should point out that

0:20:02.560 --> 0:20:04.760
<v Speaker 1>the this year, this is the first time we're starting

0:20:04.800 --> 0:20:08.680
<v Speaker 1>to see Emmy nominations for the series for for streaming

0:20:08.760 --> 0:20:12.119
<v Speaker 1>video for something that was not created by cable or broadcast.

0:20:12.720 --> 0:20:15.560
<v Speaker 1>So that's also very interesting. But but so we've got

0:20:15.600 --> 0:20:19.000
<v Speaker 1>two other companies to talk about. But before we do so,

0:20:19.280 --> 0:20:22.920
<v Speaker 1>let's take a quick break to thank our sponsor. Alright,

0:20:23.000 --> 0:20:26.639
<v Speaker 1>so we've covered Netflix from beginning to end thoroughly. I

0:20:26.680 --> 0:20:29.359
<v Speaker 1>think let's, uh, let's move on to a different one.

0:20:29.440 --> 0:20:32.280
<v Speaker 1>Let's talk about Hulu and Hulu Plus. All right, So,

0:20:32.400 --> 0:20:36.600
<v Speaker 1>um so, Hulu period and not. Hulu Plus launched in

0:20:36.800 --> 0:20:39.600
<v Speaker 1>two thousand eight. It was it was a joint effort

0:20:39.640 --> 0:20:43.080
<v Speaker 1>from NBC Universal and at that point News Corporation, you know,

0:20:43.160 --> 0:20:48.480
<v Speaker 1>Murdox Fox, Fox Corporation, UM, which which was interesting in

0:20:48.520 --> 0:20:51.440
<v Speaker 1>and of itself that these two major cable cable providers

0:20:51.480 --> 0:20:56.080
<v Speaker 1>were playing nice, We're joining forces to create something interesting.

0:20:58.520 --> 0:21:00.679
<v Speaker 1>I don't know you watched those Alec ball win spots

0:21:00.720 --> 0:21:04.080
<v Speaker 1>where he would he was convincing everyone that who was

0:21:04.080 --> 0:21:06.040
<v Speaker 1>really just a front for aliens to take over, And

0:21:06.040 --> 0:21:08.399
<v Speaker 1>I'm like, how is this supposed to sell me on watching?

0:21:08.440 --> 0:21:10.080
<v Speaker 1>I mean, I'm going to because now I got to

0:21:10.119 --> 0:21:12.480
<v Speaker 1>find out what happens in these commercials. But right right, yeah,

0:21:12.480 --> 0:21:14.840
<v Speaker 1>I know the commercials with him and Eliza Dick Shoo

0:21:14.880 --> 0:21:19.679
<v Speaker 1>did those are great. Hulu Plus launched in and that

0:21:19.760 --> 0:21:24.000
<v Speaker 1>was the subscription based end. Now, what's one thing that

0:21:24.040 --> 0:21:26.919
<v Speaker 1>says the Hulu and Hulu Plus apart from Netflix is

0:21:27.080 --> 0:21:32.160
<v Speaker 1>unlike Netflix, Hulu content is ad supported right right, UM.

0:21:32.280 --> 0:21:35.720
<v Speaker 1>And the deals that they make with the content providers UM.

0:21:35.800 --> 0:21:38.160
<v Speaker 1>Some of them are for for a straight licensing fee,

0:21:38.200 --> 0:21:41.399
<v Speaker 1>some of them are strictly ad revenue based, and some

0:21:41.480 --> 0:21:44.159
<v Speaker 1>of them are kind of a sticky gray area. Yes,

0:21:44.600 --> 0:21:48.439
<v Speaker 1>this gets super complicated just in one example here. So

0:21:48.880 --> 0:21:52.200
<v Speaker 1>you've got you've got shows that are to have ad

0:21:52.200 --> 0:21:54.399
<v Speaker 1>breaks in them, whether it's in the subscription one or

0:21:54.480 --> 0:21:57.800
<v Speaker 1>just the free version of the Hulu one. I believe

0:21:57.880 --> 0:22:01.600
<v Speaker 1>that all content has ads in it. Whether or not

0:22:01.800 --> 0:22:05.040
<v Speaker 1>the content creator gets a share of the ads is

0:22:05.040 --> 0:22:08.920
<v Speaker 1>the question. Got So that's that's very That's that's very

0:22:08.960 --> 0:22:12.840
<v Speaker 1>interesting all on its own. And then uh, on top

0:22:12.880 --> 0:22:17.000
<v Speaker 1>of that, you know, you have deals with content creators

0:22:17.000 --> 0:22:19.320
<v Speaker 1>that are different than the ones from the other two.

0:22:19.440 --> 0:22:22.440
<v Speaker 1>Like there there they have access to some content that

0:22:22.480 --> 0:22:25.120
<v Speaker 1>the other companies do not have access to. Sure and

0:22:25.119 --> 0:22:28.360
<v Speaker 1>and Hulu is UM if you're unfamiliar with the service,

0:22:28.560 --> 0:22:32.280
<v Speaker 1>is UM as opposed to Netflix, which has prior seasons

0:22:32.320 --> 0:22:35.280
<v Speaker 1>that have perhaps gone to DVD as an analog or

0:22:35.440 --> 0:22:39.480
<v Speaker 1>UM or films. Hulu does have a category of films,

0:22:39.520 --> 0:22:42.960
<v Speaker 1>but is I think most of its traffic is from

0:22:42.960 --> 0:22:47.040
<v Speaker 1>currently airing seasons of television either either the entire current

0:22:47.080 --> 0:22:50.399
<v Speaker 1>season to date or maybe the past five episodes, depending

0:22:50.440 --> 0:22:53.640
<v Speaker 1>on what again, what the licensing con So. So, for example,

0:22:53.720 --> 0:22:56.480
<v Speaker 1>a typical television show in the United States that also

0:22:56.800 --> 0:22:59.720
<v Speaker 1>is carried on Hulu, the a couple of days after

0:22:59.760 --> 0:23:02.800
<v Speaker 1>it airs on television, that episode could become available on

0:23:02.840 --> 0:23:04.400
<v Speaker 1>Hulu and you might be able to watch as many

0:23:04.440 --> 0:23:07.400
<v Speaker 1>as the last five for a lot of them. Right,

0:23:07.520 --> 0:23:10.280
<v Speaker 1>So let's say that I'm following, you know, ex television

0:23:10.320 --> 0:23:12.720
<v Speaker 1>show and I missed the last two episodes because I

0:23:12.760 --> 0:23:14.639
<v Speaker 1>was out of town. I could go on Hulu and

0:23:14.640 --> 0:23:17.480
<v Speaker 1>catch up and and what and you know, be back

0:23:17.560 --> 0:23:19.840
<v Speaker 1>up to speak. Or if you don't have a catal

0:23:19.880 --> 0:23:22.119
<v Speaker 1>subscription at all, and you could just watch it that

0:23:22.160 --> 0:23:24.400
<v Speaker 1>way and just tell all your friends to not talk

0:23:24.440 --> 0:23:26.080
<v Speaker 1>about the show for a couple of days so that

0:23:26.119 --> 0:23:28.720
<v Speaker 1>it gives you a chance to catch up. Um, and

0:23:28.840 --> 0:23:31.560
<v Speaker 1>if your friends are like mine, they will be happy

0:23:31.600 --> 0:23:34.200
<v Speaker 1>to post lots of fake spoilers on your Facebook, the

0:23:34.240 --> 0:23:38.800
<v Speaker 1>stuff that never happens, but that's okay. So but also

0:23:38.920 --> 0:23:42.400
<v Speaker 1>like Netflix, and besides that these deals that are being

0:23:42.440 --> 0:23:46.040
<v Speaker 1>made for content, Hulu is also in the content creation

0:23:46.520 --> 0:23:48.840
<v Speaker 1>business as well as uh, you know, we can talk

0:23:48.880 --> 0:23:51.760
<v Speaker 1>about some of the exclusives and some of the originals

0:23:51.760 --> 0:23:53.879
<v Speaker 1>as well. I guess some of the exclusives they have

0:23:54.119 --> 0:23:58.880
<v Speaker 1>all other exclusives are from other countries. Right, Almost five,

0:23:58.920 --> 0:24:01.919
<v Speaker 1>five or six percent of It's content are these exclusive

0:24:01.960 --> 0:24:06.400
<v Speaker 1>international television shows UM for example, Misfits or prem Face.

0:24:06.680 --> 0:24:08.680
<v Speaker 1>There's a Canadian drama called The Booth at the end.

0:24:09.040 --> 0:24:11.679
<v Speaker 1>It helped fund production for BBCs. The thick of it.

0:24:11.840 --> 0:24:14.040
<v Speaker 1>There's a whole bunch of Korean language dramas up there.

0:24:14.440 --> 0:24:17.200
<v Speaker 1>And and this is all because sometimes those international license

0:24:17.240 --> 0:24:21.280
<v Speaker 1>fees can be cheaper depending on what they are UM.

0:24:21.359 --> 0:24:24.639
<v Speaker 1>And and it's also you know, it's it's really smart

0:24:25.040 --> 0:24:30.600
<v Speaker 1>for on the content provider. And because I subscribed to

0:24:30.680 --> 0:24:34.119
<v Speaker 1>Hulu Plus because I could get Misfits. I wanted that show.

0:24:34.240 --> 0:24:35.880
<v Speaker 1>That was the only place I could get that show

0:24:35.880 --> 0:24:38.520
<v Speaker 1>other than ordering the DVDs, And so I did it.

0:24:39.080 --> 0:24:42.359
<v Speaker 1>See I the only two titles I even recognized all

0:24:42.400 --> 0:24:44.480
<v Speaker 1>of their exclusive list that I was just kind of

0:24:44.520 --> 0:24:47.040
<v Speaker 1>I was glancing at like a layout of a bunch

0:24:47.080 --> 0:24:50.320
<v Speaker 1>of their exclusives. The only two titles I recognized were Misfits.

0:24:51.160 --> 0:24:54.679
<v Speaker 1>Because you've talked about it before and moon Boy and

0:24:54.720 --> 0:24:57.760
<v Speaker 1>moon Boy because it has Christodaled in it. Okay, in

0:24:57.800 --> 0:25:00.480
<v Speaker 1>the I T crowd, so I knew about those. Crystal

0:25:00.520 --> 0:25:04.879
<v Speaker 1>Dowd plays the Imaginary Friend of a little Boy, so uh, yeah,

0:25:04.920 --> 0:25:08.080
<v Speaker 1>it's great, you know, fantastic stuff, but that was produced

0:25:08.080 --> 0:25:12.760
<v Speaker 1>in the UK and uh and Hulu is the the

0:25:12.840 --> 0:25:17.760
<v Speaker 1>exclusive provider in the U States. So yeah. Beyond that,

0:25:17.840 --> 0:25:22.040
<v Speaker 1>they also are creating their own content, including stuff like

0:25:22.600 --> 0:25:27.400
<v Speaker 1>The Awesome's which is a superhero comedy cartoon series. Right right.

0:25:27.560 --> 0:25:31.119
<v Speaker 1>They begin production of original stuff in August of eleven.

0:25:31.359 --> 0:25:34.160
<v Speaker 1>Um there their first show was an interview series by

0:25:34.280 --> 0:25:39.160
<v Speaker 1>Morgan Spurlock. Um early is when they grin their first

0:25:39.160 --> 0:25:42.600
<v Speaker 1>scripted show, Battleground. And I think that they are also

0:25:42.800 --> 0:25:45.480
<v Speaker 1>kind of trying to figure out where this original content

0:25:45.560 --> 0:25:47.640
<v Speaker 1>is going to fit into their business model. They're they're

0:25:47.680 --> 0:25:50.680
<v Speaker 1>kind of waiting to see, you know, whether people will

0:25:50.720 --> 0:25:52.679
<v Speaker 1>bite and how well it will do, and since they

0:25:52.720 --> 0:25:56.399
<v Speaker 1>are ad based, how that's going to affect everything. Not

0:25:56.480 --> 0:25:59.119
<v Speaker 1>to mention the fact that they are a branch of

0:26:00.119 --> 0:26:02.800
<v Speaker 1>these that are producing content on their own for other

0:26:03.160 --> 0:26:08.760
<v Speaker 1>platforms they're owned ABC. Disney is also part owner of

0:26:08.800 --> 0:26:10.840
<v Speaker 1>them at this point, and so yeah, how do you

0:26:10.840 --> 0:26:12.960
<v Speaker 1>how do you if you're creating content that's in direct

0:26:12.960 --> 0:26:17.480
<v Speaker 1>competition to owners content. Yeah, that's a problem, right, you're

0:26:17.480 --> 0:26:20.600
<v Speaker 1>talking about because now you're talking about there, they could

0:26:20.600 --> 0:26:23.359
<v Speaker 1>come up with an idea of saying, well, yeah, we

0:26:23.400 --> 0:26:26.040
<v Speaker 1>can create this for Hulu, but why don't we create

0:26:26.080 --> 0:26:28.720
<v Speaker 1>it for a different channel instead if we have that option,

0:26:29.080 --> 0:26:31.520
<v Speaker 1>or maybe they even start using Hulu as a testing

0:26:31.560 --> 0:26:34.720
<v Speaker 1>ground for stuff that they decide to then appropriate for television.

0:26:34.920 --> 0:26:38.600
<v Speaker 1>We don't know because it's so early on with this experiment,

0:26:38.640 --> 0:26:41.640
<v Speaker 1>really Hulu, but it is a little more complicated than Netflix.

0:26:41.680 --> 0:26:46.040
<v Speaker 1>Netflix is its own independent company that is not beholden

0:26:46.119 --> 0:26:49.400
<v Speaker 1>in this way to content creators. They're beholden in an

0:26:49.520 --> 0:26:51.439
<v Speaker 1>entirely different way. Like they will come to a content

0:26:51.440 --> 0:26:53.439
<v Speaker 1>creator and say I want that show, and then you

0:26:53.480 --> 0:26:55.320
<v Speaker 1>do not get this show because we want this show

0:26:55.359 --> 0:26:58.200
<v Speaker 1>to go somewhere else, not you. Yeah, and that's that's

0:26:58.240 --> 0:26:59.800
<v Speaker 1>not an interesting thing, is that there's a lot of

0:27:00.040 --> 0:27:04.360
<v Speaker 1>hour struggles going on in this entertainment world. No one

0:27:04.480 --> 0:27:08.080
<v Speaker 1>wants any of these services to become the dominant one

0:27:08.160 --> 0:27:12.040
<v Speaker 1>because then that service has leverage over the content creators.

0:27:12.320 --> 0:27:15.480
<v Speaker 1>So it's a constant chess battle right to see who

0:27:15.680 --> 0:27:17.640
<v Speaker 1>is going to be the one who has the advantage

0:27:17.680 --> 0:27:21.600
<v Speaker 1>in these negotiations. Yeah, this is part of why if if,

0:27:21.640 --> 0:27:23.840
<v Speaker 1>if you've tried to subscribe to Hulu, you may have

0:27:23.880 --> 0:27:28.640
<v Speaker 1>noticed that you cannot transfer all shows from your television

0:27:28.920 --> 0:27:32.840
<v Speaker 1>box to your laptop to your iPad. Um. Yeah, you

0:27:32.920 --> 0:27:35.680
<v Speaker 1>might have limitations it. Maybe that certain shows you can

0:27:35.760 --> 0:27:38.200
<v Speaker 1>only watch if you're watching it streaming to your TV

0:27:38.440 --> 0:27:42.760
<v Speaker 1>because some some content providers have said nope, yeah, thanks, no, thanks,

0:27:42.800 --> 0:27:44.680
<v Speaker 1>I don't want that on tablet. Yeah, you can't watch

0:27:44.680 --> 0:27:48.240
<v Speaker 1>that when you're on the train or whatever or driving

0:27:48.240 --> 0:27:51.199
<v Speaker 1>to work. Don't watch TV while you're driving. Don't do that.

0:27:51.280 --> 0:27:54.920
<v Speaker 1>Never do that. So so Hulu as of April had

0:27:55.320 --> 0:27:59.000
<v Speaker 1>uh four million subscribers, which is is has doubled in

0:27:59.040 --> 0:28:01.439
<v Speaker 1>the past year. It's still pretty shy of the thirty

0:28:01.520 --> 0:28:04.879
<v Speaker 1>million in the US that Netflix has, but's growing. All right.

0:28:04.960 --> 0:28:08.040
<v Speaker 1>So that's Hulu Plus and Hulu, we've we've covered that.

0:28:08.040 --> 0:28:10.440
<v Speaker 1>That leaves the other of the Big three, and that's

0:28:10.480 --> 0:28:13.840
<v Speaker 1>Amazon and Amazon. Again, like all three of these are

0:28:13.920 --> 0:28:17.000
<v Speaker 1>very different from each other. They have different approaches to

0:28:17.119 --> 0:28:20.120
<v Speaker 1>the way that they handle content. They have different approaches

0:28:20.160 --> 0:28:24.439
<v Speaker 1>the way that they handle revenue. With Amazon Prime Instant Video,

0:28:25.320 --> 0:28:27.320
<v Speaker 1>there are a couple of different things, like you can

0:28:27.440 --> 0:28:32.840
<v Speaker 1>have actual access to a certain portion of their television

0:28:32.840 --> 0:28:36.200
<v Speaker 1>shows and movies that are available if you're an Amazon

0:28:36.280 --> 0:28:40.280
<v Speaker 1>Prime member. That's a subscription based service that goes beyond

0:28:40.440 --> 0:28:43.400
<v Speaker 1>just instant Video, right right. It's not the same subscription

0:28:43.600 --> 0:28:45.840
<v Speaker 1>that you would get just for Hulu Plus or just

0:28:45.960 --> 0:28:48.719
<v Speaker 1>for Netflix. This is tied into its other Amazon Prime

0:28:48.920 --> 0:28:51.920
<v Speaker 1>shenanigans where you know, you get free or discounted chipping

0:28:52.160 --> 0:28:56.960
<v Speaker 1>and all discounts on certain goods and services and can

0:28:56.960 --> 0:29:00.960
<v Speaker 1>borrow kindle books, stuff like that. It's wrapped a laws

0:29:00.960 --> 0:29:02.760
<v Speaker 1>wrapped up into is what we're getting at. Yeah, yeah,

0:29:02.760 --> 0:29:05.200
<v Speaker 1>which is which is uh I think somewhere around seventy

0:29:05.240 --> 0:29:07.880
<v Speaker 1>five bucks a year. I think it's seventy nine totals.

0:29:07.920 --> 0:29:10.120
<v Speaker 1>So when you when you look at it, it actually

0:29:10.200 --> 0:29:12.120
<v Speaker 1>ends up being a little cheaper than some of the

0:29:12.120 --> 0:29:16.080
<v Speaker 1>other services on a monthly basis. Uh So in the

0:29:16.160 --> 0:29:18.880
<v Speaker 1>United States anyway, seventy nine per per years. Sure so

0:29:18.880 --> 0:29:22.760
<v Speaker 1>so Amazon Amazon Prime Instant Video launched in February eleven,

0:29:23.280 --> 0:29:25.640
<v Speaker 1>and you know you can also use it to rent

0:29:25.720 --> 0:29:28.959
<v Speaker 1>or buy titles separately. Right, So there's some titles that

0:29:29.040 --> 0:29:32.400
<v Speaker 1>are available for free viewing once you have this. About

0:29:32.440 --> 0:29:35.840
<v Speaker 1>about forty thou movies and television episodes are available with

0:29:35.880 --> 0:29:39.760
<v Speaker 1>the prescription UM subscription subscription why can't I say that

0:29:39.800 --> 0:29:43.240
<v Speaker 1>word today? Um? And and about something over a hundred

0:29:43.280 --> 0:29:46.760
<v Speaker 1>and fifty thousand titles are available per Yeah. If you

0:29:46.760 --> 0:29:49.080
<v Speaker 1>want to actually purchase stuff or rent stuff, yeah, and

0:29:49.080 --> 0:29:52.720
<v Speaker 1>I've done. I've done both. I rented titles through Amazon

0:29:53.360 --> 0:29:57.560
<v Speaker 1>Instant and I've purchased titles on Amazon Instant. So um.

0:29:57.640 --> 0:29:59.560
<v Speaker 1>And the way it works is if you're renting it,

0:29:59.600 --> 0:30:01.720
<v Speaker 1>if you have you know, you obviously need to watch

0:30:01.760 --> 0:30:03.600
<v Speaker 1>it on something. You could watch it on a computer

0:30:03.720 --> 0:30:07.080
<v Speaker 1>or tablet or in my case, I'm using a video

0:30:07.080 --> 0:30:10.160
<v Speaker 1>game console and I'm watching it through there. But if

0:30:10.200 --> 0:30:12.760
<v Speaker 1>you rent it, essentially once you start watching it, that

0:30:13.000 --> 0:30:16.200
<v Speaker 1>the timers on and you have a certain amount of

0:30:16.240 --> 0:30:20.000
<v Speaker 1>time to watch it before it gets uh bleated from

0:30:20.040 --> 0:30:22.840
<v Speaker 1>your your devices drive and you don't get to watch

0:30:22.880 --> 0:30:25.200
<v Speaker 1>it anymore. If you buy it, of course, it stays

0:30:25.240 --> 0:30:27.600
<v Speaker 1>in the cloud and you have the access to it

0:30:27.920 --> 0:30:29.920
<v Speaker 1>on whatever device as long as you're signed in as

0:30:30.000 --> 0:30:34.080
<v Speaker 1>you you can watch the programming. Right. Um, they also

0:30:34.120 --> 0:30:37.000
<v Speaker 1>have exclusive deals. Like I mentioned earlier, they had nabbed

0:30:37.040 --> 0:30:40.320
<v Speaker 1>down to Nabby from Netflix and they're starting something with Viacom.

0:30:40.600 --> 0:30:43.320
<v Speaker 1>They've invested in a CBS show called Under the Dome.

0:30:44.000 --> 0:30:47.920
<v Speaker 1>Um in exchange for a digital distribution, They've got exclusive

0:30:48.000 --> 0:30:50.320
<v Speaker 1>rights to digitally distribute the show four days after it

0:30:50.320 --> 0:30:53.320
<v Speaker 1>airs on network TV. Yeah. So this is similar to

0:30:53.520 --> 0:30:55.560
<v Speaker 1>kind of the way Hulu does things with some of

0:30:55.640 --> 0:30:58.440
<v Speaker 1>their shows, right where it airs on television and then

0:30:58.480 --> 0:31:01.320
<v Speaker 1>within a certain amount of time after word, depending upon

0:31:01.360 --> 0:31:04.400
<v Speaker 1>the agreement, Hulu can then show it on their service.

0:31:04.800 --> 0:31:07.280
<v Speaker 1>This is the same thing but on Amazon. Under the

0:31:07.320 --> 0:31:10.800
<v Speaker 1>Dome is based off a Stephen King story. Right. They

0:31:10.800 --> 0:31:15.200
<v Speaker 1>are also producing their own original content, say what yeah, yeah,

0:31:15.240 --> 0:31:19.600
<v Speaker 1>true factum. As of in fact, they unveiled Amazon Studios

0:31:19.680 --> 0:31:23.840
<v Speaker 1>and started collecting scripts from the public. They opened up

0:31:24.600 --> 0:31:26.480
<v Speaker 1>the process and we're just like, if you've got a

0:31:26.480 --> 0:31:28.920
<v Speaker 1>good script, send it to pit. If you have a pitch,

0:31:29.320 --> 0:31:32.000
<v Speaker 1>pitch it to us. And this is this is incredible.

0:31:32.040 --> 0:31:34.080
<v Speaker 1>It does I mean, it means that you're going to

0:31:34.120 --> 0:31:35.720
<v Speaker 1>get a lot of stuff, right, You're gonna get a

0:31:35.720 --> 0:31:38.440
<v Speaker 1>lot of stuff that's not ever going to be producible.

0:31:38.480 --> 0:31:40.880
<v Speaker 1>It's just gonna be things you read this like, this

0:31:40.960 --> 0:31:43.240
<v Speaker 1>might have been an interesting idea, but it's a terrible script,

0:31:43.320 --> 0:31:46.239
<v Speaker 1>or this is a good script, but it's boring. And

0:31:46.480 --> 0:31:49.760
<v Speaker 1>they took a certain number of those and and filmed

0:31:49.760 --> 0:31:53.600
<v Speaker 1>pilots of them, and in put those pilots online and

0:31:54.120 --> 0:31:59.840
<v Speaker 1>didn't use exclusively user feedback, but but kill that into account.

0:31:59.880 --> 0:32:02.920
<v Speaker 1>They they let the members of Amazon Prime watch them

0:32:03.000 --> 0:32:05.560
<v Speaker 1>and help decide what they wanted to see proceed to

0:32:05.560 --> 0:32:09.520
<v Speaker 1>a series. It's kind of a democratization of content creation,

0:32:09.640 --> 0:32:11.920
<v Speaker 1>sort of like what you would see if someone were

0:32:12.000 --> 0:32:17.400
<v Speaker 1>to pitch a series on say Kickstarter. People have pitched it,

0:32:17.480 --> 0:32:20.920
<v Speaker 1>they shot the pilots, they showed them off, and some

0:32:21.000 --> 0:32:23.480
<v Speaker 1>of them are now going to become actual series that

0:32:23.520 --> 0:32:27.000
<v Speaker 1>will be available probably late. I saw that in the

0:32:27.040 --> 0:32:29.080
<v Speaker 1>fall of is when we can expect to see the

0:32:29.120 --> 0:32:31.720
<v Speaker 1>first episodes of some of these shows. Right as of August,

0:32:31.840 --> 0:32:36.480
<v Speaker 1>they had Alpha House and also Beta's. Wait wait, wait, wait,

0:32:37.000 --> 0:32:39.640
<v Speaker 1>so they've got Alpha House and they have a show

0:32:39.640 --> 0:32:42.520
<v Speaker 1>called Beta's. I actually just got that. That's pretty silly

0:32:42.840 --> 0:32:45.400
<v Speaker 1>that happened. And these are two different shows. It's not

0:32:45.480 --> 0:32:48.680
<v Speaker 1>Alpha House in Beta's It's Alpha House, and then there's

0:32:48.680 --> 0:32:52.880
<v Speaker 1>another series called Beta's. I guess the last show will

0:32:52.920 --> 0:32:56.360
<v Speaker 1>ever see will be Omega. That will be the last

0:32:56.360 --> 0:32:58.680
<v Speaker 1>show that Amazon ever makes. And they've also got three

0:32:58.720 --> 0:33:00.880
<v Speaker 1>children series and production the names of which I do

0:33:00.920 --> 0:33:02.800
<v Speaker 1>not have in front of me. They were looking specifically

0:33:02.840 --> 0:33:05.720
<v Speaker 1>for comedies and kids shows. Well yeah, and and if

0:33:05.720 --> 0:33:07.760
<v Speaker 1>you if you look at the different series, a lot

0:33:07.880 --> 0:33:12.640
<v Speaker 1>of them have focused, especially recently on on children's programming,

0:33:12.920 --> 0:33:16.600
<v Speaker 1>on on on comedy and children's programs like Amazon's. Amazon's

0:33:16.600 --> 0:33:20.880
<v Speaker 1>deal with Viacom is largely based on children's programming from

0:33:20.880 --> 0:33:25.680
<v Speaker 1>things like Nickelodeon. Uh. Netflix has an entire section that's

0:33:25.880 --> 0:33:28.760
<v Speaker 1>just like they had Netflix for Kids that they launched

0:33:28.920 --> 0:33:32.200
<v Speaker 1>where you could create a little uh sub profile for

0:33:32.240 --> 0:33:35.680
<v Speaker 1>your children so that they could easily find content from

0:33:35.720 --> 0:33:39.240
<v Speaker 1>everyone from Disney to to Nickelodeon to I think Nickelodeon.

0:33:39.240 --> 0:33:42.480
<v Speaker 1>Maybe Nickelodeon didn't have anything. Viacom and Netflix did have

0:33:42.520 --> 0:33:44.240
<v Speaker 1>a deal, but like we said, they are letting that

0:33:44.320 --> 0:33:48.240
<v Speaker 1>deal uh uh end and they're not renewing. And also,

0:33:48.280 --> 0:33:51.720
<v Speaker 1>have you know less of the more colorful content pop

0:33:51.800 --> 0:33:55.000
<v Speaker 1>up in your kids video streams? Yes, yes, you don't

0:33:55.040 --> 0:33:58.760
<v Speaker 1>have to worry about, say, the hell Raisers series showing

0:33:58.840 --> 0:34:01.440
<v Speaker 1>up in sequence in there. I've been working my way

0:34:01.440 --> 0:34:07.360
<v Speaker 1>through them and my pain is delicious. So anyway, um, yes,

0:34:07.800 --> 0:34:11.160
<v Speaker 1>I just killed Lauren there. But yeah again, So we

0:34:11.160 --> 0:34:13.839
<v Speaker 1>we're seeing some more of these exclusive deals. We're seeing

0:34:13.880 --> 0:34:18.000
<v Speaker 1>some more of this, uh, this specific content created for

0:34:18.080 --> 0:34:21.040
<v Speaker 1>the platform. I love what Amazon is doing here as

0:34:21.120 --> 0:34:24.239
<v Speaker 1>far as creating a production studio and making it this

0:34:24.560 --> 0:34:28.759
<v Speaker 1>opportunity for people who I wouldn't necessarily have a voice otherwise, right,

0:34:28.800 --> 0:34:31.520
<v Speaker 1>they would have no way of getting into the industry,

0:34:31.880 --> 0:34:34.440
<v Speaker 1>and now there's a chance for them to actually create

0:34:34.520 --> 0:34:38.200
<v Speaker 1>something that could end up leading to a long career.

0:34:38.480 --> 0:34:42.000
<v Speaker 1>And you know, who knows, maybe the next fantastic storyteller,

0:34:42.040 --> 0:34:44.960
<v Speaker 1>maybe the next Josh Weeden is in this group, and

0:34:45.000 --> 0:34:47.560
<v Speaker 1>we can look forward to having his or her scripts

0:34:47.560 --> 0:34:52.720
<v Speaker 1>produced and canceled mid season. Well hope, hopefully this entire

0:34:52.760 --> 0:34:57.400
<v Speaker 1>this entire um strategy is going to avoid having things

0:34:57.480 --> 0:35:00.960
<v Speaker 1>like like cancelations mid season. See. That's the other thing

0:35:01.000 --> 0:35:04.680
<v Speaker 1>is that because of this approach, you no longer have

0:35:04.840 --> 0:35:08.920
<v Speaker 1>excuses like a network moving a show around in a

0:35:09.000 --> 0:35:12.960
<v Speaker 1>lineup over and over again. That now lineups mean nothing, right,

0:35:13.239 --> 0:35:16.279
<v Speaker 1>And you can also produce more than twenty four hours

0:35:16.280 --> 0:35:19.480
<v Speaker 1>a day of content or way less if that's what

0:35:19.520 --> 0:35:20.799
<v Speaker 1>you want to do, or if that's what you have

0:35:20.840 --> 0:35:23.880
<v Speaker 1>money to do, right, and you can produce far more

0:35:24.000 --> 0:35:27.719
<v Speaker 1>diverse content and uh and not have to worry about

0:35:28.000 --> 0:35:32.280
<v Speaker 1>catering to a specific audience with a bunch of themed content.

0:35:32.400 --> 0:35:34.320
<v Speaker 1>So that's one of the things we've seen with cable

0:35:34.400 --> 0:35:38.880
<v Speaker 1>channels where they struggle. They create an identity for themselves,

0:35:39.239 --> 0:35:42.600
<v Speaker 1>where they create very specific types of content that are

0:35:42.640 --> 0:35:45.879
<v Speaker 1>meant for a particular audience, but then they grow as

0:35:45.920 --> 0:35:48.600
<v Speaker 1>far as they can within that niche audience, and to

0:35:48.640 --> 0:35:51.120
<v Speaker 1>grow further means that they have to go outside that

0:35:51.200 --> 0:35:56.480
<v Speaker 1>definition sci fi. So uh, you know, this is something

0:35:56.520 --> 0:36:00.320
<v Speaker 1>that they don't these these companies don't necessarily have that problem.

0:36:00.320 --> 0:36:02.600
<v Speaker 1>They can experiment with doing stuff. You know, we've seen

0:36:02.680 --> 0:36:05.680
<v Speaker 1>with Netflix making drama and making horror as well as

0:36:05.719 --> 0:36:08.799
<v Speaker 1>making comedy with the fourth season of Arrested Development, Amazon's

0:36:08.840 --> 0:36:11.160
<v Speaker 1>doing it with children's programming, and this this alpha and

0:36:11.239 --> 0:36:15.279
<v Speaker 1>beta stuff. Hulu has got its own approach. It's I'm

0:36:15.320 --> 0:36:18.720
<v Speaker 1>really excited about this because I mean, I love stories

0:36:19.280 --> 0:36:22.600
<v Speaker 1>and I love the idea of people who otherwise would

0:36:22.640 --> 0:36:26.600
<v Speaker 1>not have had this content produced, having this shot. I

0:36:26.640 --> 0:36:29.440
<v Speaker 1>think it's really a great moment for someone who is

0:36:29.520 --> 0:36:32.160
<v Speaker 1>interested in consuming entertainment as well as people who want

0:36:32.160 --> 0:36:34.960
<v Speaker 1>to produce it. Absolutely. Yeah. I don't have a number

0:36:35.000 --> 0:36:37.560
<v Speaker 1>of the for for Prime members like like I did

0:36:37.560 --> 0:36:41.239
<v Speaker 1>for for Hulu and Netflix, because Amazon doesn't disclose that. Nope,

0:36:41.239 --> 0:36:44.720
<v Speaker 1>they just say millions. Yep, it's in the millions, lots

0:36:45.160 --> 0:36:48.400
<v Speaker 1>a bunch. I I do think it's pretty interesting that

0:36:48.760 --> 0:36:54.919
<v Speaker 1>Netflix transitioned its site to Amazon's cloud servers in so well,

0:36:55.040 --> 0:36:58.719
<v Speaker 1>you know, Amazon definitely does do the provide resources to

0:36:58.760 --> 0:37:01.440
<v Speaker 1>other companies that well, one of their biggest businesses that

0:37:01.520 --> 0:37:04.440
<v Speaker 1>doesn't have anything to do with the general consumer. I mean,

0:37:04.800 --> 0:37:07.160
<v Speaker 1>when it comes down to a business deal, I can

0:37:07.160 --> 0:37:09.480
<v Speaker 1>totally see them going, all right, you know, we're competing

0:37:09.480 --> 0:37:13.800
<v Speaker 1>against you, but if you're gonna give us money, that works. Um. Yeah.

0:37:13.920 --> 0:37:16.000
<v Speaker 1>And it's interesting too, I see that One of the

0:37:16.000 --> 0:37:19.560
<v Speaker 1>other notes you have here is about how Amazon is

0:37:19.600 --> 0:37:23.879
<v Speaker 1>expected to spend a billion dollars acquiring rights to programming

0:37:23.960 --> 0:37:28.040
<v Speaker 1>to show on their instant, which is half of what

0:37:28.160 --> 0:37:32.280
<v Speaker 1>Netflix is spending, which is so much money. Two billion dollars, folks,

0:37:32.400 --> 0:37:34.960
<v Speaker 1>that's just to get the content. See. So when you're

0:37:35.000 --> 0:37:37.960
<v Speaker 1>complaining and when I say you, I'm including myself in this,

0:37:38.280 --> 0:37:40.360
<v Speaker 1>when you're complaining that the show you really want to

0:37:40.400 --> 0:37:44.080
<v Speaker 1>watch is not available online, think of how much money

0:37:44.120 --> 0:37:48.279
<v Speaker 1>these companies are having to pay and just to get

0:37:49.160 --> 0:37:52.760
<v Speaker 1>you know. And it's because there's this complicated relationship between

0:37:52.760 --> 0:37:56.440
<v Speaker 1>the content creators and also cable companies and their relationship

0:37:56.520 --> 0:37:58.759
<v Speaker 1>to content creators. That's one of the reasons why you're

0:37:58.760 --> 0:38:01.400
<v Speaker 1>not going to find HBO in any of these for

0:38:01.440 --> 0:38:05.360
<v Speaker 1>the time being. HBO's deals they're tied down. Yeah, hbos

0:38:05.400 --> 0:38:08.799
<v Speaker 1>deal with cable companies is so important and so lucrative

0:38:09.440 --> 0:38:12.439
<v Speaker 1>that in order for HBO to break out of that

0:38:12.640 --> 0:38:16.719
<v Speaker 1>and leave the exclusivity of these cable deals would mean

0:38:16.760 --> 0:38:20.000
<v Speaker 1>that we would have to have an astronomically good deal

0:38:20.040 --> 0:38:23.880
<v Speaker 1>for HBO on streaming, because otherwise they're just losing money.

0:38:24.000 --> 0:38:27.080
<v Speaker 1>And you don't go into a business to lose money.

0:38:27.360 --> 0:38:30.759
<v Speaker 1>I would hope. I mean, it might happen to you,

0:38:30.800 --> 0:38:33.200
<v Speaker 1>but that's not why you get into business. Hypothetically, not

0:38:34.760 --> 0:38:37.480
<v Speaker 1>economic or the producers. I was going to say an

0:38:37.480 --> 0:38:40.520
<v Speaker 1>economic masochist, but yeah, maybe if you're if you're if

0:38:40.560 --> 0:38:43.160
<v Speaker 1>you're just trying to raise backing money and then immediately

0:38:43.440 --> 0:38:45.840
<v Speaker 1>tank the company so that you can keep the backing money,

0:38:46.320 --> 0:38:50.600
<v Speaker 1>you are not ethical, but you're also not really going

0:38:50.640 --> 0:38:53.160
<v Speaker 1>into business. All right, Well, do you have anything else

0:38:53.160 --> 0:38:55.799
<v Speaker 1>you want to say about these companies? Do not? All right, Well,

0:38:55.880 --> 0:38:58.160
<v Speaker 1>let's sign off on that. So if you guys have

0:38:58.239 --> 0:39:00.799
<v Speaker 1>any suggestions for future episodes of tech Stuff, whether it's

0:39:00.800 --> 0:39:04.760
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0:39:05.120 --> 0:39:07.400
<v Speaker 1>or a specific company, let us know, send us a

0:39:07.400 --> 0:39:10.799
<v Speaker 1>message our email addresses tech Stuff at Discovery dot com,

0:39:11.080 --> 0:39:12.719
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0:39:12.719 --> 0:39:15.160
<v Speaker 1>can find us there with the handle of tech Stuff H. S.

0:39:15.360 --> 0:39:17.080
<v Speaker 1>W and Lauren and I will talk to you again

0:39:17.600 --> 0:39:23.480
<v Speaker 1>really soon for more on this and thousands of other topics.

0:39:23.600 --> 0:39:31.440
<v Speaker 1>Does it how staff works dot Com