1 00:00:00,560 --> 00:00:04,840 Speaker 1: Ridiculous crime. It's a production of My Heart Radio Elizabeth Dotton. Yes, sir, 2 00:00:05,000 --> 00:00:08,600 Speaker 1: you know what's ridiculous. I'll tell you what's ridiculous. People 3 00:00:08,640 --> 00:00:12,239 Speaker 1: who put butter in their coffee instead of cream? Why 4 00:00:12,280 --> 00:00:14,400 Speaker 1: is that ridiculous? They just got to get over themselves. 5 00:00:14,400 --> 00:00:17,040 Speaker 1: Don't be don't be so precious and weird. But isn't 6 00:00:17,120 --> 00:00:21,840 Speaker 1: butter just cream? Whatever? Stop it? I mean, you're much 7 00:00:21,880 --> 00:00:23,799 Speaker 1: better chef and cook than I am. I just was saying, 8 00:00:23,840 --> 00:00:28,760 Speaker 1: I know whatever. I just have decided that that's ridiculous 9 00:00:28,760 --> 00:00:32,479 Speaker 1: and they need to stop it. Get over yourself. I 10 00:00:32,479 --> 00:00:34,920 Speaker 1: could see that. I feel you. I've I have issued 11 00:00:34,960 --> 00:00:38,519 Speaker 1: a ruling a strong dairy opinions completely. I feel that 12 00:00:38,720 --> 00:00:42,199 Speaker 1: California for you, sure well, No, the California Wisconsin. The 13 00:00:42,200 --> 00:00:44,200 Speaker 1: only two people I know who they have strong feelings 14 00:00:44,200 --> 00:00:47,279 Speaker 1: about dairy well and I just I like deciding what 15 00:00:47,320 --> 00:00:54,480 Speaker 1: people can and can't do internationally. So stopdiculous. Yeah, thanks, No, 16 00:00:54,600 --> 00:00:56,560 Speaker 1: I got one for you. How about this story of 17 00:00:56,680 --> 00:00:59,160 Speaker 1: a mother of eight who goes home to attend her 18 00:00:59,200 --> 00:01:02,959 Speaker 1: stepmother's fueling roll and a team of hitmen sent by 19 00:01:03,000 --> 00:01:06,840 Speaker 1: her husband attempt to kill her, but she reappears at 20 00:01:06,840 --> 00:01:10,120 Speaker 1: her own funeral where she surprises her husband like boom, 21 00:01:10,120 --> 00:01:11,920 Speaker 1: what's up? I loved and expect to see me? Not 22 00:01:12,080 --> 00:01:34,880 Speaker 1: did you love that? This is Ridiculous Crime A podcast 23 00:01:34,920 --> 00:01:38,399 Speaker 1: about absurd and outrageous capers, heists and cons. It's always 24 00:01:39,319 --> 00:01:44,560 Speaker 1: murder free and one ridiculous. So, Elizabeth, do you know 25 00:01:44,560 --> 00:01:48,840 Speaker 1: where the Democratic Republic of Congo is? Right? Central African? 26 00:01:48,960 --> 00:01:54,200 Speaker 1: It's like, okay, our villain of the story, Balanga Kalala, 27 00:01:54,440 --> 00:01:57,240 Speaker 1: was born in the Democratic Republic of Congo and in 28 00:01:57,280 --> 00:02:00,720 Speaker 1: two thousand four he moved to Australia. Okay, Now, he 29 00:02:00,800 --> 00:02:02,840 Speaker 1: was a refugee at that time because there have been 30 00:02:02,840 --> 00:02:05,480 Speaker 1: the civil war and he lost a wife and a 31 00:02:05,600 --> 00:02:08,200 Speaker 1: son to the civil war fighting, so he was a 32 00:02:08,240 --> 00:02:11,560 Speaker 1: bit broken man. He moves to Melbourne and he'd be 33 00:02:11,639 --> 00:02:15,280 Speaker 1: or Melbourne and he begins a new life for himself. Okay, 34 00:02:15,400 --> 00:02:19,760 Speaker 1: Now he used his body to build a future, a 35 00:02:19,800 --> 00:02:22,519 Speaker 1: way of life in his new adopted homeland. Right he 36 00:02:22,639 --> 00:02:25,239 Speaker 1: used his body. Well, the first job he gets his 37 00:02:25,280 --> 00:02:28,440 Speaker 1: seafood processing plans. Okay, yes, it's physical. And then yeah, 38 00:02:28,480 --> 00:02:31,440 Speaker 1: he works a forklip operator. He's like blue collar jobs. 39 00:02:31,480 --> 00:02:33,959 Speaker 1: I guess I could have said that doesn't sound so 40 00:02:33,600 --> 00:02:37,000 Speaker 1: he sounds like, yeah, like nude modeling or something. Yeah, 41 00:02:37,160 --> 00:02:39,360 Speaker 1: I feel like right. I mean, because your brain is 42 00:02:39,400 --> 00:02:42,160 Speaker 1: part of your body. So even if you're just sitting 43 00:02:42,160 --> 00:02:44,560 Speaker 1: at a desk and not doing something physical, you're using 44 00:02:44,600 --> 00:02:47,280 Speaker 1: your body. Wow, I'm going to tell all my blue 45 00:02:47,280 --> 00:02:49,239 Speaker 1: collar boys that, you know what, guys, we need to 46 00:02:49,240 --> 00:02:51,760 Speaker 1: stop looking down on those pencil pushers. They're using their 47 00:02:51,760 --> 00:02:55,160 Speaker 1: bodies too. Because the brain is inside the body. It 48 00:02:55,280 --> 00:02:58,760 Speaker 1: is well mostly sometimes we like your nerves if it's 49 00:02:58,800 --> 00:03:01,200 Speaker 1: like on the edge, well solid one. The central nervous 50 00:03:01,200 --> 00:03:03,360 Speaker 1: system is all like one, but it's contained within your body, 51 00:03:03,440 --> 00:03:06,400 Speaker 1: unless you're in an accident, yes, opens out of your 52 00:03:06,400 --> 00:03:09,639 Speaker 1: skull and tumbles down the street. But like your optic nerve, right, 53 00:03:09,760 --> 00:03:11,440 Speaker 1: is like so close to the edge of your body, 54 00:03:12,360 --> 00:03:15,280 Speaker 1: but it's still inside the body, totally totally on the surface, 55 00:03:15,320 --> 00:03:20,480 Speaker 1: inside the body. Completely agreeing, I have deemed that acceptable. Okay, 56 00:03:21,280 --> 00:03:25,839 Speaker 1: So villain he's working in you know, blue collar jobs, 57 00:03:25,840 --> 00:03:27,600 Speaker 1: as we established, and this is his way to get 58 00:03:27,600 --> 00:03:30,080 Speaker 1: a better life. Now he's part of like the social 59 00:03:30,080 --> 00:03:33,560 Speaker 1: welfare programs of of Australia, right, so he's also been 60 00:03:33,639 --> 00:03:35,840 Speaker 1: very helpful to them. Because he speaks Whahile, so they 61 00:03:35,880 --> 00:03:38,320 Speaker 1: start having him come in and doing some like translations 62 00:03:38,320 --> 00:03:40,440 Speaker 1: for people who have not quite made the transition to 63 00:03:40,680 --> 00:03:43,080 Speaker 1: speaking English. So he'll go in and I don't know 64 00:03:43,120 --> 00:03:44,680 Speaker 1: if he's getting paid for it, orf he's being a 65 00:03:44,800 --> 00:03:48,640 Speaker 1: kind and his donating his time. He's going in there, 66 00:03:48,760 --> 00:03:52,080 Speaker 1: and it works out well for him because his social 67 00:03:52,080 --> 00:03:55,240 Speaker 1: worker ends up being his connection to his new wife. 68 00:03:55,400 --> 00:03:58,760 Speaker 1: He meets a woman named Noelo Rukundo and they fall 69 00:03:58,800 --> 00:04:02,160 Speaker 1: in love. She's also refuge from Central Africa, but not 70 00:04:02,320 --> 00:04:05,560 Speaker 1: from the d r C. She's from Burundi. And I'm 71 00:04:05,600 --> 00:04:07,360 Speaker 1: not sure if you know Central Africa really well, but 72 00:04:07,440 --> 00:04:10,480 Speaker 1: Lake Tanganika is like that's central like finger looking like. 73 00:04:11,480 --> 00:04:13,960 Speaker 1: So she's comes from a town that's basically at the 74 00:04:14,000 --> 00:04:18,479 Speaker 1: top of Lake Tanganika. Okay. Now, Noela Rokundo, she's a 75 00:04:18,480 --> 00:04:22,159 Speaker 1: single mother with five children and a refugee and a 76 00:04:22,200 --> 00:04:26,920 Speaker 1: refugee in a new country. That's tough stuff. That is, 77 00:04:27,120 --> 00:04:29,960 Speaker 1: she's made of tough stuff exactly. She's like, you're the 78 00:04:30,000 --> 00:04:33,479 Speaker 1: real deal, right. So Noela and Balanga they fall in 79 00:04:33,520 --> 00:04:35,960 Speaker 1: love and they decided to make a life together. So 80 00:04:36,000 --> 00:04:39,680 Speaker 1: they moved to this refugee primarily refuge neighborhood called King's 81 00:04:39,720 --> 00:04:42,159 Speaker 1: Park in Melbourne. And then they get involved in this enclave. 82 00:04:42,200 --> 00:04:44,280 Speaker 1: They say they have a community, they start to make 83 00:04:44,279 --> 00:04:47,440 Speaker 1: a family. They add three kids to their their growing family, 84 00:04:47,520 --> 00:04:50,080 Speaker 1: so they now have eight children. There they're going to 85 00:04:50,240 --> 00:04:53,960 Speaker 1: feel the soccer teams like just one short I guess 86 00:04:54,240 --> 00:04:58,080 Speaker 1: now they're home life is going along. Well, you know, 87 00:04:58,120 --> 00:05:01,880 Speaker 1: everything is, you know, apparently happy as to all accounts, 88 00:05:01,920 --> 00:05:04,120 Speaker 1: to as far as Noeland knows, ye, she has no 89 00:05:04,240 --> 00:05:06,920 Speaker 1: reason to think that anything is going wrong. And uh, 90 00:05:07,080 --> 00:05:09,440 Speaker 1: you know that's right up to the point that one 91 00:05:09,480 --> 00:05:12,400 Speaker 1: day in November, her husband pays seven thousand dollars to 92 00:05:12,600 --> 00:05:17,080 Speaker 1: some dudes to kill her. Yeah, seven thousand dollars to 93 00:05:17,160 --> 00:05:20,000 Speaker 1: a team of a team of hitman, not just one 94 00:05:20,200 --> 00:05:23,040 Speaker 1: in this team. I don't actually ever give it the 95 00:05:23,120 --> 00:05:27,880 Speaker 1: kids he's been training them, but this could have been, 96 00:05:27,920 --> 00:05:30,600 Speaker 1: like you know, it's a team of hitman versus her children. 97 00:05:30,880 --> 00:05:33,760 Speaker 1: That could be like a really funny kids movie. The 98 00:05:34,040 --> 00:05:37,600 Speaker 1: Darkest Kids Home Alone is about a kid going off 99 00:05:37,600 --> 00:05:40,360 Speaker 1: against two burglars. I'm just yeah, but they were hired 100 00:05:40,400 --> 00:05:43,479 Speaker 1: by the dad to take out the mom. No, no, 101 00:05:43,640 --> 00:05:46,080 Speaker 1: that I guess my part makes it dark. Come on, kids, 102 00:05:46,120 --> 00:05:49,640 Speaker 1: save your mother. If this was your father, that we're 103 00:05:49,640 --> 00:05:54,279 Speaker 1: getting into serious edible, edible, It's true, very true. Well, 104 00:05:54,320 --> 00:05:56,960 Speaker 1: now we got a theme for the movie t Rex 105 00:05:57,000 --> 00:05:59,320 Speaker 1: story and run with and then the last scene as 106 00:05:59,320 --> 00:06:02,080 Speaker 1: all these kids with their eyes gouged out like sitting 107 00:06:02,080 --> 00:06:05,520 Speaker 1: on swing. Now that is dark. I'm going to start 108 00:06:05,520 --> 00:06:08,200 Speaker 1: on the screen play. Well, okay, let's say this story 109 00:06:08,360 --> 00:06:10,280 Speaker 1: what you've heard so far. If you were to pick 110 00:06:10,279 --> 00:06:14,960 Speaker 1: a director to tell this, where would you go with? Um? 111 00:06:15,000 --> 00:06:19,960 Speaker 1: Michael Bay Michael. You want big explosions. I want everyone 112 00:06:20,000 --> 00:06:23,839 Speaker 1: to explode. I'm going with Cohen Brothers on this one, 113 00:06:24,720 --> 00:06:32,279 Speaker 1: like the inepte husband, like Werner hurt song. Okay, I 114 00:06:32,279 --> 00:06:34,440 Speaker 1: can see that you get. Do you ever get surprised 115 00:06:34,560 --> 00:06:36,120 Speaker 1: when people are like, you know what, my answered all 116 00:06:36,120 --> 00:06:39,039 Speaker 1: my life problems. I'm gonna hire a hit man. I 117 00:06:39,080 --> 00:06:42,080 Speaker 1: don't know anybody like crime stories, like I do a 118 00:06:42,160 --> 00:06:45,960 Speaker 1: lot of crime reporting for my other day job. You're 119 00:06:45,960 --> 00:06:48,239 Speaker 1: talking about like people in your life, not like people 120 00:06:48,279 --> 00:06:50,640 Speaker 1: we know. Like you know my hairdresser, remember when you 121 00:06:50,720 --> 00:06:54,080 Speaker 1: hired that manager. She's always bitching about her her hit 122 00:06:54,160 --> 00:06:58,120 Speaker 1: man falling through. Okay, so we're gonna get into the 123 00:06:58,120 --> 00:07:01,719 Speaker 1: story of Noella, and I want you, Elizabeth, to picture it. 124 00:07:04,600 --> 00:07:07,520 Speaker 1: I'm really good at that, Okay. Noela is in the 125 00:07:07,520 --> 00:07:12,960 Speaker 1: city of Bujambara, and it's in the Central aficandition of Burundi. 126 00:07:13,040 --> 00:07:16,600 Speaker 1: As we've established, Ujimbara is the nation's largest ports city. 127 00:07:16,600 --> 00:07:19,160 Speaker 1: It's right there in Lake Tanganika, which happens to be 128 00:07:19,280 --> 00:07:23,360 Speaker 1: the largest freshwater lake in the world. I didn't know anyway. 129 00:07:23,400 --> 00:07:26,120 Speaker 1: So Burundi is a former German colony, historic home of 130 00:07:26,160 --> 00:07:29,200 Speaker 1: the Hutus, the toot Season and the Twa people, much 131 00:07:29,240 --> 00:07:31,880 Speaker 1: like the Rwanda and the DRC, so a very similar 132 00:07:31,920 --> 00:07:35,440 Speaker 1: ethnic mix. Now Noela returns home to Burundi to visit 133 00:07:35,480 --> 00:07:38,120 Speaker 1: her family. She's away from her children and her husband Bolena. 134 00:07:38,280 --> 00:07:40,880 Speaker 1: She's come back to Burundi to attend her stepmother's funeral. 135 00:07:40,920 --> 00:07:43,520 Speaker 1: Her stepmother is like her mother. She treated her and 136 00:07:43,560 --> 00:07:46,200 Speaker 1: called her mother. It's the same relationship, even though it's 137 00:07:46,200 --> 00:07:49,680 Speaker 1: her stepmother now. So she's at this point terribly distraught 138 00:07:49,680 --> 00:07:53,160 Speaker 1: about losing her stepmother. She leaves the funeral, she goes 139 00:07:53,200 --> 00:07:55,720 Speaker 1: home or you know, back to a hotel room, and 140 00:07:56,240 --> 00:07:58,360 Speaker 1: she's by herself. Now, this is our mother of eight, 141 00:07:58,680 --> 00:08:01,440 Speaker 1: This is an uncommon moment. Oh, she finally gets to 142 00:08:01,520 --> 00:08:04,560 Speaker 1: like go to the bathroom and not have people knocking 143 00:08:04,600 --> 00:08:06,760 Speaker 1: on the door or in the bathroom with her. In 144 00:08:06,800 --> 00:08:09,800 Speaker 1: the bathroom with her, she can take a shower. Oh 145 00:08:09,880 --> 00:08:13,000 Speaker 1: my goodness, yeah, they just imagined. And also amongst her grief, 146 00:08:13,040 --> 00:08:14,760 Speaker 1: this is like a rare moment for her to be 147 00:08:14,760 --> 00:08:18,000 Speaker 1: alone and collect her emotions. So it's a nice little respite. Okay, 148 00:08:18,080 --> 00:08:21,200 Speaker 1: So in this very long day in a series of 149 00:08:21,200 --> 00:08:24,000 Speaker 1: long days, in a lifetime of long days, then this 150 00:08:24,040 --> 00:08:27,080 Speaker 1: moment she is alone and she gets a phone call. 151 00:08:28,880 --> 00:08:32,360 Speaker 1: It's Blanca. He's like, hey, how are you doing? And 152 00:08:32,400 --> 00:08:34,960 Speaker 1: she's like what, what's what? Baby? He's like, what are 153 00:08:34,960 --> 00:08:36,760 Speaker 1: you doing. She's like, oh, I'm you know, I'm chilling. 154 00:08:36,800 --> 00:08:39,360 Speaker 1: I'm in the hotel room. I came home early. And 155 00:08:39,400 --> 00:08:41,199 Speaker 1: it's you know, it's it's great for me and I'm 156 00:08:41,400 --> 00:08:44,960 Speaker 1: I'm just I'm finally able to be alone. He's like, okay, well, 157 00:08:45,000 --> 00:08:46,600 Speaker 1: why are you sleeping so early? Why did you go 158 00:08:46,600 --> 00:08:49,719 Speaker 1: back to the hotel. She's like, she just told you, right, 159 00:08:49,760 --> 00:08:52,200 Speaker 1: And he was like, well you should you should go outside. 160 00:08:52,400 --> 00:08:54,439 Speaker 1: He's like, yeah, go ahead and enjoy the fresh air. 161 00:08:54,520 --> 00:08:56,960 Speaker 1: That'll be good for you. Say word about yourself. I'm 162 00:08:56,960 --> 00:08:59,080 Speaker 1: just like, He's like, is it is it hot there? 163 00:08:59,200 --> 00:09:01,360 Speaker 1: And she's like, it's not. How you should get some 164 00:09:01,360 --> 00:09:04,040 Speaker 1: fresh air. He's like, She's like, well, why why do 165 00:09:04,040 --> 00:09:06,040 Speaker 1: you want me to get some fresh air. He's like, 166 00:09:06,160 --> 00:09:08,160 Speaker 1: just baby, just get some fresh air. This would be 167 00:09:08,240 --> 00:09:11,920 Speaker 1: good for you. Now, she remembers later on this she 168 00:09:12,120 --> 00:09:14,000 Speaker 1: felt like he really cared for her. He was like 169 00:09:14,040 --> 00:09:16,640 Speaker 1: trying to get her like feeling, you know, better, because 170 00:09:16,640 --> 00:09:18,600 Speaker 1: he knew how hard this moment must be for her. 171 00:09:18,640 --> 00:09:21,199 Speaker 1: All Right, you've characterized him as a villain already, and 172 00:09:21,240 --> 00:09:23,280 Speaker 1: I think that's why I'm like looking at this with 173 00:09:23,440 --> 00:09:28,520 Speaker 1: a very cynical eye. But I'm also thinking, if it's 174 00:09:28,520 --> 00:09:31,640 Speaker 1: your partner, they should you know. They may suggest like, hey, 175 00:09:32,520 --> 00:09:34,320 Speaker 1: you know, you thought go outside, can get some air. 176 00:09:34,559 --> 00:09:37,160 Speaker 1: And then if I'm her, I'm saying, one of my 177 00:09:37,200 --> 00:09:40,160 Speaker 1: favorite things in the world is to sleep. I loved 178 00:09:41,160 --> 00:09:47,839 Speaker 1: so back off, back off man, Well that's just me. 179 00:09:49,880 --> 00:09:52,160 Speaker 1: We don't know exactly her reaction. She may have used 180 00:09:52,200 --> 00:09:53,640 Speaker 1: the gut or was she used the one telling the story, 181 00:09:53,679 --> 00:09:56,680 Speaker 1: So we don't necessarily know the fullness of her response. 182 00:09:56,800 --> 00:09:58,920 Speaker 1: We know now she was like, all right, final go outside. 183 00:09:59,520 --> 00:10:02,160 Speaker 1: She goes outside, and remember, you know, as I said this, 184 00:10:02,360 --> 00:10:04,840 Speaker 1: she felt like, oh, my husband, he really cares for me. 185 00:10:04,880 --> 00:10:08,280 Speaker 1: He wants me to be you know, happy and healthy 186 00:10:08,320 --> 00:10:09,920 Speaker 1: and so forth. Now this is pretty much going to 187 00:10:09,960 --> 00:10:12,000 Speaker 1: be the last time she ever thinks anything like that, 188 00:10:12,720 --> 00:10:17,280 Speaker 1: because as Noela later tells, and I will quote, I 189 00:10:17,320 --> 00:10:19,560 Speaker 1: opened the gate and I saw a man coming towards me. 190 00:10:19,600 --> 00:10:21,560 Speaker 1: Then he pointed the gun on me. He just told me, 191 00:10:21,720 --> 00:10:24,000 Speaker 1: don't scream. If you start screaming, I will shoot you. 192 00:10:24,120 --> 00:10:26,600 Speaker 1: They're going to catch me, but you you will already 193 00:10:26,640 --> 00:10:29,120 Speaker 1: be dead. So I did exactly what he told me. 194 00:10:29,720 --> 00:10:31,840 Speaker 1: So she goes outside to a gun in the face. 195 00:10:32,000 --> 00:10:35,360 Speaker 1: This woman, what more can she take in her life? 196 00:10:35,840 --> 00:10:39,720 Speaker 1: I am so enraged on her behalf. So this gunman 197 00:10:39,800 --> 00:10:41,679 Speaker 1: leads her to a getaway car and he as a 198 00:10:41,760 --> 00:10:44,200 Speaker 1: sitting in the middle between two other gunmen. They both 199 00:10:44,200 --> 00:10:47,040 Speaker 1: have big, like a K forty seven type long guns. Right, 200 00:10:47,320 --> 00:10:49,160 Speaker 1: So she's like, oh, this is for real, for real, right, 201 00:10:49,679 --> 00:10:52,120 Speaker 1: And then like she's like, I quote, one had a 202 00:10:52,160 --> 00:10:53,880 Speaker 1: small gun, one had a long gun. And the men 203 00:10:53,920 --> 00:10:56,600 Speaker 1: say to the driver, pass us a scarf. Then they 204 00:10:56,640 --> 00:10:59,480 Speaker 1: cover my face. After that, I didn't say anything. They 205 00:10:59,480 --> 00:11:01,640 Speaker 1: just said to the driver, let's go. And I was 206 00:11:01,679 --> 00:11:04,640 Speaker 1: taken somewhere thirty maybe forty minutes. Then I hear the 207 00:11:04,679 --> 00:11:08,040 Speaker 1: car stop. So now she's like forty minutes away from 208 00:11:08,040 --> 00:11:10,240 Speaker 1: this hotel in the middle of nowhere, and she's like, 209 00:11:10,360 --> 00:11:12,480 Speaker 1: what's going on? Right? Gunmen y anchor from the car. 210 00:11:12,760 --> 00:11:15,240 Speaker 1: They drag her into this building. She's still blindfolded. They 211 00:11:15,280 --> 00:11:17,000 Speaker 1: placed her in a chair, they tired of the chair, 212 00:11:17,400 --> 00:11:19,960 Speaker 1: and finally another gun and goes go get the boss. 213 00:11:20,520 --> 00:11:24,200 Speaker 1: She's like, oh man, it's that raw. Just gonna imagine 214 00:11:24,240 --> 00:11:25,959 Speaker 1: that moment. You're setting there tied to a chair. Someone's like, 215 00:11:26,000 --> 00:11:27,880 Speaker 1: go get the boss. But at the same time, she's 216 00:11:27,920 --> 00:11:30,360 Speaker 1: probably wanted to say, you guys, I have lived through 217 00:11:30,400 --> 00:11:36,679 Speaker 1: worse than this. So I don't know. She's probably at 218 00:11:36,679 --> 00:11:38,480 Speaker 1: the worst. I think she has the steel to deal 219 00:11:38,520 --> 00:11:39,920 Speaker 1: with this moment, but I don't know if she's lived 220 00:11:39,920 --> 00:11:42,959 Speaker 1: through works. God, I can't imagine. When so a door 221 00:11:43,000 --> 00:11:46,480 Speaker 1: creaks open, someone starts to approach, he here's the footsteps 222 00:11:46,480 --> 00:11:49,120 Speaker 1: on that cement floor of the factory or wherever they are, 223 00:11:49,880 --> 00:11:52,320 Speaker 1: And she says, they asked me, what did you do? 224 00:11:52,360 --> 00:11:54,200 Speaker 1: To this man, why is this man asked us to 225 00:11:54,280 --> 00:11:56,480 Speaker 1: kill you? And then I told them which man? Because 226 00:11:56,559 --> 00:11:59,880 Speaker 1: I don't have any problem with anybody. They say your husband. 227 00:12:00,280 --> 00:12:03,200 Speaker 1: I say, my husband can't kill me. You are lying, 228 00:12:03,600 --> 00:12:05,880 Speaker 1: and then they slap me. After that, the bus says, 229 00:12:06,080 --> 00:12:08,680 Speaker 1: you are very stupid. You are fool. Let me call 230 00:12:08,720 --> 00:12:11,920 Speaker 1: who has paid us to kill you? All right, so 231 00:12:11,960 --> 00:12:15,120 Speaker 1: it's like, why am I hitting you? Stopped hitting yourself exactly. 232 00:12:15,160 --> 00:12:19,520 Speaker 1: Morale will improve in the beatings improves. But I think 233 00:12:19,559 --> 00:12:22,640 Speaker 1: it is an interesting question for the hit man to say, 234 00:12:22,720 --> 00:12:25,559 Speaker 1: like how did you get here? Why? Why am I 235 00:12:25,559 --> 00:12:29,440 Speaker 1: supposed to kill you? What did you do? Anyway? Continue? Okay, 236 00:12:30,200 --> 00:12:32,720 Speaker 1: Now she doesn't believe the Bolenga would like put out 237 00:12:32,760 --> 00:12:35,800 Speaker 1: a hit on her, right, So she's like basically arguing 238 00:12:35,840 --> 00:12:37,720 Speaker 1: with the hit man. Hit Man's like, I ain't got 239 00:12:37,760 --> 00:12:39,120 Speaker 1: time for this. Give me the phone. He's like, d 240 00:12:40,120 --> 00:12:43,960 Speaker 1: called her husband, right, that's my favorite, my favorite way 241 00:12:43,960 --> 00:12:48,040 Speaker 1: to use the phone. It's like the David Lee Roth 242 00:12:48,200 --> 00:12:54,000 Speaker 1: scat phone. Immediately that, so the husband is the answers. 243 00:12:54,000 --> 00:12:57,120 Speaker 1: She's like yeah, and then the hit man is like 244 00:12:57,160 --> 00:12:59,679 Speaker 1: the boss. Hitman's like, yo, man, I got your wife 245 00:12:59,679 --> 00:13:02,160 Speaker 1: here he's like cool. Cool, He's like, yeah, so what 246 00:13:02,160 --> 00:13:05,440 Speaker 1: do you want me to do? Killer? And he says 247 00:13:05,440 --> 00:13:08,800 Speaker 1: it's over speaker phone. And because the pret on speaker 248 00:13:08,800 --> 00:13:11,800 Speaker 1: phone so she could hear the hitman, isn't like, hey, 249 00:13:11,920 --> 00:13:15,280 Speaker 1: hey listen buddy, speaker. Um, just you know, got a 250 00:13:15,280 --> 00:13:19,080 Speaker 1: couple of friends here, I got to clear this up now. 251 00:13:19,240 --> 00:13:21,920 Speaker 1: Finally she's ready to listen to some sense of reason 252 00:13:21,960 --> 00:13:23,920 Speaker 1: that this boss of Hitman team has been trying to 253 00:13:24,000 --> 00:13:27,480 Speaker 1: lay at her feet. She's like like just almost like wordless, right, 254 00:13:27,559 --> 00:13:30,840 Speaker 1: But as Noela says, it heard his voice. I heard him. 255 00:13:30,880 --> 00:13:32,640 Speaker 1: I felt like my head was going to blow up. 256 00:13:32,800 --> 00:13:34,800 Speaker 1: Then they described for him where they were going to 257 00:13:34,880 --> 00:13:38,200 Speaker 1: chuck the body. The body she means herself, right, So 258 00:13:38,520 --> 00:13:40,920 Speaker 1: that's got to be like just the weirdest, grossest moment. 259 00:13:41,080 --> 00:13:43,040 Speaker 1: You're imagining what people are going to do with your body. 260 00:13:43,080 --> 00:13:46,280 Speaker 1: It's been turned in rendered into a body. I don't know, 261 00:13:46,440 --> 00:13:48,600 Speaker 1: I mean, haven't we all had to do that at 262 00:13:48,640 --> 00:13:52,199 Speaker 1: some point? It was it was it was too much 263 00:13:52,240 --> 00:13:55,040 Speaker 1: for Noella. When she hears the news, she straight passes out, 264 00:13:55,679 --> 00:13:59,440 Speaker 1: just blackd She's just like, I'm out right consciousness gone. 265 00:14:00,040 --> 00:14:03,960 Speaker 1: Oh no, as I said, you before, what director would 266 00:14:03,960 --> 00:14:06,200 Speaker 1: you film this? Have filmed this story? Have you changed 267 00:14:06,240 --> 00:14:08,199 Speaker 1: your opinion? You still want Warner her socks to be 268 00:14:08,280 --> 00:14:14,400 Speaker 1: the one? Yea forever forever? Okay, Spielberg, Spielberg, oh Man, 269 00:14:14,679 --> 00:14:17,520 Speaker 1: Spielberg for this story. No. I mean, you know, everything 270 00:14:17,600 --> 00:14:19,200 Speaker 1: is happening and you know what it would mean. But 271 00:14:19,240 --> 00:14:21,120 Speaker 1: I don't think you'd have the pathos for the people. No, 272 00:14:21,160 --> 00:14:29,240 Speaker 1: not at all. Um Soderberg, Harmony Current, Oh gosh, that 273 00:14:29,280 --> 00:14:31,800 Speaker 1: could be. It would He could definitely right for the 274 00:14:31,840 --> 00:14:34,000 Speaker 1: boss of the team of Hitman. Yeah, yeah, like and 275 00:14:34,080 --> 00:14:36,680 Speaker 1: he'd be wearing like the flyest first suit, you know, 276 00:14:36,840 --> 00:14:41,600 Speaker 1: just in the middle of central a candy bar, a 277 00:14:41,640 --> 00:14:45,360 Speaker 1: lot of white fur. Anyway, let's just take a quick 278 00:14:45,360 --> 00:14:48,640 Speaker 1: break and uh, we'll let this story, you know, kind 279 00:14:48,640 --> 00:14:50,760 Speaker 1: of build up a little more tension, a little more heat, 280 00:14:51,080 --> 00:14:54,040 Speaker 1: and we'll be right back and I'll tell you about 281 00:14:54,040 --> 00:15:17,600 Speaker 1: this story. Noela who refuses to die her all right, Elizabeth? 282 00:15:17,600 --> 00:15:21,560 Speaker 1: So where were we we were with this lady about 283 00:15:21,600 --> 00:15:25,840 Speaker 1: to get killed? Yes, in Burundi with Noela. So Noella. 284 00:15:26,000 --> 00:15:28,320 Speaker 1: She travels to Brundi to attend her stepmother's funerals. She 285 00:15:28,320 --> 00:15:29,720 Speaker 1: gets a call from her husband, who tells her to 286 00:15:29,720 --> 00:15:32,360 Speaker 1: step outside, she gets kidnapped. The gunman's like, I ain't 287 00:15:32,360 --> 00:15:34,360 Speaker 1: gonna kill you here. I'll call your husband to prove it. 288 00:15:34,400 --> 00:15:37,640 Speaker 1: Husband's like killer. She's like, and then that's like basically 289 00:15:37,680 --> 00:15:41,040 Speaker 1: where we are version right? Thank you? Okay. So now 290 00:15:41,080 --> 00:15:44,280 Speaker 1: when Noella returns to the consciousness, she discovers, hey, I'm 291 00:15:44,280 --> 00:15:47,040 Speaker 1: still alive. They haven't killed me turned me into a body, right, 292 00:15:47,280 --> 00:15:49,200 Speaker 1: And then she learns from the kidnappers they have a 293 00:15:49,200 --> 00:15:51,680 Speaker 1: big surprise for her. They don't want to kill her. 294 00:15:52,480 --> 00:15:54,960 Speaker 1: They're like, we're cool with you. You know what. Your husband, 295 00:15:55,000 --> 00:15:57,480 Speaker 1: he's kind of a punk, Like this is a little 296 00:15:57,520 --> 00:15:59,280 Speaker 1: messed up. Yeah, and they're like, we don't. We don't 297 00:15:59,280 --> 00:16:01,400 Speaker 1: like this dude. Also, by the way, we know your brother, 298 00:16:01,440 --> 00:16:06,280 Speaker 1: he's good people to the husband's like, I'm gonna hire it. 299 00:16:06,480 --> 00:16:09,720 Speaker 1: He must not have known that they need Yeah, Brundi's 300 00:16:09,920 --> 00:16:12,400 Speaker 1: is not a small it's big. So the likelihood that 301 00:16:12,400 --> 00:16:14,880 Speaker 1: they knew each other is is not high. But also 302 00:16:14,920 --> 00:16:17,800 Speaker 1: at the same time, maybe they ran in similar circles 303 00:16:17,960 --> 00:16:20,600 Speaker 1: and there was some overlap. I don't know. The moment 304 00:16:20,640 --> 00:16:23,440 Speaker 1: where she's saying, I have no idea who would want 305 00:16:23,480 --> 00:16:26,600 Speaker 1: to kill me, like, and she's legitimately serious about it. 306 00:16:26,640 --> 00:16:28,760 Speaker 1: And when they said, okay, let's check in with the 307 00:16:28,880 --> 00:16:31,520 Speaker 1: husband and the shock if she passes out there like 308 00:16:32,240 --> 00:16:34,440 Speaker 1: this gal, but she's had to deal with him, put 309 00:16:34,480 --> 00:16:36,880 Speaker 1: up with that. Yeah, and maybe maybe he's been kind 310 00:16:36,920 --> 00:16:39,840 Speaker 1: of a jerk to them in the hiring process. Well 311 00:16:39,880 --> 00:16:41,920 Speaker 1: he lowbawed them with the seven grand Maybe I don't know, 312 00:16:42,600 --> 00:16:44,680 Speaker 1: because anyway, the boss of the hit the team of 313 00:16:44,760 --> 00:16:47,720 Speaker 1: hit man, he tells, Noela, we're not going to kill you. 314 00:16:47,760 --> 00:16:50,120 Speaker 1: What do we don't kill women and children? He told 315 00:16:50,160 --> 00:16:52,440 Speaker 1: me I had been stupid because my husband paid them 316 00:16:52,560 --> 00:16:55,120 Speaker 1: the deposit in November and when I went to Africa 317 00:16:55,120 --> 00:16:57,400 Speaker 1: it was January. He asked me, how stupid can you 318 00:16:57,400 --> 00:17:00,000 Speaker 1: be from November? You can't see that something is wrong 319 00:17:00,320 --> 00:17:02,680 Speaker 1: if you have a professional killer getting to the point 320 00:17:02,720 --> 00:17:04,800 Speaker 1: being looked, you've got problems in your life, your husband, 321 00:17:04,840 --> 00:17:06,280 Speaker 1: your home life is not what you think it is. 322 00:17:06,320 --> 00:17:08,560 Speaker 1: You're like, I had no clue. Yeah, she didn't know, 323 00:17:09,200 --> 00:17:12,680 Speaker 1: But is I mean, is that realistic? That? Like, I mean, 324 00:17:12,720 --> 00:17:16,040 Speaker 1: it's completely realistic. So it's not that she's just not 325 00:17:16,080 --> 00:17:17,879 Speaker 1: I'm not saying she ignores him, but it's not that 326 00:17:18,040 --> 00:17:21,639 Speaker 1: like she's been like fooling herself somewhat like not seeing 327 00:17:21,640 --> 00:17:26,040 Speaker 1: who she's dealing with. Tell me someone who has never 328 00:17:26,119 --> 00:17:28,760 Speaker 1: been in a relationship where they at some point fooled 329 00:17:28,760 --> 00:17:32,879 Speaker 1: themselves a little bit o time, right, And especially like 330 00:17:32,920 --> 00:17:34,760 Speaker 1: I know a lot of women who have been in 331 00:17:34,920 --> 00:17:39,439 Speaker 1: relationships where they don't see the red flags and the 332 00:17:39,480 --> 00:17:41,840 Speaker 1: problem or they excuse him away, and so he could 333 00:17:41,840 --> 00:17:45,440 Speaker 1: have been displaying all sorts of terrible behaviors. But she's 334 00:17:45,440 --> 00:17:49,000 Speaker 1: coming from like a traumatic background, and she's been seeking 335 00:17:49,000 --> 00:17:52,480 Speaker 1: out this solace and you know, and I think that 336 00:17:53,119 --> 00:17:56,159 Speaker 1: in the moment of it, especially if someone sort of 337 00:17:56,200 --> 00:17:58,960 Speaker 1: like the victim of some sort of abuse, whether it's 338 00:17:59,040 --> 00:18:03,280 Speaker 1: violence or you know, psychological abuse, they don't see it 339 00:18:03,280 --> 00:18:05,680 Speaker 1: and they can't be convinced. And so the first red 340 00:18:05,720 --> 00:18:08,400 Speaker 1: flag she ends up seeing is the hit man. Yeah. Yeah, 341 00:18:08,480 --> 00:18:10,840 Speaker 1: and then she's probably thinking, oh God, And then you 342 00:18:10,880 --> 00:18:12,640 Speaker 1: go back through all these things and then she can 343 00:18:12,640 --> 00:18:14,760 Speaker 1: see all the flags that she missed. So I mean, 344 00:18:14,760 --> 00:18:17,560 Speaker 1: and I think that's the It's interesting that the hitman 345 00:18:17,720 --> 00:18:19,800 Speaker 1: A says we don't kill women and children will do 346 00:18:19,960 --> 00:18:23,040 Speaker 1: She took the contract, so I'm not listening to that. 347 00:18:23,080 --> 00:18:24,480 Speaker 1: I may not have known from the name, you know. 348 00:18:24,520 --> 00:18:29,560 Speaker 1: I was just like, maybe find this this like this person. 349 00:18:30,040 --> 00:18:32,680 Speaker 1: What does this person look like? It's a human, you know, 350 00:18:32,920 --> 00:18:35,800 Speaker 1: come on. So that's that's garbage when he says there, 351 00:18:36,240 --> 00:18:38,679 Speaker 1: but I think that for him also, it must have 352 00:18:38,800 --> 00:18:43,120 Speaker 1: you know, when he's saying, you women are stupid about this, 353 00:18:43,600 --> 00:18:46,480 Speaker 1: you know, well maybe we wouldn't have to be stupid 354 00:18:46,480 --> 00:18:51,920 Speaker 1: about this if men weren't. That's fair. So okay. At 355 00:18:51,920 --> 00:18:54,240 Speaker 1: this point, everyone in Burundi they decided to start calling 356 00:18:54,240 --> 00:18:56,800 Speaker 1: the husband Bolena. They have his phone number in Australia, 357 00:18:57,000 --> 00:18:59,040 Speaker 1: and it's it seems like everybody, not everybody, but like 358 00:18:59,600 --> 00:19:03,800 Speaker 1: her brother, her family, the hitman, they're all calling him. Right, 359 00:19:03,840 --> 00:19:07,680 Speaker 1: So first it's the hitman Boss. He's like, look, Blanga, uh, 360 00:19:07,920 --> 00:19:10,199 Speaker 1: we're gonna need some more money if you want us 361 00:19:10,200 --> 00:19:12,119 Speaker 1: to kill your wife. We have who we have her, 362 00:19:12,280 --> 00:19:13,680 Speaker 1: We got her, but we haven't killed her yet. And 363 00:19:13,680 --> 00:19:17,480 Speaker 1: it'll be thirty Australian and he's like, okay, you drive 364 00:19:17,480 --> 00:19:19,120 Speaker 1: a tough bargain, but I want her to dad, So 365 00:19:19,320 --> 00:19:22,440 Speaker 1: here's I'll send you the right So after the boss 366 00:19:22,440 --> 00:19:24,520 Speaker 1: gets off the phone, but it gets another call. This time, 367 00:19:24,520 --> 00:19:27,280 Speaker 1: it's no Ellis family and Burundi it's her brother. He's like, look, man, 368 00:19:27,520 --> 00:19:28,879 Speaker 1: I need some money. He's like, what do you need 369 00:19:28,920 --> 00:19:31,119 Speaker 1: money for? I like, I'm putting out money everywhere here. 370 00:19:31,920 --> 00:19:34,119 Speaker 1: He's like, no, I I gotta pay cash to the police. 371 00:19:34,119 --> 00:19:37,119 Speaker 1: I need five forty five bucks. He's like five bucks. What. 372 00:19:37,240 --> 00:19:38,800 Speaker 1: He's like, yeah, I gotta give the money to the 373 00:19:38,800 --> 00:19:41,800 Speaker 1: police so they'll start an investigation. So basically he's just 374 00:19:41,840 --> 00:19:43,600 Speaker 1: admitting he's got to like bribe the police for them 375 00:19:43,600 --> 00:19:46,280 Speaker 1: to even look into the murder or the missing. At 376 00:19:46,320 --> 00:19:49,240 Speaker 1: this point, he's a missing woman. So blankas ends on 377 00:19:49,320 --> 00:19:51,760 Speaker 1: the money, you know, because he's her husband, he's got 378 00:19:51,760 --> 00:19:53,960 Speaker 1: to look like he's still is her husband. So he's like, damn, 379 00:19:53,960 --> 00:19:56,000 Speaker 1: this is costing me. So he sends the five hundred 380 00:19:56,040 --> 00:19:59,080 Speaker 1: forty five dollars off and you know, boom, He's like, 381 00:19:59,359 --> 00:20:01,879 Speaker 1: that should make me look like I care. I guess 382 00:20:01,880 --> 00:20:03,680 Speaker 1: I don't know. No, I mean that's a good that's 383 00:20:03,720 --> 00:20:07,240 Speaker 1: a good sort of portion of the alibi. I wasn't involved. 384 00:20:07,240 --> 00:20:11,879 Speaker 1: I paid to help have the cops look for her. Yeah. 385 00:20:12,040 --> 00:20:14,320 Speaker 1: So two days passed, right, and the family is waiting 386 00:20:14,320 --> 00:20:16,560 Speaker 1: because they now, you know, they've paid the cops off, 387 00:20:17,160 --> 00:20:19,920 Speaker 1: and Bolenka is waiting on word from the hitman. And meanwhile, 388 00:20:20,000 --> 00:20:22,399 Speaker 1: Noela has grown friendly with the hitman and over that 389 00:20:22,440 --> 00:20:24,840 Speaker 1: two days time, right, so they're like, you know, we 390 00:20:25,000 --> 00:20:29,239 Speaker 1: decided exactly. They're like, you know, we decided to release you. 391 00:20:29,440 --> 00:20:31,640 Speaker 1: We think you're pretty cool. Your husband's a punk, so 392 00:20:32,200 --> 00:20:33,760 Speaker 1: we want you to know how to, like, you know, 393 00:20:33,840 --> 00:20:37,120 Speaker 1: outlast this. So the hitman boss, he's like, tells her, 394 00:20:37,880 --> 00:20:40,000 Speaker 1: we give you eighty hours to leave this country. Your 395 00:20:40,080 --> 00:20:42,240 Speaker 1: husband is serious. Maybe we can spare your life. But 396 00:20:42,320 --> 00:20:44,280 Speaker 1: other people and they're not going to do the same thing. 397 00:20:44,320 --> 00:20:47,080 Speaker 1: If God helps you, you'll get to Australia. So he's 398 00:20:47,080 --> 00:20:49,800 Speaker 1: a religious hit man right here, go back to Australia. 399 00:20:49,880 --> 00:20:52,040 Speaker 1: So with God, yes, I don't know, I wouldn't go 400 00:20:52,080 --> 00:20:54,600 Speaker 1: back to us. So that after her two days, you know, 401 00:20:54,760 --> 00:20:59,000 Speaker 1: she's now ostensibly free, right. But the hitman is like, 402 00:20:59,200 --> 00:21:01,040 Speaker 1: the boss Hitman like, I'm gonna go and drop you 403 00:21:01,080 --> 00:21:02,359 Speaker 1: off on the side of the road because if we 404 00:21:02,400 --> 00:21:05,080 Speaker 1: can't have you know where our layer is like, but 405 00:21:05,080 --> 00:21:06,680 Speaker 1: he's like, first, I want to give you the stuff 406 00:21:06,720 --> 00:21:08,520 Speaker 1: you need to get back in your at your husband. 407 00:21:08,960 --> 00:21:11,119 Speaker 1: This guy is not so bad then, Oh dude, he's 408 00:21:11,160 --> 00:21:13,960 Speaker 1: the best. He gives her a memory card, and on 409 00:21:14,000 --> 00:21:16,639 Speaker 1: the memory card is a record of the phone calls 410 00:21:16,640 --> 00:21:19,239 Speaker 1: with Bolena, and he also has the receipts of the 411 00:21:19,240 --> 00:21:22,520 Speaker 1: money that Bolena sent to him via Western Union. He 412 00:21:22,600 --> 00:21:26,320 Speaker 1: hands her the receipt literally hands boom, take these two courts. 413 00:21:26,320 --> 00:21:29,960 Speaker 1: See how he's playing. All right, So now the boss goes, okay, 414 00:21:29,960 --> 00:21:31,800 Speaker 1: put your scarf back on, get in the car. We're 415 00:21:31,800 --> 00:21:33,800 Speaker 1: taking you out of here. Right. So the guys with 416 00:21:33,840 --> 00:21:35,439 Speaker 1: the guns are like, yeah, let's go, man. Then they 417 00:21:35,480 --> 00:21:36,800 Speaker 1: load her in the car, they drive her out, and 418 00:21:36,800 --> 00:21:39,000 Speaker 1: then they go okay, now on the way, the boss 419 00:21:39,080 --> 00:21:41,760 Speaker 1: is like, we just want you to go back to you. 420 00:21:41,880 --> 00:21:44,280 Speaker 1: Tell the other stupid women like you what happened. You 421 00:21:44,359 --> 00:21:46,840 Speaker 1: must learn something. You people get a chance to go 422 00:21:46,920 --> 00:21:49,760 Speaker 1: overseas for a better life. But the money you are earning, 423 00:21:49,800 --> 00:21:51,960 Speaker 1: the money the government gives to you, you use it 424 00:21:52,000 --> 00:21:57,040 Speaker 1: for killing each other. Wow, man with the morality tail. Yeah, 425 00:21:57,040 --> 00:21:59,920 Speaker 1: and it's sort of a very clumsy, tough load. Right, 426 00:22:00,040 --> 00:22:02,560 Speaker 1: so you know it's like a big jilly Frank's not 427 00:22:02,640 --> 00:22:04,560 Speaker 1: just boy can taking you by the side. Hey, hey, look, 428 00:22:04,760 --> 00:22:07,320 Speaker 1: Frank wanted me to tell you something. Okay, So this 429 00:22:07,440 --> 00:22:10,480 Speaker 1: boss of it man, right, he's obviously a wildly sexist 430 00:22:10,480 --> 00:22:12,959 Speaker 1: and but he's still kind of morally upred protective, right, 431 00:22:13,040 --> 00:22:17,960 Speaker 1: isn't he sort of the accidental feminist race. I want 432 00:22:18,000 --> 00:22:20,760 Speaker 1: all of you women to gather together. He's like the 433 00:22:20,960 --> 00:22:23,040 Speaker 1: wady got the gray hat hackers. Like, look, I'm not 434 00:22:23,160 --> 00:22:25,000 Speaker 1: white hack or black at but I wanted you to know. 435 00:22:25,119 --> 00:22:27,040 Speaker 1: Here's what they're doing, and I want you to not 436 00:22:27,119 --> 00:22:29,200 Speaker 1: you know, do you gotta kind of respect the criminal 437 00:22:29,240 --> 00:22:32,840 Speaker 1: with the code of I do I kind of what 438 00:22:32,880 --> 00:22:36,240 Speaker 1: they're going on? Okay? So now Noela's she's completely free 439 00:22:36,480 --> 00:22:40,280 Speaker 1: and she's not dead. So if you were her, what 440 00:22:40,359 --> 00:22:42,399 Speaker 1: would do you plan to do to get Like, how 441 00:22:42,400 --> 00:22:44,440 Speaker 1: do you let your husband know that you are one 442 00:22:44,560 --> 00:22:47,920 Speaker 1: free and two not dead? Oh man, there's so many 443 00:22:47,960 --> 00:22:50,679 Speaker 1: options with that, right, and you have like all this 444 00:22:50,800 --> 00:22:54,600 Speaker 1: time to like, yeah, it's got a good amount of 445 00:22:54,600 --> 00:22:56,320 Speaker 1: time to sit there and steal about it. She's an 446 00:22:56,320 --> 00:22:59,439 Speaker 1: ocean away and she's plotting her her revenge and obviously 447 00:22:59,480 --> 00:23:01,800 Speaker 1: her return to Australia. I mean, she's a mother of eight, 448 00:23:01,840 --> 00:23:03,840 Speaker 1: so her first concern obviously is getting back to her children. 449 00:23:03,880 --> 00:23:05,560 Speaker 1: So she's not gonna be delaying. You don't have a 450 00:23:05,640 --> 00:23:07,000 Speaker 1: lot of time because she wants to get back to 451 00:23:07,000 --> 00:23:08,520 Speaker 1: her kids. But when she gets back to her kid, 452 00:23:08,600 --> 00:23:10,600 Speaker 1: she has to get back to her husband too. So 453 00:23:10,720 --> 00:23:14,080 Speaker 1: in that moment, how do you shock them? So a 454 00:23:14,200 --> 00:23:18,399 Speaker 1: large crate arrives at the house, and out of the 455 00:23:18,440 --> 00:23:23,920 Speaker 1: crate is wheeled a giant novelty birthday cake. And then 456 00:23:24,560 --> 00:23:27,840 Speaker 1: if you pop out and confetti flies out and it's 457 00:23:27,920 --> 00:23:32,920 Speaker 1: you and like three cops and you go surprise, three cops. 458 00:23:32,960 --> 00:23:34,680 Speaker 1: You gotta be hanging out in a cake with dreeps 459 00:23:34,720 --> 00:23:36,440 Speaker 1: And how long am I in the cake? And we're 460 00:23:36,480 --> 00:23:39,280 Speaker 1: all wearing bikinis like the way that they always remember 461 00:23:39,520 --> 00:23:41,880 Speaker 1: Do they do that anymore? People popping out a cage? 462 00:23:41,880 --> 00:23:43,960 Speaker 1: Oh yeah, like you know, like a bikini, like like 463 00:23:43,960 --> 00:23:46,600 Speaker 1: the American flag and like Twizzlers and like most like 464 00:23:47,520 --> 00:23:50,680 Speaker 1: I don't think they do that, probably for good reason. 465 00:23:54,640 --> 00:23:56,480 Speaker 1: I could get a great deal on one of those 466 00:23:56,840 --> 00:23:59,240 Speaker 1: novelty cakes. It's been sitting in a warehouse for a 467 00:23:59,320 --> 00:24:02,040 Speaker 1: forty years, just moldering. Yeah, and then you just were 468 00:24:02,040 --> 00:24:08,560 Speaker 1: wearing all these like old you know, uh, macromy bikinis, 469 00:24:09,359 --> 00:24:15,560 Speaker 1: macromy bikinis, yeah, like, oh, is that the Knit Ones? Yeah? Yeah, yeah, yeah, 470 00:24:16,000 --> 00:24:20,440 Speaker 1: you're having a flashback. Yeah yeah, I don't want to 471 00:24:20,480 --> 00:24:27,840 Speaker 1: talk about it. So much confetti everywhere. So after our 472 00:24:27,880 --> 00:24:31,320 Speaker 1: girl Noell that survives her husband's plot to ever killed, right, 473 00:24:31,800 --> 00:24:34,159 Speaker 1: and now she's won the respect the protection of the 474 00:24:34,200 --> 00:24:36,240 Speaker 1: team of hit men who sent to kill her, and 475 00:24:36,280 --> 00:24:40,120 Speaker 1: she's now plotting her, know, her return to home. And uh, 476 00:24:40,359 --> 00:24:42,280 Speaker 1: she's like, how am I going to get there? Right? 477 00:24:42,280 --> 00:24:44,160 Speaker 1: She's got the money and everything, but she also needs 478 00:24:44,200 --> 00:24:47,520 Speaker 1: like a point person. So she calls Ahead. Now, who 479 00:24:47,520 --> 00:24:49,480 Speaker 1: do you think she's going to call Ahead? I hope 480 00:24:49,520 --> 00:24:53,000 Speaker 1: not a hit man. Oh that's an interesting call man 481 00:24:53,040 --> 00:24:56,679 Speaker 1: kind x five versus spy. Yeah yeah, but you know what, 482 00:24:56,720 --> 00:24:59,760 Speaker 1: we're murder free here, so we're not I don't think 483 00:24:59,800 --> 00:25:02,760 Speaker 1: we're cruising into a okay, yeah, I don't know who 484 00:25:02,800 --> 00:25:10,159 Speaker 1: she calls her preacher brings pastor rather than calling like 485 00:25:10,200 --> 00:25:16,760 Speaker 1: the Jerry Springer of Australia, being like totally, She's like, 486 00:25:17,320 --> 00:25:19,560 Speaker 1: you know, let me head of my preacher, and uh, 487 00:25:19,560 --> 00:25:21,440 Speaker 1: I see what's right with God about this? Right? And 488 00:25:21,520 --> 00:25:23,399 Speaker 1: so she in the middle of the night, like she 489 00:25:23,560 --> 00:25:27,080 Speaker 1: phones up the preacher Pastor Desano Haruno non Tama, right, 490 00:25:27,560 --> 00:25:31,000 Speaker 1: and Noella tells her preacher it's me. I'm still alive. 491 00:25:31,160 --> 00:25:35,080 Speaker 1: Don't tell anybody, right, he says, Noella, I don't believe it. 492 00:25:35,240 --> 00:25:39,240 Speaker 1: Bolanga can't kill someone. And I said, Pastor, believe me. 493 00:25:39,880 --> 00:25:42,040 Speaker 1: So now like she and the pastor have decided to, 494 00:25:42,080 --> 00:25:44,600 Speaker 1: like you know, kind of not quite team up on Bolanga, 495 00:25:44,720 --> 00:25:48,520 Speaker 1: but they had a plan. Right. So now that Noel 496 00:25:48,600 --> 00:25:50,680 Speaker 1: has got her pastor on her side, so she's got 497 00:25:50,680 --> 00:25:52,880 Speaker 1: God on her side ostensibly as far as her mind 498 00:25:52,960 --> 00:25:54,800 Speaker 1: is going, and she's got a plan to get back 499 00:25:54,800 --> 00:25:57,560 Speaker 1: to her kids, the only thing is left to do 500 00:25:58,119 --> 00:26:00,479 Speaker 1: is to go surprise her husband. I love it. So 501 00:26:00,520 --> 00:26:02,560 Speaker 1: after this short break, will be right back with the 502 00:26:02,560 --> 00:26:25,160 Speaker 1: rest of this story. All right, Elizabeth, I never told 503 00:26:25,160 --> 00:26:28,280 Speaker 1: you what year this was happening. I realized that this, 504 00:26:30,080 --> 00:26:32,800 Speaker 1: oh yeah, this is like not like the nineteen seventies. 505 00:26:32,800 --> 00:26:38,640 Speaker 1: This was recently, So forget the cake. In the February, 506 00:26:39,440 --> 00:26:43,119 Speaker 1: Noela returns home to Australia. I like that. It's like 507 00:26:43,160 --> 00:26:46,520 Speaker 1: a movie title. Noela returns home to Australia. Anyway, she 508 00:26:46,520 --> 00:26:48,920 Speaker 1: gets back to Melbourne, and now this has been her 509 00:26:48,960 --> 00:26:51,840 Speaker 1: whole journey from like going to her stepmother's funeral. To 510 00:26:51,880 --> 00:26:55,560 Speaker 1: getting back home after being kidnapped and falsely killed is 511 00:26:55,800 --> 00:26:58,879 Speaker 1: five days time. That's pretty fast. I felt heck of 512 00:26:58,920 --> 00:27:01,880 Speaker 1: a week. So at this point, everyone back home though 513 00:27:01,880 --> 00:27:05,000 Speaker 1: in Melbourne, believes that she's dead because her husband, Bolenka, 514 00:27:05,240 --> 00:27:08,760 Speaker 1: started that rumor. He's like and also you know, if 515 00:27:08,800 --> 00:27:10,640 Speaker 1: anyone comes up to him, they're like, hey, hey I heard, 516 00:27:10,680 --> 00:27:12,520 Speaker 1: he's like, oh, let me tell you the story. So 517 00:27:12,560 --> 00:27:14,960 Speaker 1: he starts the rumor and then gets the like curiosity going, 518 00:27:14,960 --> 00:27:17,080 Speaker 1: and then anybody's willing to tell the call of her version. 519 00:27:17,600 --> 00:27:19,560 Speaker 1: So he's basically going, go, you know, she died in 520 00:27:19,600 --> 00:27:23,000 Speaker 1: this tragic accident over in Burundi. It's it's been terrible, 521 00:27:23,160 --> 00:27:26,720 Speaker 1: right and yeah, and everyone's like, bro, that's that's so sad, 522 00:27:26,800 --> 00:27:28,359 Speaker 1: Like I feel for you man. You guys are so 523 00:27:28,400 --> 00:27:30,560 Speaker 1: happy together. What are you gonna do about the eight kids? 524 00:27:31,080 --> 00:27:34,919 Speaker 1: So this is like good for Bolenka for a few reasons, right. 525 00:27:35,480 --> 00:27:38,400 Speaker 1: For one, it covers her disappearance. People are like, oh, 526 00:27:38,560 --> 00:27:42,720 Speaker 1: stuff happens in Burundi, exceuter with Africa, that's something happened, right, 527 00:27:42,720 --> 00:27:45,000 Speaker 1: So they're willing to give him the you know, disbelief, 528 00:27:45,320 --> 00:27:47,960 Speaker 1: the benefit of disbelief right now. Also, he's in the 529 00:27:48,000 --> 00:27:51,240 Speaker 1: refugee community still, so everyone's like they rally around him, 530 00:27:51,240 --> 00:27:53,760 Speaker 1: and they give him food and money, and they offered 531 00:27:53,800 --> 00:27:55,800 Speaker 1: to care for the kids. They basically just you know, 532 00:27:55,800 --> 00:27:57,879 Speaker 1: wrap their loving arms around him and go, bolenka, that 533 00:27:58,000 --> 00:28:01,280 Speaker 1: is so sad. So he gets like, you know, it's 534 00:28:01,320 --> 00:28:02,840 Speaker 1: not like he's like living high on the hog, but 535 00:28:02,920 --> 00:28:05,720 Speaker 1: everyone's like looking after him. So he's free and clear, 536 00:28:05,880 --> 00:28:08,640 Speaker 1: and he gets like a month of like, oh well, 537 00:28:08,640 --> 00:28:11,320 Speaker 1: and I've got some foxy ladies in the community are 538 00:28:11,359 --> 00:28:16,040 Speaker 1: showing up with cast roles wanting to comfort him. You're 539 00:28:16,119 --> 00:28:18,600 Speaker 1: South Carolina. Your time in South Carolina is showing people 540 00:28:18,640 --> 00:28:21,399 Speaker 1: showing up with cast roles in murderous plots over sorry, 541 00:28:21,720 --> 00:28:26,720 Speaker 1: uh was illicit affairs in their mind. I think that's 542 00:28:26,760 --> 00:28:30,959 Speaker 1: everywhere though, you think, so foxy ladies everywhere show up 543 00:28:30,960 --> 00:28:34,399 Speaker 1: with cast roles at funerals, at anybody's house at any time. 544 00:28:36,520 --> 00:28:42,400 Speaker 1: Don't answer the door, cast role in the air, there's 545 00:28:42,440 --> 00:28:48,160 Speaker 1: a foxy lady on the other side. So Nola, I 546 00:28:48,200 --> 00:28:51,560 Speaker 1: think you know, she's now back in Australia and she 547 00:28:51,680 --> 00:28:54,600 Speaker 1: shows up in time for her funeral, all right, And 548 00:28:54,720 --> 00:28:57,400 Speaker 1: the funeral services are going. She doesn't actually go to 549 00:28:57,520 --> 00:28:59,840 Speaker 1: the funerals. She goes she waits to everyone's at her house. 550 00:29:00,080 --> 00:29:01,680 Speaker 1: Did she do Oh, she didn't do the thing where 551 00:29:01,720 --> 00:29:04,000 Speaker 1: she stood off on the side of the cemetery there 552 00:29:04,080 --> 00:29:07,640 Speaker 1: with the umbrella. Yeah, it's like a dark hat exactly. 553 00:29:07,920 --> 00:29:10,040 Speaker 1: You know, Like I don't even know if that would 554 00:29:10,040 --> 00:29:12,520 Speaker 1: be like an icon like an iconic moment where like 555 00:29:12,560 --> 00:29:14,360 Speaker 1: if you watch enough American movies that I think that's 556 00:29:14,360 --> 00:29:17,000 Speaker 1: pretty much like the go to play, right, Like even 557 00:29:17,160 --> 00:29:18,920 Speaker 1: like if you're in like you know, Burundi in a 558 00:29:18,960 --> 00:29:20,880 Speaker 1: refugee center, you've probably have seen at least a few 559 00:29:20,920 --> 00:29:24,720 Speaker 1: movies from the with this moment, right You're like, oh, yeah, 560 00:29:24,880 --> 00:29:27,160 Speaker 1: I know what I'm gonna do. Stand on the hill 561 00:29:27,360 --> 00:29:32,280 Speaker 1: international cool way to haunt a funeral. So let's just 562 00:29:32,360 --> 00:29:34,160 Speaker 1: imagine that's what she does. She's standing on the hill, 563 00:29:34,240 --> 00:29:37,480 Speaker 1: the funeral passes, everyone goes back to her house. Right now, 564 00:29:37,680 --> 00:29:41,160 Speaker 1: the evening arrives, the dark takes over the day, it 565 00:29:41,200 --> 00:29:45,920 Speaker 1: gets cooler, and people start to leave the house. And 566 00:29:45,920 --> 00:29:49,080 Speaker 1: I'll let Noela tell it. Okay, it was around seven 567 00:29:49,120 --> 00:29:51,560 Speaker 1: thirty pm. He was in front of the house. People 568 00:29:51,600 --> 00:29:53,880 Speaker 1: have been inside morning with him, and he was escorting 569 00:29:53,920 --> 00:29:56,640 Speaker 1: a group of them into a car. Noella steps out 570 00:29:56,640 --> 00:29:58,880 Speaker 1: of the darkness. She doesn't say a word to him, right, 571 00:29:58,880 --> 00:30:03,200 Speaker 1: She just stares at her, and he's like, right, it 572 00:30:03,360 --> 00:30:05,360 Speaker 1: is like total like this is a ghost come back 573 00:30:05,400 --> 00:30:08,000 Speaker 1: to haunt him moment. Right, So Noel has says he 574 00:30:08,080 --> 00:30:10,880 Speaker 1: was scared, he didn't believe it. Then he starts walking 575 00:30:11,000 --> 00:30:14,560 Speaker 1: towards me, slowly, like he was walking on broken glass. 576 00:30:14,800 --> 00:30:17,200 Speaker 1: He kept talking to himself, and then he reached me. 577 00:30:17,760 --> 00:30:21,760 Speaker 1: He touched me on the shoulder. He jumped. He did 578 00:30:21,800 --> 00:30:25,440 Speaker 1: it again. He jumped. Then he said, Noella is his you. 579 00:30:26,240 --> 00:30:29,440 Speaker 1: Then he starts screaming, I'm sorry for everything. I'm sorry 580 00:30:29,440 --> 00:30:35,120 Speaker 1: for everything. She should have been like, whoa hello, how 581 00:30:35,160 --> 00:30:39,480 Speaker 1: do you play that moment? I am you? Go with 582 00:30:39,480 --> 00:30:42,520 Speaker 1: the boo boys like I would want to give him 583 00:30:42,560 --> 00:30:48,480 Speaker 1: way more of a jump scare. I would have here's what, 584 00:30:50,440 --> 00:30:54,280 Speaker 1: go to the funeral home, get in the casket, pop 585 00:30:54,400 --> 00:30:57,680 Speaker 1: up midservice, just like like the undertaker for the w 586 00:30:57,680 --> 00:31:03,680 Speaker 1: w E everywhere. Just get out and just started me 587 00:31:03,760 --> 00:31:08,600 Speaker 1: throwing confetti. Who is the n I didn't want to 588 00:31:08,640 --> 00:31:11,440 Speaker 1: admit I knew that I was throwing confetti like ripped arm. 589 00:31:11,480 --> 00:31:14,000 Speaker 1: I was like, Paul would ripped torn itt of just 590 00:31:14,040 --> 00:31:17,760 Speaker 1: confetti everywhere. I'd be wearing a ripped torn cost So 591 00:31:17,760 --> 00:31:21,080 Speaker 1: I've got like the tupe and the mustache. And he's like, wait, Noella, 592 00:31:21,120 --> 00:31:26,000 Speaker 1: wait is that you excuse me? I've got to jump 593 00:31:26,000 --> 00:31:28,720 Speaker 1: in here, because that is ripped Taylor, not ripped torn. 594 00:31:29,400 --> 00:31:32,680 Speaker 1: Oh Taylor, right, ripped horn is the comedian. Yes, you're right, 595 00:31:32,720 --> 00:31:37,640 Speaker 1: rip Taylor, thank you. I mixed up my rips. I 596 00:31:37,720 --> 00:31:40,280 Speaker 1: just went with the first rip in my head. Ripped Taylor, torn, 597 00:31:40,560 --> 00:31:43,200 Speaker 1: ripped torn Taylor, Yes, ripped Taylor is the one with confetti. 598 00:31:43,480 --> 00:31:45,880 Speaker 1: Thank you, producer Dave, thank you so much. I just 599 00:31:46,160 --> 00:31:51,680 Speaker 1: I was I was ripping straight ripping. So now our 600 00:31:52,480 --> 00:31:55,560 Speaker 1: villain Bolena, he knows his life is over. So basically 601 00:31:55,560 --> 00:31:57,160 Speaker 1: the only thing that he killed was his own future. 602 00:31:57,480 --> 00:32:01,080 Speaker 1: A right. So the police come and they her husband 603 00:32:01,200 --> 00:32:02,920 Speaker 1: off the property. She calls the blue She's like, you 604 00:32:02,920 --> 00:32:05,240 Speaker 1: gotta get over here and get this man off my house. Right. 605 00:32:05,640 --> 00:32:08,280 Speaker 1: So then the police are like, you know, we need 606 00:32:08,320 --> 00:32:10,320 Speaker 1: one more thing from you. You called us. That's great, 607 00:32:10,400 --> 00:32:13,280 Speaker 1: but he's not really going to probably snitch on himself, 608 00:32:13,280 --> 00:32:15,440 Speaker 1: and we don't have enough evidence, and like these people 609 00:32:15,440 --> 00:32:17,320 Speaker 1: that these hit men were apparently in Africa, I don't 610 00:32:17,320 --> 00:32:19,000 Speaker 1: know how we're going to find them. So it'd be 611 00:32:19,080 --> 00:32:21,120 Speaker 1: great if you could get him to confess. She's like, 612 00:32:21,240 --> 00:32:23,520 Speaker 1: bet I got this one son. Oh, but you know 613 00:32:23,520 --> 00:32:26,160 Speaker 1: what I would do. I would reach into my dec 614 00:32:26,200 --> 00:32:29,800 Speaker 1: littage and pull out a locket and open it up 615 00:32:29,840 --> 00:32:33,800 Speaker 1: and there's that memory card. Oh yeah, definitely that card 616 00:32:33,800 --> 00:32:39,400 Speaker 1: and that definitely will help good point in court, suckers, 617 00:32:39,440 --> 00:32:44,320 Speaker 1: and then the confetti flies. A couple of the days 618 00:32:44,320 --> 00:32:46,640 Speaker 1: after she shocks the heck out of her husband, she 619 00:32:46,720 --> 00:32:51,000 Speaker 1: phones them up, right, and she she's like, hey, hey, 620 00:32:51,040 --> 00:32:55,160 Speaker 1: how's the weather. Maybe she'd go outside, but so she 621 00:32:55,200 --> 00:32:58,200 Speaker 1: calls up. She's like, yo, Blena, what's up? And he's like, baby, 622 00:32:58,240 --> 00:33:00,680 Speaker 1: I'm sorry, I don't And he starts literally just confessing 623 00:33:00,720 --> 00:33:02,760 Speaker 1: to what he did on the phone. Right, she's recording 624 00:33:02,760 --> 00:33:04,480 Speaker 1: it all with the police's help. She gets a full 625 00:33:04,480 --> 00:33:09,960 Speaker 1: confession from him, right he calls him up. Ring Ring's like, 626 00:33:10,120 --> 00:33:15,920 Speaker 1: hey man, so let's let's talk about what just happened. Yeah, like, 627 00:33:16,000 --> 00:33:17,880 Speaker 1: you just try to totally kill me with a team 628 00:33:17,880 --> 00:33:19,520 Speaker 1: of hitman that you didn't think one could do it 629 00:33:20,400 --> 00:33:23,200 Speaker 1: me through exactly what went down. He's like, I feel 630 00:33:23,280 --> 00:33:26,880 Speaker 1: so bad. You spent seven thousand dollars of our money started, 631 00:33:28,560 --> 00:33:30,640 Speaker 1: so he lays it out, basically just tells her like 632 00:33:30,800 --> 00:33:33,960 Speaker 1: enough that it's a full confession. Right, So now the 633 00:33:33,960 --> 00:33:36,120 Speaker 1: police have they want. They throw the book at him. 634 00:33:36,160 --> 00:33:39,440 Speaker 1: He goes to trial and at the trial, Noel it 635 00:33:39,520 --> 00:33:44,400 Speaker 1: shows up Boom mother and she drops the like confession, 636 00:33:44,680 --> 00:33:47,560 Speaker 1: she drops the memory card, she drops the receipts, and 637 00:33:47,640 --> 00:33:50,040 Speaker 1: she's like, I think they should do right. The confetti 638 00:33:51,160 --> 00:33:55,160 Speaker 1: judge throws confetti. She bakes a fun fetti cake, hands 639 00:33:55,280 --> 00:33:59,520 Speaker 1: pieces of that out. So the she gets her justice. 640 00:33:59,560 --> 00:34:03,880 Speaker 1: She right and her husband He's basically asked, why were 641 00:34:03,920 --> 00:34:07,480 Speaker 1: you trying to kill her? She seems very nice? What's 642 00:34:07,520 --> 00:34:09,759 Speaker 1: the deal, bro, She's like a mother of eight. She 643 00:34:09,920 --> 00:34:13,560 Speaker 1: apparently loved you. What's the deal? He had thought that 644 00:34:13,640 --> 00:34:16,040 Speaker 1: she was having an affair and that was his like 645 00:34:16,280 --> 00:34:18,920 Speaker 1: big reason to do it, But he didn't say this 646 00:34:18,960 --> 00:34:21,319 Speaker 1: in courtant carts he says this, but he actually does 647 00:34:21,360 --> 00:34:25,239 Speaker 1: and then blames the devil. No, this will be the 648 00:34:25,280 --> 00:34:28,720 Speaker 1: one quote from Blanga Blanca said, sometimes the devil can 649 00:34:28,760 --> 00:34:31,000 Speaker 1: come into someone to do something. But after they do it, 650 00:34:31,080 --> 00:34:36,400 Speaker 1: they start thinking why I did that? Then, So Blanka 651 00:34:36,480 --> 00:34:40,120 Speaker 1: pleads guilty this charges. He's convicted, sentenced to nine years. 652 00:34:40,760 --> 00:34:45,200 Speaker 1: Now after the trial, Noel's one of her eldest sons, Fouston, 653 00:34:45,280 --> 00:34:47,640 Speaker 1: tells the reporters, I looked at him in the court 654 00:34:47,680 --> 00:34:50,120 Speaker 1: and he's talking about Blanga. Quote. I looked at him 655 00:34:50,120 --> 00:34:52,239 Speaker 1: in the court, but I couldn't see a man, because 656 00:34:52,280 --> 00:34:55,719 Speaker 1: I believe a man would not do something like that, right, 657 00:34:55,760 --> 00:34:59,000 Speaker 1: breaking down by the next day, stepdad. Right, So that's 658 00:34:59,000 --> 00:35:01,040 Speaker 1: the story that the new report to send all over 659 00:35:01,200 --> 00:35:05,720 Speaker 1: and then Noelo though meanwhile she's much more charitable. She says, 660 00:35:06,239 --> 00:35:08,560 Speaker 1: I will stand up like a strong woman. My situation, 661 00:35:08,640 --> 00:35:11,080 Speaker 1: my past life that is gone. I'm starting a new 662 00:35:11,160 --> 00:35:13,480 Speaker 1: life now. She doesn't even blame him, she doesn't even 663 00:35:13,560 --> 00:35:16,000 Speaker 1: mention it. She's just onto the next thing. Right. You 664 00:35:16,000 --> 00:35:17,960 Speaker 1: gotta you gotta love that. That's that's like some real 665 00:35:18,280 --> 00:35:22,040 Speaker 1: single mother. She's tough stuff right there. Yeah, there's no 666 00:35:22,160 --> 00:35:26,399 Speaker 1: quit in Noela. Now. I just have to wonder if 667 00:35:26,480 --> 00:35:28,160 Speaker 1: the boss of the team of hit Man has ever 668 00:35:28,239 --> 00:35:30,480 Speaker 1: contact her, you know, like did they hit it off 669 00:35:30,640 --> 00:35:32,560 Speaker 1: like in a two days time when they were together, 670 00:35:33,160 --> 00:35:35,319 Speaker 1: because that's how I was directing the story. That's how 671 00:35:35,320 --> 00:35:37,680 Speaker 1: I'd ended. I'd have him contact her, they started new 672 00:35:37,719 --> 00:35:40,319 Speaker 1: life together in Burundi, and he'd still be like, you know, 673 00:35:40,360 --> 00:35:44,239 Speaker 1: making bad husbands pay, but like he wouldn't get a 674 00:35:44,320 --> 00:35:48,279 Speaker 1: new job or anything. He's still the same. I had 675 00:35:48,280 --> 00:35:50,520 Speaker 1: to eat kids to take care of I gotta gotta 676 00:35:50,520 --> 00:35:53,080 Speaker 1: be shaking down some bad husband. Well, maybe he realizes 677 00:35:53,160 --> 00:35:55,960 Speaker 1: in that moment, you know, she sets him on the 678 00:35:56,040 --> 00:35:59,480 Speaker 1: right course, that he sees the error of his business ways, 679 00:35:59,560 --> 00:36:02,640 Speaker 1: and so he decides, I gotta clean up my act. 680 00:36:02,800 --> 00:36:05,279 Speaker 1: She's inspiring to him. But why is his act need 681 00:36:05,360 --> 00:36:06,879 Speaker 1: to be cleaned up? He could be taking money from 682 00:36:06,880 --> 00:36:09,080 Speaker 1: all these husband who want to kill their people, to 683 00:36:09,160 --> 00:36:11,200 Speaker 1: kill their wives, just he just focuses on them, like 684 00:36:11,360 --> 00:36:13,319 Speaker 1: he just makes that his whole thing. Oh, I see 685 00:36:13,360 --> 00:36:15,080 Speaker 1: what you're saying, because what they canna go call hollow 686 00:36:15,120 --> 00:36:17,160 Speaker 1: to a cop. Look, I tried to pay this guy 687 00:36:17,200 --> 00:36:19,439 Speaker 1: to kill my wife and he ripped me off. That's 688 00:36:19,440 --> 00:36:22,080 Speaker 1: a really anything that's a good job to happen. It's 689 00:36:22,080 --> 00:36:24,200 Speaker 1: like robbing Pimpson drug dealers. They have no record, but 690 00:36:24,239 --> 00:36:27,400 Speaker 1: then at some point you get a reputation for doing this. 691 00:36:27,480 --> 00:36:29,239 Speaker 1: So you gotta have its. You gotta get a new 692 00:36:29,280 --> 00:36:32,440 Speaker 1: clients internet baby. Yeah, so you you get one of 693 00:36:32,440 --> 00:36:35,160 Speaker 1: them dark websites and you just be running out of Burundi. 694 00:36:35,920 --> 00:36:38,280 Speaker 1: But then on all the message boards they're like, don't 695 00:36:38,400 --> 00:36:44,719 Speaker 1: use there. And because they have internet access in sing 696 00:36:44,800 --> 00:36:49,720 Speaker 1: Sing oh sure you know they're not supposed to hidden 697 00:36:49,800 --> 00:36:52,319 Speaker 1: cell phones. That's true. I do have to worry about 698 00:36:52,320 --> 00:36:57,040 Speaker 1: my YELP reviews if my fake hit man website, yeah, 699 00:36:57,080 --> 00:36:59,759 Speaker 1: they'll just they'll trash you on there. So that my 700 00:37:00,080 --> 00:37:02,759 Speaker 1: ends as a story of Noella, the woman who refuses 701 00:37:02,800 --> 00:37:04,960 Speaker 1: to die. I love that story. So what do you 702 00:37:05,000 --> 00:37:09,680 Speaker 1: think our ridiculous takeaway is? Oh, heavens um. I think 703 00:37:11,160 --> 00:37:16,040 Speaker 1: one of the things that's interesting about this is the 704 00:37:16,040 --> 00:37:20,040 Speaker 1: the lying to themselves that everyone's doing, and and the 705 00:37:20,160 --> 00:37:23,960 Speaker 1: idea that this dude he blames it on that he 706 00:37:24,040 --> 00:37:26,480 Speaker 1: felt he had to hire a hitman because his wife 707 00:37:26,560 --> 00:37:30,719 Speaker 1: is cheating. Just walk away man exactly, Like what why 708 00:37:30,800 --> 00:37:32,720 Speaker 1: is why is that the answer? Why is that always? 709 00:37:32,760 --> 00:37:36,359 Speaker 1: Why Why do people get so torn up about I mean, 710 00:37:36,400 --> 00:37:39,759 Speaker 1: obviously it's it's a completely life shattering thing if you 711 00:37:39,840 --> 00:37:42,799 Speaker 1: find out your partner is cheating, But all right, why 712 00:37:42,840 --> 00:37:44,600 Speaker 1: do you still want to be with that person or 713 00:37:44,719 --> 00:37:47,680 Speaker 1: why do you want to kill them? Walk away? But 714 00:37:47,880 --> 00:37:51,920 Speaker 1: we tell ourselves lies. I say. My ridiculous takeaway is 715 00:37:52,000 --> 00:37:54,120 Speaker 1: if a hit man it comes to you and says, look, 716 00:37:54,280 --> 00:37:56,200 Speaker 1: you need to rethink what's going on in your life. 717 00:37:56,520 --> 00:37:59,120 Speaker 1: You need to rethink what's going on in your life. 718 00:38:00,280 --> 00:38:02,880 Speaker 1: Don't look true? All right? Thanks for joining us. I'm 719 00:38:02,960 --> 00:38:07,080 Speaker 1: Zaron Burnett. I am Elizabeth Dutton. You can find us 720 00:38:07,160 --> 00:38:10,400 Speaker 1: online at Ridiculous Crime on both Twitter and Instagram. You 721 00:38:10,480 --> 00:38:12,360 Speaker 1: gotta tip for it's about a ridiculous crime you'd like 722 00:38:12,440 --> 00:38:15,080 Speaker 1: to hear about. Hit us up. I want to confess 723 00:38:15,120 --> 00:38:17,799 Speaker 1: to a ridiculous crime. Hit us up. Email us at 724 00:38:17,880 --> 00:38:20,560 Speaker 1: ridiculous Crime at gmail dot com. We'll be back with 725 00:38:20,600 --> 00:38:29,720 Speaker 1: more ridiculous crime next time. Thanks for stopping by. Ridiculous 726 00:38:29,719 --> 00:38:32,600 Speaker 1: Crime is hosted by Elizabeth Dutton and Zarin Burnett, produced 727 00:38:32,600 --> 00:38:34,800 Speaker 1: and edited by the Boss of All Bosses Cappo de 728 00:38:34,920 --> 00:38:39,240 Speaker 1: Tu Capo, Dave Coustan, researches by Marissa Surprise, I'm back Brown. 729 00:38:39,440 --> 00:38:41,759 Speaker 1: The theme song is by Thomas he a Bad Man, 730 00:38:41,920 --> 00:38:44,360 Speaker 1: Lee and Travis We Don't Kill No Woman and Kids. 731 00:38:44,440 --> 00:38:48,240 Speaker 1: Dutton Executive producers are Pastor Ben Bowland and Preacher Noel Brown. 732 00:38:52,680 --> 00:38:55,319 Speaker 1: Ridiculous Crime is a production of I heart Radio. Four 733 00:38:55,400 --> 00:38:57,560 Speaker 1: more podcasts to my heart Radio, visit the i heart 734 00:38:57,600 --> 00:39:00,359 Speaker 1: Radio app, Apple Podcasts, or wherever you listen into your 735 00:39:00,360 --> 00:39:01,040 Speaker 1: favorite shows.