WEBVTT - Sanctuary

0:00:00.160 --> 0:00:05.359
<v Speaker 1>The Seventh Daughter contains scenes of realistic violence and graphic sexuality.

0:00:05.880 --> 0:00:14.280
<v Speaker 1>It is intended for mature listeners. Have you come seeking knowledge?

0:00:15.480 --> 0:00:19.040
<v Speaker 1>Do you wish to know the truth? Allow me to

0:00:19.120 --> 0:00:24.319
<v Speaker 1>show you. Close your eyes and follow the sound of

0:00:24.360 --> 0:00:34.800
<v Speaker 1>my voice. Allow it to lead you further into the past.

0:00:36.080 --> 0:00:42.360
<v Speaker 1>Wherever my voice leads, you must follow. Let it pull

0:00:42.479 --> 0:00:51.479
<v Speaker 1>you down beneath the surface of your waking mind. Feel

0:00:51.520 --> 0:01:00.760
<v Speaker 1>yourself thinking deeper. Like a stone, drop into the ocean.

0:01:02.200 --> 0:01:05.639
<v Speaker 1>You slide through the depths of the cold, cold water

0:01:06.920 --> 0:01:15.400
<v Speaker 1>until you settle on the bottom. When I will leave

0:01:15.480 --> 0:01:20.319
<v Speaker 1>my blindfold, you may look into my eyes. Don't just

0:01:20.360 --> 0:01:25.120
<v Speaker 1>look at them, look through them, and you will see

0:01:25.120 --> 0:01:30.920
<v Speaker 1>what they have seen, and all my secrets will be revealed.

0:01:35.560 --> 0:02:55.160
<v Speaker 1>The Seventh Daughter, Oh Gros, thank you girls, that was lovely.

0:02:55.880 --> 0:02:58.400
<v Speaker 1>For the remainder of the morning, you may go outside

0:02:58.440 --> 0:03:01.040
<v Speaker 1>and enjoy the sunshine in the garden, in the lee,

0:03:02.440 --> 0:03:06.320
<v Speaker 1>may the flowers of the field, the swans in our pond,

0:03:06.800 --> 0:03:09.400
<v Speaker 1>and the fragrance in the air remind you of our

0:03:09.480 --> 0:03:35.400
<v Speaker 1>heavenly Father who created them. What is the color of saying?

0:03:36.680 --> 0:03:53.000
<v Speaker 1>That is ash man? Goodies would for having faith? Dear,

0:03:55.760 --> 0:04:01.280
<v Speaker 1>that's very pretty pearl. Thank you, Sister Rays. Is there

0:04:01.320 --> 0:04:04.800
<v Speaker 1>some reason you're not playing with the other girls, No,

0:04:05.000 --> 0:04:09.040
<v Speaker 1>Sister Trees. Sometimes I just like to be alone. I

0:04:09.160 --> 0:04:13.560
<v Speaker 1>certainly understand. May I sit with you for a moment, Yes,

0:04:13.600 --> 0:04:23.159
<v Speaker 1>of course, Pearl, what is it? In a moment, I'll

0:04:23.200 --> 0:04:25.440
<v Speaker 1>ask you to come inside with me to talk to

0:04:25.480 --> 0:04:29.599
<v Speaker 1>Mother Superior. Did I do something wrong? No, child, as

0:04:29.640 --> 0:04:32.320
<v Speaker 1>if you could ever do anything worthy of punishment. Now

0:04:33.920 --> 0:04:38.640
<v Speaker 1>there's someone here to see you from the outside, to

0:04:38.720 --> 0:04:44.560
<v Speaker 1>see me. That's correct. Who is it? You'll find out

0:04:44.600 --> 0:04:48.800
<v Speaker 1>soon enough. But listen to me, Pearl. What you learn

0:04:48.880 --> 0:04:51.960
<v Speaker 1>in there may come as something of a surprise, a

0:04:52.000 --> 0:04:55.520
<v Speaker 1>pleasant one, I'm sure of it. But I want you

0:04:55.560 --> 0:05:02.279
<v Speaker 1>to just keep your heart open, because sometimes change is

0:05:02.400 --> 0:05:07.200
<v Speaker 1>God's way of providing us with new opportunities to glorify

0:05:07.400 --> 0:05:14.039
<v Speaker 1>his name in ways we never could imagine change. You

0:05:14.160 --> 0:05:21.799
<v Speaker 1>needn't be afraid. This is most irregular. We cannot simply

0:05:21.839 --> 0:05:24.520
<v Speaker 1>allow you to come in without advanced notice and just

0:05:24.520 --> 0:05:28.600
<v Speaker 1>just take the child. Only a child's parent has the authority.

0:05:28.720 --> 0:05:31.360
<v Speaker 1>I am here about the authority on a child's Farah

0:05:31.360 --> 0:05:35.760
<v Speaker 1>William a podcast. The third, you have the letter? Who

0:05:35.800 --> 0:05:39.600
<v Speaker 1>knows where this letter came from. Compare the signature on

0:05:39.720 --> 0:05:41.719
<v Speaker 1>a liver to that one on a document. When she

0:05:41.760 --> 0:05:44.359
<v Speaker 1>has got left here, that will leave no room for

0:05:44.520 --> 0:05:48.320
<v Speaker 1>anyone can forge a signature. No one except her father

0:05:48.839 --> 0:05:52.120
<v Speaker 1>knows the dallas here. No one will said these worlds

0:05:52.200 --> 0:05:55.600
<v Speaker 1>even nor she exists. For what other purpose would I

0:05:55.720 --> 0:06:02.279
<v Speaker 1>come to retriever, except to take up to what has

0:06:02.320 --> 0:06:06.640
<v Speaker 1>happened to you, dear sister, to make yourself cynical? Cynical?

0:06:07.400 --> 0:06:11.960
<v Speaker 1>Is it cynical for me to want to protect? What's this?

0:06:14.839 --> 0:06:19.160
<v Speaker 1>The bottom half of a card torn in half the

0:06:19.360 --> 0:06:24.479
<v Speaker 1>High Priestess when the girl were left here eleven year ago.

0:06:24.880 --> 0:06:27.360
<v Speaker 1>The other half of his card were placed in her

0:06:27.400 --> 0:06:32.280
<v Speaker 1>basket as a sort of claim ticket, treating her as

0:06:32.320 --> 0:06:35.920
<v Speaker 1>if she were a piece of luggage. I presume you

0:06:36.240 --> 0:06:39.599
<v Speaker 1>still have the other half? Well, there can only be

0:06:39.680 --> 0:06:54.760
<v Speaker 1>a one corresponding card. Yeah, well do the two have

0:06:55.120 --> 0:06:58.839
<v Speaker 1>a mega whole? Even if you have the authority to

0:06:58.960 --> 0:07:03.120
<v Speaker 1>reclaim the try There is a matter of finances. Her

0:07:03.200 --> 0:07:05.719
<v Speaker 1>room and board have not been paid in at least

0:07:05.760 --> 0:07:09.320
<v Speaker 1>two years. When her father left her in our care,

0:07:09.440 --> 0:07:12.720
<v Speaker 1>he did so with a promise that certain obligations to

0:07:12.840 --> 0:07:19.840
<v Speaker 1>people for money. My dear woman, who I didn't just simply,

0:07:20.120 --> 0:07:24.040
<v Speaker 1>I'm only trying to ensure you're saying that this modern

0:07:24.200 --> 0:07:37.560
<v Speaker 1>Sittlia count I don't no, this is almost irregular. Allow me, no,

0:07:37.880 --> 0:07:45.560
<v Speaker 1>that really isn't necessary. Look at it. You could certainly

0:07:45.720 --> 0:07:49.640
<v Speaker 1>clothed and feared a lot of cheering with the gold,

0:07:49.440 --> 0:07:53.920
<v Speaker 1>and that's on a table, if you'll forgive me for cne.

0:07:54.560 --> 0:07:57.640
<v Speaker 1>It appeared to me that some of our holy sisters

0:07:58.080 --> 0:08:06.000
<v Speaker 1>called you, some read months as well. Just a moment, please,

0:08:13.680 --> 0:08:22.440
<v Speaker 1>m hm, you may enter, Ah, sister Teres, I see

0:08:22.480 --> 0:08:30.640
<v Speaker 1>you brought pearl, Pearl, Yes, come closer, don't be shy, Pearl.

0:08:31.480 --> 0:08:36.400
<v Speaker 1>This is Mrs ms Rose. She's come here today on

0:08:36.520 --> 0:08:42.360
<v Speaker 1>behalf of your father, my father. What's wrong with us?

0:08:43.559 --> 0:08:46.400
<v Speaker 1>You'll have to excuse her. This must come as something

0:08:46.440 --> 0:08:49.080
<v Speaker 1>from a surprise to her. You see, she has no

0:08:49.240 --> 0:08:53.199
<v Speaker 1>knowledge of her family, only that she has a father. Otherwise,

0:08:53.679 --> 0:08:56.800
<v Speaker 1>no communication, not so much as a letter or a postcard.

0:08:57.240 --> 0:09:01.200
<v Speaker 1>So to suddenly be that's enough, Sister a Race. I'm

0:09:01.240 --> 0:09:04.240
<v Speaker 1>sure ms I'm sure the woman is well acquainted with

0:09:04.280 --> 0:09:09.320
<v Speaker 1>the father's, well with the family she is representing. Pearl

0:09:10.240 --> 0:09:13.120
<v Speaker 1>Ms Rose has come for you. She has come to

0:09:13.200 --> 0:09:19.960
<v Speaker 1>take you to your father. My father wants me, of

0:09:20.000 --> 0:09:22.880
<v Speaker 1>course he does, Pearl. It was only a matter of

0:09:22.920 --> 0:09:26.480
<v Speaker 1>time until he could send for you. Yes, and that

0:09:26.559 --> 0:09:30.760
<v Speaker 1>time is now. Step close, a girl. Let me look

0:09:30.800 --> 0:09:35.800
<v Speaker 1>at you. Show me your aunts her hands. Let's see

0:09:35.800 --> 0:09:38.760
<v Speaker 1>how well you have been cared for. How dare you

0:09:40.240 --> 0:09:45.600
<v Speaker 1>mm hm ah, you have not had such a difficult

0:09:45.640 --> 0:09:51.320
<v Speaker 1>time here? So saft and wait, you're not spending many

0:09:51.360 --> 0:09:56.160
<v Speaker 1>hours in a field in the kitchen. I see you

0:09:56.240 --> 0:10:03.359
<v Speaker 1>are right. What do you rate my lessons, penmanship, scripture?

0:10:03.960 --> 0:10:07.960
<v Speaker 1>Mm hmm, open your mouth. I beg your pardon. But

0:10:08.160 --> 0:10:15.880
<v Speaker 1>is this show me your teeth? Uh huh m hmm.

0:10:17.360 --> 0:10:19.800
<v Speaker 1>Your father will expect to know how well they've cared

0:10:19.840 --> 0:10:24.680
<v Speaker 1>for you. Here. I know your feet really now, I

0:10:24.920 --> 0:10:29.160
<v Speaker 1>must inst need to be sure you are who they

0:10:29.240 --> 0:10:34.080
<v Speaker 1>say you are at her feet. Go on, Pearl, do

0:10:34.360 --> 0:10:37.839
<v Speaker 1>as she asks. You cannot allow her to treat the

0:10:37.920 --> 0:10:41.760
<v Speaker 1>child as that's enough terrace a piece of livestock, or

0:10:42.200 --> 0:10:47.360
<v Speaker 1>as if we would would somehow deceive her by silence, Pearl,

0:10:48.800 --> 0:11:00.720
<v Speaker 1>show her your feet. Satisfied, Now quite satisfied, Please gather

0:11:00.880 --> 0:11:04.040
<v Speaker 1>the girl stinks. I'll instruct a carriage to leave in

0:11:04.080 --> 0:11:07.920
<v Speaker 1>twenty minutes time. We have a train to catch that

0:11:08.080 --> 0:11:10.959
<v Speaker 1>should be modern enough time to bid her fair winds.

0:11:12.160 --> 0:11:15.800
<v Speaker 1>Come along, Pearl, I'll help you pack your things. Thank you,

0:11:15.960 --> 0:11:28.800
<v Speaker 1>Sister Teresa. My father. She's taking me to my father. Yes,

0:11:29.280 --> 0:11:33.160
<v Speaker 1>it's it's wonderful. I was beginning to think he never

0:11:33.240 --> 0:11:35.400
<v Speaker 1>come for me, that I'd have to spend the rest

0:11:35.400 --> 0:11:38.560
<v Speaker 1>of my life alone. It really is a miracle, isn't it.

0:11:40.840 --> 0:11:44.520
<v Speaker 1>What is it? Sister Trees? Aren't you happy for me?

0:11:45.160 --> 0:11:49.640
<v Speaker 1>I am, of course, I am, child. I couldn't be happier.

0:11:49.800 --> 0:11:57.640
<v Speaker 1>But but what you're You're going to meet your father

0:11:57.920 --> 0:12:01.000
<v Speaker 1>and live with him, and I'm or you'll be very

0:12:01.040 --> 0:12:05.079
<v Speaker 1>happy in his care. But let me say this to you.

0:12:06.400 --> 0:12:13.440
<v Speaker 1>The world beyond these walls can be difficult and confusing place.

0:12:14.960 --> 0:12:20.480
<v Speaker 1>Should something happen, should your situation change, You're always welcome

0:12:20.559 --> 0:12:25.560
<v Speaker 1>to return to us here what might happen? Life is

0:12:25.600 --> 0:12:31.559
<v Speaker 1>full of surprises, Pearl, surprises and disappointments. But sister too

0:12:31.720 --> 0:12:34.079
<v Speaker 1>is I shouldn't be saying these things to you. It's

0:12:34.080 --> 0:12:37.640
<v Speaker 1>foolish of me, I know, but I really care about

0:12:37.640 --> 0:12:40.559
<v Speaker 1>your Pearl, and I've come to look upon you as

0:12:41.280 --> 0:12:45.160
<v Speaker 1>almost as a daughter, and nothing means more to me

0:12:45.200 --> 0:12:50.280
<v Speaker 1>than your happiness. So should you ever need someone or someplace,

0:12:51.440 --> 0:12:55.440
<v Speaker 1>I don't understand. Is there something wrong? There's nothing to

0:12:56.360 --> 0:13:01.720
<v Speaker 1>There's nothing wrong. Please, it's just it's the pain of

0:13:01.760 --> 0:13:09.000
<v Speaker 1>losing you. So suddenly the heartbrick of saying goodbye? Forgive me?

0:13:10.240 --> 0:13:13.760
<v Speaker 1>Can I can I say a prayer for your protection

0:13:14.200 --> 0:13:22.840
<v Speaker 1>right now? Of course, most powerful, Heavenly Father. It is

0:13:22.880 --> 0:13:26.520
<v Speaker 1>with some personal sadness that I bid farewell to Pearl,

0:13:27.600 --> 0:13:30.880
<v Speaker 1>But it is with immense gladness that I release her

0:13:31.000 --> 0:13:34.280
<v Speaker 1>into the world, where I know you are guiding and

0:13:34.400 --> 0:13:39.000
<v Speaker 1>protecting hand will remain upon her. I pray that you

0:13:39.000 --> 0:13:42.080
<v Speaker 1>will provide her earthly father with the love in his

0:13:42.240 --> 0:13:45.440
<v Speaker 1>heart to care for her, give him the judgment to

0:13:45.520 --> 0:13:51.480
<v Speaker 1>protect her. And I pray that that this woman, this

0:13:52.640 --> 0:13:58.480
<v Speaker 1>person into whose temporary care Pearl is being intrusted. That

0:13:58.720 --> 0:14:24.680
<v Speaker 1>her sister Joyce. Sister Joyce Amen now boarded the two

0:14:24.800 --> 0:14:31.720
<v Speaker 1>ten Arrow had expressed north then Nashville, Louisville, Cincinnati. Leave

0:14:31.800 --> 0:14:34.840
<v Speaker 1>your things there, We'll have a porter. Bringdon the board.

0:14:38.640 --> 0:14:41.640
<v Speaker 1>You're there. You can't board this car. Get back to

0:14:41.760 --> 0:14:45.440
<v Speaker 1>the Colored Fat. I have two second class tickets to

0:14:45.560 --> 0:14:48.240
<v Speaker 1>Steal City, which can move up after they crossed the

0:14:48.320 --> 0:14:51.080
<v Speaker 1>Mason Dixon. But until then you can only ride in

0:14:51.120 --> 0:14:54.680
<v Speaker 1>the provate coach. This girl is in my care and

0:14:54.840 --> 0:14:59.480
<v Speaker 1>taking her to her father, a very important man. I

0:14:59.560 --> 0:15:02.960
<v Speaker 1>don't make the rules, lady. Do you actually expect her

0:15:03.040 --> 0:15:05.440
<v Speaker 1>to ride in the back with girl can ride where

0:15:05.480 --> 0:15:08.320
<v Speaker 1>she wants, But as long as we're in this state,

0:15:08.480 --> 0:15:14.320
<v Speaker 1>you don't get in that car unless you'd rather walk.

0:15:15.000 --> 0:15:17.160
<v Speaker 1>I suggest you get back to the colored coach where

0:15:17.160 --> 0:15:37.480
<v Speaker 1>you're along. Come along, yeah, here, I'll put your grip overhead.

0:15:41.200 --> 0:15:46.640
<v Speaker 1>Go ahead and sit. Can I sit by the window

0:15:46.720 --> 0:15:51.560
<v Speaker 1>if you like? How long will the train read? Last?

0:15:52.920 --> 0:15:56.640
<v Speaker 1>About six hours? But sitting back here, it'll feel like twelve.

0:15:58.800 --> 0:16:02.640
<v Speaker 1>Why are you looking at me like, uh? You want

0:16:02.640 --> 0:16:09.720
<v Speaker 1>to ask me something? No? Sorry? Have you never ridden

0:16:09.760 --> 0:16:15.840
<v Speaker 1>a train before? No? Never? Never? Have you ever been

0:16:15.880 --> 0:16:21.920
<v Speaker 1>to the city, Steel City, any city? No? Ever been

0:16:21.960 --> 0:16:30.440
<v Speaker 1>outside the valley? No, ma'am. Mm hmm. Well, until I

0:16:30.560 --> 0:16:33.560
<v Speaker 1>deliver you to your father. As long as you are

0:16:33.600 --> 0:16:36.920
<v Speaker 1>in my care, you will do exactly as I say.

0:16:37.560 --> 0:16:41.960
<v Speaker 1>Do you understand? Yes, ma'am. Do not question my judgment,

0:16:42.480 --> 0:16:48.240
<v Speaker 1>Do not defy my authority. Do you understand, Yes, ma'am,

0:16:48.560 --> 0:16:53.960
<v Speaker 1>say you understand, I understand you will not say a

0:16:54.000 --> 0:16:58.960
<v Speaker 1>word to anyone man, woman, black or white unless I

0:16:59.000 --> 0:17:06.159
<v Speaker 1>instruct you too. Is that understood? I understand? Humph. I

0:17:06.240 --> 0:17:09.719
<v Speaker 1>suppose the Good Sisters told you all about Steel City,

0:17:10.359 --> 0:17:15.280
<v Speaker 1>what a dark and iniquitous place it is, haven't they. Yes,

0:17:17.000 --> 0:17:24.240
<v Speaker 1>you know what iniquitous means, sinful? Sinful, that's right, And

0:17:24.320 --> 0:17:26.879
<v Speaker 1>they probably taught you about the kind of people that

0:17:27.000 --> 0:17:31.760
<v Speaker 1>live in that iniquitous city and the lengths they'll go

0:17:32.000 --> 0:17:38.800
<v Speaker 1>to to sink their teeth into a young girl like you. Hum. Yes,

0:17:39.160 --> 0:17:44.920
<v Speaker 1>m m. Well, don't you worry, little one. Rose is

0:17:44.960 --> 0:17:47.879
<v Speaker 1>not going to let any harm come to you as

0:17:47.920 --> 0:17:52.440
<v Speaker 1>long as you do exactly as I say. I understand.

0:17:54.280 --> 0:17:59.920
<v Speaker 1>You disobey me and I will throw you to the dogs. Yes, ma'am.

0:18:00.040 --> 0:18:06.720
<v Speaker 1>Ye are you hungry? Oh? Of course you are. We'll

0:18:06.760 --> 0:18:09.960
<v Speaker 1>find ourselves something to eat. See if we can't work

0:18:10.000 --> 0:18:12.800
<v Speaker 1>our way up in the world. H Are we allowed?

0:18:13.640 --> 0:18:22.960
<v Speaker 1>You leave that to me? Hurry up? Now, excuse me, sir.

0:18:23.600 --> 0:18:26.399
<v Speaker 1>Is there a dining car on this train? I believe

0:18:26.400 --> 0:18:29.800
<v Speaker 1>there's one, Sorry, lady. Dining car is open to first

0:18:29.880 --> 0:18:33.840
<v Speaker 1>and second class passengers only it's just the little girl,

0:18:34.200 --> 0:18:36.560
<v Speaker 1>you see. She didn't get any lunch, and she can

0:18:36.600 --> 0:18:38.680
<v Speaker 1>go ahead, but you gotta wait in the colored coach.

0:18:39.160 --> 0:18:41.000
<v Speaker 1>You could always get off and get something in oak

0:18:41.040 --> 0:18:45.080
<v Speaker 1>Ward or Nashville. Yes, sir, sorry to trouble you, sir,

0:18:46.760 --> 0:18:49.320
<v Speaker 1>you'll be fine, child. Let's go on back to our car.

0:19:07.640 --> 0:19:11.160
<v Speaker 1>Are you all right? Child? Yes? I just lost my balance.

0:19:11.680 --> 0:19:17.760
<v Speaker 1>Stand right there. Tell me if anyone is coming, how

0:19:17.800 --> 0:19:23.040
<v Speaker 1>are you doing? Keep your eyes open and your mouth shut.

0:19:23.640 --> 0:19:35.399
<v Speaker 1>Remember what I told you about what? Oh? Jee as?

0:19:35.520 --> 0:19:41.080
<v Speaker 1>Somebody helped her handing down the stairs. All right, step aside,

0:19:41.119 --> 0:19:44.000
<v Speaker 1>let me okay, what's going on? She's bleeding? What have

0:19:44.119 --> 0:19:48.840
<v Speaker 1>they done to you? We were walking back to our car.

0:19:49.080 --> 0:19:52.040
<v Speaker 1>The train lurched and she just gets into That's enough now,

0:19:52.160 --> 0:19:57.080
<v Speaker 1>white ours. I closed that stair on myself. Jesus, could

0:19:57.080 --> 0:19:59.680
<v Speaker 1>you could any thing else? You will have to get

0:19:59.680 --> 0:20:03.960
<v Speaker 1>her up itself. She's bleeding. Look at her. You won't

0:20:04.000 --> 0:20:06.520
<v Speaker 1>do anything her. Poor mother. Please, the mother is going

0:20:06.600 --> 0:20:11.480
<v Speaker 1>to be furious. Please the girl. The girl, tell me,

0:20:11.840 --> 0:20:22.960
<v Speaker 1>young lady, are you are you boys? Just lay down

0:20:23.000 --> 0:20:26.720
<v Speaker 1>on the bed just like that. We'll have to kill you.

0:20:26.880 --> 0:20:28.840
<v Speaker 1>Look at her as soon as we pull into Oakwood.

0:20:28.880 --> 0:20:32.280
<v Speaker 1>Thank you, sir. I'm sure she'll be fine, just scared.

0:20:32.359 --> 0:20:35.359
<v Speaker 1>More than anything. You've been most kind to the girl.

0:20:36.119 --> 0:20:38.280
<v Speaker 1>We truly do regret what happened to the girl. I

0:20:38.800 --> 0:20:46.120
<v Speaker 1>appreciate that, sir. Well, I suppose I should get back

0:20:46.200 --> 0:20:50.720
<v Speaker 1>to the colored coat. No, ma'am. Under the circumstances, we

0:20:51.400 --> 0:20:54.200
<v Speaker 1>and I speak for the railroad as well as Mr

0:20:54.280 --> 0:20:57.159
<v Speaker 1>Peters and myself, we think it would be better for

0:20:57.160 --> 0:21:00.800
<v Speaker 1>the girl if you stay with her and enjoy this

0:21:01.080 --> 0:21:07.280
<v Speaker 1>first class compartment with our compliments. Thank you, sir. Mm hmm.

0:21:08.040 --> 0:21:13.400
<v Speaker 1>But you see, I was just what is it? I

0:21:13.440 --> 0:21:16.119
<v Speaker 1>was just trying to find some food for the child

0:21:16.240 --> 0:21:19.919
<v Speaker 1>when the incident occurred. She hadn't had a bite to

0:21:20.000 --> 0:21:24.960
<v Speaker 1>eat all day. Oh well, I'll speak to the porter

0:21:25.520 --> 0:21:28.880
<v Speaker 1>and have a bowl of souper, two bowls of soup

0:21:29.000 --> 0:21:33.800
<v Speaker 1>brought to you to your compartment. Mm hmm. Is that

0:21:34.000 --> 0:21:37.919
<v Speaker 1>a bowl of soup will hardly compensate her for the

0:21:38.040 --> 0:21:41.160
<v Speaker 1>cunt on her head? Beg your pardon. It's a miracle

0:21:41.280 --> 0:21:45.439
<v Speaker 1>she's even alive. I heard someone say the stair guard

0:21:45.520 --> 0:21:52.560
<v Speaker 1>had been left open. That's quite impossible. Nevertheless, I shall

0:21:52.600 --> 0:21:56.080
<v Speaker 1>have to tell all this to her father. The Senator

0:21:56.640 --> 0:22:00.280
<v Speaker 1>will be very unhappy about it. As I said, we

0:22:00.400 --> 0:22:03.040
<v Speaker 1>all feel terrible about what happened, and I'm sure I

0:22:03.040 --> 0:22:06.960
<v Speaker 1>could get the necessary authorization to offer a small, yes,

0:22:08.320 --> 0:22:13.920
<v Speaker 1>financial compensation for her suffering. That's most generous of you.

0:22:15.080 --> 0:22:18.560
<v Speaker 1>Tell me how much does a cut on the head

0:22:18.640 --> 0:22:25.200
<v Speaker 1>cell for these days? How much are you asking? Make

0:22:25.320 --> 0:22:36.840
<v Speaker 1>us an offer? I'll I'll see to it now, eyes open,

0:22:37.320 --> 0:22:43.320
<v Speaker 1>mouth shut, I understand. Have something to eat, then get

0:22:43.359 --> 0:22:46.560
<v Speaker 1>some rest. Once we get to Steal City, will begin

0:23:05.440 --> 0:23:11.480
<v Speaker 1>the ocean. This is Still City. Five minutes in Still City,

0:23:11.520 --> 0:23:14.640
<v Speaker 1>it is to enlist there. There are your backs over there,

0:23:15.760 --> 0:23:19.000
<v Speaker 1>get them in death the Northbound Arrowhead Express, but a

0:23:19.080 --> 0:23:24.560
<v Speaker 1>part in exactly eleven. We've sent our sons to defend

0:23:24.680 --> 0:23:31.879
<v Speaker 1>freedom and liberty. What are you looking for? Arms were

0:23:31.880 --> 0:23:35.680
<v Speaker 1>at the station? No, child, we won't be seeing your

0:23:35.720 --> 0:23:38.480
<v Speaker 1>father just uilt. There are some things we need to

0:23:38.480 --> 0:23:42.879
<v Speaker 1>take care of first. Hurry up, now, do your share

0:23:42.960 --> 0:24:11.480
<v Speaker 1>to defeat the tyrants, liberty, war bonds. Hyah, Okay, we're

0:24:11.560 --> 0:24:17.040
<v Speaker 1>just up here, and watch your step. Now. Is this

0:24:17.119 --> 0:24:19.720
<v Speaker 1>where my father lives? This is where you're living for

0:24:19.800 --> 0:24:30.760
<v Speaker 1>now until we can meet your father. Yeah, m hm, oh,

0:24:34.400 --> 0:24:36.840
<v Speaker 1>drop your bags in the corner. I made up a

0:24:36.880 --> 0:24:40.119
<v Speaker 1>palette for you on the floor. There's a commode outside

0:24:40.119 --> 0:24:42.840
<v Speaker 1>at the end of the hall, and cold water here

0:24:42.840 --> 0:24:48.640
<v Speaker 1>in the tap. Why are you looking like that? Oh

0:24:48.880 --> 0:24:52.639
<v Speaker 1>you were expecting something more. It ain't the ritz, honey.

0:24:52.760 --> 0:24:58.720
<v Speaker 1>But oh the banner. I hung it there so you

0:24:58.760 --> 0:25:02.040
<v Speaker 1>could have some privacy behind in it. Who's the woman

0:25:02.920 --> 0:25:06.600
<v Speaker 1>whose space is painted on the canvas you can read?

0:25:08.359 --> 0:25:18.359
<v Speaker 1>Called herself Davina hypnotist, mentalist, mesmerist. It is illegal to

0:25:18.520 --> 0:25:23.920
<v Speaker 1>tell fortunes, but yes, you might call her that. You'll

0:25:23.920 --> 0:25:26.520
<v Speaker 1>find out soon enough. But right now it's time for

0:25:26.600 --> 0:25:30.200
<v Speaker 1>me to smoke my pipe and for you to stop

0:25:30.240 --> 0:25:33.679
<v Speaker 1>asking questions. I'll be going out for a few hours

0:25:33.680 --> 0:25:40.119
<v Speaker 1>in the morning, but i'll be back early. Clean the

0:25:40.200 --> 0:25:45.760
<v Speaker 1>room while i'm gone, yes, ma'am. And if anybody knocks

0:25:45.760 --> 0:25:56.040
<v Speaker 1>on the door, don't let them in. Don't let nobody in. Um.

0:25:56.040 --> 0:26:01.080
<v Speaker 1>What is it? Child? What should I call you? I mean,

0:26:01.800 --> 0:26:06.119
<v Speaker 1>how should I address you? You call me Rose? Rose,

0:26:06.560 --> 0:26:10.160
<v Speaker 1>That's all you need to know, Yes, ma'am. The less

0:26:10.200 --> 0:26:25.040
<v Speaker 1>you know about me, the better. I must now replace

0:26:25.280 --> 0:26:30.480
<v Speaker 1>my blind hold as my vision begins to fade, your

0:26:30.480 --> 0:26:37.000
<v Speaker 1>own senses will gradually return, Return to the warmth in

0:26:37.040 --> 0:26:45.560
<v Speaker 1>the light of your own reality. The Seventh Daughter is

0:26:45.560 --> 0:26:49.520
<v Speaker 1>a production of I Heart Radio, written and directed by

0:26:49.560 --> 0:26:55.200
<v Speaker 1>Brett Wood, recorded and mixed by Rob Gal, featuring Minca

0:26:55.240 --> 0:27:04.720
<v Speaker 1>Wilkes as Rose and Elizabeth Hunter as Pearl. There you

0:27:04.840 --> 0:27:07.840
<v Speaker 1>may now open your eyes