1 00:00:14,160 --> 00:00:16,439 Speaker 1: Welcome to Daily Variety, your daily dose of news and 2 00:00:16,480 --> 00:00:20,880 Speaker 1: analysis for entertainment industry insiders. It's Thursday, October second, twenty 3 00:00:20,920 --> 00:00:24,319 Speaker 1: twenty five. I'm your host, Cynthia Littleton. I am co 4 00:00:24,480 --> 00:00:27,560 Speaker 1: editor in chief of Variety alongside Ramin Setuda. I'm in 5 00:00:27,680 --> 00:00:30,640 Speaker 1: LA He's in New York, and Variety has reporters around 6 00:00:30,680 --> 00:00:35,159 Speaker 1: the world covering the business of entertainment. In today's episode, 7 00:00:35,360 --> 00:00:39,160 Speaker 1: Variety's Standadario goes inside the mind of a man who 8 00:00:39,200 --> 00:00:42,760 Speaker 1: is playing a serial killer. Charlie Hunum is Variety's cover 9 00:00:42,800 --> 00:00:46,199 Speaker 1: star this week, and I have a little fun by 10 00:00:46,200 --> 00:00:49,760 Speaker 1: stepping into the wayback machine to visit the Variety archives. 11 00:00:50,240 --> 00:00:53,600 Speaker 1: I found an October front page of Daily Variety from 12 00:00:53,680 --> 00:00:57,280 Speaker 1: many years ago that has some pretty wild parallels for today. 13 00:00:58,080 --> 00:01:00,000 Speaker 1: But before we get to that, here are a few 14 00:01:00,120 --> 00:01:03,680 Speaker 1: headlines just in that you need to know. Peaky Blinders 15 00:01:03,760 --> 00:01:07,520 Speaker 1: is coming back with the new generation of Shelby's. Netflix 16 00:01:07,560 --> 00:01:10,080 Speaker 1: and BBC have given a two season order to a 17 00:01:10,120 --> 00:01:14,279 Speaker 1: sequel series from creator Stephen Knight. No word on the cast, 18 00:01:14,480 --> 00:01:17,280 Speaker 1: but original star Killian Murphy is on board as an 19 00:01:17,319 --> 00:01:21,039 Speaker 1: executive producer. My colleague Alice Schaeffer in London has the 20 00:01:21,040 --> 00:01:25,760 Speaker 1: big story on Variety dot com. Jane Fonda is fed up. 21 00:01:26,400 --> 00:01:30,240 Speaker 1: The legendary star from a famous Hollywood family has relaunched 22 00:01:30,280 --> 00:01:33,560 Speaker 1: the Committee for the First Amendment that was an initiative 23 00:01:33,600 --> 00:01:37,000 Speaker 1: founded in the nineteen forties by her father, Henry Fonda, 24 00:01:37,600 --> 00:01:41,200 Speaker 1: to guard against attacks on free speech during that dark 25 00:01:41,240 --> 00:01:44,880 Speaker 1: period when a troubled senator from Wisconsin terrorized the nation 26 00:01:45,080 --> 00:01:50,040 Speaker 1: with his Red Scare tactics. Jane clearly sees history repeating itself. 27 00:01:50,480 --> 00:01:54,080 Speaker 1: She says, quote, the McCarthy era ended when Americans from 28 00:01:54,120 --> 00:01:57,800 Speaker 1: across the political spectrum finally came together and stood up 29 00:01:57,800 --> 00:02:01,680 Speaker 1: for the principles in the Constitution against the forces of repression. 30 00:02:02,520 --> 00:02:05,560 Speaker 1: Those forces have returned, and it is our turn to 31 00:02:05,600 --> 00:02:09,920 Speaker 1: stand together in defense of our constitutional rights. En Fonda 32 00:02:10,000 --> 00:02:13,080 Speaker 1: has more than five hundred A listers on board, including 33 00:02:13,160 --> 00:02:17,440 Speaker 1: Kerrie Washington, Pedro Pascal, Billie Eilish, Sean Penn, and Barber 34 00:02:17,440 --> 00:02:21,959 Speaker 1: Streisand on a much lighter note, Nicki Glazer has set 35 00:02:21,960 --> 00:02:24,880 Speaker 1: a new comedy special at Hulu. It'll be shot in 36 00:02:24,919 --> 00:02:29,000 Speaker 1: her hometown of Saint Louis and air next year. Of course, 37 00:02:29,200 --> 00:02:32,560 Speaker 1: we'll see her on January eleventh, when Glazer hosts the 38 00:02:32,600 --> 00:02:35,560 Speaker 1: Live Golden Globe Awards telecast for the second year in 39 00:02:35,600 --> 00:02:38,440 Speaker 1: a row. All of these stories and so much more 40 00:02:38,480 --> 00:02:45,959 Speaker 1: can be found on Variety dot com. Rate Now now 41 00:02:46,000 --> 00:02:49,080 Speaker 1: we turn to conversations with Variety journalists about news and 42 00:02:49,120 --> 00:02:53,040 Speaker 1: trends in show business. In today's Cover Story segment, we'll 43 00:02:53,080 --> 00:02:57,600 Speaker 1: talk to Dan Didario, Variety's senior correspondent, about his profile 44 00:02:57,680 --> 00:03:01,480 Speaker 1: of actor Charliehunum, The Son's Anarchy veteran is back to 45 00:03:01,600 --> 00:03:06,360 Speaker 1: series TV in Netflix's Monster The ed Geen Story. Hunham 46 00:03:06,400 --> 00:03:08,959 Speaker 1: has taken a long break from acting and he's really 47 00:03:09,000 --> 00:03:11,920 Speaker 1: hunkered down as a writer in recent years. He's even 48 00:03:11,960 --> 00:03:15,440 Speaker 1: sold a pilot to FX. Before we hear from Dan 49 00:03:15,639 --> 00:03:19,720 Speaker 1: about profiling Hunum, who is a native son of Newcastle, England. 50 00:03:20,240 --> 00:03:23,520 Speaker 1: Here's a clip from Variety's Cover Story video of Hunum 51 00:03:23,520 --> 00:03:27,200 Speaker 1: explaining the unusual break that got his acting career started. 52 00:03:27,360 --> 00:03:30,200 Speaker 2: This neighborhood called Biker which is actually when my father 53 00:03:30,360 --> 00:03:34,040 Speaker 2: was from really historically super rough neighborhood. But there was 54 00:03:34,080 --> 00:03:36,480 Speaker 2: a TV show called Bika Grove where I grew up, 55 00:03:36,480 --> 00:03:38,680 Speaker 2: and it was like the only TV show and about 56 00:03:38,760 --> 00:03:42,160 Speaker 2: like a I don't know, two hundred mile radius that 57 00:03:42,280 --> 00:03:45,440 Speaker 2: was shot where I was from, and so it was 58 00:03:45,520 --> 00:03:48,520 Speaker 2: like this tiny little emblem of hope that it was 59 00:03:48,560 --> 00:03:51,920 Speaker 2: actually possible to become an actor coming from Newcastle. When 60 00:03:51,960 --> 00:03:56,920 Speaker 2: I was eighteen, I'd already started like pursuing hopefully a 61 00:03:56,960 --> 00:03:59,840 Speaker 2: career in film by going to film school and studying film. 62 00:03:59,880 --> 00:04:02,400 Speaker 2: It was Christmas Eve and I was in Newcastle doing 63 00:04:02,480 --> 00:04:06,360 Speaker 2: Christmas shopping and so I was in JD Sports at 64 00:04:06,400 --> 00:04:09,200 Speaker 2: about four point thirty in the afternoon Christmas Eve, trying 65 00:04:09,280 --> 00:04:11,880 Speaker 2: on some sneaks for my brother and sort of dancing around, 66 00:04:12,640 --> 00:04:14,880 Speaker 2: and this lady was looking at me. So I blew 67 00:04:14,920 --> 00:04:17,760 Speaker 2: her a kiss, just being the cheeky young man that 68 00:04:17,839 --> 00:04:20,080 Speaker 2: I was. And it turned out that her name was 69 00:04:20,120 --> 00:04:23,440 Speaker 2: Elizabeth Binns and she was the production manager for Biker 70 00:04:23,480 --> 00:04:26,480 Speaker 2: Grove and she came over and said, you're a charming 71 00:04:26,560 --> 00:04:29,159 Speaker 2: young man on you and I said, on my good days? 72 00:04:29,440 --> 00:04:31,200 Speaker 2: And she said, well, have you ever thought about acting? 73 00:04:31,320 --> 00:04:34,599 Speaker 2: And I went, well, yes I have. And now here 74 00:04:34,680 --> 00:04:35,280 Speaker 2: I am. 75 00:04:35,320 --> 00:04:39,440 Speaker 1: Dan Didario, our Ace cover story writer. Thank yous for 76 00:04:39,560 --> 00:04:40,600 Speaker 1: joining me again. 77 00:04:40,760 --> 00:04:42,160 Speaker 3: Thanks as always for having me. 78 00:04:43,040 --> 00:04:45,800 Speaker 1: So this week's assignment, we set you off to take 79 00:04:45,880 --> 00:04:49,920 Speaker 1: the measure of Charlie Hunnam, a really good actor who 80 00:04:49,960 --> 00:04:53,760 Speaker 1: became known in the US for his role on FX's 81 00:04:53,760 --> 00:04:56,960 Speaker 1: Sons of Anarchy, a very high octane drama. It ran 82 00:04:57,000 --> 00:05:01,160 Speaker 1: on FX from twenty eight to twenty fourteen. But as 83 00:05:01,240 --> 00:05:03,480 Speaker 1: your story points out, we haven't seen a lot of 84 00:05:03,600 --> 00:05:05,880 Speaker 1: Charlie Hunem in the last some years. What a great 85 00:05:05,880 --> 00:05:09,360 Speaker 1: assignment to go find out what this terrific actor has 86 00:05:09,400 --> 00:05:11,599 Speaker 1: been doing of late, And of course the occasion is 87 00:05:11,640 --> 00:05:14,719 Speaker 1: he's got a new show. Dan, tell me the setting 88 00:05:14,760 --> 00:05:16,760 Speaker 1: in which you met and what it was that brought 89 00:05:16,800 --> 00:05:19,279 Speaker 1: Charlie Hunnan back to work in front of the camera. 90 00:05:19,640 --> 00:05:23,160 Speaker 4: Well, we met at an office space in North Hollywood. 91 00:05:23,560 --> 00:05:26,240 Speaker 4: It's the office where he has been spending the past 92 00:05:26,279 --> 00:05:30,000 Speaker 4: few years writing pilots. Like any good screenwriter, he has 93 00:05:30,040 --> 00:05:32,919 Speaker 4: a daily practice. He works on his pages. And this 94 00:05:33,040 --> 00:05:36,640 Speaker 4: is very notable what he's doing with Ryan Murphy, Ian 95 00:05:36,680 --> 00:05:40,240 Speaker 4: Brennan and director Max Winkler on Monster the Ed Greenes Story, 96 00:05:40,520 --> 00:05:42,479 Speaker 4: because it's one of the only times he's acted in 97 00:05:42,480 --> 00:05:45,320 Speaker 4: front of the camera this decade. He had an Apple 98 00:05:45,360 --> 00:05:48,680 Speaker 4: TV Plus show about three years ago and a very 99 00:05:48,720 --> 00:05:52,400 Speaker 4: small role in a Zack Snyder film, and that's pretty 100 00:05:52,440 --> 00:05:55,400 Speaker 4: much the only other acting he's done. He took the 101 00:05:55,440 --> 00:05:57,920 Speaker 4: COVID pandemic very hard, he told me, and he got 102 00:05:57,960 --> 00:06:01,240 Speaker 4: very interested in indulging other passions. He sold pilot to 103 00:06:01,240 --> 00:06:03,880 Speaker 4: Effects and house Slipping. He's a man of many talents 104 00:06:04,400 --> 00:06:04,960 Speaker 4: right there. 105 00:06:05,120 --> 00:06:07,200 Speaker 1: You know, there's a million stories that we could chase 106 00:06:07,200 --> 00:06:09,800 Speaker 1: at anytime, and when you settle on one, you just 107 00:06:10,000 --> 00:06:11,760 Speaker 1: never know what you were going to get. I don't 108 00:06:11,800 --> 00:06:14,240 Speaker 1: know that any of us knew that Charlie Huntum had 109 00:06:14,560 --> 00:06:15,719 Speaker 1: ambition to write. 110 00:06:16,080 --> 00:06:19,400 Speaker 4: He was every bit as excited talking about acting as 111 00:06:19,440 --> 00:06:22,159 Speaker 4: he was about writing. And he thought it was a 112 00:06:22,160 --> 00:06:25,200 Speaker 4: real full circle moment because while he'd worked on other 113 00:06:25,279 --> 00:06:29,039 Speaker 4: shows Sons of Anarchy, what really launched him stateside and 114 00:06:29,080 --> 00:06:31,200 Speaker 4: that was on Fax. So to sell a pilot to 115 00:06:31,200 --> 00:06:32,720 Speaker 4: Effects again, he was. 116 00:06:32,680 --> 00:06:35,440 Speaker 1: Over the moon, dandy. To give you any hint, the 117 00:06:35,440 --> 00:06:37,599 Speaker 1: focus of this pilot. Was it a comedy? Is it 118 00:06:37,640 --> 00:06:40,560 Speaker 1: a drama? Is it a classic FX dark drama edy? 119 00:06:41,080 --> 00:06:42,919 Speaker 4: The sense I got was that it was in the 120 00:06:42,960 --> 00:06:46,640 Speaker 4: world of drama. But I'm a writer as well. I'm sympathetic. 121 00:06:47,040 --> 00:06:49,200 Speaker 4: You know, you sell no wine before it's time. He 122 00:06:49,240 --> 00:06:53,320 Speaker 4: would not spill the details because he wants to be 123 00:06:53,400 --> 00:06:55,719 Speaker 4: out when it's ready. So that's the writer in him. 124 00:06:56,120 --> 00:06:59,080 Speaker 1: Oh, we know those writers. What was it about this 125 00:06:59,160 --> 00:07:02,159 Speaker 1: particular series, Kailer that brought him back to being the 126 00:07:02,240 --> 00:07:03,200 Speaker 1: lead in a series. 127 00:07:04,040 --> 00:07:07,159 Speaker 4: So if you don't necessarily know the name ed Geen, 128 00:07:07,279 --> 00:07:12,760 Speaker 4: you know his legend because ed Gean is the murderer 129 00:07:12,800 --> 00:07:16,760 Speaker 4: who died in an insane asylum some years ago, whose 130 00:07:16,880 --> 00:07:20,520 Speaker 4: crimes inspired the Texas Chainsaw Masker, are said to have 131 00:07:20,520 --> 00:07:24,840 Speaker 4: inspired Psycho, are said to have inspired Buffalo Bill in Silence. 132 00:07:24,400 --> 00:07:24,960 Speaker 3: Of the Lambs. 133 00:07:25,560 --> 00:07:30,120 Speaker 4: And he was a very grizzly guy, suffered from all 134 00:07:30,160 --> 00:07:33,480 Speaker 4: sorts of mental illness, and the way it manifested itself 135 00:07:33,680 --> 00:07:38,520 Speaker 4: was in his mutilating his victims or graver robbing. Obviously 136 00:07:39,160 --> 00:07:42,240 Speaker 4: not the kind of stuff you necessarily want to be 137 00:07:42,280 --> 00:07:46,360 Speaker 4: watching over breakfast, but it is a story that goes 138 00:07:47,320 --> 00:07:51,440 Speaker 4: deep and dark, and from what I've seen, the season 139 00:07:51,520 --> 00:07:55,560 Speaker 4: is interested in probing the roots of how a person 140 00:07:56,360 --> 00:08:00,560 Speaker 4: comes to do something like this and the ways in 141 00:08:00,560 --> 00:08:04,720 Speaker 4: which it ripples outwards through culture. The season is explicitly 142 00:08:04,760 --> 00:08:08,360 Speaker 4: concerned with the ways in which the culture metabolized Gain 143 00:08:08,520 --> 00:08:11,080 Speaker 4: and made him into a character. I'm told that Alfred 144 00:08:11,200 --> 00:08:15,400 Speaker 4: Hitchcock enters the story as a character played by Tom Hollander, 145 00:08:15,520 --> 00:08:18,320 Speaker 4: and so all of this adds up to a three 146 00:08:18,360 --> 00:08:22,400 Speaker 4: course meal for an actor. He didn't just transform his voice, 147 00:08:22,440 --> 00:08:28,080 Speaker 4: his bearing, but he gets to go to places that. 148 00:08:28,080 --> 00:08:29,440 Speaker 3: Only Ryan Murphy can take you. 149 00:08:29,800 --> 00:08:33,599 Speaker 4: Ryan Murphy oversees the whole thing, with his top lieutenant 150 00:08:33,760 --> 00:08:37,440 Speaker 4: Ian Brennan writing every episode and Max Winkler directing some episodes. 151 00:08:37,920 --> 00:08:42,199 Speaker 4: And Ryan Murphy is extremely interested in the extremes of 152 00:08:42,280 --> 00:08:45,680 Speaker 4: human nature and what we can learn from our shared 153 00:08:45,679 --> 00:08:49,760 Speaker 4: cultural history. And I think that Charlie Hadden was eager 154 00:08:49,760 --> 00:08:50,720 Speaker 4: to get on that ride. 155 00:08:51,559 --> 00:08:54,160 Speaker 1: To the credit of the Ryan Murphy organization, they tell 156 00:08:54,200 --> 00:08:57,520 Speaker 1: the drama, but there is always that underlying of why 157 00:08:57,559 --> 00:09:01,080 Speaker 1: did this happen? And oftentimes how did so many people 158 00:09:01,160 --> 00:09:03,959 Speaker 1: miss it? What was the racism, what was the blindness 159 00:09:04,040 --> 00:09:06,880 Speaker 1: to what was going on? What was the LGBT discrimination 160 00:09:07,080 --> 00:09:11,280 Speaker 1: going on? And there is a lot to probe. So 161 00:09:11,320 --> 00:09:14,559 Speaker 1: you're sitting there talking about a notorious serial killer. How 162 00:09:14,559 --> 00:09:17,320 Speaker 1: did you find Charlie to be in terms of to interview? 163 00:09:17,520 --> 00:09:19,920 Speaker 1: Was he warm? Was he forthcoming? 164 00:09:20,240 --> 00:09:20,440 Speaker 3: Yeah? 165 00:09:20,480 --> 00:09:23,439 Speaker 4: He was warm and forthcoming, willing to go anywhere in conversation. 166 00:09:24,040 --> 00:09:26,679 Speaker 4: I was quite struck. He was very honest about it. 167 00:09:27,160 --> 00:09:29,000 Speaker 4: First of all, we were supposed to meet in his 168 00:09:29,400 --> 00:09:30,480 Speaker 4: favorite coffee shop. 169 00:09:30,920 --> 00:09:31,920 Speaker 3: We got there. 170 00:09:31,679 --> 00:09:35,640 Speaker 4: And he didn't want to discuss the pretensions of an 171 00:09:35,679 --> 00:09:39,400 Speaker 4: actor in his process and all those things that are 172 00:09:39,440 --> 00:09:40,920 Speaker 4: part and parcel of talking to an actor. 173 00:09:41,160 --> 00:09:42,880 Speaker 3: He didn't feel comfortable. 174 00:09:42,520 --> 00:09:44,760 Speaker 4: Talking about that in front of the baristas he saw 175 00:09:44,760 --> 00:09:47,640 Speaker 4: every day. He thought he would look pretentious, And so 176 00:09:47,720 --> 00:09:50,000 Speaker 4: we went to his office space and he opened up 177 00:09:50,000 --> 00:09:52,800 Speaker 4: and he said, you know, I haven't had occasion to 178 00:09:52,800 --> 00:09:54,480 Speaker 4: do this in a while, and that gave rise to 179 00:09:54,520 --> 00:09:58,760 Speaker 4: a really interesting open conversation. I would say that he 180 00:09:59,559 --> 00:10:03,360 Speaker 4: now whars the story lightly. He does not carry it 181 00:10:03,400 --> 00:10:06,360 Speaker 4: with him because, as he said, when he's working, he's 182 00:10:06,400 --> 00:10:07,079 Speaker 4: really in it. 183 00:10:07,520 --> 00:10:09,400 Speaker 3: He is mission driven. 184 00:10:09,559 --> 00:10:12,720 Speaker 4: Nothing will divert him from the goal of doing an 185 00:10:12,760 --> 00:10:18,360 Speaker 4: amazing job playing Edgine. But when he emerges, he has 186 00:10:18,480 --> 00:10:22,040 Speaker 4: to re enter his real life, and he was in 187 00:10:22,080 --> 00:10:24,439 Speaker 4: real life mode. It was just a frank, open conversation 188 00:10:24,520 --> 00:10:28,600 Speaker 4: with someone who is that wonderful thing passionate about what he. 189 00:10:28,559 --> 00:10:30,560 Speaker 3: Does the whole time. 190 00:10:30,640 --> 00:10:33,120 Speaker 1: During suns of Anarchy, all the FX folks would say 191 00:10:33,120 --> 00:10:36,160 Speaker 1: that he was just a really kind and warm person. 192 00:10:36,280 --> 00:10:39,120 Speaker 1: Despite the crazy things that he did is in front 193 00:10:39,160 --> 00:10:42,400 Speaker 1: of the camera. Of course. Charlie is a son of 194 00:10:42,440 --> 00:10:46,480 Speaker 1: Northern England, now relocated to southern California and house flipping. 195 00:10:46,720 --> 00:10:49,319 Speaker 1: I think that's also an interesting pastime. 196 00:10:49,640 --> 00:10:52,040 Speaker 4: First of all, it runs in his blood. He told 197 00:10:52,040 --> 00:10:54,960 Speaker 4: me that growing up, his family moved annually because his 198 00:10:55,000 --> 00:10:56,880 Speaker 4: mom was always on the hunt for bigger and better. 199 00:10:57,559 --> 00:10:59,600 Speaker 4: I think it was a way to express the creative 200 00:10:59,600 --> 00:11:02,800 Speaker 4: impul at a time when he felt constrained from working. 201 00:11:02,920 --> 00:11:05,760 Speaker 4: He did not want to be working during high COVID 202 00:11:06,280 --> 00:11:10,680 Speaker 4: pre vaccine COVID, and this was a way of working 203 00:11:10,679 --> 00:11:14,160 Speaker 4: in a different way. I think that the creative impulse, 204 00:11:14,520 --> 00:11:16,560 Speaker 4: if it's strong enough, cannot be suppressed. 205 00:11:16,640 --> 00:11:18,920 Speaker 3: It just comes out in different form. 206 00:11:19,480 --> 00:11:22,560 Speaker 1: Well, Dan, thank you for delivering us a very good 207 00:11:22,600 --> 00:11:25,240 Speaker 1: profile of an actor and a creative person in our 208 00:11:25,280 --> 00:11:28,160 Speaker 1: industry who seems to clearly be at an inflection point. 209 00:11:28,640 --> 00:11:30,240 Speaker 1: I have a feeling that we are going to be 210 00:11:30,280 --> 00:11:32,920 Speaker 1: talking a lot again about the new season of Monster 211 00:11:33,040 --> 00:11:33,680 Speaker 1: on Netflix. 212 00:11:34,200 --> 00:11:35,920 Speaker 3: Thank you for the assignment and thank you for having me. 213 00:11:43,280 --> 00:11:46,720 Speaker 1: Now, listeners, let's time travel back to nineteen fifty six. 214 00:11:47,280 --> 00:11:51,440 Speaker 1: For Kicks, I often flipped through varieties voluminous archive to 215 00:11:51,520 --> 00:11:54,520 Speaker 1: find stories and headlines with news from the past that 216 00:11:54,600 --> 00:11:57,800 Speaker 1: resonates in the present day. The front page of Daily 217 00:11:57,880 --> 00:12:01,880 Speaker 1: Variety from October first nighteth teen fifty six really fits 218 00:12:01,920 --> 00:12:05,720 Speaker 1: that bill. Remember, folks, we've been at this since nineteen 219 00:12:05,760 --> 00:12:09,280 Speaker 1: oh five, and away we go. On this Monday edition 220 00:12:09,400 --> 00:12:12,280 Speaker 1: from the early fall of nineteen fifty six. Our banner 221 00:12:12,360 --> 00:12:17,440 Speaker 1: headline is Government aid for distressed exhibs. The story is 222 00:12:17,480 --> 00:12:20,360 Speaker 1: all about the Small Business Administration in Washington, d c. 223 00:12:20,720 --> 00:12:25,040 Speaker 1: Recommending that it grant low interest loans to struggling movie 224 00:12:25,160 --> 00:12:29,280 Speaker 1: theater owners. Remember, television was still relatively new and it 225 00:12:29,360 --> 00:12:32,040 Speaker 1: was taking a big toll on moviegoing in these days. 226 00:12:32,840 --> 00:12:34,520 Speaker 1: The other top of the page story is about the 227 00:12:34,559 --> 00:12:37,240 Speaker 1: Board of the Academy of Motion Picture Arts and Sciences 228 00:12:37,440 --> 00:12:42,120 Speaker 1: voting unanimously to create the Foreign Language category at the Oscars. 229 00:12:42,559 --> 00:12:46,120 Speaker 1: Before that, films produced outside the United States had to 230 00:12:46,160 --> 00:12:49,200 Speaker 1: be dubbed or subtitled in English and released in the 231 00:12:49,360 --> 00:12:54,320 Speaker 1: US to be eligible for competitive Oscars. Otherwise, foreign films 232 00:12:54,360 --> 00:12:58,320 Speaker 1: were only given Oscars on an honorary basis. That the 233 00:12:58,360 --> 00:13:02,000 Speaker 1: headline in this edition doctus immens the Academy's first formal 234 00:13:02,040 --> 00:13:06,240 Speaker 1: step toward the presentation of the first Competitive Foreign Film OSCAR, 235 00:13:06,800 --> 00:13:10,800 Speaker 1: recognizing the nineteen fifty six film year, and the winner 236 00:13:11,000 --> 00:13:16,120 Speaker 1: was Frederico Fellini's Lestrada, a brutal drama set in postwar 237 00:13:16,240 --> 00:13:19,720 Speaker 1: Italy that starred Anthony Quinn. Back to the front page. 238 00:13:19,840 --> 00:13:23,360 Speaker 1: There are twelve story starts in total. It was packed. 239 00:13:23,640 --> 00:13:26,760 Speaker 1: Here's two more fun ones. There's a good yarn about 240 00:13:26,760 --> 00:13:30,040 Speaker 1: the famous producer Samuel Goldwyn, who was known to be 241 00:13:30,120 --> 00:13:33,599 Speaker 1: a handful. He's the source of the original g in 242 00:13:33,960 --> 00:13:39,240 Speaker 1: MGM Metro Goldwyn Mayor. Although Samuel Goldwyn was famously elbowed 243 00:13:39,280 --> 00:13:42,640 Speaker 1: out of the Goldwyn Pictures business that he founded in 244 00:13:42,760 --> 00:13:46,520 Speaker 1: nineteen twenty two just as that company was acquired by 245 00:13:46,600 --> 00:13:50,400 Speaker 1: Metro Pictures, and then Metro Pictures turned around and merged 246 00:13:50,440 --> 00:13:51,559 Speaker 1: with producer Louis B. 247 00:13:51,720 --> 00:13:51,960 Speaker 3: Mayer. 248 00:13:52,720 --> 00:13:55,960 Speaker 1: Samuel Goldwyn was in the name MGM, but he never 249 00:13:56,120 --> 00:13:59,240 Speaker 1: was a player in the business. Samuel Goldwyn is also 250 00:13:59,280 --> 00:14:03,800 Speaker 1: the grandfather of actor, writer director Tony Goldwyn. The headline 251 00:14:03,840 --> 00:14:09,200 Speaker 1: reads sam Goldwyn invades Another World, Ike's White House press room, 252 00:14:09,840 --> 00:14:14,760 Speaker 1: and the story reads dateline Washington, September thirtieth. Samuel Goldwyn 253 00:14:14,840 --> 00:14:18,679 Speaker 1: called on President Eisenhower Friday, and then stepped into the 254 00:14:18,720 --> 00:14:22,000 Speaker 1: White House press room to find himself in a world 255 00:14:22,120 --> 00:14:26,920 Speaker 1: that knew him not. Goldwyn was introduced briefly to the newsman. 256 00:14:27,920 --> 00:14:31,560 Speaker 1: I'm sorry, said the correspondent for a large n Y paper, 257 00:14:31,960 --> 00:14:37,360 Speaker 1: but I missed your name. Goldwyn, surprised, obliged with the information, 258 00:14:38,480 --> 00:14:41,320 Speaker 1: a wire service man asked, are you still the head 259 00:14:41,320 --> 00:14:44,840 Speaker 1: of mg M? Goldwyn looked at him suspiciously for a 260 00:14:44,880 --> 00:14:49,840 Speaker 1: moment and replied, slowly and carefully. I sold Metro thirty 261 00:14:49,880 --> 00:14:53,640 Speaker 1: eight years ago. Are you kidding? No, sir, was the reply. 262 00:14:53,960 --> 00:14:57,120 Speaker 1: I guess we live in another world here. That's the 263 00:14:57,160 --> 00:15:00,680 Speaker 1: whole story. And finally, here's a classic bottom of the 264 00:15:00,680 --> 00:15:04,120 Speaker 1: page two sentence item about a casting call for the 265 00:15:04,120 --> 00:15:08,800 Speaker 1: movie Raintree County that's in nineteen fifty seven Civil War 266 00:15:09,000 --> 00:15:13,880 Speaker 1: set romance weeper starring Elizabeth Taylor and Montgomery Cliff. The 267 00:15:13,880 --> 00:15:19,200 Speaker 1: headline reads one thousand Raintree Extras twenty year MGM record. 268 00:15:20,360 --> 00:15:24,400 Speaker 1: The story states Metro will place a twenty year record 269 00:15:24,440 --> 00:15:27,560 Speaker 1: call for extras next week when the company uses one 270 00:15:27,600 --> 00:15:32,440 Speaker 1: thousand for Raintree County. It's the largest since nineteen thirty six, 271 00:15:32,800 --> 00:15:37,320 Speaker 1: when the studio used as many in the Good Earth listeners. 272 00:15:37,440 --> 00:15:39,760 Speaker 1: As we return to twenty twenty five, I want to 273 00:15:39,760 --> 00:15:42,280 Speaker 1: point out that there's a rain Tree Circle Street in 274 00:15:42,360 --> 00:15:45,080 Speaker 1: Culver City that sits on a patch of land that 275 00:15:45,200 --> 00:15:48,560 Speaker 1: was once owned by MGM and used for filming Raintree 276 00:15:48,600 --> 00:15:52,120 Speaker 1: County and many other movies. The history of our business 277 00:15:52,280 --> 00:15:55,400 Speaker 1: is everywhere in southern California. You just have to look 278 00:15:55,440 --> 00:16:06,440 Speaker 1: for it. As we close out today's episode, here's a 279 00:16:06,480 --> 00:16:09,760 Speaker 1: few things we're watching for Variety is loaded with promise. 280 00:16:09,840 --> 00:16:13,760 Speaker 1: Next week coming up, we have our annual ten Screenwriters 281 00:16:13,760 --> 00:16:17,400 Speaker 1: to watch feature in print and online. The scribes will 282 00:16:17,400 --> 00:16:19,720 Speaker 1: be spotlighted with an event in two weeks at the 283 00:16:19,760 --> 00:16:23,280 Speaker 1: Santa Fe Film Festival in New Mexico. We also have 284 00:16:23,400 --> 00:16:26,520 Speaker 1: our ten Broadway Stars to watch feature. We'll hear more 285 00:16:26,520 --> 00:16:30,080 Speaker 1: about that on Monday from Gordon Cox, Variety's main man 286 00:16:30,240 --> 00:16:34,280 Speaker 1: on the main Stem. Before we go, Congrats to Mike Cavanaugh. 287 00:16:34,560 --> 00:16:38,440 Speaker 1: He's been promoted to co CEO of Comcast. Cavanaugh has 288 00:16:38,480 --> 00:16:41,520 Speaker 1: spent the past three years as president of Comcast, and 289 00:16:41,720 --> 00:16:45,200 Speaker 1: he's been the top boss for NBC Universal. He's the 290 00:16:45,240 --> 00:16:49,160 Speaker 1: first to share CEO power with Brian Roberts. Thanks for 291 00:16:49,240 --> 00:16:53,000 Speaker 1: listening this episode was written and reported by me Cynthia Littleton, 292 00:16:53,360 --> 00:16:58,400 Speaker 1: with contributions from Dan Didario. Stick's Next hick Picks. Please 293 00:16:58,480 --> 00:17:01,120 Speaker 1: leave us a review at the podcast platform of your choice, 294 00:17:01,400 --> 00:17:04,000 Speaker 1: and please tune in tomorrow for another episode of Daily 295 00:17:04,080 --> 00:17:07,560 Speaker 1: Variety and Listeners Shaunatova