1 00:00:10,039 --> 00:00:10,639 Speaker 1: Hey, the folks. 2 00:00:10,680 --> 00:00:13,880 Speaker 2: It is Sunday, February first, and as we record this, 3 00:00:13,960 --> 00:00:18,320 Speaker 2: we are one hour into the live Grammys broadcast. Welcome 4 00:00:18,320 --> 00:00:22,120 Speaker 2: to Amy and TJ, folks, right now, tell them robes, 5 00:00:22,160 --> 00:00:24,239 Speaker 2: tell the good people. Should they turn this thing on? 6 00:00:24,360 --> 00:00:25,279 Speaker 2: I go ahead and go to bed. 7 00:00:25,360 --> 00:00:27,080 Speaker 3: You know what, you can turn it on because we 8 00:00:27,280 --> 00:00:30,760 Speaker 3: really haven't seen any awards yet, so you haven't missed much. 9 00:00:31,160 --> 00:00:34,040 Speaker 3: You've seen a lot of performances. We've seen some great, 10 00:00:34,280 --> 00:00:38,280 Speaker 3: great phenomenal. It's like been watching a concert. Basically, I meant. 11 00:00:38,080 --> 00:00:41,200 Speaker 2: The show in general. Would you tell them it's worth 12 00:00:41,280 --> 00:00:43,960 Speaker 2: turning the TV on. I just go ahead and go 13 00:00:44,000 --> 00:00:46,240 Speaker 2: to bed and get the highlights in the morning. 14 00:00:46,440 --> 00:00:48,200 Speaker 4: I mean, I think the best is yet to come. 15 00:00:48,440 --> 00:00:50,440 Speaker 3: I think it's a little bit of a slow start, 16 00:00:50,479 --> 00:00:53,160 Speaker 3: but we have a lot of awards to watch, So yeah, 17 00:00:53,200 --> 00:00:54,000 Speaker 3: I say turn it on. 18 00:00:54,280 --> 00:00:54,920 Speaker 4: Yeah, why not? 19 00:00:57,160 --> 00:00:59,080 Speaker 1: It's not a good cell for the folks over. 20 00:01:00,040 --> 00:01:01,720 Speaker 4: What would you say to everyone listening? 21 00:01:02,240 --> 00:01:06,039 Speaker 2: Uh, you're okay, it's it's I haven't no, no, I haven't 22 00:01:06,040 --> 00:01:08,119 Speaker 2: seen anything enough yet to say. And you know I'll 23 00:01:08,160 --> 00:01:10,680 Speaker 2: tell people miss sleep for some something. Yes, I haven't 24 00:01:10,680 --> 00:01:13,960 Speaker 2: seen anything yet that I would just say, oh, my goodness, 25 00:01:14,000 --> 00:01:16,279 Speaker 2: you got to turn the TV on, see some good stuff, 26 00:01:16,280 --> 00:01:18,440 Speaker 2: seeing some interesting stuff, and you know what, some of 27 00:01:18,480 --> 00:01:20,399 Speaker 2: what we're about to tell you might get you to 28 00:01:20,400 --> 00:01:21,160 Speaker 2: turn the TV on. 29 00:01:21,280 --> 00:01:22,280 Speaker 1: Let's get right to it. 30 00:01:22,720 --> 00:01:26,040 Speaker 2: Uh, first hour only two awards, and the second of 31 00:01:26,120 --> 00:01:29,560 Speaker 2: those two was done at about two minutes to the 32 00:01:29,600 --> 00:01:32,160 Speaker 2: top of the hour, so they barely got one award 33 00:01:32,200 --> 00:01:35,600 Speaker 2: in We should mention that Trevor Noah is back sixth year. 34 00:01:35,680 --> 00:01:37,520 Speaker 1: I think he's done it. How did his top go? 35 00:01:37,680 --> 00:01:38,440 Speaker 1: How at the top of the joke? 36 00:01:38,640 --> 00:01:39,520 Speaker 4: It was a little shaky. 37 00:01:39,560 --> 00:01:41,280 Speaker 3: I think he was trying a little too hard to 38 00:01:41,319 --> 00:01:43,800 Speaker 3: be funny, and I don't know if the. 39 00:01:43,760 --> 00:01:47,200 Speaker 4: Crowd just feels like a little low energy or I. 40 00:01:47,200 --> 00:01:49,480 Speaker 3: Don't know, he just felt a little off, like he 41 00:01:49,640 --> 00:01:53,240 Speaker 3: was pushing it too much. But he's charming, he's lovely, 42 00:01:53,440 --> 00:01:57,800 Speaker 3: he's sweet, he's well intended, so nothing offensive. But it 43 00:01:57,840 --> 00:01:59,280 Speaker 3: wasn't it wasn't great. 44 00:02:00,160 --> 00:02:02,880 Speaker 1: Think he got some classic charm. I like him. He lost. 45 00:02:03,120 --> 00:02:04,720 Speaker 1: I thought Justin Bieber threw him off. 46 00:02:05,360 --> 00:02:07,240 Speaker 2: It seemed like he spent He opened the show, he 47 00:02:07,320 --> 00:02:09,280 Speaker 2: only you know, he says hello to the audience, but 48 00:02:09,280 --> 00:02:11,160 Speaker 2: then he goes down to the TV audience and then 49 00:02:11,160 --> 00:02:14,520 Speaker 2: he goes down there were all the celebrities are sitting 50 00:02:14,600 --> 00:02:16,960 Speaker 2: and he's kind of just he has some planet jokes, 51 00:02:16,960 --> 00:02:18,320 Speaker 2: but he's kind of just riffing. 52 00:02:18,360 --> 00:02:21,240 Speaker 1: And he came up to Justin Bieber, and Justin Bieber I. 53 00:02:21,240 --> 00:02:23,080 Speaker 2: Don't want to say he was pissed, but he didn't 54 00:02:23,120 --> 00:02:26,360 Speaker 2: necessarily play along in the you wouldn't even look at 55 00:02:26,360 --> 00:02:27,240 Speaker 2: it the fun way. 56 00:02:27,320 --> 00:02:29,280 Speaker 4: Justin Bieber did not make eye contact. 57 00:02:29,400 --> 00:02:30,160 Speaker 1: It was being mean. 58 00:02:30,320 --> 00:02:32,440 Speaker 4: He was just he seems that you said it best. 59 00:02:32,480 --> 00:02:35,920 Speaker 3: You said, Justin Bieber seems annoyed right now. And honestly, 60 00:02:35,960 --> 00:02:40,079 Speaker 3: to make up for his seeming annoyance, Hailey Bieber you 61 00:02:40,120 --> 00:02:42,600 Speaker 3: could see, was like engaging and trying to laugh it 62 00:02:42,639 --> 00:02:44,840 Speaker 3: off and say, see, yeah we're good, We're happy. 63 00:02:45,080 --> 00:02:46,720 Speaker 4: But I don't know if Justin's nervous. 64 00:02:46,720 --> 00:02:49,840 Speaker 3: He's performing later, correct, So I'm actually looking forward to that. 65 00:02:50,200 --> 00:02:51,240 Speaker 1: Yeah, I like that. 66 00:02:51,360 --> 00:02:52,919 Speaker 2: Justin Bieber's a part of the music scene and he's 67 00:02:52,919 --> 00:02:54,640 Speaker 2: nominated tonight, so that's all great. 68 00:02:54,720 --> 00:02:56,400 Speaker 1: So that was his opening. 69 00:02:56,400 --> 00:02:58,280 Speaker 2: Now he started bouncing around the room and you see 70 00:02:58,400 --> 00:03:03,280 Speaker 2: things and something that clear please stands out is one 71 00:03:03,400 --> 00:03:05,760 Speaker 2: guy who was dressed differently than the rest. And he 72 00:03:05,800 --> 00:03:08,040 Speaker 2: has on a big hat and a very colorful suit 73 00:03:08,280 --> 00:03:11,000 Speaker 2: and a very colorful tie and it's all patterned. 74 00:03:11,760 --> 00:03:13,480 Speaker 4: Jamie Fox, what is he there? 75 00:03:13,840 --> 00:03:16,840 Speaker 2: Well, he's a don't get me wrong, He's obviously a 76 00:03:16,960 --> 00:03:20,200 Speaker 2: very accomplished musician. But I'm just saying his get up 77 00:03:20,280 --> 00:03:24,799 Speaker 2: stands out for me tonight. He is wearing a unique out. 78 00:03:24,960 --> 00:03:27,400 Speaker 4: He wasn't looking to blend in tonight. 79 00:03:27,240 --> 00:03:30,040 Speaker 2: And he is not anyway, but he stood out to me. 80 00:03:30,080 --> 00:03:33,400 Speaker 2: But everybody seems great, looks good. And before we get 81 00:03:33,440 --> 00:03:35,480 Speaker 2: to the performances that we have seen, a lot of 82 00:03:35,520 --> 00:03:38,000 Speaker 2: people are standing by robes and they were waiting how 83 00:03:39,160 --> 00:03:42,160 Speaker 2: how many political statements might be made? How many suggestions 84 00:03:42,200 --> 00:03:44,280 Speaker 2: some of the crowd, Billy Eyish in particular, has been 85 00:03:44,400 --> 00:03:46,480 Speaker 2: very outspoken having to do with what's happening with Ice. 86 00:03:47,400 --> 00:03:52,600 Speaker 2: Trevor Noah made two jokes that kind of gave some reference, 87 00:03:52,640 --> 00:03:55,480 Speaker 2: but they weren't hard hitting, they weren't mean. Got good applause. 88 00:03:55,880 --> 00:03:57,320 Speaker 2: I thought it was funny. I didn't think he went 89 00:03:57,360 --> 00:03:59,200 Speaker 2: too far, especially with the Nicki Minaj stuff. 90 00:03:59,560 --> 00:04:03,200 Speaker 3: Yes, when Nicki Minaj couldn't be here tonight, we did 91 00:04:03,320 --> 00:04:06,280 Speaker 3: hear a cheer from the audience when he announced that 92 00:04:06,640 --> 00:04:08,840 Speaker 3: she was not in the building. 93 00:04:08,960 --> 00:04:11,400 Speaker 1: It was the biggest applause line he had. 94 00:04:11,520 --> 00:04:14,480 Speaker 4: Yes, it landed, Yes, that landed with the audience. 95 00:04:15,160 --> 00:04:17,120 Speaker 2: That one was funny. He just said she wasn't there. 96 00:04:17,560 --> 00:04:19,279 Speaker 2: Almost he had to wait for the audience to cry 97 00:04:19,400 --> 00:04:21,599 Speaker 2: quiet down before he continued with the next part of 98 00:04:21,600 --> 00:04:23,680 Speaker 2: the joke. He said, she's at the White House, and 99 00:04:23,680 --> 00:04:25,440 Speaker 2: this is where he did a Donald Trump impression. He 100 00:04:25,480 --> 00:04:28,039 Speaker 2: said they're arguing over who has the bigger ass, and 101 00:04:28,120 --> 00:04:29,640 Speaker 2: he did a whold Trump impression. 102 00:04:30,400 --> 00:04:31,360 Speaker 1: Obviously I can't do it. 103 00:04:31,360 --> 00:04:31,520 Speaker 3: Was it? 104 00:04:31,640 --> 00:04:34,760 Speaker 1: No mine is bigger, No mine is bigger than it was. 105 00:04:34,880 --> 00:04:35,400 Speaker 4: It was funny. 106 00:04:35,720 --> 00:04:37,039 Speaker 1: The other was just the idea. 107 00:04:37,080 --> 00:04:40,960 Speaker 2: He's talked about Doge's song Anxiety. I believe that is 108 00:04:41,000 --> 00:04:43,479 Speaker 2: nominated tonight. He said, that's our new national anthem. 109 00:04:43,600 --> 00:04:45,240 Speaker 4: Yes, that was a good one as well. That was 110 00:04:45,279 --> 00:04:46,320 Speaker 4: a good one, you know. 111 00:04:46,440 --> 00:04:49,360 Speaker 3: Look, I also he mentioned something that I forgot him 112 00:04:49,360 --> 00:04:52,440 Speaker 3: also looking forward to as well later tonight, not only 113 00:04:52,440 --> 00:04:55,039 Speaker 3: as Justin Bieber performing, but Lauren Hill is as well. 114 00:04:55,800 --> 00:04:57,120 Speaker 4: I'm very excited about that. 115 00:04:57,279 --> 00:05:00,600 Speaker 3: So there's gonna be some really cool formats from folks 116 00:05:00,640 --> 00:05:03,040 Speaker 3: that we've loved for a long time that we haven't 117 00:05:03,080 --> 00:05:04,679 Speaker 3: necessarily seen on that stage. 118 00:05:04,720 --> 00:05:06,560 Speaker 2: Okay, I'm going to get back to a Lauren Hill joke, 119 00:05:06,640 --> 00:05:09,880 Speaker 2: but now we need to completely correct ourselves here about 120 00:05:09,880 --> 00:05:11,279 Speaker 2: whether or not you need to turn the TV on, 121 00:05:11,320 --> 00:05:13,360 Speaker 2: because you should have, because what you're missing right now 122 00:05:13,480 --> 00:05:14,760 Speaker 2: is justin Bieber. 123 00:05:14,800 --> 00:05:16,640 Speaker 1: We are seeing this live rolls. 124 00:05:16,680 --> 00:05:18,279 Speaker 2: It looks like he's doing the thing that we have 125 00:05:18,360 --> 00:05:22,640 Speaker 2: seen Ed Sharon do to where he's completely producing his 126 00:05:22,760 --> 00:05:27,479 Speaker 2: own song, all the vocals, all the backgrounds live on stage. 127 00:05:27,560 --> 00:05:31,240 Speaker 2: You remember, yes, Ed Sharon did this, and he's standing 128 00:05:31,240 --> 00:05:33,760 Speaker 2: here in what looks like silk boxers and nothing else. 129 00:05:34,200 --> 00:05:34,599 Speaker 1: Am I saying? 130 00:05:34,600 --> 00:05:34,720 Speaker 3: There? 131 00:05:34,760 --> 00:05:37,440 Speaker 4: Right, grandpa socks on and some boxer shorts. 132 00:05:37,800 --> 00:05:40,880 Speaker 2: This is interesting. Let rewind and see this so we'll 133 00:05:40,920 --> 00:05:44,640 Speaker 2: get through this. The Lauren hilljoke that I was mentioning, 134 00:05:44,680 --> 00:05:47,040 Speaker 2: he said, was talking about she hasn't performed in. 135 00:05:46,960 --> 00:05:47,520 Speaker 1: A long time. 136 00:05:47,600 --> 00:05:49,800 Speaker 3: Nineteen ninety nine, he said, And he said, back in 137 00:05:49,839 --> 00:05:53,720 Speaker 3: nineteen ninety nine, the president had had a sex scandal 138 00:05:54,760 --> 00:05:55,920 Speaker 3: the Grammys. 139 00:05:56,760 --> 00:05:59,400 Speaker 2: Wait, sorry, back then the president was in a sex scandal. 140 00:05:59,480 --> 00:06:02,400 Speaker 2: Everyone computers were going to destroy the world, and Diddy 141 00:06:02,520 --> 00:06:07,280 Speaker 2: was arrested. Boy, how times have changed? Yes, so that 142 00:06:07,320 --> 00:06:09,440 Speaker 2: one land, but not at this point, at least we 143 00:06:09,480 --> 00:06:14,120 Speaker 2: haven't seen necessarily overwhelming overt references to what's going on 144 00:06:14,160 --> 00:06:17,080 Speaker 2: Olivia Dean. One of the two awards robes that was 145 00:06:17,080 --> 00:06:19,520 Speaker 2: given out was for Best New Artists. She did have 146 00:06:19,600 --> 00:06:21,520 Speaker 2: at least a statement she made having to do with 147 00:06:21,560 --> 00:06:25,159 Speaker 2: her grandmother, again alluded to and sweet though it was sweet. 148 00:06:25,200 --> 00:06:26,159 Speaker 1: Do you have that one in front of you? 149 00:06:26,279 --> 00:06:29,760 Speaker 3: Oh? Yes, she came up and she mentioned that her grandmother, yes, 150 00:06:29,880 --> 00:06:32,320 Speaker 3: was an immigrant, and so she had a very I'm 151 00:06:32,360 --> 00:06:33,520 Speaker 3: trying to find it right now. 152 00:06:34,000 --> 00:06:37,280 Speaker 2: I'm up here as the granddaughter of an immigrant. I'm 153 00:06:37,279 --> 00:06:40,359 Speaker 2: a product of bravery, and I think those people deserve 154 00:06:40,440 --> 00:06:43,080 Speaker 2: to be celebrated. We're nothing without each other. 155 00:06:43,600 --> 00:06:45,920 Speaker 4: Very simple, that's how you do it. 156 00:06:45,920 --> 00:06:49,960 Speaker 3: That's how you make a statement without being divisive. And 157 00:06:50,080 --> 00:06:53,919 Speaker 3: she said something beautiful, personal and it was positive, and 158 00:06:53,960 --> 00:06:59,080 Speaker 3: I thought that was something that hopefully might be mirrored 159 00:06:59,120 --> 00:07:01,200 Speaker 3: by other artists who get up instead of being divisive. 160 00:07:01,440 --> 00:07:03,960 Speaker 3: That was a beautiful way to make a statement and 161 00:07:04,200 --> 00:07:05,680 Speaker 3: actually have it be inclusive. 162 00:07:05,960 --> 00:07:08,120 Speaker 2: Yeah, okay, so we'll get to some of those performances. 163 00:07:08,200 --> 00:07:11,160 Speaker 2: This was cool. I thought. Rogues that the Academy did 164 00:07:11,240 --> 00:07:15,960 Speaker 2: all of the best New Artists nominees perform back to 165 00:07:16,000 --> 00:07:16,800 Speaker 2: back to back to back. 166 00:07:16,920 --> 00:07:17,640 Speaker 4: That was very cool. 167 00:07:17,760 --> 00:07:18,680 Speaker 1: It's cool to do it like that. 168 00:07:18,760 --> 00:07:20,440 Speaker 2: This might be the only chance they get to be 169 00:07:20,560 --> 00:07:23,240 Speaker 2: on a Grammy stage, but they you know, and they 170 00:07:23,360 --> 00:07:24,840 Speaker 2: just happened in secession like that. 171 00:07:24,960 --> 00:07:27,240 Speaker 1: It was really a nice touch. I don't remember. 172 00:07:27,280 --> 00:07:29,920 Speaker 2: They might have started this year's back, I can't remember, 173 00:07:29,920 --> 00:07:34,000 Speaker 2: but it was done well. However, we got some very 174 00:07:35,240 --> 00:07:38,400 Speaker 2: positives to say about what we saw. We got some 175 00:07:38,800 --> 00:07:41,000 Speaker 2: we don't want to call them negatives, but they were 176 00:07:41,560 --> 00:07:44,120 Speaker 2: to see them next to each other, you kind of 177 00:07:44,200 --> 00:07:47,480 Speaker 2: compare and contrast back to back the different styles, yes, 178 00:07:47,760 --> 00:07:49,080 Speaker 2: of these artists. 179 00:07:49,120 --> 00:07:50,760 Speaker 4: And their comfort levels performing. 180 00:07:50,760 --> 00:07:53,240 Speaker 3: I mean, can you imagine best New artists you were 181 00:07:53,240 --> 00:07:55,480 Speaker 3: getting to perform on a Grammy stage in front of 182 00:07:55,520 --> 00:07:58,320 Speaker 3: the world, and you've got what how much time did 183 00:07:58,320 --> 00:07:58,920 Speaker 3: they each get? 184 00:07:58,960 --> 00:08:01,840 Speaker 4: Maybe a minute? So that is so much pressure. That 185 00:08:02,080 --> 00:08:03,400 Speaker 4: is so much pressure. 186 00:08:03,400 --> 00:08:06,160 Speaker 3: And we saw some people, well, let's just say, perform 187 00:08:06,240 --> 00:08:08,120 Speaker 3: better than others under that pressure. 188 00:08:08,240 --> 00:08:11,720 Speaker 2: Well, perform better than others. But also why are some 189 00:08:11,920 --> 00:08:25,360 Speaker 2: choosing to sing and some want to lip sync? All right, 190 00:08:25,400 --> 00:08:29,600 Speaker 2: we continue here, robes. I look, they choose their different reasons. 191 00:08:29,600 --> 00:08:32,800 Speaker 2: People choose to lip sync all kinds of things and 192 00:08:33,000 --> 00:08:35,160 Speaker 2: rehearsals and acoustics. It's not a matter if they can 193 00:08:35,320 --> 00:08:37,160 Speaker 2: or they can't sing, and they can all sing, but 194 00:08:37,320 --> 00:08:41,000 Speaker 2: it does make a difference. It does leave an impression, 195 00:08:41,040 --> 00:08:44,760 Speaker 2: and it does leave it an impression on me. 196 00:08:44,920 --> 00:08:47,320 Speaker 1: I like live music. I like to hear people sing live. 197 00:08:47,440 --> 00:08:49,960 Speaker 2: Some people like the show of it, and certain folks 198 00:08:50,160 --> 00:08:53,240 Speaker 2: Sabrina Carpenter puts on that was pretty elaborate. 199 00:08:53,280 --> 00:08:55,120 Speaker 1: Once again, she's known for this, now, does she not? 200 00:08:55,440 --> 00:08:57,640 Speaker 4: Yes, she has a lot. 201 00:08:58,000 --> 00:09:00,920 Speaker 3: The few times we've seen her perform, she's got elaborate sets, 202 00:09:01,280 --> 00:09:04,600 Speaker 3: lots of dancers, lots of coordination lop. I can only 203 00:09:04,640 --> 00:09:08,120 Speaker 3: imagine what her practice is like, her rehearsals are like, 204 00:09:08,160 --> 00:09:11,680 Speaker 3: because the coordination she has going on. She certainly puts 205 00:09:11,720 --> 00:09:15,320 Speaker 3: on a show, but you can absolutely tell she's lip sincing. Now, look, 206 00:09:15,800 --> 00:09:18,280 Speaker 3: when you're singing on a stage and you're moving around, 207 00:09:18,360 --> 00:09:20,679 Speaker 3: you're dancing, and you want and if you want your 208 00:09:20,720 --> 00:09:23,120 Speaker 3: vocals to be perfect, they're probably not going to be 209 00:09:23,160 --> 00:09:26,960 Speaker 3: perfect if you're singing and dancing like that. So some 210 00:09:27,120 --> 00:09:30,319 Speaker 3: artists choose to have their vocals just be. 211 00:09:30,440 --> 00:09:33,760 Speaker 4: The way they sounded in the studio. I appreciate it 212 00:09:33,840 --> 00:09:36,160 Speaker 4: when you hear Yeah, you might be. 213 00:09:36,160 --> 00:09:38,040 Speaker 3: A little flatter, a little sharp, or a little lout 214 00:09:38,040 --> 00:09:40,640 Speaker 3: of breath, but I love seeing the performance and have 215 00:09:40,720 --> 00:09:42,000 Speaker 3: it not be perfect. 216 00:09:41,720 --> 00:09:43,880 Speaker 4: But have it be real and edgy and live. 217 00:09:44,679 --> 00:09:48,479 Speaker 3: So yeah, it feels a little too packaged and authentic, 218 00:09:48,679 --> 00:09:49,679 Speaker 3: and I don't love it. 219 00:09:49,840 --> 00:09:52,240 Speaker 2: That's a good word. It's just not our preference. But 220 00:09:52,280 --> 00:09:54,400 Speaker 2: it's a hell of a show. The production she put 221 00:09:54,440 --> 00:09:56,760 Speaker 2: on with the airplane and Jesus the Captain and all 222 00:09:56,800 --> 00:09:59,760 Speaker 2: the I mean, hell, that's impressive that they put that together. 223 00:10:01,800 --> 00:10:06,640 Speaker 2: But that was impressive, just not our are necessarily our preference, 224 00:10:06,679 --> 00:10:07,880 Speaker 2: and a few did that. 225 00:10:07,920 --> 00:10:10,800 Speaker 1: I don't. I don't get the themes as like they're doing. 226 00:10:10,880 --> 00:10:13,080 Speaker 4: They also lip synced, for sure. 227 00:10:12,960 --> 00:10:15,840 Speaker 2: Yeah, but the themes like I'm following on a little 228 00:10:15,880 --> 00:10:18,120 Speaker 2: story or a movie set. And I guess it's a 229 00:10:18,160 --> 00:10:20,600 Speaker 2: throwback to music videos to a certain degree. 230 00:10:20,679 --> 00:10:24,840 Speaker 3: Performative, yes, And then you have people like Leon Thomas 231 00:10:25,320 --> 00:10:29,880 Speaker 3: and Lowly Young just get up there and sang and 232 00:10:29,960 --> 00:10:33,199 Speaker 3: that it's just and even slow it down. Do less 233 00:10:33,240 --> 00:10:35,600 Speaker 3: of the Dog and Pony show, and not to I'm 234 00:10:35,640 --> 00:10:37,560 Speaker 3: not trying to make that sound like it's silly, but 235 00:10:37,920 --> 00:10:39,600 Speaker 3: really put on this big instead. 236 00:10:39,920 --> 00:10:42,840 Speaker 4: Just show what those pipes can do. And that's what 237 00:10:42,880 --> 00:10:43,280 Speaker 4: they did. 238 00:10:43,640 --> 00:10:46,160 Speaker 2: Favorite performance over the night was lowly young and I 239 00:10:46,240 --> 00:10:50,200 Speaker 2: was not expecting that. I like the song MESSI that's 240 00:10:50,760 --> 00:10:53,679 Speaker 2: hugely popular, but she slowed it down and did it 241 00:10:53,880 --> 00:10:56,440 Speaker 2: just sitting in front of a piano, just belting that 242 00:10:56,559 --> 00:10:58,480 Speaker 2: song out. If you get a chance, folks, go back 243 00:10:58,520 --> 00:11:00,360 Speaker 2: and look at her performance. That's the number one I 244 00:11:00,360 --> 00:11:05,040 Speaker 2: would recommend. Somber was hilarious. Everybody likes that song twelve 245 00:11:05,120 --> 00:11:07,400 Speaker 2: to twelve. But he came down looking. 246 00:11:07,120 --> 00:11:09,400 Speaker 4: Like go suit, I mean a disco ball suit. Give 247 00:11:09,440 --> 00:11:10,400 Speaker 4: me like a mirror ball. 248 00:11:10,400 --> 00:11:12,840 Speaker 1: Coming from the ceiling. Yes, that was perfect. 249 00:11:13,040 --> 00:11:14,160 Speaker 4: It was really really cool. 250 00:11:14,200 --> 00:11:17,280 Speaker 3: And then our hearts went out to Alex Warren because 251 00:11:17,320 --> 00:11:20,920 Speaker 3: we actually saw him perform twice in jingle Balls and 252 00:11:21,000 --> 00:11:22,319 Speaker 3: he is a powerhouse. 253 00:11:22,760 --> 00:11:25,880 Speaker 4: But he had some issue with his look. 254 00:11:25,920 --> 00:11:29,520 Speaker 3: They have to you have to wear earplugs and you 255 00:11:29,559 --> 00:11:31,520 Speaker 3: get some feedback and so you can make sure you're 256 00:11:31,760 --> 00:11:34,440 Speaker 3: SYNCD up and on key with your music. 257 00:11:34,880 --> 00:11:37,040 Speaker 4: He was having problems immediately out. 258 00:11:37,160 --> 00:11:39,280 Speaker 3: Then he got off the music and you could see 259 00:11:39,280 --> 00:11:42,440 Speaker 3: he was he was spiraling, but he pulled it together 260 00:11:42,720 --> 00:11:44,640 Speaker 3: and he finished strong. But you could see at the 261 00:11:44,760 --> 00:11:46,680 Speaker 3: end how disappointed he was in himself. 262 00:11:46,920 --> 00:11:47,120 Speaker 1: Yeah. 263 00:11:47,200 --> 00:11:49,959 Speaker 4: Well no, yes, technical. 264 00:11:49,800 --> 00:11:51,800 Speaker 1: Yes, yes, yes, this was not him. This was not 265 00:11:51,880 --> 00:11:53,280 Speaker 1: his deal. But you saw it. 266 00:11:53,360 --> 00:11:56,400 Speaker 2: And he's so young, he's so new to the scene, 267 00:11:56,480 --> 00:11:59,080 Speaker 2: and we know so much about his story and his 268 00:11:59,160 --> 00:12:01,600 Speaker 2: parents and what Even in concerts he says, yeah, I'm 269 00:12:01,600 --> 00:12:03,760 Speaker 2: the guy who sings about his wife and his dead parents. 270 00:12:04,000 --> 00:12:06,679 Speaker 2: Yeah right, but he gets that's what his music is about. 271 00:12:06,880 --> 00:12:07,200 Speaker 1: Ropes. 272 00:12:07,240 --> 00:12:09,600 Speaker 2: He got to go to the Grammys and perform tonight 273 00:12:09,760 --> 00:12:13,560 Speaker 2: and it didn't go perfectly, and he started fidgeting with 274 00:12:13,679 --> 00:12:17,520 Speaker 2: the earpiece. Yes, and he literally, folks, you hear the 275 00:12:17,640 --> 00:12:22,559 Speaker 2: choir singing the line of the chorus, ordinary he's singing 276 00:12:22,600 --> 00:12:25,439 Speaker 2: a different He's in a different place on the song. 277 00:12:26,160 --> 00:12:27,000 Speaker 1: And that's what happened. 278 00:12:27,000 --> 00:12:28,880 Speaker 2: When you see people fidgeting, why they have those ear 279 00:12:29,120 --> 00:12:31,520 Speaker 2: They have to hear the music because you. 280 00:12:31,520 --> 00:12:33,440 Speaker 4: Can't hear with the way the speakers are. 281 00:12:33,600 --> 00:12:35,960 Speaker 3: It's so it's so precise, and that's why they have 282 00:12:36,000 --> 00:12:38,400 Speaker 3: rehearsals so you know, and you feel confident about it, 283 00:12:38,760 --> 00:12:41,000 Speaker 3: and sometimes things just go wrong. Yeah, we were grabbing 284 00:12:41,040 --> 00:12:44,000 Speaker 3: each other like, oh no, no, but he he did 285 00:12:44,040 --> 00:12:46,680 Speaker 3: get back on the music and he did finish strong, 286 00:12:46,800 --> 00:12:48,880 Speaker 3: but you could see it on his face. 287 00:12:48,960 --> 00:12:50,520 Speaker 4: He was he was not happy. 288 00:12:50,640 --> 00:12:53,000 Speaker 2: Okay, the last one will give we should probably I'm 289 00:12:53,000 --> 00:12:55,520 Speaker 2: not sure as he's doing this what he's going to say, 290 00:12:55,559 --> 00:12:56,640 Speaker 2: but I wish we could hear this. 291 00:12:56,920 --> 00:12:59,959 Speaker 3: Oh, bad Bunny, Well right now, given pause, we'll catch up. 292 00:13:00,840 --> 00:13:05,920 Speaker 2: Bad Bunny is speaking. He just won whatever major award here. 293 00:13:06,720 --> 00:13:09,920 Speaker 3: Way I'm reading here say ice So he's saying ice out. 294 00:13:09,960 --> 00:13:12,600 Speaker 2: He said ice out, he started, he said, before I 295 00:13:12,800 --> 00:13:15,920 Speaker 2: say anything. And now there is a huge applause standing ovation. 296 00:13:16,160 --> 00:13:23,280 Speaker 2: Everybody's clapping, and that's all he said was ice out. Wow, Yes, folks, 297 00:13:23,320 --> 00:13:25,440 Speaker 2: turn it on. It's getting a little more interesting. The 298 00:13:25,480 --> 00:13:28,960 Speaker 2: more artists that are getting up there this evening, the 299 00:13:29,000 --> 00:13:30,760 Speaker 2: performances be damned. I kind of just want to see 300 00:13:30,800 --> 00:13:31,800 Speaker 2: what they have to say. 301 00:13:32,040 --> 00:13:36,160 Speaker 3: Kendrick Lamar also won Best Start Rap Album. He didn't 302 00:13:36,240 --> 00:13:38,280 Speaker 3: say much. He kept it short and sweet and just 303 00:13:38,320 --> 00:13:40,960 Speaker 3: moved on. He was he's a very humble dude up there. 304 00:13:41,679 --> 00:13:44,120 Speaker 2: I'm sorry, baby. We're not savage, we're not animals, we're 305 00:13:44,120 --> 00:13:46,520 Speaker 2: not aliens. We are humans, and we are Americans. This 306 00:13:46,640 --> 00:13:48,800 Speaker 2: is bad, bunny. As we are in real time, we're 307 00:13:48,800 --> 00:13:50,079 Speaker 2: reading this, I hope they got this. 308 00:13:50,559 --> 00:13:54,800 Speaker 3: Also, I want to say to the people, I know 309 00:13:54,960 --> 00:13:59,839 Speaker 3: it is tough. He knows it's tough not to hate 310 00:14:00,240 --> 00:14:01,200 Speaker 3: on these days. 311 00:14:02,040 --> 00:14:07,840 Speaker 4: And I was thinking, sometimes we get I don't know 312 00:14:07,880 --> 00:14:09,720 Speaker 4: how to say that in English. 313 00:14:09,760 --> 00:14:11,560 Speaker 3: So yes, he's trying to speak English up there that 314 00:14:11,600 --> 00:14:12,840 Speaker 3: you know, can you even imagine? 315 00:14:12,880 --> 00:14:14,319 Speaker 4: I mean he he. 316 00:14:14,360 --> 00:14:18,160 Speaker 3: Performs in Spanish. Obviously Spanish is his first language. But 317 00:14:18,200 --> 00:14:19,800 Speaker 3: to be up on this stage and to make this 318 00:14:19,880 --> 00:14:22,280 Speaker 3: statement and to be doing it in English, that cannot 319 00:14:22,280 --> 00:14:22,680 Speaker 3: be easy. 320 00:14:23,080 --> 00:14:25,520 Speaker 2: He said that hate gets more powerful with more hate, 321 00:14:26,000 --> 00:14:28,000 Speaker 2: and the only thing more powerful than hate is love. 322 00:14:28,080 --> 00:14:29,720 Speaker 2: He is trying to send out a message that appears 323 00:14:29,760 --> 00:14:32,400 Speaker 2: here that we all need to calm things down. Actually 324 00:14:32,440 --> 00:14:34,880 Speaker 2: on both sides, we all need to be different. If 325 00:14:34,920 --> 00:14:38,600 Speaker 2: we fight, we have to do it with love. So 326 00:14:39,280 --> 00:14:41,800 Speaker 2: he clearly has a message and a plan, and he 327 00:14:41,920 --> 00:14:45,200 Speaker 2: is actually wrote he's going a little longer than I 328 00:14:45,240 --> 00:14:47,240 Speaker 2: think some of these speeches. We don't hate them. We 329 00:14:47,280 --> 00:14:49,680 Speaker 2: love our people, we love our family, and that's the 330 00:14:49,680 --> 00:14:52,000 Speaker 2: way to do it. So he didn't go after anybody 331 00:14:52,000 --> 00:14:52,600 Speaker 2: in particular. 332 00:14:52,680 --> 00:14:53,360 Speaker 4: That's so nice. 333 00:14:53,520 --> 00:14:55,240 Speaker 2: Yeah, but he did say ice out and that was 334 00:14:55,760 --> 00:14:57,200 Speaker 2: clear and plain his day, and I think a lot 335 00:14:57,200 --> 00:14:59,000 Speaker 2: of people might have been waiting for that moment tonight. 336 00:14:59,040 --> 00:15:01,160 Speaker 2: So yeah, we went to hop on and give the update, 337 00:15:01,200 --> 00:15:04,360 Speaker 2: and some of this was happening live, So folks, we 338 00:15:04,400 --> 00:15:07,320 Speaker 2: will keep you updated. If not, look for what in 339 00:15:07,360 --> 00:15:08,400 Speaker 2: the morning we're done. 340 00:15:09,440 --> 00:15:12,440 Speaker 3: Yeah, yeah, we'll put one up in the morning to 341 00:15:12,680 --> 00:15:14,840 Speaker 3: wrap up the entire Grammys, but we're going to stay 342 00:15:14,920 --> 00:15:17,480 Speaker 3: up and watch the whole thing. So if you all 343 00:15:17,480 --> 00:15:19,760 Speaker 3: want to go to bed, we got you. We got 344 00:15:19,840 --> 00:15:22,360 Speaker 3: you for the morning. So thank you for listening to us. 345 00:15:22,400 --> 00:15:26,240 Speaker 3: We always appreciate you. I Amy roback alongside TJ home 346 00:15:26,560 --> 00:15:29,040 Speaker 3: and we will talk to you bright and early tomorrow morning.