WEBVTT - 12 | The Unreachable Star

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<v Speaker 1>Consumed as a production of iHeart Podcast and Grimm and

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<v Speaker 1>Mild from Aaron Maky. Headphones recommended. Listener discretion advised.

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<v Speaker 2>Do you mind if I smoke? We called him the

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<v Speaker 2>dark Man. We were told he would come through the

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<v Speaker 2>shadows and make bad kids disappear. I was eight years

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<v Speaker 2>old when Jimmy vanished. James Mooring he was sixteen or seventeen,

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<v Speaker 2>and boy was he a trouble maker. He draws all

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<v Speaker 2>of the kids at the McDonald the old middle school.

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<v Speaker 2>I was looking for a fight would have gone pro

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<v Speaker 2>in the ring. I suspect if only he hadn't been

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<v Speaker 2>pushed so hard by his father. That son of a

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<v Speaker 2>bit strength enough for the whole town. And we knew

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<v Speaker 2>when Jimmy came around with a black eye it wasn't

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<v Speaker 2>because he lost a fight. He never lost a fight

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<v Speaker 2>or fell down the stairs. No one bought it, but

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<v Speaker 2>he never said it out loud. You didn't back then.

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<v Speaker 2>It was nineteen sixty. Twelve year old smoked a pack

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<v Speaker 2>of luck. He's a day for fun. You just let

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<v Speaker 2>Jimmy terrorize you, as if it was a way to

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<v Speaker 2>give him a small win in his otherwise miserable life. Now,

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<v Speaker 2>I don't know how much of this ended up being

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<v Speaker 2>legend versus fact, but I was eight or nine, and

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<v Speaker 2>remember that one day Jimmy was picking on us down

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<v Speaker 2>behind the Anderson and the next day he was gone.

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<v Speaker 2>Old Man Brooder, grandpa who ran the grocer, told us

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<v Speaker 2>Jimmy had gone off to some prep school. I think

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<v Speaker 2>your kids call it the Governor's Academy nowadays. Now look,

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<v Speaker 2>there's no way in hell Jimmy Mooring would have let

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<v Speaker 2>himself go to a prep school. Kid was smart, but

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<v Speaker 2>he wasn't a suit and tie kind of guy. But

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<v Speaker 2>we didn't question, not until well, it wasn't until we

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<v Speaker 2>heard what happened to missus Shaw one night in nineteen

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<v Speaker 2>sixty three. We didn't see it, but rumors said that

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<v Speaker 2>she showed up the Mooring house, who were clearly still grieving,

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<v Speaker 2>and she just started pounding on the door, yelling things

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<v Speaker 2>like the dark Man took our children. They let him

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<v Speaker 2>take them. And that's how it started and grew into

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<v Speaker 2>an urban legend. Everyone wrote off Missus Shaw and Missus

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<v Speaker 2>Mooring is coop, especially when mister Moring drunk himself into

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<v Speaker 2>the ground a year later. But when you're sixteen years old,

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<v Speaker 2>you start to worry about other things, like girls and Vietnam,

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<v Speaker 2>wondering if you'd end up going if the US got involved,

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<v Speaker 2>did you.

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<v Speaker 3>Oh?

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<v Speaker 2>Yeah. Only thing I ever won that wasn't Sandy's affection

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<v Speaker 2>was the lottery. But this was the world's worst lottery,

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<v Speaker 2>and I spent eighteen months there, barely survived Kese Song,

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<v Speaker 2>only thinking I'd never see her nor Danville again. I

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<v Speaker 2>suppose that's why we had little Joshua so fast when

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<v Speaker 2>I got back.

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<v Speaker 4>And he's the boy that disappeared in nineteen ninety one

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<v Speaker 4>at the rock concert in Boston.

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<v Speaker 2>That's what the paper said. But Joshua never made it

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<v Speaker 2>down to Boston.

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<v Speaker 5>How do you know what happened?

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<v Speaker 2>I could see it in their eyes, the Shaws, the Bruders,

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<v Speaker 2>the McDonald's. What the guilt? They knew? What happened?

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<v Speaker 5>What was it? What happened to your son, Rudy?

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<v Speaker 6>They happened, this town, happened, sat hides and you should

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<v Speaker 6>in your house.

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<v Speaker 7>So was it the dark Man?

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<v Speaker 5>Because believe me.

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<v Speaker 7>We took care of that.

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<v Speaker 8>We stopped it.

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<v Speaker 2>Yeah, you didn't stop anything, just like I didn't thirty

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<v Speaker 2>one years ago or this year what do you mean, Oshi, Manitou.

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<v Speaker 2>I'm sorry, Manitou. It's everything to the Algonquin. It is

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<v Speaker 2>the spirit of life, omnipresent and found everywhere animals, earth, trees, plants, food,

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<v Speaker 2>even at birth and death.

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<v Speaker 5>Okay, And like.

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<v Speaker 2>Many spiritual cultures, there's a duality to it, the good

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<v Speaker 2>and the bad.

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<v Speaker 5>No ugly Gordon, Sorry.

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<v Speaker 2>The good Manitou is the asha the bad Oatshee. Back

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<v Speaker 2>in the seventeenth century, when the colonizers found Danville, they

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<v Speaker 2>found a thriving community.

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<v Speaker 8>Holy shit, Gordon, the whispers.

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<v Speaker 2>They were welcomed by a tribe settled up top what

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<v Speaker 2>you know is Anderson Hill, where this very library was

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<v Speaker 2>eventually built. The chief of the tribe was convinced everyone

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<v Speaker 2>could get along, but the colonizers had guns and greed.

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<v Speaker 8>Some things never change.

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<v Speaker 2>Still, this chief thought he could make things work, but

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<v Speaker 2>little by little, the colonizers kept taking and he kept

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<v Speaker 2>making deals. It wasn't until the deals ran out and

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<v Speaker 2>he was forced to lock up his remaining tribespeople in

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<v Speaker 2>a crypt built somewhere in town that they burned them

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<v Speaker 2>all alive while making him watch. Then, because they were bored,

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<v Speaker 2>brutally skinned, and murdered him. Oh Jesus, And do you

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<v Speaker 2>want to know how old the chief was when he

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<v Speaker 2>had everything, his children, his wife, his family, his tribe,

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<v Speaker 2>his land, his entire village taken away from him.

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<v Speaker 8>Thirty one years old.

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<v Speaker 2>Thirty one years old.

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<v Speaker 4>But how does that explain that they got rid of

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<v Speaker 4>the good spirits, leaving this area unbalanced?

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<v Speaker 2>Correct? Without Asha Manitou, only Oshi Manitou remained, and it

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<v Speaker 2>laid upon Danville a curse that had to be fed

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<v Speaker 2>every thirty one years.

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<v Speaker 7>A sacrifice like what they did to the chief.

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<v Speaker 2>Every thirty one years, someone from the town had to

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<v Speaker 2>be consumed in order to keep the manner to it. Bay,

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<v Speaker 2>I didn't believe any of the dark man or until

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<v Speaker 2>it happened to my boy.

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<v Speaker 9>But what about the monster? We definitely ended something down

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<v Speaker 9>by the old drain.

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<v Speaker 2>You ended a physical manifestation of what happens when the

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<v Speaker 2>curse is ignored. The sacrificing of a resident has to

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<v Speaker 2>be fulfilled.

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<v Speaker 9>Okay, supposing there's sillivandet out there, why did you leave

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<v Speaker 9>and take the internet with you?

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<v Speaker 2>I shut down the grid because well, because I was angry.

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<v Speaker 2>They took Joshua and you saw her they took my

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<v Speaker 2>Sandy away twenty eight years. She tried to process, but

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<v Speaker 2>it eats at you. All she wanted to talk about

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<v Speaker 2>was the dark Man. No one else existed, myself included.

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<v Speaker 2>I knew I'd have to work just to keep her

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<v Speaker 2>in a safe place. I'd already developed the area's first

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<v Speaker 2>computer network, so it was only natural that I create

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<v Speaker 2>our rural isp framework as well. That's when I noticed

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<v Speaker 2>this year that they could hear us, and some of

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<v Speaker 2>us could hear.

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<v Speaker 8>Them through technology.

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<v Speaker 10>Through the waves are man made spirits, so they've been

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<v Speaker 10>listening this whole time. But from where, from everywhere, radios, phones, speakers.

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<v Speaker 7>That does sound a bit crazy, though.

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<v Speaker 2>As crazy as the monster you say you incinerated, Well yeah,

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<v Speaker 2>let me ask you. Did you ever see it.

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<v Speaker 5>The windy go?

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<v Speaker 3>Yeah?

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<v Speaker 5>Well no, but I heard it.

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<v Speaker 2>You heard what you're scared of. You heard your deepest fears,

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<v Speaker 2>and it terrified you.

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<v Speaker 7>But why did you let it come back this year revenge?

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<v Speaker 2>What with Sandy at the home and Joshua gone. Once

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<v Speaker 2>I saw that the patriarchs of the town were planning

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<v Speaker 2>on defying the curse, I knew they'd pay for it,

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<v Speaker 2>And my only regret is that the spirits haven't taken

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<v Speaker 2>more of them.

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<v Speaker 11>Okay, but hold on, Alfonso had nothing to do with.

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<v Speaker 2>Any of this Wrong town, wrong time.

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<v Speaker 8>So how do we stop it?

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<v Speaker 2>Unless you can find a way to satiate the spirits,

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<v Speaker 2>you can't. You should just pack a bag and never

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<v Speaker 2>turn around.

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<v Speaker 5>Worry, But why did you come back?

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<v Speaker 2>I'm going to bury my wife next to the empty

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<v Speaker 2>grave of my son, and by this time next week

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<v Speaker 2>I'll be somewhere in Europe. Who knows?

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<v Speaker 9>Is there any way you can help us before someone

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<v Speaker 9>else dies?

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<v Speaker 2>I've told you everything I know.

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<v Speaker 5>No, but for.

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<v Speaker 4>Real there, thank you for your time, Rudy, Sorry for

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<v Speaker 4>your loss, says.

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<v Speaker 8>I hope you find some peace wherever you end up.

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<v Speaker 2>It's too late for peace or revenge for me, but

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<v Speaker 2>perhaps not for you.

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<v Speaker 7>Was that helpful?

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<v Speaker 8>Dude has seen shit?

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<v Speaker 5>Yeah? But was it all shit?

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<v Speaker 3>What?

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<v Speaker 5>I don't mean his suffering? No, no, no, I.

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<v Speaker 9>Mean we could be talking big fish here. Memories makes

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<v Speaker 9>with dreams as you get older, and it all becomes

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<v Speaker 9>real in one's head.

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<v Speaker 8>Shut up for a second.

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<v Speaker 5>Listen you hear that the wind draft's gotta draft?

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<v Speaker 7>No, no, no.

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<v Speaker 5>No, it can't be. What the fuck we wrote that

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<v Speaker 5>that demon from hell.

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<v Speaker 6>We did.

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<v Speaker 8>Listen, listen, Holy shit?

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<v Speaker 5>Was that English? That's not supposed to be this shit.

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<v Speaker 4>It's okay, listen, pray, remember Gordon, don't you get it?

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<v Speaker 8>What it's here, It's been here the whole time.

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<v Speaker 4>Sheriff, Sheriff, Hey, hey, I was just coming to it's

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<v Speaker 4>the library.

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<v Speaker 12>What it's the library. That's the source of all of it.

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<v Speaker 12>And if you don't come with us and help us

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<v Speaker 12>try to stop it right now, I think we'll be

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<v Speaker 12>in for a very massive fucking realization that things are

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<v Speaker 12>nowhere near done.

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<v Speaker 11>Can someone just listen to us right now.

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<v Speaker 13>We need to get the.

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<v Speaker 4>Guns, the cups, the tactical whatever, and just get back

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<v Speaker 4>to the tunnel tunnels.

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<v Speaker 11>I'm sorry, I'm a bit busy right now. I've that

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<v Speaker 11>wasn't everything.

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<v Speaker 13>And the longer we wait here.

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<v Speaker 2>What the.

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<v Speaker 7>What's going on?

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<v Speaker 8>What's that smell?

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<v Speaker 11>I think it's wherever those fire trucks are going.

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<v Speaker 14>Oh my god, it's the library.

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<v Speaker 7>Get the ladder off on the side.

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<v Speaker 1>We need more water.

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<v Speaker 7>We don't have any more water.

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<v Speaker 5>What do you mean the hydrant is dream?

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<v Speaker 6>What the fuck?

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<v Speaker 7>A nott a fucking night?

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<v Speaker 5>Good job, boys and girls, we contained it.

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<v Speaker 2>Yeah, but the entire villain is basically turned to ash.

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<v Speaker 13>What's important is that it didn't spread and no one

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<v Speaker 13>was hurt.

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<v Speaker 5>It took fourteen.

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<v Speaker 2>Hours, but we did it.

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<v Speaker 7>Let's get out of here. Thanks Max, Thanks guys.

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<v Speaker 14>Hello, officer, have you seen a woman named Sarah Simmons?

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<v Speaker 8>Lex Sarah? Oh, Jesus Christ, you're okay? Of course?

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<v Speaker 13>How did you find us?

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<v Speaker 14>You'll find my iPhone pings late last night after a

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<v Speaker 14>day and a half of calling you and it going

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<v Speaker 14>straight to voicemail, which we'll have to talk about later.

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<v Speaker 4>And you drove up here. Of course, I drove up

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<v Speaker 4>here to chastise me. I suppose to make sure.

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<v Speaker 14>You were okay, Sis, talk of murders and then radio silence.

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<v Speaker 14>I'll do a number on someone. So you're not here

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<v Speaker 14>to I'm here for my sister, and that's all that matters.

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<v Speaker 14>I'm relieved beyond measure that you're alive and well. And

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<v Speaker 14>I'm not even going to ask what happened there.

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<v Speaker 7>That used to be my playground.

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<v Speaker 3>Hi?

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<v Speaker 7>Gordon Morales, you must be alex Sis.

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<v Speaker 4>This is Gordon literally just said that, Yeah, sorry, it's

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<v Speaker 4>been what day is there? It's been a few days.

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<v Speaker 14>Nice to meet you, Gordon.

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<v Speaker 8>You used to live here.

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<v Speaker 7>Yeah, a lot of history. Just went up and smoke, Alex.

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<v Speaker 11>I'll explain everything, but I gotta Yeah, No.

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<v Speaker 13>I get it.

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<v Speaker 14>I saw a diner on the way in I can

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<v Speaker 14>Uh no, I wouldn't go there.

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<v Speaker 9>Yeah, I'd avoid that place. They got to see you

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<v Speaker 9>on their latest health inspection. But there's a great motel

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<v Speaker 9>in Lumington just down the road. We'll make sure to

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<v Speaker 9>get Sarah there once we uh.

0:15:55.080 --> 0:15:56.240
<v Speaker 14>Yeah, no, I get it.

0:15:57.400 --> 0:15:58.920
<v Speaker 8>I'm just happy you're okay.

0:16:00.160 --> 0:16:08.760
<v Speaker 11>Thanks, Lex. So, so where are you going to stay tonight?

0:16:10.000 --> 0:16:11.880
<v Speaker 5>I have no idea none.

0:16:12.360 --> 0:16:16.120
<v Speaker 7>I mean, this all kind of happened really quick. Yeah,

0:16:16.600 --> 0:16:19.200
<v Speaker 7>one minute or researching centuries of history, and.

0:16:19.280 --> 0:16:22.040
<v Speaker 11>The next it's all gone without.

0:16:21.760 --> 0:16:22.640
<v Speaker 5>So much as a warning.

0:16:23.200 --> 0:16:27.840
<v Speaker 4>Shame the books, I guess. I guess when books are burned,

0:16:28.360 --> 0:16:29.680
<v Speaker 4>things like this tend to happen.

0:16:30.040 --> 0:16:34.800
<v Speaker 9>Colonial cartnage, the terrorizing escapegoating of certain people's minorities if

0:16:34.840 --> 0:16:39.000
<v Speaker 9>you're being nasty, theft, death, destruction lies to blink the

0:16:39.000 --> 0:16:40.000
<v Speaker 9>public into thinking.

0:16:40.280 --> 0:16:42.240
<v Speaker 11>Feels like a New Hampshire primary.

0:16:42.840 --> 0:16:45.800
<v Speaker 9>Well less detrimental to the country as a whole, I suppose,

0:16:46.000 --> 0:16:47.840
<v Speaker 9>But I'll still miss them.

0:16:48.360 --> 0:16:51.720
<v Speaker 11>And the newspapers. Oh, the old computer, the Tom Brady poster,

0:16:52.560 --> 0:16:53.640
<v Speaker 11>all gone.

0:16:53.760 --> 0:16:57.280
<v Speaker 7>Well, almost all gone. For some reason.

0:16:57.320 --> 0:16:58.960
<v Speaker 9>I brought a little bag with me when we left

0:16:58.960 --> 0:16:59.960
<v Speaker 9>the Gotell Maxwell's.

0:17:00.720 --> 0:17:03.760
<v Speaker 11>Yeah, I can see that. It's a beautiful bag, stunning.

0:17:04.359 --> 0:17:06.239
<v Speaker 11>Did you want to describe it to me? Even though

0:17:06.280 --> 0:17:07.679
<v Speaker 11>I'm standing here looking at it.

0:17:07.680 --> 0:17:10.119
<v Speaker 7>It's not the bag so much, but this.

0:17:12.440 --> 0:17:15.040
<v Speaker 11>Whoa is this the real thing?

0:17:15.600 --> 0:17:18.680
<v Speaker 9>The playbill for Man of Wamoncha's Broadway debut.

0:17:19.280 --> 0:17:22.080
<v Speaker 4>I mean one would have assumed it would have burned

0:17:22.080 --> 0:17:25.359
<v Speaker 4>with everything else. And if I were a betting man,

0:17:25.640 --> 0:17:29.000
<v Speaker 4>I would assume that if someone had time to get

0:17:29.000 --> 0:17:32.360
<v Speaker 4>something out of a burning building, perhaps they had something.

0:17:32.040 --> 0:17:32.640
<v Speaker 11>To do with it.

0:17:33.400 --> 0:17:36.480
<v Speaker 7>Yeah, we can just keep on assuming it.

0:17:36.560 --> 0:17:38.680
<v Speaker 11>I like, just wait, which part?

0:17:39.200 --> 0:17:39.400
<v Speaker 5>What?

0:17:39.840 --> 0:17:40.280
<v Speaker 13>Which part?

0:17:40.280 --> 0:17:43.520
<v Speaker 4>Are we assuming that it would have burned with everything else?

0:17:43.680 --> 0:17:46.880
<v Speaker 4>Or that someone might assume we had something to.

0:17:46.800 --> 0:17:47.159
<v Speaker 13>Do with this?

0:17:48.080 --> 0:17:52.000
<v Speaker 9>I do you think anyone is going to figure out that?

0:17:53.480 --> 0:17:53.760
<v Speaker 13>Think?

0:17:55.520 --> 0:17:55.879
<v Speaker 7>Sorry?

0:17:56.119 --> 0:17:56.480
<v Speaker 5>Think what?

0:17:57.080 --> 0:17:58.160
<v Speaker 13>I wouldn't want to risk it.

0:17:59.119 --> 0:18:01.679
<v Speaker 9>Well, lucky for us us, this beautiful bag has an

0:18:01.680 --> 0:18:02.520
<v Speaker 9>inside zipper.

0:18:02.640 --> 0:18:06.040
<v Speaker 7>So I'll just put it back here, just.

0:18:06.000 --> 0:18:09.720
<v Speaker 11>For us, just for us, huh.

0:18:09.280 --> 0:18:11.600
<v Speaker 9>I mean until the rom com prophecy is fulfilled, and

0:18:11.720 --> 0:18:14.640
<v Speaker 9>I find out you're building high rise luxury housing right

0:18:14.680 --> 0:18:16.800
<v Speaker 9>here with my bank account.

0:18:16.840 --> 0:18:18.439
<v Speaker 11>Until I have a job, I won't be doing much

0:18:18.480 --> 0:18:18.960
<v Speaker 11>of anything.

0:18:19.440 --> 0:18:20.880
<v Speaker 5>I don't think that will be an issue.

0:18:21.320 --> 0:18:23.320
<v Speaker 9>This story will open up a million doors for you.

0:18:24.119 --> 0:18:24.719
<v Speaker 13>What story?

0:18:25.359 --> 0:18:28.080
<v Speaker 5>What story? You mean the last four days of stories.

0:18:28.280 --> 0:18:29.360
<v Speaker 5>Happy to remind.

0:18:29.080 --> 0:18:31.800
<v Speaker 11>You, I have no idea what you're talking about. Seems

0:18:31.880 --> 0:18:33.040
<v Speaker 11>like some people.

0:18:32.800 --> 0:18:36.440
<v Speaker 4>Got mulled by woodland creatures and an unfortunate fire took

0:18:36.440 --> 0:18:39.840
<v Speaker 4>a creaky, drafty, shaky building that really shouldn't have been

0:18:39.880 --> 0:18:40.600
<v Speaker 4>there in the first place.

0:18:41.280 --> 0:18:44.080
<v Speaker 7>Yeah, Yeah, that's exactly what I was gonna say.

0:18:44.480 --> 0:18:45.160
<v Speaker 5>A real talk.

0:18:45.280 --> 0:18:48.080
<v Speaker 9>Wouldn't another version help you get one of those big

0:18:48.119 --> 0:18:48.960
<v Speaker 9>fancy jobs?

0:18:49.520 --> 0:18:49.720
<v Speaker 5>Yeah?

0:18:49.800 --> 0:18:52.119
<v Speaker 11>Maybe, but at what cost?

0:18:52.960 --> 0:18:55.160
<v Speaker 4>Also, I think you're overestimating what a media job pays

0:18:55.160 --> 0:18:55.960
<v Speaker 4>in twenty twenty two.

0:18:57.080 --> 0:18:59.560
<v Speaker 11>And besides, I think I found the job that I want.

0:19:00.280 --> 0:19:03.560
<v Speaker 13>Yeah, yeah, you want to get out of here?

0:19:04.640 --> 0:19:05.800
<v Speaker 7>Yeah?

0:19:06.080 --> 0:19:07.119
<v Speaker 3>The on Me.

0:19:11.240 --> 0:19:11.640
<v Speaker 4>Starve.

0:19:25.080 --> 0:19:28.159
<v Speaker 15>That was the impossible dream from that doozy man of

0:19:28.240 --> 0:19:28.800
<v Speaker 15>La Mancho.

0:19:29.040 --> 0:19:29.560
<v Speaker 3>What a show.

0:19:29.600 --> 0:19:31.240
<v Speaker 15>And let me tell you, if you haven't seen the

0:19:31.240 --> 0:19:33.600
<v Speaker 15>Saint Louis Players production of it, you have just two

0:19:33.640 --> 0:19:35.879
<v Speaker 15>weeks to get tickets. I saw it last weekend and

0:19:36.200 --> 0:19:39.240
<v Speaker 15>just bravo for tickets to Missouri's Best Peter menu. Head

0:19:39.240 --> 0:19:42.640
<v Speaker 15>on over to Muni dot com slash tickets, slash Missouri,

0:19:42.840 --> 0:19:46.680
<v Speaker 15>slash the Men, Babe.

0:19:46.440 --> 0:19:48.080
<v Speaker 5>Some kind of international number.

0:19:50.280 --> 0:19:55.400
<v Speaker 7>Hello Max, Max, put on speaker.

0:19:56.200 --> 0:19:58.919
<v Speaker 11>Max, you're on speaker with Gordon and I al.

0:20:00.359 --> 0:20:01.080
<v Speaker 5>Uh ola.

0:20:01.800 --> 0:20:05.159
<v Speaker 16>First off, relax, not calling about anything having to do

0:20:05.240 --> 0:20:06.080
<v Speaker 16>with Danville.

0:20:06.400 --> 0:20:09.160
<v Speaker 5>Oh, I mean yeah cool? Like well would you yeah?

0:20:09.200 --> 0:20:11.240
<v Speaker 16>Well we'll get into that over some mezcal.

0:20:11.320 --> 0:20:13.680
<v Speaker 13>When I see you, I'm sorry.

0:20:13.760 --> 0:20:15.040
<v Speaker 11>When you see us.

0:20:15.240 --> 0:20:18.480
<v Speaker 3>Well, unless you're dying to staying. Where even are you.

0:20:18.920 --> 0:20:21.000
<v Speaker 7>Indiana, Missouri?

0:20:21.480 --> 0:20:24.600
<v Speaker 3>Sorry? I don't even know where that is really? North

0:20:24.600 --> 0:20:26.080
<v Speaker 3>of Texas, south of Canada.

0:20:26.119 --> 0:20:30.239
<v Speaker 13>I presume hold on Mescal s Amigos.

0:20:30.119 --> 0:20:32.960
<v Speaker 16>In good old CDMX, or as we call it down

0:20:33.000 --> 0:20:38.399
<v Speaker 16>here aks, but usually without my atrocious accent butchering it.

0:20:39.119 --> 0:20:40.480
<v Speaker 11>You're in Mexico City.

0:20:41.119 --> 0:20:44.760
<v Speaker 5>Indeed, how why when it dust.

0:20:44.640 --> 0:20:49.000
<v Speaker 16>Settled after that mysterious fire, I tried to tie up

0:20:49.040 --> 0:20:52.600
<v Speaker 16>some LuSE enns And when I looked around, everyone that's

0:20:52.600 --> 0:20:55.840
<v Speaker 16>had lost someone had family to lean on, except.

0:20:55.359 --> 0:20:57.840
<v Speaker 8>For Alfonso's mother.

0:20:58.560 --> 0:21:02.880
<v Speaker 16>Correct, So I decided that my time in America had

0:21:02.880 --> 0:21:05.200
<v Speaker 16>come to a pause.

0:21:05.440 --> 0:21:08.959
<v Speaker 3>And that someone had to get consoled reunited with her relatives.

0:21:09.520 --> 0:21:10.920
<v Speaker 5>So you stayed down there.

0:21:11.200 --> 0:21:16.280
<v Speaker 3>Wouldn't you. It's gorgeous and the people are wonderful, but.

0:21:16.240 --> 0:21:19.160
<v Speaker 9>They're kind of getting annoyed with expats moving down there,

0:21:19.200 --> 0:21:21.000
<v Speaker 9>aren't they Americans?

0:21:21.400 --> 0:21:22.880
<v Speaker 3>They're annoyed with Americans.

0:21:23.280 --> 0:21:24.960
<v Speaker 16>But that's a worldwide phenomena.

0:21:25.359 --> 0:21:26.040
<v Speaker 11>You're not wrong.

0:21:27.000 --> 0:21:30.080
<v Speaker 4>That's wonderful, But I think we're a bit confused as

0:21:30.080 --> 0:21:31.000
<v Speaker 4>to why you're calling.

0:21:31.280 --> 0:21:37.480
<v Speaker 16>I guess what do you know about Elbosque, the Chapultepec.

0:21:37.480 --> 0:21:38.800
<v Speaker 7>The forest of Chapultepec.

0:21:39.400 --> 0:21:43.320
<v Speaker 16>Besides knowing what Bosque is in English, Google tells me

0:21:44.760 --> 0:21:46.720
<v Speaker 16>it's like Mexico City Central Park.

0:21:47.320 --> 0:21:50.760
<v Speaker 3>Sure, but hundreds of years older.

0:21:51.040 --> 0:21:52.240
<v Speaker 7>As most things are.

0:21:52.600 --> 0:21:55.080
<v Speaker 9>So you're calling about a forest laden park in the

0:21:55.080 --> 0:21:56.399
<v Speaker 9>middle of Mexico City.

0:21:56.920 --> 0:22:01.360
<v Speaker 16>I'm calling about a series of evidence that have been

0:22:01.400 --> 0:22:05.000
<v Speaker 16>happening in and near the castle that overlooks the entire park.

0:22:05.720 --> 0:22:06.960
<v Speaker 11>What kind of incidents?

0:22:07.320 --> 0:22:08.639
<v Speaker 3>That's where I need your help.

0:22:09.680 --> 0:22:13.560
<v Speaker 16>Us You came together and solved a five hundred year

0:22:13.600 --> 0:22:18.520
<v Speaker 16>old mystery, no matter your priory methods.

0:22:18.000 --> 0:22:19.720
<v Speaker 5>We don't know what you're talking about.

0:22:20.480 --> 0:22:24.000
<v Speaker 16>I know you've been searching out similar occurrences, looking to

0:22:24.119 --> 0:22:28.359
<v Speaker 16>offer closure, and I'm offering you the chance to find

0:22:28.440 --> 0:22:31.560
<v Speaker 16>closure for six boys who passed away.

0:22:32.480 --> 0:22:35.280
<v Speaker 11>Oh I'm sorry to hear that. When did they pass?

0:22:36.480 --> 0:22:37.879
<v Speaker 3>Eighteen forty seven?

0:22:40.320 --> 0:23:02.840
<v Speaker 13>We're on our way.

0:22:57.800 --> 0:23:02.880
<v Speaker 1>Consumed Episode twelve, The Reachable Star written by Carlos Folia,

0:23:03.280 --> 0:23:07.600
<v Speaker 1>editing and sound design by Trevor Young, Starring Rachel Rosenbloom

0:23:07.680 --> 0:23:13.000
<v Speaker 1>and Arturo Castro, with Ruth Connell, Sam Rod, Genevieve Padillaki,

0:23:13.359 --> 0:23:19.720
<v Speaker 1>Benjamin Stockholm, Charlie, David Newell, Mike Korich, Anna East Fairweather, Junior, Alabby,

0:23:20.119 --> 0:23:26.280
<v Speaker 1>Alma Martinez, Tracy Martin, Laura Shin, George Vincent, and Rafael Corkil.

0:23:26.880 --> 0:23:32.119
<v Speaker 1>Guest starring Time Winters as Rudy. Directed by Alexander Williams,

0:23:32.200 --> 0:23:36.720
<v Speaker 1>Assistant director Trevor Young, Casting by Sunday Bowling CSA and

0:23:36.840 --> 0:23:42.440
<v Speaker 1>Meg Mormon CSA. Production coordinator Wayna Calderai. Music by Carlos

0:23:42.520 --> 0:23:47.600
<v Speaker 1>Folio Consumed The season one score available now on Apple Music, Spotify,

0:23:47.960 --> 0:23:52.960
<v Speaker 1>or wherever music is streamed. Executive producers Aaron Mankey, Carlos Folia,

0:23:53.240 --> 0:23:57.879
<v Speaker 1>Matt Frederick, and Alexander Williams. Supervising producers Trevor Young and

0:23:57.960 --> 0:24:02.880
<v Speaker 1>Josh Thain. Producers Noah, Ammy Griffin, Jesse Funk, and Rima Ilkali.

0:24:03.400 --> 0:24:08.159
<v Speaker 1>Recorded at This Is Sound Design Studios, Burbank, California, engineered

0:24:08.160 --> 0:24:12.920
<v Speaker 1>by Ross Erroneout east Side Studios, Austin, Texas, engineered by

0:24:12.960 --> 0:24:17.439
<v Speaker 1>Austin Sisler and Aras Creative and Sound o Hi, California,

0:24:17.520 --> 0:24:21.920
<v Speaker 1>engineered by Ken Aros. Consumed was created by Carlos Folia,

0:24:22.240 --> 0:24:25.679
<v Speaker 1>inspired by the novel by Aaron Manky. Consumed is the

0:24:25.680 --> 0:24:28.760
<v Speaker 1>newest chapter in the Bridgewater universe. To learn more and

0:24:28.840 --> 0:24:33.320
<v Speaker 1>catch up, visit Grimandmild dot com Slash Bridgewater. Learn more

0:24:33.359 --> 0:24:37.200
<v Speaker 1>about Consumed at grimandmile dot com Slash Consumed, and find

0:24:37.240 --> 0:24:41.960
<v Speaker 1>more podcasts from iHeartRadio by visiting the iHeartRadio app, Apple Podcasts,

0:24:42.040 --> 0:25:09.320
<v Speaker 1>or wherever you listen to your favorite shows.