1 00:00:00,840 --> 00:00:03,720 Speaker 1: Consumed as a production of iHeart Podcast and Grimm and 2 00:00:03,760 --> 00:00:08,719 Speaker 1: Mild from Aaron Maky. Headphones recommended. Listener discretion advised. 3 00:00:20,960 --> 00:00:30,479 Speaker 2: Do you mind if I smoke? We called him the 4 00:00:30,600 --> 00:00:34,400 Speaker 2: dark Man. We were told he would come through the 5 00:00:34,440 --> 00:00:39,280 Speaker 2: shadows and make bad kids disappear. I was eight years 6 00:00:39,320 --> 00:00:45,480 Speaker 2: old when Jimmy vanished. James Mooring he was sixteen or seventeen, 7 00:00:45,600 --> 00:00:52,319 Speaker 2: and boy was he a trouble maker. He draws all 8 00:00:52,320 --> 00:00:54,800 Speaker 2: of the kids at the McDonald the old middle school. 9 00:00:55,560 --> 00:00:58,520 Speaker 2: I was looking for a fight would have gone pro 10 00:00:58,600 --> 00:01:03,120 Speaker 2: in the ring. I suspect if only he hadn't been 11 00:01:03,120 --> 00:01:06,480 Speaker 2: pushed so hard by his father. That son of a 12 00:01:06,480 --> 00:01:09,960 Speaker 2: bit strength enough for the whole town. And we knew 13 00:01:10,000 --> 00:01:13,280 Speaker 2: when Jimmy came around with a black eye it wasn't 14 00:01:13,319 --> 00:01:16,520 Speaker 2: because he lost a fight. He never lost a fight 15 00:01:17,240 --> 00:01:21,440 Speaker 2: or fell down the stairs. No one bought it, but 16 00:01:21,560 --> 00:01:24,400 Speaker 2: he never said it out loud. You didn't back then. 17 00:01:24,440 --> 00:01:28,280 Speaker 2: It was nineteen sixty. Twelve year old smoked a pack 18 00:01:28,319 --> 00:01:31,160 Speaker 2: of luck. He's a day for fun. You just let 19 00:01:31,240 --> 00:01:34,840 Speaker 2: Jimmy terrorize you, as if it was a way to 20 00:01:34,880 --> 00:01:39,760 Speaker 2: give him a small win in his otherwise miserable life. Now, 21 00:01:40,800 --> 00:01:43,679 Speaker 2: I don't know how much of this ended up being 22 00:01:44,080 --> 00:01:48,160 Speaker 2: legend versus fact, but I was eight or nine, and 23 00:01:48,800 --> 00:01:52,760 Speaker 2: remember that one day Jimmy was picking on us down 24 00:01:52,760 --> 00:01:57,320 Speaker 2: behind the Anderson and the next day he was gone. 25 00:01:57,680 --> 00:02:02,640 Speaker 2: Old Man Brooder, grandpa who ran the grocer, told us 26 00:02:02,720 --> 00:02:05,800 Speaker 2: Jimmy had gone off to some prep school. I think 27 00:02:05,880 --> 00:02:11,440 Speaker 2: your kids call it the Governor's Academy nowadays. Now look, 28 00:02:11,800 --> 00:02:15,120 Speaker 2: there's no way in hell Jimmy Mooring would have let 29 00:02:15,200 --> 00:02:18,920 Speaker 2: himself go to a prep school. Kid was smart, but 30 00:02:18,960 --> 00:02:22,280 Speaker 2: he wasn't a suit and tie kind of guy. But 31 00:02:22,400 --> 00:02:27,680 Speaker 2: we didn't question, not until well, it wasn't until we 32 00:02:27,760 --> 00:02:30,800 Speaker 2: heard what happened to missus Shaw one night in nineteen 33 00:02:30,840 --> 00:02:35,160 Speaker 2: sixty three. We didn't see it, but rumors said that 34 00:02:35,320 --> 00:02:40,320 Speaker 2: she showed up the Mooring house, who were clearly still grieving, 35 00:02:40,440 --> 00:02:45,880 Speaker 2: and she just started pounding on the door, yelling things 36 00:02:45,960 --> 00:02:50,160 Speaker 2: like the dark Man took our children. They let him 37 00:02:50,160 --> 00:02:54,480 Speaker 2: take them. And that's how it started and grew into 38 00:02:54,520 --> 00:02:58,960 Speaker 2: an urban legend. Everyone wrote off Missus Shaw and Missus 39 00:02:59,000 --> 00:03:03,280 Speaker 2: Mooring is coop, especially when mister Moring drunk himself into 40 00:03:03,320 --> 00:03:07,040 Speaker 2: the ground a year later. But when you're sixteen years old, 41 00:03:07,120 --> 00:03:14,240 Speaker 2: you start to worry about other things, like girls and Vietnam, 42 00:03:14,280 --> 00:03:18,280 Speaker 2: wondering if you'd end up going if the US got involved, 43 00:03:19,880 --> 00:03:20,280 Speaker 2: did you. 44 00:03:20,919 --> 00:03:21,119 Speaker 3: Oh? 45 00:03:21,200 --> 00:03:24,680 Speaker 2: Yeah. Only thing I ever won that wasn't Sandy's affection 46 00:03:24,960 --> 00:03:28,160 Speaker 2: was the lottery. But this was the world's worst lottery, 47 00:03:28,160 --> 00:03:32,000 Speaker 2: and I spent eighteen months there, barely survived Kese Song, 48 00:03:32,919 --> 00:03:36,760 Speaker 2: only thinking I'd never see her nor Danville again. I 49 00:03:36,800 --> 00:03:40,360 Speaker 2: suppose that's why we had little Joshua so fast when 50 00:03:40,360 --> 00:03:41,000 Speaker 2: I got back. 51 00:03:41,680 --> 00:03:44,640 Speaker 4: And he's the boy that disappeared in nineteen ninety one 52 00:03:44,680 --> 00:03:46,240 Speaker 4: at the rock concert in Boston. 53 00:03:46,880 --> 00:03:50,360 Speaker 2: That's what the paper said. But Joshua never made it 54 00:03:50,400 --> 00:03:51,280 Speaker 2: down to Boston. 55 00:03:52,000 --> 00:03:54,200 Speaker 5: How do you know what happened? 56 00:03:54,960 --> 00:03:58,600 Speaker 2: I could see it in their eyes, the Shaws, the Bruders, 57 00:03:58,760 --> 00:04:04,320 Speaker 2: the McDonald's. What the guilt? They knew? What happened? 58 00:04:05,000 --> 00:04:07,760 Speaker 5: What was it? What happened to your son, Rudy? 59 00:04:08,600 --> 00:04:30,239 Speaker 6: They happened, this town, happened, sat hides and you should 60 00:04:31,440 --> 00:04:32,000 Speaker 6: in your house. 61 00:05:06,440 --> 00:05:08,480 Speaker 7: So was it the dark Man? 62 00:05:09,400 --> 00:05:10,240 Speaker 5: Because believe me. 63 00:05:10,320 --> 00:05:11,159 Speaker 7: We took care of that. 64 00:05:12,120 --> 00:05:12,680 Speaker 8: We stopped it. 65 00:05:13,520 --> 00:05:18,440 Speaker 2: Yeah, you didn't stop anything, just like I didn't thirty 66 00:05:18,480 --> 00:05:25,080 Speaker 2: one years ago or this year what do you mean, Oshi, Manitou. 67 00:05:26,240 --> 00:05:31,719 Speaker 2: I'm sorry, Manitou. It's everything to the Algonquin. It is 68 00:05:31,760 --> 00:05:38,760 Speaker 2: the spirit of life, omnipresent and found everywhere animals, earth, trees, plants, food, 69 00:05:39,640 --> 00:05:41,080 Speaker 2: even at birth and death. 70 00:05:42,200 --> 00:05:44,240 Speaker 5: Okay, And like. 71 00:05:44,279 --> 00:05:49,640 Speaker 2: Many spiritual cultures, there's a duality to it, the good 72 00:05:49,800 --> 00:05:50,719 Speaker 2: and the bad. 73 00:05:51,440 --> 00:05:56,000 Speaker 5: No ugly Gordon, Sorry. 74 00:05:55,040 --> 00:06:02,000 Speaker 2: The good Manitou is the asha the bad Oatshee. Back 75 00:06:02,040 --> 00:06:05,800 Speaker 2: in the seventeenth century, when the colonizers found Danville, they 76 00:06:05,839 --> 00:06:07,479 Speaker 2: found a thriving community. 77 00:06:08,600 --> 00:06:11,960 Speaker 8: Holy shit, Gordon, the whispers. 78 00:06:12,320 --> 00:06:15,200 Speaker 2: They were welcomed by a tribe settled up top what 79 00:06:16,160 --> 00:06:20,279 Speaker 2: you know is Anderson Hill, where this very library was 80 00:06:20,279 --> 00:06:24,760 Speaker 2: eventually built. The chief of the tribe was convinced everyone 81 00:06:25,080 --> 00:06:30,240 Speaker 2: could get along, but the colonizers had guns and greed. 82 00:06:31,240 --> 00:06:33,040 Speaker 8: Some things never change. 83 00:06:33,120 --> 00:06:37,479 Speaker 2: Still, this chief thought he could make things work, but 84 00:06:37,600 --> 00:06:41,760 Speaker 2: little by little, the colonizers kept taking and he kept 85 00:06:41,760 --> 00:06:45,159 Speaker 2: making deals. It wasn't until the deals ran out and 86 00:06:45,200 --> 00:06:48,440 Speaker 2: he was forced to lock up his remaining tribespeople in 87 00:06:48,480 --> 00:06:52,279 Speaker 2: a crypt built somewhere in town that they burned them 88 00:06:52,320 --> 00:06:58,039 Speaker 2: all alive while making him watch. Then, because they were bored, 89 00:06:59,120 --> 00:07:05,279 Speaker 2: brutally skinned, and murdered him. Oh Jesus, And do you 90 00:07:05,520 --> 00:07:09,279 Speaker 2: want to know how old the chief was when he 91 00:07:09,360 --> 00:07:16,400 Speaker 2: had everything, his children, his wife, his family, his tribe, 92 00:07:16,680 --> 00:07:22,360 Speaker 2: his land, his entire village taken away from him. 93 00:07:21,280 --> 00:07:22,320 Speaker 8: Thirty one years old. 94 00:07:23,320 --> 00:07:24,640 Speaker 2: Thirty one years old. 95 00:07:25,680 --> 00:07:27,920 Speaker 4: But how does that explain that they got rid of 96 00:07:27,920 --> 00:07:30,600 Speaker 4: the good spirits, leaving this area unbalanced? 97 00:07:31,120 --> 00:07:40,320 Speaker 2: Correct? Without Asha Manitou, only Oshi Manitou remained, and it 98 00:07:40,480 --> 00:07:45,360 Speaker 2: laid upon Danville a curse that had to be fed 99 00:07:46,440 --> 00:07:49,360 Speaker 2: every thirty one years. 100 00:07:49,800 --> 00:07:52,160 Speaker 7: A sacrifice like what they did to the chief. 101 00:07:52,800 --> 00:07:55,760 Speaker 2: Every thirty one years, someone from the town had to 102 00:07:55,800 --> 00:08:02,320 Speaker 2: be consumed in order to keep the manner to it. Bay, 103 00:08:03,640 --> 00:08:07,400 Speaker 2: I didn't believe any of the dark man or until 104 00:08:07,440 --> 00:08:08,480 Speaker 2: it happened to my boy. 105 00:08:09,880 --> 00:08:13,160 Speaker 9: But what about the monster? We definitely ended something down 106 00:08:13,200 --> 00:08:13,880 Speaker 9: by the old drain. 107 00:08:14,520 --> 00:08:17,680 Speaker 2: You ended a physical manifestation of what happens when the 108 00:08:17,760 --> 00:08:22,080 Speaker 2: curse is ignored. The sacrificing of a resident has to 109 00:08:22,160 --> 00:08:23,200 Speaker 2: be fulfilled. 110 00:08:24,160 --> 00:08:28,160 Speaker 9: Okay, supposing there's sillivandet out there, why did you leave 111 00:08:28,560 --> 00:08:29,680 Speaker 9: and take the internet with you? 112 00:08:30,480 --> 00:08:35,960 Speaker 2: I shut down the grid because well, because I was angry. 113 00:08:37,240 --> 00:08:41,680 Speaker 2: They took Joshua and you saw her they took my 114 00:08:41,840 --> 00:08:48,640 Speaker 2: Sandy away twenty eight years. She tried to process, but 115 00:08:48,720 --> 00:08:52,000 Speaker 2: it eats at you. All she wanted to talk about 116 00:08:52,120 --> 00:08:55,239 Speaker 2: was the dark Man. No one else existed, myself included. 117 00:08:56,000 --> 00:08:59,120 Speaker 2: I knew I'd have to work just to keep her 118 00:08:59,160 --> 00:09:03,160 Speaker 2: in a safe place. I'd already developed the area's first 119 00:09:03,200 --> 00:09:07,199 Speaker 2: computer network, so it was only natural that I create 120 00:09:07,320 --> 00:09:11,920 Speaker 2: our rural isp framework as well. That's when I noticed 121 00:09:12,040 --> 00:09:15,600 Speaker 2: this year that they could hear us, and some of 122 00:09:15,720 --> 00:09:16,720 Speaker 2: us could hear. 123 00:09:16,559 --> 00:09:18,840 Speaker 8: Them through technology. 124 00:09:19,480 --> 00:09:24,240 Speaker 10: Through the waves are man made spirits, so they've been 125 00:09:24,320 --> 00:09:32,040 Speaker 10: listening this whole time. But from where, from everywhere, radios, phones, speakers. 126 00:09:33,440 --> 00:09:35,840 Speaker 7: That does sound a bit crazy, though. 127 00:09:36,040 --> 00:09:41,640 Speaker 2: As crazy as the monster you say you incinerated, Well yeah, 128 00:09:41,920 --> 00:09:44,520 Speaker 2: let me ask you. Did you ever see it. 129 00:09:45,440 --> 00:09:46,160 Speaker 5: The windy go? 130 00:09:47,000 --> 00:09:47,240 Speaker 3: Yeah? 131 00:09:48,160 --> 00:09:49,960 Speaker 5: Well no, but I heard it. 132 00:09:50,880 --> 00:09:55,439 Speaker 2: You heard what you're scared of. You heard your deepest fears, 133 00:09:55,920 --> 00:09:57,200 Speaker 2: and it terrified you. 134 00:09:58,280 --> 00:10:04,040 Speaker 7: But why did you let it come back this year revenge? 135 00:10:04,200 --> 00:10:08,360 Speaker 2: What with Sandy at the home and Joshua gone. Once 136 00:10:08,400 --> 00:10:11,160 Speaker 2: I saw that the patriarchs of the town were planning 137 00:10:11,200 --> 00:10:14,640 Speaker 2: on defying the curse, I knew they'd pay for it, 138 00:10:14,679 --> 00:10:17,760 Speaker 2: And my only regret is that the spirits haven't taken 139 00:10:17,920 --> 00:10:19,000 Speaker 2: more of them. 140 00:10:19,920 --> 00:10:22,719 Speaker 11: Okay, but hold on, Alfonso had nothing to do with. 141 00:10:22,679 --> 00:10:26,000 Speaker 2: Any of this Wrong town, wrong time. 142 00:10:26,920 --> 00:10:27,920 Speaker 8: So how do we stop it? 143 00:10:28,840 --> 00:10:31,599 Speaker 2: Unless you can find a way to satiate the spirits, 144 00:10:32,480 --> 00:10:35,640 Speaker 2: you can't. You should just pack a bag and never 145 00:10:35,760 --> 00:10:37,200 Speaker 2: turn around. 146 00:10:37,679 --> 00:10:39,079 Speaker 5: Worry, But why did you come back? 147 00:10:39,960 --> 00:10:43,240 Speaker 2: I'm going to bury my wife next to the empty 148 00:10:43,280 --> 00:10:46,959 Speaker 2: grave of my son, and by this time next week 149 00:10:47,000 --> 00:10:49,840 Speaker 2: I'll be somewhere in Europe. Who knows? 150 00:10:50,440 --> 00:10:53,480 Speaker 9: Is there any way you can help us before someone 151 00:10:53,480 --> 00:10:54,160 Speaker 9: else dies? 152 00:10:54,800 --> 00:10:55,920 Speaker 2: I've told you everything I know. 153 00:10:56,480 --> 00:10:57,079 Speaker 5: No, but for. 154 00:10:57,040 --> 00:11:01,160 Speaker 4: Real there, thank you for your time, Rudy, Sorry for 155 00:11:01,240 --> 00:11:02,960 Speaker 4: your loss, says. 156 00:11:04,200 --> 00:11:06,480 Speaker 8: I hope you find some peace wherever you end up. 157 00:11:09,559 --> 00:11:13,520 Speaker 2: It's too late for peace or revenge for me, but 158 00:11:13,720 --> 00:11:15,160 Speaker 2: perhaps not for you. 159 00:11:22,240 --> 00:11:23,000 Speaker 7: Was that helpful? 160 00:11:23,800 --> 00:11:25,040 Speaker 8: Dude has seen shit? 161 00:11:25,920 --> 00:11:27,640 Speaker 5: Yeah? But was it all shit? 162 00:11:28,480 --> 00:11:28,600 Speaker 3: What? 163 00:11:29,360 --> 00:11:31,120 Speaker 5: I don't mean his suffering? No, no, no, I. 164 00:11:32,160 --> 00:11:36,400 Speaker 9: Mean we could be talking big fish here. Memories makes 165 00:11:36,400 --> 00:11:38,520 Speaker 9: with dreams as you get older, and it all becomes 166 00:11:38,559 --> 00:11:39,480 Speaker 9: real in one's head. 167 00:11:39,880 --> 00:11:41,120 Speaker 8: Shut up for a second. 168 00:11:41,200 --> 00:11:45,559 Speaker 5: Listen you hear that the wind draft's gotta draft? 169 00:11:47,080 --> 00:11:50,720 Speaker 7: No, no, no. 170 00:11:49,320 --> 00:11:54,360 Speaker 5: No, it can't be. What the fuck we wrote that 171 00:11:54,440 --> 00:11:55,199 Speaker 5: that demon from hell. 172 00:11:55,480 --> 00:11:56,440 Speaker 6: We did. 173 00:11:57,520 --> 00:12:05,560 Speaker 8: Listen, listen, Holy shit? 174 00:12:08,600 --> 00:12:11,880 Speaker 5: Was that English? That's not supposed to be this shit. 175 00:12:12,320 --> 00:12:20,120 Speaker 4: It's okay, listen, pray, remember Gordon, don't you get it? 176 00:12:20,720 --> 00:12:27,480 Speaker 8: What it's here, It's been here the whole time. 177 00:12:36,559 --> 00:12:39,319 Speaker 4: Sheriff, Sheriff, Hey, hey, I was just coming to it's 178 00:12:39,320 --> 00:12:39,920 Speaker 4: the library. 179 00:12:40,679 --> 00:12:44,400 Speaker 12: What it's the library. That's the source of all of it. 180 00:12:44,640 --> 00:12:46,200 Speaker 12: And if you don't come with us and help us 181 00:12:46,200 --> 00:12:48,880 Speaker 12: try to stop it right now, I think we'll be 182 00:12:49,000 --> 00:12:52,439 Speaker 12: in for a very massive fucking realization that things are 183 00:12:52,480 --> 00:12:53,439 Speaker 12: nowhere near done. 184 00:12:53,559 --> 00:12:55,840 Speaker 11: Can someone just listen to us right now. 185 00:12:56,040 --> 00:12:56,719 Speaker 13: We need to get the. 186 00:12:56,679 --> 00:12:59,480 Speaker 4: Guns, the cups, the tactical whatever, and just get back 187 00:12:59,480 --> 00:13:00,840 Speaker 4: to the tunnel tunnels. 188 00:13:01,600 --> 00:13:03,880 Speaker 11: I'm sorry, I'm a bit busy right now. I've that 189 00:13:04,080 --> 00:13:04,960 Speaker 11: wasn't everything. 190 00:13:05,040 --> 00:13:06,560 Speaker 13: And the longer we wait here. 191 00:13:07,880 --> 00:13:08,400 Speaker 2: What the. 192 00:13:09,880 --> 00:13:10,719 Speaker 7: What's going on? 193 00:13:14,960 --> 00:13:15,800 Speaker 8: What's that smell? 194 00:13:16,280 --> 00:13:18,080 Speaker 11: I think it's wherever those fire trucks are going. 195 00:13:18,760 --> 00:13:21,240 Speaker 14: Oh my god, it's the library. 196 00:13:26,520 --> 00:13:27,920 Speaker 7: Get the ladder off on the side. 197 00:13:28,120 --> 00:13:28,920 Speaker 1: We need more water. 198 00:13:29,320 --> 00:13:31,000 Speaker 7: We don't have any more water. 199 00:13:31,200 --> 00:13:33,120 Speaker 5: What do you mean the hydrant is dream? 200 00:13:33,480 --> 00:13:34,319 Speaker 6: What the fuck? 201 00:14:04,800 --> 00:14:05,920 Speaker 7: A nott a fucking night? 202 00:14:06,720 --> 00:14:09,240 Speaker 5: Good job, boys and girls, we contained it. 203 00:14:09,440 --> 00:14:12,160 Speaker 2: Yeah, but the entire villain is basically turned to ash. 204 00:14:12,360 --> 00:14:15,960 Speaker 13: What's important is that it didn't spread and no one 205 00:14:16,120 --> 00:14:16,480 Speaker 13: was hurt. 206 00:14:16,920 --> 00:14:18,439 Speaker 5: It took fourteen. 207 00:14:17,960 --> 00:14:19,080 Speaker 2: Hours, but we did it. 208 00:14:19,440 --> 00:14:24,320 Speaker 7: Let's get out of here. Thanks Max, Thanks guys. 209 00:14:29,200 --> 00:14:32,880 Speaker 14: Hello, officer, have you seen a woman named Sarah Simmons? 210 00:14:33,880 --> 00:14:38,760 Speaker 8: Lex Sarah? Oh, Jesus Christ, you're okay? Of course? 211 00:14:39,840 --> 00:14:40,840 Speaker 13: How did you find us? 212 00:14:41,120 --> 00:14:43,760 Speaker 14: You'll find my iPhone pings late last night after a 213 00:14:43,840 --> 00:14:45,880 Speaker 14: day and a half of calling you and it going 214 00:14:46,320 --> 00:14:49,320 Speaker 14: straight to voicemail, which we'll have to talk about later. 215 00:14:50,120 --> 00:14:52,840 Speaker 4: And you drove up here. Of course, I drove up 216 00:14:52,880 --> 00:14:55,600 Speaker 4: here to chastise me. I suppose to make sure. 217 00:14:55,440 --> 00:14:59,400 Speaker 14: You were okay, Sis, talk of murders and then radio silence. 218 00:15:00,080 --> 00:15:02,640 Speaker 14: I'll do a number on someone. So you're not here 219 00:15:02,640 --> 00:15:05,280 Speaker 14: to I'm here for my sister, and that's all that matters. 220 00:15:06,680 --> 00:15:09,760 Speaker 14: I'm relieved beyond measure that you're alive and well. And 221 00:15:09,840 --> 00:15:12,520 Speaker 14: I'm not even going to ask what happened there. 222 00:15:13,040 --> 00:15:15,119 Speaker 7: That used to be my playground. 223 00:15:15,880 --> 00:15:16,080 Speaker 3: Hi? 224 00:15:16,320 --> 00:15:19,640 Speaker 7: Gordon Morales, you must be alex Sis. 225 00:15:19,680 --> 00:15:24,040 Speaker 4: This is Gordon literally just said that, Yeah, sorry, it's 226 00:15:24,080 --> 00:15:27,400 Speaker 4: been what day is there? It's been a few days. 227 00:15:28,280 --> 00:15:30,600 Speaker 14: Nice to meet you, Gordon. 228 00:15:31,840 --> 00:15:32,760 Speaker 8: You used to live here. 229 00:15:33,200 --> 00:15:36,440 Speaker 7: Yeah, a lot of history. Just went up and smoke, Alex. 230 00:15:36,520 --> 00:15:39,400 Speaker 11: I'll explain everything, but I gotta Yeah, No. 231 00:15:39,440 --> 00:15:39,880 Speaker 13: I get it. 232 00:15:39,960 --> 00:15:42,760 Speaker 14: I saw a diner on the way in I can 233 00:15:42,960 --> 00:15:45,400 Speaker 14: Uh no, I wouldn't go there. 234 00:15:45,680 --> 00:15:48,360 Speaker 9: Yeah, I'd avoid that place. They got to see you 235 00:15:48,400 --> 00:15:51,280 Speaker 9: on their latest health inspection. But there's a great motel 236 00:15:51,320 --> 00:15:53,680 Speaker 9: in Lumington just down the road. We'll make sure to 237 00:15:53,680 --> 00:15:55,000 Speaker 9: get Sarah there once we uh. 238 00:15:55,080 --> 00:15:56,240 Speaker 14: Yeah, no, I get it. 239 00:15:57,400 --> 00:15:58,920 Speaker 8: I'm just happy you're okay. 240 00:16:00,160 --> 00:16:08,760 Speaker 11: Thanks, Lex. So, so where are you going to stay tonight? 241 00:16:10,000 --> 00:16:11,880 Speaker 5: I have no idea none. 242 00:16:12,360 --> 00:16:16,120 Speaker 7: I mean, this all kind of happened really quick. Yeah, 243 00:16:16,600 --> 00:16:19,200 Speaker 7: one minute or researching centuries of history, and. 244 00:16:19,280 --> 00:16:22,040 Speaker 11: The next it's all gone without. 245 00:16:21,760 --> 00:16:22,640 Speaker 5: So much as a warning. 246 00:16:23,200 --> 00:16:27,840 Speaker 4: Shame the books, I guess. I guess when books are burned, 247 00:16:28,360 --> 00:16:29,680 Speaker 4: things like this tend to happen. 248 00:16:30,040 --> 00:16:34,800 Speaker 9: Colonial cartnage, the terrorizing escapegoating of certain people's minorities if 249 00:16:34,840 --> 00:16:39,000 Speaker 9: you're being nasty, theft, death, destruction lies to blink the 250 00:16:39,000 --> 00:16:40,000 Speaker 9: public into thinking. 251 00:16:40,280 --> 00:16:42,240 Speaker 11: Feels like a New Hampshire primary. 252 00:16:42,840 --> 00:16:45,800 Speaker 9: Well less detrimental to the country as a whole, I suppose, 253 00:16:46,000 --> 00:16:47,840 Speaker 9: But I'll still miss them. 254 00:16:48,360 --> 00:16:51,720 Speaker 11: And the newspapers. Oh, the old computer, the Tom Brady poster, 255 00:16:52,560 --> 00:16:53,640 Speaker 11: all gone. 256 00:16:53,760 --> 00:16:57,280 Speaker 7: Well, almost all gone. For some reason. 257 00:16:57,320 --> 00:16:58,960 Speaker 9: I brought a little bag with me when we left 258 00:16:58,960 --> 00:16:59,960 Speaker 9: the Gotell Maxwell's. 259 00:17:00,720 --> 00:17:03,760 Speaker 11: Yeah, I can see that. It's a beautiful bag, stunning. 260 00:17:04,359 --> 00:17:06,239 Speaker 11: Did you want to describe it to me? Even though 261 00:17:06,280 --> 00:17:07,679 Speaker 11: I'm standing here looking at it. 262 00:17:07,680 --> 00:17:10,119 Speaker 7: It's not the bag so much, but this. 263 00:17:12,440 --> 00:17:15,040 Speaker 11: Whoa is this the real thing? 264 00:17:15,600 --> 00:17:18,680 Speaker 9: The playbill for Man of Wamoncha's Broadway debut. 265 00:17:19,280 --> 00:17:22,080 Speaker 4: I mean one would have assumed it would have burned 266 00:17:22,080 --> 00:17:25,359 Speaker 4: with everything else. And if I were a betting man, 267 00:17:25,640 --> 00:17:29,000 Speaker 4: I would assume that if someone had time to get 268 00:17:29,000 --> 00:17:32,360 Speaker 4: something out of a burning building, perhaps they had something. 269 00:17:32,040 --> 00:17:32,640 Speaker 11: To do with it. 270 00:17:33,400 --> 00:17:36,480 Speaker 7: Yeah, we can just keep on assuming it. 271 00:17:36,560 --> 00:17:38,680 Speaker 11: I like, just wait, which part? 272 00:17:39,200 --> 00:17:39,400 Speaker 5: What? 273 00:17:39,840 --> 00:17:40,280 Speaker 13: Which part? 274 00:17:40,280 --> 00:17:43,520 Speaker 4: Are we assuming that it would have burned with everything else? 275 00:17:43,680 --> 00:17:46,880 Speaker 4: Or that someone might assume we had something to. 276 00:17:46,800 --> 00:17:47,159 Speaker 13: Do with this? 277 00:17:48,080 --> 00:17:52,000 Speaker 9: I do you think anyone is going to figure out that? 278 00:17:53,480 --> 00:17:53,760 Speaker 13: Think? 279 00:17:55,520 --> 00:17:55,879 Speaker 7: Sorry? 280 00:17:56,119 --> 00:17:56,480 Speaker 5: Think what? 281 00:17:57,080 --> 00:17:58,160 Speaker 13: I wouldn't want to risk it. 282 00:17:59,119 --> 00:18:01,679 Speaker 9: Well, lucky for us us, this beautiful bag has an 283 00:18:01,680 --> 00:18:02,520 Speaker 9: inside zipper. 284 00:18:02,640 --> 00:18:06,040 Speaker 7: So I'll just put it back here, just. 285 00:18:06,000 --> 00:18:09,720 Speaker 11: For us, just for us, huh. 286 00:18:09,280 --> 00:18:11,600 Speaker 9: I mean until the rom com prophecy is fulfilled, and 287 00:18:11,720 --> 00:18:14,640 Speaker 9: I find out you're building high rise luxury housing right 288 00:18:14,680 --> 00:18:16,800 Speaker 9: here with my bank account. 289 00:18:16,840 --> 00:18:18,439 Speaker 11: Until I have a job, I won't be doing much 290 00:18:18,480 --> 00:18:18,960 Speaker 11: of anything. 291 00:18:19,440 --> 00:18:20,880 Speaker 5: I don't think that will be an issue. 292 00:18:21,320 --> 00:18:23,320 Speaker 9: This story will open up a million doors for you. 293 00:18:24,119 --> 00:18:24,719 Speaker 13: What story? 294 00:18:25,359 --> 00:18:28,080 Speaker 5: What story? You mean the last four days of stories. 295 00:18:28,280 --> 00:18:29,360 Speaker 5: Happy to remind. 296 00:18:29,080 --> 00:18:31,800 Speaker 11: You, I have no idea what you're talking about. Seems 297 00:18:31,880 --> 00:18:33,040 Speaker 11: like some people. 298 00:18:32,800 --> 00:18:36,440 Speaker 4: Got mulled by woodland creatures and an unfortunate fire took 299 00:18:36,440 --> 00:18:39,840 Speaker 4: a creaky, drafty, shaky building that really shouldn't have been 300 00:18:39,880 --> 00:18:40,600 Speaker 4: there in the first place. 301 00:18:41,280 --> 00:18:44,080 Speaker 7: Yeah, Yeah, that's exactly what I was gonna say. 302 00:18:44,480 --> 00:18:45,160 Speaker 5: A real talk. 303 00:18:45,280 --> 00:18:48,080 Speaker 9: Wouldn't another version help you get one of those big 304 00:18:48,119 --> 00:18:48,960 Speaker 9: fancy jobs? 305 00:18:49,520 --> 00:18:49,720 Speaker 5: Yeah? 306 00:18:49,800 --> 00:18:52,119 Speaker 11: Maybe, but at what cost? 307 00:18:52,960 --> 00:18:55,160 Speaker 4: Also, I think you're overestimating what a media job pays 308 00:18:55,160 --> 00:18:55,960 Speaker 4: in twenty twenty two. 309 00:18:57,080 --> 00:18:59,560 Speaker 11: And besides, I think I found the job that I want. 310 00:19:00,280 --> 00:19:03,560 Speaker 13: Yeah, yeah, you want to get out of here? 311 00:19:04,640 --> 00:19:05,800 Speaker 7: Yeah? 312 00:19:06,080 --> 00:19:07,119 Speaker 3: The on Me. 313 00:19:11,240 --> 00:19:11,640 Speaker 4: Starve. 314 00:19:25,080 --> 00:19:28,159 Speaker 15: That was the impossible dream from that doozy man of 315 00:19:28,240 --> 00:19:28,800 Speaker 15: La Mancho. 316 00:19:29,040 --> 00:19:29,560 Speaker 3: What a show. 317 00:19:29,600 --> 00:19:31,240 Speaker 15: And let me tell you, if you haven't seen the 318 00:19:31,240 --> 00:19:33,600 Speaker 15: Saint Louis Players production of it, you have just two 319 00:19:33,640 --> 00:19:35,879 Speaker 15: weeks to get tickets. I saw it last weekend and 320 00:19:36,200 --> 00:19:39,240 Speaker 15: just bravo for tickets to Missouri's Best Peter menu. Head 321 00:19:39,240 --> 00:19:42,640 Speaker 15: on over to Muni dot com slash tickets, slash Missouri, 322 00:19:42,840 --> 00:19:46,680 Speaker 15: slash the Men, Babe. 323 00:19:46,440 --> 00:19:48,080 Speaker 5: Some kind of international number. 324 00:19:50,280 --> 00:19:55,400 Speaker 7: Hello Max, Max, put on speaker. 325 00:19:56,200 --> 00:19:58,919 Speaker 11: Max, you're on speaker with Gordon and I al. 326 00:20:00,359 --> 00:20:01,080 Speaker 5: Uh ola. 327 00:20:01,800 --> 00:20:05,159 Speaker 16: First off, relax, not calling about anything having to do 328 00:20:05,240 --> 00:20:06,080 Speaker 16: with Danville. 329 00:20:06,400 --> 00:20:09,160 Speaker 5: Oh, I mean yeah cool? Like well would you yeah? 330 00:20:09,200 --> 00:20:11,240 Speaker 16: Well we'll get into that over some mezcal. 331 00:20:11,320 --> 00:20:13,680 Speaker 13: When I see you, I'm sorry. 332 00:20:13,760 --> 00:20:15,040 Speaker 11: When you see us. 333 00:20:15,240 --> 00:20:18,480 Speaker 3: Well, unless you're dying to staying. Where even are you. 334 00:20:18,920 --> 00:20:21,000 Speaker 7: Indiana, Missouri? 335 00:20:21,480 --> 00:20:24,600 Speaker 3: Sorry? I don't even know where that is really? North 336 00:20:24,600 --> 00:20:26,080 Speaker 3: of Texas, south of Canada. 337 00:20:26,119 --> 00:20:30,239 Speaker 13: I presume hold on Mescal s Amigos. 338 00:20:30,119 --> 00:20:32,960 Speaker 16: In good old CDMX, or as we call it down 339 00:20:33,000 --> 00:20:38,399 Speaker 16: here aks, but usually without my atrocious accent butchering it. 340 00:20:39,119 --> 00:20:40,480 Speaker 11: You're in Mexico City. 341 00:20:41,119 --> 00:20:44,760 Speaker 5: Indeed, how why when it dust. 342 00:20:44,640 --> 00:20:49,000 Speaker 16: Settled after that mysterious fire, I tried to tie up 343 00:20:49,040 --> 00:20:52,600 Speaker 16: some LuSE enns And when I looked around, everyone that's 344 00:20:52,600 --> 00:20:55,840 Speaker 16: had lost someone had family to lean on, except. 345 00:20:55,359 --> 00:20:57,840 Speaker 8: For Alfonso's mother. 346 00:20:58,560 --> 00:21:02,880 Speaker 16: Correct, So I decided that my time in America had 347 00:21:02,880 --> 00:21:05,200 Speaker 16: come to a pause. 348 00:21:05,440 --> 00:21:08,959 Speaker 3: And that someone had to get consoled reunited with her relatives. 349 00:21:09,520 --> 00:21:10,920 Speaker 5: So you stayed down there. 350 00:21:11,200 --> 00:21:16,280 Speaker 3: Wouldn't you. It's gorgeous and the people are wonderful, but. 351 00:21:16,240 --> 00:21:19,160 Speaker 9: They're kind of getting annoyed with expats moving down there, 352 00:21:19,200 --> 00:21:21,000 Speaker 9: aren't they Americans? 353 00:21:21,400 --> 00:21:22,880 Speaker 3: They're annoyed with Americans. 354 00:21:23,280 --> 00:21:24,960 Speaker 16: But that's a worldwide phenomena. 355 00:21:25,359 --> 00:21:26,040 Speaker 11: You're not wrong. 356 00:21:27,000 --> 00:21:30,080 Speaker 4: That's wonderful, But I think we're a bit confused as 357 00:21:30,080 --> 00:21:31,000 Speaker 4: to why you're calling. 358 00:21:31,280 --> 00:21:37,480 Speaker 16: I guess what do you know about Elbosque, the Chapultepec. 359 00:21:37,480 --> 00:21:38,800 Speaker 7: The forest of Chapultepec. 360 00:21:39,400 --> 00:21:43,320 Speaker 16: Besides knowing what Bosque is in English, Google tells me 361 00:21:44,760 --> 00:21:46,720 Speaker 16: it's like Mexico City Central Park. 362 00:21:47,320 --> 00:21:50,760 Speaker 3: Sure, but hundreds of years older. 363 00:21:51,040 --> 00:21:52,240 Speaker 7: As most things are. 364 00:21:52,600 --> 00:21:55,080 Speaker 9: So you're calling about a forest laden park in the 365 00:21:55,080 --> 00:21:56,399 Speaker 9: middle of Mexico City. 366 00:21:56,920 --> 00:22:01,360 Speaker 16: I'm calling about a series of evidence that have been 367 00:22:01,400 --> 00:22:05,000 Speaker 16: happening in and near the castle that overlooks the entire park. 368 00:22:05,720 --> 00:22:06,960 Speaker 11: What kind of incidents? 369 00:22:07,320 --> 00:22:08,639 Speaker 3: That's where I need your help. 370 00:22:09,680 --> 00:22:13,560 Speaker 16: Us You came together and solved a five hundred year 371 00:22:13,600 --> 00:22:18,520 Speaker 16: old mystery, no matter your priory methods. 372 00:22:18,000 --> 00:22:19,720 Speaker 5: We don't know what you're talking about. 373 00:22:20,480 --> 00:22:24,000 Speaker 16: I know you've been searching out similar occurrences, looking to 374 00:22:24,119 --> 00:22:28,359 Speaker 16: offer closure, and I'm offering you the chance to find 375 00:22:28,440 --> 00:22:31,560 Speaker 16: closure for six boys who passed away. 376 00:22:32,480 --> 00:22:35,280 Speaker 11: Oh I'm sorry to hear that. When did they pass? 377 00:22:36,480 --> 00:22:37,879 Speaker 3: Eighteen forty seven? 378 00:22:40,320 --> 00:23:02,840 Speaker 13: We're on our way. 379 00:22:57,800 --> 00:23:02,880 Speaker 1: Consumed Episode twelve, The Reachable Star written by Carlos Folia, 380 00:23:03,280 --> 00:23:07,600 Speaker 1: editing and sound design by Trevor Young, Starring Rachel Rosenbloom 381 00:23:07,680 --> 00:23:13,000 Speaker 1: and Arturo Castro, with Ruth Connell, Sam Rod, Genevieve Padillaki, 382 00:23:13,359 --> 00:23:19,720 Speaker 1: Benjamin Stockholm, Charlie, David Newell, Mike Korich, Anna East Fairweather, Junior, Alabby, 383 00:23:20,119 --> 00:23:26,280 Speaker 1: Alma Martinez, Tracy Martin, Laura Shin, George Vincent, and Rafael Corkil. 384 00:23:26,880 --> 00:23:32,119 Speaker 1: Guest starring Time Winters as Rudy. Directed by Alexander Williams, 385 00:23:32,200 --> 00:23:36,720 Speaker 1: Assistant director Trevor Young, Casting by Sunday Bowling CSA and 386 00:23:36,840 --> 00:23:42,440 Speaker 1: Meg Mormon CSA. Production coordinator Wayna Calderai. Music by Carlos 387 00:23:42,520 --> 00:23:47,600 Speaker 1: Folio Consumed The season one score available now on Apple Music, Spotify, 388 00:23:47,960 --> 00:23:52,960 Speaker 1: or wherever music is streamed. Executive producers Aaron Mankey, Carlos Folia, 389 00:23:53,240 --> 00:23:57,879 Speaker 1: Matt Frederick, and Alexander Williams. Supervising producers Trevor Young and 390 00:23:57,960 --> 00:24:02,880 Speaker 1: Josh Thain. Producers Noah, Ammy Griffin, Jesse Funk, and Rima Ilkali. 391 00:24:03,400 --> 00:24:08,159 Speaker 1: Recorded at This Is Sound Design Studios, Burbank, California, engineered 392 00:24:08,160 --> 00:24:12,920 Speaker 1: by Ross Erroneout east Side Studios, Austin, Texas, engineered by 393 00:24:12,960 --> 00:24:17,439 Speaker 1: Austin Sisler and Aras Creative and Sound o Hi, California, 394 00:24:17,520 --> 00:24:21,920 Speaker 1: engineered by Ken Aros. Consumed was created by Carlos Folia, 395 00:24:22,240 --> 00:24:25,679 Speaker 1: inspired by the novel by Aaron Manky. Consumed is the 396 00:24:25,680 --> 00:24:28,760 Speaker 1: newest chapter in the Bridgewater universe. To learn more and 397 00:24:28,840 --> 00:24:33,320 Speaker 1: catch up, visit Grimandmild dot com Slash Bridgewater. Learn more 398 00:24:33,359 --> 00:24:37,200 Speaker 1: about Consumed at grimandmile dot com Slash Consumed, and find 399 00:24:37,240 --> 00:24:41,960 Speaker 1: more podcasts from iHeartRadio by visiting the iHeartRadio app, Apple Podcasts, 400 00:24:42,040 --> 00:25:09,320 Speaker 1: or wherever you listen to your favorite shows.