1 00:00:00,240 --> 00:00:04,600 Speaker 1: Yeah, wrapper it up podcast, Elliot Wilson beat out, what's up? Baby? 2 00:00:04,680 --> 00:00:07,200 Speaker 1: How are you feeling? Elliott? I'm feeling like a champion, man. 3 00:00:07,240 --> 00:00:12,680 Speaker 1: How about you? But you feeling I pissed? Excellence? Yeah? Man, 4 00:00:12,720 --> 00:00:15,520 Speaker 1: we did it, man, Young boys out there and everybody's 5 00:00:15,520 --> 00:00:18,239 Speaker 1: everybody's connected to it. Man. When we were sitting on 6 00:00:18,280 --> 00:00:20,200 Speaker 1: we couldn't get it out to the world we wanted to. 7 00:00:20,320 --> 00:00:24,040 Speaker 1: But finally Young Boy never broke against the official name. 8 00:00:24,079 --> 00:00:27,120 Speaker 1: We all really called him NBA Young Boy. Man, how 9 00:00:27,120 --> 00:00:29,400 Speaker 1: did this journey even start? Men? Here's what I remember. 10 00:00:29,440 --> 00:00:31,720 Speaker 1: B I was in New York. I was I was 11 00:00:31,760 --> 00:00:34,239 Speaker 1: at the restaurant. I was enjoying the cocktail and you 12 00:00:34,479 --> 00:00:36,240 Speaker 1: and you called me man. You'll never call me. You 13 00:00:36,320 --> 00:00:38,760 Speaker 1: just straight called me. Yeah, And then he said yo, 14 00:00:39,080 --> 00:00:41,400 Speaker 1: young boy. And I'm like, wait what I thought she 15 00:00:41,479 --> 00:00:43,879 Speaker 1: was playing around? Man? What happened? Man? How do we 16 00:00:43,880 --> 00:00:45,480 Speaker 1: pull this off? But how do we do it? Man? 17 00:00:45,920 --> 00:00:47,880 Speaker 1: I just got a call and he was saying like, hey, 18 00:00:47,920 --> 00:00:49,960 Speaker 1: you know, NBA Young Boy wants to sit down with 19 00:00:50,000 --> 00:00:52,199 Speaker 1: you guys. I'm like, you talking about me and Elliott 20 00:00:53,360 --> 00:00:56,920 Speaker 1: the old guys. I'm like yeah, and he's like, you know, 21 00:00:56,960 --> 00:00:59,000 Speaker 1: you really liked the Drake interview that you guys did, 22 00:00:59,040 --> 00:01:00,640 Speaker 1: and you know it kind of wants to recapture that. 23 00:01:00,920 --> 00:01:03,760 Speaker 1: I was like, oh wow, and you know, considering all 24 00:01:03,760 --> 00:01:05,320 Speaker 1: of his legal issues, like where are we going to 25 00:01:05,400 --> 00:01:07,959 Speaker 1: do this, They're like, well, you know, he lives in Utah, 26 00:01:08,080 --> 00:01:09,559 Speaker 1: so you have to come out there. I'll say, we'll 27 00:01:09,640 --> 00:01:13,559 Speaker 1: be out there tomorrow. A big deal. But it turned 28 00:01:13,560 --> 00:01:15,000 Speaker 1: out to be a big deal because you know, he 29 00:01:15,000 --> 00:01:17,560 Speaker 1: had to go through a lot of approval. Yeah, that 30 00:01:17,640 --> 00:01:19,480 Speaker 1: was that was crazy. It's like going to see the 31 00:01:19,520 --> 00:01:22,039 Speaker 1: president of something, right. Yeah. In fact, we had to 32 00:01:22,040 --> 00:01:23,959 Speaker 1: be vetted in stuff. They had to get the background 33 00:01:24,000 --> 00:01:26,560 Speaker 1: checks and all that. Man, I DS you know, it 34 00:01:26,600 --> 00:01:28,440 Speaker 1: took a while for us to get approved and only 35 00:01:28,440 --> 00:01:30,320 Speaker 1: three people allowed in the house at the time, so, 36 00:01:30,360 --> 00:01:33,479 Speaker 1: you know, with the Hyperhouse crew shout to Laura, Garrett, Brian, 37 00:01:33,600 --> 00:01:35,520 Speaker 1: you know, it was difficult. Kenya. We was like, how 38 00:01:35,520 --> 00:01:39,040 Speaker 1: are we going to figure you know, rotating shifts in 39 00:01:39,720 --> 00:01:42,920 Speaker 1: this guy's house. So it was a little bit of 40 00:01:42,959 --> 00:01:45,360 Speaker 1: a challenge, but we made it through. Yeah, man, in 41 00:01:45,400 --> 00:01:47,920 Speaker 1: the energy itself. Man, you know, I definitely want to 42 00:01:47,920 --> 00:01:50,600 Speaker 1: thank young boy. You know, obviously he's never really done 43 00:01:50,640 --> 00:01:52,800 Speaker 1: anything like this, like this type of sit down and 44 00:01:52,960 --> 00:01:55,240 Speaker 1: you know, and you know, I think that you watch 45 00:01:55,280 --> 00:01:56,880 Speaker 1: the endview and you see him kind of get more 46 00:01:56,880 --> 00:01:59,200 Speaker 1: and more comfortable as the conversation goes on. So you know, 47 00:01:59,280 --> 00:02:02,000 Speaker 1: I really respect that, you know, he really came into 48 00:02:02,000 --> 00:02:03,960 Speaker 1: the process that way and like you know, gave us 49 00:02:03,960 --> 00:02:05,560 Speaker 1: his time man, And like, you know, it was it 50 00:02:05,600 --> 00:02:09,200 Speaker 1: was a crazy experience, right, Like it was surreal almost 51 00:02:09,200 --> 00:02:10,840 Speaker 1: to me. Yeah, it was to me too. I mean 52 00:02:10,880 --> 00:02:13,320 Speaker 1: I've never been in Utah, so even just the environment 53 00:02:13,360 --> 00:02:16,400 Speaker 1: itself was you know, out of my element, but it 54 00:02:16,440 --> 00:02:18,440 Speaker 1: was it was really cool, you know. And anytime you 55 00:02:18,480 --> 00:02:22,240 Speaker 1: go to someone's house, it's always, uh, it's always like 56 00:02:22,240 --> 00:02:26,320 Speaker 1: an honor you know, yeah, yeah, to their domain. Yeah, absolutely, 57 00:02:26,320 --> 00:02:28,360 Speaker 1: And I love the reaction so far. Man, I feel like, 58 00:02:28,840 --> 00:02:30,919 Speaker 1: you know, obviously young boy. You know, he's like my 59 00:02:31,080 --> 00:02:33,320 Speaker 1: nephew Hunter, his favorite rappers, so like he's got the youth. 60 00:02:33,360 --> 00:02:35,480 Speaker 1: We know that, right, So it's like it's great to 61 00:02:35,520 --> 00:02:37,960 Speaker 1: know like a whole new generation. Maybe it's connecting to 62 00:02:37,960 --> 00:02:40,880 Speaker 1: our content. And then I see people older, like you know, 63 00:02:40,919 --> 00:02:43,400 Speaker 1: older than you know, my age and around your age, 64 00:02:43,440 --> 00:02:45,080 Speaker 1: Like you know, I think a lot of times they 65 00:02:45,080 --> 00:02:47,120 Speaker 1: had this just one side of perception of dude, and 66 00:02:47,160 --> 00:02:48,880 Speaker 1: like to see him sort of humanize. You know, I 67 00:02:48,880 --> 00:02:52,000 Speaker 1: think it's it's definitely connected with people. Yeah, definitely not 68 00:02:52,040 --> 00:02:54,440 Speaker 1: to like a grandis our situation, but I feel like, 69 00:02:54,520 --> 00:02:56,840 Speaker 1: you know, we did a really good job of bridging 70 00:02:56,880 --> 00:02:58,480 Speaker 1: that gap, you know what I'm saying, because it's people 71 00:02:58,520 --> 00:03:00,600 Speaker 1: that probably are familiar with his name in a lot 72 00:03:00,680 --> 00:03:04,399 Speaker 1: of ways, he's like a known unknown name. But now 73 00:03:04,440 --> 00:03:07,200 Speaker 1: you see this conversation, it's like, Okay, I kind of 74 00:03:07,520 --> 00:03:09,560 Speaker 1: maybe I might not necessarily be a fan, but I'm 75 00:03:09,560 --> 00:03:12,359 Speaker 1: open to listening to his music, you know, whether you're 76 00:03:12,360 --> 00:03:15,400 Speaker 1: you know, fifteen or thirty five. So I love it 77 00:03:15,480 --> 00:03:16,959 Speaker 1: and it feels like one of those big ones be 78 00:03:17,080 --> 00:03:19,040 Speaker 1: that man, you know, people being I know our story, man, 79 00:03:19,080 --> 00:03:21,760 Speaker 1: We've been doing this for a long time since twenty fifteen, 80 00:03:22,280 --> 00:03:24,679 Speaker 1: one hundred episodes what a company called CBS and we 81 00:03:24,720 --> 00:03:27,280 Speaker 1: went to title were Excoose the title. From twenty seventeen 82 00:03:27,320 --> 00:03:30,000 Speaker 1: to twenty twenty, we took a couple of years off, 83 00:03:30,040 --> 00:03:31,639 Speaker 1: you know what I'm saying, and now we're back, man. 84 00:03:31,720 --> 00:03:34,000 Speaker 1: But you know, we're not forgetting some big interviews like 85 00:03:34,000 --> 00:03:37,160 Speaker 1: with jay Z Drake Nipsey Hustle Will Smith. So I 86 00:03:37,160 --> 00:03:39,280 Speaker 1: feel like young boy, you know, fair to say he's 87 00:03:39,320 --> 00:03:40,800 Speaker 1: in that group now, right, it feels like one of 88 00:03:40,840 --> 00:03:42,920 Speaker 1: our big ones, right Yeah, it's definitely in the candidate 89 00:03:42,920 --> 00:03:45,960 Speaker 1: of all the great conversations that we had and also 90 00:03:46,040 --> 00:03:51,680 Speaker 1: having those videos that definitely you know, take videos, big video. Man, 91 00:03:51,800 --> 00:03:55,200 Speaker 1: thirty five right now, thirty five k right now? Man, 92 00:03:55,600 --> 00:04:00,280 Speaker 1: the numbers, these numbers, I don't care about was. I 93 00:04:00,320 --> 00:04:02,360 Speaker 1: care about doing a good job. I think we achieved that. 94 00:04:02,840 --> 00:04:04,480 Speaker 1: And Yo, you start to think about the thing with 95 00:04:05,000 --> 00:04:06,680 Speaker 1: because when we did the intro, he said about the 96 00:04:06,720 --> 00:04:10,120 Speaker 1: young Guns video, they better love. Yeah, and then I 97 00:04:10,160 --> 00:04:11,960 Speaker 1: did the screen grabbing the thing, I were no better 98 00:04:12,000 --> 00:04:14,560 Speaker 1: Pot and everybody loves that. Man. That sual was so stupid, 99 00:04:14,640 --> 00:04:17,800 Speaker 1: like I mean, it looked it looked just like the 100 00:04:17,880 --> 00:04:20,599 Speaker 1: video we gotta find a reil we got. We gotta 101 00:04:20,600 --> 00:04:22,360 Speaker 1: five rout man, we gotta kind of no better Pot 102 00:04:22,440 --> 00:04:25,160 Speaker 1: promo or something. Man we got And then Christendef were 103 00:04:25,160 --> 00:04:27,360 Speaker 1: in the comments. Man shout the young guys, Man shout 104 00:04:27,520 --> 00:04:31,440 Speaker 1: the young gus man. Absolutely, and we were were gunning man. 105 00:04:31,480 --> 00:04:33,440 Speaker 1: We got episodes in the care man, we got baby 106 00:04:33,440 --> 00:04:35,120 Speaker 1: face coming up for the people. Man, I was an 107 00:04:35,160 --> 00:04:38,640 Speaker 1: amazing conversation. Yep, we got DJA drama. You know, he's 108 00:04:38,680 --> 00:04:40,840 Speaker 1: getting that album together. So when he gets the album ready, 109 00:04:40,880 --> 00:04:44,040 Speaker 1: will drop that one. And and today's episode special too. Man, 110 00:04:44,160 --> 00:04:48,839 Speaker 1: we got today Man a little yati man knowing his 111 00:04:48,920 --> 00:04:50,960 Speaker 1: debut on the rapp right On podcast. It's been a 112 00:04:50,960 --> 00:04:52,760 Speaker 1: long time coming from him. And in a lot of ways, 113 00:04:52,800 --> 00:04:55,080 Speaker 1: I was thinking, this guy's like a young o G. 114 00:04:55,440 --> 00:04:57,359 Speaker 1: You know, he's on same years in the game and 115 00:04:57,360 --> 00:04:59,240 Speaker 1: you don't think about it because he's only twenty five 116 00:04:59,320 --> 00:05:01,839 Speaker 1: years old. And once again and once again he invited 117 00:05:01,880 --> 00:05:04,320 Speaker 1: another one, invited us to his home man in Atlanta. Man, 118 00:05:04,200 --> 00:05:10,240 Speaker 1: And you think Elliott Holmes homes true, true who was 119 00:05:10,240 --> 00:05:12,480 Speaker 1: in his mama's house. His house is just a lot 120 00:05:12,520 --> 00:05:14,960 Speaker 1: of homes. Man, come on, let this guy yo. The 121 00:05:15,080 --> 00:05:17,480 Speaker 1: pleaux is crazy and they're like yo. I think people 122 00:05:17,520 --> 00:05:20,720 Speaker 1: realize that generation of artists, like with the streaming, how 123 00:05:20,760 --> 00:05:23,960 Speaker 1: successful they truly are. Man with the golden platinum certifications, 124 00:05:24,040 --> 00:05:26,680 Speaker 1: Like you know, y'all, he's a successful young man. Man, Like, 125 00:05:26,720 --> 00:05:28,200 Speaker 1: don't get it twisted. While you're on the end of 126 00:05:28,200 --> 00:05:30,200 Speaker 1: there trying to debate. You know, if he's successful or not. 127 00:05:30,560 --> 00:05:33,120 Speaker 1: Let's be clear. We was at this guy's homes. He's 128 00:05:33,200 --> 00:05:36,480 Speaker 1: quite successful. He's very well for himself. This young man 129 00:05:37,200 --> 00:05:39,840 Speaker 1: quite well for himself. And I got a shout out 130 00:05:39,839 --> 00:05:42,200 Speaker 1: home my home girl g for Motown's A and R 131 00:05:42,720 --> 00:05:45,000 Speaker 1: for the project. I think Billboard just recognized her as 132 00:05:45,040 --> 00:05:47,320 Speaker 1: an executive. And you know, I went to an early 133 00:05:47,360 --> 00:05:49,520 Speaker 1: listening to the album in December and stuff, and and 134 00:05:49,600 --> 00:05:51,599 Speaker 1: she helped us, you know, set it up because he 135 00:05:51,680 --> 00:05:53,040 Speaker 1: really hadn't done a lot of press. You know, he 136 00:05:53,120 --> 00:05:55,280 Speaker 1: put the album out, it's obviously a different side of 137 00:05:55,360 --> 00:05:57,159 Speaker 1: sort of sound for him. And yeah, I think he 138 00:05:57,200 --> 00:05:58,920 Speaker 1: wanted the word to speak for itself. I saw he 139 00:05:59,000 --> 00:06:01,680 Speaker 1: did a low but I'm that he sat with us too. Um, 140 00:06:01,680 --> 00:06:03,799 Speaker 1: So I gotta definitely shot Gi out for making that happen. 141 00:06:03,880 --> 00:06:06,360 Speaker 1: And yeah, it was good vibes. Man. We met his 142 00:06:06,480 --> 00:06:10,680 Speaker 1: mom's right mama, YADDI met. She's really really nice, really warm. 143 00:06:10,720 --> 00:06:13,080 Speaker 1: She felt familiar, It felt like a family member, and 144 00:06:13,600 --> 00:06:16,200 Speaker 1: she welcomed us with open arms. So shout out to 145 00:06:16,240 --> 00:06:18,200 Speaker 1: her for sure. Yeah, man, it's a good one. Man. 146 00:06:18,200 --> 00:06:19,600 Speaker 1: So I feel like, what a good streak right now? 147 00:06:19,640 --> 00:06:21,560 Speaker 1: Be man, list you know, what I'm saying. We gotta 148 00:06:21,600 --> 00:06:25,400 Speaker 1: keep this up. Man, No pressure, Man, no pressure, well, 149 00:06:25,440 --> 00:06:28,640 Speaker 1: ask Laura, asked Laura. Man you if you want more videos, man, 150 00:06:28,680 --> 00:06:30,600 Speaker 1: asked Laura. Man, they're only cam man. Now, we gotta 151 00:06:31,000 --> 00:06:32,520 Speaker 1: not to start giving your videos on more of a 152 00:06:32,560 --> 00:06:34,960 Speaker 1: regular basis now, Man, we just set the bar, so 153 00:06:35,440 --> 00:06:38,120 Speaker 1: we're gonna have to do it. It's only right, all right, 154 00:06:38,120 --> 00:06:40,000 Speaker 1: But let's get into this right now. Man, you're gonna 155 00:06:40,040 --> 00:06:43,360 Speaker 1: enjoy it. Man, Little Yadi Man making his debut. Man, 156 00:06:43,360 --> 00:06:46,679 Speaker 1: that's his debut. B I didn't believe first time. First time. 157 00:06:47,040 --> 00:06:49,840 Speaker 1: Hopefully it's not the last. Yes, Yes, let's get into 158 00:06:49,880 --> 00:06:53,320 Speaker 1: a man. Little Yadi Man rap right on podcast and man, 159 00:06:53,360 --> 00:06:56,680 Speaker 1: we're back in the landing man. Yes, sir. Invited by 160 00:06:56,760 --> 00:07:01,360 Speaker 1: the man himself, Little Yaddio. Hello, Bo, how are you sir? 161 00:07:01,520 --> 00:07:05,280 Speaker 1: I'm good. You're making your debut. Want to rap right up? 162 00:07:05,320 --> 00:07:07,359 Speaker 1: I've been standing to come out these type of things. 163 00:07:07,760 --> 00:07:10,080 Speaker 1: That's not really my crown. But that's what I'm trying 164 00:07:10,080 --> 00:07:11,680 Speaker 1: to say about you. It's like you're gonna you're gonna 165 00:07:11,680 --> 00:07:14,160 Speaker 1: tease this amazing album. This let's start here. You're gonna 166 00:07:14,160 --> 00:07:16,880 Speaker 1: tease it for a while, say you're gonna do direction 167 00:07:17,080 --> 00:07:21,000 Speaker 1: alternative album psychedelic, You're gonna say all that, hype us up, 168 00:07:21,600 --> 00:07:23,600 Speaker 1: give us the album, and then you don't do no interviews. 169 00:07:23,760 --> 00:07:26,080 Speaker 1: I have like nine thousand interviews, so like, I just 170 00:07:26,120 --> 00:07:27,800 Speaker 1: feel like I feel like I have the most out 171 00:07:27,800 --> 00:07:31,440 Speaker 1: of everyone from my generation, I think I spoke the most. 172 00:07:31,160 --> 00:07:34,000 Speaker 1: I just felt like, shit, maybe I should step back up. 173 00:07:34,640 --> 00:07:36,520 Speaker 1: But you can't step back with this album because it's 174 00:07:36,560 --> 00:07:39,200 Speaker 1: so different, such a pushing like you said, I think 175 00:07:39,200 --> 00:07:41,400 Speaker 1: you said, it's like so you represents like a whole 176 00:07:41,440 --> 00:07:43,320 Speaker 1: new chapter of your career. Yeah, But you know, the 177 00:07:43,400 --> 00:07:45,480 Speaker 1: thing is, I feel like people give too much now. 178 00:07:45,920 --> 00:07:47,600 Speaker 1: I feel like that's why I started on as big 179 00:07:47,640 --> 00:07:49,640 Speaker 1: as it used to be, because you know everything and 180 00:07:49,680 --> 00:07:51,320 Speaker 1: that there's anything you don't know, you can just go 181 00:07:51,440 --> 00:07:54,800 Speaker 1: look it up. There's no surprise, you know, like people 182 00:07:55,040 --> 00:07:57,119 Speaker 1: back in the day they don't. I feel like people 183 00:07:57,120 --> 00:07:59,400 Speaker 1: only gave you what they wanted you to see, you know, 184 00:07:59,480 --> 00:08:02,040 Speaker 1: which left so much more element for surprise. And now, like, 185 00:08:03,200 --> 00:08:04,960 Speaker 1: I don't know, I just feel like it's just people. 186 00:08:05,040 --> 00:08:08,720 Speaker 1: It's just everything is out there now. If you're curious 187 00:08:08,720 --> 00:08:11,000 Speaker 1: what somebody is, you could just check see you can 188 00:08:11,080 --> 00:08:13,800 Speaker 1: probably that words whatever you like. They're just posted on 189 00:08:13,880 --> 00:08:15,880 Speaker 1: the story or they in Linden. You know what I'm saying, 190 00:08:15,920 --> 00:08:18,720 Speaker 1: Like you could. It's not like too much access, yeah, 191 00:08:18,760 --> 00:08:20,440 Speaker 1: you know, and I feel and I feel like I'm 192 00:08:20,520 --> 00:08:23,239 Speaker 1: very guilty of that. Like I was beginning of my craft, 193 00:08:23,400 --> 00:08:26,920 Speaker 1: very open, just just whatever you want to know. I'm 194 00:08:26,920 --> 00:08:30,880 Speaker 1: open books whatever, I'm open book whatever. I'm twenty seventeen, 195 00:08:30,880 --> 00:08:32,120 Speaker 1: I was on Twitch, you know what I'm saying, So 196 00:08:32,280 --> 00:08:35,240 Speaker 1: like just all opening, which isn't a bad thing, I 197 00:08:35,280 --> 00:08:38,200 Speaker 1: mean I think, but it does hinder your It hinders 198 00:08:38,240 --> 00:08:40,600 Speaker 1: your stardom. What is it like to fall back and 199 00:08:40,640 --> 00:08:43,440 Speaker 1: then see like it has gotten an embracement that I 200 00:08:43,480 --> 00:08:45,440 Speaker 1: think you wanted right like you put this project out. 201 00:08:45,920 --> 00:08:47,920 Speaker 1: You has said like you want people to look at 202 00:08:47,960 --> 00:08:50,400 Speaker 1: you more serious than artists, and it seems like that's 203 00:08:50,440 --> 00:08:52,160 Speaker 1: what the reception has been. So what has it been 204 00:08:52,240 --> 00:08:54,880 Speaker 1: like to kind of fall back and watch people consume 205 00:08:54,960 --> 00:08:57,440 Speaker 1: the project? It's cool, but I still feel like if 206 00:08:57,400 --> 00:08:59,439 Speaker 1: you work through being dying, you know, I want to 207 00:08:59,440 --> 00:09:01,880 Speaker 1: talk about that or second, because there is this conversation 208 00:09:01,880 --> 00:09:03,559 Speaker 1: on the end there after I said that and people 209 00:09:03,559 --> 00:09:05,800 Speaker 1: took it as me trying to say, like, oh, I 210 00:09:05,800 --> 00:09:08,960 Speaker 1: hate when rappers say I wouldn't be taking as an artist, 211 00:09:09,240 --> 00:09:12,360 Speaker 1: as if I was saying that that like rap isn't 212 00:09:13,200 --> 00:09:15,319 Speaker 1: rap isn't like being like you're not serious if you're 213 00:09:15,600 --> 00:09:18,200 Speaker 1: a rapper. That's not what I meant. But me specifically, 214 00:09:19,160 --> 00:09:21,240 Speaker 1: I do more than rap. You know, for a long 215 00:09:21,320 --> 00:09:23,800 Speaker 1: time my career, I wanted to be takes as a rapper, 216 00:09:23,920 --> 00:09:26,400 Speaker 1: and I said that, and so I would go trying 217 00:09:26,520 --> 00:09:29,040 Speaker 1: do radio interview or freestyles or whatever just because I 218 00:09:29,040 --> 00:09:31,360 Speaker 1: wanted that. I did Michigan boy Boat, you know, like 219 00:09:31,400 --> 00:09:33,120 Speaker 1: I did things like That's when I was trying to 220 00:09:33,160 --> 00:09:35,640 Speaker 1: prove my a rapper, you know, and I'm past that 221 00:09:35,840 --> 00:09:38,360 Speaker 1: now I'm proving I'm an artist, you know. But people, 222 00:09:38,400 --> 00:09:40,400 Speaker 1: it's so crazy in music when you can do so 223 00:09:40,480 --> 00:09:43,800 Speaker 1: many things, but people skip such a like if people 224 00:09:43,840 --> 00:09:46,600 Speaker 1: don't follow you, you know, they have no clue of 225 00:09:47,240 --> 00:09:51,120 Speaker 1: a history. So when they do start following you, they 226 00:09:51,240 --> 00:09:54,880 Speaker 1: just completely right off whatever you've done beforehand, and no 227 00:09:54,920 --> 00:09:57,160 Speaker 1: one actually does homework or care enough to go look 228 00:09:57,160 --> 00:09:59,400 Speaker 1: back because just what they see, you know, so it's 229 00:10:00,080 --> 00:10:03,480 Speaker 1: year or two end. But I never rode off being 230 00:10:03,520 --> 00:10:06,440 Speaker 1: a rapper as like not being taken serious, or we're 231 00:10:06,520 --> 00:10:10,480 Speaker 1: not being as big as other genre musicians or any 232 00:10:10,480 --> 00:10:13,400 Speaker 1: of that. I just specifically myself and I speaking on 233 00:10:13,440 --> 00:10:15,199 Speaker 1: no one else or the genre. I wanted to be 234 00:10:15,240 --> 00:10:16,880 Speaker 1: taking serious as an artists. That's so you tweeted you 235 00:10:16,880 --> 00:10:18,480 Speaker 1: said you wanted to be respected as an artist. Do 236 00:10:18,520 --> 00:10:20,640 Speaker 1: you feel like you weren't being respected before? I feel 237 00:10:20,679 --> 00:10:22,880 Speaker 1: I've always felt like I was gonna be respected as 238 00:10:22,920 --> 00:10:25,720 Speaker 1: an artist, as a rapper, just in general, which is true. 239 00:10:25,800 --> 00:10:27,640 Speaker 1: Thesn't mean we could act like it's not true, but 240 00:10:27,679 --> 00:10:30,440 Speaker 1: it's true. You know, people came in and a generation 241 00:10:30,520 --> 00:10:33,520 Speaker 1: where it was new, you know, and people hated us 242 00:10:33,559 --> 00:10:36,840 Speaker 1: because we were not only were we fucking killing everything, 243 00:10:37,360 --> 00:10:41,720 Speaker 1: you know, shitting on everybody, you know, making the most 244 00:10:41,720 --> 00:10:44,280 Speaker 1: money or whatever. We were different and we weren't afraid 245 00:10:44,280 --> 00:10:46,040 Speaker 1: of it, you know. And it was a period of 246 00:10:46,040 --> 00:10:49,080 Speaker 1: time where hip hop wasn't as nice, you know, as friendly, 247 00:10:49,120 --> 00:10:53,600 Speaker 1: as colorful, as as as care free as it's becoming. 248 00:10:54,120 --> 00:10:57,000 Speaker 1: And I remember coming in it was niggas was gangster, 249 00:10:57,240 --> 00:10:59,400 Speaker 1: you know, in hardcore and tough and street, and it 250 00:10:59,520 --> 00:11:01,160 Speaker 1: was that's what it was, and that's what it had 251 00:11:01,200 --> 00:11:04,160 Speaker 1: always been known until we knocked on the door and 252 00:11:04,240 --> 00:11:06,760 Speaker 1: said hey, we're here, you know, and it was it 253 00:11:07,120 --> 00:11:09,520 Speaker 1: was a tough thing for a lot of hip hop 254 00:11:09,640 --> 00:11:12,640 Speaker 1: purists to accept for a long time until like we 255 00:11:12,800 --> 00:11:14,800 Speaker 1: just like weren't going away, you know, it was trying 256 00:11:14,840 --> 00:11:16,440 Speaker 1: to get rolled off as you know, we were one 257 00:11:16,480 --> 00:11:18,760 Speaker 1: hit Wonders at First Step and one and like, oh 258 00:11:18,840 --> 00:11:21,000 Speaker 1: out the year, this should have fade. You know, we're 259 00:11:21,040 --> 00:11:24,839 Speaker 1: still here seven years later. So I think it's become more. Also, 260 00:11:24,880 --> 00:11:26,959 Speaker 1: the internet, you know, being is how it is now. 261 00:11:27,000 --> 00:11:29,080 Speaker 1: I think everything has just come around to a different 262 00:11:29,080 --> 00:11:31,800 Speaker 1: time period. But now I don't think I've ever really 263 00:11:31,840 --> 00:11:36,400 Speaker 1: been respected until maybe now you know, um and that 264 00:11:36,559 --> 00:11:38,960 Speaker 1: and and and it's I never cried of it, Like 265 00:11:39,000 --> 00:11:42,440 Speaker 1: I was just saying I was shooting on respective earned right. 266 00:11:42,480 --> 00:11:44,839 Speaker 1: So like I wasn't like, oh well I don't try 267 00:11:44,880 --> 00:11:47,000 Speaker 1: to respect me. I was okay, I earned it. I've 268 00:11:47,000 --> 00:11:48,800 Speaker 1: always had that mindset. I've never felt like I was 269 00:11:48,840 --> 00:11:52,040 Speaker 1: deserving it whatever. Like I cool, I get that, you know, 270 00:11:52,200 --> 00:11:53,880 Speaker 1: maybe not be the mom and not be this album 271 00:11:54,160 --> 00:11:57,520 Speaker 1: when I did it that you tweet that you're grateful 272 00:11:57,520 --> 00:11:59,440 Speaker 1: for the response for the album, right, Like, what are 273 00:11:59,440 --> 00:12:02,320 Speaker 1: some of those actions that you were expecting. It's not 274 00:12:02,360 --> 00:12:05,560 Speaker 1: that it's nothing I wasn't expecting, you know, Um, I 275 00:12:05,679 --> 00:12:10,280 Speaker 1: fully expect expected it because it is what it is, 276 00:12:10,400 --> 00:12:13,959 Speaker 1: you know, like the body of work is. It's great, 277 00:12:14,320 --> 00:12:17,480 Speaker 1: you know, like I can say that full my chest out, 278 00:12:17,520 --> 00:12:19,520 Speaker 1: you know, because I'm so confident in which I've never 279 00:12:19,520 --> 00:12:22,040 Speaker 1: been able to say before about anything I've done. So 280 00:12:22,080 --> 00:12:26,559 Speaker 1: I'm but just to see it in real time it's 281 00:12:26,600 --> 00:12:29,240 Speaker 1: great because like I said, I don't I don't. Yeah, 282 00:12:29,240 --> 00:12:31,160 Speaker 1: a lot of hate, which I don't give a fuck 283 00:12:31,200 --> 00:12:34,480 Speaker 1: about it, but like you become accustomed to it and 284 00:12:34,520 --> 00:12:37,160 Speaker 1: it just becomes a part of like everyday routine. So 285 00:12:37,280 --> 00:12:40,040 Speaker 1: like when like you do something that you do you've 286 00:12:40,040 --> 00:12:43,319 Speaker 1: been doing for seven years and responses polar opposite. I mean, 287 00:12:43,400 --> 00:12:45,920 Speaker 1: just like even from like like I've had people who 288 00:12:45,960 --> 00:12:48,840 Speaker 1: love my music, but just to the way people are responding, 289 00:12:48,880 --> 00:12:52,800 Speaker 1: like they give me deep details and like just thanking me, 290 00:12:52,920 --> 00:12:55,439 Speaker 1: and like man, it's just just all these things that 291 00:12:55,720 --> 00:12:58,200 Speaker 1: I'm just like I'm not really used to so I'm appreciative, 292 00:12:58,440 --> 00:13:00,640 Speaker 1: but I never I've never to it. Gould do like 293 00:13:00,840 --> 00:13:05,160 Speaker 1: cool to thank somebody and I appreciate something, you know, 294 00:13:05,160 --> 00:13:07,640 Speaker 1: because like it wasn't an easy album to make, you know. 295 00:13:07,679 --> 00:13:10,200 Speaker 1: It took a lot of effort and work in time, 296 00:13:10,280 --> 00:13:14,520 Speaker 1: and so for people to appreciate it and respect it, 297 00:13:14,559 --> 00:13:16,960 Speaker 1: and and even if you didn't like it, you know, 298 00:13:17,080 --> 00:13:20,120 Speaker 1: but like just like take the time. I'm appreciative because 299 00:13:20,160 --> 00:13:21,520 Speaker 1: like I said, it wasn't easy and it took a 300 00:13:21,559 --> 00:13:24,240 Speaker 1: lot of time. What was that process like for you? Oh, 301 00:13:24,280 --> 00:13:27,080 Speaker 1: it was different than anything I've ever did. You know. 302 00:13:27,120 --> 00:13:30,800 Speaker 1: It took six months to make I did in Brooklyn. 303 00:13:31,160 --> 00:13:34,240 Speaker 1: It was hectic. Now I did with these five white 304 00:13:34,240 --> 00:13:37,880 Speaker 1: guys I had in a real small studio in Greenpoint, 305 00:13:38,480 --> 00:13:42,960 Speaker 1: and it was like a fucking magic rock And we 306 00:13:43,000 --> 00:13:45,400 Speaker 1: did every day for six months from like one pm 307 00:13:45,400 --> 00:13:49,200 Speaker 1: to six am straight six months, you know, and then 308 00:13:49,360 --> 00:13:53,079 Speaker 1: another six months after had a mixing them. U So 309 00:13:53,160 --> 00:13:56,120 Speaker 1: like a good year. But as far as creating the project, 310 00:13:56,120 --> 00:13:59,080 Speaker 1: it was a strong six months. Every single day for 311 00:13:59,200 --> 00:14:01,640 Speaker 1: like I'm telling it was like a one to six 312 00:14:01,679 --> 00:14:04,320 Speaker 1: am schedule. It just became something I was just like 313 00:14:04,360 --> 00:14:06,679 Speaker 1: I was amped on, you know. But at the same time, 314 00:14:07,280 --> 00:14:10,760 Speaker 1: in real in real life, I knew like that I 315 00:14:10,800 --> 00:14:14,400 Speaker 1: had this integrity because well I was. I knew that 316 00:14:14,400 --> 00:14:16,640 Speaker 1: the project I was making was so different from anything 317 00:14:16,640 --> 00:14:19,200 Speaker 1: I've ever done, right, So, like, with that being said 318 00:14:19,200 --> 00:14:20,960 Speaker 1: in my mind, I had to tell me. I said, okay, 319 00:14:20,960 --> 00:14:23,160 Speaker 1: well I know where I want to pivot, and the 320 00:14:23,200 --> 00:14:25,280 Speaker 1: reason that I'm supposed to come out way earlier than 321 00:14:25,320 --> 00:14:27,320 Speaker 1: it did because it had been done. So I started 322 00:14:27,320 --> 00:14:30,560 Speaker 1: telling myself, well, I got a fall back on shows 323 00:14:30,600 --> 00:14:32,880 Speaker 1: because I haven't dropped any music, and I know I 324 00:14:32,920 --> 00:14:35,200 Speaker 1: wanted a new look because it knew everything. So if 325 00:14:35,240 --> 00:14:37,880 Speaker 1: I keep getting people face dropping rap music or doing shows, 326 00:14:38,200 --> 00:14:40,800 Speaker 1: then it's gonna it's gonna be weird, you know. So 327 00:14:40,840 --> 00:14:43,360 Speaker 1: I fell back. Did a year. I did no shows, 328 00:14:43,600 --> 00:14:45,760 Speaker 1: which is hard because I did nothing. You know, I 329 00:14:45,800 --> 00:14:48,720 Speaker 1: was in the house. Yeah, I did nothing. I know 330 00:14:48,760 --> 00:14:50,600 Speaker 1: I did. That's a book just because of my integrity, 331 00:14:50,640 --> 00:14:52,240 Speaker 1: Like I know what in my drop. I know I'm 332 00:14:52,240 --> 00:14:53,640 Speaker 1: about the pivot. I know where I want to do 333 00:14:54,000 --> 00:14:57,360 Speaker 1: and obviously you can't book shows, you know, telling people, oh, 334 00:14:57,400 --> 00:15:00,560 Speaker 1: you know I'm about to do something. I want to 335 00:15:00,880 --> 00:15:02,800 Speaker 1: know if it's any good or not. You don't believe me. 336 00:15:03,160 --> 00:15:06,520 Speaker 1: So like I just had to stand my back up 337 00:15:06,560 --> 00:15:08,240 Speaker 1: and like like like I know what I'm doing, I 338 00:15:08,320 --> 00:15:11,440 Speaker 1: know I'm about to do and then drop it. I 339 00:15:11,480 --> 00:15:13,200 Speaker 1: never think will come and that's what happened, you know, 340 00:15:13,240 --> 00:15:16,480 Speaker 1: all these I'm getting book left and right everywhere. So 341 00:15:16,640 --> 00:15:18,640 Speaker 1: it's cool, you know, but it was it was a 342 00:15:18,680 --> 00:15:21,920 Speaker 1: long year also finding myself and just trying to figure 343 00:15:21,960 --> 00:15:23,760 Speaker 1: out because I knew what I wanted to do, but 344 00:15:23,880 --> 00:15:25,400 Speaker 1: I damn sure it and I know how to do it. 345 00:15:26,000 --> 00:15:28,560 Speaker 1: So too, that the album you always wanted to make 346 00:15:28,560 --> 00:15:33,600 Speaker 1: it absolutely absolutely, yeah, of course, um, just because it's 347 00:15:33,640 --> 00:15:36,760 Speaker 1: just different. No, like i'd be so keen on like 348 00:15:36,880 --> 00:15:38,920 Speaker 1: I want to stand on if everyone's stand on the right, 349 00:15:38,920 --> 00:15:41,480 Speaker 1: I want to stand on the left, you know, just 350 00:15:41,520 --> 00:15:45,080 Speaker 1: because like no one thinks for themselves and that's cool, 351 00:15:45,080 --> 00:15:47,120 Speaker 1: that's fine, But I got a brain. I use it, 352 00:15:47,520 --> 00:15:48,920 Speaker 1: you know what I'm saying. So like I don't want 353 00:15:48,920 --> 00:15:50,800 Speaker 1: to I don't I want to do what I want 354 00:15:50,800 --> 00:15:52,920 Speaker 1: to do, you know. And I didn't know. I mean 355 00:15:52,960 --> 00:15:55,760 Speaker 1: I knew, I knew that it was good. I didn't 356 00:15:55,760 --> 00:15:57,160 Speaker 1: know if people would like it, but I knew it 357 00:15:57,200 --> 00:15:59,640 Speaker 1: was good, you know. Like I knew I stood on it, 358 00:15:59,720 --> 00:16:01,880 Speaker 1: you know, and I was confident about it. And it's 359 00:16:01,880 --> 00:16:04,320 Speaker 1: not no shit that I'd be like, man, I hate 360 00:16:04,320 --> 00:16:06,360 Speaker 1: this song, like I knew I liked every song. I 361 00:16:06,360 --> 00:16:08,400 Speaker 1: loved every song, you know, and I know I put 362 00:16:08,440 --> 00:16:10,680 Speaker 1: my actual heart into it and I actually had something 363 00:16:10,720 --> 00:16:12,520 Speaker 1: to do with it from start to finish. So who 364 00:16:12,600 --> 00:16:17,160 Speaker 1: these five white boys in green Point Battery Batman, that's 365 00:16:17,000 --> 00:16:21,520 Speaker 1: it's uh Sad Ponty, which is you got Justin raising, 366 00:16:22,200 --> 00:16:27,640 Speaker 1: uh Jeremiah raising their brothers. You got Patrick Wonberally Jake Portrait. 367 00:16:28,160 --> 00:16:30,840 Speaker 1: That was fine. Yeah, those guys, one of them over there. Yeah, 368 00:16:30,880 --> 00:16:34,720 Speaker 1: they're great, man. They were really really intelligent guys, and 369 00:16:34,760 --> 00:16:38,520 Speaker 1: they were able to take my vision and I because 370 00:16:38,560 --> 00:16:40,640 Speaker 1: I'm I know what I want, but I don't have 371 00:16:40,680 --> 00:16:43,400 Speaker 1: the best music theory, so like I'm not the best 372 00:16:43,480 --> 00:16:45,800 Speaker 1: that completely saying what I'm trying to say, but they 373 00:16:45,920 --> 00:16:49,600 Speaker 1: all could, like I'm just articulate what I was trying 374 00:16:49,600 --> 00:16:52,040 Speaker 1: to get out every time, and we were able to 375 00:16:52,080 --> 00:16:54,880 Speaker 1: bring it to life, which was great because sometimes I 376 00:16:55,120 --> 00:16:56,920 Speaker 1: know what I want so bad when it comes to music, 377 00:16:56,960 --> 00:16:59,000 Speaker 1: but I don't know exactly, I don't know notes and 378 00:16:59,240 --> 00:17:01,120 Speaker 1: all those kinds of things to say it, but iver 379 00:17:01,240 --> 00:17:04,760 Speaker 1: to we worked together seamlessly and we really brought it 380 00:17:05,400 --> 00:17:07,720 Speaker 1: to life. So where they like feeding you music that 381 00:17:07,760 --> 00:17:10,880 Speaker 1: you weren't familiar with No No. I mean, we played music, 382 00:17:10,920 --> 00:17:13,840 Speaker 1: but this is I listened to this stuff. Yeah, So 383 00:17:13,960 --> 00:17:15,800 Speaker 1: like it was like this is my world. All my 384 00:17:15,880 --> 00:17:18,919 Speaker 1: references came for me, you know. Every reference that I 385 00:17:18,960 --> 00:17:22,120 Speaker 1: did came from. Every reference on this album was something 386 00:17:22,160 --> 00:17:23,960 Speaker 1: that I was listening to, what I was fucking with, 387 00:17:24,440 --> 00:17:28,000 Speaker 1: what I was into, you know, for sure. So even 388 00:17:28,040 --> 00:17:30,159 Speaker 1: with an album title like what do you mean by 389 00:17:30,280 --> 00:17:32,320 Speaker 1: let's start here, let's start here? It was like I 390 00:17:32,400 --> 00:17:35,080 Speaker 1: changed the album like six times the title, but but 391 00:17:35,200 --> 00:17:37,920 Speaker 1: let's start here was was just basically it sounds like 392 00:17:38,960 --> 00:17:42,960 Speaker 1: it's chapter two. You know. I'm so grateful for my career, 393 00:17:43,280 --> 00:17:45,440 Speaker 1: you know, and I'm so thankful for all the things 394 00:17:45,520 --> 00:17:46,879 Speaker 1: that I've happened to me to be able to take 395 00:17:46,920 --> 00:17:49,320 Speaker 1: care of my family and just live a comfortable life 396 00:17:49,320 --> 00:17:53,560 Speaker 1: and and and even even entertain people and like, you know, 397 00:17:53,640 --> 00:17:56,040 Speaker 1: make people happier or get people a song to love 398 00:17:56,200 --> 00:18:00,639 Speaker 1: or whatever, you know, but I wanted more, Like I think, 399 00:18:00,800 --> 00:18:03,280 Speaker 1: I think one thing that I feel like was always 400 00:18:03,359 --> 00:18:06,960 Speaker 1: misunderstood about me was that it was how people perceived 401 00:18:07,040 --> 00:18:09,920 Speaker 1: me to be this guy who just like probably just 402 00:18:10,119 --> 00:18:12,040 Speaker 1: was well this one in the beginning of my career. 403 00:18:12,040 --> 00:18:15,640 Speaker 1: But just like it's like internet one hit wonder kid 404 00:18:15,680 --> 00:18:20,400 Speaker 1: who got lucky? You know, like music, you didn't care. Yeah, yeah, 405 00:18:20,880 --> 00:18:23,080 Speaker 1: I just didn't give a fuck, you know, because I 406 00:18:23,080 --> 00:18:25,480 Speaker 1: didn't listen to Tupacer Biggie, right, you know what I'm saying. 407 00:18:25,480 --> 00:18:28,720 Speaker 1: But music is my life, you know. I love all 408 00:18:28,840 --> 00:18:31,560 Speaker 1: genres of it. It's a part of every single second 409 00:18:31,560 --> 00:18:35,040 Speaker 1: of my day, you know. So I think, um, let's 410 00:18:35,040 --> 00:18:37,919 Speaker 1: start heal was just like it's like a clean slate, 411 00:18:38,240 --> 00:18:40,639 Speaker 1: you know. And that doesn't mean yeah, but it doesn't 412 00:18:40,640 --> 00:18:42,399 Speaker 1: mean I won't rapper again. It doesn't I don't like 413 00:18:42,480 --> 00:18:45,200 Speaker 1: rapping or I'm done rapping. I'm no longer rapper. It's 414 00:18:45,240 --> 00:18:48,160 Speaker 1: just like this is chapter two. Now what comes next? 415 00:18:48,240 --> 00:18:51,720 Speaker 1: I genuinely don't even fucking know, right, but but this 416 00:18:51,800 --> 00:18:54,600 Speaker 1: is my arc. We're high. I stepped up and I 417 00:18:54,760 --> 00:18:58,520 Speaker 1: show you know, my artistry, you know, my creativity, and 418 00:18:58,680 --> 00:19:01,200 Speaker 1: just like I'm no longer were half ass and not that. 419 00:19:01,480 --> 00:19:03,080 Speaker 1: And I feel like I've done a lot of half 420 00:19:03,119 --> 00:19:07,840 Speaker 1: ass like um, and I'm just I'm no longer doing 421 00:19:07,840 --> 00:19:11,560 Speaker 1: anything mediocre even the art direction too. Like it's like 422 00:19:11,600 --> 00:19:15,000 Speaker 1: a bunch of executives laughing on the cover, like meeting 423 00:19:15,080 --> 00:19:18,800 Speaker 1: behind that, you know, back to what I was saying 424 00:19:18,800 --> 00:19:20,919 Speaker 1: in the first I want to leave everything open from 425 00:19:21,560 --> 00:19:24,439 Speaker 1: everything open for interpretation. You know, I don't want to 426 00:19:25,720 --> 00:19:28,919 Speaker 1: I don't want to spoil or ruin anything for anyone. 427 00:19:28,960 --> 00:19:30,840 Speaker 1: But I mean there's reasons for everything, you know. But 428 00:19:30,920 --> 00:19:32,880 Speaker 1: I like people. I like letting people think whatever they 429 00:19:32,920 --> 00:19:35,520 Speaker 1: want to think. Was that quickly? What's something that you 430 00:19:35,640 --> 00:19:37,359 Speaker 1: landed on? Is you wanted to vision to beat at? It? 431 00:19:37,440 --> 00:19:39,879 Speaker 1: Was that something? Now? Like I said, I changed the 432 00:19:39,920 --> 00:19:42,840 Speaker 1: six seven times everything about it from the cover to 433 00:19:42,960 --> 00:19:46,920 Speaker 1: the artwork, like six seven times because it was just like, man, 434 00:19:47,160 --> 00:19:49,800 Speaker 1: it was so many elements that it was. The album 435 00:19:49,880 --> 00:19:52,560 Speaker 1: goes so many places. So it's like you could name 436 00:19:52,600 --> 00:19:54,840 Speaker 1: it so many things. It could be about so many things. 437 00:19:54,920 --> 00:19:57,919 Speaker 1: They could represent so many things. What was your biggest 438 00:19:57,960 --> 00:20:00,159 Speaker 1: challenge in creating the album? We look back at it, 439 00:20:00,800 --> 00:20:04,560 Speaker 1: like I said, just mind my integrity, like saying, okay, well, 440 00:20:04,600 --> 00:20:08,479 Speaker 1: I can't do I can't try to do no you know, 441 00:20:09,200 --> 00:20:12,560 Speaker 1: rolling lows or like all these no shows or like 442 00:20:12,640 --> 00:20:15,879 Speaker 1: no rap festivals or anything like or Ion dropped no 443 00:20:15,960 --> 00:20:19,000 Speaker 1: rap music nothing. Because I'm trying to I know that 444 00:20:19,040 --> 00:20:22,000 Speaker 1: I want to switch my image, you know, and if 445 00:20:22,040 --> 00:20:23,920 Speaker 1: you just keep That's why I was upset on Poland 446 00:20:24,000 --> 00:20:27,880 Speaker 1: Job because like um, I was, I was planning the 447 00:20:28,000 --> 00:20:30,400 Speaker 1: arc of changing, you know. So like when this big 448 00:20:30,520 --> 00:20:34,240 Speaker 1: rap fun record came out, it just it wasn't where 449 00:20:34,280 --> 00:20:35,919 Speaker 1: I was trying to go, you know. So it was 450 00:20:35,920 --> 00:20:41,200 Speaker 1: real irritating. But I'm thankful nothingtheless, because it was received well. Um, 451 00:20:41,840 --> 00:20:43,440 Speaker 1: and it kind of gave away my sound just a 452 00:20:43,480 --> 00:20:46,280 Speaker 1: little bit, you know, for the album. But it feels 453 00:20:46,280 --> 00:20:48,359 Speaker 1: like you know, back in like twenty twenty one, like 454 00:20:48,359 --> 00:20:51,160 Speaker 1: the record like Love Music or even like Breathe Deeper, 455 00:20:51,200 --> 00:20:55,399 Speaker 1: it has elements of that deeper. Yes maybe, and I 456 00:20:55,480 --> 00:20:57,800 Speaker 1: think not really, but you know what it is, people 457 00:20:57,880 --> 00:21:01,720 Speaker 1: just compared to Tamon Pilot because people's palette don't that's 458 00:21:01,800 --> 00:21:04,359 Speaker 1: not stretch that far. How you feel about that, Like 459 00:21:04,359 --> 00:21:06,760 Speaker 1: there's a lot of critics that have accusing you just well, 460 00:21:07,160 --> 00:21:09,119 Speaker 1: first off, I want to say that Kevin Parker is 461 00:21:09,200 --> 00:21:12,640 Speaker 1: a very big inspiration, you know, but nothing sounds like him, 462 00:21:12,960 --> 00:21:14,960 Speaker 1: you know on the album. You know, like he inspired 463 00:21:15,080 --> 00:21:18,879 Speaker 1: me absolutely, Tam and Poler absolutely inspired me, but nothing 464 00:21:19,000 --> 00:21:20,800 Speaker 1: There's not a song you could play and then play 465 00:21:20,840 --> 00:21:24,520 Speaker 1: a Tam Paula song. I'm like, see, like there's no recollection, 466 00:21:24,600 --> 00:21:26,720 Speaker 1: you know what I'm saying. But but people, like I said, 467 00:21:26,760 --> 00:21:28,960 Speaker 1: and it's something that Tyler taught me a while ago 468 00:21:29,040 --> 00:21:32,440 Speaker 1: that people don't know much. So like when people see something, 469 00:21:32,480 --> 00:21:35,160 Speaker 1: they just compare it to whatever it's the closest thing 470 00:21:35,240 --> 00:21:37,720 Speaker 1: they can, which is Tim and Poler because that's only 471 00:21:37,760 --> 00:21:40,439 Speaker 1: that's really genuinely almost the only psych rock people in 472 00:21:40,480 --> 00:21:45,119 Speaker 1: the modern demographic Note you know, or Pink Lloyd you know. 473 00:21:45,200 --> 00:21:47,639 Speaker 1: So it's like those two, which those two both did 474 00:21:47,800 --> 00:21:51,440 Speaker 1: inspire me. But um, yeah, it's cool. I don't I 475 00:21:51,440 --> 00:21:54,240 Speaker 1: don't really think anything that sounds like deeper, but I understand, 476 00:21:54,600 --> 00:21:56,480 Speaker 1: you know, I was. I was super hyped that he 477 00:21:56,560 --> 00:21:59,199 Speaker 1: even reached out to me to do that remix. Um, 478 00:21:59,320 --> 00:22:01,520 Speaker 1: but it's not it inspired me to make the album. 479 00:22:01,520 --> 00:22:06,080 Speaker 1: I was already on this path. Yeah, I think when 480 00:22:06,119 --> 00:22:07,840 Speaker 1: the album drop, I think Tyler. You speak of Tyler 481 00:22:07,840 --> 00:22:10,000 Speaker 1: the creator, who's a friend of yours, somebody you said 482 00:22:10,040 --> 00:22:12,480 Speaker 1: you talked to for advice or chop it up with. 483 00:22:13,080 --> 00:22:15,840 Speaker 1: I think he shared running out of Time when your 484 00:22:15,840 --> 00:22:18,200 Speaker 1: album came out, you know, if that's his favorite from 485 00:22:18,359 --> 00:22:20,840 Speaker 1: from the job Oh. Nah. I don't know if that's 486 00:22:20,840 --> 00:22:24,639 Speaker 1: his favorite. He hasn't. We haven't talked about it. He 487 00:22:24,720 --> 00:22:26,440 Speaker 1: asked me. He texted me the other day, but we 488 00:22:26,480 --> 00:22:28,240 Speaker 1: didn't really get into it. I don't know if that's 489 00:22:28,320 --> 00:22:30,960 Speaker 1: his favorite, but I just see that that was That 490 00:22:31,080 --> 00:22:32,760 Speaker 1: was great. But he was a big reason why I 491 00:22:32,800 --> 00:22:36,360 Speaker 1: did start the project. Not because it's something he did, 492 00:22:36,359 --> 00:22:39,480 Speaker 1: but just a conversation we had that really just got 493 00:22:39,520 --> 00:22:43,720 Speaker 1: me off from my butt, like, Okay, if I'm gonna 494 00:22:43,760 --> 00:22:46,200 Speaker 1: do something, I should just hone in and do it, 495 00:22:46,640 --> 00:22:50,080 Speaker 1: you know, like I said, not half ass, really fully 496 00:22:52,040 --> 00:22:55,320 Speaker 1: go in and do what I want to do. Keep 497 00:22:55,359 --> 00:22:57,800 Speaker 1: saying half assed, you think you're just being harsh to yourself. 498 00:22:57,840 --> 00:23:02,040 Speaker 1: Hal Fast just means half made some big records, my guy. 499 00:23:02,600 --> 00:23:06,080 Speaker 1: But I Fast me it's just like man, half fast 500 00:23:06,119 --> 00:23:10,080 Speaker 1: and it's just like picking fifteen songs and and okay, 501 00:23:10,119 --> 00:23:12,800 Speaker 1: this's the album, you know, hal Fast and just taking 502 00:23:12,800 --> 00:23:14,679 Speaker 1: a bunch of beach and just like a bunch of 503 00:23:14,680 --> 00:23:16,800 Speaker 1: records and I have nothing to do with each other, 504 00:23:16,840 --> 00:23:18,600 Speaker 1: and just kind of like, ah, this is what it is. 505 00:23:18,840 --> 00:23:20,720 Speaker 1: That's what I did. I thought I'll record a couple 506 00:23:20,760 --> 00:23:23,320 Speaker 1: hundred songs, picked the ones I thought sounded best because 507 00:23:23,320 --> 00:23:25,800 Speaker 1: you say you work fast. Yeah, yeah, I'm not still 508 00:23:25,880 --> 00:23:28,159 Speaker 1: right fast. I did this album fairly fast compared to 509 00:23:28,240 --> 00:23:30,440 Speaker 1: someone else. I doubt anyone else could do it as fast. 510 00:23:30,600 --> 00:23:33,800 Speaker 1: We're faster, you know, to the sonic level and to 511 00:23:33,920 --> 00:23:37,040 Speaker 1: the just to where it is. You know. Um, I 512 00:23:37,040 --> 00:23:39,679 Speaker 1: didn't cut any corners, but I still did it pretty fast. 513 00:23:40,119 --> 00:23:42,840 Speaker 1: Oh no, even videos like I didn't really fully put 514 00:23:42,880 --> 00:23:45,080 Speaker 1: all into that. It just like or anything. It's just 515 00:23:45,200 --> 00:23:48,000 Speaker 1: kind of like, I don't know, I just never really 516 00:23:48,200 --> 00:23:49,920 Speaker 1: I don't know. It's not that I didn't care, because 517 00:23:49,960 --> 00:23:51,840 Speaker 1: I cared, but I just was younger and I just 518 00:23:51,960 --> 00:23:55,359 Speaker 1: wasn't really like it must have been crazy for you 519 00:23:55,359 --> 00:23:57,359 Speaker 1: because he came in. It was intentional though, right, you 520 00:23:57,400 --> 00:24:01,840 Speaker 1: come in red hair, I'm a dude. He feels like 521 00:24:01,840 --> 00:24:03,680 Speaker 1: too much gangster me like I'm here to shake the 522 00:24:03,720 --> 00:24:06,560 Speaker 1: whole ship up and did that. I wasn't my intention 523 00:24:06,600 --> 00:24:08,399 Speaker 1: to shake shut up. I was just coming in as me, 524 00:24:08,680 --> 00:24:11,439 Speaker 1: you know. But once we came in shot we I 525 00:24:11,520 --> 00:24:14,280 Speaker 1: started realizing what was happening. But my attention was I 526 00:24:14,320 --> 00:24:16,639 Speaker 1: wasn't like offen fuck the rap, damn up, you know, 527 00:24:16,760 --> 00:24:21,080 Speaker 1: like I was just a kid, who made music, you know. 528 00:24:21,320 --> 00:24:23,160 Speaker 1: But I also I wasn't going to back down from anything. 529 00:24:23,160 --> 00:24:26,320 Speaker 1: I'm gonna back down from any DJ or any anyone 530 00:24:26,480 --> 00:24:28,560 Speaker 1: saying oh you were this or you can't do that, 531 00:24:28,680 --> 00:24:31,080 Speaker 1: or y'all or this y'all. I just I didn't care. 532 00:24:31,400 --> 00:24:34,399 Speaker 1: Yeah ever, you know. But that wasn't intentionally like my 533 00:24:34,480 --> 00:24:37,280 Speaker 1: plan wasn't to come like fuck, shut up. I just 534 00:24:37,280 --> 00:24:39,720 Speaker 1: want to make some money. Maybe it was a lot 535 00:24:39,720 --> 00:24:42,560 Speaker 1: of that. And you say you blew out like he 536 00:24:42,600 --> 00:24:44,920 Speaker 1: said he blew about thirty millions before he was twenty five. 537 00:24:45,000 --> 00:24:48,200 Speaker 1: Now that's true. That's the fact was. I was taking 538 00:24:48,200 --> 00:24:50,040 Speaker 1: a mom duke and she was saying, like, how you 539 00:24:50,080 --> 00:24:52,360 Speaker 1: know you have like over one hundred and fifty endorsements 540 00:24:52,440 --> 00:24:54,399 Speaker 1: and like made the Forbes list twice. He got the 541 00:24:54,400 --> 00:24:56,960 Speaker 1: pizza brand and Walmart, like I didn't even realize old 542 00:24:57,080 --> 00:24:59,760 Speaker 1: like y'all, he's this ultimate spokesmanth like get out of 543 00:24:59,760 --> 00:25:03,600 Speaker 1: the way. Shock. Well. I love that man. I could 544 00:25:03,640 --> 00:25:06,040 Speaker 1: so cool. I'm just happy I met him and connected 545 00:25:06,040 --> 00:25:08,040 Speaker 1: with him. He's such a business man. But I think 546 00:25:08,080 --> 00:25:10,439 Speaker 1: it's just it's more to it. It's more puzzles to 547 00:25:10,480 --> 00:25:13,520 Speaker 1: a piece than one. And I think that's always where 548 00:25:13,520 --> 00:25:16,840 Speaker 1: I've been ahead of other artists, other rappers, artists both, 549 00:25:17,119 --> 00:25:20,119 Speaker 1: you know, Like it's there's so many pieces to a 550 00:25:20,160 --> 00:25:23,680 Speaker 1: puzzle them just the music you make, right, But sure 551 00:25:24,000 --> 00:25:26,760 Speaker 1: in the Walmart pizza brand, that's doing pretty well, right, 552 00:25:26,800 --> 00:25:31,040 Speaker 1: I love it. I can eat it for free your own. 553 00:25:32,560 --> 00:25:36,000 Speaker 1: That's great. That's been. It's so good for real, absolutely 554 00:25:36,080 --> 00:25:39,200 Speaker 1: ahead to get a slice after we're done. But it's 555 00:25:39,240 --> 00:25:41,240 Speaker 1: also dope about the album, man, I noticed, you know, 556 00:25:41,320 --> 00:25:43,159 Speaker 1: you have a lot of different voices on there. You 557 00:25:43,200 --> 00:25:45,199 Speaker 1: didn't put them on there on the track list. I 558 00:25:45,240 --> 00:25:48,480 Speaker 1: was intentional. It was off. Man, it was like a 559 00:25:48,600 --> 00:25:51,000 Speaker 1: thing I just wanted to be. I like, I just 560 00:25:51,040 --> 00:25:53,640 Speaker 1: didn't want you to focus on that, you know, Um, 561 00:25:53,800 --> 00:25:56,199 Speaker 1: I wanted you to focus on the album. It's how 562 00:25:56,200 --> 00:25:59,280 Speaker 1: about who's born it? It's just about the music. It's 563 00:25:59,280 --> 00:26:01,199 Speaker 1: just not even about me all the time. I'm not 564 00:26:01,240 --> 00:26:03,760 Speaker 1: even like I'm not in every part of every song. 565 00:26:04,080 --> 00:26:06,760 Speaker 1: That was just about the It's an experience. It's a 566 00:26:06,880 --> 00:26:11,879 Speaker 1: it's a it's a like, it's a feeling in a moment, 567 00:26:12,000 --> 00:26:13,800 Speaker 1: you know. So it's not about like, it wasn't about 568 00:26:13,800 --> 00:26:16,680 Speaker 1: the lyrics, it wasn't about the bars. I wasn't trying 569 00:26:16,720 --> 00:26:19,280 Speaker 1: to wow anybody and like just like, oh you heard 570 00:26:19,320 --> 00:26:21,080 Speaker 1: what he said. It wasn't about that. It was just 571 00:26:21,119 --> 00:26:24,440 Speaker 1: the experience that it'll take you one if you relax 572 00:26:24,520 --> 00:26:27,240 Speaker 1: yourself and allow yourself to get into it. You know. 573 00:26:27,400 --> 00:26:29,040 Speaker 1: Now if you go into it like with a frown 574 00:26:29,119 --> 00:26:31,719 Speaker 1: face and your arms crossed like ship whack, you know, 575 00:26:31,760 --> 00:26:33,720 Speaker 1: like you a little bit hard of it. If you 576 00:26:33,960 --> 00:26:37,000 Speaker 1: if you you know, going to with a blank canvas 577 00:26:37,000 --> 00:26:41,560 Speaker 1: and just listen, it can truly take ease. That seems 578 00:26:41,560 --> 00:26:44,840 Speaker 1: like it was with the Planetarium listening session provider, right, Yeah, yeah, 579 00:26:44,840 --> 00:26:47,159 Speaker 1: I mean that was just a fun exper you know. 580 00:26:47,680 --> 00:26:51,119 Speaker 1: I had never got to do anything cool to that magnitude. 581 00:26:51,200 --> 00:26:53,199 Speaker 1: I feel like no one's done that, so I just 582 00:26:53,240 --> 00:26:58,320 Speaker 1: wanted to like it's just some fun for people. Yeah, 583 00:26:57,600 --> 00:26:59,960 Speaker 1: you know, but you do have people on here like 584 00:27:00,080 --> 00:27:03,320 Speaker 1: Justine Sky Touchdown, Dan your Seeson. How did you select 585 00:27:03,320 --> 00:27:06,480 Speaker 1: those voices for the project? Isn't just my friends? Yeah? 586 00:27:06,480 --> 00:27:08,720 Speaker 1: I didn't. I didn't want to use anyone big because, 587 00:27:08,800 --> 00:27:12,240 Speaker 1: like I said, I wanted people to respect my industry. 588 00:27:12,240 --> 00:27:13,480 Speaker 1: Like it was many times when I wanted to be 589 00:27:13,560 --> 00:27:16,080 Speaker 1: like Tyler, let's do something you know like it was 590 00:27:16,080 --> 00:27:17,440 Speaker 1: a lot hot of people. I really don't want to 591 00:27:17,440 --> 00:27:19,199 Speaker 1: work out work too. You know one part I did 592 00:27:19,320 --> 00:27:23,000 Speaker 1: reach out to the Weekend for say something, but they 593 00:27:23,080 --> 00:27:24,879 Speaker 1: never got back to me. But I did one that 594 00:27:24,960 --> 00:27:26,720 Speaker 1: was the only person I was like, Damn, I would 595 00:27:26,760 --> 00:27:29,160 Speaker 1: love to have the Weekend. I want to say something 596 00:27:29,240 --> 00:27:31,760 Speaker 1: that could be really cool. But it's all good that 597 00:27:33,160 --> 00:27:35,399 Speaker 1: I thought. I see, I see you still have your 598 00:27:35,440 --> 00:27:37,960 Speaker 1: limbs because you didn't work with Kid Cutty yet. I 599 00:27:37,960 --> 00:27:40,480 Speaker 1: actually I actually did. I don't get that reference. What 600 00:27:40,480 --> 00:27:43,760 Speaker 1: does that mean. I did say that right off to 601 00:27:43,880 --> 00:27:46,959 Speaker 1: work with Cutty. I I wanted him on the album too. 602 00:27:47,160 --> 00:27:53,000 Speaker 1: He didn't respond either. Yo, now I'm not doing a deluxe. Man, 603 00:27:54,880 --> 00:27:57,800 Speaker 1: this is bigger than that. But I did try to 604 00:27:57,880 --> 00:28:00,320 Speaker 1: get with credit. That was the person that I also. 605 00:28:00,800 --> 00:28:02,879 Speaker 1: It wasn't many people I telling him, but Cutty was 606 00:28:02,920 --> 00:28:04,680 Speaker 1: when someone I tracking around, and I did try to 607 00:28:04,760 --> 00:28:07,840 Speaker 1: get the Weekend one album. I've sent Cutty a bunch 608 00:28:07,880 --> 00:28:10,040 Speaker 1: of songs in the beginning process and it probably weren't 609 00:28:10,080 --> 00:28:13,119 Speaker 1: as good and uh, he never got back to me 610 00:28:13,240 --> 00:28:16,800 Speaker 1: the so but I get it. You know that's sound good. 611 00:28:17,720 --> 00:28:20,240 Speaker 1: But then I became became a confidence I started making it, 612 00:28:20,280 --> 00:28:22,440 Speaker 1: it became a confidence thing and it was like, well, 613 00:28:22,440 --> 00:28:24,879 Speaker 1: I don't want anyone on this, yeah, you know, extract 614 00:28:24,880 --> 00:28:27,159 Speaker 1: feel like my friends. I needed voices because I'm not 615 00:28:27,200 --> 00:28:30,040 Speaker 1: the best singer, so I needed voices, strong voices to 616 00:28:31,240 --> 00:28:33,960 Speaker 1: compliment and to carry on and to just create the 617 00:28:34,040 --> 00:28:36,680 Speaker 1: emotion that you know. Sometimes I how it tune takes 618 00:28:36,680 --> 00:28:41,400 Speaker 1: away from pure voices and um and just creatives, you know. 619 00:28:42,160 --> 00:28:44,120 Speaker 1: So that's why I tapped in. You know, I am 620 00:28:44,200 --> 00:28:47,320 Speaker 1: Daniel Caesar and uh, she's a touchdown just things god, 621 00:28:47,400 --> 00:28:50,719 Speaker 1: Diana Gordon. Yeah, let think say something that's still my favorite, 622 00:28:50,760 --> 00:28:52,200 Speaker 1: Like why did you decide to put that off on 623 00:28:52,360 --> 00:28:54,840 Speaker 1: me too? Did it feel it? But did it feel 624 00:28:54,880 --> 00:28:56,479 Speaker 1: like a hit per se or just a record kind 625 00:28:56,680 --> 00:28:58,040 Speaker 1: I mean, it's a couple of records I feel like 626 00:28:58,080 --> 00:29:01,160 Speaker 1: I hit on there. But that was the first record 627 00:29:01,200 --> 00:29:05,400 Speaker 1: we made. I made to start the process. So that 628 00:29:05,600 --> 00:29:07,240 Speaker 1: record was the one of them said okay, I know 629 00:29:07,280 --> 00:29:08,760 Speaker 1: what I'm about to do now, which is weird because 630 00:29:08,760 --> 00:29:10,960 Speaker 1: it sounds nothing like Black Seminar or something like that. 631 00:29:11,000 --> 00:29:14,320 Speaker 1: But that was the first one, and it was just 632 00:29:14,400 --> 00:29:15,800 Speaker 1: one of my favorites, you know, And it was the 633 00:29:15,880 --> 00:29:19,560 Speaker 1: one that everyone always grab gravitated towards But being with 634 00:29:19,680 --> 00:29:21,520 Speaker 1: g A and R and all these people, they was like, 635 00:29:21,600 --> 00:29:23,640 Speaker 1: oh that that is a sigle p. Yeah. Yeah, yeah. 636 00:29:24,080 --> 00:29:25,720 Speaker 1: If I didn't want to release it like too much 637 00:29:25,760 --> 00:29:28,560 Speaker 1: earlier because I wanted it all to be fresh on you. Yeah, 638 00:29:28,800 --> 00:29:31,960 Speaker 1: but I did really say a day before or the 639 00:29:32,080 --> 00:29:34,600 Speaker 1: day of, just earlier in the day. We can get 640 00:29:34,680 --> 00:29:38,040 Speaker 1: more videos too. Yeah, yeah, I'm definitely we work. We'd 641 00:29:38,120 --> 00:29:42,360 Speaker 1: rather to drop a shit don ship. Yeah, what's the process? Like, 642 00:29:42,520 --> 00:29:44,920 Speaker 1: you know, obviously you made a bunch of rap albums 643 00:29:45,000 --> 00:29:46,640 Speaker 1: and this time around, you know, you say he took 644 00:29:46,720 --> 00:29:48,400 Speaker 1: six months set on it for a year and after 645 00:29:48,840 --> 00:29:52,040 Speaker 1: is it more meticulous fine tuning a project? I've never 646 00:29:52,080 --> 00:29:55,040 Speaker 1: did a broder like this ever. Everything was from scratch, 647 00:29:55,080 --> 00:29:57,760 Speaker 1: no samples. And also there's no samples, There was no 648 00:29:58,440 --> 00:30:00,880 Speaker 1: everything was from scratch. So every everything was from like 649 00:30:00,960 --> 00:30:02,920 Speaker 1: except for the Bob Ross that was the only example. 650 00:30:02,960 --> 00:30:04,920 Speaker 1: And I was I was just we were in the 651 00:30:05,000 --> 00:30:07,120 Speaker 1: studio mixing and it was on TV and I heard 652 00:30:07,160 --> 00:30:09,360 Speaker 1: the message. I was like, oh man, that's the powerful message. 653 00:30:09,720 --> 00:30:11,840 Speaker 1: I want that, and I pulled it up. We watched 654 00:30:11,880 --> 00:30:13,920 Speaker 1: on TV and I went on YouTube grabbed it and 655 00:30:14,040 --> 00:30:15,920 Speaker 1: then fucked it up. To me, it sound crazy, but 656 00:30:16,160 --> 00:30:19,959 Speaker 1: but everything was from scratch. Yeah, so everything in ninety 657 00:30:20,400 --> 00:30:22,880 Speaker 1: seven percent of it was all live band. So I 658 00:30:22,960 --> 00:30:24,800 Speaker 1: was like, say something, I ain't paint the sky, but 659 00:30:25,000 --> 00:30:28,680 Speaker 1: uh no pens got drums or actual real but it 660 00:30:28,840 --> 00:30:31,160 Speaker 1: was definitely different, but not even like a bad hard way, 661 00:30:31,280 --> 00:30:34,600 Speaker 1: just like in a fun, exciting, oh shit, I'm really 662 00:30:34,720 --> 00:30:36,560 Speaker 1: making music way. You know. I'm so used to just 663 00:30:36,680 --> 00:30:39,640 Speaker 1: going to my emailing download the beat and like, which 664 00:30:39,680 --> 00:30:41,920 Speaker 1: is great, which is nothing wrong with that, but I 665 00:30:42,040 --> 00:30:44,080 Speaker 1: just felt hands on. I actually felt like I was 666 00:30:44,200 --> 00:30:47,880 Speaker 1: doing something and and producing and really, hey, I want 667 00:30:47,920 --> 00:30:49,600 Speaker 1: to I want to trump it here. I mean the 668 00:30:50,040 --> 00:30:52,640 Speaker 1: strings here. I want to just here and slow that down, 669 00:30:52,800 --> 00:30:54,640 Speaker 1: spit that up, you know, like it was fun like 670 00:30:54,720 --> 00:30:59,880 Speaker 1: a conductor. Yeah yeah, yeah, just and it was all 671 00:31:00,120 --> 00:31:02,880 Speaker 1: from my brain and my heart and my ears, so 672 00:31:03,120 --> 00:31:06,320 Speaker 1: like it just felt I felt so much more attached, 673 00:31:07,120 --> 00:31:11,920 Speaker 1: you know, opposed to like some kid and fucking wherever 674 00:31:12,360 --> 00:31:14,520 Speaker 1: sent the beat and like I just wrapped on it 675 00:31:14,680 --> 00:31:16,520 Speaker 1: like this, I was every part of this, I was 676 00:31:16,560 --> 00:31:19,080 Speaker 1: a part of which was It just felt like I 677 00:31:19,200 --> 00:31:21,680 Speaker 1: felt like I was doing something. Going back to the 678 00:31:21,720 --> 00:31:23,480 Speaker 1: Poland thing. Like you said, the Poland thing. You know, 679 00:31:23,560 --> 00:31:25,600 Speaker 1: you've been very clear that that wasn't attention or it 680 00:31:25,720 --> 00:31:28,280 Speaker 1: leaked and it came out, Well, you didn't concern when 681 00:31:28,320 --> 00:31:31,120 Speaker 1: that took off that maybe that's gonna like be a 682 00:31:31,280 --> 00:31:33,680 Speaker 1: factor and like maybe they're not gonna embrace my new 683 00:31:33,760 --> 00:31:37,760 Speaker 1: direction absolutely, I like you just said it. On the hand, 684 00:31:38,560 --> 00:31:40,600 Speaker 1: I was That's why I was so irritating, because I 685 00:31:40,680 --> 00:31:43,320 Speaker 1: was like, Fuck, this is what they're gonna want now, 686 00:31:43,400 --> 00:31:45,000 Speaker 1: Like I want more rap me. They don't want more 687 00:31:45,080 --> 00:31:47,280 Speaker 1: this shoddy, you know. And it was irritating and frustrating. 688 00:31:47,280 --> 00:31:49,640 Speaker 1: And it was then then honestly I felt like not 689 00:31:49,720 --> 00:31:51,640 Speaker 1: up in the album out for a couple a couple 690 00:31:51,680 --> 00:31:53,360 Speaker 1: of times, you know, because I was like, I gotta 691 00:31:53,680 --> 00:31:56,080 Speaker 1: I had made a whole rap album actually, you know, 692 00:31:56,240 --> 00:31:58,600 Speaker 1: and I was like, I gotta, I can't do this yet. 693 00:31:58,720 --> 00:32:00,880 Speaker 1: I got dropped this now because that's what they're expecting. 694 00:32:01,960 --> 00:32:05,240 Speaker 1: And thankfully, man, I just man, I just I just 695 00:32:05,760 --> 00:32:08,600 Speaker 1: ain't had another conversation with Tiler. And there was a 696 00:32:08,680 --> 00:32:11,560 Speaker 1: lot of inner battling, you know, between like just being 697 00:32:11,680 --> 00:32:15,560 Speaker 1: nervous and not knowing. But I just war my gud 698 00:32:15,640 --> 00:32:18,920 Speaker 1: and trusted my creativity and just did what I ultimately 699 00:32:19,080 --> 00:32:22,920 Speaker 1: came to do, you know, and that was that project, 700 00:32:23,000 --> 00:32:27,760 Speaker 1: and I had it done and and just just doubled 701 00:32:27,800 --> 00:32:30,560 Speaker 1: on believed in myself. Right because also even coming off you, 702 00:32:31,000 --> 00:32:32,720 Speaker 1: I want to talk about your involvement with her loss, 703 00:32:32,800 --> 00:32:34,880 Speaker 1: but like you would think that, okay, even with that, 704 00:32:35,000 --> 00:32:36,680 Speaker 1: and then here in Poland, like, oh he's going in 705 00:32:36,720 --> 00:32:41,040 Speaker 1: so this rap direction. Yeah, her lost ship didn't really 706 00:32:41,080 --> 00:32:43,480 Speaker 1: affect me any because it was him, you know, that's 707 00:32:43,520 --> 00:32:45,440 Speaker 1: that's all him, you know, that had not do with me, 708 00:32:45,720 --> 00:32:49,120 Speaker 1: Like that's his claim, you know. So I was like, I, 709 00:32:49,800 --> 00:32:52,200 Speaker 1: you know, it was just me, you know, throbbing with 710 00:32:52,240 --> 00:32:55,960 Speaker 1: a friend. But Poland shit definitely had me like fuck 711 00:32:57,400 --> 00:33:05,080 Speaker 1: yeah yeah, And I was like fuck right yeah, playlist yeah. 712 00:33:05,720 --> 00:33:07,280 Speaker 1: But it's funny that you embrace it though, like you 713 00:33:07,320 --> 00:33:08,800 Speaker 1: didn't ignore it though you said, Okay, well if you 714 00:33:08,880 --> 00:33:12,480 Speaker 1: want this motherfucker's I'll put it on drop. Yeah. I mean, 715 00:33:13,040 --> 00:33:16,360 Speaker 1: I mean, I just why not, you know, although like 716 00:33:16,640 --> 00:33:19,760 Speaker 1: I definitely was like irritated, but why not? I didn't 717 00:33:19,760 --> 00:33:21,680 Speaker 1: know what's going to do that at all. I had 718 00:33:21,800 --> 00:33:23,600 Speaker 1: no clue it was about to be that big, but 719 00:33:24,600 --> 00:33:26,600 Speaker 1: it was it was fuck it. I mean, I had 720 00:33:26,640 --> 00:33:30,040 Speaker 1: no reason not to drop it. But besides the Bob 721 00:33:30,120 --> 00:33:32,440 Speaker 1: broad sample that you felt was a powerful message, one 722 00:33:32,520 --> 00:33:34,560 Speaker 1: track that stood out to me was a failure. And 723 00:33:34,680 --> 00:33:36,959 Speaker 1: it's like this, you know soliloquy where you're looking at 724 00:33:37,000 --> 00:33:39,120 Speaker 1: the glasses half full, right, And then one of the 725 00:33:39,240 --> 00:33:41,640 Speaker 1: lines that I found really interesting is that you said, 726 00:33:41,640 --> 00:33:44,240 Speaker 1: it's you know, it's complicated when things when you become 727 00:33:44,360 --> 00:33:47,120 Speaker 1: rich and famous, right, things get complicated absolutely, like how 728 00:33:47,160 --> 00:33:49,360 Speaker 1: so in what ways? And then and so in every 729 00:33:49,440 --> 00:33:58,520 Speaker 1: way because they just the first and most mom, keep 730 00:33:58,560 --> 00:34:05,400 Speaker 1: it the most ma, we're interviewing. Love you, love you, 731 00:34:05,960 --> 00:34:10,080 Speaker 1: the most important thing, I mean, the most honest, the truthful, 732 00:34:10,239 --> 00:34:12,400 Speaker 1: most truthful. Thing about that line is that it's just 733 00:34:13,040 --> 00:34:14,600 Speaker 1: I don't want truthful is the right thing to they? 734 00:34:14,640 --> 00:34:19,640 Speaker 1: But like the answer that no one cares anymore, just 735 00:34:19,800 --> 00:34:21,480 Speaker 1: to be honest. And that's what this whole thing was. 736 00:34:21,560 --> 00:34:23,320 Speaker 1: That's what the whole thing was about. It's like no 737 00:34:23,440 --> 00:34:27,200 Speaker 1: people care, but like nobody cares, you know, like like 738 00:34:27,640 --> 00:34:31,320 Speaker 1: oh I'm sick, it's fuck and like throws her in. 739 00:34:32,160 --> 00:34:35,360 Speaker 1: But you want a picture, and I understand you. You 740 00:34:35,480 --> 00:34:38,600 Speaker 1: reard me say no, But but this is your moment 741 00:34:38,719 --> 00:34:41,040 Speaker 1: and you want a picture. You know, you don't give 742 00:34:41,080 --> 00:34:42,920 Speaker 1: a fuck that I'm sick. You don't give a fuck 743 00:34:42,960 --> 00:34:44,799 Speaker 1: because it's like you think you'll never see me again, 744 00:34:45,480 --> 00:34:50,920 Speaker 1: you know, And it's it's unfortunate. She's loud, ma, ma, 745 00:34:56,520 --> 00:35:04,120 Speaker 1: where are you? You gotta you gotta dentiful. These doors 746 00:35:04,160 --> 00:35:10,160 Speaker 1: aren't even their glass. That's guy's gonna do anything. Sink 747 00:35:10,200 --> 00:35:16,400 Speaker 1: it literally just goes the steps. It's cool. She's she's crazy. 748 00:35:17,160 --> 00:35:19,239 Speaker 1: Where's he even right there? Why didn't she like go? 749 00:35:22,000 --> 00:35:26,120 Speaker 1: She's crazy about the picture? Like he said that, you know, 750 00:35:26,400 --> 00:35:30,160 Speaker 1: this be the only time meeting you. Yeah, that's one aspect, right, 751 00:35:30,200 --> 00:35:32,279 Speaker 1: But even more than that, you go to a time 752 00:35:32,320 --> 00:35:34,719 Speaker 1: period of when people want something, they just want it, 753 00:35:34,880 --> 00:35:39,520 Speaker 1: you know, Yo, man, man dog man, keep my lights, Man, 754 00:35:39,600 --> 00:35:45,680 Speaker 1: I need eight thousand dollars, hey like man my light 755 00:35:45,800 --> 00:35:49,799 Speaker 1: bill man, I need eight rack Yeah, man, you need 756 00:35:49,920 --> 00:35:53,759 Speaker 1: eight that's a light man my lights and the water man, 757 00:35:53,800 --> 00:35:56,080 Speaker 1: I need eighty fun right, you know, And it's like 758 00:35:56,560 --> 00:35:59,000 Speaker 1: and it's people don't think about how many times you 759 00:35:59,040 --> 00:36:00,880 Speaker 1: say yeah that one time saying that far, I mean 760 00:36:00,920 --> 00:36:04,279 Speaker 1: it gonna fuck like man's nigga. Man. But even fuck 761 00:36:04,360 --> 00:36:07,480 Speaker 1: money and even fuck pictures. Just like for me, I 762 00:36:07,600 --> 00:36:10,279 Speaker 1: was seventeen years old, right, I turned eight, James, but 763 00:36:10,400 --> 00:36:13,240 Speaker 1: like I just graduated high school, graduate to high school 764 00:36:13,239 --> 00:36:16,480 Speaker 1: and may went to college put two three months, dropped 765 00:36:16,520 --> 00:36:19,399 Speaker 1: out and was famous. I mean I signed a million 766 00:36:19,400 --> 00:36:24,360 Speaker 1: dollars deal about it April, right, so the next April. 767 00:36:24,480 --> 00:36:28,359 Speaker 1: So it was so many experiences that I went through 768 00:36:28,400 --> 00:36:30,239 Speaker 1: my life that I felt like I had no one 769 00:36:30,280 --> 00:36:32,640 Speaker 1: to talk to about, you know, whether it was women 770 00:36:32,840 --> 00:36:35,319 Speaker 1: or whether it was like fucking when I was going 771 00:36:35,440 --> 00:36:38,600 Speaker 1: through that phase with the with the big and Tupac ship, 772 00:36:38,719 --> 00:36:41,160 Speaker 1: when people were like sending the death threats and like 773 00:36:41,360 --> 00:36:45,279 Speaker 1: like and and just like all this shit. You know 774 00:36:45,320 --> 00:36:47,120 Speaker 1: what I'm saying. From all I said, I could go 775 00:36:47,160 --> 00:36:49,279 Speaker 1: through a main situation with even with the first three. 776 00:36:49,360 --> 00:36:51,800 Speaker 1: So I did with EBRO when I didn't do so 777 00:36:51,960 --> 00:36:54,160 Speaker 1: well and people fucking shitted on me for like the 778 00:36:54,239 --> 00:36:55,799 Speaker 1: two weeks straight, and you know, like all that shit 779 00:36:55,920 --> 00:36:58,799 Speaker 1: was like who you talked about that the homie because 780 00:36:58,800 --> 00:37:00,080 Speaker 1: he gonna look at you like, well she didn't you 781 00:37:00,120 --> 00:37:02,319 Speaker 1: still got I mean, I don't think what you're saying 782 00:37:02,400 --> 00:37:04,239 Speaker 1: for you know what I'm saying, Like because people don't 783 00:37:04,280 --> 00:37:07,279 Speaker 1: understand it. And and quite frankly, people just don't give 784 00:37:07,280 --> 00:37:09,600 Speaker 1: a fuck if you're in a better situation than they're, like, nigga, 785 00:37:10,760 --> 00:37:13,279 Speaker 1: so what so I could up, you know. And it's 786 00:37:13,320 --> 00:37:16,439 Speaker 1: like being rich doesn't exclude your feelings and he doesn't 787 00:37:16,480 --> 00:37:19,239 Speaker 1: make it invincible. And I'm saying, you still deal with things, 788 00:37:19,320 --> 00:37:22,600 Speaker 1: still deal with heartbreaker, you know anything, you know what 789 00:37:22,600 --> 00:37:25,239 Speaker 1: I'm saying. And people don't truly understand that. So that's 790 00:37:25,239 --> 00:37:26,680 Speaker 1: why I started talking about, like, you know, it's not 791 00:37:26,760 --> 00:37:28,960 Speaker 1: that I don't think people care, you know, I just 792 00:37:29,080 --> 00:37:32,480 Speaker 1: think it's hard for people to understand what they haven't seen, 793 00:37:32,840 --> 00:37:35,920 Speaker 1: which money doesn't absolve your problems. Yeah, absolutely, and I 794 00:37:36,000 --> 00:37:38,040 Speaker 1: mean and in no way. And you don't understand that 795 00:37:38,160 --> 00:37:41,440 Speaker 1: unless you truly have it, you know, and have experienced it, 796 00:37:41,600 --> 00:37:43,560 Speaker 1: you know, because if you don't have money, you think 797 00:37:44,000 --> 00:37:46,399 Speaker 1: all the texts, whatever you need, you get that money, 798 00:37:46,400 --> 00:37:48,839 Speaker 1: You're good. Life is good. Man? Have I had him? Man? 799 00:37:49,160 --> 00:37:51,640 Speaker 1: People all say, man, I've had one million dollars, many 800 00:37:51,640 --> 00:37:55,799 Speaker 1: things great, I just need one, Like what the fuck 801 00:37:55,920 --> 00:37:58,320 Speaker 1: is it? And I'm not saying that in a in 802 00:37:58,400 --> 00:38:01,239 Speaker 1: a way like and like in any kind of way, 803 00:38:01,280 --> 00:38:03,120 Speaker 1: but just like, man, it just gonna bring you so 804 00:38:03,280 --> 00:38:06,759 Speaker 1: many more problems, you know, and it never stopped and 805 00:38:07,160 --> 00:38:09,400 Speaker 1: which which as you know, just be honest in our 806 00:38:09,440 --> 00:38:13,080 Speaker 1: culture and we're ready for it. Who's teaching it to us? 807 00:38:13,680 --> 00:38:15,520 Speaker 1: You know? No one taught me and my mother how 808 00:38:15,560 --> 00:38:18,200 Speaker 1: to what to do with millions of dollars, you know 809 00:38:18,239 --> 00:38:20,719 Speaker 1: what I'm saying. No, not my high school. I didn't 810 00:38:20,760 --> 00:38:23,080 Speaker 1: have any rich peers. I didn't grow up with any 811 00:38:23,160 --> 00:38:26,480 Speaker 1: mentors with six even six figures. So who's gonna teach 812 00:38:26,560 --> 00:38:29,840 Speaker 1: me to save and to invest into? Who? You know? 813 00:38:30,000 --> 00:38:32,680 Speaker 1: It took years until I started meeting people to actually 814 00:38:33,120 --> 00:38:35,000 Speaker 1: talk in my ear and show me this and hey, 815 00:38:35,080 --> 00:38:38,000 Speaker 1: what you're doing. And it took losses. It took failing, 816 00:38:38,040 --> 00:38:40,200 Speaker 1: and it took spending, and it took being read to 817 00:38:40,280 --> 00:38:43,880 Speaker 1: be like oh shit, oh and I'm not gonna be 818 00:38:43,960 --> 00:38:47,320 Speaker 1: as high forever. Oh shit, I gotta you know, I 819 00:38:47,440 --> 00:38:50,640 Speaker 1: gotta figure this shit out, you know, and change some things, 820 00:38:50,800 --> 00:38:53,200 Speaker 1: you know. But I appreciate those moments because if I 821 00:38:53,239 --> 00:38:55,640 Speaker 1: didn't have them, I would know because ain't nobody teaching 822 00:38:55,680 --> 00:38:58,040 Speaker 1: me and ain't know YouTube video, you know what I'm saying, 823 00:38:58,120 --> 00:39:00,560 Speaker 1: Like I had to go through it and I figure 824 00:39:00,560 --> 00:39:03,239 Speaker 1: it out myself. And but now and now, and I've 825 00:39:03,280 --> 00:39:05,319 Speaker 1: done it, so I feel like I did it rather 826 00:39:05,400 --> 00:39:07,440 Speaker 1: fast because I'm only twenty five, right, so like I 827 00:39:07,520 --> 00:39:10,560 Speaker 1: got so much life to live. Yeah, and that's why 828 00:39:10,560 --> 00:39:12,640 Speaker 1: I stay chapter two. This let's start here because now 829 00:39:12,680 --> 00:39:14,840 Speaker 1: I'm about to do it all over again and probably 830 00:39:14,960 --> 00:39:18,080 Speaker 1: lieel better. Is that why it's important with chapter two 831 00:39:18,120 --> 00:39:20,040 Speaker 1: to have a song like Failure, which is really spoken 832 00:39:20,040 --> 00:39:22,520 Speaker 1: where were you really breaking it down? It's showing I'm rother. 833 00:39:22,560 --> 00:39:26,719 Speaker 1: It's important, but I've never done anything that honorable. None 834 00:39:26,760 --> 00:39:28,600 Speaker 1: of my music is deep, and know it was just 835 00:39:28,719 --> 00:39:31,279 Speaker 1: fun music, you know. So like I was like, man, 836 00:39:31,320 --> 00:39:35,000 Speaker 1: this album so different. I think I would maybe something 837 00:39:35,120 --> 00:39:38,080 Speaker 1: personal maybe, you know, like and I was a little 838 00:39:38,120 --> 00:39:40,400 Speaker 1: nervous at first because like even talking about my house 839 00:39:40,440 --> 00:39:42,800 Speaker 1: getting broken into and just shit like that. But but 840 00:39:42,960 --> 00:39:46,320 Speaker 1: I was just like, maybe it'll help somebody, you know, 841 00:39:46,680 --> 00:39:49,759 Speaker 1: maybe it'll maybe it'll guide someone in a tough time 842 00:39:49,880 --> 00:39:52,160 Speaker 1: or just let somebody know. Like, dude, it's old, kay 843 00:39:52,200 --> 00:39:54,560 Speaker 1: to fail, as I'm ass, you dust yourself off and 844 00:39:54,680 --> 00:39:57,080 Speaker 1: get back up. But even if even though you don't 845 00:39:57,120 --> 00:40:00,120 Speaker 1: have those there's no school for this, right you did 846 00:40:00,239 --> 00:40:02,960 Speaker 1: have You know QC, you have P and Coach K 847 00:40:03,160 --> 00:40:05,719 Speaker 1: like how influential and ipan coach K. But if we're 848 00:40:05,719 --> 00:40:10,080 Speaker 1: gonna be completely honest, QUC was a um was a 849 00:40:10,239 --> 00:40:12,880 Speaker 1: local label until I came. You know, it was it 850 00:40:13,000 --> 00:40:16,680 Speaker 1: was Atlanta based, who KNEWO Megos were, But it was 851 00:40:16,840 --> 00:40:21,800 Speaker 1: not like it wasn't the roster was very local besides 852 00:40:21,840 --> 00:40:24,040 Speaker 1: the Megos, you know, and they didn't even have like 853 00:40:24,120 --> 00:40:26,879 Speaker 1: they had some records, but it wasn't. It was still 854 00:40:26,920 --> 00:40:29,759 Speaker 1: an independent label, you know. When I came to QC. 855 00:40:29,960 --> 00:40:33,760 Speaker 1: Then we took it to Capitol Records and it became 856 00:40:33,840 --> 00:40:37,840 Speaker 1: an actual like full fledged force. And then after that 857 00:40:38,000 --> 00:40:40,080 Speaker 1: then Bad and Bullsha came and then it became this 858 00:40:40,239 --> 00:40:42,839 Speaker 1: thing and then we started making all this money. When 859 00:40:42,880 --> 00:40:46,040 Speaker 1: I first came, coach it coach like like they had money, 860 00:40:46,160 --> 00:40:48,520 Speaker 1: but it wasn't like what it is now. So even 861 00:40:48,600 --> 00:40:51,320 Speaker 1: then they and even before me, Coach had like Street 862 00:40:51,440 --> 00:40:53,640 Speaker 1: Ye had Jez and Gucci. It's like it was a 863 00:40:53,680 --> 00:40:56,200 Speaker 1: different money than the money that we started making. So 864 00:40:56,280 --> 00:40:58,279 Speaker 1: I didn't really like it was serious. So like we 865 00:40:58,320 --> 00:41:01,239 Speaker 1: didn't really even Nica what was he it was? It 866 00:41:01,440 --> 00:41:03,759 Speaker 1: was rather new to him too, you know what I'm saying, 867 00:41:03,840 --> 00:41:05,840 Speaker 1: like like for real, for real, and he was getting 868 00:41:05,880 --> 00:41:08,719 Speaker 1: it was had money from. No, I don't know where. 869 00:41:10,080 --> 00:41:13,480 Speaker 1: I don't even know, you know what. I don't know 870 00:41:13,560 --> 00:41:16,840 Speaker 1: where peaking money came from. But the money that we 871 00:41:16,960 --> 00:41:20,880 Speaker 1: all started generating after I came to the label, it 872 00:41:21,040 --> 00:41:22,759 Speaker 1: was new to all of us, you know what I'm saying. 873 00:41:22,800 --> 00:41:25,680 Speaker 1: It was like a serious type and it was new. 874 00:41:25,960 --> 00:41:28,120 Speaker 1: So like it wasn't like it was we was all 875 00:41:28,239 --> 00:41:31,320 Speaker 1: like living happy like it was great, you know, but 876 00:41:31,640 --> 00:41:35,359 Speaker 1: so I didn't it just it wasn't there. And I'm 877 00:41:35,400 --> 00:41:37,319 Speaker 1: like that person and be like, hey man, I heard 878 00:41:37,840 --> 00:41:41,719 Speaker 1: like they wasn't like fucking investing in fucking bonds and 879 00:41:41,800 --> 00:41:43,759 Speaker 1: shipping whatever fu you know what I'm saying. So I 880 00:41:43,880 --> 00:41:48,080 Speaker 1: like it was just new, you know. And also I think, 881 00:41:48,400 --> 00:41:51,160 Speaker 1: which I appreciated, They let me live, you know, like 882 00:41:51,280 --> 00:41:53,560 Speaker 1: I was a kid and I was like experience new 883 00:41:53,600 --> 00:41:55,640 Speaker 1: life and they allowed me to do that, you know, 884 00:41:56,280 --> 00:41:59,160 Speaker 1: make you try to feel some sort of rapper. None, 885 00:41:59,400 --> 00:42:01,839 Speaker 1: And they just didn't make me do nothing I didn't 886 00:42:01,880 --> 00:42:04,360 Speaker 1: want to do, you know, like they didn't. They didn't. 887 00:42:04,680 --> 00:42:06,719 Speaker 1: He never tried to shit on me and be like, 888 00:42:06,880 --> 00:42:09,840 Speaker 1: hey man, stop doing this, don't do that, or he 889 00:42:10,040 --> 00:42:12,600 Speaker 1: encouraged me, like man, look because he wanted me to 890 00:42:12,640 --> 00:42:14,640 Speaker 1: be happy and it made him happy and we were happy. 891 00:42:14,680 --> 00:42:16,480 Speaker 1: And that's what it was and what I'm saying. And 892 00:42:16,600 --> 00:42:18,320 Speaker 1: at the end of the day, it was it was 893 00:42:18,400 --> 00:42:20,040 Speaker 1: cool though, you know, like I don't I would if 894 00:42:20,080 --> 00:42:22,080 Speaker 1: I could go back, I swear I wouldn't change anything 895 00:42:22,400 --> 00:42:25,200 Speaker 1: because I feel like it did nothing but making me like, 896 00:42:26,000 --> 00:42:28,520 Speaker 1: just make make work harder. I want to make more money. 897 00:42:28,960 --> 00:42:30,520 Speaker 1: You know what, are you making a goal for the 898 00:42:30,600 --> 00:42:32,840 Speaker 1: label now? And scoot to Ron and all these deals 899 00:42:33,000 --> 00:42:35,520 Speaker 1: so sick and I'm so happy bro them. Those guys 900 00:42:35,640 --> 00:42:37,839 Speaker 1: have done so much for me, you know, and they 901 00:42:37,960 --> 00:42:40,640 Speaker 1: deserved I think they deserved more than that, you know. 902 00:42:40,840 --> 00:42:43,560 Speaker 1: But like man, they put everything on a line for us, 903 00:42:43,600 --> 00:42:46,640 Speaker 1: and it was nothing they wouldn't do and havn't done 904 00:42:46,880 --> 00:42:50,800 Speaker 1: for me. And so like I like I Bron and 905 00:42:50,840 --> 00:42:52,560 Speaker 1: they've been there, you know, when it was cold and 906 00:42:52,719 --> 00:42:55,120 Speaker 1: nobody was talking about lot yity and Niggas was, oh 907 00:42:55,360 --> 00:42:57,360 Speaker 1: he's still a lob and make it those kind of jokes. 908 00:42:57,760 --> 00:42:59,680 Speaker 1: Those two guys were in my corner, you know what, 909 00:43:00,040 --> 00:43:02,279 Speaker 1: and like helping me with anything, whether it was a 910 00:43:02,400 --> 00:43:05,600 Speaker 1: video need to be shot, whether it was any kind 911 00:43:05,640 --> 00:43:09,880 Speaker 1: of funding for anything or anything, or they supported me always, 912 00:43:10,120 --> 00:43:11,680 Speaker 1: you know, and they never turned it back. And they 913 00:43:11,800 --> 00:43:15,160 Speaker 1: never said, oh man, we can't, we can't afford to 914 00:43:15,760 --> 00:43:18,200 Speaker 1: do that right now. You ain't really making us no money. 915 00:43:18,200 --> 00:43:19,759 Speaker 1: They didn't do that. They never did me like that, 916 00:43:19,880 --> 00:43:24,440 Speaker 1: you know what I'm saying. So I'm happy for them, 917 00:43:24,480 --> 00:43:25,879 Speaker 1: and I feel like they deserve it, and they worked 918 00:43:25,920 --> 00:43:29,600 Speaker 1: extremely hard, you know, and so I'm so grateful. I'm 919 00:43:29,640 --> 00:43:32,279 Speaker 1: thankful that they I'm just happy for him. You know, 920 00:43:32,520 --> 00:43:34,840 Speaker 1: that ship was big and they black and they and 921 00:43:34,960 --> 00:43:37,319 Speaker 1: they don't come from nothing, and it's like it's just good, 922 00:43:38,040 --> 00:43:42,600 Speaker 1: you know, absolutely absolutely how it does this open doors 923 00:43:42,680 --> 00:43:47,280 Speaker 1: and and push it forward for the next black Um label. 924 00:43:47,600 --> 00:43:49,600 Speaker 1: You know what I'm saying. They all the other labels 925 00:43:49,600 --> 00:43:51,719 Speaker 1: been doing them kind of deals, you know what I'm saying. 926 00:43:51,800 --> 00:43:55,880 Speaker 1: So like, yeah, you know, not that's not it's just 927 00:43:56,000 --> 00:44:01,279 Speaker 1: time to keep coming. Pause. Oh that was great. Pause there, 928 00:44:01,320 --> 00:44:03,279 Speaker 1: But let's pick up for you. A Drake man like 929 00:44:03,400 --> 00:44:05,719 Speaker 1: Elliott met you to talk about her loss. It seems like, 930 00:44:05,800 --> 00:44:08,040 Speaker 1: you know, you and Drake have been real solid over 931 00:44:08,080 --> 00:44:09,920 Speaker 1: the last year. It's like talk about how that relationship 932 00:44:10,640 --> 00:44:15,359 Speaker 1: best guy, that's my guy. He's a good guy. You're 933 00:44:15,400 --> 00:44:19,200 Speaker 1: you're pretty clue with him too that he tells me. 934 00:44:19,360 --> 00:44:22,080 Speaker 1: I know he's a good guy. I don't know that's 935 00:44:22,160 --> 00:44:24,319 Speaker 1: but you're the genius found her loss? Just break it down. 936 00:44:24,320 --> 00:44:28,480 Speaker 1: I don't know what her loss? How did that role 937 00:44:28,520 --> 00:44:32,239 Speaker 1: come about? Man? Man, I for a very long time 938 00:44:32,360 --> 00:44:37,719 Speaker 1: wanted to just do anything involving music with him, so 939 00:44:37,880 --> 00:44:39,480 Speaker 1: like I kind of like went telling him for the 940 00:44:39,600 --> 00:44:41,839 Speaker 1: last like, I don't know how it's like bro out. 941 00:44:42,520 --> 00:44:44,920 Speaker 1: Can I just like, can I even just be in 942 00:44:44,960 --> 00:44:47,040 Speaker 1: a run? I just want to soak it up and 943 00:44:47,160 --> 00:44:49,560 Speaker 1: just see how you do it. I want to seeing 944 00:44:49,640 --> 00:44:52,400 Speaker 1: you rap. I want to anything. You know. I'm for 945 00:44:52,400 --> 00:44:54,080 Speaker 1: real because I just like I feel like he is, 946 00:44:54,520 --> 00:44:59,480 Speaker 1: to my opinion, if not, the greatest rapper ever, you know, 947 00:44:59,600 --> 00:45:02,000 Speaker 1: And that's my personal opinion. I ain't argue with nobody 948 00:45:02,040 --> 00:45:05,320 Speaker 1: with their mama, you know. Um. But and I just 949 00:45:05,600 --> 00:45:07,920 Speaker 1: I looked up to him, so I was like, man, 950 00:45:08,360 --> 00:45:11,800 Speaker 1: is there anything I can He always loved me, I 951 00:45:11,880 --> 00:45:14,000 Speaker 1: beat selection. You know, He's one of the first people 952 00:45:14,120 --> 00:45:16,960 Speaker 1: like to post my album, one of my albums, and 953 00:45:16,960 --> 00:45:19,920 Speaker 1: it's like Man, your beat selections are so crazy. I was, 954 00:45:20,400 --> 00:45:22,880 Speaker 1: and that's crazy to hear from him, you know, especially 955 00:45:23,000 --> 00:45:25,080 Speaker 1: during times when nobody was really fuck with me, Like 956 00:45:25,120 --> 00:45:27,680 Speaker 1: I never had many rap friends, you know, like I 957 00:45:27,760 --> 00:45:30,239 Speaker 1: feel like a lot of the rap people I even 958 00:45:30,320 --> 00:45:32,759 Speaker 1: hung around because I was probably QC, you know, like 959 00:45:32,960 --> 00:45:35,680 Speaker 1: I wasn't QC and around like me goes or like 960 00:45:35,920 --> 00:45:39,880 Speaker 1: you know, like just the street energy, Like I probably 961 00:45:39,920 --> 00:45:41,800 Speaker 1: wouldn't even be around a lot of people, you know, 962 00:45:42,000 --> 00:45:44,280 Speaker 1: like like I met Thug through Pete, Like I probably 963 00:45:44,280 --> 00:45:46,800 Speaker 1: would have never met any of those people if I 964 00:45:46,920 --> 00:45:50,040 Speaker 1: wasn't QC. So like I just never had many friends 965 00:45:50,239 --> 00:45:52,600 Speaker 1: in hip hop or being embraced by many people. So 966 00:45:54,280 --> 00:45:56,200 Speaker 1: I just I was like, man, anything I can do. 967 00:45:56,920 --> 00:46:00,960 Speaker 1: And then we just we hung out and and then 968 00:46:01,120 --> 00:46:03,880 Speaker 1: I don't know, man, just happening. I don't even know 969 00:46:04,440 --> 00:46:08,360 Speaker 1: what it is that people think I did. But what 970 00:46:08,480 --> 00:46:10,760 Speaker 1: Savage him with making records and then you got involved 971 00:46:10,880 --> 00:46:12,759 Speaker 1: or you was kind I mean, what does that mean? 972 00:46:13,360 --> 00:46:15,960 Speaker 1: What it means? Like I see production credits, I see 973 00:46:16,040 --> 00:46:23,440 Speaker 1: back outside Boys Rappers Boys production for four songs have 974 00:46:23,600 --> 00:46:27,000 Speaker 1: production credits by Little Yati. Two other songs have writing 975 00:46:27,040 --> 00:46:30,040 Speaker 1: credits with Little Yadi Basy's Distribution Circle local. I don't 976 00:46:30,080 --> 00:46:32,960 Speaker 1: know what. I don't know that mean it means you're 977 00:46:33,000 --> 00:46:35,080 Speaker 1: the secret weapon. I don't know. I don't know what 978 00:46:35,239 --> 00:46:37,760 Speaker 1: that means. I don't know. I was just in the rent. 979 00:46:38,400 --> 00:46:41,160 Speaker 1: Do you feel good about the project? I think it's great. 980 00:46:41,840 --> 00:46:44,720 Speaker 1: I think it's great. I think it's great just because 981 00:46:45,760 --> 00:46:49,400 Speaker 1: I was there, you know, But I like all these records. No, 982 00:46:49,480 --> 00:46:53,520 Speaker 1: I don't like that's a lot. But but but to 983 00:46:53,680 --> 00:46:55,839 Speaker 1: be a part of something that he's done, Man, it's 984 00:46:55,880 --> 00:46:58,719 Speaker 1: like rubbers Drake, you know what I'm saying. So like 985 00:46:59,360 --> 00:47:03,279 Speaker 1: it be it be cool, it'd be like special. It's 986 00:47:03,320 --> 00:47:06,640 Speaker 1: just like damn, bra I don't take nothing for grant. 987 00:47:06,760 --> 00:47:09,120 Speaker 1: I always, man, so many times in life, I always 988 00:47:09,480 --> 00:47:12,200 Speaker 1: by myself flashback into being in middle school, it being 989 00:47:12,200 --> 00:47:15,160 Speaker 1: in high school, or wrapping in the mirror at home, 990 00:47:15,440 --> 00:47:18,200 Speaker 1: or like fucking just walking home from school with headphones 991 00:47:18,239 --> 00:47:21,279 Speaker 1: and blasting science music that I'm now in a room 992 00:47:21,320 --> 00:47:24,080 Speaker 1: with or anything, so like it was it was great. 993 00:47:24,120 --> 00:47:27,320 Speaker 1: And to be respected so much by him, you know, 994 00:47:27,520 --> 00:47:30,640 Speaker 1: by like that shouldn't mean a lot, respect me more 995 00:47:30,640 --> 00:47:33,279 Speaker 1: than meaning anything, you know, So like to even be 996 00:47:33,440 --> 00:47:37,239 Speaker 1: respected by him and it means a lot to you know, 997 00:47:37,400 --> 00:47:40,480 Speaker 1: and to be respected by so many peers now since 998 00:47:40,640 --> 00:47:43,600 Speaker 1: making this album, who I've been talking to or speaking 999 00:47:43,640 --> 00:47:45,799 Speaker 1: to and just have giving me like props that shit, 1000 00:47:46,480 --> 00:47:48,480 Speaker 1: I mean everything, I don't care to work like you 1001 00:47:48,600 --> 00:47:51,399 Speaker 1: give me respect, That's everything I mean. Like damn, okay, 1002 00:47:51,440 --> 00:47:53,600 Speaker 1: I'm doing the right thing. I'm like, I'm as a 1003 00:47:53,719 --> 00:47:56,480 Speaker 1: as a as a man, like as a creative. You 1004 00:47:56,680 --> 00:47:59,200 Speaker 1: see me, you know, you see me as a creative, 1005 00:47:59,239 --> 00:48:01,000 Speaker 1: and that's that's all I care about. How good does 1006 00:48:01,040 --> 00:48:03,839 Speaker 1: that feel? Because that let's start here, that was your intent, right, 1007 00:48:04,400 --> 00:48:06,920 Speaker 1: But when I see I did all that. I met 1008 00:48:07,000 --> 00:48:09,120 Speaker 1: with all the people before it came out, So that's 1009 00:48:09,160 --> 00:48:11,800 Speaker 1: when my confidence was like one hundred percent. You know 1010 00:48:11,920 --> 00:48:13,479 Speaker 1: the people I met, when I met when I remember 1011 00:48:13,920 --> 00:48:16,160 Speaker 1: obviously I played for Drake, I played for Kendrew, played 1012 00:48:16,160 --> 00:48:19,880 Speaker 1: it for j Cole, played for Tyler, played for forty, 1013 00:48:21,160 --> 00:48:24,840 Speaker 1: I played it for post Malone, A Rocky. You know, 1014 00:48:25,239 --> 00:48:27,560 Speaker 1: these are people every last mole then the people like 1015 00:48:27,640 --> 00:48:30,400 Speaker 1: who I grew up listening to, and but previously, this 1016 00:48:30,440 --> 00:48:32,600 Speaker 1: is the album I never played a record for anyone 1017 00:48:32,680 --> 00:48:35,239 Speaker 1: ever because I just never cared and I honestly felt 1018 00:48:35,239 --> 00:48:36,719 Speaker 1: like no one else ever cared, and I just never 1019 00:48:36,800 --> 00:48:39,080 Speaker 1: really believed it didn't work that much to like but 1020 00:48:39,160 --> 00:48:41,239 Speaker 1: like I feel like I'm wasting someone's time, you know, 1021 00:48:41,400 --> 00:48:43,080 Speaker 1: to be able to be able to sit face to 1022 00:48:43,120 --> 00:48:45,040 Speaker 1: face for every person I named played the record and 1023 00:48:45,080 --> 00:48:48,040 Speaker 1: see their reaction and get the respect and like, you know, 1024 00:48:48,080 --> 00:48:49,840 Speaker 1: it ain't it ain't like a man, I gotta go. 1025 00:48:49,960 --> 00:48:52,239 Speaker 1: Can you stop that? It's like listening listening to it, 1026 00:48:52,400 --> 00:48:55,520 Speaker 1: like what the brook? This is insane? Like I would 1027 00:48:55,560 --> 00:48:57,200 Speaker 1: that gave me all the confidence, like, oh, I know 1028 00:48:57,280 --> 00:49:00,200 Speaker 1: what I got because these people aren't just like it's 1029 00:49:00,200 --> 00:49:04,840 Speaker 1: not anybody you know. These people have you know, real taste. 1030 00:49:05,480 --> 00:49:07,400 Speaker 1: When did you know that you felt confident enough to 1031 00:49:07,600 --> 00:49:09,960 Speaker 1: be able to share it with people? Oh, once I 1032 00:49:10,120 --> 00:49:12,960 Speaker 1: was finishing it, it was great. It's not a regular project, 1033 00:49:13,239 --> 00:49:16,040 Speaker 1: you know, and it doesn't sound like anything that anyone's done. Man. 1034 00:49:16,120 --> 00:49:17,880 Speaker 1: And and to be honest, I just didn't know I 1035 00:49:17,960 --> 00:49:19,680 Speaker 1: could do it. So when I did, I was like, oh, 1036 00:49:19,800 --> 00:49:23,160 Speaker 1: this is fucking crazy, Like it's not this is not 1037 00:49:23,400 --> 00:49:26,840 Speaker 1: some bullshit. It's just not like no, I didn't play around. 1038 00:49:26,960 --> 00:49:31,440 Speaker 1: This is not YouTube type beats. This is serious production. 1039 00:49:32,000 --> 00:49:36,239 Speaker 1: Fuck anything else the production is serious. You know, Um, 1040 00:49:36,840 --> 00:49:38,920 Speaker 1: you have a favorite like sonic moment on the album 1041 00:49:39,520 --> 00:49:41,680 Speaker 1: We saw the Sign. I love we saw the sign. 1042 00:49:41,840 --> 00:49:43,880 Speaker 1: We saw the Sign. It's just like that was like 1043 00:49:44,239 --> 00:49:46,799 Speaker 1: when Ann Clemens coming at the end and he does 1044 00:49:46,840 --> 00:49:49,000 Speaker 1: that like those humming and that that that just it's 1045 00:49:49,080 --> 00:49:53,080 Speaker 1: really for it. Yeah, I love it. It's crazy. Oh 1046 00:49:53,080 --> 00:49:55,440 Speaker 1: don't know, man, I just I just put everything into it, 1047 00:49:55,520 --> 00:49:59,439 Speaker 1: you know, from writing writing ninety five percent of the album, 1048 00:49:59,560 --> 00:50:02,279 Speaker 1: myself entire album, to just like I have my hand 1049 00:50:02,320 --> 00:50:04,279 Speaker 1: in every part of it, you know, like I like 1050 00:50:04,719 --> 00:50:08,279 Speaker 1: hand molded everything. So it's like I just believed in 1051 00:50:08,520 --> 00:50:10,960 Speaker 1: so much more so going back to her loss though, right, 1052 00:50:10,960 --> 00:50:12,720 Speaker 1: I know you say you didn't have too many rat friends, 1053 00:50:12,760 --> 00:50:15,360 Speaker 1: but obviously there's another person on the twenty one Savage. 1054 00:50:15,440 --> 00:50:18,120 Speaker 1: Did you guys have a relationship prior to I mean, 1055 00:50:18,360 --> 00:50:21,720 Speaker 1: we're really cool again, bro. I just I just quiet. 1056 00:50:21,920 --> 00:50:26,239 Speaker 1: I don't think people really paid too much attention to me. Yeah. Well, 1057 00:50:26,239 --> 00:50:28,239 Speaker 1: I mean people know where I was, but I don't 1058 00:50:28,280 --> 00:50:31,520 Speaker 1: think people really like paid too much attention, which I understand. 1059 00:50:31,640 --> 00:50:35,760 Speaker 1: But I think her loss made a lot of people 1060 00:50:35,920 --> 00:50:38,520 Speaker 1: like look at me and be like wait a second. 1061 00:50:39,120 --> 00:50:41,680 Speaker 1: It must be something. We don't see it even now 1062 00:50:41,760 --> 00:50:44,400 Speaker 1: I see like I can I see or even now. 1063 00:50:44,560 --> 00:50:47,359 Speaker 1: But when it dropped and just I saw so many 1064 00:50:47,640 --> 00:50:51,880 Speaker 1: people in doubt of me having even anything to do 1065 00:50:52,000 --> 00:50:54,719 Speaker 1: with it, Like I don't even no matter what they 1066 00:50:54,800 --> 00:50:56,600 Speaker 1: thought it was. It was like people just like, no, 1067 00:50:56,719 --> 00:50:59,040 Speaker 1: it's no way, no, he just he did eat the 1068 00:50:59,080 --> 00:51:01,160 Speaker 1: ad libel. But I saw the opposite. I felt like 1069 00:51:01,239 --> 00:51:06,080 Speaker 1: when something like back Outside boards or Jumble Umble, like 1070 00:51:06,320 --> 00:51:10,279 Speaker 1: that could be a yeah, I don't know, I don't 1071 00:51:10,320 --> 00:51:12,800 Speaker 1: know name no, but even back Outside, like you're like 1072 00:51:12,920 --> 00:51:15,120 Speaker 1: you're pretty much on every athlete of it. It's almost 1073 00:51:15,120 --> 00:51:17,120 Speaker 1: like a collaboration between you guys, right, Like how did 1074 00:51:17,160 --> 00:51:22,320 Speaker 1: that song come together to back Outside joined shrug? I 1075 00:51:22,480 --> 00:51:29,040 Speaker 1: don't that. Man's just magic Wi you were to studio together. 1076 00:51:29,360 --> 00:51:33,040 Speaker 1: Of course I've spent like that that whole album process. 1077 00:51:33,160 --> 00:51:36,360 Speaker 1: I was damn. Theyre like living with him and that 1078 00:51:36,480 --> 00:51:42,719 Speaker 1: shit was crazy. Man Inger rich Nah, but man, he 1079 00:51:42,920 --> 00:51:47,200 Speaker 1: made me like, okay, I gotta go get it. His 1080 00:51:47,360 --> 00:51:52,200 Speaker 1: life is fantastic. Yeah, he's so. He's one of those 1081 00:51:52,200 --> 00:51:54,680 Speaker 1: people so rich. You know someone's rich when they're so 1082 00:51:54,880 --> 00:51:57,360 Speaker 1: rich that you come around as company and then you 1083 00:51:57,480 --> 00:52:02,600 Speaker 1: feel rich because everyone acquires to your needs to like that. 1084 00:52:03,120 --> 00:52:05,399 Speaker 1: They're only nice to me, Like my assistance they only 1085 00:52:05,440 --> 00:52:06,839 Speaker 1: work for me. My friends come out and I didn't 1086 00:52:06,880 --> 00:52:08,160 Speaker 1: get your own water, you know what I'm saying. But 1087 00:52:08,719 --> 00:52:12,080 Speaker 1: but his assistance, they're like, man, you needn't think like 1088 00:52:12,200 --> 00:52:15,080 Speaker 1: can that's different risks, like they work for everyone. That's 1089 00:52:15,320 --> 00:52:17,160 Speaker 1: damn he got a chef and a butler and like 1090 00:52:17,880 --> 00:52:20,040 Speaker 1: it turned but it's just it's inspiration, you know what 1091 00:52:20,080 --> 00:52:21,920 Speaker 1: I'm saying. Like the thing about that, right, it's like 1092 00:52:22,400 --> 00:52:25,880 Speaker 1: i'd be so openly loving to Drake because like, not 1093 00:52:26,040 --> 00:52:27,759 Speaker 1: only does the man embrace me, but it's like it's 1094 00:52:27,800 --> 00:52:30,000 Speaker 1: a thing where like I saw this thing, right, I'm 1095 00:52:30,080 --> 00:52:32,680 Speaker 1: jumping out over this chicken head. She posted on her 1096 00:52:32,760 --> 00:52:35,000 Speaker 1: story and she said she did like a thing when 1097 00:52:35,040 --> 00:52:37,359 Speaker 1: you could, like when you could post it and people 1098 00:52:37,360 --> 00:52:39,839 Speaker 1: could respond to it. She said, what's your ick? Right? 1099 00:52:40,320 --> 00:52:43,000 Speaker 1: And someone said, I hate I hate when he got 1100 00:52:43,040 --> 00:52:44,920 Speaker 1: a big brother, like I hate when he got a 1101 00:52:44,960 --> 00:52:48,080 Speaker 1: big bro. And I found that so confusing because like 1102 00:52:49,000 --> 00:52:50,719 Speaker 1: I understood she was trying to say. She was trying 1103 00:52:50,719 --> 00:52:52,200 Speaker 1: to say, like you know, if he's a runner, or 1104 00:52:52,280 --> 00:52:54,600 Speaker 1: like if heat a little bro but but you gotta 1105 00:52:54,680 --> 00:52:58,000 Speaker 1: understand that if you have a circle of friends or 1106 00:52:58,040 --> 00:53:01,960 Speaker 1: a circle of people who you act, who you're active with, 1107 00:53:02,480 --> 00:53:05,400 Speaker 1: and everyone looks to you, if everyone looks up to you, 1108 00:53:05,480 --> 00:53:07,760 Speaker 1: everyone got their hand out to you, you motivate everyone. 1109 00:53:08,360 --> 00:53:10,560 Speaker 1: You could suck dry, you get pulled from if you 1110 00:53:10,719 --> 00:53:13,360 Speaker 1: have no one to pull inspiration from the water you 1111 00:53:13,880 --> 00:53:17,600 Speaker 1: to inspire you, to show you that there's another threashold 1112 00:53:17,640 --> 00:53:20,359 Speaker 1: there's a higher level. You'll be so content You're like, oh, 1113 00:53:20,440 --> 00:53:22,000 Speaker 1: I'm the man, I did it. This is what it is. 1114 00:53:22,200 --> 00:53:26,000 Speaker 1: Yeah yeah, and you'll never just you'll never know where 1115 00:53:26,000 --> 00:53:28,919 Speaker 1: to go next, and you get frustrating, you get tired 1116 00:53:28,920 --> 00:53:31,759 Speaker 1: because everyone, Bro, can you help me here? Can you 1117 00:53:31,920 --> 00:53:33,480 Speaker 1: him do this? Then? What should I do now? Man? 1118 00:53:33,600 --> 00:53:36,359 Speaker 1: My rent dude? Man? Man, Man, can I ball shirt? Man? 1119 00:53:36,440 --> 00:53:38,480 Speaker 1: Can you know what I'm saying? But post when you 1120 00:53:38,560 --> 00:53:42,080 Speaker 1: got someone who was can inspire you and motivate you. Man, 1121 00:53:42,160 --> 00:53:44,239 Speaker 1: Man has taught me so much, you know what I'm saying, 1122 00:53:44,320 --> 00:53:46,480 Speaker 1: Like he showed me so many ways and he's done 1123 00:53:46,560 --> 00:53:48,600 Speaker 1: so many things for me that like I can never 1124 00:53:48,680 --> 00:53:51,120 Speaker 1: even repair him for you, femily, so like i'd be 1125 00:53:51,239 --> 00:53:53,759 Speaker 1: open with it, Like man I don't care what nobody say. 1126 00:53:54,360 --> 00:54:02,839 Speaker 1: Team Drake Man, I got the tattoo man Man, that's 1127 00:54:02,960 --> 00:54:06,600 Speaker 1: my brother, your family like, so I'm um, um, i'd 1128 00:54:06,640 --> 00:54:09,600 Speaker 1: be open And I'm saying, niggas be hating broody, yeah, 1129 00:54:09,600 --> 00:54:11,560 Speaker 1: because if people hating on him going with the I'll 1130 00:54:11,600 --> 00:54:14,760 Speaker 1: see never minding yea, which was a far with me personally. 1131 00:54:14,800 --> 00:54:17,080 Speaker 1: I thought it was a great project. Yeah you know, 1132 00:54:18,080 --> 00:54:20,320 Speaker 1: I don't. I don't really know where people didn't like. 1133 00:54:20,440 --> 00:54:23,320 Speaker 1: But honestly, it's like a lifestyle album. You have to 1134 00:54:23,400 --> 00:54:25,520 Speaker 1: have been outside, you know, if all you did was 1135 00:54:25,600 --> 00:54:28,000 Speaker 1: go to your local show club, you won't understand that. 1136 00:54:28,239 --> 00:54:30,359 Speaker 1: You gotta have been on a yacht, been on the boat, 1137 00:54:30,480 --> 00:54:33,440 Speaker 1: been on the island, had a button up shirt with 1138 00:54:33,560 --> 00:54:36,120 Speaker 1: the top six unbutton like you gotta have been even 1139 00:54:36,200 --> 00:54:38,239 Speaker 1: had a flower in your drink like you have to 1140 00:54:38,320 --> 00:54:41,719 Speaker 1: have live. You have to live that type of life 1141 00:54:41,800 --> 00:54:45,640 Speaker 1: to understand. Honestly, never mind, Yeah, I fly on your drink, 1142 00:54:45,680 --> 00:54:47,960 Speaker 1: you know what I'm saying, Sugar around a ram type shit. 1143 00:54:48,080 --> 00:54:50,600 Speaker 1: You know what I'm saying. But I know, but at 1144 00:54:50,640 --> 00:54:52,920 Speaker 1: least from us interacting with drink. After that, though, like 1145 00:54:53,120 --> 00:54:55,480 Speaker 1: he got what everybody got with that whatever, like didn't 1146 00:54:55,480 --> 00:54:58,799 Speaker 1: love that, but you know, nobody could deny her loss, right, 1147 00:54:58,840 --> 00:55:00,400 Speaker 1: So it's got to feel good to like have this 1148 00:55:00,480 --> 00:55:03,640 Speaker 1: thing with like a reminder of like, oh, I think 1149 00:55:03,719 --> 00:55:05,520 Speaker 1: he I think that's why he did it. I think 1150 00:55:05,560 --> 00:55:07,960 Speaker 1: he was, which I don't personally. I don't think he 1151 00:55:08,080 --> 00:55:10,200 Speaker 1: had to. I don't think he had to do her loss. 1152 00:55:10,239 --> 00:55:12,279 Speaker 1: I thought, honestly that mine was amazing, you know. But 1153 00:55:12,480 --> 00:55:15,680 Speaker 1: he's a he's a he's like me him are so similar. 1154 00:55:15,680 --> 00:55:17,800 Speaker 1: He's I'm gonna show you type of guy. He's like, Okay, 1155 00:55:17,840 --> 00:55:20,799 Speaker 1: I bet I'll show you, you know. And and it's 1156 00:55:20,840 --> 00:55:23,160 Speaker 1: crazy because it I mean, it's like at the point 1157 00:55:23,239 --> 00:55:24,960 Speaker 1: you where you don't have to do that. But he's 1158 00:55:25,000 --> 00:55:27,359 Speaker 1: still he's like, all right, y'all, don't think I could 1159 00:55:27,360 --> 00:55:30,480 Speaker 1: wrap or y'all think it's over all right, so you 1160 00:55:30,520 --> 00:55:32,440 Speaker 1: can show you. Yeah, And I was hurt. That's where 1161 00:55:32,480 --> 00:55:35,279 Speaker 1: her loss was, man. And then he's so generous, you know, 1162 00:55:35,600 --> 00:55:37,600 Speaker 1: like just be honest. He could do her loss by himself, 1163 00:55:38,239 --> 00:55:40,640 Speaker 1: you know, but he's like, he's such a generous guy. 1164 00:55:40,680 --> 00:55:44,439 Speaker 1: He loves twenty one, you know, man, and and brought 1165 00:55:44,520 --> 00:55:46,920 Speaker 1: him along for that that journey and that Rod but 1166 00:55:47,719 --> 00:55:50,359 Speaker 1: he definitely didn't have to do her loss. Even if 1167 00:55:50,400 --> 00:55:52,600 Speaker 1: he didn't do anything. I mean, he's Drake, do whatever 1168 00:55:52,680 --> 00:55:56,759 Speaker 1: fuck you want to do. How's probably for you. That's fantastic. 1169 00:55:57,080 --> 00:56:00,520 Speaker 1: It's it's something, you know, it's I haven't been able 1170 00:56:00,560 --> 00:56:05,200 Speaker 1: to truly bask. Shit's been so hectic, but it's it's 1171 00:56:05,280 --> 00:56:08,560 Speaker 1: it's insane. It's crazy, and it's like watching like I 1172 00:56:08,640 --> 00:56:10,719 Speaker 1: can't even compare to watching it. But it's just how 1173 00:56:10,840 --> 00:56:14,680 Speaker 1: fast they grow. It's like what the fuck? Shit Like 1174 00:56:14,920 --> 00:56:18,719 Speaker 1: it's trippy, it's like bro. And then it's like you 1175 00:56:18,800 --> 00:56:21,920 Speaker 1: just don't think about your childhood. So to see a 1176 00:56:22,080 --> 00:56:24,640 Speaker 1: kid like experienced it for the first time, like we 1177 00:56:24,719 --> 00:56:26,480 Speaker 1: take for granted all the things that we do on 1178 00:56:26,600 --> 00:56:28,600 Speaker 1: daily basis and that we know whether it's like just 1179 00:56:28,800 --> 00:56:32,120 Speaker 1: like even like I saw I watched her see her 1180 00:56:32,160 --> 00:56:34,279 Speaker 1: shadow for the first time and she was like what 1181 00:56:34,880 --> 00:56:38,600 Speaker 1: she was like like, you know, it's like that we're 1182 00:56:38,600 --> 00:56:40,480 Speaker 1: just like we're so old, so we take it for granted, 1183 00:56:40,520 --> 00:56:42,520 Speaker 1: but it's like crazy. I watched her looking in the 1184 00:56:42,600 --> 00:56:46,239 Speaker 1: mirror for the first time and like like right, and 1185 00:56:46,400 --> 00:56:50,239 Speaker 1: it was crazy, and I was like, damn, man, that's tight. 1186 00:56:50,520 --> 00:56:53,279 Speaker 1: You know, so like it was. It's it's it's it's 1187 00:56:53,360 --> 00:56:56,280 Speaker 1: a refreshing and it's wholesome. It's like it's no, there's 1188 00:56:56,320 --> 00:56:59,480 Speaker 1: not one enge of negativity and raising child, you know, 1189 00:56:59,640 --> 00:57:02,440 Speaker 1: like there's no you have to put Hayte into a 1190 00:57:02,560 --> 00:57:06,000 Speaker 1: child's mind, you know, Like it's all loved, it's all 1191 00:57:06,280 --> 00:57:09,319 Speaker 1: joy like, there is no like like all she want 1192 00:57:09,360 --> 00:57:12,520 Speaker 1: to do is laugh you me, like I'm singing, and 1193 00:57:12,760 --> 00:57:16,360 Speaker 1: play and eat. You know, she don't want to hate. 1194 00:57:16,440 --> 00:57:18,480 Speaker 1: She don't want to judge. She not like, oh I 1195 00:57:18,560 --> 00:57:20,880 Speaker 1: hate that show dad, you know, like it's like she 1196 00:57:21,120 --> 00:57:23,960 Speaker 1: just loved. She just want to laugh and just play 1197 00:57:24,080 --> 00:57:27,080 Speaker 1: and eat again, you know. So like it's it's like 1198 00:57:27,600 --> 00:57:31,560 Speaker 1: it's great because it's so different than just the real world. 1199 00:57:32,000 --> 00:57:35,080 Speaker 1: You know when you step outside, when I leave her house, 1200 00:57:35,280 --> 00:57:36,880 Speaker 1: you know, or she leaves my house, is like that, 1201 00:57:37,040 --> 00:57:40,840 Speaker 1: it's it's back to reality, right. But beat Out says 1202 00:57:40,840 --> 00:57:42,800 Speaker 1: it's just the beginning, though he wants to have five kids, 1203 00:57:42,840 --> 00:57:46,640 Speaker 1: absolutely five five before thirty five. I didn't say that's it, 1204 00:57:46,800 --> 00:57:53,080 Speaker 1: but bloody yeah maybe, but but but man, bro I 1205 00:57:53,120 --> 00:57:55,040 Speaker 1: grew up a lime man. I got a sister and 1206 00:57:55,080 --> 00:57:56,800 Speaker 1: I got a brother. Where all six she's apartment, my 1207 00:57:56,840 --> 00:58:04,280 Speaker 1: brothers a bitch and my sister. But like my sister 1208 00:58:04,480 --> 00:58:06,560 Speaker 1: up there, she's six years younger than me. So I'm 1209 00:58:06,600 --> 00:58:09,360 Speaker 1: twenty five, she's nineteen. And when I was in the 1210 00:58:09,440 --> 00:58:14,560 Speaker 1: house at seventeen, she was fucking whatever, fucking I'm bad 1211 00:58:14,600 --> 00:58:16,160 Speaker 1: at mat So whatever that number is, you know what 1212 00:58:16,200 --> 00:58:18,720 Speaker 1: I'm saying. She was a baby, like a little girl, 1213 00:58:18,920 --> 00:58:22,560 Speaker 1: so like what the work was on? Say, nah, yeah, 1214 00:58:22,560 --> 00:58:24,640 Speaker 1: so we hadn't talking about now that I am where 1215 00:58:24,680 --> 00:58:28,320 Speaker 1: I'm at and she's nineteen. That age, man, that demographic. 1216 00:58:28,800 --> 00:58:32,280 Speaker 1: They those kids are just like they don't care about nothing, 1217 00:58:33,400 --> 00:58:35,600 Speaker 1: Like she don't care that I am who I am. 1218 00:58:35,760 --> 00:58:38,480 Speaker 1: She don't care to hang out, she don't care, but 1219 00:58:39,760 --> 00:58:44,520 Speaker 1: don't give a fuck at all. Because my theories, that's 1220 00:58:44,560 --> 00:58:47,439 Speaker 1: my thirty five years is a generation now, yeah, these kids, 1221 00:58:47,480 --> 00:58:50,720 Speaker 1: so it's like that's six years, right, five years the 1222 00:58:50,760 --> 00:58:53,520 Speaker 1: whole generation. So it's like, yeah, your old school. I'll 1223 00:58:53,560 --> 00:58:56,320 Speaker 1: be surprised. I even like if I even catch her 1224 00:58:56,440 --> 00:58:58,840 Speaker 1: thinking doing thinking something, I'm doing this cool, I'd be 1225 00:58:58,960 --> 00:59:01,960 Speaker 1: like her, you know, like like I'll come in and 1226 00:59:02,120 --> 00:59:05,000 Speaker 1: hear me I'm usually playing with that play wow, I 1227 00:59:05,080 --> 00:59:07,720 Speaker 1: start jumping around like I didn't think. She didn't even 1228 00:59:08,080 --> 00:59:09,760 Speaker 1: fuck with me as the time, so like it'd be 1229 00:59:09,800 --> 00:59:12,640 Speaker 1: cool to even see her support man, but he's stuck 1230 00:59:12,640 --> 00:59:14,400 Speaker 1: in the five kids think he's duck. Oh no, I 1231 00:59:14,480 --> 00:59:17,520 Speaker 1: know I want for sure, I want a bunch on 1232 00:59:17,640 --> 00:59:19,960 Speaker 1: a family because I bro, I used to grow up 1233 00:59:19,960 --> 00:59:22,080 Speaker 1: and be so sad, bro I used to see I 1234 00:59:22,200 --> 00:59:25,440 Speaker 1: used to try and find big brothers and other niggas 1235 00:59:25,640 --> 00:59:28,479 Speaker 1: who owed me no loyalty you know what I'm saying, 1236 00:59:28,720 --> 00:59:31,640 Speaker 1: which you just ended up fucking hurting it in or 1237 00:59:31,680 --> 00:59:34,120 Speaker 1: fucked over or just finessed or anything. You know, like 1238 00:59:34,760 --> 00:59:36,880 Speaker 1: because my brother wasn't dead for me, my brother coming 1239 00:59:36,920 --> 00:59:39,360 Speaker 1: out into my life until I got famous. You know, 1240 00:59:39,520 --> 00:59:41,480 Speaker 1: he came to my life with a motive you know 1241 00:59:41,520 --> 00:59:44,080 Speaker 1: what I'm saying, which was not beneficial to me at all, 1242 00:59:44,280 --> 00:59:48,440 Speaker 1: solely to himself, and it was unfortunate. So like I 1243 00:59:48,640 --> 00:59:51,160 Speaker 1: never want I don't want my daughter rub It's almost 1244 00:59:51,200 --> 00:59:54,000 Speaker 1: like you want your children to have that support, just 1245 00:59:54,400 --> 00:59:58,880 Speaker 1: like someone to like like man like it's Stanley is 1246 00:59:58,880 --> 01:00:02,160 Speaker 1: supposed to be like closer than anything, but like it 1247 01:00:02,240 --> 01:00:03,920 Speaker 1: doesn't always work out that way, you know, But I 1248 01:00:04,000 --> 01:00:06,640 Speaker 1: think it's all depending why how you raise him. You know, 1249 01:00:06,880 --> 01:00:09,960 Speaker 1: like my my brother had a different mother than me 1250 01:00:10,040 --> 01:00:11,919 Speaker 1: and my sister. You know, we are at the same father, 1251 01:00:12,000 --> 01:00:13,560 Speaker 1: but she had different mother. So he grew up in 1252 01:00:13,600 --> 01:00:16,200 Speaker 1: a different product town, different hood. And I was always 1253 01:00:16,280 --> 01:00:19,320 Speaker 1: to say, I'm yadi now was I've always been three though. 1254 01:00:19,320 --> 01:00:21,640 Speaker 1: I was a fucking weirdo. My brothers from the hood, 1255 01:00:21,840 --> 01:00:23,640 Speaker 1: like the middle of it. He looked at me like 1256 01:00:23,720 --> 01:00:27,560 Speaker 1: the skinny jeans and colors, like braising red hair, like nigga, 1257 01:00:27,600 --> 01:00:30,280 Speaker 1: you're a freak. Like you're a creep, you know what 1258 01:00:30,320 --> 01:00:32,520 Speaker 1: I'm saying. Like he was a real crip, you know 1259 01:00:32,560 --> 01:00:34,440 Speaker 1: what I'm saying. So like he thought I was a 1260 01:00:34,520 --> 01:00:36,400 Speaker 1: fucking weirdo. So he got he was always in and 1261 01:00:36,440 --> 01:00:39,240 Speaker 1: out of prison, you know. So like last time he 1262 01:00:39,320 --> 01:00:41,480 Speaker 1: got in prison, I tried to really help him and 1263 01:00:41,600 --> 01:00:43,760 Speaker 1: be there, you know, support him. He got out, took 1264 01:00:43,800 --> 01:00:47,440 Speaker 1: him in. I was just there, like whatever needed he 1265 01:00:47,880 --> 01:00:50,400 Speaker 1: just I don't know, he fucking it's a nerd. I 1266 01:00:50,400 --> 01:00:54,560 Speaker 1: don't know. Fuck that dude. I don't care. Like he was. 1267 01:00:54,680 --> 01:00:58,160 Speaker 1: He's just never been family to me. He's never had 1268 01:00:58,240 --> 01:01:00,520 Speaker 1: my best interests, he's never cared for me. He's just 1269 01:01:00,680 --> 01:01:03,440 Speaker 1: never has you know, like he only cared about himself. 1270 01:01:03,640 --> 01:01:08,360 Speaker 1: So I never wanted that for I don't want that 1271 01:01:08,520 --> 01:01:11,000 Speaker 1: for my kid, you know, man, Man, I just think 1272 01:01:11,040 --> 01:01:13,800 Speaker 1: it's cool. I think i'd be bro. I get when 1273 01:01:13,880 --> 01:01:16,440 Speaker 1: people go to cookouts and family rings and they have 1274 01:01:16,560 --> 01:01:19,480 Speaker 1: a big families that shit tight. You got pictures and 1275 01:01:19,560 --> 01:01:23,040 Speaker 1: it's like teen cousins. It's like that's it's just a 1276 01:01:23,120 --> 01:01:25,680 Speaker 1: lot of love. Man. You can't go wrong with love. Man, 1277 01:01:25,760 --> 01:01:27,640 Speaker 1: you can't go wrong with like a ton of love 1278 01:01:27,760 --> 01:01:30,560 Speaker 1: at a dinner table or at a cook I like, 1279 01:01:30,920 --> 01:01:33,800 Speaker 1: I love love, bro. As I got older, I started 1280 01:01:33,840 --> 01:01:36,080 Speaker 1: to realize, Man, this materialist stuff is great. I love it. 1281 01:01:36,120 --> 01:01:37,840 Speaker 1: I got nice cars and that's all. It's fun. But 1282 01:01:38,720 --> 01:01:41,600 Speaker 1: it don't but it don't it don't it do not 1283 01:01:41,800 --> 01:01:44,920 Speaker 1: feel like day in love and caring and like it's 1284 01:01:44,960 --> 01:01:47,600 Speaker 1: just like fun, you know, like like, man, i'd be 1285 01:01:47,680 --> 01:01:50,240 Speaker 1: so happy, like little moment. It's like, man, and a 1286 01:01:50,280 --> 01:01:52,200 Speaker 1: group mess today with my mom, dad and my sister. 1287 01:01:52,320 --> 01:01:54,640 Speaker 1: That shit made me so happy, you know, like like 1288 01:01:54,760 --> 01:01:56,800 Speaker 1: we in a group message like this is like and 1289 01:01:56,880 --> 01:01:58,480 Speaker 1: it's probably normal to a lot of people. That shit. 1290 01:01:58,560 --> 01:02:00,280 Speaker 1: To me, it is like, man, my dad on me 1291 01:02:00,800 --> 01:02:03,320 Speaker 1: sister were talking right now, you know, like we never 1292 01:02:03,520 --> 01:02:06,520 Speaker 1: we don't have many moments all of us. Yeah, because 1293 01:02:06,560 --> 01:02:08,960 Speaker 1: my dad and mom divorced when I was eight, you know, 1294 01:02:09,200 --> 01:02:11,680 Speaker 1: and then my sister was a baby, so like it 1295 01:02:11,840 --> 01:02:14,120 Speaker 1: just it was no, we never did a family trip. 1296 01:02:14,160 --> 01:02:16,640 Speaker 1: We never like we never went to dinner. Never even 1297 01:02:16,720 --> 01:02:19,080 Speaker 1: now to the day, you know, so like shit like 1298 01:02:19,160 --> 01:02:22,720 Speaker 1: man in the group message just made me like feel 1299 01:02:22,800 --> 01:02:25,560 Speaker 1: good you femily, so like I don't take none of 1300 01:02:25,560 --> 01:02:30,240 Speaker 1: that stuff, Like I appreciate all those things you talk about, 1301 01:02:30,240 --> 01:02:32,120 Speaker 1: Like your dad was a photographer kind of like more 1302 01:02:32,120 --> 01:02:34,320 Speaker 1: in my era of like really shooting rappers like the 1303 01:02:34,400 --> 01:02:37,360 Speaker 1: Kanyak outcasts and stuff and bringing you around, Like do 1304 01:02:37,440 --> 01:02:39,120 Speaker 1: you have any memories that really sit out to you 1305 01:02:39,400 --> 01:02:42,800 Speaker 1: of experiencing like any interaction. I mean this, I mean 1306 01:02:43,120 --> 01:02:46,480 Speaker 1: the thing that was the biggest was just anytime I 1307 01:02:46,560 --> 01:02:49,080 Speaker 1: went to his house every other weekend. So that's how 1308 01:02:49,280 --> 01:02:51,400 Speaker 1: my parents did. So every other weekend I will come 1309 01:02:52,360 --> 01:02:54,280 Speaker 1: within the week and in a week and a half 1310 01:02:54,360 --> 01:02:55,840 Speaker 1: or whatever the case, me and Beanny. He would have 1311 01:02:56,000 --> 01:02:59,760 Speaker 1: done so many new things. And back then it was 1312 01:02:59,800 --> 01:03:01,800 Speaker 1: like the film stuff and it was he was a 1313 01:03:01,920 --> 01:03:04,520 Speaker 1: big preprinted ship. It was digital but he was. He 1314 01:03:04,680 --> 01:03:07,600 Speaker 1: loved to blow things up, so I would Yeah, So 1315 01:03:07,640 --> 01:03:09,080 Speaker 1: I would come to his house and me he'd have 1316 01:03:09,160 --> 01:03:11,720 Speaker 1: all these huge photos the way he just had done 1317 01:03:11,720 --> 01:03:14,040 Speaker 1: in the last two weeks night, and he would be, oh, man, 1318 01:03:14,320 --> 01:03:17,200 Speaker 1: we were just in London. Here, this is Kanyee London, 1319 01:03:17,280 --> 01:03:20,720 Speaker 1: and then this is John Legend and in Seattle, and 1320 01:03:20,800 --> 01:03:22,440 Speaker 1: then it just saying this show. And he would just 1321 01:03:22,520 --> 01:03:26,080 Speaker 1: tell me his stories, you know. And then then he 1322 01:03:26,200 --> 01:03:28,080 Speaker 1: just play all types of music and he liked in 1323 01:03:28,240 --> 01:03:31,040 Speaker 1: saying saying just like we watched Dave Chappelle and just 1324 01:03:31,160 --> 01:03:33,600 Speaker 1: like I don't know, my dad loved music, you know, 1325 01:03:33,840 --> 01:03:36,560 Speaker 1: but but he had visuals to it, you know. He 1326 01:03:36,640 --> 01:03:38,880 Speaker 1: had pictures, you know, And so he would have a 1327 01:03:38,960 --> 01:03:41,880 Speaker 1: picture and tell me about it and explain it to me. 1328 01:03:42,040 --> 01:03:43,880 Speaker 1: Or even if he didn't explain to me, I would 1329 01:03:44,000 --> 01:03:45,560 Speaker 1: if I'd be home alone in his house, I just 1330 01:03:45,600 --> 01:03:47,680 Speaker 1: would go through him and look at him and just 1331 01:03:47,800 --> 01:03:49,760 Speaker 1: be like, damn, this is crazy. He was just like, 1332 01:03:49,840 --> 01:03:52,040 Speaker 1: this is weird, this is arts here, this is like 1333 01:03:52,480 --> 01:03:55,000 Speaker 1: even when he went to Africa with Delta to like 1334 01:03:55,160 --> 01:03:57,640 Speaker 1: take pictures or like I think habitat for him many 1335 01:03:57,720 --> 01:03:59,240 Speaker 1: it was been in the houses and just you saw 1336 01:03:59,320 --> 01:04:01,600 Speaker 1: the kids the first time I've ever seen anything like 1337 01:04:02,080 --> 01:04:04,480 Speaker 1: about Africa and just like you know kids and like 1338 01:04:04,880 --> 01:04:07,920 Speaker 1: dirt rolls and just like the lifestyle in Ghana, you know, 1339 01:04:08,000 --> 01:04:10,480 Speaker 1: and it's just like whoa Like my dad always kept 1340 01:04:10,520 --> 01:04:13,000 Speaker 1: me like and my toes like he always I would 1341 01:04:13,040 --> 01:04:15,400 Speaker 1: come back home to my house and be all the 1342 01:04:15,480 --> 01:04:16,960 Speaker 1: homeways and they would be like, bro, how do you 1343 01:04:17,080 --> 01:04:18,800 Speaker 1: know this? How do you know this song? How did 1344 01:04:18,800 --> 01:04:23,320 Speaker 1: you hear this? Every full my entire life, and it 1345 01:04:23,440 --> 01:04:25,400 Speaker 1: always kept me to be like this guy who was 1346 01:04:25,480 --> 01:04:28,640 Speaker 1: just like my individual being. You know. I never leaned 1347 01:04:28,680 --> 01:04:30,560 Speaker 1: on anyone for nothing. I've always just kind of been 1348 01:04:30,600 --> 01:04:35,880 Speaker 1: sharp and head because of my father. Yeah, man, mentioned 1349 01:04:35,920 --> 01:04:37,480 Speaker 1: all these places before we get out of here. Let's 1350 01:04:37,480 --> 01:04:41,600 Speaker 1: start here. A tour that happened this year. Yeah soon, okay, Yeah, 1351 01:04:42,160 --> 01:04:45,360 Speaker 1: rehearsals today, ryh. Yeah, I've been hearsing for thirty thirty 1352 01:04:45,480 --> 01:04:48,760 Speaker 1: days straight, you know. So it's it's big. No, it's 1353 01:04:48,800 --> 01:04:50,760 Speaker 1: not like anything I've ever done, you know. Obviously, like 1354 01:04:50,880 --> 01:04:53,360 Speaker 1: the album, I want to give an experience, so that's 1355 01:04:53,360 --> 01:04:55,600 Speaker 1: a matter of man. It's fun. Man. This whole journey 1356 01:04:55,640 --> 01:04:59,560 Speaker 1: has been like and a refreshing one man, because music 1357 01:04:59,640 --> 01:05:03,600 Speaker 1: can just gets so like like I don't say boring, 1358 01:05:03,680 --> 01:05:06,440 Speaker 1: but it's like it's just like repetitive, you know. So 1359 01:05:06,600 --> 01:05:09,200 Speaker 1: like this experience and these music videos and that it's 1360 01:05:09,400 --> 01:05:12,919 Speaker 1: his rehearsal for these shows. It's just like this ship 1361 01:05:13,040 --> 01:05:16,160 Speaker 1: is different, and I feel like people, I feel like 1362 01:05:16,200 --> 01:05:18,440 Speaker 1: it's different to people, which make it even more exciting 1363 01:05:18,480 --> 01:05:22,280 Speaker 1: because people were like excited and like, so this, oh, 1364 01:05:22,400 --> 01:05:25,760 Speaker 1: this is you know, this is different and that's fun 1365 01:05:25,840 --> 01:05:28,040 Speaker 1: because then people don't know what they expect next. Like 1366 01:05:28,120 --> 01:05:30,440 Speaker 1: I feel like, honestly, next I could do whatever I want. 1367 01:05:30,520 --> 01:05:33,320 Speaker 1: Like it's no no ceiling, No one has a clue 1368 01:05:33,320 --> 01:05:35,280 Speaker 1: what I'm gonna do that. Yeah, I was gonna ask you, 1369 01:05:35,440 --> 01:05:37,640 Speaker 1: like you have like a rap, rapidly rap album to 1370 01:05:37,720 --> 01:05:41,200 Speaker 1: tuck that next day, I'm doing that. I guy, I 1371 01:05:41,200 --> 01:05:43,560 Speaker 1: don't know what I'm doing that. Yeah, I don't know. 1372 01:05:43,760 --> 01:05:46,160 Speaker 1: I I don't know. I don't I don't even know. 1373 01:05:46,280 --> 01:05:48,760 Speaker 1: I got I know, I got some rap songs that 1374 01:05:48,880 --> 01:05:51,960 Speaker 1: people really want for me, and I'm gonna drop solo 1375 01:05:52,560 --> 01:05:56,000 Speaker 1: throughout the year. But I feel like from now and now, 1376 01:05:56,080 --> 01:06:00,200 Speaker 1: every project out Dad's I do has to be He's 1377 01:06:00,240 --> 01:06:03,200 Speaker 1: super big, has to have the care you put and 1378 01:06:03,360 --> 01:06:05,080 Speaker 1: just be like and just be like. It didn't have 1379 01:06:05,240 --> 01:06:07,840 Speaker 1: necessarily be rock. It could be rapid to be anything, 1380 01:06:07,920 --> 01:06:10,680 Speaker 1: but it has to have the same care and like, 1381 01:06:11,000 --> 01:06:14,600 Speaker 1: just like energy that I put into that project. No, 1382 01:06:14,760 --> 01:06:17,560 Speaker 1: no corners, cut, no downloading beats out of the email, 1383 01:06:17,600 --> 01:06:22,000 Speaker 1: everything hands on. Everything to feel crafted to a moment 1384 01:06:23,000 --> 01:06:29,920 Speaker 1: you know, absolutely no, no, but no. But let's talk 1385 01:06:29,960 --> 01:06:33,880 Speaker 1: about pitch for right. First off, they are so weird 1386 01:06:35,400 --> 01:06:39,000 Speaker 1: and they category categorized. Let's start. He has a rap album, 1387 01:06:39,560 --> 01:06:41,680 Speaker 1: you know, and then in the opening paragraph they talked 1388 01:06:41,680 --> 01:06:43,680 Speaker 1: about me working with white people like that. I don't 1389 01:06:43,720 --> 01:06:45,600 Speaker 1: get what that what that means? What do that mean? Like, 1390 01:06:45,680 --> 01:06:47,240 Speaker 1: what's the point in saying that? You know what I'm saying, 1391 01:06:47,280 --> 01:06:50,680 Speaker 1: Like they're just weird and uh, the writer is he 1392 01:06:50,760 --> 01:06:53,480 Speaker 1: has a really bad haircut, and and it just doesn't 1393 01:06:53,480 --> 01:06:56,440 Speaker 1: really make any sense, you know, and like and and honestly, 1394 01:06:56,520 --> 01:06:59,200 Speaker 1: they rate a lot of people weird, you know them 1395 01:06:59,280 --> 01:07:03,320 Speaker 1: niggas is weird. It's fun and uh, they would never 1396 01:07:03,440 --> 01:07:06,040 Speaker 1: stop me on the street. Yeah, but that's how it is. 1397 01:07:06,120 --> 01:07:08,800 Speaker 1: Hate people were head online, then stop nobody on the street. 1398 01:07:09,520 --> 01:07:13,360 Speaker 1: People hate behind computers, they're relevant to don't there. It's 1399 01:07:13,360 --> 01:07:16,000 Speaker 1: as significant to E rating system and that whole platform, 1400 01:07:16,080 --> 01:07:17,840 Speaker 1: so I don't even pay attention. You know what thing 1401 01:07:17,880 --> 01:07:19,520 Speaker 1: I hate and I don't know what we're wrapping up, 1402 01:07:19,520 --> 01:07:25,720 Speaker 1: but I hate numbers just rule everything. First week numbers, 1403 01:07:26,080 --> 01:07:29,800 Speaker 1: Pitchfork rating numbers, like who I hate saying who cares? 1404 01:07:29,800 --> 01:07:32,440 Speaker 1: Because I still care? Right, but like it's just it's 1405 01:07:32,480 --> 01:07:36,560 Speaker 1: just honest, But like, fuck, why the numbers consume everything? 1406 01:07:36,640 --> 01:07:39,360 Speaker 1: Like numbers make people even not listen to a project. 1407 01:07:39,760 --> 01:07:43,480 Speaker 1: Numbers that make someone album could be beautiful and someone 1408 01:07:43,800 --> 01:07:46,200 Speaker 1: imany this first week like oh yeah, now that flout 1409 01:07:46,280 --> 01:07:49,120 Speaker 1: damn mind you're gonna tap into it? Like, and how 1410 01:07:49,240 --> 01:07:52,920 Speaker 1: do you as a human? Like a week is even enough? 1411 01:07:53,080 --> 01:07:54,680 Speaker 1: Maybe with the music people might now, but like my 1412 01:07:54,760 --> 01:07:58,800 Speaker 1: album is a week isn't even enough time to confirm it? Yeah, 1413 01:07:58,880 --> 01:08:00,480 Speaker 1: you got to really sit with you know. That's why 1414 01:08:00,480 --> 01:08:03,520 Speaker 1: I never understood people doing reviews the same day, Like 1415 01:08:03,640 --> 01:08:06,440 Speaker 1: how do you review this album? And I was one 1416 01:08:06,560 --> 01:08:09,160 Speaker 1: listen your review and your rating. You know, I just 1417 01:08:09,160 --> 01:08:11,800 Speaker 1: try not take too serious, but I won't sit like 1418 01:08:11,960 --> 01:08:14,800 Speaker 1: I'll read I've seen every review in an interview. If 1419 01:08:14,800 --> 01:08:16,600 Speaker 1: I haven't seen it, you just have no kind of 1420 01:08:16,720 --> 01:08:22,759 Speaker 1: album I've seen. I've gen't read everyone's ideas and depends, 1421 01:08:22,760 --> 01:08:24,400 Speaker 1: and I respect them, and I've even reached out to 1422 01:08:24,439 --> 01:08:26,920 Speaker 1: a lot of people telling like, man, like, maybe it 1423 01:08:27,000 --> 01:08:30,479 Speaker 1: wasn't for you, but I appreciate this, you know, but 1424 01:08:31,160 --> 01:08:33,880 Speaker 1: I hate I just hate numbers. But I wish there 1425 01:08:33,960 --> 01:08:35,400 Speaker 1: was a depth to numbers. Then there'll never be a 1426 01:08:35,439 --> 01:08:38,280 Speaker 1: depth numbers because numbers don't lie, you know, and that's 1427 01:08:38,320 --> 01:08:40,160 Speaker 1: just true. Then how do you just success with it? 1428 01:08:40,240 --> 01:08:43,680 Speaker 1: For the project? It feels successful? It's interesting, right, that's 1429 01:08:43,720 --> 01:08:47,120 Speaker 1: an interesting take because it's like, I don't know, man, 1430 01:08:47,160 --> 01:08:49,000 Speaker 1: I look at this album like I like, I talked 1431 01:08:49,000 --> 01:08:51,240 Speaker 1: to all my friends who are alternative artists and rock 1432 01:08:51,360 --> 01:08:54,439 Speaker 1: artists and anyways say, like, man, the world it doesn't 1433 01:08:54,520 --> 01:08:56,759 Speaker 1: It's nothing comes as fast. And the first week Numbers 1434 01:08:56,880 --> 01:08:58,800 Speaker 1: is not even thinking I'll turnating space because they have 1435 01:08:58,880 --> 01:09:02,040 Speaker 1: to work vas every week. They have to they grow, 1436 01:09:02,120 --> 01:09:04,120 Speaker 1: they have to work an album. You know, they don't 1437 01:09:04,400 --> 01:09:07,320 Speaker 1: they don't do a huge freak sweet down versation. You know, 1438 01:09:07,400 --> 01:09:09,599 Speaker 1: it's like they work projects, but their shows or ten 1439 01:09:09,680 --> 01:09:12,200 Speaker 1: thousand and fifteen thousand people, twenty thousand people, you know 1440 01:09:12,240 --> 01:09:14,840 Speaker 1: what I'm saying, because it's like it's a different type 1441 01:09:14,840 --> 01:09:17,280 Speaker 1: of music. Man sticks and it lives with people in 1442 01:09:17,520 --> 01:09:19,840 Speaker 1: and then people absorb it, you know what I'm saying. 1443 01:09:20,000 --> 01:09:22,519 Speaker 1: So it's interesting. I don't know, but I definitely feel 1444 01:09:22,640 --> 01:09:26,160 Speaker 1: successful from this album and I am grateful and I 1445 01:09:26,200 --> 01:09:29,000 Speaker 1: feel like people are like shocked by it and so fine. 1446 01:09:29,000 --> 01:09:32,479 Speaker 1: It's gonna be backhanded compliments. It's crazy people like man 1447 01:09:32,720 --> 01:09:35,639 Speaker 1: like man, yo, oh shit, man, that ship was dukie, 1448 01:09:35,720 --> 01:09:38,640 Speaker 1: but this ship, I'm like, Oh, how to get this 1449 01:09:38,640 --> 01:09:42,680 Speaker 1: shit on you? I get the craziest like are you 1450 01:09:42,800 --> 01:09:44,960 Speaker 1: sure it's the same guy that made And it's like 1451 01:09:45,479 --> 01:09:49,760 Speaker 1: Minnesota is still good? I got my When you're going 1452 01:09:49,840 --> 01:09:52,880 Speaker 1: to it, I gotta see part of me live. That's real. Yeah, 1453 01:09:53,200 --> 01:09:55,519 Speaker 1: that's real. That's I think when you did the little 1454 01:09:55,560 --> 01:09:58,720 Speaker 1: both free with even the split, the first part, when 1455 01:09:58,760 --> 01:10:00,240 Speaker 1: you did that video and they came out, I was 1456 01:10:00,320 --> 01:10:03,080 Speaker 1: like I watched that thing. I was like, Oh, he's 1457 01:10:03,120 --> 01:10:05,680 Speaker 1: really here, Like he's not. He's like, he's here for 1458 01:10:05,800 --> 01:10:07,680 Speaker 1: real whatever where it means you know what I mean, 1459 01:10:07,800 --> 01:10:09,880 Speaker 1: Like because we've seen Come and Go that's a fact. 1460 01:10:09,960 --> 01:10:12,680 Speaker 1: Whatever Freshman cover whatever, it's like, But something about your 1461 01:10:12,760 --> 01:10:15,920 Speaker 1: energy on that split joint in that video. I was like, oh, yeah, 1462 01:10:16,000 --> 01:10:17,760 Speaker 1: do you see it for real? To think about the 1463 01:10:17,920 --> 01:10:20,560 Speaker 1: energy when he performed coughin I Forget the festival, that 1464 01:10:20,640 --> 01:10:23,160 Speaker 1: clip goes on, Yeah, what's up with that? With that? 1465 01:10:23,520 --> 01:10:25,479 Speaker 1: Bug you out when that became like a viral sensation, 1466 01:10:25,880 --> 01:10:28,040 Speaker 1: But it was no because that's how the show is. 1467 01:10:28,800 --> 01:10:31,120 Speaker 1: The fact that I never had a show that wasn't 1468 01:10:31,160 --> 01:10:33,880 Speaker 1: like that, so yeah, yeah, yeah, well, I mean that 1469 01:10:34,000 --> 01:10:35,479 Speaker 1: was probably like one of the second or third times 1470 01:10:35,479 --> 01:10:37,599 Speaker 1: that did the box, but like the energy and that show, 1471 01:10:38,080 --> 01:10:39,680 Speaker 1: that's how it is every time. So it was just 1472 01:10:39,800 --> 01:10:42,120 Speaker 1: funny because like people tripped out over it, but it 1473 01:10:42,240 --> 01:10:45,720 Speaker 1: was like that that's my show, you know. Um, It's 1474 01:10:45,760 --> 01:10:48,120 Speaker 1: just it's just funny because it shows you how people 1475 01:10:48,120 --> 01:10:49,760 Speaker 1: say the world is so small, but it's so big 1476 01:10:49,800 --> 01:10:53,840 Speaker 1: because it's even thousand, thousand, hundred thousands of people maybe 1477 01:10:53,960 --> 01:10:56,439 Speaker 1: millions screening for you, they're still so many more who 1478 01:10:56,479 --> 01:10:59,360 Speaker 1: don't know shit about that's what's going on, you know, Like, 1479 01:10:59,439 --> 01:11:01,840 Speaker 1: and that's pool how people react to bad money numbers 1480 01:11:01,880 --> 01:11:03,320 Speaker 1: and that toury just there, and how people like what 1481 01:11:03,400 --> 01:11:05,360 Speaker 1: the fuck it's like you got so many people who 1482 01:11:05,400 --> 01:11:08,160 Speaker 1: don't even know one thing about bad money and he's 1483 01:11:08,200 --> 01:11:10,880 Speaker 1: pulling in the biggest touring numbers of all time, you know. 1484 01:11:10,960 --> 01:11:12,560 Speaker 1: So it's just it all shows you, like, man, you 1485 01:11:12,640 --> 01:11:15,640 Speaker 1: could live a life and do something now and the 1486 01:11:15,760 --> 01:11:17,840 Speaker 1: world and not even know you know, so much in 1487 01:11:17,880 --> 01:11:19,280 Speaker 1: the world room on that we don't know about it 1488 01:11:19,280 --> 01:11:21,760 Speaker 1: at this moment, you know, like I don't know I'm 1489 01:11:21,800 --> 01:11:24,599 Speaker 1: getting to do. But yeah, man, if the world is big, 1490 01:11:24,760 --> 01:11:26,840 Speaker 1: you know, and and it just it always it always 1491 01:11:26,880 --> 01:11:28,680 Speaker 1: comfort me and made me understand that there is a 1492 01:11:28,760 --> 01:11:31,439 Speaker 1: place for everyone, you know, like I don't have to 1493 01:11:31,560 --> 01:11:34,600 Speaker 1: make the music that the people who watch this listen to. 1494 01:11:35,439 --> 01:11:38,160 Speaker 1: I don't have to make music. I like, it's music 1495 01:11:38,320 --> 01:11:40,519 Speaker 1: for everyone, you know, and there's a there and that 1496 01:11:40,560 --> 01:11:42,920 Speaker 1: should always tell up and coming artists, like there's always 1497 01:11:43,200 --> 01:11:45,000 Speaker 1: if you do it the right way and true to yourself, 1498 01:11:45,040 --> 01:11:48,080 Speaker 1: there is there will always be a fan for you, yeah, 1499 01:11:48,080 --> 01:11:52,760 Speaker 1: because so many people. Music just can stretch so many years, right, Yeah, 1500 01:11:53,280 --> 01:11:55,880 Speaker 1: So don't ever worry about trying to please that one 1501 01:11:55,960 --> 01:11:58,000 Speaker 1: person who didn't like it, because there's always going to 1502 01:11:58,040 --> 01:12:01,200 Speaker 1: be two or maybe three would do and appreciate chick 1503 01:12:01,240 --> 01:12:02,960 Speaker 1: there being you. But do you think it is almost 1504 01:12:03,000 --> 01:12:05,080 Speaker 1: like because again. You came in again. Like you said, 1505 01:12:05,080 --> 01:12:07,920 Speaker 1: it's almost like you was one of the most criticized. No, 1506 01:12:08,080 --> 01:12:11,360 Speaker 1: I was not one of the I was the Yeah, most, 1507 01:12:11,520 --> 01:12:13,760 Speaker 1: No one would no one could depend like that was 1508 01:12:13,880 --> 01:12:16,599 Speaker 1: the that was the most criticized for no reason. Yeah, 1509 01:12:16,800 --> 01:12:19,000 Speaker 1: it's not like I was on the internet saying fuck 1510 01:12:19,080 --> 01:12:21,680 Speaker 1: certain things that being goofy or doing any kind of 1511 01:12:21,720 --> 01:12:24,920 Speaker 1: weird ship on Instagram. It was just it. I just 1512 01:12:25,000 --> 01:12:27,840 Speaker 1: took the hate, you know, it was just cuss. But 1513 01:12:29,360 --> 01:12:32,200 Speaker 1: but overcame it. Oh absolutely, well. I mean I think 1514 01:12:32,280 --> 01:12:34,320 Speaker 1: I don't know, you know, it still rather near. We 1515 01:12:34,360 --> 01:12:38,920 Speaker 1: don't know yet, but it was like we're getting somewhere. Yeah, 1516 01:12:39,200 --> 01:12:41,240 Speaker 1: I don't know, we have to see. I might have 1517 01:12:41,360 --> 01:12:45,160 Speaker 1: to test it during another summer jam. My first one 1518 01:12:45,280 --> 01:12:47,519 Speaker 1: job was Oh my god, that was the most That 1519 01:12:47,600 --> 01:12:50,719 Speaker 1: wasn't one the scariest mom as ever. It wasn't terminating 1520 01:12:51,120 --> 01:12:53,840 Speaker 1: Oh New York. Yeah. That crowd it was like they 1521 01:12:53,960 --> 01:12:57,479 Speaker 1: was staying at It was tough. Yeah yeah, yeah, we 1522 01:12:57,720 --> 01:12:59,800 Speaker 1: probably never do that a candidate. We're gonna find a 1523 01:12:59,840 --> 01:13:03,160 Speaker 1: ways was success man, because we go chase, change up 1524 01:13:03,200 --> 01:13:05,280 Speaker 1: the game and oh yeah man, I mean we're just 1525 01:13:05,400 --> 01:13:07,519 Speaker 1: gonna keep living you know, and keep doing what every 1526 01:13:07,560 --> 01:13:09,880 Speaker 1: inspires us. That's how I live. I'm knowing what ever 1527 01:13:10,000 --> 01:13:12,120 Speaker 1: inspires me, I don't I don't know. If it's rap, 1528 01:13:12,360 --> 01:13:15,080 Speaker 1: you know, I don't know. If it's another rock album, 1529 01:13:15,120 --> 01:13:18,280 Speaker 1: I don't know. I might find dance music. I don't know. 1530 01:13:18,720 --> 01:13:21,639 Speaker 1: I don't know whatever inspires me. Next, you no whise 1531 01:13:21,760 --> 01:13:24,040 Speaker 1: music still such a passion. You love fashion, you love 1532 01:13:24,120 --> 01:13:25,479 Speaker 1: clothes and stuff like that, But why do you think 1533 01:13:25,560 --> 01:13:27,320 Speaker 1: music is still such a fashion. But it's just just 1534 01:13:27,439 --> 01:13:33,160 Speaker 1: to be honest, it's all I do. Club Wow, I like, Yeah, 1535 01:13:33,200 --> 01:13:39,160 Speaker 1: I like. I like girls, clothes and music and movies, 1536 01:13:39,680 --> 01:13:42,679 Speaker 1: my daughter and my mother. You know what I'm saying. 1537 01:13:42,760 --> 01:13:46,040 Speaker 1: My friends, you know, that's all. That's all I do. 1538 01:13:46,479 --> 01:13:49,120 Speaker 1: Those things, that's all I do. And know what I'm saying, 1539 01:13:49,160 --> 01:13:51,960 Speaker 1: That's all I care about for real, for real, My friends, 1540 01:13:52,040 --> 01:13:55,840 Speaker 1: my family, these beautiful women walking on plane Earth and 1541 01:13:55,960 --> 01:13:58,080 Speaker 1: the ship that go in your ear, you know what 1542 01:13:58,080 --> 01:14:00,559 Speaker 1: I'm saying. Music, sonics, that's all I care about. And visuals. 1543 01:14:00,600 --> 01:14:03,080 Speaker 1: I love to watch it. I like to read, like 1544 01:14:03,280 --> 01:14:05,760 Speaker 1: not read, but like I want to get into reading. 1545 01:14:05,800 --> 01:14:08,120 Speaker 1: But I'm not a big reader. But I liked to 1546 01:14:08,400 --> 01:14:12,600 Speaker 1: like just see art, you know, and just making interpretation 1547 01:14:12,640 --> 01:14:14,120 Speaker 1: of what that is. And I love to have real 1548 01:14:14,240 --> 01:14:16,519 Speaker 1: conversations for people where I love to know more about 1549 01:14:16,560 --> 01:14:19,360 Speaker 1: people and what people think and what they're going through 1550 01:14:19,439 --> 01:14:22,200 Speaker 1: and what they're dealing with and what makes them happier 1551 01:14:22,240 --> 01:14:23,960 Speaker 1: or or not, because it's just just so many, so 1552 01:14:24,080 --> 01:14:27,160 Speaker 1: many people are so different. That's so crazy as it artists, 1553 01:14:27,160 --> 01:14:29,000 Speaker 1: you travel and you meet millions of people and just 1554 01:14:29,160 --> 01:14:31,840 Speaker 1: women and man and all kinds of people, and everyone 1555 01:14:31,960 --> 01:14:33,800 Speaker 1: is so different, everyone going through that. But then we 1556 01:14:33,880 --> 01:14:37,519 Speaker 1: all have certain things in common, absolutely, like all of us, 1557 01:14:37,720 --> 01:14:41,600 Speaker 1: you know, like we all have common like life, you know, 1558 01:14:41,680 --> 01:14:43,840 Speaker 1: whether it's people didn't even have this conversation till this 1559 01:14:44,000 --> 01:14:46,720 Speaker 1: point in our lives, right, all of us. I forgive it, 1560 01:14:46,760 --> 01:14:48,680 Speaker 1: you know what I'm saying. And it's crazy, you know. 1561 01:14:48,800 --> 01:14:50,559 Speaker 1: You meet people at the top, man, you meet people 1562 01:14:50,640 --> 01:14:53,400 Speaker 1: down below, and we all still have the same problems, 1563 01:14:53,920 --> 01:14:56,320 Speaker 1: you know. So I don't know. I'm just living, man, 1564 01:14:56,560 --> 01:14:58,599 Speaker 1: just and music is my life. So it's it's gonna 1565 01:14:58,600 --> 01:15:01,439 Speaker 1: always inspire me and until it doesn't, you know, but 1566 01:15:01,560 --> 01:15:03,920 Speaker 1: I don't see that being anytime soon. But it's just 1567 01:15:04,040 --> 01:15:06,559 Speaker 1: all I do. It's like my passion and fun. Money 1568 01:15:06,720 --> 01:15:08,600 Speaker 1: is like I genuinely don't do anything else, you know, 1569 01:15:08,680 --> 01:15:10,559 Speaker 1: and like if I did, if we took away music 1570 01:15:10,640 --> 01:15:13,800 Speaker 1: that came my vocal cords, like went bad Outfit, I'd 1571 01:15:13,840 --> 01:15:16,080 Speaker 1: have nothing to do with play video game. You know 1572 01:15:16,120 --> 01:15:18,519 Speaker 1: what I'm saying in text, I'd just be texting bitches 1573 01:15:18,600 --> 01:15:22,120 Speaker 1: because I'm but like he's trying to settle down to 1574 01:15:22,320 --> 01:15:26,400 Speaker 1: be that forever. That's not easy. I did not in 1575 01:15:26,479 --> 01:15:29,519 Speaker 1: this industry. I see you, you've settled, You've all the 1576 01:15:29,560 --> 01:15:35,519 Speaker 1: way down the respect that you got a daughter like yourself, Okay, 1577 01:15:36,120 --> 01:15:45,160 Speaker 1: hasn't settled down even gonna go. It's really one daughter, 1578 01:15:45,560 --> 01:15:54,280 Speaker 1: you know. Wife. We'll start here here, we'll stop here, 1579 01:15:54,760 --> 01:15:59,960 Speaker 1: stop me. Let's start here from a little Yatti man 1580 01:16:00,040 --> 01:16:03,519 Speaker 1: and thank you, brother, thank you for inviting us. Yes, sir, 1581 01:16:03,720 --> 01:16:11,919 Speaker 1: Yadia states, Yadia states, brother, Yes, Sir. Podcast Yeah. Rapperator 1582 01:16:12,000 --> 01:16:15,120 Speaker 1: is an interval presents original production from Hyperhouse, produced by 1583 01:16:15,200 --> 01:16:18,320 Speaker 1: Laura Wasser, hosts and producers Elliott Wilson and Brian B. 1584 01:16:18,439 --> 01:16:23,360 Speaker 1: Dot Miller. Hermittiful presents executive producers Alan Coy and Jake Kleinberg. 1585 01:16:23,680 --> 01:16:27,800 Speaker 1: Executive producer Paul Rosenberg editing his sound design by Dylan 1586 01:16:27,840 --> 01:16:33,080 Speaker 1: Alexandra Freeman, recording engineer Xavier Hayes. Special things to Travis Cochrane, 1587 01:16:33,320 --> 01:16:38,120 Speaker 1: Caleb Steeles, Giles Williams, writer and an War operations lead 1588 01:16:38,200 --> 01:16:42,040 Speaker 1: Sarah You, Business development lead Cheffie Ellen Swagg, and marketing 1589 01:16:42,120 --> 01:16:44,960 Speaker 1: lead Samara Still. Make sure to follow Rapperator or listen 1590 01:16:45,040 --> 01:16:48,439 Speaker 1: on Apple Podcasts, Spotify, Amazon Music, Stitcher, or wherever you 1591 01:16:48,520 --> 01:16:49,280 Speaker 1: get your podcasts