WEBVTT - Captain Marvel with Carolyn Cocca

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<v Speaker 1>On the Bell Cast, the questions asked if movies have

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<v Speaker 1>women in them, are all their discussions just boyfriends and husbands,

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<v Speaker 1>or do they have individualism? The patriarchy? Zef and best

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<v Speaker 1>start changing it with the beck Del Cast. Hello, and

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<v Speaker 1>welcome to the Beachdel Cast. My name is Caitlin Arante

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<v Speaker 1>and my name is Jamie Loftus, and our podcast is

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<v Speaker 1>about the representation of women in movies. Women. Ever heard

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<v Speaker 1>of them? Movies? Ever heard of them? No? Neither. My

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<v Speaker 1>new playing intro thought of all the way here, I

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<v Speaker 1>have two degrees in film, but somehow I've never heard

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<v Speaker 1>of movies. Listen, I know I've I also went through

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<v Speaker 1>the school, and they just don't tell you about it.

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<v Speaker 1>If they don't, I'm excited for today's episode. It's another

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<v Speaker 1>hashtag current movie, not our normal fair but this seemed

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<v Speaker 1>very warranted. Yes, this is important important. The show is

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<v Speaker 1>Oh yeah, derived from hard to Know? Really the part

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<v Speaker 1>who are we point? Oh wait, no, she's not the

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<v Speaker 1>next Man. I don't know how superhero movies work. It's

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<v Speaker 1>almost like she's a mutant. That's not this franchise. No, no, no,

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<v Speaker 1>you know, I'm just gonna go bury myself a lot

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<v Speaker 1>any who, So we use the Bactel test as a

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<v Speaker 1>jumping off point, and the Bactel test for us our version,

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<v Speaker 1>there must be two female identifying characters with names. They

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<v Speaker 1>must speak to each other, and their conversation cannot be

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<v Speaker 1>about men. And this is just a two line exchange

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<v Speaker 1>for us. It's all it takes. All it takes. But

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<v Speaker 1>a lot of movies managed to fuck it up, and

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<v Speaker 1>a lot of movies in the universe were addressing today

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<v Speaker 1>managed to suck it up. So it'll be interesting to

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<v Speaker 1>dive in. And the movie, of course, if you've clicked,

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<v Speaker 1>if you've dared to click, you already know the movie

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<v Speaker 1>is Captain Marvel. Yes, if you are listening to this

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<v Speaker 1>and you have not yet seen the movie, we are

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<v Speaker 1>going to do a lot of spoilers, so um, just

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<v Speaker 1>be aware of that and also see the movie. The movie,

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<v Speaker 1>Come on, seriously, I mean the box off. If the

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<v Speaker 1>box office is to be judged, they don't necessarily need you,

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<v Speaker 1>but you should see it. This movie made so much money.

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<v Speaker 1>That's great, already made dollars? Wow? Well yeah, well with

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<v Speaker 1>how much further ado? Let's introduce our guest today. Yes, um,

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<v Speaker 1>she is the author of Superwomen, gender power, and representation.

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<v Speaker 1>She also wrote the forward for the Captain Marvel issue

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<v Speaker 1>of Entertainment Weekly, which is on shelves right now. It's

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<v Speaker 1>Caroline Cocao. Hi, thanks for being here. Oh, thanks so

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<v Speaker 1>much for having me. It's crazy to be here. Time.

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<v Speaker 1>We're so we're so psyched to have a true expert

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<v Speaker 1>on the cast. So I guess before we get into it,

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<v Speaker 1>all of our experiences with this movie, we are relatively recent.

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<v Speaker 1>Um in general, Caroline, how do you? How do you

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<v Speaker 1>like the movie? Oh? I was going to tell you

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<v Speaker 1>my long five day history with the movie. Please let's

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<v Speaker 1>unpack it. No, no, no, I'm kidding. Uh No. I

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<v Speaker 1>I did like it, and I think it's kind of

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<v Speaker 1>like when I went to go see A Wonder Woman.

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<v Speaker 1>I was more worried than anything else going in and

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<v Speaker 1>kind of relieved even though neither is perfect coming out.

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<v Speaker 1>So I'll just leave it at that for now. What's

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<v Speaker 1>your history with the property? Um? In terms of the

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<v Speaker 1>comics and stuff? Are you super familiar? Have you read

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<v Speaker 1>a lot of them? I didn't until I guess about

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<v Speaker 1>five years ago. So I didn't read Captain Marvel growing up.

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<v Speaker 1>I mean I did read some comics when I was

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<v Speaker 1>a kid, they were mostly d C comics like Superman, Batman,

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<v Speaker 1>Wonder Woman. My history with Captain Marvel is pretty recent

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<v Speaker 1>from writing my book, and it was while I was

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<v Speaker 1>writing it that the character was sort of relaunched as

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<v Speaker 1>Captain Marvel. She had formerly been Miss Marvel from you know,

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<v Speaker 1>for like forty years before that and at this and

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<v Speaker 1>you know, at the time they thought, well, okay, it's

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<v Speaker 1>a longer story. But at the time, it was everybody

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<v Speaker 1>working in comics except for like one woman at Marvel

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<v Speaker 1>and one woman at TC. They were all guys. And

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<v Speaker 1>these guys, I think, genuinely thought that they were creating

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<v Speaker 1>a feminist character and that's why they they purposely used

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<v Speaker 1>the moniker miss Um And you know, they had her

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<v Speaker 1>first she was a security chief at NASA. That's how

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<v Speaker 1>she's introduced, and then later she's the editor of Woman magazine.

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<v Speaker 1>That is the vaguest vagary I've ever heard. She's a feminist.

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<v Speaker 1>She's magazine, that's right. I mean the first issue of

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<v Speaker 1>Miss Marvel, she's fighting um, you know, mean spider Man.

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<v Speaker 1>Editor j Jonah Jamison owns Women magazine. She's she's fighting

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<v Speaker 1>on the Bay and he wants to underpay her, and

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<v Speaker 1>she's like, no, you want me, You're gonna pay me

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<v Speaker 1>this much. And he's like, okay, grumble, grumble, cigar jump,

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<v Speaker 1>I want to read that issue. And then he's like,

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<v Speaker 1>so you're gonna do uh some recipes and some fashion

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<v Speaker 1>none of that, like women should be astronauts stuff, right,

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<v Speaker 1>women should be in the kitchen and she's like, uh,

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<v Speaker 1>feminist icon. J Jonah Jamison really an ally to all that.

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<v Speaker 1>J Jonah Jamison, Um wow, okay, I'm like, yeah, I'm

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<v Speaker 1>really excited to hear more about the character as well,

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<v Speaker 1>because I am not super familiar with the mcu as

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<v Speaker 1>by the fact that I called one of the X

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<v Speaker 1>Men but you, but you inadvertently said something accurate because

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<v Speaker 1>there was a point at which she almost joined the

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<v Speaker 1>X Men in the eighties. So we'll just pretend you

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<v Speaker 1>knew that. Actually I have a really deep knowledge and

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<v Speaker 1>so alas that is a cut, that's me. I want

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<v Speaker 1>to hear about that too. I um my history aside

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<v Speaker 1>from seeing the movie twice now, bragg is, I admittedly

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<v Speaker 1>did not know that Captain Marvel was a character or

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<v Speaker 1>a comic book until I saw the trailer for this movie,

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<v Speaker 1>which we can kind of later on unpack how you know,

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<v Speaker 1>a lot of the superheroes who are women don't really

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<v Speaker 1>make it to the mainstream or like the most popular properties.

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<v Speaker 1>But yeah, we can we can talk about that a

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<v Speaker 1>little for sure later. Um I gen'er. I mean, I

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<v Speaker 1>enjoyed the movie. It was there's definitely stuff that I

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<v Speaker 1>think is worth discussing. I wasn't my favorite movie ever, No,

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<v Speaker 1>but it was one of those movies that, like, for

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<v Speaker 1>the little things I was jotting down in the screening,

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<v Speaker 1>I was sitting two seats away from like kids, and

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<v Speaker 1>they were so excited, Oh, that's great, So like in

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<v Speaker 1>that way, you're just I'm like, almost crimes, just like

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<v Speaker 1>in that way, I think that that it's great. And

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<v Speaker 1>there was like a lot of young boys and girls

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<v Speaker 1>at movie and they were all site and it's like, yes,

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<v Speaker 1>I have my critiques, but in general, I think it

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<v Speaker 1>is a good movie to have in the world. And

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<v Speaker 1>I have kids seeing agree. Yes. I also I'm like,

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<v Speaker 1>I thought it was good. It was fine. It wasn't great.

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<v Speaker 1>Now that I've seen Spider Man into the Spider Verse

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<v Speaker 1>six times, I just feel a little underwhelmed by every

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<v Speaker 1>other superhero metric good but no, there's there's a lot

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<v Speaker 1>of talk to compare women to men as much as possible.

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<v Speaker 1>That um anyway, shall we do the recap? Sure? Okay,

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<v Speaker 1>so we meet Veers. That's Bree Larson's character. I stand

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<v Speaker 1>Bree Larson. Yes, I love Bree Larson. Big fan, big stand.

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<v Speaker 1>She lives on planet Halla with the Cree people. Sure

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<v Speaker 1>she has a power, she like energy comes out of

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<v Speaker 1>her fists. She fights Ju Law and she's stronger than him.

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<v Speaker 1>And she doesn't have any memory of her past from

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<v Speaker 1>before she arrived on Cree and Caroline. Does this line up?

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<v Speaker 1>I guess before we super get into it. Does this

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<v Speaker 1>line up pretty closely with what her origin story is

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<v Speaker 1>in the comic books as well? Or was where liberties taken?

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<v Speaker 1>This is one of the times when liberties are taken

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<v Speaker 1>in a way that actually makes the story a little better.

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<v Speaker 1>So I'm not sure where to start, because, like her

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<v Speaker 1>origin in comics is kind of what you don't get

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<v Speaker 1>till about three quarters of the way through the movie.

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<v Speaker 1>So do you want me to say it now or

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<v Speaker 1>when you get there? I guess we could say it

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<v Speaker 1>when we get there. I just wasn't sure if if

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<v Speaker 1>this was like a complete deviation or pretty she did.

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<v Speaker 1>She did not live on Cree. She just grew up human.

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<v Speaker 1>And when she was that NASA security chief, one of

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<v Speaker 1>the people who was working there was a man named

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<v Speaker 1>Walter Lawson who was Marvel. In other words, Marvel was

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<v Speaker 1>a dude, and Marvel was the first Captain Marvel, and

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<v Speaker 1>he was Cree and he did kind of turn against

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<v Speaker 1>the Cree when he was on Earth, and uh, he

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<v Speaker 1>was fighting yon Rog. Jon Rog took Carol hostage. And

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<v Speaker 1>in this struggle where Marvel is trying to rescue Carol

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<v Speaker 1>from yon Rog, this machine blows up and this machine

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<v Speaker 1>abuse Carol with her powers and with Marvel's Cree DNA. Okay,

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<v Speaker 1>I like, I was, like, it's ridiculous. So much more

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<v Speaker 1>I know, but so you can see that what they

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<v Speaker 1>did in the movie is an improvement on that. Totally agree. Yes, okay, yes,

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<v Speaker 1>indeed cool? Um Okay. So she's hanging out on Cree.

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<v Speaker 1>There's this supreme intelligence that she goes to see for therapy.

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<v Speaker 1>I don't know what they do, it's like so I

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<v Speaker 1>was just like, okay, So there's a green screen in

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<v Speaker 1>play every time that scene would come. It's like Brie

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<v Speaker 1>Larsen on a green screen. And for Viers, this supreme

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<v Speaker 1>intelligence takes the form of a Net Benning. But Viers

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<v Speaker 1>doesn't know who this woman is to her. She doesn't

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<v Speaker 1>know her significance in her life because she can't remember

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<v Speaker 1>her past. So Viers accompany's Yon Rog that's Jude Law's

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<v Speaker 1>character and some other creased soldiers on a rescue mission

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<v Speaker 1>on a different planet and they're trying to rescue someone

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<v Speaker 1>from these bad guys called Scrolls, who are shape shifters,

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<v Speaker 1>and the Scrolls capture Veers and they are trying to

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<v Speaker 1>access her memories, and we see all these flashbacks of

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<v Speaker 1>Viers training in the Air Force and hanging out with

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<v Speaker 1>a net Benning, and they're trying to figure out who

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<v Speaker 1>a net Benning's character is because they're trying to find

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<v Speaker 1>her and get their hands on light speed technology that

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<v Speaker 1>she was developing. Right, turns out her name is when

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<v Speaker 1>Wendy Lawson right, So Veers gets away from the Scrolls

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<v Speaker 1>and crash lands on c. Fifty three. A k ever

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<v Speaker 1>heard of it so much? I mean, some studio executive

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<v Speaker 1>took the nostalgia note to heart and they're like, she

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<v Speaker 1>lands in a blockbuster. She's holding up a VHS day

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<v Speaker 1>You're just like, alright, I guess we'll get through this.

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<v Speaker 1>It's when she and a few of the Scrolls follow

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<v Speaker 1>her to Earth and then the Agents of Shields show up,

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<v Speaker 1>including Coulson, who we all know and love, and Nick Fiery,

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<v Speaker 1>who we all know and love. I thought it was

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<v Speaker 1>going to be so distracting to see young of fied

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<v Speaker 1>Samuel L. Jackson, but they did a great job. I

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<v Speaker 1>was just like, wow, he looks great. And then it

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<v Speaker 1>was like, no, that was that was technology. I was like, oh, okay.

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<v Speaker 1>So Viers is like, hey, Fury, here's what's going on.

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<v Speaker 1>There's these scrull bad guys, their shape shifters, and then

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<v Speaker 1>they don't believe her. She makes no effort to blend

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<v Speaker 1>in with her surroundings. There's moments where Captain Marvel is

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<v Speaker 1>great at her job and other times and I'm like,

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<v Speaker 1>I don't know what you think you're doing, but you

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<v Speaker 1>should probably anyways, I'm not who am I to tell

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<v Speaker 1>her how to do her job? Yeah? Who are you?

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<v Speaker 1>I don't know. Okay. So then there's this chase scene

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<v Speaker 1>and Fury sees this shape shifting happening, and he's like, oh,

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<v Speaker 1>now I believe her. So then she and Fury team

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<v Speaker 1>up and they try to find Wendy Lawson and then

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<v Speaker 1>go to Pegasus, which I believe is like a secret

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<v Speaker 1>military facility. Um, and they're in the records room and

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<v Speaker 1>they discover that Wendy Lawson is dead, that she died

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<v Speaker 1>in a plane crash that killed another pilot as well.

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<v Speaker 1>I wonder who that might be. She's in the background

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<v Speaker 1>of a lot of pictures. They discovered the Wendy Lawson

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<v Speaker 1>was Cree and then Yeah, sees a photo of herself

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<v Speaker 1>with Lawson from I think like nine and she's like,

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<v Speaker 1>oh my god. There's more to this story than I realize.

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<v Speaker 1>Also very important to note there is what appears to

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<v Speaker 1>be a cat named Goose. Yes, how many nipples does

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<v Speaker 1>the cat have? Okay, well, as we know cats have

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<v Speaker 1>eight nipples, that's cat facts with Caitlin obviously, Um, but Goose,

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<v Speaker 1>there's more to Goose than meets the eye. Goose is

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<v Speaker 1>not a cat. Goose is a flirkin. Flirkins have five

0:13:59.280 --> 0:14:04.599
<v Speaker 1>D and third seven nipples. That's flirkin facts. Is that

0:14:04.720 --> 0:14:07.559
<v Speaker 1>true with Caitlin? No, I just made that is that,

0:14:07.679 --> 0:14:13.200
<v Speaker 1>but it's cannon now okay. I was like, WHOA, Well,

0:14:13.320 --> 0:14:17.640
<v Speaker 1>let me google right now, how many doesn't how florins

0:14:17.679 --> 0:14:21.080
<v Speaker 1>does the nipple have? Does that mean we get to

0:14:21.120 --> 0:14:24.160
<v Speaker 1>give out five thirty seven at the end? Yeah? Oh yeah,

0:14:24.240 --> 0:14:26.480
<v Speaker 1>the scale has been adjusted for the sake of the

0:14:26.560 --> 0:14:32.280
<v Speaker 1>flirkin nipples? Okay, So how many nipples does a I

0:14:32.360 --> 0:14:35.840
<v Speaker 1>don't quite know how to spell flirkin f l E

0:14:36.200 --> 0:14:38.600
<v Speaker 1>r k E n okay E n okay I have

0:14:38.840 --> 0:14:44.000
<v Speaker 1>k I n okay So florkin welp. It says eight nipples,

0:14:44.160 --> 0:14:46.960
<v Speaker 1>but it's this is giving me facts about cats and

0:14:47.080 --> 0:14:52.640
<v Speaker 1>not flirkins, so unbelievable, so I can't trust this. Um yeah,

0:14:52.680 --> 0:14:54.760
<v Speaker 1>so let's go with what I said, eight hundred and

0:14:55.520 --> 0:15:00.400
<v Speaker 1>thirty seven or whatever I said. Seven okay is the

0:15:00.480 --> 0:15:02.280
<v Speaker 1>new scale that will be using on the show from

0:15:02.320 --> 0:15:06.880
<v Speaker 1>here on out. It sounds okay. So then um Furies

0:15:07.200 --> 0:15:11.760
<v Speaker 1>boss shows up at Pegasus, but it's actually a scroll

0:15:12.280 --> 0:15:16.400
<v Speaker 1>who's in disguise. So Fury and Veers make a run

0:15:16.480 --> 0:15:20.280
<v Speaker 1>for it and they go to Maria Rambo because they're like, oh,

0:15:20.400 --> 0:15:23.080
<v Speaker 1>there's here's this woman who had given this testimony about

0:15:23.240 --> 0:15:27.600
<v Speaker 1>this plane crash, so like she can. Maybe. It turns

0:15:27.640 --> 0:15:30.920
<v Speaker 1>out they were BFFs in the Air Force together, and

0:15:31.760 --> 0:15:37.800
<v Speaker 1>Veers is actually named Carol Danvers. Oh my god, one

0:15:37.840 --> 0:15:40.120
<v Speaker 1>thing I knew going into the movie. I didn't I

0:15:40.200 --> 0:15:44.440
<v Speaker 1>didn't even know that. And Carol learns that she had

0:15:44.480 --> 0:15:49.640
<v Speaker 1>this whole life on Earth pre pree times. She has

0:15:49.880 --> 0:15:53.720
<v Speaker 1>a child that falls into one of the most annoying

0:15:54.040 --> 0:15:57.000
<v Speaker 1>tropes in the world, to be child who is wise

0:15:57.080 --> 0:16:01.400
<v Speaker 1>beyond their years, really precocious child, the wise be their

0:16:01.440 --> 0:16:05.000
<v Speaker 1>years child, so cute. She's very cute, and her name

0:16:05.080 --> 0:16:12.040
<v Speaker 1>is Monica. So Taylos, the main scroll guy, shows up

0:16:12.080 --> 0:16:15.280
<v Speaker 1>at Marie, Yes, got it, shows up at Marie's house

0:16:15.720 --> 0:16:19.200
<v Speaker 1>and he's like, hey, fun fact um Scrolls aren't the

0:16:19.240 --> 0:16:21.760
<v Speaker 1>bad guys. It's the cree who are the bad guys.

0:16:21.800 --> 0:16:25.000
<v Speaker 1>And everyone's like what. So we see a flashback of

0:16:25.080 --> 0:16:29.080
<v Speaker 1>the plane crash and we see Carol Denver's and Lawson.

0:16:29.160 --> 0:16:32.360
<v Speaker 1>They're in the plane together. There's a spaceship that's shooting

0:16:32.440 --> 0:16:35.400
<v Speaker 1>at them. It's Creed. There's the Creed. They're the bad guys.

0:16:35.480 --> 0:16:39.720
<v Speaker 1>They're shooting the career after them because they also want

0:16:39.880 --> 0:16:43.560
<v Speaker 1>Lawson's light speed technology. Uh. And we learned here that

0:16:43.760 --> 0:16:48.600
<v Speaker 1>Lawson is actually named Marvel. Then we learned that it

0:16:48.840 --> 0:16:54.120
<v Speaker 1>was Jude laws character whose name I always forget, Jon

0:16:54.240 --> 0:16:59.840
<v Speaker 1>rog Um who killed Lawson. So in this flashback, Carol

0:17:00.000 --> 0:17:03.720
<v Speaker 1>Invers needs to destroy the plane's engine before the Crea

0:17:03.800 --> 0:17:06.760
<v Speaker 1>can get to it. So when she does that, it

0:17:06.880 --> 0:17:10.240
<v Speaker 1>explodes and she absorbs all of its powers, which is

0:17:10.320 --> 0:17:15.480
<v Speaker 1>how she has like energy fists um. And it turns

0:17:15.480 --> 0:17:18.920
<v Speaker 1>out that Marvel a k. Lawson was trying to help

0:17:19.040 --> 0:17:21.680
<v Speaker 1>the Scrolls who are refugees and they're on the run

0:17:21.760 --> 0:17:24.720
<v Speaker 1>from the cree and there they wanted the light speed

0:17:24.760 --> 0:17:27.720
<v Speaker 1>technology to be able to escape and like get out

0:17:27.760 --> 0:17:30.760
<v Speaker 1>of the reaches of like cre rule. So now Carol

0:17:30.800 --> 0:17:34.760
<v Speaker 1>Danver's fury and Maria and Taylo's need to go to

0:17:35.000 --> 0:17:38.840
<v Speaker 1>Lawson's laboratory somewhere in space to get the energy core

0:17:39.640 --> 0:17:41.320
<v Speaker 1>for the Scrolls. And then they get there and they

0:17:41.359 --> 0:17:43.120
<v Speaker 1>find it and they're like, oh, by the way, it's

0:17:43.160 --> 0:17:48.399
<v Speaker 1>called a test irect. I learned that in geometry. I

0:17:48.560 --> 0:17:51.040
<v Speaker 1>was so excited. I was like, Mrs Foley, you'd be

0:17:51.160 --> 0:17:56.840
<v Speaker 1>so proud. Which which Marvel movie do we first learn

0:17:56.920 --> 0:18:01.200
<v Speaker 1>about the test direct? Yeah? Yeah, Okay, Yeah, it's a

0:18:01.640 --> 0:18:04.679
<v Speaker 1>running thing through the Marvel movies. Yeah, I just couldn't

0:18:04.680 --> 0:18:07.480
<v Speaker 1>remember which. I guess it's a bigger plot point in

0:18:07.520 --> 0:18:10.520
<v Speaker 1>the first Avengers movie, right, Okay, okay, that's what I

0:18:10.600 --> 0:18:12.800
<v Speaker 1>thought it. And they keep it in a in a

0:18:13.440 --> 0:18:20.520
<v Speaker 1>retro lunchbox, the funds of reference, the property, sure, and

0:18:20.600 --> 0:18:25.520
<v Speaker 1>then this space laboratory, Taylos's family is there and there's

0:18:25.600 --> 0:18:29.560
<v Speaker 1>like this nice little reunion and then Yon rog and

0:18:29.640 --> 0:18:33.360
<v Speaker 1>the other Creed show up rock Jude Law Jude Law, Yes,

0:18:34.119 --> 0:18:38.480
<v Speaker 1>and there's a big fight and Carol Danver's fully realizes

0:18:38.560 --> 0:18:43.240
<v Speaker 1>her powers because she takes off her inhibitor chip, basically

0:18:44.720 --> 0:18:48.040
<v Speaker 1>a metaphor for something. Now, I know this is all

0:18:48.200 --> 0:18:50.760
<v Speaker 1>very subtle stuff going on, and I was like, wait,

0:18:50.800 --> 0:18:53.880
<v Speaker 1>when she removes the chip, what is that exactly implying?

0:18:54.119 --> 0:18:57.000
<v Speaker 1>I will say I did tear up during that very

0:18:57.080 --> 0:18:59.640
<v Speaker 1>heavy handed montage of fall Down, Get Up, fall Down,

0:18:59.640 --> 0:19:01.639
<v Speaker 1>and get Me. I was like, I was like, I

0:19:01.800 --> 0:19:05.080
<v Speaker 1>don't want to be crying, but here we are crying,

0:19:05.200 --> 0:19:07.840
<v Speaker 1>and so was everyone else. Well, remember who else has

0:19:07.880 --> 0:19:17.200
<v Speaker 1>an inhibitor chip. Jamie go On is doc where where

0:19:17.320 --> 0:19:23.960
<v Speaker 1>was where was his montage? Alfred his montage. I would

0:19:24.040 --> 0:19:25.800
<v Speaker 1>just like to say at this point that as much

0:19:25.880 --> 0:19:28.800
<v Speaker 1>as I thought Ben Mendelssohn was excellent, I couldn't help

0:19:28.880 --> 0:19:32.000
<v Speaker 1>thinking to myself, Alfred Moleena would have made a great Taylor.

0:19:32.240 --> 0:19:36.560
<v Speaker 1>So that was my VICTI I totally agree he would have.

0:19:36.760 --> 0:19:39.240
<v Speaker 1>He would have been terrific. They gotta welcome him back

0:19:39.320 --> 0:19:43.800
<v Speaker 1>into the m c U. Yeah, whereas he's if he's

0:19:43.840 --> 0:19:47.320
<v Speaker 1>hanging out with us, he should be back in the

0:19:47.440 --> 0:19:51.399
<v Speaker 1>m c you agree. During the fight, you know, Carol

0:19:51.520 --> 0:19:55.800
<v Speaker 1>is getting more powerful, and then she defeats the Cree

0:19:56.520 --> 0:20:00.239
<v Speaker 1>and at the end she gives fury a you an

0:20:00.280 --> 0:20:06.639
<v Speaker 1>improved beeper which we see in Avengers Infinity War, and

0:20:06.720 --> 0:20:11.040
<v Speaker 1>then she goes off with the scrolls. And that is

0:20:11.800 --> 0:20:17.320
<v Speaker 1>pretty much the story, except for the after credits scenes,

0:20:17.520 --> 0:20:21.160
<v Speaker 1>which I didn't understand. Oh sure, I don't watch the movie.

0:20:21.880 --> 0:20:24.880
<v Speaker 1>So the after credit scene for all the Chrisms are back,

0:20:25.320 --> 0:20:30.680
<v Speaker 1>chris Is are there. It's too much to explain, But fine,

0:20:30.760 --> 0:20:35.680
<v Speaker 1>we're going to do an Avengers episode. I, against all odds,

0:20:35.840 --> 0:20:38.240
<v Speaker 1>I will end up knowing what these movies mean at

0:20:38.320 --> 0:20:43.840
<v Speaker 1>some point. I can't wait for you to do that. Sure, yeah,

0:20:43.880 --> 0:20:46.880
<v Speaker 1>it'll be great. Um, well, let's take a quick break

0:20:46.960 --> 0:20:49.480
<v Speaker 1>and then we will come right back to discuss the movie.

0:20:54.760 --> 0:21:01.280
<v Speaker 1>So Caroline initial thoughts as an expert on this topic

0:21:01.640 --> 0:21:06.600
<v Speaker 1>of superheroes who are women? How did this movie strike you?

0:21:07.160 --> 0:21:11.160
<v Speaker 1>What are your feelings about it? Well, in my research,

0:21:11.320 --> 0:21:13.600
<v Speaker 1>I do like what my book basically is is like

0:21:13.960 --> 0:21:17.560
<v Speaker 1>a history of female superheroes over the last seventy five

0:21:17.640 --> 0:21:21.240
<v Speaker 1>years in comics and novels and TV and movies, and

0:21:21.400 --> 0:21:24.520
<v Speaker 1>when you look across that big sweep, you basically find

0:21:24.680 --> 0:21:28.960
<v Speaker 1>that they're underrepresented stereo. I know, it's hard to believe,

0:21:29.000 --> 0:21:35.720
<v Speaker 1>hold on to your hat. Sways, they're wildly underrepresented. They're stereotyped,

0:21:35.760 --> 0:21:39.920
<v Speaker 1>and they're sexualized, and they're generally like side characters. Yes,

0:21:40.000 --> 0:21:42.880
<v Speaker 1>there are exceptions to that, but I'm talking like literally

0:21:43.880 --> 0:21:48.000
<v Speaker 1>of the time, that is what they are. So the

0:21:48.200 --> 0:21:51.440
<v Speaker 1>way that Captain Marvel Carol Davers is portrayed in this

0:21:51.600 --> 0:21:55.840
<v Speaker 1>movie is women are none of these things. So that's

0:21:55.920 --> 0:21:59.440
<v Speaker 1>like a big win right there. Yeah, for sure. So

0:22:00.040 --> 0:22:02.880
<v Speaker 1>umber one, it centers a woman. Number two, she's wearing

0:22:02.920 --> 0:22:08.320
<v Speaker 1>actual clothes and so are the other women, including flat shoes.

0:22:09.240 --> 0:22:14.040
<v Speaker 1>She's got women around her who are inspiring her. There's

0:22:14.160 --> 0:22:20.639
<v Speaker 1>no heatero romance happening, know that like side tracks her plot,

0:22:21.119 --> 0:22:24.720
<v Speaker 1>and it's about a woman who has grown up a

0:22:24.800 --> 0:22:28.520
<v Speaker 1>woman and has had experiences that women have coming into

0:22:28.600 --> 0:22:31.639
<v Speaker 1>her own powers. So I think all of those things

0:22:32.400 --> 0:22:36.399
<v Speaker 1>make it unfortunately, very very different from most Hollywood movies.

0:22:36.680 --> 0:22:38.960
<v Speaker 1>I mean, just the previews that were before this movie

0:22:39.640 --> 0:22:44.520
<v Speaker 1>was like pinful there. One of them was, um, Charlie's

0:22:44.560 --> 0:22:46.920
<v Speaker 1>there owne is running for president or something. Oh and

0:22:47.080 --> 0:22:51.760
<v Speaker 1>like starts dating Seth Rogan. God, what sort of cosmic

0:22:51.920 --> 0:22:56.399
<v Speaker 1>punishment landed Charlie's there on in this movie. I just

0:22:56.960 --> 0:23:00.960
<v Speaker 1>my heart goes out to whatever sinister tea all. But

0:23:01.080 --> 0:23:03.720
<v Speaker 1>that was just the perfect example of it's like they're

0:23:04.200 --> 0:23:07.600
<v Speaker 1>ostensibly making her this strong character, but really the whole

0:23:07.640 --> 0:23:11.040
<v Speaker 1>movie is about her and she loveby Seth Rogan taking

0:23:11.080 --> 0:23:13.800
<v Speaker 1>her to a bar and doing shots, and you know,

0:23:13.920 --> 0:23:16.359
<v Speaker 1>it's just why, why any times is that going to

0:23:16.440 --> 0:23:20.240
<v Speaker 1>happen in a movie where a perfectly good female character

0:23:20.840 --> 0:23:24.560
<v Speaker 1>is just as her life absolutely ruined and derailed by

0:23:24.800 --> 0:23:30.040
<v Speaker 1>a Seth Rogan character by Seth specifically, it's practically a

0:23:30.200 --> 0:23:37.560
<v Speaker 1>sub genre. It's like anyways, Yes, so this movie, unlike

0:23:37.960 --> 0:23:44.560
<v Speaker 1>nearly every single superhero movie to date does mostly the

0:23:44.640 --> 0:23:47.360
<v Speaker 1>opposite of everything that those movies do. Yeah, I mean,

0:23:47.400 --> 0:23:50.840
<v Speaker 1>and the and the lack of a romantic subplot is

0:23:51.119 --> 0:23:57.399
<v Speaker 1>huge that never happens, right, are very usually romantic subplots

0:23:57.480 --> 0:24:02.880
<v Speaker 1>in male driven movies as well with underwritten female characters.

0:24:03.840 --> 0:24:06.480
<v Speaker 1>I mean, if they're going to rescue them, yes, right, right,

0:24:06.960 --> 0:24:10.399
<v Speaker 1>and and you truly don't miss it, like there's no

0:24:10.840 --> 0:24:12.960
<v Speaker 1>there's no room for it. There's a lot going on

0:24:13.080 --> 0:24:18.280
<v Speaker 1>in this movie. She's she's busy. Yeah. In more recent comics,

0:24:18.600 --> 0:24:21.480
<v Speaker 1>she has kind of an on and off relationship with Rhadi,

0:24:21.840 --> 0:24:26.040
<v Speaker 1>who you saw in the post credit sequence. Okay, right,

0:24:26.119 --> 0:24:28.680
<v Speaker 1>right right? You know, maybe they'll give a glance to

0:24:28.800 --> 0:24:31.280
<v Speaker 1>each other in the Avengers movie or something. I don't know.

0:24:31.640 --> 0:24:34.960
<v Speaker 1>That's a rather glaring age difference, but they couldn't have known.

0:24:36.000 --> 0:24:38.280
<v Speaker 1>I'm like, I'm pretty sure Don Cheeta could be Bree

0:24:38.359 --> 0:24:43.800
<v Speaker 1>Larson's father, But who am? I just touching on that

0:24:43.880 --> 0:24:47.720
<v Speaker 1>a little bit more from what I remember of because

0:24:47.760 --> 0:24:50.760
<v Speaker 1>I think I've seen, not to brag, I believe I've

0:24:50.760 --> 0:24:55.720
<v Speaker 1>seen every single m c U movie to date. I

0:24:55.720 --> 0:24:57.960
<v Speaker 1>wouldn't call myself an expert I'm not super because I've

0:24:58.000 --> 0:25:00.760
<v Speaker 1>only seen each of them probably once, maybe twice at

0:25:00.760 --> 0:25:04.200
<v Speaker 1>the most. Um, with the exception of Spider Man into

0:25:04.240 --> 0:25:06.399
<v Speaker 1>the Spider Verse, which I did see five times in

0:25:06.960 --> 0:25:09.520
<v Speaker 1>theata's um. But it doesn't feel like it's not a

0:25:09.560 --> 0:25:11.679
<v Speaker 1>part of the m C you like, I don't. I mean,

0:25:11.760 --> 0:25:16.240
<v Speaker 1>maybe they'll bring animated Miles Morales into Avengers end Game,

0:25:16.320 --> 0:25:19.440
<v Speaker 1>but I don't think so. But they should. But yeah,

0:25:19.480 --> 0:25:23.360
<v Speaker 1>I think most of them, because they're all they've all

0:25:23.480 --> 0:25:28.760
<v Speaker 1>centered around male superheroes until Captain Marvel, I would say

0:25:28.840 --> 0:25:31.760
<v Speaker 1>most of them do have a romantic subplot. Yeah, but

0:25:32.000 --> 0:25:34.879
<v Speaker 1>that just means that there's like a woman in the story,

0:25:35.240 --> 0:25:38.000
<v Speaker 1>but she's only there to further characterize them in and

0:25:38.080 --> 0:25:41.719
<v Speaker 1>to be the romantic interests. So right, yeah, I mean

0:25:42.000 --> 0:25:45.200
<v Speaker 1>it's just to contextualize the movie a little bit. I

0:25:45.200 --> 0:25:47.920
<v Speaker 1>think it's like worth discussing a little bit what the

0:25:48.520 --> 0:25:52.280
<v Speaker 1>climate in case you're listening to this episode many years

0:25:52.400 --> 0:25:54.920
<v Speaker 1>from now, which people will do, which this is just

0:25:55.119 --> 0:26:00.280
<v Speaker 1>gonna go on forever. But um, the reception, I feel

0:26:00.320 --> 0:26:04.160
<v Speaker 1>like it's almost standard fair for uh, woman being introduced

0:26:04.280 --> 0:26:07.879
<v Speaker 1>into a large property or like we can you know,

0:26:08.040 --> 0:26:12.440
<v Speaker 1>revisit Wonder Woman, we can revisit the Ghostbusters reboot of

0:26:12.920 --> 0:26:18.240
<v Speaker 1>just prior to those movies release. Uh men, absolutely furious

0:26:18.720 --> 0:26:21.560
<v Speaker 1>people who are who are fans of comics and and

0:26:21.680 --> 0:26:24.800
<v Speaker 1>not everyone because this movie is doing incredibly well. Um,

0:26:25.280 --> 0:26:28.399
<v Speaker 1>but there there is a faction of comic book fans

0:26:28.920 --> 0:26:32.760
<v Speaker 1>who like there was a like a concerted campaign to

0:26:33.560 --> 0:26:36.800
<v Speaker 1>just ruin this movie's rotten Tomatoes movie before anyone had

0:26:36.840 --> 0:26:40.320
<v Speaker 1>seen it. Um. A lot of that I think also

0:26:40.400 --> 0:26:42.600
<v Speaker 1>has to do with the casting of Brie Larson, which

0:26:42.640 --> 0:26:45.680
<v Speaker 1>I think is almost a statement in itself, because she's

0:26:45.840 --> 0:26:51.639
<v Speaker 1>really outspoken on women's issues and intersectionality, and she in

0:26:51.840 --> 0:26:56.040
<v Speaker 1>in my book, does generally good job in in giving

0:26:56.119 --> 0:26:58.720
<v Speaker 1>care to all of all of those things, and so

0:26:59.160 --> 0:27:02.280
<v Speaker 1>they don't like her. Her casting is a statement in itself.

0:27:02.560 --> 0:27:07.760
<v Speaker 1>And there's just a lot of, I guess, unsurprising controversy

0:27:07.920 --> 0:27:12.080
<v Speaker 1>before this movie came out at all. I guess it's

0:27:12.119 --> 0:27:15.399
<v Speaker 1>it's hard to know where to start here, because I mean,

0:27:15.480 --> 0:27:19.320
<v Speaker 1>it does mostly everything mostly right. I would say, like

0:27:19.680 --> 0:27:23.040
<v Speaker 1>there wasn't anything hugely glaring to me. There are a

0:27:23.160 --> 0:27:26.320
<v Speaker 1>few kind of nitpicky things I want to talk about,

0:27:26.600 --> 0:27:30.159
<v Speaker 1>but there is the reading of this movie that is

0:27:30.240 --> 0:27:33.320
<v Speaker 1>like the kids I was sitting next to, We're thrilled.

0:27:33.560 --> 0:27:35.639
<v Speaker 1>And if I saw this movie when I was, you know,

0:27:35.800 --> 0:27:37.680
<v Speaker 1>seven or eight years old, I would be over the

0:27:37.760 --> 0:27:42.720
<v Speaker 1>moon obsessed. I think it's great overall, doing the like

0:27:43.640 --> 0:27:46.159
<v Speaker 1>you know, beckdel Into. There were parts of it that

0:27:46.320 --> 0:27:51.160
<v Speaker 1>felt like a Dove soap commercial. Is something that writer

0:27:51.400 --> 0:27:54.359
<v Speaker 1>just Jojo said in a Mashable piece that I think

0:27:54.400 --> 0:27:56.440
<v Speaker 1>it's worth reading. I don't agree with everything it's saying,

0:27:56.520 --> 0:27:59.720
<v Speaker 1>but um, she's very smart and there there are some

0:28:00.040 --> 0:28:04.639
<v Speaker 1>clear plays made in this movie, down to the choice

0:28:04.720 --> 0:28:07.080
<v Speaker 1>of like no doubts, I'm just a girl playing in

0:28:07.119 --> 0:28:10.840
<v Speaker 1>the climactic scene, which did make me roll my eyes

0:28:11.040 --> 0:28:15.000
<v Speaker 1>directly back into my head. Uh, there are some things

0:28:15.080 --> 0:28:18.199
<v Speaker 1>that feel like okay, like this was this was an

0:28:18.240 --> 0:28:21.680
<v Speaker 1>easy choice to make some of those more broad choices.

0:28:21.760 --> 0:28:25.800
<v Speaker 1>I was like, I mean, I didn't defend it a

0:28:25.880 --> 0:28:33.000
<v Speaker 1>little bit like hashtag feminism versus actual but I see

0:28:33.000 --> 0:28:37.360
<v Speaker 1>what you're saying. The climactic site sequence with that specific

0:28:37.440 --> 0:28:40.440
<v Speaker 1>song pretty much worked for me because I was like, yeah,

0:28:40.640 --> 0:28:44.280
<v Speaker 1>it's fun and she's kicking ass and stuff, but yes,

0:28:44.520 --> 0:28:46.920
<v Speaker 1>I do right, but it's still like it feels a

0:28:47.000 --> 0:28:48.840
<v Speaker 1>little I don't know, just like we're drawing, we're still

0:28:48.880 --> 0:28:51.080
<v Speaker 1>drawing attention to the fact that it's like she's what

0:28:51.200 --> 0:28:55.400
<v Speaker 1>the boys can do, um, which is another thing that

0:28:55.640 --> 0:28:58.120
<v Speaker 1>I mean, I guess this is just like a general

0:28:58.240 --> 0:29:00.719
<v Speaker 1>critique of like she's we're always has shown like how

0:29:00.840 --> 0:29:05.560
<v Speaker 1>strong she is next to men, and she's like fighting men,

0:29:05.680 --> 0:29:07.960
<v Speaker 1>and it's still like men are the yardstick that she's

0:29:07.960 --> 0:29:10.160
<v Speaker 1>measured against, which is true to life, but it's just

0:29:10.320 --> 0:29:15.720
<v Speaker 1>in terms of like moving things forward that I'm just like,

0:29:16.360 --> 0:29:18.360
<v Speaker 1>I don't know, I guess it's like we need to

0:29:18.560 --> 0:29:21.200
<v Speaker 1>crawl before we can walk kind of thing. So like,

0:29:21.880 --> 0:29:24.880
<v Speaker 1>hopefully in the years to come, we see the much

0:29:25.000 --> 0:29:29.000
<v Speaker 1>needed better representation of I mean women in general in

0:29:29.040 --> 0:29:33.800
<v Speaker 1>all media, but then also specifically in superhero movies, where

0:29:34.520 --> 0:29:37.200
<v Speaker 1>like a woman kicking ass and fighting and being strong

0:29:37.480 --> 0:29:39.760
<v Speaker 1>is just has just been so normalized that we we

0:29:39.800 --> 0:29:41.880
<v Speaker 1>don't need to draw attention to the fact that she's

0:29:41.880 --> 0:29:44.240
<v Speaker 1>a woman and she's fighting like the boys and she

0:29:44.360 --> 0:29:46.880
<v Speaker 1>can fight men and we're not. And I like that

0:29:47.040 --> 0:29:50.240
<v Speaker 1>that is done not very frequently, but I think that

0:29:50.360 --> 0:29:54.040
<v Speaker 1>that is done in movies sometimes without being like girl

0:29:54.160 --> 0:29:58.520
<v Speaker 1>doing thing. Look, but I don't know. I mean, I

0:29:58.560 --> 0:30:01.040
<v Speaker 1>guess that that's sort of what this this movie's narrative

0:30:01.280 --> 0:30:03.800
<v Speaker 1>is hinged around. But there were there were there were

0:30:03.840 --> 0:30:07.120
<v Speaker 1>a few moments where I was like, it just felt

0:30:07.200 --> 0:30:12.920
<v Speaker 1>more like a strategic corporate play versus a genuine thing. Sure,

0:30:13.040 --> 0:30:15.200
<v Speaker 1>I don't know. I think it's I think it can

0:30:15.280 --> 0:30:17.160
<v Speaker 1>be both. I mean, I think what the three of

0:30:17.240 --> 0:30:21.240
<v Speaker 1>us are seeing as crawling other people see as running right,

0:30:22.360 --> 0:30:25.320
<v Speaker 1>like we think this is for instance, a number of

0:30:25.440 --> 0:30:29.640
<v Speaker 1>times where she's told where Carol is told, you know,

0:30:29.760 --> 0:30:33.280
<v Speaker 1>control your emotions. Nothing is more dangerous than emotion. You

0:30:33.400 --> 0:30:35.880
<v Speaker 1>have to have the strength to get right. So it's

0:30:36.080 --> 0:30:38.400
<v Speaker 1>maybe five or six times to me, that's a lot.

0:30:39.120 --> 0:30:42.680
<v Speaker 1>But to other people in the audience, maybe they didn't

0:30:42.720 --> 0:30:45.960
<v Speaker 1>even hear it till the fifth time. Sure, so I'm

0:30:45.960 --> 0:30:49.400
<v Speaker 1>willing to I'm willing to let that go. And certainly

0:30:49.680 --> 0:30:52.080
<v Speaker 1>that I'm just a girl. I was like, Wow, that

0:30:52.320 --> 0:30:55.200
<v Speaker 1>is super duper on the nose. Okay, barry on the nose.

0:30:55.960 --> 0:30:58.480
<v Speaker 1>But my twelve year old would think that that is

0:30:58.520 --> 0:31:00.800
<v Speaker 1>the most awesome thing ever, Right, so I have the

0:31:00.880 --> 0:31:06.160
<v Speaker 1>brain of a twelve year old guy. No, I'm saying

0:31:06.200 --> 0:31:08.520
<v Speaker 1>that's what I'm saying there. Yeah, I mean it's I

0:31:08.600 --> 0:31:10.880
<v Speaker 1>think it did this just like they're they're reading, will

0:31:10.920 --> 0:31:14.640
<v Speaker 1>depend on the audience, because you're totally right, Caroline. If

0:31:14.680 --> 0:31:18.120
<v Speaker 1>there's you know, a very subtle, you know, feminist undertone,

0:31:18.160 --> 0:31:20.080
<v Speaker 1>then maybe a lot of people wouldn't have picked up

0:31:20.120 --> 0:31:23.200
<v Speaker 1>on it. And it's also, I mean, these kinds of

0:31:23.320 --> 0:31:26.720
<v Speaker 1>things even in the sixties and seventies, she did have

0:31:26.920 --> 0:31:29.600
<v Speaker 1>these kinds of moments in the comics that again I

0:31:29.680 --> 0:31:31.760
<v Speaker 1>think we're they were written by men, drawn by men,

0:31:31.880 --> 0:31:35.160
<v Speaker 1>and I think they they were trying, um, they looked

0:31:35.200 --> 0:31:38.520
<v Speaker 1>totally like cardboard to us now, you know, like they're

0:31:38.640 --> 0:31:41.160
<v Speaker 1>like they're setting up this straw man and knocking it down.

0:31:41.320 --> 0:31:44.320
<v Speaker 1>But like there's a thing about how she joins the

0:31:44.400 --> 0:31:49.120
<v Speaker 1>Air Force because her father tells her that he'll only

0:31:49.200 --> 0:31:50.960
<v Speaker 1>pay for her brother to go to college and not

0:31:51.080 --> 0:31:53.760
<v Speaker 1>her because women don't shouldn't go to college, and that

0:31:53.960 --> 0:31:56.800
<v Speaker 1>was not an unusual thing. And you know, my team

0:31:57.000 --> 0:32:02.920
<v Speaker 1>seventy seven or whatever or where she's introduced as this

0:32:03.160 --> 0:32:06.440
<v Speaker 1>is my security chief, Carol Danvers, man or woman. She's

0:32:06.480 --> 0:32:09.239
<v Speaker 1>the best there is and it's like to us now

0:32:09.320 --> 0:32:11.360
<v Speaker 1>it's like, why do you have to draw attention to that?

0:32:11.800 --> 0:32:15.360
<v Speaker 1>But then in nineteen that was sixty seven, that was

0:32:15.400 --> 0:32:19.800
<v Speaker 1>a big deal. Yes, so there's I I feel, I

0:32:19.880 --> 0:32:25.000
<v Speaker 1>guess just to wrap up that that area of critique

0:32:25.560 --> 0:32:28.240
<v Speaker 1>would also lumping a few of the lines that men

0:32:28.360 --> 0:32:31.120
<v Speaker 1>say to her that are just like okay, like the

0:32:31.680 --> 0:32:35.880
<v Speaker 1>it's not called a cockpit for nothing. Okay, we get

0:32:35.960 --> 0:32:43.240
<v Speaker 1>it because only get it in a cockpit. The yeah,

0:32:43.640 --> 0:32:46.280
<v Speaker 1>but it's fun when or when he's like, why did

0:32:46.440 --> 0:32:50.960
<v Speaker 1>you smile? Like there's some there's a real general some

0:32:51.240 --> 0:32:56.400
<v Speaker 1>just some very generalized misogny um employed, but it's again,

0:32:56.560 --> 0:32:59.600
<v Speaker 1>it's like for a family film, which this is. I

0:32:59.680 --> 0:33:02.840
<v Speaker 1>think that works. Um. And it is cool that she

0:33:02.880 --> 0:33:08.480
<v Speaker 1>steals his motorcycle. Yes, And do you remember when the

0:33:08.560 --> 0:33:11.160
<v Speaker 1>first trailer came out, all those trolls that you were

0:33:11.160 --> 0:33:14.080
<v Speaker 1>talking about, we're writing, why doesn't Free Larson smile? In

0:33:14.120 --> 0:33:19.280
<v Speaker 1>the trailer? She's just so cold? Yeah? I hope they

0:33:19.360 --> 0:33:21.880
<v Speaker 1>added it after that. I don't know if you're not.

0:33:22.960 --> 0:33:28.280
<v Speaker 1>I just love so much. Can we talk more about

0:33:28.800 --> 0:33:35.120
<v Speaker 1>Carol dan versus emotions? Because okay, so, as we hinted at,

0:33:35.840 --> 0:33:40.520
<v Speaker 1>it's mostly Jude Law's character tells her that she's emotional

0:33:40.840 --> 0:33:44.360
<v Speaker 1>and she needs to control her emotions and emotions are

0:33:44.440 --> 0:33:48.000
<v Speaker 1>so dangerous to a soldier and all this stuff, right,

0:33:48.080 --> 0:33:50.520
<v Speaker 1>I think, I don't know if this is just sort

0:33:50.560 --> 0:33:54.880
<v Speaker 1>of like badly done storytelling, but there's really nothing about

0:33:54.920 --> 0:33:59.680
<v Speaker 1>that character that actually indicates that she's very it's too emotional.

0:34:00.560 --> 0:34:03.000
<v Speaker 1>Were told that a lot, but I didn't really see that.

0:34:03.600 --> 0:34:05.520
<v Speaker 1>I kind of felt the same way, like we never

0:34:06.240 --> 0:34:10.080
<v Speaker 1>see I wonder how like specific a decision that was,

0:34:10.200 --> 0:34:11.920
<v Speaker 1>or if it was just an oversight, but it feels

0:34:11.960 --> 0:34:14.600
<v Speaker 1>like an intentional decision because that's like one of the

0:34:14.680 --> 0:34:16.799
<v Speaker 1>moments where they're saying all the right things. But it's

0:34:16.840 --> 0:34:20.920
<v Speaker 1>like in the story, we don't really see her react

0:34:21.080 --> 0:34:24.160
<v Speaker 1>emotionally unless you count those small moments when she's fighting

0:34:24.239 --> 0:34:27.080
<v Speaker 1>Jude Law and she's piste off at him and then

0:34:27.120 --> 0:34:29.879
<v Speaker 1>he's like, control your emotion. But that's like such, that's

0:34:29.920 --> 0:34:32.640
<v Speaker 1>so small, right, And that's like happening in like a

0:34:32.760 --> 0:34:35.960
<v Speaker 1>controlled environment, Like there's no like big battle scenes where

0:34:36.000 --> 0:34:39.600
<v Speaker 1>she like quote loses control of her emotions and then

0:34:39.640 --> 0:34:42.440
<v Speaker 1>pays the penalty for it. So like the care and

0:34:42.560 --> 0:34:46.800
<v Speaker 1>it's also yeah, I mean Carol in general, like it

0:34:46.880 --> 0:34:48.960
<v Speaker 1>takes her so long into the movie to be interested

0:34:49.200 --> 0:34:52.200
<v Speaker 1>in who she is. Well, I don't know, there's there's

0:34:52.280 --> 0:34:55.839
<v Speaker 1>some strange things. The emotionality thing confused me. I would

0:34:55.840 --> 0:35:01.280
<v Speaker 1>have liked to see that character get emotional about something

0:35:01.400 --> 0:35:04.680
<v Speaker 1>that's something that superheroes don't do, especially if they could

0:35:04.719 --> 0:35:07.560
<v Speaker 1>handle it in narrative of like, this is not a

0:35:07.680 --> 0:35:11.200
<v Speaker 1>weakness um expressing your emotions. You can come at that

0:35:11.360 --> 0:35:15.560
<v Speaker 1>from the soldier perspective two of like repressed emotions equals

0:35:15.640 --> 0:35:19.279
<v Speaker 1>PTSD for life, you know. But yeah, I didn't really

0:35:19.360 --> 0:35:22.279
<v Speaker 1>touch him. Yeah, I think before I saw the movie,

0:35:22.600 --> 0:35:24.960
<v Speaker 1>I had at least seen like the title of an

0:35:25.040 --> 0:35:29.160
<v Speaker 1>article that was that was talking about her emotions and

0:35:29.280 --> 0:35:34.040
<v Speaker 1>how like the movie is painting her as this emotional character.

0:35:34.160 --> 0:35:35.680
<v Speaker 1>So I was worried that that was going to be

0:35:35.840 --> 0:35:40.279
<v Speaker 1>her arc, where like she's too emotional because she is

0:35:40.360 --> 0:35:44.480
<v Speaker 1>a woman and women be emotional, and that her arc

0:35:44.520 --> 0:35:48.080
<v Speaker 1>would have to be her learning to control those emotions

0:35:48.800 --> 0:35:51.879
<v Speaker 1>and that's what like enables her to win. I think

0:35:51.920 --> 0:35:55.600
<v Speaker 1>the opposite happens, where she isn't very emotional at all

0:35:56.120 --> 0:35:58.120
<v Speaker 1>in the beginning of the movie, and then when she

0:35:58.280 --> 0:36:02.120
<v Speaker 1>starts to learn about her past and her former identity

0:36:02.680 --> 0:36:05.520
<v Speaker 1>and the fact that she had been betrayed by Jude

0:36:05.560 --> 0:36:09.560
<v Speaker 1>Law's character and all of that, and that she's reunited

0:36:09.640 --> 0:36:12.480
<v Speaker 1>with like her best friend and her bestmand's daughter like

0:36:14.120 --> 0:36:16.440
<v Speaker 1>in those scenes. Yeah, and then those things kind of

0:36:16.560 --> 0:36:19.480
<v Speaker 1>like humanize her, because up until that point, she had

0:36:19.520 --> 0:36:21.800
<v Speaker 1>been kind of like a like a stiff, you know,

0:36:22.000 --> 0:36:27.880
<v Speaker 1>like stoic hero type, and then she becomes more humanized

0:36:27.960 --> 0:36:31.960
<v Speaker 1>and more emotional, and that's what kind of leads her

0:36:32.080 --> 0:36:35.640
<v Speaker 1>to realize, oh, I've been stunted this whole time. There's

0:36:35.640 --> 0:36:38.319
<v Speaker 1>this fucking inhibitor chip that I need to break off.

0:36:39.280 --> 0:36:42.960
<v Speaker 1>And then right, yeah, yeah, So I'm glad that that's

0:36:43.000 --> 0:36:46.919
<v Speaker 1>how the story panned out, because I was, like I said,

0:36:46.920 --> 0:36:48.239
<v Speaker 1>I was worried that it was going to be, like,

0:36:48.880 --> 0:36:51.080
<v Speaker 1>you're so emotional and you're gonna need to learn to

0:36:51.120 --> 0:36:53.480
<v Speaker 1>control your emotions if you want to harness your power.

0:36:53.600 --> 0:36:55.560
<v Speaker 1>But that's just what Jude Law tells her over and

0:36:55.640 --> 0:36:57.960
<v Speaker 1>over again. And he's the villain because he's got resting

0:36:58.080 --> 0:37:02.720
<v Speaker 1>villain faith, he's got like yellow contexts, and so therefore

0:37:02.800 --> 0:37:06.480
<v Speaker 1>he's said, yeah, he's got jaundice, he can't be attracted

0:37:08.320 --> 0:37:10.959
<v Speaker 1>the first time I saw it twice. Also, the first

0:37:11.000 --> 0:37:14.399
<v Speaker 1>time I saw it, I had that issue as well.

0:37:14.560 --> 0:37:18.000
<v Speaker 1>I felt like in a number of places she seemed

0:37:18.120 --> 0:37:22.279
<v Speaker 1>very flat and controlled to me. And I am also

0:37:22.400 --> 0:37:25.759
<v Speaker 1>coming from a different perspective, which is, I've read all

0:37:25.800 --> 0:37:29.719
<v Speaker 1>these comics where from really when she's introduced all the

0:37:29.800 --> 0:37:34.160
<v Speaker 1>way up through today, she is emotional, she has a temper,

0:37:34.719 --> 0:37:38.600
<v Speaker 1>she punches first and asked questions later. She goes with

0:37:38.719 --> 0:37:41.839
<v Speaker 1>her gut all the time. She's very loving, but she's

0:37:41.880 --> 0:37:45.680
<v Speaker 1>also self righteous and funny, and you know, I mean,

0:37:45.760 --> 0:37:49.040
<v Speaker 1>she just doesn't take any crap anybody. So I was

0:37:49.080 --> 0:37:52.400
<v Speaker 1>assuming I was going to see that immediately, and I

0:37:52.600 --> 0:37:55.319
<v Speaker 1>was disappointed at first because I felt like what you said,

0:37:55.360 --> 0:37:56.719
<v Speaker 1>where you just kind of see it a little more

0:37:56.719 --> 0:37:57.840
<v Speaker 1>and a little more and a little more as it

0:37:57.880 --> 0:38:00.560
<v Speaker 1>goes along. And then I thought about it more before

0:38:00.600 --> 0:38:02.439
<v Speaker 1>I saw it the second time. In the second time,

0:38:03.120 --> 0:38:06.359
<v Speaker 1>I felt more like I could see what I think

0:38:06.440 --> 0:38:08.880
<v Speaker 1>they were trying to do, which is that, you know,

0:38:08.960 --> 0:38:10.719
<v Speaker 1>one of the first things she says is like she

0:38:10.880 --> 0:38:13.080
<v Speaker 1>makes a joke to Jude Law and he's like, humor

0:38:13.120 --> 0:38:17.000
<v Speaker 1>as a distraction, control yourself, and then she they're going

0:38:17.080 --> 0:38:20.000
<v Speaker 1>on a mission and she is joking and he comes

0:38:20.040 --> 0:38:21.800
<v Speaker 1>on and says, you know, stop that right now. So,

0:38:21.960 --> 0:38:24.839
<v Speaker 1>like she's always leaking out these little things and being

0:38:24.880 --> 0:38:27.080
<v Speaker 1>told to stop. And then when she gets to Earth,

0:38:27.120 --> 0:38:29.560
<v Speaker 1>it's different because like she can joke with Nick Fury

0:38:29.760 --> 0:38:33.040
<v Speaker 1>and whatever, and she can be emotional with So I

0:38:33.160 --> 0:38:35.600
<v Speaker 1>think that what they were trying to do is say,

0:38:35.800 --> 0:38:38.160
<v Speaker 1>you know this, this is who she is, but she's

0:38:38.200 --> 0:38:42.839
<v Speaker 1>been kept down in the beginning. Then whenever she's around Cree,

0:38:43.000 --> 0:38:45.680
<v Speaker 1>she can't show that, and she's been trained for six

0:38:45.800 --> 0:38:48.239
<v Speaker 1>years not to show it, but she can't help it

0:38:48.440 --> 0:38:53.640
<v Speaker 1>because this is who she is. She's human shaped by experience. Yeah,

0:38:53.719 --> 0:38:55.800
<v Speaker 1>so I think that's what they were going for, but

0:38:55.920 --> 0:38:59.560
<v Speaker 1>I agree with you that it's not always effective. It

0:38:59.600 --> 0:39:02.359
<v Speaker 1>will hold you away from her from grabbing onto her

0:39:03.440 --> 0:39:06.880
<v Speaker 1>um in the beginning, especially totally because well, so I

0:39:07.320 --> 0:39:12.040
<v Speaker 1>found myself expecting to have a much stronger emotional connection

0:39:12.680 --> 0:39:15.440
<v Speaker 1>to this movie, because at least when I saw like

0:39:15.560 --> 0:39:18.200
<v Speaker 1>Wonder Woman, I was like, oh my god, it's a

0:39:18.280 --> 0:39:21.120
<v Speaker 1>woman and she's kicking ass and she's walking through no

0:39:21.360 --> 0:39:24.600
<v Speaker 1>man's land and there's epic music and I'm just crying

0:39:24.800 --> 0:39:27.520
<v Speaker 1>and all this stuff. I didn't have any such emotional

0:39:27.600 --> 0:39:32.759
<v Speaker 1>connection to this movie I had Again, I had a

0:39:32.840 --> 0:39:35.759
<v Speaker 1>much stronger emotional connection to Spider Verse because I was

0:39:35.840 --> 0:39:38.080
<v Speaker 1>like crying at four different parts. I'm like laughing the

0:39:38.080 --> 0:39:41.400
<v Speaker 1>whole time. It's just like and then with with Captain Marvel,

0:39:41.480 --> 0:39:43.640
<v Speaker 1>I'm just like, Okay, it's cool that I'm seeing on

0:39:43.760 --> 0:39:48.239
<v Speaker 1>screen this like strong woman kicking ass. But I mean, yeah,

0:39:48.280 --> 0:39:50.880
<v Speaker 1>I guess my only counter argument to that would be,

0:39:50.960 --> 0:39:53.719
<v Speaker 1>like I felt, I felt more connected to her than

0:39:53.760 --> 0:39:58.040
<v Speaker 1>I ever have to like any male superhero. Maybe I

0:39:58.120 --> 0:40:01.359
<v Speaker 1>just need to see Spider Verse. But there, uh yeah,

0:40:01.480 --> 0:40:04.839
<v Speaker 1>it's it's weird. She I feel like she's almost as

0:40:04.960 --> 0:40:10.320
<v Speaker 1>emotionally detached as a male superhero can be, you know,

0:40:10.520 --> 0:40:13.200
<v Speaker 1>like it's I don't know, the bar is set so

0:40:13.480 --> 0:40:15.840
<v Speaker 1>high for the way this character is treated in this

0:40:16.000 --> 0:40:19.320
<v Speaker 1>movie because there are so few movies like it. I

0:40:19.360 --> 0:40:22.279
<v Speaker 1>guess there, it's it's weird. Now. I was listening back

0:40:22.320 --> 0:40:24.719
<v Speaker 1>to part of our Wonder Woman episode that we did,

0:40:24.760 --> 0:40:27.600
<v Speaker 1>and we were so excited and that movie came out.

0:40:27.680 --> 0:40:30.840
<v Speaker 1>But I rewatched Wonder Women, and as much as I

0:40:31.080 --> 0:40:34.280
<v Speaker 1>still enjoy that movie, there's like a lot of stuff

0:40:34.400 --> 0:40:37.400
<v Speaker 1>that that movie, you know, and everyone's going to compare

0:40:37.440 --> 0:40:39.920
<v Speaker 1>these two movies, which is unfair and just you know,

0:40:40.280 --> 0:40:46.040
<v Speaker 1>demonstrates a lack of probable. But you know, it's like

0:40:46.040 --> 0:40:48.840
<v Speaker 1>Wonder Woman, you got you, you have a makeover sequence,

0:40:48.920 --> 0:40:52.239
<v Speaker 1>you have a love story that resolves the plot, You've

0:40:52.280 --> 0:40:55.160
<v Speaker 1>got you know, there's a lot of it's weird. I

0:40:55.200 --> 0:40:57.840
<v Speaker 1>don't know, it's some it's some woman's When I was disappointed,

0:40:57.880 --> 0:41:00.919
<v Speaker 1>I'm like, oh, but I'm setting the atation so high

0:41:01.000 --> 0:41:04.160
<v Speaker 1>for this movie because there's just nothing I'll like it.

0:41:04.320 --> 0:41:06.680
<v Speaker 1>I don't know. There I wanted to be more emotionally

0:41:06.680 --> 0:41:09.959
<v Speaker 1>connected to her, but also I'm just like, but maybe

0:41:10.120 --> 0:41:13.359
<v Speaker 1>I don't know if that's asking more than I would

0:41:13.360 --> 0:41:15.759
<v Speaker 1>have a male superhero. I think the structure is a

0:41:15.840 --> 0:41:18.759
<v Speaker 1>big part of it, though, because normally, and on the

0:41:18.800 --> 0:41:20.480
<v Speaker 1>one hand, it's great that they took a chance with

0:41:20.520 --> 0:41:24.000
<v Speaker 1>a different kind of structure, like a flashback structure, and

0:41:24.160 --> 0:41:26.160
<v Speaker 1>she was trying to figure out who she is, I think,

0:41:26.239 --> 0:41:28.600
<v Speaker 1>but usually the structure for an origin story is you're

0:41:28.640 --> 0:41:31.719
<v Speaker 1>meeting this person as a regular person, and you're being

0:41:31.800 --> 0:41:35.520
<v Speaker 1>grounded in their everyday life and you're seeing well in

0:41:35.680 --> 0:41:37.480
<v Speaker 1>some cases that they're a good person and in other

0:41:37.560 --> 0:41:39.840
<v Speaker 1>cases they're you know, an arrogant millionaire and they have

0:41:39.960 --> 0:41:43.680
<v Speaker 1>to be brought down by something that's all the men

0:41:43.880 --> 0:41:47.040
<v Speaker 1>obviously there, or they're frozen in ice and they need

0:41:47.080 --> 0:41:48.800
<v Speaker 1>to be unfrozen. But you get the idea. So you

0:41:49.560 --> 0:41:51.279
<v Speaker 1>you kind of follow them in their everyday life and

0:41:51.320 --> 0:41:54.560
<v Speaker 1>you see that there's something heroic in them. And then

0:41:54.600 --> 0:41:56.840
<v Speaker 1>by the time they quote unquote get their powers or

0:41:56.880 --> 0:41:59.640
<v Speaker 1>they come into their heroism, you've been rooting for them

0:41:59.640 --> 0:42:02.080
<v Speaker 1>for an and a half, right, yeah, and you've been

0:42:02.200 --> 0:42:05.040
<v Speaker 1>you've been like invested in watching them grow and this

0:42:05.200 --> 0:42:08.640
<v Speaker 1>doesn't have that. It's not it's not linear totally, so

0:42:08.800 --> 0:42:11.000
<v Speaker 1>it can't within you kind of build and build and

0:42:11.040 --> 0:42:13.000
<v Speaker 1>build and build that you get more and more attached

0:42:13.040 --> 0:42:15.719
<v Speaker 1>to her, Right, Yeah, I think you're Yeah, you're really

0:42:15.800 --> 0:42:18.600
<v Speaker 1>touching on one of the main reasons I didn't find

0:42:18.680 --> 0:42:24.120
<v Speaker 1>myself really connecting with Carol Danver's the way again I

0:42:24.200 --> 0:42:28.200
<v Speaker 1>connected with Miles Morales and Spider Verse. But I'll stop

0:42:28.280 --> 0:42:30.960
<v Speaker 1>bringing him up. But it is the greatest movie of

0:42:31.040 --> 0:42:35.319
<v Speaker 1>all time. Um, I just love it so much. Um

0:42:35.560 --> 0:42:37.759
<v Speaker 1>we have to take another quick break, but we will

0:42:37.800 --> 0:42:46.160
<v Speaker 1>come back to discuss more We're bad. I Every time

0:42:46.280 --> 0:42:49.320
<v Speaker 1>I hit on a criticism like that, I'm like, but

0:42:49.440 --> 0:42:52.000
<v Speaker 1>if I saw this movie when I was seven, I

0:42:52.280 --> 0:42:56.520
<v Speaker 1>would be obsessed with her, absolutely obsessed with her. Caroline

0:42:56.520 --> 0:42:58.840
<v Speaker 1>you were pointing out earlier. The way that she's dressed

0:42:59.239 --> 0:43:05.120
<v Speaker 1>for the first time him makes sense things, aren't. She

0:43:05.239 --> 0:43:09.919
<v Speaker 1>wears layers at times, it's crazy. I was like, she's

0:43:09.960 --> 0:43:12.880
<v Speaker 1>got three layers on. She's wearing a flannel, a jacket

0:43:13.239 --> 0:43:16.360
<v Speaker 1>and a shirt and nails and a nine inch nails

0:43:16.400 --> 0:43:21.239
<v Speaker 1>shirt like all with but it was it was that

0:43:21.480 --> 0:43:23.640
<v Speaker 1>was like one thing. That's like, Okay, you did the

0:43:23.800 --> 0:43:26.320
<v Speaker 1>easiest possible thing you could do to make this story

0:43:26.440 --> 0:43:29.040
<v Speaker 1>makes sense. Thank you, thank you, and thank you for

0:43:29.160 --> 0:43:34.240
<v Speaker 1>not giving us uh makeover montage, a nineties inspired makeover montage,

0:43:34.320 --> 0:43:36.560
<v Speaker 1>because they could have done that. They did that in

0:43:37.080 --> 0:43:40.960
<v Speaker 1>World War two Wonder Woman, and that wasn't necessary and

0:43:41.000 --> 0:43:44.520
<v Speaker 1>they and they that's avoided here. I guess there's some

0:43:44.680 --> 0:43:47.359
<v Speaker 1>of what I like about this movie is not really

0:43:47.400 --> 0:43:51.680
<v Speaker 1>what it does, but don't Yeah, well, you know there

0:43:51.680 --> 0:43:54.360
<v Speaker 1>are five credited writers on this movie, and four of

0:43:54.440 --> 0:43:57.880
<v Speaker 1>them are women, and that is the first time of

0:43:58.000 --> 0:44:00.960
<v Speaker 1>all the DCM Marvel movies, right, the female co director

0:44:01.000 --> 0:44:06.600
<v Speaker 1>as well, um, which is like incredible, So it's we

0:44:06.760 --> 0:44:08.879
<v Speaker 1>sort of touched on this a little bit earlier. Something

0:44:08.920 --> 0:44:11.080
<v Speaker 1>it really did work for me in this movie was

0:44:11.280 --> 0:44:15.200
<v Speaker 1>the gas lighting narrative. I thought that was really done.

0:44:15.880 --> 0:44:19.120
<v Speaker 1>I didn't see that narrative coming of of you know,

0:44:19.160 --> 0:44:21.640
<v Speaker 1>I mean you can tell they're getting to some something

0:44:21.760 --> 0:44:24.920
<v Speaker 1>gas lighting adjacent when we keep seeing a net Benning

0:44:25.000 --> 0:44:27.040
<v Speaker 1>and we don't know who she is, and they're like, okay,

0:44:27.120 --> 0:44:29.520
<v Speaker 1>you know, she's not sure of her identity or history,

0:44:30.040 --> 0:44:35.520
<v Speaker 1>but the twist that she's been emotionally manipulated figures it

0:44:35.640 --> 0:44:39.360
<v Speaker 1>out and then is fucking furious. I don't know, I

0:44:39.480 --> 0:44:42.440
<v Speaker 1>just like that really hit with me, where she recognizes

0:44:42.560 --> 0:44:47.200
<v Speaker 1>that she has been misled and manipulated for so long,

0:44:47.760 --> 0:44:51.800
<v Speaker 1>she does not blame herself for it, which is huge

0:44:52.480 --> 0:44:56.680
<v Speaker 1>in a narrative like that because that's like where a

0:44:56.760 --> 0:44:58.719
<v Speaker 1>lot of people go in real life and seeing the

0:44:58.880 --> 0:45:01.520
<v Speaker 1>example set of like she's like, no, this isn't my fault,

0:45:01.719 --> 0:45:04.920
<v Speaker 1>but I need to make things right with the people

0:45:05.040 --> 0:45:08.200
<v Speaker 1>I have inadvertently wronged. And then she does that with

0:45:08.360 --> 0:45:11.880
<v Speaker 1>the scroll and and like, you know, it's like Okay,

0:45:12.000 --> 0:45:14.239
<v Speaker 1>this happened. I don't blame myself, but how can we

0:45:14.360 --> 0:45:17.759
<v Speaker 1>make things right? And she does. I don't know. I

0:45:17.840 --> 0:45:19.840
<v Speaker 1>just thought that that was like a very well handled

0:45:20.440 --> 0:45:23.920
<v Speaker 1>portion of this story. Yeah, and I liked that there

0:45:24.000 --> 0:45:27.160
<v Speaker 1>was a little nagging along with the gas lighting because

0:45:27.239 --> 0:45:30.640
<v Speaker 1>she says things like without us, you're weak and you're flawed,

0:45:30.800 --> 0:45:34.120
<v Speaker 1>and we made you strong, you know, right, which is

0:45:34.239 --> 0:45:36.880
<v Speaker 1>like more and more of the on the nosiness. But

0:45:36.960 --> 0:45:40.360
<v Speaker 1>I don't know, it worked for me, and that was, like,

0:45:40.600 --> 0:45:44.480
<v Speaker 1>I think maybe my one of my favorite storylines in

0:45:44.600 --> 0:45:48.400
<v Speaker 1>the movie was her navigating a gas lighting narrative and

0:45:49.080 --> 0:45:52.880
<v Speaker 1>coming out on top on her own terms. It was

0:45:52.960 --> 0:45:55.680
<v Speaker 1>really cool to watch. It was also cool to watch

0:45:55.960 --> 0:46:00.239
<v Speaker 1>the relationships between women in this movie. I almost wish

0:46:00.280 --> 0:46:03.040
<v Speaker 1>there was a little more of that because the other

0:46:03.160 --> 0:46:06.799
<v Speaker 1>female characters outside of Captain Marvel uh seems very much

0:46:06.840 --> 0:46:10.920
<v Speaker 1>relegated to the B or C characters where we've got,

0:46:11.120 --> 0:46:16.560
<v Speaker 1>you know, like her bff in this movie, besides um, sorry,

0:46:16.600 --> 0:46:19.879
<v Speaker 1>what's her name? The Maria Maria but like but her

0:46:20.040 --> 0:46:23.880
<v Speaker 1>like implied right hand man in this movie is Nick Fury.

0:46:24.520 --> 0:46:29.080
<v Speaker 1>The villain is Jude Law, the guy we think is

0:46:29.120 --> 0:46:31.279
<v Speaker 1>a villain, but that isn't a villain is also a man,

0:46:31.760 --> 0:46:34.239
<v Speaker 1>and I would argue those are the three, you know,

0:46:34.719 --> 0:46:37.719
<v Speaker 1>main characters beneath Captain Marvel and then underneath that isn't

0:46:37.760 --> 0:46:42.000
<v Speaker 1>net Benning. I'm Maria Rambo, and I wish I wish

0:46:42.080 --> 0:46:44.520
<v Speaker 1>that they had a little more prominence in the story.

0:46:45.360 --> 0:46:47.120
<v Speaker 1>And again it's like you only have so much space.

0:46:47.480 --> 0:46:51.560
<v Speaker 1>But I like her in Maria's relationship. I wish that

0:46:51.719 --> 0:46:56.360
<v Speaker 1>there were more purpose for Maria than to just you know,

0:46:56.560 --> 0:47:00.880
<v Speaker 1>give context for Captain Marvel. Yeah, she does, I suppose

0:47:00.960 --> 0:47:04.040
<v Speaker 1>have a little bit of a narrative significance toward the

0:47:04.200 --> 0:47:09.160
<v Speaker 1>end whenever she is like helping to pilot the aircraft

0:47:09.600 --> 0:47:12.320
<v Speaker 1>and then and then it's like in the battle, although

0:47:12.400 --> 0:47:14.080
<v Speaker 1>I feel like we don't really get to see much

0:47:14.120 --> 0:47:17.480
<v Speaker 1>of her like fighting or kicking ass. I hope. I mean,

0:47:17.520 --> 0:47:19.879
<v Speaker 1>I'm assuming we'll see her in the next movie as well.

0:47:20.640 --> 0:47:23.680
<v Speaker 1>Oh maybe, um um, I don't know. Well, do you

0:47:23.719 --> 0:47:27.080
<v Speaker 1>mean if there's a Captain Marvel too? Yeah, yeah, yeah,

0:47:27.160 --> 0:47:30.719
<v Speaker 1>I think that's possible. I agree with you in terms

0:47:30.800 --> 0:47:33.680
<v Speaker 1>of what you're saying about the tears of characters. But

0:47:33.800 --> 0:47:37.160
<v Speaker 1>there was a moment I was struck by where um,

0:47:37.480 --> 0:47:42.320
<v Speaker 1>they're flying to the floating lab and and who is

0:47:42.440 --> 0:47:47.000
<v Speaker 1>in that plane is Carol and Maria and Fury and Taylos.

0:47:47.480 --> 0:47:49.799
<v Speaker 1>And I just thought to myself, oh my god, half

0:47:49.840 --> 0:47:51.560
<v Speaker 1>of them are women and half of them are people

0:47:51.600 --> 0:47:55.240
<v Speaker 1>of color. Oh my god, that's true. This is shocking.

0:47:55.600 --> 0:48:00.800
<v Speaker 1>And the women are driving, one's piloting, um and I

0:48:00.920 --> 0:48:05.719
<v Speaker 1>loved the sidebar. I ran into a friend of the cast, EDGARL. Mompa,

0:48:05.800 --> 0:48:09.400
<v Speaker 1>was here at the screening of this movie, and he

0:48:09.640 --> 0:48:14.279
<v Speaker 1>was like Maria's kid, or Monica, Monica's I think she's

0:48:14.320 --> 0:48:16.880
<v Speaker 1>going to be a big part of Avengers four, like

0:48:17.000 --> 0:48:20.280
<v Speaker 1>he was just you. They do draw attention to Monica

0:48:20.360 --> 0:48:22.080
<v Speaker 1>in a way where it's like that she's like, I'm

0:48:22.160 --> 0:48:24.440
<v Speaker 1>going to be like you someday, and it's like, Okay,

0:48:24.520 --> 0:48:27.040
<v Speaker 1>she's gonna come back, right. But because because this takes

0:48:27.040 --> 0:48:30.520
<v Speaker 1>place in by the time she's wearing like present day

0:48:30.560 --> 0:48:35.759
<v Speaker 1>Avengers time, she's an adult. She's a millennial. Honey, what

0:48:36.120 --> 0:48:38.920
<v Speaker 1>what do you know about the character of Monica Rambo

0:48:39.000 --> 0:48:41.000
<v Speaker 1>in the comics? Do you know anything about her? I

0:48:41.320 --> 0:48:44.680
<v Speaker 1>read as much as I could of the chapter of

0:48:44.719 --> 0:48:49.360
<v Speaker 1>your book Caroline on of course on Captain Marvel, and

0:48:49.520 --> 0:48:55.680
<v Speaker 1>I saw a reference to Monica Rambo eventually becoming Captain

0:48:55.760 --> 0:48:59.719
<v Speaker 1>Marvel in some of the later comic books. So, so,

0:49:00.120 --> 0:49:04.000
<v Speaker 1>first Captain Marvel is Marvel, who is, you know, a

0:49:04.080 --> 0:49:06.239
<v Speaker 1>Net Benning, except in the comics he's a guy. But

0:49:06.360 --> 0:49:08.839
<v Speaker 1>he still had that kind of semi short gray hair.

0:49:09.040 --> 0:49:10.840
<v Speaker 1>So when they showed a Nette bending with the gray hair,

0:49:10.920 --> 0:49:15.680
<v Speaker 1>I was like, all right. But but then he dies

0:49:15.719 --> 0:49:18.120
<v Speaker 1>of cancer and he doesn't come back, which is unusual

0:49:18.160 --> 0:49:21.000
<v Speaker 1>in comics because everybody comes back from the dead. And

0:49:21.160 --> 0:49:25.520
<v Speaker 1>then in two Monica Rambo becomes the second Captain Marvel.

0:49:26.280 --> 0:49:28.440
<v Speaker 1>And it's not because she has anything to do with

0:49:28.560 --> 0:49:31.080
<v Speaker 1>the create. It actually doesn't really make a lot of sense,

0:49:31.200 --> 0:49:35.759
<v Speaker 1>but like she's a harbor Patrol lieutenant and blah blah blah,

0:49:35.840 --> 0:49:38.799
<v Speaker 1>explosion blah blah blah, and she basically has those kinds

0:49:38.840 --> 0:49:42.279
<v Speaker 1>of powers, and the media labels her Captain Marvel. And

0:49:42.360 --> 0:49:44.319
<v Speaker 1>then she meets the Avengers and they're like, why are

0:49:44.360 --> 0:49:46.439
<v Speaker 1>you calling yourself Captain Marvel And she's like, I don't

0:49:46.480 --> 0:49:48.160
<v Speaker 1>know they called me that, and they're like, well, you know,

0:49:48.239 --> 0:49:50.160
<v Speaker 1>our buddy Captain Marvel just died and She's like, no,

0:49:50.320 --> 0:49:57.239
<v Speaker 1>I didn't know that. Sorry. So so she's here. She's

0:49:57.280 --> 0:50:00.440
<v Speaker 1>the second Captain Marvel. Her outfit is white and black,

0:50:00.760 --> 0:50:03.319
<v Speaker 1>but it's this got that same star in the middle. Yeah.

0:50:03.360 --> 0:50:08.520
<v Speaker 1>Oh cool. She's got like natural hair, which is also nice.

0:50:08.640 --> 0:50:12.719
<v Speaker 1>That's for back then, and um. She leads the Avengers

0:50:13.400 --> 0:50:16.160
<v Speaker 1>like through into the nine into the like the late

0:50:16.200 --> 0:50:20.520
<v Speaker 1>eighties and whatever, and then in the nineties, suddenly Marvel's

0:50:20.680 --> 0:50:23.360
<v Speaker 1>son shows up and declares that he's Captain Marvel, and

0:50:23.440 --> 0:50:27.480
<v Speaker 1>Monica's like, Okay, I guess I'll call myself Photon instead

0:50:29.080 --> 0:50:36.840
<v Speaker 1>a man. I'm like, I'm Photon. But if Jamie Kennedy

0:50:37.360 --> 0:50:39.920
<v Speaker 1>comes along and he's like, my name has been Jamie

0:50:40.000 --> 0:50:46.680
<v Speaker 1>loft As this whole time, Like, fine, I'm Photon. So

0:50:46.880 --> 0:50:50.400
<v Speaker 1>that's why Maria Rambo on her plane, it said Maria

0:50:50.520 --> 0:50:54.480
<v Speaker 1>Photon Rambo. I think so probably what they're setting up

0:50:54.719 --> 0:50:58.080
<v Speaker 1>is that twenty years into the future, when the Avengers

0:50:58.160 --> 0:51:00.560
<v Speaker 1>movie is taking place, Monica would be the right age

0:51:00.840 --> 0:51:04.720
<v Speaker 1>to be Photona cool cool, okay, and to be glowing

0:51:04.840 --> 0:51:08.600
<v Speaker 1>and stuff like that. And so so she's Photon and

0:51:08.840 --> 0:51:12.880
<v Speaker 1>she works with other Avengers and all that kind of stuff,

0:51:13.040 --> 0:51:16.800
<v Speaker 1>and uh, at that time, Carol is still Miss Marvel,

0:51:17.680 --> 0:51:20.200
<v Speaker 1>and then there's all kinds of stuff that happens, and

0:51:20.280 --> 0:51:22.600
<v Speaker 1>she's an alcoholic and they made her an alcoholic, so

0:51:22.719 --> 0:51:25.239
<v Speaker 1>Tony Stark iron Man could be her a a sponsor.

0:51:27.920 --> 0:51:32.920
<v Speaker 1>Are so weird. There's drama and so it goes on

0:51:33.160 --> 0:51:36.080
<v Speaker 1>like that until two thousand twelve when they Relauncher as

0:51:36.120 --> 0:51:39.200
<v Speaker 1>Captain Marvel. So she's really the fourth Captain Marvel. Carol

0:51:39.680 --> 0:51:43.000
<v Speaker 1>and when they really started, I mean, it's the character

0:51:43.160 --> 0:51:46.360
<v Speaker 1>really took off very quickly, but there were definitely, and

0:51:46.520 --> 0:51:50.840
<v Speaker 1>understandably so Monica Rambo fans who were like, Carol Danvers

0:51:51.000 --> 0:51:54.080
<v Speaker 1>is not the first female Captain Marvel, Why aren't you

0:51:54.160 --> 0:51:57.200
<v Speaker 1>promoting Monica? Why are all your heroes white? You know?

0:51:57.800 --> 0:52:01.560
<v Speaker 1>So um So, when the mis Kelly Sue Deconic, who

0:52:01.640 --> 0:52:03.880
<v Speaker 1>really kind of launched this version of Captain Marvel that

0:52:03.920 --> 0:52:05.800
<v Speaker 1>you see in the movie, and she was a consultant

0:52:05.840 --> 0:52:08.360
<v Speaker 1>on the movie and had a cameo and stuff, she

0:52:08.520 --> 0:52:11.040
<v Speaker 1>made sure to kind of bring Monica Rambo into the

0:52:11.120 --> 0:52:13.359
<v Speaker 1>Captain Marvel comics. And there's this arc where the two

0:52:13.400 --> 0:52:15.520
<v Speaker 1>of them worked together and their buddies and they're on

0:52:15.600 --> 0:52:20.000
<v Speaker 1>a team together. Later and stuff, they should work all together, yeah,

0:52:21.239 --> 0:52:24.759
<v Speaker 1>Carolyn keep in every episode of Superheroes, this is the

0:52:24.840 --> 0:52:28.520
<v Speaker 1>context I crave. Yeah, happy to help with the crazy history,

0:52:29.200 --> 0:52:31.360
<v Speaker 1>but it is. I mean, it's very telling that whenever

0:52:31.480 --> 0:52:36.800
<v Speaker 1>these movies get adapted, the choices always usually seemed to be,

0:52:37.480 --> 0:52:43.719
<v Speaker 1>let's make sure our heroes are male, sis, hetero, white, right,

0:52:43.800 --> 0:52:47.200
<v Speaker 1>able bodied. Yeah. And when you look at the number,

0:52:47.239 --> 0:52:49.560
<v Speaker 1>I mean I sort of added him up, right. So

0:52:49.719 --> 0:52:55.080
<v Speaker 1>if you count all superhero movies from two thousand and

0:52:55.200 --> 0:52:59.240
<v Speaker 1>then even count the ones in development, about ten percent

0:52:59.400 --> 0:53:03.880
<v Speaker 1>star women. And and last I checked, our world was

0:53:04.000 --> 0:53:08.959
<v Speaker 1>not white, cis gender, non queer, non disabled men. Thank god,

0:53:09.040 --> 0:53:14.640
<v Speaker 1>no a nightmare. And it's it's actually about the same

0:53:14.800 --> 0:53:17.359
<v Speaker 1>for Superhero TV shows, the ones that are out now

0:53:17.520 --> 0:53:20.120
<v Speaker 1>and the ones that are coming in the next few years.

0:53:20.320 --> 0:53:23.640
<v Speaker 1>That's like star women, say, And it's about the same

0:53:23.719 --> 0:53:28.359
<v Speaker 1>number in superhero comics, very very very low. Yeah, still

0:53:28.440 --> 0:53:32.480
<v Speaker 1>a lot of under representation happening. And then, as I

0:53:32.680 --> 0:53:34.400
<v Speaker 1>kind of hinted at before the fact that I had

0:53:34.440 --> 0:53:36.800
<v Speaker 1>not heard of or was familiar with the Captain Marvel

0:53:37.080 --> 0:53:40.799
<v Speaker 1>character at all, one of the few women who has

0:53:40.880 --> 0:53:44.880
<v Speaker 1>her own comic book series in the Marvel universe at

0:53:44.960 --> 0:53:48.759
<v Speaker 1>least is telling of how the heads of the studios

0:53:49.000 --> 0:53:52.520
<v Speaker 1>and the creators of the comic books and all and

0:53:52.880 --> 0:53:58.279
<v Speaker 1>everything have the priority to like, you know, showcase. Here's

0:53:58.280 --> 0:54:02.080
<v Speaker 1>the incredible quote from Hollywood executive from a few years ago.

0:54:02.280 --> 0:54:05.840
<v Speaker 1>They can always counter pun uh quote do more lady stuff.

0:54:06.239 --> 0:54:11.360
<v Speaker 1>Bitches love lady stuff unquote. So you know, it's so

0:54:11.560 --> 0:54:14.719
<v Speaker 1>weird that that and I think that that is I

0:54:14.760 --> 0:54:18.600
<v Speaker 1>guess where more where I'm getting at with hashtag feminism

0:54:18.800 --> 0:54:22.640
<v Speaker 1>versus actual feminism of like, they're doing the right thing,

0:54:23.080 --> 0:54:26.480
<v Speaker 1>but they're like, because bitches love lady stuff and we'll

0:54:26.520 --> 0:54:29.920
<v Speaker 1>make five million dollars in three days, which I mean,

0:54:30.080 --> 0:54:32.919
<v Speaker 1>that's the game. That's the game. So that's what's gonna happen.

0:54:33.080 --> 0:54:36.600
<v Speaker 1>But yeah, the bitches love lady stuff at moments in

0:54:36.680 --> 0:54:39.360
<v Speaker 1>this movie has like I say, I see you, I

0:54:39.600 --> 0:54:44.200
<v Speaker 1>see you. Um. Yeah, they also did do better. I

0:54:44.480 --> 0:54:47.240
<v Speaker 1>just want to point out with with having more women

0:54:47.320 --> 0:54:51.960
<v Speaker 1>and men of color in the cast, I counted about

0:54:52.080 --> 0:54:54.200
<v Speaker 1>a third of the women or women of color and

0:54:54.200 --> 0:54:56.120
<v Speaker 1>about a quarter of the men or men of color

0:54:56.520 --> 0:54:59.200
<v Speaker 1>better than you rule, I would say, Yeah, I want

0:54:59.239 --> 0:55:03.160
<v Speaker 1>to make sure I'm getting her name right, Gemma chan Is.

0:55:03.280 --> 0:55:06.360
<v Speaker 1>She's not in this movie very very much. She's also

0:55:06.719 --> 0:55:10.239
<v Speaker 1>the one woman who doesn't like Captain Marvel, which it

0:55:10.360 --> 0:55:15.360
<v Speaker 1>did appreciate. Uh. You see, I feel like sometimes in

0:55:16.040 --> 0:55:20.000
<v Speaker 1>movies that heavily feature women, especially for like the largest

0:55:20.000 --> 0:55:22.680
<v Speaker 1>possible audience, women are sort of all painted with one brush.

0:55:22.719 --> 0:55:25.120
<v Speaker 1>They all get along, They're like, oh, we're all on

0:55:25.239 --> 0:55:27.880
<v Speaker 1>the same team, like which we are, but we're all

0:55:27.960 --> 0:55:31.399
<v Speaker 1>different people, and so it was weirdly refreshing to me too.

0:55:31.719 --> 0:55:36.600
<v Speaker 1>So she plays Minerva, she's one of the cree bad guys. Yeah,

0:55:36.680 --> 0:55:40.880
<v Speaker 1>she's a cree and she does not like Carol at

0:55:40.920 --> 0:55:43.800
<v Speaker 1>any point in the movie, and all other interactions was

0:55:43.920 --> 0:55:47.719
<v Speaker 1>the whatever. There's like that very superhero we exchange during

0:55:47.719 --> 0:55:49.400
<v Speaker 1>a fight where Carol is like, is this why we

0:55:49.440 --> 0:55:51.719
<v Speaker 1>didn't hang out? And then Minerva is like, no, I

0:55:51.880 --> 0:55:55.120
<v Speaker 1>just didn't like you, and then they keep fighting, which

0:55:55.239 --> 0:55:58.279
<v Speaker 1>is so silly, But it's like, I do appreciate when

0:55:58.400 --> 0:56:02.960
<v Speaker 1>care is taken to, you know, show women having different

0:56:03.040 --> 0:56:07.360
<v Speaker 1>kinds of relationships. You've got the professional relationship of Marvel

0:56:08.000 --> 0:56:12.480
<v Speaker 1>and Carol, You've got the close friendship with her and Maria,

0:56:12.680 --> 0:56:16.399
<v Speaker 1>and then you've got like a contentious work place, right,

0:56:16.920 --> 0:56:20.560
<v Speaker 1>relationship with Minerva. There's always room for more, but but

0:56:20.640 --> 0:56:23.759
<v Speaker 1>it was nice to see kind of different kinds of relationships.

0:56:24.200 --> 0:56:26.759
<v Speaker 1>And then also like the kind of like Carol ends

0:56:26.840 --> 0:56:30.279
<v Speaker 1>up acting is like sort of like a surrogate co

0:56:30.560 --> 0:56:36.720
<v Speaker 1>parent of like Monica. And the fact that, um, most

0:56:36.800 --> 0:56:39.600
<v Speaker 1>of the women in this movie, in fact, with the

0:56:39.640 --> 0:56:43.000
<v Speaker 1>exception of Monica, who is a child, um, all of

0:56:43.080 --> 0:56:46.239
<v Speaker 1>the women in this movie are either military or women

0:56:46.320 --> 0:56:52.200
<v Speaker 1>in stem or both. So and we scientific right, Yeah,

0:56:52.320 --> 0:56:54.680
<v Speaker 1>so you know, you've got scientists, you've got soldiers, you've

0:56:54.719 --> 0:56:59.560
<v Speaker 1>got roles that you don't usually see women occupying in movies.

0:56:59.760 --> 0:57:02.880
<v Speaker 1>So that was pretty cool. There's also the line that

0:57:03.000 --> 0:57:07.560
<v Speaker 1>Maria says when Carol is like rediscovering her identity as

0:57:07.840 --> 0:57:11.680
<v Speaker 1>Carol Danvers. Maria says, the Air Force wasn't letting women

0:57:11.760 --> 0:57:14.920
<v Speaker 1>fly combat back then, so testing Lawson's plan was the

0:57:14.960 --> 0:57:17.520
<v Speaker 1>only way to fly. So they were like the you know,

0:57:17.640 --> 0:57:21.560
<v Speaker 1>the patriarchy was not letting women do things, so they

0:57:21.640 --> 0:57:25.840
<v Speaker 1>found ways to get around it. And you know, I

0:57:25.960 --> 0:57:29.040
<v Speaker 1>was like, cool, I'm glad that you did that. Yeah,

0:57:29.560 --> 0:57:32.800
<v Speaker 1>were there any other big stuff you wanted to discuss?

0:57:33.520 --> 0:57:38.200
<v Speaker 1>I wanted to say a word about amnesia. Sure, great, Um,

0:57:38.440 --> 0:57:41.040
<v Speaker 1>I think that sometimes that can be kind of a

0:57:41.160 --> 0:57:44.919
<v Speaker 1>feminized sort of state to be in, you know, sort

0:57:44.960 --> 0:57:47.200
<v Speaker 1>of gets linked with women not knowing their own minds

0:57:47.240 --> 0:57:51.040
<v Speaker 1>and stuff in fiction. But it is true that it

0:57:51.240 --> 0:57:54.040
<v Speaker 1>is part of her history. She's had amnesia at least

0:57:54.080 --> 0:57:58.960
<v Speaker 1>three times in the comics. Oh boy, girl, I know.

0:57:59.200 --> 0:58:02.919
<v Speaker 1>I know. When she is first Ms Marvel, she would

0:58:02.960 --> 0:58:05.840
<v Speaker 1>like turn into Miss Marvel and do superheroic stuff, and

0:58:05.880 --> 0:58:11.040
<v Speaker 1>then when she turned back to Carol and then she

0:58:11.160 --> 0:58:13.840
<v Speaker 1>has to reconcile that. Then there's another time. This is

0:58:13.920 --> 0:58:16.960
<v Speaker 1>kind of the X Men related time where Rogue. You

0:58:17.000 --> 0:58:20.360
<v Speaker 1>know Rogue, right, So if she touches you, she absorbs

0:58:20.400 --> 0:58:24.520
<v Speaker 1>your power. So when Rogue first appeared, she wasn't a hero,

0:58:24.800 --> 0:58:28.000
<v Speaker 1>she was a villain um with mystique like her her

0:58:28.000 --> 0:58:33.080
<v Speaker 1>adopted mother, and uh, Rogue absorbs Carol's power and her memories.

0:58:34.680 --> 0:58:37.440
<v Speaker 1>And then Carol is invited to join the X Men,

0:58:37.560 --> 0:58:40.720
<v Speaker 1>but she doesn't because they also basically asked Rogue to join,

0:58:40.800 --> 0:58:43.520
<v Speaker 1>and she's like, um, she took my life away, why

0:58:43.560 --> 0:58:44.920
<v Speaker 1>would I want to stay here with her? And the

0:58:45.000 --> 0:58:48.440
<v Speaker 1>guys are jerks, so then she has to build her

0:58:48.480 --> 0:58:51.440
<v Speaker 1>memories back up, and then the third time is Um

0:58:52.240 --> 0:58:57.520
<v Speaker 1>more recently, where she basically has to lose her memory

0:58:57.600 --> 0:59:00.200
<v Speaker 1>to save the Earth. It's a little more convoluted, but

0:59:00.840 --> 0:59:03.880
<v Speaker 1>jon Rog seems to come back and she has to

0:59:04.200 --> 0:59:06.720
<v Speaker 1>fly up into space and basically have her brain kind

0:59:06.720 --> 0:59:09.240
<v Speaker 1>of explode in order to save everybody. She has Ama

0:59:09.320 --> 0:59:13.280
<v Speaker 1>after that too. One of the unique challenges with with

0:59:13.840 --> 0:59:18.080
<v Speaker 1>adaptations like this is it's like you have this strong

0:59:18.200 --> 0:59:21.919
<v Speaker 1>core of female writers directors on the movie, but you're

0:59:21.960 --> 0:59:26.320
<v Speaker 1>still adapting a character whose origin story was written and

0:59:26.400 --> 0:59:30.440
<v Speaker 1>illustrated by men. So it's I'm glad that there were

0:59:30.520 --> 0:59:36.160
<v Speaker 1>deviations from the canonical lore because it's like clearly it's

0:59:36.200 --> 0:59:40.439
<v Speaker 1>like however well intentioned, you know, the deep seated ship

0:59:40.720 --> 0:59:44.280
<v Speaker 1>gets in there, and it sounds like the the amnesia

0:59:44.960 --> 0:59:48.280
<v Speaker 1>might be one of those things, and it's yeah, it's

0:59:48.360 --> 0:59:52.040
<v Speaker 1>it's weird having to I mean and even and I

0:59:52.120 --> 0:59:54.000
<v Speaker 1>think it's like even more apparent in a character like

0:59:54.240 --> 0:59:58.480
<v Speaker 1>Wonder Woman Um that makes it as relevant as those

0:59:58.520 --> 1:00:01.400
<v Speaker 1>characters are to our culture. It's there's stuff in the

1:00:01.560 --> 1:00:04.680
<v Speaker 1>d n A of the character that is is very

1:00:04.720 --> 1:00:10.120
<v Speaker 1>passive aggressive, perhaps yeah, speaking of um men creating these

1:00:10.400 --> 1:00:14.280
<v Speaker 1>stories largely, Caroline. I borrowed this quote from your book

1:00:14.480 --> 1:00:19.680
<v Speaker 1>from Jerry Conway, who his role as it pertains to

1:00:20.200 --> 1:00:23.800
<v Speaker 1>Captain or Miss Marvel is did he create it or

1:00:24.840 --> 1:00:27.760
<v Speaker 1>he didn't create the character, but he launched the Miss

1:00:27.880 --> 1:00:33.400
<v Speaker 1>Marvel comic Ina got it? So he says in response

1:00:33.680 --> 1:00:37.480
<v Speaker 1>to people being like, hey, why are you a man

1:00:38.080 --> 1:00:41.800
<v Speaker 1>writing this female character? And he says, at the moment,

1:00:42.200 --> 1:00:46.440
<v Speaker 1>there are no thoroughly trained and qualified women writers working

1:00:46.720 --> 1:00:51.320
<v Speaker 1>in the superhero comics field. Reason two is more personal.

1:00:51.440 --> 1:00:53.479
<v Speaker 1>A man is writing this book because a man wants

1:00:53.520 --> 1:00:57.040
<v Speaker 1>to write this book. Me Reacon three, why not a man?

1:00:57.440 --> 1:01:00.960
<v Speaker 1>If the women's liberation movement means anything, it's a battle

1:01:00.960 --> 1:01:03.520
<v Speaker 1>for equality of the sexes. And it's my contention that

1:01:03.600 --> 1:01:06.960
<v Speaker 1>a man properly motivated and aware of the pitfalls can

1:01:07.000 --> 1:01:10.280
<v Speaker 1>write a woman character as well as a woman. So

1:01:10.720 --> 1:01:15.360
<v Speaker 1>that's what our friend Jerry Conway has to say about that.

1:01:16.120 --> 1:01:21.000
<v Speaker 1>And you know, he's ignoring a lot of his privilege

1:01:21.360 --> 1:01:26.120
<v Speaker 1>and stuff when he says something like that, there's a

1:01:26.640 --> 1:01:32.120
<v Speaker 1>great fun Jerry joke in there. So yeah, and I

1:01:32.280 --> 1:01:35.040
<v Speaker 1>think I think that, like a lot of the guys

1:01:35.200 --> 1:01:38.240
<v Speaker 1>working at both Marvel, and I'm not saying all of

1:01:38.280 --> 1:01:39.800
<v Speaker 1>them by any means, but I do think there were

1:01:39.840 --> 1:01:42.360
<v Speaker 1>a number of them at the time that saw themselves

1:01:42.440 --> 1:01:45.600
<v Speaker 1>as liberal, progressive guys. You know, they were, they were

1:01:45.680 --> 1:01:49.560
<v Speaker 1>like New York City progressive guys. But like many people

1:01:49.760 --> 1:01:55.000
<v Speaker 1>in the civil rights movements, UM did not necessarily quite

1:01:55.120 --> 1:01:59.919
<v Speaker 1>understand all the different dimensions of gender inequalities. And what's

1:02:00.080 --> 1:02:02.520
<v Speaker 1>painful to me is that even today, so it's like

1:02:02.800 --> 1:02:07.600
<v Speaker 1>forty years after he writes this thing, Um, there are

1:02:07.680 --> 1:02:10.280
<v Speaker 1>still people in the big comics companies who are like,

1:02:10.880 --> 1:02:13.320
<v Speaker 1>we want to hire more women and people of color,

1:02:13.440 --> 1:02:15.600
<v Speaker 1>but you know, they're just not out there, and it's like,

1:02:15.840 --> 1:02:18.000
<v Speaker 1>how can you keep how can you keep saying this?

1:02:19.040 --> 1:02:21.040
<v Speaker 1>You know, I mean they just they tend to hire

1:02:21.320 --> 1:02:23.600
<v Speaker 1>who they know, and they tend to mentor people who

1:02:23.680 --> 1:02:25.920
<v Speaker 1>look like them, which is very common. People tend to

1:02:26.040 --> 1:02:28.439
<v Speaker 1>make people who remind them of themselves at a younger age.

1:02:28.480 --> 1:02:32.400
<v Speaker 1>But it just means they're reproducing that skew in who's

1:02:32.440 --> 1:02:35.680
<v Speaker 1>behind the scenes, like over and over, it's a little

1:02:35.720 --> 1:02:38.120
<v Speaker 1>bit better, but you know, a little bit better means

1:02:38.320 --> 1:02:42.800
<v Speaker 1>that maybe now I don't know, ten percent of Superhero

1:02:42.960 --> 1:02:45.920
<v Speaker 1>comics are written or drawn by women. And it was

1:02:46.200 --> 1:02:49.760
<v Speaker 1>five ten years ago, and it was two percent ten

1:02:49.840 --> 1:02:52.640
<v Speaker 1>years before that. So yeah, their growth is tremendous, but

1:02:52.720 --> 1:02:55.280
<v Speaker 1>it's growth from a very small number to a small

1:02:55.400 --> 1:03:04.840
<v Speaker 1>number slow. Okay, I do want to mention just one

1:03:04.880 --> 1:03:07.520
<v Speaker 1>other thing quickly. As I was concerned about I was

1:03:07.600 --> 1:03:11.480
<v Speaker 1>concerned how they would handle the military aspect. You know

1:03:11.600 --> 1:03:13.959
<v Speaker 1>that she's so imbued with being in the Air Force

1:03:14.000 --> 1:03:16.640
<v Speaker 1>and it's such a part of her identity and everything.

1:03:16.720 --> 1:03:19.760
<v Speaker 1>I mean, she is always painted as someone who has

1:03:19.800 --> 1:03:23.240
<v Speaker 1>a strong sense of duty, but who will buck orders

1:03:23.400 --> 1:03:26.280
<v Speaker 1>if she feels like she should do that. But I

1:03:26.400 --> 1:03:29.160
<v Speaker 1>was worried that it would wind up being too militaristic

1:03:29.360 --> 1:03:32.360
<v Speaker 1>or too much a celebration of military solutions, and I

1:03:32.480 --> 1:03:35.880
<v Speaker 1>think they managed to to not do that so much.

1:03:36.040 --> 1:03:38.800
<v Speaker 1>I think that they tried to show, you know, these

1:03:38.840 --> 1:03:41.720
<v Speaker 1>are the costs of war, and this is what happens

1:03:41.760 --> 1:03:45.080
<v Speaker 1>when you have too much of a military hierarchy where

1:03:45.120 --> 1:03:47.600
<v Speaker 1>people are just following orders and not questioning them and

1:03:47.680 --> 1:03:50.160
<v Speaker 1>stuff like that. Did you feel that way, Yeah? I

1:03:50.160 --> 1:03:53.680
<v Speaker 1>think so. Yeah. Yeah. I mean, if anyone was so

1:03:53.840 --> 1:03:56.640
<v Speaker 1>stupid to give this movie to someone like Michael bay

1:03:56.720 --> 1:04:01.120
<v Speaker 1>to direct. I think that would not have been handled well.

1:04:01.200 --> 1:04:06.200
<v Speaker 1>But yeah, I felt nothing about the portrayal of anything

1:04:06.240 --> 1:04:10.320
<v Speaker 1>about the military struck me as being to glorify, like

1:04:10.440 --> 1:04:13.840
<v Speaker 1>glorification or anything like that. So no, no, I I

1:04:14.800 --> 1:04:17.760
<v Speaker 1>liked how it was treated. I don't know, it seemed

1:04:18.080 --> 1:04:20.160
<v Speaker 1>especially it's like, if this is the story, what is

1:04:20.400 --> 1:04:22.840
<v Speaker 1>the most responsible way to tackle it? And it felt

1:04:22.840 --> 1:04:26.720
<v Speaker 1>like that that route was taken. Yeah, yeah, yeah, for sure.

1:04:27.160 --> 1:04:31.440
<v Speaker 1>Yeah I liked this movie. Good damn it? What a

1:04:31.640 --> 1:04:34.960
<v Speaker 1>what a soundtrack to I mean, as a as a

1:04:35.120 --> 1:04:37.880
<v Speaker 1>nineties kid, I was like, you fell for it. I

1:04:37.960 --> 1:04:41.760
<v Speaker 1>felt for it. I can't help it. You know. It

1:04:41.880 --> 1:04:44.920
<v Speaker 1>was a good sound track. So, hey, does this movie

1:04:45.320 --> 1:04:50.480
<v Speaker 1>pass the Bechtel test Flying Colors? It does. Yeah, there's

1:04:50.480 --> 1:04:53.400
<v Speaker 1>a lot of different combinations of characters also, who talked

1:04:53.440 --> 1:04:57.040
<v Speaker 1>to each other that passed. We've got Carol Danvers and Maria.

1:04:57.240 --> 1:05:02.160
<v Speaker 1>We've got her and Maria's daughter, Monica. We've got Maria

1:05:02.280 --> 1:05:06.400
<v Speaker 1>and Monica. We've got Carol Denver's and Wendy Lawson. You know,

1:05:06.520 --> 1:05:09.880
<v Speaker 1>they're talking about the Air Force, they're talking about their work,

1:05:10.440 --> 1:05:14.160
<v Speaker 1>their friendships. Um, setting a good example. We didn't really

1:05:14.200 --> 1:05:19.840
<v Speaker 1>touch about parenting. Yeah, they talk about everything, and there's

1:05:19.880 --> 1:05:22.640
<v Speaker 1>one like the world. They're almost like how women just

1:05:22.880 --> 1:05:27.480
<v Speaker 1>talk about stuff other than men all the time. There's

1:05:27.520 --> 1:05:31.600
<v Speaker 1>even a short exchange where the grandparents arrived to babysit Monica,

1:05:31.680 --> 1:05:34.200
<v Speaker 1>which they totally didn't have to do, so I appreciated

1:05:34.240 --> 1:05:36.520
<v Speaker 1>that they did it. And the grandparents arrived and the

1:05:36.640 --> 1:05:39.160
<v Speaker 1>grandmother is like, what's going on? And Maria is like,

1:05:39.360 --> 1:05:43.520
<v Speaker 1>thanks to combin mama or whatever. Oh I somehow missed that.

1:05:43.680 --> 1:05:47.280
<v Speaker 1>I was probably too busy writing notes because I'm such

1:05:47.320 --> 1:05:52.120
<v Speaker 1>a note head. But there is more. It's more of

1:05:52.160 --> 1:05:55.680
<v Speaker 1>a monologue. But there's a scene where Maria is telling

1:05:56.080 --> 1:05:58.960
<v Speaker 1>Carol like how strong she is and how awesome she

1:05:59.240 --> 1:06:02.400
<v Speaker 1>is eve and before she had you know, fire hands,

1:06:03.000 --> 1:06:06.320
<v Speaker 1>and we just like so rarely see like women lifting

1:06:06.600 --> 1:06:10.280
<v Speaker 1>up other women in stories that I was like, that's awesome.

1:06:10.400 --> 1:06:14.160
<v Speaker 1>I really liked that scene. It's nice. Yeah, yeah, passes

1:06:14.760 --> 1:06:19.040
<v Speaker 1>uh pretty handily. This movie. Let's rate it on a

1:06:19.160 --> 1:06:22.320
<v Speaker 1>nipple scale, all right, chelmy, zero to five nipples based

1:06:22.480 --> 1:06:25.960
<v Speaker 1>on its portrayal and representation of women. I think this

1:06:26.120 --> 1:06:30.360
<v Speaker 1>is like a solid four point five. It misses a

1:06:30.440 --> 1:06:33.960
<v Speaker 1>lot of the tropes and stereotypes that we've seen of

1:06:34.240 --> 1:06:37.520
<v Speaker 1>women thus far in super hero movies, and that's largely

1:06:37.640 --> 1:06:41.800
<v Speaker 1>because it's a woman driving the narrative, a woman whose

1:06:42.560 --> 1:06:46.960
<v Speaker 1>emotional journey and whose powers we are learning about and exploring.

1:06:47.280 --> 1:06:50.320
<v Speaker 1>And yeah, there's no, it doesn't fall into the traps

1:06:50.360 --> 1:06:52.880
<v Speaker 1>of like a love story has to be there, and

1:06:53.000 --> 1:06:56.240
<v Speaker 1>it's like, no, it doesn't. There's no makeover scene as

1:06:56.320 --> 1:06:59.200
<v Speaker 1>we just got stuff like that. So I think it

1:06:59.280 --> 1:07:02.640
<v Speaker 1>handles a lot of things. Well, I think I'm taking

1:07:02.720 --> 1:07:07.720
<v Speaker 1>off a slight bit of nippleage for the fact that,

1:07:08.120 --> 1:07:12.400
<v Speaker 1>as we discussed after Carol Danvers, the three core characters

1:07:12.520 --> 1:07:16.040
<v Speaker 1>are still men, and while she does interact with women

1:07:16.080 --> 1:07:19.040
<v Speaker 1>a lot, we don't know those characters as well, and

1:07:19.320 --> 1:07:25.560
<v Speaker 1>they don't have as much significance narratively as the male characters. Um,

1:07:25.720 --> 1:07:28.040
<v Speaker 1>so I think some justice could have been made to

1:07:28.560 --> 1:07:30.480
<v Speaker 1>make more of the female characters a little bit more

1:07:30.560 --> 1:07:33.680
<v Speaker 1>prominent in the story. But yeah, I think uh, I

1:07:33.800 --> 1:07:36.360
<v Speaker 1>think it's it's pretty cool. I like that a lot

1:07:36.480 --> 1:07:38.520
<v Speaker 1>of the main characters who we do get to meet

1:07:38.560 --> 1:07:41.960
<v Speaker 1>our people of color. I mean, there's no queer representation.

1:07:42.000 --> 1:07:44.840
<v Speaker 1>But it's also a pretty a sexual movie. So yeah,

1:07:45.200 --> 1:07:47.320
<v Speaker 1>there's no you know, queer romance, but there's no head

1:07:47.320 --> 1:07:50.440
<v Speaker 1>of roll romance either, so there's just no romance. So

1:07:50.720 --> 1:07:55.160
<v Speaker 1>that's all those Some people on the internet are reading

1:07:55.360 --> 1:07:59.800
<v Speaker 1>Carol and Maria as being oh, they're shipping that relationship. Okay,

1:08:00.320 --> 1:08:04.440
<v Speaker 1>I'm down for that. I mean they're already basically raising

1:08:04.480 --> 1:08:08.920
<v Speaker 1>a kid together, so there there and and uh it

1:08:09.080 --> 1:08:12.680
<v Speaker 1>stated outright that they're her family. I like that. So yeah,

1:08:12.720 --> 1:08:16.800
<v Speaker 1>four point five nipples and um each and everyone goes

1:08:16.920 --> 1:08:23.400
<v Speaker 1>to of course goose the flirkin. I'll go for on this.

1:08:23.600 --> 1:08:27.519
<v Speaker 1>I think I think that this movie is great for

1:08:28.439 --> 1:08:32.040
<v Speaker 1>the like next generation of movie goers. I'm really excited

1:08:32.360 --> 1:08:34.880
<v Speaker 1>for kids who get to see this movie, and I'm

1:08:34.920 --> 1:08:38.559
<v Speaker 1>jealous of them. I wish that there had been more

1:08:38.640 --> 1:08:42.120
<v Speaker 1>movies like this to to watch when we were when

1:08:42.160 --> 1:08:44.800
<v Speaker 1>the little youngsters, well we were tykes. I think that

1:08:45.240 --> 1:08:49.519
<v Speaker 1>general cultural impact is good. I'm really happy about it.

1:08:49.600 --> 1:08:54.479
<v Speaker 1>I do the nippicky things that sort of frustrated me

1:08:54.640 --> 1:09:00.120
<v Speaker 1>a little bit. Um was the general approach. I I

1:09:00.280 --> 1:09:04.840
<v Speaker 1>just it seemed some of the problems of that I

1:09:04.960 --> 1:09:06.600
<v Speaker 1>have with it are in the d n A of

1:09:06.920 --> 1:09:10.000
<v Speaker 1>the character that was written by men decades and decades ago,

1:09:10.439 --> 1:09:13.360
<v Speaker 1>but just the like, look, girl can do what boy do?

1:09:14.040 --> 1:09:16.760
<v Speaker 1>I kind of wish we were past that, um. And

1:09:17.600 --> 1:09:20.679
<v Speaker 1>it's a point that's been made handily so many times,

1:09:20.720 --> 1:09:22.280
<v Speaker 1>and I know that there's still such a large swath

1:09:22.360 --> 1:09:24.920
<v Speaker 1>of the world that doesn't believe it, um. But I

1:09:25.080 --> 1:09:29.719
<v Speaker 1>just the I don't love that being at the core

1:09:30.040 --> 1:09:32.840
<v Speaker 1>of a story I wouldn't like if I you know,

1:09:33.200 --> 1:09:36.519
<v Speaker 1>I would love for a daughter, niece, whatever of mine

1:09:36.880 --> 1:09:41.120
<v Speaker 1>to see an empowered female character that doesn't need to

1:09:41.200 --> 1:09:45.280
<v Speaker 1>constantly proove for skills against a man um but just

1:09:45.680 --> 1:09:50.080
<v Speaker 1>you know, moved through the world as a skilled, capable person,

1:09:50.160 --> 1:09:54.000
<v Speaker 1>and so that that was one thing that I didn't love.

1:09:54.040 --> 1:09:55.640
<v Speaker 1>But I don't I don't know how that could have

1:09:55.680 --> 1:09:58.240
<v Speaker 1>been avoided given how the character set up. I agree.

1:09:58.439 --> 1:10:01.880
<v Speaker 1>I think that because this is such a mainstream movie,

1:10:02.120 --> 1:10:04.960
<v Speaker 1>as all MCU movies are going to be, and a

1:10:05.000 --> 1:10:06.720
<v Speaker 1>lot of people who were seeing them are like, you know,

1:10:06.880 --> 1:10:11.320
<v Speaker 1>like in Cell idiot boys who were like, I think

1:10:11.360 --> 1:10:15.920
<v Speaker 1>they need to be spoon fed. Yeah. I also don't

1:10:15.920 --> 1:10:18.880
<v Speaker 1>know if any of those insults were mind were changed,

1:10:19.400 --> 1:10:22.240
<v Speaker 1>probably not by this, but they're they're just from my

1:10:22.479 --> 1:10:26.040
<v Speaker 1>super nitpicky standpoint that that was something that I was like.

1:10:27.120 --> 1:10:31.479
<v Speaker 1>Same with the second tier male characters. Yeah, I wish

1:10:31.520 --> 1:10:34.720
<v Speaker 1>that the secondary female character has had a little more prominence,

1:10:34.800 --> 1:10:36.479
<v Speaker 1>but the fact that they were there, I mean, I

1:10:36.600 --> 1:10:41.360
<v Speaker 1>liked its progress. Yeah, a lot of crawling this movie.

1:10:41.400 --> 1:10:44.720
<v Speaker 1>I love brill Larson. I enjoyed her performance. I love

1:10:45.080 --> 1:10:47.519
<v Speaker 1>who she is, what she stands for. She's got a

1:10:47.600 --> 1:10:49.720
<v Speaker 1>goddamn mosk arright now she's in the m c U.

1:10:50.000 --> 1:10:53.519
<v Speaker 1>She's making she's she's making it. She's great. I also

1:10:53.600 --> 1:10:56.840
<v Speaker 1>like that there is a lot of female representation behind

1:10:56.880 --> 1:10:59.800
<v Speaker 1>the camera in this movie. You've got a female co director,

1:10:59.840 --> 1:11:02.840
<v Speaker 1>you got majority female writers, you have a female composer,

1:11:03.200 --> 1:11:07.760
<v Speaker 1>a female co editor. So there are women involved at

1:11:08.640 --> 1:11:12.760
<v Speaker 1>every level in this movie, and I think it shows. Um. Yeah,

1:11:13.439 --> 1:11:17.000
<v Speaker 1>I'll give four nipples. I gave to to Captain Marvel,

1:11:17.560 --> 1:11:20.880
<v Speaker 1>and I'll give to to Maria. And I do think

1:11:20.920 --> 1:11:27.479
<v Speaker 1>Alvin Billina should have been Ben Mendelsohn's character. Well, I

1:11:27.600 --> 1:11:30.200
<v Speaker 1>agree with everything that you said, so I guess I'll

1:11:30.240 --> 1:11:33.479
<v Speaker 1>split the difference and say four and a quarter nipples.

1:11:34.000 --> 1:11:36.960
<v Speaker 1>Right on. I feel like I'd like to give them

1:11:37.000 --> 1:11:41.479
<v Speaker 1>all to the cat but well he's got five, you know,

1:11:41.840 --> 1:11:46.000
<v Speaker 1>some odd left. Yeah, I give a full set of

1:11:46.080 --> 1:11:49.120
<v Speaker 1>eight to the cat, to the clerkin. Excuse me, yes, no,

1:11:49.360 --> 1:11:51.719
<v Speaker 1>I mean I would. I'll give one to Brie Larson

1:11:51.960 --> 1:11:55.640
<v Speaker 1>and one to Lashana Lynch, one to Annette Benning, and

1:11:55.760 --> 1:11:57.479
<v Speaker 1>one too. I can't remember the little girl's name that

1:11:57.520 --> 1:12:00.439
<v Speaker 1>plays Monica. I feel bad about that, but um so

1:12:00.560 --> 1:12:03.680
<v Speaker 1>I'm holding back three quarters of a nipple. Why am

1:12:03.720 --> 1:12:07.360
<v Speaker 1>I doing that? Okay, I'm holding back one quarter because

1:12:07.600 --> 1:12:11.519
<v Speaker 1>when I went to IMDb and counted up all the

1:12:11.680 --> 1:12:16.640
<v Speaker 1>characters credited and uncredited, I discovered that there were seventeen

1:12:16.720 --> 1:12:22.200
<v Speaker 1>women and fifty two men, so that overall overall the

1:12:22.360 --> 1:12:27.799
<v Speaker 1>cast is women. So points taken off for that better Marvel.

1:12:29.640 --> 1:12:32.640
<v Speaker 1>But I agree with everything you said about the centralized

1:12:32.760 --> 1:12:36.799
<v Speaker 1>cast being more diverse and more you know, female centered,

1:12:37.360 --> 1:12:40.720
<v Speaker 1>and I liked that there was pretty good representation of

1:12:41.000 --> 1:12:43.720
<v Speaker 1>men and women of color too. I liked the lack

1:12:43.840 --> 1:12:48.120
<v Speaker 1>of sexualization and the lack of head of romance, and

1:12:49.680 --> 1:12:52.720
<v Speaker 1>that this was a story that I agree it's more

1:12:52.800 --> 1:12:56.160
<v Speaker 1>of a crawling than a running, but it maybe isn't

1:12:56.240 --> 1:12:58.800
<v Speaker 1>necessary first step to kind of bring people along a

1:12:58.880 --> 1:13:01.320
<v Speaker 1>little bit not the three of us, but others who

1:13:01.439 --> 1:13:04.000
<v Speaker 1>maybe are wavering a little bit on the idea of

1:13:04.200 --> 1:13:08.959
<v Speaker 1>women having actual strength. Um, so I'll hold back another

1:13:09.439 --> 1:13:11.439
<v Speaker 1>quarter of a nipple for what you said about how

1:13:12.160 --> 1:13:16.320
<v Speaker 1>after Captain Marvel. Really the other two stars are Samuel L.

1:13:16.439 --> 1:13:19.920
<v Speaker 1>Jackson and Jude law Right and and Taylor's and then

1:13:19.960 --> 1:13:23.799
<v Speaker 1>I'll hold back my third quarter of a nipple because feminist,

1:13:23.800 --> 1:13:29.400
<v Speaker 1>I kinda for Molina should have been tables. Yeah, missed opportunity.

1:13:29.560 --> 1:13:32.960
<v Speaker 1>I mean, that's the real main conversation around this movie

1:13:33.160 --> 1:13:38.679
<v Speaker 1>is like, where was the Molina offer? Unbelievable? Well yeah,

1:13:38.840 --> 1:13:41.760
<v Speaker 1>but overall I really thought they did a great job

1:13:41.880 --> 1:13:44.000
<v Speaker 1>trying to juggle a lot of things and please a

1:13:44.080 --> 1:13:47.920
<v Speaker 1>number of different audiences. Yeah, and and it's great that.

1:13:48.040 --> 1:13:50.599
<v Speaker 1>I mean as of this recording. We're recording this Tuesday

1:13:50.640 --> 1:13:53.479
<v Speaker 1>after it came out, and it just hit five million dollars.

1:13:53.560 --> 1:13:58.400
<v Speaker 1>It's doing you super well. These movies always do super well. Yes, Meg,

1:13:58.560 --> 1:14:01.439
<v Speaker 1>more of them. This is the biggest worldwide opening of

1:14:01.560 --> 1:14:06.280
<v Speaker 1>all time for a female starring film. Amazing. The number

1:14:06.360 --> 1:14:10.400
<v Speaker 1>one domestic female starring film is still Beauty and the Beast. Okay,

1:14:13.280 --> 1:14:18.320
<v Speaker 1>crawling action. It was Beauty and the Beast worldwide too,

1:14:18.439 --> 1:14:21.439
<v Speaker 1>but Captain Marble made more worldwide, and it's also the

1:14:21.720 --> 1:14:25.680
<v Speaker 1>second largest worldwide opening among superhero movies. The first was

1:14:25.720 --> 1:14:29.519
<v Speaker 1>Avengers Infinity War. That's great. Yeah, that's I mean, that's

1:14:29.640 --> 1:14:33.640
<v Speaker 1>very encouraging, and I hope that studios will take this

1:14:33.800 --> 1:14:37.240
<v Speaker 1>to heart and realize that they need to make more

1:14:37.400 --> 1:14:42.240
<v Speaker 1>movies about superheroes who are women and then also just

1:14:42.439 --> 1:14:46.360
<v Speaker 1>diversify that as well and include women of color and

1:14:46.439 --> 1:14:50.840
<v Speaker 1>queer women and other marginalized groups. I really hope that

1:14:50.960 --> 1:14:54.960
<v Speaker 1>we get a movie with Monica. Now, it was like, yay,

1:14:55.800 --> 1:14:57.679
<v Speaker 1>that would be great. That was fun. I was glad

1:14:57.720 --> 1:14:59.800
<v Speaker 1>that I want that. Now I'm like, oh cool. They

1:15:00.000 --> 1:15:01.640
<v Speaker 1>they went out of the way to set it up.

1:15:01.800 --> 1:15:07.040
<v Speaker 1>I want them to like reboot Avengers, like but hear

1:15:07.080 --> 1:15:10.160
<v Speaker 1>me out, so you don't. I'm exhausted. The Avengers will

1:15:10.240 --> 1:15:16.759
<v Speaker 1>be Monica Rambo sure from Black Panther, fucking Tessa Thompson's

1:15:16.840 --> 1:15:21.400
<v Speaker 1>character and Thor Ragnarok like all those awesome women who

1:15:21.600 --> 1:15:25.200
<v Speaker 1>and Miles Morales and Miles Morales. Yes, so like let's

1:15:25.240 --> 1:15:28.719
<v Speaker 1>get that cast out there and uh see that movie

1:15:29.160 --> 1:15:32.360
<v Speaker 1>and the new Miss Marvel um oh, who's I think

1:15:32.400 --> 1:15:38.479
<v Speaker 1>a Pakistani woman is Kamala Khan. And with within the comics,

1:15:38.840 --> 1:15:41.640
<v Speaker 1>she is like a regular girl who looks up to

1:15:41.760 --> 1:15:44.439
<v Speaker 1>Captain Marvel within the universe, and that's why she takes

1:15:44.479 --> 1:15:47.960
<v Speaker 1>the name Miss Marvel. She's inspired like her. That's been

1:15:48.320 --> 1:15:51.479
<v Speaker 1>been like a worldwide hit. It was, at least for

1:15:51.479 --> 1:15:55.960
<v Speaker 1>a while it was Marvel's number one international digital seller,

1:15:56.280 --> 1:15:58.840
<v Speaker 1>and it sort of did all these ideas like you

1:15:59.000 --> 1:16:01.960
<v Speaker 1>can't introduce a new character. You can introduce a female character,

1:16:02.040 --> 1:16:04.559
<v Speaker 1>you can introduce a character of color, You certainly can

1:16:04.680 --> 1:16:08.519
<v Speaker 1>introduce a character who's not Christian. But the Newman's Marvel

1:16:08.640 --> 1:16:11.160
<v Speaker 1>is all of that and selling like crazy awesome. I

1:16:11.200 --> 1:16:13.280
<v Speaker 1>love it. Can't wait for the movie it's going to

1:16:13.400 --> 1:16:16.879
<v Speaker 1>happen because it's like it's like Hollywood. You know, Hollywood

1:16:16.960 --> 1:16:19.240
<v Speaker 1>really changed his tune. It used to say, hey, women

1:16:19.320 --> 1:16:21.680
<v Speaker 1>need to be in subservient rules, and now look at them.

1:16:21.720 --> 1:16:26.479
<v Speaker 1>They're saying bitches love lady stuff. Progress. Look at that

1:16:26.720 --> 1:16:31.400
<v Speaker 1>progressive statement or ladies love bitches stuff. Yeah, oh yeah,

1:16:31.720 --> 1:16:36.960
<v Speaker 1>I love stuff. Give it a few years that too, well. Caroline,

1:16:37.000 --> 1:16:39.400
<v Speaker 1>thank you so much for coming on the pod and

1:16:39.840 --> 1:16:43.080
<v Speaker 1>chatting with us, sharing your expertise. Thanks so much for

1:16:43.200 --> 1:16:46.000
<v Speaker 1>having me. I love this show, of course. What would

1:16:46.040 --> 1:16:49.960
<v Speaker 1>you like to plug? And where can people find you online? Oh?

1:16:50.080 --> 1:16:53.960
<v Speaker 1>Geez um, I do have a Twitter account which is

1:16:54.400 --> 1:16:57.240
<v Speaker 1>at Caroline Coca, which I honestly never used, so someone,

1:16:57.680 --> 1:16:59.439
<v Speaker 1>if someone wanted to get hold of me, you should

1:16:59.479 --> 1:17:02.559
<v Speaker 1>really email on me. So it's Coca Cee my last

1:17:02.640 --> 1:17:05.840
<v Speaker 1>name and first initial at Old Westbury dot E d U.

1:17:06.600 --> 1:17:09.120
<v Speaker 1>Stuff that I'm working on now isn't really out yet

1:17:09.200 --> 1:17:12.599
<v Speaker 1>to be seen, so I guess I would just mention

1:17:12.760 --> 1:17:16.360
<v Speaker 1>again that I wrote this book called Superwomen, Gender Power

1:17:16.400 --> 1:17:20.280
<v Speaker 1>and Representation, and that it is a history of seventy

1:17:20.360 --> 1:17:24.800
<v Speaker 1>five years of female superheroes with some really deep dive

1:17:24.920 --> 1:17:30.479
<v Speaker 1>focus on wonder Woman, bat Girl, Captain Marvel, the women

1:17:30.560 --> 1:17:32.680
<v Speaker 1>of Star Wars, the women of the X Men, and

1:17:32.720 --> 1:17:37.240
<v Speaker 1>Buffy the Vampire Slayer. Yes, by that book, it is incredible.

1:17:37.960 --> 1:17:41.519
<v Speaker 1>And yeah, thanks again for coming on, and thank the

1:17:42.160 --> 1:17:45.000
<v Speaker 1>to our listeners out there. Thanks for listening. Uh. You

1:17:45.080 --> 1:17:48.439
<v Speaker 1>can follow us on social media at all the usual

1:17:48.520 --> 1:17:53.000
<v Speaker 1>places at bectel Cast. You can buy our merch at

1:17:53.400 --> 1:17:56.360
<v Speaker 1>t public dot com, slash the bectol Cast, and we

1:17:56.479 --> 1:18:00.960
<v Speaker 1>have a promotion going on in which we are fundraising

1:18:01.400 --> 1:18:06.360
<v Speaker 1>for an organization called Black Girls Code. Um So, if

1:18:06.400 --> 1:18:10.000
<v Speaker 1>you buy our Rise of the Matriarchy shirt that can

1:18:10.040 --> 1:18:16.000
<v Speaker 1>be found at t public dot com, slash stores, slash Bechtel,

1:18:16.280 --> 1:18:19.880
<v Speaker 1>dash Cast, dash cares. I know that's a lot, but

1:18:20.000 --> 1:18:22.800
<v Speaker 1>it's on our like Twitter, and we'll make sure it's

1:18:22.880 --> 1:18:26.160
<v Speaker 1>very accessible for people to find. Um So, yeah, by

1:18:26.479 --> 1:18:31.080
<v Speaker 1>that Rise of the Matriarchy design and proceeds go to

1:18:31.479 --> 1:18:34.040
<v Speaker 1>Black Girl's Code. You can also sign up for our

1:18:34.080 --> 1:18:37.559
<v Speaker 1>Matreon a k Patreon by going to patreon dot com,

1:18:37.680 --> 1:18:40.519
<v Speaker 1>slash Bechtel Cast and it's five dollars a month and

1:18:40.560 --> 1:18:44.200
<v Speaker 1>you get to bonus episodes every month. So yeah, thank

1:18:44.240 --> 1:18:46.240
<v Speaker 1>you a getting Carolin, we really appreciate. Thank you, and

1:18:46.320 --> 1:18:52.280
<v Speaker 1>make sure just to pet your family florkin today, but

1:18:52.360 --> 1:18:54.880
<v Speaker 1>don't hold them up near your eye. Yes, no, don't

1:18:54.920 --> 1:18:57.759
<v Speaker 1>do that. But yeah, we'll see you next week. Bye

1:18:58.040 --> 1:18:58.720
<v Speaker 1>bye