WEBVTT - Episode 4: Backbearings 

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<v Speaker 1>Previously on Hot Money Very Fast.

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<v Speaker 2>Actually started then talking about his experience in Syria facilitated

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<v Speaker 2>by the boys, just after the recapture of the city

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<v Speaker 2>of Panira from Isis.

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<v Speaker 1>When he said with the boys, what did you.

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<v Speaker 3>Basically said with the Russians?

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<v Speaker 4>So is it that one? It's that one on the left,

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<v Speaker 4>those two great big gates there, it's fucking massive.

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<v Speaker 3>Yeah.

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<v Speaker 4>So we stood outside Prince Cageddonklasa. Well, the house on

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<v Speaker 4>Prince Cogeddon Tlaca belongs to the Master elect. It's tall,

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<v Speaker 4>it's snowing slowly through trees without leaves. It's a very

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<v Speaker 4>high fence, which is like a wrought iron fence that's

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<v Speaker 4>thickly covered with ivy. In February, my producer Peggy and

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<v Speaker 4>I went to Yan Marslek's former residence in Munich, a

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<v Speaker 4>place he'd kept almost entirely secret. It's where he ran

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<v Speaker 4>his shadow life, his extra curricular world outside of Wirekat

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<v Speaker 4>sixty one Prince Rickenstrasse. Marcelek rented it for six hundred

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<v Speaker 4>and eighty thousand euros a year. Here he was occupying

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<v Speaker 4>one of the grandest residential buildings in Munich, which is

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<v Speaker 4>the wealthiest city in Germany and therefore possibly one of

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<v Speaker 4>the wealthiest cities in all of Europe. From the moment

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<v Speaker 4>I first became drawn into Yan masslex world, there's been

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<v Speaker 4>this huge paradox, and coming back to Munich, I'm hit

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<v Speaker 4>by it full force. We're on a street he's opposite

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<v Speaker 4>the Russian consulate, and down the road to various embassies

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<v Speaker 4>and other grand residences.

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<v Speaker 1>And I suppose, in so far as you would.

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<v Speaker 4>Assume that one of the prime objectives of most people

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<v Speaker 4>working in intelligence's discretion and to remain hidden, then one

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<v Speaker 4>wonders why he chose here a villa opposite the Russian consulate,

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<v Speaker 4>giving Paul those Novelchok documents, boasting about your relationships with

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<v Speaker 4>Russian mercenaries. How can you function as a spy, a

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<v Speaker 4>good spy if you're compelled to drop hints about being

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<v Speaker 4>one all the time.

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<v Speaker 3>I don't know.

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<v Speaker 4>It's a kind of almost like a Sharon Stone moment

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<v Speaker 4>from Basic Instinct. You know the plot of Basic Instinct

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<v Speaker 4>where she she murders her husband. But that's also the

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<v Speaker 4>plot of the book she's written, so it couldn't possibly

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<v Speaker 4>be true. One of my favorite books about espionage is

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<v Speaker 4>John Lecare's The Honorable Schoolboy six aka the Circus pick

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<v Speaker 4>up clues about Russian master spy Krla by looking back

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<v Speaker 4>in time. Through looking more closely at how they were

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<v Speaker 4>misled at the wreckage, the Circus find the traces of something,

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<v Speaker 4>a thread on which to pull. Pakai calls it taking

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<v Speaker 4>back bearings, and it feels to me like we need

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<v Speaker 4>to do something similar. So far, I've heard about three

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<v Speaker 4>radically different yan marslects, the corporate high flier, the fraudster,

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<v Speaker 4>and now the Russian agent. And yet even with that,

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<v Speaker 4>I have very little sense of who yan Marcelek really

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<v Speaker 4>is behind these identities, what makes up the substance of

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<v Speaker 4>his character, what motivates him. Motive, I think, is the

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<v Speaker 4>holy grail in this story, not only for what it

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<v Speaker 4>reveals about one man psychologically, but also what it might

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<v Speaker 4>help us glimpse about a whole worldview and those who

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<v Speaker 4>pursue it. And so in this episode, I track down

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<v Speaker 4>people who knew Marslek well, worked with him, closely, grew

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<v Speaker 4>up with him in his hometown, all to gather clues.

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<v Speaker 4>My name is Sam Jones from the Financial Times and

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<v Speaker 4>Pushkin Industries. This is Hot Money Season three, Agent of

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<v Speaker 4>Chaos episode four, Back Bearings. Jan Marcelek vanished five years

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<v Speaker 4>ago after Warkard was exposed as a massive fraud. He

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<v Speaker 4>hasn't been seen in public since, at least not under

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<v Speaker 4>his real name. At first, everyone thought Marcelek had gone

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<v Speaker 4>to the Philippines. He told colleagues he was going to

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<v Speaker 4>find Warcard's missing billions. But then the trail in Manila

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<v Speaker 4>went cold. People wondered whether he'd absconded to China. Rumours

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<v Speaker 4>world about his connections to Germany's intelligence services, to the Austrians,

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<v Speaker 4>to Israel. Perhaps he'd been taken into protective custody. But

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<v Speaker 4>these were all trails that Marcelek himself had quite deliberately

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<v Speaker 4>left behind. In reality, he'd taken a car over the

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<v Speaker 4>Alps to a village outside Vienna. Travel records show he'd

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<v Speaker 4>hopped on a plane to Minsk and from there had

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<v Speaker 4>gone on to Moscow. But even the people close to

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<v Speaker 4>him didn't know where he ended up. They were left

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<v Speaker 4>to figure things out for themselves.

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<v Speaker 1>Just talk us through.

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<v Speaker 4>When you then go into Prince against Vassa, what was

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<v Speaker 4>it like inside?

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<v Speaker 1>And what were you what was going through your head?

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<v Speaker 3>I was scared like toll I haven't told my wife.

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<v Speaker 3>I've told other people that I'm going there where I am.

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<v Speaker 4>It's two months after jan Marcelek's disappearance, and this man

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<v Speaker 4>we're going to call him mister Sampt, has gained access

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<v Speaker 4>to his house.

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<v Speaker 3>I had a phone in my socks and did not

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<v Speaker 3>know what to expect.

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<v Speaker 4>Mister Sampt has asked that we don't reveal his real

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<v Speaker 4>name as a condition of speaking with us, for professional reasons.

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<v Speaker 4>What I can tell you is that he's a high

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<v Speaker 4>level PR consultant hired by companies when they're in crisis.

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<v Speaker 4>Sumpt in German means velvet. It's the alias he has

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<v Speaker 4>chosen for himself. That day, Sumpt is with an ex

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<v Speaker 4>business partner of marcele X who knew about this place,

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<v Speaker 4>who was in fact a regular visitor. They snuck into

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<v Speaker 4>the house because well, they both have questions, I mean, who.

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<v Speaker 3>Doesn't so and we walked around and unbelievable. You walk

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<v Speaker 3>around and you see a parallel world. Yeah, this room

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<v Speaker 3>is sound proof. This room is searched every other week

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<v Speaker 3>by a specialist for microphones and surveillance stuff. You walk

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<v Speaker 3>around and wow, And then you see his bedroom, which

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<v Speaker 3>was a black and white painted room like a zebra,

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<v Speaker 3>with a mattress on the floor and black and white

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<v Speaker 3>bed sheets, not like a cozy bedroom.

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<v Speaker 4>The house is almost entirely empty, which is strange because

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<v Speaker 4>when mars Leac fled all he had with him were

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<v Speaker 4>two pieces of luggage. Someone must have cleared the house

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<v Speaker 4>out afterwards. There were just a few striking artifacts left behind.

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<v Speaker 3>I was impressed by his medical cabinet. It was a

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<v Speaker 3>normal door, looked in and out. Behind the door was

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<v Speaker 3>forty centimeters deep in shelves full of medical stuff. And

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<v Speaker 3>because we're were in COVID at that time, everything to

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<v Speaker 3>fight a virus was there. This is a sedative, is virus,

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<v Speaker 3>this is the flu, and one was for diabetes.

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<v Speaker 4>It sounds to me like the private stash of someone

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<v Speaker 4>who never wanted to depend on public health care services,

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<v Speaker 4>or perhaps someone who never wanted to have to take

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<v Speaker 4>out a prescription in his own name. There are bottles

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<v Speaker 4>and bottles of Russian medicines. Sam's heart is still racing

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<v Speaker 4>and he's scared for a reason. As he looks out

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<v Speaker 4>the window from the room he was told was marce

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<v Speaker 4>Lex's office. There directly opposite the house is the Russian

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<v Speaker 4>Consulate and he's thinking, Jesus, could there even be a

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<v Speaker 4>tunnel between these buildings? Apart from Killian Kleinschmidt, who you

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<v Speaker 4>heard from in the last episode, Sampt is the only

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<v Speaker 4>person I've met who's been inside the Prince ri again

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<v Speaker 4>Shtasa house. He knew yan Marslek for about eighteen months,

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<v Speaker 4>but he knew him very well, or at least he

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<v Speaker 4>knew one side of him, and he knew him under pressure.

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<v Speaker 3>I'm hired sometimes awareness something smelly going on in how

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<v Speaker 3>to not avoid, but how to go through with it

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<v Speaker 3>and don't have too much damage.

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<v Speaker 4>Wakaard hired Sampt in twenty nineteen when my FT colleagues

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<v Speaker 4>Dan and Paul were beginning to reveal to the world

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<v Speaker 4>that the company was a fraud. Within days of joining,

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<v Speaker 4>Samt began working closely with Yan Marcelek. Sam prides himself

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<v Speaker 4>on his ability to read people, to watch them, and

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<v Speaker 4>to a certain extent, to be immune to their charms.

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<v Speaker 1>Can you describe him for us?

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<v Speaker 3>I noticed his friendliness do you want to drink something?

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<v Speaker 3>And then said yeah, I'll grab a cop Oh no,

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<v Speaker 3>please allow me to give you a coke and very formal,

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<v Speaker 3>polite German battla Geber so please you.

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<v Speaker 1>Yeah, almost elaborate with your kind indulgence.

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<v Speaker 3>You allow me to hand you a coke. You know

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<v Speaker 3>those headwaiters and Austrian restaurants, Yeah, oberber So, it to

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<v Speaker 3>me was the behavior of a head waiter.

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<v Speaker 4>When I think of an Austrian Oberkellner, I have a

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<v Speaker 4>specific thing in mind. Formal, sometimes stiffly so, maybe even

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<v Speaker 4>outwardly obsequious, but people totally in control of their own worlds.

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<v Speaker 4>In a Viennese cafe house, you are the guest of

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<v Speaker 4>the head waiter. Sam soon found himself getting close to Marcelek.

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<v Speaker 4>He noticed his quirks. Marcelec ate chocolate constantly. He kept

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<v Speaker 4>a big box of lint carret little individually wrapped chocolate

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<v Speaker 4>squares in his office. The bin was always full of rappers,

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<v Speaker 4>and Sampt he would often bring him chocolate or sweets

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<v Speaker 4>on those visits. Sampt clocks the curious collection of objects

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<v Speaker 4>in marce Le's office, like a life size Donald Trump

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<v Speaker 4>cardboard cutout. For example, one day he asked another senior

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<v Speaker 4>wirecard executive.

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<v Speaker 5>Do you know about this life size Trump figure in

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<v Speaker 5>the office and in Marshal X Marshal's office and his

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<v Speaker 5>altar of Russian officers keps like Ushanka kind of yeah, yeah,

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<v Speaker 5>those heads.

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<v Speaker 4>The executive replies, yeah.

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<v Speaker 3>And no, I've never been in this office. Actually.

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<v Speaker 4>He also noticed that while so much of mars le

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<v Speaker 4>X world at work seemed neat precise, there was also

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<v Speaker 4>chaos kind of hidden away.

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<v Speaker 3>He put all the dirty cappuccino and all the dirty china.

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<v Speaker 3>He put it in the cupboard in his conference.

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<v Speaker 4>Room, not just a few cups, weeks and weeks and

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<v Speaker 4>weeks worth.

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<v Speaker 1>Of cups because he didn't want to see it.

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<v Speaker 3>He didn't want to see the mess. Yes, and it

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<v Speaker 3>was summer, so that was a biotope.

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<v Speaker 1>After a while, and.

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<v Speaker 3>The cleaning woman found it by accident because they were

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<v Speaker 3>missing so much china, and he just put it messy

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<v Speaker 3>like in this cupboard and in the back it was

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<v Speaker 3>already growing.

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<v Speaker 4>There were also times when Samt would catch glimpses of

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<v Speaker 4>Marcelet's personal life, like one night when it was quite

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<v Speaker 4>late and Marcelek had kept him waiting for a long time,

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<v Speaker 4>so long that Samt had had time to go out

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<v Speaker 4>to a nearby toy shop and buy him a present,

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<v Speaker 4>a Lego batmobile.

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<v Speaker 3>I like to play build Lego who does not. And

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<v Speaker 3>so I bought it and gave it to him as

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<v Speaker 3>a gift and said, here, that reminds me of you.

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<v Speaker 3>And he looked out Batman as said no, the.

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<v Speaker 4>Joker, Marcelet brushes off the gibe and eagerly opens the box.

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<v Speaker 3>We started building, and during that building he received like

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<v Speaker 3>fifteen ten to fifteen phone calls from his girlfriend and

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<v Speaker 3>his father who were in town and who were waiting

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<v Speaker 3>for him for dinner, but he didn't want to go.

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<v Speaker 3>He was sitting there with me. We were talking business

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<v Speaker 3>and he was building this batmobiles and then he said, yeah,

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<v Speaker 3>I'll come later and I'll join you later. And we

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<v Speaker 3>were sitting there. I was sitting on one end of

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<v Speaker 3>the conference tail, he was in on the other, and

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<v Speaker 3>we were rolling the car. But he clearly didn't didn't

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<v Speaker 3>want to go and spend. He clearly didn't want to go,

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<v Speaker 3>and I had the feeling that it was a difficult relationship.

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<v Speaker 1>And then there was the money.

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<v Speaker 3>I remember one time we went into a restaurant here

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<v Speaker 3>in Munich and I had a capacco real cauliflower, two

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<v Speaker 3>or three coke zero, and so my bill was less

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<v Speaker 3>than fifty euros, probably the whole bill was seven hundred something.

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<v Speaker 3>Marsade started with Cavia. He had all the classic oyster

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<v Speaker 3>whatever beefsticked Fiorentina, and this bottle of sparkling wine, and

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<v Speaker 3>it was a seven hundred and twenty euro bill and

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<v Speaker 3>he gave nine hundred. He tried to be humble, or

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<v Speaker 3>to give the picture of being a humble person devoted

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<v Speaker 3>to his job. On the other hand, paying everything cash

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<v Speaker 3>and living a life that is in the high one

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<v Speaker 3>percent of Munich. Where does the money come from? That

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<v Speaker 3>was something that I always was questioning.

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<v Speaker 4>Myself, possibly thought Sampt. The early days of Wakad had

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<v Speaker 4>seen the company pay its executives huge bonuses before it listed.

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<v Speaker 4>But even that didn't quite account for Marclec's apparent wealth,

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<v Speaker 4>because it wasn't just flashy dinners.

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<v Speaker 3>He was invested with seven million into Telegram.

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<v Speaker 4>The messaging app founded in Russia. Marcelek was an early shareholder.

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<v Speaker 3>But when you only make a million before tex at wirecard,

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<v Speaker 3>you have to work fifteen years and eat ravioli from

0:15:45.480 --> 0:15:52.720
<v Speaker 3>cans and live in a very reduced lifestyle to save

0:15:52.800 --> 0:15:55.360
<v Speaker 3>up the money to invest like that in one single

0:15:55.360 --> 0:15:56.240
<v Speaker 3>direct investment.

0:15:56.840 --> 0:15:59.560
<v Speaker 4>And of course samt didn't even know at this point

0:15:59.680 --> 0:16:03.800
<v Speaker 4>about the palatial property on Prince Rigenstrasser that he found

0:16:03.840 --> 0:16:07.560
<v Speaker 4>out two months later after warecard blew up. Even though

0:16:07.600 --> 0:16:11.400
<v Speaker 4>they would often meet at a restaurant very close by, I.

0:16:13.520 --> 0:16:17.560
<v Speaker 3>Could have beaten myself. There's Kifa at a restaurant he

0:16:17.600 --> 0:16:21.000
<v Speaker 3>in Munich, and we met very often at the Kiefer restaurant,

0:16:22.000 --> 0:16:27.200
<v Speaker 3>and his secret office was like five hundred meters or

0:16:27.280 --> 0:16:28.880
<v Speaker 3>less than five hundred meters down the road.

0:16:30.680 --> 0:16:34.080
<v Speaker 4>After the day he'd poked around the villa, sumptualizes that really,

0:16:34.320 --> 0:16:37.560
<v Speaker 4>whatever he thought he confidently knew about Yan Marsilek is

0:16:37.560 --> 0:16:41.240
<v Speaker 4>barely anything substantial at all, and that in the eighteen

0:16:41.280 --> 0:16:45.560
<v Speaker 4>months they worked together, Marcelek's entire persona at Wakard was

0:16:45.640 --> 0:16:49.600
<v Speaker 4>effectively a lie. I needed to talk to someone who'd

0:16:49.600 --> 0:16:53.080
<v Speaker 4>known him for longer than SAMD. That's coming up after

0:16:53.120 --> 0:17:05.879
<v Speaker 4>the break. Martin Ostelo first met Jan Marcelek when he

0:17:05.960 --> 0:17:08.520
<v Speaker 4>joined warkat almost sixteen years ago.

0:17:09.359 --> 0:17:11.440
<v Speaker 6>Young guy at the time. He was wearing a tea

0:17:11.480 --> 0:17:15.479
<v Speaker 6>shirt and jeans, had an impressive charisma about him. But

0:17:16.160 --> 0:17:19.000
<v Speaker 6>you never would have thought that this guy would be

0:17:19.040 --> 0:17:22.480
<v Speaker 6>the manageable company very quickly at the time.

0:17:23.520 --> 0:17:26.720
<v Speaker 4>Back then, in two thousand and five, Marcelek was just

0:17:26.800 --> 0:17:30.400
<v Speaker 4>twenty five. He hadn't been to university, he hadn't even

0:17:30.440 --> 0:17:34.320
<v Speaker 4>finished school. After joining the company five years earlier in

0:17:34.320 --> 0:17:37.960
<v Speaker 4>two thousand, he'd been quickly promoted, and by the time

0:17:38.040 --> 0:17:40.960
<v Speaker 4>Martin arrived at Warkat Marcelek was head of it.

0:17:42.160 --> 0:17:48.040
<v Speaker 6>Rhetorically, I already realized at that stage that he was very,

0:17:48.160 --> 0:17:51.879
<v Speaker 6>very good. He was like a hoover. He could take

0:17:51.960 --> 0:17:58.679
<v Speaker 6>information extremely quickly and formulate a summary, almost in a

0:17:58.720 --> 0:18:03.040
<v Speaker 6>fashion where you would lick your lips. Well, you'd love

0:18:03.119 --> 0:18:06.520
<v Speaker 6>to have that ability to quickly take something on board

0:18:06.520 --> 0:18:09.320
<v Speaker 6>and be able to express it in a form that seemed,

0:18:09.320 --> 0:18:12.600
<v Speaker 6>on the one hand, smart but still very very understandable

0:18:12.680 --> 0:18:14.520
<v Speaker 6>for a broad audience.

0:18:15.520 --> 0:18:18.000
<v Speaker 4>Martin says that Yan worked his way up the company

0:18:18.040 --> 0:18:22.120
<v Speaker 4>by bringing order and structure to what was otherwise a chaotic,

0:18:22.280 --> 0:18:23.480
<v Speaker 4>fast growing startup.

0:18:24.560 --> 0:18:27.200
<v Speaker 6>If you were the type of guy or girl to

0:18:27.240 --> 0:18:29.679
<v Speaker 6>say there's no structure of this, I can't do this,

0:18:30.400 --> 0:18:32.560
<v Speaker 6>you were out of the door very very quickly. If

0:18:32.600 --> 0:18:35.640
<v Speaker 6>you went in and said I can't do this yet,

0:18:35.840 --> 0:18:38.640
<v Speaker 6>how do I do it? Take ownership and do it yourself.

0:18:39.760 --> 0:18:42.320
<v Speaker 6>Those people exceled at wire card in the early days.

0:18:42.720 --> 0:18:47.800
<v Speaker 6>That's why probably Jan Maselek had an easy to climb

0:18:47.880 --> 0:18:50.320
<v Speaker 6>ladder because he was a doer.

0:18:51.240 --> 0:18:54.520
<v Speaker 4>And one thing he was particularly good at was charming people.

0:18:55.320 --> 0:18:58.359
<v Speaker 4>Sometimes it almost seemed like he was setting himself a

0:18:58.480 --> 0:19:01.959
<v Speaker 4>challenge to win someone to in side by doing something

0:19:02.080 --> 0:19:04.120
<v Speaker 4>like deliberately turning up late.

0:19:05.240 --> 0:19:08.560
<v Speaker 6>We had CEOs of very important companies and he would

0:19:08.600 --> 0:19:11.800
<v Speaker 6>just come twenty minutes late and still charm this individual

0:19:12.440 --> 0:19:16.520
<v Speaker 6>that they seemed like the best friends afterwards, where you

0:19:16.560 --> 0:19:20.680
<v Speaker 6>would think that would be inexcusable, but Ian had the

0:19:20.720 --> 0:19:25.080
<v Speaker 6>ability to turn things around. I think there really there

0:19:25.080 --> 0:19:27.679
<v Speaker 6>are traits that I have had strong envy for, but

0:19:27.880 --> 0:19:32.359
<v Speaker 6>I envied Ian so much because it seemed so damn

0:19:32.560 --> 0:19:37.080
<v Speaker 6>simple for him. He really mastered giving you the feeling

0:19:37.080 --> 0:19:40.359
<v Speaker 6>that you're important, despite the fact that you could figure

0:19:40.359 --> 0:19:45.959
<v Speaker 6>out over many, many years that it was a routine.

0:19:47.080 --> 0:19:50.159
<v Speaker 4>With his people skills, Jan was a good manager. He

0:19:50.240 --> 0:19:54.080
<v Speaker 4>became Martin's boss, and as you can hear, Martin really

0:19:54.240 --> 0:19:55.240
<v Speaker 4>liked him.

0:19:55.480 --> 0:20:01.680
<v Speaker 6>Iyan had a broad spectrum of friendly to formally friendly.

0:20:02.440 --> 0:20:04.840
<v Speaker 6>So when, for example, when you went to young and

0:20:04.960 --> 0:20:07.439
<v Speaker 6>said do you have a minute, do you have a second.

0:20:07.840 --> 0:20:09.800
<v Speaker 6>He would always say for you always.

0:20:10.480 --> 0:20:12.760
<v Speaker 4>Which wasn't to say he didn't have edges.

0:20:14.119 --> 0:20:18.560
<v Speaker 6>I did have the feeling that he liked people or

0:20:18.640 --> 0:20:21.800
<v Speaker 6>didn't like people. In occasions when people got on his

0:20:21.920 --> 0:20:25.840
<v Speaker 6>bad side or showed him that they didn't like him,

0:20:26.240 --> 0:20:31.160
<v Speaker 6>he could be extremely ruthless is the only word I find.

0:20:32.960 --> 0:20:35.800
<v Speaker 4>Over time, Martin noticed that to get on with him

0:20:36.080 --> 0:20:40.600
<v Speaker 4>you needed, ultimately not to take things too seriously. Marcelet

0:20:40.800 --> 0:20:43.680
<v Speaker 4>liked to test people to see if they could hold

0:20:43.720 --> 0:20:45.080
<v Speaker 4>their own against him.

0:20:45.960 --> 0:20:51.400
<v Speaker 6>He did say things to shock and provoke people here

0:20:51.440 --> 0:20:55.879
<v Speaker 6>and there. He had a Vina Shmid sort of the

0:20:56.000 --> 0:21:00.640
<v Speaker 6>Vienna joking, a playfulness, slayfulness, so he could get away

0:21:00.640 --> 0:21:05.080
<v Speaker 6>with murderers saying certain things. And you also have to

0:21:05.119 --> 0:21:09.280
<v Speaker 6>understand that he was in a circle of management where

0:21:10.400 --> 0:21:16.800
<v Speaker 6>making politically incorrect jokes was in fashion. I think Jan

0:21:17.520 --> 0:21:22.119
<v Speaker 6>he'd enjoy walking on a ledge and some people falling down.

0:21:26.960 --> 0:21:31.040
<v Speaker 4>So by the early twenty tens, Jan Masselek is a

0:21:31.160 --> 0:21:35.760
<v Speaker 4>hugely successful young corporate executive. He's basically the man running

0:21:35.920 --> 0:21:39.080
<v Speaker 4>this fast growing German company which is on its way

0:21:39.320 --> 0:21:41.879
<v Speaker 4>to a main market listing. He's a bit of a

0:21:41.920 --> 0:21:47.200
<v Speaker 4>Maverick and prefers action over rules. But whatever is striking

0:21:47.320 --> 0:21:50.399
<v Speaker 4>or unusual about Yan, it tends to get masked by

0:21:50.440 --> 0:21:55.080
<v Speaker 4>the fact that Moicade is also an unusual company. It

0:21:55.160 --> 0:21:59.280
<v Speaker 4>primarily processed payments for high risk industries. The business's other

0:21:59.320 --> 0:22:01.840
<v Speaker 4>payment processes in companies and banks were hesitant to get

0:22:01.840 --> 0:22:07.440
<v Speaker 4>wrapped up in like gaming, gambling and pawn although Walcatt

0:22:07.480 --> 0:22:09.080
<v Speaker 4>had a different way of describing that.

0:22:10.240 --> 0:22:13.800
<v Speaker 6>A dult content or emotional content as we would call it.

0:22:14.480 --> 0:22:17.800
<v Speaker 4>And over the coming years, Wakat's appetite for risk also

0:22:17.880 --> 0:22:20.920
<v Speaker 4>took it to countries where the rules of business were

0:22:20.920 --> 0:22:22.120
<v Speaker 4>more ambiguous.

0:22:22.480 --> 0:22:26.280
<v Speaker 6>I had heard before that he had several trips to Russia.

0:22:26.560 --> 0:22:27.440
<v Speaker 3>When would that have been.

0:22:29.560 --> 0:22:33.600
<v Speaker 6>That was four or five years maybe three, three to

0:22:33.680 --> 0:22:35.439
<v Speaker 6>five years before Wirecard Gillets, so.

0:22:35.480 --> 0:22:38.840
<v Speaker 4>Sort of twenty fifteen, twenty fourteen, fifteen sixteen, a round.

0:22:38.720 --> 0:22:42.960
<v Speaker 6>A bit later, yeah, yeah, fifteen sixteen. Yeah. But of

0:22:43.000 --> 0:22:46.960
<v Speaker 6>course we did build up Wirecard Russia in that time

0:22:47.000 --> 0:22:54.159
<v Speaker 6>as well, so it wasn't so surprising.

0:22:59.520 --> 0:23:04.160
<v Speaker 4>Just weeks before Wirecard collapsed, something surprising did happen, and

0:23:04.359 --> 0:23:08.720
<v Speaker 4>it chilled Martin Marcelet wanted to invest money in a

0:23:08.760 --> 0:23:12.159
<v Speaker 4>new company that was issuing credit cards. He needed the

0:23:12.200 --> 0:23:16.800
<v Speaker 4>board's approval. Martin and another colleague had run the numbers

0:23:16.840 --> 0:23:19.600
<v Speaker 4>on this company and they knew this investment was a

0:23:19.640 --> 0:23:23.720
<v Speaker 4>bad idea. Right ahead of the crucial board meeting, they

0:23:23.800 --> 0:23:27.720
<v Speaker 4>told marcelect that explicitly they gave him the figures on

0:23:27.760 --> 0:23:35.280
<v Speaker 4>the returns wirecard could expect. Martin remembers specifically what he said, long.

0:23:35.160 --> 0:23:38.560
<v Speaker 6>Term, the card project over the next decade, if it

0:23:38.640 --> 0:23:42.440
<v Speaker 6>runs a decade, then it would potentially cover one point

0:23:42.960 --> 0:23:43.840
<v Speaker 6>to five million.

0:23:44.880 --> 0:23:48.000
<v Speaker 4>Yan took it all on board. There's no way he

0:23:48.040 --> 0:23:49.120
<v Speaker 4>didn't know the numbers.

0:23:49.280 --> 0:23:51.840
<v Speaker 1>Martin says, Jan was very.

0:23:51.760 --> 0:23:55.600
<v Speaker 6>Very quick in understanding, and an hour later we are

0:23:55.640 --> 0:24:00.160
<v Speaker 6>sitting in the meeting and he simply ignored what we said.

0:24:00.359 --> 0:24:02.920
<v Speaker 6>He said, the card project alone in the first year

0:24:03.280 --> 0:24:04.680
<v Speaker 6>will covered the one point five.

0:24:04.520 --> 0:24:06.960
<v Speaker 1>Million, with you in the room, with us in the

0:24:07.040 --> 0:24:07.800
<v Speaker 1>video conference.

0:24:07.880 --> 0:24:11.280
<v Speaker 6>So he just ignored what we had discussed.

0:24:11.560 --> 0:24:13.600
<v Speaker 1>It's a very curious kind of game.

0:24:13.720 --> 0:24:17.000
<v Speaker 4>You know, you're watching him do this, and obviously it's clear,

0:24:17.240 --> 0:24:20.240
<v Speaker 4>based on everything you understand about him until now, that

0:24:20.600 --> 0:24:23.520
<v Speaker 4>he you know, is not stupid. He didn't mishear you.

0:24:23.600 --> 0:24:25.639
<v Speaker 4>He didn't, you know, didn't lose the facts.

0:24:25.720 --> 0:24:31.240
<v Speaker 6>We were flabbergasted, We were speechless. It had never happened

0:24:31.400 --> 0:24:34.960
<v Speaker 6>like that. I mean, we were all important people in

0:24:35.000 --> 0:24:38.280
<v Speaker 6>the company. It was like a puns in the face.

0:24:42.600 --> 0:24:45.720
<v Speaker 4>What really comes across, as Martin recounts, this is just

0:24:45.800 --> 0:24:51.159
<v Speaker 4>how effortlessly and easily Marcelect liede how confidently. It's like

0:24:51.240 --> 0:24:54.399
<v Speaker 4>he knew he had Martin and his colleague under his thumb,

0:24:54.760 --> 0:24:58.000
<v Speaker 4>and they wouldn't raise an objection. And I think that's

0:24:58.040 --> 0:25:01.400
<v Speaker 4>what made it so shocking for Martin, because it obviously

0:25:01.520 --> 0:25:07.840
<v Speaker 4>raised the question what else had Marcelet lied so bloodlessly about. Today,

0:25:08.080 --> 0:25:10.800
<v Speaker 4>I think Martin is actually quite amused by everything that

0:25:10.840 --> 0:25:13.320
<v Speaker 4>has happened. He tells me that part of the reason

0:25:13.359 --> 0:25:15.720
<v Speaker 4>he decided to talk to me is that it's a

0:25:15.840 --> 0:25:18.960
<v Speaker 4>kind of coping mechanism, which I think hints at how

0:25:19.160 --> 0:25:24.280
<v Speaker 4>deeply the whole experience has affected him. The collapse of

0:25:24.320 --> 0:25:28.360
<v Speaker 4>Wirecard and the revelations that Marcelect was a spy. They

0:25:28.400 --> 0:25:31.200
<v Speaker 4>don't anger him, they sadden him.

0:25:31.720 --> 0:25:36.040
<v Speaker 6>I think the biggest tragedy of young marcellek is he

0:25:36.119 --> 0:25:40.840
<v Speaker 6>probably could have earned millions gazillions with his charm and

0:25:40.880 --> 0:25:44.960
<v Speaker 6>his wit and his business of humen and his skills

0:25:45.560 --> 0:25:49.240
<v Speaker 6>that he didn't need to be what he turned out

0:25:49.280 --> 0:25:52.880
<v Speaker 6>to be. That is really something that most people who

0:25:53.520 --> 0:25:57.400
<v Speaker 6>work at Wargard or witnessed him. When discussing it afterwards,

0:25:57.680 --> 0:25:59.359
<v Speaker 6>we all come to that point.

0:26:03.200 --> 0:26:06.640
<v Speaker 4>When marcell x fraud at Wakaard was discovered, the company's

0:26:06.640 --> 0:26:10.440
<v Speaker 4>stock went to zero and Martin's life savings were basically

0:26:10.520 --> 0:26:14.600
<v Speaker 4>wiped out. For me, the remarkable thing is that despite that,

0:26:15.200 --> 0:26:18.280
<v Speaker 4>Martin evidently still holds quite a lot of affection for

0:26:18.359 --> 0:26:19.240
<v Speaker 4>his former boss.

0:26:20.280 --> 0:26:24.760
<v Speaker 6>I often asked myself, now did I know the true

0:26:24.840 --> 0:26:28.920
<v Speaker 6>jan at all? And how much of it was an act?

0:26:29.000 --> 0:26:32.320
<v Speaker 6>How much was a genius, how much was in between?

0:26:32.480 --> 0:26:36.720
<v Speaker 6>How much was learned, how much was instinctive? All these

0:26:36.800 --> 0:26:41.160
<v Speaker 6>questions I really can't answer. I also asked myself when

0:26:41.280 --> 0:26:45.080
<v Speaker 6>young wakes up in the morning, what he thinks now

0:26:45.880 --> 0:26:48.800
<v Speaker 6>of all the contexts of all the employees. Was that

0:26:49.000 --> 0:26:52.200
<v Speaker 6>all just a lie? At what stage was a lie?

0:26:52.359 --> 0:26:53.640
<v Speaker 6>What was the turning point?

0:26:53.920 --> 0:26:56.320
<v Speaker 4>If it was possible to wave a magic wands or whatever?

0:26:56.359 --> 0:26:58.560
<v Speaker 4>Could you imagine going for a drink with him or

0:26:58.600 --> 0:26:59.200
<v Speaker 4>dinner with him?

0:26:59.200 --> 0:26:59.400
<v Speaker 3>Now?

0:26:59.480 --> 0:27:02.960
<v Speaker 6>And Oh yeah, actually I think I would love to

0:27:03.000 --> 0:27:08.120
<v Speaker 6>do that. Actually, I have thought about getting into Moscow

0:27:08.160 --> 0:27:10.800
<v Speaker 6>and seeing if I could organize it. I was thinking

0:27:11.720 --> 0:27:12.520
<v Speaker 6>one could try that.

0:27:12.920 --> 0:27:13.600
<v Speaker 1>Why haven't you?

0:27:16.520 --> 0:27:20.719
<v Speaker 6>I mean, honest truce is, would you have the balls

0:27:20.800 --> 0:27:25.760
<v Speaker 6>to actually go to Moscow? And I feel that, you know,

0:27:25.920 --> 0:27:31.760
<v Speaker 6>endangering yourself and your family that probably if I had

0:27:31.760 --> 0:27:36.080
<v Speaker 6>a guarantee that I would not be touched. I'd love

0:27:36.160 --> 0:27:37.200
<v Speaker 6>to get his side on this.

0:27:39.400 --> 0:27:41.840
<v Speaker 4>Martin says he feels certain there must have been a

0:27:41.840 --> 0:27:45.160
<v Speaker 4>point where something in marce Lex's life went quite wrong

0:27:45.640 --> 0:27:48.080
<v Speaker 4>to set him on the path he took, but when

0:27:48.080 --> 0:27:51.359
<v Speaker 4>he thinks back, he really can't say exactly when that

0:27:51.440 --> 0:27:55.800
<v Speaker 4>might have been. Martin realizes that Marcelet could talk, he

0:27:55.840 --> 0:27:58.800
<v Speaker 4>could charm, he could hold court, he could make you

0:27:58.880 --> 0:28:02.520
<v Speaker 4>feel like you were his clothes friend, but actually he

0:28:02.600 --> 0:28:07.080
<v Speaker 4>almost never revealed anything about his life directly at all.

0:28:07.880 --> 0:28:10.520
<v Speaker 4>What he did at home or where he had come from.

0:28:11.240 --> 0:28:16.879
<v Speaker 6>His whole youth is a complete blank. He never spoke

0:28:16.960 --> 0:28:20.680
<v Speaker 6>of that, nor did he speak of Vienna in his youth,

0:28:21.640 --> 0:28:26.080
<v Speaker 6>which is quite remarkable, because I mean, I would have

0:28:26.119 --> 0:28:28.560
<v Speaker 6>felt like I'd had a lot of personal talks with him,

0:28:28.800 --> 0:28:34.040
<v Speaker 6>But only later did I realize he said a lot,

0:28:34.200 --> 0:28:36.919
<v Speaker 6>but he didn't really give an insight of his past

0:28:37.600 --> 0:28:37.960
<v Speaker 6>at all.

0:28:48.000 --> 0:28:50.720
<v Speaker 4>A few months ago, I traveled to a small Austrian

0:28:50.760 --> 0:28:56.080
<v Speaker 4>town called Kloster Neuberg. It's just outside Vienna Cluster. Neuberg

0:28:56.200 --> 0:28:58.600
<v Speaker 4>is dominated by a huge monastery on a hill at

0:28:58.680 --> 0:29:02.000
<v Speaker 4>its center. It's home to about twenty eight thousand people,

0:29:02.760 --> 0:29:09.040
<v Speaker 4>and it's the place where Yan Marcelect grew up. In

0:29:09.080 --> 0:29:11.680
<v Speaker 4>the town hall cafe, I meet up with four people

0:29:11.720 --> 0:29:15.640
<v Speaker 4>who knew Yan as a child. Rudolf Koch rustles up

0:29:15.680 --> 0:29:21.760
<v Speaker 4>some Vellingta black coffees. He used to be the head

0:29:21.760 --> 0:29:25.520
<v Speaker 4>master of the local secondary school, Marcelex School, and he's

0:29:25.560 --> 0:29:29.720
<v Speaker 4>brought along another teacher, Bruno, and two of marcele X's classmates,

0:29:30.080 --> 0:29:34.240
<v Speaker 4>Verena and Philip. We all sit down around the table together.

0:29:35.360 --> 0:29:36.880
<v Speaker 4>I hope they might be able to tell me something

0:29:36.880 --> 0:29:41.440
<v Speaker 4>about Yan Marcelect before Wakard, about the experiences that formed

0:29:41.520 --> 0:29:45.560
<v Speaker 4>him as an adult. This is the first time that Philip,

0:29:45.720 --> 0:29:48.960
<v Speaker 4>Rudolph and Bruno have spoken to the press about Marcelek.

0:29:49.920 --> 0:29:52.880
<v Speaker 4>When Wakard went down and Marcelek went on the run,

0:29:53.480 --> 0:29:54.440
<v Speaker 4>it was a shock.

0:29:54.760 --> 0:29:57.000
<v Speaker 3>Top ten white collar crime of y.

0:30:02.280 --> 0:30:06.280
<v Speaker 6>And financier from Lubushop Vad and me and as.

0:30:06.960 --> 0:30:09.920
<v Speaker 4>As Philip runs down the list of Jan's exploits, he

0:30:10.040 --> 0:30:12.320
<v Speaker 4>says it sounds like a bad James.

0:30:12.040 --> 0:30:14.520
<v Speaker 3>Bond plot, essentially James Bond Blood.

0:30:15.760 --> 0:30:21.520
<v Speaker 4>Rudolph shows me and my producer Peggy and old school yearbook.

0:30:21.960 --> 0:30:24.000
<v Speaker 1>Oh wow, lots more hair.

0:30:24.240 --> 0:30:28.360
<v Speaker 4>Yeah. In the picture, Yana is in the front row,

0:30:28.680 --> 0:30:32.400
<v Speaker 4>crouched down, almost ready to spring up again. He's looking

0:30:32.480 --> 0:30:35.920
<v Speaker 4>directly at the camera, arm resting on one knee, fingers

0:30:35.960 --> 0:30:40.120
<v Speaker 4>laced together. There's maybe twenty other students in the class.

0:30:40.720 --> 0:30:45.120
<v Speaker 4>They all look like classic teenagers, awkward in their own bodies. Yan,

0:30:45.240 --> 0:30:48.560
<v Speaker 4>though he looks very at ease. It would, of course

0:30:48.600 --> 0:30:51.520
<v Speaker 4>be totally stupid to expect to see signs of a criminal,

0:30:51.560 --> 0:30:55.960
<v Speaker 4>treasonous future in an old school photo. But this, this

0:30:56.040 --> 0:31:01.200
<v Speaker 4>isn't exactly what I expected either, I learned. Yan actually

0:31:01.240 --> 0:31:04.200
<v Speaker 4>began his schooling at a less in Vienna, a French

0:31:04.240 --> 0:31:07.000
<v Speaker 4>private school, before moving back to the local school in

0:31:07.040 --> 0:31:11.320
<v Speaker 4>Klosterneuburg when he was twelve, and because of his time

0:31:11.360 --> 0:31:15.680
<v Speaker 4>at the Lise, Yan was fluent in French. Philip, his

0:31:15.800 --> 0:31:18.920
<v Speaker 4>former classmate, remembers a time when their French class was

0:31:18.960 --> 0:31:22.400
<v Speaker 4>being taught by a supply teacher, a sub and Jan

0:31:22.640 --> 0:31:26.240
<v Speaker 4>just stood up and said he was leaving. The teacher was,

0:31:26.280 --> 0:31:29.200
<v Speaker 4>of course totally taken aback, but when they tried to

0:31:29.200 --> 0:31:31.920
<v Speaker 4>put him in his place, Yan answered with a five

0:31:31.960 --> 0:31:34.720
<v Speaker 4>minute monologue in flawless.

0:31:34.160 --> 0:31:35.320
<v Speaker 6>French and.

0:31:38.480 --> 0:31:39.600
<v Speaker 3>Totally baffled.

0:31:41.200 --> 0:31:43.440
<v Speaker 4>Yan must have gone to the place he always went

0:31:43.680 --> 0:31:46.800
<v Speaker 4>whenever he could skip a lesson. In fact, where he

0:31:46.840 --> 0:31:50.440
<v Speaker 4>went even in the minutes between lessons, to the library.

0:31:51.200 --> 0:31:52.680
<v Speaker 4>And that's where he got to know Bruno.

0:31:53.640 --> 0:31:58.800
<v Speaker 3>I mena active and said I'm going to skip Nazi mid.

0:32:00.800 --> 0:32:05.000
<v Speaker 4>Bruno taught history, German and philosophy, and he also looked

0:32:05.000 --> 0:32:08.560
<v Speaker 4>after the school library. Soon after Yan joined the school,

0:32:08.800 --> 0:32:11.320
<v Speaker 4>the head of it told Bruno that Marcelek was his

0:32:11.440 --> 0:32:14.720
<v Speaker 4>star pupil and suggested he could help with the new

0:32:14.720 --> 0:32:19.080
<v Speaker 4>computer system the library had got. So Jan became Bruno's helper.

0:32:20.200 --> 0:32:23.720
<v Speaker 4>Bruno says that it couldn't have run smoothly without him.

0:32:24.840 --> 0:32:28.400
<v Speaker 6>On Jan mats l.

0:32:29.720 --> 0:32:32.520
<v Speaker 4>In fact, when everyone here thinks of Jan back then,

0:32:32.920 --> 0:32:35.280
<v Speaker 4>they picture him sat in front of the computer in

0:32:35.320 --> 0:32:39.160
<v Speaker 4>the library. He was obsessed with it and with learning

0:32:39.200 --> 0:32:43.880
<v Speaker 4>about this new thing called the internet. Jan was certainly

0:32:44.080 --> 0:32:47.280
<v Speaker 4>different from other fifteen year olds who were more likely

0:32:47.320 --> 0:32:50.000
<v Speaker 4>to be skateboarding or playing football outside.

0:32:50.480 --> 0:32:55.760
<v Speaker 6>He had the imkiful as eston Avaksen and the aston fineering.

0:32:57.160 --> 0:32:59.720
<v Speaker 4>Philip says, it was like they were all still children

0:32:59.720 --> 0:33:03.840
<v Speaker 4>and was somehow not. He seemed more like a fully

0:33:03.840 --> 0:33:12.320
<v Speaker 4>grown adult already. But you haven't, Na says he was

0:33:12.360 --> 0:33:18.840
<v Speaker 4>maybe aloof but definitely not arrogant blink of.

0:33:18.920 --> 0:33:19.920
<v Speaker 2>In cambem I need to f.

0:33:23.480 --> 0:33:27.720
<v Speaker 4>Yet other kids admired him, and the teachers well, the thing,

0:33:27.760 --> 0:33:30.960
<v Speaker 4>Philip remembers them saying, is be more like Yan.

0:33:31.680 --> 0:33:32.400
<v Speaker 3>What is his name? So?

0:33:36.320 --> 0:33:38.600
<v Speaker 4>I wonder if his teachers knew about his strategy to

0:33:38.720 --> 0:33:41.960
<v Speaker 4>avoid washing his socks.

0:33:42.440 --> 0:33:45.200
<v Speaker 6>Well the Abbots said for this washing to Soten.

0:33:47.320 --> 0:33:47.800
<v Speaker 3>Samoning.

0:33:49.400 --> 0:33:51.800
<v Speaker 4>Philip says that one day Yan announced he had done

0:33:51.840 --> 0:33:54.520
<v Speaker 4>a cost benefit analysis and he would never wash a

0:33:54.560 --> 0:33:57.840
<v Speaker 4>pair of socks again. Calculating the value of his labor

0:33:57.840 --> 0:34:00.560
<v Speaker 4>and time in washing, drying, and folding the sock, he

0:34:00.720 --> 0:34:03.600
<v Speaker 4>decided it was cheaper just to take out a subscription

0:34:03.960 --> 0:34:08.200
<v Speaker 4>and have new pairs constantly delivered. It sounds almost like

0:34:08.320 --> 0:34:12.680
<v Speaker 4>Yan enjoyed being unconventional in making decisions and crucially for me,

0:34:12.800 --> 0:34:16.080
<v Speaker 4>telling people about those decisions that seemed to expose or

0:34:16.200 --> 0:34:19.920
<v Speaker 4>undermine the sense of what others thought of as being normal.

0:34:21.040 --> 0:34:24.360
<v Speaker 4>If Yan liked computers and enjoyed being a typical he

0:34:24.480 --> 0:34:28.360
<v Speaker 4>wasn't a loner, though, says Verena. Far from it. He

0:34:28.480 --> 0:34:31.439
<v Speaker 4>had a wide group of friends and she was part

0:34:31.480 --> 0:34:34.920
<v Speaker 4>of it. And yet she also remembers that Yan never

0:34:35.080 --> 0:34:39.880
<v Speaker 4>socialized outside of school. He never took friends home. He

0:34:40.000 --> 0:34:42.239
<v Speaker 4>had a very private side to his life.

0:34:43.239 --> 0:34:47.680
<v Speaker 6>His actor had on z prevad umfertin is thus bobbedcap

0:34:47.960 --> 0:34:50.080
<v Speaker 6>mitk Norman or a Mitklasen as I saw.

0:34:50.800 --> 0:34:54.800
<v Speaker 4>Verena uses this German word schreg to describe him, which

0:34:55.000 --> 0:34:58.480
<v Speaker 4>you might say means a skew set at a different

0:34:58.520 --> 0:35:02.120
<v Speaker 4>angle to the rest of the world. Jan was a

0:35:02.120 --> 0:35:05.480
<v Speaker 4>straight a student, but in his last year, two weeks

0:35:05.520 --> 0:35:08.280
<v Speaker 4>before he was due to sit his final high school exams,

0:35:08.640 --> 0:35:11.840
<v Speaker 4>he received a job offer from a tech company in Vienna.

0:35:12.600 --> 0:35:16.239
<v Speaker 4>He accepted and he told his schoolmates he was leaving immediately.

0:35:16.800 --> 0:35:20.840
<v Speaker 4>He wasn't going to bother with the exams androns.

0:35:21.000 --> 0:35:23.359
<v Speaker 3>And again he's a jam pistols.

0:35:24.400 --> 0:35:29.319
<v Speaker 4>Everyone thinks he's daft leaving at the eleventh hour. You've

0:35:29.360 --> 0:35:31.600
<v Speaker 4>got to have a lot of self belief or maybe

0:35:31.680 --> 0:35:35.520
<v Speaker 4>self delusion to do something like that aged seventeen. Think

0:35:35.600 --> 0:35:38.200
<v Speaker 4>back to how important exam results seem to you at

0:35:38.200 --> 0:35:41.920
<v Speaker 4>that age. I can remember believing my whole future depended

0:35:42.000 --> 0:35:45.839
<v Speaker 4>on them. Rudolph jumps in to offer an explanation.

0:35:48.960 --> 0:35:50.640
<v Speaker 1>SI.

0:35:52.200 --> 0:35:55.160
<v Speaker 4>He says that the job offer was very, very lucrative.

0:35:56.120 --> 0:35:59.360
<v Speaker 4>But all four of them also suggest another possible reason

0:35:59.400 --> 0:36:04.719
<v Speaker 4>why Yan so keen to leave Kloster Neuberg. I asked

0:36:04.719 --> 0:36:08.320
<v Speaker 4>about Yan's family. He has a younger sister and a brother,

0:36:09.040 --> 0:36:13.279
<v Speaker 4>both of whom seem to lead perfectly ordinary lives. No

0:36:13.320 --> 0:36:17.319
<v Speaker 4>one really remembers anything about his father either way. The

0:36:17.400 --> 0:36:19.360
<v Speaker 4>father had left the family by the time Yann was

0:36:19.400 --> 0:36:22.799
<v Speaker 4>going to the local school, but everyone remembers his.

0:36:22.800 --> 0:36:26.320
<v Speaker 1>Mothershists and mutovs kim ferusch.

0:36:27.480 --> 0:36:32.560
<v Speaker 4>Rudolph, the head master, describes Marcelek's mother as combative, but

0:36:32.760 --> 0:36:35.040
<v Speaker 4>it's obvious from his body language and the way he

0:36:35.120 --> 0:36:38.680
<v Speaker 4>raises his eyebrows as he carefully pronounces the word that

0:36:38.719 --> 0:36:41.080
<v Speaker 4>he wants me to know it's a bit of a euphemism.

0:36:41.520 --> 0:36:42.520
<v Speaker 1>As a from marge.

0:36:46.440 --> 0:36:50.200
<v Speaker 4>Verreina agrees with Rudolph's assessment. She now works for the

0:36:50.280 --> 0:36:54.760
<v Speaker 4>town council and she knows from Marcelek as a conspicuous woman.

0:36:56.160 --> 0:36:59.640
<v Speaker 4>Doraina says Yan's mother used to be regularly upset about

0:36:59.719 --> 0:37:03.160
<v Speaker 4>one thing or another. She campaigned against a five G

0:37:03.320 --> 0:37:06.239
<v Speaker 4>mask being put up in Ploster Neuberg and against a

0:37:06.280 --> 0:37:09.600
<v Speaker 4>development that would have threatened a nature reserve. She says

0:37:09.680 --> 0:37:15.279
<v Speaker 4>she's very left wing. Everyone thinks Yan had a hard

0:37:15.280 --> 0:37:18.520
<v Speaker 4>time with his mother, that it was a difficult relationship,

0:37:19.360 --> 0:37:22.800
<v Speaker 4>to the point where Yan he did whatever he could

0:37:23.120 --> 0:37:26.360
<v Speaker 4>to get away from home. I got in touch with

0:37:26.400 --> 0:37:31.120
<v Speaker 4>Anne's mother, and to my surprise, she replied, I got

0:37:31.239 --> 0:37:34.799
<v Speaker 4>an email from her. She said she has quote no

0:37:34.920 --> 0:37:37.520
<v Speaker 4>interest in giving us an interview because she has neither

0:37:37.560 --> 0:37:41.560
<v Speaker 4>the desire, nerves, or time to wreak over quote an

0:37:41.600 --> 0:37:46.279
<v Speaker 4>extremely unpleasant period of my life. She has asked that

0:37:46.320 --> 0:37:50.120
<v Speaker 4>we don't reveal her name here. She said it's unfair

0:37:50.280 --> 0:37:53.280
<v Speaker 4>to label her as combative and said it's a shame

0:37:53.320 --> 0:37:56.000
<v Speaker 4>for her campaigning efforts in town to get dismissed as

0:37:56.200 --> 0:38:00.600
<v Speaker 4>left wing and disruptive. She did say that her relationship

0:38:00.600 --> 0:38:04.319
<v Speaker 4>with her son quote changed massively the year before he

0:38:04.400 --> 0:38:08.520
<v Speaker 4>left home. She says it broke down because she quote

0:38:08.760 --> 0:38:12.400
<v Speaker 4>didn't let him get away with everything and quote didn't

0:38:12.440 --> 0:38:16.200
<v Speaker 4>let him wrap me around his little finger. She tried

0:38:16.200 --> 0:38:21.640
<v Speaker 4>to involve a psychologist to mediate between them. It didn't work. Yan,

0:38:21.800 --> 0:38:26.320
<v Speaker 4>she implies, had his teachers charmed, but she was resistant.

0:38:27.520 --> 0:38:30.160
<v Speaker 4>Since then, she says, she's only tried to make contact

0:38:30.160 --> 0:38:35.000
<v Speaker 4>with her son once in twenty five years. The emails

0:38:35.000 --> 0:38:38.680
<v Speaker 4>she sent me had a whole load of attachments, eighteen

0:38:38.719 --> 0:38:41.279
<v Speaker 4>documents concerning all kinds of things to do with Yan.

0:38:42.120 --> 0:38:44.960
<v Speaker 4>Some are press releases from as far back as two thousand,

0:38:45.760 --> 0:38:48.560
<v Speaker 4>and they make me think that despite their estrangement, she

0:38:48.680 --> 0:38:51.759
<v Speaker 4>has been tracking her son's career. She's read, it would

0:38:51.760 --> 0:38:54.279
<v Speaker 4>seem almost all of the books and materials that have

0:38:54.360 --> 0:38:58.320
<v Speaker 4>been published about the Warequad fraud. A lot of the

0:38:58.360 --> 0:39:01.080
<v Speaker 4>attachments she's sent me, though, are all about the Austrian

0:39:01.120 --> 0:39:04.160
<v Speaker 4>Russian Friendship Society, and she urges me to look more

0:39:04.200 --> 0:39:08.400
<v Speaker 4>into it. It's the organization in Vienna that Wakaard sponsored.

0:39:10.160 --> 0:39:13.399
<v Speaker 4>From marcell X's mother's response and from what we've heard

0:39:13.400 --> 0:39:16.719
<v Speaker 4>from others, it's clear that she and her son had

0:39:16.760 --> 0:39:24.719
<v Speaker 4>a deeply troubled and painful relationship whatever happened when he

0:39:24.800 --> 0:39:30.000
<v Speaker 4>left home, Verena says seemed significant because when she next

0:39:30.000 --> 0:39:33.080
<v Speaker 4>saw Yan after the exams, he appeared to be a

0:39:33.200 --> 0:39:37.480
<v Speaker 4>changed person. It was at a reunion after everyone else

0:39:37.480 --> 0:39:42.520
<v Speaker 4>had graduated. They were around nineteen years old. She says

0:39:42.800 --> 0:39:45.960
<v Speaker 4>he boasted that he now knew how the world worked,

0:39:46.719 --> 0:39:50.760
<v Speaker 4>that money could buy him whatever he wanted, even sex,

0:39:51.719 --> 0:39:56.239
<v Speaker 4>Even he implied sex with her. Incredulous, she told him

0:39:56.280 --> 0:40:00.160
<v Speaker 4>he was stupid. When Verena told this story, every one

0:40:00.200 --> 0:40:03.880
<v Speaker 4>around the table seemed shocked. It sounded so unlike the

0:40:04.000 --> 0:40:07.480
<v Speaker 4>Yan they knew, like he'd somehow come off the rails

0:40:07.520 --> 0:40:07.759
<v Speaker 4>a bit.

0:40:13.320 --> 0:40:13.520
<v Speaker 3>Yeah.

0:40:19.400 --> 0:40:21.880
<v Speaker 4>Before everyone gets up to leave to pick up their

0:40:21.920 --> 0:40:25.200
<v Speaker 4>children from nursery to go back to work, Philip tells

0:40:25.239 --> 0:40:26.960
<v Speaker 4>me why he agreed to speak with us.

0:40:28.200 --> 0:40:34.960
<v Speaker 6>Yeah, Pela, he or pilatives and for whom just doesn't sure.

0:40:35.920 --> 0:40:38.760
<v Speaker 4>He says he's speaking with us because he wants people

0:40:38.760 --> 0:40:42.000
<v Speaker 4>to understand that Yan, though he had a difficult childhood,

0:40:42.480 --> 0:40:45.360
<v Speaker 4>ended up where he did because he was vulnerable. He

0:40:45.480 --> 0:40:49.480
<v Speaker 4>wasn't destined to become a fugitive, and it's deeply sad

0:40:49.520 --> 0:40:54.640
<v Speaker 4>that he did. I've always believed that people are much

0:40:54.680 --> 0:40:59.640
<v Speaker 4>more malleable things than we realize. Capable of extremes. We

0:40:59.719 --> 0:41:01.839
<v Speaker 4>have a tendency to see those who end up at

0:41:01.840 --> 0:41:07.760
<v Speaker 4>the fringes are somehow radically different to us broken evil.

0:41:09.080 --> 0:41:12.120
<v Speaker 4>The reality, though, is that with the right pressures, the

0:41:12.200 --> 0:41:16.480
<v Speaker 4>right challenges, the right circumstances, or all the wrong ones,

0:41:17.160 --> 0:41:20.680
<v Speaker 4>people can be walked into the strangest shapes and situations.

0:41:22.640 --> 0:41:25.879
<v Speaker 4>When you want to recruit someone as a spy, if

0:41:25.880 --> 0:41:29.480
<v Speaker 4>you're good at it, you understand something of that. You

0:41:29.520 --> 0:41:33.360
<v Speaker 4>look for the parts of a person's life, their personality,

0:41:34.040 --> 0:41:39.279
<v Speaker 4>their needs that you can work with, bend, change, use

0:41:40.320 --> 0:41:45.720
<v Speaker 4>their history. But not everyone with a difficult childhood becomes

0:41:45.719 --> 0:41:49.960
<v Speaker 4>a spy. So how did Yan Marcelett get drawn into it?

0:41:50.600 --> 0:41:53.120
<v Speaker 4>Why did he end up working with the Russians? And

0:41:53.200 --> 0:41:59.480
<v Speaker 4>what did he actually do coming up on hot money?

0:42:01.400 --> 0:42:05.960
<v Speaker 7>If Moscow decides and it is always Moscow who decides,

0:42:06.000 --> 0:42:09.440
<v Speaker 7>if Moscow decided that this person can be and should

0:42:09.480 --> 0:42:13.359
<v Speaker 7>be recruited, then they work out ways of how to

0:42:13.400 --> 0:42:14.400
<v Speaker 7>recruit disperson.

0:42:14.719 --> 0:42:17.719
<v Speaker 4>This is a dangerous situation because those spies tend to

0:42:17.719 --> 0:42:20.560
<v Speaker 4>be the better ones, better than the guys who do

0:42:20.600 --> 0:42:29.279
<v Speaker 4>it solely for money. Hot Money is a production of

0:42:29.320 --> 0:42:33.359
<v Speaker 4>the financial times and pushkin Industries. It was written and

0:42:33.440 --> 0:42:37.879
<v Speaker 4>reported by me Sam Jones. The senior producer and co

0:42:37.920 --> 0:42:42.400
<v Speaker 4>writer is Peggy Sutton. Our producer is Izzy Carter. Our

0:42:42.440 --> 0:42:46.799
<v Speaker 4>researcher is Marine Saint. Our show is edited by Karen Shakerci,

0:42:47.520 --> 0:42:52.000
<v Speaker 4>fact checking by Kira Levine, Sound design and mastering by

0:42:52.080 --> 0:42:56.200
<v Speaker 4>Jake Gorsky and Marcelo de Olivia, with additional sound design

0:42:56.520 --> 0:43:00.600
<v Speaker 4>by Izzy Carter. Original music from Matthias Boss and John

0:43:00.600 --> 0:43:05.320
<v Speaker 4>Evans of Stellwagon Symphonet. Our show art is by Sean Carney.

0:43:06.000 --> 0:43:10.600
<v Speaker 4>Our executive producers are Cheryl Brumley, Amy Gaines McQuaid and

0:43:10.680 --> 0:43:16.360
<v Speaker 4>Matthew Garahan. Additional editing by Paul Murphy. Special thanks to

0:43:16.480 --> 0:43:22.279
<v Speaker 4>Ruler Calaffe, Dan McCrumb, Laura Clark, Alistair Mackie, Manuela Saragosa,

0:43:22.760 --> 0:43:28.560
<v Speaker 4>Nigel Hanson, Vicki Merrick, Eric Sandler, Morgan Ratner, Jake Flanagan,

0:43:28.960 --> 0:43:32.320
<v Speaker 4>Jacob Goldstein, Sarah Nix, and Greta Cohne.

0:43:32.800 --> 0:43:33.720
<v Speaker 1>I'm Sam Jones.