WEBVTT - Ring of Endless Light

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<v Speaker 1>Sabrina, are you an ocean fan?

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<v Speaker 2>No? No, no, and I you all make your TL

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<v Speaker 2>just the way you know.

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<v Speaker 1>No, no, it's stolen something from you.

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<v Speaker 2>I have zero trust in the ocean. I don't know

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<v Speaker 2>what's down there. And I love mermaids like the mermaids are.

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<v Speaker 2>But I like mermaids like with the idea of like

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<v Speaker 2>them being in my pool versus like the ocean.

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<v Speaker 1>Because do you have mermaids in your pool?

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<v Speaker 2>I mean I want little I did when I was little,

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<v Speaker 2>I played mermaid all the time.

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<v Speaker 1>But so you were the mermaid, Yes, okay, and that

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<v Speaker 1>makes sense.

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<v Speaker 2>Like for instance, I've done snuba diving, and I thought

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<v Speaker 2>that was going to be the end of my relationship

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<v Speaker 2>with Jordan because he kind of forced me to go

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<v Speaker 2>when I told him, I'm scared of the ocean. I

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<v Speaker 2>don't like sharks. I don't know what's down there.

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<v Speaker 3>I'm sorry, I gotta stop you did you did you

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<v Speaker 3>say snuba diving?

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<v Speaker 2>Snuba so not scuba. It's a step and I now

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<v Speaker 2>would highly recommend it because I had it. You don't

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<v Speaker 2>go as far down. Your tank is up on like

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<v Speaker 2>a like a floated air base, like so that you

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<v Speaker 2>follow it up to the tank like your cord. It

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<v Speaker 2>felt a lot more safe than what I would assume

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<v Speaker 2>scuba when you're just out there and it's.

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<v Speaker 1>Like, hey, if you come back right if not, so

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<v Speaker 1>you can be the bait on the end of a hook.

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<v Speaker 1>Then you did. Being able to go out into the ocean,

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<v Speaker 1>I could look up.

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<v Speaker 2>And see, I feel like scuba diving, you go so

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<v Speaker 2>far down, can you even see the top of where

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<v Speaker 2>you're gonna be eventually?

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<v Speaker 3>Like and I ask what the acronym snuba stands for.

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<v Speaker 2>Uh? No, I have no idea.

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<v Speaker 1>No you can't.

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<v Speaker 4>No, you can't.

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<v Speaker 2>So you have to You don't have to have any

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<v Speaker 2>like zero training. You have a you have a guide

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<v Speaker 2>that goes down there with you and they set you up.

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<v Speaker 2>You get weighted down and you.

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<v Speaker 3>Know, I mean, I have nexus underwater breathing apparatus.

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<v Speaker 1>That sounds like a big swing and a miss for me.

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<v Speaker 2>Anyway, I'm just telling you, I was so nervous just

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<v Speaker 2>going down once I you know what is it? Uh

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<v Speaker 2>equalized my ears and all that, and I was all

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<v Speaker 2>I was good. It was incredible and it may at

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<v Speaker 2>one in the Caribbean. And I was told no sharks

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<v Speaker 2>inhibit that area. But it's like the oh, I'm so

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<v Speaker 2>scared of sharks, Like I would never do a shark

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<v Speaker 2>dive thing in a cage. I watched Shark Week. Everything

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<v Speaker 2>they do seems like just the kiss of death. So

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<v Speaker 2>I am not an ocean person at all. I like pools.

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<v Speaker 1>Okay, are you do you go into the ocean? No?

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<v Speaker 1>I don't go to the ocean.

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<v Speaker 3>But that's because it usually involves taking off my shirt,

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<v Speaker 3>which I never do anyway, So okay, yeah, I'm usually.

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<v Speaker 2>You wouldn't go to the pool, So you're just like

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<v Speaker 2>not going to.

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<v Speaker 3>The pool by myself at like three o'clock in the

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<v Speaker 3>morning when nobody's around.

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<v Speaker 1>Then I go. Then I enjoy myself.

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<v Speaker 4>That's that.

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<v Speaker 2>Yeah, the ocean terrifies and I don't I have done

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<v Speaker 2>and this is about ours. I have swam with dolphins

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<v Speaker 2>and again looked at Jordan, like, how do you talk

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<v Speaker 2>me into doing these things where I end up being out?

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<v Speaker 2>You have to like Superman, the water, flex your feet,

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<v Speaker 2>the dolphins come up behind your feet. Amazing to the water.

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<v Speaker 2>I was in Cosamel and the water it was like

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<v Speaker 2>kind of an overcast day, so like it looks like

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<v Speaker 2>where they had us. We weren't in a pool like

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<v Speaker 2>I was told i'd be in. It looks we're out

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<v Speaker 2>in the ocean and it looks like it's blocked off.

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<v Speaker 2>But then they tell me to swim out into the

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<v Speaker 2>middle of this dark ocean because it's like overcast, and

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<v Speaker 2>just spread my arms. I'm on my stomach, spread my arms,

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<v Speaker 2>pull my feet up, flex my feet, and the dolphins

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<v Speaker 2>will come. Once they hit, like, once they push against

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<v Speaker 2>my feet, I lift my chest. I'm looking at these

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<v Speaker 2>people like.

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<v Speaker 1>Mine. That's so scary.

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<v Speaker 2>And they're like, well, come meet the dolphins next before

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<v Speaker 2>you do that, and I'm like, yeah, that'd be great,

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<v Speaker 2>Like let's get a little bit, let's get a little

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<v Speaker 2>chemistry going to.

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<v Speaker 1>So wonderful.

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<v Speaker 2>And they're so sweet. Their eyes are just like yeah,

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<v Speaker 2>they they do look like people like and they feel

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<v Speaker 2>they're so sweet. These animals are amazing. However, that will

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<v Speaker 2>be the last time. If it's not. If it was

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<v Speaker 2>in a pool, I would have trusted it more. I

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<v Speaker 2>just the oh shit freaks.

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<v Speaker 3>Yeah, apparently, wow, I don't I don't like I don't

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<v Speaker 3>like sharks either, but for a totally different reason.

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<v Speaker 2>So what's your reason.

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<v Speaker 3>I was bullied in high school by a shark. He

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<v Speaker 3>used to take my lunch money every day. It was

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<v Speaker 3>really annoying and I just never really got over it.

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<v Speaker 2>So is this a reference I should understand? Was this

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<v Speaker 2>was this some boy meets World?

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<v Speaker 1>No? No, I just we I had a shark in

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<v Speaker 1>my high school. Pete Nobody, Petey shark. Yeah, used to

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<v Speaker 1>take my lunch money every day. Anyway, Welcome back to

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<v Speaker 1>Magical Rewind, the show that.

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<v Speaker 3>Makes you want to grab your friends, your pj's, and

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<v Speaker 3>your popcorn and go back to a time when all

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<v Speaker 3>the houses are smart.

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<v Speaker 1>The waves, tsunami and Snooba wasn't.

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<v Speaker 3>A thing that's gonna stick with me. But anyway, I'm Wilfordell.

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<v Speaker 2>It's real, and I'm Sabrina.

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<v Speaker 1>I'm here to tell you I'm going spor but later

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<v Speaker 1>it's gonna be fun. Uh. This week we are diving

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<v Speaker 1>deeper than ever before. In case you can't tell with

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<v Speaker 1>a brand new dcom that somehow involved romance and tell,

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<v Speaker 1>I can say it out loud and tell it pathically

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<v Speaker 1>speaking to dolphins.

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<v Speaker 3>It's the romantic underwater drama of two thousand and two,

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<v Speaker 3>A Ring of Endless Light.

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<v Speaker 1>This should have been called the movie not made for will.

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<v Speaker 3>It debuted on the Disney Channel August twenty third, two

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<v Speaker 3>thousand and two, and is based on a nineteen eighty

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<v Speaker 3>Madeline el Angle book of the same name.

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<v Speaker 1>And I mean, let's get this out of the way

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<v Speaker 1>right now.

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<v Speaker 3>The title is a phrase first seen in the seventeenth

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<v Speaker 3>century poem The World by Henry Vaughan.

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<v Speaker 1>But we all knew that obviously. Also. Fans of the

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<v Speaker 1>original el Angle book, the fourth.

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<v Speaker 3>Novel about Vicki and her family from a series that

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<v Speaker 3>began in nineteen sixty, hated the movie because it veered

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<v Speaker 3>drastically from details of the original story. So examples, the

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<v Speaker 3>book predominantly included Vicky's parents, which were notably absent for

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<v Speaker 3>most of the film. Same with an older brother she

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<v Speaker 3>had in the book, John, He's just not in the

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<v Speaker 3>movie at all. Her grandfather is honest about his sickness

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<v Speaker 3>right from the beginning, which would seem like the biggest deviation,

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<v Speaker 3>but it's actually not. The book's relationship with death is

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<v Speaker 3>vastly different, because every.

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<v Speaker 1>Kid's book loves death.

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<v Speaker 3>In the book, a family friend has just died while

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<v Speaker 3>trying to save the life of Zachary, who's in a

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<v Speaker 3>lot more turmoil than the film depicts. A marine biologist

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<v Speaker 3>is nearly killed in an accident, a sick girl suffers

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<v Speaker 3>a seizure and dies in Vicki's arms, and the entire

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<v Speaker 3>net storyline is absence. So it sounds like the book

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<v Speaker 3>was really funny, and ironically it was scratch.

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<v Speaker 2>And sniff like, that's a children's.

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<v Speaker 1>Book, apparently young adult. I would say it's probably a.

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<v Speaker 2>Whyae okay, yes, young like what like.

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<v Speaker 1>Twelve thirteen, Yeah, twelve thirteen, because the original title of

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<v Speaker 1>the book was Death and Dolphins and it just didn't

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<v Speaker 1>sell as well.

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<v Speaker 3>Right, I'm going to have you believe that's true by

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<v Speaker 3>the end. So maybe it's safe to say this movie

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<v Speaker 3>is nothing like the book. But that's what you get

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<v Speaker 3>when you're thrown into the Disney machine.

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<v Speaker 1>Baby.

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<v Speaker 3>The movie is filmed where all beach based dcoms tend

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<v Speaker 3>to shoot Australia, where all the comedy just goes in

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<v Speaker 3>the other direction, much like fans of the book. The

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<v Speaker 3>movie was not a it with critics and viewers. They

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<v Speaker 3>found it to be too light for the source material,

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<v Speaker 3>taking notations of death and folding it into quote gidget

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<v Speaker 3>meets Flipper unquote and musically Endless Light features a song

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<v Speaker 3>from a popular band of the time, switch Foot, So

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<v Speaker 3>there's that. As expected, You two can watch A Ring

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<v Speaker 3>of Endless Light. No wetsuit needed, just a subscription at

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<v Speaker 3>Disney Plus, which is currently available to stream. You get

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<v Speaker 3>to choose do you watch it before or after listening

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<v Speaker 3>to us?

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<v Speaker 1>Now?

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<v Speaker 3>Sabrina and I usually watch it after we've done our episode,

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<v Speaker 3>so we don't feel obliged.

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<v Speaker 1>To get anything right. We just guess what happens, and

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<v Speaker 1>usually we're just very very lucky. Weigh it. Yeah, what

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<v Speaker 1>the hell?

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<v Speaker 3>Okay, So did you know anything about A Ring of

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<v Speaker 3>Endless Light before?

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<v Speaker 2>I didn't, And honestly, I felt like I was clueless

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<v Speaker 2>to any of it while watching the first what as

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<v Speaker 2>far as having anything to do with any kind of

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<v Speaker 2>ring of light of whatsoever? I was so confused.

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<v Speaker 3>Yeah, about the title, yeah, I think that's more supposed

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<v Speaker 3>to be the you know, it's a uh it's symbolism.

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<v Speaker 1>Yes, you can ask me. Do you need to ask me?

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<v Speaker 2>I mean, I'm besides you talking about it almost every

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<v Speaker 2>episode time this.

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<v Speaker 1>Movie this week. No, I've never seen this.

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<v Speaker 3>It should have been called Nicholas Sparks The Ring of

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<v Speaker 3>Endless light.

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<v Speaker 1>By the way, all right, so.

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<v Speaker 3>Let's roll out the drift net. It's time to reel

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<v Speaker 3>in the synopsis. Teenager Vicky Austin spends a transformative summer

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<v Speaker 3>on a small island with her grandpa.

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<v Speaker 1>For I'm we'll get into that.

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<v Speaker 3>She falls for a boy who studies dolphins communication, and

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<v Speaker 3>she faces illness, loss, and another local love interest. Vicky

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<v Speaker 3>learns that connection, compassion, and courage can illuminate even the

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<v Speaker 3>darkest of times. Also, she can communicate with dolphins.

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<v Speaker 1>Such a great synopsis just at the end. Also she

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<v Speaker 1>can commune. Also she's a wizard.

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<v Speaker 2>By the way, tidbit, Yes.

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<v Speaker 1>She could communicate with dolphins. So what were your overall

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<v Speaker 1>thoughts on A Ring of Endless Light?

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<v Speaker 2>You know, it went and down for me throughout the

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<v Speaker 2>whole movie parts of it. I was like, okay, I'm

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<v Speaker 2>in it. At the very beginning, for some reason, the

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<v Speaker 2>set of where they were seemed like I was on

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<v Speaker 2>Tom Sawyer's island, like a little bit too Disney for me,

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<v Speaker 2>Like the the ship carts or whatever, those like crates

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<v Speaker 2>and stuff like that. Kind of like, okay, you know,

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<v Speaker 2>the casts from the beginning as far as it being

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<v Speaker 2>a young you know, very well known cast. I felt like, Okay,

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<v Speaker 2>then it kind of I got bored sometimes, I think

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<v Speaker 2>is the thing. I got a little bored in a

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<v Speaker 2>few moments, and then the end ripped me apart and

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<v Speaker 2>made me not even want to finish the last ten minutes, oh,

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<v Speaker 2>the last six minutes. Yeah, it ripped me apart.

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<v Speaker 1>I you didn't see it coming. I did, but I did.

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<v Speaker 2>Not believe they were gonna do that to me.

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<v Speaker 1>They I did not.

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<v Speaker 2>Believe it, and especially the way it happened. I'm like,

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<v Speaker 2>if I'm coming to Disney Channel, I'm not looking for

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<v Speaker 2>that stuff. Okay. That means I'm in a vulnerable place

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<v Speaker 2>where I can I handle.

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<v Speaker 5>That.

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<v Speaker 1>Yeah, okay, this to me don't walk. Yeah, it was

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<v Speaker 1>so okay. My early thoughts are this, Yes, early thoughts, Well,

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<v Speaker 1>I don't know.

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<v Speaker 3>I'm either going to become a marine biologist or I

0:11:21.679 --> 0:11:22.760
<v Speaker 3>now hate dolphins.

0:11:22.800 --> 0:11:25.800
<v Speaker 1>I don't know. I don't know what.

0:11:25.840 --> 0:11:28.319
<v Speaker 3>This movie was about. The tone was weird, and then

0:11:28.360 --> 0:11:29.640
<v Speaker 3>it hit me halfway through.

0:11:30.360 --> 0:11:34.400
<v Speaker 1>So you know, those like Shaley Woodley's dying and has

0:11:34.400 --> 0:11:36.839
<v Speaker 1>an oxygen tank and can only be five feet apart

0:11:36.840 --> 0:11:39.880
<v Speaker 1>from whoever she's supposed to be with, and there's those

0:11:39.960 --> 0:11:40.560
<v Speaker 1>kind of movies.

0:11:40.720 --> 0:11:44.360
<v Speaker 3>That's what this was slightly disnified. Okay, the Fault in

0:11:44.440 --> 0:11:46.360
<v Speaker 3>Our Stars, thank you Lisa.

0:11:46.000 --> 0:11:51.560
<v Speaker 6>Oh sid Wow, that was like this seems.

0:11:51.920 --> 0:11:54.560
<v Speaker 3>Yeah, they're also oh there's also five feet apart with

0:11:54.640 --> 0:11:55.000
<v Speaker 3>other people.

0:11:55.080 --> 0:11:56.640
<v Speaker 1>Okay, so those.

0:11:56.400 --> 0:12:00.199
<v Speaker 3>Kind of movies where it's like, it's a love story,

0:12:00.280 --> 0:12:02.680
<v Speaker 3>but they're also it's a love story where everybody's got

0:12:02.679 --> 0:12:05.200
<v Speaker 3>some kind of horrible disease or something and people are

0:12:05.200 --> 0:12:08.360
<v Speaker 3>gonna die. And so I can see like, and I'm

0:12:08.400 --> 0:12:10.840
<v Speaker 3>not trying to gender anybody, but I can see like

0:12:11.280 --> 0:12:15.160
<v Speaker 3>teenage girls loving what they're watching, and then the teenage

0:12:15.160 --> 0:12:17.640
<v Speaker 3>boys who brought them on the date sitting in the

0:12:17.920 --> 0:12:20.040
<v Speaker 3>movie theater going like, this is the worst thing I've

0:12:20.040 --> 0:12:20.800
<v Speaker 3>ever seen in my life.

0:12:20.880 --> 0:12:22.480
<v Speaker 2>I can't believe I paid for that.

0:12:22.840 --> 0:12:25.000
<v Speaker 1>Yeah, it's it's but but they put a smile on

0:12:25.040 --> 0:12:27.080
<v Speaker 1>because they're like hoping to get a kiss over the popcorn.

0:12:27.480 --> 0:12:30.400
<v Speaker 3>That is kind of what I felt with this movie.

0:12:30.440 --> 0:12:32.720
<v Speaker 3>It seemed like this was that vibe of like the

0:12:32.760 --> 0:12:35.360
<v Speaker 3>Fault Inner Stars, where the fact that she could talk

0:12:35.400 --> 0:12:37.440
<v Speaker 3>to dolphins basically had nothing.

0:12:37.120 --> 0:12:38.679
<v Speaker 1>To do with this movie.

0:12:38.760 --> 0:12:42.640
<v Speaker 3>It was kind of just about this love story between

0:12:42.679 --> 0:12:45.640
<v Speaker 3>the two her and two guys who she's trying to

0:12:45.640 --> 0:12:50.120
<v Speaker 3>weirdly pick, and then a grandfather who understands her, and

0:12:50.200 --> 0:12:51.840
<v Speaker 3>a family dynamic and then.

0:12:51.800 --> 0:12:54.240
<v Speaker 1>Oh and by the way, there's dolphins. That's like kind

0:12:54.240 --> 0:12:57.120
<v Speaker 1>of what it seemed like. So I don't know, is

0:12:57.160 --> 0:12:59.520
<v Speaker 1>the answer to your question of I don't know what

0:12:59.559 --> 0:13:02.800
<v Speaker 1>I felt about this movie. Like you said, the cast great, Yeah,

0:13:02.840 --> 0:13:05.839
<v Speaker 1>the look of it looked really weird.

0:13:06.280 --> 0:13:10.199
<v Speaker 3>It looked like a low budget movie shot in Australia,

0:13:10.440 --> 0:13:12.160
<v Speaker 3>which I know that sounds like a terrible thing. But

0:13:12.559 --> 0:13:14.600
<v Speaker 3>I even texted producer Jensen at one point and I

0:13:14.640 --> 0:13:16.920
<v Speaker 3>was like, at least in the first twenty minutes, did

0:13:16.920 --> 0:13:20.560
<v Speaker 3>they dub almost everybody's performance like it.

0:13:20.240 --> 0:13:21.720
<v Speaker 2>Seemed it seemed like that.

0:13:21.880 --> 0:13:22.719
<v Speaker 1>Yes, it was.

0:13:24.640 --> 0:13:25.920
<v Speaker 2>Distracting a little bit.

0:13:26.000 --> 0:13:28.760
<v Speaker 1>Yes, I was like, are are the what's going on?

0:13:29.400 --> 0:13:31.120
<v Speaker 1>Why did some of the mouthfulaps don't match?

0:13:31.120 --> 0:13:33.400
<v Speaker 2>And I imagine, I mean, I don't know why they

0:13:33.440 --> 0:13:35.880
<v Speaker 2>wouldn't match, but I imagine the dubbing was because they

0:13:35.920 --> 0:13:38.360
<v Speaker 2>were like on a shoreline like where it.

0:13:38.320 --> 0:13:42.000
<v Speaker 1>Was probably maybe, but then they're doing weird. But that

0:13:42.080 --> 0:13:44.880
<v Speaker 1>was another thing. We'll get into the breakdown.

0:13:44.880 --> 0:13:46.400
<v Speaker 3>But you know, they're like cutting to them on a

0:13:46.400 --> 0:13:48.120
<v Speaker 3>boat in the beginning, and then they're doing close ups

0:13:48.120 --> 0:13:50.640
<v Speaker 3>where nobody's hair is blowing and they're just blue sky

0:13:50.720 --> 0:13:52.640
<v Speaker 3>behind them, and then they're cutting to the boat where

0:13:52.640 --> 0:13:54.120
<v Speaker 3>their hair is whipping all over, and then again just

0:13:54.120 --> 0:13:56.960
<v Speaker 3>by themselves. It looked almost soap opery like it was

0:13:57.080 --> 0:13:59.480
<v Speaker 3>just it didn't look good for a lot of it.

0:13:59.480 --> 0:14:02.560
<v Speaker 1>The CG I was terrible. Okay, there we go.

0:14:03.080 --> 0:14:05.520
<v Speaker 3>This movie, like the Nicholas Sparks movie called The Last

0:14:05.559 --> 0:14:08.920
<v Speaker 3>Song with Miley Cyrus, very similar, except with turtles and

0:14:09.000 --> 0:14:10.360
<v Speaker 3>instead of a grandpa was her dad.

0:14:10.400 --> 0:14:13.360
<v Speaker 1>Okay, so yes. It had that vibe where it's just this.

0:14:13.640 --> 0:14:16.800
<v Speaker 3>It was very slow, it was very sackering, new music

0:14:16.840 --> 0:14:18.680
<v Speaker 3>playing in the background as she's deciding which one of

0:14:18.679 --> 0:14:20.480
<v Speaker 3>these boys to fall for. It was that kind of thing.

0:14:20.520 --> 0:14:22.680
<v Speaker 3>So yes, I don't know what I think about it,

0:14:22.720 --> 0:14:25.200
<v Speaker 3>but well let's get into it now. A name we

0:14:25.240 --> 0:14:28.360
<v Speaker 3>are familiar with directed this movie, Greg Beeman. He was

0:14:28.440 --> 0:14:30.960
<v Speaker 3>a magical World of Disney guy directing The Richest Cat

0:14:30.960 --> 0:14:33.040
<v Speaker 3>in the World, which we still have to see because

0:14:33.440 --> 0:14:36.720
<v Speaker 3>oh my god, I love that title, and Little Spies,

0:14:36.800 --> 0:14:39.080
<v Speaker 3>which again I have a lot of questions about that

0:14:39.080 --> 0:14:42.360
<v Speaker 3>title as well, then ventured into a teen comedy with

0:14:42.400 --> 0:14:45.000
<v Speaker 3>the nineteen eighty eighth Licensed to Drive with Corey Feldman

0:14:45.000 --> 0:14:47.520
<v Speaker 3>and Corey Haim. I think that's the one where Feldman

0:14:47.640 --> 0:14:50.800
<v Speaker 3>does his famous dance on the bleachers.

0:14:50.840 --> 0:14:52.160
<v Speaker 1>I believe that's Licensed to Drive.

0:14:52.600 --> 0:14:55.280
<v Speaker 3>But it's his experience with other dcoms that should really

0:14:55.280 --> 0:14:57.640
<v Speaker 3>catch our attention. How about Miracle on Lane two, one

0:14:57.680 --> 0:15:00.960
<v Speaker 3>of our favorites, Horse Sense, which we loved, which everyone

0:15:01.000 --> 0:15:02.880
<v Speaker 3>liked better than me but was still really good and

0:15:02.920 --> 0:15:07.040
<v Speaker 3>the first d com ever made under wraps. Wow, So

0:15:07.240 --> 0:15:09.720
<v Speaker 3>I would not see I wouldn't be shocked. I don't

0:15:09.720 --> 0:15:11.880
<v Speaker 3>think you would be either to see him nominated for

0:15:11.960 --> 0:15:15.640
<v Speaker 3>Best Director when we eventually put together our magical rewind Awards.

0:15:15.160 --> 0:15:17.720
<v Speaker 2>Absolutely which tatily.

0:15:17.280 --> 0:15:22.720
<v Speaker 1>Calling the Rewindees. Do we like that? Are we still working?

0:15:23.200 --> 0:15:24.440
<v Speaker 2>We'll put that on the list.

0:15:24.640 --> 0:15:27.880
<v Speaker 3>We'll figure it out. We'll figure it out, story h

0:15:28.160 --> 0:15:32.280
<v Speaker 3>and everywhere. Every winner of a Rewindee gets a free,

0:15:32.440 --> 0:15:37.400
<v Speaker 3>fully paid trip to try Snuba wherever Snuba is done,

0:15:37.600 --> 0:15:38.240
<v Speaker 3>along with.

0:15:38.760 --> 0:15:41.040
<v Speaker 2>A free subscription to iHeartRadio.

0:15:41.360 --> 0:15:46.200
<v Speaker 1>To iHeart Radio and the Rewindes magazine. It stars Mischa

0:15:46.240 --> 0:15:48.000
<v Speaker 1>Barton as the main character. Vicky Austen.

0:15:48.080 --> 0:15:50.120
<v Speaker 3>Barton was a child actor in movies like The Sixth

0:15:50.120 --> 0:15:53.320
<v Speaker 3>Sense and Nodding Hill I See Mesha Barton, But it

0:15:53.400 --> 0:15:55.760
<v Speaker 3>wasn't until she was cast as Marissa Cooper on the

0:15:55.800 --> 0:15:58.160
<v Speaker 3>two thousands y A drama The o C that she

0:15:58.200 --> 0:16:00.120
<v Speaker 3>became a bit of a household name. She would have

0:16:00.120 --> 0:16:02.800
<v Speaker 3>an unceremonious split with the show killing her off abruptly,

0:16:03.040 --> 0:16:04.480
<v Speaker 3>and since then her career has been in a bit

0:16:04.480 --> 0:16:06.560
<v Speaker 3>of a roller coaster, both in and out of the tabloids.

0:16:06.680 --> 0:16:08.720
<v Speaker 3>Her most recent job in the US was a cast

0:16:08.760 --> 0:16:12.040
<v Speaker 3>member on the quasi reality show reboot of MTV's The

0:16:12.120 --> 0:16:14.880
<v Speaker 3>Hills in twenty nineteen and Other than The Letters MTV

0:16:14.960 --> 0:16:16.920
<v Speaker 3>in twenty nineteen, I didn't understand anything.

0:16:17.000 --> 0:16:20.720
<v Speaker 2>I just O this show. It made me forget that

0:16:20.800 --> 0:16:22.640
<v Speaker 2>she was an actress. It made me think that she

0:16:22.720 --> 0:16:28.440
<v Speaker 2>was originally on the MTV reality show Laguna Beach, which

0:16:28.480 --> 0:16:31.120
<v Speaker 2>is like what the spinoff is from instead.

0:16:30.800 --> 0:16:32.880
<v Speaker 1>Of but are they acting or is it no?

0:16:33.000 --> 0:16:35.880
<v Speaker 2>Laguna Beach is a reality show that was like one

0:16:35.920 --> 0:16:38.000
<v Speaker 2>of the first kind of ones that came out, especially

0:16:38.000 --> 0:16:39.920
<v Speaker 2>for the second kids.

0:16:40.040 --> 0:16:43.120
<v Speaker 3>Isn't the guy that's now on Traders. Wasn't he on

0:16:43.240 --> 0:16:45.880
<v Speaker 3>Laguna Beach and he's an actor because he was on

0:16:45.880 --> 0:16:46.640
<v Speaker 3>One Tree Hill.

0:16:48.160 --> 0:16:49.200
<v Speaker 2>I don't know, Steve.

0:16:49.240 --> 0:16:52.840
<v Speaker 1>Stephen something Spencer. Oh he became an actor after?

0:16:53.160 --> 0:16:56.480
<v Speaker 2>Oh god, Okay, yeah, yes, so he was on Yes,

0:16:56.560 --> 0:17:00.680
<v Speaker 2>he was on Laguna Beach. The O was like the

0:17:00.760 --> 0:17:04.119
<v Speaker 2>scripted version of Laguna Beach. Like they were all, you know,

0:17:06.720 --> 0:17:09.720
<v Speaker 2>having parties and caddy fights and blah blah blah, and

0:17:09.720 --> 0:17:12.399
<v Speaker 2>the drama was big, but like, yeah, so it was

0:17:12.480 --> 0:17:14.240
<v Speaker 2>on at the same time. It was on at the

0:17:14.280 --> 0:17:16.680
<v Speaker 2>same time. Laguna Beach was the reality show. The OC

0:17:16.960 --> 0:17:19.280
<v Speaker 2>was actually a scripted show, and me show was the

0:17:19.280 --> 0:17:23.679
<v Speaker 2>star of that, but then went on to the reality

0:17:24.840 --> 0:17:27.320
<v Speaker 2>sub thing after and it made me forget that she

0:17:27.400 --> 0:17:29.840
<v Speaker 2>was actually on the scripted show and she's actually an actress.

0:17:30.119 --> 0:17:34.960
<v Speaker 1>Okay, yeahs so confusing. It's keep reality reality and scripted scripted.

0:17:35.040 --> 0:17:37.600
<v Speaker 3>Don't cross the two because then it's hard enough watching

0:17:37.640 --> 0:17:40.879
<v Speaker 3>TV people. And then, of course we have a decom

0:17:40.880 --> 0:17:44.159
<v Speaker 3>regular Ryan Merriman as Adam Eddington. It should be at

0:17:44.280 --> 0:17:46.119
<v Speaker 3>least acknowledged that for this movie. His name is a

0:17:46.200 --> 0:17:50.720
<v Speaker 3>lot like Murrman, Merriman, Murhrimant. It's the Ocean movie never

0:17:50.720 --> 0:17:53.359
<v Speaker 3>Mind I'll Show Myself Out. Merriman began his career on

0:17:53.400 --> 0:17:55.679
<v Speaker 3>a sitcom called The Mommy's which is often referenced on

0:17:55.720 --> 0:17:58.639
<v Speaker 3>Podmeats World because The Mommis had writer's older brother. Shiloh

0:17:58.720 --> 0:18:01.439
<v Speaker 3>is one of the stars himself all over the Disney

0:18:01.480 --> 0:18:03.840
<v Speaker 3>Channel in d COM's Smart House, The Luck of the Irish.

0:18:03.840 --> 0:18:06.560
<v Speaker 3>She also appeared in some very popular horror movies, Halloween

0:18:06.600 --> 0:18:09.360
<v Speaker 3>Resurrection Final Destination three. That's the one where the guy

0:18:09.359 --> 0:18:12.159
<v Speaker 3>gets the whole car engine to the back of the

0:18:12.160 --> 0:18:14.680
<v Speaker 3>head and the drive through cool and the ring too.

0:18:15.600 --> 0:18:19.080
<v Speaker 1>This time it's personal. Jared Padalki plays Zachary Gray.

0:18:19.160 --> 0:18:22.000
<v Speaker 3>Padilecki is best known as Dean Forrester on Gilmour Girls

0:18:22.000 --> 0:18:24.960
<v Speaker 3>and Sam Winchester on Supernatural to great Names by the way,

0:18:25.320 --> 0:18:27.639
<v Speaker 3>He too starred in horror movies like House of Wax

0:18:27.760 --> 0:18:30.440
<v Speaker 3>and one of those forgettable Friday the Thirteenth three Boots.

0:18:30.800 --> 0:18:32.639
<v Speaker 3>I think it was called Friday the Sixteenth with Nobody

0:18:32.720 --> 0:18:36.919
<v Speaker 3>cared about just a regular day. Scarlett Palmers is Susie Austin.

0:18:36.960 --> 0:18:40.080
<v Speaker 3>Palmers was busy when she filmed this movie. She was

0:18:40.080 --> 0:18:42.840
<v Speaker 3>playing Kira Hart on the long running TV show Riba

0:18:43.240 --> 0:18:45.680
<v Speaker 3>and had already been on sixteen episodes.

0:18:45.320 --> 0:18:46.800
<v Speaker 1>Of Star Trek Voyage are so cool.

0:18:47.160 --> 0:18:49.639
<v Speaker 3>She was also in the movie Aaron Brockovich, but I

0:18:49.640 --> 0:18:51.080
<v Speaker 3>don't think she played Aaron Brockovich.

0:18:51.119 --> 0:18:54.120
<v Speaker 1>I believe that was Jose she did. Yeah, I could

0:18:54.119 --> 0:18:57.040
<v Speaker 1>be wrong, so I'm pretty sure. Yea. And though I'm

0:18:57.080 --> 0:18:58.920
<v Speaker 1>not ready to put him in the Dabney Reynolds chair,

0:18:58.960 --> 0:19:01.719
<v Speaker 1>I love seeing James Whitmore as the grandfather. Now, not

0:19:01.760 --> 0:19:03.760
<v Speaker 1>to be confused, he did not make up the Whitman

0:19:04.000 --> 0:19:06.359
<v Speaker 1>sampler of chocolates. That's a different guy.

0:19:06.480 --> 0:19:09.200
<v Speaker 3>This is James Whitmore, who was a legendary character actor

0:19:09.320 --> 0:19:12.080
<v Speaker 3>whose career dates all the way back to working alongside.

0:19:11.520 --> 0:19:13.520
<v Speaker 1>Clark Gable and Nancy Reagan.

0:19:14.000 --> 0:19:17.240
<v Speaker 3>He also was in the cult classic movie Them exclamation Point,

0:19:17.560 --> 0:19:20.800
<v Speaker 3>but is most recognizable as the fragile prisoner turned parole

0:19:21.040 --> 0:19:24.240
<v Speaker 3>Brooks in The Shawshank Redemption. Oh and it's just Shawshank Redemption,

0:19:24.280 --> 0:19:26.280
<v Speaker 3>I added the which I shouldn't. He also won an

0:19:26.320 --> 0:19:28.800
<v Speaker 3>Emmy for a guest star role on The Practice. Fun

0:19:28.800 --> 0:19:30.719
<v Speaker 3>fact about Whitmore, At one time he was married to

0:19:30.760 --> 0:19:32.399
<v Speaker 3>the actress who played Missus Roper.

0:19:32.840 --> 0:19:38.160
<v Speaker 1>Yes, do you know who that is missus Roper. Oh

0:19:38.600 --> 0:19:40.640
<v Speaker 1>so sad and my heart just died a little bit

0:19:40.680 --> 0:19:42.479
<v Speaker 1>more Oh threes company.

0:19:43.000 --> 0:19:46.400
<v Speaker 2>Oh yes, okay, sorry, okay, come on now, I know

0:19:46.720 --> 0:19:47.200
<v Speaker 2>I mean.

0:19:47.400 --> 0:19:52.159
<v Speaker 1>Coming do Sorry, We'll be waiting for you. Yeah, I

0:19:52.320 --> 0:19:55.080
<v Speaker 1>just like with a cheetah girl.

0:19:56.000 --> 0:19:58.200
<v Speaker 3>Whitmore died in two thousand and nine at the age

0:19:58.240 --> 0:20:01.160
<v Speaker 3>of eighty seven. But you're so that's the cast. That's

0:20:01.240 --> 0:20:03.160
<v Speaker 3>you know, an important thing in the story and where

0:20:03.160 --> 0:20:03.520
<v Speaker 3>it's shot.

0:20:03.640 --> 0:20:06.680
<v Speaker 1>Now, but how long is this movie? People? That's all

0:20:06.720 --> 0:20:07.560
<v Speaker 1>we really care about.

0:20:07.640 --> 0:20:10.480
<v Speaker 3>It's the eye of the storm, the filet of the mignon,

0:20:10.920 --> 0:20:12.040
<v Speaker 3>the end of the Tipsy Pop.

0:20:12.160 --> 0:20:14.520
<v Speaker 1>As you know, we always set the target at ninety minutes.

0:20:14.520 --> 0:20:16.320
<v Speaker 3>And keep in mind, this movie already has the word

0:20:16.440 --> 0:20:20.560
<v Speaker 3>endless in the title. I'm worried, and so this movie.

0:20:20.359 --> 0:20:24.399
<v Speaker 1>Is eighty eight minutes too, off the target, but on

0:20:24.440 --> 0:20:26.040
<v Speaker 1>the right side of history. So we can all sleep

0:20:26.080 --> 0:20:27.840
<v Speaker 1>at night knowing that someone out there at least got

0:20:27.840 --> 0:20:30.280
<v Speaker 1>that right. And I hate to say this, but it

0:20:30.400 --> 0:20:33.720
<v Speaker 1>felt like a very long eighty eight minutes. Am I wrong?

0:20:33.760 --> 0:20:35.720
<v Speaker 1>It was just no, it dragged.

0:20:36.200 --> 0:20:37.520
<v Speaker 2>There is moments for sure.

0:20:37.760 --> 0:20:40.200
<v Speaker 3>Yeah, let's talk about the writers. We have the book's

0:20:40.200 --> 0:20:43.800
<v Speaker 3>author Madeline and Angle. That's the l Lula Angle with

0:20:43.880 --> 0:20:46.919
<v Speaker 3>their standard credit, but the teleplay credit went to Bruce Graham,

0:20:47.000 --> 0:20:49.440
<v Speaker 3>someone we just book about in the podcast, since he

0:20:49.480 --> 0:20:52.040
<v Speaker 3>wrote a favorite of ours right on track. He also

0:20:52.040 --> 0:20:55.280
<v Speaker 3>wrote the DCOM Tiger Cruz, the animated movie Yet I

0:20:55.280 --> 0:20:58.040
<v Speaker 3>haven't seen anything, the animated movie Anastasia, and the monkey

0:20:58.040 --> 0:20:58.960
<v Speaker 3>centric hotel film.

0:20:59.040 --> 0:21:03.800
<v Speaker 1>Dunstan checks in and Graham shares credit with Marita Giovanni.

0:21:03.920 --> 0:21:06.560
<v Speaker 1>And here it is again a DCOM constant. This is

0:21:06.600 --> 0:21:08.840
<v Speaker 1>the co writer's only real writing credit.

0:21:09.520 --> 0:21:11.960
<v Speaker 3>Okay, so let's not waste no more time focus because

0:21:11.960 --> 0:21:14.760
<v Speaker 3>the dolphins are telepathically letting you know it's time to

0:21:14.800 --> 0:21:24.199
<v Speaker 3>recap a ring of endless light. Well, it should come

0:21:24.240 --> 0:21:27.760
<v Speaker 3>as no surprise that this film starts underwater. A young girl, Vicky,

0:21:27.800 --> 0:21:30.040
<v Speaker 3>is swimming in the ocean. She's a mermaid, most likely

0:21:30.040 --> 0:21:33.680
<v Speaker 3>in her thirteenth year. She effortlessly flips as fish pass by.

0:21:34.080 --> 0:21:36.240
<v Speaker 3>Then she sees a large net and swims right into

0:21:36.280 --> 0:21:39.240
<v Speaker 3>it to investigate, and quickly she finds herself stuck. She

0:21:39.280 --> 0:21:41.800
<v Speaker 3>tries to wiggle out but can't. She's trapped and panicking,

0:21:42.160 --> 0:21:44.000
<v Speaker 3>and then she wakes up on a ferry. She has

0:21:44.080 --> 0:21:46.280
<v Speaker 3>human legs and a knit hat. Was just a nightmare.

0:21:46.560 --> 0:21:48.320
<v Speaker 3>Her little brother Rob is there with a jar of

0:21:48.359 --> 0:21:48.800
<v Speaker 3>new bugs.

0:21:48.800 --> 0:21:49.320
<v Speaker 1>He's proud of.

0:21:49.560 --> 0:21:52.200
<v Speaker 3>Vicky rushes downstairs to ask another girl, her little sister,

0:21:52.280 --> 0:21:55.720
<v Speaker 3>overachiever Susie, if they've arrived yet. Not yet, but they're close. Also,

0:21:55.760 --> 0:21:56.600
<v Speaker 3>I thought that was kind of weird.

0:21:56.600 --> 0:21:57.960
<v Speaker 1>Are we there yet? Well, we're still on the boat,

0:21:58.000 --> 0:21:59.399
<v Speaker 1>don't you think if we're on the.

0:21:59.440 --> 0:22:00.920
<v Speaker 2>Land, will were there? Bh?

0:22:01.080 --> 0:22:05.720
<v Speaker 3>We Doki, thank you so much, there, Vicky. Vicky is

0:22:05.720 --> 0:22:08.359
<v Speaker 3>so excited to stay with their grandfather again. The ferry

0:22:08.440 --> 0:22:10.760
<v Speaker 3>arrives at seven Bay Island and an old man rushes

0:22:10.800 --> 0:22:13.119
<v Speaker 3>out his red VW bug that has an umbrella as

0:22:13.160 --> 0:22:15.400
<v Speaker 3>a roof. He welcomes the siblings as they pull into

0:22:15.400 --> 0:22:17.439
<v Speaker 3>the dock. And this is clearly their grandfather. And you

0:22:17.440 --> 0:22:20.440
<v Speaker 3>can tell because weirdly, throughout the entire movie they only

0:22:20.440 --> 0:22:26.240
<v Speaker 3>call him grandfather, not grandpa, not poppy, grandfather, grandfather, what

0:22:26.280 --> 0:22:27.320
<v Speaker 3>should we be doing today?

0:22:27.480 --> 0:22:30.280
<v Speaker 1>Grandfather? I can talk to dolphins. Grandfather.

0:22:30.359 --> 0:22:32.720
<v Speaker 3>It's like, it was weird. After a while, nobody just

0:22:32.720 --> 0:22:33.879
<v Speaker 3>gets hello, grandfather.

0:22:33.960 --> 0:22:37.439
<v Speaker 2>It was weird anyway, Well, maybe their other grandpa was

0:22:37.480 --> 0:22:38.200
<v Speaker 2>their Grandpa.

0:22:38.960 --> 0:22:41.679
<v Speaker 1>Okay, then come up with a different name. Who calls it?

0:22:41.680 --> 0:22:44.960
<v Speaker 3>It's like calling your mother Hello, mother, Yes, grandfather, what

0:22:45.000 --> 0:22:47.040
<v Speaker 3>can I do for you? The butter is fully churned?

0:22:47.080 --> 0:22:51.320
<v Speaker 3>Grandfather you no, no, Kayla? Do you do that?

0:22:53.800 --> 0:22:56.840
<v Speaker 1>Yes, grandfather? No one does.

0:22:57.040 --> 0:23:00.760
<v Speaker 3>No one does outside of eighteen forty, no one calls

0:23:00.800 --> 0:23:01.639
<v Speaker 3>them grandfather.

0:23:02.480 --> 0:23:02.720
<v Speaker 4>Yes.

0:23:02.800 --> 0:23:03.159
<v Speaker 1>Anyway.

0:23:03.400 --> 0:23:05.880
<v Speaker 3>Susie returns his telescope, and Rob wants to know where

0:23:05.920 --> 0:23:08.639
<v Speaker 3>mister Rochester and ned r who we turn you know

0:23:08.720 --> 0:23:11.280
<v Speaker 3>to find out are his dog and cat. Vicky takes

0:23:11.280 --> 0:23:14.680
<v Speaker 3>a long look back at the ocean. She's daydreaming again. Eventually,

0:23:14.720 --> 0:23:18.280
<v Speaker 3>her grandfather, yes, grandfather, hushes her into a car, thrilled

0:23:18.280 --> 0:23:20.840
<v Speaker 3>to have her visiting, and thank God for that umbrella

0:23:20.880 --> 0:23:23.440
<v Speaker 3>because as they pull into the waterfront home it is pouring.

0:23:23.760 --> 0:23:26.440
<v Speaker 3>Once inside, Vicky wants to know if anyone's called, specifically

0:23:26.680 --> 0:23:29.600
<v Speaker 3>Zachary Gray, some boy that she likes. Vicky calls home

0:23:29.640 --> 0:23:31.480
<v Speaker 3>to check in, but is annoyed by her mother's line

0:23:31.520 --> 0:23:34.280
<v Speaker 3>of questioning. She explains she hasn't had time, but promises

0:23:34.320 --> 0:23:37.159
<v Speaker 3>she'll complete whatever she's being pastured about. Once off the

0:23:37.160 --> 0:23:39.320
<v Speaker 3>phone and now depress, Vicki walks off and pouts near

0:23:39.359 --> 0:23:42.120
<v Speaker 3>the rain. A lot of just single shots of Vicky

0:23:42.119 --> 0:23:45.560
<v Speaker 3>in this movie doing stuff looking out. Her grandfather notices

0:23:45.600 --> 0:23:47.959
<v Speaker 3>but doesn't say anything. Yes, grandfather, I'm going to look

0:23:47.960 --> 0:23:48.360
<v Speaker 3>at the rain.

0:23:49.080 --> 0:23:49.520
<v Speaker 1>That night.

0:23:49.560 --> 0:23:53.080
<v Speaker 3>Everyone is asleep but Vicky. She's reading a physics textbook

0:23:53.160 --> 0:23:55.720
<v Speaker 3>like all the cool kids do during vacation. Her grandfather

0:23:55.800 --> 0:23:58.000
<v Speaker 3>walks in. The storm has passed and he wants to

0:23:58.040 --> 0:24:00.840
<v Speaker 3>set up the telescope. He notices her odd choice of reading,

0:24:00.880 --> 0:24:03.080
<v Speaker 3>and she explained she promised her parents that she'd studied

0:24:03.080 --> 0:24:05.480
<v Speaker 3>for an enrollment test. They want her to transfer to

0:24:05.520 --> 0:24:08.000
<v Speaker 3>an exceptional school at the university they work at, and

0:24:08.040 --> 0:24:10.120
<v Speaker 3>she's still having trouble with the math and science part.

0:24:10.440 --> 0:24:12.880
<v Speaker 3>Her grandpa guides her downstairs for a present. He gives

0:24:12.880 --> 0:24:15.720
<v Speaker 3>her the collected Poems of Victoria Austin, Volume one.

0:24:16.160 --> 0:24:16.640
<v Speaker 1>It's all the.

0:24:16.600 --> 0:24:18.880
<v Speaker 3>Poems she's given him over the years, now glued into

0:24:18.920 --> 0:24:21.720
<v Speaker 3>a bound book. He loves her writing and wanted everything

0:24:21.760 --> 0:24:23.960
<v Speaker 3>to be in one place. He wonders if anyone has

0:24:24.000 --> 0:24:25.879
<v Speaker 3>seen her work besides him, but she's kept it all

0:24:25.920 --> 0:24:30.119
<v Speaker 3>to herself. Her grandfather swears she's brilliant as she hugs

0:24:30.160 --> 0:24:31.800
<v Speaker 3>him for the kind words he Winces is in pain.

0:24:32.080 --> 0:24:34.200
<v Speaker 3>He blames his back, but also is out of breath.

0:24:34.280 --> 0:24:35.840
<v Speaker 3>He wishes her a good night and goes to bed,

0:24:35.880 --> 0:24:38.040
<v Speaker 3>looking forward to volume two. And I was like, oh,

0:24:38.080 --> 0:24:39.960
<v Speaker 3>this guy's not gonna make it, And I was right.

0:24:40.080 --> 0:24:43.280
<v Speaker 1>He retreats upstairs and dies. I'm kidding.

0:24:43.760 --> 0:24:45.639
<v Speaker 3>He rushes to his bedstand and takes some pills. But

0:24:45.680 --> 0:24:48.520
<v Speaker 3>I was like, this again, he's he might as well.

0:24:48.400 --> 0:24:50.359
<v Speaker 1>Have been wearing a Red Star Trek shirt the entire

0:24:50.400 --> 0:24:53.520
<v Speaker 1>time this guy was dead.

0:24:53.160 --> 0:24:58.240
<v Speaker 2>He come on, oh, I know, I know, I know,

0:24:58.840 --> 0:25:01.200
<v Speaker 2>and it just just missed me off.

0:25:01.680 --> 0:25:03.400
<v Speaker 3>Like, did you that the old man that they set

0:25:03.440 --> 0:25:06.960
<v Speaker 3>up was dying the whole time actually dies spoiler alert everyone.

0:25:06.800 --> 0:25:10.400
<v Speaker 2>Well, yes, no, I thought it would be like at

0:25:10.440 --> 0:25:12.800
<v Speaker 2>the end of the movie, like whenever, you know, like

0:25:12.880 --> 0:25:15.240
<v Speaker 2>the at the end they were gonna be at like

0:25:15.280 --> 0:25:18.440
<v Speaker 2>his funeral, not the way they did it.

0:25:18.480 --> 0:25:21.040
<v Speaker 4>That way to milk that ooh much.

0:25:21.200 --> 0:25:23.120
<v Speaker 1>Yes, they needed to milk it. We'll get into it.

0:25:23.800 --> 0:25:26.280
<v Speaker 3>The next morning, while cleaning their grandfather's house, the girls

0:25:26.320 --> 0:25:29.080
<v Speaker 3>notice a dreamy boy biking up their driveway, shirt flap

0:25:29.119 --> 0:25:29.960
<v Speaker 3>it in the breeze.

0:25:30.000 --> 0:25:31.439
<v Speaker 1>He introduces himself as Adam.

0:25:31.600 --> 0:25:33.919
<v Speaker 3>He's there to return some philosophy books, so we know

0:25:34.000 --> 0:25:36.400
<v Speaker 3>he is a thinker this one and knows all.

0:25:36.240 --> 0:25:37.159
<v Speaker 1>About the grandkids.

0:25:37.440 --> 0:25:40.159
<v Speaker 3>Susie talks to me about astrophysics and how she's gearing

0:25:40.200 --> 0:25:43.159
<v Speaker 3>to apply to MIT for early admittance. He's already been

0:25:43.160 --> 0:25:47.359
<v Speaker 3>admitted to Harvard name dropper for marine biology and works

0:25:47.359 --> 0:25:50.199
<v Speaker 3>with dolphins at the nearby Marine Center. Vicki chimes in

0:25:50.280 --> 0:25:53.160
<v Speaker 3>she loves dolphins, but she's never met one or anything,

0:25:53.640 --> 0:25:55.919
<v Speaker 3>and so he invites the girls to accompany him to

0:25:56.240 --> 0:25:58.440
<v Speaker 3>the center, which sounds like a great place to start

0:25:58.440 --> 0:25:58.960
<v Speaker 3>a cult.

0:25:59.160 --> 0:26:01.359
<v Speaker 1>He's on his way now, it's like we're going to

0:26:01.400 --> 0:26:01.800
<v Speaker 1>the center.

0:26:02.800 --> 0:26:04.880
<v Speaker 3>They all jump on bikes and leave with the hot,

0:26:04.920 --> 0:26:07.479
<v Speaker 3>smart dolphin guy, and on the way, a convertible Porsche

0:26:07.480 --> 0:26:09.720
<v Speaker 3>pulls up right next to them. Susie seems annoyed by

0:26:09.720 --> 0:26:12.719
<v Speaker 3>the driver. This is Zachary Gray mentioned earlier. They had

0:26:12.760 --> 0:26:14.520
<v Speaker 3>a thing last summer, but he never returned any of

0:26:14.560 --> 0:26:16.760
<v Speaker 3>her letters during the school year. He seems like a

0:26:16.840 --> 0:26:20.560
<v Speaker 3>real well as they would say. He invites Vicky to

0:26:20.600 --> 0:26:22.560
<v Speaker 3>ride in his car, but she says no and speeds off.

0:26:22.600 --> 0:26:25.840
<v Speaker 3>She has an appointment with a dolphin now on a

0:26:25.920 --> 0:26:28.560
<v Speaker 3>doc Adam is throwing fish into the water feeding dolphins.

0:26:29.040 --> 0:26:30.600
<v Speaker 3>I'm not going to ask you this next question that

0:26:30.640 --> 0:26:32.560
<v Speaker 3>we have set up because we already know that dolphins

0:26:32.600 --> 0:26:34.040
<v Speaker 3>are your favorite and you just need to be pushed

0:26:34.040 --> 0:26:36.119
<v Speaker 3>in the darkened water until a shark comes up and

0:26:36.200 --> 0:26:42.040
<v Speaker 3>bites your just like, go exactly, chompty pete from high school?

0:26:42.119 --> 0:26:44.680
<v Speaker 1>Whatever, Pete, Pete, pete the shark.

0:26:45.080 --> 0:26:47.240
<v Speaker 3>Adam endearingly loves dolphins, and he knows a lot of

0:26:47.240 --> 0:26:49.480
<v Speaker 3>facts about them. He encourages the girls to feed him,

0:26:49.480 --> 0:26:51.520
<v Speaker 3>but only Vicky takes him up on the offer. I

0:26:51.520 --> 0:26:53.639
<v Speaker 3>don't know why the smart girl wouldn't want to feed

0:26:53.680 --> 0:26:55.600
<v Speaker 3>the dolphins. That made no sense where Susie's like, I'm

0:26:55.640 --> 0:26:58.720
<v Speaker 3>not gonna feed dolphins. Okay, it sounds like a really

0:26:58.760 --> 0:27:00.920
<v Speaker 3>awesome way to spend the day, Susie.

0:27:01.000 --> 0:27:01.520
<v Speaker 1>But whatever.

0:27:02.560 --> 0:27:05.439
<v Speaker 3>Adam mentions at one time dolphins left land and returned

0:27:05.480 --> 0:27:08.080
<v Speaker 3>to sea, claiming them and whales are the only species

0:27:08.080 --> 0:27:10.359
<v Speaker 3>to do that. Vicky jumps in like a real weirdo,

0:27:10.440 --> 0:27:14.080
<v Speaker 3>earnestly adding mermaids to that list because they're real too.

0:27:14.520 --> 0:27:16.679
<v Speaker 3>Susie calls her ridiculous, but Adam makes her feel good

0:27:16.680 --> 0:27:19.520
<v Speaker 3>about being stupid by explaining the myth. Adam and Susie

0:27:19.520 --> 0:27:22.600
<v Speaker 3>start talking about computers and whatever else nerds chat about. Hey,

0:27:22.760 --> 0:27:25.679
<v Speaker 3>easy on the nerd talk people. I'm one myself, by

0:27:25.680 --> 0:27:28.840
<v Speaker 3>the way. If your computer person, it's geeks. Nerds are

0:27:28.920 --> 0:27:31.320
<v Speaker 3>us nerdy people. And you can tell by the number

0:27:31.359 --> 0:27:32.840
<v Speaker 3>of dungeon and dragons dice that.

0:27:32.840 --> 0:27:35.560
<v Speaker 1>I have on my desk. Well, Vicky continues to connect

0:27:35.560 --> 0:27:38.320
<v Speaker 1>with the dolphins, especially one name Enid. They have an

0:27:38.359 --> 0:27:40.680
<v Speaker 1>instant bond, and Vicky knows the dolphin is worried about

0:27:40.720 --> 0:27:42.000
<v Speaker 1>her soon to be born calf.

0:27:42.040 --> 0:27:43.600
<v Speaker 3>Adam doesn't get it. How did you know the dolphin

0:27:43.720 --> 0:27:46.919
<v Speaker 3>was pregnant? Vicki claims she didn't know. She just looked pregnant,

0:27:46.960 --> 0:27:49.560
<v Speaker 3>quote unquote, and just like that, this chick can talk

0:27:49.600 --> 0:27:50.200
<v Speaker 3>to dolphins.

0:27:51.600 --> 0:27:53.840
<v Speaker 1>And again it's kind of comes up later, But it's

0:27:53.840 --> 0:27:55.600
<v Speaker 1>not like you figured this would be the crux of

0:27:55.600 --> 0:27:57.000
<v Speaker 1>the film. But it's not at all.

0:27:57.000 --> 0:28:01.640
<v Speaker 3>It's just a random side thing at Grandfather's, says Grandpa's,

0:28:01.640 --> 0:28:03.840
<v Speaker 3>but I'm just gonna call him grandfather. Vicky is back

0:28:03.840 --> 0:28:06.000
<v Speaker 3>with the textbook and frustrated, she takes a break to

0:28:06.040 --> 0:28:07.960
<v Speaker 3>ask her sister what she thought of Adam. She thinks

0:28:08.000 --> 0:28:10.920
<v Speaker 3>he's too nature based, not focused enough on numbers. Vicky

0:28:10.960 --> 0:28:13.000
<v Speaker 3>then finds herself on the house's deck, where she sees

0:28:13.000 --> 0:28:15.480
<v Speaker 3>her grandfather looking longingly out on the water, like someone

0:28:15.520 --> 0:28:16.359
<v Speaker 3>who's dying would do.

0:28:18.280 --> 0:28:20.600
<v Speaker 1>It's true, he's taking it all in while he can.

0:28:20.680 --> 0:28:24.080
<v Speaker 1>He's got like eight scenes left.

0:28:23.800 --> 0:28:27.040
<v Speaker 2>Like, okay, pass, I have to tell you where I'm

0:28:27.040 --> 0:28:29.360
<v Speaker 2>at in this story as well, like where I'm thinking

0:28:29.440 --> 0:28:33.280
<v Speaker 2>things are going. Oh god, I'm like, especially because we

0:28:33.359 --> 0:28:37.600
<v Speaker 2>have seen a thirteenth year, right, so this is a

0:28:37.640 --> 0:28:40.480
<v Speaker 2>Disney this could go. I mean we're talking about being

0:28:40.520 --> 0:28:47.280
<v Speaker 2>able to talk to her mermaids. I'm thinking like he

0:28:47.880 --> 0:28:51.720
<v Speaker 2>like he's a dolphin or talk to dolphins. Like I'm

0:28:51.720 --> 0:28:57.240
<v Speaker 2>thinking like was that dolphin that she could understand? Her

0:28:57.280 --> 0:29:01.280
<v Speaker 2>grandma that's been that passed away or she thought passed away.

0:29:01.320 --> 0:29:08.680
<v Speaker 2>And he's trying to like wrap things up to wait,

0:29:08.800 --> 0:29:10.680
<v Speaker 2>But the grandma Dolphin's pregnant.

0:29:10.760 --> 0:29:15.120
<v Speaker 1>That's not weird, Like maybe I just so my grandma

0:29:15.160 --> 0:29:18.760
<v Speaker 1>Dolphin's been cheating on my grandfather with another dolphins.

0:29:18.200 --> 0:29:22.080
<v Speaker 7>Like all right, maybe I should just keep watching trying

0:29:22.080 --> 0:29:24.400
<v Speaker 7>to figure out what the hell's going on. I'm with you,

0:29:24.400 --> 0:29:26.800
<v Speaker 7>so confused at this point, like I'm trying to see

0:29:26.800 --> 0:29:30.440
<v Speaker 7>where we're going to where I'm like having these other stories.

0:29:30.640 --> 0:29:32.000
<v Speaker 1>Yes, I'm with you.

0:29:32.120 --> 0:29:34.840
<v Speaker 3>I thought I was one hundred percent sure that he

0:29:34.960 --> 0:29:36.720
<v Speaker 3>was gonna say I can talk to dolphins too.

0:29:37.120 --> 0:29:40.280
<v Speaker 1>Yes, that's why I stayed here.

0:29:40.320 --> 0:29:43.760
<v Speaker 2>And by the way, I was I am a dolphin because.

0:29:43.440 --> 0:29:45.720
<v Speaker 3>That's a little farther. I didn't think you're he was

0:29:45.760 --> 0:29:47.240
<v Speaker 3>going to become a dolphin or.

0:29:47.680 --> 0:29:53.600
<v Speaker 2>A but I literally was like, Okay, maybe I should

0:29:53.680 --> 0:29:55.080
<v Speaker 2>just like just.

0:29:55.200 --> 0:29:57.320
<v Speaker 3>Watch I'll just watch the movie and see which one

0:29:57.320 --> 0:29:58.800
<v Speaker 3>of these people turns into a dolphin.

0:29:59.600 --> 0:30:01.920
<v Speaker 1>Yeah, it wasn't anyway.

0:30:02.000 --> 0:30:03.880
<v Speaker 3>The next day, Vicky bikes back over to the research

0:30:03.920 --> 0:30:07.160
<v Speaker 3>center and first checks her hair because she.

0:30:07.120 --> 0:30:09.560
<v Speaker 1>Wants to see the dolphins, which I know it.

0:30:09.440 --> 0:30:12.000
<v Speaker 2>It was poor girl, I know, and her hair this

0:30:12.040 --> 0:30:12.680
<v Speaker 2>whole movie.

0:30:12.920 --> 0:30:15.120
<v Speaker 1>Yes, except in close ups where they don't what doesn't

0:30:15.120 --> 0:30:17.520
<v Speaker 1>move at all? Yeah, it's blowing everywhere.

0:30:17.080 --> 0:30:19.200
<v Speaker 2>Except weird, weird.

0:30:20.520 --> 0:30:22.680
<v Speaker 3>But she checks in to see how Enid is doing.

0:30:23.520 --> 0:30:26.240
<v Speaker 3>Adam arrives in surprise she can already tell the dolphins apart.

0:30:26.560 --> 0:30:28.800
<v Speaker 3>He takes her to me doctor zand, which sounds like

0:30:28.800 --> 0:30:32.160
<v Speaker 3>a really cool, like evil comic book villain, the center's expert,

0:30:32.200 --> 0:30:35.160
<v Speaker 3>who instantly asks how Vicky's grandpa is doing.

0:30:35.320 --> 0:30:36.720
<v Speaker 1>Vicky shrugs it off, He's doing fine.

0:30:36.760 --> 0:30:38.640
<v Speaker 3>Thanks, He's just out of breath from hugging her and

0:30:38.680 --> 0:30:42.120
<v Speaker 3>sadly staring off into the ocean. Adam gets Vicky into

0:30:42.200 --> 0:30:44.600
<v Speaker 3>a wet suit. That's gonna sound weird if you say

0:30:44.600 --> 0:30:47.000
<v Speaker 3>that back, so let's try. Adam gets Vicky a wetsuit

0:30:47.360 --> 0:30:49.920
<v Speaker 3>to help learn more about the way the dolphins communicate.

0:30:50.200 --> 0:30:52.520
<v Speaker 3>Luckily for him, he's with a dolphin whisperer and doesn't

0:30:52.520 --> 0:30:54.600
<v Speaker 3>even know it. Once in the water, Adam looks for

0:30:54.680 --> 0:30:56.640
<v Speaker 3>ultrasonic impulses and Basil.

0:30:56.840 --> 0:30:59.120
<v Speaker 1>It's actually basil, but Basil that's in.

0:30:59.160 --> 0:31:03.720
<v Speaker 3>Its dolphin mate and obviously the side piece of Vicky's grandmother,

0:31:03.720 --> 0:31:06.840
<v Speaker 3>who's a dolphin according to Sabrina, which would have made

0:31:06.880 --> 0:31:11.080
<v Speaker 3>a much different like Basle. That just a very strange

0:31:11.120 --> 0:31:12.400
<v Speaker 3>way to go with the movie. But it is what

0:31:12.440 --> 0:31:14.960
<v Speaker 3>it is, who is kept close to keep everything copasetic

0:31:14.960 --> 0:31:16.520
<v Speaker 3>and ready for her labor. And this is when I

0:31:16.560 --> 0:31:19.680
<v Speaker 3>was like, okay, is this They address it well, no,

0:31:19.800 --> 0:31:24.760
<v Speaker 3>but they also only address it very quickly. So the mother,

0:31:25.520 --> 0:31:30.480
<v Speaker 3>the pregnant mother is essentially being kept in prison away

0:31:30.960 --> 0:31:34.120
<v Speaker 3>from the family, because he tries to explain, he's like, well,

0:31:34.440 --> 0:31:37.080
<v Speaker 3>we're raising some in captivity and we don't let them

0:31:37.120 --> 0:31:39.600
<v Speaker 3>do anything. And then we have wild ones as well,

0:31:39.640 --> 0:31:42.280
<v Speaker 3>so it's like, oh, okay, so you're trapping several of

0:31:42.320 --> 0:31:46.520
<v Speaker 3>the dolphins, including pregnant Enid, And it was just.

0:31:46.520 --> 0:31:49.560
<v Speaker 1>That, you know, I'm an animal, Like it struck me, like, really,

0:31:49.600 --> 0:31:51.480
<v Speaker 1>I get what you're kind of doing, but you brush

0:31:51.560 --> 0:31:54.160
<v Speaker 1>past the fact that, like you're raising some in captivity,

0:31:54.200 --> 0:31:58.720
<v Speaker 1>you're keeping her separate from her mate. It's like, yikes, sort.

0:31:58.480 --> 0:32:00.880
<v Speaker 2>Of felt like this might be thing that they do

0:32:01.120 --> 0:32:04.200
<v Speaker 2>just with the pregnant ones, like to keep them better

0:32:04.360 --> 0:32:08.560
<v Speaker 2>and away from away from harm. Especially Kid says.

0:32:08.320 --> 0:32:10.440
<v Speaker 3>They raised a bunch, they raised one whole kind of

0:32:10.560 --> 0:32:12.200
<v Speaker 3>pod in captivity, one whole.

0:32:12.120 --> 0:32:16.480
<v Speaker 1>Family, and then they have the and this one wild ones. No,

0:32:16.520 --> 0:32:17.760
<v Speaker 1>I guess this is what I don't know.

0:32:17.960 --> 0:32:22.480
<v Speaker 2>I don't It was like, where does the But it's.

0:32:22.320 --> 0:32:24.200
<v Speaker 3>Like you watch Free Willie now and it's like, thank god,

0:32:24.240 --> 0:32:26.720
<v Speaker 3>the movie is about letting the thing escape because it's

0:32:26.800 --> 0:32:28.600
<v Speaker 3>you're they're in these little things and I get that

0:32:28.640 --> 0:32:30.440
<v Speaker 3>they made it where it's like look how much room

0:32:30.520 --> 0:32:32.320
<v Speaker 3>she has, but she's not out in the wild, and

0:32:32.400 --> 0:32:36.360
<v Speaker 3>it was kind of like, yeas, So then I like

0:32:36.480 --> 0:32:38.800
<v Speaker 3>you going, well, this can't just be a movie about

0:32:38.840 --> 0:32:40.840
<v Speaker 3>this girl trying to pick between these two guys.

0:32:40.840 --> 0:32:43.160
<v Speaker 1>So is she now gonna help to free the dolphins?

0:32:43.240 --> 0:32:44.040
<v Speaker 1>Is like, what's gonna be?

0:32:45.040 --> 0:32:47.400
<v Speaker 2>Okay? So, but we do end up seeing two dolphins

0:32:47.400 --> 0:32:49.120
<v Speaker 2>together later I don't know.

0:32:49.240 --> 0:32:52.080
<v Speaker 1>Then she he can open the gate, which lets the

0:32:52.120 --> 0:32:54.280
<v Speaker 1>guy in, but it's not like they get there together

0:32:54.360 --> 0:32:55.960
<v Speaker 1>all the time. He's got to let the wild one

0:32:55.960 --> 0:32:58.440
<v Speaker 1>be wild. I don't know. Yeah, it's that weird with me,

0:33:00.000 --> 0:33:00.800
<v Speaker 1>but anyway, he looks.

0:33:00.840 --> 0:33:04.280
<v Speaker 3>He uses ultrasonic impulses to get the dolphins made. Who's

0:33:04.320 --> 0:33:06.240
<v Speaker 3>kept close to keep everything copasetic and ready for her

0:33:06.320 --> 0:33:09.360
<v Speaker 3>labor situation seems to concern Vicki, But before she can

0:33:09.400 --> 0:33:11.560
<v Speaker 3>dive too deep, she sees a dolphin quickly approaching.

0:33:11.600 --> 0:33:13.600
<v Speaker 1>It's basil. He jumps over her.

0:33:13.560 --> 0:33:18.440
<v Speaker 3>And boy, these effects are not special? How bad was

0:33:18.520 --> 0:33:20.880
<v Speaker 3>the cgi of the dolphins jumping over them?

0:33:22.120 --> 0:33:26.120
<v Speaker 2>Right? And I'm kind of like, why these dolphins are

0:33:26.280 --> 0:33:32.240
<v Speaker 2>so like I don't know. I did, I couldn't understand

0:33:32.240 --> 0:33:34.560
<v Speaker 2>why they would have needed to. If they decided to

0:33:34.600 --> 0:33:36.640
<v Speaker 2>do a movie with dolphins and they were going to

0:33:36.680 --> 0:33:39.560
<v Speaker 2>be in the water with dolphins, wouldn't that be in

0:33:39.600 --> 0:33:40.960
<v Speaker 2>the budget? And they can't?

0:33:41.040 --> 0:33:43.680
<v Speaker 3>Just did you really need them jumping over them? Like

0:33:43.800 --> 0:33:45.760
<v Speaker 3>you haven't cut to stock footage of him jumping out

0:33:45.760 --> 0:33:47.320
<v Speaker 3>of the water and doing a flip like they did later,

0:33:47.400 --> 0:33:49.640
<v Speaker 3>Like why why is that okay? But you need the

0:33:49.800 --> 0:33:52.560
<v Speaker 3>really bad CGI where it was like, this does not

0:33:52.560 --> 0:33:52.920
<v Speaker 3>look good.

0:33:53.440 --> 0:33:57.000
<v Speaker 2>Well, in that time, it looked good, probably to people

0:33:57.040 --> 0:34:00.080
<v Speaker 2>because they actually newer PGI.

0:33:59.840 --> 0:34:02.720
<v Speaker 1>No, no, two thousand. They were doing some cool stuff

0:34:02.720 --> 0:34:04.959
<v Speaker 1>in two thousands. I mean it's like Terminator two had

0:34:05.000 --> 0:34:06.760
<v Speaker 1>already come and gone by this point. You can't do it.

0:34:06.840 --> 0:34:10.200
<v Speaker 1>Dolphin flipping, if robots coming from the future and melting

0:34:10.239 --> 0:34:12.279
<v Speaker 1>and everything, it's like you could do some cool by

0:34:12.280 --> 0:34:12.960
<v Speaker 1>this point.

0:34:13.239 --> 0:34:13.760
<v Speaker 2>That's true.

0:34:14.120 --> 0:34:16.359
<v Speaker 3>Even though Basil is a little snappier with the other

0:34:16.400 --> 0:34:19.719
<v Speaker 3>dolphins of the pen, Vicky effortlessly pets him without any problems,

0:34:19.719 --> 0:34:22.200
<v Speaker 3>claiming he has an itch he wants scratched, and again,

0:34:22.239 --> 0:34:24.200
<v Speaker 3>when pressed on how she knows this, she claims she

0:34:24.400 --> 0:34:24.960
<v Speaker 3>just guessed.

0:34:25.600 --> 0:34:27.600
<v Speaker 1>Adam notices Basil as a fresh gar in his back

0:34:27.600 --> 0:34:27.800
<v Speaker 1>and this.

0:34:28.280 --> 0:34:31.800
<v Speaker 3>Vicky whispers it was hard sharp seaweed, then pretend she

0:34:31.840 --> 0:34:35.160
<v Speaker 3>didn't say anything about it. I want you to know something, Sabrina,

0:34:35.160 --> 0:34:37.160
<v Speaker 3>because she she keeps everything private. If I can ever

0:34:37.200 --> 0:34:38.360
<v Speaker 3>talk to dolphins.

0:34:38.320 --> 0:34:40.799
<v Speaker 1>I'm gonna let you know. Okay, I'm not gonna keep

0:34:40.800 --> 0:34:42.000
<v Speaker 1>it private as of now, it can't.

0:34:42.040 --> 0:34:43.319
<v Speaker 2>You know, that's gonna weird me out.

0:34:43.440 --> 0:34:47.480
<v Speaker 3>It's still just goldfish and the occasional koi, but not

0:34:47.600 --> 0:34:50.560
<v Speaker 3>dolphins yet. All right again, we talked to just yesterday

0:34:50.560 --> 0:34:53.920
<v Speaker 3>about how Americans can't keep two languages in their head.

0:34:53.960 --> 0:34:55.319
<v Speaker 3>So now I'm supposed to be able to speak English

0:34:55.360 --> 0:34:55.840
<v Speaker 3>and Dolphin.

0:34:55.920 --> 0:34:56.640
<v Speaker 2>I can dolphin.

0:34:57.239 --> 0:34:58.640
<v Speaker 4>A chance, sh.

0:35:00.120 --> 0:35:05.480
<v Speaker 1>That happened? My god? I can barely speak frontseais back

0:35:05.520 --> 0:35:05.919
<v Speaker 1>at the lab.

0:35:05.960 --> 0:35:08.560
<v Speaker 3>Adam alerts Doctor Zand about the scar. This is Basil's

0:35:08.680 --> 0:35:11.480
<v Speaker 3>third this week. He blames illegal drift nets on the

0:35:11.600 --> 0:35:14.200
<v Speaker 3>Marie Rose, a commercial boat that has been catching in

0:35:14.239 --> 0:35:17.000
<v Speaker 3>a regular amount offici lately, but Doctor Zan reminds him

0:35:17.040 --> 0:35:19.759
<v Speaker 3>they are a research center, not the police out on

0:35:19.800 --> 0:35:21.160
<v Speaker 3>the beach, so as he can't find her a clear

0:35:21.280 --> 0:35:23.759
<v Speaker 3>nail polish, but we can. Little brother Rob is using

0:35:23.800 --> 0:35:24.440
<v Speaker 3>it to preserve his.

0:35:24.480 --> 0:35:26.680
<v Speaker 1>Bugs and there's a lot of like catching animals and

0:35:27.400 --> 0:35:29.960
<v Speaker 1>casing them in this movie. Out on the water, the

0:35:30.040 --> 0:35:33.760
<v Speaker 1>radical dude, some radical dude, a radical dude is performing

0:35:33.880 --> 0:35:36.520
<v Speaker 1>jumps on a wave runner. Rob is very impressed. The

0:35:36.560 --> 0:35:38.680
<v Speaker 1>trickster eventually pulls up on the sand and it's that.

0:35:38.840 --> 0:35:42.200
<v Speaker 3>A hole Zachary Gray. He instantly goes in for a kiss,

0:35:42.520 --> 0:35:44.880
<v Speaker 3>but Vicky pushes him away. He never even responded to

0:35:44.920 --> 0:35:47.560
<v Speaker 3>a Christmas card, and it heard her. He apologizes, he

0:35:47.719 --> 0:35:48.040
<v Speaker 3>was busy.

0:35:48.080 --> 0:35:51.719
<v Speaker 2>He like, wait a minute, wait a minute, I need

0:35:51.800 --> 0:35:54.880
<v Speaker 2>to if if Christmas cards were like the thing that

0:35:55.160 --> 0:35:58.120
<v Speaker 2>like really set the standard of where you were in relationships,

0:35:58.280 --> 0:36:00.560
<v Speaker 2>I'm like, I gotta go back in time and be

0:36:00.640 --> 0:36:03.680
<v Speaker 2>a lot more pissed off. It's on my boyfriends. I

0:36:03.800 --> 0:36:05.239
<v Speaker 2>would a Christmas card.

0:36:05.560 --> 0:36:08.120
<v Speaker 1>Ever, I've never sent a Christmas card in my life.

0:36:08.520 --> 0:36:10.000
<v Speaker 1>I've never given my wife.

0:36:09.760 --> 0:36:11.879
<v Speaker 2>A Christmas card and send a Christmas card?

0:36:12.160 --> 0:36:15.560
<v Speaker 1>You jerk, Like what, We're twelve, how dare you not

0:36:15.680 --> 0:36:16.799
<v Speaker 1>send me a Christmas card?

0:36:17.239 --> 0:36:21.000
<v Speaker 2>Like, oh my god, what that was so funny?

0:36:21.040 --> 0:36:23.840
<v Speaker 3>I was like, yeah, that was By the way, he

0:36:24.040 --> 0:36:26.400
<v Speaker 3>might be a little older, but I figured she's what

0:36:26.600 --> 0:36:28.560
<v Speaker 3>supposed to be like seventeen eighteen.

0:36:28.800 --> 0:36:30.480
<v Speaker 2>She didn't seem seventeen at all.

0:36:30.560 --> 0:36:32.719
<v Speaker 1>She didn't to me, but I think that's what she

0:36:32.880 --> 0:36:33.400
<v Speaker 1>was supposed to be.

0:36:33.640 --> 0:36:36.239
<v Speaker 2>I was thinking she'd be like a freshman, but then

0:36:37.480 --> 0:36:40.120
<v Speaker 2>like the well, yeah.

0:36:40.760 --> 0:36:43.040
<v Speaker 3>Her little sister said that she was going to get

0:36:43.040 --> 0:36:45.279
<v Speaker 3>in trying to get an early admission to MIT in

0:36:45.360 --> 0:36:46.560
<v Speaker 3>the next two years.

0:36:47.200 --> 0:36:50.120
<v Speaker 1>Her sister was right, but her sister looks like she's

0:36:50.160 --> 0:36:50.760
<v Speaker 1>what eleven?

0:36:51.040 --> 0:36:53.640
<v Speaker 2>Okay, this was one of my Sabrina seas. I was like, what,

0:36:54.200 --> 0:36:57.680
<v Speaker 2>who are these kids like early admission to MIT. He's

0:36:57.680 --> 0:36:58.800
<v Speaker 2>already got into Harvard.

0:36:58.840 --> 0:37:01.080
<v Speaker 1>Yeah, they're one of these smarty, smart families. That's what

0:37:01.080 --> 0:37:01.719
<v Speaker 1>they're supposed to be.

0:37:01.840 --> 0:37:03.839
<v Speaker 2>But even later on we just talked about the scene

0:37:03.880 --> 0:37:06.759
<v Speaker 2>the little brother with the with the bugs on the beach. Yeah,

0:37:07.160 --> 0:37:10.480
<v Speaker 2>he's like saying the like full on, Like I mean,

0:37:10.520 --> 0:37:13.520
<v Speaker 2>I know he's a bug guy and loves bugs, but

0:37:13.719 --> 0:37:17.040
<v Speaker 2>like he seemed to be very like, kind of very

0:37:17.239 --> 0:37:17.879
<v Speaker 2>I think.

0:37:18.360 --> 0:37:18.400
<v Speaker 1>So.

0:37:18.600 --> 0:37:20.480
<v Speaker 3>My guess is, having not read any of these books,

0:37:21.640 --> 0:37:25.880
<v Speaker 3>my guess is this is the she Vicky is the artist,

0:37:26.080 --> 0:37:28.360
<v Speaker 3>born into a very scientific family.

0:37:28.760 --> 0:37:31.600
<v Speaker 1>Yes, her parents work at a university. Her sister's going

0:37:31.680 --> 0:37:32.280
<v Speaker 1>to go to mit.

0:37:32.520 --> 0:37:35.239
<v Speaker 3>Her brother's a little nerdy bug guy, and she wants

0:37:35.280 --> 0:37:38.120
<v Speaker 3>to write poetry, which is why her family is trying

0:37:38.160 --> 0:37:41.400
<v Speaker 3>to get her to go like concentrate on physics and

0:37:41.520 --> 0:37:41.840
<v Speaker 3>do all that.

0:37:42.040 --> 0:37:42.920
<v Speaker 1>And it's her grandfather.

0:37:42.920 --> 0:37:44.600
<v Speaker 3>That's why she's like, my grandfather's the only one who

0:37:44.680 --> 0:37:48.360
<v Speaker 3>understands me, because he's like, art is just as important

0:37:48.400 --> 0:37:49.040
<v Speaker 3>as the science.

0:37:49.400 --> 0:37:50.160
<v Speaker 1>And they didn't.

0:37:50.320 --> 0:37:53.160
<v Speaker 3>I had to infer that from the film. They did

0:37:53.239 --> 0:37:56.439
<v Speaker 3>not really bracket it, and they should have. But that's

0:37:56.560 --> 0:37:57.920
<v Speaker 3>my guess is she's like.

0:37:58.040 --> 0:37:59.920
<v Speaker 2>Little small things like oh, I'm going to go into

0:38:00.000 --> 0:38:01.880
<v Speaker 2>I'm getting early I want to get early acceptance, I

0:38:01.920 --> 0:38:02.640
<v Speaker 2>want this, I want that.

0:38:02.800 --> 0:38:04.560
<v Speaker 3>It's like I think they were trying to set it

0:38:04.640 --> 0:38:06.800
<v Speaker 3>up to where she's she's the artist born into a

0:38:07.200 --> 0:38:11.400
<v Speaker 3>very scientific family, right, so yeah, but he yeah, you're right, No,

0:38:11.600 --> 0:38:16.400
<v Speaker 3>no Christmas card at fifteen, we're done. He apologies, He apologizes,

0:38:16.440 --> 0:38:18.359
<v Speaker 3>he was busy getting thrown out of private schools. Also,

0:38:18.440 --> 0:38:19.120
<v Speaker 3>his mom died.

0:38:19.719 --> 0:38:22.200
<v Speaker 1>That's literally how he says it for real. And now,

0:38:22.400 --> 0:38:23.640
<v Speaker 1>of course Susie feels.

0:38:23.440 --> 0:38:25.880
<v Speaker 3>Terrible, but it's like, wait, what he's like, come on,

0:38:26.040 --> 0:38:28.000
<v Speaker 3>I was busy, I had stuff to do, and my

0:38:28.120 --> 0:38:28.879
<v Speaker 3>mother a lie.

0:38:29.800 --> 0:38:31.520
<v Speaker 2>Thought it was like a total lie.

0:38:31.920 --> 0:38:33.000
<v Speaker 1>I really.

0:38:34.200 --> 0:38:35.120
<v Speaker 4>He was just used.

0:38:35.239 --> 0:38:37.759
<v Speaker 2>This was like a line that he uses to get

0:38:37.800 --> 0:38:40.560
<v Speaker 2>into girls pants, like, oh, feel bad for me. I

0:38:40.680 --> 0:38:42.160
<v Speaker 2>am just like this like lost.

0:38:41.920 --> 0:38:45.640
<v Speaker 6>Soul when mom died, My mom died and what I'm

0:38:45.719 --> 0:38:47.920
<v Speaker 6>just saying like that it did, and the way he

0:38:48.080 --> 0:38:51.680
<v Speaker 6>played it seemed very like, Ah, this didn't really happen,

0:38:51.800 --> 0:38:52.880
<v Speaker 6>but I think you'll believe it.

0:38:53.160 --> 0:38:55.880
<v Speaker 3>And I guess I think we've read about this Moudon

0:38:55.960 --> 0:38:58.000
<v Speaker 3>either but I think everything we've read about this movie

0:38:58.360 --> 0:39:00.200
<v Speaker 3>is this is why I say it's like a and

0:39:00.200 --> 0:39:03.040
<v Speaker 3>their Stars kind of situation where it's I think one

0:39:03.080 --> 0:39:06.839
<v Speaker 3>of the underlying themes of this entire film is death, Yes,

0:39:07.080 --> 0:39:08.000
<v Speaker 3>and that's what it's supposed to be.

0:39:08.040 --> 0:39:09.800
<v Speaker 1>And then they're like, let's also have dolphins.

0:39:10.239 --> 0:39:13.200
<v Speaker 3>So I think it's just everybody's dealing with death, which hey,

0:39:13.560 --> 0:39:15.560
<v Speaker 3>funny premise for a dcom right, And up.

0:39:15.600 --> 0:39:19.200
<v Speaker 2>Until now, we didn't really hear about the dad, about

0:39:19.320 --> 0:39:22.520
<v Speaker 2>Vicky's dad, so that was a question mark on my

0:39:23.040 --> 0:39:25.640
<v Speaker 2>my Like listening in was like, was that going to

0:39:25.680 --> 0:39:26.279
<v Speaker 2>be something that.

0:39:26.520 --> 0:39:28.560
<v Speaker 3>Like, which I guess is one of the reasons that

0:39:28.600 --> 0:39:30.320
<v Speaker 3>people that like the book really hated this movie is

0:39:30.360 --> 0:39:31.800
<v Speaker 3>because I guess the parents had a lot to do

0:39:31.920 --> 0:39:32.279
<v Speaker 3>in the book.

0:39:32.800 --> 0:39:36.200
<v Speaker 1>Okay, yeah, yeah, which so yeah. But they hug and

0:39:36.320 --> 0:39:37.360
<v Speaker 1>he admits that he missed her.

0:39:37.600 --> 0:39:39.360
<v Speaker 3>Back in the beach, Rob has thrown a frisbee in

0:39:39.440 --> 0:39:41.000
<v Speaker 3>the ocean for the dog, but the canine is too

0:39:41.040 --> 0:39:43.120
<v Speaker 3>old to swim, so not dog's probably going to die

0:39:43.200 --> 0:39:45.560
<v Speaker 3>soon too, so now Rob has to retrieve it. But

0:39:45.680 --> 0:39:47.560
<v Speaker 3>then on his way, he has trouble with the strong

0:39:47.640 --> 0:39:48.800
<v Speaker 3>tide and starts to drown.

0:39:48.880 --> 0:39:49.920
<v Speaker 1>This movie's hysterical.

0:39:50.280 --> 0:39:53.080
<v Speaker 3>He screams for help, but only the dog notices because

0:39:53.440 --> 0:39:56.239
<v Speaker 3>Zachary is now blabbering on about flying lessons. This guy

0:39:57.640 --> 0:40:00.040
<v Speaker 3>he wants to take Vicky flying one day, but he

0:40:00.080 --> 0:40:02.480
<v Speaker 3>says her parents would never let her go with him,

0:40:02.800 --> 0:40:04.799
<v Speaker 3>but also if she has a dead brother, things would

0:40:04.840 --> 0:40:07.040
<v Speaker 3>change anyway, And that's when she notices her brother is

0:40:07.080 --> 0:40:08.680
<v Speaker 3>missing Vicky.

0:40:09.920 --> 0:40:13.440
<v Speaker 2>This is also why the Beach is not a place

0:40:13.640 --> 0:40:18.680
<v Speaker 2>to send children of that age without like fur real

0:40:19.000 --> 0:40:22.040
<v Speaker 2>parental or like adult supervision.

0:40:21.600 --> 0:40:24.120
<v Speaker 3>Or a lifeguard or something like that. I mean, it's yes, yeah,

0:40:24.160 --> 0:40:29.120
<v Speaker 3>there's an undertotal reel. Vicky then rushes into the water

0:40:29.560 --> 0:40:31.960
<v Speaker 3>but can't find him. However, we see that he's submerged

0:40:31.960 --> 0:40:34.680
<v Speaker 3>in lifeless just as a dolphin passes is soon to

0:40:34.719 --> 0:40:38.200
<v Speaker 3>be bloated carcass. The dolphin starts nudging him and chirping,

0:40:38.280 --> 0:40:40.600
<v Speaker 3>pushing him up for as much needed air. Eventually, Vicky

0:40:40.640 --> 0:40:42.960
<v Speaker 3>spots her brother, now much closer to the shore and alive.

0:40:43.360 --> 0:40:44.920
<v Speaker 3>He has no memory of how he was saved, but

0:40:45.040 --> 0:40:46.760
<v Speaker 3>that's when we see the dolphin.

0:40:46.680 --> 0:40:50.719
<v Speaker 1>Who celebrates and swims away, which Sabrina still thinks is

0:40:50.840 --> 0:40:54.080
<v Speaker 1>somehow actually a human and related to the family. Later,

0:40:54.280 --> 0:40:57.919
<v Speaker 1>Vicky and her grandfather uncle Richie.

0:40:59.320 --> 0:41:02.120
<v Speaker 3>Later, Vicky and her grandfather are walking in town, not

0:41:02.280 --> 0:41:04.320
<v Speaker 3>talking about how her brother almost died but a magical

0:41:04.360 --> 0:41:07.160
<v Speaker 3>dolphin save them, But instead they run the harbor master,

0:41:07.440 --> 0:41:09.440
<v Speaker 3>who was also happy to see her grandpa out and

0:41:09.520 --> 0:41:12.240
<v Speaker 3>about because, as we know and she doesn't, he'll probably

0:41:12.320 --> 0:41:14.440
<v Speaker 3>be dead soon, so.

0:41:14.560 --> 0:41:15.520
<v Speaker 1>Everybody knows but her.

0:41:16.040 --> 0:41:18.760
<v Speaker 3>Once alone again, Vicky confides in her grandpa her big secret.

0:41:18.880 --> 0:41:20.920
<v Speaker 3>She knows what dolphins are thinking and all those It

0:41:21.000 --> 0:41:22.680
<v Speaker 3>sounds like the kind of thing you'd say right before

0:41:22.680 --> 0:41:24.799
<v Speaker 3>you're taking away in a straight jacket. He believes her,

0:41:25.120 --> 0:41:28.640
<v Speaker 3>mostly because her grandmother used to have women's intuition, which

0:41:28.800 --> 0:41:30.960
<v Speaker 3>I guess is one way to look at that.

0:41:31.640 --> 0:41:34.759
<v Speaker 2>Another check mark that this might have been the grandmother

0:41:34.880 --> 0:41:35.879
<v Speaker 2>that's about to give birth.

0:41:36.280 --> 0:41:39.239
<v Speaker 1>Yeah, it might not be the pregnant dolphin grandma may

0:41:39.320 --> 0:41:42.439
<v Speaker 1>or may not be. Uh yeah, we're so Superhena's still

0:41:42.920 --> 0:41:44.360
<v Speaker 1>popcorn halfway to her mouth.

0:41:44.320 --> 0:41:49.560
<v Speaker 2>Like I I'm not sure waiting at this point all

0:41:49.680 --> 0:41:51.160
<v Speaker 2>the job Wow.

0:41:51.160 --> 0:41:51.360
<v Speaker 1>We know.

0:41:53.719 --> 0:41:57.399
<v Speaker 3>He encourages her to consider it a compliment, and now

0:41:57.560 --> 0:41:59.719
<v Speaker 3>she needs to know why are people in town so

0:41:59.840 --> 0:42:00.919
<v Speaker 3>cancerned with his well being?

0:42:01.000 --> 0:42:03.080
<v Speaker 1>He cites his general age and gives it no mind.

0:42:03.600 --> 0:42:05.879
<v Speaker 3>Later on, Vicky has lunch with Zachary, who complains about

0:42:05.880 --> 0:42:08.080
<v Speaker 3>the mixed messages he's been getting from his dad since

0:42:08.120 --> 0:42:09.960
<v Speaker 3>his mom died, he got kicked out of school, and

0:42:09.960 --> 0:42:11.479
<v Speaker 3>his dad still bottom of a car and a boat.

0:42:11.920 --> 0:42:13.880
<v Speaker 3>All the while, Zachary is telling Vicky he missed her

0:42:13.960 --> 0:42:17.520
<v Speaker 3>and holding her hand, and then Adam appears. VICKI introduces

0:42:17.560 --> 0:42:19.560
<v Speaker 3>her to love interest to one another, and now we

0:42:19.640 --> 0:42:24.480
<v Speaker 3>have officially kicked off a love triangle. There's immediate tention

0:42:24.560 --> 0:42:28.080
<v Speaker 3>when Adam lambas Zachary because his dad uses dangerous drift nets.

0:42:27.920 --> 0:42:28.319
<v Speaker 1>On his boat.

0:42:28.400 --> 0:42:31.839
<v Speaker 3>The Marie Rose, which turns out that's what Zach's dad does,

0:42:32.080 --> 0:42:34.680
<v Speaker 3>he kills dolphins for a living. But Zachary doesn't even

0:42:34.719 --> 0:42:36.680
<v Speaker 3>know what a drift net is, so Adam explains that

0:42:36.680 --> 0:42:39.960
<v Speaker 3>they're illegal and kill dolphins. Zachary doesn't seem too concerned.

0:42:40.040 --> 0:42:42.600
<v Speaker 3>He's mostly bothered that Vicky has become a quote unquote

0:42:42.640 --> 0:42:45.319
<v Speaker 3>dolphin hugger, which honestly sounds like a pretty cool thing

0:42:45.360 --> 0:42:45.480
<v Speaker 3>to do.

0:42:46.239 --> 0:42:48.680
<v Speaker 1>But well, except if you're Serena, then it's scary. But

0:42:48.920 --> 0:42:51.359
<v Speaker 1>he'll do anything for her, so he promises to look

0:42:51.400 --> 0:42:51.680
<v Speaker 1>into it.

0:42:52.040 --> 0:42:56.239
<v Speaker 2>I would do it in pools are fine. In the

0:42:56.320 --> 0:42:58.640
<v Speaker 2>ocean ever, again, dolphins are fine.

0:42:58.960 --> 0:42:59.120
<v Speaker 4>Yes.

0:43:00.080 --> 0:43:02.120
<v Speaker 3>That night, Zachary takes Adam and Vicky over to the

0:43:02.200 --> 0:43:04.120
<v Speaker 3>Marie Rose. The two guys sneak onto the boat to

0:43:04.160 --> 0:43:06.520
<v Speaker 3>search for the net. As Zachary grills at him about

0:43:06.520 --> 0:43:09.880
<v Speaker 3>a situation with Vicky. Then the boat's captain, Captain Scary

0:43:10.160 --> 0:43:12.799
<v Speaker 3>cranky Pants, who was exactly how I would have cast him,

0:43:13.120 --> 0:43:16.360
<v Speaker 3>he catches them. Zachary reveals himself, telling his dad's employee

0:43:16.400 --> 0:43:18.920
<v Speaker 3>that he's just showing his friends around the boat. Adam

0:43:19.080 --> 0:43:21.160
<v Speaker 3>did find the drift net before they left, but now

0:43:21.200 --> 0:43:25.120
<v Speaker 3>the captain is extremely suspicious. Zachary drops Vicky off at

0:43:25.160 --> 0:43:28.880
<v Speaker 3>home and we get a rare dcom kiss and ooh nice,

0:43:29.080 --> 0:43:31.319
<v Speaker 3>and he tells her to dream about him as he leaves.

0:43:31.760 --> 0:43:34.399
<v Speaker 1>Does this guy have any game? Is it just the money?

0:43:34.440 --> 0:43:36.280
<v Speaker 1>He's a good looking dude, right, But is he creepy?

0:43:36.560 --> 0:43:38.040
<v Speaker 1>How is this playing? Oh?

0:43:38.920 --> 0:43:42.400
<v Speaker 2>It kind of both, Like he is definitely not a

0:43:42.600 --> 0:43:46.400
<v Speaker 2>trustworthy guy, but I did believe that he was, like

0:43:46.560 --> 0:43:50.359
<v Speaker 2>the hot guy she's stoked is having an interest in her.

0:43:50.800 --> 0:43:53.400
<v Speaker 1>Okay, So it's it's the typical bad boy thing.

0:43:53.440 --> 0:43:56.839
<v Speaker 2>It's like, you got a bad, typical guy that he's

0:43:56.960 --> 0:43:59.719
<v Speaker 2>kissing you, but you are not sure when he jumps

0:43:59.760 --> 0:44:02.040
<v Speaker 2>in his car if he's going home or to like

0:44:02.239 --> 0:44:03.279
<v Speaker 2>someone else's house.

0:44:03.600 --> 0:44:06.719
<v Speaker 1>Right, And yet ninety percent of the girls would still

0:44:06.800 --> 0:44:08.200
<v Speaker 1>pick that guy at that age.

0:44:08.440 --> 0:44:10.680
<v Speaker 2>That was definitely Yes.

0:44:11.040 --> 0:44:13.200
<v Speaker 3>Nice guys do finish last at that age. But then

0:44:13.280 --> 0:44:16.040
<v Speaker 3>we win in the end, people, we win in the end.

0:44:16.160 --> 0:44:18.719
<v Speaker 3>So yes, she do, so buck up, buckers, You're gonna

0:44:18.719 --> 0:44:19.040
<v Speaker 3>be fine.

0:44:26.840 --> 0:44:27.040
<v Speaker 1>Yeah.

0:44:27.120 --> 0:44:29.319
<v Speaker 3>Then we are back in the ocean with Vicky now

0:44:29.400 --> 0:44:31.720
<v Speaker 3>a mermaid being followed closely by dolphins.

0:44:32.080 --> 0:44:34.560
<v Speaker 1>She kisses one just as it turns into atom and

0:44:34.680 --> 0:44:37.520
<v Speaker 1>now they kiss, and now she's kissed two different guys

0:44:37.600 --> 0:44:40.799
<v Speaker 1>and a dolphin. Dare I say by dcom standard, she's,

0:44:41.480 --> 0:44:43.120
<v Speaker 1>you know, kind of getting around a little.

0:44:42.920 --> 0:44:46.439
<v Speaker 2>Bit cally, little scalliwag a little bit little CALLI.

0:44:46.840 --> 0:44:49.600
<v Speaker 1>Hey, it's she's got free will.

0:44:49.680 --> 0:44:50.080
<v Speaker 4>This is all.

0:44:50.280 --> 0:44:54.919
<v Speaker 1>It's all good. Also, have you ever kissed anybody underwater? Yeah?

0:44:55.440 --> 0:44:59.279
<v Speaker 2>And it's so dumb, Like why is it dumb? Well,

0:44:59.320 --> 0:45:02.200
<v Speaker 2>it's just like, I mean, there's there's that, there's bubble,

0:45:02.440 --> 0:45:04.960
<v Speaker 2>like it's like not a not a good thing. It's

0:45:05.000 --> 0:45:09.479
<v Speaker 2>it's real dumb. It's like yeah, no, like it doesn't

0:45:09.520 --> 0:45:12.320
<v Speaker 2>make any sense too all right. But anyway, I was

0:45:12.360 --> 0:45:15.120
<v Speaker 2>also going to say this kiss is actually like the

0:45:15.320 --> 0:45:18.080
<v Speaker 2>third kiss, because I don't think in any of the

0:45:18.239 --> 0:45:23.360
<v Speaker 2>d coms we've seen do they kiss multiple times. You're right, Zachary.

0:45:23.800 --> 0:45:26.360
<v Speaker 2>She kisses it was like a cute little moment like

0:45:26.440 --> 0:45:28.680
<v Speaker 2>how like she's like, oh my gosh, that just happened.

0:45:28.680 --> 0:45:30.000
<v Speaker 2>And then they like kiss it again.

0:45:29.840 --> 0:45:32.080
<v Speaker 1>Before then she puts his hand on it, on his face,

0:45:32.120 --> 0:45:34.880
<v Speaker 1>and then she kisses him again. Yes, and then and.

0:45:34.920 --> 0:45:37.120
<v Speaker 2>Then we go inside. We've never really seen them go

0:45:37.239 --> 0:45:41.319
<v Speaker 2>in for like a double kiss. And then oh my god,

0:45:41.520 --> 0:45:45.480
<v Speaker 2>we got like within thirty seconds she's kissing another guy.

0:45:45.800 --> 0:45:49.000
<v Speaker 1>Yes, but this was in a dream, for it isn't.

0:45:48.800 --> 0:45:51.040
<v Speaker 2>A dream, but it's still happening on screen.

0:45:51.640 --> 0:45:52.440
<v Speaker 1>Well it started.

0:45:52.640 --> 0:45:55.000
<v Speaker 3>It was originally started with her about to kiss her

0:45:55.120 --> 0:45:59.120
<v Speaker 3>dolphin grandmother, and then that turns into Adam, that's what

0:45:59.480 --> 0:46:00.200
<v Speaker 3>it is.

0:46:00.239 --> 0:46:02.080
<v Speaker 1>They're like, when are they gonna make it her grandmother?

0:46:02.800 --> 0:46:04.560
<v Speaker 2>But she gonna come alive. When do we get to

0:46:04.560 --> 0:46:05.719
<v Speaker 2>see what the grandma really looks like?

0:46:06.080 --> 0:46:08.800
<v Speaker 1>I know? And then she wakes up them from the fantasy.

0:46:09.000 --> 0:46:11.120
<v Speaker 3>Just they cut right before we were finally gonna find

0:46:11.160 --> 0:46:14.879
<v Speaker 3>out how mermaids actually had sex, right because still don't

0:46:14.920 --> 0:46:17.359
<v Speaker 3>still have no idea. The next morning, Adam bikes down

0:46:17.400 --> 0:46:19.800
<v Speaker 3>to harbor patrol to alert them about the Marie Roses

0:46:19.880 --> 0:46:22.920
<v Speaker 3>drift net. To pacify the concerned activists, the harbor patrolman

0:46:22.960 --> 0:46:25.600
<v Speaker 3>promises he'll check out the boat when it docks. Back

0:46:25.640 --> 0:46:28.800
<v Speaker 3>at Grandfather's, Vicky gets some flowers from Zachary, and Susie

0:46:28.840 --> 0:46:31.440
<v Speaker 3>basically calls her sister a cheap fluozy for dating two

0:46:31.480 --> 0:46:33.960
<v Speaker 3>guys at the same time, but Grandfather calls it the

0:46:34.080 --> 0:46:35.120
<v Speaker 3>adventure of life.

0:46:35.560 --> 0:46:36.319
<v Speaker 1>Susie plans on.

0:46:36.400 --> 0:46:38.160
<v Speaker 3>Just dating one guy and calling it a day, and

0:46:38.239 --> 0:46:40.399
<v Speaker 3>then on cue, Adam arrives with some books to return.

0:46:40.480 --> 0:46:45.200
<v Speaker 1>This guy reads thirty five philosophy books. Yay, he is so.

0:46:45.360 --> 0:46:48.480
<v Speaker 3>Vicky quickly hides the bouquet. Grandpa invites him to stay

0:46:48.520 --> 0:46:50.560
<v Speaker 3>for dinner, and he takes the one perfectly prepped open

0:46:50.600 --> 0:46:51.319
<v Speaker 3>seat at the table.

0:46:51.480 --> 0:46:56.200
<v Speaker 1>How coincidental? Also, you assume they made enough food. It's

0:46:56.520 --> 0:46:58.279
<v Speaker 1>it's a lot to add another person to the meal.

0:46:58.680 --> 0:47:01.000
<v Speaker 1>I mean you always kind of not always.

0:47:02.080 --> 0:47:04.720
<v Speaker 3>After the meal, while Vicki cleans, that did not always

0:47:05.400 --> 0:47:05.959
<v Speaker 3>tell you a story?

0:47:06.000 --> 0:47:07.000
<v Speaker 2>Who makes it to the tea?

0:47:07.080 --> 0:47:07.920
<v Speaker 6>Do not tell you?

0:47:08.520 --> 0:47:11.239
<v Speaker 3>Sue was growing up, they had something in Sue's family

0:47:11.280 --> 0:47:15.080
<v Speaker 3>called FHB, which was family holdback. If somebody random showed up,

0:47:15.080 --> 0:47:17.600
<v Speaker 3>they all had to take smaller portions so that the

0:47:17.760 --> 0:47:19.560
<v Speaker 3>new person could could eat food too.

0:47:19.920 --> 0:47:22.640
<v Speaker 1>FH Family hold Back, Thank you very much. Hope that

0:47:22.719 --> 0:47:23.600
<v Speaker 1>catches up trademark.

0:47:25.000 --> 0:47:27.759
<v Speaker 3>After the meal, while Vicki cleans the dishes, Adam tells

0:47:27.760 --> 0:47:30.520
<v Speaker 3>the group is dolphin origin story, which includes a magical

0:47:30.600 --> 0:47:33.239
<v Speaker 3>meeting with the animals. In a weird exchange, Vicky is

0:47:33.280 --> 0:47:36.880
<v Speaker 3>offended that Adam is such a fact based scientist, arguing

0:47:36.960 --> 0:47:39.600
<v Speaker 3>that not everything needs to be explained. Things get heated,

0:47:39.640 --> 0:47:41.759
<v Speaker 3>but they're quickly interrupted by the arrival of Dan, the

0:47:41.840 --> 0:47:44.279
<v Speaker 3>harbor patrolman, and it seemed like she just wanted to fight.

0:47:45.200 --> 0:47:45.560
<v Speaker 1>He says.

0:47:45.640 --> 0:47:47.839
<v Speaker 3>He searched the Marie Rose, but there was no drift net.

0:47:48.120 --> 0:47:50.799
<v Speaker 3>Adams convinced the captain hid them. After their surprise visit,

0:47:51.040 --> 0:47:53.360
<v Speaker 3>they decide they'll need to bust them while using the

0:47:53.480 --> 0:47:56.440
<v Speaker 3>drift net now. Later that night, grandfather joins Vicky on

0:47:56.480 --> 0:47:59.040
<v Speaker 3>the balcony to commend her ability to challenge Adam. She

0:47:59.160 --> 0:48:01.759
<v Speaker 3>calls the aspiring biologists hard to read and knows it

0:48:01.800 --> 0:48:03.640
<v Speaker 3>would be easier if she was a dolphin.

0:48:04.239 --> 0:48:04.520
<v Speaker 2>Okay.

0:48:04.880 --> 0:48:05.520
<v Speaker 1>They admire the.

0:48:05.560 --> 0:48:08.040
<v Speaker 3>Stars, but Grandpa doesn't look through the telescope anymore because

0:48:08.040 --> 0:48:10.680
<v Speaker 3>it takes away all the magic. He acknowledges that Susie

0:48:10.719 --> 0:48:13.040
<v Speaker 3>knows all the scientific facts about the universe, but wishes

0:48:13.080 --> 0:48:15.799
<v Speaker 3>she could just enjoy the magic itself. He then reads

0:48:15.840 --> 0:48:18.239
<v Speaker 3>his granddaughter the passage from the Henry Vaughan poem that

0:48:18.280 --> 0:48:20.200
<v Speaker 3>includes the title of the movie, and she loves it.

0:48:20.840 --> 0:48:23.239
<v Speaker 3>The next morning, over at Zachary's compound, the dad brings

0:48:23.320 --> 0:48:25.920
<v Speaker 3>up the recent boat visit he made with Adam. Zachary

0:48:26.000 --> 0:48:28.000
<v Speaker 3>sells it as innocent, but his dad isn't buying it.

0:48:28.239 --> 0:48:30.400
<v Speaker 3>He explains the houses, the cars, the private school, that

0:48:30.520 --> 0:48:33.160
<v Speaker 3>lifestyle is maintained through the business, and if Zachary does

0:48:33.200 --> 0:48:34.160
<v Speaker 3>anything stupid.

0:48:34.040 --> 0:48:35.080
<v Speaker 1>Everything will go away.

0:48:36.160 --> 0:48:38.880
<v Speaker 3>Back at the research center, Vicki finds doctor Zand and

0:48:38.920 --> 0:48:42.240
<v Speaker 3>Adam frantically helping Enid through a difficult delivery. They're about

0:48:42.239 --> 0:48:45.279
<v Speaker 3>to sedate her, but Vicky intervenes. She said Enid doesn't

0:48:45.320 --> 0:48:47.320
<v Speaker 3>want to be sedated. She wants to be reunited with

0:48:47.400 --> 0:48:50.520
<v Speaker 3>Basil for the birth. The doctor demands Vicki minder business,

0:48:50.560 --> 0:48:53.160
<v Speaker 3>but Adam convinces her to let Baselin and the two

0:48:53.280 --> 0:48:54.280
<v Speaker 3>immediately reconnect.

0:48:54.520 --> 0:48:56.759
<v Speaker 1>And then another first for d coms. We see the

0:48:56.840 --> 0:48:59.480
<v Speaker 1>birth of a dolphin, which was actually kind of cool.

0:49:00.080 --> 0:49:04.640
<v Speaker 2>Yeah true, another another first, even like we haven't had

0:49:04.680 --> 0:49:05.240
<v Speaker 2>any births.

0:49:05.680 --> 0:49:07.600
<v Speaker 1>No, I mean, I don't think we're showing a close

0:49:07.680 --> 0:49:10.759
<v Speaker 1>up like well no, sir, no, but I mean like.

0:49:11.640 --> 0:49:14.640
<v Speaker 2>There's no like, oh, this is your little sister, right,

0:49:14.760 --> 0:49:15.440
<v Speaker 2>we have an oh.

0:49:15.440 --> 0:49:16.920
<v Speaker 1>No quinch quince?

0:49:17.080 --> 0:49:21.480
<v Speaker 4>Yeah, there was five away from the horse, said, wasn't

0:49:21.480 --> 0:49:22.000
<v Speaker 4>there a horse?

0:49:22.040 --> 0:49:24.759
<v Speaker 1>Berth an horse sense did we cut away from it

0:49:24.800 --> 0:49:25.920
<v Speaker 1>in horse sense? I can't remember?

0:49:26.640 --> 0:49:29.120
<v Speaker 4>Remember? Oh no, is there a berth in the two

0:49:29.239 --> 0:49:31.319
<v Speaker 4>girls that take over the farm The Simple Life?

0:49:32.480 --> 0:49:34.640
<v Speaker 2>Oh? That was cow Bells and.

0:49:36.880 --> 0:49:37.960
<v Speaker 4>I think we have a berth in that.

0:49:38.280 --> 0:49:40.080
<v Speaker 1>Okay, all right, so we got some animal births.

0:49:40.600 --> 0:49:42.479
<v Speaker 3>I want a human brow with the first Disney channel

0:49:42.560 --> 0:49:45.200
<v Speaker 3>human birth and Disney just owns the baby the second

0:49:45.280 --> 0:49:45.719
<v Speaker 3>it comes out.

0:49:46.800 --> 0:49:47.480
<v Speaker 1>That's how it would be.

0:49:47.719 --> 0:49:49.040
<v Speaker 4>We still have a descendants left.

0:49:49.560 --> 0:49:54.960
<v Speaker 3>Yeah, we're getting from a producer, michaela that this was

0:49:55.000 --> 0:49:56.600
<v Speaker 3>a lot for a decom, especially with the blood and

0:49:56.640 --> 0:49:58.239
<v Speaker 3>there was like the splash of blood coming out of.

0:49:58.200 --> 0:50:00.600
<v Speaker 1>The Dolphins's true, we saw birth. It was obviously a

0:50:00.640 --> 0:50:01.680
<v Speaker 1>real birth. It was pretty cool.

0:50:02.600 --> 0:50:04.759
<v Speaker 3>Everyone celebrates, but Adam and the doctor want to know

0:50:04.880 --> 0:50:07.640
<v Speaker 3>exactly what the hell is going on? Fair question put

0:50:07.719 --> 0:50:10.400
<v Speaker 3>on the spot. Well, Vicky runs out, but Adam stops

0:50:10.400 --> 0:50:12.560
<v Speaker 3>her before she can get too far. He knows she

0:50:12.680 --> 0:50:16.320
<v Speaker 3>can telepathically communicate with the dolphins, which seemed like a

0:50:16.600 --> 0:50:19.680
<v Speaker 3>very quick conclusion to make, and even though Adam explains

0:50:19.680 --> 0:50:22.000
<v Speaker 3>how helpful her ability can be, Vicky's not interested in

0:50:22.080 --> 0:50:25.840
<v Speaker 3>becoming a case study. Meanwhile, Zachary secretly takes photos of

0:50:25.920 --> 0:50:28.120
<v Speaker 3>the Marie Rose right in the process of using.

0:50:27.960 --> 0:50:31.880
<v Speaker 1>A driftnet score. The next day, Vicky is writing poetry

0:50:31.920 --> 0:50:32.520
<v Speaker 1>near the lighthouse.

0:50:32.520 --> 0:50:35.160
<v Speaker 3>When Adam finds her, he apologizes for making her feel bad,

0:50:35.200 --> 0:50:37.200
<v Speaker 3>but Vicky's still mad that all he wants in life

0:50:37.280 --> 0:50:40.480
<v Speaker 3>is proof and data. He's a scientist going to Harvard,

0:50:40.880 --> 0:50:43.560
<v Speaker 3>especially because she has no idea how she communicates with dolphins.

0:50:44.000 --> 0:50:45.600
<v Speaker 3>She doesn't want to be studied like one of her

0:50:45.640 --> 0:50:48.160
<v Speaker 3>brother's bugs, Like I could just see him putting her

0:50:48.200 --> 0:50:50.400
<v Speaker 3>in a giant thing of a nail polish, just to

0:50:51.520 --> 0:50:54.640
<v Speaker 3>keep her all solid. Like she said, some things in

0:50:54.680 --> 0:50:57.080
<v Speaker 3>the world just don't need an explanation, but uh, talking

0:50:57.120 --> 0:50:59.080
<v Speaker 3>to animals, let's maybe get an explanation.

0:51:00.000 --> 0:51:01.880
<v Speaker 1>He finally admits he's just jealous.

0:51:01.960 --> 0:51:04.080
<v Speaker 3>He knows everything about dolphins, but he can't actually talk

0:51:04.120 --> 0:51:06.080
<v Speaker 3>to them, but he wishes he could so he could

0:51:06.120 --> 0:51:08.080
<v Speaker 3>say goodbye to them at the end of this summer.

0:51:08.440 --> 0:51:11.279
<v Speaker 3>Vicky loves hearing his emotional side and they make up. Also,

0:51:11.360 --> 0:51:13.080
<v Speaker 3>there are tons of close ups of Mischa Barton in

0:51:13.120 --> 0:51:15.919
<v Speaker 3>the scene. Again, her hair is not blowing anywhere.

0:51:15.600 --> 0:51:18.000
<v Speaker 1>But she's stunning, and he's a good looking dude. Too.

0:51:18.440 --> 0:51:20.560
<v Speaker 3>This is a good looking cast. This could be up

0:51:20.600 --> 0:51:24.200
<v Speaker 3>there for all around best looking cast. You know the

0:51:24.280 --> 0:51:28.800
<v Speaker 3>gray guy, everybody good looking people. That night, Vicky asked Susie,

0:51:28.840 --> 0:51:31.040
<v Speaker 3>her little sister, for advice on Adam and Zachary, which

0:51:31.080 --> 0:51:33.799
<v Speaker 3>doesn't seem like the most reliable opinion, but okay, sure.

0:51:34.200 --> 0:51:35.920
<v Speaker 3>She says there are great traits in both of them.

0:51:36.000 --> 0:51:38.080
<v Speaker 3>Adam knows his future while the other is in flux

0:51:38.160 --> 0:51:41.160
<v Speaker 3>but very exciting. Zachary gets the vote for looks and

0:51:41.280 --> 0:51:44.200
<v Speaker 3>Adam gets the votes for smart, but he smells like

0:51:44.320 --> 0:51:48.040
<v Speaker 3>fish and formaldehyde. Without a definite answer, she suggests a

0:51:48.239 --> 0:51:51.560
<v Speaker 3>pros and cons list. That night, Vicki goes on a

0:51:51.719 --> 0:51:54.160
<v Speaker 3>fancy dinner date with Zachary, where he reveals he knows

0:51:54.200 --> 0:51:56.880
<v Speaker 3>they went to the harbor patrolman about his dad, but

0:51:57.000 --> 0:51:57.799
<v Speaker 3>instead of being mad.

0:51:57.719 --> 0:51:59.960
<v Speaker 1>He's actually proud of them. And then they're joined by

0:52:00.040 --> 0:52:04.279
<v Speaker 1>a surprise guest. Adam is zach playing chess? Here is

0:52:04.320 --> 0:52:06.320
<v Speaker 1>he just kind of clueless? I don't know what's going on.

0:52:06.640 --> 0:52:08.759
<v Speaker 1>He shows them the photos he took, clearly documenting the

0:52:08.880 --> 0:52:11.000
<v Speaker 1>nuts being used, but Adam says it's not gonna be enough.

0:52:11.320 --> 0:52:13.640
<v Speaker 1>They need to personally catch them in the act, and

0:52:13.800 --> 0:52:15.680
<v Speaker 1>Zachary thinks, you know what, that could be arranged.

0:52:16.200 --> 0:52:19.400
<v Speaker 3>Enough of this dolphin saving though, zach wants to dance,

0:52:20.320 --> 0:52:21.680
<v Speaker 3>which I thought was such weird.

0:52:21.719 --> 0:52:26.399
<v Speaker 2>It's like, glad that we have that covered. Who wants

0:52:26.520 --> 0:52:28.200
<v Speaker 2>to dance? Anybody ready for some.

0:52:31.400 --> 0:52:32.280
<v Speaker 1>Let's dance?

0:52:32.760 --> 0:52:33.840
<v Speaker 4>Everybody do the dolphins?

0:52:34.239 --> 0:52:39.360
<v Speaker 1>Yeah, it was the doll. It was very strange.

0:52:39.760 --> 0:52:40.600
<v Speaker 2>The dolphin look like.

0:52:45.719 --> 0:52:48.120
<v Speaker 3>That's oh god, you realize that's now the social clip,

0:52:48.280 --> 0:52:49.640
<v Speaker 3>very good, Sabrina damn it.

0:52:52.480 --> 0:52:55.560
<v Speaker 1>Clip. He knows about a night club.

0:52:55.360 --> 0:52:59.000
<v Speaker 3>That is quote unquote totally insane, but Adam doesn't dance

0:52:59.000 --> 0:52:59.880
<v Speaker 3>because he's a scientist.

0:53:00.040 --> 0:53:02.359
<v Speaker 1>You can be one thing or another, you can't be balanced. Yeah,

0:53:02.600 --> 0:53:05.000
<v Speaker 1>So he encourages them to go alone. Vicky promises she

0:53:05.080 --> 0:53:07.800
<v Speaker 1>can teach him, but he isn't interested or is he.

0:53:09.000 --> 0:53:11.680
<v Speaker 3>That night, presumably after dancing all night at the totally

0:53:11.680 --> 0:53:14.400
<v Speaker 3>insane club and coming down from the mescaline, Vicky is

0:53:14.480 --> 0:53:17.160
<v Speaker 3>back home writing when she hears something outside.

0:53:17.400 --> 0:53:19.239
<v Speaker 1>It's Adam. He wants to know if the offer to

0:53:19.280 --> 0:53:22.239
<v Speaker 1>teach him how to dance still stands. Now they're out

0:53:22.239 --> 0:53:24.200
<v Speaker 1>on the beach next to a bomb fire in a boombox,

0:53:24.239 --> 0:53:26.719
<v Speaker 1>they're dancing with Vicky leading the way he asked, and

0:53:27.239 --> 0:53:29.560
<v Speaker 1>when it first comes up, it just so reminded me

0:53:29.640 --> 0:53:31.759
<v Speaker 1>of what I would look like dancing at that age, Like.

0:53:31.760 --> 0:53:34.360
<v Speaker 2>The No, this was the sweetest.

0:53:34.480 --> 0:53:35.240
<v Speaker 4>It was very sweet.

0:53:35.400 --> 0:53:38.160
<v Speaker 1>It was very sweet. It was I agree undred percent,

0:53:38.280 --> 0:53:40.279
<v Speaker 1>it was sweet. It looked good. The fire was great.

0:53:40.600 --> 0:53:41.040
<v Speaker 1>Good see.

0:53:41.880 --> 0:53:45.960
<v Speaker 2>And by the way, this is what ninety eight point

0:53:46.320 --> 0:53:50.800
<v Speaker 2>five percent of guys from like what middle schools the

0:53:50.880 --> 0:53:52.880
<v Speaker 2>first time they dance with the girl.

0:53:53.000 --> 0:53:55.400
<v Speaker 1>All the way to like my wedding.

0:53:59.520 --> 0:54:01.680
<v Speaker 2>Yes, oh, I mean like they get a little bit

0:54:01.719 --> 0:54:05.200
<v Speaker 2>more confidence, like probably like midway halfway you know, halfway

0:54:05.239 --> 0:54:08.320
<v Speaker 2>through high school. By like college, they're like feeling a

0:54:08.360 --> 0:54:09.360
<v Speaker 2>little bit more comfortable.

0:54:09.840 --> 0:54:11.920
<v Speaker 3>I would also have to add, I'm sorry to say

0:54:11.960 --> 0:54:15.239
<v Speaker 3>this that usually by college. I never went, but I

0:54:15.440 --> 0:54:18.160
<v Speaker 3>imagine when the guys are more confident in dancing in college,

0:54:18.200 --> 0:54:19.360
<v Speaker 3>it's because they're drunk.

0:54:20.280 --> 0:54:22.840
<v Speaker 2>Yes, so they've got like they're you know, they're a

0:54:22.840 --> 0:54:25.120
<v Speaker 2>little bit more loose. They're a little bit like, you know,

0:54:25.440 --> 0:54:27.440
<v Speaker 2>just kind of whatever. But I'm just saying, like this

0:54:27.680 --> 0:54:33.120
<v Speaker 2>was so exactly how everyone remembers. Yep, there a time

0:54:33.480 --> 0:54:36.680
<v Speaker 2>like for a while, how it felt dancing with you know,

0:54:37.360 --> 0:54:37.840
<v Speaker 2>you're like.

0:54:37.960 --> 0:54:46.000
<v Speaker 8>Crush yep, i'd be Valentine, say everybody, we still I

0:54:46.080 --> 0:54:49.400
<v Speaker 8>still joke with Susan that in the seventh grade there

0:54:49.520 --> 0:54:50.960
<v Speaker 8>was a girl named Tammy Taylor.

0:54:51.280 --> 0:54:52.880
<v Speaker 3>And it's not the same, not the same as the

0:54:52.960 --> 0:54:55.160
<v Speaker 3>character from Friday Night Lights, but her name is Tammy Taylor.

0:54:55.840 --> 0:54:58.120
<v Speaker 3>She would hold you so tight when you danced, and

0:54:58.239 --> 0:55:00.319
<v Speaker 3>I look at Sue occasionally and as a joke, I'm like.

0:55:00.440 --> 0:55:02.880
<v Speaker 1>I'll never feel that safe again as I did in Tammy.

0:55:02.640 --> 0:55:05.080
<v Speaker 3>Taylor's arms in the seventh grade. And then you know,

0:55:05.160 --> 0:55:08.560
<v Speaker 3>you'd be dancing to like Stairway to Heaven and it'd

0:55:08.560 --> 0:55:09.840
<v Speaker 3>be the greatest thing in the world. But then the

0:55:09.920 --> 0:55:11.520
<v Speaker 3>fast part would start and you didn't know are you're

0:55:11.520 --> 0:55:12.480
<v Speaker 3>supposed to break apart?

0:55:12.680 --> 0:55:14.320
<v Speaker 1>Do you? What the heck is supposed to go on?

0:55:14.760 --> 0:55:17.239
<v Speaker 1>But oh, Tammy Taylor, if you're listening, I remember that

0:55:17.360 --> 0:55:18.640
<v Speaker 1>slow dance. I'm telling you.

0:55:19.040 --> 0:55:22.200
<v Speaker 2>I'm actually just now thinking how excited I am for

0:55:22.280 --> 0:55:24.960
<v Speaker 2>your birthday party, because that will for sure be the

0:55:25.080 --> 0:55:27.200
<v Speaker 2>first time I get to see you in action.

0:55:28.760 --> 0:55:32.400
<v Speaker 1>Hopefully there'll be an open bar so it won't matter anyway, Yes.

0:55:32.719 --> 0:55:35.560
<v Speaker 2>I shock everyone and learn like an actual routine.

0:55:36.160 --> 0:55:39.080
<v Speaker 3>I'm working with the entire past of dancing with the stars. Yes,

0:55:39.560 --> 0:55:40.480
<v Speaker 3>and the Backstreet Boys.

0:55:40.480 --> 0:55:41.200
<v Speaker 4>It's going to be great.

0:55:41.840 --> 0:55:44.560
<v Speaker 1>Yes, So that's going to be a fun party. We

0:55:44.600 --> 0:55:46.200
<v Speaker 1>already started planning it. Keep the date open.

0:55:46.520 --> 0:55:46.920
<v Speaker 2>I love it.

0:55:47.120 --> 0:55:47.160
<v Speaker 1>So.

0:55:47.320 --> 0:55:49.880
<v Speaker 3>Yes, they're dancing. He asked about her poetry, and they

0:55:49.920 --> 0:55:52.160
<v Speaker 3>talk about her grandfather as she pulls him in close

0:55:52.600 --> 0:55:55.560
<v Speaker 3>for the very very very slow dancing, and then once

0:55:55.600 --> 0:55:59.560
<v Speaker 3>again they kiss. So we're used to, you know, begging

0:55:59.640 --> 0:56:00.799
<v Speaker 3>to see a kissing these movies.

0:56:00.920 --> 0:56:03.600
<v Speaker 1>Now I'm over it. She's kiss ninety three people. Now

0:56:03.640 --> 0:56:04.680
<v Speaker 1>it's time to move on people.

0:56:05.920 --> 0:56:09.479
<v Speaker 3>No, it's very sweet. It's a nice scene. It's very real,

0:56:09.719 --> 0:56:12.120
<v Speaker 3>and they're both great in the scene. They eventually leave,

0:56:12.320 --> 0:56:15.080
<v Speaker 3>ignoring the massive bonfire they left behind and creating an

0:56:15.120 --> 0:56:18.439
<v Speaker 3>obvious fire hazard. Maybe that could kill dolphins, doesn't seem

0:56:18.480 --> 0:56:20.960
<v Speaker 3>like Dolphin Boy cares about that. On their walk home,

0:56:21.040 --> 0:56:23.400
<v Speaker 3>Adam asks for help with the dolphins tomorrow. She agrees,

0:56:23.440 --> 0:56:25.719
<v Speaker 3>and they get okay, get ready for this.

0:56:25.920 --> 0:56:28.319
<v Speaker 1>You know what they do? They kiss again, and once

0:56:28.360 --> 0:56:29.920
<v Speaker 1>inside the house, she appears to be spitting.

0:56:29.960 --> 0:56:33.800
<v Speaker 3>She's like, WHOA, I bet you I've never gotten that

0:56:33.880 --> 0:56:35.720
<v Speaker 3>response from a girl doesn't ever walk inside.

0:56:35.760 --> 0:56:40.480
<v Speaker 1>She's probably like, ohhoa as much. Oh god, I can

0:56:40.520 --> 0:56:41.279
<v Speaker 1>still taste him?

0:56:41.680 --> 0:56:44.799
<v Speaker 6>Oh god, man?

0:56:46.800 --> 0:56:50.320
<v Speaker 2>Oh flashbacks, yuck, flashbacks.

0:56:49.840 --> 0:56:54.839
<v Speaker 1>To what Yeah, yeah, there were some kisses where you're like, oh, really,

0:56:54.880 --> 0:56:56.759
<v Speaker 1>do you remember bad kisses? Yeah?

0:56:57.200 --> 0:56:58.919
<v Speaker 2>Oh yeah, oh yeah, oh.

0:56:58.920 --> 0:57:00.719
<v Speaker 1>Yeah, oh yeah. Oh yeah.

0:57:01.800 --> 0:57:04.000
<v Speaker 3>So the next morning, at the biology center with Adam,

0:57:04.239 --> 0:57:06.640
<v Speaker 3>they let Enid Basil and their new child who I'm

0:57:06.640 --> 0:57:10.000
<v Speaker 3>gonna call Jeffrey Rome free. Adam asks Vicki to call

0:57:10.080 --> 0:57:12.560
<v Speaker 3>for the dolphins, but she claims she can't. He encourages

0:57:12.600 --> 0:57:14.880
<v Speaker 3>her to try anyway, because, don't forget people, she can

0:57:15.000 --> 0:57:17.720
<v Speaker 3>talk to dolphins, which seems to not be in this

0:57:17.840 --> 0:57:21.040
<v Speaker 3>movie much. If she can receive messages, he thinks she

0:57:21.080 --> 0:57:23.200
<v Speaker 3>can also send them, so he takes a deep breath,

0:57:23.280 --> 0:57:25.560
<v Speaker 3>closes her eyes, and focuses, but after a few seconds

0:57:25.600 --> 0:57:28.680
<v Speaker 3>nothing happens. Instead, they discuss the evolution of dolphins and

0:57:28.800 --> 0:57:31.280
<v Speaker 3>why would they ever leave the land for the sea

0:57:31.360 --> 0:57:34.440
<v Speaker 3>and forfeit their hands, which, again, if you ask me,

0:57:34.520 --> 0:57:36.400
<v Speaker 3>sounds like a conversation I would have had in high.

0:57:36.200 --> 0:57:40.840
<v Speaker 1>School while stoned. Hey, man, like do you think dolphins

0:57:40.880 --> 0:57:43.400
<v Speaker 1>had hands? And then like they had to like get

0:57:43.560 --> 0:57:48.640
<v Speaker 1>rid of their hands to go swim again. Whoa, and

0:57:48.760 --> 0:57:52.080
<v Speaker 1>then guess who arrives? It's Enid Basil and young baby Jeffrey.

0:57:52.360 --> 0:57:54.840
<v Speaker 3>Adam encourages Vicky to keep going, and then seconds later,

0:57:54.880 --> 0:57:59.240
<v Speaker 3>the dolphins simultaneously perform once again absolutely terrible cgi flips,

0:57:59.520 --> 0:58:02.040
<v Speaker 3>then grab they're human friends to playfully drag them across

0:58:02.080 --> 0:58:02.520
<v Speaker 3>the ocean.

0:58:02.640 --> 0:58:03.040
<v Speaker 1>Seemingly.

0:58:03.120 --> 0:58:05.640
<v Speaker 3>Never satisfied, Adam now wants her to ask the dolphins

0:58:05.680 --> 0:58:09.000
<v Speaker 3>a question, why did they return to the sea. Vicky obliges,

0:58:09.040 --> 0:58:11.640
<v Speaker 3>but before she can get an answer, she's violently dragged underwater.

0:58:11.840 --> 0:58:14.640
<v Speaker 3>Her body is now lifeless, eyes closed. She's being circled

0:58:14.640 --> 0:58:17.320
<v Speaker 3>by the now chirping dolphins, while Adam screams to find her.

0:58:17.600 --> 0:58:19.880
<v Speaker 3>Time is running out. Finally, dolphins nudge your back above

0:58:19.880 --> 0:58:21.920
<v Speaker 3>the water to get air, and the screen goes white with.

0:58:21.920 --> 0:58:28.040
<v Speaker 1>A visible ring of light, A ring of light. Did

0:58:28.080 --> 0:58:31.280
<v Speaker 1>you get it? Yeah? Got it? Okay, because it's the

0:58:31.440 --> 0:58:32.480
<v Speaker 1>it's a ring of light.

0:58:33.720 --> 0:58:35.240
<v Speaker 2>I know. And this is when I was like.

0:58:37.720 --> 0:58:39.280
<v Speaker 1>A dolphin gonna tell us this. It's her grandmother.

0:58:42.240 --> 0:58:44.760
<v Speaker 2>I'm over it. I'm over it. I'm over the ring

0:58:44.800 --> 0:58:45.120
<v Speaker 2>of light.

0:58:45.800 --> 0:58:47.280
<v Speaker 1>It's just it's very it's.

0:58:48.640 --> 0:58:51.800
<v Speaker 3>Again it's a it's a very very slow paced decoc

0:58:51.920 --> 0:58:55.280
<v Speaker 3>it is. Yes, it felt a lot longer than idiot.

0:58:55.360 --> 0:58:57.160
<v Speaker 3>You get Descendants movies at are one hundred and nine

0:58:57.160 --> 0:58:59.160
<v Speaker 3>minutes and you're like, I could have watched another twenty minutes.

0:58:59.320 --> 0:59:01.000
<v Speaker 3>This one was eighty eight minutes, and it's like this

0:59:01.200 --> 0:59:02.680
<v Speaker 3>one it was dragging.

0:59:03.080 --> 0:59:03.400
<v Speaker 5>It was.

0:59:04.000 --> 0:59:06.960
<v Speaker 2>It really really started to and especially when it was

0:59:07.080 --> 0:59:11.640
<v Speaker 2>like like this scene specifically too, like it was supposed

0:59:11.680 --> 0:59:13.440
<v Speaker 2>to be like a heightened scene, but it was like,

0:59:13.920 --> 0:59:16.200
<v Speaker 2>how come Adam out of nowhere just like doesn't know

0:59:16.280 --> 0:59:23.680
<v Speaker 2>how to swim? Why how come you just like completely

0:59:23.920 --> 0:59:27.360
<v Speaker 2>forget how to swim, Like you're that you're in the water,

0:59:27.880 --> 0:59:30.080
<v Speaker 2>you're acting like you see her now going and he's

0:59:30.200 --> 0:59:33.160
<v Speaker 2>like Vicky, Vicky, and it's like, look in the water,

0:59:33.360 --> 0:59:38.480
<v Speaker 2>you idiot, she's obviously down there, and I'm not why

0:59:38.600 --> 0:59:40.680
<v Speaker 2>you just lean down and grab her hand and pull

0:59:40.720 --> 0:59:44.120
<v Speaker 2>her back up, like, oh my god, get like annoying.

0:59:44.440 --> 0:59:47.520
<v Speaker 1>It's so true. Yeah if she dies now, bro, it's

0:59:47.560 --> 0:59:50.880
<v Speaker 1>on you. It's on you. Okay, Yeah, it's so great. Uh.

0:59:51.000 --> 0:59:53.160
<v Speaker 3>Then we hear Adam's voice asking if she's all right,

0:59:53.360 --> 0:59:55.920
<v Speaker 3>and saying you should probably learn how to swim. When

0:59:57.160 --> 0:59:59.960
<v Speaker 3>she awakens, she doesn't remember anything, but knows she couldn't

1:00:00.120 --> 1:00:03.240
<v Speaker 3>understand Enid and Basil's answer to the question. She now

1:00:03.320 --> 1:00:05.920
<v Speaker 3>knows dolphins are all connected and they have no secrets.

1:00:06.040 --> 1:00:11.080
<v Speaker 3>Again serious stoner conversation. Amen, Amen, man, you know that

1:00:11.200 --> 1:00:12.760
<v Speaker 3>dolphins don't have any secrets.

1:00:16.560 --> 1:00:19.800
<v Speaker 2>Also, Dazzle just now hit me. It sounds like you're

1:00:19.840 --> 1:00:22.280
<v Speaker 2>putting the wrong and fossis on the wrong side.

1:00:23.560 --> 1:00:27.919
<v Speaker 1>Bazzle is at Basil, is it Basil? I'm watching soon.

1:00:28.000 --> 1:00:31.360
<v Speaker 3>I am watching a lot of BritBox lately. So we

1:00:31.480 --> 1:00:34.920
<v Speaker 3>found ourselves saying things British. I said patriotic the other day.

1:00:36.520 --> 1:00:39.280
<v Speaker 1>Yes, so this is no, it's not a book. And

1:00:39.480 --> 1:00:42.280
<v Speaker 1>so Vicky bike's home only sees Zachary waiting for her,

1:00:42.360 --> 1:00:45.160
<v Speaker 1>claiming it's time to catch the bad guy, which sounds

1:00:45.200 --> 1:00:45.840
<v Speaker 1>like a euphemism.

1:00:46.480 --> 1:00:48.560
<v Speaker 3>They take a speedboat to the Marie Rose in hopes

1:00:48.560 --> 1:00:51.120
<v Speaker 3>of seeing them drop a net. Vicky asked if Adam

1:00:51.120 --> 1:00:53.560
<v Speaker 3>should join them, and he basically says, I didn't invite

1:00:53.600 --> 1:00:54.160
<v Speaker 3>that dork here.

1:00:54.280 --> 1:00:56.440
<v Speaker 1>I only invited him to dinner to see my competition.

1:00:57.080 --> 1:00:59.400
<v Speaker 3>But she admits she likes Adam, so Zach starts playing

1:00:59.480 --> 1:01:02.360
<v Speaker 3>hater his rival a dull old man. Then he spots

1:01:02.400 --> 1:01:05.120
<v Speaker 3>a boat and decides to speed toward it to play chicken.

1:01:06.680 --> 1:01:08.080
<v Speaker 1>He really is the opposite adult.

1:01:08.600 --> 1:01:10.480
<v Speaker 3>They're getting closer and closer to the other boat, and

1:01:10.560 --> 1:01:12.400
<v Speaker 3>his crew is begging him to slow down, but Zack's

1:01:12.400 --> 1:01:15.280
<v Speaker 3>not flinching, and Vicky is terrified. At the last possible second,

1:01:15.480 --> 1:01:18.400
<v Speaker 3>Zack swerves, barely avoiding a collision. Vicky demands he take

1:01:18.440 --> 1:01:19.640
<v Speaker 3>her back right now. First of all, how did he

1:01:19.760 --> 1:01:21.400
<v Speaker 3>know which direction the boat was going to turn? They

1:01:21.400 --> 1:01:27.120
<v Speaker 3>both could have swerved the same direction. Like yikes, not okay,

1:01:27.440 --> 1:01:28.200
<v Speaker 3>I would.

1:01:27.960 --> 1:01:32.240
<v Speaker 2>Have been pissed. Oh I would never ever have talked

1:01:32.280 --> 1:01:33.920
<v Speaker 2>about his CANOOSI again.

1:01:34.040 --> 1:01:37.760
<v Speaker 1>Playing with fire Bro. But he's so dreamy, sin No,

1:01:38.520 --> 1:01:39.320
<v Speaker 1>not that dreamy.

1:01:39.560 --> 1:01:39.680
<v Speaker 4>Uh.

1:01:39.840 --> 1:01:41.800
<v Speaker 3>He tries to call it fun, but she isn't having it.

1:01:41.880 --> 1:01:43.320
<v Speaker 3>Back on land, he admits he was just trying to

1:01:43.360 --> 1:01:45.240
<v Speaker 3>impress her and apologizes he likes her.

1:01:45.600 --> 1:01:48.520
<v Speaker 1>Her response to that is, well, then start liking yourself.

1:01:48.680 --> 1:01:49.120
<v Speaker 1>Good line.

1:01:50.200 --> 1:01:52.840
<v Speaker 3>That night, it's pouring and Vicky is riding again. She

1:01:53.000 --> 1:01:55.240
<v Speaker 3>hears a loud thump downstairs and runs to find her

1:01:55.280 --> 1:01:58.040
<v Speaker 3>grandfather he's fallen out of bed and can't get up.

1:01:58.440 --> 1:01:59.200
<v Speaker 1>He's just sort of.

1:02:01.080 --> 1:02:01.320
<v Speaker 4>Sorry.

1:02:01.320 --> 1:02:03.320
<v Speaker 1>I'm just the guy fallen and I can't get up.

1:02:04.320 --> 1:02:07.120
<v Speaker 3>He's desorry. I did thinking Vicky is his deceased wife.

1:02:07.160 --> 1:02:09.800
<v Speaker 3>He's stammering and not acting like himself, and I'm at

1:02:09.840 --> 1:02:11.760
<v Speaker 3>this point, Sabrina still thinks this man is a chance.

1:02:12.000 --> 1:02:15.200
<v Speaker 1>He asks for his meds, so Vicky gives him pain pills.

1:02:15.240 --> 1:02:17.720
<v Speaker 3>She has no idea why he's taking them now clearly

1:02:17.760 --> 1:02:19.560
<v Speaker 3>more and ConTroll He glances out the window to admire

1:02:19.600 --> 1:02:21.440
<v Speaker 3>the storm, but Vicky is really shaken up.

1:02:21.720 --> 1:02:23.280
<v Speaker 1>She asked her grandfather to look her in the eye

1:02:23.320 --> 1:02:25.560
<v Speaker 1>and tell her the truth. Is he all right? He

1:02:25.640 --> 1:02:27.960
<v Speaker 1>claims superb health, but a tear falls down her cheek.

1:02:28.040 --> 1:02:29.479
<v Speaker 1>She wants the truth. He says fine.

1:02:29.480 --> 1:02:31.520
<v Speaker 3>He admits he's not a young man anymore, but he's

1:02:31.600 --> 1:02:33.880
<v Speaker 3>enjoying every minute of what's left. Then he says to

1:02:33.920 --> 1:02:37.760
<v Speaker 3>her he has leukemia. Choked up, Vicky asked if he's sure,

1:02:37.960 --> 1:02:38.960
<v Speaker 3>which was not a question.

1:02:38.800 --> 1:02:40.280
<v Speaker 1>I was expecting. It was kind of strange.

1:02:40.520 --> 1:02:43.280
<v Speaker 3>He says he's short and planning on telling her parents

1:02:43.320 --> 1:02:46.200
<v Speaker 3>when they arrive. She's now scared. She doesn't want anything

1:02:46.240 --> 1:02:48.360
<v Speaker 3>to happen to the one person who understands her. He

1:02:48.440 --> 1:02:51.160
<v Speaker 3>promises he won't be the last, especially because of her poetry.

1:02:51.520 --> 1:02:53.760
<v Speaker 3>He says death is as natural as a storm outside,

1:02:53.920 --> 1:02:56.280
<v Speaker 3>and he has no fear in God's plans. He asks

1:02:56.280 --> 1:02:58.480
<v Speaker 3>her to read one of her poems for comfort while sobbing.

1:02:58.560 --> 1:03:02.440
<v Speaker 3>She does, than they embrace again. Weird tone for a dcom,

1:03:03.080 --> 1:03:07.120
<v Speaker 3>very sweet scene between two the actors, well written, understand

1:03:07.440 --> 1:03:10.000
<v Speaker 3>about the whole. It's trying to get kids to understand

1:03:10.080 --> 1:03:12.880
<v Speaker 3>death a little. It's just it's heavy handed.

1:03:12.640 --> 1:03:12.960
<v Speaker 1>For a deal.

1:03:13.160 --> 1:03:16.160
<v Speaker 2>It is okay, and I'm telling you right now this

1:03:16.320 --> 1:03:17.880
<v Speaker 2>is where I'm starting to get pissed.

1:03:18.000 --> 1:03:19.000
<v Speaker 1>I'm like, this is.

1:03:21.200 --> 1:03:24.280
<v Speaker 2>Not what I come to the channel for. Okay, not

1:03:24.800 --> 1:03:26.400
<v Speaker 2>what I come to the channel.

1:03:26.440 --> 1:03:26.640
<v Speaker 4>Four.

1:03:26.880 --> 1:03:30.280
<v Speaker 1>Yeah, somebody throw a pie at this point, where's the

1:03:30.320 --> 1:03:30.720
<v Speaker 1>food fight?

1:03:30.920 --> 1:03:36.840
<v Speaker 2>I need sinkerbilts immediately for duty and throw some glitter

1:03:36.960 --> 1:03:37.480
<v Speaker 2>on this guy.

1:03:37.800 --> 1:03:39.480
<v Speaker 1>Ye, let's not die on us.

1:03:39.680 --> 1:03:42.080
<v Speaker 2>This is getting just a little too much for me.

1:03:42.280 --> 1:03:44.320
<v Speaker 1>It is. It is a heavy decom. It's just it's

1:03:44.440 --> 1:03:46.160
<v Speaker 1>it feels like it's grandparents.

1:03:46.280 --> 1:03:47.880
<v Speaker 2>I can't handle grandparents.

1:03:47.960 --> 1:03:51.080
<v Speaker 1>I just a Nicholas Sparks thing. It is just very heavy.

1:03:51.800 --> 1:03:54.240
<v Speaker 1>The next morning, Vicki awakens, still holding her book of poems.

1:03:54.280 --> 1:03:56.919
<v Speaker 3>She calls out for her grandfather, fearing what she'll find,

1:03:56.960 --> 1:03:59.080
<v Speaker 3>but surprise, he's alive and well making eggs.

1:03:59.120 --> 1:04:02.520
<v Speaker 1>They hug again, and maybe he's immortal. Out at sea,

1:04:02.560 --> 1:04:04.200
<v Speaker 1>the Marie Rose is getting their net ready for it.

1:04:04.600 --> 1:04:07.920
<v Speaker 1>Back out and see the Marie Rose. Let's let's kill

1:04:08.000 --> 1:04:10.920
<v Speaker 1>some dolphins is getting it ready for a day at work.

1:04:10.960 --> 1:04:14.160
<v Speaker 3>And lo and behold Enid, Basil and Jeffrey swim right

1:04:14.320 --> 1:04:24.680
<v Speaker 3>up to the horrible net. On the beach, Susie and

1:04:24.760 --> 1:04:27.360
<v Speaker 3>Rob play soccer as Adam and Vicki lounge under an umbrella.

1:04:27.600 --> 1:04:29.240
<v Speaker 3>He's been trying to write her a poem, but he's

1:04:29.280 --> 1:04:31.240
<v Speaker 3>thrown out every attempt. But the flirting comes to an

1:04:31.240 --> 1:04:33.439
<v Speaker 3>abrupt stop when she senses something wrong in the water.

1:04:33.720 --> 1:04:35.360
<v Speaker 3>And this is when I remembered, Oh, that's right, she

1:04:35.440 --> 1:04:37.919
<v Speaker 3>can talk to dolphins. I genuinely forgot at this point.

1:04:38.280 --> 1:04:40.560
<v Speaker 3>I guess it's not really an important part of the movie.

1:04:41.480 --> 1:04:43.920
<v Speaker 3>She rushes to the ocean, closes her eyes, and realizes

1:04:43.960 --> 1:04:47.120
<v Speaker 3>that Enid is trapped in the net. Struggling, Vicky announces

1:04:47.120 --> 1:04:49.680
<v Speaker 3>her vision and Adam demands they call the harbormaster, but

1:04:49.800 --> 1:04:51.920
<v Speaker 3>since she doesn't have any proof, she'll sound crazy. But

1:04:52.040 --> 1:04:55.000
<v Speaker 3>she knows someone she can call, Zachary. He's with his

1:04:55.120 --> 1:04:57.800
<v Speaker 3>dad helping with some business meetings on their yacht. She

1:04:57.880 --> 1:04:59.760
<v Speaker 3>alerts him of the news and they immediately meet on

1:04:59.760 --> 1:05:02.400
<v Speaker 3>the dive. Despite some tension between him and Adam, Zachary

1:05:02.480 --> 1:05:04.400
<v Speaker 3>is ready to help. Vicky leads him to the water

1:05:04.440 --> 1:05:07.600
<v Speaker 3>where Basil. There you go, where Basil is magically waiting,

1:05:07.800 --> 1:05:10.080
<v Speaker 3>ready to lead the way. Zach's dad screams at him

1:05:10.080 --> 1:05:11.720
<v Speaker 3>from the yacht get back on board and help. He

1:05:11.800 --> 1:05:13.280
<v Speaker 3>looks at his dad, dead in the eyes and says,

1:05:13.440 --> 1:05:15.400
<v Speaker 3>not today, dad, And we go.

1:05:15.440 --> 1:05:18.840
<v Speaker 1>To a commercial. Yes, we go to a commercial literally

1:05:18.920 --> 1:05:22.040
<v Speaker 1>out of nowhere. There's no commercial there, but they clearly

1:05:22.200 --> 1:05:23.840
<v Speaker 1>just for this one part in the movie set up

1:05:23.840 --> 1:05:27.440
<v Speaker 1>a yes. When we return the treo on the speedboat

1:05:27.480 --> 1:05:30.440
<v Speaker 1>following Basil, who again is crazy cgi rendering or a

1:05:30.520 --> 1:05:32.920
<v Speaker 1>model sized practical effect. I couldn't tell, but I know

1:05:33.000 --> 1:05:35.800
<v Speaker 1>it can't be an actual dolphin. They eventually find Enid,

1:05:35.800 --> 1:05:38.720
<v Speaker 1>who is frantically chirping, stuck with her baby Jeffrey, swimming

1:05:38.760 --> 1:05:41.680
<v Speaker 1>outside the net Zachary spots the Marie Rose a mile away,

1:05:41.720 --> 1:05:43.840
<v Speaker 1>and Adam reveals that if they start pulling in the net,

1:05:44.160 --> 1:05:46.800
<v Speaker 1>Enid will die, so Vicky asks for Zachary's cell phone

1:05:46.800 --> 1:05:49.280
<v Speaker 1>to alert the harbormaster. She has no other option, so

1:05:49.400 --> 1:05:52.160
<v Speaker 1>she calls her grandfather for a favor, and just then

1:05:52.200 --> 1:05:53.800
<v Speaker 1>the captain of the Marie Rose calls for the net.

1:05:53.920 --> 1:05:55.760
<v Speaker 1>Since the net is miles long, they only have a

1:05:55.840 --> 1:05:59.840
<v Speaker 1>few minutes tops before tragedy strikes and Enid is going

1:05:59.880 --> 1:06:00.280
<v Speaker 1>to die.

1:06:00.520 --> 1:06:02.560
<v Speaker 3>Vicky jumps into the water now in a race against

1:06:02.560 --> 1:06:05.040
<v Speaker 3>the boat crew. Meanwhile, the harbor master is jumping into

1:06:05.080 --> 1:06:07.800
<v Speaker 3>a speedboat to help. Vicky's grandfather asked the harbor master

1:06:08.160 --> 1:06:10.080
<v Speaker 3>if he can go instead of just calling to save time,

1:06:10.120 --> 1:06:11.800
<v Speaker 3>he asks if he can ride shotgun on the boat.

1:06:12.320 --> 1:06:14.560
<v Speaker 3>Back at sea, Vicky is panicking while trying to free

1:06:14.680 --> 1:06:17.040
<v Speaker 3>en It. The net is just too tangled. Adam grabs

1:06:17.080 --> 1:06:19.520
<v Speaker 3>a toolbox and finds what he's looking for. They look

1:06:19.600 --> 1:06:21.400
<v Speaker 3>like bolt cutters, which is strange how you don't have

1:06:21.400 --> 1:06:23.000
<v Speaker 3>a knife on a boat. You should always have a

1:06:23.080 --> 1:06:24.880
<v Speaker 3>knife on a boat. He jumps into the water to

1:06:24.920 --> 1:06:27.560
<v Speaker 3>cut her loose, while Vicki telepathically encourages a dolphin to

1:06:27.560 --> 1:06:30.960
<v Speaker 3>hold on again, the telepathy part always seems kind of secondary.

1:06:31.520 --> 1:06:34.240
<v Speaker 3>And then the marine morose captain notices Zachary and his

1:06:34.320 --> 1:06:37.320
<v Speaker 3>rescue attempt, but instead of stopping, he continues rolling in

1:06:37.440 --> 1:06:39.840
<v Speaker 3>the net. Adam and Vicky is slowly progressing, but time

1:06:39.920 --> 1:06:42.439
<v Speaker 3>is running out. With only seconds left, they finally free

1:06:42.600 --> 1:06:44.280
<v Speaker 3>en It of the trap and she swims off with

1:06:44.320 --> 1:06:47.640
<v Speaker 3>her family. The kids can only laugh until oh, Adams

1:06:47.640 --> 1:06:49.480
<v Speaker 3>pulled underwater. He's now stuck in the net and being

1:06:49.560 --> 1:06:52.560
<v Speaker 3>dragged by the ship Vicky pull Zachary pulls Vicki back

1:06:52.600 --> 1:06:55.560
<v Speaker 3>into the speedboat, but not before Adam's leg is horribly

1:06:55.640 --> 1:06:58.200
<v Speaker 3>ripped off, blood drips into the ocean, and he's surrounded

1:06:58.320 --> 1:06:58.960
<v Speaker 3>by sharks.

1:07:00.000 --> 1:07:00.600
<v Speaker 1>How that happens?

1:07:03.960 --> 1:07:05.000
<v Speaker 2>Big, It's nightmare?

1:07:05.320 --> 1:07:08.240
<v Speaker 1>Yeah, it's nightmare of Sabrina. Happens. She's trying to This

1:07:08.320 --> 1:07:10.760
<v Speaker 1>is Sabrina's nightmare. She's trying to save a dolphin from

1:07:10.800 --> 1:07:12.320
<v Speaker 1>a thing. She gets caught in a net. Her leg

1:07:12.440 --> 1:07:15.000
<v Speaker 1>is ripped off, and she's ripped apart by sharks. That's

1:07:15.040 --> 1:07:17.600
<v Speaker 1>a very typical dream that most people have.

1:07:18.160 --> 1:07:22.280
<v Speaker 3>Oh god, oh my yeah, zach pulls Vicki back into

1:07:22.280 --> 1:07:24.040
<v Speaker 3>the speedboat takes off, trying to catch up to Adam,

1:07:24.080 --> 1:07:26.640
<v Speaker 3>who's now underwater and lifeless, but first to the scene

1:07:26.640 --> 1:07:29.040
<v Speaker 3>to help the Dolphin family. They nudge at him awake

1:07:29.040 --> 1:07:32.760
<v Speaker 3>and immediately spots a bright ring of light and the

1:07:32.800 --> 1:07:35.440
<v Speaker 3>return of a mermaid, Vicki, who finally frees him from

1:07:35.440 --> 1:07:38.040
<v Speaker 3>the net. He pushes himself above the water to safety,

1:07:38.480 --> 1:07:41.160
<v Speaker 3>and now the harbor master, flanked by Grandpa, spots the

1:07:41.240 --> 1:07:43.680
<v Speaker 3>Marie Rose with its net in action. They caught them

1:07:43.720 --> 1:07:46.360
<v Speaker 3>red handed. The boat captain knows that jig is up.

1:07:46.920 --> 1:07:49.120
<v Speaker 3>Vicky and Grandpa wave to each other, trading pride in

1:07:49.160 --> 1:07:51.360
<v Speaker 3>their actions. When they returned to the doc, Adam is

1:07:51.400 --> 1:07:53.560
<v Speaker 3>deep in thought. Vicky knows the dolphin spoke to him too.

1:07:53.920 --> 1:07:55.480
<v Speaker 3>He says it was just for a second. They told

1:07:55.560 --> 1:07:57.720
<v Speaker 3>him to hold on, he had more to do. As

1:07:57.760 --> 1:08:00.520
<v Speaker 3>the new couple holds hands, Zachary notices the extreame and he.

1:08:00.600 --> 1:08:01.160
<v Speaker 1>Just looks both.

1:08:02.000 --> 1:08:05.360
<v Speaker 3>Eventually, Grandfather brings Vicky home, where her brother and sister

1:08:05.400 --> 1:08:07.760
<v Speaker 3>are related to see she's okay. As she tells him

1:08:07.760 --> 1:08:10.240
<v Speaker 3>the story, Grandfather walks to his room. He needs a nap,

1:08:10.280 --> 1:08:12.560
<v Speaker 3>and if you notice when he opens the door, he's

1:08:12.640 --> 1:08:15.200
<v Speaker 3>met by a bright light. The next thing we see

1:08:15.280 --> 1:08:17.280
<v Speaker 3>is Vicky writing in her journal that night. She writes,

1:08:17.320 --> 1:08:20.040
<v Speaker 3>everything seems to have worked out perfectly, almost as if

1:08:20.080 --> 1:08:22.320
<v Speaker 3>by some grand design. And the best part is there's

1:08:22.360 --> 1:08:24.640
<v Speaker 3>no way Grandpa's going to die tonight, which is not

1:08:24.760 --> 1:08:26.920
<v Speaker 3>something you write your journal unless you want to all

1:08:27.040 --> 1:08:29.880
<v Speaker 3>the fall apart. Now done writing, Vicky makes her way

1:08:29.920 --> 1:08:32.080
<v Speaker 3>to her grandfather's room and is greeted by his moaning.

1:08:32.240 --> 1:08:33.920
<v Speaker 3>He calls her over to the bed and says it's

1:08:34.000 --> 1:08:36.680
<v Speaker 3>his time. She blames herself for making him go out

1:08:36.680 --> 1:08:38.439
<v Speaker 3>into the water, but he's so thankful. It was one

1:08:38.439 --> 1:08:39.599
<v Speaker 3>of the greatest days of his life.

1:08:40.080 --> 1:08:42.280
<v Speaker 1>You're shocked by this point this is happening, Sabrina.

1:08:42.800 --> 1:08:47.120
<v Speaker 2>No, I mean, yeah, yes, a little bit like in

1:08:47.240 --> 1:08:51.280
<v Speaker 2>the sense of I just thought I thought the movie

1:08:51.320 --> 1:08:54.200
<v Speaker 2>would end at his funeral, not to go through this.

1:08:54.680 --> 1:08:59.400
<v Speaker 1>No, they movie where they where they're milking every dramatic

1:08:59.479 --> 1:09:01.519
<v Speaker 1>moment scene coming.

1:09:01.560 --> 1:09:04.080
<v Speaker 3>Of course they did. He's a wonderful actor, so you

1:09:04.160 --> 1:09:06.720
<v Speaker 3>might as well have the scene because he's very sure,

1:09:06.880 --> 1:09:07.639
<v Speaker 3>so you might as well.

1:09:08.439 --> 1:09:09.400
<v Speaker 2>I can't handle it.

1:09:09.680 --> 1:09:10.400
<v Speaker 1>Yeah, he says.

1:09:10.439 --> 1:09:12.120
<v Speaker 3>It was one of the greatest days of his life.

1:09:12.200 --> 1:09:15.240
<v Speaker 3>He tells her she has a wonderful gift, her special voice.

1:09:15.560 --> 1:09:17.519
<v Speaker 3>He needs her to share it, and she promises she will.

1:09:17.800 --> 1:09:20.360
<v Speaker 3>Then he dies very true.

1:09:20.600 --> 1:09:22.280
<v Speaker 1>Vicky kisses his hand and sobs.

1:09:22.320 --> 1:09:24.120
<v Speaker 3>The camera pulls out from the house and focuses on

1:09:24.200 --> 1:09:27.479
<v Speaker 3>the stars with two shining very bright. The next morning,

1:09:27.560 --> 1:09:29.840
<v Speaker 3>Vicky comes downstairs and notices something new. And this is

1:09:29.880 --> 1:09:31.599
<v Speaker 3>all I thought, was like, Okay, so all these kids

1:09:31.640 --> 1:09:35.639
<v Speaker 3>are in the house with a dead body for overnight, right, okay.

1:09:37.000 --> 1:09:39.280
<v Speaker 3>And he also is like, Vicky, come here, I need

1:09:39.320 --> 1:09:39.680
<v Speaker 3>to talk to you.

1:09:39.800 --> 1:09:42.559
<v Speaker 1>I'm dying. Your brother and sister.

1:09:43.920 --> 1:09:44.760
<v Speaker 2>Don't worry about that.

1:09:45.120 --> 1:09:47.560
<v Speaker 1>I just need you to know, right. So yeah, I

1:09:47.680 --> 1:09:49.920
<v Speaker 1>was like, wow, that's not good. Yes.

1:09:50.000 --> 1:09:52.200
<v Speaker 3>The next morning, Vicky comes downstairs and notices something new

1:09:52.280 --> 1:09:54.760
<v Speaker 3>on her grandfather's desk. It's an empty notebook titled The

1:09:54.800 --> 1:09:58.720
<v Speaker 3>Collected Poems of Victoria Austin Volume two. The harbor master

1:09:58.880 --> 1:10:00.960
<v Speaker 3>enters to announce the fairy has arrive. Their parents should

1:10:00.960 --> 1:10:03.280
<v Speaker 3>be pulling in any minute. Vicki notices her little brother

1:10:03.400 --> 1:10:06.360
<v Speaker 3>Rob morning on the patio. She joins him, and he asks,

1:10:07.320 --> 1:10:09.640
<v Speaker 3>follow me here if she thinks there might be a

1:10:09.760 --> 1:10:12.600
<v Speaker 3>planet where no one has eyes, and if there is,

1:10:13.120 --> 1:10:16.120
<v Speaker 3>could they all get along? She guesses they compensate with

1:10:16.120 --> 1:10:18.920
<v Speaker 3>their hearing, smell, and touch, but Rob worries they won't

1:10:19.000 --> 1:10:21.320
<v Speaker 3>know what anything looks like. So when the people on

1:10:21.439 --> 1:10:24.280
<v Speaker 3>that planet with no eyes die, they'll be sent to

1:10:24.320 --> 1:10:27.000
<v Speaker 3>a planet where there are eyes, and as a result,

1:10:27.400 --> 1:10:31.200
<v Speaker 3>maybe they'll get something new too, something important. Vicky rubs

1:10:31.240 --> 1:10:32.880
<v Speaker 3>his head and tells him to lay off the acid.

1:10:34.040 --> 1:10:36.840
<v Speaker 2>No, she doesn't, She goes, I think you're right.

1:10:37.040 --> 1:10:40.360
<v Speaker 1>I think you're right. It's a that crazy.

1:10:40.360 --> 1:10:43.439
<v Speaker 2>I had to rewatch it because I was like, did

1:10:43.520 --> 1:10:45.640
<v Speaker 2>I miss? Did I miss?

1:10:46.280 --> 1:10:51.360
<v Speaker 4>Nope? I watched it three times. I've watched a lot

1:10:51.400 --> 1:10:54.040
<v Speaker 4>of D coms. Obviously, I don't understand the metaphor Am

1:10:54.080 --> 1:10:54.439
<v Speaker 4>I missing?

1:10:54.600 --> 1:10:57.479
<v Speaker 2>I didn't either. I'm like, Sabrita, you're just dense. It's cool.

1:10:57.680 --> 1:10:59.160
<v Speaker 2>Just move on, will We'll explain.

1:11:00.240 --> 1:11:02.720
<v Speaker 4>I mean, the Grandfather's not missing it, He's not He's

1:11:02.800 --> 1:11:03.920
<v Speaker 4>not coming back to Earth.

1:11:04.720 --> 1:11:07.679
<v Speaker 2>No, and there was there was no top. We didn't

1:11:07.680 --> 1:11:12.400
<v Speaker 2>even get any real scenes with this character and the grandfather. No, like,

1:11:12.520 --> 1:11:16.320
<v Speaker 2>there was no nothing to understand at all. It Wait,

1:11:16.400 --> 1:11:20.720
<v Speaker 2>but why the hell this kid? Except for he is

1:11:21.080 --> 1:11:24.400
<v Speaker 2>very traumatized. We need to immediately seek help for this

1:11:24.520 --> 1:11:27.759
<v Speaker 2>kid because he is talking crazy. What are you talking about?

1:11:27.840 --> 1:11:28.479
<v Speaker 2>No eyes?

1:11:29.600 --> 1:11:31.760
<v Speaker 1>This was off, But he's high off bugs, that's what

1:11:31.880 --> 1:11:35.880
<v Speaker 1>it is. He's he's crushing and smoking stick bugs or something.

1:11:35.880 --> 1:11:38.200
<v Speaker 1>Because it was I did. I watched it several times myself,

1:11:38.200 --> 1:11:40.519
<v Speaker 1>and I didn't. I don't. I don't get what they're

1:11:40.520 --> 1:11:42.280
<v Speaker 1>trying to do. I didn't get what they were going for.

1:11:43.240 --> 1:11:45.439
<v Speaker 1>So yeah, very strange.

1:11:45.479 --> 1:11:47.000
<v Speaker 2>And I also was checking. I was like, God, this

1:11:47.160 --> 1:11:48.800
<v Speaker 2>movie is God, do it, but we've got to be

1:11:48.880 --> 1:11:50.720
<v Speaker 2>in one hundred and forty six minutes right now.

1:11:52.600 --> 1:11:53.920
<v Speaker 1>Yep, I agreed.

1:11:54.200 --> 1:11:54.479
<v Speaker 2>Okay.

1:11:54.720 --> 1:11:55.680
<v Speaker 1>Then a taxi pulls up.

1:11:55.680 --> 1:11:57.720
<v Speaker 3>It's their parents, and the entire family embrace at the

1:11:57.720 --> 1:11:59.639
<v Speaker 3>front door, and now the entire family with the harbor

1:11:59.720 --> 1:12:02.719
<v Speaker 3>master waiting for the fairy. Adam shows up to return

1:12:02.800 --> 1:12:04.920
<v Speaker 3>her first volume of poems and thank her for letting

1:12:05.000 --> 1:12:05.360
<v Speaker 3>him read it.

1:12:05.840 --> 1:12:07.599
<v Speaker 1>She also has talked to her mom and they agreed.

1:12:07.680 --> 1:12:09.479
<v Speaker 3>She won't be going to that new rich kids school

1:12:09.520 --> 1:12:12.080
<v Speaker 3>after all, and she's gonna submit her work to a

1:12:12.160 --> 1:12:12.839
<v Speaker 3>lit magazine.

1:12:12.920 --> 1:12:15.280
<v Speaker 1>Very nice. He tells her she'll make a great artist,

1:12:15.360 --> 1:12:17.639
<v Speaker 1>and with tears in her eyes. Vicky tells him he'll

1:12:17.640 --> 1:12:20.240
<v Speaker 1>be a great scientist. He reminds her that her grandfather

1:12:20.280 --> 1:12:22.720
<v Speaker 1>always said that art and science function is one. She

1:12:22.840 --> 1:12:24.600
<v Speaker 1>kisses him on the cheek To board the Fairy, He

1:12:24.720 --> 1:12:27.000
<v Speaker 1>promises to write and she says she will too. And

1:12:27.080 --> 1:12:29.120
<v Speaker 1>with that, the family, now with Grandpa's cat and dog

1:12:29.160 --> 1:12:33.040
<v Speaker 1>in tow, return home. Zach never said goodbye to that guy?

1:12:33.360 --> 1:12:34.240
<v Speaker 2>Rewound it again.

1:12:34.520 --> 1:12:36.519
<v Speaker 1>Yep, what happened with Zach? Nothing?

1:12:37.320 --> 1:12:39.240
<v Speaker 2>Kick rocks, buddy, Thanks for the boat.

1:12:39.560 --> 1:12:44.080
<v Speaker 1>There you go exactly. Ah, he's rich. She'll be fine anyway.

1:12:44.200 --> 1:12:47.559
<v Speaker 1>So who gets good? Thanks buddy, Yeah, thanks for the boat, chief.

1:12:48.320 --> 1:12:50.000
<v Speaker 1>I hooked up with Adam in the back while you

1:12:50.040 --> 1:12:50.680
<v Speaker 1>were driving home.

1:12:50.880 --> 1:12:51.920
<v Speaker 2>Yep, sorry about that.

1:12:52.120 --> 1:12:56.240
<v Speaker 3>That was ry not my best yikes. As the Fairy

1:12:56.320 --> 1:12:58.280
<v Speaker 3>travels across the ocean, Vicky hears the words of the

1:12:58.320 --> 1:13:01.360
<v Speaker 3>Henry Vaughan poem, now spoken by her grandfather. It mentions

1:13:01.400 --> 1:13:03.240
<v Speaker 3>the great ring of endless light again, and we hear it.

1:13:03.400 --> 1:13:06.439
<v Speaker 3>Vicky spot's the dolphin family swimming and jumping alongside the boat,

1:13:06.439 --> 1:13:09.439
<v Speaker 3>because remember she can talk to dolphins. In case you forgot,

1:13:09.720 --> 1:13:11.599
<v Speaker 3>we see the Ring of bright light one last time,

1:13:11.760 --> 1:13:13.400
<v Speaker 3>and that's our movie.

1:13:20.640 --> 1:13:22.479
<v Speaker 1>Real reviews. Can we do some real reviews? Sabrina, you

1:13:22.520 --> 1:13:23.720
<v Speaker 1>got the five star this week? What do you do?

1:13:23.880 --> 1:13:27.760
<v Speaker 2>I do another long one? Okay at the five star

1:13:27.880 --> 1:13:33.000
<v Speaker 2>from Chrissy zero nine to eight. Yay, Dolphins.

1:13:34.720 --> 1:13:38.479
<v Speaker 1>Five stars? That is it. I am the one star

1:13:38.680 --> 1:13:41.720
<v Speaker 1>and mine is from Vince Kadenya Hope. I'm saying that right.

1:13:41.760 --> 1:13:43.439
<v Speaker 1>It's worth noting here this movie has a lot of

1:13:43.479 --> 1:13:45.840
<v Speaker 1>negative reviews, mostly from people who love the book and

1:13:45.920 --> 1:13:48.800
<v Speaker 1>think the dcom did it no favors. So let's you know,

1:13:49.280 --> 1:13:51.040
<v Speaker 1>the gist of ninety percent of the hate is that.

1:13:52.080 --> 1:13:54.800
<v Speaker 1>But here we go to start out.

1:13:55.040 --> 1:13:57.200
<v Speaker 3>It's an amazing technical achievement in the world of film.

1:13:57.479 --> 1:14:00.160
<v Speaker 3>It's the Raging Bowl for two thousand and two. I've

1:14:00.160 --> 1:14:02.160
<v Speaker 3>been waiting to see films like Gangs of New York

1:14:02.200 --> 1:14:03.920
<v Speaker 3>and The Two Towers, but those will look like b

1:14:04.120 --> 1:14:06.600
<v Speaker 3>movies compared to this film. From start to finish, we

1:14:06.680 --> 1:14:10.240
<v Speaker 3>are grace with amazing cinematography done by Rodney Charters, photographer

1:14:10.280 --> 1:14:12.840
<v Speaker 3>of Psycho for The New Beginning. The music is as

1:14:12.920 --> 1:14:17.960
<v Speaker 3>good Ineo Morricone's score for Days of Heaven. The acting

1:14:18.000 --> 1:14:19.519
<v Speaker 3>in this movie is some of the best I've ever

1:14:19.600 --> 1:14:23.280
<v Speaker 3>seen reminiscent of Cassavetti's faces. If you haven't seen this

1:14:23.320 --> 1:14:25.160
<v Speaker 3>film yet, do yourself a favor and check it out.

1:14:25.479 --> 1:14:27.519
<v Speaker 3>This is a film that we studied in film schools

1:14:27.560 --> 1:14:28.280
<v Speaker 3>for twenty years.

1:14:29.200 --> 1:14:35.479
<v Speaker 1>One star. I think he was being sarcastic, yes is

1:14:35.600 --> 1:14:42.519
<v Speaker 1>my guess. Yeah, very long, so long, joyously ironic review.

1:14:43.120 --> 1:14:45.000
<v Speaker 2>You hated the movie, Vince, Did.

1:14:44.880 --> 1:14:46.720
<v Speaker 1>You have a lot of time out a lot to

1:14:46.800 --> 1:14:47.320
<v Speaker 1>talk about it?

1:14:47.520 --> 1:14:47.640
<v Speaker 6>Well?

1:14:47.720 --> 1:14:49.600
<v Speaker 1>Yeah, eighty eight minutes. That felt like two hundred and

1:14:49.600 --> 1:14:50.439
<v Speaker 1>forty minutes to do it.

1:14:51.479 --> 1:14:54.200
<v Speaker 3>Here's our Sabrina's favorite part, and as you can tell,

1:14:54.479 --> 1:14:55.320
<v Speaker 3>producer Jensen's here.

1:14:55.360 --> 1:14:55.960
<v Speaker 1>So we're gonna live.

1:14:57.000 --> 1:14:59.759
<v Speaker 3>This feature presentation is called does it have a Dolphin?

1:15:00.560 --> 1:15:02.080
<v Speaker 3>Which again could be a weird euphemism.

1:15:02.240 --> 1:15:04.280
<v Speaker 1>A ring of endless Light may be a typical romance,

1:15:04.320 --> 1:15:06.400
<v Speaker 1>but it does include a bit of an afterthought story

1:15:06.479 --> 1:15:09.160
<v Speaker 1>point that the main character can talk to dolphins. We

1:15:09.240 --> 1:15:11.360
<v Speaker 1>will get names of movies and we have to decide

1:15:11.360 --> 1:15:13.439
<v Speaker 1>if at any point of its run time there's a

1:15:13.520 --> 1:15:17.360
<v Speaker 1>dolphin scene on screen. For example, Free Willie does include

1:15:17.360 --> 1:15:19.439
<v Speaker 1>a dolphin, But that's an easy one, three out of

1:15:19.479 --> 1:15:21.400
<v Speaker 1>five wins. So here's our first.

1:15:21.240 --> 1:15:24.320
<v Speaker 4>One, I'm really setting myself up here for someone to

1:15:24.400 --> 1:15:26.559
<v Speaker 4>email it and say that a dolphin passes in a scene.

1:15:26.640 --> 1:15:27.559
<v Speaker 2>But I I didn't.

1:15:28.520 --> 1:15:31.680
<v Speaker 4>I did a lot of research. I'm not saying I'm

1:15:31.680 --> 1:15:34.360
<v Speaker 4>one hundred percent confident. I'm saying I'm like ninety two percent.

1:15:34.760 --> 1:15:40.240
<v Speaker 1>Okay. Number One, Sharktail, I've never seen.

1:15:40.400 --> 1:15:44.599
<v Speaker 2>I don't I've never seen it. Is it too obvious

1:15:45.280 --> 1:15:48.360
<v Speaker 2>for Jensen to put shark tail and not have a dolphin?

1:15:49.960 --> 1:15:52.479
<v Speaker 1>No, I think there's a dolphin in Sharktayale. That's my guest.

1:15:52.600 --> 1:15:53.400
<v Speaker 2>I would think so too.

1:15:53.439 --> 1:15:56.400
<v Speaker 1>It's animated, so I'm gonna say yes, yes in Sharktaiale.

1:15:57.439 --> 1:16:01.040
<v Speaker 4>Don't email me there's no there's no dolphins. Ah, God,

1:16:02.120 --> 1:16:02.439
<v Speaker 4>all right.

1:16:02.560 --> 1:16:07.439
<v Speaker 3>Number two Spahire, I'm kidding. It's Sphere, of course, the

1:16:07.720 --> 1:16:09.760
<v Speaker 3>based on the Michael Crichton novel where they are under

1:16:09.760 --> 1:16:10.080
<v Speaker 3>the water.

1:16:11.760 --> 1:16:15.560
<v Speaker 2>Oh they're underwater.

1:16:16.479 --> 1:16:17.400
<v Speaker 1>See they're very deep.

1:16:17.439 --> 1:16:19.120
<v Speaker 3>But at the end they come up to the surface,

1:16:19.160 --> 1:16:20.799
<v Speaker 3>and I'm wondering, when they come up to the surface,

1:16:20.800 --> 1:16:23.040
<v Speaker 3>there's a dolphin. I'm gonna say, yes, there is a

1:16:23.080 --> 1:16:23.759
<v Speaker 3>dolphin Sphere.

1:16:23.800 --> 1:16:24.360
<v Speaker 1>That's my guess.

1:16:25.080 --> 1:16:28.439
<v Speaker 4>I'll go with no. Oh, yeah, there's a dolphins sphere.

1:16:28.600 --> 1:16:29.840
<v Speaker 1>Yes, okay, one for me.

1:16:30.160 --> 1:16:35.439
<v Speaker 3>Number three Tomorrow Never Dies, great movie, James Bond, Pierce Brasman.

1:16:36.000 --> 1:16:40.679
<v Speaker 1>There are a lot of it takes place in the water. Yes,

1:16:40.800 --> 1:16:41.559
<v Speaker 1>there's a dolphins.

1:16:43.960 --> 1:16:46.000
<v Speaker 4>There is a dolphin in that, James Bond.

1:16:46.400 --> 1:16:51.280
<v Speaker 1>Yes. Number four part of the Caban. Uh do you

1:16:51.360 --> 1:16:52.960
<v Speaker 1>think do you remember when in parts of the Caribbean?

1:16:53.760 --> 1:16:58.080
<v Speaker 1>Oh wait, I think no, that was Orlando Bloom. No, yeah,

1:16:58.280 --> 1:17:00.280
<v Speaker 1>no it was a dolphin. Orlando Bloom.

1:17:02.840 --> 1:17:03.400
<v Speaker 4>She just got it.

1:17:06.400 --> 1:17:07.000
<v Speaker 2>I don't think so.

1:17:07.360 --> 1:17:09.439
<v Speaker 1>No, No, there's no dolphin in parts of the Caribbean.

1:17:09.680 --> 1:17:11.599
<v Speaker 4>That wasn't Orlando Bloom. That was a dolphins.

1:17:11.680 --> 1:17:16.040
<v Speaker 1>Ah damn what all right? So Sabrina has officially lost

1:17:16.160 --> 1:17:17.320
<v Speaker 1>and I need one to win.

1:17:17.400 --> 1:17:19.520
<v Speaker 2>But I do know that there's dolphins in Titanic.

1:17:19.640 --> 1:17:23.240
<v Speaker 1>There are in Titanic. That's our last one is Titanick.

1:17:23.320 --> 1:17:24.599
<v Speaker 1>I think it's during the scene.

1:17:26.040 --> 1:17:27.799
<v Speaker 3>Oh yeah, that's right, King of the World, that they're

1:17:27.800 --> 1:17:29.400
<v Speaker 3>at the front of the boat. Yes, one hundred percent.

1:17:29.560 --> 1:17:31.719
<v Speaker 4>Yes, there is absolutely no dolphin.

1:17:32.360 --> 1:17:35.840
<v Speaker 1>Yes, it is at the front of the boat, out

1:17:35.840 --> 1:17:36.280
<v Speaker 1>of the boat.

1:17:36.520 --> 1:17:39.479
<v Speaker 4>Absolutely a bear Stein bears thing for you. They're there.

1:17:39.680 --> 1:17:41.679
<v Speaker 4>Titanic didn't have dolphins, and it they bury.

1:17:41.760 --> 1:17:44.439
<v Speaker 3>I mean, come on, I think I think Sabrina is right.

1:17:44.479 --> 1:17:46.280
<v Speaker 3>I think there's a scene in Titanic where they're at

1:17:46.320 --> 1:17:47.000
<v Speaker 3>the front of the boat.

1:17:47.240 --> 1:17:50.519
<v Speaker 4>There is an animated movie of the Titanic called The

1:17:50.600 --> 1:17:52.519
<v Speaker 4>Legend of Titanic that does have dolphins in it, But

1:17:52.560 --> 1:17:55.000
<v Speaker 4>we know that's not what I'm referencing. I just googled it.

1:17:55.080 --> 1:17:56.680
<v Speaker 2>There is, I'll send it in the chat.

1:17:58.240 --> 1:17:59.800
<v Speaker 4>Yes, I had one wrong.

1:18:00.120 --> 1:18:01.080
<v Speaker 2>Knowing we get two.

1:18:04.800 --> 1:18:07.879
<v Speaker 3>Dolphins appear in a scene often believed to be CGI,

1:18:08.000 --> 1:18:11.040
<v Speaker 3>swimming alongside the bow of the ship as it departs Damn.

1:18:11.120 --> 1:18:13.240
<v Speaker 3>Though they are unlikely in the cold, deep North Atlantic

1:18:13.280 --> 1:18:14.320
<v Speaker 3>where the real ship sank.

1:18:14.360 --> 1:18:16.559
<v Speaker 1>They're nice that That's.

1:18:16.439 --> 1:18:18.840
<v Speaker 4>Why I pushed towards the animated to look. But I

1:18:18.960 --> 1:18:21.599
<v Speaker 4>will say I have made a mistake once before.

1:18:21.840 --> 1:18:22.200
<v Speaker 1>We know that.

1:18:22.280 --> 1:18:24.960
<v Speaker 4>When I did it in the three hundred episodes we've done, basically,

1:18:25.880 --> 1:18:28.200
<v Speaker 4>I almost sensed I was going to be wrong on mony.

1:18:28.400 --> 1:18:32.000
<v Speaker 2>So that's the only one, tough one, the only ones

1:18:32.040 --> 1:18:35.599
<v Speaker 2>I did. They all all of these movies had had.

1:18:35.560 --> 1:18:37.879
<v Speaker 1>No only first one except shark Tail.

1:18:37.760 --> 1:18:38.680
<v Speaker 2>Except for shark Tail.

1:18:38.760 --> 1:18:43.040
<v Speaker 4>Okay, God, which again could be could look just giant.

1:18:43.400 --> 1:18:46.720
<v Speaker 1>Yes there is. I knew it. I knew there were dolphins. Er. Yeah,

1:18:47.240 --> 1:18:49.439
<v Speaker 1>it's in DiCaprio's contract. Any time it's in a movie,

1:18:49.439 --> 1:18:50.760
<v Speaker 1>there needs to be dolphins. Everybody knows that.

1:18:50.840 --> 1:18:52.320
<v Speaker 4>I mean, but the dolphin has to be under twenty

1:18:52.360 --> 1:18:53.000
<v Speaker 4>seven years old.

1:18:57.200 --> 1:18:59.640
<v Speaker 1>That dolphins too old. We gotta fire that dolphins out

1:18:59.680 --> 1:18:59.840
<v Speaker 1>of here.

1:19:00.400 --> 1:19:02.360
<v Speaker 2>It got crossty get it out of air?

1:19:03.400 --> 1:19:05.000
<v Speaker 1>Can we does?

1:19:09.320 --> 1:19:12.040
<v Speaker 2>Of course, there's a couple that actually, like I, you know,

1:19:12.280 --> 1:19:13.920
<v Speaker 2>I have all my notes and I kind of put

1:19:13.960 --> 1:19:18.280
<v Speaker 2>stars by things, and my uh, five star review was

1:19:18.479 --> 1:19:22.919
<v Speaker 2>yay dolphins by Sabrina. Sabrina sees is yay Mermaid.

1:19:24.120 --> 1:19:27.160
<v Speaker 1>All right, so you're the one writing mine.

1:19:27.320 --> 1:19:30.120
<v Speaker 2>Actually that I that Jensen found for now and.

1:19:30.120 --> 1:19:32.200
<v Speaker 1>I'm just gonna call you Chrissy zero nine eight.

1:19:34.880 --> 1:19:38.360
<v Speaker 2>Oh my gosh, okay. One of the things that struck me.

1:19:38.439 --> 1:19:40.880
<v Speaker 2>And of course, you know, this is a different tone.

1:19:41.360 --> 1:19:46.360
<v Speaker 2>But we'd never really seen like a sick character so

1:19:46.600 --> 1:19:50.400
<v Speaker 2>much that they're like popping pills, like I have we

1:19:50.520 --> 1:19:53.439
<v Speaker 2>seen somebody who's actually like really sick in the movies?

1:19:54.360 --> 1:19:57.400
<v Speaker 1>No, because it's a d com, I know, So this

1:19:57.720 --> 1:19:58.760
<v Speaker 1>was the point.

1:20:00.000 --> 1:20:03.120
<v Speaker 2>These pills come out like very early on, Like we

1:20:03.280 --> 1:20:05.479
<v Speaker 2>know that Grandpa six so early on?

1:20:05.680 --> 1:20:07.720
<v Speaker 3>Is the second is the sequel to horse sense? Them

1:20:07.800 --> 1:20:08.920
<v Speaker 3>just popping pills the whole time?

1:20:09.000 --> 1:20:12.360
<v Speaker 2>Is that it might be we haven't watched that, right, Yeah?

1:20:12.520 --> 1:20:14.960
<v Speaker 1>Jumping ship is that what that may be? Even maybe

1:20:15.040 --> 1:20:18.120
<v Speaker 1>the ship they're jumping is filled with oxygon life or fetnyl.

1:20:19.800 --> 1:20:24.799
<v Speaker 2>They're jumping his life, they're jumping out a nice nice Yikes. Again,

1:20:25.000 --> 1:20:29.200
<v Speaker 2>the kids, I wish that I had a chance ask like,

1:20:29.840 --> 1:20:32.720
<v Speaker 2>what is the age level these kids are supposed to be?

1:20:32.880 --> 1:20:34.240
<v Speaker 2>Because it's very unclear?

1:20:35.120 --> 1:20:36.840
<v Speaker 1>Can I make a guess? Can I make a guess?

1:20:37.360 --> 1:20:38.120
<v Speaker 2>I think you should.

1:20:38.520 --> 1:20:40.559
<v Speaker 3>I think that the boy is supposed to be about

1:20:40.640 --> 1:20:44.559
<v Speaker 3>nine or ten. I think the middle character is supposed

1:20:44.560 --> 1:20:47.800
<v Speaker 3>to be about eleven or twelve. Maybe the admission to

1:20:47.920 --> 1:20:50.719
<v Speaker 3>em right, but you can get in if you're super smart.

1:20:50.800 --> 1:20:54.360
<v Speaker 1>You can get into MIT when you're fourteen or fifteen, Okay, okay,

1:20:54.720 --> 1:20:56.960
<v Speaker 1>I would I think the oldest sister's supposed to be

1:20:57.000 --> 1:20:59.479
<v Speaker 1>about seventeen, sixteen or seventeen. That would be my guest

1:20:59.520 --> 1:21:02.760
<v Speaker 1>for the agent. I could be wrong, but that would

1:21:02.760 --> 1:21:05.320
<v Speaker 1>be my guest for the ages. So you never see

1:21:05.320 --> 1:21:08.160
<v Speaker 1>her drive, but then again, you never see Ryan Merriman's

1:21:08.200 --> 1:21:10.080
<v Speaker 1>character drive either, and it could just be that they're

1:21:10.120 --> 1:21:12.800
<v Speaker 1>on an island. Yes, okay, yeah, it's tough.

1:21:12.960 --> 1:21:13.360
<v Speaker 4>You never know.

1:21:14.280 --> 1:21:16.599
<v Speaker 2>One thing that we didn't watch when she's having her

1:21:16.680 --> 1:21:19.360
<v Speaker 2>dream of kissing the boys and she wakes up and

1:21:19.479 --> 1:21:21.760
<v Speaker 2>she just pops out of bed her lights on.

1:21:22.000 --> 1:21:25.040
<v Speaker 1>It's like, what till three she was sleeping it off?

1:21:25.360 --> 1:21:28.800
<v Speaker 2>No her lights? It's dark at night. Oh and she

1:21:29.040 --> 1:21:31.920
<v Speaker 2>has her light on. That always drives me crazy in movies. Like,

1:21:32.000 --> 1:21:34.759
<v Speaker 2>I get they have to have light to see the actor,

1:21:34.960 --> 1:21:36.559
<v Speaker 2>but like I hate when.

1:21:36.479 --> 1:21:38.840
<v Speaker 1>They do that now just to play Devil's advocate. She's

1:21:38.960 --> 1:21:41.800
<v Speaker 1>always up late reading and writing. Maybe she fell asleep

1:21:42.760 --> 1:21:43.840
<v Speaker 1>so she's got the light on.

1:21:44.760 --> 1:21:45.000
<v Speaker 4>Again.

1:21:45.000 --> 1:21:46.200
<v Speaker 1>I'm just trying to justify it.

1:21:46.400 --> 1:21:51.600
<v Speaker 2>Okay, okay. We went past a very heated argument that

1:21:51.720 --> 1:21:54.599
<v Speaker 2>I thought was so funny, and it made me feel

1:21:54.640 --> 1:21:57.519
<v Speaker 2>like Adam is on the same level as Derinda seems

1:21:57.600 --> 1:22:01.439
<v Speaker 2>to always be in thek since we watched that recently.

1:22:02.120 --> 1:22:05.200
<v Speaker 2>She their their argument was when he's at dinner and

1:22:05.400 --> 1:22:08.360
<v Speaker 2>she just can't understand why he can't think, you know

1:22:08.479 --> 1:22:12.040
<v Speaker 2>of like again like the Mermaid situation, how come he

1:22:12.120 --> 1:22:14.839
<v Speaker 2>can't just understand that, like it's not all about numbers

1:22:14.880 --> 1:22:18.040
<v Speaker 2>and blah blah blah. And then when the officer comes

1:22:18.080 --> 1:22:20.479
<v Speaker 2>in and Adam's like, oh, and he literally is like,

1:22:21.200 --> 1:22:23.120
<v Speaker 2>you're not going to do anything. It's like he almost

1:22:23.240 --> 1:22:24.960
<v Speaker 2>was like you're not even gonna challenge them to a

1:22:25.080 --> 1:22:28.599
<v Speaker 2>dance contest, like you're just gonna let true.

1:22:29.160 --> 1:22:31.000
<v Speaker 1>Oh he seems like she just wanted to fight.

1:22:32.080 --> 1:22:35.360
<v Speaker 2>Yes, he played that character just like like I mean,

1:22:35.479 --> 1:22:37.479
<v Speaker 2>he was a hot tomaly just just it.

1:22:38.040 --> 1:22:38.120
<v Speaker 1>Ye.

1:22:38.680 --> 1:22:43.600
<v Speaker 2>And then this happened and I I rewound it just

1:22:44.600 --> 1:22:48.160
<v Speaker 2>four or five times, and I'm not even sure what

1:22:48.439 --> 1:22:52.599
<v Speaker 2>he's actually supposed to say, but he says, it's it's

1:22:52.720 --> 1:22:56.519
<v Speaker 2>literally one of the times where again you think he's

1:22:56.600 --> 1:23:00.519
<v Speaker 2>going to grand grandfather is going to the room that

1:23:00.680 --> 1:23:04.679
<v Speaker 2>he possibly might he's every time he left the room work,

1:23:04.720 --> 1:23:05.759
<v Speaker 2>You're like, oh hell.

1:23:05.760 --> 1:23:07.280
<v Speaker 1>Here it is pretty sure. It was like is he

1:23:07.320 --> 1:23:07.720
<v Speaker 1>dead yet?

1:23:08.280 --> 1:23:09.200
<v Speaker 4>It happened?

1:23:09.320 --> 1:23:10.240
<v Speaker 1>Oh God, here we go.

1:23:10.560 --> 1:23:13.400
<v Speaker 2>And then you're like, okay, not yet. But he says,

1:23:13.680 --> 1:23:15.920
<v Speaker 2>all right, it's time I got to take these old

1:23:16.040 --> 1:23:18.920
<v Speaker 2>and what I hear and I rowound it four times,

1:23:19.240 --> 1:23:21.280
<v Speaker 2>I got to take these old balls to bed.

1:23:26.080 --> 1:23:27.040
<v Speaker 1>I'm guessing.

1:23:29.560 --> 1:23:32.160
<v Speaker 2>It says, all right, I gotta take these old balls

1:23:32.280 --> 1:23:32.639
<v Speaker 2>to bed.

1:23:33.240 --> 1:23:34.320
<v Speaker 1>I don't think that's what.

1:23:36.439 --> 1:23:41.519
<v Speaker 2>And once word says take these old balls to bed,

1:23:44.840 --> 1:23:45.400
<v Speaker 2>I don't even know.

1:23:47.200 --> 1:23:51.280
<v Speaker 1>Phones old bones. I was giant.

1:23:51.439 --> 1:23:53.759
<v Speaker 2>It was like I can't rewinding it, and like turning

1:23:53.840 --> 1:23:56.439
<v Speaker 2>up the volume on my TV, brought my phone out,

1:23:56.560 --> 1:23:58.320
<v Speaker 2>tried to listen to my phone. I'm like, no, he's

1:23:58.360 --> 1:24:00.439
<v Speaker 2>saying old balls and nobody cares.

1:24:00.640 --> 1:24:03.640
<v Speaker 1>Do you ever put on the captions? It would have

1:24:03.720 --> 1:24:04.560
<v Speaker 1>told you what it was.

1:24:05.160 --> 1:24:07.120
<v Speaker 2>Oh that I should have done that. No, I was

1:24:07.240 --> 1:24:12.120
<v Speaker 2>just listening to my Yeah, and it wasn't necessarily the

1:24:12.840 --> 1:24:16.720
<v Speaker 2>greatest movie we've watched, but let's find out fun to

1:24:16.920 --> 1:24:20.040
<v Speaker 2>literally go through it. I love doing this because you

1:24:20.200 --> 1:24:23.479
<v Speaker 2>find so much humor and you find like the good

1:24:23.520 --> 1:24:28.240
<v Speaker 2>moments too. Of course, of course, watching all of us see.

1:24:28.120 --> 1:24:30.479
<v Speaker 3>What we think about these movies, and we are coming

1:24:30.520 --> 1:24:32.080
<v Speaker 3>to portion where we rate our film.

1:24:32.439 --> 1:24:36.240
<v Speaker 1>We're gonna do, Yeah, let's do one to ten and

1:24:36.280 --> 1:24:40.720
<v Speaker 1>then we'll make ten the highest. Okay, is what we're

1:24:40.760 --> 1:24:43.040
<v Speaker 1>gonna do. And our options for this week. One out

1:24:43.080 --> 1:24:46.760
<v Speaker 1>of ten Merriman Merman, one out of ten. Old people

1:24:46.800 --> 1:24:48.280
<v Speaker 1>looking out at the ocean because they're dying.

1:24:48.640 --> 1:24:49.400
<v Speaker 2>Oh my god.

1:24:50.320 --> 1:24:54.160
<v Speaker 1>One of a ten dolphin whispers, one ten dolphin huggers,

1:24:54.760 --> 1:24:58.120
<v Speaker 1>one at attend dolphin berths, one out of ten underwater

1:24:58.200 --> 1:25:05.360
<v Speaker 1>dolphin kisses, insane nightclubs, stone high school conversations, planets with

1:25:05.479 --> 1:25:08.679
<v Speaker 1>no eyes, and I'm gonna add old balls to bed?

1:25:10.479 --> 1:25:13.880
<v Speaker 2>Can we do old balls? All right?

1:25:14.200 --> 1:25:16.880
<v Speaker 1>I think I think it's my turn to go first

1:25:16.920 --> 1:25:21.479
<v Speaker 1>this time. All right, Okay, I still don't know what

1:25:21.600 --> 1:25:23.960
<v Speaker 1>I think about this movie. It made me either love

1:25:24.040 --> 1:25:26.519
<v Speaker 1>Australia or hate it, love dolphins or hate them, love

1:25:26.640 --> 1:25:30.160
<v Speaker 1>love itself or hate it. I don't know. It's just this.

1:25:30.520 --> 1:25:33.960
<v Speaker 1>This to me was there's very This seemed like more

1:25:34.040 --> 1:25:36.960
<v Speaker 1>like a Wonderful World of Disney after school special than

1:25:37.000 --> 1:25:40.240
<v Speaker 1>it did a dcom. Yeah, like the it was very

1:25:40.479 --> 1:25:44.800
<v Speaker 1>much again about death, and it's more about her which

1:25:44.840 --> 1:25:47.120
<v Speaker 1>boy is she gonna pick? And it was literally like.

1:25:47.160 --> 1:25:49.560
<v Speaker 3>Oh and oh yeah, she also speaks to dolphins, So

1:25:49.640 --> 1:25:53.360
<v Speaker 3>it was the tone was not very d calm for me.

1:25:53.800 --> 1:25:56.559
<v Speaker 3>I also frankly didn't think it looked particularly good at times.

1:25:56.600 --> 1:25:58.519
<v Speaker 3>I mean again, it looked you have this backdrop, but

1:25:58.560 --> 1:26:02.080
<v Speaker 3>you've got that bad cgi And but that.

1:26:02.160 --> 1:26:05.200
<v Speaker 1>Being said, the cast is great, you know, a very

1:26:05.360 --> 1:26:08.640
<v Speaker 1>good cast all the way around. I understand what they

1:26:08.720 --> 1:26:10.880
<v Speaker 1>were doing, and maybe there's maybe it's my fault, and

1:26:10.960 --> 1:26:13.400
<v Speaker 1>there's there should be room in a dcom in the

1:26:13.479 --> 1:26:17.439
<v Speaker 1>dcom world for one of these Nicholas Sparks kind of movies,

1:26:17.520 --> 1:26:18.800
<v Speaker 1>which is this is what this was.

1:26:18.920 --> 1:26:20.560
<v Speaker 3>This was the fault and the stars are one of

1:26:20.600 --> 1:26:22.879
<v Speaker 3>these kind of things, which again are not decomming.

1:26:23.040 --> 1:26:25.840
<v Speaker 1>So I'm going straight up down the middle. This is

1:26:25.920 --> 1:26:28.880
<v Speaker 1>gonna be five old man balls. Oh no, because I

1:26:29.040 --> 1:26:31.040
<v Speaker 1>don't think it's great. I don't think it's good. I

1:26:31.040 --> 1:26:32.680
<v Speaker 1>don't think it's bad, and frankly I think I need

1:26:32.760 --> 1:26:35.719
<v Speaker 1>to watch it again. I truly I could be giving

1:26:35.800 --> 1:26:38.400
<v Speaker 1>this an incredibly harsh score. I could be giving this

1:26:38.439 --> 1:26:41.920
<v Speaker 1>an incredibly generous score. I really do not know with

1:26:42.040 --> 1:26:45.840
<v Speaker 1>this movie. The things I do know great cast, Yes,

1:26:46.720 --> 1:26:50.720
<v Speaker 1>felt very long, even though it wasn't right at times, was.

1:26:50.800 --> 1:26:57.640
<v Speaker 3>Dragging and boring, bad CGI, good messaging m h so,

1:26:58.000 --> 1:26:59.960
<v Speaker 3>and there were some gems in there with like you know,

1:27:00.160 --> 1:27:03.080
<v Speaker 3>the old the Grandfather throwing out some really great pearls

1:27:03.120 --> 1:27:03.479
<v Speaker 3>of wisdom.

1:27:03.560 --> 1:27:07.360
<v Speaker 1>So I truly I am stumped with this movie. I

1:27:07.640 --> 1:27:09.040
<v Speaker 1>truly do not know.

1:27:09.200 --> 1:27:12.160
<v Speaker 3>I am taking the middle route again. Everybody who says

1:27:12.160 --> 1:27:14.479
<v Speaker 3>to me, you scored this way too low, You're probably right.

1:27:14.640 --> 1:27:16.599
<v Speaker 3>Everybody says to me, you scored this way too high,

1:27:16.800 --> 1:27:17.720
<v Speaker 3>You're probably right.

1:27:17.880 --> 1:27:21.519
<v Speaker 1>I just don't know with this movie. So I am

1:27:21.600 --> 1:27:25.400
<v Speaker 1>gonna grab five old man balls and hold on to

1:27:25.520 --> 1:27:30.880
<v Speaker 1>those whole balls. Five old balls to bed, and I'm

1:27:30.880 --> 1:27:35.280
<v Speaker 1>gonna caress them gently. How about you, Sabrina, what do

1:27:35.360 --> 1:27:36.880
<v Speaker 1>you got? Oh man?

1:27:37.160 --> 1:27:41.560
<v Speaker 2>Okay? So I am on that same sentiment because, like

1:27:41.720 --> 1:27:45.600
<v Speaker 2>you said at the very beginning of the episode, this

1:27:46.800 --> 1:27:50.720
<v Speaker 2>kind of storyline and this tone gears more towards, you know,

1:27:51.800 --> 1:27:55.720
<v Speaker 2>like the teenage girl. So I can absolutely see why

1:27:56.479 --> 1:28:00.559
<v Speaker 2>teenagers during this time this movie came out probably loved

1:28:00.640 --> 1:28:05.080
<v Speaker 2>this movie. They probably appreciated having more of that you

1:28:05.160 --> 1:28:09.519
<v Speaker 2>know love and that tone of like, you know, having

1:28:09.600 --> 1:28:13.720
<v Speaker 2>to go through something this epic, things like that. So

1:28:14.080 --> 1:28:16.519
<v Speaker 2>part of me was geared towards that because I do

1:28:16.680 --> 1:28:20.240
<v Speaker 2>love kind of tapping into the nostalgia aspect of being

1:28:20.320 --> 1:28:22.320
<v Speaker 2>that age. And how would this movie have hit me

1:28:22.439 --> 1:28:24.599
<v Speaker 2>since this is my first time seeing it? Sure, how

1:28:24.600 --> 1:28:26.479
<v Speaker 2>would I have seen it through my eyes as like

1:28:26.560 --> 1:28:30.920
<v Speaker 2>a thirteen year old. But there were moments that felt

1:28:31.000 --> 1:28:35.240
<v Speaker 2>really slow to me. And again, and I've said it

1:28:35.400 --> 1:28:37.720
<v Speaker 2>three or four times now, I don't come to the

1:28:37.960 --> 1:28:41.400
<v Speaker 2>Disney Channel you saying it was like a wonderful World

1:28:41.439 --> 1:28:44.760
<v Speaker 2>of Disney movie or an AVC movie. I would have

1:28:44.960 --> 1:28:48.280
<v Speaker 2>a different expectation. So for me, with the Disney Channel

1:28:48.560 --> 1:28:53.519
<v Speaker 2>dcom idea, it's a little too sad. I probably wouldn't

1:28:53.520 --> 1:28:55.920
<v Speaker 2>have gotten there had we skipped to just a funeral.

1:28:56.040 --> 1:29:00.240
<v Speaker 2>But actually having to watch this episode was like, oh,

1:29:00.400 --> 1:29:03.240
<v Speaker 2>I was crying. I wasn't ready for a cry. I mean,

1:29:03.320 --> 1:29:07.080
<v Speaker 2>We're talking about mermaids and dolphins and now I've got

1:29:07.200 --> 1:29:07.519
<v Speaker 2>to cry.

1:29:07.680 --> 1:29:07.840
<v Speaker 4>Oh.

1:29:08.320 --> 1:29:10.400
<v Speaker 2>So it just bun me a little bit too too

1:29:10.479 --> 1:29:12.400
<v Speaker 2>much in the wrong direction. So I'm giving it a

1:29:12.600 --> 1:29:16.519
<v Speaker 2>lower score than I normally do. Although again, the cast

1:29:16.640 --> 1:29:19.439
<v Speaker 2>was so good. I was excited to see all of

1:29:19.439 --> 1:29:23.080
<v Speaker 2>the scarlet Misha Ryan, I mean, all of these great

1:29:23.240 --> 1:29:28.240
<v Speaker 2>great actors you know when they were younger, now loving

1:29:28.280 --> 1:29:32.880
<v Speaker 2>them as older actors. It's just great. Anyway, this is

1:29:33.080 --> 1:29:38.320
<v Speaker 2>a six point five old balls to bed for me.

1:29:40.640 --> 1:29:46.920
<v Speaker 1>Six point five of them. Six point five God, that's five.

1:29:47.840 --> 1:29:53.040
<v Speaker 1>That's three and a half dudes. Wow, that's amazing.

1:29:53.320 --> 1:29:58.720
<v Speaker 2>Oh my gosh, truly, I just you know, yeah, I

1:29:58.840 --> 1:30:01.760
<v Speaker 2>wanted to I think the dragging of me into that,

1:30:02.000 --> 1:30:04.760
<v Speaker 2>but that's not the kind of movie I'm wanting to

1:30:04.800 --> 1:30:07.320
<v Speaker 2>watch on the channel. There are other people that would

1:30:07.320 --> 1:30:09.400
<v Speaker 2>be stoked to see this kind of tone, you know,

1:30:09.680 --> 1:30:12.200
<v Speaker 2>So we'll see. I get it, all right, let us

1:30:12.240 --> 1:30:14.880
<v Speaker 2>know in the comments, guys, Yeah, what did you think?

1:30:16.000 --> 1:30:19.320
<v Speaker 1>Thank you everybody for joining us on this episode of

1:30:19.439 --> 1:30:21.519
<v Speaker 1>Magical rewind. We still don't know exactly what we saw.

1:30:21.600 --> 1:30:22.600
<v Speaker 1>We didn't hate it, we didn't like it.

1:30:22.680 --> 1:30:24.200
<v Speaker 3>We still don't know exactly what we saw. So tell

1:30:24.280 --> 1:30:26.400
<v Speaker 3>us everybody what you thought of this movie. Why was

1:30:26.439 --> 1:30:28.840
<v Speaker 3>the best or worst movie you've ever seen? And be

1:30:28.920 --> 1:30:31.000
<v Speaker 3>sure to check out our Park Copper episode. We're going

1:30:31.040 --> 1:30:33.920
<v Speaker 3>to be talking to, Yes, the one and only Scarlett Palmers,

1:30:33.960 --> 1:30:36.519
<v Speaker 3>who played Susie Austin in Ring of Endless Light.

1:30:36.640 --> 1:30:39.160
<v Speaker 1>It was such a great conversation. She was so nice

1:30:39.160 --> 1:30:41.200
<v Speaker 1>to join us here. Listening to a little bit of

1:30:41.240 --> 1:30:41.640
<v Speaker 1>a clip of.

1:30:41.640 --> 1:30:45.759
<v Speaker 5>That, I was definitely really excited. One of the reasons

1:30:45.800 --> 1:30:48.160
<v Speaker 5>I was most excited to work on Ring of Endless

1:30:48.240 --> 1:30:50.920
<v Speaker 5>Light was because we filmed it in Australia. Yeah, and

1:30:51.360 --> 1:30:53.120
<v Speaker 5>we were going to be there for about a month,

1:30:53.640 --> 1:30:56.439
<v Speaker 5>so I was just like, whoa this is? This is

1:30:56.560 --> 1:30:58.640
<v Speaker 5>I mean, how many times do you get to go

1:30:58.720 --> 1:30:59.599
<v Speaker 5>to Australia anyway?

1:30:59.680 --> 1:31:03.080
<v Speaker 1>You know? Yeah? Right, she was great.

1:31:03.120 --> 1:31:05.280
<v Speaker 3>It was a totally fun conversation. So make sure you

1:31:05.439 --> 1:31:07.880
<v Speaker 3>check that out because it's definitely worth it and.

1:31:08.720 --> 1:31:11.200
<v Speaker 1>Join us as we continue our journey through the world

1:31:11.280 --> 1:31:12.840
<v Speaker 1>of the dcom. I'm gonna be totally honest with you,

1:31:12.920 --> 1:31:15.000
<v Speaker 1>We're not entirely sure what we're doing next. We will

1:31:15.040 --> 1:31:17.160
<v Speaker 1>announce it on our Instagram because we're still in the

1:31:17.520 --> 1:31:19.559
<v Speaker 1>process right now of picking exactly what film is going

1:31:19.640 --> 1:31:22.280
<v Speaker 1>to be next, so you will know just a little

1:31:22.280 --> 1:31:24.080
<v Speaker 1>bit after we do. Chris, frankly, we're not sure yet,

1:31:24.160 --> 1:31:26.240
<v Speaker 1>but go back and check out all of our old stuff.

1:31:26.240 --> 1:31:27.960
<v Speaker 3>All you have to do is search for Magical Rewind

1:31:27.960 --> 1:31:30.960
<v Speaker 3>wherever you get your podcasts and subscribe and then we're

1:31:30.960 --> 1:31:33.360
<v Speaker 3>all on perfect sync. And for any more information you

1:31:33.400 --> 1:31:35.200
<v Speaker 3>could possibly want, you can follow us at.

1:31:35.200 --> 1:31:38.160
<v Speaker 1>Magical Rewind Pod on the Instagram machine. See there, I

1:31:38.240 --> 1:31:41.040
<v Speaker 1>did it right now, and just whatever you do as

1:31:41.040 --> 1:31:43.920
<v Speaker 1>you're leaving, try not to think of old man balls.

1:31:44.040 --> 1:31:44.719
<v Speaker 1>Thanks everybody.

1:31:45.000 --> 1:32:00.120
<v Speaker 2>Bye m