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Speaker 1: Sabrina, are you an ocean fan?

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Speaker 2: No? No, no, and I you all make your TL

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Speaker 2: just the way you know.

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Speaker 1: No, no, it's stolen something from you.

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Speaker 2: I have zero trust in the ocean. I don't know

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Speaker 2: what's down there. And I love mermaids like the mermaids are.

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Speaker 2: But I like mermaids like with the idea of like

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Speaker 2: them being in my pool versus like the ocean.

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Speaker 1: Because do you have mermaids in your pool?

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Speaker 2: I mean I want little I did when I was little,

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Speaker 2: I played mermaid all the time.

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Speaker 1: But so you were the mermaid, Yes, okay, and that

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Speaker 1: makes sense.

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Speaker 2: Like for instance, I've done snuba diving, and I thought

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Speaker 2: that was going to be the end of my relationship

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Speaker 2: with Jordan because he kind of forced me to go

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Speaker 2: when I told him, I'm scared of the ocean. I

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Speaker 2: don't like sharks. I don't know what's down there.

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Speaker 3: I'm sorry, I gotta stop you did you did you

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Speaker 3: say snuba diving?

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Speaker 2: Snuba so not scuba. It's a step and I now

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Speaker 2: would highly recommend it because I had it. You don't

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Speaker 2: go as far down. Your tank is up on like

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Speaker 2: a like a floated air base, like so that you

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Speaker 2: follow it up to the tank like your cord. It

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Speaker 2: felt a lot more safe than what I would assume

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Speaker 2: scuba when you're just out there and it's.

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Speaker 1: Like, hey, if you come back right if not, so

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Speaker 1: you can be the bait on the end of a hook.

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Speaker 1: Then you did. Being able to go out into the ocean,

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Speaker 1: I could look up.

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Speaker 2: And see, I feel like scuba diving, you go so

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Speaker 2: far down, can you even see the top of where

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Speaker 2: you're gonna be eventually?

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Speaker 3: Like and I ask what the acronym snuba stands for.

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Speaker 2: Uh? No, I have no idea.

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Speaker 1: No you can't.

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Speaker 4: No, you can't.

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Speaker 2: So you have to You don't have to have any

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Speaker 2: like zero training. You have a you have a guide

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Speaker 2: that goes down there with you and they set you up.

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Speaker 2: You get weighted down and you.

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Speaker 3: Know, I mean, I have nexus underwater breathing apparatus.

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Speaker 1: That sounds like a big swing and a miss for me.

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Speaker 2: Anyway, I'm just telling you, I was so nervous just

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Speaker 2: going down once I you know what is it? Uh

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Speaker 2: equalized my ears and all that, and I was all

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Speaker 2: I was good. It was incredible and it may at

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Speaker 2: one in the Caribbean. And I was told no sharks

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Speaker 2: inhibit that area. But it's like the oh, I'm so

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Speaker 2: scared of sharks, Like I would never do a shark

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Speaker 2: dive thing in a cage. I watched Shark Week. Everything

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Speaker 2: they do seems like just the kiss of death. So

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Speaker 2: I am not an ocean person at all. I like pools.

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Speaker 1: Okay, are you do you go into the ocean? No?

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Speaker 1: I don't go to the ocean.

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Speaker 3: But that's because it usually involves taking off my shirt,

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Speaker 3: which I never do anyway, So okay, yeah, I'm usually.

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Speaker 2: You wouldn't go to the pool, So you're just like

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Speaker 2: not going to.

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Speaker 3: The pool by myself at like three o'clock in the

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Speaker 3: morning when nobody's around.

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Speaker 1: Then I go. Then I enjoy myself.

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Speaker 4: That's that.

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Speaker 2: Yeah, the ocean terrifies and I don't I have done

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Speaker 2: and this is about ours. I have swam with dolphins

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Speaker 2: and again looked at Jordan, like, how do you talk

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Speaker 2: me into doing these things where I end up being out?

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Speaker 2: You have to like Superman, the water, flex your feet,

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Speaker 2: the dolphins come up behind your feet. Amazing to the water.

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Speaker 2: I was in Cosamel and the water it was like

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Speaker 2: kind of an overcast day, so like it looks like

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Speaker 2: where they had us. We weren't in a pool like

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Speaker 2: I was told i'd be in. It looks we're out

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Speaker 2: in the ocean and it looks like it's blocked off.

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Speaker 2: But then they tell me to swim out into the

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Speaker 2: middle of this dark ocean because it's like overcast, and

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Speaker 2: just spread my arms. I'm on my stomach, spread my arms,

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Speaker 2: pull my feet up, flex my feet, and the dolphins

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Speaker 2: will come. Once they hit, like, once they push against

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Speaker 2: my feet, I lift my chest. I'm looking at these

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Speaker 2: people like.

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Speaker 1: Mine. That's so scary.

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Speaker 2: And they're like, well, come meet the dolphins next before

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Speaker 2: you do that, and I'm like, yeah, that'd be great,

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Speaker 2: Like let's get a little bit, let's get a little

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Speaker 2: chemistry going to.

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Speaker 1: So wonderful.

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Speaker 2: And they're so sweet. Their eyes are just like yeah,

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Speaker 2: they they do look like people like and they feel

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Speaker 2: they're so sweet. These animals are amazing. However, that will

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Speaker 2: be the last time. If it's not. If it was

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Speaker 2: in a pool, I would have trusted it more. I

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Speaker 2: just the oh shit freaks.

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Speaker 3: Yeah, apparently, wow, I don't I don't like I don't

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Speaker 3: like sharks either, but for a totally different reason.

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Speaker 2: So what's your reason.

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Speaker 3: I was bullied in high school by a shark. He

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Speaker 3: used to take my lunch money every day. It was

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Speaker 3: really annoying and I just never really got over it.

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Speaker 2: So is this a reference I should understand? Was this

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Speaker 2: was this some boy meets World?

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Speaker 1: No? No, I just we I had a shark in

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Speaker 1: my high school. Pete Nobody, Petey shark. Yeah, used to

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Speaker 1: take my lunch money every day. Anyway, Welcome back to

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Speaker 1: Magical Rewind, the show that.

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Speaker 3: Makes you want to grab your friends, your pj's, and

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Speaker 3: your popcorn and go back to a time when all

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Speaker 3: the houses are smart.

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Speaker 1: The waves, tsunami and Snooba wasn't.

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Speaker 3: A thing that's gonna stick with me. But anyway, I'm Wilfordell.

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Speaker 2: It's real, and I'm Sabrina.

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Speaker 1: I'm here to tell you I'm going spor but later

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Speaker 1: it's gonna be fun. Uh. This week we are diving

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Speaker 1: deeper than ever before. In case you can't tell with

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Speaker 1: a brand new dcom that somehow involved romance and tell,

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Speaker 1: I can say it out loud and tell it pathically

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Speaker 1: speaking to dolphins.

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Speaker 3: It's the romantic underwater drama of two thousand and two,

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Speaker 3: A Ring of Endless Light.

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Speaker 1: This should have been called the movie not made for will.

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Speaker 3: It debuted on the Disney Channel August twenty third, two

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Speaker 3: thousand and two, and is based on a nineteen eighty

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Speaker 3: Madeline el Angle book of the same name.

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Speaker 1: And I mean, let's get this out of the way

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Speaker 1: right now.

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Speaker 3: The title is a phrase first seen in the seventeenth

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Speaker 3: century poem The World by Henry Vaughan.

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Speaker 1: But we all knew that obviously. Also. Fans of the

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Speaker 1: original el Angle book, the fourth.

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Speaker 3: Novel about Vicki and her family from a series that

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Speaker 3: began in nineteen sixty, hated the movie because it veered

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Speaker 3: drastically from details of the original story. So examples, the

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Speaker 3: book predominantly included Vicky's parents, which were notably absent for

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Speaker 3: most of the film. Same with an older brother she

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Speaker 3: had in the book, John, He's just not in the

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Speaker 3: movie at all. Her grandfather is honest about his sickness

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Speaker 3: right from the beginning, which would seem like the biggest deviation,

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Speaker 3: but it's actually not. The book's relationship with death is

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Speaker 3: vastly different, because every.

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Speaker 1: Kid's book loves death.

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Speaker 3: In the book, a family friend has just died while

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Speaker 3: trying to save the life of Zachary, who's in a

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Speaker 3: lot more turmoil than the film depicts. A marine biologist

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Speaker 3: is nearly killed in an accident, a sick girl suffers

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Speaker 3: a seizure and dies in Vicki's arms, and the entire

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Speaker 3: net storyline is absence. So it sounds like the book

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Speaker 3: was really funny, and ironically it was scratch.

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Speaker 2: And sniff like, that's a children's.

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Speaker 1: Book, apparently young adult. I would say it's probably a.

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Speaker 2: Whyae okay, yes, young like what like.

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Speaker 1: Twelve thirteen, Yeah, twelve thirteen, because the original title of

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Speaker 1: the book was Death and Dolphins and it just didn't

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Speaker 1: sell as well.

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Speaker 3: Right, I'm going to have you believe that's true by

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Speaker 3: the end. So maybe it's safe to say this movie

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Speaker 3: is nothing like the book. But that's what you get

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Speaker 3: when you're thrown into the Disney machine.

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Speaker 1: Baby.

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Speaker 3: The movie is filmed where all beach based dcoms tend

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Speaker 3: to shoot Australia, where all the comedy just goes in

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Speaker 3: the other direction, much like fans of the book. The

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Speaker 3: movie was not a it with critics and viewers. They

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Speaker 3: found it to be too light for the source material,

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Speaker 3: taking notations of death and folding it into quote gidget

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Speaker 3: meets Flipper unquote and musically Endless Light features a song

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Speaker 3: from a popular band of the time, switch Foot, So

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Speaker 3: there's that. As expected, You two can watch A Ring

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Speaker 3: of Endless Light. No wetsuit needed, just a subscription at

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Speaker 3: Disney Plus, which is currently available to stream. You get

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Speaker 3: to choose do you watch it before or after listening

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Speaker 3: to us?

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Speaker 1: Now?

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Speaker 3: Sabrina and I usually watch it after we've done our episode,

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Speaker 3: so we don't feel obliged.

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Speaker 1: To get anything right. We just guess what happens, and

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Speaker 1: usually we're just very very lucky. Weigh it. Yeah, what

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Speaker 1: the hell?

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Speaker 3: Okay, So did you know anything about A Ring of

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Speaker 3: Endless Light before?

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Speaker 2: I didn't, And honestly, I felt like I was clueless

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Speaker 2: to any of it while watching the first what as

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Speaker 2: far as having anything to do with any kind of

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Speaker 2: ring of light of whatsoever? I was so confused.

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Speaker 3: Yeah, about the title, yeah, I think that's more supposed

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Speaker 3: to be the you know, it's a uh it's symbolism.

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Speaker 1: Yes, you can ask me. Do you need to ask me?

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Speaker 2: I mean, I'm besides you talking about it almost every

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Speaker 2: episode time this.

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Speaker 1: Movie this week. No, I've never seen this.

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Speaker 3: It should have been called Nicholas Sparks The Ring of

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Speaker 3: Endless light.

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Speaker 1: By the way, all right, so.

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Speaker 3: Let's roll out the drift net. It's time to reel

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Speaker 3: in the synopsis. Teenager Vicky Austin spends a transformative summer

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Speaker 3: on a small island with her grandpa.

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Speaker 1: For I'm we'll get into that.

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Speaker 3: She falls for a boy who studies dolphins communication, and

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Speaker 3: she faces illness, loss, and another local love interest. Vicky

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Speaker 3: learns that connection, compassion, and courage can illuminate even the

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Speaker 3: darkest of times. Also, she can communicate with dolphins.

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Speaker 1: Such a great synopsis just at the end. Also she

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Speaker 1: can commune. Also she's a wizard.

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Speaker 2: By the way, tidbit, Yes.

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Speaker 1: She could communicate with dolphins. So what were your overall

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Speaker 1: thoughts on A Ring of Endless Light?

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Speaker 2: You know, it went and down for me throughout the

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Speaker 2: whole movie parts of it. I was like, okay, I'm

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Speaker 2: in it. At the very beginning, for some reason, the

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Speaker 2: set of where they were seemed like I was on

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Speaker 2: Tom Sawyer's island, like a little bit too Disney for me,

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Speaker 2: Like the the ship carts or whatever, those like crates

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Speaker 2: and stuff like that. Kind of like, okay, you know,

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Speaker 2: the casts from the beginning as far as it being

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Speaker 2: a young you know, very well known cast. I felt like, Okay,

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Speaker 2: then it kind of I got bored sometimes, I think

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Speaker 2: is the thing. I got a little bored in a

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Speaker 2: few moments, and then the end ripped me apart and

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Speaker 2: made me not even want to finish the last ten minutes, oh,

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Speaker 2: the last six minutes. Yeah, it ripped me apart.

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Speaker 1: I you didn't see it coming. I did, but I did.

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Speaker 2: Not believe they were gonna do that to me.

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Speaker 1: They I did not.

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Speaker 2: Believe it, and especially the way it happened. I'm like,

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Speaker 2: if I'm coming to Disney Channel, I'm not looking for

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Speaker 2: that stuff. Okay. That means I'm in a vulnerable place

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Speaker 2: where I can I handle.

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Speaker 5: That.

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Speaker 1: Yeah, okay, this to me don't walk. Yeah, it was

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Speaker 1: so okay. My early thoughts are this, Yes, early thoughts, Well,

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Speaker 1: I don't know.

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Speaker 3: I'm either going to become a marine biologist or I

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Speaker 3: now hate dolphins.

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Speaker 1: I don't know. I don't know what.

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Speaker 3: This movie was about. The tone was weird, and then

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Speaker 3: it hit me halfway through.

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Speaker 1: So you know, those like Shaley Woodley's dying and has

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Speaker 1: an oxygen tank and can only be five feet apart

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Speaker 1: from whoever she's supposed to be with, and there's those

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Speaker 1: kind of movies.

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Speaker 3: That's what this was slightly disnified. Okay, the Fault in

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Speaker 3: Our Stars, thank you Lisa.

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Speaker 6: Oh sid Wow, that was like this seems.

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Speaker 3: Yeah, they're also oh there's also five feet apart with

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Speaker 3: other people.

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Speaker 1: Okay, so those.

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Speaker 3: Kind of movies where it's like, it's a love story,

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Speaker 3: but they're also it's a love story where everybody's got

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Speaker 3: some kind of horrible disease or something and people are

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Speaker 3: gonna die. And so I can see like, and I'm

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Speaker 3: not trying to gender anybody, but I can see like

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Speaker 3: teenage girls loving what they're watching, and then the teenage

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Speaker 3: boys who brought them on the date sitting in the

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Speaker 3: movie theater going like, this is the worst thing I've

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Speaker 3: ever seen in my life.

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Speaker 2: I can't believe I paid for that.

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Speaker 1: Yeah, it's it's but but they put a smile on

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Speaker 1: because they're like hoping to get a kiss over the popcorn.

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Speaker 3: That is kind of what I felt with this movie.

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Speaker 3: It seemed like this was that vibe of like the

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Speaker 3: Fault Inner Stars, where the fact that she could talk

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Speaker 3: to dolphins basically had nothing.

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Speaker 1: To do with this movie.

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Speaker 3: It was kind of just about this love story between

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Speaker 3: the two her and two guys who she's trying to

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Speaker 3: weirdly pick, and then a grandfather who understands her, and

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Speaker 3: a family dynamic and then.

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Speaker 1: Oh and by the way, there's dolphins. That's like kind

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Speaker 1: of what it seemed like. So I don't know, is

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Speaker 1: the answer to your question of I don't know what

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Speaker 1: I felt about this movie. Like you said, the cast great, Yeah,

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Speaker 1: the look of it looked really weird.

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Speaker 3: It looked like a low budget movie shot in Australia,

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Speaker 3: which I know that sounds like a terrible thing. But

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Speaker 3: I even texted producer Jensen at one point and I

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Speaker 3: was like, at least in the first twenty minutes, did

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Speaker 3: they dub almost everybody's performance like it.

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Speaker 2: Seemed it seemed like that.

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Speaker 1: Yes, it was.

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Speaker 2: Distracting a little bit.

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Speaker 1: Yes, I was like, are are the what's going on?

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Speaker 1: Why did some of the mouthfulaps don't match?

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Speaker 2: And I imagine, I mean, I don't know why they

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Speaker 2: wouldn't match, but I imagine the dubbing was because they

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Speaker 2: were like on a shoreline like where it.

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Speaker 1: Was probably maybe, but then they're doing weird. But that

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Speaker 1: was another thing. We'll get into the breakdown.

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Speaker 3: But you know, they're like cutting to them on a

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Speaker 3: boat in the beginning, and then they're doing close ups

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Speaker 3: where nobody's hair is blowing and they're just blue sky

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Speaker 3: behind them, and then they're cutting to the boat where

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Speaker 3: their hair is whipping all over, and then again just

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Speaker 3: by themselves. It looked almost soap opery like it was

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Speaker 3: just it didn't look good for a lot of it.

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Speaker 1: The CG I was terrible. Okay, there we go.

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Speaker 3: This movie, like the Nicholas Sparks movie called The Last

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Speaker 3: Song with Miley Cyrus, very similar, except with turtles and

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Speaker 3: instead of a grandpa was her dad.

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Speaker 1: Okay, so yes. It had that vibe where it's just this.

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Speaker 3: It was very slow, it was very sackering, new music

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Speaker 3: playing in the background as she's deciding which one of

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Speaker 3: these boys to fall for. It was that kind of thing.

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Speaker 3: So yes, I don't know what I think about it,

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Speaker 3: but well let's get into it now. A name we

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Speaker 3: are familiar with directed this movie, Greg Beeman. He was

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Speaker 3: a magical World of Disney guy directing The Richest Cat

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Speaker 3: in the World, which we still have to see because

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Speaker 3: oh my god, I love that title, and Little Spies,

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Speaker 3: which again I have a lot of questions about that

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Speaker 3: title as well, then ventured into a teen comedy with

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Speaker 3: the nineteen eighty eighth Licensed to Drive with Corey Feldman

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Speaker 3: and Corey Haim. I think that's the one where Feldman

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Speaker 3: does his famous dance on the bleachers.

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Speaker 1: I believe that's Licensed to Drive.

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Speaker 3: But it's his experience with other dcoms that should really

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Speaker 3: catch our attention. How about Miracle on Lane two, one

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Speaker 3: of our favorites, Horse Sense, which we loved, which everyone

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Speaker 3: liked better than me but was still really good and

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Speaker 3: the first d com ever made under wraps. Wow, So

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Speaker 3: I would not see I wouldn't be shocked. I don't

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Speaker 3: think you would be either to see him nominated for

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Speaker 3: Best Director when we eventually put together our magical rewind Awards.

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Speaker 2: Absolutely which tatily.

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Speaker 1: Calling the Rewindees. Do we like that? Are we still working?

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Speaker 2: We'll put that on the list.

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Speaker 3: We'll figure it out. We'll figure it out, story h

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Speaker 3: and everywhere. Every winner of a Rewindee gets a free,

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Speaker 3: fully paid trip to try Snuba wherever Snuba is done,

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Speaker 3: along with.

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Speaker 2: A free subscription to iHeartRadio.

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Speaker 1: To iHeart Radio and the Rewindes magazine. It stars Mischa

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Speaker 1: Barton as the main character. Vicky Austen.

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Speaker 3: Barton was a child actor in movies like The Sixth

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Speaker 3: Sense and Nodding Hill I See Mesha Barton, But it

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Speaker 3: wasn't until she was cast as Marissa Cooper on the

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Speaker 3: two thousands y A drama The o C that she

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Speaker 3: became a bit of a household name. She would have

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Speaker 3: an unceremonious split with the show killing her off abruptly,

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Speaker 3: and since then her career has been in a bit

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Speaker 3: of a roller coaster, both in and out of the tabloids.

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Speaker 3: Her most recent job in the US was a cast

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Speaker 3: member on the quasi reality show reboot of MTV's The

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Speaker 3: Hills in twenty nineteen and Other than The Letters MTV

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Speaker 3: in twenty nineteen, I didn't understand anything.

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Speaker 2: I just O this show. It made me forget that

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Speaker 2: she was an actress. It made me think that she

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Speaker 2: was originally on the MTV reality show Laguna Beach, which

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Speaker 2: is like what the spinoff is from instead.

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Speaker 1: Of but are they acting or is it no?

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Speaker 2: Laguna Beach is a reality show that was like one

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Speaker 2: of the first kind of ones that came out, especially

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Speaker 2: for the second kids.

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Speaker 3: Isn't the guy that's now on Traders. Wasn't he on

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Speaker 3: Laguna Beach and he's an actor because he was on

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Speaker 3: One Tree Hill.

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Speaker 2: I don't know, Steve.

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Speaker 1: Stephen something Spencer. Oh he became an actor after?

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Speaker 2: Oh god, Okay, yeah, yes, so he was on Yes,

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Speaker 2: he was on Laguna Beach. The O was like the

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Speaker 2: scripted version of Laguna Beach. Like they were all, you know,

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Speaker 2: having parties and caddy fights and blah blah blah, and

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Speaker 2: the drama was big, but like, yeah, so it was

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Speaker 2: on at the same time. It was on at the

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Speaker 2: same time. Laguna Beach was the reality show. The OC

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Speaker 2: was actually a scripted show, and me show was the

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Speaker 2: star of that, but then went on to the reality

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Speaker 2: sub thing after and it made me forget that she

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Speaker 2: was actually on the scripted show and she's actually an actress.

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Speaker 1: Okay, yeahs so confusing. It's keep reality reality and scripted scripted.

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Speaker 3: Don't cross the two because then it's hard enough watching

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Speaker 3: TV people. And then, of course we have a decom

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Speaker 3: regular Ryan Merriman as Adam Eddington. It should be at

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Speaker 3: least acknowledged that for this movie. His name is a

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Speaker 3: lot like Murrman, Merriman, Murhrimant. It's the Ocean movie never

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Speaker 3: Mind I'll Show Myself Out. Merriman began his career on

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Speaker 3: a sitcom called The Mommy's which is often referenced on

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Speaker 3: Podmeats World because The Mommis had writer's older brother. Shiloh

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Speaker 3: is one of the stars himself all over the Disney

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Speaker 3: Channel in d COM's Smart House, The Luck of the Irish.

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Speaker 3: She also appeared in some very popular horror movies, Halloween

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Speaker 3: Resurrection Final Destination three. That's the one where the guy

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Speaker 3: gets the whole car engine to the back of the

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Speaker 3: head and the drive through cool and the ring too.

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Speaker 1: This time it's personal. Jared Padalki plays Zachary Gray.

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Speaker 3: Padilecki is best known as Dean Forrester on Gilmour Girls

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Speaker 3: and Sam Winchester on Supernatural to great Names by the way,

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Speaker 3: He too starred in horror movies like House of Wax

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Speaker 3: and one of those forgettable Friday the Thirteenth three Boots.

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Speaker 3: I think it was called Friday the Sixteenth with Nobody

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Speaker 3: cared about just a regular day. Scarlett Palmers is Susie Austin.

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Speaker 3: Palmers was busy when she filmed this movie. She was

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Speaker 3: playing Kira Hart on the long running TV show Riba

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Speaker 3: and had already been on sixteen episodes.

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Speaker 1: Of Star Trek Voyage are so cool.

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Speaker 3: She was also in the movie Aaron Brockovich, but I

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Speaker 3: don't think she played Aaron Brockovich.

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Speaker 1: I believe that was Jose she did. Yeah, I could

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Speaker 1: be wrong, so I'm pretty sure. Yea. And though I'm

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Speaker 1: not ready to put him in the Dabney Reynolds chair,

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Speaker 1: I love seeing James Whitmore as the grandfather. Now, not

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Speaker 1: to be confused, he did not make up the Whitman

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Speaker 1: sampler of chocolates. That's a different guy.

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Speaker 3: This is James Whitmore, who was a legendary character actor

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Speaker 3: whose career dates all the way back to working alongside.

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Speaker 1: Clark Gable and Nancy Reagan.

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Speaker 3: He also was in the cult classic movie Them exclamation Point,

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Speaker 3: but is most recognizable as the fragile prisoner turned parole

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Speaker 3: Brooks in The Shawshank Redemption. Oh and it's just Shawshank Redemption,

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Speaker 3: I added the which I shouldn't. He also won an

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Speaker 3: Emmy for a guest star role on The Practice. Fun

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Speaker 3: fact about Whitmore, At one time he was married to

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Speaker 3: the actress who played Missus Roper.

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Speaker 1: Yes, do you know who that is missus Roper. Oh

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Speaker 1: so sad and my heart just died a little bit

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Speaker 1: more Oh threes company.

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Speaker 2: Oh yes, okay, sorry, okay, come on now, I know

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Speaker 2: I mean.

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Speaker 1: Coming do Sorry, We'll be waiting for you. Yeah, I

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Speaker 1: just like with a cheetah girl.

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Speaker 3: Whitmore died in two thousand and nine at the age

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Speaker 3: of eighty seven. But you're so that's the cast. That's

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Speaker 3: you know, an important thing in the story and where

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Speaker 3: it's shot.

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Speaker 1: Now, but how long is this movie? People? That's all

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Speaker 1: we really care about.

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Speaker 3: It's the eye of the storm, the filet of the mignon,

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Speaker 3: the end of the Tipsy Pop.

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Speaker 1: As you know, we always set the target at ninety minutes.

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Speaker 3: And keep in mind, this movie already has the word

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Speaker 3: endless in the title. I'm worried, and so this movie.

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Speaker 1: Is eighty eight minutes too, off the target, but on

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Speaker 1: the right side of history. So we can all sleep

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Speaker 1: at night knowing that someone out there at least got

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Speaker 1: that right. And I hate to say this, but it

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Speaker 1: felt like a very long eighty eight minutes. Am I wrong?

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Speaker 1: It was just no, it dragged.

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Speaker 2: There is moments for sure.

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Speaker 3: Yeah, let's talk about the writers. We have the book's

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00:20:40,200 --> 00:20:43,800
Speaker 3: author Madeline and Angle. That's the l Lula Angle with

440
00:20:43,880 --> 00:20:46,919
Speaker 3: their standard credit, but the teleplay credit went to Bruce Graham,

441
00:20:47,000 --> 00:20:49,440
Speaker 3: someone we just book about in the podcast, since he

442
00:20:49,480 --> 00:20:52,040
Speaker 3: wrote a favorite of ours right on track. He also

443
00:20:52,040 --> 00:20:55,280
Speaker 3: wrote the DCOM Tiger Cruz, the animated movie Yet I

444
00:20:55,280 --> 00:20:58,040
Speaker 3: haven't seen anything, the animated movie Anastasia, and the monkey

445
00:20:58,040 --> 00:20:58,960
Speaker 3: centric hotel film.

446
00:20:59,040 --> 00:21:03,800
Speaker 1: Dunstan checks in and Graham shares credit with Marita Giovanni.

447
00:21:03,920 --> 00:21:06,560
Speaker 1: And here it is again a DCOM constant. This is

448
00:21:06,600 --> 00:21:08,840
Speaker 1: the co writer's only real writing credit.

449
00:21:09,520 --> 00:21:11,960
Speaker 3: Okay, so let's not waste no more time focus because

450
00:21:11,960 --> 00:21:14,760
Speaker 3: the dolphins are telepathically letting you know it's time to

451
00:21:14,800 --> 00:21:24,199
Speaker 3: recap a ring of endless light. Well, it should come

452
00:21:24,240 --> 00:21:27,760
Speaker 3: as no surprise that this film starts underwater. A young girl, Vicky,

453
00:21:27,800 --> 00:21:30,040
Speaker 3: is swimming in the ocean. She's a mermaid, most likely

454
00:21:30,040 --> 00:21:33,680
Speaker 3: in her thirteenth year. She effortlessly flips as fish pass by.

455
00:21:34,080 --> 00:21:36,240
Speaker 3: Then she sees a large net and swims right into

456
00:21:36,280 --> 00:21:39,240
Speaker 3: it to investigate, and quickly she finds herself stuck. She

457
00:21:39,280 --> 00:21:41,800
Speaker 3: tries to wiggle out but can't. She's trapped and panicking,

458
00:21:42,160 --> 00:21:44,000
Speaker 3: and then she wakes up on a ferry. She has

459
00:21:44,080 --> 00:21:46,280
Speaker 3: human legs and a knit hat. Was just a nightmare.

460
00:21:46,560 --> 00:21:48,320
Speaker 3: Her little brother Rob is there with a jar of

461
00:21:48,359 --> 00:21:48,800
Speaker 3: new bugs.

462
00:21:48,800 --> 00:21:49,320
Speaker 1: He's proud of.

463
00:21:49,560 --> 00:21:52,200
Speaker 3: Vicky rushes downstairs to ask another girl, her little sister,

464
00:21:52,280 --> 00:21:55,720
Speaker 3: overachiever Susie, if they've arrived yet. Not yet, but they're close. Also,

465
00:21:55,760 --> 00:21:56,600
Speaker 3: I thought that was kind of weird.

466
00:21:56,600 --> 00:21:57,960
Speaker 1: Are we there yet? Well, we're still on the boat,

467
00:21:58,000 --> 00:21:59,399
Speaker 1: don't you think if we're on the.

468
00:21:59,440 --> 00:22:00,920
Speaker 2: Land, will were there? Bh?

469
00:22:01,080 --> 00:22:05,720
Speaker 3: We Doki, thank you so much, there, Vicky. Vicky is

470
00:22:05,720 --> 00:22:08,359
Speaker 3: so excited to stay with their grandfather again. The ferry

471
00:22:08,440 --> 00:22:10,760
Speaker 3: arrives at seven Bay Island and an old man rushes

472
00:22:10,800 --> 00:22:13,119
Speaker 3: out his red VW bug that has an umbrella as

473
00:22:13,160 --> 00:22:15,400
Speaker 3: a roof. He welcomes the siblings as they pull into

474
00:22:15,400 --> 00:22:17,439
Speaker 3: the dock. And this is clearly their grandfather. And you

475
00:22:17,440 --> 00:22:20,440
Speaker 3: can tell because weirdly, throughout the entire movie they only

476
00:22:20,440 --> 00:22:26,240
Speaker 3: call him grandfather, not grandpa, not poppy, grandfather, grandfather, what

477
00:22:26,280 --> 00:22:27,320
Speaker 3: should we be doing today?

478
00:22:27,480 --> 00:22:30,280
Speaker 1: Grandfather? I can talk to dolphins. Grandfather.

479
00:22:30,359 --> 00:22:32,720
Speaker 3: It's like, it was weird. After a while, nobody just

480
00:22:32,720 --> 00:22:33,879
Speaker 3: gets hello, grandfather.

481
00:22:33,960 --> 00:22:37,439
Speaker 2: It was weird anyway, Well, maybe their other grandpa was

482
00:22:37,480 --> 00:22:38,200
Speaker 2: their Grandpa.

483
00:22:38,960 --> 00:22:41,679
Speaker 1: Okay, then come up with a different name. Who calls it?

484
00:22:41,680 --> 00:22:44,960
Speaker 3: It's like calling your mother Hello, mother, Yes, grandfather, what

485
00:22:45,000 --> 00:22:47,040
Speaker 3: can I do for you? The butter is fully churned?

486
00:22:47,080 --> 00:22:51,320
Speaker 3: Grandfather you no, no, Kayla? Do you do that?

487
00:22:53,800 --> 00:22:56,840
Speaker 1: Yes, grandfather? No one does.

488
00:22:57,040 --> 00:23:00,760
Speaker 3: No one does outside of eighteen forty, no one calls

489
00:23:00,800 --> 00:23:01,639
Speaker 3: them grandfather.

490
00:23:02,480 --> 00:23:02,720
Speaker 4: Yes.

491
00:23:02,800 --> 00:23:03,159
Speaker 1: Anyway.

492
00:23:03,400 --> 00:23:05,880
Speaker 3: Susie returns his telescope, and Rob wants to know where

493
00:23:05,920 --> 00:23:08,639
Speaker 3: mister Rochester and ned r who we turn you know

494
00:23:08,720 --> 00:23:11,280
Speaker 3: to find out are his dog and cat. Vicky takes

495
00:23:11,280 --> 00:23:14,680
Speaker 3: a long look back at the ocean. She's daydreaming again. Eventually,

496
00:23:14,720 --> 00:23:18,280
Speaker 3: her grandfather, yes, grandfather, hushes her into a car, thrilled

497
00:23:18,280 --> 00:23:20,840
Speaker 3: to have her visiting, and thank God for that umbrella

498
00:23:20,880 --> 00:23:23,440
Speaker 3: because as they pull into the waterfront home it is pouring.

499
00:23:23,760 --> 00:23:26,440
Speaker 3: Once inside, Vicky wants to know if anyone's called, specifically

500
00:23:26,680 --> 00:23:29,600
Speaker 3: Zachary Gray, some boy that she likes. Vicky calls home

501
00:23:29,640 --> 00:23:31,480
Speaker 3: to check in, but is annoyed by her mother's line

502
00:23:31,520 --> 00:23:34,280
Speaker 3: of questioning. She explains she hasn't had time, but promises

503
00:23:34,320 --> 00:23:37,159
Speaker 3: she'll complete whatever she's being pastured about. Once off the

504
00:23:37,160 --> 00:23:39,320
Speaker 3: phone and now depress, Vicki walks off and pouts near

505
00:23:39,359 --> 00:23:42,120
Speaker 3: the rain. A lot of just single shots of Vicky

506
00:23:42,119 --> 00:23:45,560
Speaker 3: in this movie doing stuff looking out. Her grandfather notices

507
00:23:45,600 --> 00:23:47,959
Speaker 3: but doesn't say anything. Yes, grandfather, I'm going to look

508
00:23:47,960 --> 00:23:48,360
Speaker 3: at the rain.

509
00:23:49,080 --> 00:23:49,520
Speaker 1: That night.

510
00:23:49,560 --> 00:23:53,080
Speaker 3: Everyone is asleep but Vicky. She's reading a physics textbook

511
00:23:53,160 --> 00:23:55,720
Speaker 3: like all the cool kids do during vacation. Her grandfather

512
00:23:55,800 --> 00:23:58,000
Speaker 3: walks in. The storm has passed and he wants to

513
00:23:58,040 --> 00:24:00,840
Speaker 3: set up the telescope. He notices her odd choice of reading,

514
00:24:00,880 --> 00:24:03,080
Speaker 3: and she explained she promised her parents that she'd studied

515
00:24:03,080 --> 00:24:05,480
Speaker 3: for an enrollment test. They want her to transfer to

516
00:24:05,520 --> 00:24:08,000
Speaker 3: an exceptional school at the university they work at, and

517
00:24:08,040 --> 00:24:10,120
Speaker 3: she's still having trouble with the math and science part.

518
00:24:10,440 --> 00:24:12,880
Speaker 3: Her grandpa guides her downstairs for a present. He gives

519
00:24:12,880 --> 00:24:15,720
Speaker 3: her the collected Poems of Victoria Austin, Volume one.

520
00:24:16,160 --> 00:24:16,640
Speaker 1: It's all the.

521
00:24:16,600 --> 00:24:18,880
Speaker 3: Poems she's given him over the years, now glued into

522
00:24:18,920 --> 00:24:21,720
Speaker 3: a bound book. He loves her writing and wanted everything

523
00:24:21,760 --> 00:24:23,960
Speaker 3: to be in one place. He wonders if anyone has

524
00:24:24,000 --> 00:24:25,879
Speaker 3: seen her work besides him, but she's kept it all

525
00:24:25,920 --> 00:24:30,119
Speaker 3: to herself. Her grandfather swears she's brilliant as she hugs

526
00:24:30,160 --> 00:24:31,800
Speaker 3: him for the kind words he Winces is in pain.

527
00:24:32,080 --> 00:24:34,200
Speaker 3: He blames his back, but also is out of breath.

528
00:24:34,280 --> 00:24:35,840
Speaker 3: He wishes her a good night and goes to bed,

529
00:24:35,880 --> 00:24:38,040
Speaker 3: looking forward to volume two. And I was like, oh,

530
00:24:38,080 --> 00:24:39,960
Speaker 3: this guy's not gonna make it, And I was right.

531
00:24:40,080 --> 00:24:43,280
Speaker 1: He retreats upstairs and dies. I'm kidding.

532
00:24:43,760 --> 00:24:45,639
Speaker 3: He rushes to his bedstand and takes some pills. But

533
00:24:45,680 --> 00:24:48,520
Speaker 3: I was like, this again, he's he might as well.

534
00:24:48,400 --> 00:24:50,359
Speaker 1: Have been wearing a Red Star Trek shirt the entire

535
00:24:50,400 --> 00:24:53,520
Speaker 1: time this guy was dead.

536
00:24:53,160 --> 00:24:58,240
Speaker 2: He come on, oh, I know, I know, I know,

537
00:24:58,840 --> 00:25:01,200
Speaker 2: and it just just missed me off.

538
00:25:01,680 --> 00:25:03,400
Speaker 3: Like, did you that the old man that they set

539
00:25:03,440 --> 00:25:06,960
Speaker 3: up was dying the whole time actually dies spoiler alert everyone.

540
00:25:06,800 --> 00:25:10,400
Speaker 2: Well, yes, no, I thought it would be like at

541
00:25:10,440 --> 00:25:12,800
Speaker 2: the end of the movie, like whenever, you know, like

542
00:25:12,880 --> 00:25:15,240
Speaker 2: the at the end they were gonna be at like

543
00:25:15,280 --> 00:25:18,440
Speaker 2: his funeral, not the way they did it.

544
00:25:18,480 --> 00:25:21,040
Speaker 4: That way to milk that ooh much.

545
00:25:21,200 --> 00:25:23,120
Speaker 1: Yes, they needed to milk it. We'll get into it.

546
00:25:23,800 --> 00:25:26,280
Speaker 3: The next morning, while cleaning their grandfather's house, the girls

547
00:25:26,320 --> 00:25:29,080
Speaker 3: notice a dreamy boy biking up their driveway, shirt flap

548
00:25:29,119 --> 00:25:29,960
Speaker 3: it in the breeze.

549
00:25:30,000 --> 00:25:31,439
Speaker 1: He introduces himself as Adam.

550
00:25:31,600 --> 00:25:33,919
Speaker 3: He's there to return some philosophy books, so we know

551
00:25:34,000 --> 00:25:36,400
Speaker 3: he is a thinker this one and knows all.

552
00:25:36,240 --> 00:25:37,159
Speaker 1: About the grandkids.

553
00:25:37,440 --> 00:25:40,159
Speaker 3: Susie talks to me about astrophysics and how she's gearing

554
00:25:40,200 --> 00:25:43,159
Speaker 3: to apply to MIT for early admittance. He's already been

555
00:25:43,160 --> 00:25:47,359
Speaker 3: admitted to Harvard name dropper for marine biology and works

556
00:25:47,359 --> 00:25:50,199
Speaker 3: with dolphins at the nearby Marine Center. Vicki chimes in

557
00:25:50,280 --> 00:25:53,160
Speaker 3: she loves dolphins, but she's never met one or anything,

558
00:25:53,640 --> 00:25:55,919
Speaker 3: and so he invites the girls to accompany him to

559
00:25:56,240 --> 00:25:58,440
Speaker 3: the center, which sounds like a great place to start

560
00:25:58,440 --> 00:25:58,960
Speaker 3: a cult.

561
00:25:59,160 --> 00:26:01,359
Speaker 1: He's on his way now, it's like we're going to

562
00:26:01,400 --> 00:26:01,800
Speaker 1: the center.

563
00:26:02,800 --> 00:26:04,880
Speaker 3: They all jump on bikes and leave with the hot,

564
00:26:04,920 --> 00:26:07,479
Speaker 3: smart dolphin guy, and on the way, a convertible Porsche

565
00:26:07,480 --> 00:26:09,720
Speaker 3: pulls up right next to them. Susie seems annoyed by

566
00:26:09,720 --> 00:26:12,719
Speaker 3: the driver. This is Zachary Gray mentioned earlier. They had

567
00:26:12,760 --> 00:26:14,520
Speaker 3: a thing last summer, but he never returned any of

568
00:26:14,560 --> 00:26:16,760
Speaker 3: her letters during the school year. He seems like a

569
00:26:16,840 --> 00:26:20,560
Speaker 3: real well as they would say. He invites Vicky to

570
00:26:20,600 --> 00:26:22,560
Speaker 3: ride in his car, but she says no and speeds off.

571
00:26:22,600 --> 00:26:25,840
Speaker 3: She has an appointment with a dolphin now on a

572
00:26:25,920 --> 00:26:28,560
Speaker 3: doc Adam is throwing fish into the water feeding dolphins.

573
00:26:29,040 --> 00:26:30,600
Speaker 3: I'm not going to ask you this next question that

574
00:26:30,640 --> 00:26:32,560
Speaker 3: we have set up because we already know that dolphins

575
00:26:32,600 --> 00:26:34,040
Speaker 3: are your favorite and you just need to be pushed

576
00:26:34,040 --> 00:26:36,119
Speaker 3: in the darkened water until a shark comes up and

577
00:26:36,200 --> 00:26:42,040
Speaker 3: bites your just like, go exactly, chompty pete from high school?

578
00:26:42,119 --> 00:26:44,680
Speaker 1: Whatever, Pete, Pete, pete the shark.

579
00:26:45,080 --> 00:26:47,240
Speaker 3: Adam endearingly loves dolphins, and he knows a lot of

580
00:26:47,240 --> 00:26:49,480
Speaker 3: facts about them. He encourages the girls to feed him,

581
00:26:49,480 --> 00:26:51,520
Speaker 3: but only Vicky takes him up on the offer. I

582
00:26:51,520 --> 00:26:53,639
Speaker 3: don't know why the smart girl wouldn't want to feed

583
00:26:53,680 --> 00:26:55,600
Speaker 3: the dolphins. That made no sense where Susie's like, I'm

584
00:26:55,640 --> 00:26:58,720
Speaker 3: not gonna feed dolphins. Okay, it sounds like a really

585
00:26:58,760 --> 00:27:00,920
Speaker 3: awesome way to spend the day, Susie.

586
00:27:01,000 --> 00:27:01,520
Speaker 1: But whatever.

587
00:27:02,560 --> 00:27:05,439
Speaker 3: Adam mentions at one time dolphins left land and returned

588
00:27:05,480 --> 00:27:08,080
Speaker 3: to sea, claiming them and whales are the only species

589
00:27:08,080 --> 00:27:10,359
Speaker 3: to do that. Vicky jumps in like a real weirdo,

590
00:27:10,440 --> 00:27:14,080
Speaker 3: earnestly adding mermaids to that list because they're real too.

591
00:27:14,520 --> 00:27:16,679
Speaker 3: Susie calls her ridiculous, but Adam makes her feel good

592
00:27:16,680 --> 00:27:19,520
Speaker 3: about being stupid by explaining the myth. Adam and Susie

593
00:27:19,520 --> 00:27:22,600
Speaker 3: start talking about computers and whatever else nerds chat about. Hey,

594
00:27:22,760 --> 00:27:25,679
Speaker 3: easy on the nerd talk people. I'm one myself, by

595
00:27:25,680 --> 00:27:28,840
Speaker 3: the way. If your computer person, it's geeks. Nerds are

596
00:27:28,920 --> 00:27:31,320
Speaker 3: us nerdy people. And you can tell by the number

597
00:27:31,359 --> 00:27:32,840
Speaker 3: of dungeon and dragons dice that.

598
00:27:32,840 --> 00:27:35,560
Speaker 1: I have on my desk. Well, Vicky continues to connect

599
00:27:35,560 --> 00:27:38,320
Speaker 1: with the dolphins, especially one name Enid. They have an

600
00:27:38,359 --> 00:27:40,680
Speaker 1: instant bond, and Vicky knows the dolphin is worried about

601
00:27:40,720 --> 00:27:42,000
Speaker 1: her soon to be born calf.

602
00:27:42,040 --> 00:27:43,600
Speaker 3: Adam doesn't get it. How did you know the dolphin

603
00:27:43,720 --> 00:27:46,919
Speaker 3: was pregnant? Vicki claims she didn't know. She just looked pregnant,

604
00:27:46,960 --> 00:27:49,560
Speaker 3: quote unquote, and just like that, this chick can talk

605
00:27:49,600 --> 00:27:50,200
Speaker 3: to dolphins.

606
00:27:51,600 --> 00:27:53,840
Speaker 1: And again it's kind of comes up later, But it's

607
00:27:53,840 --> 00:27:55,600
Speaker 1: not like you figured this would be the crux of

608
00:27:55,600 --> 00:27:57,000
Speaker 1: the film. But it's not at all.

609
00:27:57,000 --> 00:28:01,640
Speaker 3: It's just a random side thing at Grandfather's, says Grandpa's,

610
00:28:01,640 --> 00:28:03,840
Speaker 3: but I'm just gonna call him grandfather. Vicky is back

611
00:28:03,840 --> 00:28:06,000
Speaker 3: with the textbook and frustrated, she takes a break to

612
00:28:06,040 --> 00:28:07,960
Speaker 3: ask her sister what she thought of Adam. She thinks

613
00:28:08,000 --> 00:28:10,920
Speaker 3: he's too nature based, not focused enough on numbers. Vicky

614
00:28:10,960 --> 00:28:13,000
Speaker 3: then finds herself on the house's deck, where she sees

615
00:28:13,000 --> 00:28:15,480
Speaker 3: her grandfather looking longingly out on the water, like someone

616
00:28:15,520 --> 00:28:16,359
Speaker 3: who's dying would do.

617
00:28:18,280 --> 00:28:20,600
Speaker 1: It's true, he's taking it all in while he can.

618
00:28:20,680 --> 00:28:24,080
Speaker 1: He's got like eight scenes left.

619
00:28:23,800 --> 00:28:27,040
Speaker 2: Like, okay, pass, I have to tell you where I'm

620
00:28:27,040 --> 00:28:29,360
Speaker 2: at in this story as well, like where I'm thinking

621
00:28:29,440 --> 00:28:33,280
Speaker 2: things are going. Oh god, I'm like, especially because we

622
00:28:33,359 --> 00:28:37,600
Speaker 2: have seen a thirteenth year, right, so this is a

623
00:28:37,640 --> 00:28:40,480
Speaker 2: Disney this could go. I mean we're talking about being

624
00:28:40,520 --> 00:28:47,280
Speaker 2: able to talk to her mermaids. I'm thinking like he

625
00:28:47,880 --> 00:28:51,720
Speaker 2: like he's a dolphin or talk to dolphins. Like I'm

626
00:28:51,720 --> 00:28:57,240
Speaker 2: thinking like was that dolphin that she could understand? Her

627
00:28:57,280 --> 00:29:01,280
Speaker 2: grandma that's been that passed away or she thought passed away.

628
00:29:01,320 --> 00:29:08,680
Speaker 2: And he's trying to like wrap things up to wait,

629
00:29:08,800 --> 00:29:10,680
Speaker 2: But the grandma Dolphin's pregnant.

630
00:29:10,760 --> 00:29:15,120
Speaker 1: That's not weird, Like maybe I just so my grandma

631
00:29:15,160 --> 00:29:18,760
Speaker 1: Dolphin's been cheating on my grandfather with another dolphins.

632
00:29:18,200 --> 00:29:22,080
Speaker 7: Like all right, maybe I should just keep watching trying

633
00:29:22,080 --> 00:29:24,400
Speaker 7: to figure out what the hell's going on. I'm with you,

634
00:29:24,400 --> 00:29:26,800
Speaker 7: so confused at this point, like I'm trying to see

635
00:29:26,800 --> 00:29:30,440
Speaker 7: where we're going to where I'm like having these other stories.

636
00:29:30,640 --> 00:29:32,000
Speaker 1: Yes, I'm with you.

637
00:29:32,120 --> 00:29:34,840
Speaker 3: I thought I was one hundred percent sure that he

638
00:29:34,960 --> 00:29:36,720
Speaker 3: was gonna say I can talk to dolphins too.

639
00:29:37,120 --> 00:29:40,280
Speaker 1: Yes, that's why I stayed here.

640
00:29:40,320 --> 00:29:43,760
Speaker 2: And by the way, I was I am a dolphin because.

641
00:29:43,440 --> 00:29:45,720
Speaker 3: That's a little farther. I didn't think you're he was

642
00:29:45,760 --> 00:29:47,240
Speaker 3: going to become a dolphin or.

643
00:29:47,680 --> 00:29:53,600
Speaker 2: A but I literally was like, Okay, maybe I should

644
00:29:53,680 --> 00:29:55,080
Speaker 2: just like just.

645
00:29:55,200 --> 00:29:57,320
Speaker 3: Watch I'll just watch the movie and see which one

646
00:29:57,320 --> 00:29:58,800
Speaker 3: of these people turns into a dolphin.

647
00:29:59,600 --> 00:30:01,920
Speaker 1: Yeah, it wasn't anyway.

648
00:30:02,000 --> 00:30:03,880
Speaker 3: The next day, Vicky bikes back over to the research

649
00:30:03,920 --> 00:30:07,160
Speaker 3: center and first checks her hair because she.

650
00:30:07,120 --> 00:30:09,560
Speaker 1: Wants to see the dolphins, which I know it.

651
00:30:09,440 --> 00:30:12,000
Speaker 2: It was poor girl, I know, and her hair this

652
00:30:12,040 --> 00:30:12,680
Speaker 2: whole movie.

653
00:30:12,920 --> 00:30:15,120
Speaker 1: Yes, except in close ups where they don't what doesn't

654
00:30:15,120 --> 00:30:17,520
Speaker 1: move at all? Yeah, it's blowing everywhere.

655
00:30:17,080 --> 00:30:19,200
Speaker 2: Except weird, weird.

656
00:30:20,520 --> 00:30:22,680
Speaker 3: But she checks in to see how Enid is doing.

657
00:30:23,520 --> 00:30:26,240
Speaker 3: Adam arrives in surprise she can already tell the dolphins apart.

658
00:30:26,560 --> 00:30:28,800
Speaker 3: He takes her to me doctor zand, which sounds like

659
00:30:28,800 --> 00:30:32,160
Speaker 3: a really cool, like evil comic book villain, the center's expert,

660
00:30:32,200 --> 00:30:35,160
Speaker 3: who instantly asks how Vicky's grandpa is doing.

661
00:30:35,320 --> 00:30:36,720
Speaker 1: Vicky shrugs it off, He's doing fine.

662
00:30:36,760 --> 00:30:38,640
Speaker 3: Thanks, He's just out of breath from hugging her and

663
00:30:38,680 --> 00:30:42,120
Speaker 3: sadly staring off into the ocean. Adam gets Vicky into

664
00:30:42,200 --> 00:30:44,600
Speaker 3: a wet suit. That's gonna sound weird if you say

665
00:30:44,600 --> 00:30:47,000
Speaker 3: that back, so let's try. Adam gets Vicky a wetsuit

666
00:30:47,360 --> 00:30:49,920
Speaker 3: to help learn more about the way the dolphins communicate.

667
00:30:50,200 --> 00:30:52,520
Speaker 3: Luckily for him, he's with a dolphin whisperer and doesn't

668
00:30:52,520 --> 00:30:54,600
Speaker 3: even know it. Once in the water, Adam looks for

669
00:30:54,680 --> 00:30:56,640
Speaker 3: ultrasonic impulses and Basil.

670
00:30:56,840 --> 00:30:59,120
Speaker 1: It's actually basil, but Basil that's in.

671
00:30:59,160 --> 00:31:03,720
Speaker 3: Its dolphin mate and obviously the side piece of Vicky's grandmother,

672
00:31:03,720 --> 00:31:06,840
Speaker 3: who's a dolphin according to Sabrina, which would have made

673
00:31:06,880 --> 00:31:11,080
Speaker 3: a much different like Basle. That just a very strange

674
00:31:11,120 --> 00:31:12,400
Speaker 3: way to go with the movie. But it is what

675
00:31:12,440 --> 00:31:14,960
Speaker 3: it is, who is kept close to keep everything copasetic

676
00:31:14,960 --> 00:31:16,520
Speaker 3: and ready for her labor. And this is when I

677
00:31:16,560 --> 00:31:19,680
Speaker 3: was like, okay, is this They address it well, no,

678
00:31:19,800 --> 00:31:24,760
Speaker 3: but they also only address it very quickly. So the mother,

679
00:31:25,520 --> 00:31:30,480
Speaker 3: the pregnant mother is essentially being kept in prison away

680
00:31:30,960 --> 00:31:34,120
Speaker 3: from the family, because he tries to explain, he's like, well,

681
00:31:34,440 --> 00:31:37,080
Speaker 3: we're raising some in captivity and we don't let them

682
00:31:37,120 --> 00:31:39,600
Speaker 3: do anything. And then we have wild ones as well,

683
00:31:39,640 --> 00:31:42,280
Speaker 3: so it's like, oh, okay, so you're trapping several of

684
00:31:42,320 --> 00:31:46,520
Speaker 3: the dolphins, including pregnant Enid, And it was just.

685
00:31:46,520 --> 00:31:49,560
Speaker 1: That, you know, I'm an animal, Like it struck me, like, really,

686
00:31:49,600 --> 00:31:51,480
Speaker 1: I get what you're kind of doing, but you brush

687
00:31:51,560 --> 00:31:54,160
Speaker 1: past the fact that, like you're raising some in captivity,

688
00:31:54,200 --> 00:31:58,720
Speaker 1: you're keeping her separate from her mate. It's like, yikes, sort.

689
00:31:58,480 --> 00:32:00,880
Speaker 2: Of felt like this might be thing that they do

690
00:32:01,120 --> 00:32:04,200
Speaker 2: just with the pregnant ones, like to keep them better

691
00:32:04,360 --> 00:32:08,560
Speaker 2: and away from away from harm. Especially Kid says.

692
00:32:08,320 --> 00:32:10,440
Speaker 3: They raised a bunch, they raised one whole kind of

693
00:32:10,560 --> 00:32:12,200
Speaker 3: pod in captivity, one whole.

694
00:32:12,120 --> 00:32:16,480
Speaker 1: Family, and then they have the and this one wild ones. No,

695
00:32:16,520 --> 00:32:17,760
Speaker 1: I guess this is what I don't know.

696
00:32:17,960 --> 00:32:22,480
Speaker 2: I don't It was like, where does the But it's.

697
00:32:22,320 --> 00:32:24,200
Speaker 3: Like you watch Free Willie now and it's like, thank god,

698
00:32:24,240 --> 00:32:26,720
Speaker 3: the movie is about letting the thing escape because it's

699
00:32:26,800 --> 00:32:28,600
Speaker 3: you're they're in these little things and I get that

700
00:32:28,640 --> 00:32:30,440
Speaker 3: they made it where it's like look how much room

701
00:32:30,520 --> 00:32:32,320
Speaker 3: she has, but she's not out in the wild, and

702
00:32:32,400 --> 00:32:36,360
Speaker 3: it was kind of like, yeas, So then I like

703
00:32:36,480 --> 00:32:38,800
Speaker 3: you going, well, this can't just be a movie about

704
00:32:38,840 --> 00:32:40,840
Speaker 3: this girl trying to pick between these two guys.

705
00:32:40,840 --> 00:32:43,160
Speaker 1: So is she now gonna help to free the dolphins?

706
00:32:43,240 --> 00:32:44,040
Speaker 1: Is like, what's gonna be?

707
00:32:45,040 --> 00:32:47,400
Speaker 2: Okay? So, but we do end up seeing two dolphins

708
00:32:47,400 --> 00:32:49,120
Speaker 2: together later I don't know.

709
00:32:49,240 --> 00:32:52,080
Speaker 1: Then she he can open the gate, which lets the

710
00:32:52,120 --> 00:32:54,280
Speaker 1: guy in, but it's not like they get there together

711
00:32:54,360 --> 00:32:55,960
Speaker 1: all the time. He's got to let the wild one

712
00:32:55,960 --> 00:32:58,440
Speaker 1: be wild. I don't know. Yeah, it's that weird with me,

713
00:33:00,000 --> 00:33:00,800
Speaker 1: but anyway, he looks.

714
00:33:00,840 --> 00:33:04,280
Speaker 3: He uses ultrasonic impulses to get the dolphins made. Who's

715
00:33:04,320 --> 00:33:06,240
Speaker 3: kept close to keep everything copasetic and ready for her

716
00:33:06,320 --> 00:33:09,360
Speaker 3: labor situation seems to concern Vicki, But before she can

717
00:33:09,400 --> 00:33:11,560
Speaker 3: dive too deep, she sees a dolphin quickly approaching.

718
00:33:11,600 --> 00:33:13,600
Speaker 1: It's basil. He jumps over her.

719
00:33:13,560 --> 00:33:18,440
Speaker 3: And boy, these effects are not special? How bad was

720
00:33:18,520 --> 00:33:20,880
Speaker 3: the cgi of the dolphins jumping over them?

721
00:33:22,120 --> 00:33:26,120
Speaker 2: Right? And I'm kind of like, why these dolphins are

722
00:33:26,280 --> 00:33:32,240
Speaker 2: so like I don't know. I did, I couldn't understand

723
00:33:32,240 --> 00:33:34,560
Speaker 2: why they would have needed to. If they decided to

724
00:33:34,600 --> 00:33:36,640
Speaker 2: do a movie with dolphins and they were going to

725
00:33:36,680 --> 00:33:39,560
Speaker 2: be in the water with dolphins, wouldn't that be in

726
00:33:39,600 --> 00:33:40,960
Speaker 2: the budget? And they can't?

727
00:33:41,040 --> 00:33:43,680
Speaker 3: Just did you really need them jumping over them? Like

728
00:33:43,800 --> 00:33:45,760
Speaker 3: you haven't cut to stock footage of him jumping out

729
00:33:45,760 --> 00:33:47,320
Speaker 3: of the water and doing a flip like they did later,

730
00:33:47,400 --> 00:33:49,640
Speaker 3: Like why why is that okay? But you need the

731
00:33:49,800 --> 00:33:52,560
Speaker 3: really bad CGI where it was like, this does not

732
00:33:52,560 --> 00:33:52,920
Speaker 3: look good.

733
00:33:53,440 --> 00:33:57,000
Speaker 2: Well, in that time, it looked good, probably to people

734
00:33:57,040 --> 00:34:00,080
Speaker 2: because they actually newer PGI.

735
00:33:59,840 --> 00:34:02,720
Speaker 1: No, no, two thousand. They were doing some cool stuff

736
00:34:02,720 --> 00:34:04,959
Speaker 1: in two thousands. I mean it's like Terminator two had

737
00:34:05,000 --> 00:34:06,760
Speaker 1: already come and gone by this point. You can't do it.

738
00:34:06,840 --> 00:34:10,200
Speaker 1: Dolphin flipping, if robots coming from the future and melting

739
00:34:10,239 --> 00:34:12,279
Speaker 1: and everything, it's like you could do some cool by

740
00:34:12,280 --> 00:34:12,960
Speaker 1: this point.

741
00:34:13,239 --> 00:34:13,760
Speaker 2: That's true.

742
00:34:14,120 --> 00:34:16,359
Speaker 3: Even though Basil is a little snappier with the other

743
00:34:16,400 --> 00:34:19,719
Speaker 3: dolphins of the pen, Vicky effortlessly pets him without any problems,

744
00:34:19,719 --> 00:34:22,200
Speaker 3: claiming he has an itch he wants scratched, and again,

745
00:34:22,239 --> 00:34:24,200
Speaker 3: when pressed on how she knows this, she claims she

746
00:34:24,400 --> 00:34:24,960
Speaker 3: just guessed.

747
00:34:25,600 --> 00:34:27,600
Speaker 1: Adam notices Basil as a fresh gar in his back

748
00:34:27,600 --> 00:34:27,800
Speaker 1: and this.

749
00:34:28,280 --> 00:34:31,800
Speaker 3: Vicky whispers it was hard sharp seaweed, then pretend she

750
00:34:31,840 --> 00:34:35,160
Speaker 3: didn't say anything about it. I want you to know something, Sabrina,

751
00:34:35,160 --> 00:34:37,160
Speaker 3: because she she keeps everything private. If I can ever

752
00:34:37,200 --> 00:34:38,360
Speaker 3: talk to dolphins.

753
00:34:38,320 --> 00:34:40,799
Speaker 1: I'm gonna let you know. Okay, I'm not gonna keep

754
00:34:40,800 --> 00:34:42,000
Speaker 1: it private as of now, it can't.

755
00:34:42,040 --> 00:34:43,319
Speaker 2: You know, that's gonna weird me out.

756
00:34:43,440 --> 00:34:47,480
Speaker 3: It's still just goldfish and the occasional koi, but not

757
00:34:47,600 --> 00:34:50,560
Speaker 3: dolphins yet. All right again, we talked to just yesterday

758
00:34:50,560 --> 00:34:53,920
Speaker 3: about how Americans can't keep two languages in their head.

759
00:34:53,960 --> 00:34:55,319
Speaker 3: So now I'm supposed to be able to speak English

760
00:34:55,360 --> 00:34:55,840
Speaker 3: and Dolphin.

761
00:34:55,920 --> 00:34:56,640
Speaker 2: I can dolphin.

762
00:34:57,239 --> 00:34:58,640
Speaker 4: A chance, sh.

763
00:35:00,120 --> 00:35:05,480
Speaker 1: That happened? My god? I can barely speak frontseais back

764
00:35:05,520 --> 00:35:05,919
Speaker 1: at the lab.

765
00:35:05,960 --> 00:35:08,560
Speaker 3: Adam alerts Doctor Zand about the scar. This is Basil's

766
00:35:08,680 --> 00:35:11,480
Speaker 3: third this week. He blames illegal drift nets on the

767
00:35:11,600 --> 00:35:14,200
Speaker 3: Marie Rose, a commercial boat that has been catching in

768
00:35:14,239 --> 00:35:17,000
Speaker 3: a regular amount offici lately, but Doctor Zan reminds him

769
00:35:17,040 --> 00:35:19,759
Speaker 3: they are a research center, not the police out on

770
00:35:19,800 --> 00:35:21,160
Speaker 3: the beach, so as he can't find her a clear

771
00:35:21,280 --> 00:35:23,759
Speaker 3: nail polish, but we can. Little brother Rob is using

772
00:35:23,800 --> 00:35:24,440
Speaker 3: it to preserve his.

773
00:35:24,480 --> 00:35:26,680
Speaker 1: Bugs and there's a lot of like catching animals and

774
00:35:27,400 --> 00:35:29,960
Speaker 1: casing them in this movie. Out on the water, the

775
00:35:30,040 --> 00:35:33,760
Speaker 1: radical dude, some radical dude, a radical dude is performing

776
00:35:33,880 --> 00:35:36,520
Speaker 1: jumps on a wave runner. Rob is very impressed. The

777
00:35:36,560 --> 00:35:38,680
Speaker 1: trickster eventually pulls up on the sand and it's that.

778
00:35:38,840 --> 00:35:42,200
Speaker 3: A hole Zachary Gray. He instantly goes in for a kiss,

779
00:35:42,520 --> 00:35:44,880
Speaker 3: but Vicky pushes him away. He never even responded to

780
00:35:44,920 --> 00:35:47,560
Speaker 3: a Christmas card, and it heard her. He apologizes, he

781
00:35:47,719 --> 00:35:48,040
Speaker 3: was busy.

782
00:35:48,080 --> 00:35:51,719
Speaker 2: He like, wait a minute, wait a minute, I need

783
00:35:51,800 --> 00:35:54,880
Speaker 2: to if if Christmas cards were like the thing that

784
00:35:55,160 --> 00:35:58,120
Speaker 2: like really set the standard of where you were in relationships,

785
00:35:58,280 --> 00:36:00,560
Speaker 2: I'm like, I gotta go back in time and be

786
00:36:00,640 --> 00:36:03,680
Speaker 2: a lot more pissed off. It's on my boyfriends. I

787
00:36:03,800 --> 00:36:05,239
Speaker 2: would a Christmas card.

788
00:36:05,560 --> 00:36:08,120
Speaker 1: Ever, I've never sent a Christmas card in my life.

789
00:36:08,520 --> 00:36:10,000
Speaker 1: I've never given my wife.

790
00:36:09,760 --> 00:36:11,879
Speaker 2: A Christmas card and send a Christmas card?

791
00:36:12,160 --> 00:36:15,560
Speaker 1: You jerk, Like what, We're twelve, how dare you not

792
00:36:15,680 --> 00:36:16,799
Speaker 1: send me a Christmas card?

793
00:36:17,239 --> 00:36:21,000
Speaker 2: Like, oh my god, what that was so funny?

794
00:36:21,040 --> 00:36:23,840
Speaker 3: I was like, yeah, that was By the way, he

795
00:36:24,040 --> 00:36:26,400
Speaker 3: might be a little older, but I figured she's what

796
00:36:26,600 --> 00:36:28,560
Speaker 3: supposed to be like seventeen eighteen.

797
00:36:28,800 --> 00:36:30,480
Speaker 2: She didn't seem seventeen at all.

798
00:36:30,560 --> 00:36:32,719
Speaker 1: She didn't to me, but I think that's what she

799
00:36:32,880 --> 00:36:33,400
Speaker 1: was supposed to be.

800
00:36:33,640 --> 00:36:36,239
Speaker 2: I was thinking she'd be like a freshman, but then

801
00:36:37,480 --> 00:36:40,120
Speaker 2: like the well, yeah.

802
00:36:40,760 --> 00:36:43,040
Speaker 3: Her little sister said that she was going to get

803
00:36:43,040 --> 00:36:45,279
Speaker 3: in trying to get an early admission to MIT in

804
00:36:45,360 --> 00:36:46,560
Speaker 3: the next two years.

805
00:36:47,200 --> 00:36:50,120
Speaker 1: Her sister was right, but her sister looks like she's

806
00:36:50,160 --> 00:36:50,760
Speaker 1: what eleven?

807
00:36:51,040 --> 00:36:53,640
Speaker 2: Okay, this was one of my Sabrina seas. I was like, what,

808
00:36:54,200 --> 00:36:57,680
Speaker 2: who are these kids like early admission to MIT. He's

809
00:36:57,680 --> 00:36:58,800
Speaker 2: already got into Harvard.

810
00:36:58,840 --> 00:37:01,080
Speaker 1: Yeah, they're one of these smarty, smart families. That's what

811
00:37:01,080 --> 00:37:01,719
Speaker 1: they're supposed to be.

812
00:37:01,840 --> 00:37:03,839
Speaker 2: But even later on we just talked about the scene

813
00:37:03,880 --> 00:37:06,759
Speaker 2: the little brother with the with the bugs on the beach. Yeah,

814
00:37:07,160 --> 00:37:10,480
Speaker 2: he's like saying the like full on, Like I mean,

815
00:37:10,520 --> 00:37:13,520
Speaker 2: I know he's a bug guy and loves bugs, but

816
00:37:13,719 --> 00:37:17,040
Speaker 2: like he seemed to be very like, kind of very

817
00:37:17,239 --> 00:37:17,879
Speaker 2: I think.

818
00:37:18,360 --> 00:37:18,400
Speaker 1: So.

819
00:37:18,600 --> 00:37:20,480
Speaker 3: My guess is, having not read any of these books,

820
00:37:21,640 --> 00:37:25,880
Speaker 3: my guess is this is the she Vicky is the artist,

821
00:37:26,080 --> 00:37:28,360
Speaker 3: born into a very scientific family.

822
00:37:28,760 --> 00:37:31,600
Speaker 1: Yes, her parents work at a university. Her sister's going

823
00:37:31,680 --> 00:37:32,280
Speaker 1: to go to mit.

824
00:37:32,520 --> 00:37:35,239
Speaker 3: Her brother's a little nerdy bug guy, and she wants

825
00:37:35,280 --> 00:37:38,120
Speaker 3: to write poetry, which is why her family is trying

826
00:37:38,160 --> 00:37:41,400
Speaker 3: to get her to go like concentrate on physics and

827
00:37:41,520 --> 00:37:41,840
Speaker 3: do all that.

828
00:37:42,040 --> 00:37:42,920
Speaker 1: And it's her grandfather.

829
00:37:42,920 --> 00:37:44,600
Speaker 3: That's why she's like, my grandfather's the only one who

830
00:37:44,680 --> 00:37:48,360
Speaker 3: understands me, because he's like, art is just as important

831
00:37:48,400 --> 00:37:49,040
Speaker 3: as the science.

832
00:37:49,400 --> 00:37:50,160
Speaker 1: And they didn't.

833
00:37:50,320 --> 00:37:53,160
Speaker 3: I had to infer that from the film. They did

834
00:37:53,239 --> 00:37:56,439
Speaker 3: not really bracket it, and they should have. But that's

835
00:37:56,560 --> 00:37:57,920
Speaker 3: my guess is she's like.

836
00:37:58,040 --> 00:37:59,920
Speaker 2: Little small things like oh, I'm going to go into

837
00:38:00,000 --> 00:38:01,880
Speaker 2: I'm getting early I want to get early acceptance, I

838
00:38:01,920 --> 00:38:02,640
Speaker 2: want this, I want that.

839
00:38:02,800 --> 00:38:04,560
Speaker 3: It's like I think they were trying to set it

840
00:38:04,640 --> 00:38:06,800
Speaker 3: up to where she's she's the artist born into a

841
00:38:07,200 --> 00:38:11,400
Speaker 3: very scientific family, right, so yeah, but he yeah, you're right, No,

842
00:38:11,600 --> 00:38:16,400
Speaker 3: no Christmas card at fifteen, we're done. He apologies, He apologizes,

843
00:38:16,440 --> 00:38:18,359
Speaker 3: he was busy getting thrown out of private schools. Also,

844
00:38:18,440 --> 00:38:19,120
Speaker 3: his mom died.

845
00:38:19,719 --> 00:38:22,200
Speaker 1: That's literally how he says it for real. And now,

846
00:38:22,400 --> 00:38:23,640
Speaker 1: of course Susie feels.

847
00:38:23,440 --> 00:38:25,880
Speaker 3: Terrible, but it's like, wait, what he's like, come on,

848
00:38:26,040 --> 00:38:28,000
Speaker 3: I was busy, I had stuff to do, and my

849
00:38:28,120 --> 00:38:28,879
Speaker 3: mother a lie.

850
00:38:29,800 --> 00:38:31,520
Speaker 2: Thought it was like a total lie.

851
00:38:31,920 --> 00:38:33,000
Speaker 1: I really.

852
00:38:34,200 --> 00:38:35,120
Speaker 4: He was just used.

853
00:38:35,239 --> 00:38:37,759
Speaker 2: This was like a line that he uses to get

854
00:38:37,800 --> 00:38:40,560
Speaker 2: into girls pants, like, oh, feel bad for me. I

855
00:38:40,680 --> 00:38:42,160
Speaker 2: am just like this like lost.

856
00:38:41,920 --> 00:38:45,640
Speaker 6: Soul when mom died, My mom died and what I'm

857
00:38:45,719 --> 00:38:47,920
Speaker 6: just saying like that it did, and the way he

858
00:38:48,080 --> 00:38:51,680
Speaker 6: played it seemed very like, Ah, this didn't really happen,

859
00:38:51,800 --> 00:38:52,880
Speaker 6: but I think you'll believe it.

860
00:38:53,160 --> 00:38:55,880
Speaker 3: And I guess I think we've read about this Moudon

861
00:38:55,960 --> 00:38:58,000
Speaker 3: either but I think everything we've read about this movie

862
00:38:58,360 --> 00:39:00,200
Speaker 3: is this is why I say it's like a and

863
00:39:00,200 --> 00:39:03,040
Speaker 3: their Stars kind of situation where it's I think one

864
00:39:03,080 --> 00:39:06,839
Speaker 3: of the underlying themes of this entire film is death, Yes,

865
00:39:07,080 --> 00:39:08,000
Speaker 3: and that's what it's supposed to be.

866
00:39:08,040 --> 00:39:09,800
Speaker 1: And then they're like, let's also have dolphins.

867
00:39:10,239 --> 00:39:13,200
Speaker 3: So I think it's just everybody's dealing with death, which hey,

868
00:39:13,560 --> 00:39:15,560
Speaker 3: funny premise for a dcom right, And up.

869
00:39:15,600 --> 00:39:19,200
Speaker 2: Until now, we didn't really hear about the dad, about

870
00:39:19,320 --> 00:39:22,520
Speaker 2: Vicky's dad, so that was a question mark on my

871
00:39:23,040 --> 00:39:25,640
Speaker 2: my Like listening in was like, was that going to

872
00:39:25,680 --> 00:39:26,279
Speaker 2: be something that.

873
00:39:26,520 --> 00:39:28,560
Speaker 3: Like, which I guess is one of the reasons that

874
00:39:28,600 --> 00:39:30,320
Speaker 3: people that like the book really hated this movie is

875
00:39:30,360 --> 00:39:31,800
Speaker 3: because I guess the parents had a lot to do

876
00:39:31,920 --> 00:39:32,279
Speaker 3: in the book.

877
00:39:32,800 --> 00:39:36,200
Speaker 1: Okay, yeah, yeah, which so yeah. But they hug and

878
00:39:36,320 --> 00:39:37,360
Speaker 1: he admits that he missed her.

879
00:39:37,600 --> 00:39:39,360
Speaker 3: Back in the beach, Rob has thrown a frisbee in

880
00:39:39,440 --> 00:39:41,000
Speaker 3: the ocean for the dog, but the canine is too

881
00:39:41,040 --> 00:39:43,120
Speaker 3: old to swim, so not dog's probably going to die

882
00:39:43,200 --> 00:39:45,560
Speaker 3: soon too, so now Rob has to retrieve it. But

883
00:39:45,680 --> 00:39:47,560
Speaker 3: then on his way, he has trouble with the strong

884
00:39:47,640 --> 00:39:48,800
Speaker 3: tide and starts to drown.

885
00:39:48,880 --> 00:39:49,920
Speaker 1: This movie's hysterical.

886
00:39:50,280 --> 00:39:53,080
Speaker 3: He screams for help, but only the dog notices because

887
00:39:53,440 --> 00:39:56,239
Speaker 3: Zachary is now blabbering on about flying lessons. This guy

888
00:39:57,640 --> 00:40:00,040
Speaker 3: he wants to take Vicky flying one day, but he

889
00:40:00,080 --> 00:40:02,480
Speaker 3: says her parents would never let her go with him,

890
00:40:02,800 --> 00:40:04,799
Speaker 3: but also if she has a dead brother, things would

891
00:40:04,840 --> 00:40:07,040
Speaker 3: change anyway, And that's when she notices her brother is

892
00:40:07,080 --> 00:40:08,680
Speaker 3: missing Vicky.

893
00:40:09,920 --> 00:40:13,440
Speaker 2: This is also why the Beach is not a place

894
00:40:13,640 --> 00:40:18,680
Speaker 2: to send children of that age without like fur real

895
00:40:19,000 --> 00:40:22,040
Speaker 2: parental or like adult supervision.

896
00:40:21,600 --> 00:40:24,120
Speaker 3: Or a lifeguard or something like that. I mean, it's yes, yeah,

897
00:40:24,160 --> 00:40:29,120
Speaker 3: there's an undertotal reel. Vicky then rushes into the water

898
00:40:29,560 --> 00:40:31,960
Speaker 3: but can't find him. However, we see that he's submerged

899
00:40:31,960 --> 00:40:34,680
Speaker 3: in lifeless just as a dolphin passes is soon to

900
00:40:34,719 --> 00:40:38,200
Speaker 3: be bloated carcass. The dolphin starts nudging him and chirping,

901
00:40:38,280 --> 00:40:40,600
Speaker 3: pushing him up for as much needed air. Eventually, Vicky

902
00:40:40,640 --> 00:40:42,960
Speaker 3: spots her brother, now much closer to the shore and alive.

903
00:40:43,360 --> 00:40:44,920
Speaker 3: He has no memory of how he was saved, but

904
00:40:45,040 --> 00:40:46,760
Speaker 3: that's when we see the dolphin.

905
00:40:46,680 --> 00:40:50,719
Speaker 1: Who celebrates and swims away, which Sabrina still thinks is

906
00:40:50,840 --> 00:40:54,080
Speaker 1: somehow actually a human and related to the family. Later,

907
00:40:54,280 --> 00:40:57,919
Speaker 1: Vicky and her grandfather uncle Richie.

908
00:40:59,320 --> 00:41:02,120
Speaker 3: Later, Vicky and her grandfather are walking in town, not

909
00:41:02,280 --> 00:41:04,320
Speaker 3: talking about how her brother almost died but a magical

910
00:41:04,360 --> 00:41:07,160
Speaker 3: dolphin save them, But instead they run the harbor master,

911
00:41:07,440 --> 00:41:09,440
Speaker 3: who was also happy to see her grandpa out and

912
00:41:09,520 --> 00:41:12,240
Speaker 3: about because, as we know and she doesn't, he'll probably

913
00:41:12,320 --> 00:41:14,440
Speaker 3: be dead soon, so.

914
00:41:14,560 --> 00:41:15,520
Speaker 1: Everybody knows but her.

915
00:41:16,040 --> 00:41:18,760
Speaker 3: Once alone again, Vicky confides in her grandpa her big secret.

916
00:41:18,880 --> 00:41:20,920
Speaker 3: She knows what dolphins are thinking and all those It

917
00:41:21,000 --> 00:41:22,680
Speaker 3: sounds like the kind of thing you'd say right before

918
00:41:22,680 --> 00:41:24,799
Speaker 3: you're taking away in a straight jacket. He believes her,

919
00:41:25,120 --> 00:41:28,640
Speaker 3: mostly because her grandmother used to have women's intuition, which

920
00:41:28,800 --> 00:41:30,960
Speaker 3: I guess is one way to look at that.

921
00:41:31,640 --> 00:41:34,759
Speaker 2: Another check mark that this might have been the grandmother

922
00:41:34,880 --> 00:41:35,879
Speaker 2: that's about to give birth.

923
00:41:36,280 --> 00:41:39,239
Speaker 1: Yeah, it might not be the pregnant dolphin grandma may

924
00:41:39,320 --> 00:41:42,439
Speaker 1: or may not be. Uh yeah, we're so Superhena's still

925
00:41:42,920 --> 00:41:44,360
Speaker 1: popcorn halfway to her mouth.

926
00:41:44,320 --> 00:41:49,560
Speaker 2: Like I I'm not sure waiting at this point all

927
00:41:49,680 --> 00:41:51,160
Speaker 2: the job Wow.

928
00:41:51,160 --> 00:41:51,360
Speaker 1: We know.

929
00:41:53,719 --> 00:41:57,399
Speaker 3: He encourages her to consider it a compliment, and now

930
00:41:57,560 --> 00:41:59,719
Speaker 3: she needs to know why are people in town so

931
00:41:59,840 --> 00:42:00,919
Speaker 3: cancerned with his well being?

932
00:42:01,000 --> 00:42:03,080
Speaker 1: He cites his general age and gives it no mind.

933
00:42:03,600 --> 00:42:05,879
Speaker 3: Later on, Vicky has lunch with Zachary, who complains about

934
00:42:05,880 --> 00:42:08,080
Speaker 3: the mixed messages he's been getting from his dad since

935
00:42:08,120 --> 00:42:09,960
Speaker 3: his mom died, he got kicked out of school, and

936
00:42:09,960 --> 00:42:11,479
Speaker 3: his dad still bottom of a car and a boat.

937
00:42:11,920 --> 00:42:13,880
Speaker 3: All the while, Zachary is telling Vicky he missed her

938
00:42:13,960 --> 00:42:17,520
Speaker 3: and holding her hand, and then Adam appears. VICKI introduces

939
00:42:17,560 --> 00:42:19,560
Speaker 3: her to love interest to one another, and now we

940
00:42:19,640 --> 00:42:24,480
Speaker 3: have officially kicked off a love triangle. There's immediate tention

941
00:42:24,560 --> 00:42:28,080
Speaker 3: when Adam lambas Zachary because his dad uses dangerous drift nets.

942
00:42:27,920 --> 00:42:28,319
Speaker 1: On his boat.

943
00:42:28,400 --> 00:42:31,839
Speaker 3: The Marie Rose, which turns out that's what Zach's dad does,

944
00:42:32,080 --> 00:42:34,680
Speaker 3: he kills dolphins for a living. But Zachary doesn't even

945
00:42:34,719 --> 00:42:36,680
Speaker 3: know what a drift net is, so Adam explains that

946
00:42:36,680 --> 00:42:39,960
Speaker 3: they're illegal and kill dolphins. Zachary doesn't seem too concerned.

947
00:42:40,040 --> 00:42:42,600
Speaker 3: He's mostly bothered that Vicky has become a quote unquote

948
00:42:42,640 --> 00:42:45,319
Speaker 3: dolphin hugger, which honestly sounds like a pretty cool thing

949
00:42:45,360 --> 00:42:45,480
Speaker 3: to do.

950
00:42:46,239 --> 00:42:48,680
Speaker 1: But well, except if you're Serena, then it's scary. But

951
00:42:48,920 --> 00:42:51,359
Speaker 1: he'll do anything for her, so he promises to look

952
00:42:51,400 --> 00:42:51,680
Speaker 1: into it.

953
00:42:52,040 --> 00:42:56,239
Speaker 2: I would do it in pools are fine. In the

954
00:42:56,320 --> 00:42:58,640
Speaker 2: ocean ever, again, dolphins are fine.

955
00:42:58,960 --> 00:42:59,120
Speaker 4: Yes.

956
00:43:00,080 --> 00:43:02,120
Speaker 3: That night, Zachary takes Adam and Vicky over to the

957
00:43:02,200 --> 00:43:04,120
Speaker 3: Marie Rose. The two guys sneak onto the boat to

958
00:43:04,160 --> 00:43:06,520
Speaker 3: search for the net. As Zachary grills at him about

959
00:43:06,520 --> 00:43:09,880
Speaker 3: a situation with Vicky. Then the boat's captain, Captain Scary

960
00:43:10,160 --> 00:43:12,799
Speaker 3: cranky Pants, who was exactly how I would have cast him,

961
00:43:13,120 --> 00:43:16,360
Speaker 3: he catches them. Zachary reveals himself, telling his dad's employee

962
00:43:16,400 --> 00:43:18,920
Speaker 3: that he's just showing his friends around the boat. Adam

963
00:43:19,080 --> 00:43:21,160
Speaker 3: did find the drift net before they left, but now

964
00:43:21,200 --> 00:43:25,120
Speaker 3: the captain is extremely suspicious. Zachary drops Vicky off at

965
00:43:25,160 --> 00:43:28,880
Speaker 3: home and we get a rare dcom kiss and ooh nice,

966
00:43:29,080 --> 00:43:31,319
Speaker 3: and he tells her to dream about him as he leaves.

967
00:43:31,760 --> 00:43:34,399
Speaker 1: Does this guy have any game? Is it just the money?

968
00:43:34,440 --> 00:43:36,280
Speaker 1: He's a good looking dude, right, But is he creepy?

969
00:43:36,560 --> 00:43:38,040
Speaker 1: How is this playing? Oh?

970
00:43:38,920 --> 00:43:42,400
Speaker 2: It kind of both, Like he is definitely not a

971
00:43:42,600 --> 00:43:46,400
Speaker 2: trustworthy guy, but I did believe that he was, like

972
00:43:46,560 --> 00:43:50,359
Speaker 2: the hot guy she's stoked is having an interest in her.

973
00:43:50,800 --> 00:43:53,400
Speaker 1: Okay, So it's it's the typical bad boy thing.

974
00:43:53,440 --> 00:43:56,839
Speaker 2: It's like, you got a bad, typical guy that he's

975
00:43:56,960 --> 00:43:59,719
Speaker 2: kissing you, but you are not sure when he jumps

976
00:43:59,760 --> 00:44:02,040
Speaker 2: in his car if he's going home or to like

977
00:44:02,239 --> 00:44:03,279
Speaker 2: someone else's house.

978
00:44:03,600 --> 00:44:06,719
Speaker 1: Right, And yet ninety percent of the girls would still

979
00:44:06,800 --> 00:44:08,200
Speaker 1: pick that guy at that age.

980
00:44:08,440 --> 00:44:10,680
Speaker 2: That was definitely Yes.

981
00:44:11,040 --> 00:44:13,200
Speaker 3: Nice guys do finish last at that age. But then

982
00:44:13,280 --> 00:44:16,040
Speaker 3: we win in the end, people, we win in the end.

983
00:44:16,160 --> 00:44:18,719
Speaker 3: So yes, she do, so buck up, buckers, You're gonna

984
00:44:18,719 --> 00:44:19,040
Speaker 3: be fine.

985
00:44:26,840 --> 00:44:27,040
Speaker 1: Yeah.

986
00:44:27,120 --> 00:44:29,319
Speaker 3: Then we are back in the ocean with Vicky now

987
00:44:29,400 --> 00:44:31,720
Speaker 3: a mermaid being followed closely by dolphins.

988
00:44:32,080 --> 00:44:34,560
Speaker 1: She kisses one just as it turns into atom and

989
00:44:34,680 --> 00:44:37,520
Speaker 1: now they kiss, and now she's kissed two different guys

990
00:44:37,600 --> 00:44:40,799
Speaker 1: and a dolphin. Dare I say by dcom standard, she's,

991
00:44:41,480 --> 00:44:43,120
Speaker 1: you know, kind of getting around a little.

992
00:44:42,920 --> 00:44:46,439
Speaker 2: Bit cally, little scalliwag a little bit little CALLI.

993
00:44:46,840 --> 00:44:49,600
Speaker 1: Hey, it's she's got free will.

994
00:44:49,680 --> 00:44:50,080
Speaker 4: This is all.

995
00:44:50,280 --> 00:44:54,919
Speaker 1: It's all good. Also, have you ever kissed anybody underwater? Yeah?

996
00:44:55,440 --> 00:44:59,279
Speaker 2: And it's so dumb, Like why is it dumb? Well,

997
00:44:59,320 --> 00:45:02,200
Speaker 2: it's just like, I mean, there's there's that, there's bubble,

998
00:45:02,440 --> 00:45:04,960
Speaker 2: like it's like not a not a good thing. It's

999
00:45:05,000 --> 00:45:09,479
Speaker 2: it's real dumb. It's like yeah, no, like it doesn't

1000
00:45:09,520 --> 00:45:12,320
Speaker 2: make any sense too all right. But anyway, I was

1001
00:45:12,360 --> 00:45:15,120
Speaker 2: also going to say this kiss is actually like the

1002
00:45:15,320 --> 00:45:18,080
Speaker 2: third kiss, because I don't think in any of the

1003
00:45:18,239 --> 00:45:23,360
Speaker 2: d coms we've seen do they kiss multiple times. You're right, Zachary.

1004
00:45:23,800 --> 00:45:26,360
Speaker 2: She kisses it was like a cute little moment like

1005
00:45:26,440 --> 00:45:28,680
Speaker 2: how like she's like, oh my gosh, that just happened.

1006
00:45:28,680 --> 00:45:30,000
Speaker 2: And then they like kiss it again.

1007
00:45:29,840 --> 00:45:32,080
Speaker 1: Before then she puts his hand on it, on his face,

1008
00:45:32,120 --> 00:45:34,880
Speaker 1: and then she kisses him again. Yes, and then and.

1009
00:45:34,920 --> 00:45:37,120
Speaker 2: Then we go inside. We've never really seen them go

1010
00:45:37,239 --> 00:45:41,319
Speaker 2: in for like a double kiss. And then oh my god,

1011
00:45:41,520 --> 00:45:45,480
Speaker 2: we got like within thirty seconds she's kissing another guy.

1012
00:45:45,800 --> 00:45:49,000
Speaker 1: Yes, but this was in a dream, for it isn't.

1013
00:45:48,800 --> 00:45:51,040
Speaker 2: A dream, but it's still happening on screen.

1014
00:45:51,640 --> 00:45:52,440
Speaker 1: Well it started.

1015
00:45:52,640 --> 00:45:55,000
Speaker 3: It was originally started with her about to kiss her

1016
00:45:55,120 --> 00:45:59,120
Speaker 3: dolphin grandmother, and then that turns into Adam, that's what

1017
00:45:59,480 --> 00:46:00,200
Speaker 3: it is.

1018
00:46:00,239 --> 00:46:02,080
Speaker 1: They're like, when are they gonna make it her grandmother?

1019
00:46:02,800 --> 00:46:04,560
Speaker 2: But she gonna come alive. When do we get to

1020
00:46:04,560 --> 00:46:05,719
Speaker 2: see what the grandma really looks like?

1021
00:46:06,080 --> 00:46:08,800
Speaker 1: I know? And then she wakes up them from the fantasy.

1022
00:46:09,000 --> 00:46:11,120
Speaker 3: Just they cut right before we were finally gonna find

1023
00:46:11,160 --> 00:46:14,879
Speaker 3: out how mermaids actually had sex, right because still don't

1024
00:46:14,920 --> 00:46:17,359
Speaker 3: still have no idea. The next morning, Adam bikes down

1025
00:46:17,400 --> 00:46:19,800
Speaker 3: to harbor patrol to alert them about the Marie Roses

1026
00:46:19,880 --> 00:46:22,920
Speaker 3: drift net. To pacify the concerned activists, the harbor patrolman

1027
00:46:22,960 --> 00:46:25,600
Speaker 3: promises he'll check out the boat when it docks. Back

1028
00:46:25,640 --> 00:46:28,800
Speaker 3: at Grandfather's, Vicky gets some flowers from Zachary, and Susie

1029
00:46:28,840 --> 00:46:31,440
Speaker 3: basically calls her sister a cheap fluozy for dating two

1030
00:46:31,480 --> 00:46:33,960
Speaker 3: guys at the same time, but Grandfather calls it the

1031
00:46:34,080 --> 00:46:35,120
Speaker 3: adventure of life.

1032
00:46:35,560 --> 00:46:36,319
Speaker 1: Susie plans on.

1033
00:46:36,400 --> 00:46:38,160
Speaker 3: Just dating one guy and calling it a day, and

1034
00:46:38,239 --> 00:46:40,399
Speaker 3: then on cue, Adam arrives with some books to return.

1035
00:46:40,480 --> 00:46:45,200
Speaker 1: This guy reads thirty five philosophy books. Yay, he is so.

1036
00:46:45,360 --> 00:46:48,480
Speaker 3: Vicky quickly hides the bouquet. Grandpa invites him to stay

1037
00:46:48,520 --> 00:46:50,560
Speaker 3: for dinner, and he takes the one perfectly prepped open

1038
00:46:50,600 --> 00:46:51,319
Speaker 3: seat at the table.

1039
00:46:51,480 --> 00:46:56,200
Speaker 1: How coincidental? Also, you assume they made enough food. It's

1040
00:46:56,520 --> 00:46:58,279
Speaker 1: it's a lot to add another person to the meal.

1041
00:46:58,680 --> 00:47:01,000
Speaker 1: I mean you always kind of not always.

1042
00:47:02,080 --> 00:47:04,720
Speaker 3: After the meal, while Vicki cleans, that did not always

1043
00:47:05,400 --> 00:47:05,959
Speaker 3: tell you a story?

1044
00:47:06,000 --> 00:47:07,000
Speaker 2: Who makes it to the tea?

1045
00:47:07,080 --> 00:47:07,920
Speaker 6: Do not tell you?

1046
00:47:08,520 --> 00:47:11,239
Speaker 3: Sue was growing up, they had something in Sue's family

1047
00:47:11,280 --> 00:47:15,080
Speaker 3: called FHB, which was family holdback. If somebody random showed up,

1048
00:47:15,080 --> 00:47:17,600
Speaker 3: they all had to take smaller portions so that the

1049
00:47:17,760 --> 00:47:19,560
Speaker 3: new person could could eat food too.

1050
00:47:19,920 --> 00:47:22,640
Speaker 1: FH Family hold Back, Thank you very much. Hope that

1051
00:47:22,719 --> 00:47:23,600
Speaker 1: catches up trademark.

1052
00:47:25,000 --> 00:47:27,759
Speaker 3: After the meal, while Vicki cleans the dishes, Adam tells

1053
00:47:27,760 --> 00:47:30,520
Speaker 3: the group is dolphin origin story, which includes a magical

1054
00:47:30,600 --> 00:47:33,239
Speaker 3: meeting with the animals. In a weird exchange, Vicky is

1055
00:47:33,280 --> 00:47:36,880
Speaker 3: offended that Adam is such a fact based scientist, arguing

1056
00:47:36,960 --> 00:47:39,600
Speaker 3: that not everything needs to be explained. Things get heated,

1057
00:47:39,640 --> 00:47:41,759
Speaker 3: but they're quickly interrupted by the arrival of Dan, the

1058
00:47:41,840 --> 00:47:44,279
Speaker 3: harbor patrolman, and it seemed like she just wanted to fight.

1059
00:47:45,200 --> 00:47:45,560
Speaker 1: He says.

1060
00:47:45,640 --> 00:47:47,839
Speaker 3: He searched the Marie Rose, but there was no drift net.

1061
00:47:48,120 --> 00:47:50,799
Speaker 3: Adams convinced the captain hid them. After their surprise visit,

1062
00:47:51,040 --> 00:47:53,360
Speaker 3: they decide they'll need to bust them while using the

1063
00:47:53,480 --> 00:47:56,440
Speaker 3: drift net now. Later that night, grandfather joins Vicky on

1064
00:47:56,480 --> 00:47:59,040
Speaker 3: the balcony to commend her ability to challenge Adam. She

1065
00:47:59,160 --> 00:48:01,759
Speaker 3: calls the aspiring biologists hard to read and knows it

1066
00:48:01,800 --> 00:48:03,640
Speaker 3: would be easier if she was a dolphin.

1067
00:48:04,239 --> 00:48:04,520
Speaker 2: Okay.

1068
00:48:04,880 --> 00:48:05,520
Speaker 1: They admire the.

1069
00:48:05,560 --> 00:48:08,040
Speaker 3: Stars, but Grandpa doesn't look through the telescope anymore because

1070
00:48:08,040 --> 00:48:10,680
Speaker 3: it takes away all the magic. He acknowledges that Susie

1071
00:48:10,719 --> 00:48:13,040
Speaker 3: knows all the scientific facts about the universe, but wishes

1072
00:48:13,080 --> 00:48:15,799
Speaker 3: she could just enjoy the magic itself. He then reads

1073
00:48:15,840 --> 00:48:18,239
Speaker 3: his granddaughter the passage from the Henry Vaughan poem that

1074
00:48:18,280 --> 00:48:20,200
Speaker 3: includes the title of the movie, and she loves it.

1075
00:48:20,840 --> 00:48:23,239
Speaker 3: The next morning, over at Zachary's compound, the dad brings

1076
00:48:23,320 --> 00:48:25,920
Speaker 3: up the recent boat visit he made with Adam. Zachary

1077
00:48:26,000 --> 00:48:28,000
Speaker 3: sells it as innocent, but his dad isn't buying it.

1078
00:48:28,239 --> 00:48:30,400
Speaker 3: He explains the houses, the cars, the private school, that

1079
00:48:30,520 --> 00:48:33,160
Speaker 3: lifestyle is maintained through the business, and if Zachary does

1080
00:48:33,200 --> 00:48:34,160
Speaker 3: anything stupid.

1081
00:48:34,040 --> 00:48:35,080
Speaker 1: Everything will go away.

1082
00:48:36,160 --> 00:48:38,880
Speaker 3: Back at the research center, Vicki finds doctor Zand and

1083
00:48:38,920 --> 00:48:42,240
Speaker 3: Adam frantically helping Enid through a difficult delivery. They're about

1084
00:48:42,239 --> 00:48:45,279
Speaker 3: to sedate her, but Vicky intervenes. She said Enid doesn't

1085
00:48:45,320 --> 00:48:47,320
Speaker 3: want to be sedated. She wants to be reunited with

1086
00:48:47,400 --> 00:48:50,520
Speaker 3: Basil for the birth. The doctor demands Vicki minder business,

1087
00:48:50,560 --> 00:48:53,160
Speaker 3: but Adam convinces her to let Baselin and the two

1088
00:48:53,280 --> 00:48:54,280
Speaker 3: immediately reconnect.

1089
00:48:54,520 --> 00:48:56,759
Speaker 1: And then another first for d coms. We see the

1090
00:48:56,840 --> 00:48:59,480
Speaker 1: birth of a dolphin, which was actually kind of cool.

1091
00:49:00,080 --> 00:49:04,640
Speaker 2: Yeah true, another another first, even like we haven't had

1092
00:49:04,680 --> 00:49:05,240
Speaker 2: any births.

1093
00:49:05,680 --> 00:49:07,600
Speaker 1: No, I mean, I don't think we're showing a close

1094
00:49:07,680 --> 00:49:10,759
Speaker 1: up like well no, sir, no, but I mean like.

1095
00:49:11,640 --> 00:49:14,640
Speaker 2: There's no like, oh, this is your little sister, right,

1096
00:49:14,760 --> 00:49:15,440
Speaker 2: we have an oh.

1097
00:49:15,440 --> 00:49:16,920
Speaker 1: No quinch quince?

1098
00:49:17,080 --> 00:49:21,480
Speaker 4: Yeah, there was five away from the horse, said, wasn't

1099
00:49:21,480 --> 00:49:22,000
Speaker 4: there a horse?

1100
00:49:22,040 --> 00:49:24,759
Speaker 1: Berth an horse sense did we cut away from it

1101
00:49:24,800 --> 00:49:25,920
Speaker 1: in horse sense? I can't remember?

1102
00:49:26,640 --> 00:49:29,120
Speaker 4: Remember? Oh no, is there a berth in the two

1103
00:49:29,239 --> 00:49:31,319
Speaker 4: girls that take over the farm The Simple Life?

1104
00:49:32,480 --> 00:49:34,640
Speaker 2: Oh? That was cow Bells and.

1105
00:49:36,880 --> 00:49:37,960
Speaker 4: I think we have a berth in that.

1106
00:49:38,280 --> 00:49:40,080
Speaker 1: Okay, all right, so we got some animal births.

1107
00:49:40,600 --> 00:49:42,479
Speaker 3: I want a human brow with the first Disney channel

1108
00:49:42,560 --> 00:49:45,200
Speaker 3: human birth and Disney just owns the baby the second

1109
00:49:45,280 --> 00:49:45,719
Speaker 3: it comes out.

1110
00:49:46,800 --> 00:49:47,480
Speaker 1: That's how it would be.

1111
00:49:47,719 --> 00:49:49,040
Speaker 4: We still have a descendants left.

1112
00:49:49,560 --> 00:49:54,960
Speaker 3: Yeah, we're getting from a producer, michaela that this was

1113
00:49:55,000 --> 00:49:56,600
Speaker 3: a lot for a decom, especially with the blood and

1114
00:49:56,640 --> 00:49:58,239
Speaker 3: there was like the splash of blood coming out of.

1115
00:49:58,200 --> 00:50:00,600
Speaker 1: The Dolphins's true, we saw birth. It was obviously a

1116
00:50:00,640 --> 00:50:01,680
Speaker 1: real birth. It was pretty cool.

1117
00:50:02,600 --> 00:50:04,759
Speaker 3: Everyone celebrates, but Adam and the doctor want to know

1118
00:50:04,880 --> 00:50:07,640
Speaker 3: exactly what the hell is going on? Fair question put

1119
00:50:07,719 --> 00:50:10,400
Speaker 3: on the spot. Well, Vicky runs out, but Adam stops

1120
00:50:10,400 --> 00:50:12,560
Speaker 3: her before she can get too far. He knows she

1121
00:50:12,680 --> 00:50:16,320
Speaker 3: can telepathically communicate with the dolphins, which seemed like a

1122
00:50:16,600 --> 00:50:19,680
Speaker 3: very quick conclusion to make, and even though Adam explains

1123
00:50:19,680 --> 00:50:22,000
Speaker 3: how helpful her ability can be, Vicky's not interested in

1124
00:50:22,080 --> 00:50:25,840
Speaker 3: becoming a case study. Meanwhile, Zachary secretly takes photos of

1125
00:50:25,920 --> 00:50:28,120
Speaker 3: the Marie Rose right in the process of using.

1126
00:50:27,960 --> 00:50:31,880
Speaker 1: A driftnet score. The next day, Vicky is writing poetry

1127
00:50:31,920 --> 00:50:32,520
Speaker 1: near the lighthouse.

1128
00:50:32,520 --> 00:50:35,160
Speaker 3: When Adam finds her, he apologizes for making her feel bad,

1129
00:50:35,200 --> 00:50:37,200
Speaker 3: but Vicky's still mad that all he wants in life

1130
00:50:37,280 --> 00:50:40,480
Speaker 3: is proof and data. He's a scientist going to Harvard,

1131
00:50:40,880 --> 00:50:43,560
Speaker 3: especially because she has no idea how she communicates with dolphins.

1132
00:50:44,000 --> 00:50:45,600
Speaker 3: She doesn't want to be studied like one of her

1133
00:50:45,640 --> 00:50:48,160
Speaker 3: brother's bugs, Like I could just see him putting her

1134
00:50:48,200 --> 00:50:50,400
Speaker 3: in a giant thing of a nail polish, just to

1135
00:50:51,520 --> 00:50:54,640
Speaker 3: keep her all solid. Like she said, some things in

1136
00:50:54,680 --> 00:50:57,080
Speaker 3: the world just don't need an explanation, but uh, talking

1137
00:50:57,120 --> 00:50:59,080
Speaker 3: to animals, let's maybe get an explanation.

1138
00:51:00,000 --> 00:51:01,880
Speaker 1: He finally admits he's just jealous.

1139
00:51:01,960 --> 00:51:04,080
Speaker 3: He knows everything about dolphins, but he can't actually talk

1140
00:51:04,120 --> 00:51:06,080
Speaker 3: to them, but he wishes he could so he could

1141
00:51:06,120 --> 00:51:08,080
Speaker 3: say goodbye to them at the end of this summer.

1142
00:51:08,440 --> 00:51:11,279
Speaker 3: Vicky loves hearing his emotional side and they make up. Also,

1143
00:51:11,360 --> 00:51:13,080
Speaker 3: there are tons of close ups of Mischa Barton in

1144
00:51:13,120 --> 00:51:15,919
Speaker 3: the scene. Again, her hair is not blowing anywhere.

1145
00:51:15,600 --> 00:51:18,000
Speaker 1: But she's stunning, and he's a good looking dude. Too.

1146
00:51:18,440 --> 00:51:20,560
Speaker 3: This is a good looking cast. This could be up

1147
00:51:20,600 --> 00:51:24,200
Speaker 3: there for all around best looking cast. You know the

1148
00:51:24,280 --> 00:51:28,800
Speaker 3: gray guy, everybody good looking people. That night, Vicky asked Susie,

1149
00:51:28,840 --> 00:51:31,040
Speaker 3: her little sister, for advice on Adam and Zachary, which

1150
00:51:31,080 --> 00:51:33,799
Speaker 3: doesn't seem like the most reliable opinion, but okay, sure.

1151
00:51:34,200 --> 00:51:35,920
Speaker 3: She says there are great traits in both of them.

1152
00:51:36,000 --> 00:51:38,080
Speaker 3: Adam knows his future while the other is in flux

1153
00:51:38,160 --> 00:51:41,160
Speaker 3: but very exciting. Zachary gets the vote for looks and

1154
00:51:41,280 --> 00:51:44,200
Speaker 3: Adam gets the votes for smart, but he smells like

1155
00:51:44,320 --> 00:51:48,040
Speaker 3: fish and formaldehyde. Without a definite answer, she suggests a

1156
00:51:48,239 --> 00:51:51,560
Speaker 3: pros and cons list. That night, Vicki goes on a

1157
00:51:51,719 --> 00:51:54,160
Speaker 3: fancy dinner date with Zachary, where he reveals he knows

1158
00:51:54,200 --> 00:51:56,880
Speaker 3: they went to the harbor patrolman about his dad, but

1159
00:51:57,000 --> 00:51:57,799
Speaker 3: instead of being mad.

1160
00:51:57,719 --> 00:51:59,960
Speaker 1: He's actually proud of them. And then they're joined by

1161
00:52:00,040 --> 00:52:04,279
Speaker 1: a surprise guest. Adam is zach playing chess? Here is

1162
00:52:04,320 --> 00:52:06,320
Speaker 1: he just kind of clueless? I don't know what's going on.

1163
00:52:06,640 --> 00:52:08,759
Speaker 1: He shows them the photos he took, clearly documenting the

1164
00:52:08,880 --> 00:52:11,000
Speaker 1: nuts being used, but Adam says it's not gonna be enough.

1165
00:52:11,320 --> 00:52:13,640
Speaker 1: They need to personally catch them in the act, and

1166
00:52:13,800 --> 00:52:15,680
Speaker 1: Zachary thinks, you know what, that could be arranged.

1167
00:52:16,200 --> 00:52:19,400
Speaker 3: Enough of this dolphin saving though, zach wants to dance,

1168
00:52:20,320 --> 00:52:21,680
Speaker 3: which I thought was such weird.

1169
00:52:21,719 --> 00:52:26,399
Speaker 2: It's like, glad that we have that covered. Who wants

1170
00:52:26,520 --> 00:52:28,200
Speaker 2: to dance? Anybody ready for some.

1171
00:52:31,400 --> 00:52:32,280
Speaker 1: Let's dance?

1172
00:52:32,760 --> 00:52:33,840
Speaker 4: Everybody do the dolphins?

1173
00:52:34,239 --> 00:52:39,360
Speaker 1: Yeah, it was the doll. It was very strange.

1174
00:52:39,760 --> 00:52:40,600
Speaker 2: The dolphin look like.

1175
00:52:45,719 --> 00:52:48,120
Speaker 3: That's oh god, you realize that's now the social clip,

1176
00:52:48,280 --> 00:52:49,640
Speaker 3: very good, Sabrina damn it.

1177
00:52:52,480 --> 00:52:55,560
Speaker 1: Clip. He knows about a night club.

1178
00:52:55,360 --> 00:52:59,000
Speaker 3: That is quote unquote totally insane, but Adam doesn't dance

1179
00:52:59,000 --> 00:52:59,880
Speaker 3: because he's a scientist.

1180
00:53:00,040 --> 00:53:02,359
Speaker 1: You can be one thing or another, you can't be balanced. Yeah,

1181
00:53:02,600 --> 00:53:05,000
Speaker 1: So he encourages them to go alone. Vicky promises she

1182
00:53:05,080 --> 00:53:07,800
Speaker 1: can teach him, but he isn't interested or is he.

1183
00:53:09,000 --> 00:53:11,680
Speaker 3: That night, presumably after dancing all night at the totally

1184
00:53:11,680 --> 00:53:14,400
Speaker 3: insane club and coming down from the mescaline, Vicky is

1185
00:53:14,480 --> 00:53:17,160
Speaker 3: back home writing when she hears something outside.

1186
00:53:17,400 --> 00:53:19,239
Speaker 1: It's Adam. He wants to know if the offer to

1187
00:53:19,280 --> 00:53:22,239
Speaker 1: teach him how to dance still stands. Now they're out

1188
00:53:22,239 --> 00:53:24,200
Speaker 1: on the beach next to a bomb fire in a boombox,

1189
00:53:24,239 --> 00:53:26,719
Speaker 1: they're dancing with Vicky leading the way he asked, and

1190
00:53:27,239 --> 00:53:29,560
Speaker 1: when it first comes up, it just so reminded me

1191
00:53:29,640 --> 00:53:31,759
Speaker 1: of what I would look like dancing at that age, Like.

1192
00:53:31,760 --> 00:53:34,360
Speaker 2: The No, this was the sweetest.

1193
00:53:34,480 --> 00:53:35,240
Speaker 4: It was very sweet.

1194
00:53:35,400 --> 00:53:38,160
Speaker 1: It was very sweet. It was I agree undred percent,

1195
00:53:38,280 --> 00:53:40,279
Speaker 1: it was sweet. It looked good. The fire was great.

1196
00:53:40,600 --> 00:53:41,040
Speaker 1: Good see.

1197
00:53:41,880 --> 00:53:45,960
Speaker 2: And by the way, this is what ninety eight point

1198
00:53:46,320 --> 00:53:50,800
Speaker 2: five percent of guys from like what middle schools the

1199
00:53:50,880 --> 00:53:52,880
Speaker 2: first time they dance with the girl.

1200
00:53:53,000 --> 00:53:55,400
Speaker 1: All the way to like my wedding.

1201
00:53:59,520 --> 00:54:01,680
Speaker 2: Yes, oh, I mean like they get a little bit

1202
00:54:01,719 --> 00:54:05,200
Speaker 2: more confidence, like probably like midway halfway you know, halfway

1203
00:54:05,239 --> 00:54:08,320
Speaker 2: through high school. By like college, they're like feeling a

1204
00:54:08,360 --> 00:54:09,360
Speaker 2: little bit more comfortable.

1205
00:54:09,840 --> 00:54:11,920
Speaker 3: I would also have to add, I'm sorry to say

1206
00:54:11,960 --> 00:54:15,239
Speaker 3: this that usually by college. I never went, but I

1207
00:54:15,440 --> 00:54:18,160
Speaker 3: imagine when the guys are more confident in dancing in college,

1208
00:54:18,200 --> 00:54:19,360
Speaker 3: it's because they're drunk.

1209
00:54:20,280 --> 00:54:22,840
Speaker 2: Yes, so they've got like they're you know, they're a

1210
00:54:22,840 --> 00:54:25,120
Speaker 2: little bit more loose. They're a little bit like, you know,

1211
00:54:25,440 --> 00:54:27,440
Speaker 2: just kind of whatever. But I'm just saying, like this

1212
00:54:27,680 --> 00:54:33,120
Speaker 2: was so exactly how everyone remembers. Yep, there a time

1213
00:54:33,480 --> 00:54:36,680
Speaker 2: like for a while, how it felt dancing with you know,

1214
00:54:37,360 --> 00:54:37,840
Speaker 2: you're like.

1215
00:54:37,960 --> 00:54:46,000
Speaker 8: Crush yep, i'd be Valentine, say everybody, we still I

1216
00:54:46,080 --> 00:54:49,400
Speaker 8: still joke with Susan that in the seventh grade there

1217
00:54:49,520 --> 00:54:50,960
Speaker 8: was a girl named Tammy Taylor.

1218
00:54:51,280 --> 00:54:52,880
Speaker 3: And it's not the same, not the same as the

1219
00:54:52,960 --> 00:54:55,160
Speaker 3: character from Friday Night Lights, but her name is Tammy Taylor.

1220
00:54:55,840 --> 00:54:58,120
Speaker 3: She would hold you so tight when you danced, and

1221
00:54:58,239 --> 00:55:00,319
Speaker 3: I look at Sue occasionally and as a joke, I'm like.

1222
00:55:00,440 --> 00:55:02,880
Speaker 1: I'll never feel that safe again as I did in Tammy.

1223
00:55:02,640 --> 00:55:05,080
Speaker 3: Taylor's arms in the seventh grade. And then you know,

1224
00:55:05,160 --> 00:55:08,560
Speaker 3: you'd be dancing to like Stairway to Heaven and it'd

1225
00:55:08,560 --> 00:55:09,840
Speaker 3: be the greatest thing in the world. But then the

1226
00:55:09,920 --> 00:55:11,520
Speaker 3: fast part would start and you didn't know are you're

1227
00:55:11,520 --> 00:55:12,480
Speaker 3: supposed to break apart?

1228
00:55:12,680 --> 00:55:14,320
Speaker 1: Do you? What the heck is supposed to go on?

1229
00:55:14,760 --> 00:55:17,239
Speaker 1: But oh, Tammy Taylor, if you're listening, I remember that

1230
00:55:17,360 --> 00:55:18,640
Speaker 1: slow dance. I'm telling you.

1231
00:55:19,040 --> 00:55:22,200
Speaker 2: I'm actually just now thinking how excited I am for

1232
00:55:22,280 --> 00:55:24,960
Speaker 2: your birthday party, because that will for sure be the

1233
00:55:25,080 --> 00:55:27,200
Speaker 2: first time I get to see you in action.

1234
00:55:28,760 --> 00:55:32,400
Speaker 1: Hopefully there'll be an open bar so it won't matter anyway, Yes.

1235
00:55:32,719 --> 00:55:35,560
Speaker 2: I shock everyone and learn like an actual routine.

1236
00:55:36,160 --> 00:55:39,080
Speaker 3: I'm working with the entire past of dancing with the stars. Yes,

1237
00:55:39,560 --> 00:55:40,480
Speaker 3: and the Backstreet Boys.

1238
00:55:40,480 --> 00:55:41,200
Speaker 4: It's going to be great.

1239
00:55:41,840 --> 00:55:44,560
Speaker 1: Yes, So that's going to be a fun party. We

1240
00:55:44,600 --> 00:55:46,200
Speaker 1: already started planning it. Keep the date open.

1241
00:55:46,520 --> 00:55:46,920
Speaker 2: I love it.

1242
00:55:47,120 --> 00:55:47,160
Speaker 1: So.

1243
00:55:47,320 --> 00:55:49,880
Speaker 3: Yes, they're dancing. He asked about her poetry, and they

1244
00:55:49,920 --> 00:55:52,160
Speaker 3: talk about her grandfather as she pulls him in close

1245
00:55:52,600 --> 00:55:55,560
Speaker 3: for the very very very slow dancing, and then once

1246
00:55:55,600 --> 00:55:59,560
Speaker 3: again they kiss. So we're used to, you know, begging

1247
00:55:59,640 --> 00:56:00,799
Speaker 3: to see a kissing these movies.

1248
00:56:00,920 --> 00:56:03,600
Speaker 1: Now I'm over it. She's kiss ninety three people. Now

1249
00:56:03,640 --> 00:56:04,680
Speaker 1: it's time to move on people.

1250
00:56:05,920 --> 00:56:09,479
Speaker 3: No, it's very sweet. It's a nice scene. It's very real,

1251
00:56:09,719 --> 00:56:12,120
Speaker 3: and they're both great in the scene. They eventually leave,

1252
00:56:12,320 --> 00:56:15,080
Speaker 3: ignoring the massive bonfire they left behind and creating an

1253
00:56:15,120 --> 00:56:18,439
Speaker 3: obvious fire hazard. Maybe that could kill dolphins, doesn't seem

1254
00:56:18,480 --> 00:56:20,960
Speaker 3: like Dolphin Boy cares about that. On their walk home,

1255
00:56:21,040 --> 00:56:23,400
Speaker 3: Adam asks for help with the dolphins tomorrow. She agrees,

1256
00:56:23,440 --> 00:56:25,719
Speaker 3: and they get okay, get ready for this.

1257
00:56:25,920 --> 00:56:28,319
Speaker 1: You know what they do? They kiss again, and once

1258
00:56:28,360 --> 00:56:29,920
Speaker 1: inside the house, she appears to be spitting.

1259
00:56:29,960 --> 00:56:33,800
Speaker 3: She's like, WHOA, I bet you I've never gotten that

1260
00:56:33,880 --> 00:56:35,720
Speaker 3: response from a girl doesn't ever walk inside.

1261
00:56:35,760 --> 00:56:40,480
Speaker 1: She's probably like, ohhoa as much. Oh god, I can

1262
00:56:40,520 --> 00:56:41,279
Speaker 1: still taste him?

1263
00:56:41,680 --> 00:56:44,799
Speaker 6: Oh god, man?

1264
00:56:46,800 --> 00:56:50,320
Speaker 2: Oh flashbacks, yuck, flashbacks.

1265
00:56:49,840 --> 00:56:54,839
Speaker 1: To what Yeah, yeah, there were some kisses where you're like, oh, really,

1266
00:56:54,880 --> 00:56:56,759
Speaker 1: do you remember bad kisses? Yeah?

1267
00:56:57,200 --> 00:56:58,919
Speaker 2: Oh yeah, oh yeah, oh.

1268
00:56:58,920 --> 00:57:00,719
Speaker 1: Yeah, oh yeah. Oh yeah.

1269
00:57:01,800 --> 00:57:04,000
Speaker 3: So the next morning, at the biology center with Adam,

1270
00:57:04,239 --> 00:57:06,640
Speaker 3: they let Enid Basil and their new child who I'm

1271
00:57:06,640 --> 00:57:10,000
Speaker 3: gonna call Jeffrey Rome free. Adam asks Vicki to call

1272
00:57:10,080 --> 00:57:12,560
Speaker 3: for the dolphins, but she claims she can't. He encourages

1273
00:57:12,600 --> 00:57:14,880
Speaker 3: her to try anyway, because, don't forget people, she can

1274
00:57:15,000 --> 00:57:17,720
Speaker 3: talk to dolphins, which seems to not be in this

1275
00:57:17,840 --> 00:57:21,040
Speaker 3: movie much. If she can receive messages, he thinks she

1276
00:57:21,080 --> 00:57:23,200
Speaker 3: can also send them, so he takes a deep breath,

1277
00:57:23,280 --> 00:57:25,560
Speaker 3: closes her eyes, and focuses, but after a few seconds

1278
00:57:25,600 --> 00:57:28,680
Speaker 3: nothing happens. Instead, they discuss the evolution of dolphins and

1279
00:57:28,800 --> 00:57:31,280
Speaker 3: why would they ever leave the land for the sea

1280
00:57:31,360 --> 00:57:34,440
Speaker 3: and forfeit their hands, which, again, if you ask me,

1281
00:57:34,520 --> 00:57:36,400
Speaker 3: sounds like a conversation I would have had in high.

1282
00:57:36,200 --> 00:57:40,840
Speaker 1: School while stoned. Hey, man, like do you think dolphins

1283
00:57:40,880 --> 00:57:43,400
Speaker 1: had hands? And then like they had to like get

1284
00:57:43,560 --> 00:57:48,640
Speaker 1: rid of their hands to go swim again. Whoa, and

1285
00:57:48,760 --> 00:57:52,080
Speaker 1: then guess who arrives? It's Enid Basil and young baby Jeffrey.

1286
00:57:52,360 --> 00:57:54,840
Speaker 3: Adam encourages Vicky to keep going, and then seconds later,

1287
00:57:54,880 --> 00:57:59,240
Speaker 3: the dolphins simultaneously perform once again absolutely terrible cgi flips,

1288
00:57:59,520 --> 00:58:02,040
Speaker 3: then grab they're human friends to playfully drag them across

1289
00:58:02,080 --> 00:58:02,520
Speaker 3: the ocean.

1290
00:58:02,640 --> 00:58:03,040
Speaker 1: Seemingly.

1291
00:58:03,120 --> 00:58:05,640
Speaker 3: Never satisfied, Adam now wants her to ask the dolphins

1292
00:58:05,680 --> 00:58:09,000
Speaker 3: a question, why did they return to the sea. Vicky obliges,

1293
00:58:09,040 --> 00:58:11,640
Speaker 3: but before she can get an answer, she's violently dragged underwater.

1294
00:58:11,840 --> 00:58:14,640
Speaker 3: Her body is now lifeless, eyes closed. She's being circled

1295
00:58:14,640 --> 00:58:17,320
Speaker 3: by the now chirping dolphins, while Adam screams to find her.

1296
00:58:17,600 --> 00:58:19,880
Speaker 3: Time is running out. Finally, dolphins nudge your back above

1297
00:58:19,880 --> 00:58:21,920
Speaker 3: the water to get air, and the screen goes white with.

1298
00:58:21,920 --> 00:58:28,040
Speaker 1: A visible ring of light, A ring of light. Did

1299
00:58:28,080 --> 00:58:31,280
Speaker 1: you get it? Yeah? Got it? Okay, because it's the

1300
00:58:31,440 --> 00:58:32,480
Speaker 1: it's a ring of light.

1301
00:58:33,720 --> 00:58:35,240
Speaker 2: I know. And this is when I was like.

1302
00:58:37,720 --> 00:58:39,280
Speaker 1: A dolphin gonna tell us this. It's her grandmother.

1303
00:58:42,240 --> 00:58:44,760
Speaker 2: I'm over it. I'm over it. I'm over the ring

1304
00:58:44,800 --> 00:58:45,120
Speaker 2: of light.

1305
00:58:45,800 --> 00:58:47,280
Speaker 1: It's just it's very it's.

1306
00:58:48,640 --> 00:58:51,800
Speaker 3: Again it's a it's a very very slow paced decoc

1307
00:58:51,920 --> 00:58:55,280
Speaker 3: it is. Yes, it felt a lot longer than idiot.

1308
00:58:55,360 --> 00:58:57,160
Speaker 3: You get Descendants movies at are one hundred and nine

1309
00:58:57,160 --> 00:58:59,160
Speaker 3: minutes and you're like, I could have watched another twenty minutes.

1310
00:58:59,320 --> 00:59:01,000
Speaker 3: This one was eighty eight minutes, and it's like this

1311
00:59:01,200 --> 00:59:02,680
Speaker 3: one it was dragging.

1312
00:59:03,080 --> 00:59:03,400
Speaker 5: It was.

1313
00:59:04,000 --> 00:59:06,960
Speaker 2: It really really started to and especially when it was

1314
00:59:07,080 --> 00:59:11,640
Speaker 2: like like this scene specifically too, like it was supposed

1315
00:59:11,680 --> 00:59:13,440
Speaker 2: to be like a heightened scene, but it was like,

1316
00:59:13,920 --> 00:59:16,200
Speaker 2: how come Adam out of nowhere just like doesn't know

1317
00:59:16,280 --> 00:59:23,680
Speaker 2: how to swim? Why how come you just like completely

1318
00:59:23,920 --> 00:59:27,360
Speaker 2: forget how to swim, Like you're that you're in the water,

1319
00:59:27,880 --> 00:59:30,080
Speaker 2: you're acting like you see her now going and he's

1320
00:59:30,200 --> 00:59:33,160
Speaker 2: like Vicky, Vicky, and it's like, look in the water,

1321
00:59:33,360 --> 00:59:38,480
Speaker 2: you idiot, she's obviously down there, and I'm not why

1322
00:59:38,600 --> 00:59:40,680
Speaker 2: you just lean down and grab her hand and pull

1323
00:59:40,720 --> 00:59:44,120
Speaker 2: her back up, like, oh my god, get like annoying.

1324
00:59:44,440 --> 00:59:47,520
Speaker 1: It's so true. Yeah if she dies now, bro, it's

1325
00:59:47,560 --> 00:59:50,880
Speaker 1: on you. It's on you. Okay, Yeah, it's so great. Uh.

1326
00:59:51,000 --> 00:59:53,160
Speaker 3: Then we hear Adam's voice asking if she's all right,

1327
00:59:53,360 --> 00:59:55,920
Speaker 3: and saying you should probably learn how to swim. When

1328
00:59:57,160 --> 00:59:59,960
Speaker 3: she awakens, she doesn't remember anything, but knows she couldn't

1329
01:00:00,120 --> 01:00:03,240
Speaker 3: understand Enid and Basil's answer to the question. She now

1330
01:00:03,320 --> 01:00:05,920
Speaker 3: knows dolphins are all connected and they have no secrets.

1331
01:00:06,040 --> 01:00:11,080
Speaker 3: Again serious stoner conversation. Amen, Amen, man, you know that

1332
01:00:11,200 --> 01:00:12,760
Speaker 3: dolphins don't have any secrets.

1333
01:00:16,560 --> 01:00:19,800
Speaker 2: Also, Dazzle just now hit me. It sounds like you're

1334
01:00:19,840 --> 01:00:22,280
Speaker 2: putting the wrong and fossis on the wrong side.

1335
01:00:23,560 --> 01:00:27,919
Speaker 1: Bazzle is at Basil, is it Basil? I'm watching soon.

1336
01:00:28,000 --> 01:00:31,360
Speaker 3: I am watching a lot of BritBox lately. So we

1337
01:00:31,480 --> 01:00:34,920
Speaker 3: found ourselves saying things British. I said patriotic the other day.

1338
01:00:36,520 --> 01:00:39,280
Speaker 1: Yes, so this is no, it's not a book. And

1339
01:00:39,480 --> 01:00:42,280
Speaker 1: so Vicky bike's home only sees Zachary waiting for her,

1340
01:00:42,360 --> 01:00:45,160
Speaker 1: claiming it's time to catch the bad guy, which sounds

1341
01:00:45,200 --> 01:00:45,840
Speaker 1: like a euphemism.

1342
01:00:46,480 --> 01:00:48,560
Speaker 3: They take a speedboat to the Marie Rose in hopes

1343
01:00:48,560 --> 01:00:51,120
Speaker 3: of seeing them drop a net. Vicky asked if Adam

1344
01:00:51,120 --> 01:00:53,560
Speaker 3: should join them, and he basically says, I didn't invite

1345
01:00:53,600 --> 01:00:54,160
Speaker 3: that dork here.

1346
01:00:54,280 --> 01:00:56,440
Speaker 1: I only invited him to dinner to see my competition.

1347
01:00:57,080 --> 01:00:59,400
Speaker 3: But she admits she likes Adam, so Zach starts playing

1348
01:00:59,480 --> 01:01:02,360
Speaker 3: hater his rival a dull old man. Then he spots

1349
01:01:02,400 --> 01:01:05,120
Speaker 3: a boat and decides to speed toward it to play chicken.

1350
01:01:06,680 --> 01:01:08,080
Speaker 1: He really is the opposite adult.

1351
01:01:08,600 --> 01:01:10,480
Speaker 3: They're getting closer and closer to the other boat, and

1352
01:01:10,560 --> 01:01:12,400
Speaker 3: his crew is begging him to slow down, but Zack's

1353
01:01:12,400 --> 01:01:15,280
Speaker 3: not flinching, and Vicky is terrified. At the last possible second,

1354
01:01:15,480 --> 01:01:18,400
Speaker 3: Zack swerves, barely avoiding a collision. Vicky demands he take

1355
01:01:18,440 --> 01:01:19,640
Speaker 3: her back right now. First of all, how did he

1356
01:01:19,760 --> 01:01:21,400
Speaker 3: know which direction the boat was going to turn? They

1357
01:01:21,400 --> 01:01:27,120
Speaker 3: both could have swerved the same direction. Like yikes, not okay,

1358
01:01:27,440 --> 01:01:28,200
Speaker 3: I would.

1359
01:01:27,960 --> 01:01:32,240
Speaker 2: Have been pissed. Oh I would never ever have talked

1360
01:01:32,280 --> 01:01:33,920
Speaker 2: about his CANOOSI again.

1361
01:01:34,040 --> 01:01:37,760
Speaker 1: Playing with fire Bro. But he's so dreamy, sin No,

1362
01:01:38,520 --> 01:01:39,320
Speaker 1: not that dreamy.

1363
01:01:39,560 --> 01:01:39,680
Speaker 4: Uh.

1364
01:01:39,840 --> 01:01:41,800
Speaker 3: He tries to call it fun, but she isn't having it.

1365
01:01:41,880 --> 01:01:43,320
Speaker 3: Back on land, he admits he was just trying to

1366
01:01:43,360 --> 01:01:45,240
Speaker 3: impress her and apologizes he likes her.

1367
01:01:45,600 --> 01:01:48,520
Speaker 1: Her response to that is, well, then start liking yourself.

1368
01:01:48,680 --> 01:01:49,120
Speaker 1: Good line.

1369
01:01:50,200 --> 01:01:52,840
Speaker 3: That night, it's pouring and Vicky is riding again. She

1370
01:01:53,000 --> 01:01:55,240
Speaker 3: hears a loud thump downstairs and runs to find her

1371
01:01:55,280 --> 01:01:58,040
Speaker 3: grandfather he's fallen out of bed and can't get up.

1372
01:01:58,440 --> 01:01:59,200
Speaker 1: He's just sort of.

1373
01:02:01,080 --> 01:02:01,320
Speaker 4: Sorry.

1374
01:02:01,320 --> 01:02:03,320
Speaker 1: I'm just the guy fallen and I can't get up.

1375
01:02:04,320 --> 01:02:07,120
Speaker 3: He's desorry. I did thinking Vicky is his deceased wife.

1376
01:02:07,160 --> 01:02:09,800
Speaker 3: He's stammering and not acting like himself, and I'm at

1377
01:02:09,840 --> 01:02:11,760
Speaker 3: this point, Sabrina still thinks this man is a chance.

1378
01:02:12,000 --> 01:02:15,200
Speaker 1: He asks for his meds, so Vicky gives him pain pills.

1379
01:02:15,240 --> 01:02:17,720
Speaker 3: She has no idea why he's taking them now clearly

1380
01:02:17,760 --> 01:02:19,560
Speaker 3: more and ConTroll He glances out the window to admire

1381
01:02:19,600 --> 01:02:21,440
Speaker 3: the storm, but Vicky is really shaken up.

1382
01:02:21,720 --> 01:02:23,280
Speaker 1: She asked her grandfather to look her in the eye

1383
01:02:23,320 --> 01:02:25,560
Speaker 1: and tell her the truth. Is he all right? He

1384
01:02:25,640 --> 01:02:27,960
Speaker 1: claims superb health, but a tear falls down her cheek.

1385
01:02:28,040 --> 01:02:29,479
Speaker 1: She wants the truth. He says fine.

1386
01:02:29,480 --> 01:02:31,520
Speaker 3: He admits he's not a young man anymore, but he's

1387
01:02:31,600 --> 01:02:33,880
Speaker 3: enjoying every minute of what's left. Then he says to

1388
01:02:33,920 --> 01:02:37,760
Speaker 3: her he has leukemia. Choked up, Vicky asked if he's sure,

1389
01:02:37,960 --> 01:02:38,960
Speaker 3: which was not a question.

1390
01:02:38,800 --> 01:02:40,280
Speaker 1: I was expecting. It was kind of strange.

1391
01:02:40,520 --> 01:02:43,280
Speaker 3: He says he's short and planning on telling her parents

1392
01:02:43,320 --> 01:02:46,200
Speaker 3: when they arrive. She's now scared. She doesn't want anything

1393
01:02:46,240 --> 01:02:48,360
Speaker 3: to happen to the one person who understands her. He

1394
01:02:48,440 --> 01:02:51,160
Speaker 3: promises he won't be the last, especially because of her poetry.

1395
01:02:51,520 --> 01:02:53,760
Speaker 3: He says death is as natural as a storm outside,

1396
01:02:53,920 --> 01:02:56,280
Speaker 3: and he has no fear in God's plans. He asks

1397
01:02:56,280 --> 01:02:58,480
Speaker 3: her to read one of her poems for comfort while sobbing.

1398
01:02:58,560 --> 01:03:02,440
Speaker 3: She does, than they embrace again. Weird tone for a dcom,

1399
01:03:03,080 --> 01:03:07,120
Speaker 3: very sweet scene between two the actors, well written, understand

1400
01:03:07,440 --> 01:03:10,000
Speaker 3: about the whole. It's trying to get kids to understand

1401
01:03:10,080 --> 01:03:12,880
Speaker 3: death a little. It's just it's heavy handed.

1402
01:03:12,640 --> 01:03:12,960
Speaker 1: For a deal.

1403
01:03:13,160 --> 01:03:16,160
Speaker 2: It is okay, and I'm telling you right now this

1404
01:03:16,320 --> 01:03:17,880
Speaker 2: is where I'm starting to get pissed.

1405
01:03:18,000 --> 01:03:19,000
Speaker 1: I'm like, this is.

1406
01:03:21,200 --> 01:03:24,280
Speaker 2: Not what I come to the channel for. Okay, not

1407
01:03:24,800 --> 01:03:26,400
Speaker 2: what I come to the channel.

1408
01:03:26,440 --> 01:03:26,640
Speaker 4: Four.

1409
01:03:26,880 --> 01:03:30,280
Speaker 1: Yeah, somebody throw a pie at this point, where's the

1410
01:03:30,320 --> 01:03:30,720
Speaker 1: food fight?

1411
01:03:30,920 --> 01:03:36,840
Speaker 2: I need sinkerbilts immediately for duty and throw some glitter

1412
01:03:36,960 --> 01:03:37,480
Speaker 2: on this guy.

1413
01:03:37,800 --> 01:03:39,480
Speaker 1: Ye, let's not die on us.

1414
01:03:39,680 --> 01:03:42,080
Speaker 2: This is getting just a little too much for me.

1415
01:03:42,280 --> 01:03:44,320
Speaker 1: It is. It is a heavy decom. It's just it's

1416
01:03:44,440 --> 01:03:46,160
Speaker 1: it feels like it's grandparents.

1417
01:03:46,280 --> 01:03:47,880
Speaker 2: I can't handle grandparents.

1418
01:03:47,960 --> 01:03:51,080
Speaker 1: I just a Nicholas Sparks thing. It is just very heavy.

1419
01:03:51,800 --> 01:03:54,240
Speaker 1: The next morning, Vicki awakens, still holding her book of poems.

1420
01:03:54,280 --> 01:03:56,919
Speaker 3: She calls out for her grandfather, fearing what she'll find,

1421
01:03:56,960 --> 01:03:59,080
Speaker 3: but surprise, he's alive and well making eggs.

1422
01:03:59,120 --> 01:04:02,520
Speaker 1: They hug again, and maybe he's immortal. Out at sea,

1423
01:04:02,560 --> 01:04:04,200
Speaker 1: the Marie Rose is getting their net ready for it.

1424
01:04:04,600 --> 01:04:07,920
Speaker 1: Back out and see the Marie Rose. Let's let's kill

1425
01:04:08,000 --> 01:04:10,920
Speaker 1: some dolphins is getting it ready for a day at work.

1426
01:04:10,960 --> 01:04:14,160
Speaker 3: And lo and behold Enid, Basil and Jeffrey swim right

1427
01:04:14,320 --> 01:04:24,680
Speaker 3: up to the horrible net. On the beach, Susie and

1428
01:04:24,760 --> 01:04:27,360
Speaker 3: Rob play soccer as Adam and Vicki lounge under an umbrella.

1429
01:04:27,600 --> 01:04:29,240
Speaker 3: He's been trying to write her a poem, but he's

1430
01:04:29,280 --> 01:04:31,240
Speaker 3: thrown out every attempt. But the flirting comes to an

1431
01:04:31,240 --> 01:04:33,439
Speaker 3: abrupt stop when she senses something wrong in the water.

1432
01:04:33,720 --> 01:04:35,360
Speaker 3: And this is when I remembered, Oh, that's right, she

1433
01:04:35,440 --> 01:04:37,919
Speaker 3: can talk to dolphins. I genuinely forgot at this point.

1434
01:04:38,280 --> 01:04:40,560
Speaker 3: I guess it's not really an important part of the movie.

1435
01:04:41,480 --> 01:04:43,920
Speaker 3: She rushes to the ocean, closes her eyes, and realizes

1436
01:04:43,960 --> 01:04:47,120
Speaker 3: that Enid is trapped in the net. Struggling, Vicky announces

1437
01:04:47,120 --> 01:04:49,680
Speaker 3: her vision and Adam demands they call the harbormaster, but

1438
01:04:49,800 --> 01:04:51,920
Speaker 3: since she doesn't have any proof, she'll sound crazy. But

1439
01:04:52,040 --> 01:04:55,000
Speaker 3: she knows someone she can call, Zachary. He's with his

1440
01:04:55,120 --> 01:04:57,800
Speaker 3: dad helping with some business meetings on their yacht. She

1441
01:04:57,880 --> 01:04:59,760
Speaker 3: alerts him of the news and they immediately meet on

1442
01:04:59,760 --> 01:05:02,400
Speaker 3: the dive. Despite some tension between him and Adam, Zachary

1443
01:05:02,480 --> 01:05:04,400
Speaker 3: is ready to help. Vicky leads him to the water

1444
01:05:04,440 --> 01:05:07,600
Speaker 3: where Basil. There you go, where Basil is magically waiting,

1445
01:05:07,800 --> 01:05:10,080
Speaker 3: ready to lead the way. Zach's dad screams at him

1446
01:05:10,080 --> 01:05:11,720
Speaker 3: from the yacht get back on board and help. He

1447
01:05:11,800 --> 01:05:13,280
Speaker 3: looks at his dad, dead in the eyes and says,

1448
01:05:13,440 --> 01:05:15,400
Speaker 3: not today, dad, And we go.

1449
01:05:15,440 --> 01:05:18,840
Speaker 1: To a commercial. Yes, we go to a commercial literally

1450
01:05:18,920 --> 01:05:22,040
Speaker 1: out of nowhere. There's no commercial there, but they clearly

1451
01:05:22,200 --> 01:05:23,840
Speaker 1: just for this one part in the movie set up

1452
01:05:23,840 --> 01:05:27,440
Speaker 1: a yes. When we return the treo on the speedboat

1453
01:05:27,480 --> 01:05:30,440
Speaker 1: following Basil, who again is crazy cgi rendering or a

1454
01:05:30,520 --> 01:05:32,920
Speaker 1: model sized practical effect. I couldn't tell, but I know

1455
01:05:33,000 --> 01:05:35,800
Speaker 1: it can't be an actual dolphin. They eventually find Enid,

1456
01:05:35,800 --> 01:05:38,720
Speaker 1: who is frantically chirping, stuck with her baby Jeffrey, swimming

1457
01:05:38,760 --> 01:05:41,680
Speaker 1: outside the net Zachary spots the Marie Rose a mile away,

1458
01:05:41,720 --> 01:05:43,840
Speaker 1: and Adam reveals that if they start pulling in the net,

1459
01:05:44,160 --> 01:05:46,800
Speaker 1: Enid will die, so Vicky asks for Zachary's cell phone

1460
01:05:46,800 --> 01:05:49,280
Speaker 1: to alert the harbormaster. She has no other option, so

1461
01:05:49,400 --> 01:05:52,160
Speaker 1: she calls her grandfather for a favor, and just then

1462
01:05:52,200 --> 01:05:53,800
Speaker 1: the captain of the Marie Rose calls for the net.

1463
01:05:53,920 --> 01:05:55,760
Speaker 1: Since the net is miles long, they only have a

1464
01:05:55,840 --> 01:05:59,840
Speaker 1: few minutes tops before tragedy strikes and Enid is going

1465
01:05:59,880 --> 01:06:00,280
Speaker 1: to die.

1466
01:06:00,520 --> 01:06:02,560
Speaker 3: Vicky jumps into the water now in a race against

1467
01:06:02,560 --> 01:06:05,040
Speaker 3: the boat crew. Meanwhile, the harbor master is jumping into

1468
01:06:05,080 --> 01:06:07,800
Speaker 3: a speedboat to help. Vicky's grandfather asked the harbor master

1469
01:06:08,160 --> 01:06:10,080
Speaker 3: if he can go instead of just calling to save time,

1470
01:06:10,120 --> 01:06:11,800
Speaker 3: he asks if he can ride shotgun on the boat.

1471
01:06:12,320 --> 01:06:14,560
Speaker 3: Back at sea, Vicky is panicking while trying to free

1472
01:06:14,680 --> 01:06:17,040
Speaker 3: en It. The net is just too tangled. Adam grabs

1473
01:06:17,080 --> 01:06:19,520
Speaker 3: a toolbox and finds what he's looking for. They look

1474
01:06:19,600 --> 01:06:21,400
Speaker 3: like bolt cutters, which is strange how you don't have

1475
01:06:21,400 --> 01:06:23,000
Speaker 3: a knife on a boat. You should always have a

1476
01:06:23,080 --> 01:06:24,880
Speaker 3: knife on a boat. He jumps into the water to

1477
01:06:24,920 --> 01:06:27,560
Speaker 3: cut her loose, while Vicki telepathically encourages a dolphin to

1478
01:06:27,560 --> 01:06:30,960
Speaker 3: hold on again, the telepathy part always seems kind of secondary.

1479
01:06:31,520 --> 01:06:34,240
Speaker 3: And then the marine morose captain notices Zachary and his

1480
01:06:34,320 --> 01:06:37,320
Speaker 3: rescue attempt, but instead of stopping, he continues rolling in

1481
01:06:37,440 --> 01:06:39,840
Speaker 3: the net. Adam and Vicky is slowly progressing, but time

1482
01:06:39,920 --> 01:06:42,439
Speaker 3: is running out. With only seconds left, they finally free

1483
01:06:42,600 --> 01:06:44,280
Speaker 3: en It of the trap and she swims off with

1484
01:06:44,320 --> 01:06:47,640
Speaker 3: her family. The kids can only laugh until oh, Adams

1485
01:06:47,640 --> 01:06:49,480
Speaker 3: pulled underwater. He's now stuck in the net and being

1486
01:06:49,560 --> 01:06:52,560
Speaker 3: dragged by the ship Vicky pull Zachary pulls Vicki back

1487
01:06:52,600 --> 01:06:55,560
Speaker 3: into the speedboat, but not before Adam's leg is horribly

1488
01:06:55,640 --> 01:06:58,200
Speaker 3: ripped off, blood drips into the ocean, and he's surrounded

1489
01:06:58,320 --> 01:06:58,960
Speaker 3: by sharks.

1490
01:07:00,000 --> 01:07:00,600
Speaker 1: How that happens?

1491
01:07:03,960 --> 01:07:05,000
Speaker 2: Big, It's nightmare?

1492
01:07:05,320 --> 01:07:08,240
Speaker 1: Yeah, it's nightmare of Sabrina. Happens. She's trying to This

1493
01:07:08,320 --> 01:07:10,760
Speaker 1: is Sabrina's nightmare. She's trying to save a dolphin from

1494
01:07:10,800 --> 01:07:12,320
Speaker 1: a thing. She gets caught in a net. Her leg

1495
01:07:12,440 --> 01:07:15,000
Speaker 1: is ripped off, and she's ripped apart by sharks. That's

1496
01:07:15,040 --> 01:07:17,600
Speaker 1: a very typical dream that most people have.

1497
01:07:18,160 --> 01:07:22,280
Speaker 3: Oh god, oh my yeah, zach pulls Vicki back into

1498
01:07:22,280 --> 01:07:24,040
Speaker 3: the speedboat takes off, trying to catch up to Adam,

1499
01:07:24,080 --> 01:07:26,640
Speaker 3: who's now underwater and lifeless, but first to the scene

1500
01:07:26,640 --> 01:07:29,040
Speaker 3: to help the Dolphin family. They nudge at him awake

1501
01:07:29,040 --> 01:07:32,760
Speaker 3: and immediately spots a bright ring of light and the

1502
01:07:32,800 --> 01:07:35,440
Speaker 3: return of a mermaid, Vicki, who finally frees him from

1503
01:07:35,440 --> 01:07:38,040
Speaker 3: the net. He pushes himself above the water to safety,

1504
01:07:38,480 --> 01:07:41,160
Speaker 3: and now the harbor master, flanked by Grandpa, spots the

1505
01:07:41,240 --> 01:07:43,680
Speaker 3: Marie Rose with its net in action. They caught them

1506
01:07:43,720 --> 01:07:46,360
Speaker 3: red handed. The boat captain knows that jig is up.

1507
01:07:46,920 --> 01:07:49,120
Speaker 3: Vicky and Grandpa wave to each other, trading pride in

1508
01:07:49,160 --> 01:07:51,360
Speaker 3: their actions. When they returned to the doc, Adam is

1509
01:07:51,400 --> 01:07:53,560
Speaker 3: deep in thought. Vicky knows the dolphin spoke to him too.

1510
01:07:53,920 --> 01:07:55,480
Speaker 3: He says it was just for a second. They told

1511
01:07:55,560 --> 01:07:57,720
Speaker 3: him to hold on, he had more to do. As

1512
01:07:57,760 --> 01:08:00,520
Speaker 3: the new couple holds hands, Zachary notices the extreame and he.

1513
01:08:00,600 --> 01:08:01,160
Speaker 1: Just looks both.

1514
01:08:02,000 --> 01:08:05,360
Speaker 3: Eventually, Grandfather brings Vicky home, where her brother and sister

1515
01:08:05,400 --> 01:08:07,760
Speaker 3: are related to see she's okay. As she tells him

1516
01:08:07,760 --> 01:08:10,240
Speaker 3: the story, Grandfather walks to his room. He needs a nap,

1517
01:08:10,280 --> 01:08:12,560
Speaker 3: and if you notice when he opens the door, he's

1518
01:08:12,640 --> 01:08:15,200
Speaker 3: met by a bright light. The next thing we see

1519
01:08:15,280 --> 01:08:17,280
Speaker 3: is Vicky writing in her journal that night. She writes,

1520
01:08:17,320 --> 01:08:20,040
Speaker 3: everything seems to have worked out perfectly, almost as if

1521
01:08:20,080 --> 01:08:22,320
Speaker 3: by some grand design. And the best part is there's

1522
01:08:22,360 --> 01:08:24,640
Speaker 3: no way Grandpa's going to die tonight, which is not

1523
01:08:24,760 --> 01:08:26,920
Speaker 3: something you write your journal unless you want to all

1524
01:08:27,040 --> 01:08:29,880
Speaker 3: the fall apart. Now done writing, Vicky makes her way

1525
01:08:29,920 --> 01:08:32,080
Speaker 3: to her grandfather's room and is greeted by his moaning.

1526
01:08:32,240 --> 01:08:33,920
Speaker 3: He calls her over to the bed and says it's

1527
01:08:34,000 --> 01:08:36,680
Speaker 3: his time. She blames herself for making him go out

1528
01:08:36,680 --> 01:08:38,439
Speaker 3: into the water, but he's so thankful. It was one

1529
01:08:38,439 --> 01:08:39,599
Speaker 3: of the greatest days of his life.

1530
01:08:40,080 --> 01:08:42,280
Speaker 1: You're shocked by this point this is happening, Sabrina.

1531
01:08:42,800 --> 01:08:47,120
Speaker 2: No, I mean, yeah, yes, a little bit like in

1532
01:08:47,240 --> 01:08:51,280
Speaker 2: the sense of I just thought I thought the movie

1533
01:08:51,320 --> 01:08:54,200
Speaker 2: would end at his funeral, not to go through this.

1534
01:08:54,680 --> 01:08:59,400
Speaker 1: No, they movie where they where they're milking every dramatic

1535
01:08:59,479 --> 01:09:01,519
Speaker 1: moment scene coming.

1536
01:09:01,560 --> 01:09:04,080
Speaker 3: Of course they did. He's a wonderful actor, so you

1537
01:09:04,160 --> 01:09:06,720
Speaker 3: might as well have the scene because he's very sure,

1538
01:09:06,880 --> 01:09:07,639
Speaker 3: so you might as well.

1539
01:09:08,439 --> 01:09:09,400
Speaker 2: I can't handle it.

1540
01:09:09,680 --> 01:09:10,400
Speaker 1: Yeah, he says.

1541
01:09:10,439 --> 01:09:12,120
Speaker 3: It was one of the greatest days of his life.

1542
01:09:12,200 --> 01:09:15,240
Speaker 3: He tells her she has a wonderful gift, her special voice.

1543
01:09:15,560 --> 01:09:17,519
Speaker 3: He needs her to share it, and she promises she will.

1544
01:09:17,800 --> 01:09:20,360
Speaker 3: Then he dies very true.

1545
01:09:20,600 --> 01:09:22,280
Speaker 1: Vicky kisses his hand and sobs.

1546
01:09:22,320 --> 01:09:24,120
Speaker 3: The camera pulls out from the house and focuses on

1547
01:09:24,200 --> 01:09:27,479
Speaker 3: the stars with two shining very bright. The next morning,

1548
01:09:27,560 --> 01:09:29,840
Speaker 3: Vicky comes downstairs and notices something new. And this is

1549
01:09:29,880 --> 01:09:31,599
Speaker 3: all I thought, was like, Okay, so all these kids

1550
01:09:31,640 --> 01:09:35,639
Speaker 3: are in the house with a dead body for overnight, right, okay.

1551
01:09:37,000 --> 01:09:39,280
Speaker 3: And he also is like, Vicky, come here, I need

1552
01:09:39,320 --> 01:09:39,680
Speaker 3: to talk to you.

1553
01:09:39,800 --> 01:09:42,559
Speaker 1: I'm dying. Your brother and sister.

1554
01:09:43,920 --> 01:09:44,760
Speaker 2: Don't worry about that.

1555
01:09:45,120 --> 01:09:47,560
Speaker 1: I just need you to know, right. So yeah, I

1556
01:09:47,680 --> 01:09:49,920
Speaker 1: was like, wow, that's not good. Yes.

1557
01:09:50,000 --> 01:09:52,200
Speaker 3: The next morning, Vicky comes downstairs and notices something new

1558
01:09:52,280 --> 01:09:54,760
Speaker 3: on her grandfather's desk. It's an empty notebook titled The

1559
01:09:54,800 --> 01:09:58,720
Speaker 3: Collected Poems of Victoria Austin Volume two. The harbor master

1560
01:09:58,880 --> 01:10:00,960
Speaker 3: enters to announce the fairy has arrive. Their parents should

1561
01:10:00,960 --> 01:10:03,280
Speaker 3: be pulling in any minute. Vicki notices her little brother

1562
01:10:03,400 --> 01:10:06,360
Speaker 3: Rob morning on the patio. She joins him, and he asks,

1563
01:10:07,320 --> 01:10:09,640
Speaker 3: follow me here if she thinks there might be a

1564
01:10:09,760 --> 01:10:12,600
Speaker 3: planet where no one has eyes, and if there is,

1565
01:10:13,120 --> 01:10:16,120
Speaker 3: could they all get along? She guesses they compensate with

1566
01:10:16,120 --> 01:10:18,920
Speaker 3: their hearing, smell, and touch, but Rob worries they won't

1567
01:10:19,000 --> 01:10:21,320
Speaker 3: know what anything looks like. So when the people on

1568
01:10:21,439 --> 01:10:24,280
Speaker 3: that planet with no eyes die, they'll be sent to

1569
01:10:24,320 --> 01:10:27,000
Speaker 3: a planet where there are eyes, and as a result,

1570
01:10:27,400 --> 01:10:31,200
Speaker 3: maybe they'll get something new too, something important. Vicky rubs

1571
01:10:31,240 --> 01:10:32,880
Speaker 3: his head and tells him to lay off the acid.

1572
01:10:34,040 --> 01:10:36,840
Speaker 2: No, she doesn't, She goes, I think you're right.

1573
01:10:37,040 --> 01:10:40,360
Speaker 1: I think you're right. It's a that crazy.

1574
01:10:40,360 --> 01:10:43,439
Speaker 2: I had to rewatch it because I was like, did

1575
01:10:43,520 --> 01:10:45,640
Speaker 2: I miss? Did I miss?

1576
01:10:46,280 --> 01:10:51,360
Speaker 4: Nope? I watched it three times. I've watched a lot

1577
01:10:51,400 --> 01:10:54,040
Speaker 4: of D coms. Obviously, I don't understand the metaphor Am

1578
01:10:54,080 --> 01:10:54,439
Speaker 4: I missing?

1579
01:10:54,600 --> 01:10:57,479
Speaker 2: I didn't either. I'm like, Sabrita, you're just dense. It's cool.

1580
01:10:57,680 --> 01:10:59,160
Speaker 2: Just move on, will We'll explain.

1581
01:11:00,240 --> 01:11:02,720
Speaker 4: I mean, the Grandfather's not missing it, He's not He's

1582
01:11:02,800 --> 01:11:03,920
Speaker 4: not coming back to Earth.

1583
01:11:04,720 --> 01:11:07,679
Speaker 2: No, and there was there was no top. We didn't

1584
01:11:07,680 --> 01:11:12,400
Speaker 2: even get any real scenes with this character and the grandfather. No, like,

1585
01:11:12,520 --> 01:11:16,320
Speaker 2: there was no nothing to understand at all. It Wait,

1586
01:11:16,400 --> 01:11:20,720
Speaker 2: but why the hell this kid? Except for he is

1587
01:11:21,080 --> 01:11:24,400
Speaker 2: very traumatized. We need to immediately seek help for this

1588
01:11:24,520 --> 01:11:27,759
Speaker 2: kid because he is talking crazy. What are you talking about?

1589
01:11:27,840 --> 01:11:28,479
Speaker 2: No eyes?

1590
01:11:29,600 --> 01:11:31,760
Speaker 1: This was off, But he's high off bugs, that's what

1591
01:11:31,880 --> 01:11:35,880
Speaker 1: it is. He's he's crushing and smoking stick bugs or something.

1592
01:11:35,880 --> 01:11:38,200
Speaker 1: Because it was I did. I watched it several times myself,

1593
01:11:38,200 --> 01:11:40,519
Speaker 1: and I didn't. I don't. I don't get what they're

1594
01:11:40,520 --> 01:11:42,280
Speaker 1: trying to do. I didn't get what they were going for.

1595
01:11:43,240 --> 01:11:45,439
Speaker 1: So yeah, very strange.

1596
01:11:45,479 --> 01:11:47,000
Speaker 2: And I also was checking. I was like, God, this

1597
01:11:47,160 --> 01:11:48,800
Speaker 2: movie is God, do it, but we've got to be

1598
01:11:48,880 --> 01:11:50,720
Speaker 2: in one hundred and forty six minutes right now.

1599
01:11:52,600 --> 01:11:53,920
Speaker 1: Yep, I agreed.

1600
01:11:54,200 --> 01:11:54,479
Speaker 2: Okay.

1601
01:11:54,720 --> 01:11:55,680
Speaker 1: Then a taxi pulls up.

1602
01:11:55,680 --> 01:11:57,720
Speaker 3: It's their parents, and the entire family embrace at the

1603
01:11:57,720 --> 01:11:59,639
Speaker 3: front door, and now the entire family with the harbor

1604
01:11:59,720 --> 01:12:02,719
Speaker 3: master waiting for the fairy. Adam shows up to return

1605
01:12:02,800 --> 01:12:04,920
Speaker 3: her first volume of poems and thank her for letting

1606
01:12:05,000 --> 01:12:05,360
Speaker 3: him read it.

1607
01:12:05,840 --> 01:12:07,599
Speaker 1: She also has talked to her mom and they agreed.

1608
01:12:07,680 --> 01:12:09,479
Speaker 3: She won't be going to that new rich kids school

1609
01:12:09,520 --> 01:12:12,080
Speaker 3: after all, and she's gonna submit her work to a

1610
01:12:12,160 --> 01:12:12,839
Speaker 3: lit magazine.

1611
01:12:12,920 --> 01:12:15,280
Speaker 1: Very nice. He tells her she'll make a great artist,

1612
01:12:15,360 --> 01:12:17,639
Speaker 1: and with tears in her eyes. Vicky tells him he'll

1613
01:12:17,640 --> 01:12:20,240
Speaker 1: be a great scientist. He reminds her that her grandfather

1614
01:12:20,280 --> 01:12:22,720
Speaker 1: always said that art and science function is one. She

1615
01:12:22,840 --> 01:12:24,600
Speaker 1: kisses him on the cheek To board the Fairy, He

1616
01:12:24,720 --> 01:12:27,000
Speaker 1: promises to write and she says she will too. And

1617
01:12:27,080 --> 01:12:29,120
Speaker 1: with that, the family, now with Grandpa's cat and dog

1618
01:12:29,160 --> 01:12:33,040
Speaker 1: in tow, return home. Zach never said goodbye to that guy?

1619
01:12:33,360 --> 01:12:34,240
Speaker 2: Rewound it again.

1620
01:12:34,520 --> 01:12:36,519
Speaker 1: Yep, what happened with Zach? Nothing?

1621
01:12:37,320 --> 01:12:39,240
Speaker 2: Kick rocks, buddy, Thanks for the boat.

1622
01:12:39,560 --> 01:12:44,080
Speaker 1: There you go exactly. Ah, he's rich. She'll be fine anyway.

1623
01:12:44,200 --> 01:12:47,559
Speaker 1: So who gets good? Thanks buddy, Yeah, thanks for the boat, chief.

1624
01:12:48,320 --> 01:12:50,000
Speaker 1: I hooked up with Adam in the back while you

1625
01:12:50,040 --> 01:12:50,680
Speaker 1: were driving home.

1626
01:12:50,880 --> 01:12:51,920
Speaker 2: Yep, sorry about that.

1627
01:12:52,120 --> 01:12:56,240
Speaker 3: That was ry not my best yikes. As the Fairy

1628
01:12:56,320 --> 01:12:58,280
Speaker 3: travels across the ocean, Vicky hears the words of the

1629
01:12:58,320 --> 01:13:01,360
Speaker 3: Henry Vaughan poem, now spoken by her grandfather. It mentions

1630
01:13:01,400 --> 01:13:03,240
Speaker 3: the great ring of endless light again, and we hear it.

1631
01:13:03,400 --> 01:13:06,439
Speaker 3: Vicky spot's the dolphin family swimming and jumping alongside the boat,

1632
01:13:06,439 --> 01:13:09,439
Speaker 3: because remember she can talk to dolphins. In case you forgot,

1633
01:13:09,720 --> 01:13:11,599
Speaker 3: we see the Ring of bright light one last time,

1634
01:13:11,760 --> 01:13:13,400
Speaker 3: and that's our movie.

1635
01:13:20,640 --> 01:13:22,479
Speaker 1: Real reviews. Can we do some real reviews? Sabrina, you

1636
01:13:22,520 --> 01:13:23,720
Speaker 1: got the five star this week? What do you do?

1637
01:13:23,880 --> 01:13:27,760
Speaker 2: I do another long one? Okay at the five star

1638
01:13:27,880 --> 01:13:33,000
Speaker 2: from Chrissy zero nine to eight. Yay, Dolphins.

1639
01:13:34,720 --> 01:13:38,479
Speaker 1: Five stars? That is it. I am the one star

1640
01:13:38,680 --> 01:13:41,720
Speaker 1: and mine is from Vince Kadenya Hope. I'm saying that right.

1641
01:13:41,760 --> 01:13:43,439
Speaker 1: It's worth noting here this movie has a lot of

1642
01:13:43,479 --> 01:13:45,840
Speaker 1: negative reviews, mostly from people who love the book and

1643
01:13:45,920 --> 01:13:48,800
Speaker 1: think the dcom did it no favors. So let's you know,

1644
01:13:49,280 --> 01:13:51,040
Speaker 1: the gist of ninety percent of the hate is that.

1645
01:13:52,080 --> 01:13:54,800
Speaker 1: But here we go to start out.

1646
01:13:55,040 --> 01:13:57,200
Speaker 3: It's an amazing technical achievement in the world of film.

1647
01:13:57,479 --> 01:14:00,160
Speaker 3: It's the Raging Bowl for two thousand and two. I've

1648
01:14:00,160 --> 01:14:02,160
Speaker 3: been waiting to see films like Gangs of New York

1649
01:14:02,200 --> 01:14:03,920
Speaker 3: and The Two Towers, but those will look like b

1650
01:14:04,120 --> 01:14:06,600
Speaker 3: movies compared to this film. From start to finish, we

1651
01:14:06,680 --> 01:14:10,240
Speaker 3: are grace with amazing cinematography done by Rodney Charters, photographer

1652
01:14:10,280 --> 01:14:12,840
Speaker 3: of Psycho for The New Beginning. The music is as

1653
01:14:12,920 --> 01:14:17,960
Speaker 3: good Ineo Morricone's score for Days of Heaven. The acting

1654
01:14:18,000 --> 01:14:19,519
Speaker 3: in this movie is some of the best I've ever

1655
01:14:19,600 --> 01:14:23,280
Speaker 3: seen reminiscent of Cassavetti's faces. If you haven't seen this

1656
01:14:23,320 --> 01:14:25,160
Speaker 3: film yet, do yourself a favor and check it out.

1657
01:14:25,479 --> 01:14:27,519
Speaker 3: This is a film that we studied in film schools

1658
01:14:27,560 --> 01:14:28,280
Speaker 3: for twenty years.

1659
01:14:29,200 --> 01:14:35,479
Speaker 1: One star. I think he was being sarcastic, yes is

1660
01:14:35,600 --> 01:14:42,519
Speaker 1: my guess. Yeah, very long, so long, joyously ironic review.

1661
01:14:43,120 --> 01:14:45,000
Speaker 2: You hated the movie, Vince, Did.

1662
01:14:44,880 --> 01:14:46,720
Speaker 1: You have a lot of time out a lot to

1663
01:14:46,800 --> 01:14:47,320
Speaker 1: talk about it?

1664
01:14:47,520 --> 01:14:47,640
Speaker 6: Well?

1665
01:14:47,720 --> 01:14:49,600
Speaker 1: Yeah, eighty eight minutes. That felt like two hundred and

1666
01:14:49,600 --> 01:14:50,439
Speaker 1: forty minutes to do it.

1667
01:14:51,479 --> 01:14:54,200
Speaker 3: Here's our Sabrina's favorite part, and as you can tell,

1668
01:14:54,479 --> 01:14:55,320
Speaker 3: producer Jensen's here.

1669
01:14:55,360 --> 01:14:55,960
Speaker 1: So we're gonna live.

1670
01:14:57,000 --> 01:14:59,759
Speaker 3: This feature presentation is called does it have a Dolphin?

1671
01:15:00,560 --> 01:15:02,080
Speaker 3: Which again could be a weird euphemism.

1672
01:15:02,240 --> 01:15:04,280
Speaker 1: A ring of endless Light may be a typical romance,

1673
01:15:04,320 --> 01:15:06,400
Speaker 1: but it does include a bit of an afterthought story

1674
01:15:06,479 --> 01:15:09,160
Speaker 1: point that the main character can talk to dolphins. We

1675
01:15:09,240 --> 01:15:11,360
Speaker 1: will get names of movies and we have to decide

1676
01:15:11,360 --> 01:15:13,439
Speaker 1: if at any point of its run time there's a

1677
01:15:13,520 --> 01:15:17,360
Speaker 1: dolphin scene on screen. For example, Free Willie does include

1678
01:15:17,360 --> 01:15:19,439
Speaker 1: a dolphin, But that's an easy one, three out of

1679
01:15:19,479 --> 01:15:21,400
Speaker 1: five wins. So here's our first.

1680
01:15:21,240 --> 01:15:24,320
Speaker 4: One, I'm really setting myself up here for someone to

1681
01:15:24,400 --> 01:15:26,559
Speaker 4: email it and say that a dolphin passes in a scene.

1682
01:15:26,640 --> 01:15:27,559
Speaker 2: But I I didn't.

1683
01:15:28,520 --> 01:15:31,680
Speaker 4: I did a lot of research. I'm not saying I'm

1684
01:15:31,680 --> 01:15:34,360
Speaker 4: one hundred percent confident. I'm saying I'm like ninety two percent.

1685
01:15:34,760 --> 01:15:40,240
Speaker 1: Okay. Number One, Sharktail, I've never seen.

1686
01:15:40,400 --> 01:15:44,599
Speaker 2: I don't I've never seen it. Is it too obvious

1687
01:15:45,280 --> 01:15:48,360
Speaker 2: for Jensen to put shark tail and not have a dolphin?

1688
01:15:49,960 --> 01:15:52,479
Speaker 1: No, I think there's a dolphin in Sharktayale. That's my guest.

1689
01:15:52,600 --> 01:15:53,400
Speaker 2: I would think so too.

1690
01:15:53,439 --> 01:15:56,400
Speaker 1: It's animated, so I'm gonna say yes, yes in Sharktaiale.

1691
01:15:57,439 --> 01:16:01,040
Speaker 4: Don't email me there's no there's no dolphins. Ah, God,

1692
01:16:02,120 --> 01:16:02,439
Speaker 4: all right.

1693
01:16:02,560 --> 01:16:07,439
Speaker 3: Number two Spahire, I'm kidding. It's Sphere, of course, the

1694
01:16:07,720 --> 01:16:09,760
Speaker 3: based on the Michael Crichton novel where they are under

1695
01:16:09,760 --> 01:16:10,080
Speaker 3: the water.

1696
01:16:11,760 --> 01:16:15,560
Speaker 2: Oh they're underwater.

1697
01:16:16,479 --> 01:16:17,400
Speaker 1: See they're very deep.

1698
01:16:17,439 --> 01:16:19,120
Speaker 3: But at the end they come up to the surface,

1699
01:16:19,160 --> 01:16:20,799
Speaker 3: and I'm wondering, when they come up to the surface,

1700
01:16:20,800 --> 01:16:23,040
Speaker 3: there's a dolphin. I'm gonna say, yes, there is a

1701
01:16:23,080 --> 01:16:23,759
Speaker 3: dolphin Sphere.

1702
01:16:23,800 --> 01:16:24,360
Speaker 1: That's my guess.

1703
01:16:25,080 --> 01:16:28,439
Speaker 4: I'll go with no. Oh, yeah, there's a dolphins sphere.

1704
01:16:28,600 --> 01:16:29,840
Speaker 1: Yes, okay, one for me.

1705
01:16:30,160 --> 01:16:35,439
Speaker 3: Number three Tomorrow Never Dies, great movie, James Bond, Pierce Brasman.

1706
01:16:36,000 --> 01:16:40,679
Speaker 1: There are a lot of it takes place in the water. Yes,

1707
01:16:40,800 --> 01:16:41,559
Speaker 1: there's a dolphins.

1708
01:16:43,960 --> 01:16:46,000
Speaker 4: There is a dolphin in that, James Bond.

1709
01:16:46,400 --> 01:16:51,280
Speaker 1: Yes. Number four part of the Caban. Uh do you

1710
01:16:51,360 --> 01:16:52,960
Speaker 1: think do you remember when in parts of the Caribbean?

1711
01:16:53,760 --> 01:16:58,080
Speaker 1: Oh wait, I think no, that was Orlando Bloom. No, yeah,

1712
01:16:58,280 --> 01:17:00,280
Speaker 1: no it was a dolphin. Orlando Bloom.

1713
01:17:02,840 --> 01:17:03,400
Speaker 4: She just got it.

1714
01:17:06,400 --> 01:17:07,000
Speaker 2: I don't think so.

1715
01:17:07,360 --> 01:17:09,439
Speaker 1: No, No, there's no dolphin in parts of the Caribbean.

1716
01:17:09,680 --> 01:17:11,599
Speaker 4: That wasn't Orlando Bloom. That was a dolphins.

1717
01:17:11,680 --> 01:17:16,040
Speaker 1: Ah damn what all right? So Sabrina has officially lost

1718
01:17:16,160 --> 01:17:17,320
Speaker 1: and I need one to win.

1719
01:17:17,400 --> 01:17:19,520
Speaker 2: But I do know that there's dolphins in Titanic.

1720
01:17:19,640 --> 01:17:23,240
Speaker 1: There are in Titanic. That's our last one is Titanick.

1721
01:17:23,320 --> 01:17:24,599
Speaker 1: I think it's during the scene.

1722
01:17:26,040 --> 01:17:27,799
Speaker 3: Oh yeah, that's right, King of the World, that they're

1723
01:17:27,800 --> 01:17:29,400
Speaker 3: at the front of the boat. Yes, one hundred percent.

1724
01:17:29,560 --> 01:17:31,719
Speaker 4: Yes, there is absolutely no dolphin.

1725
01:17:32,360 --> 01:17:35,840
Speaker 1: Yes, it is at the front of the boat, out

1726
01:17:35,840 --> 01:17:36,280
Speaker 1: of the boat.

1727
01:17:36,520 --> 01:17:39,479
Speaker 4: Absolutely a bear Stein bears thing for you. They're there.

1728
01:17:39,680 --> 01:17:41,679
Speaker 4: Titanic didn't have dolphins, and it they bury.

1729
01:17:41,760 --> 01:17:44,439
Speaker 3: I mean, come on, I think I think Sabrina is right.

1730
01:17:44,479 --> 01:17:46,280
Speaker 3: I think there's a scene in Titanic where they're at

1731
01:17:46,320 --> 01:17:47,000
Speaker 3: the front of the boat.

1732
01:17:47,240 --> 01:17:50,519
Speaker 4: There is an animated movie of the Titanic called The

1733
01:17:50,600 --> 01:17:52,519
Speaker 4: Legend of Titanic that does have dolphins in it, But

1734
01:17:52,560 --> 01:17:55,000
Speaker 4: we know that's not what I'm referencing. I just googled it.

1735
01:17:55,080 --> 01:17:56,680
Speaker 2: There is, I'll send it in the chat.

1736
01:17:58,240 --> 01:17:59,800
Speaker 4: Yes, I had one wrong.

1737
01:18:00,120 --> 01:18:01,080
Speaker 2: Knowing we get two.

1738
01:18:04,800 --> 01:18:07,879
Speaker 3: Dolphins appear in a scene often believed to be CGI,

1739
01:18:08,000 --> 01:18:11,040
Speaker 3: swimming alongside the bow of the ship as it departs Damn.

1740
01:18:11,120 --> 01:18:13,240
Speaker 3: Though they are unlikely in the cold, deep North Atlantic

1741
01:18:13,280 --> 01:18:14,320
Speaker 3: where the real ship sank.

1742
01:18:14,360 --> 01:18:16,559
Speaker 1: They're nice that That's.

1743
01:18:16,439 --> 01:18:18,840
Speaker 4: Why I pushed towards the animated to look. But I

1744
01:18:18,960 --> 01:18:21,599
Speaker 4: will say I have made a mistake once before.

1745
01:18:21,840 --> 01:18:22,200
Speaker 1: We know that.

1746
01:18:22,280 --> 01:18:24,960
Speaker 4: When I did it in the three hundred episodes we've done, basically,

1747
01:18:25,880 --> 01:18:28,200
Speaker 4: I almost sensed I was going to be wrong on mony.

1748
01:18:28,400 --> 01:18:32,000
Speaker 2: So that's the only one, tough one, the only ones

1749
01:18:32,040 --> 01:18:35,599
Speaker 2: I did. They all all of these movies had had.

1750
01:18:35,560 --> 01:18:37,879
Speaker 1: No only first one except shark Tail.

1751
01:18:37,760 --> 01:18:38,680
Speaker 2: Except for shark Tail.

1752
01:18:38,760 --> 01:18:43,040
Speaker 4: Okay, God, which again could be could look just giant.

1753
01:18:43,400 --> 01:18:46,720
Speaker 1: Yes there is. I knew it. I knew there were dolphins. Er. Yeah,

1754
01:18:47,240 --> 01:18:49,439
Speaker 1: it's in DiCaprio's contract. Any time it's in a movie,

1755
01:18:49,439 --> 01:18:50,760
Speaker 1: there needs to be dolphins. Everybody knows that.

1756
01:18:50,840 --> 01:18:52,320
Speaker 4: I mean, but the dolphin has to be under twenty

1757
01:18:52,360 --> 01:18:53,000
Speaker 4: seven years old.

1758
01:18:57,200 --> 01:18:59,640
Speaker 1: That dolphins too old. We gotta fire that dolphins out

1759
01:18:59,680 --> 01:18:59,840
Speaker 1: of here.

1760
01:19:00,400 --> 01:19:02,360
Speaker 2: It got crossty get it out of air?

1761
01:19:03,400 --> 01:19:05,000
Speaker 1: Can we does?

1762
01:19:09,320 --> 01:19:12,040
Speaker 2: Of course, there's a couple that actually, like I, you know,

1763
01:19:12,280 --> 01:19:13,920
Speaker 2: I have all my notes and I kind of put

1764
01:19:13,960 --> 01:19:18,280
Speaker 2: stars by things, and my uh, five star review was

1765
01:19:18,479 --> 01:19:22,919
Speaker 2: yay dolphins by Sabrina. Sabrina sees is yay Mermaid.

1766
01:19:24,120 --> 01:19:27,160
Speaker 1: All right, so you're the one writing mine.

1767
01:19:27,320 --> 01:19:30,120
Speaker 2: Actually that I that Jensen found for now and.

1768
01:19:30,120 --> 01:19:32,200
Speaker 1: I'm just gonna call you Chrissy zero nine eight.

1769
01:19:34,880 --> 01:19:38,360
Speaker 2: Oh my gosh, okay. One of the things that struck me.

1770
01:19:38,439 --> 01:19:40,880
Speaker 2: And of course, you know, this is a different tone.

1771
01:19:41,360 --> 01:19:46,360
Speaker 2: But we'd never really seen like a sick character so

1772
01:19:46,600 --> 01:19:50,400
Speaker 2: much that they're like popping pills, like I have we

1773
01:19:50,520 --> 01:19:53,439
Speaker 2: seen somebody who's actually like really sick in the movies?

1774
01:19:54,360 --> 01:19:57,400
Speaker 1: No, because it's a d com, I know, So this

1775
01:19:57,720 --> 01:19:58,760
Speaker 1: was the point.

1776
01:20:00,000 --> 01:20:03,120
Speaker 2: These pills come out like very early on, Like we

1777
01:20:03,280 --> 01:20:05,479
Speaker 2: know that Grandpa six so early on?

1778
01:20:05,680 --> 01:20:07,720
Speaker 3: Is the second is the sequel to horse sense? Them

1779
01:20:07,800 --> 01:20:08,920
Speaker 3: just popping pills the whole time?

1780
01:20:09,000 --> 01:20:12,360
Speaker 2: Is that it might be we haven't watched that, right, Yeah?

1781
01:20:12,520 --> 01:20:14,960
Speaker 1: Jumping ship is that what that may be? Even maybe

1782
01:20:15,040 --> 01:20:18,120
Speaker 1: the ship they're jumping is filled with oxygon life or fetnyl.

1783
01:20:19,800 --> 01:20:24,799
Speaker 2: They're jumping his life, they're jumping out a nice nice Yikes. Again,

1784
01:20:25,000 --> 01:20:29,200
Speaker 2: the kids, I wish that I had a chance ask like,

1785
01:20:29,840 --> 01:20:32,720
Speaker 2: what is the age level these kids are supposed to be?

1786
01:20:32,880 --> 01:20:34,240
Speaker 2: Because it's very unclear?

1787
01:20:35,120 --> 01:20:36,840
Speaker 1: Can I make a guess? Can I make a guess?

1788
01:20:37,360 --> 01:20:38,120
Speaker 2: I think you should.

1789
01:20:38,520 --> 01:20:40,559
Speaker 3: I think that the boy is supposed to be about

1790
01:20:40,640 --> 01:20:44,559
Speaker 3: nine or ten. I think the middle character is supposed

1791
01:20:44,560 --> 01:20:47,800
Speaker 3: to be about eleven or twelve. Maybe the admission to

1792
01:20:47,920 --> 01:20:50,719
Speaker 3: em right, but you can get in if you're super smart.

1793
01:20:50,800 --> 01:20:54,360
Speaker 1: You can get into MIT when you're fourteen or fifteen, Okay, okay,

1794
01:20:54,720 --> 01:20:56,960
Speaker 1: I would I think the oldest sister's supposed to be

1795
01:20:57,000 --> 01:20:59,479
Speaker 1: about seventeen, sixteen or seventeen. That would be my guest

1796
01:20:59,520 --> 01:21:02,760
Speaker 1: for the agent. I could be wrong, but that would

1797
01:21:02,760 --> 01:21:05,320
Speaker 1: be my guest for the ages. So you never see

1798
01:21:05,320 --> 01:21:08,160
Speaker 1: her drive, but then again, you never see Ryan Merriman's

1799
01:21:08,200 --> 01:21:10,080
Speaker 1: character drive either, and it could just be that they're

1800
01:21:10,120 --> 01:21:12,800
Speaker 1: on an island. Yes, okay, yeah, it's tough.

1801
01:21:12,960 --> 01:21:13,360
Speaker 4: You never know.

1802
01:21:14,280 --> 01:21:16,599
Speaker 2: One thing that we didn't watch when she's having her

1803
01:21:16,680 --> 01:21:19,360
Speaker 2: dream of kissing the boys and she wakes up and

1804
01:21:19,479 --> 01:21:21,760
Speaker 2: she just pops out of bed her lights on.

1805
01:21:22,000 --> 01:21:25,040
Speaker 1: It's like, what till three she was sleeping it off?

1806
01:21:25,360 --> 01:21:28,800
Speaker 2: No her lights? It's dark at night. Oh and she

1807
01:21:29,040 --> 01:21:31,920
Speaker 2: has her light on. That always drives me crazy in movies. Like,

1808
01:21:32,000 --> 01:21:34,759
Speaker 2: I get they have to have light to see the actor,

1809
01:21:34,960 --> 01:21:36,559
Speaker 2: but like I hate when.

1810
01:21:36,479 --> 01:21:38,840
Speaker 1: They do that now just to play Devil's advocate. She's

1811
01:21:38,960 --> 01:21:41,800
Speaker 1: always up late reading and writing. Maybe she fell asleep

1812
01:21:42,760 --> 01:21:43,840
Speaker 1: so she's got the light on.

1813
01:21:44,760 --> 01:21:45,000
Speaker 4: Again.

1814
01:21:45,000 --> 01:21:46,200
Speaker 1: I'm just trying to justify it.

1815
01:21:46,400 --> 01:21:51,600
Speaker 2: Okay, okay. We went past a very heated argument that

1816
01:21:51,720 --> 01:21:54,599
Speaker 2: I thought was so funny, and it made me feel

1817
01:21:54,640 --> 01:21:57,519
Speaker 2: like Adam is on the same level as Derinda seems

1818
01:21:57,600 --> 01:22:01,439
Speaker 2: to always be in thek since we watched that recently.

1819
01:22:02,120 --> 01:22:05,200
Speaker 2: She their their argument was when he's at dinner and

1820
01:22:05,400 --> 01:22:08,360
Speaker 2: she just can't understand why he can't think, you know

1821
01:22:08,479 --> 01:22:12,040
Speaker 2: of like again like the Mermaid situation, how come he

1822
01:22:12,120 --> 01:22:14,839
Speaker 2: can't just understand that, like it's not all about numbers

1823
01:22:14,880 --> 01:22:18,040
Speaker 2: and blah blah blah. And then when the officer comes

1824
01:22:18,080 --> 01:22:20,479
Speaker 2: in and Adam's like, oh, and he literally is like,

1825
01:22:21,200 --> 01:22:23,120
Speaker 2: you're not going to do anything. It's like he almost

1826
01:22:23,240 --> 01:22:24,960
Speaker 2: was like you're not even gonna challenge them to a

1827
01:22:25,080 --> 01:22:28,599
Speaker 2: dance contest, like you're just gonna let true.

1828
01:22:29,160 --> 01:22:31,000
Speaker 1: Oh he seems like she just wanted to fight.

1829
01:22:32,080 --> 01:22:35,360
Speaker 2: Yes, he played that character just like like I mean,

1830
01:22:35,479 --> 01:22:37,479
Speaker 2: he was a hot tomaly just just it.

1831
01:22:38,040 --> 01:22:38,120
Speaker 1: Ye.

1832
01:22:38,680 --> 01:22:43,600
Speaker 2: And then this happened and I I rewound it just

1833
01:22:44,600 --> 01:22:48,160
Speaker 2: four or five times, and I'm not even sure what

1834
01:22:48,439 --> 01:22:52,599
Speaker 2: he's actually supposed to say, but he says, it's it's

1835
01:22:52,720 --> 01:22:56,519
Speaker 2: literally one of the times where again you think he's

1836
01:22:56,600 --> 01:23:00,519
Speaker 2: going to grand grandfather is going to the room that

1837
01:23:00,680 --> 01:23:04,679
Speaker 2: he possibly might he's every time he left the room work,

1838
01:23:04,720 --> 01:23:05,759
Speaker 2: You're like, oh hell.

1839
01:23:05,760 --> 01:23:07,280
Speaker 1: Here it is pretty sure. It was like is he

1840
01:23:07,320 --> 01:23:07,720
Speaker 1: dead yet?

1841
01:23:08,280 --> 01:23:09,200
Speaker 4: It happened?

1842
01:23:09,320 --> 01:23:10,240
Speaker 1: Oh God, here we go.

1843
01:23:10,560 --> 01:23:13,400
Speaker 2: And then you're like, okay, not yet. But he says,

1844
01:23:13,680 --> 01:23:15,920
Speaker 2: all right, it's time I got to take these old

1845
01:23:16,040 --> 01:23:18,920
Speaker 2: and what I hear and I rowound it four times,

1846
01:23:19,240 --> 01:23:21,280
Speaker 2: I got to take these old balls to bed.

1847
01:23:26,080 --> 01:23:27,040
Speaker 1: I'm guessing.

1848
01:23:29,560 --> 01:23:32,160
Speaker 2: It says, all right, I gotta take these old balls

1849
01:23:32,280 --> 01:23:32,639
Speaker 2: to bed.

1850
01:23:33,240 --> 01:23:34,320
Speaker 1: I don't think that's what.

1851
01:23:36,439 --> 01:23:41,519
Speaker 2: And once word says take these old balls to bed,

1852
01:23:44,840 --> 01:23:45,400
Speaker 2: I don't even know.

1853
01:23:47,200 --> 01:23:51,280
Speaker 1: Phones old bones. I was giant.

1854
01:23:51,439 --> 01:23:53,759
Speaker 2: It was like I can't rewinding it, and like turning

1855
01:23:53,840 --> 01:23:56,439
Speaker 2: up the volume on my TV, brought my phone out,

1856
01:23:56,560 --> 01:23:58,320
Speaker 2: tried to listen to my phone. I'm like, no, he's

1857
01:23:58,360 --> 01:24:00,439
Speaker 2: saying old balls and nobody cares.

1858
01:24:00,640 --> 01:24:03,640
Speaker 1: Do you ever put on the captions? It would have

1859
01:24:03,720 --> 01:24:04,560
Speaker 1: told you what it was.

1860
01:24:05,160 --> 01:24:07,120
Speaker 2: Oh that I should have done that. No, I was

1861
01:24:07,240 --> 01:24:12,120
Speaker 2: just listening to my Yeah, and it wasn't necessarily the

1862
01:24:12,840 --> 01:24:16,720
Speaker 2: greatest movie we've watched, but let's find out fun to

1863
01:24:16,920 --> 01:24:20,040
Speaker 2: literally go through it. I love doing this because you

1864
01:24:20,200 --> 01:24:23,479
Speaker 2: find so much humor and you find like the good

1865
01:24:23,520 --> 01:24:28,240
Speaker 2: moments too. Of course, of course, watching all of us see.

1866
01:24:28,120 --> 01:24:30,479
Speaker 3: What we think about these movies, and we are coming

1867
01:24:30,520 --> 01:24:32,080
Speaker 3: to portion where we rate our film.

1868
01:24:32,439 --> 01:24:36,240
Speaker 1: We're gonna do, Yeah, let's do one to ten and

1869
01:24:36,280 --> 01:24:40,720
Speaker 1: then we'll make ten the highest. Okay, is what we're

1870
01:24:40,760 --> 01:24:43,040
Speaker 1: gonna do. And our options for this week. One out

1871
01:24:43,080 --> 01:24:46,760
Speaker 1: of ten Merriman Merman, one out of ten. Old people

1872
01:24:46,800 --> 01:24:48,280
Speaker 1: looking out at the ocean because they're dying.

1873
01:24:48,640 --> 01:24:49,400
Speaker 2: Oh my god.

1874
01:24:50,320 --> 01:24:54,160
Speaker 1: One of a ten dolphin whispers, one ten dolphin huggers,

1875
01:24:54,760 --> 01:24:58,120
Speaker 1: one at attend dolphin berths, one out of ten underwater

1876
01:24:58,200 --> 01:25:05,360
Speaker 1: dolphin kisses, insane nightclubs, stone high school conversations, planets with

1877
01:25:05,479 --> 01:25:08,679
Speaker 1: no eyes, and I'm gonna add old balls to bed?

1878
01:25:10,479 --> 01:25:13,880
Speaker 2: Can we do old balls? All right?

1879
01:25:14,200 --> 01:25:16,880
Speaker 1: I think I think it's my turn to go first

1880
01:25:16,920 --> 01:25:21,479
Speaker 1: this time. All right, Okay, I still don't know what

1881
01:25:21,600 --> 01:25:23,960
Speaker 1: I think about this movie. It made me either love

1882
01:25:24,040 --> 01:25:26,519
Speaker 1: Australia or hate it, love dolphins or hate them, love

1883
01:25:26,640 --> 01:25:30,160
Speaker 1: love itself or hate it. I don't know. It's just this.

1884
01:25:30,520 --> 01:25:33,960
Speaker 1: This to me was there's very This seemed like more

1885
01:25:34,040 --> 01:25:36,960
Speaker 1: like a Wonderful World of Disney after school special than

1886
01:25:37,000 --> 01:25:40,240
Speaker 1: it did a dcom. Yeah, like the it was very

1887
01:25:40,479 --> 01:25:44,800
Speaker 1: much again about death, and it's more about her which

1888
01:25:44,840 --> 01:25:47,120
Speaker 1: boy is she gonna pick? And it was literally like.

1889
01:25:47,160 --> 01:25:49,560
Speaker 3: Oh and oh yeah, she also speaks to dolphins, So

1890
01:25:49,640 --> 01:25:53,360
Speaker 3: it was the tone was not very d calm for me.

1891
01:25:53,800 --> 01:25:56,559
Speaker 3: I also frankly didn't think it looked particularly good at times.

1892
01:25:56,600 --> 01:25:58,519
Speaker 3: I mean again, it looked you have this backdrop, but

1893
01:25:58,560 --> 01:26:02,080
Speaker 3: you've got that bad cgi And but that.

1894
01:26:02,160 --> 01:26:05,200
Speaker 1: Being said, the cast is great, you know, a very

1895
01:26:05,360 --> 01:26:08,640
Speaker 1: good cast all the way around. I understand what they

1896
01:26:08,720 --> 01:26:10,880
Speaker 1: were doing, and maybe there's maybe it's my fault, and

1897
01:26:10,960 --> 01:26:13,400
Speaker 1: there's there should be room in a dcom in the

1898
01:26:13,479 --> 01:26:17,439
Speaker 1: dcom world for one of these Nicholas Sparks kind of movies,

1899
01:26:17,520 --> 01:26:18,800
Speaker 1: which is this is what this was.

1900
01:26:18,920 --> 01:26:20,560
Speaker 3: This was the fault and the stars are one of

1901
01:26:20,600 --> 01:26:22,879
Speaker 3: these kind of things, which again are not decomming.

1902
01:26:23,040 --> 01:26:25,840
Speaker 1: So I'm going straight up down the middle. This is

1903
01:26:25,920 --> 01:26:28,880
Speaker 1: gonna be five old man balls. Oh no, because I

1904
01:26:29,040 --> 01:26:31,040
Speaker 1: don't think it's great. I don't think it's good. I

1905
01:26:31,040 --> 01:26:32,680
Speaker 1: don't think it's bad, and frankly I think I need

1906
01:26:32,760 --> 01:26:35,719
Speaker 1: to watch it again. I truly I could be giving

1907
01:26:35,800 --> 01:26:38,400
Speaker 1: this an incredibly harsh score. I could be giving this

1908
01:26:38,439 --> 01:26:41,920
Speaker 1: an incredibly generous score. I really do not know with

1909
01:26:42,040 --> 01:26:45,840
Speaker 1: this movie. The things I do know great cast, Yes,

1910
01:26:46,720 --> 01:26:50,720
Speaker 1: felt very long, even though it wasn't right at times, was.

1911
01:26:50,800 --> 01:26:57,640
Speaker 3: Dragging and boring, bad CGI, good messaging m h so,

1912
01:26:58,000 --> 01:26:59,960
Speaker 3: and there were some gems in there with like you know,

1913
01:27:00,160 --> 01:27:03,080
Speaker 3: the old the Grandfather throwing out some really great pearls

1914
01:27:03,120 --> 01:27:03,479
Speaker 3: of wisdom.

1915
01:27:03,560 --> 01:27:07,360
Speaker 1: So I truly I am stumped with this movie. I

1916
01:27:07,640 --> 01:27:09,040
Speaker 1: truly do not know.

1917
01:27:09,200 --> 01:27:12,160
Speaker 3: I am taking the middle route again. Everybody who says

1918
01:27:12,160 --> 01:27:14,479
Speaker 3: to me, you scored this way too low, You're probably right.

1919
01:27:14,640 --> 01:27:16,599
Speaker 3: Everybody says to me, you scored this way too high,

1920
01:27:16,800 --> 01:27:17,720
Speaker 3: You're probably right.

1921
01:27:17,880 --> 01:27:21,519
Speaker 1: I just don't know with this movie. So I am

1922
01:27:21,600 --> 01:27:25,400
Speaker 1: gonna grab five old man balls and hold on to

1923
01:27:25,520 --> 01:27:30,880
Speaker 1: those whole balls. Five old balls to bed, and I'm

1924
01:27:30,880 --> 01:27:35,280
Speaker 1: gonna caress them gently. How about you, Sabrina, what do

1925
01:27:35,360 --> 01:27:36,880
Speaker 1: you got? Oh man?

1926
01:27:37,160 --> 01:27:41,560
Speaker 2: Okay? So I am on that same sentiment because, like

1927
01:27:41,720 --> 01:27:45,600
Speaker 2: you said at the very beginning of the episode, this

1928
01:27:46,800 --> 01:27:50,720
Speaker 2: kind of storyline and this tone gears more towards, you know,

1929
01:27:51,800 --> 01:27:55,720
Speaker 2: like the teenage girl. So I can absolutely see why

1930
01:27:56,479 --> 01:28:00,559
Speaker 2: teenagers during this time this movie came out probably loved

1931
01:28:00,640 --> 01:28:05,080
Speaker 2: this movie. They probably appreciated having more of that you

1932
01:28:05,160 --> 01:28:09,519
Speaker 2: know love and that tone of like, you know, having

1933
01:28:09,600 --> 01:28:13,720
Speaker 2: to go through something this epic, things like that. So

1934
01:28:14,080 --> 01:28:16,519
Speaker 2: part of me was geared towards that because I do

1935
01:28:16,680 --> 01:28:20,240
Speaker 2: love kind of tapping into the nostalgia aspect of being

1936
01:28:20,320 --> 01:28:22,320
Speaker 2: that age. And how would this movie have hit me

1937
01:28:22,439 --> 01:28:24,599
Speaker 2: since this is my first time seeing it? Sure, how

1938
01:28:24,600 --> 01:28:26,479
Speaker 2: would I have seen it through my eyes as like

1939
01:28:26,560 --> 01:28:30,920
Speaker 2: a thirteen year old. But there were moments that felt

1940
01:28:31,000 --> 01:28:35,240
Speaker 2: really slow to me. And again, and I've said it

1941
01:28:35,400 --> 01:28:37,720
Speaker 2: three or four times now, I don't come to the

1942
01:28:37,960 --> 01:28:41,400
Speaker 2: Disney Channel you saying it was like a wonderful World

1943
01:28:41,439 --> 01:28:44,760
Speaker 2: of Disney movie or an AVC movie. I would have

1944
01:28:44,960 --> 01:28:48,280
Speaker 2: a different expectation. So for me, with the Disney Channel

1945
01:28:48,560 --> 01:28:53,519
Speaker 2: dcom idea, it's a little too sad. I probably wouldn't

1946
01:28:53,520 --> 01:28:55,920
Speaker 2: have gotten there had we skipped to just a funeral.

1947
01:28:56,040 --> 01:29:00,240
Speaker 2: But actually having to watch this episode was like, oh,

1948
01:29:00,400 --> 01:29:03,240
Speaker 2: I was crying. I wasn't ready for a cry. I mean,

1949
01:29:03,320 --> 01:29:07,080
Speaker 2: We're talking about mermaids and dolphins and now I've got

1950
01:29:07,200 --> 01:29:07,519
Speaker 2: to cry.

1951
01:29:07,680 --> 01:29:07,840
Speaker 4: Oh.

1952
01:29:08,320 --> 01:29:10,400
Speaker 2: So it just bun me a little bit too too

1953
01:29:10,479 --> 01:29:12,400
Speaker 2: much in the wrong direction. So I'm giving it a

1954
01:29:12,600 --> 01:29:16,519
Speaker 2: lower score than I normally do. Although again, the cast

1955
01:29:16,640 --> 01:29:19,439
Speaker 2: was so good. I was excited to see all of

1956
01:29:19,439 --> 01:29:23,080
Speaker 2: the scarlet Misha Ryan, I mean, all of these great

1957
01:29:23,240 --> 01:29:28,240
Speaker 2: great actors you know when they were younger, now loving

1958
01:29:28,280 --> 01:29:32,880
Speaker 2: them as older actors. It's just great. Anyway, this is

1959
01:29:33,080 --> 01:29:38,320
Speaker 2: a six point five old balls to bed for me.

1960
01:29:40,640 --> 01:29:46,920
Speaker 1: Six point five of them. Six point five God, that's five.

1961
01:29:47,840 --> 01:29:53,040
Speaker 1: That's three and a half dudes. Wow, that's amazing.

1962
01:29:53,320 --> 01:29:58,720
Speaker 2: Oh my gosh, truly, I just you know, yeah, I

1963
01:29:58,840 --> 01:30:01,760
Speaker 2: wanted to I think the dragging of me into that,

1964
01:30:02,000 --> 01:30:04,760
Speaker 2: but that's not the kind of movie I'm wanting to

1965
01:30:04,800 --> 01:30:07,320
Speaker 2: watch on the channel. There are other people that would

1966
01:30:07,320 --> 01:30:09,400
Speaker 2: be stoked to see this kind of tone, you know,

1967
01:30:09,680 --> 01:30:12,200
Speaker 2: So we'll see. I get it, all right, let us

1968
01:30:12,240 --> 01:30:14,880
Speaker 2: know in the comments, guys, Yeah, what did you think?

1969
01:30:16,000 --> 01:30:19,320
Speaker 1: Thank you everybody for joining us on this episode of

1970
01:30:19,439 --> 01:30:21,519
Speaker 1: Magical rewind. We still don't know exactly what we saw.

1971
01:30:21,600 --> 01:30:22,600
Speaker 1: We didn't hate it, we didn't like it.

1972
01:30:22,680 --> 01:30:24,200
Speaker 3: We still don't know exactly what we saw. So tell

1973
01:30:24,280 --> 01:30:26,400
Speaker 3: us everybody what you thought of this movie. Why was

1974
01:30:26,439 --> 01:30:28,840
Speaker 3: the best or worst movie you've ever seen? And be

1975
01:30:28,920 --> 01:30:31,000
Speaker 3: sure to check out our Park Copper episode. We're going

1976
01:30:31,040 --> 01:30:33,920
Speaker 3: to be talking to, Yes, the one and only Scarlett Palmers,

1977
01:30:33,960 --> 01:30:36,519
Speaker 3: who played Susie Austin in Ring of Endless Light.

1978
01:30:36,640 --> 01:30:39,160
Speaker 1: It was such a great conversation. She was so nice

1979
01:30:39,160 --> 01:30:41,200
Speaker 1: to join us here. Listening to a little bit of

1980
01:30:41,240 --> 01:30:41,640
Speaker 1: a clip of.

1981
01:30:41,640 --> 01:30:45,759
Speaker 5: That, I was definitely really excited. One of the reasons

1982
01:30:45,800 --> 01:30:48,160
Speaker 5: I was most excited to work on Ring of Endless

1983
01:30:48,240 --> 01:30:50,920
Speaker 5: Light was because we filmed it in Australia. Yeah, and

1984
01:30:51,360 --> 01:30:53,120
Speaker 5: we were going to be there for about a month,

1985
01:30:53,640 --> 01:30:56,439
Speaker 5: so I was just like, whoa this is? This is

1986
01:30:56,560 --> 01:30:58,640
Speaker 5: I mean, how many times do you get to go

1987
01:30:58,720 --> 01:30:59,599
Speaker 5: to Australia anyway?

1988
01:30:59,680 --> 01:31:03,080
Speaker 1: You know? Yeah? Right, she was great.

1989
01:31:03,120 --> 01:31:05,280
Speaker 3: It was a totally fun conversation. So make sure you

1990
01:31:05,439 --> 01:31:07,880
Speaker 3: check that out because it's definitely worth it and.

1991
01:31:08,720 --> 01:31:11,200
Speaker 1: Join us as we continue our journey through the world

1992
01:31:11,280 --> 01:31:12,840
Speaker 1: of the dcom. I'm gonna be totally honest with you,

1993
01:31:12,920 --> 01:31:15,000
Speaker 1: We're not entirely sure what we're doing next. We will

1994
01:31:15,040 --> 01:31:17,160
Speaker 1: announce it on our Instagram because we're still in the

1995
01:31:17,520 --> 01:31:19,559
Speaker 1: process right now of picking exactly what film is going

1996
01:31:19,640 --> 01:31:22,280
Speaker 1: to be next, so you will know just a little

1997
01:31:22,280 --> 01:31:24,080
Speaker 1: bit after we do. Chris, frankly, we're not sure yet,

1998
01:31:24,160 --> 01:31:26,240
Speaker 1: but go back and check out all of our old stuff.

1999
01:31:26,240 --> 01:31:27,960
Speaker 3: All you have to do is search for Magical Rewind

2000
01:31:27,960 --> 01:31:30,960
Speaker 3: wherever you get your podcasts and subscribe and then we're

2001
01:31:30,960 --> 01:31:33,360
Speaker 3: all on perfect sync. And for any more information you

2002
01:31:33,400 --> 01:31:35,200
Speaker 3: could possibly want, you can follow us at.

2003
01:31:35,200 --> 01:31:38,160
Speaker 1: Magical Rewind Pod on the Instagram machine. See there, I

2004
01:31:38,240 --> 01:31:41,040
Speaker 1: did it right now, and just whatever you do as

2005
01:31:41,040 --> 01:31:43,920
Speaker 1: you're leaving, try not to think of old man balls.

2006
01:31:44,040 --> 01:31:44,719
Speaker 1: Thanks everybody.

2007
01:31:45,000 --> 01:32:00,120
Speaker 2: Bye m