1 00:00:01,720 --> 00:00:04,720 Speaker 1: Hey, discos, need a little more Disgraceland in your life, 2 00:00:05,120 --> 00:00:08,000 Speaker 1: just to touch to get you through. Yeah, me too. 3 00:00:08,680 --> 00:00:11,920 Speaker 1: This is the podcast that comes after the podcast. Welcome 4 00:00:11,960 --> 00:00:30,720 Speaker 1: to Disgraceland the after party. Welcome to the Disgraceland bonus episode, 5 00:00:30,800 --> 00:00:33,320 Speaker 1: a little thing we like to call the after party. 6 00:00:33,479 --> 00:00:35,560 Speaker 1: This is the show after the show, the party after 7 00:00:35,600 --> 00:00:36,959 Speaker 1: the party of the bridge to get you from one 8 00:00:36,960 --> 00:00:39,199 Speaker 1: full episode or disgrace led to the other the backyard 9 00:00:39,240 --> 00:00:41,760 Speaker 1: to dig into the dirt. On this episode, we are 10 00:00:41,800 --> 00:00:46,560 Speaker 1: talking about the five year anniversary of Disgraceland, the launch 11 00:00:46,600 --> 00:00:51,120 Speaker 1: of season eleven, fifty cent letter Kenny ac DC and more, 12 00:00:51,240 --> 00:00:54,200 Speaker 1: your calls, your texts, your dms, me reading the phone book, 13 00:00:54,360 --> 00:00:57,320 Speaker 1: and a whole lot of Rosie. All right, discs, let's 14 00:00:57,360 --> 00:01:15,880 Speaker 1: get into it. Yes, we are here, we are together, 15 00:01:16,080 --> 00:01:19,360 Speaker 1: we are one. We are celebrating lots to celebrate this week. 16 00:01:19,560 --> 00:01:22,200 Speaker 1: We just hit our five year anniversary, everybody, five year 17 00:01:22,240 --> 00:01:26,919 Speaker 1: anniversary of Disgraceland, and launched season eleven of Disgraceland, all 18 00:01:27,000 --> 00:01:30,760 Speaker 1: in the same week. First on the five year anniversary. 19 00:01:30,800 --> 00:01:34,039 Speaker 1: I cannot believe it's been five years. I mean, come on, 20 00:01:34,760 --> 00:01:38,760 Speaker 1: this is nuts. Time flies when you are having fun 21 00:01:38,920 --> 00:01:43,360 Speaker 1: for real, sincerely literally, time has flown by since we 22 00:01:43,480 --> 00:01:47,480 Speaker 1: launched back in twenty eighteen. Real quick Top five episodes 23 00:01:47,520 --> 00:01:49,920 Speaker 1: of Disgraceland in reverse order without me thinking about it 24 00:01:49,960 --> 00:01:52,520 Speaker 1: at all. Number five, Part two of the Miles Davis episode. 25 00:01:52,520 --> 00:01:54,440 Speaker 1: Don't know why, but I love this episode. It's a 26 00:01:54,480 --> 00:01:56,240 Speaker 1: great team effort. I think. I think that's why I'm 27 00:01:56,240 --> 00:01:58,640 Speaker 1: always thinking of this one. I feel like the storytelling 28 00:01:58,640 --> 00:02:00,160 Speaker 1: we're trying to do and the writing that I I'm 29 00:02:00,160 --> 00:02:02,600 Speaker 1: trying to do, it finally got close to that part 30 00:02:02,640 --> 00:02:05,880 Speaker 1: of the creative ether that I'm always trying to approach. 31 00:02:05,920 --> 00:02:08,160 Speaker 1: And I also I know that Matt Boden and Ryan 32 00:02:08,200 --> 00:02:10,600 Speaker 1: Spraker on our team who handled the audio design and 33 00:02:10,639 --> 00:02:13,560 Speaker 1: the original music, they nailed this one. Check out the 34 00:02:13,600 --> 00:02:18,040 Speaker 1: Miles Davis episode. Number four, the gg Allen episode, because 35 00:02:18,440 --> 00:02:20,200 Speaker 1: I don't know, it's just so damn rock and roll, 36 00:02:20,200 --> 00:02:21,959 Speaker 1: and I think it's fucking awesome to have a gg 37 00:02:22,040 --> 00:02:24,240 Speaker 1: Allen episode of a podcast. And I remember writing this 38 00:02:24,320 --> 00:02:27,120 Speaker 1: episode and making it with Sean Kahlein back in the 39 00:02:27,200 --> 00:02:29,280 Speaker 1: day and a bit of a fever dream that in 40 00:02:29,320 --> 00:02:31,880 Speaker 1: a way mirrors some of the madness that Gigi had 41 00:02:31,880 --> 00:02:34,760 Speaker 1: going on before we bought it with one hundred percent 42 00:02:34,880 --> 00:02:38,800 Speaker 1: less of the drugs. However, number three the jay Z episode, 43 00:02:39,960 --> 00:02:43,359 Speaker 1: because I feel like of all the episodes I've released 44 00:02:43,360 --> 00:02:45,200 Speaker 1: and written, the ratio on this one of me thinking 45 00:02:45,240 --> 00:02:47,400 Speaker 1: I hit it out of the park and not getting 46 00:02:47,400 --> 00:02:51,760 Speaker 1: the reaction I wanted is the widest. I loved this episode. 47 00:02:51,800 --> 00:02:54,120 Speaker 1: When I made it, I was so fucking pump man. 48 00:02:54,200 --> 00:02:56,600 Speaker 1: I remember listening to the mix and just being like, 49 00:02:56,639 --> 00:02:59,080 Speaker 1: oh shit, we're hitting this new level. And then I 50 00:02:59,120 --> 00:03:02,120 Speaker 1: released it and it was like fucking crickets. I remember calling, 51 00:03:02,440 --> 00:03:04,720 Speaker 1: well not crickets, but in my world crickets, And I 52 00:03:04,720 --> 00:03:07,840 Speaker 1: remember Colin Brady, my business partner at Double Elvis, and 53 00:03:07,880 --> 00:03:10,960 Speaker 1: being like, ah, I just bummed. I think people weren't 54 00:03:10,960 --> 00:03:12,640 Speaker 1: into this like I thought they were gonna be. And 55 00:03:12,680 --> 00:03:16,040 Speaker 1: of course he reminded me that we were within the 56 00:03:16,040 --> 00:03:18,560 Speaker 1: first week or two of an international pandemic and that 57 00:03:18,639 --> 00:03:22,200 Speaker 1: I should chill the fuck out and just consider that 58 00:03:22,280 --> 00:03:24,480 Speaker 1: maybe some other people had other shit going on in 59 00:03:24,520 --> 00:03:27,079 Speaker 1: the world besides my silly little podcast, which he was 60 00:03:27,120 --> 00:03:30,520 Speaker 1: of course one correct about. But anyways, the jay Z 61 00:03:30,639 --> 00:03:32,799 Speaker 1: episode lives on. I always think of that one when 62 00:03:32,800 --> 00:03:34,560 Speaker 1: I think of ones that I really like number two, 63 00:03:34,960 --> 00:03:39,280 Speaker 1: the Frank Sinatra episode. Frank kind of the similar, similar 64 00:03:39,360 --> 00:03:41,080 Speaker 1: character to jay Z in a lot of ways, and 65 00:03:41,080 --> 00:03:45,240 Speaker 1: that's definitely the nut of my jay Z episode. But 66 00:03:45,320 --> 00:03:47,560 Speaker 1: the Frank episode one of my favorite music cue drops 67 00:03:47,560 --> 00:03:51,360 Speaker 1: from the entire series, Uh, the United States Government Gangster 68 00:03:51,760 --> 00:03:54,560 Speaker 1: as Fuck. I love that drop so much that I 69 00:03:54,560 --> 00:03:56,520 Speaker 1: took the song we used in that drop and I 70 00:03:56,600 --> 00:03:59,840 Speaker 1: used it for the theme for this after party bonus episode. 71 00:04:00,160 --> 00:04:01,720 Speaker 1: That that's the theme song we play at the top. 72 00:04:02,240 --> 00:04:03,880 Speaker 1: Number one. Okay, I'm doing a cop out here at 73 00:04:03,920 --> 00:04:06,400 Speaker 1: number one. Three way tie Jerry Lee Lewis because og 74 00:04:06,560 --> 00:04:08,480 Speaker 1: props to the episode that started it all and gave 75 00:04:08,520 --> 00:04:12,080 Speaker 1: the show its name. Tied with next week's coming episode 76 00:04:12,240 --> 00:04:15,840 Speaker 1: of ac DC in The Night Stalker Richard Ramirez, because 77 00:04:16,400 --> 00:04:20,599 Speaker 1: that episode, man, it combines just the shit. I love 78 00:04:20,640 --> 00:04:23,760 Speaker 1: the music and the true crime. It's the combination. It's 79 00:04:23,800 --> 00:04:25,320 Speaker 1: the peanut butter and the chocolate in the way that 80 00:04:25,400 --> 00:04:28,040 Speaker 1: makes me creatively high in the best possible way. I 81 00:04:28,080 --> 00:04:30,040 Speaker 1: remember being a little kid and playing for my little 82 00:04:30,080 --> 00:04:34,360 Speaker 1: sister the song that the media kind of like hung 83 00:04:34,400 --> 00:04:37,719 Speaker 1: on ac DC their song night Prowler, and said, you know, 84 00:04:37,760 --> 00:04:39,680 Speaker 1: they kind of try to make the case that you'll 85 00:04:39,720 --> 00:04:41,240 Speaker 1: hear in the episode they trying to make the case 86 00:04:41,240 --> 00:04:46,600 Speaker 1: that they inspired Richard Ramirez with that song and it 87 00:04:46,640 --> 00:04:49,120 Speaker 1: was nuts. But I remember not knowing any of that 88 00:04:49,200 --> 00:04:52,039 Speaker 1: and being a little kid and playing that song for 89 00:04:52,200 --> 00:04:55,640 Speaker 1: my little sister at the time, Steph, who I don't 90 00:04:55,640 --> 00:04:57,440 Speaker 1: know if she's ever going to listen to this, but 91 00:04:57,960 --> 00:05:01,640 Speaker 1: I remember scaring the shit out of her such a 92 00:05:01,680 --> 00:05:04,839 Speaker 1: bad big brother, just because the song is kind of 93 00:05:04,839 --> 00:05:07,880 Speaker 1: about this murderer and there's a whole story to it, 94 00:05:07,960 --> 00:05:10,080 Speaker 1: and I remember like making up this story that it 95 00:05:10,160 --> 00:05:12,800 Speaker 1: was real and telling her and freaking her out. And 96 00:05:12,839 --> 00:05:14,880 Speaker 1: I don't know, man, she was probably like ten years 97 00:05:14,880 --> 00:05:18,360 Speaker 1: old at the time. I apologize if I left Scars anyhow. 98 00:05:18,400 --> 00:05:21,599 Speaker 1: The ACDC Richard Ramirez episode that's come and that's one 99 00:05:21,640 --> 00:05:26,320 Speaker 1: that really embodies what this podcast is about. But also 100 00:05:26,360 --> 00:05:28,720 Speaker 1: the fifty cent episode that we just released the number one, 101 00:05:28,800 --> 00:05:32,120 Speaker 1: the first episode of the recently relaunched season eleven, because man, 102 00:05:32,160 --> 00:05:34,480 Speaker 1: oh man, did that dude make me work for it. 103 00:05:35,080 --> 00:05:39,000 Speaker 1: Trying to distill fifty cents crimes and transgressions into one 104 00:05:39,080 --> 00:05:43,640 Speaker 1: episode was no small task. Even after researching it and 105 00:05:43,640 --> 00:05:45,920 Speaker 1: writing it. And reviewing multiple mixes. I still can't tell 106 00:05:45,920 --> 00:05:48,000 Speaker 1: you how many times the dude has been arrested. It 107 00:05:48,120 --> 00:05:50,479 Speaker 1: was that many times, too many times. And that was 108 00:05:50,520 --> 00:05:52,880 Speaker 1: all before he was shot, and not to mention the 109 00:05:52,920 --> 00:05:55,400 Speaker 1: murder of his mom. And there was so much to cover. 110 00:05:55,600 --> 00:05:59,000 Speaker 1: But for me, the highlight was this high speed motorcycle 111 00:05:59,080 --> 00:06:02,920 Speaker 1: chase that fifty cent details in his autobiography between him 112 00:06:02,960 --> 00:06:05,000 Speaker 1: and the cops when he was suspected of a double 113 00:06:05,080 --> 00:06:08,240 Speaker 1: murder as a kid. Crazy to just hear yourself say that, 114 00:06:10,080 --> 00:06:13,640 Speaker 1: we recreated that chase in direct homage to the chase 115 00:06:13,640 --> 00:06:16,360 Speaker 1: scene for the great film of French Connection. So check 116 00:06:16,400 --> 00:06:18,719 Speaker 1: that episode out. It's one of my all time phase 117 00:06:18,760 --> 00:06:21,680 Speaker 1: already and it was just released. It's available wherever you 118 00:06:21,720 --> 00:06:25,120 Speaker 1: get your podcast. Like I said, season eleven is officially 119 00:06:25,240 --> 00:06:29,479 Speaker 1: underway here. That means new full episodes of Disgraceland every Tuesday. 120 00:06:29,640 --> 00:06:33,080 Speaker 1: We're doing these bonus episodes every Thursday. That's two episodes 121 00:06:33,120 --> 00:06:35,640 Speaker 1: per week every week. This is the new way we're 122 00:06:35,640 --> 00:06:38,000 Speaker 1: doing it. We're rolling this way from here on out. 123 00:06:38,480 --> 00:06:41,159 Speaker 1: Got a whole bunch of stories, We've got the team 124 00:06:41,200 --> 00:06:43,920 Speaker 1: to execute it. Now's our time, So make sure you're 125 00:06:43,960 --> 00:06:47,160 Speaker 1: subscribed and listening week to week. Next week, like I said, 126 00:06:47,240 --> 00:06:50,200 Speaker 1: is ac DC, then Mac Miller, Leonard skinnerd Otis Redding, 127 00:06:50,360 --> 00:06:54,120 Speaker 1: two partner on Willie Nelson, Size Stone MC five Skip James, 128 00:06:54,279 --> 00:06:56,080 Speaker 1: and a two parter on lou Reed that I know 129 00:06:56,200 --> 00:06:57,960 Speaker 1: is going to piss a lot of people off, and 130 00:06:58,000 --> 00:07:03,039 Speaker 1: that I fully If you know lou Reed had ever 131 00:07:03,120 --> 00:07:05,799 Speaker 1: heard this episode that were these episodes were about to release, 132 00:07:06,080 --> 00:07:09,160 Speaker 1: he would not be happy. But he was never fucking happy. 133 00:07:09,360 --> 00:07:11,760 Speaker 1: So that probably means we were on the right track here, 134 00:07:11,760 --> 00:07:14,200 Speaker 1: at least I like to think that way. And then 135 00:07:14,240 --> 00:07:17,000 Speaker 1: after that we're heading straight into season twelve and the 136 00:07:17,120 --> 00:07:20,960 Speaker 1: music storytelling doesn't stop in the RSS feed anymore. Guys, 137 00:07:21,040 --> 00:07:23,520 Speaker 1: you know this. We've got a new YouTube channel with 138 00:07:23,680 --> 00:07:26,840 Speaker 1: stories that aren't part of the podcast. Last week we 139 00:07:26,920 --> 00:07:29,720 Speaker 1: dropped our look at the Who's Tragic concert at Riverfront 140 00:07:29,720 --> 00:07:33,440 Speaker 1: Coliseum in Cincinnati back in nineteen seventy nine. This week, 141 00:07:33,960 --> 00:07:37,200 Speaker 1: we're also doing another story on a legendary concert, on 142 00:07:37,320 --> 00:07:41,080 Speaker 1: James Brown's performance at the Boston Garden back on nineteen 143 00:07:41,240 --> 00:07:44,560 Speaker 1: sixty eight. This is the day after Martin Luther King 144 00:07:44,640 --> 00:07:48,080 Speaker 1: Junior was assassinated. It was a big deal there were 145 00:07:48,080 --> 00:07:51,160 Speaker 1: a lot of ramifications of the show. It went a 146 00:07:51,200 --> 00:07:53,640 Speaker 1: long way and keeping the peace in Boston in my city, 147 00:07:53,880 --> 00:07:55,760 Speaker 1: so this one meant a lot to me. I'm very 148 00:07:55,760 --> 00:07:58,960 Speaker 1: happy with the storytelling that the team did and I 149 00:07:59,000 --> 00:08:01,520 Speaker 1: hope you check that out. And like I said, that 150 00:08:01,680 --> 00:08:04,120 Speaker 1: is only available on YouTube, it's not going to be 151 00:08:04,160 --> 00:08:06,040 Speaker 1: released as a podcast. To get to, go over to 152 00:08:06,080 --> 00:08:10,640 Speaker 1: YouTube dot com slash at Disgraceland Pod and subscribe. There 153 00:08:11,280 --> 00:08:13,680 Speaker 1: we do these deep dives like this James Brown one 154 00:08:13,720 --> 00:08:15,680 Speaker 1: and the who one. We do these every week. We 155 00:08:16,120 --> 00:08:19,679 Speaker 1: release them on Sundays, but we do these daily videos 156 00:08:19,680 --> 00:08:24,360 Speaker 1: as well. Their shorts, their sixty second stories, misadventures, music misadventures. 157 00:08:24,400 --> 00:08:26,800 Speaker 1: I call them got a Ton, Stevie Wonder, Dean Martin, 158 00:08:26,840 --> 00:08:29,400 Speaker 1: the Beast Boys, way more. Like I said, head over 159 00:08:29,480 --> 00:08:33,920 Speaker 1: to YouTube dot com slash at Disgraceland pod and subscribe. 160 00:08:34,160 --> 00:08:36,360 Speaker 1: All right, if you are here, then you know it 161 00:08:36,440 --> 00:08:39,280 Speaker 1: is the five year anniversary of Disgraceland and you guys 162 00:08:39,280 --> 00:08:42,440 Speaker 1: are writing to me constantly asking about archived episodes that 163 00:08:42,480 --> 00:08:46,920 Speaker 1: were previously only available exclusively, and we are re releasing 164 00:08:46,960 --> 00:08:48,800 Speaker 1: these every couple of weeks so that you guys have 165 00:08:48,840 --> 00:08:52,000 Speaker 1: time to listen to binge to catch up. You're not overwhelmed. 166 00:08:52,200 --> 00:08:55,400 Speaker 1: And this past week we just released all of season 167 00:08:55,440 --> 00:08:57,840 Speaker 1: one in conjunction with the five year anniversary. So if 168 00:08:57,840 --> 00:09:01,880 Speaker 1: you're on that nostalgia tip, long for Jerry Lee, Lewis Savicius, 169 00:09:01,920 --> 00:09:04,800 Speaker 1: Sam Cook, the Norwegian Black Metal Dudes, Michael Alec and more. 170 00:09:04,840 --> 00:09:07,400 Speaker 1: The gang is all here and waiting for you in 171 00:09:07,480 --> 00:09:11,200 Speaker 1: the Disgrace Land feed wherever podcasts are available all of 172 00:09:11,280 --> 00:09:14,320 Speaker 1: season one. Go check that out. All right, as promised, 173 00:09:14,679 --> 00:09:18,040 Speaker 1: your calls, your texts, and your voicemails coming out right 174 00:09:18,080 --> 00:09:40,960 Speaker 1: after the break. All right, welcome back. You guys know 175 00:09:41,040 --> 00:09:43,720 Speaker 1: that this show, this bonus episode, this is all about 176 00:09:43,720 --> 00:09:45,959 Speaker 1: the back and forth, the conversation we're having together that 177 00:09:46,040 --> 00:09:48,080 Speaker 1: given the takeover the music storytelling that we do here 178 00:09:48,080 --> 00:09:51,080 Speaker 1: at Disgrace Sam, all the subjects we cover, the ones 179 00:09:51,120 --> 00:09:53,120 Speaker 1: we've yet to cover but that you want to hear, 180 00:09:53,520 --> 00:09:57,160 Speaker 1: all the awesome music films, television that inspires us to 181 00:09:57,240 --> 00:10:00,880 Speaker 1: create and keeps us all entertained. Lot ways to get 182 00:10:00,920 --> 00:10:04,440 Speaker 1: in touch at Disgrace lam pod on Instagram, Twitter, Facebook, 183 00:10:04,440 --> 00:10:06,440 Speaker 1: and TikTok, or you can call me and leave me 184 00:10:06,440 --> 00:10:09,440 Speaker 1: a voicemail and I'll respond here in these episodes where 185 00:10:09,440 --> 00:10:11,520 Speaker 1: you can text, and I'll do the same. That's six 186 00:10:11,679 --> 00:10:15,360 Speaker 1: one seven nine zero six six six three eight. Call 187 00:10:15,480 --> 00:10:18,240 Speaker 1: me six one seven nine zero six six six three 188 00:10:18,320 --> 00:10:20,560 Speaker 1: eight like I said, Call me just like Nathan here 189 00:10:20,760 --> 00:10:21,720 Speaker 1: from the eight four to. 190 00:10:21,600 --> 00:10:27,000 Speaker 2: Three, Hey, Jake, Nathan calling from beautiful Hilton Head Island, 191 00:10:27,080 --> 00:10:30,840 Speaker 2: South Carolina. I cleaned swimming pools for a living, and 192 00:10:31,280 --> 00:10:32,760 Speaker 2: I got to make sure I got the right pair 193 00:10:32,800 --> 00:10:37,240 Speaker 2: of shorts on so that my phone isn't pulling my 194 00:10:37,280 --> 00:10:40,400 Speaker 2: shorts off while I listen to you. Jim, not good enough. 195 00:10:41,800 --> 00:10:46,520 Speaker 2: I've already doubled dose on some episodes because they were 196 00:10:46,520 --> 00:10:50,520 Speaker 2: so damn good. I've got two suggestions for you, the 197 00:10:50,559 --> 00:10:53,320 Speaker 2: first one being Tom Petty and the Heartbreakers. I don't 198 00:10:53,360 --> 00:10:57,079 Speaker 2: know if you've done one on them, but those guys 199 00:10:57,120 --> 00:11:00,960 Speaker 2: are blamed for getting a lot of people hooked on 200 00:11:01,040 --> 00:11:02,360 Speaker 2: drugs as a band. 201 00:11:03,040 --> 00:11:03,840 Speaker 3: Quite a story. 202 00:11:04,360 --> 00:11:06,400 Speaker 2: The other one I got for you, which I would 203 00:11:06,480 --> 00:11:11,200 Speaker 2: love for you to do, would be John Belushi. I 204 00:11:11,240 --> 00:11:14,200 Speaker 2: know he's more known as a comedian, but as you know, 205 00:11:14,280 --> 00:11:16,959 Speaker 2: he was a very gifted musician, and I see it 206 00:11:17,000 --> 00:11:20,800 Speaker 2: as the reverse of the Tupac story. Musician to actor 207 00:11:20,880 --> 00:11:24,959 Speaker 2: where it's you know, actor, comedian to them, musician, all 208 00:11:25,040 --> 00:11:29,880 Speaker 2: of the Blues brothers, the John Belushi story, as you know, 209 00:11:30,280 --> 00:11:35,200 Speaker 2: tied to so many other actors and musicians, and I 210 00:11:35,200 --> 00:11:39,760 Speaker 2: would say he's like a three part episode. So love 211 00:11:39,760 --> 00:11:44,400 Speaker 2: you brother. You're brilliant. I think that that your cadence, 212 00:11:44,480 --> 00:11:51,319 Speaker 2: your delivery. You're definitely the Mark Twain of podcasts. And 213 00:11:51,360 --> 00:11:55,720 Speaker 2: you paint pictures as good as Norman Rockwell. I completely 214 00:11:55,760 --> 00:11:56,360 Speaker 2: love you brother. 215 00:11:58,640 --> 00:12:01,960 Speaker 1: All right, Nathan, don't lose your shorts, dude. Hike those 216 00:12:02,080 --> 00:12:06,480 Speaker 1: puppies up. Man. I suggest a nineties fanny pack, perhaps 217 00:12:06,480 --> 00:12:08,480 Speaker 1: for your phone while listening, so you don't drop it 218 00:12:08,520 --> 00:12:11,200 Speaker 1: in the pool while you're listening to disgrace, and and 219 00:12:11,240 --> 00:12:13,040 Speaker 1: that your shorts don't fall and you end up in 220 00:12:13,040 --> 00:12:15,199 Speaker 1: some weird situation all of a sudden, you got a 221 00:12:15,200 --> 00:12:17,040 Speaker 1: court date you're gonna need a ride to because you've 222 00:12:17,080 --> 00:12:19,680 Speaker 1: lost your license, perhaps because I don't know your fucking 223 00:12:19,760 --> 00:12:21,880 Speaker 1: pants are down at work. Dude, you don't sound like 224 00:12:21,920 --> 00:12:23,640 Speaker 1: the guy who's gonna have a license and be able 225 00:12:23,679 --> 00:12:25,800 Speaker 1: to get to your court date. That's all I'm saying. 226 00:12:26,160 --> 00:12:28,960 Speaker 1: So you know, don't drop the phone in the pool. 227 00:12:29,160 --> 00:12:32,760 Speaker 1: And don't let your shorts fall either. Anyways, in all seriousness, 228 00:12:32,800 --> 00:12:35,280 Speaker 1: thank you for the call and to answer your question, 229 00:12:35,480 --> 00:12:37,960 Speaker 1: we did release the Tom Petty episode back in season 230 00:12:38,040 --> 00:12:41,360 Speaker 1: nine when we were exclusive, but that has yet to 231 00:12:41,400 --> 00:12:44,440 Speaker 1: be re released, but it will be soon. As for 232 00:12:44,520 --> 00:12:46,719 Speaker 1: John Belushi, we did. We also did an episode on 233 00:12:46,800 --> 00:12:49,520 Speaker 1: John Belushi for this other podcast that I host called 234 00:12:49,559 --> 00:12:52,640 Speaker 1: bad Lands. You can search bad Lands wherever podcasts are 235 00:12:52,640 --> 00:12:56,079 Speaker 1: available you'll find the John Belushi episode. Thank you for listening, Nathan, 236 00:12:56,120 --> 00:12:57,520 Speaker 1: and for being a good sport. And let me give 237 00:12:57,520 --> 00:12:57,960 Speaker 1: you some shit. 238 00:12:58,920 --> 00:13:04,160 Speaker 3: Hey, Jake, this is is Matt from Los Angeles calling you. 239 00:13:04,520 --> 00:13:07,680 Speaker 3: Finally got around a listening to the Halloween episode on Sabbath, 240 00:13:07,800 --> 00:13:10,360 Speaker 3: and I thought it was interesting how you worked the 241 00:13:10,480 --> 00:13:12,760 Speaker 3: case of the murder on the Devil's Teeth into that 242 00:13:12,960 --> 00:13:18,080 Speaker 3: story that I grew up reading about that In New Jersey, 243 00:13:18,520 --> 00:13:21,680 Speaker 3: we had a publication called Weird New Jersey that covered 244 00:13:21,720 --> 00:13:27,120 Speaker 3: it based on citizens writing in their memories of it 245 00:13:27,160 --> 00:13:30,040 Speaker 3: when it happened, which it gained enough interest where there's 246 00:13:30,040 --> 00:13:33,120 Speaker 3: a podcast called The Devil's Teeth as well as a 247 00:13:33,160 --> 00:13:35,320 Speaker 3: book with the same name that kind of covers that 248 00:13:35,400 --> 00:13:39,520 Speaker 3: De Palma that unsolved a Paulma murder. Turns out it 249 00:13:39,600 --> 00:13:41,880 Speaker 3: was probably the son of a local police chief and 250 00:13:41,880 --> 00:13:46,160 Speaker 3: it was covered up. Nothing new there, sadly, But anyway, 251 00:13:46,200 --> 00:13:48,080 Speaker 3: I thought that was kind of a cool little surprise 252 00:13:48,320 --> 00:13:52,120 Speaker 3: to hear that on your show, which I enjoy. So 253 00:13:52,240 --> 00:13:54,720 Speaker 3: if you're you probably know about the Diapauma case. Maybe 254 00:13:54,720 --> 00:13:57,760 Speaker 3: you don't, but uh yeah, look into the Devil's Teeth 255 00:13:57,760 --> 00:14:00,680 Speaker 3: in Weird New Jersey or for anyone else who listened 256 00:14:00,720 --> 00:14:01,920 Speaker 3: and was curious. 257 00:14:01,559 --> 00:14:05,840 Speaker 1: To be all right, Matt from the Weird New Jersey 258 00:14:06,080 --> 00:14:10,040 Speaker 1: checking in, Matt is talking about the quote unquote Devil's 259 00:14:10,040 --> 00:14:12,600 Speaker 1: Teeth murder that happened in New Jersey back in the 260 00:14:12,679 --> 00:14:17,120 Speaker 1: nineteen seventies. Just an awesome true crime story, chilling. It 261 00:14:17,200 --> 00:14:19,560 Speaker 1: kind of reminded me a lot of I know it's 262 00:14:19,560 --> 00:14:21,360 Speaker 1: not true, but it reminded me a lot of true 263 00:14:21,360 --> 00:14:25,520 Speaker 1: detective the Devil's Teeth murder that Matt is referencing, and 264 00:14:25,560 --> 00:14:28,360 Speaker 1: that's a story that I used to frame our Black 265 00:14:28,400 --> 00:14:31,200 Speaker 1: Sabbath episode. You can check that episode out if you 266 00:14:31,240 --> 00:14:34,200 Speaker 1: have not already to hear what Matt is referencing. For 267 00:14:34,280 --> 00:14:38,520 Speaker 1: true crime nerds, the Devil's Teeth story in the context 268 00:14:38,520 --> 00:14:42,360 Speaker 1: of the nineteen seventies Black Sabbath. It's a good one 269 00:14:42,360 --> 00:14:45,280 Speaker 1: to sink your teeth and two get at that all right. 270 00:14:45,360 --> 00:14:47,720 Speaker 1: From the eight three to one, We Got to Check 271 00:14:47,760 --> 00:14:50,040 Speaker 1: In from Tulsa, Oklahoma. 272 00:14:50,000 --> 00:14:54,400 Speaker 4: Oh Man, one of the best podcasts, probably in the 273 00:14:54,440 --> 00:14:58,360 Speaker 4: history of podcasts. I listened to you almost every day 274 00:14:58,760 --> 00:15:02,640 Speaker 4: at work. Run a jazz club I'm in in Tulsa, Oklahoma, 275 00:15:03,400 --> 00:15:05,600 Speaker 4: and I do other types of music tube and we're 276 00:15:05,640 --> 00:15:10,520 Speaker 4: primarily a jazz club. I've spent over thirty years in 277 00:15:10,560 --> 00:15:14,880 Speaker 4: the professional music industry in Northern California. I've worked for 278 00:15:14,960 --> 00:15:18,240 Speaker 4: Tom Waits for thirteen years, and I have three Grammy 279 00:15:18,280 --> 00:15:21,000 Speaker 4: Awards and a gold record in conjunction with working with 280 00:15:21,040 --> 00:15:24,960 Speaker 4: mister Tom Waits, who is an incredible artist and a 281 00:15:25,000 --> 00:15:29,160 Speaker 4: human being. And with that being said, I'm a music 282 00:15:29,240 --> 00:15:33,680 Speaker 4: junkie and I get off on so many insightful things. 283 00:15:34,040 --> 00:15:36,880 Speaker 4: All of your artists, finding out about artists I don't 284 00:15:36,880 --> 00:15:39,760 Speaker 4: know about, finding out about artists that I already know 285 00:15:39,760 --> 00:15:42,760 Speaker 4: about that I didn't know enough about anyway. Love what 286 00:15:42,840 --> 00:15:45,480 Speaker 4: you do, keep it coming. I'm addicted. 287 00:15:46,480 --> 00:15:53,800 Speaker 1: Piece out Yo, love love love. Tom Waits one of 288 00:15:53,880 --> 00:15:58,080 Speaker 1: my favorite artists of all time. What an incredible experience 289 00:15:58,120 --> 00:15:59,760 Speaker 1: it must have been to work for him as a 290 00:15:59,760 --> 00:16:02,400 Speaker 1: guy runs a jazz club out west. Dude, I'm curious 291 00:16:02,520 --> 00:16:05,360 Speaker 1: what you thought of our Chet Baker episode. Chet was, 292 00:16:05,400 --> 00:16:08,240 Speaker 1: of course, as you know, as most people know, a 293 00:16:08,320 --> 00:16:11,720 Speaker 1: great except Miles Davis. Most people would consider Chet Baker 294 00:16:11,720 --> 00:16:14,080 Speaker 1: a great jazz musician. Miles Davis did not. But that's 295 00:16:14,200 --> 00:16:18,119 Speaker 1: I digress. Anyways, I believe Chet was originally from Oklahoma. 296 00:16:18,160 --> 00:16:20,480 Speaker 1: I think I'm right on that. Anyway, write me, call 297 00:16:20,520 --> 00:16:22,360 Speaker 1: me back, let me know six one seven nine zero 298 00:16:22,480 --> 00:16:24,560 Speaker 1: six six six three eight, Let me know about Chet 299 00:16:24,560 --> 00:16:27,960 Speaker 1: and Oklahoma. What you thought of the Chet Baker episode there? 300 00:16:28,720 --> 00:16:33,040 Speaker 1: All right, let's do some text. Jody from the six 301 00:16:33,160 --> 00:16:36,480 Speaker 1: one six rights hello to Jake from the six one 302 00:16:36,600 --> 00:16:39,040 Speaker 1: six to the six one seven. I'm Jody R and 303 00:16:39,120 --> 00:16:42,000 Speaker 1: my kid who loves great music. See what she did 304 00:16:42,080 --> 00:16:44,880 Speaker 1: there got me into your pod, smiley face. I would 305 00:16:44,920 --> 00:16:48,280 Speaker 1: love to hear more about Crosby, Stills, Nash, and sometimes Young. 306 00:16:48,720 --> 00:16:51,280 Speaker 1: The stories about them are wild. For example, Ohio was 307 00:16:51,320 --> 00:16:54,000 Speaker 1: written and released days after the Kent State incident? True 308 00:16:54,120 --> 00:16:56,560 Speaker 1: or lore? She asked? And if true, how did they 309 00:16:56,560 --> 00:16:59,520 Speaker 1: pull it off? I don't know loving the YouTube content 310 00:16:59,560 --> 00:17:01,960 Speaker 1: as it's not just filming the pod piece in rock 311 00:17:02,000 --> 00:17:05,520 Speaker 1: a ROLLA. Yeah, you know, this is a great idea, Jody, 312 00:17:05,600 --> 00:17:09,520 Speaker 1: I never thought of. Of course, I knew about the 313 00:17:09,600 --> 00:17:12,600 Speaker 1: song Ohio from Crosby, Stills, Nash and Young, and I 314 00:17:12,680 --> 00:17:15,040 Speaker 1: knew it was inspired by Kent State, but I never 315 00:17:15,320 --> 00:17:19,359 Speaker 1: I never thought about being able to use that song 316 00:17:19,480 --> 00:17:23,200 Speaker 1: is my way into the Kent State shooting. And I 317 00:17:23,240 --> 00:17:25,520 Speaker 1: love that idea. So I think I'm gonna suss that out. 318 00:17:25,600 --> 00:17:27,760 Speaker 1: I think I'm gonna put that on the list, hi, 319 00:17:27,920 --> 00:17:30,920 Speaker 1: on the list of things we can we can research 320 00:17:31,119 --> 00:17:34,080 Speaker 1: and write about and create an episode with. And when 321 00:17:34,119 --> 00:17:37,399 Speaker 1: I get into that, Jody, I will share what I 322 00:17:37,480 --> 00:17:39,879 Speaker 1: learned with you, obviously, and you'll hear about it in 323 00:17:39,920 --> 00:17:43,280 Speaker 1: the podcast. All right the four to four zero rights, Hey, Jake, 324 00:17:43,400 --> 00:17:46,000 Speaker 1: looking forward to new season of Disgrace the I wanted 325 00:17:46,040 --> 00:17:48,639 Speaker 1: to ask you if you have thought about doing an 326 00:17:48,640 --> 00:17:51,440 Speaker 1: episode on the cow Sills, their father ruined the band 327 00:17:51,520 --> 00:17:53,359 Speaker 1: and most of the children's lives in the band, and 328 00:17:53,400 --> 00:17:56,400 Speaker 1: also on the four seasons, the Bad Boys of Jersey 329 00:17:56,600 --> 00:17:58,680 Speaker 1: who had the mob connections and one of them ended 330 00:17:58,760 --> 00:18:00,560 Speaker 1: up highly in debt and they were all arrested for 331 00:18:00,600 --> 00:18:03,600 Speaker 1: skipping out on a hotel built in Ohio. Yes, I 332 00:18:03,640 --> 00:18:06,159 Speaker 1: saw that Four Seasons movie that Clintistwa did. I fucking 333 00:18:06,200 --> 00:18:10,120 Speaker 1: loved that movie. I feel like that movie doesn't get 334 00:18:10,160 --> 00:18:12,159 Speaker 1: mentioned enough. I don't know. Maybe it does, actually, now 335 00:18:12,200 --> 00:18:13,520 Speaker 1: that I think about it, Sure it does. There was 336 00:18:13,560 --> 00:18:17,840 Speaker 1: like a Broadway musical made about it. But you know, 337 00:18:17,880 --> 00:18:19,480 Speaker 1: I never thought about doing the Four Seasons. But I 338 00:18:19,480 --> 00:18:22,320 Speaker 1: think I'm gonna only to explore the Joe peshy ness 339 00:18:22,520 --> 00:18:25,280 Speaker 1: of it all because I know he was affiliated with 340 00:18:25,320 --> 00:18:28,400 Speaker 1: those guys, and he was kind of a guy who 341 00:18:28,480 --> 00:18:30,480 Speaker 1: wasn't quite a connected guy, but he was in that 342 00:18:30,640 --> 00:18:32,800 Speaker 1: orbit and that's always interested me. And maybe the Four 343 00:18:32,840 --> 00:18:35,600 Speaker 1: Seasons is my way in to find out more about 344 00:18:35,600 --> 00:18:39,240 Speaker 1: that Joe PESHI nature there to that story of the Castiles. 345 00:18:39,280 --> 00:18:41,840 Speaker 1: You know, other people have mentioned the Castles to me. 346 00:18:42,680 --> 00:18:44,800 Speaker 1: I don't know much about this band. I know people 347 00:18:44,880 --> 00:18:48,320 Speaker 1: love them. I think I met one of them once, 348 00:18:48,600 --> 00:18:51,680 Speaker 1: Cindy Castile. Does that sound right? I don't know. Way back? 349 00:18:52,040 --> 00:18:54,640 Speaker 1: All right, I'll look into it. I'll see what's there. 350 00:18:54,800 --> 00:18:56,840 Speaker 1: Like I said, other people have mentioned the Castles before, 351 00:18:56,920 --> 00:19:01,040 Speaker 1: so I will check that out, all right, Caitlin from 352 00:19:01,080 --> 00:19:04,200 Speaker 1: the eight to six Oh rights, Hi, Jake, I've been 353 00:19:04,200 --> 00:19:07,600 Speaker 1: a Disgraceland fan since season three. Subscribed immediately when you 354 00:19:07,680 --> 00:19:10,200 Speaker 1: announce your YouTube channel. Can't wait for the new season. 355 00:19:10,320 --> 00:19:12,919 Speaker 1: I thank you, Caitlin. Anyways, I'm just curious if you 356 00:19:12,960 --> 00:19:16,680 Speaker 1: were thinking of doing a boy band episode. I get 357 00:19:16,720 --> 00:19:18,679 Speaker 1: that it's not your scene, but honestly, i'd love to 358 00:19:18,760 --> 00:19:22,120 Speaker 1: hear your take on Lou Proman. She actually said something 359 00:19:22,119 --> 00:19:25,560 Speaker 1: else and I'm not gonna read. Keep doing what you're doing, 360 00:19:26,040 --> 00:19:29,400 Speaker 1: rock a rolla, all right, Kate, Caitlin, you do mention 361 00:19:29,840 --> 00:19:33,240 Speaker 1: Lou Proman here, and this is something that I'm totally 362 00:19:33,280 --> 00:19:35,840 Speaker 1: interested in. It is on the list. I'm going to 363 00:19:35,840 --> 00:19:38,439 Speaker 1: get into this at some point. I'm fascinated by it. 364 00:19:38,480 --> 00:19:41,119 Speaker 1: I'm also fascinated by the whole K pop thing. I 365 00:19:41,160 --> 00:19:44,800 Speaker 1: don't know a lot about either of these scenes, but 366 00:19:44,880 --> 00:19:47,240 Speaker 1: I know that Lou Proman was up to some shady stuff. 367 00:19:47,280 --> 00:19:50,720 Speaker 1: I think he's in prison actually. But yeah, to answer 368 00:19:50,760 --> 00:19:53,600 Speaker 1: your question, yes, yes, I'm going to get into Lou 369 00:19:53,640 --> 00:19:55,800 Speaker 1: Proman and the boy band stuff at some point, whether 370 00:19:55,920 --> 00:19:58,439 Speaker 1: in one or multiple episodes. All Right, you guys know 371 00:19:58,480 --> 00:20:00,440 Speaker 1: the drill. If you want to be featured on show, 372 00:20:00,520 --> 00:20:02,240 Speaker 1: or just need to get at me and get something 373 00:20:02,280 --> 00:20:04,960 Speaker 1: off your chest. Information on what episodes you dug, which 374 00:20:04,960 --> 00:20:07,040 Speaker 1: episodes you want to hear, interesting stories about the folks 375 00:20:07,040 --> 00:20:09,240 Speaker 1: we talk about in the episodes are hell, just one 376 00:20:09,320 --> 00:20:12,200 Speaker 1: dude just texts me gravestone photos of dead mafia dudes. 377 00:20:12,400 --> 00:20:14,320 Speaker 1: Whatever you guys want, you can hit me up with 378 00:20:14,359 --> 00:20:16,840 Speaker 1: it at six one seven nine zero six six six 379 00:20:17,000 --> 00:20:36,320 Speaker 1: three eight. All right, back in a flash with some recommendations. Alrighty, 380 00:20:36,320 --> 00:20:41,760 Speaker 1: then the recommendations part. This is the recommendations part. One 381 00:20:41,840 --> 00:20:44,119 Speaker 1: day we're gonna have a nifty little theme song for 382 00:20:44,160 --> 00:20:46,119 Speaker 1: this segment, but until then you're gonna have to go 383 00:20:46,160 --> 00:20:48,600 Speaker 1: with my dry ass speaking into a microphone and just 384 00:20:48,640 --> 00:20:52,720 Speaker 1: calling it the recommendations part. All right, I got lots 385 00:20:52,760 --> 00:20:55,200 Speaker 1: of Rex this week, and some thank yous and some 386 00:20:55,240 --> 00:20:59,320 Speaker 1: consensus texts on how Babylon sucked and how Tar was great. 387 00:21:00,040 --> 00:21:02,280 Speaker 1: But if you remember, I asked for this sort of light, 388 00:21:02,359 --> 00:21:04,680 Speaker 1: thirty minute, kind of funny, not too serious TV series 389 00:21:04,680 --> 00:21:05,840 Speaker 1: that I could watch at the end of the night 390 00:21:05,840 --> 00:21:08,080 Speaker 1: with my wife before we went to bed. Nothing too heavy, 391 00:21:08,359 --> 00:21:10,000 Speaker 1: nothing that was going to bum us out or be 392 00:21:10,119 --> 00:21:12,720 Speaker 1: too long or too intense or rile me up, get 393 00:21:12,760 --> 00:21:18,760 Speaker 1: me excited? On Facebook, Instagram text. I got numerous messages 394 00:21:18,960 --> 00:21:22,280 Speaker 1: from you guys with weird statements about how I needed 395 00:21:22,320 --> 00:21:23,960 Speaker 1: to give my nuts a tug, or that it was 396 00:21:23,960 --> 00:21:25,800 Speaker 1: time to pitter patter, or let's get at her, or 397 00:21:25,960 --> 00:21:29,200 Speaker 1: you know what's what's it is that I appreciates about 398 00:21:29,320 --> 00:21:33,240 Speaker 1: using these weird coded messages were sometimes just that, just 399 00:21:33,320 --> 00:21:37,280 Speaker 1: coded and weird, but oftentimes included a recommendation for the 400 00:21:37,320 --> 00:21:40,760 Speaker 1: TV show that they come from Letter Kenny. And I 401 00:21:40,800 --> 00:21:42,520 Speaker 1: told you guys a couple of after parties ago that 402 00:21:42,520 --> 00:21:45,240 Speaker 1: I would check Letter Kenny out in Holy crap? Am 403 00:21:45,240 --> 00:21:49,080 Speaker 1: I glad that I did? I love this fucking show 404 00:21:49,520 --> 00:21:52,280 Speaker 1: and I to find out. I thought it was new. 405 00:21:52,600 --> 00:21:55,280 Speaker 1: I thought it was one limited series with six episodes. 406 00:21:55,320 --> 00:21:59,200 Speaker 1: There's like eleven seasons or something. And there was a YouTube. 407 00:21:59,520 --> 00:22:01,639 Speaker 1: It came out of YouTube, So there's other There's all 408 00:22:01,720 --> 00:22:04,040 Speaker 1: kinds of this is a phenom, this thing, and I've 409 00:22:04,040 --> 00:22:07,000 Speaker 1: never heard of it. There's so much content now, man, 410 00:22:07,040 --> 00:22:11,000 Speaker 1: it's so hard to stay on top of shit. This 411 00:22:11,080 --> 00:22:14,159 Speaker 1: shows from Canada, and judging from the incoming messages that 412 00:22:14,200 --> 00:22:16,720 Speaker 1: I've received, it's a hit here in the States as well. 413 00:22:17,080 --> 00:22:19,879 Speaker 1: They're still making this show. Season eleven just dropped of 414 00:22:19,960 --> 00:22:23,840 Speaker 1: Letter Kenny in December twenty twenty two, on Christmas. I 415 00:22:23,880 --> 00:22:26,520 Speaker 1: feel weird talking about this show like I'm some authority. 416 00:22:26,600 --> 00:22:30,200 Speaker 1: I'm not, clearly, I'm a total newbie and the show's 417 00:22:30,200 --> 00:22:33,199 Speaker 1: been around since twenty fifteen. But whatever, it's new to me. 418 00:22:33,680 --> 00:22:36,200 Speaker 1: And like I said, they're still making and releasing episodes 419 00:22:36,200 --> 00:22:41,320 Speaker 1: and producing spinoffs Shoresy. You learn about Shoresy Jared Kiso, 420 00:22:41,400 --> 00:22:44,360 Speaker 1: I think that's how you pronounce the creator's name. He's brilliant, 421 00:22:44,640 --> 00:22:49,640 Speaker 1: He's in the show. His character Wayne is fucking hysterical. 422 00:22:49,720 --> 00:22:51,119 Speaker 1: I want to be friends with Wayne. I want a 423 00:22:51,119 --> 00:22:53,640 Speaker 1: Wayne in my life. I've had various Waynes in my life. 424 00:22:53,880 --> 00:22:56,440 Speaker 1: I feel like I need a new Wayne. But best 425 00:22:56,480 --> 00:22:58,520 Speaker 1: I can describe the show is to say it's Canada's 426 00:22:58,560 --> 00:23:00,800 Speaker 1: version of Always Sonny in philadelph But that's like saying 427 00:23:00,840 --> 00:23:03,080 Speaker 1: a band is Canada's version of the Beatles. No offense 428 00:23:03,119 --> 00:23:05,560 Speaker 1: to Canada, but you know it's tough to go apples 429 00:23:05,560 --> 00:23:08,679 Speaker 1: to apples with this Letter Kenny is entirely unique in 430 00:23:08,720 --> 00:23:12,160 Speaker 1: one hundred percent hysterical Letter Kenny. It's on Hulu. Check 431 00:23:12,160 --> 00:23:15,800 Speaker 1: it out, you know Peter Patter all Right, more from 432 00:23:15,880 --> 00:23:18,720 Speaker 1: the What I watched recommendations pile, because I watched a 433 00:23:18,720 --> 00:23:21,360 Speaker 1: lot of stuff this last week and weekend. I watched 434 00:23:21,880 --> 00:23:24,560 Speaker 1: Brian De Palma's first film. I think it's his first movie. 435 00:23:24,600 --> 00:23:25,879 Speaker 1: I could look it up and I'm not going to. 436 00:23:26,280 --> 00:23:30,359 Speaker 1: It's the erotic thriller Dressed to Kill with Michael Caine 437 00:23:30,400 --> 00:23:34,600 Speaker 1: from nineteen eighty. It's fun to watch. Good, not great, 438 00:23:35,320 --> 00:23:38,320 Speaker 1: not as good as Blowout, the Pama's film that came 439 00:23:38,440 --> 00:23:41,040 Speaker 1: after this one, which I always thought was to Pama's 440 00:23:41,080 --> 00:23:44,480 Speaker 1: first film, but it wasn't. Like I said, Dressed to Kill, 441 00:23:44,600 --> 00:23:48,800 Speaker 1: the erotic thriller came before. I'd say John Travolta won 442 00:23:49,040 --> 00:23:51,360 Speaker 1: this round with Michael Kaine. But if you're scrolling through 443 00:23:51,400 --> 00:23:54,240 Speaker 1: wherever you get your movies and this pops up, it's 444 00:23:54,280 --> 00:23:58,560 Speaker 1: worth watching. I also watched the horror film Barbarian with 445 00:23:58,920 --> 00:24:02,440 Speaker 1: friend of the Pod Justin and Georgina Campbell, and Wow, 446 00:24:02,560 --> 00:24:05,400 Speaker 1: this movie's amazing. It's from last year. It's a horror film. 447 00:24:05,480 --> 00:24:07,760 Speaker 1: Like I said, knock me out, scary as hell, twisted, 448 00:24:08,080 --> 00:24:11,199 Speaker 1: great story, great acting, have me checking the locks on 449 00:24:11,240 --> 00:24:13,400 Speaker 1: my door in the middle of the Night. I love 450 00:24:13,440 --> 00:24:15,920 Speaker 1: the actor Georgina Campbell as well, and I'm looking forward 451 00:24:15,920 --> 00:24:19,919 Speaker 1: to seeing her and more stuff that's barbarian. Highly recommend it. 452 00:24:20,560 --> 00:24:23,240 Speaker 1: If you like horror movies, you've probably already watched this, though, 453 00:24:23,280 --> 00:24:25,080 Speaker 1: But if you don't and you kind of just nibble 454 00:24:25,119 --> 00:24:27,680 Speaker 1: around the edges of horror, check this one out. It's 455 00:24:27,720 --> 00:24:31,320 Speaker 1: new and it's great. All right. What I'm listening to. 456 00:24:31,920 --> 00:24:34,719 Speaker 1: I am stoked about this one. I'm listening to this 457 00:24:34,920 --> 00:24:37,840 Speaker 1: epic playlist that I just made at the request of 458 00:24:37,880 --> 00:24:40,399 Speaker 1: the good old folks at Spotify, who asked me to 459 00:24:40,400 --> 00:24:42,840 Speaker 1: put together a playlist based on the Disgraceland series. So 460 00:24:42,880 --> 00:24:45,520 Speaker 1: I did just that, and I put my high fidelity 461 00:24:45,600 --> 00:24:47,679 Speaker 1: John cusack hat on and try to really go to 462 00:24:47,680 --> 00:24:49,800 Speaker 1: town on the sequencing so that it made sense and 463 00:24:50,320 --> 00:24:52,680 Speaker 1: flowed in a way that would appeal to all listeners 464 00:24:52,680 --> 00:24:57,680 Speaker 1: of Disgraceland, new ones, old ones, young folks, older folks, 465 00:24:58,000 --> 00:25:01,040 Speaker 1: people who are into classic rock and earn into hip hop, 466 00:25:01,080 --> 00:25:02,880 Speaker 1: and people who are into hip hop and earn into 467 00:25:02,920 --> 00:25:07,040 Speaker 1: classic rock and punk and country and soul and earn 468 00:25:07,200 --> 00:25:09,399 Speaker 1: b the whole thing. And I sequenced it in a 469 00:25:09,440 --> 00:25:12,240 Speaker 1: way that I think actually makes some sort of contextual 470 00:25:12,320 --> 00:25:17,000 Speaker 1: sense in my weird brain, and hopefully when you're listening 471 00:25:17,000 --> 00:25:19,600 Speaker 1: to it, you can flow through it and know where 472 00:25:19,600 --> 00:25:22,359 Speaker 1: I'm coming from, and you'll get the reference points to 473 00:25:22,560 --> 00:25:26,800 Speaker 1: the actual podcast, to the series. I couldn't get every 474 00:25:26,920 --> 00:25:29,359 Speaker 1: artist that we've covered in there. Sadly, gig Allen did 475 00:25:29,440 --> 00:25:32,200 Speaker 1: not make the cut, but others didn't as well Led 476 00:25:32,280 --> 00:25:35,080 Speaker 1: Zeppelin for some reason. I just I would have fucked 477 00:25:35,160 --> 00:25:37,640 Speaker 1: up my whole thing by the time I got the Zeppelin. 478 00:25:37,680 --> 00:25:43,680 Speaker 1: Little Richard also omitted. But but but you will hear 479 00:25:43,720 --> 00:25:47,960 Speaker 1: the sequencing and it will make sense, and you will 480 00:25:48,000 --> 00:25:51,200 Speaker 1: not miss those artists. When we go Oasis to Bowie 481 00:25:51,240 --> 00:25:55,080 Speaker 1: to mac Miller to then get on into the sonic 482 00:25:55,280 --> 00:25:58,640 Speaker 1: highways of ac DC and ASAP, Rocky and the Beatles 483 00:25:58,680 --> 00:26:02,359 Speaker 1: and the Notorious Big and Black Sabbath and many, many, 484 00:26:02,440 --> 00:26:06,800 Speaker 1: many more, you're gonna understand why certain artists are here 485 00:26:06,800 --> 00:26:09,720 Speaker 1: and others aren't. This playlist is like five hours long. 486 00:26:09,960 --> 00:26:14,440 Speaker 1: It'll hopefully give you all the right disgraceland feels. As 487 00:26:14,440 --> 00:26:16,919 Speaker 1: of the recording of this episode, the playlist hasn't yet published, 488 00:26:16,920 --> 00:26:18,080 Speaker 1: so I'm not sure how you get it, but you 489 00:26:18,080 --> 00:26:20,200 Speaker 1: can hit me up on Instagram. Sure, by the time 490 00:26:20,200 --> 00:26:22,199 Speaker 1: you hear this, it'll be live and I'll let you know. 491 00:26:22,400 --> 00:26:24,399 Speaker 1: I will shout out about it by then. Or I 492 00:26:24,440 --> 00:26:27,640 Speaker 1: suppose you can just open Spotify and search Disgraceland playlists 493 00:26:27,680 --> 00:26:29,600 Speaker 1: and I'm sure it'll just pop right up. Just look 494 00:26:29,600 --> 00:26:32,639 Speaker 1: for my mug. All right, I'm reading another book on racing. 495 00:26:32,880 --> 00:26:35,240 Speaker 1: I'm obsessed with this sport. I'm reading Driving with the 496 00:26:35,280 --> 00:26:38,080 Speaker 1: Devil's Southern Moonshine, Detroit Wheels, and the Birth of Nascar 497 00:26:38,160 --> 00:26:42,080 Speaker 1: by Neil Thompson. It's an awesome book, almost as much 498 00:26:42,160 --> 00:26:44,639 Speaker 1: transgression in the history of NASCAR racing as there is 499 00:26:44,680 --> 00:26:46,760 Speaker 1: in Rock and roll, and I'm loving learning about the 500 00:26:46,760 --> 00:26:48,760 Speaker 1: sport and stike to say that I am headed to 501 00:26:48,800 --> 00:26:53,080 Speaker 1: the Daytona five hundred this weekend. Hell yes, more on 502 00:26:53,160 --> 00:26:56,560 Speaker 1: that next week. I will report back and more after 503 00:26:56,600 --> 00:27:19,840 Speaker 1: this break. All right, let's recap disco's number one Season 504 00:27:19,880 --> 00:27:23,520 Speaker 1: eleven of Disgraceland just launched fifty cent waits for you 505 00:27:23,600 --> 00:27:26,919 Speaker 1: in your feeds. Number two ac DC is coming out next. 506 00:27:27,200 --> 00:27:31,080 Speaker 1: Number three YouTube dot Com slash at Disgraceland pod to 507 00:27:31,160 --> 00:27:35,840 Speaker 1: subscribe to even more Disgraceland music storytelling. Number four Letter 508 00:27:35,920 --> 00:27:39,640 Speaker 1: Kenny is awesome number five call me six one seven 509 00:27:39,760 --> 00:27:41,800 Speaker 1: nine zero six six sixty three eight, let me know 510 00:27:41,840 --> 00:27:44,040 Speaker 1: what's on your mind, or send me a text. Finally, 511 00:27:44,320 --> 00:27:47,520 Speaker 1: my moment is zen my reading of the phone book 512 00:27:47,600 --> 00:27:50,520 Speaker 1: in honor of our five year anniversary. I'm kicking this 513 00:27:50,520 --> 00:27:53,760 Speaker 1: one back to the double fives fifty five nineteen fifty five. 514 00:27:53,840 --> 00:27:56,480 Speaker 1: That is for reading from the mid fifties American West 515 00:27:56,520 --> 00:27:59,960 Speaker 1: from Temecula, California. I give you me reading names and numbers. 516 00:28:00,119 --> 00:28:02,640 Speaker 1: Otherwise never would have read, had some disco not once 517 00:28:02,720 --> 00:28:05,160 Speaker 1: quipped I'd listened to that guy, I read the phone book. 518 00:28:05,520 --> 00:28:12,000 Speaker 1: So away we go. Anderson Clifford, Poohole Street, t E 519 00:28:12,280 --> 00:28:17,680 Speaker 1: M one two BnB Shell Service Highway three ninety five 520 00:28:18,240 --> 00:28:24,320 Speaker 1: Tem one nine to two bbr H Cafe, Temecula, Tem 521 00:28:24,359 --> 00:28:30,280 Speaker 1: twenty four, Crabtree O l Randolph eight dash one five 522 00:28:30,440 --> 00:28:36,440 Speaker 1: five two NTS Garage Front Street, Tem twenty two, Larsen 523 00:28:36,840 --> 00:28:42,960 Speaker 1: Ole Missus, Temecula, Tem one oh one Metropolitan Water District 524 00:28:43,000 --> 00:28:47,720 Speaker 1: four six nine five five Rainbow Corner Road, Randolph eight 525 00:28:48,040 --> 00:28:53,320 Speaker 1: dash one five seven to two Meyer Peter Fallbrook Corner 526 00:28:53,680 --> 00:28:59,400 Speaker 1: Randolph eight Dash one six nine two Tim's Tiny Acres restaurant, 527 00:28:59,520 --> 00:29:03,680 Speaker 1: Highway three nine, five four six nine, Rands eight one 528 00:29:03,800 --> 00:29:09,600 Speaker 1: four one nine one Watson, Chick, Watts, Mechstic, my TV 529 00:29:11,280 --> 00:29:14,240 Speaker 3: Quit talking and start mixing cold