WEBVTT - #88 - Bino Rideaux & Blxst

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<v Speaker 1>You're sure. Hey, welcome to another edition in the Bootleg

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<v Speaker 1>Camp Podcast. Hey shout out to Bino Rideau and Blast.

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<v Speaker 1>They finally dropped the highly anticipated six tape two, so

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<v Speaker 1>I had to have them pull up and talk about

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<v Speaker 1>it to the hottest artists in La Blast one of

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<v Speaker 1>the hottest artists in the world. Bino is on fire

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<v Speaker 1>right now, so it's a pleasure to have both of

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<v Speaker 1>these guys on the show. This actually was recorded prior

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<v Speaker 1>to Blast being on Naz's King's Disease Too, or at

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<v Speaker 1>least prior to me having knowledge that it was gonna

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<v Speaker 1>be happening, So we did not talk about Blast being

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<v Speaker 1>on the NAS album, but we talked about a whole

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<v Speaker 1>lot of other stuff. Hey, shout out to our sponsors.

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<v Speaker 1>order today. Let's get into the podcast. Yo, it's the

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<v Speaker 1>Bootleg keV Show. Special guests in here. Six Tape two

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<v Speaker 1>is out right now, two La Legends being Overdeaux the Homie, Blasty, Welcome, Welcome, Welcome, man,

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<v Speaker 1>thank you for having us. You know what's crazy is

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<v Speaker 1>like I feel like since the first six tape came out,

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<v Speaker 1>so much has happened for each of you guys. Obviously

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<v Speaker 1>you know you're on def Jam now you put out Outside,

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<v Speaker 1>which is a crazy body of work. Blast, You're probably

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<v Speaker 1>the hottest singer in the game right now. Man, crazy,

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<v Speaker 1>I mean it's like I mean, at least from where

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<v Speaker 1>I sit, you know what I'm saying, Like, just how

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<v Speaker 1>you guys feeling, man, with all the growth since the

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<v Speaker 1>first project individually, you know, I just feel like everything

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<v Speaker 1>coming for a circle, Like it's just reinsurance that I'm

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<v Speaker 1>on the right path. That's how I look at everything

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<v Speaker 1>that's been coming my way, and I just know I

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<v Speaker 1>got a long way to go. So I don't try

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<v Speaker 1>to fall too deep into accolades that come along the way, right,

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<v Speaker 1>trying to stay focused on the end. Go. How you feeling,

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<v Speaker 1>you know, honestly, I'm feeling like it's about time. You

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<v Speaker 1>know what I'm saying. We've been just dugging for so long,

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<v Speaker 1>holding it down, and you know what I'm saying, taking

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<v Speaker 1>the slower out, So I feel like, to finally, you

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<v Speaker 1>know what I'm saying, be in this position where we

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<v Speaker 1>able to, you know, put our shit on displays. It's epic,

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<v Speaker 1>you know what I'm saying. Nah, dude, it's crazy. Like

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<v Speaker 1>each of you guys have just been, you know, the

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<v Speaker 1>last couple of years, just been on a tear, like

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<v Speaker 1>like like, how do y'all like, you know, being friends,

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<v Speaker 1>being you know, you guys are going to be associated

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<v Speaker 1>together for the rest of your careers. What's it like

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<v Speaker 1>for each of you to see each other blow up?

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<v Speaker 1>You know what I'm saying, Like, what's it like to

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<v Speaker 1>see blasts become like blast? You know what I'm saying.

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<v Speaker 1>Like the tour sold out in like a day, I think,

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<v Speaker 1>you know what I'm saying, Like, what's that like? And

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<v Speaker 1>then you just announced the second show at the Novo

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<v Speaker 1>by the way, which is crazy, you know what I mean, Like,

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<v Speaker 1>how does it feel though each of you guys a

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<v Speaker 1>just see each other like you know what I'm saying,

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<v Speaker 1>Like I know, for me, it's it's kind of like, uh,

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<v Speaker 1>you know you always question your ear in this music shit,

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<v Speaker 1>and for me, it's just like I knew it, you

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<v Speaker 1>know what I'm saying, Like back then, just tap it

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<v Speaker 1>in with bro and you know what I'm saying, that's

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<v Speaker 1>working and you always knew it was something that was there.

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<v Speaker 1>Was you know what I'm saying, real, real detrimental and

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<v Speaker 1>essential for the city, you know, and the sound you

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<v Speaker 1>know what I'm saying, to represent the West Coast, so

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<v Speaker 1>all they knew it was there, you know what I'm saying.

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<v Speaker 1>I'm just happy to see it on Folk. Sure, that's crazy, man.

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<v Speaker 1>Blast How you know when it came to approaching six

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<v Speaker 1>to two or six tape two, what was like your

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<v Speaker 1>approach from like, you know, you just put out insane EP,

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<v Speaker 1>insane bonus edition. You're on a lot of hooks. You

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<v Speaker 1>got the MAZI record going crazy, the Jason Cash record

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<v Speaker 1>is crazy. I'm sure that there's so much stuff that

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<v Speaker 1>we haven't heard that's gonna be on some big projects

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<v Speaker 1>as well. But like, what's like your approach when it

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<v Speaker 1>comes to approaching a collaborative effort as opposed to like

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<v Speaker 1>kind of what you've been doing the last year and

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<v Speaker 1>some change. I mean, for the main thing for me

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<v Speaker 1>was really just sticking to the script. And what I

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<v Speaker 1>mean by that is just like knowing what got me here.

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<v Speaker 1>And I feel like what the people really wanted was

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<v Speaker 1>a six tape part two because that really impacted the city.

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<v Speaker 1>You know, being up gave me the aliu for people

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<v Speaker 1>to even know who I was. Like, I'm always give

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<v Speaker 1>him as much credit as I can because who knows,

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<v Speaker 1>you know. But I feel like my my main motive

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<v Speaker 1>was just making the impact over anything just being as

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<v Speaker 1>far as a solo artist, I'd rather make an impact

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<v Speaker 1>in the city. Yeah, what about you, Like, you know,

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<v Speaker 1>you put out a project outside which was crazy. He's

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<v Speaker 1>on it obviously, But did you approach this any differently

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<v Speaker 1>than the first tape or was it kind of like

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<v Speaker 1>picking back up where y'all left? I feel like now

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<v Speaker 1>it was it was a lot more excitement because you know,

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<v Speaker 1>we kind of out the pandemic and you know, not

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<v Speaker 1>necessarily out it, but we got a little more freedom

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<v Speaker 1>and a little more capability to you know what I'm saying,

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<v Speaker 1>do what we want to do out here, do a

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<v Speaker 1>show and really, you know what I'm saying, touch the fans.

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<v Speaker 1>So I feel like this time around, we was juiced

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<v Speaker 1>up and ready to pop back outside, and uh, you

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<v Speaker 1>could hear it in the music for sure. Was it

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<v Speaker 1>tough for each of you guys putting out a project

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<v Speaker 1>during the pandemic, because I mean, I know you did

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<v Speaker 1>like a pop up shop and you know, you guys

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<v Speaker 1>did did things, but like obviously it's not the same,

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<v Speaker 1>you know, especially in LA because ship is really shut

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<v Speaker 1>the fuck down. It was at least like what what

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<v Speaker 1>was that was that? Like? How was that? You know

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<v Speaker 1>what I'm saying. Did you guys feel like, you know

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<v Speaker 1>a little disappointed with some of the stuff you weren't

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<v Speaker 1>able to do or did you feel like everything was

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<v Speaker 1>was you know, for what it was you guys maximized.

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<v Speaker 1>For me, it was I ain't gonna lie. It was

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<v Speaker 1>a little hesitation, you know, but overall I felt it

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<v Speaker 1>played in my favor because my music is more like

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<v Speaker 1>melodic and laid back, just like R and B type vibes.

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<v Speaker 1>So I feel like people, yeah, could sit with it more.

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<v Speaker 1>But I wish, I wish that shit really was not

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<v Speaker 1>going down when I dropped that project. Yeah yeah, I mean,

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<v Speaker 1>you know, it is what it is. Man. I think

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<v Speaker 1>we finally kind of on the other side of it,

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<v Speaker 1>even though I feel like everybody, everybody I know has

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<v Speaker 1>got COVID in LA right now. It's like the ship

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<v Speaker 1>came back in the last month. It's crazy. It's insane. Man.

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<v Speaker 1>What about on the solo tip obviously, what are you

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<v Speaker 1>working on right now? Because like I said, man, you're

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<v Speaker 1>on everything right now, and I know people are wanting

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<v Speaker 1>like a full a full length Blast album and right

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<v Speaker 1>now just working on being the best live performer. Like

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<v Speaker 1>I feel like that's what I've been missing or what

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<v Speaker 1>I haven't been given to people like that, that live

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<v Speaker 1>version of Blast so exactly. So I'm trying to just

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<v Speaker 1>perfect the show and just rehearsing a lot. Ye her,

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<v Speaker 1>sitting trying to work out, get right, get in shape,

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<v Speaker 1>all that type of shit. Vocal lessons is that the

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<v Speaker 1>hardest part about performing is like getting out of breath. Man.

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<v Speaker 1>I don't know what it was about the pandemic, but

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<v Speaker 1>I'll be tired now for sure. What about you, like,

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<v Speaker 1>you know, are you are you working on your follow

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<v Speaker 1>up project outside? Yeah, you know, I'm working on a

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<v Speaker 1>few things. I feel like mainly something that I want

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<v Speaker 1>to do is really tap in with more you know,

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<v Speaker 1>LA artists and West Coast artists in general, and you know,

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<v Speaker 1>kind of build something that you know, we kind of

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<v Speaker 1>ordered foundation for it seemed like now and ranch off

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<v Speaker 1>of that. I want to say, when Draco was here,

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<v Speaker 1>he said, you guys are working on a project, you

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<v Speaker 1>and Draco, right, so there's going to be a Draco.

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<v Speaker 1>I mean he said this on camera just so you know,

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<v Speaker 1>so it's not like but but so there, so there

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<v Speaker 1>is a Drake. He played me a couple of songs

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<v Speaker 1>that aren't aren't out yet, but Draco and Bino is

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<v Speaker 1>on the way. Huh. The thing what I mean, Draco,

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<v Speaker 1>It's like we spend enough time in other words, you know,

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<v Speaker 1>if I just jump in the book and chord something here,

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<v Speaker 1>I'm perverse on this and you know what I'm saying.

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<v Speaker 1>So we got very effortlessly. Too effortless. I saw like

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<v Speaker 1>I was you know, I always was a fan of

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<v Speaker 1>his style because it's so unique. But I really when

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<v Speaker 1>I saw him record really like, I was like, Oh,

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<v Speaker 1>this dude's like an alien. It just goes in and

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<v Speaker 1>just talks and then it hits it on. Like I

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<v Speaker 1>saw one takes some shit that was crazy, and I

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<v Speaker 1>was like, Bro, that was the most effortless shit I've

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<v Speaker 1>ever seen like a rapper do. Like Yo, So is

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<v Speaker 1>that something that's like official or is that something you

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<v Speaker 1>guys are just tossing around that you guys haven't really

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<v Speaker 1>decided if that's gonna happen or not. It's something we

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<v Speaker 1>definitely want to do. Like how many records do you

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<v Speaker 1>guys have together that are not out countys? Like, we

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<v Speaker 1>got a lot of songs. I couldn't even tell you. Bro,

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<v Speaker 1>It's like we just make that much music to its

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<v Speaker 1>just like we could really drop a couple of taps

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<v Speaker 1>probably right now if we wanted to. That's crazy. What

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<v Speaker 1>about you, Blast? Let me ask you this question, who's

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<v Speaker 1>an artist that you have the most songs with in

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<v Speaker 1>the can that we don't that that aren't outa It

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<v Speaker 1>would have to be Mazi. I got a bunch of

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<v Speaker 1>joints on Mazi. Yeah, you and Mazi. Low kids like

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<v Speaker 1>jay Z and r Kelly before before she got weird.

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<v Speaker 1>No for real, Like, you guys have fucking records man man.

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<v Speaker 1>And that's another project I think of fans would love

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<v Speaker 1>is a Masi Blast project. That would be crazy. Yeah,

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<v Speaker 1>I'll be seeing that a lot on Twitter, Like Mazie

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<v Speaker 1>and Blast project would be crazy. But shout on Mazi

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<v Speaker 1>for sure. What is it about Mazi? You think that

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<v Speaker 1>you guys have such a great chemistry? I just felt

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<v Speaker 1>like I'm able to step into his world and really

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<v Speaker 1>like speak on it from like a narrator perspective. And

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<v Speaker 1>it's mostly just hooks when I collab with them anyway,

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<v Speaker 1>So I just feel like I'm able to speak on

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<v Speaker 1>that topic and just give it an overall summary. That's

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<v Speaker 1>That's kind of how I look at it in the

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<v Speaker 1>hook form. But yeah, the chemistry is there for sure.

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<v Speaker 1>What was it like, like, you know, rocking with Russ,

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<v Speaker 1>Because I feel like a lot of people kind of

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<v Speaker 1>compare you to Russ in terms of like what you

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<v Speaker 1>guys bring to the table as an artist, you know

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<v Speaker 1>what I mean, Like you're like a one man show.

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<v Speaker 1>You can record yourself and make the bead and do

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<v Speaker 1>everything right, and he's the same way. And you guys

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<v Speaker 1>put out a crazy record. You know what I'm saying,

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<v Speaker 1>I'm sure that there's more where that came from. Yeah,

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<v Speaker 1>I mean we only did two records. I don't think

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<v Speaker 1>the other one was gonna come out. Maybe it's gonna

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<v Speaker 1>be one of these random songs he drops because he

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<v Speaker 1>puts a song ding a record every week. His work

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<v Speaker 1>ethic is crazy. But yeah, shout out russ I for

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<v Speaker 1>sure mirror a lot of stuff he do you follow

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<v Speaker 1>a couple of you know, shift from his blueprint? Did

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<v Speaker 1>you you know a lot of people kind of question

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<v Speaker 1>like when you did the Red Bull thing initially like wait,

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<v Speaker 1>this is crazy, like you could sign with anybody, which

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<v Speaker 1>is true at the time, you probably could have signed

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<v Speaker 1>with anybody, right, But it's worked out like amazingly. You

0:10:57.040 --> 0:10:59.240
<v Speaker 1>know what I'm saying. Is that a relationship we're gonna

0:10:59.240 --> 0:11:02.280
<v Speaker 1>continue with the next project. Yeah, we're talking about that

0:11:02.400 --> 0:11:07.000
<v Speaker 1>right now, right now. My deal is you know, damn

0:11:07.040 --> 0:11:12.520
<v Speaker 1>near damn. But definitely the relationship there is solid, So

0:11:12.880 --> 0:11:16.160
<v Speaker 1>I really don't see myself going nowhere else. And the

0:11:16.240 --> 0:11:19.760
<v Speaker 1>resources are like limits, the resources you get free red

0:11:19.800 --> 0:11:28.360
<v Speaker 1>Bull from this guy all red Bull, Yo. Yeah, it's crazy.

0:11:28.360 --> 0:11:30.520
<v Speaker 1>Because a lot of people, like I think, you know,

0:11:30.640 --> 0:11:33.760
<v Speaker 1>in La, the scene is this is probably the best

0:11:33.800 --> 0:11:36.600
<v Speaker 1>that it's been in a very long time. Man, as

0:11:36.600 --> 0:11:40.079
<v Speaker 1>far as camaraderie is concerned. You know, I was talking

0:11:40.080 --> 0:11:42.280
<v Speaker 1>to like Jason Cash and a few other guys just about, like,

0:11:42.760 --> 0:11:46.040
<v Speaker 1>you know, everybody in LA. It seems like they fuck

0:11:46.120 --> 0:11:48.440
<v Speaker 1>with each other, you know, And there's obviously politics that

0:11:48.480 --> 0:11:49.600
<v Speaker 1>come with a lot of shit, you know what I mean.

0:11:49.600 --> 0:11:53.040
<v Speaker 1>But for the most part, I feel like you'll see

0:11:53.120 --> 0:11:56.000
<v Speaker 1>Rouchie getting on songs with Kaitlin, and you'll see you

0:11:56.280 --> 0:11:59.000
<v Speaker 1>guys doing a project together, and you're talking about doing

0:11:59.280 --> 0:12:02.800
<v Speaker 1>join with Draco, Like why do you think? Like now

0:12:03.760 --> 0:12:06.920
<v Speaker 1>the scene in LA seems so united as where in

0:12:06.920 --> 0:12:12.480
<v Speaker 1>the past it felt very divided. I feel like we've

0:12:12.480 --> 0:12:15.160
<v Speaker 1>seen it work, you know, in other places, you know

0:12:15.200 --> 0:12:17.280
<v Speaker 1>what I'm saying. We kind of see how they do

0:12:17.400 --> 0:12:19.880
<v Speaker 1>things and we're talking about you know what I'm saying,

0:12:19.920 --> 0:12:22.120
<v Speaker 1>States didn't been on top for years now, you know

0:12:22.160 --> 0:12:25.199
<v Speaker 1>what I'm saying, and we kind of realizing that we

0:12:25.480 --> 0:12:30.199
<v Speaker 1>stronger together. So I feel like that's that's really the

0:12:30.280 --> 0:12:32.439
<v Speaker 1>spark of a lot of collaborations right now in the Wish,

0:12:32.640 --> 0:12:35.960
<v Speaker 1>like Atlanta, Like Atlanta's had it for how long they've

0:12:36.040 --> 0:12:39.200
<v Speaker 1>moved together? Something crazy? What do you think blast? Yeah,

0:12:39.320 --> 0:12:41.559
<v Speaker 1>I mean I just feel like it's it's that young

0:12:41.640 --> 0:12:45.720
<v Speaker 1>nigga energy. Like we we see what he said like

0:12:45.960 --> 0:12:48.520
<v Speaker 1>young Doug, like how he moved like a boss, Like

0:12:48.559 --> 0:12:50.800
<v Speaker 1>we feel like bosses now. So we're gonna run this

0:12:50.840 --> 0:12:52.640
<v Speaker 1>shit how we want to run it and shout out

0:12:52.679 --> 0:12:55.679
<v Speaker 1>to the ogs that paved the way. But you know,

0:12:55.800 --> 0:12:58.440
<v Speaker 1>we got to carry the torch for the next generation.

0:12:58.640 --> 0:13:01.080
<v Speaker 1>So we've seen what they did wrong again, right, and

0:13:01.160 --> 0:13:03.800
<v Speaker 1>now we can add our sauts to it. You talk

0:13:03.840 --> 0:13:07.400
<v Speaker 1>about being a boss obviously got ego? Uh? Is that like,

0:13:08.080 --> 0:13:10.200
<v Speaker 1>are both of you guys looking to sign artists or

0:13:10.200 --> 0:13:12.000
<v Speaker 1>have you signed any artists? Or is that something that's

0:13:12.000 --> 0:13:15.040
<v Speaker 1>even you know, you guys are still quote unquote new artists,

0:13:15.320 --> 0:13:18.440
<v Speaker 1>but you know you came up under Nipsey, who you

0:13:18.440 --> 0:13:20.960
<v Speaker 1>know obviously laid the blueprint for a lot of shit

0:13:21.000 --> 0:13:22.520
<v Speaker 1>that a lot of rappers are doing nowadays. Is that

0:13:22.520 --> 0:13:26.719
<v Speaker 1>something you guys are interested in getting into most Definitely.

0:13:27.280 --> 0:13:29.920
<v Speaker 1>I'm actually working with an artist right now, but we

0:13:30.160 --> 0:13:32.000
<v Speaker 1>just it's in the works right now. I don't I

0:13:32.040 --> 0:13:33.800
<v Speaker 1>want to run it out the right way, for sure,

0:13:33.880 --> 0:13:37.160
<v Speaker 1>But shout out j Millian for sure. Oh fire? What

0:13:37.559 --> 0:13:40.280
<v Speaker 1>is what do you look for like in an artist?

0:13:40.440 --> 0:13:42.720
<v Speaker 1>Like if you if you make that decision to put

0:13:42.760 --> 0:13:45.240
<v Speaker 1>your standup on artist, like, what is the what are

0:13:45.240 --> 0:13:49.160
<v Speaker 1>the qualities? Man? My main thing is just not having

0:13:49.160 --> 0:13:52.280
<v Speaker 1>to tell somebody what to do, you know, so that

0:13:52.280 --> 0:13:56.440
<v Speaker 1>that natural work ethic and just consistency and of course

0:13:56.520 --> 0:14:01.760
<v Speaker 1>talent of course, but just not having a yeah, babysit exactly.

0:14:02.240 --> 0:14:06.559
<v Speaker 1>And I feel like that's that's what I wanted around men. Yeah,

0:14:06.600 --> 0:14:08.440
<v Speaker 1>it's tough because you know, you have an artist that

0:14:08.440 --> 0:14:11.280
<v Speaker 1>has all the talent in the world. Yeah, but unless

0:14:11.280 --> 0:14:12.960
<v Speaker 1>they're told what to do, they're just gonna sit at

0:14:13.000 --> 0:14:16.000
<v Speaker 1>home and play NBA two care Call of Duty some ship.

0:14:16.080 --> 0:14:19.320
<v Speaker 1>You know what I'm saying, shout out the artists game?

0:14:19.320 --> 0:14:22.800
<v Speaker 1>Where were saying J million? J million? Okay from out here? Yeah,

0:14:23.000 --> 0:14:26.080
<v Speaker 1>that's crazy. How excited are you? You know you got

0:14:26.080 --> 0:14:28.320
<v Speaker 1>two shows at the Novo, first one sold out quick?

0:14:29.720 --> 0:14:31.760
<v Speaker 1>Are you going to be doing any tour? Ship? Because

0:14:31.760 --> 0:14:33.680
<v Speaker 1>you know his tours I got announced? Are you gonna

0:14:33.680 --> 0:14:35.520
<v Speaker 1>be doing a be No tour? Yeah? I feel like

0:14:35.560 --> 0:14:37.920
<v Speaker 1>it's only right to kind of follow up with a tour.

0:14:38.120 --> 0:14:40.320
<v Speaker 1>You know what I'm saying, I ain't. I don't want

0:14:40.320 --> 0:14:43.040
<v Speaker 1>to say too much about it, but coming to a

0:14:43.080 --> 0:14:45.920
<v Speaker 1>city near you for sure, And how excited are you

0:14:45.960 --> 0:14:49.520
<v Speaker 1>to finally do like because you've been doing some club ship. Yeah,

0:14:49.560 --> 0:14:52.880
<v Speaker 1>you've been doing like some radio ship, but this is

0:14:52.960 --> 0:14:57.440
<v Speaker 1>like your ship. Nah, Yeah, it's fire, especially like when

0:14:57.440 --> 0:15:00.200
<v Speaker 1>they know your words, it's a different type of thing.

0:15:00.360 --> 0:15:02.880
<v Speaker 1>So I can't wait to see that they know my

0:15:03.000 --> 0:15:05.840
<v Speaker 1>words in New York, like, because I definitely wasn't expecting that.

0:15:06.480 --> 0:15:09.280
<v Speaker 1>I feel like that energy give you the motivation to

0:15:09.360 --> 0:15:13.040
<v Speaker 1>go back and make some crazier ship. So they always say, well,

0:15:13.240 --> 0:15:17.360
<v Speaker 1>you say you never heard a whack blast song in

0:15:17.400 --> 0:15:20.640
<v Speaker 1>your opinion, what's your worst song? Though that's out, that's out,

0:15:20.720 --> 0:15:22.840
<v Speaker 1>What is your worst song? Like, what's your least favorite

0:15:22.840 --> 0:15:25.960
<v Speaker 1>blast song? I couldn't even tell you. It'll have to

0:15:25.960 --> 0:15:27.640
<v Speaker 1>be they're all fire. It'll have to be like the

0:15:27.680 --> 0:15:29.800
<v Speaker 1>first song I ever put out. And we're not gonna

0:15:29.800 --> 0:15:32.080
<v Speaker 1>speak on that because I don't need people look at

0:15:32.080 --> 0:15:34.920
<v Speaker 1>that ship up on YouTube now if you know, you know,

0:15:35.240 --> 0:15:37.200
<v Speaker 1>it's still up to I don't know how to get

0:15:37.240 --> 0:15:40.800
<v Speaker 1>access to that YouTube account, but that motherfucker is up there.

0:15:41.000 --> 0:15:44.880
<v Speaker 1>It's still up like under your name too. I don't

0:15:44.920 --> 0:15:49.080
<v Speaker 1>know we should find it. Can we pull this up? Absolutely? Now?

0:15:50.920 --> 0:15:53.760
<v Speaker 1>What about you? Like like like like you know, just

0:15:53.800 --> 0:15:55.920
<v Speaker 1>talk about growth, you know, because I feel like you've

0:15:55.920 --> 0:15:57.320
<v Speaker 1>come a long way just as an artist in the

0:15:57.400 --> 0:15:59.840
<v Speaker 1>last like three or four years, Like you feel like

0:15:59.840 --> 0:16:02.440
<v Speaker 1>you're finally hitting your stride for sure. I feel like,

0:16:03.080 --> 0:16:05.120
<v Speaker 1>you know what I'm saying, It's just started something great.

0:16:05.320 --> 0:16:10.000
<v Speaker 1>I feel like, you know, I spent years you know

0:16:10.000 --> 0:16:13.520
<v Speaker 1>what I'm saying under nip and just you know, following

0:16:13.560 --> 0:16:15.920
<v Speaker 1>that energy and picking up you know what I'm saying,

0:16:16.680 --> 0:16:19.680
<v Speaker 1>after Bro, and to be here now and see us

0:16:19.720 --> 0:16:21.200
<v Speaker 1>doing it and see you know a lot of the

0:16:21.280 --> 0:16:25.320
<v Speaker 1>similar similar situations I've seen, Bro, And it's like it's crazy,

0:16:25.320 --> 0:16:27.080
<v Speaker 1>and you know, I just want to rend this shit

0:16:27.120 --> 0:16:29.680
<v Speaker 1>the right way and come correct. What situations you know

0:16:30.040 --> 0:16:31.760
<v Speaker 1>that you saw him go through, that you've kind of

0:16:31.760 --> 0:16:33.760
<v Speaker 1>gone through yourself now. I just mean, you know what

0:16:33.760 --> 0:16:37.360
<v Speaker 1>I'm saying, all the lights just having to do shit

0:16:37.480 --> 0:16:39.000
<v Speaker 1>like this, come in and talk to you, you know

0:16:39.000 --> 0:16:42.920
<v Speaker 1>what I'm saying, Like me being able to control my

0:16:43.040 --> 0:16:46.040
<v Speaker 1>narrative and really put it out there. You know what

0:16:46.040 --> 0:16:48.840
<v Speaker 1>I'm saying, what I want to represent and how I'm coming.

0:16:48.880 --> 0:16:50.960
<v Speaker 1>It's it's a lot of pressure, you know what I'm saying.

0:16:51.000 --> 0:16:52.640
<v Speaker 1>We hold a lot of weight on our shoulders. But

0:16:53.080 --> 0:16:55.240
<v Speaker 1>it's the beauty of it. I feel like, Yo, it's

0:16:55.240 --> 0:16:57.560
<v Speaker 1>crazy because if you think about niping, like the people

0:16:57.560 --> 0:17:02.200
<v Speaker 1>who he kind of help bring along, like yourself, j Stone,

0:17:02.240 --> 0:17:05.400
<v Speaker 1>Roddy Rich with somebody who nip. Really, you know, that's

0:17:05.720 --> 0:17:07.159
<v Speaker 1>the first time I met Roddy was with it. You

0:17:07.200 --> 0:17:09.720
<v Speaker 1>know what I'm saying. It's crazy. How like even through

0:17:10.960 --> 0:17:14.119
<v Speaker 1>his death, Like if you look at LA's hip hop scene,

0:17:14.600 --> 0:17:17.600
<v Speaker 1>he's still living. You know what I'm saying, Like it's crazy.

0:17:17.600 --> 0:17:19.280
<v Speaker 1>And shout out to DJ dj VI I P Too

0:17:19.280 --> 0:17:21.480
<v Speaker 1>who's nips dj was not your official DJ too? Which

0:17:21.520 --> 0:17:25.280
<v Speaker 1>is are you taking you snow snowboarding it? Nah? He

0:17:25.320 --> 0:17:28.440
<v Speaker 1>always telling me come out there, but that boy love

0:17:28.520 --> 0:17:30.840
<v Speaker 1>that snowboard man. I just told him when he came

0:17:30.880 --> 0:17:32.119
<v Speaker 1>out and said, Yo, what do you do during the

0:17:32.119 --> 0:17:34.679
<v Speaker 1>summer there's no snow what do you do in your

0:17:34.680 --> 0:17:37.000
<v Speaker 1>free time? It's like I bought dirt bikes. I'm like, yeah,

0:17:37.000 --> 0:17:41.840
<v Speaker 1>that sounds about right. Hey, interrupting the interview to tell

0:17:41.880 --> 0:17:43.760
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0:17:43.760 --> 0:17:46.720
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0:17:46.760 --> 0:17:49.119
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0:17:49.160 --> 0:17:51.840
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0:17:51.880 --> 0:17:54.919
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0:17:55.480 --> 0:17:58.200
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0:18:03.640 --> 0:18:06.600
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0:18:20.560 --> 0:18:24.000
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0:18:24.119 --> 0:18:29.520
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0:18:32.760 --> 0:18:34.959
<v Speaker 1>It's crazy because blast you, a lot of people look

0:18:34.960 --> 0:18:36.639
<v Speaker 1>at you as a new artist. But you know, I

0:18:36.680 --> 0:18:38.480
<v Speaker 1>was like talking with Jason Cash and he was telling

0:18:38.520 --> 0:18:40.000
<v Speaker 1>me that you guys, like I think the first time

0:18:40.000 --> 0:18:41.919
<v Speaker 1>you guys ever hung out and did music together was

0:18:41.960 --> 0:18:44.119
<v Speaker 1>like eight or o nine or some shit. Yeah, it

0:18:44.119 --> 0:18:46.400
<v Speaker 1>was a minute ago because I know him through my

0:18:46.400 --> 0:18:49.679
<v Speaker 1>my younger cousins and Carson, Like I used to go

0:18:49.760 --> 0:18:52.800
<v Speaker 1>out there to they crib and they went to high

0:18:52.800 --> 0:18:54.879
<v Speaker 1>school with Jason Cash. So I've been on him for

0:18:54.920 --> 0:18:58.320
<v Speaker 1>a minute now. Yeah. No, it's crazy because like the person,

0:18:58.400 --> 0:19:01.919
<v Speaker 1>like like the persistence, the dedication it takes to like

0:19:02.040 --> 0:19:05.840
<v Speaker 1>do music for that long and like barely get pop,

0:19:05.960 --> 0:19:08.520
<v Speaker 1>like get popping a decade into this shit, you know

0:19:08.560 --> 0:19:10.680
<v Speaker 1>what I'm saying. It's like, was there ever a point

0:19:10.720 --> 0:19:14.480
<v Speaker 1>in time where you were like on the fence about

0:19:14.800 --> 0:19:16.440
<v Speaker 1>doing this shit, because you know, at the end of

0:19:16.480 --> 0:19:18.040
<v Speaker 1>the day, you gotta pay your bills, you gotta have

0:19:18.720 --> 0:19:20.600
<v Speaker 1>you gotta put a roof over your head, and this

0:19:20.720 --> 0:19:22.560
<v Speaker 1>music shit until it's it, it ain't it, you know

0:19:22.600 --> 0:19:24.280
<v Speaker 1>what I mean. In the back of my head, off,

0:19:24.440 --> 0:19:27.280
<v Speaker 1>I felt like I always knew it was possible, but

0:19:27.320 --> 0:19:29.639
<v Speaker 1>when I had my son, I knew I had to

0:19:29.640 --> 0:19:32.480
<v Speaker 1>turn it up, Like I have to think of different ways.

0:19:32.480 --> 0:19:35.159
<v Speaker 1>How can I monetize it now? Because at first it

0:19:35.240 --> 0:19:37.480
<v Speaker 1>was just the love of it, you know, like I

0:19:37.680 --> 0:19:42.280
<v Speaker 1>just enjoyed creating shit. But now I have to like

0:19:42.440 --> 0:19:44.800
<v Speaker 1>visualize how can I make it an actual business and

0:19:44.840 --> 0:19:46.840
<v Speaker 1>make it bigger than just me something I can pass

0:19:46.880 --> 0:19:50.879
<v Speaker 1>down to my son. Yeah, that moment, what was, like,

0:19:50.960 --> 0:19:53.360
<v Speaker 1>in your opinion, like a moment for you that kind

0:19:53.359 --> 0:19:55.280
<v Speaker 1>of changed everything. I feel like, to get right with

0:19:55.440 --> 0:19:58.440
<v Speaker 1>it be was was a bit you know, I think

0:19:58.440 --> 0:20:01.159
<v Speaker 1>that that was probably the first. Yeah, I was for

0:20:01.240 --> 0:20:06.120
<v Speaker 1>sure like one of the first moments that people start

0:20:06.119 --> 0:20:08.480
<v Speaker 1>paying attention to my name as far as a producer

0:20:08.520 --> 0:20:11.080
<v Speaker 1>in the city, because like, well, how did you guys meet?

0:20:11.080 --> 0:20:12.879
<v Speaker 1>Because you guys obviously didn't come up together, So how

0:20:12.880 --> 0:20:15.760
<v Speaker 1>did you guys initially meet? I heard that song and

0:20:15.800 --> 0:20:18.240
<v Speaker 1>I'm like, that's Kaitlyn. I'm like, bro, who made this?

0:20:19.000 --> 0:20:21.959
<v Speaker 1>He put me on, so I'm like, you need some

0:20:21.960 --> 0:20:23.480
<v Speaker 1>more of this? And then he was like, oh, you

0:20:23.480 --> 0:20:26.399
<v Speaker 1>could sing. He just sent the song. He didn't even

0:20:26.440 --> 0:20:27.879
<v Speaker 1>tell me, like, yeah, bro, I sing too. He just

0:20:27.880 --> 0:20:30.399
<v Speaker 1>sent the song with some vocals on. It turned out

0:20:30.440 --> 0:20:34.360
<v Speaker 1>to be savage crazy. Was that hard for you too,

0:20:34.359 --> 0:20:36.439
<v Speaker 1>to like because you know, when you're a producer, you

0:20:36.440 --> 0:20:38.000
<v Speaker 1>don't want to be like, I'm the producer who makes

0:20:38.080 --> 0:20:39.680
<v Speaker 1>music because the artists might look at you kind of

0:20:39.680 --> 0:20:43.000
<v Speaker 1>crazy if you're whack. You know. What I'm saying coming

0:20:43.040 --> 0:20:45.359
<v Speaker 1>into the game is like a producer, you know. Was

0:20:45.400 --> 0:20:46.920
<v Speaker 1>that something where it was like you're kind of picking

0:20:46.920 --> 0:20:49.359
<v Speaker 1>and choosing, like who you let hear you? It's kind

0:20:49.400 --> 0:20:51.840
<v Speaker 1>of funny though, because I don't really look at myself.

0:20:53.359 --> 0:20:55.040
<v Speaker 1>I don't know, it's weird. I don't know how other

0:20:55.080 --> 0:20:57.040
<v Speaker 1>people look at me, but I look at myself like

0:20:57.040 --> 0:20:59.399
<v Speaker 1>an artist that produces, like kind of like a J.

0:20:59.600 --> 0:21:03.879
<v Speaker 1>Cole right right. He not heavily known for producing, but

0:21:04.480 --> 0:21:06.719
<v Speaker 1>he got them accolades under his belt, you know. And

0:21:06.720 --> 0:21:08.600
<v Speaker 1>that's kind of how I want to move. Like if

0:21:08.640 --> 0:21:10.919
<v Speaker 1>you know, you know, are you still making beats for

0:21:11.040 --> 0:21:13.119
<v Speaker 1>other people? Like not that ship that you're not even on.

0:21:13.160 --> 0:21:15.720
<v Speaker 1>Are you still like sending packs out? Yeah? Yeah, any

0:21:15.840 --> 0:21:19.320
<v Speaker 1>any stuff that you know might be coming or any Yeah,

0:21:19.359 --> 0:21:21.280
<v Speaker 1>I got some crazy shit in the works for sure.

0:21:21.720 --> 0:21:26.600
<v Speaker 1>Can you give us a little not at all? Has

0:21:26.640 --> 0:21:29.199
<v Speaker 1>there been a blast? Have you done a hook recently

0:21:29.200 --> 0:21:30.719
<v Speaker 1>that you were like a little nervous because of who

0:21:30.760 --> 0:21:36.760
<v Speaker 1>it was for. Yeah, I feel I feel I'm my

0:21:36.800 --> 0:21:39.840
<v Speaker 1>biggest critic bro. Anything I send to anybody, I'm always

0:21:39.920 --> 0:21:42.880
<v Speaker 1>second guess with myself. But I like it that way

0:21:42.920 --> 0:21:46.440
<v Speaker 1>because I'm never perfect, but I'm always striving for perfection,

0:21:46.760 --> 0:21:50.600
<v Speaker 1>you know. But yeah, it's always like that. I'm always like, damn,

0:21:50.840 --> 0:21:52.400
<v Speaker 1>they gonna fuck with it or they're not gonna fuck

0:21:52.440 --> 0:21:54.800
<v Speaker 1>with it? Who can you let us know? Not who

0:21:54.800 --> 0:21:56.800
<v Speaker 1>you've worked with, but like who's reached out to you

0:21:57.640 --> 0:21:59.760
<v Speaker 1>that has let you know that they're a fan of

0:21:59.800 --> 0:22:01.960
<v Speaker 1>what you do. This for both of y'all. Two that

0:22:02.280 --> 0:22:04.159
<v Speaker 1>kind of was like a big deal to you, you

0:22:04.240 --> 0:22:09.960
<v Speaker 1>know what I'm saying, Like few people, few people, off

0:22:10.000 --> 0:22:11.920
<v Speaker 1>the top of my head. The latest one I could

0:22:11.920 --> 0:22:15.760
<v Speaker 1>think of, it's like Rick Ross him tapping and just

0:22:15.840 --> 0:22:18.880
<v Speaker 1>being in the same room with him. I didn't even

0:22:18.880 --> 0:22:20.919
<v Speaker 1>know he was, you know, he was like up on

0:22:20.960 --> 0:22:24.160
<v Speaker 1>your ship. Yeah, so that was a shocker for sure.

0:22:25.080 --> 0:22:27.560
<v Speaker 1>What as I mean, Drake lives in LA Has Drake

0:22:27.600 --> 0:22:30.360
<v Speaker 1>tapped in? No Drake a and't tapped in? That's got

0:22:30.520 --> 0:22:38.160
<v Speaker 1>that's gotta be inevitable. He lives here. I don't know

0:22:38.200 --> 0:22:40.760
<v Speaker 1>what about you? Who's somebody who's who's just reached out

0:22:40.800 --> 0:22:42.240
<v Speaker 1>to you, like just as like a fan that you

0:22:42.280 --> 0:22:50.520
<v Speaker 1>were like, Oh, this shit crazy. Mm hmm. I'll probably

0:22:50.560 --> 0:22:53.960
<v Speaker 1>say the craziest for me. He didn't exactly reach out.

0:22:54.040 --> 0:22:56.600
<v Speaker 1>He was just kind of sliding to my ship. It

0:22:56.680 --> 0:23:01.000
<v Speaker 1>was Bron Lebron, James Oh ship. He was sliding to

0:23:01.040 --> 0:23:04.520
<v Speaker 1>me and Jystone ship shout out Jaystone. But you feel

0:23:04.560 --> 0:23:07.000
<v Speaker 1>me when he in the back of that whip listening

0:23:07.000 --> 0:23:11.760
<v Speaker 1>to New York Ship, It's like, Lebron look like an

0:23:11.800 --> 0:23:15.760
<v Speaker 1>an R. Lebron is definitely an R, and he'd be

0:23:15.800 --> 0:23:18.600
<v Speaker 1>listening to the most wide He'll be listening to l

0:23:18.640 --> 0:23:21.359
<v Speaker 1>A Ship. Then it'll be listening to like Freddie Gibbs

0:23:21.400 --> 0:23:25.200
<v Speaker 1>or Griselda like he's super. I mean, he's supposed to

0:23:25.240 --> 0:23:27.200
<v Speaker 1>do an album. That's what they're saying. He's gonna do

0:23:27.240 --> 0:23:29.679
<v Speaker 1>like a DJ Khaled style project for he just A

0:23:29.800 --> 0:23:32.280
<v Speaker 1>and R to be fire, because I feel like he

0:23:32.359 --> 0:23:34.680
<v Speaker 1>got the ear for it for sure. Playing did y'all

0:23:34.680 --> 0:23:37.160
<v Speaker 1>see Space Jam two? Yeah? I just seen this ship.

0:23:37.160 --> 0:23:39.800
<v Speaker 1>I ain't seen this ship. What do you think I

0:23:39.920 --> 0:23:42.720
<v Speaker 1>liked it? I thought it was entertaining, which is kind

0:23:42.720 --> 0:23:45.000
<v Speaker 1>of what it was supposed to be right, Yeah, like

0:23:45.040 --> 0:23:46.920
<v Speaker 1>if you're going into space sham too thinking it's gonna

0:23:46.920 --> 0:23:51.640
<v Speaker 1>be like an Academy Award fucking movie. Like you're like, yo,

0:23:51.800 --> 0:23:54.280
<v Speaker 1>this is this is not It's just an entertaining movie

0:23:54.320 --> 0:23:59.040
<v Speaker 1>for children. And Lebron James seen it. I ain't seen

0:23:59.160 --> 0:24:03.440
<v Speaker 1>ship Forget HBO Max, it's free. Just watch that ship

0:24:03.480 --> 0:24:07.640
<v Speaker 1>at the crib. Just do that ship on. Is there

0:24:07.680 --> 0:24:09.919
<v Speaker 1>any sort of like timeline for you guys when it

0:24:09.960 --> 0:24:12.080
<v Speaker 1>comes to the follow up for this, because I know

0:24:12.240 --> 0:24:14.439
<v Speaker 1>each we're waiting for. I said, we're waiting for your

0:24:14.440 --> 0:24:18.359
<v Speaker 1>full time full length album. We're waiting on a new

0:24:18.359 --> 0:24:20.480
<v Speaker 1>project from you. Do you think we're gonna get both

0:24:20.480 --> 0:24:25.000
<v Speaker 1>of those before the end of the year. I'm not sure.

0:24:25.080 --> 0:24:27.399
<v Speaker 1>I couldn't. I couldn't even tell you that, especially with

0:24:27.480 --> 0:24:29.560
<v Speaker 1>me about to go on tour. It's a bunch of

0:24:29.600 --> 0:24:33.240
<v Speaker 1>shows I'm finna do. I'm always creating, but to put

0:24:33.240 --> 0:24:36.680
<v Speaker 1>out a body of work, especially at this moment, it's

0:24:37.200 --> 0:24:41.159
<v Speaker 1>very pivotal, Like you gotta be everyone's watching, Yeah, like

0:24:41.200 --> 0:24:45.000
<v Speaker 1>this is the moment where you gotta really lock in. Yeah,

0:24:45.040 --> 0:24:46.960
<v Speaker 1>so I'm gonna take my time with It's kind of

0:24:46.960 --> 0:24:49.119
<v Speaker 1>like your your Kendrick moment, Like Kendrick got the co

0:24:49.280 --> 0:24:51.600
<v Speaker 1>signed Section eighty came out. It was cool, but we're

0:24:51.600 --> 0:24:54.399
<v Speaker 1>all waiting to see what came Mad City sounded like me,

0:24:55.080 --> 0:24:57.639
<v Speaker 1>you know, Dre Dre co signed him on the radio

0:24:58.119 --> 0:25:00.200
<v Speaker 1>game passing the tour. I feel like that's where that's

0:25:00.200 --> 0:25:03.639
<v Speaker 1>your position right now. That's tough. Are you. Are you

0:25:03.720 --> 0:25:07.159
<v Speaker 1>finding yourself experimenting with it any, like different sonics like

0:25:07.200 --> 0:25:13.160
<v Speaker 1>on the New Ship? Yeah, for sure, and mainly because

0:25:13.200 --> 0:25:16.400
<v Speaker 1>I feel like people kind of predict what I'm gonna

0:25:16.400 --> 0:25:19.280
<v Speaker 1>do or how I'm gonna come. So the new shit

0:25:19.320 --> 0:25:21.960
<v Speaker 1>I've been doing like it's not too far away. Of course,

0:25:22.000 --> 0:25:25.080
<v Speaker 1>I'm gonna stick to my what I know, but I've

0:25:25.119 --> 0:25:28.760
<v Speaker 1>been leveling enough for sure. Have you been seeking any

0:25:28.760 --> 0:25:31.640
<v Speaker 1>outside production at all? Are you keeping it all? Yeah? Yeah,

0:25:31.720 --> 0:25:34.560
<v Speaker 1>I had locked in with Mike and Keys recently just

0:25:34.560 --> 0:25:38.119
<v Speaker 1>to get a different feel. Also, the artist that I

0:25:38.119 --> 0:25:40.639
<v Speaker 1>told you about, Jay Million, he produced as well, and

0:25:40.680 --> 0:25:43.960
<v Speaker 1>he played a bunch of instruments. So that's just been

0:25:44.640 --> 0:25:47.159
<v Speaker 1>you know, leveling up the whole sound. What about your

0:25:47.200 --> 0:25:51.280
<v Speaker 1>album for the end of the year, possibly, you know

0:25:51.320 --> 0:25:54.399
<v Speaker 1>what I'm saying. I feel like the goal after this

0:25:54.840 --> 0:25:57.479
<v Speaker 1>is to you know, obviously keep it going, you know,

0:25:58.040 --> 0:26:02.679
<v Speaker 1>with class and you know what I'm saying respectfully, however

0:26:02.720 --> 0:26:04.520
<v Speaker 1>that however that is you know what I'm saying. I

0:26:04.560 --> 0:26:07.080
<v Speaker 1>don't know if it's gonna be the album or a

0:26:07.119 --> 0:26:09.720
<v Speaker 1>mixtape or what, you know what I'm saying, but we

0:26:09.760 --> 0:26:15.359
<v Speaker 1>will keep it going for sure. You obviously learning so

0:26:15.440 --> 0:26:17.359
<v Speaker 1>much from Nip Man. Is there anything like on the

0:26:17.480 --> 0:26:20.720
<v Speaker 1>entrepreneurial sideject getting involved in because you know he's kind

0:26:20.720 --> 0:26:22.960
<v Speaker 1>of laid the blueprint for a lot of this generation.

0:26:23.400 --> 0:26:25.199
<v Speaker 1>You know what I'm saying, what to do when it

0:26:25.240 --> 0:26:29.919
<v Speaker 1>comes to just you know, having a bunch of eggs

0:26:29.920 --> 0:26:33.600
<v Speaker 1>and different baskets besides the music shit. For sure. Yeah,

0:26:33.640 --> 0:26:36.040
<v Speaker 1>I'll say the biggest thing you know what I'm saying

0:26:36.040 --> 0:26:38.720
<v Speaker 1>that I want to continue. You know what I'm saying

0:26:38.760 --> 0:26:41.240
<v Speaker 1>per se from Nip is just the community, you know

0:26:41.280 --> 0:26:44.879
<v Speaker 1>what I'm saying, Like different outlets outside of music, you

0:26:44.920 --> 0:26:49.280
<v Speaker 1>know what I'm saying, just to promote growth and wellness,

0:26:49.480 --> 0:26:54.040
<v Speaker 1>you feel me just within ourselves, bro, just all generations.

0:26:54.040 --> 0:26:57.080
<v Speaker 1>I feel like it's necessary for someone you know what

0:26:57.080 --> 0:26:59.640
<v Speaker 1>I'm saying, able to step in and kind of play

0:26:59.640 --> 0:27:02.760
<v Speaker 1>that role fire Blast. You're on a lot of big

0:27:02.800 --> 0:27:07.240
<v Speaker 1>festivals coming up in Vegas. You're rolling loud right, Yeah,

0:27:07.280 --> 0:27:10.119
<v Speaker 1>Miami Loud, Miami. I heard you guys have a party Friday.

0:27:10.160 --> 0:27:12.960
<v Speaker 1>Is that's true. Yeah, we're throwing a day party in Miami.

0:27:13.800 --> 0:27:17.800
<v Speaker 1>I gotta fall through. I'm gonna be out there. But

0:27:18.000 --> 0:27:22.560
<v Speaker 1>uh what what what? Because you're on some pretty crazy lineups, fact,

0:27:22.920 --> 0:27:26.320
<v Speaker 1>pretty wild lineups. Which lineup did you see that? You

0:27:26.359 --> 0:27:29.200
<v Speaker 1>were like, I need to watch this ship, like, because

0:27:29.200 --> 0:27:32.080
<v Speaker 1>you're on some pretty crazy lineup that I see that

0:27:32.080 --> 0:27:34.200
<v Speaker 1>that I'm on, Yeah, that you're on where You're like, man,

0:27:34.640 --> 0:27:36.200
<v Speaker 1>we might need to just go be on some fan

0:27:36.280 --> 0:27:41.760
<v Speaker 1>ship for this, I would say to her. Festival, it's

0:27:42.200 --> 0:27:44.600
<v Speaker 1>coming up. It's gonna be in Oakland, Turn the Lights

0:27:44.680 --> 0:27:48.200
<v Speaker 1>on festival. But it's hosted by Erica Badu in her

0:27:48.359 --> 0:27:50.920
<v Speaker 1>so so as I seen Erica do, I'm like, I

0:27:50.960 --> 0:27:53.280
<v Speaker 1>gotta come some ship. I ain't coming regularly. I gotta

0:27:53.320 --> 0:27:57.280
<v Speaker 1>have a live band, background, singers, background, you know you

0:27:57.520 --> 0:28:00.400
<v Speaker 1>know that festival, everyone's gonna have the live band. Yeah,

0:28:00.440 --> 0:28:04.400
<v Speaker 1>for sure, crazy live too. I'm already knowing in her

0:28:04.520 --> 0:28:07.520
<v Speaker 1>she's crazy live. I've seen her early on at the observatory.

0:28:08.240 --> 0:28:11.000
<v Speaker 1>I'm a big fan of her. We mean asking for la, Like,

0:28:11.000 --> 0:28:14.600
<v Speaker 1>why did you decide to do the Roxy? Well, you're

0:28:14.640 --> 0:28:17.560
<v Speaker 1>doing it multiple times, right, Yeah, you probably could have

0:28:17.600 --> 0:28:21.040
<v Speaker 1>did like the Novo like m or I don't know.

0:28:21.600 --> 0:28:24.000
<v Speaker 1>I just wanted to keep it humble. I really didn't

0:28:24.000 --> 0:28:28.800
<v Speaker 1>have no expectations until after we so, I mean I

0:28:28.840 --> 0:28:33.880
<v Speaker 1>really didn't have no expectations period. But for the most part,

0:28:33.960 --> 0:28:36.159
<v Speaker 1>like as far as the agency, it was just the

0:28:36.240 --> 0:28:39.320
<v Speaker 1>dates didn't align with the tours, so the Roxy was

0:28:39.320 --> 0:28:41.840
<v Speaker 1>the perfect fit to keep the tour in the same route.

0:28:41.960 --> 0:28:44.200
<v Speaker 1>How many days are you doing in the Roxy? Doing

0:28:44.200 --> 0:28:48.120
<v Speaker 1>two days too? You could probably do like eight crazy,

0:28:48.160 --> 0:28:50.320
<v Speaker 1>I mean serious, it's like five hundred people there, right,

0:28:50.880 --> 0:28:53.360
<v Speaker 1>it's like small in there. Yeah, it's it's hot as

0:28:53.400 --> 0:28:56.479
<v Speaker 1>fucking the Roxy. I mean you've been there. Look, man,

0:28:56.520 --> 0:28:59.840
<v Speaker 1>look the project is out, great timing for the summertime,

0:29:02.440 --> 0:29:05.480
<v Speaker 1>great body of work. I think it's Uh, which song

0:29:05.520 --> 0:29:07.520
<v Speaker 1>are you guys noticing? Is like the one that's like

0:29:07.560 --> 0:29:11.080
<v Speaker 1>getting the TikTok's moving or getting like getting some love

0:29:11.120 --> 0:29:13.200
<v Speaker 1>in the club? Is there like one record that's kind

0:29:13.200 --> 0:29:15.560
<v Speaker 1>of standing out right now? On on six tape two

0:29:17.080 --> 0:29:18.960
<v Speaker 1>or Is it just the whole projects getting loved that

0:29:19.080 --> 0:29:22.640
<v Speaker 1>bit going. I ain't gonna lie. It's I'm just hearing

0:29:22.680 --> 0:29:24.480
<v Speaker 1>the same thing from everybody. You know what I'm saying.

0:29:24.520 --> 0:29:27.240
<v Speaker 1>You gotta let it play front to back, no skips,

0:29:27.600 --> 0:29:31.800
<v Speaker 1>no skips. Man, Look, the album is out, go get it.

0:29:31.800 --> 0:29:34.680
<v Speaker 1>We'll mixtape whatever we're calling it. Hopefully you and Draco

0:29:34.760 --> 0:29:38.360
<v Speaker 1>put a project out, that incredible record, Go Crazy. I

0:29:38.400 --> 0:29:40.040
<v Speaker 1>look forward to. You said you were tapping in with

0:29:40.040 --> 0:29:41.760
<v Speaker 1>a bunch of LA artists. Who else in LA do

0:29:41.800 --> 0:29:44.280
<v Speaker 1>you have a bunch of shit with? I wouldn't say

0:29:44.280 --> 0:29:47.000
<v Speaker 1>a bunch of shit, but I'll say some names. Y'all

0:29:47.000 --> 0:29:51.920
<v Speaker 1>need to get familiar with Airplane, James Sham, going Crazy,

0:29:52.280 --> 0:29:55.560
<v Speaker 1>Shout Out Asia. The list goes on Blue Bush Claying.

0:29:55.600 --> 0:29:57.120
<v Speaker 1>You know what I'm saying, It's a bunch of bunch

0:29:57.160 --> 0:30:02.120
<v Speaker 1>of dope LA artists. Everybody needs to tap in with Shelfish.

0:30:02.520 --> 0:30:05.320
<v Speaker 1>I felt like it would have been criminal had you

0:30:05.360 --> 0:30:12.280
<v Speaker 1>have not made the Freshman cover. Talk about the Freshman thing,

0:30:12.760 --> 0:30:16.080
<v Speaker 1>I don't feel like that. I felt like it was early, honestly,

0:30:16.240 --> 0:30:20.280
<v Speaker 1>But like I said before, like the music speaks, you know,

0:30:20.640 --> 0:30:23.160
<v Speaker 1>and that's just what I lived by, but I really

0:30:23.160 --> 0:30:25.680
<v Speaker 1>felt like it was too early for me to be

0:30:26.160 --> 0:30:29.880
<v Speaker 1>so yeah, maybe like next year or something, after the

0:30:29.920 --> 0:30:34.120
<v Speaker 1>next project. But staff like they showed dumb love when

0:30:34.160 --> 0:30:36.360
<v Speaker 1>I met with him, and they was a fan of

0:30:36.360 --> 0:30:39.800
<v Speaker 1>the music over everything, And I appreciate that they still

0:30:39.800 --> 0:30:42.920
<v Speaker 1>hold that integrity there. Like they get a lot of flak,

0:30:43.080 --> 0:30:45.640
<v Speaker 1>but it's a couple of artists on there that I

0:30:45.680 --> 0:30:49.680
<v Speaker 1>was like, damn, they really tapped in, So I appreciate that. Yeah,

0:30:49.720 --> 0:30:53.800
<v Speaker 1>Now I feel like the Double X always gets the

0:30:53.840 --> 0:30:57.320
<v Speaker 1>East Coast bias. Yeah when it comes to like when

0:30:57.320 --> 0:31:00.479
<v Speaker 1>we have every time you see the cover, like but

0:31:00.680 --> 0:31:04.320
<v Speaker 1>you know, I feel like it's with all the noise

0:31:04.360 --> 0:31:07.160
<v Speaker 1>coming out of la it feels like it's finally every

0:31:07.280 --> 0:31:09.160
<v Speaker 1>like you said, you're about to go see a bunch

0:31:09.160 --> 0:31:10.760
<v Speaker 1>of kids in New York sing along to your shit,

0:31:10.840 --> 0:31:12.680
<v Speaker 1>you know what I'm saying. Roddy had one of the

0:31:12.680 --> 0:31:14.720
<v Speaker 1>biggest albums ever, you know what I mean. I feel

0:31:14.720 --> 0:31:16.400
<v Speaker 1>like she's finally starting to kind of come this way

0:31:16.400 --> 0:31:17.920
<v Speaker 1>man again. So it's a good look. Well, look, I

0:31:17.920 --> 0:31:18.600
<v Speaker 1>appreciate y'all.