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Speaker 1: What's up?

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Speaker 2: His way up with angela Ye, and this is so

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Speaker 2: exciting for me, Me and Jasmine Branda here. Jasmine has

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Speaker 2: not been on this show in so long and she

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Speaker 2: literally came here today.

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Speaker 3: It's been a month. You were like that, what anymore?

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Speaker 3: But I was like, no, I'm here.

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Speaker 2: I don't do it like that, okay, But anyway, I'm

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Speaker 2: so excited that you guys are hearing a new album

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Speaker 2: on the way. We got a little sneak preview and

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Speaker 2: it sounds phenomenal. So you want to start by saying that,

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Speaker 2: but I mean, and it's not even because I'm biased

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Speaker 2: in any way, because you know, I'm a huge They

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Speaker 2: are so fair from the beginning, but honestly, it sounds

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Speaker 2: timeless and perfect for now.

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Speaker 4: Thank you so much.

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Speaker 5: Man.

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Speaker 4: We put a lot into it our you know, the

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Speaker 4: normal intent we normally put into our music creatively, but

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Speaker 4: you know, and it meant a lot, of course, because

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Speaker 4: it's the first album without Dave.

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Speaker 1: But he's on It's on it.

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Speaker 4: He's definitely he's on its on it, whether his voice

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Speaker 4: songs that even put together himself, so his energy is there.

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Speaker 3: How long have you ill been working on the.

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Speaker 4: Album off and on it's originally an album that we

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Speaker 4: had started with Pete Rocking Premiere. We was doing an

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Speaker 4: album called Premium Soul in the Rocks with Massapill. It

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Speaker 4: just never got finished and whatever, and it was just

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Speaker 4: left to the side. So when it was time to

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Speaker 4: get down with the Legends has It series that massa

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Speaker 4: Pill is doing, we opened the album up to include

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Speaker 4: tracks from Dave that was by other producers, so it

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Speaker 4: didn't have to stay in a Pete in prem world,

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Speaker 4: and prem is doing an entire project.

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Speaker 5: With not as well as Dave's production.

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Speaker 4: So like we opened it up, so like there's a

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Speaker 4: lot of new stuff on it as well, but there's

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Speaker 4: of course some stuff that Dave had did before he.

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Speaker 2: Passed that You guys are like, you don't stop because

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Speaker 2: you put that early on in the album and I

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Speaker 2: saw at the end you said the magic will always

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Speaker 2: be three yes, and you let it be known. One

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Speaker 2: thing I always have noticed too when it comes to

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Speaker 2: day last, So you guys have always had We don't

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Speaker 2: hear that like falling out stories and this person to

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Speaker 2: crazy about this person. We hear that so much when

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Speaker 2: it comes to like groups in general, acrosse, any genre, right,

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Speaker 2: But you guys have always remained tight.

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Speaker 5: Yeah. Well we've had our wars.

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Speaker 1: Yeah, but it has never been public because.

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Speaker 5: Brothers, man. I mean, there's no way you could be

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Speaker 5: family without having some kind of tiff, you know what

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Speaker 5: I mean. It's how you come out the other side. Yeah,

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Speaker 5: there's a testament of being family, you know what I mean?

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Speaker 5: And all that public shit, it's not family. And I

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Speaker 5: see that don't look like family when dudes call themselves

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Speaker 5: family and when you do it like that, that's not family.

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Speaker 1: People say they they oh what family argues all the time.

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Speaker 5: But not like not in Public's supposed to go home

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Speaker 5: and deal with that.

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Speaker 4: It's some of the stuff that you say to each

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Speaker 4: other you can't really take it back is out there forever,

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Speaker 4: you know what I'm saying.

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Speaker 1: And then everybody weighs in.

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Speaker 4: Yeah, and there's a bunch of people in your business.

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Speaker 1: Now now, I got it. So many questions.

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Speaker 2: So you guys, really our family haven't met in high

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Speaker 2: school right in Long Island.

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Speaker 1: So you came from the Bronx.

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Speaker 4: Yeah, you came from.

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Speaker 5: Where you were in Brooklyn.

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Speaker 1: I love that for you.

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Speaker 2: What was it like because you know, I moved when

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Speaker 2: I was fourteen from Brooklyn to New Jersey and that

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Speaker 2: was like, oh my god, I'm moving to the suburbs,

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Speaker 2: and what am I going to do?

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Speaker 5: Like I was fourteen moving to Long Island, and I

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Speaker 5: was like, I'm moving further and further away from my dreams,

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Speaker 5: you know, knowing that hip hop was happening, Like this

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Speaker 5: didn't have a name called hip hop yet. It was

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Speaker 5: just this thing that was just so much energy around it,

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Speaker 5: and it was happening in the Burroughs, and I thought

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Speaker 5: I was moving away from it.

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Speaker 1: What was out at that time?

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Speaker 2: Like if you have to think about what you were

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Speaker 2: listening to, because you know, there was, like you said,

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Speaker 2: not necessarily hip hop like it was, but we would

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Speaker 2: listen to like a little bit of hip hop and

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Speaker 2: it would be like a little segment on the radio,

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Speaker 2: but we listened to everything.

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Speaker 4: Yeah, we definitely did a lot of R and B

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Speaker 4: stuff we was into back then. I mean like Tanya

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Speaker 4: Gone a Heartbeat that was really big in the city,

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Speaker 4: fun the Ray or like a Fat Rat, anything from

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Speaker 4: you know, Luther Vandros and the group Change, like all

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Speaker 4: that was really was.

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Speaker 3: But I think that really reflects as to I was

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Speaker 3: just talking talking about when you were looking at the album,

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Speaker 3: it sounds very soulful, but I think that has something

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Speaker 3: to do with what you all grew up. The era

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Speaker 3: that you grew up in.

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Speaker 4: A definitely has a lot to do with.

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Speaker 2: I mean, listen to and for me too, because I

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Speaker 2: grew up around that time. Also, so listening to like

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Speaker 2: a Hall of Notes sample and the song because we

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Speaker 2: all knew those songs. Listen to I Know, I Love

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Speaker 2: You like it felt good because it felt familiar. And

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Speaker 2: it's interesting to me because I think that sometimes people

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Speaker 2: try to act like sampling is not, like a, well,

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Speaker 2: financially this is not the best thing, but they act

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Speaker 2: like creatively it's not. But when you use the right

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Speaker 2: samples and you can be work within that, I think

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Speaker 2: it's an amazing, indeed accomplishment when you're doing right yeah.

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Speaker 4: And you can have We've been blessed to have people

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Speaker 4: that we've sample like they'll you know, like even you know,

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Speaker 4: hauling oats, they will be like, wow, it's really creative

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Speaker 4: that you took this song we had and made it

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Speaker 4: about an anti drug song. The same with Stilly dand

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Speaker 4: like Yo, you took this one part of the song

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Speaker 4: and made it about a girl in a hip hop song.

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Speaker 4: So there's a lot of people appreciate it. Yeah, they

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Speaker 4: appreciate it.

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Speaker 2: That's amazing because it brings together like the different genres,

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Speaker 2: because I feel like things can be like very segregated.

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Speaker 2: Now when it comes to genres.

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Speaker 1: Of music, it can be.

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Speaker 4: It's definitely because I.

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Speaker 1: Don't be knowing what. Like when you listen to I'm like,

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Speaker 1: what is that? I have no idea. It could be

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Speaker 1: a huge song and I just don't know it.

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Speaker 3: Because yeah, and they feel the same about our classics.

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Speaker 3: Sure they don't know such and such.

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Speaker 1: Now I'll go ahead, no, no, no, no, you go no,

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Speaker 1: you go.

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Speaker 5: Well no.

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Speaker 4: I was just trying to say, like there's people always

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Speaker 4: talk about how bad music is, and I don't agree

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Speaker 4: with that. I feel that there's just a lot of it.

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Speaker 4: And so like you said, like you can come across

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Speaker 4: an artist that has like five million people that follow

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Speaker 4: them and you had never even heard of them, and

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Speaker 4: like you feel like you're late. But they may live

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Speaker 4: in a world that's only on SoundCloud and they're like

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Speaker 4: in that universe there God, And it's like so it's

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Speaker 4: really cool in that regards for musicians that they don't

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Speaker 4: have to depend on one place to get music, but

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Speaker 4: to be a listener, it's sometimes really hard to keep

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Speaker 4: up with what it is.

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Speaker 1: Because you heard this person.

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Speaker 2: Listen that guy David, the one that his girlfriend died

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Speaker 2: and they found I had no idea who he was

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Speaker 2: either until that story came out of the body in

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Speaker 2: the tesla.

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Speaker 4: Yeah and the trunk.

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Speaker 2: Yeah right, And it's a youth following and he was

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Speaker 2: on tour when all of this happened, like selling out shows,

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Speaker 2: and I'm like, I don't even know.

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Speaker 4: Yeah, I saw it on the news. I hit my

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Speaker 4: nineteen year old, like, yo, who is this?

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Speaker 5: Yeah, he knew who he was.

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Speaker 1: I was like, maybe we aged up. I guess now.

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Speaker 2: One of the other songs from my childhood that was

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Speaker 2: always a favorite was Biddy's in the bk Lom Yeah.

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Speaker 1: And you said that's a true story.

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Speaker 4: Well, yeah, a little bit. Look kind of because me

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Speaker 4: and Dave we used to work at Burger King, so

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Speaker 4: we just had collected so many stories from that. But

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Speaker 4: how was that? It was fun working at Burger King

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Speaker 4: and Long Island and the Sunrise Law. We had a

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Speaker 4: lot of fun. We did a lot of crazy stuff.

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Speaker 4: You don't want to know the crazy stuff. But I

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Speaker 4: just know that I don't trust anything that I don't

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Speaker 4: see someone making based off the crazy stuff that we

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Speaker 4: were doing. So yeah, I was leaving at that. Yeah yeah, yeah, yeah,

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Speaker 4: wash the money rings. But yeah, I think the the

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Speaker 4: story really kind of comes from when he was on

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Speaker 4: an LL tour and he ran up in a burger

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Speaker 4: king and yeah, you tell that.

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Speaker 5: One manus very much. No way you messing with the

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Speaker 5: girl behind the counter. I really got her mad and

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Speaker 5: she threw my solda on me for.

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Speaker 3: Me, you probably deserved.

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Speaker 1: It, I did, but you can't do that.

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Speaker 5: But well, I was what nineteen at the time, feeling

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Speaker 5: myself on the tour with all the fellas and cracking

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Speaker 5: jokes to the girl behind the counter, and she was

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Speaker 5: upset and she threw the soda. I mean all I

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Speaker 5: could do is really laugh. We all laughed. It was crazy,

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Speaker 5: but it kind of that he decided to put it

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Speaker 5: in the song. Yeah, And I was like, yo, we

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Speaker 5: got to make a song called.

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Speaker 4: Because he was calling every B word he could.

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Speaker 3: I was.

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Speaker 1: Where where today?

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Speaker 4: Well you didn't make it busies and he didn't want

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Speaker 4: to say b.

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Speaker 5: I you know, well, when she threw it on me,

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Speaker 5: I was like, bitch, what I didn't mean.

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Speaker 1: What was your day job before all this? Did you have?

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Speaker 6: Oh?

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Speaker 5: I had a few jobs. I worked at the cash yeah, texicootist.

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Speaker 5: I worked at Taco bells.

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Speaker 2: You worked in oils, Yeah.

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Speaker 5: I used to build carburetors.

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Speaker 1: Wow, very useful.

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Speaker 5: A couple of different jobs.

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Speaker 1: And when the tour bus broke down.

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Speaker 4: Yeah, they slinging mad burrito and that was.

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Speaker 5: All of that.

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Speaker 1: Everybody worked in fast food at some point.

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Speaker 2: So, Masio, you were pretty early on as far as

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Speaker 2: even with the producing, the DJing and introducing Prince Paul

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Speaker 2: Yes to day Lass, and that was very instrumental in

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Speaker 2: the success of the first album, Three Feet High in Rising.

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Speaker 5: Yes, I met Paul around eighty six working on another

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Speaker 5: record with a mutual friend that me and Paul didn't

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Speaker 5: really care for. The song we were working on when

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Speaker 5: I always think about the story High Insight. Paul was

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Speaker 5: figuring out his exit plan, so we sat in the

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Speaker 5: car we talked about it. He was asking me how

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Speaker 5: did I feel about what I was working when I

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Speaker 5: was like, yo, I don't really care for it. I said,

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Speaker 5: I think we're doing all we can. I said, I

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Speaker 5: don't think they really have an understanding of what we're

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Speaker 5: trying to do here, I said, And based on me

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Speaker 5: trying to get into this business and learn certain things,

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Speaker 5: they're not letting me touch any had the equipment, none

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Speaker 5: of that, so I feel just useless here. So behind

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Speaker 5: that day, me and Paul connected and next thing you know,

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Speaker 5: he asked me to go get these cassettes that I've

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Speaker 5: been talking about forever and they had plug tuning on

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Speaker 5: it had potholes on it, or four track stuff, Three's

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Speaker 5: of Magic number before it was even a song before

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Speaker 5: he was just the music and passcame with that just

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Speaker 5: stuff we was working on in the house, you know,

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Speaker 5: And when I played it from him, he was like, Yo,

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Speaker 5: this stuff was incredible. And then he started to play

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Speaker 5: me stuff that wasn't making the Statso Sonic album, and

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Speaker 5: it was things that he produced, and we realized musically

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Speaker 5: we just had a strong energy synergy between one and nothing.

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Speaker 5: He was like, yo, he asked me if I was

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Speaker 5: still messing with a certain dude that used to be

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Speaker 5: a part of us. At this point, this guy wasn't

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Speaker 5: the part, which was good because Paul wasn't gonna mess

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Speaker 5: with us if he was down with us. So I

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Speaker 5: was like, nah, he not rocking with us. No more.

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Speaker 1: Was there ever talk to him for him to join

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Speaker 1: the group because he.

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Speaker 5: No.

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Speaker 4: Paul just definitely found like a kinship in what we

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Speaker 4: were doing because, as May said, him being the youngest

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Speaker 4: instead his ideas couldn't get heard. So he felt like, look,

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Speaker 4: I want to dump all the stuff that I try

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Speaker 4: to dump into stetto into you guys. And he was

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Speaker 4: very instrumental, and he was.

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Speaker 5: Very I mean big brother, a true mentor a lot

258
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Speaker 5: of how to navigate through the studio, let alone implementing

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Speaker 5: every idea possible. He was like, no idea is a

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Speaker 5: bad idea. You know, we'll try every idea, be open

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Speaker 5: to everyone's idea before we cancel anything out. And we

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Speaker 5: would do that. And he would also send us home

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Speaker 5: with homework to having like rhymes ready, scratches ready, beats ready,

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Speaker 5: which allowed us to have more room to come up

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Speaker 5: with those skits. Yeah. So once we had the homework

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Speaker 5: down and we would do that, we have more time

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Speaker 5: in the studio too, kind of just play around and

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Speaker 5: come up with quirky ideas and be silly.

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Speaker 1: Do you think the success of.

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Speaker 2: The first album did that put pressure for the second album,

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Speaker 2: because I mean it exploded.

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Speaker 4: It did, but it for us I would say it didn't.

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Speaker 4: We were just really we were just really stuck on

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Speaker 4: the path of this, always trying to be creative and

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Speaker 4: do different things. And when we we immediately knew that

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Speaker 4: when we put out three Rods in that we weren't

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Speaker 4: going to do that again. We wasn't gonna do three

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Speaker 4: for three Rods in part two. We knew that. So

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Speaker 4: when we came with that second album, which we titled

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Speaker 4: Days Dead, like the Red Company was like, yo, what

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Speaker 4: do I do?

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Speaker 5: Only pressure was challenging the images, the misconstrued images.

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Speaker 2: Yeah, you know, take it off was on that first album.

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Speaker 2: If you had to do a twenty twenty five take

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Speaker 2: it off, what would you tell people to take off?

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Speaker 4: Personally? For me? Crocs? I hate crocsh crocs. Please take

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Speaker 4: the crocs off. Take the crocs off. Some crocs, yo,

288
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Speaker 4: I used to take the clocks off?

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Speaker 1: What else?

290
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Speaker 3: What else?

291
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Speaker 5: They stopped rocking?

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Speaker 4: Take learn it could be a healthy rocket ground. Take

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Speaker 4: the pajamas off at the airport that you're coming at me.

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Speaker 3: I don't know what. I haven't wore pajamas, but I

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Speaker 3: do wear my scarf, but you Jammy's.

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Speaker 2: On take the scarf off at the airports?

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Speaker 4: Oh man, he got.

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Speaker 3: A list he was sitting about.

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Speaker 1: Nobody to take nothing, No them do that? How you're

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Speaker 1: gonna get this cracks deal?

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Speaker 2: I can see what they call it, the little accessory?

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Speaker 4: Did that?

303
00:14:33,440 --> 00:14:36,000
Speaker 3: Angela? What would what would you want? Take it? Take off?

304
00:14:36,040 --> 00:14:36,320
Speaker 3: Take it?

305
00:14:36,400 --> 00:14:38,240
Speaker 1: What would I say? Take it? See, I'm not gonna

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Speaker 1: agree with none of because I love wearing my pajamas out.

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Speaker 3: But you know what, you've never wore pajamas in the airport.

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Speaker 2: I wear like pajama looking outfits, sweat and you know

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Speaker 2: what I'm saying. No, but I wear like the little

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Speaker 2: silky pit but there really like could be either.

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Speaker 1: Yeah, I feel attacked.

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00:14:53,720 --> 00:14:55,440
Speaker 2: Let me see what what would I want people to

313
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Speaker 2: take off? If I had to say take it off?

314
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Speaker 3: You know what I'm over. I don't mind men dying

315
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Speaker 3: their beard in their hair, but too much of.

316
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Speaker 2: The Beijing take the Beijing, Yes, take the bait off,

317
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Speaker 2: because that was crazy.

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Speaker 4: When the Homie fed Up Homies.

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Speaker 2: Shirt that was it was like, it's like sharp, Yeah,

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Speaker 2: I don't like that anymore.

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Speaker 1: That's a good one all right now.

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Speaker 2: But the ultimate ultimate like crew track, and I felt

323
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Speaker 2: like it was such a time of collaboration, Like I

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Speaker 2: feel like we've never seen anything quite like that before,

325
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Speaker 2: like Native Tongue. Yeah, I mean, and all these groups

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Speaker 2: coming together. It felt organic.

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Speaker 4: No, it was definitely organic because we would just hang

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Speaker 4: out in each other's studio. So it wasn't like a

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Speaker 4: track that was playing, like even Jungle. If they would

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Speaker 4: have came, say the next day, they probably would have

331
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Speaker 4: ended up on ghetto thing, you know, Like so it

332
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Speaker 4: wasn't like if we playing like Yo, let's put them

333
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Speaker 4: on Buddy. They just happened to be hanging out in

334
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Speaker 4: the studio, was around around.

335
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Speaker 5: It was like it.

336
00:16:01,600 --> 00:16:03,800
Speaker 4: Happened organically like that in a lot of sessions.

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Speaker 1: You know, I always tell Mony love I love her part.

338
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Speaker 2: You know, I think for a woman seeing yourself represented

339
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Speaker 2: on a song like that, it actually works because No,

340
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Speaker 2: I was amazing, And I mean when.

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Speaker 5: I'm lyrically holding up male dominated yeah yeah.

342
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Speaker 4: And I mean when Africa told us like, yo, I

343
00:16:20,640 --> 00:16:23,920
Speaker 4: want to bring this young lady around Carmony and she's

344
00:16:23,960 --> 00:16:26,440
Speaker 4: a really dope and series like do it, like we

345
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Speaker 4: trust your judgment, and she definitely murdered that track murdered it.

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Speaker 2: You know, I always give you your props because during

347
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Speaker 2: that time, I always and I had a conversation like

348
00:16:37,320 --> 00:16:39,200
Speaker 2: what would I say if I had to rate which

349
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Speaker 2: album was better between Day La Soul Is Dead and

350
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Speaker 2: Three Feet High and Rising.

351
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Speaker 1: I don't know which one would I pick?

352
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Speaker 2: You know, because I felt the same way about like

353
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Speaker 2: Tribe card quests. When I think about like Midnight Marauders

354
00:16:53,440 --> 00:16:54,320
Speaker 2: and the Low Andry?

355
00:16:55,320 --> 00:16:56,120
Speaker 3: Could you all pick?

356
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Speaker 5: Like sharing what's your favorite?

357
00:17:00,240 --> 00:17:03,600
Speaker 3: Yeah, people do have favorite kids.

358
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Speaker 1: People told me like I do have a favorite kids.

359
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Speaker 4: Well, I would say it is not that it's your favorite,

360
00:17:09,200 --> 00:17:11,520
Speaker 4: but it seemed like the child is more in sync

361
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Speaker 4: and aligned to you naturally that way.

362
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Speaker 3: But what about between those two?

363
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Speaker 1: Yeah, between those kids.

364
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Speaker 4: Low in theory for me, Oh you talking about the

365
00:17:20,760 --> 00:17:26,399
Speaker 4: Day Yeah, Three fe High. Yeah, It's just it was

366
00:17:26,480 --> 00:17:28,679
Speaker 4: the first thing. It's like your first kiss and it

367
00:17:28,800 --> 00:17:31,480
Speaker 4: was good, you know, your first time having making love

368
00:17:31,480 --> 00:17:34,399
Speaker 4: and it was great, Like there was no issues in

369
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Speaker 4: the studio. Paul created this atmosphere for us to truly

370
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Speaker 4: have fun, be ourselves and people was enjoying what we

371
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Speaker 4: was doing. So I would for that reason, I would

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Speaker 4: say three.

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Speaker 2: And it was like nothing that was happening at the time.

374
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Speaker 2: And I say the same thing, like as your careers

375
00:17:50,040 --> 00:17:53,919
Speaker 2: and albums have progressed there it's just very unique. And

376
00:17:54,240 --> 00:17:56,399
Speaker 2: the way that songs were crafted, the way that it

377
00:17:56,520 --> 00:17:58,960
Speaker 2: was like it could be singing things had a deeper

378
00:17:59,000 --> 00:18:01,200
Speaker 2: meaning than you could even and like Millie pulled the

379
00:18:01,240 --> 00:18:04,560
Speaker 2: Pistol on Santa it feels like you hear the title

380
00:18:04,600 --> 00:18:06,439
Speaker 2: and you're like, what the hell is this, but but

381
00:18:06,520 --> 00:18:08,040
Speaker 2: then you go and listen to it and you're like,

382
00:18:08,080 --> 00:18:11,040
Speaker 2: oh damn, like this has such a meaning to it.

383
00:18:12,080 --> 00:18:13,240
Speaker 1: How did that song come about?

384
00:18:13,520 --> 00:18:17,120
Speaker 4: It was? It started off as just a title. We

385
00:18:17,119 --> 00:18:20,280
Speaker 4: were just getting off whatever Long Island railroad, got on

386
00:18:20,320 --> 00:18:23,520
Speaker 4: whatever subway to get to whatever club he was going to,

387
00:18:23,760 --> 00:18:27,280
Speaker 4: got off on the In the subway, I saw like

388
00:18:27,840 --> 00:18:30,280
Speaker 4: a homeless dude with a Santa Claus outfit on and

389
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Speaker 4: it was dirty. And the first thing that came to

390
00:18:33,119 --> 00:18:35,359
Speaker 4: my head was Milly pulled the Pistol on sand And

391
00:18:35,520 --> 00:18:37,600
Speaker 4: I used to walk around with a little notepad and

392
00:18:37,640 --> 00:18:39,320
Speaker 4: I wrote it down. I showed David, like, Yo, this

393
00:18:39,359 --> 00:18:41,439
Speaker 4: is a dope title, and Dave was like, yeah, but

394
00:18:41,480 --> 00:18:43,280
Speaker 4: what would it be about? And I didn't know, and

395
00:18:43,320 --> 00:18:47,520
Speaker 4: then months went by, someone I knew went through something.

396
00:18:48,280 --> 00:18:50,920
Speaker 4: Later on poll provided us with a song. I was like, Yo,

397
00:18:50,960 --> 00:18:52,560
Speaker 4: this is the song, and I wrote the song.

398
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Speaker 2: Yeah, isn't it wild that like artificial intelligence and you

399
00:18:57,280 --> 00:19:01,080
Speaker 2: guys have art official intelligence, but artificially intelligence is like

400
00:19:01,880 --> 00:19:05,120
Speaker 2: really got a lot of people shook up right now.

401
00:19:05,720 --> 00:19:07,880
Speaker 2: We were playing this country song that's the number one

402
00:19:07,920 --> 00:19:10,520
Speaker 2: song on the country tourist that said AI artists, it's

403
00:19:10,600 --> 00:19:15,479
Speaker 2: pretty good too. Yeah, So I definitely want to know

404
00:19:15,640 --> 00:19:17,760
Speaker 2: what your thoughts are because you guys have always been

405
00:19:17,800 --> 00:19:19,119
Speaker 2: technology for it as well.

406
00:19:20,200 --> 00:19:25,680
Speaker 5: I'm conflicted, honestly, and I've always embraced technology. Technology has

407
00:19:25,720 --> 00:19:32,240
Speaker 5: been a great tool for hip hop for definitely for

408
00:19:32,359 --> 00:19:37,480
Speaker 5: us producers who aren't avid musicians, but we have musicians ship,

409
00:19:37,840 --> 00:19:42,399
Speaker 5: you know, and technology has allowed us to work a

410
00:19:42,400 --> 00:19:45,480
Speaker 5: lot faster we get to In the early day, we

411
00:19:45,560 --> 00:19:49,120
Speaker 5: had to focus more on engineering to get to our

412
00:19:49,160 --> 00:19:52,920
Speaker 5: creative space because we're not avid musicians, so you put

413
00:19:52,960 --> 00:19:55,440
Speaker 5: a lot of time in trying to learn the intricacies

414
00:19:55,480 --> 00:19:59,480
Speaker 5: of the the vice to even get to your creative space.

415
00:20:00,200 --> 00:20:03,040
Speaker 5: Where technology is allowing us to kind of bypass a

416
00:20:03,040 --> 00:20:07,280
Speaker 5: lot of that and just create and really work in

417
00:20:07,280 --> 00:20:10,960
Speaker 5: real time and bring us close to our musicianship. But

418
00:20:11,080 --> 00:20:16,040
Speaker 5: then on the flip side, it's almost a chaosk for

419
00:20:16,200 --> 00:20:22,360
Speaker 5: music where we kind of creatively pushing this thing to

420
00:20:22,400 --> 00:20:26,400
Speaker 5: the limit and we're feeding at our DNA. So now

421
00:20:26,440 --> 00:20:29,080
Speaker 5: you can go in there and you could say, I'd

422
00:20:29,280 --> 00:20:33,440
Speaker 5: like a beat similar to day Lost Soul, the Trip

423
00:20:33,520 --> 00:20:38,240
Speaker 5: called Quests and Slum Village all in one, and it'll

424
00:20:38,960 --> 00:20:43,680
Speaker 5: bring that all together in maybe a matter of half

425
00:20:43,680 --> 00:20:44,159
Speaker 5: a minute.

426
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Speaker 4: Yeah, which is crazy.

427
00:20:46,320 --> 00:20:49,359
Speaker 5: I want to Swiss and you'll get some really cool

428
00:20:49,359 --> 00:20:53,280
Speaker 5: options too, you know, which is a little scary because

429
00:20:53,320 --> 00:20:57,359
Speaker 5: now it's taken away from the future creators.

430
00:20:57,680 --> 00:20:57,880
Speaker 4: Right.

431
00:20:58,760 --> 00:21:03,399
Speaker 2: Yeah, at the same time, we people have to figure

432
00:21:03,440 --> 00:21:06,080
Speaker 2: out we're actually gonna have zen one.

433
00:21:05,960 --> 00:21:09,840
Speaker 5: Big gun man. It's the gun that you can't it

434
00:21:09,920 --> 00:21:10,720
Speaker 5: can't even stop.

435
00:21:10,920 --> 00:21:13,639
Speaker 4: You can't put like that. I feel like you cannot

436
00:21:14,160 --> 00:21:17,440
Speaker 4: embrace it. You can't say I'm not going because it's

437
00:21:17,440 --> 00:21:20,840
Speaker 4: a train that's going and it will go without you. Yeah,

438
00:21:20,960 --> 00:21:23,119
Speaker 4: you gotta just figure out morally how you want to

439
00:21:23,240 --> 00:21:25,919
Speaker 4: use it, how you want to how you want to

440
00:21:25,920 --> 00:21:28,560
Speaker 4: put yourself with it. But it's here, is here, like.

441
00:21:29,760 --> 00:21:32,679
Speaker 5: Yeah, and I say what I say to just to

442
00:21:32,760 --> 00:21:36,280
Speaker 5: be just be aware, be aware of your usage with it.

443
00:21:36,440 --> 00:21:40,160
Speaker 5: Try to use it responsibly, you know, because it's gonna

444
00:21:41,000 --> 00:21:44,080
Speaker 5: undeniably this is gonna be chaos created with it. Just

445
00:21:44,119 --> 00:21:44,760
Speaker 5: be prepared.

446
00:21:45,359 --> 00:21:47,760
Speaker 2: I was looking at Matt Barnes today saying that somebody

447
00:21:47,880 --> 00:21:50,480
Speaker 2: was using AI and manipulating his voice to make it

448
00:21:50,480 --> 00:21:51,480
Speaker 2: seem like he was cheating.

449
00:21:51,640 --> 00:21:53,960
Speaker 1: Andy gave them sixty thousand dollars.

450
00:21:54,000 --> 00:21:55,200
Speaker 4: It was a wow sonata.

451
00:21:55,640 --> 00:21:56,520
Speaker 5: Yeah, it's going down.

452
00:21:56,680 --> 00:21:58,080
Speaker 3: You also can use it as an excuse to.

453
00:22:00,119 --> 00:22:03,200
Speaker 1: You know, you have met the person that's crazy.

454
00:22:04,160 --> 00:22:08,040
Speaker 5: Anything imaginable. It could be used for, like kidnappings, all

455
00:22:08,080 --> 00:22:11,720
Speaker 5: of that, you know what I'm saying, So just be aware.

456
00:22:11,400 --> 00:22:13,679
Speaker 4: Of people while getting dark guys, Well.

457
00:22:13,560 --> 00:22:19,600
Speaker 5: I'm just saying, like, you know, it could happen. I

458
00:22:19,720 --> 00:22:24,320
Speaker 5: just feel like with our genre, our culture, we gotta

459
00:22:24,480 --> 00:22:25,800
Speaker 5: do better protecting it.

460
00:22:26,720 --> 00:22:27,480
Speaker 1: You're right about that.

461
00:22:27,640 --> 00:22:30,920
Speaker 2: Yeah, you know, all right, Well let's get back yeah

462
00:22:31,040 --> 00:22:32,800
Speaker 2: to cabin in this s guy. But I appreciate that

463
00:22:33,400 --> 00:22:36,840
Speaker 2: Hebrew Brantly did the cover artwork that is so amazing,

464
00:22:37,160 --> 00:22:39,159
Speaker 2: and so talk to me about that link up and

465
00:22:39,200 --> 00:22:39,879
Speaker 2: how that happened.

466
00:22:39,960 --> 00:22:40,520
Speaker 1: I love it.

467
00:22:40,640 --> 00:22:43,679
Speaker 4: Well, I was just trying to figure out, you know,

468
00:22:43,760 --> 00:22:46,680
Speaker 4: what it could be. I had an idea. I knew

469
00:22:46,720 --> 00:22:50,280
Speaker 4: it needed to be Sky, but how would it look.

470
00:22:52,640 --> 00:22:55,159
Speaker 4: I had an idea for it, and I spoke to

471
00:22:55,760 --> 00:22:59,680
Speaker 4: our manager, Corey Smith, and it was like, Yo, God,

472
00:22:59,680 --> 00:23:01,480
Speaker 4: does I idea how I want to go about it?

473
00:23:01,520 --> 00:23:03,320
Speaker 4: But he just happened to be on the phone talking

474
00:23:03,320 --> 00:23:04,760
Speaker 4: to Hebrew and.

475
00:23:05,080 --> 00:23:11,000
Speaker 1: It sounds like Corey, see.

476
00:23:10,840 --> 00:23:13,960
Speaker 4: If Hebrew would do it, and he like put us

477
00:23:13,960 --> 00:23:16,119
Speaker 4: all in the same call, and he doated and he

478
00:23:16,200 --> 00:23:18,360
Speaker 4: was like, y'all would love to and it was.

479
00:23:18,359 --> 00:23:20,880
Speaker 1: Just that collaboration, That's what I'm saying.

480
00:23:21,359 --> 00:23:24,440
Speaker 2: Amazing and that feels good that, like, you know, it's

481
00:23:24,480 --> 00:23:26,600
Speaker 2: been nine years since you put your last album out,

482
00:23:26,600 --> 00:23:30,360
Speaker 2: which was crowdfunded to by the way, and the fact

483
00:23:30,400 --> 00:23:33,600
Speaker 2: that like people jump at that and and I know

484
00:23:33,640 --> 00:23:35,359
Speaker 2: you guys went through such a battle too to get

485
00:23:35,400 --> 00:23:37,040
Speaker 2: your music on streaming services.

486
00:23:37,280 --> 00:23:39,639
Speaker 4: Yeah, man, it was crazy, but we got it. We

487
00:23:39,760 --> 00:23:42,600
Speaker 4: got it done. And and you know what was for

488
00:23:42,720 --> 00:23:47,720
Speaker 4: me really not shocking but just pleasant about going through

489
00:23:47,760 --> 00:23:50,520
Speaker 4: that unfortunate thing was trying to get our stuff up.

490
00:23:50,640 --> 00:23:53,919
Speaker 4: Was like the young kids was really rooting for us

491
00:23:53,920 --> 00:23:57,160
Speaker 4: and trying to be very helpful because they come from

492
00:23:57,640 --> 00:24:00,960
Speaker 4: uh climbing here that you know, they things and they

493
00:24:01,040 --> 00:24:03,520
Speaker 4: do deals, and it was like, yeah, like the hold

494
00:24:03,560 --> 00:24:05,840
Speaker 4: on guys, Yeah, like what are y'all doing? And you know,

495
00:24:05,880 --> 00:24:08,280
Speaker 4: it was things like that that was really really dope.

496
00:24:08,400 --> 00:24:10,000
Speaker 3: Did you ever think that it was gonna that it

497
00:24:10,040 --> 00:24:12,119
Speaker 3: was gonna be a day work, we'll be able to

498
00:24:12,160 --> 00:24:13,160
Speaker 3: stream everything.

499
00:24:12,960 --> 00:24:16,879
Speaker 4: Or I knew it was gonna come. I'm just being honest.

500
00:24:16,920 --> 00:24:18,840
Speaker 4: We just didn't know if it was gonna come while

501
00:24:18,840 --> 00:24:20,760
Speaker 4: we were still here, you know what I'm saying. But

502
00:24:20,800 --> 00:24:22,800
Speaker 4: we knew it was gonna come, and we knew how

503
00:24:23,000 --> 00:24:25,560
Speaker 4: important it was for it to happen because I would

504
00:24:25,640 --> 00:24:28,040
Speaker 4: even say to me, it's like, Yo, the longer we take,

505
00:24:28,440 --> 00:24:30,000
Speaker 4: you know how it is a year go by, and

506
00:24:30,040 --> 00:24:32,359
Speaker 4: a year for people it's like seven years, like they'll

507
00:24:32,400 --> 00:24:33,600
Speaker 4: forget about you, you know what.

508
00:24:33,920 --> 00:24:34,600
Speaker 1: Like dog years.

509
00:24:34,680 --> 00:24:35,480
Speaker 4: Yeah, it really is.

510
00:24:35,520 --> 00:24:37,920
Speaker 5: It's important to be on the right side of the deal.

511
00:24:39,160 --> 00:24:42,200
Speaker 1: Yeah. You can't just give give in no no, no, you.

512
00:24:42,160 --> 00:24:45,440
Speaker 2: Know yeah, that's also I mean, I'm just thinking about

513
00:24:45,480 --> 00:24:48,360
Speaker 2: even during the time when the earlier albums were made,

514
00:24:48,760 --> 00:24:51,879
Speaker 2: the laws were so are the way that music was clear,

515
00:24:51,920 --> 00:24:54,760
Speaker 2: it is so different you know than it is now,

516
00:24:54,960 --> 00:24:56,840
Speaker 2: and so I know that was an issue for you

517
00:24:56,880 --> 00:25:01,280
Speaker 2: guys as well. Even though so the new album Cabin

518
00:25:01,359 --> 00:25:04,280
Speaker 2: in the Sky, though it feels like there's still it's

519
00:25:04,320 --> 00:25:07,320
Speaker 2: still felt like it was some sample heavy things on

520
00:25:07,400 --> 00:25:07,760
Speaker 2: here too.

521
00:25:08,080 --> 00:25:10,560
Speaker 4: It's sample heavy.

522
00:25:09,280 --> 00:25:12,960
Speaker 1: You shy away from.

523
00:25:12,400 --> 00:25:15,960
Speaker 5: The I mean creatively, We're never going to shy away

524
00:25:15,960 --> 00:25:20,280
Speaker 5: from that. It's what we are, who we are. It's

525
00:25:20,359 --> 00:25:24,000
Speaker 5: just doing the correct business to make sure you know,

526
00:25:24,440 --> 00:25:25,640
Speaker 5: things are cleared properly.

527
00:25:25,840 --> 00:25:28,600
Speaker 1: I heard some cruise summer, I heard some can You

528
00:25:28,680 --> 00:25:29,400
Speaker 1: Stand the Rain?

529
00:25:33,920 --> 00:25:36,520
Speaker 3: Listen, and I didn't realize that was I knew the song,

530
00:25:36,560 --> 00:25:37,919
Speaker 3: but I didn't know that was nay. I was like,

531
00:25:38,000 --> 00:25:38,719
Speaker 3: we had to look it up.

532
00:25:38,760 --> 00:25:40,920
Speaker 2: Like remember back in the day they used to have

533
00:25:41,880 --> 00:25:44,719
Speaker 2: soul kitchen. Do you remember these parties?

534
00:25:46,560 --> 00:25:48,040
Speaker 3: What is? Tell me what what a soul kitchen?

535
00:25:48,040 --> 00:25:51,080
Speaker 2: Come on, Mai, let us let them because I feel like, listen,

536
00:25:51,760 --> 00:25:53,240
Speaker 2: so I've already envisioned.

537
00:25:52,840 --> 00:25:55,919
Speaker 1: It, Okay, I need to know what it is.

538
00:25:56,000 --> 00:25:58,320
Speaker 2: First a day, let's soul party, but let's bring soul

539
00:25:58,400 --> 00:26:01,400
Speaker 2: Kitchen back for it. And then and it could really

540
00:26:01,440 --> 00:26:04,040
Speaker 2: be like the day Last Soul going through like this

541
00:26:04,200 --> 00:26:06,000
Speaker 2: the original so what they do is they do the

542
00:26:06,040 --> 00:26:09,760
Speaker 2: original song like and then they do the newer version.

543
00:26:10,440 --> 00:26:15,119
Speaker 1: Yeah, okay, yeah, so was the spot?

544
00:26:15,800 --> 00:26:18,320
Speaker 6: Was the spot because we don't have stuff like that

545
00:26:18,359 --> 00:26:22,119
Speaker 6: and not really here and there it pops up, not

546
00:26:22,160 --> 00:26:24,200
Speaker 6: in New York's kind of like them.

547
00:26:24,040 --> 00:26:27,520
Speaker 5: You know. It's it's more of the certain DJs that

548
00:26:27,640 --> 00:26:30,760
Speaker 5: will do that kind of thing. It's still it's not

549
00:26:30,800 --> 00:26:35,560
Speaker 5: an actual event. Certain DJs that will focus on educating.

550
00:26:37,240 --> 00:26:39,240
Speaker 1: I think that would go though. I'm just giving you

551
00:26:39,920 --> 00:26:41,359
Speaker 1: I'll be there so you do it.

552
00:26:42,119 --> 00:26:44,560
Speaker 5: So sounds like an idea.

553
00:26:44,600 --> 00:26:45,679
Speaker 1: Because they will go perfect.

554
00:26:45,680 --> 00:26:49,119
Speaker 2: But this and even with the whole massive pill, you know,

555
00:26:49,200 --> 00:26:52,840
Speaker 2: with the whole legend has a series that's happening right now.

556
00:26:52,920 --> 00:26:55,240
Speaker 2: I can see something like that, and I think you

557
00:26:55,240 --> 00:27:01,880
Speaker 2: would be the guy to bring it.

558
00:27:02,680 --> 00:27:07,920
Speaker 3: You've been sitting on that.

559
00:27:08,280 --> 00:27:09,600
Speaker 5: Get we're working on.

560
00:27:12,080 --> 00:27:15,840
Speaker 4: DJ used to.

561
00:27:18,000 --> 00:27:18,600
Speaker 5: University.

562
00:27:21,040 --> 00:27:22,040
Speaker 1: Let's not forget y'all.

563
00:27:22,160 --> 00:27:24,760
Speaker 2: Day La So came to Wesleyan University and did our

564
00:27:24,800 --> 00:27:25,440
Speaker 2: spring flay.

565
00:27:25,880 --> 00:27:26,960
Speaker 1: I was in college.

566
00:27:27,480 --> 00:27:30,960
Speaker 2: You know how amazing that was for us, and like

567
00:27:31,320 --> 00:27:35,360
Speaker 2: literally you know sometimes we had Parliament Funkadelic one year

568
00:27:35,680 --> 00:27:37,280
Speaker 2: and then we had Dayla. So when I tell you,

569
00:27:37,280 --> 00:27:39,640
Speaker 2: we were outside on that it's called the hill where

570
00:27:39,680 --> 00:27:41,240
Speaker 2: we all go and watch. That was one of the

571
00:27:41,320 --> 00:27:45,040
Speaker 2: most amazing things that we ever had at Wesleyan show.

572
00:27:45,119 --> 00:27:47,359
Speaker 4: Yeah, college Pictures show.

573
00:27:47,480 --> 00:27:48,680
Speaker 1: Yeah, you got pictures of us.

574
00:27:48,720 --> 00:27:50,680
Speaker 4: We got pictures of us because yeah, that's when we

575
00:27:50,800 --> 00:27:54,440
Speaker 4: met all all each other. Corey was there. Corey knew

576
00:27:54,600 --> 00:27:59,119
Speaker 4: of course. Yeah, and then and and she introduced us

577
00:27:59,119 --> 00:28:01,800
Speaker 4: to you and Maria.

578
00:28:01,520 --> 00:28:06,520
Speaker 2: And yeah, and then that led to us almost making

579
00:28:06,560 --> 00:28:07,199
Speaker 2: it onto a day.

580
00:28:07,960 --> 00:28:08,120
Speaker 5: Yeah.

581
00:28:08,200 --> 00:28:10,960
Speaker 1: Yeah, I didn't go.

582
00:28:11,840 --> 00:28:16,680
Speaker 4: The singing because this is what she's gonna understand. They

583
00:28:16,720 --> 00:28:21,159
Speaker 4: were singing the dune stop making up to me. So

584
00:28:21,280 --> 00:28:23,000
Speaker 4: you remember when I kept trying to figure out who

585
00:28:23,000 --> 00:28:25,080
Speaker 4: I was doing. I had won a version of Most

586
00:28:25,160 --> 00:28:30,560
Speaker 4: I had them do a version I had Renee. Yeah,

587
00:28:30,560 --> 00:28:34,160
Speaker 4: they didn't. And the crazy thing is that they sounded

588
00:28:34,200 --> 00:28:39,600
Speaker 4: closer to the way I heard it. But Angela, Angela.

589
00:28:40,560 --> 00:28:44,400
Speaker 2: I'm gonna tell you what happened. Literally, they were like, look,

590
00:28:44,760 --> 00:28:46,720
Speaker 2: Pass is trying to do this hook. He wants people

591
00:28:46,720 --> 00:28:49,240
Speaker 2: that can't sing for real to come and do it perfect.

592
00:28:49,480 --> 00:28:49,680
Speaker 5: Yeah.

593
00:28:49,840 --> 00:28:51,880
Speaker 1: Right, So we go in there and I guess it

594
00:28:51,960 --> 00:28:52,960
Speaker 1: was like really off.

595
00:28:53,560 --> 00:28:56,560
Speaker 4: It was, yeah, because I wanted to kind of feel

596
00:28:56,560 --> 00:28:58,920
Speaker 4: like that. You know, hey, DJ, like it went really

597
00:28:58,960 --> 00:29:00,360
Speaker 4: on but little off.

598
00:29:00,480 --> 00:29:01,360
Speaker 5: Not the rhythm.

599
00:29:01,440 --> 00:29:07,920
Speaker 7: I want the rhythm on, but vision rhythm rhythm.

600
00:29:12,200 --> 00:29:15,880
Speaker 5: What I'm saying, I would have done it.

601
00:29:15,800 --> 00:29:17,920
Speaker 4: It would it would have fixed where you need to fix.

602
00:29:18,040 --> 00:29:18,680
Speaker 4: You're right.

603
00:29:20,800 --> 00:29:23,280
Speaker 2: Another, So Jasmine, we were going through the album. I

604
00:29:23,280 --> 00:29:25,160
Speaker 2: want to know what your standout sid and then I'm

605
00:29:25,160 --> 00:29:26,120
Speaker 2: gonna tell you mine.

606
00:29:26,000 --> 00:29:27,080
Speaker 3: Mine paddy Cake.

607
00:29:27,840 --> 00:29:30,400
Speaker 1: We both love Patty You know what? That is nice

608
00:29:30,440 --> 00:29:32,560
Speaker 1: and nostalgic for us, like yes.

609
00:29:33,200 --> 00:29:33,520
Speaker 3: And my.

610
00:29:35,840 --> 00:29:37,640
Speaker 4: That was patient.

611
00:29:38,960 --> 00:29:41,160
Speaker 3: That was my my number one and number two. I

612
00:29:41,160 --> 00:29:44,120
Speaker 3: felt like it was its very soulful. Is the package

613
00:29:44,520 --> 00:29:46,720
Speaker 3: that was? And I just want to say, I just

614
00:29:46,760 --> 00:29:48,280
Speaker 3: want to say, also, when I'm listening to the album,

615
00:29:48,320 --> 00:29:50,040
Speaker 3: I feel like I'm watching like a Spike Lee joint,

616
00:29:50,080 --> 00:29:50,640
Speaker 3: like a movie.

617
00:29:52,600 --> 00:29:53,040
Speaker 1: It's done.

618
00:29:53,160 --> 00:29:56,080
Speaker 3: Yes, okay anyway, but yeah, so those are my top two.

619
00:29:57,560 --> 00:30:00,600
Speaker 2: Yeah, we both wear loving Patty Cake. Man, I listen,

620
00:30:00,640 --> 00:30:01,560
Speaker 2: I don't even know what to say.

621
00:30:01,560 --> 00:30:06,160
Speaker 3: Fry go ahead, the NA sample joint, okay.

622
00:30:06,200 --> 00:30:07,880
Speaker 1: And it's hard because we don't have the album, the

623
00:30:08,480 --> 00:30:09,000
Speaker 1: names of the.

624
00:30:08,960 --> 00:30:12,880
Speaker 2: Songs, okay, the way that it was sent to us, Yeah,

625
00:30:12,960 --> 00:30:16,960
Speaker 2: it's like kind of cut off. But oh, so you

626
00:30:17,000 --> 00:30:18,560
Speaker 2: know me, I like a little R and b ish

627
00:30:18,560 --> 00:30:20,800
Speaker 2: type and I want to flash back to another song

628
00:30:20,840 --> 00:30:21,960
Speaker 2: to Hey Love.

629
00:30:24,120 --> 00:30:25,760
Speaker 1: Yeah, and just.

630
00:30:25,760 --> 00:30:27,760
Speaker 2: Knowing that you guys were up here. There's times in

631
00:30:27,760 --> 00:30:29,480
Speaker 2: my life where I'm just like, I'm just put on

632
00:30:29,480 --> 00:30:32,000
Speaker 2: a whole day La song medley because there's just so

633
00:30:32,080 --> 00:30:36,479
Speaker 2: many songs across like different vibes, like Saturdays, and but

634
00:30:36,520 --> 00:30:37,240
Speaker 2: hay Love.

635
00:30:37,160 --> 00:30:40,360
Speaker 1: Was always, for some reason, my joint. Real, Yes, that's.

636
00:30:40,240 --> 00:30:42,760
Speaker 3: Your favorite, that's your favorite day last soul song.

637
00:30:43,760 --> 00:30:47,160
Speaker 2: I don't know if I was. It's up there for

638
00:30:47,200 --> 00:30:49,320
Speaker 2: some reason. I just love that song.

639
00:30:49,160 --> 00:30:52,760
Speaker 4: And the young lady doing the singing. It's the same

640
00:30:52,800 --> 00:30:54,000
Speaker 4: young lady who did Hey.

641
00:30:53,920 --> 00:31:05,520
Speaker 2: DJ Well Died, and so Cabin and the Sky that's

642
00:31:05,600 --> 00:31:09,080
Speaker 2: also a musical. Yeah, all right, So tell me about

643
00:31:09,120 --> 00:31:11,400
Speaker 2: just even that whole concept of naming this album.

644
00:31:11,560 --> 00:31:15,800
Speaker 4: Well, just usually when we're working on albums, the title

645
00:31:16,160 --> 00:31:18,000
Speaker 4: just can come when it needs to come. You working

646
00:31:18,000 --> 00:31:21,560
Speaker 4: on songs, and when something really someone comes with an idea,

647
00:31:22,160 --> 00:31:24,600
Speaker 4: then you land on it and use the title. But

648
00:31:25,920 --> 00:31:28,000
Speaker 4: so it was just as business as usual when it

649
00:31:28,040 --> 00:31:29,880
Speaker 4: came to that, like, all right, we gotta come with

650
00:31:29,880 --> 00:31:33,320
Speaker 4: a title soon. So one day I'm just home watching TV,

651
00:31:33,880 --> 00:31:37,000
Speaker 4: scrolling through movies to watch, and I come across the

652
00:31:37,040 --> 00:31:39,680
Speaker 4: movie Cabin in the Sky. So as soon as I

653
00:31:39,680 --> 00:31:43,640
Speaker 4: saw the title, I was like, Wow, this could be

654
00:31:43,920 --> 00:31:45,880
Speaker 4: the name of the album, you know what I'm saying, Like,

655
00:31:45,880 --> 00:31:47,960
Speaker 4: I really felt like it just resonated, like I just

656
00:31:48,000 --> 00:31:52,440
Speaker 4: felt Dave, it just sounded really good, and so I like,

657
00:31:52,480 --> 00:31:53,880
Speaker 4: I just put it to the side, and I saw

658
00:31:53,960 --> 00:31:56,120
Speaker 4: that asking different people. I Askedean see he was like, Yo,

659
00:31:56,200 --> 00:31:58,560
Speaker 4: that's that's amazing. At someone else they was like, Yo,

660
00:31:58,600 --> 00:32:01,480
Speaker 4: that's that's really a dope title. So it just really

661
00:32:01,560 --> 00:32:04,320
Speaker 4: started talking to me. And then what really like locked

662
00:32:04,320 --> 00:32:07,240
Speaker 4: it in for me. Every song we were working on

663
00:32:07,440 --> 00:32:10,080
Speaker 4: up until that point, in my computer it just said

664
00:32:11,080 --> 00:32:15,200
Speaker 4: New Daylight Album twenty twenty five, So it was something

665
00:32:15,280 --> 00:32:18,160
Speaker 4: new I had placed in the playlist that I need

666
00:32:18,160 --> 00:32:21,440
Speaker 4: to transfer over to my phone. It wasn't going in.

667
00:32:21,520 --> 00:32:24,320
Speaker 4: It wasn't going in, and some told me to change

668
00:32:24,520 --> 00:32:27,240
Speaker 4: the title, and I put Cab in the Sky. Everything

669
00:32:27,280 --> 00:32:30,440
Speaker 4: went in, and I was like, I was like, maybe

670
00:32:30,440 --> 00:32:34,720
Speaker 4: this is Dave telling me that's the one, like do it?

671
00:32:35,040 --> 00:32:37,440
Speaker 4: So yeah, and so that's it. That's that's how we

672
00:32:37,520 --> 00:32:39,640
Speaker 4: just stuck to the type now. And honestly, I had

673
00:32:39,720 --> 00:32:42,680
Speaker 4: never heard of the musical the movie Crazy Enough, and

674
00:32:42,760 --> 00:32:44,880
Speaker 4: I watched it and it was like, Yo, this is funny,

675
00:32:44,920 --> 00:32:50,680
Speaker 4: this is really cool. So many amazing actresses and actress

676
00:32:50,880 --> 00:32:53,240
Speaker 4: Lena Horn, yeah, actress was in it. Lena Holm was

677
00:32:53,280 --> 00:32:56,440
Speaker 4: in it. It was really really, really dope. So I

678
00:32:56,480 --> 00:32:58,360
Speaker 4: was like, yeah, it just spoke to me and I

679
00:32:58,440 --> 00:33:01,320
Speaker 4: just felt like this should be you know, make sure

680
00:33:01,360 --> 00:33:02,720
Speaker 4: I checked him with Mason. I was like, yeah, I

681
00:33:02,720 --> 00:33:04,600
Speaker 4: think this could be a really dope title. And it

682
00:33:04,680 --> 00:33:05,400
Speaker 4: became the title.

683
00:33:05,440 --> 00:33:09,400
Speaker 5: And it's really dope because it sounds like Dave is

684
00:33:09,440 --> 00:33:11,320
Speaker 5: working on the album from the heaven.

685
00:33:11,080 --> 00:33:14,440
Speaker 2: And Man, and that's what I envisioned, like you guys

686
00:33:14,440 --> 00:33:16,640
Speaker 2: in a cabin together working on this in the sky.

687
00:33:18,240 --> 00:33:20,440
Speaker 5: Definitely, like we poke our heads up in the cloud,

688
00:33:22,000 --> 00:33:24,880
Speaker 5: come back down and do what we gotta do.

689
00:33:26,240 --> 00:33:28,280
Speaker 2: One thing I saw you guys have mentioned this before

690
00:33:28,400 --> 00:33:31,360
Speaker 2: is that nobody ever went solo, Like nobody ever said.

691
00:33:31,800 --> 00:33:36,360
Speaker 5: But you know, I always wanted him to do a

692
00:33:36,400 --> 00:33:39,520
Speaker 5: solo album at one point, you know, but he was

693
00:33:39,680 --> 00:33:42,440
Speaker 5: adamant or not. It was very adamant about.

694
00:33:42,200 --> 00:33:44,080
Speaker 3: Not doing that right now.

695
00:33:46,160 --> 00:33:48,840
Speaker 4: It was something that wasn't on my spirit to really do.

696
00:33:48,920 --> 00:33:51,040
Speaker 4: Me and Dave always worked on music because like Mace

697
00:33:51,160 --> 00:33:52,960
Speaker 4: was saying, like when we home, we would just all

698
00:33:53,000 --> 00:33:55,520
Speaker 4: work on music. But it wasn't something I felt like, No,

699
00:33:55,600 --> 00:33:57,680
Speaker 4: I gotta domuch, I gotta get this off, I gotta

700
00:33:57,680 --> 00:33:59,920
Speaker 4: get this paper by myself. Now we were just a group.

701
00:34:00,040 --> 00:34:01,880
Speaker 4: I always just love for us to be together to

702
00:34:01,880 --> 00:34:02,720
Speaker 4: do what we need to do.

703
00:34:03,240 --> 00:34:06,520
Speaker 2: You know, the label the labels never approached you like,

704
00:34:06,560 --> 00:34:07,720
Speaker 2: you know how they'll do that, like.

705
00:34:07,720 --> 00:34:10,839
Speaker 4: Hey, certain people have always said like they would love

706
00:34:10,840 --> 00:34:14,360
Speaker 4: to hear a Pass album. But I never really took the.

707
00:34:14,400 --> 00:34:19,120
Speaker 2: Bait, you know what about working with some of the

708
00:34:19,239 --> 00:34:23,040
Speaker 2: younger artists because I could see I think somebody should

709
00:34:23,040 --> 00:34:27,840
Speaker 2: tap y'all to kind of like help produce. Because I

710
00:34:27,840 --> 00:34:29,520
Speaker 2: could see that angel who would you have in mind?

711
00:34:30,800 --> 00:34:33,800
Speaker 2: I could see like a j I d Love. I

712
00:34:34,280 --> 00:34:37,120
Speaker 2: think that would be dope. Who else could I see?

713
00:34:38,160 --> 00:34:38,759
Speaker 2: Baby Tait?

714
00:34:38,920 --> 00:34:41,920
Speaker 3: Maybe that you know, I was thinking it may not

715
00:34:41,960 --> 00:34:42,399
Speaker 3: be a good fit.

716
00:34:42,520 --> 00:34:47,239
Speaker 6: Chance the rapper, Oh yeah, and Chance, Yeah, I liked

717
00:34:47,239 --> 00:34:50,720
Speaker 6: everybody just mentioned yeah man like and I'm being honest,

718
00:34:50,800 --> 00:34:52,640
Speaker 6: like and making this album.

719
00:34:52,760 --> 00:34:54,759
Speaker 4: You know, we always approach things the way we want

720
00:34:54,760 --> 00:34:57,160
Speaker 4: to approach things. We always look at songs and be like,

721
00:34:57,200 --> 00:34:59,600
Speaker 4: you know what this this song can use this instrument,

722
00:34:59,640 --> 00:35:02,760
Speaker 4: this song can use this vocal instrument called black thought.

723
00:35:02,840 --> 00:35:05,040
Speaker 4: Like that's how we do songs normally. We don't just

724
00:35:05,200 --> 00:35:08,120
Speaker 4: put someone on a song. That's a great opportunity. And

725
00:35:08,200 --> 00:35:11,120
Speaker 4: you know, mats Piel was loving everything and they was like,

726
00:35:11,200 --> 00:35:13,680
Speaker 4: yoh man, you should try to put some young dudes

727
00:35:13,719 --> 00:35:17,640
Speaker 4: on there, because you know, people who come from your DNA.

728
00:35:17,760 --> 00:35:20,640
Speaker 4: And we was really with that idea. But it was

729
00:35:20,680 --> 00:35:22,399
Speaker 4: just like when we reached out to some of them,

730
00:35:22,560 --> 00:35:27,200
Speaker 4: you know, they played dead or you know, yeah, or

731
00:35:27,280 --> 00:35:29,160
Speaker 4: some was like yo, they were just too busy, Like

732
00:35:29,440 --> 00:35:31,799
Speaker 4: we wanted Tyler on a joint, but Tyler was just

733
00:35:31,960 --> 00:35:34,560
Speaker 4: he had he was in the middle of toying, just

734
00:35:34,640 --> 00:35:36,759
Speaker 4: released a new album, and he was just moving all

735
00:35:36,800 --> 00:35:38,560
Speaker 4: around the world. He wanted to do it. He just

736
00:35:38,600 --> 00:35:39,279
Speaker 4: couldn't do it.

737
00:35:39,520 --> 00:35:41,520
Speaker 2: Well, when people hear it, they're gonna be like, damn,

738
00:35:41,560 --> 00:35:43,640
Speaker 2: I wish I would have made it. But y'all got

739
00:35:43,680 --> 00:35:46,840
Speaker 2: the heavy hitters on here. Yeah a new single.

740
00:35:46,960 --> 00:35:51,120
Speaker 4: I mean you know, yeah, Blouse on the album Killing

741
00:35:51,239 --> 00:35:58,560
Speaker 4: mic Is on the album Common. That's our family. Yummy, yeah, yummy,

742
00:35:58,800 --> 00:36:01,600
Speaker 4: you know black thought. So it's a lot of good

743
00:36:01,760 --> 00:36:04,880
Speaker 4: family people and people we respect and we knew they

744
00:36:04,880 --> 00:36:06,840
Speaker 4: would like stand up and get it done.

745
00:36:06,640 --> 00:36:08,360
Speaker 3: So it all makes sense.

746
00:36:09,840 --> 00:36:10,560
Speaker 1: It's the vibes.

747
00:36:10,680 --> 00:36:11,600
Speaker 4: Yeah, without question.

748
00:36:11,719 --> 00:36:12,360
Speaker 1: Do your kids know?

749
00:36:12,440 --> 00:36:14,640
Speaker 2: When did your kids realize when they were young that

750
00:36:14,719 --> 00:36:17,520
Speaker 2: your celebrities, Like when did they first be like.

751
00:36:17,480 --> 00:36:20,200
Speaker 4: Oh, I mean I got five. So it was just

752
00:36:20,280 --> 00:36:23,000
Speaker 4: different for each of them. I mean my oldest daughter,

753
00:36:23,160 --> 00:36:25,279
Speaker 4: she kind of came and really knowing I was on.

754
00:36:25,480 --> 00:36:27,640
Speaker 4: We was like recording our third album by the time

755
00:36:27,680 --> 00:36:30,040
Speaker 4: she was born, so she was just always in the studio,

756
00:36:30,120 --> 00:36:32,960
Speaker 4: so she knew I did something doing music. But I

757
00:36:33,000 --> 00:36:35,080
Speaker 4: mean I remember my other kids by the time we

758
00:36:35,120 --> 00:36:38,919
Speaker 4: had did some doll with pm B at the point

759
00:36:39,239 --> 00:36:41,719
Speaker 4: because we had the Bionics album out, and so I

760
00:36:41,719 --> 00:36:45,520
Speaker 4: remember my son thinking I was like an astronaut. So

761
00:36:45,560 --> 00:36:47,880
Speaker 4: he was like, yo, dad's an astronaut. I was like, nah,

762
00:36:48,600 --> 00:36:51,359
Speaker 4: that's just a toy that relates to my album where

763
00:36:51,400 --> 00:36:53,439
Speaker 4: we had astro stuff like that.

764
00:36:53,440 --> 00:36:59,799
Speaker 5: Is my son's. They wrestled with the idea that we

765
00:36:59,800 --> 00:37:04,520
Speaker 5: were so different from everybody else, and then when we

766
00:37:04,560 --> 00:37:07,759
Speaker 5: did Rock the Bells is when it really clicked to

767
00:37:07,800 --> 00:37:16,439
Speaker 5: them that we were special. That's because all that Yeah

768
00:37:16,640 --> 00:37:19,840
Speaker 5: and and Red and meth and everybody was on it.

769
00:37:20,040 --> 00:37:25,960
Speaker 5: Pretty much every rapper they love love us. And they

770
00:37:26,080 --> 00:37:34,600
Speaker 5: was shocked like like whoa ye, like my son's actually

771
00:37:34,840 --> 00:37:36,919
Speaker 5: taught me like it was like it was like who

772
00:37:37,000 --> 00:37:45,040
Speaker 5: are you? It's like, yo, who are you?

773
00:37:45,120 --> 00:37:45,319
Speaker 4: Man?

774
00:37:46,560 --> 00:37:51,000
Speaker 5: What? Buster love you like that? You know? Buster your god?

775
00:37:51,239 --> 00:37:52,000
Speaker 3: Your god?

776
00:37:53,080 --> 00:37:53,920
Speaker 4: Do you know who.

777
00:37:53,840 --> 00:37:54,879
Speaker 5: Your father is?

778
00:37:56,560 --> 00:37:59,399
Speaker 4: That night that night I saw you. I have having joint,

779
00:37:59,440 --> 00:38:02,520
Speaker 4: I have my something with me, my youngest and yeah,

780
00:38:02,560 --> 00:38:04,439
Speaker 4: and Buster pulled them to the side like that too,

781
00:38:04,480 --> 00:38:06,600
Speaker 4: and he was like come in. He was like he's

782
00:38:06,640 --> 00:38:08,640
Speaker 4: like you my nephew, and he was like uncle Buster.

783
00:38:10,800 --> 00:38:13,680
Speaker 5: Another time, when my boys got old enough to start

784
00:38:13,719 --> 00:38:16,640
Speaker 5: hanging out in clubs, when they started hanging out in clubs,

785
00:38:16,719 --> 00:38:22,560
Speaker 5: I stopped going for sure. There was definitely my cue.

786
00:38:22,640 --> 00:38:26,520
Speaker 4: I had my had my first shot with my daughter.

787
00:38:29,440 --> 00:38:31,480
Speaker 5: I've had party with my kids. We'll get a twister.

788
00:38:31,600 --> 00:38:33,920
Speaker 5: But they hanging out now like they're.

789
00:38:33,800 --> 00:38:36,399
Speaker 4: Just like you know, they club live and.

790
00:38:36,560 --> 00:38:39,720
Speaker 1: Spots like that, you know, could get the table.

791
00:38:41,960 --> 00:38:42,879
Speaker 5: I didn't tap out.

792
00:38:44,120 --> 00:38:46,799
Speaker 4: I would have tapped in, which I would have tapped in.

793
00:38:47,640 --> 00:38:50,720
Speaker 5: They would go, they would go. They ran into Buster

794
00:38:50,840 --> 00:38:53,480
Speaker 5: one night and Buster was shocked to see them because

795
00:38:53,480 --> 00:38:58,320
Speaker 5: they've grown now, you know, and it was like uncle Bus.

796
00:38:57,800 --> 00:39:01,040
Speaker 5: He looked like it was like he makes so he

797
00:39:01,160 --> 00:39:08,680
Speaker 5: was like, you are clear the extra over the fact, Joe.

798
00:39:10,239 --> 00:39:12,200
Speaker 5: They come home with this crazy experience.

799
00:39:12,920 --> 00:39:13,480
Speaker 1: I love that.

800
00:39:13,800 --> 00:39:17,400
Speaker 6: It was crazy going to the bathroom.

801
00:39:18,040 --> 00:39:18,879
Speaker 4: They never come back.

802
00:39:21,840 --> 00:39:23,600
Speaker 3: You give a good bust impersonation to.

803
00:39:26,520 --> 00:39:26,719
Speaker 4: Well.

804
00:39:26,719 --> 00:39:28,000
Speaker 1: Listen. Thank you guys so much.

805
00:39:28,200 --> 00:39:31,239
Speaker 2: Really, Cavin and this guy, I could talk to you forever,

806
00:39:31,280 --> 00:39:34,000
Speaker 2: and we gotta do it again. I've been saying every time,

807
00:39:34,360 --> 00:39:36,680
Speaker 2: I'm like, when are you'all gonna come? And like bless me,

808
00:39:36,840 --> 00:39:38,160
Speaker 2: But I think this timing was great.

809
00:39:38,480 --> 00:39:39,560
Speaker 4: It was. It was beautiful.

810
00:39:39,760 --> 00:39:43,040
Speaker 1: Yeah, and I cannot wait to do our party. I'm

811
00:39:43,080 --> 00:39:44,240
Speaker 1: so excited. I'm with that.

812
00:39:44,760 --> 00:39:47,160
Speaker 4: The only thing I'm upset about is may no man,

813
00:39:47,920 --> 00:39:48,759
Speaker 4: where you.

814
00:39:48,800 --> 00:39:52,799
Speaker 1: Were supposed to be here today. But the album is out.

815
00:39:53,480 --> 00:39:57,080
Speaker 5: Let me say on the record, my wife and I

816
00:39:57,120 --> 00:40:00,799
Speaker 5: were are big fans of your the record for you,

817
00:40:00,840 --> 00:40:03,400
Speaker 5: for me and your thing for real, thank you.

818
00:40:03,520 --> 00:40:04,160
Speaker 1: I appreciate it.

819
00:40:04,400 --> 00:40:07,680
Speaker 7: I appreciate and off the court you've been and I

820
00:40:07,719 --> 00:40:09,680
Speaker 7: mean for real, like you like you know me, like

821
00:40:10,040 --> 00:40:12,319
Speaker 7: because I'm like this little Angela who was in my

822
00:40:12,400 --> 00:40:15,040
Speaker 7: house hanging out while me and Santi is playing with St.

823
00:40:15,120 --> 00:40:17,120
Speaker 4: Twelve and Angels, is just sitting right there. Look I'm like,

824
00:40:17,200 --> 00:40:20,160
Speaker 4: and everything you've done, I'm just so proud of you,

825
00:40:20,880 --> 00:40:21,320
Speaker 4: Like it's.

826
00:40:21,200 --> 00:40:23,759
Speaker 3: Amazing, he said vocals aside, He's proud of you.

827
00:40:24,560 --> 00:40:28,600
Speaker 2: I think better enough you need I don't really need to.

828
00:40:28,640 --> 00:40:29,920
Speaker 2: We can just judge it up.

829
00:40:30,120 --> 00:40:30,359
Speaker 3: Yeah.

830
00:40:31,920 --> 00:40:36,759
Speaker 1: Ai again, thank you so much, like so much that

831
00:40:36,840 --> 00:40:39,759
Speaker 1: I appreciate this. November twenty. First, this is be a

832
00:40:39,760 --> 00:40:43,760
Speaker 1: massive hel cabin in the sky. Ya get that merch.

833
00:40:44,080 --> 00:40:44,319
Speaker 5: Yes,