WEBVTT - 9021-And the Emmy Goes To…

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<v Speaker 1>It's nine O gen one.

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<v Speaker 2>With Jenny Garth and Tory Spelling. O MG, it's another

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<v Speaker 2>episode of Na Tuo and Ong. Happy New Year, Happy

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<v Speaker 2>New Year.

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<v Speaker 3>I was waiting for what you were gonna say.

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<v Speaker 2>I was gonna say Happy New Year because this is

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<v Speaker 2>another episode twenty twenty four.

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<v Speaker 1>I was trying to be funny. Nine two O two four.

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<v Speaker 2>No, that's our reach, I know, twenty four two.

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<v Speaker 3>It's twenty four, another year, another.

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<v Speaker 2>The years just keep on passing.

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<v Speaker 1>We're still in an episode season five.

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<v Speaker 3>We're still here.

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<v Speaker 2>This is where are we? Like in the middle of

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<v Speaker 2>season five? You guys?

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<v Speaker 3>You know what, I just want to officially apologize when

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<v Speaker 3>I said season five was my favorite. So I'm just

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<v Speaker 3>kind of go there.

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<v Speaker 1>Oh, I think Tory, I think it's so good. Yeah,

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<v Speaker 1>I'm liking it.

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<v Speaker 3>We're on seventeen.

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<v Speaker 1>We're halfway basically right in the middle.

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<v Speaker 2>Wow, this episode, you guys, uh is First of all,

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<v Speaker 2>we got well, I say we we somebody got nominated

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<v Speaker 2>for an Emmy on this show.

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<v Speaker 1>Yes, one and only Emmy nomination for Milton Burrele.

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<v Speaker 2>Yeah, and rightly so he's so good in this episode.

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<v Speaker 4>Oh my god, what do you remember Melty really remember

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<v Speaker 4>about meeting him and working with him, and obviously they

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<v Speaker 4>created that scene for the majority of the cast to

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<v Speaker 4>be together with him.

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<v Speaker 1>That was so like extraordinary right then.

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<v Speaker 2>It was so special, Like watching it took me right

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<v Speaker 2>back to sitting with him.

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<v Speaker 3>Yep.

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<v Speaker 2>And you know, his character is very well written, very

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<v Speaker 2>accurately written for our experience of that scene, like he's a.

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<v Speaker 1>Jokey, jokey guy, like he loved.

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<v Speaker 2>To done cranky sometimes in that day. Maybe it was Heaven,

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<v Speaker 2>you know, do.

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<v Speaker 1>You have any memory of how maybe it was Tori's dad.

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<v Speaker 1>You all got Milton Burrell on the show.

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<v Speaker 2>I don't personally that I don't know. I was like, wow,

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<v Speaker 2>what a casting coup. This is what for the show.

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<v Speaker 2>I mean, it normally wouldn't have worked, but because of

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<v Speaker 2>the storyline, yeah, it worked so well. And did you

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<v Speaker 2>notice that our good old pal Ian Deering got story

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<v Speaker 2>by credits? So this was his story, his his idea

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<v Speaker 2>to do this episode. Yeah, I'm wondering if this episode

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<v Speaker 2>is inspired by his experience with his own one of

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<v Speaker 2>his own parents, like maybe his mom.

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<v Speaker 1>Oh wow, yeah, I know that he contributed a lot

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<v Speaker 1>to the It.

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<v Speaker 2>Seems like the timeline kind of matches up a little

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<v Speaker 2>bit if.

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<v Speaker 3>You recalling right, I think that's now making sense that

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<v Speaker 3>you said that. Yet.

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<v Speaker 1>Did he have a parent or a grandparent that had Alzheimer's.

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<v Speaker 2>I don't want to speak inaccurately, but I have a

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<v Speaker 2>feeling that his mom had some sort of something something

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<v Speaker 2>like this, and it was important to him and he

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<v Speaker 2>wanted to do it. And I'm sure he took this

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<v Speaker 2>in and really fought for it and made it happen.

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<v Speaker 2>So kudos to him. Iron's just all over the place

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<v Speaker 2>right now. He's opening early podcast discussion.

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<v Speaker 1>Yeah, like super super Because when the car pulled up,

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<v Speaker 1>it definitely took me. I was able to like get

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<v Speaker 1>back into it, but it definitely took me out of

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<v Speaker 1>the episode for a minute because of obviously I saw

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<v Speaker 1>that video. I don't know if you all saw it,

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<v Speaker 1>but yeah, it took me out.

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<v Speaker 2>The whole world saw it by now, Yeah, right after

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<v Speaker 2>it happened, and I was like, oh my god.

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<v Speaker 3>What's happening?

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<v Speaker 2>Are you okay? But yeah, it's everywhere.

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<v Speaker 1>Yeah, it's upsetting, and I just hope everybody.

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<v Speaker 2>Is okay totally. And but you're right, I was watching

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<v Speaker 2>this episode and thinking, oh my gosh, it's written, I

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<v Speaker 2>mean story by Iron and then it's there's just such

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<v Speaker 2>a heavy storyline for Steve Sanders is so simpatico. How

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<v Speaker 2>you know the world is talking about him right now

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<v Speaker 2>and on that subject matter, and we're talking about him

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<v Speaker 2>on the show.

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<v Speaker 3>We have that right, Yeah, he's any role. We don't

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<v Speaker 3>even know we're doing it, but we're totally like on Friend.

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<v Speaker 1>By Week Christmas, we gave.

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<v Speaker 3>You thank Christmas for Christmas? You want Iron heavy? Here

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<v Speaker 3>you go, world, He's very good.

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<v Speaker 2>Here you go people, He's really really good. This episode

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<v Speaker 2>was was like heartwarming and heartbreaking at the same time.

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<v Speaker 2>You know, I cried, really, I really liked it. I

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<v Speaker 2>cried for sure, like not like wait, but like I

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<v Speaker 2>got teary eyed. It's gonna lie And.

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<v Speaker 3>Usually like we've been good at this point in the game,

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<v Speaker 3>kind of taking ourselves out of it and watching it

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<v Speaker 3>as fans. I have to admit though, this one drew

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<v Speaker 3>me back in of being there. Very cool, So it

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<v Speaker 3>was hard to watch. I remember that, oh yep, and

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<v Speaker 3>I was like, oh, get back out of it. Watch

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<v Speaker 3>as a fan, but yeah.

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<v Speaker 1>Do you think it stands out to y'all? Because Milton Burrel.

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<v Speaker 1>You know, at the time, even more so than now.

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<v Speaker 1>He was so legendary, right, I think there's probably people

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<v Speaker 1>watching that as that don't even know.

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<v Speaker 3>Them, which is sad. Oh, that's sad.

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<v Speaker 1>He was in his eighties, maybe till late mid to

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<v Speaker 1>late eighties when he filmed this, and he lived seven

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<v Speaker 1>years longer so he you This was in what ninety five?

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<v Speaker 2>What year is it? Ninety four?

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<v Speaker 1>Ninety four? And I think he passed away in two

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<v Speaker 1>thousand and two.

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<v Speaker 3>He lives a good long life, yeah, long.

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<v Speaker 2>But you know what I think when I see like

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<v Speaker 2>episode what.

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<v Speaker 3>You guys know, the myth, the man, the legend, you

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<v Speaker 3>know what he's notorious for.

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<v Speaker 1>I did not know this?

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<v Speaker 2>What what tell us? Tell us?

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<v Speaker 1>I want to same thing as John You want to.

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<v Speaker 3>On hamd to isn't the same thing that hands.

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<v Speaker 2>You said the wait, let me put the dots together.

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<v Speaker 2>Hold on, let me try, let me try. Okay, you

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<v Speaker 2>just said the word long twice.

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<v Speaker 3>If you do it right now, I mean, who knows.

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<v Speaker 3>But he obviously legendary, actor, icon, legend, but like was

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<v Speaker 3>also known for having one of the biggest John Ham's

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<v Speaker 3>wieners in the business.

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<v Speaker 2>Are you kidding me? Right now.

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<v Speaker 3>Nope, I said a nice or again, I didn't say

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<v Speaker 3>it bad word.

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<v Speaker 2>I I've never even heard this.

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<v Speaker 3>Am I wrong? You guys? I feel like Iron got

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<v Speaker 3>so close to him. He was like, what's the story,

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<v Speaker 3>and like they talked about it. I was like, of

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<v Speaker 3>course they I An has a great story. I don't

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<v Speaker 3>want to talk out of school. We should have him

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<v Speaker 3>come tell the story one day. But where Uncle Milty

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<v Speaker 3>called his house? Do you know.

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<v Speaker 1>Now?

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<v Speaker 3>I tell all I don't want to say it wrong.

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<v Speaker 3>It's not my story to tell.

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<v Speaker 1>You your best. Oh.

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<v Speaker 2>It was something like I wish I could help you

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<v Speaker 2>out here.

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<v Speaker 3>So he called him and Ian was like, uh, did

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<v Speaker 3>you mean to call me? Like he had gotten his number,

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<v Speaker 3>like he had it if they needed anything, And he

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<v Speaker 3>called him and he called his house and it was

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<v Speaker 3>out of contact. It was while they were filming or

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<v Speaker 3>going to film. Let's have Ian come on and tell

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<v Speaker 3>the story. It's a great story, you know. I's such

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<v Speaker 3>a great storyteller. But it's kind of like you.

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<v Speaker 2>I'm like on the edge of oh my god.

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<v Speaker 3>He was. Iron was freaking out and he was like

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<v Speaker 3>it was before they worked together. It was like, you know,

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<v Speaker 3>while leading up to the episode Randy might know. Wait, Randall, James,

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<v Speaker 3>are you on.

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<v Speaker 1>Randy because.

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<v Speaker 5>About the rumor that you that you were alluding to

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<v Speaker 5>that that is absolutely one, true, true, true that he

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<v Speaker 5>was known for being uh very well well endowed.

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<v Speaker 2>Yes, well, good for him, good for Uncle Milty.

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<v Speaker 3>And I believe the boys on set, like Jason and

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<v Speaker 3>I am were very excited to talk to him about that,

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<v Speaker 3>of course, and we were like.

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<v Speaker 2>I only remember, yeah, that those stories do get.

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<v Speaker 3>I Randy about that. Miltonborough called him at home. He

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<v Speaker 3>got it off like the crew list or like the

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<v Speaker 3>call sheet.

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<v Speaker 5>No, I'm on the edge of my seat.

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<v Speaker 2>I know she set this story up and now she's

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<v Speaker 2>not going to tell it.

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<v Speaker 3>He called him at home and and yeah, I mean

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<v Speaker 3>he was having like dinner and he was like, did

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<v Speaker 3>he call me on purpose? And he was like, yeah,

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<v Speaker 3>he wanted to talk about And Iron was just blown

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<v Speaker 3>away that Miltonborol actually called him. I think let me

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<v Speaker 3>go back. You know what if I remember correctly, which

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<v Speaker 3>once I start talking, I remember, I believe Iron gave

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<v Speaker 3>him his number and said if you need anything, since

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<v Speaker 3>we're working so closely, and he actually called him at

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<v Speaker 3>home when he was just thought it was a prank.

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<v Speaker 1>So cool.

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<v Speaker 3>Well, we'll let Ian tell the story. But like legendary, yeah, legendary, Jen,

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<v Speaker 3>do you think in like one hundred years from now,

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<v Speaker 3>people are going to be like, oh, Jenny Garth and

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<v Speaker 3>Tory spelling not not voice legendary.

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<v Speaker 2>I don't know. I don't know about for you, but

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<v Speaker 2>I think I had absolutely no intention of being on

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<v Speaker 2>camera at that age, absolutely nuts, not one hundred years,

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<v Speaker 2>but at his age, Like you know how Betty White

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<v Speaker 2>did it until she was very I don't think I

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<v Speaker 2>got that in me, because maybe you have to endure

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<v Speaker 2>to be on a set like that and wait for

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<v Speaker 2>lighting and deal with all the people and have so

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<v Speaker 2>much patience and that's a lot to ask of an

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<v Speaker 2>eighty something year old person.

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<v Speaker 3>And yeah, and just from a physical standpoint, keep in mind,

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<v Speaker 3>you guys like Jen and I have been working together

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<v Speaker 3>since we were in our teens, so now we have

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<v Speaker 3>each other's backs. But it's a totally different thing we

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<v Speaker 3>always did. But I mean working together when we filmed

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<v Speaker 3>like in our forties. Let's say we're fifties. In our fifties,

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<v Speaker 3>now we would have to check each other because no

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<v Speaker 3>one else is going to do that they're worried about lighting, setups,

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<v Speaker 3>everything else, and we look like, is this showing? Is

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<v Speaker 3>that showing? Is that hide that fix this? You know,

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<v Speaker 3>and you know you have to have someone there that's like, nope,

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<v Speaker 3>don't look that way. No no, no, no no, don't turn that way,

0:11:47.280 --> 0:11:50.600
<v Speaker 3>pull your sleeve down, your elbow, skins wrinkly. You know,

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<v Speaker 3>you gotta do that. But in your eighties, I can't

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<v Speaker 3>even imagine who's going to do that.

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<v Speaker 2>You gotta just kind of let it go, let it go.

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<v Speaker 2>And that was the beauty. You gotta just let that,

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<v Speaker 2>let all that go. Yeah, let control go. I think

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<v Speaker 2>that was the beauty of his performance for me in

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<v Speaker 2>this episode was that he was just so authentic and

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<v Speaker 2>real and just him. It really felt like we were

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<v Speaker 2>watching Milton Burle.

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<v Speaker 1>Yeah, yeah, I thought the same. And with the Emmy

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<v Speaker 1>and that he was playing a sort of well known actor.

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<v Speaker 1>And I loved how they tied in Samantha Sanders show.

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<v Speaker 1>I thought that was like clever that he was on

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<v Speaker 1>it and calling Steve chucky, and just that whole the

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<v Speaker 1>way they did it felt very authentic.

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<v Speaker 3>He did well, we should go back and tell Dore thing.

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<v Speaker 2>Yeah, sorry, people, we are we've been talking about. Let's

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<v Speaker 2>see here? Season five, episode sixteen, Sentenced to Life aired

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<v Speaker 2>January fourth, nineteen ninety four. Today's January fourth.

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<v Speaker 3>As long as you're doing it, you guys, So you're

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<v Speaker 3>welcome podcast world. We will win a podcast award which those.

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<v Speaker 2>For our accuracy.

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<v Speaker 1>There are a few podcast got something going here? We

0:13:14.440 --> 0:13:15.920
<v Speaker 1>have to be nominated for a name.

0:13:16.320 --> 0:13:20.000
<v Speaker 3>Give us a synopsis, Yeah, synopsis, Ray Prue, It continues

0:13:20.040 --> 0:13:23.720
<v Speaker 3>to prove he's a bad boyfriend. Brand continues to defend

0:13:23.800 --> 0:13:28.280
<v Speaker 3>Valerie despite Kelly's concerns. Dylan deals with his dui, Steve

0:13:28.800 --> 0:13:31.280
<v Speaker 3>bonds with an old actor in a retirement home, and

0:13:31.280 --> 0:13:34.800
<v Speaker 3>Andrea runs into doctor Peter, who reveals a big seam.

0:13:35.080 --> 0:13:38.960
<v Speaker 1>There's so much to I think this episode so good

0:13:39.480 --> 0:13:42.840
<v Speaker 1>because the Milton Borough stuff was really really good. But

0:13:43.240 --> 0:13:47.480
<v Speaker 1>so was the Andrea stuff, and so was the Kelly

0:13:47.600 --> 0:13:52.240
<v Speaker 1>Valerie stuff, and so was you know, the Ray Donnas. Like,

0:13:52.360 --> 0:13:55.760
<v Speaker 1>there was a lot of good Jesus.

0:13:55.800 --> 0:13:59.360
<v Speaker 2>This episode was directed by Jack Bender and written by

0:13:59.400 --> 0:14:03.079
<v Speaker 2>Steves Truman and Jessica Klein and Iron's earring.

0:14:04.720 --> 0:14:07.800
<v Speaker 1>Wow, do you want a couple of tidbits about Milton

0:14:07.800 --> 0:14:10.760
<v Speaker 1>Burrele Really fast please did you know not only was

0:14:10.800 --> 0:14:12.160
<v Speaker 1>he on nine oh two and oh, he was on

0:14:12.200 --> 0:14:13.640
<v Speaker 1>the Fresh Prince of bel Air?

0:14:14.320 --> 0:14:14.920
<v Speaker 3>What year.

0:14:16.400 --> 0:14:19.440
<v Speaker 1>He was on the Fresh Prince. Let's see if we

0:14:19.920 --> 0:14:22.920
<v Speaker 1>did it first, he was on Different Strokes in eighty four,

0:14:23.120 --> 0:14:26.600
<v Speaker 1>he was on counter, she wrote, he was on he

0:14:26.720 --> 0:14:28.120
<v Speaker 1>sort of he was on the Fresh Prince of bel

0:14:28.200 --> 0:14:35.920
<v Speaker 1>Air in ninety two. So before this, Wow, he kind

0:14:35.920 --> 0:14:38.800
<v Speaker 1>of became so famous. And then he became famous on

0:14:38.960 --> 0:14:41.240
<v Speaker 1>shows like obviously he was on the Love Boat Tori.

0:14:41.360 --> 0:14:46.080
<v Speaker 2>You know, like as like a character is himself. Yeah, yeah, I.

0:14:46.040 --> 0:14:47.800
<v Speaker 1>Think so, or sort of like he did in nine

0:14:47.840 --> 0:14:50.640
<v Speaker 1>o two and oh, playing sort of a I think

0:14:50.640 --> 0:14:55.520
<v Speaker 1>he became so iconic, so legendary that he just did

0:14:55.800 --> 0:15:01.840
<v Speaker 1>yest appear. That's stunt pasting. He was on that girl. Yeah,

0:15:02.200 --> 0:15:08.240
<v Speaker 1>it's smart. I dream of Genie. It was on everything. Yeah, anyway,

0:15:08.080 --> 0:15:10.120
<v Speaker 1>he aggress about.

0:15:10.320 --> 0:15:12.440
<v Speaker 3>For some reason, I want to say, he wasn't the

0:15:12.560 --> 0:15:15.560
<v Speaker 3>first choice for this role, and I don't know why.

0:15:15.880 --> 0:15:17.400
<v Speaker 2>Who would have been the first choice.

0:15:17.560 --> 0:15:20.560
<v Speaker 3>I'm not sure, but if I remember it that way,

0:15:20.600 --> 0:15:23.640
<v Speaker 3>it must have been someone that feels like.

0:15:23.600 --> 0:15:26.600
<v Speaker 2>It was written just for him. I know I could

0:15:26.640 --> 0:15:27.040
<v Speaker 2>be wrong.

0:15:28.960 --> 0:15:30.040
<v Speaker 1>Wow, I don't know.

0:15:33.200 --> 0:15:35.120
<v Speaker 2>I don't you guys want to jump into first.

0:15:36.560 --> 0:15:39.080
<v Speaker 1>Andrea looked like a smoke show, like she was so

0:15:39.160 --> 0:15:40.479
<v Speaker 1>beautiful in this episode?

0:15:40.960 --> 0:15:46.240
<v Speaker 2>What whoa like glamour queen. All of a sudden, I

0:15:46.280 --> 0:15:47.520
<v Speaker 2>was like, oh my.

0:15:47.440 --> 0:15:50.760
<v Speaker 3>God, she got the memo.

0:15:52.280 --> 0:15:54.240
<v Speaker 1>And why do I sort of want her to hold

0:15:54.280 --> 0:15:55.120
<v Speaker 1>up with that Dophine?

0:15:55.280 --> 0:15:59.360
<v Speaker 3>She looks good because we all do. Is that wrong?

0:16:00.560 --> 0:16:05.320
<v Speaker 3>Is that wrong? What do you mean that we want

0:16:05.400 --> 0:16:06.960
<v Speaker 3>her to hook up with the doctor.

0:16:07.280 --> 0:16:09.240
<v Speaker 1>It's so bad that I want it.

0:16:09.360 --> 0:16:13.000
<v Speaker 3>I want It's not our lives, it's it's a TV show,

0:16:13.080 --> 0:16:14.800
<v Speaker 3>so we could want it as we watch.

0:16:16.040 --> 0:16:19.360
<v Speaker 1>It wasn't as crazy when he sort of I liked

0:16:19.400 --> 0:16:21.560
<v Speaker 1>him a lot right until he was sort of a

0:16:21.640 --> 0:16:24.080
<v Speaker 1>d word, like he was a little too.

0:16:25.560 --> 0:16:28.600
<v Speaker 2>Oh yeah, you mean when he says the line about

0:16:29.040 --> 0:16:34.880
<v Speaker 2>you're married. My wife likes to think so it's like, okay,

0:16:35.080 --> 0:16:36.920
<v Speaker 2>maybe I don't like him as much as I did.

0:16:37.520 --> 0:16:39.520
<v Speaker 1>And she says something like you didn't tell me you

0:16:39.560 --> 0:16:42.080
<v Speaker 1>were married, and he's like, you did either, Like he

0:16:42.200 --> 0:16:44.840
<v Speaker 1>was a little bit of a.

0:16:43.920 --> 0:16:46.440
<v Speaker 2>A little bit, yeah, a little bit, but then he

0:16:46.600 --> 0:16:48.680
<v Speaker 2>but then he was cute again with his little temple

0:16:48.720 --> 0:16:50.960
<v Speaker 2>in his chin, he's cute.

0:16:51.640 --> 0:16:53.320
<v Speaker 1>I love that he's a doctor. I love that he

0:16:53.680 --> 0:16:57.840
<v Speaker 1>has a crush on a nurse. I think he's a doctor.

0:16:58.440 --> 0:16:59.760
<v Speaker 2>It looks like a nurse to me.

0:17:00.280 --> 0:17:02.080
<v Speaker 3>Wait tell me why us why?

0:17:02.480 --> 0:17:03.680
<v Speaker 2>I don't know. I just.

0:17:06.160 --> 0:17:06.440
<v Speaker 1>Huh.

0:17:07.000 --> 0:17:09.879
<v Speaker 2>It was the wardrobe. I think that's the hair. I

0:17:09.920 --> 0:17:10.560
<v Speaker 2>think it was the hair.

0:17:11.720 --> 0:17:14.359
<v Speaker 1>I'm just happy to see a doctor that seems sane

0:17:14.480 --> 0:17:16.080
<v Speaker 1>compared to Dylan's doctors.

0:17:16.520 --> 0:17:20.040
<v Speaker 2>Yeah, they were so. He seemed like a real doctor,

0:17:20.040 --> 0:17:21.080
<v Speaker 2>like a real guy.

0:17:21.160 --> 0:17:24.639
<v Speaker 1>Seemed like doctor Drake Ramore to me, like out of

0:17:24.720 --> 0:17:27.639
<v Speaker 1>days of our lives, whereas this guy seems like, you know,

0:17:27.840 --> 0:17:29.000
<v Speaker 1>McDreamy or something.

0:17:30.359 --> 0:17:31.199
<v Speaker 3>Intentional.

0:17:31.840 --> 0:17:36.399
<v Speaker 1>Yeah, but whoa. She's sort of so is she gonna?

0:17:36.800 --> 0:17:39.320
<v Speaker 3>Is she? Is she gonna?

0:17:40.720 --> 0:17:45.760
<v Speaker 2>I don't remember we remember because I thought it was him.

0:17:45.920 --> 0:17:48.480
<v Speaker 2>I thought it was Jesse that was gonna have.

0:17:49.680 --> 0:17:50.240
<v Speaker 1>You just wait?

0:17:51.960 --> 0:17:52.840
<v Speaker 3>Are excited?

0:18:05.480 --> 0:18:07.600
<v Speaker 1>Am I the only one who actually and I think

0:18:07.640 --> 0:18:11.000
<v Speaker 1>we've talked about this and maybe just really hit me again.

0:18:11.680 --> 0:18:14.840
<v Speaker 1>I wish that if I had it to redo Dylan

0:18:14.840 --> 0:18:15.720
<v Speaker 1>and Andrea together.

0:18:16.119 --> 0:18:20.040
<v Speaker 2>Okay, what are you doing?

0:18:21.560 --> 0:18:24.160
<v Speaker 3>This is a rewind edit the same.

0:18:24.359 --> 0:18:27.240
<v Speaker 2>We're firing you can we fire her?

0:18:27.280 --> 0:18:29.879
<v Speaker 3>I just put my mouth. I just officially peeked in

0:18:29.920 --> 0:18:32.400
<v Speaker 3>my mouth. So the first time you guys in twenty four.

0:18:32.320 --> 0:18:35.600
<v Speaker 1>Think about it, they are old, I bonded.

0:18:36.000 --> 0:18:38.199
<v Speaker 2>No, I won't think about her.

0:18:38.760 --> 0:18:39.840
<v Speaker 1>He respects her.

0:18:39.920 --> 0:18:41.400
<v Speaker 3>Okay, I don't care.

0:18:41.800 --> 0:18:47.240
<v Speaker 1>When they were reading the poetry, they're sipping their coffee there.

0:18:47.560 --> 0:18:50.280
<v Speaker 1>I think they're reading the No.

0:18:50.440 --> 0:18:53.959
<v Speaker 3>You guys see, I'm getting supernauxious.

0:18:55.240 --> 0:19:00.199
<v Speaker 1>Fully, I believe fully was No.

0:19:00.320 --> 0:19:02.520
<v Speaker 2>I was upset from the get go. Why is she

0:19:02.600 --> 0:19:05.159
<v Speaker 2>at his house looking so hot reading poetry?

0:19:05.600 --> 0:19:05.639
<v Speaker 1>Like?

0:19:05.760 --> 0:19:09.399
<v Speaker 2>I get it, they're friends and they're they're like mature friends,

0:19:09.640 --> 0:19:12.879
<v Speaker 2>but like I was, like, come one.

0:19:12.200 --> 0:19:15.280
<v Speaker 1>The baby relationship to me that I would have loved

0:19:15.280 --> 0:19:15.520
<v Speaker 1>to have.

0:19:15.720 --> 0:19:19.200
<v Speaker 2>Oh my god, she's never hung out at his house.

0:19:19.320 --> 0:19:21.560
<v Speaker 3>Like, I'm not so upset with you, Amy, I just

0:19:21.640 --> 0:19:24.880
<v Speaker 3>spit on my computer while I'm trying to do this.

0:19:25.400 --> 0:19:26.520
<v Speaker 3>I wish you guys could see that.

0:19:26.640 --> 0:19:32.000
<v Speaker 1>I can't believe you guys don't want it to anyone listening?

0:19:32.200 --> 0:19:33.119
<v Speaker 1>Are you with me?

0:19:35.600 --> 0:19:38.200
<v Speaker 2>Don't know me. I don't know if anybody's going to

0:19:38.240 --> 0:19:40.879
<v Speaker 2>back you on this. I just it felt weird, odd

0:19:41.320 --> 0:19:42.560
<v Speaker 2>and bizarre that she was.

0:19:43.400 --> 0:19:46.520
<v Speaker 3>In his house with Jessie than I would with Andrey.

0:19:46.560 --> 0:19:49.080
<v Speaker 3>I'd give you break. I'm not doing this.

0:19:49.720 --> 0:19:53.600
<v Speaker 2>Nothing against Andre. It just doesn't work in my visual.

0:19:54.440 --> 0:20:01.520
<v Speaker 1>That's so interesting because for me, they feel so good compatible. Yeah, real,

0:20:01.960 --> 0:20:02.359
<v Speaker 1>they may be.

0:20:02.560 --> 0:20:03.439
<v Speaker 2>They may very.

0:20:03.320 --> 0:20:07.760
<v Speaker 1>Well be compatible and healthy, a healthy relationship for both

0:20:07.800 --> 0:20:08.160
<v Speaker 1>of them.

0:20:08.640 --> 0:20:10.600
<v Speaker 3>You know what. I think that's where Brandon would have

0:20:10.680 --> 0:20:15.640
<v Speaker 3>drawn the line. Not with Kelly, not without I mean,

0:20:15.800 --> 0:20:18.680
<v Speaker 3>or you know like that, that would have been the one.

0:20:18.800 --> 0:20:26.520
<v Speaker 3>If Dylan was with Andrea, I think that would have said.

0:20:25.080 --> 0:20:27.880
<v Speaker 1>So, I respectfully disagree. I think it would have been

0:20:28.720 --> 0:20:31.760
<v Speaker 1>a super couple, you know what I mean. That's okay.

0:20:32.720 --> 0:20:34.880
<v Speaker 3>Yeah, you can have it.

0:20:34.840 --> 0:20:35.800
<v Speaker 2>Your way in your mind.

0:20:35.920 --> 0:20:40.359
<v Speaker 3>Okay, did you You're gonna be shredded on Instagram? Wait

0:20:40.440 --> 0:20:40.800
<v Speaker 3>for it.

0:20:40.960 --> 0:20:44.080
<v Speaker 1>We'll see. We'll see about that. I feel like get

0:20:44.200 --> 0:20:45.960
<v Speaker 1>so much, I'm gonna get a swell of.

0:20:45.960 --> 0:20:48.720
<v Speaker 3>Saperl Oh my god, you're too mean to you guys.

0:20:48.880 --> 0:20:50.960
<v Speaker 3>Has nothing to do with Andrea. It just doesn't work.

0:20:51.280 --> 0:20:53.920
<v Speaker 1>Who laughed when Donna said I still don't know who

0:20:54.000 --> 0:20:55.800
<v Speaker 1>killed that damn mockingbird?

0:20:58.480 --> 0:20:58.720
<v Speaker 2>Uh?

0:20:58.800 --> 0:20:59.119
<v Speaker 3>Not me?

0:20:59.200 --> 0:21:01.200
<v Speaker 2>Because I felt that line's so stupid.

0:21:02.320 --> 0:21:06.560
<v Speaker 3>That was really bad, really bad. Do you think I

0:21:06.640 --> 0:21:07.280
<v Speaker 3>probably was?

0:21:07.400 --> 0:21:09.920
<v Speaker 2>Like I think you were like, I don't want to

0:21:09.960 --> 0:21:13.200
<v Speaker 2>say that, just like to try to throw it away,

0:21:13.880 --> 0:21:16.560
<v Speaker 2>get it out of that sit as your exiting.

0:21:16.800 --> 0:21:21.000
<v Speaker 1>Oh so bad. It was so good. You know, you

0:21:21.119 --> 0:21:21.600
<v Speaker 1>just jumped to.

0:21:21.600 --> 0:21:22.840
<v Speaker 2>A completely different storyline.

0:21:22.840 --> 0:21:25.120
<v Speaker 1>But okay, well I'm just trying to move.

0:21:25.200 --> 0:21:31.680
<v Speaker 2>We were talking about the new you. I's gidding, okay, old,

0:21:33.600 --> 0:21:34.439
<v Speaker 2>I'll jump around.

0:21:34.920 --> 0:21:38.399
<v Speaker 1>My love of Andrea and Dylan was not received well

0:21:38.440 --> 0:21:39.560
<v Speaker 1>by you guys.

0:21:39.359 --> 0:21:41.480
<v Speaker 2>So sorry to disappoint you.

0:21:42.720 --> 0:21:45.320
<v Speaker 3>Like I could go on with that for days.

0:21:45.600 --> 0:21:48.439
<v Speaker 1>So here's my next question for you too, based on

0:21:48.520 --> 0:21:56.359
<v Speaker 1>this episode, is Steve just I don't know what word.

0:21:56.359 --> 0:21:58.439
<v Speaker 1>There's so many bad words I want to say to

0:21:58.480 --> 0:22:01.480
<v Speaker 1>describe him. Or is he a sweetheart?

0:22:01.840 --> 0:22:07.600
<v Speaker 2>It's he's both. That's the beauty of Steve Sanders. He's

0:22:07.680 --> 0:22:12.159
<v Speaker 2>kind of a d bag. He's a spoiled brat, but

0:22:12.240 --> 0:22:13.480
<v Speaker 2>he's also got a heart.

0:22:13.320 --> 0:22:19.280
<v Speaker 3>Of gold heart and that's okay. He's multifaceted.

0:22:19.920 --> 0:22:26.120
<v Speaker 1>Yeah, and they really craft that character to be that

0:22:26.240 --> 0:22:29.520
<v Speaker 1>because when he's sitting in that room with that guy

0:22:29.560 --> 0:22:32.760
<v Speaker 1>who runs the retirement home, I was like, you are

0:22:33.320 --> 0:22:43.919
<v Speaker 1>an absolute jerk butt head, such a ah I want.

0:22:43.800 --> 0:22:47.040
<v Speaker 3>A T shirt says that you are a jerk butt head.

0:22:47.200 --> 0:22:49.760
<v Speaker 1>Don't because there's so many D words I want to use,

0:22:49.800 --> 0:22:50.400
<v Speaker 1>but I'm like.

0:22:50.600 --> 0:22:54.000
<v Speaker 3>I'm wearing you guys. Oh my god.

0:22:58.040 --> 0:22:59.840
<v Speaker 1>You can't get it where it is.

0:23:00.200 --> 0:23:02.960
<v Speaker 2>I was surprised. I was surprised that he got out

0:23:02.960 --> 0:23:06.320
<v Speaker 2>of community service so easily with that mean man who

0:23:06.400 --> 0:23:08.480
<v Speaker 2>I love the actor, by the by the way, that

0:23:08.520 --> 0:23:18.640
<v Speaker 2>actors that would be that Guy's that guy, Kenneth Kenneth Tiger?

0:23:21.000 --> 0:23:21.320
<v Speaker 3>Nope?

0:23:22.160 --> 0:23:23.000
<v Speaker 2>Was he mister Warren?

0:23:23.720 --> 0:23:23.920
<v Speaker 3>Yeah?

0:23:24.359 --> 0:23:26.240
<v Speaker 1>Yeah, I got nothing, So I think I've got that right.

0:23:26.520 --> 0:23:29.119
<v Speaker 2>I've never heard of the name before, Tiga Tiger.

0:23:29.240 --> 0:23:31.200
<v Speaker 3>I don't know I the Tiger.

0:23:31.520 --> 0:23:33.200
<v Speaker 2>He's been in a million things, so I was really

0:23:33.240 --> 0:23:35.320
<v Speaker 2>happy to see his face. But he like, I was like,

0:23:35.440 --> 0:23:38.320
<v Speaker 2>why why is he just letting him if he's so

0:23:38.520 --> 0:23:39.560
<v Speaker 2>adamant about.

0:23:39.400 --> 0:23:42.159
<v Speaker 1>Not I thought he was take. I thought he was

0:23:42.200 --> 0:23:42.800
<v Speaker 1>like on.

0:23:42.680 --> 0:23:45.199
<v Speaker 2>The well, I didn't feel like he was getting anything

0:23:45.240 --> 0:23:47.239
<v Speaker 2>from it because he's so cranky about it.

0:23:47.600 --> 0:23:50.040
<v Speaker 1>Yeah, maybe he's not getting money, but he's got some

0:23:50.080 --> 0:23:54.080
<v Speaker 1>sort of arrangement with the court or these big lawyers.

0:23:54.119 --> 0:23:56.520
<v Speaker 1>Maybe they give money to the maybe they are big

0:23:56.560 --> 0:23:59.360
<v Speaker 1>donors to the retirement home. I'm not sure, but there

0:23:59.440 --> 0:24:03.639
<v Speaker 1>was some vested interest that that cat had to letting

0:24:03.680 --> 0:24:04.640
<v Speaker 1>Steve off the hook.

0:24:04.840 --> 0:24:07.200
<v Speaker 3>Yeah, I get into the next episode. I mean.

0:24:09.240 --> 0:24:13.000
<v Speaker 2>What made and then also what I didn't really believe

0:24:13.119 --> 0:24:15.639
<v Speaker 2>the turn for Steve, Like why did he change his

0:24:15.680 --> 0:24:18.679
<v Speaker 2>mind about doing the community service? Was there a you

0:24:18.720 --> 0:24:19.920
<v Speaker 2>know what I mean? I felt like that was a

0:24:19.920 --> 0:24:21.960
<v Speaker 2>little underdeveloped, because.

0:24:21.680 --> 0:24:24.199
<v Speaker 1>Yeah, that was underdeveloped, good word for that. But but

0:24:24.320 --> 0:24:27.240
<v Speaker 1>it was obviously Saul and the relationship, and he sort

0:24:27.240 --> 0:24:28.600
<v Speaker 1>of was drawn to Saul.

0:24:28.760 --> 0:24:32.680
<v Speaker 2>But why would why would mean man, mister h Warren,

0:24:33.040 --> 0:24:36.359
<v Speaker 2>I think that's mister Warren. Why would he say don't

0:24:36.359 --> 0:24:38.960
<v Speaker 2>be friends with Saul? Like he's not he's here to die,

0:24:39.240 --> 0:24:40.480
<v Speaker 2>so don't be friends with him.

0:24:40.720 --> 0:24:44.960
<v Speaker 1>That was my question for you guys, because anybody that's

0:24:45.000 --> 0:24:47.560
<v Speaker 1>volunteering at a retirement home, you would want them to

0:24:47.600 --> 0:24:51.959
<v Speaker 1>be engaged with the people living there and doing the

0:24:52.000 --> 0:24:56.280
<v Speaker 1>card tricks. That was very strange of that mister Warren guy.

0:24:56.400 --> 0:24:58.840
<v Speaker 1>Maybe he's trying to protect Steve. I don't know.

0:24:59.040 --> 0:25:01.120
<v Speaker 3>Wait, so you don't think it was kind of like

0:25:01.440 --> 0:25:03.919
<v Speaker 3>don't be friends with him, knowing he'll go ahead and

0:25:03.920 --> 0:25:05.360
<v Speaker 3>be friends with him, and it's like.

0:25:05.320 --> 0:25:08.880
<v Speaker 2>A flip oh, like a reverse psychology yeah, I didn't

0:25:08.920 --> 0:25:09.360
<v Speaker 2>feel that.

0:25:09.400 --> 0:25:11.040
<v Speaker 1>I didn't get that. I thought he was just taking

0:25:11.160 --> 0:25:14.560
<v Speaker 1>kind of a God.

0:25:14.680 --> 0:25:19.080
<v Speaker 2>I had to tell you watching all this, like the

0:25:19.080 --> 0:25:21.840
<v Speaker 2>the what do you call it? Old people's home?

0:25:22.520 --> 0:25:23.119
<v Speaker 1>What do you call that.

0:25:24.640 --> 0:25:25.080
<v Speaker 3>Community?

0:25:25.160 --> 0:25:30.840
<v Speaker 2>Okay, community, elderly community. I just it was so too

0:25:30.880 --> 0:25:34.119
<v Speaker 2>close to home for me, and just like hard to

0:25:34.240 --> 0:25:41.359
<v Speaker 2>watch and hard to watch the accuracy of the depiction

0:25:41.600 --> 0:25:45.840
<v Speaker 2>of the the Alzheimer's having, you know, the effect that

0:25:45.880 --> 0:25:48.000
<v Speaker 2>it had on him. It was just that part was

0:25:48.040 --> 0:25:51.280
<v Speaker 2>like I was watching Pola and it was hard for

0:25:51.400 --> 0:25:55.520
<v Speaker 2>us to watch because, as you know, everybody either knows

0:25:55.640 --> 0:25:59.680
<v Speaker 2>or will know, watching your parents get older and deteriorate

0:25:59.760 --> 0:26:05.160
<v Speaker 2>is being brutal, and it just is like I get

0:26:05.280 --> 0:26:08.439
<v Speaker 2>uncomfortable thinking about it, you know. So this episode was

0:26:08.520 --> 0:26:10.040
<v Speaker 2>really hard for me to watch on that line.

0:26:10.080 --> 0:26:13.440
<v Speaker 3>Well, and it's bizarre for me on a The only

0:26:13.480 --> 0:26:16.440
<v Speaker 3>thing I'll say about it personally, but in nineteen ninety four,

0:26:16.760 --> 0:26:19.399
<v Speaker 3>like my dad like couldn't have predicted that he'd end

0:26:19.480 --> 0:26:23.359
<v Speaker 3>up having dementia one day and that would be so Yeah.

0:26:23.640 --> 0:26:26.880
<v Speaker 1>I think it's a testament to how good the acting

0:26:26.960 --> 0:26:30.040
<v Speaker 1>and portrayal and the writing of those scenes were because

0:26:30.080 --> 0:26:34.120
<v Speaker 1>I felt the same way and real. It really was

0:26:34.560 --> 0:26:39.520
<v Speaker 1>quite well done obviously, you know with the oh dangling

0:26:39.560 --> 0:26:41.720
<v Speaker 1>the keys, Like I'm not saying that's going to go work,

0:26:41.880 --> 0:26:45.200
<v Speaker 1>but like it was very well done because we all

0:26:45.280 --> 0:26:48.120
<v Speaker 1>had such sort of an emotional I'll.

0:26:47.960 --> 0:26:50.280
<v Speaker 2>Tell you what, though, that dangling of the keys moment

0:26:50.320 --> 0:26:54.119
<v Speaker 2>that Steve did with Uncle Milty did work for me

0:26:54.280 --> 0:26:59.840
<v Speaker 2>because my mom was in a fentanyl induced state which

0:26:59.880 --> 0:27:05.960
<v Speaker 2>is very was very similar to deep dimension Alzheimer's, and

0:27:06.320 --> 0:27:09.520
<v Speaker 2>she was completely a different person for a certain period

0:27:09.560 --> 0:27:14.439
<v Speaker 2>of time, maybe a year ago, And the minute I

0:27:14.480 --> 0:27:20.399
<v Speaker 2>put on music from what I remembered her loving, I

0:27:20.400 --> 0:27:23.560
<v Speaker 2>could see her body change, like she came out of it.

0:27:23.680 --> 0:27:27.199
<v Speaker 2>Not enough to be as bad as Milty was, but

0:27:27.960 --> 0:27:30.919
<v Speaker 2>like just that sound for her brought back that like

0:27:31.440 --> 0:27:36.200
<v Speaker 2>internal connection, and so that for me really did work.

0:27:36.280 --> 0:27:37.400
<v Speaker 2>It was a little weird, but.

0:27:37.640 --> 0:27:40.560
<v Speaker 1>Right, right, right, But they go back to what was real,

0:27:41.320 --> 0:27:44.439
<v Speaker 1>which is all the more reason why that character of

0:27:44.480 --> 0:27:47.760
<v Speaker 1>the guy running the retirement home was so off putting,

0:27:48.119 --> 0:27:54.400
<v Speaker 1>because like we all know that human interaction also brings that.

0:27:55.040 --> 0:27:58.959
<v Speaker 1>So you would think so encouraging of Steve to foster

0:27:59.160 --> 0:28:04.439
<v Speaker 1>orzation with not just soul but everybody there, but you know,

0:28:04.560 --> 0:28:05.439
<v Speaker 1>maybe it was just horrible.

0:28:05.440 --> 0:28:09.679
<v Speaker 2>Well, Alzheimer's wasn't really a big, huge conversation in nineteen

0:28:09.760 --> 0:28:13.640
<v Speaker 2>ninety four. I'm so alied you as you know, well,

0:28:13.680 --> 0:28:14.600
<v Speaker 2>I'm really.

0:28:14.359 --> 0:28:16.960
<v Speaker 1>Glad you brought that up, Jenny, because I think once

0:28:17.040 --> 0:28:19.560
<v Speaker 1>again it's why nine oh two one zero was so

0:28:20.640 --> 0:28:25.520
<v Speaker 1>ahead ahead important and again probably your dad Torri, like

0:28:27.560 --> 0:28:34.320
<v Speaker 1>they really brought things into the you know, zeit guys

0:28:34.359 --> 0:28:36.880
<v Speaker 1>pop culture world like where we were talking about that

0:28:36.920 --> 0:28:41.480
<v Speaker 1>and I remember this episode from back then and it

0:28:41.600 --> 0:28:44.760
<v Speaker 1>being sort of that way to talk about Alzheimer's and

0:28:45.280 --> 0:28:49.840
<v Speaker 1>people my age at the time twenty something talking about

0:28:49.840 --> 0:28:52.280
<v Speaker 1>Alzheimer's now and.

0:28:52.320 --> 0:28:55.560
<v Speaker 2>Here we are in twenty twenty four, still no cure,

0:28:57.400 --> 0:28:59.960
<v Speaker 2>still dealing with that's horrible, horrible disease.

0:29:00.520 --> 0:29:01.480
<v Speaker 1>It's a rough one.

0:29:02.080 --> 0:29:05.240
<v Speaker 3>I wonder if the network was had pushed back just

0:29:05.280 --> 0:29:08.120
<v Speaker 3>because oh it's a you know, sometimes there was it's

0:29:08.120 --> 0:29:11.280
<v Speaker 3>a teen drama. I guess they're not teens anymore, young twenties,

0:29:13.280 --> 0:29:17.320
<v Speaker 3>you know, does our you know, demographic, does our audience

0:29:17.360 --> 0:29:21.480
<v Speaker 3>sorry want to watch this? And it is kudos to

0:29:22.320 --> 0:29:27.000
<v Speaker 3>my dad and everyone involved in the entire team. It's

0:29:27.040 --> 0:29:30.400
<v Speaker 3>a collective for saying like, no, this is important and

0:29:30.560 --> 0:29:33.120
<v Speaker 3>we want to do it and push through. Who knows

0:29:33.200 --> 0:29:34.440
<v Speaker 3>me the network was I.

0:29:34.440 --> 0:29:37.440
<v Speaker 1>Feel like the show is so huge at that point

0:29:37.480 --> 0:29:41.480
<v Speaker 1>that your dad and the producers could do whatever they wanted.

0:29:41.640 --> 0:29:43.520
<v Speaker 1>I could be wrong on that, but it seems like

0:29:43.560 --> 0:29:47.320
<v Speaker 1>and plus they're like, we've Milton, it's such an amazing episode.

0:29:47.440 --> 0:29:49.280
<v Speaker 1>Like I don't know, I feel like at that point

0:29:49.520 --> 0:29:52.040
<v Speaker 1>they were the tail was not the tail was wagging

0:29:52.080 --> 0:29:53.160
<v Speaker 1>the dog. I guess you could.

0:29:53.040 --> 0:29:59.440
<v Speaker 2>Say, and just you know, super credit for Ian taking

0:29:59.480 --> 0:30:03.960
<v Speaker 2>this story idea to them and you know, initiating the

0:30:04.000 --> 0:30:08.360
<v Speaker 2>conversation to make it happen. But you know, when he

0:30:08.400 --> 0:30:11.040
<v Speaker 2>wants to drive the car, it is so hard wrenching.

0:30:11.560 --> 0:30:14.800
<v Speaker 2>He wants to drive so bad. That's the hardest thing

0:30:14.800 --> 0:30:17.680
<v Speaker 2>to give up when when they get older, when people

0:30:17.720 --> 0:30:21.120
<v Speaker 2>get older, when we get older, is that one right

0:30:21.240 --> 0:30:25.000
<v Speaker 2>to drive a car and have that freedom go wherever

0:30:25.080 --> 0:30:26.160
<v Speaker 2>the f you want?

0:30:26.200 --> 0:30:29.760
<v Speaker 3>You know, I don't. I don't want to drive a car.

0:30:30.160 --> 0:30:33.480
<v Speaker 2>You don't want to drive a car anywhere? Already walk drive.

0:30:33.640 --> 0:30:35.360
<v Speaker 1>I know there's other storylines to talk about, but it

0:30:35.400 --> 0:30:36.880
<v Speaker 1>is such a it's such a good.

0:30:36.680 --> 0:30:39.080
<v Speaker 3>Will not give us my freedom to shop there, So

0:30:39.200 --> 0:30:41.200
<v Speaker 3>one day I'll remember that.

0:30:41.480 --> 0:30:44.000
<v Speaker 2>I will never take it away. But you know, at

0:30:44.040 --> 0:30:45.920
<v Speaker 2>a certain point you got to take away the freedom

0:30:45.960 --> 0:30:47.880
<v Speaker 2>to show because it becomes problematic.

0:30:48.000 --> 0:30:50.520
<v Speaker 3>Let me tell you, Yeah, well they show have taken

0:30:50.560 --> 0:30:51.840
<v Speaker 3>that away from me a long time ago.

0:30:53.560 --> 0:30:58.120
<v Speaker 1>And thinking about Milton Burrell and the painting scene and

0:30:58.600 --> 0:31:03.120
<v Speaker 1>the performance he gets Oh, it's so I think this

0:31:03.640 --> 0:31:08.640
<v Speaker 1>episode was so you know, makes you feel so much

0:31:08.640 --> 0:31:14.040
<v Speaker 1>because his performance was so good and just when he's

0:31:14.040 --> 0:31:16.800
<v Speaker 1>in bed everything that Nolan. He deserved that Emmy nomination.

0:31:16.920 --> 0:31:18.800
<v Speaker 1>I don't think he got the Emmy, but he deserved

0:31:18.800 --> 0:31:19.400
<v Speaker 1>the nominee.

0:31:19.760 --> 0:31:24.240
<v Speaker 2>But he got it in the show, Saul got it.

0:31:24.280 --> 0:31:28.240
<v Speaker 1>Because it's it's such a such a different performance and

0:31:28.280 --> 0:31:32.600
<v Speaker 1>such a different episode and really so good, so good,

0:31:33.520 --> 0:31:35.400
<v Speaker 1>and how he kind of says like, yeah, I loved

0:31:35.400 --> 0:31:37.800
<v Speaker 1>your mother, but I really wouldn't had your father's act.

0:31:37.840 --> 0:31:41.040
<v Speaker 1>And he's so like Steve's so kind of bonded to

0:31:41.120 --> 0:31:41.800
<v Speaker 1>toa Saul.

0:31:43.440 --> 0:31:46.520
<v Speaker 2>Chucky and and I left thinking like, wait, what's going

0:31:46.600 --> 0:31:49.520
<v Speaker 2>to happen to Saul? And is Steve going to stay

0:31:49.560 --> 0:31:52.040
<v Speaker 2>friends with him? And you know, I don't I don't

0:31:52.080 --> 0:31:53.680
<v Speaker 2>want to know what's gonna happen. But I do want

0:31:53.680 --> 0:31:54.520
<v Speaker 2>to know what's gonna.

0:31:54.280 --> 0:31:56.040
<v Speaker 3>Happen because I care.

0:31:56.200 --> 0:31:57.040
<v Speaker 2>I'm invested.

0:31:57.480 --> 0:31:58.320
<v Speaker 3>He hasn't come back.

0:31:58.760 --> 0:32:01.960
<v Speaker 2>I was worried he's gonna you know what? In the episode, yeah,

0:32:02.000 --> 0:32:05.680
<v Speaker 2>I thought at one point maybe he was. Dave kept

0:32:05.680 --> 0:32:07.360
<v Speaker 2>walking in the room as I was watching and going,

0:32:07.360 --> 0:32:12.600
<v Speaker 2>did he die yet? Is he dead yet? I was like, no, stop,

0:32:12.680 --> 0:32:27.080
<v Speaker 2>He's not dying. You know what I do know is

0:32:27.120 --> 0:32:29.120
<v Speaker 2>that Steve Sanders looked hot with a mop.

0:32:30.400 --> 0:32:30.880
<v Speaker 1>You guys.

0:32:33.440 --> 0:32:36.320
<v Speaker 2>Hair, you know you had that little hairy chest showing

0:32:36.360 --> 0:32:36.640
<v Speaker 2>you know what.

0:32:36.840 --> 0:32:37.360
<v Speaker 3>I love that.

0:32:38.040 --> 0:32:40.840
<v Speaker 1>Did you see though, when he's sort of getting reprimanded

0:32:40.920 --> 0:32:45.280
<v Speaker 1>by the mister Warren guy and it's very breakfast clubby

0:32:45.440 --> 0:32:48.680
<v Speaker 1>almost like he's got his laying up against the walls.

0:32:49.040 --> 0:32:51.480
<v Speaker 1>I love him dramatic and he's leaning up against the

0:32:51.480 --> 0:32:55.000
<v Speaker 1>wall like Judd Nelson looks like.

0:32:55.080 --> 0:32:58.280
<v Speaker 2>It was good well directed by Jack Bender.

0:32:58.360 --> 0:33:03.480
<v Speaker 1>Definitely, can we talk about Steve, not Steve, pardon me,

0:33:03.640 --> 0:33:07.040
<v Speaker 1>Brandon and Kelly for a minute. Maybe going to the

0:33:07.320 --> 0:33:09.120
<v Speaker 1>cola cans that were so.

0:33:09.200 --> 0:33:15.400
<v Speaker 2>You like that pepsi cola. There's obviously pepsi. People see

0:33:15.440 --> 0:33:18.960
<v Speaker 2>they took the word PEPSI off and change it to cola.

0:33:18.720 --> 0:33:20.840
<v Speaker 1>Ola and were y'all eating pickles?

0:33:21.440 --> 0:33:25.920
<v Speaker 2>That cracked me up because I'm about the same age

0:33:26.040 --> 0:33:28.440
<v Speaker 2>in this episode as I am my middle daughter Lola,

0:33:28.560 --> 0:33:32.640
<v Speaker 2>and she's obsessed with pickles. Oh, it was just like,

0:33:32.720 --> 0:33:35.920
<v Speaker 2>of course, that's really actually what a person that age

0:33:35.920 --> 0:33:38.840
<v Speaker 2>would consider as a snack jar of pickles.

0:33:39.800 --> 0:33:45.880
<v Speaker 3>Nothing wrong with that when she feeds me pickles.

0:33:46.200 --> 0:33:48.680
<v Speaker 1>I can't eat a pickle without a sandwich and some chips.

0:33:49.280 --> 0:33:52.520
<v Speaker 3>I could do them all day long by themselves. You know,

0:33:53.040 --> 0:33:57.000
<v Speaker 3>Bo who's six. We do pickle tastings like most kids

0:33:57.040 --> 0:33:59.640
<v Speaker 3>want candy tastings. He wanted to pickle.

0:33:59.640 --> 0:34:03.160
<v Speaker 2>You wait, because there's all kinds of pickles yeall? You

0:34:03.320 --> 0:34:06.280
<v Speaker 2>are you a dill pickle or a bread and butter pickle? Gal?

0:34:06.720 --> 0:34:07.520
<v Speaker 1>That's when I need it.

0:34:07.760 --> 0:34:08.759
<v Speaker 2>I don't know this about you.

0:34:08.880 --> 0:34:13.680
<v Speaker 3>I mean meat. Oh, I'm a like a well corni

0:34:13.719 --> 0:34:15.200
<v Speaker 3>sean aka girkin.

0:34:15.600 --> 0:34:17.000
<v Speaker 1>Oh my god, fancy what?

0:34:17.200 --> 0:34:19.880
<v Speaker 2>But also that's the deal, there's.

0:34:20.080 --> 0:34:22.160
<v Speaker 1>What is the corniean and GKiN?

0:34:22.560 --> 0:34:24.520
<v Speaker 3>Like if you were to do like a charcoterie ward

0:34:24.560 --> 0:34:25.640
<v Speaker 3>you put out a cool.

0:34:25.400 --> 0:34:31.040
<v Speaker 2>Little tiny pickles. They're sour, they're a little dilly. Yeah,

0:34:31.960 --> 0:34:33.759
<v Speaker 2>I don't like those. I don't like those at all.

0:34:33.920 --> 0:34:36.040
<v Speaker 2>Maybe not dilly, maybe just sour. That's why I don't

0:34:36.080 --> 0:34:39.840
<v Speaker 2>like them. But I love a good bread and butter.

0:34:40.080 --> 0:34:41.560
<v Speaker 3>Because they're a little sweeter.

0:34:42.719 --> 0:34:44.200
<v Speaker 1>The sandwich on a burger.

0:34:44.360 --> 0:34:46.520
<v Speaker 2>No bread and butter by itself.

0:34:46.520 --> 0:34:50.640
<v Speaker 3>Sorry wait like bread with butter.

0:34:51.080 --> 0:34:52.120
<v Speaker 2>No a bread and butter.

0:34:52.160 --> 0:34:56.200
<v Speaker 1>Ple know they are they they go well with a hamburger.

0:34:56.200 --> 0:34:57.879
<v Speaker 1>But I can't eat pickles out of the jar.

0:34:58.440 --> 0:35:03.600
<v Speaker 2>Oh how drinking the juice, because that's a bit Wait,

0:35:03.760 --> 0:35:07.400
<v Speaker 2>you don't do that pickle Absolutely not.

0:35:07.560 --> 0:35:09.440
<v Speaker 1>I in fact take the pickle out and put it

0:35:09.480 --> 0:35:10.320
<v Speaker 1>on a paper towel.

0:35:12.120 --> 0:35:15.719
<v Speaker 3>You know you don't drink. But little known fact, not

0:35:15.960 --> 0:35:21.000
<v Speaker 3>little big is when people drink, they do like a

0:35:21.000 --> 0:35:24.400
<v Speaker 3>pickleback where they just shot a pickle juice because it's

0:35:24.480 --> 0:35:25.399
<v Speaker 3>going to help you, like.

0:35:26.680 --> 0:35:28.280
<v Speaker 2>Kill the alcohol taste.

0:35:28.880 --> 0:35:31.000
<v Speaker 1>Oh my gosh. Do you drink a shot and then

0:35:31.000 --> 0:35:33.560
<v Speaker 1>a pickle shot or you just drink an alcohol drink

0:35:33.560 --> 0:35:35.320
<v Speaker 1>and then you drink drink a pickle shot.

0:35:35.640 --> 0:35:37.359
<v Speaker 3>Right, it's supposed to help you. What is it? Gen

0:35:37.440 --> 0:35:42.040
<v Speaker 3>like not get like a hangover from it?

0:35:42.040 --> 0:35:44.759
<v Speaker 2>It does something I don't know, but you know what

0:35:44.800 --> 0:35:49.960
<v Speaker 2>I would enjoy a pickle scented candle. Oh that's a

0:35:50.000 --> 0:35:51.200
<v Speaker 2>good ideas.

0:35:51.280 --> 0:35:54.640
<v Speaker 3>Never seen that idea, my nieces love.

0:35:54.920 --> 0:35:55.520
<v Speaker 1>But I have.

0:35:55.680 --> 0:35:59.840
<v Speaker 3>Gotten one of those giants got me pickles for the kids.

0:36:00.000 --> 0:36:03.720
<v Speaker 3>They're like, wait, gummy, Oh yeah, it's candy and pickle.

0:36:04.800 --> 0:36:06.840
<v Speaker 3>It's candy. It's a gummy, like a gummy you know,

0:36:07.080 --> 0:36:07.399
<v Speaker 3>they have.

0:36:07.400 --> 0:36:09.600
<v Speaker 1>Like a gummy shark. But it's a gummy pickle.

0:36:09.760 --> 0:36:12.960
<v Speaker 3>Yeah, and so it's like pickle and it's like a pickle.

0:36:13.480 --> 0:36:15.040
<v Speaker 1>Oh gosh, no.

0:36:15.239 --> 0:36:17.640
<v Speaker 2>I can't. That's a different that's two worlds colliding, and

0:36:17.680 --> 0:36:18.480
<v Speaker 2>I'm not into it.

0:36:19.160 --> 0:36:20.799
<v Speaker 1>God. That makes me want to ask you, guys, if

0:36:20.800 --> 0:36:23.719
<v Speaker 1>you've ever done a shot. People are gonna get mad

0:36:23.760 --> 0:36:26.040
<v Speaker 1>because we're going so sidetracked, but have you ever done

0:36:26.120 --> 0:36:28.320
<v Speaker 1>the game with the jelly bellies where it's like we

0:36:28.520 --> 0:36:32.640
<v Speaker 1>just did that bamboos like stinky socks, stinky socks.

0:36:32.680 --> 0:36:36.560
<v Speaker 2>Literally just did that holiday They're so good. Were'spin the

0:36:36.600 --> 0:36:38.399
<v Speaker 2>thing and then you have to eat whatever it lands

0:36:38.440 --> 0:36:40.640
<v Speaker 2>on and maybe it's good or maybe it's bad. It's

0:36:40.680 --> 0:36:45.600
<v Speaker 2>either gonna be rotten egg or it's gonna be toasted marshmallow. Wait,

0:36:45.680 --> 0:36:48.040
<v Speaker 2>we just did this. I refuse to play. We were

0:36:48.280 --> 0:36:52.200
<v Speaker 2>in Wyoming, hated so weird. I didn't play. I was

0:36:52.239 --> 0:36:54.200
<v Speaker 2>cooking while they were doing it, and people just kept

0:36:54.280 --> 0:36:56.960
<v Speaker 2>running into the kitchen and like vomiting in the kitchen,

0:36:57.600 --> 0:36:58.520
<v Speaker 2>getting like two.

0:36:58.840 --> 0:37:01.799
<v Speaker 1>Yeah, that's so good.

0:37:02.360 --> 0:37:03.520
<v Speaker 2>It was fun to watch them.

0:37:03.600 --> 0:37:07.680
<v Speaker 1>Good job on Jelly, Belly's part, such a good game.

0:37:08.320 --> 0:37:09.359
<v Speaker 2>Yeah, it's great.

0:37:09.520 --> 0:37:12.879
<v Speaker 1>Okay, so getting us back on track. And Kelly. Yeah,

0:37:15.320 --> 0:37:19.280
<v Speaker 1>and Brandon's being a bit of again a D word.

0:37:19.600 --> 0:37:20.640
<v Speaker 1>He's being so light.

0:37:21.480 --> 0:37:25.160
<v Speaker 3>So did he's listening to this podcast in the evening

0:37:25.560 --> 0:37:29.560
<v Speaker 3>or somewhere safe and you're taking shots every time Amy does?

0:37:29.800 --> 0:37:34.520
<v Speaker 3>Does the D word? Make a shot or a pickleback?

0:37:34.680 --> 0:37:37.400
<v Speaker 2>A pickle shot to Kelly?

0:37:37.680 --> 0:37:38.880
<v Speaker 1>Stop the bombing?

0:37:40.160 --> 0:37:41.480
<v Speaker 2>Yeah? Yeah he did.

0:37:42.040 --> 0:37:44.320
<v Speaker 1>Like the bombing of Valerie.

0:37:44.480 --> 0:37:46.960
<v Speaker 2>Yeah, I mean I get it. I feel like Kelly

0:37:47.160 --> 0:37:51.960
<v Speaker 2>is being very judgy and very opinionated, but she has

0:37:52.040 --> 0:37:57.080
<v Speaker 2>her reasons well, and she's operating off of instinct, which

0:37:57.880 --> 0:38:01.120
<v Speaker 2>we all know. You know, some people have very strong instincts.

0:38:01.120 --> 0:38:03.439
<v Speaker 2>I think Kelly has very strong instincts about this girl,

0:38:03.600 --> 0:38:05.479
<v Speaker 2>who knows if they're ultimately going to be right. Because

0:38:05.520 --> 0:38:08.000
<v Speaker 2>this episode, you think she's right, and then you think

0:38:08.040 --> 0:38:11.719
<v Speaker 2>she's wrong. So it's hard to know if Kelly's being

0:38:11.760 --> 0:38:12.479
<v Speaker 2>a bitch or.

0:38:12.400 --> 0:38:16.680
<v Speaker 3>If she's seen all ten seasons, she's pretty right.

0:38:16.719 --> 0:38:17.520
<v Speaker 2>She's pretty accurate.

0:38:18.040 --> 0:38:20.480
<v Speaker 3>Yeah, okay, on brand.

0:38:22.000 --> 0:38:26.120
<v Speaker 1>Orry with the best line ever, I've seen all ten seasons.

0:38:26.480 --> 0:38:28.200
<v Speaker 3>I have to break it down for you guys.

0:38:29.160 --> 0:38:32.600
<v Speaker 2>What about when Valerie says, I kind of wait going

0:38:32.600 --> 0:38:34.680
<v Speaker 2>back to Brandon Killy, I kind of did enjoy when

0:38:34.680 --> 0:38:38.080
<v Speaker 2>they're like, would they say back and forth? Back? And fine?

0:38:38.160 --> 0:38:38.480
<v Speaker 1>Fine?

0:38:38.680 --> 0:38:39.000
<v Speaker 2>Fine?

0:38:39.160 --> 0:38:41.480
<v Speaker 1>Fine? Was this when she was asking for the notes?

0:38:42.400 --> 0:38:42.600
<v Speaker 3>Oh?

0:38:42.680 --> 0:38:44.960
<v Speaker 2>When Valerie comes in and Asktron and says she's been

0:38:45.000 --> 0:38:48.279
<v Speaker 2>in Jamaica, And I was like, girl, she got no tan, right,

0:38:48.760 --> 0:38:50.719
<v Speaker 2>she came back from Jamaica. Why don't we go.

0:38:50.719 --> 0:38:52.960
<v Speaker 1>Lire any user? That's my favorite.

0:38:53.160 --> 0:38:57.400
<v Speaker 6>She's a liar and any user those user is something

0:38:57.440 --> 0:39:00.920
<v Speaker 6>that our age says. But I don't think like the

0:39:01.080 --> 0:39:05.880
<v Speaker 6>younger Jen says user or they might say what they say.

0:39:05.960 --> 0:39:06.799
<v Speaker 1>Us, but.

0:39:08.280 --> 0:39:12.839
<v Speaker 3>Wait, what would they say sus that person sucks?

0:39:13.120 --> 0:39:13.879
<v Speaker 2>Oh it is I.

0:39:13.840 --> 0:39:15.399
<v Speaker 1>Heard that is out, but I love it so much.

0:39:15.440 --> 0:39:18.959
<v Speaker 1>I'm gonna say it me too. When you said it off,

0:39:19.520 --> 0:39:22.080
<v Speaker 1>I'm telling tales. But the other day before we got

0:39:22.120 --> 0:39:24.640
<v Speaker 1>on the air. We were all talking in Torris like

0:39:24.880 --> 0:39:28.040
<v Speaker 1>is that sus? And I basically peed my pants. I

0:39:28.080 --> 0:39:28.719
<v Speaker 1>was like, it's so.

0:39:28.640 --> 0:39:31.520
<v Speaker 3>Good by the way I say it all the time,

0:39:31.960 --> 0:39:34.359
<v Speaker 3>and my teens are like, no one says that.

0:39:34.800 --> 0:39:36.760
<v Speaker 1>Well, you can't keep up.

0:39:36.920 --> 0:39:40.200
<v Speaker 2>You can't keep up with the kids lingo these days

0:39:40.280 --> 0:39:41.360
<v Speaker 2>to that.

0:39:41.239 --> 0:39:44.600
<v Speaker 1>In high school and college. So she's such a user

0:39:45.120 --> 0:39:48.480
<v Speaker 1>and it was so like she's just using you. Like

0:39:48.520 --> 0:39:50.839
<v Speaker 1>it was like, oh my god.

0:39:51.080 --> 0:39:57.799
<v Speaker 3>It's shame for saying, Oh, that's so grubby grubby? Is that?

0:39:57.920 --> 0:40:03.920
<v Speaker 2>Like where did you say that it's so grubby? Meaning?

0:40:04.160 --> 0:40:05.840
<v Speaker 1>Can you give us a sentence with them?

0:40:05.960 --> 0:40:08.680
<v Speaker 3>Oh? Oh my god, you guys, let's eat this and

0:40:08.719 --> 0:40:11.840
<v Speaker 3>that's gonna be that food. It's so grubby.

0:40:11.920 --> 0:40:12.840
<v Speaker 1>Oh like good grub.

0:40:12.880 --> 0:40:16.320
<v Speaker 3>Okay, like grub's like we were in early two thousands,

0:40:16.320 --> 0:40:22.239
<v Speaker 3>you'd be like, oh, let's go grub. I doub I

0:40:22.280 --> 0:40:25.360
<v Speaker 3>wasn't wrong, Jenny slash Kelly.

0:40:25.480 --> 0:40:28.160
<v Speaker 1>I do think you were right in not giving her

0:40:28.200 --> 0:40:29.680
<v Speaker 1>the notes. It's like, if you miss.

0:40:29.560 --> 0:40:32.800
<v Speaker 3>One, can you call her Kelly slash Jenny?

0:40:34.360 --> 0:40:36.080
<v Speaker 1>Yes, Kelly slash Jenny.

0:40:36.520 --> 0:40:38.400
<v Speaker 2>You don't think she should have given her the notes?

0:40:38.440 --> 0:40:40.120
<v Speaker 1>I mean no, because it's one thing if she missed

0:40:40.120 --> 0:40:41.920
<v Speaker 1>one class, but like she never went, and then she

0:40:41.960 --> 0:40:43.440
<v Speaker 1>wants to use you. I understood you.

0:40:43.600 --> 0:40:45.960
<v Speaker 2>Yeah, I guess that's all right. I was a little

0:40:46.000 --> 0:40:48.040
<v Speaker 2>sensitive to it because she's being kind of mean, and

0:40:48.080 --> 0:40:49.640
<v Speaker 2>I don't like to see Kelly be mean.

0:40:50.080 --> 0:40:54.000
<v Speaker 1>But yeah, and Brandon's like, you go out of your

0:40:54.000 --> 0:40:56.720
<v Speaker 1>way to be mean, and it's like, yeah, you kind

0:40:56.719 --> 0:40:56.960
<v Speaker 1>of do.

0:40:57.080 --> 0:41:02.080
<v Speaker 2>But she's so please would dig that mister Brandon give

0:41:02.239 --> 0:41:06.040
<v Speaker 2>his notes away to some kid that came no way?

0:41:08.719 --> 0:41:14.680
<v Speaker 1>Okay, so I have a controversial opinion here. Oh, let's

0:41:14.719 --> 0:41:19.520
<v Speaker 1>talk about Ryan Donna. Oh if I didn't know what

0:41:19.680 --> 0:41:23.640
<v Speaker 1>was coming, I actually think Donna is maybe overstepping a bit.

0:41:24.920 --> 0:41:31.840
<v Speaker 2>Yeah, yeah, I agree there meddling into his life, he says, yeah,

0:41:32.239 --> 0:41:35.000
<v Speaker 2>making decisions for him before even running it by him.

0:41:35.040 --> 0:41:37.480
<v Speaker 3>That's like, it's very Donna.

0:41:37.600 --> 0:41:40.919
<v Speaker 2>Actually, well, you're excited, she's excited, she wants to help.

0:41:41.000 --> 0:41:44.360
<v Speaker 2>So that is totally Coyote Ugly.

0:41:44.440 --> 0:41:47.719
<v Speaker 1>Did you guys ever see Coyote Ugly? The same storyline

0:41:47.760 --> 0:41:51.960
<v Speaker 1>Bar He's like, yeah, she's like the songwriter, but she's

0:41:51.960 --> 0:41:56.920
<v Speaker 1>got stage fright. And then the guy like pyper pabose thing.

0:41:57.280 --> 0:41:59.840
<v Speaker 1>I know, it's such a. It's such an awesome movie,

0:42:00.040 --> 0:42:03.680
<v Speaker 1>but it totally down as kind of being the guy

0:42:04.560 --> 0:42:07.520
<v Speaker 1>raised Like I'm a songwriter, but I don't like hyper pair.

0:42:07.600 --> 0:42:09.560
<v Speaker 3>But what is she doing now? She was great?

0:42:09.840 --> 0:42:11.280
<v Speaker 1>She's in Yellowstone?

0:42:11.960 --> 0:42:12.600
<v Speaker 3>Oh she is.

0:42:13.040 --> 0:42:15.840
<v Speaker 2>Do you think that Jamie is a ray is doesn't

0:42:15.840 --> 0:42:18.960
<v Speaker 2>want to do it because he's afraid to perform or

0:42:19.000 --> 0:42:21.239
<v Speaker 2>he doesn't think he's good enough obviously.

0:42:21.320 --> 0:42:23.040
<v Speaker 1>Yeah, Tori, what is your take there?

0:42:23.680 --> 0:42:26.799
<v Speaker 3>I think it's the worst thing. Like he doesn't feel well,

0:42:26.840 --> 0:42:27.280
<v Speaker 3>I mean.

0:42:27.160 --> 0:42:28.120
<v Speaker 1>Look at worth.

0:42:28.160 --> 0:42:31.520
<v Speaker 3>It go back to childhood, like you know, he feels

0:42:31.960 --> 0:42:35.280
<v Speaker 3>he's not worth much. So even though he's so talented,

0:42:35.800 --> 0:42:37.960
<v Speaker 3>that's going to always kick in in the back of

0:42:37.960 --> 0:42:41.279
<v Speaker 3>your mind, front of her mind. Yeah, I think it's that.

0:42:42.080 --> 0:42:47.440
<v Speaker 1>Yeah, I think he's got like hyote ugly scenarios stage fright.

0:42:47.760 --> 0:42:50.400
<v Speaker 1>Thinks he's a songwriter but doesn't think he can perform.

0:42:50.480 --> 0:42:53.680
<v Speaker 2>And that's a valid point. I'm a songwriter, not so

0:42:53.800 --> 0:42:56.120
<v Speaker 2>much a performer, because that is a thing, like there

0:42:56.160 --> 0:42:59.279
<v Speaker 2>are people that are so talented and in songwriting, but

0:42:59.320 --> 0:43:00.720
<v Speaker 2>they are not into performing.

0:43:01.080 --> 0:43:03.200
<v Speaker 1>Yeah. And also I think he's sort of like, you know,

0:43:03.280 --> 0:43:05.640
<v Speaker 1>he's sort of a how do you talk to an angel.

0:43:05.719 --> 0:43:09.520
<v Speaker 1>He's not like dance on Jovi, you know, Like.

0:43:09.680 --> 0:43:11.560
<v Speaker 3>I understand, but I'm not going to go with stage

0:43:11.600 --> 0:43:15.800
<v Speaker 3>fright because he went for it with Ye roll In

0:43:16.160 --> 0:43:18.080
<v Speaker 3>and the Hall Ride for all the kids.

0:43:18.120 --> 0:43:22.000
<v Speaker 2>He like got ran and he performed on the stage

0:43:22.120 --> 0:43:24.680
<v Speaker 2>of the Rolling Stones member at the right.

0:43:24.760 --> 0:43:26.719
<v Speaker 1>I think he's not up to the level on this thing.

0:43:26.800 --> 0:43:30.000
<v Speaker 1>Maybe I don't know. There's something worse is probably Tory

0:43:30.120 --> 0:43:37.680
<v Speaker 1>might be worthy. Should we go to the laundromat?

0:43:38.120 --> 0:43:39.640
<v Speaker 3>Yeah?

0:43:40.120 --> 0:43:44.640
<v Speaker 1>That was I like their flirty flirt. I can't help it.

0:43:45.400 --> 0:44:00.080
<v Speaker 3>Yeah, I thought you were going to say it the

0:44:00.120 --> 0:44:04.759
<v Speaker 3>laundra Mac. You didn't want to mix the colors and

0:44:04.800 --> 0:44:07.560
<v Speaker 3>the white sox get turned pink or something? Right, does

0:44:07.600 --> 0:44:09.160
<v Speaker 3>that happens one?

0:44:09.320 --> 0:44:11.719
<v Speaker 2>Yeah? Well I had to teach you that he's really.

0:44:11.480 --> 0:44:13.040
<v Speaker 3>Good at laundry, you guys, I am.

0:44:13.239 --> 0:44:15.080
<v Speaker 2>He taught me laundry is my jam.

0:44:15.360 --> 0:44:17.440
<v Speaker 1>Well, okay, then I need to know do you mix?

0:44:18.040 --> 0:44:23.759
<v Speaker 1>Do you mix your blacks? Do you do like do

0:44:23.880 --> 0:44:27.480
<v Speaker 1>you separate your colors? Like put your reds and pinks

0:44:27.560 --> 0:44:30.600
<v Speaker 1>and burgundies in one and then you're blues and greens

0:44:30.600 --> 0:44:31.320
<v Speaker 1>and dark.

0:44:32.600 --> 0:44:36.239
<v Speaker 2>Level. Okay, this is the thing. It depends on the

0:44:36.320 --> 0:44:39.920
<v Speaker 2>newness of the material and the quality of the material,

0:44:39.960 --> 0:44:41.560
<v Speaker 2>because you've got to know if it's going to release

0:44:41.600 --> 0:44:46.040
<v Speaker 2>that pink or the red. And because for instance, uh,

0:44:46.239 --> 0:44:49.760
<v Speaker 2>Fiona just got a brand new Barbie sweatshirt for Christmas,

0:44:49.840 --> 0:44:54.440
<v Speaker 2>so cute and pink, and she washed it with her jeans,

0:44:55.080 --> 0:44:58.920
<v Speaker 2>so her blue things. It came out like all smudgie

0:44:59.000 --> 0:45:01.000
<v Speaker 2>with blue stuff all for it. And I had to

0:45:01.160 --> 0:45:04.200
<v Speaker 2>really work on that. People, did you have the.

0:45:04.120 --> 0:45:06.320
<v Speaker 1>Same thing happened to me with some pink a Internation

0:45:06.560 --> 0:45:09.680
<v Speaker 1>sweats I washed them with blue and they have blue splotches.

0:45:10.320 --> 0:45:14.000
<v Speaker 2>It's really no because you never know when they're going

0:45:14.040 --> 0:45:18.160
<v Speaker 2>to let go of a little blue what what? What?

0:45:18.360 --> 0:45:22.160
<v Speaker 3>Okay, you'd be so proud of me, so Stella taught me. Also,

0:45:22.719 --> 0:45:24.560
<v Speaker 3>if you're in a hurry and you want to mix

0:45:24.600 --> 0:45:27.240
<v Speaker 3>all the colors, you just do it on a cold walk.

0:45:27.400 --> 0:45:28.920
<v Speaker 1>I've heard that too.

0:45:28.680 --> 0:45:29.880
<v Speaker 2>To that's risky.

0:45:30.120 --> 0:45:32.000
<v Speaker 3>Oh it is, tell me.

0:45:31.840 --> 0:45:35.959
<v Speaker 2>That it's risky. It depends on the depth of the die,

0:45:36.080 --> 0:45:37.960
<v Speaker 2>like the depth of the color of the garment. And

0:45:39.360 --> 0:45:45.000
<v Speaker 2>I wouldn't per okay, okay, I won't, no, okay, but

0:45:45.440 --> 0:45:47.759
<v Speaker 2>you know I do hate to run a half like

0:45:47.800 --> 0:45:49.600
<v Speaker 2>a half a load or like a few things in

0:45:49.680 --> 0:45:51.919
<v Speaker 2>one load. So say you have like three or four

0:45:52.440 --> 0:45:57.200
<v Speaker 2>bright red or yellow things you got to separate at people?

0:45:57.320 --> 0:45:59.160
<v Speaker 3>Yeah, take the time.

0:45:59.520 --> 0:46:01.240
<v Speaker 1>Were you all shocked he was married?

0:46:02.200 --> 0:46:05.280
<v Speaker 3>Okay, going back in, Yeah, I was shocked.

0:46:05.760 --> 0:46:07.480
<v Speaker 2>Nice segue.

0:46:07.520 --> 0:46:08.200
<v Speaker 3>I really.

0:46:10.360 --> 0:46:13.240
<v Speaker 2>I was shocked because he doesn't seem like it. He's

0:46:13.960 --> 0:46:17.680
<v Speaker 2>it was a very and I didn't. I didn't. Did

0:46:17.719 --> 0:46:22.000
<v Speaker 2>they ever refer earlier to her being the babysitter of Hannah?

0:46:22.400 --> 0:46:22.600
<v Speaker 5>Yes?

0:46:22.840 --> 0:46:26.680
<v Speaker 1>Did? She sort of assumed did. But now, well, the

0:46:26.719 --> 0:46:30.080
<v Speaker 1>thing that I did not notice in the earlier episode

0:46:30.080 --> 0:46:31.839
<v Speaker 1>when he was in, and I'd like to go back,

0:46:32.560 --> 0:46:36.960
<v Speaker 1>was he wearing a ring? Because he says he was.

0:46:37.120 --> 0:46:40.120
<v Speaker 1>But I want to go back, some eagle eyed person,

0:46:40.480 --> 0:46:42.080
<v Speaker 1>I want to go back and see because I didn't

0:46:42.160 --> 0:46:43.319
<v Speaker 1>I usually notice that.

0:46:43.600 --> 0:46:45.560
<v Speaker 2>Yeah, well she would have noticed if he was wearing

0:46:45.560 --> 0:46:46.279
<v Speaker 2>a ring. I would thing.

0:46:46.440 --> 0:46:47.759
<v Speaker 1>And does she not wear a ring?

0:46:48.080 --> 0:46:48.279
<v Speaker 3>Right?

0:46:48.480 --> 0:46:49.160
<v Speaker 1>Good question?

0:46:49.760 --> 0:46:51.360
<v Speaker 2>Good quesh.

0:46:51.800 --> 0:46:55.360
<v Speaker 3>She feels like the type that would always wear a ring.

0:46:55.360 --> 0:46:57.520
<v Speaker 2>Maybe she takes it off to do the laundry because

0:46:58.320 --> 0:46:59.560
<v Speaker 2>or maybe.

0:47:00.120 --> 0:47:04.719
<v Speaker 3>Like guy wear rings aka yourself, Now, I never take

0:47:04.760 --> 0:47:07.400
<v Speaker 3>my rings even when you're washing dishes.

0:47:08.280 --> 0:47:12.520
<v Speaker 2>No, I do everything in my rings. But look, I

0:47:12.560 --> 0:47:13.720
<v Speaker 2>do everything in my rings.

0:47:14.360 --> 0:47:21.040
<v Speaker 1>She has nothing. Okay, So that another storyline I want

0:47:21.040 --> 0:47:25.399
<v Speaker 1>to talk about quickly. Is Jesse really telling Dylan the

0:47:25.440 --> 0:47:29.520
<v Speaker 1>what for? Like really saying you need to do this?

0:47:29.680 --> 0:47:33.280
<v Speaker 1>I like how Jesse is literally not intimidated by Dylan

0:47:33.320 --> 0:47:35.160
<v Speaker 1>in his coolness or anybody.

0:47:35.320 --> 0:47:40.319
<v Speaker 2>He always brings like straight truth. Yeah, Jesse's what you

0:47:40.320 --> 0:47:42.960
<v Speaker 2>need to do? Are you an idiot? He kind of

0:47:43.000 --> 0:47:46.640
<v Speaker 2>feels like the when he is dispensing his advice, He's

0:47:46.920 --> 0:47:49.160
<v Speaker 2>very like, why are you so stupid? Why would you

0:47:49.200 --> 0:47:50.760
<v Speaker 2>do it that way? You gotta do it this way.

0:47:50.880 --> 0:47:52.920
<v Speaker 1>He's very I'm a lawyer, I know everything.

0:47:53.520 --> 0:47:54.239
<v Speaker 2>Yeah.

0:47:54.400 --> 0:47:59.160
<v Speaker 1>But Dylan's got, you know, probation and he just lost

0:47:59.160 --> 0:48:00.840
<v Speaker 1>his license for a couple of months.

0:48:02.040 --> 0:48:04.600
<v Speaker 3>How did you hear about this? Oh?

0:48:04.760 --> 0:48:07.160
<v Speaker 1>I'm glad. We're sort of tying it up.

0:48:08.120 --> 0:48:10.920
<v Speaker 2>Okay, So what would what? He got a probation and

0:48:11.000 --> 0:48:13.440
<v Speaker 2>he lost his license for driving drunk off the cliff

0:48:13.600 --> 0:48:16.480
<v Speaker 2>and he had hero heroin in his car and he

0:48:17.360 --> 0:48:22.120
<v Speaker 2>lost his license for a couple of months and got probation.

0:48:22.600 --> 0:48:23.240
<v Speaker 2>Is that normal?

0:48:23.360 --> 0:48:25.880
<v Speaker 3>Is that? How he really hot when he's in a suiting.

0:48:26.000 --> 0:48:26.879
<v Speaker 3>So they want to get this.

0:48:29.880 --> 0:48:31.680
<v Speaker 2>And when he went to court in that suit, they

0:48:31.680 --> 0:48:33.239
<v Speaker 2>were like, he's the first time.

0:48:33.160 --> 0:48:36.680
<v Speaker 1>Offender who's gone to rehab. I'm going to say it's

0:48:36.760 --> 0:48:41.480
<v Speaker 1>not an outlandish.

0:48:39.560 --> 0:48:40.560
<v Speaker 3>Be careful, are you sure?

0:48:41.520 --> 0:48:42.040
<v Speaker 1>Pretty sure?

0:48:43.440 --> 0:48:45.600
<v Speaker 2>I mean maybe the drunk driving part, but the off

0:48:45.640 --> 0:48:48.000
<v Speaker 2>the cliff part and the heroin in the car part.

0:48:48.600 --> 0:48:50.200
<v Speaker 1>Wait, they didn't find the heroine.

0:48:50.560 --> 0:48:52.120
<v Speaker 3>They never found the heroine.

0:48:52.160 --> 0:48:58.120
<v Speaker 2>The guy basically sniffed it, licked it, and I guess

0:48:58.120 --> 0:49:00.239
<v Speaker 2>that guy threw it away because in this episode one

0:49:00.239 --> 0:49:02.920
<v Speaker 2>says they never find it. He threw it away?

0:49:03.080 --> 0:49:03.800
<v Speaker 1>Are you kidding?

0:49:04.560 --> 0:49:07.160
<v Speaker 3>Throw it away? He went home and used it, know the.

0:49:07.120 --> 0:49:10.080
<v Speaker 1>Car, the cop picked it up or somebody picked it up.

0:49:10.120 --> 0:49:11.080
<v Speaker 3>Yeah, you were me right.

0:49:11.360 --> 0:49:15.200
<v Speaker 1>Oh that's awful, terrible.

0:49:16.719 --> 0:49:19.680
<v Speaker 2>Yeah, you don't care. You want it to be over.

0:49:21.239 --> 0:49:22.279
<v Speaker 2>I want to move on.

0:49:23.239 --> 0:49:24.680
<v Speaker 3>Come back and moving on.

0:49:25.480 --> 0:49:26.439
<v Speaker 1>I'm enjoying the movie.

0:49:26.800 --> 0:49:27.360
<v Speaker 3>Did you like that?

0:49:27.560 --> 0:49:30.040
<v Speaker 2>I like that way too. What do you guys like

0:49:30.080 --> 0:49:32.239
<v Speaker 2>about fashion? Do it to me now? I did not

0:49:32.440 --> 0:49:36.439
<v Speaker 2>care for Claire's mini dress personally. Oh you know it's

0:49:36.480 --> 0:49:37.080
<v Speaker 2>so short?

0:49:37.760 --> 0:49:39.719
<v Speaker 3>You know when we get upset at that? Because you

0:49:39.760 --> 0:49:45.440
<v Speaker 3>know I loved it. Where are we talking? Uh? The racing?

0:49:45.840 --> 0:49:46.760
<v Speaker 2>Yeah?

0:49:47.040 --> 0:49:49.960
<v Speaker 3>I mean it gave me like, what's the girl? That's

0:49:50.040 --> 0:49:53.520
<v Speaker 3>when the cars are uh the flag? No cars?

0:49:53.800 --> 0:49:55.320
<v Speaker 2>The what the flag girl?

0:49:55.520 --> 0:49:58.319
<v Speaker 3>Flag girl was like and racers ready.

0:49:59.320 --> 0:50:04.520
<v Speaker 2>Yeah, it was just really like in your face, like yes.

0:50:05.440 --> 0:50:11.200
<v Speaker 3>Which is everything I like and everything you don't like? Yeah?

0:50:11.440 --> 0:50:16.400
<v Speaker 1>I like Tory slash Donna's it was Ordyle crop sweater vest.

0:50:16.719 --> 0:50:17.320
<v Speaker 2>That's cute.

0:50:17.680 --> 0:50:21.719
<v Speaker 1>That was cute. That stood out to me. Yeah, I

0:50:21.719 --> 0:50:24.320
<v Speaker 1>think I was very in the episode. I didn't notice

0:50:24.400 --> 0:50:26.359
<v Speaker 1>Steve did have sort of an unbuttoned shirt.

0:50:26.640 --> 0:50:27.480
<v Speaker 2>Yeah.

0:50:28.640 --> 0:50:32.239
<v Speaker 3>But the Will Ferrell movie where he's a night at.

0:50:32.160 --> 0:50:33.080
<v Speaker 1>The Roxbury.

0:50:34.600 --> 0:50:36.200
<v Speaker 2>Guy, what's that movie called?

0:50:36.320 --> 0:50:37.640
<v Speaker 3>Oh you know what I'm talking about?

0:50:38.760 --> 0:50:41.440
<v Speaker 2>Talladega Knights, good one.

0:50:42.040 --> 0:50:44.759
<v Speaker 3>I remember that very Talladega Knights.

0:50:44.760 --> 0:50:49.000
<v Speaker 2>To me, yeah, it just for me personally, it pulls

0:50:49.040 --> 0:50:51.839
<v Speaker 2>your eyes so much that it takes you out of

0:50:52.480 --> 0:50:58.279
<v Speaker 2>the reality of the situation. Although it does although it

0:50:58.360 --> 0:51:02.000
<v Speaker 2>does suit her character as our characters gook a doo

0:51:02.480 --> 0:51:06.880
<v Speaker 2>and like a cutting edge in a different direction than

0:51:06.880 --> 0:51:09.520
<v Speaker 2>the norm. So it does work for a character. But

0:51:09.600 --> 0:51:12.000
<v Speaker 2>personally I was like, hey, what a dress? Oh, what's

0:51:12.040 --> 0:51:12.960
<v Speaker 2>happening in the same.

0:51:12.920 --> 0:51:16.000
<v Speaker 1>What are dress? Too much? Dress? Kind of to the

0:51:16.080 --> 0:51:16.759
<v Speaker 1>dress is just.

0:51:18.239 --> 0:51:19.000
<v Speaker 2>I remember that.

0:51:19.360 --> 0:51:20.960
<v Speaker 3>Hey, what are dress?

0:51:22.920 --> 0:51:25.160
<v Speaker 2>That's it. That's really all I have to say about

0:51:25.160 --> 0:51:26.560
<v Speaker 2>this episode.

0:51:26.680 --> 0:51:28.439
<v Speaker 1>Yeah, well, what do you give it?

0:51:28.800 --> 0:51:33.800
<v Speaker 2>Oh? I give it ten nine point eight.

0:51:35.239 --> 0:51:38.560
<v Speaker 3>By a D if I give it less than a ten, yes,

0:51:41.440 --> 0:51:43.680
<v Speaker 3>I mean you have to give it t Yeah, thanks,

0:51:43.680 --> 0:51:44.319
<v Speaker 3>give it a ten.

0:51:44.480 --> 0:51:46.400
<v Speaker 2>Yeah, you have to nominate him for an Emmy and

0:51:46.440 --> 0:51:47.240
<v Speaker 2>give it a ten.

0:51:48.960 --> 0:51:53.040
<v Speaker 1>Ten ten, it's a it's any excellent? Oh my god, please,

0:51:53.200 --> 0:51:54.600
<v Speaker 1>it's an excellent episode.

0:51:54.760 --> 0:51:55.440
<v Speaker 3>It really is.

0:51:55.760 --> 0:51:59.600
<v Speaker 1>And it's different. But we didn't lose the nine two

0:51:59.640 --> 0:52:02.840
<v Speaker 1>one Oh wekness, which was what I really appreciated. Yeah,

0:52:02.920 --> 0:52:06.000
<v Speaker 1>they have figured out how to do a special story

0:52:06.400 --> 0:52:10.239
<v Speaker 1>without giving me just garbage with my other my other pals.

0:52:11.120 --> 0:52:15.279
<v Speaker 2>Well, speaking of garbage, next week we have no. I'm

0:52:15.320 --> 0:52:18.279
<v Speaker 2>just kidding a joke because because you said it was

0:52:18.320 --> 0:52:22.400
<v Speaker 2>really good, it was she broke the golden rule. She

0:52:22.520 --> 0:52:26.879
<v Speaker 2>watched an episode ahead. Marie has cheated on all of us,

0:52:27.560 --> 0:52:29.000
<v Speaker 2>and she knows what's going to happen next week.

0:52:29.040 --> 0:52:31.239
<v Speaker 3>It was so good I couldn't I buy Why?

0:52:31.560 --> 0:52:34.600
<v Speaker 2>Why? Why? What was so good about? Did you want

0:52:34.640 --> 0:52:36.520
<v Speaker 2>to see if if Uncle Milty died?

0:52:37.120 --> 0:52:37.200
<v Speaker 1>No?

0:52:37.719 --> 0:52:38.240
<v Speaker 2>Next week?

0:52:38.440 --> 0:52:39.560
<v Speaker 1>What episode is next?

0:52:39.600 --> 0:52:43.600
<v Speaker 3>I want to see you start to transition into the cult.

0:52:46.440 --> 0:52:49.440
<v Speaker 2>That's happening the psychology class.

0:52:49.920 --> 0:52:53.200
<v Speaker 1>Is that right? And we kind of buy some foreshadowing

0:52:53.320 --> 0:52:55.000
<v Speaker 1>in this episode.

0:52:55.880 --> 0:52:59.120
<v Speaker 3>You Tory, we're shadowing next is it?

0:52:59.160 --> 0:52:59.399
<v Speaker 1>Next?

0:52:59.400 --> 0:53:01.120
<v Speaker 3>Evolution is it?

0:53:01.480 --> 0:53:04.120
<v Speaker 2>Oh my god, Oh.

0:53:04.080 --> 0:53:09.279
<v Speaker 3>My god, and that Kelly and the cult is everything.

0:53:09.760 --> 0:53:11.919
<v Speaker 3>So keep watching, all.

0:53:11.920 --> 0:53:15.040
<v Speaker 2>Right, people, you heard it here. Next episode, Season five,

0:53:15.160 --> 0:53:19.040
<v Speaker 2>episode seventeen, Sweating it Out. Tune in next week.