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Speaker 1: It's nine O gen one.

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Speaker 2: With Jenny Garth and Tory Spelling. O MG, it's another

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Speaker 2: episode of Na Tuo and Ong. Happy New Year, Happy

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Speaker 2: New Year.

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Speaker 3: I was waiting for what you were gonna say.

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Speaker 2: I was gonna say Happy New Year because this is

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Speaker 2: another episode twenty twenty four.

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Speaker 1: I was trying to be funny. Nine two O two four.

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Speaker 2: No, that's our reach, I know, twenty four two.

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Speaker 3: It's twenty four, another year, another.

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Speaker 2: The years just keep on passing.

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Speaker 1: We're still in an episode season five.

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Speaker 3: We're still here.

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Speaker 2: This is where are we? Like in the middle of

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Speaker 2: season five? You guys?

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Speaker 3: You know what, I just want to officially apologize when

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Speaker 3: I said season five was my favorite. So I'm just

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Speaker 3: kind of go there.

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Speaker 1: Oh, I think Tory, I think it's so good. Yeah,

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Speaker 1: I'm liking it.

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Speaker 3: We're on seventeen.

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Speaker 1: We're halfway basically right in the middle.

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Speaker 2: Wow, this episode, you guys, uh is First of all,

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Speaker 2: we got well, I say we we somebody got nominated

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Speaker 2: for an Emmy on this show.

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Speaker 1: Yes, one and only Emmy nomination for Milton Burrele.

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Speaker 2: Yeah, and rightly so he's so good in this episode.

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Speaker 4: Oh my god, what do you remember Melty really remember

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Speaker 4: about meeting him and working with him, and obviously they

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Speaker 4: created that scene for the majority of the cast to

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Speaker 4: be together with him.

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Speaker 1: That was so like extraordinary right then.

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Speaker 2: It was so special, Like watching it took me right

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Speaker 2: back to sitting with him.

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Speaker 3: Yep.

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Speaker 2: And you know, his character is very well written, very

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Speaker 2: accurately written for our experience of that scene, like he's a.

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Speaker 1: Jokey, jokey guy, like he loved.

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Speaker 2: To done cranky sometimes in that day. Maybe it was Heaven,

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Speaker 2: you know, do.

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Speaker 1: You have any memory of how maybe it was Tori's dad.

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Speaker 1: You all got Milton Burrell on the show.

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Speaker 2: I don't personally that I don't know. I was like, wow,

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Speaker 2: what a casting coup. This is what for the show.

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Speaker 2: I mean, it normally wouldn't have worked, but because of

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Speaker 2: the storyline, yeah, it worked so well. And did you

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Speaker 2: notice that our good old pal Ian Deering got story

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Speaker 2: by credits? So this was his story, his his idea

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Speaker 2: to do this episode. Yeah, I'm wondering if this episode

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Speaker 2: is inspired by his experience with his own one of

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Speaker 2: his own parents, like maybe his mom.

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Speaker 1: Oh wow, yeah, I know that he contributed a lot

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Speaker 1: to the It.

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Speaker 2: Seems like the timeline kind of matches up a little

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Speaker 2: bit if.

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Speaker 3: You recalling right, I think that's now making sense that

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Speaker 3: you said that. Yet.

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Speaker 1: Did he have a parent or a grandparent that had Alzheimer's.

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Speaker 2: I don't want to speak inaccurately, but I have a

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Speaker 2: feeling that his mom had some sort of something something

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Speaker 2: like this, and it was important to him and he

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Speaker 2: wanted to do it. And I'm sure he took this

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Speaker 2: in and really fought for it and made it happen.

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Speaker 2: So kudos to him. Iron's just all over the place

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Speaker 2: right now. He's opening early podcast discussion.

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Speaker 1: Yeah, like super super Because when the car pulled up,

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Speaker 1: it definitely took me. I was able to like get

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Speaker 1: back into it, but it definitely took me out of

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Speaker 1: the episode for a minute because of obviously I saw

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Speaker 1: that video. I don't know if you all saw it,

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Speaker 1: but yeah, it took me out.

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Speaker 2: The whole world saw it by now, Yeah, right after

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Speaker 2: it happened, and I was like, oh my god.

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Speaker 3: What's happening?

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Speaker 2: Are you okay? But yeah, it's everywhere.

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Speaker 1: Yeah, it's upsetting, and I just hope everybody.

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Speaker 2: Is okay totally. And but you're right, I was watching

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Speaker 2: this episode and thinking, oh my gosh, it's written, I

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Speaker 2: mean story by Iron and then it's there's just such

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Speaker 2: a heavy storyline for Steve Sanders is so simpatico. How

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Speaker 2: you know the world is talking about him right now

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Speaker 2: and on that subject matter, and we're talking about him

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Speaker 2: on the show.

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Speaker 3: We have that right, Yeah, he's any role. We don't

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Speaker 3: even know we're doing it, but we're totally like on Friend.

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Speaker 1: By Week Christmas, we gave.

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Speaker 3: You thank Christmas for Christmas? You want Iron heavy? Here

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Speaker 3: you go, world, He's very good.

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Speaker 2: Here you go people, He's really really good. This episode

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Speaker 2: was was like heartwarming and heartbreaking at the same time.

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Speaker 2: You know, I cried, really, I really liked it. I

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Speaker 2: cried for sure, like not like wait, but like I

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Speaker 2: got teary eyed. It's gonna lie And.

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Speaker 3: Usually like we've been good at this point in the game,

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Speaker 3: kind of taking ourselves out of it and watching it

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Speaker 3: as fans. I have to admit though, this one drew

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Speaker 3: me back in of being there. Very cool, So it

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Speaker 3: was hard to watch. I remember that, oh yep, and

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Speaker 3: I was like, oh, get back out of it. Watch

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Speaker 3: as a fan, but yeah.

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Speaker 1: Do you think it stands out to y'all? Because Milton Burrel.

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Speaker 1: You know, at the time, even more so than now.

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Speaker 1: He was so legendary, right, I think there's probably people

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Speaker 1: watching that as that don't even know.

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Speaker 3: Them, which is sad. Oh, that's sad.

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Speaker 1: He was in his eighties, maybe till late mid to

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Speaker 1: late eighties when he filmed this, and he lived seven

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Speaker 1: years longer so he you This was in what ninety five?

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Speaker 2: What year is it? Ninety four?

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Speaker 1: Ninety four? And I think he passed away in two

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Speaker 1: thousand and two.

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Speaker 3: He lives a good long life, yeah, long.

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Speaker 2: But you know what I think when I see like

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Speaker 2: episode what.

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Speaker 3: You guys know, the myth, the man, the legend, you

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Speaker 3: know what he's notorious for.

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Speaker 1: I did not know this?

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Speaker 2: What what tell us? Tell us?

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Speaker 1: I want to same thing as John You want to.

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Speaker 3: On hamd to isn't the same thing that hands.

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Speaker 2: You said the wait, let me put the dots together.

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Speaker 2: Hold on, let me try, let me try. Okay, you

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Speaker 2: just said the word long twice.

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Speaker 3: If you do it right now, I mean, who knows.

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Speaker 3: But he obviously legendary, actor, icon, legend, but like was

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Speaker 3: also known for having one of the biggest John Ham's

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Speaker 3: wieners in the business.

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Speaker 2: Are you kidding me? Right now.

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Speaker 3: Nope, I said a nice or again, I didn't say

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Speaker 3: it bad word.

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Speaker 2: I I've never even heard this.

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Speaker 3: Am I wrong? You guys? I feel like Iron got

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Speaker 3: so close to him. He was like, what's the story,

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Speaker 3: and like they talked about it. I was like, of

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Speaker 3: course they I An has a great story. I don't

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Speaker 3: want to talk out of school. We should have him

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Speaker 3: come tell the story one day. But where Uncle Milty

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Speaker 3: called his house? Do you know.

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Speaker 1: Now?

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Speaker 3: I tell all I don't want to say it wrong.

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Speaker 3: It's not my story to tell.

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Speaker 1: You your best. Oh.

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Speaker 2: It was something like I wish I could help you

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Speaker 2: out here.

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Speaker 3: So he called him and Ian was like, uh, did

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Speaker 3: you mean to call me? Like he had gotten his number,

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Speaker 3: like he had it if they needed anything, And he

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Speaker 3: called him and he called his house and it was

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Speaker 3: out of contact. It was while they were filming or

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Speaker 3: going to film. Let's have Ian come on and tell

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Speaker 3: the story. It's a great story, you know. I's such

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Speaker 3: a great storyteller. But it's kind of like you.

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Speaker 2: I'm like on the edge of oh my god.

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Speaker 3: He was. Iron was freaking out and he was like

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Speaker 3: it was before they worked together. It was like, you know,

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Speaker 3: while leading up to the episode Randy might know. Wait, Randall, James,

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Speaker 3: are you on.

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Speaker 1: Randy because.

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Speaker 5: About the rumor that you that you were alluding to

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Speaker 5: that that is absolutely one, true, true, true that he

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Speaker 5: was known for being uh very well well endowed.

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Speaker 2: Yes, well, good for him, good for Uncle Milty.

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Speaker 3: And I believe the boys on set, like Jason and

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Speaker 3: I am were very excited to talk to him about that,

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Speaker 3: of course, and we were like.

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Speaker 2: I only remember, yeah, that those stories do get.

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Speaker 3: I Randy about that. Miltonborough called him at home. He

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Speaker 3: got it off like the crew list or like the

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Speaker 3: call sheet.

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Speaker 5: No, I'm on the edge of my seat.

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Speaker 2: I know she set this story up and now she's

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Speaker 2: not going to tell it.

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Speaker 3: He called him at home and and yeah, I mean

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Speaker 3: he was having like dinner and he was like, did

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Speaker 3: he call me on purpose? And he was like, yeah,

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Speaker 3: he wanted to talk about And Iron was just blown

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Speaker 3: away that Miltonborol actually called him. I think let me

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Speaker 3: go back. You know what if I remember correctly, which

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Speaker 3: once I start talking, I remember, I believe Iron gave

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Speaker 3: him his number and said if you need anything, since

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Speaker 3: we're working so closely, and he actually called him at

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Speaker 3: home when he was just thought it was a prank.

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Speaker 1: So cool.

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Speaker 3: Well, we'll let Ian tell the story. But like legendary, yeah, legendary, Jen,

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Speaker 3: do you think in like one hundred years from now,

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Speaker 3: people are going to be like, oh, Jenny Garth and

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Speaker 3: Tory spelling not not voice legendary.

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Speaker 2: I don't know. I don't know about for you, but

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Speaker 2: I think I had absolutely no intention of being on

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Speaker 2: camera at that age, absolutely nuts, not one hundred years,

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Speaker 2: but at his age, Like you know how Betty White

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Speaker 2: did it until she was very I don't think I

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Speaker 2: got that in me, because maybe you have to endure

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Speaker 2: to be on a set like that and wait for

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Speaker 2: lighting and deal with all the people and have so

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Speaker 2: much patience and that's a lot to ask of an

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Speaker 2: eighty something year old person.

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Speaker 3: And yeah, and just from a physical standpoint, keep in mind,

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Speaker 3: you guys like Jen and I have been working together

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Speaker 3: since we were in our teens, so now we have

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Speaker 3: each other's backs. But it's a totally different thing we

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Speaker 3: always did. But I mean working together when we filmed

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Speaker 3: like in our forties. Let's say we're fifties. In our fifties,

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Speaker 3: now we would have to check each other because no

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Speaker 3: one else is going to do that they're worried about lighting, setups,

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Speaker 3: everything else, and we look like, is this showing? Is

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Speaker 3: that showing? Is that hide that fix this? You know,

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Speaker 3: and you know you have to have someone there that's like, nope,

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Speaker 3: don't look that way. No no, no, no no, don't turn that way,

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Speaker 3: pull your sleeve down, your elbow, skins wrinkly. You know,

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Speaker 3: you gotta do that. But in your eighties, I can't

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Speaker 3: even imagine who's going to do that.

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Speaker 2: You gotta just kind of let it go, let it go.

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Speaker 2: And that was the beauty. You gotta just let that,

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Speaker 2: let all that go. Yeah, let control go. I think

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Speaker 2: that was the beauty of his performance for me in

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Speaker 2: this episode was that he was just so authentic and

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Speaker 2: real and just him. It really felt like we were

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Speaker 2: watching Milton Burle.

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Speaker 1: Yeah, yeah, I thought the same. And with the Emmy

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Speaker 1: and that he was playing a sort of well known actor.

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Speaker 1: And I loved how they tied in Samantha Sanders show.

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Speaker 1: I thought that was like clever that he was on

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Speaker 1: it and calling Steve chucky, and just that whole the

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Speaker 1: way they did it felt very authentic.

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Speaker 3: He did well, we should go back and tell Dore thing.

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Speaker 2: Yeah, sorry, people, we are we've been talking about. Let's

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Speaker 2: see here? Season five, episode sixteen, Sentenced to Life aired

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Speaker 2: January fourth, nineteen ninety four. Today's January fourth.

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Speaker 3: As long as you're doing it, you guys, So you're

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Speaker 3: welcome podcast world. We will win a podcast award which those.

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Speaker 2: For our accuracy.

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Speaker 1: There are a few podcast got something going here? We

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Speaker 1: have to be nominated for a name.

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Speaker 3: Give us a synopsis, Yeah, synopsis, Ray Prue, It continues

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Speaker 3: to prove he's a bad boyfriend. Brand continues to defend

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Speaker 3: Valerie despite Kelly's concerns. Dylan deals with his dui, Steve

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Speaker 3: bonds with an old actor in a retirement home, and

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Speaker 3: Andrea runs into doctor Peter, who reveals a big seam.

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Speaker 1: There's so much to I think this episode so good

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Speaker 1: because the Milton Borough stuff was really really good. But

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Speaker 1: so was the Andrea stuff, and so was the Kelly

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Speaker 1: Valerie stuff, and so was you know, the Ray Donnas. Like,

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Speaker 1: there was a lot of good Jesus.

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Speaker 2: This episode was directed by Jack Bender and written by

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Speaker 2: Steves Truman and Jessica Klein and Iron's earring.

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Speaker 1: Wow, do you want a couple of tidbits about Milton

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Speaker 1: Burrele Really fast please did you know not only was

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Speaker 1: he on nine oh two and oh, he was on

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Speaker 1: the Fresh Prince of bel Air?

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Speaker 3: What year.

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Speaker 1: He was on the Fresh Prince. Let's see if we

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Speaker 1: did it first, he was on Different Strokes in eighty four,

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Speaker 1: he was on counter, she wrote, he was on he

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Speaker 1: sort of he was on the Fresh Prince of bel

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Speaker 1: Air in ninety two. So before this, Wow, he kind

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Speaker 1: of became so famous. And then he became famous on

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Speaker 1: shows like obviously he was on the Love Boat Tori.

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Speaker 2: You know, like as like a character is himself. Yeah, yeah, I.

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Speaker 1: Think so, or sort of like he did in nine

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Speaker 1: o two and oh, playing sort of a I think

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Speaker 1: he became so iconic, so legendary that he just did

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Speaker 1: yest appear. That's stunt pasting. He was on that girl. Yeah,

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Speaker 1: it's smart. I dream of Genie. It was on everything. Yeah, anyway,

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Speaker 1: he aggress about.

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Speaker 3: For some reason, I want to say, he wasn't the

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Speaker 3: first choice for this role, and I don't know why.

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Speaker 2: Who would have been the first choice.

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Speaker 3: I'm not sure, but if I remember it that way,

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Speaker 3: it must have been someone that feels like.

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Speaker 2: It was written just for him. I know I could

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Speaker 2: be wrong.

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Speaker 1: Wow, I don't know.

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Speaker 2: I don't you guys want to jump into first.

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Speaker 1: Andrea looked like a smoke show, like she was so

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Speaker 1: beautiful in this episode?

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Speaker 2: What whoa like glamour queen. All of a sudden, I

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Speaker 2: was like, oh my.

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Speaker 3: God, she got the memo.

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Speaker 1: And why do I sort of want her to hold

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Speaker 1: up with that Dophine?

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Speaker 3: She looks good because we all do. Is that wrong?

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Speaker 3: Is that wrong? What do you mean that we want

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Speaker 3: her to hook up with the doctor.

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Speaker 1: It's so bad that I want it.

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Speaker 3: I want It's not our lives, it's it's a TV show,

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Speaker 3: so we could want it as we watch.

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Speaker 1: It wasn't as crazy when he sort of I liked

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Speaker 1: him a lot right until he was sort of a

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Speaker 1: d word, like he was a little too.

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Speaker 2: Oh yeah, you mean when he says the line about

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Speaker 2: you're married. My wife likes to think so it's like, okay,

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Speaker 2: maybe I don't like him as much as I did.

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Speaker 1: And she says something like you didn't tell me you

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Speaker 1: were married, and he's like, you did either, Like he

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Speaker 1: was a little bit of a.

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Speaker 2: A little bit, yeah, a little bit, but then he

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Speaker 2: but then he was cute again with his little temple

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Speaker 2: in his chin, he's cute.

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Speaker 1: I love that he's a doctor. I love that he

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Speaker 1: has a crush on a nurse. I think he's a doctor.

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Speaker 2: It looks like a nurse to me.

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Speaker 3: Wait tell me why us why?

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Speaker 2: I don't know. I just.

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Speaker 1: Huh.

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Speaker 2: It was the wardrobe. I think that's the hair. I

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Speaker 2: think it was the hair.

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Speaker 1: I'm just happy to see a doctor that seems sane

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Speaker 1: compared to Dylan's doctors.

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Speaker 2: Yeah, they were so. He seemed like a real doctor,

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Speaker 2: like a real guy.

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Speaker 1: Seemed like doctor Drake Ramore to me, like out of

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Speaker 1: days of our lives, whereas this guy seems like, you know,

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Speaker 1: McDreamy or something.

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Speaker 3: Intentional.

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Speaker 1: Yeah, but whoa. She's sort of so is she gonna?

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Speaker 3: Is she? Is she gonna?

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Speaker 2: I don't remember we remember because I thought it was him.

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Speaker 2: I thought it was Jesse that was gonna have.

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Speaker 1: You just wait?

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Speaker 3: Are excited?

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Speaker 1: Am I the only one who actually and I think

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Speaker 1: we've talked about this and maybe just really hit me again.

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Speaker 1: I wish that if I had it to redo Dylan

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Speaker 1: and Andrea together.

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Speaker 2: Okay, what are you doing?

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Speaker 3: This is a rewind edit the same.

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Speaker 2: We're firing you can we fire her?

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Speaker 3: I just put my mouth. I just officially peeked in

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Speaker 3: my mouth. So the first time you guys in twenty four.

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Speaker 1: Think about it, they are old, I bonded.

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Speaker 2: No, I won't think about her.

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Speaker 1: He respects her.

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Speaker 3: Okay, I don't care.

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Speaker 1: When they were reading the poetry, they're sipping their coffee there.

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Speaker 1: I think they're reading the No.

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Speaker 3: You guys see, I'm getting supernauxious.

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Speaker 1: Fully, I believe fully was No.

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Speaker 2: I was upset from the get go. Why is she

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Speaker 2: at his house looking so hot reading poetry?

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Speaker 1: Like?

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Speaker 2: I get it, they're friends and they're they're like mature friends,

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Speaker 2: but like I was, like, come one.

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Speaker 1: The baby relationship to me that I would have loved

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Speaker 1: to have.

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Speaker 2: Oh my god, she's never hung out at his house.

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Speaker 3: Like, I'm not so upset with you, Amy, I just

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Speaker 3: spit on my computer while I'm trying to do this.

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Speaker 3: I wish you guys could see that.

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Speaker 1: I can't believe you guys don't want it to anyone listening?

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Speaker 1: Are you with me?

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Speaker 2: Don't know me. I don't know if anybody's going to

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Speaker 2: back you on this. I just it felt weird, odd

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Speaker 2: and bizarre that she was.

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Speaker 3: In his house with Jessie than I would with Andrey.

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Speaker 3: I'd give you break. I'm not doing this.

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Speaker 2: Nothing against Andre. It just doesn't work in my visual.

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Speaker 1: That's so interesting because for me, they feel so good compatible. Yeah, real,

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Speaker 1: they may be.

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Speaker 2: They may very.

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Speaker 1: Well be compatible and healthy, a healthy relationship for both

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Speaker 1: of them.

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Speaker 3: You know what. I think that's where Brandon would have

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Speaker 3: drawn the line. Not with Kelly, not without I mean,

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Speaker 3: or you know like that, that would have been the one.

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Speaker 3: If Dylan was with Andrea, I think that would have said.

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Speaker 1: So, I respectfully disagree. I think it would have been

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Speaker 1: a super couple, you know what I mean. That's okay.

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Speaker 3: Yeah, you can have it.

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Speaker 2: Your way in your mind.

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Speaker 3: Okay, did you You're gonna be shredded on Instagram? Wait

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Speaker 3: for it.

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Speaker 1: We'll see. We'll see about that. I feel like get

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Speaker 1: so much, I'm gonna get a swell of.

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Speaker 3: Saperl Oh my god, you're too mean to you guys.

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Speaker 3: Has nothing to do with Andrea. It just doesn't work.

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Speaker 1: Who laughed when Donna said I still don't know who

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Speaker 1: killed that damn mockingbird?

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Speaker 2: Uh?

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Speaker 3: Not me?

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Speaker 2: Because I felt that line's so stupid.

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Speaker 3: That was really bad, really bad. Do you think I

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Speaker 3: probably was?

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00:21:07,400 --> 00:21:09,920
Speaker 2: Like I think you were like, I don't want to

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Speaker 2: say that, just like to try to throw it away,

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Speaker 2: get it out of that sit as your exiting.

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Speaker 1: Oh so bad. It was so good. You know, you

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Speaker 1: just jumped to.

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Speaker 2: A completely different storyline.

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Speaker 1: But okay, well I'm just trying to move.

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Speaker 2: We were talking about the new you. I's gidding, okay, old,

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Speaker 2: I'll jump around.

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Speaker 1: My love of Andrea and Dylan was not received well

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Speaker 1: by you guys.

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Speaker 2: So sorry to disappoint you.

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00:21:42,720 --> 00:21:45,320
Speaker 3: Like I could go on with that for days.

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Speaker 1: So here's my next question for you too, based on

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Speaker 1: this episode, is Steve just I don't know what word.

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Speaker 1: There's so many bad words I want to say to

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Speaker 1: describe him. Or is he a sweetheart?

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00:22:01,840 --> 00:22:07,600
Speaker 2: It's he's both. That's the beauty of Steve Sanders. He's

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00:22:07,680 --> 00:22:12,159
Speaker 2: kind of a d bag. He's a spoiled brat, but

403
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Speaker 2: he's also got a heart.

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00:22:13,320 --> 00:22:19,280
Speaker 3: Of gold heart and that's okay. He's multifaceted.

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00:22:19,920 --> 00:22:26,120
Speaker 1: Yeah, and they really craft that character to be that

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Speaker 1: because when he's sitting in that room with that guy

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Speaker 1: who runs the retirement home, I was like, you are

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Speaker 1: an absolute jerk butt head, such a ah I want.

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Speaker 3: A T shirt says that you are a jerk butt head.

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Speaker 1: Don't because there's so many D words I want to use,

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Speaker 1: but I'm like.

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Speaker 3: I'm wearing you guys. Oh my god.

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Speaker 1: You can't get it where it is.

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Speaker 2: I was surprised. I was surprised that he got out

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Speaker 2: of community service so easily with that mean man who

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Speaker 2: I love the actor, by the by the way, that

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00:23:08,520 --> 00:23:18,640
Speaker 2: actors that would be that Guy's that guy, Kenneth Kenneth Tiger?

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Speaker 3: Nope?

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00:23:22,160 --> 00:23:23,000
Speaker 2: Was he mister Warren?

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Speaker 3: Yeah?

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00:23:24,359 --> 00:23:26,240
Speaker 1: Yeah, I got nothing, So I think I've got that right.

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00:23:26,520 --> 00:23:29,119
Speaker 2: I've never heard of the name before, Tiga Tiger.

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Speaker 3: I don't know I the Tiger.

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Speaker 2: He's been in a million things, so I was really

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Speaker 2: happy to see his face. But he like, I was like,

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Speaker 2: why why is he just letting him if he's so

427
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Speaker 2: adamant about.

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Speaker 1: Not I thought he was take. I thought he was

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Speaker 1: like on.

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Speaker 2: The well, I didn't feel like he was getting anything

431
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Speaker 2: from it because he's so cranky about it.

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00:23:47,600 --> 00:23:50,040
Speaker 1: Yeah, maybe he's not getting money, but he's got some

433
00:23:50,080 --> 00:23:54,080
Speaker 1: sort of arrangement with the court or these big lawyers.

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Speaker 1: Maybe they give money to the maybe they are big

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00:23:56,560 --> 00:23:59,360
Speaker 1: donors to the retirement home. I'm not sure, but there

436
00:23:59,440 --> 00:24:03,639
Speaker 1: was some vested interest that that cat had to letting

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Speaker 1: Steve off the hook.

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00:24:04,840 --> 00:24:07,200
Speaker 3: Yeah, I get into the next episode. I mean.

439
00:24:09,240 --> 00:24:13,000
Speaker 2: What made and then also what I didn't really believe

440
00:24:13,119 --> 00:24:15,639
Speaker 2: the turn for Steve, Like why did he change his

441
00:24:15,680 --> 00:24:18,679
Speaker 2: mind about doing the community service? Was there a you

442
00:24:18,720 --> 00:24:19,920
Speaker 2: know what I mean? I felt like that was a

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Speaker 2: little underdeveloped, because.

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Speaker 1: Yeah, that was underdeveloped, good word for that. But but

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00:24:24,320 --> 00:24:27,240
Speaker 1: it was obviously Saul and the relationship, and he sort

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00:24:27,240 --> 00:24:28,600
Speaker 1: of was drawn to Saul.

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00:24:28,760 --> 00:24:32,680
Speaker 2: But why would why would mean man, mister h Warren,

448
00:24:33,040 --> 00:24:36,359
Speaker 2: I think that's mister Warren. Why would he say don't

449
00:24:36,359 --> 00:24:38,960
Speaker 2: be friends with Saul? Like he's not he's here to die,

450
00:24:39,240 --> 00:24:40,480
Speaker 2: so don't be friends with him.

451
00:24:40,720 --> 00:24:44,960
Speaker 1: That was my question for you guys, because anybody that's

452
00:24:45,000 --> 00:24:47,560
Speaker 1: volunteering at a retirement home, you would want them to

453
00:24:47,600 --> 00:24:51,959
Speaker 1: be engaged with the people living there and doing the

454
00:24:52,000 --> 00:24:56,280
Speaker 1: card tricks. That was very strange of that mister Warren guy.

455
00:24:56,400 --> 00:24:58,840
Speaker 1: Maybe he's trying to protect Steve. I don't know.

456
00:24:59,040 --> 00:25:01,120
Speaker 3: Wait, so you don't think it was kind of like

457
00:25:01,440 --> 00:25:03,919
Speaker 3: don't be friends with him, knowing he'll go ahead and

458
00:25:03,920 --> 00:25:05,360
Speaker 3: be friends with him, and it's like.

459
00:25:05,320 --> 00:25:08,880
Speaker 2: A flip oh, like a reverse psychology yeah, I didn't

460
00:25:08,920 --> 00:25:09,360
Speaker 2: feel that.

461
00:25:09,400 --> 00:25:11,040
Speaker 1: I didn't get that. I thought he was just taking

462
00:25:11,160 --> 00:25:14,560
Speaker 1: kind of a God.

463
00:25:14,680 --> 00:25:19,080
Speaker 2: I had to tell you watching all this, like the

464
00:25:19,080 --> 00:25:21,840
Speaker 2: the what do you call it? Old people's home?

465
00:25:22,520 --> 00:25:23,119
Speaker 1: What do you call that.

466
00:25:24,640 --> 00:25:25,080
Speaker 3: Community?

467
00:25:25,160 --> 00:25:30,840
Speaker 2: Okay, community, elderly community. I just it was so too

468
00:25:30,880 --> 00:25:34,119
Speaker 2: close to home for me, and just like hard to

469
00:25:34,240 --> 00:25:41,359
Speaker 2: watch and hard to watch the accuracy of the depiction

470
00:25:41,600 --> 00:25:45,840
Speaker 2: of the the Alzheimer's having, you know, the effect that

471
00:25:45,880 --> 00:25:48,000
Speaker 2: it had on him. It was just that part was

472
00:25:48,040 --> 00:25:51,280
Speaker 2: like I was watching Pola and it was hard for

473
00:25:51,400 --> 00:25:55,520
Speaker 2: us to watch because, as you know, everybody either knows

474
00:25:55,640 --> 00:25:59,680
Speaker 2: or will know, watching your parents get older and deteriorate

475
00:25:59,760 --> 00:26:05,160
Speaker 2: is being brutal, and it just is like I get

476
00:26:05,280 --> 00:26:08,439
Speaker 2: uncomfortable thinking about it, you know. So this episode was

477
00:26:08,520 --> 00:26:10,040
Speaker 2: really hard for me to watch on that line.

478
00:26:10,080 --> 00:26:13,440
Speaker 3: Well, and it's bizarre for me on a The only

479
00:26:13,480 --> 00:26:16,440
Speaker 3: thing I'll say about it personally, but in nineteen ninety four,

480
00:26:16,760 --> 00:26:19,399
Speaker 3: like my dad like couldn't have predicted that he'd end

481
00:26:19,480 --> 00:26:23,359
Speaker 3: up having dementia one day and that would be so Yeah.

482
00:26:23,640 --> 00:26:26,880
Speaker 1: I think it's a testament to how good the acting

483
00:26:26,960 --> 00:26:30,040
Speaker 1: and portrayal and the writing of those scenes were because

484
00:26:30,080 --> 00:26:34,120
Speaker 1: I felt the same way and real. It really was

485
00:26:34,560 --> 00:26:39,520
Speaker 1: quite well done obviously, you know with the oh dangling

486
00:26:39,560 --> 00:26:41,720
Speaker 1: the keys, Like I'm not saying that's going to go work,

487
00:26:41,880 --> 00:26:45,200
Speaker 1: but like it was very well done because we all

488
00:26:45,280 --> 00:26:48,120
Speaker 1: had such sort of an emotional I'll.

489
00:26:47,960 --> 00:26:50,280
Speaker 2: Tell you what, though, that dangling of the keys moment

490
00:26:50,320 --> 00:26:54,119
Speaker 2: that Steve did with Uncle Milty did work for me

491
00:26:54,280 --> 00:26:59,840
Speaker 2: because my mom was in a fentanyl induced state which

492
00:26:59,880 --> 00:27:05,960
Speaker 2: is very was very similar to deep dimension Alzheimer's, and

493
00:27:06,320 --> 00:27:09,520
Speaker 2: she was completely a different person for a certain period

494
00:27:09,560 --> 00:27:14,439
Speaker 2: of time, maybe a year ago, And the minute I

495
00:27:14,480 --> 00:27:20,399
Speaker 2: put on music from what I remembered her loving, I

496
00:27:20,400 --> 00:27:23,560
Speaker 2: could see her body change, like she came out of it.

497
00:27:23,680 --> 00:27:27,199
Speaker 2: Not enough to be as bad as Milty was, but

498
00:27:27,960 --> 00:27:30,919
Speaker 2: like just that sound for her brought back that like

499
00:27:31,440 --> 00:27:36,200
Speaker 2: internal connection, and so that for me really did work.

500
00:27:36,280 --> 00:27:37,400
Speaker 2: It was a little weird, but.

501
00:27:37,640 --> 00:27:40,560
Speaker 1: Right, right, right, But they go back to what was real,

502
00:27:41,320 --> 00:27:44,439
Speaker 1: which is all the more reason why that character of

503
00:27:44,480 --> 00:27:47,760
Speaker 1: the guy running the retirement home was so off putting,

504
00:27:48,119 --> 00:27:54,400
Speaker 1: because like we all know that human interaction also brings that.

505
00:27:55,040 --> 00:27:58,959
Speaker 1: So you would think so encouraging of Steve to foster

506
00:27:59,160 --> 00:28:04,439
Speaker 1: orzation with not just soul but everybody there, but you know,

507
00:28:04,560 --> 00:28:05,439
Speaker 1: maybe it was just horrible.

508
00:28:05,440 --> 00:28:09,679
Speaker 2: Well, Alzheimer's wasn't really a big, huge conversation in nineteen

509
00:28:09,760 --> 00:28:13,640
Speaker 2: ninety four. I'm so alied you as you know, well,

510
00:28:13,680 --> 00:28:14,600
Speaker 2: I'm really.

511
00:28:14,359 --> 00:28:16,960
Speaker 1: Glad you brought that up, Jenny, because I think once

512
00:28:17,040 --> 00:28:19,560
Speaker 1: again it's why nine oh two one zero was so

513
00:28:20,640 --> 00:28:25,520
Speaker 1: ahead ahead important and again probably your dad Torri, like

514
00:28:27,560 --> 00:28:34,320
Speaker 1: they really brought things into the you know, zeit guys

515
00:28:34,359 --> 00:28:36,880
Speaker 1: pop culture world like where we were talking about that

516
00:28:36,920 --> 00:28:41,480
Speaker 1: and I remember this episode from back then and it

517
00:28:41,600 --> 00:28:44,760
Speaker 1: being sort of that way to talk about Alzheimer's and

518
00:28:45,280 --> 00:28:49,840
Speaker 1: people my age at the time twenty something talking about

519
00:28:49,840 --> 00:28:52,280
Speaker 1: Alzheimer's now and.

520
00:28:52,320 --> 00:28:55,560
Speaker 2: Here we are in twenty twenty four, still no cure,

521
00:28:57,400 --> 00:28:59,960
Speaker 2: still dealing with that's horrible, horrible disease.

522
00:29:00,520 --> 00:29:01,480
Speaker 1: It's a rough one.

523
00:29:02,080 --> 00:29:05,240
Speaker 3: I wonder if the network was had pushed back just

524
00:29:05,280 --> 00:29:08,120
Speaker 3: because oh it's a you know, sometimes there was it's

525
00:29:08,120 --> 00:29:11,280
Speaker 3: a teen drama. I guess they're not teens anymore, young twenties,

526
00:29:13,280 --> 00:29:17,320
Speaker 3: you know, does our you know, demographic, does our audience

527
00:29:17,360 --> 00:29:21,480
Speaker 3: sorry want to watch this? And it is kudos to

528
00:29:22,320 --> 00:29:27,000
Speaker 3: my dad and everyone involved in the entire team. It's

529
00:29:27,040 --> 00:29:30,400
Speaker 3: a collective for saying like, no, this is important and

530
00:29:30,560 --> 00:29:33,120
Speaker 3: we want to do it and push through. Who knows

531
00:29:33,200 --> 00:29:34,440
Speaker 3: me the network was I.

532
00:29:34,440 --> 00:29:37,440
Speaker 1: Feel like the show is so huge at that point

533
00:29:37,480 --> 00:29:41,480
Speaker 1: that your dad and the producers could do whatever they wanted.

534
00:29:41,640 --> 00:29:43,520
Speaker 1: I could be wrong on that, but it seems like

535
00:29:43,560 --> 00:29:47,320
Speaker 1: and plus they're like, we've Milton, it's such an amazing episode.

536
00:29:47,440 --> 00:29:49,280
Speaker 1: Like I don't know, I feel like at that point

537
00:29:49,520 --> 00:29:52,040
Speaker 1: they were the tail was not the tail was wagging

538
00:29:52,080 --> 00:29:53,160
Speaker 1: the dog. I guess you could.

539
00:29:53,040 --> 00:29:59,440
Speaker 2: Say, and just you know, super credit for Ian taking

540
00:29:59,480 --> 00:30:03,960
Speaker 2: this story idea to them and you know, initiating the

541
00:30:04,000 --> 00:30:08,360
Speaker 2: conversation to make it happen. But you know, when he

542
00:30:08,400 --> 00:30:11,040
Speaker 2: wants to drive the car, it is so hard wrenching.

543
00:30:11,560 --> 00:30:14,800
Speaker 2: He wants to drive so bad. That's the hardest thing

544
00:30:14,800 --> 00:30:17,680
Speaker 2: to give up when when they get older, when people

545
00:30:17,720 --> 00:30:21,120
Speaker 2: get older, when we get older, is that one right

546
00:30:21,240 --> 00:30:25,000
Speaker 2: to drive a car and have that freedom go wherever

547
00:30:25,080 --> 00:30:26,160
Speaker 2: the f you want?

548
00:30:26,200 --> 00:30:29,760
Speaker 3: You know, I don't. I don't want to drive a car.

549
00:30:30,160 --> 00:30:33,480
Speaker 2: You don't want to drive a car anywhere? Already walk drive.

550
00:30:33,640 --> 00:30:35,360
Speaker 1: I know there's other storylines to talk about, but it

551
00:30:35,400 --> 00:30:36,880
Speaker 1: is such a it's such a good.

552
00:30:36,680 --> 00:30:39,080
Speaker 3: Will not give us my freedom to shop there, So

553
00:30:39,200 --> 00:30:41,200
Speaker 3: one day I'll remember that.

554
00:30:41,480 --> 00:30:44,000
Speaker 2: I will never take it away. But you know, at

555
00:30:44,040 --> 00:30:45,920
Speaker 2: a certain point you got to take away the freedom

556
00:30:45,960 --> 00:30:47,880
Speaker 2: to show because it becomes problematic.

557
00:30:48,000 --> 00:30:50,520
Speaker 3: Let me tell you, Yeah, well they show have taken

558
00:30:50,560 --> 00:30:51,840
Speaker 3: that away from me a long time ago.

559
00:30:53,560 --> 00:30:58,120
Speaker 1: And thinking about Milton Burrell and the painting scene and

560
00:30:58,600 --> 00:31:03,120
Speaker 1: the performance he gets Oh, it's so I think this

561
00:31:03,640 --> 00:31:08,640
Speaker 1: episode was so you know, makes you feel so much

562
00:31:08,640 --> 00:31:14,040
Speaker 1: because his performance was so good and just when he's

563
00:31:14,040 --> 00:31:16,800
Speaker 1: in bed everything that Nolan. He deserved that Emmy nomination.

564
00:31:16,920 --> 00:31:18,800
Speaker 1: I don't think he got the Emmy, but he deserved

565
00:31:18,800 --> 00:31:19,400
Speaker 1: the nominee.

566
00:31:19,760 --> 00:31:24,240
Speaker 2: But he got it in the show, Saul got it.

567
00:31:24,280 --> 00:31:28,240
Speaker 1: Because it's it's such a such a different performance and

568
00:31:28,280 --> 00:31:32,600
Speaker 1: such a different episode and really so good, so good,

569
00:31:33,520 --> 00:31:35,400
Speaker 1: and how he kind of says like, yeah, I loved

570
00:31:35,400 --> 00:31:37,800
Speaker 1: your mother, but I really wouldn't had your father's act.

571
00:31:37,840 --> 00:31:41,040
Speaker 1: And he's so like Steve's so kind of bonded to

572
00:31:41,120 --> 00:31:41,800
Speaker 1: toa Saul.

573
00:31:43,440 --> 00:31:46,520
Speaker 2: Chucky and and I left thinking like, wait, what's going

574
00:31:46,600 --> 00:31:49,520
Speaker 2: to happen to Saul? And is Steve going to stay

575
00:31:49,560 --> 00:31:52,040
Speaker 2: friends with him? And you know, I don't I don't

576
00:31:52,080 --> 00:31:53,680
Speaker 2: want to know what's gonna happen. But I do want

577
00:31:53,680 --> 00:31:54,520
Speaker 2: to know what's gonna.

578
00:31:54,280 --> 00:31:56,040
Speaker 3: Happen because I care.

579
00:31:56,200 --> 00:31:57,040
Speaker 2: I'm invested.

580
00:31:57,480 --> 00:31:58,320
Speaker 3: He hasn't come back.

581
00:31:58,760 --> 00:32:01,960
Speaker 2: I was worried he's gonna you know what? In the episode, yeah,

582
00:32:02,000 --> 00:32:05,680
Speaker 2: I thought at one point maybe he was. Dave kept

583
00:32:05,680 --> 00:32:07,360
Speaker 2: walking in the room as I was watching and going,

584
00:32:07,360 --> 00:32:12,600
Speaker 2: did he die yet? Is he dead yet? I was like, no, stop,

585
00:32:12,680 --> 00:32:27,080
Speaker 2: He's not dying. You know what I do know is

586
00:32:27,120 --> 00:32:29,120
Speaker 2: that Steve Sanders looked hot with a mop.

587
00:32:30,400 --> 00:32:30,880
Speaker 1: You guys.

588
00:32:33,440 --> 00:32:36,320
Speaker 2: Hair, you know you had that little hairy chest showing

589
00:32:36,360 --> 00:32:36,640
Speaker 2: you know what.

590
00:32:36,840 --> 00:32:37,360
Speaker 3: I love that.

591
00:32:38,040 --> 00:32:40,840
Speaker 1: Did you see though, when he's sort of getting reprimanded

592
00:32:40,920 --> 00:32:45,280
Speaker 1: by the mister Warren guy and it's very breakfast clubby

593
00:32:45,440 --> 00:32:48,680
Speaker 1: almost like he's got his laying up against the walls.

594
00:32:49,040 --> 00:32:51,480
Speaker 1: I love him dramatic and he's leaning up against the

595
00:32:51,480 --> 00:32:55,000
Speaker 1: wall like Judd Nelson looks like.

596
00:32:55,080 --> 00:32:58,280
Speaker 2: It was good well directed by Jack Bender.

597
00:32:58,360 --> 00:33:03,480
Speaker 1: Definitely, can we talk about Steve, not Steve, pardon me,

598
00:33:03,640 --> 00:33:07,040
Speaker 1: Brandon and Kelly for a minute. Maybe going to the

599
00:33:07,320 --> 00:33:09,120
Speaker 1: cola cans that were so.

600
00:33:09,200 --> 00:33:15,400
Speaker 2: You like that pepsi cola. There's obviously pepsi. People see

601
00:33:15,440 --> 00:33:18,960
Speaker 2: they took the word PEPSI off and change it to cola.

602
00:33:18,720 --> 00:33:20,840
Speaker 1: Ola and were y'all eating pickles?

603
00:33:21,440 --> 00:33:25,920
Speaker 2: That cracked me up because I'm about the same age

604
00:33:26,040 --> 00:33:28,440
Speaker 2: in this episode as I am my middle daughter Lola,

605
00:33:28,560 --> 00:33:32,640
Speaker 2: and she's obsessed with pickles. Oh, it was just like,

606
00:33:32,720 --> 00:33:35,920
Speaker 2: of course, that's really actually what a person that age

607
00:33:35,920 --> 00:33:38,840
Speaker 2: would consider as a snack jar of pickles.

608
00:33:39,800 --> 00:33:45,880
Speaker 3: Nothing wrong with that when she feeds me pickles.

609
00:33:46,200 --> 00:33:48,680
Speaker 1: I can't eat a pickle without a sandwich and some chips.

610
00:33:49,280 --> 00:33:52,520
Speaker 3: I could do them all day long by themselves. You know,

611
00:33:53,040 --> 00:33:57,000
Speaker 3: Bo who's six. We do pickle tastings like most kids

612
00:33:57,040 --> 00:33:59,640
Speaker 3: want candy tastings. He wanted to pickle.

613
00:33:59,640 --> 00:34:03,160
Speaker 2: You wait, because there's all kinds of pickles yeall? You

614
00:34:03,320 --> 00:34:06,280
Speaker 2: are you a dill pickle or a bread and butter pickle? Gal?

615
00:34:06,720 --> 00:34:07,520
Speaker 1: That's when I need it.

616
00:34:07,760 --> 00:34:08,759
Speaker 2: I don't know this about you.

617
00:34:08,880 --> 00:34:13,680
Speaker 3: I mean meat. Oh, I'm a like a well corni

618
00:34:13,719 --> 00:34:15,200
Speaker 3: sean aka girkin.

619
00:34:15,600 --> 00:34:17,000
Speaker 1: Oh my god, fancy what?

620
00:34:17,200 --> 00:34:19,880
Speaker 2: But also that's the deal, there's.

621
00:34:20,080 --> 00:34:22,160
Speaker 1: What is the corniean and GKiN?

622
00:34:22,560 --> 00:34:24,520
Speaker 3: Like if you were to do like a charcoterie ward

623
00:34:24,560 --> 00:34:25,640
Speaker 3: you put out a cool.

624
00:34:25,400 --> 00:34:31,040
Speaker 2: Little tiny pickles. They're sour, they're a little dilly. Yeah,

625
00:34:31,960 --> 00:34:33,759
Speaker 2: I don't like those. I don't like those at all.

626
00:34:33,920 --> 00:34:36,040
Speaker 2: Maybe not dilly, maybe just sour. That's why I don't

627
00:34:36,080 --> 00:34:39,840
Speaker 2: like them. But I love a good bread and butter.

628
00:34:40,080 --> 00:34:41,560
Speaker 3: Because they're a little sweeter.

629
00:34:42,719 --> 00:34:44,200
Speaker 1: The sandwich on a burger.

630
00:34:44,360 --> 00:34:46,520
Speaker 2: No bread and butter by itself.

631
00:34:46,520 --> 00:34:50,640
Speaker 3: Sorry wait like bread with butter.

632
00:34:51,080 --> 00:34:52,120
Speaker 2: No a bread and butter.

633
00:34:52,160 --> 00:34:56,200
Speaker 1: Ple know they are they they go well with a hamburger.

634
00:34:56,200 --> 00:34:57,879
Speaker 1: But I can't eat pickles out of the jar.

635
00:34:58,440 --> 00:35:03,600
Speaker 2: Oh how drinking the juice, because that's a bit Wait,

636
00:35:03,760 --> 00:35:07,400
Speaker 2: you don't do that pickle Absolutely not.

637
00:35:07,560 --> 00:35:09,440
Speaker 1: I in fact take the pickle out and put it

638
00:35:09,480 --> 00:35:10,320
Speaker 1: on a paper towel.

639
00:35:12,120 --> 00:35:15,719
Speaker 3: You know you don't drink. But little known fact, not

640
00:35:15,960 --> 00:35:21,000
Speaker 3: little big is when people drink, they do like a

641
00:35:21,000 --> 00:35:24,400
Speaker 3: pickleback where they just shot a pickle juice because it's

642
00:35:24,480 --> 00:35:25,399
Speaker 3: going to help you, like.

643
00:35:26,680 --> 00:35:28,280
Speaker 2: Kill the alcohol taste.

644
00:35:28,880 --> 00:35:31,000
Speaker 1: Oh my gosh. Do you drink a shot and then

645
00:35:31,000 --> 00:35:33,560
Speaker 1: a pickle shot or you just drink an alcohol drink

646
00:35:33,560 --> 00:35:35,320
Speaker 1: and then you drink drink a pickle shot.

647
00:35:35,640 --> 00:35:37,359
Speaker 3: Right, it's supposed to help you. What is it? Gen

648
00:35:37,440 --> 00:35:42,040
Speaker 3: like not get like a hangover from it?

649
00:35:42,040 --> 00:35:44,759
Speaker 2: It does something I don't know, but you know what

650
00:35:44,800 --> 00:35:49,960
Speaker 2: I would enjoy a pickle scented candle. Oh that's a

651
00:35:50,000 --> 00:35:51,200
Speaker 2: good ideas.

652
00:35:51,280 --> 00:35:54,640
Speaker 3: Never seen that idea, my nieces love.

653
00:35:54,920 --> 00:35:55,520
Speaker 1: But I have.

654
00:35:55,680 --> 00:35:59,840
Speaker 3: Gotten one of those giants got me pickles for the kids.

655
00:36:00,000 --> 00:36:03,720
Speaker 3: They're like, wait, gummy, Oh yeah, it's candy and pickle.

656
00:36:04,800 --> 00:36:06,840
Speaker 3: It's candy. It's a gummy, like a gummy you know,

657
00:36:07,080 --> 00:36:07,399
Speaker 3: they have.

658
00:36:07,400 --> 00:36:09,600
Speaker 1: Like a gummy shark. But it's a gummy pickle.

659
00:36:09,760 --> 00:36:12,960
Speaker 3: Yeah, and so it's like pickle and it's like a pickle.

660
00:36:13,480 --> 00:36:15,040
Speaker 1: Oh gosh, no.

661
00:36:15,239 --> 00:36:17,640
Speaker 2: I can't. That's a different that's two worlds colliding, and

662
00:36:17,680 --> 00:36:18,480
Speaker 2: I'm not into it.

663
00:36:19,160 --> 00:36:20,799
Speaker 1: God. That makes me want to ask you, guys, if

664
00:36:20,800 --> 00:36:23,719
Speaker 1: you've ever done a shot. People are gonna get mad

665
00:36:23,760 --> 00:36:26,040
Speaker 1: because we're going so sidetracked, but have you ever done

666
00:36:26,120 --> 00:36:28,320
Speaker 1: the game with the jelly bellies where it's like we

667
00:36:28,520 --> 00:36:32,640
Speaker 1: just did that bamboos like stinky socks, stinky socks.

668
00:36:32,680 --> 00:36:36,560
Speaker 2: Literally just did that holiday They're so good. Were'spin the

669
00:36:36,600 --> 00:36:38,399
Speaker 2: thing and then you have to eat whatever it lands

670
00:36:38,440 --> 00:36:40,640
Speaker 2: on and maybe it's good or maybe it's bad. It's

671
00:36:40,680 --> 00:36:45,600
Speaker 2: either gonna be rotten egg or it's gonna be toasted marshmallow. Wait,

672
00:36:45,680 --> 00:36:48,040
Speaker 2: we just did this. I refuse to play. We were

673
00:36:48,280 --> 00:36:52,200
Speaker 2: in Wyoming, hated so weird. I didn't play. I was

674
00:36:52,239 --> 00:36:54,200
Speaker 2: cooking while they were doing it, and people just kept

675
00:36:54,280 --> 00:36:56,960
Speaker 2: running into the kitchen and like vomiting in the kitchen,

676
00:36:57,600 --> 00:36:58,520
Speaker 2: getting like two.

677
00:36:58,840 --> 00:37:01,799
Speaker 1: Yeah, that's so good.

678
00:37:02,360 --> 00:37:03,520
Speaker 2: It was fun to watch them.

679
00:37:03,600 --> 00:37:07,680
Speaker 1: Good job on Jelly, Belly's part, such a good game.

680
00:37:08,320 --> 00:37:09,359
Speaker 2: Yeah, it's great.

681
00:37:09,520 --> 00:37:12,879
Speaker 1: Okay, so getting us back on track. And Kelly. Yeah,

682
00:37:15,320 --> 00:37:19,280
Speaker 1: and Brandon's being a bit of again a D word.

683
00:37:19,600 --> 00:37:20,640
Speaker 1: He's being so light.

684
00:37:21,480 --> 00:37:25,160
Speaker 3: So did he's listening to this podcast in the evening

685
00:37:25,560 --> 00:37:29,560
Speaker 3: or somewhere safe and you're taking shots every time Amy does?

686
00:37:29,800 --> 00:37:34,520
Speaker 3: Does the D word? Make a shot or a pickleback?

687
00:37:34,680 --> 00:37:37,400
Speaker 2: A pickle shot to Kelly?

688
00:37:37,680 --> 00:37:38,880
Speaker 1: Stop the bombing?

689
00:37:40,160 --> 00:37:41,480
Speaker 2: Yeah? Yeah he did.

690
00:37:42,040 --> 00:37:44,320
Speaker 1: Like the bombing of Valerie.

691
00:37:44,480 --> 00:37:46,960
Speaker 2: Yeah, I mean I get it. I feel like Kelly

692
00:37:47,160 --> 00:37:51,960
Speaker 2: is being very judgy and very opinionated, but she has

693
00:37:52,040 --> 00:37:57,080
Speaker 2: her reasons well, and she's operating off of instinct, which

694
00:37:57,880 --> 00:38:01,120
Speaker 2: we all know. You know, some people have very strong instincts.

695
00:38:01,120 --> 00:38:03,439
Speaker 2: I think Kelly has very strong instincts about this girl,

696
00:38:03,600 --> 00:38:05,479
Speaker 2: who knows if they're ultimately going to be right. Because

697
00:38:05,520 --> 00:38:08,000
Speaker 2: this episode, you think she's right, and then you think

698
00:38:08,040 --> 00:38:11,719
Speaker 2: she's wrong. So it's hard to know if Kelly's being

699
00:38:11,760 --> 00:38:12,479
Speaker 2: a bitch or.

700
00:38:12,400 --> 00:38:16,680
Speaker 3: If she's seen all ten seasons, she's pretty right.

701
00:38:16,719 --> 00:38:17,520
Speaker 2: She's pretty accurate.

702
00:38:18,040 --> 00:38:20,480
Speaker 3: Yeah, okay, on brand.

703
00:38:22,000 --> 00:38:26,120
Speaker 1: Orry with the best line ever, I've seen all ten seasons.

704
00:38:26,480 --> 00:38:28,200
Speaker 3: I have to break it down for you guys.

705
00:38:29,160 --> 00:38:32,600
Speaker 2: What about when Valerie says, I kind of wait going

706
00:38:32,600 --> 00:38:34,680
Speaker 2: back to Brandon Killy, I kind of did enjoy when

707
00:38:34,680 --> 00:38:38,080
Speaker 2: they're like, would they say back and forth? Back? And fine?

708
00:38:38,160 --> 00:38:38,480
Speaker 1: Fine?

709
00:38:38,680 --> 00:38:39,000
Speaker 2: Fine?

710
00:38:39,160 --> 00:38:41,480
Speaker 1: Fine? Was this when she was asking for the notes?

711
00:38:42,400 --> 00:38:42,600
Speaker 3: Oh?

712
00:38:42,680 --> 00:38:44,960
Speaker 2: When Valerie comes in and Asktron and says she's been

713
00:38:45,000 --> 00:38:48,279
Speaker 2: in Jamaica, And I was like, girl, she got no tan, right,

714
00:38:48,760 --> 00:38:50,719
Speaker 2: she came back from Jamaica. Why don't we go.

715
00:38:50,719 --> 00:38:52,960
Speaker 1: Lire any user? That's my favorite.

716
00:38:53,160 --> 00:38:57,400
Speaker 6: She's a liar and any user those user is something

717
00:38:57,440 --> 00:39:00,920
Speaker 6: that our age says. But I don't think like the

718
00:39:01,080 --> 00:39:05,880
Speaker 6: younger Jen says user or they might say what they say.

719
00:39:05,960 --> 00:39:06,799
Speaker 1: Us, but.

720
00:39:08,280 --> 00:39:12,839
Speaker 3: Wait, what would they say sus that person sucks?

721
00:39:13,120 --> 00:39:13,879
Speaker 2: Oh it is I.

722
00:39:13,840 --> 00:39:15,399
Speaker 1: Heard that is out, but I love it so much.

723
00:39:15,440 --> 00:39:18,959
Speaker 1: I'm gonna say it me too. When you said it off,

724
00:39:19,520 --> 00:39:22,080
Speaker 1: I'm telling tales. But the other day before we got

725
00:39:22,120 --> 00:39:24,640
Speaker 1: on the air. We were all talking in Torris like

726
00:39:24,880 --> 00:39:28,040
Speaker 1: is that sus? And I basically peed my pants. I

727
00:39:28,080 --> 00:39:28,719
Speaker 1: was like, it's so.

728
00:39:28,640 --> 00:39:31,520
Speaker 3: Good by the way I say it all the time,

729
00:39:31,960 --> 00:39:34,359
Speaker 3: and my teens are like, no one says that.

730
00:39:34,800 --> 00:39:36,760
Speaker 1: Well, you can't keep up.

731
00:39:36,920 --> 00:39:40,200
Speaker 2: You can't keep up with the kids lingo these days

732
00:39:40,280 --> 00:39:41,360
Speaker 2: to that.

733
00:39:41,239 --> 00:39:44,600
Speaker 1: In high school and college. So she's such a user

734
00:39:45,120 --> 00:39:48,480
Speaker 1: and it was so like she's just using you. Like

735
00:39:48,520 --> 00:39:50,839
Speaker 1: it was like, oh my god.

736
00:39:51,080 --> 00:39:57,799
Speaker 3: It's shame for saying, Oh, that's so grubby grubby? Is that?

737
00:39:57,920 --> 00:40:03,920
Speaker 2: Like where did you say that it's so grubby? Meaning?

738
00:40:04,160 --> 00:40:05,840
Speaker 1: Can you give us a sentence with them?

739
00:40:05,960 --> 00:40:08,680
Speaker 3: Oh? Oh my god, you guys, let's eat this and

740
00:40:08,719 --> 00:40:11,840
Speaker 3: that's gonna be that food. It's so grubby.

741
00:40:11,920 --> 00:40:12,840
Speaker 1: Oh like good grub.

742
00:40:12,880 --> 00:40:16,320
Speaker 3: Okay, like grub's like we were in early two thousands,

743
00:40:16,320 --> 00:40:22,239
Speaker 3: you'd be like, oh, let's go grub. I doub I

744
00:40:22,280 --> 00:40:25,360
Speaker 3: wasn't wrong, Jenny slash Kelly.

745
00:40:25,480 --> 00:40:28,160
Speaker 1: I do think you were right in not giving her

746
00:40:28,200 --> 00:40:29,680
Speaker 1: the notes. It's like, if you miss.

747
00:40:29,560 --> 00:40:32,800
Speaker 3: One, can you call her Kelly slash Jenny?

748
00:40:34,360 --> 00:40:36,080
Speaker 1: Yes, Kelly slash Jenny.

749
00:40:36,520 --> 00:40:38,400
Speaker 2: You don't think she should have given her the notes?

750
00:40:38,440 --> 00:40:40,120
Speaker 1: I mean no, because it's one thing if she missed

751
00:40:40,120 --> 00:40:41,920
Speaker 1: one class, but like she never went, and then she

752
00:40:41,960 --> 00:40:43,440
Speaker 1: wants to use you. I understood you.

753
00:40:43,600 --> 00:40:45,960
Speaker 2: Yeah, I guess that's all right. I was a little

754
00:40:46,000 --> 00:40:48,040
Speaker 2: sensitive to it because she's being kind of mean, and

755
00:40:48,080 --> 00:40:49,640
Speaker 2: I don't like to see Kelly be mean.

756
00:40:50,080 --> 00:40:54,000
Speaker 1: But yeah, and Brandon's like, you go out of your

757
00:40:54,000 --> 00:40:56,720
Speaker 1: way to be mean, and it's like, yeah, you kind

758
00:40:56,719 --> 00:40:56,960
Speaker 1: of do.

759
00:40:57,080 --> 00:41:02,080
Speaker 2: But she's so please would dig that mister Brandon give

760
00:41:02,239 --> 00:41:06,040
Speaker 2: his notes away to some kid that came no way?

761
00:41:08,719 --> 00:41:14,680
Speaker 1: Okay, so I have a controversial opinion here. Oh, let's

762
00:41:14,719 --> 00:41:19,520
Speaker 1: talk about Ryan Donna. Oh if I didn't know what

763
00:41:19,680 --> 00:41:23,640
Speaker 1: was coming, I actually think Donna is maybe overstepping a bit.

764
00:41:24,920 --> 00:41:31,840
Speaker 2: Yeah, yeah, I agree there meddling into his life, he says, yeah,

765
00:41:32,239 --> 00:41:35,000
Speaker 2: making decisions for him before even running it by him.

766
00:41:35,040 --> 00:41:37,480
Speaker 3: That's like, it's very Donna.

767
00:41:37,600 --> 00:41:40,919
Speaker 2: Actually, well, you're excited, she's excited, she wants to help.

768
00:41:41,000 --> 00:41:44,360
Speaker 2: So that is totally Coyote Ugly.

769
00:41:44,440 --> 00:41:47,719
Speaker 1: Did you guys ever see Coyote Ugly? The same storyline

770
00:41:47,760 --> 00:41:51,960
Speaker 1: Bar He's like, yeah, she's like the songwriter, but she's

771
00:41:51,960 --> 00:41:56,920
Speaker 1: got stage fright. And then the guy like pyper pabose thing.

772
00:41:57,280 --> 00:41:59,840
Speaker 1: I know, it's such a. It's such an awesome movie,

773
00:42:00,040 --> 00:42:03,680
Speaker 1: but it totally down as kind of being the guy

774
00:42:04,560 --> 00:42:07,520
Speaker 1: raised Like I'm a songwriter, but I don't like hyper pair.

775
00:42:07,600 --> 00:42:09,560
Speaker 3: But what is she doing now? She was great?

776
00:42:09,840 --> 00:42:11,280
Speaker 1: She's in Yellowstone?

777
00:42:11,960 --> 00:42:12,600
Speaker 3: Oh she is.

778
00:42:13,040 --> 00:42:15,840
Speaker 2: Do you think that Jamie is a ray is doesn't

779
00:42:15,840 --> 00:42:18,960
Speaker 2: want to do it because he's afraid to perform or

780
00:42:19,000 --> 00:42:21,239
Speaker 2: he doesn't think he's good enough obviously.

781
00:42:21,320 --> 00:42:23,040
Speaker 1: Yeah, Tori, what is your take there?

782
00:42:23,680 --> 00:42:26,799
Speaker 3: I think it's the worst thing. Like he doesn't feel well,

783
00:42:26,840 --> 00:42:27,280
Speaker 3: I mean.

784
00:42:27,160 --> 00:42:28,120
Speaker 1: Look at worth.

785
00:42:28,160 --> 00:42:31,520
Speaker 3: It go back to childhood, like you know, he feels

786
00:42:31,960 --> 00:42:35,280
Speaker 3: he's not worth much. So even though he's so talented,

787
00:42:35,800 --> 00:42:37,960
Speaker 3: that's going to always kick in in the back of

788
00:42:37,960 --> 00:42:41,279
Speaker 3: your mind, front of her mind. Yeah, I think it's that.

789
00:42:42,080 --> 00:42:47,440
Speaker 1: Yeah, I think he's got like hyote ugly scenarios stage fright.

790
00:42:47,760 --> 00:42:50,400
Speaker 1: Thinks he's a songwriter but doesn't think he can perform.

791
00:42:50,480 --> 00:42:53,680
Speaker 2: And that's a valid point. I'm a songwriter, not so

792
00:42:53,800 --> 00:42:56,120
Speaker 2: much a performer, because that is a thing, like there

793
00:42:56,160 --> 00:42:59,279
Speaker 2: are people that are so talented and in songwriting, but

794
00:42:59,320 --> 00:43:00,720
Speaker 2: they are not into performing.

795
00:43:01,080 --> 00:43:03,200
Speaker 1: Yeah. And also I think he's sort of like, you know,

796
00:43:03,280 --> 00:43:05,640
Speaker 1: he's sort of a how do you talk to an angel.

797
00:43:05,719 --> 00:43:09,520
Speaker 1: He's not like dance on Jovi, you know, Like.

798
00:43:09,680 --> 00:43:11,560
Speaker 3: I understand, but I'm not going to go with stage

799
00:43:11,600 --> 00:43:15,800
Speaker 3: fright because he went for it with Ye roll In

800
00:43:16,160 --> 00:43:18,080
Speaker 3: and the Hall Ride for all the kids.

801
00:43:18,120 --> 00:43:22,000
Speaker 2: He like got ran and he performed on the stage

802
00:43:22,120 --> 00:43:24,680
Speaker 2: of the Rolling Stones member at the right.

803
00:43:24,760 --> 00:43:26,719
Speaker 1: I think he's not up to the level on this thing.

804
00:43:26,800 --> 00:43:30,000
Speaker 1: Maybe I don't know. There's something worse is probably Tory

805
00:43:30,120 --> 00:43:37,680
Speaker 1: might be worthy. Should we go to the laundromat?

806
00:43:38,120 --> 00:43:39,640
Speaker 3: Yeah?

807
00:43:40,120 --> 00:43:44,640
Speaker 1: That was I like their flirty flirt. I can't help it.

808
00:43:45,400 --> 00:44:00,080
Speaker 3: Yeah, I thought you were going to say it the

809
00:44:00,120 --> 00:44:04,759
Speaker 3: laundra Mac. You didn't want to mix the colors and

810
00:44:04,800 --> 00:44:07,560
Speaker 3: the white sox get turned pink or something? Right, does

811
00:44:07,600 --> 00:44:09,160
Speaker 3: that happens one?

812
00:44:09,320 --> 00:44:11,719
Speaker 2: Yeah? Well I had to teach you that he's really.

813
00:44:11,480 --> 00:44:13,040
Speaker 3: Good at laundry, you guys, I am.

814
00:44:13,239 --> 00:44:15,080
Speaker 2: He taught me laundry is my jam.

815
00:44:15,360 --> 00:44:17,440
Speaker 1: Well, okay, then I need to know do you mix?

816
00:44:18,040 --> 00:44:23,759
Speaker 1: Do you mix your blacks? Do you do like do

817
00:44:23,880 --> 00:44:27,480
Speaker 1: you separate your colors? Like put your reds and pinks

818
00:44:27,560 --> 00:44:30,600
Speaker 1: and burgundies in one and then you're blues and greens

819
00:44:30,600 --> 00:44:31,320
Speaker 1: and dark.

820
00:44:32,600 --> 00:44:36,239
Speaker 2: Level. Okay, this is the thing. It depends on the

821
00:44:36,320 --> 00:44:39,920
Speaker 2: newness of the material and the quality of the material,

822
00:44:39,960 --> 00:44:41,560
Speaker 2: because you've got to know if it's going to release

823
00:44:41,600 --> 00:44:46,040
Speaker 2: that pink or the red. And because for instance, uh,

824
00:44:46,239 --> 00:44:49,760
Speaker 2: Fiona just got a brand new Barbie sweatshirt for Christmas,

825
00:44:49,840 --> 00:44:54,440
Speaker 2: so cute and pink, and she washed it with her jeans,

826
00:44:55,080 --> 00:44:58,920
Speaker 2: so her blue things. It came out like all smudgie

827
00:44:59,000 --> 00:45:01,000
Speaker 2: with blue stuff all for it. And I had to

828
00:45:01,160 --> 00:45:04,200
Speaker 2: really work on that. People, did you have the.

829
00:45:04,120 --> 00:45:06,320
Speaker 1: Same thing happened to me with some pink a Internation

830
00:45:06,560 --> 00:45:09,680
Speaker 1: sweats I washed them with blue and they have blue splotches.

831
00:45:10,320 --> 00:45:14,000
Speaker 2: It's really no because you never know when they're going

832
00:45:14,040 --> 00:45:18,160
Speaker 2: to let go of a little blue what what? What?

833
00:45:18,360 --> 00:45:22,160
Speaker 3: Okay, you'd be so proud of me, so Stella taught me. Also,

834
00:45:22,719 --> 00:45:24,560
Speaker 3: if you're in a hurry and you want to mix

835
00:45:24,600 --> 00:45:27,240
Speaker 3: all the colors, you just do it on a cold walk.

836
00:45:27,400 --> 00:45:28,920
Speaker 1: I've heard that too.

837
00:45:28,680 --> 00:45:29,880
Speaker 2: To that's risky.

838
00:45:30,120 --> 00:45:32,000
Speaker 3: Oh it is, tell me.

839
00:45:31,840 --> 00:45:35,959
Speaker 2: That it's risky. It depends on the depth of the die,

840
00:45:36,080 --> 00:45:37,960
Speaker 2: like the depth of the color of the garment. And

841
00:45:39,360 --> 00:45:45,000
Speaker 2: I wouldn't per okay, okay, I won't, no, okay, but

842
00:45:45,440 --> 00:45:47,759
Speaker 2: you know I do hate to run a half like

843
00:45:47,800 --> 00:45:49,600
Speaker 2: a half a load or like a few things in

844
00:45:49,680 --> 00:45:51,919
Speaker 2: one load. So say you have like three or four

845
00:45:52,440 --> 00:45:57,200
Speaker 2: bright red or yellow things you got to separate at people?

846
00:45:57,320 --> 00:45:59,160
Speaker 3: Yeah, take the time.

847
00:45:59,520 --> 00:46:01,240
Speaker 1: Were you all shocked he was married?

848
00:46:02,200 --> 00:46:05,280
Speaker 3: Okay, going back in, Yeah, I was shocked.

849
00:46:05,760 --> 00:46:07,480
Speaker 2: Nice segue.

850
00:46:07,520 --> 00:46:08,200
Speaker 3: I really.

851
00:46:10,360 --> 00:46:13,240
Speaker 2: I was shocked because he doesn't seem like it. He's

852
00:46:13,960 --> 00:46:17,680
Speaker 2: it was a very and I didn't. I didn't. Did

853
00:46:17,719 --> 00:46:22,000
Speaker 2: they ever refer earlier to her being the babysitter of Hannah?

854
00:46:22,400 --> 00:46:22,600
Speaker 5: Yes?

855
00:46:22,840 --> 00:46:26,680
Speaker 1: Did? She sort of assumed did. But now, well, the

856
00:46:26,719 --> 00:46:30,080
Speaker 1: thing that I did not notice in the earlier episode

857
00:46:30,080 --> 00:46:31,839
Speaker 1: when he was in, and I'd like to go back,

858
00:46:32,560 --> 00:46:36,960
Speaker 1: was he wearing a ring? Because he says he was.

859
00:46:37,120 --> 00:46:40,120
Speaker 1: But I want to go back, some eagle eyed person,

860
00:46:40,480 --> 00:46:42,080
Speaker 1: I want to go back and see because I didn't

861
00:46:42,160 --> 00:46:43,319
Speaker 1: I usually notice that.

862
00:46:43,600 --> 00:46:45,560
Speaker 2: Yeah, well she would have noticed if he was wearing

863
00:46:45,560 --> 00:46:46,279
Speaker 2: a ring. I would thing.

864
00:46:46,440 --> 00:46:47,759
Speaker 1: And does she not wear a ring?

865
00:46:48,080 --> 00:46:48,279
Speaker 3: Right?

866
00:46:48,480 --> 00:46:49,160
Speaker 1: Good question?

867
00:46:49,760 --> 00:46:51,360
Speaker 2: Good quesh.

868
00:46:51,800 --> 00:46:55,360
Speaker 3: She feels like the type that would always wear a ring.

869
00:46:55,360 --> 00:46:57,520
Speaker 2: Maybe she takes it off to do the laundry because

870
00:46:58,320 --> 00:46:59,560
Speaker 2: or maybe.

871
00:47:00,120 --> 00:47:04,719
Speaker 3: Like guy wear rings aka yourself, Now, I never take

872
00:47:04,760 --> 00:47:07,400
Speaker 3: my rings even when you're washing dishes.

873
00:47:08,280 --> 00:47:12,520
Speaker 2: No, I do everything in my rings. But look, I

874
00:47:12,560 --> 00:47:13,720
Speaker 2: do everything in my rings.

875
00:47:14,360 --> 00:47:21,040
Speaker 1: She has nothing. Okay, So that another storyline I want

876
00:47:21,040 --> 00:47:25,399
Speaker 1: to talk about quickly. Is Jesse really telling Dylan the

877
00:47:25,440 --> 00:47:29,520
Speaker 1: what for? Like really saying you need to do this?

878
00:47:29,680 --> 00:47:33,280
Speaker 1: I like how Jesse is literally not intimidated by Dylan

879
00:47:33,320 --> 00:47:35,160
Speaker 1: in his coolness or anybody.

880
00:47:35,320 --> 00:47:40,319
Speaker 2: He always brings like straight truth. Yeah, Jesse's what you

881
00:47:40,320 --> 00:47:42,960
Speaker 2: need to do? Are you an idiot? He kind of

882
00:47:43,000 --> 00:47:46,640
Speaker 2: feels like the when he is dispensing his advice, He's

883
00:47:46,920 --> 00:47:49,160
Speaker 2: very like, why are you so stupid? Why would you

884
00:47:49,200 --> 00:47:50,760
Speaker 2: do it that way? You gotta do it this way.

885
00:47:50,880 --> 00:47:52,920
Speaker 1: He's very I'm a lawyer, I know everything.

886
00:47:53,520 --> 00:47:54,239
Speaker 2: Yeah.

887
00:47:54,400 --> 00:47:59,160
Speaker 1: But Dylan's got, you know, probation and he just lost

888
00:47:59,160 --> 00:48:00,840
Speaker 1: his license for a couple of months.

889
00:48:02,040 --> 00:48:04,600
Speaker 3: How did you hear about this? Oh?

890
00:48:04,760 --> 00:48:07,160
Speaker 1: I'm glad. We're sort of tying it up.

891
00:48:08,120 --> 00:48:10,920
Speaker 2: Okay, So what would what? He got a probation and

892
00:48:11,000 --> 00:48:13,440
Speaker 2: he lost his license for driving drunk off the cliff

893
00:48:13,600 --> 00:48:16,480
Speaker 2: and he had hero heroin in his car and he

894
00:48:17,360 --> 00:48:22,120
Speaker 2: lost his license for a couple of months and got probation.

895
00:48:22,600 --> 00:48:23,240
Speaker 2: Is that normal?

896
00:48:23,360 --> 00:48:25,880
Speaker 3: Is that? How he really hot when he's in a suiting.

897
00:48:26,000 --> 00:48:26,879
Speaker 3: So they want to get this.

898
00:48:29,880 --> 00:48:31,680
Speaker 2: And when he went to court in that suit, they

899
00:48:31,680 --> 00:48:33,239
Speaker 2: were like, he's the first time.

900
00:48:33,160 --> 00:48:36,680
Speaker 1: Offender who's gone to rehab. I'm going to say it's

901
00:48:36,760 --> 00:48:41,480
Speaker 1: not an outlandish.

902
00:48:39,560 --> 00:48:40,560
Speaker 3: Be careful, are you sure?

903
00:48:41,520 --> 00:48:42,040
Speaker 1: Pretty sure?

904
00:48:43,440 --> 00:48:45,600
Speaker 2: I mean maybe the drunk driving part, but the off

905
00:48:45,640 --> 00:48:48,000
Speaker 2: the cliff part and the heroin in the car part.

906
00:48:48,600 --> 00:48:50,200
Speaker 1: Wait, they didn't find the heroine.

907
00:48:50,560 --> 00:48:52,120
Speaker 3: They never found the heroine.

908
00:48:52,160 --> 00:48:58,120
Speaker 2: The guy basically sniffed it, licked it, and I guess

909
00:48:58,120 --> 00:49:00,239
Speaker 2: that guy threw it away because in this episode one

910
00:49:00,239 --> 00:49:02,920
Speaker 2: says they never find it. He threw it away?

911
00:49:03,080 --> 00:49:03,800
Speaker 1: Are you kidding?

912
00:49:04,560 --> 00:49:07,160
Speaker 3: Throw it away? He went home and used it, know the.

913
00:49:07,120 --> 00:49:10,080
Speaker 1: Car, the cop picked it up or somebody picked it up.

914
00:49:10,120 --> 00:49:11,080
Speaker 3: Yeah, you were me right.

915
00:49:11,360 --> 00:49:15,200
Speaker 1: Oh that's awful, terrible.

916
00:49:16,719 --> 00:49:19,680
Speaker 2: Yeah, you don't care. You want it to be over.

917
00:49:21,239 --> 00:49:22,279
Speaker 2: I want to move on.

918
00:49:23,239 --> 00:49:24,680
Speaker 3: Come back and moving on.

919
00:49:25,480 --> 00:49:26,439
Speaker 1: I'm enjoying the movie.

920
00:49:26,800 --> 00:49:27,360
Speaker 3: Did you like that?

921
00:49:27,560 --> 00:49:30,040
Speaker 2: I like that way too. What do you guys like

922
00:49:30,080 --> 00:49:32,239
Speaker 2: about fashion? Do it to me now? I did not

923
00:49:32,440 --> 00:49:36,439
Speaker 2: care for Claire's mini dress personally. Oh you know it's

924
00:49:36,480 --> 00:49:37,080
Speaker 2: so short?

925
00:49:37,760 --> 00:49:39,719
Speaker 3: You know when we get upset at that? Because you

926
00:49:39,760 --> 00:49:45,440
Speaker 3: know I loved it. Where are we talking? Uh? The racing?

927
00:49:45,840 --> 00:49:46,760
Speaker 2: Yeah?

928
00:49:47,040 --> 00:49:49,960
Speaker 3: I mean it gave me like, what's the girl? That's

929
00:49:50,040 --> 00:49:53,520
Speaker 3: when the cars are uh the flag? No cars?

930
00:49:53,800 --> 00:49:55,320
Speaker 2: The what the flag girl?

931
00:49:55,520 --> 00:49:58,319
Speaker 3: Flag girl was like and racers ready.

932
00:49:59,320 --> 00:50:04,520
Speaker 2: Yeah, it was just really like in your face, like yes.

933
00:50:05,440 --> 00:50:11,200
Speaker 3: Which is everything I like and everything you don't like? Yeah?

934
00:50:11,440 --> 00:50:16,400
Speaker 1: I like Tory slash Donna's it was Ordyle crop sweater vest.

935
00:50:16,719 --> 00:50:17,320
Speaker 2: That's cute.

936
00:50:17,680 --> 00:50:21,719
Speaker 1: That was cute. That stood out to me. Yeah, I

937
00:50:21,719 --> 00:50:24,320
Speaker 1: think I was very in the episode. I didn't notice

938
00:50:24,400 --> 00:50:26,359
Speaker 1: Steve did have sort of an unbuttoned shirt.

939
00:50:26,640 --> 00:50:27,480
Speaker 2: Yeah.

940
00:50:28,640 --> 00:50:32,239
Speaker 3: But the Will Ferrell movie where he's a night at.

941
00:50:32,160 --> 00:50:33,080
Speaker 1: The Roxbury.

942
00:50:34,600 --> 00:50:36,200
Speaker 2: Guy, what's that movie called?

943
00:50:36,320 --> 00:50:37,640
Speaker 3: Oh you know what I'm talking about?

944
00:50:38,760 --> 00:50:41,440
Speaker 2: Talladega Knights, good one.

945
00:50:42,040 --> 00:50:44,759
Speaker 3: I remember that very Talladega Knights.

946
00:50:44,760 --> 00:50:49,000
Speaker 2: To me, yeah, it just for me personally, it pulls

947
00:50:49,040 --> 00:50:51,839
Speaker 2: your eyes so much that it takes you out of

948
00:50:52,480 --> 00:50:58,279
Speaker 2: the reality of the situation. Although it does although it

949
00:50:58,360 --> 00:51:02,000
Speaker 2: does suit her character as our characters gook a doo

950
00:51:02,480 --> 00:51:06,880
Speaker 2: and like a cutting edge in a different direction than

951
00:51:06,880 --> 00:51:09,520
Speaker 2: the norm. So it does work for a character. But

952
00:51:09,600 --> 00:51:12,000
Speaker 2: personally I was like, hey, what a dress? Oh, what's

953
00:51:12,040 --> 00:51:12,960
Speaker 2: happening in the same.

954
00:51:12,920 --> 00:51:16,000
Speaker 1: What are dress? Too much? Dress? Kind of to the

955
00:51:16,080 --> 00:51:16,759
Speaker 1: dress is just.

956
00:51:18,239 --> 00:51:19,000
Speaker 2: I remember that.

957
00:51:19,360 --> 00:51:20,960
Speaker 3: Hey, what are dress?

958
00:51:22,920 --> 00:51:25,160
Speaker 2: That's it. That's really all I have to say about

959
00:51:25,160 --> 00:51:26,560
Speaker 2: this episode.

960
00:51:26,680 --> 00:51:28,439
Speaker 1: Yeah, well, what do you give it?

961
00:51:28,800 --> 00:51:33,800
Speaker 2: Oh? I give it ten nine point eight.

962
00:51:35,239 --> 00:51:38,560
Speaker 3: By a D if I give it less than a ten, yes,

963
00:51:41,440 --> 00:51:43,680
Speaker 3: I mean you have to give it t Yeah, thanks,

964
00:51:43,680 --> 00:51:44,319
Speaker 3: give it a ten.

965
00:51:44,480 --> 00:51:46,400
Speaker 2: Yeah, you have to nominate him for an Emmy and

966
00:51:46,440 --> 00:51:47,240
Speaker 2: give it a ten.

967
00:51:48,960 --> 00:51:53,040
Speaker 1: Ten ten, it's a it's any excellent? Oh my god, please,

968
00:51:53,200 --> 00:51:54,600
Speaker 1: it's an excellent episode.

969
00:51:54,760 --> 00:51:55,440
Speaker 3: It really is.

970
00:51:55,760 --> 00:51:59,600
Speaker 1: And it's different. But we didn't lose the nine two

971
00:51:59,640 --> 00:52:02,840
Speaker 1: one Oh wekness, which was what I really appreciated. Yeah,

972
00:52:02,920 --> 00:52:06,000
Speaker 1: they have figured out how to do a special story

973
00:52:06,400 --> 00:52:10,239
Speaker 1: without giving me just garbage with my other my other pals.

974
00:52:11,120 --> 00:52:15,279
Speaker 2: Well, speaking of garbage, next week we have no. I'm

975
00:52:15,320 --> 00:52:18,279
Speaker 2: just kidding a joke because because you said it was

976
00:52:18,320 --> 00:52:22,400
Speaker 2: really good, it was she broke the golden rule. She

977
00:52:22,520 --> 00:52:26,879
Speaker 2: watched an episode ahead. Marie has cheated on all of us,

978
00:52:27,560 --> 00:52:29,000
Speaker 2: and she knows what's going to happen next week.

979
00:52:29,040 --> 00:52:31,239
Speaker 3: It was so good I couldn't I buy Why?

980
00:52:31,560 --> 00:52:34,600
Speaker 2: Why? Why? What was so good about? Did you want

981
00:52:34,640 --> 00:52:36,520
Speaker 2: to see if if Uncle Milty died?

982
00:52:37,120 --> 00:52:37,200
Speaker 1: No?

983
00:52:37,719 --> 00:52:38,240
Speaker 2: Next week?

984
00:52:38,440 --> 00:52:39,560
Speaker 1: What episode is next?

985
00:52:39,600 --> 00:52:43,600
Speaker 3: I want to see you start to transition into the cult.

986
00:52:46,440 --> 00:52:49,440
Speaker 2: That's happening the psychology class.

987
00:52:49,920 --> 00:52:53,200
Speaker 1: Is that right? And we kind of buy some foreshadowing

988
00:52:53,320 --> 00:52:55,000
Speaker 1: in this episode.

989
00:52:55,880 --> 00:52:59,120
Speaker 3: You Tory, we're shadowing next is it?

990
00:52:59,160 --> 00:52:59,399
Speaker 1: Next?

991
00:52:59,400 --> 00:53:01,120
Speaker 3: Evolution is it?

992
00:53:01,480 --> 00:53:04,120
Speaker 2: Oh my god, Oh.

993
00:53:04,080 --> 00:53:09,279
Speaker 3: My god, and that Kelly and the cult is everything.

994
00:53:09,760 --> 00:53:11,919
Speaker 3: So keep watching, all.

995
00:53:11,920 --> 00:53:15,040
Speaker 2: Right, people, you heard it here. Next episode, Season five,

996
00:53:15,160 --> 00:53:19,040
Speaker 2: episode seventeen, Sweating it Out. Tune in next week.