1
00:00:00,320 --> 00:00:03,760
Speaker 1: Hey guys, hey Donald, welcome back. You know what I realized,

2
00:00:03,880 --> 00:00:07,440
Speaker 1: what's that Donald phaseon? I am no longer a priority

3
00:00:07,560 --> 00:00:11,760
Speaker 1: in my own house. Listen to how crazy that sounds.

4
00:00:11,920 --> 00:00:16,080
Speaker 1: I am no longer a priority in my own What

5
00:00:16,120 --> 00:00:19,799
Speaker 1: does that mean my wife and kids? I really truly

6
00:00:19,840 --> 00:00:25,360
Speaker 1: believe that they feel like they could find what I

7
00:00:25,480 --> 00:00:30,560
Speaker 1: do in someone else. That's particularly frustrating because you're paying

8
00:00:30,640 --> 00:00:35,120
Speaker 1: for everyone's existence and they're all like, get out of here. Um,

9
00:00:36,000 --> 00:00:39,040
Speaker 1: it's just you know, and I get that. And my

10
00:00:39,040 --> 00:00:42,560
Speaker 1: wife would be like my wife, and I got to

11
00:00:42,600 --> 00:00:45,879
Speaker 1: give it to our one hundred percent. She'd be like,

12
00:00:46,440 --> 00:00:50,080
Speaker 1: shut the fuck up. Try walking a mile in my

13
00:00:50,200 --> 00:00:53,720
Speaker 1: shoes right now. Right. She does put up with your

14
00:00:54,040 --> 00:00:56,800
Speaker 1: antics a lot. She's very patient. It's not antics, it's

15
00:00:56,840 --> 00:01:00,360
Speaker 1: not antics. I think she just understands who I am

16
00:01:00,480 --> 00:01:03,280
Speaker 1: and what I am and she's like, I can live

17
00:01:03,360 --> 00:01:07,880
Speaker 1: with that, you know what I mean? Yeah, but she

18
00:01:07,959 --> 00:01:10,880
Speaker 1: does put up you know you you have your flaws.

19
00:01:11,840 --> 00:01:14,280
Speaker 1: We all do. So. I flag I feel like I

20
00:01:14,280 --> 00:01:17,360
Speaker 1: feel like I feel like and I feel like I'm

21
00:01:17,360 --> 00:01:20,160
Speaker 1: a little bit different than a lot of people. I

22
00:01:20,200 --> 00:01:21,840
Speaker 1: feel like you, I feel like you're a little bit

23
00:01:21,880 --> 00:01:24,479
Speaker 1: different I feel like we're all different in our own ways. Sure,

24
00:01:27,240 --> 00:01:30,800
Speaker 1: and I feel like she which my different she can

25
00:01:30,800 --> 00:01:33,600
Speaker 1: put up with. She's alright with. It's enough. It's like

26
00:01:33,880 --> 00:01:36,840
Speaker 1: he's not going, he's not going so far over that.

27
00:01:37,520 --> 00:01:39,720
Speaker 1: You know, she sees the positives. You're a good man,

28
00:01:39,840 --> 00:01:43,520
Speaker 1: You're a good dad. You you you, you provide for

29
00:01:43,560 --> 00:01:46,760
Speaker 1: the whole family. You make her laugh even though you

30
00:01:46,920 --> 00:01:49,920
Speaker 1: demand a lot of sex. I'm sure it's good. I'm

31
00:01:49,960 --> 00:01:55,840
Speaker 1: sure you know how to thrust. Oh god, you know

32
00:01:55,880 --> 00:01:59,640
Speaker 1: what's important? You know it's important for thrusting. Speaking of thrusting, Yeah,

33
00:01:59,680 --> 00:02:06,400
Speaker 1: what exercise is important for threat Definitely. If you get

34
00:02:06,400 --> 00:02:08,720
Speaker 1: your cardio up, you can go longer and harder and

35
00:02:08,919 --> 00:02:11,560
Speaker 1: and don't have to take breaks for what. That's the thing.

36
00:02:11,720 --> 00:02:16,600
Speaker 1: Blood circulates. Take it from a freake doctor. Blood circulates better.

37
00:02:17,040 --> 00:02:19,600
Speaker 1: Right when you now that you're back on the peloton.

38
00:02:20,240 --> 00:02:22,200
Speaker 1: Now that you're back on the peloton, do you find

39
00:02:22,240 --> 00:02:25,040
Speaker 1: that your cardio for sex has has gone up? Your

40
00:02:25,080 --> 00:02:29,480
Speaker 1: heart you can you can maintain your heart rate longer. Um,

41
00:02:29,560 --> 00:02:32,240
Speaker 1: you know, like I said, I got my heart rate

42
00:02:32,320 --> 00:02:35,359
Speaker 1: up to one eighty something and stayed in that thing

43
00:02:35,400 --> 00:02:39,839
Speaker 1: for like three minutes. If I could do that with sex. Yeah,

44
00:02:40,880 --> 00:02:48,640
Speaker 1: imagine that three minutes out? Yeah, oh my god? Three minutes? Oh, Nana,

45
00:02:48,919 --> 00:02:52,480
Speaker 1: what's your name? Oh, Nana? What'sn't name? What's your name?

46
00:02:52,639 --> 00:02:56,239
Speaker 1: What's your name? What's name on? Nana? What's your name Onnana?

47
00:02:56,520 --> 00:02:59,800
Speaker 1: What's name? Nana? Three minutes? Are you kidding me? What's

48
00:02:59,840 --> 00:03:12,400
Speaker 1: my lad? Oh? Man? What's going on? Man? What's going on? Listeners? Hi,

49
00:03:12,600 --> 00:03:16,600
Speaker 1: thanks for joining us. I was waiting for them to

50
00:03:16,639 --> 00:03:20,120
Speaker 1: say something back. Just high listeners. Hey, we got Randall

51
00:03:20,120 --> 00:03:22,080
Speaker 1: Winston on the show today. Should we just invite him

52
00:03:22,120 --> 00:03:24,840
Speaker 1: in off the bat because he's a he's a a

53
00:03:25,760 --> 00:03:28,239
Speaker 1: what is he? He's a crew member, he's a producer,

54
00:03:28,520 --> 00:03:31,120
Speaker 1: he gets early invitations. You don't want to just go

55
00:03:31,120 --> 00:03:33,640
Speaker 1: into the five six seven eight, No, we got more

56
00:03:33,680 --> 00:03:37,440
Speaker 1: to talked about with Randall. Okay, London, let's bring it

57
00:03:37,760 --> 00:03:39,400
Speaker 1: five six seventy. Maybe we give it to Randall. We

58
00:03:39,400 --> 00:03:41,800
Speaker 1: don't know what's going to happen. You never know. Okay, Well,

59
00:03:41,920 --> 00:03:44,200
Speaker 1: let's hold off on that five six seven Yeah, Daniel,

60
00:03:44,920 --> 00:03:47,440
Speaker 1: see we can we can say it with dandel We

61
00:03:47,560 --> 00:03:50,040
Speaker 1: can say it and trust that you know that when

62
00:03:50,080 --> 00:03:53,560
Speaker 1: it's time, it's it's only it's only Bill that automatically

63
00:03:53,600 --> 00:03:56,760
Speaker 1: triggers the music when he says it is Randall here,

64
00:03:56,960 --> 00:04:06,120
Speaker 1: I'm here, I'm here. Oh there looking good? He don't age,

65
00:04:06,200 --> 00:04:10,480
Speaker 1: you do. We got Rando Winston, we got random weansdin,

66
00:04:11,080 --> 00:04:16,040
Speaker 1: we got Random Winston. We're in Uh, you get so

67
00:04:16,279 --> 00:04:22,080
Speaker 1: fucking busy. But he's on our podcast. We got Random Weston.

68
00:04:22,760 --> 00:04:28,120
Speaker 1: We're in love. Rand you do not age. You look

69
00:04:28,160 --> 00:04:32,400
Speaker 1: like Benjamin Buttons. You're going backwards. You are you are

70
00:04:32,480 --> 00:04:34,480
Speaker 1: kind sir, now a lot of you are just to

71
00:04:34,520 --> 00:04:37,440
Speaker 1: refresh your memory. Randall is our one of our producers,

72
00:04:37,440 --> 00:04:40,560
Speaker 1: our line producer on the show. And if you're thinking,

73
00:04:40,640 --> 00:04:43,599
Speaker 1: you may have. But he also um played Leonard the

74
00:04:43,720 --> 00:04:48,960
Speaker 1: security guard. He also played He also played Death. Now, Randall,

75
00:04:49,040 --> 00:04:52,240
Speaker 1: I don't want the listeners to think, why did they

76
00:04:52,279 --> 00:04:55,320
Speaker 1: give Leonard the security Guard an episode to direct? That's

77
00:04:55,360 --> 00:04:59,000
Speaker 1: not what happened. Randall was the producer of the show

78
00:05:00,040 --> 00:05:03,000
Speaker 1: and uh and knew it better than anyone. And Randall,

79
00:05:03,080 --> 00:05:06,200
Speaker 1: was this your very first time directing an episode of television?

80
00:05:06,240 --> 00:05:08,000
Speaker 1: I know you've gone on to direct lots of television,

81
00:05:08,040 --> 00:05:10,880
Speaker 1: but was this your first one? Yes? And actually that

82
00:05:10,960 --> 00:05:14,320
Speaker 1: was my first prime time television show. I was. I

83
00:05:14,360 --> 00:05:17,240
Speaker 1: was trying to remember UM, and then when I rewatched it,

84
00:05:19,240 --> 00:05:20,720
Speaker 1: it was it was a big deal. It was a

85
00:05:21,080 --> 00:05:23,279
Speaker 1: lot of fun, and it must be fun to look

86
00:05:23,320 --> 00:05:25,120
Speaker 1: back on it now. I mean, it's fun just to

87
00:05:25,120 --> 00:05:26,600
Speaker 1: look back on all of them now. But when you

88
00:05:26,800 --> 00:05:29,000
Speaker 1: especially when you're looking back at the very first episode

89
00:05:29,040 --> 00:05:32,000
Speaker 1: of TV you ever directed, it must be cool. It's huge,

90
00:05:32,120 --> 00:05:34,120
Speaker 1: but you know it's and it's also it's such a

91
00:05:34,200 --> 00:05:38,720
Speaker 1: reminder of UM. I mean, obviously all things Scrubs being great,

92
00:05:38,760 --> 00:05:43,520
Speaker 1: and how how amazing everybody there was, and how collaborative

93
00:05:44,240 --> 00:05:46,960
Speaker 1: that it is. Just to be in that position. I mean,

94
00:05:47,320 --> 00:05:50,600
Speaker 1: you guys were great and generous, you know, as as

95
00:05:50,600 --> 00:05:52,320
Speaker 1: you are to each other as actors, but then to

96
00:05:52,400 --> 00:05:55,280
Speaker 1: me as a director and everybody, every department head. I

97
00:05:55,400 --> 00:05:57,920
Speaker 1: felt like I had my back, you know. I mean,

98
00:05:57,960 --> 00:06:00,360
Speaker 1: there's yeah, I would about to say, dude, shit out

99
00:06:00,400 --> 00:06:03,120
Speaker 1: of everybody might be one of the most prepared people

100
00:06:03,160 --> 00:06:05,400
Speaker 1: too direct at that moment in time, you know what

101
00:06:05,440 --> 00:06:08,560
Speaker 1: I mean, all the experience that you had from being

102
00:06:08,600 --> 00:06:11,760
Speaker 1: with Bill in New York, from you know, uh, coming

103
00:06:11,760 --> 00:06:14,960
Speaker 1: to coming to LA and doing other shows, and and

104
00:06:14,960 --> 00:06:17,760
Speaker 1: and and and at this point you knew the ins

105
00:06:17,800 --> 00:06:20,080
Speaker 1: and out of it all. You had sat on set

106
00:06:20,279 --> 00:06:24,960
Speaker 1: for hours, over ten thousand hours easily. You you you

107
00:06:25,040 --> 00:06:28,200
Speaker 1: had observed, so it was obvious. And also he's so

108
00:06:28,440 --> 00:06:31,200
Speaker 1: you were so beloved by the crew, so you know

109
00:06:31,279 --> 00:06:33,720
Speaker 1: you saying the crew is rooting for you as an understatement.

110
00:06:33,760 --> 00:06:36,479
Speaker 1: I mean, everybody loved you so much. I mean, it's

111
00:06:36,480 --> 00:06:41,120
Speaker 1: a season three. We've all partied together by trying to

112
00:06:42,839 --> 00:06:45,320
Speaker 1: remind us, just to remind the fans who don't know

113
00:06:45,360 --> 00:06:47,120
Speaker 1: the business. The line producer is sort of the nuts

114
00:06:47,160 --> 00:06:50,279
Speaker 1: and bolts producer. They're dealing with the crew, They're looking

115
00:06:50,320 --> 00:06:53,600
Speaker 1: at spreadsheets. They're the one concerned about the money and

116
00:06:53,920 --> 00:06:56,080
Speaker 1: how much is going in coming out. They're the ones

117
00:06:56,120 --> 00:06:58,400
Speaker 1: that are really um, you know, on the front lines

118
00:06:58,440 --> 00:07:00,600
Speaker 1: with the crew. And a lot of times the crew

119
00:07:00,640 --> 00:07:02,479
Speaker 1: doesn't like the line producer because their job is to

120
00:07:02,520 --> 00:07:05,400
Speaker 1: say no, you can't have that um But Randall managed

121
00:07:05,440 --> 00:07:07,320
Speaker 1: to do it in such a way that everybody loved him.

122
00:07:09,680 --> 00:07:11,360
Speaker 1: I love that you say it, say it that way,

123
00:07:11,400 --> 00:07:13,440
Speaker 1: and I think part of part of it is again

124
00:07:13,480 --> 00:07:15,560
Speaker 1: it goes back to the collaboration. Like I never I

125
00:07:16,360 --> 00:07:18,840
Speaker 1: never have an agenda to say no. I have an

126
00:07:18,880 --> 00:07:21,240
Speaker 1: agenda to say, what's the best thing for the show,

127
00:07:21,280 --> 00:07:24,320
Speaker 1: and you know, to the writers, like what what supports

128
00:07:24,360 --> 00:07:27,440
Speaker 1: the funniest moments, like let's get the most we can

129
00:07:27,560 --> 00:07:29,119
Speaker 1: into the box that we have to fit it into.

130
00:07:29,400 --> 00:07:32,400
Speaker 1: My favorite kind of line. Producer never says no off

131
00:07:32,440 --> 00:07:36,679
Speaker 1: the bat. They go, okay, um, that's a big ask.

132
00:07:37,560 --> 00:07:40,160
Speaker 1: Let me see what we can do. And then and

133
00:07:40,200 --> 00:07:42,040
Speaker 1: then they go like, okay, you can have that if

134
00:07:42,080 --> 00:07:43,880
Speaker 1: you give up this, Like if you shoot an eight

135
00:07:43,920 --> 00:07:47,280
Speaker 1: hour day, you can have the giant techno crane. You

136
00:07:47,320 --> 00:07:51,320
Speaker 1: know that there's a negotiation. Yeah, a total Chinese menu.

137
00:07:51,440 --> 00:07:55,520
Speaker 1: But in the role of producer and when you were directing,

138
00:07:55,760 --> 00:07:58,400
Speaker 1: I always got a kick out of before the script

139
00:07:58,480 --> 00:08:01,480
Speaker 1: was out came the ask. Yeah, well, because I love

140
00:08:01,520 --> 00:08:03,920
Speaker 1: camera toys and gadgets and all the expensive ship so

141
00:08:03,960 --> 00:08:06,000
Speaker 1: I wouldn't when I was directing, I wouldn't have even

142
00:08:06,000 --> 00:08:07,440
Speaker 1: read the script. I'd be like, randall, we need a

143
00:08:07,440 --> 00:08:10,400
Speaker 1: fifty foot techno crane. Um, we're definitely gonna need this.

144
00:08:10,480 --> 00:08:13,120
Speaker 1: We're gonna need that, Like I just like I just

145
00:08:13,360 --> 00:08:16,520
Speaker 1: was pre ordering all my gadgets for the show. Even

146
00:08:16,560 --> 00:08:19,000
Speaker 1: if everything was in the hospital. You would figure out

147
00:08:19,000 --> 00:08:21,480
Speaker 1: a way to get a crane involved where it would

148
00:08:21,520 --> 00:08:24,200
Speaker 1: be like, Okay, well let's start at the front door

149
00:08:24,280 --> 00:08:27,000
Speaker 1: and then I'm gonna crane up from the front door

150
00:08:27,200 --> 00:08:30,720
Speaker 1: to the second wind floor wind. But you know what,

151
00:08:30,760 --> 00:08:34,680
Speaker 1: but to your credit, you know, it made some for

152
00:08:34,760 --> 00:08:37,599
Speaker 1: some cool shit. Yeah. I mean, I love I love cinematography,

153
00:08:37,679 --> 00:08:40,040
Speaker 1: and I love it's particularly in Scrubs. You know, the

154
00:08:40,080 --> 00:08:42,280
Speaker 1: camera was a character. We always said that the way

155
00:08:42,320 --> 00:08:44,320
Speaker 1: the camera moved was a character in the show. So

156
00:08:44,400 --> 00:08:45,640
Speaker 1: for me, it was like, oh, I want to give

157
00:08:45,679 --> 00:08:48,480
Speaker 1: that character a leading part in my episodes because I

158
00:08:48,520 --> 00:08:50,679
Speaker 1: love cool shots. I love going, oh what if we

159
00:08:51,160 --> 00:08:53,400
Speaker 1: you know, the obvious way is to shoot these two people,

160
00:08:54,600 --> 00:08:58,520
Speaker 1: you know, at the railing talking snore, what's what's what's it?

161
00:08:58,559 --> 00:09:01,240
Speaker 1: You know, obviously some moments need to be simple and static.

162
00:09:01,480 --> 00:09:03,439
Speaker 1: But to me, I'm always especially in the language of

163
00:09:03,760 --> 00:09:05,839
Speaker 1: of of Scrubs and the way the cameras, I was

164
00:09:05,840 --> 00:09:08,320
Speaker 1: always like, Okay, what's the out of the box cool

165
00:09:08,360 --> 00:09:11,080
Speaker 1: way to shoot this moment? You know, well, I think

166
00:09:11,200 --> 00:09:14,720
Speaker 1: I think there's there's actually a great example of maybe

167
00:09:14,960 --> 00:09:18,000
Speaker 1: maybe I'm inspired. I was inspired by all that you're saying.

168
00:09:18,240 --> 00:09:22,319
Speaker 1: As far as making the character and trying to use

169
00:09:22,360 --> 00:09:25,480
Speaker 1: the visual language in this episode, but I had to

170
00:09:25,480 --> 00:09:29,160
Speaker 1: go low tech and it's it's that. It's that last

171
00:09:29,200 --> 00:09:32,520
Speaker 1: scene where we where we're at the rehearsal dinner and

172
00:09:32,559 --> 00:09:34,160
Speaker 1: I don't remember. I don't know if you remember, but

173
00:09:34,200 --> 00:09:37,040
Speaker 1: it was late and it was cold, and everybody not

174
00:09:37,120 --> 00:09:39,000
Speaker 1: everybody had a line, nobody wanted to be there, and

175
00:09:39,120 --> 00:09:42,199
Speaker 1: we had to do this stunt and the set was

176
00:09:42,240 --> 00:09:44,800
Speaker 1: so small, but I wanted this big opening shot and

177
00:09:44,840 --> 00:09:49,120
Speaker 1: the grips built like a ramp in the set for

178
00:09:49,160 --> 00:09:51,920
Speaker 1: the steady camera to walk down the ramp and around

179
00:09:52,000 --> 00:09:55,040
Speaker 1: the table, you know, so that we could have this. Uh.

180
00:09:55,040 --> 00:09:57,400
Speaker 1: I don't remember the saying. I do remember that I

181
00:09:57,480 --> 00:09:59,920
Speaker 1: do right, So we should count in? Because Donald say

182
00:10:00,080 --> 00:10:02,400
Speaker 1: should we count in before Randall? And I said no,

183
00:10:02,440 --> 00:10:05,640
Speaker 1: I want Randall to count in. And now we've lost

184
00:10:05,679 --> 00:10:07,839
Speaker 1: track and we have this is all prologue. We haven't

185
00:10:07,880 --> 00:10:10,240
Speaker 1: sung our theme song, Randall, will you count us in?

186
00:10:10,280 --> 00:10:16,840
Speaker 1: With a five, six, seven eight? To lead us stories

187
00:10:17,720 --> 00:10:21,959
Speaker 1: about show? We made about a bunch of docs and

188
00:10:22,120 --> 00:10:32,000
Speaker 1: nurses said, he's the stories never so get around you here,

189
00:10:32,679 --> 00:10:40,960
Speaker 1: yatoo around here. I can't talk about this yet on

190
00:10:41,000 --> 00:10:43,200
Speaker 1: the show. But so we'll cut it out. But I'm

191
00:10:43,280 --> 00:10:45,400
Speaker 1: gonna I think I'm gonna work with um one of

192
00:10:45,440 --> 00:10:50,760
Speaker 1: your buddies. Awesome which one I got offered? The I

193
00:10:50,800 --> 00:10:52,240
Speaker 1: didn't tell you guys this. We have to cut it

194
00:10:52,240 --> 00:10:54,880
Speaker 1: out of the show, Daniel, But um I got offered

195
00:10:54,920 --> 00:11:01,280
Speaker 1: the Uh yeah, you gonna cut out all of that

196
00:11:01,600 --> 00:11:12,880
Speaker 1: and you holy shit, and it's computers. Yo, that's so

197
00:11:12,960 --> 00:11:20,200
Speaker 1: much man, I'm so excited. Holy shit, that happened. Awesome

198
00:11:20,520 --> 00:11:28,760
Speaker 1: there anyway, that's excited. Wow. Anyway, I don't know how

199
00:11:28,760 --> 00:11:31,000
Speaker 1: you're gonna tell that story, Daniel, without you can. Probably

200
00:11:31,280 --> 00:11:33,960
Speaker 1: it's gonna be all this. It's gonna be like a

201
00:11:34,000 --> 00:11:44,520
Speaker 1: Snoop Dogg record and then nineties anyway, because because that

202
00:11:44,600 --> 00:11:46,800
Speaker 1: was all beeped, we'll just say that I got a

203
00:11:46,840 --> 00:11:49,480
Speaker 1: really cool role and I'm excited about and we'll tell

204
00:11:49,480 --> 00:11:54,400
Speaker 1: you more about it once it's announced. And it's six

205
00:11:54,400 --> 00:11:56,600
Speaker 1: degrees of Randall Winston because he knows one of the

206
00:11:57,000 --> 00:12:02,280
Speaker 1: key players. Um So, Randall, when you're directing, do you

207
00:12:02,320 --> 00:12:05,000
Speaker 1: direct as Randall Winston or do you direct as Leonard

208
00:12:05,040 --> 00:12:08,720
Speaker 1: the security Guard. I like to live as much of

209
00:12:08,720 --> 00:12:12,000
Speaker 1: my life as Leonard the security guard because I possibly care. Um.

210
00:12:13,080 --> 00:12:14,760
Speaker 1: The best part is that I can take the hook

211
00:12:14,800 --> 00:12:18,079
Speaker 1: off and still Yes, very lucky that you can take

212
00:12:18,600 --> 00:12:21,680
Speaker 1: But you know, I miss I missed the fro. I

213
00:12:21,760 --> 00:12:25,160
Speaker 1: missed my fro. Could you ever grow an afro like

214
00:12:25,280 --> 00:12:27,600
Speaker 1: back in the day when I was a child? Yes,

215
00:12:27,679 --> 00:12:30,520
Speaker 1: of course, I mean, man, you know, but it was

216
00:12:30,520 --> 00:12:32,360
Speaker 1: a big deal. No, I didn't know if I didn't

217
00:12:32,360 --> 00:12:34,680
Speaker 1: know if it was like, um, like your beard, Donald,

218
00:12:34,679 --> 00:12:37,880
Speaker 1: how it comes in patchy like like dick man. Listen,

219
00:12:37,920 --> 00:12:40,640
Speaker 1: this is this is what happens with puberty when you're

220
00:12:40,679 --> 00:12:45,160
Speaker 1: a child. Usually for the most part, you have a

221
00:12:45,240 --> 00:12:50,160
Speaker 1: full head of hair. It's as you gain pubescence. Is

222
00:12:50,200 --> 00:12:51,800
Speaker 1: that the right way to say it? I don't know.

223
00:12:52,960 --> 00:12:59,560
Speaker 1: As you go, I like that it sounds good though, right,

224
00:13:00,120 --> 00:13:04,800
Speaker 1: sound good as you gain pubescence. You're telling me something

225
00:13:04,800 --> 00:13:08,079
Speaker 1: I didn't know. You're saying that African American hair doesn't

226
00:13:08,120 --> 00:13:12,040
Speaker 1: grow his thick post puberty. No, I'm saying for all

227
00:13:12,360 --> 00:13:14,959
Speaker 1: human beings. It has nothing to do with African Americans.

228
00:13:15,320 --> 00:13:17,600
Speaker 1: We were talking about afros. Why are you taking this

229
00:13:18,160 --> 00:13:21,240
Speaker 1: because everybody motherfucking hair grows when they're fucking before they

230
00:13:21,280 --> 00:13:24,520
Speaker 1: go through puberty. Zac before they start losing the ship. Zach,

231
00:13:24,760 --> 00:13:28,760
Speaker 1: what are you man? But you're saying, man there, come

232
00:13:28,840 --> 00:13:33,120
Speaker 1: come on, bro, come on buddy, you're saying, you're saying, buddy,

233
00:13:33,400 --> 00:13:35,920
Speaker 1: when what does puberty have to do with it? Ass face?

234
00:13:36,480 --> 00:13:37,960
Speaker 1: You know what it has to do with what you

235
00:13:38,000 --> 00:13:39,920
Speaker 1: go through, Pubert. That's when you start to get the hair.

236
00:13:40,320 --> 00:13:42,680
Speaker 1: That's when all things start to grow. And when the

237
00:13:42,720 --> 00:13:45,440
Speaker 1: things start to grow, guess what happens after that? It

238
00:13:45,520 --> 00:13:48,360
Speaker 1: starts to fall out. If that's your future, if that's

239
00:13:48,360 --> 00:13:50,000
Speaker 1: how it is for you in the future, that's how

240
00:13:50,040 --> 00:13:51,760
Speaker 1: it is. Just because you have a full head of

241
00:13:51,800 --> 00:13:53,679
Speaker 1: hair doesn't mean you need to all of a sudden

242
00:13:53,720 --> 00:13:58,040
Speaker 1: start discriminating against us with less of Okay, that's you

243
00:13:58,040 --> 00:14:00,040
Speaker 1: don't need to start doing that, Okay, Randall help. I

244
00:14:00,440 --> 00:14:04,319
Speaker 1: just I just thought my son his first pick because

245
00:14:04,360 --> 00:14:08,600
Speaker 1: you know, during COVID his hair is spectacular, but it

246
00:14:08,679 --> 00:14:10,920
Speaker 1: is a little wild. So I'm trying to you know,

247
00:14:10,920 --> 00:14:14,640
Speaker 1: because when I when I was his age, I you know,

248
00:14:14,679 --> 00:14:15,840
Speaker 1: I had to pick. I had the pick that you

249
00:14:15,880 --> 00:14:19,760
Speaker 1: put in here picked up and then it doesn't have

250
00:14:19,840 --> 00:14:22,320
Speaker 1: the fist, and then and then and then my mother,

251
00:14:22,600 --> 00:14:25,640
Speaker 1: you know, made us carry a silk scarf, so once

252
00:14:25,640 --> 00:14:27,800
Speaker 1: you picked it out, you could get it perfectly round

253
00:14:27,880 --> 00:14:31,600
Speaker 1: and you know, whip that thing off. And what do

254
00:14:31,640 --> 00:14:33,920
Speaker 1: you do with the silk scarf that was so that

255
00:14:34,000 --> 00:14:37,040
Speaker 1: you didn't have any errant curls? It would when you

256
00:14:37,120 --> 00:14:40,080
Speaker 1: padded a silk scarf on. It got to that perfect

257
00:14:40,160 --> 00:14:43,320
Speaker 1: Jackson you got, Mike, so you'd have the perfect microphone

258
00:14:43,480 --> 00:14:49,480
Speaker 1: dome exactly. Well, let's jump into the episode. Donald, Do

259
00:14:49,520 --> 00:14:54,520
Speaker 1: you have your recap? Were you able to do that today? Oh? Boy,

260
00:14:54,600 --> 00:14:56,200
Speaker 1: I did do it. But this I'm gonna tell you

261
00:14:56,200 --> 00:14:59,000
Speaker 1: something right now, at this point the show is now

262
00:14:59,440 --> 00:15:04,040
Speaker 1: the same every episode, many every show, it's the same

263
00:15:04,120 --> 00:15:07,360
Speaker 1: few things. You know what I mean? What do you mean?

264
00:15:07,480 --> 00:15:10,000
Speaker 1: Why are you distinct scrubs? I'm not distin scrubs. This

265
00:15:10,040 --> 00:15:11,640
Speaker 1: is how This is how I guess. This is how

266
00:15:11,680 --> 00:15:14,280
Speaker 1: storytelling becomes. You find different ways to tell the same

267
00:15:14,320 --> 00:15:17,440
Speaker 1: story over not the same story. I should say the

268
00:15:17,520 --> 00:15:21,440
Speaker 1: same message over to say the same message over and

269
00:15:21,520 --> 00:15:24,280
Speaker 1: over again, you know what I mean? Like in this one,

270
00:15:25,000 --> 00:15:27,720
Speaker 1: I'll start with the recap. Hold on, can I get

271
00:15:27,760 --> 00:15:29,800
Speaker 1: my timer ready? Come on? Man, there is at least

272
00:15:29,840 --> 00:15:32,000
Speaker 1: one person on earth who cares about the time of it.

273
00:15:32,080 --> 00:15:34,480
Speaker 1: It's always either love. I'm just saying this, It's always

274
00:15:34,480 --> 00:15:38,120
Speaker 1: either love. It has something to do with relationship, it

275
00:15:38,160 --> 00:15:40,200
Speaker 1: has something to do with work. There's like a top

276
00:15:40,280 --> 00:15:43,960
Speaker 1: ten of things that we are so far up to

277
00:15:44,000 --> 00:15:47,120
Speaker 1: season three that we always touch on when it comes

278
00:15:47,120 --> 00:15:48,760
Speaker 1: to Scrubs. You can count on there's going to be

279
00:15:48,800 --> 00:15:51,400
Speaker 1: a death episode. You can count on these things in

280
00:15:51,440 --> 00:15:53,640
Speaker 1: the twenty two to twenty four episodes. It took you

281
00:15:53,680 --> 00:15:57,760
Speaker 1: this much time to realize that Scrubs follows a basic formula. Well, no,

282
00:15:57,840 --> 00:16:00,560
Speaker 1: it's not that it follows a basic You're an so dude,

283
00:16:00,760 --> 00:16:03,360
Speaker 1: and and I guess this is the perfect There's gonna

284
00:16:03,360 --> 00:16:05,000
Speaker 1: be a moment where you laugh, there's gonna be a

285
00:16:05,040 --> 00:16:08,760
Speaker 1: moment when you crys song at the end, and yes,

286
00:16:08,800 --> 00:16:10,720
Speaker 1: this is the but this is the basic form This

287
00:16:10,760 --> 00:16:13,760
Speaker 1: is the basic reason for a recap. Like you know,

288
00:16:13,760 --> 00:16:16,440
Speaker 1: it's like, how do you let's get into it. Let's

289
00:16:16,480 --> 00:16:18,000
Speaker 1: all right, here, we go on your marks, you let go.

290
00:16:18,600 --> 00:16:21,000
Speaker 1: Elliot and JD are back together for the time being,

291
00:16:21,360 --> 00:16:25,000
Speaker 1: Carlin Turt's family are in town for their wedding vows.

292
00:16:25,640 --> 00:16:28,840
Speaker 1: Cox and the Janitor go to war and Kelso loves

293
00:16:28,880 --> 00:16:32,760
Speaker 1: clicky top ends. Where and how you find your happiness

294
00:16:32,840 --> 00:16:36,600
Speaker 1: is up to you. Don't fear it when you feel

295
00:16:36,600 --> 00:16:39,400
Speaker 1: it coming your way, and don't confuse it with comfort.

296
00:16:40,320 --> 00:16:44,560
Speaker 1: It's amazing to be overwhelmed with happiness. It's amazing to

297
00:16:44,640 --> 00:16:47,960
Speaker 1: have your tank filled to the max with joy. But

298
00:16:48,000 --> 00:16:50,280
Speaker 1: the most amazing part of the pursuit is when you

299
00:16:50,320 --> 00:16:52,920
Speaker 1: find someone that makes it so that you don't have

300
00:16:53,040 --> 00:16:56,800
Speaker 1: to generate your own happiness because they bring the happiness

301
00:16:56,840 --> 00:17:01,840
Speaker 1: to you. Reach reach. It's true, though, what's going on

302
00:17:01,920 --> 00:17:04,760
Speaker 1: with Turk here? He can't there's so this this is

303
00:17:04,760 --> 00:17:08,080
Speaker 1: the thing this episode's about. I can't articulately why he's

304
00:17:08,200 --> 00:17:12,280
Speaker 1: he's he's so in love. Yeah, and j D can't

305
00:17:12,359 --> 00:17:18,520
Speaker 1: understand why. You know, everything's perfect, everything's right. He's in happy,

306
00:17:18,560 --> 00:17:22,440
Speaker 1: He's found his happiness, but he can't enjoy it. He's

307
00:17:22,680 --> 00:17:28,440
Speaker 1: possible articulate. Turk can't articulate it. He Cox is confused

308
00:17:28,600 --> 00:17:31,560
Speaker 1: by you know, what is happiness and what is you know?

309
00:17:31,600 --> 00:17:34,639
Speaker 1: What is? What is? You know? His whole conflict in

310
00:17:34,720 --> 00:17:37,399
Speaker 1: his relationship. You know if that's you know, it's a

311
00:17:37,480 --> 00:17:40,800
Speaker 1: it's a conflict. But that conflict is what makes him happy.

312
00:17:41,359 --> 00:17:42,960
Speaker 1: And the same thing with the and the same thing

313
00:17:42,960 --> 00:17:45,680
Speaker 1: with the janitor. The janitor just lost had a big

314
00:17:45,880 --> 00:17:48,440
Speaker 1: l to somebody who's only been working at the hospital

315
00:17:48,480 --> 00:17:51,600
Speaker 1: for freaking two months, if anything, you know what I mean,

316
00:17:52,000 --> 00:17:55,480
Speaker 1: for two months? Yeah, and he's like, I need to win.

317
00:17:56,080 --> 00:17:59,719
Speaker 1: What can I do to win? Now? Like everybody right,

318
00:18:00,200 --> 00:18:02,920
Speaker 1: everybody's in pursuit. Everybody's in the pursuit of it. And

319
00:18:03,080 --> 00:18:06,040
Speaker 1: kels Kelso's is you know, where's my I need a

320
00:18:06,080 --> 00:18:08,720
Speaker 1: clickie top, man, A clickie top would make me so happy.

321
00:18:09,000 --> 00:18:13,240
Speaker 1: Where What are you gonna say, randall Um? I was Donald?

322
00:18:13,359 --> 00:18:15,480
Speaker 1: Donald caught up with it? I was gonna say that

323
00:18:15,520 --> 00:18:19,560
Speaker 1: the uh, the joy and the honesty of Cox's relationship

324
00:18:19,800 --> 00:18:22,280
Speaker 1: is what he's wrestling like, you know. So, I guess

325
00:18:22,320 --> 00:18:26,000
Speaker 1: in some ways, all the stories are about people being

326
00:18:26,040 --> 00:18:28,439
Speaker 1: honest with themselves about what it is. I felt so

327
00:18:28,520 --> 00:18:31,560
Speaker 1: frustrated with j D in this episode. It's weird watching

328
00:18:31,600 --> 00:18:34,280
Speaker 1: yourself as a character this many years later. I'm like, Oh,

329
00:18:34,320 --> 00:18:38,680
Speaker 1: this fucking guy, Like, it's so it's so I feel

330
00:18:38,680 --> 00:18:41,920
Speaker 1: so bad for Elliott. I mean, ah, yeah, I mean

331
00:18:41,960 --> 00:18:45,120
Speaker 1: it's just so frustrating. I can't believe watching this episode

332
00:18:45,119 --> 00:18:47,920
Speaker 1: that she ever fucking gave him another chance. I mean,

333
00:18:47,960 --> 00:18:52,600
Speaker 1: it's so fucked up, you do. I remember thinking that

334
00:18:52,640 --> 00:18:56,719
Speaker 1: at the time, like, you know, like stop fucking with

335
00:18:56,760 --> 00:19:00,280
Speaker 1: her j D. Yeah, why would she ever if this

336
00:19:00,320 --> 00:19:03,840
Speaker 1: were real life? I mean, granted, people give the people

337
00:19:03,880 --> 00:19:07,720
Speaker 1: they love a zillion chances. I know that, but Stockholm, Yeah,

338
00:19:07,760 --> 00:19:10,119
Speaker 1: it's just it's just I'm watching this going and knowing

339
00:19:10,160 --> 00:19:13,880
Speaker 1: that we eventually end up together. Sorry spoilers, but I'm like,

340
00:19:13,920 --> 00:19:18,280
Speaker 1: what the fuck? Why? Yeah, that one person, that's the

341
00:19:18,359 --> 00:19:20,240
Speaker 1: one person that's listening but has never watched the show.

342
00:19:22,000 --> 00:19:23,879
Speaker 1: I'm sure there's people listening that I think. I know

343
00:19:23,920 --> 00:19:25,320
Speaker 1: for a fact there's people that listen to this that

344
00:19:25,400 --> 00:19:27,640
Speaker 1: have never watched Scrubs. They just like us shooting the ship.

345
00:19:27,920 --> 00:19:30,080
Speaker 1: But what if they're listening and watching along and you

346
00:19:30,160 --> 00:19:34,960
Speaker 1: just well anyway, sorry, but anyway, I genuinely got upset.

347
00:19:35,040 --> 00:19:38,040
Speaker 1: I'm like, why the fuck would she ever go back

348
00:19:38,080 --> 00:19:40,840
Speaker 1: with this guy? He's such an asshole. I mean, he

349
00:19:40,920 --> 00:19:44,439
Speaker 1: really broke up this great thing she had with Scott Foley.

350
00:19:44,520 --> 00:19:48,200
Speaker 1: For God's sakes, look at him and he's a good

351
00:19:48,240 --> 00:19:50,199
Speaker 1: man and he loves her, and they're moving in and

352
00:19:50,200 --> 00:19:54,440
Speaker 1: he's he's just he's not neurotic and crazy like JD.

353
00:19:54,640 --> 00:19:58,960
Speaker 1: He just has he's a marine biologist, and he's treats

354
00:19:58,960 --> 00:20:02,280
Speaker 1: her amazingly. And Jad fucking blows the whole thing up.

355
00:20:02,920 --> 00:20:05,879
Speaker 1: Then at the engagement party for at the what is

356
00:20:05,880 --> 00:20:08,360
Speaker 1: it the pre dinner, what do you call it? It's

357
00:20:08,359 --> 00:20:13,959
Speaker 1: the wedding dinner, dinner, reearsal dinner, rehearsal dinner. Yeah, it's

358
00:20:14,000 --> 00:20:16,080
Speaker 1: funny you call hearsal dinner because you don't always rehearse.

359
00:20:16,280 --> 00:20:19,160
Speaker 1: It's just the thing. No, well, you go over there, Yeah,

360
00:20:19,200 --> 00:20:21,800
Speaker 1: you go over the Oh yeah, sorry, Randal. You've married

361
00:20:21,840 --> 00:20:24,439
Speaker 1: a lot of people, so you know I married Donald.

362
00:20:24,680 --> 00:20:28,600
Speaker 1: I know, back to your house. I know, I'm looking.

363
00:20:28,760 --> 00:20:30,840
Speaker 1: I'm looking right now at the spot where I was

364
00:20:30,920 --> 00:20:38,720
Speaker 1: papped with the what's her name, Jessica Simpson bam um Randall.

365
00:20:38,800 --> 00:20:40,760
Speaker 1: I I just what are your thoughts on that? Because

366
00:20:40,880 --> 00:20:43,800
Speaker 1: I just I'm watching this. I'm going I understand, you know,

367
00:20:43,840 --> 00:20:45,959
Speaker 1: the whole it's a TV show, it has to have drama.

368
00:20:46,800 --> 00:20:48,760
Speaker 1: But I but I'm but I'm like, this is this

369
00:20:48,840 --> 00:20:51,919
Speaker 1: is so fucked up. But it's also a big episode also,

370
00:20:52,160 --> 00:20:55,040
Speaker 1: you know what I mean, Like you literally have a

371
00:20:55,720 --> 00:20:59,879
Speaker 1: you know, the episode before the fin The finale is

372
00:21:00,080 --> 00:21:02,720
Speaker 1: always the one where you have to set up and

373
00:21:02,880 --> 00:21:06,160
Speaker 1: deliver that message before it goes into it. So it's

374
00:21:06,200 --> 00:21:09,960
Speaker 1: like you were given a juggernaut. Dude. Oh yeah, I mean,

375
00:21:10,280 --> 00:21:12,399
Speaker 1: I mean it does it sets the table for the

376
00:21:12,440 --> 00:21:15,840
Speaker 1: season finale. It was, it was. It was a big

377
00:21:16,000 --> 00:21:19,399
Speaker 1: deal if you were asking me story wise, Zach about

378
00:21:19,520 --> 00:21:23,199
Speaker 1: I did feel I felt very bad for for for

379
00:21:23,240 --> 00:21:26,879
Speaker 1: Elliott and wondered what the hell JD was doing. But

380
00:21:26,920 --> 00:21:28,880
Speaker 1: there's also there's a big part of the episode where

381
00:21:28,960 --> 00:21:30,720
Speaker 1: it's it sort of takes a back seat where you're

382
00:21:30,720 --> 00:21:33,760
Speaker 1: being very conciliatory and and uh and just letting her

383
00:21:34,160 --> 00:21:36,359
Speaker 1: have her win. So you know, you get to you

384
00:21:36,400 --> 00:21:41,119
Speaker 1: get to enjoy the janitor um, the Janitor and Cox

385
00:21:41,200 --> 00:21:45,920
Speaker 1: fighting and you know, and and Donald fighting with with

386
00:21:45,960 --> 00:21:49,160
Speaker 1: his future brother in law, Freddie Rodriguez. I think who

387
00:21:49,240 --> 00:21:51,439
Speaker 1: was on six feet he was, Yeah, it was. It

388
00:21:51,480 --> 00:21:53,479
Speaker 1: was fun to have him on the show. Mark Um

389
00:21:54,520 --> 00:21:59,680
Speaker 1: the the well. The episode opens with a couple of

390
00:21:59,760 --> 00:22:02,160
Speaker 1: my favorite things, which is the arrival of the Janitors.

391
00:22:02,400 --> 00:22:05,160
Speaker 1: You know that awesome van when you see everybody come out,

392
00:22:05,520 --> 00:22:11,080
Speaker 1: there's uh my my namesake, uh randall Um played by

393
00:22:11,160 --> 00:22:15,880
Speaker 1: Martin Martin, who just beat the janitor. And I think

394
00:22:16,040 --> 00:22:19,000
Speaker 1: the when the when the brother in law pulls up

395
00:22:19,480 --> 00:22:23,680
Speaker 1: in that farm truck with the sheep. Why it wasn't

396
00:22:23,720 --> 00:22:26,280
Speaker 1: a farm truck first of all with only one sheep,

397
00:22:26,680 --> 00:22:29,160
Speaker 1: like it was a goat herder who had only one sheep.

398
00:22:29,280 --> 00:22:32,680
Speaker 1: That's because the line producer Randall told the director Randall

399
00:22:32,760 --> 00:22:35,399
Speaker 1: he could only have one sheep. It was. It was

400
00:22:35,440 --> 00:22:40,280
Speaker 1: constantly sensitive, clearly and the but the sheep, I'm gonna

401
00:22:40,359 --> 00:22:47,600
Speaker 1: tell you, was on cue every time, every time. At

402
00:22:47,600 --> 00:22:49,879
Speaker 1: the same time I was, I was in awe of

403
00:22:49,960 --> 00:22:56,080
Speaker 1: the of the sheet. Marcos could freaking I'm just trying

404
00:22:56,080 --> 00:22:59,000
Speaker 1: to follow what happened here. Marco was at the airport

405
00:22:59,040 --> 00:23:01,480
Speaker 1: and Turk didn't pick him up, and so he flagged

406
00:23:01,520 --> 00:23:04,159
Speaker 1: down a farmer. I don't understand what happened at the

407
00:23:04,200 --> 00:23:06,120
Speaker 1: at Lax or whatever we're supposed to be. I don't

408
00:23:06,160 --> 00:23:07,719
Speaker 1: under see what happened at the airport. We'll see that.

409
00:23:07,720 --> 00:23:10,359
Speaker 1: That's that's a little known fact that in Santa Frangelos

410
00:23:10,800 --> 00:23:15,640
Speaker 1: um near a farm. You know, it's it's out. Maybe

411
00:23:15,680 --> 00:23:20,440
Speaker 1: Marcos started walking somebody and someone felt bad for him.

412
00:23:20,560 --> 00:23:22,320
Speaker 1: I don't know, but they wouldn't let him ride in

413
00:23:22,359 --> 00:23:26,760
Speaker 1: the in the cab. They were like, yeah, now I

414
00:23:26,760 --> 00:23:28,600
Speaker 1: want to say something. Before we even get to the

415
00:23:28,680 --> 00:23:31,320
Speaker 1: arrival of the Janitors, which is hilarious, And the very

416
00:23:31,359 --> 00:23:34,480
Speaker 1: first time we see the Janitor's bizarre van, we have

417
00:23:34,560 --> 00:23:38,600
Speaker 1: an appearance by the souper Nazi from Seinfeld. Now, Randall,

418
00:23:38,640 --> 00:23:40,560
Speaker 1: how did this come about? How low is the soup

419
00:23:40,680 --> 00:23:45,560
Speaker 1: Nazi tera Read's new love interests? And like so many

420
00:23:45,600 --> 00:23:49,000
Speaker 1: things in Scrubs, it was just like, I think a

421
00:23:49,040 --> 00:23:51,359
Speaker 1: fever dream. It was like they just wanted to have

422
00:23:51,400 --> 00:23:56,760
Speaker 1: the soup Nazi on the show. And you know, the

423
00:23:56,800 --> 00:23:58,200
Speaker 1: other thing that I think is great about the beginning

424
00:23:58,200 --> 00:24:00,880
Speaker 1: of the show is we're in season three and we

425
00:24:01,240 --> 00:24:05,720
Speaker 1: are you, in particular, masters of micro stunts, like how

426
00:24:05,720 --> 00:24:08,520
Speaker 1: many times do you fall or jump out of bed

427
00:24:09,000 --> 00:24:12,959
Speaker 1: between you know, in the cold open, you toss Elliott

428
00:24:13,000 --> 00:24:14,880
Speaker 1: and then you leap out of bed and then when

429
00:24:14,880 --> 00:24:16,439
Speaker 1: you're coming back and trying to do the clothes and

430
00:24:16,480 --> 00:24:19,120
Speaker 1: fall behind the carriage. It's a very funny sequence part

431
00:24:19,160 --> 00:24:21,359
Speaker 1: of it. For those of you don't remember, Elliot's a

432
00:24:21,440 --> 00:24:24,280
Speaker 1: very deep sleeper and JD is like man handling her

433
00:24:24,280 --> 00:24:26,760
Speaker 1: around because he wants to go ask his ex Danny

434
00:24:26,880 --> 00:24:30,080
Speaker 1: some questions before nine am when Elliot's alarm goes off.

435
00:24:30,480 --> 00:24:33,119
Speaker 1: So the physical comedy with Sarah was really funny. She

436
00:24:33,119 --> 00:24:35,439
Speaker 1: she was like just she just not wake up no

437
00:24:35,440 --> 00:24:37,439
Speaker 1: matter what. Even after I smack her ass, She's just

438
00:24:37,520 --> 00:24:44,280
Speaker 1: snoring and getting I'm sorry I forgot his name. Souper

439
00:24:44,320 --> 00:24:50,280
Speaker 1: Nazi on the show. Was it's he didn't want to

440
00:24:50,280 --> 00:24:53,240
Speaker 1: do it. Really, Yeah, nobody ever wants to do it,

441
00:24:53,280 --> 00:24:56,320
Speaker 1: that's the crazy. But he doesn't want to do He

442
00:24:56,359 --> 00:24:58,359
Speaker 1: doesn't want to say his catchphrase. I'm sure it's like

443
00:24:58,880 --> 00:25:01,000
Speaker 1: from Good Times. He doesn't, you know, you know, say

444
00:25:01,240 --> 00:25:03,560
Speaker 1: Dyna Mine. Well, Jaj didn't want to do it. More money,

445
00:25:05,960 --> 00:25:07,840
Speaker 1: it cost more money, but it was I remember it

446
00:25:07,880 --> 00:25:11,080
Speaker 1: was more money. Uh. And I think we had the

447
00:25:11,119 --> 00:25:16,280
Speaker 1: same thing with Gunther from like anyway. So uh so

448
00:25:16,320 --> 00:25:18,359
Speaker 1: we got we got one, we got one, no suit

449
00:25:18,400 --> 00:25:21,600
Speaker 1: for you and it's it's baked into the scene because

450
00:25:21,600 --> 00:25:24,439
Speaker 1: you trick him at the end to oh, but he

451
00:25:24,480 --> 00:25:27,320
Speaker 1: really didn't want to say it. Uh, he really didn't

452
00:25:27,320 --> 00:25:28,760
Speaker 1: want to say it. And then and then I and

453
00:25:28,760 --> 00:25:31,040
Speaker 1: then but he was in a couple of episodes if

454
00:25:31,200 --> 00:25:33,920
Speaker 1: remember correctly. Yeah, I think we had him back and

455
00:25:34,000 --> 00:25:36,360
Speaker 1: that might have been part of it. Oh, I don't know.

456
00:25:36,760 --> 00:25:39,320
Speaker 1: It said, you know, this is a very interesting thing

457
00:25:39,400 --> 00:25:41,480
Speaker 1: because we had something. His name is Larry. His name

458
00:25:41,520 --> 00:25:46,080
Speaker 1: is Larry Thomas. Sorry Larry. This happened later on UH

459
00:25:46,119 --> 00:25:48,960
Speaker 1: again and it didn't work out, but it turned into

460
00:25:49,080 --> 00:25:52,359
Speaker 1: a very funny segment. And shout out to the brother

461
00:25:52,400 --> 00:25:56,760
Speaker 1: that played old you know what I mean, shout out

462
00:25:56,760 --> 00:25:59,359
Speaker 1: to the brother that played old MC. Because we wanted

463
00:25:59,440 --> 00:26:01,400
Speaker 1: young M to come in and do it. A young

464
00:26:01,520 --> 00:26:04,240
Speaker 1: MC was too proud to come in and play himself

465
00:26:04,280 --> 00:26:06,840
Speaker 1: and say bust a move. He would not do it.

466
00:26:07,080 --> 00:26:11,600
Speaker 1: And I mean I I in producer mode and pulled

467
00:26:11,600 --> 00:26:13,880
Speaker 1: out all my tricks because I have There were there

468
00:26:13,880 --> 00:26:16,560
Speaker 1: were a few people across the ears that I didn't

469
00:26:16,560 --> 00:26:21,480
Speaker 1: want to do something and that you know. Ronald Randal,

470
00:26:21,520 --> 00:26:27,120
Speaker 1: speaking of cameos Scrubs, Wicky, claims that you said that

471
00:26:27,240 --> 00:26:30,760
Speaker 1: Billy Crystal donated the clip from when Harry met Sally

472
00:26:30,800 --> 00:26:35,680
Speaker 1: because he was a Scrubs fan. That's true, that's good

473
00:26:35,680 --> 00:26:39,240
Speaker 1: with Yes, you know, if I did I do, I

474
00:26:39,280 --> 00:26:41,439
Speaker 1: did ran into I ran into Billy Crystal ones and

475
00:26:41,520 --> 00:26:45,800
Speaker 1: he seemed to be a fan of the show. I

476
00:26:45,800 --> 00:26:47,960
Speaker 1: don't know if this little anecdote is true or not

477
00:26:48,080 --> 00:26:51,800
Speaker 1: on Scrubs Wicky, but that sounds I mean, it sounds

478
00:26:51,800 --> 00:26:53,760
Speaker 1: about right. I was trying to I was actually trying

479
00:26:53,760 --> 00:26:59,440
Speaker 1: to remember we had the clip because I had I

480
00:26:59,480 --> 00:27:04,119
Speaker 1: had studied up on my Billy Crystal trivia. Um, you

481
00:27:04,160 --> 00:27:06,399
Speaker 1: know how we got into the business and when it

482
00:27:06,480 --> 00:27:08,199
Speaker 1: was a kid least to quarters to his head and

483
00:27:08,280 --> 00:27:13,119
Speaker 1: like you know, it's usually having some personal knowledge on

484
00:27:13,160 --> 00:27:17,919
Speaker 1: the way in was helpful. Yeah. Um, well, that's one

485
00:27:17,960 --> 00:27:20,360
Speaker 1: of the best movies ever still to this day. Man,

486
00:27:20,400 --> 00:27:25,240
Speaker 1: have you watched it recently anyone? It's still so freaking good, Joel.

487
00:27:25,359 --> 00:27:29,160
Speaker 1: Every year for New Year's it's the best New Year's movie,

488
00:27:30,080 --> 00:27:31,919
Speaker 1: you know what's from a lot of people are watching

489
00:27:32,240 --> 00:27:35,000
Speaker 1: h end Game for New Year's. But yeah, when Harry

490
00:27:35,080 --> 00:27:38,760
Speaker 1: mtsally works too, Now that you're saying that it is

491
00:27:38,880 --> 00:27:42,720
Speaker 1: it is kind of funny that in the episode, you know,

492
00:27:42,760 --> 00:27:45,879
Speaker 1: we see the scene and then that's the toast that

493
00:27:45,920 --> 00:27:49,200
Speaker 1: gets you busted in the end. Because when I'm watching

494
00:27:49,240 --> 00:27:52,159
Speaker 1: the episode, and maybe this happens to people all the

495
00:27:52,160 --> 00:27:55,000
Speaker 1: time during scripts, I feel like there are so many

496
00:27:55,320 --> 00:27:58,600
Speaker 1: little phrases that are that are catchphrase is like, you

497
00:27:58,640 --> 00:28:01,080
Speaker 1: know how many times the people I know say, oh,

498
00:28:01,119 --> 00:28:08,200
Speaker 1: I like the I like special birthday sex or clips. Yeah,

499
00:28:08,240 --> 00:28:13,040
Speaker 1: you know, there's there's a zillion things that were uh,

500
00:28:13,800 --> 00:28:17,800
Speaker 1: from the ridiculous to h to just earworms. You know

501
00:28:17,880 --> 00:28:20,679
Speaker 1: that I really don't like twisty bottoms. I find them

502
00:28:20,760 --> 00:28:23,680
Speaker 1: very annoying. I prefer I'm much more on a clickie top.

503
00:28:23,760 --> 00:28:26,000
Speaker 1: I prefer a clickie tops because also you can play

504
00:28:26,000 --> 00:28:28,959
Speaker 1: with a clickie top with your nervous synergy. I hate

505
00:28:29,119 --> 00:28:31,719
Speaker 1: a twisty bottom, and I feel like a twisty bottom

506
00:28:31,760 --> 00:28:34,960
Speaker 1: always reverted to untwisted when you're while you're using it

507
00:28:35,119 --> 00:28:37,000
Speaker 1: or in your pocket and then you have ink on

508
00:28:37,040 --> 00:28:40,760
Speaker 1: your shirt. Yeah, I want to ask you this. Uh,

509
00:28:40,760 --> 00:28:44,280
Speaker 1: when Judy enters for the first time in this episode,

510
00:28:44,720 --> 00:28:47,320
Speaker 1: when she enters, it's like a breath of fresh air,

511
00:28:47,440 --> 00:28:51,960
Speaker 1: her hairs brand new. She's bright and paint beautiful like that,

512
00:28:52,160 --> 00:28:54,280
Speaker 1: you know what I mean, Like everything is like and

513
00:28:54,320 --> 00:28:57,840
Speaker 1: she's very excited about the wedding. This is a director's question.

514
00:28:58,000 --> 00:28:59,600
Speaker 1: Was this something that you were like, this is a

515
00:28:59,680 --> 00:29:03,040
Speaker 1: moment for her at that or was this you know

516
00:29:03,160 --> 00:29:04,800
Speaker 1: something that she was like, I'm just gonna wear my

517
00:29:04,800 --> 00:29:08,200
Speaker 1: hair straight, Like there was just something really beautiful about

518
00:29:08,240 --> 00:29:11,240
Speaker 1: her at that and exciting about her at that moment.

519
00:29:11,520 --> 00:29:14,640
Speaker 1: It was very exciting. I wish I could take more credit.

520
00:29:14,680 --> 00:29:16,560
Speaker 1: I think that was a lot her. I think I

521
00:29:16,600 --> 00:29:19,040
Speaker 1: think the one thing that I may have played a

522
00:29:19,120 --> 00:29:22,880
Speaker 1: part in this. If you recall season three seams, it

523
00:29:22,920 --> 00:29:26,400
Speaker 1: was all about hair. You know that because remember El,

524
00:29:26,640 --> 00:29:30,440
Speaker 1: Sarah had gotten her hair redone at the top of

525
00:29:30,440 --> 00:29:34,640
Speaker 1: the season, and so you know, Judy had been I

526
00:29:34,680 --> 00:29:38,400
Speaker 1: think anxious to Judy was like, where's my make over?

527
00:29:38,920 --> 00:29:42,920
Speaker 1: You know, some opportunities to to to audition some different looks. Well,

528
00:29:42,920 --> 00:29:47,080
Speaker 1: she looked great. She's coming on for the season three finale.

529
00:29:47,640 --> 00:29:52,120
Speaker 1: Judy's coming on for the wedding. Next episode, Missus Turkleton

530
00:29:52,200 --> 00:29:54,560
Speaker 1: will be I know our fans have been clamoring for

531
00:29:54,680 --> 00:29:58,080
Speaker 1: more Judy Reyes, right, Joel, Yes, absolutely. I get a

532
00:29:58,120 --> 00:30:01,480
Speaker 1: lot of messages for Judy. Very why is a Judy back?

533
00:30:01,600 --> 00:30:03,240
Speaker 1: What's going on? And I was like, I feel you.

534
00:30:03,280 --> 00:30:05,680
Speaker 1: I'm in the same boat. So I'm glad we got everybody.

535
00:30:05,840 --> 00:30:08,720
Speaker 1: She's back for the finale and the wedding. Um, I

536
00:30:08,760 --> 00:30:11,040
Speaker 1: don't have us say we don't give you what you want. Yeah,

537
00:30:11,120 --> 00:30:13,440
Speaker 1: don't say that. All you gotta do is harassed you

538
00:30:13,560 --> 00:30:18,240
Speaker 1: well and we'll eventually acquiesce yes facts. Please don't please

539
00:30:18,240 --> 00:30:23,200
Speaker 1: don't harass her, harasser, Well, don't harass harasser. Would love, yeah,

540
00:30:23,240 --> 00:30:27,000
Speaker 1: don't harass her like a politician walking through the airport.

541
00:30:26,480 --> 00:30:30,400
Speaker 1: That is that is very much like how Scrubs operated.

542
00:30:30,440 --> 00:30:34,080
Speaker 1: You know, people who used to harass enough to get

543
00:30:34,120 --> 00:30:35,960
Speaker 1: on the show, or stand at the gate long enough

544
00:30:36,080 --> 00:30:38,520
Speaker 1: to get on property and then get a tour or

545
00:30:39,040 --> 00:30:43,080
Speaker 1: or or in Leonard's case, if they if they wrote,

546
00:30:43,320 --> 00:30:45,120
Speaker 1: if they wrote me a fan letter, they got all

547
00:30:45,240 --> 00:30:47,920
Speaker 1: kinds of ship. Like I said, you get fan mail,

548
00:30:48,040 --> 00:30:51,280
Speaker 1: is Leonard? Oh yeah, I mean I mean not, Oh yeah,

549
00:30:51,280 --> 00:30:53,120
Speaker 1: I got a lot. But I got something. I was

550
00:30:53,280 --> 00:30:55,160
Speaker 1: very excited about it. It It may have come from a prison.

551
00:30:55,240 --> 00:30:58,280
Speaker 1: I can't say I love everybody ever. Like a carton

552
00:30:58,360 --> 00:31:03,600
Speaker 1: of cigarettes, please, Randall, I would love as signed a

553
00:31:03,600 --> 00:31:09,040
Speaker 1: headshot of you as Leonard, if you don't mind, that

554
00:31:09,080 --> 00:31:13,600
Speaker 1: would be a great birthday gift. Actually that's great, all right, Randall.

555
00:31:13,640 --> 00:31:15,800
Speaker 1: You know next next time you want to get present,

556
00:31:15,840 --> 00:31:17,600
Speaker 1: I just want to I just want to like a

557
00:31:17,960 --> 00:31:21,400
Speaker 1: but like the hook like on your chin, I'm gonna

558
00:31:21,440 --> 00:31:23,160
Speaker 1: I'm gonna you know what, I'm gonna sign it. I'm

559
00:31:23,160 --> 00:31:32,240
Speaker 1: gonna sign it. That's what happened. So that's what Danny

560
00:31:32,320 --> 00:31:36,080
Speaker 1: says to uh the soup Nanzi. It's five to nine

561
00:31:36,200 --> 00:31:39,600
Speaker 1: that Den Romlet's not gonna make itself for that feud.

562
00:31:40,680 --> 00:31:45,560
Speaker 1: That was good, I mean, and the the Terror Read

563
00:31:45,720 --> 00:31:53,240
Speaker 1: arc another like crazy moment in pop culture and Scrub's history.

564
00:31:52,400 --> 00:31:55,600
Speaker 1: I just love how much, how how game she was

565
00:31:55,640 --> 00:31:58,080
Speaker 1: to just kind of be funny and be a be

566
00:31:58,160 --> 00:32:02,640
Speaker 1: an annoying character were as a cigarette, I mean four games.

567
00:32:03,560 --> 00:32:05,520
Speaker 1: How does that work? Because I know at some point

568
00:32:05,520 --> 00:32:08,320
Speaker 1: it's like, dude, we gotta like you gotta shit or

569
00:32:08,320 --> 00:32:11,080
Speaker 1: get off the pot, because she's she's in like nine

570
00:32:11,720 --> 00:32:15,080
Speaker 1: episode something like that, nine to ten episodes, and at

571
00:32:15,120 --> 00:32:16,560
Speaker 1: that point it's like, well, what do we do? Do

572
00:32:16,640 --> 00:32:18,800
Speaker 1: we make her a regular? Do we do we? You

573
00:32:18,840 --> 00:32:21,120
Speaker 1: know what I mean? Like this character is so how

574
00:32:21,160 --> 00:32:22,760
Speaker 1: do we you know what I mean, she's a part

575
00:32:22,800 --> 00:32:26,360
Speaker 1: of the you know, she's in Jordan's family. It's like,

576
00:32:26,400 --> 00:32:29,400
Speaker 1: how do we just make her disappear? And the question

577
00:32:29,400 --> 00:32:31,320
Speaker 1: the answer is you just stopped writing for her. But

578
00:32:31,640 --> 00:32:35,080
Speaker 1: you know, like she was so funny. It's like that

579
00:32:35,120 --> 00:32:37,240
Speaker 1: could have went on for a really long time, is

580
00:32:37,280 --> 00:32:40,200
Speaker 1: my point. Yeah, Yeah, I mean I think she could

581
00:32:40,200 --> 00:32:42,880
Speaker 1: have looking she could have come back at any time.

582
00:32:43,880 --> 00:32:46,120
Speaker 1: Oh really, were you guys, like it's an open invitation

583
00:32:46,160 --> 00:32:50,200
Speaker 1: just you know, oh um. From that perspective, it was,

584
00:32:50,720 --> 00:32:52,200
Speaker 1: you know what I mean, because like at some point,

585
00:32:52,480 --> 00:32:54,200
Speaker 1: at some point, it's like, well, we're not gonna pay

586
00:32:54,280 --> 00:33:00,280
Speaker 1: you anymore, you know, mid out it's like the story. Yeah,

587
00:33:00,320 --> 00:33:02,160
Speaker 1: it's like the story. The story. It's not like the

588
00:33:02,160 --> 00:33:04,920
Speaker 1: story ran out. It's just that it's like we said

589
00:33:04,920 --> 00:33:08,600
Speaker 1: it was only gonna be nine episode. So a lot

590
00:33:08,640 --> 00:33:10,280
Speaker 1: of times it's like that. With her, it was it

591
00:33:10,360 --> 00:33:14,400
Speaker 1: was really I mean, you have to remember that we

592
00:33:14,400 --> 00:33:16,600
Speaker 1: were in that time. I mean, wasn't that also sort

593
00:33:16,600 --> 00:33:20,880
Speaker 1: of the time when when Paris Hilton was getting popular

594
00:33:20,960 --> 00:33:25,960
Speaker 1: and like she I feel like she was a popular

595
00:33:26,080 --> 00:33:29,760
Speaker 1: party girl because it was pop culture, Like it was

596
00:33:30,040 --> 00:33:33,240
Speaker 1: a moment, and like, I don't think there was any

597
00:33:33,280 --> 00:33:35,600
Speaker 1: request for her to be a regular and I think

598
00:33:35,640 --> 00:33:37,720
Speaker 1: she was just having I think she was having fun

599
00:33:38,120 --> 00:33:40,920
Speaker 1: doing it and did not see it as a long

600
00:33:41,040 --> 00:33:44,840
Speaker 1: term play. Yeah, like that. But that's interesting because when

601
00:33:44,880 --> 00:33:46,560
Speaker 1: iever I go into a job, that's how I look

602
00:33:46,560 --> 00:33:49,000
Speaker 1: at it. I'm like, all right, look, I can wow

603
00:33:49,120 --> 00:33:53,840
Speaker 1: these fuckers long enough, they'll continuously think about me every time.

604
00:33:53,960 --> 00:33:59,880
Speaker 1: They are every time there thinking of you know, like

605
00:34:00,440 --> 00:34:02,320
Speaker 1: if the character, if I can convince them not to

606
00:34:02,400 --> 00:34:04,480
Speaker 1: kill this character, like that's like if they if they're

607
00:34:04,480 --> 00:34:06,600
Speaker 1: going to kill a character in the movie. My goal

608
00:34:06,680 --> 00:34:09,640
Speaker 1: when I get there is somehow convinced the writer don't

609
00:34:09,760 --> 00:34:13,960
Speaker 1: fucking killed this character to him. I tell them Neal

610
00:34:14,040 --> 00:34:16,480
Speaker 1: flint story all the time he was he was a

611
00:34:16,960 --> 00:34:20,320
Speaker 1: He was a bit part in the pilot right and

612
00:34:21,440 --> 00:34:24,120
Speaker 1: is the ultimate example of that. He he was like

613
00:34:25,200 --> 00:34:29,120
Speaker 1: so funny that that Bill made him a regular. That's

614
00:34:29,200 --> 00:34:31,320
Speaker 1: my goal every time I get it. Every time I

615
00:34:31,400 --> 00:34:34,720
Speaker 1: get a job, my goal is to somehow wow whoever

616
00:34:35,040 --> 00:34:37,880
Speaker 1: is running the thing enough to be like, you know what,

617
00:34:38,360 --> 00:34:40,919
Speaker 1: we should hire Donald Fazon. Again. It doesn't always work,

618
00:34:41,360 --> 00:34:44,200
Speaker 1: you know what I mean? But I do the same thing, Zach.

619
00:34:44,320 --> 00:34:47,160
Speaker 1: Has anybody ever done a tally on how many times

620
00:34:47,640 --> 00:34:53,160
Speaker 1: you've foul? How many times? Well? No, but I would.

621
00:34:53,280 --> 00:34:56,719
Speaker 1: I would just take the number of em, take the

622
00:34:56,800 --> 00:34:59,879
Speaker 1: number of episodes and multiply at times like three. There

623
00:35:00,040 --> 00:35:01,800
Speaker 1: some pretty funny falls on this one, the one, the

624
00:35:01,920 --> 00:35:04,000
Speaker 1: one taking off my clothes to hurry back to get

625
00:35:04,040 --> 00:35:07,320
Speaker 1: into bed with Elliot favorite funny, it's my favorite. I

626
00:35:07,880 --> 00:35:10,399
Speaker 1: would have such fun with it because I knew if

627
00:35:10,440 --> 00:35:12,120
Speaker 1: the mat was thick enough and could be hidden, I

628
00:35:12,120 --> 00:35:14,160
Speaker 1: wouldn't get hurt, so I could really just I mean,

629
00:35:14,200 --> 00:35:16,440
Speaker 1: sometimes you couldn't hide the mat and it would hurt

630
00:35:16,640 --> 00:35:20,200
Speaker 1: or it would be a stuntman. But but that that

631
00:35:20,520 --> 00:35:23,080
Speaker 1: that fall with me twisting with my clothes off, falling,

632
00:35:23,200 --> 00:35:28,680
Speaker 1: that was my specialty. And then and then this Yeah, um,

633
00:35:29,040 --> 00:35:31,200
Speaker 1: I want to talk about a lot more things, including

634
00:35:31,239 --> 00:35:33,719
Speaker 1: the arrival of the janitors. Will be right back after

635
00:35:33,920 --> 00:35:52,200
Speaker 1: these were fine and We're bad Girl Girl gold Regular.

636
00:35:53,160 --> 00:35:56,080
Speaker 1: I'm sorry, we're gonna stop it, but I do want

637
00:35:56,160 --> 00:35:58,359
Speaker 1: Dan to play a little bit of the disrido right here.

638
00:35:59,600 --> 00:36:05,000
Speaker 1: So random. We discovered that when you play the Digrey Dude,

639
00:36:05,000 --> 00:36:12,640
Speaker 1: you look like you're chugging a giant cock a. Sorry, Rand,

640
00:36:14,320 --> 00:36:18,360
Speaker 1: there's so much the process. Sorry, don't you don't have to.

641
00:36:19,960 --> 00:36:22,320
Speaker 1: There are so many and there are so many people

642
00:36:23,160 --> 00:36:26,960
Speaker 1: around that region who fucking hate us right now for

643
00:36:27,440 --> 00:36:32,400
Speaker 1: they know it they know, on the top of the

644
00:36:32,480 --> 00:36:36,520
Speaker 1: mountain with the motherfucking I think if there's a disredu

645
00:36:36,640 --> 00:36:38,759
Speaker 1: player in your family, you've been hiding the fact that

646
00:36:38,840 --> 00:36:41,160
Speaker 1: you want to tell them looks like it looks like

647
00:36:41,200 --> 00:36:45,640
Speaker 1: they're chugging a giant pipe smoking. It gives meaning new

648
00:36:45,719 --> 00:36:51,680
Speaker 1: meaning to the landdown under. Yeah nice, Randall, Yeah, all right, listen.

649
00:36:51,800 --> 00:36:54,120
Speaker 1: So the arrival of the Janitors. I think it's hilarious

650
00:36:54,160 --> 00:37:00,600
Speaker 1: that even the black Janitor has Neil's hair. Um, so funny.

651
00:37:00,640 --> 00:37:02,399
Speaker 1: They all come out of the back of this very

652
00:37:02,520 --> 00:37:05,920
Speaker 1: odd van. I mean, was it your I found that van?

653
00:37:06,000 --> 00:37:09,720
Speaker 1: I picked that anyway? That van? I know. I'm not allowed.

654
00:37:09,760 --> 00:37:12,040
Speaker 1: I made fun of for talking about the first episode

655
00:37:12,080 --> 00:37:14,800
Speaker 1: I directed, which is a masterpiece, but that van is

656
00:37:14,840 --> 00:37:17,040
Speaker 1: featured prominently when we when Donald and I go on

657
00:37:17,120 --> 00:37:21,520
Speaker 1: the Quest and the and the and uh the janitor kidnapses. Yes,

658
00:37:21,640 --> 00:37:24,759
Speaker 1: that's but um so, how did you find that van?

659
00:37:24,800 --> 00:37:27,160
Speaker 1: Do you remember where it's from? It's not an American thing.

660
00:37:27,239 --> 00:37:31,520
Speaker 1: I can't be um, I know that detail. I don't remember.

661
00:37:31,760 --> 00:37:34,520
Speaker 1: But didn't we have eighteen van something like that at

662
00:37:34,600 --> 00:37:38,399
Speaker 1: some point? Yes? Sometimes because because we blew that van

663
00:37:38,520 --> 00:37:41,920
Speaker 1: up or something something happened to that green van, and

664
00:37:42,040 --> 00:37:44,719
Speaker 1: so we had to pick a new van for him.

665
00:37:44,719 --> 00:37:47,120
Speaker 1: And I think, actually I think I directed the episode

666
00:37:47,280 --> 00:37:52,480
Speaker 1: for the eighteen van from Years Also, that's a second

667
00:37:52,560 --> 00:37:55,879
Speaker 1: v I love it. But anyway, this this van was cool.

668
00:37:55,920 --> 00:38:00,359
Speaker 1: By the way, David Hasselhoff is selling his personal kit

669
00:38:00,600 --> 00:38:04,840
Speaker 1: car auction. I don't I think we need for charity charity.

670
00:38:05,760 --> 00:38:07,520
Speaker 1: I'm just don't assume it's for charity, or maybe it's

671
00:38:07,520 --> 00:38:09,840
Speaker 1: for his own wallet. I don't know. You see how

672
00:38:09,920 --> 00:38:15,759
Speaker 1: judgmental we got real quick. We all got judgmental real quick.

673
00:38:15,960 --> 00:38:20,200
Speaker 1: He's selling the kit car for charity. Well, I mean yeah,

674
00:38:20,239 --> 00:38:22,319
Speaker 1: I mean fuck it. If David Hasseloff wants to make

675
00:38:22,360 --> 00:38:24,320
Speaker 1: some money off his kit car, let him do it. No, no,

676
00:38:24,440 --> 00:38:25,960
Speaker 1: I no, I know, no doubt, no doubt. If he

677
00:38:26,000 --> 00:38:27,880
Speaker 1: wants to make the money for himself, that's all to

678
00:38:28,040 --> 00:38:30,080
Speaker 1: the good. But it's interesting that that's where we are.

679
00:38:30,080 --> 00:38:33,040
Speaker 1: I'm assure you think we have the own kid car

680
00:38:33,200 --> 00:38:34,920
Speaker 1: goes for it? First of all, a is it like

681
00:38:34,960 --> 00:38:37,560
Speaker 1: a tricked out proper one with all the gadgetry inside.

682
00:38:37,640 --> 00:38:41,560
Speaker 1: Oh no, that shit doesn't exist. Man. Oh yeah, there's

683
00:38:41,560 --> 00:38:44,319
Speaker 1: no way there's a street legal fucking kit out there.

684
00:38:44,719 --> 00:38:47,160
Speaker 1: Bet you, I'll bet you anything, a street legal version,

685
00:38:47,280 --> 00:38:50,160
Speaker 1: a street legal version. People just like the DeLorean people

686
00:38:50,239 --> 00:38:52,320
Speaker 1: have bought these cars and tricked them out with the

687
00:38:52,719 --> 00:38:55,680
Speaker 1: like like two specs of the perfect prop so that

688
00:38:55,840 --> 00:38:58,840
Speaker 1: car drives itself. No, it doesn't drive itself. It's just

689
00:38:58,920 --> 00:39:02,799
Speaker 1: got all the ghack all the although now it probably could.

690
00:39:03,360 --> 00:39:05,960
Speaker 1: I know it couldn't, now that's true. I wouldn't mind

691
00:39:06,000 --> 00:39:09,160
Speaker 1: a Delirian man. That Delirian still looks badass man to this.

692
00:39:09,640 --> 00:39:11,640
Speaker 1: Every time I see a Delorian on the street, like

693
00:39:11,840 --> 00:39:13,840
Speaker 1: every few months, you'll see one drive by and I'm like,

694
00:39:14,000 --> 00:39:16,600
Speaker 1: I'm on one. Yeah, probably them, I'm told is they

695
00:39:16,640 --> 00:39:18,680
Speaker 1: don't sell parts for them anymore, so you kind of

696
00:39:18,719 --> 00:39:21,239
Speaker 1: have to like or your mechanic has to like Jerry

697
00:39:21,360 --> 00:39:23,759
Speaker 1: rig other parts. Oh I thought they did sell parts

698
00:39:23,840 --> 00:39:26,040
Speaker 1: for them. I don't think so. I think if you

699
00:39:26,160 --> 00:39:28,160
Speaker 1: if you have a Delorian, you're on your own. I

700
00:39:28,239 --> 00:39:34,520
Speaker 1: think you're gonna every time I think about cocaine. Wait,

701
00:39:34,760 --> 00:39:37,400
Speaker 1: why do you think about cocaine when you're this is

702
00:39:37,440 --> 00:39:41,680
Speaker 1: a good reveal, go because Delirian that's what he got

703
00:39:41,719 --> 00:39:46,520
Speaker 1: busted for the guy. Uh. I think they ran him

704
00:39:46,560 --> 00:39:48,960
Speaker 1: out of business. I thought, like all of the car

705
00:39:49,120 --> 00:39:51,480
Speaker 1: owners didn't like the fact that there was this well,

706
00:39:51,480 --> 00:39:54,040
Speaker 1: I mean, that's probably the real reason, but that the

707
00:39:54,320 --> 00:39:59,319
Speaker 1: the FBI bust was all around drugs. Oh, I gotta read.

708
00:39:59,320 --> 00:40:02,799
Speaker 1: But Joel, just to centis, Kit is currently in the UK,

709
00:40:03,520 --> 00:40:06,400
Speaker 1: and whoever wins the lot is responsible for paying the

710
00:40:06,480 --> 00:40:09,400
Speaker 1: shipping cause of getting Kit back to the United States.

711
00:40:09,800 --> 00:40:12,000
Speaker 1: The auction estimate is between one hundred and seventy five

712
00:40:12,000 --> 00:40:14,880
Speaker 1: thousand and three hundred thousand. Here's the catch if bidding

713
00:40:14,960 --> 00:40:18,520
Speaker 1: exceeds twenty five percent of the nine hundred and seventy

714
00:40:18,560 --> 00:40:24,080
Speaker 1: five thousand dollars reserve price. Wait what David Hasselhoff personally

715
00:40:24,120 --> 00:40:26,320
Speaker 1: delivered the vehicle to its new owner. But I'm confused

716
00:40:26,360 --> 00:40:30,400
Speaker 1: about that. The reserve is nine hundred and seventy five thousand,

717
00:40:30,520 --> 00:40:32,759
Speaker 1: meaning he's not going to release it. But but but

718
00:40:32,880 --> 00:40:36,000
Speaker 1: this doesn't make sense though, because this says nine hundred

719
00:40:36,000 --> 00:40:38,279
Speaker 1: and seventy five is the reserve, which feels very high

720
00:40:38,400 --> 00:40:42,240
Speaker 1: for the car. Kit. Really, you were just talking about

721
00:40:42,440 --> 00:40:45,200
Speaker 1: how awesome it would be to have a tripped out,

722
00:40:45,320 --> 00:40:49,160
Speaker 1: freaking brand new kit Well Kit for one seventy five

723
00:40:50,200 --> 00:40:53,600
Speaker 1: That that is the Kit that that Hasselhoff owns. Seems

724
00:40:53,800 --> 00:41:02,279
Speaker 1: like you get him too. I love that guy. Yeah,

725
00:41:02,280 --> 00:41:04,640
Speaker 1: he was on Scrubs and he was on St. Elsewhere.

726
00:41:06,880 --> 00:41:09,400
Speaker 1: I forgot his name, but he was on St. Elsewhere, Michael.

727
00:41:10,280 --> 00:41:13,520
Speaker 1: He was also I told you that I went to

728
00:41:13,680 --> 00:41:15,960
Speaker 1: Universal Studios back in the day and they had a

729
00:41:16,040 --> 00:41:18,840
Speaker 1: Kit car that you would sit in, and I was

730
00:41:18,960 --> 00:41:21,640
Speaker 1: young enough to be fucking baffled by the fact that

731
00:41:21,719 --> 00:41:24,279
Speaker 1: there was obviously a camera with some guy in a

732
00:41:24,360 --> 00:41:26,440
Speaker 1: mic in a room somewhere, because he was like, I

733
00:41:26,600 --> 00:41:29,520
Speaker 1: like your sweater and I was like, oh, holy shit, kid,

734
00:41:29,640 --> 00:41:33,480
Speaker 1: it's real. I was also at Universal and Kit Kit

735
00:41:33,680 --> 00:41:36,120
Speaker 1: said to me, he goes, my, do we have one

736
00:41:36,120 --> 00:41:41,440
Speaker 1: of the Los Angeles Lakers? What? Oh? Because you're tall?

737
00:41:42,440 --> 00:41:45,040
Speaker 1: Why do you Why do you make kids so effeminine? Hello?

738
00:41:46,800 --> 00:41:49,320
Speaker 1: Was Kit trying to fuck you Randall? No? But he

739
00:41:49,360 --> 00:41:56,960
Speaker 1: plays the dijury dude come back? Oh my gosh, can

740
00:41:57,000 --> 00:41:59,239
Speaker 1: imagine the guy the guy the guy playing Kid is

741
00:41:59,280 --> 00:42:03,520
Speaker 1: like hitting on like, oh, someone's girthy, Like calm down, Kit,

742
00:42:04,120 --> 00:42:10,840
Speaker 1: calm down, all right? Should we talk about um? I

743
00:42:10,920 --> 00:42:13,800
Speaker 1: want to talk about um. Sorry. Last joke from that

744
00:42:13,880 --> 00:42:15,480
Speaker 1: I that we left out that I laughed at was

745
00:42:15,480 --> 00:42:18,880
Speaker 1: when the soup Nazi says he loves it. When she

746
00:42:19,000 --> 00:42:22,000
Speaker 1: finishes a beer, she looks inside to make sure that

747
00:42:22,080 --> 00:42:28,800
Speaker 1: there's none left. It's a funny little character trade about

748
00:42:29,200 --> 00:42:33,880
Speaker 1: Danny there Um. So JD is already frustrated with Elliott.

749
00:42:34,000 --> 00:42:36,480
Speaker 1: He I laughed out loud when Elliott sneezes with her

750
00:42:36,520 --> 00:42:39,960
Speaker 1: eyes open. That was funny. But he's not frustrated. He

751
00:42:40,160 --> 00:42:45,120
Speaker 1: just he doesn't seem frustrated. Doesn't do you think he's frustrated? Well,

752
00:42:45,160 --> 00:42:47,080
Speaker 1: he's just all of a sudden, the second he got

753
00:42:47,239 --> 00:42:49,160
Speaker 1: or the instant he got her, he realized he doesn't

754
00:42:49,160 --> 00:42:53,799
Speaker 1: love her. What's not to love? Though, I'm saying where

755
00:42:53,920 --> 00:42:57,680
Speaker 1: Elliot is so frustrated? Elliott is a dream girl. She's

756
00:42:57,760 --> 00:43:02,279
Speaker 1: so fun, she's so silly, she's so beautiful. Sure she's

757
00:43:02,360 --> 00:43:05,000
Speaker 1: neurotic and nuts, but who the fuck isn't And I

758
00:43:05,120 --> 00:43:06,799
Speaker 1: just I don't know. The whole time I'm watching them

759
00:43:06,920 --> 00:43:09,759
Speaker 1: going like, JD, you are never going to do any

760
00:43:09,880 --> 00:43:12,000
Speaker 1: better than this amazing woman. What the fuck is wrong

761
00:43:12,040 --> 00:43:14,520
Speaker 1: with you? What is the because I mean, you literally

762
00:43:14,600 --> 00:43:16,680
Speaker 1: have those lines in the show where you're like, I

763
00:43:16,800 --> 00:43:23,839
Speaker 1: want somebody who's crazy, and she's like, let's watch uh yeah,

764
00:43:23,880 --> 00:43:26,200
Speaker 1: who likes to watch old corny movies. And she's like,

765
00:43:26,320 --> 00:43:29,680
Speaker 1: let's watch Kangaroo Jack. And she's and You're like, damn,

766
00:43:29,840 --> 00:43:33,680
Speaker 1: she's perfect. She's she's something like, she's perfect. Yeah, I've

767
00:43:33,719 --> 00:43:36,800
Speaker 1: never seen Kangaroo Jack. Who's in that? Jerry O'Connell and

768
00:43:37,360 --> 00:43:42,440
Speaker 1: Anthony Anderson, Wow and a Kangaroo it's them in Australia.

769
00:43:42,480 --> 00:43:46,279
Speaker 1: I think Chasing After a Kangaroo it's a Jerry Bruckheimer movie. Also, right,

770
00:43:46,400 --> 00:43:49,880
Speaker 1: have you seen it? Yeah? I think I think I

771
00:43:49,920 --> 00:43:52,040
Speaker 1: saw it in the movie theater. Are you kidding me? Always,

772
00:43:52,160 --> 00:43:54,160
Speaker 1: I went to high school with Jerry O'Connell and I

773
00:43:54,239 --> 00:43:58,440
Speaker 1: did a movie with uh with Anthony when I was

774
00:43:58,600 --> 00:44:01,600
Speaker 1: very young. Both of those guys are friends of mine.

775
00:44:02,200 --> 00:44:05,759
Speaker 1: That's amazing. Absolutely, I definitely saw the movie. I saw

776
00:44:05,800 --> 00:44:08,200
Speaker 1: it in the movie theater. I actually I probably went

777
00:44:08,280 --> 00:44:11,160
Speaker 1: to the premiere. Okay, And this was right around the

778
00:44:11,200 --> 00:44:13,520
Speaker 1: time when I was doing Remember the Titans. So it

779
00:44:13,640 --> 00:44:16,239
Speaker 1: was a Bruckheimer project. So oh, you were in the

780
00:44:16,280 --> 00:44:20,759
Speaker 1: Bruckheimer family at that point. Yes, Donald, the one of

781
00:44:20,800 --> 00:44:25,560
Speaker 1: the one of the you know, results of this past year.

782
00:44:25,719 --> 00:44:29,680
Speaker 1: You know COVID and all is. I spent a ton

783
00:44:29,719 --> 00:44:31,719
Speaker 1: of time with my brother. I lived with him for

784
00:44:32,040 --> 00:44:34,439
Speaker 1: three months. It was amazing. It's most time we spent

785
00:44:34,520 --> 00:44:39,600
Speaker 1: together and forever. And remember The Titans is one of

786
00:44:39,719 --> 00:44:44,120
Speaker 1: his all time favorite movies and literally like made me

787
00:44:44,880 --> 00:44:48,480
Speaker 1: sit in bed one rainy afternoon in Hawaii with him

788
00:44:48,480 --> 00:44:51,000
Speaker 1: and to watch it and him cry, and it was

789
00:44:51,920 --> 00:44:56,000
Speaker 1: it was a very big brotherly moment and a brotherly moment.

790
00:44:56,520 --> 00:44:58,440
Speaker 1: Have you seen it before? I had you seen it before?

791
00:44:59,600 --> 00:45:04,800
Speaker 1: That was your first time seeing it? Yes? Did you

792
00:45:04,960 --> 00:45:08,560
Speaker 1: enjoy it? Yes? It's not to enjoy It's a masterpiece.

793
00:45:09,160 --> 00:45:11,440
Speaker 1: There's no I'm sure there's a lot of people out

794
00:45:11,480 --> 00:45:13,600
Speaker 1: there that are like, it wasn't for me. I don't

795
00:45:13,719 --> 00:45:15,719
Speaker 1: you know. I like football and that's not my kind

796
00:45:15,719 --> 00:45:19,160
Speaker 1: of football MOVIEK. There's this really random moment I'm sure

797
00:45:19,200 --> 00:45:21,480
Speaker 1: Sarah and I were just riffing that you kept in

798
00:45:21,880 --> 00:45:24,800
Speaker 1: and you and Bill kept in where we're reminiscing about

799
00:45:25,200 --> 00:45:28,320
Speaker 1: the horse. Yeah, we're reminiscing about the things we have

800
00:45:28,440 --> 00:45:31,200
Speaker 1: in common, and that the memories we have. I remember,

801
00:45:31,280 --> 00:45:34,160
Speaker 1: we're just like riffing nonsense. We're remember those two guys

802
00:45:34,239 --> 00:45:36,160
Speaker 1: and the mom was trying to remember this song and

803
00:45:36,760 --> 00:45:39,000
Speaker 1: and then there's a long pause until we had to

804
00:45:39,040 --> 00:45:43,200
Speaker 1: put their horse down, horse Cinnamon. He could run like

805
00:45:43,320 --> 00:45:46,000
Speaker 1: the wind, but his tail couldn't put out that fire.

806
00:45:47,800 --> 00:45:53,200
Speaker 1: So fucking random it was written, right, I don't remember

807
00:45:53,239 --> 00:45:54,719
Speaker 1: if it was. I don't think. I don't think. On

808
00:45:54,800 --> 00:45:57,279
Speaker 1: the day, we were just being silly, right, Yes, then

809
00:45:57,320 --> 00:46:00,759
Speaker 1: you guys, you that's fucking phenomenal, dude, such a great

810
00:46:01,040 --> 00:46:02,680
Speaker 1: I mean, I'm sure there was help from Bill and

811
00:46:03,480 --> 00:46:06,919
Speaker 1: exactly exactly. It built on itself. Yeah, we just kept

812
00:46:06,960 --> 00:46:09,279
Speaker 1: going on it. But it's so weird and random, and

813
00:46:09,320 --> 00:46:10,960
Speaker 1: it's a funny thing that's been left in the episode

814
00:46:10,960 --> 00:46:12,640
Speaker 1: because it has nothing to do with anything else. I mean,

815
00:46:12,719 --> 00:46:14,520
Speaker 1: it serves the point, like we have a lot of

816
00:46:14,600 --> 00:46:18,800
Speaker 1: shared memories together, but it's just so random. But but

817
00:46:18,960 --> 00:46:26,360
Speaker 1: you know, I'm always like, it was cinnamon running in circles, Like,

818
00:46:26,520 --> 00:46:30,479
Speaker 1: how did cinnamon you know, right to get the fire?

819
00:46:31,560 --> 00:46:35,040
Speaker 1: Why what was I doing? Why was sitting in trying

820
00:46:35,040 --> 00:46:41,240
Speaker 1: to start the fire? Like? No, we had to put cinnamon.

821
00:46:41,360 --> 00:46:44,680
Speaker 1: We had to put Cinnamon down, um because of the fire.

822
00:46:44,840 --> 00:46:48,640
Speaker 1: So I imagine he was injured enough in the blaze

823
00:46:49,160 --> 00:46:52,680
Speaker 1: to need me, what did the tail have to do

824
00:46:52,760 --> 00:46:56,440
Speaker 1: with it? No matter what was the line was, Um,

825
00:46:56,640 --> 00:46:59,280
Speaker 1: he could run like the wind, but his tail couldn't

826
00:46:59,320 --> 00:47:02,799
Speaker 1: put out that fire. I think now that I read

827
00:47:02,800 --> 00:47:06,160
Speaker 1: it again, I think he was he was trying to Randall.

828
00:47:06,440 --> 00:47:09,359
Speaker 1: Was he either what he was he's trying to wave

829
00:47:09,440 --> 00:47:11,720
Speaker 1: the fire off his own body, or was he running

830
00:47:11,760 --> 00:47:13,520
Speaker 1: around the fire trying to put it out by waving

831
00:47:13,560 --> 00:47:18,520
Speaker 1: his tail? Who was the tail against his body? Yeah?

832
00:47:18,600 --> 00:47:20,680
Speaker 1: I didn't know. It's either or I guess it's it's

833
00:47:20,760 --> 00:47:24,120
Speaker 1: it's up for interpretation. Yeah. Well, because of the he

834
00:47:24,200 --> 00:47:26,479
Speaker 1: could run like the wind. I had in my head

835
00:47:26,560 --> 00:47:30,359
Speaker 1: I pictured him running around the barn trying to get

836
00:47:30,480 --> 00:47:34,560
Speaker 1: to create enough. So he was sort of a he

837
00:47:34,680 --> 00:47:36,759
Speaker 1: was sentient in a way that he was he had

838
00:47:36,800 --> 00:47:43,480
Speaker 1: a plan to extinguish the fire, and the plan went awry. Donald,

839
00:47:43,560 --> 00:47:45,640
Speaker 1: you have tears in your eyes at fifteen nineteen, or

840
00:47:45,719 --> 00:47:48,839
Speaker 1: those real or fake ones that were blown into your

841
00:47:48,880 --> 00:47:52,399
Speaker 1: eyes with the with the menthol Fa. Yeah, it's pretty

842
00:47:52,440 --> 00:47:56,719
Speaker 1: hard for you to just start sobbing on Q. Well no, yeah,

843
00:47:56,840 --> 00:47:58,759
Speaker 1: on que. It's kind of hard. But if you if

844
00:47:58,800 --> 00:48:00,480
Speaker 1: I work myself up to it, I can make it

845
00:48:00,560 --> 00:48:02,800
Speaker 1: look like, so the point of it was that that

846
00:48:03,080 --> 00:48:05,719
Speaker 1: Judy's speech is so moving that you've got tears coming

847
00:48:05,760 --> 00:48:08,480
Speaker 1: down your face, but you haven't seen anything, but they

848
00:48:08,560 --> 00:48:10,879
Speaker 1: show you rehearsing. And that was so funny when when

849
00:48:10,960 --> 00:48:13,520
Speaker 1: Donald's trying to u when Turke is trying to write

850
00:48:13,560 --> 00:48:16,040
Speaker 1: his speech, and he's like, baby, you know you're my baby,

851
00:48:16,680 --> 00:48:18,800
Speaker 1: and when it comes to babies, you're the best baby.

852
00:48:20,800 --> 00:48:23,360
Speaker 1: There was babies before you, but you will always be

853
00:48:24,280 --> 00:48:30,920
Speaker 1: my baby. Baby. That was funny. And then Marco sabotages

854
00:48:30,960 --> 00:48:34,640
Speaker 1: you by stealing the monologue from Billy Crystal at the

855
00:48:34,719 --> 00:48:37,040
Speaker 1: end of when Harry Matsally and that's so funny that

856
00:48:37,200 --> 00:48:40,839
Speaker 1: you don't know and you deliver it so sincerely. Well,

857
00:48:41,080 --> 00:48:43,600
Speaker 1: it all comes from me making fun of him for

858
00:48:43,880 --> 00:48:46,640
Speaker 1: loving when Harry met Sally in the beginning of the show, right,

859
00:48:46,680 --> 00:48:49,680
Speaker 1: which which establishes that you haven't seen it. Established is

860
00:48:49,719 --> 00:48:53,040
Speaker 1: one that I haven't seen it and two yeah, and

861
00:48:53,239 --> 00:48:58,759
Speaker 1: JD tries to tell Turk, yeah, he does the thing

862
00:48:58,840 --> 00:49:00,680
Speaker 1: with his hand like you no, no, don't, don't, don't

863
00:49:00,719 --> 00:49:03,440
Speaker 1: don't do it dude. Yeah, yeah, because Jadie obviously is

864
00:49:03,480 --> 00:49:06,880
Speaker 1: seen when Herryman's out, Um, but that's so funny, how

865
00:49:06,960 --> 00:49:11,160
Speaker 1: earnestly you deliver that um that that Billy Crystal monologue,

866
00:49:11,600 --> 00:49:15,239
Speaker 1: and uh, I guess and it's not. But that's the

867
00:49:15,320 --> 00:49:18,399
Speaker 1: weirdest thing ever. It's not because it's not because you're

868
00:49:19,200 --> 00:49:22,080
Speaker 1: you know, it's not because we're getting married. It's not

869
00:49:22,200 --> 00:49:25,560
Speaker 1: because it's our rehearsal dinner tonight. It's because when you

870
00:49:25,719 --> 00:49:29,200
Speaker 1: love someone, you want to spend the rest of your

871
00:49:29,280 --> 00:49:33,160
Speaker 1: life with them. Exactly, all right, we have the fan

872
00:49:33,360 --> 00:49:36,799
Speaker 1: is here, so we are going to take a quick break, right, Joel, yep,

873
00:49:37,600 --> 00:49:40,560
Speaker 1: this is what to take a break? What it's not

874
00:49:40,640 --> 00:49:44,120
Speaker 1: weird that Turk is giving the exact cadence that Billy

875
00:49:44,200 --> 00:49:47,400
Speaker 1: Crystal gives in the movie. And he didn't write that,

876
00:49:47,520 --> 00:49:50,000
Speaker 1: you know what I mean, and he's never seen the movie.

877
00:49:50,040 --> 00:49:54,480
Speaker 1: But he's giving the exact cadence that doesn't. I love

878
00:49:54,560 --> 00:49:57,880
Speaker 1: that line that when you love someone, you when you

879
00:49:57,960 --> 00:50:00,800
Speaker 1: finally think I came here tonight, because when you realize

880
00:50:00,840 --> 00:50:05,320
Speaker 1: you love someone, whatever it is, starting with them, you

881
00:50:05,440 --> 00:50:07,160
Speaker 1: want the rest of your life to start right now.

882
00:50:07,239 --> 00:50:23,600
Speaker 1: It's all right, we'll be right back. Hellogle. The last episode, Joel,

883
00:50:25,320 --> 00:50:28,160
Speaker 1: this is the last episode of that about both gurgles

884
00:50:28,200 --> 00:50:31,040
Speaker 1: and disred. You're the one who made up the gurgle, gurgle, gurgle. No,

885
00:50:31,239 --> 00:50:32,920
Speaker 1: it's a Howard Stern thing. I didn't make that up.

886
00:50:32,960 --> 00:50:34,960
Speaker 1: They always do that on Howard Stern. I have to

887
00:50:35,239 --> 00:50:38,000
Speaker 1: my my whole, my whole act is stolen from my, my,

888
00:50:38,239 --> 00:50:41,080
Speaker 1: my legend, my my, my, my, my favorite radio voice,

889
00:50:41,160 --> 00:50:46,360
Speaker 1: Howard Stern. All right, bring in, bring us the guests, friends, Daniel,

890
00:50:46,760 --> 00:50:51,560
Speaker 1: have fun with the Oprah voice on this one. Oh boy, hello,

891
00:50:55,600 --> 00:50:58,880
Speaker 1: give it up for arm and barn Hard and Gna.

892
00:51:02,320 --> 00:51:05,719
Speaker 1: That was a pretty alright, alright, alright, that was a

893
00:51:05,760 --> 00:51:08,360
Speaker 1: good attempt. I was pretty good. MP. I have no

894
00:51:08,520 --> 00:51:14,800
Speaker 1: idea what language that is? Armand where are you calling from? Iceland? Iceland? Wow,

895
00:51:15,120 --> 00:51:18,400
Speaker 1: it's our first Iceland. Bernard, what is it? Can you

896
00:51:18,440 --> 00:51:20,040
Speaker 1: say it for me? Brook? You say your name. It's

897
00:51:20,160 --> 00:51:31,040
Speaker 1: it's a say one more time, our Orderman Barnhart like

898
00:51:31,200 --> 00:51:42,680
Speaker 1: like like Bernhard, yet in beautiful give it up. I

899
00:51:42,760 --> 00:51:48,320
Speaker 1: can't do it, Armand welcome, Welcome, Welcome. We also have

900
00:51:49,040 --> 00:51:53,840
Speaker 1: lovely name we have here who not only is you

901
00:51:54,000 --> 00:51:57,000
Speaker 1: may know him as Leonard the security guard and also

902
00:51:57,160 --> 00:52:00,600
Speaker 1: death and also our line producer. But he directed this

903
00:52:00,719 --> 00:52:05,920
Speaker 1: particular episode of the show Armand, Hey man, where are

904
00:52:05,920 --> 00:52:09,600
Speaker 1: you calling from? He said, Iceland? Oh, I thought the

905
00:52:09,719 --> 00:52:12,680
Speaker 1: name was icelandic I didn't know. He was yeah, downtown

906
00:52:13,360 --> 00:52:18,480
Speaker 1: right now. Our art department was were big fans of

907
00:52:18,560 --> 00:52:22,360
Speaker 1: Iceland are Our art director married an icelandic man. And

908
00:52:22,480 --> 00:52:25,560
Speaker 1: when she was in REKIEVX, she's run into a couple

909
00:52:25,640 --> 00:52:28,239
Speaker 1: other people from the scrub's art department. Armand, is it

910
00:52:28,360 --> 00:52:31,400
Speaker 1: true that Iceland is the one that's green and Greenland

911
00:52:31,480 --> 00:52:34,000
Speaker 1: is the one with more ice? It's very true, Zach,

912
00:52:34,200 --> 00:52:39,000
Speaker 1: very true. It's we have four seasons here and sometimes

913
00:52:39,040 --> 00:52:41,560
Speaker 1: it's green, sometimes it's not. But isn't it true that

914
00:52:41,680 --> 00:52:44,000
Speaker 1: that was done? I mean, I heard this urban legend

915
00:52:44,040 --> 00:52:46,080
Speaker 1: that you're gonna tell me. Might be not true that

916
00:52:46,200 --> 00:52:48,280
Speaker 1: they did that on purpose because they wanted to dissuade

917
00:52:48,320 --> 00:52:50,680
Speaker 1: people from coming there, so they called it Iceland even

918
00:52:50,719 --> 00:52:53,520
Speaker 1: though it was very green. Well, the stories are very uh,

919
00:52:53,920 --> 00:52:56,320
Speaker 1: they differ from time to time. The story is that

920
00:52:56,560 --> 00:53:00,560
Speaker 1: Eric the Red discovered Greenland and he named Greenland so

921
00:53:00,680 --> 00:53:03,840
Speaker 1: that people would actually go there, even though it was

922
00:53:03,960 --> 00:53:06,759
Speaker 1: not very green except only on the coast. And the

923
00:53:07,000 --> 00:53:10,359
Speaker 1: name of Iceland comes from the first settler who came here.

924
00:53:10,880 --> 00:53:13,960
Speaker 1: His name was Raven Floki, and he came here, and

925
00:53:14,040 --> 00:53:16,919
Speaker 1: he actually settled up in the north, and he came

926
00:53:16,960 --> 00:53:19,200
Speaker 1: here pretty late summer, so by the time when he

927
00:53:19,239 --> 00:53:23,320
Speaker 1: was ready to start cultivating, doing some agriculture, some animal husbandry,

928
00:53:23,800 --> 00:53:27,239
Speaker 1: winter came and it froze and all the crops died.

929
00:53:27,480 --> 00:53:30,960
Speaker 1: And he left later that year and said, I curse

930
00:53:31,080 --> 00:53:34,840
Speaker 1: you and I name you Iceland. That's a good story.

931
00:53:36,000 --> 00:53:38,839
Speaker 1: I heard that Raikuvik is one of the most fun

932
00:53:38,960 --> 00:53:42,120
Speaker 1: cities on earth. Is that true. It's very nice to

933
00:53:42,239 --> 00:53:46,480
Speaker 1: be here. It has a viprant nightlife, it's very safe,

934
00:53:47,320 --> 00:53:51,080
Speaker 1: it's quite It's an easy going city most of the time.

935
00:53:51,360 --> 00:53:55,200
Speaker 1: Of course, Icelanders are known for partying, so bars usually

936
00:53:55,200 --> 00:53:58,440
Speaker 1: don't close until like three four am. Of course, now

937
00:53:58,480 --> 00:54:02,800
Speaker 1: with COVID, nothing is open past nine. Yeah. I was

938
00:54:02,800 --> 00:54:05,480
Speaker 1: going to ask you, are you guys as hit Oh

939
00:54:05,640 --> 00:54:07,759
Speaker 1: nothing is open. You guys still have bars, so you

940
00:54:07,760 --> 00:54:10,439
Speaker 1: can still go to bars up until nine o'clock. Yeah, yeah, yeah.

941
00:54:10,719 --> 00:54:13,320
Speaker 1: Just on Wednesday, we had a new rule. Basically, we

942
00:54:13,440 --> 00:54:16,920
Speaker 1: have these three people who take care of all the

943
00:54:18,920 --> 00:54:23,240
Speaker 1: all the all the rules basically, so as of Wednesday,

944
00:54:23,320 --> 00:54:27,320
Speaker 1: we're allowed to be fifty people together in restaurants, theaters

945
00:54:27,520 --> 00:54:33,520
Speaker 1: and movie theaters a little bit more. For it depends

946
00:54:33,560 --> 00:54:35,920
Speaker 1: on the size of the stores. For example, if you

947
00:54:36,280 --> 00:54:39,080
Speaker 1: have a store that's over like five hundred square feet,

948
00:54:39,160 --> 00:54:41,680
Speaker 1: you can have one hundred people and then ten more

949
00:54:41,800 --> 00:54:45,560
Speaker 1: each square foot above it's ten square square feet. So

950
00:54:45,600 --> 00:54:47,839
Speaker 1: it sounds like you the country must have it under

951
00:54:47,880 --> 00:54:50,000
Speaker 1: control if you're allowed to do all that. Yeah, very

952
00:54:50,080 --> 00:54:53,600
Speaker 1: early on we elected three people, the director of the

953
00:54:53,800 --> 00:54:59,960
Speaker 1: immuno like one one high set doctor, one high set

954
00:55:00,000 --> 00:55:05,080
Speaker 1: at a police officer who's like chief of the raki

955
00:55:05,160 --> 00:55:09,440
Speaker 1: Vic police, and then the the the chief of medicine

956
00:55:09,480 --> 00:55:12,400
Speaker 1: of Iceland. We got these three people and they basically

957
00:55:12,560 --> 00:55:16,120
Speaker 1: they set the rules with the government and we just

958
00:55:16,280 --> 00:55:17,960
Speaker 1: listened to that. And if you don't do that, then

959
00:55:18,160 --> 00:55:22,120
Speaker 1: you can have hefty fines. For my senses, you might

960
00:55:22,200 --> 00:55:24,759
Speaker 1: not have an anti masker problem in your country like

961
00:55:24,880 --> 00:55:27,759
Speaker 1: we had. No not so much. We've had one big

962
00:55:27,880 --> 00:55:30,040
Speaker 1: case of a person refusing to wear a mask and

963
00:55:30,480 --> 00:55:35,440
Speaker 1: she got arrested this week, So whoa she was supposed

964
00:55:35,440 --> 00:55:38,200
Speaker 1: to do that? Here? They don't do that. You could,

965
00:55:38,239 --> 00:55:40,800
Speaker 1: you could in America. You don't have to wear a

966
00:55:40,880 --> 00:55:44,120
Speaker 1: mask and you could get in somebody's personal space and

967
00:55:44,320 --> 00:55:47,560
Speaker 1: not suffer any consequences other than getting kicked out of

968
00:55:47,600 --> 00:55:51,160
Speaker 1: a store. Yeah, just putting it out there. Um, all right,

969
00:55:51,239 --> 00:55:53,680
Speaker 1: let's let's focus armand you have a question for any

970
00:55:53,719 --> 00:55:56,600
Speaker 1: of us? Yeah, I absolutely do. First have a question

971
00:55:56,640 --> 00:55:59,439
Speaker 1: for you, Zach, Yes, sir, I am a dungeon master

972
00:55:59,560 --> 00:56:04,080
Speaker 1: at play a lot of yes. Hello, Hey, Donald, Hey,

973
00:56:04,120 --> 00:56:06,960
Speaker 1: how's going? In fact, I just got out of a

974
00:56:07,040 --> 00:56:09,640
Speaker 1: session about twenty minutes ago, and I have a question

975
00:56:09,760 --> 00:56:13,320
Speaker 1: regarding writer's block because I have my own homebrew world

976
00:56:13,640 --> 00:56:16,239
Speaker 1: and I make all the stories and stuff, but I

977
00:56:16,360 --> 00:56:20,440
Speaker 1: tend to get lost and have difficulty making. Can you

978
00:56:20,600 --> 00:56:23,360
Speaker 1: let the man ask his fucking question. You know what

979
00:56:23,440 --> 00:56:24,960
Speaker 1: he's asking. He's going to ask you, how do you

980
00:56:25,000 --> 00:56:26,640
Speaker 1: get through? You? Why are you interrupting it? We've never

981
00:56:26,719 --> 00:56:28,600
Speaker 1: had a fucking guess from ranking before. And you're like,

982
00:56:28,680 --> 00:56:34,120
Speaker 1: what what? Because we said something about freaking uh okay,

983
00:56:35,360 --> 00:56:39,160
Speaker 1: your own rules, Donald, just homebreds means your own rules. Okay,

984
00:56:39,160 --> 00:56:41,520
Speaker 1: that's right, Okay, can you continue, Urmand, I'm sorry about

985
00:56:41,560 --> 00:56:43,800
Speaker 1: my friend. Well, my question is really like, how do

986
00:56:43,880 --> 00:56:52,239
Speaker 1: you get through writer's block? Because because I tend to

987
00:56:52,440 --> 00:56:54,799
Speaker 1: like sit down and start writing and then nothing is coming.

988
00:56:55,040 --> 00:56:58,240
Speaker 1: And then I just just just a quick question Armand

989
00:56:58,280 --> 00:57:00,400
Speaker 1: for those who don't know Dungeon Dragon, when you're the

990
00:57:00,480 --> 00:57:03,279
Speaker 1: dungeon Master, you kind of create and make up the

991
00:57:03,360 --> 00:57:06,760
Speaker 1: world for the game that everybody's playing. Right, Absolutely, yes,

992
00:57:07,080 --> 00:57:08,680
Speaker 1: And you can make anything happen. You can be like

993
00:57:08,760 --> 00:57:11,799
Speaker 1: and now we walked into a cave. Yeah, and then

994
00:57:11,840 --> 00:57:14,200
Speaker 1: it's up to the players to sort of spin that around.

995
00:57:14,239 --> 00:57:16,640
Speaker 1: What do they want to do in the cave? Well,

996
00:57:16,680 --> 00:57:18,320
Speaker 1: there are a lot of people that can't just say

997
00:57:18,440 --> 00:57:21,800
Speaker 1: something to say. The thing is, there's also it's not

998
00:57:21,960 --> 00:57:25,000
Speaker 1: just adventure. It's not just so you're fighting fighting fighting,

999
00:57:25,080 --> 00:57:28,120
Speaker 1: there's also storytelling involved. You spend a lot of time

1000
00:57:28,640 --> 00:57:31,680
Speaker 1: in taverns, and there's world building and everything like that,

1001
00:57:31,920 --> 00:57:35,480
Speaker 1: and so it's you know, it's really easy to be like,

1002
00:57:35,640 --> 00:57:37,520
Speaker 1: so you come to a town and at the town

1003
00:57:37,640 --> 00:57:40,440
Speaker 1: you meet an adventure there's an adventures tabn, and you

1004
00:57:40,520 --> 00:57:42,920
Speaker 1: walk into the adventures tabin and you look for a

1005
00:57:43,000 --> 00:57:46,240
Speaker 1: mission and you get it at campaign and you find

1006
00:57:46,280 --> 00:57:49,959
Speaker 1: adventurers And I feel like that'd be a great dungeon master, dude.

1007
00:57:50,200 --> 00:57:51,800
Speaker 1: That's what he's trying to He's trying to say, like,

1008
00:57:52,160 --> 00:57:53,920
Speaker 1: I don't want to just do that, is there are

1009
00:57:54,120 --> 00:57:57,400
Speaker 1: are there other ways to create stories? Also saying do

1010
00:57:57,480 --> 00:57:59,800
Speaker 1: you run out? What do you do when your brain's

1011
00:57:59,840 --> 00:58:02,440
Speaker 1: not coming with idea? You know, I don't. I'm not

1012
00:58:02,560 --> 00:58:04,840
Speaker 1: very disciplined with this armand but a lot of writers

1013
00:58:04,880 --> 00:58:06,880
Speaker 1: will say, there's no such thing as writer's block. You

1014
00:58:06,960 --> 00:58:11,080
Speaker 1: just didn't outline enough. I don't necessarily find my best

1015
00:58:11,120 --> 00:58:13,560
Speaker 1: stuff comes that way. But if I was, I think

1016
00:58:13,600 --> 00:58:16,439
Speaker 1: if I was gonna be a dungeon master, I would

1017
00:58:16,480 --> 00:58:19,000
Speaker 1: definitely make sure that I had bullet pointed out, like

1018
00:58:19,640 --> 00:58:22,200
Speaker 1: I'm going to start here, I want to get to hear.

1019
00:58:22,840 --> 00:58:26,120
Speaker 1: I have an idea that we're going to go over

1020
00:58:26,240 --> 00:58:28,520
Speaker 1: to hear, to this tavern. I would like make an

1021
00:58:28,560 --> 00:58:32,880
Speaker 1: outline of all of the great story telling beats I

1022
00:58:33,000 --> 00:58:35,480
Speaker 1: wanted to hit, so that then you kind of just

1023
00:58:35,720 --> 00:58:38,200
Speaker 1: know where you have to go and then your creativity

1024
00:58:38,240 --> 00:58:40,560
Speaker 1: fills in all the spaces. Do you know what I mean?

1025
00:58:42,200 --> 00:58:44,600
Speaker 1: I know, Yeah, there's a lot of screenwriters that write

1026
00:58:44,600 --> 00:58:46,760
Speaker 1: like that. They'll they'll outline the whole script so they

1027
00:58:47,160 --> 00:58:50,120
Speaker 1: and then the more detailed their outline is the better,

1028
00:58:50,480 --> 00:58:52,320
Speaker 1: and then when it comes time to actually sit down

1029
00:58:52,400 --> 00:58:54,480
Speaker 1: and write the dialogue and write the action, they have

1030
00:58:54,680 --> 00:58:57,200
Speaker 1: such a specificity to what they've already outlined, Like I

1031
00:58:57,320 --> 00:59:00,600
Speaker 1: need to write a tavern scene where these three characters

1032
00:59:01,080 --> 00:59:03,720
Speaker 1: get in an argument and then discover that they're going

1033
00:59:03,880 --> 00:59:06,320
Speaker 1: to go here, you know. So it's it's it's very

1034
00:59:06,400 --> 00:59:08,240
Speaker 1: clear what you need to write by the time you

1035
00:59:08,360 --> 00:59:11,280
Speaker 1: get to writing. Do you have do you have any

1036
00:59:11,360 --> 00:59:13,720
Speaker 1: of the books? The base books, like I have the

1037
00:59:13,760 --> 00:59:17,080
Speaker 1: whole Trinity of course, huh do the original jump offs?

1038
00:59:17,960 --> 00:59:25,720
Speaker 1: I Guide all that stuff. Yeah, and Monstammanual. There's a

1039
00:59:25,800 --> 00:59:28,960
Speaker 1: bunch of source material that you can you always use,

1040
00:59:29,000 --> 00:59:31,480
Speaker 1: do you guys always? Like when you guys are playing,

1041
00:59:31,640 --> 00:59:34,320
Speaker 1: do you do you have them go against like epic

1042
00:59:34,840 --> 00:59:37,440
Speaker 1: monsters or are they going up against like like, how

1043
00:59:37,520 --> 00:59:40,160
Speaker 1: do you space out your campaign? Obviously it starts off

1044
00:59:40,200 --> 00:59:42,840
Speaker 1: with something small and then it's something epic at the end.

1045
00:59:43,600 --> 00:59:46,760
Speaker 1: Do you ever why not empire strikes back the situation

1046
00:59:46,880 --> 00:59:49,000
Speaker 1: and start off with the big battle in the beginning,

1047
00:59:49,280 --> 00:59:51,960
Speaker 1: and then the rest of it's nothing but story at

1048
00:59:52,280 --> 00:59:55,120
Speaker 1: you know, during an inn and puzzle solving at the

1049
00:59:55,280 --> 00:59:57,680
Speaker 1: end instead of you know, you know, switch it up

1050
00:59:57,760 --> 00:59:59,840
Speaker 1: that way. If you're really hitting writer's block like that,

1051
01:00:00,120 --> 01:00:01,920
Speaker 1: you might be doing this already. I'm just you know,

1052
01:00:03,600 --> 01:00:06,880
Speaker 1: thinking of the things that you know, my DM when

1053
01:00:06,920 --> 01:00:08,680
Speaker 1: I was growing up, he would do things like that

1054
01:00:08,880 --> 01:00:12,480
Speaker 1: where it's like we would spend all night on a

1055
01:00:12,640 --> 01:00:16,240
Speaker 1: campaign and not do anything but puzzle solving, and then

1056
01:00:16,320 --> 01:00:20,200
Speaker 1: we'd have like one epic battle. And then sometimes he

1057
01:00:20,360 --> 01:00:22,440
Speaker 1: started off where we'd have like this epic battle and

1058
01:00:22,480 --> 01:00:24,720
Speaker 1: then he'd be puzzle solving. Like, I'm just trying to

1059
01:00:24,760 --> 01:00:27,560
Speaker 1: throw out different ways to play the game. Yeah, we

1060
01:00:27,720 --> 01:00:31,280
Speaker 1: just finished a gothic horror themed adventure and as soon

1061
01:00:31,320 --> 01:00:33,360
Speaker 1: as they got out of there, they basically came into

1062
01:00:33,520 --> 01:00:36,040
Speaker 1: my world and suddenly the world was a lot bigger.

1063
01:00:36,160 --> 01:00:39,440
Speaker 1: And we ended the session with, oh, by the way,

1064
01:00:40,000 --> 01:00:43,240
Speaker 1: there's trolls coming to break down the castle. So the

1065
01:00:43,320 --> 01:00:45,560
Speaker 1: next time we go, it'll start with a troll trying

1066
01:00:45,600 --> 01:00:48,800
Speaker 1: to break down the castle and we're gonna start rolling

1067
01:00:48,840 --> 01:00:51,680
Speaker 1: the ball. Why are the trolls there? Right? How many

1068
01:00:51,840 --> 01:00:54,320
Speaker 1: how many people do you have play? How many people?

1069
01:00:55,000 --> 01:00:57,439
Speaker 1: We currently went down from six down to four, which

1070
01:00:57,520 --> 01:01:01,200
Speaker 1: is a very comfortable size. And how many hours are

1071
01:01:01,280 --> 01:01:03,760
Speaker 1: you guys playing We tend to play about four to

1072
01:01:03,840 --> 01:01:08,040
Speaker 1: five hours every two weeks. Just about Daniel and Joel,

1073
01:01:08,120 --> 01:01:10,200
Speaker 1: have you done this? You're both nodding. Have you played

1074
01:01:10,240 --> 01:01:16,160
Speaker 1: d and by every Sunday? Who are you guys? Playing

1075
01:01:16,240 --> 01:01:21,920
Speaker 1: with men in New York have friends without children. We

1076
01:01:22,080 --> 01:01:25,400
Speaker 1: have eight hours every Sunday to dedicate. That's why. That's

1077
01:01:25,440 --> 01:01:28,000
Speaker 1: why I asked how many hours? That's why I asked

1078
01:01:28,040 --> 01:01:30,120
Speaker 1: him how many hours are you dedicating to this? Four

1079
01:01:30,160 --> 01:01:32,600
Speaker 1: to five hours? Man, that's a quick camp. See all

1080
01:01:32,600 --> 01:01:35,439
Speaker 1: the fun you could be having without those procession though,

1081
01:01:35,560 --> 01:01:37,440
Speaker 1: So I mean, I'm sure it's the same campaign. So

1082
01:01:37,560 --> 01:01:39,920
Speaker 1: it's just you only no, no, no, I I was

1083
01:01:39,920 --> 01:01:42,160
Speaker 1: about to say, my bad, four or five hours for

1084
01:01:42,240 --> 01:01:44,240
Speaker 1: a session is not enough time. We would do like

1085
01:01:44,480 --> 01:01:45,840
Speaker 1: I remember one time when I was a kid, we

1086
01:01:45,920 --> 01:01:48,600
Speaker 1: did a sixteen hours session. That's too long. I have

1087
01:01:48,720 --> 01:01:51,520
Speaker 1: to say, why the attention span for a sixteen hours?

1088
01:01:51,760 --> 01:01:55,280
Speaker 1: Some people? Some people? The d the dungeon master was

1089
01:01:55,840 --> 01:01:59,240
Speaker 1: the only person that didn't sleep. Man, But we got pizza,

1090
01:01:59,560 --> 01:02:02,720
Speaker 1: we got Coca cola. We freaking stayed up all night

1091
01:02:02,840 --> 01:02:05,360
Speaker 1: long and playing dungeons and dragons. Because those are the days.

1092
01:02:05,840 --> 01:02:08,240
Speaker 1: Sounds over the days dude. I remember my dad walked

1093
01:02:08,280 --> 01:02:10,960
Speaker 1: into the house and was like good night, and everybody

1094
01:02:11,040 --> 01:02:15,280
Speaker 1: just got up and left. That's how the character I

1095
01:02:15,320 --> 01:02:17,040
Speaker 1: would like to do. I'd like to be a guest

1096
01:02:17,120 --> 01:02:19,560
Speaker 1: dungeon Master Jowell. Oh my god, i'd be so I'll

1097
01:02:19,600 --> 01:02:24,640
Speaker 1: get you the books. Okay, really you would be a

1098
01:02:24,760 --> 01:02:27,080
Speaker 1: great dungeon master. I would love to do it, because

1099
01:02:27,120 --> 01:02:29,480
Speaker 1: I would. I would like like like armand saying, I

1100
01:02:29,920 --> 01:02:33,880
Speaker 1: think I could weave a good tale that gets sorry,

1101
01:02:34,240 --> 01:02:36,120
Speaker 1: sorry go ahead, ben, no, no, please please please no.

1102
01:02:36,200 --> 01:02:37,800
Speaker 1: The only thing that gets, The only thing that gets

1103
01:02:37,920 --> 01:02:40,880
Speaker 1: is not playing favorites and stuff like that. Like you

1104
01:02:41,000 --> 01:02:44,000
Speaker 1: might create your own character as a dungeon master and

1105
01:02:44,040 --> 01:02:46,000
Speaker 1: stuff like that, and you might love that, Like that

1106
01:02:46,120 --> 01:02:49,640
Speaker 1: would suck about. Like my DM, he would create characters

1107
01:02:49,680 --> 01:02:52,120
Speaker 1: and stuff that he loved, and you would have a

1108
01:02:52,280 --> 01:02:54,760
Speaker 1: character that got, you know, that became like let's say

1109
01:02:54,760 --> 01:02:58,240
Speaker 1: a higher level, and you faced his character that he loved,

1110
01:02:58,640 --> 01:03:00,920
Speaker 1: and there's no way you're ever gonna win, even if

1111
01:03:00,960 --> 01:03:05,080
Speaker 1: you critical hit double zero's fucking fatality. The fucker has

1112
01:03:05,120 --> 01:03:07,160
Speaker 1: a helmet on or something like that to stop it

1113
01:03:07,280 --> 01:03:09,560
Speaker 1: from from from killing him. Like it was just like

1114
01:03:09,760 --> 01:03:12,240
Speaker 1: so much stuff like Zach who loves the rules. I

1115
01:03:12,280 --> 01:03:14,120
Speaker 1: feel like Zach is gonna be the kind of d

1116
01:03:14,320 --> 01:03:16,880
Speaker 1: M who's like, yes, very creative and like into like

1117
01:03:16,920 --> 01:03:19,200
Speaker 1: creating his own characters and stuff. But then like also,

1118
01:03:19,320 --> 01:03:21,160
Speaker 1: like in D and D, there's like very strict rules

1119
01:03:21,200 --> 01:03:23,120
Speaker 1: about like how many hit points you have and like

1120
01:03:23,280 --> 01:03:25,360
Speaker 1: what different things impact a character. And I feel like

1121
01:03:25,400 --> 01:03:29,520
Speaker 1: you're gonna rely on the books pretty religiously and follow

1122
01:03:29,560 --> 01:03:30,720
Speaker 1: that and that's what makes it game fun. Like this

1123
01:03:30,840 --> 01:03:34,880
Speaker 1: is the combination of chance and improv and that's just

1124
01:03:35,000 --> 01:03:37,960
Speaker 1: like gambling too right, And it's like gambling too right.

1125
01:03:38,080 --> 01:03:43,040
Speaker 1: It's like you're sitting at the table. Sex is there? Sex? Yeah?

1126
01:03:44,560 --> 01:03:47,560
Speaker 1: Whatever you want? Whatever I want to know. I have

1127
01:03:47,840 --> 01:03:51,440
Speaker 1: all my characters, my warlocks and my gnomes and wizards

1128
01:03:51,480 --> 01:03:54,320
Speaker 1: all enter a brothel. And it's like, if you roll this,

1129
01:03:54,560 --> 01:03:57,360
Speaker 1: you you like, yeah, I don't want to role play

1130
01:03:57,440 --> 01:03:59,320
Speaker 1: sex like that. Yes, you can do it. I want

1131
01:03:59,320 --> 01:04:02,400
Speaker 1: to say, if you please, if you roll a seven,

1132
01:04:02,520 --> 01:04:06,360
Speaker 1: you please the wench as long as there's consent. Yeah,

1133
01:04:06,400 --> 01:04:09,240
Speaker 1: as long as everybody at the table is okay with it.

1134
01:04:09,920 --> 01:04:13,600
Speaker 1: Randall's like, what the fuck did I want to I'm

1135
01:04:13,600 --> 01:04:16,080
Speaker 1: not he was like I thought we were talking about scrubs.

1136
01:04:18,080 --> 01:04:26,760
Speaker 1: I'm fascinated. All right, let's go. We should steer this

1137
01:04:26,880 --> 01:04:28,320
Speaker 1: away from D and D for people that have no

1138
01:04:28,440 --> 01:04:31,560
Speaker 1: interest in D and D. Armand you have another question, Yes,

1139
01:04:31,680 --> 01:04:36,200
Speaker 1: I do. Donald doing a bit of sleuthing, I learned

1140
01:04:36,200 --> 01:04:38,760
Speaker 1: an interesting story about the time when you gave a

1141
01:04:39,000 --> 01:04:44,840
Speaker 1: used napkin to an improv group. Yes and Times Yeah,

1142
01:04:45,600 --> 01:04:48,640
Speaker 1: Times Square, Yeah, I'm sure I did it. I do

1143
01:04:48,800 --> 01:04:51,280
Speaker 1: recall doing something. Asked for a prop and you gave

1144
01:04:51,320 --> 01:04:54,880
Speaker 1: them a used napkin. They asked for a used nap

1145
01:04:55,200 --> 01:04:57,320
Speaker 1: They asked for what I had in my pocket, and

1146
01:04:57,440 --> 01:05:00,040
Speaker 1: I had a used napkin and I was like, this

1147
01:05:00,160 --> 01:05:02,480
Speaker 1: is gross, dude. I had it in my pocket and

1148
01:05:02,560 --> 01:05:05,520
Speaker 1: it's used, and they were like, we need it. Did

1149
01:05:05,600 --> 01:05:07,480
Speaker 1: they make up a whole bit about it. I didn't

1150
01:05:07,520 --> 01:05:09,320
Speaker 1: even stick around the seat a bit. I just gave

1151
01:05:09,360 --> 01:05:13,920
Speaker 1: the napkin and took off. Dude, it's fucking New York man,

1152
01:05:14,000 --> 01:05:15,360
Speaker 1: Get the funk out of here. You trying to rob

1153
01:05:15,480 --> 01:05:18,960
Speaker 1: me of something. Always like on the street, Yeah, dude, Oh,

1154
01:05:19,080 --> 01:05:21,800
Speaker 1: no one wants your street improv. Guys. Listen, if your

1155
01:05:21,840 --> 01:05:24,120
Speaker 1: thing is street improv, get the funk out of here.

1156
01:05:26,880 --> 01:05:30,240
Speaker 1: You deserve that dirty napkin. Or here comes imaging webcam

1157
01:05:30,840 --> 01:05:33,520
Speaker 1: all right back in the Is it too late, Daniel,

1158
01:05:33,600 --> 01:05:35,920
Speaker 1: I thought you got a new kid? Oh there we go. Yeah,

1159
01:05:36,040 --> 01:05:37,800
Speaker 1: by the way, when it works in spurts, it looks

1160
01:05:37,840 --> 01:05:40,520
Speaker 1: really good. Um. Is it too late to give to

1161
01:05:40,680 --> 01:05:45,840
Speaker 1: offer arm on any advice at all? Yeah, I'm so

1162
01:05:47,280 --> 01:05:49,360
Speaker 1: very very quickly. This is just about just want to

1163
01:05:49,440 --> 01:05:52,320
Speaker 1: lose listeners, Daniel, I apologize. This is just about writer's

1164
01:05:52,360 --> 01:05:54,360
Speaker 1: block in general. When I was writing music and I

1165
01:05:54,440 --> 01:05:55,960
Speaker 1: would always get to a point where I don't know

1166
01:05:56,000 --> 01:05:57,680
Speaker 1: what to do with this beat whatever, blah blah blah,

1167
01:05:57,920 --> 01:06:01,480
Speaker 1: I would truly start over something new, write a completely

1168
01:06:01,520 --> 01:06:04,280
Speaker 1: new song, write something entirely different. And what that would

1169
01:06:04,320 --> 01:06:06,720
Speaker 1: do was just like, instead of me focused on pushing

1170
01:06:06,800 --> 01:06:09,560
Speaker 1: my creativity on that moment, it was just restarting it

1171
01:06:09,640 --> 01:06:11,560
Speaker 1: and resetting and just like starting a new page. And

1172
01:06:11,600 --> 01:06:13,160
Speaker 1: I feel like that can be applied to things like

1173
01:06:13,280 --> 01:06:15,480
Speaker 1: D and D like scenarios. It's like, if you're having

1174
01:06:15,520 --> 01:06:18,320
Speaker 1: trouble coming up with a section, forget it. Any work

1175
01:06:18,360 --> 01:06:20,080
Speaker 1: that you do that is creative work is going to

1176
01:06:20,160 --> 01:06:22,320
Speaker 1: be helpful for what you're doing. In the future, whether

1177
01:06:22,400 --> 01:06:24,360
Speaker 1: it's a new campaign, whether it's something else that you're

1178
01:06:24,400 --> 01:06:26,960
Speaker 1: working on. Just start fresh on something completely new. Talk

1179
01:06:26,960 --> 01:06:29,680
Speaker 1: about a new encounter, talk about a new tavern, the

1180
01:06:29,720 --> 01:06:31,160
Speaker 1: drig go to go to, think of a new town

1181
01:06:31,240 --> 01:06:34,120
Speaker 1: that you're going to visit. Just completely start over the

1182
01:06:34,200 --> 01:06:36,520
Speaker 1: creative process with something else, so that your brain is

1183
01:06:36,560 --> 01:06:39,720
Speaker 1: still going and creating ideas. Because then when you're in

1184
01:06:39,760 --> 01:06:42,640
Speaker 1: the active process of creating ideas, maybe that thing that

1185
01:06:42,720 --> 01:06:44,840
Speaker 1: you were working on will come to you. Yeah, and

1186
01:06:44,920 --> 01:06:47,840
Speaker 1: don't be the guy that like kills everybody. Man. Let

1187
01:06:47,960 --> 01:06:52,280
Speaker 1: people freaking play and freaking chart it's the EP at

1188
01:06:52,320 --> 01:06:54,680
Speaker 1: the end of the campaign, so they can go out

1189
01:06:54,960 --> 01:06:57,439
Speaker 1: and buy shit in the books, because that's the best part.

1190
01:06:57,760 --> 01:06:59,919
Speaker 1: That's the best part. The best part is going shop

1191
01:07:00,200 --> 01:07:02,480
Speaker 1: and being like, I'm gonna get that I'm gonna get

1192
01:07:02,520 --> 01:07:06,640
Speaker 1: that freaking bastard sword. That's the best part. All right, um,

1193
01:07:06,840 --> 01:07:11,640
Speaker 1: let's go back to your second question. Well, my second

1194
01:07:11,680 --> 01:07:15,480
Speaker 1: question was mostly just about that napkin because I just

1195
01:07:15,680 --> 01:07:18,280
Speaker 1: I just love the fact that some people came up

1196
01:07:18,320 --> 01:07:20,200
Speaker 1: to Donald and he's walking the street just like we

1197
01:07:20,320 --> 01:07:22,840
Speaker 1: need something that you have. Just give it to us.

1198
01:07:22,920 --> 01:07:24,880
Speaker 1: Anything you have and he just went to far Did

1199
01:07:24,880 --> 01:07:27,680
Speaker 1: they recognize you? Donald? Do you remember where? They just thinking, well,

1200
01:07:27,720 --> 01:07:30,520
Speaker 1: they obviously recognize me. After No, they might have been

1201
01:07:30,600 --> 01:07:32,280
Speaker 1: all because they put it in the news. I see,

1202
01:07:32,360 --> 01:07:35,800
Speaker 1: because it became news. But you know that's yeah, that's

1203
01:07:36,160 --> 01:07:40,160
Speaker 1: it's like in my like IMDb or some shit like that. Yeah,

1204
01:07:40,480 --> 01:07:43,520
Speaker 1: it's an important fact about you. Yeah it is. It's

1205
01:07:43,640 --> 01:07:46,919
Speaker 1: very important. I am known to have used. Everyone knows.

1206
01:07:47,120 --> 01:07:49,760
Speaker 1: If you confront Donald with your street improv in New

1207
01:07:49,840 --> 01:07:52,440
Speaker 1: York City, you're probably gonna get a dirty napkin. All right,

1208
01:07:52,640 --> 01:07:57,640
Speaker 1: it's time for Iceland's favorite segment. Donald, it's time too

1209
01:07:58,360 --> 01:08:11,439
Speaker 1: fix your j' well wincing every time. That's my favorite part.

1210
01:08:12,960 --> 01:08:15,320
Speaker 1: All right, go ahead, our mom, We're gonna fix your life.

1211
01:08:16,280 --> 01:08:19,760
Speaker 1: So here's the thing. I just got into a relationship

1212
01:08:19,880 --> 01:08:22,120
Speaker 1: a few months ago. And this is the kind of

1213
01:08:22,200 --> 01:08:24,960
Speaker 1: thing where you just meet the person you completely fault

1214
01:08:25,040 --> 01:08:27,920
Speaker 1: for them. We met, we went to a concert. I

1215
01:08:28,040 --> 01:08:30,680
Speaker 1: invited her over for a beer. We went and we

1216
01:08:30,840 --> 01:08:33,799
Speaker 1: drank half a beer, but we talked for like five hours,

1217
01:08:34,920 --> 01:08:37,200
Speaker 1: and then I drove her home. And the thing is

1218
01:08:37,320 --> 01:08:41,280
Speaker 1: that she came here on a sort of a tourist

1219
01:08:41,360 --> 01:08:43,640
Speaker 1: visa so she could be here for three months. So

1220
01:08:43,840 --> 01:08:46,280
Speaker 1: she left in December. She's not going to be back

1221
01:08:46,680 --> 01:08:49,160
Speaker 1: for another three months. So I guess my question is, like,

1222
01:08:49,960 --> 01:08:52,600
Speaker 1: any of you ever been in a long distance relationship

1223
01:08:52,720 --> 01:08:54,800
Speaker 1: and do you have any tips on how to like

1224
01:08:54,880 --> 01:09:01,320
Speaker 1: cultivate that in that absence? Yeah, Donald, Donald's going to

1225
01:09:01,360 --> 01:09:04,120
Speaker 1: go first, and he's got a He's definitely got a tip,

1226
01:09:04,320 --> 01:09:06,479
Speaker 1: no pun intended for how to deal with that situation.

1227
01:09:06,560 --> 01:09:08,519
Speaker 1: Go ahead. I have a question. I have a question.

1228
01:09:09,160 --> 01:09:11,439
Speaker 1: Are you guys in a relationship or did you just

1229
01:09:11,560 --> 01:09:14,240
Speaker 1: share a beer and it's a girl? Are you exclusive?

1230
01:09:14,280 --> 01:09:16,479
Speaker 1: He wants, Oh, that's a great okay. Yeah, So we

1231
01:09:16,800 --> 01:09:19,960
Speaker 1: shared that beer and then two weeks two days later,

1232
01:09:20,040 --> 01:09:21,920
Speaker 1: we went on another date. Then I'd tookle on like

1233
01:09:22,000 --> 01:09:24,120
Speaker 1: a tourist date where you go to see all the

1234
01:09:24,240 --> 01:09:26,920
Speaker 1: nice sights and the nice black sand beaches and the

1235
01:09:27,000 --> 01:09:30,800
Speaker 1: waterfalls and the hot water bursting out of the ground,

1236
01:09:30,840 --> 01:09:33,840
Speaker 1: all that good stuff. And yeah, we are pretty exclusive.

1237
01:09:34,040 --> 01:09:36,559
Speaker 1: We are very much in love, and right we are

1238
01:09:36,800 --> 01:09:40,599
Speaker 1: very much seven thousand kilometers apart. Well, the good news

1239
01:09:40,720 --> 01:09:46,720
Speaker 1: is you found love, dude. Yeah, Joel's just looking for that.

1240
01:09:47,439 --> 01:09:50,120
Speaker 1: We're trying to find her. But listen, before we get

1241
01:09:50,160 --> 01:09:53,160
Speaker 1: to solving your problem. In this crazy time on Earth,

1242
01:09:53,400 --> 01:09:57,000
Speaker 1: when everyone's on lockdown and everyone is going through a

1243
01:09:57,160 --> 01:10:00,679
Speaker 1: rough time with this earth, what's happen ending on this earth,

1244
01:10:01,240 --> 01:10:03,360
Speaker 1: you manage to find love. So that's that's a that's

1245
01:10:03,400 --> 01:10:06,840
Speaker 1: a celebratory thing. That's a number one problem to have

1246
01:10:07,040 --> 01:10:10,479
Speaker 1: right there, Lightning in a bottle. Yeah. And and with

1247
01:10:10,680 --> 01:10:14,559
Speaker 1: technology the way it is, you guys can be intimate

1248
01:10:14,760 --> 01:10:18,000
Speaker 1: and and and all of that stuff now, so it's

1249
01:10:18,040 --> 01:10:20,360
Speaker 1: not like long distance relationships like back in a day

1250
01:10:20,439 --> 01:10:23,360
Speaker 1: where you know it's letters and you're living through the

1251
01:10:23,479 --> 01:10:26,400
Speaker 1: moment through every word that you read in a letter

1252
01:10:26,479 --> 01:10:29,519
Speaker 1: and stuff. So you have a lot of tools and

1253
01:10:30,320 --> 01:10:34,160
Speaker 1: technology to help you out. But I totally get it.

1254
01:10:34,240 --> 01:10:37,800
Speaker 1: There's nothing like touch. But you can see her, you

1255
01:10:37,920 --> 01:10:40,479
Speaker 1: can talk to her, you can you know what I mean.

1256
01:10:40,560 --> 01:10:44,600
Speaker 1: You can literally she could literally take you wherever she

1257
01:10:44,840 --> 01:10:47,519
Speaker 1: goes if you really want, if you if that's what

1258
01:10:47,640 --> 01:10:55,000
Speaker 1: you guys really want. Um, it makes Mexico Mexico, Okay,

1259
01:10:56,680 --> 01:10:59,400
Speaker 1: if I may, Because when scrub started, I was I

1260
01:10:59,800 --> 01:11:01,919
Speaker 1: was in a relationship that became a long distance relationship.

1261
01:11:02,000 --> 01:11:04,000
Speaker 1: That's right, And you didn't have all of this technology,

1262
01:11:04,080 --> 01:11:06,560
Speaker 1: and I did not have all this technology, and you

1263
01:11:06,680 --> 01:11:10,160
Speaker 1: know it really I mean, relationship, whether you're together or

1264
01:11:10,200 --> 01:11:13,080
Speaker 1: whether you're a part, is about sharing, you know, and

1265
01:11:13,280 --> 01:11:16,120
Speaker 1: that keeps I thought, kept the excitement up. So I

1266
01:11:16,400 --> 01:11:20,360
Speaker 1: got great pleasure out of, you know, finding things that

1267
01:11:20,640 --> 01:11:23,280
Speaker 1: I was around that we had either shared or that

1268
01:11:23,400 --> 01:11:26,439
Speaker 1: I was excited to, uh for us to do together

1269
01:11:26,960 --> 01:11:30,400
Speaker 1: when we were together, and you know, send that via mail,

1270
01:11:30,479 --> 01:11:35,880
Speaker 1: or send little packages that were that contained something that

1271
01:11:35,960 --> 01:11:38,439
Speaker 1: we had shared together, or something that we had talked

1272
01:11:38,479 --> 01:11:42,679
Speaker 1: about together but didn't get the chance to to really

1273
01:11:43,240 --> 01:11:46,760
Speaker 1: engage in. And you know, it was that for me.

1274
01:11:46,880 --> 01:11:48,680
Speaker 1: It went on for a while, and the great part

1275
01:11:48,720 --> 01:11:52,320
Speaker 1: about the distance was we were always happy to see

1276
01:11:52,360 --> 01:11:55,320
Speaker 1: each other and always missed each other when we were apart.

1277
01:11:55,400 --> 01:11:58,439
Speaker 1: So that was the joy in the distance. I think

1278
01:11:58,439 --> 01:12:00,840
Speaker 1: I agree with Randall that all the technology is awesome

1279
01:12:00,840 --> 01:12:03,439
Speaker 1: and you guys can face time and and spend time

1280
01:12:03,479 --> 01:12:06,000
Speaker 1: with each other. But one thing that's nice is to

1281
01:12:06,439 --> 01:12:10,800
Speaker 1: do something analog, like surprise her with a long handwritten letter,

1282
01:12:10,960 --> 01:12:15,200
Speaker 1: or surprise her with a little package just because like

1283
01:12:15,280 --> 01:12:19,280
Speaker 1: a care package. Man, that no one does that shit anymore.

1284
01:12:19,320 --> 01:12:21,360
Speaker 1: I love it When I get a handwritten letter in

1285
01:12:21,400 --> 01:12:23,960
Speaker 1: the mail, I think it's it's just so special. I

1286
01:12:24,080 --> 01:12:29,280
Speaker 1: love it when I get package from just anybody you care,

1287
01:12:29,320 --> 01:12:32,800
Speaker 1: packages are amazing, amazing, you can't go wrong with that.

1288
01:12:33,200 --> 01:12:36,360
Speaker 1: Like that's just that's just love in a basket of care,

1289
01:12:36,800 --> 01:12:40,000
Speaker 1: it's like just T Holy shit, they put a T

1290
01:12:40,120 --> 01:12:44,040
Speaker 1: shirt in it just for me. Yep, yep, Oh my god,

1291
01:12:44,560 --> 01:12:47,760
Speaker 1: look at this. Look the whole notebook. It's filled with

1292
01:12:47,880 --> 01:12:52,680
Speaker 1: nothing but you know, love and just polaroid pictures of us,

1293
01:12:53,720 --> 01:12:56,960
Speaker 1: you know, Look at motherfucker put it. Motherfucker put a

1294
01:12:57,080 --> 01:12:59,479
Speaker 1: shoe box with all photographs in a the bus. Look

1295
01:12:59,479 --> 01:13:01,880
Speaker 1: at it. I love it right. Oh look it's chocolates

1296
01:13:03,160 --> 01:13:06,400
Speaker 1: a song that I made me think of you. I

1297
01:13:06,920 --> 01:13:08,760
Speaker 1: have a tape deck no more. How am I gonna

1298
01:13:08,760 --> 01:13:11,240
Speaker 1: play this ship? By the way, armand is she M?

1299
01:13:11,280 --> 01:13:13,920
Speaker 1: Does she play D and D with you? And she

1300
01:13:14,160 --> 01:13:15,880
Speaker 1: did play dn D a long time ago? But I

1301
01:13:15,960 --> 01:13:19,439
Speaker 1: have looked at that tided dice. Yeah, because you could.

1302
01:13:19,600 --> 01:13:22,240
Speaker 1: You could. Maybe another idea is to include her in

1303
01:13:22,320 --> 01:13:24,600
Speaker 1: your in your game, so that she's getting to know

1304
01:13:24,680 --> 01:13:27,080
Speaker 1: your friends and and and playing D and D with

1305
01:13:27,120 --> 01:13:38,040
Speaker 1: you as well. We lost. She got me this ord. Wow, guys,

1306
01:13:38,080 --> 01:13:40,000
Speaker 1: it's a D twenty. I know all the ling go.

1307
01:13:41,840 --> 01:13:47,360
Speaker 1: It's an aedron for those who do Do you be rolling?

1308
01:13:47,479 --> 01:13:49,519
Speaker 1: Do you roll? That? Is that your attack? Die? Yeah?

1309
01:13:49,640 --> 01:13:51,680
Speaker 1: But this is a It's made out of paper, so

1310
01:13:51,800 --> 01:13:55,759
Speaker 1: it's very weighted. Sorry, I woke up my cats. Sorry,

1311
01:13:57,600 --> 01:14:07,360
Speaker 1: that looks like a kittens. She's about six months. I'm sorry, buddy.

1312
01:14:07,760 --> 01:14:09,960
Speaker 1: You guys. Should I get a cat? No? I can

1313
01:14:10,000 --> 01:14:15,000
Speaker 1: never come over. Yeah, but every time I see someone

1314
01:14:15,080 --> 01:14:18,559
Speaker 1: with the cat, I'm jealous. They also fuck up your furniture, right, Armond,

1315
01:14:18,600 --> 01:14:21,160
Speaker 1: She's gonna fuck up all your your Oh yeah, there's

1316
01:14:21,200 --> 01:14:24,160
Speaker 1: a reason why you can't see below the bed. That's

1317
01:14:24,160 --> 01:14:26,240
Speaker 1: the thing about kittens. They're so cute, but they're like, hey,

1318
01:14:26,320 --> 01:14:28,120
Speaker 1: thanks for having me over. I'm gonna fuck up your

1319
01:14:28,200 --> 01:14:31,840
Speaker 1: whole house. They're like Rick James and that freaking uh

1320
01:14:32,280 --> 01:14:37,840
Speaker 1: that Dave Chappelle's catchy couch y couch. They should have

1321
01:14:38,000 --> 01:14:42,479
Speaker 1: never given you nice thing. Don't remember that. I don't

1322
01:14:42,520 --> 01:14:47,679
Speaker 1: have no but I do remember the what the party?

1323
01:14:47,880 --> 01:14:51,360
Speaker 1: I don't remember that day. The Rick James of course,

1324
01:14:51,880 --> 01:14:59,599
Speaker 1: the best bits ever, that's just hilarious. I'm yeah, hilarious. Exact.

1325
01:14:59,640 --> 01:15:02,360
Speaker 1: Doesn't remember it, Zach, you don't remember it. I remember

1326
01:15:02,439 --> 01:15:04,680
Speaker 1: it vaguely. I don't remember Jack. You don't remember the

1327
01:15:04,800 --> 01:15:07,479
Speaker 1: Rick James sketch. I remember him in the Outfit and

1328
01:15:07,520 --> 01:15:09,760
Speaker 1: I remember him saying rip Jane's bitch, but I don't

1329
01:15:09,800 --> 01:15:12,680
Speaker 1: remember the skit word for word. Like, oh man, you

1330
01:15:12,720 --> 01:15:15,960
Speaker 1: have iTunes right, just please watch it. I got the iTunes. Okay,

1331
01:15:16,040 --> 01:15:19,320
Speaker 1: speaking of iTunes, I watched this episode on iTunes and

1332
01:15:20,600 --> 01:15:23,920
Speaker 1: they removed the Gavin Degrass song followed Through, which is

1333
01:15:23,960 --> 01:15:26,080
Speaker 1: such a great song. Yeah, it wasn't on the end

1334
01:15:26,120 --> 01:15:29,719
Speaker 1: of Hulu on Hulu either, So if you watch this episode, guys,

1335
01:15:29,760 --> 01:15:33,080
Speaker 1: you got to By the way, speaking, that's true, we

1336
01:15:33,160 --> 01:15:35,840
Speaker 1: got Randall on the show. Randall, you were the one

1337
01:15:35,920 --> 01:15:39,040
Speaker 1: you told us last time who was picking these fucking

1338
01:15:39,600 --> 01:15:44,960
Speaker 1: aftermarket songs. Yes, I did not pick the spot, I know,

1339
01:15:45,160 --> 01:15:47,560
Speaker 1: but you, but you, you, you yourself went back to

1340
01:15:47,680 --> 01:15:49,759
Speaker 1: this episode and said, okay, we got to lose Gavin

1341
01:15:49,800 --> 01:15:53,160
Speaker 1: DeGraw follow Through. Let me put in this one, Randall.

1342
01:15:53,360 --> 01:15:58,080
Speaker 1: It's not a good song and what I had to

1343
01:15:58,160 --> 01:16:01,040
Speaker 1: choose from. No, I'm sure with whoever the artist is,

1344
01:16:01,080 --> 01:16:03,040
Speaker 1: I'm sure you're very talented. It just wasn't the right

1345
01:16:03,120 --> 01:16:06,160
Speaker 1: song for the right moment. And Gavin's song follow through

1346
01:16:06,320 --> 01:16:09,640
Speaker 1: his epic It's the way it works out too and

1347
01:16:10,240 --> 01:16:18,200
Speaker 1: oh this is side of something good, don't you don't

1348
01:16:18,280 --> 01:16:23,960
Speaker 1: you agree? Oh it crushes at that moment too, having

1349
01:16:24,160 --> 01:16:29,120
Speaker 1: felt like this and so many moons, Hey, you know

1350
01:16:29,400 --> 01:16:36,480
Speaker 1: what I mean? And we can build through this destruction

1351
01:16:38,760 --> 01:16:43,519
Speaker 1: whatever the fuck he says after that. So if if

1352
01:16:43,560 --> 01:16:49,080
Speaker 1: you have, you have to follow through that. Dude, where

1353
01:16:49,120 --> 01:16:52,479
Speaker 1: the fuck is Gavin? Gavin's always around, Dude. I know

1354
01:16:52,600 --> 01:16:55,160
Speaker 1: he works and stuff, but I just remember when we

1355
01:16:55,200 --> 01:16:57,880
Speaker 1: were friends with Gavin. We are still friends with Gavin. Man,

1356
01:16:57,960 --> 01:17:00,640
Speaker 1: I'd run I'd run into Gavin out and about and

1357
01:17:00,760 --> 01:17:03,680
Speaker 1: he's I was a dinner one are running anyone out

1358
01:17:03,760 --> 01:17:06,280
Speaker 1: and about? Well not now, but I ran into Gavin

1359
01:17:06,360 --> 01:17:09,400
Speaker 1: out and about in Texas one night. He was there

1360
01:17:09,479 --> 01:17:11,439
Speaker 1: with some of his friends and I was there with

1361
01:17:11,560 --> 01:17:16,880
Speaker 1: my wife and h and my kids and my father

1362
01:17:17,040 --> 01:17:20,599
Speaker 1: in law, and Gavin came up to the table where

1363
01:17:20,640 --> 01:17:23,320
Speaker 1: we were sitting to come say hi and talk to

1364
01:17:23,400 --> 01:17:25,840
Speaker 1: everybody at the table. I was once walking down the

1365
01:17:25,920 --> 01:17:28,720
Speaker 1: street in New York City and ran into him, his

1366
01:17:28,880 --> 01:17:31,680
Speaker 1: mother and his father on the street. I run into

1367
01:17:31,760 --> 01:17:35,599
Speaker 1: Gavin so much. It's ridiculous. Man, I love that guy

1368
01:17:35,760 --> 01:17:38,840
Speaker 1: and I wish and he fucking writes night shit and

1369
01:17:39,000 --> 01:17:42,479
Speaker 1: he can write a song like he writes a fucking

1370
01:17:42,640 --> 01:17:44,880
Speaker 1: great hooky pop song. You know, all we should do.

1371
01:17:45,120 --> 01:17:47,760
Speaker 1: We should see if iHeart and Gavin would let us

1372
01:17:47,840 --> 01:17:51,840
Speaker 1: play follow through at the end of this episode. Well

1373
01:17:52,080 --> 01:17:55,599
Speaker 1: that's a good idea, but I already had a plan

1374
01:17:55,720 --> 01:17:58,000
Speaker 1: for the song at the end of this episode. Oh

1375
01:17:58,040 --> 01:18:00,680
Speaker 1: you want to play some of that freaking Lett Lawren. Yeah,

1376
01:18:00,720 --> 01:18:05,080
Speaker 1: I'm gonna play Charlotte. It's it's a bop. Have you

1377
01:18:05,240 --> 01:18:07,479
Speaker 1: heard it? That's what we call it. Let's let's get

1378
01:18:07,520 --> 01:18:10,360
Speaker 1: into this because we're going along. We've we finished the

1379
01:18:10,400 --> 01:18:12,439
Speaker 1: show pretty much. I mean, there's a couple of there's

1380
01:18:12,439 --> 01:18:15,040
Speaker 1: a few more things. Stay on because we talk about

1381
01:18:15,080 --> 01:18:17,400
Speaker 1: our mind, you can stay on and kick it with us. Um,

1382
01:18:19,040 --> 01:18:21,280
Speaker 1: So let's get into it. Let's talk about this Jordan

1383
01:18:21,439 --> 01:18:25,680
Speaker 1: Cox uh won't fight situation and how that turned in.

1384
01:18:25,880 --> 01:18:28,519
Speaker 1: That's like it was like sex for Cox. That's how

1385
01:18:28,600 --> 01:18:32,920
Speaker 1: much he needed the freaking the confrontation. He needed to

1386
01:18:33,000 --> 01:18:35,519
Speaker 1: have somebody fight with him so bad. And then the

1387
01:18:35,680 --> 01:18:37,800
Speaker 1: great the great joke was at the end of it

1388
01:18:38,160 --> 01:18:41,400
Speaker 1: where he tries to get uh Carla to fight with

1389
01:18:41,520 --> 01:18:45,400
Speaker 1: him and she's like, I'm getting married tomorrow. There's no way. Yeah,

1390
01:18:46,400 --> 01:18:48,280
Speaker 1: he's turned on my arguing. I think that must come

1391
01:18:48,320 --> 01:18:55,960
Speaker 1: from Bill and Chris's real life. Some people are they need,

1392
01:18:56,040 --> 01:18:59,040
Speaker 1: they need, they need confrontation to get all riled up.

1393
01:19:00,120 --> 01:19:03,840
Speaker 1: If their Twitter interactions or any sign, I think you're right, yeah, yeah, yeah,

1394
01:19:03,840 --> 01:19:06,080
Speaker 1: they argued on Twitter. That's the that's their stick, and

1395
01:19:06,120 --> 01:19:07,800
Speaker 1: they'll be sitting there next to each other having an

1396
01:19:07,880 --> 01:19:13,080
Speaker 1: argument on Twitter. And Bill was very very specific about

1397
01:19:13,800 --> 01:19:21,000
Speaker 1: when when Cox says you reminded of your mother, and yeah,

1398
01:19:22,080 --> 01:19:27,200
Speaker 1: that was like you gave her a line reading that

1399
01:19:27,360 --> 01:19:29,720
Speaker 1: was funny. Though your shot was clever there Randall. She right,

1400
01:19:29,840 --> 01:19:31,960
Speaker 1: she sort of rises up into into a close up

1401
01:19:32,000 --> 01:19:36,679
Speaker 1: and that moment that's good. Um, I got goose bumps.

1402
01:19:37,280 --> 01:19:42,000
Speaker 1: When we're at we're at the dinner party and you're

1403
01:19:42,200 --> 01:19:45,880
Speaker 1: telling me how you really feel about Judy just you

1404
01:19:45,960 --> 01:19:48,040
Speaker 1: fucked up the speech you did when Harry mentally and

1405
01:19:48,120 --> 01:19:49,640
Speaker 1: you're just you're sitting there and you're talking to me

1406
01:19:49,720 --> 01:19:51,760
Speaker 1: about what you really love about her, and I go,

1407
01:19:52,439 --> 01:19:55,120
Speaker 1: maybe you should say that and then you kind of

1408
01:19:55,160 --> 01:19:57,240
Speaker 1: stand up. I like got goose bumps on my legs.

1409
01:19:57,280 --> 01:20:02,559
Speaker 1: I thought it was moving. I thought you did great too.

1410
01:20:02,920 --> 01:20:05,439
Speaker 1: I thought you were amazing at that moment. Also, ok,

1411
01:20:06,800 --> 01:20:12,040
Speaker 1: the final um stunt in that in that scene, you know,

1412
01:20:12,320 --> 01:20:14,160
Speaker 1: she hits him and he goes flying over the table

1413
01:20:14,160 --> 01:20:17,160
Speaker 1: and this is my I remember this one. I remember

1414
01:20:17,280 --> 01:20:20,120
Speaker 1: this and it was late at night. It was late

1415
01:20:20,160 --> 01:20:21,680
Speaker 1: at night. It was like me right, it was a

1416
01:20:21,720 --> 01:20:24,600
Speaker 1: stunt man and the stunt man and everybody wanted to

1417
01:20:24,640 --> 01:20:27,760
Speaker 1: go home. And he goes flying over the table and

1418
01:20:27,800 --> 01:20:30,200
Speaker 1: if I remember, he was like bleeding a little bit

1419
01:20:30,360 --> 01:20:31,840
Speaker 1: and he was like he was like, he was like

1420
01:20:31,880 --> 01:20:33,760
Speaker 1: I can do this better. He's like like please, He's

1421
01:20:33,760 --> 01:20:35,400
Speaker 1: like I gotta do this better. You gotta let me

1422
01:20:35,439 --> 01:20:38,200
Speaker 1: do it again. And I was like, this is so weird,

1423
01:20:38,320 --> 01:20:41,240
Speaker 1: Like I can't. I was like it was. It was

1424
01:20:41,280 --> 01:20:43,240
Speaker 1: one of those things where it was like it was

1425
01:20:43,360 --> 01:20:45,800
Speaker 1: like it was like we don't have it, but we

1426
01:20:45,880 --> 01:20:48,800
Speaker 1: don't have time to get it. We've got very little.

1427
01:20:48,880 --> 01:20:50,080
Speaker 1: It was like one of those things where we have

1428
01:20:50,240 --> 01:20:53,439
Speaker 1: very little set left, we only have one take at

1429
01:20:53,479 --> 01:20:58,720
Speaker 1: this It's like the reset was gonna take forever, and

1430
01:20:58,800 --> 01:21:01,640
Speaker 1: it was like it was like I remember, I remember that.

1431
01:21:01,720 --> 01:21:04,120
Speaker 1: I remember watching him being like that stunt didn't work,

1432
01:21:04,120 --> 01:21:07,000
Speaker 1: and I didn't remember like, oh shit, that's right. That

1433
01:21:07,160 --> 01:21:09,559
Speaker 1: was the night that like he this dude was begging

1434
01:21:09,640 --> 01:21:12,439
Speaker 1: for another take wasn't yes, but it was late and

1435
01:21:12,520 --> 01:21:14,920
Speaker 1: we were like, bro, it's gonna take like a half

1436
01:21:14,960 --> 01:21:18,599
Speaker 1: hour turn around in urgent care. Turn around in urgent care.

1437
01:21:19,640 --> 01:21:23,160
Speaker 1: That was a different episode. That was urgent Care. Yeah.

1438
01:21:23,840 --> 01:21:26,680
Speaker 1: I want to say something. If you you you never

1439
01:21:26,840 --> 01:21:29,320
Speaker 1: cut to Todd. This is one mistake you made in

1440
01:21:29,400 --> 01:21:31,720
Speaker 1: directing this episode. This was the best, the best part

1441
01:21:31,760 --> 01:21:35,680
Speaker 1: of the episode. You never cut to Todd's outfit at

1442
01:21:35,760 --> 01:21:38,639
Speaker 1: the at the at the rehearsal dinner, which you only

1443
01:21:38,680 --> 01:21:40,560
Speaker 1: see in a wide shot if you're watching, you have

1444
01:21:40,640 --> 01:21:44,240
Speaker 1: to part. I laughed so hard at that. I look

1445
01:21:44,280 --> 01:21:48,559
Speaker 1: at He's in a black He's in a black leather

1446
01:21:48,720 --> 01:21:52,920
Speaker 1: trench coat with the butterfly color. Butterfly color. It's open.

1447
01:21:53,240 --> 01:21:57,920
Speaker 1: I did not get he only has one line in

1448
01:21:58,000 --> 01:22:01,960
Speaker 1: the whole show. I mean, oh yeah, but it's not

1449
01:22:02,120 --> 01:22:04,280
Speaker 1: in the outfit. The outfit has never got to Oh

1450
01:22:04,400 --> 01:22:09,760
Speaker 1: my god, I paused laugh. I laughed at that show

1451
01:22:09,840 --> 01:22:11,960
Speaker 1: hard when he gets pushed over the table and free.

1452
01:22:12,360 --> 01:22:16,200
Speaker 1: That's beautiful. The least happy people in that scene were

1453
01:22:16,280 --> 01:22:19,960
Speaker 1: Alma and Rob because they was like they had nothing

1454
01:22:20,040 --> 01:22:21,880
Speaker 1: to do and it was but yeah, I didn't even

1455
01:22:21,920 --> 01:22:24,200
Speaker 1: know they were in the scene until they She's pouring

1456
01:22:24,240 --> 01:22:27,080
Speaker 1: the champagne and then he gets pushed over the table. Right.

1457
01:22:27,200 --> 01:22:29,439
Speaker 1: But it was but it was like a freaking down

1458
01:22:29,520 --> 01:22:32,360
Speaker 1: nabby dinner scene. Everybody had to stay. Everybody was there. Yeah,

1459
01:22:32,400 --> 01:22:34,560
Speaker 1: and there were people like the there are people that

1460
01:22:34,680 --> 01:22:36,720
Speaker 1: have lines in the next episode that have to be

1461
01:22:36,840 --> 01:22:38,759
Speaker 1: in the scene and don't have lines. I remember Hattie

1462
01:22:38,800 --> 01:22:41,280
Speaker 1: Winston was supposed to be there and she's not there

1463
01:22:41,360 --> 01:22:43,680
Speaker 1: playing my mom. Someone else is there playing my mom

1464
01:22:43,920 --> 01:22:46,280
Speaker 1: and they and we just never shot that side of

1465
01:22:46,320 --> 01:22:48,439
Speaker 1: the family. We never shot the person. The person that's

1466
01:22:48,439 --> 01:22:50,600
Speaker 1: supposed to be d L. If you notice has the

1467
01:22:50,680 --> 01:22:53,600
Speaker 1: dreads and everything, but it's not d L. Hugeley. That was.

1468
01:22:53,720 --> 01:22:56,400
Speaker 1: That was a very interesting they had. They had her

1469
01:22:56,439 --> 01:22:59,160
Speaker 1: sisters there. I recognized them, but no, they just had

1470
01:22:59,280 --> 01:23:01,439
Speaker 1: Candice was the only one that was there and sister.

1471
01:23:01,840 --> 01:23:04,360
Speaker 1: It was just Candies that was there. Her sister's not

1472
01:23:04,479 --> 01:23:06,800
Speaker 1: in the scene. Her actual twin sister is not in

1473
01:23:06,880 --> 01:23:10,839
Speaker 1: the scene. Everybody also enters again in the next episode,

1474
01:23:10,920 --> 01:23:13,040
Speaker 1: so my mom shows up again in the next episode.

1475
01:23:13,560 --> 01:23:15,679
Speaker 1: Uh d l doesn't show up again in the next episode,

1476
01:23:15,720 --> 01:23:18,280
Speaker 1: but my mom does. There you go. We you know,

1477
01:23:18,360 --> 01:23:20,720
Speaker 1: it was weird interesting that we never ever took the

1478
01:23:20,800 --> 01:23:27,120
Speaker 1: opportunity to decide who uh Turk's dad was. Uh yeah,

1479
01:23:27,200 --> 01:23:29,719
Speaker 1: my mother was not. I think it would have been interesting.

1480
01:23:29,840 --> 01:23:33,280
Speaker 1: I think it was Leonard in the security yard in

1481
01:23:33,400 --> 01:23:35,960
Speaker 1: a plot twist. Well, I think we did it. Guys, right,

1482
01:23:36,280 --> 01:23:39,519
Speaker 1: that's the episode. All right, listen, um, we like Randall.

1483
01:23:39,560 --> 01:23:41,040
Speaker 1: Thank you so much for coming on. We love you

1484
01:23:41,080 --> 01:23:43,479
Speaker 1: so much, thank you, thank you for having me and

1485
01:23:44,200 --> 01:23:47,439
Speaker 1: continued blessings on all the wonderful things happening in your career.

1486
01:23:48,200 --> 01:23:51,760
Speaker 1: And and you're such an amazing man, Randall. I love

1487
01:23:51,840 --> 01:23:54,280
Speaker 1: you so much. Man, You're such an amazing man. Like,

1488
01:23:54,520 --> 01:23:57,080
Speaker 1: thank you so much for all that you've You know,

1489
01:23:57,280 --> 01:23:58,920
Speaker 1: Randall hits me up every once in a while and

1490
01:23:58,960 --> 01:24:00,720
Speaker 1: it's like, yo, I got some then do you want

1491
01:24:00,760 --> 01:24:04,160
Speaker 1: to come and play? And I just appreciate you so much, brother, man,

1492
01:24:04,280 --> 01:24:06,000
Speaker 1: Thank you so so Why don't you have him on

1493
01:24:06,160 --> 01:24:10,240
Speaker 1: mixed it's not it's not up to him. Man, he's

1494
01:24:10,360 --> 01:24:13,040
Speaker 1: he's it's not he's not the one. He's got Donald

1495
01:24:13,120 --> 01:24:15,280
Speaker 1: on this ship. He's got the ear of the show runner.

1496
01:24:15,320 --> 01:24:18,639
Speaker 1: He could say, this would be great for Donald, Randall,

1497
01:24:18,720 --> 01:24:21,559
Speaker 1: what the fuck do you think I have? I've never

1498
01:24:21,640 --> 01:24:25,120
Speaker 1: said there's a there's there's a whole lot of there's

1499
01:24:25,120 --> 01:24:26,760
Speaker 1: a whole lot of things that come in. I think

1500
01:24:26,800 --> 01:24:35,080
Speaker 1: you'd maybe as a professor Donald, sassy, professor Donald with

1501
01:24:35,200 --> 01:24:37,320
Speaker 1: patches on his head, Like, can I be the weed

1502
01:24:37,520 --> 01:24:40,800
Speaker 1: like the dude who teaches like how to grow marijuana

1503
01:24:40,840 --> 01:24:44,559
Speaker 1: at the college. Yeah, Donald, Donald's just looking to play himself.

1504
01:24:45,200 --> 01:24:47,479
Speaker 1: I just want to be a stoner. Could the character

1505
01:24:47,680 --> 01:24:50,200
Speaker 1: be super it's about a bunch of stone like her

1506
01:24:50,320 --> 01:24:52,840
Speaker 1: dad's kind of like a stoner. Like I love that.

1507
01:24:52,880 --> 01:24:54,280
Speaker 1: I'm trying to get you a job. And you're like,

1508
01:24:54,360 --> 01:25:01,840
Speaker 1: could the character be high? Randall, make it happen. Keep

1509
01:25:01,880 --> 01:25:04,160
Speaker 1: it in the family, Randall, keep it in the family.

1510
01:25:04,439 --> 01:25:07,479
Speaker 1: All right. We love you guys out with um Charlotte, Lawrence,

1511
01:25:07,800 --> 01:25:10,560
Speaker 1: Bill and Christ's daughter, as most of you know, is

1512
01:25:10,640 --> 01:25:13,599
Speaker 1: a is a singer. And you know sometimes your friends

1513
01:25:14,240 --> 01:25:16,240
Speaker 1: or your friend's kid puts out a song and you

1514
01:25:16,479 --> 01:25:18,439
Speaker 1: and you and you, and you try and promote it

1515
01:25:18,560 --> 01:25:22,519
Speaker 1: because you feel obligated. Well, this song is a bop,

1516
01:25:22,920 --> 01:25:25,800
Speaker 1: as they say, Randall, that's what the kids say. Okay,

1517
01:25:26,600 --> 01:25:29,880
Speaker 1: it's called talk you Down. It's Charlotte Lawrence here she is, uh,

1518
01:25:30,520 --> 01:25:32,439
Speaker 1: we love you all. We'll see you next time. You're

1519
01:25:32,520 --> 01:25:36,040
Speaker 1: saying that she kiss me. But you're talking, isn't it.

1520
01:25:37,320 --> 01:25:39,560
Speaker 1: You're saying that there's no way I can stop it?

1521
01:25:40,520 --> 01:26:02,559
Speaker 1: Good kind of chomping. Yeah, what's yours is moments, take

1522
01:26:02,640 --> 01:26:07,000
Speaker 1: you down, make before you walking, baking, I'm sense it.

1523
01:26:08,400 --> 01:26:15,800
Speaker 1: Maybe I swear water take you Do you think that

1524
01:26:15,920 --> 01:26:19,600
Speaker 1: I might be breaking? Let me break it to you.

1525
01:26:20,280 --> 01:26:24,559
Speaker 1: You have to my Davis and panic. I gotta lose

1526
01:26:24,680 --> 01:26:32,000
Speaker 1: you in the smalling. Oh it's only you, I know

1527
01:26:33,720 --> 01:26:41,639
Speaker 1: pay What's yours is my rational? Musical it irational. Maybe

1528
01:26:41,720 --> 01:26:47,400
Speaker 1: I swear fall it, take you down't maake before you

1529
01:26:47,640 --> 01:26:53,240
Speaker 1: walk and make sense it. Maybe I swear I wanting

1530
01:26:54,760 --> 01:27:01,800
Speaker 1: I will take you down down, joke your talk it

1531
01:27:02,040 --> 01:27:11,799
Speaker 1: time you down, take it down, tuk it down, take

1532
01:27:11,880 --> 01:27:18,160
Speaker 1: it down. Keep thinking that I might even you're breaking,

1533
01:27:19,240 --> 01:27:22,800
Speaker 1: let me break it to it. I shall feel the

1534
01:27:23,080 --> 01:27:31,479
Speaker 1: call it. Maybe I swear. I want take it down

1535
01:27:31,640 --> 01:27:37,320
Speaker 1: to play for walking make a most sense. Maybe I

1536
01:27:37,479 --> 01:27:42,080
Speaker 1: swear on the morning. Then I take you down, jake

1537
01:27:42,160 --> 01:27:51,719
Speaker 1: it down, take it down, take it down, talk you down,

1538
01:27:51,880 --> 01:27:58,920
Speaker 1: take it down, talk it down, talk it down. Down,

1539
01:28:00,120 --> 01:28:01,840
Speaker 1: but I'll tack it down.