WEBVTT - Pleasure P

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<v Speaker 1>R and B Money.

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<v Speaker 2>We are.

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<v Speaker 3>Take BALTI.

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<v Speaker 1>We are the authority on R and B Ladies and gentlemen.

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<v Speaker 1>My name is Tank.

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<v Speaker 3>This is the R and B Money Podcast, the authority

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<v Speaker 3>on all things R and B. The South Beach edition. Yeah,

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<v Speaker 3>when you come to South Beach, they're just you know,

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<v Speaker 3>there's just people you gotta tap in.

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<v Speaker 1>With, you know, the people that know the inner workings

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<v Speaker 1>and the moments around because you might need an IV,

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<v Speaker 1>you might need an IV. Yeah, we're gonna get to that.

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<v Speaker 3>This brother hasn't ministered me helping get an IV. He's

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<v Speaker 3>also threatened to do bodily harm to people who would

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<v Speaker 3>try to bother me. And so has amazing music give

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<v Speaker 3>it up for our brother and I love a pleasure p.

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<v Speaker 3>So I'm having this bachelor party and Jamie Fox thinks

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<v Speaker 3>it's a great idea to first of all, shower me

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<v Speaker 3>with liquor. And what's the spray? That the big hydrogen spray,

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<v Speaker 3>But is that what it is?

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<v Speaker 4>Spray club? Whatever?

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<v Speaker 1>That ship is the.

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<v Speaker 3>Club spray and shots shots shot shot shot shots. So

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<v Speaker 3>by the end of this pool day, I'm I'm on

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<v Speaker 3>my last lung. I am dying for all intensive purposes

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<v Speaker 3>and pleasure Piece says to me, my friend, I can

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<v Speaker 3>bring you back to life. I have a person that

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<v Speaker 3>will come to see you to put some additional things

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<v Speaker 3>in your veins that'll get you back rocking said, please

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<v Speaker 3>please send them. And these people come over. They hooked

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<v Speaker 3>me up, put me back together, and my brother and

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<v Speaker 3>I appreciate you for that because I was able to

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<v Speaker 3>take a nap, get my bearings together and a ten

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<v Speaker 3>live that night.

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<v Speaker 1>And as they said, Pleasure P would not let the party.

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<v Speaker 5>Stop, no way listen.

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<v Speaker 1>Ever at his house, man.

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<v Speaker 3>Legendary, let's let'gendary party promoter thrower just organic always has

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<v Speaker 3>a shift. I'm just letting you know there's always some

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<v Speaker 3>food around, some food and some liquor around for sure,

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<v Speaker 3>and and and things for your viewing pleasure. Someone decided

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<v Speaker 3>they wanted to, you know, bump you know. The lady

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<v Speaker 3>out said the time and press up on us like

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<v Speaker 3>what's up? What's happening? And we're like, really is that

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<v Speaker 3>what we're doing? In comes pee uh, I will shoot everybody.

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<v Speaker 1>Starting with the nigga who, Starting.

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<v Speaker 4>With the nigga who.

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<v Speaker 1>I will shoot everyone who's first.

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<v Speaker 4>I said that.

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<v Speaker 3>I said that right there that's my bigga right there.

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<v Speaker 3>If you don't get no bigger. And we just we've

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<v Speaker 3>just had you know, all of us. I mean we've

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<v Speaker 3>just had that. It that that sibling relationship. Man, it

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<v Speaker 3>ain't about music, and it's just about when when when

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<v Speaker 3>we when we have that here, we have to announce

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<v Speaker 3>that so people understand the nuance and the difference between

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<v Speaker 3>certain relationships.

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<v Speaker 5>Like you're like blood to us. Man.

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<v Speaker 3>So so we love you and we thank you for

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<v Speaker 3>being here.

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<v Speaker 6>I'm happen that y'all got y'all you know, podcasts and

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<v Speaker 6>things like that.

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<v Speaker 4>God, they letting us, They let us work.

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<v Speaker 3>Man, listen, you got candles, you know, I got rewind

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<v Speaker 3>you know for hair color for men.

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<v Speaker 4>Yeah, Jeff Black and all the salies come on soon.

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<v Speaker 3>We're being target you know Walmart. You know we're like

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<v Speaker 3>about sixty thousand stores. Man, talk to me, nice, Pleasure

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<v Speaker 3>p you have you have legendary music, legendary music. Thank you, singer, songwriter, performer, producer,

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<v Speaker 3>all of the above. Let's let's let's go back to

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<v Speaker 3>the beginning. Man, Because you didn't.

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<v Speaker 5>You didn't.

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<v Speaker 3>You didn't grow up pleasure pe. Your name wasn't Pleasure

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<v Speaker 3>p On Market. What I'm saying, the name was Market.

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<v Speaker 3>You know, the name was Marcus.

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<v Speaker 4>Yeah, that guy.

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<v Speaker 3>You know when when did somebody say, boy ta that

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<v Speaker 3>poor Market show got a voice on them right there?

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<v Speaker 1>Who did that?

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<v Speaker 6>So so it was It's crazy because like, I come

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<v Speaker 6>from a musical family. So my mom, uh, she she

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<v Speaker 6>she played in the band. And then my dad he

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<v Speaker 6>used to used to be in a group with Michael

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<v Speaker 6>Sterling called Silver Platinum. They had a record deal at

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<v Speaker 6>Capitol Records and all that kind of stuff.

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<v Speaker 4>So literally you come to our house and it's drums and.

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<v Speaker 6>Keyboards and you know, in the front room, and you know,

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<v Speaker 6>my mom having rehearsal. I'm peeking out listening and you

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<v Speaker 6>know what I'm saying, that kind of thing. So immature

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<v Speaker 6>came out, shouts out to Marcus Houston. Amateur them boys?

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<v Speaker 4>Was you know what I'm saying. So I see them

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<v Speaker 4>boys singing, I say, well, dang, you know I want to.

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<v Speaker 5>I want to.

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<v Speaker 6>I want to be that, you know, so I learned

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<v Speaker 6>I will never lie. So I'm singing it in the

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<v Speaker 6>shower with my uncle. Hold on, you know what I'm saying.

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<v Speaker 4>Call my mom.

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<v Speaker 6>Uh uh, hook up the microphone. Stay sing that again,

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<v Speaker 6>sing it. About a week later I was in it.

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<v Speaker 6>I was you know, I was putting the Talent show

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<v Speaker 6>and I won first place singing that same song.

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<v Speaker 5>And since then I just been what year was that?

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<v Speaker 5>How were you then?

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<v Speaker 4>I was nine years old? That was like nine years old.

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<v Speaker 3>Ninety something ninety It was Zion Age winning talent show.

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<v Speaker 6>Yeah yeah, yeah, first place Talent show. So yeah, that's

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<v Speaker 6>how that's how. That's how it started pretty much, bro.

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<v Speaker 1>But when did you When did you know?

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<v Speaker 3>Like when did you But like, oh, I got something

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<v Speaker 3>that I can probably you know, take serious and and

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<v Speaker 3>and start really like investing.

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<v Speaker 1>Some scream at that talent. Yeah, like what well, I.

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<v Speaker 4>Think it was Uh, it was singing in school.

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<v Speaker 6>It was just other like it was this other guy

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<v Speaker 6>named Daniel Yerbie and we would sing in the cafeteria

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<v Speaker 6>and one day all the girls just started going crazy

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<v Speaker 6>and screaming and going you know what I mean that

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<v Speaker 6>kind of thing. That's when I know I really had something.

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<v Speaker 6>I'm gonna say then.

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<v Speaker 5>Yeah, the girls will let you know.

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<v Speaker 6>They let us know, that's my They let us know

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<v Speaker 6>that day that day in the Cafelty make Nickel Middle School.

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<v Speaker 5>I never forget girls.

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<v Speaker 3>I was singing the gospel song and and and the

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<v Speaker 3>girls started screaming, and I was like, I don't feel

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<v Speaker 3>like the Holy Ghost. I feel like that's in my

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<v Speaker 3>loings like that feel like it's like they want something

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<v Speaker 3>else from me. Hey man, Like you know, they want

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<v Speaker 3>to touch and agree in a different different formats. You know,

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<v Speaker 3>it's crazy, crazy, you know what I mean. We're gonna pray.

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<v Speaker 3>There's gonna be some old guy. There's gonna be some

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<v Speaker 3>old gods that nigga here?

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<v Speaker 1>Man? What So when is when?

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<v Speaker 4>Is?

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<v Speaker 3>When is a Because there's singing in school, there's you know,

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<v Speaker 3>there's a talent show. But then there comes a moment

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<v Speaker 3>where it's like, okay, now you're writing songs. Now you're

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<v Speaker 3>in the studio. Now we're getting to this next level

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<v Speaker 3>of like, you know, kind of doing what the professionals

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<v Speaker 3>do in order to get to that place.

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<v Speaker 5>When does that begin?

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<v Speaker 6>So that's I think that's like seventeen seventeen years old,

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<v Speaker 6>you know, I started really taking the music serious and

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<v Speaker 6>you know, recording my own demo and really putting like

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<v Speaker 6>putting things together, you know what I'm saying, Like beating

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<v Speaker 6>on the wall, writing a song, and then actually getting

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<v Speaker 6>you know, producing, getting it, getting in front of a

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<v Speaker 6>keyboard and get with somebody to make the beating and

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<v Speaker 6>you know, learning until it gets better and better and

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<v Speaker 6>better and better.

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<v Speaker 4>So I would say seventeen.

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<v Speaker 5>What was your first song? He recorded?

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<v Speaker 4>Shirty? Would you Be Mine?

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<v Speaker 5>Shorty? Would you be Mine?

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<v Speaker 4>Shutty? Would you Be Mine? It's on the Pretty Ricky album.

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<v Speaker 1>It's on the Pretty Ricky Appum.

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<v Speaker 6>Yeah, a lot of my songs, A lot of my

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<v Speaker 6>songs that I had before I joined Pretty Ricky made

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<v Speaker 6>the first album because you know, we did them like

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<v Speaker 6>from scratch.

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<v Speaker 3>I did them from scratch, but you had already had

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<v Speaker 3>like certain hooks and certain vers stuff that you was like,

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<v Speaker 3>I'm telling you all this right here that I wrote

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<v Speaker 3>back then.

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<v Speaker 1>It's gonna translate to right now. Yeah, absolutely, how do

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<v Speaker 1>you get into it? Pretty Ricky?

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<v Speaker 6>So I was shopping my my demo around just around

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<v Speaker 6>Miami to all the local like Taed Lucas's and all

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<v Speaker 6>those people, and I stumbled across their father. They were

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<v Speaker 6>actually a group, and they was performing at a talent

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<v Speaker 6>show and he had a label, and I'm like, yo,

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<v Speaker 6>well my name at the time was pretty Boy. So

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<v Speaker 6>I'm pretty boy, man. You know my demo. He gave

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<v Speaker 6>me his card and I remember I called him one day.

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<v Speaker 6>He's like, come to the house. I came through that

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<v Speaker 6>and the first song we recorded was grind on Me.

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<v Speaker 1>That's the first song y'all recorded.

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<v Speaker 4>Yeah, yeah, yeah, grind on Me.

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<v Speaker 6>It was like I was I was a feature for

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<v Speaker 6>the group of this and then once Jim Johnson came

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<v Speaker 6>and they all came and was like, you.

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<v Speaker 4>Gotta you gotta join.

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<v Speaker 1>Who wrote rind on Me?

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<v Speaker 4>All of us did me? Baby Blue spectacular slick hold

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<v Speaker 4>on bro.

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<v Speaker 1>You weren't even in the group.

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<v Speaker 4>He's just.

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<v Speaker 1>Writing the hook and singing up. Yeah, exactly, mab grind me.

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<v Speaker 4>You wrote that hook. It took us. It took us.

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<v Speaker 6>It took us maybe like four days to record that

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<v Speaker 6>song because we had the engineer ourselves recording at first. Yeah,

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<v Speaker 6>like you know what I'm saying, just just me and

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<v Speaker 6>Baby Blue pretty much set there. Spec could be in

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<v Speaker 6>one room sleep all right, come come, let's do your partner.

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<v Speaker 3>You know, we all did it together. Man, Nigga, that's crazy.

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<v Speaker 3>And you howled at this time you're still seventeen.

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<v Speaker 4>Nah, this is what nineteen. This is nineteen. It's like nineteen.

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<v Speaker 3>Nineteen, Yeah, nineteen Ryan on Me the first first song, damn.

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<v Speaker 4>Eight months later we got a record deal.

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<v Speaker 3>Did you know you had a hit when you wrote

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<v Speaker 3>around on Me? Like, did you have that feeling? Did

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<v Speaker 3>you just feel like we did something cool?

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<v Speaker 4>Onto the next I had that feeling.

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<v Speaker 6>But at the time that, you know, we didn't really

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<v Speaker 6>understand what the sound was going to go. So they

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<v Speaker 6>were still right because they were still rappers and we

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<v Speaker 6>had to figure out the sound part. But it was

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<v Speaker 6>like we would we were We would rehearse, rehearse, rehearse,

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<v Speaker 6>rehearse to open up for somebody. That's why I never

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<v Speaker 6>shipped on the opening act. You know what I'm saying.

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<v Speaker 6>We rehearsed and get there. We can't put y'all loong,

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<v Speaker 6>like damn.

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<v Speaker 4>I rated perform sometimes.

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<v Speaker 6>Sometimes yeah, sometimes we had to just all right, well

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<v Speaker 6>we'll get we'll get at it on the next one

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<v Speaker 6>or whatever.

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<v Speaker 4>So y'all never showed on an opening act.

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<v Speaker 6>But the guy from the radio station picked that song

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<v Speaker 6>out of the show and played it one time, like

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<v Speaker 6>on the night hour or whatever.

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<v Speaker 4>Shout out to Teddy T for.

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<v Speaker 6>Doing that and that that one, that one time or

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<v Speaker 6>that one spin or whatever in the nighttime became the

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<v Speaker 6>most requested song in the history of the station. So

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<v Speaker 6>that's when everybody start coming down, and you know, it

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<v Speaker 6>just starts spreading like wildflike yeah.

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<v Speaker 1>So this song is getting played. Yeah, song is getting

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<v Speaker 1>played before you'll have a record deal.

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<v Speaker 6>Yeah, this song is already like yes, up and running

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<v Speaker 6>like we were own street team. We would go outside

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<v Speaker 6>of schools, put up our own posters. You know, we

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<v Speaker 6>had street teams like you're on this side of town

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<v Speaker 6>doing this, you're on that side of town. I'm in

0:12:09.679 --> 0:12:11.800
<v Speaker 6>the club making sure get played one time a night

0:12:11.840 --> 0:12:12.920
<v Speaker 6>over here he and this.

0:12:12.840 --> 0:12:16.120
<v Speaker 4>Club making sure get played. Like it was really really

0:12:16.400 --> 0:12:19.600
<v Speaker 4>hard work, you know what I'm saying about Miami. Throughout Miami. Yeah,

0:12:19.640 --> 0:12:21.199
<v Speaker 4>throughout Miami. Off for Florida.

0:12:21.480 --> 0:12:23.600
<v Speaker 6>So we'll start here and we'll go to Polk County

0:12:23.600 --> 0:12:26.920
<v Speaker 6>and we'll go to Orlando, then we'll go to Tallahassee

0:12:26.960 --> 0:12:29.480
<v Speaker 6>and you know, just we kind of put our own

0:12:29.520 --> 0:12:32.199
<v Speaker 6>groundwork in and then hard.

0:12:32.160 --> 0:12:33.880
<v Speaker 1>And the record is produced by Jim Johnson and Big

0:12:33.920 --> 0:12:36.880
<v Speaker 1>d Yes. Yeah, so they were already with y'all.

0:12:37.320 --> 0:12:41.120
<v Speaker 6>So yeah, So Jim Johnson was signed to Bluestar out

0:12:41.200 --> 0:12:43.040
<v Speaker 6>that you know, they were they were partners or whatever,

0:12:43.600 --> 0:12:47.120
<v Speaker 6>and we would get these beat CDs like these you

0:12:47.160 --> 0:12:49.719
<v Speaker 6>know beat CDs or back. Yeah, the pack that's just

0:12:49.760 --> 0:12:52.320
<v Speaker 6>sitting in the studio. So these beats are just sitting

0:12:52.360 --> 0:12:56.439
<v Speaker 6>in the studio and nobody really you know what I'm saying.

0:12:56.800 --> 0:12:59.640
<v Speaker 4>No, so we start going through the CDs. Up, let's

0:12:59.640 --> 0:13:02.560
<v Speaker 4>take that in. You know, he didn't even know you

0:13:02.600 --> 0:13:05.199
<v Speaker 4>know what I'm saying it to, Oh, we got something.

0:13:05.640 --> 0:13:08.480
<v Speaker 1>Like you just said. Initially, y'all was trying to figure

0:13:08.520 --> 0:13:09.680
<v Speaker 1>out how to record yourself.

0:13:09.800 --> 0:13:10.559
<v Speaker 4>Yeah, exactly.

0:13:10.720 --> 0:13:13.160
<v Speaker 1>So it wasn't like y'all even went in in the

0:13:13.200 --> 0:13:14.640
<v Speaker 1>beginning with the producers.

0:13:14.800 --> 0:13:18.600
<v Speaker 6>Noah, No, exactly. They came on after something was you know,

0:13:18.600 --> 0:13:21.520
<v Speaker 6>after they saw something. But yeah, it was us just

0:13:21.600 --> 0:13:23.920
<v Speaker 6>being baby Blue in the studio pretty much.

0:13:25.040 --> 0:13:30.000
<v Speaker 4>Wow. Hey, bro, I'm was a move.

0:13:30.200 --> 0:13:33.199
<v Speaker 3>I'm liking the groundwork right, because that's the other part

0:13:33.280 --> 0:13:39.720
<v Speaker 3>that is I think missing from from the new artist's

0:13:39.760 --> 0:13:42.960
<v Speaker 3>standpoint is getting in the trenches and getting in the

0:13:42.960 --> 0:13:46.080
<v Speaker 3>streets and really going to be seen and to be

0:13:46.200 --> 0:13:50.559
<v Speaker 3>heard like that. Proving ground just builds a different type

0:13:50.600 --> 0:13:54.680
<v Speaker 3>of artists. It creates a different type of longevity. You

0:13:54.760 --> 0:13:56.960
<v Speaker 3>understand what I'm saying. It just it just builds something

0:13:57.000 --> 0:14:00.440
<v Speaker 3>different that I think is needed for our Like, Like,

0:14:00.480 --> 0:14:03.280
<v Speaker 3>by the time y'all got on the stage like a

0:14:03.320 --> 0:14:06.840
<v Speaker 3>big stage, you had been on so many small stages

0:14:06.880 --> 0:14:08.680
<v Speaker 3>and had done so many shows and done so many

0:14:08.800 --> 0:14:11.800
<v Speaker 3>so much prepping groundwork, y'all was ready to go.

0:14:12.440 --> 0:14:16.480
<v Speaker 6>Ready, let's go ready the drop of a dim, ready

0:14:16.520 --> 0:14:20.560
<v Speaker 6>perform right now. Our audition for Craig Calvin. We was

0:14:20.560 --> 0:14:21.680
<v Speaker 6>in the lowest hotel.

0:14:21.440 --> 0:14:22.360
<v Speaker 4>Right here on South Beach.

0:14:22.480 --> 0:14:25.040
<v Speaker 6>You know what I'm saying. He said, well, do something

0:14:25.040 --> 0:14:28.040
<v Speaker 6>for me, all right, cool bam. We grabut to forks

0:14:28.040 --> 0:14:30.400
<v Speaker 6>and nize them and make them like their microphones. How

0:14:30.440 --> 0:14:33.240
<v Speaker 6>we practiced at home and start ripping it right then

0:14:33.200 --> 0:14:35.320
<v Speaker 6>and there and crag okay, sing sings. Let me hear

0:14:35.320 --> 0:14:37.920
<v Speaker 6>your fonssettu. I sing a woman's work everything he told

0:14:37.960 --> 0:14:39.760
<v Speaker 6>me to sing sing. I just did it on the spot.

0:14:40.000 --> 0:14:42.880
<v Speaker 6>All right, you're in, like I said, you're in.

0:14:43.000 --> 0:14:43.360
<v Speaker 4>It's it.

0:14:43.960 --> 0:14:45.880
<v Speaker 6>And you would think this guy is a door man

0:14:46.080 --> 0:14:47.880
<v Speaker 6>or something, you know when you first beat him, because

0:14:47.880 --> 0:14:49.040
<v Speaker 6>he just got on Craig.

0:14:49.600 --> 0:14:56.000
<v Speaker 4>You know it's okay, cool, So okay, we performed for

0:14:56.040 --> 0:14:56.960
<v Speaker 4>this guy. All right, cool.

0:14:57.000 --> 0:14:59.280
<v Speaker 6>Next thing, you know, we're getting on flights to New York.

0:14:59.520 --> 0:15:01.440
<v Speaker 6>That's my it's time ever getting on the air Like,

0:15:01.680 --> 0:15:04.680
<v Speaker 6>get on the airplane. We get there and then this guy,

0:15:05.000 --> 0:15:07.440
<v Speaker 6>you know, manages all of this, this big as office,

0:15:07.440 --> 0:15:09.640
<v Speaker 6>and people like, oh wow, this is the this is

0:15:09.640 --> 0:15:09.920
<v Speaker 6>the guy.

0:15:11.960 --> 0:15:12.480
<v Speaker 4>That's the guy.

0:15:12.960 --> 0:15:14.800
<v Speaker 6>That's why you always got to be polite to people

0:15:15.320 --> 0:15:16.280
<v Speaker 6>you never knows who.

0:15:16.960 --> 0:15:19.600
<v Speaker 1>So how do you go from pretty boy to pleasure? P?

0:15:20.440 --> 0:15:21.000
<v Speaker 5>Great question?

0:15:21.600 --> 0:15:25.440
<v Speaker 6>So, to be honest, all of their names are different.

0:15:25.480 --> 0:15:28.680
<v Speaker 6>It's like Spectacular that's his real name. Baby Blue real

0:15:28.760 --> 0:15:32.760
<v Speaker 6>name is Diamond. They got another brother name Special. You

0:15:32.760 --> 0:15:35.120
<v Speaker 6>know what I'm saying. So it was like a slick them.

0:15:35.320 --> 0:15:37.280
<v Speaker 6>It's like, well, you know what when you when you sing,

0:15:37.360 --> 0:15:41.200
<v Speaker 6>you give girls pleasure. So we're gonna call you. You know,

0:15:41.240 --> 0:15:44.040
<v Speaker 6>your name will be Pleasure. I said, okay, Well the

0:15:44.120 --> 0:15:45.920
<v Speaker 6>ladies could call me pleasure and the guys gonna call

0:15:45.960 --> 0:15:47.480
<v Speaker 6>me Pete, so it's Pleasure Pete.

0:15:49.600 --> 0:15:52.240
<v Speaker 3>So the guys, so your name, they called you Pleasure,

0:15:52.800 --> 0:15:54.960
<v Speaker 3>but the guys didn't want to call you pleasure, so

0:15:55.000 --> 0:15:57.200
<v Speaker 3>they just called you P for sure, Like you don't

0:15:57.200 --> 0:16:01.320
<v Speaker 3>want to say lessions right, and you just you just

0:16:01.360 --> 0:16:02.320
<v Speaker 3>put them both together.

0:16:02.480 --> 0:16:05.760
<v Speaker 4>Yeah, pusure pleasure pete pleasure pee. That's it. Great name,

0:16:07.440 --> 0:16:08.320
<v Speaker 4>very arm B great.

0:16:10.000 --> 0:16:12.120
<v Speaker 3>I want I want to feel good man, it's like

0:16:12.120 --> 0:16:14.080
<v Speaker 3>you're gonna be tank. I was like, I don't understand.

0:16:15.840 --> 0:16:16.640
<v Speaker 4>I don't do nothing.

0:16:16.640 --> 0:16:18.280
<v Speaker 1>I don't know how does it work?

0:16:20.400 --> 0:16:20.600
<v Speaker 5>Yeah?

0:16:20.640 --> 0:16:24.920
<v Speaker 3>Tank, baby, you should have been on cash money right,

0:16:25.080 --> 0:16:29.280
<v Speaker 3>said I needed to name like pleasure P. You know

0:16:29.280 --> 0:16:32.320
<v Speaker 3>what I'm saying. Let's let's look at what the name

0:16:32.480 --> 0:16:36.479
<v Speaker 3>rivals pleasure to. You know, let's think about this ship.

0:16:40.800 --> 0:16:44.400
<v Speaker 4>Tantalizing T. You get out of there.

0:16:43.760 --> 0:16:47.680
<v Speaker 1>Get out of there, bro, it's over your tank?

0:16:48.560 --> 0:16:49.040
<v Speaker 4>You tank?

0:16:49.120 --> 0:16:49.240
<v Speaker 3>Bro?

0:16:49.840 --> 0:16:50.200
<v Speaker 2>What is it?

0:16:50.800 --> 0:16:53.040
<v Speaker 4>You roll over ship? Let me let me let me

0:16:53.120 --> 0:16:57.520
<v Speaker 4>fly on this man? No, you know what I mean?

0:17:01.320 --> 0:17:02.120
<v Speaker 4>Gorgeous G.

0:17:04.280 --> 0:17:06.080
<v Speaker 1>Because they're gonnat want to call me gorgeous, but he

0:17:06.160 --> 0:17:06.840
<v Speaker 1>called me g G.

0:17:07.000 --> 0:17:13.000
<v Speaker 4>What up? Gorgeous G. It's over. It's over. They're not

0:17:13.119 --> 0:17:13.920
<v Speaker 4>still fabulous.

0:17:14.000 --> 0:17:14.480
<v Speaker 5>His name.

0:17:15.960 --> 0:17:18.320
<v Speaker 4>Fabulous T fabulous T like.

0:17:22.080 --> 0:17:26.720
<v Speaker 3>Trash, something about me doing work pleasure P my nigga.

0:17:26.800 --> 0:17:29.960
<v Speaker 3>Let him have his name, bro, fuck let him have

0:17:30.040 --> 0:17:30.480
<v Speaker 3>his name.

0:17:30.600 --> 0:17:33.879
<v Speaker 4>Bro? Do you pleasure to pee? Or do it that?

0:17:33.960 --> 0:17:34.919
<v Speaker 4>They started asking me.

0:17:35.080 --> 0:17:37.600
<v Speaker 5>And it turns in conversation.

0:17:38.280 --> 0:17:43.919
<v Speaker 3>Girls, it's listen, it's an easy and easy easy.

0:17:45.160 --> 0:17:46.080
<v Speaker 1>What's up girl?

0:17:46.200 --> 0:17:46.400
<v Speaker 2>Girl?

0:17:46.640 --> 0:17:49.760
<v Speaker 4>Just gotta blue? What's up with that Pleasure P? Yeah?

0:17:51.359 --> 0:17:51.920
<v Speaker 5>I mean.

0:17:53.320 --> 0:17:55.680
<v Speaker 1>I'm right my room is the nigga trying to stay

0:17:55.720 --> 0:17:56.040
<v Speaker 1>your name?

0:17:56.080 --> 0:17:59.919
<v Speaker 3>Bro, nigga look up you look Pleasure P was just

0:18:00.200 --> 0:18:01.439
<v Speaker 3>He's like, nigga, I just got here.

0:18:05.600 --> 0:18:06.160
<v Speaker 2>On me.

0:18:09.040 --> 0:18:09.919
<v Speaker 4>Or it's been a pleasure.

0:18:10.040 --> 0:18:12.399
<v Speaker 1>So your first time on the plane is to go

0:18:12.440 --> 0:18:14.240
<v Speaker 1>to New York. You've never been on the plane before.

0:18:14.320 --> 0:18:16.320
<v Speaker 1>You've never been out of Miami.

0:18:16.080 --> 0:18:16.760
<v Speaker 4>Not never been.

0:18:17.280 --> 0:18:21.800
<v Speaker 1>It's crazy this. You go to Times Square, big office,

0:18:22.400 --> 0:18:26.040
<v Speaker 1>all that, and you guys have signed immediately once you

0:18:26.080 --> 0:18:26.760
<v Speaker 1>get to New York.

0:18:27.040 --> 0:18:29.760
<v Speaker 4>Yeah, we signed. We signed before we even got that. Okay.

0:18:30.040 --> 0:18:31.439
<v Speaker 5>Oh so you just went to New York to do

0:18:31.480 --> 0:18:33.000
<v Speaker 5>the parade?

0:18:33.160 --> 0:18:34.600
<v Speaker 4>Yeah, the whole Yeah, that whole thing.

0:18:34.800 --> 0:18:37.919
<v Speaker 1>So did you guys do the whole first album in

0:18:37.960 --> 0:18:39.400
<v Speaker 1>Miami or where you guys traveling?

0:18:39.800 --> 0:18:43.320
<v Speaker 4>We did hear Miami, So everything was in house, Everything

0:18:43.359 --> 0:18:43.880
<v Speaker 4>was in house.

0:18:44.880 --> 0:18:46.600
<v Speaker 1>How does static get involved?

0:18:47.000 --> 0:18:51.199
<v Speaker 6>So now we're finishing the album and they're taking us

0:18:51.200 --> 0:18:53.840
<v Speaker 6>to different songwriters and you know, trying to put these

0:18:53.880 --> 0:18:56.400
<v Speaker 6>people in place. And they say, oh, we got this guy.

0:18:56.840 --> 0:18:59.760
<v Speaker 6>You know, he has a song and we met him.

0:19:00.480 --> 0:19:02.560
<v Speaker 6>We met him right here on South Beach too. So

0:19:02.600 --> 0:19:06.200
<v Speaker 6>we go to this room and this guy's playing us

0:19:06.440 --> 0:19:09.640
<v Speaker 6>so sick of love songs. This guy's playing us all

0:19:09.640 --> 0:19:14.040
<v Speaker 6>of these songs. This guy's name is Neo and the

0:19:14.160 --> 0:19:17.240
<v Speaker 6>guys more so like I don't know about that, and

0:19:17.400 --> 0:19:18.680
<v Speaker 6>you know whatever, whatever, he.

0:19:18.640 --> 0:19:20.080
<v Speaker 1>Was playing those songs for y'all.

0:19:20.280 --> 0:19:21.119
<v Speaker 4>Yes, this is.

0:19:22.600 --> 0:19:23.879
<v Speaker 1>Sick.

0:19:24.040 --> 0:19:24.800
<v Speaker 4>I'll never forget.

0:19:24.840 --> 0:19:28.720
<v Speaker 6>He got a yellow polo and we're in the hotel room,

0:19:28.800 --> 0:19:31.480
<v Speaker 6>all of us, and he playing us these records he

0:19:31.600 --> 0:19:34.720
<v Speaker 6>just had wrote let Me Love You and all that stuff,

0:19:34.800 --> 0:19:39.160
<v Speaker 6>right like dang, you know they was kind of like, nah,

0:19:39.200 --> 0:19:40.159
<v Speaker 6>we ain't.

0:19:40.840 --> 0:19:43.840
<v Speaker 4>Yeah. So now we go to uh.

0:19:44.359 --> 0:19:47.720
<v Speaker 6>The Slip and Slide studio and we actually recording like

0:19:48.520 --> 0:19:50.560
<v Speaker 6>another version of grind on Me because they want to

0:19:50.560 --> 0:19:53.240
<v Speaker 6>add extra booms and cats and you know they want

0:19:53.280 --> 0:19:55.840
<v Speaker 6>to you know, they want to add to the production.

0:19:56.280 --> 0:19:59.040
<v Speaker 4>So then Static pull up. Static came with.

0:19:59.040 --> 0:20:03.840
<v Speaker 6>The the Kentucky chains, baggy pans and briggs and cardiers.

0:20:06.440 --> 0:20:09.600
<v Speaker 6>You know what I'm saying, do this with his teeth,

0:20:10.040 --> 0:20:14.760
<v Speaker 6>and he pretty much sold us on just being himself.

0:20:14.800 --> 0:20:16.600
<v Speaker 4>He was just one of those it was it was

0:20:16.640 --> 0:20:18.280
<v Speaker 4>a star, you know what I'm saying.

0:20:18.320 --> 0:20:20.439
<v Speaker 6>He was like one of us. He was relatable, the

0:20:20.480 --> 0:20:22.800
<v Speaker 6>way he talked, the way he carried hisself. And then

0:20:23.200 --> 0:20:26.600
<v Speaker 6>we actually started recording our first song with him, and

0:20:26.640 --> 0:20:28.200
<v Speaker 6>he actually like wrote with us.

0:20:28.440 --> 0:20:30.359
<v Speaker 4>It wasn't a thing like you gotta do this.

0:20:30.440 --> 0:20:31.800
<v Speaker 6>It was like kind of like how we work were

0:20:31.840 --> 0:20:34.040
<v Speaker 6>right together, you know what I'm saying, So that that

0:20:34.160 --> 0:20:36.760
<v Speaker 6>that kind of just fit right in and that's how

0:20:36.760 --> 0:20:37.240
<v Speaker 6>we met him.

0:20:37.240 --> 0:20:40.080
<v Speaker 4>Man. Wow, Yeah, yeah.

0:20:40.320 --> 0:20:43.520
<v Speaker 5>That was a match. He didn't have it absolutely.

0:20:43.600 --> 0:20:47.960
<v Speaker 3>It was like like even I mean for the group

0:20:48.040 --> 0:20:49.600
<v Speaker 3>for sure, but.

0:20:51.119 --> 0:20:54.720
<v Speaker 5>For you. Yeah, to me, you two were.

0:20:54.560 --> 0:20:56.879
<v Speaker 3>A match made and happened for sure because I just

0:20:56.880 --> 0:21:01.399
<v Speaker 3>felt like I just felt like vocally and even idea wise,

0:21:01.760 --> 0:21:03.919
<v Speaker 3>y'all were just on the same page. It's like I

0:21:04.040 --> 0:21:08.639
<v Speaker 3>always say, like certain writers and even even certain choreographers,

0:21:08.680 --> 0:21:11.440
<v Speaker 3>like there's there's a design for somebody.

0:21:10.960 --> 0:21:13.080
<v Speaker 1>Like remember row Rod with a Marion.

0:21:13.560 --> 0:21:16.520
<v Speaker 3>Yeah, because Roro had choreographed for many of people here,

0:21:16.600 --> 0:21:21.080
<v Speaker 3>choreo for me for everybody, But when he choreographed for Marion,

0:21:22.119 --> 0:21:27.560
<v Speaker 3>it was like, uh, they're they're locked in and when

0:21:27.600 --> 0:21:31.560
<v Speaker 3>you got a static, it was it was everything made

0:21:31.640 --> 0:21:34.720
<v Speaker 3>so much sense for you. It was like y'all were

0:21:34.800 --> 0:21:37.040
<v Speaker 3>all ya, y'all were already there, like y'all were just

0:21:37.040 --> 0:21:37.840
<v Speaker 3>waiting to meet each other.

0:21:38.359 --> 0:21:43.560
<v Speaker 1>That's a certain wine, certain one, certain tone everybody can't

0:21:43.560 --> 0:21:44.080
<v Speaker 1>pull off.

0:21:45.160 --> 0:21:52.679
<v Speaker 3>They're sweat and then there's you, and it's like and

0:21:52.760 --> 0:21:56.520
<v Speaker 3>it's like you're one of the rare artists that you

0:21:56.640 --> 0:22:01.480
<v Speaker 3>sound like your record. He gonna let you know, let.

0:22:01.320 --> 0:22:03.840
<v Speaker 1>You know that You're gonna let you know it sounds

0:22:03.880 --> 0:22:05.720
<v Speaker 1>like myself. I sound like myself.

0:22:21.720 --> 0:22:22.200
<v Speaker 4>Yeah.

0:22:22.440 --> 0:22:26.560
<v Speaker 3>So so your first hit record, what's the first hit record?

0:22:26.560 --> 0:22:26.760
<v Speaker 1>On me?

0:22:26.880 --> 0:22:30.080
<v Speaker 3>Your first hit record, first hit record? And then what

0:22:30.200 --> 0:22:32.800
<v Speaker 3>happens when you get your first hit record when you

0:22:32.920 --> 0:22:35.639
<v Speaker 3>finally realize you have a hit record?

0:22:36.840 --> 0:22:42.080
<v Speaker 6>For me, personally, we worked so much so we didn't

0:22:42.080 --> 0:22:44.440
<v Speaker 6>get to really take that in and enjoy.

0:22:44.640 --> 0:22:46.920
<v Speaker 4>We're on four flights a day, you know what I'm saying.

0:22:46.920 --> 0:22:50.199
<v Speaker 6>You have to touch people and see radio people, and

0:22:50.240 --> 0:22:52.320
<v Speaker 6>you had to do the groundwork, you know what I mean.

0:22:52.400 --> 0:22:55.359
<v Speaker 6>So the amount of time we put in that it

0:22:55.520 --> 0:22:58.240
<v Speaker 6>just it just seemed like another day. I ain't ready

0:22:58.240 --> 0:23:01.199
<v Speaker 6>to get to enjoy none of that gonna take it

0:23:01.200 --> 0:23:01.640
<v Speaker 6>in and be.

0:23:01.640 --> 0:23:05.080
<v Speaker 4>Like, you know what, I finally you know never you

0:23:05.640 --> 0:23:07.120
<v Speaker 4>I made it moment never.

0:23:07.840 --> 0:23:08.560
<v Speaker 5>That's crazy.

0:23:08.920 --> 0:23:11.199
<v Speaker 3>I mean, I can speak on when I felt like

0:23:11.240 --> 0:23:15.360
<v Speaker 3>I saw you guys kind of enjoying yourselves. I came

0:23:15.400 --> 0:23:18.480
<v Speaker 3>down to Miami. It's my first time meeting y'all. I

0:23:18.520 --> 0:23:21.960
<v Speaker 3>came in the backstage. Things might have been a Scream tour, okay,

0:23:22.000 --> 0:23:24.000
<v Speaker 3>And I came backstage and I met y'all for the

0:23:24.000 --> 0:23:24.480
<v Speaker 3>first time.

0:23:24.520 --> 0:23:27.240
<v Speaker 4>Were just chopping up and we gotta get in and yeah,

0:23:27.280 --> 0:23:28.560
<v Speaker 4>we do. Gotta get in, Like I'm.

0:23:28.400 --> 0:23:30.679
<v Speaker 3>Talking to all y'all, and then y'all come out on

0:23:30.800 --> 0:23:37.359
<v Speaker 3>stage and I'm like, okay, and it's just crazy. And

0:23:37.400 --> 0:23:46.600
<v Speaker 3>then I'm like, Okay, these niggas is in their draws, Okay, okay,

0:23:46.640 --> 0:23:51.880
<v Speaker 3>all right, okay, y'all was some nasty.

0:23:50.680 --> 0:23:51.560
<v Speaker 1>They was looking at them.

0:23:51.560 --> 0:23:52.600
<v Speaker 4>Girls was losing.

0:23:53.560 --> 0:23:57.320
<v Speaker 1>I mean, I'm talking about the Scream tour. They were screaming.

0:23:57.480 --> 0:24:01.200
<v Speaker 1>They were I didn't know I had it same experience

0:24:01.400 --> 0:24:06.480
<v Speaker 1>because in the bay obviously on that tour, Mario was

0:24:06.560 --> 0:24:11.840
<v Speaker 1>on that Mario was on that run O Marion, Marion

0:24:11.960 --> 0:24:15.280
<v Speaker 1>was doing I'm trying to Mario was doing how could

0:24:15.280 --> 0:24:20.879
<v Speaker 1>you So I'm in there obviously, Uh, Marcus Hughtons, Marcus

0:24:20.920 --> 0:24:23.760
<v Speaker 1>Houston is doing naked you know what I'm saying, Old Mario.

0:24:24.080 --> 0:24:25.880
<v Speaker 1>Oh so it's just records that we all have been

0:24:25.880 --> 0:24:28.199
<v Speaker 1>a part of it. I'm there, all my nieces. I

0:24:28.200 --> 0:24:31.119
<v Speaker 1>don't know who they are. I've never heard of pretty Ricky.

0:24:31.600 --> 0:24:35.520
<v Speaker 1>The lights go low. All I see is the spotlights

0:24:36.080 --> 0:24:38.480
<v Speaker 1>and these niggas humping the stage with with the sheet on.

0:24:39.760 --> 0:24:42.040
<v Speaker 1>I'm like, no, bro, this is no I got. I

0:24:42.080 --> 0:24:45.840
<v Speaker 1>got my nieces with you all. Y'all get up. We're

0:24:45.840 --> 0:24:49.080
<v Speaker 1>going to get some motherfucking chips and ship by these

0:24:49.080 --> 0:24:50.639
<v Speaker 1>little niggas before because I want to.

0:24:50.640 --> 0:24:54.320
<v Speaker 3>Kill one of these little niggas right now, twinzlers, right now, everybody,

0:24:54.880 --> 0:24:57.280
<v Speaker 3>I got my nieces and all their friends.

0:24:57.800 --> 0:25:00.440
<v Speaker 1>That was mannish as they like to say, what beyond

0:25:01.480 --> 0:25:05.000
<v Speaker 1>like who came up with with with those ideas to

0:25:05.080 --> 0:25:07.080
<v Speaker 1>put y'all those face because y'all was wearing different type

0:25:07.080 --> 0:25:09.119
<v Speaker 1>of clothes. Y'all was out there with sparkles joints on.

0:25:10.760 --> 0:25:12.600
<v Speaker 1>You know what I mean, y'all coming on stage in

0:25:12.640 --> 0:25:18.760
<v Speaker 1>your draws under a sheet like the mind for that, well,

0:25:18.800 --> 0:25:20.640
<v Speaker 1>y'all part of that was this something that was just

0:25:20.720 --> 0:25:23.320
<v Speaker 1>like kind of like told to y'all, like, Okay, this is.

0:25:23.240 --> 0:25:23.960
<v Speaker 4>What we're gonna do.

0:25:24.520 --> 0:25:32.439
<v Speaker 6>Well, I'm gonna say, stop sucking up, Jacob. Well, I'm

0:25:32.480 --> 0:25:36.000
<v Speaker 6>gonna say that's a part of the Miami culture. Miami

0:25:36.040 --> 0:25:39.080
<v Speaker 6>culture is like the way we dance, the way you know,

0:25:39.680 --> 0:25:41.480
<v Speaker 6>a lot of us was in dance groups and stuff

0:25:41.520 --> 0:25:43.920
<v Speaker 6>before they used to dance, you know, against each other,

0:25:43.960 --> 0:25:46.560
<v Speaker 6>booty shaking and all of that same nigga boots shaking

0:25:46.560 --> 0:25:47.840
<v Speaker 6>to kill you though, you know what I'm saying. So

0:25:47.880 --> 0:25:51.719
<v Speaker 6>that's just I'm pretty sure the Bay y'all got y'all,

0:25:53.880 --> 0:25:57.159
<v Speaker 6>Uncle Luke created that kind of thing. So when we

0:25:57.200 --> 0:25:59.280
<v Speaker 6>got in a position to do it, I mean, should

0:25:59.320 --> 0:26:02.360
<v Speaker 6>we been doing it before the world seeing it on

0:26:02.480 --> 0:26:05.160
<v Speaker 6>you know, on the screen tour, it's just it's it's

0:26:05.160 --> 0:26:05.840
<v Speaker 6>some Miami ship.

0:26:06.040 --> 0:26:06.719
<v Speaker 4>That's how.

0:26:07.240 --> 0:26:10.160
<v Speaker 1>So y'all just brought what y'all were already doing, yeah

0:26:10.560 --> 0:26:12.200
<v Speaker 1>in Miami, to the world.

0:26:12.320 --> 0:26:12.679
<v Speaker 4>That's it.

0:26:12.760 --> 0:26:16.159
<v Speaker 6>Yeah, before they know us, we were we were the

0:26:16.160 --> 0:26:18.720
<v Speaker 6>glitter boys. We always wore stuff. That was the first

0:26:18.800 --> 0:26:22.360
<v Speaker 6>name just that that well, niggas from Miami like pit

0:26:22.480 --> 0:26:26.240
<v Speaker 6>Bull or tricked out of them glitter niggas, the glitter boys.

0:26:26.240 --> 0:26:28.359
<v Speaker 4>We'll be at all their videos, sho you know in

0:26:28.400 --> 0:26:30.560
<v Speaker 4>the videos. You know what I'm saying, full glitter fits.

0:26:30.560 --> 0:26:31.800
<v Speaker 4>On the full glitter fits.

0:26:31.680 --> 0:26:33.560
<v Speaker 6>You're gonna remember us because when we leave the room,

0:26:33.560 --> 0:26:36.120
<v Speaker 6>it's gonna be good on the floor ship like that.

0:26:36.520 --> 0:26:38.040
<v Speaker 5>It's like for genuine.

0:26:40.800 --> 0:26:40.960
<v Speaker 1>Here.

0:26:43.600 --> 0:26:46.280
<v Speaker 6>I remember going to Michaels and Ship getting the glue,

0:26:46.920 --> 0:26:49.080
<v Speaker 6>painting the characters and all of that, putting the glitter

0:26:49.119 --> 0:26:49.320
<v Speaker 6>on it.

0:26:49.720 --> 0:26:52.400
<v Speaker 4>Let you know what I'm saying, sit out, putting them.

0:26:52.400 --> 0:26:55.520
<v Speaker 6>You know, painting clothes, and we did all of that

0:26:55.600 --> 0:26:57.600
<v Speaker 6>star stuff star ship.

0:26:57.920 --> 0:27:02.840
<v Speaker 1>We talk about this all the time time. You niggas

0:27:02.880 --> 0:27:06.479
<v Speaker 1>were stars because like you said, when we left, they

0:27:06.520 --> 0:27:09.000
<v Speaker 1>knew we was there. They knew we had been there.

0:27:10.000 --> 0:27:13.960
<v Speaker 1>And someone has to know that you've been somewhere. If

0:27:14.000 --> 0:27:16.080
<v Speaker 1>you if a nigga be like, oh yeah, I think

0:27:16.119 --> 0:27:19.960
<v Speaker 1>I think I met him, you gotta figure something else out.

0:27:20.520 --> 0:27:23.439
<v Speaker 1>You gotta figure something else out for sure, nigga. You

0:27:23.440 --> 0:27:25.720
<v Speaker 1>got to be the glitter boys. You gotta be the

0:27:25.960 --> 0:27:28.879
<v Speaker 1>fuck glitter boys, because now you're part of the conversation. Ye,

0:27:30.480 --> 0:27:32.639
<v Speaker 1>And that's how stars are born. So that's why I

0:27:32.680 --> 0:27:34.800
<v Speaker 1>really wanted to know, like where did where did that

0:27:34.800 --> 0:27:37.639
<v Speaker 1>that that come from? And you're saying it it's just

0:27:37.680 --> 0:27:38.400
<v Speaker 1>a Miami thing.

0:27:38.400 --> 0:27:39.920
<v Speaker 4>Some Miami ship, yep, for real.

0:27:40.320 --> 0:27:43.080
<v Speaker 3>The other part is like you're in a group. You're

0:27:43.080 --> 0:27:46.119
<v Speaker 3>in a group for you guys. You're also signed to

0:27:46.160 --> 0:27:50.920
<v Speaker 3>a production company, to a label who also has their partnership.

0:27:51.680 --> 0:27:55.399
<v Speaker 3>How was how was doing the business the business of

0:27:55.440 --> 0:27:57.320
<v Speaker 3>a group? Because I've always been a soul artist. I

0:27:57.359 --> 0:27:58.840
<v Speaker 3>was in a group for a second, but that business

0:27:58.840 --> 0:27:59.320
<v Speaker 3>didn't go with it.

0:27:59.440 --> 0:28:01.399
<v Speaker 4>Well, how the business was?

0:28:02.119 --> 0:28:07.520
<v Speaker 6>We split everything equally, you know, nobody we split everything equally.

0:28:08.240 --> 0:28:11.240
<v Speaker 4>You know. And that was that, you know what I say.

0:28:12.119 --> 0:28:14.879
<v Speaker 6>And all of our money is in one part, and

0:28:15.119 --> 0:28:17.720
<v Speaker 6>anybody want to move their money or whatever, but he

0:28:17.840 --> 0:28:19.639
<v Speaker 6>gonna take care of us and make sure our money

0:28:19.720 --> 0:28:22.679
<v Speaker 6>is straight, you know, because if we get it right now,

0:28:22.720 --> 0:28:24.800
<v Speaker 6>we're gonna just blow through it and stuff like that.

0:28:24.880 --> 0:28:27.760
<v Speaker 6>And he was a successful, you know, ex dope boy

0:28:27.840 --> 0:28:30.000
<v Speaker 6>and stuff like that. So we lived in a nice

0:28:30.000 --> 0:28:32.840
<v Speaker 6>house and all of that kind of stuff. And you know,

0:28:33.040 --> 0:28:35.000
<v Speaker 6>we work so much, we have time to really spend

0:28:35.040 --> 0:28:38.880
<v Speaker 6>money or whatever. Until certain things took place and it

0:28:39.040 --> 0:28:41.000
<v Speaker 6>was like, you know what I'm gonna need my money.

0:28:41.040 --> 0:28:43.280
<v Speaker 4>Bro. I got a son over here, you know what

0:28:43.320 --> 0:28:43.680
<v Speaker 4>I'm saying.

0:28:43.680 --> 0:28:45.840
<v Speaker 6>I got my own family, and shit, I want to

0:28:46.240 --> 0:28:49.720
<v Speaker 6>kind of move and get my own crib. Nigga, you

0:28:49.760 --> 0:28:52.960
<v Speaker 6>ain't getting nothing, you ain't doing nothing, you know what

0:28:53.000 --> 0:28:54.920
<v Speaker 6>I'm saying. He pretty much say I own you, bro,

0:28:55.040 --> 0:28:57.680
<v Speaker 6>and I say, how I'm young and dumb, like how

0:28:58.200 --> 0:28:59.600
<v Speaker 6>you know the contract you signed?

0:29:00.160 --> 0:29:02.160
<v Speaker 4>Like you told us that we had to sign that

0:29:02.320 --> 0:29:03.440
<v Speaker 4>for you know.

0:29:03.480 --> 0:29:06.880
<v Speaker 6>He basically he was like, y'all gotta sign this contract for,

0:29:07.640 --> 0:29:08.600
<v Speaker 6>you know, because atlantic.

0:29:08.960 --> 0:29:11.240
<v Speaker 4>Otherwise I wouldn't even be making y'all sign no contract.

0:29:11.320 --> 0:29:13.720
<v Speaker 6>But so we all signed at the same time together

0:29:13.800 --> 0:29:16.280
<v Speaker 6>like whatever, you know, you got us say we thankful

0:29:16.280 --> 0:29:18.680
<v Speaker 6>to be here, like you know what I'm saying. And

0:29:18.720 --> 0:29:21.680
<v Speaker 6>then when he told me that he owned me, and

0:29:21.760 --> 0:29:24.440
<v Speaker 6>I was like, well, he was like, I spend all

0:29:24.440 --> 0:29:26.000
<v Speaker 6>the money doing this and this and that and that,

0:29:26.440 --> 0:29:28.600
<v Speaker 6>you know, promoting y'all album and this, this and that.

0:29:28.680 --> 0:29:32.280
<v Speaker 6>So me not understanding. Still, I'm like, well, you know,

0:29:32.360 --> 0:29:34.240
<v Speaker 6>young jeez, got a solo deal, won't want you know,

0:29:34.240 --> 0:29:36.680
<v Speaker 6>I'm asking him, how about how about I get a

0:29:36.680 --> 0:29:39.600
<v Speaker 6>solo deal so I can get some money, he said, Nigga,

0:29:39.600 --> 0:29:41.200
<v Speaker 6>I own you, I said, but I only signed a

0:29:41.200 --> 0:29:42.200
<v Speaker 6>contract to be in a group.

0:29:42.760 --> 0:29:44.640
<v Speaker 4>And that's when that's when all hell broke loose.

0:29:44.720 --> 0:29:47.600
<v Speaker 6>So I flew to New York, got my own lawyer,

0:29:47.800 --> 0:29:51.080
<v Speaker 6>got my own manager, and it started really like dissecting

0:29:51.120 --> 0:29:53.680
<v Speaker 6>the business, like, Okay, what's what he give back? An

0:29:53.680 --> 0:29:56.760
<v Speaker 6>item min's list, stuf that said that that candle that's lit,

0:29:57.080 --> 0:30:00.280
<v Speaker 6>this microphone standing this pillow. He have all these kind

0:30:00.280 --> 0:30:03.120
<v Speaker 6>of things from his house, saying that that's what my

0:30:03.160 --> 0:30:06.360
<v Speaker 6>money went to. Bro And after that, I wasn't I

0:30:06.400 --> 0:30:09.000
<v Speaker 6>wasn't happy. So I ended up leaving in the middle

0:30:09.040 --> 0:30:10.840
<v Speaker 6>of a successful album.

0:30:10.960 --> 0:30:13.360
<v Speaker 1>So at this point, you have no before this, you

0:30:13.440 --> 0:30:16.040
<v Speaker 1>have no lawyer, you have no nobody else.

0:30:16.120 --> 0:30:18.760
<v Speaker 6>His lawyer was his lawyer was our lawyer. So I

0:30:18.800 --> 0:30:20.840
<v Speaker 6>could have you know, I could have won. You know,

0:30:20.960 --> 0:30:23.239
<v Speaker 6>it was a conflict adventures anyways, I could have won.

0:30:23.320 --> 0:30:26.680
<v Speaker 6>I could have I could have really damaged and drained them.

0:30:26.680 --> 0:30:29.080
<v Speaker 6>But I was making so much money on my own.

0:30:30.040 --> 0:30:33.200
<v Speaker 1>You know, are you making money from the shows or

0:30:33.280 --> 0:30:34.440
<v Speaker 1>is everything going.

0:30:34.240 --> 0:30:37.280
<v Speaker 4>To a pot? No, everything going to the to his part.

0:30:37.400 --> 0:30:38.760
<v Speaker 1>Even when y'all was doing y'all shows.

0:30:38.800 --> 0:30:40.520
<v Speaker 4>Yeah, even yeah, even was on our show.

0:30:40.560 --> 0:30:43.080
<v Speaker 1>So at this point, do you even know what you're

0:30:43.120 --> 0:30:43.920
<v Speaker 1>making per show?

0:30:45.000 --> 0:30:48.280
<v Speaker 4>Even tho? No, No, I don't even know. Bro.

0:30:49.000 --> 0:30:49.960
<v Speaker 1>Y'all just doing the work.

0:30:50.000 --> 0:30:52.480
<v Speaker 4>We're just doing the work. We just doing everything is

0:30:52.520 --> 0:30:53.200
<v Speaker 4>being paid for.

0:30:53.960 --> 0:30:55.800
<v Speaker 1>So y'all not worried about that because you said y'all

0:30:55.840 --> 0:30:58.520
<v Speaker 1>got the house, y'all got all this other stuff set up, even.

0:30:58.440 --> 0:30:59.080
<v Speaker 4>Rolled so much.

0:30:59.520 --> 0:31:02.720
<v Speaker 6>You know, we come home one day, two days at

0:31:02.720 --> 0:31:06.000
<v Speaker 6>the most out of a month, you know what. So yeah,

0:31:06.040 --> 0:31:08.360
<v Speaker 6>it's just work time. We come home, all right, everything

0:31:08.440 --> 0:31:11.920
<v Speaker 6>taking care of for us. So yeah, until nigga really

0:31:11.960 --> 0:31:15.360
<v Speaker 6>wants something, you're like, bro, he would he would literally give.

0:31:15.320 --> 0:31:18.320
<v Speaker 4>Us our day to take to take a car to take.

0:31:18.520 --> 0:31:18.600
<v Speaker 3>Uh.

0:31:18.960 --> 0:31:21.360
<v Speaker 6>We had a blue Bentley you know what is that

0:31:21.440 --> 0:31:23.360
<v Speaker 6>Bentley coop? He had one of those, and it came out.

0:31:23.440 --> 0:31:26.040
<v Speaker 6>You get your day to take the car after you're

0:31:26.080 --> 0:31:30.320
<v Speaker 6>like brothers swapping it out. Yeah, like you know, but

0:31:30.440 --> 0:31:34.000
<v Speaker 6>he imagine being on the date. You you you're a superstar,

0:31:34.120 --> 0:31:37.080
<v Speaker 6>you you you pleasure people pretty good, and you're on

0:31:37.120 --> 0:31:40.800
<v Speaker 6>a date and niggas say come home now and you

0:31:40.840 --> 0:31:41.480
<v Speaker 6>gotta do it.

0:31:42.040 --> 0:31:42.720
<v Speaker 4>You know what I'm saying?

0:31:43.160 --> 0:31:48.080
<v Speaker 6>Come home, come home, all right, I gotta go to

0:31:48.320 --> 0:31:49.320
<v Speaker 6>bring bring the car back.

0:31:49.600 --> 0:31:51.200
<v Speaker 4>It was it was the control.

0:31:51.400 --> 0:31:54.120
<v Speaker 6>Like you know what I'm saying, Imagine doing all the

0:31:54.160 --> 0:31:56.360
<v Speaker 6>work and and everything, you finally want to come home

0:31:56.360 --> 0:31:58.240
<v Speaker 6>and kick it with your friends. I don't pen around

0:31:58.320 --> 0:32:00.800
<v Speaker 6>these niggas for them there a month straight. I want

0:32:00.800 --> 0:32:02.400
<v Speaker 6>to kick it with my with the homies that you

0:32:02.400 --> 0:32:05.080
<v Speaker 6>grew up with. Yeah, oh, now you can't do that.

0:32:05.920 --> 0:32:08.600
<v Speaker 6>After while, you get tired of being told you can't,

0:32:08.680 --> 0:32:11.280
<v Speaker 6>you can't, you can't, you can't. So I just, you know,

0:32:11.320 --> 0:32:13.440
<v Speaker 6>I kind of rebelled on them, like, nah, bro, you know,

0:32:13.560 --> 0:32:16.440
<v Speaker 6>I was my own ship. And then that's when you know,

0:32:16.480 --> 0:32:17.720
<v Speaker 6>everything came to.

0:32:17.720 --> 0:32:20.080
<v Speaker 1>Life and you're a nineteen year old, twenty year old kid.

0:32:20.120 --> 0:32:21.440
<v Speaker 4>I'm twenty years Yeah, you just you.

0:32:21.560 --> 0:32:24.280
<v Speaker 1>I mean, you're grown man at this point, but you

0:32:24.400 --> 0:32:27.760
<v Speaker 1>still you're still coming out of adolescents. Yeah, and this

0:32:27.800 --> 0:32:30.320
<v Speaker 1>is the first thing that you're experiencing. Yeah, yeah, exactly,

0:32:30.360 --> 0:32:33.840
<v Speaker 1>because I always ask like what you buy? Obviously, nigga,

0:32:33.840 --> 0:32:35.000
<v Speaker 1>you didn't buy nothing.

0:32:34.720 --> 0:32:39.760
<v Speaker 4>Because you get you get none, get nothing, nothing.

0:32:39.480 --> 0:32:42.080
<v Speaker 1>Deal done whole shit? Have you done a publishing deal

0:32:42.120 --> 0:32:44.120
<v Speaker 1>anything yet? Or was all that wrapped into that.

0:32:44.080 --> 0:32:47.200
<v Speaker 6>Deal, wrapped into that one deal. So when my lawyer

0:32:47.280 --> 0:32:49.719
<v Speaker 6>told me that I can get a I got an.

0:32:49.960 --> 0:32:51.440
<v Speaker 6>I took an advance out of my be on my

0:32:51.560 --> 0:32:57.000
<v Speaker 6>right ship shouts out the ward heell and and Kathy. Yeah, yeah,

0:32:57.040 --> 0:32:59.920
<v Speaker 6>fifty thousand dollars. That's my first check I ever got

0:33:00.320 --> 0:33:01.240
<v Speaker 6>from the music business.

0:33:01.320 --> 0:33:03.760
<v Speaker 1>You know, you already got hit records out though. Yeah,

0:33:04.000 --> 0:33:08.080
<v Speaker 1>this band on me out your Body because we didn't

0:33:08.200 --> 0:33:08.920
<v Speaker 1>get into the records.

0:33:09.080 --> 0:33:12.160
<v Speaker 4>It's the first album. So it's the first album.

0:33:12.200 --> 0:33:15.280
<v Speaker 6>So yeah, so grounding Me, Your Body, Juicy, all them songs,

0:33:15.520 --> 0:33:17.760
<v Speaker 6>all the work is done. At this point, we about

0:33:17.760 --> 0:33:21.520
<v Speaker 6>to transition into the second album, and I moved out,

0:33:22.120 --> 0:33:24.320
<v Speaker 6>you know, with that fifty grand I ain't never I

0:33:24.320 --> 0:33:25.560
<v Speaker 6>ain't never go back to that house.

0:33:26.040 --> 0:33:28.640
<v Speaker 1>You moved out between the first and the second album, Okay, okay,

0:33:28.960 --> 0:33:31.680
<v Speaker 1>got my own apartment with one of my homeboys.

0:33:31.680 --> 0:33:34.520
<v Speaker 6>You know, we would have on it, and I told

0:33:34.600 --> 0:33:35.880
<v Speaker 6>him I still be in a group. I just don't

0:33:35.920 --> 0:33:39.640
<v Speaker 6>want to live, you know, living live in the same house.

0:33:40.000 --> 0:33:42.760
<v Speaker 6>So then during that time, now he had to pay me.

0:33:42.880 --> 0:33:45.600
<v Speaker 6>He had this other manager or whatever, and I have

0:33:45.960 --> 0:33:49.240
<v Speaker 6>Jimmy Nchman was my manager, so I had him and

0:33:50.440 --> 0:33:52.600
<v Speaker 6>you know, it'll be late payments, you know what I'm

0:33:52.600 --> 0:33:55.400
<v Speaker 6>saying for shows, you know, stuff like that. And there

0:33:55.440 --> 0:33:58.440
<v Speaker 6>was just so much animosity between what he will be

0:33:58.480 --> 0:34:01.840
<v Speaker 6>telling them versus I'm telling them, this is what's this

0:34:01.920 --> 0:34:02.880
<v Speaker 6>is what's up with this?

0:34:02.880 --> 0:34:06.320
<v Speaker 4>This their dad? So they finally it hard to believe

0:34:06.320 --> 0:34:06.960
<v Speaker 4>what I'm saying.

0:34:07.240 --> 0:34:10.200
<v Speaker 6>I'm pretty much on ice cube if this was n

0:34:10.280 --> 0:34:14.360
<v Speaker 6>w A, you know what I'm saying. And yeah, the

0:34:14.760 --> 0:34:18.879
<v Speaker 6>Late Night Special album we recorded it, and I went

0:34:18.880 --> 0:34:22.120
<v Speaker 6>out to promote on the hot Line and those couple

0:34:22.120 --> 0:34:24.360
<v Speaker 6>of records, and I was like, I'm not doing this

0:34:24.360 --> 0:34:25.520
<v Speaker 6>shit no more, you.

0:34:25.520 --> 0:34:29.320
<v Speaker 4>Know what I'm saying. And they went solo. I went solo.

0:34:29.400 --> 0:34:32.719
<v Speaker 6>They got it, They replaced me with another member, and

0:34:32.800 --> 0:34:34.239
<v Speaker 6>I just got to work, you know what I'm saying.

0:34:34.280 --> 0:34:36.720
<v Speaker 6>That's when I started putting out that I did you wrong.

0:34:37.200 --> 0:34:40.759
<v Speaker 6>I did get you at replies I did. That's vibe

0:34:40.760 --> 0:34:44.320
<v Speaker 6>with Yogay all my street hits rock bottom with Lil Wayne.

0:34:44.880 --> 0:34:47.759
<v Speaker 6>I'm around Lil Wayne every day. They want to sign

0:34:47.840 --> 0:34:49.759
<v Speaker 6>me the young money, but I'm tied up into the

0:34:49.800 --> 0:34:51.560
<v Speaker 6>contract with this guy.

0:34:51.800 --> 0:34:52.279
<v Speaker 4>You know what I'm saying.

0:34:52.280 --> 0:34:54.520
<v Speaker 6>He trying to make it hard for me for anything

0:34:54.560 --> 0:34:57.719
<v Speaker 6>that I do in terms of features and business. Like

0:34:58.040 --> 0:35:00.680
<v Speaker 6>Birdman wanted me on a song called BOSSI on this album.

0:35:00.920 --> 0:35:03.120
<v Speaker 6>I did the hook. He said, Yo, how much you

0:35:03.120 --> 0:35:05.040
<v Speaker 6>want to want for this? The man told him I

0:35:05.080 --> 0:35:07.480
<v Speaker 6>want one fifty my make up say no unless they're

0:35:07.480 --> 0:35:09.799
<v Speaker 6>gonna give it to me. Shit like that. So there's

0:35:09.800 --> 0:35:11.439
<v Speaker 6>a lot of songs that I was supposed to be on.

0:35:12.160 --> 0:35:14.879
<v Speaker 6>Please excuse my hands. My background is still on that record,

0:35:14.920 --> 0:35:16.719
<v Speaker 6>you know what I'm saying, cause I recorded it, you know.

0:35:17.160 --> 0:35:17.879
<v Speaker 4>Shit like that.

0:35:17.960 --> 0:35:20.480
<v Speaker 6>Certain certain things I was supposed to do, they were

0:35:20.480 --> 0:35:21.799
<v Speaker 6>they were kind of just taking from me.

0:35:22.400 --> 0:35:25.680
<v Speaker 4>And yeah, that was a tough time. But I had my.

0:35:25.640 --> 0:35:32.120
<v Speaker 6>Mixtape out and those songs is bubbling and I'm finding

0:35:32.120 --> 0:35:34.680
<v Speaker 6>the streets getting money. I'm getting money now, I'm getting

0:35:34.719 --> 0:35:37.520
<v Speaker 6>twelve five a show and I'm getting compared to what

0:35:37.719 --> 0:35:39.359
<v Speaker 6>you know what I'm saying. So I was getting I'm

0:35:39.400 --> 0:35:41.520
<v Speaker 6>really getting money every So I was like, well, I

0:35:41.560 --> 0:35:43.640
<v Speaker 6>don't care, I just put another mixtape song.

0:35:43.640 --> 0:35:45.920
<v Speaker 4>I don't care. I never drop an album, you know

0:35:45.960 --> 0:35:46.480
<v Speaker 4>what I'm saying.

0:35:46.480 --> 0:35:50.480
<v Speaker 6>And Craig them was like, man, So during our lawsuit,

0:35:50.920 --> 0:35:52.400
<v Speaker 6>he tried to depose.

0:35:53.560 --> 0:35:56.759
<v Speaker 4>Julie Greenwall, which was a bad move on his part.

0:35:57.200 --> 0:36:00.359
<v Speaker 6>What he yeah, exactly after they gave him all that money,

0:36:00.480 --> 0:36:04.640
<v Speaker 6>he did that, and then ship, did you wrong?

0:36:04.920 --> 0:36:07.160
<v Speaker 4>You know, I went to radio digit wrong? Did you wrong?

0:36:07.200 --> 0:36:09.400
<v Speaker 4>It is top twenty. So right now they don't know

0:36:09.400 --> 0:36:11.080
<v Speaker 4>if they're gonna be atlant it gonna pick me up or not.

0:36:11.160 --> 0:36:13.000
<v Speaker 1>But you know, it's like, oh, you don't have no

0:36:13.080 --> 0:36:16.440
<v Speaker 1>deal as a solo artist at this point, I don't know.

0:36:16.640 --> 0:36:19.280
<v Speaker 1>This is your mixtape? Did you wrong? It's on your mixtape?

0:36:19.360 --> 0:36:21.080
<v Speaker 4>Yeah, this is this is this is me? That's my

0:36:21.120 --> 0:36:21.600
<v Speaker 4>word shit.

0:36:21.719 --> 0:36:24.719
<v Speaker 6>Okay, all right, so then it's top twenty. Then Craig

0:36:24.800 --> 0:36:27.560
<v Speaker 6>them finally says, okay, we're in. We're in the pleasure

0:36:27.600 --> 0:36:30.040
<v Speaker 6>be business. And then you know they took that to

0:36:30.120 --> 0:36:33.279
<v Speaker 6>like number two, and I signed that contract for that

0:36:33.400 --> 0:36:36.520
<v Speaker 6>and my solo shit and basically.

0:36:37.239 --> 0:36:39.720
<v Speaker 4>I'll never forget it. Baby.

0:36:39.719 --> 0:36:42.360
<v Speaker 6>Blueting was going around saying, oh, well he's still signing

0:36:42.360 --> 0:36:44.400
<v Speaker 6>to us, so you know the same shit easy he

0:36:44.440 --> 0:36:46.960
<v Speaker 6>was doing the Ice QB. And for me, my ego

0:36:47.080 --> 0:36:50.000
<v Speaker 6>is intact like nah, nigga, I wrote this record the

0:36:50.000 --> 0:36:52.680
<v Speaker 6>top twenty. You know, y'all niggas had nothing to do

0:36:52.719 --> 0:36:55.080
<v Speaker 6>with that. So you know, it was a thing to

0:36:55.120 --> 0:37:00.480
<v Speaker 6>where his imprint would be on my album. If you

0:37:00.560 --> 0:37:02.360
<v Speaker 6>know what I'm saying, why is this imprint on the

0:37:02.440 --> 0:37:04.800
<v Speaker 6>on the charts? I ain't signing him, you know whatever?

0:37:04.920 --> 0:37:08.439
<v Speaker 1>Whatever, Because Atlantic ultimately had to do a deal where

0:37:08.440 --> 0:37:11.640
<v Speaker 1>he had probably had an override on your new project

0:37:11.680 --> 0:37:16.200
<v Speaker 1>and so that he would allow them to do your

0:37:16.239 --> 0:37:18.560
<v Speaker 1>solo album. So that's how you in a sense ended

0:37:18.600 --> 0:37:19.880
<v Speaker 1>up at Atlantic still.

0:37:19.760 --> 0:37:23.520
<v Speaker 6>Right, So I said, you know what, man that you know,

0:37:23.760 --> 0:37:26.319
<v Speaker 6>I'm thankful for everything he did for me. If it

0:37:26.360 --> 0:37:28.800
<v Speaker 6>wasn't for him, I wouldn't be where I'm at right now.

0:37:29.160 --> 0:37:32.640
<v Speaker 6>So I gave him five hundred thousand dollars. Go your way,

0:37:32.640 --> 0:37:33.359
<v Speaker 6>I go my way.

0:37:34.120 --> 0:37:36.120
<v Speaker 4>And that was it, bro, you know what I'm saying.

0:37:36.120 --> 0:37:37.239
<v Speaker 4>That was it. Yeah. I never had to go to

0:37:37.239 --> 0:37:37.799
<v Speaker 4>court after that.

0:37:37.920 --> 0:37:39.880
<v Speaker 6>We never we never had to go to court. But

0:37:40.120 --> 0:37:42.960
<v Speaker 6>I could have. You know, I had the money, you

0:37:42.960 --> 0:37:44.600
<v Speaker 6>know I'm saying I have. I had the money to

0:37:45.520 --> 0:37:46.279
<v Speaker 6>bury this guy.

0:37:46.320 --> 0:37:47.800
<v Speaker 4>But I just forget.

0:37:47.800 --> 0:37:50.840
<v Speaker 6>You know, I'm unforgiving, bro, I'm a forgiving person, you

0:37:50.920 --> 0:37:53.640
<v Speaker 6>know what I'm saying. So I just kind of looked

0:37:53.640 --> 0:37:55.799
<v Speaker 6>at the futures like, you know what, I'm doing this

0:37:55.880 --> 0:37:56.319
<v Speaker 6>and doing that.

0:37:56.480 --> 0:37:57.160
<v Speaker 4>You can keep that.

0:37:57.520 --> 0:38:01.120
<v Speaker 1>Yeah, yeah, brought your way out, my.

0:38:01.040 --> 0:38:05.279
<v Speaker 4>Way out of that, Yeah for sure, ship listen it.

0:38:05.880 --> 0:38:07.960
<v Speaker 1>So people don't understand about the music business too though,

0:38:08.000 --> 0:38:11.880
<v Speaker 1>Like you you really have to. You gotta read that contract,

0:38:12.600 --> 0:38:12.960
<v Speaker 1>you know what I mean?

0:38:12.960 --> 0:38:15.440
<v Speaker 6>Why I wouldn't they brought myself out? Started off in debt.

0:38:15.880 --> 0:38:19.640
<v Speaker 6>Put it like that, started off in debt Atlantic.

0:38:19.400 --> 0:38:21.000
<v Speaker 1>You know, because they needed theirs back.

0:38:21.040 --> 0:38:21.200
<v Speaker 5>Now.

0:38:21.400 --> 0:38:23.879
<v Speaker 6>Yeah, so I started off in debt, some million dollars

0:38:23.880 --> 0:38:26.359
<v Speaker 6>in debt before my I don't even my first album

0:38:26.400 --> 0:38:26.960
<v Speaker 6>even come out.

0:38:27.040 --> 0:38:28.480
<v Speaker 1>Come on speak on that because that's the that's the

0:38:28.600 --> 0:38:31.040
<v Speaker 1>that's the business side of this. That is the business

0:38:31.080 --> 0:38:34.400
<v Speaker 1>side of this. Yeah. Where now you have Now you

0:38:34.440 --> 0:38:37.360
<v Speaker 1>have this debt that you like you said, you're starting

0:38:37.360 --> 0:38:39.680
<v Speaker 1>off before anything because you had to get that half

0:38:39.719 --> 0:38:42.759
<v Speaker 1>a millionaire and then obviously whatever the budget is or

0:38:42.800 --> 0:38:45.759
<v Speaker 1>whatever the advance is from Atlantic for your new for

0:38:45.840 --> 0:38:48.759
<v Speaker 1>your new solo project, right, that's what you in.

0:38:48.680 --> 0:38:50.160
<v Speaker 4>The red on that.

0:38:50.400 --> 0:38:53.799
<v Speaker 1>I'm red that's before you ever even record a song.

0:38:54.800 --> 0:38:56.759
<v Speaker 4>Well, I had did you wrong out? So did you wrong?

0:38:57.080 --> 0:39:00.040
<v Speaker 1>I'm talking about as far as you're so.

0:39:00.200 --> 0:39:03.640
<v Speaker 4>Oh yeah, yeah for sure, Yeah, Yah yeah for sure. Wow.

0:39:04.600 --> 0:39:05.719
<v Speaker 1>But you wrote did you wrong too?

0:39:05.760 --> 0:39:05.880
<v Speaker 5>Right?

0:39:05.960 --> 0:39:07.600
<v Speaker 4>Yeah? That record with.

0:39:10.520 --> 0:39:15.040
<v Speaker 6>Lutis Charles and Danny Danny Boy, they did the beat

0:39:15.080 --> 0:39:17.120
<v Speaker 6>to that record and I wrote one hundred percent of

0:39:17.120 --> 0:39:17.560
<v Speaker 6>that record.

0:39:18.480 --> 0:39:22.239
<v Speaker 1>Yeah, still singing that record is this day, Still singing

0:39:22.280 --> 0:39:23.640
<v Speaker 1>that record day.

0:39:23.960 --> 0:39:24.320
<v Speaker 4>Okay.

0:39:24.360 --> 0:39:26.759
<v Speaker 1>So now that's a hood when you get that and

0:39:26.800 --> 0:39:28.240
<v Speaker 1>you got your you know what I mean, you didn't.

0:39:28.760 --> 0:39:31.319
<v Speaker 1>Now you're starting to see some breads. What's the first

0:39:31.320 --> 0:39:34.840
<v Speaker 1>thing you buy? The first thing that you bought for yourself, like,

0:39:34.880 --> 0:39:37.040
<v Speaker 1>you know what, I need this if it's a if

0:39:37.040 --> 0:39:39.680
<v Speaker 1>it's a car. So I like how I was like,

0:39:39.960 --> 0:39:40.720
<v Speaker 1>what did you feel?

0:39:40.719 --> 0:39:40.799
<v Speaker 4>Like?

0:39:40.840 --> 0:39:44.239
<v Speaker 1>Okay, this is this is something I've always wanted and

0:39:44.320 --> 0:39:44.799
<v Speaker 1>I needed.

0:39:45.239 --> 0:39:47.520
<v Speaker 6>The first thing I bought was a condo. Okay, So

0:39:47.560 --> 0:39:49.800
<v Speaker 6>the first thing I bought was a condo in Aventur.

0:39:50.680 --> 0:39:55.080
<v Speaker 6>Second thing I bought a car, Third thing jewelry, got

0:39:55.160 --> 0:39:56.160
<v Speaker 6>the got the shine on.

0:39:56.719 --> 0:39:59.680
<v Speaker 4>And then fourth thing I ended up moving to l

0:39:59.719 --> 0:40:03.600
<v Speaker 4>A Hmm, you got on? Yeah, I said.

0:40:03.640 --> 0:40:05.480
<v Speaker 6>We took over because you know I have I have

0:40:05.560 --> 0:40:08.880
<v Speaker 6>a partner with Brian McKinney. We started our labor entertainment

0:40:08.960 --> 0:40:12.760
<v Speaker 6>at the time. So you know, I don't maximize Miami.

0:40:13.120 --> 0:40:13.680
<v Speaker 4>You know what I'm saying.

0:40:13.719 --> 0:40:15.719
<v Speaker 1>I'm like, yo, we need to go to the West coast.

0:40:15.960 --> 0:40:18.680
<v Speaker 1>And is he still playing football at that time? Yeah,

0:40:18.680 --> 0:40:19.799
<v Speaker 1>he was still playing at the time.

0:40:20.160 --> 0:40:22.440
<v Speaker 4>Yeah, he blewing money fast at this time.

0:40:23.000 --> 0:40:24.400
<v Speaker 1>But he just loved the music business.

0:40:24.480 --> 0:40:26.759
<v Speaker 6>I just loved the music business. So he like, he

0:40:26.920 --> 0:40:29.000
<v Speaker 6>was a big help for me getting out of that

0:40:29.040 --> 0:40:31.200
<v Speaker 6>situation because if I ain't had no money, he helped

0:40:31.200 --> 0:40:34.200
<v Speaker 6>a lot of people. He gave me seventy thousand dollars

0:40:34.400 --> 0:40:35.920
<v Speaker 6>to pay for that lawyer.

0:40:35.960 --> 0:40:38.880
<v Speaker 4>Bro. Wow, wow, you know what I'm saying. Just the

0:40:38.920 --> 0:40:41.200
<v Speaker 4>next day it was there paid the lawyer.

0:40:41.560 --> 0:40:43.560
<v Speaker 6>Now, now I got a chance to fight this guy

0:40:44.040 --> 0:40:46.680
<v Speaker 6>to be become free, you know what I'm saying. So

0:40:46.719 --> 0:40:49.560
<v Speaker 6>shouts out to Brian McKinney for that too. But I

0:40:49.640 --> 0:40:52.920
<v Speaker 6>ended up moving to la and I would come to

0:40:53.000 --> 0:40:55.120
<v Speaker 6>that like, well for three weeks at the time, I'll

0:40:55.200 --> 0:40:57.600
<v Speaker 6>spend three weeks here, but spend three weeks there to just.

0:40:57.520 --> 0:40:59.640
<v Speaker 4>Try to figure it out, you know what I'm saying.

0:41:00.400 --> 0:41:03.960
<v Speaker 6>And I'm in the middle of recording the introduction of

0:41:04.000 --> 0:41:04.640
<v Speaker 6>Marcus Cooper.

0:41:04.800 --> 0:41:05.000
<v Speaker 5>You know.

0:41:05.040 --> 0:41:09.279
<v Speaker 6>We actually recorded it around the corner like right here

0:41:09.320 --> 0:41:11.480
<v Speaker 6>on South Beach, but I don't know. I ran into

0:41:11.520 --> 0:41:14.040
<v Speaker 6>you somewhere and I was like, you know what, let's

0:41:14.239 --> 0:41:15.719
<v Speaker 6>let's work and we ended up.

0:41:16.480 --> 0:41:17.640
<v Speaker 4>I ended I come to that la.

0:41:17.560 --> 0:41:18.000
<v Speaker 5>To work with you.

0:41:19.040 --> 0:41:19.400
<v Speaker 4>Yeah, I came.

0:41:20.200 --> 0:41:21.920
<v Speaker 5>I can't remember what studio that was.

0:41:22.640 --> 0:41:22.879
<v Speaker 4>I can't.

0:41:23.120 --> 0:41:24.480
<v Speaker 5>I can see it. I can't remember what.

0:41:24.440 --> 0:41:26.440
<v Speaker 3>Studio it was, but I was like, oh, I got

0:41:26.480 --> 0:41:28.040
<v Speaker 3>I got, I got something for you.

0:41:28.120 --> 0:41:30.680
<v Speaker 6>Yeah it was it was Was it west not West Lake?

0:41:31.320 --> 0:41:33.440
<v Speaker 6>It was It was a nice studio with a fireplace

0:41:33.480 --> 0:41:33.960
<v Speaker 6>in in.

0:41:33.920 --> 0:41:37.920
<v Speaker 4>The middle studios I can see that big.

0:41:38.719 --> 0:41:42.040
<v Speaker 6>It was Chris Brown. It used to be there with us.

0:41:43.280 --> 0:41:44.120
<v Speaker 5>It wasn't a record plant.

0:41:44.239 --> 0:41:44.479
<v Speaker 4>Wasn't.

0:41:44.760 --> 0:41:45.520
<v Speaker 5>No, it wasn't.

0:41:46.239 --> 0:41:48.799
<v Speaker 6>It was like in the valley, in the valley like

0:41:48.840 --> 0:41:49.960
<v Speaker 6>it's nice though, bro.

0:41:50.719 --> 0:41:53.759
<v Speaker 5>It was think about that too. Was it wasn't Glenwood?

0:41:53.880 --> 0:41:55.120
<v Speaker 4>Was it Glenwood Place?

0:41:55.719 --> 0:41:58.960
<v Speaker 1>Glenwood that is has it in the middle of it

0:41:59.000 --> 0:42:00.279
<v Speaker 1>has the fireplace room?

0:42:04.120 --> 0:42:05.560
<v Speaker 4>Thank you? Yeah, my guy.

0:42:05.920 --> 0:42:06.360
<v Speaker 5>Yeah.

0:42:06.480 --> 0:42:08.360
<v Speaker 1>And I was like, I was like, I was like,

0:42:08.400 --> 0:42:10.480
<v Speaker 1>I gotta he got a false.

0:42:11.040 --> 0:42:16.600
<v Speaker 3>They got a false. If you got a false, we're

0:42:16.600 --> 0:42:18.000
<v Speaker 3>gonna have a great time.

0:42:19.120 --> 0:42:19.879
<v Speaker 4>Yeah, I remember when you.

0:42:19.800 --> 0:42:20.520
<v Speaker 5>Finished that record.

0:42:20.520 --> 0:42:23.080
<v Speaker 3>I knew you could I knew you could sing, but

0:42:24.440 --> 0:42:27.480
<v Speaker 3>I think you even surprised me. I think you surprised everybody.

0:42:27.760 --> 0:42:30.920
<v Speaker 1>Yeah, because we were all used to him singing hooks.

0:42:31.880 --> 0:42:33.520
<v Speaker 1>He was a hook guy. He was a hook guy

0:42:33.600 --> 0:42:35.759
<v Speaker 1>for the group, right, and that's what it was. So

0:42:35.840 --> 0:42:39.799
<v Speaker 1>nobody really got a chance to fully hear full records.

0:42:40.560 --> 0:42:41.920
<v Speaker 4>That's crazy, you know what I mean.

0:42:42.320 --> 0:42:48.640
<v Speaker 3>Everybody met immediately, he said, what what did you guys?

0:42:48.680 --> 0:42:52.919
<v Speaker 3>I said, bro, that nigga can sing. He said, dang,

0:42:53.040 --> 0:42:58.000
<v Speaker 3>he sounds fucking amazing. I said that he can sing.

0:42:58.840 --> 0:43:04.279
<v Speaker 3>It's not a guestimation. Estimation, he can sing. Grammy nominated.

0:43:08.760 --> 0:43:11.799
<v Speaker 3>I was, And that was like my introduction to understanding

0:43:12.000 --> 0:43:17.120
<v Speaker 3>you as as an artist and a professional, because like

0:43:17.840 --> 0:43:21.279
<v Speaker 3>you're going to get in that booth and deliver one

0:43:21.360 --> 0:43:27.719
<v Speaker 3>hundred percent. We've done many a record, many many a

0:43:27.760 --> 0:43:31.800
<v Speaker 3>fire record that take you a good thirty forty minutes

0:43:31.840 --> 0:43:37.719
<v Speaker 3>to knockout. He get busy, nigga, get busy done, Gotta

0:43:37.800 --> 0:43:39.560
<v Speaker 3>manage you, nigga. I got the part. I got a

0:43:39.600 --> 0:43:40.799
<v Speaker 3>part about I take it.

0:43:40.800 --> 0:43:41.200
<v Speaker 5>I got.

0:43:42.719 --> 0:43:44.319
<v Speaker 1>That part to you normal, but I got I got out.

0:43:45.239 --> 0:43:49.040
<v Speaker 1>So when you have your your solo success. Now you

0:43:49.040 --> 0:43:52.239
<v Speaker 1>know the introduction, and you got these hit records, you

0:43:52.280 --> 0:43:54.240
<v Speaker 1>got the Boyfriend number two.

0:43:54.480 --> 0:43:56.560
<v Speaker 4>You know what I'm saying, Like it takes off.

0:43:56.640 --> 0:43:57.640
<v Speaker 1>How does that feel?

0:43:58.120 --> 0:43:58.640
<v Speaker 4>Now?

0:43:59.040 --> 0:44:01.600
<v Speaker 6>That's when I first Now, this is when I'm able

0:44:01.640 --> 0:44:03.440
<v Speaker 6>to enjoy you.

0:44:03.719 --> 0:44:05.279
<v Speaker 4>You know what I'm saying now that this is my

0:44:05.360 --> 0:44:08.080
<v Speaker 4>moment of Now, damn, this is how it feels. I'm

0:44:08.120 --> 0:44:09.919
<v Speaker 4>living in Beverly Hills, house on the hills.

0:44:10.000 --> 0:44:12.720
<v Speaker 1>Yeah, I remember I'm talking about with the dripping.

0:44:12.760 --> 0:44:14.520
<v Speaker 4>Now I'm talking about it, talking about it.

0:44:15.760 --> 0:44:20.160
<v Speaker 1>Talk your ship. I'm around, I'm around.

0:44:20.360 --> 0:44:21.600
<v Speaker 4>You know, Hollywood.

0:44:21.680 --> 0:44:26.080
<v Speaker 3>You kept them on you too, You kept You're like

0:44:26.200 --> 0:44:29.480
<v Speaker 3>yeah that that that that see yeah, and he going

0:44:29.520 --> 0:44:30.120
<v Speaker 3>out to dinner.

0:44:30.239 --> 0:44:32.600
<v Speaker 1>You know, it's all up.

0:44:32.719 --> 0:44:35.960
<v Speaker 6>We're in dinner on we on party buses, going to clubs.

0:44:36.400 --> 0:44:39.640
<v Speaker 6>You know it's thirty forty people this party, party, party, party.

0:44:39.680 --> 0:44:40.160
<v Speaker 4>Man. It was.

0:44:40.640 --> 0:44:43.240
<v Speaker 6>That was my way of enjoying it and then bringing

0:44:43.560 --> 0:44:46.359
<v Speaker 6>young Black Hollywood together. I was like, Yo, these these

0:44:46.440 --> 0:44:49.959
<v Speaker 6>older guys back and like, you know, they can't come

0:44:50.040 --> 0:44:50.440
<v Speaker 6>kick it.

0:44:50.480 --> 0:44:51.360
<v Speaker 4>And you know what I'm.

0:44:51.239 --> 0:44:54.640
<v Speaker 6>Saying, So all of young Black Hollywood just started inviting

0:44:54.680 --> 0:44:55.360
<v Speaker 6>them to parties.

0:44:55.360 --> 0:44:58.040
<v Speaker 4>And ship like that. Before you know it, it's just

0:44:58.120 --> 0:44:59.760
<v Speaker 4>us at the parties. You know what I'm saying.

0:45:00.360 --> 0:45:04.879
<v Speaker 6>I kind of like fanned out one day when I

0:45:04.920 --> 0:45:07.840
<v Speaker 6>was I was matter of fact, think it was your party.

0:45:09.719 --> 0:45:11.959
<v Speaker 6>I threw you a party. You and Tyres's birthday party

0:45:12.320 --> 0:45:16.000
<v Speaker 6>at my crib. And I looked downstairs and Snoop Dogg

0:45:16.160 --> 0:45:18.839
<v Speaker 6>was Snoop.

0:45:22.120 --> 0:45:26.759
<v Speaker 4>Snoop Dogs. Yes, Chris and them, they're like brothers. Like

0:45:26.760 --> 0:45:27.640
<v Speaker 4>you know what I'm saying, I don't.

0:45:27.640 --> 0:45:29.279
<v Speaker 6>We don't look at I don't look at Chris Brown

0:45:29.360 --> 0:45:31.040
<v Speaker 6>like Chris Brown like you know what I'm saying, I

0:45:31.080 --> 0:45:36.640
<v Speaker 6>don't look at like like they together, my guys.

0:45:36.680 --> 0:45:39.160
<v Speaker 4>But that's like Snooping, right, you didn't know stuff like that.

0:45:39.520 --> 0:45:41.080
<v Speaker 1>Snoopy is fucking Snoop Snoop.

0:45:41.160 --> 0:45:45.520
<v Speaker 6>Yeah, he coolst in my living room partying like yeah,

0:45:46.120 --> 0:45:46.880
<v Speaker 6>I made a nigga.

0:45:46.920 --> 0:45:49.879
<v Speaker 4>I made it.

0:45:51.080 --> 0:45:54.000
<v Speaker 3>But you're doing music and you're also like you're doing

0:45:54.080 --> 0:45:55.879
<v Speaker 3>other businesses too, Like.

0:45:56.280 --> 0:45:59.879
<v Speaker 1>Yeah, he had the exacty cause they got a lot.

0:46:00.200 --> 0:46:02.279
<v Speaker 3>It was like some cause when you get down and

0:46:02.360 --> 0:46:03.840
<v Speaker 3>let me need some cars and if you need some

0:46:03.920 --> 0:46:05.160
<v Speaker 3>jet skis, I got jet skis too.

0:46:05.920 --> 0:46:11.720
<v Speaker 4>What hey, bro, you really was hustle man too. Gotta

0:46:13.719 --> 0:46:14.320
<v Speaker 4>what made you?

0:46:14.800 --> 0:46:17.759
<v Speaker 1>What made you put yourself in that space of like,

0:46:17.880 --> 0:46:21.759
<v Speaker 1>you know what? Because this is this is the thing man,

0:46:21.920 --> 0:46:23.880
<v Speaker 1>and and people some people look at it different, but

0:46:24.280 --> 0:46:26.359
<v Speaker 1>I look at this as a as a skill set.

0:46:27.840 --> 0:46:31.120
<v Speaker 1>You were a concierge as well. You know what I'm saying,

0:46:31.239 --> 0:46:37.120
<v Speaker 1>Like you literally could call p and he figure it out.

0:46:39.200 --> 0:46:41.200
<v Speaker 1>I need oh oh yeah, no, I got the tip

0:46:41.239 --> 0:46:43.200
<v Speaker 1>of it and I'm gonna go get that and yeah yeah,

0:46:43.200 --> 0:46:44.719
<v Speaker 1>and then they gonna get the driver. Then they gonna

0:46:44.719 --> 0:46:45.279
<v Speaker 1>send him over there.

0:46:45.360 --> 0:46:45.680
<v Speaker 5>Did we go?

0:46:46.320 --> 0:46:49.040
<v Speaker 1>It's like, pee, how do you know all this? And

0:46:49.120 --> 0:46:51.480
<v Speaker 1>people moved on. I just even know them, but they

0:46:51.600 --> 0:46:55.160
<v Speaker 1>moved Yeah. And that was That was a really cool

0:46:55.200 --> 0:46:57.920
<v Speaker 1>thing to me because I wasn't used to seeing artists

0:46:57.960 --> 0:47:01.520
<v Speaker 1>be that way because artists are usually like I keep

0:47:01.560 --> 0:47:04.560
<v Speaker 1>all the plugs to myself. Oh I know the guy

0:47:04.680 --> 0:47:07.440
<v Speaker 1>at the casino I can get this is my you

0:47:07.480 --> 0:47:08.880
<v Speaker 1>know what I'm saying. Or I know the guy that

0:47:09.120 --> 0:47:11.279
<v Speaker 1>they get the sweets at this hotel where I know

0:47:11.760 --> 0:47:13.960
<v Speaker 1>the player price on the on the exotic cars. You

0:47:14.120 --> 0:47:25.680
<v Speaker 1>was like, nah, no, this for all of us. That

0:47:25.800 --> 0:47:30.600
<v Speaker 1>was my first time seeing somebody get a ivy. I'm going,

0:47:30.880 --> 0:47:35.520
<v Speaker 1>don't let them put that shit in your arm because

0:47:35.680 --> 0:47:39.640
<v Speaker 1>you gotta think though, I'm not a partier. I don't drink,

0:47:39.640 --> 0:47:40.960
<v Speaker 1>I don't smoke. You know what I'm saying like that,

0:47:41.120 --> 0:47:42.560
<v Speaker 1>You know what I'm saying, Like obviously I've done it

0:47:42.800 --> 0:47:45.400
<v Speaker 1>something in my life. You know what I'm saying. But

0:47:45.800 --> 0:47:49.640
<v Speaker 1>I'm not. I'm not that guy that I've never been faded.

0:47:49.680 --> 0:47:51.040
<v Speaker 1>I've never you know what I'm saying to that point

0:47:51.040 --> 0:47:53.080
<v Speaker 1>where it's like I need somebody to bring me back

0:47:53.120 --> 0:47:54.640
<v Speaker 1>to life. So I'm thinking to myself, man, what the

0:47:54.800 --> 0:47:58.719
<v Speaker 1>fuck aout they about to give you a shot? I

0:47:58.840 --> 0:48:03.640
<v Speaker 1>needed my life, Nigga. I was half and I watched

0:48:03.680 --> 0:48:06.719
<v Speaker 1>it happen. I was like, oh, ship, And I'm thinking, so,

0:48:07.000 --> 0:48:11.040
<v Speaker 1>how does pe know the nurses? He just got nurses

0:48:11.120 --> 0:48:15.200
<v Speaker 1>that pull up with the little bag now you know

0:48:15.239 --> 0:48:17.040
<v Speaker 1>what I mean? Now, I get the vitamin drips and ship.

0:48:17.120 --> 0:48:19.760
<v Speaker 4>You know what I mean now. But he was already

0:48:19.840 --> 0:48:20.040
<v Speaker 4>on it.

0:48:20.120 --> 0:48:21.040
<v Speaker 1>He was already on it.

0:48:21.120 --> 0:48:21.239
<v Speaker 4>Bro.

0:48:21.440 --> 0:48:24.200
<v Speaker 1>I didn't know nothing about that ship, grown ass man.

0:48:24.239 --> 0:48:25.480
<v Speaker 1>I knew nothing about none of that ship.

0:48:25.520 --> 0:48:29.520
<v Speaker 4>Don't let them do that to day. Don't you do that?

0:48:29.719 --> 0:48:32.920
<v Speaker 1>Already said you're on steroids, my.

0:48:33.000 --> 0:48:35.279
<v Speaker 6>Boy, my boy float actually the one that put me

0:48:35.360 --> 0:48:39.200
<v Speaker 6>on man Vegas. We will be in Vegas all this ship. Yeah,

0:48:39.320 --> 0:48:41.759
<v Speaker 6>he'd be like, he'd be like, how the fuck this

0:48:41.840 --> 0:48:44.319
<v Speaker 6>motherfucker still partying the next day? How the fuck they're

0:48:44.320 --> 0:48:46.080
<v Speaker 6>out partying us and we're like, you know, we in

0:48:46.120 --> 0:48:47.840
<v Speaker 6>the room dying, beat dying.

0:48:47.920 --> 0:48:50.360
<v Speaker 4>You know what I'm saying. Everybody, you know we starting

0:48:50.400 --> 0:48:52.640
<v Speaker 4>our dad. Damn, that's six o'clock and ship like that.

0:48:52.880 --> 0:48:55.080
<v Speaker 4>You know we figured it out.

0:48:55.120 --> 0:48:58.440
<v Speaker 6>Okay, white white boy, Hey man, this this is how

0:48:58.600 --> 0:49:00.680
<v Speaker 6>you know, put us on on to that. You know

0:49:00.719 --> 0:49:03.799
<v Speaker 6>what I'm saying, Try to limit and work.

0:49:03.920 --> 0:49:06.080
<v Speaker 4>I can run through the water next that. Oh this

0:49:06.320 --> 0:49:06.960
<v Speaker 4>this is where it is.

0:49:08.280 --> 0:49:21.520
<v Speaker 1>Vitamins right to the blood. Live cooking that night cooking.

0:49:21.600 --> 0:49:22.680
<v Speaker 4>Had a good ass time.

0:49:23.120 --> 0:49:25.600
<v Speaker 6>But and and to answer your other question in terms

0:49:25.640 --> 0:49:28.120
<v Speaker 6>of on the on the hustling side of things, you know,

0:49:28.280 --> 0:49:32.440
<v Speaker 6>for me, I grew up sharing clothes with my friends

0:49:33.120 --> 0:49:34.560
<v Speaker 6>or if you ain't got it, you know what I'm saying,

0:49:34.600 --> 0:49:36.680
<v Speaker 6>But we I'll give you my last if I don't

0:49:36.719 --> 0:49:38.120
<v Speaker 6>need it, you know what I'm saying, Like, that's just

0:49:38.239 --> 0:49:42.080
<v Speaker 6>how I grew up with my friends. So you know,

0:49:42.200 --> 0:49:44.520
<v Speaker 6>for me, it's like you need every day money, you

0:49:44.640 --> 0:49:47.839
<v Speaker 6>need weekly money, you need monthly money, you need yearly money.

0:49:48.160 --> 0:49:49.719
<v Speaker 4>So whatever I can do.

0:49:50.680 --> 0:49:52.640
<v Speaker 6>You know what I'm saying in terms of if it

0:49:52.880 --> 0:49:54.759
<v Speaker 6>if it's a car rental business, if it's just that's

0:49:54.840 --> 0:49:57.799
<v Speaker 6>every day money. You know what I'm saying, music business, ship,

0:49:57.920 --> 0:49:59.560
<v Speaker 6>we do our shows, that's weekend money.

0:49:59.800 --> 0:50:02.359
<v Speaker 4>You you know what I'm saying. Real estate shit, that's

0:50:02.400 --> 0:50:04.680
<v Speaker 4>the monthly money. You know, just ship like that. So

0:50:04.719 --> 0:50:07.680
<v Speaker 4>I just kind of got my mind wired just you know,

0:50:07.840 --> 0:50:09.000
<v Speaker 4>just from that perspective. Bro.

0:50:09.560 --> 0:50:12.839
<v Speaker 1>Now I love that, bro, and you are absolutely shut

0:50:12.920 --> 0:50:16.279
<v Speaker 1>off my back type of human being. Bro, I've seen it.

0:50:16.400 --> 0:50:19.600
<v Speaker 1>I've seen you like just look out for people. And

0:50:19.719 --> 0:50:25.960
<v Speaker 1>that's that's also why you've always succeeded at every time,

0:50:26.640 --> 0:50:29.319
<v Speaker 1>you know what I mean, Like at every time it's

0:50:29.440 --> 0:50:31.439
<v Speaker 1>like you we don't see each other all the time.

0:50:31.920 --> 0:50:35.319
<v Speaker 1>When we do see each other, I'm like, Okay, they

0:50:35.400 --> 0:50:38.040
<v Speaker 1>go pee, he got that going on, he got this

0:50:38.200 --> 0:50:40.000
<v Speaker 1>going on, he got you know what I'm saying. Like,

0:50:40.120 --> 0:50:42.360
<v Speaker 1>and it's people that fuck with you that will always

0:50:43.080 --> 0:50:45.400
<v Speaker 1>reach back or reach over and say, hey, come on, pee.

0:50:45.440 --> 0:50:48.720
<v Speaker 3>Yeah do this I'm always willing. I mean I speak

0:50:48.760 --> 0:50:50.680
<v Speaker 3>for you as well. We're always willing to be of service.

0:50:51.080 --> 0:50:52.719
<v Speaker 3>Like there's never a time you can call them be

0:50:52.760 --> 0:50:54.400
<v Speaker 3>like this, Nigga, can you put himself?

0:50:54.520 --> 0:50:56.000
<v Speaker 5>Can you use it? And thing's gonna be like no,

0:50:56.480 --> 0:50:57.480
<v Speaker 5>he's like this. We on the way.

0:50:57.880 --> 0:51:02.600
<v Speaker 3>Facts just did it on nig We be backing you, hey, nigga,

0:51:02.640 --> 0:51:04.600
<v Speaker 3>when you're gonna put this music out. We've been doing

0:51:04.680 --> 0:51:07.160
<v Speaker 3>like we've been. We be on you like like Nigga,

0:51:07.200 --> 0:51:09.680
<v Speaker 3>come on, man, like you you got the ship, let's go,

0:51:10.040 --> 0:51:12.800
<v Speaker 3>let's do it. We be pushing you right, you know

0:51:12.840 --> 0:51:13.120
<v Speaker 3>what I mean.

0:51:13.160 --> 0:51:15.359
<v Speaker 1>It's to the point too, bro, Like you know we've

0:51:15.440 --> 0:51:18.680
<v Speaker 1>we've had we've had so many dealings and runnings with

0:51:18.719 --> 0:51:21.360
<v Speaker 1>each other and just all these positive things bro to

0:51:21.440 --> 0:51:24.960
<v Speaker 1>the point of like obviously the under record, right, yeah,

0:51:25.840 --> 0:51:31.800
<v Speaker 1>great thing. But then even moving to me calling you

0:51:31.920 --> 0:51:35.960
<v Speaker 1>and saying I got this song. Oh man, I got

0:51:36.000 --> 0:51:40.319
<v Speaker 1>this song. I'm managing this. This this young boy out

0:51:40.360 --> 0:51:43.759
<v Speaker 1>the bay they records cracking, all these people are doing

0:51:43.880 --> 0:51:46.560
<v Speaker 1>their versions of it. I want you to come do

0:51:46.680 --> 0:51:49.040
<v Speaker 1>the R and B version with me, And it was no,

0:51:49.440 --> 0:51:51.640
<v Speaker 1>it wasn't even no question with you It wasn't even

0:51:51.760 --> 0:51:54.000
<v Speaker 1>like ah yeah yeah. When I he was like, all

0:51:54.160 --> 0:51:58.920
<v Speaker 1>my wife facts. We got to it immediately, do the

0:51:59.120 --> 0:52:03.120
<v Speaker 1>up R and B remixed, talk about it. Bro that

0:52:03.239 --> 0:52:06.439
<v Speaker 1>ship to this day. And it started off to this day,

0:52:07.200 --> 0:52:09.880
<v Speaker 1>it started off with just me and you. Yeah, that

0:52:10.000 --> 0:52:12.839
<v Speaker 1>record started off with just me and you. People don't

0:52:12.920 --> 0:52:16.640
<v Speaker 1>know that that there was. This was the heavy Twitter days.

0:52:16.719 --> 0:52:20.440
<v Speaker 1>I remember I put it up and I put it

0:52:20.560 --> 0:52:25.440
<v Speaker 1>up with an open verse, purposely, purposely.

0:52:25.480 --> 0:52:26.759
<v Speaker 4>I'm like, I'm just gonna put it out.

0:52:27.800 --> 0:52:29.560
<v Speaker 1>You know. The niggas that grab it, you know what

0:52:29.560 --> 0:52:30.600
<v Speaker 1>I mean, If they want to be a part of

0:52:30.640 --> 0:52:32.400
<v Speaker 1>the record, cool, cool cool, But I'm gonna do it

0:52:32.480 --> 0:52:35.239
<v Speaker 1>with me and P. And it wasn't until I went

0:52:35.280 --> 0:52:36.880
<v Speaker 1>to Vegas and I told her when I know when

0:52:36.920 --> 0:52:40.359
<v Speaker 1>I when I did my episode. I went to Vegas, Chris,

0:52:40.440 --> 0:52:42.800
<v Speaker 1>here's the record. Nigga like, I'm coming do the ship tomorrow.

0:52:43.400 --> 0:52:47.960
<v Speaker 1>Yeah yeah, yeah yeah, and I'll never forget. I played

0:52:48.120 --> 0:52:49.840
<v Speaker 1>the record. You're like, no, no, no, I'm doing my

0:52:49.960 --> 0:52:53.400
<v Speaker 1>verse again. I said, no, pe Pete. He's like, no, no, no,

0:52:53.920 --> 0:52:56.440
<v Speaker 1>Chris on that motherfucker he's doing I'm doing my verse.

0:52:56.480 --> 0:52:59.919
<v Speaker 1>I said, Pe, this ship is this This record is amazing. Yeah,

0:53:00.400 --> 0:53:02.840
<v Speaker 1>like this ship is gonna go like Nigga, this is

0:53:03.000 --> 0:53:06.200
<v Speaker 1>out of here with a call out, it's out of.

0:53:06.280 --> 0:53:07.000
<v Speaker 4>Here, ladies.

0:53:07.040 --> 0:53:13.360
<v Speaker 1>This sho song from Miami to the Bank to the Bank, Nigga.

0:53:13.360 --> 0:53:17.799
<v Speaker 1>That's that's that's estern history now, Yeah, for sure that's

0:53:18.040 --> 0:53:18.880
<v Speaker 1>esteron history, bro.

0:53:19.320 --> 0:53:22.800
<v Speaker 6>But to see how big the record is, like, you know,

0:53:22.960 --> 0:53:26.080
<v Speaker 6>I perform it right every show. Yeah, see how big

0:53:26.160 --> 0:53:29.480
<v Speaker 6>like this to go around to I don't I don't

0:53:29.520 --> 0:53:31.680
<v Speaker 6>know what I mean. I'll be in being c markets.

0:53:32.320 --> 0:53:35.959
<v Speaker 6>You know, I'm well where Matil got hung at whatever

0:53:35.960 --> 0:53:39.200
<v Speaker 6>the city that is, Ladies, dish your song from Miami

0:53:39.360 --> 0:53:41.680
<v Speaker 6>to the Bay going up.

0:53:42.360 --> 0:53:45.920
<v Speaker 1>People send me videos from France from the place I like,

0:53:46.000 --> 0:53:48.200
<v Speaker 1>you know me, I'm not a traveler, so place I

0:53:48.200 --> 0:53:50.000
<v Speaker 1>ain't never even been. I'll be seeing the videos and

0:53:50.000 --> 0:53:51.440
<v Speaker 1>they'll be sending me up.

0:53:52.040 --> 0:53:54.600
<v Speaker 4>I'm like, this is crazy, it's crazy. This is great.

0:53:54.600 --> 0:53:57.600
<v Speaker 1>Shout out to our brother Love Rance. Yeah come, you

0:53:57.640 --> 0:53:59.960
<v Speaker 1>know what I'm saying. Like, but the fact that you

0:54:00.239 --> 0:54:01.680
<v Speaker 1>just came and did that on the Love, it was

0:54:01.760 --> 0:54:04.800
<v Speaker 1>just like, bro, like think I'm with you. So it

0:54:04.880 --> 0:54:08.560
<v Speaker 1>made sense that when it was your turn to get

0:54:08.600 --> 0:54:12.319
<v Speaker 1>on that versus let's get to that vers Let's get

0:54:12.360 --> 0:54:16.560
<v Speaker 1>to that versus, let's pull up. I had no intentions

0:54:17.640 --> 0:54:21.720
<v Speaker 1>on performing or doing anything. I'm just like my brothers

0:54:21.800 --> 0:54:25.120
<v Speaker 1>is performing all y'all on that show. O Marion A

0:54:25.239 --> 0:54:29.880
<v Speaker 1>hit Tank already, ohad hit Tank. So we had to

0:54:29.960 --> 0:54:33.520
<v Speaker 1>go and then nigga, my phone light up.

0:54:33.840 --> 0:54:36.160
<v Speaker 4>I knew what it was too.

0:54:36.719 --> 0:54:39.399
<v Speaker 1>Was I saying your name? I said, all this, motherfucker,

0:54:39.880 --> 0:54:42.399
<v Speaker 1>he gonna tell me I gotta come perform this song

0:54:43.160 --> 0:54:45.400
<v Speaker 1>At that point, Bro, I hadn't because this is before

0:54:45.440 --> 0:54:52.400
<v Speaker 1>we do slow anything. I had sang live anywhere anything

0:54:52.560 --> 0:54:58.360
<v Speaker 1>probably damn to ten years. Yeah, Anute, I had not

0:54:58.520 --> 0:55:01.600
<v Speaker 1>been on the stage, performed or doing that type probably

0:55:01.600 --> 0:55:07.239
<v Speaker 1>about ten years, like for real. And I'm knowing what

0:55:07.480 --> 0:55:11.400
<v Speaker 1>versus is. And I'm knowing because I'm the nigga in

0:55:11.560 --> 0:55:16.320
<v Speaker 1>the comments on everybody else versus talking shit something like

0:55:16.480 --> 0:55:19.680
<v Speaker 1>oh now now I'm wanted the niggas they gonna be

0:55:19.680 --> 0:55:26.120
<v Speaker 1>talking shit about. Give us this scene from your lens,

0:55:27.760 --> 0:55:33.080
<v Speaker 1>Jesus Christ, of that night and where we had not

0:55:33.160 --> 0:55:38.480
<v Speaker 1>to No, kid, what's at the at the Novo Downtown

0:55:38.760 --> 0:55:43.840
<v Speaker 1>La gang Banger Central, Man, It's all the gang members

0:55:44.480 --> 0:55:48.240
<v Speaker 1>from the last thirty forty years look.

0:55:48.200 --> 0:55:49.480
<v Speaker 5>Like no R and B backstage.

0:55:49.680 --> 0:55:51.200
<v Speaker 4>Yeah, don't don't.

0:55:51.040 --> 0:55:53.960
<v Speaker 1>Tell us about that night man. From your perspective.

0:55:54.000 --> 0:55:58.879
<v Speaker 6>From my perspective, we never got a sound check of nothing, right, Okay,

0:55:58.920 --> 0:56:01.759
<v Speaker 6>we go start there, so we get the call, okay

0:56:01.800 --> 0:56:04.399
<v Speaker 6>with the dude versus all right, cool, were flying there over,

0:56:04.520 --> 0:56:06.719
<v Speaker 6>it's time for sound check. No sound check, no sound checking,

0:56:06.719 --> 0:56:10.839
<v Speaker 6>little sound check, right, So we finally walk on the stage. Right,

0:56:11.760 --> 0:56:14.160
<v Speaker 6>these niggas got dancers.

0:56:13.800 --> 0:56:16.000
<v Speaker 4>A band, they got all kind of shit going, and

0:56:16.080 --> 0:56:18.320
<v Speaker 4>we're like, well, we only came with the DJ. I

0:56:18.360 --> 0:56:20.200
<v Speaker 4>thought this, that's what this was about.

0:56:21.120 --> 0:56:23.520
<v Speaker 6>So then that's when it became my competitive you know

0:56:23.560 --> 0:56:25.279
<v Speaker 6>what I'm saying, Like, oh, these niggas trying to pull

0:56:25.360 --> 0:56:27.640
<v Speaker 6>on you know what I'm saying. And then, like you said,

0:56:27.640 --> 0:56:30.000
<v Speaker 6>we never got the mic check or whatever the or

0:56:30.040 --> 0:56:30.960
<v Speaker 6>whatever the case may be.

0:56:31.160 --> 0:56:34.239
<v Speaker 4>So Mario brought a sound man and he stood out.

0:56:34.239 --> 0:56:35.760
<v Speaker 4>He's an incredible singer.

0:56:35.800 --> 0:56:38.000
<v Speaker 6>But you know, I just wish everybody would have had

0:56:38.040 --> 0:56:42.880
<v Speaker 6>the same you know, the same uh, the same rollout,

0:56:42.960 --> 0:56:45.680
<v Speaker 6>you know what I'm saying, And you know, I just

0:56:45.719 --> 0:56:47.680
<v Speaker 6>wish that everybody could have shined the way that we

0:56:47.840 --> 0:56:49.920
<v Speaker 6>know that everybody can you know, the way that we

0:56:50.000 --> 0:56:52.680
<v Speaker 6>know everybody should have shined. But for me, I mean

0:56:53.120 --> 0:56:54.920
<v Speaker 6>that's just how I seen it. I seen it as

0:56:55.480 --> 0:56:58.239
<v Speaker 6>it wasn't. It wasn't one hundred percent fair, But you

0:56:58.320 --> 0:57:00.839
<v Speaker 6>gotta work with what you got. So hey, I got

0:57:00.880 --> 0:57:01.480
<v Speaker 6>I got a lot of his.

0:57:01.960 --> 0:57:06.640
<v Speaker 1>It got aggressive, yeah, yeah, aggressive, aggressive side of it though.

0:57:06.880 --> 0:57:07.080
<v Speaker 5>Yeah.

0:57:07.480 --> 0:57:09.120
<v Speaker 1>Do you think that there was too much liquor?

0:57:09.920 --> 0:57:13.520
<v Speaker 4>Nah? I think it was. See that's the thing about me.

0:57:14.040 --> 0:57:16.360
<v Speaker 6>They think I turn up right now as common as

0:57:16.400 --> 0:57:18.920
<v Speaker 6>I am right now as somebody walked into something happened,

0:57:18.960 --> 0:57:20.000
<v Speaker 6>I'll turn up right now.

0:57:20.160 --> 0:57:21.960
<v Speaker 4>Just it don't. It got nothing to do with no liquor,

0:57:22.320 --> 0:57:24.560
<v Speaker 4>you know what I'm saying. I just think that it

0:57:24.720 --> 0:57:26.600
<v Speaker 4>wasn't fair. Bro, it wasn't fair.

0:57:26.600 --> 0:57:30.480
<v Speaker 1>And they weren't on yet though, right because for you, Yeah,

0:57:30.640 --> 0:57:32.760
<v Speaker 1>Mario and Mario and Mario weren't on yet.

0:57:32.920 --> 0:57:33.280
<v Speaker 4>I'm talking.

0:57:33.320 --> 0:57:35.040
<v Speaker 6>I'm talking about what I'm talking about with them with

0:57:35.400 --> 0:57:38.680
<v Speaker 6>with my set, within our set, the Niggas came with

0:57:38.760 --> 0:57:40.600
<v Speaker 6>a whole band who had a band and.

0:57:40.720 --> 0:57:45.800
<v Speaker 4>And and dancers and all kind of ship raggie dancers. Yeah,

0:57:45.840 --> 0:57:47.840
<v Speaker 4>they had like a whole production.

0:57:49.360 --> 0:57:53.040
<v Speaker 3>Remember j Is he was walking back and forth across

0:57:53.080 --> 0:57:55.480
<v Speaker 3>the stage. He did it at least sixty two times,

0:57:56.000 --> 0:57:57.680
<v Speaker 3>and I was like, where the fuck is Rajie going?

0:57:58.200 --> 0:57:59.160
<v Speaker 3>Where does Jie keep on?

0:57:59.560 --> 0:58:02.280
<v Speaker 4>Because we because we ain't see the set. We ain't

0:58:02.280 --> 0:58:04.480
<v Speaker 4>see I didn't see the settings. I walked on.

0:58:04.720 --> 0:58:08.520
<v Speaker 1>Nobody else was walking across. You didn't see the team

0:58:08.520 --> 0:58:08.960
<v Speaker 1>you walked on?

0:58:09.280 --> 0:58:13.920
<v Speaker 6>Yes and nothing and yeah, no sound. I ain't literally

0:58:13.960 --> 0:58:17.080
<v Speaker 6>just walked on the stage, and it's like here we go, nigga.

0:58:17.120 --> 0:58:19.480
<v Speaker 6>We got to dances, and we got damn nigga. You

0:58:19.520 --> 0:58:21.040
<v Speaker 6>know what I'm saying, I'm I'm hot now.

0:58:21.960 --> 0:58:23.680
<v Speaker 4>And then and then.

0:58:24.440 --> 0:58:28.760
<v Speaker 6>They like skipped the skipped the song or turn or

0:58:28.800 --> 0:58:31.080
<v Speaker 6>something like that, trying to play. I was like, y'all

0:58:31.080 --> 0:58:32.640
<v Speaker 6>ain't gonna sit up here and play, you know what

0:58:32.720 --> 0:58:35.440
<v Speaker 6>I'm saying, Like, no, bro, And that's just how I

0:58:35.520 --> 0:58:40.360
<v Speaker 6>felt about it, and then formed the group. Yeah, we're friends,

0:58:40.840 --> 0:58:43.520
<v Speaker 6>we're friends, but it's it's competitive right now. It's like

0:58:43.960 --> 0:58:48.120
<v Speaker 6>we're playing basketball. We shipped talking basketball, we ship talking football.

0:58:48.360 --> 0:58:49.680
<v Speaker 6>We shipp talking R and B too.

0:58:50.200 --> 0:58:52.120
<v Speaker 5>Like I was like, somebody's gonna fight.

0:58:54.800 --> 0:58:56.160
<v Speaker 4>And we got the most views too.

0:58:56.080 --> 0:58:59.880
<v Speaker 3>Though, people asking me, and I was like this, listen,

0:58:59.920 --> 0:59:01.800
<v Speaker 3>you can look at it one of two ways, right.

0:59:02.160 --> 0:59:04.840
<v Speaker 3>You can look at it as you know, the aggressive

0:59:04.920 --> 0:59:07.200
<v Speaker 3>side of it and the competitive side of it kind

0:59:07.240 --> 0:59:12.960
<v Speaker 3>of overshadowed you know what these guys are capable of musically,

0:59:13.040 --> 0:59:14.800
<v Speaker 3>I said, Or you can look at it as like

0:59:15.720 --> 0:59:18.880
<v Speaker 3>that many people tuned in, that many people are now

0:59:19.000 --> 0:59:22.000
<v Speaker 3>streaming their songs, that many people are now going to

0:59:22.080 --> 0:59:24.480
<v Speaker 3>pull up to their shows. And I said, that's the win,

0:59:24.680 --> 0:59:27.000
<v Speaker 3>because when you go into a versus space like the

0:59:27.120 --> 0:59:30.600
<v Speaker 3>verses was more so kind of created in rap format.

0:59:31.000 --> 0:59:33.280
<v Speaker 3>Sure wasn't totally designed for R and B guys, So

0:59:33.480 --> 0:59:35.960
<v Speaker 3>R and B almost had to figure out a way

0:59:36.720 --> 0:59:40.080
<v Speaker 3>to be seen, you know what I'm saying, to to

0:59:40.680 --> 0:59:44.640
<v Speaker 3>have interaction in that space, and you guys organically did it.

0:59:44.720 --> 0:59:44.919
<v Speaker 5>Y'all.

0:59:45.040 --> 0:59:48.400
<v Speaker 3>Wasn't trying to be anything. Y'all was just really then

0:59:48.440 --> 0:59:51.760
<v Speaker 3>people didn't know that. People didn't know that no niggas is.

0:59:53.440 --> 0:59:57.600
<v Speaker 1>I think that's that's the confusing part for most of

0:59:57.680 --> 1:00:01.760
<v Speaker 1>the public, is not realizing that the artists that you see,

1:00:02.640 --> 1:00:05.440
<v Speaker 1>no matter what genre of music they're doing, we actually

1:00:05.560 --> 1:00:07.840
<v Speaker 1>all come from the same place. We come from the

1:00:07.880 --> 1:00:11.600
<v Speaker 1>same neighborhood. One just chose to rap about it and

1:00:11.640 --> 1:00:14.880
<v Speaker 1>the other chose to sing about it our hoop or whatever.

1:00:15.240 --> 1:00:20.160
<v Speaker 1>But we all literally come from this same places. So

1:00:22.040 --> 1:00:26.080
<v Speaker 1>we're gonna react. We're going to react, you know what

1:00:26.080 --> 1:00:27.840
<v Speaker 1>I mean? I just think that, Oh well, y'all s

1:00:28.000 --> 1:00:30.160
<v Speaker 1>you know you sing love songs. I'm like, listen, man,

1:00:30.160 --> 1:00:32.480
<v Speaker 1>I've been to music ban it's a long time. I've

1:00:32.520 --> 1:00:35.800
<v Speaker 1>seen more R and B niggas fire on somebody than anything.

1:00:36.840 --> 1:00:39.160
<v Speaker 1>Than anything, I won't even just say that, than rappers.

1:00:39.560 --> 1:00:43.960
<v Speaker 1>I've seen more R and B niggas get off than

1:00:44.240 --> 1:00:45.680
<v Speaker 1>any other genre of music.

1:00:46.560 --> 1:00:50.200
<v Speaker 4>I don't know why, but for some reason, who's we

1:00:50.240 --> 1:00:51.800
<v Speaker 4>thought about the whispers?

1:00:52.120 --> 1:00:55.840
<v Speaker 1>Oh yeah, the whispers they weren't playing, whispers wasn't playing,

1:00:56.240 --> 1:00:57.320
<v Speaker 1>had them things on them?

1:00:57.320 --> 1:00:57.800
<v Speaker 5>What's happening?

1:00:57.880 --> 1:00:58.280
<v Speaker 4>You know what I mean?

1:00:58.440 --> 1:01:01.959
<v Speaker 1>That sound check and what I don't wait.

1:01:01.880 --> 1:01:02.360
<v Speaker 4>To the show.

1:01:03.200 --> 1:01:04.960
<v Speaker 1>What I mean, you don't think the temptations to whoop

1:01:04.960 --> 1:01:08.240
<v Speaker 1>your ass, we're shooting. You'll think, oh, this is stump

1:01:08.320 --> 1:01:13.400
<v Speaker 1>you out, stump you out your niggas, worry about David Robin, David,

1:01:14.920 --> 1:01:16.680
<v Speaker 1>Oh this Ben and put your ass in the choke

1:01:16.720 --> 1:01:21.120
<v Speaker 1>hold man but it's just it's just interesting how that,

1:01:21.160 --> 1:01:23.480
<v Speaker 1>you know what I mean. I think Versus kind of

1:01:23.560 --> 1:01:26.800
<v Speaker 1>put a spotlight on that side of it of like, Okay,

1:01:26.920 --> 1:01:29.600
<v Speaker 1>well you know he's still.

1:01:29.400 --> 1:01:31.280
<v Speaker 4>Young black men out here. Don't play with them, you

1:01:31.320 --> 1:01:32.760
<v Speaker 4>know what I mean? They could go left on you

1:01:33.520 --> 1:01:34.600
<v Speaker 4>now cold.

1:01:34.760 --> 1:01:37.680
<v Speaker 5>Now what's the business right now? Pete? What's what is?

1:01:37.800 --> 1:01:39.000
<v Speaker 5>What is? What is the movement?

1:01:39.120 --> 1:01:46.040
<v Speaker 4>Right now? You what I'm doing right now? Well, I

1:01:46.120 --> 1:01:47.680
<v Speaker 4>got like six albums recorded.

1:01:49.560 --> 1:01:53.560
<v Speaker 1>You're gonna record, I record? You know what.

1:01:53.800 --> 1:01:55.120
<v Speaker 4>I don't believe in waste the music.

1:01:55.280 --> 1:01:57.200
<v Speaker 6>Okay, So if it ain't gonna get put out the

1:01:57.240 --> 1:01:59.840
<v Speaker 6>right way, okay, I'm gonna just hold off into you know.

1:02:00.280 --> 1:02:01.640
<v Speaker 6>You know, it's a lot of people to say they're

1:02:01.640 --> 1:02:03.920
<v Speaker 6>gonna do stuff. We're gonna do this, we're gonna do this,

1:02:03.960 --> 1:02:07.400
<v Speaker 6>we're gonna do that, and it never happens. So I'm

1:02:07.480 --> 1:02:09.480
<v Speaker 6>just to a point to where I'm about to just

1:02:09.720 --> 1:02:11.960
<v Speaker 6>you know, I gotta kick.

1:02:11.800 --> 1:02:12.240
<v Speaker 4>The door down.

1:02:14.600 --> 1:02:16.520
<v Speaker 3>Brother's always R and B money, man, I got to

1:02:16.600 --> 1:02:19.240
<v Speaker 3>kick the door down. It's always your brothers, man. It's

1:02:19.360 --> 1:02:22.880
<v Speaker 3>always the people who actually show up for you every time.

1:02:23.520 --> 1:02:26.520
<v Speaker 3>For sure, every time you you you are not without

1:02:27.000 --> 1:02:30.440
<v Speaker 3>my brother at all by any means. Yeah, it's your

1:02:30.560 --> 1:02:33.600
<v Speaker 3>world now for sure. For sure I would love.

1:02:33.520 --> 1:02:35.280
<v Speaker 6>Here and then and then it's and then it's and

1:02:35.360 --> 1:02:38.760
<v Speaker 6>then it's also figuring out this new this new thing,

1:02:39.320 --> 1:02:42.160
<v Speaker 6>you know, all these fake streams and all like that.

1:02:42.360 --> 1:02:46.280
<v Speaker 6>You know, it's it's different than you know, having relationships

1:02:46.320 --> 1:02:48.480
<v Speaker 6>at radio and getting your record play at radio and

1:02:48.520 --> 1:02:49.520
<v Speaker 6>then going to touch the people.

1:02:49.520 --> 1:02:52.520
<v Speaker 4>And it's so much it's different now, So to figure

1:02:52.560 --> 1:02:53.880
<v Speaker 4>that out that's the hard part.

1:02:54.600 --> 1:02:55.000
<v Speaker 5>Adapting.

1:02:55.600 --> 1:03:01.640
<v Speaker 3>That's not it's not for new artists. There is, you know,

1:03:01.840 --> 1:03:04.280
<v Speaker 3>the different the conversation that involves a lot of that.

1:03:05.040 --> 1:03:09.400
<v Speaker 3>But you've been able to build an audience like you've

1:03:09.440 --> 1:03:13.760
<v Speaker 3>been able to build, you know, a venue full of

1:03:13.880 --> 1:03:14.560
<v Speaker 3>real people.

1:03:15.760 --> 1:03:19.160
<v Speaker 5>That's that's all that matters, right.

1:03:19.080 --> 1:03:22.760
<v Speaker 3>Because you can They can manipulate streaming numbers, they can

1:03:22.840 --> 1:03:25.440
<v Speaker 3>manipulate YouTube numbers, they can do all that and only

1:03:25.440 --> 1:03:28.120
<v Speaker 3>two hundred people pull up. That's when you know, ain't no,

1:03:29.560 --> 1:03:32.880
<v Speaker 3>ain't no true connection. You've had a true connection with

1:03:33.080 --> 1:03:37.760
<v Speaker 3>the people who are now waiting to be reconnected to you.

1:03:39.360 --> 1:03:42.920
<v Speaker 3>And that's not rocket science. That's you showing up with

1:03:43.080 --> 1:03:44.640
<v Speaker 3>that shit, and that's putting it out.

1:03:45.360 --> 1:03:45.560
<v Speaker 5>Yeah.

1:03:45.600 --> 1:03:48.760
<v Speaker 6>Well, like I said, for me, yeah, it come to

1:03:48.840 --> 1:03:51.400
<v Speaker 6>the shows, so we know proof that these people out

1:03:51.440 --> 1:03:53.600
<v Speaker 6>there After the shows, I said, let me look at

1:03:53.600 --> 1:03:55.640
<v Speaker 6>see how many new followers I gained.

1:03:56.640 --> 1:03:59.200
<v Speaker 4>And it just stays the same, you know what I mean? Like, bro,

1:03:59.440 --> 1:04:01.200
<v Speaker 4>it stays ain't like something wrong with this?

1:04:01.360 --> 1:04:02.680
<v Speaker 5>No, no, something Bro?

1:04:03.320 --> 1:04:05.160
<v Speaker 1>We are I look at I look at my Instagram

1:04:05.240 --> 1:04:05.960
<v Speaker 1>and do the same thing.

1:04:06.960 --> 1:04:09.920
<v Speaker 4>That ain't it. It ain't that, ain't it. I can

1:04:10.040 --> 1:04:10.240
<v Speaker 4>tell you.

1:04:10.400 --> 1:04:13.800
<v Speaker 3>Listen, there are artists that thousands of people show up

1:04:13.840 --> 1:04:19.160
<v Speaker 3>to see that are sitting on fifty thousand Instagram followers.

1:04:19.720 --> 1:04:23.320
<v Speaker 1>Yeah, our money in in that box, Our money is

1:04:23.360 --> 1:04:24.160
<v Speaker 1>in those streets.

1:04:24.600 --> 1:04:28.080
<v Speaker 6>We get in to conditions I should get back to.

1:04:28.520 --> 1:04:31.959
<v Speaker 6>How do you get back to connecting with the streets again.

1:04:32.800 --> 1:04:34.920
<v Speaker 5>It's really really simple.

1:04:35.520 --> 1:04:36.560
<v Speaker 4>Your road to.

1:04:38.160 --> 1:04:39.480
<v Speaker 1>Listen, the road and the radio.

1:04:40.640 --> 1:04:42.320
<v Speaker 4>That's it. That's it, that's it.

1:04:43.080 --> 1:04:43.320
<v Speaker 5>Listen.

1:04:43.520 --> 1:04:46.320
<v Speaker 1>They are still they are still doing love that the

1:04:46.440 --> 1:04:47.479
<v Speaker 1>radio is still doing.

1:04:48.320 --> 1:04:48.440
<v Speaker 3>Uh.

1:04:48.880 --> 1:04:51.280
<v Speaker 1>Come meet, come pull up and see they're still doing that.

1:04:52.080 --> 1:04:54.280
<v Speaker 1>Because most of the artists in this space now too,

1:04:54.840 --> 1:04:57.800
<v Speaker 1>they they don't want to meet the people for some

1:04:57.960 --> 1:05:00.760
<v Speaker 1>odd reason. I don't know what that's about. Like, how

1:05:00.800 --> 1:05:02.520
<v Speaker 1>could you not want to meet your fans? How could

1:05:02.520 --> 1:05:06.720
<v Speaker 1>you not want to embrace and have conversations with your fans?

1:05:06.800 --> 1:05:08.920
<v Speaker 1>And you know what I mean, Like that's always been

1:05:08.960 --> 1:05:12.520
<v Speaker 1>a part of you know how this thing goes for

1:05:12.600 --> 1:05:15.480
<v Speaker 1>somebody to tell you, oh the experience they have from

1:05:15.520 --> 1:05:18.400
<v Speaker 1>your record or oh when you wrote that one song

1:05:18.480 --> 1:05:20.360
<v Speaker 1>and all that like that that how could you not

1:05:20.480 --> 1:05:23.400
<v Speaker 1>want that? How could you not want that real interaction

1:05:23.640 --> 1:05:25.880
<v Speaker 1>with the people who have given you.

1:05:25.960 --> 1:05:27.040
<v Speaker 4>This life everything?

1:05:28.200 --> 1:05:28.880
<v Speaker 5>And you do that.

1:05:29.240 --> 1:05:30.360
<v Speaker 4>I do that, you know what I mean?

1:05:31.160 --> 1:05:35.680
<v Speaker 1>That's how you So now it's just about servicing your artists,

1:05:36.000 --> 1:05:40.120
<v Speaker 1>your audience, and that part is don't hold on to

1:05:40.200 --> 1:05:42.720
<v Speaker 1>the music. And I'm speaking from my own experience now

1:05:42.840 --> 1:05:45.439
<v Speaker 1>moving back into the artist space and me and Tank

1:05:45.480 --> 1:05:47.560
<v Speaker 1>having those conversations where you're like, bro, like, let the

1:05:47.560 --> 1:05:49.920
<v Speaker 1>people have the music, let the people hear the music.

1:05:50.400 --> 1:05:54.360
<v Speaker 1>Like it will never be what it was. The music

1:05:54.400 --> 1:05:58.360
<v Speaker 1>business has changed absolutely, But what it does is it

1:05:58.560 --> 1:06:03.800
<v Speaker 1>keeps you current, It keeps you fresh into space because

1:06:03.800 --> 1:06:08.640
<v Speaker 1>there are people who are waiting for new music, are

1:06:08.680 --> 1:06:10.439
<v Speaker 1>waiting to hear something that you're doing.

1:06:10.600 --> 1:06:10.800
<v Speaker 4>Now.

1:06:11.160 --> 1:06:14.400
<v Speaker 1>They love what you've done absolutely, but they supporting that

1:06:15.480 --> 1:06:16.919
<v Speaker 1>and they you know what I mean, And they gonna

1:06:16.920 --> 1:06:19.000
<v Speaker 1>tell a friend in this. But if you stay consistent

1:06:19.080 --> 1:06:21.720
<v Speaker 1>at it, because that is the one thing that the

1:06:21.840 --> 1:06:27.840
<v Speaker 1>music business has changed in When Lil Wayne and Chris

1:06:27.920 --> 1:06:34.760
<v Speaker 1>Brown Trey Songs decided to just start unleashing, going all

1:06:34.880 --> 1:06:38.840
<v Speaker 1>the music, take all of the music. Everything I'm recording

1:06:39.080 --> 1:06:44.600
<v Speaker 1>on Wednesday, you getting on Friday. They just it became

1:06:44.960 --> 1:06:48.560
<v Speaker 1>a fucking what do you call that? When the snow

1:06:48.680 --> 1:06:53.280
<v Speaker 1>just builds up an avalanche of music and they rolled

1:06:53.320 --> 1:06:58.560
<v Speaker 1>over everything and really became superstars off of things that

1:06:59.440 --> 1:07:03.000
<v Speaker 1>years before, or Michael Jackson was giving you every two years,

1:07:03.120 --> 1:07:06.840
<v Speaker 1>every three every this artist is giving every two every

1:07:07.120 --> 1:07:08.600
<v Speaker 1>It was even crazy for person to give you an

1:07:08.600 --> 1:07:11.040
<v Speaker 1>album every year. Now it's like, yo, I'm giving you

1:07:11.080 --> 1:07:12.000
<v Speaker 1>these albums quarterly.

1:07:13.200 --> 1:07:14.920
<v Speaker 5>Rap two albums in the same year. We was like,

1:07:15.000 --> 1:07:15.480
<v Speaker 5>what the fuck?

1:07:15.960 --> 1:07:18.600
<v Speaker 1>Three albums in eighteen months, right, it's crazy like that. Yeah, yeah,

1:07:19.000 --> 1:07:21.960
<v Speaker 1>but now the consistency is now the new currency. Yeah,

1:07:22.920 --> 1:07:25.720
<v Speaker 1>and with you having six of them, come on, bro,

1:07:26.320 --> 1:07:29.000
<v Speaker 1>you got you're to be flooding this thing till thirty

1:07:29.240 --> 1:07:31.840
<v Speaker 1>What what you need man? Flooding this thing? Ship?

1:07:32.160 --> 1:07:35.040
<v Speaker 4>Man? Now, I've just been planning, Bro, you know, I

1:07:35.080 --> 1:07:37.200
<v Speaker 4>wanted to be right, you know what I'm saying, And

1:07:37.640 --> 1:07:41.040
<v Speaker 4>I want and I wanted to be consistent, and yeah,

1:07:41.200 --> 1:07:43.200
<v Speaker 4>you know what I'm saying, it's there.

1:07:43.400 --> 1:07:45.560
<v Speaker 1>These people want it that, they want that news got.

1:07:45.440 --> 1:07:48.160
<v Speaker 4>A piece of mind, you know what I'm saying. Yeah,

1:07:48.560 --> 1:07:49.680
<v Speaker 4>some songs like that.

1:07:50.160 --> 1:07:54.200
<v Speaker 6>Yes, come on, man, you're telling me it's like now

1:07:54.240 --> 1:07:56.919
<v Speaker 6>it's it's like sometimes music is ahead of his time.

1:07:57.120 --> 1:07:59.000
<v Speaker 4>Static. I had a lot of songs like that. I

1:07:59.080 --> 1:08:01.480
<v Speaker 4>feel like I have that, Like they would be like

1:08:02.080 --> 1:08:03.880
<v Speaker 4>where the R and B? Can we missing this? I

1:08:03.960 --> 1:08:06.800
<v Speaker 4>got it right here, you know what I'm saying. I

1:08:06.840 --> 1:08:08.680
<v Speaker 4>sat on my note. Now it's time to put it out.

1:08:20.520 --> 1:08:25.920
<v Speaker 4>She got you what you got? It sounds dreamy.

1:08:35.439 --> 1:08:35.719
<v Speaker 1>People.

1:08:35.800 --> 1:08:37.640
<v Speaker 3>People want to talk to you. They want to know

1:08:38.920 --> 1:08:43.200
<v Speaker 3>what they want to know. They want to know, Hey,

1:08:46.240 --> 1:08:46.720
<v Speaker 3>don't you be.

1:08:49.080 --> 1:08:50.280
<v Speaker 2>Top five?

1:08:53.479 --> 1:08:58.599
<v Speaker 4>The top fan? My top five? Top five?

1:09:01.760 --> 1:09:09.320
<v Speaker 1>Your tops are the singers boring these songs?

1:09:11.640 --> 1:09:15.560
<v Speaker 2>We want a new You've got a show with a

1:09:15.720 --> 1:09:18.320
<v Speaker 2>name like your school and let us.

1:09:18.720 --> 1:09:20.719
<v Speaker 4>Know your top.

1:09:23.280 --> 1:09:50.240
<v Speaker 2>Yes, top fo.

1:09:43.160 --> 1:09:54.840
<v Speaker 1>Hey, she didn't never tell that.

1:09:54.920 --> 1:10:02.799
<v Speaker 5>They gotta pleasure pe you're top five R and B artists.

1:10:03.760 --> 1:10:07.960
<v Speaker 4>Mm hmm, that's come on. Come on, come on with

1:10:10.080 --> 1:10:15.080
<v Speaker 4>top five. Mm hmmm, I'm gonna have to go with

1:10:18.040 --> 1:10:18.720
<v Speaker 4>God Old Girl.

1:10:21.240 --> 1:10:23.760
<v Speaker 1>However you feel that's not fair, bro, Yeah, I know,

1:10:24.000 --> 1:10:25.519
<v Speaker 1>I know. That's where we made the game when we

1:10:25.560 --> 1:10:25.960
<v Speaker 1>made again.

1:10:27.000 --> 1:10:32.479
<v Speaker 4>Well, we're gonna start with R Kelly Hm, start there. Yeah,

1:10:33.320 --> 1:10:36.040
<v Speaker 4>we're gonna go into a Keith sweat.

1:10:36.320 --> 1:10:37.559
<v Speaker 5>Yeah why not? Yeah?

1:10:37.800 --> 1:10:43.120
<v Speaker 4>Yeah, mm hmmm, We're gonna go into a babyface Yeah.

1:10:43.600 --> 1:10:45.400
<v Speaker 5>Yeah, you're cooking, son, You're cooking.

1:10:45.880 --> 1:10:51.000
<v Speaker 6>I'm I'm gonna have to go with the Luther Vandros. Yes, yes, yes, yes,

1:10:51.120 --> 1:10:56.360
<v Speaker 6>that's a dope one and my last one favorite of

1:10:56.479 --> 1:11:01.360
<v Speaker 6>all time, my last dang man, the last one gotta

1:11:01.439 --> 1:11:08.760
<v Speaker 6>be Prince gotta be there, Ye gotta be the top

1:11:08.840 --> 1:11:10.000
<v Speaker 6>five roots.

1:11:09.760 --> 1:11:14.040
<v Speaker 3>Of humping on the stage. It starts there, Top five

1:11:14.160 --> 1:11:16.559
<v Speaker 3>R and B songs and Prince owned the club in Miami.

1:11:17.240 --> 1:11:19.840
<v Speaker 3>What was the name of it, Slam slam.

1:11:22.800 --> 1:11:24.719
<v Speaker 4>Man, Top five R and B songs.

1:11:24.840 --> 1:11:26.800
<v Speaker 6>That's tough too, because I mean, I ain't even get

1:11:26.840 --> 1:11:30.800
<v Speaker 6>the to to bring the ladies. You know, you gotta

1:11:30.960 --> 1:11:32.559
<v Speaker 6>you gotta have like top ten or something.

1:11:32.640 --> 1:11:35.680
<v Speaker 5>Man, you are, you are playing the man.

1:11:36.400 --> 1:11:39.400
<v Speaker 1>Come on, what the ladies at this ladies this is

1:11:39.479 --> 1:11:39.920
<v Speaker 1>your song?

1:11:41.040 --> 1:11:47.679
<v Speaker 6>Deborah Cox for sure? Oh yeah, hell yeah, Debor Cox

1:11:47.760 --> 1:11:48.200
<v Speaker 6>for sure.

1:11:50.760 --> 1:11:53.680
<v Speaker 4>What's the what's my girl name? Shirley Murdoch.

1:11:58.600 --> 1:12:00.120
<v Speaker 5>Love Love of.

1:12:02.840 --> 1:12:05.400
<v Speaker 4>Of course, you gotta go with Mary J.

1:12:05.560 --> 1:12:06.000
<v Speaker 5>Blige.

1:12:07.400 --> 1:12:11.040
<v Speaker 6>You gotta go with her singing from her soul, from

1:12:11.080 --> 1:12:14.720
<v Speaker 6>her soul. Beyonce the number one the show female, Come on.

1:12:14.960 --> 1:12:18.479
<v Speaker 6>She sounds like an angel career, like the only two

1:12:18.560 --> 1:12:21.600
<v Speaker 6>people that like like from this era. Sounds like the

1:12:21.680 --> 1:12:25.080
<v Speaker 6>angels when they sing. To me, Beyonce is one of them.

1:12:25.960 --> 1:12:26.439
<v Speaker 1>No, homo.

1:12:26.680 --> 1:12:30.960
<v Speaker 6>My brother Tank was saying pause or whatever. But my boy,

1:12:31.280 --> 1:12:32.799
<v Speaker 6>he got the angel. He got the angel.

1:12:32.960 --> 1:12:35.719
<v Speaker 4>You know that the angels spirit around him when he sings.

1:12:35.760 --> 1:12:41.800
<v Speaker 4>So yeah, yeah, okay, top five R and B songs,

1:12:41.840 --> 1:12:44.920
<v Speaker 4>come on. I know you can find something five R

1:12:44.960 --> 1:12:49.720
<v Speaker 4>and B songs. Damn whatever you want Joe to see.

1:12:52.200 --> 1:12:55.960
<v Speaker 6>Yes, you know, we're definitely playing the little boys to men,

1:12:56.960 --> 1:13:00.320
<v Speaker 6>you know, depending on what the vibe is, because I

1:13:00.439 --> 1:13:02.400
<v Speaker 6>was you know, when I go through breakups, I play

1:13:02.479 --> 1:13:06.400
<v Speaker 6>doing just fine and I end up doing you know

1:13:06.439 --> 1:13:11.200
<v Speaker 6>what I'm saying, I understand what when when the end

1:13:11.240 --> 1:13:14.680
<v Speaker 6>of the road is that I understand.

1:13:16.479 --> 1:13:17.400
<v Speaker 2>You right now?

1:13:18.160 --> 1:13:21.880
<v Speaker 1>Yeah, I understand at the end of the road.

1:13:25.120 --> 1:13:28.080
<v Speaker 6>So yeah, you know, just depending on what you know,

1:13:28.680 --> 1:13:31.320
<v Speaker 6>you got to make love to her. Always count of

1:13:31.400 --> 1:13:36.640
<v Speaker 6>those guys. Joas Yeah you know, I mean I can

1:13:36.720 --> 1:13:37.599
<v Speaker 6>go fether Man.

1:13:38.200 --> 1:13:39.800
<v Speaker 4>That was like what five songs right that?

1:13:40.120 --> 1:13:43.160
<v Speaker 1>Yeah, yeah, he's he's just gonna go voice to me

1:13:43.280 --> 1:13:45.120
<v Speaker 1>and jo Yeah so much.

1:13:45.439 --> 1:13:46.040
<v Speaker 4>You gave us four.

1:13:46.080 --> 1:13:48.680
<v Speaker 1>Actually you gave us four so much more. Give me,

1:13:48.720 --> 1:13:49.920
<v Speaker 1>give me one more, give me one more.

1:13:51.680 --> 1:13:54.640
<v Speaker 4>Let's go with something that people ain't even you know,

1:13:54.880 --> 1:13:56.920
<v Speaker 4>up on like that as yet.

1:13:58.320 --> 1:14:00.600
<v Speaker 5>Come on, you know what i'mna sit up.

1:14:00.960 --> 1:14:02.360
<v Speaker 4>I'm gonna sit up last night.

1:14:02.479 --> 1:14:06.760
<v Speaker 1>Come on, I wasn't so you know that last night?

1:14:08.320 --> 1:14:12.600
<v Speaker 4>Yeah, like you style today? Yeah yeah, yeah, yeah. We

1:14:12.680 --> 1:14:13.200
<v Speaker 4>got one more.

1:14:13.240 --> 1:14:14.960
<v Speaker 1>We got one more segment, man, before we let you

1:14:15.040 --> 1:14:16.600
<v Speaker 1>out of here. Man, we know you're busy. Man, we

1:14:16.680 --> 1:14:19.479
<v Speaker 1>appreciate you pulling up on us. We got one more

1:14:19.520 --> 1:14:22.160
<v Speaker 1>segment and Tank let him know what it is. Let

1:14:22.240 --> 1:14:22.840
<v Speaker 1>him know what it is.

1:14:22.960 --> 1:14:23.240
<v Speaker 5>Piano.

1:14:23.360 --> 1:14:27.599
<v Speaker 4>Man, I ain't saying no nigga. I ain't saying no names.

1:14:28.120 --> 1:14:29.120
<v Speaker 4>I ain't saying no name.

1:14:29.640 --> 1:14:30.720
<v Speaker 5>I ain't saying no name.

1:14:31.400 --> 1:14:34.760
<v Speaker 1>Was wey you did?

1:14:35.680 --> 1:14:36.320
<v Speaker 5>Don't say she?

1:14:40.160 --> 1:14:52.120
<v Speaker 4>I ain't saying no yeah, yeah, yeah, yeah, you know

1:14:52.160 --> 1:14:52.599
<v Speaker 4>where we are.

1:14:52.680 --> 1:14:52.880
<v Speaker 5>Brother.

1:14:53.320 --> 1:14:55.479
<v Speaker 1>You know you had this very important segment called I

1:14:55.520 --> 1:14:58.920
<v Speaker 1>ain't saying no names, don't tell you the story funny

1:14:58.960 --> 1:15:02.840
<v Speaker 1>and fucked up? Are funny and fucked up the only

1:15:02.960 --> 1:15:05.759
<v Speaker 1>rude to the game. You can't say no names.

1:15:06.800 --> 1:15:09.320
<v Speaker 4>Damn you got them?

1:15:09.360 --> 1:15:14.160
<v Speaker 1>You got stories. I'll tell a couple for you. There's

1:15:14.360 --> 1:15:22.680
<v Speaker 1>one time these two girls. Yeah, I woke up in

1:15:22.720 --> 1:15:25.000
<v Speaker 1>the Fambye pancakes. Damn.

1:15:25.040 --> 1:15:25.760
<v Speaker 4>That's a tough one.

1:15:25.840 --> 1:15:30.240
<v Speaker 5>I said, these are true story story.

1:15:31.080 --> 1:15:46.120
<v Speaker 4>Damn, damn. Okay, Oh no, I can't come on yo.

1:15:46.560 --> 1:15:47.880
<v Speaker 4>So no face, no case.

1:15:49.600 --> 1:15:57.200
<v Speaker 6>Oh I got I got a funny one. So one

1:15:57.240 --> 1:16:00.120
<v Speaker 6>of the homies, I can say the homies. One of

1:16:00.200 --> 1:16:04.719
<v Speaker 6>the homies, UH asked me to drive him to pretty

1:16:04.800 --> 1:16:07.679
<v Speaker 6>much go see this girl. So I'm like, all right, cool,

1:16:08.080 --> 1:16:08.840
<v Speaker 6>you know what I'm saying.

1:16:09.840 --> 1:16:10.639
<v Speaker 4>I drive him.

1:16:10.880 --> 1:16:14.280
<v Speaker 6>Matter of fact, we ain't supposed to be you know

1:16:14.280 --> 1:16:16.800
<v Speaker 6>what I'm saying, out like that, but we out cool.

1:16:17.640 --> 1:16:20.800
<v Speaker 6>So I take him to this girl crib and I say,

1:16:20.840 --> 1:16:24.160
<v Speaker 6>I'm finna go around the corner to the rolex and

1:16:24.280 --> 1:16:26.040
<v Speaker 6>you just you can call me when you're ready, you

1:16:26.080 --> 1:16:26.679
<v Speaker 6>know what I'm saying.

1:16:27.439 --> 1:16:27.800
<v Speaker 5>So I go.

1:16:28.080 --> 1:16:29.920
<v Speaker 6>I go to the rolex and I say, now, some

1:16:30.120 --> 1:16:32.080
<v Speaker 6>say I'm going there. Then we just go around this

1:16:32.200 --> 1:16:35.040
<v Speaker 6>other corner and just post until he ready. So I'm

1:16:35.040 --> 1:16:38.639
<v Speaker 6>around the corner and I'm sitting in the car listening

1:16:38.720 --> 1:16:42.360
<v Speaker 6>to this this this CD. You know, I can't even

1:16:42.400 --> 1:16:45.920
<v Speaker 6>say the artist's name listening to this the CD. And

1:16:46.040 --> 1:16:49.200
<v Speaker 6>I'm just on the phone, just bobbing and whatever. So

1:16:49.320 --> 1:16:52.280
<v Speaker 6>then out of nowhere, I look up and I think

1:16:52.280 --> 1:16:54.519
<v Speaker 6>I see something running at me, but I'm like, not sure,

1:16:55.520 --> 1:16:58.600
<v Speaker 6>So I put the the you know, the lights on,

1:16:59.400 --> 1:17:02.439
<v Speaker 6>and I just see Nigga running down the street. I

1:17:02.600 --> 1:17:06.240
<v Speaker 6>see some hairy ass legs Nigga full speed running down

1:17:06.280 --> 1:17:07.480
<v Speaker 6>the street with his clothes.

1:17:07.240 --> 1:17:09.760
<v Speaker 4>In his hand, and a Nigga way behind him running

1:17:09.800 --> 1:17:12.519
<v Speaker 4>after him. I'm like, who the fuck is that? And

1:17:12.640 --> 1:17:16.280
<v Speaker 4>it's actually the homie off. But I'm trying to wonder,

1:17:16.520 --> 1:17:17.559
<v Speaker 4>how the hell did.

1:17:17.439 --> 1:17:20.200
<v Speaker 6>You get way on this side of you know, how

1:17:20.240 --> 1:17:22.240
<v Speaker 6>did you even know that you just happened to be there,

1:17:22.479 --> 1:17:24.320
<v Speaker 6>happened to be right here, so and how did you

1:17:24.320 --> 1:17:25.960
<v Speaker 6>even recognize that was me in this car?

1:17:26.040 --> 1:17:26.439
<v Speaker 4>You know what I mean?

1:17:26.479 --> 1:17:29.840
<v Speaker 6>All of that uh took took place in my mind,

1:17:30.200 --> 1:17:33.479
<v Speaker 6>But he gets to the door, over over the door

1:17:33.479 --> 1:17:35.040
<v Speaker 6>because you know it's it's always locked, you know what

1:17:35.080 --> 1:17:35.400
<v Speaker 6>I'm saying.

1:17:35.439 --> 1:17:37.400
<v Speaker 4>So I unlocked the door.

1:17:37.560 --> 1:17:39.880
<v Speaker 6>He get in, I flash the lights of the big

1:17:40.000 --> 1:17:43.800
<v Speaker 6>dug and I almost hit him driving off. That was

1:17:43.840 --> 1:17:46.880
<v Speaker 6>a funny story to be y'all got away though, we

1:17:47.000 --> 1:17:50.320
<v Speaker 6>got away, But just the fact that the nigga was

1:17:50.400 --> 1:17:54.880
<v Speaker 6>running down the street, butt naked nigga, hairy legs and dog.

1:17:55.320 --> 1:17:58.160
<v Speaker 4>Don't know why why he on this block? Don't know

1:17:58.479 --> 1:18:00.160
<v Speaker 4>if I would have been in the road legs, what

1:18:00.320 --> 1:18:00.880
<v Speaker 4>he would run?

1:18:02.240 --> 1:18:02.760
<v Speaker 5>Where's he going?

1:18:02.960 --> 1:18:03.840
<v Speaker 4>That was a funny story.

1:18:03.960 --> 1:18:04.639
<v Speaker 1>This pocket.

1:18:04.880 --> 1:18:09.160
<v Speaker 3>He was somewhere, this pocket somewhere doing something. Yeah, with

1:18:09.320 --> 1:18:17.800
<v Speaker 3>somebody else's things. Boyfriend number two, Boyfriend number two, Oh,

1:18:17.880 --> 1:18:18.439
<v Speaker 3>I've been there.

1:18:19.200 --> 1:18:19.639
<v Speaker 1>I've been.

1:18:21.439 --> 1:18:22.720
<v Speaker 5>No not running, I didn't run.

1:18:22.800 --> 1:18:28.720
<v Speaker 1>I was like, you gotta tell him, what is motherfucking dog?

1:18:30.120 --> 1:18:31.439
<v Speaker 1>Don't you open that door.

1:18:33.360 --> 1:18:35.880
<v Speaker 4>Open? Don't open up the door?

1:18:37.360 --> 1:18:42.240
<v Speaker 1>How big is he? Does he normally have weapons? They

1:18:42.280 --> 1:18:45.200
<v Speaker 1>talked to me, what is his nig he have weapons?

1:18:45.880 --> 1:18:46.679
<v Speaker 5>What is his nigga?

1:18:46.720 --> 1:18:50.400
<v Speaker 4>Home? Pepe, you got a story? No, I thought, this

1:18:50.600 --> 1:18:56.519
<v Speaker 4>is just your ship. That was a safe That was

1:18:56.560 --> 1:18:57.880
<v Speaker 4>the safe one. But you know, I know that. I

1:18:57.960 --> 1:18:58.559
<v Speaker 4>just don't say.

1:19:00.520 --> 1:19:02.200
<v Speaker 3>You are a brother, man, you are a loved one.

1:19:02.240 --> 1:19:04.559
<v Speaker 3>We appreciate you, man, from the bottom of my hearts.

1:19:04.640 --> 1:19:04.760
<v Speaker 4>Man.

1:19:04.840 --> 1:19:07.479
<v Speaker 5>You you know you want our guys, man, And I don't.

1:19:07.520 --> 1:19:08.679
<v Speaker 5>I don't say that lightly. Man.

1:19:08.800 --> 1:19:10.639
<v Speaker 3>You know, at the drop of a dime, we will

1:19:10.680 --> 1:19:12.439
<v Speaker 3>move something around by p. You know what I'm saying.

1:19:12.479 --> 1:19:15.120
<v Speaker 3>We almost had to do that not too long ago.

1:19:15.720 --> 1:19:18.760
<v Speaker 3>We almost had to, you know, move some people around. Yeah,

1:19:19.280 --> 1:19:21.920
<v Speaker 3>for our brother But you know, I think you know,

1:19:22.120 --> 1:19:26.760
<v Speaker 3>ultimately we got your back, bro and and and and

1:19:26.880 --> 1:19:28.840
<v Speaker 3>we want we want you back heavy and this thing

1:19:28.920 --> 1:19:29.720
<v Speaker 3>and the people do too.

1:19:29.840 --> 1:19:30.040
<v Speaker 5>Man.

1:19:30.479 --> 1:19:34.559
<v Speaker 3>Don't don't don't even don't think for a second, uh

1:19:35.320 --> 1:19:39.479
<v Speaker 3>that there aren't people waiting on pleasure p And that

1:19:39.560 --> 1:19:42.360
<v Speaker 3>there aren't people championing and in your corner. You know

1:19:42.400 --> 1:19:45.479
<v Speaker 3>what I'm saying, Ready to step in and do whatever

1:19:45.560 --> 1:19:47.680
<v Speaker 3>is needed to get you to where you wherever you

1:19:47.800 --> 1:19:49.439
<v Speaker 3>want to be because it's your world, is your call,

1:19:50.200 --> 1:19:51.920
<v Speaker 3>and we are part of that. We are part of

1:19:51.960 --> 1:19:54.479
<v Speaker 3>that crew and that family that that that want to

1:19:55.640 --> 1:19:58.960
<v Speaker 3>play whatever part we can. You know what I'm saying,

1:19:58.960 --> 1:19:59.840
<v Speaker 3>I appreciate, we love it.

1:20:00.360 --> 1:20:04.519
<v Speaker 1>So listen, make My name is Tank Valentine and this

1:20:05.120 --> 1:20:05.559
<v Speaker 1>is the R.

1:20:05.560 --> 1:20:08.560
<v Speaker 5>And B Money Podcast, the authority on all things.

1:20:08.520 --> 1:20:08.800
<v Speaker 4>R and B.

1:20:10.160 --> 1:20:12.400
<v Speaker 1>He's got the coolest R and B name in the game.

1:20:12.520 --> 1:20:14.920
<v Speaker 1>You gotta find a way to get a name like that.

1:20:16.479 --> 1:20:18.120
<v Speaker 4>Product pleasure fee.

1:20:22.240 --> 1:20:25.240
<v Speaker 1>R and B Money. R and B Money is a

1:20:25.280 --> 1:20:29.200
<v Speaker 1>production of the Black Effect Podcast Network. For more podcasts

1:20:29.200 --> 1:20:34.160
<v Speaker 1>from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or wherever

1:20:34.280 --> 1:20:37.560
<v Speaker 1>you listen to your favorite shows. Don't forget to subscribe

1:20:37.640 --> 1:20:40.160
<v Speaker 1>to and rate our show, and you can connect with

1:20:40.280 --> 1:20:43.519
<v Speaker 1>us on social media at Jy Valentine and at the

1:20:43.600 --> 1:20:48.400
<v Speaker 1>Real Tank. For the extended episode, subscribe to YouTube dot com,

1:20:49.080 --> 1:20:50.840
<v Speaker 1>forward slash R and B Money