1 00:00:01,720 --> 00:00:05,320 Speaker 1: Hey guys, welcome to Episode two. Five. Coming up, we'll 2 00:00:05,320 --> 00:00:09,119 Speaker 1: play another round of music trivia against the musician Adam 3 00:00:09,200 --> 00:00:12,159 Speaker 1: Hambrooks the champ Kenny defend his title. That would be 4 00:00:12,240 --> 00:00:14,800 Speaker 1: up against a listener named Brittany. We'll also talk about 5 00:00:14,880 --> 00:00:18,279 Speaker 1: artists whose biggest hit ever was a cover, from Elvis 6 00:00:18,280 --> 00:00:20,720 Speaker 1: to Alison Krause to Janice Choplin, like their biggest hit 7 00:00:20,720 --> 00:00:22,400 Speaker 1: was actually a cover song some of you may not 8 00:00:22,480 --> 00:00:25,200 Speaker 1: even know. Top five songs coming out this week or 9 00:00:25,239 --> 00:00:27,960 Speaker 1: top five pieces of new music coming out. We'll start 10 00:00:27,960 --> 00:00:30,840 Speaker 1: at number five. Lauren Atlenna announced on my radio show 11 00:00:30,840 --> 00:00:32,800 Speaker 1: that in September she's putting out a new EP which 12 00:00:32,800 --> 00:00:35,320 Speaker 1: is a bunch of songs, not a full album, you know, 13 00:00:35,440 --> 00:00:37,880 Speaker 1: five or six songs, and it's called Getting Over Him. 14 00:00:37,960 --> 00:00:40,240 Speaker 1: And this is the song that came out today, well, 15 00:00:40,280 --> 00:00:44,040 Speaker 1: first song from the whole thing, This is called Run. 16 00:00:52,840 --> 00:00:55,440 Speaker 1: At number four, Rascal Flats has a new EP out 17 00:00:55,480 --> 00:00:58,120 Speaker 1: called How They Remember You. They did a Kenny Rogers 18 00:00:58,120 --> 00:01:00,240 Speaker 1: cover on the album Fitting. Because we're by to talk 19 00:01:00,280 --> 00:01:14,040 Speaker 1: about covers, here's their version of Through the Years. At 20 00:01:14,120 --> 00:01:16,600 Speaker 1: number three, the New music list Randy Travis has a 21 00:01:16,600 --> 00:01:19,680 Speaker 1: new song out called Fool's Love Affair. It's his first 22 00:01:19,720 --> 00:01:22,720 Speaker 1: single since his stroke. It's one of the many songs 23 00:01:22,720 --> 00:01:25,240 Speaker 1: he recorded before a stroke, and it does sound like 24 00:01:25,280 --> 00:01:28,800 Speaker 1: classic Randy Travis. The timing is significant too, because thirty 25 00:01:28,840 --> 00:01:30,600 Speaker 1: five years ago, the month that it was his major 26 00:01:30,680 --> 00:01:33,440 Speaker 1: label debut single on the Other and Only Other Hand 27 00:01:33,480 --> 00:01:45,640 Speaker 1: came out. But here's Fool's Love Affair, Old straight, same old. 28 00:01:47,920 --> 00:01:50,560 Speaker 1: At number two, Nikita Carmen has a new song out 29 00:01:50,720 --> 00:01:54,320 Speaker 1: with Walker Hayes called then Some I'll Get Over You 30 00:01:54,440 --> 00:02:09,239 Speaker 1: and then again that and We'll talk to Her. Coming 31 00:02:09,280 --> 00:02:11,760 Speaker 1: up in a few minutes to The number one release 32 00:02:11,840 --> 00:02:13,720 Speaker 1: on my list this week is Dan and Shay. They 33 00:02:13,760 --> 00:02:15,480 Speaker 1: have a new song out called I Should Probably Go 34 00:02:15,520 --> 00:02:21,360 Speaker 1: to Bed, So I Should Probably go to bed. Pasha 35 00:02:22,440 --> 00:02:28,560 Speaker 1: off my Phone, Pasha. Those are your five new songs 36 00:02:28,720 --> 00:02:32,240 Speaker 1: or works of music out this week, so check them out. 37 00:02:32,800 --> 00:02:35,840 Speaker 1: Other albums coming out mc mcinally has Once in a Lifetime, 38 00:02:36,320 --> 00:02:40,120 Speaker 1: Beyonce has Black as King, Brandy has B Seven, Cheney 39 00:02:40,240 --> 00:02:43,880 Speaker 1: has Crown Jewel, Chris Tomlin has Chris Tomlin and Friends. 40 00:02:44,440 --> 00:02:48,040 Speaker 1: Paul McCartney has a reissue of Flaming Pie Atlantis Morris 41 00:02:48,080 --> 00:02:50,600 Speaker 1: set with a new record called such pretty forks in 42 00:02:50,639 --> 00:02:54,080 Speaker 1: the road and the psychedelic furs have made of rain. 43 00:02:54,320 --> 00:02:56,040 Speaker 1: Go check out some new music this week. All right, 44 00:02:56,080 --> 00:02:58,080 Speaker 1: there you go? Alright on the phone right now is Brittany. 45 00:02:58,200 --> 00:03:02,040 Speaker 1: Brittany Where do you live? Hi? I'm in I love 46 00:03:02,080 --> 00:03:04,720 Speaker 1: it down there Biloxi. I lived in Biloxi, Mississippi the 47 00:03:04,720 --> 00:03:06,360 Speaker 1: first year in my life. My dad was in the military. 48 00:03:06,480 --> 00:03:08,560 Speaker 1: But like age one, does that count though? Does age 49 00:03:08,600 --> 00:03:12,560 Speaker 1: one count? No? No, it doesn't. Zero zero memories, But 50 00:03:12,639 --> 00:03:14,480 Speaker 1: I got pictures of me there. Have you ever been 51 00:03:14,520 --> 00:03:17,799 Speaker 1: to Biloxi? No? Not. I played the casino a bunch 52 00:03:17,840 --> 00:03:20,320 Speaker 1: of times down there. Hey. Yeah, and I think I've 53 00:03:20,320 --> 00:03:23,600 Speaker 1: played a music FESTI anyway, you're from Arkansas like I am. 54 00:03:23,840 --> 00:03:25,920 Speaker 1: And I guess you claim Mississippi too, because you went 55 00:03:25,919 --> 00:03:28,919 Speaker 1: back to Mississippi. Yeah. So I graduated from high school 56 00:03:28,919 --> 00:03:30,720 Speaker 1: Misissippi and did a lot of money. So you would 57 00:03:30,800 --> 00:03:34,880 Speaker 1: Mississippi to Arkansas, to Mississippi to Arkansas. Yeah, it's weird. 58 00:03:35,320 --> 00:03:39,760 Speaker 1: It's weird. Yeah, Brinny, have you always lived to Biloxi? Yeah, 59 00:03:39,840 --> 00:03:43,440 Speaker 1: I live in Biloxi. Did he really graduated from Dissippi? Yeah, 60 00:03:43,440 --> 00:03:46,280 Speaker 1: I graduated from Corrinath High School in cornth Okay, that's 61 00:03:46,280 --> 00:03:48,360 Speaker 1: their full that's like the little opposite of where you 62 00:03:48,440 --> 00:03:51,120 Speaker 1: are in the state. Yeah yeah, Bertie. What do you 63 00:03:51,200 --> 00:03:54,160 Speaker 1: do for a living? Um? Well, I am a brand 64 00:03:54,160 --> 00:03:56,400 Speaker 1: new stay at home mom. But right before that, I 65 00:03:56,440 --> 00:04:02,360 Speaker 1: worked for the Red Crush. Well, how brand new? Um allegedly? Wow, congratulations, 66 00:04:02,400 --> 00:04:09,160 Speaker 1: look at you. It's been fun. Alright. So you're gonna 67 00:04:09,160 --> 00:04:12,920 Speaker 1: play music trivia against a musician and it's Adam Hambroke. 68 00:04:12,960 --> 00:04:15,200 Speaker 1: He won last week, so he's back this week. We're 69 00:04:15,200 --> 00:04:16,839 Speaker 1: gonna change it up a little bit from last week's. 70 00:04:16,839 --> 00:04:19,240 Speaker 1: What I'm gonna do is I'm gonna give Brittany five questions. 71 00:04:19,400 --> 00:04:21,159 Speaker 1: I'm gonna come back and give out on five questions 72 00:04:21,160 --> 00:04:23,120 Speaker 1: and we'll see you got the better score. You won't 73 00:04:23,160 --> 00:04:25,080 Speaker 1: get the same ones. Brittany, are you ready? You're up first? 74 00:04:25,880 --> 00:04:30,080 Speaker 1: I guess so, alright. Music Trivia question number one, what 75 00:04:30,320 --> 00:04:37,839 Speaker 1: pop singer is known as the material girl? Correct? Nice? 76 00:04:38,040 --> 00:04:40,520 Speaker 1: Were you born in the eighties or nineties? Brittany I 77 00:04:40,600 --> 00:04:44,560 Speaker 1: was born in the nineties. Okay number two, which band 78 00:04:44,640 --> 00:04:47,839 Speaker 1: had a huge international hit album in two thousand two 79 00:04:48,440 --> 00:04:51,080 Speaker 1: with the record A Rush of Blood to the Head. 80 00:04:52,240 --> 00:04:54,920 Speaker 1: The band I Do not know this. You gotta take 81 00:04:54,960 --> 00:04:56,640 Speaker 1: a guest, though, Brittany, you don't want to let some 82 00:04:56,800 --> 00:04:59,080 Speaker 1: just fly away? What band had a record in two 83 00:04:59,120 --> 00:05:01,360 Speaker 1: thousand two, Mass called a Russia Blood of the Head 84 00:05:02,160 --> 00:05:06,400 Speaker 1: Massive two thousand and two. I'm gonna guess like a medalist, 85 00:05:06,560 --> 00:05:09,480 Speaker 1: like bands A Grateful Day. It sounds aggressive. At least 86 00:05:09,520 --> 00:05:14,560 Speaker 1: it was a guess. The answer was cold Play. Oh 87 00:05:14,839 --> 00:05:19,440 Speaker 1: they're not that aggressive, Okay, Yeah. That album was the 88 00:05:19,480 --> 00:05:21,239 Speaker 1: album that I listened to go to sleep for about 89 00:05:21,279 --> 00:05:23,880 Speaker 1: two years. I loved it, but it was always mine 90 00:05:24,480 --> 00:05:28,960 Speaker 1: in my alright. Next up, the song Independence Day was 91 00:05:28,960 --> 00:05:31,320 Speaker 1: a big hit for what female country artist? The song 92 00:05:32,720 --> 00:05:35,680 Speaker 1: nice I didn't interrupt? You know you're good? She's got 93 00:05:35,720 --> 00:05:40,520 Speaker 1: two right back on track, Brittany, who sings the theme 94 00:05:40,640 --> 00:05:45,640 Speaker 1: song to the TV show Friends, Oh my god, I 95 00:05:45,680 --> 00:05:49,320 Speaker 1: don't know what band sings the teeth? So no one 96 00:05:49,440 --> 00:05:52,000 Speaker 1: told July was going to be this way Cu Cu 97 00:05:52,080 --> 00:05:57,240 Speaker 1: Cup cut. Yeah, I don't, I don't even know. I'm 98 00:05:57,240 --> 00:06:01,960 Speaker 1: gonna guess the the nice guys, the nice guy it's 99 00:06:02,000 --> 00:06:05,320 Speaker 1: the rem Brands. I bet they were pretty nice, but 100 00:06:05,360 --> 00:06:09,359 Speaker 1: that's not the name of the band. Finally, before going solo, 101 00:06:09,800 --> 00:06:13,920 Speaker 1: this is older Phil Collins was the drummer and singer 102 00:06:13,920 --> 00:06:18,880 Speaker 1: and what band. To be fair, he was a drummer. 103 00:06:19,360 --> 00:06:22,440 Speaker 1: They had another lead singer. He left. He's like, well, 104 00:06:22,480 --> 00:06:24,920 Speaker 1: I guess I'll sing. He left and went solo, became 105 00:06:24,960 --> 00:06:26,840 Speaker 1: huge and they went back to the band again. After that, 106 00:06:27,040 --> 00:06:32,919 Speaker 1: Phil Collins, I'm gonna get dunge and roses incorrect, it's Genesis. 107 00:06:33,240 --> 00:06:36,960 Speaker 1: Do you know any Phil Collins music at all? Um? 108 00:06:38,080 --> 00:06:39,839 Speaker 1: I feel like there might be like a Disney song 109 00:06:39,880 --> 00:06:42,760 Speaker 1: that he dies. Oh my gosh. Yeah, he went so hard. 110 00:06:42,960 --> 00:06:47,360 Speaker 1: He went so hard that the Disney song was You'll 111 00:06:47,440 --> 00:06:51,440 Speaker 1: be in my Heart. Phil Collins went hard and you 112 00:06:51,560 --> 00:06:56,039 Speaker 1: may know the U. I can feel it coming in 113 00:06:56,520 --> 00:07:00,040 Speaker 1: it now, you know that one? Oh Lord, do do 114 00:07:00,040 --> 00:07:04,119 Speaker 1: Do do? Okay, so you got too right. You're planning 115 00:07:04,120 --> 00:07:08,680 Speaker 1: for fifty dollars in cash. Now, Adam's planned to get 116 00:07:08,720 --> 00:07:12,040 Speaker 1: some promotion. You know, the poor guys over here working 117 00:07:12,080 --> 00:07:14,600 Speaker 1: his face off. Your plan for the cash. He's planning 118 00:07:14,640 --> 00:07:17,520 Speaker 1: for the promotion. Let's see if Adam can get three 119 00:07:17,680 --> 00:07:21,679 Speaker 1: for the wind Fingers crossed. Here we go, Adam. Question 120 00:07:21,760 --> 00:07:24,160 Speaker 1: number one. The Rock and Roll Hall of Fame is 121 00:07:24,200 --> 00:07:33,680 Speaker 1: located in what state? Correct? In Ohio? Wow, Adam, the 122 00:07:33,720 --> 00:07:36,800 Speaker 1: first music video played on MTV was video Killed the 123 00:07:36,880 --> 00:07:41,480 Speaker 1: Radio Star? Who sang it? I knew it was a 124 00:07:41,560 --> 00:07:44,480 Speaker 1: video Killed the Radio Star, but I cannot remember who 125 00:07:44,480 --> 00:07:47,200 Speaker 1: it was. I cannot remember the name of the band, 126 00:07:49,000 --> 00:07:53,400 Speaker 1: the rim Brands. There is the Buggles. I got nothing 127 00:07:53,440 --> 00:07:58,080 Speaker 1: on that. That's a little before me then correct? Next up? 128 00:07:59,120 --> 00:08:02,360 Speaker 1: In two eight, Team Pharrell and Robin Thick were ordered 129 00:08:02,400 --> 00:08:05,760 Speaker 1: to pay approximately five million dollars to the estate of 130 00:08:05,880 --> 00:08:09,760 Speaker 1: which late musician because of the song blurred lines. Oh 131 00:08:09,800 --> 00:08:12,679 Speaker 1: don't get me started. That was Marvin Gay. That is correct. 132 00:08:15,000 --> 00:08:19,800 Speaker 1: One more and you are the winner. My heart's pounding 133 00:08:19,840 --> 00:08:21,600 Speaker 1: in my chest like someone who wants to be a millionaire. 134 00:08:21,680 --> 00:08:27,080 Speaker 1: Right now, Bobby, this is intense, Adam. Name all four 135 00:08:27,120 --> 00:08:34,640 Speaker 1: of the Beatles, huh in fifteen seconds ago, John need 136 00:08:34,640 --> 00:08:37,200 Speaker 1: Full and last full names last night, First names last Night, 137 00:08:37,520 --> 00:08:41,959 Speaker 1: John Lennon, Paul mccarton, George Harrison, ringo Star. That is correct. 138 00:08:42,640 --> 00:08:46,040 Speaker 1: He defends his title. He is still a reigning music champion. 139 00:08:46,559 --> 00:08:54,200 Speaker 1: Adam Handbrake. Wow, wow, well, thank you, thank you. You're Brittany. 140 00:08:54,480 --> 00:08:59,120 Speaker 1: I was really pulling for you. Um honest, hey, Brandy, Um, 141 00:08:59,360 --> 00:09:01,480 Speaker 1: what's your baby's name, Yeah, tell us, tell us about 142 00:09:01,480 --> 00:09:05,280 Speaker 1: the baby's so cute. Her name is Rosalie and she 143 00:09:05,520 --> 00:09:07,600 Speaker 1: is the sweetest thing ever. And did you name her 144 00:09:07,640 --> 00:09:09,520 Speaker 1: after anything or grab that name out of a baby boat? 145 00:09:10,760 --> 00:09:14,440 Speaker 1: We just liked it. It's beautiful. Is southern southern as 146 00:09:14,440 --> 00:09:16,920 Speaker 1: a Magno? You know me? Do you know what? I know? 147 00:09:17,040 --> 00:09:20,520 Speaker 1: You was our second pick. Oh, I love that. Well, Brittany, 148 00:09:20,559 --> 00:09:22,760 Speaker 1: you didn't win. I'm very sorry, so I can't give 149 00:09:22,800 --> 00:09:24,800 Speaker 1: you the cash, but I can tell you that it's 150 00:09:24,800 --> 00:09:27,320 Speaker 1: been a pleasure of talking with you, and thank you 151 00:09:27,360 --> 00:09:28,839 Speaker 1: for playing the game, and hopefully we'll talk to you 152 00:09:28,880 --> 00:09:32,920 Speaker 1: again soon sometime. Thanks, Brittany. Sleep when you can. There 153 00:09:33,000 --> 00:09:36,319 Speaker 1: is Brittany, what's that like having a eleven week old baby? 154 00:09:36,600 --> 00:09:39,320 Speaker 1: She just had another baby? I mean I had my 155 00:09:39,320 --> 00:09:42,559 Speaker 1: baby turned she just turned one, so that's just pretty pandemic. 156 00:09:43,840 --> 00:09:45,439 Speaker 1: The last time we were hanging out, the baby was 157 00:09:45,520 --> 00:09:48,200 Speaker 1: brand new, so to me, time hasn't moved forward. I 158 00:09:48,240 --> 00:09:51,080 Speaker 1: guess that's true. It's a you kind of go crazy 159 00:09:51,080 --> 00:09:53,959 Speaker 1: because it's like sleep deprivations, like because you don't sleep 160 00:09:54,320 --> 00:09:56,360 Speaker 1: very long. You don't sleep long in about four hours. 161 00:09:56,840 --> 00:09:58,440 Speaker 1: You know the email I got you didn't win, so 162 00:09:58,520 --> 00:10:00,520 Speaker 1: we'll do a little Adam Hamburg promotion. And I just 163 00:10:00,600 --> 00:10:03,120 Speaker 1: got this email. It popped up and I thought you 164 00:10:03,160 --> 00:10:07,680 Speaker 1: sent it to me. It said Adam Handbrick quote his 165 00:10:07,760 --> 00:10:12,680 Speaker 1: unique blend of country songwriting and pop production. Impressed with 166 00:10:12,760 --> 00:10:16,280 Speaker 1: a soulful voice that mesmerized. Handbrook said he loved the 167 00:10:16,360 --> 00:10:19,120 Speaker 1: way that gen Wold tell stories. Quote from Billboard, and 168 00:10:19,200 --> 00:10:20,840 Speaker 1: it says, I'm so excited to share an advance of 169 00:10:20,880 --> 00:10:23,480 Speaker 1: Adam Handbrook's upcoming released titled Can I say with the 170 00:10:23,520 --> 00:10:27,720 Speaker 1: title top Down Southbound? Maybe said that last time on August, 171 00:10:28,840 --> 00:10:31,000 Speaker 1: the first of a series of three releases, which Adam 172 00:10:31,040 --> 00:10:36,040 Speaker 1: playfully describes as flip sides, And then click here to view. 173 00:10:36,440 --> 00:10:39,520 Speaker 1: And then I have a whole all I can take 174 00:10:39,559 --> 00:10:45,640 Speaker 1: of Adam Handbrick right here. The song the first song 175 00:10:45,720 --> 00:10:48,679 Speaker 1: is called Do the Math, and the second song is 176 00:10:48,720 --> 00:10:54,920 Speaker 1: called Sunshine State of Mind. These are um mixes, not finals, 177 00:10:55,080 --> 00:10:57,720 Speaker 1: these are their finals. They're just Do the Math Mix 178 00:10:57,840 --> 00:11:01,400 Speaker 1: m P. Three. They must they must use an old file. 179 00:11:01,440 --> 00:11:05,080 Speaker 1: I don't know, interesting, interesting, interesting, But look there it is. 180 00:11:05,080 --> 00:11:08,160 Speaker 1: It's coming out next I guess maybe this month. Now 181 00:11:07,600 --> 00:11:11,840 Speaker 1: I look at you. Two new songs out and these aren't. 182 00:11:12,160 --> 00:11:13,719 Speaker 1: I wonder if I could play one of these from 183 00:11:13,840 --> 00:11:15,680 Speaker 1: just like a sample, but I guess I don't have it. 184 00:11:15,800 --> 00:11:18,720 Speaker 1: Maybe if you win next time. Maybe, So if we 185 00:11:18,720 --> 00:11:21,160 Speaker 1: win next time, we'll do And he's two and oh, 186 00:11:21,240 --> 00:11:22,400 Speaker 1: I don't know if he can be beat Mike. You 187 00:11:22,400 --> 00:11:24,600 Speaker 1: gotta find a caller that is like straight up music. 188 00:11:25,320 --> 00:11:27,400 Speaker 1: You even gave me harder questions this time than last. 189 00:11:27,640 --> 00:11:30,240 Speaker 1: What are you talking about harder? I feel like we're 190 00:11:30,440 --> 00:11:33,760 Speaker 1: we're christiando in the difficulty coming up in a second, 191 00:11:33,800 --> 00:11:35,560 Speaker 1: we'll talk to Nikita Carmen, who's got a brand new 192 00:11:35,559 --> 00:11:37,920 Speaker 1: song out this week with Walker Hayes. Did you put 193 00:11:37,920 --> 00:11:39,960 Speaker 1: out a song this week? Not this week? No, I 194 00:11:40,000 --> 00:11:44,000 Speaker 1: figured I'd just let Taylor have have the moment. No, next, No, 195 00:11:44,120 --> 00:11:46,480 Speaker 1: this would be this Friday, Sorry coming out. No, did 196 00:11:46,480 --> 00:11:49,559 Speaker 1: not put out a song this week? August songs. Those 197 00:11:49,559 --> 00:11:50,960 Speaker 1: two songs come out all right? There? He is our 198 00:11:50,960 --> 00:12:00,480 Speaker 1: friend Adam Hambrick. Got Adam to stay around because you 199 00:12:00,480 --> 00:12:03,280 Speaker 1: put out a cover recently at Midnight Montgomery, which is 200 00:12:03,320 --> 00:12:11,319 Speaker 1: pretty good. Play this dude, thanks because this mom oh 201 00:12:11,440 --> 00:12:13,040 Speaker 1: that's playing on my phone. I was like, why is 202 00:12:13,080 --> 00:12:16,320 Speaker 1: that trying to play on my phone. Do it again, Mom, 203 00:12:16,720 --> 00:12:22,440 Speaker 1: here you can play the linka because this Mom gone 204 00:12:24,800 --> 00:12:43,000 Speaker 1: Jessy that I'm about to talk about artists whose biggest 205 00:12:43,080 --> 00:12:46,000 Speaker 1: hit was a cover song. So but when they when 206 00:12:46,040 --> 00:12:48,120 Speaker 1: you did that, that was up on Amazon for a while, right, 207 00:12:48,240 --> 00:12:50,640 Speaker 1: and only Amazon. So do they pay for you to 208 00:12:50,679 --> 00:12:52,480 Speaker 1: do that since it's an exclusive or do you do 209 00:12:52,520 --> 00:12:54,200 Speaker 1: it and weren't got to deal with them? Yeah, so, 210 00:12:54,320 --> 00:12:55,719 Speaker 1: I mean they just came to us because they were 211 00:12:55,840 --> 00:12:58,240 Speaker 1: just getting a bunch of artists right now to kind 212 00:12:58,240 --> 00:12:59,800 Speaker 1: of do that, and they would you know, they would 213 00:13:00,000 --> 00:13:02,559 Speaker 1: on the recording and then you know, they haven't exclusive 214 00:13:02,640 --> 00:13:05,640 Speaker 1: for for a while, so so it was up on Amazon. Um, 215 00:13:05,679 --> 00:13:07,520 Speaker 1: you know, it was kind of like their thing for 216 00:13:07,840 --> 00:13:09,520 Speaker 1: I guess three months and then we then we sent 217 00:13:09,600 --> 00:13:12,720 Speaker 1: it everywhere else. That's pretty cool deal because it's expensive 218 00:13:12,760 --> 00:13:16,360 Speaker 1: to record a song. It is not cheat the producer 219 00:13:16,600 --> 00:13:18,840 Speaker 1: to get people who come play on it like thousands 220 00:13:18,880 --> 00:13:21,160 Speaker 1: of dollars. Yeah, yeah, for sure, that's pretty cool to do. 221 00:13:21,200 --> 00:13:22,520 Speaker 1: A good for Amazon for doing that. This is a 222 00:13:22,520 --> 00:13:29,319 Speaker 1: really cool A little bit more and it's all over 223 00:13:29,360 --> 00:13:30,840 Speaker 1: everything now so you can find out wherever you can 224 00:13:30,960 --> 00:13:32,680 Speaker 1: find out wherever you listen to music well, and I 225 00:13:32,760 --> 00:13:35,199 Speaker 1: was gonna tackle this without you. You are the reigning 226 00:13:35,240 --> 00:13:37,240 Speaker 1: champion in music trivia, so I was like, hey, stick run. 227 00:13:37,800 --> 00:13:40,200 Speaker 1: So whether they turn it gets along into a great 228 00:13:40,240 --> 00:13:43,240 Speaker 1: song or just reinvigorate and old classic. These are all 229 00:13:43,360 --> 00:13:45,839 Speaker 1: artists whose biggest hit of their career, some of these 230 00:13:45,840 --> 00:13:49,240 Speaker 1: so far was a cover song their biggest commercial and 231 00:13:49,320 --> 00:13:52,040 Speaker 1: chart success. Okay, so we have clips of the originals 232 00:13:52,840 --> 00:13:57,480 Speaker 1: and the covers. So oh, we'll play Alison Cross when 233 00:13:57,520 --> 00:14:00,600 Speaker 1: you say nothing at all? First, here you go, you face, 234 00:14:01,040 --> 00:14:07,240 Speaker 1: lets me know that you need that's the truth in singing. 235 00:14:07,400 --> 00:14:14,080 Speaker 1: You never touch of Now who's sang it originally? Yeah, 236 00:14:16,960 --> 00:14:21,240 Speaker 1: lets me know that. So both of them are so 237 00:14:21,280 --> 00:14:24,400 Speaker 1: good it's hard to pinpoint which one makes you feel more. 238 00:14:24,920 --> 00:14:27,800 Speaker 1: I know. And and uh, because this was my favorite 239 00:14:27,880 --> 00:14:30,360 Speaker 1: Keith Whitley vocal and this was the thing that this 240 00:14:30,400 --> 00:14:32,440 Speaker 1: song is the this one and Stranger to the Rain, 241 00:14:32,520 --> 00:14:34,160 Speaker 1: I'm no Stranger the Rain. Those are my two. Like 242 00:14:34,240 --> 00:14:37,000 Speaker 1: Keith Stranger the Rain is such a jam and um 243 00:14:37,360 --> 00:14:40,360 Speaker 1: and but but this song also like introduced me to 244 00:14:40,400 --> 00:14:43,000 Speaker 1: Alison Krauss. And so it's hard. I can't I don't 245 00:14:43,040 --> 00:14:45,200 Speaker 1: know if I can pick a favorite between the two, 246 00:14:45,760 --> 00:14:50,000 Speaker 1: and most times that you have a cover, maybe the 247 00:14:50,160 --> 00:14:53,240 Speaker 1: like Taylor Acorn put out a song last week Matchbox 248 00:14:53,280 --> 00:14:57,280 Speaker 1: twenty on Well and it's really good. Yeah, and her 249 00:14:57,440 --> 00:14:59,480 Speaker 1: version of it made me listen to the words more 250 00:14:59,480 --> 00:15:01,800 Speaker 1: than the original, which which is obviously a much bigger 251 00:15:01,880 --> 00:15:09,440 Speaker 1: hit for international smash, But this song makes me feel 252 00:15:09,560 --> 00:15:12,720 Speaker 1: it more because of the production, because of how she 253 00:15:12,800 --> 00:15:17,680 Speaker 1: sings it. Usually a cover versus the original, one of 254 00:15:17,720 --> 00:15:19,480 Speaker 1: the other will do one of the other for sure. 255 00:15:19,760 --> 00:15:23,280 Speaker 1: Alison Krauss and Keith Wiley, they both are like heart 256 00:15:23,320 --> 00:15:26,240 Speaker 1: stabbers in different ways. Yeah, And you know, I think 257 00:15:26,440 --> 00:15:30,280 Speaker 1: the thing that makes a voice is like everybody like 258 00:15:30,960 --> 00:15:33,120 Speaker 1: tends to think like, well, he's a good singer, he 259 00:15:33,160 --> 00:15:36,040 Speaker 1: hits all the notes that the thing that brings it out. Um. 260 00:15:36,080 --> 00:15:38,720 Speaker 1: I think in songs is is like the texture of 261 00:15:38,720 --> 00:15:41,800 Speaker 1: the voice, like how the voice actually like vibrates through 262 00:15:41,800 --> 00:15:46,120 Speaker 1: the speakers. And Alison Krauss and Um and Keith Whiellie, 263 00:15:46,160 --> 00:15:49,760 Speaker 1: I mean they're just like masters of singing, like with 264 00:15:49,920 --> 00:15:52,560 Speaker 1: tone and with like clarity and the sharpness that just 265 00:15:52,760 --> 00:15:56,120 Speaker 1: it's just not many other places I probably haven't streamed 266 00:15:56,200 --> 00:15:58,400 Speaker 1: or played. I'm no stranger to the Rain in so 267 00:15:58,400 --> 00:16:01,200 Speaker 1: many years. But tonight, after talking to about it, like 268 00:16:01,280 --> 00:16:04,880 Speaker 1: last night, I was listening to pay Me a Birmingham Man, Yeah, 269 00:16:05,120 --> 00:16:08,320 Speaker 1: and I tweeted and I said, man, because there's a 270 00:16:08,400 --> 00:16:12,640 Speaker 1: key change whenever he goes from chorus to chorus, because 271 00:16:12,680 --> 00:16:16,000 Speaker 1: it goes did you pay me and Birmingham and then 272 00:16:16,040 --> 00:16:18,560 Speaker 1: it switches up and the key change he goes there. 273 00:16:18,560 --> 00:16:20,720 Speaker 1: It is right there, there's the key change. And I 274 00:16:20,800 --> 00:16:23,760 Speaker 1: was like, oh, I just had to listen to it. 275 00:16:23,800 --> 00:16:25,800 Speaker 1: I was sitting in my room working last night on 276 00:16:25,840 --> 00:16:29,760 Speaker 1: the show, looking up some stuff, reading some notes, and 277 00:16:29,800 --> 00:16:31,280 Speaker 1: I heard the key change. I'm like, I haven't even 278 00:16:31,320 --> 00:16:33,000 Speaker 1: noticed the key changes. I knew there was such thing 279 00:16:33,040 --> 00:16:34,920 Speaker 1: as a key change. I tweeted it out and he 280 00:16:34,960 --> 00:16:37,680 Speaker 1: retweeted it. They started, they started using key changes, you 281 00:16:37,720 --> 00:16:40,920 Speaker 1: know so much that that it just got like it 282 00:16:41,000 --> 00:16:42,880 Speaker 1: got cheesy. And so now it's kind of like pass 283 00:16:42,920 --> 00:16:45,200 Speaker 1: a to do a key change in the song. But man, 284 00:16:45,200 --> 00:16:47,520 Speaker 1: it will placed key change will kick you right in 285 00:16:47,560 --> 00:16:49,840 Speaker 1: your heart's crotch. Let's explain a key change real quick, 286 00:16:49,880 --> 00:16:54,760 Speaker 1: so on that song. For someone who isn't extremely musical 287 00:16:54,800 --> 00:16:56,920 Speaker 1: like myself, a key change just means you're singing it 288 00:16:57,000 --> 00:17:02,120 Speaker 1: in a in a different like or yeah, that's how 289 00:17:02,160 --> 00:17:04,080 Speaker 1: I would explain it. Kid Like, if I'm talking to 290 00:17:04,080 --> 00:17:05,280 Speaker 1: you like this, but I want to do a talking 291 00:17:05,359 --> 00:17:06,840 Speaker 1: key change, I would then do a talk. Yeah, this 292 00:17:06,880 --> 00:17:09,159 Speaker 1: is a talking key change. I'm talking like this, So 293 00:17:09,280 --> 00:17:11,439 Speaker 1: explain it now in more musical way. So in a 294 00:17:11,480 --> 00:17:14,840 Speaker 1: more musical way, you can kind of think of like, um, 295 00:17:14,880 --> 00:17:17,000 Speaker 1: every song is in the key, So think of the 296 00:17:17,080 --> 00:17:21,280 Speaker 1: key as like the floor of the house. And so 297 00:17:21,280 --> 00:17:23,320 Speaker 1: so your feet are on the floor, and then you 298 00:17:23,359 --> 00:17:25,520 Speaker 1: can jump around on the floor and you can do 299 00:17:25,560 --> 00:17:27,919 Speaker 1: flips on do flips on the floor, do jump at 300 00:17:27,960 --> 00:17:29,440 Speaker 1: Jack's or just sit on the floor if you want 301 00:17:29,440 --> 00:17:31,720 Speaker 1: to um. And that's kind of what melodies melodies do. 302 00:17:31,760 --> 00:17:34,399 Speaker 1: They play off of that floor. Now, when when you 303 00:17:34,560 --> 00:17:36,959 Speaker 1: have a key change, it's like the floor of the 304 00:17:36,960 --> 00:17:40,600 Speaker 1: house all of a sudden elevates and then you're at 305 00:17:40,640 --> 00:17:42,920 Speaker 1: a different spot, you know, and so and so you're 306 00:17:42,960 --> 00:17:45,480 Speaker 1: coming from a different You're you're doing flips on a 307 00:17:45,480 --> 00:17:50,840 Speaker 1: different floor. The national anthem has a key change in it. No, 308 00:17:50,960 --> 00:17:57,360 Speaker 1: not necessarily how I sing it is you're advance you um, 309 00:17:57,400 --> 00:17:59,840 Speaker 1: all right, here's another one. Let's see I always love 310 00:17:59,840 --> 00:18:06,560 Speaker 1: you obviously, Whitney Houston. And I would imagine unless you 311 00:18:06,600 --> 00:18:08,960 Speaker 1: know country music a little bit, and I think for 312 00:18:09,080 --> 00:18:12,600 Speaker 1: us this is old hat. But Dolly did this, recorded it, 313 00:18:12,640 --> 00:18:19,000 Speaker 1: wrote it big hit for Dolly. Here's the guy. Dolly 314 00:18:19,080 --> 00:18:20,640 Speaker 1: did my radio show. She's done it a few times. 315 00:18:20,640 --> 00:18:22,119 Speaker 1: And one time she came in and she was in 316 00:18:22,119 --> 00:18:23,560 Speaker 1: a really good mood. And I know, if somebody's in 317 00:18:23,600 --> 00:18:25,359 Speaker 1: a good mood, I can go places that if they're not, 318 00:18:25,760 --> 00:18:27,040 Speaker 1: if they're not in the best mood, they're in the 319 00:18:27,080 --> 00:18:28,840 Speaker 1: middle mood. It kind of just talk about it. Then 320 00:18:28,840 --> 00:18:31,960 Speaker 1: we'll be awful a little bit, like I know the floor. Yeah, 321 00:18:32,119 --> 00:18:34,359 Speaker 1: but if they're just in a great mood, I'll go 322 00:18:34,400 --> 00:18:35,959 Speaker 1: all over with them, just kind of see whether there 323 00:18:36,280 --> 00:18:37,919 Speaker 1: with her head. And Dolly got into the whole thing 324 00:18:37,920 --> 00:18:39,639 Speaker 1: about writing all of her hits, and I think she 325 00:18:39,720 --> 00:18:42,400 Speaker 1: wrote this one and Joe Lean the same day, same 326 00:18:42,840 --> 00:18:44,640 Speaker 1: and she but she talked about and I've heard that before, 327 00:18:44,680 --> 00:18:48,159 Speaker 1: but she talked about that and that she was in 328 00:18:48,280 --> 00:18:51,560 Speaker 1: Nashville driving near where the radio station is and she 329 00:18:51,680 --> 00:18:53,720 Speaker 1: heard Whitney Houston singing this on the radio. Didn't you know? 330 00:18:53,760 --> 00:18:59,760 Speaker 1: She cut it like she had heard she might for 331 00:18:59,800 --> 00:19:02,679 Speaker 1: a movie, but she never heard the version. She wouldn't 332 00:19:02,720 --> 00:19:05,920 Speaker 1: it had never been confirmed and none of that happened. 333 00:19:06,200 --> 00:19:08,879 Speaker 1: But she heard it on the radio. Oh my goodness, 334 00:19:08,920 --> 00:19:10,920 Speaker 1: can you imagine that in two thousand twenty. I can't 335 00:19:10,960 --> 00:19:14,800 Speaker 1: imagine that. Uh, let's see, because I think somebody would 336 00:19:14,760 --> 00:19:16,239 Speaker 1: just cut it to home and then send it off 337 00:19:16,280 --> 00:19:19,160 Speaker 1: and it would starting to get played. Yeah, ring of Fire, 338 00:19:19,240 --> 00:19:25,960 Speaker 1: Johnny Cash, I fell into a ring of fire. I too, 339 00:19:26,280 --> 00:19:30,560 Speaker 1: burning ring of fire. I went down, down, down, and 340 00:19:30,720 --> 00:19:33,160 Speaker 1: the flames one fire And that was a cover ended 341 00:19:33,960 --> 00:19:37,240 Speaker 1: you that, right? I don't think I knew that. So 342 00:19:37,280 --> 00:19:41,600 Speaker 1: it was written by June and Merle Kilgore, but it 343 00:19:41,640 --> 00:19:48,640 Speaker 1: was recorded by June's sister. I need a carter, No, man, 344 00:19:48,720 --> 00:19:51,399 Speaker 1: I did not know that. You should have put that 345 00:19:51,440 --> 00:19:53,600 Speaker 1: on the music trivia. I would have lost well if 346 00:19:53,600 --> 00:19:55,119 Speaker 1: we put this in it. So next time, if it 347 00:19:55,200 --> 00:19:57,120 Speaker 1: does come up, you know this is knowledgeable. The music 348 00:19:57,119 --> 00:20:02,080 Speaker 1: podcast about that, Yeah, I never I never would have 349 00:20:02,119 --> 00:20:05,520 Speaker 1: come across that. Man. See, I'm a music fan, but 350 00:20:05,680 --> 00:20:07,440 Speaker 1: I'm I'm just kind of a music fan of like 351 00:20:07,920 --> 00:20:09,560 Speaker 1: what I like, and I'll get I'll get a little 352 00:20:09,560 --> 00:20:12,520 Speaker 1: bit nerdy, but um, but like I have to really 353 00:20:12,840 --> 00:20:14,439 Speaker 1: go out of my way to hit something like that, 354 00:20:14,480 --> 00:20:16,719 Speaker 1: and sometimes it just I just miss it, you know. 355 00:20:17,000 --> 00:20:23,920 Speaker 1: Jimmy Hendrix All Along the watch Tower, which of course 356 00:20:23,920 --> 00:20:28,280 Speaker 1: written by Dave Matthews almost almos but Dave Matthew does 357 00:20:28,320 --> 00:20:31,000 Speaker 1: a great version of it though it's like acoustic too 358 00:20:31,880 --> 00:20:39,399 Speaker 1: crushes it um. It was written by Bob Dylan, drink Man, Onelmendig. 359 00:20:40,560 --> 00:20:42,960 Speaker 1: The original was written and performed by Bob Dylan, who 360 00:20:42,960 --> 00:20:46,560 Speaker 1: recorded the song first, but actually released it after Jimmy 361 00:20:46,600 --> 00:20:49,120 Speaker 1: Hendricks version was pressed. Oh wow, see, I didn't know that. 362 00:20:50,200 --> 00:20:55,040 Speaker 1: My goodness, Elvis Pressley Hound Dog, you ain't nothing but dog? 363 00:20:57,840 --> 00:20:59,520 Speaker 1: Have you been? The grace line? By the way? Now 364 00:21:00,000 --> 00:21:02,960 Speaker 1: to go? That's what Eddie says to like he said. 365 00:21:02,960 --> 00:21:05,119 Speaker 1: He says, because I am a music nerd, I love 366 00:21:05,240 --> 00:21:07,320 Speaker 1: learning about music that I only listen to. I love 367 00:21:07,400 --> 00:21:11,360 Speaker 1: learning how people popularize genres of music, like the one 368 00:21:11,400 --> 00:21:14,439 Speaker 1: person that broke it and then everybody started following, like 369 00:21:14,560 --> 00:21:19,400 Speaker 1: with Elvis. Listen, Elvis is one of the biggest pop 370 00:21:19,400 --> 00:21:21,440 Speaker 1: stars of our lifetime, right, not even our lifetime, before 371 00:21:21,440 --> 00:21:25,080 Speaker 1: our lifetime, I've ever in modern Western music. That being said, 372 00:21:25,080 --> 00:21:28,199 Speaker 1: he was a white person who stole black music. I 373 00:21:28,200 --> 00:21:31,280 Speaker 1: mean this was a hound Dog was originally performed by 374 00:21:31,280 --> 00:21:43,840 Speaker 1: a female rock icon, Big Mom Thorton. Both voices that 375 00:21:43,920 --> 00:21:46,040 Speaker 1: do something to you. Listen to that, lady sing. I 376 00:21:46,080 --> 00:21:48,720 Speaker 1: would love to go to Graceland, though, we were thinking about. 377 00:21:49,040 --> 00:21:51,280 Speaker 1: Caitlin and I drove to Arkansas and we're driving back 378 00:21:51,320 --> 00:21:53,000 Speaker 1: because we've got a cabin out there now we're going 379 00:21:53,080 --> 00:21:56,040 Speaker 1: back next week. Oh nice, But we were like we 380 00:21:56,040 --> 00:21:59,760 Speaker 1: should stop a grace something. We're like, oh yeah, Corona, 381 00:22:00,600 --> 00:22:02,679 Speaker 1: like we were really because there's nothing for me that 382 00:22:02,760 --> 00:22:05,240 Speaker 1: I've stopped in Memphis a few times in my life. 383 00:22:05,359 --> 00:22:07,280 Speaker 1: I think maybe three times on that way, and twice 384 00:22:07,880 --> 00:22:10,520 Speaker 1: once I got we robbed, my car got broken and 385 00:22:10,560 --> 00:22:12,320 Speaker 1: the other time my car got broken into. There's nothing 386 00:22:12,480 --> 00:22:14,160 Speaker 1: they can steal anything. So two out of three times 387 00:22:14,200 --> 00:22:16,520 Speaker 1: my car was messed with. Dude, that's messed up. Um, 388 00:22:16,600 --> 00:22:19,000 Speaker 1: So we didn't stop stop at Graceland. You gotta stop 389 00:22:19,160 --> 00:22:22,840 Speaker 1: that Bass Pro Shop Pyramid, man, you know that Bass 390 00:22:22,880 --> 00:22:26,360 Speaker 1: Pro Shop Pyramid. It is cool, but I'm gonna pass 391 00:22:26,400 --> 00:22:28,760 Speaker 1: on your past, hard pass hard past, because I can 392 00:22:28,800 --> 00:22:30,320 Speaker 1: go to best Pro Shop here fair enough. I know, 393 00:22:30,400 --> 00:22:32,800 Speaker 1: Johnny Morris, that's true. But you can't watch the sunset 394 00:22:32,800 --> 00:22:35,600 Speaker 1: over the Mississippi River. Why why you have have a 395 00:22:35,640 --> 00:22:38,320 Speaker 1: meal at the top of the pyramid. That's true. Still, yeah, 396 00:22:38,560 --> 00:22:40,280 Speaker 1: yeah you can't. They have they have a restaurant top. 397 00:22:40,320 --> 00:22:42,040 Speaker 1: I just have a bad vibe there because two or 398 00:22:42,080 --> 00:22:45,119 Speaker 1: three times I stopped I feel that it's not fair, 399 00:22:45,160 --> 00:22:47,000 Speaker 1: it's bad luck. I don't think everybody that stops there 400 00:22:47,000 --> 00:22:49,439 Speaker 1: gets robbed two out of three times. Once it's in 401 00:22:49,480 --> 00:22:55,320 Speaker 1: an olive garden. Is nothing sacred, dude. My my favorite 402 00:22:55,359 --> 00:22:57,600 Speaker 1: trip that I've taken to Memphis, I think it was 403 00:22:57,680 --> 00:22:59,920 Speaker 1: this this last um. This last spring, we went to 404 00:23:00,080 --> 00:23:04,560 Speaker 1: uh They do a thing called uh Um Country Cares 405 00:23:04,560 --> 00:23:06,920 Speaker 1: for Saint Jude, you know, so you know what I 406 00:23:07,040 --> 00:23:09,840 Speaker 1: take that. I've been there for that. I've been to 407 00:23:09,880 --> 00:23:11,360 Speaker 1: saying Auch a bunch of times. I guess I don't 408 00:23:11,359 --> 00:23:13,760 Speaker 1: consider that Memphis. Yeah, fair enough, it's right at Memphis. 409 00:23:13,880 --> 00:23:16,000 Speaker 1: I've been to Saint you By ten times, you know what. 410 00:23:16,080 --> 00:23:18,080 Speaker 1: Never got robbed, mostly one on the tour bus though, 411 00:23:18,080 --> 00:23:19,800 Speaker 1: because I would get off work as we would just 412 00:23:19,840 --> 00:23:23,040 Speaker 1: take a bus. I could get a nap. But go ahead, continue, ars, 413 00:23:23,400 --> 00:23:26,920 Speaker 1: I'm stupid. I've been so many times we we snuck out, 414 00:23:27,600 --> 00:23:29,680 Speaker 1: me and my my radiotet. We snuck out. We went 415 00:23:29,720 --> 00:23:34,119 Speaker 1: to Graceland and I had never been. I've lived within 416 00:23:34,240 --> 00:23:37,199 Speaker 1: two hours of Memphis my entire life. Never been. And 417 00:23:37,240 --> 00:23:39,920 Speaker 1: then we go through the whole thing and we get 418 00:23:39,960 --> 00:23:41,639 Speaker 1: there and you know, maybe kind of a little bit 419 00:23:41,680 --> 00:23:43,720 Speaker 1: cloudy or whatever, but we go through the whole thing 420 00:23:44,080 --> 00:23:46,119 Speaker 1: and you get to the point where you're you're in 421 00:23:46,240 --> 00:23:48,919 Speaker 1: Elvis's racquetball court in the last place where where he 422 00:23:49,000 --> 00:23:51,920 Speaker 1: was seen alive. And then uh, and then after that 423 00:23:51,960 --> 00:23:55,320 Speaker 1: you go into the garden where he's buried. And as 424 00:23:55,359 --> 00:23:58,680 Speaker 1: we walk through there, like it starts raining the most 425 00:23:58,720 --> 00:24:02,080 Speaker 1: like gentle ad emo rain you've ever seen. And I 426 00:24:02,119 --> 00:24:04,399 Speaker 1: was like, oh man, this is just how your this 427 00:24:04,440 --> 00:24:06,440 Speaker 1: is how it's supposed to be. What's the coolest part 428 00:24:06,440 --> 00:24:09,760 Speaker 1: of that whole tour, man? I think anytime you get 429 00:24:09,760 --> 00:24:12,840 Speaker 1: to just like walk around like hallowed ground, like where 430 00:24:13,000 --> 00:24:17,440 Speaker 1: where somebody who breathe such rare air like did their thing. 431 00:24:17,560 --> 00:24:19,520 Speaker 1: Like when you get to walk around there, I mean, 432 00:24:19,520 --> 00:24:21,199 Speaker 1: there's just like there's just like a feeling to it. 433 00:24:21,320 --> 00:24:23,040 Speaker 1: I kind of get I kind of get goosebumps thinking 434 00:24:23,080 --> 00:24:25,920 Speaker 1: about it. I do want to go. I Also, I 435 00:24:26,000 --> 00:24:28,040 Speaker 1: don't know why I don't associate Saint Jude met with 436 00:24:28,080 --> 00:24:32,760 Speaker 1: Memphis because Double Edge its St. St. Judis. It's a 437 00:24:32,800 --> 00:24:36,400 Speaker 1: big I mean St. Jude Memphis. They they hold, they 438 00:24:36,400 --> 00:24:39,040 Speaker 1: hold hands man, Joan Jed, I love rock and roll. 439 00:24:47,160 --> 00:24:55,120 Speaker 1: That's a cover. The original was recorded by The Arrows. Dude, 440 00:24:55,119 --> 00:24:57,520 Speaker 1: I had nothing on that, dude in the seventies. I'm 441 00:24:57,520 --> 00:25:04,360 Speaker 1: worth it. How about this? Me and Bobby McGhie, Janice Chocola. Yeah, 442 00:25:04,800 --> 00:25:07,480 Speaker 1: did you ever watch the documentary about her came out 443 00:25:07,520 --> 00:25:10,320 Speaker 1: on Arobably two years ago. I think I did. Man, 444 00:25:10,359 --> 00:25:13,119 Speaker 1: she had a sad life. That is sad. She had 445 00:25:13,119 --> 00:25:15,080 Speaker 1: a sad lives are sad. She had a sad life 446 00:25:15,080 --> 00:25:20,840 Speaker 1: for sure. So you know, originally perform this saying it 447 00:25:20,920 --> 00:25:23,080 Speaker 1: performed it all that, I feel like I'm gonna be 448 00:25:23,240 --> 00:25:26,840 Speaker 1: I feel like I'm gonna feel dumb when can't name it. 449 00:25:26,880 --> 00:25:29,600 Speaker 1: The original version was written by Chris Kristofferson performed by 450 00:25:29,680 --> 00:25:36,840 Speaker 1: Roger Miller. Oh so here's the thing, Chris christop person 451 00:25:37,960 --> 00:25:39,760 Speaker 1: she the song is didn't come out and after she died, 452 00:25:41,320 --> 00:25:46,400 Speaker 1: like her biggest hit happened after she died. That's crazy. Yeah, yeah, 453 00:25:46,440 --> 00:25:49,680 Speaker 1: that's that's that's kind of outside my purview too. I'll 454 00:25:49,680 --> 00:25:52,080 Speaker 1: tell you what's inside my purview. How'd your miller doing 455 00:25:52,119 --> 00:25:56,200 Speaker 1: the soundtrack to the original Robin Hood animated movie on 456 00:25:56,560 --> 00:25:58,760 Speaker 1: this Isn't you member that Robin Hood and Little John 457 00:25:58,880 --> 00:26:01,760 Speaker 1: run through the foots? Roger Miller? Dude, no, I remember, 458 00:26:04,600 --> 00:26:08,080 Speaker 1: you know it's true from Robin Hood Prince of Thieves. 459 00:26:08,359 --> 00:26:14,120 Speaker 1: You have a thing I do? Kevin cost shooting flaming heros. Yeah, yeah, yeah, yeah, yeah, 460 00:26:14,200 --> 00:26:17,200 Speaker 1: that was Brian Adams. That was Ryan Adam. Wait wait wait, 461 00:26:17,240 --> 00:26:20,760 Speaker 1: Brian Nada Ryan Adams. Yeah yeah, Ryan Adams loves when 462 00:26:20,800 --> 00:26:23,040 Speaker 1: people do that. They have the same birthday too. By 463 00:26:23,040 --> 00:26:26,520 Speaker 1: the way, are you that had no idea? SAME's that birthday? Oh? 464 00:26:26,520 --> 00:26:31,880 Speaker 1: That's fantastic, soft still tainted love Sometimes I feel love 465 00:26:32,160 --> 00:26:38,639 Speaker 1: god to. The song was original record in nineteen sixty four. Um, 466 00:26:38,680 --> 00:26:44,200 Speaker 1: here you go, recorded by Gloria Jones. Times got to 467 00:26:45,359 --> 00:26:49,920 Speaker 1: You're aware? Pretty cool? I like that alien Anton farmspis 468 00:26:49,960 --> 00:26:53,360 Speaker 1: coming on? Do you know the two here? Who is that? 469 00:26:53,720 --> 00:26:58,240 Speaker 1: I'm just kidding? Yeah, do you know the original? Yeah? Okay, 470 00:26:58,240 --> 00:27:00,520 Speaker 1: because I figured this was new, this is this is, 471 00:27:00,560 --> 00:27:02,560 Speaker 1: this is gonna this is new enough. The original is 472 00:27:02,760 --> 00:27:08,159 Speaker 1: Michael Jackson. But you want to know something else, I 473 00:27:08,240 --> 00:27:10,480 Speaker 1: didn't know that until like a couple of years later, 474 00:27:10,800 --> 00:27:13,800 Speaker 1: Like nobody, nobody, Nobody told me until a couple of 475 00:27:13,840 --> 00:27:16,399 Speaker 1: years later. I missed that memo. Well, we weren't listening 476 00:27:16,400 --> 00:27:20,600 Speaker 1: to music when Michael Jackson was that Michael Jackson. Like 477 00:27:20,680 --> 00:27:23,040 Speaker 1: for us, it probably started with like black and white 478 00:27:23,280 --> 00:27:28,480 Speaker 1: black or white, Um, the Free Wheelie soundtrack, Yeah you kid, 479 00:27:28,560 --> 00:27:31,920 Speaker 1: but yeah? Or because he did the Super Bowl that year, 480 00:27:32,080 --> 00:27:39,320 Speaker 1: the one where he was the Egyptian. Um, Eddie Murphy 481 00:27:39,320 --> 00:27:41,040 Speaker 1: was in the video. Magic Johnson was in the video. 482 00:27:42,720 --> 00:27:46,200 Speaker 1: Mm hmm. It's escaping me right now, not having a 483 00:27:46,200 --> 00:27:48,040 Speaker 1: good I'm not I'm not a great. I'm not a 484 00:27:48,080 --> 00:27:52,080 Speaker 1: great Michael Jackson. Um, Yeah, but I know I should 485 00:27:52,160 --> 00:27:56,679 Speaker 1: know that one Disturbed the Sound of Silence, which this 486 00:27:56,720 --> 00:28:00,200 Speaker 1: one's easy. I think this is a good version. Don't 487 00:28:00,200 --> 00:28:02,080 Speaker 1: even like Disturbed. They're a little too hard for me. 488 00:28:02,400 --> 00:28:05,359 Speaker 1: You like them, no, but but they've had they've had 489 00:28:05,359 --> 00:28:07,240 Speaker 1: their moments for me for sure. This is a great 490 00:28:07,320 --> 00:28:10,760 Speaker 1: version of this song, the original as Simon and Garfuncle, Hello, 491 00:28:11,000 --> 00:28:14,399 Speaker 1: Darkness Smile. If this song is still great, it's so good. 492 00:28:14,840 --> 00:28:19,040 Speaker 1: I've come to talk with you again. The Black Crows 493 00:28:19,160 --> 00:28:26,119 Speaker 1: come along, the little Lemon can ocurs a Mama on 494 00:28:26,320 --> 00:28:31,520 Speaker 1: Shaw hand around. So it's Black Crows and Memphis and 495 00:28:31,560 --> 00:28:33,800 Speaker 1: May speaking of Memphis, and they just played the show 496 00:28:33,840 --> 00:28:36,720 Speaker 1: about six months ago before Corona was awesome. Really yeah, 497 00:28:36,760 --> 00:28:38,840 Speaker 1: I love Black Crows and they did. She talks to Angels, 498 00:28:40,000 --> 00:28:42,160 Speaker 1: But that's not the original song. Otis Redding back in 499 00:28:42,200 --> 00:28:44,640 Speaker 1: the day, A little thing, let me like to count, 500 00:28:44,720 --> 00:28:47,360 Speaker 1: call Mama, I'm so hot to hell and I gets 501 00:28:47,400 --> 00:28:54,680 Speaker 1: around freaking Otis Mantis sing the phone book. I would 502 00:28:54,680 --> 00:28:56,120 Speaker 1: listen to that. I have a couple of live Otis 503 00:28:56,160 --> 00:28:58,840 Speaker 1: Redding Records have one of him in San Francisco just 504 00:28:58,920 --> 00:29:00,720 Speaker 1: going out and crushing it. And he has so many 505 00:29:00,760 --> 00:29:03,680 Speaker 1: songs that you know, other people for but he wrote 506 00:29:03,720 --> 00:29:06,080 Speaker 1: them about that. Trying to Mike Mike, we look up 507 00:29:06,080 --> 00:29:10,680 Speaker 1: at Michael Jackson. Was that was up with you? It's 508 00:29:10,680 --> 00:29:13,840 Speaker 1: a slow song, Lisa Marie Presley's in the video. Remember 509 00:29:13,880 --> 00:29:19,520 Speaker 1: the whole video. There's probably which one was sorry I 510 00:29:19,520 --> 00:29:21,760 Speaker 1: space for a second? Which what song? Remember the time? 511 00:29:22,000 --> 00:29:31,360 Speaker 1: That's it? Do you remember the time? Jeff Buckley Hallelujah? Yeah. Yeah, 512 00:29:31,440 --> 00:29:35,840 Speaker 1: he died swimming, jumped down to freaking river, didn't come 513 00:29:35,840 --> 00:29:41,120 Speaker 1: back Memphis in the middle of night. Wasn't Memphis For 514 00:29:41,160 --> 00:29:43,520 Speaker 1: some reason, I'm picturing of the Missisippi River. It might 515 00:29:43,520 --> 00:29:45,760 Speaker 1: just it might just be that we have been talking 516 00:29:45,760 --> 00:29:54,920 Speaker 1: about Memphis so much. The original was Leonard Cohen. Yeah, 517 00:29:55,720 --> 00:29:57,360 Speaker 1: A lot of people out there really loved him. Some 518 00:29:57,520 --> 00:30:00,719 Speaker 1: learn Cohen. I've amended any of them. I think he's 519 00:30:00,760 --> 00:30:02,840 Speaker 1: too smart for me. Yeah, I don't. I'm not a 520 00:30:02,840 --> 00:30:05,280 Speaker 1: big Letter Cohen guy. I wish I was. Yeah, I 521 00:30:05,280 --> 00:30:07,840 Speaker 1: wish I was smart enough to be learning Coger. Finally, 522 00:30:08,000 --> 00:30:16,200 Speaker 1: Quiet Riot, Come on Field The Noise Wait originally written 523 00:30:16,200 --> 00:30:26,640 Speaker 1: and recorded by Slade Oh Man, what year was that? An, 524 00:30:27,800 --> 00:30:30,479 Speaker 1: I'll have a year on that one. Hey, I'll give 525 00:30:30,520 --> 00:30:40,280 Speaker 1: you one more. Bowling for suit? Oh yes, It was 526 00:30:40,360 --> 00:30:49,800 Speaker 1: originally written and recorded by the band s R seven one. 527 00:30:43,560 --> 00:30:53,400 Speaker 1: Yet there you go, bowling for sup. I'll like me 528 00:30:53,440 --> 00:30:55,160 Speaker 1: some boweling the seed. Back in the day when I 529 00:30:55,200 --> 00:30:57,960 Speaker 1: was at Pop and they were from Texas. They lived 530 00:30:57,960 --> 00:30:59,680 Speaker 1: in Dallas, but we were in Austin. They had that 531 00:31:00,000 --> 00:31:02,760 Speaker 1: that song about Texas. Well, they'd play like every concert, 532 00:31:02,760 --> 00:31:04,840 Speaker 1: every radio concert. We would do would be like, this 533 00:31:04,880 --> 00:31:07,440 Speaker 1: week is Gavin de Girl and Bawling Pursuit, and the 534 00:31:07,520 --> 00:31:09,480 Speaker 1: next week it's been it's been It's a Carlton and 535 00:31:09,520 --> 00:31:13,840 Speaker 1: Bowling for Suit. It was always bowling for because they 536 00:31:13,840 --> 00:31:17,320 Speaker 1: made the easy drive down come back to It's Al 537 00:31:17,480 --> 00:31:22,880 Speaker 1: City and Bowling for Suit. You remember Al City? I 538 00:31:22,960 --> 00:31:25,200 Speaker 1: was walking thro Kroger today they played al al City. 539 00:31:25,240 --> 00:31:28,760 Speaker 1: I was like, oh yeah, fireflies remember that. Yeah, that 540 00:31:28,840 --> 00:31:30,920 Speaker 1: was a good one. All right, glad you can hang out. 541 00:31:31,920 --> 00:31:34,000 Speaker 1: Thanks for educating. What did you learn? What was the 542 00:31:34,000 --> 00:31:40,040 Speaker 1: best thing about that? What did you learn? Oh, I 543 00:31:40,080 --> 00:31:44,120 Speaker 1: don't know, I don't know. It's all, it's all. What 544 00:31:44,200 --> 00:31:46,560 Speaker 1: about that? Think about something that you just learned. What 545 00:31:46,800 --> 00:31:50,600 Speaker 1: cover did you not know was a cover? The quiet 546 00:31:50,640 --> 00:31:53,680 Speaker 1: right one for sure? Okay, Johnny Cash, you didn't know. 547 00:31:53,800 --> 00:31:55,520 Speaker 1: I didn't know that. I didn't know that was a cover, 548 00:31:55,720 --> 00:32:00,280 Speaker 1: had no idea, you didn't know it. Joan Jet learned 549 00:32:00,320 --> 00:32:02,520 Speaker 1: so much, but we've gone through so many is sorry. 550 00:32:02,760 --> 00:32:10,400 Speaker 1: There was another one. The uh, I don't know. I 551 00:32:10,440 --> 00:32:12,040 Speaker 1: didn't know this cover, but there was there was the 552 00:32:12,080 --> 00:32:13,520 Speaker 1: other one that she did the ones he did know 553 00:32:14,160 --> 00:32:15,760 Speaker 1: waiting that I got us out of this much quicker. 554 00:32:16,320 --> 00:32:19,000 Speaker 1: You know, I think I want I want on the 555 00:32:19,360 --> 00:32:21,479 Speaker 1: trivia game. So I think I think you're like, oh, 556 00:32:21,520 --> 00:32:24,400 Speaker 1: let's talk about all these really um these really smart 557 00:32:24,600 --> 00:32:28,280 Speaker 1: music things. And I was like, all right, um. He 558 00:32:28,360 --> 00:32:31,000 Speaker 1: will return either by phone or by a studio again 559 00:32:31,040 --> 00:32:34,400 Speaker 1: another week, Adam Hambrike check him out at Adam Hambrick 560 00:32:34,720 --> 00:32:36,360 Speaker 1: straight up your name right straight up my name on 561 00:32:36,440 --> 00:32:39,120 Speaker 1: Instagram and Twitter follow at it. Are you tick talking yet? 562 00:32:40,120 --> 00:32:42,480 Speaker 1: You know? I got TikTok, but I haven't really haven't 563 00:32:42,480 --> 00:32:45,680 Speaker 1: really got into it. I I just can't, like I 564 00:32:45,680 --> 00:32:47,960 Speaker 1: can't full on commit. I'm sure I'll get there eventually, 565 00:32:48,000 --> 00:32:50,720 Speaker 1: I'm not quite there yet. Well, at Adam Hamburg, I 566 00:32:50,760 --> 00:32:52,880 Speaker 1: am on TikTok if you want to catch a stray 567 00:32:53,040 --> 00:32:55,240 Speaker 1: random TikTok that I do once every couple of weeks. 568 00:32:56,160 --> 00:32:58,280 Speaker 1: So all right there is I'm not catching an tik 569 00:32:58,280 --> 00:33:00,680 Speaker 1: talks anymore. All right, there you go. Thank you the 570 00:33:00,760 --> 00:33:01,560 Speaker 1: students att