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Speaker 1: Good morning, Usa, yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo Yo. I'm DJ Envy now body

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Speaker 1: named Charlomagne, the guy with the world the most Dangerous

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Speaker 1: morning Yo to Breakfast Club, and currently we are on

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Speaker 1: vacation man, totally disconnected. Yes, we're not even really here.

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Speaker 1: You think you're listening to us, but we're not. Well,

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Speaker 1: we are not. We're here in spirit. Yeah. Yeah, and

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Speaker 1: we're gonna be playing some of our top interviews and

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Speaker 1: some throwbacks, so keep a lot right, it's gonna be

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Speaker 1: running the boards and we'll see ell in the new year.

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Speaker 1: Happy holidays. It's the Breakfast Club. Good morning. This is

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Speaker 1: your time to get it off your chests, whether you're

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Speaker 1: man or blessed, so you better have the same industry

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Speaker 1: we want to hear from you on the Breakfast Club. Hello.

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Speaker 1: Who's this? Hey, Hey Slomine, listen, I'm a married man,

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Speaker 1: not about to have no phone sets with you on

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Speaker 1: these damn radio. Oh. I got you, I got you

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Speaker 1: stuttering over there. Girls, we'll get it over test trap. No,

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Speaker 1: that's my equipment messing up away his equipments messed up. Listen,

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Speaker 1: I don't calling and talk about Listen, girls gotta stop

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Speaker 1: thinking that they man is gay over the things like

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Speaker 1: her father was showing me rits today. Man after the

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Speaker 1: thinking he gay or tot of me. This girl yesterday

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Speaker 1: gonna say that her man like the speak that yet

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Speaker 1: on his stomach with their like eight with their fans

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Speaker 1: blowing on him that gas because he's like a little

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Speaker 1: cool bre running. Kay, it's hard to sleep on your

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Speaker 1: stomach though, Well, trap gay, that is a fact track,

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Speaker 1: you know what. He's got a point. I gotta go

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Speaker 1: tell her to her man might be gay, though he

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Speaker 1: might be gay. Here you have it. Mister is solved

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Speaker 1: by traf. Hello. Who's this yo? Yo? You do not

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Speaker 1: have to be anonymous on the radio. You gotta do

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Speaker 1: say another name. You could have made up a name.

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Speaker 1: It was still a social name either way. But little

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Speaker 1: I was living food right, man, I knew the person

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Speaker 1: I was living foods, but it was old co worker.

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Speaker 1: So and the dude, the boyfriend came out and started like,

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Speaker 1: what's up you saying with my girl? And he stole

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Speaker 1: on me. I'm literally delivering food. That dude stole on me.

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Speaker 1: You know what I'm saying. I'm trying to figure out

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Speaker 1: shod I get straining owners to telling it the hood way, like, man,

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Speaker 1: shut up, that man point you in your face right then,

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Speaker 1: and then you ain't doing nothing. You ain't gonna do

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Speaker 1: nothing after, in fact, leave it alone to go back

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Speaker 1: to the house. Bro, you better stay away from that man.

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Speaker 1: Hey that point, Hey, that punch hurt everything about them?

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Speaker 1: Hey did that point hurt? Nah? Don't lie, tell the truth,

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Speaker 1: Tell the truth. So why you ain't hit him back? Then?

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Speaker 1: If the punch ain't hurt because it was like literally

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Speaker 1: stole on me, then literally just put me in the

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Speaker 1: joke old and then then what you in the dope fee?

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Speaker 1: So he beat dropped, he beat you up. It's okay.

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Speaker 1: So when you got back up, what happened? Literally he

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Speaker 1: will go When you woke up, he was going. Yeah,

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Speaker 1: after you woke up, he was gone. He ain't gonna

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Speaker 1: stick around. You miss sleep for ten minutes and the

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Speaker 1: words of Craig's daddy and Friday, Okay, you win something,

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Speaker 1: you lose something, but you live to fight another day.

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Speaker 1: Huh No, you ain't gonna do nothing and stop. But

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Speaker 1: why you want to retaliate alone. He leave you exactly

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Speaker 1: on his head. How old are you? How old are you?

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Speaker 1: How old are you? How old you anymous Well listen,

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Speaker 1: I was born in nineteen hundred and seventy eight. I

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Speaker 1: turned for it. I turned forty four yesterday. You come.

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Speaker 1: We come from an era where if you lose a

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Speaker 1: fish fight, you just lose a fish fight. Leave it

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Speaker 1: at that. Let's leave it alone. Bro, Ain't that okay? Well?

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Speaker 1: Listen this. If you want to retaliate asking for a

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Speaker 1: fan winning, oh, that's the bet that I don't do

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Speaker 1: that because he bro for me. Trust me, bro, he

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Speaker 1: whooped your ass one time. It ain't work. It ain't

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Speaker 1: worth it because think about it like this, right, think

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Speaker 1: about like this. You retaliate, you do something, now you

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Speaker 1: go into jail. It's if it's a fair one. I'm

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Speaker 1: cool with that, though, as long as they ain't no

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Speaker 1: like no, this wouldn't due put him in the dope

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Speaker 1: and he's just gonna get putting the dope. Feend again.

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Speaker 1: You're gonna train, You're gonna train before the next fight.

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Speaker 1: That Look, it ain't no training for it, ain't no

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Speaker 1: training with it. You need training, man, It's okay, man train, listen, listen.

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Speaker 1: I didn't got punched on camera. Bro, you know you

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Speaker 1: don't seen the Can I get a drop? I ain't

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Speaker 1: got no time for retaliation. Who cans like we're too old?

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Speaker 1: Let it go? Let it go, you've already know you

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Speaker 1: that's even worse. Exactly, I got punched in the head

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Speaker 1: and got seen by millions of people. You think you

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Speaker 1: think I'm sitting around here. You know, all the more

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Speaker 1: reason for you to let it go, sir, all the

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Speaker 1: more reasons retaliate. No, why you're gonna ga jail. You're

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Speaker 1: gonna retaliate. You're gonna hurt them. You're gonna go to jail.

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Speaker 1: Is it worth it? No, we don't know. If you're

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Speaker 1: gonna die, you're gonna hurt them now, Okay, So magine question,

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Speaker 1: if you go get a fair one, you and him

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Speaker 1: just fight straight up. If he'd be you again, then

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Speaker 1: what they're gonna go for a third time? I'm gonna

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Speaker 1: call him for a fight. You're gonna what I'm gonna

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Speaker 1: call him? Fight? Dude? S all right, I'm gonna tell

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Speaker 1: you what to do it then, because you said you

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Speaker 1: either want to fight again or you want to press charges. Right. Oh,

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Speaker 1: you just said you want to get a rescreen or

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Speaker 1: to get restrain or you got to press charges. Oh

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Speaker 1: I want you to press charges? No, no, no, no,

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Speaker 1: I'd rather you press charge. I'd rather you get a

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Speaker 1: rescreen in order. You're about to lose your job and

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Speaker 1: you're about to go jol or doing something stupid and

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Speaker 1: leave it alone. Man. That man, that man then beat

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Speaker 1: you up so bad you want to get a rescreen

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Speaker 1: in order. So I don't know. Why are you acting

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Speaker 1: all tough? Now? Let it go? Bro, I have a

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Speaker 1: good man, but no, don't hang up on this man.

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Speaker 1: Ye don't want to. You're gonna let it go. Maybe

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Speaker 1: do you have kids? Bro? Nah? Man, let it Your

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Speaker 1: mom and daddy gonna have to visit you in jail

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Speaker 1: because you're gonna do something stupid. Leave it a little

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Speaker 1: when something, we lose something, Let it go. Did your girl?

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Speaker 1: See you did your girl? So you get beat up? Nah?

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Speaker 1: Ill right then, so let it go. Nobody saw. Nobody

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Speaker 1: even know what I and you're anonymous. Nobody knows this happened. Bro.

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Speaker 1: If it's not on video, nobody saw it. Let it go.

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Speaker 1: Chase the narratives tell everybody you beat him up. Nobody

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Speaker 1: seen it. You wore it up. You could have caught

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Speaker 1: up him. Lie does yes, I ain't no, will see,

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Speaker 1: don't do nothing. Stupid bro, God, bless you man, goodness, gration.

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Speaker 1: Then you're healing energy mean he got knocked out and

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Speaker 1: man then hit you and choke you out, and now

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Speaker 1: you talk about you want the first thing he did

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Speaker 1: when he called up, he was said, should I get

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Speaker 1: restrained on it? Retaliate? Then you're not bad. Somebody got

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Speaker 1: to do you. If you want to get your grain order,

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Speaker 1: let's get the restraint. Let's relax. Man, come on, let

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Speaker 1: it go. Get it off your chest. Eight hundred five

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Speaker 1: eight five one o five one. If you need to

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Speaker 1: vent hit us up. Now it's the breakfast Club. Good morning,

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Speaker 1: the breakfast Club. I'm of ya. This is your time

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Speaker 1: to get it off your chest, whether you're man or blessed.

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Speaker 1: Eight hundred five eighty five one five one. We want

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Speaker 1: to hear from you on the breakfast club. Who's this? Yes,

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Speaker 1: my name is Jordian. Hey morning brother, get it off

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Speaker 1: your chest. The moment I was involved in an accident,

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Speaker 1: I was hit by humane trump, I was hit my

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Speaker 1: yard and uh police officer came out to did the

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Speaker 1: report police officers did a false report, and the attorney

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Speaker 1: that I had he sold me out. Damn, have you

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Speaker 1: fired a formal complaint yet? Have you fired like a

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Speaker 1: real complaint? I thought a complaint against police officer and uh,

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Speaker 1: I didn't have the day. But Swaran statement. What I'm

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Speaker 1: seeing to you? I said in the Swaran statement, Well,

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Speaker 1: we're sending your thoughts and prayers my brother. Absolutely, brother,

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Speaker 1: I'm sorry. I wish I had more for him. It's

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Speaker 1: certain situations. I don't have anything else other than to

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Speaker 1: let people vent. That's what we do. Have We opened

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Speaker 1: the phone line, let him vent, let it can, get

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Speaker 1: it off. And then sometimes all we could provide the

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Speaker 1: thoughts and prayers. I don't you know, that's it? And

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Speaker 1: then I could I mean, I couldn't provide him being Trump,

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Speaker 1: but been I've been busy, busy. Get to the plate

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Speaker 1: right now. Yeah, Hello, who's this? Good morning? Did your

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Speaker 1: envy show garden? Yea? My guy, my guy sign them

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Speaker 1: numbers for me? Can do three? Now. I have a

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Speaker 1: new single out. It's called Isabella. I just wanted to

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Speaker 1: give you a shout out. If you guys can check

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Speaker 1: it out. Man, don't just shout it out. I don't

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Speaker 1: want to hear it. Give me a little acapella virsion

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Speaker 1: bro Okay, so it's more French lying gala English. So

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Speaker 1: yeah you wind it upy down left, right in the middle.

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Speaker 1: You down on the set, babette. Foolish. You're feeling driving

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Speaker 1: my baty. I can't even explain, nay, I want you

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Speaker 1: by masa oh ey my forty five, forty s, forty seven,

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Speaker 1: forty eight, forty nine. Can I say I'm doing quick? Yes, sir,

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Speaker 1: yes the end. I'm begging you right now and listen

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Speaker 1: right now if you can. Yeah, yeah, yeah, yeah yeah. John,

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Speaker 1: the email my draft chiefs fan that sh looks up mess.

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Speaker 1: We didn't what you said, brother, but email Racadion telling

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Speaker 1: what your email y'all did the MV. I've been sending

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Speaker 1: you a bunch of emails and I know you're busy. Guys.

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Speaker 1: He can't win m right now. I just want to

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Speaker 1: make my shot ARTI platform blessings brother, blessings brother. All right, Hello,

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Speaker 1: who's this? Hey? This is ancient color from Virginia, but

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Speaker 1: always purp in Dallas to one four? Okay, Dallas you home?

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Speaker 1: Are you a Cowboys fan. I am, let's go. Let

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Speaker 1: good morning, mama, Good morning, good morning. I just wanted

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Speaker 1: to get it off my kiss um. My phone is

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Speaker 1: in the shop right now, and I feel like these

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Speaker 1: dealerships just be fixing piece by piece just to get

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Speaker 1: you back in nets and spend more money. They're talking

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Speaker 1: about now I gotta pay two thousand dollars because something

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Speaker 1: is wrong with the inside of my Engian. Damn. Well,

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Speaker 1: don't worry, because them them dealerships are going about to

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Speaker 1: be hitting the minute on those cars that they purchased

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Speaker 1: over price. Cars are coming down in place. They're gonna

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Speaker 1: be upside down, so they're gonna they're gonna feel it

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Speaker 1: in a little bit. And that's what they're probably feeling

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Speaker 1: it now. So they're probably charging people for extra ishe

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Speaker 1: the n do you feeling? But they ain't. I noh

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Speaker 1: to do it. You're engine right now, I know right?

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Speaker 1: And then they said the part it's almost like five

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Speaker 1: hundred and the lab fifteen hundred. I can go. You

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Speaker 1: can't do it yourself. How you know what this woman

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Speaker 1: can do? She might with the trade school. I can

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Speaker 1: tell you exactly what to do. That's right, all right,

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Speaker 1: figure it out boo. Sometimes you might you might have

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Speaker 1: to do that to save some money. It's gonna take

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Speaker 1: you probably three weeks to do that. What's wrong with

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Speaker 1: the cars, because right now my boyfriend helping me out,

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Speaker 1: you know, with his car. Yes, please okay, I want

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Speaker 1: to shout out my boyfriend, uh stepping to safe. He

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Speaker 1: also has a podcast called Porch Stories on I'll Make

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Speaker 1: the Platform on YouTube as well and TikTok and Instagram.

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Speaker 1: Thank you, good luck, mama, Thank y'all so much. If

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Speaker 1: I was, y'all put my cash ap out there just

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Speaker 1: in case somebody feels, you know, you want to help

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Speaker 1: y'all kids a baby two seven one seven if anybody

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Speaker 1: want to help me because of my cards really in

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Speaker 1: the shop right now, all right, mama, I have to

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Speaker 1: go on. Thank you, get it off your chest. Eight

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Speaker 1: hundred five eight five one on five one. If you

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Speaker 1: need to vent, hit this up now. It was the

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Speaker 1: breakfast club, Good morning, the breakfast club. What did he said?

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Speaker 1: He said, y'all did something? Though? What was he trying

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Speaker 1: to accuse? Y'all? UK? He couldn't He couldn't really figure

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Speaker 1: it out because the first thing was ID so I

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Speaker 1: had a friend he didn't have his ID on him,

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Speaker 1: but he had a picture and he had two credit cards,

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Speaker 1: so we're trying to use that. He liked no. First

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Speaker 1: of all. When we pulled up to the plane, he

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Speaker 1: outside the plane like this, I D S. I had

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Speaker 1: never signed the plane outside a plane. I never heard

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Speaker 1: of that. I never heard of that. I'm like, that's different.

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Speaker 1: We ain't really really get you a hard time. I

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Speaker 1: got a show, so everybody to show ID. He don't

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Speaker 1: got an I D. But he let him like take

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Speaker 1: kiss stuff on the plane because we're like even to

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Speaker 1: find it. So once he don't find it, my butter,

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Speaker 1: don't even give him no hard time. You gonna get

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Speaker 1: off the plane now. The flight attendant she's like, well,

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Speaker 1: we gotta go ahead and get in the air. I'm like, man,

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Speaker 1: we don't missaying him. I'm hungry now I want to eat.

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Speaker 1: She like, know who gonna eat in the air? No,

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Speaker 1: ain't your paying him? Ain't? And I paid for the pool.

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Speaker 1: They say the thousand dollars. Yeah, once again, but it's

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Speaker 1: still just we're talking about food. Ain't nobody gonna get

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Speaker 1: differspect for we were players, were pee. Now we ain't

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Speaker 1: really trying to just really get you a hard time.

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Speaker 1: So now I'm like, man, I still don't before he

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Speaker 1: take off, bring the food. She come back. She's like,

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Speaker 1: well we didn't get the food. We thought the food

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Speaker 1: that the food that y'all ordered the place was closed.

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Speaker 1: I'm like, no, they ain't, but whatever, go ahead, just

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Speaker 1: take it back. Man, cut you up. I got to

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Speaker 1: know what y'all reached to be what you eat? Finger licking,

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Speaker 1: I'm trying. I was just in my hand, not a

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Speaker 1: pilot talking about man, someone to disrespected my colleagues. I'm like, who, man,

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Speaker 1: everybody got the plane? What man? No? But like rosa

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Speaker 1: part noe stayed on that to the police came. They

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Speaker 1: couldn't really even get get us off the plane because

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Speaker 1: he didn't have a real reason. We're like, well what

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Speaker 1: he said, Well he said, I don't know. Talk to her.

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Speaker 1: We're like, now, I'm like, man, who disrespects you? She like,

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Speaker 1: I don't want to talk about it. I just don't

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Speaker 1: want to talk about it. Yeah, I don't want to

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Speaker 1: talk about nothing. Well, let me talk about the four

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Speaker 1: thousand for the plane. Let's talk about that. Let's talk

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Speaker 1: about me. Let's talk about you know what I'm saying.

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Speaker 1: We're paying me back and we could try it again

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Speaker 1: another time. No money. Now they don't work. We didn't

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Speaker 1: even lift off the like we took off yet do

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Speaker 1: not take that money. Had to just like really raising

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Speaker 1: and give him a problem. But they end up giving

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Speaker 1: us some money back. They go to get another jet,

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Speaker 1: another pilot, right to get you here on top. Right.

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Speaker 1: But when we was waiting because the dude kept saying,

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Speaker 1: y'all gonna get off or two more minutes, I'm like

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Speaker 1: two more minutes. He well, two more men, I'm like,

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Speaker 1: well two more minutes. You say something that I ain't

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Speaker 1: gonna say, like we're waiting. But right that while we're

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Speaker 1: waiting with called the other minut just like man, y'all

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Speaker 1: look for another plane. Go through a different broker. So

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Speaker 1: do y'all complain the customer service their customer service. It's

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Speaker 1: like you go through a broker, okay, so you can

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Speaker 1: play to the broker because you know, we don't every

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Speaker 1: time you don't know like who on the plane or

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Speaker 1: who the pilot gonna be. So it's like when you

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Speaker 1: went through it and that Ashley, that company Paradise whatever,

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Speaker 1: like they just wasn't a good company like you know

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Speaker 1: what I'm saying, and they get one star who we're

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Speaker 1: eating basically right? Yeah? Yeah, yeah, okay, all right, we

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Speaker 1: have more we gonna when we come back. Don't move.

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Speaker 1: It's the breakfast Club. Good morning, the breakfast Club, and

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Speaker 1: the guy we are the Breakfast Club is still kicking

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Speaker 1: them with gunna. All right, gunna? Can we talk about

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Speaker 1: this song living Wild? Yes? So health wise, how are

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Speaker 1: you taking care of yourself for doing anything differently? Now? Um?

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Speaker 1: Drinking water? That's some some soda, some soda. No, but seriously,

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Speaker 1: because it has to be. You know, you said in

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Speaker 1: the song that you were in the hospital kidney failures

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Speaker 1: and all of that. So are you doing anything differently

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Speaker 1: because that's serious. Yes, yes, I'm actually drinking more water.

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Speaker 1: I'm eating greens. Now. I wasn't a vegetable person, and

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Speaker 1: I was supposed to work out. I started, then I stopped.

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Speaker 1: But you know, health is the real weal of all

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Speaker 1: the clothes and the jury to call that don't mean nothing.

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Speaker 1: You gotta be right physically, mentally, emotionally healthy. Right? Why

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Speaker 1: you start working out there trying to burnt me out?

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00:15:42,160 --> 00:15:44,560
Speaker 1: It's good for performances too, for your wind and everything

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Speaker 1: that's to be my workout when I go on tour,

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Speaker 1: I get trim, and you're gonna marry Chloe Chloe athletic

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Speaker 1: shake right, you know what I mean? Right? How would

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Speaker 1: you feel, since you're not ready to settle down if

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Speaker 1: she dated somebody else right now? That that wouldn't be

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Speaker 1: a p of her? I mean, you know, that would

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Speaker 1: be very p of her to you know, take my

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Speaker 1: time and waste it. But you can't expect a woman

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Speaker 1: to wait on you either, though, gun. I mean not

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Speaker 1: a woman like that. I mean, not a woman like her.

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Speaker 1: But yeah, wow, because she don't want to have a

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Speaker 1: life too, you know what I mean. Maybe she's like,

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Speaker 1: this is what I want and our goals aren't aligned

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Speaker 1: right now? Right? I mean, I'm I'm for struggle keep

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Speaker 1: if she moved home, you know that. But I would

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Speaker 1: like that, you know what I'm saying. Especially we're supposed

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Speaker 1: to be doing something, you know what I mean? And

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Speaker 1: that's that's what any woman you know. So an official

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Speaker 1: between y'all, y'all like a couple nine. You don't want

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Speaker 1: you to do good. I want you to really think

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Speaker 1: about the people you around and make your energy go

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Speaker 1: up and the people that you are around and make

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Speaker 1: your energy go down because every time you talk about Chloe,

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Speaker 1: you get the smiling and fee get the chaffle and

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Speaker 1: that's good. Many got too much with them. Now what

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00:17:01,560 --> 00:17:06,720
Speaker 1: is mock break? That downs? So Mark? The hacking them

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Speaker 1: for Mark is mouth once if you mock and you

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Speaker 1: dry out like it never really dry. It never ever,

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Speaker 1: is just all the way dry. I don't care how

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Speaker 1: many times you ring. It's never. And that's how her

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Speaker 1: moth is. It's like a moth like it just it

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Speaker 1: never get dry. I don't care how many you know

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Speaker 1: what I'm saying. And that's when it cames from a

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Speaker 1: mom like oh baby, her face and then her face

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Speaker 1: is always she looked like a cowdy when we you know,

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Speaker 1: listen we met her coudy in well she she just

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Speaker 1: mopping it just like it just like a month, baby,

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Speaker 1: you know, I'm dry. The record with Drink they said

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Speaker 1: that it's still coming, they said it's done. But clarance problems. Man,

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Speaker 1: that's so I'm for the drop today today, day, I'm

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Speaker 1: putting that song out. It shouldn't be out already really,

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Speaker 1: so it was clarance problems. And yes it was the simples.

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Speaker 1: It was a Donna Donna summer summer sample, and uh

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Speaker 1: god bless that she passed. So I didn't I didn't know,

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Speaker 1: you know, we didn't know. We just metro. He made

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Speaker 1: the beat, and we trying to reach out to the

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Speaker 1: States and just they wasn't getting back with it, you know.

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Speaker 1: And then when they actually heard the song, they're like, hmmm,

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Speaker 1: I don't know about that. You know, So I got

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Speaker 1: the content right, what's it about? Its special power? But

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Speaker 1: she's moaning and I about to drop today, but man

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00:18:32,880 --> 00:18:35,239
Speaker 1: drake about to keep somebody from Toronto from getting number one.

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Speaker 1: That record gonna scream so crazy? Right to play? They

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Speaker 1: have to replay the sample or were you able to

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Speaker 1: clear it? Nah? I had to. I had to get

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Speaker 1: another girl to do it. I want to go back

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Speaker 1: to the grocery store, Mac, because I don't feel like

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Speaker 1: people talk about that enough. You partnered with Good of

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Speaker 1: the Open this grocery store in Atlanta to give out

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Speaker 1: free groceries to people. How's that going? How's that project going?

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Speaker 1: It's going good. It feeds up to one hundred and

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Speaker 1: seventy five kids weekly. Damn you gotta restart out of pocket? Yes, okay,

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Speaker 1: but like foot locker. They did like kind of not

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Speaker 1: like a deal, but like it's like a sponsor where

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Speaker 1: like if I ever just hit them, like y'all want

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Speaker 1: to do some I need some more shoes for them school,

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Speaker 1: they don't do it, and it's just free for everybody,

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Speaker 1: all kids. Man, that's the that's peak. And think about

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Speaker 1: I've seen a rapper doing a long time, and think

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Speaker 1: about all your people that have clothes that they might

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Speaker 1: have wore once and never wear again that they could

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Speaker 1: even donate right or to the merch like when he

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Speaker 1: come on the tour a lot. I'm bro what I said,

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Speaker 1: let me get that. You getting me all that put

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Speaker 1: it all in the store now, I tell you. And

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Speaker 1: Young Thug also paid bell for thirty low level inmates

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Speaker 1: and so that was an amazing thing that you did.

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Speaker 1: So what are some more things that are on your

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Speaker 1: heart that you want to do? Because I see the

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00:19:51,240 --> 00:19:54,359
Speaker 1: givebacks that you're doing for your community. I want to

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Speaker 1: do something for the families that just had an incident here.

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Speaker 1: Yes she reach out the fat joy. Yeah, because I

390
00:20:10,440 --> 00:20:12,200
Speaker 1: didn't know exactly what I wanted to do, but I

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Speaker 1: know I wanted to do something. And that's just that's

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Speaker 1: how we're going about things, because that's how I even

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Speaker 1: came up with the store. I was out of town

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Speaker 1: when they went back to school, but I know I

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Speaker 1: wanted to do something for back to school. So like

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00:20:25,600 --> 00:20:28,040
Speaker 1: God with Gooder, and they kind of just made him

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Speaker 1: look official. Like Jasmine, she just a goat with it,

398
00:20:31,480 --> 00:20:34,280
Speaker 1: like she made sure scrape, like it's gonna be in order,

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Speaker 1: everybody gonna get something and it ain't gonna be chaos

400
00:20:36,920 --> 00:20:38,639
Speaker 1: like the Jasmine hit me. I want to do that

401
00:20:38,680 --> 00:20:41,680
Speaker 1: and connect connect Gunner with Joe Man for sure, for sure,

402
00:20:41,760 --> 00:20:43,840
Speaker 1: for sure, and that if every celebrity gave back to

403
00:20:43,920 --> 00:20:46,679
Speaker 1: the school that they went to and you know, did

404
00:20:46,800 --> 00:20:49,639
Speaker 1: something like that. I want to connect with good I

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00:20:49,680 --> 00:20:51,520
Speaker 1: want to do exactly that grocery store thing. That's the Fly,

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00:20:52,640 --> 00:20:53,920
Speaker 1: that's what you did. I want to do that in

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Speaker 1: my hometown. That's Fly albums out right. Now, you get

408
00:20:57,560 --> 00:21:00,200
Speaker 1: it down what you want to hear, and it's for

409
00:21:00,200 --> 00:21:02,320
Speaker 1: you to get into fashion because you gotta fit your name.

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00:21:02,400 --> 00:21:04,959
Speaker 1: Your real name sounds like a designer already. My real

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00:21:05,040 --> 00:21:12,320
Speaker 1: name is my clothing brands, Sergio Giovanny. It sound like Sergio. Yeah,

412
00:21:12,800 --> 00:21:15,520
Speaker 1: definitely the clothing brand you got a clothing line coming.

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00:21:15,680 --> 00:21:18,879
Speaker 1: It's Sergio Gio. Honey, Wow, ok Im, I already got it.

414
00:21:19,320 --> 00:21:22,600
Speaker 1: I've been working on piece and I'm coming like mink socks,

415
00:21:23,520 --> 00:21:26,879
Speaker 1: sway t shirts. You feel me, i' gonna get all

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Speaker 1: to him coming. I'm coming, trim all right, it's gunna

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00:21:31,000 --> 00:21:33,520
Speaker 1: gonna grab that album. And it's the Breakfast Club. Good morning,

418
00:21:34,680 --> 00:21:41,760
Speaker 1: it's topic time. The phone called eight hundred and five

419
00:21:41,800 --> 00:21:43,359
Speaker 1: eight five, one oh five. Want to join it to

420
00:21:43,440 --> 00:21:46,600
Speaker 1: the discussion with the Breakfast Club? Talk about it more

421
00:21:46,640 --> 00:21:50,840
Speaker 1: than everybody's DJ Envy Angela Yee, Charlomagne the guy. We

422
00:21:50,960 --> 00:21:53,600
Speaker 1: are the Breakfast Club. If you just join us, we're

423
00:21:53,680 --> 00:21:56,600
Speaker 1: asking do you support your partner's product? If it's trash?

424
00:21:56,800 --> 00:21:59,240
Speaker 1: Who do we have onna line? Hey, it's Martine ram

425
00:21:59,600 --> 00:22:04,120
Speaker 1: All the main talk to us. Hello, my keys. Well,

426
00:22:04,200 --> 00:22:06,359
Speaker 1: first of all, you're supposed to support you in your spouse,

427
00:22:06,400 --> 00:22:10,200
Speaker 1: no matter what you mean like that. Oh, well do it.

428
00:22:10,760 --> 00:22:13,720
Speaker 1: She's gonna support you, Okay. I don't want that though.

429
00:22:13,880 --> 00:22:16,040
Speaker 1: I don't want her to support me just because I

430
00:22:16,119 --> 00:22:18,080
Speaker 1: want her to tell me the truth, because we got

431
00:22:18,160 --> 00:22:20,440
Speaker 1: to be the best versions of ourselves. I feel like

432
00:22:20,600 --> 00:22:22,879
Speaker 1: if they say, hey, be prepared for this and that.

433
00:22:23,119 --> 00:22:25,119
Speaker 1: But I'm gonna still support you either way, and you

434
00:22:25,200 --> 00:22:28,199
Speaker 1: all good true. I'm not mad at that. Now your

435
00:22:28,240 --> 00:22:30,080
Speaker 1: girl opened up something you ain't support, Bro, tell us

436
00:22:30,080 --> 00:22:32,600
Speaker 1: about it. Yeah, yeah, so it's like two years ago.

437
00:22:32,640 --> 00:22:35,360
Speaker 1: She probably don't get the day Star the Man. But yeah,

438
00:22:35,680 --> 00:22:38,159
Speaker 1: she had a gym. It was called the Filthar And

439
00:22:38,640 --> 00:22:40,840
Speaker 1: if you stumped up anything when you came in again,

440
00:22:40,960 --> 00:22:42,320
Speaker 1: we had to say, oh my god, this is a

441
00:22:42,400 --> 00:22:45,480
Speaker 1: great gym. Or she cantered your membership. That's pretty simpid.

442
00:22:46,520 --> 00:22:48,920
Speaker 1: I don't know, Bro, she had like kids people, eight

443
00:22:48,960 --> 00:22:50,440
Speaker 1: of them did to say, oh my god, this is

444
00:22:50,480 --> 00:22:52,879
Speaker 1: a great gym. So they can't membership because now she

445
00:22:52,920 --> 00:22:56,960
Speaker 1: ain't like two hundreds damn. Yeah, maybe you shouldn't support

446
00:22:57,000 --> 00:23:02,720
Speaker 1: her brothers. I mean, I thought it's but I got you, okay,

447
00:23:02,960 --> 00:23:07,200
Speaker 1: you got to hello, who's this on this matter? Has

448
00:23:07,240 --> 00:23:09,159
Speaker 1: a good morning? Do you support your father's product if

449
00:23:09,200 --> 00:23:15,480
Speaker 1: it's trash, Heather, I would, but I probably would find

450
00:23:15,600 --> 00:23:20,080
Speaker 1: someone on the side that maybe a little better, but

451
00:23:21,200 --> 00:23:25,000
Speaker 1: not because I mean, it's not lying, so you'll get

452
00:23:25,040 --> 00:23:29,920
Speaker 1: a side piece. We didn't even have fun. I'm just

453
00:23:30,080 --> 00:23:32,880
Speaker 1: saying I would, So did you just say you would

454
00:23:32,880 --> 00:23:34,600
Speaker 1: get Heather, did you just say you would get a

455
00:23:34,640 --> 00:23:38,960
Speaker 1: side piece? What? No, no, no, no no, I'm saying

456
00:23:39,080 --> 00:23:42,200
Speaker 1: like I would. I would like like you said it

457
00:23:43,080 --> 00:23:45,800
Speaker 1: if it was shot it, you know what if it

458
00:23:46,000 --> 00:23:50,040
Speaker 1: was bad, what I supported? I would because I'm it's wife.

459
00:23:50,400 --> 00:23:54,399
Speaker 1: You know I'm out back up anything he does. You

460
00:23:54,480 --> 00:24:00,280
Speaker 1: gotta stop pointing voca in your cereal. Man, you eat

461
00:24:00,280 --> 00:24:03,840
Speaker 1: your frosted flakes with with vodka clearly or either tequiler.

462
00:24:04,320 --> 00:24:10,840
Speaker 1: I just I was just yasgine your question. Magine your

463
00:24:10,920 --> 00:24:16,119
Speaker 1: question a little bit better? What I'm you know? So

464
00:24:16,280 --> 00:24:18,520
Speaker 1: you like you like fruit loops? You like fruit loops

465
00:24:18,560 --> 00:24:26,960
Speaker 1: and tequila for breakfast? Heather kind of huh A little? Okay, okay, okay.

466
00:24:27,640 --> 00:24:30,359
Speaker 1: I love y'all jo much. I love the breakfast club.

467
00:24:30,440 --> 00:24:32,280
Speaker 1: I love y'all. So listen, are you Are you on

468
00:24:32,440 --> 00:24:34,400
Speaker 1: the way home or just getting up? I'm just trying

469
00:24:34,400 --> 00:24:37,400
Speaker 1: to make sense to this. Are you leaving someplace? Are

470
00:24:37,480 --> 00:24:44,000
Speaker 1: just I really just took husband the world? So I'm okay? Okay.

471
00:24:44,200 --> 00:24:49,280
Speaker 1: Did you celebrate National Tequila Day over the weekend? Still celebrate? Yeah?

472
00:24:50,440 --> 00:24:53,520
Speaker 1: Wait hey hey it was a fun weekend. I can

473
00:24:53,600 --> 00:24:56,200
Speaker 1: tell heaven. Can you say the alphabet one time? You

474
00:24:56,240 --> 00:24:58,600
Speaker 1: shouldn't be drinking. You shouldn't be drinking and driving. No, Heather,

475
00:24:58,720 --> 00:25:02,600
Speaker 1: say the alphabet Heather, Oh no, no, no, don't support that.

476
00:25:03,359 --> 00:25:07,119
Speaker 1: I'll never don't ever drink and drive. Okay, Heather, you

477
00:25:07,200 --> 00:25:12,440
Speaker 1: get home safe? Yeah? I will. Head. What kind of

478
00:25:12,480 --> 00:25:15,439
Speaker 1: call you driving? Heather? Oh, I have the nineteen ninety

479
00:25:15,480 --> 00:25:21,800
Speaker 1: eight U seventy uh Z seventy one. What city you in?

480
00:25:22,040 --> 00:25:26,840
Speaker 1: You're selling it? What? Uh? It's? Oh? The Port City?

481
00:25:27,359 --> 00:25:32,359
Speaker 1: No one, baby's Virginia, Port City? What Port Citio? Richmond?

482
00:25:32,400 --> 00:25:39,320
Speaker 1: Will wait? Yeah, North Carolina and Delaware? No, North Carolina.

483
00:25:39,760 --> 00:25:41,480
Speaker 1: Do me a favor. Pull over on the side of

484
00:25:41,520 --> 00:25:45,240
Speaker 1: the road and call nine one one and reported drunk

485
00:25:45,359 --> 00:25:50,800
Speaker 1: driver and um and Wilmington. Can you do that for me? Yeah?

486
00:25:53,920 --> 00:25:57,760
Speaker 1: All right, all right, you get home safe? Yeah, I will.

487
00:25:58,240 --> 00:26:03,560
Speaker 1: I love it. I love it. Thank y'all, Thank you girl, Yeah,

488
00:26:03,720 --> 00:26:07,080
Speaker 1: thank you? Alrighty. Then I'm concerned. Is there all to

489
00:26:07,160 --> 00:26:10,160
Speaker 1: the story? I don't know. Just get out of Heather's

490
00:26:10,160 --> 00:26:13,200
Speaker 1: way if you and will william T get out of

491
00:26:13,280 --> 00:26:17,200
Speaker 1: Heather's way, sister. Breakfast Club, good morning, the Breakfast Club.

492
00:26:20,000 --> 00:26:24,399
Speaker 1: Everybody envy Angela Yee, Charlomagne the guy we are the

493
00:26:24,400 --> 00:26:26,800
Speaker 1: Breakfast Club. We got a special guest on the line,

494
00:26:27,480 --> 00:26:29,639
Speaker 1: James Time. He's been on the Breakfast Club, which is

495
00:26:29,760 --> 00:26:34,280
Speaker 1: crazy Buster Robs oh Man, thank y'all the morning and

496
00:26:34,680 --> 00:26:38,800
Speaker 1: Rising Grind and you know it's it's just super honor

497
00:26:38,800 --> 00:26:40,960
Speaker 1: and the pleasure to finally be on the Breakfast Club

498
00:26:41,040 --> 00:26:43,240
Speaker 1: in the morning. Man. Trying to do this in person,

499
00:26:43,359 --> 00:26:45,280
Speaker 1: but we saw you in the club or the album

500
00:26:45,320 --> 00:26:47,280
Speaker 1: released party. I like, no, I bust have been around

501
00:26:47,320 --> 00:26:53,320
Speaker 1: too many people. I'm trying to do this morning person,

502
00:26:53,400 --> 00:26:55,439
Speaker 1: but because of COVID and all the restrictions we got

503
00:26:55,600 --> 00:26:57,000
Speaker 1: up here, we couldn't do it in person, so we

504
00:26:57,080 --> 00:26:58,960
Speaker 1: got to do it on the zoom. Man. Yeah, I

505
00:26:58,960 --> 00:27:01,120
Speaker 1: ain't gonna lie on the word that he was gonna

506
00:27:01,119 --> 00:27:06,280
Speaker 1: go in that what's the big movie theater. I ain't

507
00:27:06,280 --> 00:27:10,360
Speaker 1: gonna lie. I was excited to tell experience that fun

508
00:27:10,640 --> 00:27:13,240
Speaker 1: think about it, but I've never been down there. You know,

509
00:27:13,400 --> 00:27:16,160
Speaker 1: you know, extinction level event too. That's the project that's

510
00:27:16,200 --> 00:27:18,760
Speaker 1: out right now. Eleven years into making this album seems

511
00:27:18,840 --> 00:27:23,359
Speaker 1: more like a reminder to who and what black black

512
00:27:23,440 --> 00:27:25,520
Speaker 1: people are. Why Why do you feel like this was

513
00:27:25,600 --> 00:27:29,800
Speaker 1: the divine moment to release that. Actually, Charlotteagne, I ain't

514
00:27:29,800 --> 00:27:34,480
Speaker 1: gonna lie bro I I wanted to release the album

515
00:27:34,560 --> 00:27:37,000
Speaker 1: way before and now I'm gonna be honest. I don't

516
00:27:37,040 --> 00:27:41,280
Speaker 1: think any anybody, especially as an artist, the passion that

517
00:27:41,359 --> 00:27:43,560
Speaker 1: I have, I don't think what we love to do

518
00:27:43,960 --> 00:27:48,240
Speaker 1: I just didn't have. Circumstantially, a lot of things was

519
00:27:48,280 --> 00:27:50,200
Speaker 1: playing out in the way that just wasn't in the line.

520
00:27:50,640 --> 00:27:52,639
Speaker 1: The star just wasn't aligning for me to put it

521
00:27:52,720 --> 00:27:55,840
Speaker 1: out with what I felt the album deserved and what

522
00:27:55,960 --> 00:27:58,800
Speaker 1: I felt how the album should be treated like. This

523
00:27:59,000 --> 00:28:02,480
Speaker 1: is probably the first time that I ever literally put

524
00:28:02,600 --> 00:28:08,879
Speaker 1: all of myself mind, body and spirit, money, time, patience,

525
00:28:09,600 --> 00:28:14,040
Speaker 1: every dream, every thought, every emotion, every idea, the years

526
00:28:14,480 --> 00:28:17,960
Speaker 1: of trying to find the comfort to actually share vulnerability

527
00:28:18,040 --> 00:28:19,800
Speaker 1: for the first time in the way that I never have,

528
00:28:20,640 --> 00:28:23,080
Speaker 1: and I just felt, like you know, I was, I

529
00:28:23,240 --> 00:28:28,760
Speaker 1: was exploring options with these record companies that wasn't showing

530
00:28:28,800 --> 00:28:31,240
Speaker 1: me that they really deserved to have this body of

531
00:28:31,320 --> 00:28:35,480
Speaker 1: work to show me the enthusiasm and the excitement and

532
00:28:36,359 --> 00:28:40,200
Speaker 1: just the willingness to support this in the way that

533
00:28:40,360 --> 00:28:44,880
Speaker 1: you're seeing happening now with the phenomenal rollout in the campaigning,

534
00:28:44,960 --> 00:28:48,200
Speaker 1: and you know, just just all of the presence that

535
00:28:48,320 --> 00:28:51,960
Speaker 1: the record is having offline and online in this way.

536
00:28:52,080 --> 00:28:55,440
Speaker 1: Nobody showed me that until I got into business with Empire,

537
00:28:55,840 --> 00:28:59,080
Speaker 1: and that took time. I ain't gonna frontum a lot

538
00:28:59,280 --> 00:29:03,080
Speaker 1: time of a long time. And you know something in

539
00:29:03,200 --> 00:29:06,720
Speaker 1: the process, man, I learned a lot because patients ended

540
00:29:06,760 --> 00:29:09,440
Speaker 1: up becoming one of my greatest weapons. You know what

541
00:29:09,480 --> 00:29:11,880
Speaker 1: I'm saying. I learned how to be patient in a

542
00:29:11,920 --> 00:29:15,440
Speaker 1: lot of situations while being forced to be patient in

543
00:29:15,520 --> 00:29:18,080
Speaker 1: this situation, all the way down to how I dealt

544
00:29:18,120 --> 00:29:21,040
Speaker 1: with my kids, you know what I'm saying. So it

545
00:29:21,240 --> 00:29:23,960
Speaker 1: was good for me. It was good for me personally,

546
00:29:24,160 --> 00:29:26,480
Speaker 1: and it was good for me creatively, and it was

547
00:29:26,560 --> 00:29:30,440
Speaker 1: good for me professionally, and it ended up working up

548
00:29:31,360 --> 00:29:36,480
Speaker 1: in a way that's superseded every level of expectation for

549
00:29:36,600 --> 00:29:40,320
Speaker 1: me personally. Like when you, the Queen Angeluye, said how

550
00:29:40,400 --> 00:29:42,520
Speaker 1: you doing it? I said, I'm feeling like I'm literally

551
00:29:42,600 --> 00:29:45,080
Speaker 1: floating on the whole other plane of energy. I mean

552
00:29:45,240 --> 00:29:49,600
Speaker 1: that literally to the last syllable of the of the saying,

553
00:29:49,720 --> 00:29:52,040
Speaker 1: because it's it's it's been a lot of hard work,

554
00:29:52,160 --> 00:29:54,800
Speaker 1: but yeah, I ain't never really felt the album from

555
00:29:54,880 --> 00:29:57,680
Speaker 1: Bush to Rhymes. I've had a bunch of classic moments

556
00:29:57,680 --> 00:30:01,960
Speaker 1: in milestone moments through my mom my tremendously blessed career,

557
00:30:02,080 --> 00:30:05,000
Speaker 1: but I've never had an album received this kind of

558
00:30:05,560 --> 00:30:09,960
Speaker 1: overwhelming love and support from everybody, from the fans, the

559
00:30:10,080 --> 00:30:16,360
Speaker 1: extended family, my peers, you know, other artists and athletes

560
00:30:16,440 --> 00:30:18,600
Speaker 1: and just even all of y'all, Like, you know, how

561
00:30:18,680 --> 00:30:21,440
Speaker 1: y'all let me take the whole station over for the weekend.

562
00:30:21,520 --> 00:30:25,680
Speaker 1: Like it's just been beautiful, man, And I'm I'm a

563
00:30:25,800 --> 00:30:29,560
Speaker 1: real happy and proud of this moment dude, in an

564
00:30:29,600 --> 00:30:33,680
Speaker 1: indescribable way. But again, from a divine perspective, it do

565
00:30:33,880 --> 00:30:38,040
Speaker 1: feel divine, Charlemagne. It feels divine in the sense of

566
00:30:38,960 --> 00:30:41,720
Speaker 1: it's so on time. Even though it took so long

567
00:30:41,800 --> 00:30:43,880
Speaker 1: to get to this point and it wasn't planning to

568
00:30:43,960 --> 00:30:50,040
Speaker 1: take this long, it feels so perfect timing wise, feeling wise,

569
00:30:50,120 --> 00:30:54,880
Speaker 1: the energy obviously, the content, and the perfect balance of

570
00:30:54,960 --> 00:30:57,280
Speaker 1: science and he you know, we come from the era

571
00:30:57,440 --> 00:31:00,920
Speaker 1: the god you know said you too envy, you know

572
00:31:01,000 --> 00:31:04,760
Speaker 1: about that when gods had a significant presence. You know,

573
00:31:04,880 --> 00:31:07,400
Speaker 1: we was raised in that time where knowledge yourself was important,

574
00:31:07,440 --> 00:31:10,200
Speaker 1: being smart was cool. You know, the Zulu nation was

575
00:31:10,280 --> 00:31:13,440
Speaker 1: running around. So I'm from that era. I always feel

576
00:31:13,440 --> 00:31:16,440
Speaker 1: a duty, in an obligation to give people a good

577
00:31:16,520 --> 00:31:19,000
Speaker 1: balance in a good you know, a good balance of

578
00:31:19,080 --> 00:31:22,080
Speaker 1: science and heat in some of those moments on this project,

579
00:31:22,680 --> 00:31:26,960
Speaker 1: the record Master Master far Muhammad, right, powerful record. I'm

580
00:31:26,960 --> 00:31:30,320
Speaker 1: sure mad people googling Master far Muhammad now because of

581
00:31:30,360 --> 00:31:33,760
Speaker 1: that record? Why Ross? Why Ross for that? The reason

582
00:31:33,840 --> 00:31:38,440
Speaker 1: why I pick Ross for that is because Ross and

583
00:31:38,600 --> 00:31:44,160
Speaker 1: a lot of us has been directly influenced by Master Farg,

584
00:31:44,240 --> 00:31:47,080
Speaker 1: whether we realize it or not. You know what I'm saying.

585
00:31:47,160 --> 00:31:50,640
Speaker 1: Master Fard was a man that he came here from

586
00:31:51,440 --> 00:31:53,920
Speaker 1: from the Middle East, and you know, he came to

587
00:31:54,000 --> 00:31:58,640
Speaker 1: Detroit a little bit before the nineteen thirties and he

588
00:31:58,760 --> 00:32:01,760
Speaker 1: gave it knowledge yourself to Loijah Muhammad. And in the

589
00:32:01,880 --> 00:32:06,720
Speaker 1: process it's what makes him incredible in the sense of

590
00:32:06,880 --> 00:32:10,560
Speaker 1: while we named the song Master Fard Muhammed, you know,

591
00:32:10,680 --> 00:32:12,880
Speaker 1: we all obviously like to dress up. You know what

592
00:32:12,920 --> 00:32:14,719
Speaker 1: I'm saying, We all like to look good. Even when

593
00:32:14,720 --> 00:32:18,000
Speaker 1: we dress him down, had to look good, right, That

594
00:32:18,200 --> 00:32:23,280
Speaker 1: great pride and that great part of excellence, and black

595
00:32:23,360 --> 00:32:26,960
Speaker 1: people in one of the wanting to present ourselves a

596
00:32:27,040 --> 00:32:32,600
Speaker 1: certain way, but from the black excellence perspective, that whole mentality.

597
00:32:33,320 --> 00:32:38,200
Speaker 1: Master Ford had a significant role in instill in that

598
00:32:38,400 --> 00:32:40,880
Speaker 1: in black man at the time when it was important.

599
00:32:41,600 --> 00:32:44,920
Speaker 1: So he was going door to door giving knowledge itself

600
00:32:45,080 --> 00:32:49,640
Speaker 1: to common man black people. But in the process the

601
00:32:49,680 --> 00:32:53,000
Speaker 1: way he gave that knowledge itself, he was selling silks

602
00:32:53,520 --> 00:32:57,280
Speaker 1: to attract the attention of the common man in order

603
00:32:57,360 --> 00:33:00,440
Speaker 1: to give them the science and give them the information. Right,

604
00:33:02,040 --> 00:33:05,120
Speaker 1: So in the process of dealing with them with the silks,

605
00:33:05,480 --> 00:33:08,480
Speaker 1: you know, you're going through looking at the silk materials

606
00:33:08,520 --> 00:33:11,160
Speaker 1: and the different colors, and you know, he giving you

607
00:33:11,200 --> 00:33:14,960
Speaker 1: all of these options to keep your time occupied while

608
00:33:15,040 --> 00:33:19,880
Speaker 1: he's giving you jewels. Also while he's helping you realize

609
00:33:19,920 --> 00:33:24,080
Speaker 1: the significance of how you present yourself as a civilized person.

610
00:33:24,280 --> 00:33:28,960
Speaker 1: So now he transformed these people into people with knowledge

611
00:33:29,000 --> 00:33:31,000
Speaker 1: and self and the Nation of Islam, and that's why

612
00:33:31,080 --> 00:33:33,720
Speaker 1: you see, you know, the Nation of Islam dress CODs

613
00:33:33,760 --> 00:33:36,320
Speaker 1: with the bow ties and the suitstion and looking great.

614
00:33:36,680 --> 00:33:42,400
Speaker 1: So you know that influence spread to our culture without

615
00:33:42,480 --> 00:33:46,520
Speaker 1: us realizing. You know, we we like the dress up.

616
00:33:47,480 --> 00:33:51,240
Speaker 1: Oh that's why Ros say, Master Muhammed, so silks going

617
00:33:51,320 --> 00:33:53,959
Speaker 1: through the door, giving doledge to the brothers that are

618
00:33:54,000 --> 00:33:56,680
Speaker 1: wanted more. We a nation of brothers, such a wonderful

619
00:33:56,720 --> 00:34:00,080
Speaker 1: force go straight through the kronathy wanted the source. So

620
00:34:00,200 --> 00:34:05,520
Speaker 1: it's like Ross a perspective and information like that coming

621
00:34:05,560 --> 00:34:09,320
Speaker 1: from Ross, who's actually not five percent and he's not Muslim.

622
00:34:09,840 --> 00:34:14,880
Speaker 1: It's important to me because now it's coming from somebody

623
00:34:14,920 --> 00:34:18,840
Speaker 1: who is not a man of Islam, but it's also

624
00:34:18,920 --> 00:34:21,560
Speaker 1: a black man who bid witness to the truth and

625
00:34:21,960 --> 00:34:25,279
Speaker 1: his reach and his ability to also show black man

626
00:34:25,320 --> 00:34:28,719
Speaker 1: that ain't necessarily five percent or nation of Islam. It

627
00:34:28,840 --> 00:34:31,759
Speaker 1: showed kay to research this information and be proud of it,

628
00:34:32,000 --> 00:34:34,239
Speaker 1: even if you're not a member of the nation other

629
00:34:34,320 --> 00:34:37,759
Speaker 1: guards and Nerves or the Nation of Islam. So that's

630
00:34:37,800 --> 00:34:40,239
Speaker 1: why it was strategically done in that way. All Right,

631
00:34:40,280 --> 00:34:42,120
Speaker 1: we got more with Buster Ross when we come back.

632
00:34:42,160 --> 00:34:48,920
Speaker 1: Master Breakfast Club. Good morning everybody, Breakfast Club. So what

633
00:34:49,160 --> 00:34:50,759
Speaker 1: have happened to that record? What did y'all do with it?

634
00:34:52,360 --> 00:34:54,880
Speaker 1: Let me that was a hard record. Let me explain

635
00:34:54,960 --> 00:34:57,840
Speaker 1: that play that record. I couldn't understand why DJs wouldn't

636
00:34:57,840 --> 00:34:59,920
Speaker 1: play that records. That record was was a tough record,

637
00:35:00,640 --> 00:35:04,040
Speaker 1: thank you, I'm gonna be honest with you, though the

638
00:35:04,120 --> 00:35:07,600
Speaker 1: record was never made with the intention of it being

639
00:35:07,640 --> 00:35:10,839
Speaker 1: a bust. The rhyme song what ended up happening when

640
00:35:11,000 --> 00:35:14,400
Speaker 1: when when Diddy would originally happened. Diddy was working on

641
00:35:14,640 --> 00:35:18,719
Speaker 1: the Dirty Money album, right, the girls from Dannity Kane.

642
00:35:18,800 --> 00:35:22,319
Speaker 1: I forget the queen's names, Don Don Don, I forgot

643
00:35:22,360 --> 00:35:26,800
Speaker 1: the other assistant name, and you're right. So those two queens,

644
00:35:26,880 --> 00:35:29,239
Speaker 1: they was working with Diddy on that album and that

645
00:35:29,400 --> 00:35:33,040
Speaker 1: album at the time, Diddy was looking for for versus

646
00:35:33,560 --> 00:35:36,480
Speaker 1: and songs for that album. So I was in a

647
00:35:36,600 --> 00:35:40,920
Speaker 1: session at um Am. I forget what Diddy was recording it,

648
00:35:41,200 --> 00:35:43,600
Speaker 1: but I played him a few beats from Jay Diller

649
00:35:43,920 --> 00:35:47,359
Speaker 1: because I got this unbelievable batch of Jay Diller Beach

650
00:35:47,440 --> 00:35:49,680
Speaker 1: that he left me with before he passed and went

651
00:35:49,760 --> 00:35:52,319
Speaker 1: back to the essence. But in any event, I'm real

652
00:35:52,400 --> 00:35:54,400
Speaker 1: selective with who I give it to. I think the

653
00:35:54,480 --> 00:35:56,919
Speaker 1: only person that I've given any of my Diller beach

654
00:35:56,960 --> 00:36:01,240
Speaker 1: too was Ray Kuana Cheffer only built for Cuban partner Wow,

655
00:36:01,719 --> 00:36:05,560
Speaker 1: and he blessed me with the opportunity to executive that project.

656
00:36:05,960 --> 00:36:09,040
Speaker 1: And Della been gone since, like you know, like oh three,

657
00:36:09,120 --> 00:36:13,799
Speaker 1: I believe, oh, I haven't really spread out his music

658
00:36:13,880 --> 00:36:16,600
Speaker 1: because I'm gonna make sure I'm putting his music in

659
00:36:16,719 --> 00:36:20,200
Speaker 1: hands of worthy candidates. That's gonna wrap his music right,

660
00:36:20,320 --> 00:36:23,080
Speaker 1: keep his legacy alive. Did he was in adulpe space

661
00:36:23,600 --> 00:36:27,480
Speaker 1: creatively that was different from any of like the super

662
00:36:27,520 --> 00:36:31,040
Speaker 1: mainstream records that did he is known for making, and

663
00:36:31,160 --> 00:36:34,040
Speaker 1: the club records, so he was in another space creatively.

664
00:36:34,440 --> 00:36:36,800
Speaker 1: The dealer joints fit when he was trying to do sonically,

665
00:36:37,000 --> 00:36:39,640
Speaker 1: So I gave him these about three four beats he

666
00:36:39,840 --> 00:36:42,800
Speaker 1: ended up giving Drake he put He took two of

667
00:36:42,880 --> 00:36:45,520
Speaker 1: the dealer beats and turned them into one song. Right.

668
00:36:46,120 --> 00:36:48,279
Speaker 1: Could you hear how it starts with one beat and

669
00:36:48,360 --> 00:36:50,920
Speaker 1: then when it's time to rhyme when Drake comes in,

670
00:36:51,480 --> 00:36:54,439
Speaker 1: it goes into another beat. Those were two different Dela beats.

671
00:36:54,480 --> 00:36:56,719
Speaker 1: And did he put them together from one song? Did

672
00:36:56,760 --> 00:36:58,960
Speaker 1: he gave it to Drake for Drake the right verses

673
00:36:59,000 --> 00:37:02,080
Speaker 1: for the song? The song didn't get finished? Did he

674
00:37:02,200 --> 00:37:04,279
Speaker 1: played it for me and I told him to give

675
00:37:04,280 --> 00:37:06,840
Speaker 1: it to me? Let me finish it feel so that

676
00:37:06,960 --> 00:37:09,239
Speaker 1: he could use this song and I could be a

677
00:37:09,320 --> 00:37:12,040
Speaker 1: part of this project. And that's how we've been robbing

678
00:37:12,080 --> 00:37:14,080
Speaker 1: over the years, just like how pop up. But did

679
00:37:14,120 --> 00:37:16,000
Speaker 1: he he played me some if he feel like he

680
00:37:16,120 --> 00:37:17,880
Speaker 1: got something where I can get in, where I fit in,

681
00:37:18,400 --> 00:37:20,560
Speaker 1: I'm gonna jump in a double Dutch row. You know what.

682
00:37:21,400 --> 00:37:23,960
Speaker 1: This was one of those moments to me, Flavoring. It

683
00:37:24,280 --> 00:37:26,719
Speaker 1: was another one of those moments to me Victory, like

684
00:37:26,920 --> 00:37:29,239
Speaker 1: I'll come to the studio and they'll just He'll be

685
00:37:29,280 --> 00:37:32,480
Speaker 1: a blank that be filled feeling, and I'll just I'll

686
00:37:32,520 --> 00:37:35,040
Speaker 1: be like, I got something for that and it'll happened.

687
00:37:35,160 --> 00:37:37,120
Speaker 1: So I take saying because it feel like those two

688
00:37:37,160 --> 00:37:42,799
Speaker 1: records were tailor made for you. Victory, yeah, or both

689
00:37:42,840 --> 00:37:49,120
Speaker 1: of those. Yeah. I wasn't like, uh um, I think

690
00:37:49,200 --> 00:37:50,960
Speaker 1: I got the call for Victory. Did he did? He

691
00:37:51,080 --> 00:37:54,560
Speaker 1: needed to hook for Victory. I heard about Flavoring and happening,

692
00:37:55,120 --> 00:37:58,360
Speaker 1: and when I called did he to get on it?

693
00:37:58,800 --> 00:38:00,840
Speaker 1: He was like, of course. But then I was like,

694
00:38:01,040 --> 00:38:03,000
Speaker 1: at the time, I was trying to break Rampage, So

695
00:38:03,400 --> 00:38:05,959
Speaker 1: I was like, yo, I got Rampage my new artist,

696
00:38:06,280 --> 00:38:08,200
Speaker 1: And he was like, all right, if I put him

697
00:38:08,280 --> 00:38:11,280
Speaker 1: on what I was gonna pay you. You gotta renig

698
00:38:11,440 --> 00:38:15,520
Speaker 1: on that fee and could get on you know, did

699
00:38:15,560 --> 00:38:18,880
Speaker 1: he with his hustle and ass absolutely happy birthday to

700
00:38:18,960 --> 00:38:23,880
Speaker 1: did he anyway with? But did he did? He did

701
00:38:24,000 --> 00:38:25,640
Speaker 1: me like that, and I took it. I made the

702
00:38:25,719 --> 00:38:29,239
Speaker 1: sacrifice for Rampage to get the look. Obviously. You know,

703
00:38:29,719 --> 00:38:33,279
Speaker 1: it was one of the most incredible opportunities for at

704
00:38:33,320 --> 00:38:35,200
Speaker 1: the time, for Rampage to be in such a good

705
00:38:35,280 --> 00:38:38,239
Speaker 1: company as a new artist, and it was worth it,

706
00:38:38,400 --> 00:38:40,960
Speaker 1: you know what I'm saying. But that's just sacrifice I'm

707
00:38:40,960 --> 00:38:43,000
Speaker 1: willing to make to get my brothers in position and

708
00:38:43,080 --> 00:38:46,080
Speaker 1: secure winch for him and those blessings come back to

709
00:38:46,280 --> 00:38:49,759
Speaker 1: chimes fold and it did you know, Rampage was able

710
00:38:49,800 --> 00:38:52,279
Speaker 1: to get a career launch out of that. And you

711
00:38:52,400 --> 00:38:54,960
Speaker 1: know the hitch came after that while for the Night

712
00:38:55,040 --> 00:38:57,560
Speaker 1: and all the hangers from Rampage, so he got a

713
00:38:57,719 --> 00:39:00,520
Speaker 1: nice alley you to run with and he he ran

714
00:39:00,640 --> 00:39:03,480
Speaker 1: with it. But again back to the Drake joint with Diddy.

715
00:39:03,880 --> 00:39:05,440
Speaker 1: You know, when I got the record, I put a

716
00:39:05,560 --> 00:39:07,480
Speaker 1: verse on it and was trying to get it to

717
00:39:07,600 --> 00:39:09,840
Speaker 1: Diddy and then he ended up not doing nothing with

718
00:39:09,960 --> 00:39:12,800
Speaker 1: the song. This is all the way back when he

719
00:39:12,920 --> 00:39:15,600
Speaker 1: was working on that Dirty Money album. You too many

720
00:39:15,680 --> 00:39:19,440
Speaker 1: years ago that way, So this song is just sitting

721
00:39:19,440 --> 00:39:24,320
Speaker 1: in a hard drive doing nothing, and then it leaked somehow,

722
00:39:24,640 --> 00:39:28,000
Speaker 1: like I really didn't even remember the song with sitting

723
00:39:28,040 --> 00:39:30,960
Speaker 1: in a hard drive. I'm super overprotective of my record,

724
00:39:31,040 --> 00:39:33,480
Speaker 1: so I don't usually have leak issues, you know what

725
00:39:33,520 --> 00:39:36,880
Speaker 1: I'm saying. I record on my own hard drives. I

726
00:39:37,080 --> 00:39:39,279
Speaker 1: leave with my student with my hard drives. I come

727
00:39:39,320 --> 00:39:41,560
Speaker 1: to the student with my hard drives. I'm not saving

728
00:39:41,640 --> 00:39:44,120
Speaker 1: nothing or backing them nothing on no studios hard drive

729
00:39:44,719 --> 00:39:46,919
Speaker 1: Envy know me well enough to know that's how I don't.

730
00:39:47,160 --> 00:39:51,640
Speaker 1: I'm super overprotected with my work. And especially if you're

731
00:39:51,680 --> 00:39:54,120
Speaker 1: using other people beat, you ain't paid them for their

732
00:39:54,200 --> 00:39:57,640
Speaker 1: beat yet, no problem with nobody, you know what I'm saying.

733
00:39:57,680 --> 00:40:01,520
Speaker 1: So you know I'll try to wait until the business handle.

734
00:40:01,880 --> 00:40:04,600
Speaker 1: I also try to wait until we know that when

735
00:40:04,640 --> 00:40:06,879
Speaker 1: we're ready to come with the joint, the record gonna

736
00:40:06,920 --> 00:40:09,120
Speaker 1: get supported properly. All of the ducks is lined up.

737
00:40:09,360 --> 00:40:11,839
Speaker 1: But overall, that's what happened. So when the record leaked,

738
00:40:12,400 --> 00:40:14,399
Speaker 1: even though you played at NV, you see there wasn't

739
00:40:14,440 --> 00:40:16,960
Speaker 1: no support behind the record. It was just floating around,

740
00:40:17,239 --> 00:40:19,960
Speaker 1: you know what I'm saying, And you know, it would

741
00:40:20,000 --> 00:40:21,680
Speaker 1: have been dope if it would have been something that

742
00:40:21,840 --> 00:40:24,200
Speaker 1: we actually did together. But for me, I also want

743
00:40:24,239 --> 00:40:26,680
Speaker 1: to make records. If I make a record with somebody,

744
00:40:27,080 --> 00:40:29,960
Speaker 1: I don't want it to be some piece together unofficial.

745
00:40:30,280 --> 00:40:33,919
Speaker 1: We didn't even have a conversation of doing a record

746
00:40:33,960 --> 00:40:37,280
Speaker 1: because me and Drake didn't actually have a conversation about

747
00:40:37,360 --> 00:40:39,400
Speaker 1: doing a record. The story was Drake didn't clear it.

748
00:40:39,440 --> 00:40:40,759
Speaker 1: That was the story that Drake didn't want to clear.

749
00:40:40,800 --> 00:40:42,920
Speaker 1: He didn't want it out. That was the story that

750
00:40:43,080 --> 00:40:48,120
Speaker 1: was heard. Yeah, but that's because you know, at the time,

751
00:40:48,360 --> 00:40:51,440
Speaker 1: when Swiss was getting into that on his live he

752
00:40:51,760 --> 00:40:55,120
Speaker 1: misinterpreted why the song wasn't coming out, and I was

753
00:40:55,239 --> 00:40:57,680
Speaker 1: trying to straighten that out while he was in the

754
00:40:57,800 --> 00:40:59,680
Speaker 1: middle of that, you know what I'm saying, with giving

755
00:40:59,760 --> 00:41:03,640
Speaker 1: him the clarity, you know, but um, the narrative that

756
00:41:03,760 --> 00:41:06,239
Speaker 1: he put out there at the time, you know, misled,

757
00:41:06,880 --> 00:41:09,520
Speaker 1: you know what the actual situation was. But you know,

758
00:41:09,760 --> 00:41:14,400
Speaker 1: fortunately even that guy resolved respectfully, and you know, the

759
00:41:15,000 --> 00:41:17,120
Speaker 1: energies is in a better place with that too. But

760
00:41:18,760 --> 00:41:21,680
Speaker 1: I just we was raised with a certain code of ethics.

761
00:41:21,840 --> 00:41:24,400
Speaker 1: I want to respect everybody when it comes to this

762
00:41:24,640 --> 00:41:28,120
Speaker 1: music thing. If we actually didn't have a conversation about collabing,

763
00:41:28,760 --> 00:41:31,640
Speaker 1: I'm not trying to put together no concoction at everybody

764
00:41:32,040 --> 00:41:34,800
Speaker 1: endorsing on cosigning. And that's the way we was raised.

765
00:41:34,840 --> 00:41:37,640
Speaker 1: We ain't gonna be out here using nobody branding, getting

766
00:41:37,640 --> 00:41:39,880
Speaker 1: no buzz. And I wouldn't want that done to me.

767
00:41:40,160 --> 00:41:43,440
Speaker 1: So I respected it. And until a moment presents itself,

768
00:41:43,800 --> 00:41:46,680
Speaker 1: you know, we'll how long it's gonna take for a

769
00:41:46,760 --> 00:41:49,040
Speaker 1: collab like that to happen. If it does, all right,

770
00:41:49,040 --> 00:41:50,839
Speaker 1: when we come back, we got more with Buster Runs.

771
00:41:50,880 --> 00:41:53,439
Speaker 1: Let's get into a Buster Runs. It's the breakfast club

772
00:41:54,440 --> 00:41:57,960
Speaker 1: that was a Buster Runs, Mini Nick Mooting. Everybody's d

773
00:41:59,320 --> 00:42:03,000
Speaker 1: ANGELI slow the guy. We are the breakfast club Bust

774
00:42:03,040 --> 00:42:04,960
Speaker 1: the ROMs is still here, Charlotte. So how did you

775
00:42:05,000 --> 00:42:08,200
Speaker 1: get the OLDB feature on slow flow? The OLDB feature

776
00:42:08,280 --> 00:42:11,120
Speaker 1: was a different thing. O dB is my friend. That's

777
00:42:11,239 --> 00:42:13,560
Speaker 1: my brother. That's the god, one of the most swiftest

778
00:42:13,600 --> 00:42:17,000
Speaker 1: gods when they come to knowledge yourself. And he was

779
00:42:17,080 --> 00:42:19,479
Speaker 1: always a high scientist. And then you know, that's saying

780
00:42:19,800 --> 00:42:22,680
Speaker 1: a wise man could act and play the role of

781
00:42:22,800 --> 00:42:24,320
Speaker 1: a fool, but a fool can't play the role of

782
00:42:24,360 --> 00:42:28,000
Speaker 1: a wild There you go. That was a son unique.

783
00:42:28,320 --> 00:42:30,160
Speaker 1: As much as he was acting crazy out of there,

784
00:42:30,200 --> 00:42:32,680
Speaker 1: he's one of the most swift. He was almost like

785
00:42:32,719 --> 00:42:35,200
Speaker 1: a like like a he was like the guards, that

786
00:42:35,360 --> 00:42:38,160
Speaker 1: was on a PhD level with the with the science.

787
00:42:38,400 --> 00:42:42,400
Speaker 1: I used to watch a son control these building sessions

788
00:42:42,480 --> 00:42:45,480
Speaker 1: with the gods that were so out of control that

789
00:42:45,600 --> 00:42:47,920
Speaker 1: it actually used to make gods afraid they want to

790
00:42:48,120 --> 00:42:51,360
Speaker 1: partake in these building sessions. And you know that was

791
00:42:51,400 --> 00:42:53,600
Speaker 1: the older way of doing things. You know that that's

792
00:42:53,680 --> 00:42:56,959
Speaker 1: not the real correct way to handle your air likes,

793
00:42:57,000 --> 00:42:59,480
Speaker 1: because then you run gods from the nation when you

794
00:42:59,560 --> 00:43:01,719
Speaker 1: make them afraid they want to be amongst you. But

795
00:43:02,400 --> 00:43:06,719
Speaker 1: that's how powerful Old Dirty was, and you know that

796
00:43:07,160 --> 00:43:09,839
Speaker 1: resonated with me from back in leaders in the New

797
00:43:09,920 --> 00:43:13,800
Speaker 1: School days. He was very powerful and swift with the science.

798
00:43:14,120 --> 00:43:17,480
Speaker 1: Back in the nineties, early ninety ninety one we're talking about.

799
00:43:17,840 --> 00:43:21,640
Speaker 1: This is when Rizzard was Prince Rod Keem and Jesu Genius,

800
00:43:22,320 --> 00:43:24,640
Speaker 1: you know what I'm saying. So this happened such a

801
00:43:24,800 --> 00:43:29,520
Speaker 1: long brotherhood and respect with them them guards. It just

802
00:43:29,880 --> 00:43:32,000
Speaker 1: it just led it to us doing things together in

803
00:43:32,040 --> 00:43:34,720
Speaker 1: the studio. We ended up both being on the Electure together.

804
00:43:35,040 --> 00:43:38,000
Speaker 1: He released Return to thirty six Chambers before I put

805
00:43:38,040 --> 00:43:40,880
Speaker 1: out the comment, you know what I'm saying. So, you know,

806
00:43:40,960 --> 00:43:43,000
Speaker 1: we used to go to like br E convention in

807
00:43:43,080 --> 00:43:46,800
Speaker 1: New Orleans together, y'all remember all it. So we was

808
00:43:46,880 --> 00:43:49,440
Speaker 1: doing all of that together, doing electric showcases at these

809
00:43:49,480 --> 00:43:52,840
Speaker 1: conventions together. So we just got had opportunity to go

810
00:43:52,960 --> 00:43:56,760
Speaker 1: in the studio and do things. Um. I called Risen

811
00:43:56,880 --> 00:44:00,840
Speaker 1: one day and I pulled up on Ri at his

812
00:44:00,960 --> 00:44:04,799
Speaker 1: house in LA and I asked him for the original

813
00:44:05,480 --> 00:44:10,400
Speaker 1: session because I had an acappella of Brooklyn Zoo and

814
00:44:11,239 --> 00:44:14,919
Speaker 1: I had got it from Rick Posada, who was our

815
00:44:15,040 --> 00:44:18,120
Speaker 1: and A at the time at Electra and Big Up.

816
00:44:18,160 --> 00:44:21,640
Speaker 1: The Rick Posada UM had the acappella, so I was

817
00:44:21,760 --> 00:44:25,920
Speaker 1: able to hear these outtakes from the God that nobody

818
00:44:26,040 --> 00:44:30,120
Speaker 1: ever heard so and in Brooklyn Zoo. I think we

819
00:44:30,200 --> 00:44:32,600
Speaker 1: can all agree that was one of the most incredible

820
00:44:32,760 --> 00:44:37,200
Speaker 1: unconventional hip hop records, absolutely because the guy didn't have

821
00:44:37,360 --> 00:44:39,640
Speaker 1: no hook on the intel it and you know, he

822
00:44:39,760 --> 00:44:42,120
Speaker 1: just blacked out for a whole verse and just put

823
00:44:42,160 --> 00:44:43,480
Speaker 1: a hook at the end of the song. And this

824
00:44:43,640 --> 00:44:47,080
Speaker 1: was his first single. I was money. That was you

825
00:44:47,160 --> 00:44:50,200
Speaker 1: know what I'm saying, You're trying to worry about hook

826
00:44:50,680 --> 00:44:54,640
Speaker 1: verse hook verse hook, doing song structures for radio. He

827
00:44:54,840 --> 00:44:57,160
Speaker 1: grew on his studio. He boxed at the top like

828
00:44:57,239 --> 00:44:59,600
Speaker 1: he about to beat somebody ass. He blacked out for

829
00:44:59,640 --> 00:45:01,080
Speaker 1: the whole to put the hook at the end of

830
00:45:01,080 --> 00:45:04,000
Speaker 1: the song. Done. I said, this got to be the

831
00:45:04,080 --> 00:45:08,400
Speaker 1: most This encouraged number one and number two. It was inspiring.

832
00:45:08,920 --> 00:45:12,279
Speaker 1: Loved the song so much. I actually Prosida to give

833
00:45:12,320 --> 00:45:15,360
Speaker 1: me the acappella because we was recording at the studio

834
00:45:15,440 --> 00:45:18,879
Speaker 1: together in Long Island call a Music Palace, and Old

835
00:45:18,960 --> 00:45:23,520
Speaker 1: Dirty was out there as the only other artists from

836
00:45:23,600 --> 00:45:28,600
Speaker 1: the city Brooklyn and particularly that knew about the Music Palace.

837
00:45:28,640 --> 00:45:31,040
Speaker 1: I didn't think anybody knew about the Music Palaces, one

838
00:45:31,040 --> 00:45:34,920
Speaker 1: of the last dope analog studios with the two inch tape,

839
00:45:34,960 --> 00:45:37,160
Speaker 1: real machines and all of that in the student to

840
00:45:37,320 --> 00:45:40,560
Speaker 1: this day. So back at that time, they used to

841
00:45:40,640 --> 00:45:44,000
Speaker 1: have Old Dirty record out there to keep him away

842
00:45:44,520 --> 00:45:49,879
Speaker 1: from the mobs of homies you used to have coming

843
00:45:49,880 --> 00:45:53,800
Speaker 1: in the studio to distract the process. So Rick PROSCIEI

844
00:45:53,840 --> 00:45:54,960
Speaker 1: used to bring them all the way out there to

845
00:45:55,040 --> 00:45:59,240
Speaker 1: get the work done to minimize the confusion and the distraction.

846
00:45:59,640 --> 00:46:01,239
Speaker 1: And I used to record this so I used to

847
00:46:01,320 --> 00:46:03,400
Speaker 1: see it hit things that he was doing in the

848
00:46:03,440 --> 00:46:05,759
Speaker 1: studio that the world I never heard. So I asked Rick,

849
00:46:05,800 --> 00:46:08,920
Speaker 1: was how to bless me with the acappella. Acapella just

850
00:46:09,080 --> 00:46:13,560
Speaker 1: hadn't music bleeding and on the track because his headphones

851
00:46:13,680 --> 00:46:15,400
Speaker 1: was too loud, so I didn't want to use that.

852
00:46:16,160 --> 00:46:18,719
Speaker 1: Cale Rizzer went to the house in La He gave

853
00:46:18,800 --> 00:46:22,560
Speaker 1: me the original session to Brooklyn's Zool. So when you

854
00:46:22,640 --> 00:46:25,400
Speaker 1: hear him singing at the top of the song, U

855
00:46:26,760 --> 00:46:30,080
Speaker 1: and I Love you, and then he goes, no, man,

856
00:46:30,080 --> 00:46:32,440
Speaker 1: I don't want to do my new rhymes. Man, you

857
00:46:32,480 --> 00:46:35,320
Speaker 1: know what I'm saying, but I don't know them. You know,

858
00:46:35,400 --> 00:46:39,160
Speaker 1: this is you know, this is just the guard of

859
00:46:39,200 --> 00:46:42,160
Speaker 1: the studio, you know, bugging out to himself before the

860
00:46:42,280 --> 00:46:44,400
Speaker 1: beat come on that the world never heard. And I

861
00:46:44,480 --> 00:46:47,320
Speaker 1: just was like, damn, you know we not only do

862
00:46:47,400 --> 00:46:49,799
Speaker 1: I miss him, it just felt good to hit him

863
00:46:49,920 --> 00:46:53,360
Speaker 1: in his free spirit space, not giving a fuck about it.

864
00:46:53,760 --> 00:46:56,440
Speaker 1: He just vibed to himself, and I know a lot

865
00:46:56,520 --> 00:46:59,160
Speaker 1: of a lot of hip hop fans and in old

866
00:46:59,239 --> 00:47:02,600
Speaker 1: dirty Basket supporters miss him, and I just feel like,

867
00:47:02,920 --> 00:47:05,600
Speaker 1: you know, we always hear about big and poking punt

868
00:47:05,880 --> 00:47:09,000
Speaker 1: when we celebrating the anniversaries of their passion on their birthday,

869
00:47:09,200 --> 00:47:12,759
Speaker 1: but we don't really acknowledge a son enough. And I

870
00:47:12,840 --> 00:47:15,000
Speaker 1: just felt like this was my way of a mind

871
00:47:15,040 --> 00:47:17,840
Speaker 1: of people that he was one of our greats, and

872
00:47:18,320 --> 00:47:20,360
Speaker 1: you know, we need to salute him, and it just

873
00:47:20,560 --> 00:47:22,680
Speaker 1: would feel good to hear him one more time on

874
00:47:22,840 --> 00:47:25,960
Speaker 1: some hodge. You know what I'm saying. This was my

875
00:47:26,080 --> 00:47:28,320
Speaker 1: way of creating that moment for the gods. Did you

876
00:47:28,640 --> 00:47:31,279
Speaker 1: help him with his album on a lecture? Also? No,

877
00:47:31,440 --> 00:47:33,600
Speaker 1: I didn't help him at all. Remember they asked you

878
00:47:33,719 --> 00:47:36,719
Speaker 1: to Yeah, they well, they asked me to come in

879
00:47:36,840 --> 00:47:40,080
Speaker 1: and just just just try to get find a moment

880
00:47:40,160 --> 00:47:43,200
Speaker 1: that I could share with him because our energy was

881
00:47:43,239 --> 00:47:46,719
Speaker 1: so similar that you know, they Rick Posada was looking

882
00:47:46,760 --> 00:47:48,640
Speaker 1: for a moment for us to be able to have

883
00:47:49,280 --> 00:47:52,480
Speaker 1: a monster collab with the combustion and energy that we

884
00:47:52,640 --> 00:47:56,200
Speaker 1: both got individually, but how crazy and explosive it would

885
00:47:56,200 --> 00:47:59,680
Speaker 1: be with us together. But we didn't get to create

886
00:47:59,760 --> 00:48:02,200
Speaker 1: that moment for his project, but we did get to

887
00:48:02,400 --> 00:48:06,120
Speaker 1: create that moment for the Wuha Rema remix. Yeah, you know,

888
00:48:06,719 --> 00:48:09,359
Speaker 1: me and Asan got to have our moment that goes

889
00:48:09,440 --> 00:48:12,359
Speaker 1: down for ever in history as A as a groundbreaking moment.

890
00:48:12,400 --> 00:48:14,160
Speaker 1: And you know, I love the God and I missed

891
00:48:14,200 --> 00:48:16,120
Speaker 1: to God and I'm an old. We try to keep

892
00:48:16,160 --> 00:48:18,040
Speaker 1: his legacy a lot now. Bus. This is why we

893
00:48:18,160 --> 00:48:20,560
Speaker 1: changed the interview so many times because we can't just

894
00:48:20,680 --> 00:48:24,440
Speaker 1: have this is disrespect for us to run interview. It's disrespectful,

895
00:48:24,960 --> 00:48:28,759
Speaker 1: like doing this over. It's disrespectful. Like there's so much

896
00:48:28,840 --> 00:48:30,719
Speaker 1: we have to dive into it and now we I

897
00:48:30,800 --> 00:48:32,759
Speaker 1: know we gotta wrap, but I hate it. That's why

898
00:48:32,800 --> 00:48:34,920
Speaker 1: we were like to be It's got to be like

899
00:48:35,000 --> 00:48:38,440
Speaker 1: the bust rounds. Bus come in studio, that's what. When

900
00:48:38,520 --> 00:48:40,319
Speaker 1: When when can he come in the studio. I'm gonna

901
00:48:40,320 --> 00:48:42,919
Speaker 1: be honest with you, bro, I'm so in campaign mode

902
00:48:42,960 --> 00:48:45,160
Speaker 1: that if y'all said he wanted to do this tomorrow,

903
00:48:45,200 --> 00:48:47,279
Speaker 1: I could come to the studio tomorrow. We gotta go.

904
00:48:47,480 --> 00:48:48,960
Speaker 1: You gotta do it next week for real. Yeah, we

905
00:48:48,960 --> 00:48:50,480
Speaker 1: gotta figure out now for next week what we could

906
00:48:50,520 --> 00:48:51,800
Speaker 1: really do because the last week, I want to just

907
00:48:51,840 --> 00:48:54,120
Speaker 1: talk about the versus nobody wants to put you in

908
00:48:54,239 --> 00:48:58,080
Speaker 1: versus Huh, you can't, no contender. I heard. I heard

909
00:48:58,120 --> 00:48:59,759
Speaker 1: at first. I heard a rumor that dam is gonna

910
00:48:59,760 --> 00:49:02,480
Speaker 1: be you. Missy and y'all were gonna do records and videos.

911
00:49:02,640 --> 00:49:05,440
Speaker 1: I was excited, and yeah, I was excited for that too.

912
00:49:05,719 --> 00:49:07,960
Speaker 1: I'm not even gonna front. I was excited for that.

913
00:49:08,440 --> 00:49:12,279
Speaker 1: I was excited for that because Missy is really like

914
00:49:12,760 --> 00:49:15,200
Speaker 1: one of my best friends in the music game. I

915
00:49:15,400 --> 00:49:19,080
Speaker 1: love her, I love her a lot. She's inspired me.

916
00:49:19,560 --> 00:49:23,680
Speaker 1: I've inspired her. But like Twins, brother and sister Twins

917
00:49:24,200 --> 00:49:28,719
Speaker 1: and everything from the music to the videos to the

918
00:49:28,800 --> 00:49:31,839
Speaker 1: crazy ass outfits we was going all of that show

919
00:49:32,040 --> 00:49:35,000
Speaker 1: that would have been crazy didn't get to happen. Um,

920
00:49:36,000 --> 00:49:38,360
Speaker 1: I want all the smoke. I'm gratefully shit in a

921
00:49:38,440 --> 00:49:43,399
Speaker 1: smoking section. But Yo, if we could do this next week,

922
00:49:44,000 --> 00:49:45,759
Speaker 1: let me tell you something. We have to. I got

923
00:49:45,800 --> 00:49:48,560
Speaker 1: too many questions, and I got questions. I like, one

924
00:49:48,600 --> 00:49:50,480
Speaker 1: of my favorite hip hop records of all time is

925
00:49:50,520 --> 00:49:52,840
Speaker 1: Why We Die, So I just want you to. I

926
00:49:52,960 --> 00:49:54,560
Speaker 1: want to know why that was never a single. I

927
00:49:54,640 --> 00:49:57,640
Speaker 1: want to know about that whole collaboration. But let's gotta

928
00:49:57,719 --> 00:50:01,920
Speaker 1: live hit right now saying something for next week we can.

929
00:50:02,239 --> 00:50:04,920
Speaker 1: I'll get on with Dan and Shadow and we'll go

930
00:50:05,040 --> 00:50:09,040
Speaker 1: from there. Yo, listen week Oh is the pleasure Charlemagne,

931
00:50:09,440 --> 00:50:13,839
Speaker 1: Please God, NV Peace, God, Angelie, Ye Peace Queen, Love

932
00:50:13,920 --> 00:50:16,000
Speaker 1: y'all and thank y'all for the great energy this morning.

933
00:50:16,080 --> 00:50:19,799
Speaker 1: Peace Lord Hey. Extinction Level have been to the Wrath

934
00:50:19,880 --> 00:50:23,480
Speaker 1: of God. Available in streaming everywhere. Also, Extinction Level have

935
00:50:23,520 --> 00:50:26,359
Speaker 1: been to the Wrath of God reloaded with form new

936
00:50:26,480 --> 00:50:30,160
Speaker 1: Bangers on there. It's also available in streaming everywhere. Y'all,

937
00:50:30,239 --> 00:50:33,080
Speaker 1: please enjoy the experience. Thank yas so much for the love,

938
00:50:33,320 --> 00:50:37,200
Speaker 1: love us all right, Peace y'all the Breakfast Club, Your

939
00:50:37,280 --> 00:50:41,000
Speaker 1: mornings will never be the same. I'll vote where. Today

940
00:50:41,120 --> 00:50:43,280
Speaker 1: is brought to you by Peacock present the new original

941
00:50:43,320 --> 00:50:45,759
Speaker 1: limited series The Best Man. The final chapter is from

942
00:50:45,800 --> 00:50:48,040
Speaker 1: the creator of the Best Man and The Best Man Holiday,

943
00:50:48,280 --> 00:50:51,640
Speaker 1: an executive producer of Insecure, streaming the limited series now

944
00:50:51,840 --> 00:50:56,479
Speaker 1: only on Peacock Maine. Say the game don't get other

945
00:50:56,600 --> 00:51:03,839
Speaker 1: shape man you are or don't you donkey? Today does

946
00:51:03,920 --> 00:51:06,279
Speaker 1: not discriminate. I might not have the song of today

947
00:51:06,320 --> 00:51:08,520
Speaker 1: but I got the donkey that if you ever feel

948
00:51:08,600 --> 00:51:13,480
Speaker 1: I need to be a donkey man, the breakfast club bitches,

949
00:51:13,640 --> 00:51:16,160
Speaker 1: the just don't kive today today. Yeah, I got those

950
00:51:16,200 --> 00:51:20,440
Speaker 1: graces taken off yesterday, so my mouth should work right today. Okay,

951
00:51:21,000 --> 00:51:23,160
Speaker 1: donkey today. It was the forty five year old Maggie

952
00:51:23,239 --> 00:51:26,880
Speaker 1: Welling and thirty five year old Robert Vantine of Lincoln, Nebraska.

953
00:51:27,200 --> 00:51:30,040
Speaker 1: Hold up, what it's that that nigga? It's this denless

954
00:51:30,120 --> 00:51:31,920
Speaker 1: nigga in de Braska. Foll play that clip right, Let

955
00:51:31,960 --> 00:51:35,040
Speaker 1: me hear that one time, that nigga. Let's stick in.

956
00:51:36,600 --> 00:51:39,239
Speaker 1: If you don't know what Lyne that movie from, then

957
00:51:39,320 --> 00:51:42,080
Speaker 1: you ain't black. Now. Some of y'all in life are

958
00:51:42,160 --> 00:51:44,200
Speaker 1: just destined for jail. Okay, it is what it is.

959
00:51:44,280 --> 00:51:45,719
Speaker 1: Some of y'all out here living the way you want

960
00:51:45,760 --> 00:51:47,479
Speaker 1: to live, doing what you want to do, thinking there's

961
00:51:47,520 --> 00:51:51,480
Speaker 1: no consequences to your criminal actions, and God be having

962
00:51:51,520 --> 00:51:53,680
Speaker 1: a plan for y'all to shit your ass down. Even

963
00:51:53,840 --> 00:51:56,040
Speaker 1: if you don't think it's divine, it's probably not because

964
00:51:56,040 --> 00:51:58,120
Speaker 1: you are submitting your will to the devil by making

965
00:51:58,160 --> 00:52:00,720
Speaker 1: poor choices. Either way, it's a choice, all right. Kanye

966
00:52:00,800 --> 00:52:03,560
Speaker 1: West One said slavery was a choice. That's a damn lie.

967
00:52:03,760 --> 00:52:06,520
Speaker 1: But being a convict usually is because you make these

968
00:52:06,640 --> 00:52:10,320
Speaker 1: choices that you know can lead you to jail. And

969
00:52:10,520 --> 00:52:14,080
Speaker 1: Maggie and Robert absolutely made choices that led him to jail. Now,

970
00:52:14,200 --> 00:52:17,400
Speaker 1: I think these choices should have led them to rehab

971
00:52:17,520 --> 00:52:20,200
Speaker 1: potentially based on this situation, but that's not the way

972
00:52:20,239 --> 00:52:22,800
Speaker 1: our criminal justice system is set up. Now, Maggie and

973
00:52:22,920 --> 00:52:25,640
Speaker 1: Robert either clearly like to have a good time. Are

974
00:52:25,719 --> 00:52:28,279
Speaker 1: they are drug dealers? Okay? Either Maggie and Robert are

975
00:52:28,320 --> 00:52:30,520
Speaker 1: getting high? Are they getting money? Now? I want to

976
00:52:30,600 --> 00:52:33,279
Speaker 1: talk to all the drug users and all the drug

977
00:52:33,360 --> 00:52:35,360
Speaker 1: dealers who listen to the Breakfast Club every morning. A

978
00:52:35,400 --> 00:52:38,760
Speaker 1: matter of fact, honkeyr Horn, if you sell drugs, flash

979
00:52:38,800 --> 00:52:44,480
Speaker 1: your lights if you use them. Stupid man. Okay, if

980
00:52:44,520 --> 00:52:47,000
Speaker 1: you are driving and you are in your car and

981
00:52:47,239 --> 00:52:51,240
Speaker 1: you have two hundred and forty seven point three grams

982
00:52:51,280 --> 00:52:54,600
Speaker 1: of meth, if you have one hundred and seventy one

983
00:52:54,719 --> 00:52:59,640
Speaker 1: prescription pills, five point three grams of shrooms, and two

984
00:52:59,719 --> 00:53:03,040
Speaker 1: glass pipes, how would you drive? And how do you

985
00:53:03,080 --> 00:53:04,880
Speaker 1: think you would drive? How cautious would you drive? If

986
00:53:04,920 --> 00:53:07,399
Speaker 1: you had all that? On? Very safely staring wille Tenant

987
00:53:07,440 --> 00:53:10,000
Speaker 1: two seatbelt off. The only thing that could make you

988
00:53:10,160 --> 00:53:12,520
Speaker 1: drive safer is if you had a gun in the

989
00:53:12,600 --> 00:53:14,920
Speaker 1: car and a dead white woman in the trunk. Okay,

990
00:53:15,080 --> 00:53:17,359
Speaker 1: depending what race you are, all right either way, there

991
00:53:17,480 --> 00:53:20,520
Speaker 1: is no way you should be driving erradically, speeding or

992
00:53:20,680 --> 00:53:23,920
Speaker 1: anything when you're riding that dirty. When you're riding that dirty,

993
00:53:23,960 --> 00:53:27,560
Speaker 1: you have to make sure you are driving clean. Okay,

994
00:53:27,640 --> 00:53:31,000
Speaker 1: license up to date, registration, insurance, everything, because you want

995
00:53:31,040 --> 00:53:33,400
Speaker 1: to avoid the police. But like I told y'all, some

996
00:53:33,600 --> 00:53:35,719
Speaker 1: of y'all is just destined for jail. Some of y'all

997
00:53:35,719 --> 00:53:38,200
Speaker 1: are on a collision course with the prison system. And

998
00:53:38,400 --> 00:53:41,799
Speaker 1: that's what happened to Maggie and Robert literally because they

999
00:53:41,840 --> 00:53:45,640
Speaker 1: were driving in Nebraska at two twenty five am, and

1000
00:53:45,680 --> 00:53:49,480
Speaker 1: according to Lincoln Police, these fools with all these drugs

1001
00:53:49,520 --> 00:53:51,800
Speaker 1: in the car ran a red light. This is what

1002
00:53:51,960 --> 00:53:54,040
Speaker 1: Sincere was trying to tell Buns and Belly, did you

1003
00:53:54,160 --> 00:53:55,800
Speaker 1: not feed that red light? Listen, let me hear that

1004
00:53:55,880 --> 00:53:59,960
Speaker 1: one red can't touch me. I'm my head spoken, we speak,

1005
00:54:00,400 --> 00:54:05,040
Speaker 1: call that dog. That's me untouchable. That's right, I'm out

1006
00:54:05,120 --> 00:54:08,560
Speaker 1: here smoking weed, speeding all that dog that that's me untouchable.

1007
00:54:08,600 --> 00:54:11,000
Speaker 1: Well guess what since San Buns didn't get touched in

1008
00:54:11,120 --> 00:54:13,759
Speaker 1: that moment, but Maggie and Robert did, all right. They

1009
00:54:13,880 --> 00:54:15,960
Speaker 1: ran the red light in their vehicle crash into a

1010
00:54:16,040 --> 00:54:19,120
Speaker 1: police call. Did you hear me? They ran the red

1011
00:54:19,200 --> 00:54:21,600
Speaker 1: light in their vehicle crash into a police car that

1012
00:54:21,760 --> 00:54:25,640
Speaker 1: was heading northbound. And during the car wreck traffic stop,

1013
00:54:25,800 --> 00:54:28,600
Speaker 1: the officer observed the glass pipe. Not the kind of

1014
00:54:28,680 --> 00:54:30,920
Speaker 1: Biden administration was given out. All right, these aren't the

1015
00:54:30,960 --> 00:54:33,759
Speaker 1: safe smoking supply kids, These were the actual crackpikes. It

1016
00:54:33,880 --> 00:54:36,520
Speaker 1: was on the floor in plane sight. And then officers

1017
00:54:36,560 --> 00:54:40,080
Speaker 1: conducted the search and found all the dope I mentioned before.

1018
00:54:40,680 --> 00:54:44,480
Speaker 1: Therefore they earned this okay. Welling was arrested for possession

1019
00:54:44,520 --> 00:54:47,360
Speaker 1: with intend to deliver five counts of possession of a

1020
00:54:47,400 --> 00:54:50,680
Speaker 1: controlled substance. Vantine was arrested for possession with intended to

1021
00:54:50,760 --> 00:54:54,239
Speaker 1: deliver five counts of possession of a controlled substance. Both

1022
00:54:54,360 --> 00:54:59,399
Speaker 1: of them were sighted and released for possession of drug

1023
00:54:59,480 --> 00:55:04,800
Speaker 1: paraphit Uh, they earned all those charges, okay, And this

1024
00:55:04,920 --> 00:55:07,320
Speaker 1: is what happens when you are indeed, two of the

1025
00:55:07,440 --> 00:55:10,839
Speaker 1: craziest for Nila niggas in Nebraska. Please give Maggie Welling

1026
00:55:10,880 --> 00:55:13,160
Speaker 1: and Robert Vantine of Lincoln, Nebraska the biggest he hull.

1027
00:55:14,080 --> 00:55:20,640
Speaker 1: All right, we'll just cited and released me cited, you

1028
00:55:20,760 --> 00:55:22,840
Speaker 1: got a ticket and then released for all that drugs.

1029
00:55:24,280 --> 00:55:26,200
Speaker 1: I don't know. Let me yeah, any damn it? Double

1030
00:55:26,280 --> 00:55:31,400
Speaker 1: check that cited usually means a ticket, madam, alright, probably

1031
00:55:31,440 --> 00:55:35,480
Speaker 1: include boss for Dylan niggas in Nebraska's they're using that

1032
00:55:35,560 --> 00:55:37,680
Speaker 1: privilege of the advantage. God damn it. So idin got

1033
00:55:37,760 --> 00:55:40,880
Speaker 1: a citation and then released. Lord have mercy. All right, Well,

1034
00:55:40,920 --> 00:55:42,680
Speaker 1: thank you for that don't get to day shirt. Yes, indeed,

1035
00:55:42,719 --> 00:55:50,239
Speaker 1: it's a breakfast club co morning. The breakfast club. Need

1036
00:55:50,320 --> 00:55:54,879
Speaker 1: relationship advice, need personal advice, just need real advices. Haul

1037
00:55:54,960 --> 00:56:00,279
Speaker 1: up now for asking. What's your question for you? Hi? So,

1038
00:56:00,600 --> 00:56:04,680
Speaker 1: I have this co worker and we like we had

1039
00:56:04,719 --> 00:56:07,480
Speaker 1: a situation back in September and we decided to like

1040
00:56:07,640 --> 00:56:10,800
Speaker 1: credit quit because a lot of crazy things were going on.

1041
00:56:11,400 --> 00:56:13,440
Speaker 1: I had a baby fathers that we just broke up,

1042
00:56:13,560 --> 00:56:17,439
Speaker 1: and he wasn't feeling the whole dynamic right, So since

1043
00:56:17,520 --> 00:56:21,560
Speaker 1: September I basically told him I'm done, and he just

1044
00:56:21,680 --> 00:56:24,160
Speaker 1: keeps them coming back and coming back. I'll tell him

1045
00:56:24,239 --> 00:56:27,520
Speaker 1: no that like he publicly disrespected me at work. He said, oh,

1046
00:56:28,360 --> 00:56:31,080
Speaker 1: basically you're acting like my private part. Wasn't this in

1047
00:56:31,120 --> 00:56:37,200
Speaker 1: your mouth? And he said exactly. So I'm like, just

1048
00:56:37,440 --> 00:56:41,799
Speaker 1: yesterday we had another conversation. He I changed my offices, right,

1049
00:56:42,080 --> 00:56:45,280
Speaker 1: so this office time and now has no camera or anything.

1050
00:56:45,800 --> 00:56:48,719
Speaker 1: And now he's coming to my offense and closing the

1051
00:56:48,800 --> 00:56:51,640
Speaker 1: door behind him, like, oh, can I get another chance?

1052
00:56:51,800 --> 00:56:54,319
Speaker 1: I'm like no. He said, okay, so can I sleep

1053
00:56:54,360 --> 00:56:57,160
Speaker 1: with you again? And I said, what No? Why would

1054
00:56:57,160 --> 00:56:59,359
Speaker 1: I want to sleep with you if I just told

1055
00:56:59,400 --> 00:57:02,799
Speaker 1: you no? So I'm kind of he's like a taking

1056
00:57:02,880 --> 00:57:06,840
Speaker 1: time bomb. He has a very bad temper before, and

1057
00:57:06,960 --> 00:57:09,600
Speaker 1: I'm just trying to be nice, but when is it?

1058
00:57:09,800 --> 00:57:14,399
Speaker 1: When does it get to the point where I just like, okay, First, well,

1059
00:57:14,480 --> 00:57:16,080
Speaker 1: first of all, you do not have to try to

1060
00:57:16,160 --> 00:57:19,360
Speaker 1: be nice to this person who has no respect or

1061
00:57:19,440 --> 00:57:23,000
Speaker 1: regard for for you. So forget all that trying to

1062
00:57:23,120 --> 00:57:26,560
Speaker 1: be nice. He's put you in a terrible position and

1063
00:57:26,920 --> 00:57:29,400
Speaker 1: you need to go to HR immediately and let them

1064
00:57:29,440 --> 00:57:32,480
Speaker 1: know what's going on, because this is something, like you said,

1065
00:57:32,560 --> 00:57:35,080
Speaker 1: he has a bad temper. This is affecting your work.

1066
00:57:35,160 --> 00:57:37,720
Speaker 1: It's inappropriate in the workplace, and there's nothing that he's

1067
00:57:37,760 --> 00:57:40,440
Speaker 1: doing is right. You have to be honest about everything

1068
00:57:40,520 --> 00:57:43,200
Speaker 1: that's transpired between you guys, but it does not make

1069
00:57:43,280 --> 00:57:45,720
Speaker 1: this okay, and you do not have to be nice.

1070
00:57:45,800 --> 00:57:49,560
Speaker 1: He's not being nice. No, he's making it seem like

1071
00:57:50,280 --> 00:57:53,000
Speaker 1: it was my fault that we any thing, because things

1072
00:57:53,080 --> 00:57:55,840
Speaker 1: just happen. I'm not saying it don't matter whose fault

1073
00:57:56,000 --> 00:58:00,280
Speaker 1: it's over. You're saying no, you're not interested, right, And

1074
00:58:00,320 --> 00:58:03,560
Speaker 1: I say over and over again. Then I basically trying

1075
00:58:03,600 --> 00:58:06,280
Speaker 1: to calm it down because he gets upset. Sometimes I

1076
00:58:06,400 --> 00:58:08,760
Speaker 1: overly upset, but he gets upset. Sometimes I'm like, okay,

1077
00:58:09,360 --> 00:58:11,720
Speaker 1: maybe we could try again when we're not working together.

1078
00:58:12,040 --> 00:58:14,080
Speaker 1: So now he's saying, oh, I'm leaving in three months.

1079
00:58:14,280 --> 00:58:16,520
Speaker 1: The day I leave, I'm coming to your office, and

1080
00:58:16,640 --> 00:58:18,840
Speaker 1: I'm like, oh, no, I she had never said that,

1081
00:58:18,920 --> 00:58:22,720
Speaker 1: because now he's expecting something from me. Yeah. No, you

1082
00:58:22,800 --> 00:58:24,919
Speaker 1: don't have to. You don't have to try to calm

1083
00:58:25,040 --> 00:58:27,640
Speaker 1: him down or make fake promises to get him to

1084
00:58:27,720 --> 00:58:30,720
Speaker 1: leave you alone. What you need to do is make

1085
00:58:30,760 --> 00:58:34,600
Speaker 1: sure you protect yourself. That's all like, forget all this

1086
00:58:34,800 --> 00:58:38,240
Speaker 1: being nice for what and honestly, like, if he comes

1087
00:58:38,240 --> 00:58:40,040
Speaker 1: in your office, I would make sure that I had

1088
00:58:40,120 --> 00:58:42,480
Speaker 1: some type of device if you need to record it

1089
00:58:43,120 --> 00:58:45,160
Speaker 1: or whatever, so that you That's what I was going

1090
00:58:45,200 --> 00:58:47,680
Speaker 1: to do. Yeah, I was going to have this one

1091
00:58:47,760 --> 00:58:51,680
Speaker 1: last conversation with him, record it and then go from there. Yeah,

1092
00:58:51,800 --> 00:58:54,200
Speaker 1: because I don't want it to be your word against his.

1093
00:58:54,440 --> 00:58:55,520
Speaker 1: I want to make sure. I don't know if you

1094
00:58:55,600 --> 00:58:58,120
Speaker 1: have text messages, emails or anything that you can show.

1095
00:58:58,640 --> 00:59:02,080
Speaker 1: But you also can't be just being nice. You have

1096
00:59:02,280 --> 00:59:05,160
Speaker 1: to be honest and be like, look, I'm not comfortable

1097
00:59:05,200 --> 00:59:07,080
Speaker 1: with you talking to me this way, and I don't

1098
00:59:07,120 --> 00:59:09,520
Speaker 1: want it. It's over. But I understand what you're saying

1099
00:59:09,560 --> 00:59:12,760
Speaker 1: about his temper. But also that doesn't mean that you

1100
00:59:12,880 --> 00:59:16,880
Speaker 1: have to compromise yourself for him. So they had relations before,

1101
00:59:16,960 --> 00:59:19,080
Speaker 1: and now he's continuing to push on and she said no,

1102
00:59:19,320 --> 00:59:21,320
Speaker 1: she's not interested, she does not want him, and don't

1103
00:59:21,360 --> 00:59:24,080
Speaker 1: matter what happened before. And when you go to HR,

1104
00:59:24,280 --> 00:59:26,040
Speaker 1: you let them know everything because he'll try to bring

1105
00:59:26,120 --> 00:59:27,800
Speaker 1: it up. But he should not be speaking to you

1106
00:59:27,880 --> 00:59:29,240
Speaker 1: the way that he is. He should not be making

1107
00:59:29,280 --> 00:59:31,280
Speaker 1: you uncomfortable in your place of business the way that

1108
00:59:31,360 --> 00:59:35,600
Speaker 1: he is, and he's got to go facts right, Well,

1109
00:59:35,680 --> 00:59:38,880
Speaker 1: thank you, all right. I wish you luck all right,

1110
00:59:38,960 --> 00:59:40,640
Speaker 1: but I want you to be safe. I want you

1111
00:59:40,680 --> 00:59:42,080
Speaker 1: to handle this and I want you to feel like

1112
00:59:42,200 --> 00:59:44,080
Speaker 1: you can go to work and not have any type

1113
00:59:44,120 --> 00:59:47,560
Speaker 1: of anxiety about it. But exactly I'm heading it now

1114
00:59:47,600 --> 00:59:49,520
Speaker 1: and I'm just nervous. So I called you guys. I

1115
00:59:49,640 --> 00:59:51,680
Speaker 1: was like, let me see what they're gonna say to me,

1116
00:59:52,120 --> 00:59:53,840
Speaker 1: And that's exactly what I need to do. I need

1117
00:59:53,880 --> 00:59:56,920
Speaker 1: to go to HRR, stop being nice and just handle

1118
00:59:57,040 --> 00:59:59,600
Speaker 1: business the way it needs to be handled. Okay, good luck,

1119
00:59:59,680 --> 01:00:03,800
Speaker 1: mamm Thank you all righty ask ye eight undred five

1120
01:00:03,880 --> 01:00:06,040
Speaker 1: eight five one oh five one. If you need relationship

1121
01:00:06,080 --> 01:00:08,560
Speaker 1: advice at any type of advice, call ye. Now it's

1122
01:00:08,560 --> 01:00:12,240
Speaker 1: a breakfast club. Good morning. I'm gonna get a real way.

1123
01:00:12,960 --> 01:00:19,240
Speaker 1: There's some real advice with Angela Jay Envy, Angela Yee, Charlomagne,

1124
01:00:19,280 --> 01:00:21,280
Speaker 1: the guy we are the breakfast club with in the

1125
01:00:21,360 --> 01:00:24,760
Speaker 1: middle of asking ye, Hello, who's this Good morning? This

1126
01:00:24,960 --> 01:00:30,360
Speaker 1: is for Ye from Detrot, Michigan. What I'm doing? Hey? Hey,

1127
01:00:30,440 --> 01:00:34,240
Speaker 1: what's up? Um? So this is my question. U. I

1128
01:00:34,360 --> 01:00:39,600
Speaker 1: had a whole situation. I'm getting married August coagulations, thank

1129
01:00:39,640 --> 01:00:43,800
Speaker 1: you and um my siance. One of his sisters is

1130
01:00:43,840 --> 01:00:47,280
Speaker 1: one of my brides maids. So I've been playing on

1131
01:00:47,320 --> 01:00:49,000
Speaker 1: my wedding for like a year and a half now.

1132
01:00:49,480 --> 01:00:53,000
Speaker 1: She recently just pops up and announced to the family

1133
01:00:53,160 --> 01:00:56,440
Speaker 1: that she was pregnant, and she is five months pregnant,

1134
01:00:56,680 --> 01:00:58,560
Speaker 1: so by the time my wedding comes, you will be

1135
01:00:58,880 --> 01:01:02,200
Speaker 1: like six or seven months pregnant. So I ended up

1136
01:01:02,440 --> 01:01:04,960
Speaker 1: sending her a text message just kind of like giving

1137
01:01:05,040 --> 01:01:08,520
Speaker 1: her the option. Basically because my vision from my wedding

1138
01:01:08,640 --> 01:01:11,080
Speaker 1: was to not not to have, you know, a baby

1139
01:01:11,160 --> 01:01:13,920
Speaker 1: bump in the lineup or whatever. So I sent her

1140
01:01:13,920 --> 01:01:15,640
Speaker 1: a text message and kind of just like I didn't

1141
01:01:15,640 --> 01:01:17,320
Speaker 1: put her I was a dueting, but I gave her

1142
01:01:17,400 --> 01:01:20,040
Speaker 1: the option. I just basically made it sound good and

1143
01:01:20,120 --> 01:01:21,880
Speaker 1: just tell her, like, you know, I don't know how

1144
01:01:21,920 --> 01:01:23,520
Speaker 1: you're gonna be feeling at the time, so if you

1145
01:01:23,560 --> 01:01:25,840
Speaker 1: want to opt out, that's totally fine. I still want

1146
01:01:25,880 --> 01:01:27,160
Speaker 1: you to be a partner. He didn't kick it out,

1147
01:01:27,440 --> 01:01:30,000
Speaker 1: kicked her out. He tried to convin go ahead. So

1148
01:01:30,200 --> 01:01:32,880
Speaker 1: that sound like I kicked her out, yes, okay, Yeah,

1149
01:01:32,920 --> 01:01:35,240
Speaker 1: So it was a whole big thing, Like it was

1150
01:01:35,320 --> 01:01:38,200
Speaker 1: a whole big thing. So the following day, my fiance's

1151
01:01:38,280 --> 01:01:41,600
Speaker 1: father had called and he was like basically checking my

1152
01:01:41,720 --> 01:01:43,960
Speaker 1: fiance like why would you, why would Eric? Why why

1153
01:01:43,960 --> 01:01:46,560
Speaker 1: would she put her out of the wedding. So it

1154
01:01:46,720 --> 01:01:48,400
Speaker 1: was a big thing between me and my fiance. We

1155
01:01:48,480 --> 01:01:50,760
Speaker 1: want to conflint on it and everything and basically the

1156
01:01:50,840 --> 01:01:53,400
Speaker 1: comfort kind of he didn't say I was wrong, but

1157
01:01:53,560 --> 01:01:56,240
Speaker 1: he kind of sided with my fiance on it, and

1158
01:01:56,640 --> 01:02:00,520
Speaker 1: he was saying that, you know, um it, it was

1159
01:02:00,600 --> 01:02:03,440
Speaker 1: a it was a pictonve situation for her already and

1160
01:02:03,520 --> 01:02:05,320
Speaker 1: for me to te head to what it could be

1161
01:02:05,400 --> 01:02:07,080
Speaker 1: kind of you know, get your mental or whatever. But

1162
01:02:07,400 --> 01:02:09,919
Speaker 1: me and her made up and I love her to death,

1163
01:02:10,000 --> 01:02:12,320
Speaker 1: like she's one of my posts, Like I'm very close

1164
01:02:12,360 --> 01:02:14,680
Speaker 1: to her. So I felt so bad about the situation

1165
01:02:15,200 --> 01:02:17,320
Speaker 1: and I really didn't want it to come off as

1166
01:02:17,360 --> 01:02:19,680
Speaker 1: I put her out. But that's what everybody is taking

1167
01:02:19,800 --> 01:02:22,120
Speaker 1: this And now it's just kind of awkward, like seep

1168
01:02:22,200 --> 01:02:24,320
Speaker 1: back in the wedding, but it's just awkward. I feel

1169
01:02:24,320 --> 01:02:25,880
Speaker 1: like it's awkward for her. I feel like it's a

1170
01:02:25,920 --> 01:02:28,680
Speaker 1: little I feel for me. Well, Jet, did you tell

1171
01:02:28,720 --> 01:02:30,560
Speaker 1: her that you were wrong, because sometimes you do have

1172
01:02:30,680 --> 01:02:33,160
Speaker 1: to just say I was really wrong for doing what

1173
01:02:33,280 --> 01:02:36,280
Speaker 1: I did. Yeah, I did, I did, And she was like,

1174
01:02:36,360 --> 01:02:37,960
Speaker 1: thank you for tecting the Carla being a league, Like

1175
01:02:37,960 --> 01:02:40,160
Speaker 1: I said it just like that, like that was totally wrong.

1176
01:02:40,280 --> 01:02:42,160
Speaker 1: I was like, that was the dumbish I could have

1177
01:02:42,240 --> 01:02:44,800
Speaker 1: ever said to you. I was like, I'm so sorry,

1178
01:02:44,840 --> 01:02:46,280
Speaker 1: and I still want you to be a part as

1179
01:02:46,280 --> 01:02:48,600
Speaker 1: a wedding. But coming from my point of view, like

1180
01:02:48,760 --> 01:02:51,040
Speaker 1: I just felt like that wasn't my bision for my

1181
01:02:51,160 --> 01:02:53,480
Speaker 1: wedding and me being a bride, I had a certain

1182
01:02:53,600 --> 01:02:56,280
Speaker 1: like you know, busion that I wanted. So I felt

1183
01:02:56,280 --> 01:02:58,160
Speaker 1: like the baby bump was kind of like you know,

1184
01:02:58,280 --> 01:02:59,920
Speaker 1: being the pictures and a lot of this and that

1185
01:03:00,160 --> 01:03:04,360
Speaker 1: or whatever. But but want to situation happened. I feel like, Okay,

1186
01:03:04,480 --> 01:03:06,840
Speaker 1: now I'm obligated to he her and my wedding. He good.

1187
01:03:07,680 --> 01:03:10,200
Speaker 1: I get it, Like I understand that people have visions

1188
01:03:10,280 --> 01:03:12,240
Speaker 1: of how they want things to look visually, but it

1189
01:03:12,320 --> 01:03:15,600
Speaker 1: really is a beautiful thing. And you said, that's one

1190
01:03:15,600 --> 01:03:17,840
Speaker 1: of your best friends, you love her, the last thing

1191
01:03:17,880 --> 01:03:19,280
Speaker 1: you want to do with her the feelings, I mean,

1192
01:03:19,360 --> 01:03:21,720
Speaker 1: she didn't plan to get pregnant to try to ruin

1193
01:03:21,800 --> 01:03:25,200
Speaker 1: your vision for your wedding. You're right, You're right, You're right,

1194
01:03:25,320 --> 01:03:27,880
Speaker 1: and I appreciate that. And that's why I've just been

1195
01:03:27,920 --> 01:03:30,240
Speaker 1: talking to other people, getting like other people's point of

1196
01:03:30,320 --> 01:03:32,400
Speaker 1: views and my free Everybody I talked to kind of

1197
01:03:32,440 --> 01:03:35,520
Speaker 1: say the same thing, like you had. You gotta apologize

1198
01:03:35,560 --> 01:03:38,040
Speaker 1: for that that was wrong, and you know, just move forward.

1199
01:03:38,080 --> 01:03:40,000
Speaker 1: I just don't want it to be awkward going forward

1200
01:03:40,040 --> 01:03:42,080
Speaker 1: with us. It's only gonna be awkward if you make

1201
01:03:42,120 --> 01:03:43,920
Speaker 1: it awkward. I'm sure she doesn't want it to be

1202
01:03:44,000 --> 01:03:46,800
Speaker 1: awkward either. Maybe y'all need some alone time to go

1203
01:03:46,880 --> 01:03:49,000
Speaker 1: to dinner or something for you to just, you know,

1204
01:03:49,520 --> 01:03:52,520
Speaker 1: formally apologize to her, show her that you know, you

1205
01:03:52,640 --> 01:03:55,000
Speaker 1: know that you were wrong. It was selfish, you were

1206
01:03:55,040 --> 01:03:57,840
Speaker 1: being a little bit of a bridezilla. Yeah, and you

1207
01:03:57,920 --> 01:04:00,200
Speaker 1: can't admit that and just say, you know, it's a

1208
01:04:00,240 --> 01:04:02,360
Speaker 1: lot for me. It's been stressful, but I never wanted

1209
01:04:02,400 --> 01:04:05,000
Speaker 1: to put that on you. And congratulations to you, and

1210
01:04:05,040 --> 01:04:07,360
Speaker 1: I'm excited that your child would be here to share

1211
01:04:07,400 --> 01:04:10,080
Speaker 1: this day with us in your belly cool. Yeah, that

1212
01:04:10,240 --> 01:04:13,320
Speaker 1: sounds real good, and I did so. I also taught

1213
01:04:13,360 --> 01:04:15,640
Speaker 1: her after the weddiness over. I got something special plan

1214
01:04:15,760 --> 01:04:18,280
Speaker 1: for her. Just put y'all hear that my apology wasn't

1215
01:04:18,400 --> 01:04:20,840
Speaker 1: here and just heard it. I love her. Yeah, there

1216
01:04:20,880 --> 01:04:24,520
Speaker 1: you go. Okay, you messed up, that's all I'm damn.

1217
01:04:24,640 --> 01:04:27,560
Speaker 1: I messed up. Okay, thank you, no problem. I love

1218
01:04:27,680 --> 01:04:30,080
Speaker 1: y'all so much. I'm listening to y'all every morning. I'm

1219
01:04:30,120 --> 01:04:32,120
Speaker 1: gonna my son this morning. He'll be telling me to

1220
01:04:32,160 --> 01:04:33,920
Speaker 1: call like my try to get here and try to

1221
01:04:33,920 --> 01:04:35,800
Speaker 1: get in. We've been calling from food pom so I'm

1222
01:04:35,840 --> 01:04:37,880
Speaker 1: so happy I got through. That's what it is telling me.

1223
01:04:37,880 --> 01:04:39,960
Speaker 1: Sell what's up? Yeah? What's your son's name? You right

1224
01:04:40,040 --> 01:04:42,720
Speaker 1: here and stay? What's up? What's up? What's see you? Dang?

1225
01:04:42,880 --> 01:04:46,560
Speaker 1: How you doing? Brother? Be good to your mama. Man? Okay, Oh,

1226
01:04:46,600 --> 01:04:49,760
Speaker 1: will have fun at the wedding. All right, Thank you.

1227
01:04:49,920 --> 01:04:52,880
Speaker 1: Have a good day, y'all. Tell you too. Ask you

1228
01:04:53,040 --> 01:04:55,640
Speaker 1: eight hundred five A five one oh five one, mister

1229
01:04:55,680 --> 01:05:04,480
Speaker 1: Breakfast Club, Good morning, the Breakfast Club. Ask Charlomagne a

1230
01:05:04,600 --> 01:05:09,440
Speaker 1: dj Envy anything pick up. It's time to ask an

1231
01:05:09,480 --> 01:05:15,240
Speaker 1: e morning. Everybody is dj Envy Angela yee Charlomagne the guy.

1232
01:05:15,320 --> 01:05:18,680
Speaker 1: We are the Breakfast club. It's time for as seeing e.

1233
01:05:18,920 --> 01:05:21,160
Speaker 1: If you need relationship advice and any type of advice

1234
01:05:21,520 --> 01:05:24,479
Speaker 1: eight n drink five eight five one on five one. Hello,

1235
01:05:24,560 --> 01:05:27,400
Speaker 1: what's your question for c an E? What's stop? What'stop vy?

1236
01:05:27,520 --> 01:05:30,360
Speaker 1: What's I'm Charlemagne? How you're doing? I'm saying, how are you?

1237
01:05:30,920 --> 01:05:33,360
Speaker 1: I'm going? I'm good. My name is Kaya, I'm from

1238
01:05:33,400 --> 01:05:35,320
Speaker 1: New York. I live in on Camelina now so I

1239
01:05:35,440 --> 01:05:40,920
Speaker 1: just catch Heart radio app Okay, appreciate you. As you

1240
01:05:41,000 --> 01:05:43,360
Speaker 1: guys know, all people have crazy baby daddies. I have

1241
01:05:43,400 --> 01:05:45,880
Speaker 1: one of those as well. Um, I stood like two

1242
01:05:46,000 --> 01:05:48,440
Speaker 1: years off. He was on college sweethearts, but like two

1243
01:05:48,560 --> 01:05:50,360
Speaker 1: years off and now I'm back in school and he

1244
01:05:50,440 --> 01:05:52,520
Speaker 1: happens to be back in school as well. We have

1245
01:05:52,680 --> 01:05:55,240
Speaker 1: the same flat, and you know, I'm pretty cute, you

1246
01:05:55,280 --> 01:05:57,040
Speaker 1: know what I'm saying, So I get attention from God.

1247
01:05:57,200 --> 01:06:00,560
Speaker 1: He's crazy, you know what. Um He's to me like

1248
01:06:00,640 --> 01:06:03,360
Speaker 1: what was this Thursday? He was like, I know you

1249
01:06:03,560 --> 01:06:06,680
Speaker 1: like to play on youngs and that's among other crazy

1250
01:06:06,720 --> 01:06:09,160
Speaker 1: things that he says. Mind you, we haven't been together

1251
01:06:09,240 --> 01:06:10,640
Speaker 1: for over a year and a half, but for some

1252
01:06:10,840 --> 01:06:14,040
Speaker 1: reason he feels like I'm his property. So my question

1253
01:06:14,080 --> 01:06:15,680
Speaker 1: to you guys me and if you guys are married

1254
01:06:15,800 --> 01:06:17,560
Speaker 1: and you know, have kids and all that stuff, how

1255
01:06:17,600 --> 01:06:21,760
Speaker 1: do I deal with this and still manage to cocare correctly? Well,

1256
01:06:21,920 --> 01:06:24,360
Speaker 1: no man should be looking at you as property, not one.

1257
01:06:24,440 --> 01:06:25,880
Speaker 1: You need to make it clear that you're not his.

1258
01:06:26,320 --> 01:06:28,080
Speaker 1: But I mean I do. I do respect him for

1259
01:06:28,520 --> 01:06:30,920
Speaker 1: I guess addressing his insecurities, but you have to let

1260
01:06:31,000 --> 01:06:32,760
Speaker 1: him know that that's what they all did is insecurity.

1261
01:06:32,800 --> 01:06:34,960
Speaker 1: But they're not together. Oh y'all not together. I love

1262
01:06:35,000 --> 01:06:37,520
Speaker 1: you together together. I've made it very clear to him.

1263
01:06:37,600 --> 01:06:40,280
Speaker 1: We hadn't not expected or anything like that. We've been

1264
01:06:40,440 --> 01:06:42,320
Speaker 1: broken up for a year and a half, probably haven't

1265
01:06:42,320 --> 01:06:45,520
Speaker 1: had sex with anybody year. So it is this a

1266
01:06:45,600 --> 01:06:48,400
Speaker 1: new stance, the consistent new than he's crazy. I told

1267
01:06:48,480 --> 01:06:49,840
Speaker 1: him he should go and get him to his mind

1268
01:06:49,960 --> 01:06:52,080
Speaker 1: checked out. He recently saw me that he found out

1269
01:06:52,120 --> 01:06:55,920
Speaker 1: your bipolar. But if he's taking a medication, we don't know. Um,

1270
01:06:56,080 --> 01:06:58,800
Speaker 1: so my family's concerned. My mother's like, kaya, don't take

1271
01:06:58,840 --> 01:07:02,840
Speaker 1: that lightly. Yeah, I'm with your mother. Don't take it lightly. Man.

1272
01:07:02,960 --> 01:07:05,800
Speaker 1: Keep one eye on him, but I would definitely be

1273
01:07:06,040 --> 01:07:08,280
Speaker 1: clear that that you have not his like I would

1274
01:07:08,320 --> 01:07:10,640
Speaker 1: separate everything, like let him see his child when the

1275
01:07:10,720 --> 01:07:13,360
Speaker 1: time to see his child. Don't do anything together where

1276
01:07:13,400 --> 01:07:15,720
Speaker 1: he thinks that y'all together or thinks that y'all dating

1277
01:07:15,840 --> 01:07:17,800
Speaker 1: or thinks he has a shot or a chance not

1278
01:07:18,040 --> 01:07:19,920
Speaker 1: be Yeah, and the next person he's gonna be threatening

1279
01:07:20,000 --> 01:07:21,920
Speaker 1: with violence as you you know what I'm saying. And

1280
01:07:21,960 --> 01:07:23,280
Speaker 1: you just gotta tell him the truth if you gotta

1281
01:07:23,320 --> 01:07:25,440
Speaker 1: be like, look, we haven't had sex in the year.

1282
01:07:26,040 --> 01:07:28,000
Speaker 1: There's plenty of women out there that got boxed better

1283
01:07:28,040 --> 01:07:33,160
Speaker 1: than mine. Go find somebody. Well, I'm not sure. Yeah,

1284
01:07:34,400 --> 01:07:38,600
Speaker 1: that one course old on. Mama Tanisia, what's up? What's

1285
01:07:38,600 --> 01:07:41,560
Speaker 1: your question for C hold on? You got some more

1286
01:07:41,560 --> 01:07:44,560
Speaker 1: advice for here's another question, Oh, Tanisia, what's your question

1287
01:07:44,600 --> 01:07:48,240
Speaker 1: for cn E? Hi guys, um okay, So my question

1288
01:07:48,440 --> 01:07:52,160
Speaker 1: is my parents they basically up and moved to Colorado

1289
01:07:52,360 --> 01:07:56,520
Speaker 1: like three years ago, and they they went out there

1290
01:07:56,520 --> 01:07:58,080
Speaker 1: because God told him to go out there or something

1291
01:07:58,160 --> 01:08:00,520
Speaker 1: like that. But apparently they must them. It's hurt the

1292
01:08:00,560 --> 01:08:03,800
Speaker 1: message because they out they're struggling, it's ready to come back,

1293
01:08:04,560 --> 01:08:07,640
Speaker 1: so on and so forth. And um, they always call

1294
01:08:07,720 --> 01:08:09,240
Speaker 1: me and ask me for money, like Oh, we need

1295
01:08:09,320 --> 01:08:11,080
Speaker 1: money for this, we need money for that. And it's

1296
01:08:11,120 --> 01:08:13,400
Speaker 1: just like it's getting to the point where it's like

1297
01:08:13,840 --> 01:08:16,559
Speaker 1: I'm getting tired of doing that. But on the other hand,

1298
01:08:16,640 --> 01:08:18,960
Speaker 1: it's like I don't want to see them suffer. They're older,

1299
01:08:19,560 --> 01:08:21,960
Speaker 1: you know, like their health is feeling. How much how

1300
01:08:22,040 --> 01:08:26,559
Speaker 1: much they asking for? Um, they ask from anything from

1301
01:08:26,640 --> 01:08:30,439
Speaker 1: fifty to three to five hundred dollars. Are you Are

1302
01:08:30,479 --> 01:08:33,439
Speaker 1: you doing good in life? Um? I'm doing my life.

1303
01:08:33,640 --> 01:08:37,679
Speaker 1: I am twenty eight, I'm a CPA. Uh don't quite

1304
01:08:37,760 --> 01:08:41,960
Speaker 1: make six figures yet, but um, I'm doing okay. But

1305
01:08:42,040 --> 01:08:43,400
Speaker 1: let's just getting to the point where I'm just like,

1306
01:08:43,560 --> 01:08:46,479
Speaker 1: if I continue to give some money every single time

1307
01:08:46,560 --> 01:08:49,240
Speaker 1: they ask, I'm not gonna be doing okay. Be honest

1308
01:08:49,280 --> 01:08:50,920
Speaker 1: with you, I think they just are spending that money

1309
01:08:50,960 --> 01:08:54,840
Speaker 1: all week. They in Colorado. Yeah, I think they spending

1310
01:08:54,840 --> 01:08:57,800
Speaker 1: all your money all week. Okay. Well, It'm like I

1311
01:08:57,880 --> 01:09:00,240
Speaker 1: don't know if they're spending all week. My mom, you're

1312
01:09:00,240 --> 01:09:03,720
Speaker 1: spending on wine, but I don't know. Now she's talking out.

1313
01:09:03,760 --> 01:09:07,040
Speaker 1: She's in a hospital right now. And my stuff that

1314
01:09:07,120 --> 01:09:09,680
Speaker 1: had he's out there and he's doing uber eat he

1315
01:09:10,000 --> 01:09:11,720
Speaker 1: was doing uber. But you gotta kicked off for that.

1316
01:09:11,840 --> 01:09:14,360
Speaker 1: Now he's going to you gotta send your mama some money. Now,

1317
01:09:14,560 --> 01:09:17,160
Speaker 1: come on, let's be honest, like like your mama and

1318
01:09:17,280 --> 01:09:19,000
Speaker 1: your poppy helped you when you were a kid and

1319
01:09:19,160 --> 01:09:21,040
Speaker 1: all the way to you was twenty one years old. Correct,

1320
01:09:23,800 --> 01:09:26,519
Speaker 1: when did they stopped taking care of you? Boo um?

1321
01:09:26,840 --> 01:09:28,920
Speaker 1: I mean honestly, I live on and off with my

1322
01:09:29,080 --> 01:09:32,760
Speaker 1: grandma or basically most of my life. And then by

1323
01:09:32,800 --> 01:09:34,719
Speaker 1: the time I had eighth grade, I say with my grandma,

1324
01:09:34,840 --> 01:09:36,479
Speaker 1: I'm gonna tell you two Piz, I'm gonna give you

1325
01:09:36,479 --> 01:09:37,880
Speaker 1: two pieces of advice. I'm gonna tell you what my

1326
01:09:37,920 --> 01:09:40,320
Speaker 1: mama told me. My mama told me that kids do

1327
01:09:40,520 --> 01:09:43,720
Speaker 1: not owe their parents anything. That's when she told me,

1328
01:09:44,280 --> 01:09:47,840
Speaker 1: right right, in reference to my father. Now that's number one.

1329
01:09:48,240 --> 01:09:51,080
Speaker 1: Number two you should tell your parents. I don't want

1330
01:09:51,120 --> 01:09:53,519
Speaker 1: to get in between the lesson that God is trying

1331
01:09:53,560 --> 01:09:57,160
Speaker 1: to teach you. Okay, God told you to go out here.

1332
01:09:57,520 --> 01:10:00,200
Speaker 1: God got y'all struggling for a reason. I I don't

1333
01:10:00,200 --> 01:10:02,240
Speaker 1: want to intervene with what God is trying to teach you.

1334
01:10:02,439 --> 01:10:04,120
Speaker 1: Mom and dad. Don't you do that your comes in

1335
01:10:04,200 --> 01:10:07,160
Speaker 1: the hospital, you hold your mom you tell mama, Dad,

1336
01:10:08,080 --> 01:10:10,479
Speaker 1: I feel bad like hot of me. Understand that's what

1337
01:10:10,560 --> 01:10:15,320
Speaker 1: you're saying. It's just like, that's your mamma, that's your mama.

1338
01:10:15,880 --> 01:10:18,479
Speaker 1: Don't let your mama go in that hospital. Man, you

1339
01:10:18,520 --> 01:10:22,040
Speaker 1: should give it. That is very true. But maybe, just maybe, mamma,

1340
01:10:22,479 --> 01:10:24,280
Speaker 1: this is not what God has in their plans. Oh

1341
01:10:24,400 --> 01:10:27,000
Speaker 1: my goodness. Eight hundred five eight five one oh five one,

1342
01:10:27,120 --> 01:10:29,120
Speaker 1: as C and E callers, now is the breakfast club?

1343
01:10:29,160 --> 01:10:32,400
Speaker 1: Good morning all right for the people? Positive? Note it

1344
01:10:32,479 --> 01:10:35,880
Speaker 1: simple man, I really want you to remember this. The

1345
01:10:36,040 --> 01:10:39,439
Speaker 1: real flex in life. The real flex is letting some

1346
01:10:39,600 --> 01:10:43,080
Speaker 1: people talk about the old you while you heal and

1347
01:10:43,200 --> 01:10:46,519
Speaker 1: evolve into the new you. Breakfast club pitch, you know,

1348
01:10:46,560 --> 01:10:47,639
Speaker 1: I finish it, y'all, dumb