1 00:00:00,760 --> 00:00:03,000 Speaker 1: Maxie Miles. It's a production of a typical artists and 2 00:00:03,040 --> 00:00:16,479 Speaker 1: I heart radio. Miss Honeywell Maxine, lovely afternoon, isn't it. Well? 3 00:00:17,320 --> 00:00:21,479 Speaker 1: Oh my goodness, what happened? Oh it's nothing, just just 4 00:00:21,600 --> 00:00:25,400 Speaker 1: a little sprain. Are you all right? Yeah, it really 5 00:00:25,520 --> 00:00:28,800 Speaker 1: wasn't a big deal at all. I just it was stupid. 6 00:00:29,000 --> 00:00:32,720 Speaker 1: I was just running and tripped. Not exactly the worst 7 00:00:32,800 --> 00:00:35,960 Speaker 1: thing to happen in the last few days, obviously. What 8 00:00:36,000 --> 00:00:42,000 Speaker 1: do you mean, Wait, you haven't heard heard what Riley? 9 00:00:43,280 --> 00:00:48,560 Speaker 1: A boy from the high school he went missing? Oh god, 10 00:00:49,240 --> 00:00:52,240 Speaker 1: I guess you're not tapped into the Hastings rumor mill yet. 11 00:00:52,720 --> 00:00:56,960 Speaker 1: Are there any leads? No? No, All they know is 12 00:00:57,000 --> 00:00:59,880 Speaker 1: that he was in city Hall Monday afternoon talking to 13 00:01:00,040 --> 00:01:07,600 Speaker 1: the mayor and after that nothing oh mm hmm, what well? 14 00:01:07,880 --> 00:01:10,240 Speaker 1: I think I may have seen him there. I took 15 00:01:10,280 --> 00:01:12,640 Speaker 1: your advice to go to city Hall for the old blueprints, 16 00:01:12,640 --> 00:01:17,360 Speaker 1: and there was a boy there about your age. He was, well, 17 00:01:17,920 --> 00:01:21,119 Speaker 1: I'm not sure I should say no, tell me. Well, 18 00:01:22,600 --> 00:01:24,959 Speaker 1: as I was leaving, I passed him as he was 19 00:01:25,080 --> 00:01:28,560 Speaker 1: leaning against an office door like he was listening in 20 00:01:29,040 --> 00:01:32,400 Speaker 1: to the Mayor's office. No, it was a different office. 21 00:01:33,319 --> 00:01:38,319 Speaker 1: I think, Maxine Miles getting this car right now? Oh god, 22 00:01:39,080 --> 00:01:42,400 Speaker 1: I'm serious, Max Joe, I'm kind of in the middle 23 00:01:42,440 --> 00:01:54,640 Speaker 1: of having it in. Sorry, that's all right. What about 24 00:01:54,840 --> 00:01:59,520 Speaker 1: come right home after school? Did you not understand? I 25 00:01:59,680 --> 00:02:02,080 Speaker 1: was right home, but I had to pick up a 26 00:02:02,080 --> 00:02:06,520 Speaker 1: book at the library, Maxine, I mean it this time, really, Max, 27 00:02:06,640 --> 00:02:10,240 Speaker 1: After that stunt you pulled last night, I was allowed 28 00:02:10,320 --> 00:02:12,800 Speaker 1: to be there. It's not joining the search party that 29 00:02:12,840 --> 00:02:14,720 Speaker 1: I have a problem with. It's the fact that you 30 00:02:14,800 --> 00:02:17,200 Speaker 1: went running after god knows what in the middle of 31 00:02:17,200 --> 00:02:20,359 Speaker 1: the woods. I thought we agreed last night that you 32 00:02:20,400 --> 00:02:23,839 Speaker 1: would keep this to a purely notebook based activity. We did, 33 00:02:23,919 --> 00:02:27,480 Speaker 1: and I have been Oh you sure have. Guess what 34 00:02:27,600 --> 00:02:29,600 Speaker 1: I found taped on the back of your door, A 35 00:02:29,639 --> 00:02:33,040 Speaker 1: full on conspiracy board, red string and all. You said 36 00:02:33,200 --> 00:02:36,840 Speaker 1: I could take notes. We're well past that. You are 37 00:02:36,880 --> 00:02:42,520 Speaker 1: throwing all of it away and leaving this to the adults. Sorry, kiddo, 38 00:02:42,600 --> 00:02:45,440 Speaker 1: but you lost your curiosity privileges when you lied to 39 00:02:45,520 --> 00:02:55,160 Speaker 1: me and went running head first into danger from a 40 00:02:55,240 --> 00:02:58,600 Speaker 1: typical artists And I heart radio. You're listening to Maxim Miles. 41 00:03:23,160 --> 00:03:32,000 Speaker 1: This is chapter three the Treehouse. Yes, fine, I'm throwing 42 00:03:32,000 --> 00:03:39,320 Speaker 1: it out. Good, I'll just go ahead throughout all of 43 00:03:39,440 --> 00:03:42,920 Speaker 1: my hard work. What are you doing? God tell her? 44 00:03:43,160 --> 00:03:48,840 Speaker 1: Lurk much? What is all that junk? It's not chunk. 45 00:03:49,920 --> 00:03:57,560 Speaker 1: It's evidence evidence about Riley. Nothing that's actual evidence. I'm 46 00:03:57,600 --> 00:04:04,200 Speaker 1: not holding valuable information or anything. Just my case, your case. 47 00:04:06,520 --> 00:04:08,160 Speaker 1: You really think it's a good idea for you to 48 00:04:08,240 --> 00:04:12,800 Speaker 1: keep going on this after yesterday? Don't you start? Yesterday 49 00:04:13,000 --> 00:04:18,200 Speaker 1: was just a misstep in the investigation. Literally, but there 50 00:04:18,360 --> 00:04:21,800 Speaker 1: was someone in those woods. It was a deer. It 51 00:04:21,880 --> 00:04:25,880 Speaker 1: was not a deer, and you know it. Look, if 52 00:04:25,960 --> 00:04:30,080 Speaker 1: you don't want to throw all that away, I might 53 00:04:30,120 --> 00:04:32,960 Speaker 1: know a place you could put it, somewhere your uncle 54 00:04:33,080 --> 00:04:51,280 Speaker 1: won't find. I thought this place was condemned years ago. 55 00:04:52,080 --> 00:04:55,160 Speaker 1: Oh you can't actually condemn a tree house. You know 56 00:04:55,279 --> 00:05:00,000 Speaker 1: what I mean? I made it up. Hmm, the tree 57 00:05:00,120 --> 00:05:04,839 Speaker 1: house being dangerous and about to collapse. What why? I 58 00:05:04,920 --> 00:05:10,840 Speaker 1: have four siblings, Okay, all right, only child. You don't 59 00:05:10,839 --> 00:05:14,360 Speaker 1: get it, well, it's a nightmare. I don't know. It 60 00:05:14,440 --> 00:05:17,240 Speaker 1: sounds kind of fun to me, trust me, it's not. 61 00:05:17,880 --> 00:05:20,000 Speaker 1: I share a room. I never get to be alone. 62 00:05:20,760 --> 00:05:23,800 Speaker 1: So you lied to your family. It's not my fault. 63 00:05:23,800 --> 00:05:27,040 Speaker 1: They're gullible, they'll never come up here, and my parents 64 00:05:27,120 --> 00:05:31,039 Speaker 1: are too lazy to take it down, so all mine. 65 00:05:31,880 --> 00:05:35,320 Speaker 1: That's messed up. Ross. Hey, you're lying to Joe. No, 66 00:05:35,440 --> 00:05:38,080 Speaker 1: I'm not. If you keep your murder board up here, 67 00:05:38,320 --> 00:05:41,360 Speaker 1: you are, it's not a murder board. Riley isn't dead, 68 00:05:42,560 --> 00:05:45,400 Speaker 1: you know what I mean? Either way, you don't have 69 00:05:45,440 --> 00:05:49,400 Speaker 1: to do all this, No I do. I need to 70 00:05:49,440 --> 00:05:52,400 Speaker 1: figure this out. Why you got the hots for rial 71 00:05:52,600 --> 00:05:57,360 Speaker 1: or something? What? No? God? No, Hey, he's not that bad. No, 72 00:05:57,560 --> 00:06:02,240 Speaker 1: that's not Riley is great, but I don't like him 73 00:06:02,279 --> 00:06:06,800 Speaker 1: like that. Right, I forgot? He's not THEO what? Nothing? 74 00:06:07,839 --> 00:06:11,800 Speaker 1: You're sure that no one will find this stuff? I'm positive, 75 00:06:12,240 --> 00:06:18,400 Speaker 1: really really really really okay, come on show me what 76 00:06:18,520 --> 00:06:25,640 Speaker 1: you have already? Mostly just major players, Riley's parents, everyone 77 00:06:25,680 --> 00:06:27,960 Speaker 1: he talked to the last day, people saw him, his 78 00:06:28,040 --> 00:06:38,480 Speaker 1: best friends, so suspects. Yeah. Cool. You know you don't 79 00:06:38,920 --> 00:06:42,120 Speaker 1: have to actually help me with this. I can just 80 00:06:42,160 --> 00:06:46,040 Speaker 1: come over here by myself. You nearly broke your ankle yesterday. 81 00:06:46,040 --> 00:06:47,920 Speaker 1: I don't think you should be left to your own devices. 82 00:06:48,279 --> 00:06:51,240 Speaker 1: Don't patronize me, Teller. You're the one who looked like 83 00:06:51,240 --> 00:06:54,159 Speaker 1: he was going to pass out from sheer terror. How's 84 00:06:54,200 --> 00:06:57,520 Speaker 1: it feeling, By the way, It's totally fine. The swelling 85 00:06:57,640 --> 00:07:05,120 Speaker 1: is completely gone. It's basically acton normal. Sure. Wait, why 86 00:07:05,240 --> 00:07:09,240 Speaker 1: is Mr Beati's name in here? Oh? Riley mentioned something 87 00:07:09,320 --> 00:07:13,240 Speaker 1: about helping him this summer, like mowing the lawn and stuff. 88 00:07:13,880 --> 00:07:17,600 Speaker 1: I have never seen Riley Stephens mowing Mr Beatie's lawn. 89 00:07:18,480 --> 00:07:21,640 Speaker 1: It wasn't that exactly. It was something had to do 90 00:07:21,760 --> 00:07:29,960 Speaker 1: with housework or repairs or I wrote it down somewhere. Um, okay, 91 00:07:30,000 --> 00:07:38,960 Speaker 1: So I'm up here most nights until late okay. And 92 00:07:39,160 --> 00:07:43,960 Speaker 1: the other night, Monday night, I saw Mr Beady pulling 93 00:07:43,960 --> 00:07:47,200 Speaker 1: out of his driveway at two am. He had a 94 00:07:47,200 --> 00:07:55,840 Speaker 1: shovel and a tarp Monday night. Yeah, you're sure, Max. 95 00:07:56,600 --> 00:07:59,240 Speaker 1: You saw Mr Beatie get into his truck with a 96 00:07:59,360 --> 00:08:03,920 Speaker 1: shovel into tarp the night Riley went missing. You don't 97 00:08:04,640 --> 00:08:09,320 Speaker 1: think Mr Beaty, what ever, yeah, hurt someone? Do you 98 00:08:11,760 --> 00:08:17,400 Speaker 1: What was that? Mr beat Oh my god? Do you 99 00:08:17,440 --> 00:08:21,960 Speaker 1: think he hurt us? More importantly, what's quit that deffel bag? 100 00:08:24,800 --> 00:08:28,960 Speaker 1: Where is he going? Probably the same place he went 101 00:08:29,000 --> 00:08:34,800 Speaker 1: on Monday? Ross? Yeah, Max, you want to find out 102 00:08:34,840 --> 00:08:39,120 Speaker 1: for sure? No, no way, Ross, Max, we can't just 103 00:08:39,160 --> 00:08:42,679 Speaker 1: follow Mr Beatie. Why not because at ten o'clock at night, 104 00:08:42,760 --> 00:08:45,559 Speaker 1: we're fourteen and he's in a car. We can take 105 00:08:45,559 --> 00:08:48,560 Speaker 1: our bikes. You have a sprained angle, I'll sit on 106 00:08:48,600 --> 00:08:51,600 Speaker 1: your handlebars. Then you don't think he's going to notice 107 00:08:51,640 --> 00:08:54,600 Speaker 1: two kids on one bike following him. Like you said, 108 00:08:54,679 --> 00:08:57,199 Speaker 1: it's almost ten, it's too dark for him to notice. 109 00:08:57,280 --> 00:08:59,520 Speaker 1: Do you hear yourself right now? Who knows what he 110 00:08:59,559 --> 00:09:01,040 Speaker 1: was doing with that shovel or what the hell he's 111 00:09:01,040 --> 00:09:03,120 Speaker 1: got in that duffel bag? And you want to follow 112 00:09:03,200 --> 00:09:04,800 Speaker 1: him in the middle of the night with let me 113 00:09:04,840 --> 00:09:08,880 Speaker 1: remind you again a sprained ankle. I told you I'm fine? 114 00:09:08,960 --> 00:09:12,960 Speaker 1: What if he has Riley? Okay, this is officially insane. 115 00:09:13,360 --> 00:09:15,040 Speaker 1: Why did you even tell me about it? If we 116 00:09:15,040 --> 00:09:17,960 Speaker 1: weren't going to follow him, Max, you can't just go 117 00:09:18,080 --> 00:09:20,080 Speaker 1: running off after every shadow in the woods? Are half 118 00:09:20,080 --> 00:09:22,720 Speaker 1: big idea? Have? This is serious? You can't always be 119 00:09:22,760 --> 00:09:28,280 Speaker 1: such a coward all the time. Wait, Ross, I didn't 120 00:09:30,280 --> 00:09:37,280 Speaker 1: Matt shoot. Sounds like you should probably get back home. Wait, Ross, 121 00:09:40,280 --> 00:09:47,240 Speaker 1: better get going right? Hey? What are you doing cleaning up? 122 00:09:47,960 --> 00:09:50,560 Speaker 1: I told you you could leave your stuff here? I 123 00:09:50,640 --> 00:10:00,559 Speaker 1: meant it even after I keep my word. Max. Okay, thanks, Ross, Yeah, whatever, 124 00:10:01,640 --> 00:10:04,840 Speaker 1: I'll see you tomorrow if you haven't gotten yourself killed 125 00:10:04,880 --> 00:10:30,920 Speaker 1: between now and then, right see tomorrow. Is that homework? 126 00:10:32,080 --> 00:10:37,240 Speaker 1: Uh huh? Why aren't I supposed to be doing my homework? 127 00:10:37,720 --> 00:10:40,959 Speaker 1: Not the morning is due. It's fine, I'm just finishing 128 00:10:41,040 --> 00:10:44,200 Speaker 1: up some things. This is exactly why I made you 129 00:10:44,240 --> 00:10:46,880 Speaker 1: throw out all that stuff. You can't go getting distracted 130 00:10:46,920 --> 00:10:51,000 Speaker 1: and falling behind in school. Not falling behind in school. 131 00:10:51,040 --> 00:10:52,959 Speaker 1: I get straight a's, and I'd like for you to 132 00:10:53,040 --> 00:10:55,920 Speaker 1: keep it that way, which means whatever you were doing 133 00:10:55,920 --> 00:10:58,719 Speaker 1: at the Tellers last night, you can't be going that lake. 134 00:10:59,280 --> 00:11:03,280 Speaker 1: I was just helping Ross with some school stuff. I 135 00:11:03,280 --> 00:11:06,600 Speaker 1: thought you guys hated each other. What gave you that idea? 136 00:11:06,880 --> 00:11:08,720 Speaker 1: The fact that you've been at war for the past 137 00:11:08,760 --> 00:11:13,120 Speaker 1: three years. At war you stole his basketball. Okay, the 138 00:11:13,160 --> 00:11:16,240 Speaker 1: bouncing sound was driving me crazy. He knocked your bike 139 00:11:16,320 --> 00:11:18,800 Speaker 1: into a puddle and the gears rested. I was able 140 00:11:18,800 --> 00:11:20,640 Speaker 1: to clean it up. I've only ever heard the two 141 00:11:20,679 --> 00:11:24,000 Speaker 1: of you yell each other's names. That was all middle 142 00:11:24,040 --> 00:11:26,640 Speaker 1: school stuff, and now that you're in high school, you're 143 00:11:26,800 --> 00:11:30,959 Speaker 1: mature adults. As mature as you. We've come to a 144 00:11:31,040 --> 00:11:37,280 Speaker 1: day taunt a date. Taunt. Huh? What for? We have 145 00:11:38,559 --> 00:11:42,839 Speaker 1: compatible resources? What does that mean? It means that we're 146 00:11:42,880 --> 00:11:47,640 Speaker 1: helping each other with school stuff. All right, you're sure 147 00:11:47,679 --> 00:11:50,120 Speaker 1: it has nothing to do with Riley. I got all 148 00:11:50,440 --> 00:11:54,720 Speaker 1: that stuff out of the house, just like he wanted. Good. 149 00:11:57,480 --> 00:11:59,400 Speaker 1: Now that your schedule has freed up, I thought it 150 00:11:59,480 --> 00:12:03,000 Speaker 1: might be good for you to get a job. What wait, 151 00:12:03,040 --> 00:12:05,720 Speaker 1: you you just said I don't You're right. You're a 152 00:12:05,720 --> 00:12:07,800 Speaker 1: great student, so school doesn't eat up that much of 153 00:12:07,840 --> 00:12:10,440 Speaker 1: your time, and you don't have any extracurriculus. And that's 154 00:12:10,480 --> 00:12:12,880 Speaker 1: because they won't let me start environmental club with only 155 00:12:12,920 --> 00:12:15,360 Speaker 1: three people. And I don't need you going around and 156 00:12:15,440 --> 00:12:20,440 Speaker 1: creating your own extracurriculars. So you're getting a job. Isn't 157 00:12:20,440 --> 00:12:23,200 Speaker 1: there a job shortage in this town? Isn't that like 158 00:12:23,400 --> 00:12:26,200 Speaker 1: the whole point of the new mining project. There's a 159 00:12:26,240 --> 00:12:29,360 Speaker 1: shortage of full time, well paid jobs. Yes, part time 160 00:12:29,400 --> 00:12:32,200 Speaker 1: minimum wage jobs for teens who need to stay out 161 00:12:32,200 --> 00:12:35,080 Speaker 1: of trouble. There are plenty of those, and you start 162 00:12:35,160 --> 00:12:38,680 Speaker 1: in one of them this afternoon. What I called the 163 00:12:38,679 --> 00:12:41,360 Speaker 1: manager at the general store. This morning, I fixed her 164 00:12:41,360 --> 00:12:43,079 Speaker 1: car for free the other month, and she owed me 165 00:12:43,120 --> 00:12:46,880 Speaker 1: a favor. She expects you every day after school until 166 00:12:46,920 --> 00:12:50,280 Speaker 1: five thirty and on Saturdays starting at eight. You can't 167 00:12:50,320 --> 00:12:54,599 Speaker 1: just force me into a job. M hm. Well, the 168 00:12:54,640 --> 00:12:56,600 Speaker 1: other option is you come to the auto shop and 169 00:12:56,600 --> 00:12:59,480 Speaker 1: help me fix cars. What would you rather do? Get 170 00:12:59,520 --> 00:13:02,640 Speaker 1: discount gum and workings out a warm store, or freeze 171 00:13:02,679 --> 00:13:04,160 Speaker 1: your butt off with me and a bunch of old 172 00:13:04,160 --> 00:13:09,360 Speaker 1: geezers in a drafty garage. Crap, that's what I thought. 173 00:13:11,280 --> 00:13:13,200 Speaker 1: Eat up. You've got a long day ahead of you, 174 00:13:27,880 --> 00:13:29,800 Speaker 1: and that's pretty much all of it. We're supposed to 175 00:13:29,800 --> 00:13:31,760 Speaker 1: be getting a credit card reader next month, so we'll 176 00:13:31,760 --> 00:13:34,000 Speaker 1: both have to get trained on that, but for now, 177 00:13:34,480 --> 00:13:36,880 Speaker 1: nothing over our fifty dollar bill, got it? Got it? 178 00:13:37,160 --> 00:13:38,840 Speaker 1: You're paid every two weeks. You get a ten percent 179 00:13:38,960 --> 00:13:41,400 Speaker 1: store discount, and that does not extend to your friends, 180 00:13:41,400 --> 00:13:48,200 Speaker 1: so don't even try it sounds good, that's it, no questions, no, 181 00:13:48,440 --> 00:13:52,840 Speaker 1: I got it? Mm hmmm. What Usually hiring a kid 182 00:13:52,840 --> 00:13:55,360 Speaker 1: from the high school means trouble. I'm not going to 183 00:13:55,400 --> 00:13:57,880 Speaker 1: be trouble. If I have to be here, I might 184 00:13:57,920 --> 00:14:01,920 Speaker 1: as well do a good job, all right. It then 185 00:14:01,920 --> 00:14:08,319 Speaker 1: your miles and your heart's too damn big pack of 186 00:14:08,400 --> 00:14:14,120 Speaker 1: pall malls and a lighter please seven dollars. Those things 187 00:14:14,160 --> 00:14:18,079 Speaker 1: will kill you, you know. That's why you shouldn't smoke them. 188 00:14:18,200 --> 00:14:23,240 Speaker 1: I wasn't planning to good for you, and you shouldn't either. 189 00:14:24,800 --> 00:14:27,000 Speaker 1: Thanks for the tip, kid, but I don't let thirteen 190 00:14:27,080 --> 00:14:32,520 Speaker 1: year olds dictate my life. I'm fourteen. Your point, fine, 191 00:14:32,840 --> 00:14:35,440 Speaker 1: do whatever you want, but you can't smoke that in here. 192 00:14:36,480 --> 00:14:38,480 Speaker 1: I owned the building and everything inside of it, so 193 00:14:38,520 --> 00:14:49,400 Speaker 1: I'm pretty sure I can. Later, Max by miss Ransom Archer. 194 00:14:50,320 --> 00:14:55,840 Speaker 1: M hm, that guy that you're staring at, that's Ransom Archer. 195 00:14:56,320 --> 00:15:02,240 Speaker 1: Oh I wasn't well, hi, Maxie, surprising you here. I 196 00:15:02,280 --> 00:15:06,920 Speaker 1: got a job I see that first day, and already 197 00:15:06,920 --> 00:15:11,640 Speaker 1: familiar with all the customers. Impressive. Ransom isn't a customer. 198 00:15:12,200 --> 00:15:14,560 Speaker 1: I don't know if you notice what this store is called, 199 00:15:15,560 --> 00:15:19,480 Speaker 1: Archer General Store. Well, I see, yep, which is why 200 00:15:19,520 --> 00:15:23,000 Speaker 1: you're not supposed to charge him what ransom? When he 201 00:15:23,000 --> 00:15:24,440 Speaker 1: comes in, you just give him what he wants. He 202 00:15:24,480 --> 00:15:27,640 Speaker 1: doesn't pay, He didn't say anything about just next time 203 00:15:27,640 --> 00:15:30,800 Speaker 1: he comes in, don't charge him. Where is the sales ledger? Oh? 204 00:15:30,840 --> 00:15:35,720 Speaker 1: It's here, what were you doing with it? Nothing, I 205 00:15:35,760 --> 00:15:39,840 Speaker 1: wasn't there before. I should probably help this customer right 206 00:15:40,000 --> 00:15:44,680 Speaker 1: right as you were. What can I do for you? Well, 207 00:15:45,120 --> 00:15:48,000 Speaker 1: I was coming in here for a screwdriver, but now 208 00:15:48,040 --> 00:15:49,880 Speaker 1: that you're here, you might be able to help me. 209 00:15:50,240 --> 00:15:54,360 Speaker 1: Oh yeah, the inn is well, it's in a bit 210 00:15:54,400 --> 00:15:57,440 Speaker 1: of a rougher state than I expected, to be completely honest, 211 00:15:58,000 --> 00:15:59,720 Speaker 1: And there are some repairs that I can handle on 212 00:15:59,760 --> 00:16:03,440 Speaker 1: my own own, hence the screwdriver exactly, But there are 213 00:16:03,520 --> 00:16:06,720 Speaker 1: other things that are well beyond my scope. You seem 214 00:16:06,760 --> 00:16:09,440 Speaker 1: to know quite a bit about the people in this town. 215 00:16:09,960 --> 00:16:12,280 Speaker 1: I've lived here my whole life. It'd be hard not 216 00:16:12,360 --> 00:16:14,360 Speaker 1: to well know of anyone who could help me out 217 00:16:14,880 --> 00:16:17,920 Speaker 1: light carpentry, some plumbing. Your best bet for both the 218 00:16:17,960 --> 00:16:21,040 Speaker 1: screwdriver and the help is going to be the hardware store, 219 00:16:21,640 --> 00:16:27,040 Speaker 1: right of course, I'm still getting acclimated. You know. It's 220 00:16:27,080 --> 00:16:30,080 Speaker 1: not what I expected, Hastings, What do you mean? I 221 00:16:30,120 --> 00:16:33,120 Speaker 1: think I expected the suburbs to be all big box 222 00:16:33,160 --> 00:16:36,680 Speaker 1: stores and sprawling developments. But in some ways it's not 223 00:16:36,720 --> 00:16:40,000 Speaker 1: so different here from New York from New York City? 224 00:16:40,240 --> 00:16:42,960 Speaker 1: Are you kidding? Well, sure, it's a lot smaller, and 225 00:16:43,000 --> 00:16:46,400 Speaker 1: a lot quieter, but the sense of community, the half 226 00:16:46,440 --> 00:16:49,680 Speaker 1: dozen different shops for all your different errands. My neighborhood 227 00:16:49,680 --> 00:16:52,120 Speaker 1: in Manhattan was like that too. What neighborhood were you 228 00:16:52,160 --> 00:16:55,880 Speaker 1: in the West Village? A charming part of the city. 229 00:16:56,120 --> 00:16:58,520 Speaker 1: I bet you'd like it. I bet I would too. 230 00:17:00,040 --> 00:17:02,760 Speaker 1: Why do you leave? I don't understand why anyone would 231 00:17:02,800 --> 00:17:05,280 Speaker 1: leave a place like New York to come live in Hastings. 232 00:17:06,640 --> 00:17:11,520 Speaker 1: Sometimes life pushes you in unexpected directions. So this hardware 233 00:17:11,560 --> 00:17:16,359 Speaker 1: store right, it's just down Maine, left on Poplar Archer's 234 00:17:16,400 --> 00:17:26,080 Speaker 1: Hardware of course. Thanks for the help, Maxine. Anytime have 235 00:17:26,200 --> 00:17:32,000 Speaker 1: a new in owner. Yeah, mm hmmm mmmm what I 236 00:17:32,000 --> 00:17:35,560 Speaker 1: don't know. I don't like new people. She's amazing. Just 237 00:17:35,600 --> 00:17:40,080 Speaker 1: because someone's new doesn't mean they're suspicious. People in this 238 00:17:40,119 --> 00:17:56,040 Speaker 1: town need to have a little more faith. M Oh hey, Ross, 239 00:17:56,800 --> 00:18:00,399 Speaker 1: didn't expect to find me in my own treehouse. No, sorry, 240 00:18:00,440 --> 00:18:07,000 Speaker 1: I just didn't think that you'd want to whoa, Oh yeah, 241 00:18:07,040 --> 00:18:09,120 Speaker 1: I thought i'd take a crack at organizing your notes 242 00:18:09,200 --> 00:18:12,760 Speaker 1: so far. Okay, now it really is a murder board. 243 00:18:14,320 --> 00:18:17,560 Speaker 1: I see you found my string. You had all the 244 00:18:17,560 --> 00:18:20,200 Speaker 1: makings for a full on conspiracy layout in your pile. 245 00:18:20,440 --> 00:18:26,680 Speaker 1: I just put it all together. Wow you what what? 246 00:18:26,680 --> 00:18:32,000 Speaker 1: What did I do wrong? No? No, nothing, it's this 247 00:18:32,200 --> 00:18:35,960 Speaker 1: is exactly how I would have put it all together. Oh, 248 00:18:37,240 --> 00:18:41,919 Speaker 1: thank you Ross. Whatever it wasn't hard. Your notes are 249 00:18:41,960 --> 00:18:45,800 Speaker 1: pretty clear there was an obvious structure to it. Still, 250 00:18:45,880 --> 00:18:49,159 Speaker 1: you didn't have to do this. I had to kill 251 00:18:49,240 --> 00:18:51,560 Speaker 1: time waiting for Mr Beatie to come back last night. Anyway, 252 00:18:51,840 --> 00:18:55,760 Speaker 1: you waited up for him. M hmm. I thought you 253 00:18:55,800 --> 00:18:58,720 Speaker 1: didn't want to investigate him. I didn't want to go 254 00:18:58,800 --> 00:19:01,080 Speaker 1: running head first into the darkness with no plan to 255 00:19:01,119 --> 00:19:03,360 Speaker 1: follow an adult man two days after a kid hour 256 00:19:03,440 --> 00:19:09,359 Speaker 1: age went missing. Don't mistake my practicality for cowardice. I didn't. 257 00:19:10,800 --> 00:19:15,879 Speaker 1: I'm sorry about that. It's not like I don't know 258 00:19:15,920 --> 00:19:18,600 Speaker 1: what you think about me. Well, I know that you 259 00:19:18,680 --> 00:19:21,520 Speaker 1: think I'm a stubborn, naive idiot who does things without 260 00:19:21,600 --> 00:19:25,480 Speaker 1: thinking them through. I don't think you're an idiot. But 261 00:19:25,640 --> 00:19:33,200 Speaker 1: everything else no comment. Did he come back? Who? Mr Beatie? Oh? 262 00:19:33,280 --> 00:19:39,240 Speaker 1: Yeah he did at three in the morning. What you 263 00:19:39,359 --> 00:19:43,120 Speaker 1: stayed up until three? Yeah? I don't get much sleep anyway, 264 00:19:43,560 --> 00:19:47,199 Speaker 1: but he came back at three. No duffel bag and 265 00:19:47,320 --> 00:19:49,639 Speaker 1: he just went right inside. He didn't even turn on 266 00:19:49,680 --> 00:19:51,920 Speaker 1: the lights when he got home. He didn't have the 267 00:19:51,960 --> 00:19:59,359 Speaker 1: Duffel bag. Still, Nope, that's weird, yep. I just think 268 00:19:59,400 --> 00:20:01,359 Speaker 1: that if next time he decided to go somewhere in 269 00:20:01,400 --> 00:20:05,720 Speaker 1: the middle of the night week No, come on, no, Ross, 270 00:20:06,440 --> 00:20:09,560 Speaker 1: I'm not coming with you. Fine, I'll go alone. Know 271 00:20:09,640 --> 00:20:11,880 Speaker 1: why you're doing that. I can take care of myself. 272 00:20:12,160 --> 00:20:14,679 Speaker 1: Come on, Max, you really think that Mr Beatie has 273 00:20:14,720 --> 00:20:17,800 Speaker 1: something to do with Riley's disappearance. I don't know, but 274 00:20:17,880 --> 00:20:22,720 Speaker 1: he's doing something shady. So do what you do best. Investigate. 275 00:20:23,440 --> 00:20:26,480 Speaker 1: That's what you're good at, right, ask around, try to 276 00:20:26,520 --> 00:20:29,560 Speaker 1: find out where beauty would go without risking your life 277 00:20:29,560 --> 00:20:34,720 Speaker 1: for it. That's too it's too slow. Ross. Everything I've 278 00:20:34,720 --> 00:20:37,119 Speaker 1: ever read talks about how the first forty eight hours 279 00:20:37,119 --> 00:20:40,120 Speaker 1: of a missing person's case is the most critical period. 280 00:20:41,000 --> 00:20:47,800 Speaker 1: We're already past that. I know, Okay, I just I 281 00:20:47,880 --> 00:20:53,960 Speaker 1: can't just sit by and do nothing. What if? What 282 00:20:54,080 --> 00:20:57,439 Speaker 1: if Riley really did run away? Have you been talking 283 00:20:57,480 --> 00:21:00,320 Speaker 1: to Jenna? It's not the craziest theory in the world. 284 00:21:00,640 --> 00:21:02,720 Speaker 1: I feel like everyone I know has thought about running 285 00:21:02,720 --> 00:21:09,360 Speaker 1: away from Hastings at one point. Or another, well almost everyone. Yeah, yeah, 286 00:21:09,400 --> 00:21:13,000 Speaker 1: I'm the weirdo for liking Hastings, I get it. I 287 00:21:13,080 --> 00:21:15,840 Speaker 1: just don't think Riley would do that without telling anyone. 288 00:21:16,320 --> 00:21:19,000 Speaker 1: He knows that the whole town would freak out, so 289 00:21:19,280 --> 00:21:24,560 Speaker 1: that just leaves him getting lost or hurt or or 290 00:21:24,640 --> 00:21:30,880 Speaker 1: something much much worse. Maxie Miles was created by Lauren 291 00:21:30,960 --> 00:21:32,919 Speaker 1: Chippen and his Production of A Typical Artists and I 292 00:21:32,960 --> 00:21:36,280 Speaker 1: Heart Radio. This episode is written and directed by Lauren Chippen, 293 00:21:37,240 --> 00:21:39,520 Speaker 1: dialeg editing and sound design by Morrissy Owing at Hemlock 294 00:21:39,520 --> 00:21:43,440 Speaker 1: Creek Productions, with editing assistance from Laurian Davis. It featured 295 00:21:43,520 --> 00:21:46,520 Speaker 1: Jordan cob as Maxie Miles, MAXI Follow as Ross Teller, 296 00:21:46,920 --> 00:21:50,080 Speaker 1: Michael Smallwood is Uncle, Joe, Andrew Norock as Ransom Archer, 297 00:21:50,560 --> 00:21:53,240 Speaker 1: Jacquelin Land Graphics, a lot of Honeywell, and Lauren Shippen 298 00:21:53,280 --> 00:21:56,639 Speaker 1: as the manager. Original artwork by Shane McMullan. For more 299 00:21:56,680 --> 00:21:59,680 Speaker 1: information about the show, plea's visit Maxie Miles dot com 300 00:22:00,000 --> 00:22:02,320 Speaker 1: and follow at A Typical Artists on Twitter and Instagram. 301 00:22:02,640 --> 00:22:05,200 Speaker 1: Maxine Miles is executive produced by Laurence Shippen and I 302 00:22:05,280 --> 00:22:07,560 Speaker 1: Heart Radio and For more podcasts from my heart Radio, 303 00:22:07,760 --> 00:22:10,440 Speaker 1: visit the iHeart Radio app, Apple podcasts, or wherever you 304 00:22:10,520 --> 00:22:12,920 Speaker 1: listen to your favorite shows. Thank you for listening, and 305 00:22:13,160 --> 00:22:13,840 Speaker 1: keep curious.