WEBVTT - Creed Bratton

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<v Speaker 1>Now. Of course, when I was back as a kid,

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<v Speaker 1>I spoke like this because that was that was the

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<v Speaker 1>Western time until I came on the office and I

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<v Speaker 1>realized I better get a different kind of voice to

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<v Speaker 1>to relay myself to these people here like that. Yeah,

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<v Speaker 1>so I was I was told I was a cowboy

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<v Speaker 1>up up to the office. Basically just dropped dropped the

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<v Speaker 1>twig like that. Actually, this is gonna lead me in.

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<v Speaker 1>We're gonna play a little game later on. But it

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<v Speaker 1>relates to what he just said, which I know is well,

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<v Speaker 1>it's maybe not true. It's bullshit. Hi, I'm Creed Bratton

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<v Speaker 1>and I played Creed Bratton on the Office. I'm also

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<v Speaker 1>a lot of different names to creditors, but I don't

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<v Speaker 1>want to get into that right now. Oh boy, folks,

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<v Speaker 1>strap on your hats. It's gonna be a Wendy one today.

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<v Speaker 1>It's me Brian Gardner, your host, here for a spanking

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<v Speaker 1>new episode of Off the Beat. Today. As you just heard,

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<v Speaker 1>I'm bringing back the one and only Creed Bratton, or

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<v Speaker 1>as you might know him, Creed Bratton from the Office,

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<v Speaker 1>or maybe you know him as Crypto Creed straight from

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<v Speaker 1>the Metaverse. We're going to talk about that and so

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<v Speaker 1>much more. I thought it was about time that we

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<v Speaker 1>dug a little deeper into this man, the man behind

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<v Speaker 1>the myth. I mean, who is Creed Bratton? What has

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<v Speaker 1>he done? What hasn't he done? Actually is more accurate.

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<v Speaker 1>We're going to get to the bottom of that. Well.

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<v Speaker 1>For the most part, Creed has lived a thousand lives,

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<v Speaker 1>and he has lived them all. Well, let me just

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<v Speaker 1>say that. So we're gonna go all the way back

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<v Speaker 1>to his early days being surrounded by creativity and music

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<v Speaker 1>here in sunny California. But we're also going to talk

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<v Speaker 1>about the time when he woke up covered in well

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<v Speaker 1>in bird poop and being attacked by wild dogs. There

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<v Speaker 1>was maybe two separate events. It's very hard to keep track. Also,

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<v Speaker 1>we're going to play a new game, my favorite new game,

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<v Speaker 1>Creed Bratton fact or fiction. He'll let us know. I

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<v Speaker 1>think he'll be surprised by some of the answers here.

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<v Speaker 1>He is a true joy, an American treasure, and a

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<v Speaker 1>great friend of mine. That's right, Creed Bratton. Here he

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<v Speaker 1>is for your listening to light, Bubble and Squeak. I

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<v Speaker 1>love it, Bubble and squeak, Bubble and Squeaker, cookie every

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<v Speaker 1>month left over from the nat Pole. There he is.

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<v Speaker 1>What's happening? What's up, Bra? How's it going? Good? Good?

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<v Speaker 1>Good to see you. Man. Now wait a second, now,

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<v Speaker 1>wait a second, familiar, I'm at your studio. I mean

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<v Speaker 1>you're You're in my studio and I'm not there. This

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<v Speaker 1>doesn't seem right. Yeah, it's it's okay, though, it's okay.

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<v Speaker 1>That's not it's weird. It's weird. It's weird. It's weird. Yeah,

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<v Speaker 1>what are you doing? What are you doing in my chair?

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<v Speaker 1>Don't adjust my chair. I'm not adjusting your chair. I

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<v Speaker 1>may be leaving a little little skid marks, though. You know,

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<v Speaker 1>why are we going there immediately? Why would I go

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<v Speaker 1>there right off the bat? Save that for later for

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<v Speaker 1>the dessert dessert line. Uh, it's so good to see you,

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<v Speaker 1>even though to see you and I'm in your space.

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<v Speaker 1>Get over it, just get over all right, It's all right, okay, good.

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<v Speaker 1>I saw that you just burned yourself on the internet.

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<v Speaker 1>Did you see that. That's pretty funny. We're gonna talk

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<v Speaker 1>about that. I'm very excited to talk about that and

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<v Speaker 1>how you felt that the dummy resembled you or not.

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<v Speaker 1>I thought it was a doppelganger, actually doppelganger. Really yeah,

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<v Speaker 1>it looks very similar. I thought. Did you know it

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<v Speaker 1>was supposed to be completely off? You know, that's the idea.

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<v Speaker 1>That's just the hilarity of it. You know, Okay, all right,

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<v Speaker 1>we're gonna talk about that. But you know, we we

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<v Speaker 1>talked on the earlier podcast, The Office Deep Dive about

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<v Speaker 1>William Charles Schneider Sneer, Yes, Schneider, But I wanted to

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<v Speaker 1>go a little more in depth to start out back

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<v Speaker 1>to your your childhood. You were born in California, right,

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<v Speaker 1>Los Angeles, Los Angeles. How do you think that that

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<v Speaker 1>affected your growth or development being a California boy. No,

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<v Speaker 1>like anything else, it's a it's a car culture. It's

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<v Speaker 1>show business, Ellie. But but that's that's being said. I didn't.

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<v Speaker 1>I was two years old when I left. We went

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<v Speaker 1>up to course school, California below Yosemite. So I grew

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<v Speaker 1>up in a little town of three hundred people. I

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<v Speaker 1>had a horse and there's a thousand acres I rode

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<v Speaker 1>around on. I went fishing and had had one of

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<v Speaker 1>those cowboy lifes, you know. I went four and at

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<v Speaker 1>four hour, two hours to school, two hours back on

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<v Speaker 1>a bus for four years. Really get The only school

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<v Speaker 1>that was up there they had to get to was

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<v Speaker 1>run by Edison company called Sierra Joint Union High School.

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<v Speaker 1>So we traveled two hours there and we were exhausted,

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<v Speaker 1>and we go to school and uh then bring him home.

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<v Speaker 1>It was always dark when I got off the bus,

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<v Speaker 1>Come home and have dinner, go to bed, and go

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<v Speaker 1>back to school the next day. Wow. Now you say

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<v Speaker 1>the school was California Edison. Now was that because of worker?

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<v Speaker 1>Did they start to school because of workers that were

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<v Speaker 1>because exactly right, Brian, they had workers who were building

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<v Speaker 1>the Edison damn, the damns and stuff like that up

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<v Speaker 1>in that area. And so we had a lot of money.

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<v Speaker 1>That school had a lot of it. We had always

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<v Speaker 1>brand new uniforms for sports of really great pools and auditoriums,

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<v Speaker 1>all new band uniforms, brand new instruments, which it was.

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<v Speaker 1>Everything was provided. When they'd sit there and you look

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<v Speaker 1>out your window, there'd be a deer or rabbit, you know, somebody.

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<v Speaker 1>You see a fox running across the lawn right outside

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<v Speaker 1>the school. It was pretty pretty amazing. Yeah. Wow, And

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<v Speaker 1>so did you this is not a joke. Did you

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<v Speaker 1>live like a cowboy life like wilderness e or I

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<v Speaker 1>mean you said you rode horses and we had a

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<v Speaker 1>little ranch and the people up there were we had

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<v Speaker 1>cowboy hats. Now, of course, when I was back as

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<v Speaker 1>a kid, I spoke like this because that was that

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<v Speaker 1>was the Western time. Until I came on the office

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<v Speaker 1>and I realized I better get a different kind of

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<v Speaker 1>voice to to relay myself to these people here like that. Yeah,

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<v Speaker 1>so I was. I was told I was a cowboy

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<v Speaker 1>up to up to the office basically just dropped dropped

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<v Speaker 1>the twang like that. Actually this is gonna lead me in.

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<v Speaker 1>We're gonna play a little game later on. But it

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<v Speaker 1>relates to what he just said, which I know is

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<v Speaker 1>well it's maybe not true. Ship now you you you

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<v Speaker 1>you stuttered as a child, I did, Oh, yeah, big time.

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<v Speaker 1>I was. I was. I was traumatized as a child.

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<v Speaker 1>I don't go we don't need to go in that.

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<v Speaker 1>My therapist needs. That's her work to do. But I

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<v Speaker 1>stuttered so bad at one time. I can remember the moment.

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<v Speaker 1>The answer was Kit Carson, and I looked around and

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<v Speaker 1>because she said, anybody the name of this name name

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<v Speaker 1>got it looked at nobody put the hand and went.

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<v Speaker 1>I knew what it was, you know, being sharp. So

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<v Speaker 1>I went and I said, yeah, chuck. She said, Chucky, chucky,

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<v Speaker 1>she said, And I went, and it's it's not. It's funny,

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<v Speaker 1>but it's not. Because I was crying, was traumatized. I

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<v Speaker 1>couldn't talk, and I just got up and they pulled

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<v Speaker 1>me out of class and I was out of school.

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<v Speaker 1>And they finally got it at somebody to come by

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<v Speaker 1>the school because they could afford to. And she had

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<v Speaker 1>me in class by just me and her, and she

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<v Speaker 1>talked and she had me attempt to stutter. She says,

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<v Speaker 1>try to stutter, And so I went through the mechanisms

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<v Speaker 1>of trying to emulate what I thought I sounded like.

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<v Speaker 1>Within a week, I was over it. And that time

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<v Speaker 1>I meet people like Andy Green, the guy that who

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<v Speaker 1>did the one of the office books. You know, he's

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<v Speaker 1>a stutter, and I talked. I discussed this with him

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<v Speaker 1>quite a bit too. You know. Um, I think sometimes

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<v Speaker 1>your mind is moving too fast for you, or you

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<v Speaker 1>are just basically I think it was traumatized as a child,

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<v Speaker 1>and you're you're you're afraid to to articulate because you're

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<v Speaker 1>going to get repercussions from from speaking your mind. It's yeah,

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<v Speaker 1>that's what it is that makes it gives you funny too. Yeah, well,

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<v Speaker 1>how how old were you at this time? I was, gosh,

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<v Speaker 1>probably eight nine in there in that something I get,

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<v Speaker 1>it's all. It's hard for me remember that stuff. But yeah,

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<v Speaker 1>and occasionally I would be on doing film or something

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<v Speaker 1>like that. It hasn't happened in a long time, but

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<v Speaker 1>once in a while I will see, I will see

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<v Speaker 1>coming about three lines away, possible world word that I

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<v Speaker 1>will stutter on, and so I will try to already

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<v Speaker 1>start correcting the word I was thinking about to get

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<v Speaker 1>to another statement, so I don't have to stutter. So

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<v Speaker 1>that that always keeps you on your toes mentally interesting. Wow,

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<v Speaker 1>so you're what did your parents do? My mom was

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<v Speaker 1>a housewife. My father, who was a lieutenant colonel in

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<v Speaker 1>the Air Force. He died when I was two, but

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<v Speaker 1>my mother remarried and she married a guy who was

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<v Speaker 1>a grocer, ran a managed a grocery store. She ended

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<v Speaker 1>up working for for a post office up there, so

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<v Speaker 1>she worked for the post office. He ran a grocery

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<v Speaker 1>store right in. Your grandfather was was an art director.

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<v Speaker 1>Is that my grandfather on my father's side was Gustaf

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<v Speaker 1>Adolf Schneider, And according to what I've told, I can't

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<v Speaker 1>seem to find the record on it, but everybody that

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<v Speaker 1>I've ever talked to says he was the art director

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<v Speaker 1>for Douglas Fairbacks Jr. I think Sinbad was one of

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<v Speaker 1>those who a pirate movie one of the one of

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<v Speaker 1>the big movies that he did, and he invented. Remember, Brian,

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<v Speaker 1>if you've ever seen those old um silent films, we

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<v Speaker 1>see the background the fences go and the scenery goes

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<v Speaker 1>back in the background, rolling like goes it goes around

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<v Speaker 1>like this out of roller. That's that's with his bit.

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<v Speaker 1>That's what the thing that he came up with, you know,

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<v Speaker 1>That's what I was doing. Can't finding documentation the revolvement said,

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<v Speaker 1>but I've heard they told me that since of a

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<v Speaker 1>little kid. So I'm gonna go with that, because why

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<v Speaker 1>would they tell me that if they were just making

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<v Speaker 1>up to impress a five year old kid. I don't

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<v Speaker 1>know why would they do that. I'm not thinking to

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<v Speaker 1>be impressed with it anyway, you know, right, So you

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<v Speaker 1>left l A when you were to not were you

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<v Speaker 1>close with your with your grandfather. I mean, did you

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<v Speaker 1>did you feel No? No, I didn't even know him,

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<v Speaker 1>and I didn't in my on my mother's side, that grandfather,

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<v Speaker 1>he was kind of a taciturn individual. So he showed

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<v Speaker 1>me how to play guitar. But it wasn't a lot

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<v Speaker 1>of there were a lot of warmth, let's say, as

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<v Speaker 1>a child. Yeah, so you weren't in the entertainment industry

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<v Speaker 1>at all. Your family had no, No, my grandparents had

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<v Speaker 1>a semi My grandparents, Dot and Charles had a semi

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<v Speaker 1>professional band called the Happy Timers in Long Beach, and

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<v Speaker 1>when I come down for the summer, it's been with them.

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<v Speaker 1>I'd see them do gigs and stuff, and I watched

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<v Speaker 1>them rehearse and stuff. So I heard all the Hank

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<v Speaker 1>Williams and the you know, the Texas playboys and people

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<v Speaker 1>like that. And I grew up on that Western Swing.

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<v Speaker 1>I heard a lot of Western Swing when I was

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<v Speaker 1>a kid, and he showed me my first chords on

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<v Speaker 1>a guitar. But of course I played trumpet since I

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<v Speaker 1>was a young young age and until up till I

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<v Speaker 1>went to college. But I think after my last my

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<v Speaker 1>senior year in high school, I stopped playing trumpet and

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<v Speaker 1>picked up a guitar. I've been I've been playing both

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<v Speaker 1>for a quarter a while. That time this was I

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<v Speaker 1>was eighteen, I still playing trumpet. So I started when

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<v Speaker 1>I was thirteen seventeen. I started working professionally up at

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<v Speaker 1>this place called the Falls with this group called the

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<v Speaker 1>tor Case and we would do you know, oh Donna,

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<v Speaker 1>Donna and Vicky Vallens and uh Ruby and the Originals

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<v Speaker 1>and you know things like that. We do all the stands.

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<v Speaker 1>See a minor F and G. That's all that. That's

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<v Speaker 1>basically all there was in the fifties. That's all you

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<v Speaker 1>had to know those four chords? What was it? What

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<v Speaker 1>are the four chords? C, A minor F and G. Bye, Brian,

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<v Speaker 1>Do you get your guitar see a minor F and

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<v Speaker 1>G in variations that will get you through the fifties? Yeah,

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<v Speaker 1>I'm not as I'm not as skilled as you see an,

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<v Speaker 1>I don't know. I can't any musician out there and go,

0:13:02.679 --> 0:13:06.840
<v Speaker 1>but they know what attracted you to music? Then? Was

0:13:06.880 --> 0:13:10.240
<v Speaker 1>it that experience or watching your grandparents do shows or

0:13:10.679 --> 0:13:13.920
<v Speaker 1>what what made you make the choice to get into music?

0:13:15.000 --> 0:13:19.320
<v Speaker 1>Uh trumpet? I just I just my mother played mandolin.

0:13:19.400 --> 0:13:23.640
<v Speaker 1>She was an expert, expert mandelin player. Stepdad played drums.

0:13:23.679 --> 0:13:25.920
<v Speaker 1>I heard. I knew my father had heard when I

0:13:25.960 --> 0:13:28.839
<v Speaker 1>when I became older enough to be cognizant of this fact.

0:13:28.880 --> 0:13:31.400
<v Speaker 1>He was supposed to be a very very good banjo player.

0:13:32.480 --> 0:13:34.200
<v Speaker 1>And but my mother was something that she would sit

0:13:34.200 --> 0:13:35.640
<v Speaker 1>there and play the man like this, and she put

0:13:35.640 --> 0:13:38.720
<v Speaker 1>her head back like this and just well, I'd be

0:13:38.720 --> 0:13:42.120
<v Speaker 1>sitting there going wow, but take her away. She was euphoric.

0:13:42.200 --> 0:13:44.320
<v Speaker 1>It was euphoric, and I loved hearing her play that.

0:13:45.200 --> 0:13:48.960
<v Speaker 1>So they started me out on tuba. You can meade

0:13:49.000 --> 0:13:52.520
<v Speaker 1>this little guy play to play tuba. Hated it. Finch horn,

0:13:52.960 --> 0:13:55.600
<v Speaker 1>the other reversed the tiny little thing. So I was

0:13:55.679 --> 0:13:59.160
<v Speaker 1>puckering on alum or something worked out and then finally

0:13:59.120 --> 0:14:02.200
<v Speaker 1>the trumpet piece, Thank you bro, you know you know.

0:14:03.760 --> 0:14:06.480
<v Speaker 1>Then then the then the the mouthpiece on the trumpet

0:14:06.520 --> 0:14:08.760
<v Speaker 1>fit fit right, and I like the sound. I like

0:14:08.880 --> 0:14:13.400
<v Speaker 1>the brassy, brassy sound it made. But guitar, I've ordered

0:14:13.440 --> 0:14:17.880
<v Speaker 1>a silver tone guitar from Sears and Robot. It came

0:14:17.960 --> 0:14:20.880
<v Speaker 1>that it wasn't really wasn't a buckboard within horse. It

0:14:20.960 --> 0:14:23.320
<v Speaker 1>actually was a truck that drove up this dirt road

0:14:23.320 --> 0:14:25.360
<v Speaker 1>towards to the rents, and they brought it out and

0:14:25.400 --> 0:14:27.800
<v Speaker 1>I took it out and I plugged the case. Was

0:14:28.000 --> 0:14:30.960
<v Speaker 1>the case that came in had a speaker in it.

0:14:31.320 --> 0:14:33.840
<v Speaker 1>So you take your cord, put in your guitar and

0:14:33.880 --> 0:14:37.160
<v Speaker 1>you plug it into you plug your guitar case had

0:14:37.240 --> 0:14:39.440
<v Speaker 1>to plug. You plug it into the wall, and then

0:14:39.480 --> 0:14:44.080
<v Speaker 1>you plug your guitar chord into the case. And then

0:14:44.120 --> 0:14:46.960
<v Speaker 1>I hit, I would I'd love link raise rumble, just

0:14:47.040 --> 0:14:51.760
<v Speaker 1>this chord, basic thing, link, raised rumble. I hit. I

0:14:51.800 --> 0:14:53.480
<v Speaker 1>turned it all the way up and hit this ecord

0:14:53.680 --> 0:14:58.120
<v Speaker 1>whang and it came through and just filled my visceral area,

0:14:58.200 --> 0:15:00.760
<v Speaker 1>you know that with that, just bomb hard with that

0:15:00.760 --> 0:15:03.720
<v Speaker 1>and I went and that was it. I was done.

0:15:04.640 --> 0:15:06.280
<v Speaker 1>That's all I wanted to do was play that guitar

0:15:06.280 --> 0:15:08.960
<v Speaker 1>and hear that and have that sound because soothed calmed me,

0:15:09.240 --> 0:15:12.880
<v Speaker 1>had calmed me down. It was wonderful. How old are

0:15:12.880 --> 0:15:17.640
<v Speaker 1>you at this point, gosh, fourteen fifteen? Did you start

0:15:17.720 --> 0:15:20.800
<v Speaker 1>taking lessons or were you No? No, I learned my ear.

0:15:20.840 --> 0:15:22.520
<v Speaker 1>I would listen to records and I just sit there

0:15:22.520 --> 0:15:24.680
<v Speaker 1>and listen to the records and just keep going over

0:15:24.680 --> 0:15:26.760
<v Speaker 1>and over and over with everybody because there was no Google.

0:15:27.080 --> 0:15:29.400
<v Speaker 1>There's nobody up there in the mountains to teach you anything.

0:15:29.840 --> 0:15:31.840
<v Speaker 1>So I just I got a chord book with chords,

0:15:31.880 --> 0:15:33.480
<v Speaker 1>and I listened to the thing, and I finally figured

0:15:33.520 --> 0:15:35.520
<v Speaker 1>it out, you know, just song by song, and I

0:15:35.560 --> 0:15:38.200
<v Speaker 1>figured and I was able to play piano. My mother

0:15:38.240 --> 0:15:39.560
<v Speaker 1>had an organ in there, and I was able to

0:15:39.600 --> 0:15:42.200
<v Speaker 1>sit down and go and play the blues and I

0:15:42.200 --> 0:15:43.920
<v Speaker 1>started figuring. I figured out the chords. Once I got

0:15:43.960 --> 0:15:46.120
<v Speaker 1>him on the guitar, I figured about on the piano,

0:15:46.360 --> 0:15:48.360
<v Speaker 1>and I could sit there and play like the basic

0:15:48.400 --> 0:15:50.680
<v Speaker 1>stuff on the piano too. But I'm not I write

0:15:50.680 --> 0:15:52.400
<v Speaker 1>on the piano, but I'm not that fast. Look I

0:15:52.400 --> 0:16:14.960
<v Speaker 1>have on guitar. Listen this is You don't seem to

0:16:15.040 --> 0:16:17.720
<v Speaker 1>think that this is is strange or interesting. But in

0:16:17.760 --> 0:16:20.480
<v Speaker 1>the last five minutes you've talked in terms of your family.

0:16:20.520 --> 0:16:24.480
<v Speaker 1>You've talked about mandolin, drums, You had a piano lying

0:16:24.520 --> 0:16:28.680
<v Speaker 1>around your parents, your grandparents were playing music that you

0:16:28.680 --> 0:16:30.680
<v Speaker 1>would go and listen to. And then you pick up

0:16:30.680 --> 0:16:33.680
<v Speaker 1>a guitar, and that gives you a visceral feeling. I mean,

0:16:33.720 --> 0:16:37.480
<v Speaker 1>you were inundated with music from a really early age.

0:16:37.560 --> 0:16:40.240
<v Speaker 1>That's that is not how I grew up. No, And

0:16:40.360 --> 0:16:42.920
<v Speaker 1>I thought when I got to school, I thought that

0:16:43.000 --> 0:16:45.360
<v Speaker 1>everybody knew how to play music. I didn't. I just

0:16:45.400 --> 0:16:48.400
<v Speaker 1>thought it was what everybody did, that you could probably

0:16:48.480 --> 0:16:50.600
<v Speaker 1>hear something and played by here by her and figure

0:16:50.600 --> 0:16:53.280
<v Speaker 1>it out. But I realized that not everyone was musical.

0:16:53.840 --> 0:16:55.920
<v Speaker 1>It took me a while to get get that, you know. Yeah,

0:16:56.360 --> 0:16:57.880
<v Speaker 1>So I didn't think it was a big deal when

0:16:57.880 --> 0:16:59.960
<v Speaker 1>I was doing it, but later on I I accept

0:17:00.080 --> 0:17:03.160
<v Speaker 1>the fact that not everyone could do it. Yeah, right,

0:17:03.280 --> 0:17:06.280
<v Speaker 1>when did you make the decision that this was something

0:17:06.640 --> 0:17:08.720
<v Speaker 1>that wasn't just a hobby, wasn't just something that gave

0:17:08.760 --> 0:17:11.000
<v Speaker 1>you a good feeling, but something that you wanted to pursue,

0:17:11.640 --> 0:17:16.000
<v Speaker 1>like to be a performer for a career. You know what.

0:17:16.240 --> 0:17:20.360
<v Speaker 1>I have to say, It was probably my I want

0:17:20.440 --> 0:17:22.439
<v Speaker 1>year wondering what year when it's with the with the

0:17:22.440 --> 0:17:28.600
<v Speaker 1>Beatles on Ed Sullivan had to be. Yeah, I was

0:17:28.640 --> 0:17:33.880
<v Speaker 1>gonna say sixty six three something in there that I'm

0:17:33.880 --> 0:17:38.159
<v Speaker 1>at Sacramento State and they're on a swim scholarship, and

0:17:38.200 --> 0:17:40.239
<v Speaker 1>it was it was a drama major, That's what I was.

0:17:41.440 --> 0:17:43.280
<v Speaker 1>So where I was there for and one day, I'm

0:17:43.320 --> 0:17:47.639
<v Speaker 1>walking out in the quadrant and I hear screaming and

0:17:47.720 --> 0:17:50.080
<v Speaker 1>I go up to the there's a sorority there and

0:17:50.119 --> 0:17:53.080
<v Speaker 1>there's nobody around, and I'm becoming from from the library something.

0:17:53.080 --> 0:17:55.560
<v Speaker 1>And I walked in and the doors opened, and I

0:17:55.800 --> 0:17:58.200
<v Speaker 1>you know, and I just said, well, I didn't know anybody,

0:17:58.240 --> 0:17:59.800
<v Speaker 1>didn't know any girls that I kind of walked in

0:18:00.000 --> 0:18:01.760
<v Speaker 1>and I see all these girls around this TV and

0:18:01.960 --> 0:18:05.600
<v Speaker 1>the Beatles, and they're screaming and yelling. And I walk

0:18:05.720 --> 0:18:07.439
<v Speaker 1>up and I look at these girls. I look at

0:18:07.480 --> 0:18:11.600
<v Speaker 1>the Beatles and I go, oh, my god. That talking

0:18:11.600 --> 0:18:14.600
<v Speaker 1>about a something. You know, it's still like a gaspalt

0:18:15.080 --> 0:18:19.280
<v Speaker 1>image or a paradigm shift in your consciousness. Trust me,

0:18:19.359 --> 0:18:23.960
<v Speaker 1>my friend, that was the one. And I just went, oh, okay,

0:18:23.960 --> 0:18:26.120
<v Speaker 1>this this is power, because you know, when you when

0:18:26.119 --> 0:18:28.320
<v Speaker 1>you had girls come up to you after the after gigs,

0:18:28.480 --> 0:18:30.280
<v Speaker 1>when I was like seventeen eighteen, you know, and you

0:18:30.320 --> 0:18:32.399
<v Speaker 1>had your you had all the girls from l A

0:18:32.480 --> 0:18:34.639
<v Speaker 1>coming up there to these little challenging you're playing guitar,

0:18:34.800 --> 0:18:37.680
<v Speaker 1>It was okay. But this Beatle thing, that's a whole

0:18:37.720 --> 0:18:41.280
<v Speaker 1>other level. And I think you, okay, maybe a creed

0:18:41.359 --> 0:18:43.359
<v Speaker 1>needs to look into Well, I wasn't create yet. I

0:18:43.400 --> 0:18:46.800
<v Speaker 1>was still Chuck. But Chuck Chuck into I was still Chuck.

0:18:46.840 --> 0:18:49.720
<v Speaker 1>Chuck needs to look into this. This this this might

0:18:49.880 --> 0:18:55.080
<v Speaker 1>bear appraising some some to some degree. Did you speak

0:18:55.080 --> 0:18:57.159
<v Speaker 1>to Chuck in the third person like you speak to

0:18:57.200 --> 0:19:00.880
<v Speaker 1>Creed and the person was that was like, I don't

0:19:01.760 --> 0:19:04.840
<v Speaker 1>you know how you guys have messed me up ever

0:19:04.920 --> 0:19:08.840
<v Speaker 1>since that thing? You know, it's very funny. I do.

0:19:09.040 --> 0:19:11.080
<v Speaker 1>I did on I talked to talk to him about

0:19:11.080 --> 0:19:12.960
<v Speaker 1>when people, So I'm talking to people, I say, it's

0:19:13.000 --> 0:19:16.280
<v Speaker 1>the character or me or the actor, you know, comment

0:19:16.320 --> 0:19:19.040
<v Speaker 1>in on one of the others. It gets confusing being me,

0:19:19.320 --> 0:19:23.040
<v Speaker 1>you know, it is very very confusing being you keeping

0:19:23.080 --> 0:19:26.119
<v Speaker 1>all the stories straight. So you pick up music because

0:19:26.119 --> 0:19:29.240
<v Speaker 1>of the girls in the sorority. It's always it's always

0:19:29.240 --> 0:19:32.080
<v Speaker 1>the girls, Brian and the love and by the way,

0:19:32.440 --> 0:19:34.239
<v Speaker 1>the love of the music. I love music. When I'm

0:19:34.240 --> 0:19:37.240
<v Speaker 1>playing guitar and I write a great a song that

0:19:37.440 --> 0:19:42.000
<v Speaker 1>I really love, I'm inspired, I'm lifted up. There's a

0:19:42.080 --> 0:19:44.480
<v Speaker 1>euphoria that occurs, you know, it's it still does. I'm

0:19:44.480 --> 0:19:48.120
<v Speaker 1>seventy nine and I just wrote a song recently, and

0:19:48.240 --> 0:19:51.359
<v Speaker 1>I got through the song and I'm just man some wonder.

0:19:51.400 --> 0:19:53.640
<v Speaker 1>It's still a wonderful thing. I still don't know where

0:19:53.640 --> 0:19:56.119
<v Speaker 1>they come from, how it works. They just come and

0:19:56.240 --> 0:20:01.000
<v Speaker 1>you write them down. It's amazing. I've seen you have

0:20:01.080 --> 0:20:06.439
<v Speaker 1>that experience songs that you know you're singing that you

0:20:06.960 --> 0:20:11.080
<v Speaker 1>wrote long, long ago. But there's a euphoria that happens,

0:20:11.119 --> 0:20:16.439
<v Speaker 1>something almost chemical, spiritual, that happens inside you when you

0:20:16.480 --> 0:20:20.960
<v Speaker 1>get lost creating something. Well you you know it. We

0:20:21.040 --> 0:20:24.280
<v Speaker 1>all all artists know this. You know, that's that's when

0:20:24.280 --> 0:20:27.960
<v Speaker 1>you're it comes from outside. Saturday, I was at my

0:20:28.119 --> 0:20:32.320
<v Speaker 1>granddaughter Isabella's birthday and we went bowling and then they

0:20:32.359 --> 0:20:36.400
<v Speaker 1>went laser tagging. You know. So my son said, you're

0:20:36.400 --> 0:20:38.919
<v Speaker 1>going to be on this team here, you know, the

0:20:38.960 --> 0:20:40.919
<v Speaker 1>green team, and I'll be on the red team. And

0:20:41.119 --> 0:20:43.119
<v Speaker 1>when you and the kids and to be there and stuff.

0:20:43.880 --> 0:20:47.000
<v Speaker 1>So you know, with me, when I when when when

0:20:47.040 --> 0:20:51.480
<v Speaker 1>I when something happens, I just you know, oh yet

0:20:51.560 --> 0:20:53.720
<v Speaker 1>do the comic face with Greg Dan was always loved

0:20:53.760 --> 0:20:57.040
<v Speaker 1>you know, he loves me. So when the first time

0:20:57.040 --> 0:21:00.320
<v Speaker 1>I got shot, all the kids looked and they laft

0:21:00.440 --> 0:21:02.480
<v Speaker 1>and they laughed and left, and I talked about the

0:21:02.520 --> 0:21:05.080
<v Speaker 1>joy that gave me. Well, the red team was laughing

0:21:05.119 --> 0:21:07.400
<v Speaker 1>and the Green team laughed so much my own team

0:21:07.440 --> 0:21:14.679
<v Speaker 1>started shooting me just to see my my reaction. They

0:21:14.680 --> 0:21:16.320
<v Speaker 1>wouldn't even let me have the recharge, and you know

0:21:16.359 --> 0:21:23.640
<v Speaker 1>they kept shootings. Right, that's awesome. But you you went

0:21:23.680 --> 0:21:25.960
<v Speaker 1>to school for drama, so you were interested in acting

0:21:26.040 --> 0:21:28.640
<v Speaker 1>then early on, or at least, I mean I had

0:21:28.680 --> 0:21:33.000
<v Speaker 1>the same the same guy that taught Tom Hanks. He

0:21:33.040 --> 0:21:36.200
<v Speaker 1>went to Sacramento State and saying the same drama coach. Yeah,

0:21:36.359 --> 0:21:37.879
<v Speaker 1>it was a good school. It was a good school.

0:21:37.880 --> 0:21:40.040
<v Speaker 1>It wasn't a great school, but for drama, they had

0:21:40.080 --> 0:21:42.960
<v Speaker 1>a really good program there. Right when did your music

0:21:43.000 --> 0:21:46.040
<v Speaker 1>career start to take off? Oh? What it would be?

0:21:46.080 --> 0:21:50.360
<v Speaker 1>The grassroots? I had spent with their young the Torques

0:21:50.480 --> 0:21:54.240
<v Speaker 1>up there that I played bands, the Leanders to school

0:21:54.240 --> 0:21:57.919
<v Speaker 1>college to make money on the weekends. And then in Europe,

0:21:57.960 --> 0:22:01.840
<v Speaker 1>I was with the young Californians two years, traveling around Europe,

0:22:02.200 --> 0:22:06.639
<v Speaker 1>hitching across North Africa, through the up to Romanian Bulgaria,

0:22:06.640 --> 0:22:10.320
<v Speaker 1>through East Germany, all over the place too, Scandy nave

0:22:10.400 --> 0:22:12.920
<v Speaker 1>I did at all? How did you traveled in Europe before? No?

0:22:13.000 --> 0:22:15.159
<v Speaker 1>I just hitchhiked all over we hitch I hitchhike for

0:22:15.160 --> 0:22:18.199
<v Speaker 1>two years with my guitar on my back. How was that?

0:22:18.240 --> 0:22:23.000
<v Speaker 1>How so you haven't traveled. I've never been there before. Amazing,

0:22:23.040 --> 0:22:26.600
<v Speaker 1>but I had. I got on a Swiss freighter and

0:22:26.640 --> 0:22:28.960
<v Speaker 1>I arrived with twenty five dollars in my pocket, which

0:22:29.000 --> 0:22:31.159
<v Speaker 1>was gone in a short period of time. You know,

0:22:32.080 --> 0:22:34.680
<v Speaker 1>I got drunk with these locals, with my friend Mickey

0:22:34.680 --> 0:22:37.560
<v Speaker 1>Miguel was there, had me brought a guitar with me.

0:22:38.040 --> 0:22:40.200
<v Speaker 1>Some local hands me a guitar and I started singing

0:22:40.560 --> 0:22:43.639
<v Speaker 1>that bwine comes out. We're dancing around next thing I know.

0:22:43.760 --> 0:22:46.000
<v Speaker 1>And this is honest to God. This is not a criticism,

0:22:46.160 --> 0:22:48.400
<v Speaker 1>honest to God, truth, Brian. I wake up the next

0:22:48.400 --> 0:22:50.360
<v Speaker 1>morning in the sun set in my face and I'm

0:22:50.359 --> 0:22:54.240
<v Speaker 1>gonna that that horrible taste of my mouth. And I

0:22:54.280 --> 0:22:56.960
<v Speaker 1>looked down and I'm in the St. Mark's Square with

0:22:57.040 --> 0:23:01.720
<v Speaker 1>pigeon ship all over my clothes, ghostly, and yeah, yeah,

0:23:01.800 --> 0:23:03.560
<v Speaker 1>that was that was Welcome to Europe. That was my

0:23:03.600 --> 0:23:08.240
<v Speaker 1>first day in Venice. And uh then we hit stake

0:23:08.320 --> 0:23:10.280
<v Speaker 1>up to Copenhag. It's you know, I'm gonna write, I'm

0:23:10.280 --> 0:23:12.399
<v Speaker 1>gonna write my book. Rain Rylson won't let me get

0:23:12.400 --> 0:23:14.360
<v Speaker 1>out of this life without doing my book, so I'll

0:23:14.400 --> 0:23:17.520
<v Speaker 1>do it. But yeah, I played all over the place,

0:23:17.800 --> 0:23:20.840
<v Speaker 1>and then in Israel I was working on this movie

0:23:20.920 --> 0:23:24.520
<v Speaker 1>called My first film, Cast a Giant Shadow with Frank Sinatra,

0:23:25.160 --> 0:23:28.280
<v Speaker 1>Youule Brenner, John Wayne All these People was a big,

0:23:28.320 --> 0:23:32.359
<v Speaker 1>big movie, Mills Shabelson and we did a we we

0:23:32.359 --> 0:23:34.200
<v Speaker 1>we took off from work and we did this folk

0:23:34.240 --> 0:23:37.040
<v Speaker 1>festival and this guy, Warren Ittner comes back and said, hey,

0:23:37.080 --> 0:23:39.200
<v Speaker 1>you know, you play guitar, and we should think about something.

0:23:39.320 --> 0:23:41.600
<v Speaker 1>So he gave me his number, and when I got

0:23:41.760 --> 0:23:44.040
<v Speaker 1>to l A, which is the first time I've been

0:23:44.080 --> 0:23:46.760
<v Speaker 1>in l A except for Long Beach since I was

0:23:46.760 --> 0:23:49.800
<v Speaker 1>a little kid, I called him up and within one

0:23:49.840 --> 0:23:51.639
<v Speaker 1>week and one week we put a band together and

0:23:51.680 --> 0:23:55.000
<v Speaker 1>playing the topless bar out in the valley and it

0:23:55.119 --> 0:23:58.800
<v Speaker 1>had and this is no joke, the girl, a girl

0:23:59.119 --> 0:24:04.240
<v Speaker 1>you know with totally totally paste did the worly bird thing. Yeah.

0:24:04.359 --> 0:24:06.399
<v Speaker 1>I just did the worly bird. If you can see it,

0:24:06.520 --> 0:24:08.480
<v Speaker 1>you can, they can't see they just hearing right, No,

0:24:08.600 --> 0:24:11.520
<v Speaker 1>they okay, But so I had the worly bird things,

0:24:11.640 --> 0:24:15.600
<v Speaker 1>you know, and I'm there, and the she was on

0:24:15.640 --> 0:24:18.439
<v Speaker 1>a swing, so we would we'd be singing like this,

0:24:19.160 --> 0:24:21.080
<v Speaker 1>and she swings, so I'd have to be the microphone.

0:24:21.080 --> 0:24:23.400
<v Speaker 1>I'd go and she'd swing by, and I come back

0:24:23.400 --> 0:24:25.639
<v Speaker 1>in and sing on the micro and then pull away

0:24:25.680 --> 0:24:28.520
<v Speaker 1>like this when she was on this, that was that's

0:24:28.560 --> 0:24:33.919
<v Speaker 1>that's welcome to the show biz. That's what that's. It's unbelievable.

0:24:33.960 --> 0:24:37.320
<v Speaker 1>It's true. It's absolutely true. Now, wait, there's so much

0:24:37.320 --> 0:24:42.280
<v Speaker 1>swun packer. You're traveling around Europe hitchhiking with a guitar

0:24:42.320 --> 0:24:45.639
<v Speaker 1>on your back, and you end up in Israel and

0:24:45.760 --> 0:24:48.680
<v Speaker 1>with two other guys we meet. There's two other guys,

0:24:49.040 --> 0:24:51.960
<v Speaker 1>Greg and Lee. Okay, and there were all the young

0:24:52.000 --> 0:24:54.879
<v Speaker 1>Californias were trio and worked at harmonies place. Well, we

0:24:54.880 --> 0:24:56.919
<v Speaker 1>couldn't hitchhike together because no just pick us up, so

0:24:56.920 --> 0:24:59.760
<v Speaker 1>we had to separate to get you know, sometimes we're

0:24:59.760 --> 0:25:02.040
<v Speaker 1>like can algery. I spent two nights sleeping on the

0:25:02.080 --> 0:25:03.840
<v Speaker 1>side of the road in the dirt, in my sleeping bag.

0:25:03.880 --> 0:25:09.400
<v Speaker 1>You know, wild dogs attacking me. I know that's not

0:25:09.000 --> 0:25:12.920
<v Speaker 1>that's not. Yes, hey, I'll take a lie detective test.

0:25:13.600 --> 0:25:18.879
<v Speaker 1>Wild dogs are attacking the dirt and Algery I slept

0:25:18.880 --> 0:25:21.040
<v Speaker 1>on the dirt and alger but the obolutely that's wrong.

0:25:21.200 --> 0:25:24.360
<v Speaker 1>The wild dogs attacked us after a show in Libya

0:25:24.680 --> 0:25:28.400
<v Speaker 1>at the Wadan Hotel. We were in Libya and we're

0:25:28.440 --> 0:25:30.240
<v Speaker 1>just going and we're going to meet these people from

0:25:30.320 --> 0:25:32.400
<v Speaker 1>the Mobile Oil. We're gonna take us, fly us out

0:25:32.400 --> 0:25:34.800
<v Speaker 1>in the We went five hundred miles on the Sahara

0:25:34.840 --> 0:25:37.320
<v Speaker 1>Desert to play for the Mobile Oil. And we're on

0:25:37.359 --> 0:25:39.119
<v Speaker 1>the we're on the way after one of our shows

0:25:39.440 --> 0:25:42.760
<v Speaker 1>working at this club and these wild dogs and we

0:25:42.960 --> 0:25:45.439
<v Speaker 1>went back to back and we were banging using our

0:25:45.480 --> 0:25:48.119
<v Speaker 1>guitarists and instruments and kicking at these wild dogs. They

0:25:48.119 --> 0:25:52.720
<v Speaker 1>were attacking us. That's an honest to god truth. These

0:25:52.760 --> 0:25:55.760
<v Speaker 1>are stray dogs or these are like they're stray feral

0:25:55.840 --> 0:26:02.720
<v Speaker 1>dogs gadding up in. It's wild feral dogs. Wow. I

0:26:02.760 --> 0:26:07.120
<v Speaker 1>would have been scared. I would been scary that because

0:26:07.160 --> 0:26:11.240
<v Speaker 1>they got big power, they got big powerful jaws. Okay,

0:26:11.240 --> 0:26:14.320
<v Speaker 1>but wait a second, I'm trying to paint the picture.

0:26:14.320 --> 0:26:18.560
<v Speaker 1>You're getting attacked by wild dogs. You're asleep, and that's separate.

0:26:18.600 --> 0:26:22.600
<v Speaker 1>That's first, as Algeria understand, I'm sleeping Algeria. Yeah, and

0:26:22.640 --> 0:26:25.600
<v Speaker 1>then you're getting attacked by wild dogs in Libya and

0:26:25.640 --> 0:26:30.000
<v Speaker 1>then you end up in Israel. But how do you

0:26:30.200 --> 0:26:35.120
<v Speaker 1>end up in a Frank Sinatra movie in Israel when

0:26:35.160 --> 0:26:37.639
<v Speaker 1>you're just hitch? Is this just like, hey, guys, you

0:26:37.680 --> 0:26:40.840
<v Speaker 1>want to be in a show? What is happening? We

0:26:40.920 --> 0:26:43.280
<v Speaker 1>went all the way across to Egypt, and I think

0:26:43.320 --> 0:26:47.520
<v Speaker 1>we played for uh NASA's daughter. Nasa daughter daughters came

0:26:47.520 --> 0:26:49.560
<v Speaker 1>to a TV show and she and we played. We

0:26:49.840 --> 0:26:52.520
<v Speaker 1>entertained her on this TV show and I went behind

0:26:52.560 --> 0:26:56.680
<v Speaker 1>the three m machines that were recording. Instead of little

0:26:56.720 --> 0:26:59.080
<v Speaker 1>caps on the back of the wires, they had just

0:26:59.400 --> 0:27:02.800
<v Speaker 1>they were just the wires were just stuck together professional

0:27:02.880 --> 0:27:05.480
<v Speaker 1>given the wars for twist to the back, we went,

0:27:05.560 --> 0:27:12.400
<v Speaker 1>oh my god. Anyway, so we got there. We went

0:27:12.480 --> 0:27:14.280
<v Speaker 1>to the head. We were going all the way down

0:27:14.320 --> 0:27:16.440
<v Speaker 1>to South Africa. That was our plan. We were gonna

0:27:16.440 --> 0:27:19.000
<v Speaker 1>be all the way down and that would have been crazy.

0:27:19.040 --> 0:27:21.760
<v Speaker 1>We've probably gotten eaten for sure by bigger animals and

0:27:21.880 --> 0:27:26.119
<v Speaker 1>wild dogs. But the Congolese were running guns at the

0:27:26.200 --> 0:27:30.200
<v Speaker 1>time in the Sudan at that time in nineteen sixty four.

0:27:31.119 --> 0:27:33.480
<v Speaker 1>They wouldn't let us through. It wouldn't stamp our passport

0:27:33.480 --> 0:27:35.000
<v Speaker 1>and let us in, so we went back and we

0:27:35.040 --> 0:27:38.320
<v Speaker 1>got a boat to Bay Route. We played at this

0:27:38.520 --> 0:27:41.080
<v Speaker 1>place called the kit Cat Club, which was a brothel

0:27:41.720 --> 0:27:44.600
<v Speaker 1>and then the people, like the people for the Sheiks

0:27:44.640 --> 0:27:47.399
<v Speaker 1>from Kuwait would come there and the white rolls royces

0:27:47.480 --> 0:27:49.920
<v Speaker 1>with the gold stuff on the front, and it was

0:27:49.960 --> 0:27:52.240
<v Speaker 1>a front for a for a brothel. But we play

0:27:52.280 --> 0:27:55.120
<v Speaker 1>in this cabaret in front and by the way, by

0:27:55.200 --> 0:27:57.760
<v Speaker 1>Rout was such a beautiful city at that time. We

0:27:57.840 --> 0:28:00.159
<v Speaker 1>broke my heart when I saw the war happen to it.

0:28:00.160 --> 0:28:03.600
<v Speaker 1>It was Paris on the Mediterranean. It was amazing, the

0:28:03.760 --> 0:28:08.480
<v Speaker 1>coolest people, amazing food, gorgeous city. And then we went

0:28:08.560 --> 0:28:13.800
<v Speaker 1>to uh Syria and then into Jordan's and then to

0:28:13.920 --> 0:28:16.399
<v Speaker 1>mantelbomb Gates to go into Israel, and we came in

0:28:16.440 --> 0:28:19.479
<v Speaker 1>there and we got an impresario and we started playing

0:28:19.960 --> 0:28:22.520
<v Speaker 1>clubs up in town, up and down the coast of Israel,

0:28:22.840 --> 0:28:26.520
<v Speaker 1>occer in places like that. So I'm body surfing one

0:28:26.560 --> 0:28:29.320
<v Speaker 1>day in the Outlow Surf and I met Michael Douglas,

0:28:29.320 --> 0:28:31.840
<v Speaker 1>and Michael Douglas was working there because his father was there.

0:28:32.040 --> 0:28:33.760
<v Speaker 1>He was He's one of the A d s. He

0:28:33.840 --> 0:28:36.359
<v Speaker 1>was like our age, you know, and we hit it

0:28:36.440 --> 0:28:39.320
<v Speaker 1>off and he and I said, we're having problems now,

0:28:39.400 --> 0:28:42.760
<v Speaker 1>but we can't get out of here because we won't

0:28:42.840 --> 0:28:45.160
<v Speaker 1>we don't have enough money to take a boat or fly,

0:28:45.640 --> 0:28:47.440
<v Speaker 1>and they won't let us go back through with with

0:28:47.560 --> 0:28:51.000
<v Speaker 1>the Israeli stamp back through the Arab countries. We were stuck.

0:28:51.960 --> 0:28:53.440
<v Speaker 1>And he said, wait a second, he said, let me

0:28:53.440 --> 0:28:56.480
<v Speaker 1>talk to the people, and he, Michael Douglas, made it possible,

0:28:56.840 --> 0:28:59.400
<v Speaker 1>his friend, because we've got became friends. So he got

0:28:59.440 --> 0:29:02.120
<v Speaker 1>us working and we worked as grips and stuff we

0:29:02.160 --> 0:29:04.400
<v Speaker 1>did all kinds of errands were just right for shorts,

0:29:04.400 --> 0:29:07.280
<v Speaker 1>no shirts, hammers. We ran around, did all the work

0:29:07.360 --> 0:29:10.160
<v Speaker 1>you could. You know. I got a picture I'll send

0:29:10.200 --> 0:29:17.520
<v Speaker 1>it to you of us singing with Kirk Douglas on set. Yeah, unbelievable. Yeah. Yeah.

0:29:17.720 --> 0:29:20.720
<v Speaker 1>So you were working as a as grips and doing

0:29:20.960 --> 0:29:23.480
<v Speaker 1>basically doing any kind of base on odd jobs on

0:29:23.520 --> 0:29:25.760
<v Speaker 1>this movie just to make money, yea, so that you

0:29:25.800 --> 0:29:28.080
<v Speaker 1>could get out of Israel, so we could get out

0:29:28.080 --> 0:29:31.080
<v Speaker 1>of Israel. And that worked. You got out clearly at

0:29:31.080 --> 0:29:35.880
<v Speaker 1>some point, obviously clearly clearly, right, Yeah, so what you

0:29:35.960 --> 0:29:39.200
<v Speaker 1>ended up taking a boat to wear? Well, I this

0:29:39.200 --> 0:29:41.680
<v Speaker 1>is pretty long, dog. I gotta I gotta write this book. Yeah.

0:29:41.880 --> 0:29:44.080
<v Speaker 1>I fell in love with the director's daughter, Mel Shield's

0:29:44.200 --> 0:29:46.440
<v Speaker 1>daughter Lynn, So we went off to the Greek Islands.

0:29:46.440 --> 0:29:50.520
<v Speaker 1>We went to Rhodes and crete and uh uh, and

0:29:50.560 --> 0:29:53.920
<v Speaker 1>we stayed back two weeks, run around on scooters, you know,

0:29:54.200 --> 0:29:57.320
<v Speaker 1>just doing doing what lung lovers do, you know? And

0:29:57.320 --> 0:30:00.840
<v Speaker 1>then she went back to school. And then I had

0:30:00.920 --> 0:30:05.560
<v Speaker 1>I got my draft notice in um Cairo and I

0:30:05.600 --> 0:30:07.680
<v Speaker 1>had to go apply for the draft. I got to

0:30:07.720 --> 0:30:10.280
<v Speaker 1>go sign up for the draft in Berlin, and I

0:30:10.320 --> 0:30:12.800
<v Speaker 1>had months away, so I was on deadline then to

0:30:12.840 --> 0:30:14.680
<v Speaker 1>get to there before they come and arrest me because

0:30:14.720 --> 0:30:17.479
<v Speaker 1>I was out of college. And so I said, well,

0:30:17.520 --> 0:30:19.440
<v Speaker 1>I gotta do it. I gotta do it. And I

0:30:19.760 --> 0:30:21.920
<v Speaker 1>hitchhiked all the way there and then and then first

0:30:21.960 --> 0:30:25.520
<v Speaker 1>and I went in there and they came outside and

0:30:25.560 --> 0:30:28.720
<v Speaker 1>said you your father was an officer in the in

0:30:28.760 --> 0:30:32.280
<v Speaker 1>the military. Yeah, your only son. Yep, you have broken

0:30:32.280 --> 0:30:35.280
<v Speaker 1>ear drum. And they got an elbow in in sports,

0:30:35.640 --> 0:30:38.320
<v Speaker 1>said yep, get out of here. There were seemed angry

0:30:38.360 --> 0:30:40.600
<v Speaker 1>with me too. I went, I went, I was just like,

0:30:40.680 --> 0:30:43.840
<v Speaker 1>oh my god, I was just like I was over

0:30:43.880 --> 0:30:46.120
<v Speaker 1>the moon. You couldn't even imagine I was so did

0:30:46.320 --> 0:30:48.720
<v Speaker 1>not We knew the story in Vietnam by this time.

0:30:49.000 --> 0:30:50.920
<v Speaker 1>We knew it was not an honorable It wasn't an

0:30:50.960 --> 0:30:55.720
<v Speaker 1>honorable war. Let's be let's face it. And uh, I

0:30:55.800 --> 0:30:58.360
<v Speaker 1>just I kind of knew this was a bad, bad

0:30:58.400 --> 0:31:00.720
<v Speaker 1>thing for me to do, but I felt obligated because

0:31:00.760 --> 0:31:03.360
<v Speaker 1>my father was in and uh, this is what a

0:31:03.400 --> 0:31:05.680
<v Speaker 1>guy did. You had you couldn't you didn't shirk your

0:31:05.920 --> 0:31:07.680
<v Speaker 1>your duty. I was an American. I was proud of that.

0:31:08.400 --> 0:31:10.640
<v Speaker 1>But then I didn't have to go. I was obviously

0:31:10.680 --> 0:31:15.360
<v Speaker 1>relieved too. Buddy, you're gonna will imagine. Wow, eventually you

0:31:15.400 --> 0:31:17.920
<v Speaker 1>come back to the States. Eventually come back to the

0:31:17.960 --> 0:31:23.920
<v Speaker 1>States and you start sing with the grassroots. You formed

0:31:23.960 --> 0:31:27.120
<v Speaker 1>the grassroots? Yep, well, well the grassroots were formed. But

0:31:27.280 --> 0:31:31.120
<v Speaker 1>we I Warren and Rob and Ricky and I, yes,

0:31:31.200 --> 0:31:34.719
<v Speaker 1>we took over. They did one Pflann album song called

0:31:34.840 --> 0:31:37.680
<v Speaker 1>where Were You When I Needed You that they had recorded,

0:31:37.720 --> 0:31:39.880
<v Speaker 1>and the group the Better Ones from the Bay Group,

0:31:40.320 --> 0:31:42.520
<v Speaker 1>they came and started playing. They didn't want to do it,

0:31:43.080 --> 0:31:45.760
<v Speaker 1>so they had this semi hit song. They needed a

0:31:45.800 --> 0:31:47.960
<v Speaker 1>band and we were playing down right next to the

0:31:47.960 --> 0:31:51.040
<v Speaker 1>whiskey at the London Fog. So our manager said, you know,

0:31:51.080 --> 0:31:53.520
<v Speaker 1>he heard about this, and he submitted our demo tape

0:31:54.040 --> 0:31:55.920
<v Speaker 1>a song called Beating around the Bush that Warren and

0:31:55.960 --> 0:32:01.360
<v Speaker 1>I wrote. That's what she said. I don't because that's stretch. Stretch,

0:32:01.400 --> 0:32:04.400
<v Speaker 1>that's a stretch. It's all right, no, no, no, it's okay.

0:32:04.440 --> 0:32:07.640
<v Speaker 1>I'm I'm in your chair, So just be careful what

0:32:07.720 --> 0:32:15.880
<v Speaker 1>you say. And so this this becomes your first real success, right,

0:32:15.920 --> 0:32:19.400
<v Speaker 1>I mean like big success. Oh yeah, big success. Yeah,

0:32:19.040 --> 0:32:22.360
<v Speaker 1>you know, number one records and gold, gold records and

0:32:22.400 --> 0:32:25.520
<v Speaker 1>stuff like that. Sure, absolutely, it was a big It

0:32:25.560 --> 0:32:27.280
<v Speaker 1>was a huge. And you can imagine me come from

0:32:27.320 --> 0:32:30.520
<v Speaker 1>this little tiny town, never having a pot to piste

0:32:30.520 --> 0:32:32.400
<v Speaker 1>and all of a sudden, I'm gonna Porsche, living out

0:32:32.400 --> 0:32:36.440
<v Speaker 1>in Malibu and flying around and playing shows doing you know,

0:32:36.440 --> 0:32:39.000
<v Speaker 1>it's playing all these amazing artists doing the big, big

0:32:39.040 --> 0:32:42.280
<v Speaker 1>shows stuff on stage. You know, it was pretty heavy stuff.

0:32:42.320 --> 0:32:44.080
<v Speaker 1>I don't know if it's any heavier than the office,

0:32:44.120 --> 0:32:46.800
<v Speaker 1>but it was pretty heavy. Why why did you leave

0:32:46.880 --> 0:32:49.680
<v Speaker 1>the grassroots? I left because I think you know the

0:32:49.720 --> 0:32:52.840
<v Speaker 1>story of my dropping acid at the film wore I'm

0:32:52.840 --> 0:32:55.200
<v Speaker 1>sure you know this is a famous story. I've heard this.

0:32:55.400 --> 0:32:57.280
<v Speaker 1>I don't know if it's true or not. It's true,

0:32:57.320 --> 0:33:00.560
<v Speaker 1>it's absolutely true, absolutely true. And uh, and when I

0:33:00.640 --> 0:33:03.280
<v Speaker 1>do my book, there's so much stuff this is I'm

0:33:03.280 --> 0:33:05.920
<v Speaker 1>just I'm just scratching at the surface. This goes, this

0:33:06.000 --> 0:33:09.680
<v Speaker 1>is in depth, stuff that happened. I'm gonna put say

0:33:09.680 --> 0:33:11.760
<v Speaker 1>away at the end of everything I say, I'm gonna

0:33:11.760 --> 0:33:13.760
<v Speaker 1>put in little marks on stuff that I may or

0:33:13.800 --> 0:33:15.960
<v Speaker 1>may not have said, but I'm gonna mark all. And

0:33:16.000 --> 0:33:18.760
<v Speaker 1>most people sell these stories are not true. I will

0:33:18.760 --> 0:33:22.600
<v Speaker 1>take a lot of detector tests and ascertain they're true.

0:33:22.800 --> 0:33:24.120
<v Speaker 1>You know, I don't. I don't have to make this

0:33:24.160 --> 0:33:27.080
<v Speaker 1>stuff up. This stuff happened, Ryan. They don't need to

0:33:27.200 --> 0:33:30.240
<v Speaker 1>make up stuff because it's all so good. Anyway, I

0:33:30.400 --> 0:33:36.480
<v Speaker 1>dropped acid, uh, and I couldn't play and UH dropped

0:33:36.520 --> 0:33:40.920
<v Speaker 1>my pants on stage, just walked off naked and waved

0:33:41.040 --> 0:33:42.760
<v Speaker 1>the audience, and we had to come back and make

0:33:42.800 --> 0:33:45.600
<v Speaker 1>the show up the next week. Bill Graham hated me

0:33:45.680 --> 0:33:48.720
<v Speaker 1>from that moment on, and I didn't really have a

0:33:48.720 --> 0:33:50.760
<v Speaker 1>lot of sense of humor about that kind of stuff,

0:33:50.840 --> 0:33:56.640
<v Speaker 1>So it was kind of the uh it was time

0:33:56.680 --> 0:33:58.880
<v Speaker 1>was running out for Creed and it was and that's

0:33:58.960 --> 0:34:00.840
<v Speaker 1>the reason I left the group. They didn't want me

0:34:00.880 --> 0:34:03.120
<v Speaker 1>to go. That was not the case at all. I

0:34:03.160 --> 0:34:06.560
<v Speaker 1>was getting frustrated because we get back from tour and

0:34:06.600 --> 0:34:08.839
<v Speaker 1>the Wrecking Crew, which I played with for the first

0:34:08.880 --> 0:34:12.799
<v Speaker 1>couple of albums, Warren and I did, They've recorded stuff,

0:34:12.840 --> 0:34:14.919
<v Speaker 1>they want us to put vocals on it. And I said,

0:34:15.200 --> 0:34:17.839
<v Speaker 1>come on, man, this is I'm playing live. Let's let

0:34:17.840 --> 0:34:20.600
<v Speaker 1>me just play the guitar. I've done it before. There's

0:34:20.640 --> 0:34:25.279
<v Speaker 1>no problem there. So that's that's That was the the

0:34:25.360 --> 0:34:28.600
<v Speaker 1>catalyst that made me. I just finally said when they

0:34:28.600 --> 0:34:30.720
<v Speaker 1>find if you're not happy, and I said I'm not happy.

0:34:31.040 --> 0:34:33.160
<v Speaker 1>It was it was both. It was a mutual agreement.

0:34:33.560 --> 0:34:35.359
<v Speaker 1>They if you're unhappy, and I said I'm not. So

0:34:35.400 --> 0:34:38.120
<v Speaker 1>I took a settlement, which was more than I ever thought.

0:34:39.080 --> 0:34:41.239
<v Speaker 1>Then I went off lived out in Malibu for a

0:34:41.239 --> 0:34:43.200
<v Speaker 1>while and went off to Europe for a while. And

0:34:43.200 --> 0:34:46.759
<v Speaker 1>then as soon as I got uh got divorced, I

0:34:46.800 --> 0:34:49.399
<v Speaker 1>went I realized that I had to get back into

0:34:49.480 --> 0:34:52.200
<v Speaker 1>stuff that I was good at. Besides, because I trying

0:34:52.239 --> 0:34:54.560
<v Speaker 1>to get solo career going nothing, what's going on? So

0:34:54.600 --> 0:34:56.600
<v Speaker 1>I went and studied the Meister method in l A

0:34:56.680 --> 0:34:59.279
<v Speaker 1>with Charles Conrad for about a year and a half

0:34:59.760 --> 0:35:01.239
<v Speaker 1>and and I worked. I did a play at the

0:35:01.239 --> 0:35:06.240
<v Speaker 1>Odyssey Theater with Bow Bridges directing, and uh, Jenny Sullivan

0:35:06.280 --> 0:35:10.560
<v Speaker 1>and John Crosby. This very very famous agent, major agent

0:35:10.640 --> 0:35:13.920
<v Speaker 1>manager in l A at the time, saw me and

0:35:14.040 --> 0:35:16.320
<v Speaker 1>signed me up. And then I worked. I worked for

0:35:16.360 --> 0:35:19.200
<v Speaker 1>a couple of years with him, just getting me gigs

0:35:19.840 --> 0:35:22.520
<v Speaker 1>and uh. And then next thing I studied, stayed in class,

0:35:23.560 --> 0:35:26.000
<v Speaker 1>work did all kinds of odd jobs. And I was

0:35:26.040 --> 0:35:29.400
<v Speaker 1>in class the week before when I was on Bernie

0:35:29.480 --> 0:35:34.120
<v Speaker 1>Mac and Ken Kappas came on. Boom said I wanted

0:35:34.120 --> 0:35:36.120
<v Speaker 1>to be on the show because my gut level, I said,

0:35:36.160 --> 0:35:38.320
<v Speaker 1>I want to do this. Put me in the background,

0:35:39.320 --> 0:35:42.120
<v Speaker 1>and I realized, you guys already cast. I had to

0:35:42.160 --> 0:35:45.680
<v Speaker 1>do something. So I wrote my own talking head, gave

0:35:45.719 --> 0:35:50.080
<v Speaker 1>it to great and everyone said, you don't do that,

0:35:50.120 --> 0:35:51.880
<v Speaker 1>You don't do stuff like that. He said, why not?

0:35:52.000 --> 0:35:54.759
<v Speaker 1>I did it work because it was funny that the

0:35:54.840 --> 0:36:15.480
<v Speaker 1>Gauds they did that. The thing was funny. That's why

0:36:17.120 --> 0:36:19.839
<v Speaker 1>what's your what's your favorite thing? About working as an

0:36:19.840 --> 0:36:22.959
<v Speaker 1>actor as opposed to maybe a musician or anything else.

0:36:23.360 --> 0:36:26.719
<v Speaker 1>What do you enjoy the most? I think, and I

0:36:26.760 --> 0:36:29.800
<v Speaker 1>think you you'll totally relate to. This is the family,

0:36:30.719 --> 0:36:34.800
<v Speaker 1>the camaraderie, that the participation. We're all in there making

0:36:34.800 --> 0:36:37.680
<v Speaker 1>this product, and we're all given and taken to to

0:36:37.760 --> 0:36:40.719
<v Speaker 1>make the final finest piece of work we can. When

0:36:40.719 --> 0:36:43.719
<v Speaker 1>you're up on stage, it's all me. But but when

0:36:43.760 --> 0:36:45.560
<v Speaker 1>you're in a player or something like this, you're you're

0:36:45.600 --> 0:36:48.319
<v Speaker 1>working in with a group of people. And I love that,

0:36:48.440 --> 0:36:51.160
<v Speaker 1>you know me, I I just I was like everybody else.

0:36:51.200 --> 0:36:53.279
<v Speaker 1>I just love going to work and doing what we did.

0:36:53.680 --> 0:36:55.560
<v Speaker 1>There was so much and look at us. We're all

0:36:55.600 --> 0:36:59.799
<v Speaker 1>still family, the whole cast still, you know. And yeah,

0:37:00.320 --> 0:37:03.440
<v Speaker 1>you know if we've talked about here and elsewhere, like

0:37:03.520 --> 0:37:06.000
<v Speaker 1>you know, so many people that you don't see who

0:37:06.000 --> 0:37:07.279
<v Speaker 1>are also a part of it. You know, there's a

0:37:07.360 --> 0:37:11.040
<v Speaker 1>hundred and twenty people or whatever, and all those people too,

0:37:11.960 --> 0:37:14.839
<v Speaker 1>and the crew. The crew. I still see Matt Son,

0:37:16.640 --> 0:37:19.319
<v Speaker 1>camera guy. I go hike with him still all the time. Yeah,

0:37:19.440 --> 0:37:22.840
<v Speaker 1>I know, I know he's the best. Let me ask you,

0:37:22.920 --> 0:37:24.640
<v Speaker 1>let's see if this makes any sense. If you know

0:37:24.680 --> 0:37:27.760
<v Speaker 1>what I mean, what is your most embarrassing acting credit?

0:37:28.400 --> 0:37:33.640
<v Speaker 1>Do you have one? So many to choose from bright

0:37:36.000 --> 0:37:38.600
<v Speaker 1>and mine? So mine. I don't know why I started

0:37:38.600 --> 0:37:42.000
<v Speaker 1>thinking about this this morning. Actually, Mine, what you told me?

0:37:42.040 --> 0:37:44.239
<v Speaker 1>Yours first, and I'll tell you mine. I'll tell you mine,

0:37:44.960 --> 0:37:48.319
<v Speaker 1>which is actually not It's not that it's terrible. It

0:37:48.440 --> 0:37:52.200
<v Speaker 1>was a short film and it was basically there are

0:37:52.200 --> 0:37:53.840
<v Speaker 1>a couple of other people who are in it, but

0:37:53.880 --> 0:37:58.400
<v Speaker 1>it's basically me and the actor Kevin rom who's amazing,

0:37:58.640 --> 0:38:03.239
<v Speaker 1>you know, in Madman monkst like fifteen other shows. But

0:38:03.400 --> 0:38:12.960
<v Speaker 1>it's called Moosecock. Oh and and so I always hope

0:38:13.000 --> 0:38:17.319
<v Speaker 1>you were the title character. Go when when doing you know,

0:38:17.440 --> 0:38:19.960
<v Speaker 1>doing a Q and A or something. There is undoubtedly

0:38:20.120 --> 0:38:23.040
<v Speaker 1>someone is gonna talk to me about how much they

0:38:23.040 --> 0:38:27.399
<v Speaker 1>appreciate my work in Moosecock. And they keep saying yes,

0:38:27.719 --> 0:38:32.520
<v Speaker 1>bringing up Moosecock, and it's yes, So that's mine. It's

0:38:32.520 --> 0:38:34.080
<v Speaker 1>just it has just has to do with the name

0:38:34.120 --> 0:38:37.520
<v Speaker 1>of it. You're lucky direct to have that story. You

0:38:37.520 --> 0:38:40.320
<v Speaker 1>have a story, You have a story like that, you know, Okay,

0:38:40.480 --> 0:38:43.160
<v Speaker 1>I when I was on the office, I got it.

0:38:43.239 --> 0:38:45.040
<v Speaker 1>They give me to give us all time up to

0:38:45.120 --> 0:38:48.799
<v Speaker 1>do stuff. I went and I did Terry with John

0:38:48.800 --> 0:38:51.960
<v Speaker 1>c Riley and it did all. It went to Sundance

0:38:52.000 --> 0:38:54.040
<v Speaker 1>and we get all the swag and I'm really really

0:38:54.080 --> 0:38:56.279
<v Speaker 1>happy with my part. And I thought, Okay, here I go,

0:38:56.760 --> 0:39:00.400
<v Speaker 1>here I go, and no one saw it. No one's on. Now.

0:39:00.440 --> 0:39:03.960
<v Speaker 1>That wasn't embarrassing. That wasn't was an embarrassing. Then later

0:39:04.000 --> 0:39:06.480
<v Speaker 1>I got to set a script for this movie called

0:39:06.880 --> 0:39:11.000
<v Speaker 1>The Ghastly Love of Johnny X, and the guy Paul

0:39:11.320 --> 0:39:15.640
<v Speaker 1>Brunel was doing a script funny kind of a sci

0:39:15.719 --> 0:39:20.120
<v Speaker 1>fi musical, semi kind of a horror thing, you know,

0:39:20.200 --> 0:39:22.760
<v Speaker 1>in a way weird way, but funny tongue in cheek,

0:39:23.280 --> 0:39:25.640
<v Speaker 1>and he was using all the black the last of

0:39:25.719 --> 0:39:28.319
<v Speaker 1>the black and white quote of Chroma X film the film,

0:39:28.360 --> 0:39:30.080
<v Speaker 1>and he got the larry last bit of it. We're

0:39:30.080 --> 0:39:33.080
<v Speaker 1>shooting in short ends for this whole film. We worked

0:39:33.080 --> 0:39:35.800
<v Speaker 1>our ass and he had shot it with the first crew,

0:39:36.520 --> 0:39:38.600
<v Speaker 1>and then he came back I think four to six

0:39:38.880 --> 0:39:42.440
<v Speaker 1>years later with the same group of people that added

0:39:42.480 --> 0:39:45.879
<v Speaker 1>some other characters like myself, and I came in as

0:39:45.880 --> 0:39:49.360
<v Speaker 1>this dead alien. The alien who had come from another planet,

0:39:49.440 --> 0:39:52.279
<v Speaker 1>became a rock star and had died and then his

0:39:52.320 --> 0:39:54.799
<v Speaker 1>son comes in with the resurrection suit and brings back

0:39:54.840 --> 0:39:58.439
<v Speaker 1>to life. I think it's like Rocky Picture Rocky Horror

0:39:58.480 --> 0:40:01.480
<v Speaker 1>Picture show. I think it's fun. As soon as I wait,

0:40:01.480 --> 0:40:03.439
<v Speaker 1>waited and waited to see what's gonna have seen, people

0:40:03.440 --> 0:40:05.400
<v Speaker 1>are going to see it. And it came out. And

0:40:05.480 --> 0:40:08.000
<v Speaker 1>the year it came out, it came in the trades

0:40:08.800 --> 0:40:14.279
<v Speaker 1>the lowest grossing movie of that year. It was made

0:40:14.480 --> 0:40:19.680
<v Speaker 1>tack a thousand, seventeen hundred dollars. It's like my heart

0:40:19.760 --> 0:40:23.640
<v Speaker 1>just saying, that's so, if you want embarrassing, there's embarrassing

0:40:23.719 --> 0:40:26.880
<v Speaker 1>right there. Yeah. Paul Williams was in it. Hysterically funny,

0:40:27.480 --> 0:40:30.000
<v Speaker 1>so much fun stuff, so much tongue in cheek stuff,

0:40:30.040 --> 0:40:32.520
<v Speaker 1>you know. And I I was just talking about chewing

0:40:32.600 --> 0:40:37.760
<v Speaker 1>up the scenery and I was just having so much fun. Um,

0:40:37.800 --> 0:40:40.400
<v Speaker 1>I've invented a new game. Yes, we're gonna play the

0:40:40.400 --> 0:40:44.000
<v Speaker 1>first time I've ever played Moosecock. No, it's not Mooscock.

0:40:44.760 --> 0:40:48.920
<v Speaker 1>It's called Creed Broughton Factor Fiction. If I had theme music,

0:40:49.560 --> 0:40:52.560
<v Speaker 1>actually I should have you in the future, right the

0:40:52.560 --> 0:40:55.960
<v Speaker 1>theme music for Factor Fiction. This is Factor Fiction with

0:40:56.040 --> 0:41:00.520
<v Speaker 1>Creed Broughton. I already have like seven other questions from today.

0:41:00.600 --> 0:41:02.120
<v Speaker 1>Are you doing this? What you're doing this with other

0:41:02.160 --> 0:41:04.359
<v Speaker 1>people too? Well, I don't know. I just I just

0:41:04.440 --> 0:41:07.880
<v Speaker 1>invented it because it seemed appropriate for you. But yeah, no,

0:41:08.480 --> 0:41:10.160
<v Speaker 1>I'll do it with other people. This is gonna go

0:41:10.280 --> 0:41:12.920
<v Speaker 1>so well, we'll do it with other people. Okay, we

0:41:13.320 --> 0:41:15.759
<v Speaker 1>know this already. And because this is the thing, if

0:41:15.800 --> 0:41:18.680
<v Speaker 1>you've been listening for the last forty five minutes, things

0:41:18.719 --> 0:41:22.280
<v Speaker 1>that Creed says, you're never exactly sure if it's fact

0:41:22.800 --> 0:41:25.680
<v Speaker 1>or if it's fiction. And he likes it that way,

0:41:25.719 --> 0:41:28.560
<v Speaker 1>but this is our own life. I've got him connected

0:41:28.600 --> 0:41:31.920
<v Speaker 1>to a lie detector. I don't, but we're gonna pretend

0:41:31.920 --> 0:41:35.560
<v Speaker 1>that I do. You could, we could, and we're gonna

0:41:35.640 --> 0:41:38.759
<v Speaker 1>we're gonna determine whether things from the office, things that

0:41:38.840 --> 0:41:43.080
<v Speaker 1>have been said are fact or are they fiction. And

0:41:43.160 --> 0:41:45.720
<v Speaker 1>let me ask you a question, quick, Bryant. Just create

0:41:45.800 --> 0:41:48.960
<v Speaker 1>the actor or the human being or create the character. No,

0:41:49.120 --> 0:41:51.920
<v Speaker 1>this is the human being. Well, because because Creed Bratton

0:41:52.120 --> 0:41:57.520
<v Speaker 1>is Creed Bratton to some extent, and and and many

0:41:57.560 --> 0:42:01.560
<v Speaker 1>stories about your life we're into and it's called Creed.

0:42:01.680 --> 0:42:03.960
<v Speaker 1>I mean, the character is called Creed Bratton and your

0:42:04.000 --> 0:42:08.080
<v Speaker 1>Creed Bratton and maybe stories from the office were from

0:42:08.120 --> 0:42:11.960
<v Speaker 1>your life or at least versions true or yeah, exactly

0:42:12.120 --> 0:42:14.400
<v Speaker 1>are they that writers would take variation to hear me

0:42:14.760 --> 0:42:18.919
<v Speaker 1>talk mumbling to myself, they followed me around the right stuff? Okay,

0:42:19.120 --> 0:42:23.480
<v Speaker 1>that's okay, all right? Factor fiction? Were you a radio

0:42:23.600 --> 0:42:26.840
<v Speaker 1>DJ and the seventies that went by the name wacky

0:42:26.920 --> 0:42:32.920
<v Speaker 1>Weed creed false? False? Okay? Fiction? You mean this is

0:42:32.920 --> 0:42:36.840
<v Speaker 1>called factor of fiction, so that's fiction, factor fiction? Okay fiction?

0:42:37.680 --> 0:42:45.399
<v Speaker 1>Did you play yourself in the office on a given day?

0:42:45.520 --> 0:42:50.879
<v Speaker 1>There was certainly, um a futuristic aspect of it if

0:42:50.920 --> 0:42:53.400
<v Speaker 1>he was on state on drugs, So it's it's I

0:42:53.400 --> 0:42:57.160
<v Speaker 1>can't really say factor because it was when I wrote that,

0:42:57.239 --> 0:42:59.560
<v Speaker 1>when I wrote the Guy, which they based that on,

0:42:59.640 --> 0:43:02.480
<v Speaker 1>that it's talking hid that I made. He was very exactly.

0:43:02.520 --> 0:43:03.680
<v Speaker 1>I think I've talked to you about this on the

0:43:03.719 --> 0:43:08.319
<v Speaker 1>show before. He was me on steroids with the like

0:43:08.360 --> 0:43:10.440
<v Speaker 1>a crack tuning fork. I think was the analogy I

0:43:10.440 --> 0:43:14.680
<v Speaker 1>gave you on your show. So it's certainly doesn't he

0:43:14.719 --> 0:43:19.080
<v Speaker 1>wasn't introspective as I am. But but yeah, but you know,

0:43:19.200 --> 0:43:21.560
<v Speaker 1>it intends on what what's going on at the time. Yeah,

0:43:21.800 --> 0:43:23.359
<v Speaker 1>you know what we're gonna call that. We're gonna call

0:43:23.400 --> 0:43:29.719
<v Speaker 1>that faction. I like that. I used to admit that. Fact.

0:43:29.760 --> 0:43:32.560
<v Speaker 1>That's a fact. That's a faction. Okay, that's fact. Do

0:43:32.120 --> 0:43:35.680
<v Speaker 1>you do you know how to scuba dive? Fact? Fact?

0:43:35.719 --> 0:43:38.880
<v Speaker 1>Do you know how to scuba dive? Okay? I love snorkeling.

0:43:38.920 --> 0:43:41.000
<v Speaker 1>I've never learned to scuba dive. That's a fact about

0:43:41.040 --> 0:43:44.000
<v Speaker 1>I can't anymore. I used to. I used to have

0:43:44.040 --> 0:43:46.000
<v Speaker 1>you used to so I used to have the think

0:43:46.080 --> 0:43:48.200
<v Speaker 1>the whole thing and do it. Yeah. Have you ever

0:43:48.239 --> 0:43:53.239
<v Speaker 1>worked in an office? False fiction? You've never worked in

0:43:53.239 --> 0:43:55.839
<v Speaker 1>an office? That you know how rare that is. That's

0:43:55.840 --> 0:43:59.840
<v Speaker 1>incredibly rare. That. Yeah, that you never did? Well, you

0:43:59.840 --> 0:44:02.920
<v Speaker 1>know now we know you came from, you know, wearing

0:44:02.960 --> 0:44:05.759
<v Speaker 1>cowboy hats on the farm, cowboy hats and stuff, riding

0:44:05.760 --> 0:44:09.879
<v Speaker 1>to horses and yeah. Have you ever been in any

0:44:10.040 --> 0:44:19.480
<v Speaker 1>form of or led a cult? No? I thought you

0:44:19.600 --> 0:44:21.960
<v Speaker 1>might say you had been in on a version of

0:44:22.040 --> 0:44:24.880
<v Speaker 1>one to do it. But but you're you're a friend.

0:44:24.920 --> 0:44:28.520
<v Speaker 1>I'm not gonna I'm not gonna bullshit yet. Okay, alright, perfect,

0:44:29.120 --> 0:44:33.239
<v Speaker 1>Have you ever actually dressed up for Halloween. Yes, of

0:44:33.280 --> 0:44:36.640
<v Speaker 1>course you had a fact generally go as myself now,

0:44:36.680 --> 0:44:41.080
<v Speaker 1>but yeah, that's what I do. Um, I've actually admitted

0:44:41.120 --> 0:44:46.560
<v Speaker 1>this game for this very question. Have you ever snorted

0:44:47.000 --> 0:44:52.800
<v Speaker 1>something off of a strippers body part at the Playboy

0:44:52.840 --> 0:45:01.719
<v Speaker 1>Mansion with Jim Morrison? Faction snorted. I've definitely snorted some

0:45:01.719 --> 0:45:06.240
<v Speaker 1>stuff there, but not with Jim. No, okay, not with Jim. Okay,

0:45:06.520 --> 0:45:09.320
<v Speaker 1>all right, that was my all time favorite. You're throwing

0:45:09.360 --> 0:45:13.320
<v Speaker 1>that out and then the room stops cold. That reminds

0:45:13.320 --> 0:45:15.160
<v Speaker 1>me of the time I was at the Playboy Mansion

0:45:15.239 --> 0:45:19.440
<v Speaker 1>with him. What did he just say? Um, can you

0:45:19.560 --> 0:45:23.360
<v Speaker 1>use a computer? Rudimentary? You know? I can? I'm actually

0:45:23.640 --> 0:45:26.600
<v Speaker 1>not that well. These people here would open the portal

0:45:26.719 --> 0:45:33.960
<v Speaker 1>and and Propagate would say no, But I can. I

0:45:33.960 --> 0:45:36.200
<v Speaker 1>can do I can. I can answer my I can

0:45:36.239 --> 0:45:38.920
<v Speaker 1>answer emails, let's say, you know, and maybe send a photo.

0:45:39.080 --> 0:45:42.840
<v Speaker 1>Or I can pick musical files and hear stuff. Okay,

0:45:42.920 --> 0:45:45.760
<v Speaker 1>musical files. That's close. Being able to answer an email

0:45:46.120 --> 0:45:48.880
<v Speaker 1>is not necessarily being able to use a computer. Just

0:45:49.000 --> 0:45:53.680
<v Speaker 1>for the record, Okay, I can. I can take download files,

0:45:54.200 --> 0:45:56.680
<v Speaker 1>play something on my computer and then send it back

0:45:56.719 --> 0:46:00.719
<v Speaker 1>to somebody. How about them apples without looking around or

0:46:00.800 --> 0:46:04.080
<v Speaker 1>asking anyone who might be there. Do you know what

0:46:04.440 --> 0:46:10.640
<v Speaker 1>n f T stands for? Non fungible tokens? Perfect? But

0:46:10.760 --> 0:46:13.160
<v Speaker 1>when I first heard it, I thought they were talking

0:46:13.160 --> 0:46:18.640
<v Speaker 1>about sponges, non spongebo non spongeable tokens. And then they

0:46:18.680 --> 0:46:21.120
<v Speaker 1>said something else, and then my mind, you know me,

0:46:21.160 --> 0:46:22.720
<v Speaker 1>and then I don't But I don't hear it correctly.

0:46:22.719 --> 0:46:26.400
<v Speaker 1>I don't like am I just dyslectic mentally? So I

0:46:27.800 --> 0:46:29.560
<v Speaker 1>heard and then I heard fungus, and I thought it

0:46:29.600 --> 0:46:33.440
<v Speaker 1>was something to do with mushrooms, and it's now but

0:46:33.440 --> 0:46:35.400
<v Speaker 1>but now they finally explained to me what it is.

0:46:35.480 --> 0:46:38.880
<v Speaker 1>And now now I'm embracing the metaverse. You know, this

0:46:38.960 --> 0:46:41.160
<v Speaker 1>is a great thing for me to be. Cryptocrete is

0:46:41.200 --> 0:46:45.200
<v Speaker 1>at home now in this betaverse. Speaking of fungible have

0:46:45.280 --> 0:46:50.719
<v Speaker 1>you ever put wacky mushrooms on a pizza? I've done

0:46:50.760 --> 0:46:52.960
<v Speaker 1>my share of mushrooms, but not on a pizza. Wouldn't

0:46:52.960 --> 0:46:54.880
<v Speaker 1>I wouldn't be a little bit. I'd be over and

0:46:54.920 --> 0:46:58.800
<v Speaker 1>I'll be over indulgent. You know, are you the scrand

0:46:58.800 --> 0:47:05.360
<v Speaker 1>and strangler? You know, when I was at that trial

0:47:05.480 --> 0:47:10.440
<v Speaker 1>for Toby, and I can't just come from the Halloween party,

0:47:10.840 --> 0:47:13.239
<v Speaker 1>and I had covered in blood, and I went back

0:47:13.480 --> 0:47:15.520
<v Speaker 1>in the back room at the courtyard, and I saw

0:47:15.560 --> 0:47:18.359
<v Speaker 1>the courthouse and I saw that he was at there testifying,

0:47:18.400 --> 0:47:21.960
<v Speaker 1>and there was the photographers stare and the Bereefs family,

0:47:21.960 --> 0:47:24.960
<v Speaker 1>the Breeze, the family of the people that he killed.

0:47:25.000 --> 0:47:28.480
<v Speaker 1>And you know, Brian, they never noticed me, never paid

0:47:28.480 --> 0:47:32.400
<v Speaker 1>any attention. Let's just say they got the wrong guy. Okay,

0:47:32.560 --> 0:47:37.279
<v Speaker 1>that's fair enough. There you go, Factor Fixtion. There that

0:47:37.400 --> 0:47:41.160
<v Speaker 1>was it. You've conquered the music world. You've conquered that game.

0:47:41.440 --> 0:47:45.600
<v Speaker 1>You've conquered and acted about that, and you've taken the

0:47:45.640 --> 0:47:50.320
<v Speaker 1>TV world by storm, as they say. Now you're moving

0:47:50.360 --> 0:47:55.160
<v Speaker 1>on to non fungible tokens the metal verse. I saw

0:47:55.200 --> 0:48:00.080
<v Speaker 1>the burning video. How how fun was that? So and

0:48:00.400 --> 0:48:03.560
<v Speaker 1>so much so much fun, you know. And and by

0:48:03.600 --> 0:48:05.439
<v Speaker 1>the way that I got burnt to a little bit

0:48:05.640 --> 0:48:08.239
<v Speaker 1>during that thing you did. Yeah, I got burnt, but

0:48:08.520 --> 0:48:10.759
<v Speaker 1>we got They bought me some alabara and it's healed

0:48:10.800 --> 0:48:15.239
<v Speaker 1>up pretty good. Now. How does burning flesh smell like

0:48:15.400 --> 0:48:21.640
<v Speaker 1>mushroom pizza? That's very good? Um? Why the n f

0:48:21.680 --> 0:48:24.959
<v Speaker 1>T world, I mean, I you're perfect for it. Number

0:48:25.040 --> 0:48:27.960
<v Speaker 1>one so let me just say that, thank you, thank you.

0:48:28.000 --> 0:48:30.080
<v Speaker 1>But well, you know who I am? You know I am? Yeah, Well,

0:48:30.440 --> 0:48:33.680
<v Speaker 1>it's age, it's age. There's like you know, they're putting

0:48:33.680 --> 0:48:36.319
<v Speaker 1>on the shoes getting out of bed, the creaky than

0:48:36.680 --> 0:48:39.160
<v Speaker 1>like the sounds like God, the crack of the bones

0:48:39.200 --> 0:48:41.600
<v Speaker 1>in the morning when you're waking up and now. But

0:48:41.680 --> 0:48:43.960
<v Speaker 1>in the metaverse, I'm just free. I'm just that can

0:48:44.040 --> 0:48:46.840
<v Speaker 1>fly and go to through universes. It's just it's a

0:48:46.880 --> 0:48:50.160
<v Speaker 1>freedom that I that I love to experience. Brian, I

0:48:50.239 --> 0:48:54.600
<v Speaker 1>loved the video. I can't wait to see the actual thing.

0:48:54.680 --> 0:48:56.799
<v Speaker 1>Although what I'm gonna have to pay? What am I

0:48:56.800 --> 0:48:58.800
<v Speaker 1>gonna have to pay? No? You are You've You've already

0:48:58.800 --> 0:49:04.879
<v Speaker 1>been sent one. Don't worry. I've been I've been sent Yes,

0:49:05.200 --> 0:49:07.880
<v Speaker 1>what is it? What is it worth? Now? Can I

0:49:08.000 --> 0:49:10.400
<v Speaker 1>sell it already? You could sell it right now and

0:49:10.480 --> 0:49:13.279
<v Speaker 1>probably really, you know, pay off your mortgage. It's gonna

0:49:13.320 --> 0:49:19.560
<v Speaker 1>be sucking, should be. Maybe you know what we've talked about.

0:49:19.640 --> 0:49:22.279
<v Speaker 1>You're worried about saying, fuck the idea. We should not

0:49:22.320 --> 0:49:26.520
<v Speaker 1>be concerned about it. First of all, Okay, okay, you

0:49:26.560 --> 0:49:31.480
<v Speaker 1>know me, I'm a little bit b botanical and doesn't matter. Yeah, exactly,

0:49:32.040 --> 0:49:37.840
<v Speaker 1>Alien chicken. Why alien Chicken? Um, well, I don't if

0:49:37.880 --> 0:49:39.520
<v Speaker 1>I ever sent you the album, I think I probably

0:49:39.520 --> 0:49:41.680
<v Speaker 1>did tell me about it. I used to have this

0:49:41.719 --> 0:49:45.520
<v Speaker 1>fantasy about chickens, and I thought, because you I love chicken,

0:49:45.560 --> 0:49:49.000
<v Speaker 1>you know, chicken and chicken salads and chicken sandwiches and chicken.

0:49:49.040 --> 0:49:52.680
<v Speaker 1>Impost chicken who doesn't live chicken? And I one day

0:49:52.719 --> 0:49:54.439
<v Speaker 1>I was thinking about aliens, and I'm thinking, I wonder

0:49:54.480 --> 0:49:57.680
<v Speaker 1>if the chickens and alien chickens taste better? Are different?

0:49:58.080 --> 0:50:00.040
<v Speaker 1>So I started thinking about alien chicken, and just I

0:50:00.080 --> 0:50:03.920
<v Speaker 1>had to call my company Alien Chicken Ink. And so

0:50:04.000 --> 0:50:06.080
<v Speaker 1>then the album tell me about it. You see me

0:50:06.120 --> 0:50:09.520
<v Speaker 1>there being interviewed by one of my big chickens. He's there.

0:50:09.520 --> 0:50:12.839
<v Speaker 1>He's a reporter for Rolling Stone. He's interviewing me. So

0:50:12.880 --> 0:50:15.120
<v Speaker 1>that's always been my company. And when we decided to

0:50:15.160 --> 0:50:19.160
<v Speaker 1>do uh uh talking with Lynn who worked with you

0:50:19.360 --> 0:50:23.359
<v Speaker 1>and now me on then the she uh, she's well,

0:50:23.480 --> 0:50:26.120
<v Speaker 1>just the ALIENI and chicken be cryptocreede alien chicken because

0:50:26.280 --> 0:50:29.000
<v Speaker 1>it's already there. So that's what that's that's where it is, man,

0:50:29.400 --> 0:50:34.200
<v Speaker 1>it's there. It's their congratulations. Oh man, thank you and

0:50:34.239 --> 0:50:37.239
<v Speaker 1>thank you so much for having me on. Man, it's

0:50:37.239 --> 0:50:38.640
<v Speaker 1>good to say. And there's the only time I get

0:50:38.680 --> 0:50:40.920
<v Speaker 1>to see you was on this little screen. But you know,

0:50:41.239 --> 0:50:43.400
<v Speaker 1>go down I gotta get down south and visit you know,

0:50:43.440 --> 0:50:48.320
<v Speaker 1>one of these days, you do, I say, our next reunion.

0:50:48.840 --> 0:50:51.319
<v Speaker 1>I think we got to convince Rain to host and

0:50:51.400 --> 0:50:54.520
<v Speaker 1>maybe take a ride on the zonkey. I hear he's

0:50:54.520 --> 0:50:59.080
<v Speaker 1>got like an albino peacock. Now he's got this farm.

0:50:59.239 --> 0:51:01.839
<v Speaker 1>It'll remind of your of your youth. Have you've been

0:51:01.880 --> 0:51:05.760
<v Speaker 1>in to smooth place? You know? I have just passed by, couldn't.

0:51:07.080 --> 0:51:13.280
<v Speaker 1>Walter his son who was born on the show. He's fifteen. Now, Brian,

0:51:13.800 --> 0:51:16.840
<v Speaker 1>I'm there. I'm playing one of my songs. You know,

0:51:17.000 --> 0:51:19.720
<v Speaker 1>he asked me. I brought my guitar and I'm jamming.

0:51:20.120 --> 0:51:25.440
<v Speaker 1>Walter is playing solid guitar, jamming alongside of me, and

0:51:25.440 --> 0:51:29.040
<v Speaker 1>it's like it's mine mind boggling. You know, a great kid.

0:51:29.200 --> 0:51:31.120
<v Speaker 1>It's a great kid. The two of you need to

0:51:31.120 --> 0:51:34.520
<v Speaker 1>do a song. I think that's a good idea. Yeah, no,

0:51:34.680 --> 0:51:37.399
<v Speaker 1>I'll I'll collaborate with anybody, you know, I love that's

0:51:37.440 --> 0:51:40.000
<v Speaker 1>some of the best work sometimes, you know, you're working

0:51:40.000 --> 0:51:42.279
<v Speaker 1>on your tenth album right, when is this we're gonna

0:51:42.480 --> 0:51:44.640
<v Speaker 1>working on my tent working. I don't know, it's I've

0:51:44.640 --> 0:51:48.520
<v Speaker 1>just got into my third song, just on my third song. Okay,

0:51:50.120 --> 0:51:51.840
<v Speaker 1>so I wasn't out there in the metaverse, I'd probably

0:51:51.840 --> 0:51:58.440
<v Speaker 1>getting more work done. Well, you're you're here, you're there,

0:51:59.440 --> 0:52:03.239
<v Speaker 1>you're rewhere everywhere. But what what what? What are you

0:52:03.320 --> 0:52:05.960
<v Speaker 1>working on it? Because I'm sorry, folks out there, I

0:52:05.960 --> 0:52:07.680
<v Speaker 1>know this is but but I need to find catchup,

0:52:07.880 --> 0:52:09.480
<v Speaker 1>be friend, to find what the hell he's doing now,

0:52:09.680 --> 0:52:12.200
<v Speaker 1>do you know what I'm I am so enjoying these

0:52:12.239 --> 0:52:15.080
<v Speaker 1>conversations that I'm having with people right now. Truly, I

0:52:15.120 --> 0:52:20.680
<v Speaker 1>am loving, loving doing this and hearing stories like from you,

0:52:20.800 --> 0:52:26.000
<v Speaker 1>which I know some but still not all, and sharing Yeah,

0:52:26.120 --> 0:52:28.799
<v Speaker 1>these stories and experiences with people. I'm just enjoying it

0:52:28.920 --> 0:52:31.680
<v Speaker 1>so so much. I get it, I get I say,

0:52:31.800 --> 0:52:34.359
<v Speaker 1>I feel it. It's just kind of great. Great. Yeah,

0:52:35.040 --> 0:52:38.480
<v Speaker 1>well we're long overdue, my friend, I know. Virtual hug,

0:52:38.520 --> 0:52:44.440
<v Speaker 1>big virtual hug, biggest virtual hug. I love I love you,

0:52:44.480 --> 0:52:47.680
<v Speaker 1>thank you so much. I love you. Thank you for

0:52:47.719 --> 0:52:49.960
<v Speaker 1>the n f T. I'm gonna go pay off my mortgage,

0:52:49.960 --> 0:52:51.680
<v Speaker 1>but I probably won't because I want to keep it.

0:52:51.920 --> 0:52:53.680
<v Speaker 1>I want it's gonna get worth it'll be worth more.

0:52:53.719 --> 0:52:55.400
<v Speaker 1>Don't want to get rid of it enough save it's kidding.

0:52:55.520 --> 0:52:59.040
<v Speaker 1>I want to own a piece of you. Yeah, I'm

0:52:59.440 --> 0:53:04.120
<v Speaker 1>I'm not the whole are horror highest bidder? Okay, see

0:53:04.600 --> 0:53:07.439
<v Speaker 1>we can we can cut that out. I know. Yeah,

0:53:07.440 --> 0:53:26.160
<v Speaker 1>please do Creed, my friend. I cannot wait to go

0:53:26.400 --> 0:53:30.520
<v Speaker 1>ride a zookey with you. Thanks for stopping by my

0:53:30.680 --> 0:53:34.200
<v Speaker 1>old stomping grounds. Always great to talk to you. Don't

0:53:34.280 --> 0:53:38.400
<v Speaker 1>do anything to my chair. Thanks to everyone else for

0:53:38.440 --> 0:53:41.200
<v Speaker 1>tuning in. Don't forget to follow us on the old

0:53:41.239 --> 0:53:44.759
<v Speaker 1>Instagram at Off the Beat to stay up to date

0:53:44.800 --> 0:53:47.080
<v Speaker 1>with the latest and greatest. And if you've been liking

0:53:47.080 --> 0:53:49.640
<v Speaker 1>what you've been hearing, why not leave a review for

0:53:49.760 --> 0:53:53.160
<v Speaker 1>us on Apple Podcasts or comment directly to me. I

0:53:53.200 --> 0:53:57.080
<v Speaker 1>promise I am listening. Next week, I'm going to be

0:53:57.120 --> 0:54:01.600
<v Speaker 1>back with a well with a person of many talents.

0:54:03.560 --> 0:54:14.680
<v Speaker 1>You'll see, have a great week. Off the Beat is

0:54:14.719 --> 0:54:18.920
<v Speaker 1>hosted an executive produced by me Brian Baumgartner, alongside our

0:54:18.960 --> 0:54:23.840
<v Speaker 1>executive producer Langley. Our producers are Diego Tapia, Liz Hayes,

0:54:24.040 --> 0:54:28.080
<v Speaker 1>Emily Carr and Hannah Harris. Our talent producer is Ryan

0:54:28.280 --> 0:54:32.640
<v Speaker 1>Papa Zachary. Our theme song Bubble and Squeak performed by

0:54:32.719 --> 0:54:36.480
<v Speaker 1>my great friend Creed Bratton, and the episode was mixed

0:54:36.600 --> 0:54:37.839
<v Speaker 1>by Seth o'landski