WEBVTT - I Don't Spruce (S1 E14, “That Damn Donna Reed”)

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<v Speaker 1>I am all in. I want to kiss you. I

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<v Speaker 1>am all in with Scott Patterson and I Heart Radio podcast.

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<v Speaker 1>Hey everybody, Scott Patterson here and this is the I

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<v Speaker 1>Am all In podcast with my Heart Radio. Uh. And

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<v Speaker 1>we are going to discuss that Damn Donna Read. What

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<v Speaker 1>an episode? Good God, We're gonna get into some Grantly

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<v Speaker 1>Phillips as well. He's here, he's waiting in the waiting room.

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<v Speaker 1>So or he's arriving in his golden to the town

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<v Speaker 1>troop bodoor in his golden limousine somewhere on the highway

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<v Speaker 1>making his way towards the green room and getting all

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<v Speaker 1>miked up and ready for his appearance on our podcast.

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<v Speaker 1>Grantly Phillips, the Town Troupe boder Anyway, what an epis?

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<v Speaker 1>So it was a laugh riot for me and so major.

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<v Speaker 1>There's so many things happening. This is episode fourteen that

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<v Speaker 1>Damn Donna Read. Air date February twenty two, two thousand one.

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<v Speaker 1>Rory and Dean argue about women's roles after watching The

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<v Speaker 1>Donna Rich Show, and Emily makes Lorelai face her feelings.

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<v Speaker 1>I mean, where do you even begin? Where the heck

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<v Speaker 1>do you even begin? I know where to begin. Laurela

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<v Speaker 1>likes Luke. She thinks she might have feelings for him. Yeah,

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<v Speaker 1>it's looking. Did you see him make his move though?

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<v Speaker 1>When they were on the floor looking at the the

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<v Speaker 1>he made you know where this dad wrote that order

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<v Speaker 1>down for nails and stuff like, and then he just

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<v Speaker 1>he moved in a little bit. He made a move.

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<v Speaker 1>And then Taylor, because Lusa staid, Lucas stead wait, I

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<v Speaker 1>want to hear all your thoughts. Give us all your

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<v Speaker 1>thoughts on the whole episode, Luca, lore La. You know,

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<v Speaker 1>I think the Luke and Laurel I stuff was funny,

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<v Speaker 1>entertaining and daring. Luke made his move, you know, he

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<v Speaker 1>yet again made another move. This time it wasn't interrupted

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<v Speaker 1>by Mrs Kim. It was interrupted by Taylor and Taylor man,

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<v Speaker 1>I got old, Taylor, how great is hey? Man? How

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<v Speaker 1>great is hey? He's just like with a bunch of

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<v Speaker 1>the town's folks have knocking on the door. Was he

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<v Speaker 1>trying to wake me up for it? I was closed?

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<v Speaker 1>You know what a busy body Jesus. But I loved God.

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<v Speaker 1>I just love how breezy and easy and kind of perfect.

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<v Speaker 1>The interaction is between Luke and Laurel I I just

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<v Speaker 1>I just love us together, I really do. And uh,

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<v Speaker 1>you know, as a critique of my own work, I

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<v Speaker 1>was really proud of my work. I really liked the work. Um.

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<v Speaker 1>I thought there was some very funny moments, especially chasing

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<v Speaker 1>the baby chick. Um, but I I enjoyed And now

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<v Speaker 1>I remember doing those scenes and remembering how much I

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<v Speaker 1>enjoyed doing those scenes. Um. You know, it was a

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<v Speaker 1>new show and we were getting good ratings and we

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<v Speaker 1>were happy, and everybody was you know, everybody kind of

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<v Speaker 1>relaxed into the roles and we're sort of firing on

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<v Speaker 1>all cylinders but not pushing anything. So it was like,

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<v Speaker 1>I think in the beginning, we're pushing a little bit,

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<v Speaker 1>but now we're sort of easing into that that nice

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<v Speaker 1>space where you're just doing some good work. And so

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<v Speaker 1>do you think your performance in this episode was stronger

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<v Speaker 1>than your performance in the episode where Richard has the

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<v Speaker 1>hard issue? Well, there was more to for me to

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<v Speaker 1>do in this episode. You know, I don't remember that

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<v Speaker 1>I had a lot to do in that episode. I

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<v Speaker 1>mean it was just see, I thought you were brilliant.

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<v Speaker 1>I thought Luke, really we really got to know Luke.

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<v Speaker 1>And but but those situations. Okay, so those situations with

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<v Speaker 1>the Richard episode, those are easier to play because anybody

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<v Speaker 1>can play those those scenes because it's, of course that's

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<v Speaker 1>what you're gonna do. Of course you're going to be

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<v Speaker 1>the support of end. You know. Wow, that's interesting. And

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<v Speaker 1>this one it required a little it required another layer

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<v Speaker 1>where it was sort of like, now you have to

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<v Speaker 1>show that you're interested, that you really want her, but

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<v Speaker 1>you know, be a little bit secretive about it, so

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<v Speaker 1>it's not so super obvious and it doesn't turn her off.

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<v Speaker 1>And and uh, that's what I enjoyed about it. It It

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<v Speaker 1>was that sort of banter, that going back and forth.

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<v Speaker 1>I mean he would go from dismissive to kind of

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<v Speaker 1>relax and accepting to a little bit of a smile,

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<v Speaker 1>like just like that, and then move in for a

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<v Speaker 1>kiss and get interrupted and and then take you know,

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<v Speaker 1>I like that hit a beer. I took it that.

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<v Speaker 1>When she left, I was like, jeez, I need a drink.

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<v Speaker 1>I almost kissed her. It's like almost and denied again.

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<v Speaker 1>I mean that's the second or third time he's been

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<v Speaker 1>denied by a an annoying town member. Noted, interrupted, interrupted,

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<v Speaker 1>well denied, denied. The universe conspiring against me. That's how Yeah,

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<v Speaker 1>the the chemistry is so it's just so cool. And

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<v Speaker 1>are you feeling that when you're acting those scenes, almost

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<v Speaker 1>like you get pumped up by it? What does that

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<v Speaker 1>feel like when you're just ping ponging and having those scenes?

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<v Speaker 1>What is that like? It feels great? It's fun it Yeah,

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<v Speaker 1>it feels like a couple of tennis players playing a

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<v Speaker 1>nice point, you know, just like hitting the ball, hitting shots,

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<v Speaker 1>hitting shots. But I think it's because I think that

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<v Speaker 1>relationship worse. And this is this is what is dawning

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<v Speaker 1>on me a little bit here as I watched these episodes,

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<v Speaker 1>is that laurelized very rebellious personality. She just is and

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<v Speaker 1>that's why we love her because she's unpredictable and she's

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<v Speaker 1>rebellious and you never know what's going to come out

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<v Speaker 1>of her mouth, but you know it's going to be

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<v Speaker 1>something funny, or it's going to be something a little

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<v Speaker 1>bit of reverend and that kind of a thing. And

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<v Speaker 1>she does it in the in the in the beginning

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<v Speaker 1>the dinner scene again, which I thought was just brilliant

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<v Speaker 1>hysterical reverence, such a great word, right, and then but

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<v Speaker 1>THANKS think she when she encounters me, she's encountering somebody

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<v Speaker 1>who is even more rebellious and more irreverence, so it

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<v Speaker 1>almost makes her look and feel lighter. I think it's

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<v Speaker 1>a sense, it's a good it's a good chemistry because

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<v Speaker 1>I'm a sort of a darker, heavier presence, but still

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<v Speaker 1>bellious and irreverent with a heart not like her. She's

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<v Speaker 1>got a heart for everybody. I've got a heart for

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<v Speaker 1>her and Rory, and that's pretty much about it, you know,

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<v Speaker 1>So I'm very limited in how I can use my heart.

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<v Speaker 1>So it's like, you know, the chemistry is that she's

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<v Speaker 1>going to be able to focus her heart maybe on

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<v Speaker 1>me in a romantic way, and that she will open

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<v Speaker 1>up my heart so I can lighten up and love

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<v Speaker 1>other people as well as her. So I think that's

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<v Speaker 1>the the sort of yang yin and the yang of it.

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<v Speaker 1>Do you feel like her moralized moments with Luke they

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<v Speaker 1>are like a breath of fresh air for her or

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<v Speaker 1>a lighter feeling. I don't know if anyone else feels that,

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<v Speaker 1>but I do get what you're saying, like those scenes

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<v Speaker 1>do feel lighter, where her Emily Richard scenes are more

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<v Speaker 1>like snark, right, because because she I don't give off

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<v Speaker 1>the impression to Laurel. Luke doesn't give off the impression

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<v Speaker 1>to Laurel I that he needs her. There's no pressure

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<v Speaker 1>on her coming from him. It's just that, you know,

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<v Speaker 1>I'm I'm the diner guy, I'm your friend. Everything is is,

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<v Speaker 1>So there's just no pressure coming from him. There's no

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<v Speaker 1>there are no head trips, there's no nothing. It's just

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<v Speaker 1>he's there. She can tell he did that, he digs her.

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<v Speaker 1>She can tell that she's not an idiot, and you know,

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<v Speaker 1>she's just not giving into it yet. She doesn't. There's

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<v Speaker 1>a lot at steak here. I mean there's a there's

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<v Speaker 1>a lot at steak, and she's not going to give

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<v Speaker 1>into it until it's just kind of overwhelming. And um

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<v Speaker 1>but yeah, I think Luke. And that's the reason I

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<v Speaker 1>wanted to plan it that way, Uh, to to have

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<v Speaker 1>somewhat of a way to your some darker, somewhat more

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<v Speaker 1>serious presence in that show, because if I'm anything other

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<v Speaker 1>than that, she's going to appear to be a little

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<v Speaker 1>too much in a romantic relationship. So I had to

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<v Speaker 1>kind of be the heavy and uh, you know, it

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<v Speaker 1>just works. It just worked. I totally agree. So what

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<v Speaker 1>do you Scott slash Luke feel in that scene when

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<v Speaker 1>Emily you know, goes aside with Laura Lyons says, you

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<v Speaker 1>know this guy is finding the bird and and he

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<v Speaker 1>was at the hospital and you're always with him. Do

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<v Speaker 1>you have feelings for him? And she finally admits, Lord

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<v Speaker 1>knows why she admits it to her mother, I don't know,

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<v Speaker 1>maybe I do. How do you feel? When Emily says, well,

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<v Speaker 1>and now there's a lot to talk about about that, right,

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<v Speaker 1>she says something dismissive about me. Yes, you like, then

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<v Speaker 1>we have to discuss are you are you out of

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<v Speaker 1>your mind or something like that to choose somebody like that,

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<v Speaker 1>and right, okay. So that means therefore that Emily really

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<v Speaker 1>is is digging for honesty from Laura La about that situation,

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<v Speaker 1>because it's really, you know, her being selfish. She wants

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<v Speaker 1>some closeness with her daughter. She wants her daughter, she

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<v Speaker 1>wants to have That's her way of of telling Laura La,

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<v Speaker 1>I want to have a relationship with you. I want

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<v Speaker 1>to I want to dish dish with me. Let's talk

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<v Speaker 1>about this guy. You know. Yeah, that scene bothered me

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<v Speaker 1>because I really didn't like Emily in that scene because

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<v Speaker 1>I truly like Emily. I think she has mostly good intentions,

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<v Speaker 1>although she's she's dark and complicated, but she gets Lorelei

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<v Speaker 1>to open up to her and then dismisses it, and

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<v Speaker 1>I that really bothered. But I think, Okay, you're right.

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<v Speaker 1>But I think it's because she doesn't she wants to

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<v Speaker 1>have a an honest and kind of dishy mother daughter

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<v Speaker 1>thing because that's her only daughter. She wants more closeness.

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<v Speaker 1>She wants to be close. But why does she want

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<v Speaker 1>to be close? I think her intention is she doesn't

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<v Speaker 1>want Laurel I'm making another mistake with somebody like me.

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<v Speaker 1>And if she has an influence in her life, if

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<v Speaker 1>they're friends again, if they fall in love again, I'm

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<v Speaker 1>talking mother and daughter, if they have a closeness, um,

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<v Speaker 1>maybe Emily can steer her in the right direction. I

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<v Speaker 1>don't think Emily gives up. I don't think she's given

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<v Speaker 1>up on Laurela trying to be an influence on her life,

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<v Speaker 1>getting her back to the country club because they're you

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<v Speaker 1>know what I mean. I mean, she's thirty two, she's young,

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<v Speaker 1>she's very attractive, she's very young. She's going to be

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<v Speaker 1>an empty nester at thirty three years old. She's thirty

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<v Speaker 1>two now. Rory's going away, so she's still young and

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<v Speaker 1>very marketable on the dating scene at the country club,

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<v Speaker 1>and I think I think Emily wants to set things right.

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<v Speaker 1>It's like, do the right thing by Rory, get her

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<v Speaker 1>to Yale, then get Laura La back in the country club,

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<v Speaker 1>and get her going with the right guy who runs

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<v Speaker 1>this corporation or that corporation is an international businessman, and

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<v Speaker 1>so that I can have a normal life again and

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<v Speaker 1>not be embarrassed by my daughter anymore. I think you're

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<v Speaker 1>nailing it because that bothered me so much, because I

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<v Speaker 1>felt like she got Laura La to open up, and

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<v Speaker 1>she was very clever about how she did it, and

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<v Speaker 1>she was almost loving and motherly. And then I was

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<v Speaker 1>so disappointed in her reaction when Lorealy admitted it, and

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<v Speaker 1>it felt like Emily is trying to control her and

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<v Speaker 1>it didn't feel genuine that it really for some reason,

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<v Speaker 1>in this amazing episode that has so many things I loved,

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<v Speaker 1>especially Christopher coming back, we'll talk about that, but that

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<v Speaker 1>really bothered me. No, No, but it's I think she's

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<v Speaker 1>still Yes, she's self Emily, self serving, she wants her

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<v Speaker 1>life to go a certain way. She that's her child,

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<v Speaker 1>that's her only child, and it's and it's just screwed

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<v Speaker 1>up her life and it's screwed up her social life,

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<v Speaker 1>and she's tired of apologizing for her daughter. And she

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<v Speaker 1>do you think she really wants to sit there and

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<v Speaker 1>dinner and say things like you know, and you know,

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<v Speaker 1>and and talk under her breath about inappropriate things that

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<v Speaker 1>her daughter is saying at the dinner table. What is it?

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<v Speaker 1>The very the very first scene, Emily had some snarky thing,

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<v Speaker 1>you know, and it was just very quick and it

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<v Speaker 1>was like, oh, here we go again, Laurali with the

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<v Speaker 1>comments and the funny jokes and this and that and

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<v Speaker 1>and what what? What did Emily say the very first thing?

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<v Speaker 1>But it was it was really cutting, and it was

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<v Speaker 1>really funny, and it was really kind of right on,

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<v Speaker 1>and it just shows how irritated she is that she

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<v Speaker 1>has this daughter that turned out this way. It's like

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<v Speaker 1>she wants to sit there and have an intelligent, sophisticated,

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<v Speaker 1>culturally appropriate conversation that the upper crust has. It's like

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<v Speaker 1>we needed, you know, we did the therapy episode about

0:13:00.040 --> 0:13:02.360
<v Speaker 1>Luke and lore La it's like, we need a therapist again,

0:13:02.400 --> 0:13:06.440
<v Speaker 1>and we'll do it soon. Really breaking down this eft

0:13:06.559 --> 0:13:10.120
<v Speaker 1>up relationship that Emily and Laura la I have, it

0:13:10.280 --> 0:13:13.680
<v Speaker 1>is a hot mess. Emily wants to save her daughter.

0:13:14.720 --> 0:13:17.600
<v Speaker 1>Now she sees an opportunity. She's taking control of Rory somewhat,

0:13:17.640 --> 0:13:19.880
<v Speaker 1>she thinks, right, that's what the Friday night dinners are

0:13:19.880 --> 0:13:23.240
<v Speaker 1>all about, getting control of Rory and then maybe trying

0:13:23.320 --> 0:13:26.520
<v Speaker 1>to rein in and manipulate Laurela back into the country

0:13:26.520 --> 0:13:29.200
<v Speaker 1>club sets so that she can meet an appropriate man

0:13:30.000 --> 0:13:33.080
<v Speaker 1>because she's worried that that she likes me. She's worried

0:13:33.120 --> 0:13:37.080
<v Speaker 1>about she doesn't want me in the mix with all

0:13:37.120 --> 0:13:41.400
<v Speaker 1>that money. Right, yeah, and look at one ahead of myself.

0:13:41.440 --> 0:13:47.200
<v Speaker 1>But it's why they love Christopher. He's appropriate. They love Christy,

0:13:47.320 --> 0:13:51.000
<v Speaker 1>he's one of them. And that's another strength of the show.

0:13:51.040 --> 0:13:55.160
<v Speaker 1>It's it's it's it's how the rich fight. That's how

0:13:55.240 --> 0:13:59.720
<v Speaker 1>they what they do. They don't want their kids trafficking

0:14:00.040 --> 0:14:05.000
<v Speaker 1>in Luke Danes is they do not. They do not.

0:14:05.080 --> 0:14:09.079
<v Speaker 1>Oh he owns a diner and stars hollow. Great, nice,

0:14:09.160 --> 0:14:12.960
<v Speaker 1>good for you. They don't care about the chemistry between us.

0:14:13.000 --> 0:14:15.080
<v Speaker 1>They don't care about you know, if it could be

0:14:15.160 --> 0:14:18.559
<v Speaker 1>potentially there you were, there, you were at the hospital.

0:14:19.120 --> 0:14:22.040
<v Speaker 1>There you are on the floor of the house. You know,

0:14:22.360 --> 0:14:25.120
<v Speaker 1>there you are there, you are bringing the ice. You know.

0:14:25.240 --> 0:14:29.240
<v Speaker 1>It's like it's like Emily is missing the things that

0:14:29.320 --> 0:14:35.880
<v Speaker 1>matter so much. She invited them to Martha's vineyard because

0:14:35.880 --> 0:14:39.000
<v Speaker 1>they found the house. You know, the guy died, and

0:14:39.200 --> 0:14:43.200
<v Speaker 1>and now they had a house to rent um and

0:14:43.200 --> 0:14:45.160
<v Speaker 1>and so she invited the two of them. She didn't

0:14:45.200 --> 0:14:47.160
<v Speaker 1>didn't invite me or any but I mean, it's a

0:14:47.160 --> 0:14:49.960
<v Speaker 1>little too soon for that anyway, But she she doesn't

0:14:50.000 --> 0:14:51.960
<v Speaker 1>want to be in a position where I would show

0:14:52.040 --> 0:14:56.480
<v Speaker 1>up anyway if Lauren and I were together. Very complicated,

0:14:57.080 --> 0:15:00.440
<v Speaker 1>but there's so much in this episode. This really is

0:15:00.480 --> 0:15:06.040
<v Speaker 1>a phenomenal episode without a question, my god, And you

0:15:06.080 --> 0:15:08.440
<v Speaker 1>know what, I think. I was a little harsh about

0:15:08.800 --> 0:15:13.000
<v Speaker 1>the Rory Dean stuff. It was pretty no I you know,

0:15:13.040 --> 0:15:19.440
<v Speaker 1>it's so weird. I enjoyed that because I sort of

0:15:19.840 --> 0:15:24.640
<v Speaker 1>wasn't totally mad at Dean obviously, like, and I'd love

0:15:24.680 --> 0:15:26.960
<v Speaker 1>to hear what Riley and Danielle say, Like I understand

0:15:27.000 --> 0:15:29.560
<v Speaker 1>why Rory is like fired up about it, but at

0:15:29.560 --> 0:15:31.280
<v Speaker 1>the same time, I sort of like that is so

0:15:31.480 --> 0:15:35.800
<v Speaker 1>Dean of Dean, But but it's now it's just showing

0:15:36.000 --> 0:15:40.880
<v Speaker 1>how naive kids are. They don't understand the period that

0:15:40.880 --> 0:15:44.000
<v Speaker 1>that was shot and written. I mean, this is the

0:15:44.040 --> 0:15:48.520
<v Speaker 1>post World War two entertainment complex, right, I mean, all

0:15:48.520 --> 0:15:50.760
<v Speaker 1>these guys coming back from World War Two, the whole

0:15:50.800 --> 0:15:54.040
<v Speaker 1>country coming back from World War two, and women contributed

0:15:54.160 --> 0:15:57.480
<v Speaker 1>mightily to the war effort in the United States. I

0:15:57.520 --> 0:15:59.760
<v Speaker 1>mean they were on the assembly line putting missiles in

0:15:59.800 --> 0:16:02.320
<v Speaker 1>bull It's together and all kinds of things. Everybody chipped

0:16:02.320 --> 0:16:04.720
<v Speaker 1>in uma and it was a you know, it was

0:16:04.760 --> 0:16:08.480
<v Speaker 1>a full time, full time job kicking those Nazis asses.

0:16:08.520 --> 0:16:12.120
<v Speaker 1>You know, it really was. Everybody chipped in and and

0:16:12.200 --> 0:16:16.360
<v Speaker 1>but the men came back so traumatized and so young. Uh.

0:16:16.400 --> 0:16:19.000
<v Speaker 1>And the government felt so bad about it because you know,

0:16:19.160 --> 0:16:23.320
<v Speaker 1>PTSD wasn't a thing back then. Um. You know, these

0:16:23.360 --> 0:16:25.760
<v Speaker 1>guys get the free college on the g I bill

0:16:25.880 --> 0:16:28.600
<v Speaker 1>like my father did, and they all they wanted to

0:16:29.000 --> 0:16:32.000
<v Speaker 1>is just to have families and quiet and peace and

0:16:32.120 --> 0:16:34.600
<v Speaker 1>children and dogs in a white picket fence. And that's

0:16:34.600 --> 0:16:37.960
<v Speaker 1>all they wanted. So making your man a meal, knowing

0:16:38.080 --> 0:16:40.840
<v Speaker 1>that we had just been through you know, four or

0:16:40.840 --> 0:16:44.720
<v Speaker 1>five years of hell on earth and we almost lost

0:16:44.720 --> 0:16:47.600
<v Speaker 1>our way of life and thank god, you know it's

0:16:47.720 --> 0:16:50.840
<v Speaker 1>over now. You know you're gonna make the poor guy

0:16:50.880 --> 0:16:54.240
<v Speaker 1>a meal because you know what he wants. Yeah, with

0:16:54.280 --> 0:16:56.760
<v Speaker 1>the Donna Reed show and the shows of that time,

0:16:57.760 --> 0:17:02.520
<v Speaker 1>everyone at home is wanting to total escape to look

0:17:02.520 --> 0:17:07.760
<v Speaker 1>at how great everything is and pushing the American, pushing

0:17:07.800 --> 0:17:11.159
<v Speaker 1>the Levitt towns, pushing that way of life. A chicken

0:17:11.160 --> 0:17:13.520
<v Speaker 1>and every pot in a car in every garage. Yes,

0:17:13.720 --> 0:17:16.760
<v Speaker 1>So Riley and Danielle who are of a different generation,

0:17:17.280 --> 0:17:21.520
<v Speaker 1>what did you guys think of the Rory Dean Donna

0:17:21.600 --> 0:17:27.479
<v Speaker 1>Reed thing? So for me, like I I understood both sides,

0:17:27.800 --> 0:17:31.040
<v Speaker 1>Like I have very traditional parents, so I understood Dean

0:17:31.080 --> 0:17:34.040
<v Speaker 1>side of like, you know, making the meal from the wife,

0:17:34.040 --> 0:17:36.359
<v Speaker 1>makes meal for the husband, like the very traditional side.

0:17:36.560 --> 0:17:39.560
<v Speaker 1>But then I also understand Rory side of like being

0:17:39.560 --> 0:17:41.880
<v Speaker 1>an empowered woman and doesn't have to be that way

0:17:41.920 --> 0:17:44.360
<v Speaker 1>and breaking out of the norm. So I definitely see

0:17:44.440 --> 0:17:47.439
<v Speaker 1>both sides. I agree. I Mean the one thing that

0:17:47.520 --> 0:17:49.520
<v Speaker 1>bothers me is if my husband's like, so, what's for

0:17:49.560 --> 0:17:51.800
<v Speaker 1>dinner tonight? And I'm like, I don't know, you tell me,

0:17:52.880 --> 0:17:55.879
<v Speaker 1>you know, like if he tells me that like red,

0:17:56.080 --> 0:17:59.680
<v Speaker 1>see red, but I will. I do think it was

0:17:59.760 --> 0:18:02.480
<v Speaker 1>very innocent of Dean, right, Like I think he was

0:18:02.520 --> 0:18:05.320
<v Speaker 1>just a dude that likes to get fed. You know,

0:18:05.400 --> 0:18:07.120
<v Speaker 1>he's like, you're gonna make me dinner today. That makes

0:18:07.160 --> 0:18:09.840
<v Speaker 1>me so happy. I don't think he had any like

0:18:10.400 --> 0:18:13.000
<v Speaker 1>malintent to that at all. I think he was just

0:18:13.040 --> 0:18:15.840
<v Speaker 1>a dude that loves a meal from the girl he likes.

0:18:15.880 --> 0:18:18.520
<v Speaker 1>But it's not only it's not only genetic, it's it's

0:18:18.640 --> 0:18:22.560
<v Speaker 1>it's it's behavioral, it's what it's conditioning, it's what they

0:18:22.680 --> 0:18:24.800
<v Speaker 1>who fed me when I was growing up. My mom

0:18:25.040 --> 0:18:28.040
<v Speaker 1>my dad didn't feed me. But my dad did feed me.

0:18:28.080 --> 0:18:31.800
<v Speaker 1>He went out and made the money and you know, provided, provided, provided,

0:18:31.840 --> 0:18:33.760
<v Speaker 1>But it was my mother who was feeding me. She

0:18:33.880 --> 0:18:36.600
<v Speaker 1>was cooking and feeding. That's all. That's all Guys at

0:18:36.600 --> 0:18:39.080
<v Speaker 1>age one, I think guys as even if they get older,

0:18:39.400 --> 0:18:43.040
<v Speaker 1>they want their mommy's feeding them. Yeah, Dean is a

0:18:43.119 --> 0:18:47.200
<v Speaker 1>simple guy. Yeah, it's it's yeah, it's a different Uh,

0:18:47.320 --> 0:18:50.000
<v Speaker 1>it was just a whole different generation. I mean, it's why,

0:18:50.359 --> 0:18:53.120
<v Speaker 1>here's the thing, and we're getting ahead of ourselves. But

0:18:54.280 --> 0:18:58.480
<v Speaker 1>it's why Dean and Rory don't end up together. Yeah,

0:18:58.560 --> 0:19:04.359
<v Speaker 1>once traditional and one is non simple and she's so complicated.

0:19:06.200 --> 0:19:08.320
<v Speaker 1>That's why I love Logan. But we'll talk about it later.

0:19:10.080 --> 0:19:13.080
<v Speaker 1>We're gonna talk. I mean, I cannot wait for that.

0:19:13.119 --> 0:19:16.400
<v Speaker 1>But what do you think of a motorcycle and Christopher?

0:19:16.400 --> 0:19:20.240
<v Speaker 1>And what did you you, Scott, because you couldn't probably

0:19:20.240 --> 0:19:23.480
<v Speaker 1>remember everything. I think when that did you know immediately

0:19:23.520 --> 0:19:26.720
<v Speaker 1>that Christopher was on that motorcycle? I figured it out

0:19:26.720 --> 0:19:31.120
<v Speaker 1>pretty quick. Yeah, what did you think? It was a

0:19:31.200 --> 0:19:35.000
<v Speaker 1>devastating moment personally for me because I thought Luke was

0:19:35.040 --> 0:19:39.200
<v Speaker 1>gaining so much ground. I mean, that's like, you know,

0:19:39.320 --> 0:19:43.080
<v Speaker 1>that's like, you know, the quarterback is handing to the

0:19:43.119 --> 0:19:45.960
<v Speaker 1>ball and you're going three yards and a and a

0:19:46.000 --> 0:19:47.800
<v Speaker 1>cloud of dust and you're on the you know, you're

0:19:47.800 --> 0:19:50.480
<v Speaker 1>just getting beat up and you're almost there and you're

0:19:50.520 --> 0:19:54.080
<v Speaker 1>gonna score the winning goal, a little touchdown, and then

0:19:54.119 --> 0:19:57.879
<v Speaker 1>all of a sudden, quarterback throws a little two yard

0:19:57.920 --> 0:20:00.320
<v Speaker 1>passed to a wide receiver just came into the game,

0:20:00.680 --> 0:20:02.920
<v Speaker 1>you know, this first end of when he gets all

0:20:02.960 --> 0:20:05.000
<v Speaker 1>the glory, and it's like that's how I felt. It's

0:20:05.040 --> 0:20:08.720
<v Speaker 1>like rug pulled out from under you rug pulled out,

0:20:09.560 --> 0:20:14.639
<v Speaker 1>as audience fans were like, yes, yes, oh wow, like

0:20:14.760 --> 0:20:19.119
<v Speaker 1>it's the ultimate curveball, like here comes this motorcycle. And

0:20:19.160 --> 0:20:23.440
<v Speaker 1>as a first time viewer, you know, Danielle, you can comment,

0:20:24.400 --> 0:20:26.560
<v Speaker 1>were you like who is that dude? And then all

0:20:26.600 --> 0:20:29.200
<v Speaker 1>of a sudden, Rory's like, Dad, were you just like

0:20:29.520 --> 0:20:34.160
<v Speaker 1>what just by the way that you saw Laura Lite

0:20:34.680 --> 0:20:39.520
<v Speaker 1>When that motorcycle pulled up, I was like, oh, that's Christopher,

0:20:39.800 --> 0:20:43.600
<v Speaker 1>Like I knew right away before Rory even said, Dad,

0:20:43.680 --> 0:20:48.600
<v Speaker 1>I'm like, oh, no, here he is. It's amazingly well done, Scott.

0:20:48.600 --> 0:20:50.680
<v Speaker 1>Can you remember I mean, I'm sure you probably weren't

0:20:50.680 --> 0:20:54.919
<v Speaker 1>around that day, but can you remember then shooting that.

0:20:56.040 --> 0:21:00.480
<v Speaker 1>I can't wait to find out what everyone listening thinks

0:21:00.520 --> 0:21:03.440
<v Speaker 1>of Christopher because I know how I feel about Christopher

0:21:04.320 --> 0:21:06.159
<v Speaker 1>obviously I kind of know how you feel. But I

0:21:06.240 --> 0:21:10.760
<v Speaker 1>can't wait to see like if fans I think they

0:21:10.880 --> 0:21:13.840
<v Speaker 1>a lot? Do Yeah? I love it? I think a

0:21:13.880 --> 0:21:16.560
<v Speaker 1>lot too, And I don't blame him. He's a hell

0:21:16.600 --> 0:21:19.240
<v Speaker 1>of a guy. And man, I mean I mean talk

0:21:19.320 --> 0:21:23.280
<v Speaker 1>about you know, just the visual alone, right, and he's

0:21:23.320 --> 0:21:26.080
<v Speaker 1>like pulling up in the leather jacket and he says

0:21:26.160 --> 0:21:30.320
<v Speaker 1>the cool line, Hey, okay, take your shirt off. That's

0:21:30.320 --> 0:21:32.800
<v Speaker 1>what he said from his motorcycle with a helmet on.

0:21:32.960 --> 0:21:36.080
<v Speaker 1>Laureliz is like, huh, and I know we have to

0:21:36.119 --> 0:21:39.000
<v Speaker 1>go to break, but like they've got a witty bantern

0:21:39.480 --> 0:21:44.360
<v Speaker 1>you because they have a very similar ping pong that

0:21:44.520 --> 0:21:47.640
<v Speaker 1>you do with Laura. Yeah, but there's this very country

0:21:47.640 --> 0:21:51.239
<v Speaker 1>club yeah yeah, yeah, yeah, with the with the like,

0:21:51.440 --> 0:21:54.240
<v Speaker 1>but we don't want that. There's like, no, they have

0:21:54.440 --> 0:21:58.560
<v Speaker 1>the country club ping pong with no conflict, even though

0:21:58.600 --> 0:22:02.040
<v Speaker 1>they had the history Laureline and it's all it's all

0:22:02.200 --> 0:22:06.000
<v Speaker 1>it's all sexual tension. Yes, yeah, alright, so we gotta

0:22:06.000 --> 0:22:08.920
<v Speaker 1>take a break. We'll be back with Grant Lee Phillips,

0:22:09.000 --> 0:22:12.680
<v Speaker 1>the town troubadour, who we see for the first time

0:22:12.680 --> 0:22:16.560
<v Speaker 1>in this episode. So we'll we'll be right back. Yeah,

0:22:20.040 --> 0:22:26.720
<v Speaker 1>there he is the legend. Are you doing, buddy, I'm

0:22:26.760 --> 0:22:28.680
<v Speaker 1>doing good? Thank you? How are you good to see it?

0:22:28.800 --> 0:22:32.360
<v Speaker 1>Thanks for coming on, I'm good. Pleasure. So let's get

0:22:32.400 --> 0:22:35.000
<v Speaker 1>into this this this episode. This is your first appearance,

0:22:35.280 --> 0:22:38.760
<v Speaker 1>isn't it is? In an episode? There you were, There

0:22:38.840 --> 0:22:43.960
<v Speaker 1>you were, and all your glory. Grant Lee Phillips appears

0:22:43.960 --> 0:22:47.920
<v Speaker 1>as the grant the Town Troubadour until of nineteen Gilmour

0:22:48.000 --> 0:22:50.480
<v Speaker 1>Girls episodes from two thousand and two thousand and seven.

0:22:50.520 --> 0:22:53.440
<v Speaker 1>You're a musician who played guitar and sings and stars hollow.

0:22:54.359 --> 0:22:57.880
<v Speaker 1>It is said that you do not accept money. Uh,

0:22:57.920 --> 0:23:01.280
<v Speaker 1>and you were elected the official town Troubadour during a

0:23:01.359 --> 0:23:04.880
<v Speaker 1>town meeting two thousand and one. So let's talk about

0:23:04.880 --> 0:23:06.639
<v Speaker 1>your background in music and how did you get the

0:23:06.640 --> 0:23:11.359
<v Speaker 1>part of the Town Troubador. Where were you initially cast

0:23:11.480 --> 0:23:14.080
<v Speaker 1>for a certain amount of episodes or was it just

0:23:14.160 --> 0:23:16.520
<v Speaker 1>the one? And they said, I believe it was just

0:23:16.640 --> 0:23:21.119
<v Speaker 1>for the one, you know, um Amy Sherman Palladino, Daniel Palladino.

0:23:21.160 --> 0:23:26.119
<v Speaker 1>They were fans of Grantly Buffalo and had followed me

0:23:26.160 --> 0:23:29.159
<v Speaker 1>into what was the beginning of my solo career at

0:23:29.200 --> 0:23:32.760
<v Speaker 1>that time, early early two thousand's, like maybe like two thousand,

0:23:32.840 --> 0:23:36.359
<v Speaker 1>come to think of it, White two K days. Remember

0:23:36.400 --> 0:23:40.359
<v Speaker 1>that the world was coming to an end. If we

0:23:40.400 --> 0:23:43.159
<v Speaker 1>could just go back to White two k if we

0:23:43.200 --> 0:23:46.879
<v Speaker 1>didn't know how good we had, Uh. Yeah, So I

0:23:46.960 --> 0:23:49.119
<v Speaker 1>get this call, do you want to be on the

0:23:49.200 --> 0:23:53.520
<v Speaker 1>Gilmore Girls playing the Town Troubador? I had no idea

0:23:53.600 --> 0:23:56.399
<v Speaker 1>what I was really getting, you know, involved with, but

0:23:56.960 --> 0:23:58.440
<v Speaker 1>it was a great time for me to just to

0:23:58.520 --> 0:24:02.960
<v Speaker 1>leap without looking. And um, I'm glad I did. I mean,

0:24:03.400 --> 0:24:06.560
<v Speaker 1>I loved every second of the nice And how many

0:24:06.600 --> 0:24:12.520
<v Speaker 1>of your songs actually made it on the soundtrack of

0:24:12.720 --> 0:24:18.639
<v Speaker 1>any episode? Dudes? I mean, well, um goodness, Um, I

0:24:18.640 --> 0:24:21.080
<v Speaker 1>think you said there were there were nineteen episodes, so

0:24:22.280 --> 0:24:25.800
<v Speaker 1>you know, sometimes there were there were more than one song. Um,

0:24:25.840 --> 0:24:29.920
<v Speaker 1>I don't know definitively. Um, I'm guessing there there must

0:24:29.920 --> 0:24:36.000
<v Speaker 1>be ten fifteen of my own original songs. Um. Yeah.

0:24:36.080 --> 0:24:38.320
<v Speaker 1>Most most of the songs that I've played I had written,

0:24:38.480 --> 0:24:41.720
<v Speaker 1>although there were a couple where, um, you know, the

0:24:41.720 --> 0:24:45.040
<v Speaker 1>Troubador ventured out wake me up before you go go

0:24:45.760 --> 0:24:50.400
<v Speaker 1>be true to your school. You know. Well, it's very

0:24:50.440 --> 0:24:53.520
<v Speaker 1>difficult for the for the audience listening in, it's very

0:24:53.560 --> 0:24:57.919
<v Speaker 1>difficult to get a song highly competitive arena. They're getting

0:24:57.920 --> 0:25:00.760
<v Speaker 1>a song song on a place, to a TV show

0:25:00.880 --> 0:25:06.280
<v Speaker 1>or a film. It can be very lucrative, Um, but

0:25:06.359 --> 0:25:09.000
<v Speaker 1>it's very very competitive, very difficult thing to accomplish. It.

0:25:09.080 --> 0:25:14.440
<v Speaker 1>Good for you, um Tory musician, you know, and uh,

0:25:14.560 --> 0:25:17.920
<v Speaker 1>you know now you're on Gilmore Girls, and I hope

0:25:17.960 --> 0:25:24.040
<v Speaker 1>you're getting residuals uh in perpetuity this great music because

0:25:24.200 --> 0:25:26.439
<v Speaker 1>for me, you know, the music sets the atmosphere of

0:25:26.440 --> 0:25:29.880
<v Speaker 1>the show. The Carol King thing is King song is iconic.

0:25:31.240 --> 0:25:34.320
<v Speaker 1>Your music is iconic, and it's it contributes mightily to

0:25:34.320 --> 0:25:36.920
<v Speaker 1>the show. So you should be you should be paid

0:25:36.920 --> 0:25:40.560
<v Speaker 1>for it. So oh well, I appreciate that. And you know,

0:25:40.760 --> 0:25:43.760
<v Speaker 1>I you know, and there are there are ways that

0:25:43.840 --> 0:25:48.280
<v Speaker 1>I can't even really uh put into into a number.

0:25:48.359 --> 0:25:53.080
<v Speaker 1>I can't quantify how many fans that I have made

0:25:53.160 --> 0:25:56.600
<v Speaker 1>through the show who have then come to my concert.

0:25:56.800 --> 0:26:03.560
<v Speaker 1>You know, that's an amazing thing, you know, mother's daughters. Yeah,

0:26:04.240 --> 0:26:06.320
<v Speaker 1>I mean, do you notice it in the in the

0:26:06.320 --> 0:26:09.959
<v Speaker 1>crowd when you were when you were, did you notice people,

0:26:10.040 --> 0:26:12.080
<v Speaker 1>I mean you would know you get the direct feedback.

0:26:12.640 --> 0:26:15.520
<v Speaker 1>I'm I'm yeah. From from time to time, it's not

0:26:15.560 --> 0:26:19.560
<v Speaker 1>an uncommon thing anywhere that I travel, could be overseas

0:26:19.800 --> 0:26:25.640
<v Speaker 1>and they're at the show. Some some fans will show

0:26:25.720 --> 0:26:27.879
<v Speaker 1>up and say, you know, I discovered you through The

0:26:27.880 --> 0:26:31.280
<v Speaker 1>Gilmore Girls with my daughter here and we watched it

0:26:31.320 --> 0:26:33.359
<v Speaker 1>and we and we have this great connection with the

0:26:33.359 --> 0:26:36.840
<v Speaker 1>show and and that's how we discovered your music. So

0:26:36.880 --> 0:26:38.879
<v Speaker 1>it's you know, it's as direct as that, and I

0:26:38.880 --> 0:26:41.520
<v Speaker 1>think that's pretty amazing. So you know, I'm going to

0:26:41.640 --> 0:26:44.320
<v Speaker 1>go off script here. Um yeah, I have a bunch

0:26:44.359 --> 0:26:46.199
<v Speaker 1>of questions they gave me. But you know, I'm a

0:26:46.240 --> 0:26:49.560
<v Speaker 1>songwriter too, and I've dedicated a great deal of time

0:26:49.640 --> 0:26:53.760
<v Speaker 1>to writing songs, and I want to know about your process.

0:26:53.800 --> 0:26:57.520
<v Speaker 1>I want to know how you do it. Um who

0:26:57.560 --> 0:27:00.439
<v Speaker 1>inspires you? You know? How do you how do you

0:27:00.440 --> 0:27:04.440
<v Speaker 1>go about writing songs? Oh goodness, I do recall many

0:27:04.480 --> 0:27:07.560
<v Speaker 1>times on the set when in between takes, there's so

0:27:07.640 --> 0:27:09.679
<v Speaker 1>much time where we find ourselves just sitting around and

0:27:09.720 --> 0:27:14.640
<v Speaker 1>we would pass the twelve string back and forth. Um yeah,

0:27:14.680 --> 0:27:19.239
<v Speaker 1>I always enjoyed that. You know, the process for me

0:27:19.280 --> 0:27:27.080
<v Speaker 1>begins with um uh, becoming bored. It's probably as simple

0:27:27.119 --> 0:27:29.760
<v Speaker 1>as that. And and and in some ways that was

0:27:29.800 --> 0:27:33.840
<v Speaker 1>sort of the challenge when this pandemic set in. I'm

0:27:33.880 --> 0:27:36.040
<v Speaker 1>I'm used to being out on the road and with

0:27:36.160 --> 0:27:38.840
<v Speaker 1>that means that I've got a sound check at six

0:27:38.840 --> 0:27:43.719
<v Speaker 1>o'clock shows at ten tonight. What do I do in between?

0:27:43.800 --> 0:27:46.119
<v Speaker 1>I go back the hotel, try to stay awake and

0:27:46.400 --> 0:27:49.600
<v Speaker 1>naturally I began just thumping around on the guitar, and

0:27:49.640 --> 0:27:53.479
<v Speaker 1>that's usually when I begin, Hey, there's a song there.

0:27:53.480 --> 0:27:55.719
<v Speaker 1>You know. It's in those little moments when I'm totally

0:27:55.720 --> 0:27:58.879
<v Speaker 1>by myself, and uh, I don't know when I'm you know,

0:27:58.920 --> 0:28:01.600
<v Speaker 1>when those moments are going. I can't predict those moments necessarily,

0:28:02.840 --> 0:28:05.600
<v Speaker 1>but they're they're pretty vital. So I had to kind

0:28:05.600 --> 0:28:10.760
<v Speaker 1>of create that time in that situation. Uh, I mean,

0:28:10.960 --> 0:28:13.000
<v Speaker 1>you're having a guitar in your hand, that's the thing.

0:28:13.680 --> 0:28:18.000
<v Speaker 1>I think. It's noodling around constantly. And then yeah, yeah,

0:28:18.080 --> 0:28:21.720
<v Speaker 1>just constantly. And in the same goes for lyric writing,

0:28:21.800 --> 0:28:25.240
<v Speaker 1>I'm I'm sort of always I think you could relate

0:28:25.280 --> 0:28:28.639
<v Speaker 1>to this. To you, as a songwriter a lyricist, you

0:28:28.680 --> 0:28:35.280
<v Speaker 1>develop a sense of of listening. As a songwriter, you know,

0:28:36.040 --> 0:28:40.200
<v Speaker 1>you recognize when a string of words have the potential

0:28:40.240 --> 0:28:43.840
<v Speaker 1>of being a song title or a chorus, or you know,

0:28:44.200 --> 0:28:47.040
<v Speaker 1>have the seed of a song. It's a funny thing

0:28:47.080 --> 0:28:53.040
<v Speaker 1>that way. My wife we were talking about, uh, back

0:28:53.360 --> 0:28:56.120
<v Speaker 1>in the in the in the nineties when we were

0:28:56.160 --> 0:28:58.040
<v Speaker 1>living in the High Desert at that time, and we

0:28:58.080 --> 0:29:01.000
<v Speaker 1>had the north Ridge earthquake and my wife was in

0:29:01.080 --> 0:29:03.200
<v Speaker 1>the after shocks kept coming and just remember that you

0:29:03.400 --> 0:29:06.480
<v Speaker 1>couldn't trust the ground anymore. It was a terrible feeling.

0:29:06.640 --> 0:29:10.080
<v Speaker 1>And I said, can I trust the ground? Yeah? Okay,

0:29:10.480 --> 0:29:13.600
<v Speaker 1>And I went and I wrote that song. So that's

0:29:13.600 --> 0:29:16.680
<v Speaker 1>some that's on my next records. That's you know, and

0:29:16.680 --> 0:29:19.280
<v Speaker 1>it doesn't necessarily have anything to do with earthquakes a song,

0:29:19.440 --> 0:29:22.320
<v Speaker 1>but you know, I think we we tend to have

0:29:22.640 --> 0:29:28.840
<v Speaker 1>a metaphoric sensibility, you know. Yeah, alright, let's get into

0:29:28.880 --> 0:29:32.800
<v Speaker 1>some Gilmore stuff here, because I could talk music with

0:29:32.840 --> 0:29:34.840
<v Speaker 1>you all day, but we have to. We have to

0:29:34.880 --> 0:29:37.960
<v Speaker 1>get some Gilmore stuff. And because that's what the podcast

0:29:38.040 --> 0:29:40.200
<v Speaker 1>is about. I love that. I love that about you

0:29:40.240 --> 0:29:42.440
<v Speaker 1>that you have so many You have such a wide

0:29:42.480 --> 0:29:50.080
<v Speaker 1>field of experience, music, sports, coffee, Gilmore of course. Yeah,

0:29:50.760 --> 0:29:54.239
<v Speaker 1>well you know you gotta keep plugging, right. Um. The

0:29:54.240 --> 0:29:56.720
<v Speaker 1>thing that the music is is I I started too late,

0:29:57.360 --> 0:30:00.720
<v Speaker 1>and I wanted to out of high school. Our band

0:30:00.800 --> 0:30:04.880
<v Speaker 1>kind of broke up and everybody pursued there separate interests,

0:30:04.880 --> 0:30:07.680
<v Speaker 1>but I wanted to keep the band together. Um, so

0:30:08.120 --> 0:30:12.200
<v Speaker 1>you know, it's it's a pipe dream. But I love

0:30:12.280 --> 0:30:15.240
<v Speaker 1>writing and I love recording, and you know, it's a

0:30:15.360 --> 0:30:20.720
<v Speaker 1>it's a nice hobby, you know what I'm saying. Um um,

0:30:20.760 --> 0:30:24.280
<v Speaker 1>So were you given direction as the town trooper or

0:30:24.560 --> 0:30:30.200
<v Speaker 1>was there some kind of the direction I was given

0:30:30.280 --> 0:30:37.960
<v Speaker 1>typically how to do with like can you maybe sing

0:30:38.160 --> 0:30:42.520
<v Speaker 1>a little slower? Definitely walk a little faster as you're

0:30:42.520 --> 0:30:45.800
<v Speaker 1>doing getting across the street, because we've got to pick

0:30:45.880 --> 0:30:51.360
<v Speaker 1>up this other you know, caravan that's coming through and

0:30:51.600 --> 0:30:54.040
<v Speaker 1>uh and you know how that is. It's one long shot,

0:30:54.520 --> 0:30:57.520
<v Speaker 1>like if you blow it, if you're the weakest link,

0:30:57.720 --> 0:31:00.200
<v Speaker 1>then the whole thing has to be read as you

0:31:00.240 --> 0:31:02.960
<v Speaker 1>were in all those white shots and they'd come zoom

0:31:03.080 --> 0:31:06.200
<v Speaker 1>in on you and then moved aft right. Yeah, so

0:31:06.280 --> 0:31:09.000
<v Speaker 1>there was a little bit of terror involved in that,

0:31:09.080 --> 0:31:13.520
<v Speaker 1>you know, all that choreography. Yeah, but in terms of like,

0:31:13.560 --> 0:31:17.240
<v Speaker 1>you know, my what is my objective? But never I

0:31:17.320 --> 0:31:20.360
<v Speaker 1>never really got to go as deep as I felt

0:31:20.400 --> 0:31:22.680
<v Speaker 1>like I was capable of going hum with it, with

0:31:22.760 --> 0:31:26.760
<v Speaker 1>the exception of you know that that episode where the

0:31:26.800 --> 0:31:31.560
<v Speaker 1>you spoke of that involves the whole city meeting the

0:31:31.640 --> 0:31:36.560
<v Speaker 1>town hall. Yes, exactly. Yeah, that was fun. That was

0:31:36.920 --> 0:31:38.600
<v Speaker 1>That was one of the first ones that I that

0:31:38.680 --> 0:31:42.240
<v Speaker 1>I did. You know, it was a long day, like yeah,

0:31:42.760 --> 0:31:44.800
<v Speaker 1>I was given it my all. I get five in

0:31:44.840 --> 0:31:48.600
<v Speaker 1>the morning delivering those lines and bang, bang bang. You

0:31:48.640 --> 0:31:51.520
<v Speaker 1>know I'm not missing a beat, having no idea that

0:31:51.600 --> 0:31:54.560
<v Speaker 1>I was still gonna be delivering those lines at two

0:31:55.480 --> 0:32:01.440
<v Speaker 1>that morning to a chair to air and everyone had

0:32:01.480 --> 0:32:07.800
<v Speaker 1>gone home. Oh my god. Yeah, we say we knew

0:32:07.800 --> 0:32:14.240
<v Speaker 1>to conserve our energy. Uh, you have such incredible stay power.

0:32:16.520 --> 0:32:19.000
<v Speaker 1>Thank you. I'm going to That was a seven in

0:32:19.040 --> 0:32:22.800
<v Speaker 1>the morning and the marathon man name Sprint, had no

0:32:22.880 --> 0:32:28.440
<v Speaker 1>idea what yeah we uh but they were great scenes.

0:32:28.560 --> 0:32:32.440
<v Speaker 1>I mean they really were. They were really funny. Um.

0:32:32.720 --> 0:32:36.080
<v Speaker 1>Thank god we had Michael Winters, his tailor Dosy keeping

0:32:36.120 --> 0:32:39.640
<v Speaker 1>it all together. Oh. I know, I know the pressure

0:32:39.720 --> 0:32:43.320
<v Speaker 1>he was under constantly and he just delivered every time.

0:32:43.360 --> 0:32:47.360
<v Speaker 1>It's amazing, really amazing to watch. Were you playing or

0:32:47.480 --> 0:32:52.200
<v Speaker 1>loitering on the street corner? This is a fan question. Goodness,

0:32:54.000 --> 0:33:04.400
<v Speaker 1>why was emoting? I was sharing my bliss? Yeah, damn right,

0:33:04.440 --> 0:33:09.840
<v Speaker 1>you were. That's that's right. Moding, You're you're a that's

0:33:09.840 --> 0:33:12.320
<v Speaker 1>what they do. I mean, you want to keep you

0:33:12.480 --> 0:33:14.880
<v Speaker 1>do want to keep moving though, you know, because for one,

0:33:14.960 --> 0:33:18.560
<v Speaker 1>it's it's freezing. You're lucky, you always got you always

0:33:18.560 --> 0:33:24.200
<v Speaker 1>had layers, but not in the summertime. H really, I don't.

0:33:24.200 --> 0:33:29.800
<v Speaker 1>I don't remember like any any scantily clad Luke episodes.

0:33:30.880 --> 0:33:33.440
<v Speaker 1>I just remember like there was one there was a

0:33:33.640 --> 0:33:36.400
<v Speaker 1>shirt and the flannel and the thermal. There was a

0:33:36.440 --> 0:33:38.840
<v Speaker 1>T shirt one and one when we were when t

0:33:38.960 --> 0:33:40.760
<v Speaker 1>J drove his carr into the diner and we had

0:33:40.800 --> 0:33:44.360
<v Speaker 1>to rebuild it and I was in a T shirt. Immersive, Okay,

0:33:44.400 --> 0:33:47.360
<v Speaker 1>the one time, one time you remember that time. I

0:33:47.840 --> 0:33:50.560
<v Speaker 1>think it just proves my point that was the only

0:33:50.560 --> 0:33:54.400
<v Speaker 1>time it stands out. No, what I'm saying is is,

0:33:55.440 --> 0:33:58.040
<v Speaker 1>you know it's it's wintertime and Stars Hollow, so you're

0:33:58.080 --> 0:34:01.440
<v Speaker 1>all bundled up right, and it's a hundred and ten

0:34:01.680 --> 0:34:08.520
<v Speaker 1>on in Burbank on set anyway, It's nice to have

0:34:08.560 --> 0:34:12.040
<v Speaker 1>a job. Yes, that's true. In the streets are wet too.

0:34:12.080 --> 0:34:14.640
<v Speaker 1>They would wet those street downs, they would they had

0:34:14.680 --> 0:34:16.760
<v Speaker 1>wet them down, everybody. You gotta wet down the streets

0:34:16.840 --> 0:34:22.319
<v Speaker 1>make it look cool. Um, So you actually played on set.

0:34:22.400 --> 0:34:30.240
<v Speaker 1>What were your impressions of the Stars Hollow set man

0:34:30.680 --> 0:34:35.080
<v Speaker 1>talk about idyllic, talk about idyllic. I think most of

0:34:35.160 --> 0:34:36.759
<v Speaker 1>us who fall in over the show, and I want

0:34:36.760 --> 0:34:43.280
<v Speaker 1>to go there. I want to live there, you know. Um. Yeah,

0:34:42.320 --> 0:34:45.920
<v Speaker 1>it's just that it's that magic place that you know,

0:34:46.160 --> 0:34:50.120
<v Speaker 1>it seems so inviting. What that's free of of of stress,

0:34:50.200 --> 0:34:52.719
<v Speaker 1>although we will create our own stress if you're the

0:34:52.719 --> 0:35:00.239
<v Speaker 1>Troubadour or Taylor or or Luke. Uh I think yeah, right,

0:35:00.320 --> 0:35:04.440
<v Speaker 1>I mean yeah, there were there were a few characters

0:35:04.440 --> 0:35:06.279
<v Speaker 1>that would have had a lot of a lot of

0:35:06.320 --> 0:35:10.040
<v Speaker 1>stressers in their life. As I think back Sean, you know,

0:35:10.160 --> 0:35:11.759
<v Speaker 1>I mean yeah, I think yeah, that was the whole

0:35:11.760 --> 0:35:22.160
<v Speaker 1>point of the show. Yeah, too much coffee. Yeah. Did

0:35:22.160 --> 0:35:25.879
<v Speaker 1>you ever have like any kind of incidents with a car,

0:35:26.160 --> 0:35:28.600
<v Speaker 1>weird incidents with a car or something as you were

0:35:28.600 --> 0:35:32.840
<v Speaker 1>trying to do your seen, do your your bit, because

0:35:32.880 --> 0:35:34.359
<v Speaker 1>there were I remember a lot of a lot of

0:35:34.360 --> 0:35:37.279
<v Speaker 1>cars going by all the time. Well that's true. Yes,

0:35:37.360 --> 0:35:40.160
<v Speaker 1>there were a lot of cars organized and they had people,

0:35:40.200 --> 0:35:41.560
<v Speaker 1>you know, they had p a s on it with

0:35:41.600 --> 0:35:44.040
<v Speaker 1>walkie talkies telling people when they go. But there were

0:35:44.080 --> 0:35:46.600
<v Speaker 1>some screw ups at times. So did you were you

0:35:46.640 --> 0:35:50.360
<v Speaker 1>ever involved in any of that stuff? No? Fortunately, you know,

0:35:50.400 --> 0:35:52.280
<v Speaker 1>I managed to get to the other side of the street.

0:35:52.360 --> 0:35:59.560
<v Speaker 1>Which that's it. That's that's acting all those years of Meissner,

0:36:00.239 --> 0:36:04.640
<v Speaker 1>h did you study? Did you really study? You know what?

0:36:05.080 --> 0:36:10.880
<v Speaker 1>After after Gilmore Girls, Um, after the final season, I

0:36:11.440 --> 0:36:13.759
<v Speaker 1>did some classes because I thought, you know what I

0:36:14.160 --> 0:36:16.000
<v Speaker 1>want to I want to take this further and get

0:36:16.040 --> 0:36:19.160
<v Speaker 1>a little deeper in some other areas I had done.

0:36:19.520 --> 0:36:23.880
<v Speaker 1>I had done theater, community theater back in Stockton, California

0:36:23.880 --> 0:36:27.160
<v Speaker 1>when I was growing up. And and I went to

0:36:27.200 --> 0:36:29.600
<v Speaker 1>film school for a bit of time when I first

0:36:29.600 --> 0:36:31.839
<v Speaker 1>moved to l A. So I had I had some

0:36:32.719 --> 0:36:37.879
<v Speaker 1>Jim Morris, thank you, Jim Morrison, of you although he graduated,

0:36:37.920 --> 0:36:41.120
<v Speaker 1>I think school, Yeah, and I got through the first

0:36:41.239 --> 0:36:44.040
<v Speaker 1>year and and to realize, I think I want to

0:36:44.200 --> 0:36:46.319
<v Speaker 1>I think I just want to be a musician more

0:36:46.360 --> 0:36:51.080
<v Speaker 1>than anything, right, you know. Huh Yeah. He didn't have

0:36:51.080 --> 0:36:56.200
<v Speaker 1>to around an amplifier though he didn't known Fender twin harmonica.

0:36:56.200 --> 0:36:58.360
<v Speaker 1>I think he just had the lugg around a whiskey bottle.

0:36:59.000 --> 0:37:03.520
<v Speaker 1>Yeah right, Um, all right, I'm gonna we got a

0:37:03.560 --> 0:37:07.759
<v Speaker 1>couple of minutes here, uh left, So I want you

0:37:07.800 --> 0:37:10.880
<v Speaker 1>to use one word to describe the following characters. Ready,

0:37:11.480 --> 0:37:24.600
<v Speaker 1>m luke, Ah the Man, MS, Patty, Mother, Taylor, Josie, caffeinated,

0:37:25.160 --> 0:37:32.239
<v Speaker 1>have that bad, that bad Oh the loving bubble of

0:37:32.280 --> 0:37:40.319
<v Speaker 1>a person. Laurel, I m sensual. Hello, Rory, I mean

0:37:40.360 --> 0:37:46.560
<v Speaker 1>I'm sorry, la Yeah, Rory, Rory, Rory um budding, Kirk,

0:37:47.680 --> 0:37:54.200
<v Speaker 1>Kirk whimsical, Mrs Kim, this is cam Stern. Yes, so

0:37:54.239 --> 0:37:56.239
<v Speaker 1>we've already been through this. But you, but you, you

0:37:56.320 --> 0:38:02.319
<v Speaker 1>do get recognized as the town troubadour at times, right dude? Yeah, okay,

0:38:02.560 --> 0:38:06.680
<v Speaker 1>well most certainly when I attended the the fan Fest

0:38:07.200 --> 0:38:11.200
<v Speaker 1>a couple of years ago. Sure, yeah, that was kind

0:38:11.200 --> 0:38:13.680
<v Speaker 1>of wild. Yeah, right, that's the last time I think

0:38:13.719 --> 0:38:17.359
<v Speaker 1>I ran into you, Yes, very briefly. But all all

0:38:17.400 --> 0:38:20.600
<v Speaker 1>those all those lovely people standing outside in the freezing cold.

0:38:20.640 --> 0:38:24.840
<v Speaker 1>That's why I ran outside. Um, because we were taking

0:38:24.840 --> 0:38:28.240
<v Speaker 1>fifty at a time in the curling club and inside

0:38:28.239 --> 0:38:30.520
<v Speaker 1>it was just moving too slowly. And there was a

0:38:30.560 --> 0:38:33.719
<v Speaker 1>thousand people out there and they were cold, and they

0:38:33.760 --> 0:38:37.880
<v Speaker 1>had babies and it's like cold, and you were great

0:38:37.960 --> 0:38:40.840
<v Speaker 1>with them, and you were serenading people, and it was

0:38:40.920 --> 0:38:43.400
<v Speaker 1>just you know, that's why I ran out there and

0:38:43.440 --> 0:38:46.040
<v Speaker 1>just did everything so fast, is just to get those

0:38:46.080 --> 0:38:48.520
<v Speaker 1>people out of the cold. And it wasn't it wasn't

0:38:48.560 --> 0:38:50.520
<v Speaker 1>like it was super freezing. But it was like to

0:38:50.680 --> 0:38:53.200
<v Speaker 1>stand in that for for an hour or two hours

0:38:53.200 --> 0:38:56.640
<v Speaker 1>because it was going to take a while, um, to

0:38:56.640 --> 0:39:00.360
<v Speaker 1>to meet and greet everybody and sign and to ELF's

0:39:00.360 --> 0:39:03.480
<v Speaker 1>and all that stuff. But anyway, um, yeah, you did

0:39:03.480 --> 0:39:06.640
<v Speaker 1>what you do, what you gotta do. A great bunch though.

0:39:06.920 --> 0:39:10.640
<v Speaker 1>I loved it. Oh yeah, Um did you actually play

0:39:12.320 --> 0:39:14.759
<v Speaker 1>your guitar and sing during the scenes or was there

0:39:15.120 --> 0:39:20.840
<v Speaker 1>Yes you did, I did? Yeah, Um. Yeah, sometimes we

0:39:20.840 --> 0:39:22.520
<v Speaker 1>would have to go back if there were if there

0:39:22.560 --> 0:39:24.359
<v Speaker 1>was an airplane that went over, we'd have to go

0:39:24.440 --> 0:39:28.319
<v Speaker 1>back and you know, kind of fake it to to cover,

0:39:28.680 --> 0:39:32.080
<v Speaker 1>you know, um, because it's sort of you know, there's

0:39:32.120 --> 0:39:35.479
<v Speaker 1>a fair amount of ambient noise and when you're trying

0:39:35.520 --> 0:39:39.320
<v Speaker 1>to capture a guitar and a vocal you know. Um.

0:39:39.360 --> 0:39:42.640
<v Speaker 1>But yeah, it was all done live and most of

0:39:42.640 --> 0:39:44.720
<v Speaker 1>the time that's that's kind of what made the final

0:39:44.800 --> 0:39:48.719
<v Speaker 1>scene kill. Yeah. All right, buddy, thanks for coming on,

0:39:49.040 --> 0:39:52.279
<v Speaker 1>and thank you Scott. You're the best, and good luck

0:39:52.320 --> 0:39:56.480
<v Speaker 1>with everything. And so do you have anything do you

0:39:56.560 --> 0:39:59.120
<v Speaker 1>have a stage performance coming up? Do you have anything

0:39:59.120 --> 0:40:03.640
<v Speaker 1>coming up that you want to tell us about after this,

0:40:04.239 --> 0:40:10.160
<v Speaker 1>after this weekend? Um, a little further into August. Um, yeah,

0:40:10.320 --> 0:40:13.520
<v Speaker 1>sometimes later in August outstage your show, he's called Grantly

0:40:13.560 --> 0:40:17.640
<v Speaker 1>Phillips live from the parlor, and um, you know, and

0:40:17.719 --> 0:40:20.360
<v Speaker 1>what's your what's your website so people can go download

0:40:20.400 --> 0:40:25.200
<v Speaker 1>your music. Grantly phillips dot com is a place to go. Yeah, definitely,

0:40:25.400 --> 0:40:31.520
<v Speaker 1>Grantly tweets on Twitter, Instagram the works. You know. I

0:40:31.520 --> 0:40:34.200
<v Speaker 1>want to come down to Nashville and gig with you.

0:40:35.160 --> 0:40:37.560
<v Speaker 1>That would be nice. Come come down this way. I

0:40:37.600 --> 0:40:43.960
<v Speaker 1>want to come down there some hot chicken. Yes, Grant,

0:40:44.360 --> 0:40:49.400
<v Speaker 1>thank you for your time. Let's please please do this again. Um,

0:40:49.560 --> 0:40:51.760
<v Speaker 1>like I said, well, we'll really get into some music

0:40:51.800 --> 0:40:55.359
<v Speaker 1>stuff and good all that kind of stuff, because that's

0:40:55.400 --> 0:40:57.920
<v Speaker 1>that's right in my wheehouse. I love that stuff. Um

0:40:58.440 --> 0:41:02.400
<v Speaker 1>a buddy, okay and good luck, alright, man, stay safe, alright.

0:41:02.440 --> 0:41:12.160
<v Speaker 1>See yeah, okay, so we're back everybody. So let's get

0:41:12.200 --> 0:41:15.719
<v Speaker 1>into this. The paint job that Laurela has convinced Luke

0:41:15.800 --> 0:41:18.799
<v Speaker 1>that he needs for the diner that has not been

0:41:18.840 --> 0:41:25.480
<v Speaker 1>painted since his father painted it obviously before he passed away. Um,

0:41:25.520 --> 0:41:28.719
<v Speaker 1>and some of the colors that were tacked up by

0:41:28.760 --> 0:41:33.239
<v Speaker 1>the door, the pinks, yeah, the shades of pink. Well,

0:41:33.280 --> 0:41:38.480
<v Speaker 1>that was talk about a trigger for old luki Um,

0:41:38.520 --> 0:41:42.080
<v Speaker 1>but you know, it was just more of the tension,

0:41:42.120 --> 0:41:45.960
<v Speaker 1>the sexual tension that was playing out. It's kind of

0:41:45.960 --> 0:41:49.880
<v Speaker 1>the dance that they do before the consummation end. And

0:41:50.040 --> 0:41:52.279
<v Speaker 1>that she convinced him to do it, and that she right,

0:41:52.840 --> 0:41:56.560
<v Speaker 1>that was pretty major and it's such an excuse for

0:41:56.600 --> 0:42:00.040
<v Speaker 1>them to spend all this time together. Had he not

0:42:00.280 --> 0:42:04.200
<v Speaker 1>felt a certain depth of feeling for her, there's no

0:42:04.280 --> 0:42:07.560
<v Speaker 1>way he would have agreed to that. Totally agree with you.

0:42:07.840 --> 0:42:12.560
<v Speaker 1>And she handled it, uh, with real finesse. She was

0:42:12.719 --> 0:42:15.040
<v Speaker 1>very careful about it, even to the point where she said, well,

0:42:15.040 --> 0:42:17.040
<v Speaker 1>we're not going to paint over that that order that

0:42:17.120 --> 0:42:19.680
<v Speaker 1>your father scribbled down. We'll do it the right way.

0:42:19.719 --> 0:42:24.480
<v Speaker 1>So yeah, he was just like, man, I just want

0:42:24.480 --> 0:42:26.120
<v Speaker 1>to kiss her. I just want to kiss her. I

0:42:26.160 --> 0:42:28.160
<v Speaker 1>just want to kiss her. I just want to kiss her.

0:42:29.560 --> 0:42:32.080
<v Speaker 1>Oh my god, I love it. I mean, he wants

0:42:32.080 --> 0:42:34.000
<v Speaker 1>to kiss us so bad it pisces him off. That's

0:42:34.000 --> 0:42:36.839
<v Speaker 1>probably why he's cranky all the time. You know, it's

0:42:36.960 --> 0:42:40.640
<v Speaker 1>like he just wants to plant one on her. Man,

0:42:40.680 --> 0:42:46.239
<v Speaker 1>he wants her. So it's getting good. It's getting pretty good.

0:42:46.719 --> 0:42:49.560
<v Speaker 1>M yeah, so we saw, you know, we saw, we

0:42:49.600 --> 0:42:52.680
<v Speaker 1>got to see other parts of the diner in some

0:42:52.800 --> 0:42:56.040
<v Speaker 1>detail and even talk about some of the things that

0:42:56.080 --> 0:42:58.399
<v Speaker 1>were up on the shelves that he was in no way,

0:42:58.440 --> 0:43:00.960
<v Speaker 1>shape or form going to give in on and getting

0:43:01.480 --> 0:43:05.480
<v Speaker 1>rid of them at her request. There was no way.

0:43:05.640 --> 0:43:07.319
<v Speaker 1>It was like, I'm I'm gonna let him do this

0:43:07.360 --> 0:43:09.520
<v Speaker 1>painting thing, but you know, you're not going to change

0:43:09.520 --> 0:43:11.759
<v Speaker 1>me completely. So it was like pretty much telling her,

0:43:11.800 --> 0:43:13.759
<v Speaker 1>we get into a relationship, but I'm willing to sort

0:43:13.800 --> 0:43:18.080
<v Speaker 1>of compromise with you, but not a. So he's his

0:43:18.120 --> 0:43:20.319
<v Speaker 1>own man. He's his own guy, you know, and he's

0:43:21.440 --> 0:43:24.200
<v Speaker 1>i think entering a relationship or potentially in any relationship,

0:43:24.239 --> 0:43:26.520
<v Speaker 1>you've got to establish the ground rules that yeah, I'll

0:43:26.560 --> 0:43:30.879
<v Speaker 1>meet you halfway, but that's it, you know. So he's

0:43:30.920 --> 0:43:33.000
<v Speaker 1>a he's a hardass. He wants her, but he's a

0:43:33.040 --> 0:43:36.759
<v Speaker 1>hard ass for sure, which is I think important. That's

0:43:36.800 --> 0:43:39.480
<v Speaker 1>why she likes him. He's as strong as she is

0:43:40.120 --> 0:43:44.200
<v Speaker 1>ys him. That's pent he's as tough as she is.

0:43:44.880 --> 0:43:47.120
<v Speaker 1>I think she Yeah, I think she likes the fact

0:43:47.160 --> 0:43:49.680
<v Speaker 1>that he's never going to change and that she can't

0:43:49.760 --> 0:43:53.440
<v Speaker 1>change him very much, you know, that's the that's this,

0:43:53.760 --> 0:43:56.359
<v Speaker 1>that's how I approached it. I wanted him to be

0:43:56.440 --> 0:43:59.040
<v Speaker 1>a rock of Gibraltar. He's got to be the rock

0:43:59.719 --> 0:44:05.800
<v Speaker 1>he can't break ever. So anyway, Yeah, delightful stuff. Yeah,

0:44:06.120 --> 0:44:12.879
<v Speaker 1>delightful stuff. Just just wonderful home viewing. And hello, Christopher

0:44:15.360 --> 0:44:19.000
<v Speaker 1>Well talking about home viewing. I'm Riley in this year

0:44:19.040 --> 0:44:22.120
<v Speaker 1>pop culture and our first pop culture is The Donnerie Show.

0:44:23.120 --> 0:44:24.919
<v Speaker 1>So this is the show that Dean Rory and Laura

0:44:24.960 --> 0:44:27.480
<v Speaker 1>Lae were all watching, and the series was developed by

0:44:27.520 --> 0:44:30.560
<v Speaker 1>Donna Reed and her then husband, producer Tony Owen. The

0:44:30.600 --> 0:44:34.200
<v Speaker 1>show ran on ABC from to nineteen sixty six for

0:44:34.200 --> 0:44:37.920
<v Speaker 1>a total of two d seventy five episodes. Read often

0:44:38.160 --> 0:44:41.239
<v Speaker 1>encouraged writers to create stories in which other characters had

0:44:41.360 --> 0:44:45.400
<v Speaker 1>to be the main focus, and ABC nearly canceled the show,

0:44:45.640 --> 0:44:49.960
<v Speaker 1>but it was renewed when ratings improved. When sponsors by Campbell,

0:44:50.000 --> 0:44:55.399
<v Speaker 1>Soup and Johnson and Johnson were at it. Mhmm, Laura

0:44:55.480 --> 0:44:58.880
<v Speaker 1>la says, it's getting a little to Lewis Carol for me.

0:45:00.080 --> 0:45:02.560
<v Speaker 1>And Lewis Carroll was an English writer for the children's

0:45:02.600 --> 0:45:06.280
<v Speaker 1>fiction and it's known for Alice's Adventures in Wonderland. Luis's

0:45:06.360 --> 0:45:10.320
<v Speaker 1>real name is actually Charles Dobson, and Louis wrote himself

0:45:10.360 --> 0:45:12.880
<v Speaker 1>into the story as the Dodo Bird because he would

0:45:12.920 --> 0:45:17.800
<v Speaker 1>sometimes introduce himself as Dodson due to his stutter. Carroll

0:45:17.960 --> 0:45:22.120
<v Speaker 1>was not on drugs comparable to some of the rumors,

0:45:22.600 --> 0:45:25.400
<v Speaker 1>but he did suffer from a strange disorder that caused

0:45:25.440 --> 0:45:28.160
<v Speaker 1>him to have hallucinations which made him feel bigger or

0:45:28.160 --> 0:45:33.600
<v Speaker 1>smaller than he was. WHOA Luke says, does Martha Stewart

0:45:33.640 --> 0:45:36.560
<v Speaker 1>do it? And this is when Laura Lai asked Luke

0:45:36.600 --> 0:45:39.560
<v Speaker 1>if he knows what stenciling is when they're they're repainting

0:45:39.560 --> 0:45:45.560
<v Speaker 1>the diner. And Martha Stewart was America's first self made

0:45:45.640 --> 0:45:49.239
<v Speaker 1>female billionaire. She worked as a model throughout college to

0:45:49.239 --> 0:45:52.680
<v Speaker 1>pay her for her tuition, and she was actually babysitter

0:45:52.760 --> 0:45:56.080
<v Speaker 1>to high school kids of legendary baseball players Mickey Mantle

0:45:56.120 --> 0:46:00.759
<v Speaker 1>and Yogi Barra. She was what she's there, it's babysitter.

0:46:01.040 --> 0:46:07.719
<v Speaker 1>She was a babysitter for Mickey Mantle kids. No, no,

0:46:07.800 --> 0:46:10.840
<v Speaker 1>I know what you meant, not making Mantle back in

0:46:10.880 --> 0:46:16.760
<v Speaker 1>Oklahoma when he was a kid. Stop it. And Martha

0:46:16.800 --> 0:46:20.440
<v Speaker 1>Stewart recently posted a sexy selfie and admitted to it

0:46:20.640 --> 0:46:26.239
<v Speaker 1>being a thirst strap. I'm still imagining Luke's denziling, Like

0:46:27.040 --> 0:46:33.200
<v Speaker 1>on what planet would that ever happen? Lorelai says, all

0:46:33.280 --> 0:46:35.960
<v Speaker 1>day long, just chirps like a maniac at the top

0:46:36.000 --> 0:46:40.760
<v Speaker 1>of her lungs. Now nothing, silence Marcel Marcel chicken Uh.

0:46:41.080 --> 0:46:46.160
<v Speaker 1>Marcel was actually a mime, and the troop was soon

0:46:46.200 --> 0:46:50.920
<v Speaker 1>touring European countries presenting mine dramas. He created the figure Bip,

0:46:51.040 --> 0:46:54.160
<v Speaker 1>a melancholy, engaging clown with a limp red flower in

0:46:54.239 --> 0:46:58.600
<v Speaker 1>his hat. But what's creepier the clown, pillow or the lime?

0:46:59.360 --> 0:47:03.600
<v Speaker 1>I don't like times, I think David Bowie studied with

0:47:03.640 --> 0:47:07.560
<v Speaker 1>Marcel Marcel. He did, I don't like I don't like minds.

0:47:08.120 --> 0:47:14.440
<v Speaker 1>Well you should see this Marcel Marceau character. Wow, what

0:47:14.640 --> 0:47:18.640
<v Speaker 1>is creepy? Our clowns are mimes equally bad maybe bad mimes,

0:47:18.719 --> 0:47:23.000
<v Speaker 1>but good mimes are sort of magical. Oh I disagree,

0:47:23.040 --> 0:47:28.560
<v Speaker 1>but I love that you just think that. Suki says wild,

0:47:28.560 --> 0:47:31.560
<v Speaker 1>that's very wild. Kingdom of you. Loria I says, I'm

0:47:31.560 --> 0:47:35.360
<v Speaker 1>like the Martin Marlin Perkins of Stars Hollow Marlin Perkins

0:47:35.360 --> 0:47:38.440
<v Speaker 1>Wild Kingdom. Yes, So. The Wild Kingdom was a nature

0:47:38.440 --> 0:47:41.480
<v Speaker 1>and wildlife TV series airing from nineteen sixty three to

0:47:41.719 --> 0:47:44.400
<v Speaker 1>ninety eight, and it was revived in two thousand two,

0:47:44.480 --> 0:47:48.280
<v Speaker 1>airing until two thousand eleven on Animal Planet. Marlon Perkins

0:47:48.360 --> 0:47:51.600
<v Speaker 1>narrated it and starred in the series. Many people who

0:47:51.600 --> 0:47:54.479
<v Speaker 1>watched the show recall the host being bitten by venomous snake,

0:47:55.000 --> 0:47:57.759
<v Speaker 1>but it actually never happened on air. The snake bit

0:47:57.880 --> 0:48:00.600
<v Speaker 1>Marlin Perkins in real life. It's up my love of

0:48:00.600 --> 0:48:05.480
<v Speaker 1>snakes from that show. Thank you, Marlin Perkins. Laura I

0:48:05.560 --> 0:48:08.640
<v Speaker 1>says A street car named Desire, Suki says Vivian Lee

0:48:08.760 --> 0:48:12.279
<v Speaker 1>or Jessica Tandy. So A street Car Named Desire was

0:48:12.320 --> 0:48:15.760
<v Speaker 1>at seven play written by Tennessee Williams and made popular

0:48:15.800 --> 0:48:19.560
<v Speaker 1>in the ninety one film adaptation. Vivian Lee started as

0:48:19.560 --> 0:48:22.080
<v Speaker 1>the main character of Blanch in nineteen fifty one, and

0:48:22.160 --> 0:48:26.560
<v Speaker 1>Tandy started as Blanch in ninety seven stage production. Jessica

0:48:26.600 --> 0:48:30.160
<v Speaker 1>Tandy's husband played opposite her as the main character Mitch.

0:48:31.040 --> 0:48:33.799
<v Speaker 1>Laura I says, all of a sudden, I'm trying to

0:48:33.800 --> 0:48:37.319
<v Speaker 1>get any poor unsuspecting person in bed with me. I'm

0:48:37.360 --> 0:48:40.200
<v Speaker 1>like Michael Douglas was the best line of the whole show.

0:48:40.760 --> 0:48:44.240
<v Speaker 1>That was the best lad of the whole show. Brilliant.

0:48:44.520 --> 0:48:46.160
<v Speaker 1>What do you think? I'm like this crazy person going

0:48:46.200 --> 0:48:48.120
<v Speaker 1>around trying to get everybody sleep with me. Like what

0:48:48.200 --> 0:48:53.000
<v Speaker 1>am my Michael Douglas? I what was the deal? Right?

0:48:53.040 --> 0:48:55.719
<v Speaker 1>Because I I know, but I want people that maybe

0:48:55.800 --> 0:48:58.359
<v Speaker 1>don't know. Michael Douglas has been part of more than

0:48:58.400 --> 0:49:01.600
<v Speaker 1>fifty Hollywood films, including Walls Street, Romancing the Stone, and

0:49:01.640 --> 0:49:05.200
<v Speaker 1>Fatal Attraction. He is married to Katherine Sada Jones, who

0:49:05.280 --> 0:49:09.080
<v Speaker 1>is twenty five years younger than him, and it has

0:49:09.120 --> 0:49:12.200
<v Speaker 1>also said that he likes to date younger women, or

0:49:12.280 --> 0:49:16.759
<v Speaker 1>did before he was married. Yeah, I think I think

0:49:16.800 --> 0:49:21.399
<v Speaker 1>Warren Beatty and Michael Douglas and Gilt Chamberlain, we're all

0:49:21.440 --> 0:49:25.920
<v Speaker 1>having a competition. Back in the seventies, Jack Nicholson was

0:49:25.960 --> 0:49:28.839
<v Speaker 1>probably in on that Dennis Hopper. You know, it's like

0:49:29.960 --> 0:49:35.320
<v Speaker 1>different times. This was before AIDS. It was during the

0:49:35.480 --> 0:49:39.160
<v Speaker 1>Cultural Revolution that was happening with the young people and

0:49:39.200 --> 0:49:44.000
<v Speaker 1>the hippies and free Love and Matta Johanna and acid

0:49:44.200 --> 0:49:49.040
<v Speaker 1>and you know everybody was burning their bras and uh

0:49:49.400 --> 0:49:56.359
<v Speaker 1>dropping their trial. Lorelai says, I'm being morbid. Morbid, Joan

0:49:56.400 --> 0:49:59.000
<v Speaker 1>and Meliss Rivers think I'm being morbid. And this was

0:49:59.040 --> 0:50:01.160
<v Speaker 1>Emily and Richard say In, the late owner of the

0:50:01.200 --> 0:50:05.120
<v Speaker 1>Martha Vineyers House, which we had previously talked about. So,

0:50:05.360 --> 0:50:08.040
<v Speaker 1>Joan Rivers was a famous stand up comic, and Melissa,

0:50:08.120 --> 0:50:11.080
<v Speaker 1>her daughter, is known for her acting and producing. Joan

0:50:11.160 --> 0:50:13.359
<v Speaker 1>got her big break on The Tonight Show after Bill

0:50:13.400 --> 0:50:17.319
<v Speaker 1>Cosby recommended she replaced another comic that had bombed. The

0:50:17.400 --> 0:50:21.000
<v Speaker 1>mother daughter duo were longtime creative partners, appearing together on

0:50:21.000 --> 0:50:23.760
<v Speaker 1>the Red Carpet and various reality shows such as Celebrity

0:50:23.760 --> 0:50:28.000
<v Speaker 1>Apprentice and Joan and Melissa Joan Knows Best. Yeah, that

0:50:28.120 --> 0:50:32.320
<v Speaker 1>was actually a great scene in this episode. That scene

0:50:32.400 --> 0:50:35.080
<v Speaker 1>was a great scene before them. And that's it for

0:50:35.080 --> 0:50:40.440
<v Speaker 1>pop and did were we clear? On? On on? She

0:50:40.560 --> 0:50:44.120
<v Speaker 1>screams Stella when she when she got into the kitchen.

0:50:44.719 --> 0:50:49.239
<v Speaker 1>That's Marlon Brando screaming for his wife and speetcar named

0:50:49.280 --> 0:50:53.560
<v Speaker 1>Desire because they had had a fight and I think

0:50:53.560 --> 0:50:56.239
<v Speaker 1>he'd beaten her up a little bit because she tried

0:50:56.280 --> 0:51:00.600
<v Speaker 1>to break up the card game early and and then

0:51:00.640 --> 0:51:03.440
<v Speaker 1>he was gone. And every man's the king of his

0:51:03.560 --> 0:51:08.239
<v Speaker 1>castle and Blanche was driving everybody crazy, and then he

0:51:08.320 --> 0:51:12.520
<v Speaker 1>was you know, that was the famous stella stella up

0:51:12.560 --> 0:51:15.120
<v Speaker 1>the stairs, you know, and then she melts and he

0:51:15.360 --> 0:51:19.840
<v Speaker 1>just collapses in her lap. Husband and wife were reunited.

0:51:19.920 --> 0:51:24.520
<v Speaker 1>So that was Laurel I screaming for the chick. And

0:51:24.560 --> 0:51:28.320
<v Speaker 1>for those keeping track in this episode, clown Pillow appeared

0:51:28.480 --> 0:51:31.640
<v Speaker 1>ten seconds in. It was quick, but he was there

0:51:31.880 --> 0:51:37.200
<v Speaker 1>really where um When Laurel I, Rory and Rory were

0:51:37.239 --> 0:51:39.400
<v Speaker 1>eating pizza and Dean was eating a salad, which I

0:51:39.440 --> 0:51:41.839
<v Speaker 1>thought was very funny. Um, right there on the couch,

0:51:41.920 --> 0:51:46.800
<v Speaker 1>right next to Rory. There were some um continuity errors

0:51:47.440 --> 0:51:51.520
<v Speaker 1>in this episode. Oh tell us that I noticed that

0:51:51.560 --> 0:51:54.080
<v Speaker 1>maybe there were more, but I noticed two, one from

0:51:55.120 --> 0:52:00.840
<v Speaker 1>Rory and one from me. Yes, yes, Uh when Rory

0:52:01.040 --> 0:52:04.839
<v Speaker 1>Rory already pulled a piece of pizza. When when they

0:52:04.840 --> 0:52:07.200
<v Speaker 1>were coming in closer on Roy, she was already had

0:52:07.239 --> 0:52:09.200
<v Speaker 1>a piece of pizza and she was eating it. And

0:52:09.239 --> 0:52:11.480
<v Speaker 1>then when they punched out a little bit later in

0:52:11.520 --> 0:52:14.000
<v Speaker 1>the scene, not much later in the scene, she reached

0:52:14.000 --> 0:52:16.160
<v Speaker 1>in and grabbed her first slice at pizza, so that

0:52:16.239 --> 0:52:22.640
<v Speaker 1>didn't match ouch. And then uh, in the diner when

0:52:22.680 --> 0:52:26.839
<v Speaker 1>I was putting the uh, the half eaten burger from

0:52:26.920 --> 0:52:31.160
<v Speaker 1>that table into a styrofoam container and a napkin. We

0:52:31.239 --> 0:52:35.640
<v Speaker 1>see me putting it in and then the very next cut, Uh,

0:52:35.719 --> 0:52:39.240
<v Speaker 1>I'm starting it all over again. So ouch on Luke

0:52:39.400 --> 0:52:43.640
<v Speaker 1>Coach smacked me down. Yeah, and Scott, there was a

0:52:43.880 --> 0:52:46.239
<v Speaker 1>there was a continuity issue with a clown pillow too,

0:52:46.960 --> 0:52:49.680
<v Speaker 1>because when Dean came in and sat down, he put

0:52:49.800 --> 0:52:53.120
<v Speaker 1>his jacket on top of the clown pillow and then

0:52:54.360 --> 0:52:56.480
<v Speaker 1>but a couple of seconds two into the scene, go

0:52:56.560 --> 0:52:59.839
<v Speaker 1>back to clown pillow. It's showing again. Then a couple

0:52:59.840 --> 0:53:02.880
<v Speaker 1>of seconds later, Dean's jackets over it again. So I

0:53:03.520 --> 0:53:06.960
<v Speaker 1>was like, oh my god, that's smart. Still that hurt.

0:53:07.000 --> 0:53:08.640
<v Speaker 1>That's going to leave a mark on that. That's going

0:53:08.680 --> 0:53:12.440
<v Speaker 1>to leave mark that one. So we got pizza. We're like,

0:53:12.480 --> 0:53:15.640
<v Speaker 1>we're like dealing with the food, and the clown pillow

0:53:15.680 --> 0:53:20.560
<v Speaker 1>seems to sort of elude us somehow problematic. It's it's

0:53:20.560 --> 0:53:23.920
<v Speaker 1>a problem, you know. Anyway, I hope nobody noticed it,

0:53:24.000 --> 0:53:25.640
<v Speaker 1>and I'm glad I brought it up so you can

0:53:25.680 --> 0:53:27.920
<v Speaker 1>all notice it. So it adds to your enjoyment of

0:53:27.960 --> 0:53:32.080
<v Speaker 1>the episode. Love it Probably what's your favorite line. My

0:53:32.200 --> 0:53:35.600
<v Speaker 1>favorite line is they're going to make me turn in

0:53:35.640 --> 0:53:42.320
<v Speaker 1>my pearls from Rory, we'll see painting songs. Oh, that's good.

0:53:42.360 --> 0:53:48.759
<v Speaker 1>That's good that that was a good painting. So that

0:53:51.960 --> 0:53:56.160
<v Speaker 1>I don't spruce from Luke. I don't spruce, all right,

0:53:57.320 --> 0:54:01.680
<v Speaker 1>I don't spruce scot Um. It's got to be the

0:54:01.719 --> 0:54:04.720
<v Speaker 1>Michael Douglas line. I mean that made me just laugh

0:54:04.760 --> 0:54:07.719
<v Speaker 1>out loud. Yeah, that was that was a home run.

0:54:07.800 --> 0:54:12.719
<v Speaker 1>That one. The Michael Douglas line was great. Anyway, Damn,

0:54:12.760 --> 0:54:17.080
<v Speaker 1>Donna Reid was a wonderful episode, really full of laughs,

0:54:17.280 --> 0:54:22.719
<v Speaker 1>full of great acting, you know, the narratives developing, the

0:54:22.920 --> 0:54:27.160
<v Speaker 1>storylines developing, and it's just just so great. And it's

0:54:27.160 --> 0:54:30.759
<v Speaker 1>there's some nice momentum on on both tracks with the

0:54:31.120 --> 0:54:33.600
<v Speaker 1>and then like we didn't discuss that scene when when

0:54:34.000 --> 0:54:36.680
<v Speaker 1>when Luke went outside to take the trash simultaneous with

0:54:36.719 --> 0:54:40.560
<v Speaker 1>the Dean and yes, oh, I was going to talk

0:54:40.600 --> 0:54:44.319
<v Speaker 1>about the uh sort of the mirroring that was happening

0:54:44.440 --> 0:54:46.880
<v Speaker 1>in this episode. There was a lot of that. It

0:54:46.960 --> 0:54:50.840
<v Speaker 1>was like those storylines were yeah, mom mother daughter having

0:54:51.719 --> 0:54:54.800
<v Speaker 1>definitely and it's like, you know, it's like the Rory's

0:54:54.800 --> 0:54:56.840
<v Speaker 1>getting further with Dean than I am getting with the Laurel.

0:54:56.880 --> 0:54:58.279
<v Speaker 1>I forgot. It's like their way ahead. We had a

0:54:58.280 --> 0:55:00.719
<v Speaker 1>lot of catching up to two. It's like, come on,

0:55:00.760 --> 0:55:02.560
<v Speaker 1>old people, hurry up. Do you get in the horse,

0:55:02.680 --> 0:55:05.440
<v Speaker 1>let's go. It's like planning on or let's move it.

0:55:05.560 --> 0:55:09.400
<v Speaker 1>You gotta compete with your daughter now So anyway, um

0:55:09.440 --> 0:55:14.960
<v Speaker 1>but thoroughly enjoyable. Yes, and now we Christopher returns, Wow,

0:55:15.440 --> 0:55:22.200
<v Speaker 1>sure does. It's gonna be good luck to Luke new

0:55:22.239 --> 0:55:26.799
<v Speaker 1>Sheriff's coming to town. New Sheriffs in town. I hear

0:55:26.880 --> 0:55:31.279
<v Speaker 1>there's a Luke here. Things he's in charge. Well, I

0:55:31.320 --> 0:55:33.560
<v Speaker 1>got a silver dollars, says maybe he ain't so far

0:55:34.400 --> 0:55:40.240
<v Speaker 1>no more? Oh good stuff. Christopher returns, All right, everybody,

0:55:41.160 --> 0:55:45.200
<v Speaker 1>so let's let's everybody watch Christopher returns. We will reconvene,

0:55:46.320 --> 0:55:51.040
<v Speaker 1>we will discuss the subtleties and the themes going on

0:55:51.120 --> 0:55:56.680
<v Speaker 1>in Christopher returns, as we are wont to do and uh,

0:55:56.760 --> 0:55:59.560
<v Speaker 1>and that's gonna wrap her up. I'm Scott Patterson and

0:55:59.680 --> 0:56:03.279
<v Speaker 1>this is the I Am All In Podcast with I

0:56:03.440 --> 0:56:07.799
<v Speaker 1>Heart Radio and one Loven Productions. See you next time,

0:56:15.920 --> 0:56:39.520
<v Speaker 1>dot jat Hey, everybody, and don't forget. Follow us on

0:56:39.560 --> 0:56:44.319
<v Speaker 1>Instagram at I Am all In podcast, and emailis at

0:56:44.440 --> 0:56:48.520
<v Speaker 1>Gilmore at I heart radio dot com. Oh you gil

0:56:48.560 --> 0:56:50.120
<v Speaker 1>More fans. If you're looking for the best cup of

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<v Speaker 1>coffee in the world, go to my website for my

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