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Speaker 1: Forever. Look man, oh, I see you my why and

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Speaker 1: look over there? How is that culture? Yes? Goodness ding

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Speaker 1: dong last culture calling? Look at us tenors tenor too?

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Speaker 1: You shut up. I can't do tenor one now it's honey.

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Speaker 1: I think you have the vocal power that no one

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Speaker 1: understands like who, like whom? Do I have the vocal

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Speaker 1: power Freddie Mercury himself? I believe that you possess the

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Speaker 1: vocals of the legend known as Freddie Mercury. Do you

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Speaker 1: have such a high voice? But you know I don't

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Speaker 1: have my going from voice to falsetto insane man, you

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Speaker 1: mean going from chest to falsetto chest to have his

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Speaker 1: female specifict So so women don't have falsettos. They have

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Speaker 1: head voice and chest voice. I know that this is

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Speaker 1: all for the listeners because I know that. Yeah, of

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Speaker 1: course I've and then um for man, it's oh. I

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Speaker 1: don't know what the chest voice equivalent is. It might

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Speaker 1: just be chest belly massio falsetto. No, not not real

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Speaker 1: belli massio falsetto abarriciozzacio from the stomach they call Liza

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Speaker 1: was named after the men's stomach voice. Um. Now, bless her.

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Speaker 1: I think you know what. I was bucketed as a

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Speaker 1: bass in high school? How dare they was that because

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Speaker 1: you were doing mass drug and talk. I really wasn't.

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Speaker 1: I was fully I was fully up, up up, and

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Speaker 1: they made you sing bass. And some fucking dude, what

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Speaker 1: was his name? Say it? Well, my well, my cat's

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Speaker 1: name is Michael Grant and he's wonderful. But there's there

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Speaker 1: was this gran or Grant, my Grant, I'm sorry, but

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Speaker 1: there was this other man named raw his literal name

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Speaker 1: is robbed Low, and he was this, oh my god,

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Speaker 1: he was just like I have a crush on that. No,

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Speaker 1: he because because I have a cus on that you

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Speaker 1: want to And I don't mean to shame him on

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Speaker 1: his looks, but he actually, well actually I do mean

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Speaker 1: to shame him on his looks because he sucked. Wow.

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Speaker 1: Of course should be absolutely and so he well know,

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Speaker 1: he was just like this like hippie in his sixties

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Speaker 1: who was mean and rude, and he one time a

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Speaker 1: hippie and the hippie in his sixties who was mean

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Speaker 1: and rude, and he um. So he would sometimes he

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Speaker 1: would be the accompanist for the musicals and then one

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Speaker 1: day the stage lights are on. We were doing a

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Speaker 1: tech week and the lights were on, and he just

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Speaker 1: had done something the night before. Clear they had been

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Speaker 1: on some drug, was hungover, and he just We're in

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Speaker 1: the middle of like warm ups and scales and then

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Speaker 1: he just turns to the tech booth and stops and

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Speaker 1: he goes, can someone turn these goddamn lights down? So

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Speaker 1: he was a shitty person. Abuse such abuse, that is

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Speaker 1: such abuse anyway, So he's so he's doing scales and

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Speaker 1: I guess in the placement examle of choir, he like,

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Speaker 1: I couldn't hit a D of the third CR. I mean,

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Speaker 1: he's horrible at his job. If he's calling you a

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Speaker 1: bass because honey, tenor tenor one? Think you about tender one,

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Speaker 1: tenor one? What do they call a super high tenor counter? Yeah?

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Speaker 1: M hmmm, what are you bitch? Should we find out

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Speaker 1: right now? Okay? So that's famously your voice? Okay, can

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Speaker 1: we stop what you're finding out? What my thing is?

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Speaker 1: Really quickly? Unfortunately, the fortunate that there's a ratio on

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Speaker 1: the pod. Get you go, come on, scale up to

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Speaker 1: the highest note. Hai hai, I have the results. I

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Speaker 1: have the results. I have the results. I have the result,

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Speaker 1: what's the result, cat Rogers counter contralto, Oh my god,

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Speaker 1: I can't believe I'm a counter conto. To be here

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Speaker 1: feels amazing. I joined the likes of Freddie Mercury and

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Speaker 1: oh Ricky Martin. Ricky Martin, she bangs more like she

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Speaker 1: sings well. Listen, talk about people that do things well,

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Speaker 1: talk about multitalent. I would describe this person's performance capabilities

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Speaker 1: as volcanic volcanic. I would say that watching this person

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Speaker 1: perform is incredible. You know why? It's volcanic? What why?

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Speaker 1: Hot and gorgeous and it and it creates fertile ground

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Speaker 1: for other things. So yes, volcanic ash soil. Can I

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Speaker 1: say yes? And and yes and improv We love her,

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Speaker 1: I love her improblem yes, and we love her improv

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Speaker 1: and she loves doing it well known improviser to No,

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Speaker 1: it's amazing and no. Can I say this, Let me

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Speaker 1: say this, Give me the room, give me the space.

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Speaker 1: This would be forever the episode where you sang instead

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Speaker 1: of me, you really truly took that from me? You

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Speaker 1: would go okay. So there was a hot moment in

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Speaker 1: time where I was obsessed, um obsessed in a new

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Speaker 1: way with this performer because I've always been a fan.

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Speaker 1: And then I went to the Bongo Hour. Do you

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Speaker 1: know the Bungo Hour. I'm a fan of the Bongo Hour.

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Speaker 1: I live for the bar. The Bongo Hour is Peter Smith,

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Speaker 1: Sandy Honig, and Ben Moss and I had been going

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Speaker 1: to Bongo Hour consecutively because I was so obsessed because

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Speaker 1: I felt that it was unlike any other variety show

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Speaker 1: and the performances is that Sandy would do. I was like,

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Speaker 1: I'm sorry, I was I was doing with Dave a lot,

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Speaker 1: and I was like, that is a star, true star?

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Speaker 1: Did you but you didn't think this? No? I always

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Speaker 1: thought this, But then I was like, oh, it's on

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Speaker 1: the next level. It's like that thing where it's like

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Speaker 1: you always knew the person was good, but you didn't

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Speaker 1: know they were, Like what the fun? But the moment, though,

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Speaker 1: was Carnegie Hall. I love got to talk about because

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Speaker 1: Carnegie Hall. I think three busy DeBras, that's Carnegie Hall.

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Speaker 1: Hello sounds this sounds so fucking gross of me to

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Speaker 1: say I haven't even heard it yet, but we will believe,

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Speaker 1: we will be talking about that Carnegie Hall show. We're

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Speaker 1: gonna be three years to come. For years. I think

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Speaker 1: we know, truly, I think we will that it was

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Speaker 1: like moment, gorgeous, iconic moment in the community, in the community,

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Speaker 1: which it is, which is which is tight. Everyone's best friends,

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Speaker 1: everyone's best friends in this community. I actually don't have

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Speaker 1: a non be I don't have any enemies. Think they're

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Speaker 1: all my best friends. Um, but truly never talked a

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Speaker 1: word of about anyone. Um. Now she is pig Free

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Speaker 1: show every Tuesday at the Slipper. Can you believe free? Free?

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Speaker 1: Maybe you didn't hear free, I said free. I think

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Speaker 1: they heard a lot of people think nothing's well, nothing's free.

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Speaker 1: There's there's no there's no there's no free lunch. There's

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Speaker 1: no such thing as a free lunch. Will bitch? This

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Speaker 1: is free? This is she hosted with Peter Smith. Peter

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Speaker 1: Smith also incredible photographer. I mean, yeah, Ricky macdays. Oh,

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Speaker 1: I loved her stuff back in Ricky mcdays multi talented.

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Speaker 1: I would call this person and stay with me here,

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Speaker 1: a multi hyphen multi hyphen it. And she's exhausting and

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Speaker 1: she's exhausting now and also um one of the hosts

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Speaker 1: and panelists of Vice Live. Yeah, and we will get

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Speaker 1: into it. On Rest in Peace. Vice alright, p Vice life.

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Speaker 1: She actually has an amazing you. She got to have

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Speaker 1: a view moment where she was like, we'll talk about

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Speaker 1: we gotta talk about that. To me that anytime you

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Speaker 1: get to annancially leaving something on TV, it is my dream.

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Speaker 1: She to be like, that's my last day. It's much in.

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Speaker 1: It's my dream. It's my dream to be like, after

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Speaker 1: a lot of thoughts and prayer and counsel from God,

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Speaker 1: I've decided that I'm leaving the view. And if one goes,

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Speaker 1: oh yeah, not even like what it's just like because

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Speaker 1: it's understood that if you're on the food, you will

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Speaker 1: leave the view. Yes, anyway, what can we say? What

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Speaker 1: can we say? Please? Welcome into your ears, Sandy. Wow,

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Speaker 1: that was the greatest introduction I've ever gotten. I could

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Speaker 1: have just just sit there and just let you guys, No,

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Speaker 1: no way, You're in this. Now. Here's the thing you

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Speaker 1: are deserving of the interest. It's too kind, it's not

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Speaker 1: we've loved you for for literal years. I think, what

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Speaker 1: if we don't each other for nine years? Some capacity?

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Speaker 1: It might be I lived in New York for eight years,

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Speaker 1: so I can't believe I've known you since before that

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Speaker 1: because I'm right, I mean I met you and you

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Speaker 1: actually might be right because I came to visit my

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Speaker 1: brother at n y U and he brought me. I

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Speaker 1: didn't go to my Hammercats show, but I went to

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Speaker 1: a Hammercats party that was after a show, and I

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Speaker 1: remember him. I remember meeting Sudi, and I think I

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Speaker 1: met you as well. I'm studio and I were very

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Speaker 1: much that I was, I was around it, I was.

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Speaker 1: We talked about this today. I was always at the

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Speaker 1: shows and at the parties because I was like the

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Speaker 1: number one fan but one was always but would always

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Speaker 1: come to the sketches. I would always go to the

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Speaker 1: that that little bubble can I say, I'm gonna fucking

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Speaker 1: say something crazy. But Hammercats and Danger Box danger Boxes

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Speaker 1: the improv group Hammercats with the sketch group at the time,

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Speaker 1: these were the two groups, and there was tension my

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Speaker 1: freshman year between the groups. I love for whatever and

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Speaker 1: I was in Danger Box. He was the improv boy.

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Speaker 1: But yes, yes, and improv all around town. And then

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Speaker 1: I would and then I credit myself and Nicole and

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Speaker 1: like the generation that came up and like Sudie and

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Speaker 1: Allison and you, which are are little coterie. We fucking

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Speaker 1: started to rebuild the bridges. You reached across the aisle.

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Speaker 1: Had you had an eve piser Berry weis moment. She

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Speaker 1: had no cultural references. She sits her down and she said,

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Speaker 1: by the way, I have no cultural offensives. Well we're

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Speaker 1: talking about college improv and she says the words Perry

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Speaker 1: and you guys reached across the ail. You wrote an

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Speaker 1: OpEd about it, and actually friends because we talk to

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Speaker 1: each other on the internet. Shut the funk up, both

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Speaker 1: of you. I don't know what's important. You did right

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Speaker 1: on the Vice Show. She she's nice, She's she's very nice.

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Speaker 1: It just was a very funny moment to like read

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Speaker 1: this article which it was like, can you believe too

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Speaker 1: rich New York liberal Jews could be friends. I was like, yeah,

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Speaker 1: that is crazy, even the like socialist versus like centrist,

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Speaker 1: but you're still liberal and you agree. But it's like, okay,

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Speaker 1: we couldn't be more different, and like the centrist the

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Speaker 1: centrist one is gay and it's like whatever, But she's

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Speaker 1: Bill Mars, you know, protect. She's just always like on

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Speaker 1: the show being like the me too movement has gone

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Speaker 1: too far. Yeah, I feel that's her genuine belief. You

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Speaker 1: know what, But the mee has gone here, she goes,

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Speaker 1: it's gone too far, and Sandy is, guess what liberal Jewish?

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Speaker 1: That the third finger? And that's that's that's how he sees.

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Speaker 1: What more is there? When I hear how Jewish I am?

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Speaker 1: I literally really just came here on the subway from

189
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Speaker 1: Fiddler around the roof in Yiddish. But they had said,

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Speaker 1: but Jake was telling me the subtitles were on the screen, Yes, subtitles.

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Speaker 1: But I didn't need him. But I don't speak I

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Speaker 1: don't speak Yiddish, but I've seen the play so many

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Speaker 1: times and I get the little I get the little words,

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Speaker 1: you know, I get little words coming in a little words.

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Speaker 1: The weirdest one was there's a song in the have

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Speaker 1: you seen? It's been a long time since I've seen Fiddler,

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Speaker 1: but I saw a high school production of it. I

198
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Speaker 1: guess that was good? You know what? How was the

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Speaker 1: firm as Sara from As sarah Um was over the top,

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Speaker 1: which I think was perfect? And quickly I will say

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Speaker 1: my favorite Fara story is Amanda Shacksman. What was the

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Speaker 1: what's the wife's name? Golden? So she was there's a

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Speaker 1: scene where like Golda is like singing and in the

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Speaker 1: back from Sarah is like doing something. And in this production,

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Speaker 1: for Messara was on a high ladder. She's got to

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Speaker 1: be tall, so she was on a very high ladder

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Speaker 1: and the ladder fell over and Sarah came plumbing to

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Speaker 1: the ground. Kind of man that's just kept going. She no,

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Speaker 1: she was gold and behind her from Sarah had plummeted

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Speaker 1: because it was a high school prorection, which didn't make

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Speaker 1: it safe for the kid the ladder. That seems really

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Speaker 1: ill advised to have like a costume that covers a letder,

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Speaker 1: so it's aladder of falls. You're just trapped on the ladder.

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Speaker 1: Actually one second, one second. Junior year of high school,

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Speaker 1: Miss Lisa Wood did a production of Your Naming Names

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Speaker 1: of Barnum and No, she actually scarred me creatively, and

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Speaker 1: I truly resent her to this day and I don't

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Speaker 1: care if she listens. Um. She decided it was a

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Speaker 1: good idea. It was it was Barnum, it was circus themed.

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Speaker 1: It was basically the greatest Showman been bad Um Wait wait,

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Speaker 1: wait that backup. He just said it's like the greatest

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Speaker 1: Showman was bad. No, stop. I'm gonna stock up for

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Speaker 1: the greatest Showman. I'm surely there's like there's like a

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Speaker 1: legion of people out there who fucking love that money.

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Speaker 1: It's just like crazy. I didn't I like, before watching,

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Speaker 1: I didn't know that like I could be me. And

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Speaker 1: it took someone to say this is me sharpest though.

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Speaker 1: I had been looking for a way to say this

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Speaker 1: is me, and then it really gave me the vocabulary.

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Speaker 1: And when the sharpest words trying to cut me down, Yeah,

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Speaker 1: I'm going to send the flood drown them out. This

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Speaker 1: is bold, this is rave, this is who I meant.

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Speaker 1: This is honestly. The whole thing was a Fragrance commercial,

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Speaker 1: and I love any movie that's a fragrance commercial. I'm sorry,

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Speaker 1: I love Okay, So the people going to at the

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Speaker 1: stay or lest my my, my great aunt was talking

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Speaker 1: about it. She kept accidentally doing commercials. She was talking

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Speaker 1: about because her last name was Honig. It's not anymore.

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Speaker 1: But you know, before she got married and she said

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Speaker 1: that she only drives Honda's. She'll never straight from the

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Speaker 1: handa because she goes. When I get behind the wheel

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Speaker 1: and I see that, h I just feel great. I

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Speaker 1: love the way it looks. I love looking at the

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Speaker 1: h I just feel great. And I was like, we

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Speaker 1: should just film this and send it to Honda. Feel great.

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Speaker 1: I look at that h and I feel amazing. Yeah,

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Speaker 1: she's speaking to everyone there. Oh my god. Why And

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Speaker 1: that's the thing is, it's like, what why actors with

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Speaker 1: commercial auditioning. It's like, none of us can do this

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Speaker 1: as good as real people. You want us to be

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Speaker 1: real people anyway to get one exactly. There are some

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Speaker 1: I know so many people who could make a killing

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Speaker 1: in commercial editioning and they don't even know it, don't

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Speaker 1: even know. Charismatic people who actually have real skills, who

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Speaker 1: outside of performance, who are out there to they could

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Speaker 1: make a killing in commercials and they don't know. They

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Speaker 1: don't know. I interrupted, you know. The quick thing is

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Speaker 1: she did. It was one dance and she decides to

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Speaker 1: have these ladders where one person would stand in the

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Speaker 1: middle and be the hub basically and spin a ladder

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Speaker 1: and the others and then we would have to jump

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Speaker 1: up and down and literally like I fell on one

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Speaker 1: of the ladders as it was coming to me and

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Speaker 1: like I injured myself and then the woman kicks me

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Speaker 1: out of the show. Because I didn't give a show

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Speaker 1: and I was just like, I don't like being here,

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Speaker 1: and she actually like whatever. She we've told this story

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Speaker 1: and you've gone into a great deal tail and she

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Speaker 1: wasn't the wrong as the adult in the room. And

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Speaker 1: guess what if you're an adult, if you're doing with

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Speaker 1: the high school student, you are wrong with my high

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Speaker 1: school drama teacher. And I wasn't even in any of

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Speaker 1: the place. He just hated me and he would not

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Speaker 1: cast me in any of the place. That's so funny.

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Speaker 1: He just hated me. When okay, so just and I

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Speaker 1: will say again, it's actually a rule of culture number fourteen.

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Speaker 1: If you were a high school teacher in a feud

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Speaker 1: with the student culture. But looking back, looking back, can

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Speaker 1: you understand can you see the other side? Are you like? No?

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Speaker 1: I truly when I I was not in any of

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Speaker 1: the shows. What did he have against me? And I'm

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Speaker 1: gonna tell you what he had against me. I know

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Speaker 1: what he had against me. It's because I was elected

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Speaker 1: to the drama board without having been in any shows.

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Speaker 1: You were that powerful. I just they elected me to

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Speaker 1: the board. I don't remember what I did board board

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Speaker 1: of the drama club and he was like the teacher

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Speaker 1: in charge of it, and he was so mad that

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Speaker 1: I was on it without having been in any of

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Speaker 1: the show. He didn't play ball. I didn't play ball,

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Speaker 1: So then anytime I auditioned, he didn't give it to me.

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Speaker 1: And that's politics. And I think he, well, there's a

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Speaker 1: glimpse into the industry right there at the gates gatekeepers.

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Speaker 1: Gatekeeper to know I'm hunting to the gatekeepers. They shape

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Speaker 1: shift and you'll see them a million different times in

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Speaker 1: a million different ways. Yes, but I gotta say, if

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Speaker 1: you're if you have your New York accent, but you're

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Speaker 1: just like if you're a high school teacher, you and

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Speaker 1: you have ladders in your fucking production, you're busted. I

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Speaker 1: see you. We're gonna kill those kids. To kill those

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Speaker 1: those kids are gonna be dead, and blood's gonna be

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Speaker 1: on your hands, and you're gonna say say goodbye. It

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Speaker 1: for for a Sarah. But Sarah were like from a

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Speaker 1: no head because she fell over a fucking head, came

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Speaker 1: off a ladder, was in this strong speed. No, it's original,

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Speaker 1: it's me and my family talks. Actually, this is actually

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Speaker 1: or this is actually a racer. This is a racer

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Speaker 1: and yeah, this is a this is a racer, Sandy,

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Speaker 1: talk about your final episode advice line. Okay, well, okay,

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Speaker 1: so I also love that, like I banged the table,

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Speaker 1: I so let me just see. Sorry, I can't stop

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Speaker 1: because I like the way it's verb river Honestly, it

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Speaker 1: gives it a dramatic attention. I love any story of

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Speaker 1: someone leaving a show publicly, so please so for the fans.

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Speaker 1: Vice Live was a weekly, sorry nightly show, four nights

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Speaker 1: a week. When it first started, it was two hours long,

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Speaker 1: four nights a week, psychotics. For three weeks we did

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Speaker 1: it two hours a night, and then they reduced it

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Speaker 1: to an hour, and then I think altogether we did

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Speaker 1: seven weeks on the air before I left, and I

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Speaker 1: added in my contract that I could leave for another

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Speaker 1: for the Debra's show, for the Debra's if the show

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Speaker 1: got picked up. And then they picked us up. So

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Speaker 1: I'm so excited, which we love, which we love and

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Speaker 1: deserved and iconic, pretty busy, Yes, thank you so much.

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Speaker 1: And so I was like, Okay, I gotta leave, I

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Speaker 1: gotta go, and the it was very funny. Actually, the

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Speaker 1: producer in charge was like, so, I think rather than

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Speaker 1: having you have like a last episode where it's like

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Speaker 1: here you're dad, here, you here, every one day, gone

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Speaker 1: the next, We're just gonna phase you out. I was like, okay, sure.

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Speaker 1: I ended up actually being a lot more fun. So

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Speaker 1: for the whole last week I was there, I was

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Speaker 1: just doing a little bits and I bought Peter in

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Speaker 1: for a cooking Yeah, so it was basically like I

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Speaker 1: would just do bits like they would like as a runner,

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Speaker 1: which ended up being way more fun than just being

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Speaker 1: on the couch and like talking about rappers I've never

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Speaker 1: heard of, as though I knew who they were, because

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Speaker 1: it got to a point where like I was like,

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Speaker 1: I'm not going to look these people up because me

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Speaker 1: reading one Wikipedia entry is not going to replace an

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Speaker 1: entire cultural knowledge of this person. So I'm just not

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Speaker 1: So I was just sitting there being like, yeah, it

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Speaker 1: is crazy that she said that. That was when I

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Speaker 1: was like, yeah, I know, isn't that It is like

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Speaker 1: kind of in same, but if you actually really think

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Speaker 1: about it, this is a racer. And they were like, yeah, applause.

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Speaker 1: The number of applause breaks I got talking about things

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Speaker 1: I had no idea what I was talking about was

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Speaker 1: pretty incredible. Yeah, there's a live audience, um, live audience.

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Speaker 1: They it was like. So then I was like, okay,

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Speaker 1: I'm want to leave. I had a whole last episode

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Speaker 1: where it was like my goodbye episode, my you know,

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Speaker 1: I did my little bits where it was like always

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Speaker 1: giving like performance reviews to the other cast members. Ha

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Speaker 1: ha ha um. And then they like played a little joke,

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Speaker 1: you know, oh highlight reel, and they were going to

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Speaker 1: play actual highlight reel from my time on the show,

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Speaker 1: from the seven weeks we had been on the air.

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Speaker 1: They had put together like a highlight reel, and I

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Speaker 1: was like, forgot. I said, please, please, please, please please

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Speaker 1: do not do this to me. Do not put together

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Speaker 1: a highlight reel of my seven weeks on this show.

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Speaker 1: It which I did not do will like, it's just

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Speaker 1: it's just not a context in which I feel like

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Speaker 1: I thrive. Is like just it's just like riffing on culture,

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Speaker 1: you know, it just is not what I am good at.

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Speaker 1: And so I just was like, please do not do this.

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Speaker 1: So I made them put together a like two second

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Speaker 1: clip that was like you know, they put like, oh,

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Speaker 1: Sandy's highlights, and it was just like what two second

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Speaker 1: clips would be like fumbling, and then it was like

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Speaker 1: and then godbye, goodbye, goodbye. This is on a Thursday.

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Speaker 1: On Monday show canceled no more Eric, so that ended

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Speaker 1: up being the last episode. The last episode of the

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Speaker 1: show was like and Sandy's leaving and it's so sad,

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Speaker 1: also very funny because the audience they're not it's not

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Speaker 1: like they watched the show every night. They're just like

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Speaker 1: random people that came to the taping. So it's like

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Speaker 1: they showed up and the whole episode was like it's

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Speaker 1: Sandy's goodbye episode and they had to go like like

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Speaker 1: like they and I was like, you guys don't know

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Speaker 1: who I am, you don't know what the show is.

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Speaker 1: But they had to be like oh, and like give

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Speaker 1: me applause. It's just so funny an emotional yeah, and

387
00:22:07,920 --> 00:22:10,960
Speaker 1: then I yeah, And then Monday show canceled like just

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Speaker 1: from the like from the network, and then like everyone

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Speaker 1: on staff was like, I guess we don't have a

390
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Speaker 1: job anymore, like yeah, it was very well. No one

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Speaker 1: actually told me from the show. My friend Jack, you

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Speaker 1: know Jack Ben singer Um from Chicago pretty recently, very

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Speaker 1: very funny boy, very talented. He was I I brought

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Speaker 1: him into the show a while ago. He got uh

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Speaker 1: fired and rehired twice throughout the time on the show,

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Speaker 1: and then fired again, and then after I left, they

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Speaker 1: brought him back in. So on Monday he showed up

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Speaker 1: for his third time working at this show and then

399
00:22:48,359 --> 00:22:50,760
Speaker 1: texted me being like, Hey, I'm like back at work

400
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Speaker 1: with they're having a giant meeting with everyone who works here.

401
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Speaker 1: And then five minutes later he text me being like,

402
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Speaker 1: shows canceled. Oh my god. People don't know. We have

403
00:23:01,760 --> 00:23:04,800
Speaker 1: not figured out how to do those panel shows. It's

404
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Speaker 1: not gonna work. It's a hard thing. Also, every night

405
00:23:07,520 --> 00:23:11,880
Speaker 1: is hard. Two hours? What was that like? Well, first

406
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Speaker 1: of all, walk us through like the typical day in

407
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Speaker 1: those first stages where what time would you go in?

408
00:23:15,760 --> 00:23:18,200
Speaker 1: I got in around like two or three, depending on

409
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Speaker 1: the day, and then the show aired when it was

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Speaker 1: two hours. I aired at nine from nine to eleven,

411
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Speaker 1: and then when it was one hour from ten to eleven.

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Speaker 1: That's a long time. It's a long time, a long day,

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Speaker 1: and then a long day to just like I just

414
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Speaker 1: I don't know anything that we were talking about. You

415
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Speaker 1: would look up like Takashi, but you know it was

416
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Speaker 1: Abby Matton novelist situation. For all my views view it

417
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Speaker 1: really was just like I don't know why you hired me,

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Speaker 1: Like I really I feel like I showed up every

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Speaker 1: day being like, I don't know what you thought. I

420
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Speaker 1: know that the reason that I got the show was

421
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Speaker 1: because when I when I was testing for it, I

422
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Speaker 1: talked about the thing was like, oh, what's a good

423
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Speaker 1: gift you could get someone after six weeks of dating?

424
00:24:05,960 --> 00:24:07,800
Speaker 1: And I was saying that a pack of batteries is

425
00:24:07,840 --> 00:24:10,080
Speaker 1: a great gift, and I was just sorry. I just

426
00:24:10,080 --> 00:24:12,760
Speaker 1: talked about batteries for like five minutes and then they

427
00:24:12,840 --> 00:24:14,760
Speaker 1: were like yeah, and they were like, oh, she's so funny,

428
00:24:14,800 --> 00:24:16,400
Speaker 1: and I was like, no, you hired someone who talked

429
00:24:16,400 --> 00:24:19,159
Speaker 1: about batteries from well, I don't know anything about pop culture.

430
00:24:19,160 --> 00:24:23,159
Speaker 1: I just know about batteries. You know. It's incredible too,

431
00:24:23,240 --> 00:24:25,639
Speaker 1: because you are so good at so many things than

432
00:24:25,720 --> 00:24:27,560
Speaker 1: to get this one job where they're like all we're

433
00:24:27,600 --> 00:24:28,840
Speaker 1: going to ask you to do is the thing that

434
00:24:30,320 --> 00:24:32,960
Speaker 1: you really was just like, I can't believe this is

435
00:24:33,040 --> 00:24:35,920
Speaker 1: the first like TV thing that I'm doing is something

436
00:24:36,000 --> 00:24:38,800
Speaker 1: that I feel like I am the worst at. It's

437
00:24:38,880 --> 00:24:44,000
Speaker 1: just like it sucks to to feel like actively feel

438
00:24:44,000 --> 00:24:47,480
Speaker 1: like you're failing live on television. And it was. It

439
00:24:47,600 --> 00:24:50,119
Speaker 1: was a live which I thought would be very scary,

440
00:24:50,200 --> 00:24:53,480
Speaker 1: and it actually wasn't that scar yea even even. But

441
00:24:53,560 --> 00:24:55,919
Speaker 1: how do you reconcile that with like you like, feeling

442
00:24:56,359 --> 00:25:00,800
Speaker 1: kind of crazy about failing on TV? It somehow felt

443
00:25:00,880 --> 00:25:03,080
Speaker 1: it felt more like I actually felt like I played

444
00:25:03,200 --> 00:25:06,240
Speaker 1: better on camera than I did in the room. Oh

445
00:25:07,840 --> 00:25:10,000
Speaker 1: I played a lot to the camera. Well that's good.

446
00:25:10,080 --> 00:25:14,800
Speaker 1: I played to the folks at home, mak my parents. Yes,

447
00:25:14,920 --> 00:25:17,200
Speaker 1: my dad watched every night. My mom would watch the

448
00:25:17,280 --> 00:25:22,159
Speaker 1: next day. Beautiful honestly, Yeah, that's a skill though, Like

449
00:25:22,480 --> 00:25:27,200
Speaker 1: you miss live performance on Saturday night? A great job.

450
00:25:28,000 --> 00:25:30,840
Speaker 1: You are so funny. Didn't understand what was going on.

451
00:25:31,000 --> 00:25:34,080
Speaker 1: I was like, do I when? When? When do I talk?

452
00:25:34,280 --> 00:25:36,000
Speaker 1: I truly had no idea what was going on. I

453
00:25:36,040 --> 00:25:37,919
Speaker 1: don't remember any of that. It was so you were

454
00:25:38,000 --> 00:25:40,920
Speaker 1: so funny. Oh my god, I was freaking out. I

455
00:25:41,000 --> 00:25:42,760
Speaker 1: flipped out, flipped out. But I did feel like I

456
00:25:42,800 --> 00:25:44,639
Speaker 1: went to TV grad school where it was like I

457
00:25:44,720 --> 00:25:46,920
Speaker 1: know when that red light comes on, which I know

458
00:25:47,040 --> 00:25:48,879
Speaker 1: which one to look at, and I know how to

459
00:25:48,960 --> 00:25:52,600
Speaker 1: do prompter and I know whatever I think. I think

460
00:25:52,720 --> 00:25:55,200
Speaker 1: prompter is something I can do. But the red light

461
00:25:55,280 --> 00:25:57,159
Speaker 1: thing annoying? Which camera? That would be hard for me

462
00:25:57,240 --> 00:26:01,800
Speaker 1: because color blindness and see him? What is the red

463
00:26:02,119 --> 00:26:03,400
Speaker 1: lot of reasons to not put me on live TV?

464
00:26:03,440 --> 00:26:05,679
Speaker 1: By the way, everyone listening, Um, I can learn, I can,

465
00:26:05,760 --> 00:26:07,919
Speaker 1: I can change my eyes. Can you see or as

466
00:26:07,960 --> 00:26:09,960
Speaker 1: you can't tell if it's green or red? It's a

467
00:26:10,040 --> 00:26:12,840
Speaker 1: thing of like green and red is actually very difficult

468
00:26:13,040 --> 00:26:24,399
Speaker 1: for me, like from yeah, it's color weak? Is that

469
00:26:24,440 --> 00:26:28,240
Speaker 1: color weak? Red? Green? Colors, red, green, color week. I

470
00:26:28,320 --> 00:26:30,280
Speaker 1: didn't know there was like another term for it. They've

471
00:26:30,320 --> 00:26:31,840
Speaker 1: told you also might be right. I have no idea.

472
00:26:33,000 --> 00:26:35,520
Speaker 1: Who am I but the daughter of two doctors? Of course.

473
00:26:35,560 --> 00:26:42,720
Speaker 1: I mean you know what it's like. It's like I

474
00:26:42,880 --> 00:26:48,720
Speaker 1: can see colors, but I can't tell them apart often. Yeah,

475
00:26:48,760 --> 00:26:51,200
Speaker 1: it's like it's if blue and purple are next to

476
00:26:51,240 --> 00:26:54,400
Speaker 1: each other. That's a nightmare. Red and green, brown and green,

477
00:26:54,520 --> 00:26:57,880
Speaker 1: forget about it. Forget we forget about brown and green.

478
00:26:58,320 --> 00:27:01,159
Speaker 1: Those are in the forest. Yeah, no, don't put me

479
00:27:01,200 --> 00:27:03,680
Speaker 1: in the forest. Don't put me back. I can't see

480
00:27:03,720 --> 00:27:09,040
Speaker 1: the forest. I'm sorry, I can't see nothing. I can't

481
00:27:09,040 --> 00:27:12,200
Speaker 1: see the forest for the trees. My dad, And that's

482
00:27:12,240 --> 00:27:15,600
Speaker 1: not changing the expression my dad. My My one job

483
00:27:15,680 --> 00:27:17,080
Speaker 1: when I was a little like my chore that I

484
00:27:17,119 --> 00:27:18,159
Speaker 1: would have to do with I would have to go

485
00:27:18,200 --> 00:27:20,440
Speaker 1: clean up the dog ship in the yard. Oh but

486
00:27:20,680 --> 00:27:24,760
Speaker 1: that was a nightmare because I could never see the

487
00:27:24,840 --> 00:27:27,200
Speaker 1: dog poop because it was famously brown. How did you

488
00:27:27,320 --> 00:27:30,520
Speaker 1: realize you were? In third grade? They pulled me into

489
00:27:30,560 --> 00:27:33,080
Speaker 1: the nurses office just to do like a routine physical,

490
00:27:33,160 --> 00:27:37,120
Speaker 1: and they do this thing where circles. It's a bunch

491
00:27:37,160 --> 00:27:39,560
Speaker 1: of little dots of color and you're supposed to see

492
00:27:39,560 --> 00:27:41,639
Speaker 1: a number or like a pattern. You're supposed to identify it.

493
00:27:41,840 --> 00:27:43,360
Speaker 1: And they were like, Okay, what number do you see

494
00:27:43,400 --> 00:27:45,040
Speaker 1: in this thing? And I was like four and they

495
00:27:45,080 --> 00:27:47,240
Speaker 1: were like it's a twenty two. And I was like,

496
00:27:47,400 --> 00:27:50,680
Speaker 1: oh okay, and they're like okay. So you're like aggressively

497
00:27:50,760 --> 00:27:53,080
Speaker 1: color blind, like this is what it is. And now

498
00:27:53,240 --> 00:27:55,960
Speaker 1: they have those glasses you can wear then you see

499
00:27:56,000 --> 00:27:57,920
Speaker 1: the color, or you can put on cocktail lens and

500
00:27:58,040 --> 00:28:00,480
Speaker 1: it will change it. But I'm scared to do why

501
00:28:00,760 --> 00:28:02,680
Speaker 1: because I feel like it will freak me the funk out.

502
00:28:02,920 --> 00:28:05,119
Speaker 1: But wouldn't that be so cool too, because I always

503
00:28:05,160 --> 00:28:08,360
Speaker 1: try to imagine, like try to imagine in your head

504
00:28:08,480 --> 00:28:11,800
Speaker 1: a color that you've never seen before. It's impossible to imagine,

505
00:28:12,800 --> 00:28:16,640
Speaker 1: but you've never looked through the glasses. Oh my god, Matt,

506
00:28:16,720 --> 00:28:17,959
Speaker 1: you have to do that. You have to make one

507
00:28:17,960 --> 00:28:20,280
Speaker 1: of those viral videos where it's like puppy going outside

508
00:28:21,760 --> 00:28:29,920
Speaker 1: podcast host, he's green. I will walk around this town

509
00:28:30,240 --> 00:28:33,320
Speaker 1: saying green is my favorite color, and I actually I've

510
00:28:33,400 --> 00:28:36,639
Speaker 1: never actually seen it. Two favorite colors are blue and green,

511
00:28:36,680 --> 00:28:39,000
Speaker 1: at least what my eyes see. What color you're at

512
00:28:40,480 --> 00:28:44,080
Speaker 1: are actually green? And that's and that's where where in

513
00:28:44,200 --> 00:28:47,240
Speaker 1: the trouble lies. I think they're green. They are I

514
00:28:47,280 --> 00:28:51,560
Speaker 1: can't really tell. I often get blue, but they're going

515
00:28:51,600 --> 00:28:53,320
Speaker 1: to look green. They're they're green. They're green. They're green.

516
00:28:53,360 --> 00:28:59,040
Speaker 1: They're green. The grand mother had green eyes. So wait,

517
00:28:59,120 --> 00:29:02,560
Speaker 1: so so to you, green looks brown. You don't know

518
00:29:02,840 --> 00:29:05,600
Speaker 1: if you put brown and green together. I can sort

519
00:29:05,640 --> 00:29:07,440
Speaker 1: of tell you which one is brown and which one

520
00:29:07,560 --> 00:29:09,920
Speaker 1: is green. But it is laborous and it's like, is

521
00:29:10,000 --> 00:29:11,600
Speaker 1: the green you see the green that I see? And

522
00:29:12,080 --> 00:29:16,000
Speaker 1: the answer is, actually, now we know this for a fact.

523
00:29:16,120 --> 00:29:17,640
Speaker 1: It is now and it's gonna be one of those

524
00:29:17,680 --> 00:29:19,840
Speaker 1: things where it's like, I don't know. My My doctor

525
00:29:20,000 --> 00:29:21,560
Speaker 1: when I was little was like if you were to

526
00:29:21,600 --> 00:29:24,840
Speaker 1: switch eyes with a normal person, you would see something

527
00:29:25,120 --> 00:29:27,160
Speaker 1: fucked up to you, Like if you were to look

528
00:29:27,200 --> 00:29:29,640
Speaker 1: at the world through my eyes, you'd be like, holy ship, Wait,

529
00:29:29,720 --> 00:29:31,840
Speaker 1: but you should do it. That's such a cool experience

530
00:29:31,880 --> 00:29:35,320
Speaker 1: to see it. I guess I'll figure out how to

531
00:29:35,400 --> 00:29:37,040
Speaker 1: do it. What do you know, what's the worst thing

532
00:29:37,080 --> 00:29:40,400
Speaker 1: that can happen? You get and then you take them off,

533
00:29:40,880 --> 00:29:44,480
Speaker 1: and then you're like, spooky, spooky. Oh, you should just

534
00:29:44,560 --> 00:29:46,200
Speaker 1: do acid and then put the glasses on and be

535
00:29:46,240 --> 00:29:49,200
Speaker 1: like that would be a whole thing. That would be crazy.

536
00:29:49,440 --> 00:29:51,200
Speaker 1: I'd have to be in a safe afiment. Yes, you'd

537
00:29:51,240 --> 00:29:54,400
Speaker 1: have to. I've done it once and it was the

538
00:29:54,560 --> 00:29:56,400
Speaker 1: best experience I've ever had, and I never want to

539
00:29:56,440 --> 00:29:58,400
Speaker 1: do it again because it was so great. See we

540
00:29:58,880 --> 00:30:00,440
Speaker 1: did it in the first time, Well, you've done it.

541
00:30:00,680 --> 00:30:01,920
Speaker 1: I did. The first time I did it was on

542
00:30:01,960 --> 00:30:04,680
Speaker 1: Fire Island. Yes, it was the best experience I've ever

543
00:30:04,840 --> 00:30:06,040
Speaker 1: I've ever had in my life. And then they did

544
00:30:06,080 --> 00:30:10,480
Speaker 1: it again with Matt and Upstate and it was also wonderful. Yeah,

545
00:30:10,840 --> 00:30:12,560
Speaker 1: it was amazing. It didn't take away from the first

546
00:30:12,560 --> 00:30:15,040
Speaker 1: at all. I like doing an upstate. The second time

547
00:30:15,080 --> 00:30:16,360
Speaker 1: I did it was in l A. And then we

548
00:30:16,400 --> 00:30:17,720
Speaker 1: were in a house and it was raining and I

549
00:30:17,800 --> 00:30:19,120
Speaker 1: felt cooped up in the house. So that was a

550
00:30:19,200 --> 00:30:21,600
Speaker 1: little bit less comfortable, but still a good experience. I'm

551
00:30:21,600 --> 00:30:24,440
Speaker 1: going to Joshua Tree in a couple of weeks. I might,

552
00:30:25,760 --> 00:30:27,719
Speaker 1: but then I'm like a little bit like like desert,

553
00:30:27,760 --> 00:30:29,160
Speaker 1: and we just had a house, and I feel like

554
00:30:29,240 --> 00:30:31,720
Speaker 1: the only place we could go would be like walking

555
00:30:31,760 --> 00:30:33,600
Speaker 1: around the desert. I don't know, if you're not gonna

556
00:30:33,680 --> 00:30:37,080
Speaker 1: go anywhere, I don't know. Fire Island was so perfect

557
00:30:37,400 --> 00:30:41,200
Speaker 1: because you got the beach, you got the bay so close.

558
00:30:41,960 --> 00:30:43,480
Speaker 1: You could just walk around and look at all the

559
00:30:43,520 --> 00:30:49,600
Speaker 1: houses and go wow. Yeah. I've been going there since

560
00:30:49,600 --> 00:30:52,240
Speaker 1: I was a little baby baby. I learned. I learned

561
00:30:52,280 --> 00:30:55,960
Speaker 1: it to surf my my grandpa had a house there

562
00:30:56,320 --> 00:31:00,280
Speaker 1: and then he um famously kicked us out. And then yeah,

563
00:31:00,360 --> 00:31:02,920
Speaker 1: and because his wife said, we brought sand into the

564
00:31:03,000 --> 00:31:06,240
Speaker 1: house and you're not allowed back to that. You weren't

565
00:31:06,240 --> 00:31:07,800
Speaker 1: a lot back to the house. We had to we

566
00:31:07,880 --> 00:31:09,719
Speaker 1: had to well, we would come to we could come

567
00:31:09,760 --> 00:31:12,320
Speaker 1: to visit, but we couldn't stay because you brought sand

568
00:31:12,360 --> 00:31:14,320
Speaker 1: into the house. I mean she just was yeah, but

569
00:31:14,880 --> 00:31:17,200
Speaker 1: long Island women, and like like the worst thing you

570
00:31:17,240 --> 00:31:21,440
Speaker 1: could do in the I think it was just an excuse.

571
00:31:21,960 --> 00:31:24,320
Speaker 1: I think she just I think it just didn't want

572
00:31:24,400 --> 00:31:26,719
Speaker 1: us there. My my mom and her dad have been

573
00:31:26,800 --> 00:31:29,840
Speaker 1: a great relationships, so so it was kind of like, Okay,

574
00:31:29,880 --> 00:31:32,480
Speaker 1: you don't stay here anymore. So then my mom found

575
00:31:32,520 --> 00:31:36,560
Speaker 1: this little like cabin in another town that was basically

576
00:31:36,680 --> 00:31:38,640
Speaker 1: no one was living there. You couldn't even see the house.

577
00:31:38,760 --> 00:31:41,240
Speaker 1: It was like totally overgrown. It was this like cabin

578
00:31:41,400 --> 00:31:44,200
Speaker 1: that this woman's uncle had built and there was just

579
00:31:44,320 --> 00:31:47,040
Speaker 1: like trees all around it. And then she basically was

580
00:31:47,120 --> 00:31:50,240
Speaker 1: like I'll take it. And then yeah, and now it's

581
00:31:50,440 --> 00:31:52,440
Speaker 1: and there was a little fixed rapper or is it Yeah,

582
00:31:52,680 --> 00:31:56,160
Speaker 1: it's still little. But she painted fun colors. I love

583
00:31:56,280 --> 00:31:58,120
Speaker 1: that and you gotta make it fun, and you gotta

584
00:31:58,160 --> 00:32:01,320
Speaker 1: make it fun. Yellow turquoise, which beach was like your

585
00:32:01,360 --> 00:32:05,280
Speaker 1: beach growing growing up on fire and like ocean. Ocean

586
00:32:06,040 --> 00:32:13,360
Speaker 1: was in fact all my friends actually I'll name Bay Street, Yeah, yeah,

587
00:32:14,160 --> 00:32:17,480
Speaker 1: right on the bad guys, My my girlfriends all in

588
00:32:17,560 --> 00:32:20,240
Speaker 1: high school worked at the market, the market of the

589
00:32:20,360 --> 00:32:25,040
Speaker 1: Ocean Park Market actually both by the same but ce

590
00:32:25,240 --> 00:32:27,479
Speaker 1: markets really where it's at? What's what's what's the last name?

591
00:32:28,480 --> 00:32:30,560
Speaker 1: What is your last name? Did you? I didn't know?

592
00:32:30,640 --> 00:32:33,040
Speaker 1: You grew up going to Fire Island like truly all

593
00:32:33,080 --> 00:32:34,600
Speaker 1: the time, but like the straight parts of our island

594
00:32:34,920 --> 00:32:36,560
Speaker 1: you're talking about. Did you go to the ever go

595
00:32:36,640 --> 00:32:39,760
Speaker 1: to the day camp in Ocean Beach? Um? No, but

596
00:32:39,920 --> 00:32:43,480
Speaker 1: all my friends see same. Jake went one year. My

597
00:32:43,560 --> 00:32:44,719
Speaker 1: mom tried to get me to go, and I got

598
00:32:44,760 --> 00:32:48,600
Speaker 1: too scared. When did you graduate high school? What? Ye? Okay,

599
00:32:48,640 --> 00:32:50,480
Speaker 1: so yeah, we were probably literally there at the same time.

600
00:32:50,520 --> 00:32:56,840
Speaker 1: I was, okay, we have so much crossover missed each other.

601
00:32:59,640 --> 00:33:01,440
Speaker 1: I think you guys, And this is ultimately interesting for

602
00:33:01,520 --> 00:33:05,640
Speaker 1: the listener, ultimately, ultimately and even more for event to

603
00:33:05,680 --> 00:33:07,680
Speaker 1: say what I'm gonna best say right now? Ocean Bay

604
00:33:07,760 --> 00:33:10,480
Speaker 1: Park Market had the best buffalo chicken wrap. Wow. But

605
00:33:10,920 --> 00:33:14,680
Speaker 1: but Stevie Market had really good daily sandwiches. Truly, I'll

606
00:33:14,880 --> 00:33:17,120
Speaker 1: never have food as good as the food that I

607
00:33:17,200 --> 00:33:23,160
Speaker 1: had at those markets. So expensive, everything has to be important, psychotic,

608
00:33:23,480 --> 00:33:25,920
Speaker 1: psychotically expensive. A bagg of chips is like twelve dollars

609
00:33:26,040 --> 00:33:29,400
Speaker 1: and truly the sleepiest fourteen year old girl work at

610
00:33:29,400 --> 00:33:32,640
Speaker 1: all times, but she's always cool, tied I sweatshirt, choker's

611
00:33:32,760 --> 00:33:36,920
Speaker 1: flip flops. My sister worked there too, a blonde but

612
00:33:37,080 --> 00:33:42,000
Speaker 1: like loose bun but looks good, describing truly all my

613
00:33:42,040 --> 00:33:45,120
Speaker 1: girlfriends from high school. The loose fun is iconic. Yeah,

614
00:33:45,160 --> 00:33:48,440
Speaker 1: loose bun iconic with like they're like, I play soccer yep,

615
00:33:48,560 --> 00:33:51,040
Speaker 1: they played soccer soccer girls and all their screen names

616
00:33:51,040 --> 00:33:53,120
Speaker 1: had either the word soccer or beach in it. I

617
00:33:53,280 --> 00:33:56,560
Speaker 1: have this thought about the teens who work on in

618
00:33:56,680 --> 00:34:01,960
Speaker 1: the Pine specifically, Yes, they run Fire Island, they run

619
00:34:02,040 --> 00:34:05,400
Speaker 1: the ferries, they run. It's like scary, it's scary. But

620
00:34:05,480 --> 00:34:09,000
Speaker 1: I'm just like, are they this is truly just like no,

621
00:34:09,120 --> 00:34:11,040
Speaker 1: this isn't even internalizedme with it. It's not even it's

622
00:34:11,200 --> 00:34:12,960
Speaker 1: it's not even anything. I'm just like I look at

623
00:34:12,960 --> 00:34:16,279
Speaker 1: them and like, do you think that we're crazy? Like

624
00:34:16,560 --> 00:34:18,800
Speaker 1: like I'm like, what do you think about us? I

625
00:34:18,880 --> 00:34:20,840
Speaker 1: think they know what it is, they know what it is.

626
00:34:21,480 --> 00:34:25,040
Speaker 1: I've actually are the teen is it's teens in the

627
00:34:25,120 --> 00:34:30,400
Speaker 1: Pines and in cherry growth there's a lot of aren't

628
00:34:30,440 --> 00:34:32,560
Speaker 1: as there's not as many teens in cherry growth, but

629
00:34:33,000 --> 00:34:35,279
Speaker 1: all the teams are running every single shop in the Pine.

630
00:34:35,360 --> 00:34:37,719
Speaker 1: I also think probably those jobs are a little bit

631
00:34:37,760 --> 00:34:40,080
Speaker 1: more difficult to get because you probably make more money

632
00:34:40,400 --> 00:34:43,120
Speaker 1: doing like the service jobs there. But like the markets

633
00:34:43,160 --> 00:34:46,279
Speaker 1: and everything, all teens. But it's like some day people

634
00:34:46,320 --> 00:34:49,680
Speaker 1: can be monsters for sure. Children. I don't know if

635
00:34:49,680 --> 00:34:55,400
Speaker 1: you've been to the trade part of I mean Ocean

636
00:34:55,480 --> 00:34:58,239
Speaker 1: Beach at night on the weekend. Ocean Beach is a

637
00:34:58,400 --> 00:35:01,600
Speaker 1: nickname the land of no Yep, and it's just all

638
00:35:01,640 --> 00:35:04,439
Speaker 1: these like rich Jews that are just like, you can't

639
00:35:04,560 --> 00:35:08,239
Speaker 1: you can't ride your bike on the week days. You can't.

640
00:35:08,640 --> 00:35:11,680
Speaker 1: They'll literally they'll they'll they'll kick you out, or they'll

641
00:35:11,719 --> 00:35:15,240
Speaker 1: put you in the jail. The jail is a jail,

642
00:35:15,440 --> 00:35:20,000
Speaker 1: Fire Island jail. Yes it's It is truly prominently displayed

643
00:35:20,080 --> 00:35:21,920
Speaker 1: next to the ferry docks. Yes, it is right next

644
00:35:21,960 --> 00:35:25,359
Speaker 1: to the ferry the Fire Island Jail. I have been

645
00:35:25,560 --> 00:35:28,200
Speaker 1: threatened before, but I've never been put in the Fire

646
00:35:28,239 --> 00:35:31,239
Speaker 1: Island jail. Did you guys know that Macy's Street has

647
00:35:31,280 --> 00:35:35,399
Speaker 1: a jail in the base that's almost no. Coole by

648
00:35:35,520 --> 00:35:37,320
Speaker 1: Er has this story that she that she tells, and

649
00:35:37,360 --> 00:35:38,960
Speaker 1: she told her in Seth Meyers, I think where she

650
00:35:39,000 --> 00:35:43,040
Speaker 1: would shoplift, and she shoplifted from she would shoplift from Macy's,

651
00:35:43,080 --> 00:35:45,120
Speaker 1: and she had this amazing thing where she goes, Okay,

652
00:35:45,160 --> 00:35:47,080
Speaker 1: so you say you wanted to steal five T shirts,

653
00:35:47,120 --> 00:35:49,560
Speaker 1: you put five T shirts, you put you put them

654
00:35:49,600 --> 00:35:53,040
Speaker 1: all on the same hangar, and then you just pop

655
00:35:53,239 --> 00:35:55,800
Speaker 1: tags basically, and then it's this whole convoluted thing that

656
00:35:55,840 --> 00:35:58,800
Speaker 1: I can't even paraphrase. But then like she got throws,

657
00:35:58,840 --> 00:36:01,200
Speaker 1: she got caught one time and she got taken to

658
00:36:01,280 --> 00:36:04,360
Speaker 1: the basement of Macy's and was thrown in a jail cell.

659
00:36:05,440 --> 00:36:10,160
Speaker 1: They and honest, you could walk on the street with

660
00:36:10,280 --> 00:36:13,520
Speaker 1: a drink in Ocean Beach and they they'll put you

661
00:36:13,600 --> 00:36:15,320
Speaker 1: in jail. I'm so happy you said the land of

662
00:36:15,400 --> 00:36:17,440
Speaker 1: no I hadn't thought of that in so long. You

663
00:36:17,520 --> 00:36:20,880
Speaker 1: are under constant threat of being thrown if you if

664
00:36:20,960 --> 00:36:24,799
Speaker 1: you dare ride a bike without a flashlight at night,

665
00:36:24,920 --> 00:36:27,680
Speaker 1: you'll get a ticket. Yeah, that's insane. Is it? Does

666
00:36:27,760 --> 00:36:29,239
Speaker 1: it look the same as it does in the Pines

667
00:36:29,239 --> 00:36:31,279
Speaker 1: and Cherry Grove where it's like boardwalks and entries they

668
00:36:31,320 --> 00:36:35,080
Speaker 1: don't have boardwalks, they're just concrete. It's it's it's similar

669
00:36:35,200 --> 00:36:38,640
Speaker 1: in terms of it's nowhere near as like aesthetically pleasing. God,

670
00:36:38,840 --> 00:36:41,040
Speaker 1: I will say this, like there's something about Cherry Grove

671
00:36:41,120 --> 00:36:43,000
Speaker 1: where you feel like you could bite the walls. It's

672
00:36:43,040 --> 00:36:52,440
Speaker 1: like everything's like candy everything everything. Ocean Beach is like

673
00:36:56,800 --> 00:36:58,480
Speaker 1: maybe I've been there too many times, but it's just

674
00:36:58,560 --> 00:37:01,160
Speaker 1: like I can't get the beauty, get it anymore? Like

675
00:37:01,239 --> 00:37:04,120
Speaker 1: the what is that called the Island Mermaid? That restaurant, Yeah,

676
00:37:04,120 --> 00:37:08,759
Speaker 1: the Mermaid, yea, the Mermaid, the Mermaid pantry. Yeah, it's

677
00:37:08,760 --> 00:37:11,760
Speaker 1: the equivalent to the pantry. No, it's sorry, I'm getting

678
00:37:11,760 --> 00:37:14,520
Speaker 1: things confused. It's it's it's all kind of blending in

679
00:37:14,600 --> 00:37:17,360
Speaker 1: for me. Now, restaurant and a little deli. So get this.

680
00:37:17,560 --> 00:37:19,920
Speaker 1: So get this. I used to work, you know, the

681
00:37:20,000 --> 00:37:23,919
Speaker 1: clam bar in the Fire Island. I worked there, No way,

682
00:37:24,239 --> 00:37:27,080
Speaker 1: that was my first job. Nicki's Clambar and Nikki's on

683
00:37:27,120 --> 00:37:29,560
Speaker 1: the Bay was my real job. And then I was

684
00:37:29,640 --> 00:37:33,840
Speaker 1: like I honestly, Sandy, I did the cash register for

685
00:37:34,239 --> 00:37:36,359
Speaker 1: like what you could go to get to go orders.

686
00:37:36,440 --> 00:37:38,600
Speaker 1: That was my first job. I wonder if I ever

687
00:37:39,600 --> 00:37:44,480
Speaker 1: bought uh, Honestly, like, one of the most incredible things

688
00:37:44,560 --> 00:37:46,480
Speaker 1: is going on the ferry to Fire Islands in the

689
00:37:46,600 --> 00:37:50,840
Speaker 1: summer and watching people eat hot clam chowder in the

690
00:37:51,000 --> 00:37:58,320
Speaker 1: direct sunlight. That was meder well, just like sweating. It

691
00:37:58,520 --> 00:38:04,279
Speaker 1: is just like unbelievable, not logistically to eat it. And

692
00:38:04,360 --> 00:38:08,960
Speaker 1: it's honestly not logistics in the matter, hands down, it's

693
00:38:09,000 --> 00:38:11,680
Speaker 1: not even logistics. It's not the place to do it.

694
00:38:12,400 --> 00:38:14,560
Speaker 1: You eat a clam chowder on a boat. You eat

695
00:38:14,600 --> 00:38:17,680
Speaker 1: clam chowder in a bread bowl when you're a skiing,

696
00:38:18,320 --> 00:38:21,120
Speaker 1: that's when you have clam chowder. When when you're downhill

697
00:38:21,640 --> 00:38:24,000
Speaker 1: on the slopes and I don't know if you've never

698
00:38:24,080 --> 00:38:25,919
Speaker 1: been the Long Island in the summer, it gets hot.

699
00:38:27,320 --> 00:38:30,000
Speaker 1: She can get up there in ninety degrees, can feel

700
00:38:30,000 --> 00:38:33,200
Speaker 1: like a hundred three three. But you're still baking on

701
00:38:33,320 --> 00:38:35,719
Speaker 1: the top on the top of the ferry, just like

702
00:38:36,080 --> 00:38:38,080
Speaker 1: eating chowder. And it's also too windy to eat it.

703
00:38:38,920 --> 00:38:44,319
Speaker 1: Chowter fly, chowderfly, yes, chowter fly. Oh my god, it's

704
00:38:44,680 --> 00:38:48,680
Speaker 1: but correct me if I'm wrong to get to the

705
00:38:48,719 --> 00:38:52,000
Speaker 1: point in your life where people start referring to Fire

706
00:38:52,040 --> 00:38:54,960
Speaker 1: Island culture as like the gay thing. It's such a

707
00:38:55,000 --> 00:38:57,160
Speaker 1: hard adjustment. Like when we were growing up and it

708
00:38:57,320 --> 00:39:00,879
Speaker 1: was like aggressively straight and I grow yeah, well, I'm sure.

709
00:39:00,920 --> 00:39:02,359
Speaker 1: It's like if you were to go to Long Island

710
00:39:02,400 --> 00:39:05,520
Speaker 1: and go back to let's say, like Ocean Beach, Ocean

711
00:39:05,560 --> 00:39:07,960
Speaker 1: Bay Park. Well, no, like, let's say you go back

712
00:39:08,040 --> 00:39:10,960
Speaker 1: to um why I know, I know where where you're

713
00:39:11,000 --> 00:39:13,600
Speaker 1: from the neighborhood from. If you go back and you

714
00:39:13,640 --> 00:39:15,800
Speaker 1: say Fire Island, the people that aren't going to associate

715
00:39:15,880 --> 00:39:18,320
Speaker 1: with gay necessarily. No. That's the thing is It's like

716
00:39:18,520 --> 00:39:20,120
Speaker 1: everywhere in the world is like you say the words

717
00:39:20,160 --> 00:39:22,799
Speaker 1: Fire Island and they think, oh, gay and not that's

718
00:39:22,920 --> 00:39:25,440
Speaker 1: not the case, right, Oh that's what you're saying. Yeah,

719
00:39:25,480 --> 00:39:29,080
Speaker 1: I'm just saying it has a it has a whole

720
00:39:29,120 --> 00:39:31,960
Speaker 1: different identity for people like Sandy and I who grew

721
00:39:32,040 --> 00:39:35,440
Speaker 1: up there. You were Long Island. I was Connecticut, Connecticut.

722
00:39:35,480 --> 00:39:38,600
Speaker 1: But my mom is a surfer surfing in Connecticut. So

723
00:39:38,640 --> 00:39:44,120
Speaker 1: we would drive every weekend talking about Northeastern who frequent

724
00:39:44,200 --> 00:39:46,319
Speaker 1: Fire Island. They don't think of it as like being

725
00:39:46,719 --> 00:39:49,360
Speaker 1: gay exclusive, but we would always go over there and

726
00:39:49,480 --> 00:39:52,359
Speaker 1: have fun. Would you see? That was not yeah, see

727
00:39:52,400 --> 00:39:54,399
Speaker 1: me and my mom my brother would like walk over

728
00:39:54,640 --> 00:39:58,640
Speaker 1: and like hang out. Wow. I wish I wish that

729
00:39:58,800 --> 00:40:00,480
Speaker 1: that had been a thing from me, But it was

730
00:40:00,640 --> 00:40:02,279
Speaker 1: kind of like I don't know, was who would you

731
00:40:02,320 --> 00:40:04,200
Speaker 1: have gone with? Right? Who would I have gone with? Well?

732
00:40:04,200 --> 00:40:08,360
Speaker 1: I ended up I did end up going Nicky's boss.

733
00:40:08,440 --> 00:40:13,440
Speaker 1: So I had a relationship with someone I worked with

734
00:40:13,640 --> 00:40:17,160
Speaker 1: at Nikki's at Nikki's Clambar, and then they exposed me

735
00:40:17,320 --> 00:40:23,480
Speaker 1: to the that fire Island about it. I knew about it,

736
00:40:23,960 --> 00:40:25,560
Speaker 1: but it was like the Pines, you know, something to

737
00:40:25,719 --> 00:40:29,560
Speaker 1: listen about it. I mean Cherry Grove, Cherry see Cherry Grove.

738
00:40:29,640 --> 00:40:31,759
Speaker 1: I thought was like the gay part, and then now

739
00:40:31,920 --> 00:40:34,880
Speaker 1: like I understand that's more family oriented and the Pines

740
00:40:34,960 --> 00:40:37,400
Speaker 1: is where your party, right, well, the Trigger is like

741
00:40:37,480 --> 00:40:40,440
Speaker 1: more family, it's more where a lot of the lesbians are,

742
00:40:40,840 --> 00:40:43,960
Speaker 1: and it's just like it's it's home er. I guess

743
00:40:44,760 --> 00:40:47,400
Speaker 1: it's also more fun. It's a little bit more low

744
00:40:47,480 --> 00:40:49,239
Speaker 1: key and it's kind of like you know, they're just

745
00:40:49,360 --> 00:40:52,920
Speaker 1: like yeah, like I always thought of it as like

746
00:40:53,000 --> 00:40:56,080
Speaker 1: the Pines is where the like big fancy houses are.

747
00:40:57,040 --> 00:40:59,879
Speaker 1: Oh the pines, The Pines is house, kitchen and cherry

748
00:41:00,040 --> 00:41:04,400
Speaker 1: of his Chelsea. Yes, that tracks, that tracks, that actually tracks,

749
00:41:04,440 --> 00:41:07,520
Speaker 1: that actually tracks for me. That actually tracks for me

750
00:41:07,560 --> 00:41:10,399
Speaker 1: as well. So it listen, We're sitting here talking about

751
00:41:10,440 --> 00:41:12,279
Speaker 1: so much culture and we have yet to ask the

752
00:41:12,360 --> 00:41:14,799
Speaker 1: question to take it away. We asked this of all

753
00:41:14,840 --> 00:41:16,480
Speaker 1: our guests. By the way, Sandy Honick, what is the

754
00:41:16,520 --> 00:41:18,719
Speaker 1: culture that made you say culture is for me? Think

755
00:41:18,760 --> 00:41:22,279
Speaker 1: about the culture when you grew up formative to you

756
00:41:22,760 --> 00:41:25,719
Speaker 1: end up put you in this path. And for you

757
00:41:25,880 --> 00:41:27,879
Speaker 1: it might be we're talking with photographer here as well.

758
00:41:27,960 --> 00:41:30,800
Speaker 1: Everyone could be photography, but it could be multiple answers,

759
00:41:30,800 --> 00:41:33,680
Speaker 1: like it could be movies, books, TV. You know, it's

760
00:41:33,800 --> 00:41:36,279
Speaker 1: it's really all over the place for me. We love

761
00:41:36,360 --> 00:41:39,279
Speaker 1: that because I had very very exposed I had like,

762
00:41:39,440 --> 00:41:45,200
Speaker 1: for some reason, I very passively accepted culture. I didn't

763
00:41:45,760 --> 00:41:47,640
Speaker 1: It's not like any even knows, Like I just didn't

764
00:41:47,719 --> 00:41:50,120
Speaker 1: know you could like seek things out. It was kind

765
00:41:50,120 --> 00:41:55,440
Speaker 1: of just like whatever my mom wanted, it was handed

766
00:41:55,480 --> 00:41:58,760
Speaker 1: down to you. Yeah, and so I didn't have Basically

767
00:41:58,840 --> 00:42:01,000
Speaker 1: the only things that I like, the only music I

768
00:42:01,120 --> 00:42:06,080
Speaker 1: listened to was Aerosmith and UM Jimmy Buffett. So we

769
00:42:06,160 --> 00:42:10,719
Speaker 1: are very similar to every Oh my god, okay, I

770
00:42:10,760 --> 00:42:12,600
Speaker 1: would I would have heard of myself as a parent head.

771
00:42:12,680 --> 00:42:14,839
Speaker 1: My dad is the parent head. You know what parent

772
00:42:14,880 --> 00:42:19,000
Speaker 1: looks at? Forty is right there? Okay, right, apparent looks

773
00:42:20,040 --> 00:42:21,960
Speaker 1: right there. This is the second time I talked about

774
00:42:22,000 --> 00:42:24,920
Speaker 1: dream Buffet today. Actually, I so, I mean truly like

775
00:42:25,000 --> 00:42:26,840
Speaker 1: someone the other day. I tried to like challenge me

776
00:42:26,960 --> 00:42:28,800
Speaker 1: on it and she was like, oh, really, you're like

777
00:42:28,840 --> 00:42:31,080
Speaker 1: a Jimmy Buffet fan, Like, for real, name five songs.

778
00:42:31,120 --> 00:42:32,800
Speaker 1: I was like, I could name twenty and she was

779
00:42:32,880 --> 00:42:37,000
Speaker 1: like okay, and then I just did. I mean, and

780
00:42:37,080 --> 00:42:38,840
Speaker 1: it was And I didn't even understand that that was

781
00:42:38,960 --> 00:42:41,839
Speaker 1: like not good, Like I have friends that would make

782
00:42:41,920 --> 00:42:43,560
Speaker 1: fun of me and be like ha ha Jammy buff

783
00:42:43,640 --> 00:42:45,880
Speaker 1: And I was like, what's the joke. I don't understand.

784
00:42:46,000 --> 00:42:49,200
Speaker 1: It's just fun. Yeah, it's it's They were like, well,

785
00:42:49,480 --> 00:42:51,360
Speaker 1: it's like it's like yacht rock, and I was like

786
00:42:51,360 --> 00:42:53,719
Speaker 1: I don't understand, Like what was so what is that?

787
00:42:54,920 --> 00:42:56,759
Speaker 1: But also I used to wish that they, you know

788
00:42:56,840 --> 00:42:58,800
Speaker 1: how on American Idol they would do like theme weeks.

789
00:42:59,160 --> 00:43:00,880
Speaker 1: I was like, what are they going to do? Jimmy Buffett.

790
00:43:02,040 --> 00:43:05,239
Speaker 1: I wanted to hear like someone cover Finns fins and

791
00:43:05,440 --> 00:43:07,520
Speaker 1: iconic song, what's your favorite dream of its song? I

792
00:43:07,560 --> 00:43:10,560
Speaker 1: would say that my favorite depending on my mood. Really

793
00:43:10,600 --> 00:43:14,120
Speaker 1: depends on the mood. I'm gonna Sayeeseburger Paris is a

794
00:43:14,120 --> 00:43:16,560
Speaker 1: class classic, but that's also like you know, I know

795
00:43:16,640 --> 00:43:19,680
Speaker 1: it's not. I think Monday is maybe his best written song.

796
00:43:20,680 --> 00:43:22,279
Speaker 1: I think it has the most emotion in it, but

797
00:43:22,440 --> 00:43:25,680
Speaker 1: I do I think Finn's slaps and I also think

798
00:43:26,120 --> 00:43:31,759
Speaker 1: I also think Volcano is good and I love um Oh,

799
00:43:31,920 --> 00:43:42,799
Speaker 1: I don't love pencil than mustache, but it's iconic. I mean,

800
00:43:42,840 --> 00:43:45,840
Speaker 1: I'm telling you. And then, but you know his album

801
00:43:45,920 --> 00:43:47,880
Speaker 1: songs you know by heart? Yeah, obviously obviously I know

802
00:43:47,960 --> 00:43:51,920
Speaker 1: that my heart. Yes, but it's called that because none

803
00:43:51,960 --> 00:43:53,920
Speaker 1: of them were like singles or anything, but they are

804
00:43:54,120 --> 00:43:56,440
Speaker 1: like so in the fandom that that you truly know

805
00:43:56,560 --> 00:43:58,560
Speaker 1: them all by heart, and that whole album I could

806
00:43:58,600 --> 00:44:02,719
Speaker 1: play back to front like and also there's something I

807
00:44:02,760 --> 00:44:05,360
Speaker 1: have had a day dream like, I'm gonna so for

808
00:44:05,480 --> 00:44:15,239
Speaker 1: me boat drinks laugh to talk about changes and attitude.

809
00:44:15,440 --> 00:44:23,080
Speaker 1: Nothing son of a son of a sailor is there's

810
00:44:23,120 --> 00:44:26,799
Speaker 1: a woman that comes in for the like, that woman

811
00:44:26,880 --> 00:44:34,680
Speaker 1: is iconic. Dad, it's do you know what I referenced

812
00:44:34,680 --> 00:44:36,080
Speaker 1: before word me and no one knew what I was

813
00:44:36,120 --> 00:44:40,799
Speaker 1: talking about. He went to Paris looking for answers to questions.

814
00:44:43,280 --> 00:44:45,880
Speaker 1: And also, that's such a sad, beautiful song. Okay, wait,

815
00:44:45,920 --> 00:44:50,719
Speaker 1: so did you see Beach Bum No Jimmy Buffets in it?

816
00:44:51,520 --> 00:44:57,000
Speaker 1: And yeah, so Harmony cren is like my favorite director.

817
00:44:57,400 --> 00:45:00,600
Speaker 1: It's not my favorite of his movies. I think that

818
00:45:01,040 --> 00:45:04,080
Speaker 1: there are some moments in it that are so worth

819
00:45:04,239 --> 00:45:08,080
Speaker 1: seeing it. And one of them is he has Jimmy

820
00:45:08,120 --> 00:45:11,000
Speaker 1: Buffett and Snoop Dogg in a scene and they're singing

821
00:45:11,000 --> 00:45:14,759
Speaker 1: a song together, and I will say it is one

822
00:45:14,800 --> 00:45:17,200
Speaker 1: of the I I met him when I was doing

823
00:45:17,239 --> 00:45:21,560
Speaker 1: this vice show Harmony Harmony, and I told him, I

824
00:45:21,640 --> 00:45:23,360
Speaker 1: was like, I gotta say to you, like, thank you

825
00:45:23,480 --> 00:45:26,200
Speaker 1: so much because you gave us what I would consider

826
00:45:26,239 --> 00:45:29,160
Speaker 1: the greatest Jimmy Bufett song ever written. And it's called

827
00:45:29,239 --> 00:45:34,000
Speaker 1: Moonfog and it's like written from I Don't written before

828
00:45:34,160 --> 00:45:37,480
Speaker 1: the movie, and it's like it's it's really even if

829
00:45:37,520 --> 00:45:40,480
Speaker 1: you listen, you can hear Snoop like on the like

830
00:45:40,600 --> 00:45:43,239
Speaker 1: in the background. He's not like singing on the track,

831
00:45:43,320 --> 00:45:45,200
Speaker 1: but you can hear him and I and it was great.

832
00:45:45,239 --> 00:45:47,520
Speaker 1: I gotta say, this is actually beautiful. And Sandy came

833
00:45:47,560 --> 00:45:49,560
Speaker 1: in today being like, I don't know that much about culture,

834
00:45:49,760 --> 00:45:53,440
Speaker 1: are you kidding? But this is so It's so my

835
00:45:53,600 --> 00:45:56,200
Speaker 1: culture is son of a son of a sailor is

836
00:45:56,280 --> 00:45:58,839
Speaker 1: truly biful. And as I've gotten older, like I guess

837
00:45:58,880 --> 00:46:00,600
Speaker 1: when I was little, I liked the up temple stuff

838
00:46:00,600 --> 00:46:04,560
Speaker 1: like obviously Margaritaville is like his iconic song, truly talk

839
00:46:04,600 --> 00:46:09,120
Speaker 1: about a genius global brand. Yes, did you read that

840
00:46:09,520 --> 00:46:12,120
Speaker 1: New York Times profile on him? That was when the

841
00:46:12,160 --> 00:46:15,160
Speaker 1: Margaritaville play came out, and it was basically just about

842
00:46:15,239 --> 00:46:20,440
Speaker 1: how he is this like business mogul who owns I

843
00:46:20,480 --> 00:46:23,800
Speaker 1: mean truly, he owns so many franchises and the like

844
00:46:24,040 --> 00:46:27,560
Speaker 1: island lifestyle is so far from what he is now

845
00:46:28,480 --> 00:46:34,120
Speaker 1: like he yeah, it's but I will say, and this

846
00:46:34,239 --> 00:46:37,200
Speaker 1: is just me speaking as this complete outsider, someone who

847
00:46:37,360 --> 00:46:39,600
Speaker 1: I mean is not a parrot head, like, does not

848
00:46:39,760 --> 00:46:41,719
Speaker 1: really connect to in the same way that you guys are.

849
00:46:42,160 --> 00:46:44,560
Speaker 1: But I think it is beautiful. The thing about Jimmy

850
00:46:44,560 --> 00:46:46,919
Speaker 1: Bvitt is I think he did. It's a how people

851
00:46:46,960 --> 00:46:48,520
Speaker 1: are talking about K pop now where they're like, it's

852
00:46:48,520 --> 00:46:51,439
Speaker 1: a new invention in music. I don't necessarily think that's true,

853
00:46:51,680 --> 00:46:55,080
Speaker 1: but I think with Jimmy, with Jimmy Buffett, I think

854
00:46:55,120 --> 00:46:57,920
Speaker 1: it's beyond yacht rock, even where it's like it's not

855
00:46:58,280 --> 00:47:00,640
Speaker 1: it's not yat rock, but he invents it's it's a

856
00:47:00,760 --> 00:47:03,560
Speaker 1: newish invention in rock music. I mean, it was just

857
00:47:03,680 --> 00:47:06,200
Speaker 1: it's just like a brand. It's truly, it's like a

858
00:47:06,320 --> 00:47:09,920
Speaker 1: story you can opt into. It's like it's like I'm Island,

859
00:47:10,320 --> 00:47:14,520
Speaker 1: but it's singular. No one else has really come close

860
00:47:14,600 --> 00:47:20,680
Speaker 1: to like mimicking that specifically, I think caters to people

861
00:47:20,760 --> 00:47:24,359
Speaker 1: like my father, who was a working class person who

862
00:47:24,600 --> 00:47:27,799
Speaker 1: worked hard at his job and wanted an escape. Yes,

863
00:47:28,000 --> 00:47:31,640
Speaker 1: and so it literally is a state of mind that

864
00:47:31,840 --> 00:47:34,800
Speaker 1: is musicalized and that is like and it can be

865
00:47:34,880 --> 00:47:38,000
Speaker 1: mass produced and mass distributed and everyone can listen. Truly

866
00:47:38,239 --> 00:47:40,680
Speaker 1: genius because you can actually write real songs, or you

867
00:47:40,719 --> 00:47:43,719
Speaker 1: can write full last joke songs like what don't we

868
00:47:44,080 --> 00:47:47,920
Speaker 1: get drunk and screwed? Class like that one always made

869
00:47:47,920 --> 00:47:53,000
Speaker 1: me uncomfortable. I mean my mom would skip it. We listen,

870
00:47:53,680 --> 00:48:00,279
Speaker 1: and my mom was not this one made me uncomfortable. Yeah, sort,

871
00:48:01,600 --> 00:48:03,960
Speaker 1: but he also was like he's like a full novelist,

872
00:48:04,200 --> 00:48:07,400
Speaker 1: like he's like he's good at what he does. And

873
00:48:07,880 --> 00:48:10,640
Speaker 1: so you're right, no one's really tried to just do

874
00:48:10,920 --> 00:48:14,680
Speaker 1: brand first. Yeah. Well, actually you could say that Lady

875
00:48:14,719 --> 00:48:17,600
Speaker 1: Gaga with joe Anne kind of did that you know

876
00:48:17,800 --> 00:48:23,000
Speaker 1: where restaurant? Right, where have you been to the restaurant? No, no, Marville,

877
00:48:23,000 --> 00:48:25,759
Speaker 1: I'll always hit one of we've We've been to Joey

878
00:48:25,800 --> 00:48:30,719
Speaker 1: and Tratoria. Oh no, no, no, you're talking about I

879
00:48:30,840 --> 00:48:35,160
Speaker 1: was talking about Margaritaville and I've taken you to Margaritaville,

880
00:48:35,200 --> 00:48:38,760
Speaker 1: but like, who I have not been to margin Sandy's

881
00:48:39,880 --> 00:48:42,280
Speaker 1: really wish they would open one. You know, it's crazy.

882
00:48:42,360 --> 00:48:44,840
Speaker 1: They have Bubba Gompoy can did you do Margarita? But

883
00:48:45,000 --> 00:48:48,640
Speaker 1: we whenever we go to Orlando, this is insane. We

884
00:48:48,840 --> 00:48:50,680
Speaker 1: always I always make a point like we have to

885
00:48:50,719 --> 00:48:53,160
Speaker 1: go to Margaritaville because you go to the Margaritaville restaurant

886
00:48:53,280 --> 00:48:55,560
Speaker 1: and the whole gag of it is you go when

887
00:48:55,600 --> 00:48:59,919
Speaker 1: you said at the bar and the the like huge pitch.

888
00:49:00,040 --> 00:49:03,040
Speaker 1: Sure that's on top of the volcano fills up, and

889
00:49:03,120 --> 00:49:04,680
Speaker 1: then the whole lights in the restaurant go in and

890
00:49:04,760 --> 00:49:09,200
Speaker 1: out like and the picture tips over because the volcano

891
00:49:09,280 --> 00:49:13,040
Speaker 1: is blowing right and down the waterfall is the margharita

892
00:49:13,400 --> 00:49:16,120
Speaker 1: and it fills up a huge blender and then like

893
00:49:16,480 --> 00:49:19,040
Speaker 1: that is to show that they've they've like the margharita

894
00:49:19,080 --> 00:49:21,040
Speaker 1: has exploded from the volcano. Ever you can all drink

895
00:49:23,440 --> 00:49:26,320
Speaker 1: and then you know what song plays and I don't know,

896
00:49:27,040 --> 00:49:32,640
Speaker 1: I'm not gonna r and then you know what I

897
00:49:32,719 --> 00:49:40,320
Speaker 1: love the coral reefers by the steel drum is employed

898
00:49:40,560 --> 00:49:43,399
Speaker 1: so well, and you eat your cheeseburger in Paradise. I've

899
00:49:43,480 --> 00:49:48,560
Speaker 1: never I've never been. You gotta go right there in front. No,

900
00:49:48,680 --> 00:49:52,880
Speaker 1: there's like, well, they're all. There's one in the you

901
00:49:52,920 --> 00:49:55,239
Speaker 1: know what. I almost had this one here because I

902
00:49:55,320 --> 00:49:57,120
Speaker 1: genuinely don't know where I am. There's one in l

903
00:49:57,200 --> 00:50:01,080
Speaker 1: A at the City Walk obviously the Universal Study. So

904
00:50:01,160 --> 00:50:03,759
Speaker 1: I'll go there, So we'll go there when you when

905
00:50:03,800 --> 00:50:06,080
Speaker 1: you come out when we cross over, you will go.

906
00:50:06,640 --> 00:50:10,439
Speaker 1: And then there's also one in Orlando. There's one in Yes,

907
00:50:11,160 --> 00:50:14,040
Speaker 1: there's one in um probably you know the keys and

908
00:50:14,280 --> 00:50:18,800
Speaker 1: in any like Island, Virginia Beach, all that stuff. Shot.

909
00:50:18,880 --> 00:50:21,040
Speaker 1: They don't have one in New York because it wouldn't not.

910
00:50:21,640 --> 00:50:25,160
Speaker 1: I mean, it's like we're on an island. I'm hello, Hello.

911
00:50:25,320 --> 00:50:28,880
Speaker 1: Actually we're in Brooklyn, right is that is Brooklyn? Brooklyn

912
00:50:28,960 --> 00:50:32,120
Speaker 1: is part of the Long Island. So there's got to

913
00:50:32,160 --> 00:50:34,919
Speaker 1: be some other musician out there who has all this brand.

914
00:50:34,960 --> 00:50:37,080
Speaker 1: I mean, we're missing someone. But like a musician, a

915
00:50:37,160 --> 00:50:39,439
Speaker 1: musician with a restaurant is like a truly music who's

916
00:50:39,440 --> 00:50:42,440
Speaker 1: a musician with Toby Keith? Toby Keith has I Love

917
00:50:42,520 --> 00:50:44,399
Speaker 1: This Bar and Grill? So he had a song called

918
00:50:44,480 --> 00:50:51,520
Speaker 1: Helve this Bar Smack con Place, and then now there's

919
00:50:51,560 --> 00:50:53,160
Speaker 1: an I Love This Bar and Grill And I went

920
00:50:53,239 --> 00:50:55,400
Speaker 1: there when we were on a Story Parts trip one

921
00:50:55,440 --> 00:51:00,200
Speaker 1: time and I went there. Josh Leigh did he really is?

922
00:51:00,440 --> 00:51:05,960
Speaker 1: He was wonderful. He was he is such good energy,

923
00:51:06,080 --> 00:51:09,400
Speaker 1: so cute. So he was truly one of the only

924
00:51:09,560 --> 00:51:15,800
Speaker 1: people there that was like positive. Everybody else was miserable

925
00:51:15,840 --> 00:51:18,279
Speaker 1: to be there. And he came in every day with

926
00:51:18,400 --> 00:51:22,879
Speaker 1: great energy and he was always having fun. Who wow,

927
00:51:23,080 --> 00:51:25,400
Speaker 1: that's who he is. He is such good energy. And

928
00:51:25,440 --> 00:51:27,560
Speaker 1: I remember this is how you know I was like

929
00:51:27,640 --> 00:51:29,719
Speaker 1: a young I think this is about five years ago.

930
00:51:29,760 --> 00:51:32,279
Speaker 1: He became friends with him, but I remember we were

931
00:51:32,320 --> 00:51:34,080
Speaker 1: on this trip and we went to Toby Keats I

932
00:51:34,160 --> 00:51:36,240
Speaker 1: love this bar and girl, and he was so excited

933
00:51:36,600 --> 00:51:37,960
Speaker 1: and I was like excited to because I kind of

934
00:51:38,000 --> 00:51:41,040
Speaker 1: like hundream music. Um. And he ordered a whiskey on

935
00:51:41,080 --> 00:51:45,800
Speaker 1: the rocks and so I ordered on the rock Wow,

936
00:51:46,000 --> 00:51:51,320
Speaker 1: and we and we hide ourselves. I kind of do

937
00:51:51,480 --> 00:51:54,320
Speaker 1: that with anyone because I don't really know like drinks

938
00:51:54,360 --> 00:51:57,680
Speaker 1: at all. I don't have a drink. Is that sad?

939
00:51:58,000 --> 00:52:01,520
Speaker 1: It's not sad? My mind is I've changed? What is

940
00:52:01,560 --> 00:52:05,120
Speaker 1: your do I do martinis now? Because literally of a

941
00:52:05,200 --> 00:52:07,800
Speaker 1: photo that sandy phonic? Wait? That really? Yes? I like

942
00:52:08,320 --> 00:52:10,160
Speaker 1: you gave me my drink. I was like, I look

943
00:52:10,280 --> 00:52:13,000
Speaker 1: good holding this. Yeah you did. I'm gonna I'm gonna

944
00:52:13,040 --> 00:52:15,440
Speaker 1: that's an iconic picture of you and I'm going to

945
00:52:15,680 --> 00:52:17,440
Speaker 1: order this for the listener. I took the photo of

946
00:52:17,520 --> 00:52:21,360
Speaker 1: Bowen with the martini and as of this recording date April,

947
00:52:21,840 --> 00:52:23,799
Speaker 1: she's still not No. I actually just got the check.

948
00:52:24,480 --> 00:52:27,400
Speaker 1: Just got the check, never mind, just got off. I

949
00:52:27,600 --> 00:52:30,200
Speaker 1: was I was in I was out of town and

950
00:52:30,320 --> 00:52:31,840
Speaker 1: I was like, really, piste off again, being like he

951
00:52:31,960 --> 00:52:34,280
Speaker 1: pleasely still haven't pay me. This is for out magazine,

952
00:52:34,560 --> 00:52:37,440
Speaker 1: and so I just want to call you out, okay.

953
00:52:37,480 --> 00:52:40,640
Speaker 1: And I was about to like like pop off again,

954
00:52:41,040 --> 00:52:43,120
Speaker 1: and then I was like, oh wait. And then I

955
00:52:43,160 --> 00:52:45,839
Speaker 1: got home and I had the check and okay, when

956
00:52:45,880 --> 00:52:48,080
Speaker 1: the check come in, when the check out, when the

957
00:52:48,200 --> 00:52:55,719
Speaker 1: check comes, when the check come in. Hello, when the

958
00:52:55,880 --> 00:52:59,960
Speaker 1: check comes. Now, that's a beautiful song you can say

959
00:53:00,480 --> 00:53:02,520
Speaker 1: when you get a shot that I can say, Um

960
00:53:02,719 --> 00:53:07,319
Speaker 1: that Matt wrote Really, I love it. I'm musical. He's

961
00:53:07,400 --> 00:53:10,120
Speaker 1: very musical. Did to the rest of the team get paid? Um?

962
00:53:10,360 --> 00:53:12,719
Speaker 1: I know that I have to check in with my assistant.

963
00:53:12,800 --> 00:53:16,160
Speaker 1: I know that the set got to get paid. Okay

964
00:53:17,160 --> 00:53:20,080
Speaker 1: this sentence, I have to check in with my assistant.

965
00:53:20,680 --> 00:53:26,920
Speaker 1: It sandy. It's only the Buffets and the Wells. He

966
00:53:27,080 --> 00:53:29,400
Speaker 1: was just my assistant for that shoot. I don't have

967
00:53:29,440 --> 00:53:33,359
Speaker 1: a system, please. I bet Jimmy Buffett has a whole

968
00:53:33,360 --> 00:53:35,200
Speaker 1: fleet of the system. Oh, he's got a bunch of

969
00:53:35,320 --> 00:53:40,359
Speaker 1: like little girls in bikinis. I'm sure. Honestly, we had

970
00:53:40,400 --> 00:53:42,080
Speaker 1: a room in our house. This will be the last

971
00:53:42,080 --> 00:53:44,239
Speaker 1: thing I say, but it's important. I say that, I

972
00:53:44,360 --> 00:53:47,480
Speaker 1: think you will understand, okay, but no one understood. Whenever

973
00:53:47,560 --> 00:53:50,080
Speaker 1: I wouldn't invite anyone over to my house in high school,

974
00:53:50,320 --> 00:53:51,480
Speaker 1: I had to. I was like, you have to come

975
00:53:51,520 --> 00:53:54,520
Speaker 1: see the room. But it was a whole. There was

976
00:53:54,600 --> 00:54:00,439
Speaker 1: an entire like room in my house which was verd

977
00:54:01,000 --> 00:54:07,560
Speaker 1: in parrots, parrot paraphernalia, photos of beaches and Jimmy Buffett paraphernalia,

978
00:54:07,880 --> 00:54:10,120
Speaker 1: like you know, the whole and it just crossed over

979
00:54:10,200 --> 00:54:14,879
Speaker 1: to Kenny Chest problems. You've seen it. It took over

980
00:54:14,960 --> 00:54:17,480
Speaker 1: an entire room. The entire back then of my house

981
00:54:17,600 --> 00:54:20,879
Speaker 1: was Jimmy Buffett feed where's that stuff? Now? I don't wait?

982
00:54:20,920 --> 00:54:23,360
Speaker 1: So when you do your seventy three questions video, you

983
00:54:23,480 --> 00:54:25,040
Speaker 1: have to do it there and then be like, do

984
00:54:25,080 --> 00:54:28,279
Speaker 1: you want to see where the magic happens? And you

985
00:54:28,360 --> 00:54:31,320
Speaker 1: think I'm going to my gorgeous looks better with satin sheets,

986
00:54:31,320 --> 00:54:33,800
Speaker 1: and it's the buffet room. Yeah, the buffet room. My

987
00:54:33,920 --> 00:54:36,839
Speaker 1: mom didn't have that. She just had it all over

988
00:54:37,040 --> 00:54:41,840
Speaker 1: every room. My mom's dashboard um and her car was

989
00:54:41,960 --> 00:54:45,279
Speaker 1: like to like parrots in a little barrel, like my

990
00:54:45,360 --> 00:54:50,239
Speaker 1: mom is beach, true, My mom is true beach. But yeah,

991
00:54:50,280 --> 00:54:53,000
Speaker 1: the famous beach with her entire life. She's from Manhattan,

992
00:54:54,200 --> 00:54:58,120
Speaker 1: but she's an escape but she like ran away to

993
00:54:58,239 --> 00:55:01,880
Speaker 1: Barbados and like it's just like surf girl. And she

994
00:55:02,040 --> 00:55:06,279
Speaker 1: lives on Fire Island. Wow. And then in the winter

995
00:55:06,520 --> 00:55:09,280
Speaker 1: she's in Brooklyn with her boyfriend or in Costa Rica. Wow.

996
00:55:10,360 --> 00:55:13,640
Speaker 1: And she's a doctor so she does like, uh, you,

997
00:55:14,239 --> 00:55:16,800
Speaker 1: it's like a new thing telemedicine where you can basically

998
00:55:16,880 --> 00:55:19,360
Speaker 1: just like video chat with a doctor. So she just

999
00:55:19,400 --> 00:55:25,000
Speaker 1: can do that from wherever that is. Imagine a cheap doctor.

1000
00:55:25,239 --> 00:55:27,800
Speaker 1: It sounds like that's like an actualized lifestyle, you know

1001
00:55:27,840 --> 00:55:30,640
Speaker 1: what I mean, like fully achieving, Like you are fulfilling

1002
00:55:30,800 --> 00:55:33,719
Speaker 1: all of your needs, your own personal needs, all of them.

1003
00:55:33,800 --> 00:55:36,440
Speaker 1: All the boxes are being checked. Okay, here's a question.

1004
00:55:37,040 --> 00:55:39,400
Speaker 1: If you are to step into the reality of what

1005
00:55:39,640 --> 00:55:43,520
Speaker 1: you really if you're to get that actualized lifestyle, where

1006
00:55:43,600 --> 00:55:46,839
Speaker 1: are you? What are you doing? What's your schedule? Oh

1007
00:55:46,920 --> 00:55:49,919
Speaker 1: my god, I can go first? Yeah, you go first.

1008
00:55:49,960 --> 00:55:53,560
Speaker 1: That's a lot. That's a big, heavy question. I own

1009
00:55:53,640 --> 00:55:59,960
Speaker 1: my own theme park. His arms, by the way, arms

1010
00:56:00,200 --> 00:56:04,160
Speaker 1: out so strong, very strong. It looks strong. You look

1011
00:56:04,239 --> 00:56:06,879
Speaker 1: very strong. Come on, I think that's been working out.

1012
00:56:07,040 --> 00:56:08,640
Speaker 1: Your arms are very strong. When your arm, when the

1013
00:56:08,760 --> 00:56:10,960
Speaker 1: arms come out, when the arm come out, Wow, that's

1014
00:56:12,440 --> 00:56:16,879
Speaker 1: that's huge for me, someone struggling physically in the gay community. Okay, well,

1015
00:56:17,000 --> 00:56:19,919
Speaker 1: you know, out of here, I have my own theme park.

1016
00:56:21,480 --> 00:56:25,320
Speaker 1: But but it's somewhere. It's somewhere where I can work it.

1017
00:56:28,400 --> 00:56:38,000
Speaker 1: In fact, it's in Bakersfield, Bakersfield. I don't know Bakersfield.

1018
00:56:38,480 --> 00:56:40,200
Speaker 1: I haven't thought about this enough. You know what, Let's

1019
00:56:40,239 --> 00:56:41,880
Speaker 1: just go for it. I have my own island, right

1020
00:56:42,560 --> 00:56:44,440
Speaker 1: the theme parks on the island. The industry comes to me.

1021
00:56:44,640 --> 00:56:47,800
Speaker 1: It's a huge film studio, rivals Disney and universally. So

1022
00:56:47,920 --> 00:56:51,160
Speaker 1: what we're doing is we're having Rogers. It's called Roger's Land.

1023
00:56:51,440 --> 00:56:53,000
Speaker 1: We've talked about this on the pod. Here are some

1024
00:56:53,160 --> 00:56:56,719
Speaker 1: rides that are included in Roger's Leah Remedi's Escape from Scientology.

1025
00:56:56,760 --> 00:57:01,279
Speaker 1: The ride Animatronic Jay rides the car. Jlo drives the

1026
00:57:01,320 --> 00:57:04,759
Speaker 1: car and you're riding. There's a theme park called the

1027
00:57:04,800 --> 00:57:06,799
Speaker 1: Mountain Boone Experience. I mean, there are little coaster called

1028
00:57:06,840 --> 00:57:11,080
Speaker 1: the Manta Coaster. There's many ups and downs. Ultimately you

1029
00:57:11,200 --> 00:57:14,120
Speaker 1: end up together right parked in the right park in

1030
00:57:14,200 --> 00:57:19,520
Speaker 1: the station two Best Friend coasters. There is a I

1031
00:57:19,560 --> 00:57:24,640
Speaker 1: think the drop tower called the Gay Experience. It shoots

1032
00:57:24,720 --> 00:57:27,000
Speaker 1: up and down and to and fro actually to like

1033
00:57:27,040 --> 00:57:30,960
Speaker 1: a Wonka vater. Yeah. Downside there's a Hans House into

1034
00:57:31,000 --> 00:57:37,200
Speaker 1: big Little Wanka Wanka Willie something that like Micke is

1035
00:57:37,240 --> 00:57:46,920
Speaker 1: Mickey Minaj ever talk about color Wanka Yeahka, but it

1036
00:57:46,960 --> 00:57:50,680
Speaker 1: should be Willy Wonka. We're that bad bitch that came

1037
00:57:50,720 --> 00:57:53,920
Speaker 1: from Sri Lanka, A bad bitch that came from Willie Wanka.

1038
00:57:54,720 --> 00:57:59,360
Speaker 1: Where is the Willie Wanka rap community? What trapped inside?

1039
00:58:00,080 --> 00:58:02,280
Speaker 1: Where they are? They're trapped inside Wonka Tower because there

1040
00:58:03,200 --> 00:58:06,640
Speaker 1: in the Chocolate River. Yes, rowing they're they're going up

1041
00:58:06,640 --> 00:58:08,680
Speaker 1: the tube on their way to what was the where

1042
00:58:08,720 --> 00:58:15,240
Speaker 1: do they send him to the furnace? Terrifying? Yeah, those children.

1043
00:58:15,720 --> 00:58:17,880
Speaker 1: I was just talking about this with someone. Um. I

1044
00:58:18,000 --> 00:58:21,520
Speaker 1: feel like it's given enough clues that like they're like, oh,

1045
00:58:21,840 --> 00:58:24,400
Speaker 1: she gots into the furnace, but like sometimes they don't

1046
00:58:24,720 --> 00:58:26,800
Speaker 1: do the furnace on this day. If you get there

1047
00:58:26,840 --> 00:58:29,080
Speaker 1: fast enough where it's like they're not telling you they died,

1048
00:58:29,080 --> 00:58:34,960
Speaker 1: They're like giving you enough out, but like they they

1049
00:58:35,040 --> 00:58:38,560
Speaker 1: did the way they leave it is like the one

1050
00:58:38,640 --> 00:58:43,400
Speaker 1: kid is shrunk Dan, the one kids a giant ball,

1051
00:58:43,880 --> 00:58:48,600
Speaker 1: the one girls she gets juiced. Yeah, just straight up

1052
00:58:48,680 --> 00:58:52,440
Speaker 1: plummets down furnace, Yes to the furnace, And the other

1053
00:58:52,520 --> 00:58:56,560
Speaker 1: one is like drowns August to school. They got towns

1054
00:58:56,560 --> 00:58:58,200
Speaker 1: in the tropic No, no, no, he got sent to

1055
00:58:58,240 --> 00:59:00,720
Speaker 1: the marshmallow room or something and they turn them into

1056
00:59:00,760 --> 00:59:04,480
Speaker 1: a marshmallow. But then they're like maybe not. The thing

1057
00:59:04,600 --> 00:59:05,760
Speaker 1: is that you just run away with the mom and

1058
00:59:05,760 --> 00:59:08,840
Speaker 1: they're like, let's go check. You're sure it's fine. It's

1059
00:59:08,840 --> 00:59:16,480
Speaker 1: really fine. Physiological trauma, you're changing busy, lifting drinks, listing trauma.

1060
00:59:18,680 --> 00:59:22,600
Speaker 1: And then he's inherited, and then it's inherited. Wait, okay, wait,

1061
00:59:22,720 --> 00:59:25,560
Speaker 1: keep doing this. Okay. The rides no, no, no, the

1062
00:59:26,760 --> 00:59:28,880
Speaker 1: and that's you know, you know my deal. So that's

1063
00:59:28,920 --> 00:59:31,360
Speaker 1: my deal. I think there should be a three three

1064
00:59:31,400 --> 00:59:38,120
Speaker 1: busy DeBras coaster, three three busy Deboras and honestly three tracks.

1065
00:59:38,360 --> 00:59:42,600
Speaker 1: It never comes down, it only goes out. Oh because

1066
00:59:43,240 --> 00:59:44,880
Speaker 1: a couple of years where you don't hear from them,

1067
00:59:45,880 --> 00:59:47,439
Speaker 1: like like it kind of goes up and you don't

1068
00:59:47,480 --> 00:59:49,200
Speaker 1: hear from them for like a y and they're like

1069
00:59:49,400 --> 00:59:51,160
Speaker 1: and they're like, wasn't that a ride? And then and

1070
00:59:51,200 --> 00:59:56,520
Speaker 1: then it comes down and you're like, oh yeah. Everyone

1071
00:59:56,640 --> 00:59:59,240
Speaker 1: is always just like what happened? What happened? And I'm like,

1072
00:59:59,280 --> 01:00:01,680
Speaker 1: where what happened to? We're writing a show. We're writing,

1073
01:00:02,560 --> 01:00:07,640
Speaker 1: We're writing writing, That's what's happening. Development is hard development.

1074
01:00:09,840 --> 01:00:16,040
Speaker 1: People love to be in development. Hell's in Orlando. If

1075
01:00:16,040 --> 01:00:21,080
Speaker 1: I'm not in our development, Hell, yeah, that's beautiful. Can

1076
01:00:21,160 --> 01:00:22,920
Speaker 1: do you guys have this? I think I have a

1077
01:00:23,680 --> 01:00:27,840
Speaker 1: quick It's a lot of pressure. Schematic version is give it. Um.

1078
01:00:30,080 --> 01:00:32,120
Speaker 1: It's a Natalie apartment lifestyle where I'm married to like

1079
01:00:32,240 --> 01:00:36,040
Speaker 1: basically like a ballerino and I live in Paris. Wow

1080
01:00:36,600 --> 01:00:39,880
Speaker 1: that and and then I decided to poke my head

1081
01:00:39,920 --> 01:00:44,040
Speaker 1: back in the industry, the comedy industry. Are you a

1082
01:00:44,080 --> 01:00:48,280
Speaker 1: comedian at this point? Comedy? I think I'm a comedian still, um,

1083
01:00:48,560 --> 01:00:52,600
Speaker 1: but all my references are very disgusting European like a

1084
01:00:52,720 --> 01:00:55,320
Speaker 1: like a David Sadari's type exactly, like where it's like

1085
01:00:55,480 --> 01:00:58,720
Speaker 1: I'm funny, but I live in like the hills of France. Okay,

1086
01:00:58,840 --> 01:01:00,360
Speaker 1: that thank you so much, because at first I was like,

1087
01:01:00,360 --> 01:01:03,959
Speaker 1: I guess's Stanley permanent. It's it's David Sadaris, And maybe

1088
01:01:04,000 --> 01:01:06,080
Speaker 1: I do just maybe I do just do like one

1089
01:01:07,440 --> 01:01:11,400
Speaker 1: one stage, one live show every two years, and then

1090
01:01:11,440 --> 01:01:16,560
Speaker 1: I just write books, maybe basically Sadaris type essays and

1091
01:01:17,040 --> 01:01:20,600
Speaker 1: memorish essays. I should say I love that for you, Yes,

1092
01:01:20,720 --> 01:01:24,680
Speaker 1: And okay, I should just clarify that my theme park

1093
01:01:24,840 --> 01:01:28,160
Speaker 1: is hilarious. Everything about it is so funny. The games

1094
01:01:28,160 --> 01:01:32,800
Speaker 1: are so clear. Okay, yeah, they spunchin set up punchline

1095
01:01:32,840 --> 01:01:36,280
Speaker 1: that's really in fact broad. You can't even get in

1096
01:01:36,360 --> 01:01:39,760
Speaker 1: if you're not funny. You have to pass c before

1097
01:01:39,800 --> 01:01:41,760
Speaker 1: a while, passed using before a one in order to

1098
01:01:41,840 --> 01:01:47,800
Speaker 1: get actually actually the thin I started epons yeah, and

1099
01:01:48,000 --> 01:01:52,600
Speaker 1: pitched three as premises, pitch three death pieces, and I

1100
01:01:52,760 --> 01:01:58,040
Speaker 1: get and write write in fifty monologue jokes and I remember,

1101
01:01:58,080 --> 01:02:01,080
Speaker 1: got to check it out my park what is? And

1102
01:02:01,200 --> 01:02:02,360
Speaker 1: you have to do a bit with a person at

1103
01:02:02,640 --> 01:02:06,360
Speaker 1: the gate. They're like, we gotta keep running in, we

1104
01:02:06,400 --> 01:02:08,400
Speaker 1: gotta stop running into each other like this. And you're

1105
01:02:09,080 --> 01:02:12,280
Speaker 1: just seven minutes set in which you do fifteen different characters,

1106
01:02:15,840 --> 01:02:21,280
Speaker 1: which is great, blackout between each y. Okay, I feel

1107
01:02:21,320 --> 01:02:23,680
Speaker 1: like I feel like mine was World of be an

1108
01:02:23,680 --> 01:02:26,600
Speaker 1: Amy Sitter sort of world. I feel like I would

1109
01:02:26,640 --> 01:02:29,040
Speaker 1: live here. I would live in New York. I would

1110
01:02:29,080 --> 01:02:32,960
Speaker 1: have a place where I had a Okay, okay, this

1111
01:02:33,040 --> 01:02:37,800
Speaker 1: is dream dream, dream floors in which we have we

1112
01:02:37,920 --> 01:02:43,200
Speaker 1: have a photo studio, we have a like area where

1113
01:02:43,240 --> 01:02:47,040
Speaker 1: i can do my aerial silks because I'm addicted to

1114
01:02:47,120 --> 01:02:54,520
Speaker 1: the stuff, to climbing up the curtain. Um and um.

1115
01:02:55,000 --> 01:02:57,040
Speaker 1: We'd have you know, we just have it all in

1116
01:02:57,120 --> 01:03:00,480
Speaker 1: the home and never leave. Occasionally go to the bodega

1117
01:03:00,520 --> 01:03:05,680
Speaker 1: and be like I'll have a diet coke and and goldfish. Yeah,

1118
01:03:05,920 --> 01:03:09,800
Speaker 1: and also fourteen year old run. Yes. They will still

1119
01:03:09,840 --> 01:03:12,880
Speaker 1: intimidate me, truly, the girls on Fire Island or the

1120
01:03:12,960 --> 01:03:15,560
Speaker 1: most because I was just was like, I'm not blond.

1121
01:03:17,120 --> 01:03:21,560
Speaker 1: They were all blonde. They were all like thin, I

1122
01:03:21,600 --> 01:03:23,320
Speaker 1: don't know a thing, Like they were thin and their

1123
01:03:23,400 --> 01:03:28,000
Speaker 1: hair was thick and blonde. Athletic soccer girls throw it

1124
01:03:28,160 --> 01:03:30,600
Speaker 1: up there. Yeah, these were all my girlfriends in high school. Yeah,

1125
01:03:30,640 --> 01:03:34,920
Speaker 1: tied I sweatshirt, little shorts, oh, those slides and Nike

1126
01:03:35,040 --> 01:03:39,000
Speaker 1: slides with socks. Yes, and then like they're just like, yeah,

1127
01:03:39,000 --> 01:03:47,440
Speaker 1: you want to get pizza? Tara. That was Tara Sarah.

1128
01:03:48,320 --> 01:03:51,720
Speaker 1: That was the big adjustment was coming from um Connecticut

1129
01:03:51,760 --> 01:03:53,400
Speaker 1: to Long Island. I remember I had a friend named

1130
01:03:53,440 --> 01:03:56,120
Speaker 1: Tara and I would call her Tara, and my mom

1131
01:03:56,240 --> 01:04:04,200
Speaker 1: was like, they pronounced it tara. A truly shout out

1132
01:04:04,240 --> 01:04:06,480
Speaker 1: to all my friends from high school who did this job.

1133
01:04:07,000 --> 01:04:10,360
Speaker 1: They pronounce it as if you're going into a foreign country.

1134
01:04:11,800 --> 01:04:15,320
Speaker 1: It's a real culture number sixty six. They pronounce it tara.

1135
01:04:16,120 --> 01:04:18,520
Speaker 1: If goen here a very dewy thing. My grandpa once said,

1136
01:04:18,760 --> 01:04:21,640
Speaker 1: because he's from Brooklyn, and he asked my brother where

1137
01:04:21,760 --> 01:04:23,440
Speaker 1: he lives, and he said he lives on Myrtle and

1138
01:04:23,520 --> 01:04:25,920
Speaker 1: no Strand. And my my grandpa was like, you're pronouncing

1139
01:04:25,960 --> 01:04:34,960
Speaker 1: it wrong. It's pronounced mortal's fanning her hands up. Might wait.

1140
01:04:35,040 --> 01:04:36,440
Speaker 1: There was something that I was going to say when

1141
01:04:36,480 --> 01:04:40,240
Speaker 1: we were talking about Fiddler, uh when so you ustimately

1142
01:04:40,280 --> 01:04:44,560
Speaker 1: the translation. There was one thing that was very odd because, um,

1143
01:04:44,680 --> 01:04:47,960
Speaker 1: so there's that song where Tea is singing, you know,

1144
01:04:48,320 --> 01:04:51,080
Speaker 1: and and the lyrics are a little bird, little cavala,

1145
01:04:51,520 --> 01:04:56,360
Speaker 1: of course, and so the word for little bird is fagila,

1146
01:04:56,840 --> 01:05:00,840
Speaker 1: which is also the way you say yeah. So there

1147
01:05:00,920 --> 01:05:03,560
Speaker 1: it was just like this whole song of being like

1148
01:05:03,800 --> 01:05:06,640
Speaker 1: little fig and I just was saying, they're being like,

1149
01:05:06,800 --> 01:05:12,439
Speaker 1: oh for gay too, or yes, it's it's like it's

1150
01:05:12,680 --> 01:05:19,840
Speaker 1: it's dog under drog and it was just like a

1151
01:05:20,000 --> 01:05:23,680
Speaker 1: full number of little fig. I just was like, oh

1152
01:05:24,120 --> 01:05:27,280
Speaker 1: my god, my old man Tamber, you just gave your voice.

1153
01:05:29,880 --> 01:05:32,240
Speaker 1: Jake and I were like grabbing each other. Jake's my brother,

1154
01:05:32,520 --> 01:05:38,040
Speaker 1: you know. For the fans, that's very funny and and

1155
01:05:38,840 --> 01:05:46,880
Speaker 1: honestly funny. What nothing, Please more high junks. It's time

1156
01:05:46,880 --> 01:05:49,000
Speaker 1: for I don't think so, honey, and I don't think

1157
01:05:49,080 --> 01:05:51,320
Speaker 1: so honey. It's actually our one minute second where we

1158
01:05:51,400 --> 01:05:54,640
Speaker 1: take something in culture that doesn't sit well with us

1159
01:05:54,680 --> 01:05:57,000
Speaker 1: and we have one minute to rant on it. Okay,

1160
01:05:57,200 --> 01:06:01,240
Speaker 1: And here's the thing. I went ahead and got something.

1161
01:06:01,400 --> 01:06:04,120
Speaker 1: It's a pre select it. You might even say it's

1162
01:06:04,160 --> 01:06:06,360
Speaker 1: a pre select. This is Matt Rodgers. I don't think

1163
01:06:06,400 --> 01:06:09,040
Speaker 1: so honey, and his time starts now. I don't think

1164
01:06:09,120 --> 01:06:14,240
Speaker 1: so honey, Easter. It's fucking weird. First of all, he rose, Yeah,

1165
01:06:14,440 --> 01:06:16,880
Speaker 1: I don't think so honey. You all look the same.

1166
01:06:17,080 --> 01:06:19,720
Speaker 1: Y'all had long hair, and I'm assuming abs at the

1167
01:06:19,800 --> 01:06:24,479
Speaker 1: time he died ashes to ashes, dust to dust. Sorry, Christians. Okay. Also,

1168
01:06:24,520 --> 01:06:27,080
Speaker 1: I don't think so, honey um, the whole Easter bunny

1169
01:06:27,120 --> 01:06:31,040
Speaker 1: of it all? What it's a large rodent. Why are

1170
01:06:31,120 --> 01:06:34,560
Speaker 1: we allowing this to be Listen, if I see a rodent,

1171
01:06:34,760 --> 01:06:37,960
Speaker 1: it's going to get exterminated. Hamy, I don't think so

1172
01:06:39,080 --> 01:06:42,160
Speaker 1: hides eggs on kids. That's frustrating. I don't want to

1173
01:06:42,200 --> 01:06:43,960
Speaker 1: look for ship. I want to know where things are.

1174
01:06:44,440 --> 01:06:46,880
Speaker 1: So what's in the eggs? Coins? They should all be

1175
01:06:47,000 --> 01:06:49,840
Speaker 1: taken out of you as units of of not culture

1176
01:06:49,920 --> 01:06:52,720
Speaker 1: of currency. It's about dollars, honey, and that's actually real

1177
01:06:52,800 --> 01:06:56,680
Speaker 1: of culture. Here's the thing about ter um. What are

1178
01:06:56,720 --> 01:07:00,800
Speaker 1: we eating? Ham truly like non specific? At least we

1179
01:07:00,880 --> 01:07:04,240
Speaker 1: know Thanksgiving we're getting a specific feast, which is a

1180
01:07:04,320 --> 01:07:08,520
Speaker 1: Turkey feast. Honestly, Easter, you have nothing more like Easter.

1181
01:07:08,960 --> 01:07:15,480
Speaker 1: No one likes Easter, and of course no one likes you.

1182
01:07:15,720 --> 01:07:19,080
Speaker 1: It's actually culture number forty six. Easter more like Easter,

1183
01:07:20,480 --> 01:07:26,400
Speaker 1: like Easterday, no one likes you, bitch, more like Easterday. Easterday.

1184
01:07:26,640 --> 01:07:35,080
Speaker 1: So Easterday like a bird story flown away. Honestly, that work.

1185
01:07:35,520 --> 01:07:38,320
Speaker 1: I love being mad about him because it's non specific.

1186
01:07:40,600 --> 01:07:45,120
Speaker 1: It's non specific is that holiday where my parents are

1187
01:07:45,120 --> 01:07:47,440
Speaker 1: always like Happy Easter, and I'm like, oh, I forget

1188
01:07:47,480 --> 01:07:49,760
Speaker 1: that people care, you know what I mean. That's that one.

1189
01:07:50,920 --> 01:07:53,960
Speaker 1: It's when Jesus came back. It's when he made his

1190
01:07:54,120 --> 01:07:58,080
Speaker 1: big return, when he when he dropped his ep. Yeah,

1191
01:07:58,120 --> 01:08:00,840
Speaker 1: it's when he's had just kidding, bitch. The bitch is

1192
01:08:00,880 --> 01:08:04,000
Speaker 1: back and he came back for a literally like truly

1193
01:08:04,080 --> 01:08:06,440
Speaker 1: five seconds and then rose up. That's the thing that

1194
01:08:06,480 --> 01:08:08,160
Speaker 1: always gets me is that he showed up and then

1195
01:08:08,200 --> 01:08:14,480
Speaker 1: he left where it was literally, so he's resurrected, and

1196
01:08:14,600 --> 01:08:18,040
Speaker 1: everyone everyone fucking loses their minds and then he immediately

1197
01:08:18,320 --> 01:08:21,680
Speaker 1: pieces and wait then wait, I thought he came back

1198
01:08:21,720 --> 01:08:26,640
Speaker 1: and did more good stuff comes he comes back and

1199
01:08:26,720 --> 01:08:31,040
Speaker 1: he's like, hi, does he get killed? So he gets

1200
01:08:31,120 --> 01:08:34,439
Speaker 1: He famously was crucified, and then three days later he

1201
01:08:34,560 --> 01:08:37,240
Speaker 1: rose again. And basically what he does when he's risen

1202
01:08:37,400 --> 01:08:40,960
Speaker 1: is he says to everyone in being risen, like I

1203
01:08:41,200 --> 01:08:43,320
Speaker 1: was real and your belief in me was not in vain,

1204
01:08:43,439 --> 01:08:46,080
Speaker 1: and I forgive you for allowing me to die, and

1205
01:08:46,439 --> 01:08:49,240
Speaker 1: I forgive you. And the theme of of of my

1206
01:08:49,439 --> 01:08:52,920
Speaker 1: existence is you know, forgiveness and etcetera, and then rising,

1207
01:08:52,960 --> 01:08:54,560
Speaker 1: and he rises and he goes back and he's like,

1208
01:08:54,640 --> 01:08:56,639
Speaker 1: I am I am God, I am the Son of God.

1209
01:08:56,800 --> 01:08:59,760
Speaker 1: And by and then he goes to have him and

1210
01:09:00,120 --> 01:09:03,800
Speaker 1: and that makes that has actually has absolutely nothing to

1211
01:09:03,840 --> 01:09:07,840
Speaker 1: do with Easter eggs? Where do the eggs come in birth?

1212
01:09:08,000 --> 01:09:09,800
Speaker 1: I mean it's like, you know, oh, is that it?

1213
01:09:09,920 --> 01:09:11,760
Speaker 1: I think that's what it is. So what does the

1214
01:09:11,840 --> 01:09:15,400
Speaker 1: rabbit have to do with eggs? Um? What's the rabbit do?

1215
01:09:15,600 --> 01:09:17,280
Speaker 1: Rabbit to lay eggs? I think it's I think it's

1216
01:09:17,280 --> 01:09:18,600
Speaker 1: like I think it's I think the rabbit thing is

1217
01:09:18,600 --> 01:09:22,960
Speaker 1: actually like a fusion of pagan imagery. Like hardcore Christian

1218
01:09:23,000 --> 01:09:26,800
Speaker 1: people hate East hate um Easter activities like they hate

1219
01:09:26,800 --> 01:09:28,880
Speaker 1: the rabbit, they hate the eggs. So like that's the

1220
01:09:28,960 --> 01:09:31,960
Speaker 1: rabbit stuff is like pagan imagery mixed with like Christian imagery.

1221
01:09:32,120 --> 01:09:35,519
Speaker 1: That's what it is. Well, and with that, I don't

1222
01:09:35,520 --> 01:09:38,000
Speaker 1: think so honey and his time it starts now, I

1223
01:09:38,040 --> 01:09:40,400
Speaker 1: don't think so many responding to my dms with emojis.

1224
01:09:40,439 --> 01:09:42,680
Speaker 1: Don't dismiss me, bitch. I want to keep talking to you.

1225
01:09:43,000 --> 01:09:45,680
Speaker 1: You're gonna end the conversation. You can just end the

1226
01:09:45,720 --> 01:09:49,759
Speaker 1: conversation on a word honey, truly try it out, bitch,

1227
01:09:50,200 --> 01:09:53,559
Speaker 1: because you're rotting your brain by tapping back a fucking

1228
01:09:54,080 --> 01:09:56,120
Speaker 1: hard eyes emoji at me. And I don't know what

1229
01:09:56,200 --> 01:09:57,519
Speaker 1: that means. Do you want to have sex with me

1230
01:09:57,680 --> 01:10:01,599
Speaker 1: or not? This is this is not targeted. Don't unlike

1231
01:10:01,640 --> 01:10:06,880
Speaker 1: you to bail realizing this is not exclusive to sexual

1232
01:10:07,000 --> 01:10:10,000
Speaker 1: d ms, it's also exclusive. It's inclusive of all types

1233
01:10:10,000 --> 01:10:12,640
Speaker 1: of d ms. Emojis are dismissive, and I think we

1234
01:10:12,640 --> 01:10:16,320
Speaker 1: should all clock that and say, you know, don't, don't

1235
01:10:16,360 --> 01:10:18,840
Speaker 1: push me away. I respect your boundaries, but you can

1236
01:10:18,880 --> 01:10:21,200
Speaker 1: tell me that with words and not with imagery and

1237
01:10:21,280 --> 01:10:24,040
Speaker 1: glish invented by Japanese people that you were now you

1238
01:10:24,080 --> 01:10:31,040
Speaker 1: are now not appropriating. You are misappropriating, misappropriate, honey. I

1239
01:10:31,080 --> 01:10:34,240
Speaker 1: don't know what that means, but I stand by and look.

1240
01:10:34,520 --> 01:10:39,599
Speaker 1: Emojis emojis are only should only be used for tweets

1241
01:10:39,640 --> 01:10:43,160
Speaker 1: and texts, that's one not dms. How do you respond

1242
01:10:43,439 --> 01:10:46,320
Speaker 1: if if a random person responds to your story? That's

1243
01:10:46,360 --> 01:10:49,599
Speaker 1: what I'm saying. You don't respond? You do respond? See

1244
01:10:49,640 --> 01:10:51,920
Speaker 1: I feel bad if I don't respond. Of course you do,

1245
01:10:52,040 --> 01:10:54,800
Speaker 1: because it's rude. I saw the heart you do you

1246
01:10:54,880 --> 01:10:58,679
Speaker 1: double tap, or you send heart emojis, or I say

1247
01:10:58,720 --> 01:11:01,439
Speaker 1: ha ha, or I say you know, like yeah, if

1248
01:11:01,520 --> 01:11:03,719
Speaker 1: you like, if you if I double tap the message,

1249
01:11:03,800 --> 01:11:06,599
Speaker 1: I love that. That's perfect. If someone double taps my message,

1250
01:11:06,640 --> 01:11:09,360
Speaker 1: I'm like, great. They don't want this to dip into

1251
01:11:09,400 --> 01:11:13,440
Speaker 1: a full conversation. I can respect that. But the emojis

1252
01:11:13,479 --> 01:11:16,320
Speaker 1: are this weird liminal space where you are telling me

1253
01:11:16,400 --> 01:11:18,040
Speaker 1: you have a boundary. You don't want to keep going

1254
01:11:18,240 --> 01:11:20,599
Speaker 1: with words. I don't know if that's true. I think

1255
01:11:20,640 --> 01:11:23,240
Speaker 1: that's kind of the implicit understanding. See. I think it's

1256
01:11:23,280 --> 01:11:25,719
Speaker 1: interesting because it always has to end at some point.

1257
01:11:26,240 --> 01:11:30,080
Speaker 1: It does. Can you can be like I missed the

1258
01:11:30,160 --> 01:11:33,519
Speaker 1: days when you'd be like T T I L. I

1259
01:11:33,600 --> 01:11:35,920
Speaker 1: talked about this on se treatment. But because I talked

1260
01:11:35,920 --> 01:11:38,960
Speaker 1: a lot about sweeping the scene in improv, I would

1261
01:11:38,960 --> 01:11:41,040
Speaker 1: say sending an emoji is sweeping the scene. It is.

1262
01:11:41,600 --> 01:11:44,240
Speaker 1: That's okay, fine, all right, Well, maybe you just have

1263
01:11:44,280 --> 01:11:46,920
Speaker 1: to deal with the fact sometimes people just are done

1264
01:11:46,960 --> 01:11:53,080
Speaker 1: talking an improv expert. Yes, Sandy, that's my web series,

1265
01:11:53,520 --> 01:11:58,760
Speaker 1: look it up. Okay, So who's about to do one?

1266
01:11:59,120 --> 01:12:00,479
Speaker 1: I can't remember if I did this on a live

1267
01:12:00,520 --> 01:12:04,559
Speaker 1: show or not, but just improv Queen Sandy Jonah, Yeah,

1268
01:12:04,600 --> 01:12:11,240
Speaker 1: really good at improv. I don't think so, honey. Squatty potties, Okay,

1269
01:12:12,080 --> 01:12:15,639
Speaker 1: have the decency If I am coming over to your

1270
01:12:15,720 --> 01:12:18,760
Speaker 1: house and your squatty potty is still in the bathroom,

1271
01:12:19,080 --> 01:12:21,599
Speaker 1: I don't think so, honey. I don't want to see

1272
01:12:21,720 --> 01:12:26,400
Speaker 1: a white plastic geriatric thing in your bathroom that is

1273
01:12:26,439 --> 01:12:29,960
Speaker 1: covered in your piss pubes and it is like especially

1274
01:12:30,040 --> 01:12:33,280
Speaker 1: in a male household or you know, I don't want

1275
01:12:33,280 --> 01:12:35,960
Speaker 1: to say male, because that is you know, that is transsclusive.

1276
01:12:36,320 --> 01:12:38,920
Speaker 1: But you know, if you're at a home with Dix

1277
01:12:39,120 --> 01:12:40,840
Speaker 1: and you are pissing in a toilet and you have

1278
01:12:40,920 --> 01:12:43,000
Speaker 1: a squatty potty, you gotta put it away when you

1279
01:12:43,080 --> 01:12:46,320
Speaker 1: have guests. I don't know what to step on your piss. Also,

1280
01:12:46,439 --> 01:12:48,719
Speaker 1: what are you a baby? What are you a baby?

1281
01:12:48,840 --> 01:12:53,600
Speaker 1: And your geriatric what you can't you can't shift probiotic?

1282
01:12:53,760 --> 01:12:56,600
Speaker 1: Eat a band? I'm sorry? What do you need to

1283
01:12:56,640 --> 01:12:59,120
Speaker 1: put your ears? Your legs? Buy your ears for Okay,

1284
01:12:59,680 --> 01:13:02,280
Speaker 1: I don't think so, honey. The squatty potty needs to go,

1285
01:13:02,800 --> 01:13:07,840
Speaker 1: put it in a closet, put it away. And I'm

1286
01:13:08,040 --> 01:13:11,240
Speaker 1: unclear because okay, I'm with you on they shouldn't be

1287
01:13:11,800 --> 01:13:14,880
Speaker 1: displayed as prominently, and probably because I don't necessarily when

1288
01:13:14,880 --> 01:13:16,519
Speaker 1: I'm in the bathroom, I want to forget that anyone

1289
01:13:16,560 --> 01:13:21,400
Speaker 1: else has ever exactly I picture the person every time

1290
01:13:21,600 --> 01:13:25,360
Speaker 1: I if I see a squatty potty in your house,

1291
01:13:25,360 --> 01:13:27,880
Speaker 1: I'm going to picture you getting a ship with your

1292
01:13:27,960 --> 01:13:30,320
Speaker 1: knees by your ears. And I don't want that image

1293
01:13:30,400 --> 01:13:33,719
Speaker 1: and I don't want to see it. And I will say, though, recently,

1294
01:13:34,520 --> 01:13:37,160
Speaker 1: I went to a house and this guy had a

1295
01:13:37,400 --> 01:13:43,679
Speaker 1: wooden squatty potty that was elegant, honestly constructed, because there's

1296
01:13:43,720 --> 01:13:46,439
Speaker 1: no dumb little grooves where pissing ship gets caught. That's

1297
01:13:46,520 --> 01:13:50,920
Speaker 1: why would it be white? I know, why would it

1298
01:13:50,960 --> 01:13:54,639
Speaker 1: be white? You can see everything, I guess because most

1299
01:13:54,840 --> 01:14:00,280
Speaker 1: most bathrooms have like prominently white like a coloring, which

1300
01:14:00,320 --> 01:14:03,640
Speaker 1: is also wrong. Toilets should be brown. Toilets should be

1301
01:14:03,680 --> 01:14:05,760
Speaker 1: brown and yellow. You know what, Yeah, because that would

1302
01:14:05,760 --> 01:14:08,200
Speaker 1: solve a lot of issues. I used to have a

1303
01:14:08,479 --> 01:14:12,760
Speaker 1: like black toilet. Those are so sleek, but you can

1304
01:14:12,800 --> 01:14:16,040
Speaker 1: still see the poop clinging to the bowl. I love

1305
01:14:16,080 --> 01:14:22,479
Speaker 1: a black toilet anytime I'm like it's like it's it's sexual.

1306
01:14:23,880 --> 01:14:27,920
Speaker 1: Can you get a pink toilet? Get this? Have you

1307
01:14:27,960 --> 01:14:30,400
Speaker 1: ever shipped on a toilet with a fuzzy seat like

1308
01:14:30,520 --> 01:14:33,800
Speaker 1: with like a like a like a like like It's

1309
01:14:33,880 --> 01:14:36,519
Speaker 1: crazy when you think about it, because if poop gets

1310
01:14:36,560 --> 01:14:40,880
Speaker 1: in that like Mattress's seed cover, it's not coming out. Well.

1311
01:14:40,920 --> 01:14:42,479
Speaker 1: The other thing is how many times have you been

1312
01:14:42,520 --> 01:14:44,240
Speaker 1: in the bathroom and there's a little tinkle on the

1313
01:14:44,400 --> 01:14:46,960
Speaker 1: seat and then that and then you think, okay, so

1314
01:14:47,240 --> 01:14:50,759
Speaker 1: this is just in there? Just yeah. I also feel

1315
01:14:50,800 --> 01:14:54,200
Speaker 1: like if you leave the bathroom and it's not spotless,

1316
01:14:54,720 --> 01:14:58,160
Speaker 1: that's bad. You need to take toilepeper and wipe the sea. Yes,

1317
01:14:59,200 --> 01:15:01,760
Speaker 1: wipe the sea and true. And also I'm sorry. I

1318
01:15:01,840 --> 01:15:05,040
Speaker 1: know we're all trying to save water, but I flush

1319
01:15:05,080 --> 01:15:07,000
Speaker 1: your piss. I don't want to see piss in the toilet.

1320
01:15:07,240 --> 01:15:10,280
Speaker 1: That's how That's who I am. Well, it starts to stink. Yes,

1321
01:15:10,560 --> 01:15:16,960
Speaker 1: it also stains, And it stains, it stinks. It's it's

1322
01:15:17,000 --> 01:15:20,160
Speaker 1: called the courtesy flush people too, because sometimes not one

1323
01:15:20,160 --> 01:15:23,560
Speaker 1: flush is enough. I know, you know what what, I

1324
01:15:24,040 --> 01:15:26,800
Speaker 1: moved into an apartment three years ago. I have never

1325
01:15:27,120 --> 01:15:30,000
Speaker 1: once clogged this toilet. Good for you, it's a good No,

1326
01:15:30,080 --> 01:15:34,760
Speaker 1: it's a good bowl. No, it's always about it's white,

1327
01:15:34,800 --> 01:15:38,479
Speaker 1: but I got a pink seat for it. Gorge gorgeous,

1328
01:15:39,160 --> 01:15:43,560
Speaker 1: and you know what else is gorge this entire What

1329
01:15:43,720 --> 01:15:47,000
Speaker 1: a fun time. I had fun. This was please to

1330
01:15:47,160 --> 01:15:49,880
Speaker 1: know that we can connect over parrohead culture, it's huge.

1331
01:15:49,960 --> 01:15:53,479
Speaker 1: I really don't know. Anyone else says, yeah, it's huge

1332
01:15:53,560 --> 01:15:55,519
Speaker 1: to know that his book is truly sitting right there.

1333
01:15:55,680 --> 01:15:57,240
Speaker 1: And I clocked that before and I was like, oh

1334
01:15:57,280 --> 01:15:59,680
Speaker 1: my god. And then when you said that, No, I

1335
01:15:59,680 --> 01:16:01,519
Speaker 1: don't in the book. I've never read any of his books.

1336
01:16:01,560 --> 01:16:04,400
Speaker 1: I didn't. I didn't know about the books. You didn't

1337
01:16:04,439 --> 01:16:07,519
Speaker 1: know that he was already did not know about the look?

1338
01:16:08,200 --> 01:16:12,400
Speaker 1: Is that a novel? A pirate looks looks? Sorry, I'm sorry.

1339
01:16:13,000 --> 01:16:15,519
Speaker 1: So it is a song as well? Oh it is?

1340
01:16:15,840 --> 01:16:18,240
Speaker 1: I hope he writes. I could write a novel based

1341
01:16:18,280 --> 01:16:21,679
Speaker 1: on every one of his songs. They're so deep, go hard.

1342
01:16:21,720 --> 01:16:25,439
Speaker 1: They all tell the story. And some of it funny too. Yeah,

1343
01:16:25,760 --> 01:16:28,240
Speaker 1: I mean, why don't we get you know? One makes

1344
01:16:28,280 --> 01:16:30,599
Speaker 1: me laugh. There's one I don't remember. It's like called

1345
01:16:30,680 --> 01:16:32,880
Speaker 1: the weather is here. I wish you were beautiful. The

1346
01:16:33,000 --> 01:16:40,439
Speaker 1: weather is he I wish you were beautiful. Yeah, yes,

1347
01:16:40,800 --> 01:16:42,760
Speaker 1: what a beautiful beautiful you know. It was a really

1348
01:16:42,840 --> 01:16:48,000
Speaker 1: quick good one. Fruitcakes, fruitcakes. Its funny, Okay, comedy takes

1349
01:16:48,040 --> 01:16:51,560
Speaker 1: us about everyone's crazy. It's a comedy song. I I

1350
01:16:52,000 --> 01:16:53,960
Speaker 1: it's a comedy song, is the thing, and this is much.

1351
01:16:54,200 --> 01:16:55,840
Speaker 1: The thing about Jimmy Beckett is that he towed the

1352
01:16:55,920 --> 01:17:00,760
Speaker 1: line between comedy musician and Earnest rock. You could say

1353
01:17:00,800 --> 01:17:02,720
Speaker 1: he's a singing comedian. He's a singing comedian. He's like

1354
01:17:02,800 --> 01:17:05,960
Speaker 1: he's a weird out just oh my god, this is insane,

1355
01:17:06,200 --> 01:17:09,719
Speaker 1: jutting out crazy statement. No, I'm just it's so funny

1356
01:17:09,800 --> 01:17:12,400
Speaker 1: that but like to prefer to him sitting in comedians

1357
01:17:13,120 --> 01:17:16,880
Speaker 1: but kind of, isn't that weird? It's the ultimate character.

1358
01:17:17,360 --> 01:17:20,840
Speaker 1: It's the ultimate character. He is gonna on his last

1359
01:17:20,920 --> 01:17:23,720
Speaker 1: day of his life. He's gonna say, fucking you all

1360
01:17:23,880 --> 01:17:25,800
Speaker 1: bought because the fact that we've all bought it is

1361
01:17:25,880 --> 01:17:29,760
Speaker 1: so funny. Yeah, god, it's like I was just gonna say,

1362
01:17:29,800 --> 01:17:33,080
Speaker 1: he's gonna go Andy Kaufman, Mitch, Yeah, this year for

1363
01:17:33,240 --> 01:17:37,840
Speaker 1: Andy Kaufman. He actually I heard he's uh, he's gonna

1364
01:17:37,880 --> 01:17:46,000
Speaker 1: get Jfl's. He actually doesn't have a comedy wraps um,

1365
01:17:46,280 --> 01:17:48,000
Speaker 1: this isn't thank you so much for being thank for

1366
01:17:48,120 --> 01:17:50,519
Speaker 1: having This is the most fun. And you know what,

1367
01:17:50,800 --> 01:17:54,240
Speaker 1: We end every um. We end every episode with the song.

1368
01:17:54,400 --> 01:17:55,720
Speaker 1: I don't think we all know what that song is

1369
01:17:55,720 --> 01:18:19,960
Speaker 1: going to be. She's burning Paradise cheeseburger and Paradise Wow.

1370
01:18:22,560 --> 01:18:29,240
Speaker 1: Forever This has been a Forever Dog production, executive produced

1371
01:18:29,280 --> 01:18:33,439
Speaker 1: by Brett Baum, Joe Cilio, and Alex Ramsey. For more

1372
01:18:33,560 --> 01:18:38,240
Speaker 1: original podcasts, please visit Forever Dog Podcasts dot com and

1373
01:18:38,320 --> 01:18:42,479
Speaker 1: subscribe to our shows on Apple Podcasts, Spotify, or wherever

1374
01:18:42,600 --> 01:18:45,320
Speaker 1: you get your podcasts. Keep up with the latest Forever

1375
01:18:45,400 --> 01:18:49,240
Speaker 1: Dog news by following us on Twitter and Instagram at

1376
01:18:49,360 --> 01:18:53,120
Speaker 1: Forever Dog Team, and liking our page on Facebook.