1
00:00:10,320 --> 00:00:13,600
Speaker 1: Hey, everybody, welcome to another episode of I Saw What

2
00:00:13,640 --> 00:00:17,960
Speaker 1: You Did. My name is Milly, I'm Danielle, and we're back, baby,

3
00:00:18,000 --> 00:00:19,440
Speaker 1: We're back this week.

4
00:00:20,280 --> 00:00:20,720
Speaker 2: Wow.

5
00:00:21,200 --> 00:00:24,480
Speaker 1: Already such a stunner just for me personally, what about you?

6
00:00:25,200 --> 00:00:28,800
Speaker 2: Just like the week itself has been a stunner. I

7
00:00:28,840 --> 00:00:30,760
Speaker 2: mean no, I'm lying.

8
00:00:31,680 --> 00:00:33,640
Speaker 1: I'm just trying because I swear to God, I feel

9
00:00:33,680 --> 00:00:34,879
Speaker 1: like I come to this podcast or a week and

10
00:00:34,880 --> 00:00:36,240
Speaker 1: I'm like, I have no news?

11
00:00:36,320 --> 00:00:38,280
Speaker 2: What are you doing? Like, I just feel like such

12
00:00:38,320 --> 00:00:41,080
Speaker 2: a fucking boring piece of shit?

13
00:00:41,560 --> 00:00:43,920
Speaker 1: And so I wanted to come at it differently and

14
00:00:44,000 --> 00:00:46,000
Speaker 1: be like, I had the most amazing week, and I

15
00:00:46,040 --> 00:00:48,560
Speaker 1: was hoping you wouldn't ask me details.

16
00:00:48,760 --> 00:00:51,000
Speaker 3: See, I appreciate the energy so much though that I

17
00:00:51,000 --> 00:00:52,440
Speaker 3: feel like I can't let you down. If you had

18
00:00:52,440 --> 00:00:54,840
Speaker 3: a stunner over a week, I want to know every detail.

19
00:00:55,280 --> 00:00:58,520
Speaker 1: I surely did not, though, that's the secret that I.

20
00:00:58,400 --> 00:01:01,800
Speaker 4: Was like, I'm fucking well.

21
00:01:01,640 --> 00:01:02,840
Speaker 2: I had a stunner of a week.

22
00:01:03,480 --> 00:01:06,759
Speaker 1: Yeah, I figured he probably did, So what's going on a.

23
00:01:06,720 --> 00:01:10,119
Speaker 3: Stunner of a day? First of all, well, I did go.

24
00:01:10,160 --> 00:01:12,400
Speaker 3: I went to my dentist, not the Orthodonis. The dentist

25
00:01:12,400 --> 00:01:14,119
Speaker 3: I got my teeth cleaned this week, because it's always

26
00:01:14,120 --> 00:01:16,720
Speaker 3: about my mouth when I leave my house, and my

27
00:01:16,840 --> 00:01:20,000
Speaker 3: dentist is in Redondo Beach, which if you're not familiar

28
00:01:20,000 --> 00:01:21,959
Speaker 3: with LA, it is not in LA. It's like thirty

29
00:01:21,959 --> 00:01:24,920
Speaker 3: five minutes away, which by car, because of traffic, will

30
00:01:24,920 --> 00:01:28,120
Speaker 3: take you like an hour and a half and you

31
00:01:28,160 --> 00:01:29,959
Speaker 3: have to do that one ten split, which I hate,

32
00:01:30,000 --> 00:01:32,440
Speaker 3: like that whole thing. So two things happen that I

33
00:01:32,480 --> 00:01:35,440
Speaker 3: don't know why. They just cracked me up. On the highway,

34
00:01:35,640 --> 00:01:38,240
Speaker 3: I was behind a garbage truck. I've just never seen

35
00:01:38,280 --> 00:01:39,759
Speaker 3: a garbage truck on the highway before.

36
00:01:42,080 --> 00:01:43,440
Speaker 2: Made me laugh so hard.

37
00:01:44,440 --> 00:01:47,080
Speaker 1: I remember seeing garbage flying from it, which would be

38
00:01:47,160 --> 00:01:51,120
Speaker 1: super fucking funny, but it is funny to watch a

39
00:01:51,160 --> 00:01:54,040
Speaker 1: garbage truck go fifty five miles an hour.

40
00:01:54,080 --> 00:01:57,560
Speaker 3: Really exactly, and it was like zoom in. It was

41
00:01:57,600 --> 00:02:00,120
Speaker 3: really It just made me laugh. And then as I

42
00:02:00,200 --> 00:02:05,040
Speaker 3: was leaving my dentist's office, I saw the Torrent's Police

43
00:02:05,080 --> 00:02:08,880
Speaker 3: or the Rodondo Beach Police have they drive minivans. Their

44
00:02:08,880 --> 00:02:12,000
Speaker 3: forensic unit drives minivans, and that just also made me

45
00:02:12,080 --> 00:02:14,920
Speaker 3: laugh really hard, like I have got to get out more.

46
00:02:15,040 --> 00:02:17,680
Speaker 3: But those two things separately cracked me up.

47
00:02:18,480 --> 00:02:21,120
Speaker 4: You're like, amused by vehicles. You're like a three year old.

48
00:02:21,160 --> 00:02:23,840
Speaker 3: You're like my nephew I am when I was just

49
00:02:23,880 --> 00:02:25,400
Speaker 3: I'm like a three I am definitely a three year

50
00:02:25,400 --> 00:02:28,120
Speaker 3: old like I was. So I was like I was.

51
00:02:27,960 --> 00:02:29,720
Speaker 3: It was like I was in a Richard Scary book.

52
00:02:29,720 --> 00:02:33,079
Speaker 3: I was so psyched, like and there's the forensic van,

53
00:02:34,200 --> 00:02:38,799
Speaker 3: the garbage truck goes zoom on the highway. And then

54
00:02:38,840 --> 00:02:41,320
Speaker 3: today I was a little bit late to our recording

55
00:02:41,360 --> 00:02:43,480
Speaker 3: and thank you to our wonderful team for waiting for

56
00:02:43,520 --> 00:02:46,280
Speaker 3: me and for you as well, Millie, because I was

57
00:02:46,320 --> 00:02:48,920
Speaker 3: signing my living will and trust.

58
00:02:51,600 --> 00:02:56,400
Speaker 2: Adult things. We love, we love it. Do you have one?

59
00:02:56,440 --> 00:02:59,560
Speaker 2: Do you have a will? I don't.

60
00:02:59,680 --> 00:03:01,680
Speaker 1: I feel like I feel a little bit of shame

61
00:03:02,240 --> 00:03:05,359
Speaker 1: because I got to be honest, like, you know, I

62
00:03:05,400 --> 00:03:10,160
Speaker 1: almost died like two years ago, and that really put

63
00:03:10,160 --> 00:03:12,560
Speaker 1: a lot of things in perspective for me in terms

64
00:03:12,600 --> 00:03:14,880
Speaker 1: of paperwork, and.

65
00:03:16,600 --> 00:03:20,240
Speaker 2: Yeah, so it's shameful because the funny thing is is

66
00:03:20,280 --> 00:03:21,040
Speaker 2: that when.

67
00:03:23,160 --> 00:03:27,080
Speaker 1: I had this sudden illness, I basically had septic shock,

68
00:03:27,240 --> 00:03:27,800
Speaker 1: which is.

69
00:03:27,840 --> 00:03:32,640
Speaker 2: Very serious, and I was in a really bad place in.

70
00:03:32,560 --> 00:03:36,480
Speaker 1: The hospital for a couple of weeks, and I remember

71
00:03:36,560 --> 00:03:38,120
Speaker 1: when I went to the hospital, like when I was

72
00:03:38,160 --> 00:03:40,720
Speaker 1: in the emergency room, they you know, somebody comes around

73
00:03:40,760 --> 00:03:43,000
Speaker 1: and they ask you, like, do you have a will?

74
00:03:43,480 --> 00:03:46,240
Speaker 1: Do you have an advance directive? And I was like

75
00:03:46,440 --> 00:03:49,480
Speaker 1: on pain medicine, So I was like, no, I don't.

76
00:03:49,600 --> 00:03:52,680
Speaker 1: I don't because I'm thirty nine and I just never

77
00:03:52,760 --> 00:03:55,160
Speaker 1: knew that. I I never knew this was going to

78
00:03:55,200 --> 00:03:58,880
Speaker 1: happen obviously, And that's I guess the whole shit about

79
00:03:58,880 --> 00:04:01,000
Speaker 1: it is that you just don't know. And then I

80
00:04:01,040 --> 00:04:03,320
Speaker 1: remember them telling me at some point like you should

81
00:04:03,360 --> 00:04:04,520
Speaker 1: probably have one, like a lot.

82
00:04:04,480 --> 00:04:06,480
Speaker 4: Of people don't your age, but you should.

83
00:04:06,960 --> 00:04:08,600
Speaker 2: And I was abdup to all this stuff.

84
00:04:08,680 --> 00:04:12,880
Speaker 3: Maybe you think about since we just like excavated your body,

85
00:04:12,960 --> 00:04:14,080
Speaker 3: maybe you want to go in.

86
00:04:14,160 --> 00:04:18,960
Speaker 1: And find but like it was, it was life shame

87
00:04:20,120 --> 00:04:21,320
Speaker 1: while I was on fenyl.

88
00:04:21,320 --> 00:04:23,680
Speaker 4: But it's fine because I needed it right.

89
00:04:23,960 --> 00:04:26,560
Speaker 1: So at some point I did do an advance directive,

90
00:04:26,960 --> 00:04:29,000
Speaker 1: you know, basically all this stuff that's like you know,

91
00:04:29,080 --> 00:04:32,720
Speaker 1: all those like little details about being intubated and being

92
00:04:32,760 --> 00:04:34,000
Speaker 1: on the life support.

93
00:04:33,680 --> 00:04:35,600
Speaker 2: And all that stuff. But I didn't. But I didn't

94
00:04:35,600 --> 00:04:36,800
Speaker 2: do the will part because.

95
00:04:36,600 --> 00:04:38,240
Speaker 4: I was like, oh, that was kind of require like

96
00:04:38,279 --> 00:04:40,479
Speaker 4: all this other stuff like a lawyer and blah blah

97
00:04:40,480 --> 00:04:42,640
Speaker 4: blahlah blah, and I never got around to it. And

98
00:04:42,640 --> 00:04:44,640
Speaker 4: it's shameful because I need to fucking.

99
00:04:44,400 --> 00:04:47,320
Speaker 3: Do it asap. So I'm proud of you for doing it,

100
00:04:47,720 --> 00:04:49,440
Speaker 3: Thank you very much. And I don't want you to

101
00:04:49,440 --> 00:04:52,360
Speaker 3: feel shamed, because I think that our country specifically does

102
00:04:52,440 --> 00:04:54,920
Speaker 3: not We're not we don't do well at addressing death

103
00:04:55,040 --> 00:04:58,320
Speaker 3: or anything about death or growing older at all. And

104
00:04:58,400 --> 00:05:01,000
Speaker 3: so when I was always raised to think, is like,

105
00:05:01,040 --> 00:05:02,640
Speaker 3: you only sign a will if you have some shit

106
00:05:02,720 --> 00:05:04,200
Speaker 3: to give away, Like.

107
00:05:04,160 --> 00:05:07,159
Speaker 2: I don't have any, so why would I have a will?

108
00:05:08,120 --> 00:05:10,560
Speaker 2: Like if you have kids or if you have property.

109
00:05:10,240 --> 00:05:12,880
Speaker 3: Usually, but yeah, right, And I'm like, I don't have

110
00:05:12,960 --> 00:05:14,880
Speaker 3: I'm a renter and I'm single and i have no kids.

111
00:05:14,920 --> 00:05:15,760
Speaker 2: Why do I need a will?

112
00:05:16,560 --> 00:05:18,880
Speaker 3: But it's not even And what's strange is like, it's

113
00:05:19,120 --> 00:05:22,279
Speaker 3: what really kicked me into doing this is that, you know,

114
00:05:22,279 --> 00:05:26,159
Speaker 3: I've been watching my grandmother get older and I have

115
00:05:26,279 --> 00:05:28,200
Speaker 3: her power of attorney, like I'm her durable power of

116
00:05:28,240 --> 00:05:30,960
Speaker 3: attorney ever a vance healthcare directive, like when she was

117
00:05:31,000 --> 00:05:33,279
Speaker 3: still completely with it, she made sure that that was

118
00:05:33,400 --> 00:05:35,719
Speaker 3: I made sure that that was signed for her. And

119
00:05:35,800 --> 00:05:39,200
Speaker 3: the reason I did that is because my family is insane,

120
00:05:39,920 --> 00:05:41,960
Speaker 3: and this is you don't have to have anything to

121
00:05:42,000 --> 00:05:45,479
Speaker 3: want to protect yourself from people who are wild. My

122
00:05:45,600 --> 00:05:49,080
Speaker 3: family will fight you in the street for a quarter. Yeah,

123
00:05:49,600 --> 00:05:52,520
Speaker 3: like that is it. And so that was important to

124
00:05:52,560 --> 00:05:55,120
Speaker 3: me that things like you know, the the blankets that

125
00:05:55,160 --> 00:05:57,280
Speaker 3: she crocheted for me when I was a kid, or

126
00:05:57,320 --> 00:06:00,280
Speaker 3: the family photos, you know, like my mom would get them,

127
00:06:00,440 --> 00:06:02,719
Speaker 3: get booted out of her apartment, put them in storage,

128
00:06:02,720 --> 00:06:04,160
Speaker 3: and then there goes our family history.

129
00:06:05,160 --> 00:06:08,200
Speaker 2: So I'm like, we can't, we can't have this shit

130
00:06:08,320 --> 00:06:08,760
Speaker 2: going on.

131
00:06:09,360 --> 00:06:12,080
Speaker 3: So I did it because I really I just wanted

132
00:06:12,080 --> 00:06:14,039
Speaker 3: to protect my grandma a little bit and I don't

133
00:06:14,080 --> 00:06:18,000
Speaker 3: want anyone kind of interfering with what she wants for

134
00:06:18,040 --> 00:06:21,240
Speaker 3: her end of life care. So that was important to

135
00:06:21,279 --> 00:06:23,840
Speaker 3: me to kind of protect her. And then again, my

136
00:06:24,240 --> 00:06:26,560
Speaker 3: aunt died last year. She had you know, stage four

137
00:06:26,600 --> 00:06:30,359
Speaker 3: breast cancer, and she was separated from her husband for

138
00:06:30,400 --> 00:06:34,240
Speaker 3: almost a decade, but they were not divorced, and so

139
00:06:34,320 --> 00:06:36,760
Speaker 3: when she died, even though they were not divorced, he

140
00:06:36,839 --> 00:06:40,920
Speaker 3: got everything. And that was the last thing she wanted. Yeah,

141
00:06:40,920 --> 00:06:45,479
Speaker 3: so watching my family age has really kicked me to

142
00:06:45,520 --> 00:06:47,159
Speaker 3: a place where I feel like, all right, well I

143
00:06:47,160 --> 00:06:51,039
Speaker 3: don't have a lot, but I definitely want what I

144
00:06:51,120 --> 00:06:52,960
Speaker 3: do have to go to the people that I wanted

145
00:06:53,000 --> 00:06:57,240
Speaker 3: to and you know, like my goddaughter, and you know,

146
00:06:57,520 --> 00:07:01,919
Speaker 3: I've got siblings and nieces, nephews and friends, and I

147
00:07:02,000 --> 00:07:06,080
Speaker 3: just kind of want people to think about it that way,

148
00:07:06,120 --> 00:07:08,800
Speaker 3: if they're at all encouraged to think about this stuff,

149
00:07:08,839 --> 00:07:12,240
Speaker 3: that it's not morbid to plan for your death. And

150
00:07:12,280 --> 00:07:14,560
Speaker 3: then I think that, you know, it actually makes me

151
00:07:14,600 --> 00:07:15,880
Speaker 3: feel instantly a lot better.

152
00:07:16,480 --> 00:07:19,000
Speaker 1: Yeah, true, And it also is a kind thing to

153
00:07:19,040 --> 00:07:22,480
Speaker 1: do for the people who are gonna live after you.

154
00:07:22,960 --> 00:07:26,840
Speaker 1: I mean, yes, you're right, you don't you honestly, you

155
00:07:26,920 --> 00:07:29,960
Speaker 1: don't need to have a bunch of fucking stocks and

156
00:07:30,160 --> 00:07:33,720
Speaker 1: islands and shit like you. You can be a renter,

157
00:07:34,040 --> 00:07:36,720
Speaker 1: you could be a wage worker or anything like you can,

158
00:07:36,960 --> 00:07:39,400
Speaker 1: just like you need a plan for.

159
00:07:39,360 --> 00:07:41,040
Speaker 4: What happens for anything.

160
00:07:41,600 --> 00:07:44,880
Speaker 1: And yeah, even if it's like a fucking I don't

161
00:07:44,880 --> 00:07:49,120
Speaker 1: want anybody to have my like original pressing of unknown

162
00:07:49,160 --> 00:07:52,800
Speaker 1: pleasures by joy division like fuck that I'm telling somebody

163
00:07:52,800 --> 00:07:53,560
Speaker 1: where that's going.

164
00:07:53,640 --> 00:07:57,000
Speaker 3: Well now, where it's going, I'm gonna come and rob you.

165
00:07:57,000 --> 00:08:00,320
Speaker 4: You know, you know, I'm just like, you know, whatever

166
00:08:00,480 --> 00:08:03,559
Speaker 4: is that, I don't even know I'll even on that level.

167
00:08:03,600 --> 00:08:04,960
Speaker 2: I'm like, I guess, don't take my.

168
00:08:06,720 --> 00:08:09,120
Speaker 1: I'm like, what all of my shit is in a

169
00:08:09,160 --> 00:08:11,360
Speaker 1: storage facility in Panorama City.

170
00:08:11,200 --> 00:08:12,360
Speaker 2: Right now, So I'm like, I don't even know what

171
00:08:12,360 --> 00:08:12,720
Speaker 2: I own.

172
00:08:14,240 --> 00:08:18,200
Speaker 1: Don't take my original copy of the Seven Deadly Monkeys manifesto.

173
00:08:18,560 --> 00:08:21,880
Speaker 2: Just fucking don't take that shit.

174
00:08:22,640 --> 00:08:26,080
Speaker 1: But that's the thing, right, is that that's like, you know,

175
00:08:26,560 --> 00:08:31,840
Speaker 1: it took me being like footloose and fancy free literally

176
00:08:32,080 --> 00:08:36,440
Speaker 1: one day and then like in the hospital on a

177
00:08:36,520 --> 00:08:42,040
Speaker 1: respirator the next day to be like, oh, like I

178
00:08:42,080 --> 00:08:45,319
Speaker 1: need to figure out, like I don't. It's not even

179
00:08:45,520 --> 00:08:48,320
Speaker 1: just for me and my shit. It's for my mom

180
00:08:48,360 --> 00:08:52,120
Speaker 1: and dad. It's for my sister, my nephews. So it's

181
00:08:52,240 --> 00:08:57,760
Speaker 1: not the tax of grief and the planning and all

182
00:08:57,800 --> 00:09:01,199
Speaker 1: this shit that you have to do for somebody. Isn't

183
00:09:01,679 --> 00:09:05,480
Speaker 1: like this hard task, Like it's gonna be hard, but

184
00:09:05,559 --> 00:09:07,079
Speaker 1: it's not gonna be as hard.

185
00:09:07,440 --> 00:09:08,120
Speaker 2: Absolutely.

186
00:09:08,640 --> 00:09:12,360
Speaker 3: All I ask is that when I die, I'm doing

187
00:09:12,400 --> 00:09:16,480
Speaker 3: this because I want to give people enough emotional space

188
00:09:16,640 --> 00:09:20,480
Speaker 3: and mental space to just weep on my grave for

189
00:09:20,520 --> 00:09:21,280
Speaker 3: three months straight.

190
00:09:21,720 --> 00:09:22,680
Speaker 2: Like everything's set.

191
00:09:22,880 --> 00:09:25,840
Speaker 3: You can just go and take a pilgrimage and just

192
00:09:25,960 --> 00:09:29,040
Speaker 3: cry over my ashes or whatever the hell put me

193
00:09:29,080 --> 00:09:29,839
Speaker 3: in an action figure.

194
00:09:29,880 --> 00:09:30,400
Speaker 2: I don't care.

195
00:09:31,280 --> 00:09:34,520
Speaker 3: Just like, give your people space to just party and

196
00:09:34,600 --> 00:09:36,800
Speaker 3: cry tears of blood in your honor.

197
00:09:39,040 --> 00:09:42,360
Speaker 1: I'm really excited by the idea that I will be

198
00:09:42,400 --> 00:09:46,720
Speaker 1: able to be my full like Anna mag Yanni character

199
00:09:48,800 --> 00:09:52,200
Speaker 1: where I'm fucking where on the fucking black veil. I'm

200
00:09:52,240 --> 00:09:54,800
Speaker 1: like the fucking like beating.

201
00:09:54,480 --> 00:09:58,600
Speaker 2: On the cask. Yeah, oh my.

202
00:09:58,360 --> 00:10:01,880
Speaker 3: God, that's it my will. I'm sorry, guys, it's in there.

203
00:10:02,679 --> 00:10:04,440
Speaker 3: It got notarized, and now you got to do it.

204
00:10:05,880 --> 00:10:06,240
Speaker 2: Listen.

205
00:10:06,440 --> 00:10:10,640
Speaker 1: You know, we've heard so many, so many different types

206
00:10:10,640 --> 00:10:13,280
Speaker 1: of stories about people who have passed away and like

207
00:10:13,760 --> 00:10:17,080
Speaker 1: you know, left things to their animals and have very

208
00:10:17,280 --> 00:10:22,600
Speaker 1: specific situations set up, and I think it's you know, like,

209
00:10:24,120 --> 00:10:27,120
Speaker 1: y'all better not fucking let me think about this too much.

210
00:10:27,240 --> 00:10:29,600
Speaker 2: Like when I finally get a will, I'm like, Okay,

211
00:10:30,640 --> 00:10:32,599
Speaker 2: the plan is that we're all going to gather.

212
00:10:34,040 --> 00:10:37,319
Speaker 1: On an island and we're gonna be required to play

213
00:10:38,120 --> 00:10:41,840
Speaker 1: Q feels dancing in heaven out of like seven fucking

214
00:10:42,640 --> 00:10:46,400
Speaker 1: full stacks, and all my favorite bands.

215
00:10:46,280 --> 00:10:46,920
Speaker 2: Are gonna play.

216
00:10:47,480 --> 00:10:49,719
Speaker 1: We're gonna have food from every single restaurant that I've

217
00:10:49,720 --> 00:10:52,000
Speaker 1: ever loved. Like, don't let me think about it too much,

218
00:10:52,000 --> 00:10:53,280
Speaker 1: because honestly, I will go there.

219
00:10:53,559 --> 00:10:55,400
Speaker 3: I want you to start a blog about it. I

220
00:10:55,440 --> 00:11:00,800
Speaker 3: want everything detailed. And if the band three eleven dies

221
00:11:00,840 --> 00:11:04,080
Speaker 3: before you, I want their holograms at your funeral.

222
00:11:05,520 --> 00:11:05,880
Speaker 2: Listen.

223
00:11:05,960 --> 00:11:09,560
Speaker 1: I want I want the three eleven alien head to

224
00:11:09,600 --> 00:11:18,520
Speaker 1: like be a hologram image above my body, will eternity.

225
00:11:19,160 --> 00:11:25,760
Speaker 1: I want them to play Homebrew, but no less than

226
00:11:25,800 --> 00:11:32,840
Speaker 1: five times in a row. It's stupid, like like I

227
00:11:33,000 --> 00:11:36,679
Speaker 1: have to basically, like some days stop myself from being like,

228
00:11:36,720 --> 00:11:38,280
Speaker 1: all right, let's just fucking do this will And I'm

229
00:11:38,320 --> 00:11:41,760
Speaker 1: literally putting any goddamn thought I've ever had in my head.

230
00:11:42,160 --> 00:11:44,560
Speaker 3: That is how it should go. That is how it

231
00:11:44,559 --> 00:11:47,120
Speaker 3: should go. It is and you can always change it.

232
00:11:47,160 --> 00:11:49,079
Speaker 3: You can always change it, but I think you should

233
00:11:49,080 --> 00:11:51,800
Speaker 3: do it when you're at your most crisp and hilarious

234
00:11:51,840 --> 00:11:55,080
Speaker 3: moment of your life where sarcasm is still going. I

235
00:11:55,200 --> 00:11:58,440
Speaker 3: left my cat because Carrot, you know, he's he's a

236
00:11:58,480 --> 00:11:59,240
Speaker 3: young dude.

237
00:12:00,200 --> 00:12:02,239
Speaker 2: And again, who knows what could happen tomorrow.

238
00:12:02,360 --> 00:12:04,800
Speaker 3: And I left my cat to my brother because I

239
00:12:04,800 --> 00:12:06,600
Speaker 3: feel like that's the only way he's gonna get money.

240
00:12:06,640 --> 00:12:10,120
Speaker 5: It's like, if I I've given you so much money

241
00:12:10,200 --> 00:12:13,199
Speaker 5: over the course of our lives that if I make

242
00:12:13,240 --> 00:12:15,680
Speaker 5: you take care of my cat, then I'll give him

243
00:12:15,920 --> 00:12:19,600
Speaker 5: an allowance and you can use that for yourself.

244
00:12:19,600 --> 00:12:22,880
Speaker 2: That's right. Like I'm pulling some Leona Helmsley shit. I

245
00:12:22,920 --> 00:12:23,680
Speaker 2: won't ask you.

246
00:12:23,600 --> 00:12:26,079
Speaker 4: To give us the details of your will, but I

247
00:12:26,559 --> 00:12:28,480
Speaker 4: was like, there's gotta be some shit in there that

248
00:12:28,600 --> 00:12:30,079
Speaker 4: it's got, I'll.

249
00:12:29,880 --> 00:12:30,800
Speaker 2: Give you that detail.

250
00:12:30,960 --> 00:12:33,160
Speaker 3: My brothers for those of you who don't know, because

251
00:12:33,160 --> 00:12:34,480
Speaker 3: I don't know if I've talked about him too much.

252
00:12:34,520 --> 00:12:37,640
Speaker 3: He is the loveliest. We have a great relationship. He's

253
00:12:37,679 --> 00:12:39,120
Speaker 3: one of the only people in my family that I

254
00:12:39,120 --> 00:12:42,280
Speaker 3: can actually stand. I just love him. And he's a

255
00:12:42,320 --> 00:12:44,960
Speaker 3: couple of years older than me. But my brother has

256
00:12:45,040 --> 00:12:48,000
Speaker 3: looked like Drake since like a decade before Drake was

257
00:12:48,040 --> 00:12:52,400
Speaker 3: born woo, So his whole life has just been like

258
00:12:52,559 --> 00:12:53,720
Speaker 3: I'll let women take care of me.

259
00:12:53,760 --> 00:12:55,000
Speaker 2: Why not? Oh?

260
00:12:55,400 --> 00:12:57,920
Speaker 3: And then again here I am is like little goblin

261
00:12:58,040 --> 00:12:59,920
Speaker 3: sister who's like, I'm gonna work hard and take care

262
00:13:00,160 --> 00:13:01,920
Speaker 3: myself and he's like, yeah, I'll take some of that too,

263
00:13:01,960 --> 00:13:02,480
Speaker 3: and I'm like no.

264
00:13:03,520 --> 00:13:07,120
Speaker 2: So he's basically just like he loves frisbee golf.

265
00:13:07,800 --> 00:13:10,760
Speaker 3: He is just like the chillest person you're ever gonna

266
00:13:10,760 --> 00:13:14,320
Speaker 3: meet because he has never had to do anything.

267
00:13:14,559 --> 00:13:16,920
Speaker 2: He's been hot his entire life. He's been hot his

268
00:13:17,080 --> 00:13:18,199
Speaker 2: entire life.

269
00:13:18,559 --> 00:13:22,640
Speaker 3: And he also like, has never been to therapy, so

270
00:13:22,679 --> 00:13:24,240
Speaker 3: he's has he hasn't even done the work of like

271
00:13:24,280 --> 00:13:26,600
Speaker 3: digging into our shitty childhood or our family life. He's

272
00:13:26,640 --> 00:13:29,400
Speaker 3: just like everything's cool, and I'm like, how how did

273
00:13:29,480 --> 00:13:30,520
Speaker 3: I get all of this?

274
00:13:32,720 --> 00:13:35,040
Speaker 2: How we were there at the same time, dude.

275
00:13:35,840 --> 00:13:38,960
Speaker 3: So yeah, So he is very chill and lax and

276
00:13:39,120 --> 00:13:42,480
Speaker 3: very much like you know, he's He's a sweetheart. I

277
00:13:42,520 --> 00:13:44,960
Speaker 3: love him, but there's no way I can give him

278
00:13:44,960 --> 00:13:47,800
Speaker 3: control of anything because he doesn't know how to do anything.

279
00:13:50,360 --> 00:13:52,200
Speaker 2: I can't.

280
00:13:52,600 --> 00:13:55,960
Speaker 3: I cannot understand how we're related, how we're saying, like

281
00:13:56,000 --> 00:13:58,760
Speaker 3: I not I know that you.

282
00:13:58,640 --> 00:14:02,320
Speaker 1: Know you write for television, and this has to be

283
00:14:02,400 --> 00:14:05,960
Speaker 1: I mean, honestly, this sounds like a Seth Rogan movie.

284
00:14:06,240 --> 00:14:06,960
Speaker 2: Maybe we could.

285
00:14:06,840 --> 00:14:09,840
Speaker 1: Get actual Drake to play your brother where it's basically

286
00:14:09,880 --> 00:14:11,600
Speaker 1: like he's left all this stuff in a will and

287
00:14:11,640 --> 00:14:16,040
Speaker 1: he's like, I don't even know what any of this is. Yeah,

288
00:14:16,200 --> 00:14:18,960
Speaker 1: I'm just gonna have a bunch of stuff and I

289
00:14:19,000 --> 00:14:23,440
Speaker 1: don't know what to do with it. Completely Frisbee golf

290
00:14:23,480 --> 00:14:26,560
Speaker 1: with Jason Sudeikis or somebody.

291
00:14:26,640 --> 00:14:28,440
Speaker 2: Like, he's just gonna go to the lake, guys, let's

292
00:14:28,480 --> 00:14:29,360
Speaker 2: go to the lake. Whatever.

293
00:14:30,040 --> 00:14:32,960
Speaker 3: He is so chilling, it would be fucking mayhem if

294
00:14:32,960 --> 00:14:35,320
Speaker 3: I let him even like try to clean out my closet.

295
00:14:35,720 --> 00:14:37,920
Speaker 3: He does not know how to fold or hang clothes

296
00:14:38,000 --> 00:14:39,920
Speaker 3: like it's a mess. And I don't making him sound

297
00:14:39,960 --> 00:14:40,640
Speaker 3: like an invalid.

298
00:14:40,680 --> 00:14:42,200
Speaker 2: He's not. He's just hot.

299
00:14:42,400 --> 00:14:46,920
Speaker 1: I'm not saying this because you have just told me

300
00:14:46,960 --> 00:14:48,280
Speaker 1: that your brother looks like Drake.

301
00:14:49,440 --> 00:14:50,200
Speaker 6: But I do.

302
00:14:50,240 --> 00:14:53,920
Speaker 1: Want to meet him just based on everything that you've said.

303
00:14:54,200 --> 00:14:56,960
Speaker 1: That isn't the fact that he's hot, but I would

304
00:14:57,000 --> 00:14:59,200
Speaker 1: like to see that for myself. I'm not gonna lie

305
00:14:59,400 --> 00:15:01,400
Speaker 1: I want to see. Is that creepy am I doing

306
00:15:01,440 --> 00:15:04,240
Speaker 1: the thing where I'm like, I'm talking about your brother

307
00:15:05,160 --> 00:15:06,640
Speaker 1: in a way that you don't want me to talk

308
00:15:06,680 --> 00:15:07,160
Speaker 1: about him.

309
00:15:07,280 --> 00:15:09,240
Speaker 2: No, it's my whole life. I'm fine with it.

310
00:15:09,320 --> 00:15:12,120
Speaker 3: Like I knew my place in this relationship dynamic with

311
00:15:12,200 --> 00:15:14,880
Speaker 3: him from the time I was like seven, Listen, I.

312
00:15:14,760 --> 00:15:17,360
Speaker 2: Had a hot sister. I know exactly what that's like.

313
00:15:17,440 --> 00:15:19,960
Speaker 1: I was just like and she was the younger sister,

314
00:15:20,400 --> 00:15:23,160
Speaker 1: and I definitely hit knew guys my age that were like,

315
00:15:23,240 --> 00:15:25,360
Speaker 1: you know your sister and I'm like, talk about a

316
00:15:25,400 --> 00:15:29,240
Speaker 1: fucking sissy SpaceX Shotgun. I was like, get the fuck

317
00:15:29,280 --> 00:15:33,400
Speaker 1: off my porch, Like, un you're a fucking dirtbag. You

318
00:15:33,440 --> 00:15:35,760
Speaker 1: are not talking to my sister. I don't give a shit.

319
00:15:37,240 --> 00:15:41,000
Speaker 1: I'm ending this friendship right now. Don't even utter her

320
00:15:41,080 --> 00:15:43,240
Speaker 1: name around me. Oh completely, and let me tell you.

321
00:15:43,280 --> 00:15:46,120
Speaker 3: It also doesn't work the other way where I was like, hey,

322
00:15:46,200 --> 00:15:47,760
Speaker 3: your friends are kind of cute and he was like,

323
00:15:48,080 --> 00:15:51,000
Speaker 3: so like try it, I dare you, and I'm like,

324
00:15:51,000 --> 00:15:55,800
Speaker 3: ew the fuck dude, Like he ran track with one

325
00:15:55,840 --> 00:15:58,720
Speaker 3: of my biggest high school crushes and he's like try it,

326
00:15:58,760 --> 00:16:01,560
Speaker 3: and I'm like, can you get no information for me?

327
00:16:01,640 --> 00:16:01,720
Speaker 1: Like?

328
00:16:01,760 --> 00:16:05,120
Speaker 2: Am I that bad? Oh? It does not work. Well.

329
00:16:05,160 --> 00:16:07,040
Speaker 1: It's good that he has a sister to keep his

330
00:16:07,080 --> 00:16:10,280
Speaker 1: ass in check then, because honestly, like when you are

331
00:16:10,320 --> 00:16:11,440
Speaker 1: hot your entire life.

332
00:16:11,440 --> 00:16:12,680
Speaker 2: Sometimes you need somebody to be like.

333
00:16:12,720 --> 00:16:15,600
Speaker 1: Yo, you fart and it stinks, and you just need

334
00:16:15,600 --> 00:16:16,640
Speaker 1: to know that about yourself.

335
00:16:16,880 --> 00:16:20,640
Speaker 3: You know, hot siblings they didn't go straight to hell.

336
00:16:24,160 --> 00:16:28,200
Speaker 3: And also too, I always wanted brothers. I mean I

337
00:16:28,360 --> 00:16:31,480
Speaker 3: had one sister. I mean to be honest with you, like,

338
00:16:32,360 --> 00:16:33,120
Speaker 3: I think I.

339
00:16:33,240 --> 00:16:38,600
Speaker 2: Was the brother in the like maybe my sister will

340
00:16:38,640 --> 00:16:40,680
Speaker 2: say that like I was, like, oh, I was.

341
00:16:40,680 --> 00:16:44,760
Speaker 1: The brother though, because I had like I played sports,

342
00:16:45,040 --> 00:16:47,120
Speaker 1: I you know, collective records.

343
00:16:47,400 --> 00:16:51,800
Speaker 4: I smoked a bunch of weed, went hiking like I did.

344
00:16:51,680 --> 00:16:52,600
Speaker 2: All the brother stuff.

345
00:16:52,640 --> 00:16:55,240
Speaker 3: So maybe you know, you have to be the change

346
00:16:55,240 --> 00:16:56,880
Speaker 3: you want to see in the world. And if mom

347
00:16:56,920 --> 00:16:59,480
Speaker 3: and Dad are not giving you brothers, you have to

348
00:16:59,480 --> 00:17:00,200
Speaker 3: be your own brether.

349
00:17:00,760 --> 00:17:03,040
Speaker 1: I have to be my own brother. Sometimes you got

350
00:17:03,120 --> 00:17:05,560
Speaker 1: to be your own brother, nowhere else to go. I

351
00:17:05,720 --> 00:17:08,000
Speaker 1: know I was a cool brother too.

352
00:17:07,920 --> 00:17:09,520
Speaker 2: You were. I was gonna say, at least you were

353
00:17:09,520 --> 00:17:12,680
Speaker 2: a cool for me. I was my own cool brother,

354
00:17:12,760 --> 00:17:18,199
Speaker 2: Thank god episode title. I was my own cold brother.

355
00:17:25,160 --> 00:17:27,720
Speaker 1: But Danielle will be posting her last will and testament

356
00:17:27,720 --> 00:17:28,600
Speaker 1: on our social media.

357
00:17:29,280 --> 00:17:31,200
Speaker 4: Yes, I saw pod and I'm kidding.

358
00:17:31,720 --> 00:17:32,479
Speaker 2: Although I will sit.

359
00:17:33,960 --> 00:17:37,000
Speaker 3: Since we own this this business together, You're gonna get

360
00:17:37,000 --> 00:17:37,639
Speaker 3: some paperwork.

361
00:17:40,119 --> 00:17:41,400
Speaker 2: Am I gonna be deposed?

362
00:17:42,240 --> 00:17:44,520
Speaker 3: Just so It's like I didn't want to put it

363
00:17:44,560 --> 00:17:47,800
Speaker 3: in there, like, hey, if I die, Millie can only

364
00:17:47,800 --> 00:17:49,840
Speaker 3: do this podcast with Channing Tatum or something.

365
00:17:51,400 --> 00:17:54,199
Speaker 1: I can see it now. I'm gonna be fully vaccinated.

366
00:17:54,240 --> 00:17:56,520
Speaker 1: I'm gonna be an acapoco And there's gonna be this

367
00:17:56,600 --> 00:18:01,960
Speaker 1: like sweaty lawyer barreling down the beach with a bunch

368
00:18:02,000 --> 00:18:05,560
Speaker 1: of paperwork, and it's gonna be like million Cerco.

369
00:18:06,440 --> 00:18:08,280
Speaker 2: I'm here to give you the paperwork from.

370
00:18:08,240 --> 00:18:10,960
Speaker 4: Daniel Henderson and I'm like, oh my god.

371
00:18:11,000 --> 00:18:13,480
Speaker 1: And it's gonna be like an eighties comedy, Like I'm

372
00:18:13,520 --> 00:18:16,200
Speaker 1: just gonna be like I'm drinking out of a coconut.

373
00:18:16,240 --> 00:18:17,560
Speaker 2: Can you leave me alone right now?

374
00:18:20,560 --> 00:18:23,719
Speaker 3: Couldn't she have died some other times, right after the

375
00:18:23,720 --> 00:18:29,520
Speaker 3: pandemic a year into this fucking podcast, Like that Elliot

376
00:18:29,640 --> 00:18:33,320
Speaker 3: gold suit from The Long The Long Buy Whire, just

377
00:18:33,320 --> 00:18:35,119
Speaker 3: like the tie is always a little disheveled.

378
00:18:35,600 --> 00:18:37,280
Speaker 2: It's a little bit Frompy Listen.

379
00:18:37,320 --> 00:18:39,520
Speaker 4: I did not just wish for your death just then,

380
00:18:39,560 --> 00:18:41,680
Speaker 4: you just paperwork.

381
00:18:41,680 --> 00:18:44,520
Speaker 3: You can still be alive. That's true. I wish for

382
00:18:44,600 --> 00:18:50,040
Speaker 3: my own death. I am I am.

383
00:18:49,800 --> 00:18:49,919
Speaker 7: You.

384
00:18:50,520 --> 00:18:54,879
Speaker 3: I was projecting. I was projecting, but you're suggest said paperwork.

385
00:18:55,920 --> 00:18:57,919
Speaker 1: What did I say? Like right before we press record?

386
00:18:58,080 --> 00:18:59,720
Speaker 1: I hope this doesn't get too dark?

387
00:19:00,480 --> 00:19:08,080
Speaker 2: Look here, I am. Oh my fucking god.

388
00:19:08,600 --> 00:19:13,800
Speaker 1: All right, Well, let's let's lighten up convo a little bit,

389
00:19:14,080 --> 00:19:14,480
Speaker 1: shall we.

390
00:19:14,960 --> 00:19:17,119
Speaker 2: Let's do it all right?

391
00:19:17,160 --> 00:19:20,640
Speaker 1: So we actually do have like one little nice email

392
00:19:20,840 --> 00:19:25,240
Speaker 1: to read, and this is from a listener named Alicia.

393
00:19:26,359 --> 00:19:30,440
Speaker 2: Danielle'll take it away well, Alicia writes, Dear Millie and Danielle,

394
00:19:30,840 --> 00:19:34,560
Speaker 2: your podcast. Your voices and humor are exactly what I've

395
00:19:34,560 --> 00:19:37,520
Speaker 2: been missing in my life. I love film, I always have.

396
00:19:37,840 --> 00:19:41,320
Speaker 3: Growing up in Seattle, a light skinned Mexicana, the majority

397
00:19:41,359 --> 00:19:44,000
Speaker 3: of my friends were white. We'd rent from Blockbuster together,

398
00:19:44,000 --> 00:19:47,120
Speaker 3: attend the Seattle Film Festival together. But there was something missing.

399
00:19:47,520 --> 00:19:49,879
Speaker 3: I've been hooked to your podcast from the start. I

400
00:19:50,000 --> 00:19:53,200
Speaker 3: share about it constantly, but it wasn't until the Brussels

401
00:19:53,320 --> 00:19:55,920
Speaker 3: Sprouts episode that I realized.

402
00:19:55,520 --> 00:19:56,120
Speaker 2: What it was.

403
00:19:56,680 --> 00:20:00,000
Speaker 3: Enjoying film with other fems of color is my missing peace.

404
00:20:00,600 --> 00:20:03,680
Speaker 3: Growing up watching the Brothers way Ins, this theme represents

405
00:20:03,720 --> 00:20:07,320
Speaker 3: a nuance that only pocs would understand. Thank you for

406
00:20:07,359 --> 00:20:09,359
Speaker 3: filling in this part of me and giving me a

407
00:20:09,400 --> 00:20:12,080
Speaker 3: reason to prioritize watching movies each week.

408
00:20:12,440 --> 00:20:15,679
Speaker 4: Take care Alice, Yeah amazing.

409
00:20:16,119 --> 00:20:17,840
Speaker 2: I fucking love it.

410
00:20:18,040 --> 00:20:19,800
Speaker 3: And she does include her pronouns which thank you for

411
00:20:19,840 --> 00:20:22,600
Speaker 3: that always. She has a ps here that says when

412
00:20:22,640 --> 00:20:24,200
Speaker 3: will you start selling merch?

413
00:20:24,359 --> 00:20:30,000
Speaker 1: Hmm, funny you should mention that actually we have been

414
00:20:30,000 --> 00:20:32,960
Speaker 1: selling March over the past couple of weeks. It's available now,

415
00:20:33,480 --> 00:20:35,679
Speaker 1: so I mean, we've been pushing it a little bit

416
00:20:35,760 --> 00:20:39,680
Speaker 1: on our social media, but we have a fine selection,

417
00:20:40,480 --> 00:20:44,960
Speaker 1: a fine curated selection of quality artists and goods, and

418
00:20:45,400 --> 00:20:48,320
Speaker 1: we hope that you know, we're gonna do probably some

419
00:20:48,400 --> 00:20:50,639
Speaker 1: more rounds later. We might add a few things, and

420
00:20:51,080 --> 00:20:54,520
Speaker 1: you know, we obviously have certain things now in certain colors,

421
00:20:54,560 --> 00:20:57,280
Speaker 1: but we're going to expand all that hopefully in the future.

422
00:20:57,640 --> 00:20:59,720
Speaker 2: But what's the website that they can find it at.

423
00:20:59,840 --> 00:21:01,840
Speaker 3: It's pretty easy to find us. You can either if

424
00:21:01,840 --> 00:21:03,680
Speaker 3: you're on Instagram, you can go to our link tree.

425
00:21:03,680 --> 00:21:06,600
Speaker 3: There's a link in our bio, but our main site

426
00:21:06,760 --> 00:21:11,000
Speaker 3: is exactly rightmedia dot com slash. I saw what you did,

427
00:21:11,320 --> 00:21:13,320
Speaker 3: so if you go to that site, you'll see our merch,

428
00:21:13,400 --> 00:21:16,639
Speaker 3: you'll see our episodes. Buy a shirt, buy a T shirt,

429
00:21:16,640 --> 00:21:19,679
Speaker 3: buy a hoodie. We are going to have. This is

430
00:21:19,760 --> 00:21:22,200
Speaker 3: just the first wave. We're going to keep releasing stuff

431
00:21:22,400 --> 00:21:25,639
Speaker 3: as it makes sense to every funny thing that Millie

432
00:21:25,640 --> 00:21:27,119
Speaker 3: says could be a T shirt. So we're going to

433
00:21:27,200 --> 00:21:31,800
Speaker 3: have like our own curated easy style collection by the

434
00:21:31,920 --> 00:21:32,400
Speaker 3: end of the year.

435
00:21:35,320 --> 00:21:38,120
Speaker 1: Yeah, can we get like a collab going with your

436
00:21:38,160 --> 00:21:42,280
Speaker 1: grandma and like, shit, let's shoot our shot.

437
00:21:43,359 --> 00:21:47,159
Speaker 2: Nike or you know that's just Apple.

438
00:21:47,440 --> 00:21:54,959
Speaker 1: Can we have an Apple X Danielle's grandma.

439
00:21:53,400 --> 00:21:57,920
Speaker 2: The gamer the Gamer version. Also, this is a good point.

440
00:21:57,960 --> 00:21:59,879
Speaker 3: This is actually a pretty good time to say too

441
00:22:00,080 --> 00:22:04,240
Speaker 3: that look, we also wanted grab a knife, cut his

442
00:22:04,280 --> 00:22:07,520
Speaker 3: throat T shirts. We legally cannot make weapons, and that's

443
00:22:07,520 --> 00:22:08,160
Speaker 3: all I have to.

444
00:22:08,080 --> 00:22:10,960
Speaker 2: Say about that. We can't make weapons. We tried to

445
00:22:11,000 --> 00:22:14,520
Speaker 2: have knives made. We can't make weapons and we can't

446
00:22:14,560 --> 00:22:21,119
Speaker 2: incite violence. So unfortunately that shirt ain't coming. But you're

447
00:22:21,160 --> 00:22:21,600
Speaker 2: gonna have to.

448
00:22:21,720 --> 00:22:24,879
Speaker 1: Write it on a white Haynes T shirt with sharpie

449
00:22:24,880 --> 00:22:26,080
Speaker 1: if you want that merch.

450
00:22:26,280 --> 00:22:28,720
Speaker 3: Which would be the coolest thing of all time it Trulli,

451
00:22:28,760 --> 00:22:32,920
Speaker 3: would I mean write it under trapper Keeper because we

452
00:22:32,960 --> 00:22:34,120
Speaker 3: cannot incite violence.

453
00:22:34,240 --> 00:22:36,040
Speaker 2: We tried, We're like, it's not.

454
00:22:36,000 --> 00:22:40,280
Speaker 3: Really us saying it, it's just like the shirt, and like, nah, nah,

455
00:22:40,400 --> 00:22:42,119
Speaker 3: we can't. We can't have Karen and Georgia going to

456
00:22:42,200 --> 00:22:45,000
Speaker 3: jail because you idiots want to put cut his throat

457
00:22:45,040 --> 00:22:47,919
Speaker 3: on a fucking knife, which would be like exhibit A

458
00:22:48,200 --> 00:22:51,080
Speaker 3: in any courtroom and a case that would take five

459
00:22:51,119 --> 00:22:51,879
Speaker 3: minutes to solve.

460
00:22:52,040 --> 00:22:54,560
Speaker 1: Nicholas Gotshaw would have mailed that shit to himself and

461
00:22:54,640 --> 00:22:58,320
Speaker 1: been like, Yo, we know exactly who told me to

462
00:22:58,359 --> 00:22:58,720
Speaker 1: do this.

463
00:22:59,440 --> 00:23:04,200
Speaker 3: Ah, oh that's a callback. But yes, our merch is toy,

464
00:23:04,400 --> 00:23:06,879
Speaker 3: so go get it, go look at it, check back often.

465
00:23:07,040 --> 00:23:09,679
Speaker 3: We'll update you whenever we have new products. And I

466
00:23:09,760 --> 00:23:11,320
Speaker 3: have to also say this is a great place to

467
00:23:11,359 --> 00:23:16,760
Speaker 3: shout out our wonderful designer, John Walters, who designed our

468
00:23:16,840 --> 00:23:19,000
Speaker 3: esteemed dirtbag hoodies and a bunch of other stuff we

469
00:23:19,040 --> 00:23:21,640
Speaker 3: have coming out for you, So go check those out.

470
00:23:22,040 --> 00:23:25,320
Speaker 1: Woo, go get some sweatpants to ride out the rest

471
00:23:25,320 --> 00:23:34,280
Speaker 1: of this corn tizzle. I'm really excited about our theme today,

472
00:23:34,880 --> 00:23:37,640
Speaker 1: so why don't you just tell the people what it is.

473
00:23:37,920 --> 00:23:44,720
Speaker 2: Our theme today is neighborhood creeps. Ugh, what a ripe

474
00:23:44,800 --> 00:23:49,400
Speaker 2: apple to take a bite out of? Am I right? Yes,

475
00:23:49,560 --> 00:23:51,800
Speaker 2: you are absolutely correct, Harry Carey.

476
00:23:55,920 --> 00:23:56,320
Speaker 4: My hero.

477
00:23:56,560 --> 00:23:58,840
Speaker 2: It's Drew, It's Drue. God.

478
00:23:58,960 --> 00:24:02,320
Speaker 1: It's so funny because like, everyone has had a neighbor

479
00:24:02,720 --> 00:24:05,159
Speaker 1: right in their lives, and neighbor, I mean, we had

480
00:24:05,200 --> 00:24:08,760
Speaker 1: a neighbor story of yours a few episodes ago, which

481
00:24:08,920 --> 00:24:12,480
Speaker 1: was quite a pickle, and in fact, we.

482
00:24:12,480 --> 00:24:14,360
Speaker 2: Never followed up with that story.

483
00:24:14,480 --> 00:24:16,800
Speaker 1: So maybe at some point we'll do that, maybe on

484
00:24:16,840 --> 00:24:22,360
Speaker 1: a bonus episode. But neighbor stories are always really amusing

485
00:24:22,440 --> 00:24:25,280
Speaker 1: to me, and I love hearing my friends tell stories

486
00:24:25,280 --> 00:24:25,959
Speaker 1: about their neighbors.

487
00:24:26,560 --> 00:24:27,880
Speaker 2: I do as well, because.

488
00:24:27,640 --> 00:24:30,760
Speaker 3: We've also heard about one of your more recent neighbors

489
00:24:32,080 --> 00:24:36,359
Speaker 3: who appeared on your doorstep with a bleeding head wound

490
00:24:37,000 --> 00:24:39,000
Speaker 3: that she wanted you to take a picture of with

491
00:24:39,080 --> 00:24:45,440
Speaker 3: her iPad. So neighbors are look neighborhoods in general are strange,

492
00:24:45,480 --> 00:24:48,920
Speaker 3: and I think suburbs are the strangest of them all,

493
00:24:48,960 --> 00:24:50,679
Speaker 3: like much in the way that I think that babysitting

494
00:24:50,720 --> 00:24:53,119
Speaker 3: is a psychotic endeavor. I think that suburbs are just

495
00:24:53,240 --> 00:24:57,120
Speaker 3: like a wild notion. It's just a too wild a notion.

496
00:24:57,280 --> 00:24:59,520
Speaker 3: And the way they developed is weird because it's all

497
00:24:59,520 --> 00:25:04,120
Speaker 3: about issues, right, So in the eighteenth century, yeah, I'm

498
00:25:04,119 --> 00:25:08,440
Speaker 3: taking it back. Strap in, y'all get Papa's eye and coke.

499
00:25:08,640 --> 00:25:12,160
Speaker 3: We're going back to the eighteenth century. In the eighteenth

500
00:25:12,160 --> 00:25:15,760
Speaker 3: century they kind of developed in England when all of

501
00:25:15,800 --> 00:25:19,840
Speaker 3: these poor people started pouring into the city for work

502
00:25:19,880 --> 00:25:22,840
Speaker 3: because of all the industrialization. So then all the rich

503
00:25:22,840 --> 00:25:25,600
Speaker 3: people who lived in the city started buying estates on

504
00:25:25,680 --> 00:25:30,080
Speaker 3: the outskirts of London. So that was it was genuinely.

505
00:25:29,640 --> 00:25:31,479
Speaker 2: How it worked, like, oh, poor people here, we got

506
00:25:31,520 --> 00:25:32,920
Speaker 2: to get the fuck out. Yeah.

507
00:25:32,960 --> 00:25:36,080
Speaker 3: And then in America in the nineteen fifties, it kicked

508
00:25:36,080 --> 00:25:39,879
Speaker 3: off not just with class, but because we're awesome and

509
00:25:39,920 --> 00:25:42,080
Speaker 3: we want to double down on everything. We also added

510
00:25:42,080 --> 00:25:46,159
Speaker 3: the element of race. So post War America, everyone was

511
00:25:46,200 --> 00:25:51,000
Speaker 3: promised some kind of prosperity, and then the housing industry

512
00:25:51,040 --> 00:25:54,080
Speaker 3: just kind of like blew up. And there are a

513
00:25:54,119 --> 00:25:57,240
Speaker 3: couple of things that you can read that are important

514
00:25:57,240 --> 00:26:00,360
Speaker 3: here to understand this, but it was kind of an

515
00:26:00,640 --> 00:26:04,960
Speaker 3: intentional racial segregation. So you had all these redlining policies

516
00:26:05,000 --> 00:26:08,399
Speaker 3: where black families were literally not allowed to buy or

517
00:26:08,440 --> 00:26:11,800
Speaker 3: rent homes in certain areas. And then there's a book

518
00:26:11,840 --> 00:26:15,480
Speaker 3: called The Color of Law, and there's a book called Evicted,

519
00:26:15,520 --> 00:26:16,760
Speaker 3: and I think both of both of them came out

520
00:26:16,760 --> 00:26:19,080
Speaker 3: pretty recently. I read Evicted. I haven't read The Color

521
00:26:19,119 --> 00:26:21,960
Speaker 3: of Law yet. But if you're at all interested in

522
00:26:22,040 --> 00:26:27,200
Speaker 3: how suburbs developed, how housing developed in this nation, it's

523
00:26:27,200 --> 00:26:30,160
Speaker 3: worthwhile to look at some books and look at some literature.

524
00:26:30,480 --> 00:26:32,919
Speaker 3: I was also thinking a lot about when I was

525
00:26:32,920 --> 00:26:36,040
Speaker 3: thinking about the suburbs that Julianne Moore character in The Hours,

526
00:26:36,400 --> 00:26:38,720
Speaker 3: because I think like living in the suburbs really made

527
00:26:38,800 --> 00:26:41,040
Speaker 3: her like suicidal.

528
00:26:40,800 --> 00:26:42,680
Speaker 2: Like it was nice, not a good fit for.

529
00:26:42,640 --> 00:26:44,480
Speaker 3: Everyone, and like her husband came home from the war

530
00:26:44,840 --> 00:26:47,600
Speaker 3: and they had this family, and she just didn't fit

531
00:26:47,760 --> 00:26:51,560
Speaker 3: because it was all very like Edward Scissorhan cookie cutter houses,

532
00:26:51,720 --> 00:26:53,400
Speaker 3: and some people just don't fit in there.

533
00:26:53,480 --> 00:26:54,919
Speaker 2: So it's very a very.

534
00:26:54,880 --> 00:26:59,840
Speaker 3: Classed and racialized thing that's happening with the development of suburbs.

535
00:27:00,040 --> 00:27:01,480
Speaker 2: I think it's all kind of nuts.

536
00:27:02,240 --> 00:27:05,000
Speaker 1: Yeah, I mean, I think with the movies that we

537
00:27:05,119 --> 00:27:08,720
Speaker 1: chose for this theme the suburbs, I mean, obviously the

538
00:27:08,760 --> 00:27:12,120
Speaker 1: movie that you picked, the entire movie is about the suburbs.

539
00:27:12,160 --> 00:27:15,720
Speaker 1: It's about the concept of living out there and the

540
00:27:16,080 --> 00:27:22,080
Speaker 1: kind of conundrums that are presented for people that live

541
00:27:22,119 --> 00:27:23,200
Speaker 1: in the burbs.

542
00:27:23,280 --> 00:27:23,440
Speaker 4: Right.

543
00:27:23,960 --> 00:27:26,440
Speaker 1: But my movie is definitely in the city. It takes

544
00:27:26,480 --> 00:27:29,840
Speaker 1: place in Greenwich Village or New York City. But there's

545
00:27:29,880 --> 00:27:34,800
Speaker 1: also like in the movie that I picked, they address

546
00:27:34,880 --> 00:27:38,440
Speaker 1: the situation of how people live in big cities, Yes,

547
00:27:38,480 --> 00:27:42,760
Speaker 1: which is it is class you know, basically like when

548
00:27:42,800 --> 00:27:47,080
Speaker 1: you live in places like New York, LA, big cities

549
00:27:47,119 --> 00:27:48,680
Speaker 1: like that, you live on top of each other.

550
00:27:49,080 --> 00:27:51,880
Speaker 2: And that's the center of my movie this week. Right.

551
00:27:51,960 --> 00:27:54,760
Speaker 1: So it's interesting because you know, I think it's a

552
00:27:54,880 --> 00:27:57,399
Speaker 1: nice like compare and contrast in a lot of ways.

553
00:27:58,680 --> 00:28:02,639
Speaker 1: Just you know, I think both of our movies there's

554
00:28:02,680 --> 00:28:05,600
Speaker 1: definitely a thematic link because honestly, when we were talking

555
00:28:05,640 --> 00:28:10,159
Speaker 1: about this concept of the neighborhood creep, right, it's that

556
00:28:10,280 --> 00:28:13,719
Speaker 1: thing where you're like, there's such a history of the

557
00:28:13,760 --> 00:28:17,280
Speaker 1: neighborhood creep, right as you're growing up, like the weird

558
00:28:17,480 --> 00:28:21,520
Speaker 1: house on the block, the weird old man that lives

559
00:28:21,600 --> 00:28:23,280
Speaker 1: in the apartment up stairs.

560
00:28:24,320 --> 00:28:25,360
Speaker 2: There's always one.

561
00:28:25,600 --> 00:28:28,119
Speaker 3: There's always one neighborhood creep, even if your neighborhood is

562
00:28:28,160 --> 00:28:30,240
Speaker 3: like two houses on opposite ends of the road, one

563
00:28:30,240 --> 00:28:31,360
Speaker 3: of you is the creep.

564
00:28:31,720 --> 00:28:33,399
Speaker 1: Right, And that was the thing, is that when I

565
00:28:33,480 --> 00:28:36,399
Speaker 1: was like going through, like when I was thinking about

566
00:28:36,440 --> 00:28:39,120
Speaker 1: the movie that I'd picked, and I was thinking about

567
00:28:39,120 --> 00:28:41,920
Speaker 1: like my own experiences with neighborhood creeps, I was like,

568
00:28:42,480 --> 00:28:46,600
Speaker 1: to be quite honest, like I don't think I've ever

569
00:28:47,440 --> 00:28:50,880
Speaker 1: not had a neighborhood creep in my in my and

570
00:28:50,920 --> 00:28:53,040
Speaker 1: I've lived in a lot of different places, Like I've

571
00:28:53,040 --> 00:28:57,640
Speaker 1: lived in apartments and freestanding houses. I've lived in the city,

572
00:28:57,720 --> 00:29:00,320
Speaker 1: I've lived in the country, you know, sorts of sort

573
00:29:00,320 --> 00:29:02,640
Speaker 1: of like in all those situations, there's a creep.

574
00:29:03,160 --> 00:29:06,800
Speaker 3: Absolutely, the scope of the creep is is wide.

575
00:29:08,160 --> 00:29:12,200
Speaker 1: And then there are moments where I was like, are

576
00:29:12,240 --> 00:29:13,000
Speaker 1: we the creeps?

577
00:29:13,120 --> 00:29:16,840
Speaker 2: Am I a creep? Certainly felt that, especially in.

578
00:29:16,840 --> 00:29:20,600
Speaker 4: High school, I'll tell you, Like when we were growing up.

579
00:29:20,520 --> 00:29:22,320
Speaker 1: I mean I think I'm I don't even think I've

580
00:29:22,320 --> 00:29:25,440
Speaker 1: talked about this necessarily, but like, you know, when we

581
00:29:25,440 --> 00:29:28,719
Speaker 1: were growing up in Georgia, like we lived in a

582
00:29:29,120 --> 00:29:32,720
Speaker 1: very white part of town, Like we lived in a

583
00:29:33,520 --> 00:29:38,400
Speaker 1: white suburb north of Atlanta, and we were pretty much

584
00:29:38,720 --> 00:29:41,160
Speaker 1: the only people of color that lived in my neighborhood,

585
00:29:41,200 --> 00:29:44,920
Speaker 1: and Ed is saying a lot, and we were, here's

586
00:29:44,960 --> 00:29:47,400
Speaker 1: a couple of immigrants in their kids, and there's like

587
00:29:47,560 --> 00:29:52,800
Speaker 1: weird cooking smells, and there's fucking grandparents that live.

588
00:29:52,720 --> 00:29:55,720
Speaker 2: In the you know, the room above the garage.

589
00:29:55,840 --> 00:29:58,719
Speaker 4: And I am certain that, like we were the creeps

590
00:29:58,720 --> 00:29:59,480
Speaker 4: of that neighborhood.

591
00:30:01,920 --> 00:30:04,440
Speaker 3: I love this so much because this is this is

592
00:30:04,480 --> 00:30:06,440
Speaker 3: the kind of interrogation that I was doing when I

593
00:30:06,480 --> 00:30:08,400
Speaker 3: was watching both of our movies as well, because I

594
00:30:08,440 --> 00:30:11,280
Speaker 3: feel the same way like we were one of a

595
00:30:11,760 --> 00:30:15,000
Speaker 3: very small amount, like what could count on one hand

596
00:30:15,000 --> 00:30:17,040
Speaker 3: the amount of people of color in my town growing up.

597
00:30:17,320 --> 00:30:19,320
Speaker 2: Yeah, so we were that family.

598
00:30:19,400 --> 00:30:22,080
Speaker 3: And we were also the only people I know who rented,

599
00:30:22,240 --> 00:30:24,760
Speaker 3: Like I grew up in a duplex and I've always

600
00:30:24,760 --> 00:30:28,080
Speaker 3: lived in apartments. I've never lived in the house unless

601
00:30:28,120 --> 00:30:30,920
Speaker 3: it was like a rented house that was a duplex.

602
00:30:31,240 --> 00:30:33,160
Speaker 3: So I think we were the creeps because they're like, oh,

603
00:30:33,200 --> 00:30:35,040
Speaker 3: they rent and they go to the laundromat. They don't

604
00:30:35,080 --> 00:30:37,200
Speaker 3: have a house with a washer and dryer and a car,

605
00:30:37,320 --> 00:30:39,360
Speaker 3: like they don't have anything. So I think we were

606
00:30:39,360 --> 00:30:40,520
Speaker 3: the creeps in my neighborhood as well.

607
00:30:40,600 --> 00:30:44,800
Speaker 1: Sometimes, yeah, it's so interesting because you're like, yeah, it

608
00:30:44,840 --> 00:30:49,560
Speaker 1: is race and class and you know, sometimes it's literally

609
00:30:49,800 --> 00:30:51,800
Speaker 1: just the refusal to assimilate.

610
00:30:52,000 --> 00:30:53,280
Speaker 2: Like that's That's the thing.

611
00:30:53,320 --> 00:30:57,520
Speaker 1: I think that's really in your film is this idea

612
00:30:57,600 --> 00:31:00,719
Speaker 1: that like, you know, the burbs are like essential, Like

613
00:31:00,760 --> 00:31:02,600
Speaker 1: there's this sort of like silent.

614
00:31:02,240 --> 00:31:05,680
Speaker 4: Agreement that you're gonna be like boring together or something.

615
00:31:05,440 --> 00:31:07,760
Speaker 1: And then there's like one house it's like, well, they're

616
00:31:07,800 --> 00:31:10,800
Speaker 1: not doing our thing, we're doing something different, so they're murderers.

617
00:31:11,920 --> 00:31:14,040
Speaker 2: It's so much self policing.

618
00:31:14,440 --> 00:31:17,560
Speaker 3: Yeah, it's so much self policing that creates a neighborhood creep.

619
00:31:17,760 --> 00:31:19,640
Speaker 4: Oh my god, I have so much to say about

620
00:31:19,680 --> 00:31:20,040
Speaker 4: that too.

621
00:31:20,240 --> 00:31:22,640
Speaker 1: I have We have a lot to talk about in

622
00:31:22,680 --> 00:31:24,840
Speaker 1: this episode, and I think it's gonna be super fun.

623
00:31:24,880 --> 00:31:28,480
Speaker 1: So I'm super excited to talk about especially your movie,

624
00:31:28,520 --> 00:31:30,720
Speaker 1: because you're I haven't seen it in a very long time,

625
00:31:30,720 --> 00:31:32,360
Speaker 1: and I think you're going first this week.

626
00:31:32,440 --> 00:31:34,680
Speaker 3: So I am going first this week, and I'm excited

627
00:31:34,680 --> 00:31:36,360
Speaker 3: to talk about my movie, and I can't wait till

628
00:31:36,400 --> 00:31:38,560
Speaker 3: we talk about your movie, particularly because I want to

629
00:31:38,560 --> 00:31:40,920
Speaker 3: know who you think is the neighborhood creep and.

630
00:31:40,920 --> 00:31:42,600
Speaker 2: You're ooh love it.

631
00:31:43,240 --> 00:31:45,880
Speaker 3: Yeah, And who's the neighborhood creep in my movie? Like

632
00:31:45,920 --> 00:31:47,840
Speaker 3: we can tell, let's talk about it. The movie That

633
00:31:47,920 --> 00:31:53,560
Speaker 3: I Chose was released in nineteen eighty nine. It was

634
00:31:53,600 --> 00:31:57,200
Speaker 3: directed by Joe Dante, written by Dana Olsen, and it's

635
00:31:57,680 --> 00:31:58,600
Speaker 3: the verbs.

636
00:31:58,840 --> 00:32:05,000
Speaker 8: Welcome to Mayfield Place, a typical street in the burbs,

637
00:32:05,480 --> 00:32:09,680
Speaker 8: why and wather where nothing much ever happened, a circa

638
00:32:09,800 --> 00:32:14,320
Speaker 8: dump on Rumsfield's lining. And until the klopex moved in,

639
00:32:14,480 --> 00:32:17,160
Speaker 8: clopex klopex klopek.

640
00:32:16,920 --> 00:32:19,960
Speaker 2: No one goes in, no one comes out, the neighbors

641
00:32:20,000 --> 00:32:20,480
Speaker 2: from house.

642
00:32:21,680 --> 00:32:26,240
Speaker 3: Okay, So this movie, it holds up. I was laughing

643
00:32:26,520 --> 00:32:31,000
Speaker 3: so hard watching this movie. I'll give you a little

644
00:32:31,120 --> 00:32:34,200
Speaker 3: little synopsis this. First of all, this movie has an

645
00:32:34,240 --> 00:32:37,680
Speaker 3: incredible cast. We've got Tom Hanks playing the main one

646
00:32:37,680 --> 00:32:42,760
Speaker 3: of the main characters, Bruce Dern, Carrie Fisher, Corey Feldman,

647
00:32:43,320 --> 00:32:47,720
Speaker 3: Henry Gibson. Like it is a non stop hit parade

648
00:32:48,480 --> 00:32:52,960
Speaker 3: with this cast. But the synopsis is that ray Ray Peterson,

649
00:32:53,120 --> 00:32:56,880
Speaker 3: who is played by Tom Hanks, lives on this cul

650
00:32:56,920 --> 00:33:00,160
Speaker 3: de sac in the suburbs. He's on vacation for thee

651
00:33:00,280 --> 00:33:02,360
Speaker 3: and instead of going to the lake they decided that

652
00:33:02,400 --> 00:33:04,440
Speaker 3: he's going to stay at home and relax and get

653
00:33:04,480 --> 00:33:07,200
Speaker 3: some projects done. You know his wife is you know,

654
00:33:07,280 --> 00:33:10,480
Speaker 3: Carrie Fisher keeps kind of asking like, hey, can we

655
00:33:11,240 --> 00:33:13,320
Speaker 3: go away, and he's like, now, I'm gonna fix the barbecue,

656
00:33:13,320 --> 00:33:15,160
Speaker 3: like our kid's gonna hang out. It'll be cool, it'll

657
00:33:15,200 --> 00:33:16,720
Speaker 3: be cool. It's a summer, I'm on vacation.

658
00:33:16,800 --> 00:33:17,200
Speaker 2: It's fine.

659
00:33:18,040 --> 00:33:20,920
Speaker 3: And this is the kind of neighborhood where you can

660
00:33:21,200 --> 00:33:23,520
Speaker 3: tell the personality of the people living in the houses

661
00:33:23,560 --> 00:33:25,720
Speaker 3: based on the outside of what their house looks like.

662
00:33:26,160 --> 00:33:28,960
Speaker 3: So you have the house with the perfectly manicured lawn

663
00:33:29,240 --> 00:33:32,959
Speaker 3: that the elderly neighbor lives in because he lets his

664
00:33:33,000 --> 00:33:35,760
Speaker 3: dog shit in everyone else's yard, so that's why, like

665
00:33:35,800 --> 00:33:37,160
Speaker 3: his yard looks pristine.

666
00:33:37,720 --> 00:33:40,760
Speaker 2: Then you have Bruce Dern who's playing.

667
00:33:40,240 --> 00:33:44,400
Speaker 3: Mark, and Mark is a former military guy who goes

668
00:33:44,440 --> 00:33:47,040
Speaker 3: out and raises a flag on a flagpole, an American

669
00:33:47,200 --> 00:33:48,560
Speaker 3: flag every morning.

670
00:33:49,040 --> 00:33:52,240
Speaker 2: Oh, Bruce den.

671
00:33:52,400 --> 00:33:56,960
Speaker 1: Is a treasure because he always plays this fucking guy

672
00:33:57,160 --> 00:34:01,840
Speaker 1: like he's always playing this guy, which is so great surprising.

673
00:34:02,080 --> 00:34:03,640
Speaker 3: Why didn't know one thing to put it in a

674
00:34:03,680 --> 00:34:07,760
Speaker 3: comedic role until this Because the comedy version of this

675
00:34:07,880 --> 00:34:09,600
Speaker 3: role is the best.

676
00:34:11,840 --> 00:34:13,000
Speaker 2: It's the best.

677
00:34:13,680 --> 00:34:17,440
Speaker 3: And then you have Rick Dukeman, who plays art the

678
00:34:18,080 --> 00:34:21,480
Speaker 3: kind of sidekick neighbor for Tom Hanks, for Ray Peterson,

679
00:34:21,520 --> 00:34:23,719
Speaker 3: and he's such a shit starter, Like he is just

680
00:34:23,920 --> 00:34:27,960
Speaker 3: such an instigator. He's so great, and he's also on

681
00:34:28,080 --> 00:34:30,200
Speaker 3: vacation and his wife's out of town, so he's just

682
00:34:30,280 --> 00:34:32,439
Speaker 3: like playing it up and just like we're gonna golf

683
00:34:32,480 --> 00:34:34,400
Speaker 3: and smoke cigars and have a real time.

684
00:34:34,920 --> 00:34:36,120
Speaker 2: He is so funny.

685
00:34:36,200 --> 00:34:39,680
Speaker 3: Corey Feldman who plays like the shitty teenager neighbor Ricky

686
00:34:40,200 --> 00:34:41,359
Speaker 3: whose parents are out of town.

687
00:34:41,400 --> 00:34:43,239
Speaker 2: I think they asked him to like paint the.

688
00:34:43,200 --> 00:34:48,399
Speaker 3: Exterior of the house while they were gone, which such

689
00:34:48,400 --> 00:34:49,320
Speaker 3: a weird premise.

690
00:34:50,560 --> 00:34:52,680
Speaker 2: Yeah, you're a teenager painter whole fucking house.

691
00:34:53,120 --> 00:34:55,080
Speaker 4: I couldn't, you know, I gotta be honest with you,

692
00:34:55,200 --> 00:34:57,799
Speaker 4: I couldn't. So I haven't seen this movie in a

693
00:34:57,880 --> 00:34:59,560
Speaker 4: very long time, probably not since high school.

694
00:34:59,680 --> 00:35:02,080
Speaker 2: And it was like I could remember if Corey.

695
00:35:01,840 --> 00:35:05,120
Speaker 1: Felman was a grown up living in that house by himself,

696
00:35:05,120 --> 00:35:07,240
Speaker 1: because when he first kind of shows up, he's painting

697
00:35:07,320 --> 00:35:08,560
Speaker 1: the house and I'm like, wait a.

698
00:35:08,600 --> 00:35:10,400
Speaker 4: Minute, is he does he own the house?

699
00:35:11,640 --> 00:35:14,880
Speaker 1: But then he eventually you figure out always a teenager.

700
00:35:15,040 --> 00:35:15,239
Speaker 4: You know.

701
00:35:15,360 --> 00:35:17,800
Speaker 3: But I was like, wow, word child, he's a wayward

702
00:35:17,920 --> 00:35:20,600
Speaker 3: child who's been left to his And also nobody in

703
00:35:20,600 --> 00:35:23,320
Speaker 3: the neighborhood seems to mind that either, because again suburbs,

704
00:35:23,400 --> 00:35:24,320
Speaker 3: you keep to yourself.

705
00:35:24,440 --> 00:35:26,279
Speaker 2: If you leave your child at home for a week,

706
00:35:26,360 --> 00:35:26,960
Speaker 2: that's on you.

707
00:35:27,120 --> 00:35:30,000
Speaker 3: It's fine, somebody's watching, So somebody's always watching.

708
00:35:30,080 --> 00:35:30,680
Speaker 2: It's fine.

709
00:35:30,800 --> 00:35:33,719
Speaker 3: If the house burns down, he'll somebody will call the cops, hopefully.

710
00:35:34,000 --> 00:35:37,000
Speaker 3: But you've got this like this weird ecosystem happening in

711
00:35:37,040 --> 00:35:39,799
Speaker 3: this neighborhood, and then you PLoP right down in the

712
00:35:39,800 --> 00:35:44,200
Speaker 3: middle of it a family, a multi generational immigrant family

713
00:35:44,280 --> 00:35:48,080
Speaker 3: called the Klopex, and their yard isn't done, and their

714
00:35:48,200 --> 00:35:52,319
Speaker 3: porch has fallowing apart, and their house is just the shambles.

715
00:35:53,360 --> 00:35:57,560
Speaker 3: So when Walter, the older neighbor goes missing, of course

716
00:35:58,120 --> 00:36:02,520
Speaker 3: Art the Shitsterer and y Tom Hanks decide that the

717
00:36:02,560 --> 00:36:04,960
Speaker 3: Clopex have something to do with it. After a series

718
00:36:04,960 --> 00:36:10,120
Speaker 3: of events, and they decide to investigate the Clopex. So

719
00:36:10,200 --> 00:36:14,879
Speaker 3: that is a brief synopsis of this film. I love

720
00:36:14,960 --> 00:36:17,520
Speaker 3: Tom Hanks when he does movies like this. I love

721
00:36:17,640 --> 00:36:22,040
Speaker 3: him in a flat out comedy space where he is

722
00:36:22,200 --> 00:36:27,799
Speaker 3: just sarcasm and one liners and he's so he's just

723
00:36:27,880 --> 00:36:30,080
Speaker 3: so he plays that role so well. He's got his

724
00:36:30,120 --> 00:36:32,560
Speaker 3: little shorts, his little khakis on.

725
00:36:33,920 --> 00:36:38,560
Speaker 1: His little chubbies or whatever they're called, like the those

726
00:36:38,600 --> 00:36:41,640
Speaker 1: like five inch insane men's eighty shorts.

727
00:36:41,880 --> 00:36:44,000
Speaker 3: He just wants to chill, and Art's like, no, we

728
00:36:44,040 --> 00:36:46,160
Speaker 3: got to figure this out. And it's kind of like

729
00:36:46,640 --> 00:36:48,760
Speaker 3: it's one of those things where the gossip starts early

730
00:36:48,840 --> 00:36:52,520
Speaker 3: about the Clopex because there's already gossip about how their

731
00:36:52,520 --> 00:36:55,640
Speaker 3: old house burned down, and then there's like, you know,

732
00:36:55,760 --> 00:36:59,160
Speaker 3: nobody comes in, nobody goes out, We don't see any deliveries,

733
00:36:59,200 --> 00:37:00,880
Speaker 3: Like what do you think they're eating over there? Like

734
00:37:01,000 --> 00:37:03,719
Speaker 3: just the nature of that kind of spurious sort of

735
00:37:03,880 --> 00:37:07,279
Speaker 3: gossip and that and siffdness of it, it just starts instantly.

736
00:37:07,920 --> 00:37:11,480
Speaker 2: And so when they do see that at night.

737
00:37:11,600 --> 00:37:15,920
Speaker 3: One night, the garage opens while they're outside chill and

738
00:37:15,960 --> 00:37:18,680
Speaker 3: smoking a cigar, and they see the younger of the

739
00:37:18,760 --> 00:37:21,960
Speaker 3: Klopex get in his car and drive the garbage to

740
00:37:22,000 --> 00:37:24,160
Speaker 3: the end of the driveway, take it out of the car,

741
00:37:24,200 --> 00:37:27,279
Speaker 3: and then just like pound it into the garbage.

742
00:37:26,760 --> 00:37:31,279
Speaker 2: Cannon drive back to the house. They're like, what is up?

743
00:37:31,520 --> 00:37:34,160
Speaker 3: And on top of that, the next night it starts

744
00:37:34,239 --> 00:37:37,200
Speaker 3: raining and Ray sees them because he's the direct next

745
00:37:37,200 --> 00:37:39,239
Speaker 3: door neighbor. So Ray sees them all like digging in

746
00:37:39,280 --> 00:37:40,840
Speaker 3: the yard and he's like, what are they digging in

747
00:37:40,840 --> 00:37:41,800
Speaker 3: the middle of a rainstorm.

748
00:37:41,880 --> 00:37:44,040
Speaker 2: There's just all these little clues that kind of add up.

749
00:37:44,760 --> 00:37:50,040
Speaker 3: So they decide to really start investigating this family, and

750
00:37:50,120 --> 00:37:52,080
Speaker 3: it is just high jinks galore.

751
00:37:52,560 --> 00:37:56,200
Speaker 1: It's funny because you're so right about this family is

752
00:37:56,239 --> 00:37:59,960
Speaker 1: not on board with the fucking pact of the Burbs,

753
00:38:00,040 --> 00:38:02,319
Speaker 1: which is that you know, you have to have like

754
00:38:02,440 --> 00:38:05,799
Speaker 1: a good looking house. You can't be pale and come

755
00:38:05,840 --> 00:38:08,360
Speaker 1: out at night and do weird shit in your yard.

756
00:38:08,600 --> 00:38:12,200
Speaker 1: It's like they're doing literally every everything is wrong, and

757
00:38:12,239 --> 00:38:15,120
Speaker 1: of course all the neighbors are just like creeping and

758
00:38:15,160 --> 00:38:17,839
Speaker 1: they's they're like, we got to figure these people out

759
00:38:17,960 --> 00:38:21,719
Speaker 1: because the people that lived there before them suddenly are

760
00:38:21,960 --> 00:38:22,600
Speaker 1: have moved out.

761
00:38:22,640 --> 00:38:25,879
Speaker 4: And then who the fuck are these people? And it's

762
00:38:26,000 --> 00:38:26,880
Speaker 4: the dads.

763
00:38:27,040 --> 00:38:29,920
Speaker 1: That's the funny thing, is the dads of the neighborhood,

764
00:38:29,960 --> 00:38:33,279
Speaker 1: which is also like that's another fascinating thing about like

765
00:38:33,360 --> 00:38:38,240
Speaker 1: neighborhoods is the like factions of dads and factions of moms,

766
00:38:38,280 --> 00:38:42,880
Speaker 1: Like moms have their own shit, like y'all know, the

767
00:38:42,920 --> 00:38:45,440
Speaker 1: moms in the neighborhood. So but it's like all the

768
00:38:45,600 --> 00:38:49,279
Speaker 1: dads that are just sort of like plotting and trying

769
00:38:49,280 --> 00:38:51,400
Speaker 1: to come up. And of course, like the Bruce tern character,

770
00:38:51,520 --> 00:38:54,520
Speaker 1: you know, he's like got military experience, so he's.

771
00:38:54,360 --> 00:38:56,680
Speaker 2: Got all his gear, he's got fucking.

772
00:38:59,120 --> 00:39:03,800
Speaker 4: And like all that shit, which is classic classic, like

773
00:39:03,800 --> 00:39:07,239
Speaker 4: like always a like over zealous military.

774
00:39:06,880 --> 00:39:07,920
Speaker 2: Guy in the neighborhood.

775
00:39:08,239 --> 00:39:10,279
Speaker 1: So it's just that thing where it's sort of like

776
00:39:10,320 --> 00:39:14,640
Speaker 1: that the politics of like you know, being the weird

777
00:39:14,680 --> 00:39:17,680
Speaker 1: family in the neighborhood and like everybody's fucking trying to

778
00:39:17,680 --> 00:39:19,080
Speaker 1: figure you out, you know what I mean.

779
00:39:19,400 --> 00:39:23,000
Speaker 3: And the gender dynamics definitely come into play because eventually

780
00:39:23,640 --> 00:39:27,640
Speaker 3: Carol who's played by Kerry Fisher and Bonnie who's played

781
00:39:27,640 --> 00:39:29,919
Speaker 3: by Wendy Shawl that's Mark's wife, are like.

782
00:39:30,000 --> 00:39:31,040
Speaker 2: Hey, you know what we're gonna do.

783
00:39:31,160 --> 00:39:32,960
Speaker 3: We're going over there right now with some cookies and

784
00:39:32,960 --> 00:39:35,520
Speaker 3: we're gonna like introduce ourselves to them instead of like

785
00:39:35,560 --> 00:39:39,960
Speaker 3: sneaking around their yard and causing all this damage, like

786
00:39:40,000 --> 00:39:43,000
Speaker 3: we're gonna go and just say hello. And what's hilarious

787
00:39:43,000 --> 00:39:45,080
Speaker 3: about that scene is not just that they do it,

788
00:39:45,120 --> 00:39:46,759
Speaker 3: that the women are just like, fuck this, if we're

789
00:39:46,760 --> 00:39:49,560
Speaker 3: gonna get any piece here, we can't let you lead this,

790
00:39:50,120 --> 00:39:51,719
Speaker 3: but that they go over to the house and the

791
00:39:51,760 --> 00:39:53,280
Speaker 3: family is really fucking weird.

792
00:39:54,920 --> 00:39:57,839
Speaker 2: They're not they necessarily shouldn't be.

793
00:39:57,800 --> 00:40:01,080
Speaker 3: Like, you know, under investigation for it, but they are

794
00:40:01,239 --> 00:40:02,520
Speaker 3: so strange.

795
00:40:02,680 --> 00:40:06,719
Speaker 4: And then the Adams family for sure.

796
00:40:06,040 --> 00:40:08,040
Speaker 2: Like the all male Adams family.

797
00:40:08,120 --> 00:40:10,919
Speaker 3: They serve the This scene has always made me laugh

798
00:40:11,239 --> 00:40:14,799
Speaker 3: so hard. I don't know why, but there's a scene

799
00:40:14,840 --> 00:40:20,400
Speaker 3: where they serve pretzels with sardines and Tom Hanks just

800
00:40:20,440 --> 00:40:23,200
Speaker 3: starts like sneezing and kind of having a fit and

801
00:40:23,200 --> 00:40:27,160
Speaker 3: he hasn't eaten the whole thing. It is so fucking funny. Yeah,

802
00:40:27,160 --> 00:40:29,480
Speaker 3: And it's like, these are strange things. These are strange

803
00:40:29,520 --> 00:40:30,160
Speaker 3: things happening.

804
00:40:30,280 --> 00:40:32,359
Speaker 1: That is like one of my favorite scenes too, because

805
00:40:32,360 --> 00:40:34,879
Speaker 1: it's happening really slowly. And then they of course they

806
00:40:34,920 --> 00:40:38,000
Speaker 1: like crank up the mouth sounds and like, well you

807
00:40:38,000 --> 00:40:40,400
Speaker 1: can see you can see that Carrie Fisher's character and

808
00:40:40,400 --> 00:40:44,640
Speaker 1: Wendy Shaw's character like about to vomit, and they're like, uh,

809
00:40:44,680 --> 00:40:46,680
Speaker 1: but you have to be the one that eats it

810
00:40:46,680 --> 00:40:48,280
Speaker 1: because we don't want to be fucking rude.

811
00:40:48,520 --> 00:40:49,919
Speaker 2: So you're the guinea pig.

812
00:40:50,040 --> 00:40:52,480
Speaker 1: And Tom Hanks is like, oh shit, I gotta do

813
00:40:52,560 --> 00:40:55,719
Speaker 1: this and like that'sn't like again, you just you touched

814
00:40:55,719 --> 00:40:58,040
Speaker 1: on it earlier. But like Tom Hanks as this type

815
00:40:58,080 --> 00:40:59,720
Speaker 1: of character is the best.

816
00:41:00,280 --> 00:41:02,040
Speaker 2: I love when he screams.

817
00:41:02,360 --> 00:41:05,200
Speaker 1: Like when Tom Hanks screams, that cracks me the fuck

818
00:41:05,320 --> 00:41:06,240
Speaker 1: up every time.

819
00:41:06,560 --> 00:41:08,680
Speaker 4: Like when he spills coffee on his leg and he

820
00:41:08,800 --> 00:41:09,719
Speaker 4: like flips out.

821
00:41:10,040 --> 00:41:14,480
Speaker 1: I'm like, is there anything funnier than Tom Hanks flipping out?

822
00:41:14,800 --> 00:41:15,719
Speaker 2: Like no, what's fun?

823
00:41:15,960 --> 00:41:18,280
Speaker 3: It's like Joe versus the Volcay, you know, like all

824
00:41:18,520 --> 00:41:21,880
Speaker 3: movies where he flips out are the best. There's there's

825
00:41:21,880 --> 00:41:24,680
Speaker 3: a scene in this movie where so help me, if

826
00:41:24,680 --> 00:41:28,520
Speaker 3: somebody could make this a ring tone, I would be

827
00:41:28,800 --> 00:41:31,600
Speaker 3: so happy, where he and Art are in the backyard

828
00:41:31,640 --> 00:41:33,799
Speaker 3: and the dogs digging under the fence and finds a

829
00:41:33,800 --> 00:41:37,759
Speaker 3: bone and they start screaming and the camera just like

830
00:41:37,800 --> 00:41:39,880
Speaker 3: goes in and out on there.

831
00:41:42,239 --> 00:41:46,319
Speaker 2: Thanks is so funny, Oh my, so funny. I love.

832
00:41:46,520 --> 00:41:48,440
Speaker 3: There's also a scene in this in this film that

833
00:41:48,760 --> 00:41:51,880
Speaker 3: there's just so many that are just true hijenks, Like it's.

834
00:41:51,760 --> 00:41:53,880
Speaker 2: Just such a it's not a feel.

835
00:41:53,640 --> 00:41:55,759
Speaker 3: Good movie in terms of like what they're doing to

836
00:41:55,800 --> 00:41:58,680
Speaker 3: this family at all, but it is such a fucking

837
00:41:58,719 --> 00:42:03,560
Speaker 3: funny movie that about exposing the strangeness of the suburbs

838
00:42:03,560 --> 00:42:07,040
Speaker 3: and your creepy neighbors. And again, who's the real creep here?

839
00:42:07,360 --> 00:42:09,560
Speaker 3: Tom Hanks at one point is like it's us. Like

840
00:42:09,719 --> 00:42:12,040
Speaker 3: the family did nothing to us. They were just living there,

841
00:42:12,120 --> 00:42:14,920
Speaker 3: they were doing their own thing. We are the creeps.

842
00:42:14,960 --> 00:42:17,640
Speaker 3: We're the ones who are like infiltrating their.

843
00:42:17,440 --> 00:42:18,760
Speaker 2: Lives, not the other way around.

844
00:42:19,360 --> 00:42:21,080
Speaker 3: And there is a scene at the end where he

845
00:42:21,239 --> 00:42:24,920
Speaker 3: is just so again like it just has cracked me

846
00:42:24,960 --> 00:42:26,960
Speaker 3: up since I was a little kid, where he's.

847
00:42:26,800 --> 00:42:27,839
Speaker 2: Like I've been blown up.

848
00:42:28,160 --> 00:42:30,160
Speaker 3: Take me to the hospital, and he throws himself on

849
00:42:30,200 --> 00:42:30,800
Speaker 3: a stretcher.

850
00:42:33,200 --> 00:42:34,359
Speaker 2: It's just like.

851
00:42:35,840 --> 00:42:39,279
Speaker 3: Busted and he throws himself on a stretcher. It's like

852
00:42:39,360 --> 00:42:42,800
Speaker 3: I've been blown up. Oh God, I just love him

853
00:42:43,040 --> 00:42:43,600
Speaker 3: so much.

854
00:42:44,040 --> 00:42:50,080
Speaker 4: I need to briefly discuss who I feel is this

855
00:42:50,239 --> 00:42:54,200
Speaker 4: absolute fucking star of the movie is Queenie the Dog.

856
00:42:54,719 --> 00:43:00,880
Speaker 1: Thank you Bijon Royalty in this house, as you know,

857
00:43:01,160 --> 00:43:04,640
Speaker 1: because my dog is a Beijeon as well. And let

858
00:43:04,640 --> 00:43:07,640
Speaker 1: me just tell you, like, I have so much to

859
00:43:07,680 --> 00:43:10,560
Speaker 1: say about Walter's character because this is what I think

860
00:43:10,640 --> 00:43:13,360
Speaker 1: is also really funny about this movie is that Walter

861
00:43:13,600 --> 00:43:16,120
Speaker 1: is sort of not the creep, which you kind of

862
00:43:16,160 --> 00:43:18,680
Speaker 1: were like he is because he wears a bad tu pay.

863
00:43:19,040 --> 00:43:21,799
Speaker 1: He has this crazy dog that's shitting in everybody's yard.

864
00:43:21,960 --> 00:43:24,480
Speaker 1: But somehow they want to find out where he is.

865
00:43:24,800 --> 00:43:29,759
Speaker 1: Right in a way, they sort of like are they're

866
00:43:29,840 --> 00:43:33,560
Speaker 1: trying to get justice for him, right, But it's that

867
00:43:33,680 --> 00:43:35,640
Speaker 1: thing where, like you know, they go into.

868
00:43:35,400 --> 00:43:38,720
Speaker 2: His house and it's like he's got like an old

869
00:43:38,760 --> 00:43:40,040
Speaker 2: gay man's house. I love it.

870
00:43:40,080 --> 00:43:42,360
Speaker 1: I was like, I would live here. I would be

871
00:43:42,440 --> 00:43:46,600
Speaker 1: the Walter of the neighborhood. But that dog, First of all,

872
00:43:46,719 --> 00:43:49,200
Speaker 1: I'm sure everybody knows this by now, but that dog

873
00:43:49,320 --> 00:43:56,400
Speaker 1: is famous because the dog has an IMDb that is incredible.

874
00:43:56,840 --> 00:44:00,160
Speaker 4: Her real name is Darla and its.

875
00:44:00,360 --> 00:44:02,080
Speaker 2: Like facts about Darla.

876
00:44:02,239 --> 00:44:05,400
Speaker 1: She was born in nineteen seventy five in the United

877
00:44:05,400 --> 00:44:06,480
Speaker 1: States of America.

878
00:44:07,719 --> 00:44:11,640
Speaker 2: She was the dog from Silence of the Lambs.

879
00:44:13,120 --> 00:44:16,520
Speaker 1: She was the dog from Peewee's Big Adventure, and she

880
00:44:16,719 --> 00:44:18,520
Speaker 1: was in Batman Returns.

881
00:44:18,560 --> 00:44:20,560
Speaker 4: I mean, she's been in things. It's like she's like

882
00:44:20,600 --> 00:44:24,160
Speaker 4: a full actress, and like.

883
00:44:24,160 --> 00:44:27,120
Speaker 1: In this movie, she's iconic, and I'm just sort of like,

884
00:44:27,840 --> 00:44:32,400
Speaker 1: I love the Beijon visibility that she brought throughout her career.

885
00:44:32,920 --> 00:44:35,600
Speaker 1: And you know, the funny thing is that everybody thinks

886
00:44:35,600 --> 00:44:38,000
Speaker 1: she's a poodle, but she's not. She's a beija But

887
00:44:38,120 --> 00:44:40,719
Speaker 1: I just love Queenie love. There's a lot of I

888
00:44:40,760 --> 00:44:45,160
Speaker 1: think with both of our movies, there's like small dog trauma.

889
00:44:45,560 --> 00:44:49,440
Speaker 1: You know, well yeah, so, I mean we'll get to

890
00:44:49,440 --> 00:44:52,000
Speaker 1: that in a second. But also, like with Queenie, it's

891
00:44:52,040 --> 00:44:54,800
Speaker 1: that thing where like her owner goes missing and they're

892
00:44:54,840 --> 00:44:56,359
Speaker 1: just sort of like, well, we got to take care

893
00:44:56,400 --> 00:44:58,600
Speaker 1: of this dog because we don't know where Walter is.

894
00:44:58,640 --> 00:45:00,920
Speaker 3: And that's how they find out that he's They're like,

895
00:45:00,920 --> 00:45:03,560
Speaker 3: why is this dog out? Like he never lets he

896
00:45:03,600 --> 00:45:05,439
Speaker 3: lets her shit in our yard, but he always calls

897
00:45:05,440 --> 00:45:08,920
Speaker 3: her back, like she's never just dirty and roaming around exactly.

898
00:45:09,239 --> 00:45:10,799
Speaker 1: And there's this one point where they go into his

899
00:45:10,840 --> 00:45:12,560
Speaker 1: house and they leave her on the counter and there's

900
00:45:12,560 --> 00:45:13,480
Speaker 1: a moment where they just.

901
00:45:13,440 --> 00:45:15,520
Speaker 2: All leave and I'm like, do not leave this dog

902
00:45:15,560 --> 00:45:18,200
Speaker 2: on the counter. But luckily they don't.

903
00:45:18,360 --> 00:45:21,480
Speaker 1: And when they show the next scene and they and

904
00:45:21,600 --> 00:45:24,640
Speaker 1: the dog is with like Tom Hanks, I literally felt

905
00:45:24,680 --> 00:45:26,680
Speaker 1: the most relief I've ever felt.

906
00:45:27,680 --> 00:45:30,000
Speaker 3: Wait, so you thought they were like, we don't know

907
00:45:30,040 --> 00:45:32,120
Speaker 3: where Walter is, You're on your own.

908
00:45:34,920 --> 00:45:36,759
Speaker 1: I was like, they're gonna leave this poor dog on

909
00:45:36,800 --> 00:45:38,799
Speaker 1: the counter. She's not gonna be able to get down.

910
00:45:40,360 --> 00:45:41,879
Speaker 1: The only thing she's got in here.

911
00:45:41,880 --> 00:45:46,040
Speaker 2: Is his to pay. He gets the suburbs. It's the suburbs.

912
00:45:46,040 --> 00:45:48,000
Speaker 3: I don't put it past anyone to be like, not

913
00:45:48,080 --> 00:45:50,640
Speaker 3: our business, yo, Like we did our best.

914
00:45:50,680 --> 00:45:53,399
Speaker 2: We broke into your house. Her owner's not here. He's

915
00:45:53,680 --> 00:45:57,240
Speaker 2: a bag of alpo. Good luck. Oh my god.

916
00:45:57,440 --> 00:46:00,239
Speaker 1: So so you're telling you're telling me. Do you think

917
00:46:00,280 --> 00:46:03,600
Speaker 1: that the creeps there's multiple creeps in this movie?

918
00:46:03,640 --> 00:46:04,800
Speaker 2: You think multiple creeps.

919
00:46:05,000 --> 00:46:08,160
Speaker 1: Yeah, there's the creeps, the obvious crips, but then there's

920
00:46:08,280 --> 00:46:13,279
Speaker 1: the neighbors, like the Tom Hanks character and his buddies exactly.

921
00:46:13,680 --> 00:46:17,200
Speaker 3: And there see, this is the thing that I feel

922
00:46:17,239 --> 00:46:20,880
Speaker 3: like the ending of this movie, which we're still hearing

923
00:46:20,880 --> 00:46:23,319
Speaker 3: from people about spoilers, it's kind of half and half

924
00:46:23,400 --> 00:46:25,239
Speaker 3: right now. But I will say that the end of

925
00:46:25,280 --> 00:46:27,520
Speaker 3: the ending of this movie could have gone either way,

926
00:46:28,040 --> 00:46:30,319
Speaker 3: and the way that they chose for it to go,

927
00:46:31,120 --> 00:46:35,440
Speaker 3: I think doesn't detract from the fact that Tom Hanks

928
00:46:35,520 --> 00:46:38,720
Speaker 3: and his crew were creeps. So I think the multi

929
00:46:38,760 --> 00:46:43,600
Speaker 3: creep factor remains, because what's creepier. The insistence that everyone

930
00:46:43,680 --> 00:46:46,120
Speaker 3: is the same is creepy to me, exact and the

931
00:46:46,160 --> 00:46:48,239
Speaker 3: insistence that like, like you said, like they signed some

932
00:46:48,280 --> 00:46:51,680
Speaker 3: silent agreement about how to act and how to be

933
00:46:51,800 --> 00:46:54,200
Speaker 3: and how to live and just removing individuality, that to

934
00:46:54,239 --> 00:46:56,919
Speaker 3: me is creepy. That you have to live in order

935
00:46:56,920 --> 00:46:58,759
Speaker 3: for you to live comfortably, you have to live around

936
00:46:58,800 --> 00:47:00,960
Speaker 3: people who are exactly like you.

937
00:47:01,480 --> 00:47:04,799
Speaker 1: Yeah, And the policing that's the creepy part is just

938
00:47:04,840 --> 00:47:08,600
Speaker 1: this idea that like you're running the show in this

939
00:47:08,640 --> 00:47:12,040
Speaker 1: neighborhood and like, you know, if there's like you're the

940
00:47:12,080 --> 00:47:14,359
Speaker 1: one that decides that there's a problem and that these

941
00:47:14,400 --> 00:47:17,160
Speaker 1: people are weird and that you have to investigate them

942
00:47:17,360 --> 00:47:19,879
Speaker 1: and go through their trash.

943
00:47:19,520 --> 00:47:23,560
Speaker 3: Especially these people who don't know shit about fuck, Like

944
00:47:23,640 --> 00:47:27,279
Speaker 3: these people don't know anything, Like why are you the

945
00:47:27,280 --> 00:47:28,799
Speaker 3: police of this neighborhood?

946
00:47:29,560 --> 00:47:31,680
Speaker 2: You can't keep your own shits together.

947
00:47:33,080 --> 00:47:38,200
Speaker 3: Oh so it's it's an inadvertently great look at how

948
00:47:38,239 --> 00:47:42,000
Speaker 3: absurd it is that that these neighborhoods develop the way

949
00:47:42,000 --> 00:47:44,080
Speaker 3: they do and persist the way they do. That is

950
00:47:44,120 --> 00:47:46,680
Speaker 3: so wild to me in this day and age, when

951
00:47:46,719 --> 00:47:49,760
Speaker 3: we have access to so many different types of living

952
00:47:49,800 --> 00:47:53,080
Speaker 3: and lifestyle and that's what people want to protect. Is

953
00:47:53,120 --> 00:47:58,239
Speaker 3: this weird like hive mind bullshit. I don't get it.

954
00:47:58,360 --> 00:48:00,960
Speaker 3: I don't get it. I understand the knee to want

955
00:48:01,080 --> 00:48:03,400
Speaker 3: your children to be in safe schools and for you

956
00:48:03,480 --> 00:48:06,400
Speaker 3: to live with some space. Why can't everyone have that?

957
00:48:06,840 --> 00:48:08,880
Speaker 3: Why can't everyone have that in the way that feels

958
00:48:08,920 --> 00:48:10,880
Speaker 3: good to them. Why does it have to only be

959
00:48:11,160 --> 00:48:13,680
Speaker 3: in this iteration of life that you get to have that?

960
00:48:13,880 --> 00:48:14,520
Speaker 2: I don't like it.

961
00:48:14,880 --> 00:48:17,479
Speaker 4: Yeah, and this movie did.

962
00:48:17,600 --> 00:48:20,040
Speaker 1: I mean, this is so absurd what I'm about to say,

963
00:48:20,080 --> 00:48:23,840
Speaker 1: But it didn't make me almost feel nostalgia for the

964
00:48:23,920 --> 00:48:27,680
Speaker 1: days where people used to creep on other neighbors in

965
00:48:27,719 --> 00:48:30,279
Speaker 1: person with the other neighbors Like now it's just like

966
00:48:30,320 --> 00:48:33,600
Speaker 1: everybody looks at their ring videos and gets on next

967
00:48:33,640 --> 00:48:34,759
Speaker 1: door and be like this is.

968
00:48:34,719 --> 00:48:36,120
Speaker 2: Fucked up, you.

969
00:48:36,080 --> 00:48:39,600
Speaker 1: Know, whereas before it used to be like, yo, everyone's.

970
00:48:39,160 --> 00:48:42,280
Speaker 4: Congregating in the garage of somebody in the neighborhood.

971
00:48:42,320 --> 00:48:43,960
Speaker 2: We're going to like sort this out.

972
00:48:44,239 --> 00:48:46,799
Speaker 4: But you know, now it's all done online, and I

973
00:48:47,000 --> 00:48:48,640
Speaker 4: just I miss the simpler.

974
00:48:48,360 --> 00:48:51,120
Speaker 3: Days same It's a different kind of creep next Door

975
00:48:51,280 --> 00:48:53,680
Speaker 3: is the ultimate creepy app to me because next Door.

976
00:48:54,080 --> 00:48:55,960
Speaker 3: I was on next door for my neighborhood for like

977
00:48:56,040 --> 00:48:57,560
Speaker 3: two weeks and I could.

978
00:48:57,320 --> 00:49:00,080
Speaker 2: Not hack it me too, So y'all are racist.

979
00:48:59,760 --> 00:49:02,360
Speaker 3: And pronoid and I did not realize I lived in

980
00:49:02,440 --> 00:49:06,239
Speaker 3: that kind of a neighborhood. But they're sincerely next the

981
00:49:06,280 --> 00:49:08,560
Speaker 3: next door app. One of the posts I saw was like,

982
00:49:09,320 --> 00:49:12,320
Speaker 3: there was a brown man walking down the street yesterday,

983
00:49:12,360 --> 00:49:14,520
Speaker 3: does anybody know him? And I'm like, what, we live

984
00:49:14,560 --> 00:49:16,400
Speaker 3: in a city. Can you not just use a street

985
00:49:16,440 --> 00:49:18,719
Speaker 3: as a thoroughfare. You have to live in the neighborhood

986
00:49:18,760 --> 00:49:22,520
Speaker 3: you're walking through, or else someone's gonna get you. And

987
00:49:22,560 --> 00:49:24,400
Speaker 3: then of course all the comments were like, I don't know,

988
00:49:24,440 --> 00:49:26,160
Speaker 3: my bike was stolen out in my backyard, so it

989
00:49:26,200 --> 00:49:28,960
Speaker 3: could have been him, And I'm like, this is wild.

990
00:49:29,680 --> 00:49:30,319
Speaker 2: But that's now.

991
00:49:30,360 --> 00:49:33,160
Speaker 3: The neighborhood policing is on these apps, and it's very

992
00:49:33,200 --> 00:49:37,000
Speaker 3: strange and it's so. I mean, there's there's information on

993
00:49:37,040 --> 00:49:40,160
Speaker 3: those apps that I feel like I don't want to know,

994
00:49:41,120 --> 00:49:43,560
Speaker 3: Like I'm sorry that that happened to you, but I

995
00:49:43,640 --> 00:49:45,680
Speaker 3: don't want to know that there's someone taking a shit

996
00:49:45,719 --> 00:49:49,799
Speaker 3: in all the fucking garbage cans. Let them take their

997
00:49:49,840 --> 00:49:53,400
Speaker 3: shit and then guess what, it'll get tossed out. Why

998
00:49:53,440 --> 00:49:56,080
Speaker 3: are you expecting your garbage that hard before it goes

999
00:49:56,120 --> 00:49:57,880
Speaker 3: in the truck? Like, just let people do what they

1000
00:49:57,880 --> 00:50:02,279
Speaker 3: gotta do. Don't kink shame the fucking garbage shitter, Like

1001
00:50:02,360 --> 00:50:02,759
Speaker 3: I just.

1002
00:50:03,000 --> 00:50:05,480
Speaker 1: So, a garbage can is essentially a toilet that doesn't

1003
00:50:05,480 --> 00:50:06,719
Speaker 1: have water running it.

1004
00:50:06,920 --> 00:50:08,880
Speaker 3: Just come on, thank you well going in the same place,

1005
00:50:08,960 --> 00:50:11,680
Speaker 3: no one, No one has ever rinsed out an outdoor

1006
00:50:11,719 --> 00:50:15,520
Speaker 3: garbage can, like it is filled with every new diseases

1007
00:50:15,560 --> 00:50:17,080
Speaker 3: are born there every day.

1008
00:50:17,680 --> 00:50:21,239
Speaker 2: Like it's insane. Oh, I want to get into your

1009
00:50:21,320 --> 00:50:24,959
Speaker 2: neighborhood creep though. Oh we are about to. Are you ready?

1010
00:50:25,000 --> 00:50:25,480
Speaker 2: You're ready?

1011
00:50:26,200 --> 00:50:30,239
Speaker 1: So my movie this week for the theme of neighborhood

1012
00:50:30,239 --> 00:50:32,319
Speaker 1: creeps is a movie from nineteen fifty four.

1013
00:50:33,239 --> 00:50:36,680
Speaker 4: It's called Rear Window. It was directed by Alfred Hitchcock.

1014
00:50:37,200 --> 00:50:39,520
Speaker 6: This is the apartment of a man named Jefferies, a

1015
00:50:39,600 --> 00:50:43,520
Speaker 6: news photographer whose beat used to be the world. Right

1016
00:50:43,520 --> 00:50:46,000
Speaker 6: now his world has shrunk down to the size of

1017
00:50:46,040 --> 00:50:50,040
Speaker 6: this window. He's been watching the people across the way.

1018
00:50:50,800 --> 00:50:53,840
Speaker 6: Nobody seems to pull their blinds during a hot spell

1019
00:50:53,960 --> 00:50:56,840
Speaker 6: like this. He knows a lot about them by now

1020
00:50:57,560 --> 00:50:58,040
Speaker 6: too much.

1021
00:50:58,080 --> 00:51:04,160
Speaker 1: Perhaps all right, Danielle, it's twenty twenty one. We've been

1022
00:51:04,239 --> 00:51:08,200
Speaker 1: under quarantine for over a year. At this point. There

1023
00:51:08,239 --> 00:51:11,239
Speaker 1: might be like a slight light at the end of

1024
00:51:11,280 --> 00:51:16,520
Speaker 1: this tunnel, but effectively we are still sitting in the

1025
00:51:16,560 --> 00:51:21,440
Speaker 1: house on zoom binge watching, playing fucking video games, making

1026
00:51:21,560 --> 00:51:25,640
Speaker 1: damn breads or whatever. We're still doing all this stuff, right,

1027
00:51:26,200 --> 00:51:29,400
Speaker 1: and we've exhausted like pretty much all entertainment possibilities. At

1028
00:51:29,400 --> 00:51:35,799
Speaker 1: this point, we're bored as hell. And my point ultimately is,

1029
00:51:35,840 --> 00:51:40,560
Speaker 1: if anyone should understand the general plot line to Rear Window.

1030
00:51:40,360 --> 00:51:41,200
Speaker 2: It's us.

1031
00:51:41,400 --> 00:51:44,840
Speaker 1: It's all of us moment, because Rear Window is about

1032
00:51:44,920 --> 00:51:50,600
Speaker 1: Jimmy Stewart, and Jimmy Stewart is like a.

1033
00:51:49,600 --> 00:51:51,880
Speaker 2: War correspondent photographer.

1034
00:51:52,520 --> 00:51:55,400
Speaker 1: He's a photographer, but he works in like foreign countries

1035
00:51:56,160 --> 00:52:00,480
Speaker 1: or did, because when the movie begins, we see that

1036
00:52:00,800 --> 00:52:04,520
Speaker 1: Jimmy Stewart's character is laid up in his apartment with

1037
00:52:04,640 --> 00:52:08,160
Speaker 1: a broken leg, right, and it's the old school broken leg.

1038
00:52:08,280 --> 00:52:12,800
Speaker 1: It's like with the cast that goes like over the waist.

1039
00:52:13,080 --> 00:52:15,640
Speaker 3: I was like zeeping his legs so hard they had

1040
00:52:15,640 --> 00:52:17,200
Speaker 3: to like cast his nips.

1041
00:52:18,680 --> 00:52:21,640
Speaker 1: Yeah, there's this like scene very early in the movie

1042
00:52:21,680 --> 00:52:23,560
Speaker 1: where you know, he's like doing the thing where he

1043
00:52:23,640 --> 00:52:26,120
Speaker 1: takes like the scratcher and he has to put it down.

1044
00:52:25,920 --> 00:52:27,520
Speaker 2: That I was like, this is grossing me.

1045
00:52:27,719 --> 00:52:30,880
Speaker 3: He's like up by his shoulder going in and I'm like, dude,

1046
00:52:31,080 --> 00:52:32,719
Speaker 3: you should have let them like cut in a hole

1047
00:52:32,840 --> 00:52:35,239
Speaker 3: or something like a peep hole in that fucking leg.

1048
00:52:35,239 --> 00:52:37,239
Speaker 2: You shouldn't have to go up above your shoulder and

1049
00:52:37,239 --> 00:52:38,040
Speaker 2: to scratch your leg.

1050
00:52:38,480 --> 00:52:40,239
Speaker 1: And I was like, Yo, this is nineteen fifty four.

1051
00:52:40,280 --> 00:52:42,239
Speaker 1: This shit is wrong for nineteen fifty four.

1052
00:52:42,600 --> 00:52:45,040
Speaker 4: Washing a guy like go down the front of his

1053
00:52:45,160 --> 00:52:48,480
Speaker 4: cast to like scratch this itch where he's like having

1054
00:52:48,560 --> 00:52:52,279
Speaker 4: an orgasmic experience, and I'm like, this is kind of

1055
00:52:52,320 --> 00:52:55,400
Speaker 4: a lot. But anyway, he has laid up in his

1056
00:52:55,440 --> 00:52:58,799
Speaker 4: apartment and apparently he's a week away from getting his

1057
00:52:58,880 --> 00:53:01,640
Speaker 4: cast off, so he's been this way for a long

1058
00:53:01,760 --> 00:53:07,319
Speaker 4: fucking time, right, And apparently he's spent like twenty four

1059
00:53:07,320 --> 00:53:10,279
Speaker 4: hours a day sitting in this wheelchair.

1060
00:53:11,400 --> 00:53:13,600
Speaker 1: Like he's not even getting out of the wheelchair to

1061
00:53:13,640 --> 00:53:16,319
Speaker 1: like go to bed. He's sleeping in his own wheelchair, and.

1062
00:53:16,280 --> 00:53:19,360
Speaker 3: He's just bored his his nurses, Like what is like,

1063
00:53:19,400 --> 00:53:21,960
Speaker 3: I wouldn't have to come over here and fucking massage

1064
00:53:22,000 --> 00:53:24,080
Speaker 3: you if you would just go to sleep in your bed,

1065
00:53:24,200 --> 00:53:26,160
Speaker 3: you idiot.

1066
00:53:26,640 --> 00:53:29,680
Speaker 1: No, he's literally just sitting in a wheelchair all day

1067
00:53:29,680 --> 00:53:33,120
Speaker 1: and night and has done so for months. And he

1068
00:53:33,200 --> 00:53:37,640
Speaker 1: lives in New York in Greenwich Village or somewhere somewhere

1069
00:53:37,640 --> 00:53:40,239
Speaker 1: in that area of New York City. And he's got

1070
00:53:40,280 --> 00:53:42,919
Speaker 1: a nurse from the insurance company, as you mentioned, who

1071
00:53:42,960 --> 00:53:46,840
Speaker 1: is played by the wonderful Thelma Ritter. She's the best,

1072
00:53:48,040 --> 00:53:50,600
Speaker 1: and she comes by and she's changing his sheets and

1073
00:53:50,640 --> 00:53:52,719
Speaker 1: giving him back rubs and just kind of giving him

1074
00:53:52,719 --> 00:53:54,600
Speaker 1: like advice to be like get out of the chair

1075
00:53:54,600 --> 00:53:57,839
Speaker 1: and shit like that. And he's also got this like beautiful,

1076
00:53:58,760 --> 00:54:03,600
Speaker 1: radiant girlfriend who's played by Grace Kelly, Princess Grace Kelly,

1077
00:54:04,239 --> 00:54:09,080
Speaker 1: and he's like thinking about dumping her because she's like

1078
00:54:09,160 --> 00:54:12,960
Speaker 1: too perfect, which is also just such a weird this

1079
00:54:13,000 --> 00:54:13,520
Speaker 1: is what happened.

1080
00:54:13,560 --> 00:54:14,160
Speaker 2: We'll get into that.

1081
00:54:14,239 --> 00:54:16,399
Speaker 3: We'll get into that, because this is what happens when

1082
00:54:16,400 --> 00:54:19,120
Speaker 3: you're Jimmy Stewart and you're in a fucking wheelchair up

1083
00:54:19,160 --> 00:54:22,040
Speaker 3: to your eyeballs is apparently you're like, she's too cute

1084
00:54:22,040 --> 00:54:25,279
Speaker 3: for me. I can't She's too good. She's too good,

1085
00:54:25,480 --> 00:54:28,399
Speaker 3: She's too good. We will definitely get to this later.

1086
00:54:28,440 --> 00:54:31,080
Speaker 3: But he's he's cooped up in his place. He's got

1087
00:54:31,320 --> 00:54:35,239
Speaker 3: not a damn thing to do. He's basically like considering breaking.

1088
00:54:35,040 --> 00:54:38,160
Speaker 1: Up with his girlfriend, and he's just like looking out

1089
00:54:38,200 --> 00:54:40,879
Speaker 1: the window and he's watching all of his neighbors do things,

1090
00:54:40,960 --> 00:54:43,280
Speaker 1: and you know, this is like obviously New York City

1091
00:54:43,480 --> 00:54:45,960
Speaker 1: where people are living on top of each other. And

1092
00:54:46,000 --> 00:54:49,000
Speaker 1: he makes the he talks about this in the film,

1093
00:54:49,040 --> 00:54:53,000
Speaker 1: like his character says that, you know, he doesn't make

1094
00:54:53,080 --> 00:54:55,520
Speaker 1: like a ton of money from his job, so this

1095
00:54:55,600 --> 00:54:58,120
Speaker 1: is how he lives. Like he lives in a situation

1096
00:54:58,239 --> 00:55:01,239
Speaker 1: where he lives in, you know, an apartment building with

1097
00:55:01,360 --> 00:55:04,279
Speaker 1: tons and tons of neighbors. And he's saying this, I

1098
00:55:04,320 --> 00:55:07,280
Speaker 1: think to Grace Kelly's character, who lives like presumably uptown

1099
00:55:07,320 --> 00:55:09,520
Speaker 1: and she's fancy and has a lot of money. Right,

1100
00:55:09,920 --> 00:55:12,640
Speaker 1: So there we go with a sort of class issue

1101
00:55:12,880 --> 00:55:14,680
Speaker 1: of the neighborhood.

1102
00:55:14,880 --> 00:55:18,640
Speaker 2: Right. So people are living on top of each other.

1103
00:55:18,640 --> 00:55:22,160
Speaker 1: It's apparently super hot because it's summertime, and everyone has

1104
00:55:22,200 --> 00:55:24,759
Speaker 1: their windows open. Because honestly, at first, I was like,

1105
00:55:25,520 --> 00:55:30,719
Speaker 1: is this another instance of sexy living in there? Or

1106
00:55:30,960 --> 00:55:33,719
Speaker 1: is this Michael Fassbender living sexy in there?

1107
00:55:33,760 --> 00:55:35,680
Speaker 3: And then you got to peep at that couple who

1108
00:55:35,719 --> 00:55:37,480
Speaker 3: was sleeping out on the mattress and you're like, oh, no,

1109
00:55:37,560 --> 00:55:38,719
Speaker 3: that is not what's happening here.

1110
00:55:39,040 --> 00:55:40,800
Speaker 2: That is not sexy there. Yeah.

1111
00:55:41,160 --> 00:55:43,520
Speaker 1: That's the thing is that Jimmy Stewart is watching all

1112
00:55:43,520 --> 00:55:46,000
Speaker 1: of these neighbors in the building across from him, and

1113
00:55:46,080 --> 00:55:50,120
Speaker 1: it's literally like two of his neighbors pulling a mattress

1114
00:55:50,120 --> 00:55:52,760
Speaker 1: out on their fire escape so they can sleep because

1115
00:55:52,760 --> 00:55:56,000
Speaker 1: it's so fucking hot in their apartment. He's watching this

1116
00:55:56,080 --> 00:55:59,040
Speaker 1: other guy like composed music on his piano and he's

1117
00:55:59,120 --> 00:56:00,560
Speaker 1: kind of just like an art It is like a

1118
00:56:00,640 --> 00:56:01,680
Speaker 1: doing an artist thing.

1119
00:56:02,040 --> 00:56:02,239
Speaker 3: Right.

1120
00:56:02,840 --> 00:56:03,800
Speaker 2: He's watching this.

1121
00:56:03,840 --> 00:56:10,520
Speaker 1: Lady put her little dog in a basket that's attached

1122
00:56:10,600 --> 00:56:14,359
Speaker 1: to a rope, and she's like sending it down like

1123
00:56:14,520 --> 00:56:19,880
Speaker 1: three stories instead of like walking down the stairs and

1124
00:56:19,960 --> 00:56:23,480
Speaker 1: taking out her damn dog herself.

1125
00:56:24,719 --> 00:56:27,080
Speaker 4: She's like, no, just put this dog in a basket.

1126
00:56:27,080 --> 00:56:29,960
Speaker 1: We're just gonna send it down the fire escape because

1127
00:56:30,080 --> 00:56:32,160
Speaker 1: I'm too lazy to walk down two flames.

1128
00:56:32,200 --> 00:56:33,960
Speaker 3: So apparently just like let him not just run in

1129
00:56:33,960 --> 00:56:35,560
Speaker 3: the yard, but like run all over the city.

1130
00:56:35,760 --> 00:56:41,080
Speaker 4: Yeah, take it off, Okay, Yeah, Like you got a

1131
00:56:41,080 --> 00:56:42,520
Speaker 4: lot of trust in that dog.

1132
00:56:43,040 --> 00:56:45,759
Speaker 1: But it's this thing where it's kind of this like

1133
00:56:45,920 --> 00:56:48,959
Speaker 1: symphony of people doing stuff that he's just watching because

1134
00:56:48,960 --> 00:56:52,080
Speaker 1: he has the time, and he's watching like these single women.

1135
00:56:52,480 --> 00:56:53,359
Speaker 2: So he's watching this.

1136
00:56:53,400 --> 00:56:56,840
Speaker 4: Like really beautiful, like young blonde, like she's doing ballet

1137
00:56:56,920 --> 00:57:00,439
Speaker 4: routines and her underwear, and he starts to call her

1138
00:57:00,640 --> 00:57:05,360
Speaker 4: miss Torso, which is basically like the worst most.

1139
00:57:05,160 --> 00:57:08,320
Speaker 1: Lazy nicknaming ever given. I'm like, Miss Torso, that doesn't

1140
00:57:08,320 --> 00:57:09,520
Speaker 1: even that's not even funny.

1141
00:57:09,640 --> 00:57:12,240
Speaker 3: I know that he didn't write that line, but I

1142
00:57:12,280 --> 00:57:16,439
Speaker 3: instantly doubted the validity of Jimmy Stewart's sex appeal when

1143
00:57:16,440 --> 00:57:18,680
Speaker 3: I heard that, because I'm like, miss Torso, how did

1144
00:57:18,720 --> 00:57:21,400
Speaker 3: you ever pick up anyone in your life? Even for

1145
00:57:21,520 --> 00:57:24,560
Speaker 3: the character like how did this guy get Grace Kelly.

1146
00:57:25,360 --> 00:57:27,040
Speaker 1: I have a lot to say about that, and I

1147
00:57:27,080 --> 00:57:30,120
Speaker 1: will say that in just a session. But he, you know,

1148
00:57:30,320 --> 00:57:33,880
Speaker 1: so he's watching Miss Torso, and then he's watching this

1149
00:57:33,920 --> 00:57:36,600
Speaker 1: like middle aged woman who lives alone and she's having

1150
00:57:36,600 --> 00:57:39,520
Speaker 1: dinner with herself, and you can just tell based on

1151
00:57:39,680 --> 00:57:42,640
Speaker 1: what we're watching that she's like not in a good place,

1152
00:57:42,800 --> 00:57:45,080
Speaker 1: and he starts calling her miss Lonely Hearts.

1153
00:57:45,280 --> 00:57:48,640
Speaker 4: And so he's like, you know, just sort of like watching.

1154
00:57:48,240 --> 00:57:50,360
Speaker 1: All of his neighbors do stuff, and he's got stories

1155
00:57:50,400 --> 00:57:54,000
Speaker 1: about them in his head. And then he starts watching

1156
00:57:54,000 --> 00:57:57,200
Speaker 1: this this other couple. The wife seems to be kind

1157
00:57:57,240 --> 00:58:00,720
Speaker 1: of like bedridden or sick, and then her husband is

1158
00:58:00,760 --> 00:58:02,680
Speaker 1: some kind of traveling salesman because he's got like a

1159
00:58:02,680 --> 00:58:06,200
Speaker 1: bunch of suitcases around and stuff. And again, Jimmy Stewart's

1160
00:58:06,240 --> 00:58:08,680
Speaker 1: character is fully invested in these people, like you can

1161
00:58:08,720 --> 00:58:11,400
Speaker 1: tell that he's only been doing this for the past

1162
00:58:11,440 --> 00:58:15,840
Speaker 1: few months. And so then he starts watching them, particularly

1163
00:58:15,960 --> 00:58:20,040
Speaker 1: this couple with the traveling salesman and his wife, with

1164
00:58:20,080 --> 00:58:23,480
Speaker 1: like binoculars, and like later he pulls out his fucking

1165
00:58:23,600 --> 00:58:29,200
Speaker 1: professional camera with a telescopic lens, right and it's like that,

1166
00:58:29,240 --> 00:58:32,800
Speaker 1: and honestly, like that's when he starts being the neighborhood

1167
00:58:32,840 --> 00:58:36,760
Speaker 1: that cree you right, thank you, yeah, And like even

1168
00:58:37,120 --> 00:58:39,640
Speaker 1: Thelma Ritter and Grace Keller are like, dude, you're a

1169
00:58:39,680 --> 00:58:42,040
Speaker 1: peeping tom. Yeah, Like why are you pulled out that gear,

1170
00:58:42,120 --> 00:58:43,360
Speaker 1: that professional spy.

1171
00:58:43,200 --> 00:58:47,040
Speaker 3: Gear, Like, dude, you own a telephoto lens, you are

1172
00:58:47,080 --> 00:58:49,320
Speaker 3: the creep Like I don't care if you're doing professional

1173
00:58:49,560 --> 00:58:53,680
Speaker 3: wildlife shots for like Planet Earth, You're you're creeping on

1174
00:58:53,760 --> 00:58:57,040
Speaker 3: something or someone if you have a telephoto lens, just saying.

1175
00:58:57,160 --> 00:58:58,040
Speaker 2: Yeah, exactly.

1176
00:58:58,560 --> 00:59:03,080
Speaker 1: And he's using his professional gear, his pro gear. But

1177
00:59:03,160 --> 00:59:06,480
Speaker 1: then like he picks up something on his camera. There's

1178
00:59:06,480 --> 00:59:08,760
Speaker 1: a situation that happened with the salesman and his wife,

1179
00:59:08,840 --> 00:59:12,280
Speaker 1: and he starts seeing like some very creepy stuff, like

1180
00:59:12,360 --> 00:59:16,800
Speaker 1: the wife is suddenly kind of gone and you don't

1181
00:59:16,800 --> 00:59:18,760
Speaker 1: really see her anymore.

1182
00:59:19,000 --> 00:59:19,680
Speaker 2: And then you're.

1183
00:59:19,560 --> 00:59:24,200
Speaker 1: Watching the husband fucking doing all this weird shit like

1184
00:59:24,280 --> 00:59:28,640
Speaker 1: packing up saws and knives and hiding like women's jewelry,

1185
00:59:28,720 --> 00:59:31,600
Speaker 1: and he's like cleaning fluids off the walls in his

1186
00:59:31,640 --> 00:59:37,640
Speaker 1: apartment and like Bard asked, Jimmy Stewart, and now he's

1187
00:59:37,800 --> 00:59:41,800
Speaker 1: of course gotten Grace Kelly and Thelma Ritter into this

1188
00:59:42,480 --> 00:59:47,160
Speaker 1: voyeuristic shit. They all start convincing themselves that this neighbor

1189
00:59:47,320 --> 00:59:50,600
Speaker 1: has murdered his wife, chopped up her body, and then

1190
00:59:50,640 --> 00:59:53,440
Speaker 1: took them out like piece by piece, probably in his

1191
00:59:53,560 --> 00:59:57,240
Speaker 1: salesman's suitcases to like hide all the evidence. Right, But

1192
00:59:57,320 --> 01:00:00,280
Speaker 1: they don't have any proof. Obviously they can and just

1193
01:00:00,320 --> 01:00:02,120
Speaker 1: see him from their building.

1194
01:00:03,640 --> 01:00:06,400
Speaker 2: But this is the tension of the film, right.

1195
01:00:06,280 --> 01:00:09,680
Speaker 1: So the tension of the film is basically like somebody's

1196
01:00:09,800 --> 01:00:14,800
Speaker 1: watching someone else from a distance. Someone might have committed

1197
01:00:14,840 --> 01:00:17,840
Speaker 1: a murder, but you're not able to like confirm or

1198
01:00:17,880 --> 01:00:20,400
Speaker 1: deny any of it, and he can't do anything about

1199
01:00:20,400 --> 01:00:22,360
Speaker 1: it in either case.

1200
01:00:22,400 --> 01:00:27,160
Speaker 3: And this is like that self policing neighborhood bullshit, like

1201
01:00:27,200 --> 01:00:29,720
Speaker 3: you don't have enough information, you don't actually know what's

1202
01:00:29,760 --> 01:00:32,040
Speaker 3: going on, and god forbid you talk to each other,

1203
01:00:32,680 --> 01:00:34,760
Speaker 3: but you're gonna make these wild proclamations about what you

1204
01:00:34,760 --> 01:00:36,680
Speaker 3: think what you think has happened exactly.

1205
01:00:37,240 --> 01:00:39,320
Speaker 1: And it gets to the point where Jimmy Stewart's character

1206
01:00:39,400 --> 01:00:42,440
Speaker 1: like even calls up his old army buddy who's this cop,

1207
01:00:42,640 --> 01:00:45,880
Speaker 1: and he's like, yo, like I got a scoop, you

1208
01:00:45,880 --> 01:00:47,720
Speaker 1: gotta go in there and arrest that guy, and the

1209
01:00:47,720 --> 01:00:50,080
Speaker 1: cops like this is not detective work, Like you're not

1210
01:00:50,160 --> 01:00:51,240
Speaker 1: a detective.

1211
01:00:50,840 --> 01:00:52,400
Speaker 4: Like you can't just look at somebody and be like

1212
01:00:52,440 --> 01:00:54,280
Speaker 4: he's a murderer and then I can go arrest them,

1213
01:00:54,600 --> 01:00:56,439
Speaker 4: right and truthfully.

1214
01:00:56,000 --> 01:00:59,440
Speaker 3: This is also a point where and I've thought, this

1215
01:00:59,480 --> 01:01:01,680
Speaker 3: is the first time I watch this film, honestly, like

1216
01:01:01,840 --> 01:01:05,320
Speaker 3: the first time I saw this movie, I've wondered, why

1217
01:01:05,360 --> 01:01:07,920
Speaker 3: didn't Jimmy Stewart, instead of creeping on all of his

1218
01:01:08,000 --> 01:01:10,800
Speaker 3: goddamn neighbors, just lean out the window one day and

1219
01:01:10,800 --> 01:01:13,040
Speaker 3: be like, yo, I'm in a wheelchair, I got a

1220
01:01:13,080 --> 01:01:16,200
Speaker 3: bum leg. Let's party, like, who are you people?

1221
01:01:16,280 --> 01:01:20,280
Speaker 2: Let's talk hard to say, you know.

1222
01:01:20,440 --> 01:01:23,080
Speaker 1: And that's that's another thing too, which I guess is

1223
01:01:23,120 --> 01:01:26,520
Speaker 1: like a question that never gets resolved, is if he

1224
01:01:26,640 --> 01:01:30,440
Speaker 1: even You have to maybe wonder, Okay, maybe he travels

1225
01:01:30,440 --> 01:01:32,160
Speaker 1: a lot for his job, and maybe he just doesn't

1226
01:01:32,200 --> 01:01:34,440
Speaker 1: know his neighbors and no one else is coming over

1227
01:01:34,480 --> 01:01:36,960
Speaker 1: to help this guy except for the nurse that is

1228
01:01:37,000 --> 01:01:40,120
Speaker 1: required to come and help him and his girlfriend.

1229
01:01:40,240 --> 01:01:42,760
Speaker 2: So yeah, maybe he's like literally not show with any

1230
01:01:42,800 --> 01:01:43,840
Speaker 2: of them and.

1231
01:01:44,040 --> 01:01:47,520
Speaker 1: Needed to be maybe just to like have something else

1232
01:01:47,600 --> 01:01:49,960
Speaker 1: to do besides spine on the damn neighbor.

1233
01:01:50,040 --> 01:01:52,320
Speaker 2: If he had like a puzzle, do you think that.

1234
01:01:52,920 --> 01:01:55,240
Speaker 3: I mean, this movie wouldn't exist, but that character would

1235
01:01:55,240 --> 01:01:58,720
Speaker 3: not be investigator scooping on, you know, scooping out on

1236
01:01:58,760 --> 01:02:00,000
Speaker 3: his neighbors if he had a puzzle.

1237
01:02:01,440 --> 01:02:04,800
Speaker 1: I mean, if he simply had the Internet, then this

1238
01:02:04,880 --> 01:02:09,000
Speaker 1: movie would definitely not exist. So I want to just

1239
01:02:09,040 --> 01:02:11,000
Speaker 1: say this too, because I mean, you know, I gotta

1240
01:02:11,040 --> 01:02:12,280
Speaker 1: get some paperwork out of the way.

1241
01:02:12,360 --> 01:02:13,200
Speaker 2: Okay, So this.

1242
01:02:13,280 --> 01:02:17,919
Speaker 1: Movie Rear Window is considered one of Alfred Hitchcock's like masterpieces. Right,

1243
01:02:18,320 --> 01:02:23,640
Speaker 1: It's like it's generally considered very important film.

1244
01:02:23,200 --> 01:02:26,400
Speaker 2: Right, capital letters, and you can imagine.

1245
01:02:26,640 --> 01:02:30,920
Speaker 1: So it's been written about several times by several famous

1246
01:02:30,960 --> 01:02:36,680
Speaker 1: film scholars, including a woman named Laura Moulvie, who basically

1247
01:02:36,840 --> 01:02:40,720
Speaker 1: used it as the center of her famous essay which

1248
01:02:40,760 --> 01:02:45,280
Speaker 1: is called visual Pleasure in the Narrative Cinema, which you've

1249
01:02:45,320 --> 01:02:47,920
Speaker 1: probably only read if you've taken like a media studies

1250
01:02:47,920 --> 01:02:51,680
Speaker 1: class or like a women's studies class even and definitely.

1251
01:02:51,360 --> 01:02:52,360
Speaker 2: If you're in film school.

1252
01:02:52,720 --> 01:02:55,880
Speaker 1: And I won't like go completely into the film lesson,

1253
01:02:55,960 --> 01:02:58,800
Speaker 1: but Basically she's the person like Laura Mulvey is the

1254
01:02:58,800 --> 01:03:01,480
Speaker 1: person that came up with the constant of the male gaze,

1255
01:03:02,040 --> 01:03:04,880
Speaker 1: which is just to describe it, it's just the idea

1256
01:03:05,040 --> 01:03:09,560
Speaker 1: that women's bodies in film are just shown for male pleasure.

1257
01:03:10,240 --> 01:03:14,160
Speaker 1: And it's mostly because they're shot and directed by straight men.

1258
01:03:14,520 --> 01:03:17,000
Speaker 1: So basically the way that they are presented on film

1259
01:03:17,040 --> 01:03:20,760
Speaker 1: is always from a male perspective, right, And part of

1260
01:03:20,920 --> 01:03:24,280
Speaker 1: why We're Window, I think has talked about so much

1261
01:03:24,840 --> 01:03:28,800
Speaker 1: in this way is because we are looking from Jimmy

1262
01:03:28,800 --> 01:03:31,760
Speaker 1: Stewart's perspective, like we are seeing what he sees, so

1263
01:03:31,840 --> 01:03:37,160
Speaker 1: basically we're the peeping tom's too, Like we feel the

1264
01:03:37,280 --> 01:03:40,640
Speaker 1: stress of wondering if this like salesman in the building

1265
01:03:40,760 --> 01:03:42,680
Speaker 1: is a murderer, Like we feel that.

1266
01:03:43,040 --> 01:03:45,240
Speaker 2: And we're watching Miss Torso like.

1267
01:03:45,520 --> 01:03:48,800
Speaker 1: You know, trapesing around in her underwear and Miss Lovely

1268
01:03:48,840 --> 01:03:50,920
Speaker 1: Hearts and Grace Kelly and all this stuff.

1269
01:03:50,960 --> 01:03:53,040
Speaker 2: So like, obviously this movie.

1270
01:03:52,840 --> 01:03:56,080
Speaker 4: Is like real ripe for like all kinds of like

1271
01:03:56,200 --> 01:04:02,720
Speaker 4: analyzes on like viewership and tater positioning and voyeurism and

1272
01:04:02,800 --> 01:04:03,920
Speaker 4: desire all that stuff.

1273
01:04:03,920 --> 01:04:07,520
Speaker 3: And that's something that I really appreciated about the movie.

1274
01:04:07,560 --> 01:04:11,040
Speaker 3: Is that the way that it's filmed is so slowly

1275
01:04:11,120 --> 01:04:13,720
Speaker 3: and almost silently unless one of the neighbors is actively

1276
01:04:13,760 --> 01:04:16,240
Speaker 3: doing something loud, like you know, playing piano or something,

1277
01:04:16,720 --> 01:04:19,600
Speaker 3: that you really get to stay with that feeling for

1278
01:04:19,640 --> 01:04:22,640
Speaker 3: a long time. Yeah, that feeling of voyeurism. And it's

1279
01:04:22,760 --> 01:04:25,200
Speaker 3: almost to the point where you're watching people so often

1280
01:04:25,240 --> 01:04:26,880
Speaker 3: that you start to feel like you're being watched.

1281
01:04:27,360 --> 01:04:30,240
Speaker 1: Yeah, And there's like a feeling so like the difference

1282
01:04:30,240 --> 01:04:33,520
Speaker 1: between like say like your movie where we can see

1283
01:04:33,560 --> 01:04:36,880
Speaker 1: like Tom Hanks and his neighbors being dumb asses and

1284
01:04:36,920 --> 01:04:39,120
Speaker 1: we can be like they're dumb asses. But with this

1285
01:04:39,280 --> 01:04:42,160
Speaker 1: movie with rear window, we don't get to have the distance.

1286
01:04:42,440 --> 01:04:44,960
Speaker 1: So there's this one scene I think that gets I

1287
01:04:44,960 --> 01:04:48,840
Speaker 1: think it's discussed fairly often maybe where the miss lowly

1288
01:04:48,840 --> 01:04:53,640
Speaker 1: Heart's character is in her apartment and she had a

1289
01:04:53,720 --> 01:04:57,080
Speaker 1: really bad date basically had like a pretty much an

1290
01:04:57,080 --> 01:05:01,600
Speaker 1: assault happened to her, and the film Ritter character is

1291
01:05:01,640 --> 01:05:04,400
Speaker 1: noticing from Jimmy Stewart's apartment that she's about to swallow

1292
01:05:04,440 --> 01:05:05,440
Speaker 1: a bunch of sleeping pills.

1293
01:05:05,560 --> 01:05:07,800
Speaker 4: And this is happening at the same time.

1294
01:05:07,920 --> 01:05:11,440
Speaker 1: As there's this like new information that's coming out of

1295
01:05:11,480 --> 01:05:14,400
Speaker 1: the salesman's apartment. So the Jimmy Stewart character is like

1296
01:05:14,440 --> 01:05:17,120
Speaker 1: super wrapped up in that and he's almost like too

1297
01:05:17,200 --> 01:05:19,320
Speaker 1: busy to notice that a woman is like about to

1298
01:05:19,440 --> 01:05:22,800
Speaker 1: kill herself basically, And it's just like that thing where

1299
01:05:22,800 --> 01:05:26,560
Speaker 1: like as a viewer, you're like, you know that this

1300
01:05:26,600 --> 01:05:29,280
Speaker 1: is happening, and you're and it's the camera is on

1301
01:05:29,480 --> 01:05:32,040
Speaker 1: the woman who might be about to kill herself, but

1302
01:05:32,240 --> 01:05:34,880
Speaker 1: you know, Jimmy Stewart's character is not letting you kind

1303
01:05:34,880 --> 01:05:38,560
Speaker 1: of like go there fully, and it's this feeling of

1304
01:05:38,680 --> 01:05:41,640
Speaker 1: like I'm trapped. I want to look at this thing,

1305
01:05:41,720 --> 01:05:44,040
Speaker 1: but I can't because you know, I'm being forced to

1306
01:05:44,080 --> 01:05:44,920
Speaker 1: deal with this other thing.

1307
01:05:45,520 --> 01:05:46,760
Speaker 2: It's it's just interesting.

1308
01:05:46,800 --> 01:05:49,320
Speaker 1: It's like a loaded scene, I think famously and just

1309
01:05:49,360 --> 01:05:50,920
Speaker 1: people people talk about it.

1310
01:05:51,160 --> 01:05:53,560
Speaker 3: I'm glad you referenced that, because I thought not even

1311
01:05:53,600 --> 01:05:56,800
Speaker 3: from like a film like film studies perspective, but I

1312
01:05:56,840 --> 01:05:59,200
Speaker 3: think that and I appreciate having that information because I

1313
01:05:59,240 --> 01:06:00,280
Speaker 3: did feel that I.

1314
01:06:00,240 --> 01:06:02,440
Speaker 2: Was like wait, wait, wait, wait wait, yeah, why aren't.

1315
01:06:02,160 --> 01:06:05,680
Speaker 3: We going back there, and why isn't the nurse doing

1316
01:06:05,680 --> 01:06:07,680
Speaker 3: something and why isn't this Like it just created a

1317
01:06:07,720 --> 01:06:11,040
Speaker 3: whole other layer of narrative while you're watching something else

1318
01:06:11,080 --> 01:06:13,280
Speaker 3: happen that is also interesting, but maybe.

1319
01:06:13,040 --> 01:06:16,320
Speaker 2: Not as interesting or as important that felt.

1320
01:06:16,360 --> 01:06:19,400
Speaker 3: Really, I'm sure that was incredibly fresh for that moment,

1321
01:06:19,560 --> 01:06:20,439
Speaker 3: like back in that day.

1322
01:06:20,560 --> 01:06:23,439
Speaker 1: Yeah, oh yeah, yeah, And I think again that's why

1323
01:06:23,480 --> 01:06:26,880
Speaker 1: this film's just continued to be talked about and studied.

1324
01:06:26,880 --> 01:06:28,600
Speaker 1: I mean quite honestly, I think I wrote about it

1325
01:06:28,600 --> 01:06:31,160
Speaker 1: when I was in film school, which is like Jesus Christ,

1326
01:06:31,480 --> 01:06:35,160
Speaker 1: this film indoors obviously, But like when it comes to

1327
01:06:35,160 --> 01:06:40,800
Speaker 1: the neighborhood creep question, like I said, I I've always

1328
01:06:40,880 --> 01:06:43,000
Speaker 1: been convinced that one of my neighbors was a murderer.

1329
01:06:43,000 --> 01:06:45,560
Speaker 1: You're honestly like all of my neighbors that in every

1330
01:06:45,560 --> 01:06:49,560
Speaker 1: place that I've lived. So I can understand Jimmy Stewart's

1331
01:06:49,600 --> 01:06:53,680
Speaker 1: like curiosity. Certainly, I can understand too why he would

1332
01:06:53,720 --> 01:06:56,960
Speaker 1: want to go to such great lengths to figure that out.

1333
01:06:57,000 --> 01:07:01,040
Speaker 1: Like I understand that curiosity impulse, Okay, but I also

1334
01:07:01,280 --> 01:07:04,640
Speaker 1: hate the fucking neighborhood watch shit too. Like you know,

1335
01:07:04,800 --> 01:07:07,760
Speaker 1: it's like the person who's looking out the window watching

1336
01:07:07,760 --> 01:07:11,160
Speaker 1: everybody not minding their own business, just that busy body

1337
01:07:11,240 --> 01:07:14,959
Speaker 1: type that he becomes that to me is annoying as shit.

1338
01:07:15,120 --> 01:07:17,440
Speaker 1: So in terms of who the creep is, it's like,

1339
01:07:17,680 --> 01:07:20,840
Speaker 1: I take that silent partner position, that one where you know,

1340
01:07:20,880 --> 01:07:22,520
Speaker 1: when we talked about the silent partner, where I'm like,

1341
01:07:22,520 --> 01:07:23,840
Speaker 1: who's the Christmas asshole?

1342
01:07:24,280 --> 01:07:25,160
Speaker 2: It's everyone.

1343
01:07:25,520 --> 01:07:28,520
Speaker 3: Well, but that is a crucial question to the whole

1344
01:07:28,600 --> 01:07:31,920
Speaker 3: setup of this movie that I love, which is like,

1345
01:07:32,000 --> 01:07:34,560
Speaker 3: when you live in a city, you can't help but

1346
01:07:34,600 --> 01:07:37,320
Speaker 3: be a creep, Like you're always looking at something and

1347
01:07:37,360 --> 01:07:40,520
Speaker 3: like that you're not intentionally supposed to see, but it's

1348
01:07:40,520 --> 01:07:41,000
Speaker 3: in your.

1349
01:07:40,880 --> 01:07:42,800
Speaker 2: Line of vision because you're all slammed.

1350
01:07:42,480 --> 01:07:45,680
Speaker 1: Together, and that, to me, I think creates I mean,

1351
01:07:45,680 --> 01:07:49,040
Speaker 1: this is obviously what Alfred Hanchcock does best is create

1352
01:07:49,120 --> 01:07:51,960
Speaker 1: tension and make us all nervous about like shit like this,

1353
01:07:52,200 --> 01:07:55,360
Speaker 1: like live it in tight quarters and not giving us

1354
01:07:55,400 --> 01:07:57,960
Speaker 1: the freedom to like like we're stuck in the moment

1355
01:07:58,000 --> 01:08:01,640
Speaker 1: where we can't you know, we're stressed out by what's

1356
01:08:01,640 --> 01:08:05,760
Speaker 1: happening in this neighborhood. We're stressed out because it's like

1357
01:08:06,240 --> 01:08:09,480
Speaker 1: it's not just the idea that Jimmy Stewart is, you know,

1358
01:08:09,640 --> 01:08:11,919
Speaker 1: spying on somebody who could be a murderer, but also

1359
01:08:12,040 --> 01:08:14,560
Speaker 1: just like you're worried about all the other people. There's

1360
01:08:14,600 --> 01:08:18,400
Speaker 1: a scene where I hope that this isn't giving away

1361
01:08:18,439 --> 01:08:22,880
Speaker 1: a lot of stuff, but that dog, hmm, that dog

1362
01:08:23,280 --> 01:08:26,240
Speaker 1: like another dog trauma. It's like I was like, yo,

1363
01:08:26,640 --> 01:08:30,400
Speaker 1: I'm shook from this scene. But basically, guess what happens.

1364
01:08:30,720 --> 01:08:34,120
Speaker 1: The dog dies, and the woman who owns the dog

1365
01:08:34,320 --> 01:08:37,800
Speaker 1: is like pleading out into the night air like how

1366
01:08:37,840 --> 01:08:40,400
Speaker 1: could you kill my dog? Who did this? You know,

1367
01:08:40,439 --> 01:08:43,120
Speaker 1: you guys didn't do anything. And it's this moment where

1368
01:08:43,160 --> 01:08:43,519
Speaker 1: you're like.

1369
01:08:44,000 --> 01:08:48,200
Speaker 4: She's just addressing everybody in the neighborhood, like she's just

1370
01:08:48,240 --> 01:08:51,360
Speaker 4: like she's grieving and she's upset and she doesn't know

1371
01:08:51,360 --> 01:08:53,920
Speaker 4: who to point to because it's just like the neighborhood

1372
01:08:53,960 --> 01:08:57,360
Speaker 4: didn't do anything. And that's a feeling that you get

1373
01:08:57,400 --> 01:08:59,840
Speaker 4: too in a neighborhood situation where you're just sort of

1374
01:08:59,920 --> 01:09:02,000
Speaker 4: like all these people are around and nobody saw this

1375
01:09:02,120 --> 01:09:02,880
Speaker 4: shit go down.

1376
01:09:03,000 --> 01:09:06,599
Speaker 3: Like also that certainty that like somebody did it, so

1377
01:09:06,640 --> 01:09:09,040
Speaker 3: somebody had to see something. That's something that plays out

1378
01:09:09,120 --> 01:09:12,360
Speaker 3: now and so many crime dramas and you know, so

1379
01:09:12,479 --> 01:09:15,840
Speaker 3: many you know real like you know, true crime and

1380
01:09:15,880 --> 01:09:18,360
Speaker 3: it's just that and the notion that somebody saw something

1381
01:09:18,400 --> 01:09:21,479
Speaker 3: because you're always looking and you can't help but be looking.

1382
01:09:22,080 --> 01:09:25,400
Speaker 3: And yeah, when you're grieving and your dog dies and

1383
01:09:25,439 --> 01:09:27,640
Speaker 3: you want to know, you want to reason, You're like,

1384
01:09:27,680 --> 01:09:30,080
Speaker 3: there's eight hundred people around me, why can nobody come

1385
01:09:30,120 --> 01:09:33,760
Speaker 3: up with a reason for this? And the heat of

1386
01:09:33,880 --> 01:09:36,200
Speaker 3: this movie, I think is a big part of that

1387
01:09:36,240 --> 01:09:39,840
Speaker 3: oppressed tension as well, is that you know, there's a

1388
01:09:39,840 --> 01:09:42,400
Speaker 3: scene where it starts raining, and I swear because I've

1389
01:09:42,400 --> 01:09:45,040
Speaker 3: lived in cities like this where it gets so oppressively

1390
01:09:45,120 --> 01:09:48,439
Speaker 3: hot and then it rains and cools everything down. There's

1391
01:09:48,479 --> 01:09:50,840
Speaker 3: just like a fine mist of cool that kind of

1392
01:09:50,840 --> 01:09:54,000
Speaker 3: comes in on the heels of it. So just the

1393
01:09:54,520 --> 01:09:58,040
Speaker 3: tension that's created by the narrative and by all this

1394
01:09:58,200 --> 01:10:02,200
Speaker 3: voyeurism is one thing, but then that heat is also

1395
01:10:02,320 --> 01:10:04,439
Speaker 3: part of it, because this is also part of the

1396
01:10:04,479 --> 01:10:06,360
Speaker 3: reason why you're able to see so much of these

1397
01:10:06,400 --> 01:10:08,959
Speaker 3: people's lives or windows are open because it's hot.

1398
01:10:09,200 --> 01:10:13,719
Speaker 1: Exactly, there's and you know, notoriously like New York apartments,

1399
01:10:13,800 --> 01:10:16,879
Speaker 1: big city apartments always have like problems with heating and cooling,

1400
01:10:17,200 --> 01:10:19,680
Speaker 1: so literally people are like opening up their windows so

1401
01:10:19,720 --> 01:10:22,519
Speaker 1: you can see everything, you know, and yeah, that's a

1402
01:10:22,600 --> 01:10:25,120
Speaker 1: huge component to this movie.

1403
01:10:25,520 --> 01:10:26,479
Speaker 2: But you know, I want to.

1404
01:10:26,439 --> 01:10:28,920
Speaker 1: Get back to the whole like Jimmy Stewart and Grace

1405
01:10:29,000 --> 01:10:33,080
Speaker 1: Kelly thing because so I will say this is a

1406
01:10:33,160 --> 01:10:38,880
Speaker 1: controversial classic movie opinion maybe, and that is that I

1407
01:10:38,920 --> 01:10:41,439
Speaker 1: think I'm more of like a mister Smith goes to

1408
01:10:41,640 --> 01:10:44,840
Speaker 1: Washington fan of Jimmy Stewart. I actually think he had

1409
01:10:44,880 --> 01:10:46,920
Speaker 1: a cute period. Like I'm like, yo, when he was young,

1410
01:10:46,960 --> 01:10:51,439
Speaker 1: he was super cute to me. LB Jeffries, I think

1411
01:10:51,439 --> 01:10:53,439
Speaker 1: that's his name in this movie. He's not a sexy

1412
01:10:53,479 --> 01:10:55,000
Speaker 1: peeping tom at all.

1413
01:10:55,040 --> 01:10:58,000
Speaker 4: Like he's definitely a grump and he's just kind of

1414
01:10:58,120 --> 01:10:58,960
Speaker 4: like weird.

1415
01:10:59,040 --> 01:11:01,400
Speaker 3: He's got like a like a stench about him, you know,

1416
01:11:01,479 --> 01:11:04,160
Speaker 3: like a like a oh God. And also I don't

1417
01:11:04,200 --> 01:11:06,680
Speaker 3: know if it was because of like the remastering of

1418
01:11:06,720 --> 01:11:10,080
Speaker 3: this movie or the digitization of it or whatever, but

1419
01:11:10,600 --> 01:11:15,400
Speaker 3: both he and the salesman had like distractingly bluish, gray

1420
01:11:15,479 --> 01:11:18,920
Speaker 3: powdered wig kind of hair, which just exacerbated the age

1421
01:11:18,960 --> 01:11:22,280
Speaker 3: difference between him and Grace Kelly. Like he had straight

1422
01:11:22,360 --> 01:11:25,360
Speaker 3: up like Simpson's blue hair.

1423
01:11:26,160 --> 01:11:32,040
Speaker 1: I know, part of me is like, sometimes remastering can

1424
01:11:32,240 --> 01:11:32,799
Speaker 1: be too.

1425
01:11:32,720 --> 01:11:33,760
Speaker 2: Good, Like you know what I.

1426
01:11:33,720 --> 01:11:38,519
Speaker 1: Mean, Like sometimes restoration work is too good. You're seeing

1427
01:11:38,560 --> 01:11:42,799
Speaker 1: like the old pancake makeup and the fucking old man hair.

1428
01:11:42,920 --> 01:11:45,879
Speaker 4: Stuff for movies, it's it was what's crazy?

1429
01:11:45,920 --> 01:11:49,080
Speaker 1: But Grace Kelly is I mean, she's obviously like so

1430
01:11:49,320 --> 01:11:53,280
Speaker 1: radiant in this movie. And it's funny because part of

1431
01:11:53,320 --> 01:11:56,600
Speaker 1: what I think is so so interesting about their relationship

1432
01:11:56,760 --> 01:11:59,439
Speaker 1: is obviously like he's much older than her. I mean

1433
01:11:59,479 --> 01:12:01,840
Speaker 1: at the time he was, in fact much older than her.

1434
01:12:01,880 --> 01:12:03,600
Speaker 1: I don't know like how old he was supposed to

1435
01:12:03,640 --> 01:12:07,200
Speaker 1: have been in this movie necessarily, But like, the funny

1436
01:12:07,200 --> 01:12:09,679
Speaker 1: thing is is that he's contemplating dumping her because she's

1437
01:12:09,680 --> 01:12:12,479
Speaker 1: too perfect and she's too like, you know, put together,

1438
01:12:12,800 --> 01:12:15,439
Speaker 1: and he thinks of himself as this like scrappy war

1439
01:12:15,840 --> 01:12:19,080
Speaker 1: photographer guy who's like, I'm gonna be in the bush,

1440
01:12:19,120 --> 01:12:20,920
Speaker 1: like you can't You're not gonna be able to wear

1441
01:12:20,960 --> 01:12:24,240
Speaker 1: your fancy dresses when we're out and you know, the

1442
01:12:24,320 --> 01:12:25,240
Speaker 1: jungle and all this.

1443
01:12:25,200 --> 01:12:28,519
Speaker 2: Shit, And she's just like I don't care, like just

1444
01:12:28,680 --> 01:12:29,719
Speaker 2: I want to be in your life.

1445
01:12:29,840 --> 01:12:32,360
Speaker 1: Is that chill or what? Like, what's your problem here?

1446
01:12:32,400 --> 01:12:35,599
Speaker 1: Are you, like, you know, too grumpy, like what's going on?

1447
01:12:35,960 --> 01:12:38,920
Speaker 1: And then you know, his whole party line is that,

1448
01:12:39,200 --> 01:12:42,360
Speaker 1: you know, he needs somebody who has more grit or something.

1449
01:12:42,760 --> 01:12:48,559
Speaker 1: And then apparently she shows that grit by being a creep.

1450
01:12:48,800 --> 01:12:52,599
Speaker 2: Like basically she's like because like, yo, she's a creep.

1451
01:12:52,640 --> 01:12:55,400
Speaker 1: She's in there, man, She's like jumping over the fire

1452
01:12:55,520 --> 01:12:57,320
Speaker 1: escape and she's like going into his apartment.

1453
01:12:57,360 --> 01:12:59,160
Speaker 4: I think I'm falling in love with this girl.

1454
01:12:59,479 --> 01:13:05,479
Speaker 3: She's a she like Mary lou Retten somersaults into that

1455
01:13:05,600 --> 01:13:07,760
Speaker 3: building and it's like, oh, you want some.

1456
01:13:07,760 --> 01:13:08,960
Speaker 2: Grit, I got grit.

1457
01:13:09,880 --> 01:13:14,040
Speaker 3: Scales the fucking pipe, like doesn't even like go up

1458
01:13:14,240 --> 01:13:16,960
Speaker 3: she goes upstairs. She gets out on this balcony and

1459
01:13:17,040 --> 01:13:19,680
Speaker 3: she's just crawling around like a fucking spider monkey. And

1460
01:13:19,720 --> 01:13:21,960
Speaker 3: I'm like, this is too much to do to get

1461
01:13:22,000 --> 01:13:25,640
Speaker 3: a man's attention. You should not have to fucking do

1462
01:13:25,800 --> 01:13:31,080
Speaker 3: parkour into a murderer's apartment to get someone's attention.

1463
01:13:31,760 --> 01:13:35,080
Speaker 2: Your grace Kelly exactly. I was like, part of me

1464
01:13:35,240 --> 01:13:38,719
Speaker 2: is like she better have just done her for love of.

1465
01:13:38,600 --> 01:13:41,280
Speaker 7: The game, thank you, because honestly, like, if it's for

1466
01:13:41,400 --> 01:13:44,760
Speaker 7: this dude, that ain't it like you know, do it

1467
01:13:44,800 --> 01:13:48,920
Speaker 7: because you have an insatiable curiosity too, Like but it's

1468
01:13:48,960 --> 01:13:51,680
Speaker 7: that funny thing where like that is the sort of

1469
01:13:52,320 --> 01:13:53,160
Speaker 7: the light bulb.

1470
01:13:53,040 --> 01:13:55,480
Speaker 1: Moment for him, is that like, damn, she's a neighborhood

1471
01:13:55,560 --> 01:13:59,679
Speaker 1: creep too, man, I'm down, Like let's go, like she's

1472
01:13:59,680 --> 01:14:02,920
Speaker 1: not too prim and proper to like be jumping off

1473
01:14:03,040 --> 01:14:05,360
Speaker 1: the ship and like, you know doing a you know,

1474
01:14:05,840 --> 01:14:08,880
Speaker 1: basically like climbing a fence in that beautiful dress and

1475
01:14:09,000 --> 01:14:10,320
Speaker 1: you know, fancyels.

1476
01:14:10,400 --> 01:14:11,360
Speaker 2: If he found out.

1477
01:14:11,280 --> 01:14:12,800
Speaker 3: That she was the one who killed the dog, he

1478
01:14:12,840 --> 01:14:14,680
Speaker 3: would have like it would have been the first on

1479
01:14:14,720 --> 01:14:15,599
Speaker 3: screen pants.

1480
01:14:15,640 --> 01:14:22,000
Speaker 4: Jeez, that cast would have completely cracked.

1481
01:14:23,680 --> 01:14:26,160
Speaker 2: By the size of his boner? Can I say that?

1482
01:14:26,479 --> 01:14:27,040
Speaker 2: Can I call?

1483
01:14:27,200 --> 01:14:29,800
Speaker 4: Can I say Jimmy Stewart boner on this podcast?

1484
01:14:29,840 --> 01:14:33,680
Speaker 3: That's so, that is the title of the episode.

1485
01:14:35,360 --> 01:14:39,879
Speaker 1: It feels badly wrong to talk about Jimmy Stewart's boner

1486
01:14:40,160 --> 01:14:41,320
Speaker 1: breaking a cast.

1487
01:14:41,320 --> 01:14:44,440
Speaker 3: Like talking about your grandpa's boner like that is grosso.

1488
01:14:45,240 --> 01:14:45,800
Speaker 2: I know it.

1489
01:14:47,120 --> 01:14:50,160
Speaker 4: I'm not listening to this anyway.

1490
01:14:50,439 --> 01:14:53,280
Speaker 1: That so to me, like I said, I'm I'm sort

1491
01:14:53,280 --> 01:14:55,760
Speaker 1: of I'm torn on who the actual creep is.

1492
01:14:55,800 --> 01:14:57,479
Speaker 2: I think it's everybody which is.

1493
01:14:57,720 --> 01:15:00,200
Speaker 1: Hope is not a cop out, but honestly, and it

1494
01:15:00,240 --> 01:15:02,040
Speaker 1: comes down to it, I think our movies both have

1495
01:15:02,120 --> 01:15:04,080
Speaker 1: a lot of things in common in a sense that

1496
01:15:04,439 --> 01:15:08,320
Speaker 1: it is the idea of people watching other people and

1497
01:15:08,400 --> 01:15:14,200
Speaker 1: sort of casting judgments and sort of policing their own environments. Right,

1498
01:15:14,760 --> 01:15:19,040
Speaker 1: And you know, I think that's a timeless concept.

1499
01:15:19,560 --> 01:15:24,680
Speaker 3: It's an American as apple pie and racism.

1500
01:15:25,479 --> 01:15:27,880
Speaker 2: Oh my god, this was so much fun. I love it.

1501
01:15:27,960 --> 01:15:31,120
Speaker 2: I love a neighborhood creep movie. I do too. In fact,

1502
01:15:31,120 --> 01:15:33,000
Speaker 2: we had a lot on our list. We had to

1503
01:15:33,000 --> 01:15:33,760
Speaker 2: whittle it down.

1504
01:15:33,880 --> 01:15:37,680
Speaker 3: Many times people do another neighborhood creep in commemoration of

1505
01:15:37,720 --> 01:15:40,000
Speaker 3: the anniversary of your neighbor wanting you to check out

1506
01:15:40,000 --> 01:15:40,679
Speaker 3: their head wound.

1507
01:15:44,320 --> 01:15:46,760
Speaker 4: Weirdly enough, I haven't heard from her lately. I really

1508
01:15:46,800 --> 01:15:47,719
Speaker 4: don't know what happened.

1509
01:15:47,720 --> 01:15:47,920
Speaker 2: Man.

1510
01:15:48,000 --> 01:15:51,559
Speaker 3: As much as I was reluctant to admit that I

1511
01:15:51,600 --> 01:15:55,400
Speaker 3: gave my strange neighbor my phone number, you gave your

1512
01:15:55,439 --> 01:15:56,719
Speaker 3: strange neighbor your email.

1513
01:16:01,240 --> 01:16:05,759
Speaker 1: She will definitely hate this episode, by the way. All right, well,

1514
01:16:06,120 --> 01:16:10,200
Speaker 1: my god, super fun. We're definitely doing this again. Why

1515
01:16:10,200 --> 01:16:13,799
Speaker 1: don't you tell the listeners about our social media.

1516
01:16:14,240 --> 01:16:17,599
Speaker 3: You can find us on Instagram and Twitter at I

1517
01:16:17,640 --> 01:16:20,519
Speaker 3: saw pod and if you're feeling like it, you can

1518
01:16:20,560 --> 01:16:22,600
Speaker 3: even drop us a line and I saw what you

1519
01:16:22,640 --> 01:16:23,759
Speaker 3: did pod at Gmail.

1520
01:16:24,360 --> 01:16:28,839
Speaker 1: Yes, please we read mail bags as we mentioned before.

1521
01:16:29,080 --> 01:16:32,879
Speaker 1: Disclaimer if you write in, we may read your email

1522
01:16:33,120 --> 01:16:36,720
Speaker 1: on the air unless you tell us not to. And

1523
01:16:36,840 --> 01:16:40,640
Speaker 1: please give us all the pertinent information about what to

1524
01:16:40,680 --> 01:16:44,759
Speaker 1: call you, your pronouns, etc. Let's talk about the films

1525
01:16:44,760 --> 01:16:46,880
Speaker 1: for next week? Yeah, do you want to give the

1526
01:16:46,920 --> 01:16:48,280
Speaker 1: listeners the movies?

1527
01:16:48,560 --> 01:16:52,240
Speaker 3: I cannot wait to give the movies because we're going

1528
01:16:52,320 --> 01:16:57,680
Speaker 3: to watch American Movie from nineteen ninety nine and the

1529
01:16:57,760 --> 01:17:01,840
Speaker 3: Decline of Western Civilization two, The Metal Years from nineteen

1530
01:17:01,880 --> 01:17:02,320
Speaker 3: eighty eight.

1531
01:17:02,479 --> 01:17:06,800
Speaker 4: Oh my god, guess that damn thing.

1532
01:17:07,120 --> 01:17:11,640
Speaker 3: Put on some Pantera or Anthrax. Let that be the

1533
01:17:11,680 --> 01:17:12,880
Speaker 3: soundtrack to your week.

1534
01:17:13,280 --> 01:17:16,960
Speaker 4: I cannot wait until next week's episode. It's gonna be

1535
01:17:17,040 --> 01:17:20,840
Speaker 4: so fun to talk about those movies. Well until then, yes,

1536
01:17:21,800 --> 01:17:22,719
Speaker 4: see you guys soon.

1537
01:17:22,800 --> 01:17:31,320
Speaker 2: Thanks for listening. We love you. This has been an

1538
01:17:31,360 --> 01:17:32,320
Speaker 2: exactly right production.

1539
01:17:32,600 --> 01:17:36,519
Speaker 3: Our producers Alexis Amussi, our engineers Annalise Nelson. Our social

1540
01:17:36,600 --> 01:17:39,479
Speaker 3: media manager is Tarreen Maza. Our theme songs by Tom

1541
01:17:39,479 --> 01:17:43,160
Speaker 3: bry Foegel artwork by Garrett Ross. Our executive producers are

1542
01:17:43,240 --> 01:17:46,640
Speaker 3: Georgia Hartstark, Karen Till, Gareth and Danielle Kramer. Follow us

1543
01:17:46,680 --> 01:17:49,880
Speaker 3: on Instagram and Twitter at I saw pod email us

1544
01:17:49,920 --> 01:17:51,920
Speaker 3: at I Saw what you did pod at Gmail, and

1545
01:17:52,000 --> 01:17:54,839
Speaker 3: please don't forget to listen, subscribe, leave us a review

1546
01:17:54,920 --> 01:18:00,560
Speaker 3: on Apple Podcast, Stitcher, or wherever you listen. B