WEBVTT - What's Next • EP 805

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<v Speaker 1>First of all, you don't know me. We all about

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<v Speaker 1>that high school drama, girl drama girl, all about them.

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<v Speaker 2>High school queens.

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<v Speaker 3>We'll take you for a ride.

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<v Speaker 2>And our comic girl cheering for the right teams, drama queens,

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<v Speaker 2>Jaylie's go off girl fashion, but your tough girl, you

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<v Speaker 2>could sit with us.

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<v Speaker 1>Girl drama, Queen drama, Queens drama, Queens drama drama, Queens drama, queens.

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<v Speaker 4>All right, what's up? Joy?

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<v Speaker 2>All right? All right, all right, that wasn't my best McConaughey,

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<v Speaker 2>how's yours?

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<v Speaker 4>Uh, probably worse, So let's stick with yours. I would

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<v Speaker 4>hate to turn people off of the episode six seconds

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<v Speaker 4>and so we'll just save it for a different time.

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<v Speaker 2>Yeah, no problem, no problem. Well hey everybody, Hey, I'm good.

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<v Speaker 2>How are you? How was your day? We're doing this

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<v Speaker 2>one a little later tonight, so you guys are catching

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<v Speaker 2>us at the end of our days. Here.

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<v Speaker 4>Yeah, a little exhausted, a little punch here, a little

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<v Speaker 4>slap happy. We'll see.

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<v Speaker 2>How was everything with the kids today? Was it like

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<v Speaker 2>a nice, easy, smooth, chill day or was it like

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<v Speaker 2>a mannic, wild, crazy day.

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<v Speaker 4>I have a three and a half year old. There

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<v Speaker 4>is it's just varying shades of anarchy. And today was

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<v Speaker 4>it was like Gong Show. Oh no, yeah, yeah, how

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<v Speaker 4>was your day?

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<v Speaker 2>My day was actually pretty chill. I just organized from

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<v Speaker 2>top to bottom. I decided to start spring cleaning a

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<v Speaker 2>little early. I've I have always been a bit of

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<v Speaker 2>a messy, messy brain, messy person. And I look around

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<v Speaker 2>and suddenly and I see piles everywhere, and I'm like,

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<v Speaker 2>oh my god, I can't live like this and I

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<v Speaker 2>can't get anything done like this. So I just decided

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<v Speaker 2>to take the week and I'm going from the back

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<v Speaker 2>of my house to the front, and I'm every Bobby pin,

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<v Speaker 2>every sticker, every post it note, every ticket from that

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<v Speaker 2>train in London from four years ago that's in the

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<v Speaker 2>bottom of that purse in the back of the cloth. Like,

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<v Speaker 2>everything is getting cleaned. And then you know, in the meantime,

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<v Speaker 2>it takes some time to watch one Tree Hill.

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<v Speaker 4>Oh yeah, great segue. Welcome in everybody. This week we

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<v Speaker 4>have season eight, episode five, Nobody Taught Us to Quit

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<v Speaker 4>Air date October twelfth, twenty ten. Synopsis reads. As Clay

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<v Speaker 4>is discharged from the hospital, Nathan contemplates walking away from

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<v Speaker 4>the NBA. Meanwhile, Brook and Victoria disagree on how to

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<v Speaker 4>handle the company's financial problems, and Chase discovers a secret

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<v Speaker 4>about Alex directed by the one and only James Lafferty.

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<v Speaker 4>And it was written.

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<v Speaker 2>And it was it was written by a room of writers.

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<v Speaker 4>That's right, took a village.

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<v Speaker 2>Well what did you think? What do you think of

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<v Speaker 2>this episode?

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<v Speaker 4>I really enjoyed it.

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<v Speaker 2>Yeah, me too.

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<v Speaker 4>I I'd loved the start with. It was so perfect

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<v Speaker 4>that Jamie wanted to see Quinn's gunshot wound. Also shout

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<v Speaker 4>out to Rocky because that thing looked so real.

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<v Speaker 2>So so grossross and so real. It was really really real.

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<v Speaker 2>Yeah that was fun and ouzy. Yeah, I love this.

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<v Speaker 2>We just keep up with this narrative of the well

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<v Speaker 2>the literal narration of the story happening, which is how

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<v Speaker 2>One Tree Hill always starts. I love whenever they bring

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<v Speaker 2>that in because this nostalgia is big. And I like

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<v Speaker 2>Haley writing her letters to Lucas keeping him in the loop.

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<v Speaker 2>I wonder do you think they did that just to

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<v Speaker 2>like maintain the nostalgia or do you think they were

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<v Speaker 2>like trying to get Chad back and like trying to

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<v Speaker 2>build it. Maybe they were like talking to him and

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<v Speaker 2>trying to build up like audience love, and then it

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<v Speaker 2>just didn't pan out.

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<v Speaker 4>I don't think so, because if you remember in season

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<v Speaker 4>towards the end of season seven when Dan had his talk,

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<v Speaker 4>there was that really crappy line he had where he's like,

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<v Speaker 4>we should bring Lucas on for a guest. God knows

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<v Speaker 4>he's not doing anything.

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<v Speaker 2>Oh that's right. Yeah, No, they definitely were not trying

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<v Speaker 2>to know.

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<v Speaker 4>I think it's a two birds unfortunate thing right where

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<v Speaker 4>it's something. It's it's something for the audience because it's

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<v Speaker 4>connective tissue to Lucas someone they're all missing. And then

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<v Speaker 4>it is also a pretty clever way of just doing

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<v Speaker 4>a little exposition.

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<v Speaker 2>Yeah.

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<v Speaker 4>Yeah, it is emotional exposition.

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<v Speaker 2>Etching everybody up. Yeah. And what she was saying actually

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<v Speaker 2>was really cool. I liked that what they had me

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<v Speaker 2>right talking about how yeah hard it is to see

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<v Speaker 2>how many people out there are hurting, but how heartened

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<v Speaker 2>she is by the fact that people keep reaching out

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<v Speaker 2>for help as she's working at this crisis hotline's it

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<v Speaker 2>is nice to to It was nice for me to

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<v Speaker 2>think about that because I think a lot of us

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<v Speaker 2>just kind of suffer in silence. I know I do.

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<v Speaker 2>I'm like, it's not I'm the last person to reach

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<v Speaker 2>out when I'm feeling depressed or having a hard time.

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<v Speaker 2>It is so painful to pick up the phone and

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<v Speaker 2>call someone because I just don't want to be a burden.

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<v Speaker 2>And I always which is so weird, because I never

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<v Speaker 2>ever think that if a friend is having a hard

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<v Speaker 2>time and calls me, I'm never.

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<v Speaker 4>Like, oh god, yeah, you're flattering.

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<v Speaker 2>You're kind of busy right now.

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<v Speaker 4>Yeah.

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<v Speaker 2>No, I'm like, oh, thank you, let's talk. I want

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<v Speaker 2>to be here. I want to matter to you and

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<v Speaker 2>help you and do something meaningful with my life. And

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<v Speaker 2>if I can show up for you, that's amazing And

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<v Speaker 2>how can I help?

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<v Speaker 4>Yeah?

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<v Speaker 2>So I don't know why I have such a hard

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<v Speaker 2>time reaching out. Are you Have you like evolved to

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<v Speaker 2>this place, rob where you can just pick up the

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<v Speaker 2>phone when you're having a hard time. Is it easier?

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<v Speaker 4>I mean, it's still a thousand pound phone, but I

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<v Speaker 4>have my The time between discomfort and reaching out is

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<v Speaker 4>continually getting shorter and shorter, but I still I still

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<v Speaker 4>do the same thing because it's old behavior that whole like,

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<v Speaker 4>I don't want to be a bother yeah, when just

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<v Speaker 4>like you said, it's like when a friend reaches out

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<v Speaker 4>to me, it's they're giving me an opportunity to show

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<v Speaker 4>up for them and show them that I care about them.

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<v Speaker 4>So I'm like, dude, I'm here, what's you know what

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<v Speaker 4>I mean? And so I'm getting better. But suffering silence

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<v Speaker 4>was sadly kind of my mantra during the show because

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<v Speaker 4>this was pre therapy and stuff and I was just

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<v Speaker 4>struggling and it was like I don't want to be

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<v Speaker 4>in a position yea, yeah yeah, So yeah, I did

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<v Speaker 4>the same as you.

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<v Speaker 2>I'm glad things like this crisis hotline exist. I didn't

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<v Speaker 2>even really know it that it did until we started

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<v Speaker 2>filming this episode and I was like, crisis hotlines, this

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<v Speaker 2>is the thing you can do. I mean, I knew

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<v Speaker 2>there were numbers you could call if you were in

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<v Speaker 2>serious mental health like self destructive mode, but I didn't

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<v Speaker 2>realize it was just someplace you could call if you

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<v Speaker 2>were feeling lonely and needed somebody to talk to. And

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<v Speaker 2>I love that even just the opening, just our show

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<v Speaker 2>is introducing this to people as something that is a

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<v Speaker 2>possibility if you aren't yet comfortable call and your friends

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<v Speaker 2>or feel like you don't have anybody close enough that

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<v Speaker 2>you could pick up a phone.

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<v Speaker 3>And call call somebody like Hayley James.

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<v Speaker 2>Yeah, it's really sweet.

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<v Speaker 4>It is a nice way to kind of spread awareness

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<v Speaker 4>and also normalize it. Yeah, you know, because again, if

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<v Speaker 4>you know grew up like most of us, I think

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<v Speaker 4>there was a there was a stigma to asking for help.

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<v Speaker 4>You know, it's considered weak whatever that means, you know.

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<v Speaker 4>So it was nice that our show was sort of

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<v Speaker 4>putting it on the map. But going back to the

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<v Speaker 4>gunshot wound, I love you had some really funny moments

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<v Speaker 4>this episode, and I love when the show gives you

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<v Speaker 4>opportunities to be funny because you always just crush it.

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<v Speaker 4>And I love that you come in the bathroom and

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<v Speaker 4>Quinn's like no, no, no, it's gross, and you're like, trick,

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<v Speaker 4>I'm a mom, I've seen much much worse, like please

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<v Speaker 4>get over yourself. And she pulls off the bandage and

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<v Speaker 4>you see that pussy wound and you immediately are like nope,

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<v Speaker 4>I'm out hard pass and you just walk out of

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<v Speaker 4>the room and Jamie's.

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<v Speaker 2>Like, aw so gross, God so great. I can't I

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<v Speaker 2>cannot I feel I mean, are you okay with wounds

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<v Speaker 2>and blood and stuff, like can you manage to if

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<v Speaker 2>you're you know, if your kid falls down and you

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<v Speaker 2>just you take a needle and stitch something or super

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<v Speaker 2>glue or like, are you good with that? Ah?

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<v Speaker 4>I listen like a needle, like having to stitch my

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<v Speaker 4>kid up. No, But that's just because I have no

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<v Speaker 4>medical training. I'm okay like around blood and wounds and stuff.

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<v Speaker 4>I think, if anything, I'm a little more sheepish when

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<v Speaker 4>they're my own.

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<v Speaker 2>Oh oh.

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<v Speaker 4>When it's one of my people, I can kind of

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<v Speaker 4>be just like detach like a mechanic, like, okay, yeah,

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<v Speaker 4>that's a lot of blood, Like cool, I'm gonna help you.

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<v Speaker 4>We're gonna fix you know what I mean. Yeah, Whereas

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<v Speaker 4>if it's me, I can get a little squeamer's like ooh,

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<v Speaker 4>that's I'm seeing much farther into my tissue than I

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<v Speaker 4>would care to right now? Is that bone? I'm gonna

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<v Speaker 4>pass out? You know? How about you?

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<v Speaker 2>It does depend with my daughter. I'm very calm under

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<v Speaker 2>pressure or like anything I can handle. You know. What's

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<v Speaker 2>actually worse for me is if someone describes a wound,

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<v Speaker 2>If someone is talking to me about an injury, my

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<v Speaker 2>stomach immediately lurches into my throat. Yeah, I mean in

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<v Speaker 2>an emergency situation, I think I can detach. I'm trying

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<v Speaker 2>to think of any time when I've been now it

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<v Speaker 2>doesn't gross me out, and my own stuff I didn't.

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<v Speaker 2>Oh my gosh. I had contractors working on my house

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<v Speaker 2>and maybe we're doing some floors and a floor vent

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<v Speaker 2>got left open. But it was like on the far

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<v Speaker 2>side of the room. And when I say open, you

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<v Speaker 2>know the floor vents are. It's just a hole cut

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<v Speaker 2>in the wood, but then it has the Usually it

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<v Speaker 2>has that metal thing over the top of it, so

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<v Speaker 2>they didn't have the metal thing on it. But it

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<v Speaker 2>was like far away on the other side of the

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<v Speaker 2>room by a window. And I didn't really go in

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<v Speaker 2>that room very often, so it really wasn't a big

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<v Speaker 2>deal except that the I don't know if she was

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<v Speaker 2>jumping on the trampoline in the next room, but anyway,

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<v Speaker 2>the curtain rod fell down, so I went to go

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<v Speaker 2>fix it, and so the curtain was covering the hole

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<v Speaker 2>and I didn't see that it was open. Oh no,

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<v Speaker 2>is your stomach larching into your throat? So I step

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<v Speaker 2>into this hole, but it's right on the edge of

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<v Speaker 2>the curtain, so it's not like the curtain was going

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<v Speaker 2>to protect my foot. And as I step into this hole,

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<v Speaker 2>the freshly sliced wood freshly slices into my foot and

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<v Speaker 2>I felt it and it was one of those super

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<v Speaker 2>sharp cuts that you know it's going to hurt like

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<v Speaker 2>a mother in about thirty seconds, maybe twenty, but you've

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<v Speaker 2>got a very short window of time before all of

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<v Speaker 2>the nerves start kicking it. And I looked down at

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<v Speaker 2>this thing, and it is down this cut has got

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<v Speaker 2>to be at least an inch and a half down

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<v Speaker 2>into and you know, your foot's kind of there's not

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<v Speaker 2>a lot of meat there, so it's it's on the

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<v Speaker 2>side of my foot and it's a it's about an

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<v Speaker 2>inch long and then probably an inch and a half

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<v Speaker 2>deep into my foot. So I looked at it. It was

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<v Speaker 2>a perfectly clean slice, and I could pull the sides

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<v Speaker 2>of my foot apart and you could see right down

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<v Speaker 2>into my muscle, and like, I'm not sure how I was, like, Okay,

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<v Speaker 2>what am I going to do? Short window of time.

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<v Speaker 2>I hobbled very quickly into the kitchen where I have

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<v Speaker 2>my medicine cabinet, and uh, I grabbed a little bit

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<v Speaker 2>of super glue, and I stuck that thing back together

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<v Speaker 2>and I put a band aid on it, and I

0:11:50.320 --> 0:11:54.520
<v Speaker 2>just slept it alone. Wait, I pretended like it didn't appen.

0:11:55.320 --> 0:12:00.319
<v Speaker 4>You used household super glue on yeah, wound.

0:12:00.720 --> 0:12:01.880
<v Speaker 5>Yeah, that's what you do.

0:12:03.240 --> 0:12:03.840
<v Speaker 4>Seriously.

0:12:04.120 --> 0:12:06.680
<v Speaker 2>Yeah. I dated an army ranger once and he told

0:12:06.760 --> 0:12:08.960
<v Speaker 2>me that that's just what they do. They just they

0:12:08.960 --> 0:12:10.600
<v Speaker 2>have super glue and they just like deal with their

0:12:10.600 --> 0:12:12.360
<v Speaker 2>wounds with super clue. And I thought that was the

0:12:12.400 --> 0:12:14.319
<v Speaker 2>craziest thing when I heard it. But in that moment,

0:12:14.400 --> 0:12:17.280
<v Speaker 2>I was like, Okay, I'm gonna do it because it

0:12:17.280 --> 0:12:18.959
<v Speaker 2>didn't look dirty. There was no saw dust, there was

0:12:19.000 --> 0:12:20.760
<v Speaker 2>nothing in it that I thought I need to clean

0:12:20.800 --> 0:12:23.319
<v Speaker 2>this out. I'm just gonna close this thing up and

0:12:23.400 --> 0:12:25.959
<v Speaker 2>I hope it goes away, which is probably a very

0:12:26.040 --> 0:12:30.680
<v Speaker 2>dumb of me. But it turned out okay. I just

0:12:30.720 --> 0:12:32.360
<v Speaker 2>didn't look at it, didn't take the band aid off

0:12:32.360 --> 0:12:34.800
<v Speaker 2>for about four days, and it healed.

0:12:35.360 --> 0:12:38.280
<v Speaker 4>You just hoped and prayed for the best. What's so

0:12:38.360 --> 0:12:42.040
<v Speaker 4>funny about this moment is I have to imagine that

0:12:42.080 --> 0:12:45.880
<v Speaker 4>with the listeners, I'm curious what the ratio is of

0:12:45.960 --> 0:12:49.720
<v Speaker 4>people who gasped because they thought, like me, that you

0:12:49.800 --> 0:12:53.160
<v Speaker 4>can't put super glue in an open, uncleaned wound, and

0:12:53.240 --> 0:12:56.400
<v Speaker 4>also the people who already knew that, So grow us

0:12:56.440 --> 0:12:59.400
<v Speaker 4>a comment. Let us know just where you were on that,

0:12:59.440 --> 0:13:01.920
<v Speaker 4>because you just kind of blew my mind that that's

0:13:02.000 --> 0:13:04.040
<v Speaker 4>even and it's a possibility.

0:13:04.080 --> 0:13:06.000
<v Speaker 2>So hey, if you're if you're in the wilderness, I

0:13:06.000 --> 0:13:09.040
<v Speaker 2>don't know if you're a big camping guy, but keep

0:13:09.080 --> 0:13:11.439
<v Speaker 2>some super glue on you, I guess.

0:13:11.520 --> 0:13:16.120
<v Speaker 4>So man, Wow, okay, anyway, wow got on, We got

0:13:16.120 --> 0:13:18.559
<v Speaker 4>off the rails. So it took you and I about

0:13:18.600 --> 0:13:21.360
<v Speaker 4>forty seconds of talking about the episode before we went

0:13:21.400 --> 0:13:24.720
<v Speaker 4>on a ten minute diatribe about injuries and wild.

0:13:24.559 --> 0:13:26.880
<v Speaker 2>It's my fault every time. I'm so sorry. I feel

0:13:26.960 --> 0:13:28.520
<v Speaker 2>I just feel like I can talk to you, Rob,

0:13:28.600 --> 0:13:30.559
<v Speaker 2>That's it. I just I feel like I can tell

0:13:30.559 --> 0:13:31.080
<v Speaker 2>you anything.

0:13:31.280 --> 0:13:33.040
<v Speaker 4>That's why I wasn't trying to wrap you up. I

0:13:33.080 --> 0:13:34.880
<v Speaker 4>wanted to know where that story went. And you know,

0:13:34.880 --> 0:13:36.439
<v Speaker 4>it got us the super glue.

0:13:36.480 --> 0:13:39.440
<v Speaker 2>It sure did. Well. No super glue for Quinn's wound.

0:13:39.480 --> 0:13:42.240
<v Speaker 2>That that thing is gnarly and it's going to take

0:13:42.280 --> 0:13:44.520
<v Speaker 2>some time to recover. But I did really like seeing

0:13:44.600 --> 0:13:48.520
<v Speaker 2>Quinn and Clay happy. I liked seeing them, like seeing

0:13:48.600 --> 0:13:51.480
<v Speaker 2>him up and about getting I mean getting ready to

0:13:51.640 --> 0:13:55.280
<v Speaker 2>get out of the hospital. H you guys got all

0:13:55.400 --> 0:13:57.559
<v Speaker 2>dressed up, which is so cute.

0:13:58.559 --> 0:14:03.480
<v Speaker 4>Yeah. Did you find it funny that there was hospital

0:14:03.600 --> 0:14:07.640
<v Speaker 4>staff mixed in with some of the friends outside the hospital?

0:14:07.840 --> 0:14:09.320
<v Speaker 2>Okay, I wasn't sure. If you want to talk about

0:14:09.320 --> 0:14:12.800
<v Speaker 2>the end, Yes, I did think. I did think that

0:14:12.880 --> 0:14:17.719
<v Speaker 2>was really strange. Look, I loved the line. First of all,

0:14:17.760 --> 0:14:19.920
<v Speaker 2>if we're going to talk about the hospital stuff, I

0:14:19.960 --> 0:14:22.880
<v Speaker 2>loved the line that you said, they wheeled us into

0:14:22.880 --> 0:14:25.200
<v Speaker 2>this place, we're walking out, they will us in we're

0:14:25.240 --> 0:14:29.320
<v Speaker 2>walking out. So good, so strong. I feel like that's

0:14:29.360 --> 0:14:34.040
<v Speaker 2>actually something I could use in life. But yes, I

0:14:34.120 --> 0:14:36.240
<v Speaker 2>did think it was really funny that hospital staff was

0:14:36.280 --> 0:14:43.920
<v Speaker 2>there clapping. Also the handful of confetti that Jackson throws

0:14:44.320 --> 0:14:49.880
<v Speaker 2>that turned into an unending overhead release that just kept

0:14:49.960 --> 0:14:54.000
<v Speaker 2>going like we're at Madison Square Garden as everyone hugs play.

0:14:54.600 --> 0:14:56.600
<v Speaker 2>It was very It was cute but funny.

0:14:57.120 --> 0:15:00.440
<v Speaker 4>Wait, so I didn't notice that? Did we not see

0:15:00.480 --> 0:15:02.240
<v Speaker 4>anyone else with confetti in their hand?

0:15:02.440 --> 0:15:05.120
<v Speaker 2>No? Oh, that I mean not that I noticed.

0:15:04.880 --> 0:15:07.440
<v Speaker 4>Because it looked like a couple of confetti. Cannons went off,

0:15:07.800 --> 0:15:10.800
<v Speaker 4>it sure did. I remember shooting it, and I think

0:15:10.800 --> 0:15:12.400
<v Speaker 4>you even see it in the shot where I'm like,

0:15:12.640 --> 0:15:14.880
<v Speaker 4>my hand is up and I'm actually squinting because I'm

0:15:14.920 --> 0:15:18.000
<v Speaker 4>genuinely like, I this is far too much confetti.

0:15:19.440 --> 0:15:22.120
<v Speaker 2>You just see the one thing, just Jackson, little Jackson

0:15:22.160 --> 0:15:25.320
<v Speaker 2>with his hands, he just yeah, drops one big thing

0:15:25.320 --> 0:15:27.080
<v Speaker 2>and it just keeps going and going and going, like

0:15:27.120 --> 0:15:29.040
<v Speaker 2>one of those birthday candles that you can't blow up.

0:15:29.640 --> 0:15:32.320
<v Speaker 4>That's so funny. Well, yeah, the hospital staff out there,

0:15:32.400 --> 0:15:36.400
<v Speaker 4>I thought to myself, it's I wonder if they realized

0:15:36.440 --> 0:15:39.800
<v Speaker 4>having four cast members, if they just thought it wasn't enough.

0:15:39.840 --> 0:15:43.560
<v Speaker 4>But I just I was laughing, thinking like it would

0:15:43.600 --> 0:15:46.080
<v Speaker 4>be so cool if we panned out and then you

0:15:46.160 --> 0:15:49.400
<v Speaker 4>saw like a patient in distress in one of the windows,

0:15:49.440 --> 0:15:51.960
<v Speaker 4>and there was just no medical staff there because they

0:15:51.960 --> 0:15:53.480
<v Speaker 4>were downstairs cheering for us.

0:15:55.640 --> 0:15:58.520
<v Speaker 2>I love the way your brain works. It's great.

0:15:59.000 --> 0:16:01.400
<v Speaker 4>I just told myself, it's Tree Hill, it's a small hospital.

0:16:01.400 --> 0:16:04.000
<v Speaker 4>Maybe it's a slow day and they're very excited for us.

0:16:04.000 --> 0:16:08.360
<v Speaker 4>But I thought, in real life, I mean, I guess, dude,

0:16:08.360 --> 0:16:10.120
<v Speaker 4>we don't need to go off on a tangent whatever

0:16:10.280 --> 0:16:11.560
<v Speaker 4>it's it was sweet.

0:16:11.960 --> 0:16:14.440
<v Speaker 2>It was sweet, But you did really get dressed up.

0:16:14.480 --> 0:16:18.240
<v Speaker 2>This was beyond just looking nice. I mean you were

0:16:18.320 --> 0:16:21.960
<v Speaker 2>really Quinn in that dress and you in that suit.

0:16:23.000 --> 0:16:24.040
<v Speaker 2>That was a big deal.

0:16:24.760 --> 0:16:29.320
<v Speaker 4>My first thought was, that's so much clothing to put

0:16:29.360 --> 0:16:30.560
<v Speaker 4>on when you're that injured.

0:16:30.920 --> 0:16:34.200
<v Speaker 2>Yes, yes, that's kind of what I was thinking too.

0:16:35.040 --> 0:16:38.960
<v Speaker 4>Yeah, to me, that feels like it's your Lululemon jumpsuit

0:16:39.080 --> 0:16:41.720
<v Speaker 4>all day. Yeah, it's a tracksuit, that's it. You know,

0:16:41.800 --> 0:16:44.760
<v Speaker 4>it's sweats and it's a it's a sweatshirt. So the

0:16:44.840 --> 0:16:48.600
<v Speaker 4>fact it was done up I appreciate. Maybe he was

0:16:48.600 --> 0:16:51.720
<v Speaker 4>all hopped up on, you know, goofballs and pain meds,

0:16:51.760 --> 0:16:54.160
<v Speaker 4>but that's a lot of clothing to put on when

0:16:54.200 --> 0:16:56.640
<v Speaker 4>you are just barely past death.

0:16:57.320 --> 0:17:00.480
<v Speaker 2>I mean, I think he's just it's just, uh, this

0:17:00.560 --> 0:17:03.480
<v Speaker 2>is mental fortitude, right, He's like, I'm going to prove

0:17:03.520 --> 0:17:05.080
<v Speaker 2>I'm not only am I going to walk out of here,

0:17:05.160 --> 0:17:06.560
<v Speaker 2>I'm going to walk out of here in a three

0:17:06.600 --> 0:17:10.600
<v Speaker 2>piece suit. I'm gonna make sure that I'm sending the

0:17:10.640 --> 0:17:15.679
<v Speaker 2>message that I'm ready to roll but quite ambitious, and

0:17:15.720 --> 0:17:18.080
<v Speaker 2>then walking back into the house.

0:17:19.359 --> 0:17:24.000
<v Speaker 4>So what I really wanted. I really desperately want a

0:17:24.119 --> 0:17:26.720
<v Speaker 4>version of that scene where we go back in the

0:17:26.760 --> 0:17:30.560
<v Speaker 4>house and we're just like okay, and then we walk

0:17:30.640 --> 0:17:35.439
<v Speaker 4>into the bedroom and there is still just smeared blood

0:17:35.480 --> 0:17:39.119
<v Speaker 4>stains all over the carpet, and we're just like Nathan

0:17:39.160 --> 0:17:44.119
<v Speaker 4>tried his best. He should have got professionals a little

0:17:44.160 --> 0:17:46.240
<v Speaker 4>call back to the previous episode when he just gets

0:17:46.240 --> 0:17:48.720
<v Speaker 4>down his hands knees with one sponge and a bucket.

0:17:49.080 --> 0:17:52.480
<v Speaker 2>We needed you directing this episode, Oh my gosh. Well no,

0:17:52.600 --> 0:17:54.399
<v Speaker 2>James did a great job, but we needed we needed

0:17:54.440 --> 0:17:56.760
<v Speaker 2>you directing a comedy version of this episode that they

0:17:56.760 --> 0:17:57.760
<v Speaker 2>actually would have let you.

0:17:58.200 --> 0:18:00.200
<v Speaker 4>Yes, yes, it's the gag real version.

0:18:00.640 --> 0:18:01.679
<v Speaker 2>The gag reel version.

0:18:02.240 --> 0:18:06.760
<v Speaker 4>Yeah, so I for effort Nate, hmm, yeah.

0:18:06.600 --> 0:18:09.359
<v Speaker 2>I mean he really clearly that carpet had been replaced,

0:18:10.000 --> 0:18:13.000
<v Speaker 2>the fact that they go back into the same I

0:18:13.000 --> 0:18:14.960
<v Speaker 2>don't think i'd go back into the same bedroom. I

0:18:14.960 --> 0:18:17.199
<v Speaker 2>couldn't just go right back into my bedroom and go

0:18:17.280 --> 0:18:21.159
<v Speaker 2>to sleep. I would have a really hard time with that.

0:18:22.400 --> 0:18:22.840
<v Speaker 2>I don't know.

0:18:22.960 --> 0:18:25.359
<v Speaker 4>Yeah, I don't disagree with you.

0:18:25.480 --> 0:18:28.680
<v Speaker 2>Does Quinn not have a home? Quinn came into tree

0:18:28.760 --> 0:18:30.680
<v Speaker 2>Hill and stayed with Nathan and Haley, and then she

0:18:30.760 --> 0:18:32.439
<v Speaker 2>was like, I'm getting divorced. I'm gonna move in with

0:18:32.440 --> 0:18:34.639
<v Speaker 2>my boyfriend. She just doesn't have a house.

0:18:35.400 --> 0:18:37.000
<v Speaker 4>I think that's right, all right.

0:18:37.040 --> 0:18:38.600
<v Speaker 2>I was gonna say, you guys could go to her place,

0:18:38.600 --> 0:18:40.160
<v Speaker 2>but I don't think we've seen her place.

0:18:52.240 --> 0:18:54.360
<v Speaker 4>Going with the hole like they wheeled us in, we're

0:18:54.359 --> 0:18:58.479
<v Speaker 4>walking out. It's there is sort of a bravery and

0:18:58.760 --> 0:19:01.760
<v Speaker 4>like I'm not going to be a victim a mentality. Yeah,

0:19:01.960 --> 0:19:05.960
<v Speaker 4>that kind of tracks with I'm going home, get back

0:19:06.040 --> 0:19:08.480
<v Speaker 4>up on the horse. I'm choosing my life. Yep. I'm

0:19:08.480 --> 0:19:10.320
<v Speaker 4>not going to be intimidated. I'm not going to change it.

0:19:11.920 --> 0:19:14.720
<v Speaker 4>So you know all that I kind of get and

0:19:14.760 --> 0:19:19.879
<v Speaker 4>don't bump on the through line of what's next I

0:19:19.920 --> 0:19:23.560
<v Speaker 4>thought was woven through this episode so well.

0:19:24.080 --> 0:19:25.479
<v Speaker 2>Oh yeah, I loved that.

0:19:26.080 --> 0:19:29.320
<v Speaker 4>It was great man, such such good connective tissue for

0:19:29.359 --> 0:19:33.640
<v Speaker 4>everyone's stories. I love that we're seeing more of Lee

0:19:34.440 --> 0:19:38.800
<v Speaker 4>mm hmm. It's been a very nice, welcome change.

0:19:38.920 --> 0:19:40.919
<v Speaker 2>Trying to find himself, trying to figure out for himself

0:19:40.920 --> 0:19:41.959
<v Speaker 2>what's next.

0:19:42.280 --> 0:19:45.480
<v Speaker 4>This was fun, Yes, and that the first scene with

0:19:45.680 --> 0:19:49.840
<v Speaker 4>James excuse me, with Nathan and Mouth at Rivercourt was great.

0:19:50.320 --> 0:19:50.600
<v Speaker 2>Yeah.

0:19:50.640 --> 0:19:56.480
<v Speaker 4>It was like sweet friendship. And then they let Lee

0:19:56.560 --> 0:20:00.760
<v Speaker 4>do comedy for basically the rest of the episode, and

0:20:00.800 --> 0:20:03.160
<v Speaker 4>he's so dang funny.

0:20:03.480 --> 0:20:07.280
<v Speaker 2>He's so he always shows up, He's him.

0:20:07.800 --> 0:20:12.400
<v Speaker 4>Mouth's loneliness was so much fun to watch. I mean

0:20:12.480 --> 0:20:17.840
<v Speaker 4>when when Julian comes over and and and I think

0:20:17.840 --> 0:20:21.919
<v Speaker 4>mouth hos line. He goes, hey, uh, would you like

0:20:22.160 --> 0:20:24.400
<v Speaker 4>a soda or a beer? And he goes, no, I'm good.

0:20:24.400 --> 0:20:26.280
<v Speaker 4>And he goes do you have any soda or beer?

0:20:28.800 --> 0:20:31.639
<v Speaker 4>And and then Julian goes, no, I just want to,

0:20:31.720 --> 0:20:33.440
<v Speaker 4>you know, we can do his documentary and he's insistent

0:20:33.480 --> 0:20:36.960
<v Speaker 4>that they started immediately. And then he's like, okay, I

0:20:36.960 --> 0:20:38.800
<v Speaker 4>just want to get your day to day stuff. And

0:20:38.840 --> 0:20:39.639
<v Speaker 4>he comes.

0:20:39.359 --> 0:20:41.840
<v Speaker 2>Out talk about a three piece suit.

0:20:41.880 --> 0:20:46.080
<v Speaker 4>With his hair slicked back, acting just like such a

0:20:46.200 --> 0:20:52.800
<v Speaker 4>Wall Street dude, broo cool, and all the while like

0:20:53.320 --> 0:20:57.320
<v Speaker 4>it's so good and it's so cheesy. And then the

0:20:57.520 --> 0:21:01.640
<v Speaker 4>end of it, he drops a pack of Kondo and goes, oops,

0:21:02.040 --> 0:21:09.359
<v Speaker 4>Magnum condoms. That's embarrassing, Julie. It's like, what y trauma

0:21:09.680 --> 0:21:14.840
<v Speaker 4>have you recently had? Like what? He turns around in

0:21:14.880 --> 0:21:16.080
<v Speaker 4>the tag still on the suit.

0:21:16.240 --> 0:21:18.840
<v Speaker 2>Oh god, it's so good. It felt like a sitcom.

0:21:19.000 --> 0:21:22.199
<v Speaker 2>It was so fun. And what's really great about it

0:21:22.240 --> 0:21:26.000
<v Speaker 2>is the idea of that Julian was that Mouth knew

0:21:26.040 --> 0:21:27.840
<v Speaker 2>that his life was so boring that he was going

0:21:27.920 --> 0:21:30.280
<v Speaker 2>to have to do something, so he goes all out

0:21:30.320 --> 0:21:32.840
<v Speaker 2>for Julian. Julian's like, no, man, I promise, I just

0:21:32.960 --> 0:21:36.280
<v Speaker 2>want your everyday life. And then when he gets it,

0:21:36.359 --> 0:21:38.959
<v Speaker 2>and Mouth is just sitting on the couch picking up

0:21:38.960 --> 0:21:43.440
<v Speaker 2>his toelent and you know, almost ordering something really stupid

0:21:43.480 --> 0:21:47.080
<v Speaker 2>on QBC, and Julian's like, actually.

0:21:47.520 --> 0:21:47.960
<v Speaker 4>Yeah, this.

0:21:49.440 --> 0:21:50.200
<v Speaker 2>Is really bad.

0:21:50.800 --> 0:21:53.639
<v Speaker 4>And then the next scene where Julian's he's packing up

0:21:53.640 --> 0:21:56.600
<v Speaker 4>his equipment and Mouth goes like, hey, man, I'm sure

0:21:56.600 --> 0:22:00.000
<v Speaker 4>you can't stay any longer, and it's Austin killed it.

0:22:00.200 --> 0:22:03.639
<v Speaker 4>He starts to speak, he goes the thing is and

0:22:03.680 --> 0:22:06.199
<v Speaker 4>then there's a knock at the door, and without skipping

0:22:06.240 --> 0:22:08.840
<v Speaker 4>it beat, he goes, thank God and just rushes to

0:22:08.880 --> 0:22:09.240
<v Speaker 4>the door.

0:22:11.880 --> 0:22:13.440
<v Speaker 3>He's so good man.

0:22:13.600 --> 0:22:15.960
<v Speaker 2>I just I love watching our friends do great work,

0:22:16.280 --> 0:22:19.480
<v Speaker 2>you know, like I just want to cheer them on.

0:22:20.080 --> 0:22:22.679
<v Speaker 2>I also, speaking of what you said at the beginning

0:22:22.720 --> 0:22:26.440
<v Speaker 2>with Nathan and Mouth, there is a maturity that we're

0:22:26.440 --> 0:22:30.240
<v Speaker 2>seeing happen with Nathan right now, and I love just

0:22:30.440 --> 0:22:34.479
<v Speaker 2>him being intentional talk. I mean, talk about relying on

0:22:34.520 --> 0:22:38.960
<v Speaker 2>your friends and reaching out to people. Nathan showing up

0:22:39.320 --> 0:22:42.120
<v Speaker 2>to sit down and talk with Mouth and just encourage him.

0:22:42.520 --> 0:22:45.639
<v Speaker 2>It feels like something that we don't see again, we

0:22:45.680 --> 0:22:49.480
<v Speaker 2>don't see modeled a lot for men on television, especially

0:22:49.480 --> 0:22:52.919
<v Speaker 2>at that time. And just to see two guys sitting

0:22:52.920 --> 0:22:57.400
<v Speaker 2>there really genuinely encouraging each other without it being like, oh,

0:22:57.440 --> 0:23:00.280
<v Speaker 2>we're being emotional, this is awkward. It was so cool.

0:23:01.080 --> 0:23:02.840
<v Speaker 2>It's like, all right, good on us.

0:23:03.760 --> 0:23:07.840
<v Speaker 4>Especially for a teenage show. Yeah, you know, it's one

0:23:07.920 --> 0:23:10.199
<v Speaker 4>thing if they there were probably some shows doing it

0:23:10.240 --> 0:23:13.000
<v Speaker 4>with like thirty forty fifty year old guys, but yeah,

0:23:13.040 --> 0:23:16.920
<v Speaker 4>our show was young and cool, so yeah, it wasn't

0:23:17.000 --> 0:23:21.560
<v Speaker 4>very commonplace. But yeah, Nathan's journey lately this whole season

0:23:21.600 --> 0:23:26.879
<v Speaker 4>has been awesome. Yeah, talk about a guy finding himself,

0:23:27.400 --> 0:23:31.920
<v Speaker 4>discovering himself and hitting his stride and it looks good

0:23:32.000 --> 0:23:32.479
<v Speaker 4>on him.

0:23:32.720 --> 0:23:37.600
<v Speaker 2>It sure does. It's a good season. I also we

0:23:37.640 --> 0:23:41.040
<v Speaker 2>should talk about the opening credits on this one. I'm

0:23:41.480 --> 0:23:47.280
<v Speaker 2>I'm not sure who the band was. I really appreciate

0:23:47.359 --> 0:23:50.719
<v Speaker 2>that they were trying to just do something different. You know,

0:23:51.119 --> 0:23:53.440
<v Speaker 2>somebody hands you a song and they're like, do your

0:23:53.480 --> 0:23:57.040
<v Speaker 2>own spin on it. You know it's not gonna work

0:23:57.080 --> 0:23:57.600
<v Speaker 2>every time.

0:23:57.640 --> 0:23:58.160
<v Speaker 4>You can't.

0:23:58.280 --> 0:24:03.320
<v Speaker 2>You can't net the ball every single time. But what

0:24:03.400 --> 0:24:09.920
<v Speaker 2>this highlighted for me, Rob silently laughing behind the mike.

0:24:10.440 --> 0:24:13.760
<v Speaker 2>What this highlighted for me is how good Gavin is,

0:24:14.200 --> 0:24:17.760
<v Speaker 2>how good this song is, because the song does work

0:24:17.800 --> 0:24:20.639
<v Speaker 2>in a lot of different contexts, and then it highlights

0:24:21.040 --> 0:24:23.120
<v Speaker 2>how good his version of it is too, and how

0:24:23.119 --> 0:24:26.240
<v Speaker 2>exactly right it is for our show. And not just

0:24:26.280 --> 0:24:29.199
<v Speaker 2>this particular band's version, but all of the versions that

0:24:29.200 --> 0:24:32.959
<v Speaker 2>we're seeing this season. I appreciate different things about all

0:24:33.000 --> 0:24:37.080
<v Speaker 2>of them. It's nice, but every single one of them

0:24:37.160 --> 0:24:40.240
<v Speaker 2>just reminds me, Yeah, we got Gavin de grag guys,

0:24:40.280 --> 0:24:43.400
<v Speaker 2>like his version just really hammers it home.

0:24:43.760 --> 0:24:46.560
<v Speaker 4>I was smiling and laughing because the way you started

0:24:46.600 --> 0:24:53.199
<v Speaker 4>that was the drama Queen's version of Oh Bless his Heart.

0:24:53.440 --> 0:24:56.320
<v Speaker 4>The way you're like, I appreciate that they took a

0:24:56.400 --> 0:24:58.800
<v Speaker 4>different crack at it. I was like, Oh, here we go,

0:24:58.880 --> 0:25:02.920
<v Speaker 4>enjoy talk some shit. You have an opinion on.

0:25:02.840 --> 0:25:06.879
<v Speaker 2>This, I do. I'm sorry, Look, I don't get it

0:25:06.960 --> 0:25:11.520
<v Speaker 2>right every time either, So yes, you do and who

0:25:11.560 --> 0:25:16.720
<v Speaker 2>am I kidding? Yeah? But so anyway, just a reiteration

0:25:16.800 --> 0:25:18.840
<v Speaker 2>of how much we love GABT. We should bring Gavin

0:25:18.920 --> 0:25:20.800
<v Speaker 2>on this podcast True Time.

0:25:21.119 --> 0:25:22.640
<v Speaker 4>Don't you think Gavin's watched the show?

0:25:23.600 --> 0:25:26.120
<v Speaker 2>I actually don't know. I should ask him if he's

0:25:26.160 --> 0:25:27.359
<v Speaker 2>watched the show.

0:25:27.560 --> 0:25:28.560
<v Speaker 4>He's going to start and.

0:25:28.640 --> 0:25:32.280
<v Speaker 2>Talk to him in ages. Yeah, he guests starred on it,

0:25:32.520 --> 0:25:33.960
<v Speaker 2>but I don't know if he ever sat down to

0:25:33.960 --> 0:25:37.240
<v Speaker 2>actually watch it. He doesn't seem to me like someone

0:25:37.280 --> 0:25:40.159
<v Speaker 2>who enjoys sitting down and watching himself on television. I

0:25:40.160 --> 0:25:43.639
<v Speaker 2>feel like Gavin keeps his head down, but I don't know.

0:25:44.400 --> 0:25:46.440
<v Speaker 2>Maybe I'll reach out. I haven't. It would be fun

0:25:46.440 --> 0:25:46.879
<v Speaker 2>to have him on.

0:25:47.600 --> 0:25:51.000
<v Speaker 4>Speaking of keeping your head down. Should we discuss the

0:25:51.040 --> 0:25:52.000
<v Speaker 4>prison of it all?

0:25:53.280 --> 0:25:57.199
<v Speaker 2>Please? Let's discuss the prison of the prison hair of

0:25:57.240 --> 0:25:57.600
<v Speaker 2>it all?

0:25:58.760 --> 0:26:01.320
<v Speaker 4>Okay, let's get ahead of ourselves, because I have a

0:26:01.400 --> 0:26:04.639
<v Speaker 4>specific hair question for you. At the end of the episode,

0:26:05.280 --> 0:26:08.639
<v Speaker 4>when Victoria, they just do one shot they cut to

0:26:08.720 --> 0:26:12.359
<v Speaker 4>Victoria watching it in the big House. Yeah, and she

0:26:12.480 --> 0:26:15.639
<v Speaker 4>has a different hairstyle where it's essentially like they took

0:26:16.000 --> 0:26:20.000
<v Speaker 4>all of her hair and then just flipped it all back.

0:26:20.160 --> 0:26:22.280
<v Speaker 2>Oh yeah, the helmet, it's like a helmet.

0:26:23.040 --> 0:26:25.639
<v Speaker 4>So is that a was that a look? Is that

0:26:25.680 --> 0:26:27.919
<v Speaker 4>supposed to be a prison thing? Because it was the

0:26:27.960 --> 0:26:30.720
<v Speaker 4>only time we've ever seen it, and I immediately was like,

0:26:30.760 --> 0:26:32.040
<v Speaker 4>what the hell is that?

0:26:32.480 --> 0:26:34.840
<v Speaker 2>It might have been or I don't know, Daphne is

0:26:35.800 --> 0:26:37.440
<v Speaker 2>she might have just run her hands through her hair

0:26:37.480 --> 0:26:39.280
<v Speaker 2>before the take and been like, I just want it

0:26:39.280 --> 0:26:40.399
<v Speaker 2>out of my face. I just want it out of

0:26:40.400 --> 0:26:43.119
<v Speaker 2>the way. As long as it's just out, it's fine.

0:26:44.320 --> 0:26:53.080
<v Speaker 2>It is kind of like it's like a Dynasty pompadour look. Yeah,

0:26:53.440 --> 0:26:57.000
<v Speaker 2>I think it looked great on her, but it's definitely

0:26:57.040 --> 0:27:00.639
<v Speaker 2>more of like a Robert Palmer girl eighties. So I

0:27:00.640 --> 0:27:02.080
<v Speaker 2>don't know if they did that on purpose or if

0:27:02.119 --> 0:27:04.760
<v Speaker 2>she just ran Either way, whatever she did, she just

0:27:04.840 --> 0:27:08.840
<v Speaker 2>manages to look fabulous all the time. But okay, if

0:27:08.840 --> 0:27:11.200
<v Speaker 2>we're going to talk about this and the prison stuff

0:27:11.200 --> 0:27:14.480
<v Speaker 2>before we get into the character detail, did you notice

0:27:14.560 --> 0:27:19.439
<v Speaker 2>that brook So she comes to prison to talk to Victoria,

0:27:19.520 --> 0:27:21.520
<v Speaker 2>then she leaves, she talks to somebody else I can't

0:27:21.560 --> 0:27:23.000
<v Speaker 2>remember what it was, who says, you really need to

0:27:23.000 --> 0:27:25.280
<v Speaker 2>go say all these things to Victoria so she goes

0:27:25.320 --> 0:27:27.960
<v Speaker 2>and then it's like immediately she's just there sitting back down,

0:27:28.320 --> 0:27:31.439
<v Speaker 2>same outfit. I guess it's all in one day, but

0:27:31.480 --> 0:27:33.959
<v Speaker 2>it just felt really strange. It felt it felt like

0:27:34.040 --> 0:27:36.240
<v Speaker 2>we just shot both scenes at the same time, which

0:27:36.240 --> 0:27:40.000
<v Speaker 2>we did, and I don't know. I was a little confused.

0:27:40.119 --> 0:27:42.119
<v Speaker 2>I thought maybe like time had gone by, but just

0:27:42.119 --> 0:27:45.440
<v Speaker 2>seems like it's so hard to drive all the way

0:27:45.440 --> 0:27:48.200
<v Speaker 2>to prison. Like the prison's not just like Entrey Hill, right,

0:27:48.200 --> 0:27:49.879
<v Speaker 2>It's got to be kind of far out of town.

0:27:51.000 --> 0:27:53.120
<v Speaker 2>It's like she's in the state penitentiary, isn't she.

0:27:54.119 --> 0:27:57.040
<v Speaker 4>I didn't notice it, okay, it it would have been

0:27:57.040 --> 0:27:59.479
<v Speaker 4>funny if she was like, I want to put on

0:27:59.480 --> 0:28:03.880
<v Speaker 4>my most pissed off outfit. She's just spite changing.

0:28:04.280 --> 0:28:08.359
<v Speaker 2>Yeah. It was like leather jacket, like diamond earrings, hair

0:28:08.400 --> 0:28:10.800
<v Speaker 2>slicked back. SI, okay, go Brooke.

0:28:11.920 --> 0:28:13.960
<v Speaker 4>I had this question as I watched that first scene

0:28:14.000 --> 0:28:18.840
<v Speaker 4>where Victoria really just comes down super hard on her

0:28:19.040 --> 0:28:23.880
<v Speaker 4>and takes it so intense, real real, like crummy shots

0:28:23.920 --> 0:28:27.679
<v Speaker 4>at her, like beyond disappointment. She says some things that

0:28:27.720 --> 0:28:28.840
<v Speaker 4>are just straight up cruel.

0:28:29.280 --> 0:28:29.680
<v Speaker 2>Yeah.

0:28:30.080 --> 0:28:34.639
<v Speaker 4>For me having come late to this party, I felt

0:28:34.680 --> 0:28:37.600
<v Speaker 4>like it was way out of character, and I found

0:28:37.600 --> 0:28:42.440
<v Speaker 4>myself going, so like, has this whole thing been an act?

0:28:44.040 --> 0:28:45.200
<v Speaker 2>Or wait?

0:28:46.000 --> 0:28:46.480
<v Speaker 4>Where is this?

0:28:46.560 --> 0:28:46.640
<v Speaker 2>What?

0:28:46.800 --> 0:28:49.520
<v Speaker 4>Everyone? Is? This? Who she was? Seasons one through six?

0:28:49.960 --> 0:28:54.240
<v Speaker 2>Well, she wasn't in the show until season Wait when

0:28:54.280 --> 0:28:57.479
<v Speaker 2>did she come on? Was it five? I didn't realize

0:28:57.480 --> 0:29:01.840
<v Speaker 2>she was on so long before you. So yes, okay

0:29:02.400 --> 0:29:05.280
<v Speaker 2>Victoria five. Okay, so she's just before you. So the

0:29:05.360 --> 0:29:08.440
<v Speaker 2>whole arc when she first comes in is just what

0:29:08.560 --> 0:29:12.480
<v Speaker 2>a nightmare she is, how difficult her relationship is with

0:29:12.560 --> 0:29:16.000
<v Speaker 2>Brooke because they I mean, they have no relationship because

0:29:16.040 --> 0:29:21.800
<v Speaker 2>she's always been on the road or dismissive of hers

0:29:22.520 --> 0:29:26.480
<v Speaker 2>Brooke was left to fend for herself, and Victoria is

0:29:26.640 --> 0:29:31.239
<v Speaker 2>conniving and always doing some kind of underhanded thing and

0:29:31.280 --> 0:29:33.920
<v Speaker 2>you can never trust her, and she's like the Dan Scott.

0:29:35.320 --> 0:29:39.840
<v Speaker 2>So the fact that Victoria and Brooke have gotten to

0:29:39.920 --> 0:29:42.600
<v Speaker 2>where they were when you joined the show and then

0:29:42.880 --> 0:29:46.960
<v Speaker 2>progressed in that way, it's been this massive redemptive arc

0:29:47.560 --> 0:29:51.920
<v Speaker 2>to watch Brooke and her mom find a relationship and

0:29:51.960 --> 0:29:56.040
<v Speaker 2>to watch a woman who was really hardened and manipulative

0:29:56.680 --> 0:30:01.840
<v Speaker 2>to trust and soften and find the parts of herself

0:30:01.880 --> 0:30:04.360
<v Speaker 2>that are vulnerable and want the best of her daughter

0:30:04.400 --> 0:30:07.040
<v Speaker 2>and admit that she's that she wants to be a

0:30:07.080 --> 0:30:10.080
<v Speaker 2>mom and not resent Brook for making her a mom.

0:30:11.160 --> 0:30:15.520
<v Speaker 2>So it's yes, to answer your question, there have always

0:30:15.560 --> 0:30:17.920
<v Speaker 2>been like she was talking about how I never wanted

0:30:17.920 --> 0:30:20.000
<v Speaker 2>to get pregnant, you know, I had to have you,

0:30:20.120 --> 0:30:23.400
<v Speaker 2>and like it was really horrible below the belt stuff,

0:30:24.400 --> 0:30:26.360
<v Speaker 2>and so yeah, it's been a big redemptive arc. But

0:30:26.480 --> 0:30:31.600
<v Speaker 2>now to see Victoria's all the clause, all the insecurities

0:30:31.640 --> 0:30:34.000
<v Speaker 2>just making the worst of her come out in this

0:30:34.160 --> 0:30:38.560
<v Speaker 2>moment in prison, it's so devastating because you think, oh,

0:30:38.600 --> 0:30:43.080
<v Speaker 2>she's come so far. Did she really come so far?

0:30:43.240 --> 0:30:46.600
<v Speaker 2>And it's just old habits die hard and the insecurity

0:30:46.600 --> 0:30:52.320
<v Speaker 2>reflexes are causing her to self protect or was all

0:30:52.400 --> 0:30:58.440
<v Speaker 2>of it still some form of manipulation or like building

0:30:58.480 --> 0:31:01.840
<v Speaker 2>a false identity of like, well, okay, I can I

0:31:01.880 --> 0:31:05.160
<v Speaker 2>can find my value as a quote unquote good human.

0:31:05.200 --> 0:31:08.000
<v Speaker 2>I can redeem myself if I'm a good mother, And

0:31:08.040 --> 0:31:10.280
<v Speaker 2>by being a good mother that means sacrificing myself for

0:31:10.320 --> 0:31:14.640
<v Speaker 2>the company. But if Brooke foils that plan and takes

0:31:14.640 --> 0:31:18.080
<v Speaker 2>the company away, then her sacrifices for nothing. In her

0:31:18.120 --> 0:31:21.200
<v Speaker 2>mind so then that would affect her identity. I guess

0:31:21.320 --> 0:31:25.440
<v Speaker 2>was my armchair psychology version of it. But it was sad.

0:31:25.600 --> 0:31:28.800
<v Speaker 2>It was really sad to see all that come out. Yeah,

0:31:28.960 --> 0:31:31.320
<v Speaker 2>I mean, okay, So if you haven't seen that part

0:31:31.320 --> 0:31:34.800
<v Speaker 2>of Victoria at all, were you completely thrown for a loop?

0:31:35.800 --> 0:31:41.880
<v Speaker 4>Partially not entirely, because I've obviously like gleaned enough from

0:31:41.920 --> 0:31:45.760
<v Speaker 4>like comments made and just conversations that we've had around

0:31:45.760 --> 0:31:48.920
<v Speaker 4>the show that she was a terrible mom. It was

0:31:49.560 --> 0:31:51.880
<v Speaker 4>It wasn't like I was having an issue because it

0:31:51.920 --> 0:31:54.160
<v Speaker 4>didn't make sense to me. It's like, listen, like you said,

0:31:54.200 --> 0:31:57.920
<v Speaker 4>her plan just got upended, she's in prison, it could

0:31:58.000 --> 0:32:00.960
<v Speaker 4>be going terribly. We haven't like there's a million reasons

0:32:00.960 --> 0:32:04.840
<v Speaker 4>why she would be spread thin and just snap. It

0:32:04.920 --> 0:32:07.040
<v Speaker 4>was more for me that I was sad because I

0:32:07.040 --> 0:32:12.040
<v Speaker 4>have been loving watching her and Brooke like start over

0:32:12.160 --> 0:32:16.520
<v Speaker 4>and form this beautiful thing, and it just made me go, oh,

0:32:16.560 --> 0:32:20.760
<v Speaker 4>you're you're damaging that so bad right now, And it

0:32:20.800 --> 0:32:26.920
<v Speaker 4>makes me question like if it's all been sincere so long.

0:32:27.040 --> 0:32:31.520
<v Speaker 2>So much effort put into building and repairing this relationship,

0:32:32.640 --> 0:32:35.240
<v Speaker 2>and she just throws it all away the second that

0:32:35.400 --> 0:32:38.640
<v Speaker 2>her I mean it's pretty high stakes. She's in prison

0:32:39.800 --> 0:32:41.760
<v Speaker 2>and she thought she was making a sacrifice that was

0:32:41.800 --> 0:32:45.840
<v Speaker 2>going to pay off on the other end, and it didn't.

0:32:45.920 --> 0:32:48.480
<v Speaker 2>She just has to suffer the consequences of her actions

0:32:48.520 --> 0:32:49.360
<v Speaker 2>with no payoff.

0:32:50.280 --> 0:32:53.440
<v Speaker 4>Oh yeah. It's also though you're in prison, you have

0:32:53.640 --> 0:32:57.640
<v Speaker 4>nothing to do except think, so you would you would

0:32:57.640 --> 0:33:01.000
<v Speaker 4>assume that after she walked away and she had a

0:33:01.080 --> 0:33:05.880
<v Speaker 4>chance to cool down, though, she would be like, shoot, yeah, yeah,

0:33:05.880 --> 0:33:09.000
<v Speaker 4>I gotta walk some of those things way back. Yeah.

0:33:09.040 --> 0:33:14.120
<v Speaker 2>Well, she's clearly been not self reflective during her time

0:33:14.160 --> 0:33:17.520
<v Speaker 2>in prison. She's got her assistant, a Dell, and she's

0:33:17.560 --> 0:33:19.840
<v Speaker 2>been making all of her plans for how to move

0:33:19.880 --> 0:33:23.240
<v Speaker 2>the company forward. So now what is she going to do?

0:33:24.400 --> 0:33:28.600
<v Speaker 2>Oh Victoria, I.

0:33:28.480 --> 0:33:34.280
<v Speaker 4>Loved the runner throughout the episode of Nathan avoiding talking

0:33:34.320 --> 0:33:39.560
<v Speaker 4>about things, and yeah, it's so great that Jamie such

0:33:39.640 --> 0:33:43.960
<v Speaker 4>the wise owl. I love that the show constantly makes

0:33:44.040 --> 0:33:47.160
<v Speaker 4>him sort of the wise owl, like from the mouth

0:33:47.160 --> 0:33:49.600
<v Speaker 4>of Babes. Because first of all, there's the bit where

0:33:50.080 --> 0:33:53.440
<v Speaker 4>it's actually in the same conversation when Nathan hasn't told

0:33:53.480 --> 0:33:58.120
<v Speaker 4>Clay and Jamie essentially goes, of course, you haven't, like

0:33:58.360 --> 0:34:00.960
<v Speaker 4>you avoid things and He's like, what, No, I don't.

0:34:01.200 --> 0:34:03.840
<v Speaker 4>That's the beginning of the runner. But then there's this

0:34:04.040 --> 0:34:09.280
<v Speaker 4>incredible line that Jamie has where he says, I wish

0:34:09.320 --> 0:34:11.359
<v Speaker 4>you were a Bobcat and I know you do too,

0:34:11.680 --> 0:34:13.919
<v Speaker 4>And I figure, if you're not playing, you must really

0:34:13.920 --> 0:34:16.600
<v Speaker 4>think it's for the best. And if I can understand that,

0:34:16.840 --> 0:34:24.400
<v Speaker 4>Clay will too, so wisdom and perspective from him. So

0:34:24.440 --> 0:34:26.360
<v Speaker 4>it was a very sweet moment between the two. But

0:34:26.400 --> 0:34:30.400
<v Speaker 4>then it's this awesome thing where Julian shows up at

0:34:30.440 --> 0:34:34.799
<v Speaker 4>the house as Nathan's leaving. There's also the exchange about

0:34:35.239 --> 0:34:38.800
<v Speaker 4>it's a bag, it's a man, perse so sachel or whatever,

0:34:40.040 --> 0:34:42.000
<v Speaker 4>which I have to say though even in that moment

0:34:42.080 --> 0:34:45.160
<v Speaker 4>I didn't even really mind, even though it's like so obvious.

0:34:45.200 --> 0:34:47.239
<v Speaker 4>They just tried to do everything they could to make

0:34:47.440 --> 0:34:50.560
<v Speaker 4>Julian like not a sexy leading man and they failed.

0:34:52.800 --> 0:34:58.919
<v Speaker 4>But I liked that their banter has gotten way less

0:34:58.960 --> 0:35:02.879
<v Speaker 4>pointed and much more more playful. Yes, because they were

0:35:02.880 --> 0:35:05.000
<v Speaker 4>in the driveway, which reminded me of when they were

0:35:05.000 --> 0:35:08.480
<v Speaker 4>in the driveway last season for the camping episode, and

0:35:08.600 --> 0:35:11.600
<v Speaker 4>out of nowhere, Nathan is just a.

0:35:11.840 --> 0:35:15.000
<v Speaker 2>Jer why is he? He was so rude to him.

0:35:15.440 --> 0:35:17.520
<v Speaker 2>I can't remember what we decided, but I know I

0:35:17.680 --> 0:35:20.280
<v Speaker 2>remember us talking about this, like what the heck, dude,

0:35:20.320 --> 0:35:22.240
<v Speaker 2>why do you why?

0:35:23.040 --> 0:35:25.520
<v Speaker 4>Yeah? Whereas now? And this one I went, okay, there,

0:35:25.600 --> 0:35:27.799
<v Speaker 4>these are just two. These are two pals giving each

0:35:27.840 --> 0:35:31.040
<v Speaker 4>other grief. Yeah, like this is great, but I love

0:35:31.080 --> 0:35:35.080
<v Speaker 4>it because Nathan goes Juicy Clay and he goes, yeah, yeah,

0:35:35.080 --> 0:35:36.600
<v Speaker 4>I was just there and he goes, you didn't tell

0:35:36.640 --> 0:35:41.560
<v Speaker 4>him about my decision, did you? And he says, uh no,

0:35:41.719 --> 0:35:44.240
<v Speaker 4>Jamie told me that you have avoid talking about things.

0:35:44.880 --> 0:35:47.759
<v Speaker 4>And Nathan has a callback to his previous scene with

0:35:47.840 --> 0:35:49.520
<v Speaker 4>Jamie where he goes, I'm totally going to take his

0:35:49.560 --> 0:35:53.000
<v Speaker 4>PlayStation because he says something to Jamie like if you

0:35:53.080 --> 0:35:55.160
<v Speaker 4>do this, I'll take away your PlayStation or whatever. But

0:35:55.239 --> 0:35:58.160
<v Speaker 4>like it's this great thing. And then it's Nathan again

0:35:58.560 --> 0:36:02.680
<v Speaker 4>being self aware and actually caring, so he starts kind

0:36:02.680 --> 0:36:05.080
<v Speaker 4>of crowdsourcing. He goes to Haley and he's like, hey,

0:36:05.120 --> 0:36:06.080
<v Speaker 4>do I avoid things?

0:36:06.600 --> 0:36:06.880
<v Speaker 2>Yeah?

0:36:06.920 --> 0:36:08.960
<v Speaker 4>And at first Haley's like, no, I don't think so,

0:36:09.040 --> 0:36:11.640
<v Speaker 4>and he's like yeah the Clay thing, You're like, oh no,

0:36:11.680 --> 0:36:12.840
<v Speaker 4>you're absolutely avoiding that.

0:36:13.239 --> 0:36:28.359
<v Speaker 5>Yeah.

0:36:28.680 --> 0:36:33.319
<v Speaker 2>Side note the crossbody bag. What people don't know is

0:36:33.360 --> 0:36:37.840
<v Speaker 2>that our creator had a real issue with girls wearing

0:36:38.120 --> 0:36:41.400
<v Speaker 2>purses across their bodies for some reason, and we got

0:36:41.520 --> 0:36:45.239
<v Speaker 2>like an official note, like a ban on crossbody purses

0:36:47.000 --> 0:36:49.040
<v Speaker 2>for all the girls. So you'll notice at some point

0:36:49.120 --> 0:36:51.840
<v Speaker 2>we all stop wearing our purses over our shoulders. I

0:36:51.880 --> 0:36:53.000
<v Speaker 2>guess it wasn't sexy.

0:36:53.920 --> 0:36:58.319
<v Speaker 4>That is a weird thing to have a strong take on,

0:37:00.840 --> 0:37:01.800
<v Speaker 4>don't you thinks I do?

0:37:01.960 --> 0:37:08.399
<v Speaker 2>I agree, Yeah, desperately clawing for control. I remember once

0:37:08.440 --> 0:37:09.920
<v Speaker 2>we were walking through the scene we all had our

0:37:09.960 --> 0:37:12.640
<v Speaker 2>purses on and said somebody probably script you. I don't

0:37:12.640 --> 0:37:14.759
<v Speaker 2>know if somebody came up and was like, so we've

0:37:14.800 --> 0:37:18.200
<v Speaker 2>been asked for you to take your purses off your

0:37:18.520 --> 0:37:21.560
<v Speaker 2>shoulder and put it on your other shoulder. We're like like,

0:37:21.640 --> 0:37:24.560
<v Speaker 2>switch sides. Is it bad for camera? And they're like no,

0:37:24.640 --> 0:37:28.360
<v Speaker 2>like not across your body because this is a wardrobe issue,

0:37:28.440 --> 0:37:31.080
<v Speaker 2>is it? Why? This is how everyone this is how

0:37:31.120 --> 0:37:33.640
<v Speaker 2>we were person like every go look at every single

0:37:33.680 --> 0:37:36.040
<v Speaker 2>girl on this college campus, and they're like, no, it's

0:37:36.080 --> 0:37:39.480
<v Speaker 2>a coming from the top down. Oh my god, okay,

0:37:39.600 --> 0:37:40.320
<v Speaker 2>fine whatever.

0:37:41.000 --> 0:37:42.879
<v Speaker 4>Yeah that's an odd one. Yeah, that's one of those

0:37:42.880 --> 0:37:43.719
<v Speaker 4>ones where you just shake your.

0:37:43.640 --> 0:37:46.560
<v Speaker 2>Head and shake your head. So anyway, Julian's crossbody purse

0:37:46.600 --> 0:37:49.799
<v Speaker 2>made me a bag whatever made me maybe think what a.

0:37:49.719 --> 0:37:52.400
<v Speaker 4>Double standard that the women on the show couldn't do it,

0:37:52.480 --> 0:37:54.880
<v Speaker 4>but Julian, who they were trying to make into a

0:37:54.920 --> 0:37:56.200
<v Speaker 4>woman could.

0:37:56.560 --> 0:37:58.040
<v Speaker 2>He only made it look better.

0:37:58.800 --> 0:38:01.279
<v Speaker 4>I know, man, I did so did.

0:38:01.760 --> 0:38:07.200
<v Speaker 2>But yes, I love Nathan crowdsourcing the feedback again, more

0:38:07.280 --> 0:38:12.879
<v Speaker 2>maturity for him. I thought that was great. And I

0:38:12.920 --> 0:38:15.879
<v Speaker 2>also loved how he really comes through at the end

0:38:16.680 --> 0:38:20.600
<v Speaker 2>and puts an interview on Mouth's website knowing that Math

0:38:20.680 --> 0:38:22.360
<v Speaker 2>is having a hard time and he's just trying to

0:38:22.360 --> 0:38:24.680
<v Speaker 2>figure out his way, and Nathan's like, come on, man,

0:38:25.520 --> 0:38:26.439
<v Speaker 2>let me help you out.

0:38:26.760 --> 0:38:26.800
<v Speaker 4>This.

0:38:26.960 --> 0:38:30.480
<v Speaker 2>One thing our show did really well is friends helping

0:38:30.520 --> 0:38:34.760
<v Speaker 2>friends and talking each other through it and really showing

0:38:35.719 --> 0:38:37.840
<v Speaker 2>how valuable it is to have a community around you

0:38:37.880 --> 0:38:41.440
<v Speaker 2>of people and everybody serves a different role in different ways.

0:38:42.440 --> 0:38:44.400
<v Speaker 2>You need a community, You need people around you who

0:38:44.400 --> 0:38:46.000
<v Speaker 2>are going to lift you up, and we did that

0:38:46.040 --> 0:38:46.440
<v Speaker 2>really well.

0:38:46.480 --> 0:38:49.319
<v Speaker 4>I thought, yeah, I agree. I think we just had

0:38:49.360 --> 0:38:51.879
<v Speaker 4>this conversation a couple of episodes ago, right, I kind

0:38:51.880 --> 0:38:55.040
<v Speaker 4>of said, oh, I've realized this is this is just

0:38:55.080 --> 0:38:58.279
<v Speaker 4>a show about friendship. Yeah, that's just the crux of

0:38:58.320 --> 0:39:00.919
<v Speaker 4>the show. It's just friendship. And it's getting cooler because

0:39:00.920 --> 0:39:06.840
<v Speaker 4>now that characters are maturing or getting to see really meaningful,

0:39:06.960 --> 0:39:11.759
<v Speaker 4>deep relationships and friendships between the characters. Speaking of which,

0:39:11.800 --> 0:39:15.359
<v Speaker 4>when Nathan goes to the hospital, she breaks the news

0:39:15.360 --> 0:39:18.439
<v Speaker 4>to Clay. This was also so relatable because how many

0:39:18.440 --> 0:39:22.360
<v Speaker 4>times in your own life have you been so nervous

0:39:22.920 --> 0:39:25.560
<v Speaker 4>to have to say something to someone and you let

0:39:25.560 --> 0:39:28.040
<v Speaker 4>it eat you up inside and you imagine every way

0:39:28.160 --> 0:39:31.279
<v Speaker 4>could go wrong, and then you share whatever it is

0:39:31.320 --> 0:39:34.239
<v Speaker 4>you have to share with them and you are met

0:39:34.280 --> 0:39:37.880
<v Speaker 4>with the opposite and it's like, yeah, love or warmth

0:39:37.960 --> 0:39:41.160
<v Speaker 4>or understanding, and it's like, oh, why did I wait

0:39:41.280 --> 0:39:42.239
<v Speaker 4>so long to do that?

0:39:42.840 --> 0:39:50.799
<v Speaker 2>Yes, many many times. And the maturity that Clay has

0:39:50.880 --> 0:39:55.279
<v Speaker 2>earned in this experience as well of perspective, and maybe

0:39:55.280 --> 0:39:58.080
<v Speaker 2>he would have responded, I mean, you'll have to tell me.

0:39:58.480 --> 0:40:00.600
<v Speaker 2>Maybe he would have responded that way no matter what.

0:40:00.840 --> 0:40:04.759
<v Speaker 2>But he didn't even take a second. There wasn't one

0:40:04.800 --> 0:40:08.719
<v Speaker 2>moment where Clay was like thought of himself and of

0:40:09.360 --> 0:40:12.400
<v Speaker 2>what was going to go down now that Nathan's not

0:40:12.920 --> 0:40:15.080
<v Speaker 2>I mean you the choice that you made to just

0:40:15.080 --> 0:40:21.960
<v Speaker 2>have him immediately be empathetic with what Nathan must have

0:40:21.960 --> 0:40:26.320
<v Speaker 2>been going through. It showed so much maturity for Clay

0:40:26.600 --> 0:40:30.240
<v Speaker 2>of the perspective that happens when you go through something

0:40:30.320 --> 0:40:36.160
<v Speaker 2>really difficult. He just it puts everything into perspective. And

0:40:36.200 --> 0:40:38.719
<v Speaker 2>I loved seeing that and the fact that you guys

0:40:38.760 --> 0:40:39.160
<v Speaker 2>are now.

0:40:39.040 --> 0:40:41.239
<v Speaker 3>Going to go into business together and that he wants

0:40:41.280 --> 0:40:42.000
<v Speaker 3>to be an agent.

0:40:42.239 --> 0:40:46.160
<v Speaker 2>I was like, yay, standing up and cheering, Yes, go Nathan.

0:40:46.760 --> 0:40:49.320
<v Speaker 2>I want to see this next leg in his life

0:40:49.360 --> 0:40:51.520
<v Speaker 2>and the two of you guys together. Finally we're going

0:40:51.600 --> 0:40:53.160
<v Speaker 2>to get you back the way that you were when

0:40:53.160 --> 0:40:55.440
<v Speaker 2>you first showed up on the show and everything was

0:40:55.480 --> 0:40:59.080
<v Speaker 2>fast and moving and happy and good and craving that

0:40:59.120 --> 0:41:01.600
<v Speaker 2>from the two of you. Need more more buddy comedy

0:41:01.640 --> 0:41:02.160
<v Speaker 2>from you too.

0:41:03.120 --> 0:41:05.040
<v Speaker 4>Yeah, I'm so excited to see where that goes. And

0:41:05.360 --> 0:41:08.400
<v Speaker 4>back to that moment though, I love yes because I

0:41:08.440 --> 0:41:12.360
<v Speaker 4>remember thinking that this was this was a great opportunity

0:41:12.440 --> 0:41:17.319
<v Speaker 4>to see how much Clay cared about Nathan, like the man,

0:41:17.480 --> 0:41:22.359
<v Speaker 4>not the client. So yeah, the choice to not take

0:41:22.400 --> 0:41:26.359
<v Speaker 4>a beat and the first words are Nate tells him,

0:41:26.400 --> 0:41:28.560
<v Speaker 4>and Clay says I'm sorry, Nate, that's got to be

0:41:28.640 --> 0:41:33.680
<v Speaker 4>really hard for you. Yeah, which was just so kind,

0:41:34.800 --> 0:41:38.359
<v Speaker 4>you know that. Yeah, there was zero business involved. And

0:41:38.400 --> 0:41:41.200
<v Speaker 4>then he goes on to say, your health comes first,

0:41:41.280 --> 0:41:44.799
<v Speaker 4>your family comes first. And I was like, oh, man,

0:41:44.920 --> 0:41:47.000
<v Speaker 4>that's a good friend right there. That's a dude who

0:41:47.040 --> 0:41:50.239
<v Speaker 4>cares about you. Yeah, because the truth is he just

0:41:50.239 --> 0:41:52.279
<v Speaker 4>did lose a big chunk of money, A big chunk

0:41:52.320 --> 0:41:52.760
<v Speaker 4>of money.

0:41:52.880 --> 0:41:56.960
<v Speaker 2>Yeah, but he's so dropped into his body, which I

0:41:57.000 --> 0:42:00.000
<v Speaker 2>think is also something that happens when you go through

0:42:00.080 --> 0:42:03.160
<v Speaker 2>a really intense traumatic experience and you come out on

0:42:03.200 --> 0:42:05.840
<v Speaker 2>the other side of it. There's a there's a weight

0:42:06.280 --> 0:42:11.400
<v Speaker 2>to your understanding of what's valuable, what's the most valuable

0:42:11.440 --> 0:42:14.879
<v Speaker 2>thing in life? And it's just right at the that's

0:42:14.880 --> 0:42:17.439
<v Speaker 2>on the tip of his tongue. He's ready with that

0:42:19.080 --> 0:42:22.840
<v Speaker 2>guttural weighted empathy.

0:42:23.239 --> 0:42:26.560
<v Speaker 4>Clay's like, listen, buddy, I was just eating pudding with

0:42:26.600 --> 0:42:30.279
<v Speaker 4>a ghost. Okay, I don't care. I only want you

0:42:30.320 --> 0:42:35.560
<v Speaker 4>to be healthy and happy. It's like, what dude, ghost pudding?

0:42:35.840 --> 0:42:39.560
<v Speaker 2>Ghost putting? Wait when you Okay, he walks in and

0:42:39.600 --> 0:42:42.240
<v Speaker 2>you you were doing something with your hand, were you eating?

0:42:42.280 --> 0:42:44.719
<v Speaker 2>Were you you were trying to feed yourself with your hand? Right?

0:42:45.040 --> 0:42:46.400
<v Speaker 2>Are you right or left handed?

0:42:46.520 --> 0:42:49.000
<v Speaker 4>In real life? I'm right handed? Oh okay, I also

0:42:49.120 --> 0:42:52.919
<v Speaker 4>so obviously I think I played Clay right handed, which

0:42:52.960 --> 0:42:54.560
<v Speaker 4>is why it's such a struggle for him because we

0:42:54.600 --> 0:42:57.040
<v Speaker 4>go on to see him struggling doing all the stuff.

0:42:57.080 --> 0:43:00.799
<v Speaker 4>But yeah, I remember how Yeah, everything he does with

0:43:00.880 --> 0:43:02.799
<v Speaker 4>his right is super impacted.

0:43:03.320 --> 0:43:07.319
<v Speaker 2>Yeah, random question. Sorry, I just wondered when I was

0:43:07.600 --> 0:43:09.080
<v Speaker 2>when we were watching.

0:43:09.120 --> 0:43:11.840
<v Speaker 4>Could you imagine if I was if I was left handed?

0:43:11.880 --> 0:43:14.120
<v Speaker 4>But I just felt like Clay should be right handed,

0:43:14.360 --> 0:43:16.520
<v Speaker 4>and I taught myself to write right handed just for

0:43:16.560 --> 0:43:16.919
<v Speaker 4>the role.

0:43:18.040 --> 0:43:20.439
<v Speaker 2>So uh, it's so like who does that kind of stuff?

0:43:20.440 --> 0:43:22.800
<v Speaker 2>Like Christian Bale, Joaquin Phoenix, like these guys who do

0:43:22.920 --> 0:43:24.680
<v Speaker 2>super super mepid.

0:43:24.640 --> 0:43:28.160
<v Speaker 4>Stuff, Like yeah, I'm the Daniel day Lewis of mediocre acting.

0:43:28.320 --> 0:43:32.200
<v Speaker 4>So I trained my body to write right handed. It's

0:43:32.280 --> 0:43:34.560
<v Speaker 4>like you never saw the character write right handed. Well,

0:43:34.600 --> 0:43:39.440
<v Speaker 4>I wanted to be ready in case we did.

0:43:39.239 --> 0:43:42.920
<v Speaker 2>I can drive ambidexterously, but I can't write ambidextrously.

0:43:43.680 --> 0:43:47.120
<v Speaker 4>Joy, please tell the listeners what that means. Ambidextrous both

0:43:47.160 --> 0:43:49.839
<v Speaker 4>hands and we all know the word ambidextris. Tell tell

0:43:49.920 --> 0:43:52.080
<v Speaker 4>us all, because I'm curious, what does it mean that

0:43:52.160 --> 0:43:54.320
<v Speaker 4>you can drive ambidextrously.

0:43:55.400 --> 0:43:58.440
<v Speaker 2>Well, I learned on a stick ship, so I'm okay,

0:43:58.560 --> 0:44:02.640
<v Speaker 2>I'm used to using both feet. I guess it's you know,

0:44:02.640 --> 0:44:04.239
<v Speaker 2>once you learn how to ride a bike like it

0:44:04.320 --> 0:44:06.120
<v Speaker 2>never goes away. So that's the way I learned how

0:44:06.120 --> 0:44:10.400
<v Speaker 2>to drive. And then I obviously haven't automatic now because

0:44:10.440 --> 0:44:12.279
<v Speaker 2>I don't drive a car from nine to day far.

0:44:13.000 --> 0:44:17.480
<v Speaker 2>But I uh, I don't know. I just drive with

0:44:17.520 --> 0:44:21.160
<v Speaker 2>both feet sometimes put my foot, my left foot on

0:44:21.200 --> 0:44:22.600
<v Speaker 2>the brake, my right foot on the.

0:44:22.560 --> 0:44:27.200
<v Speaker 4>Cat This is this is exactly what happens when we

0:44:27.239 --> 0:44:28.879
<v Speaker 4>record it. No, it's just that you were the first

0:44:28.920 --> 0:44:31.439
<v Speaker 4>person in history to rather than go, oh, I can drive,

0:44:31.600 --> 0:44:34.280
<v Speaker 4>I can drive a manual or automatic, to actually say

0:44:34.520 --> 0:44:37.960
<v Speaker 4>I can drive ambidextrously. I would love for you to

0:44:37.960 --> 0:44:40.520
<v Speaker 4>go to the into the DMV or next job you

0:44:40.560 --> 0:44:42.040
<v Speaker 4>have where they ask if you can drive a stick

0:44:42.040 --> 0:44:45.080
<v Speaker 4>if you just went yes, I am an ambidextrous driver.

0:44:47.239 --> 0:44:51.719
<v Speaker 4>Just watch them stand there quietly trying to decode what

0:44:51.760 --> 0:44:52.480
<v Speaker 4>it is you're saying.

0:44:52.880 --> 0:44:55.960
<v Speaker 2>Well, other good friendship stuff. Brooke and Hayley under the bridge.

0:44:56.840 --> 0:45:01.360
<v Speaker 2>I remember shooting this scene. I love this. Both of

0:45:01.400 --> 0:45:04.280
<v Speaker 2>my scenes with Sophia in this episode I really loved.

0:45:07.480 --> 0:45:14.360
<v Speaker 2>I remember, if I'm looking at my notes now, it felt,

0:45:15.320 --> 0:45:18.160
<v Speaker 2>oh yeah, it did feel a little rash and expositional.

0:45:18.320 --> 0:45:21.000
<v Speaker 2>I remember that, like I got there, I sat down,

0:45:21.680 --> 0:45:24.520
<v Speaker 2>we said the things, and then I leave, And I

0:45:24.600 --> 0:45:26.680
<v Speaker 2>did wish that we had had time to just dry

0:45:26.719 --> 0:45:29.200
<v Speaker 2>it out a little bit more. But I was so

0:45:29.280 --> 0:45:31.960
<v Speaker 2>happy to see the two of them just spending a

0:45:31.960 --> 0:45:37.040
<v Speaker 2>little time connecting, even though Haley was rushing around everywhere

0:45:37.040 --> 0:45:40.280
<v Speaker 2>like mothering everyone in this whole episode, as she tends

0:45:40.280 --> 0:45:44.799
<v Speaker 2>to do. That felt really good. And also when she

0:45:45.000 --> 0:45:48.640
<v Speaker 2>goes over to close over bros. And sees her sitting

0:45:48.680 --> 0:45:53.000
<v Speaker 2>down on the ground, and I really remember that scene.

0:45:53.040 --> 0:45:55.000
<v Speaker 2>I wish Sophia was here because I wonder what she

0:45:55.040 --> 0:45:57.320
<v Speaker 2>remembers about that scene. I don't know why I remember

0:45:57.360 --> 0:46:01.080
<v Speaker 2>it so well. I don't know if she and I

0:46:01.120 --> 0:46:04.960
<v Speaker 2>were like in a fight and then we had to

0:46:04.960 --> 0:46:09.959
<v Speaker 2>shoot that scene, or if we were like just really disconnected.

0:46:10.440 --> 0:46:15.160
<v Speaker 2>There was something going on, and I remember sitting down

0:46:16.080 --> 0:46:19.040
<v Speaker 2>and shooting that scene, and like I remember having to

0:46:19.120 --> 0:46:21.920
<v Speaker 2>go to a place of like, you know, what I

0:46:21.960 --> 0:46:25.960
<v Speaker 2>love her, I love her and reach into that place

0:46:26.000 --> 0:46:28.960
<v Speaker 2>and do the scene from there and in that moment

0:46:30.360 --> 0:46:34.080
<v Speaker 2>feeling so much love for her and so connected to her,

0:46:34.160 --> 0:46:37.640
<v Speaker 2>and so like, this is what I want our friendship

0:46:37.800 --> 0:46:40.560
<v Speaker 2>to be like. And there was So I was in

0:46:40.640 --> 0:46:43.960
<v Speaker 2>so much turmoil in my personal life, and I had

0:46:44.000 --> 0:46:49.400
<v Speaker 2>such a disconnect with so many people and really complicated

0:46:49.760 --> 0:46:53.560
<v Speaker 2>issues with friendship across the board with anybody that wasn't

0:46:53.600 --> 0:46:57.759
<v Speaker 2>in this weird group with me. So this scene, for

0:46:57.840 --> 0:47:00.600
<v Speaker 2>some reason, every time I see it when I think

0:47:00.640 --> 0:47:04.879
<v Speaker 2>about Sofa and I shooting episodes of win Tree Hill,

0:47:04.920 --> 0:47:08.359
<v Speaker 2>this is one of the top like three that come

0:47:08.440 --> 0:47:11.080
<v Speaker 2>up for me that I deeply remember sitting down and

0:47:11.120 --> 0:47:14.480
<v Speaker 2>having this moment of like, oh, I want to be

0:47:14.520 --> 0:47:18.680
<v Speaker 2>friends with her like this. So it made me kind

0:47:18.680 --> 0:47:19.879
<v Speaker 2>of emotional watching that one.

0:47:20.760 --> 0:47:24.160
<v Speaker 4>Is this the scene where she has a little speech

0:47:24.200 --> 0:47:27.200
<v Speaker 4>about all her success and hard work was just about

0:47:27.200 --> 0:47:29.640
<v Speaker 4>getting her mom to love her and be proud of her. Yeah,

0:47:29.640 --> 0:47:36.479
<v Speaker 4>Oh I was so good man, Yeah, so relatable, so vulnerable.

0:47:37.120 --> 0:47:39.480
<v Speaker 4>It was great. And then is it I think it's

0:47:39.640 --> 0:47:43.080
<v Speaker 4>later in the episode. I believe it's later that you

0:47:43.080 --> 0:47:45.800
<v Speaker 4>guys hang out again where you give her the advice

0:47:46.120 --> 0:47:49.480
<v Speaker 4>where you say, like, don't focus on your work, focus

0:47:49.520 --> 0:47:50.080
<v Speaker 4>on your life.

0:47:50.400 --> 0:47:52.560
<v Speaker 2>Yeah, that's that's the scene I'm talking about. Sitting in

0:47:52.560 --> 0:47:56.480
<v Speaker 2>it closed over bros. Okay, yeah, yeah, and it's it's

0:47:56.560 --> 0:47:59.719
<v Speaker 2>so nice. It's so great to see Sophia does this

0:47:59.760 --> 0:48:02.960
<v Speaker 2>so well, the emotional arc of her character. You know,

0:48:03.000 --> 0:48:06.879
<v Speaker 2>she could flat back and forth between comedy and and

0:48:07.440 --> 0:48:12.640
<v Speaker 2>very serious drama pretty quickly. And she wasn't doing a

0:48:12.680 --> 0:48:14.440
<v Speaker 2>ton of comedy in this episode, but it felt like

0:48:14.480 --> 0:48:17.960
<v Speaker 2>that she's the smirks and all the little like realities

0:48:17.960 --> 0:48:19.200
<v Speaker 2>of life are on the surface.

0:48:19.719 --> 0:48:23.320
<v Speaker 4>Boh wait, she did have a great small piece of comedy.

0:48:23.880 --> 0:48:26.440
<v Speaker 4>This is another one of those moments where you killed

0:48:26.480 --> 0:48:29.319
<v Speaker 4>me and then she comes in shortly after and is

0:48:29.360 --> 0:48:35.560
<v Speaker 4>an assassin with one look. It's when the two of you, Yeah,

0:48:35.560 --> 0:48:36.960
<v Speaker 4>I think it's just the two of you go to

0:48:37.080 --> 0:48:40.440
<v Speaker 4>trick and you walk up in me as there and

0:48:40.480 --> 0:48:44.000
<v Speaker 4>she goes, guys, guys, guys, be honest with me. Oh yeah,

0:48:44.040 --> 0:48:46.960
<v Speaker 4>look at them. Are they sleeping together? Talking about Alex

0:48:47.000 --> 0:48:50.560
<v Speaker 4>and Chase who are in the background. And the look

0:48:50.719 --> 0:48:54.680
<v Speaker 4>on your face when she starts to like go back

0:48:54.719 --> 0:48:57.879
<v Speaker 4>and watch this, because before she like even really gets

0:48:57.960 --> 0:49:00.760
<v Speaker 4>into it. It's you have this look on your face

0:49:01.120 --> 0:49:05.400
<v Speaker 4>that is so damn funny, and then you look and

0:49:05.440 --> 0:49:10.200
<v Speaker 4>they're obviously like sleeping together, and you're like, no, no,

0:49:10.360 --> 0:49:14.239
<v Speaker 4>I don't think so. And while you're doing that, watch Sophia's.

0:49:13.719 --> 0:49:15.919
<v Speaker 2>Oh yeah, I was watching her face. I didn't see

0:49:16.000 --> 0:49:18.800
<v Speaker 2>mine that I will go back. Look that's it was great.

0:49:18.880 --> 0:49:20.640
<v Speaker 2>She was an assassin. Absolutely.

0:49:21.120 --> 0:49:23.439
<v Speaker 4>It was so good because she's like, I'm on board,

0:49:23.480 --> 0:49:26.120
<v Speaker 4>A'm on board, and then she hears the horrible lie

0:49:26.120 --> 0:49:28.680
<v Speaker 4>coming out of your mouth and has zero poker face

0:49:28.719 --> 0:49:34.399
<v Speaker 4>about it. He's just like, what do you reize? Oh?

0:49:34.440 --> 0:49:35.399
<v Speaker 4>It was so good.

0:49:35.560 --> 0:49:40.160
<v Speaker 2>Speaking of Chase and oh my god, Alex, she's like,

0:49:40.160 --> 0:49:43.560
<v Speaker 2>what is her name? Chase and Alex. Uh. This was

0:49:43.680 --> 0:49:46.120
<v Speaker 2>kind of a big deal that he finds this script

0:49:46.239 --> 0:49:50.680
<v Speaker 2>in the bar where she's like, did she take this

0:49:50.800 --> 0:49:53.799
<v Speaker 2>job as a bartender and start dating him because she's

0:49:53.840 --> 0:49:55.520
<v Speaker 2>doing research for her role.

0:49:59.280 --> 0:50:04.200
<v Speaker 4>That was such a a clever detail to add. Yes,

0:50:04.440 --> 0:50:08.480
<v Speaker 4>because if it had just been any movie, all right, yeah,

0:50:08.520 --> 0:50:13.040
<v Speaker 4>she's an actress who's popular, like it's it's inevitable, right,

0:50:13.280 --> 0:50:17.960
<v Speaker 4>But the fact she was playing a bartender who is

0:50:18.000 --> 0:50:22.319
<v Speaker 4>having a romance with the bar manager. It did make

0:50:22.360 --> 0:50:27.279
<v Speaker 4>you go, oh, this is way too similar to what

0:50:27.320 --> 0:50:28.319
<v Speaker 4>you're doing right now.

0:50:28.520 --> 0:50:32.239
<v Speaker 2>Yes, I wonder how he's gonna handle this, because that

0:50:32.400 --> 0:50:35.640
<v Speaker 2>is what I like about Chase is I feel like

0:50:35.680 --> 0:50:39.160
<v Speaker 2>he's actually Chase feels reliable to me as somebody with

0:50:39.239 --> 0:50:44.320
<v Speaker 2>a backbone that's not easy to manipulate. Like. He seems

0:50:44.320 --> 0:50:49.040
<v Speaker 2>like a character that is so settled in himself that

0:50:50.080 --> 0:50:53.440
<v Speaker 2>this girl, I don't know, if he finds out that

0:50:53.480 --> 0:50:55.759
<v Speaker 2>this actually is what she's doing and she tries to

0:50:55.840 --> 0:50:58.879
<v Speaker 2>kind of weasel out of it, I don't think he's

0:50:58.920 --> 0:51:03.759
<v Speaker 2>gonna I don't think he's gonna stick around. I don't know.

0:51:04.680 --> 0:51:08.400
<v Speaker 4>Well, I think what we see is when he so

0:51:08.800 --> 0:51:10.520
<v Speaker 4>fast forward to the end of the episode, he goes

0:51:10.560 --> 0:51:13.520
<v Speaker 4>to her hotel and he's like, hey, what the hell

0:51:13.600 --> 0:51:15.680
<v Speaker 4>is this? Yeah, she's like, ah, it's a script and

0:51:15.920 --> 0:51:20.080
<v Speaker 4>I he basically just goes, how long have you known?

0:51:20.440 --> 0:51:23.680
<v Speaker 4>And she wasn't being forthright with him, And what's cool

0:51:23.800 --> 0:51:27.560
<v Speaker 4>is that he does He's just like, I'm out, Yeah, thanks,

0:51:27.680 --> 0:51:29.720
<v Speaker 4>I'm not going to wait around for you. This doesn't

0:51:29.719 --> 0:51:32.880
<v Speaker 4>feel good. I'm gone. But then the next bit of

0:51:32.920 --> 0:51:34.920
<v Speaker 4>her the last piece we see of her is her

0:51:35.040 --> 0:51:37.600
<v Speaker 4>leaving her hotel room, and it made me laugh because

0:51:37.640 --> 0:51:41.040
<v Speaker 4>of two things. One, she's been in tree Hill for

0:51:41.200 --> 0:51:45.000
<v Speaker 4>months and the only piece of luggage we see her

0:51:45.080 --> 0:51:48.920
<v Speaker 4>leaving with is a carry on side suitcase.

0:51:50.880 --> 0:51:53.600
<v Speaker 2>Yeah, and all the times Millie's gone to her closet

0:51:53.680 --> 0:51:56.680
<v Speaker 2>and just been like rifling through the hundreds of.

0:51:56.680 --> 0:52:01.560
<v Speaker 4>Clothes, yes, and that's that's super nipicky because you could

0:52:01.600 --> 0:52:04.160
<v Speaker 4>say Bell hop already came and took every big bag,

0:52:04.239 --> 0:52:06.680
<v Speaker 4>So that's that's whatever. But it still is funny that

0:52:06.760 --> 0:52:09.160
<v Speaker 4>like she's now I'm leaving town with what I came with,

0:52:09.239 --> 0:52:11.319
<v Speaker 4>and it's like, you've been here for half a year.

0:52:11.719 --> 0:52:15.000
<v Speaker 4>But then the better part is as she's walking out,

0:52:15.360 --> 0:52:19.319
<v Speaker 4>you see that she left the framed photo excuse me,

0:52:19.360 --> 0:52:23.320
<v Speaker 4>the framed movie poster of herself on the hotel wall.

0:52:24.040 --> 0:52:29.600
<v Speaker 2>What how do you notice these things?

0:52:29.640 --> 0:52:35.279
<v Speaker 4>Just saw? You gotta go because here's like, it's the

0:52:35.280 --> 0:52:38.480
<v Speaker 4>most hilarious thing because it actually says so much more

0:52:38.600 --> 0:52:41.920
<v Speaker 4>about her character and it's so interesting that like, what

0:52:42.120 --> 0:52:46.520
<v Speaker 4>is the kind of person that hangs up framed things

0:52:46.600 --> 0:52:47.680
<v Speaker 4>in a hotel room?

0:52:48.000 --> 0:52:48.600
<v Speaker 2>Mm hmmmm.

0:52:49.840 --> 0:52:55.239
<v Speaker 4>Let alone, it's a giant, full size movie poster of yourself.

0:52:55.880 --> 0:52:58.440
<v Speaker 2>Yeah, no pictures of her family, there's no pictures of

0:52:58.440 --> 0:53:00.160
<v Speaker 2>anybody meaningful to her.

0:53:00.520 --> 0:53:03.200
<v Speaker 4>And she doesn't even think like, ah, I'm gonna take

0:53:03.239 --> 0:53:05.279
<v Speaker 4>it with me, or I'm gonna at least pull the

0:53:05.520 --> 0:53:09.600
<v Speaker 4>poster oute. She's like, no, I'm gonna leave the framed

0:53:09.239 --> 0:53:11.960
<v Speaker 4>poster of myself on the hotel wall.

0:53:12.280 --> 0:53:13.200
<v Speaker 2>Someone want to see that.

0:53:13.280 --> 0:53:14.880
<v Speaker 4>They fuddle the housekeeping staff.

0:53:16.040 --> 0:53:18.319
<v Speaker 2>No, it's a gift for the next guest. They're going

0:53:18.320 --> 0:53:23.239
<v Speaker 2>to enjoy looking at her because she's who she.

0:53:23.320 --> 0:53:26.000
<v Speaker 4>Yeah, I could see that being her thinking. But yeah,

0:53:26.000 --> 0:53:28.360
<v Speaker 4>that made me laugh. I was like, oh my, I

0:53:28.400 --> 0:53:30.479
<v Speaker 4>had never really thought about it while she was still

0:53:30.480 --> 0:53:32.880
<v Speaker 4>living there, but the fact that she was saying goodbye

0:53:32.920 --> 0:53:35.000
<v Speaker 4>to the room and leaving it on the wall just

0:53:35.160 --> 0:53:35.640
<v Speaker 4>killed me.

0:53:36.880 --> 0:53:40.680
<v Speaker 2>That's so good. Wow. Well, there was so much about

0:53:41.280 --> 0:53:43.040
<v Speaker 2>so much in this episode that felt like it was

0:53:43.080 --> 0:53:47.960
<v Speaker 2>about healing, you know, Nathan moving on to a new phase,

0:53:48.080 --> 0:53:53.840
<v Speaker 2>and Quinn and Clay healing and moving on into the next,

0:53:54.239 --> 0:53:57.160
<v Speaker 2>into the next thing. You know, what happens next, what's next?

0:53:58.560 --> 0:54:02.600
<v Speaker 2>Brooke in Victoria, Brooke, the company's disappearing, but she's healed

0:54:02.640 --> 0:54:06.480
<v Speaker 2>in her heart in a way It's like she's cleansed

0:54:06.520 --> 0:54:09.680
<v Speaker 2>herself of all of the guilt and the concern and

0:54:10.320 --> 0:54:15.160
<v Speaker 2>the things that went wrong. So that feels really good.

0:54:15.680 --> 0:54:19.399
<v Speaker 2>Mouth healing from his depression and just feeling like he's

0:54:19.400 --> 0:54:24.680
<v Speaker 2>in a rut. I love that too. Yeah, and go ahead,

0:54:24.719 --> 0:54:25.439
<v Speaker 2>what were we gonna say?

0:54:25.880 --> 0:54:29.319
<v Speaker 4>I love that Jamie is worried about his dad and

0:54:29.360 --> 0:54:34.000
<v Speaker 4>he says to Haley, he says, is dad gonna be okay?

0:54:34.560 --> 0:54:39.200
<v Speaker 4>Because last time he wasn't okay? And Haley has that

0:54:39.320 --> 0:54:42.480
<v Speaker 4>great line where she says, he is because last time

0:54:42.520 --> 0:54:44.719
<v Speaker 4>basketball left your dad and this time your dad is

0:54:44.800 --> 0:54:48.200
<v Speaker 4>leaving basketball. And then there's like a couple little lines

0:54:48.239 --> 0:54:51.600
<v Speaker 4>and then you, yeh a perfect button. You go, I

0:54:51.640 --> 0:54:57.320
<v Speaker 4>can't guarantee Chester won't start drinking, and then you guys

0:54:57.360 --> 0:54:59.680
<v Speaker 4>laugh and the scene ends, and I was like, oh, perfect,

0:55:00.040 --> 0:55:01.600
<v Speaker 4>perfect joke at the end of.

0:55:01.560 --> 0:55:04.839
<v Speaker 2>That's so cute. I loved it. I'm so it's good.

0:55:04.960 --> 0:55:06.280
<v Speaker 2>I was happy with this episode.

0:55:06.480 --> 0:55:10.400
<v Speaker 4>Okay, one last question for you. Did you notice when

0:55:10.800 --> 0:55:13.800
<v Speaker 4>it's towards the very very end, there's a quick quick

0:55:14.840 --> 0:55:16.960
<v Speaker 4>scene of not much of a scene. It's just sort

0:55:16.960 --> 0:55:20.200
<v Speaker 4>of like a vignette part of a vignette where Nathan

0:55:20.239 --> 0:55:23.799
<v Speaker 4>and Jamie are outside playing catch and it pans up

0:55:23.800 --> 0:55:27.960
<v Speaker 4>to Haley in the window watching them. Did you notice

0:55:27.960 --> 0:55:30.000
<v Speaker 4>how pregnant you looked in that shot?

0:55:30.719 --> 0:55:31.319
<v Speaker 2>Oh?

0:55:32.320 --> 0:55:36.400
<v Speaker 4>I didn't. I maybe it was the angle, but it

0:55:36.480 --> 0:55:40.000
<v Speaker 4>was odd because you looked super pregnant.

0:55:40.080 --> 0:55:42.440
<v Speaker 2>Interesting. I wonder if we shot that later, like it

0:55:42.440 --> 0:55:45.319
<v Speaker 2>could have like we could have shot that, you know,

0:55:45.560 --> 0:55:48.440
<v Speaker 2>as a pick up a couple of weeks later or something,

0:55:48.520 --> 0:55:50.800
<v Speaker 2>because I was definitely growing.

0:55:51.960 --> 0:55:53.640
<v Speaker 4>I think you're, yeah, maybe you do like a little

0:55:53.680 --> 0:55:55.640
<v Speaker 4>belly rub on it, but it's like it's nothing you've

0:55:55.680 --> 0:55:57.160
<v Speaker 4>done up to that point. So anyways, I just thought

0:55:57.160 --> 0:55:58.360
<v Speaker 4>it was aucus. I was like, did we shoot this

0:55:58.400 --> 0:56:02.160
<v Speaker 4>at a different time because Haley looks considerably more pregnant.

0:56:02.239 --> 0:56:04.840
<v Speaker 2>We might have It is kind of fun watching myself

0:56:04.880 --> 0:56:08.720
<v Speaker 2>pregnant on TV. That's fun to see like little Maria growing,

0:56:09.360 --> 0:56:10.080
<v Speaker 2>so exciting.

0:56:22.760 --> 0:56:23.439
<v Speaker 4>Honorable mention.

0:56:23.800 --> 0:56:27.160
<v Speaker 2>Yeah, I guess mouth like Lee Norris just had so

0:56:27.320 --> 0:56:31.120
<v Speaker 2>much fun with his material. I was really I really

0:56:31.200 --> 0:56:37.200
<v Speaker 2>enjoyed watching him play. You know, he's always fun. What

0:56:37.239 --> 0:56:37.920
<v Speaker 2>about you?

0:56:38.040 --> 0:56:41.720
<v Speaker 4>Lee was great? I'll give mine to There's a really

0:56:41.760 --> 0:56:47.160
<v Speaker 4>funny moment, unintentionally funny when Brooke has realized she's like,

0:56:47.360 --> 0:56:50.879
<v Speaker 4>you know, gonna be losing a lot of her money

0:56:50.920 --> 0:56:53.600
<v Speaker 4>in the business, and she's going through her dream wedding

0:56:53.600 --> 0:56:58.240
<v Speaker 4>book and she's removing pages. Yeah, and it's so funny

0:56:58.280 --> 0:57:02.759
<v Speaker 4>to me that her life is so long pineapple cake

0:57:02.840 --> 0:57:06.680
<v Speaker 4>and red velvet cupcakes. And I just found myself laughing, going,

0:57:07.080 --> 0:57:10.120
<v Speaker 4>those have got to be the two cheapest components of

0:57:10.160 --> 0:57:12.719
<v Speaker 4>your wedding, Yes, for sure. Why are those the two

0:57:12.840 --> 0:57:18.400
<v Speaker 4>that are going? I just thought it was so so

0:57:18.640 --> 0:57:22.120
<v Speaker 4>funny that like, that's what the riders picked as opposed

0:57:22.160 --> 0:57:26.400
<v Speaker 4>to like so long vineyard destination.

0:57:26.200 --> 0:57:30.960
<v Speaker 2>Yes, flowers from Para's shipped in from Paris.

0:57:30.880 --> 0:57:34.000
<v Speaker 4>Yeah, oysters from New England whatever it is. Instead, it

0:57:34.080 --> 0:57:36.240
<v Speaker 4>was like so long the two things I can make

0:57:36.280 --> 0:57:36.960
<v Speaker 4>in my kitchen.

0:57:40.120 --> 0:57:45.520
<v Speaker 2>I love that you noticed stuff like this. Great sood Okay, Well,

0:57:45.560 --> 0:57:48.640
<v Speaker 2>we have a listener question from Steph real quick. Steph

0:57:48.640 --> 0:57:50.400
<v Speaker 2>wants to know if you could bring any one real

0:57:50.520 --> 0:57:53.360
<v Speaker 2>character back for one season, who would it be.

0:57:53.360 --> 0:57:57.560
<v Speaker 4>And why you know who I would bring back? C Yes,

0:57:58.120 --> 0:58:05.080
<v Speaker 4>Quentin because every time I see Robbie it's an immediate

0:58:05.120 --> 0:58:08.640
<v Speaker 4>love fest, which is funny because we never had anything

0:58:08.680 --> 0:58:11.400
<v Speaker 4>together so the first time we crossed paths, like we

0:58:11.480 --> 0:58:14.000
<v Speaker 4>didn't know each other, but I had seen his work

0:58:14.040 --> 0:58:15.840
<v Speaker 4>and I thought it was great, and so I came

0:58:15.840 --> 0:58:18.960
<v Speaker 4>in hot like dude, you're great, and he matched my energy.

0:58:19.400 --> 0:58:21.560
<v Speaker 4>So now we only see each other like at conventions,

0:58:21.560 --> 0:58:26.320
<v Speaker 4>but every single time he's just so warm and kind

0:58:26.440 --> 0:58:29.240
<v Speaker 4>and has such great energy that I would have loved

0:58:29.440 --> 0:58:31.960
<v Speaker 4>to have gotten to actually play and work with him.

0:58:32.040 --> 0:58:34.400
<v Speaker 2>Yeah, I can actually see the two of you getting

0:58:34.440 --> 0:58:37.400
<v Speaker 2>along really well. He's he's like you, very dropped into

0:58:37.400 --> 0:58:43.440
<v Speaker 2>his body, very astute, notices everything, doesn't comment on everything,

0:58:43.480 --> 0:58:45.880
<v Speaker 2>but just you can tell he's noticing it all, and

0:58:46.360 --> 0:58:49.680
<v Speaker 2>he also doesn't. One of my favorite things about Robbie

0:58:49.960 --> 0:58:55.000
<v Speaker 2>is that he doesn't let he in his conversation. He

0:58:55.120 --> 0:59:00.440
<v Speaker 2>calls people up to an elevated way of communicating. Somebody's

0:59:00.440 --> 0:59:04.480
<v Speaker 2>throwing out an offhand comment that just sounds like rhetoric,

0:59:04.560 --> 0:59:07.760
<v Speaker 2>or if it sounds like they're exaggerating or whatever, he

0:59:08.600 --> 0:59:11.680
<v Speaker 2>is so great at just mirroring it back like really,

0:59:12.480 --> 0:59:16.680
<v Speaker 2>oh that oh interesting, Like why do you say that

0:59:16.760 --> 0:59:20.600
<v Speaker 2>in particular? And it's not like a poking or a goating,

0:59:20.680 --> 0:59:25.280
<v Speaker 2>it's really like a say what you mean? Like don't

0:59:25.440 --> 0:59:29.520
<v Speaker 2>just go around talking like mean what you say and

0:59:29.560 --> 0:59:31.920
<v Speaker 2>say what you mean. I love it. It's one of

0:59:32.000 --> 0:59:34.960
<v Speaker 2>my favorite things about him, aside from the fact that

0:59:34.960 --> 0:59:38.840
<v Speaker 2>he's just jovial and one of those like glass half

0:59:38.840 --> 0:59:41.640
<v Speaker 2>full all the time kind of people, but can also

0:59:41.720 --> 0:59:44.200
<v Speaker 2>really drop into a deep conversation anyway, it doesn't surprise

0:59:44.240 --> 0:59:45.960
<v Speaker 2>me that you guys get along so well, and I

0:59:46.000 --> 0:59:49.480
<v Speaker 2>miss him and I would definitely bring you back. And

0:59:49.520 --> 0:59:52.400
<v Speaker 2>my second place for that would be Michayla McManus because

0:59:52.560 --> 0:59:55.520
<v Speaker 2>I just love having her around too. She's so great.

0:59:56.440 --> 1:00:00.480
<v Speaker 4>Another one we had nothing together and we did a

1:00:00.520 --> 1:00:03.080
<v Speaker 4>convention in Wilmington last year and it was one of

1:00:03.160 --> 1:00:06.360
<v Speaker 4>those these moments are so funny, right, Like I get

1:00:06.360 --> 1:00:08.960
<v Speaker 4>on the plane at Lax and you know how you

1:00:09.040 --> 1:00:12.560
<v Speaker 4>kind of have like actor radar, Like anytime you're flying

1:00:12.600 --> 1:00:14.800
<v Speaker 4>to Vancouver, you can just tell that one person with

1:00:14.880 --> 1:00:16.960
<v Speaker 4>the baseball hat super low. You're like, all right, what

1:00:17.040 --> 1:00:20.360
<v Speaker 4>sure are they on? Fly to will No? We fly

1:00:20.400 --> 1:00:23.880
<v Speaker 4>from like like La to wherever the connecting flight is

1:00:23.880 --> 1:00:26.840
<v Speaker 4>and I'm like, oh, I wonder if that's that's someone,

1:00:27.280 --> 1:00:29.640
<v Speaker 4>Like I wonder who that is? And then on the

1:00:29.640 --> 1:00:34.000
<v Speaker 4>puddle jumper into Wilmington. We're literally seated next to each

1:00:34.000 --> 1:00:37.760
<v Speaker 4>other and it's Mikayla. Oh and we've never like properly

1:00:37.800 --> 1:00:39.760
<v Speaker 4>caught up, but we had like this one and a

1:00:39.800 --> 1:00:45.120
<v Speaker 4>half hour flight, and she was so lovely and wonderful,

1:00:46.040 --> 1:00:48.360
<v Speaker 4>exactly like you said. I found myself going like, damn it,

1:00:48.440 --> 1:00:52.280
<v Speaker 4>I would love to be your friend and to have

1:00:52.320 --> 1:00:53.640
<v Speaker 4>like gotten a chance to work with you.

1:00:54.200 --> 1:00:59.800
<v Speaker 2>Yeah. I agree, she's just so fantastic. Well, maybe in

1:00:59.800 --> 1:01:04.680
<v Speaker 2>an their life, let's spin a wheel. Folks most likely.

1:01:04.720 --> 1:01:16.440
<v Speaker 3>To get caught sneaking into a concert?

1:01:16.800 --> 1:01:17.120
<v Speaker 4>Hillary?

1:01:18.240 --> 1:01:20.000
<v Speaker 2>Yeah? Probably Hillary.

1:01:21.120 --> 1:01:23.280
<v Speaker 4>It just immediately felt like a Hilary story.

1:01:23.360 --> 1:01:26.040
<v Speaker 2>Yeah, that sounds about right. Would she just would would

1:01:26.120 --> 1:01:28.040
<v Speaker 2>Hillary just be the sneaking in person, or would she

1:01:28.080 --> 1:01:28.840
<v Speaker 2>actually get caught?

1:01:29.720 --> 1:01:32.120
<v Speaker 4>Oh, she would get caught, but then she would be

1:01:32.200 --> 1:01:34.680
<v Speaker 4>Hillary and the security w'd be like, you're awesome, get

1:01:34.720 --> 1:01:38.440
<v Speaker 4>in here, and now they have Thanksgivings together. It be

1:01:38.440 --> 1:01:38.920
<v Speaker 4>like one of us.

1:01:38.920 --> 1:01:42.920
<v Speaker 2>Sounds about right. That sounds about right. Okay, Friends, next episode,

1:01:42.960 --> 1:01:47.400
<v Speaker 2>Season eight, episode six, Not afraid. We'll see you next week,

1:01:47.520 --> 1:01:49.040
<v Speaker 2>and we have stuff with us next week too. We'll

1:01:49.040 --> 1:01:49.400
<v Speaker 2>see it then.

1:01:49.480 --> 1:01:49.760
<v Speaker 4>Bye.

1:01:51.480 --> 1:01:54.120
<v Speaker 2>Hey, thanks for listening. Don't forget to leave us a review.

1:01:54.360 --> 1:01:57.640
<v Speaker 3>You can also follow us on Instagram at Drama Queen's O.

1:01:57.760 --> 1:02:01.960
<v Speaker 2>T H or email us at Rama Queens at iHeartRadio

1:02:02.040 --> 1:02:04.080
<v Speaker 2>dot com. See you next time.

1:02:05.320 --> 1:02:08.680
<v Speaker 1>We all about that high school drama Girl, Drama Girl,

1:02:08.760 --> 1:02:09.479
<v Speaker 1>all about them.

1:02:09.440 --> 1:02:11.200
<v Speaker 2>High school queens.

1:02:11.240 --> 1:02:12.439
<v Speaker 3>We'll take you for a ride.

1:02:12.520 --> 1:02:16.120
<v Speaker 2>And our comic girl cheering for the right teams Drama.

1:02:15.880 --> 1:02:18.600
<v Speaker 5>Queens traise my girl of girl fashion.

1:02:18.640 --> 1:02:20.120
<v Speaker 3>With your tough girl, you could sit

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<v Speaker 1>With us Girl Drama Queens, Drama Queise, Drama Queens Drama

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<v Speaker 1>Drama Queens, Drama Queens