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Speaker 1: First of all, you don't know me. We all about

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Speaker 1: that high school drama, girl drama girl, all about them.

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Speaker 2: High school queens.

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Speaker 3: We'll take you for a ride.

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Speaker 2: And our comic girl cheering for the right teams, drama queens,

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Speaker 2: Jaylie's go off girl fashion, but your tough girl, you

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Speaker 2: could sit with us.

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Speaker 1: Girl drama, Queen drama, Queens drama, Queens drama drama, Queens drama, queens.

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Speaker 4: All right, what's up? Joy?

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Speaker 2: All right? All right, all right, that wasn't my best McConaughey,

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Speaker 2: how's yours?

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Speaker 4: Uh, probably worse, So let's stick with yours. I would

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Speaker 4: hate to turn people off of the episode six seconds

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Speaker 4: and so we'll just save it for a different time.

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Speaker 2: Yeah, no problem, no problem. Well hey everybody, Hey, I'm good.

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Speaker 2: How are you? How was your day? We're doing this

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Speaker 2: one a little later tonight, so you guys are catching

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Speaker 2: us at the end of our days. Here.

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Speaker 4: Yeah, a little exhausted, a little punch here, a little

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Speaker 4: slap happy. We'll see.

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Speaker 2: How was everything with the kids today? Was it like

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Speaker 2: a nice, easy, smooth, chill day or was it like

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Speaker 2: a mannic, wild, crazy day.

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Speaker 4: I have a three and a half year old. There

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Speaker 4: is it's just varying shades of anarchy. And today was

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Speaker 4: it was like Gong Show. Oh no, yeah, yeah, how

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Speaker 4: was your day?

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Speaker 2: My day was actually pretty chill. I just organized from

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Speaker 2: top to bottom. I decided to start spring cleaning a

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Speaker 2: little early. I've I have always been a bit of

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Speaker 2: a messy, messy brain, messy person. And I look around

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Speaker 2: and suddenly and I see piles everywhere, and I'm like,

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Speaker 2: oh my god, I can't live like this and I

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Speaker 2: can't get anything done like this. So I just decided

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Speaker 2: to take the week and I'm going from the back

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Speaker 2: of my house to the front, and I'm every Bobby pin,

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Speaker 2: every sticker, every post it note, every ticket from that

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Speaker 2: train in London from four years ago that's in the

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Speaker 2: bottom of that purse in the back of the cloth. Like,

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Speaker 2: everything is getting cleaned. And then you know, in the meantime,

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Speaker 2: it takes some time to watch one Tree Hill.

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Speaker 4: Oh yeah, great segue. Welcome in everybody. This week we

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Speaker 4: have season eight, episode five, Nobody Taught Us to Quit

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Speaker 4: Air date October twelfth, twenty ten. Synopsis reads. As Clay

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Speaker 4: is discharged from the hospital, Nathan contemplates walking away from

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Speaker 4: the NBA. Meanwhile, Brook and Victoria disagree on how to

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Speaker 4: handle the company's financial problems, and Chase discovers a secret

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Speaker 4: about Alex directed by the one and only James Lafferty.

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Speaker 4: And it was written.

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Speaker 2: And it was it was written by a room of writers.

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Speaker 4: That's right, took a village.

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Speaker 2: Well what did you think? What do you think of

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Speaker 2: this episode?

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Speaker 4: I really enjoyed it.

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Speaker 2: Yeah, me too.

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Speaker 4: I I'd loved the start with. It was so perfect

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Speaker 4: that Jamie wanted to see Quinn's gunshot wound. Also shout

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Speaker 4: out to Rocky because that thing looked so real.

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Speaker 2: So so grossross and so real. It was really really real.

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Speaker 2: Yeah that was fun and ouzy. Yeah, I love this.

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Speaker 2: We just keep up with this narrative of the well

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Speaker 2: the literal narration of the story happening, which is how

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Speaker 2: One Tree Hill always starts. I love whenever they bring

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Speaker 2: that in because this nostalgia is big. And I like

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Speaker 2: Haley writing her letters to Lucas keeping him in the loop.

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Speaker 2: I wonder do you think they did that just to

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Speaker 2: like maintain the nostalgia or do you think they were

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Speaker 2: like trying to get Chad back and like trying to

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Speaker 2: build it. Maybe they were like talking to him and

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Speaker 2: trying to build up like audience love, and then it

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Speaker 2: just didn't pan out.

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Speaker 4: I don't think so, because if you remember in season

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Speaker 4: towards the end of season seven when Dan had his talk,

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Speaker 4: there was that really crappy line he had where he's like,

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Speaker 4: we should bring Lucas on for a guest. God knows

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Speaker 4: he's not doing anything.

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Speaker 2: Oh that's right. Yeah, No, they definitely were not trying

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Speaker 2: to know.

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Speaker 4: I think it's a two birds unfortunate thing right where

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Speaker 4: it's something. It's it's something for the audience because it's

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Speaker 4: connective tissue to Lucas someone they're all missing. And then

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Speaker 4: it is also a pretty clever way of just doing

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Speaker 4: a little exposition.

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Speaker 2: Yeah.

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Speaker 4: Yeah, it is emotional exposition.

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Speaker 2: Etching everybody up. Yeah. And what she was saying actually

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Speaker 2: was really cool. I liked that what they had me

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Speaker 2: right talking about how yeah hard it is to see

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Speaker 2: how many people out there are hurting, but how heartened

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Speaker 2: she is by the fact that people keep reaching out

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Speaker 2: for help as she's working at this crisis hotline's it

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Speaker 2: is nice to to It was nice for me to

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Speaker 2: think about that because I think a lot of us

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Speaker 2: just kind of suffer in silence. I know I do.

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Speaker 2: I'm like, it's not I'm the last person to reach

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Speaker 2: out when I'm feeling depressed or having a hard time.

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Speaker 2: It is so painful to pick up the phone and

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Speaker 2: call someone because I just don't want to be a burden.

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Speaker 2: And I always which is so weird, because I never

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Speaker 2: ever think that if a friend is having a hard

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Speaker 2: time and calls me, I'm never.

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Speaker 4: Like, oh god, yeah, you're flattering.

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Speaker 2: You're kind of busy right now.

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Speaker 4: Yeah.

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Speaker 2: No, I'm like, oh, thank you, let's talk. I want

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Speaker 2: to be here. I want to matter to you and

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Speaker 2: help you and do something meaningful with my life. And

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Speaker 2: if I can show up for you, that's amazing And

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Speaker 2: how can I help?

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Speaker 4: Yeah?

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Speaker 2: So I don't know why I have such a hard

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Speaker 2: time reaching out. Are you Have you like evolved to

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Speaker 2: this place, rob where you can just pick up the

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Speaker 2: phone when you're having a hard time. Is it easier?

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Speaker 4: I mean, it's still a thousand pound phone, but I

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Speaker 4: have my The time between discomfort and reaching out is

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Speaker 4: continually getting shorter and shorter, but I still I still

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Speaker 4: do the same thing because it's old behavior that whole like,

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Speaker 4: I don't want to be a bother yeah, when just

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Speaker 4: like you said, it's like when a friend reaches out

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Speaker 4: to me, it's they're giving me an opportunity to show

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Speaker 4: up for them and show them that I care about them.

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Speaker 4: So I'm like, dude, I'm here, what's you know what

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Speaker 4: I mean? And so I'm getting better. But suffering silence

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Speaker 4: was sadly kind of my mantra during the show because

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Speaker 4: this was pre therapy and stuff and I was just

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Speaker 4: struggling and it was like I don't want to be

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Speaker 4: in a position yea, yeah yeah, So yeah, I did

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Speaker 4: the same as you.

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Speaker 2: I'm glad things like this crisis hotline exist. I didn't

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Speaker 2: even really know it that it did until we started

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Speaker 2: filming this episode and I was like, crisis hotlines, this

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Speaker 2: is the thing you can do. I mean, I knew

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Speaker 2: there were numbers you could call if you were in

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Speaker 2: serious mental health like self destructive mode, but I didn't

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Speaker 2: realize it was just someplace you could call if you

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Speaker 2: were feeling lonely and needed somebody to talk to. And

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Speaker 2: I love that even just the opening, just our show

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Speaker 2: is introducing this to people as something that is a

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Speaker 2: possibility if you aren't yet comfortable call and your friends

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Speaker 2: or feel like you don't have anybody close enough that

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Speaker 2: you could pick up a phone.

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Speaker 3: And call call somebody like Hayley James.

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Speaker 2: Yeah, it's really sweet.

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Speaker 4: It is a nice way to kind of spread awareness

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Speaker 4: and also normalize it. Yeah, you know, because again, if

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Speaker 4: you know grew up like most of us, I think

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Speaker 4: there was a there was a stigma to asking for help.

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Speaker 4: You know, it's considered weak whatever that means, you know.

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Speaker 4: So it was nice that our show was sort of

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Speaker 4: putting it on the map. But going back to the

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Speaker 4: gunshot wound, I love you had some really funny moments

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Speaker 4: this episode, and I love when the show gives you

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Speaker 4: opportunities to be funny because you always just crush it.

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Speaker 4: And I love that you come in the bathroom and

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Speaker 4: Quinn's like no, no, no, it's gross, and you're like, trick,

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Speaker 4: I'm a mom, I've seen much much worse, like please

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Speaker 4: get over yourself. And she pulls off the bandage and

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Speaker 4: you see that pussy wound and you immediately are like nope,

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Speaker 4: I'm out hard pass and you just walk out of

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Speaker 4: the room and Jamie's.

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Speaker 2: Like, aw so gross, God so great. I can't I

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Speaker 2: cannot I feel I mean, are you okay with wounds

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Speaker 2: and blood and stuff, like can you manage to if

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Speaker 2: you're you know, if your kid falls down and you

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Speaker 2: just you take a needle and stitch something or super

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Speaker 2: glue or like, are you good with that? Ah?

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Speaker 4: I listen like a needle, like having to stitch my

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Speaker 4: kid up. No, But that's just because I have no

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Speaker 4: medical training. I'm okay like around blood and wounds and stuff.

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Speaker 4: I think, if anything, I'm a little more sheepish when

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Speaker 4: they're my own.

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Speaker 2: Oh oh.

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Speaker 4: When it's one of my people, I can kind of

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Speaker 4: be just like detach like a mechanic, like, okay, yeah,

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Speaker 4: that's a lot of blood, Like cool, I'm gonna help you.

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Speaker 4: We're gonna fix you know what I mean. Yeah, Whereas

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Speaker 4: if it's me, I can get a little squeamer's like ooh,

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Speaker 4: that's I'm seeing much farther into my tissue than I

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Speaker 4: would care to right now? Is that bone? I'm gonna

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Speaker 4: pass out? You know? How about you?

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Speaker 2: It does depend with my daughter. I'm very calm under

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Speaker 2: pressure or like anything I can handle. You know. What's

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Speaker 2: actually worse for me is if someone describes a wound,

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Speaker 2: If someone is talking to me about an injury, my

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Speaker 2: stomach immediately lurches into my throat. Yeah, I mean in

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Speaker 2: an emergency situation, I think I can detach. I'm trying

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Speaker 2: to think of any time when I've been now it

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Speaker 2: doesn't gross me out, and my own stuff I didn't.

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Speaker 2: Oh my gosh. I had contractors working on my house

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Speaker 2: and maybe we're doing some floors and a floor vent

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Speaker 2: got left open. But it was like on the far

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Speaker 2: side of the room. And when I say open, you

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Speaker 2: know the floor vents are. It's just a hole cut

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Speaker 2: in the wood, but then it has the Usually it

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Speaker 2: has that metal thing over the top of it, so

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Speaker 2: they didn't have the metal thing on it. But it

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Speaker 2: was like far away on the other side of the

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Speaker 2: room by a window. And I didn't really go in

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Speaker 2: that room very often, so it really wasn't a big

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Speaker 2: deal except that the I don't know if she was

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Speaker 2: jumping on the trampoline in the next room, but anyway,

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Speaker 2: the curtain rod fell down, so I went to go

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Speaker 2: fix it, and so the curtain was covering the hole

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Speaker 2: and I didn't see that it was open. Oh no,

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Speaker 2: is your stomach larching into your throat? So I step

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Speaker 2: into this hole, but it's right on the edge of

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Speaker 2: the curtain, so it's not like the curtain was going

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Speaker 2: to protect my foot. And as I step into this hole,

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Speaker 2: the freshly sliced wood freshly slices into my foot and

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Speaker 2: I felt it and it was one of those super

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Speaker 2: sharp cuts that you know it's going to hurt like

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Speaker 2: a mother in about thirty seconds, maybe twenty, but you've

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Speaker 2: got a very short window of time before all of

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Speaker 2: the nerves start kicking it. And I looked down at

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Speaker 2: this thing, and it is down this cut has got

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Speaker 2: to be at least an inch and a half down

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Speaker 2: into and you know, your foot's kind of there's not

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Speaker 2: a lot of meat there, so it's it's on the

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Speaker 2: side of my foot and it's a it's about an

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Speaker 2: inch long and then probably an inch and a half

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Speaker 2: deep into my foot. So I looked at it. It was

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Speaker 2: a perfectly clean slice, and I could pull the sides

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Speaker 2: of my foot apart and you could see right down

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Speaker 2: into my muscle, and like, I'm not sure how I was, like, Okay,

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Speaker 2: what am I going to do? Short window of time.

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Speaker 2: I hobbled very quickly into the kitchen where I have

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Speaker 2: my medicine cabinet, and uh, I grabbed a little bit

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Speaker 2: of super glue, and I stuck that thing back together

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Speaker 2: and I put a band aid on it, and I

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Speaker 2: just slept it alone. Wait, I pretended like it didn't appen.

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Speaker 4: You used household super glue on yeah, wound.

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Speaker 5: Yeah, that's what you do.

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Speaker 4: Seriously.

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Speaker 2: Yeah. I dated an army ranger once and he told

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Speaker 2: me that that's just what they do. They just they

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Speaker 2: have super glue and they just like deal with their

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Speaker 2: wounds with super clue. And I thought that was the

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Speaker 2: craziest thing when I heard it. But in that moment,

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Speaker 2: I was like, Okay, I'm gonna do it because it

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Speaker 2: didn't look dirty. There was no saw dust, there was

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Speaker 2: nothing in it that I thought I need to clean

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Speaker 2: this out. I'm just gonna close this thing up and

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Speaker 2: I hope it goes away, which is probably a very

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Speaker 2: dumb of me. But it turned out okay. I just

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Speaker 2: didn't look at it, didn't take the band aid off

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Speaker 2: for about four days, and it healed.

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Speaker 4: You just hoped and prayed for the best. What's so

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Speaker 4: funny about this moment is I have to imagine that

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Speaker 4: with the listeners, I'm curious what the ratio is of

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Speaker 4: people who gasped because they thought, like me, that you

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Speaker 4: can't put super glue in an open, uncleaned wound, and

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Speaker 4: also the people who already knew that, So grow us

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Speaker 4: a comment. Let us know just where you were on that,

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Speaker 4: because you just kind of blew my mind that that's

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Speaker 4: even and it's a possibility.

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Speaker 2: So hey, if you're if you're in the wilderness, I

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Speaker 2: don't know if you're a big camping guy, but keep

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Speaker 2: some super glue on you, I guess.

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Speaker 4: So man, Wow, okay, anyway, wow got on, We got

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Speaker 4: off the rails. So it took you and I about

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Speaker 4: forty seconds of talking about the episode before we went

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Speaker 4: on a ten minute diatribe about injuries and wild.

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Speaker 2: It's my fault every time. I'm so sorry. I feel

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Speaker 2: I just feel like I can talk to you, Rob,

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Speaker 2: That's it. I just I feel like I can tell

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Speaker 2: you anything.

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Speaker 4: That's why I wasn't trying to wrap you up. I

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Speaker 4: wanted to know where that story went. And you know,

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Speaker 4: it got us the super glue.

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Speaker 2: It sure did. Well. No super glue for Quinn's wound.

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Speaker 2: That that thing is gnarly and it's going to take

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Speaker 2: some time to recover. But I did really like seeing

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Speaker 2: Quinn and Clay happy. I liked seeing them, like seeing

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Speaker 2: him up and about getting I mean getting ready to

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Speaker 2: get out of the hospital. H you guys got all

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Speaker 2: dressed up, which is so cute.

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Speaker 4: Yeah. Did you find it funny that there was hospital

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Speaker 4: staff mixed in with some of the friends outside the hospital?

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Speaker 2: Okay, I wasn't sure. If you want to talk about

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Speaker 2: the end, Yes, I did think. I did think that

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Speaker 2: was really strange. Look, I loved the line. First of all,

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Speaker 2: if we're going to talk about the hospital stuff, I

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Speaker 2: loved the line that you said, they wheeled us into

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Speaker 2: this place, we're walking out, they will us in we're

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Speaker 2: walking out. So good, so strong. I feel like that's

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Speaker 2: actually something I could use in life. But yes, I

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Speaker 2: did think it was really funny that hospital staff was

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Speaker 2: there clapping. Also the handful of confetti that Jackson throws

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Speaker 2: that turned into an unending overhead release that just kept

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Speaker 2: going like we're at Madison Square Garden as everyone hugs play.

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Speaker 2: It was very It was cute but funny.

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Speaker 4: Wait, so I didn't notice that? Did we not see

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Speaker 4: anyone else with confetti in their hand?

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Speaker 2: No? Oh, that I mean not that I noticed.

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Speaker 4: Because it looked like a couple of confetti. Cannons went off,

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Speaker 4: it sure did. I remember shooting it, and I think

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Speaker 4: you even see it in the shot where I'm like,

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Speaker 4: my hand is up and I'm actually squinting because I'm

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Speaker 4: genuinely like, I this is far too much confetti.

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Speaker 2: You just see the one thing, just Jackson, little Jackson

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Speaker 2: with his hands, he just yeah, drops one big thing

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Speaker 2: and it just keeps going and going and going, like

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Speaker 2: one of those birthday candles that you can't blow up.

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Speaker 4: That's so funny. Well, yeah, the hospital staff out there,

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Speaker 4: I thought to myself, it's I wonder if they realized

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Speaker 4: having four cast members, if they just thought it wasn't enough.

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Speaker 4: But I just I was laughing, thinking like it would

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Speaker 4: be so cool if we panned out and then you

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Speaker 4: saw like a patient in distress in one of the windows,

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Speaker 4: and there was just no medical staff there because they

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Speaker 4: were downstairs cheering for us.

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Speaker 2: I love the way your brain works. It's great.

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Speaker 4: I just told myself, it's Tree Hill, it's a small hospital.

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Speaker 4: Maybe it's a slow day and they're very excited for us.

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Speaker 4: But I thought, in real life, I mean, I guess, dude,

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Speaker 4: we don't need to go off on a tangent whatever

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Speaker 4: it's it was sweet.

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Speaker 2: It was sweet, But you did really get dressed up.

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Speaker 2: This was beyond just looking nice. I mean you were

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Speaker 2: really Quinn in that dress and you in that suit.

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Speaker 2: That was a big deal.

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Speaker 4: My first thought was, that's so much clothing to put

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Speaker 4: on when you're that injured.

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Speaker 2: Yes, yes, that's kind of what I was thinking too.

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Speaker 4: Yeah, to me, that feels like it's your Lululemon jumpsuit

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Speaker 4: all day. Yeah, it's a tracksuit, that's it. You know,

328
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Speaker 4: it's sweats and it's a it's a sweatshirt. So the

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Speaker 4: fact it was done up I appreciate. Maybe he was

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Speaker 4: all hopped up on, you know, goofballs and pain meds,

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Speaker 4: but that's a lot of clothing to put on when

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Speaker 4: you are just barely past death.

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Speaker 2: I mean, I think he's just it's just, uh, this

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Speaker 2: is mental fortitude, right, He's like, I'm going to prove

335
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Speaker 2: I'm not only am I going to walk out of here,

336
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Speaker 2: I'm going to walk out of here in a three

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Speaker 2: piece suit. I'm gonna make sure that I'm sending the

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Speaker 2: message that I'm ready to roll but quite ambitious, and

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Speaker 2: then walking back into the house.

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Speaker 4: So what I really wanted. I really desperately want a

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Speaker 4: version of that scene where we go back in the

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Speaker 4: house and we're just like okay, and then we walk

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Speaker 4: into the bedroom and there is still just smeared blood

344
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Speaker 4: stains all over the carpet, and we're just like Nathan

345
00:17:39,160 --> 00:17:44,119
Speaker 4: tried his best. He should have got professionals a little

346
00:17:44,160 --> 00:17:46,240
Speaker 4: call back to the previous episode when he just gets

347
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Speaker 4: down his hands knees with one sponge and a bucket.

348
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Speaker 2: We needed you directing this episode, Oh my gosh. Well no,

349
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Speaker 2: James did a great job, but we needed we needed

350
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Speaker 2: you directing a comedy version of this episode that they

351
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Speaker 2: actually would have let you.

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Speaker 4: Yes, yes, it's the gag real version.

353
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Speaker 2: The gag reel version.

354
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Speaker 4: Yeah, so I for effort Nate, hmm, yeah.

355
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Speaker 2: I mean he really clearly that carpet had been replaced,

356
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Speaker 2: the fact that they go back into the same I

357
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Speaker 2: don't think i'd go back into the same bedroom. I

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Speaker 2: couldn't just go right back into my bedroom and go

359
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Speaker 2: to sleep. I would have a really hard time with that.

360
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Speaker 2: I don't know.

361
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Speaker 4: Yeah, I don't disagree with you.

362
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Speaker 2: Does Quinn not have a home? Quinn came into tree

363
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Speaker 2: Hill and stayed with Nathan and Haley, and then she

364
00:18:30,760 --> 00:18:32,439
Speaker 2: was like, I'm getting divorced. I'm gonna move in with

365
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Speaker 2: my boyfriend. She just doesn't have a house.

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Speaker 4: I think that's right, all right.

367
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Speaker 2: I was gonna say, you guys could go to her place,

368
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Speaker 2: but I don't think we've seen her place.

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Speaker 4: Going with the hole like they wheeled us in, we're

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Speaker 4: walking out. It's there is sort of a bravery and

371
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Speaker 4: like I'm not going to be a victim a mentality. Yeah,

372
00:19:01,960 --> 00:19:05,960
Speaker 4: that kind of tracks with I'm going home, get back

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Speaker 4: up on the horse. I'm choosing my life. Yep. I'm

374
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Speaker 4: not going to be intimidated. I'm not going to change it.

375
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Speaker 4: So you know all that I kind of get and

376
00:19:14,760 --> 00:19:19,879
Speaker 4: don't bump on the through line of what's next I

377
00:19:19,920 --> 00:19:23,560
Speaker 4: thought was woven through this episode so well.

378
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Speaker 2: Oh yeah, I loved that.

379
00:19:26,080 --> 00:19:29,320
Speaker 4: It was great man, such such good connective tissue for

380
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Speaker 4: everyone's stories. I love that we're seeing more of Lee

381
00:19:34,440 --> 00:19:38,800
Speaker 4: mm hmm. It's been a very nice, welcome change.

382
00:19:38,920 --> 00:19:40,919
Speaker 2: Trying to find himself, trying to figure out for himself

383
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Speaker 2: what's next.

384
00:19:42,280 --> 00:19:45,480
Speaker 4: This was fun, Yes, and that the first scene with

385
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Speaker 4: James excuse me, with Nathan and Mouth at Rivercourt was great.

386
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Speaker 2: Yeah.

387
00:19:50,640 --> 00:19:56,480
Speaker 4: It was like sweet friendship. And then they let Lee

388
00:19:56,560 --> 00:20:00,760
Speaker 4: do comedy for basically the rest of the episode, and

389
00:20:00,800 --> 00:20:03,160
Speaker 4: he's so dang funny.

390
00:20:03,480 --> 00:20:07,280
Speaker 2: He's so he always shows up, He's him.

391
00:20:07,800 --> 00:20:12,400
Speaker 4: Mouth's loneliness was so much fun to watch. I mean

392
00:20:12,480 --> 00:20:17,840
Speaker 4: when when Julian comes over and and and I think

393
00:20:17,840 --> 00:20:21,919
Speaker 4: mouth hos line. He goes, hey, uh, would you like

394
00:20:22,160 --> 00:20:24,400
Speaker 4: a soda or a beer? And he goes, no, I'm good.

395
00:20:24,400 --> 00:20:26,280
Speaker 4: And he goes do you have any soda or beer?

396
00:20:28,800 --> 00:20:31,639
Speaker 4: And and then Julian goes, no, I just want to,

397
00:20:31,720 --> 00:20:33,440
Speaker 4: you know, we can do his documentary and he's insistent

398
00:20:33,480 --> 00:20:36,960
Speaker 4: that they started immediately. And then he's like, okay, I

399
00:20:36,960 --> 00:20:38,800
Speaker 4: just want to get your day to day stuff. And

400
00:20:38,840 --> 00:20:39,639
Speaker 4: he comes.

401
00:20:39,359 --> 00:20:41,840
Speaker 2: Out talk about a three piece suit.

402
00:20:41,880 --> 00:20:46,080
Speaker 4: With his hair slicked back, acting just like such a

403
00:20:46,200 --> 00:20:52,800
Speaker 4: Wall Street dude, broo cool, and all the while like

404
00:20:53,320 --> 00:20:57,320
Speaker 4: it's so good and it's so cheesy. And then the

405
00:20:57,520 --> 00:21:01,640
Speaker 4: end of it, he drops a pack of Kondo and goes, oops,

406
00:21:02,040 --> 00:21:09,359
Speaker 4: Magnum condoms. That's embarrassing, Julie. It's like, what y trauma

407
00:21:09,680 --> 00:21:14,840
Speaker 4: have you recently had? Like what? He turns around in

408
00:21:14,880 --> 00:21:16,080
Speaker 4: the tag still on the suit.

409
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Speaker 2: Oh god, it's so good. It felt like a sitcom.

410
00:21:19,000 --> 00:21:22,199
Speaker 2: It was so fun. And what's really great about it

411
00:21:22,240 --> 00:21:26,000
Speaker 2: is the idea of that Julian was that Mouth knew

412
00:21:26,040 --> 00:21:27,840
Speaker 2: that his life was so boring that he was going

413
00:21:27,920 --> 00:21:30,280
Speaker 2: to have to do something, so he goes all out

414
00:21:30,320 --> 00:21:32,840
Speaker 2: for Julian. Julian's like, no, man, I promise, I just

415
00:21:32,960 --> 00:21:36,280
Speaker 2: want your everyday life. And then when he gets it,

416
00:21:36,359 --> 00:21:38,959
Speaker 2: and Mouth is just sitting on the couch picking up

417
00:21:38,960 --> 00:21:43,440
Speaker 2: his toelent and you know, almost ordering something really stupid

418
00:21:43,480 --> 00:21:47,080
Speaker 2: on QBC, and Julian's like, actually.

419
00:21:47,520 --> 00:21:47,960
Speaker 4: Yeah, this.

420
00:21:49,440 --> 00:21:50,200
Speaker 2: Is really bad.

421
00:21:50,800 --> 00:21:53,639
Speaker 4: And then the next scene where Julian's he's packing up

422
00:21:53,640 --> 00:21:56,600
Speaker 4: his equipment and Mouth goes like, hey, man, I'm sure

423
00:21:56,600 --> 00:22:00,000
Speaker 4: you can't stay any longer, and it's Austin killed it.

424
00:22:00,200 --> 00:22:03,639
Speaker 4: He starts to speak, he goes the thing is and

425
00:22:03,680 --> 00:22:06,199
Speaker 4: then there's a knock at the door, and without skipping

426
00:22:06,240 --> 00:22:08,840
Speaker 4: it beat, he goes, thank God and just rushes to

427
00:22:08,880 --> 00:22:09,240
Speaker 4: the door.

428
00:22:11,880 --> 00:22:13,440
Speaker 3: He's so good man.

429
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Speaker 2: I just I love watching our friends do great work,

430
00:22:16,280 --> 00:22:19,480
Speaker 2: you know, like I just want to cheer them on.

431
00:22:20,080 --> 00:22:22,679
Speaker 2: I also, speaking of what you said at the beginning

432
00:22:22,720 --> 00:22:26,440
Speaker 2: with Nathan and Mouth, there is a maturity that we're

433
00:22:26,440 --> 00:22:30,240
Speaker 2: seeing happen with Nathan right now, and I love just

434
00:22:30,440 --> 00:22:34,479
Speaker 2: him being intentional talk. I mean, talk about relying on

435
00:22:34,520 --> 00:22:38,960
Speaker 2: your friends and reaching out to people. Nathan showing up

436
00:22:39,320 --> 00:22:42,120
Speaker 2: to sit down and talk with Mouth and just encourage him.

437
00:22:42,520 --> 00:22:45,639
Speaker 2: It feels like something that we don't see again, we

438
00:22:45,680 --> 00:22:49,480
Speaker 2: don't see modeled a lot for men on television, especially

439
00:22:49,480 --> 00:22:52,919
Speaker 2: at that time. And just to see two guys sitting

440
00:22:52,920 --> 00:22:57,400
Speaker 2: there really genuinely encouraging each other without it being like, oh,

441
00:22:57,440 --> 00:23:00,280
Speaker 2: we're being emotional, this is awkward. It was so cool.

442
00:23:01,080 --> 00:23:02,840
Speaker 2: It's like, all right, good on us.

443
00:23:03,760 --> 00:23:07,840
Speaker 4: Especially for a teenage show. Yeah, you know, it's one

444
00:23:07,920 --> 00:23:10,199
Speaker 4: thing if they there were probably some shows doing it

445
00:23:10,240 --> 00:23:13,000
Speaker 4: with like thirty forty fifty year old guys, but yeah,

446
00:23:13,040 --> 00:23:16,920
Speaker 4: our show was young and cool, so yeah, it wasn't

447
00:23:17,000 --> 00:23:21,560
Speaker 4: very commonplace. But yeah, Nathan's journey lately this whole season

448
00:23:21,600 --> 00:23:26,879
Speaker 4: has been awesome. Yeah, talk about a guy finding himself,

449
00:23:27,400 --> 00:23:31,920
Speaker 4: discovering himself and hitting his stride and it looks good

450
00:23:32,000 --> 00:23:32,479
Speaker 4: on him.

451
00:23:32,720 --> 00:23:37,600
Speaker 2: It sure does. It's a good season. I also we

452
00:23:37,640 --> 00:23:41,040
Speaker 2: should talk about the opening credits on this one. I'm

453
00:23:41,480 --> 00:23:47,280
Speaker 2: I'm not sure who the band was. I really appreciate

454
00:23:47,359 --> 00:23:50,719
Speaker 2: that they were trying to just do something different. You know,

455
00:23:51,119 --> 00:23:53,440
Speaker 2: somebody hands you a song and they're like, do your

456
00:23:53,480 --> 00:23:57,040
Speaker 2: own spin on it. You know it's not gonna work

457
00:23:57,080 --> 00:23:57,600
Speaker 2: every time.

458
00:23:57,640 --> 00:23:58,160
Speaker 4: You can't.

459
00:23:58,280 --> 00:24:03,320
Speaker 2: You can't net the ball every single time. But what

460
00:24:03,400 --> 00:24:09,920
Speaker 2: this highlighted for me, Rob silently laughing behind the mike.

461
00:24:10,440 --> 00:24:13,760
Speaker 2: What this highlighted for me is how good Gavin is,

462
00:24:14,200 --> 00:24:17,760
Speaker 2: how good this song is, because the song does work

463
00:24:17,800 --> 00:24:20,639
Speaker 2: in a lot of different contexts, and then it highlights

464
00:24:21,040 --> 00:24:23,120
Speaker 2: how good his version of it is too, and how

465
00:24:23,119 --> 00:24:26,240
Speaker 2: exactly right it is for our show. And not just

466
00:24:26,280 --> 00:24:29,199
Speaker 2: this particular band's version, but all of the versions that

467
00:24:29,200 --> 00:24:32,959
Speaker 2: we're seeing this season. I appreciate different things about all

468
00:24:33,000 --> 00:24:37,080
Speaker 2: of them. It's nice, but every single one of them

469
00:24:37,160 --> 00:24:40,240
Speaker 2: just reminds me, Yeah, we got Gavin de grag guys,

470
00:24:40,280 --> 00:24:43,400
Speaker 2: like his version just really hammers it home.

471
00:24:43,760 --> 00:24:46,560
Speaker 4: I was smiling and laughing because the way you started

472
00:24:46,600 --> 00:24:53,199
Speaker 4: that was the drama Queen's version of Oh Bless his Heart.

473
00:24:53,440 --> 00:24:56,320
Speaker 4: The way you're like, I appreciate that they took a

474
00:24:56,400 --> 00:24:58,800
Speaker 4: different crack at it. I was like, Oh, here we go,

475
00:24:58,880 --> 00:25:02,920
Speaker 4: enjoy talk some shit. You have an opinion on.

476
00:25:02,840 --> 00:25:06,879
Speaker 2: This, I do. I'm sorry, Look, I don't get it

477
00:25:06,960 --> 00:25:11,520
Speaker 2: right every time either, So yes, you do and who

478
00:25:11,560 --> 00:25:16,720
Speaker 2: am I kidding? Yeah? But so anyway, just a reiteration

479
00:25:16,800 --> 00:25:18,840
Speaker 2: of how much we love GABT. We should bring Gavin

480
00:25:18,920 --> 00:25:20,800
Speaker 2: on this podcast True Time.

481
00:25:21,119 --> 00:25:22,640
Speaker 4: Don't you think Gavin's watched the show?

482
00:25:23,600 --> 00:25:26,120
Speaker 2: I actually don't know. I should ask him if he's

483
00:25:26,160 --> 00:25:27,359
Speaker 2: watched the show.

484
00:25:27,560 --> 00:25:28,560
Speaker 4: He's going to start and.

485
00:25:28,640 --> 00:25:32,280
Speaker 2: Talk to him in ages. Yeah, he guests starred on it,

486
00:25:32,520 --> 00:25:33,960
Speaker 2: but I don't know if he ever sat down to

487
00:25:33,960 --> 00:25:37,240
Speaker 2: actually watch it. He doesn't seem to me like someone

488
00:25:37,280 --> 00:25:40,159
Speaker 2: who enjoys sitting down and watching himself on television. I

489
00:25:40,160 --> 00:25:43,639
Speaker 2: feel like Gavin keeps his head down, but I don't know.

490
00:25:44,400 --> 00:25:46,440
Speaker 2: Maybe I'll reach out. I haven't. It would be fun

491
00:25:46,440 --> 00:25:46,879
Speaker 2: to have him on.

492
00:25:47,600 --> 00:25:51,000
Speaker 4: Speaking of keeping your head down. Should we discuss the

493
00:25:51,040 --> 00:25:52,000
Speaker 4: prison of it all?

494
00:25:53,280 --> 00:25:57,199
Speaker 2: Please? Let's discuss the prison of the prison hair of

495
00:25:57,240 --> 00:25:57,600
Speaker 2: it all?

496
00:25:58,760 --> 00:26:01,320
Speaker 4: Okay, let's get ahead of ourselves, because I have a

497
00:26:01,400 --> 00:26:04,639
Speaker 4: specific hair question for you. At the end of the episode,

498
00:26:05,280 --> 00:26:08,639
Speaker 4: when Victoria, they just do one shot they cut to

499
00:26:08,720 --> 00:26:12,359
Speaker 4: Victoria watching it in the big House. Yeah, and she

500
00:26:12,480 --> 00:26:15,639
Speaker 4: has a different hairstyle where it's essentially like they took

501
00:26:16,000 --> 00:26:20,000
Speaker 4: all of her hair and then just flipped it all back.

502
00:26:20,160 --> 00:26:22,280
Speaker 2: Oh yeah, the helmet, it's like a helmet.

503
00:26:23,040 --> 00:26:25,639
Speaker 4: So is that a was that a look? Is that

504
00:26:25,680 --> 00:26:27,919
Speaker 4: supposed to be a prison thing? Because it was the

505
00:26:27,960 --> 00:26:30,720
Speaker 4: only time we've ever seen it, and I immediately was like,

506
00:26:30,760 --> 00:26:32,040
Speaker 4: what the hell is that?

507
00:26:32,480 --> 00:26:34,840
Speaker 2: It might have been or I don't know, Daphne is

508
00:26:35,800 --> 00:26:37,440
Speaker 2: she might have just run her hands through her hair

509
00:26:37,480 --> 00:26:39,280
Speaker 2: before the take and been like, I just want it

510
00:26:39,280 --> 00:26:40,399
Speaker 2: out of my face. I just want it out of

511
00:26:40,400 --> 00:26:43,119
Speaker 2: the way. As long as it's just out, it's fine.

512
00:26:44,320 --> 00:26:53,080
Speaker 2: It is kind of like it's like a Dynasty pompadour look. Yeah,

513
00:26:53,440 --> 00:26:57,000
Speaker 2: I think it looked great on her, but it's definitely

514
00:26:57,040 --> 00:27:00,639
Speaker 2: more of like a Robert Palmer girl eighties. So I

515
00:27:00,640 --> 00:27:02,080
Speaker 2: don't know if they did that on purpose or if

516
00:27:02,119 --> 00:27:04,760
Speaker 2: she just ran Either way, whatever she did, she just

517
00:27:04,840 --> 00:27:08,840
Speaker 2: manages to look fabulous all the time. But okay, if

518
00:27:08,840 --> 00:27:11,200
Speaker 2: we're going to talk about this and the prison stuff

519
00:27:11,200 --> 00:27:14,480
Speaker 2: before we get into the character detail, did you notice

520
00:27:14,560 --> 00:27:19,439
Speaker 2: that brook So she comes to prison to talk to Victoria,

521
00:27:19,520 --> 00:27:21,520
Speaker 2: then she leaves, she talks to somebody else I can't

522
00:27:21,560 --> 00:27:23,000
Speaker 2: remember what it was, who says, you really need to

523
00:27:23,000 --> 00:27:25,280
Speaker 2: go say all these things to Victoria so she goes

524
00:27:25,320 --> 00:27:27,960
Speaker 2: and then it's like immediately she's just there sitting back down,

525
00:27:28,320 --> 00:27:31,439
Speaker 2: same outfit. I guess it's all in one day, but

526
00:27:31,480 --> 00:27:33,959
Speaker 2: it just felt really strange. It felt it felt like

527
00:27:34,040 --> 00:27:36,240
Speaker 2: we just shot both scenes at the same time, which

528
00:27:36,240 --> 00:27:40,000
Speaker 2: we did, and I don't know. I was a little confused.

529
00:27:40,119 --> 00:27:42,119
Speaker 2: I thought maybe like time had gone by, but just

530
00:27:42,119 --> 00:27:45,440
Speaker 2: seems like it's so hard to drive all the way

531
00:27:45,440 --> 00:27:48,200
Speaker 2: to prison. Like the prison's not just like Entrey Hill, right,

532
00:27:48,200 --> 00:27:49,879
Speaker 2: It's got to be kind of far out of town.

533
00:27:51,000 --> 00:27:53,120
Speaker 2: It's like she's in the state penitentiary, isn't she.

534
00:27:54,119 --> 00:27:57,040
Speaker 4: I didn't notice it, okay, it it would have been

535
00:27:57,040 --> 00:27:59,479
Speaker 4: funny if she was like, I want to put on

536
00:27:59,480 --> 00:28:03,880
Speaker 4: my most pissed off outfit. She's just spite changing.

537
00:28:04,280 --> 00:28:08,359
Speaker 2: Yeah. It was like leather jacket, like diamond earrings, hair

538
00:28:08,400 --> 00:28:10,800
Speaker 2: slicked back. SI, okay, go Brooke.

539
00:28:11,920 --> 00:28:13,960
Speaker 4: I had this question as I watched that first scene

540
00:28:14,000 --> 00:28:18,840
Speaker 4: where Victoria really just comes down super hard on her

541
00:28:19,040 --> 00:28:23,880
Speaker 4: and takes it so intense, real real, like crummy shots

542
00:28:23,920 --> 00:28:27,679
Speaker 4: at her, like beyond disappointment. She says some things that

543
00:28:27,720 --> 00:28:28,840
Speaker 4: are just straight up cruel.

544
00:28:29,280 --> 00:28:29,680
Speaker 2: Yeah.

545
00:28:30,080 --> 00:28:34,639
Speaker 4: For me having come late to this party, I felt

546
00:28:34,680 --> 00:28:37,600
Speaker 4: like it was way out of character, and I found

547
00:28:37,600 --> 00:28:42,440
Speaker 4: myself going, so like, has this whole thing been an act?

548
00:28:44,040 --> 00:28:45,200
Speaker 2: Or wait?

549
00:28:46,000 --> 00:28:46,480
Speaker 4: Where is this?

550
00:28:46,560 --> 00:28:46,640
Speaker 2: What?

551
00:28:46,800 --> 00:28:49,520
Speaker 4: Everyone? Is? This? Who she was? Seasons one through six?

552
00:28:49,960 --> 00:28:54,240
Speaker 2: Well, she wasn't in the show until season Wait when

553
00:28:54,280 --> 00:28:57,479
Speaker 2: did she come on? Was it five? I didn't realize

554
00:28:57,480 --> 00:29:01,840
Speaker 2: she was on so long before you. So yes, okay

555
00:29:02,400 --> 00:29:05,280
Speaker 2: Victoria five. Okay, so she's just before you. So the

556
00:29:05,360 --> 00:29:08,440
Speaker 2: whole arc when she first comes in is just what

557
00:29:08,560 --> 00:29:12,480
Speaker 2: a nightmare she is, how difficult her relationship is with

558
00:29:12,560 --> 00:29:16,000
Speaker 2: Brooke because they I mean, they have no relationship because

559
00:29:16,040 --> 00:29:21,800
Speaker 2: she's always been on the road or dismissive of hers

560
00:29:22,520 --> 00:29:26,480
Speaker 2: Brooke was left to fend for herself, and Victoria is

561
00:29:26,640 --> 00:29:31,239
Speaker 2: conniving and always doing some kind of underhanded thing and

562
00:29:31,280 --> 00:29:33,920
Speaker 2: you can never trust her, and she's like the Dan Scott.

563
00:29:35,320 --> 00:29:39,840
Speaker 2: So the fact that Victoria and Brooke have gotten to

564
00:29:39,920 --> 00:29:42,600
Speaker 2: where they were when you joined the show and then

565
00:29:42,880 --> 00:29:46,960
Speaker 2: progressed in that way, it's been this massive redemptive arc

566
00:29:47,560 --> 00:29:51,920
Speaker 2: to watch Brooke and her mom find a relationship and

567
00:29:51,960 --> 00:29:56,040
Speaker 2: to watch a woman who was really hardened and manipulative

568
00:29:56,680 --> 00:30:01,840
Speaker 2: to trust and soften and find the parts of herself

569
00:30:01,880 --> 00:30:04,360
Speaker 2: that are vulnerable and want the best of her daughter

570
00:30:04,400 --> 00:30:07,040
Speaker 2: and admit that she's that she wants to be a

571
00:30:07,080 --> 00:30:10,080
Speaker 2: mom and not resent Brook for making her a mom.

572
00:30:11,160 --> 00:30:15,520
Speaker 2: So it's yes, to answer your question, there have always

573
00:30:15,560 --> 00:30:17,920
Speaker 2: been like she was talking about how I never wanted

574
00:30:17,920 --> 00:30:20,000
Speaker 2: to get pregnant, you know, I had to have you,

575
00:30:20,120 --> 00:30:23,400
Speaker 2: and like it was really horrible below the belt stuff,

576
00:30:24,400 --> 00:30:26,360
Speaker 2: and so yeah, it's been a big redemptive arc. But

577
00:30:26,480 --> 00:30:31,600
Speaker 2: now to see Victoria's all the clause, all the insecurities

578
00:30:31,640 --> 00:30:34,000
Speaker 2: just making the worst of her come out in this

579
00:30:34,160 --> 00:30:38,560
Speaker 2: moment in prison, it's so devastating because you think, oh,

580
00:30:38,600 --> 00:30:43,080
Speaker 2: she's come so far. Did she really come so far?

581
00:30:43,240 --> 00:30:46,600
Speaker 2: And it's just old habits die hard and the insecurity

582
00:30:46,600 --> 00:30:52,320
Speaker 2: reflexes are causing her to self protect or was all

583
00:30:52,400 --> 00:30:58,440
Speaker 2: of it still some form of manipulation or like building

584
00:30:58,480 --> 00:31:01,840
Speaker 2: a false identity of like, well, okay, I can I

585
00:31:01,880 --> 00:31:05,160
Speaker 2: can find my value as a quote unquote good human.

586
00:31:05,200 --> 00:31:08,000
Speaker 2: I can redeem myself if I'm a good mother, And

587
00:31:08,040 --> 00:31:10,280
Speaker 2: by being a good mother that means sacrificing myself for

588
00:31:10,320 --> 00:31:14,640
Speaker 2: the company. But if Brooke foils that plan and takes

589
00:31:14,640 --> 00:31:18,080
Speaker 2: the company away, then her sacrifices for nothing. In her

590
00:31:18,120 --> 00:31:21,200
Speaker 2: mind so then that would affect her identity. I guess

591
00:31:21,320 --> 00:31:25,440
Speaker 2: was my armchair psychology version of it. But it was sad.

592
00:31:25,600 --> 00:31:28,800
Speaker 2: It was really sad to see all that come out. Yeah,

593
00:31:28,960 --> 00:31:31,320
Speaker 2: I mean, okay, So if you haven't seen that part

594
00:31:31,320 --> 00:31:34,800
Speaker 2: of Victoria at all, were you completely thrown for a loop?

595
00:31:35,800 --> 00:31:41,880
Speaker 4: Partially not entirely, because I've obviously like gleaned enough from

596
00:31:41,920 --> 00:31:45,760
Speaker 4: like comments made and just conversations that we've had around

597
00:31:45,760 --> 00:31:48,920
Speaker 4: the show that she was a terrible mom. It was

598
00:31:49,560 --> 00:31:51,880
Speaker 4: It wasn't like I was having an issue because it

599
00:31:51,920 --> 00:31:54,160
Speaker 4: didn't make sense to me. It's like, listen, like you said,

600
00:31:54,200 --> 00:31:57,920
Speaker 4: her plan just got upended, she's in prison, it could

601
00:31:58,000 --> 00:32:00,960
Speaker 4: be going terribly. We haven't like there's a million reasons

602
00:32:00,960 --> 00:32:04,840
Speaker 4: why she would be spread thin and just snap. It

603
00:32:04,920 --> 00:32:07,040
Speaker 4: was more for me that I was sad because I

604
00:32:07,040 --> 00:32:12,040
Speaker 4: have been loving watching her and Brooke like start over

605
00:32:12,160 --> 00:32:16,520
Speaker 4: and form this beautiful thing, and it just made me go, oh,

606
00:32:16,560 --> 00:32:20,760
Speaker 4: you're you're damaging that so bad right now, And it

607
00:32:20,800 --> 00:32:26,920
Speaker 4: makes me question like if it's all been sincere so long.

608
00:32:27,040 --> 00:32:31,520
Speaker 2: So much effort put into building and repairing this relationship,

609
00:32:32,640 --> 00:32:35,240
Speaker 2: and she just throws it all away the second that

610
00:32:35,400 --> 00:32:38,640
Speaker 2: her I mean it's pretty high stakes. She's in prison

611
00:32:39,800 --> 00:32:41,760
Speaker 2: and she thought she was making a sacrifice that was

612
00:32:41,800 --> 00:32:45,840
Speaker 2: going to pay off on the other end, and it didn't.

613
00:32:45,920 --> 00:32:48,480
Speaker 2: She just has to suffer the consequences of her actions

614
00:32:48,520 --> 00:32:49,360
Speaker 2: with no payoff.

615
00:32:50,280 --> 00:32:53,440
Speaker 4: Oh yeah. It's also though you're in prison, you have

616
00:32:53,640 --> 00:32:57,640
Speaker 4: nothing to do except think, so you would you would

617
00:32:57,640 --> 00:33:01,000
Speaker 4: assume that after she walked away and she had a

618
00:33:01,080 --> 00:33:05,880
Speaker 4: chance to cool down, though, she would be like, shoot, yeah, yeah,

619
00:33:05,880 --> 00:33:09,000
Speaker 4: I gotta walk some of those things way back. Yeah.

620
00:33:09,040 --> 00:33:14,120
Speaker 2: Well, she's clearly been not self reflective during her time

621
00:33:14,160 --> 00:33:17,520
Speaker 2: in prison. She's got her assistant, a Dell, and she's

622
00:33:17,560 --> 00:33:19,840
Speaker 2: been making all of her plans for how to move

623
00:33:19,880 --> 00:33:23,240
Speaker 2: the company forward. So now what is she going to do?

624
00:33:24,400 --> 00:33:28,600
Speaker 2: Oh Victoria, I.

625
00:33:28,480 --> 00:33:34,280
Speaker 4: Loved the runner throughout the episode of Nathan avoiding talking

626
00:33:34,320 --> 00:33:39,560
Speaker 4: about things, and yeah, it's so great that Jamie such

627
00:33:39,640 --> 00:33:43,960
Speaker 4: the wise owl. I love that the show constantly makes

628
00:33:44,040 --> 00:33:47,160
Speaker 4: him sort of the wise owl, like from the mouth

629
00:33:47,160 --> 00:33:49,600
Speaker 4: of Babes. Because first of all, there's the bit where

630
00:33:50,080 --> 00:33:53,440
Speaker 4: it's actually in the same conversation when Nathan hasn't told

631
00:33:53,480 --> 00:33:58,120
Speaker 4: Clay and Jamie essentially goes, of course, you haven't, like

632
00:33:58,360 --> 00:34:00,960
Speaker 4: you avoid things and He's like, what, No, I don't.

633
00:34:01,200 --> 00:34:03,840
Speaker 4: That's the beginning of the runner. But then there's this

634
00:34:04,040 --> 00:34:09,280
Speaker 4: incredible line that Jamie has where he says, I wish

635
00:34:09,320 --> 00:34:11,359
Speaker 4: you were a Bobcat and I know you do too,

636
00:34:11,680 --> 00:34:13,919
Speaker 4: And I figure, if you're not playing, you must really

637
00:34:13,920 --> 00:34:16,600
Speaker 4: think it's for the best. And if I can understand that,

638
00:34:16,840 --> 00:34:24,400
Speaker 4: Clay will too, so wisdom and perspective from him. So

639
00:34:24,440 --> 00:34:26,360
Speaker 4: it was a very sweet moment between the two. But

640
00:34:26,400 --> 00:34:30,400
Speaker 4: then it's this awesome thing where Julian shows up at

641
00:34:30,440 --> 00:34:34,799
Speaker 4: the house as Nathan's leaving. There's also the exchange about

642
00:34:35,239 --> 00:34:38,800
Speaker 4: it's a bag, it's a man, perse so sachel or whatever,

643
00:34:40,040 --> 00:34:42,000
Speaker 4: which I have to say though even in that moment

644
00:34:42,080 --> 00:34:45,160
Speaker 4: I didn't even really mind, even though it's like so obvious.

645
00:34:45,200 --> 00:34:47,239
Speaker 4: They just tried to do everything they could to make

646
00:34:47,440 --> 00:34:50,560
Speaker 4: Julian like not a sexy leading man and they failed.

647
00:34:52,800 --> 00:34:58,919
Speaker 4: But I liked that their banter has gotten way less

648
00:34:58,960 --> 00:35:02,879
Speaker 4: pointed and much more more playful. Yes, because they were

649
00:35:02,880 --> 00:35:05,000
Speaker 4: in the driveway, which reminded me of when they were

650
00:35:05,000 --> 00:35:08,480
Speaker 4: in the driveway last season for the camping episode, and

651
00:35:08,600 --> 00:35:11,600
Speaker 4: out of nowhere, Nathan is just a.

652
00:35:11,840 --> 00:35:15,000
Speaker 2: Jer why is he? He was so rude to him.

653
00:35:15,440 --> 00:35:17,520
Speaker 2: I can't remember what we decided, but I know I

654
00:35:17,680 --> 00:35:20,280
Speaker 2: remember us talking about this, like what the heck, dude,

655
00:35:20,320 --> 00:35:22,240
Speaker 2: why do you why?

656
00:35:23,040 --> 00:35:25,520
Speaker 4: Yeah? Whereas now? And this one I went, okay, there,

657
00:35:25,600 --> 00:35:27,799
Speaker 4: these are just two. These are two pals giving each

658
00:35:27,840 --> 00:35:31,040
Speaker 4: other grief. Yeah, like this is great, but I love

659
00:35:31,080 --> 00:35:35,080
Speaker 4: it because Nathan goes Juicy Clay and he goes, yeah, yeah,

660
00:35:35,080 --> 00:35:36,600
Speaker 4: I was just there and he goes, you didn't tell

661
00:35:36,640 --> 00:35:41,560
Speaker 4: him about my decision, did you? And he says, uh no,

662
00:35:41,719 --> 00:35:44,240
Speaker 4: Jamie told me that you have avoid talking about things.

663
00:35:44,880 --> 00:35:47,759
Speaker 4: And Nathan has a callback to his previous scene with

664
00:35:47,840 --> 00:35:49,520
Speaker 4: Jamie where he goes, I'm totally going to take his

665
00:35:49,560 --> 00:35:53,000
Speaker 4: PlayStation because he says something to Jamie like if you

666
00:35:53,080 --> 00:35:55,160
Speaker 4: do this, I'll take away your PlayStation or whatever. But

667
00:35:55,239 --> 00:35:58,160
Speaker 4: like it's this great thing. And then it's Nathan again

668
00:35:58,560 --> 00:36:02,680
Speaker 4: being self aware and actually caring, so he starts kind

669
00:36:02,680 --> 00:36:05,080
Speaker 4: of crowdsourcing. He goes to Haley and he's like, hey,

670
00:36:05,120 --> 00:36:06,080
Speaker 4: do I avoid things?

671
00:36:06,600 --> 00:36:06,880
Speaker 2: Yeah?

672
00:36:06,920 --> 00:36:08,960
Speaker 4: And at first Haley's like, no, I don't think so,

673
00:36:09,040 --> 00:36:11,640
Speaker 4: and he's like yeah the Clay thing, You're like, oh no,

674
00:36:11,680 --> 00:36:12,840
Speaker 4: you're absolutely avoiding that.

675
00:36:13,239 --> 00:36:28,359
Speaker 5: Yeah.

676
00:36:28,680 --> 00:36:33,319
Speaker 2: Side note the crossbody bag. What people don't know is

677
00:36:33,360 --> 00:36:37,840
Speaker 2: that our creator had a real issue with girls wearing

678
00:36:38,120 --> 00:36:41,400
Speaker 2: purses across their bodies for some reason, and we got

679
00:36:41,520 --> 00:36:45,239
Speaker 2: like an official note, like a ban on crossbody purses

680
00:36:47,000 --> 00:36:49,040
Speaker 2: for all the girls. So you'll notice at some point

681
00:36:49,120 --> 00:36:51,840
Speaker 2: we all stop wearing our purses over our shoulders. I

682
00:36:51,880 --> 00:36:53,000
Speaker 2: guess it wasn't sexy.

683
00:36:53,920 --> 00:36:58,319
Speaker 4: That is a weird thing to have a strong take on,

684
00:37:00,840 --> 00:37:01,800
Speaker 4: don't you thinks I do?

685
00:37:01,960 --> 00:37:08,399
Speaker 2: I agree, Yeah, desperately clawing for control. I remember once

686
00:37:08,440 --> 00:37:09,920
Speaker 2: we were walking through the scene we all had our

687
00:37:09,960 --> 00:37:12,640
Speaker 2: purses on and said somebody probably script you. I don't

688
00:37:12,640 --> 00:37:14,759
Speaker 2: know if somebody came up and was like, so we've

689
00:37:14,800 --> 00:37:18,200
Speaker 2: been asked for you to take your purses off your

690
00:37:18,520 --> 00:37:21,560
Speaker 2: shoulder and put it on your other shoulder. We're like like,

691
00:37:21,640 --> 00:37:24,560
Speaker 2: switch sides. Is it bad for camera? And they're like no,

692
00:37:24,640 --> 00:37:28,360
Speaker 2: like not across your body because this is a wardrobe issue,

693
00:37:28,440 --> 00:37:31,080
Speaker 2: is it? Why? This is how everyone this is how

694
00:37:31,120 --> 00:37:33,640
Speaker 2: we were person like every go look at every single

695
00:37:33,680 --> 00:37:36,040
Speaker 2: girl on this college campus, and they're like, no, it's

696
00:37:36,080 --> 00:37:39,480
Speaker 2: a coming from the top down. Oh my god, okay,

697
00:37:39,600 --> 00:37:40,320
Speaker 2: fine whatever.

698
00:37:41,000 --> 00:37:42,879
Speaker 4: Yeah that's an odd one. Yeah, that's one of those

699
00:37:42,880 --> 00:37:43,719
Speaker 4: ones where you just shake your.

700
00:37:43,640 --> 00:37:46,560
Speaker 2: Head and shake your head. So anyway, Julian's crossbody purse

701
00:37:46,600 --> 00:37:49,799
Speaker 2: made me a bag whatever made me maybe think what a.

702
00:37:49,719 --> 00:37:52,400
Speaker 4: Double standard that the women on the show couldn't do it,

703
00:37:52,480 --> 00:37:54,880
Speaker 4: but Julian, who they were trying to make into a

704
00:37:54,920 --> 00:37:56,200
Speaker 4: woman could.

705
00:37:56,560 --> 00:37:58,040
Speaker 2: He only made it look better.

706
00:37:58,800 --> 00:38:01,279
Speaker 4: I know, man, I did so did.

707
00:38:01,760 --> 00:38:07,200
Speaker 2: But yes, I love Nathan crowdsourcing the feedback again, more

708
00:38:07,280 --> 00:38:12,879
Speaker 2: maturity for him. I thought that was great. And I

709
00:38:12,920 --> 00:38:15,879
Speaker 2: also loved how he really comes through at the end

710
00:38:16,680 --> 00:38:20,600
Speaker 2: and puts an interview on Mouth's website knowing that Math

711
00:38:20,680 --> 00:38:22,360
Speaker 2: is having a hard time and he's just trying to

712
00:38:22,360 --> 00:38:24,680
Speaker 2: figure out his way, and Nathan's like, come on, man,

713
00:38:25,520 --> 00:38:26,439
Speaker 2: let me help you out.

714
00:38:26,760 --> 00:38:26,800
Speaker 4: This.

715
00:38:26,960 --> 00:38:30,480
Speaker 2: One thing our show did really well is friends helping

716
00:38:30,520 --> 00:38:34,760
Speaker 2: friends and talking each other through it and really showing

717
00:38:35,719 --> 00:38:37,840
Speaker 2: how valuable it is to have a community around you

718
00:38:37,880 --> 00:38:41,440
Speaker 2: of people and everybody serves a different role in different ways.

719
00:38:42,440 --> 00:38:44,400
Speaker 2: You need a community, You need people around you who

720
00:38:44,400 --> 00:38:46,000
Speaker 2: are going to lift you up, and we did that

721
00:38:46,040 --> 00:38:46,440
Speaker 2: really well.

722
00:38:46,480 --> 00:38:49,319
Speaker 4: I thought, yeah, I agree. I think we just had

723
00:38:49,360 --> 00:38:51,879
Speaker 4: this conversation a couple of episodes ago, right, I kind

724
00:38:51,880 --> 00:38:55,040
Speaker 4: of said, oh, I've realized this is this is just

725
00:38:55,080 --> 00:38:58,279
Speaker 4: a show about friendship. Yeah, that's just the crux of

726
00:38:58,320 --> 00:39:00,919
Speaker 4: the show. It's just friendship. And it's getting cooler because

727
00:39:00,920 --> 00:39:06,840
Speaker 4: now that characters are maturing or getting to see really meaningful,

728
00:39:06,960 --> 00:39:11,759
Speaker 4: deep relationships and friendships between the characters. Speaking of which,

729
00:39:11,800 --> 00:39:15,359
Speaker 4: when Nathan goes to the hospital, she breaks the news

730
00:39:15,360 --> 00:39:18,439
Speaker 4: to Clay. This was also so relatable because how many

731
00:39:18,440 --> 00:39:22,360
Speaker 4: times in your own life have you been so nervous

732
00:39:22,920 --> 00:39:25,560
Speaker 4: to have to say something to someone and you let

733
00:39:25,560 --> 00:39:28,040
Speaker 4: it eat you up inside and you imagine every way

734
00:39:28,160 --> 00:39:31,279
Speaker 4: could go wrong, and then you share whatever it is

735
00:39:31,320 --> 00:39:34,239
Speaker 4: you have to share with them and you are met

736
00:39:34,280 --> 00:39:37,880
Speaker 4: with the opposite and it's like, yeah, love or warmth

737
00:39:37,960 --> 00:39:41,160
Speaker 4: or understanding, and it's like, oh, why did I wait

738
00:39:41,280 --> 00:39:42,239
Speaker 4: so long to do that?

739
00:39:42,840 --> 00:39:50,799
Speaker 2: Yes, many many times. And the maturity that Clay has

740
00:39:50,880 --> 00:39:55,279
Speaker 2: earned in this experience as well of perspective, and maybe

741
00:39:55,280 --> 00:39:58,080
Speaker 2: he would have responded, I mean, you'll have to tell me.

742
00:39:58,480 --> 00:40:00,600
Speaker 2: Maybe he would have responded that way no matter what.

743
00:40:00,840 --> 00:40:04,759
Speaker 2: But he didn't even take a second. There wasn't one

744
00:40:04,800 --> 00:40:08,719
Speaker 2: moment where Clay was like thought of himself and of

745
00:40:09,360 --> 00:40:12,400
Speaker 2: what was going to go down now that Nathan's not

746
00:40:12,920 --> 00:40:15,080
Speaker 2: I mean you the choice that you made to just

747
00:40:15,080 --> 00:40:21,960
Speaker 2: have him immediately be empathetic with what Nathan must have

748
00:40:21,960 --> 00:40:26,320
Speaker 2: been going through. It showed so much maturity for Clay

749
00:40:26,600 --> 00:40:30,240
Speaker 2: of the perspective that happens when you go through something

750
00:40:30,320 --> 00:40:36,160
Speaker 2: really difficult. He just it puts everything into perspective. And

751
00:40:36,200 --> 00:40:38,719
Speaker 2: I loved seeing that and the fact that you guys

752
00:40:38,760 --> 00:40:39,160
Speaker 2: are now.

753
00:40:39,040 --> 00:40:41,239
Speaker 3: Going to go into business together and that he wants

754
00:40:41,280 --> 00:40:42,000
Speaker 3: to be an agent.

755
00:40:42,239 --> 00:40:46,160
Speaker 2: I was like, yay, standing up and cheering, Yes, go Nathan.

756
00:40:46,760 --> 00:40:49,320
Speaker 2: I want to see this next leg in his life

757
00:40:49,360 --> 00:40:51,520
Speaker 2: and the two of you guys together. Finally we're going

758
00:40:51,600 --> 00:40:53,160
Speaker 2: to get you back the way that you were when

759
00:40:53,160 --> 00:40:55,440
Speaker 2: you first showed up on the show and everything was

760
00:40:55,480 --> 00:40:59,080
Speaker 2: fast and moving and happy and good and craving that

761
00:40:59,120 --> 00:41:01,600
Speaker 2: from the two of you. Need more more buddy comedy

762
00:41:01,640 --> 00:41:02,160
Speaker 2: from you too.

763
00:41:03,120 --> 00:41:05,040
Speaker 4: Yeah, I'm so excited to see where that goes. And

764
00:41:05,360 --> 00:41:08,400
Speaker 4: back to that moment though, I love yes because I

765
00:41:08,440 --> 00:41:12,360
Speaker 4: remember thinking that this was this was a great opportunity

766
00:41:12,440 --> 00:41:17,319
Speaker 4: to see how much Clay cared about Nathan, like the man,

767
00:41:17,480 --> 00:41:22,359
Speaker 4: not the client. So yeah, the choice to not take

768
00:41:22,400 --> 00:41:26,359
Speaker 4: a beat and the first words are Nate tells him,

769
00:41:26,400 --> 00:41:28,560
Speaker 4: and Clay says I'm sorry, Nate, that's got to be

770
00:41:28,640 --> 00:41:33,680
Speaker 4: really hard for you. Yeah, which was just so kind,

771
00:41:34,800 --> 00:41:38,359
Speaker 4: you know that. Yeah, there was zero business involved. And

772
00:41:38,400 --> 00:41:41,200
Speaker 4: then he goes on to say, your health comes first,

773
00:41:41,280 --> 00:41:44,799
Speaker 4: your family comes first. And I was like, oh, man,

774
00:41:44,920 --> 00:41:47,000
Speaker 4: that's a good friend right there. That's a dude who

775
00:41:47,040 --> 00:41:50,239
Speaker 4: cares about you. Yeah, because the truth is he just

776
00:41:50,239 --> 00:41:52,279
Speaker 4: did lose a big chunk of money, A big chunk

777
00:41:52,320 --> 00:41:52,760
Speaker 4: of money.

778
00:41:52,880 --> 00:41:56,960
Speaker 2: Yeah, but he's so dropped into his body, which I

779
00:41:57,000 --> 00:42:00,000
Speaker 2: think is also something that happens when you go through

780
00:42:00,080 --> 00:42:03,160
Speaker 2: a really intense traumatic experience and you come out on

781
00:42:03,200 --> 00:42:05,840
Speaker 2: the other side of it. There's a there's a weight

782
00:42:06,280 --> 00:42:11,400
Speaker 2: to your understanding of what's valuable, what's the most valuable

783
00:42:11,440 --> 00:42:14,879
Speaker 2: thing in life? And it's just right at the that's

784
00:42:14,880 --> 00:42:17,439
Speaker 2: on the tip of his tongue. He's ready with that

785
00:42:19,080 --> 00:42:22,840
Speaker 2: guttural weighted empathy.

786
00:42:23,239 --> 00:42:26,560
Speaker 4: Clay's like, listen, buddy, I was just eating pudding with

787
00:42:26,600 --> 00:42:30,279
Speaker 4: a ghost. Okay, I don't care. I only want you

788
00:42:30,320 --> 00:42:35,560
Speaker 4: to be healthy and happy. It's like, what dude, ghost pudding?

789
00:42:35,840 --> 00:42:39,560
Speaker 2: Ghost putting? Wait when you Okay, he walks in and

790
00:42:39,600 --> 00:42:42,240
Speaker 2: you you were doing something with your hand, were you eating?

791
00:42:42,280 --> 00:42:44,719
Speaker 2: Were you you were trying to feed yourself with your hand? Right?

792
00:42:45,040 --> 00:42:46,400
Speaker 2: Are you right or left handed?

793
00:42:46,520 --> 00:42:49,000
Speaker 4: In real life? I'm right handed? Oh okay, I also

794
00:42:49,120 --> 00:42:52,919
Speaker 4: so obviously I think I played Clay right handed, which

795
00:42:52,960 --> 00:42:54,560
Speaker 4: is why it's such a struggle for him because we

796
00:42:54,600 --> 00:42:57,040
Speaker 4: go on to see him struggling doing all the stuff.

797
00:42:57,080 --> 00:43:00,799
Speaker 4: But yeah, I remember how Yeah, everything he does with

798
00:43:00,880 --> 00:43:02,799
Speaker 4: his right is super impacted.

799
00:43:03,320 --> 00:43:07,319
Speaker 2: Yeah, random question. Sorry, I just wondered when I was

800
00:43:07,600 --> 00:43:09,080
Speaker 2: when we were watching.

801
00:43:09,120 --> 00:43:11,840
Speaker 4: Could you imagine if I was if I was left handed?

802
00:43:11,880 --> 00:43:14,120
Speaker 4: But I just felt like Clay should be right handed,

803
00:43:14,360 --> 00:43:16,520
Speaker 4: and I taught myself to write right handed just for

804
00:43:16,560 --> 00:43:16,919
Speaker 4: the role.

805
00:43:18,040 --> 00:43:20,439
Speaker 2: So uh, it's so like who does that kind of stuff?

806
00:43:20,440 --> 00:43:22,800
Speaker 2: Like Christian Bale, Joaquin Phoenix, like these guys who do

807
00:43:22,920 --> 00:43:24,680
Speaker 2: super super mepid.

808
00:43:24,640 --> 00:43:28,160
Speaker 4: Stuff, Like yeah, I'm the Daniel day Lewis of mediocre acting.

809
00:43:28,320 --> 00:43:32,200
Speaker 4: So I trained my body to write right handed. It's

810
00:43:32,280 --> 00:43:34,560
Speaker 4: like you never saw the character write right handed. Well,

811
00:43:34,600 --> 00:43:39,440
Speaker 4: I wanted to be ready in case we did.

812
00:43:39,239 --> 00:43:42,920
Speaker 2: I can drive ambidexterously, but I can't write ambidextrously.

813
00:43:43,680 --> 00:43:47,120
Speaker 4: Joy, please tell the listeners what that means. Ambidextrous both

814
00:43:47,160 --> 00:43:49,839
Speaker 4: hands and we all know the word ambidextris. Tell tell

815
00:43:49,920 --> 00:43:52,080
Speaker 4: us all, because I'm curious, what does it mean that

816
00:43:52,160 --> 00:43:54,320
Speaker 4: you can drive ambidextrously.

817
00:43:55,400 --> 00:43:58,440
Speaker 2: Well, I learned on a stick ship, so I'm okay,

818
00:43:58,560 --> 00:44:02,640
Speaker 2: I'm used to using both feet. I guess it's you know,

819
00:44:02,640 --> 00:44:04,239
Speaker 2: once you learn how to ride a bike like it

820
00:44:04,320 --> 00:44:06,120
Speaker 2: never goes away. So that's the way I learned how

821
00:44:06,120 --> 00:44:10,400
Speaker 2: to drive. And then I obviously haven't automatic now because

822
00:44:10,440 --> 00:44:12,279
Speaker 2: I don't drive a car from nine to day far.

823
00:44:13,000 --> 00:44:17,480
Speaker 2: But I uh, I don't know. I just drive with

824
00:44:17,520 --> 00:44:21,160
Speaker 2: both feet sometimes put my foot, my left foot on

825
00:44:21,200 --> 00:44:22,600
Speaker 2: the brake, my right foot on the.

826
00:44:22,560 --> 00:44:27,200
Speaker 4: Cat This is this is exactly what happens when we

827
00:44:27,239 --> 00:44:28,879
Speaker 4: record it. No, it's just that you were the first

828
00:44:28,920 --> 00:44:31,439
Speaker 4: person in history to rather than go, oh, I can drive,

829
00:44:31,600 --> 00:44:34,280
Speaker 4: I can drive a manual or automatic, to actually say

830
00:44:34,520 --> 00:44:37,960
Speaker 4: I can drive ambidextrously. I would love for you to

831
00:44:37,960 --> 00:44:40,520
Speaker 4: go to the into the DMV or next job you

832
00:44:40,560 --> 00:44:42,040
Speaker 4: have where they ask if you can drive a stick

833
00:44:42,040 --> 00:44:45,080
Speaker 4: if you just went yes, I am an ambidextrous driver.

834
00:44:47,239 --> 00:44:51,719
Speaker 4: Just watch them stand there quietly trying to decode what

835
00:44:51,760 --> 00:44:52,480
Speaker 4: it is you're saying.

836
00:44:52,880 --> 00:44:55,960
Speaker 2: Well, other good friendship stuff. Brooke and Hayley under the bridge.

837
00:44:56,840 --> 00:45:01,360
Speaker 2: I remember shooting this scene. I love this. Both of

838
00:45:01,400 --> 00:45:04,280
Speaker 2: my scenes with Sophia in this episode I really loved.

839
00:45:07,480 --> 00:45:14,360
Speaker 2: I remember, if I'm looking at my notes now, it felt,

840
00:45:15,320 --> 00:45:18,160
Speaker 2: oh yeah, it did feel a little rash and expositional.

841
00:45:18,320 --> 00:45:21,000
Speaker 2: I remember that, like I got there, I sat down,

842
00:45:21,680 --> 00:45:24,520
Speaker 2: we said the things, and then I leave, And I

843
00:45:24,600 --> 00:45:26,680
Speaker 2: did wish that we had had time to just dry

844
00:45:26,719 --> 00:45:29,200
Speaker 2: it out a little bit more. But I was so

845
00:45:29,280 --> 00:45:31,960
Speaker 2: happy to see the two of them just spending a

846
00:45:31,960 --> 00:45:37,040
Speaker 2: little time connecting, even though Haley was rushing around everywhere

847
00:45:37,040 --> 00:45:40,280
Speaker 2: like mothering everyone in this whole episode, as she tends

848
00:45:40,280 --> 00:45:44,799
Speaker 2: to do. That felt really good. And also when she

849
00:45:45,000 --> 00:45:48,640
Speaker 2: goes over to close over bros. And sees her sitting

850
00:45:48,680 --> 00:45:53,000
Speaker 2: down on the ground, and I really remember that scene.

851
00:45:53,040 --> 00:45:55,000
Speaker 2: I wish Sophia was here because I wonder what she

852
00:45:55,040 --> 00:45:57,320
Speaker 2: remembers about that scene. I don't know why I remember

853
00:45:57,360 --> 00:46:01,080
Speaker 2: it so well. I don't know if she and I

854
00:46:01,120 --> 00:46:04,960
Speaker 2: were like in a fight and then we had to

855
00:46:04,960 --> 00:46:09,959
Speaker 2: shoot that scene, or if we were like just really disconnected.

856
00:46:10,440 --> 00:46:15,160
Speaker 2: There was something going on, and I remember sitting down

857
00:46:16,080 --> 00:46:19,040
Speaker 2: and shooting that scene, and like I remember having to

858
00:46:19,120 --> 00:46:21,920
Speaker 2: go to a place of like, you know, what I

859
00:46:21,960 --> 00:46:25,960
Speaker 2: love her, I love her and reach into that place

860
00:46:26,000 --> 00:46:28,960
Speaker 2: and do the scene from there and in that moment

861
00:46:30,360 --> 00:46:34,080
Speaker 2: feeling so much love for her and so connected to her,

862
00:46:34,160 --> 00:46:37,640
Speaker 2: and so like, this is what I want our friendship

863
00:46:37,800 --> 00:46:40,560
Speaker 2: to be like. And there was So I was in

864
00:46:40,640 --> 00:46:43,960
Speaker 2: so much turmoil in my personal life, and I had

865
00:46:44,000 --> 00:46:49,400
Speaker 2: such a disconnect with so many people and really complicated

866
00:46:49,760 --> 00:46:53,560
Speaker 2: issues with friendship across the board with anybody that wasn't

867
00:46:53,600 --> 00:46:57,759
Speaker 2: in this weird group with me. So this scene, for

868
00:46:57,840 --> 00:47:00,600
Speaker 2: some reason, every time I see it when I think

869
00:47:00,640 --> 00:47:04,879
Speaker 2: about Sofa and I shooting episodes of win Tree Hill,

870
00:47:04,920 --> 00:47:08,359
Speaker 2: this is one of the top like three that come

871
00:47:08,440 --> 00:47:11,080
Speaker 2: up for me that I deeply remember sitting down and

872
00:47:11,120 --> 00:47:14,480
Speaker 2: having this moment of like, oh, I want to be

873
00:47:14,520 --> 00:47:18,680
Speaker 2: friends with her like this. So it made me kind

874
00:47:18,680 --> 00:47:19,879
Speaker 2: of emotional watching that one.

875
00:47:20,760 --> 00:47:24,160
Speaker 4: Is this the scene where she has a little speech

876
00:47:24,200 --> 00:47:27,200
Speaker 4: about all her success and hard work was just about

877
00:47:27,200 --> 00:47:29,640
Speaker 4: getting her mom to love her and be proud of her. Yeah,

878
00:47:29,640 --> 00:47:36,479
Speaker 4: Oh I was so good man, Yeah, so relatable, so vulnerable.

879
00:47:37,120 --> 00:47:39,480
Speaker 4: It was great. And then is it I think it's

880
00:47:39,640 --> 00:47:43,080
Speaker 4: later in the episode. I believe it's later that you

881
00:47:43,080 --> 00:47:45,800
Speaker 4: guys hang out again where you give her the advice

882
00:47:46,120 --> 00:47:49,480
Speaker 4: where you say, like, don't focus on your work, focus

883
00:47:49,520 --> 00:47:50,080
Speaker 4: on your life.

884
00:47:50,400 --> 00:47:52,560
Speaker 2: Yeah, that's that's the scene I'm talking about. Sitting in

885
00:47:52,560 --> 00:47:56,480
Speaker 2: it closed over bros. Okay, yeah, yeah, and it's it's

886
00:47:56,560 --> 00:47:59,719
Speaker 2: so nice. It's so great to see Sophia does this

887
00:47:59,760 --> 00:48:02,960
Speaker 2: so well, the emotional arc of her character. You know,

888
00:48:03,000 --> 00:48:06,879
Speaker 2: she could flat back and forth between comedy and and

889
00:48:07,440 --> 00:48:12,640
Speaker 2: very serious drama pretty quickly. And she wasn't doing a

890
00:48:12,680 --> 00:48:14,440
Speaker 2: ton of comedy in this episode, but it felt like

891
00:48:14,480 --> 00:48:17,960
Speaker 2: that she's the smirks and all the little like realities

892
00:48:17,960 --> 00:48:19,200
Speaker 2: of life are on the surface.

893
00:48:19,719 --> 00:48:23,320
Speaker 4: Boh wait, she did have a great small piece of comedy.

894
00:48:23,880 --> 00:48:26,440
Speaker 4: This is another one of those moments where you killed

895
00:48:26,480 --> 00:48:29,319
Speaker 4: me and then she comes in shortly after and is

896
00:48:29,360 --> 00:48:35,560
Speaker 4: an assassin with one look. It's when the two of you, Yeah,

897
00:48:35,560 --> 00:48:36,960
Speaker 4: I think it's just the two of you go to

898
00:48:37,080 --> 00:48:40,440
Speaker 4: trick and you walk up in me as there and

899
00:48:40,480 --> 00:48:44,000
Speaker 4: she goes, guys, guys, guys, be honest with me. Oh yeah,

900
00:48:44,040 --> 00:48:46,960
Speaker 4: look at them. Are they sleeping together? Talking about Alex

901
00:48:47,000 --> 00:48:50,560
Speaker 4: and Chase who are in the background. And the look

902
00:48:50,719 --> 00:48:54,680
Speaker 4: on your face when she starts to like go back

903
00:48:54,719 --> 00:48:57,879
Speaker 4: and watch this, because before she like even really gets

904
00:48:57,960 --> 00:49:00,760
Speaker 4: into it. It's you have this look on your face

905
00:49:01,120 --> 00:49:05,400
Speaker 4: that is so damn funny, and then you look and

906
00:49:05,440 --> 00:49:10,200
Speaker 4: they're obviously like sleeping together, and you're like, no, no,

907
00:49:10,360 --> 00:49:14,239
Speaker 4: I don't think so. And while you're doing that, watch Sophia's.

908
00:49:13,719 --> 00:49:15,919
Speaker 2: Oh yeah, I was watching her face. I didn't see

909
00:49:16,000 --> 00:49:18,800
Speaker 2: mine that I will go back. Look that's it was great.

910
00:49:18,880 --> 00:49:20,640
Speaker 2: She was an assassin. Absolutely.

911
00:49:21,120 --> 00:49:23,439
Speaker 4: It was so good because she's like, I'm on board,

912
00:49:23,480 --> 00:49:26,120
Speaker 4: A'm on board, and then she hears the horrible lie

913
00:49:26,120 --> 00:49:28,680
Speaker 4: coming out of your mouth and has zero poker face

914
00:49:28,719 --> 00:49:34,399
Speaker 4: about it. He's just like, what do you reize? Oh?

915
00:49:34,440 --> 00:49:35,399
Speaker 4: It was so good.

916
00:49:35,560 --> 00:49:40,160
Speaker 2: Speaking of Chase and oh my god, Alex, she's like,

917
00:49:40,160 --> 00:49:43,560
Speaker 2: what is her name? Chase and Alex. Uh. This was

918
00:49:43,680 --> 00:49:46,120
Speaker 2: kind of a big deal that he finds this script

919
00:49:46,239 --> 00:49:50,680
Speaker 2: in the bar where she's like, did she take this

920
00:49:50,800 --> 00:49:53,799
Speaker 2: job as a bartender and start dating him because she's

921
00:49:53,840 --> 00:49:55,520
Speaker 2: doing research for her role.

922
00:49:59,280 --> 00:50:04,200
Speaker 4: That was such a a clever detail to add. Yes,

923
00:50:04,440 --> 00:50:08,480
Speaker 4: because if it had just been any movie, all right, yeah,

924
00:50:08,520 --> 00:50:13,040
Speaker 4: she's an actress who's popular, like it's it's inevitable, right,

925
00:50:13,280 --> 00:50:17,960
Speaker 4: But the fact she was playing a bartender who is

926
00:50:18,000 --> 00:50:22,319
Speaker 4: having a romance with the bar manager. It did make

927
00:50:22,360 --> 00:50:27,279
Speaker 4: you go, oh, this is way too similar to what

928
00:50:27,320 --> 00:50:28,319
Speaker 4: you're doing right now.

929
00:50:28,520 --> 00:50:32,239
Speaker 2: Yes, I wonder how he's gonna handle this, because that

930
00:50:32,400 --> 00:50:35,640
Speaker 2: is what I like about Chase is I feel like

931
00:50:35,680 --> 00:50:39,160
Speaker 2: he's actually Chase feels reliable to me as somebody with

932
00:50:39,239 --> 00:50:44,320
Speaker 2: a backbone that's not easy to manipulate. Like. He seems

933
00:50:44,320 --> 00:50:49,040
Speaker 2: like a character that is so settled in himself that

934
00:50:50,080 --> 00:50:53,440
Speaker 2: this girl, I don't know, if he finds out that

935
00:50:53,480 --> 00:50:55,759
Speaker 2: this actually is what she's doing and she tries to

936
00:50:55,840 --> 00:50:58,879
Speaker 2: kind of weasel out of it, I don't think he's

937
00:50:58,920 --> 00:51:03,759
Speaker 2: gonna I don't think he's gonna stick around. I don't know.

938
00:51:04,680 --> 00:51:08,400
Speaker 4: Well, I think what we see is when he so

939
00:51:08,800 --> 00:51:10,520
Speaker 4: fast forward to the end of the episode, he goes

940
00:51:10,560 --> 00:51:13,520
Speaker 4: to her hotel and he's like, hey, what the hell

941
00:51:13,600 --> 00:51:15,680
Speaker 4: is this? Yeah, she's like, ah, it's a script and

942
00:51:15,920 --> 00:51:20,080
Speaker 4: I he basically just goes, how long have you known?

943
00:51:20,440 --> 00:51:23,680
Speaker 4: And she wasn't being forthright with him, And what's cool

944
00:51:23,800 --> 00:51:27,560
Speaker 4: is that he does He's just like, I'm out, Yeah, thanks,

945
00:51:27,680 --> 00:51:29,720
Speaker 4: I'm not going to wait around for you. This doesn't

946
00:51:29,719 --> 00:51:32,880
Speaker 4: feel good. I'm gone. But then the next bit of

947
00:51:32,920 --> 00:51:34,920
Speaker 4: her the last piece we see of her is her

948
00:51:35,040 --> 00:51:37,600
Speaker 4: leaving her hotel room, and it made me laugh because

949
00:51:37,640 --> 00:51:41,040
Speaker 4: of two things. One, she's been in tree Hill for

950
00:51:41,200 --> 00:51:45,000
Speaker 4: months and the only piece of luggage we see her

951
00:51:45,080 --> 00:51:48,920
Speaker 4: leaving with is a carry on side suitcase.

952
00:51:50,880 --> 00:51:53,600
Speaker 2: Yeah, and all the times Millie's gone to her closet

953
00:51:53,680 --> 00:51:56,680
Speaker 2: and just been like rifling through the hundreds of.

954
00:51:56,680 --> 00:52:01,560
Speaker 4: Clothes, yes, and that's that's super nipicky because you could

955
00:52:01,600 --> 00:52:04,160
Speaker 4: say Bell hop already came and took every big bag,

956
00:52:04,239 --> 00:52:06,680
Speaker 4: So that's that's whatever. But it still is funny that

957
00:52:06,760 --> 00:52:09,160
Speaker 4: like she's now I'm leaving town with what I came with,

958
00:52:09,239 --> 00:52:11,319
Speaker 4: and it's like, you've been here for half a year.

959
00:52:11,719 --> 00:52:15,000
Speaker 4: But then the better part is as she's walking out,

960
00:52:15,360 --> 00:52:19,319
Speaker 4: you see that she left the framed photo excuse me,

961
00:52:19,360 --> 00:52:23,320
Speaker 4: the framed movie poster of herself on the hotel wall.

962
00:52:24,040 --> 00:52:29,600
Speaker 2: What how do you notice these things?

963
00:52:29,640 --> 00:52:35,279
Speaker 4: Just saw? You gotta go because here's like, it's the

964
00:52:35,280 --> 00:52:38,480
Speaker 4: most hilarious thing because it actually says so much more

965
00:52:38,600 --> 00:52:41,920
Speaker 4: about her character and it's so interesting that like, what

966
00:52:42,120 --> 00:52:46,520
Speaker 4: is the kind of person that hangs up framed things

967
00:52:46,600 --> 00:52:47,680
Speaker 4: in a hotel room?

968
00:52:48,000 --> 00:52:48,600
Speaker 2: Mm hmmmm.

969
00:52:49,840 --> 00:52:55,239
Speaker 4: Let alone, it's a giant, full size movie poster of yourself.

970
00:52:55,880 --> 00:52:58,440
Speaker 2: Yeah, no pictures of her family, there's no pictures of

971
00:52:58,440 --> 00:53:00,160
Speaker 2: anybody meaningful to her.

972
00:53:00,520 --> 00:53:03,200
Speaker 4: And she doesn't even think like, ah, I'm gonna take

973
00:53:03,239 --> 00:53:05,279
Speaker 4: it with me, or I'm gonna at least pull the

974
00:53:05,520 --> 00:53:09,600
Speaker 4: poster oute. She's like, no, I'm gonna leave the framed

975
00:53:09,239 --> 00:53:11,960
Speaker 4: poster of myself on the hotel wall.

976
00:53:12,280 --> 00:53:13,200
Speaker 2: Someone want to see that.

977
00:53:13,280 --> 00:53:14,880
Speaker 4: They fuddle the housekeeping staff.

978
00:53:16,040 --> 00:53:18,319
Speaker 2: No, it's a gift for the next guest. They're going

979
00:53:18,320 --> 00:53:23,239
Speaker 2: to enjoy looking at her because she's who she.

980
00:53:23,320 --> 00:53:26,000
Speaker 4: Yeah, I could see that being her thinking. But yeah,

981
00:53:26,000 --> 00:53:28,360
Speaker 4: that made me laugh. I was like, oh my, I

982
00:53:28,400 --> 00:53:30,479
Speaker 4: had never really thought about it while she was still

983
00:53:30,480 --> 00:53:32,880
Speaker 4: living there, but the fact that she was saying goodbye

984
00:53:32,920 --> 00:53:35,000
Speaker 4: to the room and leaving it on the wall just

985
00:53:35,160 --> 00:53:35,640
Speaker 4: killed me.

986
00:53:36,880 --> 00:53:40,680
Speaker 2: That's so good. Wow. Well, there was so much about

987
00:53:41,280 --> 00:53:43,040
Speaker 2: so much in this episode that felt like it was

988
00:53:43,080 --> 00:53:47,960
Speaker 2: about healing, you know, Nathan moving on to a new phase,

989
00:53:48,080 --> 00:53:53,840
Speaker 2: and Quinn and Clay healing and moving on into the next,

990
00:53:54,239 --> 00:53:57,160
Speaker 2: into the next thing. You know, what happens next, what's next?

991
00:53:58,560 --> 00:54:02,600
Speaker 2: Brooke in Victoria, Brooke, the company's disappearing, but she's healed

992
00:54:02,640 --> 00:54:06,480
Speaker 2: in her heart in a way It's like she's cleansed

993
00:54:06,520 --> 00:54:09,680
Speaker 2: herself of all of the guilt and the concern and

994
00:54:10,320 --> 00:54:15,160
Speaker 2: the things that went wrong. So that feels really good.

995
00:54:15,680 --> 00:54:19,399
Speaker 2: Mouth healing from his depression and just feeling like he's

996
00:54:19,400 --> 00:54:24,680
Speaker 2: in a rut. I love that too. Yeah, and go ahead,

997
00:54:24,719 --> 00:54:25,439
Speaker 2: what were we gonna say?

998
00:54:25,880 --> 00:54:29,319
Speaker 4: I love that Jamie is worried about his dad and

999
00:54:29,360 --> 00:54:34,000
Speaker 4: he says to Haley, he says, is dad gonna be okay?

1000
00:54:34,560 --> 00:54:39,200
Speaker 4: Because last time he wasn't okay? And Haley has that

1001
00:54:39,320 --> 00:54:42,480
Speaker 4: great line where she says, he is because last time

1002
00:54:42,520 --> 00:54:44,719
Speaker 4: basketball left your dad and this time your dad is

1003
00:54:44,800 --> 00:54:48,200
Speaker 4: leaving basketball. And then there's like a couple little lines

1004
00:54:48,239 --> 00:54:51,600
Speaker 4: and then you, yeh a perfect button. You go, I

1005
00:54:51,640 --> 00:54:57,320
Speaker 4: can't guarantee Chester won't start drinking, and then you guys

1006
00:54:57,360 --> 00:54:59,680
Speaker 4: laugh and the scene ends, and I was like, oh, perfect,

1007
00:55:00,040 --> 00:55:01,600
Speaker 4: perfect joke at the end of.

1008
00:55:01,560 --> 00:55:04,839
Speaker 2: That's so cute. I loved it. I'm so it's good.

1009
00:55:04,960 --> 00:55:06,280
Speaker 2: I was happy with this episode.

1010
00:55:06,480 --> 00:55:10,400
Speaker 4: Okay, one last question for you. Did you notice when

1011
00:55:10,800 --> 00:55:13,800
Speaker 4: it's towards the very very end, there's a quick quick

1012
00:55:14,840 --> 00:55:16,960
Speaker 4: scene of not much of a scene. It's just sort

1013
00:55:16,960 --> 00:55:20,200
Speaker 4: of like a vignette part of a vignette where Nathan

1014
00:55:20,239 --> 00:55:23,799
Speaker 4: and Jamie are outside playing catch and it pans up

1015
00:55:23,800 --> 00:55:27,960
Speaker 4: to Haley in the window watching them. Did you notice

1016
00:55:27,960 --> 00:55:30,000
Speaker 4: how pregnant you looked in that shot?

1017
00:55:30,719 --> 00:55:31,319
Speaker 2: Oh?

1018
00:55:32,320 --> 00:55:36,400
Speaker 4: I didn't. I maybe it was the angle, but it

1019
00:55:36,480 --> 00:55:40,000
Speaker 4: was odd because you looked super pregnant.

1020
00:55:40,080 --> 00:55:42,440
Speaker 2: Interesting. I wonder if we shot that later, like it

1021
00:55:42,440 --> 00:55:45,319
Speaker 2: could have like we could have shot that, you know,

1022
00:55:45,560 --> 00:55:48,440
Speaker 2: as a pick up a couple of weeks later or something,

1023
00:55:48,520 --> 00:55:50,800
Speaker 2: because I was definitely growing.

1024
00:55:51,960 --> 00:55:53,640
Speaker 4: I think you're, yeah, maybe you do like a little

1025
00:55:53,680 --> 00:55:55,640
Speaker 4: belly rub on it, but it's like it's nothing you've

1026
00:55:55,680 --> 00:55:57,160
Speaker 4: done up to that point. So anyways, I just thought

1027
00:55:57,160 --> 00:55:58,360
Speaker 4: it was aucus. I was like, did we shoot this

1028
00:55:58,400 --> 00:56:02,160
Speaker 4: at a different time because Haley looks considerably more pregnant.

1029
00:56:02,239 --> 00:56:04,840
Speaker 2: We might have It is kind of fun watching myself

1030
00:56:04,880 --> 00:56:08,720
Speaker 2: pregnant on TV. That's fun to see like little Maria growing,

1031
00:56:09,360 --> 00:56:10,080
Speaker 2: so exciting.

1032
00:56:22,760 --> 00:56:23,439
Speaker 4: Honorable mention.

1033
00:56:23,800 --> 00:56:27,160
Speaker 2: Yeah, I guess mouth like Lee Norris just had so

1034
00:56:27,320 --> 00:56:31,120
Speaker 2: much fun with his material. I was really I really

1035
00:56:31,200 --> 00:56:37,200
Speaker 2: enjoyed watching him play. You know, he's always fun. What

1036
00:56:37,239 --> 00:56:37,920
Speaker 2: about you?

1037
00:56:38,040 --> 00:56:41,720
Speaker 4: Lee was great? I'll give mine to There's a really

1038
00:56:41,760 --> 00:56:47,160
Speaker 4: funny moment, unintentionally funny when Brooke has realized she's like,

1039
00:56:47,360 --> 00:56:50,879
Speaker 4: you know, gonna be losing a lot of her money

1040
00:56:50,920 --> 00:56:53,600
Speaker 4: in the business, and she's going through her dream wedding

1041
00:56:53,600 --> 00:56:58,240
Speaker 4: book and she's removing pages. Yeah, and it's so funny

1042
00:56:58,280 --> 00:57:02,759
Speaker 4: to me that her life is so long pineapple cake

1043
00:57:02,840 --> 00:57:06,680
Speaker 4: and red velvet cupcakes. And I just found myself laughing, going,

1044
00:57:07,080 --> 00:57:10,120
Speaker 4: those have got to be the two cheapest components of

1045
00:57:10,160 --> 00:57:12,719
Speaker 4: your wedding, Yes, for sure. Why are those the two

1046
00:57:12,840 --> 00:57:18,400
Speaker 4: that are going? I just thought it was so so

1047
00:57:18,640 --> 00:57:22,120
Speaker 4: funny that like, that's what the riders picked as opposed

1048
00:57:22,160 --> 00:57:26,400
Speaker 4: to like so long vineyard destination.

1049
00:57:26,200 --> 00:57:30,960
Speaker 2: Yes, flowers from Para's shipped in from Paris.

1050
00:57:30,880 --> 00:57:34,000
Speaker 4: Yeah, oysters from New England whatever it is. Instead, it

1051
00:57:34,080 --> 00:57:36,240
Speaker 4: was like so long the two things I can make

1052
00:57:36,280 --> 00:57:36,960
Speaker 4: in my kitchen.

1053
00:57:40,120 --> 00:57:45,520
Speaker 2: I love that you noticed stuff like this. Great sood Okay, Well,

1054
00:57:45,560 --> 00:57:48,640
Speaker 2: we have a listener question from Steph real quick. Steph

1055
00:57:48,640 --> 00:57:50,400
Speaker 2: wants to know if you could bring any one real

1056
00:57:50,520 --> 00:57:53,360
Speaker 2: character back for one season, who would it be.

1057
00:57:53,360 --> 00:57:57,560
Speaker 4: And why you know who I would bring back? C Yes,

1058
00:57:58,120 --> 00:58:05,080
Speaker 4: Quentin because every time I see Robbie it's an immediate

1059
00:58:05,120 --> 00:58:08,640
Speaker 4: love fest, which is funny because we never had anything

1060
00:58:08,680 --> 00:58:11,400
Speaker 4: together so the first time we crossed paths, like we

1061
00:58:11,480 --> 00:58:14,000
Speaker 4: didn't know each other, but I had seen his work

1062
00:58:14,040 --> 00:58:15,840
Speaker 4: and I thought it was great, and so I came

1063
00:58:15,840 --> 00:58:18,960
Speaker 4: in hot like dude, you're great, and he matched my energy.

1064
00:58:19,400 --> 00:58:21,560
Speaker 4: So now we only see each other like at conventions,

1065
00:58:21,560 --> 00:58:26,320
Speaker 4: but every single time he's just so warm and kind

1066
00:58:26,440 --> 00:58:29,240
Speaker 4: and has such great energy that I would have loved

1067
00:58:29,440 --> 00:58:31,960
Speaker 4: to have gotten to actually play and work with him.

1068
00:58:32,040 --> 00:58:34,400
Speaker 2: Yeah, I can actually see the two of you getting

1069
00:58:34,440 --> 00:58:37,400
Speaker 2: along really well. He's he's like you, very dropped into

1070
00:58:37,400 --> 00:58:43,440
Speaker 2: his body, very astute, notices everything, doesn't comment on everything,

1071
00:58:43,480 --> 00:58:45,880
Speaker 2: but just you can tell he's noticing it all, and

1072
00:58:46,360 --> 00:58:49,680
Speaker 2: he also doesn't. One of my favorite things about Robbie

1073
00:58:49,960 --> 00:58:55,000
Speaker 2: is that he doesn't let he in his conversation. He

1074
00:58:55,120 --> 00:59:00,440
Speaker 2: calls people up to an elevated way of communicating. Somebody's

1075
00:59:00,440 --> 00:59:04,480
Speaker 2: throwing out an offhand comment that just sounds like rhetoric,

1076
00:59:04,560 --> 00:59:07,760
Speaker 2: or if it sounds like they're exaggerating or whatever, he

1077
00:59:08,600 --> 00:59:11,680
Speaker 2: is so great at just mirroring it back like really,

1078
00:59:12,480 --> 00:59:16,680
Speaker 2: oh that oh interesting, Like why do you say that

1079
00:59:16,760 --> 00:59:20,600
Speaker 2: in particular? And it's not like a poking or a goating,

1080
00:59:20,680 --> 00:59:25,280
Speaker 2: it's really like a say what you mean? Like don't

1081
00:59:25,440 --> 00:59:29,520
Speaker 2: just go around talking like mean what you say and

1082
00:59:29,560 --> 00:59:31,920
Speaker 2: say what you mean. I love it. It's one of

1083
00:59:32,000 --> 00:59:34,960
Speaker 2: my favorite things about him, aside from the fact that

1084
00:59:34,960 --> 00:59:38,840
Speaker 2: he's just jovial and one of those like glass half

1085
00:59:38,840 --> 00:59:41,640
Speaker 2: full all the time kind of people, but can also

1086
00:59:41,720 --> 00:59:44,200
Speaker 2: really drop into a deep conversation anyway, it doesn't surprise

1087
00:59:44,240 --> 00:59:45,960
Speaker 2: me that you guys get along so well, and I

1088
00:59:46,000 --> 00:59:49,480
Speaker 2: miss him and I would definitely bring you back. And

1089
00:59:49,520 --> 00:59:52,400
Speaker 2: my second place for that would be Michayla McManus because

1090
00:59:52,560 --> 00:59:55,520
Speaker 2: I just love having her around too. She's so great.

1091
00:59:56,440 --> 01:00:00,480
Speaker 4: Another one we had nothing together and we did a

1092
01:00:00,520 --> 01:00:03,080
Speaker 4: convention in Wilmington last year and it was one of

1093
01:00:03,160 --> 01:00:06,360
Speaker 4: those these moments are so funny, right, Like I get

1094
01:00:06,360 --> 01:00:08,960
Speaker 4: on the plane at Lax and you know how you

1095
01:00:09,040 --> 01:00:12,560
Speaker 4: kind of have like actor radar, Like anytime you're flying

1096
01:00:12,600 --> 01:00:14,800
Speaker 4: to Vancouver, you can just tell that one person with

1097
01:00:14,880 --> 01:00:16,960
Speaker 4: the baseball hat super low. You're like, all right, what

1098
01:00:17,040 --> 01:00:20,360
Speaker 4: sure are they on? Fly to will No? We fly

1099
01:00:20,400 --> 01:00:23,880
Speaker 4: from like like La to wherever the connecting flight is

1100
01:00:23,880 --> 01:00:26,840
Speaker 4: and I'm like, oh, I wonder if that's that's someone,

1101
01:00:27,280 --> 01:00:29,640
Speaker 4: Like I wonder who that is? And then on the

1102
01:00:29,640 --> 01:00:34,000
Speaker 4: puddle jumper into Wilmington. We're literally seated next to each

1103
01:00:34,000 --> 01:00:37,760
Speaker 4: other and it's Mikayla. Oh and we've never like properly

1104
01:00:37,800 --> 01:00:39,760
Speaker 4: caught up, but we had like this one and a

1105
01:00:39,800 --> 01:00:45,120
Speaker 4: half hour flight, and she was so lovely and wonderful,

1106
01:00:46,040 --> 01:00:48,360
Speaker 4: exactly like you said. I found myself going like, damn it,

1107
01:00:48,440 --> 01:00:52,280
Speaker 4: I would love to be your friend and to have

1108
01:00:52,320 --> 01:00:53,640
Speaker 4: like gotten a chance to work with you.

1109
01:00:54,200 --> 01:00:59,800
Speaker 2: Yeah. I agree, she's just so fantastic. Well, maybe in

1110
01:00:59,800 --> 01:01:04,680
Speaker 2: an their life, let's spin a wheel. Folks most likely.

1111
01:01:04,720 --> 01:01:16,440
Speaker 3: To get caught sneaking into a concert?

1112
01:01:16,800 --> 01:01:17,120
Speaker 4: Hillary?

1113
01:01:18,240 --> 01:01:20,000
Speaker 2: Yeah? Probably Hillary.

1114
01:01:21,120 --> 01:01:23,280
Speaker 4: It just immediately felt like a Hilary story.

1115
01:01:23,360 --> 01:01:26,040
Speaker 2: Yeah, that sounds about right. Would she just would would

1116
01:01:26,120 --> 01:01:28,040
Speaker 2: Hillary just be the sneaking in person, or would she

1117
01:01:28,080 --> 01:01:28,840
Speaker 2: actually get caught?

1118
01:01:29,720 --> 01:01:32,120
Speaker 4: Oh, she would get caught, but then she would be

1119
01:01:32,200 --> 01:01:34,680
Speaker 4: Hillary and the security w'd be like, you're awesome, get

1120
01:01:34,720 --> 01:01:38,440
Speaker 4: in here, and now they have Thanksgivings together. It be

1121
01:01:38,440 --> 01:01:38,920
Speaker 4: like one of us.

1122
01:01:38,920 --> 01:01:42,920
Speaker 2: Sounds about right. That sounds about right. Okay, Friends, next episode,

1123
01:01:42,960 --> 01:01:47,400
Speaker 2: Season eight, episode six, Not afraid. We'll see you next week,

1124
01:01:47,520 --> 01:01:49,040
Speaker 2: and we have stuff with us next week too. We'll

1125
01:01:49,040 --> 01:01:49,400
Speaker 2: see it then.

1126
01:01:49,480 --> 01:01:49,760
Speaker 4: Bye.

1127
01:01:51,480 --> 01:01:54,120
Speaker 2: Hey, thanks for listening. Don't forget to leave us a review.

1128
01:01:54,360 --> 01:01:57,640
Speaker 3: You can also follow us on Instagram at Drama Queen's O.

1129
01:01:57,760 --> 01:02:01,960
Speaker 2: T H or email us at Rama Queens at iHeartRadio

1130
01:02:02,040 --> 01:02:04,080
Speaker 2: dot com. See you next time.

1131
01:02:05,320 --> 01:02:08,680
Speaker 1: We all about that high school drama Girl, Drama Girl,

1132
01:02:08,760 --> 01:02:09,479
Speaker 1: all about them.

1133
01:02:09,440 --> 01:02:11,200
Speaker 2: High school queens.

1134
01:02:11,240 --> 01:02:12,439
Speaker 3: We'll take you for a ride.

1135
01:02:12,520 --> 01:02:16,120
Speaker 2: And our comic girl cheering for the right teams Drama.

1136
01:02:15,880 --> 01:02:18,600
Speaker 5: Queens traise my girl of girl fashion.

1137
01:02:18,640 --> 01:02:20,120
Speaker 3: With your tough girl, you could sit

1138
01:02:20,200 --> 01:02:24,000
Speaker 1: With us Girl Drama Queens, Drama Queise, Drama Queens Drama

1139
01:02:24,080 --> 01:02:26,400
Speaker 1: Drama Queens, Drama Queens