WEBVTT - How Marvel Survived Certain Doom

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<v Speaker 1>Welcome to the Brink, a production of I Heart Radios

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<v Speaker 1>How Stuff Works. When last we left our intrepid heroes,

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<v Speaker 1>they were facing events that might spell certain do People

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<v Speaker 1>were starting to predict the beginning of the end for

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<v Speaker 1>comic books and movies. This far had been a bust,

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<v Speaker 1>and it looked like Marvel's days might come to an end.

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<v Speaker 1>But they adapted to the supercharged world around them, taking

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<v Speaker 1>a heroic leap into the film industry. Will it be

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<v Speaker 1>enough to save our heroes? Find out in the thrilling

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<v Speaker 1>conclusion of Marvel on the Brink. Hey, I'm Jonathan Strickland

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<v Speaker 1>and I'm arial casting, So full disclosure, we're doing this

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<v Speaker 1>as if we decided to do it two part on Marvel,

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<v Speaker 1>but in reality, we recorded a super long episode on Marvel.

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<v Speaker 1>There was way too long for a single episode, but

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<v Speaker 1>it was all important because comic books and Marvel and

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<v Speaker 1>DC have had a roller coaster of a ride. Yeah,

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<v Speaker 1>They've gone from being this really obscure type of art

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<v Speaker 1>form that people were ashamed to even admit that they enjoyed.

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<v Speaker 1>The ones who loved it unabashedly were looked on as

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<v Speaker 1>outcasts and now their mainstream baby. But we're going to

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<v Speaker 1>talk about how that all happened in this episode. Yeah,

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<v Speaker 1>so let's look at where we left off. Marvel had

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<v Speaker 1>just been sold to a company, So what happens next?

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<v Speaker 1>So next in New World Pictures, which had bought Marvel,

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<v Speaker 1>had suffered three years of losses after buying Marvel, and

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<v Speaker 1>so they sold again to mc andrews and Forbes Group.

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<v Speaker 1>So so we went from Marvel getting sold to Marvel

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<v Speaker 1>getting sold. Yes, yeah, just three years later. Now, mc

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<v Speaker 1>andrews and Forbes was owned largely by Ronald Perelman, not

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<v Speaker 1>ron Pearlman, just Twoges. But Ronald Perelman is a different person. Yeah,

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<v Speaker 1>he was a multi millionaire investor. He also owned Red

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<v Speaker 1>Lawn as a part of mc andrews and Forbes, and

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<v Speaker 1>he bought Marvel for eighty two point five million dollars.

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<v Speaker 1>So whereas New World had bought it for forty six million,

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<v Speaker 1>they were able to sell it for eighty two and

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<v Speaker 1>a half million. So so it's not we're not seeing

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<v Speaker 1>a reversal unfortunately. Yeah. Yeah, So then Perelman decides that

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<v Speaker 1>he wants to turn Marvel into a publicly traded company,

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<v Speaker 1>not a privately owned one. So they start selling stocks

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<v Speaker 1>and think about the company. Yeah, like and it was.

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<v Speaker 1>The more you read about Perelman and his business proceedings,

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<v Speaker 1>the more you figure some of this seems pretty questionable.

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<v Speaker 1>He wanted people to invest, he wanted people to think

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<v Speaker 1>they were in control, but he didn't want to lose control. Yeah,

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<v Speaker 1>that would become a big problem. He wanted to have

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<v Speaker 1>his cake and eat it too. Yes, so we start

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<v Speaker 1>seeing interesting moves here. One of the other things that

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<v Speaker 1>Perelman would do is he bought some stock in a

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<v Speaker 1>different company called toy Biz and uh. He also didn't

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<v Speaker 1>hold on to all of the properties that Marvel had.

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<v Speaker 1>He sold some of those off, including Marvel Productions, the

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<v Speaker 1>the Animation Studio. He sold the back catalog for Marvel

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<v Speaker 1>Productions to another company to Saban, who was then later

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<v Speaker 1>bought by Disney, who then later bought Marvel. So you know,

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<v Speaker 1>Circle of Life reunited and feels so good. Yeah, but

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<v Speaker 1>the close Animation Studio and decided to outsource their cartoons

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<v Speaker 1>instead of making them in and then into Pearlman also

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<v Speaker 1>acquired Fleair and I believe also sky Boxing Panini card companies.

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<v Speaker 1>I know, at least Flair. I know they also distributed

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<v Speaker 1>cards through sky Box and Panini, but I don't know

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<v Speaker 1>if it was the same year. That's those details are

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<v Speaker 1>a little bit fluid. And they bought it to distribute

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<v Speaker 1>Marvel Trading cards, of which my husband owns a lot

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<v Speaker 1>a lot of Marvel Trading cards. In ninety three they

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<v Speaker 1>started up Marvel Films. But this was also right at

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<v Speaker 1>the beginning of another major dip in comic book sales.

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<v Speaker 1>It was an industry slump. This was a real problem.

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<v Speaker 1>So Perelman had sold the company, not literally, but he

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<v Speaker 1>had sold the idea of the company to shareholders with

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<v Speaker 1>this promise for an incredible and return on their investment.

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<v Speaker 1>He was able to do that in a way that

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<v Speaker 1>was a little questionable. So what he essentially did was

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<v Speaker 1>he started creating a bunch of special edition type comic books,

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<v Speaker 1>and he was essentially selling the same title of comic

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<v Speaker 1>book multiple times to the same people by creating different

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<v Speaker 1>collectors editions. And because older comic books had become incredibly valuable,

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<v Speaker 1>they were collectors items. Now, the idea was, hey, if

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<v Speaker 1>you buy these comic books because these are limited runs

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<v Speaker 1>or collectors editions, and a few years they're going to

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<v Speaker 1>be worth way more than what they're worth right now,

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<v Speaker 1>which and he could also up the prices on the

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<v Speaker 1>comics now it hopes for a better return on investment later. Yeah,

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<v Speaker 1>So what he's doing is he's telling the collectors, I

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<v Speaker 1>bet you all wish you had an issue of Action

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<v Speaker 1>Comics number one with Superman holding the car over his head,

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<v Speaker 1>because you would all be, you know, multimillionaires if you

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<v Speaker 1>just had those old comics. Well, here's your chance to

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<v Speaker 1>get in on the ground floor by all these comics,

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<v Speaker 1>and in a few years you can sell them off

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<v Speaker 1>for a huge profit. So that's how he that's how

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<v Speaker 1>he's selling it to the customers, and that in turn

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<v Speaker 1>is what's driving the investor's interests and the fact that

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<v Speaker 1>he's telling them, we're gonna just keep doing this. We're

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<v Speaker 1>gonna make this bigger and bigger and bigger. You guys

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<v Speaker 1>are gonna make huge amounts of money on your investment,

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<v Speaker 1>so make sure you buy more stocks. And then he

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<v Speaker 1>doubles down because he bought Sharon toy Biz, he has

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<v Speaker 1>some start selling action figures of these characters that people

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<v Speaker 1>are collecting. So now you've got the collector comics and

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<v Speaker 1>you've got the collectible action figures. Yeah. And it's interesting

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<v Speaker 1>because right around this same time, Neil Gaiman, the famed

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<v Speaker 1>author who would end up actually being he's also a

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<v Speaker 1>comic book writer. He's written on several comic books, including

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<v Speaker 1>like Sandman, some of the Marvel comics as well. He

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<v Speaker 1>actually talked to some retailers and he said, this is

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<v Speaker 1>a bubble that you're you know, you're inflating a bubble,

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<v Speaker 1>and eventually this is going to burst. It's not sustainable.

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<v Speaker 1>It's like the tulip craze from the seventeenth century. Those tulips.

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<v Speaker 1>People were speculating in them and buying up more and

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<v Speaker 1>more tulips and it just was a crazy This is

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<v Speaker 1>a true story. This really did happen, and that ultimately

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<v Speaker 1>when the market crashed, you had people had warehouses full

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<v Speaker 1>of tulips that just would rot away because no one

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<v Speaker 1>wanted them anymore. It was everyone thought everyone was going

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<v Speaker 1>to want them, and that's what led to the buying.

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<v Speaker 1>He said, the same thing is going to happen with

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<v Speaker 1>comic books. And this was as it turns out, he

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<v Speaker 1>was spot on the money. You would take a few

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<v Speaker 1>years for that to really come to fruition, but he

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<v Speaker 1>was he was absolutely right. Yeah, but you know, you

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<v Speaker 1>start to see that turn in ninety three, Marvel starts

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<v Speaker 1>trying to gain some other markets, so they start like

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<v Speaker 1>seeing out their characters around this time. Yeah, they also, uh, well,

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<v Speaker 1>a movie company made a Fantastic Four film, yes, but

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<v Speaker 1>didn't get released. It was produced by Roger Corman. It

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<v Speaker 1>was an amazing movie. I actually, really, on ironically, genuinely

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<v Speaker 1>love this unreleased Fantastic Four movie. You can find bootlegs

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<v Speaker 1>of it. I'm sure it's even on YouTube at this point.

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<v Speaker 1>You know, I don't know. I watched it on an

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<v Speaker 1>old VHS I got off a bootleg DVD, and it's

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<v Speaker 1>it's like the nineteen sixty Batman TV show meets The

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<v Speaker 1>Music Man meets Days of Our Lives. It's fantastic. It's

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<v Speaker 1>very it's definitely very low budget, but I feel like

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<v Speaker 1>they nailed the spirit of the comic book, whereas I

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<v Speaker 1>would argue the later Fantastic Four films failed to do that. I,

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<v Speaker 1>in my personal opinion, it is the best Fantastic Four

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<v Speaker 1>movie there has been, I agree to date. Now, now

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<v Speaker 1>our listeners are going to go and seek this out

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<v Speaker 1>and watch it, They're gonna be think why are you

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<v Speaker 1>thinking these effects all credibility? In ninety four, they buy

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<v Speaker 1>Heroes World as a distributor for their exclusive use by

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<v Speaker 1>They were really starting to feel a crunch. They were.

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<v Speaker 1>They owed a lot of money to a lot of

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<v Speaker 1>different companies. I mean they owed one point seven million

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<v Speaker 1>to Disney. Yeah, and by nine this would mean that

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<v Speaker 1>the company, in order to remain a company, was going

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<v Speaker 1>to have to make some major cutbacks and that included

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<v Speaker 1>laying off a third of the people working for the company. Yeah.

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<v Speaker 1>That's about a hundred and fifteen people, which doesn't seem huge,

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<v Speaker 1>but it is a third of the company. Yeah. So

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<v Speaker 1>then we get into a corporate battle in Marvel. This

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<v Speaker 1>is this is like the corporate version of a massive

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<v Speaker 1>slug fest in a Marvel comic book. I would say

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<v Speaker 1>Perelman buying Marvel was the start of their brink, but

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<v Speaker 1>this is the true brink moment. Yeah. So he sees

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<v Speaker 1>the need to restructure the company in order to make

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<v Speaker 1>it profitable. But he's made all these promises to stockholders

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<v Speaker 1>that and the stockholders are a little irritated more than

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<v Speaker 1>a lawyers, and the things have not gone as planned,

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<v Speaker 1>So it would become kind of a battle between him

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<v Speaker 1>and another major shareholder, someone that we talked about occasionally

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<v Speaker 1>on this show because he's had his hand in numerous

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<v Speaker 1>major corporate upheavals, and that would be Carl Icon. Carl

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<v Speaker 1>Icon owned a significant number of shares of Marvel and

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<v Speaker 1>so they often call him an activist investor because he

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<v Speaker 1>uses his shares to influence the actual inner workings of corporations.

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<v Speaker 1>So you had kind of a power struggle between Perelman

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<v Speaker 1>and Icon, and you meanwhile also had other entities involved,

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<v Speaker 1>not just Marvel, but toy Biz because Perelman wanted to

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<v Speaker 1>get even more control of toy He wanted to buy

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<v Speaker 1>up the remaining like he wanted to buy outright toy Biz,

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<v Speaker 1>so everything that he didn't currently own in them, And

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<v Speaker 1>he was thinking of merging Marvel and toy Biz together

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<v Speaker 1>in order to make Marvel of more sustainable, uh stable company. Yeah,

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<v Speaker 1>But then he wanted to keep like most of that

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<v Speaker 1>stock for himself, Like he wanted to fund the buy

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<v Speaker 1>so that he was like more of a majority owner

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<v Speaker 1>despite the fact that he was a public group, and

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<v Speaker 1>then just leave the old stock to the shareholders. And

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<v Speaker 1>that's rightned the value of their stocks. Yeah, to the

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<v Speaker 1>point where they saw a massive drop in stock price.

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<v Speaker 1>And by massive drop I mean nearly thirty six dollars

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<v Speaker 1>per share down to less than two dollars fifty cents

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<v Speaker 1>per share. That's a that's a monumental drop. Yeah, and

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<v Speaker 1>so and so they said, no, no, perimn we don't

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<v Speaker 1>We're not gonna, We're not going to agree to this.

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<v Speaker 1>And he said, fine, I'm gonna file for chapter eleven

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<v Speaker 1>and then I don't need your permission yep, which is

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<v Speaker 1>exactly why he diddy. We filed for bankruptcy protection and

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<v Speaker 1>they underwent another restructuring plan and secured funding from the

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<v Speaker 1>The Andrews Group, which is an investment firm three and

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<v Speaker 1>sixty five million. And this would allow them to help

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<v Speaker 1>poff creditors and to continue working on making the business profitable. Yeah.

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<v Speaker 1>They figured they would be out of bankruptcy by the

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<v Speaker 1>middle They knew that to keep Marvel on track, they

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<v Speaker 1>just needed to resolve all their issues as fast as

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<v Speaker 1>possible because the market is ever changing and you don't

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<v Speaker 1>want to have to play more catchup than you have to. Yeah.

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<v Speaker 1>And so this leads up to seven, where you have

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<v Speaker 1>the kind of the massive conclusion between the Icon and

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<v Speaker 1>Perilman fight because I was still going during this whole process.

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<v Speaker 1>So they're both struggling for control of the company. So

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<v Speaker 1>who wins neither of them. Yeah, toy Bis wins. Yeah,

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<v Speaker 1>toy Biz, owned by Isaac pearl Mutter and A Manly,

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<v Speaker 1>got the ownership. They booted Perilman, they booted Icon, They

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<v Speaker 1>booted the CEO of Marvel at the time, Scott Sassa,

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<v Speaker 1>who had only been in that position for eight months. Yeah,

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<v Speaker 1>I feel like he kind of got largely caught in

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<v Speaker 1>the cross. I think I think it was in a

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<v Speaker 1>really tough position, like just you can't really blame Marvel's

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<v Speaker 1>struggles on the CEO at that time. He didn't even

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<v Speaker 1>really have the time to get a handle on. Yes,

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<v Speaker 1>And they named Joseph Calamari the new CEO of Marvel.

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<v Speaker 1>That's such a great name. Yeah. And so it's interesting,

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<v Speaker 1>you know, Ared and pearl Mutter had both been on

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<v Speaker 1>the board of directors for Marvel already because of these

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<v Speaker 1>previous business dealings between toy Bus and Marvel, and this

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<v Speaker 1>would be the mark of what would allow Marvel to

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<v Speaker 1>return from the brink. Yeah, this is this is truly

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<v Speaker 1>the turning point is this change in leadership where the

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<v Speaker 1>two super heroes who were slugging it out like this

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<v Speaker 1>is when Captain America and Iron Man are both fighting

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<v Speaker 1>each other and yeah, and and it turns out they

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<v Speaker 1>knock each other out and Squirrel Girl comes up and

0:12:49.800 --> 0:12:54.240
<v Speaker 1>she takes over. She is the most powerful. It is

0:12:54.240 --> 0:12:56.800
<v Speaker 1>true she can take on Galactus. But that again, that's

0:12:56.800 --> 0:12:59.439
<v Speaker 1>a tangent. And you know what we're gonna talk about

0:13:00.080 --> 0:13:06.240
<v Speaker 1>how this new leadership was able to rescue Marvel. We

0:13:06.320 --> 0:13:08.880
<v Speaker 1>have more to say about Marvel, but first let's take

0:13:09.120 --> 0:13:21.959
<v Speaker 1>a quick break, all right. So it took a little

0:13:21.960 --> 0:13:26.000
<v Speaker 1>longer than Marvel wanted, but they were back at of bankruptcy,

0:13:26.520 --> 0:13:29.480
<v Speaker 1>still struggling, but in a better position than they were in.

0:13:30.600 --> 0:13:34.480
<v Speaker 1>They started expanding their offerings beyond comic books so that

0:13:34.600 --> 0:13:38.560
<v Speaker 1>the next comic books slump wouldn't hit them as hard, right,

0:13:38.640 --> 0:13:42.120
<v Speaker 1>so that if it turns out that these are cyclical,

0:13:42.400 --> 0:13:45.440
<v Speaker 1>like let's say that's every generation there's a high point

0:13:45.480 --> 0:13:47.840
<v Speaker 1>and a low point, that those low points don't wipe

0:13:47.880 --> 0:13:50.240
<v Speaker 1>out the business. Yeah, and you know we said that

0:13:50.559 --> 0:13:53.120
<v Speaker 1>Pearl Letter and Rod had been on the board before

0:13:53.240 --> 0:13:57.120
<v Speaker 1>Joseph Kelley Murray had a hand in running Marvel prior

0:13:57.240 --> 0:14:01.760
<v Speaker 1>to being named the CEO. In so much like staying

0:14:01.840 --> 0:14:04.640
<v Speaker 1>with people who had helped make the company successful in

0:14:04.679 --> 0:14:07.240
<v Speaker 1>the past, they decided that they really needed to stay

0:14:07.240 --> 0:14:11.120
<v Speaker 1>true to the core concepts of Marvel, the heroes and

0:14:11.120 --> 0:14:14.120
<v Speaker 1>the ideals that made them successful in the first place.

0:14:14.480 --> 0:14:17.120
<v Speaker 1>Taking these and moving them into the modern marketplace is

0:14:17.160 --> 0:14:20.040
<v Speaker 1>what would make them successful. It's not new characters, right,

0:14:20.120 --> 0:14:23.840
<v Speaker 1>It's not like taking your most iconic character and making

0:14:23.880 --> 0:14:27.760
<v Speaker 1>that iconic character a dark antihero. And that iconic character

0:14:27.840 --> 0:14:30.800
<v Speaker 1>had been such a glowing bastion of goodness up to

0:14:30.840 --> 0:14:33.960
<v Speaker 1>that point. Superman. I mean, you've you've got evil versions

0:14:33.960 --> 0:14:37.560
<v Speaker 1>of Superman like Bizarro, but you already have them, alright.

0:14:38.120 --> 0:14:40.280
<v Speaker 1>But they also had some ideas that were not so great.

0:14:40.600 --> 0:14:42.200
<v Speaker 1>They thought they were going to make some well. They

0:14:42.240 --> 0:14:45.960
<v Speaker 1>did make some themed restaurants and video games and trading

0:14:45.960 --> 0:14:48.960
<v Speaker 1>card initiatives, and like the restaurant marvel Mania was only

0:14:49.040 --> 0:14:51.360
<v Speaker 1>around for about a year or so, and the other

0:14:51.360 --> 0:14:53.720
<v Speaker 1>ones were so so. Marvel video games are hit or miss,

0:14:53.760 --> 0:14:56.840
<v Speaker 1>like I like them, but some of them are good,

0:14:57.400 --> 0:14:59.360
<v Speaker 1>like It's some of the more recently, the most recent

0:14:59.360 --> 0:15:02.640
<v Speaker 1>Spireman game is one of the best games ever. It's

0:15:02.640 --> 0:15:05.440
<v Speaker 1>a great one PS four game. The But they also

0:15:05.760 --> 0:15:10.120
<v Speaker 1>were responding to changes in technology, right, and you started

0:15:10.160 --> 0:15:13.800
<v Speaker 1>to see them embrace the concept of digital comics, and

0:15:13.920 --> 0:15:17.240
<v Speaker 1>they start creating apps and making their titles available for

0:15:17.280 --> 0:15:22.480
<v Speaker 1>digital download, which appealed to people who wanted the comics

0:15:22.520 --> 0:15:25.320
<v Speaker 1>for the stories, but they weren't necessarily interested in actually

0:15:25.320 --> 0:15:29.160
<v Speaker 1>collecting physical comic books and then storing them and all

0:15:29.160 --> 0:15:32.120
<v Speaker 1>that kind of stuff. Well, and they also worked to

0:15:32.280 --> 0:15:36.760
<v Speaker 1>expand their characters more into the cinematic universe. Instead of

0:15:36.800 --> 0:15:39.000
<v Speaker 1>just licensing out their characters for a movie here or

0:15:39.000 --> 0:15:41.640
<v Speaker 1>a movie there, they started just selling the rights to

0:15:41.680 --> 0:15:44.320
<v Speaker 1>their characters outright to studios. Yeah, this is what has

0:15:44.400 --> 0:15:47.920
<v Speaker 1>led to what a lot of people are upset about today,

0:15:48.040 --> 0:15:51.680
<v Speaker 1>is that they don't all belong to Marvel Cinematic or

0:15:51.720 --> 0:15:55.240
<v Speaker 1>Marvel Studios. Well, it's it's because in Abvis kind of

0:15:55.440 --> 0:15:57.640
<v Speaker 1>oversaw this. They would try to write a movie and

0:15:57.680 --> 0:15:59.200
<v Speaker 1>sell it to a studio. But when a studio is

0:15:59.240 --> 0:16:01.920
<v Speaker 1>looking at a ton of movies at a time, it's

0:16:01.920 --> 0:16:05.080
<v Speaker 1>hard to get yours seen, especially if HER's as a

0:16:05.120 --> 0:16:08.960
<v Speaker 1>superhero movie. When previous superhero movies have been questionable quality.

0:16:09.000 --> 0:16:11.440
<v Speaker 1>I mean apart from things like say the Tim Burton

0:16:11.440 --> 0:16:17.080
<v Speaker 1>Batman films or the Night Superman film. Yeah, there there

0:16:17.080 --> 0:16:20.800
<v Speaker 1>were a lot of failures, like that Captain America movie. Anyhow,

0:16:20.920 --> 0:16:24.080
<v Speaker 1>Salinger's Kids, Yeah, it's it's not great. They sold some

0:16:24.200 --> 0:16:27.400
<v Speaker 1>of their i would say most profitable characters at that

0:16:27.440 --> 0:16:31.280
<v Speaker 1>time spider Man to Sony X Men to Fox. Now,

0:16:31.280 --> 0:16:34.480
<v Speaker 1>they also sold Daredevil to Fox, which was a Golden

0:16:34.520 --> 0:16:37.760
<v Speaker 1>age hero but not as popular in the public eye.

0:16:37.800 --> 0:16:40.880
<v Speaker 1>And they also sold Blade to New Line Cinemas. And

0:16:40.920 --> 0:16:44.520
<v Speaker 1>this is important because when these companies did make these

0:16:44.560 --> 0:16:48.400
<v Speaker 1>movies with these characters, they were successful. Blade made seventy

0:16:48.400 --> 0:16:51.080
<v Speaker 1>million dollars, and because Marvel had kind of sold the

0:16:51.160 --> 0:16:52.680
<v Speaker 1>right and they only got a little bit of the

0:16:52.680 --> 0:16:56.160
<v Speaker 1>profits from licensing out the rights, they got about two

0:16:56.440 --> 0:17:01.000
<v Speaker 1>of that. Yeah, so while it was a profitable move,

0:17:01.160 --> 0:17:04.840
<v Speaker 1>it wasn't breaking in huge amounts of money. Meanwhile, they

0:17:04.840 --> 0:17:09.880
<v Speaker 1>were still breaking in some licensing profits from their other efforts,

0:17:09.880 --> 0:17:13.520
<v Speaker 1>like through toys and merchandise. Yeah. And then in two

0:17:13.560 --> 0:17:17.120
<v Speaker 1>thousand three we get a huge change that would put

0:17:17.200 --> 0:17:20.919
<v Speaker 1>Marvel in prime position, and that was when David Mazel

0:17:20.960 --> 0:17:23.800
<v Speaker 1>would go to Arad and Paul Motter and say, you

0:17:23.840 --> 0:17:25.639
<v Speaker 1>know what you guys need to do. You need to

0:17:25.680 --> 0:17:27.520
<v Speaker 1>make your own movie studio. You need to make your

0:17:27.520 --> 0:17:31.160
<v Speaker 1>own movies. Don't license your characters to these other movie companies.

0:17:31.480 --> 0:17:33.840
<v Speaker 1>Keep all your profits. Yeah, if you do all the work,

0:17:33.880 --> 0:17:36.080
<v Speaker 1>you get to keep all the Money's you just got

0:17:36.080 --> 0:17:37.960
<v Speaker 1>to make sure your movies are good. That's all you

0:17:38.000 --> 0:17:41.760
<v Speaker 1>gotta do. It's easy. Two years later, the Marvel board

0:17:41.760 --> 0:17:46.600
<v Speaker 1>improved that plan and they got a loan from Meryll Lynch. Yeah,

0:17:46.640 --> 0:17:49.520
<v Speaker 1>a small loan of half a billion dollars billion dollars

0:17:50.320 --> 0:17:53.600
<v Speaker 1>for a seven year span. But to get it, they

0:17:53.680 --> 0:17:58.200
<v Speaker 1>had to put up for collateral ten of their characters

0:17:58.240 --> 0:18:02.879
<v Speaker 1>and properties, so Captain Mary, the Avengers, Nick Fury, Black Panther,

0:18:03.000 --> 0:18:06.480
<v Speaker 1>ant Man Cloaken, Dagger, Doctor Strange, Hawkeye, the power Pack

0:18:06.560 --> 0:18:09.720
<v Speaker 1>who I don't I'm not familiar with in shang Chi,

0:18:09.960 --> 0:18:13.280
<v Speaker 1>which meant that if this movie push was not successful,

0:18:13.400 --> 0:18:15.879
<v Speaker 1>if they could not pay back that loan, yeah, then

0:18:15.920 --> 0:18:17.920
<v Speaker 1>they wouldn't have the rights to any of their most

0:18:17.920 --> 0:18:21.280
<v Speaker 1>popular character and the bank would own them. Yeah yeah, yikes.

0:18:21.880 --> 0:18:24.920
<v Speaker 1>But first, let's take another quick break to thank our sponsor,

0:18:35.880 --> 0:18:39.960
<v Speaker 1>so um they knew they couldn't go out and launch

0:18:40.080 --> 0:18:42.400
<v Speaker 1>a film with the X Men or with Spider Man.

0:18:42.440 --> 0:18:46.080
<v Speaker 1>They did not hold those movie rights, so they were

0:18:46.160 --> 0:18:50.520
<v Speaker 1>limited in which characters they could put forward. So they

0:18:50.560 --> 0:18:53.439
<v Speaker 1>had to start making tough decisions about what what was

0:18:53.520 --> 0:18:57.160
<v Speaker 1>going to be their first attempt. Now, hilariously, they settled

0:18:57.200 --> 0:19:01.080
<v Speaker 1>on iron Man because he had been poppler to comic

0:19:01.160 --> 0:19:03.560
<v Speaker 1>viewers and they figured they could adjust him and make

0:19:03.600 --> 0:19:07.080
<v Speaker 1>him popular to the general public as well. But if

0:19:07.119 --> 0:19:10.200
<v Speaker 1>you listened to the list of the characters that were collateral,

0:19:10.480 --> 0:19:13.240
<v Speaker 1>iron Man wasn't in that list. He was licensed to

0:19:13.280 --> 0:19:16.119
<v Speaker 1>New Line Cinema, and then their option on him ran

0:19:16.160 --> 0:19:18.399
<v Speaker 1>out two months after the bank deal closed, and Marble said, oh,

0:19:18.440 --> 0:19:19.800
<v Speaker 1>we're going to do a movie on iron Man. This

0:19:19.880 --> 0:19:22.320
<v Speaker 1>is great. He's a golden nagu here o. He's he's

0:19:22.359 --> 0:19:24.600
<v Speaker 1>popular with our readers. But because he wasn't a part

0:19:24.640 --> 0:19:27.440
<v Speaker 1>of their their deal, they had to fund that movie themselves.

0:19:27.720 --> 0:19:31.639
<v Speaker 1>So they start working on that, and at the same

0:19:31.680 --> 0:19:35.399
<v Speaker 1>time they really concentrate on getting into the digital comics

0:19:35.400 --> 0:19:37.960
<v Speaker 1>in a big way. In two thousand and seven, and

0:19:38.240 --> 0:19:42.840
<v Speaker 1>the iron Man project, as you may be aware, was successful.

0:19:43.000 --> 0:19:46.920
<v Speaker 1>It was. It ended up bringing in five eight five

0:19:47.040 --> 0:19:50.720
<v Speaker 1>million dollars at the box office. That's that's revenue, not

0:19:50.760 --> 0:19:53.679
<v Speaker 1>necessarily profit, but five million, and they took out a

0:19:53.680 --> 0:19:56.600
<v Speaker 1>loan for five hundred and twenty five million, So with

0:19:56.680 --> 0:19:59.320
<v Speaker 1>one movie they proved that they could at least get

0:19:59.359 --> 0:20:01.640
<v Speaker 1>a revenue that was equal to the loan that they

0:20:01.680 --> 0:20:04.760
<v Speaker 1>had secured. And Kevin Fiegi would become the president of

0:20:04.800 --> 0:20:08.159
<v Speaker 1>production for Marvel. Now, he had been the producer for

0:20:08.280 --> 0:20:11.359
<v Speaker 1>several Marvel films, not just Marvel Cinema films or Marvel

0:20:11.400 --> 0:20:14.920
<v Speaker 1>Studio films. He was the producer on Fox's X Men,

0:20:15.080 --> 0:20:17.880
<v Speaker 1>He was the producer on Sony's Spider Man, which are

0:20:17.880 --> 0:20:20.600
<v Speaker 1>both great movies, they are, and he was also the

0:20:20.640 --> 0:20:24.639
<v Speaker 1>producer for the Marvel Studios film Iron Man. And once

0:20:24.680 --> 0:20:28.240
<v Speaker 1>that was such a monumental success, Marvel said, we should

0:20:28.320 --> 0:20:31.760
<v Speaker 1>put this guy in charge of everything, and that is

0:20:31.800 --> 0:20:35.720
<v Speaker 1>what set the stage for Marvel to get eyed by

0:20:35.840 --> 0:20:38.960
<v Speaker 1>the Mouse House. Yes, in two thousand nine, Disney bought

0:20:39.000 --> 0:20:41.719
<v Speaker 1>Marvel for four billion dollars. You're probably familiar with that.

0:20:41.880 --> 0:20:43.639
<v Speaker 1>It made a lot of news. Yeah, it was like

0:20:43.800 --> 0:20:46.160
<v Speaker 1>the estimates tend to go between four billion and four

0:20:46.200 --> 0:20:48.560
<v Speaker 1>point three billion. It all depends on how you measure it,

0:20:49.080 --> 0:20:53.119
<v Speaker 1>but either way, everyone thought, this is a company that

0:20:53.240 --> 0:20:55.720
<v Speaker 1>sold for eighty two and a half million dollars a

0:20:55.720 --> 0:21:00.560
<v Speaker 1>couple of decades earlier, that was in bankruptcy a decade earlier,

0:21:01.200 --> 0:21:06.640
<v Speaker 1>and now is being bought by Disney, the global powerhouse

0:21:06.680 --> 0:21:11.080
<v Speaker 1>of a company, for four billion dollars. And beyond that,

0:21:11.160 --> 0:21:13.320
<v Speaker 1>Disney has the power to try to get back some

0:21:13.359 --> 0:21:16.199
<v Speaker 1>of those iconic characters that Marvel didn't have rights to,

0:21:16.280 --> 0:21:17.840
<v Speaker 1>So they made a deal with Sony in two thousand

0:21:17.920 --> 0:21:22.280
<v Speaker 1>fifteen to share Spider Man between studios and ma'am I

0:21:22.320 --> 0:21:25.040
<v Speaker 1>love it. Oh yeah, no, that's that. Spider Man Homecoming

0:21:25.119 --> 0:21:29.760
<v Speaker 1>is a great movistic fantastic And in two thousand eighteen,

0:21:29.960 --> 0:21:32.760
<v Speaker 1>last year as of recording this episode, Disney bought Fox

0:21:32.800 --> 0:21:35.960
<v Speaker 1>for seventy one point three billion dollars, which is opening

0:21:36.000 --> 0:21:39.120
<v Speaker 1>up discussions to X Men crossover and bringing X Men

0:21:39.200 --> 0:21:43.720
<v Speaker 1>under the Marvel Studios umbrella. So the the great story here,

0:21:43.760 --> 0:21:47.280
<v Speaker 1>I think is that this comic book company took a

0:21:47.400 --> 0:21:52.480
<v Speaker 1>huge risk in following the advice of Masal and creating

0:21:52.560 --> 0:21:55.320
<v Speaker 1>a movie studio of its own when that was not

0:21:55.440 --> 0:21:59.360
<v Speaker 1>its business before, and yet was able to leverage that

0:21:59.440 --> 0:22:02.840
<v Speaker 1>but one partly because I mean, they knew those characters,

0:22:03.080 --> 0:22:07.560
<v Speaker 1>they knew what resonated with fans, and they were able

0:22:07.600 --> 0:22:11.600
<v Speaker 1>to take those traits that resonate with fans and then

0:22:11.760 --> 0:22:15.720
<v Speaker 1>to adapt them because they Any comic book fan will

0:22:15.720 --> 0:22:18.960
<v Speaker 1>tell you the movie versions are not exactly the same

0:22:19.000 --> 0:22:22.000
<v Speaker 1>as the comic book versions, but most of those changes

0:22:22.040 --> 0:22:25.160
<v Speaker 1>were made in an effort to appeal to a mainstream

0:22:25.160 --> 0:22:28.840
<v Speaker 1>audience that isn't familiar with these characters backward and forward,

0:22:29.119 --> 0:22:32.080
<v Speaker 1>and I think for the most part it works too.

0:22:32.240 --> 0:22:37.120
<v Speaker 1>So an enormous success. And this year is a special

0:22:37.200 --> 0:22:41.080
<v Speaker 1>year for Marvel. Yep. This year, two thousand, Marvel is

0:22:41.160 --> 0:22:44.800
<v Speaker 1>hitting its eightied anniversary. They've got a whole bunch of

0:22:44.920 --> 0:22:50.359
<v Speaker 1>really big plans to celebrate it, reimagining characters, doing stuff

0:22:50.359 --> 0:22:54.000
<v Speaker 1>on social media, including a bi weekly animated series called

0:22:54.119 --> 0:22:57.520
<v Speaker 1>Today in Marvel History, a bunch of stuff over all

0:22:57.520 --> 0:23:00.639
<v Speaker 1>of their venues. You can go to Marvel com to

0:23:00.760 --> 0:23:03.960
<v Speaker 1>learn about it, specifically Marvel dot com, slash Marvel eighty,

0:23:04.480 --> 0:23:07.080
<v Speaker 1>or you can look for hashtag Marvel eight because there's

0:23:07.119 --> 0:23:11.119
<v Speaker 1>a ton of big stuff. Yeah, they're well, well, the

0:23:11.200 --> 0:23:14.440
<v Speaker 1>company has definitely more than bounced back, especially now this

0:23:14.560 --> 0:23:17.360
<v Speaker 1>part of Disney. That's not to say that every decision

0:23:17.640 --> 0:23:20.879
<v Speaker 1>that has been made has been met with universal approval,

0:23:21.040 --> 0:23:23.600
<v Speaker 1>and some of the decisions which I really like, a

0:23:23.640 --> 0:23:27.440
<v Speaker 1>lot of the hardcore traditional fans have reacted poorly to

0:23:27.680 --> 0:23:32.760
<v Speaker 1>things like Iron Man and the rise of Iron Man's protege,

0:23:33.640 --> 0:23:36.960
<v Speaker 1>or Miles Morales taking on the role of Spider Man,

0:23:37.280 --> 0:23:40.400
<v Speaker 1>or for becoming a woman, Like, there are a lot

0:23:40.440 --> 0:23:43.480
<v Speaker 1>of different things that actually I think are great changes

0:23:43.560 --> 0:23:47.040
<v Speaker 1>for the overall storyline and especially when it comes to

0:23:47.119 --> 0:23:52.879
<v Speaker 1>representation and diversity, But fans get fickle, especially like the

0:23:53.000 --> 0:23:57.439
<v Speaker 1>hardcore ones who resist any change, Like they it's so

0:23:57.520 --> 0:24:00.399
<v Speaker 1>weird because on the one part, they want it citing

0:24:00.440 --> 0:24:03.719
<v Speaker 1>news stories. On the other part, if you go away

0:24:03.800 --> 0:24:06.919
<v Speaker 1>from anything they think of as being important to the character,

0:24:07.800 --> 0:24:10.879
<v Speaker 1>then you are betraying them. Yeah, Captain America becoming a

0:24:10.920 --> 0:24:13.600
<v Speaker 1>part of Hydra Okay, yeah, but that we're not going

0:24:13.640 --> 0:24:18.800
<v Speaker 1>to go into that anyhow. That's yeah, that's another episode.

0:24:18.840 --> 0:24:22.600
<v Speaker 1>So the company is doing quite well, at least cinematically,

0:24:22.600 --> 0:24:25.760
<v Speaker 1>where we've seen some other changes recently, Like there were

0:24:25.800 --> 0:24:30.160
<v Speaker 1>several Marvel properties that were Netflix series that have recently

0:24:30.200 --> 0:24:35.200
<v Speaker 1>been canceled, and while that hasn't been necessarily divulged publicly,

0:24:35.480 --> 0:24:38.480
<v Speaker 1>the general speculation is that these are properties that will

0:24:38.520 --> 0:24:42.720
<v Speaker 1>probably resurface on Disney's own streaming service once it launched

0:24:42.720 --> 0:24:45.800
<v Speaker 1>Gosh I hope. So the conflict there is that Netflix

0:24:45.840 --> 0:24:48.520
<v Speaker 1>would own the old seasons of it and Disney would

0:24:48.520 --> 0:24:51.000
<v Speaker 1>own the new and so these competitors would then have

0:24:51.040 --> 0:24:53.080
<v Speaker 1>to kind of work together. So we'll see how that

0:24:53.440 --> 0:24:56.520
<v Speaker 1>turns out, and maybe we'll cover in a future episode.

0:24:56.960 --> 0:24:59.640
<v Speaker 1>But this was a fun one for us to look

0:24:59.640 --> 0:25:03.880
<v Speaker 1>at because it's again hard to imagine when you're living

0:25:03.920 --> 0:25:09.160
<v Speaker 1>in a world where Marvel is running so crazy popular

0:25:09.240 --> 0:25:12.200
<v Speaker 1>at the box office. It's just every every year you're

0:25:12.240 --> 0:25:15.320
<v Speaker 1>hearing about another billion dollar film like Black Panther or

0:25:15.480 --> 0:25:19.800
<v Speaker 1>Avengers Infinity War. We've got Avengers Endgame. You know, you

0:25:19.800 --> 0:25:21.679
<v Speaker 1>hear about those things, and it's hard to imagine that

0:25:21.720 --> 0:25:23.920
<v Speaker 1>this was a company that, again, just a couple of

0:25:23.960 --> 0:25:27.280
<v Speaker 1>decades ago, could have gone out of business. But I

0:25:27.320 --> 0:25:31.440
<v Speaker 1>think by staying true to the stuff they had created,

0:25:32.080 --> 0:25:35.760
<v Speaker 1>by being flexible to try and get their content to

0:25:35.920 --> 0:25:38.919
<v Speaker 1>people in the different ways that people want to access it,

0:25:39.359 --> 0:25:42.159
<v Speaker 1>they were able to turn all that around. That I

0:25:42.160 --> 0:25:44.480
<v Speaker 1>think is a valuable lesson for lots of people that

0:25:44.960 --> 0:25:49.679
<v Speaker 1>you cannot get so married to a specific way of

0:25:49.720 --> 0:25:54.359
<v Speaker 1>doing business, nor can you drift too far from your

0:25:54.400 --> 0:25:58.879
<v Speaker 1>core values without endangering the entire business. And Marvel I

0:25:58.920 --> 0:26:01.520
<v Speaker 1>think it's proof of that. I would agree, Well, that

0:26:01.680 --> 0:26:05.120
<v Speaker 1>was fun and uh, I look forward to revisiting this

0:26:05.200 --> 0:26:07.199
<v Speaker 1>and maybe we'll do an episode about d C and

0:26:07.240 --> 0:26:10.040
<v Speaker 1>I can go on a rant about the movies and

0:26:10.119 --> 0:26:13.800
<v Speaker 1>Arian Ariel can leave the room for a good This

0:26:13.880 --> 0:26:16.800
<v Speaker 1>was a long episode that one will be forever. Yeah,

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<v Speaker 1>but we'll touch on that in a different time. If

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<v Speaker 1>you guys have any suggestions, where can they reach out

0:26:23.920 --> 0:26:25.760
<v Speaker 1>to us arial, Well, they can reach out to us

0:26:25.760 --> 0:26:30.480
<v Speaker 1>at feedback at the Brink Podcast dot show, and you

0:26:30.520 --> 0:26:33.640
<v Speaker 1>can check out the Brink podcast dot show website that

0:26:33.720 --> 0:26:35.719
<v Speaker 1>has all of our episodes on it. A little bit

0:26:35.720 --> 0:26:37.640
<v Speaker 1>more about us if you want to learn more about

0:26:37.680 --> 0:26:40.800
<v Speaker 1>what makes us tick. And we look forward to talking

0:26:40.800 --> 0:26:43.960
<v Speaker 1>to you again. I have been Jonathan Strickland and I

0:26:44.000 --> 0:26:50.240
<v Speaker 1>have been aerial casting Excelsior. The Brink is a production

0:26:50.240 --> 0:26:52.840
<v Speaker 1>of I Heart Radio and How Stuff Works. For more

0:26:52.880 --> 0:26:56.120
<v Speaker 1>podcasts for My Heart Radio visit the I heart Radio app,

0:26:56.200 --> 0:27:04.080
<v Speaker 1>Apple podcasts, or wherever you listen to your favorite shows.

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<v Speaker 1>The bad