WEBVTT - Episode 549 | Akeem Ali

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<v Speaker 1>Good old Saratoga. I know y'all just put it in

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<v Speaker 1>this bottle. That's 100% what we did.

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<v Speaker 2>I'm on my Icelandic now, though.

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<v Speaker 1>That shit is good. Saratoga and Icelandic actually got two

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<v Speaker 1>of the best sparkling waters, too.

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<v Speaker 3>Yeah.

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<v Speaker 2>Saratoga sparkling water is crazy.

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<v Speaker 1>Yeah.

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<v Speaker 2>The Icelandic now in the glass bottle. Yes. The water

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<v Speaker 2>game changer.

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<v Speaker 1>Oh, no. They sparkling water in the glass bottle.

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<v Speaker 4>Yeah.

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<v Speaker 2>So, no. We can record this.

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<v Speaker 1>No.

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<v Speaker 2>It's not an ad. We just believe in this water.

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<v Speaker 2>I ordered in glass bottles. I ordered on Amazon. Glass

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<v Speaker 2>bottles of this water. Game changer. They sent me the plastic.

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<v Speaker 2>So it happened before.

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<v Speaker 5>And I was like, I said, yo, I ordered glass

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<v Speaker 5>because it's more for the glass bottle.

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<v Speaker 1>Yeah, of course.

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<v Speaker 5>So I hit Amazon back. I said, hey, I ordered glass.

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<v Speaker 5>They sent me plastic. They refunded me the last time

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<v Speaker 5>I bought like three cases of it. So this time

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<v Speaker 5>they sent plastic in and I went to go do

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<v Speaker 5>the same thing. That option no longer exists. Because they

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<v Speaker 5>never had it. So even if you order the glass

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<v Speaker 5>bottles and they send plastic, you can't even be like, yo,

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<v Speaker 5>but I ordered glass. I want a refund. They will

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<v Speaker 5>not refund you anymore.

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<v Speaker 2>I only see them at my deli. I don't see

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<v Speaker 2>them at every other deli.

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<v Speaker 5>Yeah, so now that's what I got to find, like

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<v Speaker 5>a grocery store to actually go in and buy the

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<v Speaker 5>glass bottle.

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<v Speaker 1>Go to Whole Foods and get that glass sparkling.

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<v Speaker 2>Icelandic?

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<v Speaker 1>Yeah, yeah, yeah. And it's not like, you know, some

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<v Speaker 1>of them be like super carbonate. It's like a crisp,

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<v Speaker 1>clean bubble. Right, yeah. And it's like not like super

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<v Speaker 1>bubbly to where it's like strong as a Coke or

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<v Speaker 1>a Sprite. It's like soft bubbles that's just like really soft. Yeah,

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<v Speaker 1>I'm a fancy nigga now. I just.

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<v Speaker 2>I can tell by the top.

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<v Speaker 1>You know what I'm saying?

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<v Speaker 5>If y'all haven't noticed yet, we are joined by the

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<v Speaker 5>very talented, the very charismatic, the most viral nigga probably

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<v Speaker 5>on Instagram when it comes to any rapper, any artist.

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<v Speaker 5>You can't open Instagram without seeing this gentleman. We are

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<v Speaker 5>joined by Akeem Ali. It's in the building today.

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<v Speaker 1>I appreciate it. Appreciate it.

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<v Speaker 2>We've been trying to connect with Akeem for a while.

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<v Speaker 1>Yeah.

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<v Speaker 5>Roy, you remember years ago I played Kimi Casanova.

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<v Speaker 1>Mm-hmm.

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<v Speaker 2>On the old show. And, um, a lot of people

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<v Speaker 2>hit me after I played the record, like, yo, is

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<v Speaker 2>he joking?

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<v Speaker 1>Is he for real?

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<v Speaker 2>Like, I'm like, no, he's rapping for real. This is

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<v Speaker 2>a character that he created.

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<v Speaker 5>Um, but the bars was always there, but talk to

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<v Speaker 5>us about the character, Kimi Casanova, obviously, uh, what most

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<v Speaker 5>people probably know you from.

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<v Speaker 1>Yeah.

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<v Speaker 2>Like how did that whole idea come about?

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<v Speaker 5>Was that something you was like, I need to create

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<v Speaker 5>kind of like an alter ego, uh, Was it intentional?

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<v Speaker 5>Like this is going to just grab people's attention because

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<v Speaker 5>the aesthetic of it all is so different.

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<v Speaker 1>I just kind of didn't know. It was more so

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<v Speaker 1>of an act of desperation. Okay. And so it was

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<v Speaker 1>supposed to be the name of a song. I named

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<v Speaker 1>the song Kimi Casanova. Right. And people liked it so

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<v Speaker 1>much that they thought that's his name. But it was like, no,

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<v Speaker 1>this is not who I am. It's just like, you know,

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<v Speaker 1>I'm naming that song that.

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<v Speaker 3>Yeah.

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<v Speaker 1>And it just stuck, man. And so I just had

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<v Speaker 1>to be the character and like do that. And it

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<v Speaker 1>was like a. let me just create content type of situation.

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<v Speaker 1>And so like, even now where you see me doing

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<v Speaker 1>like different freestyles for the CDs that I'm going to

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<v Speaker 1>be going on tour to, it was like, I had

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<v Speaker 1>to turn it to serve mix a lot. I had

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<v Speaker 1>to turn into like bone thugs. I had to turn

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<v Speaker 1>into like, you know what I'm saying? And take that

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<v Speaker 1>character on. And it was like that type of thing.

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<v Speaker 1>But it's like, it's stuck. And it's like most people's introduction.

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<v Speaker 1>And it's like, nah, you hear it now. Like, and

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<v Speaker 1>we don't want shit, but that.

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<v Speaker 3>Yeah.

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<v Speaker 1>Just stuck it, man. And had to wiggle myself out

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<v Speaker 1>of that. Because I had like pigeonholed myself into it.

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<v Speaker 2>How did you get out of that? Because that's tough.

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<v Speaker 2>That's a gift and a curse.

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<v Speaker 1>Yeah. A lot of fucking work. I had to kind

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<v Speaker 1>of like ooze or ease who I really was back

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<v Speaker 1>into it. You know what I'm saying? Because for a

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<v Speaker 1>long time, when people would see me out and I

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<v Speaker 1>didn't have a fro. man, why you ain't got on

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<v Speaker 1>the front? Why you don't have on the ascot? Where

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<v Speaker 1>your bitches at? And I was just like, where your

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<v Speaker 1>bitches at? Yeah, it was just like, all types of shit.

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<v Speaker 2>I would have led with that question. Yeah, yeah. Where

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<v Speaker 2>your bitches at?

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<v Speaker 1>Nigga, I'm in here grabbing milk. I can't bring no jug.

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<v Speaker 1>I'm like, what the fuck?

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<v Speaker 2>Like sparkling water.

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<v Speaker 1>Yeah, I'm just grabbing some sparkling water, brother. Yeah, yeah.

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<v Speaker 1>But yeah, man, it was... That shit was a lot

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<v Speaker 1>of work, but I maneuvered my way back into like

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<v Speaker 1>regular content. And even now it'd be people like, he

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<v Speaker 1>need to go back to Kimi Casanova. And when I'm

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<v Speaker 1>doing too much Kimi Casanova, he need to go back

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<v Speaker 1>to Akeem Ali. And so it's good because it sets

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<v Speaker 1>the tone for me being able to give everything back.

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<v Speaker 1>and so it's nothing that's too far left or too

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<v Speaker 1>far right and it's like if he puts out akim

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<v Speaker 1>ali music well we he kind of came out like

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<v Speaker 1>this first for y'all who didn't know yeah if he

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<v Speaker 1>do kimi casanova it's like well he kind of been

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<v Speaker 1>doing that for months we didn't know and so it's

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<v Speaker 1>like boom perfect you you go through the storm and

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<v Speaker 1>it's like like hectic at first and then when you

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<v Speaker 1>get out of it it's like now i can do

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<v Speaker 1>what the fuck i want to do right yeah you

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<v Speaker 1>know what i'm saying drake makes a caribbean album it's

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<v Speaker 1>like nobody or international albums like well Right. He kind

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<v Speaker 1>of been doing this. He gave us moments of this. Yeah.

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<v Speaker 1>So we can't say we didn't know or he's experimenting

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<v Speaker 1>or losing it. We've had this the whole time.

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<v Speaker 2>You're a Kendrick fan, you can. Huh?

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<v Speaker 1>Man.

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<v Speaker 5>But I want to talk about just that whole moment

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<v Speaker 5>because this was 2020.

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<v Speaker 1>Yeah. Right.

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<v Speaker 5>Now, when I first saw the video, like a lot

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<v Speaker 5>of people, that was the first time I.

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<v Speaker 2>Heard the record.

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<v Speaker 4>Yeah.

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<v Speaker 5>I saw the video and immediately I was like, I understood.

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<v Speaker 5>I said, okay, I see what he's doing.

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<v Speaker 1>Yeah.

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<v Speaker 2>But I'm listening to the lyrics though.

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<v Speaker 1>Yeah.

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<v Speaker 5>Because that's where I come from in music. I'm listening

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<v Speaker 5>to what you were saying. So immediately I knew like,

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<v Speaker 5>I'm like, no, he can really rap though. This is

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<v Speaker 5>obviously a character that he's created.

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<v Speaker 2>I like it.

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<v Speaker 1>Yeah.

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<v Speaker 5>But I was like, I wanted to see if it

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<v Speaker 5>was just for the moment, if that's who you were

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<v Speaker 5>going to be or you want to transition out of

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<v Speaker 5>that and really show people who, who your true self was.

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<v Speaker 5>Then seeing what you were doing as far as just

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<v Speaker 5>rapping in the car.

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<v Speaker 4>Yeah.

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<v Speaker 5>Seeing all those videos, I'm like, okay, no, like he

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<v Speaker 5>can really, really rap. Was that something you feel like

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<v Speaker 5>took people a while to catch on to? Like, yo,

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<v Speaker 5>but now I'm really, because I even hear it in

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<v Speaker 5>your bars, you say it a lot, like none of

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<v Speaker 5>these dudes.

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<v Speaker 2>Can rap better than me. Like, I don't know if

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<v Speaker 2>y'all have caught that yet.

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<v Speaker 1>Yeah, they can't. What I will say is like, now

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<v Speaker 1>the Kimi Casanova character did help elevate the branding for me.

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<v Speaker 1>On a branding level, that shit did wonders once I

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<v Speaker 1>learned that nobody gives a fuck about how good you rap.

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<v Speaker 1>It's about how it's packaged or what it looks like.

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<v Speaker 1>Because there's people who've come before me who rap really

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<v Speaker 1>good or people who you've heard rap really well. And

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<v Speaker 1>it's just nothing attached to it that people can attach

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<v Speaker 1>themselves to or associate themselves with. It also helped me

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<v Speaker 1>rap different subject matter. So it's like when you hear

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<v Speaker 1>Kimi Casanova, you expect fly shit from like a player,

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<v Speaker 1>like pimp type, boom, boom, boom. So I can just

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<v Speaker 1>rap about that shit all day fucking long. And I

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<v Speaker 1>don't have to say shit about nothing else, but that's

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<v Speaker 1>what you expect from that character. So when I'm doing

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<v Speaker 1>my car freestyles, it's like, like battle rap based or like,

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<v Speaker 1>you know what I'm saying? Like one minute. And it's

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<v Speaker 1>just like me just, wham, wham, wham, bar, bar, bar, bar, bar.

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<v Speaker 1>And then over here in my personal, I can rap

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<v Speaker 1>about something. So it just opens the gate to just

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<v Speaker 1>prove like whatever lane is there or wherever I'm at, like,

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<v Speaker 1>you you do not win against me like you know

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<v Speaker 1>what i'm saying and so it just helped me learn

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<v Speaker 1>how to like elevate my opinion for real for real

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<v Speaker 1>and that's what i you know i don't give enough

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<v Speaker 1>credit to that character for that yeah because i had

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<v Speaker 1>to i was forced to talk about different and still

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<v Speaker 1>make it sound good yeah like it still has to

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<v Speaker 1>be like you know like your book yeah.

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<v Speaker 3>I think like ludacris i think was similar in that

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<v Speaker 3>way too he was packaged so well and his his

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<v Speaker 3>videos were so amazing sometimes i think people forget how

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<v Speaker 3>good of a rapper Ludacris is.

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<v Speaker 2>Yeah.

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<v Speaker 1>And people forget, like, people just want to hear bars

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<v Speaker 1>or they either want to hear, like, relatability. Technique is

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<v Speaker 1>a thing that is, like, lost, like, certain times. Like,

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<v Speaker 1>technique is so fucking important and, like, I tell people

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<v Speaker 1>from a technique standpoint, there's, like, three or four people

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<v Speaker 1>who are, like, gods or like dogs when they come

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<v Speaker 1>to that shit like Eminem a technique guy for sure

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<v Speaker 1>technique like you know I'm saying and I can't say

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<v Speaker 1>that Eminem or G were like out bar Wayne or

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<v Speaker 1>a side how to Prince but it like you know

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<v Speaker 1>when it come to technique you had these people who

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<v Speaker 1>were like or like a fucking Lupe yeah you know

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<v Speaker 1>I'm saying and so it's like.

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<v Speaker 2>Students of the real yeah um.

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<v Speaker 5>Now, you've mastered this thing of, like I said, anytime

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<v Speaker 5>I open Instagram, I'm seeing Akeem Ali, whether it's.

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<v Speaker 2>Promoting the tour.

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<v Speaker 3>Yeah.

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<v Speaker 5>Was that something that you came up with on your

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<v Speaker 5>own or do you have like a team of people

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<v Speaker 5>where y'all just sit down and throw ideas and like,

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<v Speaker 5>how do we attack the algorithm?

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<v Speaker 2>How do we, you know, get more visibility?

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<v Speaker 5>How do we let people know that this tour is coming,

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<v Speaker 5>this tour is happening, but in a unique Akeem Ali way?

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<v Speaker 1>So my book agent called me one day and he

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<v Speaker 1>was like, man, you know, the ticket sales ain't doing

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<v Speaker 1>so good in this market or none of the markets.

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<v Speaker 1>You know what I'm saying? And I was like, he

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<v Speaker 1>was like, well, do you think you could get online

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<v Speaker 1>and do like a freestyle tour? for just New Orleans

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<v Speaker 1>and see how that works. If it goes good, you

0:09:43.559 --> 0:09:46.600
<v Speaker 1>can think about doing more. And I'm like, yeah. So

0:09:46.640 --> 0:09:50.180
<v Speaker 1>I sit down one day, I do shit like, I

0:09:50.230 --> 0:09:52.250
<v Speaker 1>treat this like a job, like don't know about how

0:09:52.270 --> 0:09:53.530
<v Speaker 1>to tell me to clock in. So I get up

0:09:53.550 --> 0:09:55.190
<v Speaker 1>some mornings at like 3.30, 4 in the morning and

0:09:55.210 --> 0:09:57.270
<v Speaker 1>we'll sit at the table and just write all fucking day,

0:09:57.910 --> 0:10:01.670
<v Speaker 1>literally for like eight, nine, 10, 11 hours. And got up,

0:10:02.059 --> 0:10:03.580
<v Speaker 1>wrote the new Orleans freestyle. And I was like, you

0:10:03.600 --> 0:10:06.840
<v Speaker 1>know what? While I'm writing New Orleans, I'm gonna do

0:10:07.059 --> 0:10:11.140
<v Speaker 1>the Carolinas. I'm gonna do Memphis. I'm gonna do X, Y, Z.

0:10:11.179 --> 0:10:12.460
<v Speaker 1>I'm gonna keep going. I'm gonna keep going. I'm gonna

0:10:12.480 --> 0:10:16.679
<v Speaker 1>keep going. You know what I'm saying? And so doing that, um,

0:10:17.960 --> 0:10:20.990
<v Speaker 1>I did it, dropped it. And people was like, we

0:10:21.030 --> 0:10:23.729
<v Speaker 1>like this. And I was like, hold my beer. You

0:10:23.750 --> 0:10:25.290
<v Speaker 1>know what I'm saying? I'm going to be right back.

0:10:25.309 --> 0:10:27.050
<v Speaker 1>And he gave me that idea and he was like,

0:10:27.090 --> 0:10:28.670
<v Speaker 1>just do one of them. And I was like, you

0:10:28.710 --> 0:10:30.490
<v Speaker 1>know what? I'm just going to do all the shits.

0:10:30.610 --> 0:10:33.250
<v Speaker 1>You know what I'm saying? And I had seen one

0:10:33.270 --> 0:10:36.670
<v Speaker 1>of my partners, Dearsilas, he had done it a couple

0:10:36.700 --> 0:10:38.209
<v Speaker 1>of times for cities he was going to, but I

0:10:38.220 --> 0:10:39.660
<v Speaker 1>was like, you know, and I always want to give

0:10:39.679 --> 0:10:41.380
<v Speaker 1>him credit. You know what I'm saying? For seeing it

0:10:41.780 --> 0:10:44.000
<v Speaker 1>there first, because he'd be like going to Dallas and

0:10:44.020 --> 0:10:45.940
<v Speaker 1>he like turned into whoever he needs to be for

0:10:46.080 --> 0:10:48.459
<v Speaker 1>that or going to Houston. And he like takes on that,

0:10:48.620 --> 0:10:49.740
<v Speaker 1>you know what I'm saying? And so I was like,

0:10:50.140 --> 0:10:52.220
<v Speaker 1>I'm gonna do this shit for every fucking city though.

0:10:52.720 --> 0:11:05.910
<v Speaker 1>And every time you open your Instagram, Twitter, &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt;.

0:11:06.050 --> 0:11:12.020
<v Speaker 3>&lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt;.

0:11:11.700 --> 0:11:20.960
<v Speaker 1>&lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt;

0:11:21.900 --> 0:11:22.760
<v Speaker 1>yeah man.

0:11:23.059 --> 0:11:25.219
<v Speaker 3>Is it is it i remember mo you said to

0:11:25.260 --> 0:11:27.589
<v Speaker 3>me after i did that eminem said if this don't

0:11:27.630 --> 0:11:29.590
<v Speaker 3>sell tickets we never going back again.

0:11:29.390 --> 0:11:31.510
<v Speaker 1>Yeah that's how it be and i told i told

0:11:31.530 --> 0:11:34.310
<v Speaker 1>people i'd be telling people that from these cities y'all

0:11:34.330 --> 0:11:36.200
<v Speaker 1>be like come to this city come to my city

0:11:36.240 --> 0:11:38.140
<v Speaker 1>come and see us nobody ever comes here and then

0:11:38.520 --> 0:11:40.699
<v Speaker 1>i didn't like literally went out like i dropped the

0:11:40.780 --> 0:11:44.040
<v Speaker 1>ep and a project and had to do 40 more songs.

0:11:44.480 --> 0:11:48.300
<v Speaker 1>These ain't like 30 second freestyle. These are full, like

0:11:48.380 --> 0:11:50.900
<v Speaker 1>I'm having to engulf, I'm having to like study, do work,

0:11:50.920 --> 0:11:53.490
<v Speaker 1>go to some of these places, look at what's there,

0:11:53.809 --> 0:11:56.170
<v Speaker 1>figure out the culture, call people and be like, hey,

0:11:56.190 --> 0:11:58.230
<v Speaker 1>is such and such still open? Is that still a thing?

0:11:58.610 --> 0:12:01.990
<v Speaker 1>Like I'm having to do dead live research for motherfuckers

0:12:02.010 --> 0:12:04.809
<v Speaker 1>to be like, great, we still won't buy a ticket.

0:12:04.870 --> 0:12:06.390
<v Speaker 1>And I'm like, what the fuck did I just do

0:12:06.450 --> 0:12:09.230
<v Speaker 1>all of this shit for? And then motherfuckers is like,

0:12:09.470 --> 0:12:12.220
<v Speaker 1>they don't pay attention, they like, Oh my God, you

0:12:12.240 --> 0:12:14.570
<v Speaker 1>should come to this city. I'm like, motherfucker, I'm telling

0:12:14.590 --> 0:12:17.810
<v Speaker 1>you I'm going on tour to this city with this freestyle. Yeah.

0:12:17.970 --> 0:12:20.869
<v Speaker 1>Like naming shit in your city. And he's like, I

0:12:20.890 --> 0:12:22.250
<v Speaker 1>could be like doing a Houston freestyle. They'd be like,

0:12:22.730 --> 0:12:24.630
<v Speaker 1>come to Houston and see us on tour. Yeah.

0:12:24.650 --> 0:12:26.740
<v Speaker 2>All right. Just listen to the freestyle.

0:12:26.800 --> 0:12:28.640
<v Speaker 1>Like, did you hear anything I fucking said? And then

0:12:28.700 --> 0:12:30.880
<v Speaker 1>I like, I'm going on tour. Get your tickets. Then

0:12:30.920 --> 0:12:32.620
<v Speaker 1>the motherfuckers would be like, see all of the tour

0:12:32.640 --> 0:12:36.540
<v Speaker 1>dates and be like, Come to Itawamba. I'm like, this

0:12:36.580 --> 0:12:38.520
<v Speaker 1>ain't enough. Come to Africa. Motherfucker, I'm not selling the

0:12:38.540 --> 0:12:40.610
<v Speaker 1>tickets where I'm going. First of all, like, give me a...

0:12:41.160 --> 0:12:45.730
<v Speaker 1>I'm like, fuck with me. I'm like, what the fuck?

0:12:45.750 --> 0:12:48.410
<v Speaker 5>Come meet me here and then maybe I can get

0:12:48.429 --> 0:12:49.010
<v Speaker 5>to that shit.

0:12:49.030 --> 0:12:51.210
<v Speaker 3>The worst shit is when you do like individual flyers

0:12:51.250 --> 0:12:53.290
<v Speaker 3>for cities and then all the comments will be from

0:12:53.350 --> 0:12:53.870
<v Speaker 3>another city.

0:12:54.330 --> 0:12:54.670
<v Speaker 2>It's like.

0:12:55.530 --> 0:12:57.930
<v Speaker 3>yo we in chicago tomorrow and all the comments is

0:12:57.950 --> 0:12:59.530
<v Speaker 3>like why you're not in dallas yeah like and.

0:12:59.470 --> 0:13:01.729
<v Speaker 2>Then i go to dallas and no one from dallas

0:13:01.750 --> 0:13:02.510
<v Speaker 2>came i will tell.

0:13:02.390 --> 0:13:04.220
<v Speaker 1>You the worst i will tell you the fucking worst

0:13:04.910 --> 0:13:07.020
<v Speaker 1>go to dallas the show don't sell out or it

0:13:07.040 --> 0:13:08.700
<v Speaker 1>don't come out you wanted to or it may sell

0:13:08.780 --> 0:13:11.920
<v Speaker 1>out or you a few shorter selling out leave come

0:13:11.940 --> 0:13:15.880
<v Speaker 1>to dallas yeah yeah yeah yeah brother sister oh they.

0:13:15.800 --> 0:13:17.320
<v Speaker 5>Didn't know you they like oh you was here like

0:13:17.400 --> 0:13:19.880
<v Speaker 5>i was i just was here last night christ but

0:13:19.900 --> 0:13:22.969
<v Speaker 5>that's i mean i you know It's kind of a

0:13:23.050 --> 0:13:25.950
<v Speaker 5>good and a bad thing because obviously people are engaging.

0:13:25.990 --> 0:13:27.410
<v Speaker 5>People are saying they want to see you come to

0:13:27.450 --> 0:13:29.550
<v Speaker 5>my city. But then it is, like you said, I'm

0:13:29.590 --> 0:13:32.460
<v Speaker 5>sitting here writing all of this, shooting these videos for

0:13:32.480 --> 0:13:35.839
<v Speaker 5>the promo for the show, and it's still not connecting

0:13:35.900 --> 0:13:39.260
<v Speaker 5>to certain people. Is that something that you look at

0:13:39.320 --> 0:13:42.980
<v Speaker 5>like you're doing something wrong, you're not doing enough, or

0:13:43.880 --> 0:13:45.420
<v Speaker 5>some people just ain't going to ever connect to it?

0:13:46.059 --> 0:13:47.140
<v Speaker 1>All three of them.

0:13:47.160 --> 0:13:47.319
<v Speaker 3>Okay.

0:13:47.460 --> 0:13:51.750
<v Speaker 1>It's something that I'm not doing... to win you over.

0:13:51.770 --> 0:13:53.040
<v Speaker 2>You know what I'm saying?

0:13:53.420 --> 0:13:58.430
<v Speaker 1>Because it's like, All right, so like we were just

0:13:58.450 --> 0:13:59.830
<v Speaker 1>talking about the water. Out of all the waters that

0:13:59.850 --> 0:14:01.810
<v Speaker 1>are out there, you chose to drink the water you

0:14:01.830 --> 0:14:04.790
<v Speaker 1>were drinking. But it's like Ozarka is sitting over here

0:14:05.010 --> 0:14:07.340
<v Speaker 1>or you got like fucking Pure Life like, hey, I exist.

0:14:07.860 --> 0:14:10.660
<v Speaker 1>And it's something they're not doing to pull you in.

0:14:10.700 --> 0:14:12.860
<v Speaker 1>Like you've been drinking it before or you subscribed to

0:14:12.920 --> 0:14:14.340
<v Speaker 1>it or had a bottle of it. It's like, yeah, no,

0:14:14.400 --> 0:14:16.280
<v Speaker 1>I just don't want that. So what is it that

0:14:16.300 --> 0:14:18.280
<v Speaker 1>y'all are not doing? And we can't be mad at

0:14:18.300 --> 0:14:21.370
<v Speaker 1>you for not drinking our water. It's just like you

0:14:21.390 --> 0:14:23.570
<v Speaker 1>do what you want to do. But if I'm the

0:14:23.630 --> 0:14:25.650
<v Speaker 1>water company, I'm like, hey, what do we need to

0:14:25.690 --> 0:14:28.170
<v Speaker 1>double down on? How do we need to like capitalize

0:14:28.210 --> 0:14:31.240
<v Speaker 1>on X, Y, Z markets or like target this demographic

0:14:31.250 --> 0:14:35.020
<v Speaker 1>of people in this area? Like, how do we do

0:14:35.060 --> 0:14:37.280
<v Speaker 1>the thing to like, you know, scale our business larger?

0:14:37.740 --> 0:14:39.760
<v Speaker 1>And that's what I'm always thinking about. Like, it's not

0:14:39.780 --> 0:14:41.240
<v Speaker 1>that they're not buying the tickets. What am I not

0:14:41.340 --> 0:14:43.910
<v Speaker 1>doing that's making them not want to buy the tickets? Yeah. OK.

0:14:44.090 --> 0:14:45.330
<v Speaker 2>I mean, because even. That's a great way to look

0:14:45.390 --> 0:14:45.510
<v Speaker 2>at it.

0:14:45.510 --> 0:14:49.030
<v Speaker 3>Yeah. Like even when we fired our previous booking agent.

0:14:49.970 --> 0:14:52.330
<v Speaker 3>I was still thinking on the accountability side of like,

0:14:52.390 --> 0:14:54.570
<v Speaker 3>we would put our London vlog out and all the

0:14:54.610 --> 0:14:56.550
<v Speaker 3>comments would be like, damn, they was in London. I'm like,

0:14:57.090 --> 0:14:59.010
<v Speaker 3>what the fuck are we doing? How the fuck did

0:14:59.030 --> 0:15:00.710
<v Speaker 3>a person that follows us not know we was in

0:15:00.750 --> 0:15:01.250
<v Speaker 3>London last week?

0:15:01.290 --> 0:15:02.670
<v Speaker 1>That's not a booking agent problem, though.

0:15:02.710 --> 0:15:03.170
<v Speaker 2>I know it's not.

0:15:03.510 --> 0:15:03.810
<v Speaker 1>Oh, okay.

0:15:03.830 --> 0:15:05.990
<v Speaker 2>So, no, we took accountability on that regard.

0:15:06.250 --> 0:15:09.610
<v Speaker 3>Like, even with infrastructure being fucked up, it does fall

0:15:09.670 --> 0:15:11.050
<v Speaker 3>on us at the end of the day of not

0:15:11.110 --> 0:15:14.970
<v Speaker 3>reaching our own fans. But- Part of me thinks that's

0:15:15.110 --> 0:15:18.410
<v Speaker 3>also an algorithm thing, too, that it's tough to control. Like,

0:15:18.430 --> 0:15:20.720
<v Speaker 3>how the fuck do you follow us? You pay for

0:15:20.780 --> 0:15:23.200
<v Speaker 3>our Patreon and you still this still did not get

0:15:23.300 --> 0:15:25.920
<v Speaker 3>on your phone. That's a battle that I've yet to

0:15:25.960 --> 0:15:28.960
<v Speaker 3>figure out. I don't understand that algorithm part where I

0:15:29.000 --> 0:15:31.350
<v Speaker 3>can't even reach the people that follow me anymore.

0:15:31.850 --> 0:15:35.270
<v Speaker 1>It's an attention game. I learned this. And I think

0:15:35.290 --> 0:15:39.370
<v Speaker 1>the guy from the who created the Savannah Bananas, the

0:15:40.070 --> 0:15:40.790
<v Speaker 1>baseball team.

0:15:40.860 --> 0:15:41.010
<v Speaker 3>Yeah.

0:15:41.530 --> 0:15:43.450
<v Speaker 1>And so they was trying to find a mascot and

0:15:43.490 --> 0:15:45.590
<v Speaker 1>it was like, what do we do? Or how do

0:15:45.610 --> 0:15:47.330
<v Speaker 1>we make this a thing? And it was like, when

0:15:47.370 --> 0:15:49.710
<v Speaker 1>he decided that the mascot would be like a banana,

0:15:50.050 --> 0:15:53.250
<v Speaker 1>people were fucking pissed. And it was like, we don't

0:15:53.290 --> 0:15:55.710
<v Speaker 1>want to be bananas. Like, oh, whatever. He's going to

0:15:55.770 --> 0:15:58.930
<v Speaker 1>fucking ruin. And you know what? At the time it

0:15:58.950 --> 0:16:00.500
<v Speaker 1>would seem like such a bad thing. You'd be like,

0:16:00.510 --> 0:16:02.840
<v Speaker 1>oh no, I'm upsetting the people. Or somebody is going

0:16:02.860 --> 0:16:05.640
<v Speaker 1>to say something bad or they're going to send threats.

0:16:06.100 --> 0:16:07.660
<v Speaker 1>It's not about whether it's right or wrong. It's not

0:16:07.700 --> 0:16:09.580
<v Speaker 1>about whether people like or dislike it. It's about whether

0:16:09.620 --> 0:16:12.400
<v Speaker 1>it gets attention. Because if you can't bring attention to it,

0:16:12.520 --> 0:16:17.730
<v Speaker 1>it gets absolutely nothing, right? So it's like, it's like

0:16:17.830 --> 0:16:20.790
<v Speaker 1>almost if a tree falls, No one there did it happen.

0:16:20.830 --> 0:16:22.650
<v Speaker 1>Like if it didn't have attention or eyes on it,

0:16:23.170 --> 0:16:25.109
<v Speaker 1>does it even matter? And so it was so bad

0:16:25.170 --> 0:16:27.600
<v Speaker 1>that it turned out to be good. Like because the

0:16:27.620 --> 0:16:30.660
<v Speaker 1>banana idea is fucking ridiculous until we win a game. Right.

0:16:30.740 --> 0:16:32.620
<v Speaker 1>And we can celebrate or we can have something that's

0:16:32.680 --> 0:16:35.360
<v Speaker 1>like marketable. Like everybody, we sell bananas at the games

0:16:35.420 --> 0:16:37.220
<v Speaker 1>or it helps the economy or these are the ways

0:16:37.240 --> 0:16:38.760
<v Speaker 1>that we can do X, Y, Z. And it's like, oh, OK,

0:16:39.040 --> 0:16:40.840
<v Speaker 1>I'm a proud banana now. You know what I'm saying?

0:16:40.880 --> 0:16:42.970
<v Speaker 1>And it's like, no, fuck you. Because at first you

0:16:42.990 --> 0:16:44.770
<v Speaker 1>hate it. You gave me all type of shit about

0:16:44.950 --> 0:16:46.670
<v Speaker 1>an idea that you just didn't understand. You don't know

0:16:46.690 --> 0:16:48.490
<v Speaker 1>what it takes to get here or how to put

0:16:48.530 --> 0:16:50.070
<v Speaker 1>some of this shit together. You don't understand the shit

0:16:50.090 --> 0:16:52.340
<v Speaker 1>that y'all thought about me, said about me and like

0:16:52.380 --> 0:16:54.420
<v Speaker 1>tried to like shut down. You know what I'm saying?

0:16:54.440 --> 0:16:56.940
<v Speaker 1>And so it's like get attention. Once you get the

0:16:56.980 --> 0:17:01.500
<v Speaker 1>attention for the thing about, you know, the algorithm, once

0:17:01.570 --> 0:17:04.010
<v Speaker 1>it gets attention, if somebody says something negative in my comments,

0:17:04.609 --> 0:17:05.990
<v Speaker 1>I respond and I pin it to the top.

0:17:07.010 --> 0:17:07.950
<v Speaker 2>They say something negative.

0:17:08.050 --> 0:17:11.170
<v Speaker 1>Yeah. OK. Yeah. Like this shit is trash. He can't

0:17:11.210 --> 0:17:12.530
<v Speaker 1>rap as good as he think he does. He's not

0:17:12.550 --> 0:17:14.830
<v Speaker 1>better than Kendrick. He's not better than this person. Why

0:17:14.869 --> 0:17:16.990
<v Speaker 1>does it even matter? He's gay. He's this or he's

0:17:17.090 --> 0:17:21.050
<v Speaker 1>too flamboyant. He's too. Pin it. I don't care about

0:17:21.090 --> 0:17:22.810
<v Speaker 1>how you feel about me as long as you feel something.

0:17:23.390 --> 0:17:23.550
<v Speaker 3>Right.

0:17:23.570 --> 0:17:27.090
<v Speaker 1>Because guess what happened? You just tricked yourself into telling

0:17:27.109 --> 0:17:29.530
<v Speaker 1>your algorithm. Well, you just tricked your algorithm into like

0:17:29.560 --> 0:17:32.810
<v Speaker 1>showing you me again. Don't you know, when you comment

0:17:32.869 --> 0:17:35.449
<v Speaker 1>on something, when you like something, enough to comment on it,

0:17:35.530 --> 0:17:38.280
<v Speaker 1>share it, whatever, whatever the algorithm say, oh, they must

0:17:38.320 --> 0:17:41.780
<v Speaker 1>like this. They're subscribing to it. They're commenting on it. Oh,

0:17:42.040 --> 0:17:43.439
<v Speaker 1>and then what happens is now you got to come

0:17:43.460 --> 0:17:45.540
<v Speaker 1>to your own defense in my comments and respond to

0:17:45.580 --> 0:17:48.140
<v Speaker 1>other people. And the algorithm don't know whether it's good

0:17:48.180 --> 0:17:50.470
<v Speaker 1>or bad. It just keeps saying, oh, they keep responding.

0:17:50.590 --> 0:17:53.170
<v Speaker 1>They must like this thing. I don't give a fuck

0:17:53.210 --> 0:17:55.130
<v Speaker 1>what you say about me. Say something.

0:17:55.550 --> 0:17:55.770
<v Speaker 4>Right.

0:17:56.250 --> 0:17:57.590
<v Speaker 1>So I can make you look bad. How are you

0:17:57.609 --> 0:17:59.629
<v Speaker 1>trying to make me? You know what I'm saying? And

0:17:59.690 --> 0:18:02.000
<v Speaker 1>now the algorithm is going to say, because these apps

0:18:02.040 --> 0:18:04.300
<v Speaker 1>are designed to keep you on the app. Yeah. You

0:18:04.320 --> 0:18:06.100
<v Speaker 1>know what I'm saying? It's not just like with certain

0:18:06.119 --> 0:18:08.159
<v Speaker 1>keywords or certain shit that you do. You can't say,

0:18:08.980 --> 0:18:10.740
<v Speaker 1>click the link or do X, Y, Z, because it

0:18:10.780 --> 0:18:13.120
<v Speaker 1>doesn't want you to go to external sources. It wants

0:18:13.140 --> 0:18:15.700
<v Speaker 1>to keep you in that app. And that's how it's designed. Right.

0:18:15.720 --> 0:18:17.140
<v Speaker 1>You know what I'm saying? If you don't want more,

0:18:17.160 --> 0:18:18.540
<v Speaker 1>I want to keep you a Walmart sharper. Why the

0:18:18.560 --> 0:18:21.140
<v Speaker 1>fuck I got shit going on about target X, Y, Z, boom, boom, boom.

0:18:21.340 --> 0:18:23.419
<v Speaker 1>And so it's like, what I got, whatever I got

0:18:23.440 --> 0:18:24.850
<v Speaker 1>to do, keep you here. If you don't like me,

0:18:24.920 --> 0:18:26.870
<v Speaker 1>you still got to see me. Yeah. Right. Even shit

0:18:26.880 --> 0:18:28.530
<v Speaker 1>you don't like. Sometimes you send it to people like, bro,

0:18:28.550 --> 0:18:31.350
<v Speaker 1>look at this or check this out. It don't, it

0:18:31.369 --> 0:18:34.410
<v Speaker 1>don't matter whether it's right, wrong, up, down, purple, green, left, right.

0:18:35.060 --> 0:18:35.940
<v Speaker 1>It just gets attention.

0:18:36.240 --> 0:18:36.380
<v Speaker 3>Yeah.

0:18:36.420 --> 0:18:38.700
<v Speaker 1>And that's what the algorithm is based off for these

0:18:38.940 --> 0:18:42.260
<v Speaker 1>apps is gain the fucking attention and stop worrying about it.

0:18:42.270 --> 0:18:43.750
<v Speaker 1>We base it off feelings a lot of the time.

0:18:43.770 --> 0:18:46.189
<v Speaker 1>I feel like this. I feel like, no, get the

0:18:46.230 --> 0:18:49.909
<v Speaker 1>fucking attention. And that is the base level. If it

0:18:49.950 --> 0:18:51.650
<v Speaker 1>can keep them on the app, you win it because

0:18:51.690 --> 0:18:53.419
<v Speaker 1>the app will keep showing it to them. Right. You

0:18:53.440 --> 0:18:54.880
<v Speaker 1>know what I'm saying? It may not be this post,

0:18:55.200 --> 0:18:58.160
<v Speaker 1>but that's how you strike virality for life. One post down, three,

0:18:58.180 --> 0:19:00.740
<v Speaker 1>four posts down because it's showing that. The same motherfucker

0:19:00.760 --> 0:19:02.680
<v Speaker 1>that said something bad about you or, man, I don't

0:19:02.700 --> 0:19:04.380
<v Speaker 1>know what the fuck they talking about. And you got

0:19:04.420 --> 0:19:06.889
<v Speaker 1>people on there coming. We get offended sometimes. Like, they

0:19:06.930 --> 0:19:09.149
<v Speaker 1>don't know me. Why would they say that? I don't

0:19:09.170 --> 0:19:11.130
<v Speaker 1>give a fuck what you say. You just talk about

0:19:11.150 --> 0:19:12.910
<v Speaker 1>my grandma, my dog. You call me what you want.

0:19:13.410 --> 0:19:15.290
<v Speaker 1>Pin it. And I'm going to say something so you

0:19:15.330 --> 0:19:17.149
<v Speaker 1>can argue with me. And I'll sit up and go

0:19:17.190 --> 0:19:18.629
<v Speaker 1>back and forth in the comments with you just so

0:19:18.650 --> 0:19:20.190
<v Speaker 1>you can keep on coming.

0:19:20.270 --> 0:19:24.190
<v Speaker 5>So you do subscribe to that type of interaction is healthy.

0:19:24.920 --> 0:19:28.380
<v Speaker 5>for the algorithm, as far as your content, of going

0:19:28.420 --> 0:19:31.020
<v Speaker 5>back and forth with negative content.

0:19:31.280 --> 0:19:34.740
<v Speaker 1>For the sake of getting the job done. And then

0:19:34.790 --> 0:19:37.369
<v Speaker 1>another thing is too, even if you're a fan of

0:19:37.410 --> 0:19:39.070
<v Speaker 1>me and you see something, you'd be like, hey, this

0:19:39.090 --> 0:19:41.469
<v Speaker 1>is too far on the king, bro. Come on, y'all

0:19:41.490 --> 0:19:44.489
<v Speaker 1>didn't have to do this. What it does is when

0:19:44.530 --> 0:19:47.450
<v Speaker 1>you come and come in it also boom triggers your

0:19:47.540 --> 0:19:50.680
<v Speaker 1>algorithm everybody was coming under a comment it triggers your

0:19:50.740 --> 0:19:53.960
<v Speaker 1>algorithm like and so i'm just even though you're seeing

0:19:54.080 --> 0:19:55.740
<v Speaker 1>all types of shit and that's why i stay in

0:19:55.760 --> 0:19:57.700
<v Speaker 1>there and stay engaged with those people because it's gonna

0:19:57.740 --> 0:20:00.280
<v Speaker 1>keep popping up on your algorithm yeah every time you

0:20:00.320 --> 0:20:02.220
<v Speaker 1>say something about me i'm gonna be like somebody was

0:20:02.240 --> 0:20:03.840
<v Speaker 1>like the most gay rapper ever i'm like.

0:20:04.510 --> 0:20:05.710
<v Speaker 2>They say you're gay?

0:20:05.990 --> 0:20:09.790
<v Speaker 1>Well, so, the persona, or Kimi Casanova, is meant to be, like,

0:20:09.830 --> 0:20:13.020
<v Speaker 1>a 70s, like, pimp. Like, and if you looked at

0:20:13.040 --> 0:20:15.380
<v Speaker 1>the 70s, like, niggas wore makeup in the 70s. They

0:20:15.420 --> 0:20:18.780
<v Speaker 1>had high waters on, like, tight pants. Niggas wore crop tops.

0:20:18.960 --> 0:20:23.470
<v Speaker 1>And they were very, like... they had very like feminine gestures.

0:20:23.550 --> 0:20:24.909
<v Speaker 1>It was very like, you know what I'm saying? And

0:20:24.930 --> 0:20:26.639
<v Speaker 1>so when I'm playing a character, I'm going to play

0:20:26.660 --> 0:20:29.060
<v Speaker 1>the character. Like now, however it looks to y'all, it's

0:20:29.100 --> 0:20:30.800
<v Speaker 1>like whatever, whatever. And at first I used to get

0:20:30.820 --> 0:20:33.280
<v Speaker 1>offended because I'm like, motherfuckers don't know me from the character.

0:20:33.400 --> 0:20:34.800
<v Speaker 1>And it was just like, but if you're looking at

0:20:34.820 --> 0:20:37.040
<v Speaker 1>the character, you assume that is me. Right. And so

0:20:37.080 --> 0:20:38.820
<v Speaker 1>I was just like offended and shit at first. But

0:20:38.880 --> 0:20:41.190
<v Speaker 1>once I learned, I was like, Oh nigga, that's not you.

0:20:41.230 --> 0:20:43.530
<v Speaker 1>You're just playing. I'm like, you letting people like troll

0:20:43.550 --> 0:20:44.950
<v Speaker 1>you into like, and that's when I had started learning.

0:20:44.970 --> 0:20:46.770
<v Speaker 1>They're going to keep saying shit, but you have to

0:20:46.790 --> 0:20:49.010
<v Speaker 1>figure out a way to flip it and like trigger

0:20:49.030 --> 0:20:52.250
<v Speaker 1>people to say stuff and then keep them there. because

0:20:52.270 --> 0:20:55.379
<v Speaker 1>you're you're reacting once you once you start reacting i

0:20:55.400 --> 0:20:57.780
<v Speaker 1>can control you if you don't do nothing it's just

0:20:57.800 --> 0:20:59.300
<v Speaker 1>like if you look at it in bypass you never

0:20:59.320 --> 0:21:01.060
<v Speaker 1>did come in i never knew you were there once

0:21:01.080 --> 0:21:03.399
<v Speaker 1>you start reacting boom got you yeah let's hone in

0:21:03.440 --> 0:21:04.919
<v Speaker 1>on that like let's see let's see what's going on

0:21:04.940 --> 0:21:05.379
<v Speaker 1>right here.

0:21:05.520 --> 0:21:09.400
<v Speaker 5>But i mean nothing about the kimi casanova i mean

0:21:09.510 --> 0:21:13.320
<v Speaker 5>well sitting with the leg crossed maybe The only two.

0:21:13.160 --> 0:21:16.290
<v Speaker 1>People who sit with their legs crossed are women and

0:21:16.350 --> 0:21:20.090
<v Speaker 1>really rich people. Men with a lot of shit.

0:21:21.290 --> 0:21:21.470
<v Speaker 2>Right.

0:21:21.510 --> 0:21:25.000
<v Speaker 3>Can you pull up the Jay-Z New York Times interview

0:21:25.020 --> 0:21:28.420
<v Speaker 3>and just do Google images? Jay-Z had his whole thigh

0:21:28.460 --> 0:21:29.820
<v Speaker 3>over his other thigh. We were taught not to sit

0:21:29.859 --> 0:21:31.900
<v Speaker 3>like this because that's for women. The older I got,

0:21:31.920 --> 0:21:34.710
<v Speaker 3>I was like, every rich white man that I see

0:21:35.109 --> 0:21:37.150
<v Speaker 3>sits like that or every person that got a lot

0:21:37.170 --> 0:21:39.760
<v Speaker 3>of money, they'd be like, and they lean into it.

0:21:39.770 --> 0:21:42.730
<v Speaker 3>And I was just like, see, we hit the motherfucking

0:21:42.760 --> 0:21:43.600
<v Speaker 3>goddamn guy like this.

0:21:43.619 --> 0:21:46.040
<v Speaker 1>You know what I'm saying? See, you got some money,

0:21:46.760 --> 0:21:48.439
<v Speaker 1>but you ain't got this type of money. You feel

0:21:48.480 --> 0:21:50.959
<v Speaker 1>what I'm saying? You got some shit. Now, he ain't

0:21:50.980 --> 0:21:53.840
<v Speaker 1>got no money. There's levels to it. You know what

0:21:54.100 --> 0:21:54.680
<v Speaker 1>I'm saying? No money.

0:21:54.720 --> 0:21:55.140
<v Speaker 2>But show money.

0:21:57.000 --> 0:21:57.680
<v Speaker 1>Some more money.

0:21:57.720 --> 0:22:02.810
<v Speaker 5>Yeah, but I don't see nothing about, you know, I mean,

0:22:02.830 --> 0:22:05.410
<v Speaker 5>they call anybody gay, but I don't see how people

0:22:05.430 --> 0:22:08.879
<v Speaker 5>will see the Kimi Casanova character and say, you know, oh,

0:22:08.920 --> 0:22:10.740
<v Speaker 5>he's gay. Like that to me, that is, you know,

0:22:10.780 --> 0:22:11.659
<v Speaker 5>it ain't for me to decide.

0:22:11.680 --> 0:22:13.080
<v Speaker 1>You know what I'm saying? And it's like, I just

0:22:13.140 --> 0:22:14.520
<v Speaker 1>love that you feel something about it.

0:22:17.670 --> 0:22:20.030
<v Speaker 2>Maul, you see Damaris over there just overpaying for wireless?

0:22:20.310 --> 0:22:21.990
<v Speaker 2>She does that from time to time. It's crazy.

0:22:22.230 --> 0:22:24.189
<v Speaker 3>Boost Mobile has proven, Damaris, that you do not have

0:22:24.210 --> 0:22:27.869
<v Speaker 3>to overpay for great wireless. Unlock the savings with $ 25

0:22:27.830 --> 0:22:29.760
<v Speaker 3>a month forever unlimited plan.

0:22:29.880 --> 0:22:30.520
<v Speaker 2>Forever.

0:22:30.820 --> 0:22:33.540
<v Speaker 3>It's a permanent price with no contracts, no price hikes.

0:22:33.859 --> 0:22:35.359
<v Speaker 3>You can keep the same phone you have right in

0:22:35.380 --> 0:22:36.300
<v Speaker 3>your hand right now, Damaris.

0:22:36.380 --> 0:22:37.790
<v Speaker 2>Let's do that one.

0:22:37.800 --> 0:22:39.619
<v Speaker 3>But save up to $ 600 a year compared to the

0:22:39.660 --> 0:22:43.720
<v Speaker 3>major carriers. Damaris, please stop overpaying and switch to a

0:22:43.790 --> 0:22:45.350
<v Speaker 3>fair price at BoostMobile.com today.

0:22:45.619 --> 0:22:47.390
<v Speaker 5>Damaris, did you know that based on the average annual

0:22:47.430 --> 0:22:49.770
<v Speaker 5>single line payment of AT &amp; T, Verizon, and T-Mobile

0:22:49.790 --> 0:22:52.230
<v Speaker 5>customers compared to 12 months on the Boost Mobile Unlimited

0:22:52.250 --> 0:22:54.090
<v Speaker 5>plan as of January 2026?

0:22:54.090 --> 0:22:55.770
<v Speaker 2>For full offer details, visit BoostMobile.com.

0:23:02.020 --> 0:23:04.220
<v Speaker 5>How much of it do you feel like is, like

0:23:04.240 --> 0:23:10.090
<v Speaker 5>how thin is the line between gimmicky and like, really

0:23:10.150 --> 0:23:12.530
<v Speaker 5>just trying to get visibility. Like, how much of it

0:23:12.890 --> 0:23:15.409
<v Speaker 5>do you battle with, like, okay, this may start to

0:23:15.430 --> 0:23:17.149
<v Speaker 5>feel like too much of a gimmick.

0:23:17.190 --> 0:23:18.150
<v Speaker 2>I got to be careful.

0:23:18.230 --> 0:23:20.369
<v Speaker 1>It was that in the beginning, shit. And it was

0:23:20.390 --> 0:23:22.109
<v Speaker 1>like an attention thing. And that's why I was like,

0:23:22.150 --> 0:23:23.989
<v Speaker 1>it was a mistake. But people liked it more than

0:23:24.030 --> 0:23:27.149
<v Speaker 1>I wanted them to. And so then I was just like, shit,

0:23:27.250 --> 0:23:28.830
<v Speaker 1>I made a mess. Now how do I clean it up?

0:23:29.450 --> 0:23:31.669
<v Speaker 1>You know, I got a mop. I got a broom.

0:23:31.780 --> 0:23:33.899
<v Speaker 1>I got some Bounty Quicker Picker Upper. I got a

0:23:33.980 --> 0:23:35.600
<v Speaker 1>dish towel. Like, what the fuck do I use? And

0:23:35.619 --> 0:23:38.730
<v Speaker 1>so it's like, with the tools I got, just... shimmy

0:23:38.770 --> 0:23:40.330
<v Speaker 1>all that shit together clean it up and like make

0:23:40.369 --> 0:23:42.619
<v Speaker 1>it look presentable so now it doesn't feel like a

0:23:42.670 --> 0:23:48.480
<v Speaker 1>gimmick it just feels like and i accidentally like superbly

0:23:48.640 --> 0:23:51.740
<v Speaker 1>trapped myself into becoming a like a brand master and

0:23:51.780 --> 0:23:54.000
<v Speaker 1>like branding some shit or like learning how to market

0:23:54.560 --> 0:23:56.560
<v Speaker 1>because like i was just doing shit pressing buttons and

0:23:56.600 --> 0:23:59.139
<v Speaker 1>making mistakes and it taught me how to like brand

0:23:59.160 --> 0:24:01.020
<v Speaker 1>and like you know my director right that scene right

0:24:01.040 --> 0:24:02.679
<v Speaker 1>there he was like we were shooting last week and

0:24:02.700 --> 0:24:06.040
<v Speaker 1>he was like yeah you um you don't care about

0:24:06.060 --> 0:24:10.119
<v Speaker 1>looking stupid or failing or being wrong he was just

0:24:10.140 --> 0:24:13.300
<v Speaker 1>like you just have this thing where like because some

0:24:13.340 --> 0:24:14.899
<v Speaker 1>of that don't be looking like you think you'd be

0:24:14.920 --> 0:24:17.139
<v Speaker 1>looking but it's like you don't have that button in

0:24:17.160 --> 0:24:18.860
<v Speaker 1>your head that says i shouldn't be doing this because

0:24:18.900 --> 0:24:20.500
<v Speaker 1>it wouldn't look right to people it's just like yeah

0:24:20.800 --> 0:24:22.900
<v Speaker 1>do it and show people the process show them like

0:24:22.980 --> 0:24:24.159
<v Speaker 1>it ain't always what you think it is in the

0:24:24.180 --> 0:24:26.320
<v Speaker 1>beginning or it turns into something different And so if

0:24:26.340 --> 0:24:28.199
<v Speaker 1>you've seen me before, it's like, you know, you go

0:24:28.220 --> 0:24:30.500
<v Speaker 1>from rapping in your car to like, I can't stop

0:24:30.520 --> 0:24:33.170
<v Speaker 1>seeing a nigga. But at first it's just like, you know,

0:24:33.250 --> 0:24:36.270
<v Speaker 1>or you, you got the pimp persona or you got this, this, that,

0:24:36.290 --> 0:24:38.270
<v Speaker 1>and then some of the videos or songs I've put out, like,

0:24:38.310 --> 0:24:39.810
<v Speaker 1>I haven't even liked all of them, but it's like,

0:24:40.330 --> 0:24:42.859
<v Speaker 1>I don't have a button that says, don't do it.

0:24:43.150 --> 0:24:44.109
<v Speaker 2>You willing to just try it.

0:24:44.230 --> 0:24:46.450
<v Speaker 1>Just try it. You know what I'm saying? And let shit...

0:24:47.780 --> 0:24:50.500
<v Speaker 1>you can't make it perfect if it doesn't exist. It

0:24:50.600 --> 0:24:52.360
<v Speaker 1>has to be a thing first for you to even

0:24:52.420 --> 0:24:55.940
<v Speaker 1>start nitpicking, removing, putting stuff into place and trying to

0:24:55.980 --> 0:24:58.139
<v Speaker 1>make it perfect. And so people get so caught up

0:24:58.180 --> 0:25:01.430
<v Speaker 1>in perfection. If you're a perfectionist, you probably won't be rich.

0:25:02.090 --> 0:25:03.510
<v Speaker 1>If you care about what people think. Perfection is the

0:25:03.530 --> 0:25:05.669
<v Speaker 1>biggest problem to start. You feel what I'm saying? And

0:25:05.710 --> 0:25:09.340
<v Speaker 1>so it's like, get the thing into existence first, make

0:25:09.380 --> 0:25:13.100
<v Speaker 1>it exist and then fix it. Like, a Tesla didn't

0:25:13.119 --> 0:25:15.220
<v Speaker 1>just come out like what it is today or the

0:25:15.260 --> 0:25:16.859
<v Speaker 1>car you drive or some of these shoes that we

0:25:16.900 --> 0:25:19.719
<v Speaker 1>wear shit like you know what I'm saying motherfuckers wore

0:25:19.820 --> 0:25:21.840
<v Speaker 1>twigs on their feet you know what I'm saying for

0:25:21.880 --> 0:25:24.240
<v Speaker 1>shoes you know what I'm saying in the BC days

0:25:24.300 --> 0:25:26.320
<v Speaker 1>and it's like now we got boots that come up

0:25:26.340 --> 0:25:28.460
<v Speaker 1>to here and shit like moon boots all type of

0:25:28.480 --> 0:25:31.240
<v Speaker 1>shit like to cover you but just make it exist

0:25:31.440 --> 0:25:37.050
<v Speaker 1>we don't wear Jesus sandals but you know it's people

0:25:37.090 --> 0:25:38.640
<v Speaker 1>are all fucked up they just care too much about

0:25:38.660 --> 0:25:40.669
<v Speaker 1>what people think man.

0:25:40.590 --> 0:25:43.649
<v Speaker 3>You ever felt like with knowing that i don't want

0:25:43.670 --> 0:25:46.580
<v Speaker 3>to say well yes negativity to some degree based on

0:25:46.600 --> 0:25:51.760
<v Speaker 3>your comments of pinning those type of responses to lean

0:25:51.820 --> 0:25:54.040
<v Speaker 3>more into negativity i think you've done a great job

0:25:54.080 --> 0:25:56.939
<v Speaker 3>of not doing that but has that felt like maybe easier.

0:25:56.760 --> 0:25:59.500
<v Speaker 1>I'm not a negative person i don't like that like

0:25:59.580 --> 0:26:01.959
<v Speaker 1>i'm not like a i don't want negativity but when

0:26:01.980 --> 0:26:05.290
<v Speaker 1>it's there i'm like Everything that's happening is for me

0:26:05.330 --> 0:26:08.300
<v Speaker 1>to see things a certain way. So it's like stop

0:26:08.390 --> 0:26:11.480
<v Speaker 1>fighting against it and like start using it. Yeah. If

0:26:11.560 --> 0:26:15.280
<v Speaker 1>negativity is coming my way, I'm like, come on. Like,

0:26:15.300 --> 0:26:17.770
<v Speaker 1>what's up? Like, fuck, we here. If y'all gonna be

0:26:17.810 --> 0:26:19.790
<v Speaker 1>negative and if all this is going to be is negative,

0:26:20.230 --> 0:26:22.649
<v Speaker 1>like find a way to make my negative a positive. Like, yeah,

0:26:23.150 --> 0:26:25.429
<v Speaker 1>I'm not going to fight that. negative with the negative,

0:26:25.450 --> 0:26:26.870
<v Speaker 1>you know what I'm saying? I'm just going to be like,

0:26:27.170 --> 0:26:29.840
<v Speaker 1>I'm just going to use it for what it's used for.

0:26:30.150 --> 0:26:31.800
<v Speaker 1>Like if that's that energy that's over there and shit,

0:26:31.820 --> 0:26:34.580
<v Speaker 1>like capitalize on it, figure out a way to do that.

0:26:35.020 --> 0:26:38.700
<v Speaker 1>You know what I'm saying? We got, we got crazy

0:26:38.720 --> 0:26:41.960
<v Speaker 1>motherfuckers out here or people like, just crazy and like

0:26:42.180 --> 0:26:45.689
<v Speaker 1>not mentally ill, but just like do shit. And we

0:26:45.710 --> 0:26:48.270
<v Speaker 1>have managed to make a place for those people. Right. Like,

0:26:48.350 --> 0:26:49.990
<v Speaker 1>you know what I'm saying? And all of the negative

0:26:50.030 --> 0:26:51.250
<v Speaker 1>shit that they can do, like people go out and

0:26:51.310 --> 0:26:53.070
<v Speaker 1>kill people. People go out and cuss people the fuck out,

0:26:53.109 --> 0:26:53.669
<v Speaker 1>beat people up.

0:26:53.830 --> 0:26:54.070
<v Speaker 3>Right.

0:26:54.510 --> 0:26:56.669
<v Speaker 1>Oh, let's create a place to keep all of these

0:26:56.690 --> 0:26:57.260
<v Speaker 1>people together.

0:26:57.430 --> 0:26:57.650
<v Speaker 3>Yeah.

0:26:57.710 --> 0:26:59.619
<v Speaker 1>Like create places for that shit. Positivity.

0:26:59.660 --> 0:27:00.220
<v Speaker 2>And reward them.

0:27:00.660 --> 0:27:01.000
<v Speaker 3>Yeah.

0:27:01.020 --> 0:27:03.879
<v Speaker 1>Like we got spaces for everything. Like, you know what

0:27:03.900 --> 0:27:06.560
<v Speaker 1>I'm saying? It's like, oh, positive people come over here

0:27:06.580 --> 0:27:08.199
<v Speaker 1>and let's kumbaya in the park. And like, you know

0:27:08.220 --> 0:27:10.440
<v Speaker 1>what I'm saying? Hold up. peace signs and smoke weed

0:27:10.460 --> 0:27:13.270
<v Speaker 1>together we're like oh y'all believe in Jesus we got

0:27:13.290 --> 0:27:15.290
<v Speaker 1>a place we got all this church y'all can come

0:27:15.330 --> 0:27:17.010
<v Speaker 1>here like make a place for all of this shit

0:27:17.030 --> 0:27:18.490
<v Speaker 1>you know what I'm saying so how did.

0:27:18.430 --> 0:27:21.510
<v Speaker 2>The relationship with you and Lou Will come about.

0:27:22.970 --> 0:27:25.899
<v Speaker 1>My partner my barber we cut each other hair and

0:27:26.480 --> 0:27:28.520
<v Speaker 1>he went to he cut Lou hair too you know

0:27:28.540 --> 0:27:30.459
<v Speaker 1>what I'm saying so we both we was both barbers

0:27:31.060 --> 0:27:32.699
<v Speaker 1>and he was at Lou house cutting his hair one

0:27:32.740 --> 0:27:34.919
<v Speaker 1>day and he was like my boy he do music

0:27:35.590 --> 0:27:37.550
<v Speaker 1>X Y Z blah blah blah he was like what

0:27:37.570 --> 0:27:41.419
<v Speaker 1>shit play me something Played him something and wham, got him.

0:27:41.840 --> 0:27:43.240
<v Speaker 1>And then he wanted to meet me, you know what

0:27:43.260 --> 0:27:45.320
<v Speaker 1>I'm saying? He heard the music and he's just like, shit,

0:27:45.340 --> 0:27:46.659
<v Speaker 1>all right, well, I think I want to sign you.

0:27:47.680 --> 0:27:50.500
<v Speaker 1>And I'm just like, me? All right, nigga, yeah, let's

0:27:50.520 --> 0:27:53.780
<v Speaker 1>do it. Yeah, and so from there, we just kind

0:27:53.800 --> 0:27:57.440
<v Speaker 1>of like kicked it on some cool shit, like homeboy shit, like,

0:27:57.869 --> 0:27:59.929
<v Speaker 1>You know what I'm saying? Just formed a relationship and

0:27:59.950 --> 0:28:01.310
<v Speaker 1>shit like that. And at first I was just like,

0:28:01.470 --> 0:28:04.390
<v Speaker 1>I was skeptical about all this shit. Signing to somebody

0:28:04.490 --> 0:28:06.950
<v Speaker 1>or doing business with somebody and there's a bunch of

0:28:06.970 --> 0:28:08.330
<v Speaker 1>people in your face at one time, it's like picking

0:28:08.550 --> 0:28:12.110
<v Speaker 1>the best stranger. I don't fucking know y'all. And you're

0:28:12.130 --> 0:28:14.190
<v Speaker 1>my homeboy's homeboy. That don't mean you're the same person

0:28:14.490 --> 0:28:16.189
<v Speaker 1>to me. Or you're going to be the same way

0:28:16.210 --> 0:28:17.409
<v Speaker 1>to me that you are to him. You know what

0:28:17.430 --> 0:28:19.609
<v Speaker 1>I'm saying? So it was just like shit. Doing it

0:28:21.130 --> 0:28:26.090
<v Speaker 1>was cool starting out. Luckily we became like homeboys or

0:28:26.109 --> 0:28:28.220
<v Speaker 1>friends first because some of this this shit that we

0:28:28.240 --> 0:28:30.060
<v Speaker 1>didn't have to tell each other or say to each

0:28:30.119 --> 0:28:32.880
<v Speaker 1>other or express them been like enough to make motherfuckers like.

0:28:33.380 --> 0:28:33.880
<v Speaker 2>We not fucking.

0:28:33.900 --> 0:28:34.480
<v Speaker 1>Fall out in the street.

0:28:34.540 --> 0:28:34.960
<v Speaker 2>Yeah.

0:28:35.100 --> 0:28:37.980
<v Speaker 1>Yeah. Yeah. But I don't, you know, I tell people,

0:28:38.000 --> 0:28:40.260
<v Speaker 1>I don't mind people having big feelings towards me, getting mad,

0:28:40.340 --> 0:28:42.520
<v Speaker 1>cussing me out, saying your piece and just being like,

0:28:42.740 --> 0:28:44.640
<v Speaker 1>I was tripping. Well, forgive me. I'm like, all right,

0:28:44.820 --> 0:28:45.500
<v Speaker 1>fuck it. You know?

0:28:46.200 --> 0:28:48.880
<v Speaker 5>So you and Will, so you and Lou Will creatively,

0:28:48.920 --> 0:28:50.520
<v Speaker 5>have y'all had y'all differences on.

0:28:51.840 --> 0:28:53.240
<v Speaker 1>On the business?

0:28:53.510 --> 0:28:53.870
<v Speaker 2>Oh, yeah.

0:28:53.920 --> 0:28:58.010
<v Speaker 1>On the business tip? Hell yeah. Yeah, we done had differences. Like, yeah,

0:28:58.030 --> 0:29:01.090
<v Speaker 1>hell yeah. We bumped heads like a motherfucker. But, you know,

0:29:01.710 --> 0:29:05.350
<v Speaker 1>we was just friends. I noticed, like, at one point

0:29:05.370 --> 0:29:07.360
<v Speaker 1>in time, I was calling him. He wasn't answering my

0:29:07.400 --> 0:29:09.740
<v Speaker 1>phone calls. And I'm like, nigga, I'm your artist. I

0:29:09.760 --> 0:29:11.160
<v Speaker 1>ain't got no money. I can't do X, Y, Z.

0:29:11.240 --> 0:29:13.700
<v Speaker 1>You know what I'm saying? And then he'll pick up

0:29:13.720 --> 0:29:15.080
<v Speaker 1>the phone one day when I call him. Like, yeah,

0:29:15.100 --> 0:29:18.260
<v Speaker 1>I ain't gonna lie. You can shit. You done blew me. Like, nigga,

0:29:18.530 --> 0:29:20.320
<v Speaker 1>this shit... You know what I'm saying? I'm spending money

0:29:20.360 --> 0:29:21.340
<v Speaker 1>on X, Y, and Z and you ain't trying to

0:29:21.360 --> 0:29:22.580
<v Speaker 1>do what the fuck I want to do because it's

0:29:22.640 --> 0:29:24.740
<v Speaker 1>my money, it's my investment. You know what I'm saying?

0:29:25.020 --> 0:29:27.460
<v Speaker 1>And I'm just like, well, on the other hand, I

0:29:27.480 --> 0:29:29.020
<v Speaker 1>got a child on the way or I got this

0:29:29.040 --> 0:29:31.870
<v Speaker 1>going on and I can't depend on people to do X, Y, Z.

0:29:32.370 --> 0:29:34.930
<v Speaker 1>And no capacity shouldn't artists or anybody be depending on

0:29:34.990 --> 0:29:37.350
<v Speaker 1>another grown man, unless you're a woman maybe or a child,

0:29:37.750 --> 0:29:40.530
<v Speaker 1>another grown man to fund their lifestyle or fund. their career.

0:29:40.630 --> 0:29:42.330
<v Speaker 1>It's not Lou's dream to be a rapper. It's mine.

0:29:42.350 --> 0:29:44.790
<v Speaker 1>And so I had to start taking accountability. Like, stop

0:29:44.890 --> 0:29:46.070
<v Speaker 1>asking for shit. And if you're going to do shit

0:29:46.090 --> 0:29:49.520
<v Speaker 1>your way, make your own way. Won't nobody be offended.

0:29:49.970 --> 0:29:51.840
<v Speaker 1>And that's how I got myself to like right here.

0:29:51.860 --> 0:29:55.380
<v Speaker 1>And it was just like, okay, shit. I noticed like if,

0:29:55.880 --> 0:29:59.860
<v Speaker 1>and we're just, is logical. You're spending money on a

0:29:59.880 --> 0:30:02.180
<v Speaker 1>project and somebody don't listen to you. It's like, why

0:30:02.200 --> 0:30:03.660
<v Speaker 1>the fuck am I spending money for you to just

0:30:03.680 --> 0:30:05.560
<v Speaker 1>do what you want to do with my money?

0:30:05.580 --> 0:30:06.560
<v Speaker 2>You have to learn that though.

0:30:06.600 --> 0:30:08.740
<v Speaker 1>Yeah. And it's a gamble. I'm gambling on you because

0:30:08.790 --> 0:30:10.510
<v Speaker 1>it's not guaranteed. Any of this shit is going to work.

0:30:10.770 --> 0:30:13.510
<v Speaker 3>Also on the other side, if I'm signing someone, I'm

0:30:13.530 --> 0:30:15.590
<v Speaker 3>signing them because I think their vision is incredible.

0:30:15.730 --> 0:30:17.210
<v Speaker 2>And sometimes you got to leave them the fuck alone.

0:30:17.390 --> 0:30:18.630
<v Speaker 2>That's part of your investment. That's true.

0:30:18.670 --> 0:30:19.070
<v Speaker 1>Literally.

0:30:19.090 --> 0:30:22.870
<v Speaker 3>To me, as someone that's worked with artists, I'm investing

0:30:22.890 --> 0:30:25.130
<v Speaker 3>because I think you have the vision that you want

0:30:25.170 --> 0:30:25.390
<v Speaker 3>to do.

0:30:25.410 --> 0:30:27.280
<v Speaker 2>Like, I'm going to shut the fuck up and let

0:30:27.300 --> 0:30:28.380
<v Speaker 2>you do what you want to do. I'm here to

0:30:28.400 --> 0:30:29.280
<v Speaker 2>fund your vision. Yeah.

0:30:29.400 --> 0:30:32.260
<v Speaker 1>But when you don't know that, and there's been, we've

0:30:32.300 --> 0:30:33.880
<v Speaker 1>sat on the phone day in and day out and

0:30:33.920 --> 0:30:35.960
<v Speaker 1>just say, hey. we've gotten calls from labels and we

0:30:35.980 --> 0:30:37.200
<v Speaker 1>get on the phone like yeah nigga I don't know

0:30:37.220 --> 0:30:38.479
<v Speaker 1>what the fuck going on or I don't know what

0:30:38.500 --> 0:30:39.840
<v Speaker 1>to do or I don't know none of the lingo

0:30:39.860 --> 0:30:41.260
<v Speaker 1>they were talking about and we get on the phone

0:30:41.300 --> 0:30:42.860
<v Speaker 1>and say that like he like I don't know what

0:30:42.880 --> 0:30:45.730
<v Speaker 1>I'm doing and I'm like yeah me neither and so

0:30:45.750 --> 0:30:48.830
<v Speaker 1>that's where it's like he got the funds I got

0:30:48.850 --> 0:30:52.890
<v Speaker 1>the talent but we still don't know what eggs to

0:30:52.910 --> 0:30:54.590
<v Speaker 1>put in what basket you know what I'm saying and

0:30:54.610 --> 0:30:57.430
<v Speaker 1>so it's like you can't just we spent a lot

0:30:57.470 --> 0:31:00.100
<v Speaker 1>of money in the beginning just throwing eggs in random

0:31:00.140 --> 0:31:03.080
<v Speaker 1>baskets and it wasn't working and I was just like

0:31:03.160 --> 0:31:06.340
<v Speaker 1>fuck it when he stopped giving me eggs, I was

0:31:06.360 --> 0:31:10.080
<v Speaker 1>just like, fuck it. I turned into a chicken. Pop

0:31:10.120 --> 0:31:12.380
<v Speaker 1>my own shits out and just get this shit grooving

0:31:12.420 --> 0:31:14.110
<v Speaker 1>some type of way. And so that's where, that's what

0:31:14.120 --> 0:31:16.110
<v Speaker 1>we're seeing the effects of right now. Like, and all

0:31:16.130 --> 0:31:18.310
<v Speaker 1>this shit you're seeing, it ain't taking like a big budget,

0:31:18.410 --> 0:31:20.690
<v Speaker 1>a whole lot of money. It's just taking like studying,

0:31:20.850 --> 0:31:24.229
<v Speaker 1>watching shit, learning and like capitalizing on it. Like when

0:31:24.250 --> 0:31:27.370
<v Speaker 1>you get a moment, like when God gives you the ball, ball,

0:31:28.050 --> 0:31:29.890
<v Speaker 1>like ball like a motherfucker.

0:31:29.910 --> 0:31:32.930
<v Speaker 5>Well, like you just said too, also we have to, First,

0:31:32.970 --> 0:31:35.730
<v Speaker 5>just start and create something and then we work on

0:31:35.790 --> 0:31:37.430
<v Speaker 5>it and then we figure it out and perfect it

0:31:37.450 --> 0:31:39.630
<v Speaker 5>and get it to a place that we're all happy.

0:31:39.670 --> 0:31:42.840
<v Speaker 5>But the fact that, you know, Lou even gave you

0:31:42.880 --> 0:31:44.820
<v Speaker 5>a shot and was like, listen, I want to invest

0:31:44.880 --> 0:31:47.420
<v Speaker 5>in you. That takes a lot because a lot of

0:31:47.460 --> 0:31:49.340
<v Speaker 5>times people don't want to invest in you. They think

0:31:49.360 --> 0:31:51.960
<v Speaker 5>you got some talent. That don't mean they're going to

0:31:52.360 --> 0:31:53.980
<v Speaker 5>put you in a position to give you opportunity to

0:31:54.060 --> 0:31:55.520
<v Speaker 5>create your dream and your vision.

0:31:56.220 --> 0:31:57.680
<v Speaker 1>He was smart because he knew labels and shit was

0:31:57.700 --> 0:31:58.500
<v Speaker 1>calling to at the time.

0:31:58.520 --> 0:31:58.840
<v Speaker 4>Yeah.

0:31:59.200 --> 0:32:00.540
<v Speaker 1>This was one of the things where it was like.

0:32:00.780 --> 0:32:02.620
<v Speaker 2>Absolutely. There's motion over it.

0:32:02.660 --> 0:32:02.860
<v Speaker 4>Yeah.

0:32:03.000 --> 0:32:04.960
<v Speaker 1>Ain't got to do too much work. And then he

0:32:04.980 --> 0:32:06.320
<v Speaker 1>got in and he was like, bam, got you.

0:32:06.500 --> 0:32:06.760
<v Speaker 5>Right.

0:32:06.920 --> 0:32:08.680
<v Speaker 2>There's something happening already. I just want to be a

0:32:08.700 --> 0:32:10.070
<v Speaker 2>part of it.

0:32:10.240 --> 0:32:12.710
<v Speaker 3>But even that bump does help too when you're negotiating

0:32:12.730 --> 0:32:14.650
<v Speaker 3>with labels. Like, I got a bank over here.

0:32:14.830 --> 0:32:17.530
<v Speaker 2>Yeah. I have access to some capital.

0:32:17.790 --> 0:32:19.950
<v Speaker 1>I think that hurt us a lot of times too. Okay. Why?

0:32:20.110 --> 0:32:22.440
<v Speaker 1>Because knowing that you got a bank. and it's like

0:32:23.220 --> 0:32:26.500
<v Speaker 1>because they assumed like so you walk in the labels

0:32:26.540 --> 0:32:28.640
<v Speaker 1>some people know who he is some people don't know

0:32:28.800 --> 0:32:30.070
<v Speaker 1>or some people just don't give a fuck we know

0:32:30.090 --> 0:32:31.940
<v Speaker 1>but we don't give a fuck like that's his money

0:32:32.180 --> 0:32:34.180
<v Speaker 1>right he's not us and he don't have the infrastructure

0:32:34.200 --> 0:32:35.950
<v Speaker 1>that we have and they see it all the time

0:32:35.990 --> 0:32:38.230
<v Speaker 1>where athletes or people who make a lot of money

0:32:38.250 --> 0:32:40.270
<v Speaker 1>try to invest in or get into the music business

0:32:40.670 --> 0:32:42.890
<v Speaker 1>they know that you don't know what's going on how

0:32:42.910 --> 0:32:44.970
<v Speaker 1>to operate any of this shit at that point okay

0:32:44.990 --> 0:32:47.950
<v Speaker 1>so sometimes it hurt us it's like okay, you got money.

0:32:48.290 --> 0:32:51.060
<v Speaker 1>We don't have to offer you so much money. Okay.

0:32:51.080 --> 0:32:52.940
<v Speaker 1>Y'all seem like y'all got to figure it out. And

0:32:52.960 --> 0:32:54.440
<v Speaker 1>then like a lot of times people was like, Hey,

0:32:54.480 --> 0:32:56.800
<v Speaker 1>I thought you had a deal because, and you know,

0:32:56.860 --> 0:32:58.970
<v Speaker 1>we independent. So it's just a person who sees the

0:32:58.990 --> 0:33:02.180
<v Speaker 1>talent and they're spending their money. And then it's like, uh,

0:33:02.840 --> 0:33:05.660
<v Speaker 1>You're not major or signed until you're signed to a

0:33:05.720 --> 0:33:08.000
<v Speaker 1>major label for people who don't know. So it's like

0:33:08.040 --> 0:33:10.020
<v Speaker 1>you saying, hey, bro, I believe in you and I

0:33:10.060 --> 0:33:12.520
<v Speaker 1>want to sign you to me. But you're not a label. Right.

0:33:12.880 --> 0:33:14.780
<v Speaker 1>Or y'all ain't a label. You know what I'm saying?

0:33:14.800 --> 0:33:17.290
<v Speaker 1>And people would think I'm signed. But now that I'm

0:33:17.310 --> 0:33:19.670
<v Speaker 1>signed to y'all. Now what? Because guess what? Y'all want

0:33:19.690 --> 0:33:22.830
<v Speaker 1>to get this podcast on a network because y'all aren't signed.

0:33:22.850 --> 0:33:26.550
<v Speaker 1>It's like independence. It's like. that is separate and so

0:33:26.590 --> 0:33:28.250
<v Speaker 1>it's like even y'all are trying to make strides to

0:33:28.270 --> 0:33:30.570
<v Speaker 1>like if I can get my shit on goddamn Hulu

0:33:30.610 --> 0:33:32.770
<v Speaker 1>Netflix Peacock at the same time that would be fucking

0:33:32.810 --> 0:33:34.950
<v Speaker 1>great or if I can shine to somebody who guarantee

0:33:34.970 --> 0:33:37.070
<v Speaker 1>me X amount of dollars per month or per year

0:33:37.370 --> 0:33:39.650
<v Speaker 1>that would be great and that's the goal and man

0:33:39.670 --> 0:33:41.390
<v Speaker 1>when I tell you bro that shit was just so

0:33:41.450 --> 0:33:44.540
<v Speaker 1>nasty like on some some crazy because motherfuckers always was

0:33:44.580 --> 0:33:48.380
<v Speaker 1>like we didn't know exactly what we needed or how

0:33:48.400 --> 0:33:50.840
<v Speaker 1>to ask for it and we also was just like

0:33:51.180 --> 0:33:53.280
<v Speaker 1>you know what I'm saying give us an offer. And

0:33:53.300 --> 0:33:55.070
<v Speaker 1>then when somebody giving us an offer, it don't sound

0:33:55.130 --> 0:33:57.510
<v Speaker 1>right or don't sound like something we feel like we

0:33:57.530 --> 0:34:00.030
<v Speaker 1>can take or everybody be comfortable. And it's also, you

0:34:00.070 --> 0:34:01.590
<v Speaker 1>don't know what the fuck to look for because I

0:34:02.490 --> 0:34:04.600
<v Speaker 1>have never been in this position. You're not a music nigga.

0:34:04.620 --> 0:34:07.820
<v Speaker 5>That's dangerous because, you know, sometimes those labels, they smell that.

0:34:08.370 --> 0:34:09.589
<v Speaker 5>They're like, yo, they don't know what they doing.

0:34:09.790 --> 0:34:10.370
<v Speaker 1>Yeah, yeah, yeah.

0:34:10.489 --> 0:34:12.569
<v Speaker 2>You know what I mean? Like, yes, they have access

0:34:12.610 --> 0:34:15.190
<v Speaker 2>to some capital, but they don't know what they doing.

0:34:15.250 --> 0:34:18.490
<v Speaker 1>And luckily, we didn't sign or didn't do anything because

0:34:18.590 --> 0:34:19.890
<v Speaker 1>now I would be like, fuck.

0:34:20.170 --> 0:34:20.390
<v Speaker 3>Yeah, yeah.

0:34:20.450 --> 0:34:22.569
<v Speaker 1>And I'm glad that I had to, like, you know,

0:34:22.630 --> 0:34:24.630
<v Speaker 1>me and Lou kind of, like, bumped heads and I

0:34:24.670 --> 0:34:26.330
<v Speaker 1>had to, like, do the shit myself or start, like,

0:34:26.410 --> 0:34:30.090
<v Speaker 1>executing on my own. It's taught me so much that now,

0:34:30.450 --> 0:34:31.960
<v Speaker 1>and he'll tell you, like, I sit back and let,

0:34:32.420 --> 0:34:34.859
<v Speaker 1>let bro do his thing and sometimes I'd be like, damn, like,

0:34:34.880 --> 0:34:36.660
<v Speaker 1>I ain't gonna lie, he called me one time when

0:34:36.680 --> 0:34:38.589
<v Speaker 1>I was on tour last year, he was like, ain't

0:34:38.610 --> 0:34:41.400
<v Speaker 1>gonna lie. You, you hitting that motherfucker. Like you, you,

0:34:41.540 --> 0:34:43.759
<v Speaker 1>you doing your thing. Like for real. Like you, he said,

0:34:43.780 --> 0:34:45.279
<v Speaker 1>you putting this shit together for real. You know what

0:34:45.300 --> 0:34:48.299
<v Speaker 1>I'm saying? And that was just like, whether he gives

0:34:48.340 --> 0:34:49.960
<v Speaker 1>it to me or somebody else like makes it happen

0:34:49.980 --> 0:34:52.060
<v Speaker 1>for him, it's going to happen. Like it's my shit.

0:34:52.160 --> 0:34:52.680
<v Speaker 1>It's going to happen.

0:34:52.800 --> 0:34:53.020
<v Speaker 2>Right.

0:34:53.239 --> 0:34:53.540
<v Speaker 1>Yeah.

0:34:54.200 --> 0:34:57.430
<v Speaker 2>Because we even saw that with like Meg and Carl Crawford,

0:34:57.469 --> 0:34:57.700
<v Speaker 2>I think.

0:34:58.350 --> 0:34:58.610
<v Speaker 1>Yeah.

0:34:58.770 --> 0:35:00.790
<v Speaker 3>And again, I don't know their personal business, but you

0:35:00.810 --> 0:35:04.190
<v Speaker 3>just saw that maybe a label did take advantage of,

0:35:04.700 --> 0:35:07.020
<v Speaker 3>somebody with some money and a very talented artist.

0:35:07.040 --> 0:35:09.180
<v Speaker 1>You can't say that about Meg though. You can't say that.

0:35:09.660 --> 0:35:09.960
<v Speaker 3>How so?

0:35:10.000 --> 0:35:12.219
<v Speaker 1>You shouldn't say that about Meg. Why? That was just

0:35:12.239 --> 0:35:13.569
<v Speaker 1>some clickbait so people can look at it.

0:35:13.590 --> 0:35:16.430
<v Speaker 2>I was wondering what the fuck you said. I was

0:35:16.450 --> 0:35:17.589
<v Speaker 2>waiting for the end of the bit.

0:35:17.650 --> 0:35:20.290
<v Speaker 1>If it gets attention, if it gets attention, you clickbait

0:35:20.330 --> 0:35:22.049
<v Speaker 1>that shit and be like, they had an argument about

0:35:22.070 --> 0:35:23.489
<v Speaker 1>Meg this day and then you see me like, you

0:35:23.530 --> 0:35:26.700
<v Speaker 1>can't say that. Why? Why not? Let me see what

0:35:26.719 --> 0:35:27.020
<v Speaker 1>he said.

0:35:27.120 --> 0:35:30.740
<v Speaker 2>Yeah, exactly. Jackson, Mississippi.

0:35:31.840 --> 0:35:35.460
<v Speaker 3>Do we think that Rappers from Mississippi may be better

0:35:35.580 --> 0:35:37.109
<v Speaker 3>at the internet than anybody else.

0:35:37.390 --> 0:35:38.529
<v Speaker 2>If we're, if we're going to rank.

0:35:39.530 --> 0:35:40.549
<v Speaker 1>Right now. Yeah. Hell yeah.

0:35:41.530 --> 0:35:42.770
<v Speaker 2>I mean, Soulja Boy started everything.

0:35:45.770 --> 0:35:49.770
<v Speaker 1>Yes, but I'm like, there's a lineage of Soulja Boy.

0:35:49.850 --> 0:35:52.650
<v Speaker 1>I got mixed feelings about how Soulja Boy like, and

0:35:52.890 --> 0:35:55.520
<v Speaker 1>Soulja Boy, if you're hearing this, you don't fuck with us.

0:35:56.140 --> 0:35:58.950
<v Speaker 1>That's fine. But don't play both sides of the fence.

0:35:59.330 --> 0:36:01.969
<v Speaker 1>I understand. And don't get on the enemy until I say,

0:36:01.989 --> 0:36:07.339
<v Speaker 1>Akeem Ali, you a bitch. And don't do all that. Akeem?

0:36:07.360 --> 0:36:09.660
<v Speaker 1>I know how to fight. I ain't saying I want

0:36:09.680 --> 0:36:11.700
<v Speaker 1>to fight. Don't take that the wrong way. But don't

0:36:11.719 --> 0:36:14.520
<v Speaker 1>get on there doing all that. But, like, we barely

0:36:14.540 --> 0:36:16.480
<v Speaker 1>have anything, and we'd be so proud to big you

0:36:16.560 --> 0:36:18.259
<v Speaker 1>up and, like, speak on your name and just say, like,

0:36:18.280 --> 0:36:20.250
<v Speaker 1>you know what I'm saying? But just fuck with us.

0:36:20.260 --> 0:36:21.839
<v Speaker 1>Don't fuck with Ali. Give us a little credit. You

0:36:21.860 --> 0:36:22.640
<v Speaker 1>know what I'm saying?

0:36:23.020 --> 0:36:25.359
<v Speaker 3>Okay, so I'm trying to figure out, are you upset

0:36:25.380 --> 0:36:28.460
<v Speaker 3>with Soulja Boy because... He's from Bompton now.

0:36:28.540 --> 0:36:29.100
<v Speaker 1>I'm not upset.

0:36:29.760 --> 0:36:30.780
<v Speaker 2>And he's not from Mississippi.

0:36:30.820 --> 0:36:31.900
<v Speaker 1>I can't tell him what to claim, but I would

0:36:31.920 --> 0:36:34.800
<v Speaker 1>tell people I'm from Jackson, Mississippi, tried and true, proud,

0:36:34.960 --> 0:36:37.180
<v Speaker 1>born and raised, but I wouldn't be the artist that

0:36:37.200 --> 0:36:38.029
<v Speaker 1>I am without Atlanta.

0:36:38.739 --> 0:36:39.009
<v Speaker 2>Gotcha.

0:36:39.050 --> 0:36:40.670
<v Speaker 1>I'm never going to mislead you. And he could be

0:36:40.690 --> 0:36:42.270
<v Speaker 1>from Atlanta. I just don't know how he grew up.

0:36:42.270 --> 0:36:43.950
<v Speaker 2>Well, he's from Bompton. He told Floyd Mayweather that to

0:36:43.989 --> 0:36:44.590
<v Speaker 2>his face.

0:36:46.450 --> 0:36:48.589
<v Speaker 1>Oh, man. I'm repeating what he said. I can't say

0:36:48.610 --> 0:36:52.530
<v Speaker 1>where the man from. Yeah. Mr. Drake, Drake, Draco. Draco. Yeah. Draco.

0:36:53.360 --> 0:36:56.020
<v Speaker 1>Big soldier, man. Boy, soldier boy, man.

0:36:57.140 --> 0:36:57.839
<v Speaker 2>Kiss me through the phone.

0:36:58.910 --> 0:37:01.210
<v Speaker 1>I can't say where you from, man. I don't tell

0:37:01.250 --> 0:37:04.190
<v Speaker 1>you none of that, but it's like, give credit or

0:37:04.210 --> 0:37:05.740
<v Speaker 1>pay homage. And I'm not saying that you have to,

0:37:05.760 --> 0:37:07.680
<v Speaker 1>but I got to pay homage to Atlanta because I

0:37:07.719 --> 0:37:09.000
<v Speaker 1>wouldn't be the artist or I wouldn't be sitting here

0:37:09.020 --> 0:37:11.340
<v Speaker 1>in front of y'all without the director right there. shooting

0:37:11.420 --> 0:37:13.420
<v Speaker 1>and hitting me up with ideas on me back and

0:37:13.440 --> 0:37:15.899
<v Speaker 1>forth and bouncing ideas off him. My photographer right there,

0:37:15.920 --> 0:37:19.200
<v Speaker 1>like Letitia Marie, Kevon Price. Like I can't be without

0:37:19.219 --> 0:37:22.950
<v Speaker 1>B-Flat or without, you know, Roy O'Oylands or without Kelton.

0:37:23.530 --> 0:37:25.090
<v Speaker 1>I can't be the artist that I am right now

0:37:25.110 --> 0:37:26.910
<v Speaker 1>without some of these people who've helped or put me

0:37:26.930 --> 0:37:29.270
<v Speaker 1>in position. Like I met Lou in like Atlanta, like

0:37:29.770 --> 0:37:32.529
<v Speaker 1>Atlanta has like started my career. And so I can't

0:37:32.550 --> 0:37:35.169
<v Speaker 1>just ever be like, you know, fuck them folks. Like

0:37:35.730 --> 0:37:37.330
<v Speaker 1>if you was in Mississippi when this shit started, like,

0:37:37.750 --> 0:37:38.989
<v Speaker 1>This is a part of some of the shit that

0:37:39.010 --> 0:37:40.730
<v Speaker 1>you like your friends or your surroundings or the people

0:37:40.750 --> 0:37:42.770
<v Speaker 1>that were there with you. They helped you do some

0:37:42.790 --> 0:37:44.190
<v Speaker 1>of this shit. Or this is the reason why you,

0:37:44.570 --> 0:37:47.290
<v Speaker 1>you probably was raised in Atlanta and influenced by it wholeheartedly,

0:37:47.330 --> 0:37:49.700
<v Speaker 1>which same with me and Jackson, right? You don't get

0:37:49.719 --> 0:37:51.680
<v Speaker 1>the type of nigga that I am without the Jackson

0:37:52.219 --> 0:37:55.790
<v Speaker 1>in me. But it's like, At what point do you say, like,

0:37:56.190 --> 0:37:57.950
<v Speaker 1>shout out to all my people in Mississippi? And maybe

0:37:57.969 --> 0:37:59.450
<v Speaker 1>he's done it. I just haven't seen it. But it's

0:37:59.469 --> 0:38:01.150
<v Speaker 1>just like we'd be trying to claim Soulja Boy and

0:38:01.170 --> 0:38:02.760
<v Speaker 1>people were, Soulja Boy from Mississippi, Soulja Boy, Soulja Boy.

0:38:03.090 --> 0:38:04.870
<v Speaker 1>And he'd be like, I ain't from no motherfucking Mississippi.

0:38:04.950 --> 0:38:07.150
<v Speaker 1>And I'd be like, whoa, nigga, what are we doing?

0:38:07.590 --> 0:38:09.720
<v Speaker 1>Is this so bad that you just can't say anything

0:38:09.760 --> 0:38:11.940
<v Speaker 1>from there? Like, what's up? You know what I'm saying?

0:38:11.980 --> 0:38:14.040
<v Speaker 1>But we, yeah. If you mean my rapper has been

0:38:14.140 --> 0:38:15.819
<v Speaker 1>the best on the internet from Mississippi, yes, I am.

0:38:16.680 --> 0:38:17.000
<v Speaker 2>Gotcha.

0:38:17.440 --> 0:38:18.460
<v Speaker 1>I am the best on the internet.

0:38:19.340 --> 0:38:20.419
<v Speaker 2>The best rapper on the internet.

0:38:20.620 --> 0:38:24.000
<v Speaker 1>Yeah. Me and Dearsilas and one other rapper that I

0:38:24.020 --> 0:38:26.750
<v Speaker 1>got to give his credit, LaRussell. It's two people that

0:38:26.790 --> 0:38:29.430
<v Speaker 1>I get a lot of my marketing from. I looked

0:38:29.469 --> 0:38:31.170
<v Speaker 1>up to how LaRussell marketed. At one point, you could

0:38:31.210 --> 0:38:34.210
<v Speaker 1>not see LaRussell on the internet. Three, four, five years ago,

0:38:34.290 --> 0:38:37.580
<v Speaker 1>you could not see that. I said, God, are they

0:38:37.620 --> 0:38:40.440
<v Speaker 1>paying him to do this? Who's behind this? And I

0:38:40.460 --> 0:38:41.560
<v Speaker 1>got so sick of seeing him, I just had to

0:38:41.580 --> 0:38:41.840
<v Speaker 1>follow him.

0:38:42.140 --> 0:38:44.560
<v Speaker 2>You're a better rapper than Lil Russell, but he's incredible.

0:38:44.680 --> 0:38:47.299
<v Speaker 1>I'm a better rapper than everybody. It ain't just him.

0:38:47.480 --> 0:38:52.150
<v Speaker 1>It's everybody. It's you, your best friend, your grandma, your dog,

0:38:52.630 --> 0:38:56.570
<v Speaker 1>all y'all. Soulja Boy. Soulja Boy, too. Shit, I'm a

0:38:56.570 --> 0:38:59.109
<v Speaker 1>better rapper than Soulja Boy. I'm not fucking with you.

0:38:59.250 --> 0:39:00.350
<v Speaker 1>I'm a better rapper than all of you.

0:39:00.370 --> 0:39:00.650
<v Speaker 3>But I'm good.

0:39:00.730 --> 0:39:06.020
<v Speaker 1>I work hard. very very hard for very fucking long

0:39:06.040 --> 0:39:07.319
<v Speaker 1>to be this good and it ain't just like it's

0:39:07.400 --> 0:39:09.460
<v Speaker 1>a he popped up out of nowhere and it's like

0:39:09.860 --> 0:39:12.259
<v Speaker 1>he's just started rapping you've seen me consistently for six

0:39:12.280 --> 0:39:15.560
<v Speaker 1>years straight yeah rap this good be this present and

0:39:15.580 --> 0:39:17.600
<v Speaker 1>like you know what i'm saying it ain't like oh

0:39:17.719 --> 0:39:19.319
<v Speaker 1>like you just said oh okay he can really rap

0:39:19.340 --> 0:39:20.930
<v Speaker 1>this ain't a facade he didn't pop down and like

0:39:21.250 --> 0:39:23.650
<v Speaker 1>pull some shit and just hit struck struck by uh

0:39:23.710 --> 0:39:26.750
<v Speaker 1>look you know i'm saying no i've worked very fucking

0:39:26.770 --> 0:39:29.210
<v Speaker 1>hard to be this good and why am i doing

0:39:29.230 --> 0:39:30.910
<v Speaker 1>it if i'm not better than all y'all niggas, man?

0:39:31.410 --> 0:39:32.030
<v Speaker 1>Come on, dog.

0:39:32.090 --> 0:39:34.819
<v Speaker 2>Is there anybody that you've reached out to to work with?

0:39:34.860 --> 0:39:36.780
<v Speaker 1>I thought you were going to say anybody. I was like,

0:39:36.840 --> 0:39:37.560
<v Speaker 1>hell no.

0:39:37.580 --> 0:39:39.260
<v Speaker 2>That's your name, Jesus.

0:39:39.320 --> 0:39:42.460
<v Speaker 5>Devontae Burns or God.

0:39:42.540 --> 0:39:45.620
<v Speaker 2>You tried to work with and they weren't as.

0:39:47.250 --> 0:39:49.250
<v Speaker 5>Receptive as you would have liked them to be? Like

0:39:49.270 --> 0:39:51.089
<v Speaker 5>you reached out to them? Yeah, I reach out to people.

0:39:51.130 --> 0:39:52.450
<v Speaker 5>I used to reach out to people all the time.

0:39:52.770 --> 0:39:54.029
<v Speaker 5>When people didn't get it from me or when people

0:39:54.050 --> 0:39:56.390
<v Speaker 5>didn't see it. And I see people now who like,

0:39:56.410 --> 0:39:59.399
<v Speaker 5>I done DM'd them before. Man, listen to my project,

0:39:59.420 --> 0:40:01.370
<v Speaker 5>but could you check me out? And they didn't see

0:40:01.410 --> 0:40:03.549
<v Speaker 5>it because I was a nobody. And then it's like,

0:40:03.570 --> 0:40:06.900
<v Speaker 5>years later, like, boy, that boy Akeem Ali. I'm like, chill, bitch.

0:40:06.980 --> 0:40:09.980
<v Speaker 1>Right, right. I'm just like, I'm just glad they recognized me.

0:40:10.000 --> 0:40:12.340
<v Speaker 5>What's the Sierra record doing for you, though? Because that's

0:40:12.460 --> 0:40:13.480
<v Speaker 5>a great look.

0:40:13.540 --> 0:40:13.940
<v Speaker 1>Man.

0:40:14.260 --> 0:40:16.319
<v Speaker 2>And how is that connection happening?

0:40:16.780 --> 0:40:21.009
<v Speaker 1>Okay, so right here, my photographer, Letitia Marie, is one

0:40:21.469 --> 0:40:23.850
<v Speaker 1>of the people who work very close with KP. KP

0:40:23.870 --> 0:40:27.469
<v Speaker 1>hit me about the record. Okay. Yeah. uh kawan prether

0:40:28.050 --> 0:40:30.040
<v Speaker 1>uh he hit me about the um record and was

0:40:30.060 --> 0:40:32.799
<v Speaker 1>just like you know c got this record and we

0:40:32.820 --> 0:40:34.839
<v Speaker 1>thought you would sound good on it me i'm just

0:40:34.880 --> 0:40:36.940
<v Speaker 1>like because sometimes people will have you do records and

0:40:36.980 --> 0:40:39.480
<v Speaker 1>not use them oh yeah and so i'm just in

0:40:39.500 --> 0:40:41.040
<v Speaker 1>the groove of like i'll be working so much i'm

0:40:41.060 --> 0:40:42.560
<v Speaker 1>like yeah i'll do the record it's sierra if she

0:40:42.620 --> 0:40:45.640
<v Speaker 1>use it whatever if she don't whatever i'm so used

0:40:45.660 --> 0:40:47.160
<v Speaker 1>to writing and putting shit out i'm just like fuck

0:40:47.200 --> 0:40:49.360
<v Speaker 1>it and i sent it to him he was like

0:40:49.380 --> 0:40:51.700
<v Speaker 1>oh boy you killed this motherfucker and i was like

0:40:51.719 --> 0:40:54.569
<v Speaker 1>appreciate it And I'm just thinking nothing of it. It's

0:40:54.610 --> 0:40:56.969
<v Speaker 1>sitting in my phone. Then one day, somebody hit me

0:40:56.989 --> 0:40:58.989
<v Speaker 1>and was like, hey, it's me. And she wants to

0:40:59.030 --> 0:41:01.480
<v Speaker 1>know when can you do content or shoot a video

0:41:01.500 --> 0:41:03.719
<v Speaker 1>or something. I'm like, oh, yeah. And I'm still not

0:41:03.739 --> 0:41:05.660
<v Speaker 1>thinking nothing of it. Even now, I'm just kind of like, damn,

0:41:05.700 --> 0:41:08.140
<v Speaker 1>it's so surreal. Because I'm like, I grew up watching

0:41:08.160 --> 0:41:10.239
<v Speaker 1>Ciara on a money car. Like, you know what I'm saying?

0:41:10.260 --> 0:41:12.320
<v Speaker 1>Doing her thing on top of a money Carlo. And

0:41:12.360 --> 0:41:14.160
<v Speaker 1>it's just like, now I'm sitting on the back of

0:41:14.280 --> 0:41:16.759
<v Speaker 1>a Chevelle. You know what I'm saying? Rapping my verse

0:41:16.780 --> 0:41:17.050
<v Speaker 1>with her.

0:41:17.060 --> 0:41:18.489
<v Speaker 2>That's the air driving. Crazy.

0:41:18.680 --> 0:41:21.770
<v Speaker 1>Yeah, I'm just like, fuck. You know, it's... very sweet

0:41:21.870 --> 0:41:23.850
<v Speaker 1>you know what I'm saying very kindred spirit man like

0:41:23.910 --> 0:41:27.969
<v Speaker 1>nice um man it was just like damn you know

0:41:28.430 --> 0:41:30.469
<v Speaker 1>and it was almost just kind of like while I'm

0:41:30.870 --> 0:41:32.540
<v Speaker 1>sitting on the backseat rapping I just wanted to be

0:41:32.560 --> 0:41:33.560
<v Speaker 1>like is she.

0:41:33.500 --> 0:41:39.900
<v Speaker 4>Real yeah that's you yeah you for real what's your

0:41:39.920 --> 0:41:44.070
<v Speaker 4>last name I'm like shit no the song is dope

0:41:44.090 --> 0:41:46.210
<v Speaker 4>though thank you I appreciate it the song.

0:41:46.070 --> 0:41:47.989
<v Speaker 2>Is dope I like the visual for the album I

0:41:48.010 --> 0:41:50.410
<v Speaker 2>mean for the song as well um.

0:41:50.510 --> 0:41:52.200
<v Speaker 3>And i just think that's fire that she had the

0:41:52.239 --> 0:41:55.640
<v Speaker 3>record and yeah wanted you on it not the other

0:41:55.660 --> 0:41:56.280
<v Speaker 3>way around.

0:41:56.140 --> 0:41:58.359
<v Speaker 2>And was ready willing to like you said just shoot

0:41:58.620 --> 0:41:59.420
<v Speaker 2>a visual for.

0:41:59.300 --> 0:42:00.640
<v Speaker 1>I think it was a mixture of things too like

0:42:01.420 --> 0:42:03.580
<v Speaker 1>meeting people who've known people or who meet people and

0:42:03.600 --> 0:42:05.839
<v Speaker 1>like they believing in a vision i don't think that

0:42:05.920 --> 0:42:07.980
<v Speaker 1>she just had like let's put a keemali on i

0:42:08.000 --> 0:42:09.839
<v Speaker 1>think somebody saw a vision for her and hey this

0:42:09.860 --> 0:42:11.540
<v Speaker 1>guy would be good but at any rate she could

0:42:11.560 --> 0:42:13.260
<v Speaker 1>have heard and been like yeah nah fuck that somebody

0:42:13.300 --> 0:42:15.779
<v Speaker 1>else and she heard and it was like I like this.

0:42:15.920 --> 0:42:18.100
<v Speaker 1>You know what I'm saying? It takes a lot for

0:42:18.140 --> 0:42:19.510
<v Speaker 1>a motherfucker to just like it. You can like it.

0:42:19.540 --> 0:42:21.259
<v Speaker 1>He can like it. That don't mean she going to

0:42:21.280 --> 0:42:22.839
<v Speaker 1>like it. She going to like it. Everybody don't feel

0:42:22.860 --> 0:42:24.219
<v Speaker 1>the same about it. So for everybody to be in

0:42:24.239 --> 0:42:28.259
<v Speaker 1>agreeance and like, hey, this is the guy. And like, yeah,

0:42:28.320 --> 0:42:30.279
<v Speaker 1>I was like, shit. That's dope. Yeah, man.

0:42:30.320 --> 0:42:33.210
<v Speaker 2>Do you also got into the joint with Money Long

0:42:33.230 --> 0:42:33.529
<v Speaker 2>as well?

0:42:33.910 --> 0:42:37.149
<v Speaker 1>Yeah. Well, it's on her album, but nobody knows that.

0:42:37.190 --> 0:42:40.150
<v Speaker 1>But y'all will hear that later on. Y'all will hear

0:42:40.190 --> 0:42:40.489
<v Speaker 1>that later on.

0:42:41.060 --> 0:42:42.799
<v Speaker 5>I see what you're doing with these features, man, with

0:42:42.820 --> 0:42:46.820
<v Speaker 5>the women, man. It's still some Kimi Casanova in there.

0:42:47.300 --> 0:42:49.940
<v Speaker 1>What? What do you mean, man?

0:42:49.980 --> 0:42:51.700
<v Speaker 2>Everybody's married in that situation, too.

0:42:51.820 --> 0:42:52.239
<v Speaker 1>No, no, no.

0:42:52.300 --> 0:42:54.920
<v Speaker 5>Everybody's married, but it's a lot. It's just like you

0:42:54.960 --> 0:42:56.880
<v Speaker 5>in this picture, you and money right here in this picture.

0:42:56.900 --> 0:42:57.580
<v Speaker 1>Money isn't married.

0:42:58.210 --> 0:42:59.070
<v Speaker 2>Money isn't married.

0:42:59.590 --> 0:43:03.840
<v Speaker 1>People think she's married. I don't want to have a

0:43:04.360 --> 0:43:09.060
<v Speaker 1>misperception or people be like, isn't she married? My bad, Iceberg.

0:43:09.080 --> 0:43:12.520
<v Speaker 5>I saw y'all at the BET Awards on the carpet.

0:43:13.719 --> 0:43:18.509
<v Speaker 5>The aesthetics was very, very nice. Just putting that out there.

0:43:18.530 --> 0:43:21.850
<v Speaker 5>Do with that what you will. I like the record.

0:43:22.510 --> 0:43:22.930
<v Speaker 1>What record?

0:43:23.950 --> 0:43:24.760
<v Speaker 2>Don't you have a record with her?

0:43:25.290 --> 0:43:26.049
<v Speaker 1>What record have you heard of?

0:43:27.340 --> 0:43:28.020
<v Speaker 2>I've been seeing y'all.

0:43:28.060 --> 0:43:31.760
<v Speaker 1>You saw, you saw me in a video of hers probably. Yes.

0:43:31.960 --> 0:43:34.020
<v Speaker 1>And yeah, so that was a record that was off

0:43:34.060 --> 0:43:35.340
<v Speaker 1>her album and it was for a rollout.

0:43:35.560 --> 0:43:35.840
<v Speaker 2>Okay.

0:43:36.000 --> 0:43:38.259
<v Speaker 1>So we did the video and it's just like, you know,

0:43:38.280 --> 0:43:42.469
<v Speaker 1>the video looks so fucking amazing. So good. Uh, the

0:43:42.510 --> 0:43:44.950
<v Speaker 1>richest by money long ago streamed at the day. I

0:43:45.390 --> 0:43:49.330
<v Speaker 1>also streamed the Lulu. I think that's out. Um, yeah.

0:43:49.690 --> 0:43:50.210
<v Speaker 1>Support her.

0:43:51.290 --> 0:43:53.029
<v Speaker 2>And support Akeem Ali.

0:43:53.150 --> 0:43:54.359
<v Speaker 1>Yeah. Support me. That's why I'm here.

0:43:57.650 --> 0:44:01.069
<v Speaker 3>Mall football is back and it's time to level up

0:44:01.110 --> 0:44:04.180
<v Speaker 3>your approach to the NFL and college football this season

0:44:04.219 --> 0:44:09.340
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0:44:09.400 --> 0:44:13.100
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0:44:13.140 --> 0:44:17.700
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0:44:17.780 --> 0:44:21.489
<v Speaker 3>whatever you want from the Saturday and Sunday slates to

0:44:21.550 --> 0:44:23.629
<v Speaker 3>who wins the Heisman to who's.

0:44:23.530 --> 0:44:25.550
<v Speaker 2>Going to perform at the halftime show. which we're talking

0:44:25.590 --> 0:44:27.010
<v Speaker 2>about on this episode today.

0:44:27.150 --> 0:44:29.250
<v Speaker 5>You might have to put something down on that. Definitely

0:44:29.270 --> 0:44:31.040
<v Speaker 5>might have to put something down on that. Polymarket gives

0:44:31.060 --> 0:44:33.440
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0:44:33.460 --> 0:44:36.540
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0:44:38.600 --> 0:44:41.770
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0:44:41.810 --> 0:44:45.370
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0:44:45.370 --> 0:44:47.270
<v Speaker 5>that's not a loss.

0:44:47.670 --> 0:44:48.450
<v Speaker 2>That's when you buy in.

0:44:49.430 --> 0:44:52.010
<v Speaker 5>Total opposite. At Polymarket, you can buy cheap and ride

0:44:52.030 --> 0:44:55.100
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0:44:55.140 --> 0:44:56.200
<v Speaker 5>go back to the old way.

0:44:56.219 --> 0:44:57.460
<v Speaker 2>They're issuing a challenge.

0:44:57.840 --> 0:44:59.940
<v Speaker 5>They are giving you a $ 50 bonus when you deposit

0:44:59.960 --> 0:45:03.120
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0:45:03.410 --> 0:45:06.589
<v Speaker 5>That's polymarket.us and use promo code Rory Mall to get

0:45:06.630 --> 0:45:08.630
<v Speaker 5>a $ 50 bonus when you deposit.

0:45:08.290 --> 0:45:12.489
<v Speaker 2>Just $ 10.

0:45:16.880 --> 0:45:19.779
<v Speaker 5>Texture Tape 3 is available now.

0:45:19.900 --> 0:45:20.580
<v Speaker 1>Yeah, hell yeah.

0:45:21.660 --> 0:45:24.460
<v Speaker 5>What was that process for you finally getting that together

0:45:24.500 --> 0:45:26.740
<v Speaker 5>and getting that out on DSPs?

0:45:27.360 --> 0:45:29.859
<v Speaker 1>I wrote some of that shit on tour last year

0:45:30.660 --> 0:45:33.140
<v Speaker 1>just in passing some of those songs. Some of them

0:45:33.160 --> 0:45:35.779
<v Speaker 1>I had already prepared. Some of them just came up

0:45:35.820 --> 0:45:38.629
<v Speaker 1>on like, you know, the biggest song off there right now, Mesh,

0:45:38.890 --> 0:45:41.049
<v Speaker 1>wasn't even supposed to be on there. I was trying

0:45:41.070 --> 0:45:43.070
<v Speaker 1>to find a song that went in between like Latex

0:45:43.110 --> 0:45:46.680
<v Speaker 1>and Yarn. And just got home from the studio one

0:45:46.719 --> 0:45:49.219
<v Speaker 1>night and just literally started humming a voice memo into

0:45:49.239 --> 0:45:51.480
<v Speaker 1>my phone and just like went to the studio, recorded that.

0:45:51.980 --> 0:45:55.339
<v Speaker 1>Stuff like Ray Young was more curated and just writing

0:45:55.380 --> 0:45:58.359
<v Speaker 1>it and passing while I'm jotting down lyrics every day.

0:45:58.420 --> 0:46:03.010
<v Speaker 1>Stuff like acrylic. I think I started writing acrylic on tour.

0:46:04.230 --> 0:46:06.330
<v Speaker 1>Spandex was a song that I just kind of like revamped.

0:46:07.020 --> 0:46:11.300
<v Speaker 1>Wool was something about some crazy shit. Silk was, you know, velvet.

0:46:11.360 --> 0:46:13.239
<v Speaker 1>I was coming from a baby shower one day and

0:46:13.280 --> 0:46:16.420
<v Speaker 1>literally just made the hook to velvet just on mistake.

0:46:16.480 --> 0:46:18.940
<v Speaker 1>I was just in the booth doing runs and just

0:46:19.000 --> 0:46:21.319
<v Speaker 1>came up with that and was just like, all right.

0:46:21.340 --> 0:46:23.529
<v Speaker 5>You're doing a lot of that more too. Like letting

0:46:23.570 --> 0:46:26.350
<v Speaker 5>people know that you actually have like, you can, you can,

0:46:26.370 --> 0:46:28.310
<v Speaker 5>you can rap and kind of hold a melody.

0:46:28.510 --> 0:46:28.690
<v Speaker 3>Yeah.

0:46:28.730 --> 0:46:29.690
<v Speaker 1>My name is Talented.

0:46:30.530 --> 0:46:31.290
<v Speaker 2>Talented.

0:46:31.510 --> 0:46:32.630
<v Speaker 1>Yeah. Talented.

0:46:34.370 --> 0:46:36.710
<v Speaker 2>Welcome to my TED Talk. Welcome to my TED Talk.

0:46:36.870 --> 0:46:39.010
<v Speaker 1>You know what I'm saying? I'm talented and welcome to

0:46:39.270 --> 0:46:45.930
<v Speaker 1>my TED Talk. This is my best project out right now.

0:46:45.989 --> 0:46:50.110
<v Speaker 5>Most artists say their latest project is their best.

0:46:50.130 --> 0:46:54.310
<v Speaker 1>I intentionally don't put out my best shit. People think

0:46:54.330 --> 0:46:58.569
<v Speaker 1>they have heard the pinnacle of me rapping. No. Not

0:46:58.610 --> 0:47:02.340
<v Speaker 1>to be funny about it, but To be in all seriousness,

0:47:02.600 --> 0:47:05.980
<v Speaker 1>you haven't heard me decline rapping. Or you haven't heard like,

0:47:06.540 --> 0:47:07.859
<v Speaker 1>maybe you don't like it as much as you like

0:47:07.880 --> 0:47:10.160
<v Speaker 1>something else, but you can't say it's lacking bars or

0:47:10.180 --> 0:47:14.379
<v Speaker 1>that it's lacking like the Akeem Ali-ness of it. Like rap,

0:47:14.620 --> 0:47:17.340
<v Speaker 1>rap wise, this is good. Songs, this is good. I

0:47:18.500 --> 0:47:20.620
<v Speaker 1>got shit so wicked sitting in my phone. I'm like,

0:47:21.270 --> 0:47:22.989
<v Speaker 1>my ears bleed sometimes when I'm listening.

0:47:23.030 --> 0:47:23.790
<v Speaker 2>Why are you holding it?

0:47:27.739 --> 0:47:29.470
<v Speaker 1>I'm not. I just put out a project.

0:47:29.710 --> 0:47:31.270
<v Speaker 2>Nah, but you just said you got some shit in

0:47:31.310 --> 0:47:31.709
<v Speaker 2>your phone.

0:47:31.750 --> 0:47:34.509
<v Speaker 1>Yeah, it's going to come out. It's going to come out.

0:47:35.090 --> 0:47:36.069
<v Speaker 2>Just not texture tape?

0:47:36.090 --> 0:47:39.660
<v Speaker 1>I'm thinking about doing a texture album. And that's going

0:47:39.680 --> 0:47:40.540
<v Speaker 1>to be the end of that.

0:47:41.239 --> 0:47:41.900
<v Speaker 2>End of that series?

0:47:42.040 --> 0:47:44.980
<v Speaker 1>Yeah, the end of that. But this is getting people

0:47:45.660 --> 0:47:48.299
<v Speaker 1>in a groove. Shout out to my photographer, Letitia. She

0:47:48.340 --> 0:47:52.549
<v Speaker 1>shot this. The artwork? Yeah, and then somebody else put

0:47:53.330 --> 0:47:57.350
<v Speaker 1>the three over it. Um... Shout out to her for that.

0:47:57.370 --> 0:47:59.950
<v Speaker 1>Shout out to Ari. Kevon, he was there that day.

0:47:59.969 --> 0:48:03.320
<v Speaker 1>We shot like the velvet visual. That's a whole velvet wall,

0:48:03.340 --> 0:48:06.180
<v Speaker 1>suede wall type shit. So like, yeah.

0:48:08.200 --> 0:48:10.359
<v Speaker 3>How do you time out putting projects? Like you say

0:48:10.380 --> 0:48:12.640
<v Speaker 3>you have stuff that's unreleased. You want to do the

0:48:12.680 --> 0:48:15.340
<v Speaker 3>texture album. Like how long do you wait in between?

0:48:15.400 --> 0:48:17.560
<v Speaker 3>Do you kind of judge that off algorithm shit too?

0:48:17.700 --> 0:48:19.399
<v Speaker 3>The way you go with social media, like?

0:48:19.670 --> 0:48:21.150
<v Speaker 1>When you're independent, you kind of just do what you

0:48:21.170 --> 0:48:23.489
<v Speaker 1>want and it's like a different structure set up. Like,

0:48:23.989 --> 0:48:25.810
<v Speaker 1>I'd be wanting to take like the Youngboy or the

0:48:25.870 --> 0:48:27.609
<v Speaker 1>Larry June approach and just boom, boom, boom, boom, boom.

0:48:28.010 --> 0:48:30.300
<v Speaker 1>But for my shit, it's like, give it a minute.

0:48:30.340 --> 0:48:32.640
<v Speaker 1>Let it settle in. Like, live with it sometime. Like,

0:48:32.660 --> 0:48:34.160
<v Speaker 1>I don't want to drop another project at least until

0:48:34.180 --> 0:48:37.500
<v Speaker 1>like another year and a half, two years and just

0:48:37.540 --> 0:48:39.680
<v Speaker 1>let people live with this one. Yeah. I don't want

0:48:39.700 --> 0:48:41.700
<v Speaker 1>to be hungry to just drop music all the time.

0:48:41.719 --> 0:48:44.010
<v Speaker 1>But when it drop, it needs to be like, this,

0:48:44.310 --> 0:48:46.640
<v Speaker 1>what the fuck is he doing? And when you hear it,

0:48:46.650 --> 0:48:48.610
<v Speaker 1>you're going to be like, I thought this nigga was bullshit.

0:48:48.750 --> 0:48:51.399
<v Speaker 1>I thought he was playing, but he's really not fucking playing.

0:48:51.420 --> 0:48:53.540
<v Speaker 1>You know what I'm saying? So far, I've been right

0:48:53.560 --> 0:48:56.080
<v Speaker 1>about everything I said I was going to do. So far,

0:48:56.100 --> 0:48:57.660
<v Speaker 1>I've been right about everything.

0:48:58.450 --> 0:49:00.830
<v Speaker 5>What do you think the biggest misconception about you is

0:49:01.070 --> 0:49:01.569
<v Speaker 5>as an artist?

0:49:02.989 --> 0:49:04.290
<v Speaker 1>I think a lot of people just think I give

0:49:04.330 --> 0:49:07.290
<v Speaker 1>a fuck, man. I don't know.

0:49:07.610 --> 0:49:09.440
<v Speaker 3>And they just be thinking- I thought it was the

0:49:09.460 --> 0:49:11.260
<v Speaker 3>gay pimp.

0:49:10.840 --> 0:49:16.370
<v Speaker 1>Thing, but yeah. Fuck all that. I just be like, shit, whatever, shit.

0:49:16.890 --> 0:49:18.410
<v Speaker 1>I don't be giving a fuck about a lot of stuff.

0:49:19.739 --> 0:49:21.549
<v Speaker 1>And people be thinking I do, but I just be like,

0:49:21.570 --> 0:49:23.500
<v Speaker 1>y'all do y'all thing, man. And I'm just going to

0:49:23.520 --> 0:49:25.640
<v Speaker 1>sit over here and chill and rap and just vibe,

0:49:25.760 --> 0:49:29.860
<v Speaker 1>you know? Nah, but people be thinking I'm somebody they

0:49:29.880 --> 0:49:31.279
<v Speaker 1>can play with. And I'm not.

0:49:33.170 --> 0:49:33.950
<v Speaker 2>Who be thinking that?

0:49:34.239 --> 0:49:36.560
<v Speaker 5>Everybody You seem like such a Just a cool In

0:49:36.580 --> 0:49:38.239
<v Speaker 5>your own zone Type of dude Like I.

0:49:38.219 --> 0:49:40.040
<v Speaker 1>Don't I be trying to convince people of that But

0:49:40.060 --> 0:49:41.620
<v Speaker 1>they don't give a fuck And so I just be

0:49:41.640 --> 0:49:44.989
<v Speaker 1>like Alright People think I'm just like Talking shit When

0:49:45.010 --> 0:49:46.469
<v Speaker 1>I be saying I rap good Or they just be

0:49:46.489 --> 0:49:47.390
<v Speaker 1>like He can't rap.

0:49:47.270 --> 0:49:49.029
<v Speaker 5>This good I've never heard of him Anybody that sees

0:49:49.170 --> 0:49:51.890
<v Speaker 5>Anybody that sees your videos Or hear your bars They

0:49:51.930 --> 0:49:54.859
<v Speaker 5>can't not say you don't rap Like, anybody that listens

0:49:54.900 --> 0:49:56.859
<v Speaker 5>to rap and they hear you rap, they're going to say, yo,

0:49:56.980 --> 0:49:58.080
<v Speaker 5>this dude can rap.

0:49:58.300 --> 0:49:58.960
<v Speaker 1>You'd be surprised.

0:49:59.420 --> 0:50:00.900
<v Speaker 2>No, that's just niggas just hating.

0:50:00.920 --> 0:50:04.759
<v Speaker 1>You'd be surprised. I'm telling you, like, they'd be on

0:50:04.780 --> 0:50:08.380
<v Speaker 1>some shit, Patch. I'm telling you. They'd be disrespecting me

0:50:08.560 --> 0:50:10.410
<v Speaker 1>in my own hood. Can't do that.

0:50:10.640 --> 0:50:11.910
<v Speaker 2>That's just them.

0:50:11.969 --> 0:50:15.790
<v Speaker 5>Having that video with Ciara, music coming with Money Long, like,

0:50:16.530 --> 0:50:17.430
<v Speaker 5>That changes all of that.

0:50:17.570 --> 0:50:19.589
<v Speaker 1>I will tell you like a very big misconception that

0:50:19.630 --> 0:50:21.509
<v Speaker 1>a lot of people have around what I do is

0:50:21.530 --> 0:50:23.509
<v Speaker 1>that they think that I have it all figured out

0:50:24.090 --> 0:50:27.029
<v Speaker 1>or that I got it all put together or that

0:50:27.310 --> 0:50:29.680
<v Speaker 1>I have more than I already do or that I'm

0:50:29.880 --> 0:50:31.880
<v Speaker 1>probably rich or that I'm like, you know, you see

0:50:31.920 --> 0:50:33.259
<v Speaker 1>people on the red card. I got invited to the

0:50:33.280 --> 0:50:36.120
<v Speaker 1>fucking BET award. Like I'm not rich or famous. And like,

0:50:36.140 --> 0:50:37.880
<v Speaker 1>you're in a video of Sierra. You must have a

0:50:37.900 --> 0:50:39.399
<v Speaker 1>million dollars. No, I don't have none of this shit

0:50:39.440 --> 0:50:41.219
<v Speaker 1>figured out. I don't have it like y'all think I do.

0:50:41.660 --> 0:50:44.180
<v Speaker 1>I'm just one person who just decides not to quit.

0:50:45.130 --> 0:50:47.110
<v Speaker 1>Keep pressing them buttons. Like when you're playing a game

0:50:47.130 --> 0:50:48.210
<v Speaker 1>and you don't know what to do, you just start

0:50:48.250 --> 0:50:50.830
<v Speaker 1>pressing shit. I'm that nigga. Like if I'm losing, I'm

0:50:50.850 --> 0:50:53.010
<v Speaker 1>going to just start doing shit. And I just press

0:50:53.180 --> 0:50:54.920
<v Speaker 1>all the buttons at one time. And like, you know

0:50:54.940 --> 0:50:57.469
<v Speaker 1>what I'm saying? So I don't have it all figured

0:50:57.530 --> 0:50:59.290
<v Speaker 1>out or I don't have like this grand, you know

0:50:59.310 --> 0:51:00.690
<v Speaker 1>what I'm saying? People be like, can you listen to

0:51:00.730 --> 0:51:03.270
<v Speaker 1>my stuff or give me some advice? I can tell

0:51:03.290 --> 0:51:04.650
<v Speaker 1>you to stop going, but then you're going to be like,

0:51:04.690 --> 0:51:06.800
<v Speaker 1>he trying to be funny. I mean, don't stop going

0:51:06.880 --> 0:51:08.759
<v Speaker 1>or don't quit. You're going to think I'm being funny.

0:51:09.300 --> 0:51:11.980
<v Speaker 1>Keep going. That's literally the answer to all of this shit. Like,

0:51:12.000 --> 0:51:14.100
<v Speaker 1>don't stop. You know what I'm saying? And just like,

0:51:14.140 --> 0:51:17.739
<v Speaker 1>make sure you got the right direction. Right execution. I

0:51:17.760 --> 0:51:19.440
<v Speaker 1>was telling somebody the other day, you know what's crazy?

0:51:19.460 --> 0:51:22.360
<v Speaker 1>They was like, why people be like, why ain't I

0:51:22.410 --> 0:51:26.239
<v Speaker 1>further ahead than what they think I should be? You know,

0:51:26.280 --> 0:51:28.300
<v Speaker 1>if you stand at the top of Madison Square Garden

0:51:29.340 --> 0:51:32.070
<v Speaker 1>and shoot a basketball into the hoop and make it,

0:51:32.400 --> 0:51:35.859
<v Speaker 1>that shit is so impressive, right? Still two points though, right?

0:51:36.100 --> 0:51:36.460
<v Speaker 2>Or three?

0:51:36.560 --> 0:51:41.140
<v Speaker 1>It's three. No, it's not even. It only counts when

0:51:41.160 --> 0:51:42.600
<v Speaker 1>you're playing inside of this rectangle.

0:51:42.920 --> 0:51:43.319
<v Speaker 2>That's true.

0:51:43.860 --> 0:51:45.620
<v Speaker 1>You know what I'm saying? And when you're shooting on

0:51:45.640 --> 0:51:47.680
<v Speaker 1>the correct goal and when it's your team's turn to like,

0:51:47.700 --> 0:51:50.810
<v Speaker 1>or when you've stolen the ball or got possession, It's

0:51:50.850 --> 0:51:53.520
<v Speaker 1>impressive from way up there. But until you learn how

0:51:53.540 --> 0:51:55.859
<v Speaker 1>to like do execution, like you got the fastest car

0:51:55.880 --> 0:51:58.600
<v Speaker 1>on the track, but you're outside the fucking, like you're

0:51:58.620 --> 0:52:01.210
<v Speaker 1>out of bounds or you're on the fucking side wall

0:52:01.510 --> 0:52:03.830
<v Speaker 1>riding and you're faster than everybody, but you never crossed

0:52:03.850 --> 0:52:05.390
<v Speaker 1>the finish line because the finish line ain't on there,

0:52:05.710 --> 0:52:08.029
<v Speaker 1>like over there. And so it's like, have all of

0:52:08.050 --> 0:52:11.810
<v Speaker 1>these things and be good. Execution matters And how you're

0:52:11.830 --> 0:52:13.759
<v Speaker 1>doing it Where you're doing it When you're doing it

0:52:14.140 --> 0:52:15.799
<v Speaker 1>All of that shit matters That's a fact You know

0:52:15.820 --> 0:52:17.540
<v Speaker 1>what I'm saying And so Some of it is very

0:52:17.600 --> 0:52:20.400
<v Speaker 1>impressive Like Hot Sauce can Put his ball on his

0:52:20.440 --> 0:52:22.379
<v Speaker 1>shirt And throw that motherfucker around Boom boom boom boom

0:52:22.840 --> 0:52:28.069
<v Speaker 1>But You know what I'm saying My guy And not

0:52:28.090 --> 0:52:31.210
<v Speaker 1>that He's fucking phenomenal Lead the shooter Okay Yeah Motherfucker

0:52:31.230 --> 0:52:34.009
<v Speaker 1>can shoot a basketball From outer space Right Why don't

0:52:34.030 --> 0:52:37.340
<v Speaker 1>he got Steph Curry money Right You know what I'm saying? Like,

0:52:37.680 --> 0:52:38.879
<v Speaker 1>why don't he got Kevin Durant money?

0:52:38.900 --> 0:52:40.480
<v Speaker 2>There's other nuances you have to learn before.

0:52:40.500 --> 0:52:42.940
<v Speaker 1>You feel me? And so it's just like, we could

0:52:42.960 --> 0:52:44.840
<v Speaker 1>just post this motherfucker up and just pass him the

0:52:44.860 --> 0:52:47.960
<v Speaker 1>ball and just. Yeah. Every time. It just don't work

0:52:47.980 --> 0:52:48.380
<v Speaker 1>that way though.

0:52:48.400 --> 0:52:48.720
<v Speaker 3>Yeah.

0:52:48.800 --> 0:52:49.080
<v Speaker 1>You know?

0:52:49.360 --> 0:52:49.860
<v Speaker 2>Absolutely.

0:52:50.160 --> 0:52:50.610
<v Speaker 1>Yeah. Yeah.

0:52:50.620 --> 0:52:52.410
<v Speaker 2>Oh man, we really, really.

0:52:52.450 --> 0:52:54.969
<v Speaker 1>Hold on man, I'm going on tour. Oh, yeah, no.

0:52:55.190 --> 0:52:56.969
<v Speaker 2>Let the people know. Listen, we want you to plug everything.

0:52:56.989 --> 0:52:57.520
<v Speaker 1>I'm going on tour, man.

0:52:57.530 --> 0:52:59.049
<v Speaker 2>Let the people know where they can find you, when

0:52:59.070 --> 0:52:59.610
<v Speaker 2>they can see you.

0:52:59.850 --> 0:53:02.239
<v Speaker 1>I'm going on tour. Y'all buy tickets to see me

0:53:02.300 --> 0:53:04.440
<v Speaker 1>on tour. Now, let me tell y'all, because people tell me.

0:53:04.520 --> 0:53:05.399
<v Speaker 2>Are you going to rap it, though?

0:53:05.900 --> 0:53:07.420
<v Speaker 1>Am I going to rap it? Yeah. No, no, no.

0:53:07.440 --> 0:53:09.759
<v Speaker 1>It's too much shit to rap. Hold on. Let me

0:53:09.780 --> 0:53:10.120
<v Speaker 1>see if I can.

0:53:10.160 --> 0:53:11.080
<v Speaker 2>Also, send us the image.

0:53:11.120 --> 0:53:14.859
<v Speaker 3>We'll put it up right here when you say the dates.

0:53:15.719 --> 0:53:18.880
<v Speaker 5>When you coming to New York, or are you? Because

0:53:18.940 --> 0:53:20.520
<v Speaker 5>I sound like one of the niggas in the comments now.

0:53:21.380 --> 0:53:24.840
<v Speaker 1>Right. Right. What is my New York date? Hold on.

0:53:24.860 --> 0:53:26.590
<v Speaker 1>Let me look this up because let me tell y'all

0:53:26.620 --> 0:53:30.250
<v Speaker 1>exactly how y'all embarrassing y'all city and state good people

0:53:31.790 --> 0:53:33.790
<v Speaker 1>by not showing up the way y'all said y'all would.

0:53:34.670 --> 0:53:35.549
<v Speaker 1>Where's New York at?

0:53:35.670 --> 0:53:36.490
<v Speaker 2>November 5th.

0:53:36.510 --> 0:53:37.770
<v Speaker 1>November 5th. Damn, y'all.

0:53:37.870 --> 0:53:38.529
<v Speaker 2>It is right there.

0:53:39.870 --> 0:53:45.410
<v Speaker 1>Yeah. November 5th. Uh-huh. Uh-huh. Now, this is missing the

0:53:46.610 --> 0:53:51.569
<v Speaker 1>fucking Las Vegas date. which is October the 14th is

0:53:51.630 --> 0:53:55.290
<v Speaker 1>missing Las Vegas, which is October the 14th. Okay. Um,

0:53:55.370 --> 0:53:58.650
<v Speaker 1>let me tell y'all some of these ticket sales. Um, Columbia,

0:53:58.670 --> 0:54:00.950
<v Speaker 1>South Carolina, y'all are okay, but you do need to

0:54:00.989 --> 0:54:03.290
<v Speaker 1>build on your ass out of 1200 tickets. I've only

0:54:03.310 --> 0:54:07.330
<v Speaker 1>sold four 21. Okay. Um, Orlando, Florida, you need your

0:54:07.430 --> 0:54:10.509
<v Speaker 1>ass beat out of 816 tickets. I've only sold one 35.

0:54:10.510 --> 0:54:12.830
<v Speaker 1>This tour starts in like a week and a half. Yeah.

0:54:12.850 --> 0:54:13.649
<v Speaker 1>You feel what I'm saying?

0:54:13.670 --> 0:54:13.870
<v Speaker 2>Yeah.

0:54:14.810 --> 0:54:19.880
<v Speaker 1>Um, Who else? Miami. 950 tickets need to be sold.

0:54:19.980 --> 0:54:22.840
<v Speaker 1>Only 265 sold. Y'all told me to come to Miami.

0:54:22.860 --> 0:54:23.500
<v Speaker 1>What the fuck happened?

0:54:24.239 --> 0:54:26.279
<v Speaker 3>Did the promoter say it's a good walk-up crowd? That's

0:54:26.300 --> 0:54:28.860
<v Speaker 3>my favorite thing. It's a big walk-up town.

0:54:28.940 --> 0:54:29.950
<v Speaker 1>A thousand people gonna walk up.

0:54:30.000 --> 0:54:33.280
<v Speaker 3>It's a big walk-up town.

0:54:33.360 --> 0:54:35.259
<v Speaker 2>And then when the show ends, they're like, hey, there

0:54:35.280 --> 0:54:36.080
<v Speaker 2>was a Marlins game.

0:54:36.420 --> 0:54:39.020
<v Speaker 1>Man, but watch this though. Tampa Bay. 550 tickets need

0:54:39.040 --> 0:54:50.089
<v Speaker 1>to be sold. 234 sold. Oklahoma City, 851 tickets need

0:54:50.110 --> 0:54:51.750
<v Speaker 1>to be sold. 187 have been sold. You need a

0:54:51.790 --> 0:54:53.880
<v Speaker 1>belt on your ass. You might need to shove a

0:54:53.900 --> 0:54:58.500
<v Speaker 1>belt up y'all ass. San Diego, 705 tickets need to

0:54:58.540 --> 0:54:59.960
<v Speaker 1>be sold. Only 91 sold.

0:54:59.980 --> 0:55:01.270
<v Speaker 2>Las Vegas, I'll belt up your ass.

0:55:01.280 --> 0:55:02.640
<v Speaker 1>Las Vegas, 750 tickets need to be sold.

0:55:02.739 --> 0:55:03.480
<v Speaker 2>Only 118 are sold.

0:55:03.500 --> 0:55:05.600
<v Speaker 1>Who else? Omaha, Nebraska, only 119 tickets out of 600. Denver,

0:55:05.620 --> 0:55:06.840
<v Speaker 1>only 124 out of 450. Oh, Portland, you need to

0:55:06.860 --> 0:55:09.080
<v Speaker 1>belt up your ass, pull through your mouth, and whoop

0:55:09.100 --> 0:55:11.050
<v Speaker 1>with the belt because out of 550 tickets, only 79

0:55:11.050 --> 0:55:27.960
<v Speaker 1>have sold. New York, Irvin Plaza. The Trailblazers have a

0:55:27.980 --> 0:55:30.600
<v Speaker 1>game that day. Watch this. New York, you need a

0:55:30.640 --> 0:55:33.960
<v Speaker 1>Timberland boot that's the size 15. Shut up your ass.

0:55:34.400 --> 0:55:37.080
<v Speaker 1>Because out of 1,100 tickets, only 151 tickets have been sold.

0:55:37.100 --> 0:55:37.520
<v Speaker 1>It's funny now.

0:55:41.050 --> 0:55:42.109
<v Speaker 2>Thanksgiving, you know.

0:55:42.230 --> 0:55:44.830
<v Speaker 1>Yeah, Little Rock. Little Rock, you need the same treatment

0:55:44.850 --> 0:55:47.129
<v Speaker 1>New York got, but somebody need to wrap you upside

0:55:47.150 --> 0:55:48.830
<v Speaker 1>your fucking head because out of 1,300 tickets, only 85

0:55:48.830 --> 0:55:49.430
<v Speaker 1>have been sold.

0:55:49.450 --> 0:55:50.760
<v Speaker 2>The Clintons will solve that one.

0:55:51.760 --> 0:55:57.160
<v Speaker 1>Who else? Birmingham, 182 tickets sold out of 1,000. Huntsville,

0:55:57.160 --> 0:55:59.680
<v Speaker 1>133 tickets sold. Only shows that are sold out. And

0:55:59.719 --> 0:56:02.560
<v Speaker 1>I had to do a second Atlanta show. or Jackson, Mississippi,

0:56:02.600 --> 0:56:05.930
<v Speaker 1>my hometown, and Atlanta, right? Y'all tell me to come

0:56:05.950 --> 0:56:07.370
<v Speaker 1>to these places, and if you're not a fan, I

0:56:07.410 --> 0:56:10.110
<v Speaker 1>get it. I'm not forcing you to buy tickets. Tickets

0:56:10.150 --> 0:56:11.989
<v Speaker 1>are only $ 30. I've been promoting this tour for five

0:56:12.010 --> 0:56:14.350
<v Speaker 1>and a half months. It costs five fucking dollars to fart.

0:56:15.300 --> 0:56:17.500
<v Speaker 1>You poop, it costs you $ 5. And you can't say

0:56:17.500 --> 0:56:20.560
<v Speaker 1>$ 5 a month, $ 4 a month. You spend, come on, bro.

0:56:21.480 --> 0:56:22.460
<v Speaker 1>I just spent $ 10.

0:56:22.160 --> 0:56:22.799
<v Speaker 4>Right.

0:56:22.820 --> 0:56:23.240
<v Speaker 1>Just then.

0:56:23.280 --> 0:56:25.090
<v Speaker 2>Just breathing. In New York, maybe $ 20.

0:56:25.020 --> 0:56:27.239
<v Speaker 1>It cost $ 20 fucking dollars to breathe.

0:56:27.239 --> 0:56:28.400
<v Speaker 2>$ 40 an hour to walk outside.

0:56:28.420 --> 0:56:30.070
<v Speaker 1>And y'all tell me to come to these cities. And

0:56:30.090 --> 0:56:32.330
<v Speaker 1>then y'all say, oh, he's complaining. He's a crybaby. He's

0:56:32.350 --> 0:56:34.049
<v Speaker 1>doing this. Oh, he's trying to force us. He's trying

0:56:34.070 --> 0:56:35.450
<v Speaker 1>to pocket. I'm not trying to pocket watch you. If

0:56:35.489 --> 0:56:37.650
<v Speaker 1>you're a fan or if you know somebody. And this

0:56:37.690 --> 0:56:40.310
<v Speaker 1>is me advocating for myself because maybe the algorithm isn't

0:56:40.390 --> 0:56:41.989
<v Speaker 1>showing you. So the people who got tickets and you

0:56:42.030 --> 0:56:44.589
<v Speaker 1>do support me, I love you. I appreciate you. You

0:56:44.610 --> 0:56:46.540
<v Speaker 1>mean a lot to me. I want your business. I

0:56:46.580 --> 0:56:47.900
<v Speaker 1>want your support. I want your love. And I want

0:56:47.920 --> 0:56:50.040
<v Speaker 1>to reciprocate that to you and for you. I do

0:56:50.080 --> 0:56:52.260
<v Speaker 1>appreciate it, and I am grateful to be in this position,

0:56:52.300 --> 0:56:53.980
<v Speaker 1>all right, that you're taking time out of your busy

0:56:54.020 --> 0:56:57.140
<v Speaker 1>day schedule life to spend effort, time, money, and energy

0:56:57.360 --> 0:56:59.669
<v Speaker 1>on me. But for the people who haven't seen this,

0:57:01.510 --> 0:57:05.290
<v Speaker 1>I'm bringing this belt. I'm bringing them Tims. And if

0:57:05.330 --> 0:57:06.760
<v Speaker 1>you ain't got them tickets, don't hop on. I'm going

0:57:06.780 --> 0:57:08.259
<v Speaker 1>to hop on my live. Tell me how you a

0:57:08.280 --> 0:57:10.600
<v Speaker 1>fan and you ain't got no ticket. And if y'all

0:57:10.620 --> 0:57:12.180
<v Speaker 1>not at the show, I'm coming back up here. I

0:57:12.200 --> 0:57:12.759
<v Speaker 1>know where y'all live at.

0:57:12.860 --> 0:57:15.500
<v Speaker 2>Oh, no, I'll be at the show. All right. I

0:57:15.520 --> 0:57:16.760
<v Speaker 2>got it. I got to see what you do.

0:57:16.780 --> 0:57:19.300
<v Speaker 1>Money bag, man.

0:57:19.400 --> 0:57:20.500
<v Speaker 2>Algorithm. You got to attack that.

0:57:20.560 --> 0:57:22.120
<v Speaker 1>One last thing. I want to give a shout out

0:57:22.160 --> 0:57:23.150
<v Speaker 1>to some artists in Jackson.

0:57:23.410 --> 0:57:23.530
<v Speaker 5>OK.

0:57:23.550 --> 0:57:24.870
<v Speaker 1>All right. I'm going to get a shout out and

0:57:24.890 --> 0:57:26.050
<v Speaker 1>I'm going to leave y'all alone. Get out your hair.

0:57:26.070 --> 0:57:28.130
<v Speaker 1>All right. So shout out to some artists and some

0:57:28.150 --> 0:57:30.410
<v Speaker 1>platforms in Jackson, Mississippi from the I love.

0:57:30.590 --> 0:57:31.930
<v Speaker 2>I love I love that you're doing this, by the way.

0:57:31.990 --> 0:57:36.510
<v Speaker 1>Yeah, man. Appreciate it. Antusay, Franchise, Hollywood Luck, J. Scott,

0:57:36.550 --> 0:57:40.680
<v Speaker 1>King King, Tricky Hudson, Dollar Black, D. Horton, 2TV, Gnarly J,

0:57:40.740 --> 0:57:43.960
<v Speaker 1>Fat Dizzle, Malik Cash, Casting Boy Dre, Jules, Ariel J,

0:57:44.320 --> 0:57:47.430
<v Speaker 1>Kiera Archie, Lake Forest D, Air Slim, Hershey Black, Flawless,

0:57:47.470 --> 0:57:51.450
<v Speaker 1>Vitamin C, B. King the Goat, Kenny Pahina, Navia, Dev Mac, Kamikaze,

0:57:51.470 --> 0:57:55.430
<v Speaker 1>Mojo Kids, Cool Jazz, Coke Bumaye, Dear Silas, Trilluminati, Nico,

0:57:55.510 --> 0:57:59.270
<v Speaker 1>Polo Baby, King Heem, Lil C, Doe Hicks, Dirty Costello,

0:57:59.330 --> 0:58:02.650
<v Speaker 1>Slim Pusher, The Joker, Cool KM, RBA School, Jody Boy,

0:58:02.710 --> 0:58:06.710
<v Speaker 1>Ray Kincaid, Donald Vegas, DJ Finesse, Don Juan, that's my DJ,

0:58:07.610 --> 0:58:10.730
<v Speaker 1>DJ T. Lewis, DJ Reese, DJ PM, DJ Pretty Ricky,

0:58:10.750 --> 0:58:13.730
<v Speaker 1>DJ Scrap Dirty, DJ Twigga, Fly Walker as a producer,

0:58:14.110 --> 0:58:17.530
<v Speaker 1>Markel producer, Rashad Street producer, C. Gutter producer, One way

0:58:17.550 --> 0:58:20.150
<v Speaker 1>to produce it Now some platforms That y'all can subscribe

0:58:20.170 --> 0:58:23.780
<v Speaker 1>to too Rita Brent My dog Cousin Tim Jonathan at

0:58:23.800 --> 0:58:27.610
<v Speaker 1>Tapped In Reviews Bars to Blow Squirrel World Crystal Sturt

0:58:27.660 --> 0:58:30.340
<v Speaker 1>on SC Money TV Fox Cave Chronicles 601 and Park

0:58:30.380 --> 0:58:34.520
<v Speaker 1>Michaela Phillips Big Mooch Portia C Alexis Noble Shout out

0:58:34.560 --> 0:58:37.960
<v Speaker 1>to all y'all My closest friends You know Chuck and

0:58:38.280 --> 0:58:42.480
<v Speaker 1>Javadric Goddamn Brian BJ Tim Rolo Shout out to my

0:58:42.520 --> 0:58:44.300
<v Speaker 1>dogs My sister Shout out to you I love you

0:58:44.320 --> 0:58:45.700
<v Speaker 1>I don't say my sister's name Because I don't want

0:58:45.740 --> 0:58:46.920
<v Speaker 1>to know Who my folks is For real like that

0:58:47.740 --> 0:58:51.040
<v Speaker 1>y'all niggas be weird and you know all my people

0:58:51.080 --> 0:58:52.600
<v Speaker 1>back at home man if you ever in jackson if

0:58:52.640 --> 0:58:54.620
<v Speaker 1>y'all go visit jackson go eat at johnny t's go

0:58:54.680 --> 0:58:57.010
<v Speaker 1>eat at uh go to m bar go to names

0:58:57.050 --> 0:59:01.370
<v Speaker 1>and faces elf jones shit fourth lounge trio um a

0:59:01.390 --> 0:59:04.510
<v Speaker 1>couple of businesses and places you can go to what

0:59:04.550 --> 0:59:06.690
<v Speaker 1>is looking like in jackson just go eat at the

0:59:06.710 --> 0:59:07.729
<v Speaker 1>places i told you to eat.

0:59:07.690 --> 0:59:09.890
<v Speaker 2>At they shaking ass in them places.

0:59:09.950 --> 0:59:13.200
<v Speaker 1>I Go do what I told you. I don't go

0:59:13.220 --> 0:59:13.840
<v Speaker 1>to the booty club.

0:59:14.300 --> 0:59:15.280
<v Speaker 2>What? Why?

0:59:15.820 --> 0:59:18.700
<v Speaker 1>Why? I work hard for my money. Yeah. All that

0:59:18.720 --> 0:59:20.750
<v Speaker 1>complaining I do about not having the money just to

0:59:20.770 --> 0:59:21.350
<v Speaker 1>go in there and be like.

0:59:21.370 --> 0:59:21.710
<v Speaker 2>Take it.

0:59:21.770 --> 0:59:22.190
<v Speaker 1>There you go.

0:59:23.800 --> 0:59:26.040
<v Speaker 2>Yeah, but sometimes you need, you know, inspiration.

0:59:26.140 --> 0:59:30.120
<v Speaker 1>No, and I'm going to tell you something. As hard

0:59:30.140 --> 0:59:33.900
<v Speaker 1>as I work for my money, give me all my

0:59:33.940 --> 0:59:37.240
<v Speaker 1>money in rolls of quarters. I'm going to knock somebody

0:59:37.280 --> 0:59:40.200
<v Speaker 1>out in this bitch. I'm throwing him. I'm throwing rolls

0:59:40.240 --> 0:59:42.240
<v Speaker 1>of quarters.

0:59:42.430 --> 0:59:43.220
<v Speaker 2>It's $ 5 a quarter.

0:59:43.340 --> 0:59:45.590
<v Speaker 1>Lumped and knotted up. Lumped up.

0:59:45.750 --> 0:59:48.990
<v Speaker 2>The texture to Hakeem Ali. Listen, man, go get them tickets.

0:59:49.490 --> 0:59:52.230
<v Speaker 2>Have you been to Jackson? I've never been to Jackson, Mississippi.

0:59:52.650 --> 0:59:53.370
<v Speaker 1>Oh, man. Okay.

0:59:53.810 --> 0:59:56.320
<v Speaker 2>I've been twice. PJ and I got robbed in New

0:59:56.380 --> 0:59:58.220
<v Speaker 2>Orleans and then we drove to Jackson, Mississippi.

0:59:58.240 --> 1:00:03.160
<v Speaker 1>And got robbed again. Damn. We came home after that.

1:00:03.240 --> 1:00:04.280
<v Speaker 2>I just had it.

1:00:04.540 --> 1:00:05.200
<v Speaker 1>Barely made it.

1:00:05.260 --> 1:00:07.460
<v Speaker 3>All of our stuff taken to New Orleans, robbed, and

1:00:07.520 --> 1:00:09.560
<v Speaker 3>we went to Jackson, Mississippi with the shirts on our

1:00:09.620 --> 1:00:11.660
<v Speaker 3>back and somehow made it back to New York.

1:00:11.740 --> 1:00:12.030
<v Speaker 2>Fuck you.

1:00:12.040 --> 1:00:12.500
<v Speaker 1>We made it.

1:00:12.540 --> 1:00:14.300
<v Speaker 2>Jackson took us in. Nigga, we made it.

1:00:14.630 --> 1:00:17.189
<v Speaker 1>No, some of the greatest people, nicest, most genuine people

1:00:17.230 --> 1:00:18.590
<v Speaker 1>you'll ever meet in your life from Jackson.

1:00:19.740 --> 1:00:21.660
<v Speaker 3>Jacksonville it was a cool city the time that we

1:00:21.680 --> 1:00:23.020
<v Speaker 3>spent there for sure.

1:00:22.960 --> 1:00:25.440
<v Speaker 5>Akeem Ali we appreciate you man this has been long

1:00:25.500 --> 1:00:27.440
<v Speaker 5>overdue it's a pleasure to finally have you in the

1:00:27.460 --> 1:00:30.060
<v Speaker 5>studio anytime you back in New York you want to

1:00:30.100 --> 1:00:30.820
<v Speaker 5>come through pull up.

1:00:30.860 --> 1:00:33.080
<v Speaker 1>I'm going to be back tomorrow.

1:00:33.760 --> 1:00:35.660
<v Speaker 5>No definitely for the show you definitely got to come

1:00:35.680 --> 1:00:37.240
<v Speaker 5>through whenever you get to the city before the show

1:00:37.480 --> 1:00:39.920
<v Speaker 5>come kick it with us Detection Tour go get those

1:00:39.960 --> 1:00:45.090
<v Speaker 5>tickets now support Akeem Ali real talent real bars I'm

1:00:45.120 --> 1:00:47.070
<v Speaker 5>that nigga he's just ginger Peace.

1:00:48.270 --> 1:00:48.830
<v Speaker 1>The gender niggas.