WEBVTT - #Throwback Episode - w/ DJ Clark Kent | (Ep.72)

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<v Speaker 1>Yeah, what's up, y'all? What's going on? Brod Radio. He's

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<v Speaker 1>a legendary Queen's rapper. Heygree is your boy In. He's

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<v Speaker 1>a Miami hip hop pioneer.

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<v Speaker 2>Put up his DJ e f N.

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<v Speaker 3>Together they drink it up with some of the biggest

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<v Speaker 3>players in music and sports.

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<v Speaker 1>You know what I mean.

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<v Speaker 4>The most professional, unprofessional podcast and your number one source

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<v Speaker 4>for drum facts.

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<v Speaker 1>This is Drinks Radio. Every day is New Year's Eve.

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<v Speaker 1>Hey see hope you say it's.

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<v Speaker 2>Your boy in put up his DJ e f N

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<v Speaker 2>And it is.

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<v Speaker 1>A drink chants, motherfucky podcast. Fg so, And when we

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<v Speaker 1>started this show, we said we're going to continue with legends.

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<v Speaker 1>We're going to keep it legendary. And right now we

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<v Speaker 1>have one of the world's famous DJs, one of the best,

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<v Speaker 1>world's best producers behind the scenes of touching every you know,

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<v Speaker 1>top tier artist, Pass has had to go through this

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<v Speaker 1>man's school, has had to be in a session with him,

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<v Speaker 1>had to be schooled by him. He's done countless hit records,

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<v Speaker 1>a sneaker king. Right now we are talking about the

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<v Speaker 1>legendary DJ Clark can't make some And we also have

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<v Speaker 1>his the homie who owns thirty six hundred pairs of sneakers.

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<v Speaker 1>His closet smells like Nike, Adidas and New Balance. He's

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<v Speaker 1>I've seen him on Enter the countless times. A lot

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<v Speaker 1>of people call themself sneaker kings, but nobody's a sneaker

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<v Speaker 1>king like my man May.

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<v Speaker 2>He's in the building.

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<v Speaker 1>It is hot here, goddamn it, it is hot. Goddamn

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<v Speaker 1>this is this is a dream, champs is we are

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<v Speaker 1>hip hop.

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<v Speaker 2>Remember old D and D studio.

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<v Speaker 1>You do not have to explain.

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<v Speaker 2>D and D never had a C.

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<v Speaker 1>I don't remember D and D. I have a C.

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<v Speaker 1>I don't think it ever did. I don't remember having

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<v Speaker 1>Uh what is it called the termite?

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<v Speaker 5>People like exterminating either. They never had exterminated D D.

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<v Speaker 5>Big up Premiere, God damn it for keeping hip hop

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<v Speaker 5>hip hop.

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<v Speaker 1>We just had Premiere and p Rock on here. But

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<v Speaker 1>before we get into here, we started this thing saying

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<v Speaker 1>that we wanted to keep legends and hip hop alive.

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<v Speaker 1>Today marks our first episode we ever dropped March twenty fifth.

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<v Speaker 1>We don't know when we were dropping this episode, but

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<v Speaker 1>March twenty fifth was our first episode. We hardly didn't

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<v Speaker 1>know what we were doing. But you with my boy

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<v Speaker 1>too and with our boy? Was that with Joe? That's right, boy,

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<v Speaker 1>that's right after you call Joel? Is that? Look? Cluk,

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<v Speaker 1>this is how this is how they pour in, Barry,

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<v Speaker 1>you're getting that rich. Make sure you get that good

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<v Speaker 1>slow motion. This is how they pour in and Bowery

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<v Speaker 1>be seen. I'm holding to be seen. So clak, I

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<v Speaker 1>want you to take us to the beginning, at the beginning,

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<v Speaker 1>what of the career, Like, what did you did?

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<v Speaker 6>You say?

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<v Speaker 1>You don't know him? Right now? You like you like

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<v Speaker 1>me and like right now I'm interview worried. It makes sense,

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<v Speaker 1>it makes sense, so listen, So did you start as

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<v Speaker 1>a producer first? Oh, you started as a DJ? DJ?

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<v Speaker 1>I'm a DJ first, thousand percent, Like I'm I don't

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<v Speaker 1>even know, Yeah, yeah, I'm a DJ first. That's it.

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<v Speaker 1>Everything that I do is based off of me being

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<v Speaker 1>a DJ first, Okay? And who was the person you

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<v Speaker 1>looked up to as a DJ? I would probably, if

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<v Speaker 1>I had to say the most, I would say Larry Levan.

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<v Speaker 1>But but before that, the first person I actually would

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<v Speaker 1>say I looked up to as a DJ or I

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<v Speaker 1>I looked at him, went like he's the guy with

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<v Speaker 1>Grandmaster Flowers. What's wrong they gonna say, master Flies, my

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<v Speaker 1>Grandmaster Flowers, Grandmaster Flowers. Yeah, I never heard him. I'm

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<v Speaker 1>thirty nine years old. Yeah, he's he's the legend in Brooklyn. Wow,

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<v Speaker 1>he's the guy big up Master Flowers. Yeah, I mean,

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<v Speaker 1>rest in peace, Rest in peace, sol clawed. You got

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<v Speaker 1>to meet Biggie early on? Yeah, what was that like?

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<v Speaker 1>It was cool because you have to remember, all of

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<v Speaker 1>his ogs was my man's on and and uh and

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<v Speaker 1>just and all of the guys that were older than him.

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<v Speaker 1>We're so we got to do with toast man, toast

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<v Speaker 1>to you for surviving this nasty ass game for as

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<v Speaker 1>long as you have been and out here still relevant,

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<v Speaker 1>So salute to you. Continue the big go ahead. Yeah,

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<v Speaker 1>so all of his uh, his o g's was my man's. Yeah,

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<v Speaker 1>I'm a little I was. I'm older than him. I

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<v Speaker 1>was older than him, and I was also always around

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<v Speaker 1>poppling them. So meeting him was I knew he was

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<v Speaker 1>a dope MC that there was nothing confusing about it. Now,

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<v Speaker 1>you met you met him early on? You met him,

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<v Speaker 1>I met him days? Yeah, I met him then, Yeah,

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<v Speaker 1>I met him earlier, Okay, and earlier than the regatars,

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<v Speaker 1>like when he went to was on the corners just

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<v Speaker 1>and he was when he was on Stretching Noye, I

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<v Speaker 1>mean Stretching Bo like I knew who he was at

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<v Speaker 1>that point. Now, what, Scott's the limit?

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<v Speaker 2>You did that?

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<v Speaker 1>Yes, I did. That wasn't the first joint you did

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<v Speaker 1>for Big right, that would be the first joint I did.

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<v Speaker 1>That was his record, but he was on Junior my

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<v Speaker 1>Fair Records. I executive produced the album with him. We

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<v Speaker 1>did that together. Okay, we're gonna go back to that.

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<v Speaker 1>But Scott's the Limit one of my favorite bigs, Thank you, brother,

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<v Speaker 1>and today is twenty is after that? Yeah right, and

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<v Speaker 1>that's makes a noose for that.

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<v Speaker 2>Anybody spoken.

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<v Speaker 1>It is not be doing on drink Champs the cameraman

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<v Speaker 1>even with that horn. I'm a joke your man with

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<v Speaker 1>the horn. I'm just show me. So Scott's the limit.

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<v Speaker 1>Now Big calls USA, he wants to beat Buff calls

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<v Speaker 1>you or how does this happen? We were on tour. Okay,

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<v Speaker 1>then he goes, let's start. He wants to make records

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<v Speaker 1>for Junior Mafia, and uh, he goes someone we come

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<v Speaker 1>back when we go home. When we come back, just,

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<v Speaker 1>you know, bring some music. So I brought some music

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<v Speaker 1>and it was on the bus and we were going

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<v Speaker 1>through tracks for Junior Mafia and he heard it and

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<v Speaker 1>he wanted it for himself. God's a limit. Yeah, and

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<v Speaker 1>then and then I went straight to the studio. No. Actually,

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<v Speaker 1>like I said, we were working on Junior Mafia is

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<v Speaker 1>the idea to Junior Manfia's album. We didn't even like

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<v Speaker 1>have a really set plan that this was going to

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<v Speaker 1>go down. It was I want to make an album

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<v Speaker 1>on Junior Manfield. Mister Lee, what's up man? We recorded

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<v Speaker 1>there's no simple lemonade just gut it. Talk is very Hollywood.

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<v Speaker 1>We got to get him simply lemonade. This is this

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<v Speaker 1>is no. But you don't got simple lemonade with just lemonade, man,

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<v Speaker 1>Just just lemonade in Fiji water, please, Fiji water with

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<v Speaker 1>the red top. No, no, got So that's your man

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<v Speaker 1>who was driving.

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<v Speaker 2>He's the best.

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<v Speaker 1>He's so you do discot's the limit. Like I said,

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<v Speaker 1>he was on we on tour and I brought him

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<v Speaker 1>some music back when we was going. When we went

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<v Speaker 1>back on tour and he heard it, he said he

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<v Speaker 1>wanted it, and I thought he actually was saying he

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<v Speaker 1>wanted it Virginia Mafia. But then I figured out, or

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<v Speaker 1>we figured out, that he didn't want a Virginia Mafia

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<v Speaker 1>at all. He wanted it for himself. And uh, I

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<v Speaker 1>kind of was like, well, you can't have it because

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<v Speaker 1>one I had given it to what Yeah, it was,

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<v Speaker 1>it was. I did tell me that. Damn. I remember

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<v Speaker 1>him telling me. You know, it's crazy if a story

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<v Speaker 1>involves you me and you never called him alive. Yeah,

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<v Speaker 1>I know, come on, that's very true. It's very true.

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<v Speaker 1>It's very true. I'm never a thing about it. Come on,

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<v Speaker 1>come on, Poppy, But you don't cook as Vandamania. Don't

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<v Speaker 1>turn the corner. You're gonna start repping. You were fabulous'

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<v Speaker 1>you're gonna make y'all your name is probably you know

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<v Speaker 1>this not no, that's right, let's make some noise for that.

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<v Speaker 1>So was you there when Scott's the Limit was recorded?

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<v Speaker 1>Half of it. I recorded the beat and then it

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<v Speaker 1>went to it went to what you call it. It

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<v Speaker 1>went to to Puff's studio, and then it came back

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<v Speaker 1>with the vocals, and and then it went back again

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<v Speaker 1>because he was like, he's gonna put one twelve on

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<v Speaker 1>it because he had did the hook by himself at first,

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<v Speaker 1>and then it went back to GET one twelve and

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<v Speaker 1>then it came back to the studio where I was

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<v Speaker 1>at that mixed it. Wow, but he was there for

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<v Speaker 1>the mixing and he was so now let me flip

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<v Speaker 1>and bounce it on. You also knew Tupac as well, Yeah,

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<v Speaker 1>you knew early Tupac. Just describe that, like, describe the

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<v Speaker 1>difference from early Tupac to the Tupac that you know

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<v Speaker 1>people know that Digital Underground. Yeah, well, I mean, you know,

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<v Speaker 1>in Digital Underground, he was being who he was in

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<v Speaker 1>Digital Underground. He was dancer sometimes rapper and hype man.

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<v Speaker 1>You know that's I mean he was. He was a

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<v Speaker 1>happy to go like he got all right And did

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<v Speaker 1>you meet the death Row Tupac? Yeah, I mean yeah, yeah,

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<v Speaker 1>let's describe it. I know you're talking to me like

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<v Speaker 1>he's looking at me, like look at you know, but no, listen,

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<v Speaker 1>change from death Throat he changed after the incident with

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<v Speaker 1>the cops. I think no, I.

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<v Speaker 2>Mean, he definitely.

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<v Speaker 1>It was. It was a change. What it was. It

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<v Speaker 1>wasn't the change that I'm asking Clark, you know what

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<v Speaker 1>I'm saying to change, like from Digital Underground TUPAC to

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<v Speaker 1>death ro Stick changes changed because you're you're you're you're

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<v Speaker 1>skipping a whole section of when he made records, Like

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<v Speaker 1>he made records before he became death Row. You know

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<v Speaker 1>what I'm saying, Like Brenda's got a baby. Holler if

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<v Speaker 1>you hear me. Like you know what I'm saying, Like

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<v Speaker 1>he was making records that were socially socially good and relevant.

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<v Speaker 1>You know what I'm saying, Brendan's had a bab Brenda's

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<v Speaker 1>got a baby is like amazing, you know what I'm saying.

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<v Speaker 1>So there was some things that were happening way before

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<v Speaker 1>he became death Row and he was being he was

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<v Speaker 1>being a rapper. You know, they say that that bishop

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<v Speaker 1>changed them. Some people would say that a lot of

0:10:36.240 --> 0:10:38.400
<v Speaker 1>people would say that. I mean, but he was acting

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<v Speaker 1>in that role and they say he stayed bishop after that.

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<v Speaker 1>It's not that I think what he what he surrounded

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<v Speaker 1>himself kind of like the people he was around. I

0:10:49.760 --> 0:10:54.520
<v Speaker 1>think the people that he got around kind of let

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<v Speaker 1>him fall into the bishop character. Maybe maybe, and then

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<v Speaker 1>he was trying to emulate the guys he got around,

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<v Speaker 1>probably right, you know, I mean, and then you know,

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<v Speaker 1>I mean, if if you got tough guys around you,

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<v Speaker 1>you might try to act tough. What's Clark Kent's favorite

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<v Speaker 1>time in hip hop? My favorite time in hip hop? Yeah,

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<v Speaker 1>and hip hop or rap? That's that's so I would

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<v Speaker 1>like that question. Then my favorite time in hip hop

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<v Speaker 1>is the whole forty five years that has been happening,

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<v Speaker 1>you know what I'm saying of hip hop? Yeah, the

0:11:30.520 --> 0:11:33.920
<v Speaker 1>whole life of hip hop is my favorite because I

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<v Speaker 1>grew up in it. I'm a part of it. And like,

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<v Speaker 1>I don't think it's it's it's anywhere close to done.

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<v Speaker 1>It's a culture. It's the culture and the way that

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<v Speaker 1>we live. Culture is a way of life, you know

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<v Speaker 1>what I'm saying. Like, rap isn't a way of life.

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<v Speaker 1>Rap is a music that lives within the culture. So

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<v Speaker 1>it lives within the way of life that we live.

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<v Speaker 1>So if you ask me my favorite time and rap

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<v Speaker 1>is when niggas could actually rhyme, like what times period

0:11:59.520 --> 0:12:01.720
<v Speaker 1>we talk would have to say, I would have to

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<v Speaker 1>say from from the message from the message to I

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<v Speaker 1>don't know the best rhymers were around in the nineties,

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<v Speaker 1>but I mean when you heard the message. It kind

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<v Speaker 1>of changed what people were willing to speak about. And

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<v Speaker 1>the funny part is that verse that Mellie Mel said

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<v Speaker 1>in the message is on Melly Mel's first record, and

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<v Speaker 1>nobody caught that. Mellius ever, Yeah, I thought everybody knew

0:12:36.080 --> 0:12:39.400
<v Speaker 1>that though, But it's on super wrapping is more but

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<v Speaker 1>no state of mind, blind to the ways of man.

0:12:41.640 --> 0:12:44.040
<v Speaker 1>It's on the end of super wrapping. And then and

0:12:44.080 --> 0:12:47.200
<v Speaker 1>then to use it on the message again, did you

0:12:47.200 --> 0:12:49.640
<v Speaker 1>see Melly Mell on the we showed recently he said

0:12:49.640 --> 0:12:52.920
<v Speaker 1>he's better than jay Z. He got to relax. I mean,

0:12:52.920 --> 0:12:54.839
<v Speaker 1>he's better at jay Z doing what you know what

0:12:54.840 --> 0:12:57.520
<v Speaker 1>I'm saying. That's a good question. Oh you know what,

0:12:57.559 --> 0:12:59.120
<v Speaker 1>when people say things, you got to ask them in

0:12:59.160 --> 0:13:02.360
<v Speaker 1>what context? And you know what I'm saying, because I

0:13:02.360 --> 0:13:04.680
<v Speaker 1>can say I'm better than jay Z. And then and

0:13:04.720 --> 0:13:07.079
<v Speaker 1>then the problem is most people will walk away thinking

0:13:07.160 --> 0:13:09.520
<v Speaker 1>the fuck is he talking about? He can't wrap? Instead,

0:13:09.559 --> 0:13:12.680
<v Speaker 1>I can go get DJing. And then what you're gonna

0:13:12.720 --> 0:13:14.840
<v Speaker 1>say is he gonna say good point. But I don't

0:13:14.840 --> 0:13:19.760
<v Speaker 1>think you can't saying a great point. You know what.

0:13:20.360 --> 0:13:24.280
<v Speaker 5>Melly Mills also, I think old body build up. Yeah,

0:13:24.320 --> 0:13:27.320
<v Speaker 5>but he ain't take my fighting. They were talking about

0:13:27.800 --> 0:13:29.199
<v Speaker 5>what did fight didn't have to do about it?

0:13:29.400 --> 0:13:33.080
<v Speaker 1>I mean just automatic thinking, like you know what I'm saying, Like,

0:13:33.400 --> 0:13:35.880
<v Speaker 1>but I think that's dope. I think that as long

0:13:35.920 --> 0:13:37.800
<v Speaker 1>as you're MC, you should think that you're you're you're

0:13:37.840 --> 0:13:40.440
<v Speaker 1>the best. Sometimes you got to have reality hit you,

0:13:40.480 --> 0:13:42.960
<v Speaker 1>like you know what I'm saying like, Well, MC shouldn't

0:13:42.960 --> 0:13:46.240
<v Speaker 1>have reality hit him. Rappers should have reality him. Okay,

0:13:46.240 --> 0:13:49.480
<v Speaker 1>come on, get your camera, man, Come on, man, while

0:13:49.520 --> 0:13:53.200
<v Speaker 1>you what it's right? Great, shut down, fast and furious.

0:13:53.679 --> 0:13:55.880
<v Speaker 1>So maya. What is your favorite time in hip hop?

0:13:56.240 --> 0:14:00.559
<v Speaker 1>Oh man? Late eighties the nineties.

0:14:00.640 --> 0:14:02.160
<v Speaker 6>I mean I go back and I was, you know,

0:14:02.160 --> 0:14:03.959
<v Speaker 6>I have my hands in clubsos back in the day.

0:14:04.960 --> 0:14:06.320
<v Speaker 1>Yeah, I was one of the.

0:14:06.200 --> 0:14:09.040
<v Speaker 6>Many guys that had a little taste of club essos.

0:14:08.800 --> 0:14:09.319
<v Speaker 1>Back in the day.

0:14:09.400 --> 0:14:12.440
<v Speaker 6>So you know jay Z twenty two tools club essos.

0:14:12.679 --> 0:14:16.120
<v Speaker 1>I remember one of my dudes from left right, they

0:14:16.120 --> 0:14:18.319
<v Speaker 1>had a chick and jay Z and Big came in

0:14:18.400 --> 0:14:20.640
<v Speaker 1>that night and they took my man's chick in the club,

0:14:20.880 --> 0:14:23.000
<v Speaker 1>and that what happen. That what happened, and.

0:14:22.960 --> 0:14:24.160
<v Speaker 2>They came in with just them too.

0:14:24.200 --> 0:14:27.320
<v Speaker 1>It was just Jay z and and Biggie. I was like, damn, Like, well,

0:14:27.600 --> 0:14:29.640
<v Speaker 1>we should have jumped them as here's a thought, here's

0:14:29.640 --> 0:14:32.600
<v Speaker 1>a thought if they walked in and took this dude's chicken,

0:14:32.800 --> 0:14:35.360
<v Speaker 1>wasn't it was like a bitch. They just met at

0:14:35.360 --> 0:14:38.000
<v Speaker 1>the club and still but still, you know, we gigged

0:14:38.000 --> 0:14:39.120
<v Speaker 1>doing this nigga for weeks.

0:14:39.320 --> 0:14:42.240
<v Speaker 7>He probably just that was big and Jay, I mean

0:14:42.240 --> 0:14:48.200
<v Speaker 7>that that movement was was that what's that movie?

0:14:48.240 --> 0:14:52.800
<v Speaker 1>We got a c we gotttle open another bottle?

0:14:52.840 --> 0:14:53.000
<v Speaker 8>Boy?

0:14:53.520 --> 0:14:55.520
<v Speaker 1>She was up. It should have been crazy.

0:14:56.560 --> 0:14:58.320
<v Speaker 2>Yeah, but that Club Essos movement was crazy.

0:14:58.360 --> 0:15:00.520
<v Speaker 6>I mean, you know, you had Jay with the twin tools,

0:15:00.560 --> 0:15:02.520
<v Speaker 6>Maria Davis Man Wednesdays. That was one of the illest

0:15:02.520 --> 0:15:04.640
<v Speaker 6>parties we ever had. You know, Maria Davis Every Wednesday

0:15:04.680 --> 0:15:07.600
<v Speaker 6>was legend. I was a legend every party. I'm one

0:15:07.600 --> 0:15:09.360
<v Speaker 6>of the few guys that seen Clark about thirty five

0:15:09.400 --> 0:15:13.480
<v Speaker 6>battles and couldn't walk out the club. I've seen Club

0:15:13.560 --> 0:15:17.160
<v Speaker 6>about thirty five bottles and couldn't walk out the club trying.

0:15:17.280 --> 0:15:23.480
<v Speaker 1>He's been one of the greatest DJs on the planet. Brother,

0:15:23.680 --> 0:15:26.720
<v Speaker 1>And we're not gonna argue, and we're gonna respect that tonight.

0:15:26.840 --> 0:15:27.680
<v Speaker 1>But ahead, man, I'm.

0:15:27.560 --> 0:15:30.600
<v Speaker 6>Sorry now, Junior, my feet shot uh to give money

0:15:30.640 --> 0:15:32.280
<v Speaker 6>video money. Part of the give money video was shot

0:15:32.320 --> 0:15:33.920
<v Speaker 6>a club, so and that was cool. I mean they

0:15:33.960 --> 0:15:36.080
<v Speaker 6>just walked up to the club one Wednesday afternoon with

0:15:36.320 --> 0:15:37.560
<v Speaker 6>a couple of dollars and was like, yea, we shoot

0:15:37.600 --> 0:15:40.200
<v Speaker 6>for the who day. Cool, let's make it happen. So,

0:15:40.240 --> 0:15:41.640
<v Speaker 6>you know, to see ship like that happened all the

0:15:41.640 --> 0:15:42.320
<v Speaker 6>time was crazy.

0:15:42.360 --> 0:15:44.560
<v Speaker 1>But I mean, how did you become a sneaker king?

0:15:45.320 --> 0:15:47.360
<v Speaker 6>I've been doing this since I was ten years old.

0:15:47.120 --> 0:15:48.360
<v Speaker 1>Man, collect this sneakers.

0:15:49.240 --> 0:15:50.880
<v Speaker 6>I got into sneakers when my moms bought me a

0:15:50.880 --> 0:15:52.640
<v Speaker 6>pair of skippies. Man, you know the skippies there dollar

0:15:52.720 --> 0:15:54.280
<v Speaker 6>ninety nine. So it wasn't a skippy really, it was

0:15:54.280 --> 0:15:56.520
<v Speaker 6>a shoe called the Mark five. And my government name

0:15:56.560 --> 0:15:58.280
<v Speaker 6>is Mark. So I thought I was the coolest mother

0:15:58.280 --> 0:15:59.680
<v Speaker 6>fuck on the planet because I had my name on

0:15:59.680 --> 0:16:01.760
<v Speaker 6>the shoot. I went back to the block, got laughed

0:16:01.760 --> 0:16:05.200
<v Speaker 6>off the block like now you wearing Skippi And after

0:16:05.200 --> 0:16:06.800
<v Speaker 6>that whatever I had to do. What I was robbing

0:16:06.880 --> 0:16:09.720
<v Speaker 6>money from my grandfather sweeping floors to buy sniggers. It

0:16:09.800 --> 0:16:11.400
<v Speaker 6>started from there, at ten years old, I bowed that

0:16:11.400 --> 0:16:12.360
<v Speaker 6>shit would never happen again.

0:16:12.480 --> 0:16:15.280
<v Speaker 1>And then you, Clark, how did you become? Because I'll

0:16:15.320 --> 0:16:17.760
<v Speaker 1>tell you what one of my boys right now, like

0:16:17.840 --> 0:16:20.360
<v Speaker 1>you know, because we'll be saying college and fat Joe

0:16:20.440 --> 0:16:26.840
<v Speaker 1>is cheating, like we said Claud got a Cheatko too.

0:16:27.040 --> 0:16:31.960
<v Speaker 1>Like when I asked my boy, my boy said, he's

0:16:32.000 --> 0:16:34.000
<v Speaker 1>probably the only guy in the world that could tell

0:16:34.040 --> 0:16:40.480
<v Speaker 1>Fat Joe and DJ college to relax. My boy said, respectfully,

0:16:40.480 --> 0:16:45.040
<v Speaker 1>it's probably true. But if we say Cali, yeah, the

0:16:45.120 --> 0:16:47.160
<v Speaker 1>dance would be yes. There's no argument to that. He

0:16:47.200 --> 0:16:49.680
<v Speaker 1>could say that. You know what I'm saying. With Joe,

0:16:49.840 --> 0:16:52.880
<v Speaker 1>it'll be a you never know on any day. You

0:16:52.920 --> 0:16:53.360
<v Speaker 1>know what I'm saying.

0:16:53.480 --> 0:16:57.600
<v Speaker 6>I went to high school with Joe, Like Joe, my

0:16:57.640 --> 0:16:59.160
<v Speaker 6>lunch room was fat lawing us.

0:16:59.200 --> 0:17:00.560
<v Speaker 2>Wow what I'm saying.

0:17:00.600 --> 0:17:02.720
<v Speaker 6>So, but I want to Joe went to Morrows for

0:17:02.720 --> 0:17:04.600
<v Speaker 6>a year and of course he got kicked out and

0:17:04.640 --> 0:17:06.040
<v Speaker 6>not enough and I'm a little SOLDI you got to

0:17:06.040 --> 0:17:08.359
<v Speaker 6>t chain and I don't I know Joe for a

0:17:08.359 --> 0:17:08.840
<v Speaker 6>long time.

0:17:10.600 --> 0:17:11.480
<v Speaker 2>I got a let the rest.

0:17:11.520 --> 0:17:21.560
<v Speaker 1>I got a let the rest.

0:17:17.240 --> 0:17:19.560
<v Speaker 6>Salute the one year yes, you know, and on your

0:17:19.560 --> 0:17:21.919
<v Speaker 6>one year show when Joe was talking about sneakers.

0:17:22.440 --> 0:17:25.760
<v Speaker 1>My name mentioned later here, yes, yes, yes, that's what

0:17:27.080 --> 0:17:31.880
<v Speaker 1>they ain't got mentioned by Joe. Yeah, and Joe, if

0:17:31.920 --> 0:17:36.159
<v Speaker 1>he's being honest, he mentioned me too. I know he

0:17:36.200 --> 0:17:38.520
<v Speaker 1>did say. Yeah, he says you and look at why

0:17:38.560 --> 0:17:40.399
<v Speaker 1>bring with you? Yes, and you bring the other sneaker.

0:17:40.600 --> 0:17:42.640
<v Speaker 1>This is this is real ship. I don't think you've

0:17:42.680 --> 0:17:45.480
<v Speaker 1>never been on the podcast. No, yeah, that's crazy. You

0:17:45.520 --> 0:17:49.000
<v Speaker 1>know we got actually we're doing a podcast on Joe

0:17:49.080 --> 0:17:52.120
<v Speaker 1>about sneakers. So he's gonna have his own podcast called

0:17:52.200 --> 0:17:54.320
<v Speaker 1>Josher Kicks. I need to be. You need to be.

0:17:55.320 --> 0:17:56.719
<v Speaker 1>I was going to say, you brother to have your

0:17:56.720 --> 0:17:57.840
<v Speaker 1>own joint, you know what I mean?

0:17:57.960 --> 0:18:03.320
<v Speaker 5>Like you know, he's gone, okay, like you do that,

0:18:03.440 --> 0:18:04.000
<v Speaker 5>you gotta be.

0:18:04.960 --> 0:18:09.040
<v Speaker 1>I don't have the no, I gotta try, gotta try, yo.

0:18:09.080 --> 0:18:11.160
<v Speaker 1>Do you know I've been trying to get Fat Joe

0:18:11.240 --> 0:18:16.280
<v Speaker 1>high for fifteen eighteen years that I knew him. And

0:18:16.320 --> 0:18:18.399
<v Speaker 1>the other day he had a tooth fake and we

0:18:18.440 --> 0:18:20.720
<v Speaker 1>got missed the childs and I'm smoking a vapor pin

0:18:21.040 --> 0:18:22.000
<v Speaker 1>and I just passed it to.

0:18:22.080 --> 0:18:24.560
<v Speaker 9>Him and he hit it and I was like, I

0:18:24.640 --> 0:18:28.359
<v Speaker 9>was like, I didn't even say that, but everybody everybody's

0:18:28.359 --> 0:18:30.440
<v Speaker 9>talking and ship and they act like it's normal, and

0:18:30.520 --> 0:18:32.639
<v Speaker 9>he's like, he looks at the whole table.

0:18:32.640 --> 0:18:36.080
<v Speaker 1>He goes, No, nobody see this fucking fake. I'm so happy.

0:18:36.119 --> 0:18:38.320
<v Speaker 1>I just stood there, you know, the basket for eighteen

0:18:38.400 --> 0:18:41.280
<v Speaker 1>years and you never want the damn my life never spoke.

0:18:41.359 --> 0:18:44.800
<v Speaker 1>We never tried it once. Yeah, and I thought it

0:18:44.880 --> 0:18:49.640
<v Speaker 1>was orated, it was overrated. I traded, tried it once,

0:18:50.040 --> 0:18:51.720
<v Speaker 1>try it again, Right, you're trying to make me try again.

0:18:52.840 --> 0:18:54.520
<v Speaker 1>I know you got to get that money tonight. But

0:18:54.720 --> 0:18:56.520
<v Speaker 1>now let's let's stay there on a sneak of things.

0:18:56.520 --> 0:18:59.280
<v Speaker 1>So how did you start this fetish? Like you know

0:18:59.280 --> 0:19:02.200
<v Speaker 1>what I mean? When because you like the first guy

0:19:02.200 --> 0:19:04.399
<v Speaker 1>to have a pair of knights, the first DJ. I know,

0:19:06.160 --> 0:19:07.720
<v Speaker 1>I don't know if that Zagger I would say about

0:19:07.760 --> 0:19:10.240
<v Speaker 1>Beato had him, but like he's not, he's not like

0:19:10.320 --> 0:19:13.119
<v Speaker 1>considered the DJ the way I'm considered the DJ. So

0:19:13.800 --> 0:19:17.920
<v Speaker 1>I mean, I guess with a release, the first guy

0:19:17.920 --> 0:19:20.840
<v Speaker 1>with the release would probably be either me or Bobido. Yeah. Wow,

0:19:20.920 --> 0:19:23.000
<v Speaker 1>when it comes to the rap game or whatever. The

0:19:23.080 --> 0:19:26.320
<v Speaker 1>DJ thing definitely. And is it true that you you

0:19:26.400 --> 0:19:30.960
<v Speaker 1>try to wear just one sneaker every day, like different

0:19:30.960 --> 0:19:33.280
<v Speaker 1>since two thousand and four. Since two thousand and four,

0:19:33.560 --> 0:19:36.720
<v Speaker 1>every day you switch up a different sneaker. Yeah, actually

0:19:36.880 --> 0:19:40.320
<v Speaker 1>with my second pair today, your second pair? Just do

0:19:40.359 --> 0:19:41.200
<v Speaker 1>I dire look down?

0:19:41.440 --> 0:19:41.640
<v Speaker 10>No?

0:19:41.640 --> 0:19:43.159
<v Speaker 1>No, I don't, man, I'm just i gotta look. I

0:19:43.160 --> 0:19:45.560
<v Speaker 1>got it. I'm light today. Man, I'm like you all, Yeah,

0:19:45.560 --> 0:19:47.680
<v Speaker 1>I got those. I don't know whether you probably don't

0:19:47.720 --> 0:19:52.240
<v Speaker 1>have these, but you probably don't have the original. These

0:19:52.240 --> 0:19:54.280
<v Speaker 1>are the ones that came out about four or five

0:19:54.359 --> 0:19:56.399
<v Speaker 1>years ago. I ain't got that right. You got the

0:19:56.440 --> 0:20:00.840
<v Speaker 1>new ones that just came out. Yeah, So how do

0:20:00.840 --> 0:20:02.800
<v Speaker 1>you keep y'all shit fresh? How do you you were

0:20:02.800 --> 0:20:07.920
<v Speaker 1>a brand new bass? Look Fiji, look baby, we got

0:20:07.960 --> 0:20:11.200
<v Speaker 1>you baby, you know get the only nigga that called

0:20:11.240 --> 0:20:21.160
<v Speaker 1>me so now claw okay, like I was, You asked

0:20:21.200 --> 0:20:25.080
<v Speaker 1>me about how I was a kid and around my

0:20:25.119 --> 0:20:30.680
<v Speaker 1>way which crying heights, Brooklyn. The older dudes who had

0:20:30.800 --> 0:20:36.280
<v Speaker 1>who had girls, No, no, no, no, no girls. We would

0:20:36.320 --> 0:20:38.080
<v Speaker 1>always like look up to the guys. You know what

0:20:38.119 --> 0:20:40.240
<v Speaker 1>I'm saying. So if I'm like eight and I'm looking

0:20:40.280 --> 0:20:42.359
<v Speaker 1>at a guy who's sixteen seventeen, the first thing I'm

0:20:42.400 --> 0:20:44.280
<v Speaker 1>trying to figure out is how did he get the girls,

0:20:45.160 --> 0:20:48.000
<v Speaker 1>and we always thought the sneakers looking new. But he

0:20:48.040 --> 0:20:50.199
<v Speaker 1>was older, so he's supposed to have better sneakers than

0:20:50.200 --> 0:20:52.480
<v Speaker 1>a kid who's eight, but we didn't register that because

0:20:52.480 --> 0:20:54.480
<v Speaker 1>there was no fathers around. So we looked at them

0:20:54.520 --> 0:20:57.760
<v Speaker 1>like big brothers who kind of guided or big uncles

0:20:57.760 --> 0:20:59.680
<v Speaker 1>who guided, and if they were fresh, we wanted to

0:20:59.680 --> 0:21:02.639
<v Speaker 1>be fresh. So we just wanted our sneakers new. And

0:21:02.680 --> 0:21:04.720
<v Speaker 1>that started like when I was nine, first time I

0:21:04.760 --> 0:21:08.400
<v Speaker 1>made some money, I bought sneakers. I think me too.

0:21:09.920 --> 0:21:12.400
<v Speaker 1>That's her ship. But I'm not like kings like y'all,

0:21:12.440 --> 0:21:14.720
<v Speaker 1>y'all like y'all take this ship serious. That's a choice.

0:21:16.000 --> 0:21:18.919
<v Speaker 1>Because you got the money. I'm like, because you have

0:21:19.040 --> 0:21:21.359
<v Speaker 1>them on, I'm saying you have the money. I'm the pawn.

0:21:21.440 --> 0:21:23.960
<v Speaker 1>Don't don't worry. You're talking about the fact that you

0:21:24.040 --> 0:21:24.600
<v Speaker 1>have the money.

0:21:24.640 --> 0:21:28.199
<v Speaker 2>Relax, don't double back to that.

0:21:28.520 --> 0:21:30.639
<v Speaker 6>When you got that five zs and you signed you

0:21:30.640 --> 0:21:31.760
<v Speaker 6>want sneakers happening.

0:21:31.560 --> 0:21:36.000
<v Speaker 1>Enough actually went aver Rex sopping text. I went to

0:21:36.000 --> 0:21:41.040
<v Speaker 1>the fish ship across the street from Stretch on strong ship.

0:21:41.440 --> 0:21:43.960
<v Speaker 1>Yeah that's definitely, that's definitely the truth. So look, now

0:21:44.440 --> 0:21:46.880
<v Speaker 1>this is basically shot time. This is when we take

0:21:46.920 --> 0:21:49.760
<v Speaker 1>a shot of your preference. This is part of the

0:21:49.800 --> 0:21:53.520
<v Speaker 1>show on every show.

0:21:53.600 --> 0:22:02.240
<v Speaker 11>Yes, I'm an avid listener. Yes, all right, the first

0:22:02.280 --> 0:22:03.960
<v Speaker 11>half is the com you know what I did?

0:22:04.160 --> 0:22:06.840
<v Speaker 1>I actually, you know, you know, because you're my friend.

0:22:06.880 --> 0:22:08.800
<v Speaker 1>So I actually look at other interviews and I want

0:22:08.800 --> 0:22:10.680
<v Speaker 1>to be the exact opposite of every other interview you

0:22:10.720 --> 0:22:12.560
<v Speaker 1>ever did. And I want to just ask you about

0:22:12.600 --> 0:22:15.399
<v Speaker 1>hip hop as opposed to just ask you personal stuff.

0:22:15.480 --> 0:22:17.600
<v Speaker 1>We'll get like to little things, but I want to

0:22:17.600 --> 0:22:19.800
<v Speaker 1>ask you in general hip hop because you're a hip

0:22:19.840 --> 0:22:21.840
<v Speaker 1>hop king, and we got to acknowledge that. We gotta

0:22:21.880 --> 0:22:24.440
<v Speaker 1>respect that I appreciate, and that's what the show is about.

0:22:24.480 --> 0:22:26.920
<v Speaker 1>I don't know if you know is you know, I

0:22:26.960 --> 0:22:28.560
<v Speaker 1>don't know if this is the reason why it works

0:22:28.600 --> 0:22:31.040
<v Speaker 1>because they quote unquote call me a legend, and for

0:22:31.119 --> 0:22:33.080
<v Speaker 1>a legend to sit on the chair and always respect

0:22:33.080 --> 0:22:36.920
<v Speaker 1>another legend, I guess that's humbling to certain people. And

0:22:37.040 --> 0:22:39.560
<v Speaker 1>I want to continue that because for me, you know

0:22:39.600 --> 0:22:42.120
<v Speaker 1>what I'm saying, Like, I remember Clark coming to the

0:22:42.200 --> 0:22:45.880
<v Speaker 1>War report session and I'm having a rhyme. My rhyme

0:22:45.960 --> 0:22:50.160
<v Speaker 1>was like thirty six bars and he was like, relax, like, Yo,

0:22:50.400 --> 0:22:52.440
<v Speaker 1>this is not how you rhy You can't have that

0:22:52.600 --> 0:22:54.520
<v Speaker 1>advance like that. You got to break that up. And

0:22:54.560 --> 0:22:57.320
<v Speaker 1>I would just rhyme. I just never knew how to like,

0:22:58.080 --> 0:23:01.760
<v Speaker 1>I just I never made a sixteen bar verse at

0:23:01.760 --> 0:23:05.479
<v Speaker 1>that time, Like it just didn't registered to me. I

0:23:05.560 --> 0:23:07.920
<v Speaker 1>just wrote until I couldn't write no more, and then

0:23:07.920 --> 0:23:09.920
<v Speaker 1>that was a verse. So whether that was twenty four,

0:23:10.960 --> 0:23:12.720
<v Speaker 1>thirty six or forty fucking.

0:23:12.520 --> 0:23:13.960
<v Speaker 2>Too, that, to me that was.

0:23:14.880 --> 0:23:17.439
<v Speaker 1>I remember Clark coming in the studio and saying, hold

0:23:17.480 --> 0:23:21.040
<v Speaker 1>on home, hold on, you went too crazy. Break that up,

0:23:21.600 --> 0:23:23.840
<v Speaker 1>And I didn't know how what he meant he broke

0:23:23.880 --> 0:23:25.880
<v Speaker 1>it up? Had the chicks from s w V come

0:23:26.080 --> 0:23:28.840
<v Speaker 1>I never met? Like I was? I was mad John?

0:23:28.920 --> 0:23:32.560
<v Speaker 1>What is that shit called? Uttressed off shruck? But then

0:23:32.600 --> 0:23:34.200
<v Speaker 1>she couldn't sing Let's keep it right?

0:23:34.400 --> 0:23:34.800
<v Speaker 2>Which one?

0:23:34.840 --> 0:23:36.919
<v Speaker 1>Which one? I don't remember which one? The one thing

0:23:37.400 --> 0:23:40.400
<v Speaker 1>I think it was it was either legally it wasn't.

0:23:40.680 --> 0:23:45.120
<v Speaker 1>I think it was. I wasn't the main and Coco

0:23:45.200 --> 0:23:49.679
<v Speaker 1>could sing, but I remembering waiting, I being so disappointed. No,

0:23:49.920 --> 0:23:51.600
<v Speaker 1>it's not that they can't sing, it's just that it

0:23:51.920 --> 0:23:59.920
<v Speaker 1>wasn't working that day. No, No, I'm not saying that

0:24:00.359 --> 0:24:02.320
<v Speaker 1>you can't sing. I'm saying that day that it wasn't

0:24:02.359 --> 0:24:04.719
<v Speaker 1>working on the song that on the melody, she couldn't

0:24:04.760 --> 0:24:07.879
<v Speaker 1>she couldn't catch it. But I brought nigga in it.

0:24:09.280 --> 0:24:13.040
<v Speaker 1>But so describe that, Describe that session for for me,

0:24:14.040 --> 0:24:15.600
<v Speaker 1>for you. That's how.

0:24:20.480 --> 0:24:20.760
<v Speaker 6>You you.

0:24:20.760 --> 0:24:22.560
<v Speaker 1>You got to get some pretense to the to the

0:24:22.760 --> 0:24:25.760
<v Speaker 1>to it. I knew you from before, like everybody needs

0:24:25.800 --> 0:24:27.359
<v Speaker 1>to know. Like it wasn't like I just walked up

0:24:27.400 --> 0:24:29.679
<v Speaker 1>and I just was like, yeah, no, that's not what

0:24:29.720 --> 0:24:32.800
<v Speaker 1>you're doing. You know what I'm saying. It was more like, okay,

0:24:32.840 --> 0:24:34.480
<v Speaker 1>I knew him all the time, and it was your clock.

0:24:34.520 --> 0:24:36.760
<v Speaker 1>We need a joint. I'm like, yeah, you know my

0:24:38.960 --> 0:24:41.840
<v Speaker 1>And then Copone went away and I was like, fuck,

0:24:41.920 --> 0:24:44.879
<v Speaker 1>I can't do it without without poone because you know

0:24:44.920 --> 0:24:48.200
<v Speaker 1>both of them is my niggas, right, And so then

0:24:48.240 --> 0:24:50.560
<v Speaker 1>it was like, well, he heard a beat that he

0:24:50.680 --> 0:24:53.320
<v Speaker 1>liked and it was a decision that he made and

0:24:53.359 --> 0:24:54.920
<v Speaker 1>he was going to do the whole song by himself,

0:24:55.400 --> 0:24:57.119
<v Speaker 1>and that's where we got in there. And it was

0:24:57.200 --> 0:24:59.879
<v Speaker 1>just this forty eight bottles of rhyming and I was like,

0:25:00.119 --> 0:25:02.800
<v Speaker 1>do it, And my thing was the track was too

0:25:02.840 --> 0:25:06.000
<v Speaker 1>pretty for him to be rhyming all crazy on it.

0:25:06.040 --> 0:25:09.520
<v Speaker 1>And I'm just like, the rhymes are fine since you

0:25:09.560 --> 0:25:11.800
<v Speaker 1>have to move somewhere around, can you stop for a

0:25:11.840 --> 0:25:15.000
<v Speaker 1>second if you stick a hook in there? I don't

0:25:15.000 --> 0:25:18.520
<v Speaker 1>remember it just like that. If you asked me, what

0:25:18.560 --> 0:25:22.840
<v Speaker 1>was that like, I'm gonna say it was perfect because

0:25:23.280 --> 0:25:25.600
<v Speaker 1>you let me produce, you know what I'm saying. And

0:25:25.680 --> 0:25:27.920
<v Speaker 1>so he wasn't. He wasn't fighting you on it not.

0:25:28.240 --> 0:25:30.119
<v Speaker 1>But I think the reason why he didn't fight me

0:25:30.240 --> 0:25:33.840
<v Speaker 1>is because I was already I had already made enough

0:25:33.920 --> 0:25:36.280
<v Speaker 1>records for him to go. I trust him. See back

0:25:36.320 --> 0:25:39.439
<v Speaker 1>in the days you got you got trusted if you

0:25:39.480 --> 0:25:41.159
<v Speaker 1>produce some records, you know what I'm saying. And he

0:25:41.200 --> 0:25:44.439
<v Speaker 1>trusted me, and like he was the first producer apartment,

0:25:44.440 --> 0:25:46.600
<v Speaker 1>because he was the first producer who told me that

0:25:46.760 --> 0:25:49.480
<v Speaker 1>most producers would just let me run. If you look,

0:25:49.560 --> 0:25:52.080
<v Speaker 1>if you listen then later no, if you listen to

0:25:52.080 --> 0:25:55.160
<v Speaker 1>the Bloody Money. Listening to Bloody Money one versus thirty

0:25:55.160 --> 0:25:58.639
<v Speaker 1>six bars, bro the other one is twenty four doesn't

0:25:58.680 --> 0:25:59.800
<v Speaker 1>make sense in any.

0:25:59.640 --> 0:26:01.359
<v Speaker 6>Other How did you take that when he told you

0:26:01.400 --> 0:26:02.359
<v Speaker 6>though like you.

0:26:02.680 --> 0:26:04.960
<v Speaker 1>I just wanted to learn. I wanted to learn. I

0:26:05.000 --> 0:26:07.320
<v Speaker 1>sat back like a as a student, and I've seen

0:26:07.400 --> 0:26:12.600
<v Speaker 1>him produce like he said it was yeah, but look again,

0:26:12.880 --> 0:26:17.399
<v Speaker 1>I think the times were different than it wasn't. It

0:26:17.440 --> 0:26:19.240
<v Speaker 1>wasn't I'm gonna give you a beat, you know what

0:26:19.320 --> 0:26:23.439
<v Speaker 1>it was. I wasn't back that we made records to that.

0:26:23.480 --> 0:26:27.600
<v Speaker 1>But like dudes who never had a record, like who

0:26:27.640 --> 0:26:30.080
<v Speaker 1>never sold the record, they'll give you a beat and

0:26:30.119 --> 0:26:32.920
<v Speaker 1>just walk away and be like, yes, go down and

0:26:33.359 --> 0:26:35.760
<v Speaker 1>face well, what does that song sound like? Or is

0:26:35.800 --> 0:26:37.800
<v Speaker 1>it a song? Or are people gonna remember that ship

0:26:37.920 --> 0:26:41.280
<v Speaker 1>or they gonna care later. So if you've made a record,

0:26:41.480 --> 0:26:43.520
<v Speaker 1>you know what I'm saying, you start to care differently.

0:26:43.720 --> 0:26:46.560
<v Speaker 1>So I just wanted him to have a song that

0:26:46.640 --> 0:26:49.240
<v Speaker 1>had a feeling that you when you walked away from

0:26:49.240 --> 0:26:51.320
<v Speaker 1>listening to the whole album, you might be like, oh,

0:26:51.400 --> 0:26:53.439
<v Speaker 1>that's my favorite record, that's my favorite record, But you

0:26:53.600 --> 0:26:58.000
<v Speaker 1>never forget that he made Closer to this Paper. You'll

0:26:58.040 --> 0:26:59.800
<v Speaker 1>never forget it when you listen to the album, because

0:27:00.480 --> 0:27:02.919
<v Speaker 1>because it's the one song on the album that's not

0:27:04.160 --> 0:27:08.120
<v Speaker 1>that's that's that's that's good, that's that's the God. Whatever,

0:27:08.600 --> 0:27:11.439
<v Speaker 1>that's okay, that's the God talking to us. Go come on,

0:27:11.480 --> 0:27:16.600
<v Speaker 1>pull some more shots the shots going come can you No?

0:27:16.920 --> 0:27:19.200
<v Speaker 1>I don't like your heavy hand. I got a cold,

0:27:19.240 --> 0:27:22.479
<v Speaker 1>so rocking there? Do we wipe this up? You got? Yeah?

0:27:23.600 --> 0:27:30.720
<v Speaker 1>You got turns hm you know what it turns out?

0:27:36.119 --> 0:27:43.720
<v Speaker 1>Holds a rock here covid yeah, cod for you. Goddamn

0:27:44.160 --> 0:27:49.240
<v Speaker 1>you give me my bottleless I forgot this is you?

0:27:49.280 --> 0:27:53.320
<v Speaker 1>Thank god I changed my playing. That's not I'll tell you.

0:27:53.440 --> 0:27:56.560
<v Speaker 1>I'm here. Okay, here he's going back shouting puff cold rock.

0:27:56.640 --> 0:27:59.240
<v Speaker 1>Let's here, big posit for you right there. Damn it.

0:28:00.080 --> 0:28:07.159
<v Speaker 1>The normal coop ships came up. God, damn it. What

0:28:07.320 --> 0:28:10.920
<v Speaker 1>is feeling? Shot niggas gave me the filthy ye see

0:28:10.920 --> 0:28:12.920
<v Speaker 1>shot lesses on them and I'm man, I ain't even

0:28:12.920 --> 0:28:15.640
<v Speaker 1>walk this shot lessons out there. This is would want something?

0:28:15.760 --> 0:28:17.840
<v Speaker 1>You know me, you know what my first person in

0:28:17.920 --> 0:28:21.560
<v Speaker 1>action and you know what I mean. This year is

0:28:21.640 --> 0:28:26.600
<v Speaker 1>the twentieth anniversary of the war report. Wow, June would

0:28:26.640 --> 0:28:32.800
<v Speaker 1>be because we dropped at June nineteen ninety seven was busy,

0:28:33.320 --> 0:28:37.320
<v Speaker 1>so it's busy. This year is real and twenty seventeen,

0:28:37.359 --> 0:28:39.160
<v Speaker 1>you for like nineteen ninety eight. To me, let's do

0:28:39.320 --> 0:28:41.440
<v Speaker 1>that having fun. We're doing it all over. But you

0:28:41.520 --> 0:28:45.239
<v Speaker 1>got a shot, Mayor, you gotta shots right there?

0:28:45.480 --> 0:28:45.960
<v Speaker 2>Who's poor?

0:28:46.520 --> 0:28:48.840
<v Speaker 1>Oh? I gotta pour money for yourself. We don't want

0:28:48.880 --> 0:28:50.360
<v Speaker 1>to be. We don't want you know what I mean.

0:28:50.720 --> 0:28:52.920
<v Speaker 1>You're a legend. God damn it. We see what your

0:28:52.960 --> 0:28:54.640
<v Speaker 1>wedding wing on. I wore mind so I knew he

0:28:54.680 --> 0:28:58.400
<v Speaker 1>was gonna wear y'alls. You know. So you said you

0:28:58.640 --> 0:29:01.360
<v Speaker 1>got married. You said, I war minds because I need.

0:29:02.840 --> 0:29:14.840
<v Speaker 8>The shots so my wife. That wasn't I can't.

0:29:14.680 --> 0:29:18.680
<v Speaker 1>Hang over man. That was That was like a kid

0:29:19.160 --> 0:29:20.680
<v Speaker 1>with you mind.

0:29:23.480 --> 0:29:24.320
<v Speaker 2>That was love city, bro.

0:29:26.400 --> 0:29:30.240
<v Speaker 1>There was a love for cy me. That was love city.

0:29:30.320 --> 0:29:32.719
<v Speaker 1>God damn it. And we got trolling for clock cancer

0:29:32.960 --> 0:29:37.160
<v Speaker 1>and motherfucking may Man is happening to you? Gotta wait?

0:29:37.600 --> 0:29:39.960
<v Speaker 1>Can we get a shot of air conditioning? Oh yeah,

0:29:40.000 --> 0:29:42.240
<v Speaker 1>he was over here, son. It wasn't.

0:29:43.640 --> 0:29:46.760
<v Speaker 2>Was the air conditioning, mister discussion.

0:29:48.560 --> 0:29:52.040
<v Speaker 1>Buny, goddamn it, trying to fix him. I'm so happy

0:29:52.040 --> 0:29:52.480
<v Speaker 1>you brother.

0:29:52.520 --> 0:29:53.040
<v Speaker 2>You want to say?

0:29:53.280 --> 0:29:56.040
<v Speaker 1>That's right? Man? The three champs, God damn it. I'm

0:29:56.040 --> 0:29:58.720
<v Speaker 1>having the world gainst. We celebrated hip hop look at that.

0:29:58.960 --> 0:30:03.320
<v Speaker 1>Look at that, I knew Clark is a different type

0:30:03.360 --> 0:30:05.760
<v Speaker 1>of person. I asked him what he drinking. He said, patron.

0:30:06.320 --> 0:30:09.360
<v Speaker 1>People who drink patron, they like to go to the abits.

0:30:10.360 --> 0:30:11.680
<v Speaker 1>That's the bottom of the ship.

0:30:12.320 --> 0:30:13.200
<v Speaker 2>I expect you to.

0:30:13.240 --> 0:30:15.120
<v Speaker 1>God damn it all right now, let's go.

0:30:15.760 --> 0:30:16.360
<v Speaker 2>I feel.

0:30:19.760 --> 0:30:22.880
<v Speaker 1>Ye. Goddamnit look like at the biggest shot to sea

0:30:31.600 --> 0:30:33.400
<v Speaker 1>because the DC tour in the house. God damn, you

0:30:33.440 --> 0:30:36.600
<v Speaker 1>know we love you so Clark to get money beat,

0:30:37.920 --> 0:30:39.920
<v Speaker 1>I didn't do to get money beat. I'm mixed to

0:30:39.960 --> 0:30:44.000
<v Speaker 1>get money record. What happened was d J d J E.

0:30:44.680 --> 0:30:48.880
<v Speaker 1>He's easy. L P. You over that right? No, LP,

0:30:50.400 --> 0:30:52.520
<v Speaker 1>where are you going right now? I just asking because

0:30:52.960 --> 0:30:55.880
<v Speaker 1>what's the phone call conversation you're talking about? Ez l P.

0:30:56.400 --> 0:30:57.880
<v Speaker 1>He told you to turn down the beat, and he

0:30:57.960 --> 0:31:00.520
<v Speaker 1>was on the phone and then you snuffed him something like, no,

0:31:02.040 --> 0:31:02.760
<v Speaker 1>I want to hear this one.

0:31:03.120 --> 0:31:04.360
<v Speaker 2>It sounds like something happened.

0:31:04.360 --> 0:31:10.040
<v Speaker 1>I didn't. You know, it's crazy. Soon as you get

0:31:10.120 --> 0:31:14.680
<v Speaker 1>this shot, don't. But I heard the story. There's no

0:31:14.800 --> 0:31:19.320
<v Speaker 1>backing off either. Well, just just I was around then,

0:31:20.040 --> 0:31:23.800
<v Speaker 1>just so you know, it wasn't over me. It was

0:31:23.920 --> 0:31:29.400
<v Speaker 1>over he was on the phone and and he was

0:31:29.880 --> 0:31:32.680
<v Speaker 1>I think it was either on just or somebody was

0:31:32.720 --> 0:31:37.160
<v Speaker 1>saying them. And and then somebody somebody was like he

0:31:38.040 --> 0:31:40.400
<v Speaker 1>I don't know who said turn the ship down or whatever,

0:31:40.920 --> 0:31:44.280
<v Speaker 1>but you know, then and then he got hurt big

0:31:44.360 --> 0:31:46.320
<v Speaker 1>all of a sudden, he got hit with a drummer. Sheine,

0:31:46.320 --> 0:31:48.360
<v Speaker 1>you hit him with a jump I gave you hit

0:31:48.440 --> 0:31:58.320
<v Speaker 1>him with the drum machine. Let's make a rump machine. Man.

0:31:58.760 --> 0:32:02.840
<v Speaker 1>My brother heard about this story. I did not hit

0:32:02.960 --> 0:32:05.880
<v Speaker 1>him with a drum ma shee. But I didn't. We

0:32:06.040 --> 0:32:08.840
<v Speaker 1>didn't have a beat. You sound you sound right? Now.

0:32:08.920 --> 0:32:09.280
<v Speaker 1>Here's what.

0:32:12.520 --> 0:32:13.480
<v Speaker 2>We're taking a little shot.

0:32:15.120 --> 0:32:15.520
<v Speaker 1>I want to.

0:32:17.000 --> 0:32:17.200
<v Speaker 12>Listen.

0:32:18.600 --> 0:32:25.400
<v Speaker 1>You can take all the shots you. I'm not mad.

0:32:25.520 --> 0:32:29.560
<v Speaker 1>I'm saying I did not hit him with a machine.

0:32:29.760 --> 0:32:32.040
<v Speaker 1>I think, so what did you? There was a rough

0:32:32.160 --> 0:32:35.320
<v Speaker 1>conversation about the fact that when I mixed the record,

0:32:35.640 --> 0:32:38.160
<v Speaker 1>and when I was mixing the record, I was taking

0:32:38.240 --> 0:32:40.480
<v Speaker 1>out the drums that he put on the record to

0:32:40.640 --> 0:32:42.440
<v Speaker 1>just leave the loop by itself. Why is all the

0:32:42.600 --> 0:32:46.600
<v Speaker 1>arms for? It's not deep, it's simple. And I think

0:32:46.680 --> 0:32:48.920
<v Speaker 1>played myself, and I think that's the way. I think.

0:32:49.000 --> 0:32:51.560
<v Speaker 1>There was a like a heated conversation because honestly, I

0:32:51.680 --> 0:32:53.480
<v Speaker 1>wasn't even paying attention. I just know it was like

0:32:53.600 --> 0:32:55.480
<v Speaker 1>now and I was like, what the fuck? And he

0:32:55.600 --> 0:32:57.200
<v Speaker 1>had got I think he got hit with a drum

0:32:57.240 --> 0:33:00.480
<v Speaker 1>machine something like that. I wasn't to talk.

0:33:00.800 --> 0:33:03.160
<v Speaker 13>Believe, it's no job, and like every other thing, like

0:33:03.520 --> 0:33:06.280
<v Speaker 13>every everything you ever mentioned, and like but right now,

0:33:06.480 --> 0:33:09.800
<v Speaker 13>at the moment, you got in the Brooklyn on like

0:33:10.160 --> 0:33:12.840
<v Speaker 13>you can't even take the Brooklyn smirk, like you can't

0:33:13.360 --> 0:33:22.160
<v Speaker 13>take another jot Clark, I got, yeah, you gotta.

0:33:22.320 --> 0:33:25.360
<v Speaker 1>We're celebrating clark Head tonight in the words, in the

0:33:25.400 --> 0:33:25.920
<v Speaker 1>words of Norman.

0:33:25.960 --> 0:33:28.160
<v Speaker 2>I'm the official porl and I.

0:33:28.200 --> 0:33:31.120
<v Speaker 1>See you on the d J yesterday. You had champagne.

0:33:31.400 --> 0:33:34.240
<v Speaker 1>You killed the crowd, yo, goddamn it. I'm still proud

0:33:34.240 --> 0:33:36.240
<v Speaker 1>of you. Still out here relevant to take another shot? Godamn,

0:33:36.320 --> 0:33:38.720
<v Speaker 1>come on, we're gonna do it. Luke Clark can motherfucking

0:33:38.800 --> 0:33:42.480
<v Speaker 1>mayor goddamn goes down like that.

0:33:46.840 --> 0:33:47.840
<v Speaker 2>I am not going to the party.

0:33:48.520 --> 0:33:50.880
<v Speaker 1>The best liquor on the planet throw that out there.

0:33:55.120 --> 0:33:58.440
<v Speaker 1>That shot was way too much, So Clark over again,

0:33:58.560 --> 0:34:01.800
<v Speaker 1>you did not I did not hit easy l P

0:34:02.480 --> 0:34:05.840
<v Speaker 1>with a drum machine at all. I had nothing to do.

0:34:07.120 --> 0:34:09.560
<v Speaker 1>I had nothing to do with it. So you want

0:34:09.640 --> 0:34:10.880
<v Speaker 1>they want to get off of that subject.

0:34:11.840 --> 0:34:13.000
<v Speaker 2>I'm gonna text you to not tell you.

0:34:14.440 --> 0:34:16.239
<v Speaker 1>But it's all because Easy LP his family as well.

0:34:16.400 --> 0:34:19.279
<v Speaker 1>That's what I'm saying. It was I heard because you know,

0:34:19.440 --> 0:34:20.960
<v Speaker 1>you know why I heard that room up because they

0:34:21.080 --> 0:34:24.279
<v Speaker 1>was telling me how Big was like an instigator. So

0:34:24.440 --> 0:34:27.480
<v Speaker 1>they so they because I used to instigate ship like

0:34:27.600 --> 0:34:30.040
<v Speaker 1>Big Big as an instigator. So that's how I actually

0:34:30.440 --> 0:34:33.000
<v Speaker 1>got that story. But I wouldn't say Big was an instigator.

0:34:33.000 --> 0:34:39.320
<v Speaker 1>I would say Big was he instigated the machine. The

0:34:39.400 --> 0:34:40.480
<v Speaker 1>machine just that.

0:34:42.360 --> 0:34:42.960
<v Speaker 2>It's crazy.

0:34:43.280 --> 0:34:47.160
<v Speaker 1>I'm can I ask you about the rabbit you slad? No,

0:34:47.760 --> 0:34:54.840
<v Speaker 1>it's okay, it was okay you already said that. I'm like,

0:34:55.320 --> 0:34:57.640
<v Speaker 1>you know you know what you did? Yo. I want

0:34:57.680 --> 0:34:59.480
<v Speaker 1>to be. I want to be I want everybody to

0:34:59.560 --> 0:35:03.560
<v Speaker 1>understand this. Nor re curved me when he first started

0:35:03.600 --> 0:35:07.200
<v Speaker 1>doing the podcast. No, yes, wait wait remember you hit

0:35:07.280 --> 0:35:12.080
<v Speaker 1>me on Twitter and hold on. I was way later.

0:35:13.000 --> 0:35:14.560
<v Speaker 1>I want to know because you hit me on Twitter

0:35:14.600 --> 0:35:16.640
<v Speaker 1>and was like, Yo, we need to get you on

0:35:16.719 --> 0:35:19.600
<v Speaker 1>the on the podcast, and I went, I don't know, son,

0:35:19.640 --> 0:35:22.439
<v Speaker 1>because I know you Poppy and you was like, yeah,

0:35:22.440 --> 0:35:29.759
<v Speaker 1>I forget it. You were back. Yeah, forget it, I said,

0:35:30.719 --> 0:35:31.160
<v Speaker 1>I laughed.

0:35:31.200 --> 0:35:33.120
<v Speaker 2>I was like, aha, I said don't.

0:35:33.200 --> 0:35:35.840
<v Speaker 1>I said, I don't know, because I know you you

0:35:35.960 --> 0:35:37.239
<v Speaker 1>roll back. Here's the crazy ship.

0:35:37.360 --> 0:35:37.480
<v Speaker 11>Now.

0:35:37.880 --> 0:35:40.839
<v Speaker 1>I'm a hot nigga. So sometimes I answered somebody else

0:35:41.120 --> 0:35:43.800
<v Speaker 1>thinking I'm asking somebody else. You listen, I'm gonna be

0:35:43.840 --> 0:35:46.800
<v Speaker 1>honest with you. It's certain people that is like so

0:35:46.960 --> 0:35:50.000
<v Speaker 1>much family to me that it's like you're one of

0:35:50.040 --> 0:35:52.280
<v Speaker 1>those guys like I did. I don't pressure you because

0:35:52.280 --> 0:35:55.200
<v Speaker 1>I know that me and you're gonna sure, we're gonna

0:35:55.239 --> 0:35:57.040
<v Speaker 1>do it. And then I've seen you did rap up.

0:35:57.080 --> 0:36:00.879
<v Speaker 1>We almost didn't. When I said you didn't, I'm saying

0:36:00.920 --> 0:36:03.880
<v Speaker 1>I said, I said, hmm. I said, they don't know

0:36:04.160 --> 0:36:05.840
<v Speaker 1>how to, you know, get it out of him, Like,

0:36:05.960 --> 0:36:08.480
<v Speaker 1>you know, that's a great pause. It's great.

0:36:09.000 --> 0:36:09.239
<v Speaker 6>They do.

0:36:09.400 --> 0:36:11.120
<v Speaker 1>What they do is what they do. But what we

0:36:11.200 --> 0:36:13.719
<v Speaker 1>do is we celebrate hip hop. We celebrate moments. Okay,

0:36:13.800 --> 0:36:18.239
<v Speaker 1>let's celebrate the Poladia. But because celebration, you're trying to

0:36:18.320 --> 0:36:24.959
<v Speaker 1>celebrate someone getting here with a drummer shet of having

0:36:25.000 --> 0:36:29.879
<v Speaker 1>an issue with easier, I didn't have it, yo. That's

0:36:30.120 --> 0:36:32.399
<v Speaker 1>so I'm telling you what actually happened because that's such

0:36:32.440 --> 0:36:34.840
<v Speaker 1>a classic hip hop story. Because y'all was so intricate

0:36:34.920 --> 0:36:37.560
<v Speaker 1>in the Junior Mafia album resolutely, you know what I mean.

0:36:37.640 --> 0:36:40.560
<v Speaker 1>So last year we didn't know that. You need to

0:36:40.640 --> 0:36:44.560
<v Speaker 1>know that, Like I'm three is my lucky number. So

0:36:44.560 --> 0:36:46.279
<v Speaker 1>We're gonna do one more shot, you know what I'm saying.

0:36:46.320 --> 0:36:48.960
<v Speaker 1>But continue, I just want to throw that out there.

0:36:52.440 --> 0:36:55.359
<v Speaker 1>What's next. The best Panamanian DJ in the world makes

0:36:55.400 --> 0:37:00.840
<v Speaker 1>some fact, is the best of Minican rapper in the

0:37:00.920 --> 0:37:05.279
<v Speaker 1>world make some noise as well. My job is to

0:37:05.360 --> 0:37:08.480
<v Speaker 1>get people who are half la you know, like Jewel Santana.

0:37:12.640 --> 0:37:19.200
<v Speaker 1>Absolutely not embarrassed, but that's crazy. Always say that I'm

0:37:19.200 --> 0:37:23.040
<v Speaker 1>embarrassed by that. It's never find lem to you. And

0:37:23.560 --> 0:37:26.520
<v Speaker 1>she was here. She had to speak English all the time,

0:37:26.680 --> 0:37:35.960
<v Speaker 1>so when when we came in, we learned English. Now,

0:37:36.080 --> 0:37:38.239
<v Speaker 1>Clark Ken is the man. This is the smartest thing

0:37:38.760 --> 0:37:43.640
<v Speaker 1>you internationally knows, right, Brooklyn niggas know you let me,

0:37:44.640 --> 0:37:47.560
<v Speaker 1>but people in Brooklyn know that Clark is a certain

0:37:47.640 --> 0:37:51.840
<v Speaker 1>way you go through Clark to get somewhere. People. Maybe

0:37:52.440 --> 0:37:54.120
<v Speaker 1>these people come to you and they say they got

0:37:54.160 --> 0:37:57.920
<v Speaker 1>an artist named jazz Old, and jazz Old tells you

0:37:58.320 --> 0:38:01.640
<v Speaker 1>they have an artist named jay Z. Who was your

0:38:01.680 --> 0:38:05.480
<v Speaker 1>first impression of that. Well, I didn't get told that,

0:38:05.560 --> 0:38:07.840
<v Speaker 1>I that that there's an artist named jazz Oh. I

0:38:07.920 --> 0:38:12.160
<v Speaker 1>knew Jazz because he was working with Fresh Gordon, because

0:38:14.160 --> 0:38:16.560
<v Speaker 1>Z was down with Fresh Vowdon. He was down Fresh Gordon,

0:38:16.600 --> 0:38:20.560
<v Speaker 1>fresh from Marshie. No, no, I don't know if any

0:38:20.600 --> 0:38:23.439
<v Speaker 1>of the sets is just being a questioned right now. Yeah,

0:38:26.960 --> 0:38:32.680
<v Speaker 1>you can't ask question qualified. I bought guy. Yeah, jazz

0:38:32.719 --> 0:38:35.160
<v Speaker 1>O was my man already. And Jazzo used to produce

0:38:35.280 --> 0:38:37.520
<v Speaker 1>Chad who lived up the block from me, Chad Elliott.

0:38:38.840 --> 0:38:41.360
<v Speaker 1>Fresh Gordon was one of my my, my good friends,

0:38:41.440 --> 0:38:43.680
<v Speaker 1>and and they used to work together on records and

0:38:43.760 --> 0:38:47.880
<v Speaker 1>producing other people as such. And Jazz was like, Yo,

0:38:48.000 --> 0:38:51.040
<v Speaker 1>you gotta hear my man. This is like forever ago.

0:38:51.360 --> 0:38:53.160
<v Speaker 2>And it was Jake and I was in.

0:38:53.280 --> 0:38:56.920
<v Speaker 1>Mind who said you gotta hear my man Jazz. But

0:38:57.560 --> 0:39:01.160
<v Speaker 1>the thing is like, when you knew jazz, you felt

0:39:01.239 --> 0:39:03.319
<v Speaker 1>like jazz was like the best thing in the whole

0:39:03.360 --> 0:39:07.120
<v Speaker 1>world in Brooklyn. He was untouchable. Wow, Like if you

0:39:07.239 --> 0:39:09.279
<v Speaker 1>really knew and you listened to rhymes a certain way,

0:39:09.360 --> 0:39:11.759
<v Speaker 1>like he was really untouchable. And then he brings this

0:39:11.960 --> 0:39:15.399
<v Speaker 1>dude who's as good as him but has a little

0:39:15.520 --> 0:39:19.200
<v Speaker 1>more swagger to him. But not back then, did you know?

0:39:19.440 --> 0:39:23.800
<v Speaker 1>Not back then then he had a little yeah that

0:39:24.000 --> 0:39:25.360
<v Speaker 1>no on Hawaiian Sophie.

0:39:26.440 --> 0:39:29.600
<v Speaker 2>It was already drunk Hawaii.

0:39:31.760 --> 0:39:41.120
<v Speaker 1>I didn't know what he's saying going right now, It's okay.

0:39:42.000 --> 0:39:48.759
<v Speaker 14>It was a soundtrack, it wasn't a sound You got

0:39:48.800 --> 0:39:53.279
<v Speaker 14>people listening to you, man, we can talk.

0:39:55.239 --> 0:39:57.200
<v Speaker 1>Yeah. So Jazz is like, you gotta hear my man here,

0:39:57.239 --> 0:40:00.960
<v Speaker 1>his man, his man is light. So when I got

0:40:01.040 --> 0:40:04.239
<v Speaker 1>my first job at a record a record company, in

0:40:04.320 --> 0:40:07.400
<v Speaker 1>between these times because Jazz is my man, every there

0:40:07.480 --> 0:40:09.239
<v Speaker 1>was a bunch of times that he did shows and

0:40:09.320 --> 0:40:10.880
<v Speaker 1>he would call me like yo, DJ for me at

0:40:10.880 --> 0:40:12.919
<v Speaker 1>the show, and Jay would be there. So I would

0:40:12.960 --> 0:40:15.320
<v Speaker 1>get to hear these two rhymes all the time. And

0:40:15.400 --> 0:40:17.719
<v Speaker 1>I always thought to myself like these like might be

0:40:17.840 --> 0:40:20.640
<v Speaker 1>the two best motherfuckers in the whole world. Wow. So

0:40:21.840 --> 0:40:23.920
<v Speaker 1>you know, time goes on. I get this job, I

0:40:24.000 --> 0:40:26.359
<v Speaker 1>get the job at Atlantic Records. I think at day

0:40:26.640 --> 0:40:29.040
<v Speaker 1>one and a half, I was like, where's jay Z,

0:40:30.120 --> 0:40:34.000
<v Speaker 1>Where's Jazz? Where's jay Z? Where's Jazz? I found Jazz first,

0:40:34.120 --> 0:40:36.279
<v Speaker 1>and Jazz was like, I gotta find jay Z. And

0:40:36.360 --> 0:40:40.920
<v Speaker 1>then shirt King Fade from Queens. Yeah, okay because he

0:40:41.000 --> 0:40:42.400
<v Speaker 1>wanted to say that, right of course I did.

0:40:42.520 --> 0:40:42.920
<v Speaker 2>Well, who's that?

0:40:42.960 --> 0:40:45.759
<v Speaker 1>Because I don't know if listens at Jane is one

0:40:45.800 --> 0:40:48.680
<v Speaker 1>of the shirt Kings, but these name was Punky Fade. Now,

0:40:48.719 --> 0:40:51.440
<v Speaker 1>shirt Kings was like a very popular place in the Coloseum,

0:40:51.560 --> 0:40:52.680
<v Speaker 1>more than Jamaica Queens.

0:40:53.120 --> 0:40:55.600
<v Speaker 2>That is like, you understand that everybody from New York.

0:40:57.280 --> 0:41:01.160
<v Speaker 1>Okay, with all due respect, if we're saying shirt kings

0:41:01.280 --> 0:41:03.960
<v Speaker 1>and he can agree shirt Kings. Anybody who listened to this,

0:41:04.239 --> 0:41:06.759
<v Speaker 1>if you if you go on Google and you guilt

0:41:06.800 --> 0:41:09.759
<v Speaker 1>up shirts, get your Google shirt Kings and you'll be

0:41:09.880 --> 0:41:13.160
<v Speaker 1>learning something that was important at that time, and shirt

0:41:13.200 --> 0:41:16.600
<v Speaker 1>Kings were important. Funky Fade and Nike was super important

0:41:16.800 --> 0:41:19.239
<v Speaker 1>than hip hop, and they were a part of the

0:41:19.320 --> 0:41:21.520
<v Speaker 1>thing that we were doing. They were making graffiti shirts

0:41:21.560 --> 0:41:25.280
<v Speaker 1>and shirts with characters, and anybody who was doing anything

0:41:25.360 --> 0:41:27.560
<v Speaker 1>hip hop at that recise moment tried to get a

0:41:27.640 --> 0:41:29.360
<v Speaker 1>shirtcase shirt. There was a bunch of people who were

0:41:30.480 --> 0:41:31.040
<v Speaker 1>go to the wall.

0:41:31.400 --> 0:41:34.520
<v Speaker 6>There was a bunch of people we were scaredrus shirts

0:41:34.520 --> 0:41:34.759
<v Speaker 6>back then.

0:41:34.800 --> 0:41:38.239
<v Speaker 1>Yeah, yeah, yeah, there were legend. They were legend like

0:41:38.400 --> 0:41:40.800
<v Speaker 1>like like like people will take pictures and like in

0:41:40.840 --> 0:41:41.239
<v Speaker 1>front of this.

0:41:41.360 --> 0:41:43.000
<v Speaker 2>So when we were seeing that in other cities, they

0:41:43.040 --> 0:41:44.000
<v Speaker 2>were emulating them.

0:41:43.960 --> 0:41:44.600
<v Speaker 1>One hundred percent.

0:41:45.239 --> 0:41:46.640
<v Speaker 2>You see any with a big.

0:41:48.840 --> 0:41:51.959
<v Speaker 1>Shirt, We were saying anything hip hop in any other city.

0:41:52.040 --> 0:41:54.799
<v Speaker 1>They were trying to duplicate ship that we had already done,

0:41:55.040 --> 0:41:57.799
<v Speaker 1>not that we were doing ship that we had already done,

0:41:57.920 --> 0:42:01.240
<v Speaker 1>Like we built hip hop and then we let everybody.

0:42:00.880 --> 0:42:02.799
<v Speaker 2>Else saw York.

0:42:02.920 --> 0:42:06.320
<v Speaker 15>Yeah yeah, well that's absolutely be talking about absolutely, but

0:42:06.360 --> 0:42:08.239
<v Speaker 15>I mean it evolved in a changed and each city

0:42:08.280 --> 0:42:09.080
<v Speaker 15>did its own part.

0:42:08.960 --> 0:42:13.160
<v Speaker 1>Of it, but they anything that they did. If we

0:42:13.280 --> 0:42:15.480
<v Speaker 1>didn't have this foundation and ship that they worked from,

0:42:15.520 --> 0:42:17.760
<v Speaker 1>there would be no rap, if there was no hippo.

0:42:19.400 --> 0:42:20.800
<v Speaker 1>I just want to say, I want to say it

0:42:20.920 --> 0:42:23.200
<v Speaker 1>like that so that when you say, when you look

0:42:23.239 --> 0:42:25.239
<v Speaker 1>at somebody else and you see it in another city,

0:42:25.560 --> 0:42:28.359
<v Speaker 1>it kind of has context or another country, it has

0:42:28.440 --> 0:42:29.920
<v Speaker 1>context that it came from this.

0:42:30.440 --> 0:42:34.640
<v Speaker 2>Absolutely okay cool, but also on some fan ship, what

0:42:34.880 --> 0:42:35.200
<v Speaker 2>made you?

0:42:35.680 --> 0:42:37.440
<v Speaker 6>And I'm privy to all these stories already because I've

0:42:37.440 --> 0:42:39.520
<v Speaker 6>been around you forever, what did you hear from Jay

0:42:39.840 --> 0:42:41.600
<v Speaker 6>that made you say that these two are the best.

0:42:41.640 --> 0:42:43.279
<v Speaker 1>And you know, this is the reason why I want

0:42:43.320 --> 0:42:45.279
<v Speaker 1>to know what you heard, man. And I'm the same

0:42:45.360 --> 0:42:48.320
<v Speaker 1>thing as this question, because I remember you talking about

0:42:48.440 --> 0:42:51.600
<v Speaker 1>Jay when everybody was like, clock, it's crazy.

0:42:52.040 --> 0:42:53.680
<v Speaker 6>I'm gonna make I'm gonna make them tell another story

0:42:53.719 --> 0:42:54.000
<v Speaker 6>after this.

0:42:54.000 --> 0:42:56.800
<v Speaker 1>One, but go ahead ahead, so like like, so re

0:42:56.920 --> 0:42:59.680
<v Speaker 1>iterated when he asked, like, what made you see what

0:42:59.760 --> 0:43:01.719
<v Speaker 1>did you here? Like she was crazy? Because I know, yeah,

0:43:01.719 --> 0:43:03.680
<v Speaker 1>I know, you and Dame Dash can't really get along

0:43:03.800 --> 0:43:07.759
<v Speaker 1>because yeah, he goes, yeah, yeah, that's funny you say that,

0:43:07.760 --> 0:43:11.040
<v Speaker 1>because Dame is really my man. He's my man. You know,

0:43:11.160 --> 0:43:13.680
<v Speaker 1>he's my man. You know what, he's my man. I

0:43:13.800 --> 0:43:16.920
<v Speaker 1>can't say anything negative about him. I can't even if

0:43:16.920 --> 0:43:19.960
<v Speaker 1>I try. The things that I would say, it would

0:43:20.000 --> 0:43:22.640
<v Speaker 1>be negative between me and him into the world. It

0:43:22.680 --> 0:43:25.160
<v Speaker 1>would be like, but y'all a friends, So it's supposed

0:43:25.200 --> 0:43:26.520
<v Speaker 1>to be that way, you know what I'm saying. The

0:43:26.560 --> 0:43:29.160
<v Speaker 1>ship that I could say negative about him, mayor who's

0:43:29.520 --> 0:43:32.080
<v Speaker 1>my ace? People would go, well, y'all the friends are

0:43:32.120 --> 0:43:34.400
<v Speaker 1>supposed to be that way. We fighting don't talk for

0:43:34.480 --> 0:43:36.920
<v Speaker 1>a year and a half, but he's still my nigga.

0:43:37.000 --> 0:43:39.480
<v Speaker 1>Like no one would know he was fighting. We'd be

0:43:39.600 --> 0:43:43.239
<v Speaker 1>something no, no with you. He's gonna try sitting on

0:43:43.320 --> 0:43:45.359
<v Speaker 1>my shot. I don't care how God so so far

0:43:45.480 --> 0:43:46.839
<v Speaker 1>for got God.

0:43:47.120 --> 0:43:47.400
<v Speaker 2>You know what?

0:43:48.680 --> 0:43:51.279
<v Speaker 1>Wait wait twenty yeah wait wait wait, sit down now,

0:43:52.040 --> 0:43:58.920
<v Speaker 1>RELs what we're gonna do while we're here. If you

0:43:59.040 --> 0:44:01.040
<v Speaker 1>asked me a question, on gonna finish the answer?

0:44:02.360 --> 0:44:03.200
<v Speaker 2>What was the question?

0:44:03.480 --> 0:44:04.080
<v Speaker 1>What did I see?

0:44:05.000 --> 0:44:05.919
<v Speaker 2>What did you hear from Jane?

0:44:06.440 --> 0:44:14.480
<v Speaker 1>Why are you fucking interview? Let me live an interview.

0:44:14.680 --> 0:44:18.359
<v Speaker 1>I'm interviewing. If you don't want to, that's on, y'all.

0:44:19.000 --> 0:44:22.400
<v Speaker 6>An interview, my podcast, interview with that, y'all come on.

0:44:22.480 --> 0:44:27.000
<v Speaker 1>I like to give context to answers. So when I

0:44:27.120 --> 0:44:30.520
<v Speaker 1>was growing up, when everybody looked and they saw Melle

0:44:30.560 --> 0:44:33.080
<v Speaker 1>Mel Rap and they thought, this is motherfucker is the

0:44:33.160 --> 0:44:37.000
<v Speaker 1>illest ship I saw great, I saw Grandmaster casts and

0:44:37.120 --> 0:44:41.239
<v Speaker 1>I was like, he's to me, he's to me, he's

0:44:41.280 --> 0:44:44.520
<v Speaker 1>a little iller. See them when time's going on and

0:44:44.800 --> 0:44:49.520
<v Speaker 1>everybody's talking about whomever. I heard Rock came around when

0:44:49.560 --> 0:44:54.120
<v Speaker 1>he was eleven, and I was like, wow, at eleven,

0:44:54.200 --> 0:44:56.319
<v Speaker 1>he was a wild boy. You I was DJing at

0:44:56.400 --> 0:45:00.720
<v Speaker 1>Amityville Day on King Charles DJ set King Charles, some queens.

0:45:03.280 --> 0:45:06.560
<v Speaker 1>Where was this at? It was in Amityville. I was DJing.

0:45:06.840 --> 0:45:10.640
<v Speaker 1>I was young too. I was DJing at Amityville Day

0:45:11.040 --> 0:45:16.279
<v Speaker 1>no Wine Dance Day. Sorry, I was big. I did

0:45:16.360 --> 0:45:18.600
<v Speaker 1>both of those. I did both of those days like

0:45:18.640 --> 0:45:20.600
<v Speaker 1>I would do Wine Dance Day, d jing and and

0:45:21.360 --> 0:45:23.800
<v Speaker 1>and Amityville Day djay and and I was DJ and

0:45:23.840 --> 0:45:26.080
<v Speaker 1>Wine Dance Day. And a little dude on the mic

0:45:26.560 --> 0:45:29.120
<v Speaker 1>was rock him eleven on a crate and he was

0:45:30.080 --> 0:45:33.720
<v Speaker 1>he was just wilding for a little dude. He was eleven,

0:45:33.800 --> 0:45:35.560
<v Speaker 1>like he could tell you this story because he knows

0:45:35.560 --> 0:45:38.000
<v Speaker 1>it's true that it was me and him. But I

0:45:38.200 --> 0:45:41.239
<v Speaker 1>watched him at eleven. And I was young too. I

0:45:41.280 --> 0:45:43.640
<v Speaker 1>mean he's he's like what two years younger than me.

0:45:44.520 --> 0:45:47.640
<v Speaker 1>It was wild to see this dude dj and at thirteen. Well,

0:45:47.680 --> 0:45:50.160
<v Speaker 1>I was DJing at nine. But I was playing parks

0:45:50.200 --> 0:45:55.319
<v Speaker 1>at twelve. No games here like barks because people that's

0:45:55.320 --> 0:45:56.920
<v Speaker 1>not from New York City. I'm gonna do no. No,

0:45:57.160 --> 0:46:03.920
<v Speaker 1>I mean important was ill the people to everybody back then,

0:46:04.320 --> 0:46:08.799
<v Speaker 1>like like eighty nine ninety early nine, people didn't really

0:46:08.840 --> 0:46:09.680
<v Speaker 1>go to clubs they went to.

0:46:10.160 --> 0:46:11.040
<v Speaker 2>This is before even that.

0:46:11.320 --> 0:46:13.920
<v Speaker 1>Yeah, I mean, and for him to say that, that's crazy.

0:46:14.000 --> 0:46:17.680
<v Speaker 1>God damn, this motherfucker got me Africa. That's what I say.

0:46:17.719 --> 0:46:20.160
<v Speaker 1>Home more shot, Let's do it. That's South Africa now,

0:46:20.520 --> 0:46:29.680
<v Speaker 1>God damn y Michael Pink Pong what that's that's another rock.

0:46:29.680 --> 0:46:32.000
<v Speaker 1>I just wanted to throw it out there, smoothing back

0:46:32.080 --> 0:46:35.319
<v Speaker 1>in the world. Oh my god, figg a little water

0:46:35.480 --> 0:46:45.479
<v Speaker 1>hydrate or something, Joe, because yo Claw, so you worked

0:46:45.520 --> 0:46:51.160
<v Speaker 1>with Jay. I was given context to the answer, but

0:46:51.239 --> 0:46:55.279
<v Speaker 1>I got an interview, know what I'm saying. I would

0:46:55.320 --> 0:46:57.040
<v Speaker 1>look at the rappers that I would seeing. I would

0:46:57.160 --> 0:47:00.000
<v Speaker 1>I would try to figure out who I thought was better.

0:47:00.239 --> 0:47:04.319
<v Speaker 1>But see, at one point I realized that what people

0:47:04.400 --> 0:47:07.200
<v Speaker 1>were looking at and thinking was better was probably different

0:47:07.239 --> 0:47:09.200
<v Speaker 1>than what I was thinking and looking at was better.

0:47:09.600 --> 0:47:12.799
<v Speaker 1>I looked at bar for bar for bar for bar

0:47:13.040 --> 0:47:16.719
<v Speaker 1>for bar, What did you say? How clever was it?

0:47:17.120 --> 0:47:20.800
<v Speaker 1>How witty was it? And then I decided, if what

0:47:21.000 --> 0:47:23.719
<v Speaker 1>you said was iller, then the next guy that everybody's

0:47:23.800 --> 0:47:30.280
<v Speaker 1>looking at. So when people were looking at KRS and whomever,

0:47:30.480 --> 0:47:32.719
<v Speaker 1>I was like, ignowed a rock him. Dude, he's he's

0:47:32.760 --> 0:47:35.200
<v Speaker 1>the wildest. And the reason why I thought rock Kim

0:47:35.280 --> 0:47:37.960
<v Speaker 1>was the wildest is because when rock Him made his

0:47:38.080 --> 0:47:42.680
<v Speaker 1>first record, rap changed one hundred percent. Nobody wasn't Nobody

0:47:42.800 --> 0:47:46.839
<v Speaker 1>wasn't rapping anymore. They started rhyming. When rock Kim made

0:47:46.880 --> 0:47:48.840
<v Speaker 1>his first record. Rock Kien was sixteen when his Reggord

0:47:48.880 --> 0:47:50.680
<v Speaker 1>cameing out a lot of people don't believe that. Wait,

0:47:51.200 --> 0:47:55.920
<v Speaker 1>what record? Being rock Him, he was like the sixteen

0:47:55.960 --> 0:47:59.520
<v Speaker 1>or seventeen. He was like, you have to understand, think

0:47:59.560 --> 0:48:02.200
<v Speaker 1>about what I'm telling him. I was young and he's

0:48:02.280 --> 0:48:05.880
<v Speaker 1>younger than me. So he was young when that Reggie

0:48:05.960 --> 0:48:10.000
<v Speaker 1>came out. He wasn't legal when when My My Melody

0:48:10.120 --> 0:48:11.799
<v Speaker 1>came out. Wow, you know what I'm saying.

0:48:12.600 --> 0:48:14.120
<v Speaker 2>I was think about.

0:48:15.640 --> 0:48:19.520
<v Speaker 1>You was younger than that. Nor he was young. Nory

0:48:19.600 --> 0:48:24.120
<v Speaker 1>was young when he was doing work when you did

0:48:24.160 --> 0:48:29.200
<v Speaker 1>the work for seventeen love. Yeah, the first time I

0:48:29.280 --> 0:48:32.120
<v Speaker 1>met Normy, he's not going to remember because Tragedy introduced

0:48:32.160 --> 0:48:34.400
<v Speaker 1>me to him, and he was wow. Young. But he

0:48:34.520 --> 0:48:36.880
<v Speaker 1>introduced me to Poem before he introduced me to him,

0:48:36.880 --> 0:48:39.400
<v Speaker 1>because Poem was from the projects with him, you know

0:48:39.440 --> 0:48:42.400
<v Speaker 1>what I'm saying. But when I brought him around, it

0:48:42.520 --> 0:48:44.680
<v Speaker 1>became more of a oh, I know this nigga. Now

0:48:45.040 --> 0:48:47.680
<v Speaker 1>I know this nigga, and then it wasn't like I

0:48:47.760 --> 0:48:49.320
<v Speaker 1>know this nigga, like I want to produce him. I

0:48:49.480 --> 0:48:52.120
<v Speaker 1>was like, no, Norris, my fucking man, you know what

0:48:52.120 --> 0:48:58.399
<v Speaker 1>I'm saying. Oh did we take that shot around?

0:49:01.640 --> 0:49:02.479
<v Speaker 2>Was your favorite number?

0:49:02.520 --> 0:49:09.000
<v Speaker 1>And damn this is my nigga. Okay. So, like I said,

0:49:09.640 --> 0:49:12.280
<v Speaker 1>I saw it when I heard it, I heard jazz.

0:49:14.760 --> 0:49:18.799
<v Speaker 1>Like I said, when I heard Jazz rhyme, the complexity

0:49:18.840 --> 0:49:22.400
<v Speaker 1>and the things he was saying, the bar for bar

0:49:22.520 --> 0:49:24.520
<v Speaker 1>for bar ship that he was saying, I was like, no,

0:49:24.680 --> 0:49:28.000
<v Speaker 1>he's the best rapping in the universe. Yes, because he

0:49:28.160 --> 0:49:31.279
<v Speaker 1>was super smart and he projected the smart ship that

0:49:31.360 --> 0:49:33.760
<v Speaker 1>he was saying in his bars. And then he introduces

0:49:33.840 --> 0:49:39.640
<v Speaker 1>me to this guy who's instead of being as smart,

0:49:39.920 --> 0:49:45.439
<v Speaker 1>he's wittier. Yo. When you're rhyming, the wittier ship hits

0:49:45.520 --> 0:49:48.680
<v Speaker 1>your chest a lot quicker than the smart ship. So

0:49:49.239 --> 0:49:51.759
<v Speaker 1>you walk away from it being fucked up. Like I

0:49:51.960 --> 0:49:55.600
<v Speaker 1>pack heat like the oven door, like as many motherfuckers

0:49:55.719 --> 0:49:57.400
<v Speaker 1>put something in the oven. They never looked at that

0:49:57.440 --> 0:50:00.480
<v Speaker 1>ship and was like, oh, ship, that's packing heat. This

0:50:00.680 --> 0:50:04.720
<v Speaker 1>nigga said that shit like what made him so witty?

0:50:05.040 --> 0:50:08.279
<v Speaker 1>He was beyond most dudes, and he didn't think of

0:50:08.400 --> 0:50:10.719
<v Speaker 1>things one way, and you could tell it when I

0:50:10.880 --> 0:50:14.359
<v Speaker 1>met him. The things he was saying, like you met him,

0:50:14.480 --> 0:50:16.920
<v Speaker 1>was he writing rhymes on paper. He might have been

0:50:16.960 --> 0:50:18.920
<v Speaker 1>writing rounds on paper then, but when it got to

0:50:19.040 --> 0:50:21.320
<v Speaker 1>the point where he was running around with cane and

0:50:21.360 --> 0:50:23.719
<v Speaker 1>all of that, like, nah, there was no but he

0:50:23.800 --> 0:50:25.680
<v Speaker 1>has to understand. He was getting to the money, so

0:50:25.800 --> 0:50:27.640
<v Speaker 1>there was no time to put a pen on it.

0:50:27.840 --> 0:50:30.319
<v Speaker 1>But at that precise moment when he introduced me to him,

0:50:30.800 --> 0:50:33.120
<v Speaker 1>I was like, damn, he's just as wild as jazz,

0:50:33.200 --> 0:50:37.360
<v Speaker 1>but he has a little more that other thing. The

0:50:37.480 --> 0:50:39.359
<v Speaker 1>thing is I didn't know nothing about making records at

0:50:39.400 --> 0:50:42.080
<v Speaker 1>that point, and he didn't know anything. But we were

0:50:42.120 --> 0:50:45.000
<v Speaker 1>all young. But I listened and I was like, nah,

0:50:45.080 --> 0:50:47.759
<v Speaker 1>he might be illed th in jazz. I never said it,

0:50:48.239 --> 0:50:49.920
<v Speaker 1>but I thought it to myself, like he might be

0:50:50.000 --> 0:50:53.520
<v Speaker 1>illing in jazz, but not saying that his rhymes were better.

0:50:53.600 --> 0:50:56.320
<v Speaker 1>But like the way he was approaching his rhymes was

0:50:56.719 --> 0:50:59.640
<v Speaker 1>a little iller like jazz is a nigga who would

0:50:59.640 --> 0:51:03.800
<v Speaker 1>say I mont blocked the paper satellite ridium. What the

0:51:03.880 --> 0:51:05.560
<v Speaker 1>fuck is a mob block? And then when you realize

0:51:05.600 --> 0:51:11.720
<v Speaker 1>it's a pen, you're like, all right, Jazz, all right, research,

0:51:12.080 --> 0:51:14.960
<v Speaker 1>Like we can't afford my blanc pens. Nigga, how do

0:51:15.040 --> 0:51:18.240
<v Speaker 1>you know what is the satellite I Ridium? The satellite

0:51:18.239 --> 0:51:20.759
<v Speaker 1>I Ridium is a phone that can work anywhere. Like,

0:51:20.880 --> 0:51:24.040
<v Speaker 1>who the fuck knows, my nigga, But this nigga was

0:51:24.160 --> 0:51:27.719
<v Speaker 1>saying that shit. So when Jay, when Jazz was saying

0:51:27.719 --> 0:51:29.600
<v Speaker 1>that shit, I'm looking at him like, yeah, ain't nobody

0:51:29.640 --> 0:51:31.040
<v Speaker 1>in the world better than this nigga?

0:51:31.239 --> 0:51:31.960
<v Speaker 16>And we had the.

0:51:32.080 --> 0:51:35.480
<v Speaker 1>Rise, we had the canes, we had the care wrestlers,

0:51:35.520 --> 0:51:38.719
<v Speaker 1>we had everybody. I was going nine, nigga not better

0:51:38.800 --> 0:51:43.359
<v Speaker 1>than Jazz. Oh, but his man's was his man's turned

0:51:43.400 --> 0:51:46.600
<v Speaker 1>the corner. Now you see Did you see that he

0:51:46.640 --> 0:51:50.160
<v Speaker 1>would be this where he's at now? Absolutely you see it? Then, No,

0:51:50.320 --> 0:51:52.799
<v Speaker 1>I saw it as soon as I got in touch

0:51:52.840 --> 0:51:57.799
<v Speaker 1>with him, Because what most people don't know is when

0:51:57.840 --> 0:51:59.880
<v Speaker 1>I got in touch with him, it wasn't so weakd

0:52:00.080 --> 0:52:02.200
<v Speaker 1>do his records. It was so that we could do

0:52:02.719 --> 0:52:05.840
<v Speaker 1>him and Jazz records. So that's supposed to be the

0:52:05.920 --> 0:52:09.279
<v Speaker 1>best best Jay and Jezz, No no, no, it was

0:52:09.280 --> 0:52:11.919
<v Speaker 1>supposed they were the best period. They were saying the world,

0:52:11.960 --> 0:52:14.839
<v Speaker 1>there's no world, one world, them two dudes is the best.

0:52:14.880 --> 0:52:17.120
<v Speaker 1>And that's all I thought, and that's all I cared about.

0:52:17.120 --> 0:52:19.080
<v Speaker 1>I want these niggas to be the best. Someone niggas

0:52:19.080 --> 0:52:21.040
<v Speaker 1>hear these niggas and be like, what the fuck is

0:52:21.360 --> 0:52:24.160
<v Speaker 1>happening in all of rap history? You know what I'm saying.

0:52:24.640 --> 0:52:28.920
<v Speaker 1>But the records didn't turn around that way, and jazz

0:52:29.040 --> 0:52:32.600
<v Speaker 1>wasn't around as much, so Jay made more records by himself,

0:52:33.000 --> 0:52:36.160
<v Speaker 1>and you know, like if you were there, you were like, oh, no,

0:52:36.280 --> 0:52:38.800
<v Speaker 1>this is going to be the wildest ship ever because

0:52:38.840 --> 0:52:44.120
<v Speaker 1>he was so nice, Like dude was nice because you

0:52:44.200 --> 0:52:46.120
<v Speaker 1>know why I say nice? You know why I say that,

0:52:46.239 --> 0:52:52.840
<v Speaker 1>because like the world like they understood Reasonable Doubt? Well,

0:52:52.840 --> 0:52:56.000
<v Speaker 1>what was the album right after Reasonable with Doubt? In

0:52:56.120 --> 0:52:58.839
<v Speaker 1>my lifetime? For one? Okay, Well that's when the world

0:52:58.960 --> 0:53:02.319
<v Speaker 1>actually like, like I mean, the rest of the world,

0:53:02.360 --> 0:53:05.920
<v Speaker 1>who was slow? But for you to know that early on,

0:53:06.280 --> 0:53:08.440
<v Speaker 1>it's something special, you know what I'm saying. A lot

0:53:08.480 --> 0:53:10.919
<v Speaker 1>of people ask that was slept though I'm talking about

0:53:10.960 --> 0:53:12.879
<v Speaker 1>like you know what I mean, Like two years later,

0:53:12.960 --> 0:53:15.359
<v Speaker 1>people was like, Damn, that was a classic. It might

0:53:15.400 --> 0:53:18.279
<v Speaker 1>have been his, but in context Original Flavor, like where

0:53:18.360 --> 0:53:21.480
<v Speaker 1>is this all this landing? Just so were landing like

0:53:21.640 --> 0:53:24.160
<v Speaker 1>him working with Original Flavor. No, you don't understand, Like

0:53:24.400 --> 0:53:28.960
<v Speaker 1>I was working with Jay before I signed Original Flavor,

0:53:29.040 --> 0:53:32.279
<v Speaker 1>and it's just that while I was working with him,

0:53:32.280 --> 0:53:35.160
<v Speaker 1>I signed Original Flavor and I signed the Future Sound,

0:53:35.239 --> 0:53:38.120
<v Speaker 1>I signed Damon's groups. I met Damon, but I was like, Dame,

0:53:38.200 --> 0:53:40.520
<v Speaker 1>you need to meet my man. My man's yellow than

0:53:40.640 --> 0:53:43.439
<v Speaker 1>anything you've ever seen. Talked about jazz. Get talking about

0:53:43.480 --> 0:53:46.200
<v Speaker 1>Jay because you have to understand what you're talking about,

0:53:46.200 --> 0:53:52.200
<v Speaker 1>cause that's right. You introduced jay Z rightow? Crazy? Is

0:53:52.280 --> 0:53:53.080
<v Speaker 1>this true? Yeah?

0:53:53.200 --> 0:53:54.480
<v Speaker 5>Like it's no.

0:53:58.520 --> 0:53:59.680
<v Speaker 2>Ho history, that's crazy.

0:54:00.120 --> 0:54:04.399
<v Speaker 1>We gotta go four shots continue clock number now five

0:54:04.560 --> 0:54:10.560
<v Speaker 1>is five. I'm odd enough nigga. If I go four,

0:54:10.800 --> 0:54:13.800
<v Speaker 1>that means I mind, it's my fault. If I go

0:54:13.960 --> 0:54:16.960
<v Speaker 1>for that means my is to go five because I'm

0:54:16.960 --> 0:54:20.719
<v Speaker 1>an odd nigga. Wow, Like I like being odd. I

0:54:20.760 --> 0:54:22.759
<v Speaker 1>don't want to be respect that. Where's the bottle he's

0:54:22.800 --> 0:54:29.920
<v Speaker 1>drinking from? All drinking from you? Is it real? It's real?

0:54:30.640 --> 0:54:31.000
<v Speaker 2>Trust me?

0:54:31.320 --> 0:54:36.280
<v Speaker 1>Please? What I'm drinking, I'll drink what you That's okay,

0:54:36.920 --> 0:54:41.319
<v Speaker 1>It's okay. Don't look over here with that look. Give

0:54:41.320 --> 0:54:45.680
<v Speaker 1>you that queen's looking. We're gonna look like relaxed noor

0:54:46.080 --> 0:54:48.560
<v Speaker 1>and give you the queens look. I can hand clock,

0:54:48.800 --> 0:54:54.160
<v Speaker 1>but continue. Yeah story you were saying, Yeah, you asked

0:54:54.200 --> 0:54:58.799
<v Speaker 1>me about original flavor, original flavor, and those those things

0:54:58.840 --> 0:55:01.080
<v Speaker 1>were happening at the same time as I was doing

0:55:01.640 --> 0:55:04.600
<v Speaker 1>records on Ja and trying to make sure that I

0:55:04.680 --> 0:55:07.360
<v Speaker 1>was doing records on Jay and Jazz, and they introduced

0:55:07.400 --> 0:55:10.880
<v Speaker 1>me to Sauce Money, so it was all three of them. Like,

0:55:10.960 --> 0:55:16.120
<v Speaker 1>we were doing an album on Jay, Jazz and Sauce

0:55:16.360 --> 0:55:19.759
<v Speaker 1>called The Hard Pack Pause, and we were doing that.

0:55:19.960 --> 0:55:22.239
<v Speaker 1>I was working on songs for Jay and Jazz, which

0:55:22.400 --> 0:55:24.120
<v Speaker 1>was I thought was what it was supposed to be.

0:55:24.320 --> 0:55:26.359
<v Speaker 1>And then in the middle of that, I was doing

0:55:27.440 --> 0:55:30.200
<v Speaker 1>j J solo records and I was doing Sauce solo records.

0:55:30.239 --> 0:55:33.399
<v Speaker 1>I never did Jazz so Jazz solo records because Jazz

0:55:33.520 --> 0:55:38.279
<v Speaker 1>was a producer and records wind up being on reasonable doubt,

0:55:40.719 --> 0:55:42.759
<v Speaker 1>the two of them did. It was supposed to be three,

0:55:42.800 --> 0:55:46.400
<v Speaker 1>but we lost a dat right before Master look at

0:55:47.400 --> 0:55:57.600
<v Speaker 1>records made man thoughts and uh joint with Bleak Coming Age.

0:55:57.800 --> 0:56:01.279
<v Speaker 1>Why couldn't I remember I didn't know that. I know

0:56:01.360 --> 0:56:03.080
<v Speaker 1>you did, cash Man, that's one of my favorite records.

0:56:03.080 --> 0:56:04.920
<v Speaker 1>I didn't know you did. Come and ask your man.

0:56:05.440 --> 0:56:10.160
<v Speaker 1>I'm just saying, yeah, but so, But what I'm saying is,

0:56:10.760 --> 0:56:13.880
<v Speaker 1>are you aware of what I'm saying? Like when Reasonable

0:56:13.960 --> 0:56:17.440
<v Speaker 1>Doc came out, I knew it, but it was like

0:56:17.520 --> 0:56:19.560
<v Speaker 1>the industry I'm not talking to understand me. I don't

0:56:19.560 --> 0:56:22.520
<v Speaker 1>care what the industry was thinking. He still knew. I knew.

0:56:22.840 --> 0:56:24.960
<v Speaker 1>I was one hundred percent sure. Actually I was one

0:56:25.040 --> 0:56:27.680
<v Speaker 1>hundred and fifty percent sure. And I used to tell

0:56:27.760 --> 0:56:33.080
<v Speaker 1>people you would apologize later, and a lot of niggas records, Yeah,

0:56:33.080 --> 0:56:35.520
<v Speaker 1>it didn't matter what label it came on. I told

0:56:35.640 --> 0:56:39.480
<v Speaker 1>niggas they would apologize and for sure. For years straight,

0:56:39.680 --> 0:56:41.480
<v Speaker 1>every time I saw a dude in the game, it

0:56:41.640 --> 0:56:44.080
<v Speaker 1>was like, yeah, you was right, nigga, that's an apology.

0:56:45.000 --> 0:56:46.799
<v Speaker 1>You know, nobody wants to tell the niggas was right

0:56:46.840 --> 0:56:48.840
<v Speaker 1>when he thinks he's one hundred percent produced. Ain't no

0:56:48.960 --> 0:56:53.839
<v Speaker 1>nigga jazz jazz jazz? Oh yeah, that's why it has

0:56:53.920 --> 0:56:55.440
<v Speaker 1>so much of him on it, Like you know, what

0:56:55.480 --> 0:56:58.520
<v Speaker 1>I'm saying. He wrote the hook too. I know he

0:56:58.560 --> 0:57:01.560
<v Speaker 1>didn't write the hook. He's saying the hook because the

0:57:01.600 --> 0:57:03.480
<v Speaker 1>record is ain't no nigga like him. When I got

0:57:04.160 --> 0:57:06.520
<v Speaker 1>can't fuck you bet. The one who's singing that is Jazz.

0:57:06.719 --> 0:57:09.359
<v Speaker 1>That's Jazz singing that. Oh, by the way, Jazz could

0:57:09.360 --> 0:57:12.600
<v Speaker 1>sing his ass off Jazz on the hook. Writer, you

0:57:12.680 --> 0:57:15.520
<v Speaker 1>can get Jazz on right now. Jazz have me goddamn.

0:57:15.680 --> 0:57:19.240
<v Speaker 1>But Jazz is a real, real ill music dude. You

0:57:19.280 --> 0:57:21.680
<v Speaker 1>know what I'm saying. He's a producer, he's a songwriter,

0:57:22.120 --> 0:57:27.640
<v Speaker 1>and he's a rap writer. Like to me, if like

0:57:27.760 --> 0:57:31.439
<v Speaker 1>a chick found Jazz oh and like sat him down

0:57:31.560 --> 0:57:34.640
<v Speaker 1>and had to check, she'd be the wildest chick you've

0:57:34.720 --> 0:57:37.520
<v Speaker 1>ever heard because of the rhymes that he would write

0:57:37.520 --> 0:57:40.960
<v Speaker 1>for her. Oh okay, that's what I'm saying. Like if

0:57:41.000 --> 0:57:42.720
<v Speaker 1>he said and shut it down, I'll tak you about

0:57:42.720 --> 0:57:45.320
<v Speaker 1>the ass you want to go. I don't know I

0:57:46.400 --> 0:57:47.600
<v Speaker 1>sat down like.

0:57:49.440 --> 0:57:50.080
<v Speaker 2>I want to talk about.

0:57:51.080 --> 0:57:53.200
<v Speaker 1>He's paying the media. He's just coming out of him.

0:57:53.960 --> 0:58:04.720
<v Speaker 1>I'm sorry, Clark, I misjudged you. I miss justice. So

0:58:04.920 --> 0:58:09.680
<v Speaker 1>now you've worked you arguably, you've worked with Big, you

0:58:09.920 --> 0:58:12.640
<v Speaker 1>worked with Jay, I worked with Nori you worked with

0:58:14.240 --> 0:58:18.000
<v Speaker 1>But before that, there's this kid that comes out called

0:58:18.520 --> 0:58:22.800
<v Speaker 1>nas Yeah, well you know about that. I would like

0:58:22.880 --> 0:58:27.000
<v Speaker 1>to hear your story. So what story is not a story?

0:58:27.040 --> 0:58:28.600
<v Speaker 1>It is the true who got a story about everything?

0:58:28.640 --> 0:58:33.080
<v Speaker 1>You're a legend, nigga, expect you, nigga, tell me about it.

0:58:33.200 --> 0:58:36.560
<v Speaker 1>I used to produce most of it. Like the studio

0:58:36.640 --> 0:58:39.040
<v Speaker 1>I worked in most of the time was power Play

0:58:39.600 --> 0:58:43.880
<v Speaker 1>in Queen and Queens that talk about you hype you

0:58:44.160 --> 0:58:48.520
<v Speaker 1>hype on Queens right now? Okay, so that was probably

0:58:48.640 --> 0:58:51.400
<v Speaker 1>like the most hip hop studio in New York City

0:58:51.680 --> 0:58:54.440
<v Speaker 1>at that time was power Play. Makes mose of that

0:58:57.520 --> 0:59:00.360
<v Speaker 1>Our first record I ever recorded as O Poning and

0:59:00.400 --> 0:59:03.040
<v Speaker 1>Oriega was in power Play Studios. It's called half a

0:59:03.120 --> 0:59:06.560
<v Speaker 1>mil mill. I got that wreckor you got that record?

0:59:06.640 --> 0:59:09.960
<v Speaker 1>I got? That was like the first like I have

0:59:10.080 --> 0:59:15.040
<v Speaker 1>recorded records as Arison Oriega, but copone no copone been home.

0:59:15.360 --> 0:59:18.160
<v Speaker 1>I had came home and I couldn't reach him. And

0:59:18.320 --> 0:59:20.040
<v Speaker 1>the first record we recorded, the go have to Go

0:59:20.240 --> 0:59:22.680
<v Speaker 1>half a mild confused the rapper half a mil no,

0:59:22.800 --> 0:59:26.640
<v Speaker 1>not big up. He was nice. Yeah, he was that

0:59:27.080 --> 0:59:30.280
<v Speaker 1>big of Brooklyn Brooklyn. He's on Penalty Records. That was

0:59:30.360 --> 0:59:33.200
<v Speaker 1>my man. Everybody always hit me on on Twitter and

0:59:33.400 --> 0:59:35.320
<v Speaker 1>tell me talk about him in the podcast. I'm glad

0:59:35.720 --> 0:59:37.439
<v Speaker 1>his name got brought up because Big of a half

0:59:37.440 --> 0:59:39.200
<v Speaker 1>a meal with half a meal with the dead Nights

0:59:39.560 --> 0:59:43.080
<v Speaker 1>from Crown Heights too well, Crown Heights, Brown Crown Heights.

0:59:43.320 --> 0:59:45.680
<v Speaker 1>He was on the border of Crown Heights and bed Style.

0:59:46.800 --> 0:59:50.400
<v Speaker 1>Your you was the official Brooklyn representative. Now I'm a

0:59:50.480 --> 0:59:54.000
<v Speaker 1>thousand percent is Brooklyn con Spike Lee. I heard they

0:59:54.040 --> 0:59:57.200
<v Speaker 1>try to band Spike Lee, and I heard you had

0:59:57.240 --> 0:59:59.240
<v Speaker 1>to shut it down one time. I don't even know

0:59:59.360 --> 1:00:07.480
<v Speaker 1>what the fuck. Yes, absolutely, yes, yes, God damn ybody

1:00:07.920 --> 1:00:09.200
<v Speaker 1>come to see him too. I heard it trying to

1:00:09.200 --> 1:00:10.680
<v Speaker 1>shut down do the right thing, and I heard you

1:00:10.760 --> 1:00:16.120
<v Speaker 1>had to come up. Yo. Let just goruk.

1:00:16.760 --> 1:00:17.440
<v Speaker 2>That's amazing.

1:00:18.360 --> 1:00:23.520
<v Speaker 1>I made it up right now, Okay. Power Play Studios,

1:00:24.160 --> 1:00:26.480
<v Speaker 1>I was remixing a bunch of records and that's the

1:00:26.520 --> 1:00:29.000
<v Speaker 1>place I would do all the records at. And in

1:00:29.120 --> 1:00:33.160
<v Speaker 1>the next room, I was always large professor, Who's who's

1:00:33.240 --> 1:00:40.440
<v Speaker 1>my man? And he uh he did the barbecue, live

1:00:40.520 --> 1:00:42.800
<v Speaker 1>the barbecue, and when he did live at the barbecue,

1:00:42.960 --> 1:00:44.600
<v Speaker 1>he was like, Yo, come here this record. I'm here

1:00:44.600 --> 1:00:46.720
<v Speaker 1>in the record, and I'm like, whoa, He's going the

1:00:47.440 --> 1:00:50.960
<v Speaker 1>fuck it's this nigga And he was like, Oh, that's

1:00:50.960 --> 1:00:54.040
<v Speaker 1>my nigga. Now some queens, but Nigga and was on it.

1:00:54.080 --> 1:00:55.640
<v Speaker 1>And I was like and I went crazy too. So

1:00:55.680 --> 1:00:58.160
<v Speaker 1>I was like, wait, hold on talking because I just

1:00:58.240 --> 1:01:01.480
<v Speaker 1>don't like the way he's like nonchalant describing one of

1:01:01.560 --> 1:01:05.120
<v Speaker 1>the craziest records in hip hop history. What's live at

1:01:05.160 --> 1:01:07.920
<v Speaker 1>the barbecue? He's just saying he was at the session. No,

1:01:08.040 --> 1:01:09.440
<v Speaker 1>I wasn't at the session. I was at when he

1:01:09.560 --> 1:01:12.240
<v Speaker 1>was mixing the record. The record was done, and I

1:01:12.400 --> 1:01:15.280
<v Speaker 1>was log, is my man, you know what I'm saying.

1:01:15.320 --> 1:01:17.480
<v Speaker 1>He was like, listen to it. So I listened, and

1:01:17.640 --> 1:01:20.800
<v Speaker 1>I was because I paid so much attention to rap.

1:01:20.840 --> 1:01:23.240
<v Speaker 1>I was like, who's who's Who's Who's You know what

1:01:23.320 --> 1:01:25.360
<v Speaker 1>I'm saying, And that's the ship. He said he went

1:01:25.440 --> 1:01:29.120
<v Speaker 1>to hell for snuffing Jesus. Yeah, Like anybody who says

1:01:29.160 --> 1:01:30.680
<v Speaker 1>some shit like that, I'm gonna pay a lot of

1:01:31.320 --> 1:01:33.120
<v Speaker 1>I was like, Nigga said, when I was twelve, I

1:01:33.200 --> 1:01:37.920
<v Speaker 1>went to help a sluffing Jesus. Yeah, that's nasty. Not continue.

1:01:38.680 --> 1:01:41.840
<v Speaker 1>And I'm thinking you like seventeen, so for five years

1:01:42.320 --> 1:01:45.520
<v Speaker 1>after you lived after snuffing Jesus, you nice, you know?

1:01:45.840 --> 1:01:48.040
<v Speaker 1>But anyway he's dead. Nice herod. You know what I'm saying.

1:01:48.120 --> 1:01:56.880
<v Speaker 1>I'm cool, I'm good boy, so I'm god. I hear

1:01:56.960 --> 1:01:58.440
<v Speaker 1>on my hair, on my hair, on my hair, everybody.

1:01:58.480 --> 1:02:01.160
<v Speaker 1>I'm like, you know how the records l whatever keep going?

1:02:01.800 --> 1:02:05.440
<v Speaker 1>And then Lodge is working on Ox album and I

1:02:05.560 --> 1:02:08.600
<v Speaker 1>went into a bidding war between in the Scope because

1:02:08.640 --> 1:02:10.760
<v Speaker 1>I was working at Atlantic Records and I was trying

1:02:10.760 --> 1:02:14.360
<v Speaker 1>to sign OT and I was in the bidding war

1:02:14.440 --> 1:02:19.480
<v Speaker 1>between Atlantic and UH and in the Scope. The crazy

1:02:19.600 --> 1:02:22.160
<v Speaker 1>part is like I kept trying to tell like, yo,

1:02:22.600 --> 1:02:26.160
<v Speaker 1>you know Atlantic is it owns in the Scope, so

1:02:26.280 --> 1:02:28.480
<v Speaker 1>like this bidding war makes no sense. Fuck with your man,

1:02:29.160 --> 1:02:30.800
<v Speaker 1>And they gave him more money, so he fucked that.

1:02:31.560 --> 1:02:33.600
<v Speaker 1>So then I was then one day he was like, yo,

1:02:33.920 --> 1:02:39.120
<v Speaker 1>what about NAS And I was like, fuck, yeah, bring them.

1:02:40.520 --> 1:02:46.040
<v Speaker 1>I'm thinking where bring them to me? At Atlantic Records.

1:02:46.880 --> 1:02:50.240
<v Speaker 1>But I'm thinking, Okay, your album's done. That means his

1:02:50.360 --> 1:02:54.040
<v Speaker 1>album must be done because Ox album was done when

1:02:54.080 --> 1:02:56.960
<v Speaker 1>they were shopping them, like Lodge was he was. I

1:02:57.040 --> 1:02:59.640
<v Speaker 1>think Lodge might have been like probably way ahead of

1:02:59.680 --> 1:03:02.200
<v Speaker 1>his time because he finished the albums before he was

1:03:02.280 --> 1:03:05.200
<v Speaker 1>like shopping them ship. So he finished he finished Ox

1:03:05.280 --> 1:03:07.600
<v Speaker 1>album before he was shocking it shopping it. So like

1:03:07.720 --> 1:03:09.760
<v Speaker 1>the bidding water that I'm in is for a whole album.

1:03:10.320 --> 1:03:14.360
<v Speaker 1>I've lost Professor Joints like lost Ox whole album. And

1:03:14.480 --> 1:03:17.640
<v Speaker 1>I was like this, what the fuck is happening here? Yeah,

1:03:18.960 --> 1:03:21.320
<v Speaker 1>I think he did everything on there. He just just

1:03:21.440 --> 1:03:23.480
<v Speaker 1>about everything on there. I think Rob Swift might have

1:03:23.520 --> 1:03:25.680
<v Speaker 1>done the record. No, somebody else might have did one record,

1:03:26.040 --> 1:03:29.160
<v Speaker 1>but it was it was, here's this album, what you're

1:03:29.160 --> 1:03:31.280
<v Speaker 1>gonna do? And I was like funk. I wanted. Plus

1:03:31.360 --> 1:03:33.680
<v Speaker 1>I was on my man, so I definitely wanted to

1:03:33.760 --> 1:03:36.280
<v Speaker 1>sign it. So the bid and what happened. I lost

1:03:36.280 --> 1:03:38.880
<v Speaker 1>to Benning War But then I mean even like because

1:03:38.920 --> 1:03:41.080
<v Speaker 1>he's my man, he was like kind of trying to

1:03:41.120 --> 1:03:42.840
<v Speaker 1>smooth sh it over. He was like, yo, but what

1:03:42.920 --> 1:03:47.920
<v Speaker 1>about nos And I was like nas niggas telling me reminded. No,

1:03:48.280 --> 1:03:50.720
<v Speaker 1>he didn't have to remind me. He put it up.

1:03:50.840 --> 1:03:53.520
<v Speaker 1>He was he was like got on because he got on.

1:03:53.640 --> 1:03:55.439
<v Speaker 1>But I'm telling you, like this is a week after

1:03:55.560 --> 1:03:59.960
<v Speaker 1>he got on. So he's like, Yo, but whatever, big niggas.

1:04:00.080 --> 1:04:07.120
<v Speaker 1>Man want to get some clarity of things, all right?

1:04:08.240 --> 1:04:11.200
<v Speaker 1>Like I know since he was a young boy, his

1:04:11.360 --> 1:04:13.640
<v Speaker 1>brother Yachty, I like, I know his whole fans he

1:04:13.760 --> 1:04:21.960
<v Speaker 1>was young. Looks. Look at the reason I know him

1:04:22.080 --> 1:04:24.080
<v Speaker 1>is because of how much I used to be in

1:04:24.840 --> 1:04:28.840
<v Speaker 1>Left Right and I knew Poppy when he was in

1:04:29.040 --> 1:04:35.800
<v Speaker 1>the left rack. Make you so when I'm telling you,

1:04:35.920 --> 1:04:38.280
<v Speaker 1>I wrote that ship on Twitter and was like, Yo, nigga,

1:04:38.280 --> 1:04:40.840
<v Speaker 1>I know you Poppy. He was like, yn't forget it,

1:04:41.920 --> 1:04:51.080
<v Speaker 1>so trust me. He was like, we don't need that style,

1:04:53.120 --> 1:04:55.960
<v Speaker 1>Paris style. You gotta do it like that. I was like,

1:04:56.200 --> 1:04:58.200
<v Speaker 1>doing it because you know why? This doesn't changed the

1:04:58.240 --> 1:05:04.120
<v Speaker 1>bottle temperature a right? Man? If I hold it like this,

1:05:04.680 --> 1:05:07.200
<v Speaker 1>Look my hand is all cold. My hand is all hot.

1:05:07.360 --> 1:05:09.040
<v Speaker 1>You don't know if I jerked off or not. You

1:05:09.160 --> 1:05:11.080
<v Speaker 1>know what I'm saying. But you do it like this,

1:05:12.600 --> 1:05:13.480
<v Speaker 1>we get a new bottle.

1:05:14.800 --> 1:05:15.960
<v Speaker 2>The bottle got violated.

1:05:16.680 --> 1:05:18.680
<v Speaker 1>Look in your mind about it, right, You see what

1:05:18.680 --> 1:05:22.480
<v Speaker 1>I'm saying. Look, I'm gonna go back. He's like, Yo,

1:05:22.560 --> 1:05:24.960
<v Speaker 1>what about nods though, I'm gonna bring nods through and

1:05:25.040 --> 1:05:28.720
<v Speaker 1>I was like absolutely, So he brings them. We're sitting down.

1:05:28.800 --> 1:05:32.480
<v Speaker 1>We had Atlantic Records, and I go let me hear it,

1:05:32.640 --> 1:05:35.600
<v Speaker 1>and he goes hear what And I was like, Yo,

1:05:36.080 --> 1:05:38.760
<v Speaker 1>give me the demo on this nigg and he was like,

1:05:39.200 --> 1:05:41.160
<v Speaker 1>I don't have no demo. Clock he ain't got no

1:05:41.360 --> 1:05:46.919
<v Speaker 1>songs right now. And I'm just like I couldn't sign.

1:05:47.120 --> 1:05:48.760
<v Speaker 1>But the reason why you need a demo because you

1:05:48.840 --> 1:05:50.600
<v Speaker 1>needed to bring it. You had to bring it there.

1:05:50.600 --> 1:05:52.280
<v Speaker 1>I had to bring it to my boss and my

1:05:52.360 --> 1:05:54.920
<v Speaker 1>boss had to hear why. I was saying, he's the

1:05:55.000 --> 1:05:58.560
<v Speaker 1>guy to sign one record. Understand me. No, he had

1:05:58.640 --> 1:06:00.880
<v Speaker 1>lived to barbecue and I was trying to convinced somebody

1:06:00.920 --> 1:06:05.320
<v Speaker 1>off of one record, so like you have to understand,

1:06:05.440 --> 1:06:09.000
<v Speaker 1>like beforehand, like I was going this dude Nas, this

1:06:09.160 --> 1:06:12.240
<v Speaker 1>dude can Elly and all of these dudes who were around.

1:06:12.320 --> 1:06:14.280
<v Speaker 1>I was talking to my boss about it. But then

1:06:14.560 --> 1:06:16.560
<v Speaker 1>when I was like, he's gonna bring Nas to the office,

1:06:16.600 --> 1:06:20.520
<v Speaker 1>I was like, Yo, Nas is coming, and she was like, well,

1:06:20.680 --> 1:06:22.600
<v Speaker 1>tell me what it is when you hear it. Because

1:06:22.640 --> 1:06:25.040
<v Speaker 1>I kept saying like this nigga's crazy. He said he's

1:06:25.040 --> 1:06:28.640
<v Speaker 1>gonna snuff Jesus. You know, anybody snuffing Jesus is Wow,

1:06:29.680 --> 1:06:33.280
<v Speaker 1>he's wild with a dude who's gonna snuff Jesus, even

1:06:33.320 --> 1:06:35.360
<v Speaker 1>though it sounds a little wild because like I believe

1:06:35.400 --> 1:06:40.920
<v Speaker 1>in God. I'm just saying, but he's musically exactly artistically.

1:06:43.480 --> 1:06:46.400
<v Speaker 1>So when he's sitting there, he doesn't have a demo,

1:06:46.480 --> 1:06:48.760
<v Speaker 1>and I was. I turned and the thing is like,

1:06:49.000 --> 1:06:51.400
<v Speaker 1>Nas is dumb young at this time. So I'm talking

1:06:51.440 --> 1:06:55.200
<v Speaker 1>to ok and I'm like, I I can't sign an

1:06:55.320 --> 1:06:57.959
<v Speaker 1>artist with out a demo because I wasn't a vice

1:06:58.040 --> 1:07:00.440
<v Speaker 1>president at that point. I wasn't even the rector. I

1:07:00.600 --> 1:07:04.000
<v Speaker 1>was a manager of Vana, Like I was way low

1:07:04.120 --> 1:07:06.800
<v Speaker 1>down the tote him pull at that moment. But I

1:07:07.000 --> 1:07:09.520
<v Speaker 1>was like, dude, like when we I said, we just

1:07:09.600 --> 1:07:12.560
<v Speaker 1>signed dos Effects, they had a whole album, Like I said,

1:07:12.600 --> 1:07:15.840
<v Speaker 1>Parish Smith brought me a whole album. So he was like,

1:07:16.000 --> 1:07:20.680
<v Speaker 1>okay album. Yeah, I was part of that. Understand me though,

1:07:21.080 --> 1:07:24.880
<v Speaker 1>So every everything goes away and I don't get to

1:07:24.920 --> 1:07:28.760
<v Speaker 1>sign him, and he starts, he meets searching. Whatever happens

1:07:28.880 --> 1:07:32.840
<v Speaker 1>right later on Nas makes a record. Now I understand me.

1:07:32.920 --> 1:07:34.880
<v Speaker 1>I had to talk to him about this ship because

1:07:34.920 --> 1:07:37.000
<v Speaker 1>it was hilarious to me. He was like, he made

1:07:37.040 --> 1:07:38.880
<v Speaker 1>the record and was like, NADS wouldn't sign because he

1:07:38.960 --> 1:07:42.680
<v Speaker 1>just signed Effects. And I was like, what the fuck

1:07:42.680 --> 1:07:45.600
<v Speaker 1>are you talking about? Nas? He said that in a record.

1:07:46.360 --> 1:07:48.760
<v Speaker 1>He said Clark wouldn't sign me because he signed Effects,

1:07:49.000 --> 1:07:51.800
<v Speaker 1>and I was like, wait a minute, wait wait, I

1:07:51.960 --> 1:07:54.160
<v Speaker 1>was like, that's a free way. No, it's a record.

1:07:54.240 --> 1:07:56.160
<v Speaker 1>It's on one of his albums. I don't don't get

1:07:56.200 --> 1:07:58.240
<v Speaker 1>me wrong. I don't remember what it was, but what

1:07:58.360 --> 1:08:01.280
<v Speaker 1>I'm saying is he said, you know what's You know

1:08:01.360 --> 1:08:04.520
<v Speaker 1>why I know they said it because no one listens

1:08:04.560 --> 1:08:07.840
<v Speaker 1>to rap closer than me. So when somebody makes an album,

1:08:07.880 --> 1:08:10.200
<v Speaker 1>I listened to every bar because I want to know

1:08:10.280 --> 1:08:14.439
<v Speaker 1>who's nice. I want to start differentiating motherfuckers real quick.

1:08:14.920 --> 1:08:14.960
<v Speaker 11>Like.

1:08:15.400 --> 1:08:19.080
<v Speaker 1>So, like I said, he said that, and I was like, Yo, look,

1:08:19.160 --> 1:08:20.640
<v Speaker 1>I swear to god, I heard that ship in like

1:08:20.720 --> 1:08:22.640
<v Speaker 1>three seconds later. I was on the phone with I

1:08:23.080 --> 1:08:25.600
<v Speaker 1>was like, yo, I remember, but to the office, he

1:08:25.720 --> 1:08:27.400
<v Speaker 1>was like, yeah, Clark White, the fuck you're asking me that?

1:08:27.680 --> 1:08:30.439
<v Speaker 1>I said. Remember when he's when I couldn't sign him,

1:08:30.520 --> 1:08:32.639
<v Speaker 1>He was like, you, mama could He was like yeah, yeah,

1:08:32.640 --> 1:08:35.680
<v Speaker 1>had no demo. I was like, okay, I think you

1:08:35.880 --> 1:08:38.720
<v Speaker 1>need to tell him what you're talking about. I said,

1:08:38.800 --> 1:08:40.800
<v Speaker 1>Nigga just said I didn't sign him because I signed

1:08:40.880 --> 1:08:45.400
<v Speaker 1>do Effects. I said, what kind of fucking answer is that? Boy? Like,

1:08:45.520 --> 1:08:49.240
<v Speaker 1>who says, now I'm not going to sign you nas

1:08:49.880 --> 1:08:52.360
<v Speaker 1>because I signed effects? Because that's probably how he looked

1:08:52.400 --> 1:08:55.799
<v Speaker 1>at it though, and all all fitness, with all due respect,

1:08:55.840 --> 1:09:00.759
<v Speaker 1>because it's two times I said I need a demo

1:09:00.960 --> 1:09:05.640
<v Speaker 1>to sign you. That's why I didn't sign you. So

1:09:05.760 --> 1:09:08.800
<v Speaker 1>I saw him at Revolt last year. Revolt we was

1:09:08.880 --> 1:09:10.880
<v Speaker 1>on the vote together and he was like, my nigga.

1:09:10.920 --> 1:09:12.639
<v Speaker 1>I was like, my nigga, come here for a second.

1:09:13.680 --> 1:09:16.320
<v Speaker 1>I know it might seem a little petty, but he's

1:09:16.400 --> 1:09:17.880
<v Speaker 1>my nigga. So I got a petty This.

1:09:17.920 --> 1:09:18.080
<v Speaker 6>Is what.

1:09:22.960 --> 1:09:30.280
<v Speaker 1>Listen, listen, are you a gentleman manager? My ship is

1:09:30.360 --> 1:09:32.080
<v Speaker 1>is that I'm not petty. It's just that I wanted

1:09:33.200 --> 1:09:35.200
<v Speaker 1>I think I wanted him to be clear because it

1:09:35.320 --> 1:09:37.639
<v Speaker 1>fucked with me for all these years that he thought

1:09:37.720 --> 1:09:39.680
<v Speaker 1>something so crazy and I pulled them over as me

1:09:39.800 --> 1:09:42.479
<v Speaker 1>him Andre, I was like, who knows? He came to

1:09:42.520 --> 1:09:44.600
<v Speaker 1>my studio. I mean he came to my office and

1:09:44.960 --> 1:09:47.439
<v Speaker 1>he was with was like yeah, I said remember when

1:09:47.600 --> 1:09:49.960
<v Speaker 1>we went when I couldn't sign you. He's like yeah.

1:09:50.200 --> 1:09:51.960
<v Speaker 1>I said, do you remember why? He said I think

1:09:52.000 --> 1:09:54.000
<v Speaker 1>it was like like, I think it was something with that.

1:09:54.400 --> 1:09:56.400
<v Speaker 1>I said, no, remember you didn't have a demo and

1:09:56.479 --> 1:10:01.000
<v Speaker 1>he was like the rhyme came out? Yeah. Last now

1:10:04.880 --> 1:10:07.519
<v Speaker 1>on the Point Boat Cruise and I was DJing on

1:10:07.800 --> 1:10:09.799
<v Speaker 1>and I seen him. It was me and and Andrea.

1:10:09.840 --> 1:10:11.360
<v Speaker 1>I swear to god, I pulled him to the side.

1:10:11.400 --> 1:10:13.519
<v Speaker 1>I'm like, yean Andre, you could listen to like I

1:10:13.560 --> 1:10:15.920
<v Speaker 1>didn't give a funk. I was like, do you remember that?

1:10:16.600 --> 1:10:19.800
<v Speaker 1>He was like yeah. He was like yeah, can't you

1:10:19.840 --> 1:10:22.080
<v Speaker 1>offic I brought me there and I was like yeah,

1:10:22.280 --> 1:10:24.960
<v Speaker 1>and I said remember I was trying to sign you

1:10:25.040 --> 1:10:26.840
<v Speaker 1>and he was like yeah. He was like, I said,

1:10:26.840 --> 1:10:28.720
<v Speaker 1>do you remember why didn't sign you? He was like yeah,

1:10:28.720 --> 1:10:31.200
<v Speaker 1>I think it was you know, over the summer, that's

1:10:31.200 --> 1:10:34.000
<v Speaker 1>if it's I said, no, remember I said I can't

1:10:34.080 --> 1:10:36.320
<v Speaker 1>sign anybody without a demo. He was like yeah, I

1:10:36.320 --> 1:10:39.720
<v Speaker 1>didn't have no demo. I was like, that's why you

1:10:39.800 --> 1:10:42.519
<v Speaker 1>didn't get signed and said, dog, you made a record,

1:10:42.640 --> 1:10:46.559
<v Speaker 1>saying I didn't. He was like damn man, I don't know, man,

1:10:47.200 --> 1:10:51.519
<v Speaker 1>I just didn't remember it right. Andre Herrel is standing

1:10:51.600 --> 1:10:56.880
<v Speaker 1>there going you know, Andre, of course he was. I

1:10:57.040 --> 1:11:00.160
<v Speaker 1>was like, yeah, who the fuck wouldn't He was like,

1:11:00.240 --> 1:11:02.439
<v Speaker 1>nobody was gonna sign ups. I was like, this is

1:11:02.439 --> 1:11:05.120
<v Speaker 1>the nicest nigga around At that point, I'm trying to

1:11:05.160 --> 1:11:07.479
<v Speaker 1>sign now listening to the bars. Yeah, I was listening

1:11:07.520 --> 1:11:09.720
<v Speaker 1>to the bars, and I was trying to sign us

1:11:10.160 --> 1:11:18.840
<v Speaker 1>like before everybody, like before anybody heard a song before halftime. Fuck, nope,

1:11:18.920 --> 1:11:21.599
<v Speaker 1>you understand me. He got with search later in back

1:11:21.680 --> 1:11:24.720
<v Speaker 1>to the grill. I'm talking before soon as he said,

1:11:24.760 --> 1:11:28.519
<v Speaker 1>snuffing Jesus, I was like, I'm in. I'm in. I

1:11:28.840 --> 1:11:44.680
<v Speaker 1>like this guy. Let's make some noise for that. I

1:11:44.720 --> 1:11:46.080
<v Speaker 1>feel like we just take it at the shot. I

1:11:46.080 --> 1:11:49.640
<v Speaker 1>don't know if people are you know what this adds to.

1:11:50.880 --> 1:11:52.360
<v Speaker 1>Matter of fact, I'm not eve gonna say that because

1:11:52.360 --> 1:11:56.400
<v Speaker 1>I have a feeling you're gonna go there no clock. Listen.

1:11:56.479 --> 1:11:57.960
<v Speaker 1>Let me just tell you something. I gotta take a

1:11:57.960 --> 1:12:03.160
<v Speaker 1>bone the house. I mean to tell you something so

1:12:03.240 --> 1:12:06.680
<v Speaker 1>you're not gett drunk. If you want to go with you,

1:12:07.320 --> 1:12:08.880
<v Speaker 1>I don't make a company that it ain't my fault.

1:12:09.560 --> 1:12:12.880
<v Speaker 1>It's just it's only for looks. The tag of bright

1:12:12.880 --> 1:12:15.760
<v Speaker 1>now yah, it's only to stock. Yeah, we got to stock,

1:12:16.160 --> 1:12:19.320
<v Speaker 1>but but we gotta leave it there for for cultural

1:12:19.479 --> 1:12:25.200
<v Speaker 1>purposes only, artistic cultural purposes, autistic cultural purposes. That next question, So, Clark,

1:12:27.280 --> 1:12:30.880
<v Speaker 1>you've done everything I want to be good that you

1:12:31.000 --> 1:12:34.439
<v Speaker 1>sent out the other day and you said Rick Ross

1:12:34.600 --> 1:12:40.760
<v Speaker 1>album it's crazy, and I got a one hundred per

1:12:41.960 --> 1:12:46.800
<v Speaker 1>agree with you. But if you have the one hundred

1:12:46.800 --> 1:12:50.160
<v Speaker 1>percent agree with me, why is there but because I

1:12:50.320 --> 1:12:55.200
<v Speaker 1>want to say, I want to say, he's this era's

1:12:55.360 --> 1:12:57.720
<v Speaker 1>version of Biggie or is now I'm not just no,

1:12:57.840 --> 1:13:00.479
<v Speaker 1>he's this avers version of Rick Ross. No one's ever

1:13:00.600 --> 1:13:03.519
<v Speaker 1>gonna be any era of Biggie. But what I mean

1:13:03.600 --> 1:13:05.880
<v Speaker 1>by there's nothing you can say that's gonna fix that,

1:13:06.040 --> 1:13:08.839
<v Speaker 1>there's nothing you say that. Listen. If you say Cadence

1:13:08.880 --> 1:13:11.680
<v Speaker 1>and flowed, then that's Rick Ross. You know. If you

1:13:11.800 --> 1:13:18.760
<v Speaker 1>say bars, then you're talking about Biggie. You don't think

1:13:19.320 --> 1:13:21.439
<v Speaker 1>we're done. I explained it just now you ain't gonna

1:13:21.439 --> 1:13:23.760
<v Speaker 1>ask me, don't do that, don't do that, don't do that,

1:13:24.000 --> 1:13:27.800
<v Speaker 1>don't do that, don't do that. Don't do that. We

1:13:27.840 --> 1:13:28.280
<v Speaker 1>don't do that.

1:13:28.439 --> 1:13:38.799
<v Speaker 12>Man, Relax, relax, But his albums hard. This album's fire, fire, fire.

1:13:39.200 --> 1:13:44.880
<v Speaker 1>This is, without a doubt, no question, the best body

1:13:44.960 --> 1:13:47.800
<v Speaker 1>of work he's ever done. Okay, now I'm gonna throw

1:13:47.840 --> 1:13:52.720
<v Speaker 1>you a curve ball. Did you listen to More Life? Absolutely?

1:13:53.520 --> 1:13:55.840
<v Speaker 1>I feel like that's his best body of work. We

1:13:56.040 --> 1:14:04.120
<v Speaker 1>just like that's Drake's ever If you take the singing

1:14:04.240 --> 1:14:07.880
<v Speaker 1>records off of that album, that Ship hip hop know

1:14:08.240 --> 1:14:12.320
<v Speaker 1>that Ship is a five mic album right there. Hold on,

1:14:12.400 --> 1:14:13.879
<v Speaker 1>I want to. I want to. I want to visualize

1:14:13.880 --> 1:14:16.240
<v Speaker 1>because it's twenty I'm an honest nigga. There's twenty tracks

1:14:16.280 --> 1:14:19.320
<v Speaker 1>on there. Correct you're saying, I want to be clear

1:14:19.400 --> 1:14:22.040
<v Speaker 1>what you're saying, because you're a hip hop god. It's like,

1:14:22.200 --> 1:14:24.839
<v Speaker 1>so you're saying to me, there's two good singing records,

1:14:24.880 --> 1:14:28.479
<v Speaker 1>that Medieva Beat and the Love all the singing in

1:14:28.560 --> 1:14:30.439
<v Speaker 1>my mind every time I listen to it, I'm on Molly,

1:14:33.560 --> 1:14:36.800
<v Speaker 1>this is crazy music. Sometimes maybe feel like I'm on drug.

1:14:37.000 --> 1:14:40.439
<v Speaker 1>I want to say it, but I like, no, listen, listen.

1:14:40.439 --> 1:14:43.160
<v Speaker 1>I'm just like some ship and and this is real

1:14:43.240 --> 1:14:46.960
<v Speaker 1>nigga ship. When I listen to Drake's albums, Drake's music period.

1:14:47.280 --> 1:14:49.720
<v Speaker 1>I don't listen to him like he's a rapper. I

1:14:49.840 --> 1:14:52.000
<v Speaker 1>listen to him like he's an artist. And if I

1:14:52.040 --> 1:14:53.760
<v Speaker 1>can listen to him like he's an artist, I can

1:14:53.920 --> 1:15:00.360
<v Speaker 1>take every day, take everything. But if you're gonna, if

1:15:00.400 --> 1:15:04.160
<v Speaker 1>you're gonna ask me that album, if the ship is

1:15:05.760 --> 1:15:08.439
<v Speaker 1>that's his best body of work, yes, But if you

1:15:08.560 --> 1:15:11.280
<v Speaker 1>take the singing records over that ship, that'sh It's like

1:15:11.400 --> 1:15:14.600
<v Speaker 1>that's a five mic album. You're saying he could fit. No, No,

1:15:14.680 --> 1:15:18.519
<v Speaker 1>what I'm saying is the ship is amazing. It's amazing, yo,

1:15:19.600 --> 1:15:21.960
<v Speaker 1>and and like other than well you you want to

1:15:22.000 --> 1:15:24.000
<v Speaker 1>know what's crazy. It's not even about the fact that

1:15:24.080 --> 1:15:26.680
<v Speaker 1>he could spit. It's about that the records are like

1:15:27.680 --> 1:15:30.960
<v Speaker 1>a fucking girl, like he made dope records. You know

1:15:31.000 --> 1:15:33.240
<v Speaker 1>what I'm saying. It's just that some of them singing records.

1:15:33.280 --> 1:15:38.360
<v Speaker 1>I'm just like, dude, he's so nice. Give them ships away.

1:15:38.960 --> 1:15:40.800
<v Speaker 1>So you're saying, no, no, no, Understand what I'm saying.

1:15:40.840 --> 1:15:42.800
<v Speaker 1>When I say and I say give him away, it's

1:15:42.800 --> 1:15:45.240
<v Speaker 1>like give you another artists, Give those singing joints of

1:15:45.320 --> 1:15:48.120
<v Speaker 1>somebody else. Give a fucking whole rap album.

1:15:48.240 --> 1:15:52.280
<v Speaker 17>No no, no, no no now now as as a

1:15:52.400 --> 1:15:55.880
<v Speaker 17>hip hop give an artist album, and as a album,

1:15:56.040 --> 1:16:00.200
<v Speaker 17>I do actually would like to see a whole rapping.

1:16:00.080 --> 1:16:03.760
<v Speaker 18>Drink because because I don't know, if you heard that

1:16:03.840 --> 1:16:07.000
<v Speaker 18>joint free, smoke free, smoke free small yeah, yeah, that

1:16:07.200 --> 1:16:10.479
<v Speaker 18>ship reminds me of a Havoc beat and and and

1:16:10.800 --> 1:16:13.360
<v Speaker 18>that moment when I heard that, I said, you know what,

1:16:14.280 --> 1:16:17.160
<v Speaker 18>he's actually tapping into the era of the nineties.

1:16:17.400 --> 1:16:19.840
<v Speaker 1>You want some float, but I'm giving him a new flow.

1:16:20.479 --> 1:16:22.800
<v Speaker 1>So that was a Havoc beat to me. And people

1:16:22.880 --> 1:16:25.320
<v Speaker 1>don't really respect that dude the right way. You know

1:16:25.400 --> 1:16:28.200
<v Speaker 1>why because it's a lot of factors when you look

1:16:28.240 --> 1:16:30.479
<v Speaker 1>at him. But if you took away all the factors

1:16:30.560 --> 1:16:34.800
<v Speaker 1>and just looked at the music, that dude is wild. Wow,

1:16:35.280 --> 1:16:38.720
<v Speaker 1>he's wild. But when you're talking about albums I look

1:16:38.760 --> 1:16:40.679
<v Speaker 1>at I want to look at him as a rapper

1:16:41.000 --> 1:16:43.439
<v Speaker 1>because I heard him rapping like His first record was

1:16:43.479 --> 1:16:45.439
<v Speaker 1>a song with Trey Songs that shit went to Damnar

1:16:45.600 --> 1:16:49.760
<v Speaker 1>number three or four full Yeah, the ship that was No,

1:16:50.160 --> 1:16:52.719
<v Speaker 1>I just want to be No, that's not his first record.

1:16:53.040 --> 1:16:54.840
<v Speaker 1>His first record was a record that was on the

1:16:54.920 --> 1:16:58.200
<v Speaker 1>top ten on fucking on b T one oh six

1:16:58.280 --> 1:17:01.479
<v Speaker 1>in Park. It was wild before he signed with Wayne.

1:17:01.840 --> 1:17:03.960
<v Speaker 1>He had a good record out and it was with

1:17:04.040 --> 1:17:06.519
<v Speaker 1>Tree songs like you know Trae songs for a long time.

1:17:07.080 --> 1:17:09.920
<v Speaker 1>You understand. Listen to what I'm telling you. Listen, niggas,

1:17:09.960 --> 1:17:12.680
<v Speaker 1>do not listen to the bars. I listened to the

1:17:12.800 --> 1:17:15.160
<v Speaker 1>bars and I travel the world. So I saw him

1:17:15.200 --> 1:17:18.000
<v Speaker 1>before he signed with Wayne and he had a record

1:17:18.040 --> 1:17:20.640
<v Speaker 1>out with Trade songs and ship was on BT. I

1:17:20.680 --> 1:17:22.600
<v Speaker 1>can't remember the ship. Can't ask me what it is

1:17:22.720 --> 1:17:29.599
<v Speaker 1>right now, especially after four shots even four shots three? Brother,

1:17:35.000 --> 1:17:38.559
<v Speaker 1>we gotta respect your wish listen. Ask the inn guard

1:17:38.680 --> 1:17:43.960
<v Speaker 1>and you said fall come on the end of guard

1:17:44.040 --> 1:17:47.439
<v Speaker 1>and you said four and then we're going. I don't

1:17:47.680 --> 1:17:51.719
<v Speaker 1>want to go with you. Come on, yeh. I gotta

1:17:51.760 --> 1:17:55.519
<v Speaker 1>salute you. One year anniversary. And what we're doing is

1:17:55.640 --> 1:18:02.080
<v Speaker 1>very disrespectful. Why I mean what we're doing drinking no

1:18:04.280 --> 1:18:09.000
<v Speaker 1>in life. We all we are closing something very could

1:18:09.280 --> 1:18:14.920
<v Speaker 1>for the podcast culture. Oh god, yeah, pressure on me,

1:18:15.640 --> 1:18:18.599
<v Speaker 1>putting pressure on me, and we are celebrating clock Camp,

1:18:23.040 --> 1:18:31.920
<v Speaker 1>Holy ship. Everybody got a relax. We had half masked studios.

1:18:32.320 --> 1:18:35.479
<v Speaker 1>Let's not forget that. Yeah, you had the dude from

1:18:35.560 --> 1:18:41.120
<v Speaker 1>the Bronk Nothing bron Patriots. Yeah, he's in town this weekend.

1:18:41.240 --> 1:18:45.880
<v Speaker 1>Yeah he had Did you did you? Did you? Did

1:18:45.960 --> 1:18:46.599
<v Speaker 1>you interview him?

1:18:46.640 --> 1:18:46.680
<v Speaker 6>No?

1:18:46.840 --> 1:18:49.960
<v Speaker 1>No, we can't. Yo, you know what, I'm gonna be honest. Yeah,

1:18:50.439 --> 1:18:52.559
<v Speaker 1>you know all we care for the whole weekend. I'm

1:18:52.600 --> 1:18:55.559
<v Speaker 1>gonna be honest with you. This is one real fast

1:18:57.400 --> 1:18:59.800
<v Speaker 1>I know what I do when I get a person here. Right,

1:19:00.320 --> 1:19:01.920
<v Speaker 1>you don't know about him, so you can't really get

1:19:01.960 --> 1:19:05.800
<v Speaker 1>to know. I know all about him, but I'll get

1:19:05.840 --> 1:19:09.640
<v Speaker 1>you kicked out of the league. Okay, cool, because if

1:19:09.680 --> 1:19:12.360
<v Speaker 1>I get your get me kicked out of and I start,

1:19:12.760 --> 1:19:14.400
<v Speaker 1>you gotta get me kicked out of hip hop. No,

1:19:14.560 --> 1:19:17.400
<v Speaker 1>you can never never saying if you can get grunk

1:19:17.479 --> 1:19:20.280
<v Speaker 1>kicked out the league, you might be. I just feel like,

1:19:20.800 --> 1:19:23.040
<v Speaker 1>I just feel like, you know, we might spice up

1:19:23.080 --> 1:19:25.720
<v Speaker 1>his drink boom, give him a Molly in there, and

1:19:27.040 --> 1:19:35.160
<v Speaker 1>just might smile. I'm gonna be honest. You listen, you

1:19:35.160 --> 1:19:36.960
<v Speaker 1>don't know what I mean. The athletes hit me. It

1:19:37.120 --> 1:19:38.920
<v Speaker 1>was like, yo, I want to come on the slim

1:19:39.040 --> 1:19:41.120
<v Speaker 1>and I was like, why are you in the jone?

1:19:41.360 --> 1:19:45.360
<v Speaker 1>You gotta relax when you get out, when you get cut,

1:19:45.920 --> 1:19:48.880
<v Speaker 1>when there's a couple of dudes that hit me, that's

1:19:48.920 --> 1:19:52.880
<v Speaker 1>out the league, and I told him relax. And they

1:19:53.120 --> 1:19:56.160
<v Speaker 1>on ESPN now and they on all that because if

1:19:56.160 --> 1:19:58.280
<v Speaker 1>they were to hit drink Champs, I would have gave

1:19:58.360 --> 1:20:02.160
<v Speaker 1>him that y'all gotta manka buy it ink bomb and

1:20:02.240 --> 1:20:04.240
<v Speaker 1>they would have been like, y'all, can I say say.

1:20:04.560 --> 1:20:11.519
<v Speaker 2>By like y'all, y'all, let's make some noise.

1:20:11.560 --> 1:20:14.120
<v Speaker 1>You mean that not making sense of making perfect sense.

1:20:18.400 --> 1:20:21.560
<v Speaker 1>We gotta open at about our champagne because we're celebrating,

1:20:22.000 --> 1:20:25.880
<v Speaker 1>celebrating Clark Kent Man. Can't you dj all over the world?

1:20:25.920 --> 1:20:29.680
<v Speaker 1>You got who you got deals with Japanese people and

1:20:29.760 --> 1:20:33.240
<v Speaker 1>all that type of ship. What is your favorite place

1:20:33.320 --> 1:20:36.479
<v Speaker 1>to d J at? When you go there, you're just like,

1:20:37.000 --> 1:20:41.320
<v Speaker 1>this is me. You gotta make sure you get to

1:20:41.479 --> 1:20:46.560
<v Speaker 1>shape offs in the morning and at this is this

1:20:46.720 --> 1:20:53.800
<v Speaker 1>is your spot? What's that swat? Probably Japan? I knew

1:20:53.800 --> 1:20:59.920
<v Speaker 1>it's Japan. Probably Japan, Japan, Like like I really actually

1:21:00.160 --> 1:21:05.280
<v Speaker 1>I really actually like DJing here a lot Miami. Yeah.

1:21:05.760 --> 1:21:10.880
<v Speaker 1>When people on Molly well right now this this week,

1:21:11.680 --> 1:21:14.880
<v Speaker 1>it might not be a good representation don't you did

1:21:15.000 --> 1:21:18.960
<v Speaker 1>disrespect my molly, people, people, other people.

1:21:20.920 --> 1:21:24.960
<v Speaker 2>You better let you go, Michael Stick right now, I.

1:21:25.000 --> 1:21:27.960
<v Speaker 1>See on snapchat you were killing that ship last night

1:21:28.240 --> 1:21:30.320
<v Speaker 1>with a bottle of chat Bank. I don't know if

1:21:30.360 --> 1:21:33.080
<v Speaker 1>they put molly in your ship, but a little bit.

1:21:33.160 --> 1:21:35.920
<v Speaker 1>I felt like what major of the operative word at

1:21:35.960 --> 1:21:39.559
<v Speaker 1>the beginning of what you said, But you were killing ship,

1:21:40.240 --> 1:21:43.040
<v Speaker 1>that's what you said. Killing talk had me dancing last night.

1:21:43.360 --> 1:21:46.240
<v Speaker 1>I seen you stepping dancing. I see you dancing. God damn,

1:21:46.520 --> 1:21:50.680
<v Speaker 1>it's a beautiful thing. Clark hit that week. It's not

1:21:50.760 --> 1:21:54.240
<v Speaker 1>gonna work, but ahead, let's talk about your DJ experience

1:21:54.360 --> 1:21:59.559
<v Speaker 1>last night. No, I was just working. Uh. I don't

1:21:59.600 --> 1:22:02.240
<v Speaker 1>know how I approached DJing. I don't know if I

1:22:02.280 --> 1:22:05.280
<v Speaker 1>approach it differently than much. I mean many, but I

1:22:05.400 --> 1:22:08.599
<v Speaker 1>do believe that I approach it differently than a lot.

1:22:09.240 --> 1:22:12.559
<v Speaker 1>I could be wrong. I don't like d jing as

1:22:12.640 --> 1:22:15.639
<v Speaker 1>much as I love music. So because I love music

1:22:15.800 --> 1:22:18.200
<v Speaker 1>more than I like djaying, I approached the way that

1:22:18.240 --> 1:22:21.680
<v Speaker 1>that DJing with a certain amount of care. So you

1:22:21.800 --> 1:22:24.960
<v Speaker 1>know that's why nine times out of ten I end

1:22:25.080 --> 1:22:29.280
<v Speaker 1>up sounding a lot more better. Now I'm good, I

1:22:29.400 --> 1:22:32.920
<v Speaker 1>sound good. Celebrate clock, I can celebrate with from Panama,

1:22:34.680 --> 1:22:39.920
<v Speaker 1>my family on the look. My mom at least got it.

1:22:40.640 --> 1:22:42.720
<v Speaker 1>Wouldn't bug you out of I used to be a

1:22:42.800 --> 1:22:51.400
<v Speaker 1>dude's house with talk about it. I tell you my

1:22:51.560 --> 1:22:56.920
<v Speaker 1>mother was a she right, so like when like you

1:22:57.000 --> 1:22:59.760
<v Speaker 1>have to understand, like I'm really Panamian, so we really

1:22:59.840 --> 1:23:07.560
<v Speaker 1>have my wife is my my fuck. My mother was

1:23:07.600 --> 1:23:13.080
<v Speaker 1>the vice counselor General of Panama. So like fucking with Noriega,

1:23:13.200 --> 1:23:15.479
<v Speaker 1>fucking with General Torio's that was ship that we did

1:23:15.520 --> 1:23:19.559
<v Speaker 1>all the time. So like they weren't. That wasn't Manuel Noriega.

1:23:19.640 --> 1:23:21.639
<v Speaker 1>To me, that was uncle Manny.

1:23:21.760 --> 1:23:22.160
<v Speaker 6>That was.

1:23:24.720 --> 1:23:29.080
<v Speaker 1>No be clear, I'm talking no, no, I'm talking about

1:23:29.120 --> 1:23:31.200
<v Speaker 1>I'm talking about when I was a super care like

1:23:31.240 --> 1:23:33.960
<v Speaker 1>when I was like seven eight, like like she was

1:23:34.000 --> 1:23:37.320
<v Speaker 1>in government, so she dealt with him like that. Wow,

1:23:37.640 --> 1:23:40.639
<v Speaker 1>I got pictures. I posted pictures on on the inter

1:23:40.760 --> 1:23:44.600
<v Speaker 1>at I mean on on on on on Instagram with

1:23:44.720 --> 1:23:53.479
<v Speaker 1>my mother and it was knocked up right down the

1:23:53.520 --> 1:23:58.640
<v Speaker 1>street from from Hood Harris did Heroin.

1:24:00.080 --> 1:24:04.920
<v Speaker 19>That never weared thirty third So man, yes, sir, God

1:24:05.200 --> 1:24:11.960
<v Speaker 19>damn Man's little seeds. Some man, yes, sir, you see

1:24:12.040 --> 1:24:13.559
<v Speaker 19>this other sneak of people out there.

1:24:13.800 --> 1:24:17.200
<v Speaker 1>Yeah, who is somebody you sat back and said, I

1:24:17.320 --> 1:24:21.280
<v Speaker 1>gotta kill these things because you because you're a rapper,

1:24:21.840 --> 1:24:24.000
<v Speaker 1>because you're not a rapper, because like rap, that's how

1:24:24.120 --> 1:24:27.280
<v Speaker 1>rappers thad. But you know what I'm saying, like, no,

1:24:27.520 --> 1:24:33.080
<v Speaker 1>I mean your family, So your battle. I don't know what. Listen,

1:24:33.360 --> 1:24:35.600
<v Speaker 1>I'm gonna keep it a thousand percent with you. And

1:24:35.800 --> 1:24:37.160
<v Speaker 1>I don't know if he's gonna mention it. I don't

1:24:37.160 --> 1:24:40.000
<v Speaker 1>know if he's had enough drinks. He's not in competition

1:24:40.160 --> 1:24:45.479
<v Speaker 1>with nobody but me, I've been doing you know what

1:24:45.520 --> 1:24:47.559
<v Speaker 1>the flash it is. I'm gonna take a white kid

1:24:47.960 --> 1:24:53.240
<v Speaker 1>that Jordan's sponsored people all this ship a white kid

1:24:53.320 --> 1:24:54.839
<v Speaker 1>and he opened up a museum.

1:24:55.240 --> 1:24:57.360
<v Speaker 6>You ain't see Jordan Gella Yeah, Jordan Yella Yeah.

1:24:57.200 --> 1:24:59.360
<v Speaker 1>Okay, yeah, explain that. I mean, well, he's so.

1:24:59.520 --> 1:25:01.360
<v Speaker 6>All those he sold all them shoes, and he sells

1:25:01.400 --> 1:25:04.080
<v Speaker 6>shoes and he's not like that's a collector because he

1:25:04.240 --> 1:25:06.400
<v Speaker 6>doesn't wear everything. He'll buy something that size. Now the

1:25:06.439 --> 1:25:08.080
<v Speaker 6>side twelve, so I was fourteen, just to say he

1:25:08.160 --> 1:25:10.040
<v Speaker 6>has it right and that's dope. I mean he got

1:25:10.080 --> 1:25:10.719
<v Speaker 6>an ill collections.

1:25:10.760 --> 1:25:12.679
<v Speaker 2>There's a difference if you wear difference, I wear a breath.

1:25:12.720 --> 1:25:14.240
<v Speaker 6>I don't wear a brand new pairs s niggas every day,

1:25:14.280 --> 1:25:15.760
<v Speaker 6>but I wear a brand I could wear a breath.

1:25:15.760 --> 1:25:17.320
<v Speaker 6>I can wear a brand new pair of sneakers every

1:25:17.360 --> 1:25:18.040
<v Speaker 6>day for ten years.

1:25:18.280 --> 1:25:19.439
<v Speaker 1>Wow, But I don't.

1:25:19.520 --> 1:25:21.479
<v Speaker 6>I mean, I'm not clock. I don't wear them every day.

1:25:21.479 --> 1:25:22.880
<v Speaker 6>I wear air Force three days in a row.

1:25:23.320 --> 1:25:24.680
<v Speaker 1>Then I get rid of it. What about that kid,

1:25:24.760 --> 1:25:27.560
<v Speaker 1>that fat Joe brother around, the kid from Dubai. Is

1:25:27.640 --> 1:25:33.360
<v Speaker 1>he no money kicks? That's one day, one day I'm dirty.

1:25:33.400 --> 1:25:39.040
<v Speaker 1>I'm dirty kicked king. I'm just saying I love that.

1:25:39.960 --> 1:25:42.720
<v Speaker 6>One day you buy I guy, one day he'll buy

1:25:42.760 --> 1:25:45.720
<v Speaker 6>my collection. Shout the money kicks now. But my whole

1:25:45.760 --> 1:25:47.800
<v Speaker 6>thing is I've been doing this ship for so long

1:25:47.960 --> 1:25:49.519
<v Speaker 6>and my this is my this is my this is

1:25:49.560 --> 1:25:51.920
<v Speaker 6>the ill part. So I'm not a rapper, I'm not

1:25:52.000 --> 1:25:54.280
<v Speaker 6>an actor, I'm not a celebrity. I'm not entertaining.

1:25:54.280 --> 1:25:54.880
<v Speaker 1>I'm not a DJ.

1:25:55.920 --> 1:25:58.120
<v Speaker 6>I am I am asked no disrespect, brother, I love

1:25:58.160 --> 1:25:59.800
<v Speaker 6>you clock more stuff that I've been doing this for

1:26:00.040 --> 1:26:02.799
<v Speaker 6>so long, and I really became famous so for sneakers,

1:26:03.200 --> 1:26:05.200
<v Speaker 6>which is crazy because I'm not famous, you know, what

1:26:05.200 --> 1:26:07.519
<v Speaker 6>I'm saying. So there's no DJ, no rapping, no nothing.

1:26:07.640 --> 1:26:09.600
<v Speaker 6>I'm just this dude from the South Bronx. They've been

1:26:09.640 --> 1:26:11.760
<v Speaker 6>around one hundred years and been into the sneaker game

1:26:11.800 --> 1:26:15.599
<v Speaker 6>for real. So before social media, before October fourth, two

1:26:15.640 --> 1:26:18.120
<v Speaker 6>thousand and nine, or twenty ten, whenever Instagram came out,

1:26:18.400 --> 1:26:20.479
<v Speaker 6>I've been getting shoes, you know what I'm saying, Like

1:26:20.600 --> 1:26:21.599
<v Speaker 6>I've been getting shoes.

1:26:22.280 --> 1:26:24.200
<v Speaker 2>No, no, he was selling me shoes way before.

1:26:24.240 --> 1:26:26.519
<v Speaker 1>They wasn't in it. But how's that happen? Though?

1:26:26.720 --> 1:26:28.840
<v Speaker 2>So for me from the so for me, it's crazy.

1:26:28.640 --> 1:26:30.599
<v Speaker 6>He goes so now it goes the whole hip hop

1:26:30.640 --> 1:26:32.439
<v Speaker 6>element and the whole thing. So I had club essos.

1:26:32.640 --> 1:26:35.479
<v Speaker 6>But before that, one of my best friends I only have.

1:26:35.600 --> 1:26:37.160
<v Speaker 6>I got three best friends. Clark is one of them.

1:26:37.160 --> 1:26:39.280
<v Speaker 6>My man Speedy James Williams. He was in a Nike

1:26:39.320 --> 1:26:41.640
<v Speaker 6>commercial where they was doing the dribbling with Jason Williams.

1:26:41.320 --> 1:26:43.560
<v Speaker 1>And Rashid Wallace. He's from the Big that got the

1:26:43.600 --> 1:26:44.679
<v Speaker 1>body Jason Well.

1:26:44.640 --> 1:26:47.200
<v Speaker 6>No no, no, no, no buddies, no no, no, Jason

1:26:47.200 --> 1:26:49.000
<v Speaker 6>Wing when that Sid his normal driver, not that I

1:26:49.040 --> 1:26:50.320
<v Speaker 6>was quite chocolate the ja.

1:26:52.720 --> 1:26:59.160
<v Speaker 1>I can relate with youtand I understand everybody. So he

1:26:59.280 --> 1:26:59.960
<v Speaker 1>was in that commercial.

1:27:00.080 --> 1:27:03.520
<v Speaker 6>So I got to meet the guys like Jerry Erasmasney,

1:27:03.760 --> 1:27:05.559
<v Speaker 6>Jerry Rasney, so you know what I'm saying. So guys

1:27:05.640 --> 1:27:07.479
<v Speaker 6>like that was taking care of me before there was

1:27:07.520 --> 1:27:11.519
<v Speaker 6>an internet. So like I call him my brother. He

1:27:11.720 --> 1:27:15.200
<v Speaker 6>was in Above the Rim with Tupac, so I was

1:27:15.280 --> 1:27:16.840
<v Speaker 6>on a set every day. I was on a set

1:27:16.880 --> 1:27:18.439
<v Speaker 6>for like eleven days in a row with Park when

1:27:18.479 --> 1:27:19.920
<v Speaker 6>they were shooting Above the Rim and all that, just

1:27:20.000 --> 1:27:22.920
<v Speaker 6>hanging out, bullshitt around and rebox pretty much fastered that

1:27:22.960 --> 1:27:25.840
<v Speaker 6>whole campaign. But my man did this commercial with Nike

1:27:26.000 --> 1:27:27.400
<v Speaker 6>to dribble and commercial, so I was able to go

1:27:27.520 --> 1:27:30.080
<v Speaker 6>up in the office and then and just build relationships

1:27:30.120 --> 1:27:31.479
<v Speaker 6>and stuff like that. So I was getting shoes for

1:27:31.520 --> 1:27:33.240
<v Speaker 6>a while. It was just White Air Forces and Black

1:27:33.280 --> 1:27:35.240
<v Speaker 6>Air Forces. It was really no special shoes like that

1:27:35.680 --> 1:27:37.960
<v Speaker 6>except for the Family Tree Air Force when they want Rutger.

1:27:38.360 --> 1:27:40.160
<v Speaker 6>But I mean, besides stuff like that, it was just

1:27:40.520 --> 1:27:42.599
<v Speaker 6>a whole bunch of shits. I've been around that whole time,

1:27:43.000 --> 1:27:45.719
<v Speaker 6>and you knew Sneakers was going to be not I didn't.

1:27:45.760 --> 1:27:46.519
<v Speaker 2>I just love kicks.

1:27:46.840 --> 1:27:49.320
<v Speaker 6>I was running around with clock for years when Clark

1:27:49.400 --> 1:27:51.479
<v Speaker 6>was coming to Club Thatsos. I didn't really know there

1:27:51.600 --> 1:27:53.280
<v Speaker 6>was a sneaker thing with Clark like that, I knew

1:27:53.320 --> 1:27:55.559
<v Speaker 6>I love sneakers. I was riding around in the Toyota

1:27:55.560 --> 1:27:58.200
<v Speaker 6>four Runner with somebody's in a chick's name from Windy's.

1:27:58.479 --> 1:27:59.800
<v Speaker 1>You know what I'm saying. When I had club so

1:28:00.080 --> 1:28:03.120
<v Speaker 1>chick name for girls, some girls name. What I'm saying.

1:28:05.080 --> 1:28:10.599
<v Speaker 1>That made what I'm saying.

1:28:10.720 --> 1:28:11.120
<v Speaker 11>So you.

1:28:16.200 --> 1:28:18.720
<v Speaker 1>Running running around like I had the flour running. I

1:28:18.760 --> 1:28:19.360
<v Speaker 1>thought I was hot.

1:28:19.760 --> 1:28:22.040
<v Speaker 6>Clark pulls up in the first Yukon theinality that I've

1:28:22.040 --> 1:28:24.240
<v Speaker 6>ever seen in my life. Two doors ship with the

1:28:24.400 --> 1:28:26.960
<v Speaker 6>l system for a long time. You know it's crazy.

1:28:27.000 --> 1:28:28.960
<v Speaker 6>And then I wound up owning the stereo shop. Years later,

1:28:30.000 --> 1:28:31.240
<v Speaker 6>I bought Stay Tuned Richard.

1:28:32.920 --> 1:28:34.320
<v Speaker 1>Wait wait, wait, he said, Mike Tyson.

1:28:34.439 --> 1:28:37.160
<v Speaker 6>What Mike Tyson used to have a brim place in Fortland,

1:28:37.200 --> 1:28:38.240
<v Speaker 6>New Jersey called Stay Tuned?

1:28:38.880 --> 1:28:40.799
<v Speaker 1>I bought that. It was called Audio Designs.

1:28:40.840 --> 1:28:44.920
<v Speaker 2>After that flor no no flu, I'm gona tell I'm

1:28:44.920 --> 1:28:45.519
<v Speaker 2>gonna take it back.

1:28:45.560 --> 1:28:47.400
<v Speaker 6>So when Joe used to drive down here to Miami

1:28:47.479 --> 1:28:49.320
<v Speaker 6>before he lived there, remember to escalated. They was getting

1:28:49.320 --> 1:28:51.680
<v Speaker 6>from Martin Cadillacs with the with the motorized TVs in

1:28:51.720 --> 1:28:52.719
<v Speaker 6>the back that was always breaking.

1:28:52.880 --> 1:28:56.360
<v Speaker 1>I did those, but I put the broken TV.

1:28:59.000 --> 1:29:00.840
<v Speaker 6>Remember the Cadillac. That's Remember when Joe used to come

1:29:00.840 --> 1:29:02.439
<v Speaker 6>down here. You know, Joe wasn't flying back in the days.

1:29:02.439 --> 1:29:09.320
<v Speaker 6>Remember Joe time with Escalat what year? Well, but when

1:29:09.360 --> 1:29:11.599
<v Speaker 6>I had audio designs, it might have been I got

1:29:11.640 --> 1:29:13.559
<v Speaker 6>locked up in one oh two. It might have been

1:29:13.640 --> 1:29:19.840
<v Speaker 6>ninety nine, two thousand, Okay, that's when the Actually it's yeah,

1:29:19.960 --> 1:29:23.400
<v Speaker 6>So I was doing his wisdom, no, because I wanted

1:29:23.439 --> 1:29:25.160
<v Speaker 6>to put the years together. Now, I was doing him

1:29:25.160 --> 1:29:27.120
<v Speaker 6>good at my job. I was doing his systems back.

1:29:28.720 --> 1:29:30.560
<v Speaker 6>I was doing his systems back in the days. So

1:29:30.640 --> 1:29:32.200
<v Speaker 6>I say that to go back from ninety six to

1:29:32.240 --> 1:29:34.280
<v Speaker 6>two thousand and one, like I was always like the

1:29:34.320 --> 1:29:34.920
<v Speaker 6>sneaker ship was.

1:29:34.920 --> 1:29:35.680
<v Speaker 1>Always forever with me.

1:29:35.760 --> 1:29:37.320
<v Speaker 6>But when I used to see clock and Essos back

1:29:37.360 --> 1:29:39.799
<v Speaker 6>in ninety five ninety six, I didn't even.

1:29:39.680 --> 1:29:41.400
<v Speaker 1>Know Clark had the ill sneaker collection. Like that.

1:29:41.520 --> 1:29:44.599
<v Speaker 6>We was just vibbing on cars and then him coming

1:29:44.640 --> 1:29:47.000
<v Speaker 6>to him coming to Man Wednesdays, Maria Davids getting drunk

1:29:47.000 --> 1:29:48.800
<v Speaker 6>every night, and then Jay doing the whole ship and

1:29:49.439 --> 1:29:52.280
<v Speaker 6>Jay and them used to pull up to Essos two

1:29:52.360 --> 1:29:56.400
<v Speaker 6>hours before, no earlier than that, like threetown, and they

1:29:56.439 --> 1:29:58.200
<v Speaker 6>would pre pay for the bottles of Christian and they

1:29:58.200 --> 1:30:00.240
<v Speaker 6>would give me thirty six hundred dollars cash christ That

1:30:00.360 --> 1:30:01.519
<v Speaker 6>was three hundred dollars battle.

1:30:01.320 --> 1:30:02.880
<v Speaker 1>Back then shout to the plug.

1:30:02.880 --> 1:30:03.919
<v Speaker 2>I was paying like forty.

1:30:03.680 --> 1:30:06.320
<v Speaker 6>Dollars a bottles stolen selling them for Yeah, I was

1:30:06.320 --> 1:30:07.200
<v Speaker 6>getting a lot of money.

1:30:07.040 --> 1:30:09.760
<v Speaker 1>Back there, perspect The funny shit is. The funny shit

1:30:09.840 --> 1:30:11.840
<v Speaker 1>is when we started doing that, they wasn't even selling

1:30:11.880 --> 1:30:14.000
<v Speaker 1>Crystal right. They would have to go get the Chrystal

1:30:14.040 --> 1:30:15.719
<v Speaker 1>out because we were asking for crystal.

1:30:15.840 --> 1:30:16.639
<v Speaker 2>Yeah, nah, I was crazy.

1:30:16.640 --> 1:30:19.000
<v Speaker 6>I was getting Kristal from it from the distributors, Charms, liquor,

1:30:19.040 --> 1:30:23.120
<v Speaker 6>all that shit. I mean only one day, but the flash.

1:30:23.200 --> 1:30:25.680
<v Speaker 6>It was the reason I fell in love with that

1:30:25.720 --> 1:30:27.120
<v Speaker 6>whole rock The reason I fell in love with that

1:30:27.160 --> 1:30:30.080
<v Speaker 6>whole rock movement was they never pulled their money out

1:30:30.120 --> 1:30:31.599
<v Speaker 6>in the club. They would come to Essos at three

1:30:31.640 --> 1:30:34.080
<v Speaker 6>four o'clock in the afternoon. We paid for their bottles

1:30:34.080 --> 1:30:36.439
<v Speaker 6>of Chris and had me bring a case of Christyle

1:30:36.479 --> 1:30:38.280
<v Speaker 6>out to the ball and they were just hanging by

1:30:38.320 --> 1:30:40.479
<v Speaker 6>the ball poorty bottles, poor the bottles for they bottles

1:30:40.479 --> 1:30:41.080
<v Speaker 6>hold hold.

1:30:41.360 --> 1:30:44.519
<v Speaker 1>No cash on the table? How cal it said? You smart?

1:30:46.520 --> 1:30:48.840
<v Speaker 6>So that was everybody else was starting fronting and pulling

1:30:48.880 --> 1:30:51.000
<v Speaker 6>their bottles out and buying eighty dollars bottles of Moet

1:30:51.040 --> 1:30:53.680
<v Speaker 6>and all that bullshit. And I'm sitting there, last stop.

1:30:53.880 --> 1:30:54.679
<v Speaker 6>You ain't going nowhere?

1:30:55.080 --> 1:30:59.599
<v Speaker 1>All right, clock, I'm sorry, but no cluck there seeing

1:30:59.640 --> 1:31:03.040
<v Speaker 1>the begin I need to know where Clark can Okay,

1:31:03.040 --> 1:31:05.360
<v Speaker 1>I gotta dj I gotta go. Okay, you don't know

1:31:05.640 --> 1:31:08.040
<v Speaker 1>where Clark Kent was at when you heard the room

1:31:08.280 --> 1:31:14.040
<v Speaker 1>was that jay Z and Dame Dash separated? And it

1:31:14.439 --> 1:31:18.400
<v Speaker 1>will never be the same because everything that you said

1:31:18.560 --> 1:31:21.400
<v Speaker 1>just now, you were speaking about the beginning, because that's

1:31:21.800 --> 1:31:27.879
<v Speaker 1>what you represent. And now you're still here. We're still relevant,

1:31:27.920 --> 1:31:31.080
<v Speaker 1>You're still doing what we gotta do. But god, you

1:31:31.120 --> 1:31:33.920
<v Speaker 1>are human. You're a human. Yeah, so I'm actually the

1:31:34.040 --> 1:31:37.880
<v Speaker 1>human being right now? How did you feel? Because I

1:31:38.000 --> 1:31:40.599
<v Speaker 1>still speak to both of them on the same days,

1:31:41.360 --> 1:31:44.120
<v Speaker 1>may be on the same days. To guilty.

1:31:45.800 --> 1:31:46.160
<v Speaker 10>You weren't.

1:31:46.160 --> 1:31:48.640
<v Speaker 1>It's crazy speaking to your saying you feel guilty. I

1:31:48.680 --> 1:31:52.000
<v Speaker 1>could never feel guilty because they were. I wasn't do

1:31:52.040 --> 1:31:55.160
<v Speaker 1>you know what I'm saying. So, but the funny shit was,

1:31:55.240 --> 1:31:58.040
<v Speaker 1>I was sitting at my desk at Rockefeller when I

1:31:58.120 --> 1:32:01.639
<v Speaker 1>found out that it just wasn't gonna be the same anymore.

1:32:01.640 --> 1:32:01.880
<v Speaker 6>And I.

1:32:04.600 --> 1:32:09.960
<v Speaker 1>I I thought to myself, Okay, they'll work it out. Listen, No,

1:32:10.479 --> 1:32:12.120
<v Speaker 1>it was a part of you to say they'll work

1:32:12.160 --> 1:32:14.200
<v Speaker 1>it out. Yeah, I thought it was bullshit. I thought

1:32:14.200 --> 1:32:16.280
<v Speaker 1>it would go away. That's what you have to understand.

1:32:16.439 --> 1:32:20.840
<v Speaker 1>As a guy who was there from before everything, I

1:32:21.040 --> 1:32:24.280
<v Speaker 1>was just like that, that's corny ship. They'll figure it out.

1:32:24.640 --> 1:32:28.840
<v Speaker 1>And because I knew, understand me. I was there from

1:32:28.880 --> 1:32:32.360
<v Speaker 1>the beginning, and then I went to to Motown Records,

1:32:33.280 --> 1:32:35.880
<v Speaker 1>and then I went to jobs. Yeah, I think, did

1:32:35.920 --> 1:32:39.759
<v Speaker 1>you make it any helping the flower shout in Jamaica.

1:32:39.840 --> 1:32:42.400
<v Speaker 1>Let's make some noise o'clock having seventeen hundred dollars.

1:32:44.040 --> 1:32:44.200
<v Speaker 5>Come?

1:32:44.560 --> 1:32:49.760
<v Speaker 1>Damn, you better class them all, something better class you

1:32:49.840 --> 1:32:55.280
<v Speaker 1>put them from bu you better class. I'm sorry, you

1:32:55.320 --> 1:32:59.800
<v Speaker 1>wouldn't take the fish at all. Listen, being before and

1:33:00.240 --> 1:33:03.439
<v Speaker 1>and and you know, making the connection between them, talking mysel,

1:33:03.880 --> 1:33:09.720
<v Speaker 1>making him the connection between them and seeing what introduced

1:33:09.760 --> 1:33:13.480
<v Speaker 1>them right, introduced. Did we we didn't clarify the introduction?

1:33:13.680 --> 1:33:17.439
<v Speaker 1>Can we go for the introduction? How did you introduce them?

1:33:18.560 --> 1:33:22.840
<v Speaker 1>After I signed Dame's groups, I kept telling him about, Yo, dude,

1:33:22.880 --> 1:33:24.519
<v Speaker 1>jay Z is the best in the world, and you're

1:33:24.520 --> 1:33:27.120
<v Speaker 1>telling this today today, I said, Yo, you see, my man,

1:33:27.240 --> 1:33:28.760
<v Speaker 1>jay Z is the best in the world. It's gonna

1:33:28.840 --> 1:33:30.439
<v Speaker 1>kill niggas. What the fuck is this?

1:33:30.560 --> 1:33:30.760
<v Speaker 16>Jay Z?

1:33:30.920 --> 1:33:36.240
<v Speaker 1>Niggas? He ain't better than Big L? This was like, wow, Like,

1:33:36.400 --> 1:33:38.920
<v Speaker 1>with all due respect, I think Big L is dope.

1:33:38.960 --> 1:33:42.679
<v Speaker 1>I think, but I think he's dope. I think he's dope.

1:33:45.800 --> 1:33:49.880
<v Speaker 1>But you saying that that my man's not better than

1:33:49.960 --> 1:33:53.120
<v Speaker 1>him makes no sense to me because I listen, you

1:33:53.200 --> 1:33:56.479
<v Speaker 1>know what I'm saying, So I knew how wild Kine was,

1:33:56.640 --> 1:33:58.920
<v Speaker 1>Like what are you talking about? Like you saying Big

1:33:59.160 --> 1:34:02.680
<v Speaker 1>L is better than if you're saying Big Al's better

1:34:02.760 --> 1:34:06.960
<v Speaker 1>than rock him, and then you're saying he's better than

1:34:07.080 --> 1:34:10.519
<v Speaker 1>Jay Like now you're wildin' you know what I'm saying,

1:34:10.600 --> 1:34:13.200
<v Speaker 1>Like he ain't better than this back then? This is

1:34:13.280 --> 1:34:16.960
<v Speaker 1>back then? He said, Yeah, they didn't see it. I mean,

1:34:17.040 --> 1:34:19.320
<v Speaker 1>but I didn't care. So but I was just like

1:34:19.439 --> 1:34:22.400
<v Speaker 1>choosing my man's illing and everybody, and then you know,

1:34:22.479 --> 1:34:25.360
<v Speaker 1>I started to prove it and then he was you know,

1:34:25.520 --> 1:34:27.280
<v Speaker 1>like he was like, Yo, I'm gonna meet this guy.

1:34:27.320 --> 1:34:30.800
<v Speaker 1>And when he meets him, he's like, I can't believe

1:34:30.800 --> 1:34:33.040
<v Speaker 1>the dudes wearing white and white Air Force one. What

1:34:33.160 --> 1:34:34.920
<v Speaker 1>the fuck you think the only wear Air Force ones

1:34:34.960 --> 1:34:38.200
<v Speaker 1>in Harlemiga you caughty, like, how could you think something

1:34:38.280 --> 1:34:41.519
<v Speaker 1>so stupid? But who are you talking about? Dang Dan

1:34:41.760 --> 1:34:44.559
<v Speaker 1>was like, I can't believe this niggas wearing Air Force ones.

1:34:44.600 --> 1:34:46.160
<v Speaker 1>I was like, what are you talking about? You met

1:34:46.200 --> 1:34:49.120
<v Speaker 1>and me, I'm wearing Air Force ones and so I'm

1:34:49.160 --> 1:34:51.439
<v Speaker 1>from Brooklyn. Yeah, but you be in Harlem. I don't

1:34:51.439 --> 1:34:53.599
<v Speaker 1>care where i'd be at. I'm saying, like you're gonna

1:34:53.600 --> 1:34:55.880
<v Speaker 1>say that, there's nobody else at all, and in Brooklyn

1:34:55.920 --> 1:34:58.240
<v Speaker 1>it was Air Force ones except me. Like that would

1:34:58.240 --> 1:35:01.280
<v Speaker 1>be some dumb shit to believe. But you know that's

1:35:01.360 --> 1:35:04.000
<v Speaker 1>what he felt, and he felt like, understand me. I

1:35:04.200 --> 1:35:06.439
<v Speaker 1>took him to Brooklyn, So he was kind of halfway

1:35:06.479 --> 1:35:11.120
<v Speaker 1>scared at the same time because he believed the only thing, yes, Dave, Dad,

1:35:11.439 --> 1:35:15.000
<v Speaker 1>the only thing that happened in Brooklyn was Robert fevery

1:35:15.640 --> 1:35:18.200
<v Speaker 1>he just felt like, motherfucker's just wrong. I thought that too,

1:35:18.280 --> 1:35:20.080
<v Speaker 1>like all the time that I wanted to obvious more

1:35:20.120 --> 1:35:21.960
<v Speaker 1>of my cousins. I was like, I liked it. I like,

1:35:22.040 --> 1:35:28.280
<v Speaker 1>I like I went to Farragut was about it too. Yeah, yeah, yeah,

1:35:28.280 --> 1:35:30.280
<v Speaker 1>I'm sorry because I don't want to worry about.

1:35:30.120 --> 1:35:30.640
<v Speaker 10>Me, you know.

1:35:30.800 --> 1:35:34.759
<v Speaker 1>So what I'm saying is I introduced them and everything

1:35:34.960 --> 1:35:38.400
<v Speaker 1>was all good from day one. So when this happened,

1:35:38.400 --> 1:35:40.920
<v Speaker 1>when it was like, yeah, you know, it's getting a

1:35:40.920 --> 1:35:43.040
<v Speaker 1>little shaky, I was just like, they're going to fix that,

1:35:43.360 --> 1:35:45.760
<v Speaker 1>and that it was eighteen years later. Yeah, I was

1:35:45.920 --> 1:35:49.439
<v Speaker 1>enough years later. It was enough because it was I

1:35:49.520 --> 1:35:52.519
<v Speaker 1>think I had almost done ten albums or twelve albums.

1:35:52.600 --> 1:35:54.960
<v Speaker 1>It was a lot. I mean, and you have to remember,

1:35:55.040 --> 1:35:58.800
<v Speaker 1>Jay ran a bunch of summers. He ran a bunch

1:35:58.840 --> 1:36:01.599
<v Speaker 1>of summers. I don't many rappers they get that many summers.

1:36:02.000 --> 1:36:05.040
<v Speaker 1>He had summers. He brag about it too. What's crazy

1:36:05.120 --> 1:36:12.240
<v Speaker 1>is I don't know anybody shut down. I mean, back then,

1:36:12.560 --> 1:36:14.120
<v Speaker 1>if you had a summer in New York, you had

1:36:14.120 --> 1:36:16.840
<v Speaker 1>a summer around the world. I mean, hit records in

1:36:16.880 --> 1:36:18.560
<v Speaker 1>the summer, hit records in the summer. So that's what.

1:36:18.680 --> 1:36:21.920
<v Speaker 1>That's what, that's what we're talking about. But you know,

1:36:22.560 --> 1:36:24.560
<v Speaker 1>the only summers he didn't run was the summers that

1:36:24.640 --> 1:36:27.800
<v Speaker 1>he didn't put records out. So what are we talking

1:36:27.800 --> 1:36:31.679
<v Speaker 1>about here? Think about it. The only summers Jay didn't

1:36:31.800 --> 1:36:34.920
<v Speaker 1>run is the summers that Jay decided he wasn't rapping.

1:36:36.240 --> 1:36:40.439
<v Speaker 1>That's crazy. So what you think that's some ship for

1:36:40.600 --> 1:36:45.360
<v Speaker 1>niggas to think about for a second. The only summers

1:36:46.080 --> 1:36:51.000
<v Speaker 1>that Jay didn't run was the summers that he didn't

1:36:51.080 --> 1:36:55.000
<v Speaker 1>put a fucking record out. Bottom line, when he was fifteen.

1:36:55.120 --> 1:36:58.519
<v Speaker 1>I told you, niggas, I feel like we got to

1:36:58.520 --> 1:37:03.880
<v Speaker 1>make some lunk. You need make no, no, we need

1:37:03.920 --> 1:37:06.479
<v Speaker 1>another shot for that one. We don't need a last.

1:37:06.680 --> 1:37:07.800
<v Speaker 2>Last year five.

1:37:07.960 --> 1:37:09.840
<v Speaker 1>I told you I'm a ard nigga. Come on, I

1:37:09.880 --> 1:37:12.639
<v Speaker 1>cannot leave on it. Even you can pull my ship,

1:37:13.800 --> 1:37:16.320
<v Speaker 1>absolutely beful. I'm not even looking. You tell me, you

1:37:16.439 --> 1:37:18.320
<v Speaker 1>tell me where to pull away? Man, I am not

1:37:18.400 --> 1:37:20.640
<v Speaker 1>even looking. Goddamn, I gotta fill mine up for that.

1:37:20.720 --> 1:37:22.960
<v Speaker 1>Ain't gonna be nor where are you dja hair tonight?

1:37:24.160 --> 1:37:28.080
<v Speaker 1>Ain't nobody gonna hear that ship. Somebody snap it, snap

1:37:28.160 --> 1:37:30.560
<v Speaker 1>it or something, yo. Man, Damn you was mad dispectful.

1:37:30.600 --> 1:37:32.639
<v Speaker 1>I thought you, my brother, I thought you was getting

1:37:32.640 --> 1:37:35.160
<v Speaker 1>the look. I got it with you. You do go,

1:37:35.320 --> 1:37:35.840
<v Speaker 1>I got it with you.

1:37:36.360 --> 1:37:36.760
<v Speaker 16>Here we go.

1:37:37.320 --> 1:37:38.439
<v Speaker 2>I'm not going to the club tonight.

1:37:38.439 --> 1:37:40.560
<v Speaker 1>I got it with you. I'm all going in. O.

1:37:40.840 --> 1:37:43.040
<v Speaker 2>No, I'm not brother. You want something, you change your

1:37:44.439 --> 1:37:48.360
<v Speaker 2>don't discuss how much this is. This is this all right,

1:37:48.439 --> 1:37:49.560
<v Speaker 2>you gotta we're gonna go.

1:37:49.680 --> 1:38:01.240
<v Speaker 1>Know we got it right, I got you go. Let's go,

1:38:02.760 --> 1:38:04.679
<v Speaker 1>Let's go. We're gonna be a jink chance.

1:38:04.760 --> 1:38:09.560
<v Speaker 11>You full for this podcast that I was.

1:38:10.200 --> 1:38:18.599
<v Speaker 1>I was gonna text the Norman water, everybody water, everybody

1:38:18.640 --> 1:38:22.519
<v Speaker 1>went his wife Fiji. I'm the only one who's still straight.

1:38:23.080 --> 1:38:26.880
<v Speaker 1>Is big up to survive, to survive for no.

1:38:26.960 --> 1:38:29.439
<v Speaker 6>No shout the puff because afy Aftercloll d DS and

1:38:29.479 --> 1:38:31.280
<v Speaker 6>that we're going to puff out to after party.

1:38:32.240 --> 1:38:32.679
<v Speaker 1>At the party.

1:38:33.320 --> 1:38:37.720
<v Speaker 6>We're going now absolutely now not listen, I changed my

1:38:37.760 --> 1:38:40.439
<v Speaker 6>flight for this. We're going to absolutely not me neither.

1:38:43.840 --> 1:38:46.760
<v Speaker 6>This right here is we're going not going to the

1:38:46.800 --> 1:38:47.400
<v Speaker 6>puff party.

1:38:47.720 --> 1:38:50.840
<v Speaker 1>Not you's video here just line.

1:38:52.720 --> 1:38:53.760
<v Speaker 2>Let me tell the movie, y'all.

1:38:53.880 --> 1:38:56.400
<v Speaker 1>Lie, nobody's seen the over Sparty. You've never seen the

1:38:56.479 --> 1:38:59.960
<v Speaker 1>movie The overs Party. They're not doing that. They're like,

1:39:05.200 --> 1:39:08.240
<v Speaker 1>we're going ship, so we are not going to So

1:39:08.720 --> 1:39:10.880
<v Speaker 1>it's just how we're doing it. So are you DJing tonight?

1:39:10.960 --> 1:39:14.280
<v Speaker 1>That's Sam, you're dj I'm DJing a party that we

1:39:14.400 --> 1:39:17.960
<v Speaker 1>do once a month called the Originals. It's me Tony

1:39:18.040 --> 1:39:22.160
<v Speaker 1>to Richmondina, stretch On, Stung and d nice. So it's

1:39:22.200 --> 1:39:24.760
<v Speaker 1>probably the wildest. It's probably the best party that we

1:39:25.160 --> 1:39:27.439
<v Speaker 1>that I get to do. Your nigga still be smashing

1:39:27.520 --> 1:39:31.840
<v Speaker 1>at the party. I got a wife. I'm doing nothing incriminating. Brother,

1:39:34.560 --> 1:39:38.240
<v Speaker 1>I'm very I'm not married. I'm happily smashing clocks left over.

1:39:38.439 --> 1:39:42.160
<v Speaker 1>I said I'm not married, So you smashed small.

1:39:42.400 --> 1:39:45.519
<v Speaker 2>I'm just happy to be I'm just happy to be here.

1:39:45.960 --> 1:39:48.599
<v Speaker 1>You have a beard. I'm just happy to be here. Yeah,

1:39:49.880 --> 1:39:50.720
<v Speaker 1>you asked man.

1:39:51.000 --> 1:39:52.320
<v Speaker 2>Absolutely, it's right next door.

1:39:52.560 --> 1:39:55.360
<v Speaker 1>You can't miss it. Yeah, I know about your man.

1:39:56.240 --> 1:39:58.960
<v Speaker 2>Yeah, yeah, me too. Where's that to ask either?

1:40:00.160 --> 1:40:04.000
<v Speaker 1>Because you have a person listen, listen, look at us,

1:40:05.960 --> 1:40:13.639
<v Speaker 1>listen episode on the plane clock your No, I don't.

1:40:13.640 --> 1:40:15.960
<v Speaker 1>I'm sorry. You know that's not that's any that's not

1:40:16.080 --> 1:40:20.640
<v Speaker 1>anything that really speak for yourself. I'm Puerto Rican Panamanian

1:40:20.760 --> 1:40:26.040
<v Speaker 1>is like Puerto Ricans like foul cousin like Clock is

1:40:26.080 --> 1:40:29.280
<v Speaker 1>my foul brother. Brother. You know, I'm gonna be honest

1:40:29.320 --> 1:40:33.000
<v Speaker 1>because you know why Panamani because Panamanian is like you

1:40:33.120 --> 1:40:41.200
<v Speaker 1>keep me on purpose. I'm sorry, brother, let me tell

1:40:41.240 --> 1:40:47.839
<v Speaker 1>you what Panamani is because it's like ya Spanish cousin

1:40:48.840 --> 1:40:52.719
<v Speaker 1>slash Jamaican cousins, because like they kind of like both,

1:40:54.040 --> 1:40:56.880
<v Speaker 1>I'm a buggy, you're not like because they're like y'all

1:40:57.000 --> 1:41:01.280
<v Speaker 1>like Jamaican Spanish bogus. What can you explain why? Because

1:41:01.360 --> 1:41:02.440
<v Speaker 1>y'all eat ROTI.

1:41:05.600 --> 1:41:05.720
<v Speaker 8>Like that.

1:41:07.960 --> 1:41:11.160
<v Speaker 1>That's not the reason why. No, that's not the reason.

1:41:11.240 --> 1:41:14.479
<v Speaker 1>The reason why is because historically when the Panama Canal

1:41:14.640 --> 1:41:17.960
<v Speaker 1>was being built. Are we getting deep? Let's break down

1:41:18.000 --> 1:41:23.839
<v Speaker 1>on these dollars. Go, Jamaicans came over from to Panama

1:41:23.960 --> 1:41:28.280
<v Speaker 1>to help build a canal yard mandyd mind them. My

1:41:28.680 --> 1:41:33.080
<v Speaker 1>father's Jamaican. Okay, we got to talk to these people

1:41:33.080 --> 1:41:36.960
<v Speaker 1>with Clark Kurt Keen jobs, not thirteen Kurt teen jobs,

1:41:37.840 --> 1:41:43.400
<v Speaker 1>thirteen blood. Listen, you gotta have relax. Don't you have

1:41:43.479 --> 1:41:50.360
<v Speaker 1>a grab a bottle over here? Again? This is Panamanian nigam.

1:41:51.200 --> 1:41:55.599
<v Speaker 1>Shake your feet, shake your feet, you don't know where

1:41:55.640 --> 1:42:10.520
<v Speaker 1>Clark came from, Flatbush, Panama speaking to you. Gotta got

1:42:13.600 --> 1:42:19.439
<v Speaker 1>twenty years, Yeah twenty my friend. You know out here

1:42:20.080 --> 1:42:25.400
<v Speaker 1>in Miami they have flea markets. See, Coliseum was like

1:42:25.520 --> 1:42:26.719
<v Speaker 1>official flea market.

1:42:26.920 --> 1:42:30.560
<v Speaker 6>Coliseum was official, was official.

1:42:30.280 --> 1:42:35.360
<v Speaker 1>But yeah unofficial here you know the flea he go to,

1:42:36.160 --> 1:42:39.040
<v Speaker 1>it's very unofficial. He goes to the hotel Carol. I

1:42:39.120 --> 1:42:44.400
<v Speaker 1>gotta throw that out there, Mark ca Man, the fleet

1:42:44.439 --> 1:42:46.880
<v Speaker 1>market we all lived on. You gotta rely.

1:42:48.280 --> 1:42:49.160
<v Speaker 2>I sold all my mixta.

1:42:50.080 --> 1:42:56.400
<v Speaker 1>I know you racist Miami, like I mean, but sunny

1:42:57.520 --> 1:43:01.960
<v Speaker 1>what I mean bys, But Sonny slaps the flea market.

1:43:03.479 --> 1:43:06.160
<v Speaker 1>The old thing is Jordan's right now is official? Now,

1:43:11.840 --> 1:43:16.840
<v Speaker 1>I'm like, you didn't even get it from foot locker.

1:43:16.880 --> 1:43:21.200
<v Speaker 1>You got it from your lock off a lot.

1:43:23.400 --> 1:43:24.400
<v Speaker 2>It was your locker.

1:43:25.000 --> 1:43:36.960
<v Speaker 1>You gotta relax, Sonny o'clock. We answered you your favorite

1:43:36.960 --> 1:43:40.200
<v Speaker 1>ever in the hip hop now what we And you

1:43:40.479 --> 1:43:43.840
<v Speaker 1>also said Rick Ross's album was great. Yes, you said

1:43:43.880 --> 1:43:47.280
<v Speaker 1>that this is best to me so far. I agree

1:43:47.280 --> 1:43:50.800
<v Speaker 1>with you as well. But now I also said Drake's album.

1:43:50.840 --> 1:43:54.479
<v Speaker 1>Did you know what you drake about Grace? But think

1:43:54.520 --> 1:43:57.840
<v Speaker 1>about this, Okay, every Rick Ross album you listen to

1:43:58.120 --> 1:44:00.200
<v Speaker 1>you can pick something off of it and go maybe

1:44:00.320 --> 1:44:03.120
<v Speaker 1>not that one. What do you mean I'm saying. So

1:44:03.360 --> 1:44:04.880
<v Speaker 1>that's the reason why I could say this is his

1:44:05.000 --> 1:44:07.240
<v Speaker 1>best work, because you can't take anything off of it.

1:44:08.200 --> 1:44:10.360
<v Speaker 1>You gotta go. Now on that ship's fire too. Now,

1:44:10.439 --> 1:44:12.720
<v Speaker 1>all that ship's fire too. Now while that ship's fire too,

1:44:13.200 --> 1:44:16.639
<v Speaker 1>and he's talking on that ship? Is he the South

1:44:17.720 --> 1:44:20.920
<v Speaker 1>Rick Ross? I mean South Biggie. No, he's just He's

1:44:21.040 --> 1:44:24.000
<v Speaker 1>Rick Ross. He don't don't compare the mind. He can't

1:44:24.040 --> 1:44:29.200
<v Speaker 1>be compared to anything. He's almost anybody. Anybody who compared

1:44:29.280 --> 1:44:32.240
<v Speaker 1>him to Biggie was doing him a disservice, you know

1:44:32.280 --> 1:44:33.440
<v Speaker 1>what I'm saying, Because.

1:44:33.439 --> 1:44:36.880
<v Speaker 2>There there's no one's gonna be like that. We see

1:44:37.000 --> 1:44:38.400
<v Speaker 2>him saying, they were.

1:44:38.320 --> 1:44:42.519
<v Speaker 1>Doing Ross service by trying to compare him to that.

1:44:43.000 --> 1:44:45.360
<v Speaker 1>Let Rick Ross be Rick Ross facts, you know what

1:44:45.400 --> 1:44:48.760
<v Speaker 1>I'm saying. And as Rick Ross, he's fucking bananas. Like

1:44:49.320 --> 1:44:54.040
<v Speaker 1>his album is fire. It's not good, it's fire. I

1:44:54.479 --> 1:44:57.880
<v Speaker 1>actually feel bad that, you know, the album came out

1:44:57.920 --> 1:44:59.960
<v Speaker 1>a day before Drake's album, because it's like it didn't

1:45:00.200 --> 1:45:03.280
<v Speaker 1>have the time to raise Albums are playlist? How do

1:45:03.320 --> 1:45:05.960
<v Speaker 1>you feel the album. It's an album, So I don't

1:45:06.000 --> 1:45:08.200
<v Speaker 1>care what you said. If the ship have a cover

1:45:09.200 --> 1:45:12.760
<v Speaker 1>and it has credits and it has track lists, it's

1:45:12.840 --> 1:45:18.760
<v Speaker 1>a fucking album. Makes a noise for that guy and

1:45:18.840 --> 1:45:20.440
<v Speaker 1>the single.

1:45:22.439 --> 1:45:24.000
<v Speaker 2>Get the hell out on joking.

1:45:26.080 --> 1:45:28.519
<v Speaker 1>You know, I'm gonna be honest, you'll you'll bring us

1:45:28.520 --> 1:45:30.800
<v Speaker 1>to the top of the podcast world. If I was

1:45:31.360 --> 1:45:35.640
<v Speaker 1>one hit one, just one hit one, one hit did

1:45:35.680 --> 1:45:38.320
<v Speaker 1>Elliott Wilson before with all that you no money knew

1:45:38.360 --> 1:45:46.720
<v Speaker 1>me list to be honest, that's what three sixty before

1:45:46.960 --> 1:45:50.040
<v Speaker 1>you curve never curved call. But he's the o G.

1:45:50.200 --> 1:45:53.559
<v Speaker 1>You got them, just like you know, everybody has stories

1:45:53.600 --> 1:45:57.679
<v Speaker 1>in their head. Everybody has the No. One hit clak

1:45:58.160 --> 1:46:00.000
<v Speaker 1>one one for Panama.

1:46:01.160 --> 1:46:02.480
<v Speaker 2>Was that boom boom.

1:46:07.600 --> 1:46:07.800
<v Speaker 11>You know what?

1:46:08.439 --> 1:46:12.400
<v Speaker 1>You know what, No, no, no, no, listen, here's some

1:46:12.520 --> 1:46:16.000
<v Speaker 1>crazy ship. People look at that record and back then

1:46:16.280 --> 1:46:19.400
<v Speaker 1>it was a Panamanian dude doing a reggae record. Guess

1:46:19.439 --> 1:46:22.920
<v Speaker 1>what that reggae is? The first that is it don't

1:46:23.520 --> 1:46:25.719
<v Speaker 1>don't reggae, don't got damn.

1:46:25.640 --> 1:46:26.719
<v Speaker 10>One, good.

1:46:29.640 --> 1:46:33.040
<v Speaker 1>God, damn, this is Panama.

1:46:33.600 --> 1:46:38.040
<v Speaker 4>Boom Mommy, mommy, mommy, boom boom boom, boom boom.

1:46:38.160 --> 1:46:41.479
<v Speaker 1>That relaxed to say it again. He said toom boom

1:46:42.479 --> 1:46:46.559
<v Speaker 1>betoom boom Man wrong anyway? Man? Keep going?

1:46:46.600 --> 1:46:46.720
<v Speaker 2>Man?

1:46:46.720 --> 1:46:54.200
<v Speaker 1>Where a record? Where are we at? This? Make some yeah?

1:46:54.320 --> 1:47:04.960
<v Speaker 1>So claw Jesus CHRISTI nuts claw you think jeez, I

1:47:05.040 --> 1:47:06.040
<v Speaker 1>got a clock.

1:47:06.160 --> 1:47:12.000
<v Speaker 20>I gotta play nowhere? You've been in this this this Yeah,

1:47:13.760 --> 1:47:17.000
<v Speaker 20>animal bruised roll.

1:47:19.960 --> 1:47:25.400
<v Speaker 1>So now I heard you the tweet going on where

1:47:25.479 --> 1:47:29.880
<v Speaker 1>Rick Ross? You tweeted that Rick Ross album is fire fire.

1:47:30.000 --> 1:47:33.680
<v Speaker 1>I saw that that tweet went viral. It did in

1:47:33.840 --> 1:47:40.680
<v Speaker 1>my mind it did. But now but now Clark, what

1:47:40.880 --> 1:47:48.600
<v Speaker 1>else is Clark can't like there's no school right Contrary

1:47:48.680 --> 1:47:52.120
<v Speaker 1>to what a lot of people might think. Migos, I

1:47:52.760 --> 1:47:58.280
<v Speaker 1>fuck with Migos, so I fuck with young thug.

1:47:59.400 --> 1:48:00.960
<v Speaker 2>You know what, no, no, no, no.

1:48:01.680 --> 1:48:02.200
<v Speaker 8>The thing is.

1:48:04.320 --> 1:48:08.080
<v Speaker 1>When you sit behind it. When you said I love

1:48:08.200 --> 1:48:14.519
<v Speaker 1>that that any When you sit behind a desk, you know,

1:48:14.600 --> 1:48:22.320
<v Speaker 1>he DJ parties that he got to relax. Okay, okay, listen.

1:48:22.439 --> 1:48:24.680
<v Speaker 1>When you sit behind the desk, you start to look

1:48:24.680 --> 1:48:26.840
<v Speaker 1>at music differently. You don't look at music just for

1:48:27.000 --> 1:48:30.320
<v Speaker 1>what you personally think. You look for is it going

1:48:30.439 --> 1:48:32.479
<v Speaker 1>to work whether you like it or not. It's whether

1:48:32.560 --> 1:48:35.120
<v Speaker 1>it's gonna work or not. The first time I heard

1:48:35.160 --> 1:48:40.640
<v Speaker 1>Young Thug, I thought he might have something. But then

1:48:40.720 --> 1:48:46.840
<v Speaker 1>it was repeatedly, repeatedly, repeatedly that dude, you might not

1:48:47.200 --> 1:48:52.879
<v Speaker 1>understand everything he's saying, but when he says it, somehow

1:48:53.520 --> 1:48:56.920
<v Speaker 1>you can get to it. Young migos.

1:48:58.040 --> 1:48:58.160
<v Speaker 2>Yo.

1:48:58.479 --> 1:49:01.320
<v Speaker 1>Every time, I don't even know to take Molly, listen, listen.

1:49:01.400 --> 1:49:06.160
<v Speaker 1>I don't understand that there. I just want to be listen.

1:49:06.360 --> 1:49:08.120
<v Speaker 1>I just want to be clear. I'm not sitting here

1:49:08.160 --> 1:49:10.960
<v Speaker 1>saying these dudes are spending bars. What I'm saying is

1:49:11.200 --> 1:49:14.479
<v Speaker 1>these dudes, these dudes are making records that I can

1:49:14.600 --> 1:49:17.439
<v Speaker 1>actually like. And you know, trust me, there's a list

1:49:17.479 --> 1:49:19.640
<v Speaker 1>of motherfuckers that I'm just like, what the fuck is

1:49:19.720 --> 1:49:20.040
<v Speaker 1>going on?

1:49:20.479 --> 1:49:24.800
<v Speaker 2>But there's some dudes that get that get put in

1:49:24.920 --> 1:49:25.559
<v Speaker 2>that that that.

1:49:25.760 --> 1:49:27.960
<v Speaker 1>Vein with all these other dudes that I'm looking at, like,

1:49:28.040 --> 1:49:30.560
<v Speaker 1>why the fuck are you making records? And when I

1:49:30.600 --> 1:49:32.840
<v Speaker 1>look at them, I'm going, well, how can you put

1:49:32.880 --> 1:49:35.320
<v Speaker 1>this guy in here when his records are better? You

1:49:35.360 --> 1:49:36.960
<v Speaker 1>know what I'm saying, Let's just look at his records.

1:49:37.360 --> 1:49:39.599
<v Speaker 1>If he can rap, let's just look at his records.

1:49:39.640 --> 1:49:42.559
<v Speaker 1>To me, you, here's where a lot of motherfuckers get

1:49:42.560 --> 1:49:45.560
<v Speaker 1>shit fucked up. They look at this rap thing like

1:49:45.720 --> 1:49:49.360
<v Speaker 1>it's about having bars as much as it is about

1:49:49.439 --> 1:49:52.000
<v Speaker 1>making records. When you're a rapper, your ship is to

1:49:52.120 --> 1:49:55.000
<v Speaker 1>make records when you're serious about you having bars. How

1:49:55.040 --> 1:49:59.439
<v Speaker 1>about melodies, though, clock your melodies helps melodies? Asked me

1:49:59.479 --> 1:50:04.120
<v Speaker 1>a question, was carrying it? Good melodies make better records.

1:50:04.160 --> 1:50:07.439
<v Speaker 1>And the reason why is it's so simple. But nobody

1:50:07.479 --> 1:50:12.120
<v Speaker 1>looks at this ship. When you learned the first song

1:50:12.280 --> 1:50:15.479
<v Speaker 1>that you ever learned was your ab seeds. The only

1:50:15.560 --> 1:50:19.040
<v Speaker 1>way you learned the abcs was by singing it. It's

1:50:19.080 --> 1:50:24.040
<v Speaker 1>a melody and rhythm. So that's the reason why somebody

1:50:24.120 --> 1:50:27.240
<v Speaker 1>with a good melody makes something and you catch it.

1:50:27.600 --> 1:50:30.680
<v Speaker 1>That's what makes something catchy is the fact that you

1:50:32.560 --> 1:50:35.320
<v Speaker 1>the fact that you heard a good melody makes it catchy.

1:50:35.439 --> 1:50:47.640
<v Speaker 1>So when you hear he's talking about but whatever the

1:50:47.760 --> 1:50:50.360
<v Speaker 1>thing is, most people might not hear what he says.

1:50:50.760 --> 1:51:02.559
<v Speaker 1>A different cousin right here. Ain't we respect this podcast

1:51:02.600 --> 1:51:06.240
<v Speaker 1>with respect? Alloy? Let that go? Let that go?

1:51:06.560 --> 1:51:06.960
<v Speaker 2>Please?

1:51:07.120 --> 1:51:15.800
<v Speaker 1>Oh my god, I'm gone your your ship, claw, this

1:51:15.880 --> 1:51:21.519
<v Speaker 1>is your life. Yes it's not. This is not right, Radar.

1:51:21.600 --> 1:51:26.120
<v Speaker 1>I apologize for your doing that first because it fucked

1:51:28.040 --> 1:51:29.920
<v Speaker 1>you wasn't supposed to. I've been trying to get you

1:51:29.960 --> 1:51:32.880
<v Speaker 1>to do this for a while in Florida. Wow, we

1:51:33.000 --> 1:51:35.559
<v Speaker 1>hear all the time. We got a budget, definitely here,

1:51:35.920 --> 1:51:37.439
<v Speaker 1>you should have this a budget now.

1:51:40.280 --> 1:51:41.720
<v Speaker 2>If you would have said it will flow you the.

1:51:41.720 --> 1:51:43.920
<v Speaker 1>Guy in my mind, I got a budget. We don't

1:51:43.920 --> 1:51:46.760
<v Speaker 1>got it right, man? No, your budget? Yeah, yeah, because

1:51:46.760 --> 1:51:51.160
<v Speaker 1>I flew myself out, so yeah, yeah, having thirty six

1:51:51.280 --> 1:51:56.479
<v Speaker 1>hundred kicks, how does how do you maintain thirty six

1:51:56.600 --> 1:51:57.479
<v Speaker 1>hundred sneakers?

1:51:58.560 --> 1:52:01.639
<v Speaker 6>That's that's the Never had that question ask me before,

1:52:02.040 --> 1:52:04.240
<v Speaker 6>because I wear whatever's on the floor.

1:52:04.840 --> 1:52:07.320
<v Speaker 1>But I see you, I see on the internet. You

1:52:07.439 --> 1:52:09.719
<v Speaker 1>got white clear box. I got the neatest.

1:52:09.920 --> 1:52:10.519
<v Speaker 2>That's my title.

1:52:10.640 --> 1:52:12.240
<v Speaker 6>You talk to Joe, you talk to wild A, you

1:52:12.280 --> 1:52:14.559
<v Speaker 6>talk the Greg Screen, you talk the fat Joe Clark.

1:52:14.920 --> 1:52:15.759
<v Speaker 1>I got the neatest.

1:52:16.200 --> 1:52:18.880
<v Speaker 21>I got the neatest sneaker room in the world. But

1:52:19.320 --> 1:52:22.000
<v Speaker 21>but why is it white Claire boxes? I have an

1:52:22.080 --> 1:52:25.760
<v Speaker 21>abundance of sneakers. I wear my sneakers. I want to

1:52:25.760 --> 1:52:28.000
<v Speaker 21>see what I want to grab. You know what I'm saying. Pause,

1:52:28.000 --> 1:52:29.400
<v Speaker 21>I want to if I'm looking for pasts. I want

1:52:29.439 --> 1:52:31.120
<v Speaker 21>to be able to find it, so in them boxes,

1:52:31.120 --> 1:52:32.360
<v Speaker 21>I wasn't gonna be able to find all that. And

1:52:32.400 --> 1:52:34.519
<v Speaker 21>I really I don't sell sneakers. I don't resell sneakers.

1:52:35.000 --> 1:52:36.519
<v Speaker 21>If I wanted to resell my sneakers, I got a

1:52:36.600 --> 1:52:38.280
<v Speaker 21>million dollar sitting right there in my room. You have,

1:52:38.439 --> 1:52:40.240
<v Speaker 21>I got a million dollars sit in my room. No bullshit,

1:52:40.280 --> 1:52:44.599
<v Speaker 21>I got a million dollars sitting in my room. Rack,

1:52:46.320 --> 1:52:48.479
<v Speaker 21>I got a million dollars and sneakers sitting in my room.

1:52:48.600 --> 1:52:50.920
<v Speaker 6>So like I wanted to see if I want to

1:52:50.920 --> 1:52:52.599
<v Speaker 6>grab a pair of sneakers from two thousand and three,

1:52:52.880 --> 1:52:55.080
<v Speaker 6>I'm gonna go look for that pair of sneakers now, because.

1:52:54.800 --> 1:52:59.240
<v Speaker 1>I've seen your ship, like you had rolls. My ship

1:52:59.320 --> 1:53:03.080
<v Speaker 1>looked like a looking and nine hundred square feet and

1:53:03.160 --> 1:53:03.880
<v Speaker 1>the crazy ship.

1:53:03.960 --> 1:53:04.400
<v Speaker 6>I know you.

1:53:04.560 --> 1:53:06.800
<v Speaker 1>I know you from seeing on the street. So when

1:53:06.800 --> 1:53:08.679
<v Speaker 1>I seen it on the end ofne I was like, damn,

1:53:08.720 --> 1:53:14.160
<v Speaker 1>I never knew yo, you had every sneak however you had.

1:53:14.960 --> 1:53:18.320
<v Speaker 1>I got undefeated for you. What's the ship, Michael J.

1:53:18.800 --> 1:53:19.240
<v Speaker 1>Fox ship?

1:53:19.360 --> 1:53:22.320
<v Speaker 6>Yeah, yeah, I got the Marty m clowns. I got to.

1:53:24.840 --> 1:53:29.640
<v Speaker 1>It's not sneaker was not sneakers movie props. I was like,

1:53:31.080 --> 1:53:32.800
<v Speaker 1>this is this is when me and Clark argue and

1:53:32.840 --> 1:53:34.560
<v Speaker 1>we go at it from baga. I would love to

1:53:34.600 --> 1:53:34.840
<v Speaker 1>see that.

1:53:35.200 --> 1:53:37.960
<v Speaker 6>It's a real argument sometimes like this. I believe there's

1:53:38.000 --> 1:53:40.599
<v Speaker 6>a sneaker coacher, Claud doesn't.

1:53:41.920 --> 1:53:46.200
<v Speaker 16>I believe there's okay okay, and we're gonna let Clark go.

1:53:46.720 --> 1:53:49.680
<v Speaker 1>Only Clark invest because I said, I want to investigate

1:53:49.720 --> 1:53:52.599
<v Speaker 1>this before we dive into it. You said you believe

1:53:52.640 --> 1:53:56.720
<v Speaker 1>there's a sneak of culture and Clark said he does not.

1:53:57.040 --> 1:53:59.880
<v Speaker 6>Leave because Clark is gonna bring I can't answer for Clark,

1:53:59.920 --> 1:54:01.240
<v Speaker 6>but I know where Clock is going with it because

1:54:01.240 --> 1:54:02.639
<v Speaker 6>we had this argument you a million times.

1:54:02.840 --> 1:54:05.320
<v Speaker 1>Just stink of culture. You are gods, and we really

1:54:05.439 --> 1:54:08.479
<v Speaker 1>argue our posters, We really argue about this. I'm part

1:54:08.479 --> 1:54:12.639
<v Speaker 1>of sneaker culture. I'm like a pond. I'm very lower

1:54:12.680 --> 1:54:15.080
<v Speaker 1>in the steaker culture. I go to the Means.

1:54:15.400 --> 1:54:15.639
<v Speaker 2>Listen.

1:54:17.439 --> 1:54:19.720
<v Speaker 6>Your Jordan's segment was brought up everywhere in the world.

1:54:19.800 --> 1:54:22.280
<v Speaker 6>I'm a listening to the podcast, so I don't want

1:54:22.280 --> 1:54:23.000
<v Speaker 6>to hear that you off.

1:54:23.680 --> 1:54:27.080
<v Speaker 1>Oh yeah, I did ship on Jordan, but I also

1:54:28.040 --> 1:54:32.520
<v Speaker 1>heard this. I kept raising I kept wearing him, so

1:54:32.640 --> 1:54:34.240
<v Speaker 1>that lets you know I hate that. No, no, no,

1:54:34.400 --> 1:54:37.640
<v Speaker 1>I respect he is gonna say some ship and then boycott.

1:54:39.720 --> 1:54:40.400
<v Speaker 1>I still want you.

1:54:40.800 --> 1:54:42.640
<v Speaker 6>You know, you don't believe that we can argue about

1:54:42.640 --> 1:54:43.920
<v Speaker 6>it because you're my brother and I love you, so

1:54:44.040 --> 1:54:44.480
<v Speaker 6>don't believe.

1:54:45.200 --> 1:54:47.040
<v Speaker 1>I can't believe what he's saying. Right now, I'm just

1:54:47.120 --> 1:54:49.720
<v Speaker 1>throwing it out there. You saying it's not a sneak

1:54:49.760 --> 1:54:54.960
<v Speaker 1>of culture, nor yes, how many five percenters?

1:54:55.000 --> 1:54:55.200
<v Speaker 10>You know?

1:54:56.480 --> 1:54:59.640
<v Speaker 1>You gotta relax. I know at least he's have one

1:54:59.720 --> 1:55:04.040
<v Speaker 1>hundred people. You know what's crazy? I can say it's

1:55:04.080 --> 1:55:06.160
<v Speaker 1>without even looking at him. When he was growing up,

1:55:06.240 --> 1:55:08.200
<v Speaker 1>at one point he was about to be five percent.

1:55:08.440 --> 1:55:15.400
<v Speaker 1>I was given to ask you people, father a law

1:55:15.520 --> 1:55:20.480
<v Speaker 1>when I was younger. Right, skip back when you look

1:55:20.560 --> 1:55:23.480
<v Speaker 1>at that, and then you go, what's it really based off?

1:55:23.560 --> 1:55:29.040
<v Speaker 1>It's based off of Islam? What is Islam? A culture? Right? Yep?

1:55:29.520 --> 1:55:34.440
<v Speaker 1>How can you parallel sneakers, which is sneakers some shit

1:55:34.480 --> 1:55:38.280
<v Speaker 1>that you wear on your feet to a culture a

1:55:38.560 --> 1:55:41.400
<v Speaker 1>way of life. Culture is a way of life. It

1:55:41.520 --> 1:55:45.320
<v Speaker 1>has laws, it has a belief system, it has a

1:55:45.480 --> 1:55:50.360
<v Speaker 1>financial system, and it has a spiritual system. Please the

1:55:50.440 --> 1:55:53.600
<v Speaker 1>word culture is a powerful word. Parallel that to Islam

1:55:53.920 --> 1:55:58.360
<v Speaker 1>sneakers in Islam. Okay, we're done here, so equate that

1:55:58.440 --> 1:56:00.960
<v Speaker 1>to you said hip hop culture, then be a way

1:56:01.000 --> 1:56:01.320
<v Speaker 1>of life.

1:56:01.560 --> 1:56:02.480
<v Speaker 2>You know you said culture.

1:56:02.680 --> 1:56:04.040
<v Speaker 1>Hip hop is a way of life.

1:56:04.320 --> 1:56:05.240
<v Speaker 2>It's a coach, Jimmy.

1:56:05.320 --> 1:56:11.440
<v Speaker 1>The same as finance. Everything Their money is finance. But

1:56:11.480 --> 1:56:13.920
<v Speaker 1>everything you said, everything you said, understand me money because I.

1:56:13.920 --> 1:56:15.600
<v Speaker 2>Believe there is a culture in the state.

1:56:15.720 --> 1:56:18.000
<v Speaker 1>Okay, they show it to me. I mean, I don't

1:56:18.040 --> 1:56:19.960
<v Speaker 1>have the same definitions of you. I'm not saying, but

1:56:20.120 --> 1:56:20.400
<v Speaker 1>there is.

1:56:20.600 --> 1:56:23.720
<v Speaker 6>But there's a way of life. But their subdivisions, the medical.

1:56:25.320 --> 1:56:31.360
<v Speaker 1>Hold on. Listen to what I'm saying. He holds understand

1:56:31.400 --> 1:56:32.960
<v Speaker 1>I hosted, But listen to what I'm saying to you.

1:56:33.680 --> 1:56:37.080
<v Speaker 1>If you say culture, you would be wrong. If you

1:56:37.200 --> 1:56:39.480
<v Speaker 1>said subculture, we'd have a conversation.

1:56:39.920 --> 1:56:42.960
<v Speaker 6>Is going to bring it back just the religion puts

1:56:43.040 --> 1:56:45.160
<v Speaker 6>up seventeen When one DC puts up his and tells

1:56:45.160 --> 1:56:47.600
<v Speaker 6>everybody to put up their shelters and there's seventeen thousand

1:56:47.640 --> 1:56:49.880
<v Speaker 6>people are putting their shell toes, he's gonna he's gonna

1:56:50.720 --> 1:56:52.920
<v Speaker 6>attribute that to hip hop culture.

1:56:53.480 --> 1:56:55.600
<v Speaker 1>I'm not going to attribute that to hip hop culture.

1:56:55.600 --> 1:56:57.800
<v Speaker 1>What I'm going to say is, can you tell me

1:56:58.200 --> 1:57:01.240
<v Speaker 1>when run DMC made that record which Nigga wasn't wearing

1:57:01.280 --> 1:57:05.000
<v Speaker 1>to d this? Think about this? Why can you say

1:57:05.160 --> 1:57:08.520
<v Speaker 1>put everybody put your Adidas up when you when you're

1:57:08.560 --> 1:57:10.800
<v Speaker 1>on the stage, if niggas wasn't wearing a deal. So

1:57:10.960 --> 1:57:12.920
<v Speaker 1>you're saying so the sneaker culture is a subculture of

1:57:13.000 --> 1:57:17.240
<v Speaker 1>hip hop. No, sniggers culture is a subcultured period. It's

1:57:17.320 --> 1:57:20.040
<v Speaker 1>not a culture. It doesn't come first. It's a subculture

1:57:20.200 --> 1:57:24.760
<v Speaker 1>byproduct that's a byproduct of close It's not even you.

1:57:24.800 --> 1:57:26.960
<v Speaker 6>Know, it's a byproduct of fashions, which it about.

1:57:27.120 --> 1:57:30.040
<v Speaker 1>It's a fashion, which isn't a culture. It's fashion and

1:57:30.120 --> 1:57:30.720
<v Speaker 1>ship you wear.

1:57:31.080 --> 1:57:33.320
<v Speaker 2>It can't be a subculture. It's exactly.

1:57:33.440 --> 1:57:34.800
<v Speaker 1>So we're getting back to the same thing.

1:57:35.000 --> 1:57:38.640
<v Speaker 2>I'm a great I disagree too. Okay, it's a culture.

1:57:38.760 --> 1:57:41.840
<v Speaker 1>Okay, showing to the Niggers is a culture. But you

1:57:41.920 --> 1:57:44.760
<v Speaker 1>have your how many can't hold no, no, no, no, no, no,

1:57:44.840 --> 1:57:49.680
<v Speaker 1>no no no, don't do this? Why because y'are god?

1:57:51.320 --> 1:57:51.680
<v Speaker 1>That's it?

1:57:51.920 --> 1:57:57.840
<v Speaker 6>Hold on, now, know how many sneaker shows we do

1:57:58.440 --> 1:58:00.720
<v Speaker 6>when he's fifteen and sixteen year old. Seventy year old

1:58:00.760 --> 1:58:03.000
<v Speaker 6>kids don't know you from nothing from music, but they

1:58:03.040 --> 1:58:04.960
<v Speaker 6>praise the ground you walk on because of sneakers.

1:58:05.800 --> 1:58:08.480
<v Speaker 1>Answer yourself. You can answer that yourself. Why do they

1:58:08.640 --> 1:58:12.720
<v Speaker 1>I'm asking you, you can't, dude, I created sneakers. I

1:58:12.920 --> 1:58:15.160
<v Speaker 1>designed sneakers. I'm a guy.

1:58:15.000 --> 1:58:17.640
<v Speaker 6>Who is looking at and that's a culture to them

1:58:17.640 --> 1:58:19.760
<v Speaker 6>because they don't know that you discovered Jay. They don't

1:58:19.800 --> 1:58:21.320
<v Speaker 6>know that you were saying jazz o was the best

1:58:21.360 --> 1:58:23.560
<v Speaker 6>in the world. They don't know that you signed Doze effects.

1:58:23.680 --> 1:58:26.040
<v Speaker 6>They don't know that because you look at making them

1:58:26.240 --> 1:58:27.040
<v Speaker 6>to do effects.

1:58:28.080 --> 1:58:29.760
<v Speaker 1>You know what I'm saying. He's trying, But.

1:58:30.240 --> 1:58:34.200
<v Speaker 15>I'm right, But your definition of culture, like if I

1:58:34.360 --> 1:58:37.520
<v Speaker 15>was going psyclopedia culture, what the way you define it

1:58:37.800 --> 1:58:40.560
<v Speaker 15>is that it is the definition of culture, because that's.

1:58:40.360 --> 1:58:43.040
<v Speaker 1>The only way we can define him what we're talking about. Okay,

1:58:43.120 --> 1:58:46.800
<v Speaker 1>So then I guess we open a dictionary, put.

1:58:46.680 --> 1:58:50.160
<v Speaker 6>The generations to cultures. Don't know who you are from music,

1:58:50.200 --> 1:58:53.840
<v Speaker 6>they know who you are. No dictionaries d we make.

1:58:54.080 --> 1:59:02.160
<v Speaker 1>We make all dictionary. He's the I mean, okay, I'm

1:59:02.160 --> 1:59:05.280
<v Speaker 1>gonna keep this funky. Im what I understand.

1:59:06.480 --> 1:59:08.520
<v Speaker 2>I'm taking I wanted to do that a long time.

1:59:09.280 --> 1:59:12.360
<v Speaker 1>I understand what I understand to be culture from being

1:59:12.440 --> 1:59:15.480
<v Speaker 1>one who has who's a spiritual person, So I learned

1:59:15.480 --> 1:59:18.840
<v Speaker 1>it from a spiritual place. So if I learned it

1:59:18.880 --> 1:59:21.360
<v Speaker 1>from a spiritual place, I can only look at what

1:59:21.480 --> 1:59:24.840
<v Speaker 1>I understand to be culture in a spiritual place. So

1:59:25.240 --> 1:59:29.120
<v Speaker 1>with that alone, huh, he said, you're right, culture.

1:59:30.960 --> 1:59:33.200
<v Speaker 6>Pulled up the definition of culture. I hate all of y'all.

1:59:33.240 --> 1:59:42.920
<v Speaker 1>I gotta relate right right, Read it again, Read it again.

1:59:43.640 --> 1:59:48.360
<v Speaker 6>Culture the arts and other manifestations of human intellectual achievement

1:59:48.560 --> 1:59:52.080
<v Speaker 6>regarded collectively. So these kids that don't know that you collect,

1:59:52.440 --> 1:59:57.960
<v Speaker 6>these kids collected don't know that you hold, don't know

1:59:58.040 --> 1:59:59.720
<v Speaker 6>you from sneakers. That is a culture to.

1:59:59.840 --> 2:00:02.960
<v Speaker 1>Your I am not looking at what you said and

2:00:03.240 --> 2:00:04.760
<v Speaker 1>reading it properly. Read it.

2:00:05.720 --> 2:00:06.320
<v Speaker 2>Read it again.

2:00:06.360 --> 2:00:08.040
<v Speaker 1>Okay, I'm not even drunk. I am drunk.

2:00:08.280 --> 2:00:13.800
<v Speaker 6>The arts of other manifestations of human intellectual achievement regarding

2:00:14.000 --> 2:00:14.960
<v Speaker 6>collective pull.

2:00:14.840 --> 2:00:20.480
<v Speaker 1>On human intellectual achievement. Where when that goes back to English,

2:00:22.840 --> 2:00:26.200
<v Speaker 1>stop read what you read and explained it, because you're

2:00:26.400 --> 2:00:29.320
<v Speaker 1>not explaining it. It's so simple. They read it to you.

2:00:29.520 --> 2:00:32.440
<v Speaker 2>Look how my brother just called me a dumb How

2:00:32.480 --> 2:00:32.880
<v Speaker 2>many people?

2:00:35.880 --> 2:00:43.760
<v Speaker 1>How many people? You're going what I did?

2:00:44.880 --> 2:00:48.240
<v Speaker 2>To understand what you just read? You have to you

2:00:48.320 --> 2:00:49.720
<v Speaker 2>have to read it yourselves.

2:00:49.880 --> 2:00:50.480
<v Speaker 1>The arts and.

2:00:52.120 --> 2:00:56.440
<v Speaker 6>The arts and other manifestations of human intellectual stop right

2:00:56.480 --> 2:01:01.360
<v Speaker 6>there and stopping the arts and what and other manifestations

2:01:01.600 --> 2:01:09.680
<v Speaker 6>of human intellectual achievement regarded collective hold on collectively.

2:01:09.360 --> 2:01:16.120
<v Speaker 8>Human intellectual achievements and just for the joint. Wait wait

2:01:16.160 --> 2:01:20.480
<v Speaker 8>wait wait wait wait wait wait wait wait wait, let's

2:01:20.560 --> 2:01:22.680
<v Speaker 8>take let's take a hold up.

2:01:22.720 --> 2:01:25.320
<v Speaker 1>Let's take a few steps back. What are sneakers? Shoes? Right?

2:01:25.840 --> 2:01:28.520
<v Speaker 1>Shoes are something you wear right to protect your feet

2:01:28.560 --> 2:01:29.280
<v Speaker 1>from the elements?

2:01:29.360 --> 2:01:29.480
<v Speaker 17>Right?

2:01:30.000 --> 2:01:35.440
<v Speaker 1>Okay, cool? Where is the what was it again? Okay?

2:01:35.520 --> 2:01:36.520
<v Speaker 2>Cool, I'm done here.

2:01:36.640 --> 2:01:40.120
<v Speaker 1>You read it yourself, you can't just got very professional

2:01:40.240 --> 2:01:41.160
<v Speaker 1>just shoes?

2:01:41.360 --> 2:01:43.680
<v Speaker 16>Did you hold up? Your reason for love of shoes?

2:01:43.720 --> 2:01:45.400
<v Speaker 16>And your reason for doing this is because they protect

2:01:45.440 --> 2:01:52.600
<v Speaker 16>your feet? Because we're talking about.

2:01:55.560 --> 2:01:56.000
<v Speaker 1>The bottom.

2:01:56.400 --> 2:01:58.880
<v Speaker 2>He just let me justinition that I just read. You

2:01:59.240 --> 2:02:00.600
<v Speaker 2>would be wrong even no.

2:02:00.760 --> 2:02:04.360
<v Speaker 1>I would be all right this intelection, I would be right.

2:02:04.600 --> 2:02:08.960
<v Speaker 2>You'll just prove theetionhips. But when you go intellect, you

2:02:09.000 --> 2:02:10.360
<v Speaker 2>gotta go intellect on different levels.

2:02:10.400 --> 2:02:12.160
<v Speaker 1>Seventeen year olds. I'm not gonna have my forty four

2:02:12.240 --> 2:02:14.800
<v Speaker 1>year old. No no, no, no, no no, eat it again.

2:02:14.880 --> 2:02:17.640
<v Speaker 1>You're gonna be wrong again. Oh my god, Jesus Christ

2:02:17.920 --> 2:02:20.400
<v Speaker 1>fucking read this ship. Why are we doing this on

2:02:20.520 --> 2:02:22.520
<v Speaker 1>the podcast? That's what we're gonna do. By that, I'm

2:02:22.520 --> 2:02:26.480
<v Speaker 1>not losing. I don't holdo holda wait, wait, wait for

2:02:26.600 --> 2:02:30.120
<v Speaker 1>the site becomes wait wait wait a personal thinking. I

2:02:30.200 --> 2:02:32.320
<v Speaker 1>mean I just want to read No no, no, no,

2:02:32.440 --> 2:02:35.400
<v Speaker 1>no what I just walked back with him off of

2:02:35.600 --> 2:02:36.400
<v Speaker 1>what you read?

2:02:36.760 --> 2:02:37.440
<v Speaker 2>Did he lose this?

2:02:37.520 --> 2:02:40.000
<v Speaker 1>Off the human intellectional bo? See how sinking is you?

2:02:40.320 --> 2:02:41.560
<v Speaker 2>Very fucking much?

2:02:41.960 --> 2:02:45.560
<v Speaker 1>But what does that mean? Just define that?

2:02:46.600 --> 2:02:48.280
<v Speaker 2>No, I'm saying you'll disagree with me.

2:02:48.520 --> 2:02:52.680
<v Speaker 1>Hello, I'm not saying this. As I listen, everything that

2:02:52.800 --> 2:02:55.520
<v Speaker 1>you're gonna get that human and that's intellectual, is going

2:02:55.560 --> 2:02:59.880
<v Speaker 1>to make you smarter, right, So the shoe's not gonna

2:02:59.880 --> 2:03:05.200
<v Speaker 1>make smart. It's fucking shoes, yo, that's what it's shoes.

2:03:05.440 --> 2:03:07.280
<v Speaker 1>So whack I love you?

2:03:07.960 --> 2:03:09.400
<v Speaker 2>Then, yeah, I can't argue.

2:03:09.640 --> 2:03:10.000
<v Speaker 1>I love you.

2:03:14.760 --> 2:03:15.320
<v Speaker 2>Understand me?

2:03:15.800 --> 2:03:18.760
<v Speaker 1>Yes? Yea swear to God like this is real nigga ship.

2:03:19.280 --> 2:03:19.800
<v Speaker 7>So we're gonna have.

2:03:20.200 --> 2:03:22.920
<v Speaker 1>We're gonna have such an Instagram and Twitter war between.

2:03:22.680 --> 2:03:26.760
<v Speaker 7>This and with and with all due respects, listen, talk

2:03:26.840 --> 2:03:30.400
<v Speaker 7>to our people. There are people hate has That's why

2:03:30.440 --> 2:03:32.440
<v Speaker 7>you want ashtag hate. That's why you wanted to come

2:03:32.480 --> 2:03:32.800
<v Speaker 7>so bad.

2:03:35.000 --> 2:03:38.040
<v Speaker 1>Pause and pause, Paul, pause, that's why you wanted to

2:03:38.120 --> 2:03:38.880
<v Speaker 1>be here so bad.

2:03:39.000 --> 2:03:40.880
<v Speaker 2>No, no, because I get tired of you saying this

2:03:41.120 --> 2:03:41.640
<v Speaker 2>is not a culture.

2:03:41.680 --> 2:03:43.120
<v Speaker 1>And it's a question. You get tired of what I'm

2:03:43.200 --> 2:03:46.200
<v Speaker 1>saying because we all be about this. That's what I'm saying.

2:03:46.240 --> 2:03:48.160
<v Speaker 1>I don't even get that. But but back to what

2:03:48.320 --> 2:03:52.040
<v Speaker 1>I'm saying is there are people who are more enthusiastically

2:03:52.200 --> 2:03:54.800
<v Speaker 1>into shoes than usual black and I'm one of those

2:03:54.840 --> 2:03:58.960
<v Speaker 1>guys who's enthusiastic, more enthusiastic than usual. I don't believe

2:03:59.520 --> 2:04:02.760
<v Speaker 1>that I'm I'm superhero because I like shoes more than

2:04:02.800 --> 2:04:05.040
<v Speaker 1>the next guy. You know why, Because I don't know

2:04:05.160 --> 2:04:06.959
<v Speaker 1>a person who doesn't have a pair of sneakers.

2:04:07.720 --> 2:04:09.600
<v Speaker 2>So what do you tell that young kid?

2:04:09.720 --> 2:04:11.240
<v Speaker 6>No, no, no, what do you tell that young kid

2:04:11.280 --> 2:04:14.200
<v Speaker 6>that doesn't know What do you tell that young kid

2:04:14.360 --> 2:04:16.200
<v Speaker 6>who doesn't know who you are based on music?

2:04:16.320 --> 2:04:18.960
<v Speaker 2>Who loves you for sneakers? And goes to your sneaker convention.

2:04:19.120 --> 2:04:21.760
<v Speaker 1>Am I supposed to tell him you're their hero, you're

2:04:21.800 --> 2:04:22.360
<v Speaker 1>their idol.

2:04:22.520 --> 2:04:24.680
<v Speaker 6>And I don't tell them anything wrong I tell them,

2:04:24.720 --> 2:04:28.080
<v Speaker 6>but to them, you're the culture of sneakers. To them,

2:04:28.120 --> 2:04:31.520
<v Speaker 6>you're the culture. We just experienced that in Nike town.

2:04:31.640 --> 2:04:33.640
<v Speaker 6>Just now, my nigga. I've walked out and they was

2:04:33.680 --> 2:04:35.880
<v Speaker 6>taking pictures. But then they still didn't talk to you.

2:04:36.160 --> 2:04:38.520
<v Speaker 6>Dude started talking to you about sneakers and then started

2:04:38.600 --> 2:04:39.040
<v Speaker 6>rapping to you.

2:04:39.280 --> 2:04:42.760
<v Speaker 1>You are his life. Wait, wait on, im a wrong,

2:04:42.840 --> 2:04:45.840
<v Speaker 1>you're his life? A guy who's guy who started rapping

2:04:45.880 --> 2:04:48.320
<v Speaker 1>to me didn't talk to me about sneakers at all.

2:04:48.760 --> 2:04:50.560
<v Speaker 1>You know what he was like, He was like, Oh,

2:04:50.880 --> 2:04:53.320
<v Speaker 1>that's a niggluck. Can't nigga might put me on if

2:04:53.320 --> 2:04:53.839
<v Speaker 1>he thinks.

2:04:53.680 --> 2:04:56.200
<v Speaker 2>I'm nice, So I just cannot rap for you.

2:04:56.560 --> 2:04:58.080
<v Speaker 1>He didn't speak to me about sneakers at all.

2:04:58.120 --> 2:04:59.320
<v Speaker 2>He about sneakers.

2:04:59.360 --> 2:05:01.440
<v Speaker 1>Well that's you, dog, you know why, because you're a

2:05:01.520 --> 2:05:02.800
<v Speaker 1>sneaker fucking superhero.

2:05:03.160 --> 2:05:05.840
<v Speaker 11>But we're together because we're friends.

2:05:06.000 --> 2:05:08.240
<v Speaker 1>We're not together because of sneak. Absolutely don't even talk.

2:05:08.360 --> 2:05:09.000
<v Speaker 1>We don't even talk.

2:05:08.880 --> 2:05:11.000
<v Speaker 2>About we don't talk about some angry sneakers.

2:05:11.040 --> 2:05:12.560
<v Speaker 1>So my question, you know what I'm saying.

2:05:12.560 --> 2:05:14.440
<v Speaker 2>This is my brother for twenty five years. We really

2:05:14.960 --> 2:05:15.800
<v Speaker 2>understand love.

2:05:15.760 --> 2:05:18.360
<v Speaker 1>About right now, we really talking about right now. I

2:05:18.400 --> 2:05:21.000
<v Speaker 1>don't even understand what I was talking about sneaking.

2:05:21.160 --> 2:05:22.440
<v Speaker 2>I love because we're here for you.

2:05:24.320 --> 2:05:25.600
<v Speaker 1>On a text. I know you did.

2:05:27.680 --> 2:05:34.360
<v Speaker 2>I show your fire me and you know, let's go.

2:05:35.800 --> 2:05:38.600
<v Speaker 1>No, that's a choice tattoo.

2:05:38.880 --> 2:05:38.960
<v Speaker 11>Right.

2:05:39.160 --> 2:05:40.960
<v Speaker 1>Wait, you know what you just said. Say it again?

2:05:41.120 --> 2:05:44.440
<v Speaker 1>People people say no, no, no, no. People think it's

2:05:44.440 --> 2:05:48.000
<v Speaker 1>a coach. Say that that's the truth. What way, kid,

2:05:48.200 --> 2:05:52.280
<v Speaker 1>you don't think sneaker. I think there are some people

2:05:52.560 --> 2:05:56.840
<v Speaker 1>who are more enthusiastic about sneakers than others. I'm one

2:05:56.880 --> 2:06:06.160
<v Speaker 1>of those guys. Hockey. That's not a hobby, No way, no, listen.

2:06:06.280 --> 2:06:08.000
<v Speaker 1>I just want to get myself out of the clitic

2:06:08.480 --> 2:06:12.080
<v Speaker 1>my ship is and I've proven it. I just want

2:06:12.160 --> 2:06:15.800
<v Speaker 1>to be fresh. That's it. My sneakers get dirty, I

2:06:15.960 --> 2:06:20.240
<v Speaker 1>damned and hate them. We agree. I don't clean sneakers.

2:06:20.640 --> 2:06:23.880
<v Speaker 1>I don't play that ship. I got enough sneaker. I'm

2:06:23.920 --> 2:06:26.920
<v Speaker 1>not cleaning my sneakers because I have so many sneakers

2:06:26.920 --> 2:06:29.280
<v Speaker 1>I want to wear them. So what do I do

2:06:29.520 --> 2:06:31.640
<v Speaker 1>I wear them get his ships away? Why? Because I

2:06:31.680 --> 2:06:33.520
<v Speaker 1>got enough sniggers that I could wear a brand new pant.

2:06:33.600 --> 2:06:35.440
<v Speaker 1>Why do I have so much? Because when I was

2:06:35.520 --> 2:06:37.280
<v Speaker 1>a kid, I wanted to be as fresh as the

2:06:37.280 --> 2:06:42.120
<v Speaker 1>older guy. Listen. So when I got some money, when

2:06:42.200 --> 2:06:43.920
<v Speaker 1>I got some money, how about as many pair of

2:06:43.960 --> 2:06:46.400
<v Speaker 1>sneak as I possibly could? Why? Because I wanted to

2:06:46.480 --> 2:06:49.880
<v Speaker 1>be fresh, That's it. Because I heard about the story.

2:06:50.600 --> 2:06:53.720
<v Speaker 1>You had an exclusive pair of something some something something,

2:06:54.160 --> 2:06:59.280
<v Speaker 1>and muster Rhyme saw you. Yeah, said yo, those sow

2:06:59.800 --> 2:07:02.760
<v Speaker 1>you took your sneakers off. He told you that, and

2:07:02.880 --> 2:07:07.080
<v Speaker 1>you gave him the bust. I told you, I never heard.

2:07:08.240 --> 2:07:11.160
<v Speaker 1>I did. We were we were on the tour. We

2:07:11.240 --> 2:07:14.920
<v Speaker 1>were on Puff's tour, and we went to Portland. No way,

2:07:14.960 --> 2:07:18.160
<v Speaker 1>I told him. We went to Portland, and I knew

2:07:18.200 --> 2:07:19.760
<v Speaker 1>the people at Nike, So I went to night Ga,

2:07:19.800 --> 2:07:22.200
<v Speaker 1>I visited Nike. Will was in Portland. Listen, towns along.

2:07:22.240 --> 2:07:27.600
<v Speaker 1>He says, he knows the Nike people. But God to

2:07:27.680 --> 2:07:30.480
<v Speaker 1>do with anything right now. We want to make noise

2:07:30.560 --> 2:07:32.360
<v Speaker 1>for you being a big nigga for a long time.

2:07:32.440 --> 2:07:38.440
<v Speaker 1>God damnit, Daddy, big homie and a sneaker game. God,

2:07:38.520 --> 2:07:42.680
<v Speaker 1>damn for a long time. Continue, I'm sorry you gave

2:07:42.680 --> 2:07:47.520
<v Speaker 1>your shoes, gad. So what happened called I went to Nike,

2:07:47.640 --> 2:07:49.280
<v Speaker 1>I hung out with my boy. My boy gave me

2:07:49.360 --> 2:07:52.520
<v Speaker 1>some shoes. I asked him for shoes for everybody. I

2:07:52.600 --> 2:07:56.080
<v Speaker 1>brought shoes back. I gave shoes to whomever. I was

2:07:56.160 --> 2:07:59.520
<v Speaker 1>wearing a pair of yellow Air Force ones and Bus.

2:07:59.800 --> 2:08:01.640
<v Speaker 1>You know, Bus was very colorful like that for six

2:08:01.720 --> 2:08:04.000
<v Speaker 1>moment all this ship was super colorable. He shoes and

2:08:04.160 --> 2:08:06.760
<v Speaker 1>was like, Yo, where the fuck did you get those?

2:08:06.840 --> 2:08:09.480
<v Speaker 1>And I was like, you want them? You got him?

2:08:09.680 --> 2:08:10.880
<v Speaker 1>So I just took him off and gave him to

2:08:10.960 --> 2:08:13.320
<v Speaker 1>him because we couldn't wear ninets and we was on

2:08:13.400 --> 2:08:15.280
<v Speaker 1>stage at that point anyway, because we were wearing all

2:08:15.320 --> 2:08:17.400
<v Speaker 1>black side with black temps. So I was just like,

2:08:18.240 --> 2:08:19.560
<v Speaker 1>you can take I get took him off and give

2:08:19.600 --> 2:08:21.920
<v Speaker 1>him to him. Where did you hear that? I gotta

2:08:21.920 --> 2:08:23.640
<v Speaker 1>get it. I want to know where you heard it from,

2:08:23.640 --> 2:08:27.000
<v Speaker 1>because I never heard the story. I got him relat.

2:08:28.240 --> 2:08:34.000
<v Speaker 1>I didn't want to issue with that story.

2:08:37.160 --> 2:08:38.920
<v Speaker 2>Boy for me being back a little bit back in,

2:08:40.640 --> 2:08:41.360
<v Speaker 2>we gotta stop.

2:08:41.400 --> 2:08:44.520
<v Speaker 1>We gotta stop because because people were thinking I'm really serious,

2:08:46.080 --> 2:08:49.400
<v Speaker 1>it said, Joe for a that for yo e fn

2:08:49.640 --> 2:08:52.600
<v Speaker 1>our one year anniversary brother, we did some crazy ship.

2:08:52.960 --> 2:08:57.840
<v Speaker 1>We started off our first episode with Kenny Anderson and

2:08:58.080 --> 2:08:58.640
<v Speaker 1>Fat Jobs.

2:08:59.040 --> 2:09:01.000
<v Speaker 2>It was the first one that he between that but

2:09:02.280 --> 2:09:02.880
<v Speaker 2>first one.

2:09:03.480 --> 2:09:07.280
<v Speaker 1>Saying I can say Jos because I love I know Chipper.

2:09:08.520 --> 2:09:11.080
<v Speaker 1>Do you last? Did you call him chairs? Believe it?

2:09:12.720 --> 2:09:14.800
<v Speaker 1>Call him chipper? You call him. I don't call him chips.

2:09:14.960 --> 2:09:17.640
<v Speaker 1>You call Himchipp. I called him Chipper. Yeah, I called

2:09:17.680 --> 2:09:21.120
<v Speaker 1>him chill. But left Breck City Queens for us to

2:09:21.240 --> 2:09:23.080
<v Speaker 1>have do I know the way? How do I know that?

2:09:23.200 --> 2:09:26.920
<v Speaker 1>Because you because I used to around but let your

2:09:27.000 --> 2:09:27.560
<v Speaker 1>real left.

2:09:27.480 --> 2:09:29.080
<v Speaker 6>Right now, he's funny because he used to DJ and

2:09:29.160 --> 2:09:30.560
<v Speaker 6>Clark Park in the Bronx.

2:09:31.280 --> 2:09:38.480
<v Speaker 1>Hold hol on, you got put off, he said, because

2:09:38.480 --> 2:09:41.120
<v Speaker 1>I'm a real left Breck. That's what I I'm gonna

2:09:41.120 --> 2:09:43.800
<v Speaker 1>get your Bronx claim too. I used to be all over.

2:09:47.800 --> 2:09:52.960
<v Speaker 1>Let's get it. Come on, now, let's go where we at?

2:09:53.840 --> 2:09:57.200
<v Speaker 1>So now, oh boy, before we get upbout it. Oh

2:09:57.480 --> 2:09:59.600
<v Speaker 1>so this is the last one. No, he's just he's

2:09:59.600 --> 2:10:06.480
<v Speaker 1>a little You also worked with Foxy Brown Little Kim Right, wait,

2:10:06.520 --> 2:10:10.880
<v Speaker 1>who's your cousin? Fox Foxy anger and he knows that.

2:10:11.400 --> 2:10:13.440
<v Speaker 1>Don't let him act like you don't know that. So

2:10:13.560 --> 2:10:16.920
<v Speaker 1>you also work with both. I never made a record

2:10:16.960 --> 2:10:20.160
<v Speaker 1>on my cousin. Is that crazy? But how powerful would

2:10:20.200 --> 2:10:24.640
<v Speaker 1>it be if Foxy and Little Kim, like at this

2:10:24.960 --> 2:10:29.400
<v Speaker 1>very moment, right now, if Foxy and Little Kim got

2:10:29.440 --> 2:10:33.600
<v Speaker 1>together at this moment this, it'll probably be really really cool.

2:10:33.920 --> 2:10:37.160
<v Speaker 1>About five years ago, it'd have been nuts. And it's

2:10:37.200 --> 2:10:39.880
<v Speaker 1>funny because when we say nuts, you're saying like bad,

2:10:40.080 --> 2:10:45.480
<v Speaker 1>like okay, because you know, four, like five six years ago,

2:10:45.680 --> 2:10:48.840
<v Speaker 1>who was the girl? It was almost like we were

2:10:48.920 --> 2:10:51.280
<v Speaker 1>looking for the girl, you know what I'm saying. But

2:10:51.400 --> 2:10:56.720
<v Speaker 1>imagine to imagine if out of nowhere you got Fox

2:10:56.840 --> 2:10:59.000
<v Speaker 1>and Thumb and Louise. And the funny part is like,

2:10:59.080 --> 2:11:01.680
<v Speaker 1>it's a bunch of people who got spoken to about that,

2:11:01.840 --> 2:11:04.040
<v Speaker 1>but I actually had the ability to do it. And

2:11:04.280 --> 2:11:07.080
<v Speaker 1>and because before remember back then they actually had a

2:11:07.160 --> 2:11:11.160
<v Speaker 1>sauce cover, right Kim, right okay, And the idea was

2:11:11.800 --> 2:11:16.040
<v Speaker 1>would have been them on the Wiz. We can't make

2:11:16.120 --> 2:11:20.320
<v Speaker 1>that happen. Let's make dream that make your lord listen.

2:11:22.480 --> 2:11:26.000
<v Speaker 1>I see them both recently. No, I'm lying, I seen

2:11:26.120 --> 2:11:30.240
<v Speaker 1>Kim recently, I spoke to Fox on the phone, but

2:11:31.080 --> 2:11:33.800
<v Speaker 1>I think that I think they should do that for

2:11:34.000 --> 2:11:38.120
<v Speaker 1>hip hop, fuck anything else. I would be legend like

2:11:38.320 --> 2:11:41.360
<v Speaker 1>you know what I'm saying, legend like y'all beef your

2:11:41.400 --> 2:11:46.520
<v Speaker 1>whole career. I want your kid together. And C can't

2:11:46.520 --> 2:11:52.560
<v Speaker 1>produce the ship, there you go, and I would produce

2:11:52.640 --> 2:11:55.120
<v Speaker 1>it and let clock And you know what I would

2:11:55.240 --> 2:11:57.960
<v Speaker 1>rather do. I'd rather be the executive producer or an

2:11:58.160 --> 2:12:00.280
<v Speaker 1>R on it so I can make the records. I

2:12:00.320 --> 2:12:02.720
<v Speaker 1>would rather find the music. Now you're going to describe

2:12:02.800 --> 2:12:06.880
<v Speaker 1>for our listeners what's the difference from producing and then

2:12:07.000 --> 2:12:13.920
<v Speaker 1>be an executive producer. A good executive producer, A good

2:12:14.040 --> 2:12:17.240
<v Speaker 1>executive producer executive produces the records and make sure that

2:12:17.280 --> 2:12:24.760
<v Speaker 1>the records get made. Oh thank you, we gotta relax,

2:12:24.880 --> 2:12:27.920
<v Speaker 1>come up, gets look good about to take it from me.

2:12:29.440 --> 2:12:31.720
<v Speaker 1>A good executive producer is the guy who's one of

2:12:31.760 --> 2:12:34.040
<v Speaker 1>the guys who's making the records. But a great an

2:12:34.200 --> 2:12:36.120
<v Speaker 1>R is the guy who makes sure the records get done.

2:12:36.880 --> 2:12:39.840
<v Speaker 1>That's the guy who finds the who helps finds the

2:12:39.960 --> 2:12:43.080
<v Speaker 1>music and helps find the great records, helps helps make

2:12:43.320 --> 2:12:45.120
<v Speaker 1>or make sure that the hook is a great song,

2:12:45.680 --> 2:12:48.640
<v Speaker 1>you know, a great hook. So when you're listening to it,

2:12:48.640 --> 2:12:50.440
<v Speaker 1>when someone an artist comes back and he sits in

2:12:50.480 --> 2:12:53.800
<v Speaker 1>front of you and he plays your album. If the

2:12:53.880 --> 2:12:58.360
<v Speaker 1>album comes out and it's not good, a lot of

2:12:58.360 --> 2:13:00.280
<v Speaker 1>people want to blame it on the artists, a lot

2:13:00.320 --> 2:13:02.400
<v Speaker 1>of people want to blame it on producers. But who

2:13:02.440 --> 2:13:04.400
<v Speaker 1>they really should blame it on is the guy who's

2:13:04.440 --> 2:13:07.800
<v Speaker 1>doing artists and repertoire, because it's your job to make

2:13:07.840 --> 2:13:10.800
<v Speaker 1>sure the album is and and R should be blamed

2:13:10.840 --> 2:13:13.480
<v Speaker 1>for it. But it's a and R still even relevant

2:13:13.600 --> 2:13:18.720
<v Speaker 1>nowadays because that's a really good question. But let's think

2:13:18.800 --> 2:13:21.880
<v Speaker 1>for a second. If for albums whack, then an R

2:13:22.080 --> 2:13:27.120
<v Speaker 1>is very relevant. Great, good answer, great fucking If albums don't,

2:13:27.160 --> 2:13:29.480
<v Speaker 1>I got hit with that question, I gotta I gotta

2:13:29.480 --> 2:13:35.240
<v Speaker 1>ask you relax because you hit me fucked up? Good

2:13:35.240 --> 2:13:37.560
<v Speaker 1>an R is gonna make a good record. I eat

2:13:37.640 --> 2:13:40.520
<v Speaker 1>that serious you know by by dots effects, what's the

2:13:40.600 --> 2:13:40.920
<v Speaker 1>what's the.

2:13:43.000 --> 2:13:43.040
<v Speaker 6>Like?

2:13:44.040 --> 2:13:46.400
<v Speaker 1>Is good? He's very good. He's a very good an

2:13:46.720 --> 2:13:51.920
<v Speaker 1>great Lenny asked, Lenny's Yeah, I mean, but.

2:13:52.040 --> 2:13:52.280
<v Speaker 10>You know.

2:13:56.240 --> 2:14:01.200
<v Speaker 1>You name more R meant more good an RS. Jeff Sledge,

2:14:01.240 --> 2:14:04.840
<v Speaker 1>she's a good an r was crazy that who's that?

2:14:05.160 --> 2:14:08.880
<v Speaker 1>I gotta I got a uh invest k oh yeah.

2:14:09.480 --> 2:14:13.480
<v Speaker 1>Keith Murray, Oh like he was. He was a job

2:14:14.880 --> 2:14:19.120
<v Speaker 1>at the time, was one of the very best. And ours,

2:14:19.760 --> 2:14:26.800
<v Speaker 1>Faith Newman. Oh no, Columbia, let's just stop, right, Dave. Not. Actually,

2:14:26.880 --> 2:14:32.240
<v Speaker 1>she's the first person who signed Yes how about it

2:14:32.600 --> 2:14:36.560
<v Speaker 1>was the first people she signed lives. She chilled two

2:14:36.680 --> 2:14:41.440
<v Speaker 1>three years and actually fucked that whole story up. She

2:14:41.680 --> 2:14:49.400
<v Speaker 1>signed capone Pause, she signed capone and I came home

2:14:49.480 --> 2:14:54.400
<v Speaker 1>about six months after that. You got that we don't

2:14:54.400 --> 2:14:58.560
<v Speaker 1>have no more, no more. Finish your story buckle and yeah,

2:14:58.600 --> 2:15:05.040
<v Speaker 1>faith finishing start Faith. I gotta this is Miami should

2:15:05.040 --> 2:15:08.360
<v Speaker 1>be rich somewhere living her life. God damn it, big up,

2:15:08.400 --> 2:15:12.040
<v Speaker 1>Faith Newman, God damn because you know why, didn't matter

2:15:12.160 --> 2:15:14.760
<v Speaker 1>that she put on me a copone, she put on

2:15:15.320 --> 2:15:19.760
<v Speaker 1>she put on nas set it up for us mob

2:15:19.880 --> 2:15:25.400
<v Speaker 1>deep uh screwball, lost boys everybody to come after that

2:15:25.680 --> 2:15:28.840
<v Speaker 1>and eat And that's what the fuck we did. And

2:15:29.200 --> 2:15:32.440
<v Speaker 1>Slive is still on that same meal. I just you know,

2:15:32.560 --> 2:15:35.400
<v Speaker 1>I have I had. It was like a Thanksgiving mail

2:15:35.640 --> 2:15:41.960
<v Speaker 1>for me, So I had, I had Turkey analogy had

2:15:42.240 --> 2:15:43.520
<v Speaker 1>sweet potatoes over there.

2:15:44.400 --> 2:15:45.720
<v Speaker 2>But I wasn't leaving.

2:15:45.960 --> 2:15:50.040
<v Speaker 1>Let me guess what I was on wheels in the

2:15:50.120 --> 2:15:53.360
<v Speaker 1>in our department. We did Audio two. We didn't like

2:15:54.160 --> 2:15:57.240
<v Speaker 1>yo yo. We did Michelle A. We did the facts.

2:15:57.280 --> 2:16:00.520
<v Speaker 1>We didn't vote. Uh take a little shot for that.

2:16:01.160 --> 2:16:07.360
<v Speaker 6>We need another shot for that one set uproah, we're

2:16:07.360 --> 2:16:07.840
<v Speaker 6>gonna take.

2:16:07.720 --> 2:16:08.160
<v Speaker 2>A light shot.

2:16:08.960 --> 2:16:13.200
<v Speaker 1>Almost give me. That's not like like, give me a

2:16:13.320 --> 2:16:18.480
<v Speaker 1>light shot. I'm your brother now, Bob. That's it. That's it.

2:16:22.080 --> 2:16:26.520
<v Speaker 1>Let me ask you and there's no disrespect, right. And

2:16:26.640 --> 2:16:28.880
<v Speaker 1>you talked about the dose effects came with the album.

2:16:28.960 --> 2:16:30.840
<v Speaker 2>How much did you have to an r that album?

2:16:31.440 --> 2:16:34.240
<v Speaker 1>Well, you have to after after, after you get an album,

2:16:34.280 --> 2:16:35.920
<v Speaker 1>you have to know when it's right to drop it.

2:16:36.040 --> 2:16:39.000
<v Speaker 1>What's the best record? Did you shave records off? No? No,

2:16:39.160 --> 2:16:41.280
<v Speaker 1>it's not about shaving records. Office about picking the best

2:16:41.360 --> 2:16:45.520
<v Speaker 1>records that go single. So pickings. They want you DJ.

2:16:45.879 --> 2:16:53.240
<v Speaker 1>When you look at DJ, it was crazy. Honestly, in

2:16:53.360 --> 2:16:59.520
<v Speaker 1>my heart, I believe DJs who I'm sorry. I believe

2:17:00.200 --> 2:17:03.160
<v Speaker 1>DJs can make the best an arsts. And the reason

2:17:03.240 --> 2:17:06.680
<v Speaker 1>why is because good DJs can teach you about a

2:17:06.760 --> 2:17:09.039
<v Speaker 1>new record. You know what I'm saying they can show

2:17:09.080 --> 2:17:10.840
<v Speaker 1>you by the way, this is the record. Just listen,

2:17:11.000 --> 2:17:13.680
<v Speaker 1>keep listening, keep listening, keep listening. You know what I'm saying,

2:17:13.720 --> 2:17:16.440
<v Speaker 1>Because if a dude has a mixed show and he

2:17:16.520 --> 2:17:17.840
<v Speaker 1>has a bunch of dudes who has a bunch of

2:17:17.920 --> 2:17:20.840
<v Speaker 1>records that no one has, and he's deciding I'm going

2:17:20.920 --> 2:17:23.880
<v Speaker 1>to play this artist, you know what I'm saying, Like,

2:17:24.040 --> 2:17:26.960
<v Speaker 1>that guy has the ability to break that artist. And

2:17:27.040 --> 2:17:29.640
<v Speaker 1>if he can break that artist, he's doing something right.

2:17:29.720 --> 2:17:32.160
<v Speaker 1>If he can look at the landscape of music that's

2:17:32.200 --> 2:17:34.560
<v Speaker 1>out and say I pick this, I pick that, I

2:17:34.640 --> 2:17:36.360
<v Speaker 1>pick this, and then play it in his mix show

2:17:36.440 --> 2:17:39.200
<v Speaker 1>and make people happy about the mix show. That guy

2:17:39.400 --> 2:17:42.720
<v Speaker 1>knows how to pick records, so he should And I'm

2:17:42.760 --> 2:17:46.120
<v Speaker 1>being clear when I say he should be able to

2:17:46.160 --> 2:17:49.400
<v Speaker 1>pick a new artist, So he should be able to

2:17:49.440 --> 2:17:51.880
<v Speaker 1>hear a dope beat and say this artist should have

2:17:52.000 --> 2:17:53.880
<v Speaker 1>that beat. It would make sense if they were singing

2:17:54.000 --> 2:17:56.920
<v Speaker 1>or rapper on such. If he's not a good If

2:17:56.959 --> 2:17:59.480
<v Speaker 1>he's not a good DJ, he's not even thinking about that.

2:18:00.000 --> 2:18:02.120
<v Speaker 1>All he cares about is playing clubs. If he's a

2:18:02.200 --> 2:18:04.480
<v Speaker 1>good DJ, he cares about what the music is gonna

2:18:04.520 --> 2:18:08.480
<v Speaker 1>sound like. In the next two years. I don't even

2:18:08.520 --> 2:18:10.520
<v Speaker 1>call it taste makers because they put taste makers in

2:18:10.560 --> 2:18:13.160
<v Speaker 1>a totally different thing. My thing is a good DJ

2:18:14.040 --> 2:18:20.520
<v Speaker 1>should be teaching the crowd about something which most DJs

2:18:20.560 --> 2:18:22.840
<v Speaker 1>don't do any well. I'm not most CJ. I'm sings,

2:18:27.120 --> 2:18:31.240
<v Speaker 1>I'm you know, I'm just I'm just not most. But

2:18:31.360 --> 2:18:33.240
<v Speaker 1>then again, you know, the ones who aren't most are

2:18:33.240 --> 2:18:37.000
<v Speaker 1>the ones who are still here. I've been there for

2:18:37.080 --> 2:18:41.360
<v Speaker 1>a long Let's talk about Japanese connection. What about it?

2:18:41.720 --> 2:18:46.680
<v Speaker 1>You got a lot of Japanese niggas love? Clock? Is that? Okay?

2:18:46.720 --> 2:18:48.800
<v Speaker 1>You got a clock? You gotta clock a lot of

2:18:48.959 --> 2:18:53.680
<v Speaker 1>japan done. I've done a few collaborations with a company.

2:18:54.560 --> 2:18:59.160
<v Speaker 1>Talk about did collaborate? I did two, three, four, I

2:18:59.240 --> 2:19:04.600
<v Speaker 1>did about four five Lafayette collaborations. Ascribe to these people, okay,

2:19:04.680 --> 2:19:12.440
<v Speaker 1>Lafayette is said, inscribed? Inscribed mean described is inscribing and

2:19:12.520 --> 2:19:16.080
<v Speaker 1>inscribing at the same time. What is describing? I understand

2:19:16.120 --> 2:19:16.840
<v Speaker 1>what inscrible?

2:19:17.560 --> 2:19:18.080
<v Speaker 2>Disagree with it?

2:19:18.160 --> 2:19:19.280
<v Speaker 1>It works? Okay?

2:19:19.840 --> 2:19:21.040
<v Speaker 2>It's a dream Champs language.

2:19:21.240 --> 2:19:24.800
<v Speaker 1>You see, you have brands that are super duper popular

2:19:24.920 --> 2:19:28.120
<v Speaker 1>and they're still on the ground level, and they're still

2:19:28.760 --> 2:19:33.200
<v Speaker 1>like you know they're still like gritty and Street. You

2:19:33.240 --> 2:19:35.320
<v Speaker 1>got the Black Scales, you got the Supremes and such.

2:19:35.879 --> 2:19:38.760
<v Speaker 1>You go over to Japan. Lafayette is one of those brands.

2:19:38.879 --> 2:19:42.160
<v Speaker 1>Lafayette's a brand with for like six stores or whatever

2:19:42.240 --> 2:19:47.160
<v Speaker 1>and selling a bunch of shit. And I've done at least, yeah,

2:19:47.240 --> 2:19:50.440
<v Speaker 1>five collabs with them at least. So Supreme is from Japan.

2:19:50.560 --> 2:19:55.280
<v Speaker 1>No Supremes from New York. Okay, but they popping in Japan.

2:19:55.680 --> 2:20:00.520
<v Speaker 1>No Supreme is popping around the universe. Supreme about ragged

2:20:00.560 --> 2:20:02.080
<v Speaker 1>teachers going for a lot of money on the internet

2:20:02.160 --> 2:20:05.400
<v Speaker 1>right now. You know we has all of them. They

2:20:05.440 --> 2:20:07.119
<v Speaker 1>need to sell them. I need a hoe lage. Please,

2:20:07.320 --> 2:20:10.720
<v Speaker 1>thank you. I definitely you got it. See that smile,

2:20:10.840 --> 2:20:12.600
<v Speaker 1>that's the um lying smile you got.

2:20:14.040 --> 2:20:14.440
<v Speaker 17>I need that.

2:20:15.959 --> 2:20:18.600
<v Speaker 1>Listen you tell your needs that I need the gate

2:20:19.160 --> 2:20:25.720
<v Speaker 1>the I didn't want to no inventory. Did I say

2:20:25.760 --> 2:20:29.040
<v Speaker 1>that I need that? Definitely? Tell me get one of

2:20:29.080 --> 2:20:32.560
<v Speaker 1>those storm you got somewhere again, somewhere in my in

2:20:32.680 --> 2:20:34.840
<v Speaker 1>my life, in your mind. You got me my life,

2:20:36.440 --> 2:20:43.160
<v Speaker 1>my life, so clok. You work the big You work

2:20:43.240 --> 2:20:51.880
<v Speaker 1>with Jack, Yes, you work with work with un I

2:20:51.959 --> 2:20:55.600
<v Speaker 1>didn't have the opportunity I wanted to to funny Ship.

2:20:55.720 --> 2:20:57.400
<v Speaker 1>Is the day that I explained to him about the

2:20:57.680 --> 2:20:59.920
<v Speaker 1>about that thing we was on that on the revote crew.

2:21:00.720 --> 2:21:03.160
<v Speaker 1>He was like, YO, give me something. Let's do something

2:21:03.200 --> 2:21:05.320
<v Speaker 1>new again. He knew that I was gonna fuck with

2:21:05.440 --> 2:21:07.560
<v Speaker 1>Davis because I'm I'm gonna do a record for Davis.

2:21:07.640 --> 2:21:11.280
<v Speaker 1>So he's like baby himself, He's like yo, he was like, yo,

2:21:11.360 --> 2:21:12.960
<v Speaker 1>you funk with him. I was like, nah, funks with

2:21:13.080 --> 2:21:16.760
<v Speaker 1>Davies And he's like, yo, you know, send me something.

2:21:17.680 --> 2:21:19.440
<v Speaker 1>So he was like, yo, for me to send him

2:21:19.440 --> 2:21:21.760
<v Speaker 1>something with trade numbers or whatever. Summer sent him something.

2:21:22.240 --> 2:21:28.720
<v Speaker 1>But but that's the craic. He's so lb nos nos

2:21:29.440 --> 2:21:33.680
<v Speaker 1>top five, top five five God you from Queens. I

2:21:33.800 --> 2:21:37.240
<v Speaker 1>understand you saying that. No, I mean, why do I

2:21:37.280 --> 2:21:39.840
<v Speaker 1>have another shot? Because we didn't because you never drink that.

2:21:39.920 --> 2:21:46.039
<v Speaker 1>We didn't. Yeah, we weren't a part of that. Should stop.

2:21:46.720 --> 2:21:53.120
<v Speaker 1>Don't do that. You're my brother, You're not gonna win

2:21:53.200 --> 2:21:55.920
<v Speaker 1>this club. We part of that shot, and we weren't.

2:21:56.000 --> 2:22:00.080
<v Speaker 1>That was come morning. That was your family, brother. You

2:22:00.160 --> 2:22:05.120
<v Speaker 1>gotta relax, Yeah, yeah, got y'all respectful, y'all gotta relax.

2:22:05.240 --> 2:22:07.959
<v Speaker 1>That was y'all ship with each other, take a shot.

2:22:08.080 --> 2:22:10.600
<v Speaker 1>Do what you're gonna do. Ask the quest. My feeling

2:22:10.640 --> 2:22:13.320
<v Speaker 1>was hurt. I would agree with you, right, I would say,

2:22:13.400 --> 2:22:15.720
<v Speaker 1>this is like a Latino thing. But the thing about

2:22:15.800 --> 2:22:22.280
<v Speaker 1>you Latin that's what you just want to get a shot,

2:22:22.520 --> 2:22:30.760
<v Speaker 1>get another shot together? Can I expect you? What are

2:22:30.760 --> 2:22:33.920
<v Speaker 1>you doing after this? I'm going to see Clark. Wait,

2:22:33.959 --> 2:22:36.280
<v Speaker 1>what are you doing after this? I'm going home? What

2:22:36.400 --> 2:22:38.160
<v Speaker 1>are you doing after this? I'm going to see my

2:22:38.200 --> 2:22:38.680
<v Speaker 1>brother DJ.

2:22:38.840 --> 2:22:41.240
<v Speaker 6>Guess what I'm going to do. I'm going to seek

2:22:41.560 --> 2:22:43.600
<v Speaker 6>work and I'm gonna buy you to Guess what I.

2:22:44.040 --> 2:22:46.440
<v Speaker 1>Do right now? That's what I'm doing right now. You're working.

2:22:47.720 --> 2:22:50.000
<v Speaker 1>You'll be done in like ten minutes. But he's gonna

2:22:50.000 --> 2:22:51.600
<v Speaker 1>go see you afterwards. I'm going to see you, but

2:22:51.720 --> 2:22:55.360
<v Speaker 1>you'll be hanging while I'm working. But I gotta also

2:22:56.040 --> 2:22:58.640
<v Speaker 1>keep my life together because you know what I'm trying

2:22:58.680 --> 2:23:02.320
<v Speaker 1>to keep my mind to. So I'm very typical moment

2:23:03.000 --> 2:23:07.560
<v Speaker 1>with a very typical moment. Yeah, we gotta we gotta control.

2:23:08.040 --> 2:23:12.160
<v Speaker 1>We gotta control our environment, and then we gotta you know,

2:23:12.240 --> 2:23:16.360
<v Speaker 1>we gotta do clock. We have to behave ourselves. There's

2:23:16.360 --> 2:23:20.560
<v Speaker 1>a curve here and guess what clock whatever. Listen, we

2:23:20.720 --> 2:23:24.680
<v Speaker 1>are getting people back for the cold Crush brothers, right,

2:23:25.680 --> 2:23:29.840
<v Speaker 1>We're getting them back, Yes, getting back. What he means

2:23:29.879 --> 2:23:34.320
<v Speaker 1>is getting people back for what they did. I like that.

2:23:34.600 --> 2:23:37.959
<v Speaker 1>You gotta relax, let's go, let's get it next.

2:23:38.600 --> 2:23:39.440
<v Speaker 2>I'm not going to say.

2:23:40.800 --> 2:23:43.800
<v Speaker 1>You a question. Let's go, but listen, and we're doing

2:23:43.879 --> 2:23:46.440
<v Speaker 1>it in the name of him. Your clock. You know,

2:23:46.560 --> 2:23:48.640
<v Speaker 1>we never had no fake to go on Drink Champs.

2:23:50.160 --> 2:23:55.760
<v Speaker 1>Tony people on Drink Champs. You know why every episode

2:23:55.760 --> 2:23:58.640
<v Speaker 1>in because you know why we really want to big

2:23:58.760 --> 2:24:03.280
<v Speaker 1>up authentic of original hip hop and what is saying

2:24:03.400 --> 2:24:09.000
<v Speaker 1>on your fucking hat the originals? You get ready, you

2:24:09.080 --> 2:24:13.880
<v Speaker 1>want to you know, let's do it. You can't not

2:24:14.080 --> 2:24:15.200
<v Speaker 1>want I go in.

2:24:15.280 --> 2:24:15.680
<v Speaker 15>I'm in with you.

2:24:18.080 --> 2:24:23.039
<v Speaker 1>That my brother light skin a light skin show before

2:24:24.360 --> 2:24:28.160
<v Speaker 1>gona hurt my stomach. That's a shot my brother.

2:24:28.280 --> 2:24:28.960
<v Speaker 7>That's what I know.

2:24:29.080 --> 2:24:31.760
<v Speaker 1>You felt bad doing it, you know, he was like

2:24:33.440 --> 2:24:35.760
<v Speaker 1>I know as as I called you, was like, all right,

2:24:35.879 --> 2:24:41.720
<v Speaker 1>know what you're calling him for. I was, but I

2:24:41.800 --> 2:24:45.360
<v Speaker 1>didn't feel bad because you curved me. I never curved you.

2:24:45.520 --> 2:24:48.600
<v Speaker 1>You did. I was gonna be honest. I swear to god,

2:24:48.640 --> 2:24:52.360
<v Speaker 1>I'm gonna go back. Let me tell you something about

2:24:52.360 --> 2:24:56.040
<v Speaker 1>sober people. It's on Twitter document one hundred percent. I'm

2:24:56.160 --> 2:24:57.760
<v Speaker 1>gonna go back and I'm gonna show it to him,

2:24:57.959 --> 2:25:00.680
<v Speaker 1>he wrote. I wrote him. He like, I gotta get

2:25:00.720 --> 2:25:03.520
<v Speaker 1>Clock on the podcast, and I was like, absolutely, I'm down,

2:25:03.680 --> 2:25:06.760
<v Speaker 1>but don't forget I know you Poppy. So as soon

2:25:06.800 --> 2:25:09.000
<v Speaker 1>as he saw the Poppy is when he was like, yeah,

2:25:09.440 --> 2:25:14.800
<v Speaker 1>forget it, scat, I'm going to be honest. I believe that.

2:25:16.200 --> 2:25:18.320
<v Speaker 1>Wait wait, wait, wait wait, I think I can poppy

2:25:18.360 --> 2:25:22.560
<v Speaker 1>old that you said he being oucastic for how long?

2:25:23.280 --> 2:25:27.080
<v Speaker 1>Seven months? Because it took seven months to him to go,

2:25:27.760 --> 2:25:30.760
<v Speaker 1>oh ship, you're gonna do these niggas podcasts, That's what

2:25:30.840 --> 2:25:37.119
<v Speaker 1>he was. No, don't understand me. So the rule at all.

2:25:37.440 --> 2:25:40.000
<v Speaker 1>If I was that important to be on the podcast,

2:25:40.080 --> 2:25:41.720
<v Speaker 1>I would have been third seconds.

2:25:51.920 --> 2:26:00.959
<v Speaker 2>Let's take this shot, not a good little.

2:26:04.200 --> 2:26:10.320
<v Speaker 1>That's good that this is when I that's terribly good.

2:26:10.720 --> 2:26:13.040
<v Speaker 1>It's too good. I love rock the best vocat of

2:26:13.080 --> 2:26:13.480
<v Speaker 1>the planet.

2:26:20.959 --> 2:26:22.600
<v Speaker 6>Know that that is so funny Because I wanted this

2:26:22.720 --> 2:26:23.920
<v Speaker 6>podcast happen so bad.

2:26:24.240 --> 2:26:27.240
<v Speaker 1>I text you, you know he got thirty six hundred sniggers.

2:26:27.600 --> 2:26:29.279
<v Speaker 1>What one? Just one?

2:26:29.320 --> 2:26:30.080
<v Speaker 2>Besides you were.

2:26:32.600 --> 2:26:35.240
<v Speaker 1>Regular? Everything else, I'm gonna do that. You got one

2:26:35.320 --> 2:26:35.600
<v Speaker 1>right now?

2:26:36.520 --> 2:26:37.520
<v Speaker 2>These acronym nikes.

2:26:37.879 --> 2:26:38.440
<v Speaker 6>Do you see.

2:26:40.200 --> 2:26:43.000
<v Speaker 1>Acronym Nike. I'm gonna do this, dude.

2:26:43.080 --> 2:26:45.760
<v Speaker 15>You gotta hook up. Clark got the hook up, but

2:26:45.800 --> 2:26:48.840
<v Speaker 15>I'm dirty. Got the hook up on the club. Whatever

2:26:48.920 --> 2:26:49.600
<v Speaker 15>the fuck that's going?

2:26:49.840 --> 2:26:53.960
<v Speaker 6>That's me fort dumb hord that regular, like Yo, Clock

2:26:54.040 --> 2:26:55.160
<v Speaker 6>is gonna be in Miami this weekend?

2:26:55.200 --> 2:26:56.920
<v Speaker 1>What's up? I want?

2:26:58.200 --> 2:26:58.720
<v Speaker 2>I was ready.

2:26:58.959 --> 2:26:59.920
<v Speaker 1>I was ready, we were host.

2:27:00.600 --> 2:27:03.000
<v Speaker 2>I was ready. We saw and ready.

2:27:03.200 --> 2:27:05.000
<v Speaker 1>I was on. It don't work out that way. I

2:27:05.080 --> 2:27:06.880
<v Speaker 1>texted you, I don't have I don't have a bob normal.

2:27:06.920 --> 2:27:08.200
<v Speaker 2>I text Norman, check this out.

2:27:08.240 --> 2:27:09.920
<v Speaker 1>Clock is gonna be in Miami this weekend. What's up?

2:27:10.240 --> 2:27:14.440
<v Speaker 3>I wanted to make this happens this Fiji from a

2:27:14.480 --> 2:27:22.360
<v Speaker 3>different Yes, that's e Waters right, it's not even cool.

2:27:22.600 --> 2:27:23.280
<v Speaker 2>This is Fucci.

2:27:23.480 --> 2:27:26.680
<v Speaker 1>It's not even cold. This flats bottom water?

2:27:29.080 --> 2:27:30.080
<v Speaker 2>Yo? But who was that for?

2:27:30.800 --> 2:27:31.160
<v Speaker 8>For you and me?

2:27:31.240 --> 2:27:33.120
<v Speaker 1>I was gonna I thought we were making drinks. I

2:27:33.160 --> 2:27:35.280
<v Speaker 1>didn't know like we're gonna make like a my hat.

2:27:35.480 --> 2:27:39.039
<v Speaker 1>Oh you I'll take a drink with your your clock.

2:27:39.959 --> 2:27:41.680
<v Speaker 1>Let me ask you a question. Why you're getting bottled

2:27:41.720 --> 2:27:45.640
<v Speaker 1>water to put tap water ice in it? All cool?

2:27:45.680 --> 2:27:48.280
<v Speaker 2>I don't even know you from the South of Yeah,

2:27:49.920 --> 2:27:50.840
<v Speaker 2>what would you do that for?

2:27:51.000 --> 2:27:53.880
<v Speaker 1>You? Just you just rolled my own water experience, you know,

2:27:54.120 --> 2:27:57.160
<v Speaker 1>you know from the resource rooms. You know that niggas

2:27:57.200 --> 2:28:00.880
<v Speaker 1>in the resource rooms and especial education. That's that's the

2:28:00.920 --> 2:28:04.080
<v Speaker 1>one I am. I'm that nigga. I have four teachers

2:28:04.840 --> 2:28:06.520
<v Speaker 1>and four students. It was even.

2:28:07.920 --> 2:28:11.600
<v Speaker 2>We were both going you said four, and he said,

2:28:11.640 --> 2:28:12.280
<v Speaker 2>we're both with.

2:28:13.920 --> 2:28:19.520
<v Speaker 1>Even tell me, I'm the most in the world.

2:28:19.720 --> 2:28:20.600
<v Speaker 2>You're the smartness.

2:28:21.080 --> 2:28:24.400
<v Speaker 1>That's why they wanted to killed me. Listen, I'm just John.

2:28:24.959 --> 2:28:29.400
<v Speaker 1>They're gonna John Left killing me meaning under saying listen,

2:28:29.520 --> 2:28:32.400
<v Speaker 1>they're gonna let you live because they're like, that's his man.

2:28:33.800 --> 2:28:36.200
<v Speaker 1>I feel like they're gonna kill me. I got you

2:28:37.320 --> 2:28:42.960
<v Speaker 1>on meaning it was more than it was. He said,

2:28:44.600 --> 2:28:46.560
<v Speaker 1>you said four four, and then he was like, both

2:28:46.640 --> 2:28:49.080
<v Speaker 1>of them. I'm like, who the fuck are you talking about?

2:28:49.160 --> 2:28:51.920
<v Speaker 1>Both groups exactly? We're talking about both groups. I got

2:28:52.000 --> 2:28:54.400
<v Speaker 1>to see I got what you was talking about. Don John,

2:28:54.560 --> 2:28:57.720
<v Speaker 1>tell you I understood what you was talking. Just resources

2:28:57.720 --> 2:29:00.720
<v Speaker 1>from crazy, the super resource you know what I'm saying.

2:29:01.480 --> 2:29:02.720
<v Speaker 2>That was the funniest shit ever.

2:29:04.080 --> 2:29:09.280
<v Speaker 1>Claw you did drink champs, you survived. Never sprung about

2:29:09.320 --> 2:29:12.119
<v Speaker 1>any of their personal ship. I know a lot. Get

2:29:12.200 --> 2:29:15.840
<v Speaker 1>them relax and you're looking at me and your lips

2:29:15.879 --> 2:29:19.640
<v Speaker 1>are getting little white. That's how I know. I'm so

2:29:19.800 --> 2:29:21.960
<v Speaker 1>glad there's a camera because they could know that my

2:29:22.040 --> 2:29:25.320
<v Speaker 1>lips ain't getting white. No, in my mind, your lift

2:29:25.400 --> 2:29:28.840
<v Speaker 1>scout what personally you can't ask me ship that. I

2:29:28.959 --> 2:29:32.640
<v Speaker 1>can't be real loud. You've been there for me. But

2:29:32.760 --> 2:29:34.800
<v Speaker 1>when I stepped into this game, I love you. You

2:29:34.879 --> 2:29:39.160
<v Speaker 1>stood there with me. And there was one producer on

2:29:39.240 --> 2:29:41.960
<v Speaker 1>the whole wall report because I used to carry it

2:29:42.080 --> 2:29:46.400
<v Speaker 1>two five on me and I said rhyme, and not

2:29:46.720 --> 2:29:48.800
<v Speaker 1>one producer said you have relax you.

2:29:50.520 --> 2:29:54.240
<v Speaker 6>And you was the only one he said when he

2:29:54.320 --> 2:29:55.720
<v Speaker 6>told you to relax, you had the two five in

2:29:55.800 --> 2:29:56.200
<v Speaker 6>your pocket.

2:29:56.320 --> 2:29:59.160
<v Speaker 1>In the booth, they had two five all the time.

2:30:02.280 --> 2:30:06.840
<v Speaker 1>I know now he's rocking. He's like, hold, don't he

2:30:06.959 --> 2:30:12.680
<v Speaker 1>tells him that clocks. He was the only one and

2:30:12.760 --> 2:30:15.360
<v Speaker 1>he told me, he said, listen, I'm gonna take the

2:30:15.520 --> 2:30:18.360
<v Speaker 1>rhym and I'm gonna chop it up. And that's the

2:30:18.440 --> 2:30:21.800
<v Speaker 1>first time I've ever seen that in my life, that

2:30:22.760 --> 2:30:26.520
<v Speaker 1>I could actually rhyme and get it all out and

2:30:26.640 --> 2:30:31.400
<v Speaker 1>one one whatever. But he could take that and say relax,

2:30:31.959 --> 2:30:35.640
<v Speaker 1>dance and order some pluck you. So after after that advice,

2:30:35.680 --> 2:30:38.480
<v Speaker 1>you kept doing that that way. Listen to his records

2:30:38.480 --> 2:30:42.879
<v Speaker 1>after that one record. After that he understood songs song progression.

2:30:42.959 --> 2:30:46.119
<v Speaker 1>It was verse verse verse hook, verse hook verse hook.

2:30:46.320 --> 2:30:49.200
<v Speaker 1>Think about it because after that album, what album you

2:30:49.360 --> 2:31:09.120
<v Speaker 1>what album you made? That's you go down? Don't let

2:31:09.160 --> 2:31:12.280
<v Speaker 1>me tell you about because I gotta DJ now, I

2:31:12.320 --> 2:31:18.080
<v Speaker 1>gotta go change. No, this is your third fucking champagne

2:31:18.160 --> 2:31:18.520
<v Speaker 1>this water.

2:31:21.240 --> 2:31:23.440
<v Speaker 6>Listen when you DJ, ain't nobody's gonna see your right thigh.

2:31:25.879 --> 2:31:27.640
<v Speaker 6>Nobody's gonna see your right thig. When your DJ, he's

2:31:27.640 --> 2:31:33.800
<v Speaker 6>gone ship right. It wasn't me open that ship up.

2:31:33.879 --> 2:31:34.080
<v Speaker 7>Got that.

2:31:34.320 --> 2:31:36.920
<v Speaker 1>I'm good. I'm not. I'm good. You ain't gotta I'm

2:31:37.120 --> 2:31:41.000
<v Speaker 1>so hot, right, you gotta last? I love thank you.

2:31:41.120 --> 2:31:50.800
<v Speaker 1>I'm saying it was really really nice. No, God, listen

2:31:50.840 --> 2:31:53.760
<v Speaker 1>to listen to me, everybody. It was really one of

2:31:53.800 --> 2:31:56.760
<v Speaker 1>the first producers who actually pulled me to the side

2:31:56.800 --> 2:32:01.800
<v Speaker 1>and said, Slim, I understand what you're doing. I get it,

2:32:03.080 --> 2:32:08.360
<v Speaker 1>but let me structure your ship. And it was you too.

2:32:08.879 --> 2:32:12.160
<v Speaker 1>A lot of people credit you know, for Real or Swiss,

2:32:15.560 --> 2:32:19.879
<v Speaker 1>but they came in our album That's Dope to hit us.

2:32:19.920 --> 2:32:21.720
<v Speaker 15>But you were still learning because one of one of

2:32:21.760 --> 2:32:23.520
<v Speaker 15>the stories, no I'm gonna tell you, I'm still learn

2:32:23.640 --> 2:32:24.000
<v Speaker 15>I know.

2:32:24.080 --> 2:32:25.400
<v Speaker 1>But one of the stories that I love from an

2:32:25.640 --> 2:32:27.440
<v Speaker 1>R is that you say.

2:32:27.360 --> 2:32:28.680
<v Speaker 2>That you was counting bars with what what?

2:32:28.879 --> 2:32:31.760
<v Speaker 1>What what? And that's what I love that. I love

2:32:31.800 --> 2:32:35.039
<v Speaker 1>that story. No, that's how I counted balls. But think

2:32:35.080 --> 2:32:35.360
<v Speaker 1>about it.

2:32:35.440 --> 2:32:37.160
<v Speaker 2>So claud get executive producing credit for that.

2:32:37.520 --> 2:32:40.560
<v Speaker 1>Absolutely, No, he's not going to give that up because

2:32:40.680 --> 2:32:42.560
<v Speaker 1>he's not gonna look for that check to go. Come

2:32:42.600 --> 2:32:45.240
<v Speaker 1>me for that. But the bottom line, I get what

2:32:45.320 --> 2:32:47.360
<v Speaker 1>you're trying to say. You're trying to say is that

2:32:48.000 --> 2:32:50.800
<v Speaker 1>moment gave you the ability to look at your songs

2:32:50.879 --> 2:32:54.680
<v Speaker 1>differently and and and think songs instead of thinking I'm

2:32:54.720 --> 2:32:57.120
<v Speaker 1>just gonna be rhyming. I get it. Yeah, I get it.

2:32:57.320 --> 2:33:00.160
<v Speaker 1>I respect it. And because think about it, after the

2:33:00.280 --> 2:33:02.199
<v Speaker 1>war report what happened?

2:33:02.800 --> 2:33:02.840
<v Speaker 10>What?

2:33:03.080 --> 2:33:03.400
<v Speaker 6>What? What?

2:33:03.640 --> 2:33:03.680
<v Speaker 1>What?

2:33:03.920 --> 2:33:03.960
<v Speaker 6>What?

2:33:04.520 --> 2:33:08.840
<v Speaker 1>How? Long after every sixteen bars? Sixteen bars?

2:33:09.120 --> 2:33:09.520
<v Speaker 8>What? What? What?

2:33:10.280 --> 2:33:14.200
<v Speaker 1>Sixteen bars? Well? What what that was the same sixteen

2:33:14.280 --> 2:33:18.879
<v Speaker 1>bar breakup that I I don't like to say taught.

2:33:19.040 --> 2:33:22.200
<v Speaker 1>I'd rather say I can't talk about it. I say,

2:33:22.800 --> 2:33:25.040
<v Speaker 1>now you know why because I don't. I don't believe that.

2:33:27.800 --> 2:33:30.360
<v Speaker 1>I just believe it was something that he didn't he

2:33:30.480 --> 2:33:32.400
<v Speaker 1>didn't know, But I don't think it was a taught

2:33:32.440 --> 2:33:34.560
<v Speaker 1>It was an enlightened I'm like, yo, look, if you

2:33:34.640 --> 2:33:37.160
<v Speaker 1>do this, it's a song when you The thing is

2:33:37.240 --> 2:33:39.160
<v Speaker 1>when you listen to war report, like I can go

2:33:39.240 --> 2:33:40.560
<v Speaker 1>back to the War Report, and if you listen to

2:33:40.600 --> 2:33:42.840
<v Speaker 1>the War Report, it's a bunch of wild ass records,

2:33:42.879 --> 2:33:46.400
<v Speaker 1>and then this is one record that makes you go, oh,

2:33:46.840 --> 2:33:49.120
<v Speaker 1>I get it, I get all of that wild shit.

2:33:49.360 --> 2:33:52.720
<v Speaker 1>When you listen to Closer to this paper, you just

2:33:52.879 --> 2:33:55.080
<v Speaker 1>do because it calms you down and you can hear

2:33:55.160 --> 2:33:57.520
<v Speaker 1>what he's saying and be like, Okay, before you're just like,

2:33:57.600 --> 2:33:59.840
<v Speaker 1>I'm as wild as this motherfucker right here. But then

2:33:59.879 --> 2:34:02.000
<v Speaker 1>we listen to that, you're like, hold up, he stopped

2:34:02.040 --> 2:34:05.120
<v Speaker 1>for a second, and he gave you closer to this.

2:34:06.320 --> 2:34:09.160
<v Speaker 1>You know what I'm saying. So it was it was,

2:34:10.879 --> 2:34:12.800
<v Speaker 1>want to tell you, what's even crazier. It was the

2:34:12.879 --> 2:34:21.280
<v Speaker 1>last record. And the reason why is because honestly, when

2:34:21.320 --> 2:34:26.800
<v Speaker 1>it comes to producing, sometimes I can be a little competitive.

2:34:27.160 --> 2:34:30.760
<v Speaker 1>So I just wanted to hear everything and figure out

2:34:30.800 --> 2:34:32.440
<v Speaker 1>what can I do that's going to be different from

2:34:32.480 --> 2:34:34.720
<v Speaker 1>everything I heard. And everything I heard, I was like, oh,

2:34:34.800 --> 2:34:38.000
<v Speaker 1>this is damn easy. You know why, because the reason

2:34:38.040 --> 2:34:39.800
<v Speaker 1>why he came to me was to try to get

2:34:39.800 --> 2:34:42.279
<v Speaker 1>a single. He was like, YO, give me a single.

2:34:42.600 --> 2:34:44.880
<v Speaker 1>So I gave him a single. Funny shit is it

2:34:45.160 --> 2:34:48.960
<v Speaker 1>wasn't him as a single, so they went with something

2:34:49.000 --> 2:34:53.440
<v Speaker 1>else and it worked out because it was him by himself,

2:34:53.520 --> 2:34:55.480
<v Speaker 1>so it couldn't be a CNN record if it was

2:34:55.560 --> 2:34:58.360
<v Speaker 1>him by himself. If that record was on War Report,

2:34:58.720 --> 2:35:02.440
<v Speaker 1>it could have been a single. But it didn't make

2:35:02.480 --> 2:35:06.960
<v Speaker 1>sense to put the CNN record out without poem. So

2:35:07.320 --> 2:35:09.040
<v Speaker 1>I mean, you know that's the way that worked out.

2:35:09.160 --> 2:35:13.760
<v Speaker 1>Trust me. If that record compone on it, that probably

2:35:13.760 --> 2:35:15.520
<v Speaker 1>would have been for a single because it was it

2:35:15.640 --> 2:35:19.640
<v Speaker 1>was structured like a record like a single. Yes it was,

2:35:19.879 --> 2:35:22.200
<v Speaker 1>And that that's what the that's what he came to

2:35:22.280 --> 2:35:23.920
<v Speaker 1>me for. He's like, give me saying I need a single.

2:35:24.959 --> 2:35:28.040
<v Speaker 1>I'm so scared, And he was scared, and and but

2:35:28.160 --> 2:35:30.400
<v Speaker 1>the thing is the funny Man and the chicks from

2:35:30.520 --> 2:35:32.680
<v Speaker 1>from s WV coming to the studio the other day.

2:35:33.800 --> 2:35:39.600
<v Speaker 1>I was like, I wasn't ready, no, because young dudes,

2:35:40.800 --> 2:35:44.560
<v Speaker 1>you know he's not when I say tell you what

2:35:45.520 --> 2:35:50.120
<v Speaker 1>this is. This is the guy I heard. Dangs, we

2:35:50.120 --> 2:35:53.160
<v Speaker 1>ain't even going to that's we haven't even touched that.

2:35:53.320 --> 2:35:54.280
<v Speaker 1>Am I going there? Right?

2:35:54.640 --> 2:35:57.160
<v Speaker 6>You have to have that's the sec way. You ain't

2:35:57.160 --> 2:35:59.119
<v Speaker 6>going away, Pa, you ain't.

2:35:58.920 --> 2:36:06.680
<v Speaker 1>Going I got you, brother Clark, can't tell him if

2:36:06.680 --> 2:36:07.840
<v Speaker 1>you don't make the d D show. I got you.

2:36:07.920 --> 2:36:08.920
<v Speaker 1>I don't worry about the good.

2:36:13.879 --> 2:36:14.080
<v Speaker 6>Never.

2:36:14.240 --> 2:36:19.200
<v Speaker 1>I won't even touch it. Every thrusting to give me back.

2:36:19.640 --> 2:36:24.120
<v Speaker 1>So it's getting closer, it's getting closer. Never gonna happen.

2:36:24.800 --> 2:36:34.360
<v Speaker 1>So in my mind, damn Dan, Dan said Clark kiss

2:36:34.480 --> 2:36:37.480
<v Speaker 1>coming because I was the biggest day of the day

2:36:38.720 --> 2:36:43.080
<v Speaker 1>Slick Rick fans in the world me and mention the

2:36:43.080 --> 2:36:47.280
<v Speaker 1>Slick is my favorite album. It's my favorite album ever.

2:36:47.760 --> 2:36:52.600
<v Speaker 1>And then Yo, Clark coming to and I know it's name.

2:36:54.720 --> 2:36:57.920
<v Speaker 1>I'm like, so every producer that ever came from the

2:36:57.959 --> 2:37:04.360
<v Speaker 1>workfort like I wanted to shoot them. So you're answered

2:37:04.360 --> 2:37:07.920
<v Speaker 1>my question. It's twenty five was always on it. I

2:37:08.000 --> 2:37:11.280
<v Speaker 1>don't know, I just like shut up, asshole, Like yeah,

2:37:11.440 --> 2:37:14.440
<v Speaker 1>I was just like a death. I feel like you

2:37:14.520 --> 2:37:15.160
<v Speaker 1>can come in here.

2:37:16.959 --> 2:37:19.080
<v Speaker 2>Looking at me at coming there.

2:37:20.240 --> 2:37:22.360
<v Speaker 1>So I felt like that. I felt like I felt

2:37:22.400 --> 2:37:28.000
<v Speaker 1>like what when Clark came in? Clark came was like

2:37:29.280 --> 2:37:31.880
<v Speaker 1>but it felt like an og type of call. I

2:37:31.920 --> 2:37:36.440
<v Speaker 1>felt like, yo, look do that. I get that you

2:37:36.520 --> 2:37:38.080
<v Speaker 1>got because he played the beat and I was just like,

2:37:38.280 --> 2:37:46.080
<v Speaker 1>let's go because that's what I did. Oh the firm

2:37:46.160 --> 2:37:50.560
<v Speaker 1>ship what's the firm ship? Man on the next plane?

2:37:50.680 --> 2:37:54.880
<v Speaker 1>I did as soon as I flu flew fluid and

2:37:55.080 --> 2:37:59.720
<v Speaker 1>I used to write around in jail, so I had

2:37:59.800 --> 2:38:01.400
<v Speaker 1>all wait up the timeline for me.

2:38:02.160 --> 2:38:03.000
<v Speaker 2>At what point you did?

2:38:03.080 --> 2:38:06.920
<v Speaker 1>I'm leaving and I'm leaving right after the war reports,

2:38:07.120 --> 2:38:10.320
<v Speaker 1>right after the war report, after the war report, like

2:38:10.560 --> 2:38:13.280
<v Speaker 1>not war report is out, like right after you finish

2:38:13.480 --> 2:38:14.600
<v Speaker 1>the wordpot is out.

2:38:14.840 --> 2:38:16.360
<v Speaker 2>Okay, okay, so it's out and then.

2:38:16.280 --> 2:38:19.280
<v Speaker 1>You go do that okay, No, No, I know, I'm

2:38:19.320 --> 2:38:20.080
<v Speaker 1>just nous.

2:38:21.400 --> 2:38:21.640
<v Speaker 8>You know what.

2:38:21.720 --> 2:38:23.120
<v Speaker 2>The crazy The.

2:38:23.160 --> 2:38:27.160
<v Speaker 1>Crazy part is is hot or No is hot by

2:38:27.240 --> 2:38:28.720
<v Speaker 1>himself because his pone is locked up.

2:38:29.120 --> 2:38:32.000
<v Speaker 2>So he on the promo run in Miami.

2:38:32.120 --> 2:38:35.800
<v Speaker 1>That's what we meant. I'm just saying that that's.

2:38:34.879 --> 2:38:37.039
<v Speaker 2>How we want, that's how we meet. The promo run

2:38:37.080 --> 2:38:40.160
<v Speaker 2>in Miami, isl he's.

2:38:42.360 --> 2:38:46.240
<v Speaker 1>War He comes to my store, and I don't know

2:38:46.280 --> 2:38:49.080
<v Speaker 1>if he's ever told you this. He was super stressed

2:38:49.680 --> 2:38:51.240
<v Speaker 1>promoting War Report by himself.

2:38:51.360 --> 2:38:54.400
<v Speaker 2>No fact I saw in my store super stressed.

2:38:55.400 --> 2:38:57.520
<v Speaker 1>Wait, why would I know that? And he's not my

2:38:57.640 --> 2:39:02.000
<v Speaker 1>artist because he's my fucking so I know it wasn't

2:39:02.120 --> 2:39:06.280
<v Speaker 1>easy promoting CNN went only the end is there and

2:39:06.360 --> 2:39:10.959
<v Speaker 1>then the sea can't speak for the sea and the way.

2:39:11.320 --> 2:39:14.800
<v Speaker 1>So trust me, I don't even know like if in

2:39:14.959 --> 2:39:17.720
<v Speaker 1>his heart he really wanted to be nor by himself,

2:39:18.680 --> 2:39:20.320
<v Speaker 1>you know what I'm saying. I don't ever think that

2:39:20.560 --> 2:39:22.800
<v Speaker 1>was trust me. When the first time I saw it,

2:39:22.879 --> 2:39:25.720
<v Speaker 1>I was like, that's because Copone is locked up. He

2:39:25.800 --> 2:39:27.680
<v Speaker 1>don't want to do a solo record. It's just that

2:39:28.600 --> 2:39:31.520
<v Speaker 1>CNN War Report was so Niggas looked at that. She

2:39:31.800 --> 2:39:34.000
<v Speaker 1>was like, Nah, that ship. It's almost like he had

2:39:34.040 --> 2:39:39.360
<v Speaker 1>no choice because he had to hold it down. But

2:39:40.400 --> 2:39:44.080
<v Speaker 1>I was around and taking them a drink. Camp should

2:39:44.080 --> 2:39:44.480
<v Speaker 1>we jump on?

2:39:46.240 --> 2:39:49.040
<v Speaker 2>We could jump during the show came No, we still

2:39:49.120 --> 2:39:50.400
<v Speaker 2>we still have to go to the day to day.

2:39:51.760 --> 2:39:54.680
<v Speaker 1>You're not leaving. You talk nothing about day to day. Man,

2:39:55.040 --> 2:39:58.240
<v Speaker 1>I'm here, I'm not drunk.

2:39:58.879 --> 2:40:01.080
<v Speaker 2>I don't know how I'm not drunk yet. But have

2:40:01.160 --> 2:40:01.480
<v Speaker 2>a shot.

2:40:01.520 --> 2:40:05.000
<v Speaker 1>Let's do it. Shot. We can do another politics, all

2:40:05.040 --> 2:40:11.440
<v Speaker 1>three talk. It's a table thing. No, I'm gonna ship God,

2:40:11.480 --> 2:40:12.440
<v Speaker 1>trust me. I'll leave here.

2:40:12.520 --> 2:40:13.920
<v Speaker 2>It's definitely penalty.

2:40:14.680 --> 2:40:16.480
<v Speaker 1>I might be a drink. He listen, you put my

2:40:16.560 --> 2:40:18.920
<v Speaker 1>shot whatever way, hand met hand your cup?

2:40:19.040 --> 2:40:23.960
<v Speaker 6>I want to put so what that Tony tells these

2:40:24.040 --> 2:40:26.440
<v Speaker 6>ends of the twenty minutes rich Tony and d Night

2:40:26.520 --> 2:40:28.200
<v Speaker 6>can take twenty minutes extra d Night.

2:40:28.720 --> 2:40:30.240
<v Speaker 1>It was one of the show the d Knights who

2:40:30.280 --> 2:40:32.800
<v Speaker 1>I love, who came to me told me how to

2:40:32.920 --> 2:40:37.400
<v Speaker 1>do a show. Here you go, brother, you you let

2:40:37.440 --> 2:40:40.920
<v Speaker 1>me four o clocks? Hold on, where's your cup? Clock?

2:40:41.440 --> 2:40:42.680
<v Speaker 2>You told me how to do a show.

2:40:43.320 --> 2:40:47.680
<v Speaker 1>You respect. Imagine right now, even when I was troking

2:40:47.760 --> 2:40:51.360
<v Speaker 1>weed and he was like, I hate that you always

2:40:51.480 --> 2:40:56.320
<v Speaker 1>hung out with me the clock kid, Tonight, We're gonna

2:40:56.680 --> 2:41:00.520
<v Speaker 1>fucking respect you. Thank you, you man, and we're gonna

2:41:00.879 --> 2:41:04.640
<v Speaker 1>honor you the night Clock. And sorry that maybe the

2:41:04.840 --> 2:41:17.520
<v Speaker 1>US a Jersey accident. It's not a us A. He's

2:41:17.760 --> 2:41:22.640
<v Speaker 1>very offended. This is this is the also hip hop

2:41:23.640 --> 2:41:27.200
<v Speaker 1>are mind? And you know what, you are one of

2:41:27.280 --> 2:41:28.080
<v Speaker 1>the most.

2:41:28.600 --> 2:41:32.000
<v Speaker 2>DJs that we You're the most DJs, the.

2:41:32.120 --> 2:41:35.280
<v Speaker 1>One of the the most dj ever whatever that means.

2:41:35.320 --> 2:41:38.880
<v Speaker 2>You have those DJs. I actually liked it, I know.

2:41:39.080 --> 2:41:40.920
<v Speaker 1>But you're coming at me a little bit. You're the

2:41:41.000 --> 2:41:50.640
<v Speaker 1>most sunless the clock. We're gonna honor you, will continue

2:41:50.640 --> 2:41:54.240
<v Speaker 1>to fucking honor you because you know why, why you

2:41:54.440 --> 2:41:57.440
<v Speaker 1>fucking deserve Thank you. I appreciate it, and I don't

2:41:57.480 --> 2:42:00.480
<v Speaker 1>know what I'm about to salute with you. A bonga

2:42:02.360 --> 2:42:02.840
<v Speaker 1>get your shot.

2:42:03.480 --> 2:42:06.200
<v Speaker 2>I'm pulling you a heavy shot. Let's go, you get

2:42:06.959 --> 2:42:11.199
<v Speaker 2>you get the yeah pink bong.

2:42:11.680 --> 2:42:14.760
<v Speaker 1>I listened every week. I listened, listen, face peel like

2:42:14.959 --> 2:42:19.040
<v Speaker 1>my baby on the body.

2:42:19.879 --> 2:42:20.520
<v Speaker 2>Fuck it, let's go.

2:42:20.879 --> 2:42:26.680
<v Speaker 1>I am not going to the couple that I am

2:42:26.760 --> 2:42:34.080
<v Speaker 1>so happy. That's all. That's all him, that's all. That's all.

2:42:34.440 --> 2:42:36.879
<v Speaker 1>That's all clock shouting, shout the mayor, the poor.

2:42:39.440 --> 2:42:40.440
<v Speaker 2>Oh man claw.

2:42:41.160 --> 2:42:42.680
<v Speaker 1>I'm gonna be destroyed by the time.

2:42:42.720 --> 2:42:49.880
<v Speaker 6>You know you're gonna You're gonna ask records, what is

2:42:49.920 --> 2:42:50.840
<v Speaker 6>the Brest brand?

2:42:51.640 --> 2:42:55.160
<v Speaker 1>The brush sneaking, It's the best sneaker brand. That's night.

2:42:55.280 --> 2:42:56.200
<v Speaker 1>I gotta up.

2:42:56.240 --> 2:42:56.600
<v Speaker 15>I like that.

2:42:56.760 --> 2:42:59.680
<v Speaker 1>What's what's the best brand? Like the brand? I like that?

2:43:00.080 --> 2:43:06.360
<v Speaker 1>Uh ad, that's you. That's a that's a send me

2:43:06.440 --> 2:43:06.800
<v Speaker 1>some ship.

2:43:06.920 --> 2:43:07.720
<v Speaker 6>But I get it.

2:43:07.760 --> 2:43:10.480
<v Speaker 1>I'm gonna be honest. I'm going I'm going to question

2:43:10.560 --> 2:43:12.080
<v Speaker 1>and know how I need that, my brother.

2:43:12.200 --> 2:43:15.880
<v Speaker 6>Listen, hold hold on, let me interject real quick, gious,

2:43:17.640 --> 2:43:20.000
<v Speaker 6>what's that you are you having to make a conversation.

2:43:20.600 --> 2:43:23.960
<v Speaker 1>I don't make a conversation. What's you I'm telling you?

2:43:24.680 --> 2:43:27.280
<v Speaker 6>No, no, no, I forgot see it. Just hit me

2:43:27.360 --> 2:43:29.480
<v Speaker 6>with I'm not drunk you No, no, no, hold on, brother,

2:43:29.720 --> 2:43:33.120
<v Speaker 6>you got the Pharrel plug. That's the real Adida plug.

2:43:33.760 --> 2:43:35.440
<v Speaker 6>I need that shout to push the to who's my

2:43:35.520 --> 2:43:39.760
<v Speaker 6>man and the man you have the pharl plug? That

2:43:39.920 --> 2:43:42.000
<v Speaker 6>means you got the human racist with the Japanese writing

2:43:42.080 --> 2:43:44.400
<v Speaker 6>on them. No, I'm calling you out right now. No, no, no, no,

2:43:44.600 --> 2:43:51.800
<v Speaker 6>I need no no listen, let's listen in your interview

2:43:51.879 --> 2:43:52.120
<v Speaker 6>right now.

2:43:53.240 --> 2:43:58.520
<v Speaker 1>Feedback. I need you sounds like I want to that.

2:43:58.680 --> 2:44:01.640
<v Speaker 1>I no, no, I'm not pausing. I need you. No

2:44:02.280 --> 2:44:02.680
<v Speaker 1>respect you.

2:44:02.800 --> 2:44:03.680
<v Speaker 2>There's no pausing in it.

2:44:04.320 --> 2:44:07.560
<v Speaker 1>Here's the problem with the problem was with Puerto Rican.

2:44:08.240 --> 2:44:11.000
<v Speaker 1>You Puerto Rican black, Puerto Rican Italian. Puerto Rican didn't

2:44:11.000 --> 2:44:15.520
<v Speaker 1>pay attention N and I don't then N, I did

2:44:15.600 --> 2:44:22.040
<v Speaker 1>not pay. You don't speak no, God damn forget Italian.

2:44:22.480 --> 2:44:24.560
<v Speaker 2>Speak to me Italian. I know you got pro run

2:44:24.680 --> 2:44:25.320
<v Speaker 2>on speed dial.

2:44:25.480 --> 2:44:30.000
<v Speaker 1>I need you. No, No, I'm not pausing plugs. I'm

2:44:30.080 --> 2:44:33.640
<v Speaker 1>too old for that pouls ship right now. I need you, brother, to.

2:44:35.560 --> 2:44:35.760
<v Speaker 11>Go on.

2:44:40.120 --> 2:44:41.200
<v Speaker 1>There's no relax. I need you.

2:44:42.000 --> 2:44:42.400
<v Speaker 6>I need that.

2:44:42.760 --> 2:44:44.760
<v Speaker 1>No, I did not. I didn't. Now you know you

2:44:44.879 --> 2:44:45.440
<v Speaker 1>know it's real.

2:44:45.560 --> 2:44:46.480
<v Speaker 2>You have the plug.

2:44:47.160 --> 2:44:49.480
<v Speaker 1>See this, this is this is ship that rappers don't understand.

2:44:49.840 --> 2:44:52.640
<v Speaker 2>That really got the road, You really got cheat codes.

2:44:52.920 --> 2:44:54.960
<v Speaker 2>I need you, brother, So listen.

2:44:55.959 --> 2:44:58.039
<v Speaker 1>He told me my package is gonna arrivee in.

2:45:01.120 --> 2:45:01.760
<v Speaker 2>Gee Christ.

2:45:01.760 --> 2:45:02.840
<v Speaker 1>Where the funk are we? Right?

2:45:04.040 --> 2:45:07.000
<v Speaker 2>Weird hazardous sounds and I need to plug chill.

2:45:09.000 --> 2:45:10.879
<v Speaker 6>You're gonna DJ and a little why you're gonna accidentally

2:45:10.920 --> 2:45:13.160
<v Speaker 6>scratch like nine records because you're halfway through a bottle

2:45:13.160 --> 2:45:14.560
<v Speaker 6>of patron Hold listen, I.

2:45:14.600 --> 2:45:18.160
<v Speaker 1>Just want to get things slipped you. We're gonna go

2:45:18.320 --> 2:45:23.119
<v Speaker 1>past my hotel and I'm there. You feed you top weight.

2:45:24.720 --> 2:45:27.039
<v Speaker 1>I said you would have dropped me to the hotel.

2:45:27.120 --> 2:45:32.080
<v Speaker 6>If mister Lee is busy, I got you, Uper excel,

2:45:32.160 --> 2:45:34.400
<v Speaker 6>I got you, you got your Trump, whatever you want,

2:45:34.600 --> 2:45:34.960
<v Speaker 6>I got you.

2:45:35.280 --> 2:45:35.520
<v Speaker 1>Listen.

2:45:35.800 --> 2:45:40.920
<v Speaker 6>Why can't I just say it? Let's listen killing me?

2:45:41.160 --> 2:45:43.280
<v Speaker 6>You know right now, I don't care about your ride

2:45:43.320 --> 2:45:46.040
<v Speaker 6>back to the hotel. I care about no real Farrell DJ.

2:45:46.440 --> 2:45:50.480
<v Speaker 6>Can't you care about I can't.

2:45:51.959 --> 2:45:56.640
<v Speaker 1>It's my hero right now. And the packages be packages

2:45:56.720 --> 2:45:58.360
<v Speaker 1>whatever you want to call it. You know, we don't

2:45:58.360 --> 2:46:01.280
<v Speaker 1>even want to talk about this because he said they

2:46:01.320 --> 2:46:03.600
<v Speaker 1>don't even want to talk about this. You're talking about

2:46:03.600 --> 2:46:05.600
<v Speaker 1>the text messages will be so extra.

2:46:06.400 --> 2:46:08.840
<v Speaker 2>No, the Texas will be so extra tonight.

2:46:08.959 --> 2:46:11.600
<v Speaker 1>I need you. I leave, I leave. I'll leave it

2:46:11.640 --> 2:46:14.600
<v Speaker 1>to uh the Niggers. I love you.

2:46:15.600 --> 2:46:16.760
<v Speaker 2>He just called you a Bronx snake.

2:46:16.840 --> 2:46:20.880
<v Speaker 1>Hold on, don't bronx nake. I heard brons that's what

2:46:20.959 --> 2:46:25.119
<v Speaker 1>you're gonna ever hear my drunk drunk drunk, got drunk.

2:46:25.480 --> 2:46:31.400
<v Speaker 1>Her brother rewinded me everybody else that ship. I'm gonna

2:46:31.440 --> 2:46:41.680
<v Speaker 1>hit it. I hit it, okay exactly. This clock contact

2:46:41.840 --> 2:46:45.039
<v Speaker 1>is really high. I'm fucked up right now. Your clock

2:46:45.120 --> 2:46:49.640
<v Speaker 1>can't the mayor ball the mayor all sneakers to the

2:46:49.760 --> 2:46:50.920
<v Speaker 1>thirty seven.

2:46:51.360 --> 2:46:55.960
<v Speaker 6>Eight hundred thirty seven is an amazing number.

2:46:56.400 --> 2:46:57.119
<v Speaker 1>That's a great job.

2:46:57.200 --> 2:47:01.840
<v Speaker 2>But I agree to that number. You're killing the game play.

2:47:02.879 --> 2:47:07.400
<v Speaker 1>You fucking ill be. I want to respect.

2:47:09.520 --> 2:47:15.160
<v Speaker 15>Currency changes from culture because because he's smart, he's smart

2:47:15.280 --> 2:47:16.080
<v Speaker 15>like that.

2:47:20.360 --> 2:47:21.560
<v Speaker 1>To everybody's ideology.

2:47:21.640 --> 2:47:24.760
<v Speaker 6>Here, wait a minute, he's good.

2:47:25.160 --> 2:47:25.640
<v Speaker 2>It's good.

2:47:25.800 --> 2:47:32.720
<v Speaker 22>Relax, you know, Medal, that's his act. Keep going with

2:47:32.760 --> 2:47:36.760
<v Speaker 22>the act, buddy, you got to relax. But listen, let's

2:47:36.800 --> 2:47:40.520
<v Speaker 22>take another shot. I let's go the you're just talking

2:47:40.560 --> 2:47:45.200
<v Speaker 22>about about what about it that I'm drunk? What about

2:47:46.440 --> 2:47:48.640
<v Speaker 22>With all due respect, I'm not drinking. I don't give

2:47:48.680 --> 2:47:51.400
<v Speaker 22>a funk what y'all say. Drinking one much from Brooklyn?

2:47:51.440 --> 2:47:53.800
<v Speaker 1>You know you can tell me you got to relax

2:47:53.959 --> 2:47:55.760
<v Speaker 1>the Brooklyn I mean, I don't think. I don't think

2:47:57.000 --> 2:48:00.880
<v Speaker 1>drink with your brother, your brother ploral were ship worked

2:48:00.920 --> 2:48:04.800
<v Speaker 1>in the nineties. You want to know what's crazy from Brooklyn?

2:48:05.160 --> 2:48:07.760
<v Speaker 1>Like like peer pressure on funk with me. I never

2:48:07.879 --> 2:48:12.280
<v Speaker 1>forgot pears, like say, you know what's I'm not even lessen.

2:48:12.280 --> 2:48:13.560
<v Speaker 2>I'm just pulling a clock shot.

2:48:13.400 --> 2:48:15.640
<v Speaker 1>And you're gonna lose. B I'm not drinking any guys

2:48:15.760 --> 2:48:18.359
<v Speaker 1>biting each other? Do you want to bite.

2:48:21.000 --> 2:48:21.280
<v Speaker 15>Glass?

2:48:23.879 --> 2:48:29.000
<v Speaker 1>Yeah? You what's really good? Big, We're good. You know

2:48:29.120 --> 2:48:30.800
<v Speaker 1>that I love you to the left out.

2:48:30.959 --> 2:48:34.600
<v Speaker 4>You don't love you no more ever love each other, everybody, Harward,

2:48:35.000 --> 2:48:40.320
<v Speaker 4>let's go, let's go. Come your glass right there, Bama,

2:48:42.280 --> 2:48:56.480
<v Speaker 4>not gonna take it easy. You sitting the scratch now.

2:48:56.840 --> 2:49:00.360
<v Speaker 1>Let's all do expect. This is a motherfucker who has

2:49:00.520 --> 2:49:01.640
<v Speaker 1>nothing to do right now.

2:49:01.720 --> 2:49:04.960
<v Speaker 2>Make him Jay, I changed my flight with you.

2:49:05.120 --> 2:49:11.560
<v Speaker 1>Let's go listen. Check this out. You're my brother, a

2:49:20.000 --> 2:49:20.360
<v Speaker 1>fake that.

2:49:22.360 --> 2:49:24.440
<v Speaker 6>You're worry If I don't get a podcast behind this ship,

2:49:24.480 --> 2:49:26.680
<v Speaker 6>I'm gonna be a little I'm.

2:49:26.560 --> 2:49:27.160
<v Speaker 1>Reading back.

2:49:29.280 --> 2:49:29.640
<v Speaker 12>Somebody.

2:49:30.040 --> 2:49:33.320
<v Speaker 1>Hold y'all, Hold y'all, I really ever on that listen.

2:49:33.600 --> 2:49:35.200
<v Speaker 1>I know you're a little funked up, but remember this

2:49:35.280 --> 2:49:37.879
<v Speaker 1>podcast was legends. I was a part of this. We're

2:49:37.920 --> 2:49:41.680
<v Speaker 1>doing it checking the simber guy over here. That's right.

2:49:42.240 --> 2:49:47.039
<v Speaker 6>Yeah, No, I'm gonna call you club really last punk.

2:49:48.879 --> 2:49:50.360
<v Speaker 2>You're out, Clark.

2:49:51.080 --> 2:49:55.640
<v Speaker 1>You miss what I said? Joey? What about Joey? What

2:49:55.720 --> 2:49:59.840
<v Speaker 1>do you think? Shout the established that style tea record

2:49:59.840 --> 2:50:03.640
<v Speaker 1>this crazy bike around his as that that's I ain't

2:50:03.640 --> 2:50:05.960
<v Speaker 1>got nothing bad to say about Joey bart Brooklyn. Is

2:50:05.959 --> 2:50:10.800
<v Speaker 1>he from Flappers? I think yeah, maybe is it flap?

2:50:11.200 --> 2:50:13.360
<v Speaker 1>I think he's from Flappers. She's only bad asking. He

2:50:13.400 --> 2:50:15.120
<v Speaker 1>got a joint with j Cole and he got a

2:50:15.160 --> 2:50:16.040
<v Speaker 1>joint with stous Peak.

2:50:16.240 --> 2:50:19.360
<v Speaker 6>Both of them ships his legend shout the static selected

2:50:19.400 --> 2:50:20.400
<v Speaker 6>them ships is legend.

2:50:21.560 --> 2:50:24.160
<v Speaker 1>That's a producible. I don't know if he produced him

2:50:24.200 --> 2:50:26.879
<v Speaker 1>or not. He produced stous joint. I know that Joy's dope.

2:50:28.360 --> 2:50:31.040
<v Speaker 1>Where are you going with this? I'll just asking you

2:50:31.320 --> 2:50:32.160
<v Speaker 1>heard about Cushing?

2:50:33.080 --> 2:50:36.640
<v Speaker 2>What what you said? I'm your business partner right.

2:50:36.560 --> 2:50:44.200
<v Speaker 1>Now, and I definitely just my questions. Okay, now's next.

2:50:50.240 --> 2:50:51.360
<v Speaker 1>And that was like I don't speak.

2:50:55.080 --> 2:51:01.920
<v Speaker 23>He said, if I do the club, I'm gonna break

2:51:01.959 --> 2:51:05.280
<v Speaker 23>somebody's jaw. I promise you, you're break the job.

2:51:05.600 --> 2:51:10.080
<v Speaker 6>Promise you hearing, I said, Michael, I said, we got

2:51:10.160 --> 2:51:11.080
<v Speaker 6>you the air conditioner.

2:51:12.480 --> 2:51:14.560
<v Speaker 1>I keep it one with all due respect, you did

2:51:14.720 --> 2:51:16.680
<v Speaker 1>not get us the air conditioner. They got you the

2:51:16.760 --> 2:51:19.960
<v Speaker 1>air conditioner. Move the ship over here. I'm not there.

2:51:22.320 --> 2:51:25.160
<v Speaker 1>It's amazing. If I every way, it would be dry

2:51:25.320 --> 2:51:28.960
<v Speaker 1>right now. I got that flock.

2:51:29.320 --> 2:51:34.200
<v Speaker 6>Listen, you know what awesome. Gu I'm good I'm not

2:51:34.240 --> 2:51:36.320
<v Speaker 6>gonna make it the puff party tonight. I'm going to

2:51:36.360 --> 2:51:39.800
<v Speaker 6>your we go to all parties, all party.

2:51:39.840 --> 2:51:43.280
<v Speaker 1>I'm not going I got your word one party, ain't you?

2:51:45.959 --> 2:51:49.440
<v Speaker 2>I got your Come on, there's no word. I'll tell

2:51:49.480 --> 2:51:52.920
<v Speaker 2>you everywhere the six Just.

2:51:53.000 --> 2:51:55.360
<v Speaker 1>What are we at? Where we at right now? Day

2:51:55.440 --> 2:51:57.600
<v Speaker 1>to day? I ain't forget day to day. Let's looking

2:51:57.680 --> 2:52:05.640
<v Speaker 1>some more fast man? Sooners got there stories?

2:52:06.760 --> 2:52:07.680
<v Speaker 2>Why why not.

2:52:09.520 --> 2:52:10.199
<v Speaker 1>Anything about.

2:52:22.480 --> 2:52:22.680
<v Speaker 11>Day?

2:52:22.879 --> 2:52:23.280
<v Speaker 1>My guy?

2:52:23.800 --> 2:52:24.440
<v Speaker 2>How did that happen?

2:52:24.879 --> 2:52:27.360
<v Speaker 1>It happened because I was DJing at a talent show

2:52:27.400 --> 2:52:30.160
<v Speaker 1>at Washington or in high school and those record that

2:52:30.560 --> 2:52:32.920
<v Speaker 1>just dropped and he came to the school and he

2:52:33.080 --> 2:52:35.560
<v Speaker 1>was going to perform for the crowd, and he asked

2:52:35.600 --> 2:52:37.800
<v Speaker 1>me if I could drop the record, And the way

2:52:37.840 --> 2:52:42.320
<v Speaker 1>that I dropped the record made him say, Yo, you

2:52:42.400 --> 2:52:44.320
<v Speaker 1>know that that was perfect? Do you think you could

2:52:45.040 --> 2:52:47.879
<v Speaker 1>like do that for me at another at another place?

2:52:48.000 --> 2:52:51.680
<v Speaker 1>Pause a little little sexpect right there, But anyway, he

2:52:51.760 --> 2:52:54.080
<v Speaker 1>asked me if I could you know DJ form at

2:52:54.120 --> 2:52:57.520
<v Speaker 1>another place? And I said sure, and I did, And

2:52:57.800 --> 2:53:00.720
<v Speaker 1>from that point on I was his DJ day to

2:53:00.840 --> 2:53:09.959
<v Speaker 1>day with Danny Day met me? You got Danny Day

2:53:10.040 --> 2:53:14.040
<v Speaker 1>met me? J Clark What meant he met me being

2:53:14.160 --> 2:53:16.480
<v Speaker 1>DJ Clark and I was already d J Clark when

2:53:16.480 --> 2:53:19.320
<v Speaker 1>he met me, So it wasn't he put me on thing.

2:53:19.480 --> 2:53:22.160
<v Speaker 1>It was a He was like, yo, can can you

2:53:22.240 --> 2:53:28.680
<v Speaker 1>come along with fame? What fan? Yep, Dan dang with fame?

2:53:28.800 --> 2:53:32.119
<v Speaker 1>Here the entertained. By the time I leave, you remember

2:53:32.160 --> 2:53:48.880
<v Speaker 1>my name? The next question I got, I got a

2:53:48.959 --> 2:53:51.720
<v Speaker 1>man questions because I want the world to hear what

2:53:51.840 --> 2:53:53.760
<v Speaker 1>I know. All right, you gotta.

2:53:55.760 --> 2:54:01.959
<v Speaker 2>It's your show. I got to ship ship.

2:54:08.800 --> 2:54:14.160
<v Speaker 1>There was no no, no, I ask nothing interview. I'm

2:54:14.200 --> 2:54:17.720
<v Speaker 1>an interviewer. So there was a point in life.

2:54:18.760 --> 2:54:22.000
<v Speaker 6>Talk about when you when you told the world that

2:54:22.160 --> 2:54:25.520
<v Speaker 6>jay Z was the best MC ever. You told Grand

2:54:25.600 --> 2:54:27.800
<v Speaker 6>Master Kaz that Yeah, and if I'm not mistake, you

2:54:27.840 --> 2:54:28.720
<v Speaker 6>told me that too.

2:54:30.120 --> 2:54:34.520
<v Speaker 1>I didn't necessarily tell them both because I was trying

2:54:34.520 --> 2:54:37.360
<v Speaker 1>to tell them. What I did was I said at

2:54:37.400 --> 2:54:40.040
<v Speaker 1>the New Music Seminar, while the MC battle was going on,

2:54:40.320 --> 2:54:43.600
<v Speaker 1>is that a Jack the Rapper thingland New Music Seminar.

2:54:45.040 --> 2:54:46.840
<v Speaker 1>Jay was with me and I turned and I said

2:54:46.840 --> 2:54:48.440
<v Speaker 1>to him, by the way, this is the best MC

2:54:48.600 --> 2:54:51.000
<v Speaker 1>in the world. Then we kept going with the m

2:54:51.080 --> 2:54:54.400
<v Speaker 1>C battling. By that at the time of the by

2:54:54.480 --> 2:54:58.240
<v Speaker 1>the time the battle was over, Grand Masters and Mellie

2:54:58.320 --> 2:55:01.680
<v Speaker 1>Melwo off to the side of the state. And these

2:55:01.720 --> 2:55:04.680
<v Speaker 1>are my guys, like the god known Grandmaster Kaz for

2:55:05.240 --> 2:55:08.080
<v Speaker 1>a lot of my life and Mel for a lot

2:55:08.120 --> 2:55:13.360
<v Speaker 1>of my originators. Yeah, yeah, was the first best MC ever.

2:55:13.600 --> 2:55:14.520
<v Speaker 6>That's why I brought this up.

2:55:14.879 --> 2:55:18.920
<v Speaker 1>So he says, Nigga, what the fuck is you talking about?

2:55:19.040 --> 2:55:22.680
<v Speaker 1>And Mel was like, nigga, you see me staying there, like,

2:55:22.760 --> 2:55:24.360
<v Speaker 1>how the fuck are you just gonna say some crazy

2:55:24.360 --> 2:55:27.520
<v Speaker 1>ship like that? And you have to understand, like, these

2:55:27.560 --> 2:55:30.360
<v Speaker 1>are guys that I have respect for, and I look

2:55:30.400 --> 2:55:33.640
<v Speaker 1>at like, nah, you guys are the forefront of the culture.

2:55:34.040 --> 2:55:38.360
<v Speaker 1>Think about this. If there's no message, there's no gangster rap.

2:55:38.879 --> 2:55:41.680
<v Speaker 1>There's a lot of things no no, no, no, no,

2:55:42.040 --> 2:55:44.800
<v Speaker 1>no no, A lot of things would have happened. But

2:55:45.280 --> 2:55:48.039
<v Speaker 1>that was the record when he said what he said

2:55:48.080 --> 2:55:49.200
<v Speaker 1>on the message, and the.

2:55:49.240 --> 2:55:54.200
<v Speaker 11>Fact might have been called reality reality, but all is

2:55:54.280 --> 2:55:55.280
<v Speaker 11>reality right right right right.

2:55:55.440 --> 2:55:57.560
<v Speaker 1>So my thing is, if you don't hear this first

2:55:57.640 --> 2:56:02.480
<v Speaker 1>reality rap record, do you ever get to CNN ever?

2:56:02.640 --> 2:56:04.680
<v Speaker 1>Do you ever get to n w A, Do you

2:56:04.800 --> 2:56:05.920
<v Speaker 1>ever get to Schoolly D?

2:56:06.760 --> 2:56:06.800
<v Speaker 6>No?

2:56:07.080 --> 2:56:11.960
<v Speaker 1>You don't the first reality rap record that that you

2:56:12.120 --> 2:56:15.440
<v Speaker 1>can know that broke through and made it.

2:56:15.520 --> 2:56:16.720
<v Speaker 2>They did white lines to right.

2:56:17.280 --> 2:56:21.480
<v Speaker 1>Yeah, but that was after the message No, no, no, no,

2:56:21.760 --> 2:56:25.040
<v Speaker 1>it's not that lineage don't matter. What matters is the

2:56:25.200 --> 2:56:31.760
<v Speaker 1>message was made. People heard a child that ship this guy.

2:56:32.480 --> 2:56:33.080
<v Speaker 17>No, no, no no.

2:56:33.320 --> 2:56:36.280
<v Speaker 1>The bottom line is on a record, you heard pretty

2:56:36.400 --> 2:56:39.160
<v Speaker 1>lady living in a bag. You know what I'm saying.

2:56:39.280 --> 2:56:42.400
<v Speaker 1>You heard may tag, You heard all kinds of crazy

2:56:42.480 --> 2:56:46.400
<v Speaker 1>shit on this one record that wasn't Yeah, We're gonna

2:56:46.440 --> 2:56:48.360
<v Speaker 1>go to the party, were gonna botlems, We're gonna get

2:56:48.400 --> 2:56:50.640
<v Speaker 1>drunk and we're gonna have a party, because every record

2:56:50.680 --> 2:56:56.000
<v Speaker 1>before that was that until Melly Mellan Duke Booty made

2:56:56.040 --> 2:57:03.160
<v Speaker 1>the message rap changes. I mean anything that anything that

2:57:03.280 --> 2:57:06.240
<v Speaker 1>you would have said was reality became gangster rap, which

2:57:06.280 --> 2:57:08.680
<v Speaker 1>is corny because it should all be called reality rap.

2:57:09.959 --> 2:57:12.360
<v Speaker 6>After after you told him Jay was the best ever,

2:57:13.160 --> 2:57:15.760
<v Speaker 6>what's going to be the best ever? How long after

2:57:15.840 --> 2:57:17.119
<v Speaker 6>did they sit there and tell you that they.

2:57:17.080 --> 2:57:21.920
<v Speaker 1>Agree with you? Oh? Maybe about about three years later.

2:57:22.640 --> 2:57:27.640
<v Speaker 1>There was a there was a Zulu There was a

2:57:27.760 --> 2:57:33.920
<v Speaker 1>Zulu anniversary conference, and the Bronx I was actually in

2:57:33.959 --> 2:57:39.360
<v Speaker 1>Manhattan and Grandmaster Kas had a table in it where

2:57:39.400 --> 2:57:48.560
<v Speaker 1>he was selling Grand h all of like like Grandmaster

2:57:48.640 --> 2:57:54.760
<v Speaker 1>Cads had a table full of tapes of Phyllis, Phyllis four,

2:57:54.959 --> 2:58:03.600
<v Speaker 1>Fantastic five, Furious five, Current Cat for sim C's Cold

2:58:03.640 --> 2:58:07.320
<v Speaker 1>Crush Brothers. He had this table where he was selling

2:58:07.480 --> 2:58:11.039
<v Speaker 1>actual cassette copies of the old school jams that were

2:58:11.120 --> 2:58:15.160
<v Speaker 1>on tapes back in the days. At this at this

2:58:16.080 --> 2:58:19.560
<v Speaker 1>at the Zulu Anniversary. And I walked into the Zulu

2:58:19.640 --> 2:58:22.960
<v Speaker 1>Niversity and I see Kaz and I'm like, damn, I

2:58:23.360 --> 2:58:25.080
<v Speaker 1>don't know if I could speak to my man, who

2:58:25.120 --> 2:58:27.000
<v Speaker 1>I've known since I was a young boy, is he

2:58:27.120 --> 2:58:28.280
<v Speaker 1>gonna still be like what up?

2:58:28.320 --> 2:58:29.960
<v Speaker 2>And he was like, Yo, let me talk to you.

2:58:30.560 --> 2:58:36.360
<v Speaker 1>And I'm like shit. So we go over to the side.

2:58:36.360 --> 2:58:38.280
<v Speaker 1>He was like, Yo, I just want to tell you something. Man.

2:58:39.879 --> 2:58:42.200
<v Speaker 1>He was right about jay Z. And I was like shit.

2:58:44.120 --> 2:58:47.520
<v Speaker 1>So everything I was trying to tell y'all, tell y'all, like, dude,

2:58:47.680 --> 2:58:50.440
<v Speaker 1>is like really that deal? Like nobody would listen to

2:58:50.560 --> 2:58:54.400
<v Speaker 1>me and understand me. Like jay Z had come out

2:58:54.920 --> 2:58:58.840
<v Speaker 1>second album, were rocking, nobody could tell me anything. You

2:58:59.120 --> 2:59:00.600
<v Speaker 1>say what you want to say, feel how you want

2:59:00.600 --> 2:59:02.800
<v Speaker 1>to feel. I knew I was right. Jay Z is

2:59:02.879 --> 2:59:06.920
<v Speaker 1>killing it, and then Grandmaster says, who you was right

2:59:06.959 --> 2:59:10.360
<v Speaker 1>about jay Z? To me that damn nar was my

2:59:10.440 --> 2:59:14.640
<v Speaker 1>grammy because he's Grandmaster Kasz. He's the first MC that

2:59:14.879 --> 2:59:19.440
<v Speaker 1>I looked at and was like, he's the best. Even

2:59:19.520 --> 2:59:23.080
<v Speaker 1>though Ratt would look at Melly Mellon go he was

2:59:23.160 --> 2:59:27.960
<v Speaker 1>the best. I looked at Katz and was like, I

2:59:28.360 --> 2:59:32.440
<v Speaker 1>really like Melly Melo, but I think he's the best.

2:59:33.920 --> 2:59:38.120
<v Speaker 1>So the first best MC came to me and said, yo,

2:59:38.240 --> 2:59:42.320
<v Speaker 1>you was right about jay Z. Karas One tried to

2:59:42.360 --> 2:59:44.240
<v Speaker 1>tell me I was bugging when I was talking about

2:59:44.520 --> 2:59:47.920
<v Speaker 1>when I was talking about jay Z, he did.

2:59:48.040 --> 2:59:52.039
<v Speaker 2>We was in the studio, we were at I never

2:59:52.080 --> 2:59:54.199
<v Speaker 2>heard that he knew he was dope.

2:59:56.640 --> 3:00:00.920
<v Speaker 1>One was making a record called five Boroughs and he

3:00:01.160 --> 3:00:03.680
<v Speaker 1>was like, yeah, I'm gonna put the Dots effects Dots

3:00:03.720 --> 3:00:05.680
<v Speaker 1>effects on it. I was like, yo, you sho, you

3:00:05.680 --> 3:00:07.840
<v Speaker 1>should put jay Z on it. He was like why

3:00:08.760 --> 3:00:11.360
<v Speaker 1>and I was like what, Like what the fuck are

3:00:11.440 --> 3:00:16.400
<v Speaker 1>you talking about? Like I said, dog, jay Z is

3:00:16.959 --> 3:00:18.199
<v Speaker 1>that nigga?

3:00:18.400 --> 3:00:18.440
<v Speaker 11>Like?

3:00:18.560 --> 3:00:20.920
<v Speaker 1>He was like, I don't know what you see clock

3:00:21.800 --> 3:00:25.880
<v Speaker 1>And I was like, you from Brooklyn. Yeah, understand me.

3:00:25.920 --> 3:00:28.360
<v Speaker 1>He was making a record called five Rows, so it

3:00:28.400 --> 3:00:30.800
<v Speaker 1>would have been somebody from Brooklyn, you know, standing down

3:00:30.879 --> 3:00:33.360
<v Speaker 1>in Queen's line. You know what I'm saying. He chose

3:00:33.440 --> 3:00:35.600
<v Speaker 1>Dos and I was looking at him like, dog, I'm

3:00:35.640 --> 3:00:38.120
<v Speaker 1>not mad at you choosing Dos because they're from Brooklyn,

3:00:38.280 --> 3:00:40.880
<v Speaker 1>so I'm not mad period, but dog, like jay Z

3:00:41.120 --> 3:00:43.440
<v Speaker 1>is an inferno, like you might want to use it.

3:00:43.760 --> 3:00:45.640
<v Speaker 1>He was like why, I don't get it? And I

3:00:45.760 --> 3:00:53.800
<v Speaker 1>was just like, what you put a bridge? He should

3:00:53.840 --> 3:00:57.000
<v Speaker 1>have moved, like you know what I'm saying, like you what,

3:00:57.240 --> 3:00:58.960
<v Speaker 1>what the fuck are you listening to? That? You can't

3:00:59.000 --> 3:01:02.320
<v Speaker 1>say that dude is super nice, Like he's not nice

3:01:02.360 --> 3:01:04.920
<v Speaker 1>on a regular level. He's like nice on the level

3:01:04.959 --> 3:01:08.400
<v Speaker 1>that you can't even come close to, Like he's like

3:01:08.560 --> 3:01:13.360
<v Speaker 1>nice somewhere else, like if there's an alternate Earth, Jay's

3:01:13.400 --> 3:01:16.920
<v Speaker 1>there by himself. You know what I'm saying, Like, what

3:01:17.040 --> 3:01:20.320
<v Speaker 1>the nicer you talking about? So when you say that

3:01:20.520 --> 3:01:23.000
<v Speaker 1>to me, get to understand. I'm the guy who's standing

3:01:23.080 --> 3:01:25.600
<v Speaker 1>in front going nah, nigga, you can't fuck with hole.

3:01:26.440 --> 3:01:32.920
<v Speaker 1>But then you tell me that, like you what, come

3:01:32.959 --> 3:01:35.040
<v Speaker 1>on and stop it? Then you deserve a smack on

3:01:35.080 --> 3:01:39.680
<v Speaker 1>the hand for that, like, let your jealousy together the way.

3:01:48.640 --> 3:01:56.680
<v Speaker 14>I like that.

3:01:57.000 --> 3:02:01.880
<v Speaker 1>Man, you don't know what you was talking about? Do

3:02:01.959 --> 3:02:04.160
<v Speaker 1>you will tell them what that? Tell him?

3:02:05.959 --> 3:02:08.640
<v Speaker 2>Just tell him, no, just tell him.

3:02:11.480 --> 3:02:19.520
<v Speaker 1>Fuck. I'm like, fuck my nigga, Yeah, fuck, can't there's

3:02:20.640 --> 3:02:27.680
<v Speaker 1>anything better? Then we keep continue to praise and respect

3:02:30.480 --> 3:02:34.480
<v Speaker 1>and your presence has rung us to the drink champs.

3:02:35.560 --> 3:02:39.120
<v Speaker 1>And we love you. We love everything you represent. You

3:02:39.200 --> 3:02:42.600
<v Speaker 1>love everything you had a part to be a part of.

3:02:43.160 --> 3:02:48.640
<v Speaker 1>And you are you doing? Yo? Come on, guys, guy.

3:02:50.000 --> 3:02:50.560
<v Speaker 2>Talk over here.

3:02:50.640 --> 3:02:54.800
<v Speaker 1>Man. You love everything that Clark Kent is a part

3:02:54.920 --> 3:02:58.240
<v Speaker 1>of the work. Clark Kent, He's sitting here like a

3:02:59.120 --> 3:03:06.120
<v Speaker 1>red devil blood God the fuck are you talking about

3:03:06.240 --> 3:03:09.840
<v Speaker 1>right now? You know you're in the gang world, yo.

3:03:10.040 --> 3:03:12.480
<v Speaker 1>I guess because I would like to say Norway, thanks

3:03:12.520 --> 3:03:16.160
<v Speaker 1>for having me, Maya, thanks for for for for Convict

3:03:17.560 --> 3:03:20.080
<v Speaker 1>and EFN you know you, my nigga. I don't know

3:03:20.120 --> 3:03:22.560
<v Speaker 1>what the funck he is talking about right now? What

3:03:22.800 --> 3:03:26.200
<v Speaker 1>gangs like? Thank you for having me? You went to the.

3:03:28.920 --> 3:03:33.160
<v Speaker 2>House then put your album?

3:03:33.959 --> 3:03:38.200
<v Speaker 1>Can't thank you for being here? You want a blame Chancellor,

3:03:38.360 --> 3:03:43.240
<v Speaker 1>m me, you wanted to work. Verse very first people

3:03:44.000 --> 3:03:48.520
<v Speaker 1>who sat down with me and told me relas so

3:03:48.640 --> 3:03:52.840
<v Speaker 1>you had to make a record six hundred balls. Wait,

3:03:53.920 --> 3:03:58.160
<v Speaker 1>y'all need to do a record together. Now you got

3:03:58.280 --> 3:04:04.040
<v Speaker 1>ala ship the work. Let's have that happened, like I

3:04:04.120 --> 3:04:08.560
<v Speaker 1>love that's we're doing it already. All right then I'm

3:04:08.560 --> 3:04:16.279
<v Speaker 1>a fucking prophet. You gotta relax. I don't be honest,

3:04:16.400 --> 3:04:19.440
<v Speaker 1>I don't cigarette. I'm no a no talk. I'm not

3:04:19.480 --> 3:04:24.560
<v Speaker 1>going just trust me. I'm not the manager. But no, no,

3:04:26.240 --> 3:04:28.400
<v Speaker 1>thank you so much, thank you for having me, Bro,

3:04:28.800 --> 3:04:31.560
<v Speaker 1>Thank you your man. I know this is a pleasure.

3:04:31.600 --> 3:04:34.680
<v Speaker 10>Was to thank you for having it one year anniversary.

3:04:34.920 --> 3:04:44.520
<v Speaker 10>I'm advisity nice, Okay, thank you so much. I appreciate you.

3:04:44.879 --> 3:04:48.560
<v Speaker 1>Listen, I just want to say thank you for having

3:04:49.440 --> 3:04:53.320
<v Speaker 1>me here. And it's an honor to be your one

3:04:53.400 --> 3:04:54.960
<v Speaker 1>year anniversary guests.

3:04:55.200 --> 3:04:58.480
<v Speaker 2>Let's take let's take a shout to that no shot.

3:05:00.080 --> 3:05:02.280
<v Speaker 1>Up yo. Let you know, lets you know you're from

3:05:02.320 --> 3:05:05.680
<v Speaker 1>the Brolet's mind, you know what's just no, no, no,

3:05:05.879 --> 3:05:09.760
<v Speaker 1>I officially ain't ship for real. No, you really take this,

3:05:10.400 --> 3:05:13.320
<v Speaker 1>y'all have taken not taking a shot y'all, ain't you

3:05:13.360 --> 3:05:16.600
<v Speaker 1>gotta ship? Cluck. You gotta walk away from just take

3:05:18.040 --> 3:05:20.240
<v Speaker 1>want we gotta take pictures. Then you gotta take pictures.

3:05:20.840 --> 3:05:21.040
<v Speaker 2>Do this.

3:05:21.400 --> 3:05:25.000
<v Speaker 1>We're gonna take pictures that you want. I'm not taking

3:05:25.120 --> 3:05:32.080
<v Speaker 1>make some mo clock came away. Let that go, Let

3:05:32.200 --> 3:05:35.120
<v Speaker 1>that go, Let that go, yes, sir, let that go

3:05:38.280 --> 3:05:38.440
<v Speaker 6>Here,