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Speaker 1: Yeah, what's up, y'all? What's going on? Brod Radio. He's

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Speaker 1: a legendary Queen's rapper. Heygree is your boy In. He's

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Speaker 1: a Miami hip hop pioneer.

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Speaker 2: Put up his DJ e f N.

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Speaker 3: Together they drink it up with some of the biggest

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Speaker 3: players in music and sports.

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Speaker 1: You know what I mean.

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Speaker 4: The most professional, unprofessional podcast and your number one source

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Speaker 4: for drum facts.

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Speaker 1: This is Drinks Radio. Every day is New Year's Eve.

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Speaker 1: Hey see hope you say it's.

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Speaker 2: Your boy in put up his DJ e f N

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Speaker 2: And it is.

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Speaker 1: A drink chants, motherfucky podcast. Fg so, And when we

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Speaker 1: started this show, we said we're going to continue with legends.

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Speaker 1: We're going to keep it legendary. And right now we

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Speaker 1: have one of the world's famous DJs, one of the best,

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Speaker 1: world's best producers behind the scenes of touching every you know,

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Speaker 1: top tier artist, Pass has had to go through this

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Speaker 1: man's school, has had to be in a session with him,

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Speaker 1: had to be schooled by him. He's done countless hit records,

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Speaker 1: a sneaker king. Right now we are talking about the

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Speaker 1: legendary DJ Clark can't make some And we also have

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Speaker 1: his the homie who owns thirty six hundred pairs of sneakers.

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Speaker 1: His closet smells like Nike, Adidas and New Balance. He's

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Speaker 1: I've seen him on Enter the countless times. A lot

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Speaker 1: of people call themself sneaker kings, but nobody's a sneaker

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Speaker 1: king like my man May.

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Speaker 2: He's in the building.

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Speaker 1: It is hot here, goddamn it, it is hot. Goddamn

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Speaker 1: this is this is a dream, champs is we are

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Speaker 1: hip hop.

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Speaker 2: Remember old D and D studio.

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Speaker 1: You do not have to explain.

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Speaker 2: D and D never had a C.

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Speaker 1: I don't remember D and D. I have a C.

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Speaker 1: I don't think it ever did. I don't remember having

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Speaker 1: Uh what is it called the termite?

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Speaker 5: People like exterminating either. They never had exterminated D D.

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Speaker 5: Big up Premiere, God damn it for keeping hip hop

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Speaker 5: hip hop.

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Speaker 1: We just had Premiere and p Rock on here. But

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Speaker 1: before we get into here, we started this thing saying

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Speaker 1: that we wanted to keep legends and hip hop alive.

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Speaker 1: Today marks our first episode we ever dropped March twenty fifth.

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Speaker 1: We don't know when we were dropping this episode, but

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Speaker 1: March twenty fifth was our first episode. We hardly didn't

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Speaker 1: know what we were doing. But you with my boy

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Speaker 1: too and with our boy? Was that with Joe? That's right, boy,

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Speaker 1: that's right after you call Joel? Is that? Look? Cluk,

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Speaker 1: this is how this is how they pour in, Barry,

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Speaker 1: you're getting that rich. Make sure you get that good

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Speaker 1: slow motion. This is how they pour in and Bowery

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Speaker 1: be seen. I'm holding to be seen. So clak, I

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Speaker 1: want you to take us to the beginning, at the beginning,

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Speaker 1: what of the career, Like, what did you did?

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Speaker 6: You say?

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Speaker 1: You don't know him? Right now? You like you like

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Speaker 1: me and like right now I'm interview worried. It makes sense,

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Speaker 1: it makes sense, so listen, So did you start as

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Speaker 1: a producer first? Oh, you started as a DJ? DJ?

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Speaker 1: I'm a DJ first, thousand percent, Like I'm I don't

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Speaker 1: even know, Yeah, yeah, I'm a DJ first. That's it.

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Speaker 1: Everything that I do is based off of me being

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Speaker 1: a DJ first, Okay? And who was the person you

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Speaker 1: looked up to as a DJ? I would probably, if

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Speaker 1: I had to say the most, I would say Larry Levan.

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Speaker 1: But but before that, the first person I actually would

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Speaker 1: say I looked up to as a DJ or I

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Speaker 1: I looked at him, went like he's the guy with

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Speaker 1: Grandmaster Flowers. What's wrong they gonna say, master Flies, my

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Speaker 1: Grandmaster Flowers, Grandmaster Flowers. Yeah, I never heard him. I'm

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Speaker 1: thirty nine years old. Yeah, he's he's the legend in Brooklyn. Wow,

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Speaker 1: he's the guy big up Master Flowers. Yeah, I mean,

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Speaker 1: rest in peace, Rest in peace, sol clawed. You got

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Speaker 1: to meet Biggie early on? Yeah, what was that like?

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Speaker 1: It was cool because you have to remember, all of

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Speaker 1: his ogs was my man's on and and uh and

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Speaker 1: just and all of the guys that were older than him.

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Speaker 1: We're so we got to do with toast man, toast

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Speaker 1: to you for surviving this nasty ass game for as

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Speaker 1: long as you have been and out here still relevant,

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Speaker 1: So salute to you. Continue the big go ahead. Yeah,

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Speaker 1: so all of his uh, his o g's was my man's. Yeah,

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Speaker 1: I'm a little I was. I'm older than him. I

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Speaker 1: was older than him, and I was also always around

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Speaker 1: poppling them. So meeting him was I knew he was

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Speaker 1: a dope MC that there was nothing confusing about it. Now,

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Speaker 1: you met you met him early on? You met him,

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Speaker 1: I met him days? Yeah, I met him then, Yeah,

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Speaker 1: I met him earlier, Okay, and earlier than the regatars,

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Speaker 1: like when he went to was on the corners just

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Speaker 1: and he was when he was on Stretching Noye, I

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Speaker 1: mean Stretching Bo like I knew who he was at

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Speaker 1: that point. Now, what, Scott's the limit?

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Speaker 2: You did that?

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Speaker 1: Yes, I did. That wasn't the first joint you did

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Speaker 1: for Big right, that would be the first joint I did.

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Speaker 1: That was his record, but he was on Junior my

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Speaker 1: Fair Records. I executive produced the album with him. We

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Speaker 1: did that together. Okay, we're gonna go back to that.

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Speaker 1: But Scott's the Limit one of my favorite bigs, Thank you, brother,

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Speaker 1: and today is twenty is after that? Yeah right, and

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Speaker 1: that's makes a noose for that.

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Speaker 2: Anybody spoken.

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Speaker 1: It is not be doing on drink Champs the cameraman

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Speaker 1: even with that horn. I'm a joke your man with

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Speaker 1: the horn. I'm just show me. So Scott's the limit.

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Speaker 1: Now Big calls USA, he wants to beat Buff calls

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Speaker 1: you or how does this happen? We were on tour. Okay,

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Speaker 1: then he goes, let's start. He wants to make records

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Speaker 1: for Junior Mafia, and uh, he goes someone we come

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Speaker 1: back when we go home. When we come back, just,

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Speaker 1: you know, bring some music. So I brought some music

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Speaker 1: and it was on the bus and we were going

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Speaker 1: through tracks for Junior Mafia and he heard it and

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Speaker 1: he wanted it for himself. God's a limit. Yeah, and

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Speaker 1: then and then I went straight to the studio. No. Actually,

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Speaker 1: like I said, we were working on Junior Mafia is

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Speaker 1: the idea to Junior Manfia's album. We didn't even like

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Speaker 1: have a really set plan that this was going to

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Speaker 1: go down. It was I want to make an album

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Speaker 1: on Junior Manfield. Mister Lee, what's up man? We recorded

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Speaker 1: there's no simple lemonade just gut it. Talk is very Hollywood.

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Speaker 1: We got to get him simply lemonade. This is this

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Speaker 1: is no. But you don't got simple lemonade with just lemonade, man,

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Speaker 1: Just just lemonade in Fiji water, please, Fiji water with

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Speaker 1: the red top. No, no, got So that's your man

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Speaker 1: who was driving.

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Speaker 2: He's the best.

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Speaker 1: He's so you do discot's the limit. Like I said,

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Speaker 1: he was on we on tour and I brought him

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Speaker 1: some music back when we was going. When we went

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Speaker 1: back on tour and he heard it, he said he

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Speaker 1: wanted it, and I thought he actually was saying he

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Speaker 1: wanted it Virginia Mafia. But then I figured out, or

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Speaker 1: we figured out, that he didn't want a Virginia Mafia

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Speaker 1: at all. He wanted it for himself. And uh, I

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Speaker 1: kind of was like, well, you can't have it because

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Speaker 1: one I had given it to what Yeah, it was,

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Speaker 1: it was. I did tell me that. Damn. I remember

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Speaker 1: him telling me. You know, it's crazy if a story

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Speaker 1: involves you me and you never called him alive. Yeah,

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Speaker 1: I know, come on, that's very true. It's very true.

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Speaker 1: It's very true. I'm never a thing about it. Come on,

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Speaker 1: come on, Poppy, But you don't cook as Vandamania. Don't

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Speaker 1: turn the corner. You're gonna start repping. You were fabulous'

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Speaker 1: you're gonna make y'all your name is probably you know

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Speaker 1: this not no, that's right, let's make some noise for that.

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Speaker 1: So was you there when Scott's the Limit was recorded?

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Speaker 1: Half of it. I recorded the beat and then it

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Speaker 1: went to it went to what you call it. It

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Speaker 1: went to to Puff's studio, and then it came back

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Speaker 1: with the vocals, and and then it went back again

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Speaker 1: because he was like, he's gonna put one twelve on

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Speaker 1: it because he had did the hook by himself at first,

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Speaker 1: and then it went back to GET one twelve and

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Speaker 1: then it came back to the studio where I was

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Speaker 1: at that mixed it. Wow, but he was there for

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Speaker 1: the mixing and he was so now let me flip

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Speaker 1: and bounce it on. You also knew Tupac as well, Yeah,

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Speaker 1: you knew early Tupac. Just describe that, like, describe the

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Speaker 1: difference from early Tupac to the Tupac that you know

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Speaker 1: people know that Digital Underground. Yeah, well, I mean, you know,

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Speaker 1: in Digital Underground, he was being who he was in

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Speaker 1: Digital Underground. He was dancer sometimes rapper and hype man.

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Speaker 1: You know that's I mean he was. He was a

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Speaker 1: happy to go like he got all right And did

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Speaker 1: you meet the death Row Tupac? Yeah, I mean yeah, yeah,

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Speaker 1: let's describe it. I know you're talking to me like

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Speaker 1: he's looking at me, like look at you know, but no, listen,

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Speaker 1: change from death Throat he changed after the incident with

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Speaker 1: the cops. I think no, I.

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Speaker 2: Mean, he definitely.

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Speaker 1: It was. It was a change. What it was. It

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Speaker 1: wasn't the change that I'm asking Clark, you know what

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Speaker 1: I'm saying to change, like from Digital Underground TUPAC to

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Speaker 1: death ro Stick changes changed because you're you're you're you're

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Speaker 1: skipping a whole section of when he made records, Like

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Speaker 1: he made records before he became death Row. You know

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Speaker 1: what I'm saying, Like Brenda's got a baby. Holler if

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Speaker 1: you hear me. Like you know what I'm saying, Like

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Speaker 1: he was making records that were socially socially good and relevant.

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Speaker 1: You know what I'm saying, Brendan's had a bab Brenda's

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Speaker 1: got a baby is like amazing, you know what I'm saying.

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Speaker 1: So there was some things that were happening way before

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Speaker 1: he became death Row and he was being he was

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Speaker 1: being a rapper. You know, they say that that bishop

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Speaker 1: changed them. Some people would say that a lot of

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Speaker 1: people would say that. I mean, but he was acting

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Speaker 1: in that role and they say he stayed bishop after that.

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Speaker 1: It's not that I think what he what he surrounded

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Speaker 1: himself kind of like the people he was around. I

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Speaker 1: think the people that he got around kind of let

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Speaker 1: him fall into the bishop character. Maybe maybe, and then

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Speaker 1: he was trying to emulate the guys he got around,

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Speaker 1: probably right, you know, I mean, and then you know,

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Speaker 1: I mean, if if you got tough guys around you,

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Speaker 1: you might try to act tough. What's Clark Kent's favorite

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Speaker 1: time in hip hop? My favorite time in hip hop? Yeah,

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Speaker 1: and hip hop or rap? That's that's so I would

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Speaker 1: like that question. Then my favorite time in hip hop

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Speaker 1: is the whole forty five years that has been happening,

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Speaker 1: you know what I'm saying of hip hop? Yeah, the

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Speaker 1: whole life of hip hop is my favorite because I

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Speaker 1: grew up in it. I'm a part of it. And like,

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Speaker 1: I don't think it's it's it's anywhere close to done.

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Speaker 1: It's a culture. It's the culture and the way that

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Speaker 1: we live. Culture is a way of life, you know

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Speaker 1: what I'm saying. Like, rap isn't a way of life.

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Speaker 1: Rap is a music that lives within the culture. So

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Speaker 1: it lives within the way of life that we live.

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Speaker 1: So if you ask me my favorite time and rap

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Speaker 1: is when niggas could actually rhyme, like what times period

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Speaker 1: we talk would have to say, I would have to

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Speaker 1: say from from the message from the message to I

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Speaker 1: don't know the best rhymers were around in the nineties,

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Speaker 1: but I mean when you heard the message. It kind

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Speaker 1: of changed what people were willing to speak about. And

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Speaker 1: the funny part is that verse that Mellie Mel said

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Speaker 1: in the message is on Melly Mel's first record, and

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Speaker 1: nobody caught that. Mellius ever, Yeah, I thought everybody knew

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Speaker 1: that though, But it's on super wrapping is more but

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Speaker 1: no state of mind, blind to the ways of man.

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Speaker 1: It's on the end of super wrapping. And then and

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Speaker 1: then to use it on the message again, did you

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Speaker 1: see Melly Mell on the we showed recently he said

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Speaker 1: he's better than jay Z. He got to relax. I mean,

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Speaker 1: he's better at jay Z doing what you know what

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Speaker 1: I'm saying. That's a good question. Oh you know what,

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Speaker 1: when people say things, you got to ask them in

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Speaker 1: what context? And you know what I'm saying, because I

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Speaker 1: can say I'm better than jay Z. And then and

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Speaker 1: then the problem is most people will walk away thinking

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Speaker 1: the fuck is he talking about? He can't wrap? Instead,

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Speaker 1: I can go get DJing. And then what you're gonna

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Speaker 1: say is he gonna say good point. But I don't

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Speaker 1: think you can't saying a great point. You know what.

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Speaker 5: Melly Mills also, I think old body build up. Yeah,

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Speaker 5: but he ain't take my fighting. They were talking about

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Speaker 5: what did fight didn't have to do about it?

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Speaker 1: I mean just automatic thinking, like you know what I'm saying, Like,

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Speaker 1: but I think that's dope. I think that as long

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Speaker 1: as you're MC, you should think that you're you're you're

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Speaker 1: the best. Sometimes you got to have reality hit you,

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Speaker 1: like you know what I'm saying like, Well, MC shouldn't

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Speaker 1: have reality hit him. Rappers should have reality him. Okay,

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Speaker 1: come on, get your camera, man, Come on, man, while

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Speaker 1: you what it's right? Great, shut down, fast and furious.

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Speaker 1: So maya. What is your favorite time in hip hop?

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Speaker 1: Oh man? Late eighties the nineties.

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Speaker 6: I mean I go back and I was, you know,

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Speaker 6: I have my hands in clubsos back in the day.

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Speaker 1: Yeah, I was one of the.

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Speaker 6: Many guys that had a little taste of club essos.

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Speaker 1: Back in the day.

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Speaker 6: So you know jay Z twenty two tools club essos.

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Speaker 1: I remember one of my dudes from left right, they

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Speaker 1: had a chick and jay Z and Big came in

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Speaker 1: that night and they took my man's chick in the club,

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Speaker 1: and that what happen. That what happened, and.

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Speaker 2: They came in with just them too.

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Speaker 1: It was just Jay z and and Biggie. I was like, damn, Like, well,

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Speaker 1: we should have jumped them as here's a thought, here's

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Speaker 1: a thought if they walked in and took this dude's chicken,

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Speaker 1: wasn't it was like a bitch. They just met at

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Speaker 1: the club and still but still, you know, we gigged

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Speaker 1: doing this nigga for weeks.

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Speaker 7: He probably just that was big and Jay, I mean

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Speaker 7: that that movement was was that what's that movie?

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Speaker 1: We got a c we gotttle open another bottle?

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Speaker 8: Boy?

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Speaker 1: She was up. It should have been crazy.

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Speaker 2: Yeah, but that Club Essos movement was crazy.

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Speaker 6: I mean, you know, you had Jay with the twin tools,

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Speaker 6: Maria Davis Man Wednesdays. That was one of the illest

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Speaker 6: parties we ever had. You know, Maria Davis Every Wednesday

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Speaker 6: was legend. I was a legend every party. I'm one

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Speaker 6: of the few guys that seen Clark about thirty five

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Speaker 6: battles and couldn't walk out the club. I've seen Club

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Speaker 6: about thirty five bottles and couldn't walk out the club trying.

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Speaker 1: He's been one of the greatest DJs on the planet. Brother,

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Speaker 1: And we're not gonna argue, and we're gonna respect that tonight.

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Speaker 1: But ahead, man, I'm.

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Speaker 6: Sorry now, Junior, my feet shot uh to give money

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Speaker 6: video money. Part of the give money video was shot

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Speaker 6: a club, so and that was cool. I mean they

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Speaker 6: just walked up to the club one Wednesday afternoon with

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Speaker 6: a couple of dollars and was like, yea, we shoot

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Speaker 6: for the who day. Cool, let's make it happen. So,

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Speaker 6: you know, to see ship like that happened all the

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Speaker 6: time was crazy.

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Speaker 1: But I mean, how did you become a sneaker king?

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Speaker 6: I've been doing this since I was ten years old.

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Speaker 1: Man, collect this sneakers.

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Speaker 6: I got into sneakers when my moms bought me a

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Speaker 6: pair of skippies. Man, you know the skippies there dollar

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Speaker 6: ninety nine. So it wasn't a skippy really, it was

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Speaker 6: a shoe called the Mark five. And my government name

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Speaker 6: is Mark. So I thought I was the coolest mother

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Speaker 6: fuck on the planet because I had my name on

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Speaker 6: the shoot. I went back to the block, got laughed

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Speaker 6: off the block like now you wearing Skippi And after

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Speaker 6: that whatever I had to do. What I was robbing

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Speaker 6: money from my grandfather sweeping floors to buy sniggers. It

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Speaker 6: started from there, at ten years old, I bowed that

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Speaker 6: shit would never happen again.

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Speaker 1: And then you, Clark, how did you become? Because I'll

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Speaker 1: tell you what one of my boys right now, like

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Speaker 1: you know, because we'll be saying college and fat Joe

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Speaker 1: is cheating, like we said Claud got a Cheatko too.

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Speaker 1: Like when I asked my boy, my boy said, he's

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Speaker 1: probably the only guy in the world that could tell

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Speaker 1: Fat Joe and DJ college to relax. My boy said, respectfully,

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Speaker 1: it's probably true. But if we say Cali, yeah, the

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Speaker 1: dance would be yes. There's no argument to that. He

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Speaker 1: could say that. You know what I'm saying. With Joe,

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Speaker 1: it'll be a you never know on any day. You

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Speaker 1: know what I'm saying.

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Speaker 6: I went to high school with Joe, Like Joe, my

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Speaker 6: lunch room was fat lawing us.

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Speaker 2: Wow what I'm saying.

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Speaker 6: So, but I want to Joe went to Morrows for

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Speaker 6: a year and of course he got kicked out and

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Speaker 6: not enough and I'm a little SOLDI you got to

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Speaker 6: t chain and I don't I know Joe for a

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Speaker 6: long time.

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Speaker 2: I got a let the rest.

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Speaker 1: I got a let the rest.

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Speaker 6: Salute the one year yes, you know, and on your

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Speaker 6: one year show when Joe was talking about sneakers.

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Speaker 1: My name mentioned later here, yes, yes, yes, that's what

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00:17:27,080 --> 00:17:31,880
Speaker 1: they ain't got mentioned by Joe. Yeah, and Joe, if

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00:17:31,920 --> 00:17:36,159
Speaker 1: he's being honest, he mentioned me too. I know he

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00:17:36,200 --> 00:17:38,520
Speaker 1: did say. Yeah, he says you and look at why

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00:17:38,560 --> 00:17:40,399
Speaker 1: bring with you? Yes, and you bring the other sneaker.

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Speaker 1: This is this is real ship. I don't think you've

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Speaker 1: never been on the podcast. No, yeah, that's crazy. You

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Speaker 1: know we got actually we're doing a podcast on Joe

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Speaker 1: about sneakers. So he's gonna have his own podcast called

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Speaker 1: Josher Kicks. I need to be. You need to be.

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Speaker 1: I was going to say, you brother to have your

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Speaker 1: own joint, you know what I mean?

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Speaker 5: Like you know, he's gone, okay, like you do that,

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Speaker 5: you gotta be.

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Speaker 1: I don't have the no, I gotta try, gotta try, yo.

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Speaker 1: Do you know I've been trying to get Fat Joe

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Speaker 1: high for fifteen eighteen years that I knew him. And

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Speaker 1: the other day he had a tooth fake and we

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Speaker 1: got missed the childs and I'm smoking a vapor pin

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Speaker 1: and I just passed it to.

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Speaker 9: Him and he hit it and I was like, I

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00:18:24,640 --> 00:18:28,359
Speaker 9: was like, I didn't even say that, but everybody everybody's

354
00:18:28,359 --> 00:18:30,440
Speaker 9: talking and ship and they act like it's normal, and

355
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Speaker 9: he's like, he looks at the whole table.

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Speaker 1: He goes, No, nobody see this fucking fake. I'm so happy.

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Speaker 1: I just stood there, you know, the basket for eighteen

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Speaker 1: years and you never want the damn my life never spoke.

359
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Speaker 1: We never tried it once. Yeah, and I thought it

360
00:18:44,880 --> 00:18:49,640
Speaker 1: was orated, it was overrated. I traded, tried it once,

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Speaker 1: try it again, Right, you're trying to make me try again.

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Speaker 1: I know you got to get that money tonight. But

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Speaker 1: now let's let's stay there on a sneak of things.

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Speaker 1: So how did you start this fetish? Like you know

365
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Speaker 1: what I mean? When because you like the first guy

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Speaker 1: to have a pair of knights, the first DJ. I know,

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Speaker 1: I don't know if that Zagger I would say about

368
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Speaker 1: Beato had him, but like he's not, he's not like

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Speaker 1: considered the DJ the way I'm considered the DJ. So

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Speaker 1: I mean, I guess with a release, the first guy

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Speaker 1: with the release would probably be either me or Bobido. Yeah. Wow,

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00:19:20,920 --> 00:19:23,000
Speaker 1: when it comes to the rap game or whatever. The

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Speaker 1: DJ thing definitely. And is it true that you you

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Speaker 1: try to wear just one sneaker every day, like different

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00:19:30,960 --> 00:19:33,280
Speaker 1: since two thousand and four. Since two thousand and four,

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00:19:33,560 --> 00:19:36,720
Speaker 1: every day you switch up a different sneaker. Yeah, actually

377
00:19:36,880 --> 00:19:40,320
Speaker 1: with my second pair today, your second pair? Just do

378
00:19:40,359 --> 00:19:41,200
Speaker 1: I dire look down?

379
00:19:41,440 --> 00:19:41,640
Speaker 10: No?

380
00:19:41,640 --> 00:19:43,159
Speaker 1: No, I don't, man, I'm just i gotta look. I

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00:19:43,160 --> 00:19:45,560
Speaker 1: got it. I'm light today. Man, I'm like you all, Yeah,

382
00:19:45,560 --> 00:19:47,680
Speaker 1: I got those. I don't know whether you probably don't

383
00:19:47,720 --> 00:19:52,240
Speaker 1: have these, but you probably don't have the original. These

384
00:19:52,240 --> 00:19:54,280
Speaker 1: are the ones that came out about four or five

385
00:19:54,359 --> 00:19:56,399
Speaker 1: years ago. I ain't got that right. You got the

386
00:19:56,440 --> 00:20:00,840
Speaker 1: new ones that just came out. Yeah, So how do

387
00:20:00,840 --> 00:20:02,800
Speaker 1: you keep y'all shit fresh? How do you you were

388
00:20:02,800 --> 00:20:07,920
Speaker 1: a brand new bass? Look Fiji, look baby, we got

389
00:20:07,960 --> 00:20:11,200
Speaker 1: you baby, you know get the only nigga that called

390
00:20:11,240 --> 00:20:21,160
Speaker 1: me so now claw okay, like I was, You asked

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Speaker 1: me about how I was a kid and around my

392
00:20:25,119 --> 00:20:30,680
Speaker 1: way which crying heights, Brooklyn. The older dudes who had

393
00:20:30,800 --> 00:20:36,280
Speaker 1: who had girls, No, no, no, no, no girls. We would

394
00:20:36,320 --> 00:20:38,080
Speaker 1: always like look up to the guys. You know what

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Speaker 1: I'm saying. So if I'm like eight and I'm looking

396
00:20:40,280 --> 00:20:42,359
Speaker 1: at a guy who's sixteen seventeen, the first thing I'm

397
00:20:42,400 --> 00:20:44,280
Speaker 1: trying to figure out is how did he get the girls,

398
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Speaker 1: and we always thought the sneakers looking new. But he

399
00:20:48,040 --> 00:20:50,199
Speaker 1: was older, so he's supposed to have better sneakers than

400
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Speaker 1: a kid who's eight, but we didn't register that because

401
00:20:52,480 --> 00:20:54,480
Speaker 1: there was no fathers around. So we looked at them

402
00:20:54,520 --> 00:20:57,760
Speaker 1: like big brothers who kind of guided or big uncles

403
00:20:57,760 --> 00:20:59,680
Speaker 1: who guided, and if they were fresh, we wanted to

404
00:20:59,680 --> 00:21:02,639
Speaker 1: be fresh. So we just wanted our sneakers new. And

405
00:21:02,680 --> 00:21:04,720
Speaker 1: that started like when I was nine, first time I

406
00:21:04,760 --> 00:21:08,400
Speaker 1: made some money, I bought sneakers. I think me too.

407
00:21:09,920 --> 00:21:12,400
Speaker 1: That's her ship. But I'm not like kings like y'all,

408
00:21:12,440 --> 00:21:14,720
Speaker 1: y'all like y'all take this ship serious. That's a choice.

409
00:21:16,000 --> 00:21:18,919
Speaker 1: Because you got the money. I'm like, because you have

410
00:21:19,040 --> 00:21:21,359
Speaker 1: them on, I'm saying you have the money. I'm the pawn.

411
00:21:21,440 --> 00:21:23,960
Speaker 1: Don't don't worry. You're talking about the fact that you

412
00:21:24,040 --> 00:21:24,600
Speaker 1: have the money.

413
00:21:24,640 --> 00:21:28,199
Speaker 2: Relax, don't double back to that.

414
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Speaker 6: When you got that five zs and you signed you

415
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Speaker 6: want sneakers happening.

416
00:21:31,560 --> 00:21:36,000
Speaker 1: Enough actually went aver Rex sopping text. I went to

417
00:21:36,000 --> 00:21:41,040
Speaker 1: the fish ship across the street from Stretch on strong ship.

418
00:21:41,440 --> 00:21:43,960
Speaker 1: Yeah that's definitely, that's definitely the truth. So look, now

419
00:21:44,440 --> 00:21:46,880
Speaker 1: this is basically shot time. This is when we take

420
00:21:46,920 --> 00:21:49,760
Speaker 1: a shot of your preference. This is part of the

421
00:21:49,800 --> 00:21:53,520
Speaker 1: show on every show.

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Speaker 11: Yes, I'm an avid listener. Yes, all right, the first

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Speaker 11: half is the com you know what I did?

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Speaker 1: I actually, you know, you know, because you're my friend.

425
00:22:06,880 --> 00:22:08,800
Speaker 1: So I actually look at other interviews and I want

426
00:22:08,800 --> 00:22:10,680
Speaker 1: to be the exact opposite of every other interview you

427
00:22:10,720 --> 00:22:12,560
Speaker 1: ever did. And I want to just ask you about

428
00:22:12,600 --> 00:22:15,399
Speaker 1: hip hop as opposed to just ask you personal stuff.

429
00:22:15,480 --> 00:22:17,600
Speaker 1: We'll get like to little things, but I want to

430
00:22:17,600 --> 00:22:19,800
Speaker 1: ask you in general hip hop because you're a hip

431
00:22:19,840 --> 00:22:21,840
Speaker 1: hop king, and we got to acknowledge that. We gotta

432
00:22:21,880 --> 00:22:24,440
Speaker 1: respect that I appreciate, and that's what the show is about.

433
00:22:24,480 --> 00:22:26,920
Speaker 1: I don't know if you know is you know, I

434
00:22:26,960 --> 00:22:28,560
Speaker 1: don't know if this is the reason why it works

435
00:22:28,600 --> 00:22:31,040
Speaker 1: because they quote unquote call me a legend, and for

436
00:22:31,119 --> 00:22:33,080
Speaker 1: a legend to sit on the chair and always respect

437
00:22:33,080 --> 00:22:36,920
Speaker 1: another legend, I guess that's humbling to certain people. And

438
00:22:37,040 --> 00:22:39,560
Speaker 1: I want to continue that because for me, you know

439
00:22:39,600 --> 00:22:42,120
Speaker 1: what I'm saying, Like, I remember Clark coming to the

440
00:22:42,200 --> 00:22:45,880
Speaker 1: War report session and I'm having a rhyme. My rhyme

441
00:22:45,960 --> 00:22:50,160
Speaker 1: was like thirty six bars and he was like, relax, like, Yo,

442
00:22:50,400 --> 00:22:52,440
Speaker 1: this is not how you rhy You can't have that

443
00:22:52,600 --> 00:22:54,520
Speaker 1: advance like that. You got to break that up. And

444
00:22:54,560 --> 00:22:57,320
Speaker 1: I would just rhyme. I just never knew how to like,

445
00:22:58,080 --> 00:23:01,760
Speaker 1: I just I never made a sixteen bar verse at

446
00:23:01,760 --> 00:23:05,479
Speaker 1: that time, Like it just didn't registered to me. I

447
00:23:05,560 --> 00:23:07,920
Speaker 1: just wrote until I couldn't write no more, and then

448
00:23:07,920 --> 00:23:09,920
Speaker 1: that was a verse. So whether that was twenty four,

449
00:23:10,960 --> 00:23:12,720
Speaker 1: thirty six or forty fucking.

450
00:23:12,520 --> 00:23:13,960
Speaker 2: Too, that, to me that was.

451
00:23:14,880 --> 00:23:17,439
Speaker 1: I remember Clark coming in the studio and saying, hold

452
00:23:17,480 --> 00:23:21,040
Speaker 1: on home, hold on, you went too crazy. Break that up,

453
00:23:21,600 --> 00:23:23,840
Speaker 1: And I didn't know how what he meant he broke

454
00:23:23,880 --> 00:23:25,880
Speaker 1: it up? Had the chicks from s w V come

455
00:23:26,080 --> 00:23:28,840
Speaker 1: I never met? Like I was? I was mad John?

456
00:23:28,920 --> 00:23:32,560
Speaker 1: What is that shit called? Uttressed off shruck? But then

457
00:23:32,600 --> 00:23:34,200
Speaker 1: she couldn't sing Let's keep it right?

458
00:23:34,400 --> 00:23:34,800
Speaker 2: Which one?

459
00:23:34,840 --> 00:23:36,919
Speaker 1: Which one? I don't remember which one? The one thing

460
00:23:37,400 --> 00:23:40,400
Speaker 1: I think it was it was either legally it wasn't.

461
00:23:40,680 --> 00:23:45,120
Speaker 1: I think it was. I wasn't the main and Coco

462
00:23:45,200 --> 00:23:49,679
Speaker 1: could sing, but I remembering waiting, I being so disappointed. No,

463
00:23:49,920 --> 00:23:51,600
Speaker 1: it's not that they can't sing, it's just that it

464
00:23:51,920 --> 00:23:59,920
Speaker 1: wasn't working that day. No, No, I'm not saying that

465
00:24:00,359 --> 00:24:02,320
Speaker 1: you can't sing. I'm saying that day that it wasn't

466
00:24:02,359 --> 00:24:04,719
Speaker 1: working on the song that on the melody, she couldn't

467
00:24:04,760 --> 00:24:07,879
Speaker 1: she couldn't catch it. But I brought nigga in it.

468
00:24:09,280 --> 00:24:13,040
Speaker 1: But so describe that, Describe that session for for me,

469
00:24:14,040 --> 00:24:15,600
Speaker 1: for you. That's how.

470
00:24:20,480 --> 00:24:20,760
Speaker 6: You you.

471
00:24:20,760 --> 00:24:22,560
Speaker 1: You got to get some pretense to the to the

472
00:24:22,760 --> 00:24:25,760
Speaker 1: to it. I knew you from before, like everybody needs

473
00:24:25,800 --> 00:24:27,359
Speaker 1: to know. Like it wasn't like I just walked up

474
00:24:27,400 --> 00:24:29,679
Speaker 1: and I just was like, yeah, no, that's not what

475
00:24:29,720 --> 00:24:32,800
Speaker 1: you're doing. You know what I'm saying. It was more like, okay,

476
00:24:32,840 --> 00:24:34,480
Speaker 1: I knew him all the time, and it was your clock.

477
00:24:34,520 --> 00:24:36,760
Speaker 1: We need a joint. I'm like, yeah, you know my

478
00:24:38,960 --> 00:24:41,840
Speaker 1: And then Copone went away and I was like, fuck,

479
00:24:41,920 --> 00:24:44,879
Speaker 1: I can't do it without without poone because you know

480
00:24:44,920 --> 00:24:48,200
Speaker 1: both of them is my niggas, right, And so then

481
00:24:48,240 --> 00:24:50,560
Speaker 1: it was like, well, he heard a beat that he

482
00:24:50,680 --> 00:24:53,320
Speaker 1: liked and it was a decision that he made and

483
00:24:53,359 --> 00:24:54,920
Speaker 1: he was going to do the whole song by himself,

484
00:24:55,400 --> 00:24:57,119
Speaker 1: and that's where we got in there. And it was

485
00:24:57,200 --> 00:24:59,879
Speaker 1: just this forty eight bottles of rhyming and I was like,

486
00:25:00,119 --> 00:25:02,800
Speaker 1: do it, And my thing was the track was too

487
00:25:02,840 --> 00:25:06,000
Speaker 1: pretty for him to be rhyming all crazy on it.

488
00:25:06,040 --> 00:25:09,520
Speaker 1: And I'm just like, the rhymes are fine since you

489
00:25:09,560 --> 00:25:11,800
Speaker 1: have to move somewhere around, can you stop for a

490
00:25:11,840 --> 00:25:15,000
Speaker 1: second if you stick a hook in there? I don't

491
00:25:15,000 --> 00:25:18,520
Speaker 1: remember it just like that. If you asked me, what

492
00:25:18,560 --> 00:25:22,840
Speaker 1: was that like, I'm gonna say it was perfect because

493
00:25:23,280 --> 00:25:25,600
Speaker 1: you let me produce, you know what I'm saying. And

494
00:25:25,680 --> 00:25:27,920
Speaker 1: so he wasn't. He wasn't fighting you on it not.

495
00:25:28,240 --> 00:25:30,119
Speaker 1: But I think the reason why he didn't fight me

496
00:25:30,240 --> 00:25:33,840
Speaker 1: is because I was already I had already made enough

497
00:25:33,920 --> 00:25:36,280
Speaker 1: records for him to go. I trust him. See back

498
00:25:36,320 --> 00:25:39,439
Speaker 1: in the days you got you got trusted if you

499
00:25:39,480 --> 00:25:41,159
Speaker 1: produce some records, you know what I'm saying. And he

500
00:25:41,200 --> 00:25:44,439
Speaker 1: trusted me, and like he was the first producer apartment,

501
00:25:44,440 --> 00:25:46,600
Speaker 1: because he was the first producer who told me that

502
00:25:46,760 --> 00:25:49,480
Speaker 1: most producers would just let me run. If you look,

503
00:25:49,560 --> 00:25:52,080
Speaker 1: if you listen then later no, if you listen to

504
00:25:52,080 --> 00:25:55,160
Speaker 1: the Bloody Money. Listening to Bloody Money one versus thirty

505
00:25:55,160 --> 00:25:58,639
Speaker 1: six bars, bro the other one is twenty four doesn't

506
00:25:58,680 --> 00:25:59,800
Speaker 1: make sense in any.

507
00:25:59,640 --> 00:26:01,359
Speaker 6: Other How did you take that when he told you

508
00:26:01,400 --> 00:26:02,359
Speaker 6: though like you.

509
00:26:02,680 --> 00:26:04,960
Speaker 1: I just wanted to learn. I wanted to learn. I

510
00:26:05,000 --> 00:26:07,320
Speaker 1: sat back like a as a student, and I've seen

511
00:26:07,400 --> 00:26:12,600
Speaker 1: him produce like he said it was yeah, but look again,

512
00:26:12,880 --> 00:26:17,399
Speaker 1: I think the times were different than it wasn't. It

513
00:26:17,440 --> 00:26:19,240
Speaker 1: wasn't I'm gonna give you a beat, you know what

514
00:26:19,320 --> 00:26:23,439
Speaker 1: it was. I wasn't back that we made records to that.

515
00:26:23,480 --> 00:26:27,600
Speaker 1: But like dudes who never had a record, like who

516
00:26:27,640 --> 00:26:30,080
Speaker 1: never sold the record, they'll give you a beat and

517
00:26:30,119 --> 00:26:32,920
Speaker 1: just walk away and be like, yes, go down and

518
00:26:33,359 --> 00:26:35,760
Speaker 1: face well, what does that song sound like? Or is

519
00:26:35,800 --> 00:26:37,800
Speaker 1: it a song? Or are people gonna remember that ship

520
00:26:37,920 --> 00:26:41,280
Speaker 1: or they gonna care later. So if you've made a record,

521
00:26:41,480 --> 00:26:43,520
Speaker 1: you know what I'm saying, you start to care differently.

522
00:26:43,720 --> 00:26:46,560
Speaker 1: So I just wanted him to have a song that

523
00:26:46,640 --> 00:26:49,240
Speaker 1: had a feeling that you when you walked away from

524
00:26:49,240 --> 00:26:51,320
Speaker 1: listening to the whole album, you might be like, oh,

525
00:26:51,400 --> 00:26:53,439
Speaker 1: that's my favorite record, that's my favorite record, But you

526
00:26:53,600 --> 00:26:58,000
Speaker 1: never forget that he made Closer to this Paper. You'll

527
00:26:58,040 --> 00:26:59,800
Speaker 1: never forget it when you listen to the album, because

528
00:27:00,480 --> 00:27:02,919
Speaker 1: because it's the one song on the album that's not

529
00:27:04,160 --> 00:27:08,120
Speaker 1: that's that's that's that's good, that's that's the God. Whatever,

530
00:27:08,600 --> 00:27:11,439
Speaker 1: that's okay, that's the God talking to us. Go come on,

531
00:27:11,480 --> 00:27:16,600
Speaker 1: pull some more shots the shots going come can you No?

532
00:27:16,920 --> 00:27:19,200
Speaker 1: I don't like your heavy hand. I got a cold,

533
00:27:19,240 --> 00:27:22,479
Speaker 1: so rocking there? Do we wipe this up? You got? Yeah?

534
00:27:23,600 --> 00:27:30,720
Speaker 1: You got turns hm you know what it turns out?

535
00:27:36,119 --> 00:27:43,720
Speaker 1: Holds a rock here covid yeah, cod for you. Goddamn

536
00:27:44,160 --> 00:27:49,240
Speaker 1: you give me my bottleless I forgot this is you?

537
00:27:49,280 --> 00:27:53,320
Speaker 1: Thank god I changed my playing. That's not I'll tell you.

538
00:27:53,440 --> 00:27:56,560
Speaker 1: I'm here. Okay, here he's going back shouting puff cold rock.

539
00:27:56,640 --> 00:27:59,240
Speaker 1: Let's here, big posit for you right there. Damn it.

540
00:28:00,080 --> 00:28:07,159
Speaker 1: The normal coop ships came up. God, damn it. What

541
00:28:07,320 --> 00:28:10,920
Speaker 1: is feeling? Shot niggas gave me the filthy ye see

542
00:28:10,920 --> 00:28:12,920
Speaker 1: shot lesses on them and I'm man, I ain't even

543
00:28:12,920 --> 00:28:15,640
Speaker 1: walk this shot lessons out there. This is would want something?

544
00:28:15,760 --> 00:28:17,840
Speaker 1: You know me, you know what my first person in

545
00:28:17,920 --> 00:28:21,560
Speaker 1: action and you know what I mean. This year is

546
00:28:21,640 --> 00:28:26,600
Speaker 1: the twentieth anniversary of the war report. Wow, June would

547
00:28:26,640 --> 00:28:32,800
Speaker 1: be because we dropped at June nineteen ninety seven was busy,

548
00:28:33,320 --> 00:28:37,320
Speaker 1: so it's busy. This year is real and twenty seventeen,

549
00:28:37,359 --> 00:28:39,160
Speaker 1: you for like nineteen ninety eight. To me, let's do

550
00:28:39,320 --> 00:28:41,440
Speaker 1: that having fun. We're doing it all over. But you

551
00:28:41,520 --> 00:28:45,239
Speaker 1: got a shot, Mayor, you gotta shots right there?

552
00:28:45,480 --> 00:28:45,960
Speaker 2: Who's poor?

553
00:28:46,520 --> 00:28:48,840
Speaker 1: Oh? I gotta pour money for yourself. We don't want

554
00:28:48,880 --> 00:28:50,360
Speaker 1: to be. We don't want you know what I mean.

555
00:28:50,720 --> 00:28:52,920
Speaker 1: You're a legend. God damn it. We see what your

556
00:28:52,960 --> 00:28:54,640
Speaker 1: wedding wing on. I wore mind so I knew he

557
00:28:54,680 --> 00:28:58,400
Speaker 1: was gonna wear y'alls. You know. So you said you

558
00:28:58,640 --> 00:29:01,360
Speaker 1: got married. You said, I war minds because I need.

559
00:29:02,840 --> 00:29:14,840
Speaker 8: The shots so my wife. That wasn't I can't.

560
00:29:14,680 --> 00:29:18,680
Speaker 1: Hang over man. That was That was like a kid

561
00:29:19,160 --> 00:29:20,680
Speaker 1: with you mind.

562
00:29:23,480 --> 00:29:24,320
Speaker 2: That was love city, bro.

563
00:29:26,400 --> 00:29:30,240
Speaker 1: There was a love for cy me. That was love city.

564
00:29:30,320 --> 00:29:32,719
Speaker 1: God damn it. And we got trolling for clock cancer

565
00:29:32,960 --> 00:29:37,160
Speaker 1: and motherfucking may Man is happening to you? Gotta wait?

566
00:29:37,600 --> 00:29:39,960
Speaker 1: Can we get a shot of air conditioning? Oh yeah,

567
00:29:40,000 --> 00:29:42,240
Speaker 1: he was over here, son. It wasn't.

568
00:29:43,640 --> 00:29:46,760
Speaker 2: Was the air conditioning, mister discussion.

569
00:29:48,560 --> 00:29:52,040
Speaker 1: Buny, goddamn it, trying to fix him. I'm so happy

570
00:29:52,040 --> 00:29:52,480
Speaker 1: you brother.

571
00:29:52,520 --> 00:29:53,040
Speaker 2: You want to say?

572
00:29:53,280 --> 00:29:56,040
Speaker 1: That's right? Man? The three champs, God damn it. I'm

573
00:29:56,040 --> 00:29:58,720
Speaker 1: having the world gainst. We celebrated hip hop look at that.

574
00:29:58,960 --> 00:30:03,320
Speaker 1: Look at that, I knew Clark is a different type

575
00:30:03,360 --> 00:30:05,760
Speaker 1: of person. I asked him what he drinking. He said, patron.

576
00:30:06,320 --> 00:30:09,360
Speaker 1: People who drink patron, they like to go to the abits.

577
00:30:10,360 --> 00:30:11,680
Speaker 1: That's the bottom of the ship.

578
00:30:12,320 --> 00:30:13,200
Speaker 2: I expect you to.

579
00:30:13,240 --> 00:30:15,120
Speaker 1: God damn it all right now, let's go.

580
00:30:15,760 --> 00:30:16,360
Speaker 2: I feel.

581
00:30:19,760 --> 00:30:22,880
Speaker 1: Ye. Goddamnit look like at the biggest shot to sea

582
00:30:31,600 --> 00:30:33,400
Speaker 1: because the DC tour in the house. God damn, you

583
00:30:33,440 --> 00:30:36,600
Speaker 1: know we love you so Clark to get money beat,

584
00:30:37,920 --> 00:30:39,920
Speaker 1: I didn't do to get money beat. I'm mixed to

585
00:30:39,960 --> 00:30:44,000
Speaker 1: get money record. What happened was d J d J E.

586
00:30:44,680 --> 00:30:48,880
Speaker 1: He's easy. L P. You over that right? No, LP,

587
00:30:50,400 --> 00:30:52,520
Speaker 1: where are you going right now? I just asking because

588
00:30:52,960 --> 00:30:55,880
Speaker 1: what's the phone call conversation you're talking about? Ez l P.

589
00:30:56,400 --> 00:30:57,880
Speaker 1: He told you to turn down the beat, and he

590
00:30:57,960 --> 00:31:00,520
Speaker 1: was on the phone and then you snuffed him something like, no,

591
00:31:02,040 --> 00:31:02,760
Speaker 1: I want to hear this one.

592
00:31:03,120 --> 00:31:04,360
Speaker 2: It sounds like something happened.

593
00:31:04,360 --> 00:31:10,040
Speaker 1: I didn't. You know, it's crazy. Soon as you get

594
00:31:10,120 --> 00:31:14,680
Speaker 1: this shot, don't. But I heard the story. There's no

595
00:31:14,800 --> 00:31:19,320
Speaker 1: backing off either. Well, just just I was around then,

596
00:31:20,040 --> 00:31:23,800
Speaker 1: just so you know, it wasn't over me. It was

597
00:31:23,920 --> 00:31:29,400
Speaker 1: over he was on the phone and and he was

598
00:31:29,880 --> 00:31:32,680
Speaker 1: I think it was either on just or somebody was

599
00:31:32,720 --> 00:31:37,160
Speaker 1: saying them. And and then somebody somebody was like he

600
00:31:38,040 --> 00:31:40,400
Speaker 1: I don't know who said turn the ship down or whatever,

601
00:31:40,920 --> 00:31:44,280
Speaker 1: but you know, then and then he got hurt big

602
00:31:44,360 --> 00:31:46,320
Speaker 1: all of a sudden, he got hit with a drummer. Sheine,

603
00:31:46,320 --> 00:31:48,360
Speaker 1: you hit him with a jump I gave you hit

604
00:31:48,440 --> 00:31:58,320
Speaker 1: him with the drum machine. Let's make a rump machine. Man.

605
00:31:58,760 --> 00:32:02,840
Speaker 1: My brother heard about this story. I did not hit

606
00:32:02,960 --> 00:32:05,880
Speaker 1: him with a drum ma shee. But I didn't. We

607
00:32:06,040 --> 00:32:08,840
Speaker 1: didn't have a beat. You sound you sound right? Now.

608
00:32:08,920 --> 00:32:09,280
Speaker 1: Here's what.

609
00:32:12,520 --> 00:32:13,480
Speaker 2: We're taking a little shot.

610
00:32:15,120 --> 00:32:15,520
Speaker 1: I want to.

611
00:32:17,000 --> 00:32:17,200
Speaker 12: Listen.

612
00:32:18,600 --> 00:32:25,400
Speaker 1: You can take all the shots you. I'm not mad.

613
00:32:25,520 --> 00:32:29,560
Speaker 1: I'm saying I did not hit him with a machine.

614
00:32:29,760 --> 00:32:32,040
Speaker 1: I think, so what did you? There was a rough

615
00:32:32,160 --> 00:32:35,320
Speaker 1: conversation about the fact that when I mixed the record,

616
00:32:35,640 --> 00:32:38,160
Speaker 1: and when I was mixing the record, I was taking

617
00:32:38,240 --> 00:32:40,480
Speaker 1: out the drums that he put on the record to

618
00:32:40,640 --> 00:32:42,440
Speaker 1: just leave the loop by itself. Why is all the

619
00:32:42,600 --> 00:32:46,600
Speaker 1: arms for? It's not deep, it's simple. And I think

620
00:32:46,680 --> 00:32:48,920
Speaker 1: played myself, and I think that's the way. I think.

621
00:32:49,000 --> 00:32:51,560
Speaker 1: There was a like a heated conversation because honestly, I

622
00:32:51,680 --> 00:32:53,480
Speaker 1: wasn't even paying attention. I just know it was like

623
00:32:53,600 --> 00:32:55,480
Speaker 1: now and I was like, what the fuck? And he

624
00:32:55,600 --> 00:32:57,200
Speaker 1: had got I think he got hit with a drum

625
00:32:57,240 --> 00:33:00,480
Speaker 1: machine something like that. I wasn't to talk.

626
00:33:00,800 --> 00:33:03,160
Speaker 13: Believe, it's no job, and like every other thing, like

627
00:33:03,520 --> 00:33:06,280
Speaker 13: every everything you ever mentioned, and like but right now,

628
00:33:06,480 --> 00:33:09,800
Speaker 13: at the moment, you got in the Brooklyn on like

629
00:33:10,160 --> 00:33:12,840
Speaker 13: you can't even take the Brooklyn smirk, like you can't

630
00:33:13,360 --> 00:33:22,160
Speaker 13: take another jot Clark, I got, yeah, you gotta.

631
00:33:22,320 --> 00:33:25,360
Speaker 1: We're celebrating clark Head tonight in the words, in the

632
00:33:25,400 --> 00:33:25,920
Speaker 1: words of Norman.

633
00:33:25,960 --> 00:33:28,160
Speaker 2: I'm the official porl and I.

634
00:33:28,200 --> 00:33:31,120
Speaker 1: See you on the d J yesterday. You had champagne.

635
00:33:31,400 --> 00:33:34,240
Speaker 1: You killed the crowd, yo, goddamn it. I'm still proud

636
00:33:34,240 --> 00:33:36,240
Speaker 1: of you. Still out here relevant to take another shot? Godamn,

637
00:33:36,320 --> 00:33:38,720
Speaker 1: come on, we're gonna do it. Luke Clark can motherfucking

638
00:33:38,800 --> 00:33:42,480
Speaker 1: mayor goddamn goes down like that.

639
00:33:46,840 --> 00:33:47,840
Speaker 2: I am not going to the party.

640
00:33:48,520 --> 00:33:50,880
Speaker 1: The best liquor on the planet throw that out there.

641
00:33:55,120 --> 00:33:58,440
Speaker 1: That shot was way too much, So Clark over again,

642
00:33:58,560 --> 00:34:01,800
Speaker 1: you did not I did not hit easy l P

643
00:34:02,480 --> 00:34:05,840
Speaker 1: with a drum machine at all. I had nothing to do.

644
00:34:07,120 --> 00:34:09,560
Speaker 1: I had nothing to do with it. So you want

645
00:34:09,640 --> 00:34:10,880
Speaker 1: they want to get off of that subject.

646
00:34:11,840 --> 00:34:13,000
Speaker 2: I'm gonna text you to not tell you.

647
00:34:14,440 --> 00:34:16,239
Speaker 1: But it's all because Easy LP his family as well.

648
00:34:16,400 --> 00:34:19,279
Speaker 1: That's what I'm saying. It was I heard because you know,

649
00:34:19,440 --> 00:34:20,960
Speaker 1: you know why I heard that room up because they

650
00:34:21,080 --> 00:34:24,279
Speaker 1: was telling me how Big was like an instigator. So

651
00:34:24,440 --> 00:34:27,480
Speaker 1: they so they because I used to instigate ship like

652
00:34:27,600 --> 00:34:30,040
Speaker 1: Big Big as an instigator. So that's how I actually

653
00:34:30,440 --> 00:34:33,000
Speaker 1: got that story. But I wouldn't say Big was an instigator.

654
00:34:33,000 --> 00:34:39,320
Speaker 1: I would say Big was he instigated the machine. The

655
00:34:39,400 --> 00:34:40,480
Speaker 1: machine just that.

656
00:34:42,360 --> 00:34:42,960
Speaker 2: It's crazy.

657
00:34:43,280 --> 00:34:47,160
Speaker 1: I'm can I ask you about the rabbit you slad? No,

658
00:34:47,760 --> 00:34:54,840
Speaker 1: it's okay, it was okay you already said that. I'm like,

659
00:34:55,320 --> 00:34:57,640
Speaker 1: you know you know what you did? Yo. I want

660
00:34:57,680 --> 00:34:59,480
Speaker 1: to be. I want to be I want everybody to

661
00:34:59,560 --> 00:35:03,560
Speaker 1: understand this. Nor re curved me when he first started

662
00:35:03,600 --> 00:35:07,200
Speaker 1: doing the podcast. No, yes, wait wait remember you hit

663
00:35:07,280 --> 00:35:12,080
Speaker 1: me on Twitter and hold on. I was way later.

664
00:35:13,000 --> 00:35:14,560
Speaker 1: I want to know because you hit me on Twitter

665
00:35:14,600 --> 00:35:16,640
Speaker 1: and was like, Yo, we need to get you on

666
00:35:16,719 --> 00:35:19,600
Speaker 1: the on the podcast, and I went, I don't know, son,

667
00:35:19,640 --> 00:35:22,439
Speaker 1: because I know you Poppy and you was like, yeah,

668
00:35:22,440 --> 00:35:29,759
Speaker 1: I forget it. You were back. Yeah, forget it, I said,

669
00:35:30,719 --> 00:35:31,160
Speaker 1: I laughed.

670
00:35:31,200 --> 00:35:33,120
Speaker 2: I was like, aha, I said don't.

671
00:35:33,200 --> 00:35:35,840
Speaker 1: I said, I don't know, because I know you you

672
00:35:35,960 --> 00:35:37,239
Speaker 1: roll back. Here's the crazy ship.

673
00:35:37,360 --> 00:35:37,480
Speaker 11: Now.

674
00:35:37,880 --> 00:35:40,839
Speaker 1: I'm a hot nigga. So sometimes I answered somebody else

675
00:35:41,120 --> 00:35:43,800
Speaker 1: thinking I'm asking somebody else. You listen, I'm gonna be

676
00:35:43,840 --> 00:35:46,800
Speaker 1: honest with you. It's certain people that is like so

677
00:35:46,960 --> 00:35:50,000
Speaker 1: much family to me that it's like you're one of

678
00:35:50,040 --> 00:35:52,280
Speaker 1: those guys like I did. I don't pressure you because

679
00:35:52,280 --> 00:35:55,200
Speaker 1: I know that me and you're gonna sure, we're gonna

680
00:35:55,239 --> 00:35:57,040
Speaker 1: do it. And then I've seen you did rap up.

681
00:35:57,080 --> 00:36:00,879
Speaker 1: We almost didn't. When I said you didn't, I'm saying

682
00:36:00,920 --> 00:36:03,880
Speaker 1: I said, I said, hmm. I said, they don't know

683
00:36:04,160 --> 00:36:05,840
Speaker 1: how to, you know, get it out of him, Like,

684
00:36:05,960 --> 00:36:08,480
Speaker 1: you know, that's a great pause. It's great.

685
00:36:09,000 --> 00:36:09,239
Speaker 6: They do.

686
00:36:09,400 --> 00:36:11,120
Speaker 1: What they do is what they do. But what we

687
00:36:11,200 --> 00:36:13,719
Speaker 1: do is we celebrate hip hop. We celebrate moments. Okay,

688
00:36:13,800 --> 00:36:18,239
Speaker 1: let's celebrate the Poladia. But because celebration, you're trying to

689
00:36:18,320 --> 00:36:24,959
Speaker 1: celebrate someone getting here with a drummer shet of having

690
00:36:25,000 --> 00:36:29,879
Speaker 1: an issue with easier, I didn't have it, yo. That's

691
00:36:30,120 --> 00:36:32,399
Speaker 1: so I'm telling you what actually happened because that's such

692
00:36:32,440 --> 00:36:34,840
Speaker 1: a classic hip hop story. Because y'all was so intricate

693
00:36:34,920 --> 00:36:37,560
Speaker 1: in the Junior Mafia album resolutely, you know what I mean.

694
00:36:37,640 --> 00:36:40,560
Speaker 1: So last year we didn't know that. You need to

695
00:36:40,640 --> 00:36:44,560
Speaker 1: know that, Like I'm three is my lucky number. So

696
00:36:44,560 --> 00:36:46,279
Speaker 1: We're gonna do one more shot, you know what I'm saying.

697
00:36:46,320 --> 00:36:48,960
Speaker 1: But continue, I just want to throw that out there.

698
00:36:52,440 --> 00:36:55,359
Speaker 1: What's next. The best Panamanian DJ in the world makes

699
00:36:55,400 --> 00:37:00,840
Speaker 1: some fact, is the best of Minican rapper in the

700
00:37:00,920 --> 00:37:05,279
Speaker 1: world make some noise as well. My job is to

701
00:37:05,360 --> 00:37:08,480
Speaker 1: get people who are half la you know, like Jewel Santana.

702
00:37:12,640 --> 00:37:19,200
Speaker 1: Absolutely not embarrassed, but that's crazy. Always say that I'm

703
00:37:19,200 --> 00:37:23,040
Speaker 1: embarrassed by that. It's never find lem to you. And

704
00:37:23,560 --> 00:37:26,520
Speaker 1: she was here. She had to speak English all the time,

705
00:37:26,680 --> 00:37:35,960
Speaker 1: so when when we came in, we learned English. Now,

706
00:37:36,080 --> 00:37:38,239
Speaker 1: Clark Ken is the man. This is the smartest thing

707
00:37:38,760 --> 00:37:43,640
Speaker 1: you internationally knows, right, Brooklyn niggas know you let me,

708
00:37:44,640 --> 00:37:47,560
Speaker 1: but people in Brooklyn know that Clark is a certain

709
00:37:47,640 --> 00:37:51,840
Speaker 1: way you go through Clark to get somewhere. People. Maybe

710
00:37:52,440 --> 00:37:54,120
Speaker 1: these people come to you and they say they got

711
00:37:54,160 --> 00:37:57,920
Speaker 1: an artist named jazz Old, and jazz Old tells you

712
00:37:58,320 --> 00:38:01,640
Speaker 1: they have an artist named jay Z. Who was your

713
00:38:01,680 --> 00:38:05,480
Speaker 1: first impression of that. Well, I didn't get told that,

714
00:38:05,560 --> 00:38:07,840
Speaker 1: I that that there's an artist named jazz Oh. I

715
00:38:07,920 --> 00:38:12,160
Speaker 1: knew Jazz because he was working with Fresh Gordon, because

716
00:38:14,160 --> 00:38:16,560
Speaker 1: Z was down with Fresh Vowdon. He was down Fresh Gordon,

717
00:38:16,600 --> 00:38:20,560
Speaker 1: fresh from Marshie. No, no, I don't know if any

718
00:38:20,600 --> 00:38:23,439
Speaker 1: of the sets is just being a questioned right now. Yeah,

719
00:38:26,960 --> 00:38:32,680
Speaker 1: you can't ask question qualified. I bought guy. Yeah, jazz

720
00:38:32,719 --> 00:38:35,160
Speaker 1: O was my man already. And Jazzo used to produce

721
00:38:35,280 --> 00:38:37,520
Speaker 1: Chad who lived up the block from me, Chad Elliott.

722
00:38:38,840 --> 00:38:41,360
Speaker 1: Fresh Gordon was one of my my, my good friends,

723
00:38:41,440 --> 00:38:43,680
Speaker 1: and and they used to work together on records and

724
00:38:43,760 --> 00:38:47,880
Speaker 1: producing other people as such. And Jazz was like, Yo,

725
00:38:48,000 --> 00:38:51,040
Speaker 1: you gotta hear my man. This is like forever ago.

726
00:38:51,360 --> 00:38:53,160
Speaker 2: And it was Jake and I was in.

727
00:38:53,280 --> 00:38:56,920
Speaker 1: Mind who said you gotta hear my man Jazz. But

728
00:38:57,560 --> 00:39:01,160
Speaker 1: the thing is like, when you knew jazz, you felt

729
00:39:01,239 --> 00:39:03,319
Speaker 1: like jazz was like the best thing in the whole

730
00:39:03,360 --> 00:39:07,120
Speaker 1: world in Brooklyn. He was untouchable. Wow, Like if you

731
00:39:07,239 --> 00:39:09,279
Speaker 1: really knew and you listened to rhymes a certain way,

732
00:39:09,360 --> 00:39:11,759
Speaker 1: like he was really untouchable. And then he brings this

733
00:39:11,960 --> 00:39:15,399
Speaker 1: dude who's as good as him but has a little

734
00:39:15,520 --> 00:39:19,200
Speaker 1: more swagger to him. But not back then, did you know?

735
00:39:19,440 --> 00:39:23,800
Speaker 1: Not back then then he had a little yeah that

736
00:39:24,000 --> 00:39:25,360
Speaker 1: no on Hawaiian Sophie.

737
00:39:26,440 --> 00:39:29,600
Speaker 2: It was already drunk Hawaii.

738
00:39:31,760 --> 00:39:41,120
Speaker 1: I didn't know what he's saying going right now, It's okay.

739
00:39:42,000 --> 00:39:48,759
Speaker 14: It was a soundtrack, it wasn't a sound You got

740
00:39:48,800 --> 00:39:53,279
Speaker 14: people listening to you, man, we can talk.

741
00:39:55,239 --> 00:39:57,200
Speaker 1: Yeah. So Jazz is like, you gotta hear my man here,

742
00:39:57,239 --> 00:40:00,960
Speaker 1: his man, his man is light. So when I got

743
00:40:01,040 --> 00:40:04,239
Speaker 1: my first job at a record a record company, in

744
00:40:04,320 --> 00:40:07,400
Speaker 1: between these times because Jazz is my man, every there

745
00:40:07,480 --> 00:40:09,239
Speaker 1: was a bunch of times that he did shows and

746
00:40:09,320 --> 00:40:10,880
Speaker 1: he would call me like yo, DJ for me at

747
00:40:10,880 --> 00:40:12,919
Speaker 1: the show, and Jay would be there. So I would

748
00:40:12,960 --> 00:40:15,320
Speaker 1: get to hear these two rhymes all the time. And

749
00:40:15,400 --> 00:40:17,719
Speaker 1: I always thought to myself like these like might be

750
00:40:17,840 --> 00:40:20,640
Speaker 1: the two best motherfuckers in the whole world. Wow. So

751
00:40:21,840 --> 00:40:23,920
Speaker 1: you know, time goes on. I get this job, I

752
00:40:24,000 --> 00:40:26,359
Speaker 1: get the job at Atlantic Records. I think at day

753
00:40:26,640 --> 00:40:29,040
Speaker 1: one and a half, I was like, where's jay Z,

754
00:40:30,120 --> 00:40:34,000
Speaker 1: Where's Jazz? Where's jay Z? Where's Jazz? I found Jazz first,

755
00:40:34,120 --> 00:40:36,279
Speaker 1: and Jazz was like, I gotta find jay Z. And

756
00:40:36,360 --> 00:40:40,920
Speaker 1: then shirt King Fade from Queens. Yeah, okay because he

757
00:40:41,000 --> 00:40:42,400
Speaker 1: wanted to say that, right of course I did.

758
00:40:42,520 --> 00:40:42,920
Speaker 2: Well, who's that?

759
00:40:42,960 --> 00:40:45,759
Speaker 1: Because I don't know if listens at Jane is one

760
00:40:45,800 --> 00:40:48,680
Speaker 1: of the shirt Kings, but these name was Punky Fade. Now,

761
00:40:48,719 --> 00:40:51,440
Speaker 1: shirt Kings was like a very popular place in the Coloseum,

762
00:40:51,560 --> 00:40:52,680
Speaker 1: more than Jamaica Queens.

763
00:40:53,120 --> 00:40:55,600
Speaker 2: That is like, you understand that everybody from New York.

764
00:40:57,280 --> 00:41:01,160
Speaker 1: Okay, with all due respect, if we're saying shirt kings

765
00:41:01,280 --> 00:41:03,960
Speaker 1: and he can agree shirt Kings. Anybody who listened to this,

766
00:41:04,239 --> 00:41:06,759
Speaker 1: if you if you go on Google and you guilt

767
00:41:06,800 --> 00:41:09,759
Speaker 1: up shirts, get your Google shirt Kings and you'll be

768
00:41:09,880 --> 00:41:13,160
Speaker 1: learning something that was important at that time, and shirt

769
00:41:13,200 --> 00:41:16,600
Speaker 1: Kings were important. Funky Fade and Nike was super important

770
00:41:16,800 --> 00:41:19,239
Speaker 1: than hip hop, and they were a part of the

771
00:41:19,320 --> 00:41:21,520
Speaker 1: thing that we were doing. They were making graffiti shirts

772
00:41:21,560 --> 00:41:25,280
Speaker 1: and shirts with characters, and anybody who was doing anything

773
00:41:25,360 --> 00:41:27,560
Speaker 1: hip hop at that recise moment tried to get a

774
00:41:27,640 --> 00:41:29,360
Speaker 1: shirtcase shirt. There was a bunch of people who were

775
00:41:30,480 --> 00:41:31,040
Speaker 1: go to the wall.

776
00:41:31,400 --> 00:41:34,520
Speaker 6: There was a bunch of people we were scaredrus shirts

777
00:41:34,520 --> 00:41:34,759
Speaker 6: back then.

778
00:41:34,800 --> 00:41:38,239
Speaker 1: Yeah, yeah, yeah, there were legend. They were legend like

779
00:41:38,400 --> 00:41:40,800
Speaker 1: like like like people will take pictures and like in

780
00:41:40,840 --> 00:41:41,239
Speaker 1: front of this.

781
00:41:41,360 --> 00:41:43,000
Speaker 2: So when we were seeing that in other cities, they

782
00:41:43,040 --> 00:41:44,000
Speaker 2: were emulating them.

783
00:41:43,960 --> 00:41:44,600
Speaker 1: One hundred percent.

784
00:41:45,239 --> 00:41:46,640
Speaker 2: You see any with a big.

785
00:41:48,840 --> 00:41:51,959
Speaker 1: Shirt, We were saying anything hip hop in any other city.

786
00:41:52,040 --> 00:41:54,799
Speaker 1: They were trying to duplicate ship that we had already done,

787
00:41:55,040 --> 00:41:57,799
Speaker 1: not that we were doing ship that we had already done,

788
00:41:57,920 --> 00:42:01,240
Speaker 1: Like we built hip hop and then we let everybody.

789
00:42:00,880 --> 00:42:02,799
Speaker 2: Else saw York.

790
00:42:02,920 --> 00:42:06,320
Speaker 15: Yeah yeah, well that's absolutely be talking about absolutely, but

791
00:42:06,360 --> 00:42:08,239
Speaker 15: I mean it evolved in a changed and each city

792
00:42:08,280 --> 00:42:09,080
Speaker 15: did its own part.

793
00:42:08,960 --> 00:42:13,160
Speaker 1: Of it, but they anything that they did. If we

794
00:42:13,280 --> 00:42:15,480
Speaker 1: didn't have this foundation and ship that they worked from,

795
00:42:15,520 --> 00:42:17,760
Speaker 1: there would be no rap, if there was no hippo.

796
00:42:19,400 --> 00:42:20,800
Speaker 1: I just want to say, I want to say it

797
00:42:20,920 --> 00:42:23,200
Speaker 1: like that so that when you say, when you look

798
00:42:23,239 --> 00:42:25,239
Speaker 1: at somebody else and you see it in another city,

799
00:42:25,560 --> 00:42:28,359
Speaker 1: it kind of has context or another country, it has

800
00:42:28,440 --> 00:42:29,920
Speaker 1: context that it came from this.

801
00:42:30,440 --> 00:42:34,640
Speaker 2: Absolutely okay cool, but also on some fan ship, what

802
00:42:34,880 --> 00:42:35,200
Speaker 2: made you?

803
00:42:35,680 --> 00:42:37,440
Speaker 6: And I'm privy to all these stories already because I've

804
00:42:37,440 --> 00:42:39,520
Speaker 6: been around you forever, what did you hear from Jay

805
00:42:39,840 --> 00:42:41,600
Speaker 6: that made you say that these two are the best.

806
00:42:41,640 --> 00:42:43,279
Speaker 1: And you know, this is the reason why I want

807
00:42:43,320 --> 00:42:45,279
Speaker 1: to know what you heard, man. And I'm the same

808
00:42:45,360 --> 00:42:48,320
Speaker 1: thing as this question, because I remember you talking about

809
00:42:48,440 --> 00:42:51,600
Speaker 1: Jay when everybody was like, clock, it's crazy.

810
00:42:52,040 --> 00:42:53,680
Speaker 6: I'm gonna make I'm gonna make them tell another story

811
00:42:53,719 --> 00:42:54,000
Speaker 6: after this.

812
00:42:54,000 --> 00:42:56,800
Speaker 1: One, but go ahead ahead, so like like, so re

813
00:42:56,920 --> 00:42:59,680
Speaker 1: iterated when he asked, like, what made you see what

814
00:42:59,760 --> 00:43:01,719
Speaker 1: did you here? Like she was crazy? Because I know, yeah,

815
00:43:01,719 --> 00:43:03,680
Speaker 1: I know, you and Dame Dash can't really get along

816
00:43:03,800 --> 00:43:07,759
Speaker 1: because yeah, he goes, yeah, yeah, that's funny you say that,

817
00:43:07,760 --> 00:43:11,040
Speaker 1: because Dame is really my man. He's my man. You know,

818
00:43:11,160 --> 00:43:13,680
Speaker 1: he's my man. You know what, he's my man. I

819
00:43:13,800 --> 00:43:16,920
Speaker 1: can't say anything negative about him. I can't even if

820
00:43:16,920 --> 00:43:19,960
Speaker 1: I try. The things that I would say, it would

821
00:43:20,000 --> 00:43:22,640
Speaker 1: be negative between me and him into the world. It

822
00:43:22,680 --> 00:43:25,160
Speaker 1: would be like, but y'all a friends, So it's supposed

823
00:43:25,200 --> 00:43:26,520
Speaker 1: to be that way, you know what I'm saying. The

824
00:43:26,560 --> 00:43:29,160
Speaker 1: ship that I could say negative about him, mayor who's

825
00:43:29,520 --> 00:43:32,080
Speaker 1: my ace? People would go, well, y'all the friends are

826
00:43:32,120 --> 00:43:34,400
Speaker 1: supposed to be that way. We fighting don't talk for

827
00:43:34,480 --> 00:43:36,920
Speaker 1: a year and a half, but he's still my nigga.

828
00:43:37,000 --> 00:43:39,480
Speaker 1: Like no one would know he was fighting. We'd be

829
00:43:39,600 --> 00:43:43,239
Speaker 1: something no, no with you. He's gonna try sitting on

830
00:43:43,320 --> 00:43:45,359
Speaker 1: my shot. I don't care how God so so far

831
00:43:45,480 --> 00:43:46,839
Speaker 1: for got God.

832
00:43:47,120 --> 00:43:47,400
Speaker 2: You know what?

833
00:43:48,680 --> 00:43:51,279
Speaker 1: Wait wait twenty yeah wait wait wait, sit down now,

834
00:43:52,040 --> 00:43:58,920
Speaker 1: RELs what we're gonna do while we're here. If you

835
00:43:59,040 --> 00:44:01,040
Speaker 1: asked me a question, on gonna finish the answer?

836
00:44:02,360 --> 00:44:03,200
Speaker 2: What was the question?

837
00:44:03,480 --> 00:44:04,080
Speaker 1: What did I see?

838
00:44:05,000 --> 00:44:05,919
Speaker 2: What did you hear from Jane?

839
00:44:06,440 --> 00:44:14,480
Speaker 1: Why are you fucking interview? Let me live an interview.

840
00:44:14,680 --> 00:44:18,359
Speaker 1: I'm interviewing. If you don't want to, that's on, y'all.

841
00:44:19,000 --> 00:44:22,400
Speaker 6: An interview, my podcast, interview with that, y'all come on.

842
00:44:22,480 --> 00:44:27,000
Speaker 1: I like to give context to answers. So when I

843
00:44:27,120 --> 00:44:30,520
Speaker 1: was growing up, when everybody looked and they saw Melle

844
00:44:30,560 --> 00:44:33,080
Speaker 1: Mel Rap and they thought, this is motherfucker is the

845
00:44:33,160 --> 00:44:37,000
Speaker 1: illest ship I saw great, I saw Grandmaster casts and

846
00:44:37,120 --> 00:44:41,239
Speaker 1: I was like, he's to me, he's to me, he's

847
00:44:41,280 --> 00:44:44,520
Speaker 1: a little iller. See them when time's going on and

848
00:44:44,800 --> 00:44:49,520
Speaker 1: everybody's talking about whomever. I heard Rock came around when

849
00:44:49,560 --> 00:44:54,120
Speaker 1: he was eleven, and I was like, wow, at eleven,

850
00:44:54,200 --> 00:44:56,319
Speaker 1: he was a wild boy. You I was DJing at

851
00:44:56,400 --> 00:45:00,720
Speaker 1: Amityville Day on King Charles DJ set King Charles, some queens.

852
00:45:03,280 --> 00:45:06,560
Speaker 1: Where was this at? It was in Amityville. I was DJing.

853
00:45:06,840 --> 00:45:10,640
Speaker 1: I was young too. I was DJing at Amityville Day

854
00:45:11,040 --> 00:45:16,279
Speaker 1: no Wine Dance Day. Sorry, I was big. I did

855
00:45:16,360 --> 00:45:18,600
Speaker 1: both of those. I did both of those days like

856
00:45:18,640 --> 00:45:20,600
Speaker 1: I would do Wine Dance Day, d jing and and

857
00:45:21,360 --> 00:45:23,800
Speaker 1: and Amityville Day djay and and I was DJ and

858
00:45:23,840 --> 00:45:26,080
Speaker 1: Wine Dance Day. And a little dude on the mic

859
00:45:26,560 --> 00:45:29,120
Speaker 1: was rock him eleven on a crate and he was

860
00:45:30,080 --> 00:45:33,720
Speaker 1: he was just wilding for a little dude. He was eleven,

861
00:45:33,800 --> 00:45:35,560
Speaker 1: like he could tell you this story because he knows

862
00:45:35,560 --> 00:45:38,000
Speaker 1: it's true that it was me and him. But I

863
00:45:38,200 --> 00:45:41,239
Speaker 1: watched him at eleven. And I was young too. I

864
00:45:41,280 --> 00:45:43,640
Speaker 1: mean he's he's like what two years younger than me.

865
00:45:44,520 --> 00:45:47,640
Speaker 1: It was wild to see this dude dj and at thirteen. Well,

866
00:45:47,680 --> 00:45:50,160
Speaker 1: I was DJing at nine. But I was playing parks

867
00:45:50,200 --> 00:45:55,319
Speaker 1: at twelve. No games here like barks because people that's

868
00:45:55,320 --> 00:45:56,920
Speaker 1: not from New York City. I'm gonna do no. No,

869
00:45:57,160 --> 00:46:03,920
Speaker 1: I mean important was ill the people to everybody back then,

870
00:46:04,320 --> 00:46:08,799
Speaker 1: like like eighty nine ninety early nine, people didn't really

871
00:46:08,840 --> 00:46:09,680
Speaker 1: go to clubs they went to.

872
00:46:10,160 --> 00:46:11,040
Speaker 2: This is before even that.

873
00:46:11,320 --> 00:46:13,920
Speaker 1: Yeah, I mean, and for him to say that, that's crazy.

874
00:46:14,000 --> 00:46:17,680
Speaker 1: God damn, this motherfucker got me Africa. That's what I say.

875
00:46:17,719 --> 00:46:20,160
Speaker 1: Home more shot, Let's do it. That's South Africa now,

876
00:46:20,520 --> 00:46:29,680
Speaker 1: God damn y Michael Pink Pong what that's that's another rock.

877
00:46:29,680 --> 00:46:32,000
Speaker 1: I just wanted to throw it out there, smoothing back

878
00:46:32,080 --> 00:46:35,319
Speaker 1: in the world. Oh my god, figg a little water

879
00:46:35,480 --> 00:46:45,479
Speaker 1: hydrate or something, Joe, because yo Claw, so you worked

880
00:46:45,520 --> 00:46:51,160
Speaker 1: with Jay. I was given context to the answer, but

881
00:46:51,239 --> 00:46:55,279
Speaker 1: I got an interview, know what I'm saying. I would

882
00:46:55,320 --> 00:46:57,040
Speaker 1: look at the rappers that I would seeing. I would

883
00:46:57,160 --> 00:47:00,000
Speaker 1: I would try to figure out who I thought was better.

884
00:47:00,239 --> 00:47:04,319
Speaker 1: But see, at one point I realized that what people

885
00:47:04,400 --> 00:47:07,200
Speaker 1: were looking at and thinking was better was probably different

886
00:47:07,239 --> 00:47:09,200
Speaker 1: than what I was thinking and looking at was better.

887
00:47:09,600 --> 00:47:12,799
Speaker 1: I looked at bar for bar for bar for bar

888
00:47:13,040 --> 00:47:16,719
Speaker 1: for bar, What did you say? How clever was it?

889
00:47:17,120 --> 00:47:20,800
Speaker 1: How witty was it? And then I decided, if what

890
00:47:21,000 --> 00:47:23,719
Speaker 1: you said was iller, then the next guy that everybody's

891
00:47:23,800 --> 00:47:30,280
Speaker 1: looking at. So when people were looking at KRS and whomever,

892
00:47:30,480 --> 00:47:32,719
Speaker 1: I was like, ignowed a rock him. Dude, he's he's

893
00:47:32,760 --> 00:47:35,200
Speaker 1: the wildest. And the reason why I thought rock Kim

894
00:47:35,280 --> 00:47:37,960
Speaker 1: was the wildest is because when rock Him made his

895
00:47:38,080 --> 00:47:42,680
Speaker 1: first record, rap changed one hundred percent. Nobody wasn't Nobody

896
00:47:42,800 --> 00:47:46,839
Speaker 1: wasn't rapping anymore. They started rhyming. When rock Kim made

897
00:47:46,880 --> 00:47:48,840
Speaker 1: his first record. Rock Kien was sixteen when his Reggord

898
00:47:48,880 --> 00:47:50,680
Speaker 1: cameing out a lot of people don't believe that. Wait,

899
00:47:51,200 --> 00:47:55,920
Speaker 1: what record? Being rock Him, he was like the sixteen

900
00:47:55,960 --> 00:47:59,520
Speaker 1: or seventeen. He was like, you have to understand, think

901
00:47:59,560 --> 00:48:02,200
Speaker 1: about what I'm telling him. I was young and he's

902
00:48:02,280 --> 00:48:05,880
Speaker 1: younger than me. So he was young when that Reggie

903
00:48:05,960 --> 00:48:10,000
Speaker 1: came out. He wasn't legal when when My My Melody

904
00:48:10,120 --> 00:48:11,799
Speaker 1: came out. Wow, you know what I'm saying.

905
00:48:12,600 --> 00:48:14,120
Speaker 2: I was think about.

906
00:48:15,640 --> 00:48:19,520
Speaker 1: You was younger than that. Nor he was young. Nory

907
00:48:19,600 --> 00:48:24,120
Speaker 1: was young when he was doing work when you did

908
00:48:24,160 --> 00:48:29,200
Speaker 1: the work for seventeen love. Yeah, the first time I

909
00:48:29,280 --> 00:48:32,120
Speaker 1: met Normy, he's not going to remember because Tragedy introduced

910
00:48:32,160 --> 00:48:34,400
Speaker 1: me to him, and he was wow. Young. But he

911
00:48:34,520 --> 00:48:36,880
Speaker 1: introduced me to Poem before he introduced me to him,

912
00:48:36,880 --> 00:48:39,400
Speaker 1: because Poem was from the projects with him, you know

913
00:48:39,440 --> 00:48:42,400
Speaker 1: what I'm saying. But when I brought him around, it

914
00:48:42,520 --> 00:48:44,680
Speaker 1: became more of a oh, I know this nigga. Now

915
00:48:45,040 --> 00:48:47,680
Speaker 1: I know this nigga, and then it wasn't like I

916
00:48:47,760 --> 00:48:49,320
Speaker 1: know this nigga, like I want to produce him. I

917
00:48:49,480 --> 00:48:52,120
Speaker 1: was like, no, Norris, my fucking man, you know what

918
00:48:52,120 --> 00:48:58,399
Speaker 1: I'm saying. Oh did we take that shot around?

919
00:49:01,640 --> 00:49:02,479
Speaker 2: Was your favorite number?

920
00:49:02,520 --> 00:49:09,000
Speaker 1: And damn this is my nigga. Okay. So, like I said,

921
00:49:09,640 --> 00:49:12,280
Speaker 1: I saw it when I heard it, I heard jazz.

922
00:49:14,760 --> 00:49:18,799
Speaker 1: Like I said, when I heard Jazz rhyme, the complexity

923
00:49:18,840 --> 00:49:22,400
Speaker 1: and the things he was saying, the bar for bar

924
00:49:22,520 --> 00:49:24,520
Speaker 1: for bar ship that he was saying, I was like, no,

925
00:49:24,680 --> 00:49:28,000
Speaker 1: he's the best rapping in the universe. Yes, because he

926
00:49:28,160 --> 00:49:31,279
Speaker 1: was super smart and he projected the smart ship that

927
00:49:31,360 --> 00:49:33,760
Speaker 1: he was saying in his bars. And then he introduces

928
00:49:33,840 --> 00:49:39,640
Speaker 1: me to this guy who's instead of being as smart,

929
00:49:39,920 --> 00:49:45,439
Speaker 1: he's wittier. Yo. When you're rhyming, the wittier ship hits

930
00:49:45,520 --> 00:49:48,680
Speaker 1: your chest a lot quicker than the smart ship. So

931
00:49:49,239 --> 00:49:51,759
Speaker 1: you walk away from it being fucked up. Like I

932
00:49:51,960 --> 00:49:55,600
Speaker 1: pack heat like the oven door, like as many motherfuckers

933
00:49:55,719 --> 00:49:57,400
Speaker 1: put something in the oven. They never looked at that

934
00:49:57,440 --> 00:50:00,480
Speaker 1: ship and was like, oh, ship, that's packing heat. This

935
00:50:00,680 --> 00:50:04,720
Speaker 1: nigga said that shit like what made him so witty?

936
00:50:05,040 --> 00:50:08,279
Speaker 1: He was beyond most dudes, and he didn't think of

937
00:50:08,400 --> 00:50:10,719
Speaker 1: things one way, and you could tell it when I

938
00:50:10,880 --> 00:50:14,359
Speaker 1: met him. The things he was saying, like you met him,

939
00:50:14,480 --> 00:50:16,920
Speaker 1: was he writing rhymes on paper. He might have been

940
00:50:16,960 --> 00:50:18,920
Speaker 1: writing rounds on paper then, but when it got to

941
00:50:19,040 --> 00:50:21,320
Speaker 1: the point where he was running around with cane and

942
00:50:21,360 --> 00:50:23,719
Speaker 1: all of that, like, nah, there was no but he

943
00:50:23,800 --> 00:50:25,680
Speaker 1: has to understand. He was getting to the money, so

944
00:50:25,800 --> 00:50:27,640
Speaker 1: there was no time to put a pen on it.

945
00:50:27,840 --> 00:50:30,319
Speaker 1: But at that precise moment when he introduced me to him,

946
00:50:30,800 --> 00:50:33,120
Speaker 1: I was like, damn, he's just as wild as jazz,

947
00:50:33,200 --> 00:50:37,360
Speaker 1: but he has a little more that other thing. The

948
00:50:37,480 --> 00:50:39,359
Speaker 1: thing is I didn't know nothing about making records at

949
00:50:39,400 --> 00:50:42,080
Speaker 1: that point, and he didn't know anything. But we were

950
00:50:42,120 --> 00:50:45,000
Speaker 1: all young. But I listened and I was like, nah,

951
00:50:45,080 --> 00:50:47,759
Speaker 1: he might be illed th in jazz. I never said it,

952
00:50:48,239 --> 00:50:49,920
Speaker 1: but I thought it to myself, like he might be

953
00:50:50,000 --> 00:50:53,520
Speaker 1: illing in jazz, but not saying that his rhymes were better.

954
00:50:53,600 --> 00:50:56,320
Speaker 1: But like the way he was approaching his rhymes was

955
00:50:56,719 --> 00:50:59,640
Speaker 1: a little iller like jazz is a nigga who would

956
00:50:59,640 --> 00:51:03,800
Speaker 1: say I mont blocked the paper satellite ridium. What the

957
00:51:03,880 --> 00:51:05,560
Speaker 1: fuck is a mob block? And then when you realize

958
00:51:05,600 --> 00:51:11,720
Speaker 1: it's a pen, you're like, all right, Jazz, all right, research,

959
00:51:12,080 --> 00:51:14,960
Speaker 1: Like we can't afford my blanc pens. Nigga, how do

960
00:51:15,040 --> 00:51:18,240
Speaker 1: you know what is the satellite I Ridium? The satellite

961
00:51:18,239 --> 00:51:20,759
Speaker 1: I Ridium is a phone that can work anywhere. Like,

962
00:51:20,880 --> 00:51:24,040
Speaker 1: who the fuck knows, my nigga, But this nigga was

963
00:51:24,160 --> 00:51:27,719
Speaker 1: saying that shit. So when Jay, when Jazz was saying

964
00:51:27,719 --> 00:51:29,600
Speaker 1: that shit, I'm looking at him like, yeah, ain't nobody

965
00:51:29,640 --> 00:51:31,040
Speaker 1: in the world better than this nigga?

966
00:51:31,239 --> 00:51:31,960
Speaker 16: And we had the.

967
00:51:32,080 --> 00:51:35,480
Speaker 1: Rise, we had the canes, we had the care wrestlers,

968
00:51:35,520 --> 00:51:38,719
Speaker 1: we had everybody. I was going nine, nigga not better

969
00:51:38,800 --> 00:51:43,359
Speaker 1: than Jazz. Oh, but his man's was his man's turned

970
00:51:43,400 --> 00:51:46,600
Speaker 1: the corner. Now you see Did you see that he

971
00:51:46,640 --> 00:51:50,160
Speaker 1: would be this where he's at now? Absolutely you see it? Then, No,

972
00:51:50,320 --> 00:51:52,799
Speaker 1: I saw it as soon as I got in touch

973
00:51:52,840 --> 00:51:57,799
Speaker 1: with him, Because what most people don't know is when

974
00:51:57,840 --> 00:51:59,880
Speaker 1: I got in touch with him, it wasn't so weakd

975
00:52:00,080 --> 00:52:02,200
Speaker 1: do his records. It was so that we could do

976
00:52:02,719 --> 00:52:05,840
Speaker 1: him and Jazz records. So that's supposed to be the

977
00:52:05,920 --> 00:52:09,279
Speaker 1: best best Jay and Jezz, No no, no, it was

978
00:52:09,280 --> 00:52:11,919
Speaker 1: supposed they were the best period. They were saying the world,

979
00:52:11,960 --> 00:52:14,839
Speaker 1: there's no world, one world, them two dudes is the best.

980
00:52:14,880 --> 00:52:17,120
Speaker 1: And that's all I thought, and that's all I cared about.

981
00:52:17,120 --> 00:52:19,080
Speaker 1: I want these niggas to be the best. Someone niggas

982
00:52:19,080 --> 00:52:21,040
Speaker 1: hear these niggas and be like, what the fuck is

983
00:52:21,360 --> 00:52:24,160
Speaker 1: happening in all of rap history? You know what I'm saying.

984
00:52:24,640 --> 00:52:28,920
Speaker 1: But the records didn't turn around that way, and jazz

985
00:52:29,040 --> 00:52:32,600
Speaker 1: wasn't around as much, so Jay made more records by himself,

986
00:52:33,000 --> 00:52:36,160
Speaker 1: and you know, like if you were there, you were like, oh, no,

987
00:52:36,280 --> 00:52:38,800
Speaker 1: this is going to be the wildest ship ever because

988
00:52:38,840 --> 00:52:44,120
Speaker 1: he was so nice, Like dude was nice because you

989
00:52:44,200 --> 00:52:46,120
Speaker 1: know why I say nice? You know why I say that,

990
00:52:46,239 --> 00:52:52,840
Speaker 1: because like the world like they understood Reasonable Doubt? Well,

991
00:52:52,840 --> 00:52:56,000
Speaker 1: what was the album right after Reasonable with Doubt? In

992
00:52:56,120 --> 00:52:58,839
Speaker 1: my lifetime? For one? Okay, Well that's when the world

993
00:52:58,960 --> 00:53:02,319
Speaker 1: actually like, like I mean, the rest of the world,

994
00:53:02,360 --> 00:53:05,920
Speaker 1: who was slow? But for you to know that early on,

995
00:53:06,280 --> 00:53:08,440
Speaker 1: it's something special, you know what I'm saying. A lot

996
00:53:08,480 --> 00:53:10,919
Speaker 1: of people ask that was slept though I'm talking about

997
00:53:10,960 --> 00:53:12,879
Speaker 1: like you know what I mean, Like two years later,

998
00:53:12,960 --> 00:53:15,359
Speaker 1: people was like, Damn, that was a classic. It might

999
00:53:15,400 --> 00:53:18,279
Speaker 1: have been his, but in context Original Flavor, like where

1000
00:53:18,360 --> 00:53:21,480
Speaker 1: is this all this landing? Just so were landing like

1001
00:53:21,640 --> 00:53:24,160
Speaker 1: him working with Original Flavor. No, you don't understand, Like

1002
00:53:24,400 --> 00:53:28,960
Speaker 1: I was working with Jay before I signed Original Flavor,

1003
00:53:29,040 --> 00:53:32,279
Speaker 1: and it's just that while I was working with him,

1004
00:53:32,280 --> 00:53:35,160
Speaker 1: I signed Original Flavor and I signed the Future Sound,

1005
00:53:35,239 --> 00:53:38,120
Speaker 1: I signed Damon's groups. I met Damon, but I was like, Dame,

1006
00:53:38,200 --> 00:53:40,520
Speaker 1: you need to meet my man. My man's yellow than

1007
00:53:40,640 --> 00:53:43,439
Speaker 1: anything you've ever seen. Talked about jazz. Get talking about

1008
00:53:43,480 --> 00:53:46,200
Speaker 1: Jay because you have to understand what you're talking about,

1009
00:53:46,200 --> 00:53:52,200
Speaker 1: cause that's right. You introduced jay Z rightow? Crazy? Is

1010
00:53:52,280 --> 00:53:53,080
Speaker 1: this true? Yeah?

1011
00:53:53,200 --> 00:53:54,480
Speaker 5: Like it's no.

1012
00:53:58,520 --> 00:53:59,680
Speaker 2: Ho history, that's crazy.

1013
00:54:00,120 --> 00:54:04,399
Speaker 1: We gotta go four shots continue clock number now five

1014
00:54:04,560 --> 00:54:10,560
Speaker 1: is five. I'm odd enough nigga. If I go four,

1015
00:54:10,800 --> 00:54:13,800
Speaker 1: that means I mind, it's my fault. If I go

1016
00:54:13,960 --> 00:54:16,960
Speaker 1: for that means my is to go five because I'm

1017
00:54:16,960 --> 00:54:20,719
Speaker 1: an odd nigga. Wow, Like I like being odd. I

1018
00:54:20,760 --> 00:54:22,759
Speaker 1: don't want to be respect that. Where's the bottle he's

1019
00:54:22,800 --> 00:54:29,920
Speaker 1: drinking from? All drinking from you? Is it real? It's real?

1020
00:54:30,640 --> 00:54:31,000
Speaker 2: Trust me?

1021
00:54:31,320 --> 00:54:36,280
Speaker 1: Please? What I'm drinking, I'll drink what you That's okay,

1022
00:54:36,920 --> 00:54:41,319
Speaker 1: It's okay. Don't look over here with that look. Give

1023
00:54:41,320 --> 00:54:45,680
Speaker 1: you that queen's looking. We're gonna look like relaxed noor

1024
00:54:46,080 --> 00:54:48,560
Speaker 1: and give you the queens look. I can hand clock,

1025
00:54:48,800 --> 00:54:54,160
Speaker 1: but continue. Yeah story you were saying, Yeah, you asked

1026
00:54:54,200 --> 00:54:58,799
Speaker 1: me about original flavor, original flavor, and those those things

1027
00:54:58,840 --> 00:55:01,080
Speaker 1: were happening at the same time as I was doing

1028
00:55:01,640 --> 00:55:04,600
Speaker 1: records on Ja and trying to make sure that I

1029
00:55:04,680 --> 00:55:07,360
Speaker 1: was doing records on Jay and Jazz, and they introduced

1030
00:55:07,400 --> 00:55:10,880
Speaker 1: me to Sauce Money, so it was all three of them. Like,

1031
00:55:10,960 --> 00:55:16,120
Speaker 1: we were doing an album on Jay, Jazz and Sauce

1032
00:55:16,360 --> 00:55:19,759
Speaker 1: called The Hard Pack Pause, and we were doing that.

1033
00:55:19,960 --> 00:55:22,239
Speaker 1: I was working on songs for Jay and Jazz, which

1034
00:55:22,400 --> 00:55:24,120
Speaker 1: was I thought was what it was supposed to be.

1035
00:55:24,320 --> 00:55:26,359
Speaker 1: And then in the middle of that, I was doing

1036
00:55:27,440 --> 00:55:30,200
Speaker 1: j J solo records and I was doing Sauce solo records.

1037
00:55:30,239 --> 00:55:33,399
Speaker 1: I never did Jazz so Jazz solo records because Jazz

1038
00:55:33,520 --> 00:55:38,279
Speaker 1: was a producer and records wind up being on reasonable doubt,

1039
00:55:40,719 --> 00:55:42,759
Speaker 1: the two of them did. It was supposed to be three,

1040
00:55:42,800 --> 00:55:46,400
Speaker 1: but we lost a dat right before Master look at

1041
00:55:47,400 --> 00:55:57,600
Speaker 1: records made man thoughts and uh joint with Bleak Coming Age.

1042
00:55:57,800 --> 00:56:01,279
Speaker 1: Why couldn't I remember I didn't know that. I know

1043
00:56:01,360 --> 00:56:03,080
Speaker 1: you did, cash Man, that's one of my favorite records.

1044
00:56:03,080 --> 00:56:04,920
Speaker 1: I didn't know you did. Come and ask your man.

1045
00:56:05,440 --> 00:56:10,160
Speaker 1: I'm just saying, yeah, but so, But what I'm saying is,

1046
00:56:10,760 --> 00:56:13,880
Speaker 1: are you aware of what I'm saying? Like when Reasonable

1047
00:56:13,960 --> 00:56:17,440
Speaker 1: Doc came out, I knew it, but it was like

1048
00:56:17,520 --> 00:56:19,560
Speaker 1: the industry I'm not talking to understand me. I don't

1049
00:56:19,560 --> 00:56:22,520
Speaker 1: care what the industry was thinking. He still knew. I knew.

1050
00:56:22,840 --> 00:56:24,960
Speaker 1: I was one hundred percent sure. Actually I was one

1051
00:56:25,040 --> 00:56:27,680
Speaker 1: hundred and fifty percent sure. And I used to tell

1052
00:56:27,760 --> 00:56:33,080
Speaker 1: people you would apologize later, and a lot of niggas records, Yeah,

1053
00:56:33,080 --> 00:56:35,520
Speaker 1: it didn't matter what label it came on. I told

1054
00:56:35,640 --> 00:56:39,480
Speaker 1: niggas they would apologize and for sure. For years straight,

1055
00:56:39,680 --> 00:56:41,480
Speaker 1: every time I saw a dude in the game, it

1056
00:56:41,640 --> 00:56:44,080
Speaker 1: was like, yeah, you was right, nigga, that's an apology.

1057
00:56:45,000 --> 00:56:46,799
Speaker 1: You know, nobody wants to tell the niggas was right

1058
00:56:46,840 --> 00:56:48,840
Speaker 1: when he thinks he's one hundred percent produced. Ain't no

1059
00:56:48,960 --> 00:56:53,839
Speaker 1: nigga jazz jazz jazz? Oh yeah, that's why it has

1060
00:56:53,920 --> 00:56:55,440
Speaker 1: so much of him on it, Like you know, what

1061
00:56:55,480 --> 00:56:58,520
Speaker 1: I'm saying. He wrote the hook too. I know he

1062
00:56:58,560 --> 00:57:01,560
Speaker 1: didn't write the hook. He's saying the hook because the

1063
00:57:01,600 --> 00:57:03,480
Speaker 1: record is ain't no nigga like him. When I got

1064
00:57:04,160 --> 00:57:06,520
Speaker 1: can't fuck you bet. The one who's singing that is Jazz.

1065
00:57:06,719 --> 00:57:09,359
Speaker 1: That's Jazz singing that. Oh, by the way, Jazz could

1066
00:57:09,360 --> 00:57:12,600
Speaker 1: sing his ass off Jazz on the hook. Writer, you

1067
00:57:12,680 --> 00:57:15,520
Speaker 1: can get Jazz on right now. Jazz have me goddamn.

1068
00:57:15,680 --> 00:57:19,240
Speaker 1: But Jazz is a real, real ill music dude. You

1069
00:57:19,280 --> 00:57:21,680
Speaker 1: know what I'm saying. He's a producer, he's a songwriter,

1070
00:57:22,120 --> 00:57:27,640
Speaker 1: and he's a rap writer. Like to me, if like

1071
00:57:27,760 --> 00:57:31,439
Speaker 1: a chick found Jazz oh and like sat him down

1072
00:57:31,560 --> 00:57:34,640
Speaker 1: and had to check, she'd be the wildest chick you've

1073
00:57:34,720 --> 00:57:37,520
Speaker 1: ever heard because of the rhymes that he would write

1074
00:57:37,520 --> 00:57:40,960
Speaker 1: for her. Oh okay, that's what I'm saying. Like if

1075
00:57:41,000 --> 00:57:42,720
Speaker 1: he said and shut it down, I'll tak you about

1076
00:57:42,720 --> 00:57:45,320
Speaker 1: the ass you want to go. I don't know I

1077
00:57:46,400 --> 00:57:47,600
Speaker 1: sat down like.

1078
00:57:49,440 --> 00:57:50,080
Speaker 2: I want to talk about.

1079
00:57:51,080 --> 00:57:53,200
Speaker 1: He's paying the media. He's just coming out of him.

1080
00:57:53,960 --> 00:58:04,720
Speaker 1: I'm sorry, Clark, I misjudged you. I miss justice. So

1081
00:58:04,920 --> 00:58:09,680
Speaker 1: now you've worked you arguably, you've worked with Big, you

1082
00:58:09,920 --> 00:58:12,640
Speaker 1: worked with Jay, I worked with Nori you worked with

1083
00:58:14,240 --> 00:58:18,000
Speaker 1: But before that, there's this kid that comes out called

1084
00:58:18,520 --> 00:58:22,800
Speaker 1: nas Yeah, well you know about that. I would like

1085
00:58:22,880 --> 00:58:27,000
Speaker 1: to hear your story. So what story is not a story?

1086
00:58:27,040 --> 00:58:28,600
Speaker 1: It is the true who got a story about everything?

1087
00:58:28,640 --> 00:58:33,080
Speaker 1: You're a legend, nigga, expect you, nigga, tell me about it.

1088
00:58:33,200 --> 00:58:36,560
Speaker 1: I used to produce most of it. Like the studio

1089
00:58:36,640 --> 00:58:39,040
Speaker 1: I worked in most of the time was power Play

1090
00:58:39,600 --> 00:58:43,880
Speaker 1: in Queen and Queens that talk about you hype you

1091
00:58:44,160 --> 00:58:48,520
Speaker 1: hype on Queens right now? Okay, so that was probably

1092
00:58:48,640 --> 00:58:51,400
Speaker 1: like the most hip hop studio in New York City

1093
00:58:51,680 --> 00:58:54,440
Speaker 1: at that time was power Play. Makes mose of that

1094
00:58:57,520 --> 00:59:00,360
Speaker 1: Our first record I ever recorded as O Poning and

1095
00:59:00,400 --> 00:59:03,040
Speaker 1: Oriega was in power Play Studios. It's called half a

1096
00:59:03,120 --> 00:59:06,560
Speaker 1: mil mill. I got that wreckor you got that record?

1097
00:59:06,640 --> 00:59:09,960
Speaker 1: I got? That was like the first like I have

1098
00:59:10,080 --> 00:59:15,040
Speaker 1: recorded records as Arison Oriega, but copone no copone been home.

1099
00:59:15,360 --> 00:59:18,160
Speaker 1: I had came home and I couldn't reach him. And

1100
00:59:18,320 --> 00:59:20,040
Speaker 1: the first record we recorded, the go have to Go

1101
00:59:20,240 --> 00:59:22,680
Speaker 1: half a mild confused the rapper half a mil no,

1102
00:59:22,800 --> 00:59:26,640
Speaker 1: not big up. He was nice. Yeah, he was that

1103
00:59:27,080 --> 00:59:30,280
Speaker 1: big of Brooklyn Brooklyn. He's on Penalty Records. That was

1104
00:59:30,360 --> 00:59:33,200
Speaker 1: my man. Everybody always hit me on on Twitter and

1105
00:59:33,400 --> 00:59:35,320
Speaker 1: tell me talk about him in the podcast. I'm glad

1106
00:59:35,720 --> 00:59:37,439
Speaker 1: his name got brought up because Big of a half

1107
00:59:37,440 --> 00:59:39,200
Speaker 1: a meal with half a meal with the dead Nights

1108
00:59:39,560 --> 00:59:43,080
Speaker 1: from Crown Heights too well, Crown Heights, Brown Crown Heights.

1109
00:59:43,320 --> 00:59:45,680
Speaker 1: He was on the border of Crown Heights and bed Style.

1110
00:59:46,800 --> 00:59:50,400
Speaker 1: Your you was the official Brooklyn representative. Now I'm a

1111
00:59:50,480 --> 00:59:54,000
Speaker 1: thousand percent is Brooklyn con Spike Lee. I heard they

1112
00:59:54,040 --> 00:59:57,200
Speaker 1: try to band Spike Lee, and I heard you had

1113
00:59:57,240 --> 00:59:59,240
Speaker 1: to shut it down one time. I don't even know

1114
00:59:59,360 --> 01:00:07,480
Speaker 1: what the fuck. Yes, absolutely, yes, yes, God damn ybody

1115
01:00:07,920 --> 01:00:09,200
Speaker 1: come to see him too. I heard it trying to

1116
01:00:09,200 --> 01:00:10,680
Speaker 1: shut down do the right thing, and I heard you

1117
01:00:10,760 --> 01:00:16,120
Speaker 1: had to come up. Yo. Let just goruk.

1118
01:00:16,760 --> 01:00:17,440
Speaker 2: That's amazing.

1119
01:00:18,360 --> 01:00:23,520
Speaker 1: I made it up right now, Okay. Power Play Studios,

1120
01:00:24,160 --> 01:00:26,480
Speaker 1: I was remixing a bunch of records and that's the

1121
01:00:26,520 --> 01:00:29,000
Speaker 1: place I would do all the records at. And in

1122
01:00:29,120 --> 01:00:33,160
Speaker 1: the next room, I was always large professor, Who's who's

1123
01:00:33,240 --> 01:00:40,440
Speaker 1: my man? And he uh he did the barbecue, live

1124
01:00:40,520 --> 01:00:42,800
Speaker 1: the barbecue, and when he did live at the barbecue,

1125
01:00:42,960 --> 01:00:44,600
Speaker 1: he was like, Yo, come here this record. I'm here

1126
01:00:44,600 --> 01:00:46,720
Speaker 1: in the record, and I'm like, whoa, He's going the

1127
01:00:47,440 --> 01:00:50,960
Speaker 1: fuck it's this nigga And he was like, Oh, that's

1128
01:00:50,960 --> 01:00:54,040
Speaker 1: my nigga. Now some queens, but Nigga and was on it.

1129
01:00:54,080 --> 01:00:55,640
Speaker 1: And I was like and I went crazy too. So

1130
01:00:55,680 --> 01:00:58,160
Speaker 1: I was like, wait, hold on talking because I just

1131
01:00:58,240 --> 01:01:01,480
Speaker 1: don't like the way he's like nonchalant describing one of

1132
01:01:01,560 --> 01:01:05,120
Speaker 1: the craziest records in hip hop history. What's live at

1133
01:01:05,160 --> 01:01:07,920
Speaker 1: the barbecue? He's just saying he was at the session. No,

1134
01:01:08,040 --> 01:01:09,440
Speaker 1: I wasn't at the session. I was at when he

1135
01:01:09,560 --> 01:01:12,240
Speaker 1: was mixing the record. The record was done, and I

1136
01:01:12,400 --> 01:01:15,280
Speaker 1: was log, is my man, you know what I'm saying.

1137
01:01:15,320 --> 01:01:17,480
Speaker 1: He was like, listen to it. So I listened, and

1138
01:01:17,640 --> 01:01:20,800
Speaker 1: I was because I paid so much attention to rap.

1139
01:01:20,840 --> 01:01:23,240
Speaker 1: I was like, who's who's Who's Who's You know what

1140
01:01:23,320 --> 01:01:25,360
Speaker 1: I'm saying, And that's the ship. He said he went

1141
01:01:25,440 --> 01:01:29,120
Speaker 1: to hell for snuffing Jesus. Yeah, Like anybody who says

1142
01:01:29,160 --> 01:01:30,680
Speaker 1: some shit like that, I'm gonna pay a lot of

1143
01:01:31,320 --> 01:01:33,120
Speaker 1: I was like, Nigga said, when I was twelve, I

1144
01:01:33,200 --> 01:01:37,920
Speaker 1: went to help a sluffing Jesus. Yeah, that's nasty. Not continue.

1145
01:01:38,680 --> 01:01:41,840
Speaker 1: And I'm thinking you like seventeen, so for five years

1146
01:01:42,320 --> 01:01:45,520
Speaker 1: after you lived after snuffing Jesus, you nice, you know?

1147
01:01:45,840 --> 01:01:48,040
Speaker 1: But anyway he's dead. Nice herod. You know what I'm saying.

1148
01:01:48,120 --> 01:01:56,880
Speaker 1: I'm cool, I'm good boy, so I'm god. I hear

1149
01:01:56,960 --> 01:01:58,440
Speaker 1: on my hair, on my hair, on my hair, everybody.

1150
01:01:58,480 --> 01:02:01,160
Speaker 1: I'm like, you know how the records l whatever keep going?

1151
01:02:01,800 --> 01:02:05,440
Speaker 1: And then Lodge is working on Ox album and I

1152
01:02:05,560 --> 01:02:08,600
Speaker 1: went into a bidding war between in the Scope because

1153
01:02:08,640 --> 01:02:10,760
Speaker 1: I was working at Atlantic Records and I was trying

1154
01:02:10,760 --> 01:02:14,360
Speaker 1: to sign OT and I was in the bidding war

1155
01:02:14,440 --> 01:02:19,480
Speaker 1: between Atlantic and UH and in the Scope. The crazy

1156
01:02:19,600 --> 01:02:22,160
Speaker 1: part is like I kept trying to tell like, yo,

1157
01:02:22,600 --> 01:02:26,160
Speaker 1: you know Atlantic is it owns in the Scope, so

1158
01:02:26,280 --> 01:02:28,480
Speaker 1: like this bidding war makes no sense. Fuck with your man,

1159
01:02:29,160 --> 01:02:30,800
Speaker 1: And they gave him more money, so he fucked that.

1160
01:02:31,560 --> 01:02:33,600
Speaker 1: So then I was then one day he was like, yo,

1161
01:02:33,920 --> 01:02:39,120
Speaker 1: what about NAS And I was like, fuck, yeah, bring them.

1162
01:02:40,520 --> 01:02:46,040
Speaker 1: I'm thinking where bring them to me? At Atlantic Records.

1163
01:02:46,880 --> 01:02:50,240
Speaker 1: But I'm thinking, Okay, your album's done. That means his

1164
01:02:50,360 --> 01:02:54,040
Speaker 1: album must be done because Ox album was done when

1165
01:02:54,080 --> 01:02:56,960
Speaker 1: they were shopping them, like Lodge was he was. I

1166
01:02:57,040 --> 01:02:59,640
Speaker 1: think Lodge might have been like probably way ahead of

1167
01:02:59,680 --> 01:03:02,200
Speaker 1: his time because he finished the albums before he was

1168
01:03:02,280 --> 01:03:05,200
Speaker 1: like shopping them ship. So he finished he finished Ox

1169
01:03:05,280 --> 01:03:07,600
Speaker 1: album before he was shocking it shopping it. So like

1170
01:03:07,720 --> 01:03:09,760
Speaker 1: the bidding water that I'm in is for a whole album.

1171
01:03:10,320 --> 01:03:14,360
Speaker 1: I've lost Professor Joints like lost Ox whole album. And

1172
01:03:14,480 --> 01:03:17,640
Speaker 1: I was like this, what the fuck is happening here? Yeah,

1173
01:03:18,960 --> 01:03:21,320
Speaker 1: I think he did everything on there. He just just

1174
01:03:21,440 --> 01:03:23,480
Speaker 1: about everything on there. I think Rob Swift might have

1175
01:03:23,520 --> 01:03:25,680
Speaker 1: done the record. No, somebody else might have did one record,

1176
01:03:26,040 --> 01:03:29,160
Speaker 1: but it was it was, here's this album, what you're

1177
01:03:29,160 --> 01:03:31,280
Speaker 1: gonna do? And I was like funk. I wanted. Plus

1178
01:03:31,360 --> 01:03:33,680
Speaker 1: I was on my man, so I definitely wanted to

1179
01:03:33,760 --> 01:03:36,280
Speaker 1: sign it. So the bid and what happened. I lost

1180
01:03:36,280 --> 01:03:38,880
Speaker 1: to Benning War But then I mean even like because

1181
01:03:38,920 --> 01:03:41,080
Speaker 1: he's my man, he was like kind of trying to

1182
01:03:41,120 --> 01:03:42,840
Speaker 1: smooth sh it over. He was like, yo, but what

1183
01:03:42,920 --> 01:03:47,920
Speaker 1: about nos And I was like nas niggas telling me reminded. No,

1184
01:03:48,280 --> 01:03:50,720
Speaker 1: he didn't have to remind me. He put it up.

1185
01:03:50,840 --> 01:03:53,520
Speaker 1: He was he was like got on because he got on.

1186
01:03:53,640 --> 01:03:55,439
Speaker 1: But I'm telling you, like this is a week after

1187
01:03:55,560 --> 01:03:59,960
Speaker 1: he got on. So he's like, Yo, but whatever, big niggas.

1188
01:04:00,080 --> 01:04:07,120
Speaker 1: Man want to get some clarity of things, all right?

1189
01:04:08,240 --> 01:04:11,200
Speaker 1: Like I know since he was a young boy, his

1190
01:04:11,360 --> 01:04:13,640
Speaker 1: brother Yachty, I like, I know his whole fans he

1191
01:04:13,760 --> 01:04:21,960
Speaker 1: was young. Looks. Look at the reason I know him

1192
01:04:22,080 --> 01:04:24,080
Speaker 1: is because of how much I used to be in

1193
01:04:24,840 --> 01:04:28,840
Speaker 1: Left Right and I knew Poppy when he was in

1194
01:04:29,040 --> 01:04:35,800
Speaker 1: the left rack. Make you so when I'm telling you,

1195
01:04:35,920 --> 01:04:38,280
Speaker 1: I wrote that ship on Twitter and was like, Yo, nigga,

1196
01:04:38,280 --> 01:04:40,840
Speaker 1: I know you Poppy. He was like, yn't forget it,

1197
01:04:41,920 --> 01:04:51,080
Speaker 1: so trust me. He was like, we don't need that style,

1198
01:04:53,120 --> 01:04:55,960
Speaker 1: Paris style. You gotta do it like that. I was like,

1199
01:04:56,200 --> 01:04:58,200
Speaker 1: doing it because you know why? This doesn't changed the

1200
01:04:58,240 --> 01:05:04,120
Speaker 1: bottle temperature a right? Man? If I hold it like this,

1201
01:05:04,680 --> 01:05:07,200
Speaker 1: Look my hand is all cold. My hand is all hot.

1202
01:05:07,360 --> 01:05:09,040
Speaker 1: You don't know if I jerked off or not. You

1203
01:05:09,160 --> 01:05:11,080
Speaker 1: know what I'm saying. But you do it like this,

1204
01:05:12,600 --> 01:05:13,480
Speaker 1: we get a new bottle.

1205
01:05:14,800 --> 01:05:15,960
Speaker 2: The bottle got violated.

1206
01:05:16,680 --> 01:05:18,680
Speaker 1: Look in your mind about it, right, You see what

1207
01:05:18,680 --> 01:05:22,480
Speaker 1: I'm saying. Look, I'm gonna go back. He's like, Yo,

1208
01:05:22,560 --> 01:05:24,960
Speaker 1: what about nods though, I'm gonna bring nods through and

1209
01:05:25,040 --> 01:05:28,720
Speaker 1: I was like absolutely, So he brings them. We're sitting down.

1210
01:05:28,800 --> 01:05:32,480
Speaker 1: We had Atlantic Records, and I go let me hear it,

1211
01:05:32,640 --> 01:05:35,600
Speaker 1: and he goes hear what And I was like, Yo,

1212
01:05:36,080 --> 01:05:38,760
Speaker 1: give me the demo on this nigg and he was like,

1213
01:05:39,200 --> 01:05:41,160
Speaker 1: I don't have no demo. Clock he ain't got no

1214
01:05:41,360 --> 01:05:46,919
Speaker 1: songs right now. And I'm just like I couldn't sign.

1215
01:05:47,120 --> 01:05:48,760
Speaker 1: But the reason why you need a demo because you

1216
01:05:48,840 --> 01:05:50,600
Speaker 1: needed to bring it. You had to bring it there.

1217
01:05:50,600 --> 01:05:52,280
Speaker 1: I had to bring it to my boss and my

1218
01:05:52,360 --> 01:05:54,920
Speaker 1: boss had to hear why. I was saying, he's the

1219
01:05:55,000 --> 01:05:58,560
Speaker 1: guy to sign one record. Understand me. No, he had

1220
01:05:58,640 --> 01:06:00,880
Speaker 1: lived to barbecue and I was trying to convinced somebody

1221
01:06:00,920 --> 01:06:05,320
Speaker 1: off of one record, so like you have to understand,

1222
01:06:05,440 --> 01:06:09,000
Speaker 1: like beforehand, like I was going this dude Nas, this

1223
01:06:09,160 --> 01:06:12,240
Speaker 1: dude can Elly and all of these dudes who were around.

1224
01:06:12,320 --> 01:06:14,280
Speaker 1: I was talking to my boss about it. But then

1225
01:06:14,560 --> 01:06:16,560
Speaker 1: when I was like, he's gonna bring Nas to the office,

1226
01:06:16,600 --> 01:06:20,520
Speaker 1: I was like, Yo, Nas is coming, and she was like, well,

1227
01:06:20,680 --> 01:06:22,600
Speaker 1: tell me what it is when you hear it. Because

1228
01:06:22,640 --> 01:06:25,040
Speaker 1: I kept saying like this nigga's crazy. He said he's

1229
01:06:25,040 --> 01:06:28,640
Speaker 1: gonna snuff Jesus. You know, anybody snuffing Jesus is Wow,

1230
01:06:29,680 --> 01:06:33,280
Speaker 1: he's wild with a dude who's gonna snuff Jesus, even

1231
01:06:33,320 --> 01:06:35,360
Speaker 1: though it sounds a little wild because like I believe

1232
01:06:35,400 --> 01:06:40,920
Speaker 1: in God. I'm just saying, but he's musically exactly artistically.

1233
01:06:43,480 --> 01:06:46,400
Speaker 1: So when he's sitting there, he doesn't have a demo,

1234
01:06:46,480 --> 01:06:48,760
Speaker 1: and I was. I turned and the thing is like,

1235
01:06:49,000 --> 01:06:51,400
Speaker 1: Nas is dumb young at this time. So I'm talking

1236
01:06:51,440 --> 01:06:55,200
Speaker 1: to ok and I'm like, I I can't sign an

1237
01:06:55,320 --> 01:06:57,959
Speaker 1: artist with out a demo because I wasn't a vice

1238
01:06:58,040 --> 01:07:00,440
Speaker 1: president at that point. I wasn't even the rector. I

1239
01:07:00,600 --> 01:07:04,000
Speaker 1: was a manager of Vana, Like I was way low

1240
01:07:04,120 --> 01:07:06,800
Speaker 1: down the tote him pull at that moment. But I

1241
01:07:07,000 --> 01:07:09,520
Speaker 1: was like, dude, like when we I said, we just

1242
01:07:09,600 --> 01:07:12,560
Speaker 1: signed dos Effects, they had a whole album, Like I said,

1243
01:07:12,600 --> 01:07:15,840
Speaker 1: Parish Smith brought me a whole album. So he was like,

1244
01:07:16,000 --> 01:07:20,680
Speaker 1: okay album. Yeah, I was part of that. Understand me though,

1245
01:07:21,080 --> 01:07:24,880
Speaker 1: So every everything goes away and I don't get to

1246
01:07:24,920 --> 01:07:28,760
Speaker 1: sign him, and he starts, he meets searching. Whatever happens

1247
01:07:28,880 --> 01:07:32,840
Speaker 1: right later on Nas makes a record. Now I understand me.

1248
01:07:32,920 --> 01:07:34,880
Speaker 1: I had to talk to him about this ship because

1249
01:07:34,920 --> 01:07:37,000
Speaker 1: it was hilarious to me. He was like, he made

1250
01:07:37,040 --> 01:07:38,880
Speaker 1: the record and was like, NADS wouldn't sign because he

1251
01:07:38,960 --> 01:07:42,680
Speaker 1: just signed Effects. And I was like, what the fuck

1252
01:07:42,680 --> 01:07:45,600
Speaker 1: are you talking about? Nas? He said that in a record.

1253
01:07:46,360 --> 01:07:48,760
Speaker 1: He said Clark wouldn't sign me because he signed Effects,

1254
01:07:49,000 --> 01:07:51,800
Speaker 1: and I was like, wait a minute, wait wait, I

1255
01:07:51,960 --> 01:07:54,160
Speaker 1: was like, that's a free way. No, it's a record.

1256
01:07:54,240 --> 01:07:56,160
Speaker 1: It's on one of his albums. I don't don't get

1257
01:07:56,200 --> 01:07:58,240
Speaker 1: me wrong. I don't remember what it was, but what

1258
01:07:58,360 --> 01:08:01,280
Speaker 1: I'm saying is he said, you know what's You know

1259
01:08:01,360 --> 01:08:04,520
Speaker 1: why I know they said it because no one listens

1260
01:08:04,560 --> 01:08:07,840
Speaker 1: to rap closer than me. So when somebody makes an album,

1261
01:08:07,880 --> 01:08:10,200
Speaker 1: I listened to every bar because I want to know

1262
01:08:10,280 --> 01:08:14,439
Speaker 1: who's nice. I want to start differentiating motherfuckers real quick.

1263
01:08:14,920 --> 01:08:14,960
Speaker 11: Like.

1264
01:08:15,400 --> 01:08:19,080
Speaker 1: So, like I said, he said that, and I was like, Yo, look,

1265
01:08:19,160 --> 01:08:20,640
Speaker 1: I swear to god, I heard that ship in like

1266
01:08:20,720 --> 01:08:22,640
Speaker 1: three seconds later. I was on the phone with I

1267
01:08:23,080 --> 01:08:25,600
Speaker 1: was like, yo, I remember, but to the office, he

1268
01:08:25,720 --> 01:08:27,400
Speaker 1: was like, yeah, Clark White, the fuck you're asking me that?

1269
01:08:27,680 --> 01:08:30,439
Speaker 1: I said. Remember when he's when I couldn't sign him,

1270
01:08:30,520 --> 01:08:32,639
Speaker 1: He was like, you, mama could He was like yeah, yeah,

1271
01:08:32,640 --> 01:08:35,680
Speaker 1: had no demo. I was like, okay, I think you

1272
01:08:35,880 --> 01:08:38,720
Speaker 1: need to tell him what you're talking about. I said,

1273
01:08:38,800 --> 01:08:40,800
Speaker 1: Nigga just said I didn't sign him because I signed

1274
01:08:40,880 --> 01:08:45,400
Speaker 1: do Effects. I said, what kind of fucking answer is that? Boy? Like,

1275
01:08:45,520 --> 01:08:49,240
Speaker 1: who says, now I'm not going to sign you nas

1276
01:08:49,880 --> 01:08:52,360
Speaker 1: because I signed effects? Because that's probably how he looked

1277
01:08:52,400 --> 01:08:55,799
Speaker 1: at it though, and all all fitness, with all due respect,

1278
01:08:55,840 --> 01:09:00,759
Speaker 1: because it's two times I said I need a demo

1279
01:09:00,960 --> 01:09:05,640
Speaker 1: to sign you. That's why I didn't sign you. So

1280
01:09:05,760 --> 01:09:08,800
Speaker 1: I saw him at Revolt last year. Revolt we was

1281
01:09:08,880 --> 01:09:10,880
Speaker 1: on the vote together and he was like, my nigga.

1282
01:09:10,920 --> 01:09:12,639
Speaker 1: I was like, my nigga, come here for a second.

1283
01:09:13,680 --> 01:09:16,320
Speaker 1: I know it might seem a little petty, but he's

1284
01:09:16,400 --> 01:09:17,880
Speaker 1: my nigga. So I got a petty This.

1285
01:09:17,920 --> 01:09:18,080
Speaker 6: Is what.

1286
01:09:22,960 --> 01:09:30,280
Speaker 1: Listen, listen, are you a gentleman manager? My ship is

1287
01:09:30,360 --> 01:09:32,080
Speaker 1: is that I'm not petty. It's just that I wanted

1288
01:09:33,200 --> 01:09:35,200
Speaker 1: I think I wanted him to be clear because it

1289
01:09:35,320 --> 01:09:37,639
Speaker 1: fucked with me for all these years that he thought

1290
01:09:37,720 --> 01:09:39,680
Speaker 1: something so crazy and I pulled them over as me

1291
01:09:39,800 --> 01:09:42,479
Speaker 1: him Andre, I was like, who knows? He came to

1292
01:09:42,520 --> 01:09:44,600
Speaker 1: my studio. I mean he came to my office and

1293
01:09:44,960 --> 01:09:47,439
Speaker 1: he was with was like yeah, I said remember when

1294
01:09:47,600 --> 01:09:49,960
Speaker 1: we went when I couldn't sign you. He's like yeah.

1295
01:09:50,200 --> 01:09:51,960
Speaker 1: I said, do you remember why? He said I think

1296
01:09:52,000 --> 01:09:54,000
Speaker 1: it was like like, I think it was something with that.

1297
01:09:54,400 --> 01:09:56,400
Speaker 1: I said, no, remember you didn't have a demo and

1298
01:09:56,479 --> 01:10:01,000
Speaker 1: he was like the rhyme came out? Yeah. Last now

1299
01:10:04,880 --> 01:10:07,519
Speaker 1: on the Point Boat Cruise and I was DJing on

1300
01:10:07,800 --> 01:10:09,799
Speaker 1: and I seen him. It was me and and Andrea.

1301
01:10:09,840 --> 01:10:11,360
Speaker 1: I swear to god, I pulled him to the side.

1302
01:10:11,400 --> 01:10:13,519
Speaker 1: I'm like, yean Andre, you could listen to like I

1303
01:10:13,560 --> 01:10:15,920
Speaker 1: didn't give a funk. I was like, do you remember that?

1304
01:10:16,600 --> 01:10:19,800
Speaker 1: He was like yeah. He was like yeah, can't you

1305
01:10:19,840 --> 01:10:22,080
Speaker 1: offic I brought me there and I was like yeah,

1306
01:10:22,280 --> 01:10:24,960
Speaker 1: and I said remember I was trying to sign you

1307
01:10:25,040 --> 01:10:26,840
Speaker 1: and he was like yeah. He was like, I said,

1308
01:10:26,840 --> 01:10:28,720
Speaker 1: do you remember why didn't sign you? He was like yeah,

1309
01:10:28,720 --> 01:10:31,200
Speaker 1: I think it was you know, over the summer, that's

1310
01:10:31,200 --> 01:10:34,000
Speaker 1: if it's I said, no, remember I said I can't

1311
01:10:34,080 --> 01:10:36,320
Speaker 1: sign anybody without a demo. He was like yeah, I

1312
01:10:36,320 --> 01:10:39,720
Speaker 1: didn't have no demo. I was like, that's why you

1313
01:10:39,800 --> 01:10:42,519
Speaker 1: didn't get signed and said, dog, you made a record,

1314
01:10:42,640 --> 01:10:46,559
Speaker 1: saying I didn't. He was like damn man, I don't know, man,

1315
01:10:47,200 --> 01:10:51,519
Speaker 1: I just didn't remember it right. Andre Herrel is standing

1316
01:10:51,600 --> 01:10:56,880
Speaker 1: there going you know, Andre, of course he was. I

1317
01:10:57,040 --> 01:11:00,160
Speaker 1: was like, yeah, who the fuck wouldn't He was like,

1318
01:11:00,240 --> 01:11:02,439
Speaker 1: nobody was gonna sign ups. I was like, this is

1319
01:11:02,439 --> 01:11:05,120
Speaker 1: the nicest nigga around At that point, I'm trying to

1320
01:11:05,160 --> 01:11:07,479
Speaker 1: sign now listening to the bars. Yeah, I was listening

1321
01:11:07,520 --> 01:11:09,720
Speaker 1: to the bars, and I was trying to sign us

1322
01:11:10,160 --> 01:11:18,840
Speaker 1: like before everybody, like before anybody heard a song before halftime. Fuck, nope,

1323
01:11:18,920 --> 01:11:21,599
Speaker 1: you understand me. He got with search later in back

1324
01:11:21,680 --> 01:11:24,720
Speaker 1: to the grill. I'm talking before soon as he said,

1325
01:11:24,760 --> 01:11:28,519
Speaker 1: snuffing Jesus, I was like, I'm in. I'm in. I

1326
01:11:28,840 --> 01:11:44,680
Speaker 1: like this guy. Let's make some noise for that. I

1327
01:11:44,720 --> 01:11:46,080
Speaker 1: feel like we just take it at the shot. I

1328
01:11:46,080 --> 01:11:49,640
Speaker 1: don't know if people are you know what this adds to.

1329
01:11:50,880 --> 01:11:52,360
Speaker 1: Matter of fact, I'm not eve gonna say that because

1330
01:11:52,360 --> 01:11:56,400
Speaker 1: I have a feeling you're gonna go there no clock. Listen.

1331
01:11:56,479 --> 01:11:57,960
Speaker 1: Let me just tell you something. I gotta take a

1332
01:11:57,960 --> 01:12:03,160
Speaker 1: bone the house. I mean to tell you something so

1333
01:12:03,240 --> 01:12:06,680
Speaker 1: you're not gett drunk. If you want to go with you,

1334
01:12:07,320 --> 01:12:08,880
Speaker 1: I don't make a company that it ain't my fault.

1335
01:12:09,560 --> 01:12:12,880
Speaker 1: It's just it's only for looks. The tag of bright

1336
01:12:12,880 --> 01:12:15,760
Speaker 1: now yah, it's only to stock. Yeah, we got to stock,

1337
01:12:16,160 --> 01:12:19,320
Speaker 1: but but we gotta leave it there for for cultural

1338
01:12:19,479 --> 01:12:25,200
Speaker 1: purposes only, artistic cultural purposes, autistic cultural purposes. That next question, So, Clark,

1339
01:12:27,280 --> 01:12:30,880
Speaker 1: you've done everything I want to be good that you

1340
01:12:31,000 --> 01:12:34,439
Speaker 1: sent out the other day and you said Rick Ross

1341
01:12:34,600 --> 01:12:40,760
Speaker 1: album it's crazy, and I got a one hundred per

1342
01:12:41,960 --> 01:12:46,800
Speaker 1: agree with you. But if you have the one hundred

1343
01:12:46,800 --> 01:12:50,160
Speaker 1: percent agree with me, why is there but because I

1344
01:12:50,320 --> 01:12:55,200
Speaker 1: want to say, I want to say, he's this era's

1345
01:12:55,360 --> 01:12:57,720
Speaker 1: version of Biggie or is now I'm not just no,

1346
01:12:57,840 --> 01:13:00,479
Speaker 1: he's this avers version of Rick Ross. No one's ever

1347
01:13:00,600 --> 01:13:03,519
Speaker 1: gonna be any era of Biggie. But what I mean

1348
01:13:03,600 --> 01:13:05,880
Speaker 1: by there's nothing you can say that's gonna fix that,

1349
01:13:06,040 --> 01:13:08,839
Speaker 1: there's nothing you say that. Listen. If you say Cadence

1350
01:13:08,880 --> 01:13:11,680
Speaker 1: and flowed, then that's Rick Ross. You know. If you

1351
01:13:11,800 --> 01:13:18,760
Speaker 1: say bars, then you're talking about Biggie. You don't think

1352
01:13:19,320 --> 01:13:21,439
Speaker 1: we're done. I explained it just now you ain't gonna

1353
01:13:21,439 --> 01:13:23,760
Speaker 1: ask me, don't do that, don't do that, don't do that,

1354
01:13:24,000 --> 01:13:27,800
Speaker 1: don't do that, don't do that. Don't do that. We

1355
01:13:27,840 --> 01:13:28,280
Speaker 1: don't do that.

1356
01:13:28,439 --> 01:13:38,799
Speaker 12: Man, Relax, relax, But his albums hard. This album's fire, fire, fire.

1357
01:13:39,200 --> 01:13:44,880
Speaker 1: This is, without a doubt, no question, the best body

1358
01:13:44,960 --> 01:13:47,800
Speaker 1: of work he's ever done. Okay, now I'm gonna throw

1359
01:13:47,840 --> 01:13:52,720
Speaker 1: you a curve ball. Did you listen to More Life? Absolutely?

1360
01:13:53,520 --> 01:13:55,840
Speaker 1: I feel like that's his best body of work. We

1361
01:13:56,040 --> 01:14:04,120
Speaker 1: just like that's Drake's ever If you take the singing

1362
01:14:04,240 --> 01:14:07,880
Speaker 1: records off of that album, that Ship hip hop know

1363
01:14:08,240 --> 01:14:12,320
Speaker 1: that Ship is a five mic album right there. Hold on,

1364
01:14:12,400 --> 01:14:13,879
Speaker 1: I want to. I want to. I want to visualize

1365
01:14:13,880 --> 01:14:16,240
Speaker 1: because it's twenty I'm an honest nigga. There's twenty tracks

1366
01:14:16,280 --> 01:14:19,320
Speaker 1: on there. Correct you're saying, I want to be clear

1367
01:14:19,400 --> 01:14:22,040
Speaker 1: what you're saying, because you're a hip hop god. It's like,

1368
01:14:22,200 --> 01:14:24,839
Speaker 1: so you're saying to me, there's two good singing records,

1369
01:14:24,880 --> 01:14:28,479
Speaker 1: that Medieva Beat and the Love all the singing in

1370
01:14:28,560 --> 01:14:30,439
Speaker 1: my mind every time I listen to it, I'm on Molly,

1371
01:14:33,560 --> 01:14:36,800
Speaker 1: this is crazy music. Sometimes maybe feel like I'm on drug.

1372
01:14:37,000 --> 01:14:40,439
Speaker 1: I want to say it, but I like, no, listen, listen.

1373
01:14:40,439 --> 01:14:43,160
Speaker 1: I'm just like some ship and and this is real

1374
01:14:43,240 --> 01:14:46,960
Speaker 1: nigga ship. When I listen to Drake's albums, Drake's music period.

1375
01:14:47,280 --> 01:14:49,720
Speaker 1: I don't listen to him like he's a rapper. I

1376
01:14:49,840 --> 01:14:52,000
Speaker 1: listen to him like he's an artist. And if I

1377
01:14:52,040 --> 01:14:53,760
Speaker 1: can listen to him like he's an artist, I can

1378
01:14:53,920 --> 01:15:00,360
Speaker 1: take every day, take everything. But if you're gonna, if

1379
01:15:00,400 --> 01:15:04,160
Speaker 1: you're gonna ask me that album, if the ship is

1380
01:15:05,760 --> 01:15:08,439
Speaker 1: that's his best body of work, yes, But if you

1381
01:15:08,560 --> 01:15:11,280
Speaker 1: take the singing records over that ship, that'sh It's like

1382
01:15:11,400 --> 01:15:14,600
Speaker 1: that's a five mic album. You're saying he could fit. No, No,

1383
01:15:14,680 --> 01:15:18,519
Speaker 1: what I'm saying is the ship is amazing. It's amazing, yo,

1384
01:15:19,600 --> 01:15:21,960
Speaker 1: and and like other than well you you want to

1385
01:15:22,000 --> 01:15:24,000
Speaker 1: know what's crazy. It's not even about the fact that

1386
01:15:24,080 --> 01:15:26,680
Speaker 1: he could spit. It's about that the records are like

1387
01:15:27,680 --> 01:15:30,960
Speaker 1: a fucking girl, like he made dope records. You know

1388
01:15:31,000 --> 01:15:33,240
Speaker 1: what I'm saying. It's just that some of them singing records.

1389
01:15:33,280 --> 01:15:38,360
Speaker 1: I'm just like, dude, he's so nice. Give them ships away.

1390
01:15:38,960 --> 01:15:40,800
Speaker 1: So you're saying, no, no, no, Understand what I'm saying.

1391
01:15:40,840 --> 01:15:42,800
Speaker 1: When I say and I say give him away, it's

1392
01:15:42,800 --> 01:15:45,240
Speaker 1: like give you another artists, Give those singing joints of

1393
01:15:45,320 --> 01:15:48,120
Speaker 1: somebody else. Give a fucking whole rap album.

1394
01:15:48,240 --> 01:15:52,280
Speaker 17: No no, no, no no now now as as a

1395
01:15:52,400 --> 01:15:55,880
Speaker 17: hip hop give an artist album, and as a album,

1396
01:15:56,040 --> 01:16:00,200
Speaker 17: I do actually would like to see a whole rapping.

1397
01:16:00,080 --> 01:16:03,760
Speaker 18: Drink because because I don't know, if you heard that

1398
01:16:03,840 --> 01:16:07,000
Speaker 18: joint free, smoke free, smoke free small yeah, yeah, that

1399
01:16:07,200 --> 01:16:10,479
Speaker 18: ship reminds me of a Havoc beat and and and

1400
01:16:10,800 --> 01:16:13,360
Speaker 18: that moment when I heard that, I said, you know what,

1401
01:16:14,280 --> 01:16:17,160
Speaker 18: he's actually tapping into the era of the nineties.

1402
01:16:17,400 --> 01:16:19,840
Speaker 1: You want some float, but I'm giving him a new flow.

1403
01:16:20,479 --> 01:16:22,800
Speaker 1: So that was a Havoc beat to me. And people

1404
01:16:22,880 --> 01:16:25,320
Speaker 1: don't really respect that dude the right way. You know

1405
01:16:25,400 --> 01:16:28,200
Speaker 1: why because it's a lot of factors when you look

1406
01:16:28,240 --> 01:16:30,479
Speaker 1: at him. But if you took away all the factors

1407
01:16:30,560 --> 01:16:34,800
Speaker 1: and just looked at the music, that dude is wild. Wow,

1408
01:16:35,280 --> 01:16:38,720
Speaker 1: he's wild. But when you're talking about albums I look

1409
01:16:38,760 --> 01:16:40,679
Speaker 1: at I want to look at him as a rapper

1410
01:16:41,000 --> 01:16:43,439
Speaker 1: because I heard him rapping like His first record was

1411
01:16:43,479 --> 01:16:45,439
Speaker 1: a song with Trey Songs that shit went to Damnar

1412
01:16:45,600 --> 01:16:49,760
Speaker 1: number three or four full Yeah, the ship that was No,

1413
01:16:50,160 --> 01:16:52,719
Speaker 1: I just want to be No, that's not his first record.

1414
01:16:53,040 --> 01:16:54,840
Speaker 1: His first record was a record that was on the

1415
01:16:54,920 --> 01:16:58,200
Speaker 1: top ten on fucking on b T one oh six

1416
01:16:58,280 --> 01:17:01,479
Speaker 1: in Park. It was wild before he signed with Wayne.

1417
01:17:01,840 --> 01:17:03,960
Speaker 1: He had a good record out and it was with

1418
01:17:04,040 --> 01:17:06,519
Speaker 1: Tree songs like you know Trae songs for a long time.

1419
01:17:07,080 --> 01:17:09,920
Speaker 1: You understand. Listen to what I'm telling you. Listen, niggas,

1420
01:17:09,960 --> 01:17:12,680
Speaker 1: do not listen to the bars. I listened to the

1421
01:17:12,800 --> 01:17:15,160
Speaker 1: bars and I travel the world. So I saw him

1422
01:17:15,200 --> 01:17:18,000
Speaker 1: before he signed with Wayne and he had a record

1423
01:17:18,040 --> 01:17:20,640
Speaker 1: out with Trade songs and ship was on BT. I

1424
01:17:20,680 --> 01:17:22,600
Speaker 1: can't remember the ship. Can't ask me what it is

1425
01:17:22,720 --> 01:17:29,599
Speaker 1: right now, especially after four shots even four shots three? Brother,

1426
01:17:35,000 --> 01:17:38,559
Speaker 1: we gotta respect your wish listen. Ask the inn guard

1427
01:17:38,680 --> 01:17:43,960
Speaker 1: and you said fall come on the end of guard

1428
01:17:44,040 --> 01:17:47,439
Speaker 1: and you said four and then we're going. I don't

1429
01:17:47,680 --> 01:17:51,719
Speaker 1: want to go with you. Come on, yeh. I gotta

1430
01:17:51,760 --> 01:17:55,519
Speaker 1: salute you. One year anniversary. And what we're doing is

1431
01:17:55,640 --> 01:18:02,080
Speaker 1: very disrespectful. Why I mean what we're doing drinking no

1432
01:18:04,280 --> 01:18:09,000
Speaker 1: in life. We all we are closing something very could

1433
01:18:09,280 --> 01:18:14,920
Speaker 1: for the podcast culture. Oh god, yeah, pressure on me,

1434
01:18:15,640 --> 01:18:18,599
Speaker 1: putting pressure on me, and we are celebrating clock Camp,

1435
01:18:23,040 --> 01:18:31,920
Speaker 1: Holy ship. Everybody got a relax. We had half masked studios.

1436
01:18:32,320 --> 01:18:35,479
Speaker 1: Let's not forget that. Yeah, you had the dude from

1437
01:18:35,560 --> 01:18:41,120
Speaker 1: the Bronk Nothing bron Patriots. Yeah, he's in town this weekend.

1438
01:18:41,240 --> 01:18:45,880
Speaker 1: Yeah he had Did you did you? Did you? Did

1439
01:18:45,960 --> 01:18:46,599
Speaker 1: you interview him?

1440
01:18:46,640 --> 01:18:46,680
Speaker 6: No?

1441
01:18:46,840 --> 01:18:49,960
Speaker 1: No, we can't. Yo, you know what, I'm gonna be honest. Yeah,

1442
01:18:50,439 --> 01:18:52,559
Speaker 1: you know all we care for the whole weekend. I'm

1443
01:18:52,600 --> 01:18:55,559
Speaker 1: gonna be honest with you. This is one real fast

1444
01:18:57,400 --> 01:18:59,800
Speaker 1: I know what I do when I get a person here. Right,

1445
01:19:00,320 --> 01:19:01,920
Speaker 1: you don't know about him, so you can't really get

1446
01:19:01,960 --> 01:19:05,800
Speaker 1: to know. I know all about him, but I'll get

1447
01:19:05,840 --> 01:19:09,640
Speaker 1: you kicked out of the league. Okay, cool, because if

1448
01:19:09,680 --> 01:19:12,360
Speaker 1: I get your get me kicked out of and I start,

1449
01:19:12,760 --> 01:19:14,400
Speaker 1: you gotta get me kicked out of hip hop. No,

1450
01:19:14,560 --> 01:19:17,400
Speaker 1: you can never never saying if you can get grunk

1451
01:19:17,479 --> 01:19:20,280
Speaker 1: kicked out the league, you might be. I just feel like,

1452
01:19:20,800 --> 01:19:23,040
Speaker 1: I just feel like, you know, we might spice up

1453
01:19:23,080 --> 01:19:25,720
Speaker 1: his drink boom, give him a Molly in there, and

1454
01:19:27,040 --> 01:19:35,160
Speaker 1: just might smile. I'm gonna be honest. You listen, you

1455
01:19:35,160 --> 01:19:36,960
Speaker 1: don't know what I mean. The athletes hit me. It

1456
01:19:37,120 --> 01:19:38,920
Speaker 1: was like, yo, I want to come on the slim

1457
01:19:39,040 --> 01:19:41,120
Speaker 1: and I was like, why are you in the jone?

1458
01:19:41,360 --> 01:19:45,360
Speaker 1: You gotta relax when you get out, when you get cut,

1459
01:19:45,920 --> 01:19:48,880
Speaker 1: when there's a couple of dudes that hit me, that's

1460
01:19:48,920 --> 01:19:52,880
Speaker 1: out the league, and I told him relax. And they

1461
01:19:53,120 --> 01:19:56,160
Speaker 1: on ESPN now and they on all that because if

1462
01:19:56,160 --> 01:19:58,280
Speaker 1: they were to hit drink Champs, I would have gave

1463
01:19:58,360 --> 01:20:02,160
Speaker 1: him that y'all gotta manka buy it ink bomb and

1464
01:20:02,240 --> 01:20:04,240
Speaker 1: they would have been like, y'all, can I say say.

1465
01:20:04,560 --> 01:20:11,519
Speaker 2: By like y'all, y'all, let's make some noise.

1466
01:20:11,560 --> 01:20:14,120
Speaker 1: You mean that not making sense of making perfect sense.

1467
01:20:18,400 --> 01:20:21,560
Speaker 1: We gotta open at about our champagne because we're celebrating,

1468
01:20:22,000 --> 01:20:25,880
Speaker 1: celebrating Clark Kent Man. Can't you dj all over the world?

1469
01:20:25,920 --> 01:20:29,680
Speaker 1: You got who you got deals with Japanese people and

1470
01:20:29,760 --> 01:20:33,240
Speaker 1: all that type of ship. What is your favorite place

1471
01:20:33,320 --> 01:20:36,479
Speaker 1: to d J at? When you go there, you're just like,

1472
01:20:37,000 --> 01:20:41,320
Speaker 1: this is me. You gotta make sure you get to

1473
01:20:41,479 --> 01:20:46,560
Speaker 1: shape offs in the morning and at this is this

1474
01:20:46,720 --> 01:20:53,800
Speaker 1: is your spot? What's that swat? Probably Japan? I knew

1475
01:20:53,800 --> 01:20:59,920
Speaker 1: it's Japan. Probably Japan, Japan, Like like I really actually

1476
01:21:00,160 --> 01:21:05,280
Speaker 1: I really actually like DJing here a lot Miami. Yeah.

1477
01:21:05,760 --> 01:21:10,880
Speaker 1: When people on Molly well right now this this week,

1478
01:21:11,680 --> 01:21:14,880
Speaker 1: it might not be a good representation don't you did

1479
01:21:15,000 --> 01:21:18,960
Speaker 1: disrespect my molly, people, people, other people.

1480
01:21:20,920 --> 01:21:24,960
Speaker 2: You better let you go, Michael Stick right now, I.

1481
01:21:25,000 --> 01:21:27,960
Speaker 1: See on snapchat you were killing that ship last night

1482
01:21:28,240 --> 01:21:30,320
Speaker 1: with a bottle of chat Bank. I don't know if

1483
01:21:30,360 --> 01:21:33,080
Speaker 1: they put molly in your ship, but a little bit.

1484
01:21:33,160 --> 01:21:35,920
Speaker 1: I felt like what major of the operative word at

1485
01:21:35,960 --> 01:21:39,559
Speaker 1: the beginning of what you said, But you were killing ship,

1486
01:21:40,240 --> 01:21:43,040
Speaker 1: that's what you said. Killing talk had me dancing last night.

1487
01:21:43,360 --> 01:21:46,240
Speaker 1: I seen you stepping dancing. I see you dancing. God damn,

1488
01:21:46,520 --> 01:21:50,680
Speaker 1: it's a beautiful thing. Clark hit that week. It's not

1489
01:21:50,760 --> 01:21:54,240
Speaker 1: gonna work, but ahead, let's talk about your DJ experience

1490
01:21:54,360 --> 01:21:59,559
Speaker 1: last night. No, I was just working. Uh. I don't

1491
01:21:59,600 --> 01:22:02,240
Speaker 1: know how I approached DJing. I don't know if I

1492
01:22:02,280 --> 01:22:05,280
Speaker 1: approach it differently than much. I mean many, but I

1493
01:22:05,400 --> 01:22:08,599
Speaker 1: do believe that I approach it differently than a lot.

1494
01:22:09,240 --> 01:22:12,559
Speaker 1: I could be wrong. I don't like d jing as

1495
01:22:12,640 --> 01:22:15,639
Speaker 1: much as I love music. So because I love music

1496
01:22:15,800 --> 01:22:18,200
Speaker 1: more than I like djaying, I approached the way that

1497
01:22:18,240 --> 01:22:21,680
Speaker 1: that DJing with a certain amount of care. So you

1498
01:22:21,800 --> 01:22:24,960
Speaker 1: know that's why nine times out of ten I end

1499
01:22:25,080 --> 01:22:29,280
Speaker 1: up sounding a lot more better. Now I'm good, I

1500
01:22:29,400 --> 01:22:32,920
Speaker 1: sound good. Celebrate clock, I can celebrate with from Panama,

1501
01:22:34,680 --> 01:22:39,920
Speaker 1: my family on the look. My mom at least got it.

1502
01:22:40,640 --> 01:22:42,720
Speaker 1: Wouldn't bug you out of I used to be a

1503
01:22:42,800 --> 01:22:51,400
Speaker 1: dude's house with talk about it. I tell you my

1504
01:22:51,560 --> 01:22:56,920
Speaker 1: mother was a she right, so like when like you

1505
01:22:57,000 --> 01:22:59,760
Speaker 1: have to understand, like I'm really Panamian, so we really

1506
01:22:59,840 --> 01:23:07,560
Speaker 1: have my wife is my my fuck. My mother was

1507
01:23:07,600 --> 01:23:13,080
Speaker 1: the vice counselor General of Panama. So like fucking with Noriega,

1508
01:23:13,200 --> 01:23:15,479
Speaker 1: fucking with General Torio's that was ship that we did

1509
01:23:15,520 --> 01:23:19,559
Speaker 1: all the time. So like they weren't. That wasn't Manuel Noriega.

1510
01:23:19,640 --> 01:23:21,639
Speaker 1: To me, that was uncle Manny.

1511
01:23:21,760 --> 01:23:22,160
Speaker 6: That was.

1512
01:23:24,720 --> 01:23:29,080
Speaker 1: No be clear, I'm talking no, no, I'm talking about

1513
01:23:29,120 --> 01:23:31,200
Speaker 1: I'm talking about when I was a super care like

1514
01:23:31,240 --> 01:23:33,960
Speaker 1: when I was like seven eight, like like she was

1515
01:23:34,000 --> 01:23:37,320
Speaker 1: in government, so she dealt with him like that. Wow,

1516
01:23:37,640 --> 01:23:40,639
Speaker 1: I got pictures. I posted pictures on on the inter

1517
01:23:40,760 --> 01:23:44,600
Speaker 1: at I mean on on on on on Instagram with

1518
01:23:44,720 --> 01:23:53,479
Speaker 1: my mother and it was knocked up right down the

1519
01:23:53,520 --> 01:23:58,640
Speaker 1: street from from Hood Harris did Heroin.

1520
01:24:00,080 --> 01:24:04,920
Speaker 19: That never weared thirty third So man, yes, sir, God

1521
01:24:05,200 --> 01:24:11,960
Speaker 19: damn Man's little seeds. Some man, yes, sir, you see

1522
01:24:12,040 --> 01:24:13,559
Speaker 19: this other sneak of people out there.

1523
01:24:13,800 --> 01:24:17,200
Speaker 1: Yeah, who is somebody you sat back and said, I

1524
01:24:17,320 --> 01:24:21,280
Speaker 1: gotta kill these things because you because you're a rapper,

1525
01:24:21,840 --> 01:24:24,000
Speaker 1: because you're not a rapper, because like rap, that's how

1526
01:24:24,120 --> 01:24:27,280
Speaker 1: rappers thad. But you know what I'm saying, like, no,

1527
01:24:27,520 --> 01:24:33,080
Speaker 1: I mean your family, So your battle. I don't know what. Listen,

1528
01:24:33,360 --> 01:24:35,600
Speaker 1: I'm gonna keep it a thousand percent with you. And

1529
01:24:35,800 --> 01:24:37,160
Speaker 1: I don't know if he's gonna mention it. I don't

1530
01:24:37,160 --> 01:24:40,000
Speaker 1: know if he's had enough drinks. He's not in competition

1531
01:24:40,160 --> 01:24:45,479
Speaker 1: with nobody but me, I've been doing you know what

1532
01:24:45,520 --> 01:24:47,559
Speaker 1: the flash it is. I'm gonna take a white kid

1533
01:24:47,960 --> 01:24:53,240
Speaker 1: that Jordan's sponsored people all this ship a white kid

1534
01:24:53,320 --> 01:24:54,839
Speaker 1: and he opened up a museum.

1535
01:24:55,240 --> 01:24:57,360
Speaker 6: You ain't see Jordan Gella Yeah, Jordan Yella Yeah.

1536
01:24:57,200 --> 01:24:59,360
Speaker 1: Okay, yeah, explain that. I mean, well, he's so.

1537
01:24:59,520 --> 01:25:01,360
Speaker 6: All those he sold all them shoes, and he sells

1538
01:25:01,400 --> 01:25:04,080
Speaker 6: shoes and he's not like that's a collector because he

1539
01:25:04,240 --> 01:25:06,400
Speaker 6: doesn't wear everything. He'll buy something that size. Now the

1540
01:25:06,439 --> 01:25:08,080
Speaker 6: side twelve, so I was fourteen, just to say he

1541
01:25:08,160 --> 01:25:10,040
Speaker 6: has it right and that's dope. I mean he got

1542
01:25:10,080 --> 01:25:10,719
Speaker 6: an ill collections.

1543
01:25:10,760 --> 01:25:12,679
Speaker 2: There's a difference if you wear difference, I wear a breath.

1544
01:25:12,720 --> 01:25:14,240
Speaker 6: I don't wear a brand new pairs s niggas every day,

1545
01:25:14,280 --> 01:25:15,760
Speaker 6: but I wear a brand I could wear a breath.

1546
01:25:15,760 --> 01:25:17,320
Speaker 6: I can wear a brand new pair of sneakers every

1547
01:25:17,360 --> 01:25:18,040
Speaker 6: day for ten years.

1548
01:25:18,280 --> 01:25:19,439
Speaker 1: Wow, But I don't.

1549
01:25:19,520 --> 01:25:21,479
Speaker 6: I mean, I'm not clock. I don't wear them every day.

1550
01:25:21,479 --> 01:25:22,880
Speaker 6: I wear air Force three days in a row.

1551
01:25:23,320 --> 01:25:24,680
Speaker 1: Then I get rid of it. What about that kid,

1552
01:25:24,760 --> 01:25:27,560
Speaker 1: that fat Joe brother around, the kid from Dubai. Is

1553
01:25:27,640 --> 01:25:33,360
Speaker 1: he no money kicks? That's one day, one day I'm dirty.

1554
01:25:33,400 --> 01:25:39,040
Speaker 1: I'm dirty kicked king. I'm just saying I love that.

1555
01:25:39,960 --> 01:25:42,720
Speaker 6: One day you buy I guy, one day he'll buy

1556
01:25:42,760 --> 01:25:45,720
Speaker 6: my collection. Shout the money kicks now. But my whole

1557
01:25:45,760 --> 01:25:47,800
Speaker 6: thing is I've been doing this ship for so long

1558
01:25:47,960 --> 01:25:49,519
Speaker 6: and my this is my this is my this is

1559
01:25:49,560 --> 01:25:51,920
Speaker 6: the ill part. So I'm not a rapper, I'm not

1560
01:25:52,000 --> 01:25:54,280
Speaker 6: an actor, I'm not a celebrity. I'm not entertaining.

1561
01:25:54,280 --> 01:25:54,880
Speaker 1: I'm not a DJ.

1562
01:25:55,920 --> 01:25:58,120
Speaker 6: I am I am asked no disrespect, brother, I love

1563
01:25:58,160 --> 01:25:59,800
Speaker 6: you clock more stuff that I've been doing this for

1564
01:26:00,040 --> 01:26:02,799
Speaker 6: so long, and I really became famous so for sneakers,

1565
01:26:03,200 --> 01:26:05,200
Speaker 6: which is crazy because I'm not famous, you know, what

1566
01:26:05,200 --> 01:26:07,519
Speaker 6: I'm saying. So there's no DJ, no rapping, no nothing.

1567
01:26:07,640 --> 01:26:09,600
Speaker 6: I'm just this dude from the South Bronx. They've been

1568
01:26:09,640 --> 01:26:11,760
Speaker 6: around one hundred years and been into the sneaker game

1569
01:26:11,800 --> 01:26:15,599
Speaker 6: for real. So before social media, before October fourth, two

1570
01:26:15,640 --> 01:26:18,120
Speaker 6: thousand and nine, or twenty ten, whenever Instagram came out,

1571
01:26:18,400 --> 01:26:20,479
Speaker 6: I've been getting shoes, you know what I'm saying, Like

1572
01:26:20,600 --> 01:26:21,599
Speaker 6: I've been getting shoes.

1573
01:26:22,280 --> 01:26:24,200
Speaker 2: No, no, he was selling me shoes way before.

1574
01:26:24,240 --> 01:26:26,519
Speaker 1: They wasn't in it. But how's that happen? Though?

1575
01:26:26,720 --> 01:26:28,840
Speaker 2: So for me from the so for me, it's crazy.

1576
01:26:28,640 --> 01:26:30,599
Speaker 6: He goes so now it goes the whole hip hop

1577
01:26:30,640 --> 01:26:32,439
Speaker 6: element and the whole thing. So I had club essos.

1578
01:26:32,640 --> 01:26:35,479
Speaker 6: But before that, one of my best friends I only have.

1579
01:26:35,600 --> 01:26:37,160
Speaker 6: I got three best friends. Clark is one of them.

1580
01:26:37,160 --> 01:26:39,280
Speaker 6: My man Speedy James Williams. He was in a Nike

1581
01:26:39,320 --> 01:26:41,640
Speaker 6: commercial where they was doing the dribbling with Jason Williams.

1582
01:26:41,320 --> 01:26:43,560
Speaker 1: And Rashid Wallace. He's from the Big that got the

1583
01:26:43,600 --> 01:26:44,679
Speaker 1: body Jason Well.

1584
01:26:44,640 --> 01:26:47,200
Speaker 6: No no, no, no, no buddies, no no, no, Jason

1585
01:26:47,200 --> 01:26:49,000
Speaker 6: Wing when that Sid his normal driver, not that I

1586
01:26:49,040 --> 01:26:50,320
Speaker 6: was quite chocolate the ja.

1587
01:26:52,720 --> 01:26:59,160
Speaker 1: I can relate with youtand I understand everybody. So he

1588
01:26:59,280 --> 01:26:59,960
Speaker 1: was in that commercial.

1589
01:27:00,080 --> 01:27:03,520
Speaker 6: So I got to meet the guys like Jerry Erasmasney,

1590
01:27:03,760 --> 01:27:05,559
Speaker 6: Jerry Rasney, so you know what I'm saying. So guys

1591
01:27:05,640 --> 01:27:07,479
Speaker 6: like that was taking care of me before there was

1592
01:27:07,520 --> 01:27:11,519
Speaker 6: an internet. So like I call him my brother. He

1593
01:27:11,720 --> 01:27:15,200
Speaker 6: was in Above the Rim with Tupac, so I was

1594
01:27:15,280 --> 01:27:16,840
Speaker 6: on a set every day. I was on a set

1595
01:27:16,880 --> 01:27:18,439
Speaker 6: for like eleven days in a row with Park when

1596
01:27:18,479 --> 01:27:19,920
Speaker 6: they were shooting Above the Rim and all that, just

1597
01:27:20,000 --> 01:27:22,920
Speaker 6: hanging out, bullshitt around and rebox pretty much fastered that

1598
01:27:22,960 --> 01:27:25,840
Speaker 6: whole campaign. But my man did this commercial with Nike

1599
01:27:26,000 --> 01:27:27,400
Speaker 6: to dribble and commercial, so I was able to go

1600
01:27:27,520 --> 01:27:30,080
Speaker 6: up in the office and then and just build relationships

1601
01:27:30,120 --> 01:27:31,479
Speaker 6: and stuff like that. So I was getting shoes for

1602
01:27:31,520 --> 01:27:33,240
Speaker 6: a while. It was just White Air Forces and Black

1603
01:27:33,280 --> 01:27:35,240
Speaker 6: Air Forces. It was really no special shoes like that

1604
01:27:35,680 --> 01:27:37,960
Speaker 6: except for the Family Tree Air Force when they want Rutger.

1605
01:27:38,360 --> 01:27:40,160
Speaker 6: But I mean, besides stuff like that, it was just

1606
01:27:40,520 --> 01:27:42,599
Speaker 6: a whole bunch of shits. I've been around that whole time,

1607
01:27:43,000 --> 01:27:45,719
Speaker 6: and you knew Sneakers was going to be not I didn't.

1608
01:27:45,760 --> 01:27:46,519
Speaker 2: I just love kicks.

1609
01:27:46,840 --> 01:27:49,320
Speaker 6: I was running around with clock for years when Clark

1610
01:27:49,400 --> 01:27:51,479
Speaker 6: was coming to Club Thatsos. I didn't really know there

1611
01:27:51,600 --> 01:27:53,280
Speaker 6: was a sneaker thing with Clark like that, I knew

1612
01:27:53,320 --> 01:27:55,559
Speaker 6: I love sneakers. I was riding around in the Toyota

1613
01:27:55,560 --> 01:27:58,200
Speaker 6: four Runner with somebody's in a chick's name from Windy's.

1614
01:27:58,479 --> 01:27:59,800
Speaker 1: You know what I'm saying. When I had club so

1615
01:28:00,080 --> 01:28:03,120
Speaker 1: chick name for girls, some girls name. What I'm saying.

1616
01:28:05,080 --> 01:28:10,599
Speaker 1: That made what I'm saying.

1617
01:28:10,720 --> 01:28:11,120
Speaker 11: So you.

1618
01:28:16,200 --> 01:28:18,720
Speaker 1: Running running around like I had the flour running. I

1619
01:28:18,760 --> 01:28:19,360
Speaker 1: thought I was hot.

1620
01:28:19,760 --> 01:28:22,040
Speaker 6: Clark pulls up in the first Yukon theinality that I've

1621
01:28:22,040 --> 01:28:24,240
Speaker 6: ever seen in my life. Two doors ship with the

1622
01:28:24,400 --> 01:28:26,960
Speaker 6: l system for a long time. You know it's crazy.

1623
01:28:27,000 --> 01:28:28,960
Speaker 6: And then I wound up owning the stereo shop. Years later,

1624
01:28:30,000 --> 01:28:31,240
Speaker 6: I bought Stay Tuned Richard.

1625
01:28:32,920 --> 01:28:34,320
Speaker 1: Wait wait, wait, he said, Mike Tyson.

1626
01:28:34,439 --> 01:28:37,160
Speaker 6: What Mike Tyson used to have a brim place in Fortland,

1627
01:28:37,200 --> 01:28:38,240
Speaker 6: New Jersey called Stay Tuned?

1628
01:28:38,880 --> 01:28:40,799
Speaker 1: I bought that. It was called Audio Designs.

1629
01:28:40,840 --> 01:28:44,920
Speaker 2: After that flor no no flu, I'm gona tell I'm

1630
01:28:44,920 --> 01:28:45,519
Speaker 2: gonna take it back.

1631
01:28:45,560 --> 01:28:47,400
Speaker 6: So when Joe used to drive down here to Miami

1632
01:28:47,479 --> 01:28:49,320
Speaker 6: before he lived there, remember to escalated. They was getting

1633
01:28:49,320 --> 01:28:51,680
Speaker 6: from Martin Cadillacs with the with the motorized TVs in

1634
01:28:51,720 --> 01:28:52,719
Speaker 6: the back that was always breaking.

1635
01:28:52,880 --> 01:28:56,360
Speaker 1: I did those, but I put the broken TV.

1636
01:28:59,000 --> 01:29:00,840
Speaker 6: Remember the Cadillac. That's Remember when Joe used to come

1637
01:29:00,840 --> 01:29:02,439
Speaker 6: down here. You know, Joe wasn't flying back in the days.

1638
01:29:02,439 --> 01:29:09,320
Speaker 6: Remember Joe time with Escalat what year? Well, but when

1639
01:29:09,360 --> 01:29:11,599
Speaker 6: I had audio designs, it might have been I got

1640
01:29:11,640 --> 01:29:13,559
Speaker 6: locked up in one oh two. It might have been

1641
01:29:13,640 --> 01:29:19,840
Speaker 6: ninety nine, two thousand, Okay, that's when the Actually it's yeah,

1642
01:29:19,960 --> 01:29:23,400
Speaker 6: So I was doing his wisdom, no, because I wanted

1643
01:29:23,439 --> 01:29:25,160
Speaker 6: to put the years together. Now, I was doing him

1644
01:29:25,160 --> 01:29:27,120
Speaker 6: good at my job. I was doing his systems back.

1645
01:29:28,720 --> 01:29:30,560
Speaker 6: I was doing his systems back in the days. So

1646
01:29:30,640 --> 01:29:32,200
Speaker 6: I say that to go back from ninety six to

1647
01:29:32,240 --> 01:29:34,280
Speaker 6: two thousand and one, like I was always like the

1648
01:29:34,320 --> 01:29:34,920
Speaker 6: sneaker ship was.

1649
01:29:34,920 --> 01:29:35,680
Speaker 1: Always forever with me.

1650
01:29:35,760 --> 01:29:37,320
Speaker 6: But when I used to see clock and Essos back

1651
01:29:37,360 --> 01:29:39,799
Speaker 6: in ninety five ninety six, I didn't even.

1652
01:29:39,680 --> 01:29:41,400
Speaker 1: Know Clark had the ill sneaker collection. Like that.

1653
01:29:41,520 --> 01:29:44,599
Speaker 6: We was just vibbing on cars and then him coming

1654
01:29:44,640 --> 01:29:47,000
Speaker 6: to him coming to Man Wednesdays, Maria Davids getting drunk

1655
01:29:47,000 --> 01:29:48,800
Speaker 6: every night, and then Jay doing the whole ship and

1656
01:29:49,439 --> 01:29:52,280
Speaker 6: Jay and them used to pull up to Essos two

1657
01:29:52,360 --> 01:29:56,400
Speaker 6: hours before, no earlier than that, like threetown, and they

1658
01:29:56,439 --> 01:29:58,200
Speaker 6: would pre pay for the bottles of Christian and they

1659
01:29:58,200 --> 01:30:00,240
Speaker 6: would give me thirty six hundred dollars cash christ That

1660
01:30:00,360 --> 01:30:01,519
Speaker 6: was three hundred dollars battle.

1661
01:30:01,320 --> 01:30:02,880
Speaker 1: Back then shout to the plug.

1662
01:30:02,880 --> 01:30:03,919
Speaker 2: I was paying like forty.

1663
01:30:03,680 --> 01:30:06,320
Speaker 6: Dollars a bottles stolen selling them for Yeah, I was

1664
01:30:06,320 --> 01:30:07,200
Speaker 6: getting a lot of money.

1665
01:30:07,040 --> 01:30:09,760
Speaker 1: Back there, perspect The funny shit is. The funny shit

1666
01:30:09,840 --> 01:30:11,840
Speaker 1: is when we started doing that, they wasn't even selling

1667
01:30:11,880 --> 01:30:14,000
Speaker 1: Crystal right. They would have to go get the Chrystal

1668
01:30:14,040 --> 01:30:15,719
Speaker 1: out because we were asking for crystal.

1669
01:30:15,840 --> 01:30:16,639
Speaker 2: Yeah, nah, I was crazy.

1670
01:30:16,640 --> 01:30:19,000
Speaker 6: I was getting Kristal from it from the distributors, Charms, liquor,

1671
01:30:19,040 --> 01:30:23,120
Speaker 6: all that shit. I mean only one day, but the flash.

1672
01:30:23,200 --> 01:30:25,680
Speaker 6: It was the reason I fell in love with that

1673
01:30:25,720 --> 01:30:27,120
Speaker 6: whole rock The reason I fell in love with that

1674
01:30:27,160 --> 01:30:30,080
Speaker 6: whole rock movement was they never pulled their money out

1675
01:30:30,120 --> 01:30:31,599
Speaker 6: in the club. They would come to Essos at three

1676
01:30:31,640 --> 01:30:34,080
Speaker 6: four o'clock in the afternoon. We paid for their bottles

1677
01:30:34,080 --> 01:30:36,439
Speaker 6: of Chris and had me bring a case of Christyle

1678
01:30:36,479 --> 01:30:38,280
Speaker 6: out to the ball and they were just hanging by

1679
01:30:38,320 --> 01:30:40,479
Speaker 6: the ball poorty bottles, poor the bottles for they bottles

1680
01:30:40,479 --> 01:30:41,080
Speaker 6: hold hold.

1681
01:30:41,360 --> 01:30:44,519
Speaker 1: No cash on the table? How cal it said? You smart?

1682
01:30:46,520 --> 01:30:48,840
Speaker 6: So that was everybody else was starting fronting and pulling

1683
01:30:48,880 --> 01:30:51,000
Speaker 6: their bottles out and buying eighty dollars bottles of Moet

1684
01:30:51,040 --> 01:30:53,680
Speaker 6: and all that bullshit. And I'm sitting there, last stop.

1685
01:30:53,880 --> 01:30:54,679
Speaker 6: You ain't going nowhere?

1686
01:30:55,080 --> 01:30:59,599
Speaker 1: All right, clock, I'm sorry, but no cluck there seeing

1687
01:30:59,640 --> 01:31:03,040
Speaker 1: the begin I need to know where Clark can Okay,

1688
01:31:03,040 --> 01:31:05,360
Speaker 1: I gotta dj I gotta go. Okay, you don't know

1689
01:31:05,640 --> 01:31:08,040
Speaker 1: where Clark Kent was at when you heard the room

1690
01:31:08,280 --> 01:31:14,040
Speaker 1: was that jay Z and Dame Dash separated? And it

1691
01:31:14,439 --> 01:31:18,400
Speaker 1: will never be the same because everything that you said

1692
01:31:18,560 --> 01:31:21,400
Speaker 1: just now, you were speaking about the beginning, because that's

1693
01:31:21,800 --> 01:31:27,879
Speaker 1: what you represent. And now you're still here. We're still relevant,

1694
01:31:27,920 --> 01:31:31,080
Speaker 1: You're still doing what we gotta do. But god, you

1695
01:31:31,120 --> 01:31:33,920
Speaker 1: are human. You're a human. Yeah, so I'm actually the

1696
01:31:34,040 --> 01:31:37,880
Speaker 1: human being right now? How did you feel? Because I

1697
01:31:38,000 --> 01:31:40,599
Speaker 1: still speak to both of them on the same days,

1698
01:31:41,360 --> 01:31:44,120
Speaker 1: may be on the same days. To guilty.

1699
01:31:45,800 --> 01:31:46,160
Speaker 10: You weren't.

1700
01:31:46,160 --> 01:31:48,640
Speaker 1: It's crazy speaking to your saying you feel guilty. I

1701
01:31:48,680 --> 01:31:52,000
Speaker 1: could never feel guilty because they were. I wasn't do

1702
01:31:52,040 --> 01:31:55,160
Speaker 1: you know what I'm saying. So, but the funny shit was,

1703
01:31:55,240 --> 01:31:58,040
Speaker 1: I was sitting at my desk at Rockefeller when I

1704
01:31:58,120 --> 01:32:01,639
Speaker 1: found out that it just wasn't gonna be the same anymore.

1705
01:32:01,640 --> 01:32:01,880
Speaker 6: And I.

1706
01:32:04,600 --> 01:32:09,960
Speaker 1: I I thought to myself, Okay, they'll work it out. Listen, No,

1707
01:32:10,479 --> 01:32:12,120
Speaker 1: it was a part of you to say they'll work

1708
01:32:12,160 --> 01:32:14,200
Speaker 1: it out. Yeah, I thought it was bullshit. I thought

1709
01:32:14,200 --> 01:32:16,280
Speaker 1: it would go away. That's what you have to understand.

1710
01:32:16,439 --> 01:32:20,840
Speaker 1: As a guy who was there from before everything, I

1711
01:32:21,040 --> 01:32:24,280
Speaker 1: was just like that, that's corny ship. They'll figure it out.

1712
01:32:24,640 --> 01:32:28,840
Speaker 1: And because I knew, understand me. I was there from

1713
01:32:28,880 --> 01:32:32,360
Speaker 1: the beginning, and then I went to to Motown Records,

1714
01:32:33,280 --> 01:32:35,880
Speaker 1: and then I went to jobs. Yeah, I think, did

1715
01:32:35,920 --> 01:32:39,759
Speaker 1: you make it any helping the flower shout in Jamaica.

1716
01:32:39,840 --> 01:32:42,400
Speaker 1: Let's make some noise o'clock having seventeen hundred dollars.

1717
01:32:44,040 --> 01:32:44,200
Speaker 5: Come?

1718
01:32:44,560 --> 01:32:49,760
Speaker 1: Damn, you better class them all, something better class you

1719
01:32:49,840 --> 01:32:55,280
Speaker 1: put them from bu you better class. I'm sorry, you

1720
01:32:55,320 --> 01:32:59,800
Speaker 1: wouldn't take the fish at all. Listen, being before and

1721
01:33:00,240 --> 01:33:03,439
Speaker 1: and and you know, making the connection between them, talking mysel,

1722
01:33:03,880 --> 01:33:09,720
Speaker 1: making him the connection between them and seeing what introduced

1723
01:33:09,760 --> 01:33:13,480
Speaker 1: them right, introduced. Did we we didn't clarify the introduction?

1724
01:33:13,680 --> 01:33:17,439
Speaker 1: Can we go for the introduction? How did you introduce them?

1725
01:33:18,560 --> 01:33:22,840
Speaker 1: After I signed Dame's groups, I kept telling him about, Yo, dude,

1726
01:33:22,880 --> 01:33:24,519
Speaker 1: jay Z is the best in the world, and you're

1727
01:33:24,520 --> 01:33:27,120
Speaker 1: telling this today today, I said, Yo, you see, my man,

1728
01:33:27,240 --> 01:33:28,760
Speaker 1: jay Z is the best in the world. It's gonna

1729
01:33:28,840 --> 01:33:30,439
Speaker 1: kill niggas. What the fuck is this?

1730
01:33:30,560 --> 01:33:30,760
Speaker 16: Jay Z?

1731
01:33:30,920 --> 01:33:36,240
Speaker 1: Niggas? He ain't better than Big L? This was like, wow, Like,

1732
01:33:36,400 --> 01:33:38,920
Speaker 1: with all due respect, I think Big L is dope.

1733
01:33:38,960 --> 01:33:42,679
Speaker 1: I think, but I think he's dope. I think he's dope.

1734
01:33:45,800 --> 01:33:49,880
Speaker 1: But you saying that that my man's not better than

1735
01:33:49,960 --> 01:33:53,120
Speaker 1: him makes no sense to me because I listen, you

1736
01:33:53,200 --> 01:33:56,479
Speaker 1: know what I'm saying, So I knew how wild Kine was,

1737
01:33:56,640 --> 01:33:58,920
Speaker 1: Like what are you talking about? Like you saying Big

1738
01:33:59,160 --> 01:34:02,680
Speaker 1: L is better than if you're saying Big Al's better

1739
01:34:02,760 --> 01:34:06,960
Speaker 1: than rock him, and then you're saying he's better than

1740
01:34:07,080 --> 01:34:10,519
Speaker 1: Jay Like now you're wildin' you know what I'm saying,

1741
01:34:10,600 --> 01:34:13,200
Speaker 1: Like he ain't better than this back then? This is

1742
01:34:13,280 --> 01:34:16,960
Speaker 1: back then? He said, Yeah, they didn't see it. I mean,

1743
01:34:17,040 --> 01:34:19,320
Speaker 1: but I didn't care. So but I was just like

1744
01:34:19,439 --> 01:34:22,400
Speaker 1: choosing my man's illing and everybody, and then you know,

1745
01:34:22,479 --> 01:34:25,360
Speaker 1: I started to prove it and then he was you know,

1746
01:34:25,520 --> 01:34:27,280
Speaker 1: like he was like, Yo, I'm gonna meet this guy.

1747
01:34:27,320 --> 01:34:30,800
Speaker 1: And when he meets him, he's like, I can't believe

1748
01:34:30,800 --> 01:34:33,040
Speaker 1: the dudes wearing white and white Air Force one. What

1749
01:34:33,160 --> 01:34:34,920
Speaker 1: the fuck you think the only wear Air Force ones

1750
01:34:34,960 --> 01:34:38,200
Speaker 1: in Harlemiga you caughty, like, how could you think something

1751
01:34:38,280 --> 01:34:41,519
Speaker 1: so stupid? But who are you talking about? Dang Dan

1752
01:34:41,760 --> 01:34:44,559
Speaker 1: was like, I can't believe this niggas wearing Air Force ones.

1753
01:34:44,600 --> 01:34:46,160
Speaker 1: I was like, what are you talking about? You met

1754
01:34:46,200 --> 01:34:49,120
Speaker 1: and me, I'm wearing Air Force ones and so I'm

1755
01:34:49,160 --> 01:34:51,439
Speaker 1: from Brooklyn. Yeah, but you be in Harlem. I don't

1756
01:34:51,439 --> 01:34:53,599
Speaker 1: care where i'd be at. I'm saying, like you're gonna

1757
01:34:53,600 --> 01:34:55,880
Speaker 1: say that, there's nobody else at all, and in Brooklyn

1758
01:34:55,920 --> 01:34:58,240
Speaker 1: it was Air Force ones except me. Like that would

1759
01:34:58,240 --> 01:35:01,280
Speaker 1: be some dumb shit to believe. But you know that's

1760
01:35:01,360 --> 01:35:04,000
Speaker 1: what he felt, and he felt like, understand me. I

1761
01:35:04,200 --> 01:35:06,439
Speaker 1: took him to Brooklyn, So he was kind of halfway

1762
01:35:06,479 --> 01:35:11,120
Speaker 1: scared at the same time because he believed the only thing, yes, Dave, Dad,

1763
01:35:11,439 --> 01:35:15,000
Speaker 1: the only thing that happened in Brooklyn was Robert fevery

1764
01:35:15,640 --> 01:35:18,200
Speaker 1: he just felt like, motherfucker's just wrong. I thought that too,

1765
01:35:18,280 --> 01:35:20,080
Speaker 1: like all the time that I wanted to obvious more

1766
01:35:20,120 --> 01:35:21,960
Speaker 1: of my cousins. I was like, I liked it. I like,

1767
01:35:22,040 --> 01:35:28,280
Speaker 1: I like I went to Farragut was about it too. Yeah, yeah, yeah,

1768
01:35:28,280 --> 01:35:30,280
Speaker 1: I'm sorry because I don't want to worry about.

1769
01:35:30,120 --> 01:35:30,640
Speaker 10: Me, you know.

1770
01:35:30,800 --> 01:35:34,759
Speaker 1: So what I'm saying is I introduced them and everything

1771
01:35:34,960 --> 01:35:38,400
Speaker 1: was all good from day one. So when this happened,

1772
01:35:38,400 --> 01:35:40,920
Speaker 1: when it was like, yeah, you know, it's getting a

1773
01:35:40,920 --> 01:35:43,040
Speaker 1: little shaky, I was just like, they're going to fix that,

1774
01:35:43,360 --> 01:35:45,760
Speaker 1: and that it was eighteen years later. Yeah, I was

1775
01:35:45,920 --> 01:35:49,439
Speaker 1: enough years later. It was enough because it was I

1776
01:35:49,520 --> 01:35:52,519
Speaker 1: think I had almost done ten albums or twelve albums.

1777
01:35:52,600 --> 01:35:54,960
Speaker 1: It was a lot. I mean, and you have to remember,

1778
01:35:55,040 --> 01:35:58,800
Speaker 1: Jay ran a bunch of summers. He ran a bunch

1779
01:35:58,840 --> 01:36:01,599
Speaker 1: of summers. I don't many rappers they get that many summers.

1780
01:36:02,000 --> 01:36:05,040
Speaker 1: He had summers. He brag about it too. What's crazy

1781
01:36:05,120 --> 01:36:12,240
Speaker 1: is I don't know anybody shut down. I mean, back then,

1782
01:36:12,560 --> 01:36:14,120
Speaker 1: if you had a summer in New York, you had

1783
01:36:14,120 --> 01:36:16,840
Speaker 1: a summer around the world. I mean, hit records in

1784
01:36:16,880 --> 01:36:18,560
Speaker 1: the summer, hit records in the summer. So that's what.

1785
01:36:18,680 --> 01:36:21,920
Speaker 1: That's what, that's what we're talking about. But you know,

1786
01:36:22,560 --> 01:36:24,560
Speaker 1: the only summers he didn't run was the summers that

1787
01:36:24,640 --> 01:36:27,800
Speaker 1: he didn't put records out. So what are we talking

1788
01:36:27,800 --> 01:36:31,679
Speaker 1: about here? Think about it. The only summers Jay didn't

1789
01:36:31,800 --> 01:36:34,920
Speaker 1: run is the summers that Jay decided he wasn't rapping.

1790
01:36:36,240 --> 01:36:40,439
Speaker 1: That's crazy. So what you think that's some ship for

1791
01:36:40,600 --> 01:36:45,360
Speaker 1: niggas to think about for a second. The only summers

1792
01:36:46,080 --> 01:36:51,000
Speaker 1: that Jay didn't run was the summers that he didn't

1793
01:36:51,080 --> 01:36:55,000
Speaker 1: put a fucking record out. Bottom line, when he was fifteen.

1794
01:36:55,120 --> 01:36:58,519
Speaker 1: I told you, niggas, I feel like we got to

1795
01:36:58,520 --> 01:37:03,880
Speaker 1: make some lunk. You need make no, no, we need

1796
01:37:03,920 --> 01:37:06,479
Speaker 1: another shot for that one. We don't need a last.

1797
01:37:06,680 --> 01:37:07,800
Speaker 2: Last year five.

1798
01:37:07,960 --> 01:37:09,840
Speaker 1: I told you I'm a ard nigga. Come on, I

1799
01:37:09,880 --> 01:37:12,639
Speaker 1: cannot leave on it. Even you can pull my ship,

1800
01:37:13,800 --> 01:37:16,320
Speaker 1: absolutely beful. I'm not even looking. You tell me, you

1801
01:37:16,439 --> 01:37:18,320
Speaker 1: tell me where to pull away? Man, I am not

1802
01:37:18,400 --> 01:37:20,640
Speaker 1: even looking. Goddamn, I gotta fill mine up for that.

1803
01:37:20,720 --> 01:37:22,960
Speaker 1: Ain't gonna be nor where are you dja hair tonight?

1804
01:37:24,160 --> 01:37:28,080
Speaker 1: Ain't nobody gonna hear that ship. Somebody snap it, snap

1805
01:37:28,160 --> 01:37:30,560
Speaker 1: it or something, yo. Man, Damn you was mad dispectful.

1806
01:37:30,600 --> 01:37:32,639
Speaker 1: I thought you, my brother, I thought you was getting

1807
01:37:32,640 --> 01:37:35,160
Speaker 1: the look. I got it with you. You do go,

1808
01:37:35,320 --> 01:37:35,840
Speaker 1: I got it with you.

1809
01:37:36,360 --> 01:37:36,760
Speaker 16: Here we go.

1810
01:37:37,320 --> 01:37:38,439
Speaker 2: I'm not going to the club tonight.

1811
01:37:38,439 --> 01:37:40,560
Speaker 1: I got it with you. I'm all going in. O.

1812
01:37:40,840 --> 01:37:43,040
Speaker 2: No, I'm not brother. You want something, you change your

1813
01:37:44,439 --> 01:37:48,360
Speaker 2: don't discuss how much this is. This is this all right,

1814
01:37:48,439 --> 01:37:49,560
Speaker 2: you gotta we're gonna go.

1815
01:37:49,680 --> 01:38:01,240
Speaker 1: Know we got it right, I got you go. Let's go,

1816
01:38:02,760 --> 01:38:04,679
Speaker 1: Let's go. We're gonna be a jink chance.

1817
01:38:04,760 --> 01:38:09,560
Speaker 11: You full for this podcast that I was.

1818
01:38:10,200 --> 01:38:18,599
Speaker 1: I was gonna text the Norman water, everybody water, everybody

1819
01:38:18,640 --> 01:38:22,519
Speaker 1: went his wife Fiji. I'm the only one who's still straight.

1820
01:38:23,080 --> 01:38:26,880
Speaker 1: Is big up to survive, to survive for no.

1821
01:38:26,960 --> 01:38:29,439
Speaker 6: No shout the puff because afy Aftercloll d DS and

1822
01:38:29,479 --> 01:38:31,280
Speaker 6: that we're going to puff out to after party.

1823
01:38:32,240 --> 01:38:32,679
Speaker 1: At the party.

1824
01:38:33,320 --> 01:38:37,720
Speaker 6: We're going now absolutely now not listen, I changed my

1825
01:38:37,760 --> 01:38:40,439
Speaker 6: flight for this. We're going to absolutely not me neither.

1826
01:38:43,840 --> 01:38:46,760
Speaker 6: This right here is we're going not going to the

1827
01:38:46,800 --> 01:38:47,400
Speaker 6: puff party.

1828
01:38:47,720 --> 01:38:50,840
Speaker 1: Not you's video here just line.

1829
01:38:52,720 --> 01:38:53,760
Speaker 2: Let me tell the movie, y'all.

1830
01:38:53,880 --> 01:38:56,400
Speaker 1: Lie, nobody's seen the over Sparty. You've never seen the

1831
01:38:56,479 --> 01:38:59,960
Speaker 1: movie The overs Party. They're not doing that. They're like,

1832
01:39:05,200 --> 01:39:08,240
Speaker 1: we're going ship, so we are not going to So

1833
01:39:08,720 --> 01:39:10,880
Speaker 1: it's just how we're doing it. So are you DJing tonight?

1834
01:39:10,960 --> 01:39:14,280
Speaker 1: That's Sam, you're dj I'm DJing a party that we

1835
01:39:14,400 --> 01:39:17,960
Speaker 1: do once a month called the Originals. It's me Tony

1836
01:39:18,040 --> 01:39:22,160
Speaker 1: to Richmondina, stretch On, Stung and d nice. So it's

1837
01:39:22,200 --> 01:39:24,760
Speaker 1: probably the wildest. It's probably the best party that we

1838
01:39:25,160 --> 01:39:27,439
Speaker 1: that I get to do. Your nigga still be smashing

1839
01:39:27,520 --> 01:39:31,840
Speaker 1: at the party. I got a wife. I'm doing nothing incriminating. Brother,

1840
01:39:34,560 --> 01:39:38,240
Speaker 1: I'm very I'm not married. I'm happily smashing clocks left over.

1841
01:39:38,439 --> 01:39:42,160
Speaker 1: I said I'm not married, So you smashed small.

1842
01:39:42,400 --> 01:39:45,519
Speaker 2: I'm just happy to be I'm just happy to be here.

1843
01:39:45,960 --> 01:39:48,599
Speaker 1: You have a beard. I'm just happy to be here. Yeah,

1844
01:39:49,880 --> 01:39:50,720
Speaker 1: you asked man.

1845
01:39:51,000 --> 01:39:52,320
Speaker 2: Absolutely, it's right next door.

1846
01:39:52,560 --> 01:39:55,360
Speaker 1: You can't miss it. Yeah, I know about your man.

1847
01:39:56,240 --> 01:39:58,960
Speaker 2: Yeah, yeah, me too. Where's that to ask either?

1848
01:40:00,160 --> 01:40:04,000
Speaker 1: Because you have a person listen, listen, look at us,

1849
01:40:05,960 --> 01:40:13,639
Speaker 1: listen episode on the plane clock your No, I don't.

1850
01:40:13,640 --> 01:40:15,960
Speaker 1: I'm sorry. You know that's not that's any that's not

1851
01:40:16,080 --> 01:40:20,640
Speaker 1: anything that really speak for yourself. I'm Puerto Rican Panamanian

1852
01:40:20,760 --> 01:40:26,040
Speaker 1: is like Puerto Ricans like foul cousin like Clock is

1853
01:40:26,080 --> 01:40:29,280
Speaker 1: my foul brother. Brother. You know, I'm gonna be honest

1854
01:40:29,320 --> 01:40:33,000
Speaker 1: because you know why Panamani because Panamanian is like you

1855
01:40:33,120 --> 01:40:41,200
Speaker 1: keep me on purpose. I'm sorry, brother, let me tell

1856
01:40:41,240 --> 01:40:47,839
Speaker 1: you what Panamani is because it's like ya Spanish cousin

1857
01:40:48,840 --> 01:40:52,719
Speaker 1: slash Jamaican cousins, because like they kind of like both,

1858
01:40:54,040 --> 01:40:56,880
Speaker 1: I'm a buggy, you're not like because they're like y'all

1859
01:40:57,000 --> 01:41:01,280
Speaker 1: like Jamaican Spanish bogus. What can you explain why? Because

1860
01:41:01,360 --> 01:41:02,440
Speaker 1: y'all eat ROTI.

1861
01:41:05,600 --> 01:41:05,720
Speaker 8: Like that.

1862
01:41:07,960 --> 01:41:11,160
Speaker 1: That's not the reason why. No, that's not the reason.

1863
01:41:11,240 --> 01:41:14,479
Speaker 1: The reason why is because historically when the Panama Canal

1864
01:41:14,640 --> 01:41:17,960
Speaker 1: was being built. Are we getting deep? Let's break down

1865
01:41:18,000 --> 01:41:23,839
Speaker 1: on these dollars. Go, Jamaicans came over from to Panama

1866
01:41:23,960 --> 01:41:28,280
Speaker 1: to help build a canal yard mandyd mind them. My

1867
01:41:28,680 --> 01:41:33,080
Speaker 1: father's Jamaican. Okay, we got to talk to these people

1868
01:41:33,080 --> 01:41:36,960
Speaker 1: with Clark Kurt Keen jobs, not thirteen Kurt teen jobs,

1869
01:41:37,840 --> 01:41:43,400
Speaker 1: thirteen blood. Listen, you gotta have relax. Don't you have

1870
01:41:43,479 --> 01:41:50,360
Speaker 1: a grab a bottle over here? Again? This is Panamanian nigam.

1871
01:41:51,200 --> 01:41:55,599
Speaker 1: Shake your feet, shake your feet, you don't know where

1872
01:41:55,640 --> 01:42:10,520
Speaker 1: Clark came from, Flatbush, Panama speaking to you. Gotta got

1873
01:42:13,600 --> 01:42:19,439
Speaker 1: twenty years, Yeah twenty my friend. You know out here

1874
01:42:20,080 --> 01:42:25,400
Speaker 1: in Miami they have flea markets. See, Coliseum was like

1875
01:42:25,520 --> 01:42:26,719
Speaker 1: official flea market.

1876
01:42:26,920 --> 01:42:30,560
Speaker 6: Coliseum was official, was official.

1877
01:42:30,280 --> 01:42:35,360
Speaker 1: But yeah unofficial here you know the flea he go to,

1878
01:42:36,160 --> 01:42:39,040
Speaker 1: it's very unofficial. He goes to the hotel Carol. I

1879
01:42:39,120 --> 01:42:44,400
Speaker 1: gotta throw that out there, Mark ca Man, the fleet

1880
01:42:44,439 --> 01:42:46,880
Speaker 1: market we all lived on. You gotta rely.

1881
01:42:48,280 --> 01:42:49,160
Speaker 2: I sold all my mixta.

1882
01:42:50,080 --> 01:42:56,400
Speaker 1: I know you racist Miami, like I mean, but sunny

1883
01:42:57,520 --> 01:43:01,960
Speaker 1: what I mean bys, But Sonny slaps the flea market.

1884
01:43:03,479 --> 01:43:06,160
Speaker 1: The old thing is Jordan's right now is official? Now,

1885
01:43:11,840 --> 01:43:16,840
Speaker 1: I'm like, you didn't even get it from foot locker.

1886
01:43:16,880 --> 01:43:21,200
Speaker 1: You got it from your lock off a lot.

1887
01:43:23,400 --> 01:43:24,400
Speaker 2: It was your locker.

1888
01:43:25,000 --> 01:43:36,960
Speaker 1: You gotta relax, Sonny o'clock. We answered you your favorite

1889
01:43:36,960 --> 01:43:40,200
Speaker 1: ever in the hip hop now what we And you

1890
01:43:40,479 --> 01:43:43,840
Speaker 1: also said Rick Ross's album was great. Yes, you said

1891
01:43:43,880 --> 01:43:47,280
Speaker 1: that this is best to me so far. I agree

1892
01:43:47,280 --> 01:43:50,800
Speaker 1: with you as well. But now I also said Drake's album.

1893
01:43:50,840 --> 01:43:54,479
Speaker 1: Did you know what you drake about Grace? But think

1894
01:43:54,520 --> 01:43:57,840
Speaker 1: about this, Okay, every Rick Ross album you listen to

1895
01:43:58,120 --> 01:44:00,200
Speaker 1: you can pick something off of it and go maybe

1896
01:44:00,320 --> 01:44:03,120
Speaker 1: not that one. What do you mean I'm saying. So

1897
01:44:03,360 --> 01:44:04,880
Speaker 1: that's the reason why I could say this is his

1898
01:44:05,000 --> 01:44:07,240
Speaker 1: best work, because you can't take anything off of it.

1899
01:44:08,200 --> 01:44:10,360
Speaker 1: You gotta go. Now on that ship's fire too. Now,

1900
01:44:10,439 --> 01:44:12,720
Speaker 1: all that ship's fire too. Now while that ship's fire too,

1901
01:44:13,200 --> 01:44:16,639
Speaker 1: and he's talking on that ship? Is he the South

1902
01:44:17,720 --> 01:44:20,920
Speaker 1: Rick Ross? I mean South Biggie. No, he's just He's

1903
01:44:21,040 --> 01:44:24,000
Speaker 1: Rick Ross. He don't don't compare the mind. He can't

1904
01:44:24,040 --> 01:44:29,200
Speaker 1: be compared to anything. He's almost anybody. Anybody who compared

1905
01:44:29,280 --> 01:44:32,240
Speaker 1: him to Biggie was doing him a disservice, you know

1906
01:44:32,280 --> 01:44:33,440
Speaker 1: what I'm saying, Because.

1907
01:44:33,439 --> 01:44:36,880
Speaker 2: There there's no one's gonna be like that. We see

1908
01:44:37,000 --> 01:44:38,400
Speaker 2: him saying, they were.

1909
01:44:38,320 --> 01:44:42,519
Speaker 1: Doing Ross service by trying to compare him to that.

1910
01:44:43,000 --> 01:44:45,360
Speaker 1: Let Rick Ross be Rick Ross facts, you know what

1911
01:44:45,400 --> 01:44:48,760
Speaker 1: I'm saying. And as Rick Ross, he's fucking bananas. Like

1912
01:44:49,320 --> 01:44:54,040
Speaker 1: his album is fire. It's not good, it's fire. I

1913
01:44:54,479 --> 01:44:57,880
Speaker 1: actually feel bad that, you know, the album came out

1914
01:44:57,920 --> 01:44:59,960
Speaker 1: a day before Drake's album, because it's like it didn't

1915
01:45:00,200 --> 01:45:03,280
Speaker 1: have the time to raise Albums are playlist? How do

1916
01:45:03,320 --> 01:45:05,960
Speaker 1: you feel the album. It's an album, So I don't

1917
01:45:06,000 --> 01:45:08,200
Speaker 1: care what you said. If the ship have a cover

1918
01:45:09,200 --> 01:45:12,760
Speaker 1: and it has credits and it has track lists, it's

1919
01:45:12,840 --> 01:45:18,760
Speaker 1: a fucking album. Makes a noise for that guy and

1920
01:45:18,840 --> 01:45:20,440
Speaker 1: the single.

1921
01:45:22,439 --> 01:45:24,000
Speaker 2: Get the hell out on joking.

1922
01:45:26,080 --> 01:45:28,519
Speaker 1: You know, I'm gonna be honest, you'll you'll bring us

1923
01:45:28,520 --> 01:45:30,800
Speaker 1: to the top of the podcast world. If I was

1924
01:45:31,360 --> 01:45:35,640
Speaker 1: one hit one, just one hit one, one hit did

1925
01:45:35,680 --> 01:45:38,320
Speaker 1: Elliott Wilson before with all that you no money knew

1926
01:45:38,360 --> 01:45:46,720
Speaker 1: me list to be honest, that's what three sixty before

1927
01:45:46,960 --> 01:45:50,040
Speaker 1: you curve never curved call. But he's the o G.

1928
01:45:50,200 --> 01:45:53,559
Speaker 1: You got them, just like you know, everybody has stories

1929
01:45:53,600 --> 01:45:57,679
Speaker 1: in their head. Everybody has the No. One hit clak

1930
01:45:58,160 --> 01:46:00,000
Speaker 1: one one for Panama.

1931
01:46:01,160 --> 01:46:02,480
Speaker 2: Was that boom boom.

1932
01:46:07,600 --> 01:46:07,800
Speaker 11: You know what?

1933
01:46:08,439 --> 01:46:12,400
Speaker 1: You know what, No, no, no, no, listen, here's some

1934
01:46:12,520 --> 01:46:16,000
Speaker 1: crazy ship. People look at that record and back then

1935
01:46:16,280 --> 01:46:19,400
Speaker 1: it was a Panamanian dude doing a reggae record. Guess

1936
01:46:19,439 --> 01:46:22,920
Speaker 1: what that reggae is? The first that is it don't

1937
01:46:23,520 --> 01:46:25,719
Speaker 1: don't reggae, don't got damn.

1938
01:46:25,640 --> 01:46:26,719
Speaker 10: One, good.

1939
01:46:29,640 --> 01:46:33,040
Speaker 1: God, damn, this is Panama.

1940
01:46:33,600 --> 01:46:38,040
Speaker 4: Boom Mommy, mommy, mommy, boom boom boom, boom boom.

1941
01:46:38,160 --> 01:46:41,479
Speaker 1: That relaxed to say it again. He said toom boom

1942
01:46:42,479 --> 01:46:46,559
Speaker 1: betoom boom Man wrong anyway? Man? Keep going?

1943
01:46:46,600 --> 01:46:46,720
Speaker 2: Man?

1944
01:46:46,720 --> 01:46:54,200
Speaker 1: Where a record? Where are we at? This? Make some yeah?

1945
01:46:54,320 --> 01:47:04,960
Speaker 1: So claw Jesus CHRISTI nuts claw you think jeez, I

1946
01:47:05,040 --> 01:47:06,040
Speaker 1: got a clock.

1947
01:47:06,160 --> 01:47:12,000
Speaker 20: I gotta play nowhere? You've been in this this this Yeah,

1948
01:47:13,760 --> 01:47:17,000
Speaker 20: animal bruised roll.

1949
01:47:19,960 --> 01:47:25,400
Speaker 1: So now I heard you the tweet going on where

1950
01:47:25,479 --> 01:47:29,880
Speaker 1: Rick Ross? You tweeted that Rick Ross album is fire fire.

1951
01:47:30,000 --> 01:47:33,680
Speaker 1: I saw that that tweet went viral. It did in

1952
01:47:33,840 --> 01:47:40,680
Speaker 1: my mind it did. But now but now Clark, what

1953
01:47:40,880 --> 01:47:48,600
Speaker 1: else is Clark can't like there's no school right Contrary

1954
01:47:48,680 --> 01:47:52,120
Speaker 1: to what a lot of people might think. Migos, I

1955
01:47:52,760 --> 01:47:58,280
Speaker 1: fuck with Migos, so I fuck with young thug.

1956
01:47:59,400 --> 01:48:00,960
Speaker 2: You know what, no, no, no, no.

1957
01:48:01,680 --> 01:48:02,200
Speaker 8: The thing is.

1958
01:48:04,320 --> 01:48:08,080
Speaker 1: When you sit behind it. When you said I love

1959
01:48:08,200 --> 01:48:14,519
Speaker 1: that that any When you sit behind a desk, you know,

1960
01:48:14,600 --> 01:48:22,320
Speaker 1: he DJ parties that he got to relax. Okay, okay, listen.

1961
01:48:22,439 --> 01:48:24,680
Speaker 1: When you sit behind the desk, you start to look

1962
01:48:24,680 --> 01:48:26,840
Speaker 1: at music differently. You don't look at music just for

1963
01:48:27,000 --> 01:48:30,320
Speaker 1: what you personally think. You look for is it going

1964
01:48:30,439 --> 01:48:32,479
Speaker 1: to work whether you like it or not. It's whether

1965
01:48:32,560 --> 01:48:35,120
Speaker 1: it's gonna work or not. The first time I heard

1966
01:48:35,160 --> 01:48:40,640
Speaker 1: Young Thug, I thought he might have something. But then

1967
01:48:40,720 --> 01:48:46,840
Speaker 1: it was repeatedly, repeatedly, repeatedly that dude, you might not

1968
01:48:47,200 --> 01:48:52,879
Speaker 1: understand everything he's saying, but when he says it, somehow

1969
01:48:53,520 --> 01:48:56,920
Speaker 1: you can get to it. Young migos.

1970
01:48:58,040 --> 01:48:58,160
Speaker 2: Yo.

1971
01:48:58,479 --> 01:49:01,320
Speaker 1: Every time, I don't even know to take Molly, listen, listen.

1972
01:49:01,400 --> 01:49:06,160
Speaker 1: I don't understand that there. I just want to be listen.

1973
01:49:06,360 --> 01:49:08,120
Speaker 1: I just want to be clear. I'm not sitting here

1974
01:49:08,160 --> 01:49:10,960
Speaker 1: saying these dudes are spending bars. What I'm saying is

1975
01:49:11,200 --> 01:49:14,479
Speaker 1: these dudes, these dudes are making records that I can

1976
01:49:14,600 --> 01:49:17,439
Speaker 1: actually like. And you know, trust me, there's a list

1977
01:49:17,479 --> 01:49:19,640
Speaker 1: of motherfuckers that I'm just like, what the fuck is

1978
01:49:19,720 --> 01:49:20,040
Speaker 1: going on?

1979
01:49:20,479 --> 01:49:24,800
Speaker 2: But there's some dudes that get that get put in

1980
01:49:24,920 --> 01:49:25,559
Speaker 2: that that that.

1981
01:49:25,760 --> 01:49:27,960
Speaker 1: Vein with all these other dudes that I'm looking at, like,

1982
01:49:28,040 --> 01:49:30,560
Speaker 1: why the fuck are you making records? And when I

1983
01:49:30,600 --> 01:49:32,840
Speaker 1: look at them, I'm going, well, how can you put

1984
01:49:32,880 --> 01:49:35,320
Speaker 1: this guy in here when his records are better? You

1985
01:49:35,360 --> 01:49:36,960
Speaker 1: know what I'm saying, Let's just look at his records.

1986
01:49:37,360 --> 01:49:39,599
Speaker 1: If he can rap, let's just look at his records.

1987
01:49:39,640 --> 01:49:42,559
Speaker 1: To me, you, here's where a lot of motherfuckers get

1988
01:49:42,560 --> 01:49:45,560
Speaker 1: shit fucked up. They look at this rap thing like

1989
01:49:45,720 --> 01:49:49,360
Speaker 1: it's about having bars as much as it is about

1990
01:49:49,439 --> 01:49:52,000
Speaker 1: making records. When you're a rapper, your ship is to

1991
01:49:52,120 --> 01:49:55,000
Speaker 1: make records when you're serious about you having bars. How

1992
01:49:55,040 --> 01:49:59,439
Speaker 1: about melodies, though, clock your melodies helps melodies? Asked me

1993
01:49:59,479 --> 01:50:04,120
Speaker 1: a question, was carrying it? Good melodies make better records.

1994
01:50:04,160 --> 01:50:07,439
Speaker 1: And the reason why is it's so simple. But nobody

1995
01:50:07,479 --> 01:50:12,120
Speaker 1: looks at this ship. When you learned the first song

1996
01:50:12,280 --> 01:50:15,479
Speaker 1: that you ever learned was your ab seeds. The only

1997
01:50:15,560 --> 01:50:19,040
Speaker 1: way you learned the abcs was by singing it. It's

1998
01:50:19,080 --> 01:50:24,040
Speaker 1: a melody and rhythm. So that's the reason why somebody

1999
01:50:24,120 --> 01:50:27,240
Speaker 1: with a good melody makes something and you catch it.

2000
01:50:27,600 --> 01:50:30,680
Speaker 1: That's what makes something catchy is the fact that you

2001
01:50:32,560 --> 01:50:35,320
Speaker 1: the fact that you heard a good melody makes it catchy.

2002
01:50:35,439 --> 01:50:47,640
Speaker 1: So when you hear he's talking about but whatever the

2003
01:50:47,760 --> 01:50:50,360
Speaker 1: thing is, most people might not hear what he says.

2004
01:50:50,760 --> 01:51:02,559
Speaker 1: A different cousin right here. Ain't we respect this podcast

2005
01:51:02,600 --> 01:51:06,240
Speaker 1: with respect? Alloy? Let that go? Let that go?

2006
01:51:06,560 --> 01:51:06,960
Speaker 2: Please?

2007
01:51:07,120 --> 01:51:15,800
Speaker 1: Oh my god, I'm gone your your ship, claw, this

2008
01:51:15,880 --> 01:51:21,519
Speaker 1: is your life. Yes it's not. This is not right, Radar.

2009
01:51:21,600 --> 01:51:26,120
Speaker 1: I apologize for your doing that first because it fucked

2010
01:51:28,040 --> 01:51:29,920
Speaker 1: you wasn't supposed to. I've been trying to get you

2011
01:51:29,960 --> 01:51:32,880
Speaker 1: to do this for a while in Florida. Wow, we

2012
01:51:33,000 --> 01:51:35,559
Speaker 1: hear all the time. We got a budget, definitely here,

2013
01:51:35,920 --> 01:51:37,439
Speaker 1: you should have this a budget now.

2014
01:51:40,280 --> 01:51:41,720
Speaker 2: If you would have said it will flow you the.

2015
01:51:41,720 --> 01:51:43,920
Speaker 1: Guy in my mind, I got a budget. We don't

2016
01:51:43,920 --> 01:51:46,760
Speaker 1: got it right, man? No, your budget? Yeah, yeah, because

2017
01:51:46,760 --> 01:51:51,160
Speaker 1: I flew myself out, so yeah, yeah, having thirty six

2018
01:51:51,280 --> 01:51:56,479
Speaker 1: hundred kicks, how does how do you maintain thirty six

2019
01:51:56,600 --> 01:51:57,479
Speaker 1: hundred sneakers?

2020
01:51:58,560 --> 01:52:01,639
Speaker 6: That's that's the Never had that question ask me before,

2021
01:52:02,040 --> 01:52:04,240
Speaker 6: because I wear whatever's on the floor.

2022
01:52:04,840 --> 01:52:07,320
Speaker 1: But I see you, I see on the internet. You

2023
01:52:07,439 --> 01:52:09,719
Speaker 1: got white clear box. I got the neatest.

2024
01:52:09,920 --> 01:52:10,519
Speaker 2: That's my title.

2025
01:52:10,640 --> 01:52:12,240
Speaker 6: You talk to Joe, you talk to wild A, you

2026
01:52:12,280 --> 01:52:14,559
Speaker 6: talk the Greg Screen, you talk the fat Joe Clark.

2027
01:52:14,920 --> 01:52:15,759
Speaker 1: I got the neatest.

2028
01:52:16,200 --> 01:52:18,880
Speaker 21: I got the neatest sneaker room in the world. But

2029
01:52:19,320 --> 01:52:22,000
Speaker 21: but why is it white Claire boxes? I have an

2030
01:52:22,080 --> 01:52:25,760
Speaker 21: abundance of sneakers. I wear my sneakers. I want to

2031
01:52:25,760 --> 01:52:28,000
Speaker 21: see what I want to grab. You know what I'm saying. Pause,

2032
01:52:28,000 --> 01:52:29,400
Speaker 21: I want to if I'm looking for pasts. I want

2033
01:52:29,439 --> 01:52:31,120
Speaker 21: to be able to find it, so in them boxes,

2034
01:52:31,120 --> 01:52:32,360
Speaker 21: I wasn't gonna be able to find all that. And

2035
01:52:32,400 --> 01:52:34,519
Speaker 21: I really I don't sell sneakers. I don't resell sneakers.

2036
01:52:35,000 --> 01:52:36,519
Speaker 21: If I wanted to resell my sneakers, I got a

2037
01:52:36,600 --> 01:52:38,280
Speaker 21: million dollar sitting right there in my room. You have,

2038
01:52:38,439 --> 01:52:40,240
Speaker 21: I got a million dollars sit in my room. No bullshit,

2039
01:52:40,280 --> 01:52:44,599
Speaker 21: I got a million dollars sitting in my room. Rack,

2040
01:52:46,320 --> 01:52:48,479
Speaker 21: I got a million dollars and sneakers sitting in my room.

2041
01:52:48,600 --> 01:52:50,920
Speaker 6: So like I wanted to see if I want to

2042
01:52:50,920 --> 01:52:52,599
Speaker 6: grab a pair of sneakers from two thousand and three,

2043
01:52:52,880 --> 01:52:55,080
Speaker 6: I'm gonna go look for that pair of sneakers now, because.

2044
01:52:54,800 --> 01:52:59,240
Speaker 1: I've seen your ship, like you had rolls. My ship

2045
01:52:59,320 --> 01:53:03,080
Speaker 1: looked like a looking and nine hundred square feet and

2046
01:53:03,160 --> 01:53:03,880
Speaker 1: the crazy ship.

2047
01:53:03,960 --> 01:53:04,400
Speaker 6: I know you.

2048
01:53:04,560 --> 01:53:06,800
Speaker 1: I know you from seeing on the street. So when

2049
01:53:06,800 --> 01:53:08,679
Speaker 1: I seen it on the end ofne I was like, damn,

2050
01:53:08,720 --> 01:53:14,160
Speaker 1: I never knew yo, you had every sneak however you had.

2051
01:53:14,960 --> 01:53:18,320
Speaker 1: I got undefeated for you. What's the ship, Michael J.

2052
01:53:18,800 --> 01:53:19,240
Speaker 1: Fox ship?

2053
01:53:19,360 --> 01:53:22,320
Speaker 6: Yeah, yeah, I got the Marty m clowns. I got to.

2054
01:53:24,840 --> 01:53:29,640
Speaker 1: It's not sneaker was not sneakers movie props. I was like,

2055
01:53:31,080 --> 01:53:32,800
Speaker 1: this is this is when me and Clark argue and

2056
01:53:32,840 --> 01:53:34,560
Speaker 1: we go at it from baga. I would love to

2057
01:53:34,600 --> 01:53:34,840
Speaker 1: see that.

2058
01:53:35,200 --> 01:53:37,960
Speaker 6: It's a real argument sometimes like this. I believe there's

2059
01:53:38,000 --> 01:53:40,599
Speaker 6: a sneaker coacher, Claud doesn't.

2060
01:53:41,920 --> 01:53:46,200
Speaker 16: I believe there's okay okay, and we're gonna let Clark go.

2061
01:53:46,720 --> 01:53:49,680
Speaker 1: Only Clark invest because I said, I want to investigate

2062
01:53:49,720 --> 01:53:52,599
Speaker 1: this before we dive into it. You said you believe

2063
01:53:52,640 --> 01:53:56,720
Speaker 1: there's a sneak of culture and Clark said he does not.

2064
01:53:57,040 --> 01:53:59,880
Speaker 6: Leave because Clark is gonna bring I can't answer for Clark,

2065
01:53:59,920 --> 01:54:01,240
Speaker 6: but I know where Clock is going with it because

2066
01:54:01,240 --> 01:54:02,639
Speaker 6: we had this argument you a million times.

2067
01:54:02,840 --> 01:54:05,320
Speaker 1: Just stink of culture. You are gods, and we really

2068
01:54:05,439 --> 01:54:08,479
Speaker 1: argue our posters, We really argue about this. I'm part

2069
01:54:08,479 --> 01:54:12,639
Speaker 1: of sneaker culture. I'm like a pond. I'm very lower

2070
01:54:12,680 --> 01:54:15,080
Speaker 1: in the steaker culture. I go to the Means.

2071
01:54:15,400 --> 01:54:15,639
Speaker 2: Listen.

2072
01:54:17,439 --> 01:54:19,720
Speaker 6: Your Jordan's segment was brought up everywhere in the world.

2073
01:54:19,800 --> 01:54:22,280
Speaker 6: I'm a listening to the podcast, so I don't want

2074
01:54:22,280 --> 01:54:23,000
Speaker 6: to hear that you off.

2075
01:54:23,680 --> 01:54:27,080
Speaker 1: Oh yeah, I did ship on Jordan, but I also

2076
01:54:28,040 --> 01:54:32,520
Speaker 1: heard this. I kept raising I kept wearing him, so

2077
01:54:32,640 --> 01:54:34,240
Speaker 1: that lets you know I hate that. No, no, no,

2078
01:54:34,400 --> 01:54:37,640
Speaker 1: I respect he is gonna say some ship and then boycott.

2079
01:54:39,720 --> 01:54:40,400
Speaker 1: I still want you.

2080
01:54:40,800 --> 01:54:42,640
Speaker 6: You know, you don't believe that we can argue about

2081
01:54:42,640 --> 01:54:43,920
Speaker 6: it because you're my brother and I love you, so

2082
01:54:44,040 --> 01:54:44,480
Speaker 6: don't believe.

2083
01:54:45,200 --> 01:54:47,040
Speaker 1: I can't believe what he's saying. Right now, I'm just

2084
01:54:47,120 --> 01:54:49,720
Speaker 1: throwing it out there. You saying it's not a sneak

2085
01:54:49,760 --> 01:54:54,960
Speaker 1: of culture, nor yes, how many five percenters?

2086
01:54:55,000 --> 01:54:55,200
Speaker 10: You know?

2087
01:54:56,480 --> 01:54:59,640
Speaker 1: You gotta relax. I know at least he's have one

2088
01:54:59,720 --> 01:55:04,040
Speaker 1: hundred people. You know what's crazy? I can say it's

2089
01:55:04,080 --> 01:55:06,160
Speaker 1: without even looking at him. When he was growing up,

2090
01:55:06,240 --> 01:55:08,200
Speaker 1: at one point he was about to be five percent.

2091
01:55:08,440 --> 01:55:15,400
Speaker 1: I was given to ask you people, father a law

2092
01:55:15,520 --> 01:55:20,480
Speaker 1: when I was younger. Right, skip back when you look

2093
01:55:20,560 --> 01:55:23,480
Speaker 1: at that, and then you go, what's it really based off?

2094
01:55:23,560 --> 01:55:29,040
Speaker 1: It's based off of Islam? What is Islam? A culture? Right? Yep?

2095
01:55:29,520 --> 01:55:34,440
Speaker 1: How can you parallel sneakers, which is sneakers some shit

2096
01:55:34,480 --> 01:55:38,280
Speaker 1: that you wear on your feet to a culture a

2097
01:55:38,560 --> 01:55:41,400
Speaker 1: way of life. Culture is a way of life. It

2098
01:55:41,520 --> 01:55:45,320
Speaker 1: has laws, it has a belief system, it has a

2099
01:55:45,480 --> 01:55:50,360
Speaker 1: financial system, and it has a spiritual system. Please the

2100
01:55:50,440 --> 01:55:53,600
Speaker 1: word culture is a powerful word. Parallel that to Islam

2101
01:55:53,920 --> 01:55:58,360
Speaker 1: sneakers in Islam. Okay, we're done here, so equate that

2102
01:55:58,440 --> 01:56:00,960
Speaker 1: to you said hip hop culture, then be a way

2103
01:56:01,000 --> 01:56:01,320
Speaker 1: of life.

2104
01:56:01,560 --> 01:56:02,480
Speaker 2: You know you said culture.

2105
01:56:02,680 --> 01:56:04,040
Speaker 1: Hip hop is a way of life.

2106
01:56:04,320 --> 01:56:05,240
Speaker 2: It's a coach, Jimmy.

2107
01:56:05,320 --> 01:56:11,440
Speaker 1: The same as finance. Everything Their money is finance. But

2108
01:56:11,480 --> 01:56:13,920
Speaker 1: everything you said, everything you said, understand me money because I.

2109
01:56:13,920 --> 01:56:15,600
Speaker 2: Believe there is a culture in the state.

2110
01:56:15,720 --> 01:56:18,000
Speaker 1: Okay, they show it to me. I mean, I don't

2111
01:56:18,040 --> 01:56:19,960
Speaker 1: have the same definitions of you. I'm not saying, but

2112
01:56:20,120 --> 01:56:20,400
Speaker 1: there is.

2113
01:56:20,600 --> 01:56:23,720
Speaker 6: But there's a way of life. But their subdivisions, the medical.

2114
01:56:25,320 --> 01:56:31,360
Speaker 1: Hold on. Listen to what I'm saying. He holds understand

2115
01:56:31,400 --> 01:56:32,960
Speaker 1: I hosted, But listen to what I'm saying to you.

2116
01:56:33,680 --> 01:56:37,080
Speaker 1: If you say culture, you would be wrong. If you

2117
01:56:37,200 --> 01:56:39,480
Speaker 1: said subculture, we'd have a conversation.

2118
01:56:39,920 --> 01:56:42,960
Speaker 6: Is going to bring it back just the religion puts

2119
01:56:43,040 --> 01:56:45,160
Speaker 6: up seventeen When one DC puts up his and tells

2120
01:56:45,160 --> 01:56:47,600
Speaker 6: everybody to put up their shelters and there's seventeen thousand

2121
01:56:47,640 --> 01:56:49,880
Speaker 6: people are putting their shell toes, he's gonna he's gonna

2122
01:56:50,720 --> 01:56:52,920
Speaker 6: attribute that to hip hop culture.

2123
01:56:53,480 --> 01:56:55,600
Speaker 1: I'm not going to attribute that to hip hop culture.

2124
01:56:55,600 --> 01:56:57,800
Speaker 1: What I'm going to say is, can you tell me

2125
01:56:58,200 --> 01:57:01,240
Speaker 1: when run DMC made that record which Nigga wasn't wearing

2126
01:57:01,280 --> 01:57:05,000
Speaker 1: to d this? Think about this? Why can you say

2127
01:57:05,160 --> 01:57:08,520
Speaker 1: put everybody put your Adidas up when you when you're

2128
01:57:08,560 --> 01:57:10,800
Speaker 1: on the stage, if niggas wasn't wearing a deal. So

2129
01:57:10,960 --> 01:57:12,920
Speaker 1: you're saying so the sneaker culture is a subculture of

2130
01:57:13,000 --> 01:57:17,240
Speaker 1: hip hop. No, sniggers culture is a subcultured period. It's

2131
01:57:17,320 --> 01:57:20,040
Speaker 1: not a culture. It doesn't come first. It's a subculture

2132
01:57:20,200 --> 01:57:24,760
Speaker 1: byproduct that's a byproduct of close It's not even you.

2133
01:57:24,800 --> 01:57:26,960
Speaker 6: Know, it's a byproduct of fashions, which it about.

2134
01:57:27,120 --> 01:57:30,040
Speaker 1: It's a fashion, which isn't a culture. It's fashion and

2135
01:57:30,120 --> 01:57:30,720
Speaker 1: ship you wear.

2136
01:57:31,080 --> 01:57:33,320
Speaker 2: It can't be a subculture. It's exactly.

2137
01:57:33,440 --> 01:57:34,800
Speaker 1: So we're getting back to the same thing.

2138
01:57:35,000 --> 01:57:38,640
Speaker 2: I'm a great I disagree too. Okay, it's a culture.

2139
01:57:38,760 --> 01:57:41,840
Speaker 1: Okay, showing to the Niggers is a culture. But you

2140
01:57:41,920 --> 01:57:44,760
Speaker 1: have your how many can't hold no, no, no, no, no, no,

2141
01:57:44,840 --> 01:57:49,680
Speaker 1: no no no, don't do this? Why because y'are god?

2142
01:57:51,320 --> 01:57:51,680
Speaker 1: That's it?

2143
01:57:51,920 --> 01:57:57,840
Speaker 6: Hold on, now, know how many sneaker shows we do

2144
01:57:58,440 --> 01:58:00,720
Speaker 6: when he's fifteen and sixteen year old. Seventy year old

2145
01:58:00,760 --> 01:58:03,000
Speaker 6: kids don't know you from nothing from music, but they

2146
01:58:03,040 --> 01:58:04,960
Speaker 6: praise the ground you walk on because of sneakers.

2147
01:58:05,800 --> 01:58:08,480
Speaker 1: Answer yourself. You can answer that yourself. Why do they

2148
01:58:08,640 --> 01:58:12,720
Speaker 1: I'm asking you, you can't, dude, I created sneakers. I

2149
01:58:12,920 --> 01:58:15,160
Speaker 1: designed sneakers. I'm a guy.

2150
01:58:15,000 --> 01:58:17,640
Speaker 6: Who is looking at and that's a culture to them

2151
01:58:17,640 --> 01:58:19,760
Speaker 6: because they don't know that you discovered Jay. They don't

2152
01:58:19,800 --> 01:58:21,320
Speaker 6: know that you were saying jazz o was the best

2153
01:58:21,360 --> 01:58:23,560
Speaker 6: in the world. They don't know that you signed Doze effects.

2154
01:58:23,680 --> 01:58:26,040
Speaker 6: They don't know that because you look at making them

2155
01:58:26,240 --> 01:58:27,040
Speaker 6: to do effects.

2156
01:58:28,080 --> 01:58:29,760
Speaker 1: You know what I'm saying. He's trying, But.

2157
01:58:30,240 --> 01:58:34,200
Speaker 15: I'm right, But your definition of culture, like if I

2158
01:58:34,360 --> 01:58:37,520
Speaker 15: was going psyclopedia culture, what the way you define it

2159
01:58:37,800 --> 01:58:40,560
Speaker 15: is that it is the definition of culture, because that's.

2160
01:58:40,360 --> 01:58:43,040
Speaker 1: The only way we can define him what we're talking about. Okay,

2161
01:58:43,120 --> 01:58:46,800
Speaker 1: So then I guess we open a dictionary, put.

2162
01:58:46,680 --> 01:58:50,160
Speaker 6: The generations to cultures. Don't know who you are from music,

2163
01:58:50,200 --> 01:58:53,840
Speaker 6: they know who you are. No dictionaries d we make.

2164
01:58:54,080 --> 01:59:02,160
Speaker 1: We make all dictionary. He's the I mean, okay, I'm

2165
01:59:02,160 --> 01:59:05,280
Speaker 1: gonna keep this funky. Im what I understand.

2166
01:59:06,480 --> 01:59:08,520
Speaker 2: I'm taking I wanted to do that a long time.

2167
01:59:09,280 --> 01:59:12,360
Speaker 1: I understand what I understand to be culture from being

2168
01:59:12,440 --> 01:59:15,480
Speaker 1: one who has who's a spiritual person, So I learned

2169
01:59:15,480 --> 01:59:18,840
Speaker 1: it from a spiritual place. So if I learned it

2170
01:59:18,880 --> 01:59:21,360
Speaker 1: from a spiritual place, I can only look at what

2171
01:59:21,480 --> 01:59:24,840
Speaker 1: I understand to be culture in a spiritual place. So

2172
01:59:25,240 --> 01:59:29,120
Speaker 1: with that alone, huh, he said, you're right, culture.

2173
01:59:30,960 --> 01:59:33,200
Speaker 6: Pulled up the definition of culture. I hate all of y'all.

2174
01:59:33,240 --> 01:59:42,920
Speaker 1: I gotta relate right right, Read it again, Read it again.

2175
01:59:43,640 --> 01:59:48,360
Speaker 6: Culture the arts and other manifestations of human intellectual achievement

2176
01:59:48,560 --> 01:59:52,080
Speaker 6: regarded collectively. So these kids that don't know that you collect,

2177
01:59:52,440 --> 01:59:57,960
Speaker 6: these kids collected don't know that you hold, don't know

2178
01:59:58,040 --> 01:59:59,720
Speaker 6: you from sneakers. That is a culture to.

2179
01:59:59,840 --> 02:00:02,960
Speaker 1: Your I am not looking at what you said and

2180
02:00:03,240 --> 02:00:04,760
Speaker 1: reading it properly. Read it.

2181
02:00:05,720 --> 02:00:06,320
Speaker 2: Read it again.

2182
02:00:06,360 --> 02:00:08,040
Speaker 1: Okay, I'm not even drunk. I am drunk.

2183
02:00:08,280 --> 02:00:13,800
Speaker 6: The arts of other manifestations of human intellectual achievement regarding

2184
02:00:14,000 --> 02:00:14,960
Speaker 6: collective pull.

2185
02:00:14,840 --> 02:00:20,480
Speaker 1: On human intellectual achievement. Where when that goes back to English,

2186
02:00:22,840 --> 02:00:26,200
Speaker 1: stop read what you read and explained it, because you're

2187
02:00:26,400 --> 02:00:29,320
Speaker 1: not explaining it. It's so simple. They read it to you.

2188
02:00:29,520 --> 02:00:32,440
Speaker 2: Look how my brother just called me a dumb How

2189
02:00:32,480 --> 02:00:32,880
Speaker 2: many people?

2190
02:00:35,880 --> 02:00:43,760
Speaker 1: How many people? You're going what I did?

2191
02:00:44,880 --> 02:00:48,240
Speaker 2: To understand what you just read? You have to you

2192
02:00:48,320 --> 02:00:49,720
Speaker 2: have to read it yourselves.

2193
02:00:49,880 --> 02:00:50,480
Speaker 1: The arts and.

2194
02:00:52,120 --> 02:00:56,440
Speaker 6: The arts and other manifestations of human intellectual stop right

2195
02:00:56,480 --> 02:01:01,360
Speaker 6: there and stopping the arts and what and other manifestations

2196
02:01:01,600 --> 02:01:09,680
Speaker 6: of human intellectual achievement regarded collective hold on collectively.

2197
02:01:09,360 --> 02:01:16,120
Speaker 8: Human intellectual achievements and just for the joint. Wait wait

2198
02:01:16,160 --> 02:01:20,480
Speaker 8: wait wait wait wait wait wait wait wait wait, let's

2199
02:01:20,560 --> 02:01:22,680
Speaker 8: take let's take a hold up.

2200
02:01:22,720 --> 02:01:25,320
Speaker 1: Let's take a few steps back. What are sneakers? Shoes? Right?

2201
02:01:25,840 --> 02:01:28,520
Speaker 1: Shoes are something you wear right to protect your feet

2202
02:01:28,560 --> 02:01:29,280
Speaker 1: from the elements?

2203
02:01:29,360 --> 02:01:29,480
Speaker 17: Right?

2204
02:01:30,000 --> 02:01:35,440
Speaker 1: Okay, cool? Where is the what was it again? Okay?

2205
02:01:35,520 --> 02:01:36,520
Speaker 2: Cool, I'm done here.

2206
02:01:36,640 --> 02:01:40,120
Speaker 1: You read it yourself, you can't just got very professional

2207
02:01:40,240 --> 02:01:41,160
Speaker 1: just shoes?

2208
02:01:41,360 --> 02:01:43,680
Speaker 16: Did you hold up? Your reason for love of shoes?

2209
02:01:43,720 --> 02:01:45,400
Speaker 16: And your reason for doing this is because they protect

2210
02:01:45,440 --> 02:01:52,600
Speaker 16: your feet? Because we're talking about.

2211
02:01:55,560 --> 02:01:56,000
Speaker 1: The bottom.

2212
02:01:56,400 --> 02:01:58,880
Speaker 2: He just let me justinition that I just read. You

2213
02:01:59,240 --> 02:02:00,600
Speaker 2: would be wrong even no.

2214
02:02:00,760 --> 02:02:04,360
Speaker 1: I would be all right this intelection, I would be right.

2215
02:02:04,600 --> 02:02:08,960
Speaker 2: You'll just prove theetionhips. But when you go intellect, you

2216
02:02:09,000 --> 02:02:10,360
Speaker 2: gotta go intellect on different levels.

2217
02:02:10,400 --> 02:02:12,160
Speaker 1: Seventeen year olds. I'm not gonna have my forty four

2218
02:02:12,240 --> 02:02:14,800
Speaker 1: year old. No no, no, no, no no, eat it again.

2219
02:02:14,880 --> 02:02:17,640
Speaker 1: You're gonna be wrong again. Oh my god, Jesus Christ

2220
02:02:17,920 --> 02:02:20,400
Speaker 1: fucking read this ship. Why are we doing this on

2221
02:02:20,520 --> 02:02:22,520
Speaker 1: the podcast? That's what we're gonna do. By that, I'm

2222
02:02:22,520 --> 02:02:26,480
Speaker 1: not losing. I don't holdo holda wait, wait, wait for

2223
02:02:26,600 --> 02:02:30,120
Speaker 1: the site becomes wait wait wait a personal thinking. I

2224
02:02:30,200 --> 02:02:32,320
Speaker 1: mean I just want to read No no, no, no,

2225
02:02:32,440 --> 02:02:35,400
Speaker 1: no what I just walked back with him off of

2226
02:02:35,600 --> 02:02:36,400
Speaker 1: what you read?

2227
02:02:36,760 --> 02:02:37,440
Speaker 2: Did he lose this?

2228
02:02:37,520 --> 02:02:40,000
Speaker 1: Off the human intellectional bo? See how sinking is you?

2229
02:02:40,320 --> 02:02:41,560
Speaker 2: Very fucking much?

2230
02:02:41,960 --> 02:02:45,560
Speaker 1: But what does that mean? Just define that?

2231
02:02:46,600 --> 02:02:48,280
Speaker 2: No, I'm saying you'll disagree with me.

2232
02:02:48,520 --> 02:02:52,680
Speaker 1: Hello, I'm not saying this. As I listen, everything that

2233
02:02:52,800 --> 02:02:55,520
Speaker 1: you're gonna get that human and that's intellectual, is going

2234
02:02:55,560 --> 02:02:59,880
Speaker 1: to make you smarter, right, So the shoe's not gonna

2235
02:02:59,880 --> 02:03:05,200
Speaker 1: make smart. It's fucking shoes, yo, that's what it's shoes.

2236
02:03:05,440 --> 02:03:07,280
Speaker 1: So whack I love you?

2237
02:03:07,960 --> 02:03:09,400
Speaker 2: Then, yeah, I can't argue.

2238
02:03:09,640 --> 02:03:10,000
Speaker 1: I love you.

2239
02:03:14,760 --> 02:03:15,320
Speaker 2: Understand me?

2240
02:03:15,800 --> 02:03:18,760
Speaker 1: Yes? Yea swear to God like this is real nigga ship.

2241
02:03:19,280 --> 02:03:19,800
Speaker 7: So we're gonna have.

2242
02:03:20,200 --> 02:03:22,920
Speaker 1: We're gonna have such an Instagram and Twitter war between.

2243
02:03:22,680 --> 02:03:26,760
Speaker 7: This and with and with all due respects, listen, talk

2244
02:03:26,840 --> 02:03:30,400
Speaker 7: to our people. There are people hate has That's why

2245
02:03:30,440 --> 02:03:32,440
Speaker 7: you want ashtag hate. That's why you wanted to come

2246
02:03:32,480 --> 02:03:32,800
Speaker 7: so bad.

2247
02:03:35,000 --> 02:03:38,040
Speaker 1: Pause and pause, Paul, pause, that's why you wanted to

2248
02:03:38,120 --> 02:03:38,880
Speaker 1: be here so bad.

2249
02:03:39,000 --> 02:03:40,880
Speaker 2: No, no, because I get tired of you saying this

2250
02:03:41,120 --> 02:03:41,640
Speaker 2: is not a culture.

2251
02:03:41,680 --> 02:03:43,120
Speaker 1: And it's a question. You get tired of what I'm

2252
02:03:43,200 --> 02:03:46,200
Speaker 1: saying because we all be about this. That's what I'm saying.

2253
02:03:46,240 --> 02:03:48,160
Speaker 1: I don't even get that. But but back to what

2254
02:03:48,320 --> 02:03:52,040
Speaker 1: I'm saying is there are people who are more enthusiastically

2255
02:03:52,200 --> 02:03:54,800
Speaker 1: into shoes than usual black and I'm one of those

2256
02:03:54,840 --> 02:03:58,960
Speaker 1: guys who's enthusiastic, more enthusiastic than usual. I don't believe

2257
02:03:59,520 --> 02:04:02,760
Speaker 1: that I'm I'm superhero because I like shoes more than

2258
02:04:02,800 --> 02:04:05,040
Speaker 1: the next guy. You know why, Because I don't know

2259
02:04:05,160 --> 02:04:06,959
Speaker 1: a person who doesn't have a pair of sneakers.

2260
02:04:07,720 --> 02:04:09,600
Speaker 2: So what do you tell that young kid?

2261
02:04:09,720 --> 02:04:11,240
Speaker 6: No, no, no, what do you tell that young kid

2262
02:04:11,280 --> 02:04:14,200
Speaker 6: that doesn't know What do you tell that young kid

2263
02:04:14,360 --> 02:04:16,200
Speaker 6: who doesn't know who you are based on music?

2264
02:04:16,320 --> 02:04:18,960
Speaker 2: Who loves you for sneakers? And goes to your sneaker convention.

2265
02:04:19,120 --> 02:04:21,760
Speaker 1: Am I supposed to tell him you're their hero, you're

2266
02:04:21,800 --> 02:04:22,360
Speaker 1: their idol.

2267
02:04:22,520 --> 02:04:24,680
Speaker 6: And I don't tell them anything wrong I tell them,

2268
02:04:24,720 --> 02:04:28,080
Speaker 6: but to them, you're the culture of sneakers. To them,

2269
02:04:28,120 --> 02:04:31,520
Speaker 6: you're the culture. We just experienced that in Nike town.

2270
02:04:31,640 --> 02:04:33,640
Speaker 6: Just now, my nigga. I've walked out and they was

2271
02:04:33,680 --> 02:04:35,880
Speaker 6: taking pictures. But then they still didn't talk to you.

2272
02:04:36,160 --> 02:04:38,520
Speaker 6: Dude started talking to you about sneakers and then started

2273
02:04:38,600 --> 02:04:39,040
Speaker 6: rapping to you.

2274
02:04:39,280 --> 02:04:42,760
Speaker 1: You are his life. Wait, wait on, im a wrong,

2275
02:04:42,840 --> 02:04:45,840
Speaker 1: you're his life? A guy who's guy who started rapping

2276
02:04:45,880 --> 02:04:48,320
Speaker 1: to me didn't talk to me about sneakers at all.

2277
02:04:48,760 --> 02:04:50,560
Speaker 1: You know what he was like, He was like, Oh,

2278
02:04:50,880 --> 02:04:53,320
Speaker 1: that's a niggluck. Can't nigga might put me on if

2279
02:04:53,320 --> 02:04:53,839
Speaker 1: he thinks.

2280
02:04:53,680 --> 02:04:56,200
Speaker 2: I'm nice, So I just cannot rap for you.

2281
02:04:56,560 --> 02:04:58,080
Speaker 1: He didn't speak to me about sneakers at all.

2282
02:04:58,120 --> 02:04:59,320
Speaker 2: He about sneakers.

2283
02:04:59,360 --> 02:05:01,440
Speaker 1: Well that's you, dog, you know why, because you're a

2284
02:05:01,520 --> 02:05:02,800
Speaker 1: sneaker fucking superhero.

2285
02:05:03,160 --> 02:05:05,840
Speaker 11: But we're together because we're friends.

2286
02:05:06,000 --> 02:05:08,240
Speaker 1: We're not together because of sneak. Absolutely don't even talk.

2287
02:05:08,360 --> 02:05:09,000
Speaker 1: We don't even talk.

2288
02:05:08,880 --> 02:05:11,000
Speaker 2: About we don't talk about some angry sneakers.

2289
02:05:11,040 --> 02:05:12,560
Speaker 1: So my question, you know what I'm saying.

2290
02:05:12,560 --> 02:05:14,440
Speaker 2: This is my brother for twenty five years. We really

2291
02:05:14,960 --> 02:05:15,800
Speaker 2: understand love.

2292
02:05:15,760 --> 02:05:18,360
Speaker 1: About right now, we really talking about right now. I

2293
02:05:18,400 --> 02:05:21,000
Speaker 1: don't even understand what I was talking about sneaking.

2294
02:05:21,160 --> 02:05:22,440
Speaker 2: I love because we're here for you.

2295
02:05:24,320 --> 02:05:25,600
Speaker 1: On a text. I know you did.

2296
02:05:27,680 --> 02:05:34,360
Speaker 2: I show your fire me and you know, let's go.

2297
02:05:35,800 --> 02:05:38,600
Speaker 1: No, that's a choice tattoo.

2298
02:05:38,880 --> 02:05:38,960
Speaker 11: Right.

2299
02:05:39,160 --> 02:05:40,960
Speaker 1: Wait, you know what you just said. Say it again?

2300
02:05:41,120 --> 02:05:44,440
Speaker 1: People people say no, no, no, no. People think it's

2301
02:05:44,440 --> 02:05:48,000
Speaker 1: a coach. Say that that's the truth. What way, kid,

2302
02:05:48,200 --> 02:05:52,280
Speaker 1: you don't think sneaker. I think there are some people

2303
02:05:52,560 --> 02:05:56,840
Speaker 1: who are more enthusiastic about sneakers than others. I'm one

2304
02:05:56,880 --> 02:06:06,160
Speaker 1: of those guys. Hockey. That's not a hobby, No way, no, listen.

2305
02:06:06,280 --> 02:06:08,000
Speaker 1: I just want to get myself out of the clitic

2306
02:06:08,480 --> 02:06:12,080
Speaker 1: my ship is and I've proven it. I just want

2307
02:06:12,160 --> 02:06:15,800
Speaker 1: to be fresh. That's it. My sneakers get dirty, I

2308
02:06:15,960 --> 02:06:20,240
Speaker 1: damned and hate them. We agree. I don't clean sneakers.

2309
02:06:20,640 --> 02:06:23,880
Speaker 1: I don't play that ship. I got enough sneaker. I'm

2310
02:06:23,920 --> 02:06:26,920
Speaker 1: not cleaning my sneakers because I have so many sneakers

2311
02:06:26,920 --> 02:06:29,280
Speaker 1: I want to wear them. So what do I do

2312
02:06:29,520 --> 02:06:31,640
Speaker 1: I wear them get his ships away? Why? Because I

2313
02:06:31,680 --> 02:06:33,520
Speaker 1: got enough sniggers that I could wear a brand new pant.

2314
02:06:33,600 --> 02:06:35,440
Speaker 1: Why do I have so much? Because when I was

2315
02:06:35,520 --> 02:06:37,280
Speaker 1: a kid, I wanted to be as fresh as the

2316
02:06:37,280 --> 02:06:42,120
Speaker 1: older guy. Listen. So when I got some money, when

2317
02:06:42,200 --> 02:06:43,920
Speaker 1: I got some money, how about as many pair of

2318
02:06:43,960 --> 02:06:46,400
Speaker 1: sneak as I possibly could? Why? Because I wanted to

2319
02:06:46,480 --> 02:06:49,880
Speaker 1: be fresh, That's it. Because I heard about the story.

2320
02:06:50,600 --> 02:06:53,720
Speaker 1: You had an exclusive pair of something some something something,

2321
02:06:54,160 --> 02:06:59,280
Speaker 1: and muster Rhyme saw you. Yeah, said yo, those sow

2322
02:06:59,800 --> 02:07:02,760
Speaker 1: you took your sneakers off. He told you that, and

2323
02:07:02,880 --> 02:07:07,080
Speaker 1: you gave him the bust. I told you, I never heard.

2324
02:07:08,240 --> 02:07:11,160
Speaker 1: I did. We were we were on the tour. We

2325
02:07:11,240 --> 02:07:14,920
Speaker 1: were on Puff's tour, and we went to Portland. No way,

2326
02:07:14,960 --> 02:07:18,160
Speaker 1: I told him. We went to Portland, and I knew

2327
02:07:18,200 --> 02:07:19,760
Speaker 1: the people at Nike, So I went to night Ga,

2328
02:07:19,800 --> 02:07:22,200
Speaker 1: I visited Nike. Will was in Portland. Listen, towns along.

2329
02:07:22,240 --> 02:07:27,600
Speaker 1: He says, he knows the Nike people. But God to

2330
02:07:27,680 --> 02:07:30,480
Speaker 1: do with anything right now. We want to make noise

2331
02:07:30,560 --> 02:07:32,360
Speaker 1: for you being a big nigga for a long time.

2332
02:07:32,440 --> 02:07:38,440
Speaker 1: God damnit, Daddy, big homie and a sneaker game. God,

2333
02:07:38,520 --> 02:07:42,680
Speaker 1: damn for a long time. Continue, I'm sorry you gave

2334
02:07:42,680 --> 02:07:47,520
Speaker 1: your shoes, gad. So what happened called I went to Nike,

2335
02:07:47,640 --> 02:07:49,280
Speaker 1: I hung out with my boy. My boy gave me

2336
02:07:49,360 --> 02:07:52,520
Speaker 1: some shoes. I asked him for shoes for everybody. I

2337
02:07:52,600 --> 02:07:56,080
Speaker 1: brought shoes back. I gave shoes to whomever. I was

2338
02:07:56,160 --> 02:07:59,520
Speaker 1: wearing a pair of yellow Air Force ones and Bus.

2339
02:07:59,800 --> 02:08:01,640
Speaker 1: You know, Bus was very colorful like that for six

2340
02:08:01,720 --> 02:08:04,000
Speaker 1: moment all this ship was super colorable. He shoes and

2341
02:08:04,160 --> 02:08:06,760
Speaker 1: was like, Yo, where the fuck did you get those?

2342
02:08:06,840 --> 02:08:09,480
Speaker 1: And I was like, you want them? You got him?

2343
02:08:09,680 --> 02:08:10,880
Speaker 1: So I just took him off and gave him to

2344
02:08:10,960 --> 02:08:13,320
Speaker 1: him because we couldn't wear ninets and we was on

2345
02:08:13,400 --> 02:08:15,280
Speaker 1: stage at that point anyway, because we were wearing all

2346
02:08:15,320 --> 02:08:17,400
Speaker 1: black side with black temps. So I was just like,

2347
02:08:18,240 --> 02:08:19,560
Speaker 1: you can take I get took him off and give

2348
02:08:19,600 --> 02:08:21,920
Speaker 1: him to him. Where did you hear that? I gotta

2349
02:08:21,920 --> 02:08:23,640
Speaker 1: get it. I want to know where you heard it from,

2350
02:08:23,640 --> 02:08:27,000
Speaker 1: because I never heard the story. I got him relat.

2351
02:08:28,240 --> 02:08:34,000
Speaker 1: I didn't want to issue with that story.

2352
02:08:37,160 --> 02:08:38,920
Speaker 2: Boy for me being back a little bit back in,

2353
02:08:40,640 --> 02:08:41,360
Speaker 2: we gotta stop.

2354
02:08:41,400 --> 02:08:44,520
Speaker 1: We gotta stop because because people were thinking I'm really serious,

2355
02:08:46,080 --> 02:08:49,400
Speaker 1: it said, Joe for a that for yo e fn

2356
02:08:49,640 --> 02:08:52,600
Speaker 1: our one year anniversary brother, we did some crazy ship.

2357
02:08:52,960 --> 02:08:57,840
Speaker 1: We started off our first episode with Kenny Anderson and

2358
02:08:58,080 --> 02:08:58,640
Speaker 1: Fat Jobs.

2359
02:08:59,040 --> 02:09:01,000
Speaker 2: It was the first one that he between that but

2360
02:09:02,280 --> 02:09:02,880
Speaker 2: first one.

2361
02:09:03,480 --> 02:09:07,280
Speaker 1: Saying I can say Jos because I love I know Chipper.

2362
02:09:08,520 --> 02:09:11,080
Speaker 1: Do you last? Did you call him chairs? Believe it?

2363
02:09:12,720 --> 02:09:14,800
Speaker 1: Call him chipper? You call him. I don't call him chips.

2364
02:09:14,960 --> 02:09:17,640
Speaker 1: You call Himchipp. I called him Chipper. Yeah, I called

2365
02:09:17,680 --> 02:09:21,120
Speaker 1: him chill. But left Breck City Queens for us to

2366
02:09:21,240 --> 02:09:23,080
Speaker 1: have do I know the way? How do I know that?

2367
02:09:23,200 --> 02:09:26,920
Speaker 1: Because you because I used to around but let your

2368
02:09:27,000 --> 02:09:27,560
Speaker 1: real left.

2369
02:09:27,480 --> 02:09:29,080
Speaker 6: Right now, he's funny because he used to DJ and

2370
02:09:29,160 --> 02:09:30,560
Speaker 6: Clark Park in the Bronx.

2371
02:09:31,280 --> 02:09:38,480
Speaker 1: Hold hol on, you got put off, he said, because

2372
02:09:38,480 --> 02:09:41,120
Speaker 1: I'm a real left Breck. That's what I I'm gonna

2373
02:09:41,120 --> 02:09:43,800
Speaker 1: get your Bronx claim too. I used to be all over.

2374
02:09:47,800 --> 02:09:52,960
Speaker 1: Let's get it. Come on, now, let's go where we at?

2375
02:09:53,840 --> 02:09:57,200
Speaker 1: So now, oh boy, before we get upbout it. Oh

2376
02:09:57,480 --> 02:09:59,600
Speaker 1: so this is the last one. No, he's just he's

2377
02:09:59,600 --> 02:10:06,480
Speaker 1: a little You also worked with Foxy Brown Little Kim Right, wait,

2378
02:10:06,520 --> 02:10:10,880
Speaker 1: who's your cousin? Fox Foxy anger and he knows that.

2379
02:10:11,400 --> 02:10:13,440
Speaker 1: Don't let him act like you don't know that. So

2380
02:10:13,560 --> 02:10:16,920
Speaker 1: you also work with both. I never made a record

2381
02:10:16,960 --> 02:10:20,160
Speaker 1: on my cousin. Is that crazy? But how powerful would

2382
02:10:20,200 --> 02:10:24,640
Speaker 1: it be if Foxy and Little Kim, like at this

2383
02:10:24,960 --> 02:10:29,400
Speaker 1: very moment, right now, if Foxy and Little Kim got

2384
02:10:29,440 --> 02:10:33,600
Speaker 1: together at this moment this, it'll probably be really really cool.

2385
02:10:33,920 --> 02:10:37,160
Speaker 1: About five years ago, it'd have been nuts. And it's

2386
02:10:37,200 --> 02:10:39,880
Speaker 1: funny because when we say nuts, you're saying like bad,

2387
02:10:40,080 --> 02:10:45,480
Speaker 1: like okay, because you know, four, like five six years ago,

2388
02:10:45,680 --> 02:10:48,840
Speaker 1: who was the girl? It was almost like we were

2389
02:10:48,920 --> 02:10:51,280
Speaker 1: looking for the girl, you know what I'm saying. But

2390
02:10:51,400 --> 02:10:56,720
Speaker 1: imagine to imagine if out of nowhere you got Fox

2391
02:10:56,840 --> 02:10:59,000
Speaker 1: and Thumb and Louise. And the funny part is like,

2392
02:10:59,080 --> 02:11:01,680
Speaker 1: it's a bunch of people who got spoken to about that,

2393
02:11:01,840 --> 02:11:04,040
Speaker 1: but I actually had the ability to do it. And

2394
02:11:04,280 --> 02:11:07,080
Speaker 1: and because before remember back then they actually had a

2395
02:11:07,160 --> 02:11:11,160
Speaker 1: sauce cover, right Kim, right okay, And the idea was

2396
02:11:11,800 --> 02:11:16,040
Speaker 1: would have been them on the Wiz. We can't make

2397
02:11:16,120 --> 02:11:20,320
Speaker 1: that happen. Let's make dream that make your lord listen.

2398
02:11:22,480 --> 02:11:26,000
Speaker 1: I see them both recently. No, I'm lying, I seen

2399
02:11:26,120 --> 02:11:30,240
Speaker 1: Kim recently, I spoke to Fox on the phone, but

2400
02:11:31,080 --> 02:11:33,800
Speaker 1: I think that I think they should do that for

2401
02:11:34,000 --> 02:11:38,120
Speaker 1: hip hop, fuck anything else. I would be legend like

2402
02:11:38,320 --> 02:11:41,360
Speaker 1: you know what I'm saying, legend like y'all beef your

2403
02:11:41,400 --> 02:11:46,520
Speaker 1: whole career. I want your kid together. And C can't

2404
02:11:46,520 --> 02:11:52,560
Speaker 1: produce the ship, there you go, and I would produce

2405
02:11:52,640 --> 02:11:55,120
Speaker 1: it and let clock And you know what I would

2406
02:11:55,240 --> 02:11:57,960
Speaker 1: rather do. I'd rather be the executive producer or an

2407
02:11:58,160 --> 02:12:00,280
Speaker 1: R on it so I can make the records. I

2408
02:12:00,320 --> 02:12:02,720
Speaker 1: would rather find the music. Now you're going to describe

2409
02:12:02,800 --> 02:12:06,880
Speaker 1: for our listeners what's the difference from producing and then

2410
02:12:07,000 --> 02:12:13,920
Speaker 1: be an executive producer. A good executive producer, A good

2411
02:12:14,040 --> 02:12:17,240
Speaker 1: executive producer executive produces the records and make sure that

2412
02:12:17,280 --> 02:12:24,760
Speaker 1: the records get made. Oh thank you, we gotta relax,

2413
02:12:24,880 --> 02:12:27,920
Speaker 1: come up, gets look good about to take it from me.

2414
02:12:29,440 --> 02:12:31,720
Speaker 1: A good executive producer is the guy who's one of

2415
02:12:31,760 --> 02:12:34,040
Speaker 1: the guys who's making the records. But a great an

2416
02:12:34,200 --> 02:12:36,120
Speaker 1: R is the guy who makes sure the records get done.

2417
02:12:36,880 --> 02:12:39,840
Speaker 1: That's the guy who finds the who helps finds the

2418
02:12:39,960 --> 02:12:43,080
Speaker 1: music and helps find the great records, helps helps make

2419
02:12:43,320 --> 02:12:45,120
Speaker 1: or make sure that the hook is a great song,

2420
02:12:45,680 --> 02:12:48,640
Speaker 1: you know, a great hook. So when you're listening to it,

2421
02:12:48,640 --> 02:12:50,440
Speaker 1: when someone an artist comes back and he sits in

2422
02:12:50,480 --> 02:12:53,800
Speaker 1: front of you and he plays your album. If the

2423
02:12:53,880 --> 02:12:58,360
Speaker 1: album comes out and it's not good, a lot of

2424
02:12:58,360 --> 02:13:00,280
Speaker 1: people want to blame it on the artists, a lot

2425
02:13:00,320 --> 02:13:02,400
Speaker 1: of people want to blame it on producers. But who

2426
02:13:02,440 --> 02:13:04,400
Speaker 1: they really should blame it on is the guy who's

2427
02:13:04,440 --> 02:13:07,800
Speaker 1: doing artists and repertoire, because it's your job to make

2428
02:13:07,840 --> 02:13:10,800
Speaker 1: sure the album is and and R should be blamed

2429
02:13:10,840 --> 02:13:13,480
Speaker 1: for it. But it's a and R still even relevant

2430
02:13:13,600 --> 02:13:18,720
Speaker 1: nowadays because that's a really good question. But let's think

2431
02:13:18,800 --> 02:13:21,880
Speaker 1: for a second. If for albums whack, then an R

2432
02:13:22,080 --> 02:13:27,120
Speaker 1: is very relevant. Great, good answer, great fucking If albums don't,

2433
02:13:27,160 --> 02:13:29,480
Speaker 1: I got hit with that question, I gotta I gotta

2434
02:13:29,480 --> 02:13:35,240
Speaker 1: ask you relax because you hit me fucked up? Good

2435
02:13:35,240 --> 02:13:37,560
Speaker 1: an R is gonna make a good record. I eat

2436
02:13:37,640 --> 02:13:40,520
Speaker 1: that serious you know by by dots effects, what's the

2437
02:13:40,600 --> 02:13:40,920
Speaker 1: what's the.

2438
02:13:43,000 --> 02:13:43,040
Speaker 6: Like?

2439
02:13:44,040 --> 02:13:46,400
Speaker 1: Is good? He's very good. He's a very good an

2440
02:13:46,720 --> 02:13:51,920
Speaker 1: great Lenny asked, Lenny's Yeah, I mean, but.

2441
02:13:52,040 --> 02:13:52,280
Speaker 10: You know.

2442
02:13:56,240 --> 02:14:01,200
Speaker 1: You name more R meant more good an RS. Jeff Sledge,

2443
02:14:01,240 --> 02:14:04,840
Speaker 1: she's a good an r was crazy that who's that?

2444
02:14:05,160 --> 02:14:08,880
Speaker 1: I gotta I got a uh invest k oh yeah.

2445
02:14:09,480 --> 02:14:13,480
Speaker 1: Keith Murray, Oh like he was. He was a job

2446
02:14:14,880 --> 02:14:19,120
Speaker 1: at the time, was one of the very best. And ours,

2447
02:14:19,760 --> 02:14:26,800
Speaker 1: Faith Newman. Oh no, Columbia, let's just stop, right, Dave. Not. Actually,

2448
02:14:26,880 --> 02:14:32,240
Speaker 1: she's the first person who signed Yes how about it

2449
02:14:32,600 --> 02:14:36,560
Speaker 1: was the first people she signed lives. She chilled two

2450
02:14:36,680 --> 02:14:41,440
Speaker 1: three years and actually fucked that whole story up. She

2451
02:14:41,680 --> 02:14:49,400
Speaker 1: signed capone Pause, she signed capone and I came home

2452
02:14:49,480 --> 02:14:54,400
Speaker 1: about six months after that. You got that we don't

2453
02:14:54,400 --> 02:14:58,560
Speaker 1: have no more, no more. Finish your story buckle and yeah,

2454
02:14:58,600 --> 02:15:05,040
Speaker 1: faith finishing start Faith. I gotta this is Miami should

2455
02:15:05,040 --> 02:15:08,360
Speaker 1: be rich somewhere living her life. God damn it, big up,

2456
02:15:08,400 --> 02:15:12,040
Speaker 1: Faith Newman, God damn because you know why, didn't matter

2457
02:15:12,160 --> 02:15:14,760
Speaker 1: that she put on me a copone, she put on

2458
02:15:15,320 --> 02:15:19,760
Speaker 1: she put on nas set it up for us mob

2459
02:15:19,880 --> 02:15:25,400
Speaker 1: deep uh screwball, lost boys everybody to come after that

2460
02:15:25,680 --> 02:15:28,840
Speaker 1: and eat And that's what the fuck we did. And

2461
02:15:29,200 --> 02:15:32,440
Speaker 1: Slive is still on that same meal. I just you know,

2462
02:15:32,560 --> 02:15:35,400
Speaker 1: I have I had. It was like a Thanksgiving mail

2463
02:15:35,640 --> 02:15:41,960
Speaker 1: for me, So I had, I had Turkey analogy had

2464
02:15:42,240 --> 02:15:43,520
Speaker 1: sweet potatoes over there.

2465
02:15:44,400 --> 02:15:45,720
Speaker 2: But I wasn't leaving.

2466
02:15:45,960 --> 02:15:50,040
Speaker 1: Let me guess what I was on wheels in the

2467
02:15:50,120 --> 02:15:53,360
Speaker 1: in our department. We did Audio two. We didn't like

2468
02:15:54,160 --> 02:15:57,240
Speaker 1: yo yo. We did Michelle A. We did the facts.

2469
02:15:57,280 --> 02:16:00,520
Speaker 1: We didn't vote. Uh take a little shot for that.

2470
02:16:01,160 --> 02:16:07,360
Speaker 6: We need another shot for that one set uproah, we're

2471
02:16:07,360 --> 02:16:07,840
Speaker 6: gonna take.

2472
02:16:07,720 --> 02:16:08,160
Speaker 2: A light shot.

2473
02:16:08,960 --> 02:16:13,200
Speaker 1: Almost give me. That's not like like, give me a

2474
02:16:13,320 --> 02:16:18,480
Speaker 1: light shot. I'm your brother now, Bob. That's it. That's it.

2475
02:16:22,080 --> 02:16:26,520
Speaker 1: Let me ask you and there's no disrespect, right. And

2476
02:16:26,640 --> 02:16:28,880
Speaker 1: you talked about the dose effects came with the album.

2477
02:16:28,960 --> 02:16:30,840
Speaker 2: How much did you have to an r that album?

2478
02:16:31,440 --> 02:16:34,240
Speaker 1: Well, you have to after after, after you get an album,

2479
02:16:34,280 --> 02:16:35,920
Speaker 1: you have to know when it's right to drop it.

2480
02:16:36,040 --> 02:16:39,000
Speaker 1: What's the best record? Did you shave records off? No? No,

2481
02:16:39,160 --> 02:16:41,280
Speaker 1: it's not about shaving records. Office about picking the best

2482
02:16:41,360 --> 02:16:45,520
Speaker 1: records that go single. So pickings. They want you DJ.

2483
02:16:45,879 --> 02:16:53,240
Speaker 1: When you look at DJ, it was crazy. Honestly, in

2484
02:16:53,360 --> 02:16:59,520
Speaker 1: my heart, I believe DJs who I'm sorry. I believe

2485
02:17:00,200 --> 02:17:03,160
Speaker 1: DJs can make the best an arsts. And the reason

2486
02:17:03,240 --> 02:17:06,680
Speaker 1: why is because good DJs can teach you about a

2487
02:17:06,760 --> 02:17:09,039
Speaker 1: new record. You know what I'm saying they can show

2488
02:17:09,080 --> 02:17:10,840
Speaker 1: you by the way, this is the record. Just listen,

2489
02:17:11,000 --> 02:17:13,680
Speaker 1: keep listening, keep listening, keep listening. You know what I'm saying,

2490
02:17:13,720 --> 02:17:16,440
Speaker 1: Because if a dude has a mixed show and he

2491
02:17:16,520 --> 02:17:17,840
Speaker 1: has a bunch of dudes who has a bunch of

2492
02:17:17,920 --> 02:17:20,840
Speaker 1: records that no one has, and he's deciding I'm going

2493
02:17:20,920 --> 02:17:23,880
Speaker 1: to play this artist, you know what I'm saying, Like,

2494
02:17:24,040 --> 02:17:26,960
Speaker 1: that guy has the ability to break that artist. And

2495
02:17:27,040 --> 02:17:29,640
Speaker 1: if he can break that artist, he's doing something right.

2496
02:17:29,720 --> 02:17:32,160
Speaker 1: If he can look at the landscape of music that's

2497
02:17:32,200 --> 02:17:34,560
Speaker 1: out and say I pick this, I pick that, I

2498
02:17:34,640 --> 02:17:36,360
Speaker 1: pick this, and then play it in his mix show

2499
02:17:36,440 --> 02:17:39,200
Speaker 1: and make people happy about the mix show. That guy

2500
02:17:39,400 --> 02:17:42,720
Speaker 1: knows how to pick records, so he should And I'm

2501
02:17:42,760 --> 02:17:46,120
Speaker 1: being clear when I say he should be able to

2502
02:17:46,160 --> 02:17:49,400
Speaker 1: pick a new artist, So he should be able to

2503
02:17:49,440 --> 02:17:51,880
Speaker 1: hear a dope beat and say this artist should have

2504
02:17:52,000 --> 02:17:53,880
Speaker 1: that beat. It would make sense if they were singing

2505
02:17:54,000 --> 02:17:56,920
Speaker 1: or rapper on such. If he's not a good If

2506
02:17:56,959 --> 02:17:59,480
Speaker 1: he's not a good DJ, he's not even thinking about that.

2507
02:18:00,000 --> 02:18:02,120
Speaker 1: All he cares about is playing clubs. If he's a

2508
02:18:02,200 --> 02:18:04,480
Speaker 1: good DJ, he cares about what the music is gonna

2509
02:18:04,520 --> 02:18:08,480
Speaker 1: sound like. In the next two years. I don't even

2510
02:18:08,520 --> 02:18:10,520
Speaker 1: call it taste makers because they put taste makers in

2511
02:18:10,560 --> 02:18:13,160
Speaker 1: a totally different thing. My thing is a good DJ

2512
02:18:14,040 --> 02:18:20,520
Speaker 1: should be teaching the crowd about something which most DJs

2513
02:18:20,560 --> 02:18:22,840
Speaker 1: don't do any well. I'm not most CJ. I'm sings,

2514
02:18:27,120 --> 02:18:31,240
Speaker 1: I'm you know, I'm just I'm just not most. But

2515
02:18:31,360 --> 02:18:33,240
Speaker 1: then again, you know, the ones who aren't most are

2516
02:18:33,240 --> 02:18:37,000
Speaker 1: the ones who are still here. I've been there for

2517
02:18:37,080 --> 02:18:41,360
Speaker 1: a long Let's talk about Japanese connection. What about it?

2518
02:18:41,720 --> 02:18:46,680
Speaker 1: You got a lot of Japanese niggas love? Clock? Is that? Okay?

2519
02:18:46,720 --> 02:18:48,800
Speaker 1: You got a clock? You gotta clock a lot of

2520
02:18:48,959 --> 02:18:53,680
Speaker 1: japan done. I've done a few collaborations with a company.

2521
02:18:54,560 --> 02:18:59,160
Speaker 1: Talk about did collaborate? I did two, three, four, I

2522
02:18:59,240 --> 02:19:04,600
Speaker 1: did about four five Lafayette collaborations. Ascribe to these people, okay,

2523
02:19:04,680 --> 02:19:12,440
Speaker 1: Lafayette is said, inscribed? Inscribed mean described is inscribing and

2524
02:19:12,520 --> 02:19:16,080
Speaker 1: inscribing at the same time. What is describing? I understand

2525
02:19:16,120 --> 02:19:16,840
Speaker 1: what inscrible?

2526
02:19:17,560 --> 02:19:18,080
Speaker 2: Disagree with it?

2527
02:19:18,160 --> 02:19:19,280
Speaker 1: It works? Okay?

2528
02:19:19,840 --> 02:19:21,040
Speaker 2: It's a dream Champs language.

2529
02:19:21,240 --> 02:19:24,800
Speaker 1: You see, you have brands that are super duper popular

2530
02:19:24,920 --> 02:19:28,120
Speaker 1: and they're still on the ground level, and they're still

2531
02:19:28,760 --> 02:19:33,200
Speaker 1: like you know they're still like gritty and Street. You

2532
02:19:33,240 --> 02:19:35,320
Speaker 1: got the Black Scales, you got the Supremes and such.

2533
02:19:35,879 --> 02:19:38,760
Speaker 1: You go over to Japan. Lafayette is one of those brands.

2534
02:19:38,879 --> 02:19:42,160
Speaker 1: Lafayette's a brand with for like six stores or whatever

2535
02:19:42,240 --> 02:19:47,160
Speaker 1: and selling a bunch of shit. And I've done at least, yeah,

2536
02:19:47,240 --> 02:19:50,440
Speaker 1: five collabs with them at least. So Supreme is from Japan.

2537
02:19:50,560 --> 02:19:55,280
Speaker 1: No Supremes from New York. Okay, but they popping in Japan.

2538
02:19:55,680 --> 02:20:00,520
Speaker 1: No Supreme is popping around the universe. Supreme about ragged

2539
02:20:00,560 --> 02:20:02,080
Speaker 1: teachers going for a lot of money on the internet

2540
02:20:02,160 --> 02:20:05,400
Speaker 1: right now. You know we has all of them. They

2541
02:20:05,440 --> 02:20:07,119
Speaker 1: need to sell them. I need a hoe lage. Please,

2542
02:20:07,320 --> 02:20:10,720
Speaker 1: thank you. I definitely you got it. See that smile,

2543
02:20:10,840 --> 02:20:12,600
Speaker 1: that's the um lying smile you got.

2544
02:20:14,040 --> 02:20:14,440
Speaker 17: I need that.

2545
02:20:15,959 --> 02:20:18,600
Speaker 1: Listen you tell your needs that I need the gate

2546
02:20:19,160 --> 02:20:25,720
Speaker 1: the I didn't want to no inventory. Did I say

2547
02:20:25,760 --> 02:20:29,040
Speaker 1: that I need that? Definitely? Tell me get one of

2548
02:20:29,080 --> 02:20:32,560
Speaker 1: those storm you got somewhere again, somewhere in my in

2549
02:20:32,680 --> 02:20:34,840
Speaker 1: my life, in your mind. You got me my life,

2550
02:20:36,440 --> 02:20:43,160
Speaker 1: my life, so clok. You work the big You work

2551
02:20:43,240 --> 02:20:51,880
Speaker 1: with Jack, Yes, you work with work with un I

2552
02:20:51,959 --> 02:20:55,600
Speaker 1: didn't have the opportunity I wanted to to funny Ship.

2553
02:20:55,720 --> 02:20:57,400
Speaker 1: Is the day that I explained to him about the

2554
02:20:57,680 --> 02:20:59,920
Speaker 1: about that thing we was on that on the revote crew.

2555
02:21:00,720 --> 02:21:03,160
Speaker 1: He was like, YO, give me something. Let's do something

2556
02:21:03,200 --> 02:21:05,320
Speaker 1: new again. He knew that I was gonna fuck with

2557
02:21:05,440 --> 02:21:07,560
Speaker 1: Davis because I'm I'm gonna do a record for Davis.

2558
02:21:07,640 --> 02:21:11,280
Speaker 1: So he's like baby himself, He's like yo, he was like, yo,

2559
02:21:11,360 --> 02:21:12,960
Speaker 1: you funk with him. I was like, nah, funks with

2560
02:21:13,080 --> 02:21:16,760
Speaker 1: Davies And he's like, yo, you know, send me something.

2561
02:21:17,680 --> 02:21:19,440
Speaker 1: So he was like, yo, for me to send him

2562
02:21:19,440 --> 02:21:21,760
Speaker 1: something with trade numbers or whatever. Summer sent him something.

2563
02:21:22,240 --> 02:21:28,720
Speaker 1: But but that's the craic. He's so lb nos nos

2564
02:21:29,440 --> 02:21:33,680
Speaker 1: top five, top five five God you from Queens. I

2565
02:21:33,800 --> 02:21:37,240
Speaker 1: understand you saying that. No, I mean, why do I

2566
02:21:37,280 --> 02:21:39,840
Speaker 1: have another shot? Because we didn't because you never drink that.

2567
02:21:39,920 --> 02:21:46,039
Speaker 1: We didn't. Yeah, we weren't a part of that. Should stop.

2568
02:21:46,720 --> 02:21:53,120
Speaker 1: Don't do that. You're my brother, You're not gonna win

2569
02:21:53,200 --> 02:21:55,920
Speaker 1: this club. We part of that shot, and we weren't.

2570
02:21:56,000 --> 02:22:00,080
Speaker 1: That was come morning. That was your family, brother. You

2571
02:22:00,160 --> 02:22:05,120
Speaker 1: gotta relax, Yeah, yeah, got y'all respectful, y'all gotta relax.

2572
02:22:05,240 --> 02:22:07,959
Speaker 1: That was y'all ship with each other, take a shot.

2573
02:22:08,080 --> 02:22:10,600
Speaker 1: Do what you're gonna do. Ask the quest. My feeling

2574
02:22:10,640 --> 02:22:13,320
Speaker 1: was hurt. I would agree with you, right, I would say,

2575
02:22:13,400 --> 02:22:15,720
Speaker 1: this is like a Latino thing. But the thing about

2576
02:22:15,800 --> 02:22:22,280
Speaker 1: you Latin that's what you just want to get a shot,

2577
02:22:22,520 --> 02:22:30,760
Speaker 1: get another shot together? Can I expect you? What are

2578
02:22:30,760 --> 02:22:33,920
Speaker 1: you doing after this? I'm going to see Clark. Wait,

2579
02:22:33,959 --> 02:22:36,280
Speaker 1: what are you doing after this? I'm going home? What

2580
02:22:36,400 --> 02:22:38,160
Speaker 1: are you doing after this? I'm going to see my

2581
02:22:38,200 --> 02:22:38,680
Speaker 1: brother DJ.

2582
02:22:38,840 --> 02:22:41,240
Speaker 6: Guess what I'm going to do. I'm going to seek

2583
02:22:41,560 --> 02:22:43,600
Speaker 6: work and I'm gonna buy you to Guess what I.

2584
02:22:44,040 --> 02:22:46,440
Speaker 1: Do right now? That's what I'm doing right now. You're working.

2585
02:22:47,720 --> 02:22:50,000
Speaker 1: You'll be done in like ten minutes. But he's gonna

2586
02:22:50,000 --> 02:22:51,600
Speaker 1: go see you afterwards. I'm going to see you, but

2587
02:22:51,720 --> 02:22:55,360
Speaker 1: you'll be hanging while I'm working. But I gotta also

2588
02:22:56,040 --> 02:22:58,640
Speaker 1: keep my life together because you know what I'm trying

2589
02:22:58,680 --> 02:23:02,320
Speaker 1: to keep my mind to. So I'm very typical moment

2590
02:23:03,000 --> 02:23:07,560
Speaker 1: with a very typical moment. Yeah, we gotta we gotta control.

2591
02:23:08,040 --> 02:23:12,160
Speaker 1: We gotta control our environment, and then we gotta you know,

2592
02:23:12,240 --> 02:23:16,360
Speaker 1: we gotta do clock. We have to behave ourselves. There's

2593
02:23:16,360 --> 02:23:20,560
Speaker 1: a curve here and guess what clock whatever. Listen, we

2594
02:23:20,720 --> 02:23:24,680
Speaker 1: are getting people back for the cold Crush brothers, right,

2595
02:23:25,680 --> 02:23:29,840
Speaker 1: We're getting them back, Yes, getting back. What he means

2596
02:23:29,879 --> 02:23:34,320
Speaker 1: is getting people back for what they did. I like that.

2597
02:23:34,600 --> 02:23:37,959
Speaker 1: You gotta relax, let's go, let's get it next.

2598
02:23:38,600 --> 02:23:39,440
Speaker 2: I'm not going to say.

2599
02:23:40,800 --> 02:23:43,800
Speaker 1: You a question. Let's go, but listen, and we're doing

2600
02:23:43,879 --> 02:23:46,440
Speaker 1: it in the name of him. Your clock. You know,

2601
02:23:46,560 --> 02:23:48,640
Speaker 1: we never had no fake to go on Drink Champs.

2602
02:23:50,160 --> 02:23:55,760
Speaker 1: Tony people on Drink Champs. You know why every episode

2603
02:23:55,760 --> 02:23:58,640
Speaker 1: in because you know why we really want to big

2604
02:23:58,760 --> 02:24:03,280
Speaker 1: up authentic of original hip hop and what is saying

2605
02:24:03,400 --> 02:24:09,000
Speaker 1: on your fucking hat the originals? You get ready, you

2606
02:24:09,080 --> 02:24:13,880
Speaker 1: want to you know, let's do it. You can't not

2607
02:24:14,080 --> 02:24:15,200
Speaker 1: want I go in.

2608
02:24:15,280 --> 02:24:15,680
Speaker 15: I'm in with you.

2609
02:24:18,080 --> 02:24:23,039
Speaker 1: That my brother light skin a light skin show before

2610
02:24:24,360 --> 02:24:28,160
Speaker 1: gona hurt my stomach. That's a shot my brother.

2611
02:24:28,280 --> 02:24:28,960
Speaker 7: That's what I know.

2612
02:24:29,080 --> 02:24:31,760
Speaker 1: You felt bad doing it, you know, he was like

2613
02:24:33,440 --> 02:24:35,760
Speaker 1: I know as as I called you, was like, all right,

2614
02:24:35,879 --> 02:24:41,720
Speaker 1: know what you're calling him for. I was, but I

2615
02:24:41,800 --> 02:24:45,360
Speaker 1: didn't feel bad because you curved me. I never curved you.

2616
02:24:45,520 --> 02:24:48,600
Speaker 1: You did. I was gonna be honest. I swear to god,

2617
02:24:48,640 --> 02:24:52,360
Speaker 1: I'm gonna go back. Let me tell you something about

2618
02:24:52,360 --> 02:24:56,040
Speaker 1: sober people. It's on Twitter document one hundred percent. I'm

2619
02:24:56,160 --> 02:24:57,760
Speaker 1: gonna go back and I'm gonna show it to him,

2620
02:24:57,959 --> 02:25:00,680
Speaker 1: he wrote. I wrote him. He like, I gotta get

2621
02:25:00,720 --> 02:25:03,520
Speaker 1: Clock on the podcast, and I was like, absolutely, I'm down,

2622
02:25:03,680 --> 02:25:06,760
Speaker 1: but don't forget I know you Poppy. So as soon

2623
02:25:06,800 --> 02:25:09,000
Speaker 1: as he saw the Poppy is when he was like, yeah,

2624
02:25:09,440 --> 02:25:14,800
Speaker 1: forget it, scat, I'm going to be honest. I believe that.

2625
02:25:16,200 --> 02:25:18,320
Speaker 1: Wait wait, wait, wait wait, I think I can poppy

2626
02:25:18,360 --> 02:25:22,560
Speaker 1: old that you said he being oucastic for how long?

2627
02:25:23,280 --> 02:25:27,080
Speaker 1: Seven months? Because it took seven months to him to go,

2628
02:25:27,760 --> 02:25:30,760
Speaker 1: oh ship, you're gonna do these niggas podcasts, That's what

2629
02:25:30,840 --> 02:25:37,119
Speaker 1: he was. No, don't understand me. So the rule at all.

2630
02:25:37,440 --> 02:25:40,000
Speaker 1: If I was that important to be on the podcast,

2631
02:25:40,080 --> 02:25:41,720
Speaker 1: I would have been third seconds.

2632
02:25:51,920 --> 02:26:00,959
Speaker 2: Let's take this shot, not a good little.

2633
02:26:04,200 --> 02:26:10,320
Speaker 1: That's good that this is when I that's terribly good.

2634
02:26:10,720 --> 02:26:13,040
Speaker 1: It's too good. I love rock the best vocat of

2635
02:26:13,080 --> 02:26:13,480
Speaker 1: the planet.

2636
02:26:20,959 --> 02:26:22,600
Speaker 6: Know that that is so funny Because I wanted this

2637
02:26:22,720 --> 02:26:23,920
Speaker 6: podcast happen so bad.

2638
02:26:24,240 --> 02:26:27,240
Speaker 1: I text you, you know he got thirty six hundred sniggers.

2639
02:26:27,600 --> 02:26:29,279
Speaker 1: What one? Just one?

2640
02:26:29,320 --> 02:26:30,080
Speaker 2: Besides you were.

2641
02:26:32,600 --> 02:26:35,240
Speaker 1: Regular? Everything else, I'm gonna do that. You got one

2642
02:26:35,320 --> 02:26:35,600
Speaker 1: right now?

2643
02:26:36,520 --> 02:26:37,520
Speaker 2: These acronym nikes.

2644
02:26:37,879 --> 02:26:38,440
Speaker 6: Do you see.

2645
02:26:40,200 --> 02:26:43,000
Speaker 1: Acronym Nike. I'm gonna do this, dude.

2646
02:26:43,080 --> 02:26:45,760
Speaker 15: You gotta hook up. Clark got the hook up, but

2647
02:26:45,800 --> 02:26:48,840
Speaker 15: I'm dirty. Got the hook up on the club. Whatever

2648
02:26:48,920 --> 02:26:49,600
Speaker 15: the fuck that's going?

2649
02:26:49,840 --> 02:26:53,960
Speaker 6: That's me fort dumb hord that regular, like Yo, Clock

2650
02:26:54,040 --> 02:26:55,160
Speaker 6: is gonna be in Miami this weekend?

2651
02:26:55,200 --> 02:26:56,920
Speaker 1: What's up? I want?

2652
02:26:58,200 --> 02:26:58,720
Speaker 2: I was ready.

2653
02:26:58,959 --> 02:26:59,920
Speaker 1: I was ready, we were host.

2654
02:27:00,600 --> 02:27:03,000
Speaker 2: I was ready. We saw and ready.

2655
02:27:03,200 --> 02:27:05,000
Speaker 1: I was on. It don't work out that way. I

2656
02:27:05,080 --> 02:27:06,880
Speaker 1: texted you, I don't have I don't have a bob normal.

2657
02:27:06,920 --> 02:27:08,200
Speaker 2: I text Norman, check this out.

2658
02:27:08,240 --> 02:27:09,920
Speaker 1: Clock is gonna be in Miami this weekend. What's up?

2659
02:27:10,240 --> 02:27:14,440
Speaker 3: I wanted to make this happens this Fiji from a

2660
02:27:14,480 --> 02:27:22,360
Speaker 3: different Yes, that's e Waters right, it's not even cool.

2661
02:27:22,600 --> 02:27:23,280
Speaker 2: This is Fucci.

2662
02:27:23,480 --> 02:27:26,680
Speaker 1: It's not even cold. This flats bottom water?

2663
02:27:29,080 --> 02:27:30,080
Speaker 2: Yo? But who was that for?

2664
02:27:30,800 --> 02:27:31,160
Speaker 8: For you and me?

2665
02:27:31,240 --> 02:27:33,120
Speaker 1: I was gonna I thought we were making drinks. I

2666
02:27:33,160 --> 02:27:35,280
Speaker 1: didn't know like we're gonna make like a my hat.

2667
02:27:35,480 --> 02:27:39,039
Speaker 1: Oh you I'll take a drink with your your clock.

2668
02:27:39,959 --> 02:27:41,680
Speaker 1: Let me ask you a question. Why you're getting bottled

2669
02:27:41,720 --> 02:27:45,640
Speaker 1: water to put tap water ice in it? All cool?

2670
02:27:45,680 --> 02:27:48,280
Speaker 2: I don't even know you from the South of Yeah,

2671
02:27:49,920 --> 02:27:50,840
Speaker 2: what would you do that for?

2672
02:27:51,000 --> 02:27:53,880
Speaker 1: You? Just you just rolled my own water experience, you know,

2673
02:27:54,120 --> 02:27:57,160
Speaker 1: you know from the resource rooms. You know that niggas

2674
02:27:57,200 --> 02:28:00,880
Speaker 1: in the resource rooms and especial education. That's that's the

2675
02:28:00,920 --> 02:28:04,080
Speaker 1: one I am. I'm that nigga. I have four teachers

2676
02:28:04,840 --> 02:28:06,520
Speaker 1: and four students. It was even.

2677
02:28:07,920 --> 02:28:11,600
Speaker 2: We were both going you said four, and he said,

2678
02:28:11,640 --> 02:28:12,280
Speaker 2: we're both with.

2679
02:28:13,920 --> 02:28:19,520
Speaker 1: Even tell me, I'm the most in the world.

2680
02:28:19,720 --> 02:28:20,600
Speaker 2: You're the smartness.

2681
02:28:21,080 --> 02:28:24,400
Speaker 1: That's why they wanted to killed me. Listen, I'm just John.

2682
02:28:24,959 --> 02:28:29,400
Speaker 1: They're gonna John Left killing me meaning under saying listen,

2683
02:28:29,520 --> 02:28:32,400
Speaker 1: they're gonna let you live because they're like, that's his man.

2684
02:28:33,800 --> 02:28:36,200
Speaker 1: I feel like they're gonna kill me. I got you

2685
02:28:37,320 --> 02:28:42,960
Speaker 1: on meaning it was more than it was. He said,

2686
02:28:44,600 --> 02:28:46,560
Speaker 1: you said four four, and then he was like, both

2687
02:28:46,640 --> 02:28:49,080
Speaker 1: of them. I'm like, who the fuck are you talking about?

2688
02:28:49,160 --> 02:28:51,920
Speaker 1: Both groups exactly? We're talking about both groups. I got

2689
02:28:52,000 --> 02:28:54,400
Speaker 1: to see I got what you was talking about. Don John,

2690
02:28:54,560 --> 02:28:57,720
Speaker 1: tell you I understood what you was talking. Just resources

2691
02:28:57,720 --> 02:29:00,720
Speaker 1: from crazy, the super resource you know what I'm saying.

2692
02:29:01,480 --> 02:29:02,720
Speaker 2: That was the funniest shit ever.

2693
02:29:04,080 --> 02:29:09,280
Speaker 1: Claw you did drink champs, you survived. Never sprung about

2694
02:29:09,320 --> 02:29:12,119
Speaker 1: any of their personal ship. I know a lot. Get

2695
02:29:12,200 --> 02:29:15,840
Speaker 1: them relax and you're looking at me and your lips

2696
02:29:15,879 --> 02:29:19,640
Speaker 1: are getting little white. That's how I know. I'm so

2697
02:29:19,800 --> 02:29:21,960
Speaker 1: glad there's a camera because they could know that my

2698
02:29:22,040 --> 02:29:25,320
Speaker 1: lips ain't getting white. No, in my mind, your lift

2699
02:29:25,400 --> 02:29:28,840
Speaker 1: scout what personally you can't ask me ship that. I

2700
02:29:28,959 --> 02:29:32,640
Speaker 1: can't be real loud. You've been there for me. But

2701
02:29:32,760 --> 02:29:34,800
Speaker 1: when I stepped into this game, I love you. You

2702
02:29:34,879 --> 02:29:39,160
Speaker 1: stood there with me. And there was one producer on

2703
02:29:39,240 --> 02:29:41,960
Speaker 1: the whole wall report because I used to carry it

2704
02:29:42,080 --> 02:29:46,400
Speaker 1: two five on me and I said rhyme, and not

2705
02:29:46,720 --> 02:29:48,800
Speaker 1: one producer said you have relax you.

2706
02:29:50,520 --> 02:29:54,240
Speaker 6: And you was the only one he said when he

2707
02:29:54,320 --> 02:29:55,720
Speaker 6: told you to relax, you had the two five in

2708
02:29:55,800 --> 02:29:56,200
Speaker 6: your pocket.

2709
02:29:56,320 --> 02:29:59,160
Speaker 1: In the booth, they had two five all the time.

2710
02:30:02,280 --> 02:30:06,840
Speaker 1: I know now he's rocking. He's like, hold, don't he

2711
02:30:06,959 --> 02:30:12,680
Speaker 1: tells him that clocks. He was the only one and

2712
02:30:12,760 --> 02:30:15,360
Speaker 1: he told me, he said, listen, I'm gonna take the

2713
02:30:15,520 --> 02:30:18,360
Speaker 1: rhym and I'm gonna chop it up. And that's the

2714
02:30:18,440 --> 02:30:21,800
Speaker 1: first time I've ever seen that in my life, that

2715
02:30:22,760 --> 02:30:26,520
Speaker 1: I could actually rhyme and get it all out and

2716
02:30:26,640 --> 02:30:31,400
Speaker 1: one one whatever. But he could take that and say relax,

2717
02:30:31,959 --> 02:30:35,640
Speaker 1: dance and order some pluck you. So after after that advice,

2718
02:30:35,680 --> 02:30:38,480
Speaker 1: you kept doing that that way. Listen to his records

2719
02:30:38,480 --> 02:30:42,879
Speaker 1: after that one record. After that he understood songs song progression.

2720
02:30:42,959 --> 02:30:46,119
Speaker 1: It was verse verse verse hook, verse hook verse hook.

2721
02:30:46,320 --> 02:30:49,200
Speaker 1: Think about it because after that album, what album you

2722
02:30:49,360 --> 02:31:09,120
Speaker 1: what album you made? That's you go down? Don't let

2723
02:31:09,160 --> 02:31:12,280
Speaker 1: me tell you about because I gotta DJ now, I

2724
02:31:12,320 --> 02:31:18,080
Speaker 1: gotta go change. No, this is your third fucking champagne

2725
02:31:18,160 --> 02:31:18,520
Speaker 1: this water.

2726
02:31:21,240 --> 02:31:23,440
Speaker 6: Listen when you DJ, ain't nobody's gonna see your right thigh.

2727
02:31:25,879 --> 02:31:27,640
Speaker 6: Nobody's gonna see your right thig. When your DJ, he's

2728
02:31:27,640 --> 02:31:33,800
Speaker 6: gone ship right. It wasn't me open that ship up.

2729
02:31:33,879 --> 02:31:34,080
Speaker 7: Got that.

2730
02:31:34,320 --> 02:31:36,920
Speaker 1: I'm good. I'm not. I'm good. You ain't gotta I'm

2731
02:31:37,120 --> 02:31:41,000
Speaker 1: so hot, right, you gotta last? I love thank you.

2732
02:31:41,120 --> 02:31:50,800
Speaker 1: I'm saying it was really really nice. No, God, listen

2733
02:31:50,840 --> 02:31:53,760
Speaker 1: to listen to me, everybody. It was really one of

2734
02:31:53,800 --> 02:31:56,760
Speaker 1: the first producers who actually pulled me to the side

2735
02:31:56,800 --> 02:32:01,800
Speaker 1: and said, Slim, I understand what you're doing. I get it,

2736
02:32:03,080 --> 02:32:08,360
Speaker 1: but let me structure your ship. And it was you too.

2737
02:32:08,879 --> 02:32:12,160
Speaker 1: A lot of people credit you know, for Real or Swiss,

2738
02:32:15,560 --> 02:32:19,879
Speaker 1: but they came in our album That's Dope to hit us.

2739
02:32:19,920 --> 02:32:21,720
Speaker 15: But you were still learning because one of one of

2740
02:32:21,760 --> 02:32:23,520
Speaker 15: the stories, no I'm gonna tell you, I'm still learn

2741
02:32:23,640 --> 02:32:24,000
Speaker 15: I know.

2742
02:32:24,080 --> 02:32:25,400
Speaker 1: But one of the stories that I love from an

2743
02:32:25,640 --> 02:32:27,440
Speaker 1: R is that you say.

2744
02:32:27,360 --> 02:32:28,680
Speaker 2: That you was counting bars with what what?

2745
02:32:28,879 --> 02:32:31,760
Speaker 1: What what? And that's what I love that. I love

2746
02:32:31,800 --> 02:32:35,039
Speaker 1: that story. No, that's how I counted balls. But think

2747
02:32:35,080 --> 02:32:35,360
Speaker 1: about it.

2748
02:32:35,440 --> 02:32:37,160
Speaker 2: So claud get executive producing credit for that.

2749
02:32:37,520 --> 02:32:40,560
Speaker 1: Absolutely, No, he's not going to give that up because

2750
02:32:40,680 --> 02:32:42,560
Speaker 1: he's not gonna look for that check to go. Come

2751
02:32:42,600 --> 02:32:45,240
Speaker 1: me for that. But the bottom line, I get what

2752
02:32:45,320 --> 02:32:47,360
Speaker 1: you're trying to say. You're trying to say is that

2753
02:32:48,000 --> 02:32:50,800
Speaker 1: moment gave you the ability to look at your songs

2754
02:32:50,879 --> 02:32:54,680
Speaker 1: differently and and and think songs instead of thinking I'm

2755
02:32:54,720 --> 02:32:57,120
Speaker 1: just gonna be rhyming. I get it. Yeah, I get it.

2756
02:32:57,320 --> 02:33:00,160
Speaker 1: I respect it. And because think about it, after the

2757
02:33:00,280 --> 02:33:02,199
Speaker 1: war report what happened?

2758
02:33:02,800 --> 02:33:02,840
Speaker 10: What?

2759
02:33:03,080 --> 02:33:03,400
Speaker 6: What? What?

2760
02:33:03,640 --> 02:33:03,680
Speaker 1: What?

2761
02:33:03,920 --> 02:33:03,960
Speaker 6: What?

2762
02:33:04,520 --> 02:33:08,840
Speaker 1: How? Long after every sixteen bars? Sixteen bars?

2763
02:33:09,120 --> 02:33:09,520
Speaker 8: What? What? What?

2764
02:33:10,280 --> 02:33:14,200
Speaker 1: Sixteen bars? Well? What what that was the same sixteen

2765
02:33:14,280 --> 02:33:18,879
Speaker 1: bar breakup that I I don't like to say taught.

2766
02:33:19,040 --> 02:33:22,200
Speaker 1: I'd rather say I can't talk about it. I say,

2767
02:33:22,800 --> 02:33:25,040
Speaker 1: now you know why because I don't. I don't believe that.

2768
02:33:27,800 --> 02:33:30,360
Speaker 1: I just believe it was something that he didn't he

2769
02:33:30,480 --> 02:33:32,400
Speaker 1: didn't know, But I don't think it was a taught

2770
02:33:32,440 --> 02:33:34,560
Speaker 1: It was an enlightened I'm like, yo, look, if you

2771
02:33:34,640 --> 02:33:37,160
Speaker 1: do this, it's a song when you The thing is

2772
02:33:37,240 --> 02:33:39,160
Speaker 1: when you listen to war report, like I can go

2773
02:33:39,240 --> 02:33:40,560
Speaker 1: back to the War Report, and if you listen to

2774
02:33:40,600 --> 02:33:42,840
Speaker 1: the War Report, it's a bunch of wild ass records,

2775
02:33:42,879 --> 02:33:46,400
Speaker 1: and then this is one record that makes you go, oh,

2776
02:33:46,840 --> 02:33:49,120
Speaker 1: I get it, I get all of that wild shit.

2777
02:33:49,360 --> 02:33:52,720
Speaker 1: When you listen to Closer to this paper, you just

2778
02:33:52,879 --> 02:33:55,080
Speaker 1: do because it calms you down and you can hear

2779
02:33:55,160 --> 02:33:57,520
Speaker 1: what he's saying and be like, Okay, before you're just like,

2780
02:33:57,600 --> 02:33:59,840
Speaker 1: I'm as wild as this motherfucker right here. But then

2781
02:33:59,879 --> 02:34:02,000
Speaker 1: we listen to that, you're like, hold up, he stopped

2782
02:34:02,040 --> 02:34:05,120
Speaker 1: for a second, and he gave you closer to this.

2783
02:34:06,320 --> 02:34:09,160
Speaker 1: You know what I'm saying. So it was it was,

2784
02:34:10,879 --> 02:34:12,800
Speaker 1: want to tell you, what's even crazier. It was the

2785
02:34:12,879 --> 02:34:21,280
Speaker 1: last record. And the reason why is because honestly, when

2786
02:34:21,320 --> 02:34:26,800
Speaker 1: it comes to producing, sometimes I can be a little competitive.

2787
02:34:27,160 --> 02:34:30,760
Speaker 1: So I just wanted to hear everything and figure out

2788
02:34:30,800 --> 02:34:32,440
Speaker 1: what can I do that's going to be different from

2789
02:34:32,480 --> 02:34:34,720
Speaker 1: everything I heard. And everything I heard, I was like, oh,

2790
02:34:34,800 --> 02:34:38,000
Speaker 1: this is damn easy. You know why, because the reason

2791
02:34:38,040 --> 02:34:39,800
Speaker 1: why he came to me was to try to get

2792
02:34:39,800 --> 02:34:42,279
Speaker 1: a single. He was like, YO, give me a single.

2793
02:34:42,600 --> 02:34:44,880
Speaker 1: So I gave him a single. Funny shit is it

2794
02:34:45,160 --> 02:34:48,960
Speaker 1: wasn't him as a single, so they went with something

2795
02:34:49,000 --> 02:34:53,440
Speaker 1: else and it worked out because it was him by himself,

2796
02:34:53,520 --> 02:34:55,480
Speaker 1: so it couldn't be a CNN record if it was

2797
02:34:55,560 --> 02:34:58,360
Speaker 1: him by himself. If that record was on War Report,

2798
02:34:58,720 --> 02:35:02,440
Speaker 1: it could have been a single. But it didn't make

2799
02:35:02,480 --> 02:35:06,960
Speaker 1: sense to put the CNN record out without poem. So

2800
02:35:07,320 --> 02:35:09,040
Speaker 1: I mean, you know that's the way that worked out.

2801
02:35:09,160 --> 02:35:13,760
Speaker 1: Trust me. If that record compone on it, that probably

2802
02:35:13,760 --> 02:35:15,520
Speaker 1: would have been for a single because it was it

2803
02:35:15,640 --> 02:35:19,640
Speaker 1: was structured like a record like a single. Yes it was,

2804
02:35:19,879 --> 02:35:22,200
Speaker 1: And that that's what the that's what he came to

2805
02:35:22,280 --> 02:35:23,920
Speaker 1: me for. He's like, give me saying I need a single.

2806
02:35:24,959 --> 02:35:28,040
Speaker 1: I'm so scared, And he was scared, and and but

2807
02:35:28,160 --> 02:35:30,400
Speaker 1: the thing is the funny Man and the chicks from

2808
02:35:30,520 --> 02:35:32,680
Speaker 1: from s WV coming to the studio the other day.

2809
02:35:33,800 --> 02:35:39,600
Speaker 1: I was like, I wasn't ready, no, because young dudes,

2810
02:35:40,800 --> 02:35:44,560
Speaker 1: you know he's not when I say tell you what

2811
02:35:45,520 --> 02:35:50,120
Speaker 1: this is. This is the guy I heard. Dangs, we

2812
02:35:50,120 --> 02:35:53,160
Speaker 1: ain't even going to that's we haven't even touched that.

2813
02:35:53,320 --> 02:35:54,280
Speaker 1: Am I going there? Right?

2814
02:35:54,640 --> 02:35:57,160
Speaker 6: You have to have that's the sec way. You ain't

2815
02:35:57,160 --> 02:35:59,119
Speaker 6: going away, Pa, you ain't.

2816
02:35:58,920 --> 02:36:06,680
Speaker 1: Going I got you, brother Clark, can't tell him if

2817
02:36:06,680 --> 02:36:07,840
Speaker 1: you don't make the d D show. I got you.

2818
02:36:07,920 --> 02:36:08,920
Speaker 1: I don't worry about the good.

2819
02:36:13,879 --> 02:36:14,080
Speaker 6: Never.

2820
02:36:14,240 --> 02:36:19,200
Speaker 1: I won't even touch it. Every thrusting to give me back.

2821
02:36:19,640 --> 02:36:24,120
Speaker 1: So it's getting closer, it's getting closer. Never gonna happen.

2822
02:36:24,800 --> 02:36:34,360
Speaker 1: So in my mind, damn Dan, Dan said Clark kiss

2823
02:36:34,480 --> 02:36:37,480
Speaker 1: coming because I was the biggest day of the day

2824
02:36:38,720 --> 02:36:43,080
Speaker 1: Slick Rick fans in the world me and mention the

2825
02:36:43,080 --> 02:36:47,280
Speaker 1: Slick is my favorite album. It's my favorite album ever.

2826
02:36:47,760 --> 02:36:52,600
Speaker 1: And then Yo, Clark coming to and I know it's name.

2827
02:36:54,720 --> 02:36:57,920
Speaker 1: I'm like, so every producer that ever came from the

2828
02:36:57,959 --> 02:37:04,360
Speaker 1: workfort like I wanted to shoot them. So you're answered

2829
02:37:04,360 --> 02:37:07,920
Speaker 1: my question. It's twenty five was always on it. I

2830
02:37:08,000 --> 02:37:11,280
Speaker 1: don't know, I just like shut up, asshole, Like yeah,

2831
02:37:11,440 --> 02:37:14,440
Speaker 1: I was just like a death. I feel like you

2832
02:37:14,520 --> 02:37:15,160
Speaker 1: can come in here.

2833
02:37:16,959 --> 02:37:19,080
Speaker 2: Looking at me at coming there.

2834
02:37:20,240 --> 02:37:22,360
Speaker 1: So I felt like that. I felt like I felt

2835
02:37:22,400 --> 02:37:28,000
Speaker 1: like what when Clark came in? Clark came was like

2836
02:37:29,280 --> 02:37:31,880
Speaker 1: but it felt like an og type of call. I

2837
02:37:31,920 --> 02:37:36,440
Speaker 1: felt like, yo, look do that. I get that you

2838
02:37:36,520 --> 02:37:38,080
Speaker 1: got because he played the beat and I was just like,

2839
02:37:38,280 --> 02:37:46,080
Speaker 1: let's go because that's what I did. Oh the firm

2840
02:37:46,160 --> 02:37:50,560
Speaker 1: ship what's the firm ship? Man on the next plane?

2841
02:37:50,680 --> 02:37:54,880
Speaker 1: I did as soon as I flu flew fluid and

2842
02:37:55,080 --> 02:37:59,720
Speaker 1: I used to write around in jail, so I had

2843
02:37:59,800 --> 02:38:01,400
Speaker 1: all wait up the timeline for me.

2844
02:38:02,160 --> 02:38:03,000
Speaker 2: At what point you did?

2845
02:38:03,080 --> 02:38:06,920
Speaker 1: I'm leaving and I'm leaving right after the war reports,

2846
02:38:07,120 --> 02:38:10,320
Speaker 1: right after the war report, after the war report, like

2847
02:38:10,560 --> 02:38:13,280
Speaker 1: not war report is out, like right after you finish

2848
02:38:13,480 --> 02:38:14,600
Speaker 1: the wordpot is out.

2849
02:38:14,840 --> 02:38:16,360
Speaker 2: Okay, okay, so it's out and then.

2850
02:38:16,280 --> 02:38:19,280
Speaker 1: You go do that okay, No, No, I know, I'm

2851
02:38:19,320 --> 02:38:20,080
Speaker 1: just nous.

2852
02:38:21,400 --> 02:38:21,640
Speaker 8: You know what.

2853
02:38:21,720 --> 02:38:23,120
Speaker 2: The crazy The.

2854
02:38:23,160 --> 02:38:27,160
Speaker 1: Crazy part is is hot or No is hot by

2855
02:38:27,240 --> 02:38:28,720
Speaker 1: himself because his pone is locked up.

2856
02:38:29,120 --> 02:38:32,000
Speaker 2: So he on the promo run in Miami.

2857
02:38:32,120 --> 02:38:35,800
Speaker 1: That's what we meant. I'm just saying that that's.

2858
02:38:34,879 --> 02:38:37,039
Speaker 2: How we want, that's how we meet. The promo run

2859
02:38:37,080 --> 02:38:40,160
Speaker 2: in Miami, isl he's.

2860
02:38:42,360 --> 02:38:46,240
Speaker 1: War He comes to my store, and I don't know

2861
02:38:46,280 --> 02:38:49,080
Speaker 1: if he's ever told you this. He was super stressed

2862
02:38:49,680 --> 02:38:51,240
Speaker 1: promoting War Report by himself.

2863
02:38:51,360 --> 02:38:54,400
Speaker 2: No fact I saw in my store super stressed.

2864
02:38:55,400 --> 02:38:57,520
Speaker 1: Wait, why would I know that? And he's not my

2865
02:38:57,640 --> 02:39:02,000
Speaker 1: artist because he's my fucking so I know it wasn't

2866
02:39:02,120 --> 02:39:06,280
Speaker 1: easy promoting CNN went only the end is there and

2867
02:39:06,360 --> 02:39:10,959
Speaker 1: then the sea can't speak for the sea and the way.

2868
02:39:11,320 --> 02:39:14,800
Speaker 1: So trust me, I don't even know like if in

2869
02:39:14,959 --> 02:39:17,720
Speaker 1: his heart he really wanted to be nor by himself,

2870
02:39:18,680 --> 02:39:20,320
Speaker 1: you know what I'm saying. I don't ever think that

2871
02:39:20,560 --> 02:39:22,800
Speaker 1: was trust me. When the first time I saw it,

2872
02:39:22,879 --> 02:39:25,720
Speaker 1: I was like, that's because Copone is locked up. He

2873
02:39:25,800 --> 02:39:27,680
Speaker 1: don't want to do a solo record. It's just that

2874
02:39:28,600 --> 02:39:31,520
Speaker 1: CNN War Report was so Niggas looked at that. She

2875
02:39:31,800 --> 02:39:34,000
Speaker 1: was like, Nah, that ship. It's almost like he had

2876
02:39:34,040 --> 02:39:39,360
Speaker 1: no choice because he had to hold it down. But

2877
02:39:40,400 --> 02:39:44,080
Speaker 1: I was around and taking them a drink. Camp should

2878
02:39:44,080 --> 02:39:44,480
Speaker 1: we jump on?

2879
02:39:46,240 --> 02:39:49,040
Speaker 2: We could jump during the show came No, we still

2880
02:39:49,120 --> 02:39:50,400
Speaker 2: we still have to go to the day to day.

2881
02:39:51,760 --> 02:39:54,680
Speaker 1: You're not leaving. You talk nothing about day to day. Man,

2882
02:39:55,040 --> 02:39:58,240
Speaker 1: I'm here, I'm not drunk.

2883
02:39:58,879 --> 02:40:01,080
Speaker 2: I don't know how I'm not drunk yet. But have

2884
02:40:01,160 --> 02:40:01,480
Speaker 2: a shot.

2885
02:40:01,520 --> 02:40:05,000
Speaker 1: Let's do it. Shot. We can do another politics, all

2886
02:40:05,040 --> 02:40:11,440
Speaker 1: three talk. It's a table thing. No, I'm gonna ship God,

2887
02:40:11,480 --> 02:40:12,440
Speaker 1: trust me. I'll leave here.

2888
02:40:12,520 --> 02:40:13,920
Speaker 2: It's definitely penalty.

2889
02:40:14,680 --> 02:40:16,480
Speaker 1: I might be a drink. He listen, you put my

2890
02:40:16,560 --> 02:40:18,920
Speaker 1: shot whatever way, hand met hand your cup?

2891
02:40:19,040 --> 02:40:23,960
Speaker 6: I want to put so what that Tony tells these

2892
02:40:24,040 --> 02:40:26,440
Speaker 6: ends of the twenty minutes rich Tony and d Night

2893
02:40:26,520 --> 02:40:28,200
Speaker 6: can take twenty minutes extra d Night.

2894
02:40:28,720 --> 02:40:30,240
Speaker 1: It was one of the show the d Knights who

2895
02:40:30,280 --> 02:40:32,800
Speaker 1: I love, who came to me told me how to

2896
02:40:32,920 --> 02:40:37,400
Speaker 1: do a show. Here you go, brother, you you let

2897
02:40:37,440 --> 02:40:40,920
Speaker 1: me four o clocks? Hold on, where's your cup? Clock?

2898
02:40:41,440 --> 02:40:42,680
Speaker 2: You told me how to do a show.

2899
02:40:43,320 --> 02:40:47,680
Speaker 1: You respect. Imagine right now, even when I was troking

2900
02:40:47,760 --> 02:40:51,360
Speaker 1: weed and he was like, I hate that you always

2901
02:40:51,480 --> 02:40:56,320
Speaker 1: hung out with me the clock kid, Tonight, We're gonna

2902
02:40:56,680 --> 02:41:00,520
Speaker 1: fucking respect you. Thank you, you man, and we're gonna

2903
02:41:00,879 --> 02:41:04,640
Speaker 1: honor you the night Clock. And sorry that maybe the

2904
02:41:04,840 --> 02:41:17,520
Speaker 1: US a Jersey accident. It's not a us A. He's

2905
02:41:17,760 --> 02:41:22,640
Speaker 1: very offended. This is this is the also hip hop

2906
02:41:23,640 --> 02:41:27,200
Speaker 1: are mind? And you know what, you are one of

2907
02:41:27,280 --> 02:41:28,080
Speaker 1: the most.

2908
02:41:28,600 --> 02:41:32,000
Speaker 2: DJs that we You're the most DJs, the.

2909
02:41:32,120 --> 02:41:35,280
Speaker 1: One of the the most dj ever whatever that means.

2910
02:41:35,320 --> 02:41:38,880
Speaker 2: You have those DJs. I actually liked it, I know.

2911
02:41:39,080 --> 02:41:40,920
Speaker 1: But you're coming at me a little bit. You're the

2912
02:41:41,000 --> 02:41:50,640
Speaker 1: most sunless the clock. We're gonna honor you, will continue

2913
02:41:50,640 --> 02:41:54,240
Speaker 1: to fucking honor you because you know why, why you

2914
02:41:54,440 --> 02:41:57,440
Speaker 1: fucking deserve Thank you. I appreciate it, and I don't

2915
02:41:57,480 --> 02:42:00,480
Speaker 1: know what I'm about to salute with you. A bonga

2916
02:42:02,360 --> 02:42:02,840
Speaker 1: get your shot.

2917
02:42:03,480 --> 02:42:06,200
Speaker 2: I'm pulling you a heavy shot. Let's go, you get

2918
02:42:06,959 --> 02:42:11,199
Speaker 2: you get the yeah pink bong.

2919
02:42:11,680 --> 02:42:14,760
Speaker 1: I listened every week. I listened, listen, face peel like

2920
02:42:14,959 --> 02:42:19,040
Speaker 1: my baby on the body.

2921
02:42:19,879 --> 02:42:20,520
Speaker 2: Fuck it, let's go.

2922
02:42:20,879 --> 02:42:26,680
Speaker 1: I am not going to the couple that I am

2923
02:42:26,760 --> 02:42:34,080
Speaker 1: so happy. That's all. That's all him, that's all. That's all.

2924
02:42:34,440 --> 02:42:36,879
Speaker 1: That's all clock shouting, shout the mayor, the poor.

2925
02:42:39,440 --> 02:42:40,440
Speaker 2: Oh man claw.

2926
02:42:41,160 --> 02:42:42,680
Speaker 1: I'm gonna be destroyed by the time.

2927
02:42:42,720 --> 02:42:49,880
Speaker 6: You know you're gonna You're gonna ask records, what is

2928
02:42:49,920 --> 02:42:50,840
Speaker 6: the Brest brand?

2929
02:42:51,640 --> 02:42:55,160
Speaker 1: The brush sneaking, It's the best sneaker brand. That's night.

2930
02:42:55,280 --> 02:42:56,200
Speaker 1: I gotta up.

2931
02:42:56,240 --> 02:42:56,600
Speaker 15: I like that.

2932
02:42:56,760 --> 02:42:59,680
Speaker 1: What's what's the best brand? Like the brand? I like that?

2933
02:43:00,080 --> 02:43:06,360
Speaker 1: Uh ad, that's you. That's a that's a send me

2934
02:43:06,440 --> 02:43:06,800
Speaker 1: some ship.

2935
02:43:06,920 --> 02:43:07,720
Speaker 6: But I get it.

2936
02:43:07,760 --> 02:43:10,480
Speaker 1: I'm gonna be honest. I'm going I'm going to question

2937
02:43:10,560 --> 02:43:12,080
Speaker 1: and know how I need that, my brother.

2938
02:43:12,200 --> 02:43:15,880
Speaker 6: Listen, hold hold on, let me interject real quick, gious,

2939
02:43:17,640 --> 02:43:20,000
Speaker 6: what's that you are you having to make a conversation.

2940
02:43:20,600 --> 02:43:23,960
Speaker 1: I don't make a conversation. What's you I'm telling you?

2941
02:43:24,680 --> 02:43:27,280
Speaker 6: No, no, no, I forgot see it. Just hit me

2942
02:43:27,360 --> 02:43:29,480
Speaker 6: with I'm not drunk you No, no, no, hold on, brother,

2943
02:43:29,720 --> 02:43:33,120
Speaker 6: you got the Pharrel plug. That's the real Adida plug.

2944
02:43:33,760 --> 02:43:35,440
Speaker 6: I need that shout to push the to who's my

2945
02:43:35,520 --> 02:43:39,760
Speaker 6: man and the man you have the pharl plug? That

2946
02:43:39,920 --> 02:43:42,000
Speaker 6: means you got the human racist with the Japanese writing

2947
02:43:42,080 --> 02:43:44,400
Speaker 6: on them. No, I'm calling you out right now. No, no, no, no,

2948
02:43:44,600 --> 02:43:51,800
Speaker 6: I need no no listen, let's listen in your interview

2949
02:43:51,879 --> 02:43:52,120
Speaker 6: right now.

2950
02:43:53,240 --> 02:43:58,520
Speaker 1: Feedback. I need you sounds like I want to that.

2951
02:43:58,680 --> 02:44:01,640
Speaker 1: I no, no, I'm not pausing. I need you. No

2952
02:44:02,280 --> 02:44:02,680
Speaker 1: respect you.

2953
02:44:02,800 --> 02:44:03,680
Speaker 2: There's no pausing in it.

2954
02:44:04,320 --> 02:44:07,560
Speaker 1: Here's the problem with the problem was with Puerto Rican.

2955
02:44:08,240 --> 02:44:11,000
Speaker 1: You Puerto Rican black, Puerto Rican Italian. Puerto Rican didn't

2956
02:44:11,000 --> 02:44:15,520
Speaker 1: pay attention N and I don't then N, I did

2957
02:44:15,600 --> 02:44:22,040
Speaker 1: not pay. You don't speak no, God damn forget Italian.

2958
02:44:22,480 --> 02:44:24,560
Speaker 2: Speak to me Italian. I know you got pro run

2959
02:44:24,680 --> 02:44:25,320
Speaker 2: on speed dial.

2960
02:44:25,480 --> 02:44:30,000
Speaker 1: I need you. No, No, I'm not pausing plugs. I'm

2961
02:44:30,080 --> 02:44:33,640
Speaker 1: too old for that pouls ship right now. I need you, brother, to.

2962
02:44:35,560 --> 02:44:35,760
Speaker 11: Go on.

2963
02:44:40,120 --> 02:44:41,200
Speaker 1: There's no relax. I need you.

2964
02:44:42,000 --> 02:44:42,400
Speaker 6: I need that.

2965
02:44:42,760 --> 02:44:44,760
Speaker 1: No, I did not. I didn't. Now you know you

2966
02:44:44,879 --> 02:44:45,440
Speaker 1: know it's real.

2967
02:44:45,560 --> 02:44:46,480
Speaker 2: You have the plug.

2968
02:44:47,160 --> 02:44:49,480
Speaker 1: See this, this is this is ship that rappers don't understand.

2969
02:44:49,840 --> 02:44:52,640
Speaker 2: That really got the road, You really got cheat codes.

2970
02:44:52,920 --> 02:44:54,960
Speaker 2: I need you, brother, So listen.

2971
02:44:55,959 --> 02:44:58,039
Speaker 1: He told me my package is gonna arrivee in.

2972
02:45:01,120 --> 02:45:01,760
Speaker 2: Gee Christ.

2973
02:45:01,760 --> 02:45:02,840
Speaker 1: Where the funk are we? Right?

2974
02:45:04,040 --> 02:45:07,000
Speaker 2: Weird hazardous sounds and I need to plug chill.

2975
02:45:09,000 --> 02:45:10,879
Speaker 6: You're gonna DJ and a little why you're gonna accidentally

2976
02:45:10,920 --> 02:45:13,160
Speaker 6: scratch like nine records because you're halfway through a bottle

2977
02:45:13,160 --> 02:45:14,560
Speaker 6: of patron Hold listen, I.

2978
02:45:14,600 --> 02:45:18,160
Speaker 1: Just want to get things slipped you. We're gonna go

2979
02:45:18,320 --> 02:45:23,119
Speaker 1: past my hotel and I'm there. You feed you top weight.

2980
02:45:24,720 --> 02:45:27,039
Speaker 1: I said you would have dropped me to the hotel.

2981
02:45:27,120 --> 02:45:32,080
Speaker 6: If mister Lee is busy, I got you, Uper excel,

2982
02:45:32,160 --> 02:45:34,400
Speaker 6: I got you, you got your Trump, whatever you want,

2983
02:45:34,600 --> 02:45:34,960
Speaker 6: I got you.

2984
02:45:35,280 --> 02:45:35,520
Speaker 1: Listen.

2985
02:45:35,800 --> 02:45:40,920
Speaker 6: Why can't I just say it? Let's listen killing me?

2986
02:45:41,160 --> 02:45:43,280
Speaker 6: You know right now, I don't care about your ride

2987
02:45:43,320 --> 02:45:46,040
Speaker 6: back to the hotel. I care about no real Farrell DJ.

2988
02:45:46,440 --> 02:45:50,480
Speaker 6: Can't you care about I can't.

2989
02:45:51,959 --> 02:45:56,640
Speaker 1: It's my hero right now. And the packages be packages

2990
02:45:56,720 --> 02:45:58,360
Speaker 1: whatever you want to call it. You know, we don't

2991
02:45:58,360 --> 02:46:01,280
Speaker 1: even want to talk about this because he said they

2992
02:46:01,320 --> 02:46:03,600
Speaker 1: don't even want to talk about this. You're talking about

2993
02:46:03,600 --> 02:46:05,600
Speaker 1: the text messages will be so extra.

2994
02:46:06,400 --> 02:46:08,840
Speaker 2: No, the Texas will be so extra tonight.

2995
02:46:08,959 --> 02:46:11,600
Speaker 1: I need you. I leave, I leave. I'll leave it

2996
02:46:11,640 --> 02:46:14,600
Speaker 1: to uh the Niggers. I love you.

2997
02:46:15,600 --> 02:46:16,760
Speaker 2: He just called you a Bronx snake.

2998
02:46:16,840 --> 02:46:20,880
Speaker 1: Hold on, don't bronx nake. I heard brons that's what

2999
02:46:20,959 --> 02:46:25,119
Speaker 1: you're gonna ever hear my drunk drunk drunk, got drunk.

3000
02:46:25,480 --> 02:46:31,400
Speaker 1: Her brother rewinded me everybody else that ship. I'm gonna

3001
02:46:31,440 --> 02:46:41,680
Speaker 1: hit it. I hit it, okay exactly. This clock contact

3002
02:46:41,840 --> 02:46:45,039
Speaker 1: is really high. I'm fucked up right now. Your clock

3003
02:46:45,120 --> 02:46:49,640
Speaker 1: can't the mayor ball the mayor all sneakers to the

3004
02:46:49,760 --> 02:46:50,920
Speaker 1: thirty seven.

3005
02:46:51,360 --> 02:46:55,960
Speaker 6: Eight hundred thirty seven is an amazing number.

3006
02:46:56,400 --> 02:46:57,119
Speaker 1: That's a great job.

3007
02:46:57,200 --> 02:47:01,840
Speaker 2: But I agree to that number. You're killing the game play.

3008
02:47:02,879 --> 02:47:07,400
Speaker 1: You fucking ill be. I want to respect.

3009
02:47:09,520 --> 02:47:15,160
Speaker 15: Currency changes from culture because because he's smart, he's smart

3010
02:47:15,280 --> 02:47:16,080
Speaker 15: like that.

3011
02:47:20,360 --> 02:47:21,560
Speaker 1: To everybody's ideology.

3012
02:47:21,640 --> 02:47:24,760
Speaker 6: Here, wait a minute, he's good.

3013
02:47:25,160 --> 02:47:25,640
Speaker 2: It's good.

3014
02:47:25,800 --> 02:47:32,720
Speaker 22: Relax, you know, Medal, that's his act. Keep going with

3015
02:47:32,760 --> 02:47:36,760
Speaker 22: the act, buddy, you got to relax. But listen, let's

3016
02:47:36,800 --> 02:47:40,520
Speaker 22: take another shot. I let's go the you're just talking

3017
02:47:40,560 --> 02:47:45,200
Speaker 22: about about what about it that I'm drunk? What about

3018
02:47:46,440 --> 02:47:48,640
Speaker 22: With all due respect, I'm not drinking. I don't give

3019
02:47:48,680 --> 02:47:51,400
Speaker 22: a funk what y'all say. Drinking one much from Brooklyn?

3020
02:47:51,440 --> 02:47:53,800
Speaker 1: You know you can tell me you got to relax

3021
02:47:53,959 --> 02:47:55,760
Speaker 1: the Brooklyn I mean, I don't think. I don't think

3022
02:47:57,000 --> 02:48:00,880
Speaker 1: drink with your brother, your brother ploral were ship worked

3023
02:48:00,920 --> 02:48:04,800
Speaker 1: in the nineties. You want to know what's crazy from Brooklyn?

3024
02:48:05,160 --> 02:48:07,760
Speaker 1: Like like peer pressure on funk with me. I never

3025
02:48:07,879 --> 02:48:12,280
Speaker 1: forgot pears, like say, you know what's I'm not even lessen.

3026
02:48:12,280 --> 02:48:13,560
Speaker 2: I'm just pulling a clock shot.

3027
02:48:13,400 --> 02:48:15,640
Speaker 1: And you're gonna lose. B I'm not drinking any guys

3028
02:48:15,760 --> 02:48:18,359
Speaker 1: biting each other? Do you want to bite.

3029
02:48:21,000 --> 02:48:21,280
Speaker 15: Glass?

3030
02:48:23,879 --> 02:48:29,000
Speaker 1: Yeah? You what's really good? Big, We're good. You know

3031
02:48:29,120 --> 02:48:30,800
Speaker 1: that I love you to the left out.

3032
02:48:30,959 --> 02:48:34,600
Speaker 4: You don't love you no more ever love each other, everybody, Harward,

3033
02:48:35,000 --> 02:48:40,320
Speaker 4: let's go, let's go. Come your glass right there, Bama,

3034
02:48:42,280 --> 02:48:56,480
Speaker 4: not gonna take it easy. You sitting the scratch now.

3035
02:48:56,840 --> 02:49:00,360
Speaker 1: Let's all do expect. This is a motherfucker who has

3036
02:49:00,520 --> 02:49:01,640
Speaker 1: nothing to do right now.

3037
02:49:01,720 --> 02:49:04,960
Speaker 2: Make him Jay, I changed my flight with you.

3038
02:49:05,120 --> 02:49:11,560
Speaker 1: Let's go listen. Check this out. You're my brother, a

3039
02:49:20,000 --> 02:49:20,360
Speaker 1: fake that.

3040
02:49:22,360 --> 02:49:24,440
Speaker 6: You're worry If I don't get a podcast behind this ship,

3041
02:49:24,480 --> 02:49:26,680
Speaker 6: I'm gonna be a little I'm.

3042
02:49:26,560 --> 02:49:27,160
Speaker 1: Reading back.

3043
02:49:29,280 --> 02:49:29,640
Speaker 12: Somebody.

3044
02:49:30,040 --> 02:49:33,320
Speaker 1: Hold y'all, Hold y'all, I really ever on that listen.

3045
02:49:33,600 --> 02:49:35,200
Speaker 1: I know you're a little funked up, but remember this

3046
02:49:35,280 --> 02:49:37,879
Speaker 1: podcast was legends. I was a part of this. We're

3047
02:49:37,920 --> 02:49:41,680
Speaker 1: doing it checking the simber guy over here. That's right.

3048
02:49:42,240 --> 02:49:47,039
Speaker 6: Yeah, No, I'm gonna call you club really last punk.

3049
02:49:48,879 --> 02:49:50,360
Speaker 2: You're out, Clark.

3050
02:49:51,080 --> 02:49:55,640
Speaker 1: You miss what I said? Joey? What about Joey? What

3051
02:49:55,720 --> 02:49:59,840
Speaker 1: do you think? Shout the established that style tea record

3052
02:49:59,840 --> 02:50:03,640
Speaker 1: this crazy bike around his as that that's I ain't

3053
02:50:03,640 --> 02:50:05,960
Speaker 1: got nothing bad to say about Joey bart Brooklyn. Is

3054
02:50:05,959 --> 02:50:10,800
Speaker 1: he from Flappers? I think yeah, maybe is it flap?

3055
02:50:11,200 --> 02:50:13,360
Speaker 1: I think he's from Flappers. She's only bad asking. He

3056
02:50:13,400 --> 02:50:15,120
Speaker 1: got a joint with j Cole and he got a

3057
02:50:15,160 --> 02:50:16,040
Speaker 1: joint with stous Peak.

3058
02:50:16,240 --> 02:50:19,360
Speaker 6: Both of them ships his legend shout the static selected

3059
02:50:19,400 --> 02:50:20,400
Speaker 6: them ships is legend.

3060
02:50:21,560 --> 02:50:24,160
Speaker 1: That's a producible. I don't know if he produced him

3061
02:50:24,200 --> 02:50:26,879
Speaker 1: or not. He produced stous joint. I know that Joy's dope.

3062
02:50:28,360 --> 02:50:31,040
Speaker 1: Where are you going with this? I'll just asking you

3063
02:50:31,320 --> 02:50:32,160
Speaker 1: heard about Cushing?

3064
02:50:33,080 --> 02:50:36,640
Speaker 2: What what you said? I'm your business partner right.

3065
02:50:36,560 --> 02:50:44,200
Speaker 1: Now, and I definitely just my questions. Okay, now's next.

3066
02:50:50,240 --> 02:50:51,360
Speaker 1: And that was like I don't speak.

3067
02:50:55,080 --> 02:51:01,920
Speaker 23: He said, if I do the club, I'm gonna break

3068
02:51:01,959 --> 02:51:05,280
Speaker 23: somebody's jaw. I promise you, you're break the job.

3069
02:51:05,600 --> 02:51:10,080
Speaker 6: Promise you hearing, I said, Michael, I said, we got

3070
02:51:10,160 --> 02:51:11,080
Speaker 6: you the air conditioner.

3071
02:51:12,480 --> 02:51:14,560
Speaker 1: I keep it one with all due respect, you did

3072
02:51:14,720 --> 02:51:16,680
Speaker 1: not get us the air conditioner. They got you the

3073
02:51:16,760 --> 02:51:19,960
Speaker 1: air conditioner. Move the ship over here. I'm not there.

3074
02:51:22,320 --> 02:51:25,160
Speaker 1: It's amazing. If I every way, it would be dry

3075
02:51:25,320 --> 02:51:28,960
Speaker 1: right now. I got that flock.

3076
02:51:29,320 --> 02:51:34,200
Speaker 6: Listen, you know what awesome. Gu I'm good I'm not

3077
02:51:34,240 --> 02:51:36,320
Speaker 6: gonna make it the puff party tonight. I'm going to

3078
02:51:36,360 --> 02:51:39,800
Speaker 6: your we go to all parties, all party.

3079
02:51:39,840 --> 02:51:43,280
Speaker 1: I'm not going I got your word one party, ain't you?

3080
02:51:45,959 --> 02:51:49,440
Speaker 2: I got your Come on, there's no word. I'll tell

3081
02:51:49,480 --> 02:51:52,920
Speaker 2: you everywhere the six Just.

3082
02:51:53,000 --> 02:51:55,360
Speaker 1: What are we at? Where we at right now? Day

3083
02:51:55,440 --> 02:51:57,600
Speaker 1: to day? I ain't forget day to day. Let's looking

3084
02:51:57,680 --> 02:52:05,640
Speaker 1: some more fast man? Sooners got there stories?

3085
02:52:06,760 --> 02:52:07,680
Speaker 2: Why why not.

3086
02:52:09,520 --> 02:52:10,199
Speaker 1: Anything about.

3087
02:52:22,480 --> 02:52:22,680
Speaker 11: Day?

3088
02:52:22,879 --> 02:52:23,280
Speaker 1: My guy?

3089
02:52:23,800 --> 02:52:24,440
Speaker 2: How did that happen?

3090
02:52:24,879 --> 02:52:27,360
Speaker 1: It happened because I was DJing at a talent show

3091
02:52:27,400 --> 02:52:30,160
Speaker 1: at Washington or in high school and those record that

3092
02:52:30,560 --> 02:52:32,920
Speaker 1: just dropped and he came to the school and he

3093
02:52:33,080 --> 02:52:35,560
Speaker 1: was going to perform for the crowd, and he asked

3094
02:52:35,600 --> 02:52:37,800
Speaker 1: me if I could drop the record, And the way

3095
02:52:37,840 --> 02:52:42,320
Speaker 1: that I dropped the record made him say, Yo, you

3096
02:52:42,400 --> 02:52:44,320
Speaker 1: know that that was perfect? Do you think you could

3097
02:52:45,040 --> 02:52:47,879
Speaker 1: like do that for me at another at another place?

3098
02:52:48,000 --> 02:52:51,680
Speaker 1: Pause a little little sexpect right there, But anyway, he

3099
02:52:51,760 --> 02:52:54,080
Speaker 1: asked me if I could you know DJ form at

3100
02:52:54,120 --> 02:52:57,520
Speaker 1: another place? And I said sure, and I did, And

3101
02:52:57,800 --> 02:53:00,720
Speaker 1: from that point on I was his DJ day to

3102
02:53:00,840 --> 02:53:09,959
Speaker 1: day with Danny Day met me? You got Danny Day

3103
02:53:10,040 --> 02:53:14,040
Speaker 1: met me? J Clark What meant he met me being

3104
02:53:14,160 --> 02:53:16,480
Speaker 1: DJ Clark and I was already d J Clark when

3105
02:53:16,480 --> 02:53:19,320
Speaker 1: he met me, So it wasn't he put me on thing.

3106
02:53:19,480 --> 02:53:22,160
Speaker 1: It was a He was like, yo, can can you

3107
02:53:22,240 --> 02:53:28,680
Speaker 1: come along with fame? What fan? Yep, Dan dang with fame?

3108
02:53:28,800 --> 02:53:32,119
Speaker 1: Here the entertained. By the time I leave, you remember

3109
02:53:32,160 --> 02:53:48,880
Speaker 1: my name? The next question I got, I got a

3110
02:53:48,959 --> 02:53:51,720
Speaker 1: man questions because I want the world to hear what

3111
02:53:51,840 --> 02:53:53,760
Speaker 1: I know. All right, you gotta.

3112
02:53:55,760 --> 02:54:01,959
Speaker 2: It's your show. I got to ship ship.

3113
02:54:08,800 --> 02:54:14,160
Speaker 1: There was no no, no, I ask nothing interview. I'm

3114
02:54:14,200 --> 02:54:17,720
Speaker 1: an interviewer. So there was a point in life.

3115
02:54:18,760 --> 02:54:22,000
Speaker 6: Talk about when you when you told the world that

3116
02:54:22,160 --> 02:54:25,520
Speaker 6: jay Z was the best MC ever. You told Grand

3117
02:54:25,600 --> 02:54:27,800
Speaker 6: Master Kaz that Yeah, and if I'm not mistake, you

3118
02:54:27,840 --> 02:54:28,720
Speaker 6: told me that too.

3119
02:54:30,120 --> 02:54:34,520
Speaker 1: I didn't necessarily tell them both because I was trying

3120
02:54:34,520 --> 02:54:37,360
Speaker 1: to tell them. What I did was I said at

3121
02:54:37,400 --> 02:54:40,040
Speaker 1: the New Music Seminar, while the MC battle was going on,

3122
02:54:40,320 --> 02:54:43,600
Speaker 1: is that a Jack the Rapper thingland New Music Seminar.

3123
02:54:45,040 --> 02:54:46,840
Speaker 1: Jay was with me and I turned and I said

3124
02:54:46,840 --> 02:54:48,440
Speaker 1: to him, by the way, this is the best MC

3125
02:54:48,600 --> 02:54:51,000
Speaker 1: in the world. Then we kept going with the m

3126
02:54:51,080 --> 02:54:54,400
Speaker 1: C battling. By that at the time of the by

3127
02:54:54,480 --> 02:54:58,240
Speaker 1: the time the battle was over, Grand Masters and Mellie

3128
02:54:58,320 --> 02:55:01,680
Speaker 1: Melwo off to the side of the state. And these

3129
02:55:01,720 --> 02:55:04,680
Speaker 1: are my guys, like the god known Grandmaster Kaz for

3130
02:55:05,240 --> 02:55:08,080
Speaker 1: a lot of my life and Mel for a lot

3131
02:55:08,120 --> 02:55:13,360
Speaker 1: of my originators. Yeah, yeah, was the first best MC ever.

3132
02:55:13,600 --> 02:55:14,520
Speaker 6: That's why I brought this up.

3133
02:55:14,879 --> 02:55:18,920
Speaker 1: So he says, Nigga, what the fuck is you talking about?

3134
02:55:19,040 --> 02:55:22,680
Speaker 1: And Mel was like, nigga, you see me staying there, like,

3135
02:55:22,760 --> 02:55:24,360
Speaker 1: how the fuck are you just gonna say some crazy

3136
02:55:24,360 --> 02:55:27,520
Speaker 1: ship like that? And you have to understand, like, these

3137
02:55:27,560 --> 02:55:30,360
Speaker 1: are guys that I have respect for, and I look

3138
02:55:30,400 --> 02:55:33,640
Speaker 1: at like, nah, you guys are the forefront of the culture.

3139
02:55:34,040 --> 02:55:38,360
Speaker 1: Think about this. If there's no message, there's no gangster rap.

3140
02:55:38,879 --> 02:55:41,680
Speaker 1: There's a lot of things no no, no, no, no,

3141
02:55:42,040 --> 02:55:44,800
Speaker 1: no no, A lot of things would have happened. But

3142
02:55:45,280 --> 02:55:48,039
Speaker 1: that was the record when he said what he said

3143
02:55:48,080 --> 02:55:49,200
Speaker 1: on the message, and the.

3144
02:55:49,240 --> 02:55:54,200
Speaker 11: Fact might have been called reality reality, but all is

3145
02:55:54,280 --> 02:55:55,280
Speaker 11: reality right right right right.

3146
02:55:55,440 --> 02:55:57,560
Speaker 1: So my thing is, if you don't hear this first

3147
02:55:57,640 --> 02:56:02,480
Speaker 1: reality rap record, do you ever get to CNN ever?

3148
02:56:02,640 --> 02:56:04,680
Speaker 1: Do you ever get to n w A, Do you

3149
02:56:04,800 --> 02:56:05,920
Speaker 1: ever get to Schoolly D?

3150
02:56:06,760 --> 02:56:06,800
Speaker 6: No?

3151
02:56:07,080 --> 02:56:11,960
Speaker 1: You don't the first reality rap record that that you

3152
02:56:12,120 --> 02:56:15,440
Speaker 1: can know that broke through and made it.

3153
02:56:15,520 --> 02:56:16,720
Speaker 2: They did white lines to right.

3154
02:56:17,280 --> 02:56:21,480
Speaker 1: Yeah, but that was after the message No, no, no, no,

3155
02:56:21,760 --> 02:56:25,040
Speaker 1: it's not that lineage don't matter. What matters is the

3156
02:56:25,200 --> 02:56:31,760
Speaker 1: message was made. People heard a child that ship this guy.

3157
02:56:32,480 --> 02:56:33,080
Speaker 17: No, no, no no.

3158
02:56:33,320 --> 02:56:36,280
Speaker 1: The bottom line is on a record, you heard pretty

3159
02:56:36,400 --> 02:56:39,160
Speaker 1: lady living in a bag. You know what I'm saying.

3160
02:56:39,280 --> 02:56:42,400
Speaker 1: You heard may tag, You heard all kinds of crazy

3161
02:56:42,480 --> 02:56:46,400
Speaker 1: shit on this one record that wasn't Yeah, We're gonna

3162
02:56:46,440 --> 02:56:48,360
Speaker 1: go to the party, were gonna botlems, We're gonna get

3163
02:56:48,400 --> 02:56:50,640
Speaker 1: drunk and we're gonna have a party, because every record

3164
02:56:50,680 --> 02:56:56,000
Speaker 1: before that was that until Melly Mellan Duke Booty made

3165
02:56:56,040 --> 02:57:03,160
Speaker 1: the message rap changes. I mean anything that anything that

3166
02:57:03,280 --> 02:57:06,240
Speaker 1: you would have said was reality became gangster rap, which

3167
02:57:06,280 --> 02:57:08,680
Speaker 1: is corny because it should all be called reality rap.

3168
02:57:09,959 --> 02:57:12,360
Speaker 6: After after you told him Jay was the best ever,

3169
02:57:13,160 --> 02:57:15,760
Speaker 6: what's going to be the best ever? How long after

3170
02:57:15,840 --> 02:57:17,119
Speaker 6: did they sit there and tell you that they.

3171
02:57:17,080 --> 02:57:21,920
Speaker 1: Agree with you? Oh? Maybe about about three years later.

3172
02:57:22,640 --> 02:57:27,640
Speaker 1: There was a there was a Zulu There was a

3173
02:57:27,760 --> 02:57:33,920
Speaker 1: Zulu anniversary conference, and the Bronx I was actually in

3174
02:57:33,959 --> 02:57:39,360
Speaker 1: Manhattan and Grandmaster Kas had a table in it where

3175
02:57:39,400 --> 02:57:48,560
Speaker 1: he was selling Grand h all of like like Grandmaster

3176
02:57:48,640 --> 02:57:54,760
Speaker 1: Cads had a table full of tapes of Phyllis, Phyllis four,

3177
02:57:54,959 --> 02:58:03,600
Speaker 1: Fantastic five, Furious five, Current Cat for sim C's Cold

3178
02:58:03,640 --> 02:58:07,320
Speaker 1: Crush Brothers. He had this table where he was selling

3179
02:58:07,480 --> 02:58:11,039
Speaker 1: actual cassette copies of the old school jams that were

3180
02:58:11,120 --> 02:58:15,160
Speaker 1: on tapes back in the days. At this at this

3181
02:58:16,080 --> 02:58:19,560
Speaker 1: at the Zulu Anniversary. And I walked into the Zulu

3182
02:58:19,640 --> 02:58:22,960
Speaker 1: Niversity and I see Kaz and I'm like, damn, I

3183
02:58:23,360 --> 02:58:25,080
Speaker 1: don't know if I could speak to my man, who

3184
02:58:25,120 --> 02:58:27,000
Speaker 1: I've known since I was a young boy, is he

3185
02:58:27,120 --> 02:58:28,280
Speaker 1: gonna still be like what up?

3186
02:58:28,320 --> 02:58:29,960
Speaker 2: And he was like, Yo, let me talk to you.

3187
02:58:30,560 --> 02:58:36,360
Speaker 1: And I'm like shit. So we go over to the side.

3188
02:58:36,360 --> 02:58:38,280
Speaker 1: He was like, Yo, I just want to tell you something. Man.

3189
02:58:39,879 --> 02:58:42,200
Speaker 1: He was right about jay Z. And I was like shit.

3190
02:58:44,120 --> 02:58:47,520
Speaker 1: So everything I was trying to tell y'all, tell y'all, like, dude,

3191
02:58:47,680 --> 02:58:50,440
Speaker 1: is like really that deal? Like nobody would listen to

3192
02:58:50,560 --> 02:58:54,400
Speaker 1: me and understand me. Like jay Z had come out

3193
02:58:54,920 --> 02:58:58,840
Speaker 1: second album, were rocking, nobody could tell me anything. You

3194
02:58:59,120 --> 02:59:00,600
Speaker 1: say what you want to say, feel how you want

3195
02:59:00,600 --> 02:59:02,800
Speaker 1: to feel. I knew I was right. Jay Z is

3196
02:59:02,879 --> 02:59:06,920
Speaker 1: killing it, and then Grandmaster says, who you was right

3197
02:59:06,959 --> 02:59:10,360
Speaker 1: about jay Z? To me that damn nar was my

3198
02:59:10,440 --> 02:59:14,640
Speaker 1: grammy because he's Grandmaster Kasz. He's the first MC that

3199
02:59:14,879 --> 02:59:19,440
Speaker 1: I looked at and was like, he's the best. Even

3200
02:59:19,520 --> 02:59:23,080
Speaker 1: though Ratt would look at Melly Mellon go he was

3201
02:59:23,160 --> 02:59:27,960
Speaker 1: the best. I looked at Katz and was like, I

3202
02:59:28,360 --> 02:59:32,440
Speaker 1: really like Melly Melo, but I think he's the best.

3203
02:59:33,920 --> 02:59:38,120
Speaker 1: So the first best MC came to me and said, yo,

3204
02:59:38,240 --> 02:59:42,320
Speaker 1: you was right about jay Z. Karas One tried to

3205
02:59:42,360 --> 02:59:44,240
Speaker 1: tell me I was bugging when I was talking about

3206
02:59:44,520 --> 02:59:47,920
Speaker 1: when I was talking about jay Z, he did.

3207
02:59:48,040 --> 02:59:52,039
Speaker 2: We was in the studio, we were at I never

3208
02:59:52,080 --> 02:59:54,199
Speaker 2: heard that he knew he was dope.

3209
02:59:56,640 --> 03:00:00,920
Speaker 1: One was making a record called five Boroughs and he

3210
03:00:01,160 --> 03:00:03,680
Speaker 1: was like, yeah, I'm gonna put the Dots effects Dots

3211
03:00:03,720 --> 03:00:05,680
Speaker 1: effects on it. I was like, yo, you sho, you

3212
03:00:05,680 --> 03:00:07,840
Speaker 1: should put jay Z on it. He was like why

3213
03:00:08,760 --> 03:00:11,360
Speaker 1: and I was like what, Like what the fuck are

3214
03:00:11,440 --> 03:00:16,400
Speaker 1: you talking about? Like I said, dog, jay Z is

3215
03:00:16,959 --> 03:00:18,199
Speaker 1: that nigga?

3216
03:00:18,400 --> 03:00:18,440
Speaker 11: Like?

3217
03:00:18,560 --> 03:00:20,920
Speaker 1: He was like, I don't know what you see clock

3218
03:00:21,800 --> 03:00:25,880
Speaker 1: And I was like, you from Brooklyn. Yeah, understand me.

3219
03:00:25,920 --> 03:00:28,360
Speaker 1: He was making a record called five Rows, so it

3220
03:00:28,400 --> 03:00:30,800
Speaker 1: would have been somebody from Brooklyn, you know, standing down

3221
03:00:30,879 --> 03:00:33,360
Speaker 1: in Queen's line. You know what I'm saying. He chose

3222
03:00:33,440 --> 03:00:35,600
Speaker 1: Dos and I was looking at him like, dog, I'm

3223
03:00:35,640 --> 03:00:38,120
Speaker 1: not mad at you choosing Dos because they're from Brooklyn,

3224
03:00:38,280 --> 03:00:40,880
Speaker 1: so I'm not mad period, but dog, like jay Z

3225
03:00:41,120 --> 03:00:43,440
Speaker 1: is an inferno, like you might want to use it.

3226
03:00:43,760 --> 03:00:45,640
Speaker 1: He was like why, I don't get it? And I

3227
03:00:45,760 --> 03:00:53,800
Speaker 1: was just like, what you put a bridge? He should

3228
03:00:53,840 --> 03:00:57,000
Speaker 1: have moved, like you know what I'm saying, like you what,

3229
03:00:57,240 --> 03:00:58,960
Speaker 1: what the fuck are you listening to? That? You can't

3230
03:00:59,000 --> 03:01:02,320
Speaker 1: say that dude is super nice, Like he's not nice

3231
03:01:02,360 --> 03:01:04,920
Speaker 1: on a regular level. He's like nice on the level

3232
03:01:04,959 --> 03:01:08,400
Speaker 1: that you can't even come close to, Like he's like

3233
03:01:08,560 --> 03:01:13,360
Speaker 1: nice somewhere else, like if there's an alternate Earth, Jay's

3234
03:01:13,400 --> 03:01:16,920
Speaker 1: there by himself. You know what I'm saying, Like, what

3235
03:01:17,040 --> 03:01:20,320
Speaker 1: the nicer you talking about? So when you say that

3236
03:01:20,520 --> 03:01:23,000
Speaker 1: to me, get to understand. I'm the guy who's standing

3237
03:01:23,080 --> 03:01:25,600
Speaker 1: in front going nah, nigga, you can't fuck with hole.

3238
03:01:26,440 --> 03:01:32,920
Speaker 1: But then you tell me that, like you what, come

3239
03:01:32,959 --> 03:01:35,040
Speaker 1: on and stop it? Then you deserve a smack on

3240
03:01:35,080 --> 03:01:39,680
Speaker 1: the hand for that, like, let your jealousy together the way.

3241
03:01:48,640 --> 03:01:56,680
Speaker 14: I like that.

3242
03:01:57,000 --> 03:02:01,880
Speaker 1: Man, you don't know what you was talking about? Do

3243
03:02:01,959 --> 03:02:04,160
Speaker 1: you will tell them what that? Tell him?

3244
03:02:05,959 --> 03:02:08,640
Speaker 2: Just tell him, no, just tell him.

3245
03:02:11,480 --> 03:02:19,520
Speaker 1: Fuck. I'm like, fuck my nigga, Yeah, fuck, can't there's

3246
03:02:20,640 --> 03:02:27,680
Speaker 1: anything better? Then we keep continue to praise and respect

3247
03:02:30,480 --> 03:02:34,480
Speaker 1: and your presence has rung us to the drink champs.

3248
03:02:35,560 --> 03:02:39,120
Speaker 1: And we love you. We love everything you represent. You

3249
03:02:39,200 --> 03:02:42,600
Speaker 1: love everything you had a part to be a part of.

3250
03:02:43,160 --> 03:02:48,640
Speaker 1: And you are you doing? Yo? Come on, guys, guy.

3251
03:02:50,000 --> 03:02:50,560
Speaker 2: Talk over here.

3252
03:02:50,640 --> 03:02:54,800
Speaker 1: Man. You love everything that Clark Kent is a part

3253
03:02:54,920 --> 03:02:58,240
Speaker 1: of the work. Clark Kent, He's sitting here like a

3254
03:02:59,120 --> 03:03:06,120
Speaker 1: red devil blood God the fuck are you talking about

3255
03:03:06,240 --> 03:03:09,840
Speaker 1: right now? You know you're in the gang world, yo.

3256
03:03:10,040 --> 03:03:12,480
Speaker 1: I guess because I would like to say Norway, thanks

3257
03:03:12,520 --> 03:03:16,160
Speaker 1: for having me, Maya, thanks for for for for Convict

3258
03:03:17,560 --> 03:03:20,080
Speaker 1: and EFN you know you, my nigga. I don't know

3259
03:03:20,120 --> 03:03:22,560
Speaker 1: what the funck he is talking about right now? What

3260
03:03:22,800 --> 03:03:26,200
Speaker 1: gangs like? Thank you for having me? You went to the.

3261
03:03:28,920 --> 03:03:33,160
Speaker 2: House then put your album?

3262
03:03:33,959 --> 03:03:38,200
Speaker 1: Can't thank you for being here? You want a blame Chancellor,

3263
03:03:38,360 --> 03:03:43,240
Speaker 1: m me, you wanted to work. Verse very first people

3264
03:03:44,000 --> 03:03:48,520
Speaker 1: who sat down with me and told me relas so

3265
03:03:48,640 --> 03:03:52,840
Speaker 1: you had to make a record six hundred balls. Wait,

3266
03:03:53,920 --> 03:03:58,160
Speaker 1: y'all need to do a record together. Now you got

3267
03:03:58,280 --> 03:04:04,040
Speaker 1: ala ship the work. Let's have that happened, like I

3268
03:04:04,120 --> 03:04:08,560
Speaker 1: love that's we're doing it already. All right then I'm

3269
03:04:08,560 --> 03:04:16,279
Speaker 1: a fucking prophet. You gotta relax. I don't be honest,

3270
03:04:16,400 --> 03:04:19,440
Speaker 1: I don't cigarette. I'm no a no talk. I'm not

3271
03:04:19,480 --> 03:04:24,560
Speaker 1: going just trust me. I'm not the manager. But no, no,

3272
03:04:26,240 --> 03:04:28,400
Speaker 1: thank you so much, thank you for having me, Bro,

3273
03:04:28,800 --> 03:04:31,560
Speaker 1: Thank you your man. I know this is a pleasure.

3274
03:04:31,600 --> 03:04:34,680
Speaker 10: Was to thank you for having it one year anniversary.

3275
03:04:34,920 --> 03:04:44,520
Speaker 10: I'm advisity nice, Okay, thank you so much. I appreciate you.

3276
03:04:44,879 --> 03:04:48,560
Speaker 1: Listen, I just want to say thank you for having

3277
03:04:49,440 --> 03:04:53,320
Speaker 1: me here. And it's an honor to be your one

3278
03:04:53,400 --> 03:04:54,960
Speaker 1: year anniversary guests.

3279
03:04:55,200 --> 03:04:58,480
Speaker 2: Let's take let's take a shout to that no shot.

3280
03:05:00,080 --> 03:05:02,280
Speaker 1: Up yo. Let you know, lets you know you're from

3281
03:05:02,320 --> 03:05:05,680
Speaker 1: the Brolet's mind, you know what's just no, no, no,

3282
03:05:05,879 --> 03:05:09,760
Speaker 1: I officially ain't ship for real. No, you really take this,

3283
03:05:10,400 --> 03:05:13,320
Speaker 1: y'all have taken not taking a shot y'all, ain't you

3284
03:05:13,360 --> 03:05:16,600
Speaker 1: gotta ship? Cluck. You gotta walk away from just take

3285
03:05:18,040 --> 03:05:20,240
Speaker 1: want we gotta take pictures. Then you gotta take pictures.

3286
03:05:20,840 --> 03:05:21,040
Speaker 2: Do this.

3287
03:05:21,400 --> 03:05:25,000
Speaker 1: We're gonna take pictures that you want. I'm not taking

3288
03:05:25,120 --> 03:05:32,080
Speaker 1: make some mo clock came away. Let that go, Let

3289
03:05:32,200 --> 03:05:35,120
Speaker 1: that go, Let that go, yes, sir, let that go

3290
03:05:38,280 --> 03:05:38,440
Speaker 6: Here,