1 00:00:01,760 --> 00:00:04,439 Speaker 1: And that's what you really missed with Jenna. 2 00:00:04,480 --> 00:00:07,119 Speaker 2: And Kevin an iHeartRadio podcast. 3 00:00:09,039 --> 00:00:11,400 Speaker 1: Welcome to you, and That's what you really miss podcast. 4 00:00:12,160 --> 00:00:17,680 Speaker 1: Hello Kevin, Moving Out, Hi Jenna. This is season five, 5 00:00:17,680 --> 00:00:20,560 Speaker 1: episode six, and this is Moving Out, Moving Out. 6 00:00:20,680 --> 00:00:23,400 Speaker 2: Billy Jenna is a gigantic Billy Joel fan. 7 00:00:25,760 --> 00:00:27,560 Speaker 1: And didn't get to sing a song. 8 00:00:28,840 --> 00:00:29,680 Speaker 2: Classic Tina. 9 00:00:30,400 --> 00:00:33,640 Speaker 1: It's fine. But I will say before we watched this, 10 00:00:33,720 --> 00:00:35,479 Speaker 1: I was like, Oh, I don't know about this episode. 11 00:00:35,520 --> 00:00:38,600 Speaker 1: I don't know how I feel about this episode. It's 12 00:00:38,640 --> 00:00:40,879 Speaker 1: because I was I think I was bitter than I 13 00:00:40,920 --> 00:00:43,400 Speaker 1: didn't sing a song on this because I'm a huge 14 00:00:43,400 --> 00:00:45,600 Speaker 1: Billy Joel fan. Grew up listening to Billy Joel and 15 00:00:45,640 --> 00:00:49,200 Speaker 1: my dad That's how he introduced new music. Was literally 16 00:00:49,240 --> 00:00:52,480 Speaker 1: like motown and Billy Joel because I'm from life. So 17 00:00:52,600 --> 00:00:55,080 Speaker 1: everybody's a Billy Joel fan on Long Island. So it 18 00:00:55,160 --> 00:00:57,800 Speaker 1: was a little like Long Island represent But it's okay, 19 00:00:57,960 --> 00:00:59,680 Speaker 1: it's okay. It's a great episode. 20 00:01:00,600 --> 00:01:03,760 Speaker 2: It was I know. I was pleasantly surprised. 21 00:01:04,160 --> 00:01:04,399 Speaker 1: Same. 22 00:01:05,000 --> 00:01:08,520 Speaker 2: So this originally aired on November twenty first, twenty thirteen. 23 00:01:08,720 --> 00:01:10,480 Speaker 2: The number one song in the country was Still Royals 24 00:01:10,480 --> 00:01:12,680 Speaker 2: by Lord crushing. It wasn't she like sixteen? 25 00:01:13,319 --> 00:01:17,320 Speaker 1: Yeah, she was still young Geane that was crazy And 26 00:01:17,680 --> 00:01:19,679 Speaker 1: the number one movie was Still Through the Dark World, 27 00:01:19,680 --> 00:01:22,720 Speaker 1: which we all know that I've seen. 28 00:01:24,000 --> 00:01:27,240 Speaker 2: Shocking in the Glean News this week. On November nineteenth, 29 00:01:27,280 --> 00:01:30,880 Speaker 2: the Moving Out EP was released, featuring seven tracks from 30 00:01:30,920 --> 00:01:33,920 Speaker 2: this episode season five, episode six. The EP was primarily 31 00:01:33,959 --> 00:01:37,440 Speaker 2: made available for digital download. The physical CD version was 32 00:01:37,480 --> 00:01:41,040 Speaker 2: released in Japan and included all the other Billy Joel 33 00:01:41,080 --> 00:01:43,319 Speaker 2: songs that were already sung on the show as bonus tracks, 34 00:01:43,560 --> 00:01:46,520 Speaker 2: including Only the Good Die, Young Uptown Girl, New York, 35 00:01:46,560 --> 00:01:48,120 Speaker 2: State of Mind, and Longest Time. 36 00:01:48,480 --> 00:01:53,440 Speaker 1: Wow, We've done a lot about. Also on the nineteenth, 37 00:01:53,480 --> 00:01:56,520 Speaker 1: the cast and crew celebrated the filming of Glee's six 38 00:01:57,000 --> 00:02:01,680 Speaker 1: hundredth musical. Member was Whenever I Call you friend, Do 39 00:02:01,720 --> 00:02:05,960 Speaker 1: you remember that? I did not. I don't either, because 40 00:02:06,360 --> 00:02:08,720 Speaker 1: there's pictures of us holding me the six hundred sign. 41 00:02:08,840 --> 00:02:12,120 Speaker 1: It's it's performed by Jenna and Kevin. Season five, episode 42 00:02:12,200 --> 00:02:14,360 Speaker 1: nine in front of mees. I'll never forget. I'm obviously 43 00:02:14,560 --> 00:02:21,040 Speaker 1: doing that number. But yes, it's it's funny because I 44 00:02:21,080 --> 00:02:23,360 Speaker 1: don't remember it, but I do. I don't. 45 00:02:23,600 --> 00:02:26,720 Speaker 2: I mean so there's pictures here, Like the celebration looked 46 00:02:26,760 --> 00:02:30,680 Speaker 2: like it was back on the choir room set, So 47 00:02:30,800 --> 00:02:33,280 Speaker 2: I don't think we celebrated it. Like when we were 48 00:02:33,280 --> 00:02:34,840 Speaker 2: filming our number. 49 00:02:35,080 --> 00:02:38,639 Speaker 1: Well, we started whenever I Call you friend in the hallway, Kevin. Oh, 50 00:02:39,040 --> 00:02:42,840 Speaker 1: and the choir choose this set because don't they do 51 00:02:42,880 --> 00:02:48,000 Speaker 1: the oohs and ahs in the hallway? Oh my god? Yeah, right, yeah, 52 00:02:48,200 --> 00:02:51,520 Speaker 1: I remember the celebration at all. But we come in, 53 00:02:51,560 --> 00:02:53,280 Speaker 1: I come in with the lunch, and we have lunch, 54 00:02:53,320 --> 00:02:54,600 Speaker 1: and then we do want to run with your friends, 55 00:02:54,639 --> 00:02:58,440 Speaker 1: So maybe no one moves around. Okay, that's my thought. 56 00:02:58,880 --> 00:03:00,640 Speaker 2: I remember the song separately. I just remember, like the 57 00:03:00,639 --> 00:03:02,840 Speaker 2: song in the auditorium. For some reason, it ends in 58 00:03:02,880 --> 00:03:07,160 Speaker 2: the choir room. Okay, very exciting, six hundredth number. 59 00:03:07,680 --> 00:03:11,600 Speaker 1: Wow, we got one. That's one of my favorites. I know, 60 00:03:11,680 --> 00:03:14,079 Speaker 1: I love that one. I'm very excited for that episode. 61 00:03:14,680 --> 00:03:16,880 Speaker 1: This was directed by one and only Brad Felchuk and 62 00:03:16,919 --> 00:03:19,960 Speaker 1: written on paper by Roberto Aguire Sacassa. 63 00:03:20,280 --> 00:03:24,160 Speaker 2: Also, there's a very special guest star of this episode, 64 00:03:24,639 --> 00:03:26,440 Speaker 2: one Tyra Banks. 65 00:03:26,960 --> 00:03:31,440 Speaker 1: Oh my god. We were obsessed with Tyra on set. Obsessed. 66 00:03:31,919 --> 00:03:34,520 Speaker 2: See I mentioned this a couple months ago, and I 67 00:03:34,560 --> 00:03:37,280 Speaker 2: said something about Tyra Banks and whoever we were talking 68 00:03:37,280 --> 00:03:38,560 Speaker 2: to her like she wasn't on the show. 69 00:03:38,560 --> 00:03:41,560 Speaker 1: I was like, yes, she was. That. 70 00:03:41,760 --> 00:03:46,160 Speaker 2: I remember obsessed because I remember walking over to the 71 00:03:46,200 --> 00:03:51,680 Speaker 2: set and just being like, Hey, how's it going a 72 00:03:51,800 --> 00:03:53,360 Speaker 2: trek I could find tyr Banks. 73 00:03:53,600 --> 00:03:57,200 Speaker 1: She was very funny. Court and were very funny. Yeah. Also, 74 00:03:57,760 --> 00:03:59,720 Speaker 1: these are all Billy Joel songs, and there's a lot 75 00:03:59,760 --> 00:04:04,000 Speaker 1: of them. We do move an out. Anthony's Song performed 76 00:04:04,000 --> 00:04:05,080 Speaker 1: by Blaine and Sam. 77 00:04:05,200 --> 00:04:08,920 Speaker 2: Video Piano Man for the second time. You're reminding us 78 00:04:09,000 --> 00:04:12,840 Speaker 2: right before we started recording that Piano Man was selling before. 79 00:04:13,280 --> 00:04:15,520 Speaker 1: I just don't know that it was released. Maybe that's 80 00:04:15,520 --> 00:04:19,360 Speaker 1: what it was. It wasn't released. At the Bar Drunkenly 81 00:04:19,880 --> 00:04:21,560 Speaker 1: My Life performed by Jake. 82 00:04:25,320 --> 00:04:27,320 Speaker 2: Honestly performed by Artie. 83 00:04:27,600 --> 00:04:30,080 Speaker 1: An Innocent Man performed by writer Just. 84 00:04:30,040 --> 00:04:33,559 Speaker 2: The Way You Are performed by Blaine Kurtz, Rachel, Sam 85 00:04:33,560 --> 00:04:34,800 Speaker 2: and Santana. 86 00:04:34,720 --> 00:04:36,360 Speaker 1: And You May Be Rite performed by Will. 87 00:04:37,360 --> 00:04:38,839 Speaker 2: What's your favorite Billy Joel song? 88 00:04:42,520 --> 00:04:44,400 Speaker 1: It's like Sophie's choice. 89 00:04:44,640 --> 00:04:46,000 Speaker 2: Okay, what's your name? 90 00:04:46,120 --> 00:04:51,520 Speaker 1: Three Summer Highland Falls, River of Dreams is one of them. 91 00:04:51,800 --> 00:04:54,839 Speaker 1: Pressure is one of them. Innocent Man is one of them. 92 00:04:55,400 --> 00:04:56,800 Speaker 2: I love how much you love Billy Joel? 93 00:04:58,120 --> 00:05:00,840 Speaker 1: Have you seen him live a lot? Here's my first 94 00:05:00,839 --> 00:05:05,000 Speaker 1: concert at the Dueling Pianos with the John all the Metalands. 95 00:05:05,240 --> 00:05:07,320 Speaker 1: Is a pretty good concert to go to for your 96 00:05:07,320 --> 00:05:14,120 Speaker 1: first concert. Yeah, it was dope, incredible. I saw him again. 97 00:05:14,279 --> 00:05:18,200 Speaker 1: My brother and I went when he was doing his residency, 98 00:05:18,440 --> 00:05:21,800 Speaker 1: his very long residency at MSG, probably in like twenty fifteen. 99 00:05:21,960 --> 00:05:26,800 Speaker 1: We went and saw him. We got floor seats, and 100 00:05:26,839 --> 00:05:29,320 Speaker 1: this guy next to me was like, how old are you? 101 00:05:29,600 --> 00:05:32,600 Speaker 1: Because we were singing all the songs? And the guy 102 00:05:32,640 --> 00:05:34,839 Speaker 1: asked how old we were because I was, because he's like, 103 00:05:34,880 --> 00:05:37,359 Speaker 1: you're too young to be a Billy Joel fan, Elsa, 104 00:05:37,520 --> 00:05:41,920 Speaker 1: you are wrong. What's your favorite Billy Joel sung? Are 105 00:05:41,960 --> 00:05:47,839 Speaker 1: you a fan of Billy Joel? Yeah, okay, you don't 106 00:05:47,839 --> 00:05:50,400 Speaker 1: have to answer that. This is the tenth time that 107 00:05:50,480 --> 00:05:54,159 Speaker 1: the episode is named after a song sung and the 108 00:05:54,200 --> 00:05:58,120 Speaker 1: others being home dream on silly love songs. Blame it 109 00:05:58,160 --> 00:06:02,680 Speaker 1: on the alcohol. I know that's right, Sister girl. Extraordinary 110 00:06:02,680 --> 00:06:05,360 Speaker 1: Merry Christmas, Diva and All or Nothing Wow. 111 00:06:05,640 --> 00:06:08,400 Speaker 2: The college program that Becky applies for at the University 112 00:06:08,440 --> 00:06:11,440 Speaker 2: of Cincinnati, called the Transition Access Program, is an actual 113 00:06:11,480 --> 00:06:15,080 Speaker 2: program offered by the college for individuals with intellectual and 114 00:06:15,200 --> 00:06:16,520 Speaker 2: or developmental disabilities. 115 00:06:16,560 --> 00:06:20,200 Speaker 1: Oh, I didn't know that. Billy Joel commented on the 116 00:06:20,279 --> 00:06:22,719 Speaker 1: use of his music on the show, saying, honestly, I've 117 00:06:22,720 --> 00:06:24,560 Speaker 1: never seen this show. I'm one of those guys who 118 00:06:24,560 --> 00:06:27,279 Speaker 1: watches the History Channel and I watched the news and 119 00:06:27,320 --> 00:06:29,760 Speaker 1: I watched documentaries. But I'm very happy that my material 120 00:06:29,800 --> 00:06:31,880 Speaker 1: is being done by people of that age group and 121 00:06:31,920 --> 00:06:34,880 Speaker 1: that I guess it has meaning for them. Yes, yes, sir, 122 00:06:34,960 --> 00:06:35,960 Speaker 1: it does. Yeah. 123 00:06:36,120 --> 00:06:38,720 Speaker 2: I think that is probably so someone who has accomplished 124 00:06:39,000 --> 00:06:42,880 Speaker 2: everything under the sun, like he has like what an 125 00:06:42,920 --> 00:06:45,680 Speaker 2: extra like random thing. It's like, sure, here's a whole 126 00:06:45,680 --> 00:06:47,440 Speaker 2: new generation listening to your music. 127 00:06:47,680 --> 00:06:49,719 Speaker 1: No, I agree. This is like the purpose of what 128 00:06:49,760 --> 00:06:52,920 Speaker 1: we love about Glee so much is like these generations 129 00:06:53,120 --> 00:06:56,680 Speaker 1: of people who kids who didn't weren't exposed to this 130 00:06:56,800 --> 00:07:01,560 Speaker 1: kind of music being able to be have have it. 131 00:07:01,640 --> 00:07:03,520 Speaker 1: And then also for me, for like somebody who grew 132 00:07:03,560 --> 00:07:06,360 Speaker 1: up with him that wouldn't be his normal generation of 133 00:07:06,480 --> 00:07:10,920 Speaker 1: fan base that like, it absolutely has the most meaning 134 00:07:11,000 --> 00:07:12,600 Speaker 1: to me. I think this is why I was so 135 00:07:12,680 --> 00:07:15,080 Speaker 1: upsetting to saying Billy. It has like such a deep 136 00:07:16,600 --> 00:07:19,760 Speaker 1: meaning of like my family and you know of the 137 00:07:19,840 --> 00:07:22,640 Speaker 1: music that I was brought up on. But what gets sweet. 138 00:07:25,360 --> 00:07:27,680 Speaker 1: Despite Kurt getting a tongue piercing in the end of Tork, 139 00:07:28,120 --> 00:07:32,880 Speaker 1: it is not shown or mentioned at all. Maybe it 140 00:07:32,920 --> 00:07:35,840 Speaker 1: was fake, like Rachel's wig haircut. 141 00:07:36,320 --> 00:07:38,480 Speaker 2: This is a third episode where Blaine sings a solo, 142 00:07:38,600 --> 00:07:41,560 Speaker 2: a duet, and a group number, but Tina couldn't get 143 00:07:41,560 --> 00:07:45,000 Speaker 2: one song, the first being Dynamic Duets and the second 144 00:07:45,000 --> 00:07:49,040 Speaker 2: being Love Love Love. Coincidentally, at least one duet and 145 00:07:49,360 --> 00:07:50,840 Speaker 2: one group song featureds him. 146 00:07:51,520 --> 00:07:54,080 Speaker 1: It's fine, I was on the group numbers and I've 147 00:07:54,120 --> 00:07:56,080 Speaker 1: just gotten a bunch of episodes, so I can't complain. 148 00:07:56,360 --> 00:07:58,680 Speaker 1: This episode marks the first appearance of Millie Rolls in 149 00:07:58,760 --> 00:08:01,400 Speaker 1: season five, and her last appearance in the series. 150 00:08:01,440 --> 00:08:04,960 Speaker 2: Wow and I Thought again per usual, Just so wonderful, 151 00:08:05,440 --> 00:08:09,800 Speaker 2: wonderful Thanks. Moving Out Anthony song is the third song 152 00:08:09,840 --> 00:08:12,440 Speaker 2: where characters sing a song when they come to New York, 153 00:08:12,560 --> 00:08:15,520 Speaker 2: the others being Rachel singing Roots Before Branches and Santana's 154 00:08:15,520 --> 00:08:16,480 Speaker 2: singing Girl on Fire. 155 00:08:17,280 --> 00:08:19,760 Speaker 1: Moving Out. Anthony's song is also in the second song 156 00:08:19,760 --> 00:08:22,320 Speaker 1: where character sings a song while they're on transportation to 157 00:08:22,400 --> 00:08:25,120 Speaker 1: New York. The first was Rachel singing Roots before Ranches. 158 00:08:25,320 --> 00:08:28,520 Speaker 2: And like we mentioned a little bit ago in season 159 00:08:28,520 --> 00:08:33,079 Speaker 2: one episode nineteen, dream On, Brian, Ryan and pH and 160 00:08:33,120 --> 00:08:35,520 Speaker 2: Will Shuster sing Piano Man at the Bar together. 161 00:08:37,040 --> 00:08:39,720 Speaker 1: Oh and this also marks the last time Ryder sings 162 00:08:39,760 --> 00:08:45,520 Speaker 1: on this season and on the show What Wild Weird. 163 00:08:45,920 --> 00:08:48,600 Speaker 2: It's all happening so fast, No truly. 164 00:08:56,760 --> 00:08:57,040 Speaker 1: Okay. 165 00:08:57,040 --> 00:08:59,920 Speaker 2: This episode the new direction's pay homage to the piano 166 00:09:00,200 --> 00:09:03,440 Speaker 2: Billy Joel as graduation looms closer and the seniors make 167 00:09:03,520 --> 00:09:05,640 Speaker 2: plans for their futures be on the halls of McKinley. 168 00:09:06,000 --> 00:09:08,840 Speaker 2: I love the recap at the beginning when Ian is 169 00:09:08,840 --> 00:09:12,440 Speaker 2: talking about this is the longest year in Glee history, 170 00:09:13,320 --> 00:09:14,160 Speaker 2: longest school year. 171 00:09:15,080 --> 00:09:18,520 Speaker 1: So true. Okay, it's Billy Joel week. 172 00:09:18,920 --> 00:09:21,679 Speaker 2: That's the assignment. It relates to us because you know, 173 00:09:21,720 --> 00:09:24,160 Speaker 2: he's no stranger to struggling to make it. And there's 174 00:09:24,160 --> 00:09:27,319 Speaker 2: a career fair and everybody's got to figure out what 175 00:09:27,360 --> 00:09:29,480 Speaker 2: they want to do. And there's this whole little tiff 176 00:09:29,640 --> 00:09:34,040 Speaker 2: between Sue and Will perused because there's no jobs in 177 00:09:34,080 --> 00:09:37,720 Speaker 2: the arts and entertainment and Will is calling her out 178 00:09:37,720 --> 00:09:41,840 Speaker 2: on it, and therefore we do Billy Joel to represent 179 00:09:41,960 --> 00:09:45,079 Speaker 2: how you can be successful and go through the struggle 180 00:09:45,400 --> 00:09:46,880 Speaker 2: and someone who has done it and come out on 181 00:09:46,920 --> 00:09:47,560 Speaker 2: the other side. 182 00:09:48,640 --> 00:09:52,319 Speaker 1: Correct, Will would be the one to champion for us 183 00:09:52,320 --> 00:09:57,280 Speaker 1: to follow our dreams and do whatever we want to do. Now, 184 00:09:57,679 --> 00:10:00,480 Speaker 1: the boys are going to go away, Sam and Blaine. 185 00:10:00,880 --> 00:10:03,480 Speaker 1: I was like, where are they going? Are going to 186 00:10:03,600 --> 00:10:06,760 Speaker 1: New York? I totally forgot this happened. Blaine has an 187 00:10:06,800 --> 00:10:11,839 Speaker 1: audition for Niada and Sam is going for an interview 188 00:10:11,880 --> 00:10:17,240 Speaker 1: at Hunter College for their theater program. And they sing 189 00:10:17,360 --> 00:10:21,800 Speaker 1: a song, a farewell song if you will to take 190 00:10:21,840 --> 00:10:25,040 Speaker 1: them to New York from Lima for the week. So 191 00:10:25,120 --> 00:10:27,360 Speaker 1: they do moveing out love this number. 192 00:10:27,679 --> 00:10:30,199 Speaker 2: Yeah, they do a great little number. 193 00:10:30,600 --> 00:10:33,240 Speaker 1: I like this. I do think it's funny, the transportation 194 00:10:33,600 --> 00:10:34,120 Speaker 1: of it all. 195 00:10:35,400 --> 00:10:37,720 Speaker 2: Yes, And they come up and they're in the back 196 00:10:38,240 --> 00:10:42,920 Speaker 2: lot of Paramount, still in LA They're actually about one 197 00:10:43,000 --> 00:10:44,760 Speaker 2: hundred feet from where they filmed the other scene. 198 00:10:46,679 --> 00:10:51,720 Speaker 1: Blaine is going to audition for Niada and they all 199 00:10:51,720 --> 00:10:52,920 Speaker 1: go stay with Curt and Rachel. 200 00:10:53,559 --> 00:10:56,320 Speaker 2: I love when they walked into the apartment. If anybody 201 00:10:56,440 --> 00:10:58,640 Speaker 2: watches this, you need to watch the scene where they 202 00:10:58,760 --> 00:11:02,240 Speaker 2: enter the apartment and watch an his reaction because she 203 00:11:02,400 --> 00:11:04,600 Speaker 2: is simply acting to nobody. 204 00:11:04,400 --> 00:11:07,079 Speaker 1: A shower gap and clapping. 205 00:11:07,000 --> 00:11:11,120 Speaker 2: Like feigning like talking to about clearly not talking to anybody. 206 00:11:10,720 --> 00:11:12,720 Speaker 1: And it's great, it's really funny. 207 00:11:12,760 --> 00:11:16,480 Speaker 2: She's like, I'm going to get this scene. Yeah, real, 208 00:11:16,600 --> 00:11:17,439 Speaker 2: we get this done. 209 00:11:17,720 --> 00:11:23,360 Speaker 1: Always does. So Blaine is afraid. He tells Kurt he 210 00:11:23,400 --> 00:11:28,920 Speaker 1: wants to potentially go and pursue teaching or lower the 211 00:11:28,960 --> 00:11:30,920 Speaker 1: other professional stud he said, being a doctor. 212 00:11:31,000 --> 00:11:34,920 Speaker 2: I did love his confession of his hobby of wanting 213 00:11:34,960 --> 00:11:37,280 Speaker 2: to be a doctor and Ghostro's whole history of it, 214 00:11:38,080 --> 00:11:41,000 Speaker 2: which was really funny. It was funny and sweet, and 215 00:11:41,120 --> 00:11:43,120 Speaker 2: Kurt just like, can you get it to get there? 216 00:11:43,600 --> 00:11:45,959 Speaker 1: I also thought like, okay, if he doesn't want to 217 00:11:45,960 --> 00:11:48,480 Speaker 1: pursue musical theater, if he wants to pursue it and 218 00:11:48,520 --> 00:11:52,520 Speaker 1: go study something else, that's also cool. I'm an advocate 219 00:11:52,559 --> 00:11:52,800 Speaker 1: for that. 220 00:11:53,080 --> 00:11:54,760 Speaker 2: And Kurt is also I feel like I don't know 221 00:11:54,800 --> 00:11:56,400 Speaker 2: what's going to come out of his mouth these days, 222 00:11:57,040 --> 00:12:00,720 Speaker 2: right right, and like they were calling him boring in 223 00:12:00,760 --> 00:12:06,000 Speaker 2: the episode and all these things like he's changing, he's 224 00:12:06,080 --> 00:12:07,800 Speaker 2: being different, and like I don't know how he's going 225 00:12:07,840 --> 00:12:10,600 Speaker 2: to react to Blaine maybe wanting to do something else right, 226 00:12:12,080 --> 00:12:15,439 Speaker 2: and also telling him encouraging him not to have backup schools. 227 00:12:16,840 --> 00:12:20,360 Speaker 1: Wow, it was wild. It is kind of crazy. It 228 00:12:20,440 --> 00:12:26,040 Speaker 1: is crazy, I will say. Also, by when I went 229 00:12:26,120 --> 00:12:29,640 Speaker 1: to school performing art school, they said, if you have 230 00:12:29,720 --> 00:12:37,040 Speaker 1: a backup, you'll end up doing it. Really, Yeah, so 231 00:12:38,320 --> 00:12:40,840 Speaker 1: we went. I went to a performing art school and 232 00:12:41,440 --> 00:12:46,480 Speaker 1: I highly regarded. We did like nine performance productions a year, Shakespeare, 233 00:12:46,600 --> 00:12:51,920 Speaker 1: dance shows, dramas, nine musicals. Yeah, your two musicals a year, 234 00:12:52,720 --> 00:12:57,280 Speaker 1: a Shakespeare show, a play, a dance concert. It was crazy. 235 00:12:57,800 --> 00:13:02,760 Speaker 1: And look, I think there's something to it. That's that 236 00:13:03,080 --> 00:13:06,120 Speaker 1: is true, right, Like, yeah, this is a very hard 237 00:13:06,160 --> 00:13:09,080 Speaker 1: business and if you have something to fall back on, 238 00:13:09,120 --> 00:13:14,960 Speaker 1: you probably will. But we have a lot of successful 239 00:13:14,960 --> 00:13:18,760 Speaker 1: people that came out of our school, and I don't know, 240 00:13:18,880 --> 00:13:22,920 Speaker 1: I just feel like if I pursued something else, maybe 241 00:13:23,120 --> 00:13:25,360 Speaker 1: maybe I would have done it, and maybe I would 242 00:13:25,360 --> 00:13:27,640 Speaker 1: have been really happy doing it. I don't know. They're 243 00:13:27,679 --> 00:13:29,480 Speaker 1: just it's like, I think the world is your oyster, 244 00:13:29,559 --> 00:13:32,800 Speaker 1: and you deserve to be able to like experience it 245 00:13:32,880 --> 00:13:35,319 Speaker 1: all and not just be like eating and drinking and 246 00:13:35,559 --> 00:13:39,160 Speaker 1: sleeping and breathing musical theater, and that's the only way 247 00:13:39,160 --> 00:13:41,600 Speaker 1: you can make it. Maybe that's because I'm a mother 248 00:13:41,679 --> 00:13:43,560 Speaker 1: now and I just don't want my child to struggle 249 00:13:43,600 --> 00:13:45,840 Speaker 1: with this industry that Like, I feel that way, but 250 00:13:46,360 --> 00:13:51,560 Speaker 1: I I see both sides to it. But anyway, that's 251 00:13:51,559 --> 00:13:53,720 Speaker 1: what I was told. So that's why I'm like, Oh, 252 00:13:53,760 --> 00:13:55,680 Speaker 1: that's it's not so surprising to me. 253 00:13:56,360 --> 00:14:00,120 Speaker 2: I mean, that makes complete sense to me. I think. 254 00:14:01,920 --> 00:14:04,280 Speaker 2: I mean, I did that for myself. I literally can't 255 00:14:04,280 --> 00:14:08,120 Speaker 2: do anything else. There is no backup plan, right, same, 256 00:14:08,400 --> 00:14:15,320 Speaker 2: But yeah, to give that advice as somebody else feels 257 00:14:15,440 --> 00:14:18,200 Speaker 2: very Yeah, like I don't think I could. 258 00:14:19,640 --> 00:14:22,160 Speaker 1: It's just the numbers, or I get it, the volume 259 00:14:22,200 --> 00:14:25,720 Speaker 1: of people who want it so badly. Yeah. Or maybe 260 00:14:25,720 --> 00:14:27,520 Speaker 1: it's just that if you find something else you really love, 261 00:14:27,560 --> 00:14:30,160 Speaker 1: you could do that too. I don't know. Don't listen 262 00:14:30,240 --> 00:14:35,440 Speaker 1: to us anyway. That's not the case. In Blaine's situation, 263 00:14:35,680 --> 00:14:39,080 Speaker 1: he is just actually afraid. But Kurt's going to get 264 00:14:39,120 --> 00:14:43,320 Speaker 1: him to get up in front of everybody at the 265 00:14:43,440 --> 00:14:47,800 Speaker 1: diner and perform. So he's going to do piano. Man, 266 00:14:47,880 --> 00:14:51,000 Speaker 1: he just willingly just gets up and sits there. 267 00:14:51,120 --> 00:14:54,880 Speaker 2: I love's reaction to just being like, oh my god, 268 00:14:55,000 --> 00:14:57,480 Speaker 2: really are we really doing this? 269 00:14:59,000 --> 00:14:59,360 Speaker 1: We are? 270 00:15:00,000 --> 00:15:02,200 Speaker 2: I love the diner, though, I really do like I 271 00:15:02,200 --> 00:15:06,960 Speaker 2: want more time at the diner. It's the new choir room. 272 00:15:07,120 --> 00:15:09,680 Speaker 1: I love it. I'm here for it. Yes, it is 273 00:15:09,720 --> 00:15:14,080 Speaker 1: the new choir room. It was brilliant to like incorporate 274 00:15:14,120 --> 00:15:19,600 Speaker 1: like Yell and Stardust Diner, Gley World, brilliant. You needed 275 00:15:19,600 --> 00:15:21,160 Speaker 1: a place other than the law for them to be 276 00:15:21,200 --> 00:15:23,560 Speaker 1: able to perform. That made sense, you know what I mean, 277 00:15:24,040 --> 00:15:26,520 Speaker 1: And to try out their music just like Piano Man 278 00:15:26,800 --> 00:15:28,160 Speaker 1: by Blaine, and. 279 00:15:28,040 --> 00:15:30,360 Speaker 2: It makes sense. It's natural, it's organic that that's what 280 00:15:30,400 --> 00:15:32,880 Speaker 2: they do there, So calling someone like Blaine up there 281 00:15:33,000 --> 00:15:33,440 Speaker 2: makes sense. 282 00:15:34,200 --> 00:15:36,880 Speaker 1: I love Blaine. I thought he did a great job. 283 00:15:37,440 --> 00:15:38,960 Speaker 1: I don't know how many times we can put Blaine 284 00:15:39,000 --> 00:15:40,680 Speaker 1: in front of a piano and just call it a number. 285 00:15:42,600 --> 00:15:45,680 Speaker 2: I also feel like Piano Man maybe deserved more of 286 00:15:45,760 --> 00:15:46,760 Speaker 2: a production. 287 00:15:47,800 --> 00:15:51,840 Speaker 1: Right, I actually, and I really liked the way that 288 00:15:51,920 --> 00:15:56,040 Speaker 1: they incorporated Piano Man with Brian Ryan and Will. It 289 00:15:56,120 --> 00:16:00,840 Speaker 1: made sense to me. He's it's it's on at the bar. 290 00:16:01,720 --> 00:16:04,760 Speaker 1: That's what the song is about or some you know, 291 00:16:04,880 --> 00:16:08,920 Speaker 1: some version of it and they're singing live and they're 292 00:16:09,080 --> 00:16:11,760 Speaker 1: kind of just belting out to Billy Joel because everybody 293 00:16:11,800 --> 00:16:16,360 Speaker 1: knows that song, and so that just felt more organic 294 00:16:16,440 --> 00:16:19,880 Speaker 1: to me than this one. Yes, of course I get 295 00:16:19,920 --> 00:16:22,240 Speaker 1: it why we had to do it. It's so popular, 296 00:16:22,600 --> 00:16:26,040 Speaker 1: such a big hit of it. Totally, but yeah, it 297 00:16:26,080 --> 00:16:27,200 Speaker 1: did deserve a little bit more. 298 00:16:27,400 --> 00:16:30,640 Speaker 2: The other thing happening in New York is Sam who 299 00:16:33,440 --> 00:16:36,760 Speaker 2: oh cord this scene with him going to Hunter College 300 00:16:36,880 --> 00:16:45,000 Speaker 2: and completely combompletely bombing the interview. It was so hard 301 00:16:45,000 --> 00:16:48,800 Speaker 2: to watch, I know, it's very uncomfortable, and he was 302 00:16:48,840 --> 00:16:52,440 Speaker 2: so earnest and she was very funny. She was very funny. 303 00:16:53,320 --> 00:16:57,840 Speaker 2: And because that goes so poorly, I mean, it was 304 00:16:57,840 --> 00:17:00,640 Speaker 2: a theater school, right, a theater program. But then he 305 00:17:00,680 --> 00:17:03,880 Speaker 2: tells Rachel afterwards that actually what he's always wanted to 306 00:17:03,920 --> 00:17:04,919 Speaker 2: do was become a model. 307 00:17:05,280 --> 00:17:08,800 Speaker 1: Let me imagines himself on a bus like Calvin Clark, 308 00:17:09,119 --> 00:17:12,480 Speaker 1: and we see the bus. Do you remember seeing that bus? Yeah? 309 00:17:12,520 --> 00:17:16,920 Speaker 1: Of course, very very funny. He looks great, not really 310 00:17:16,960 --> 00:17:18,320 Speaker 1: what's important, but he looks great. 311 00:17:18,520 --> 00:17:21,280 Speaker 2: Well he was this episode started and I forgot about 312 00:17:21,320 --> 00:17:25,000 Speaker 2: the whole modeling thing, and I like, he is skin 313 00:17:25,119 --> 00:17:26,120 Speaker 2: tea like. 314 00:17:28,440 --> 00:17:31,240 Speaker 1: This boy, well, if you asked him this question, he'd 315 00:17:31,240 --> 00:17:33,080 Speaker 1: be like every other episode, I'm having to take my 316 00:17:33,119 --> 00:17:35,560 Speaker 1: shirt off, So like he's just having to like keep 317 00:17:35,600 --> 00:17:39,200 Speaker 1: it up. Poor guy. He wants to be a model, 318 00:17:39,240 --> 00:17:41,040 Speaker 1: and so Rachel's going to support him in this, and 319 00:17:41,080 --> 00:17:42,679 Speaker 1: she sets up a photo shoot with the Funny Girl 320 00:17:42,720 --> 00:17:47,439 Speaker 1: photographer Barbara, and he meets with a meets with the 321 00:17:47,440 --> 00:17:50,120 Speaker 1: modeling agency, and he's going to be a male model. 322 00:17:50,119 --> 00:17:51,639 Speaker 1: And he realizes he doesn't want to go to school. 323 00:17:51,960 --> 00:17:56,679 Speaker 2: So showing up in this weird outfit to like shoot 324 00:17:57,240 --> 00:18:01,000 Speaker 2: a modeling thing, it's like, what is happening? 325 00:18:01,440 --> 00:18:03,240 Speaker 1: Wait for the bus, Wait for the bus? 326 00:18:04,359 --> 00:18:09,680 Speaker 2: All right, okay, but does this hilarious photo shoot which 327 00:18:09,800 --> 00:18:12,959 Speaker 2: leads us to one Tyra Banks. 328 00:18:13,800 --> 00:18:17,280 Speaker 1: We were so obsessed with Tyra because of top model at. 329 00:18:17,119 --> 00:18:19,760 Speaker 2: This point, but up says, the tire of my entire life. 330 00:18:19,640 --> 00:18:22,200 Speaker 1: Right, fair enough, She's more than just top model. 331 00:18:22,240 --> 00:18:26,520 Speaker 2: But she was like our she was like in life size. 332 00:18:26,760 --> 00:18:28,760 Speaker 2: She was a supermodel when we were kids, you know, 333 00:18:28,800 --> 00:18:30,920 Speaker 2: she was like our generation supermodel. 334 00:18:31,480 --> 00:18:34,920 Speaker 1: Yes, and then we went on the Tyra Show. Yes, 335 00:18:35,800 --> 00:18:38,320 Speaker 1: that was important too. We were floored. We were so 336 00:18:38,359 --> 00:18:38,919 Speaker 1: excited when we. 337 00:18:38,920 --> 00:18:42,080 Speaker 2: Went on and she showed up and gave one hundred percent. 338 00:18:42,240 --> 00:18:46,040 Speaker 1: Oh yes she did. I for I always forget she 339 00:18:46,119 --> 00:18:48,080 Speaker 1: was on our show, and I love that she was, 340 00:18:48,119 --> 00:18:50,199 Speaker 1: and I love that scene for them, and she was 341 00:18:50,280 --> 00:18:55,240 Speaker 1: very honest with him. I appreciated the the truth behind it, 342 00:18:55,440 --> 00:18:58,400 Speaker 1: but also the comedy, like they were great. 343 00:18:58,560 --> 00:19:00,200 Speaker 2: I thought that was a nice perspective. I was like, 344 00:19:00,200 --> 00:19:02,440 Speaker 2: I wonder if they consulted her on, like how does 345 00:19:02,480 --> 00:19:06,960 Speaker 2: this work for male models? But it seemed very truthful. 346 00:19:07,160 --> 00:19:08,640 Speaker 2: And she gave us a blunt bang and some heavy 347 00:19:08,680 --> 00:19:09,840 Speaker 2: eye makeup, and I was in. 348 00:19:10,119 --> 00:19:15,159 Speaker 1: Sam is going to be a model. And Blaine, I guess, 349 00:19:15,720 --> 00:19:19,919 Speaker 1: did end up going to his audition and killing it. 350 00:19:20,200 --> 00:19:24,199 Speaker 1: So he's facing his fears of his future. Now we 351 00:19:24,280 --> 00:19:27,440 Speaker 1: have to talk about them performing just the way you are. 352 00:19:28,119 --> 00:19:33,479 Speaker 2: It feels very Darren and Chord to be these guys 353 00:19:34,680 --> 00:19:36,320 Speaker 2: to bust out a piano and be like, oh, we're 354 00:19:36,320 --> 00:19:38,400 Speaker 2: going to perform for you, and it feels very Naia 355 00:19:38,720 --> 00:19:40,200 Speaker 2: to be like, we're not doing this. 356 00:19:40,520 --> 00:19:44,920 Speaker 1: Yeah, exactly absolutely, But then she joins in Darren and 357 00:19:45,000 --> 00:19:47,159 Speaker 1: Cord would be the ones to like pull the guitar 358 00:19:47,240 --> 00:19:50,800 Speaker 1: out on set. That's why Yes and n I would 359 00:19:50,800 --> 00:19:58,159 Speaker 1: be like, oh no, not again. But it ends up 360 00:19:58,160 --> 00:20:00,480 Speaker 1: that they I love. I don't think we've seen number 361 00:20:00,480 --> 00:20:02,840 Speaker 1: with all of them together in a very long time. 362 00:20:03,040 --> 00:20:06,480 Speaker 1: So they sounded so good and it's a great, great 363 00:20:06,480 --> 00:20:09,320 Speaker 1: billy number. And yes they said they get them a 364 00:20:09,400 --> 00:20:10,560 Speaker 1: piano as a thank you. 365 00:20:10,640 --> 00:20:13,159 Speaker 2: And there seems to be something liberating about filming in 366 00:20:13,200 --> 00:20:16,400 Speaker 2: that loft. Everybody just has such great chemistry when you're 367 00:20:16,400 --> 00:20:16,720 Speaker 2: in there. 368 00:20:17,000 --> 00:20:19,120 Speaker 1: Did you shoot in that loft? I did? 369 00:20:19,760 --> 00:20:21,240 Speaker 2: By the time I got there, though, they had aready 370 00:20:21,240 --> 00:20:22,280 Speaker 2: been in there a hot minute, you. 371 00:20:22,280 --> 00:20:25,040 Speaker 1: Know, Yeah, yeah, for sure. I ended up in the 372 00:20:25,080 --> 00:20:27,720 Speaker 1: loft too, and they had been there. But I like 373 00:20:27,800 --> 00:20:30,800 Speaker 1: the loft. I like filming, Yeah, for sure. It's big. 374 00:20:31,280 --> 00:20:34,200 Speaker 2: It actually was really big, and there was like comfy 375 00:20:34,200 --> 00:20:35,040 Speaker 2: places to hang. 376 00:20:34,920 --> 00:20:39,600 Speaker 1: Out, totally totally space to move. Yes, yeah, I thought 377 00:20:39,600 --> 00:20:41,920 Speaker 1: the number was great. It was very cute. Who thought 378 00:20:41,920 --> 00:20:54,320 Speaker 1: it was sweet? So bag Ad and McKinley, we have 379 00:20:54,600 --> 00:20:59,360 Speaker 1: the Marley Jakes cheating scandal of it all still happening 380 00:20:59,480 --> 00:21:03,400 Speaker 1: this I know, But now we add Rider to the mix. 381 00:21:04,320 --> 00:21:07,800 Speaker 1: And Rider comes at Jake AND's like, why would you 382 00:21:07,880 --> 00:21:12,520 Speaker 1: ruin the best thing that ever happened to you this 383 00:21:12,680 --> 00:21:17,880 Speaker 1: is crazy. And Jake we yet to see totally forgot 384 00:21:17,920 --> 00:21:20,919 Speaker 1: about this number. Get to see him do my life 385 00:21:21,680 --> 00:21:27,600 Speaker 1: great flips and tricks and vocals. I forget how much 386 00:21:27,600 --> 00:21:30,160 Speaker 1: we get from Jacob in this Yeah, and I'm here 387 00:21:30,200 --> 00:21:34,560 Speaker 1: for it, here for it. Even though what he did 388 00:21:34,680 --> 00:21:36,880 Speaker 1: was very wrong and I hate his character for it, 389 00:21:37,200 --> 00:21:40,560 Speaker 1: he's still wildly redeeming to me, like I still love 390 00:21:40,640 --> 00:21:44,480 Speaker 1: him because we love Jacob. But yeah, yeah, for sure 391 00:21:44,880 --> 00:21:47,680 Speaker 1: a view like yeah. 392 00:21:47,480 --> 00:21:51,800 Speaker 2: How quickly these dynamics changed, and like how severe they are, 393 00:21:52,800 --> 00:21:54,520 Speaker 2: Like he's trying to woo her back, and he's doing 394 00:21:54,560 --> 00:21:56,199 Speaker 2: all these things, but also at the same time he's 395 00:21:56,200 --> 00:22:00,399 Speaker 2: playing the victim and like it's not it's all just 396 00:22:00,560 --> 00:22:03,800 Speaker 2: gestures without any real feeling behind it. 397 00:22:04,520 --> 00:22:08,760 Speaker 1: Apologies and and Marley being like, hey, I knew who 398 00:22:08,800 --> 00:22:11,800 Speaker 1: you were. I should have known. That's a stab, but 399 00:22:11,920 --> 00:22:12,679 Speaker 1: it's so true. 400 00:22:13,119 --> 00:22:15,800 Speaker 2: I don't know because he wasn't like that for so long, 401 00:22:17,440 --> 00:22:17,639 Speaker 2: I know. 402 00:22:17,720 --> 00:22:19,959 Speaker 1: And then in the number and then in you may 403 00:22:19,960 --> 00:22:26,360 Speaker 1: be right, he's just dancing and smiling just like, oh 404 00:22:26,400 --> 00:22:31,240 Speaker 1: my god, but didn't like oh it flips because rioters 405 00:22:31,320 --> 00:22:34,120 Speaker 1: going to ask him out, ask rioter's going to ask 406 00:22:34,160 --> 00:22:39,480 Speaker 1: Marley out and Marley says no, She's like, look, I 407 00:22:39,560 --> 00:22:43,400 Speaker 1: really need to be single. And then he he performs. 408 00:22:43,560 --> 00:22:46,479 Speaker 1: He goes in and he asks her with a number 409 00:22:47,000 --> 00:22:51,320 Speaker 1: of course he woos her within a sent man and 410 00:22:51,359 --> 00:22:53,520 Speaker 1: we're all a little confused and a little grossed out 411 00:22:53,520 --> 00:22:58,640 Speaker 1: by it, are we not? He's it's a little soon 412 00:22:58,720 --> 00:23:03,120 Speaker 1: degressive jumping, and like that, to be honest. 413 00:23:02,960 --> 00:23:06,199 Speaker 2: You're also in the same room and your friends and 414 00:23:06,200 --> 00:23:09,480 Speaker 2: you're all there and there's no escaping it, and you're 415 00:23:09,520 --> 00:23:12,200 Speaker 2: just doing it in a space and both of their 416 00:23:12,200 --> 00:23:16,879 Speaker 2: faces it feels like she's like cornering her. And then 417 00:23:17,200 --> 00:23:20,040 Speaker 2: they go on this date and then he's all like, yeah, 418 00:23:20,040 --> 00:23:23,280 Speaker 2: we're dating and says it to Jake. Can you calm 419 00:23:23,400 --> 00:23:26,120 Speaker 2: down Instagram? 420 00:23:26,200 --> 00:23:28,960 Speaker 1: She does. She's like, just because it doesn't mean that we're. 421 00:23:28,840 --> 00:23:32,840 Speaker 2: Dating, everyone needs to leave Marley alone, Like, can you 422 00:23:32,920 --> 00:23:33,720 Speaker 2: back off please? 423 00:23:33,960 --> 00:23:37,760 Speaker 1: She is how commodity. I love Marley though, and I'm 424 00:23:38,119 --> 00:23:42,200 Speaker 1: I'm team Marley and I'm interested. I mean, I love 425 00:23:42,240 --> 00:23:44,560 Speaker 1: that her and her mom have that relationship to where 426 00:23:44,600 --> 00:23:45,760 Speaker 1: she can tell her what's. 427 00:23:45,600 --> 00:23:49,280 Speaker 2: Going on, and I'm really open honest conversation about sex 428 00:23:49,560 --> 00:23:51,520 Speaker 2: and losing your chelding. 429 00:23:51,320 --> 00:23:54,959 Speaker 1: About like, yeah, it's so cute, it's really sweet, and 430 00:23:55,000 --> 00:23:57,280 Speaker 1: I'm so sad that this is the last of Millie 431 00:23:57,359 --> 00:24:03,280 Speaker 1: Rose that we'll see just a talent, you know, therey 432 00:24:03,280 --> 00:24:07,440 Speaker 1: in their chemistry is so good. Yeah, they're really, really good. 433 00:24:08,080 --> 00:24:13,359 Speaker 1: Do you remember filming these numbers at all? I remember 434 00:24:13,359 --> 00:24:17,200 Speaker 1: Writer doing Innocent Man. I don't really remember Jake doing 435 00:24:17,240 --> 00:24:19,600 Speaker 1: My Life, but we weren't really there for that one. 436 00:24:19,880 --> 00:24:22,240 Speaker 1: But I do remember Innocent Man and being like, what 437 00:24:24,359 --> 00:24:30,800 Speaker 1: is happening in the story at this point? Oh? Interesting? Okay, 438 00:24:31,240 --> 00:24:32,760 Speaker 1: So the other thing was going on, Kevin, tell me 439 00:24:32,760 --> 00:24:33,520 Speaker 1: about Artie Becky. 440 00:24:33,600 --> 00:24:37,840 Speaker 2: So, so, like we mentioned earlier in the show, there 441 00:24:37,880 --> 00:24:42,320 Speaker 2: was a career fair going on in the halls of McKinley, 442 00:24:42,359 --> 00:24:48,840 Speaker 2: and Artie approaches Becky out of goodwill and tries to 443 00:24:48,880 --> 00:24:51,359 Speaker 2: be like, hey, what are your plans? These are my plans. 444 00:24:51,400 --> 00:24:55,040 Speaker 2: I'm going to New York. There's a lot of programs 445 00:24:55,040 --> 00:25:02,240 Speaker 2: around the country for people like us. And Sue swoops 446 00:25:02,280 --> 00:25:05,600 Speaker 2: in and is like, mm mmm, you what do you 447 00:25:05,600 --> 00:25:09,320 Speaker 2: think you're doing? And she's trying to keep Becky away 448 00:25:09,359 --> 00:25:11,240 Speaker 2: from pursuing college. 449 00:25:12,320 --> 00:25:13,880 Speaker 1: For fear. Yeah, she doesn't want. 450 00:25:13,760 --> 00:25:15,679 Speaker 2: To lose her obviously, for a number of reasons, but 451 00:25:16,480 --> 00:25:19,800 Speaker 2: in classic Glee and Sue form, on the surface, it's 452 00:25:19,920 --> 00:25:22,119 Speaker 2: you know, hilarity. I need her, she's too good of 453 00:25:22,160 --> 00:25:25,520 Speaker 2: a secretary, she's got to stay. But Artie for some 454 00:25:25,600 --> 00:25:28,560 Speaker 2: reason is feeling very adamant about this and goes back 455 00:25:28,640 --> 00:25:33,800 Speaker 2: several times and does I here some pamphlets, and Becky's like, no, 456 00:25:33,920 --> 00:25:37,320 Speaker 2: I don't want to do it, and so you know, 457 00:25:37,400 --> 00:25:41,960 Speaker 2: it's Glee. So through the power of song, Artie does 458 00:25:42,000 --> 00:25:46,480 Speaker 2: his Billy Joel number, which tell me about I didn't 459 00:25:46,520 --> 00:25:50,119 Speaker 2: know the song. I knew a lot of Billy Joel songs, 460 00:25:50,480 --> 00:25:52,640 Speaker 2: did not know this song, and I was like, wait, 461 00:25:52,720 --> 00:25:58,200 Speaker 2: this one seems kind of boring. I know, I was 462 00:25:58,240 --> 00:26:06,200 Speaker 2: a hater and it was really hard to sing it, yes, 463 00:26:07,760 --> 00:26:12,000 Speaker 2: really hard to sing. And the number was also it's 464 00:26:12,040 --> 00:26:15,280 Speaker 2: so awkward when you're just like sitting there and there's 465 00:26:15,320 --> 00:26:18,280 Speaker 2: not really choreography or like a production around you going 466 00:26:18,800 --> 00:26:22,000 Speaker 2: and you're just singing to one person. It feels so uncomfortable. 467 00:26:22,720 --> 00:26:25,639 Speaker 2: But I think it worked really well in the scene, 468 00:26:25,760 --> 00:26:29,399 Speaker 2: and that scene right after I think was really fun 469 00:26:29,520 --> 00:26:33,720 Speaker 2: and really touching because obviously Becky thinks I'm hitting on 470 00:26:33,760 --> 00:26:40,040 Speaker 2: her and I am not, but I'm like, hey, you 471 00:26:40,080 --> 00:26:42,879 Speaker 2: can do this. There are people who can support you. 472 00:26:43,960 --> 00:26:47,560 Speaker 2: I'll support you, and he offers a take her to 473 00:26:49,520 --> 00:26:54,200 Speaker 2: this college to see the program they have. And I 474 00:26:54,280 --> 00:26:56,720 Speaker 2: love this scene because he gets called in over the 475 00:26:56,760 --> 00:27:00,800 Speaker 2: loudspeaker to the principal's office to go see Sue. 476 00:27:00,880 --> 00:27:02,480 Speaker 1: I don't think we see that a lot. 477 00:27:02,600 --> 00:27:06,359 Speaker 2: No, and especially between the two of them. 478 00:27:06,640 --> 00:27:10,600 Speaker 1: But wait, go back. So honesty was great, sounded great you. 479 00:27:11,119 --> 00:27:13,359 Speaker 1: I thought you sounded really really good. And on this 480 00:27:13,880 --> 00:27:16,879 Speaker 1: I like you on Billy's stuff. I think it fits 481 00:27:16,880 --> 00:27:19,879 Speaker 1: you really well. I think you get you get the 482 00:27:20,240 --> 00:27:24,240 Speaker 1: you get the vibe. Yeah, I was. 483 00:27:24,320 --> 00:27:26,400 Speaker 2: I actually after I did it, I had a lot 484 00:27:26,400 --> 00:27:27,880 Speaker 2: of fun. I was like, oh you know what, Yeah, 485 00:27:27,920 --> 00:27:28,920 Speaker 2: this does like fit. 486 00:27:29,800 --> 00:27:33,600 Speaker 1: Yeah, And you guys are very key and were Becky 487 00:27:33,600 --> 00:27:35,600 Speaker 1: and I haven't seen Arty and Becky together in a while, 488 00:27:35,600 --> 00:27:37,600 Speaker 1: and I really loved it. And I love this storyline 489 00:27:37,640 --> 00:27:39,440 Speaker 1: like a lot. It's probably my favorite storyline of the 490 00:27:39,480 --> 00:27:43,960 Speaker 1: whole episode, just because it like connects in a different way, 491 00:27:44,560 --> 00:27:48,600 Speaker 1: and you already and Becky you are connecting in a 492 00:27:48,640 --> 00:27:52,320 Speaker 1: different way, but in like the some level of understanding, 493 00:27:52,359 --> 00:27:56,119 Speaker 1: and Arty's really just an advocate for her and saying, like, 494 00:27:56,400 --> 00:27:59,960 Speaker 1: I know that sometimes things seem scary because you have challenges, 495 00:28:00,880 --> 00:28:06,160 Speaker 1: but that doesn't mean you can't grow and overcome and persevere. 496 00:28:06,320 --> 00:28:10,960 Speaker 1: So I thought that was really just such a darling, 497 00:28:11,480 --> 00:28:19,320 Speaker 1: charming storyline. And watching Lauren Potter give this performance also 498 00:28:19,480 --> 00:28:22,280 Speaker 1: and going to the college, she's so funny and charming 499 00:28:22,280 --> 00:28:25,439 Speaker 1: at the same time, and it's just so endearing, like 500 00:28:25,480 --> 00:28:30,280 Speaker 1: I just cannot help but smile and like giggle at 501 00:28:30,280 --> 00:28:32,720 Speaker 1: the same time. It's really wanted. She was so great. 502 00:28:32,920 --> 00:28:34,760 Speaker 1: What was it like shooting at the college? 503 00:28:35,040 --> 00:28:37,840 Speaker 2: It was so nice, honestly, Like, I mean, you know, 504 00:28:37,920 --> 00:28:42,720 Speaker 2: it was just another set, but we had all these 505 00:28:42,720 --> 00:28:46,680 Speaker 2: incredible actors there, and it was just like a really 506 00:28:46,760 --> 00:28:50,880 Speaker 2: like nice vibe and like everyone was really funny, Like 507 00:28:50,920 --> 00:28:53,320 Speaker 2: how the scene actually is it really worked in person 508 00:28:54,120 --> 00:28:57,080 Speaker 2: like that I felt like I was. It was just 509 00:28:57,640 --> 00:29:01,440 Speaker 2: nice to like be there to do something like that. 510 00:29:01,560 --> 00:29:04,480 Speaker 2: I thought, I really love that storyline, and I love 511 00:29:04,520 --> 00:29:06,840 Speaker 2: that it was a great message sort of their like 512 00:29:07,000 --> 00:29:09,600 Speaker 2: moment together to look out for each other because obviously, 513 00:29:10,120 --> 00:29:12,760 Speaker 2: like Kitty was looking out for Artie and it's like, well, 514 00:29:12,800 --> 00:29:19,720 Speaker 2: who's looking out for Becky in this situation and also 515 00:29:20,040 --> 00:29:22,040 Speaker 2: showing a real program that exists in a real school. 516 00:29:22,080 --> 00:29:28,320 Speaker 1: I think was also amazing, a really wonderful pushing Sue, who, 517 00:29:28,400 --> 00:29:33,920 Speaker 1: like I'm sure, treats Pecky like a like her own child, 518 00:29:34,800 --> 00:29:38,400 Speaker 1: and for parents with kids with disabilities, like stretching them 519 00:29:38,560 --> 00:29:43,280 Speaker 1: to because I cannot imagine what that being in that 520 00:29:43,320 --> 00:29:48,440 Speaker 1: position is like, and having that perspective and experience every 521 00:29:48,520 --> 00:29:52,680 Speaker 1: day and then just so potentially fearful of what, you know, 522 00:29:53,000 --> 00:29:53,600 Speaker 1: letting them. 523 00:29:53,480 --> 00:29:56,120 Speaker 2: Go, trusting their independence like any. 524 00:29:55,640 --> 00:29:57,800 Speaker 1: Parent of like letting a kid go to college and 525 00:29:57,840 --> 00:30:02,280 Speaker 1: being like, how are they gonna fair? And so I 526 00:30:02,280 --> 00:30:04,560 Speaker 1: thought that was really It's just great from all the 527 00:30:04,560 --> 00:30:09,920 Speaker 1: perspectives of like getting stretching Sue, stretching Becky already doing 528 00:30:09,960 --> 00:30:12,800 Speaker 1: a good thing, already redeeming himself from some of the 529 00:30:12,920 --> 00:30:13,760 Speaker 1: weird ship. He said. 530 00:30:14,480 --> 00:30:16,680 Speaker 2: Every time Sue has that switch where she goes from 531 00:30:16,760 --> 00:30:21,719 Speaker 2: just being like mean to make sure a questions like 532 00:30:22,040 --> 00:30:25,000 Speaker 2: I know it killed me, o god, and then their 533 00:30:25,040 --> 00:30:26,760 Speaker 2: relationship is so beautiful. 534 00:30:28,720 --> 00:30:33,320 Speaker 1: Really, I know, she's like, you didn't tell me about college, 535 00:30:33,600 --> 00:30:37,360 Speaker 1: and I'm like, oh, I'm so good in that scene 536 00:30:37,400 --> 00:30:40,440 Speaker 1: with her, really really yeah, really really good. That both 537 00:30:40,480 --> 00:30:43,600 Speaker 1: of them are really really good together, and I wish 538 00:30:43,640 --> 00:30:44,880 Speaker 1: I could be like a fly on the wall and 539 00:30:45,200 --> 00:30:47,640 Speaker 1: their scenes together when they shoot, because I just don't 540 00:30:47,680 --> 00:30:50,960 Speaker 1: imagine Jane being like that with Lauren as well. She's 541 00:30:51,000 --> 00:30:56,760 Speaker 1: such a mama bear m hm. And also the student 542 00:30:57,120 --> 00:31:00,400 Speaker 1: that tells Becky that he can she can sit next 543 00:31:00,440 --> 00:31:07,280 Speaker 1: to him, like, yeah, he was hilarious. Yeah, he was 544 00:31:07,440 --> 00:31:11,000 Speaker 1: very funny. It's very good, very good, very good storyline. 545 00:31:11,080 --> 00:31:15,239 Speaker 1: I am my favorite by far h And then we 546 00:31:15,320 --> 00:31:20,560 Speaker 1: do you maybe right in the at the college Fair. 547 00:31:21,320 --> 00:31:26,760 Speaker 1: I have to admit I have zero recollection in this number. Zero. 548 00:31:27,440 --> 00:31:32,000 Speaker 1: It's alarming how little I remember this number. Don't remember 549 00:31:32,000 --> 00:31:35,200 Speaker 1: wearing that outfit, don't remember filming that scene, don't remember 550 00:31:35,240 --> 00:31:39,320 Speaker 1: being there, don't know what happened. No, it's very strange, 551 00:31:40,040 --> 00:31:40,760 Speaker 1: full blackout. 552 00:31:40,880 --> 00:31:43,200 Speaker 2: But you know, the more people, the more we're getting 553 00:31:43,200 --> 00:31:45,400 Speaker 2: into this, I'm sorry if we sound like a broken record, 554 00:31:46,480 --> 00:31:50,000 Speaker 2: but for a second, if you can put yourselves in 555 00:31:50,040 --> 00:31:54,040 Speaker 2: our shoes to when you are watching something of yourself 556 00:31:54,120 --> 00:31:58,600 Speaker 2: and you have no memory of doing it, it's it's 557 00:31:58,640 --> 00:32:01,480 Speaker 2: so strange. But I've talked to more and more people 558 00:32:01,560 --> 00:32:04,920 Speaker 2: who have whether it is in business or they're also 559 00:32:05,040 --> 00:32:07,840 Speaker 2: entertainment and have I've talked to a lot of people 560 00:32:07,880 --> 00:32:12,680 Speaker 2: recently and they all have the exact same experience. 561 00:32:12,760 --> 00:32:15,200 Speaker 1: Okay, that makes me feel a little bit better. 562 00:32:15,440 --> 00:32:17,080 Speaker 2: It makes me feel much better. It's like, okay, so 563 00:32:17,120 --> 00:32:20,200 Speaker 2: we're not insane. It's not just a memory. No, there's 564 00:32:20,280 --> 00:32:23,120 Speaker 2: like some sort of coping thing. It's like a survival thing. 565 00:32:23,280 --> 00:32:25,640 Speaker 2: Not to be dramatic, but like you don't have to 566 00:32:25,720 --> 00:32:29,080 Speaker 2: learn new skills, so you're just doing the same thing. 567 00:32:29,360 --> 00:32:31,800 Speaker 1: Imagine walking into a cubicle or a desk or an 568 00:32:31,800 --> 00:32:34,320 Speaker 1: office and you're in the same space where everything looks 569 00:32:34,360 --> 00:32:36,520 Speaker 1: the same and it's in the same thing, and you're like, oh, 570 00:32:36,560 --> 00:32:38,640 Speaker 1: I remember that day because you know, we had a 571 00:32:38,880 --> 00:32:42,600 Speaker 1: we were you know, pajamas that day. It's like something 572 00:32:42,600 --> 00:32:44,880 Speaker 1: sticks out in your mind. But even like even in 573 00:32:44,920 --> 00:32:46,640 Speaker 1: like True Crime, which I listened to a lot, like 574 00:32:46,960 --> 00:32:52,440 Speaker 1: people's or memories change and they don't. It's not all 575 00:32:52,680 --> 00:32:54,320 Speaker 1: very Yeah, Like if. 576 00:32:54,200 --> 00:32:56,480 Speaker 2: Somebody was filming you at your cubicle and showed you 577 00:32:56,520 --> 00:32:59,640 Speaker 2: fifteen years later, you're like, I I did that. 578 00:32:59,760 --> 00:33:01,200 Speaker 1: Yeah, do you remember that day? 579 00:33:01,800 --> 00:33:04,360 Speaker 2: But I thought that being said, I thought you may 580 00:33:04,400 --> 00:33:06,200 Speaker 2: be right was great. 581 00:33:06,600 --> 00:33:09,440 Speaker 1: Yeah, it's so fun. I'm like, I don't remember getting 582 00:33:09,440 --> 00:33:13,040 Speaker 1: on the table of the fair, but I would have 583 00:33:13,080 --> 00:33:15,320 Speaker 1: been really excited that I was standing on the table 584 00:33:15,480 --> 00:33:20,120 Speaker 1: of the thing. But yeah, again, these halls are being 585 00:33:20,200 --> 00:33:23,880 Speaker 1: used a lot more for musical numbers. We've never seen 586 00:33:23,920 --> 00:33:27,160 Speaker 1: a fair before. It's very exciting. 587 00:33:27,640 --> 00:33:28,320 Speaker 2: Get into it. 588 00:33:28,680 --> 00:33:35,840 Speaker 1: Let's let's uh, let's creat some performances moving out A 589 00:33:35,840 --> 00:33:47,560 Speaker 1: A piano man, b B. My life A yeah, honesty 590 00:33:47,800 --> 00:33:52,200 Speaker 1: A plus really yeah, I give it an A. Oh 591 00:33:52,320 --> 00:33:58,800 Speaker 1: that is great. An innocent man b B. Just the 592 00:33:58,840 --> 00:34:02,280 Speaker 1: way you are A A for sure. Yes, I agree 593 00:34:02,360 --> 00:34:07,040 Speaker 1: with all these. You may be right, hey new plus. 594 00:34:07,360 --> 00:34:09,200 Speaker 2: Oh I spoke too soon. 595 00:34:10,120 --> 00:34:12,319 Speaker 1: I don't know. Sometimes these group numbers at the end 596 00:34:12,360 --> 00:34:14,160 Speaker 1: just kind of pop out an hour and they surprise me. 597 00:34:15,040 --> 00:34:17,919 Speaker 1: They get like a little like you don't love it. Yeah, 598 00:34:17,920 --> 00:34:22,280 Speaker 1: it's not not always my favorite, but you know defense, 599 00:34:23,120 --> 00:34:28,320 Speaker 1: let's do some tardy takes, all right, Okay, cringe moments. 600 00:34:29,640 --> 00:34:34,480 Speaker 2: I mean Sam and his meeting with the person at 601 00:34:34,480 --> 00:34:38,120 Speaker 2: the college was just made me so uncomfortable. But I 602 00:34:38,120 --> 00:34:40,520 Speaker 2: don't know if it was like it was cringe but 603 00:34:40,520 --> 00:34:41,839 Speaker 2: I don't know if it was an OUCHI you know. 604 00:34:41,760 --> 00:34:44,480 Speaker 1: What it was cringe. Was the Stephen Hawking joke that 605 00:34:44,640 --> 00:34:45,960 Speaker 1: Sue sad? 606 00:34:46,080 --> 00:34:48,840 Speaker 2: Yeah? Yeah, yeah, honestly, I'm surprise it took this one. 607 00:34:49,280 --> 00:34:50,320 Speaker 1: I don't think it's surprise. 608 00:34:51,160 --> 00:34:54,279 Speaker 2: Probably I hadn't been pushing to a wall in a 609 00:34:54,320 --> 00:34:54,759 Speaker 2: long time. 610 00:34:54,880 --> 00:34:58,600 Speaker 1: Yeah, yeah, yeah, for sure, for sure, best dance move 611 00:34:59,160 --> 00:35:00,000 Speaker 1: all of Jake's stuff. 612 00:35:00,239 --> 00:35:02,160 Speaker 2: Oh yes, are you kidding me? 613 00:35:02,560 --> 00:35:09,040 Speaker 1: Yeah? Just song? I have a tie. Okay, I have 614 00:35:09,080 --> 00:35:13,759 Speaker 1: a time between honesty and just the way you are. 615 00:35:14,960 --> 00:35:19,560 Speaker 2: Wow, I'll second that answered. I feel weird saying honesty. 616 00:35:19,239 --> 00:35:21,080 Speaker 1: But you can say it. 617 00:35:21,280 --> 00:35:24,520 Speaker 2: I also feel like Billy Joel's songs like complete a 618 00:35:24,560 --> 00:35:26,759 Speaker 2: full picture where I don't know if any of them 619 00:35:26,800 --> 00:35:27,560 Speaker 2: stand out to me. 620 00:35:28,040 --> 00:35:28,440 Speaker 1: Agreed. 621 00:35:28,600 --> 00:35:32,080 Speaker 2: Agreed in terms of like perform You've got a lot 622 00:35:32,120 --> 00:35:34,759 Speaker 2: of Billy Joel information, and then with all through all 623 00:35:34,800 --> 00:35:36,759 Speaker 2: these songs, you really painted a picture of him as 624 00:35:36,800 --> 00:35:40,400 Speaker 2: an artist, like he's so consistent in his storytelling, and 625 00:35:40,440 --> 00:35:43,640 Speaker 2: I feel like, yeah, it's hard for me to pick 626 00:35:43,680 --> 00:35:44,480 Speaker 2: one in this episode. 627 00:35:44,560 --> 00:35:48,040 Speaker 1: I agree. I I don't think like any we're worse 628 00:35:48,680 --> 00:35:51,520 Speaker 1: or better, but like the you know one didn't fully 629 00:35:51,560 --> 00:35:53,880 Speaker 1: fully stand out. Okay, best performance by a prop. 630 00:35:54,600 --> 00:35:57,239 Speaker 2: I mean there's a couple of great props in here, 631 00:35:57,280 --> 00:36:04,720 Speaker 2: but I would like to say, you know, respectfully watching 632 00:36:04,960 --> 00:36:06,680 Speaker 2: Cord get rubbed in baby oil. 633 00:36:09,600 --> 00:36:13,800 Speaker 1: Respectfully. The baby oil is great. 634 00:36:15,640 --> 00:36:16,480 Speaker 2: In the eue. 635 00:36:17,239 --> 00:36:22,920 Speaker 1: Oh the ear diush was good. Oh Blaine's the operation 636 00:36:23,000 --> 00:36:27,080 Speaker 1: game too. It was cute little Blaine, very cute, very cute. 637 00:36:27,440 --> 00:36:30,040 Speaker 1: Best line. Oh you know what, I had a cringe. 638 00:36:30,400 --> 00:36:36,520 Speaker 1: I actually gasped. I actually gasped. This was a sad one. 639 00:36:36,640 --> 00:36:38,239 Speaker 1: He said, this is a shot in the dartsie me 640 00:36:38,239 --> 00:36:43,560 Speaker 1: Mercedes Jones. I was like, did you really did they 641 00:36:43,760 --> 00:36:51,200 Speaker 1: really get that in? I was I had to look 642 00:36:51,280 --> 00:36:53,840 Speaker 1: I was like doing things while I was watching this episode, 643 00:36:53,840 --> 00:36:56,240 Speaker 1: and I had to look up, and I was like, okay, 644 00:36:56,880 --> 00:37:02,399 Speaker 1: all right, we've really done it all, We've really gone there. 645 00:37:04,160 --> 00:37:06,879 Speaker 1: I just I had to like say it out loud 646 00:37:06,920 --> 00:37:11,520 Speaker 1: because it was just absolutely wild. Becky's saying hot stuff too, 647 00:37:11,560 --> 00:37:13,600 Speaker 1: want to stuck my face and look at my books? 648 00:37:14,120 --> 00:37:16,239 Speaker 1: Oh I love that. How did the stuff get in? 649 00:37:18,320 --> 00:37:20,440 Speaker 2: Your boyfriend already held though he's got herpies? 650 00:37:20,520 --> 00:37:25,319 Speaker 1: Like what anythink Becky said this episode? I think it 651 00:37:25,440 --> 00:37:31,040 Speaker 1: wins performance MVP. I think Lauren and Lauren Potter and 652 00:37:31,160 --> 00:37:32,480 Speaker 1: Kevin McHale. 653 00:37:32,760 --> 00:37:36,319 Speaker 2: Lauren Potter, Lauren Potter all the way. I think that's 654 00:37:36,320 --> 00:37:37,000 Speaker 2: a solo win. 655 00:37:38,080 --> 00:37:41,879 Speaker 1: Okay, great, I think you get honorable mention that at least. 656 00:37:41,880 --> 00:37:44,759 Speaker 1: But yes, I agree, Lauren was great. Thank you. 657 00:37:46,080 --> 00:37:48,040 Speaker 2: What a fun episode. There was a lot in there, 658 00:37:48,680 --> 00:37:51,120 Speaker 2: a lot, and it felt like well paced and it 659 00:37:51,160 --> 00:37:53,840 Speaker 2: felt like, you know, we weren't really rushing through anything. 660 00:37:54,400 --> 00:37:56,640 Speaker 1: Yeah, it wasn't like a ton so that you could 661 00:37:56,640 --> 00:37:59,040 Speaker 1: actually give some space to these things. But I also 662 00:37:59,080 --> 00:38:00,920 Speaker 1: didn't feel like I was like, wow, what a good 663 00:38:00,920 --> 00:38:02,239 Speaker 1: tribute episode. I was. 664 00:38:03,760 --> 00:38:05,400 Speaker 2: Nice that you can admit your mistakes. 665 00:38:05,800 --> 00:38:06,480 Speaker 1: Okay? 666 00:38:06,840 --> 00:38:09,919 Speaker 2: Should we found on TikTok and I feel this one 667 00:38:10,160 --> 00:38:16,520 Speaker 2: so hard. It's just max okay on TikTok a video 668 00:38:16,560 --> 00:38:20,840 Speaker 2: of them in some sort of store saying hearing the 669 00:38:20,880 --> 00:38:23,719 Speaker 2: Glee version of songs out in public feels like an 670 00:38:23,719 --> 00:38:25,640 Speaker 2: inside joke that no one else in this grocery store 671 00:38:25,640 --> 00:38:26,279 Speaker 2: I understands. 672 00:38:26,680 --> 00:38:27,560 Speaker 1: It's so true. 673 00:38:28,200 --> 00:38:31,200 Speaker 2: And time warp at eight am is crazy work though, 674 00:38:31,680 --> 00:38:34,080 Speaker 2: Like hearing time warp in the background of this video 675 00:38:34,239 --> 00:38:37,440 Speaker 2: is insane? Yeah, nothing, but I too have that feeling 676 00:38:37,480 --> 00:38:39,440 Speaker 2: when I'm in public and if I hear a Gleason, like, 677 00:38:39,480 --> 00:38:40,200 Speaker 2: does anyone know. 678 00:38:42,800 --> 00:38:46,120 Speaker 1: Like, this is crazy, Yes, totally. Is anybody else listening 679 00:38:46,320 --> 00:38:50,880 Speaker 1: right now? Well that is that's moving out and thanks 680 00:38:50,920 --> 00:38:53,799 Speaker 1: for joining us again. I hope you enjoyed Billy Joel. 681 00:38:53,800 --> 00:38:55,400 Speaker 1: I hope you like Billy Joel, and I hope if 682 00:38:55,440 --> 00:38:57,080 Speaker 1: you don't know Billy Joel to go check him out. 683 00:38:57,360 --> 00:38:58,000 Speaker 1: He's an icon. 684 00:38:58,880 --> 00:39:01,680 Speaker 2: Enjoy this moment of p because next week is puppet Master. 685 00:39:02,280 --> 00:39:06,759 Speaker 1: Oh God, Kevin's favorite. There's a lot of stuff. There's 686 00:39:06,760 --> 00:39:09,000 Speaker 1: a lot of stuff. There's a lot of stuff. 687 00:39:09,040 --> 00:39:12,920 Speaker 2: And that's what you really missed. Thanks for listening, and 688 00:39:13,040 --> 00:39:15,680 Speaker 2: follow us on Instagram at and that's what you really 689 00:39:15,680 --> 00:39:17,799 Speaker 2: miss pod. Make sure to write us a review and 690 00:39:17,960 --> 00:39:19,879 Speaker 2: leave us five stars. See you next time.