WEBVTT - We Meet Anthony with Mario Cantone... (S3 E11 "Running with Scissors") 

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<v Speaker 1>Hi.

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<v Speaker 2>I'm Kristin Davis, and I want to know, are you

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<v Speaker 2>a Charlotte. We are back for the second time with

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<v Speaker 2>Mario Cantone, which is so fantastic because this is your

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<v Speaker 2>first episode on the air.

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<v Speaker 1>It is it is? I always thought it was episode twelve,

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<v Speaker 1>but it's not. It's episode eleven.

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<v Speaker 2>I know, and it's called Running with Scissors. But I

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<v Speaker 2>think the reason you might have thought it was twelve

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<v Speaker 2>was because we shot two at once, as we always did, right,

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<v Speaker 2>because in my mind I remember the other Vera Wang

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<v Speaker 2>where the girls are there, like there's two Vera Wang visits,

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<v Speaker 2>but we shot them in one day.

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<v Speaker 1>Oh that's right. And I remember I came in at

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<v Speaker 1>three in the afternoon. Wow, And I was in.

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<v Speaker 3>An off Broadway show at the time.

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<v Speaker 1>Got it. Yeah, it was called The Crumple Zone and

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<v Speaker 1>it was ran for like six months of us. It

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<v Speaker 1>did really well, got great reviews. And I remember that

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<v Speaker 1>particular night was one of our tech nights.

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<v Speaker 4>Oh no, and they work to let me out.

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<v Speaker 1>And I was like, you can get someone else to

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<v Speaker 1>stand here while you, like for an evening because I'm

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<v Speaker 1>going definitely, And I went for sure.

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<v Speaker 2>So wait if you came in at three in the afternoon.

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<v Speaker 1>Maybe we don't you remember we filmed till four and

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<v Speaker 1>the fortnight.

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<v Speaker 2>I do remember that it was stressful and long, and

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<v Speaker 2>I remember that our our executive from HBO came and

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<v Speaker 2>sat across from us and glared at us. I mean,

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<v Speaker 2>not that it was our fault, but like, just let

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<v Speaker 2>it be known that we were over budget. Uh huh. Yeah,

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<v Speaker 2>it was one of those days. There's only a few

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<v Speaker 2>Michael Hill. Michael Hill came and I remember that because

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<v Speaker 2>I was like, oh, he never comes. Oh no, but

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<v Speaker 2>I think it was expensive to shoot him.

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<v Speaker 1>Vera Wang probably wasn't. It was so small, remember how

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<v Speaker 1>small it was tiny?

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<v Speaker 2>It was hard to film there.

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<v Speaker 1>Yeah. And also that evening was my husband's opening night

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<v Speaker 1>of an off Broadway show. He was in, Wow, It's

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<v Speaker 1>called Bubbly Black Girl sheds her Familion skin, and I did.

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<v Speaker 1>I couldn't go. Yeah no, but I remember, uh yeah,

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<v Speaker 1>we we we you we talked about this last time

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<v Speaker 1>and you didn't remember it. I'm sure you remember it

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<v Speaker 1>now because I told you last time. But there was

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<v Speaker 1>a second scene.

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<v Speaker 2>Oh I still I still only have the vaguus memory.

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<v Speaker 2>What was it?

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<v Speaker 1>It was?

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<v Speaker 3>It was us, you know where we were sitting and

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<v Speaker 3>looking at the dresses.

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<v Speaker 1>There was a little room.

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<v Speaker 3>In the in the back of that with the door.

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<v Speaker 1>Yeah. Yeah, we were in the dressing room and I

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<v Speaker 1>was fitting you and trying to cut something with the scissors,

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<v Speaker 1>and I ended up ripping the.

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<v Speaker 2>Dress, which is really interesting because it's running with scissors

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<v Speaker 2>is the title of this episode.

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<v Speaker 1>And we just glad you glared at me and I

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<v Speaker 1>was just like, oh and that was the end of

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<v Speaker 1>that scene. And that was the end of that Oh wow.

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<v Speaker 1>I don't know if that had stayed in If we had,

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<v Speaker 1>we would have come back and become friends.

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<v Speaker 2>I mean, I assume that they loved you so much

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<v Speaker 2>that they didn't want there to be a negative thing.

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<v Speaker 2>But maybe also feel this episode has so much plot

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<v Speaker 2>in it for everyone else, like really, it's.

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<v Speaker 1>A lot in the thing, and oh yeah, it's a lot.

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<v Speaker 2>It's so much that I feel, you know, there were times,

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<v Speaker 2>I mean, this has always been true for us. We

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<v Speaker 2>over overshoot, right, we always have too much, and then

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<v Speaker 2>we have taken shoot always.

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<v Speaker 1>Oh look, don't get me started on just like that.

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<v Speaker 1>There were two scenes of ours two this last season

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<v Speaker 1>that we're cut no way. Oh yes, remember the remember

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<v Speaker 1>the one in the in the the bakery, and it

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<v Speaker 1>was after the puppet thing, and I said to you,

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<v Speaker 1>I need to I need to talk about the puppet more.

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<v Speaker 1>And I was like, I was this old guy glaring

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<v Speaker 1>at him and you were like well and I was like,

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<v Speaker 1>don't look at me like that A great scene and

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<v Speaker 1>it got cut. Oh and then there was a scene

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<v Speaker 1>with the red rooster between me and you before I

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<v Speaker 1>apologized to carry Oh, yeah, was cut, which I was

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<v Speaker 1>furious about.

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<v Speaker 3>The bridge to me apologizing.

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<v Speaker 2>Right right right, I remember that. I remember that. But

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<v Speaker 2>we always overfilm. We always overfilm. And one time I

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<v Speaker 2>said to Michael Patrick, I said, couldn't we cut from

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<v Speaker 2>the read through so that we don't because we're always

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<v Speaker 2>just really basically killing ourselves to get everything filmed. Yeah,

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<v Speaker 2>and also we spend a lot of money getting everything filmed.

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<v Speaker 2>And he said no, because I don't know in the

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<v Speaker 2>edit what's going to work.

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<v Speaker 1>He doesn't, Yeah, he doesn't know.

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<v Speaker 2>But let me just say this about you. When I

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<v Speaker 2>watched this first episode, because obviously I hadn't watched this

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<v Speaker 2>episode in you know, thirty years or whatever it is,

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<v Speaker 2>twenty five years, you are just a breath of fresh air.

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<v Speaker 2>Like your energy. You're just like a blast of energy.

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<v Speaker 2>It's so refreshing and exciting, like you're a note that

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<v Speaker 2>we didn't have in the ensemble. Yeah, do you feel

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<v Speaker 2>that when you watch it?

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<v Speaker 5>Yeah?

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<v Speaker 4>Yeah.

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<v Speaker 1>When I watch it, I was like, wow, this, I mean,

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<v Speaker 1>it was just it's funny, it's good. I just it works,

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<v Speaker 1>and I don't know, I I feel that I was.

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<v Speaker 1>I'm happy with.

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<v Speaker 2>It when I walked definitely, right, I mean you're so

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<v Speaker 2>young also, like it's so funny to look at you

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<v Speaker 2>and me obviously do but I mean were little children.

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<v Speaker 2>I don't think I felt like a little child back then.

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<v Speaker 1>You mean you didn't, right, neither did I. We felt

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<v Speaker 1>like we were you know, I mean.

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<v Speaker 2>Adult, we were. You know, but.

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<v Speaker 1>That was two thousand. That was we filmed that ninety nine.

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<v Speaker 2>No, I think we filmed it in two thousand because

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<v Speaker 2>it's it near to August twentieth, so we would have

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<v Speaker 2>filmed it earlier in the summer.

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<v Speaker 4>You know. It brings up I was I was forty

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<v Speaker 4>years old.

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<v Speaker 2>No, you look like you're twenty or twenty five.

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<v Speaker 1>My god, it just turned sixty six last week.

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<v Speaker 2>Congradually, she said, like God, it was your birthday.

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<v Speaker 1>Sixty six, one more six and I'm the Sign of

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<v Speaker 1>the Devil. That's right.

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<v Speaker 2>Well, this is the thing I was thinking to when

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<v Speaker 2>I'm watching, because I remember that you used to always feel,

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<v Speaker 2>you know, you have like a nervousness about your work,

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<v Speaker 2>which is always kind of adorable. That still still remains, really,

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<v Speaker 2>but I remember this particular time because it was the beginning.

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<v Speaker 2>I mean, but you're you're so great.

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<v Speaker 1>Well, you know this is that you know, you're sitting

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<v Speaker 1>there and you're doing it for the crew, and the

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<v Speaker 1>crew is like hysterically laughing, and then the cameras go

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<v Speaker 1>on and they can't laugh. So in your psychological, crazy

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<v Speaker 1>comedic mind, my paranoid comedic mind, I'm like, well I'm

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<v Speaker 1>sucking now, Well I'm not funny. I left. I would

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<v Speaker 1>leave I remember. I think it was season four episode

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<v Speaker 1>I think it was one or two where we're walking

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<v Speaker 1>and the sailors. It's fleet week, you know. I remember

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<v Speaker 1>walking away from that scene and calling Michael, going, I

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<v Speaker 1>didn't I didn't. You didn't get it right? So would

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<v Speaker 1>I leave you? He was like, would I let you

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<v Speaker 1>off the set if I didn't get it? He would not,

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<v Speaker 1>And then you watch it and I'm like, Okay, he

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<v Speaker 1>got it.

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<v Speaker 2>Definitely, definitely, I do think too. There's a couple of

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<v Speaker 2>things I thought about. One was just like your energy

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<v Speaker 2>is so pure and great and different. And then the

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<v Speaker 2>other thing I realized is that you you didn't do

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<v Speaker 2>that many episodes of the first series, and I was

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<v Speaker 2>wondering for you, like did they so you did twelve total?

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<v Speaker 2>I'm reading my total, which is crazy. I would have

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<v Speaker 2>thought it was so much more than that.

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<v Speaker 1>A lot of people think that, yeah.

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<v Speaker 2>Yeah, and what how did they handle it? Like what

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<v Speaker 2>was your thinking? Did you think you were coming back?

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<v Speaker 2>Did you know you were coming back? How did it go? I?

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<v Speaker 1>Well, you know, I've known Michael Patrick King since I

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<v Speaker 1>was in my twenties doing stand up.

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<v Speaker 4>That's how I came.

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<v Speaker 1>Yeah, so he wrote me this.

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<v Speaker 3>I did go in as a formality to read.

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<v Speaker 1>And there was also that question of whether I was

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<v Speaker 1>going to be able to get out of that tech,

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<v Speaker 1>which I was like, I'm going, I'm doing this so

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<v Speaker 1>but I remember after it aired, I ran into him

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<v Speaker 1>and John Melphie in a restaurant and he said, do

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<v Speaker 1>you know how many do you know? The reaction we

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<v Speaker 1>got from you and how many you know, calls or

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<v Speaker 1>letters or whatever it was back then. And I said,

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<v Speaker 1>I don't know, but am I coming back? That you

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<v Speaker 1>absolutely are? I said, okay, but it was this is

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<v Speaker 1>what it was. It was one episode, season three, two

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<v Speaker 1>episodes Season four, Wow three episode season five, six episode

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<v Speaker 1>season six, and then then the and then both movies,

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<v Speaker 1>which kind of you know, cemented it. But I was,

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<v Speaker 1>you know, I was always on call, and I was

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<v Speaker 1>always so afraid that you know, of scheduling because they

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<v Speaker 1>called you last minute and if you you know, weren't available,

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<v Speaker 1>you know, this was not a good thing. So I

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<v Speaker 1>was horrified. You know.

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<v Speaker 2>Oh no, so you never really knew.

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<v Speaker 1>No, I didn't know when I knew I was coming back, right,

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<v Speaker 1>you know when? But it just the episodes grew as

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<v Speaker 1>the years went on, and I also, yeah, you just

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<v Speaker 1>and there were there were, you know, some Broadway shows

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<v Speaker 1>at the time that I that I did turn down,

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<v Speaker 1>not because of this but because no, believe me, it

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<v Speaker 1>worked out well, not because of this, but because of

0:08:59.440 --> 0:09:02.520
<v Speaker 1>negotiating and whatever. You know, Sometimes they want you for

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<v Speaker 1>a year and you're like, can I do six months?

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<v Speaker 1>Which I think is reasonable, and like, no, I'm like, okay,

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<v Speaker 1>goodbye so, and at that time they did. Even now,

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<v Speaker 1>if you're a middling name and you're not a name,

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<v Speaker 1>they don't let you out.

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<v Speaker 3>Broadway producers don't let you out.

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<v Speaker 1>And my experience to go do an episode of the show,

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<v Speaker 1>so you know that could have messed me up, you know,

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<v Speaker 1>totally with this.

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<v Speaker 2>Yeah, oh yeah, Well I appreciate that you were thinking

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<v Speaker 2>of us.

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<v Speaker 1>Oh I just love it.

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<v Speaker 2>Yes, we need you so much.

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<v Speaker 1>Miss it very much.

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<v Speaker 2>I miss it too.

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<v Speaker 1>I'm very sad about it, no, honestly, Like I mean,

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<v Speaker 1>people like, how are you like, I'm sad.

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<v Speaker 2>I'm sorry.

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<v Speaker 1>I just wanted one more season.

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<v Speaker 2>I agree, I absolutely wanted one more season two.

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<v Speaker 1>I don't care. I love them all, but I don't

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<v Speaker 1>care what anybody says this. That was not a series finale.

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<v Speaker 1>It was a season finale, but that wasn't a series finale.

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<v Speaker 2>Well, agree with you, baby, I agree with you. I

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<v Speaker 2>haven't watched it because I'm in denial and I would

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<v Speaker 2>like to remain that way. But I know what was

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<v Speaker 2>on the page, and I know that when we the

0:10:12.640 --> 0:10:15.079
<v Speaker 2>girls and I got together for dinner and we were like, wait,

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<v Speaker 2>what did we do and what did we do and

0:10:18.200 --> 0:10:20.600
<v Speaker 2>we couldn't really remember, which is not a good sign,

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<v Speaker 2>you know what I'm saying. So in my just so

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<v Speaker 2>you know, I this is not based on anything real.

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<v Speaker 2>In my mind, we're going to do something else. I

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<v Speaker 2>don't think it'll be a whole season, but I think

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<v Speaker 2>we will do something else. But obviously no one knows

0:10:32.880 --> 0:10:37.080
<v Speaker 2>who owns us right now, you know, So there's that

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<v Speaker 2>that's got to be worked out. And I don't think

0:10:39.200 --> 0:10:42.320
<v Speaker 2>Michael Michael. I saw Michael, and he I've seen it

0:10:42.360 --> 0:10:44.440
<v Speaker 2>a couple of times, so he didn't. He doesn't say that.

0:10:44.720 --> 0:10:49.240
<v Speaker 2>But I'm just in my in my hopeful way, you know,

0:10:49.520 --> 0:10:50.080
<v Speaker 2>going with that.

0:10:50.920 --> 0:10:51.800
<v Speaker 1>I like that too.

0:10:52.040 --> 0:10:54.000
<v Speaker 2>I like that too. I like that too. I mean,

0:10:54.080 --> 0:10:56.800
<v Speaker 2>I feel like we've been going for so long, you know,

0:10:57.720 --> 0:11:01.640
<v Speaker 2>why why finish? I know, right, I.

0:11:01.679 --> 0:11:03.959
<v Speaker 1>Know we're an expensive show, but we're worth it.

0:11:04.200 --> 0:11:06.479
<v Speaker 2>I think we're worth it too, darn it.

0:11:06.480 --> 0:11:08.760
<v Speaker 1>It's we're worth it. And it's a it's a it's

0:11:08.800 --> 0:11:11.360
<v Speaker 1>beautifully shot, it's it's a movie. I mean, it's like

0:11:11.600 --> 0:11:13.480
<v Speaker 1>there's no c G I or like that.

0:11:13.559 --> 0:11:15.160
<v Speaker 4>It's just all New York.

0:11:15.240 --> 0:11:17.320
<v Speaker 2>Is That's right, babe? That is right?

0:11:17.440 --> 0:11:20.800
<v Speaker 1>Studio sets or the beautiful locations of New York City

0:11:20.840 --> 0:11:23.720
<v Speaker 1>and that's and that's you know, so that's that's thrilling.

0:11:23.720 --> 0:11:27.559
<v Speaker 1>And then you've got these wonderful actresses and actors.

0:11:27.160 --> 0:11:38.320
<v Speaker 5>And yeah, I agree, I agree, I agree.

0:11:40.200 --> 0:11:43.000
<v Speaker 2>All right, let's talk about this episode. So I am

0:11:43.440 --> 0:11:46.960
<v Speaker 2>so totally every time I'm watching these episodes from this

0:11:47.040 --> 0:11:50.160
<v Speaker 2>section of season three, I knew in my mind that, like,

0:11:50.280 --> 0:11:53.960
<v Speaker 2>I love season three so much, it's my favorite season whatever,

0:11:54.320 --> 0:11:57.320
<v Speaker 2>but like, and I love the whole big Carrie you

0:11:57.360 --> 0:11:59.400
<v Speaker 2>know thing, But there's so much I don't remember. It's

0:11:59.400 --> 0:12:00.760
<v Speaker 2>like I'm watching it for the first time.

0:12:01.160 --> 0:12:02.440
<v Speaker 3>It's a very strong season.

0:12:02.480 --> 0:12:04.840
<v Speaker 1>It's it's you know, not because it's when I came in,

0:12:04.840 --> 0:12:07.000
<v Speaker 1>but it's actually when I started watching it too that

0:12:07.040 --> 0:12:09.640
<v Speaker 1>I had to go back and then and then that

0:12:09.840 --> 0:12:13.880
<v Speaker 1>season is when it really kind of oh yeah.

0:12:15.240 --> 0:12:17.920
<v Speaker 2>And I don't remember anything, Like I don't remember that

0:12:18.080 --> 0:12:21.640
<v Speaker 2>Carrie and Bigger going to some CD hotel. Oh my gosh,

0:12:21.960 --> 0:12:24.040
<v Speaker 2>I remember that I run into the I don't remember

0:12:24.080 --> 0:12:25.920
<v Speaker 2>any of this. I don't know where the heck of

0:12:25.920 --> 0:12:31.120
<v Speaker 2>my mind was. Oh it is so sad, I do, like,

0:12:31.240 --> 0:12:32.839
<v Speaker 2>what are you doing in this neighborhood?

0:12:33.120 --> 0:12:33.440
<v Speaker 1>I know?

0:12:33.800 --> 0:12:36.440
<v Speaker 2>I know, and I mean it's also funny because is

0:12:36.440 --> 0:12:38.400
<v Speaker 2>there any part of town that they wouldn't be in?

0:12:38.520 --> 0:12:39.840
<v Speaker 2>Not really, you know what I mean.

0:12:40.200 --> 0:12:44.520
<v Speaker 1>But your reaction to it's your disappointment, really, Oh, your

0:12:44.559 --> 0:12:47.880
<v Speaker 1>disappointment in her. Okay, if you feel the way you're

0:12:47.880 --> 0:12:49.720
<v Speaker 1>saying is you're trying to be as polite as possible,

0:12:49.720 --> 0:12:52.720
<v Speaker 1>but you're letting her know that you're not happy about this.

0:12:52.760 --> 0:12:58.480
<v Speaker 1>You're disappointed in your because your moral character. Charlotte is like,

0:12:58.480 --> 0:13:00.199
<v Speaker 1>like you said, what if you know, what if that

0:13:00.240 --> 0:13:00.720
<v Speaker 1>happened to me?

0:13:01.160 --> 0:13:04.040
<v Speaker 2>Okay, I'm glad you feel that way, because I don't

0:13:04.080 --> 0:13:05.960
<v Speaker 2>love my work in this episode. I really don't.

0:13:06.760 --> 0:13:07.600
<v Speaker 1>You're nuts. You.

0:13:10.200 --> 0:13:14.120
<v Speaker 2>I like me when I'm with you, right, I know

0:13:14.160 --> 0:13:16.400
<v Speaker 2>it's true, it's true, But I mean a lot of

0:13:16.440 --> 0:13:19.120
<v Speaker 2>the times when I do look back, I'm like thrilled. Right,

0:13:19.240 --> 0:13:22.080
<v Speaker 2>but there's some hard things they have me do, like

0:13:22.120 --> 0:13:24.880
<v Speaker 2>that scene. Because Okay, So just to make sure we're

0:13:24.880 --> 0:13:28.880
<v Speaker 2>including our listeners. So this is the episode where Carrie

0:13:28.880 --> 0:13:31.360
<v Speaker 2>has slowly been telling the friends right like she first

0:13:31.360 --> 0:13:33.400
<v Speaker 2>told Samantha, because she knows Samantha is not going to

0:13:33.480 --> 0:13:36.600
<v Speaker 2>judge that she's having a fair with mea exactly. Then

0:13:36.640 --> 0:13:39.040
<v Speaker 2>she in this episode she tells Miranda, and that's a

0:13:39.040 --> 0:13:40.679
<v Speaker 2>great scene. We'll get to that in a second. But

0:13:40.840 --> 0:13:42.920
<v Speaker 2>then the way that Charlotte finds out because she doesn't

0:13:42.920 --> 0:13:44.520
<v Speaker 2>want to tell me, because she goes, oh, I want

0:13:44.520 --> 0:13:46.720
<v Speaker 2>to don't want to tell miss bride because I'm getting

0:13:46.720 --> 0:13:49.640
<v Speaker 2>married in like three weeks. I think, I say, right, so,

0:13:50.000 --> 0:13:52.199
<v Speaker 2>and she's right about that, right because I'm in a

0:13:52.280 --> 0:13:56.320
<v Speaker 2>whole you know, basically just tizzy about you know, getting

0:13:56.320 --> 0:13:59.600
<v Speaker 2>married and being bride blah blah blah blah blah. And

0:13:59.720 --> 0:14:01.720
<v Speaker 2>so she does tell me, and we have a very

0:14:01.720 --> 0:14:06.440
<v Speaker 2>interesting scene where I Am just thinking to myself, what

0:14:06.679 --> 0:14:09.120
<v Speaker 2>is happening here and what did they say to me?

0:14:09.280 --> 0:14:13.800
<v Speaker 2>Because it's I am it's interesting. I'm not mad mad

0:14:14.280 --> 0:14:16.320
<v Speaker 2>like when we go to and just like that, and

0:14:16.400 --> 0:14:19.400
<v Speaker 2>Miranda has the affair with Shay that Charlotte mad right

0:14:19.480 --> 0:14:21.760
<v Speaker 2>like Michael Patrick told me to shout at her, which

0:14:21.800 --> 0:14:23.520
<v Speaker 2>I did, but I was scared to do it, but

0:14:23.560 --> 0:14:26.840
<v Speaker 2>I did it. But this scene, I'm like disappointed with

0:14:27.000 --> 0:14:30.080
<v Speaker 2>Carrie and I say things like you're not even thinking

0:14:30.120 --> 0:14:33.400
<v Speaker 2>about her, which is I think one hundred percent true,

0:14:33.560 --> 0:14:36.360
<v Speaker 2>you know, meaning the wife Natasha. But I also feel

0:14:36.360 --> 0:14:39.760
<v Speaker 2>like I don't feel I don't know if I'm being

0:14:39.840 --> 0:14:42.440
<v Speaker 2>nice to my friend Carrie in that scene. Do you

0:14:42.480 --> 0:14:43.080
<v Speaker 2>think I am?

0:14:43.560 --> 0:14:47.120
<v Speaker 1>No? I no, I just I don't think it's even

0:14:47.160 --> 0:14:49.040
<v Speaker 1>about being nice. You know, it's not going to end

0:14:49.080 --> 0:14:50.400
<v Speaker 1>your friendship. It's too deep.

0:14:50.440 --> 0:14:53.240
<v Speaker 3>It's just you're letting her know that I'm disappointed in you.

0:14:53.640 --> 0:14:57.600
<v Speaker 1>Ye, this is and even and even I know you're

0:14:57.640 --> 0:15:00.320
<v Speaker 1>getting married in it, but even even you're even sh Arlotte,

0:15:00.360 --> 0:15:03.680
<v Speaker 1>I think would be disappointed anyway because she's seeing a

0:15:03.720 --> 0:15:09.000
<v Speaker 1>married man. And it's also about protecting Carrie, to protecting

0:15:09.080 --> 0:15:11.800
<v Speaker 1>her heart. You know, that could happen any minute with

0:15:11.920 --> 0:15:14.720
<v Speaker 1>this man that's married. So it makes.

0:15:14.520 --> 0:15:16.640
<v Speaker 2>It's a big mess. It's a big mess for sure.

0:15:16.760 --> 0:15:20.000
<v Speaker 2>And I mean definitely like when when you know, the

0:15:20.040 --> 0:15:22.320
<v Speaker 2>whole time, when we find out that he's engaged, and

0:15:22.440 --> 0:15:23.800
<v Speaker 2>you know, I read it in the paper and I

0:15:23.800 --> 0:15:26.040
<v Speaker 2>don't want her to know. And yes, I definitely seem

0:15:26.080 --> 0:15:27.720
<v Speaker 2>like I want to protect her. But I mean when

0:15:27.720 --> 0:15:30.000
<v Speaker 2>I watched that scene, it's like, ooh, it makes me

0:15:30.680 --> 0:15:33.880
<v Speaker 2>I feel uncomfortable watching the scene between me and Carrie.

0:15:34.080 --> 0:15:37.400
<v Speaker 1>You know, you know, look, here's the thing whether people

0:15:38.280 --> 0:15:43.160
<v Speaker 1>fans as the character Charlotte, whether they think you're too judgmenttro,

0:15:43.320 --> 0:15:45.200
<v Speaker 1>they hate you for it, or they're on your side.

0:15:45.280 --> 0:15:47.520
<v Speaker 1>It's going to be all different kinds of opinions about it.

0:15:47.520 --> 0:15:49.440
<v Speaker 1>That's the way it is, and that's what makes it cool.

0:15:49.480 --> 0:15:52.280
<v Speaker 2>No, that's true totally. And I also feel when I'm

0:15:52.320 --> 0:15:55.760
<v Speaker 2>watching it that I that's when I'm reminded that Charlotte

0:15:55.760 --> 0:15:58.120
<v Speaker 2>is an important point of view because it is different.

0:15:58.200 --> 0:16:01.520
<v Speaker 2>Everyone has a different point of view, which is lane Yeah,

0:16:01.560 --> 0:16:04.840
<v Speaker 2>which is really good, but I'm never sure if I

0:16:04.880 --> 0:16:07.120
<v Speaker 2>really I feel like Also, this was the time when

0:16:07.120 --> 0:16:09.120
<v Speaker 2>they used to tell me that Charlott wouldn't get mad

0:16:09.760 --> 0:16:11.640
<v Speaker 2>right like, which is also kind of weird.

0:16:12.960 --> 0:16:17.440
<v Speaker 1>Mad everyone does, and right people, you have to, as

0:16:17.440 --> 0:16:19.680
<v Speaker 1>Betty Davis said, you have to dare to be hated.

0:16:21.440 --> 0:16:22.760
<v Speaker 3>And that's what it's all about.

0:16:22.840 --> 0:16:25.840
<v Speaker 1>I mean, look, I had so many especially gay women

0:16:25.920 --> 0:16:27.640
<v Speaker 1>not so much, but gay men would come up to

0:16:27.640 --> 0:16:31.840
<v Speaker 1>me and say, you know, you play it definitely much

0:16:31.880 --> 0:16:34.160
<v Speaker 1>more blunt. You know. When I was with you, there

0:16:34.240 --> 0:16:36.280
<v Speaker 1>was that scene I was watching and someone just posted

0:16:36.680 --> 0:16:40.320
<v Speaker 1>when we were eating a cafeteria and we run into

0:16:40.320 --> 0:16:42.800
<v Speaker 1>it's another seat. There's not this episode, but we run

0:16:42.840 --> 0:16:48.360
<v Speaker 1>into Stanny and Uh and his friend Marcus and I

0:16:48.480 --> 0:16:50.960
<v Speaker 1>tell you the t's of Hooker and that and and

0:16:50.960 --> 0:16:52.840
<v Speaker 1>then I'm telling him, like, you know, He's like, I,

0:16:52.960 --> 0:16:54.520
<v Speaker 1>I didn't go to the problem. I was like, cause

0:16:54.560 --> 0:16:57.800
<v Speaker 1>you were gay and I'm brutal to But it's hilarious

0:16:57.840 --> 0:17:00.560
<v Speaker 1>at the same time. But it's interesting how different people

0:17:00.640 --> 0:17:02.520
<v Speaker 1>view it. Like women thought it was funny, and.

0:17:02.520 --> 0:17:05.760
<v Speaker 3>Charlie and Blunt and Game were like, you're an asult.

0:17:06.960 --> 0:17:11.560
<v Speaker 1>It was yeah, interesting, you gotta just but me and

0:17:11.600 --> 0:17:14.560
<v Speaker 1>then look and then in the in just like that,

0:17:14.680 --> 0:17:17.680
<v Speaker 1>we all for the for the good or the bad.

0:17:18.080 --> 0:17:22.480
<v Speaker 1>We all evolved, we all became grown ups and either

0:17:22.520 --> 0:17:27.240
<v Speaker 1>our anxieties grew or we kind of were more relaxed,

0:17:27.359 --> 0:17:30.480
<v Speaker 1>or we were more you know. I feel like Anthony

0:17:30.560 --> 0:17:33.240
<v Speaker 1>wasn't as He's still blunt, but he wasn't as rude.

0:17:33.280 --> 0:17:34.680
<v Speaker 1>He definitely evolved more.

0:17:34.960 --> 0:17:36.880
<v Speaker 2>I think you're right. I had not thought about that.

0:17:37.200 --> 0:17:40.240
<v Speaker 1>No. I remember her saying, Michael, when I with the bakery,

0:17:40.240 --> 0:17:42.040
<v Speaker 1>I'm like, so, I'm not going to be messing around

0:17:42.080 --> 0:17:43.760
<v Speaker 1>with these guys at the bakery. Because he was such

0:17:43.800 --> 0:17:46.280
<v Speaker 1>a promistuous character and he was like, no, no, no, you don't.

0:17:46.560 --> 0:17:49.280
<v Speaker 1>You don't ship where you eat right, and you've evolved,

0:17:49.280 --> 0:17:50.280
<v Speaker 1>and I just thought.

0:17:50.720 --> 0:17:54.920
<v Speaker 2>Wow, yeah, yeah, definitely, definitely you grew up.

0:17:54.880 --> 0:17:58.240
<v Speaker 1>And definitely you became a married woman with a solid

0:17:58.280 --> 0:18:04.000
<v Speaker 1>marriage and kids and chaos. Definitely you dealt with that brilliantly.

0:18:04.080 --> 0:18:07.040
<v Speaker 3>I told you that how you made me laugh out.

0:18:06.960 --> 0:18:07.960
<v Speaker 2>Loud a lot?

0:18:08.440 --> 0:18:14.320
<v Speaker 1>Really the premiere the second the second season with you,

0:18:15.160 --> 0:18:16.840
<v Speaker 1>the downsized.

0:18:16.119 --> 0:18:19.400
<v Speaker 2>Premiere, Oh yeah, yeah yeah, the Writer's Strike premiere.

0:18:19.280 --> 0:18:24.800
<v Speaker 1>Yeah, the writers yep, yep. I uh uh. I remember

0:18:25.880 --> 0:18:26.920
<v Speaker 1>saying to you, you're.

0:18:26.840 --> 0:18:29.400
<v Speaker 2>So thank you, babe, and.

0:18:29.320 --> 0:18:31.200
<v Speaker 1>You've had beautiful things to say about me. You said

0:18:31.200 --> 0:18:32.639
<v Speaker 1>it to me first, but I was didn't say to

0:18:32.640 --> 0:18:33.439
<v Speaker 1>you because you said it to me.

0:18:33.480 --> 0:18:37.400
<v Speaker 2>I was like, you're so funny, but you're so hard

0:18:37.440 --> 0:18:40.199
<v Speaker 2>on yourself and you're you're it cracks me up. But

0:18:40.280 --> 0:18:43.280
<v Speaker 2>you did obviously have a lot of challenges. I the

0:18:43.320 --> 0:18:45.560
<v Speaker 2>thing that I thought about when I was watching this episode,

0:18:45.760 --> 0:18:48.720
<v Speaker 2>there's a scene where I'm the coffee shop scene. I've

0:18:48.720 --> 0:18:52.280
<v Speaker 2>got this stack of magazines, the Bridal magazines, and you

0:18:52.640 --> 0:18:55.840
<v Speaker 2>say it exactly. That scene almost killed me. With the

0:18:55.840 --> 0:18:57.919
<v Speaker 2>props we've all been there we've all been there in

0:18:57.960 --> 0:19:00.760
<v Speaker 2>the prop scenes. Okay, you know it's hard. And this

0:19:00.880 --> 0:19:04.680
<v Speaker 2>was Dennis Erdmand directing. Do you remember Dennis. Yes, and

0:19:04.840 --> 0:19:08.119
<v Speaker 2>I've forgotten that. This is when Dennis shows up to direct.

0:19:08.400 --> 0:19:11.320
<v Speaker 1>Yeah he was, he was. He was Darren's partner, Yes

0:19:11.440 --> 0:19:11.959
<v Speaker 1>he was.

0:19:12.080 --> 0:19:13.240
<v Speaker 2>And I thought it was good.

0:19:13.960 --> 0:19:15.480
<v Speaker 3>Yeah, he was great. He was lovely to work with.

0:19:15.600 --> 0:19:16.359
<v Speaker 3>I had a great time.

0:19:16.520 --> 0:19:17.480
<v Speaker 2>Yeah, he's a sweet guy.

0:19:17.880 --> 0:19:19.399
<v Speaker 1>It was just a late night, you know.

0:19:19.600 --> 0:19:21.120
<v Speaker 2>Oh, every night was a late night.

0:19:21.359 --> 0:19:23.560
<v Speaker 1>And I don't think the other thing about that second

0:19:23.600 --> 0:19:25.720
<v Speaker 1>scene that got cut. I was told that that, you know,

0:19:25.760 --> 0:19:28.119
<v Speaker 1>it was so late and they didn't get enough coverage

0:19:28.160 --> 0:19:31.119
<v Speaker 1>and oh, which was another reason why they cut it.

0:19:31.160 --> 0:19:33.720
<v Speaker 1>So it just when you get out to four four

0:19:33.760 --> 0:19:36.639
<v Speaker 1>a m. You can get wonky, as you know.

0:19:36.760 --> 0:19:39.600
<v Speaker 2>Oh my god. Yes, I mean how we functioned at

0:19:39.640 --> 0:19:42.879
<v Speaker 2>all is amazing, you know what I'm saying, Like, I

0:19:43.320 --> 0:19:46.160
<v Speaker 2>remember the exhaustion. I think that's why I don't remember

0:19:46.200 --> 0:19:49.439
<v Speaker 2>everything now, because I'm just like so past tired, you know.

0:19:50.640 --> 0:19:53.520
<v Speaker 2>But but you know, all good, oh good, Okay, wait,

0:19:53.600 --> 0:19:57.720
<v Speaker 2>let's go, let's go in order. So Carrie's storyline super fascinating.

0:19:57.960 --> 0:20:01.919
<v Speaker 2>Didn't remember this at all. And I think it really

0:20:02.800 --> 0:20:07.280
<v Speaker 2>really seems to like the vibe of having an affair,

0:20:07.880 --> 0:20:11.280
<v Speaker 2>which I think is great that they brought it because previously,

0:20:11.320 --> 0:20:13.520
<v Speaker 2>like when they were in the Stanhope, like it's kind

0:20:13.520 --> 0:20:18.000
<v Speaker 2>of gorgeous, right, like Charles McDougal film that and is

0:20:18.040 --> 0:20:22.200
<v Speaker 2>so cinematic and beautiful, and now we see like the

0:20:22.240 --> 0:20:26.000
<v Speaker 2>gritty reality of having to hide and like they're cranky

0:20:26.040 --> 0:20:27.520
<v Speaker 2>with each other. He's like, I've got to be at

0:20:27.520 --> 0:20:28.440
<v Speaker 2>work in forty minutes.

0:20:28.640 --> 0:20:31.000
<v Speaker 3>Forty minutes and it's just like, okay, this is that

0:20:31.240 --> 0:20:31.840
<v Speaker 3>just hitting it.

0:20:31.840 --> 0:20:32.919
<v Speaker 4>And then I know.

0:20:34.960 --> 0:20:37.120
<v Speaker 1>It's it's very ick.

0:20:37.280 --> 0:20:38.880
<v Speaker 2>No wonder if she feels so terrible.

0:20:39.320 --> 0:20:42.240
<v Speaker 1>Oh, and there she goes. You know, it's like I said,

0:20:42.520 --> 0:20:45.680
<v Speaker 1>you know, dare to be hated. That's that's judged.

0:20:45.440 --> 0:20:48.800
<v Speaker 2>Too absolutely, And I mean she's so brave, like she

0:20:49.000 --> 0:20:51.359
<v Speaker 2>just does it. She does, but also she brings such

0:20:51.560 --> 0:20:53.720
<v Speaker 2>truth like it's so real, you.

0:20:53.680 --> 0:20:55.439
<v Speaker 1>Know, it's fantastic.

0:20:56.080 --> 0:20:59.879
<v Speaker 2>Sarahja's magnificence beyond beyond beyond and so gorgeous.

0:21:00.400 --> 0:21:04.399
<v Speaker 1>Oh, she looks forwarteous and such good performance. And Chris

0:21:04.480 --> 0:21:05.119
<v Speaker 1>is wonderful and.

0:21:05.240 --> 0:21:09.679
<v Speaker 2>It's so good. He's so good. But also I did

0:21:09.760 --> 0:21:12.280
<v Speaker 2>hate him, you know, of course.

0:21:12.400 --> 0:21:15.239
<v Speaker 3>Of course, because you know he was messing with your

0:21:15.240 --> 0:21:15.800
<v Speaker 3>best friend.

0:21:16.040 --> 0:21:16.600
<v Speaker 4>Yeah.

0:21:16.640 --> 0:21:18.800
<v Speaker 2>And also when he's like, oh, I'm going to tell her,

0:21:18.800 --> 0:21:20.480
<v Speaker 2>and she said, but are you really? I mean, it's

0:21:20.480 --> 0:21:24.160
<v Speaker 2>a very interesting dynamic of like on the one hand

0:21:24.200 --> 0:21:26.560
<v Speaker 2>she kind of seems like she wants him to and

0:21:26.600 --> 0:21:28.920
<v Speaker 2>on the other hand she doesn't. And then the thing

0:21:28.960 --> 0:21:31.040
<v Speaker 2>that I didn't remember at all, And people do bring

0:21:31.040 --> 0:21:32.360
<v Speaker 2>this up to me, and I'm always like, I don't

0:21:32.359 --> 0:21:34.800
<v Speaker 2>know what strang about when and I'm jumping to the end,

0:21:34.840 --> 0:21:37.320
<v Speaker 2>but we're going to talk about Natasha. But before we do,

0:21:37.480 --> 0:21:40.400
<v Speaker 2>when at the very end, she says, we're so over

0:21:40.480 --> 0:21:44.280
<v Speaker 2>that we need another name for over. Yeah, another word

0:21:44.320 --> 0:21:46.800
<v Speaker 2>for over. It's such a great line. And people talk

0:21:46.840 --> 0:21:48.119
<v Speaker 2>to me about that, and I'm like, I don't know

0:21:48.200 --> 0:21:52.359
<v Speaker 2>when that happens, but okay, it happens here and rightly so,

0:21:52.840 --> 0:21:56.359
<v Speaker 2>because ick a million times ick on this situation.

0:21:56.720 --> 0:21:57.639
<v Speaker 4>It's boy, And.

0:21:59.320 --> 0:22:00.960
<v Speaker 1>I mean, was he are they gonna call her?

0:22:01.280 --> 0:22:03.480
<v Speaker 2>I don't think he was. I think he's like daring her,

0:22:03.520 --> 0:22:06.359
<v Speaker 2>like they have such a weird like like I dare

0:22:06.400 --> 0:22:08.600
<v Speaker 2>you type you know thing. But then she doesn't really

0:22:08.640 --> 0:22:10.200
<v Speaker 2>want him to and she says, I need more time.

0:22:10.280 --> 0:22:13.560
<v Speaker 2>It's so interestingly written. I mean, what a fantastic Michael

0:22:13.560 --> 0:22:17.440
<v Speaker 2>Patrick wrote this one. And it's just incredible. It's so so,

0:22:17.440 --> 0:22:20.720
<v Speaker 2>so so incredibly good. Okay, so let's talk about Carrie

0:22:20.760 --> 0:22:25.240
<v Speaker 2>from the beginning. So she's having the affair. It's elegant

0:22:25.280 --> 0:22:32.000
<v Speaker 2>to really really bad hotels. They're they're complaining, and then oh,

0:22:32.040 --> 0:22:34.560
<v Speaker 2>he seems jealous and he says to her something like,

0:22:34.640 --> 0:22:37.240
<v Speaker 2>you know, are you you know, saving it for the

0:22:37.320 --> 0:22:39.399
<v Speaker 2>boyfriend or whatever, and she's like, don't talk to me

0:22:39.600 --> 0:22:42.320
<v Speaker 2>like that. I'm like, oh god, I'm so scared. I'm

0:22:42.320 --> 0:22:42.760
<v Speaker 2>so scared.

0:22:42.800 --> 0:22:43.200
<v Speaker 1>It's dick.

0:22:43.320 --> 0:22:46.119
<v Speaker 2>It's so dick. But it's also so real, you know.

0:22:46.160 --> 0:22:49.080
<v Speaker 2>I feel like they're like peeling layers of each other off,

0:22:49.320 --> 0:22:51.480
<v Speaker 2>do you know what I mean, to the reality of

0:22:51.880 --> 0:22:52.480
<v Speaker 2>who they are.

0:22:53.000 --> 0:22:57.840
<v Speaker 1>As the room gets gets dirtier and slimier and and

0:22:57.920 --> 0:22:59.760
<v Speaker 1>less glamorous, so does the affair.

0:23:00.160 --> 0:23:03.679
<v Speaker 2>Definitely. And I think that's so beautifully done and so

0:23:04.080 --> 0:23:06.200
<v Speaker 2>accurate because affairs are horrible.

0:23:06.960 --> 0:23:09.560
<v Speaker 3>And then that the Natasha stuff.

0:23:09.720 --> 0:23:11.760
<v Speaker 2>Oh, let's not get there yet. Let's talk about when

0:23:11.800 --> 0:23:14.480
<v Speaker 2>she tells Miranda, because I love the scene. Oh yeah,

0:23:14.920 --> 0:23:17.760
<v Speaker 2>so much. I look forward now that I'm rewatching as

0:23:17.760 --> 0:23:20.640
<v Speaker 2>a fan more so, right I'm I'm I always look

0:23:20.680 --> 0:23:24.520
<v Speaker 2>forward to a Carrie Miranda scene because they're super amazing

0:23:24.880 --> 0:23:28.800
<v Speaker 2>and you never quite know who's going to be what way.

0:23:28.880 --> 0:23:30.560
<v Speaker 2>You know, you know that Miranda is going to tell

0:23:30.560 --> 0:23:32.640
<v Speaker 2>it like it is right, but like when she says

0:23:32.680 --> 0:23:34.359
<v Speaker 2>I have to tell you something, Miranda's like, well now

0:23:34.400 --> 0:23:37.120
<v Speaker 2>I'm scared. Like it's so they're so great together. They're

0:23:37.119 --> 0:23:40.280
<v Speaker 2>so great together and just the different vibe. And I

0:23:40.840 --> 0:23:45.440
<v Speaker 2>like how Miranda handles finding out because she is equally

0:23:45.520 --> 0:23:48.080
<v Speaker 2>telling it like it is, like you know, this is

0:23:48.359 --> 0:23:52.320
<v Speaker 2>a horrible mistake. But also she's worried for Carrie, you know,

0:23:52.880 --> 0:23:55.560
<v Speaker 2>and she's not judgmental. I mean, she's definitely telling her

0:23:55.600 --> 0:23:58.199
<v Speaker 2>don't do it, but she's not like you're a bad person,

0:23:58.480 --> 0:23:58.760
<v Speaker 2>you know what.

0:23:58.800 --> 0:24:02.400
<v Speaker 1>I'm saying, Probably because Carrie says to her, you're gonna

0:24:02.400 --> 0:24:04.200
<v Speaker 1>hate me for this, and she kind of does a

0:24:04.280 --> 0:24:07.199
<v Speaker 1>disclaimer before because she knows what she's like and how

0:24:07.240 --> 0:24:09.960
<v Speaker 1>she's gonna feel. Right doesn't come at her. I think

0:24:10.000 --> 0:24:14.159
<v Speaker 1>because there was a buffer there. Definitely knows that she

0:24:14.200 --> 0:24:17.919
<v Speaker 1>doesn't want the whole truth from her, so she says it,

0:24:17.960 --> 0:24:20.879
<v Speaker 1>but I think she leaves stuff out that she's feeling

0:24:20.960 --> 0:24:21.479
<v Speaker 1>and thinking.

0:24:21.720 --> 0:24:23.960
<v Speaker 2>I think for sure, I think for sure. But I

0:24:23.960 --> 0:24:25.840
<v Speaker 2>think it's nice how she handles it, you know what

0:24:25.880 --> 0:24:28.520
<v Speaker 2>I'm saying, Like, because Carrie's obviously troubled. It's not like

0:24:28.560 --> 0:24:31.280
<v Speaker 2>Carrie's like, I'm having an affair and it's great. She's saying,

0:24:31.440 --> 0:24:33.560
<v Speaker 2>I know, it's terrible. What do I do? I don't know?

0:24:33.600 --> 0:24:36.720
<v Speaker 2>And she says, you stop right, which obviously Carrie doesn't do.

0:24:36.760 --> 0:24:39.639
<v Speaker 2>But then they cut to Carrie and aiden, this killed me.

0:24:39.920 --> 0:24:42.080
<v Speaker 2>I don't remember any of this, and he's kissing her

0:24:42.080 --> 0:24:46.160
<v Speaker 2>and like going like m mmmm, and she just wants

0:24:46.200 --> 0:24:49.240
<v Speaker 2>to jump out of her skin. Oh I just felt that,

0:24:49.680 --> 0:24:53.880
<v Speaker 2>like to my core. It's awful. Like I can't even

0:24:53.960 --> 0:24:57.800
<v Speaker 2>believe that she just doesn't just fully bail, but you know,

0:24:57.880 --> 0:24:59.560
<v Speaker 2>she kind of does in a certain way. But like

0:25:00.280 --> 0:25:02.920
<v Speaker 2>to your person who's you know, supposedly a person who

0:25:02.960 --> 0:25:05.040
<v Speaker 2>doesn't know that you're doing this other thing that you

0:25:05.080 --> 0:25:07.760
<v Speaker 2>don't like the sound he's making while he's kissing you.

0:25:08.119 --> 0:25:09.280
<v Speaker 2>I don't think I would do that.

0:25:09.960 --> 0:25:11.240
<v Speaker 1>No, No, I wouldn't.

0:25:11.560 --> 0:25:14.440
<v Speaker 2>No, it's it's it's tough like the fact that he,

0:25:15.480 --> 0:25:18.240
<v Speaker 2>you know, tries his best to be like, oh, okay,

0:25:18.280 --> 0:25:21.800
<v Speaker 2>I won't make that sound. I'm like, Aiden, what a sweetheart.

0:25:22.040 --> 0:25:23.040
<v Speaker 2>Oh my god.

0:25:24.000 --> 0:25:26.640
<v Speaker 1>She know she's she's not nice to the one that's

0:25:26.760 --> 0:25:29.880
<v Speaker 1>very caring to her, and she's nice the one that's

0:25:29.920 --> 0:25:30.920
<v Speaker 1>a son of a bitch.

0:25:31.080 --> 0:25:34.280
<v Speaker 3>I know, because she's an adult.

0:25:34.560 --> 0:25:37.479
<v Speaker 2>Sometimes I know it's kind of but it's also just

0:25:37.680 --> 0:25:40.879
<v Speaker 2>she's so relatable, but also I feel for her because

0:25:40.880 --> 0:25:43.200
<v Speaker 2>she's so stuck. Like, on the one hand, she feels

0:25:43.240 --> 0:25:45.479
<v Speaker 2>horrible and they're like cranky with each other over at

0:25:45.480 --> 0:25:47.880
<v Speaker 2>the affair, and then she doesn't like the sound Aidan's

0:25:47.920 --> 0:25:50.400
<v Speaker 2>making and she tells him and then he's like, oh,

0:25:50.440 --> 0:25:53.159
<v Speaker 2>it's just so everything, so uncomfortable for her, and she

0:25:53.320 --> 0:25:57.160
<v Speaker 2>does it so brilliantly, so brilliantly, but it really made

0:25:57.200 --> 0:25:59.840
<v Speaker 2>me uncomfortable watching it even right Like, I was just like,

0:26:00.680 --> 0:26:02.399
<v Speaker 2>I just want to jump out of my own skin.

0:26:02.880 --> 0:26:04.000
<v Speaker 1>It's really uncomfortable.

0:26:04.080 --> 0:26:05.359
<v Speaker 2>Yeah, I was like, see, that's why I'm not in

0:26:05.400 --> 0:26:10.200
<v Speaker 2>a relationship. It was one of those moments I want

0:26:10.200 --> 0:26:12.040
<v Speaker 2>to get one of these jams. I want to get

0:26:12.119 --> 0:26:14.240
<v Speaker 2>one of these jams because you're trying to take care

0:26:14.240 --> 0:26:15.800
<v Speaker 2>of yourself, but then you're also trying to take care

0:26:15.840 --> 0:26:17.439
<v Speaker 2>of the other people. But then you're also just like

0:26:17.560 --> 0:26:21.119
<v Speaker 2>everything's bad. You know, everything's bad. Oh God, it stressed

0:26:21.119 --> 0:26:23.639
<v Speaker 2>me out a lot watching it, but it was just

0:26:23.720 --> 0:26:27.160
<v Speaker 2>so good though, And I also feel like, what other

0:26:27.320 --> 0:26:29.800
<v Speaker 2>television show can you think of? I mean, I'm sure

0:26:29.800 --> 0:26:32.239
<v Speaker 2>there's got to be some somewhere, but like, it's so

0:26:32.600 --> 0:26:36.240
<v Speaker 2>rare to be able to see this done in a

0:26:36.400 --> 0:26:38.960
<v Speaker 2>not soap opera e way, do you know what I mean,

0:26:39.359 --> 0:26:41.400
<v Speaker 2>like the reality of the feelings.

0:26:41.560 --> 0:26:43.960
<v Speaker 1>No, the last thing it was was soap opera. No,

0:26:44.280 --> 0:26:47.280
<v Speaker 1>it's so good.

0:26:47.480 --> 0:26:49.800
<v Speaker 2>It's amazing to me. I mean I kind of knew,

0:26:49.800 --> 0:26:51.080
<v Speaker 2>but like rewatching, I'm.

0:26:50.960 --> 0:26:53.320
<v Speaker 1>Like, wow, that's why it holds up. It's you know,

0:26:53.640 --> 0:26:58.200
<v Speaker 1>And each scene with Aidan throughout that episode got more

0:26:58.240 --> 0:27:01.080
<v Speaker 1>and more uncomfortable, like he's gonna go.

0:27:01.080 --> 0:27:04.080
<v Speaker 2>And he's gotta go, He's gotta.

0:27:03.720 --> 0:27:05.640
<v Speaker 1>Go because it's true.

0:27:06.080 --> 0:27:11.080
<v Speaker 2>It's awful, you know, stifled and can't be shut down.

0:27:11.359 --> 0:27:14.040
<v Speaker 2>Isn't it the worst? Oh it's the worst. I know.

0:27:14.119 --> 0:27:16.280
<v Speaker 2>I really fell for Aiden, I really really felt for

0:27:16.320 --> 0:27:18.800
<v Speaker 2>Aiden this whole time. I didn't feel for Big though,

0:27:18.840 --> 0:27:23.360
<v Speaker 2>but that's okay, well, oh wait, what about the time

0:27:23.400 --> 0:27:26.879
<v Speaker 2>when she's in the really CD hotel room lobby and

0:27:26.920 --> 0:27:30.200
<v Speaker 2>the guy thinks she's a hooker. Oh my god. This

0:27:30.240 --> 0:27:32.160
<v Speaker 2>is the second time in the show that someone has

0:27:32.200 --> 0:27:35.560
<v Speaker 2>thought Carry is a hooker, you guys, what on earth

0:27:36.040 --> 0:27:39.399
<v Speaker 2>in the first season. He's furious about it, I know,

0:27:39.560 --> 0:27:42.560
<v Speaker 2>and rightly, so rightly, so, oh my god. And that's

0:27:42.560 --> 0:27:44.760
<v Speaker 2>when they come out and I run into them, and

0:27:44.760 --> 0:27:48.879
<v Speaker 2>they're of course very very chagrined, and I'm kind of

0:27:48.960 --> 0:28:03.280
<v Speaker 2>polite ish, but it's awkward. Then you see me packing,

0:28:03.359 --> 0:28:05.720
<v Speaker 2>which I didn't remember this at all either. I'm packing

0:28:05.760 --> 0:28:08.159
<v Speaker 2>to move to trays when when Carrie and I have

0:28:08.280 --> 0:28:10.960
<v Speaker 2>the scene, I'm packing up and she's just standing there

0:28:11.040 --> 0:28:13.760
<v Speaker 2>and she's kind of theoretically helping me, but she's mostly

0:28:13.800 --> 0:28:15.320
<v Speaker 2>just standing there. But that's why I get to war

0:28:15.400 --> 0:28:17.920
<v Speaker 2>jeans and T shirt. Because Pat Field really never wanted

0:28:17.920 --> 0:28:20.040
<v Speaker 2>me to wear jeans and T shirt. I'm wearing jeans

0:28:20.040 --> 0:28:22.840
<v Speaker 2>and T shirt and like my own Adidas or doctor

0:28:22.880 --> 0:28:25.359
<v Speaker 2>Shoul's flip flops, I don't know which one it is.

0:28:25.359 --> 0:28:27.920
<v Speaker 1>I couldn't see, but look look great.

0:28:28.119 --> 0:28:30.160
<v Speaker 2>Thank you so much, thank you so much. I remember

0:28:30.280 --> 0:28:32.800
<v Speaker 2>not feeling great whenever I did get to ward jeans

0:28:32.840 --> 0:28:35.240
<v Speaker 2>because she believed that I should really never wear jeans,

0:28:35.680 --> 0:28:38.120
<v Speaker 2>but I did. I did look back and think like

0:28:38.240 --> 0:28:41.640
<v Speaker 2>I am so dumb that I didn't feel great, like stupid.

0:28:41.480 --> 0:28:43.680
<v Speaker 4>Woman because we don't know what you look like.

0:28:43.800 --> 0:28:46.480
<v Speaker 2>That's why I don't. I don't and I certainly didn't

0:28:46.480 --> 0:28:48.880
<v Speaker 2>then at all. No, I didn't.

0:28:49.360 --> 0:28:53.720
<v Speaker 3>And so when you yeah, and I think you needed

0:28:53.720 --> 0:28:53.880
<v Speaker 3>to be.

0:28:54.160 --> 0:28:56.600
<v Speaker 1>Also because the show is so much about fashion, it's like, well,

0:28:56.600 --> 0:28:57.800
<v Speaker 1>why aren't I in something?

0:28:58.400 --> 0:29:00.680
<v Speaker 2>No, No, I wanted to be in Gene. I mean

0:29:00.880 --> 0:29:03.640
<v Speaker 2>I was exhausted by those clothes, you know what I'm saying,

0:29:03.720 --> 0:29:05.520
<v Speaker 2>Like it was so much and you know how I

0:29:05.640 --> 0:29:07.880
<v Speaker 2>dressed in life, right like I you know, I try

0:29:07.920 --> 0:29:09.720
<v Speaker 2>to look nice for the podcast, but you know I

0:29:10.400 --> 0:29:12.680
<v Speaker 2>would love to be in like my same sweater and

0:29:12.720 --> 0:29:14.560
<v Speaker 2>my same jeans every single day. It would be great.

0:29:14.640 --> 0:29:15.760
<v Speaker 2>I don't think I want to be on that in

0:29:15.800 --> 0:29:18.560
<v Speaker 2>a TV show, right, But like the height of all

0:29:18.600 --> 0:29:21.640
<v Speaker 2>of it was like a lot, you know obviously, I

0:29:21.680 --> 0:29:23.719
<v Speaker 2>mean now I love it more, but back then I

0:29:23.760 --> 0:29:25.600
<v Speaker 2>just remember, like, oh, thank god I can wear jeans.

0:29:25.720 --> 0:29:29.560
<v Speaker 3>Well, you know, ask ask Danny and Molly.

0:29:29.720 --> 0:29:34.200
<v Speaker 1>I hate fittings, up it out, hate them, hate them.

0:29:34.280 --> 0:29:36.200
<v Speaker 1>Just just I do it as fast as I can.

0:29:36.640 --> 0:29:39.120
<v Speaker 1>I mean, I tell them what I like and what

0:29:39.160 --> 0:29:42.160
<v Speaker 1>I don't like. But I'm not crazy picky about my clothes.

0:29:41.840 --> 0:29:44.760
<v Speaker 2>Which is great and that's refreshing for them.

0:29:45.160 --> 0:29:49.640
<v Speaker 1>No, I'm oh, yeah, you give me something that works,

0:29:49.040 --> 0:29:52.320
<v Speaker 1>and like, you know, also, I was like, I would

0:29:52.320 --> 0:29:54.320
<v Speaker 1>like By the second season, I was like, just give

0:29:54.360 --> 0:29:56.280
<v Speaker 1>me stuff that I'm gonna like to wear, but I'm

0:29:56.320 --> 0:29:57.440
<v Speaker 1>not gonna want to take home.

0:29:57.840 --> 0:30:00.800
<v Speaker 4>Oh so but then I calm stuff.

0:30:00.560 --> 0:30:02.240
<v Speaker 2>Any No, I was like, why wouldn't you want to

0:30:02.280 --> 0:30:03.239
<v Speaker 2>have stuff you want to take?

0:30:03.360 --> 0:30:04.800
<v Speaker 3>I did well the first season. I did, and and

0:30:04.840 --> 0:30:05.760
<v Speaker 3>I took.

0:30:05.800 --> 0:30:08.640
<v Speaker 1>I took what I wanted. But you know, Michael liked

0:30:08.680 --> 0:30:11.360
<v Speaker 1>being black a lot. And there was one time and

0:30:11.760 --> 0:30:13.280
<v Speaker 1>just like that. I think it was the party you

0:30:13.320 --> 0:30:15.840
<v Speaker 1>had that I had like a light pink jacket on

0:30:15.880 --> 0:30:18.760
<v Speaker 1>with flowers, oh never, and I loved it and I

0:30:18.800 --> 0:30:22.040
<v Speaker 1>was like, I took that. Oh that was good beautiful. Yeah.

0:30:22.080 --> 0:30:24.520
<v Speaker 1>So yeah, but it was a lot of blues and blacks,

0:30:24.520 --> 0:30:26.160
<v Speaker 1>which I wear in life.

0:30:26.560 --> 0:30:29.120
<v Speaker 2>Yeah. I also think like they have their color palette

0:30:29.160 --> 0:30:31.400
<v Speaker 2>for each you know, character, and they have to have

0:30:31.520 --> 0:30:35.160
<v Speaker 2>us be you know, somewhat in sync when we're together, right, So,

0:30:35.240 --> 0:30:37.880
<v Speaker 2>like everyone can't be wearing black all the time unless

0:30:37.960 --> 0:30:39.440
<v Speaker 2>it's a black occasion.

0:30:39.760 --> 0:30:42.560
<v Speaker 1>And Michael was very picky about what Anthony wore. He

0:30:42.720 --> 0:30:45.240
<v Speaker 1>was way more than I was.

0:30:45.480 --> 0:30:49.560
<v Speaker 2>Wow, Molly told me, okay, wow, wow, wow. I love

0:30:49.600 --> 0:30:51.600
<v Speaker 2>to hear that. That's interesting. Okay, Now we get to

0:30:51.640 --> 0:30:55.280
<v Speaker 2>the part where Tatasha. So basically they're in the CD

0:30:55.440 --> 0:30:57.960
<v Speaker 2>hotels and apparently there's some scene that we don't see

0:30:58.000 --> 0:30:59.240
<v Speaker 2>where Carrie's like, I don't want to be in the

0:30:59.280 --> 0:31:02.480
<v Speaker 2>city hotel. Let's let's well, we have to be at someone's.

0:31:02.200 --> 0:31:04.160
<v Speaker 1>House, right, let's do it right?

0:31:04.840 --> 0:31:06.840
<v Speaker 4>Might betten right right?

0:31:06.880 --> 0:31:08.760
<v Speaker 2>They might have had a scene that got cut. Who knows.

0:31:09.080 --> 0:31:13.760
<v Speaker 2>But they're at his beige house because everything's beige now,

0:31:14.280 --> 0:31:16.520
<v Speaker 2>and they're in the by beige bed. She's in the

0:31:16.520 --> 0:31:18.880
<v Speaker 2>beage bed. He's got to go to work. He goes

0:31:18.920 --> 0:31:22.200
<v Speaker 2>to work and she's in this kind of like pink

0:31:23.240 --> 0:31:26.480
<v Speaker 2>rummaging through the fridge and she hears Natasha come home

0:31:26.520 --> 0:31:27.840
<v Speaker 2>from the Hampton's early.

0:31:27.680 --> 0:31:30.080
<v Speaker 1>And oh, yeah, she came home early from the Hamptons.

0:31:30.280 --> 0:31:32.360
<v Speaker 2>Yeah, he thinks she's in the Hamptons and she's going

0:31:32.440 --> 0:31:34.240
<v Speaker 2>to stay there because he says he's going to call

0:31:34.280 --> 0:31:36.520
<v Speaker 2>her on Monday, which I thought was also such an

0:31:36.520 --> 0:31:38.520
<v Speaker 2>odd comment from him. This is when he says I'm

0:31:38.520 --> 0:31:41.000
<v Speaker 2>going to call her on Monday, and she goes, you know,

0:31:41.320 --> 0:31:44.240
<v Speaker 2>this is when she says, no, she needs more time

0:31:44.360 --> 0:31:47.280
<v Speaker 2>or whatever. Right, And then Natasha comes in and she

0:31:47.360 --> 0:31:49.800
<v Speaker 2>tries to get out the back service entrance, which is

0:31:49.800 --> 0:31:52.200
<v Speaker 2>how apartments are, and if we had we're on the

0:31:52.200 --> 0:31:54.480
<v Speaker 2>air now everyone be complaining about the back door, but

0:31:54.560 --> 0:31:56.920
<v Speaker 2>that is actually how apartments are in big, big old

0:31:56.960 --> 0:31:57.520
<v Speaker 2>buildings in.

0:31:57.440 --> 0:31:58.080
<v Speaker 1>New York South.

0:31:59.000 --> 0:32:01.200
<v Speaker 4>This kitchen entrances exactly.

0:32:01.240 --> 0:32:03.479
<v Speaker 2>It's the service entrance, that's what they would call it.

0:32:03.520 --> 0:32:05.320
<v Speaker 2>And it would go to an elevator that's in the

0:32:05.360 --> 0:32:07.920
<v Speaker 2>back where you could bring furniture up or whatever different

0:32:07.960 --> 0:32:10.040
<v Speaker 2>you know, things like workmen would come up in the

0:32:10.080 --> 0:32:14.200
<v Speaker 2>back elevator. There's rules in these kinds of building deliveries

0:32:14.200 --> 0:32:17.000
<v Speaker 2>exactly exactly. So Carrie is trying to get out the back,

0:32:17.040 --> 0:32:20.880
<v Speaker 2>but the chain lock is on and she can't get out.

0:32:21.240 --> 0:32:24.120
<v Speaker 2>So then she gets out and she's running down the

0:32:24.160 --> 0:32:27.600
<v Speaker 2>stairs and Natasha and her beautiful white outfit, which is

0:32:27.680 --> 0:32:30.760
<v Speaker 2>I think all she wears is running down after her

0:32:30.800 --> 0:32:33.120
<v Speaker 2>and falls on face.

0:32:33.720 --> 0:32:34.800
<v Speaker 1>It before she goes to the door.

0:32:35.000 --> 0:32:38.080
<v Speaker 2>Yeah, and she says, Carrie, Carrie, I knew you were

0:32:38.120 --> 0:32:40.720
<v Speaker 2>having an affair, but not in my house. Oh my god,

0:32:40.920 --> 0:32:46.640
<v Speaker 2>so upsetting, so upsetting on her face, on that beautiful face,

0:32:48.560 --> 0:32:50.200
<v Speaker 2>like yes, thank God.

0:32:50.240 --> 0:32:53.440
<v Speaker 1>She lifts her head and there's so much.

0:32:53.280 --> 0:32:56.160
<v Speaker 3>Fuss, and they put she puts her in a cab.

0:32:56.320 --> 0:32:58.680
<v Speaker 2>She puts her in a cab, and then someone told me,

0:32:58.760 --> 0:33:01.760
<v Speaker 2>I believe because we talked to Bridget earlier and Bridget

0:33:01.800 --> 0:33:05.200
<v Speaker 2>couldn't remember if she had ad libbed she Carrie puts

0:33:05.200 --> 0:33:06.760
<v Speaker 2>her in a cab and is trying to tell the

0:33:06.760 --> 0:33:09.880
<v Speaker 2>cab to go to the nearest hospital, and Bridget is

0:33:09.960 --> 0:33:12.480
<v Speaker 2>trying to lock Natasha is trying to lock the door.

0:33:12.520 --> 0:33:14.600
<v Speaker 2>So Carrie gank it in. And someone told me that

0:33:14.640 --> 0:33:19.600
<v Speaker 2>they listened to Michael Patrick's DVD, you know, narrative of it,

0:33:19.680 --> 0:33:23.760
<v Speaker 2>and that Bridget had ad libed that, which is super brilliant,

0:33:23.880 --> 0:33:26.560
<v Speaker 2>super brilliant. But the windows rolled down, so she's like

0:33:26.720 --> 0:33:29.360
<v Speaker 2>frantically trying to it's a funny kind of thing, and

0:33:29.400 --> 0:33:32.480
<v Speaker 2>so Carrie just gets in the front, which is very cool.

0:33:32.560 --> 0:33:35.480
<v Speaker 2>I love this whole sequence. And then it's so good

0:33:35.480 --> 0:33:38.080
<v Speaker 2>when they cut to the hospital and you see Big

0:33:38.120 --> 0:33:41.680
<v Speaker 2>coming in but he obviously doesn't know Carrie's there, and

0:33:41.720 --> 0:33:44.160
<v Speaker 2>the look on his face when he sees Carrie there

0:33:44.600 --> 0:33:47.320
<v Speaker 2>because probably Natasha killed him, or the doctors called him

0:33:47.400 --> 0:33:49.600
<v Speaker 2>or someone called him, right, he doesn't realize Carrie's there

0:33:49.600 --> 0:33:52.160
<v Speaker 2>and he sees her. It's such a good moment. He stops,

0:33:52.200 --> 0:33:55.120
<v Speaker 2>he sees Carrie, the look on her face.

0:33:56.200 --> 0:33:58.680
<v Speaker 1>It's just like, well, she's done, then.

0:33:58.760 --> 0:34:01.520
<v Speaker 2>Done, and like so oh sad and upset of how

0:34:01.560 --> 0:34:03.760
<v Speaker 2>it's actually gone down. And I love how in the

0:34:03.800 --> 0:34:06.680
<v Speaker 2>beginning of the episode, before this happens, there's a lot

0:34:06.720 --> 0:34:09.080
<v Speaker 2>of talk about, like with Miranda, and I think with

0:34:09.160 --> 0:34:11.920
<v Speaker 2>me also, I mean, because Carrie's like, couldn't we just

0:34:11.920 --> 0:34:13.560
<v Speaker 2>get out of it with no one getting hurt? No

0:34:13.560 --> 0:34:15.880
<v Speaker 2>one for the wiser. She says this to Miranda, and

0:34:15.960 --> 0:34:18.000
<v Speaker 2>I'm like, no, no, you can't get out of it

0:34:18.000 --> 0:34:19.880
<v Speaker 2>with no one getting hurt, and Miranda's basically know you.

0:34:20.040 --> 0:34:24.919
<v Speaker 2>And then who gets actually physically hurt, Natasha. It's so perfect. Yeah,

0:34:25.200 --> 0:34:28.960
<v Speaker 2>it's so good, so so good, Oh my god.

0:34:28.960 --> 0:34:31.000
<v Speaker 1>But she gets her there, she gets her that she

0:34:31.080 --> 0:34:34.160
<v Speaker 1>makes God, yes, she had to go with her.

0:34:34.280 --> 0:34:36.880
<v Speaker 2>Oh definitely. Oh, we would have been very very angry

0:34:36.880 --> 0:34:37.480
<v Speaker 2>with Carrie.

0:34:37.239 --> 0:34:39.319
<v Speaker 1>If she had not been with her and be like,

0:34:39.320 --> 0:34:40.640
<v Speaker 1>why no, she.

0:34:40.560 --> 0:34:42.319
<v Speaker 2>Would never do that. She would never do that because

0:34:42.320 --> 0:34:44.960
<v Speaker 2>she's not a bad person. That's what's so great about it.

0:34:45.160 --> 0:34:46.800
<v Speaker 1>Well, she runs right up to her on the stairs.

0:34:46.800 --> 0:34:49.040
<v Speaker 1>I mean, she's very caring. She didn't keep running no,

0:34:49.239 --> 0:34:53.160
<v Speaker 1>you know, since he's very caring and she really, boy,

0:34:53.200 --> 0:34:55.400
<v Speaker 1>that's brutal. And then and then it's over.

0:34:55.600 --> 0:34:57.600
<v Speaker 2>I know. And then it's so over that we need

0:34:57.640 --> 0:35:00.480
<v Speaker 2>a new word for over. And that's so good. It's

0:35:00.480 --> 0:35:02.880
<v Speaker 2>such a good line. It's such a good line, and

0:35:02.920 --> 0:35:05.799
<v Speaker 2>she delivers it so beautifully, and her face is just

0:35:05.920 --> 0:35:10.239
<v Speaker 2>like like she's just empty of feeling, you know, like

0:35:10.320 --> 0:35:13.319
<v Speaker 2>it's been too much. It's so so incredibly good.

0:35:14.960 --> 0:35:19.000
<v Speaker 1>Yeah, it's a great episode. It's a rare I didn't realize.

0:35:20.600 --> 0:35:24.479
<v Speaker 2>And then she goes home and Aiden's there, Oh god,

0:35:25.360 --> 0:35:28.239
<v Speaker 2>and he looks so adorable and he says, where were

0:35:28.239 --> 0:35:29.920
<v Speaker 2>you all day? And she says she was at a

0:35:30.000 --> 0:35:35.680
<v Speaker 2>museum I know, And he says, how was it? She said, good,

0:35:36.000 --> 0:35:38.440
<v Speaker 2>it's kind of funny. And then she goes in her

0:35:38.480 --> 0:35:40.840
<v Speaker 2>bathroom but she shuts all the doors. She says she

0:35:40.840 --> 0:35:43.000
<v Speaker 2>has to wash her face, and she shuts all the

0:35:43.000 --> 0:35:44.920
<v Speaker 2>door so she can like have a moment to recover.

0:35:45.360 --> 0:35:48.120
<v Speaker 2>But I did feel, I did feel because Aiden is like,

0:35:48.719 --> 0:35:51.840
<v Speaker 2>you know, he's he's fine. Like the fact that Aiden

0:35:51.920 --> 0:35:56.080
<v Speaker 2>could have been kind of, you know, somehow able to

0:35:56.960 --> 0:36:00.680
<v Speaker 2>emotionally regulate himself after she's been so weak to him

0:36:01.080 --> 0:36:03.600
<v Speaker 2>and messed up is kind of impressive.

0:36:03.600 --> 0:36:07.920
<v Speaker 1>I think, yes, yeah, oh yeah, well he he he

0:36:08.160 --> 0:36:13.839
<v Speaker 1>was kind of very forgiving, very forgiving, and and I'm

0:36:13.880 --> 0:36:17.640
<v Speaker 1>sure she was very relieved he was there even though

0:36:17.640 --> 0:36:20.879
<v Speaker 1>it was, you know, a tough day.

0:36:21.200 --> 0:36:23.720
<v Speaker 4>But for sure it is so how are you sharing?

0:36:23.800 --> 0:36:24.839
<v Speaker 1>Is that for Carrie too?

0:36:24.880 --> 0:36:27.040
<v Speaker 2>I agree? I agree, But then I believe it's the

0:36:27.040 --> 0:36:29.080
<v Speaker 2>next episode that I get married and they break up,

0:36:29.480 --> 0:36:33.160
<v Speaker 2>so it's a little window. But I also totally understand

0:36:33.320 --> 0:36:36.960
<v Speaker 2>why she feels so horrible that he doesn't know. I

0:36:37.000 --> 0:36:39.360
<v Speaker 2>get it. I get it. I mean, it's a really

0:36:39.400 --> 0:36:41.440
<v Speaker 2>tough it's a really tough thing. Like I don't know,

0:36:41.719 --> 0:36:46.360
<v Speaker 2>like if you just cheated, like like like a weird

0:36:46.800 --> 0:36:48.640
<v Speaker 2>moment of cheating that would be one thing, but this

0:36:48.680 --> 0:36:51.400
<v Speaker 2>is a whole emotional like this is her ex with

0:36:51.480 --> 0:36:55.560
<v Speaker 2>unfinished business, it's so much more. I totally get why

0:36:55.600 --> 0:36:56.960
<v Speaker 2>she feels like she has to tell him in the

0:36:57.000 --> 0:36:58.000
<v Speaker 2>next episode, do you.

0:36:58.160 --> 0:37:02.800
<v Speaker 1>Yeah, yeah, oh yeah yeah, because this this just layers

0:37:02.800 --> 0:37:03.560
<v Speaker 1>of guilt.

0:37:03.520 --> 0:37:06.560
<v Speaker 2>Yeah yeah, yeah yeah. And you can't move forward feeling

0:37:06.680 --> 0:37:08.719
<v Speaker 2>like they don't know who you are, that you're you

0:37:08.760 --> 0:37:10.480
<v Speaker 2>know that you did this, and that you're.

0:37:11.640 --> 0:37:12.680
<v Speaker 1>That's the next episode.

0:37:12.680 --> 0:37:14.600
<v Speaker 4>But yeah, I know it.

0:37:14.719 --> 0:37:16.680
<v Speaker 1>I know these two men just.

0:37:16.640 --> 0:37:18.080
<v Speaker 3>Continued in her life.

0:37:17.840 --> 0:37:18.600
<v Speaker 1>Through all of it.

0:37:18.680 --> 0:37:22.640
<v Speaker 4>Though I know, I know, I know they're both iterations.

0:37:22.640 --> 0:37:27.000
<v Speaker 1>That's fascinating to me. I love it, and and the

0:37:27.040 --> 0:37:29.799
<v Speaker 1>fans love it too. You know, they they're all they're

0:37:29.840 --> 0:37:33.479
<v Speaker 1>either team Big or team teammate, but they it's which

0:37:33.520 --> 0:37:38.719
<v Speaker 1>is why I think it was so split, and they

0:37:38.920 --> 0:37:41.400
<v Speaker 1>just they kept them both in because they were both

0:37:41.480 --> 0:37:45.360
<v Speaker 1>so those relationships were both so popular with the audience.

0:37:45.719 --> 0:37:49.440
<v Speaker 2>Also, I just think they are so interestingly different, and

0:37:49.480 --> 0:37:52.680
<v Speaker 2>it's a different part of her that gets involved, like

0:37:52.760 --> 0:37:55.760
<v Speaker 2>that comes out with each one. But it's side note,

0:37:55.800 --> 0:37:58.320
<v Speaker 2>and this also is not based on anything that anyone

0:37:58.360 --> 0:38:00.480
<v Speaker 2>said to me. It's my own feeling. I do feel

0:38:00.480 --> 0:38:02.640
<v Speaker 2>like that's part of the reason that we ended in

0:38:02.800 --> 0:38:05.640
<v Speaker 2>just like that is because we really really ended Aiden.

0:38:07.040 --> 0:38:10.839
<v Speaker 2>Sorry for anyone that I'm giving anything away, but like

0:38:11.000 --> 0:38:15.480
<v Speaker 2>once Aiden was really done, I feel like creatively there

0:38:15.560 --> 0:38:20.200
<v Speaker 2>was like a emptiness that Michael and Sarah Jessica didn't

0:38:20.560 --> 0:38:23.040
<v Speaker 2>have an immediate answer for do you know what I'm saying,

0:38:23.520 --> 0:38:26.040
<v Speaker 2>And I don't know. They need to have that like

0:38:26.239 --> 0:38:31.120
<v Speaker 2>creative motor driving them of like we're going here, you

0:38:31.160 --> 0:38:33.160
<v Speaker 2>know what I'm saying, And they didn't have that, And

0:38:33.160 --> 0:38:36.040
<v Speaker 2>I think that they need that. That's how they operate.

0:38:36.160 --> 0:38:39.319
<v Speaker 2>But the two of them together like as a good partnership,

0:38:39.360 --> 0:38:42.480
<v Speaker 2>you know, a good creative partnership. Anyway, side note, of course,

0:38:43.480 --> 0:38:45.560
<v Speaker 2>so here we are, let's go back. I want to

0:38:45.600 --> 0:38:49.120
<v Speaker 2>know what you think of Samantha's storyline getting the HIV test.

0:38:49.360 --> 0:38:50.399
<v Speaker 2>What did you think of this?

0:38:50.760 --> 0:38:52.840
<v Speaker 1>Well, the fact that she thought she was being taken

0:38:52.840 --> 0:38:56.359
<v Speaker 1>into that little room and the way she fainted was

0:38:56.400 --> 0:39:01.160
<v Speaker 1>so brilliant. I didn't remember any of this magnificent episode.

0:39:01.160 --> 0:39:04.360
<v Speaker 1>Also because it's such a thing that I have sex

0:39:04.400 --> 0:39:08.640
<v Speaker 1>and I'm fine, I'm I'm clean, I'm I'm I'm not diseased.

0:39:09.120 --> 0:39:12.440
<v Speaker 1>You know that whole thing. And then she's confronted by

0:39:12.440 --> 0:39:14.880
<v Speaker 1>a guy who has as much sex as she does,

0:39:15.360 --> 0:39:17.440
<v Speaker 1>and he's like, I'm not going to do this if

0:39:17.760 --> 0:39:20.719
<v Speaker 1>you don't get tested, and then so she wants him

0:39:20.760 --> 0:39:23.520
<v Speaker 1>so badly that it makes her go get tested. And

0:39:23.560 --> 0:39:25.959
<v Speaker 1>it's horrifying. And I mean, look, as a gay man coming

0:39:26.040 --> 0:39:29.400
<v Speaker 1>up in the UH in the eighties and nineties, you know,

0:39:29.520 --> 0:39:34.600
<v Speaker 1>they're those tests were horrifying, horrifying, scary think about it,

0:39:34.719 --> 0:39:37.400
<v Speaker 1>you know, yeah, and being taken into that little room

0:39:37.600 --> 0:39:41.760
<v Speaker 1>or whatever. But the way she fell, it's the fainting

0:39:41.760 --> 0:39:46.600
<v Speaker 1>that I was like, wow, and me too, you you

0:39:46.840 --> 0:39:48.160
<v Speaker 1>she just thought she was going to get.

0:39:48.000 --> 0:39:52.520
<v Speaker 2>The death sentence, so scary, so so scary, and she

0:39:52.560 --> 0:39:55.839
<v Speaker 2>faints very beautifully. It's all. I like the shot a lot,

0:39:55.920 --> 0:39:58.439
<v Speaker 2>like it's the angel and the way she falls.

0:39:58.960 --> 0:40:00.760
<v Speaker 1>All those things in all those yeah.

0:40:00.600 --> 0:40:04.200
<v Speaker 2>Yeah, she hits the medical cards, so all the tools fall.

0:40:04.320 --> 0:40:06.640
<v Speaker 2>It's really good. It's really really good. I don't think

0:40:06.680 --> 0:40:09.240
<v Speaker 2>I ever went to one of those centers to get tested,

0:40:09.280 --> 0:40:11.520
<v Speaker 2>so I never didn't. Never I think I got tested

0:40:11.560 --> 0:40:15.880
<v Speaker 2>it like doctor, doctor, Yeah, did you go to one

0:40:15.920 --> 0:40:16.680
<v Speaker 2>of those places?

0:40:17.040 --> 0:40:17.239
<v Speaker 1>No?

0:40:17.360 --> 0:40:20.480
<v Speaker 2>I had, Yeah, yeah, I mean, it's kind of intense

0:40:20.560 --> 0:40:21.640
<v Speaker 2>to go to one of those places.

0:40:21.719 --> 0:40:24.279
<v Speaker 4>I think, you know, no exactly, this is you know,

0:40:24.600 --> 0:40:25.120
<v Speaker 4>you're lucky.

0:40:25.320 --> 0:40:26.920
<v Speaker 1>You know, it's a privilege to be able to have

0:40:27.320 --> 0:40:30.040
<v Speaker 1>they can a privilege to be able to have a doctor. Yeah,

0:40:30.080 --> 0:40:32.960
<v Speaker 1>you know, I've been going through the years, and I

0:40:32.760 --> 0:40:36.080
<v Speaker 1>was very comforting and you know, you're gonna be fine,

0:40:36.080 --> 0:40:38.040
<v Speaker 1>and you know, and that's he was right, you know,

0:40:38.120 --> 0:40:39.200
<v Speaker 1>that's the way it went.

0:40:39.680 --> 0:40:40.440
<v Speaker 2>Yeah, thank god.

0:40:41.520 --> 0:40:45.480
<v Speaker 1>Yeah, but those like those clinics are your number at

0:40:45.480 --> 0:40:48.880
<v Speaker 1>those clinics. Although the nurse that she was dealing with

0:40:49.040 --> 0:40:51.320
<v Speaker 1>was very kind and very comforting.

0:40:51.520 --> 0:40:53.719
<v Speaker 2>I know she was kind of comforting, but apparently she

0:40:53.760 --> 0:40:55.000
<v Speaker 2>was trying to take her in the back room so

0:40:55.080 --> 0:40:57.600
<v Speaker 2>he could she could lecture her about her sex life,

0:40:58.160 --> 0:41:01.960
<v Speaker 2>which is not good, not good because she also scared

0:41:02.000 --> 0:41:04.440
<v Speaker 2>the Jesus out of her and made poor Samantha faint.

0:41:04.719 --> 0:41:06.640
<v Speaker 2>But this is what I love so much.

0:41:06.680 --> 0:41:06.839
<v Speaker 1>So.

0:41:07.080 --> 0:41:10.680
<v Speaker 2>The guy that she's with is played by Sam Robarts,

0:41:10.719 --> 0:41:12.799
<v Speaker 2>who I feel like, did anyone look up if he's

0:41:12.840 --> 0:41:17.680
<v Speaker 2>related to Jason Robarts. Yes, he's Jason Robarts's son, Jason

0:41:17.760 --> 0:41:21.960
<v Speaker 2>rot Yes, remember Jason Robart's incredible, incredible actor. And I

0:41:22.040 --> 0:41:25.520
<v Speaker 2>remember I think they wanted something like someone really amazing

0:41:25.680 --> 0:41:28.680
<v Speaker 2>to play kind of the male version of Samantha that

0:41:28.800 --> 0:41:32.440
<v Speaker 2>she would of course really want and vibe with. But

0:41:32.480 --> 0:41:34.439
<v Speaker 2>also I love how he is with her.

0:41:35.520 --> 0:41:39.440
<v Speaker 1>Yeah, oh yeah, he's you know, he's very sexual, but

0:41:39.560 --> 0:41:40.919
<v Speaker 1>he won't do it.

0:41:41.040 --> 0:41:43.800
<v Speaker 2>Like he has such a great like he's so open,

0:41:44.080 --> 0:41:46.080
<v Speaker 2>but also in the way that Samantha is, right, because

0:41:46.080 --> 0:41:49.319
<v Speaker 2>Amantha is so open about her sexuality and unapologetic, but

0:41:49.440 --> 0:41:52.439
<v Speaker 2>also he's got such clear boundaries, right, but he also

0:41:52.480 --> 0:41:55.840
<v Speaker 2>has this swing like he's interesting and fun, but also like, no, no,

0:41:56.239 --> 0:41:57.759
<v Speaker 2>you have to have an AIDS test. What do you

0:41:57.840 --> 0:41:59.600
<v Speaker 2>mean you have an ad AIDS test. I like the

0:41:59.640 --> 0:42:01.640
<v Speaker 2>whole thing so much, me too.

0:42:01.920 --> 0:42:04.840
<v Speaker 1>And they were meeting, you know, they were meeting the

0:42:05.400 --> 0:42:08.399
<v Speaker 1>male and female, the male and female equivalent of each

0:42:08.440 --> 0:42:09.120
<v Speaker 1>other sexually.

0:42:09.320 --> 0:42:11.440
<v Speaker 2>I know. I wish he could have stayed. Wouldn't that

0:42:11.520 --> 0:42:13.920
<v Speaker 2>have been interesting? Like what would have happened?

0:42:14.360 --> 0:42:18.880
<v Speaker 1>Yeah, I don't know. I don't know either. Well, they

0:42:18.880 --> 0:42:21.120
<v Speaker 1>both would have cheated on each other eventually.

0:42:20.760 --> 0:42:23.319
<v Speaker 2>That's probably true, but at least it would have been mutual, right,

0:42:23.440 --> 0:42:25.520
<v Speaker 2>so maybe whatever. I don't know, but I really loved

0:42:25.600 --> 0:42:28.719
<v Speaker 2>him and I do. I just vaguely remember that, you know,

0:42:28.760 --> 0:42:33.080
<v Speaker 2>because she has so many incredibly beautiful guys right and

0:42:33.520 --> 0:42:35.680
<v Speaker 2>always really good as well. But I do remember that

0:42:35.719 --> 0:42:37.520
<v Speaker 2>they really wanted him to be special, and I did

0:42:37.520 --> 0:42:40.319
<v Speaker 2>think that Sam Robards did a fantastic job, and I

0:42:40.360 --> 0:42:42.399
<v Speaker 2>wish we had had had more of him in the show.

0:42:42.640 --> 0:42:45.880
<v Speaker 2>But I do love that we did this whole episode.

0:42:45.880 --> 0:42:48.399
<v Speaker 2>I'd kind of forgotten about it, but I do think

0:42:48.440 --> 0:42:52.399
<v Speaker 2>it's so important to show like kind of the reality

0:42:53.239 --> 0:42:56.799
<v Speaker 2>of you know, her, the way that her lifestyle. You

0:42:56.800 --> 0:42:58.480
<v Speaker 2>know what I'm saying that, like you do need to

0:42:58.520 --> 0:43:02.520
<v Speaker 2>actually take responsible for yourself within that lifestyle. You don't

0:43:02.560 --> 0:43:04.719
<v Speaker 2>need to apologize for the lifestyle, which you need to

0:43:04.719 --> 0:43:05.640
<v Speaker 2>take responsibility.

0:43:05.680 --> 0:43:08.319
<v Speaker 1>And this scen where you're all, you know, saying that

0:43:08.400 --> 0:43:12.720
<v Speaker 1>you whether you've been tested or not in lifetime for HIV,

0:43:12.840 --> 0:43:15.799
<v Speaker 1>and and you don't you you're like you don't even

0:43:15.800 --> 0:43:17.960
<v Speaker 1>say anything because you're like too busy with the magazines and.

0:43:17.920 --> 0:43:20.600
<v Speaker 2>You want, well, I'm in bride world and I don't

0:43:20.600 --> 0:43:22.520
<v Speaker 2>want anything to come into bride World.

0:43:22.960 --> 0:43:25.840
<v Speaker 1>No, And you don't even have to ask Charlotte.

0:43:25.400 --> 0:43:28.359
<v Speaker 2>That, right, I know, But in reality, Charlotte got around

0:43:28.440 --> 0:43:30.359
<v Speaker 2>quite a bit and did need to have an a test,

0:43:30.440 --> 0:43:33.120
<v Speaker 2>and I'm sure she did it or obg Ann or whatever, but.

0:43:33.080 --> 0:43:34.359
<v Speaker 3>It's way too busy with her.

0:43:34.280 --> 0:43:37.359
<v Speaker 2>Magazine exactly because at that point she's got, she's got,

0:43:37.400 --> 0:43:39.720
<v Speaker 2>she's got the stack of magazines. And also Charlotte apparently

0:43:39.719 --> 0:43:42.200
<v Speaker 2>has never heard of stylists, which is really funny.

0:43:43.440 --> 0:43:47.840
<v Speaker 1>You know what was interested in when she's when Samantha said,

0:43:48.200 --> 0:43:50.640
<v Speaker 1>I'll send you a list of styles, so I wonder

0:43:50.680 --> 0:43:51.680
<v Speaker 1>if I was on that list.

0:43:51.760 --> 0:43:53.880
<v Speaker 2>Of course you were. That's how we got you.

0:43:54.440 --> 0:43:56.440
<v Speaker 1>With you, which I never realized that until I know

0:43:56.520 --> 0:43:56.880
<v Speaker 1>I didn't.

0:43:56.920 --> 0:43:58.800
<v Speaker 2>I don't remember that at all either, And I also

0:43:58.920 --> 0:44:01.480
<v Speaker 2>just think it's so funn But I do think also

0:44:01.760 --> 0:44:04.640
<v Speaker 2>at this point in time, it wasn't like it is

0:44:04.760 --> 0:44:07.799
<v Speaker 2>now where you're always hearing about actors stylists and the

0:44:07.800 --> 0:44:10.960
<v Speaker 2>stylists are big names themselves, and you know, everything's like

0:44:11.239 --> 0:44:13.440
<v Speaker 2>everyone's very aware. It was not like that back then.

0:44:13.480 --> 0:44:15.360
<v Speaker 2>I didn't have a stylist at this point in life.

0:44:15.880 --> 0:44:18.040
<v Speaker 1>No, no, no, it wasn't.

0:44:18.480 --> 0:44:20.759
<v Speaker 2>I didn't either, No, no, no, Because we're about to

0:44:20.760 --> 0:44:23.279
<v Speaker 2>get nominated for our first Emmy. In fact, we might

0:44:23.480 --> 0:44:25.480
<v Speaker 2>this might be around the time. I feel like the

0:44:25.520 --> 0:44:28.480
<v Speaker 2>nominations for the Emmys come out in August, is the

0:44:28.520 --> 0:44:31.120
<v Speaker 2>awards were in September. I feel like this is around

0:44:31.160 --> 0:44:33.759
<v Speaker 2>the time that we got nominated for the show the

0:44:33.800 --> 0:44:37.040
<v Speaker 2>first time, which was like the most thrilling thing that

0:44:37.080 --> 0:44:40.640
<v Speaker 2>ever happened. Great, right, yeah, right, yes, And then we

0:44:40.760 --> 0:44:44.719
<v Speaker 2>didn't win that first year. Maybe Sir Jessica won, but

0:44:44.880 --> 0:44:49.920
<v Speaker 2>we didn't win till the next year, which was the

0:44:49.960 --> 0:44:53.200
<v Speaker 2>semi Emmys because of nine to eleven. Right, So Kim

0:44:53.239 --> 0:44:56.160
<v Speaker 2>and I were there alone, Sarah and Cynthia I think

0:44:56.200 --> 0:45:00.120
<v Speaker 2>we're both doing plays, but they had pushed the Emmys,

0:45:00.160 --> 0:45:02.279
<v Speaker 2>you know, because we didn't feel like it was appropriate.

0:45:02.760 --> 0:45:04.879
<v Speaker 2>It's the next year. But we got nominated this year

0:45:05.360 --> 0:45:08.000
<v Speaker 2>and we go when we present. And the reason that

0:45:08.040 --> 0:45:10.200
<v Speaker 2>I remember all this is because I didn't have a stylist.

0:45:10.239 --> 0:45:12.000
<v Speaker 2>I had a publicist, but I didn't have a stylist,

0:45:12.600 --> 0:45:18.560
<v Speaker 2>and I was like, oh, so stressed about what to wear.

0:45:18.800 --> 0:45:21.880
<v Speaker 2>I mean so stressed. And I went to all of

0:45:21.920 --> 0:45:24.720
<v Speaker 2>these designers that my publicists would call them, I think,

0:45:24.960 --> 0:45:27.000
<v Speaker 2>and I would go just me. I would just show

0:45:27.080 --> 0:45:29.840
<v Speaker 2>up and they would everyone would be like, oh, you

0:45:29.840 --> 0:45:33.160
<v Speaker 2>should definitely wear this one. This is amazing. You need

0:45:33.200 --> 0:45:35.319
<v Speaker 2>to be sexy. So like, at one point I had

0:45:35.320 --> 0:45:38.560
<v Speaker 2>this Michael Kor's dress that was very cut out and

0:45:39.040 --> 0:45:41.799
<v Speaker 2>very sexy because I played the not sexy one, right,

0:45:41.880 --> 0:45:44.200
<v Speaker 2>So there were certain people in the fashion world who

0:45:44.239 --> 0:45:46.799
<v Speaker 2>felt like I needed to dress like aggressively sexy, right.

0:45:47.160 --> 0:45:50.359
<v Speaker 2>But my publicist at the time felt like, no, no,

0:45:50.440 --> 0:45:52.439
<v Speaker 2>that is not true. You are on a show called

0:45:52.480 --> 0:45:54.840
<v Speaker 2>Sex and the City. You need to look like a princess,

0:45:54.920 --> 0:45:56.719
<v Speaker 2>she said to me. I was like, oh, oh, I

0:45:56.719 --> 0:45:58.239
<v Speaker 2>have a princess. I don't know. So then I went

0:45:58.239 --> 0:46:00.399
<v Speaker 2>to a different designer. I had like a ball gown on. Right,

0:46:00.640 --> 0:46:03.160
<v Speaker 2>So I had a stack of polaroids that I just

0:46:03.200 --> 0:46:06.080
<v Speaker 2>went around town. I went to my manager, I was like,

0:46:06.239 --> 0:46:07.880
<v Speaker 2>look at all these polaroids, tell me which one I

0:46:07.920 --> 0:46:10.319
<v Speaker 2>should wear. Then I would go to my publicis, I say,

0:46:10.520 --> 0:46:12.080
<v Speaker 2>look at all my polaroids and tell me what I

0:46:12.120 --> 0:46:14.640
<v Speaker 2>shd wear. I'd go to my agents, please tell me what.

0:46:14.840 --> 0:46:17.839
<v Speaker 2>But of course everyone had a different opinion. Right. So

0:46:17.960 --> 0:46:21.160
<v Speaker 2>I had gone to Valentino in one of these fittings

0:46:21.200 --> 0:46:23.200
<v Speaker 2>and had put on the gorgeous dress that I loved.

0:46:23.239 --> 0:46:25.600
<v Speaker 2>That I would have been done with then everyone had

0:46:25.640 --> 0:46:28.600
<v Speaker 2>different opinion and got me very very confused. So at

0:46:28.600 --> 0:46:31.360
<v Speaker 2>the very last minute, my publicist said, you know, you

0:46:31.360 --> 0:46:33.000
<v Speaker 2>should go to this stylist. I'm not going to say

0:46:33.000 --> 0:46:35.120
<v Speaker 2>who she was, And so I go to this stylist

0:46:35.160 --> 0:46:37.479
<v Speaker 2>who was very much the hot stylist at the time,

0:46:37.840 --> 0:46:42.080
<v Speaker 2>and she had this apartment like condo. I went to

0:46:42.120 --> 0:46:44.200
<v Speaker 2>her for the fitting and in the center of the

0:46:44.280 --> 0:46:49.880
<v Speaker 2>room was up mountain of gowns on the floor and

0:46:49.920 --> 0:46:52.920
<v Speaker 2>I was like, oh now. So I was standing in

0:46:52.920 --> 0:46:55.560
<v Speaker 2>the corner like really just trying to contain myself because

0:46:55.560 --> 0:46:57.440
<v Speaker 2>I wanted to pick them all up and hang them

0:46:57.440 --> 0:46:59.680
<v Speaker 2>all up. I was so stressed. And there were all

0:46:59.719 --> 0:47:02.080
<v Speaker 2>these gowns that I had seen pictures of and look books,

0:47:02.120 --> 0:47:06.080
<v Speaker 2>but this stylist was parting them basically right for her clients,

0:47:06.440 --> 0:47:10.480
<v Speaker 2>and I was like, uh, should I try some of

0:47:10.520 --> 0:47:12.080
<v Speaker 2>them all? And then we're on the floor, like what

0:47:12.120 --> 0:47:15.239
<v Speaker 2>should I do? So eventually what happened was I ended

0:47:15.280 --> 0:47:17.880
<v Speaker 2>up wearing the Valentino that I had already tried on

0:47:17.920 --> 0:47:22.080
<v Speaker 2>by myself. She was so ridiculous. It was a really

0:47:22.160 --> 0:47:26.719
<v Speaker 2>interesting first stylistic experience because it did really teach me

0:47:26.760 --> 0:47:29.160
<v Speaker 2>a lot like there's there's a lot of drama in

0:47:29.160 --> 0:47:30.080
<v Speaker 2>the stylist world.

0:47:30.560 --> 0:47:35.280
<v Speaker 1>Yeah, oh, I bet this is why I like slap

0:47:35.320 --> 0:47:38.279
<v Speaker 1>on a nice tuxedo. The man can do that and

0:47:38.440 --> 0:47:39.040
<v Speaker 1>just go.

0:47:39.320 --> 0:47:41.319
<v Speaker 2>It's true. I don't know if that's true now though,

0:47:41.760 --> 0:47:45.120
<v Speaker 2>because now, oh there's a lot of commentary online. Oh

0:47:45.160 --> 0:47:47.560
<v Speaker 2>my gosh, you don't want those guys to be mad

0:47:47.600 --> 0:47:48.400
<v Speaker 2>at you.

0:47:48.440 --> 0:47:51.640
<v Speaker 1>No, it's true, but you know what I'm it's exhausting,

0:47:51.680 --> 0:47:52.239
<v Speaker 1>as you know.

0:47:52.440 --> 0:47:54.920
<v Speaker 2>It is exhausting. It's true.

0:47:55.080 --> 0:47:57.759
<v Speaker 1>The only warch I went to was during this was

0:47:57.800 --> 0:48:03.560
<v Speaker 1>the SAG Awards. We were oh and we won one year, we.

0:48:03.640 --> 0:48:05.960
<v Speaker 2>Did, we won two years because I've got two Saga

0:48:05.960 --> 0:48:06.840
<v Speaker 2>Awards at my house.

0:48:07.480 --> 0:48:09.120
<v Speaker 1>I think we win.

0:48:09.360 --> 0:48:11.440
<v Speaker 2>Do we win ensemble?

0:48:12.200 --> 0:48:13.839
<v Speaker 1>Yeah, I know that, but do we win? I wonder

0:48:13.880 --> 0:48:15.520
<v Speaker 1>if I was there the first time, the first the

0:48:15.560 --> 0:48:16.359
<v Speaker 1>first time we won.

0:48:16.440 --> 0:48:21.880
<v Speaker 2>I don't know. They all blend in my mind. Yeah, yeah, yeah, yeah, yeah.

0:48:22.080 --> 0:48:23.880
<v Speaker 2>It's really fun, so much fun to go to all

0:48:23.920 --> 0:48:24.279
<v Speaker 2>those things.

0:48:24.320 --> 0:48:24.640
<v Speaker 1>Anyway.

0:48:24.640 --> 0:48:26.279
<v Speaker 2>I think it's so funny that Charlotte had never heard

0:48:26.280 --> 0:48:28.759
<v Speaker 2>of getting a stylist, and thank god Samantha Delsert and

0:48:28.800 --> 0:48:31.520
<v Speaker 2>then I get you. Yeah, it all worked out, It

0:48:31.560 --> 0:48:32.040
<v Speaker 2>all worked out.

0:48:33.320 --> 0:48:34.759
<v Speaker 3>I was the foth stylist for you.

0:48:35.239 --> 0:48:37.200
<v Speaker 2>I know you were great, you were perfect, and you

0:48:37.280 --> 0:48:39.680
<v Speaker 2>had a big personality like like stylists do.

0:48:40.120 --> 0:48:41.759
<v Speaker 1>I was also thinking, like when I was like the

0:48:41.840 --> 0:48:44.759
<v Speaker 1>lace appl cave, I didn't know what that was.

0:48:44.840 --> 0:48:45.799
<v Speaker 2>Oh, you pulled it off.

0:48:45.840 --> 0:48:49.480
<v Speaker 1>I hadn't learned that, and and just memorize it, Like

0:48:49.520 --> 0:48:53.400
<v Speaker 1>I said, I'd never I couldn't be a I couldn't

0:48:53.520 --> 0:48:57.400
<v Speaker 1>pick out your shoes and your girls to come up

0:48:57.400 --> 0:48:59.200
<v Speaker 1>to be like I wish you picked out my dress

0:48:59.320 --> 0:49:02.839
<v Speaker 1>and you want that, you want your wedding, you know.

0:49:02.920 --> 0:49:04.959
<v Speaker 1>And then when I became a baker, it's like that's

0:49:04.960 --> 0:49:06.400
<v Speaker 1>what I really do in real life.

0:49:06.560 --> 0:49:09.280
<v Speaker 2>Yay, yay, Yes, you evolved.

0:49:09.880 --> 0:49:21.960
<v Speaker 1>That was all right.

0:49:22.000 --> 0:49:25.600
<v Speaker 2>So here let's talk about Miranda and this sandwich. Oh

0:49:25.640 --> 0:49:31.640
<v Speaker 2>my god, so funny and so meme ish, like how

0:49:31.760 --> 0:49:36.560
<v Speaker 2>perfectly meme related storyline, like before memes were a thing, you.

0:49:36.560 --> 0:49:37.000
<v Speaker 1>Know what I mean.

0:49:37.640 --> 0:49:40.600
<v Speaker 2>But there's the sandwich guy and he's saying.

0:49:40.440 --> 0:49:44.399
<v Speaker 4>Eat me, and I'm obsessed with him.

0:49:44.440 --> 0:49:48.239
<v Speaker 1>She's pissed off at first, then she becomes like he stressed.

0:49:47.880 --> 0:49:49.800
<v Speaker 3>To complain about her, and they're like, well, he's a

0:49:49.840 --> 0:49:51.960
<v Speaker 3>sandwich so that's.

0:49:53.080 --> 0:49:55.160
<v Speaker 2>She goes in. She's very mean too. She goes in

0:49:55.200 --> 0:49:57.759
<v Speaker 2>and she's like, your sandwich is harassing women, and he's like,

0:49:57.840 --> 0:50:00.600
<v Speaker 2>you're crazy woman, which is of course exact what everyone

0:50:00.600 --> 0:50:02.799
<v Speaker 2>want to say to you back then. But then she

0:50:03.280 --> 0:50:06.080
<v Speaker 2>fantasizes about him and wants to meet him, which is

0:50:06.360 --> 0:50:09.200
<v Speaker 2>fully insane. Okay, fully bonkers.

0:50:09.600 --> 0:50:10.879
<v Speaker 1>Take off your masks.

0:50:10.800 --> 0:50:11.080
<v Speaker 4>I know.

0:50:11.200 --> 0:50:15.360
<v Speaker 2>And then he's like, this kind of this kid. He's adorable.

0:50:15.800 --> 0:50:18.960
<v Speaker 2>But why she has such a negative reaction when he's

0:50:19.000 --> 0:50:21.960
<v Speaker 2>this kid is interesting to me, Like what did she

0:50:22.040 --> 0:50:22.960
<v Speaker 2>think he was going to be.

0:50:24.080 --> 0:50:29.239
<v Speaker 1>I don't know, maybe of interest to her, it's cute,

0:50:29.239 --> 0:50:32.080
<v Speaker 1>but she was like, oh he's a baby bye right right.

0:50:32.120 --> 0:50:35.560
<v Speaker 2>But also, Miranda looks so incredible in these outfits on

0:50:35.600 --> 0:50:39.080
<v Speaker 2>the street, like she's like at the height of her power.

0:50:39.320 --> 0:50:42.000
<v Speaker 2>You know, yeah, oh this is good listen to. I

0:50:42.040 --> 0:50:44.759
<v Speaker 2>would just want to say Carrie's, Carrie's. I love to

0:50:44.800 --> 0:50:47.160
<v Speaker 2>say Carrie's, you know, when she's wondering about her things

0:50:47.239 --> 0:50:50.480
<v Speaker 2>in the apartment. It's really good. Later that night, I

0:50:50.520 --> 0:50:53.440
<v Speaker 2>got to thinking about safe sex. Odd, how only when

0:50:53.480 --> 0:50:56.280
<v Speaker 2>our physical life is at risk do we follow certain

0:50:56.320 --> 0:50:59.680
<v Speaker 2>guidelines to protect ourselves. But what about our emotional lives.

0:51:00.000 --> 0:51:02.600
<v Speaker 2>Wouldn't it be nice if there was a pamphlet to

0:51:02.680 --> 0:51:06.319
<v Speaker 2>warn us what unsafe behavior might be high risk to

0:51:06.400 --> 0:51:11.040
<v Speaker 2>ourselves or our relationships. And even if you fake, even

0:51:11.080 --> 0:51:14.080
<v Speaker 2>if you take precautions and emotionally try to protect yourself

0:51:14.480 --> 0:51:18.640
<v Speaker 2>when you crawl in bed with someone. Is sex ever safe?

0:51:19.080 --> 0:51:21.960
<v Speaker 2>But also I think it's so true because I don't

0:51:21.960 --> 0:51:27.279
<v Speaker 2>feel like sex is ever safe personally, emotionally, emotionally. You

0:51:27.280 --> 0:51:29.600
<v Speaker 2>know what I mean. I'm not good. I'm not good

0:51:29.600 --> 0:51:33.160
<v Speaker 2>at covering it all up and playing the game and whatever.

0:51:33.320 --> 0:51:34.360
<v Speaker 2>It's just too much.

0:51:34.800 --> 0:51:37.120
<v Speaker 3>Men can separate it women. It's emotional.

0:51:37.440 --> 0:51:40.279
<v Speaker 2>I know it. I know it. I know it. I

0:51:40.320 --> 0:51:43.160
<v Speaker 2>think I've asked you before. It's always interesting to ask

0:51:43.200 --> 0:51:46.440
<v Speaker 2>people again, though, because sometimes you change your mind. Do

0:51:46.480 --> 0:51:48.000
<v Speaker 2>you feel like you're a Charlotte?

0:51:48.360 --> 0:51:50.239
<v Speaker 1>I feel like no.

0:51:50.360 --> 0:51:52.960
<v Speaker 3>I think you know, it's like your mother or your father.

0:51:53.040 --> 0:51:56.080
<v Speaker 1>I have elements of both of them. Yeah, I feel

0:51:56.080 --> 0:52:00.640
<v Speaker 1>like I feel in a way, I my mind and

0:52:00.800 --> 0:52:02.399
<v Speaker 1>so Charlotte for the most part.

0:52:02.440 --> 0:52:04.839
<v Speaker 2>But she No, I think that's Miranda. I would say.

0:52:04.960 --> 0:52:07.600
<v Speaker 2>I would say speaking one's mind would be like a Miranda.

0:52:07.719 --> 0:52:11.040
<v Speaker 1>Yeah, don't you think I guess I probably am a Miranda.

0:52:11.160 --> 0:52:16.279
<v Speaker 2>I kind of think you're right, because like the thing

0:52:16.320 --> 0:52:18.600
<v Speaker 2>that I love though about Miranda is like, on the

0:52:18.640 --> 0:52:20.919
<v Speaker 2>one hand, everyone goes like, oh, she's you know, she's

0:52:20.960 --> 0:52:22.759
<v Speaker 2>kind of hard and whatever, but like she also is

0:52:22.800 --> 0:52:25.040
<v Speaker 2>so squishy inside, which is so true about you.

0:52:25.680 --> 0:52:28.680
<v Speaker 1>And yes, and to the people that I love, I

0:52:28.719 --> 0:52:30.759
<v Speaker 1>am pointed about what I need to let them know.

0:52:30.920 --> 0:52:35.920
<v Speaker 2>If yeah, but you're inside like a squishy, squishy loyal friend, you.

0:52:35.880 --> 0:52:38.759
<v Speaker 1>Know, you know, then I feel bad. Yeah, I have

0:52:38.800 --> 0:52:44.160
<v Speaker 1>a lot of guilt. I'm pretty, I'm pretty. I'm a softie.

0:52:44.160 --> 0:52:46.800
<v Speaker 1>For the most part. I try to present as a

0:52:46.920 --> 0:52:47.759
<v Speaker 1>very hard.

0:52:47.800 --> 0:52:49.920
<v Speaker 2>I know you do you do, and I mean it

0:52:50.000 --> 0:52:51.960
<v Speaker 2>takes some time to get to the soft but but

0:52:52.000 --> 0:52:53.640
<v Speaker 2>then it's worth it.

0:52:54.080 --> 0:52:55.280
<v Speaker 1>Yeah, it's true.

0:52:55.560 --> 0:52:59.120
<v Speaker 2>Yeah, it's a good quality. It's a good quality. And

0:52:59.200 --> 0:53:01.719
<v Speaker 2>I do think like if you look at Anthony's evolution,

0:53:02.040 --> 0:53:05.719
<v Speaker 2>that's what's really really fun about looking at your early episodes,

0:53:06.560 --> 0:53:09.520
<v Speaker 2>I mean, just your evolution as a character, but also

0:53:10.480 --> 0:53:13.400
<v Speaker 2>I know that you felt like, oh, I'm so nervous

0:53:13.400 --> 0:53:15.160
<v Speaker 2>and can I get all these words right? And then

0:53:15.480 --> 0:53:17.920
<v Speaker 2>the prop prop scenes are always hard, but like you're

0:53:17.960 --> 0:53:22.520
<v Speaker 2>so fantastic and you're so specifically you like the character

0:53:22.640 --> 0:53:26.319
<v Speaker 2>is like full fully formed, you know. I yes, he

0:53:26.440 --> 0:53:29.680
<v Speaker 2>evolves over time, definitely, but like the breath of fresh

0:53:29.719 --> 0:53:32.640
<v Speaker 2>air when you come, especially because I think where Charlotte

0:53:32.719 --> 0:53:34.640
<v Speaker 2>was at that time, because I'm in this bride mode,

0:53:35.040 --> 0:53:37.480
<v Speaker 2>I'm with Trey and Trey and I don't really talk

0:53:37.520 --> 0:53:40.200
<v Speaker 2>that honestly, right, like to have you coming in there

0:53:40.239 --> 0:53:41.040
<v Speaker 2>like this is.

0:53:40.960 --> 0:53:44.080
<v Speaker 1>What it is exactly, I tell you like it is

0:53:44.239 --> 0:53:45.880
<v Speaker 1>and it's great.

0:53:46.680 --> 0:53:50.520
<v Speaker 2>It's so so great and so needed, like, thank god

0:53:50.560 --> 0:53:54.000
<v Speaker 2>we kept you. Thank the Lord, Michael Patrick King.

0:53:54.880 --> 0:53:58.600
<v Speaker 1>Thank you every day. Yes, give us another season and

0:53:59.080 --> 0:53:59.480
<v Speaker 1>stop it.

0:54:01.239 --> 0:54:03.880
<v Speaker 2>We have to let him reset. He's doing the comeback.

0:54:04.160 --> 0:54:07.160
<v Speaker 2>He's going to reset, he's going to get new inspiration.

0:54:07.520 --> 0:54:09.400
<v Speaker 2>I have faith, I do. I have faith.

0:54:09.680 --> 0:54:11.080
<v Speaker 1>Yeah, wait to see the comeback. By the way, I.

0:54:11.840 --> 0:54:14.120
<v Speaker 2>Know, I'm very excited to see the comeback.

0:54:14.400 --> 0:54:14.640
<v Speaker 4>I know.

0:54:14.719 --> 0:54:16.680
<v Speaker 2>They were really into it. He and Lisa wrote the

0:54:16.719 --> 0:54:17.920
<v Speaker 2>whole show themselves.

0:54:18.120 --> 0:54:20.239
<v Speaker 1>The two of them together are magic and it's a

0:54:20.280 --> 0:54:23.200
<v Speaker 1>brilliant combination. And they do both those seasons were so

0:54:23.280 --> 0:54:25.560
<v Speaker 1>good and this is their final one, you know, but

0:54:25.600 --> 0:54:27.279
<v Speaker 1>there was so much time in between each one.

0:54:27.320 --> 0:54:29.319
<v Speaker 2>But I know, but you know the idea. I think

0:54:29.320 --> 0:54:32.120
<v Speaker 2>they've announced it so I can say it. She's doing

0:54:32.160 --> 0:54:35.920
<v Speaker 2>the first sitcom written by a I. Valerie Cherish on

0:54:36.040 --> 0:54:40.680
<v Speaker 2>the Comeback is doing the first sitcom AI. It's so

0:54:41.120 --> 0:54:42.520
<v Speaker 2>timely and great.

0:54:43.239 --> 0:54:44.879
<v Speaker 1>Oh that sounds amazing. I can't wait.

0:54:44.960 --> 0:54:46.600
<v Speaker 2>I know, I can't wait either. I can't wait either.

0:54:46.920 --> 0:54:48.560
<v Speaker 2>Thank you so much for joining us.

0:54:48.760 --> 0:54:49.480
<v Speaker 1>I'll see you soon.