1
00:00:01,639 --> 00:00:01,800
Speaker 1: Hi.

2
00:00:02,200 --> 00:00:04,960
Speaker 2: I'm Kristin Davis, and I want to know, are you

3
00:00:05,040 --> 00:00:11,080
Speaker 2: a Charlotte. We are back for the second time with

4
00:00:11,280 --> 00:00:14,640
Speaker 2: Mario Cantone, which is so fantastic because this is your

5
00:00:14,640 --> 00:00:16,080
Speaker 2: first episode on the air.

6
00:00:16,480 --> 00:00:18,560
Speaker 1: It is it is? I always thought it was episode twelve,

7
00:00:18,560 --> 00:00:20,599
Speaker 1: but it's not. It's episode eleven.

8
00:00:20,320 --> 00:00:22,360
Speaker 2: I know, and it's called Running with Scissors. But I

9
00:00:22,400 --> 00:00:24,080
Speaker 2: think the reason you might have thought it was twelve

10
00:00:24,079 --> 00:00:27,880
Speaker 2: was because we shot two at once, as we always did, right,

11
00:00:28,160 --> 00:00:32,120
Speaker 2: because in my mind I remember the other Vera Wang

12
00:00:32,960 --> 00:00:36,879
Speaker 2: where the girls are there, like there's two Vera Wang visits,

13
00:00:37,000 --> 00:00:38,440
Speaker 2: but we shot them in one day.

14
00:00:39,560 --> 00:00:42,479
Speaker 1: Oh that's right. And I remember I came in at

15
00:00:42,920 --> 00:00:46,159
Speaker 1: three in the afternoon. Wow, And I was in.

16
00:00:46,120 --> 00:00:48,000
Speaker 3: An off Broadway show at the time.

17
00:00:48,360 --> 00:00:50,680
Speaker 1: Got it. Yeah, it was called The Crumple Zone and

18
00:00:50,720 --> 00:00:53,120
Speaker 1: it was ran for like six months of us. It

19
00:00:53,200 --> 00:00:55,800
Speaker 1: did really well, got great reviews. And I remember that

20
00:00:55,920 --> 00:00:58,520
Speaker 1: particular night was one of our tech nights.

21
00:00:58,680 --> 00:01:00,880
Speaker 4: Oh no, and they work to let me out.

22
00:01:00,760 --> 00:01:02,960
Speaker 1: And I was like, you can get someone else to

23
00:01:03,000 --> 00:01:05,520
Speaker 1: stand here while you, like for an evening because I'm

24
00:01:05,600 --> 00:01:09,199
Speaker 1: going definitely, And I went for sure.

25
00:01:09,240 --> 00:01:12,280
Speaker 2: So wait if you came in at three in the afternoon.

26
00:01:12,560 --> 00:01:15,000
Speaker 1: Maybe we don't you remember we filmed till four and

27
00:01:15,040 --> 00:01:15,680
Speaker 1: the fortnight.

28
00:01:15,920 --> 00:01:19,319
Speaker 2: I do remember that it was stressful and long, and

29
00:01:19,400 --> 00:01:23,720
Speaker 2: I remember that our our executive from HBO came and

30
00:01:23,840 --> 00:01:27,000
Speaker 2: sat across from us and glared at us. I mean,

31
00:01:27,040 --> 00:01:29,280
Speaker 2: not that it was our fault, but like, just let

32
00:01:29,319 --> 00:01:32,640
Speaker 2: it be known that we were over budget. Uh huh. Yeah,

33
00:01:32,680 --> 00:01:34,280
Speaker 2: it was one of those days. There's only a few

34
00:01:34,280 --> 00:01:37,240
Speaker 2: Michael Hill. Michael Hill came and I remember that because

35
00:01:37,240 --> 00:01:40,039
Speaker 2: I was like, oh, he never comes. Oh no, but

36
00:01:40,120 --> 00:01:41,960
Speaker 2: I think it was expensive to shoot him.

37
00:01:42,000 --> 00:01:44,800
Speaker 1: Vera Wang probably wasn't. It was so small, remember how

38
00:01:44,840 --> 00:01:45,959
Speaker 1: small it was tiny?

39
00:01:46,360 --> 00:01:47,560
Speaker 2: It was hard to film there.

40
00:01:48,120 --> 00:01:51,520
Speaker 1: Yeah. And also that evening was my husband's opening night

41
00:01:51,520 --> 00:01:54,360
Speaker 1: of an off Broadway show. He was in, Wow, It's

42
00:01:54,400 --> 00:01:58,120
Speaker 1: called Bubbly Black Girl sheds her Familion skin, and I did.

43
00:01:58,200 --> 00:02:03,920
Speaker 1: I couldn't go. Yeah no, but I remember, uh yeah,

44
00:02:03,960 --> 00:02:06,920
Speaker 1: we we we you we talked about this last time

45
00:02:06,920 --> 00:02:09,200
Speaker 1: and you didn't remember it. I'm sure you remember it

46
00:02:09,240 --> 00:02:11,440
Speaker 1: now because I told you last time. But there was

47
00:02:11,480 --> 00:02:12,400
Speaker 1: a second scene.

48
00:02:13,280 --> 00:02:17,160
Speaker 2: Oh I still I still only have the vaguus memory.

49
00:02:17,240 --> 00:02:18,120
Speaker 2: What was it?

50
00:02:18,120 --> 00:02:18,520
Speaker 1: It was?

51
00:02:18,680 --> 00:02:22,200
Speaker 3: It was us, you know where we were sitting and

52
00:02:22,440 --> 00:02:23,360
Speaker 3: looking at the dresses.

53
00:02:24,120 --> 00:02:25,320
Speaker 1: There was a little room.

54
00:02:25,160 --> 00:02:27,360
Speaker 3: In the in the back of that with the door.

55
00:02:29,080 --> 00:02:31,640
Speaker 1: Yeah. Yeah, we were in the dressing room and I

56
00:02:31,840 --> 00:02:34,600
Speaker 1: was fitting you and trying to cut something with the scissors,

57
00:02:34,639 --> 00:02:35,799
Speaker 1: and I ended up ripping the.

58
00:02:35,800 --> 00:02:39,320
Speaker 2: Dress, which is really interesting because it's running with scissors

59
00:02:39,480 --> 00:02:42,040
Speaker 2: is the title of this episode.

60
00:02:42,880 --> 00:02:44,800
Speaker 1: And we just glad you glared at me and I

61
00:02:44,840 --> 00:02:47,000
Speaker 1: was just like, oh and that was the end of

62
00:02:47,000 --> 00:02:49,840
Speaker 1: that scene. And that was the end of that Oh wow.

63
00:02:50,240 --> 00:02:53,360
Speaker 1: I don't know if that had stayed in If we had,

64
00:02:53,720 --> 00:02:56,680
Speaker 1: we would have come back and become friends.

65
00:02:57,040 --> 00:02:59,639
Speaker 2: I mean, I assume that they loved you so much

66
00:02:59,680 --> 00:03:01,639
Speaker 2: that they didn't want there to be a negative thing.

67
00:03:02,040 --> 00:03:06,359
Speaker 2: But maybe also feel this episode has so much plot

68
00:03:06,440 --> 00:03:08,880
Speaker 2: in it for everyone else, like really, it's.

69
00:03:08,760 --> 00:03:12,360
Speaker 1: A lot in the thing, and oh yeah, it's a lot.

70
00:03:12,400 --> 00:03:15,400
Speaker 2: It's so much that I feel, you know, there were times,

71
00:03:15,520 --> 00:03:17,560
Speaker 2: I mean, this has always been true for us. We

72
00:03:17,639 --> 00:03:20,320
Speaker 2: over overshoot, right, we always have too much, and then

73
00:03:20,320 --> 00:03:22,560
Speaker 2: we have taken shoot always.

74
00:03:22,600 --> 00:03:25,359
Speaker 1: Oh look, don't get me started on just like that.

75
00:03:25,520 --> 00:03:28,880
Speaker 1: There were two scenes of ours two this last season

76
00:03:28,880 --> 00:03:32,560
Speaker 1: that we're cut no way. Oh yes, remember the remember

77
00:03:32,560 --> 00:03:37,400
Speaker 1: the one in the in the the bakery, and it

78
00:03:37,440 --> 00:03:40,720
Speaker 1: was after the puppet thing, and I said to you,

79
00:03:40,760 --> 00:03:42,800
Speaker 1: I need to I need to talk about the puppet more.

80
00:03:43,040 --> 00:03:45,560
Speaker 1: And I was like, I was this old guy glaring

81
00:03:45,600 --> 00:03:46,960
Speaker 1: at him and you were like well and I was like,

82
00:03:46,960 --> 00:03:49,240
Speaker 1: don't look at me like that A great scene and

83
00:03:50,000 --> 00:03:52,640
Speaker 1: it got cut. Oh and then there was a scene

84
00:03:52,680 --> 00:03:55,200
Speaker 1: with the red rooster between me and you before I

85
00:03:55,200 --> 00:03:58,760
Speaker 1: apologized to carry Oh, yeah, was cut, which I was

86
00:03:59,120 --> 00:04:00,400
Speaker 1: furious about.

87
00:04:01,080 --> 00:04:03,760
Speaker 3: The bridge to me apologizing.

88
00:04:03,200 --> 00:04:05,680
Speaker 2: Right right right, I remember that. I remember that. But

89
00:04:05,720 --> 00:04:09,040
Speaker 2: we always overfilm. We always overfilm. And one time I

90
00:04:09,080 --> 00:04:12,560
Speaker 2: said to Michael Patrick, I said, couldn't we cut from

91
00:04:12,600 --> 00:04:15,880
Speaker 2: the read through so that we don't because we're always

92
00:04:15,960 --> 00:04:19,200
Speaker 2: just really basically killing ourselves to get everything filmed. Yeah,

93
00:04:19,200 --> 00:04:21,599
Speaker 2: and also we spend a lot of money getting everything filmed.

94
00:04:21,600 --> 00:04:23,680
Speaker 2: And he said no, because I don't know in the

95
00:04:23,800 --> 00:04:24,839
Speaker 2: edit what's going to work.

96
00:04:25,080 --> 00:04:26,320
Speaker 1: He doesn't, Yeah, he doesn't know.

97
00:04:27,720 --> 00:04:29,599
Speaker 2: But let me just say this about you. When I

98
00:04:29,680 --> 00:04:32,320
Speaker 2: watched this first episode, because obviously I hadn't watched this

99
00:04:32,360 --> 00:04:34,279
Speaker 2: episode in you know, thirty years or whatever it is,

100
00:04:34,279 --> 00:04:38,360
Speaker 2: twenty five years, you are just a breath of fresh air.

101
00:04:38,480 --> 00:04:41,839
Speaker 2: Like your energy. You're just like a blast of energy.

102
00:04:42,040 --> 00:04:46,360
Speaker 2: It's so refreshing and exciting, like you're a note that

103
00:04:46,400 --> 00:04:49,279
Speaker 2: we didn't have in the ensemble. Yeah, do you feel

104
00:04:49,279 --> 00:04:49,960
Speaker 2: that when you watch it?

105
00:04:50,040 --> 00:04:50,360
Speaker 5: Yeah?

106
00:04:50,440 --> 00:04:50,640
Speaker 4: Yeah.

107
00:04:50,640 --> 00:04:53,840
Speaker 1: When I watch it, I was like, wow, this, I mean,

108
00:04:53,880 --> 00:04:56,920
Speaker 1: it was just it's funny, it's good. I just it works,

109
00:04:56,960 --> 00:05:01,400
Speaker 1: and I don't know, I I feel that I was.

110
00:05:01,600 --> 00:05:02,360
Speaker 1: I'm happy with.

111
00:05:02,279 --> 00:05:04,760
Speaker 2: It when I walked definitely, right, I mean you're so

112
00:05:04,960 --> 00:05:07,320
Speaker 2: young also, like it's so funny to look at you

113
00:05:07,520 --> 00:05:10,120
Speaker 2: and me obviously do but I mean were little children.

114
00:05:10,360 --> 00:05:12,320
Speaker 2: I don't think I felt like a little child back then.

115
00:05:12,480 --> 00:05:14,880
Speaker 1: You mean you didn't, right, neither did I. We felt

116
00:05:14,880 --> 00:05:16,279
Speaker 1: like we were you know, I mean.

117
00:05:16,279 --> 00:05:17,840
Speaker 2: Adult, we were. You know, but.

118
00:05:20,400 --> 00:05:22,720
Speaker 1: That was two thousand. That was we filmed that ninety nine.

119
00:05:23,080 --> 00:05:24,960
Speaker 2: No, I think we filmed it in two thousand because

120
00:05:24,960 --> 00:05:27,080
Speaker 2: it's it near to August twentieth, so we would have

121
00:05:27,080 --> 00:05:28,320
Speaker 2: filmed it earlier in the summer.

122
00:05:28,400 --> 00:05:30,800
Speaker 4: You know. It brings up I was I was forty

123
00:05:30,880 --> 00:05:31,360
Speaker 4: years old.

124
00:05:31,520 --> 00:05:35,599
Speaker 2: No, you look like you're twenty or twenty five.

125
00:05:35,880 --> 00:05:38,760
Speaker 1: My god, it just turned sixty six last week.

126
00:05:38,880 --> 00:05:41,440
Speaker 2: Congradually, she said, like God, it was your birthday.

127
00:05:41,480 --> 00:05:43,839
Speaker 1: Sixty six, one more six and I'm the Sign of

128
00:05:43,880 --> 00:05:45,039
Speaker 1: the Devil. That's right.

129
00:05:48,440 --> 00:05:50,280
Speaker 2: Well, this is the thing I was thinking to when

130
00:05:50,320 --> 00:05:54,080
Speaker 2: I'm watching, because I remember that you used to always feel,

131
00:05:54,320 --> 00:05:56,720
Speaker 2: you know, you have like a nervousness about your work,

132
00:05:56,720 --> 00:06:00,000
Speaker 2: which is always kind of adorable. That still still remains, really,

133
00:06:00,360 --> 00:06:04,440
Speaker 2: but I remember this particular time because it was the beginning.

134
00:06:05,000 --> 00:06:08,080
Speaker 2: I mean, but you're you're so great.

135
00:06:08,240 --> 00:06:10,839
Speaker 1: Well, you know this is that you know, you're sitting

136
00:06:10,839 --> 00:06:13,200
Speaker 1: there and you're doing it for the crew, and the

137
00:06:13,240 --> 00:06:16,400
Speaker 1: crew is like hysterically laughing, and then the cameras go

138
00:06:16,480 --> 00:06:19,719
Speaker 1: on and they can't laugh. So in your psychological, crazy

139
00:06:19,760 --> 00:06:24,760
Speaker 1: comedic mind, my paranoid comedic mind, I'm like, well I'm

140
00:06:24,839 --> 00:06:29,680
Speaker 1: sucking now, Well I'm not funny. I left. I would

141
00:06:29,720 --> 00:06:35,040
Speaker 1: leave I remember. I think it was season four episode

142
00:06:35,120 --> 00:06:37,200
Speaker 1: I think it was one or two where we're walking

143
00:06:37,240 --> 00:06:40,680
Speaker 1: and the sailors. It's fleet week, you know. I remember

144
00:06:40,680 --> 00:06:43,520
Speaker 1: walking away from that scene and calling Michael, going, I

145
00:06:43,560 --> 00:06:46,360
Speaker 1: didn't I didn't. You didn't get it right? So would

146
00:06:46,360 --> 00:06:48,800
Speaker 1: I leave you? He was like, would I let you

147
00:06:48,880 --> 00:06:52,960
Speaker 1: off the set if I didn't get it? He would not,

148
00:06:53,600 --> 00:06:55,479
Speaker 1: And then you watch it and I'm like, Okay, he

149
00:06:55,520 --> 00:06:55,920
Speaker 1: got it.

150
00:06:56,000 --> 00:06:58,480
Speaker 2: Definitely, definitely, I do think too. There's a couple of

151
00:06:58,520 --> 00:07:00,880
Speaker 2: things I thought about. One was just like your energy

152
00:07:00,920 --> 00:07:04,680
Speaker 2: is so pure and great and different. And then the

153
00:07:04,720 --> 00:07:07,359
Speaker 2: other thing I realized is that you you didn't do

154
00:07:07,440 --> 00:07:10,880
Speaker 2: that many episodes of the first series, and I was

155
00:07:10,880 --> 00:07:14,880
Speaker 2: wondering for you, like did they so you did twelve total?

156
00:07:14,920 --> 00:07:17,840
Speaker 2: I'm reading my total, which is crazy. I would have

157
00:07:17,840 --> 00:07:19,200
Speaker 2: thought it was so much more than that.

158
00:07:19,280 --> 00:07:20,960
Speaker 1: A lot of people think that, yeah.

159
00:07:20,800 --> 00:07:23,560
Speaker 2: Yeah, and what how did they handle it? Like what

160
00:07:23,640 --> 00:07:25,640
Speaker 2: was your thinking? Did you think you were coming back?

161
00:07:25,680 --> 00:07:28,320
Speaker 2: Did you know you were coming back? How did it go? I?

162
00:07:28,680 --> 00:07:30,720
Speaker 1: Well, you know, I've known Michael Patrick King since I

163
00:07:30,800 --> 00:07:32,400
Speaker 1: was in my twenties doing stand up.

164
00:07:32,440 --> 00:07:33,200
Speaker 4: That's how I came.

165
00:07:33,440 --> 00:07:35,080
Speaker 1: Yeah, so he wrote me this.

166
00:07:35,200 --> 00:07:37,000
Speaker 3: I did go in as a formality to read.

167
00:07:37,680 --> 00:07:39,480
Speaker 1: And there was also that question of whether I was

168
00:07:39,520 --> 00:07:41,400
Speaker 1: going to be able to get out of that tech,

169
00:07:43,200 --> 00:07:45,200
Speaker 1: which I was like, I'm going, I'm doing this so

170
00:07:46,040 --> 00:07:49,200
Speaker 1: but I remember after it aired, I ran into him

171
00:07:49,240 --> 00:07:51,200
Speaker 1: and John Melphie in a restaurant and he said, do

172
00:07:51,240 --> 00:07:53,800
Speaker 1: you know how many do you know? The reaction we

173
00:07:53,880 --> 00:07:56,720
Speaker 1: got from you and how many you know, calls or

174
00:07:56,800 --> 00:07:59,920
Speaker 1: letters or whatever it was back then. And I said,

175
00:08:00,200 --> 00:08:03,000
Speaker 1: I don't know, but am I coming back? That you

176
00:08:03,120 --> 00:08:05,560
Speaker 1: absolutely are? I said, okay, but it was this is

177
00:08:05,560 --> 00:08:09,080
Speaker 1: what it was. It was one episode, season three, two

178
00:08:09,120 --> 00:08:14,960
Speaker 1: episodes Season four, Wow three episode season five, six episode

179
00:08:15,000 --> 00:08:19,440
Speaker 1: season six, and then then the and then both movies,

180
00:08:19,440 --> 00:08:21,400
Speaker 1: which kind of you know, cemented it. But I was,

181
00:08:21,600 --> 00:08:23,400
Speaker 1: you know, I was always on call, and I was

182
00:08:23,440 --> 00:08:28,600
Speaker 1: always so afraid that you know, of scheduling because they

183
00:08:28,840 --> 00:08:31,280
Speaker 1: called you last minute and if you you know, weren't available,

184
00:08:31,760 --> 00:08:33,560
Speaker 1: you know, this was not a good thing. So I

185
00:08:33,640 --> 00:08:34,600
Speaker 1: was horrified. You know.

186
00:08:34,679 --> 00:08:36,360
Speaker 2: Oh no, so you never really knew.

187
00:08:37,240 --> 00:08:39,160
Speaker 1: No, I didn't know when I knew I was coming back, right,

188
00:08:39,320 --> 00:08:42,560
Speaker 1: you know when? But it just the episodes grew as

189
00:08:42,600 --> 00:08:45,880
Speaker 1: the years went on, and I also, yeah, you just

190
00:08:46,760 --> 00:08:50,400
Speaker 1: and there were there were, you know, some Broadway shows

191
00:08:50,440 --> 00:08:52,360
Speaker 1: at the time that I that I did turn down,

192
00:08:52,440 --> 00:08:55,200
Speaker 1: not because of this but because no, believe me, it

193
00:08:55,240 --> 00:08:59,280
Speaker 1: worked out well, not because of this, but because of

194
00:08:59,440 --> 00:09:02,520
Speaker 1: negotiating and whatever. You know, Sometimes they want you for

195
00:09:02,559 --> 00:09:04,200
Speaker 1: a year and you're like, can I do six months?

196
00:09:04,240 --> 00:09:06,559
Speaker 1: Which I think is reasonable, and like, no, I'm like, okay,

197
00:09:06,559 --> 00:09:11,680
Speaker 1: goodbye so, and at that time they did. Even now,

198
00:09:11,840 --> 00:09:13,800
Speaker 1: if you're a middling name and you're not a name,

199
00:09:14,120 --> 00:09:15,240
Speaker 1: they don't let you out.

200
00:09:15,320 --> 00:09:17,480
Speaker 3: Broadway producers don't let you out.

201
00:09:17,000 --> 00:09:20,920
Speaker 1: And my experience to go do an episode of the show,

202
00:09:21,480 --> 00:09:25,280
Speaker 1: so you know that could have messed me up, you know,

203
00:09:25,600 --> 00:09:26,199
Speaker 1: totally with this.

204
00:09:26,480 --> 00:09:30,720
Speaker 2: Yeah, oh yeah, Well I appreciate that you were thinking

205
00:09:30,760 --> 00:09:31,240
Speaker 2: of us.

206
00:09:31,640 --> 00:09:34,440
Speaker 1: Oh I just love it.

207
00:09:34,679 --> 00:09:36,080
Speaker 2: Yes, we need you so much.

208
00:09:36,760 --> 00:09:37,720
Speaker 1: Miss it very much.

209
00:09:38,000 --> 00:09:38,800
Speaker 2: I miss it too.

210
00:09:39,120 --> 00:09:42,960
Speaker 1: I'm very sad about it, no, honestly, Like I mean,

211
00:09:42,960 --> 00:09:44,600
Speaker 1: people like, how are you like, I'm sad.

212
00:09:44,880 --> 00:09:45,840
Speaker 2: I'm sorry.

213
00:09:46,000 --> 00:09:47,640
Speaker 1: I just wanted one more season.

214
00:09:48,240 --> 00:09:51,320
Speaker 2: I agree, I absolutely wanted one more season two.

215
00:09:51,320 --> 00:09:52,960
Speaker 1: I don't care. I love them all, but I don't

216
00:09:53,000 --> 00:09:56,720
Speaker 1: care what anybody says this. That was not a series finale.

217
00:09:56,920 --> 00:09:59,679
Speaker 1: It was a season finale, but that wasn't a series finale.

218
00:09:59,679 --> 00:10:03,160
Speaker 2: Well, agree with you, baby, I agree with you. I

219
00:10:03,200 --> 00:10:06,000
Speaker 2: haven't watched it because I'm in denial and I would

220
00:10:06,040 --> 00:10:08,520
Speaker 2: like to remain that way. But I know what was

221
00:10:08,559 --> 00:10:12,640
Speaker 2: on the page, and I know that when we the

222
00:10:12,640 --> 00:10:15,079
Speaker 2: girls and I got together for dinner and we were like, wait,

223
00:10:15,200 --> 00:10:18,160
Speaker 2: what did we do and what did we do and

224
00:10:18,200 --> 00:10:20,600
Speaker 2: we couldn't really remember, which is not a good sign,

225
00:10:20,800 --> 00:10:22,960
Speaker 2: you know what I'm saying. So in my just so

226
00:10:23,040 --> 00:10:25,600
Speaker 2: you know, I this is not based on anything real.

227
00:10:26,040 --> 00:10:28,319
Speaker 2: In my mind, we're going to do something else. I

228
00:10:28,400 --> 00:10:30,240
Speaker 2: don't think it'll be a whole season, but I think

229
00:10:30,280 --> 00:10:32,880
Speaker 2: we will do something else. But obviously no one knows

230
00:10:32,880 --> 00:10:37,080
Speaker 2: who owns us right now, you know, So there's that

231
00:10:37,080 --> 00:10:39,040
Speaker 2: that's got to be worked out. And I don't think

232
00:10:39,200 --> 00:10:42,320
Speaker 2: Michael Michael. I saw Michael, and he I've seen it

233
00:10:42,360 --> 00:10:44,440
Speaker 2: a couple of times, so he didn't. He doesn't say that.

234
00:10:44,720 --> 00:10:49,240
Speaker 2: But I'm just in my in my hopeful way, you know,

235
00:10:49,520 --> 00:10:50,080
Speaker 2: going with that.

236
00:10:50,920 --> 00:10:51,800
Speaker 1: I like that too.

237
00:10:52,040 --> 00:10:54,000
Speaker 2: I like that too. I like that too. I mean,

238
00:10:54,080 --> 00:10:56,800
Speaker 2: I feel like we've been going for so long, you know,

239
00:10:57,720 --> 00:11:01,640
Speaker 2: why why finish? I know, right, I.

240
00:11:01,679 --> 00:11:03,959
Speaker 1: Know we're an expensive show, but we're worth it.

241
00:11:04,200 --> 00:11:06,479
Speaker 2: I think we're worth it too, darn it.

242
00:11:06,480 --> 00:11:08,760
Speaker 1: It's we're worth it. And it's a it's a it's

243
00:11:08,800 --> 00:11:11,360
Speaker 1: beautifully shot, it's it's a movie. I mean, it's like

244
00:11:11,600 --> 00:11:13,480
Speaker 1: there's no c G I or like that.

245
00:11:13,559 --> 00:11:15,160
Speaker 4: It's just all New York.

246
00:11:15,240 --> 00:11:17,320
Speaker 2: Is That's right, babe? That is right?

247
00:11:17,440 --> 00:11:20,800
Speaker 1: Studio sets or the beautiful locations of New York City

248
00:11:20,840 --> 00:11:23,720
Speaker 1: and that's and that's you know, so that's that's thrilling.

249
00:11:23,720 --> 00:11:27,559
Speaker 1: And then you've got these wonderful actresses and actors.

250
00:11:27,160 --> 00:11:38,320
Speaker 5: And yeah, I agree, I agree, I agree.

251
00:11:40,200 --> 00:11:43,000
Speaker 2: All right, let's talk about this episode. So I am

252
00:11:43,440 --> 00:11:46,960
Speaker 2: so totally every time I'm watching these episodes from this

253
00:11:47,040 --> 00:11:50,160
Speaker 2: section of season three, I knew in my mind that, like,

254
00:11:50,280 --> 00:11:53,960
Speaker 2: I love season three so much, it's my favorite season whatever,

255
00:11:54,320 --> 00:11:57,320
Speaker 2: but like, and I love the whole big Carrie you

256
00:11:57,360 --> 00:11:59,400
Speaker 2: know thing, But there's so much I don't remember. It's

257
00:11:59,400 --> 00:12:00,760
Speaker 2: like I'm watching it for the first time.

258
00:12:01,160 --> 00:12:02,440
Speaker 3: It's a very strong season.

259
00:12:02,480 --> 00:12:04,840
Speaker 1: It's it's you know, not because it's when I came in,

260
00:12:04,840 --> 00:12:07,000
Speaker 1: but it's actually when I started watching it too that

261
00:12:07,040 --> 00:12:09,640
Speaker 1: I had to go back and then and then that

262
00:12:09,840 --> 00:12:13,880
Speaker 1: season is when it really kind of oh yeah.

263
00:12:15,240 --> 00:12:17,920
Speaker 2: And I don't remember anything, Like I don't remember that

264
00:12:18,080 --> 00:12:21,640
Speaker 2: Carrie and Bigger going to some CD hotel. Oh my gosh,

265
00:12:21,960 --> 00:12:24,040
Speaker 2: I remember that I run into the I don't remember

266
00:12:24,080 --> 00:12:25,920
Speaker 2: any of this. I don't know where the heck of

267
00:12:25,920 --> 00:12:31,120
Speaker 2: my mind was. Oh it is so sad, I do, like,

268
00:12:31,240 --> 00:12:32,839
Speaker 2: what are you doing in this neighborhood?

269
00:12:33,120 --> 00:12:33,440
Speaker 1: I know?

270
00:12:33,800 --> 00:12:36,440
Speaker 2: I know, and I mean it's also funny because is

271
00:12:36,440 --> 00:12:38,400
Speaker 2: there any part of town that they wouldn't be in?

272
00:12:38,520 --> 00:12:39,840
Speaker 2: Not really, you know what I mean.

273
00:12:40,200 --> 00:12:44,520
Speaker 1: But your reaction to it's your disappointment, really, Oh, your

274
00:12:44,559 --> 00:12:47,880
Speaker 1: disappointment in her. Okay, if you feel the way you're

275
00:12:47,880 --> 00:12:49,720
Speaker 1: saying is you're trying to be as polite as possible,

276
00:12:49,720 --> 00:12:52,720
Speaker 1: but you're letting her know that you're not happy about this.

277
00:12:52,760 --> 00:12:58,480
Speaker 1: You're disappointed in your because your moral character. Charlotte is like,

278
00:12:58,480 --> 00:13:00,199
Speaker 1: like you said, what if you know, what if that

279
00:13:00,240 --> 00:13:00,720
Speaker 1: happened to me?

280
00:13:01,160 --> 00:13:04,040
Speaker 2: Okay, I'm glad you feel that way, because I don't

281
00:13:04,080 --> 00:13:05,960
Speaker 2: love my work in this episode. I really don't.

282
00:13:06,760 --> 00:13:07,600
Speaker 1: You're nuts. You.

283
00:13:10,200 --> 00:13:14,120
Speaker 2: I like me when I'm with you, right, I know

284
00:13:14,160 --> 00:13:16,400
Speaker 2: it's true, it's true, But I mean a lot of

285
00:13:16,440 --> 00:13:19,120
Speaker 2: the times when I do look back, I'm like thrilled. Right,

286
00:13:19,240 --> 00:13:22,080
Speaker 2: but there's some hard things they have me do, like

287
00:13:22,120 --> 00:13:24,880
Speaker 2: that scene. Because Okay, So just to make sure we're

288
00:13:24,880 --> 00:13:28,880
Speaker 2: including our listeners. So this is the episode where Carrie

289
00:13:28,880 --> 00:13:31,360
Speaker 2: has slowly been telling the friends right like she first

290
00:13:31,360 --> 00:13:33,400
Speaker 2: told Samantha, because she knows Samantha is not going to

291
00:13:33,480 --> 00:13:36,600
Speaker 2: judge that she's having a fair with mea exactly. Then

292
00:13:36,640 --> 00:13:39,040
Speaker 2: she in this episode she tells Miranda, and that's a

293
00:13:39,040 --> 00:13:40,679
Speaker 2: great scene. We'll get to that in a second. But

294
00:13:40,840 --> 00:13:42,920
Speaker 2: then the way that Charlotte finds out because she doesn't

295
00:13:42,920 --> 00:13:44,520
Speaker 2: want to tell me, because she goes, oh, I want

296
00:13:44,520 --> 00:13:46,720
Speaker 2: to don't want to tell miss bride because I'm getting

297
00:13:46,720 --> 00:13:49,640
Speaker 2: married in like three weeks. I think, I say, right, so,

298
00:13:50,000 --> 00:13:52,199
Speaker 2: and she's right about that, right because I'm in a

299
00:13:52,280 --> 00:13:56,320
Speaker 2: whole you know, basically just tizzy about you know, getting

300
00:13:56,320 --> 00:13:59,600
Speaker 2: married and being bride blah blah blah blah blah. And

301
00:13:59,720 --> 00:14:01,720
Speaker 2: so she does tell me, and we have a very

302
00:14:01,720 --> 00:14:06,440
Speaker 2: interesting scene where I Am just thinking to myself, what

303
00:14:06,679 --> 00:14:09,120
Speaker 2: is happening here and what did they say to me?

304
00:14:09,280 --> 00:14:13,800
Speaker 2: Because it's I am it's interesting. I'm not mad mad

305
00:14:14,280 --> 00:14:16,320
Speaker 2: like when we go to and just like that, and

306
00:14:16,400 --> 00:14:19,400
Speaker 2: Miranda has the affair with Shay that Charlotte mad right

307
00:14:19,480 --> 00:14:21,760
Speaker 2: like Michael Patrick told me to shout at her, which

308
00:14:21,800 --> 00:14:23,520
Speaker 2: I did, but I was scared to do it, but

309
00:14:23,560 --> 00:14:26,840
Speaker 2: I did it. But this scene, I'm like disappointed with

310
00:14:27,000 --> 00:14:30,080
Speaker 2: Carrie and I say things like you're not even thinking

311
00:14:30,120 --> 00:14:33,400
Speaker 2: about her, which is I think one hundred percent true,

312
00:14:33,560 --> 00:14:36,360
Speaker 2: you know, meaning the wife Natasha. But I also feel

313
00:14:36,360 --> 00:14:39,760
Speaker 2: like I don't feel I don't know if I'm being

314
00:14:39,840 --> 00:14:42,440
Speaker 2: nice to my friend Carrie in that scene. Do you

315
00:14:42,480 --> 00:14:43,080
Speaker 2: think I am?

316
00:14:43,560 --> 00:14:47,120
Speaker 1: No? I no, I just I don't think it's even

317
00:14:47,160 --> 00:14:49,040
Speaker 1: about being nice. You know, it's not going to end

318
00:14:49,080 --> 00:14:50,400
Speaker 1: your friendship. It's too deep.

319
00:14:50,440 --> 00:14:53,240
Speaker 3: It's just you're letting her know that I'm disappointed in you.

320
00:14:53,640 --> 00:14:57,600
Speaker 1: Ye, this is and even and even I know you're

321
00:14:57,640 --> 00:15:00,320
Speaker 1: getting married in it, but even even you're even sh Arlotte,

322
00:15:00,360 --> 00:15:03,680
Speaker 1: I think would be disappointed anyway because she's seeing a

323
00:15:03,720 --> 00:15:09,000
Speaker 1: married man. And it's also about protecting Carrie, to protecting

324
00:15:09,080 --> 00:15:11,800
Speaker 1: her heart. You know, that could happen any minute with

325
00:15:11,920 --> 00:15:14,720
Speaker 1: this man that's married. So it makes.

326
00:15:14,520 --> 00:15:16,640
Speaker 2: It's a big mess. It's a big mess for sure.

327
00:15:16,760 --> 00:15:20,000
Speaker 2: And I mean definitely like when when you know, the

328
00:15:20,040 --> 00:15:22,320
Speaker 2: whole time, when we find out that he's engaged, and

329
00:15:22,440 --> 00:15:23,800
Speaker 2: you know, I read it in the paper and I

330
00:15:23,800 --> 00:15:26,040
Speaker 2: don't want her to know. And yes, I definitely seem

331
00:15:26,080 --> 00:15:27,720
Speaker 2: like I want to protect her. But I mean when

332
00:15:27,720 --> 00:15:30,000
Speaker 2: I watched that scene, it's like, ooh, it makes me

333
00:15:30,680 --> 00:15:33,880
Speaker 2: I feel uncomfortable watching the scene between me and Carrie.

334
00:15:34,080 --> 00:15:37,400
Speaker 1: You know, you know, look, here's the thing whether people

335
00:15:38,280 --> 00:15:43,160
Speaker 1: fans as the character Charlotte, whether they think you're too judgmenttro,

336
00:15:43,320 --> 00:15:45,200
Speaker 1: they hate you for it, or they're on your side.

337
00:15:45,280 --> 00:15:47,520
Speaker 1: It's going to be all different kinds of opinions about it.

338
00:15:47,520 --> 00:15:49,440
Speaker 1: That's the way it is, and that's what makes it cool.

339
00:15:49,480 --> 00:15:52,280
Speaker 2: No, that's true totally. And I also feel when I'm

340
00:15:52,320 --> 00:15:55,760
Speaker 2: watching it that I that's when I'm reminded that Charlotte

341
00:15:55,760 --> 00:15:58,120
Speaker 2: is an important point of view because it is different.

342
00:15:58,200 --> 00:16:01,520
Speaker 2: Everyone has a different point of view, which is lane Yeah,

343
00:16:01,560 --> 00:16:04,840
Speaker 2: which is really good, but I'm never sure if I

344
00:16:04,880 --> 00:16:07,120
Speaker 2: really I feel like Also, this was the time when

345
00:16:07,120 --> 00:16:09,120
Speaker 2: they used to tell me that Charlott wouldn't get mad

346
00:16:09,760 --> 00:16:11,640
Speaker 2: right like, which is also kind of weird.

347
00:16:12,960 --> 00:16:17,440
Speaker 1: Mad everyone does, and right people, you have to, as

348
00:16:17,440 --> 00:16:19,680
Speaker 1: Betty Davis said, you have to dare to be hated.

349
00:16:21,440 --> 00:16:22,760
Speaker 3: And that's what it's all about.

350
00:16:22,840 --> 00:16:25,840
Speaker 1: I mean, look, I had so many especially gay women

351
00:16:25,920 --> 00:16:27,640
Speaker 1: not so much, but gay men would come up to

352
00:16:27,640 --> 00:16:31,840
Speaker 1: me and say, you know, you play it definitely much

353
00:16:31,880 --> 00:16:34,160
Speaker 1: more blunt. You know. When I was with you, there

354
00:16:34,240 --> 00:16:36,280
Speaker 1: was that scene I was watching and someone just posted

355
00:16:36,680 --> 00:16:40,320
Speaker 1: when we were eating a cafeteria and we run into

356
00:16:40,320 --> 00:16:42,800
Speaker 1: it's another seat. There's not this episode, but we run

357
00:16:42,840 --> 00:16:48,360
Speaker 1: into Stanny and Uh and his friend Marcus and I

358
00:16:48,480 --> 00:16:50,960
Speaker 1: tell you the t's of Hooker and that and and

359
00:16:50,960 --> 00:16:52,840
Speaker 1: then I'm telling him, like, you know, He's like, I,

360
00:16:52,960 --> 00:16:54,520
Speaker 1: I didn't go to the problem. I was like, cause

361
00:16:54,560 --> 00:16:57,800
Speaker 1: you were gay and I'm brutal to But it's hilarious

362
00:16:57,840 --> 00:17:00,560
Speaker 1: at the same time. But it's interesting how different people

363
00:17:00,640 --> 00:17:02,520
Speaker 1: view it. Like women thought it was funny, and.

364
00:17:02,520 --> 00:17:05,760
Speaker 3: Charlie and Blunt and Game were like, you're an asult.

365
00:17:06,960 --> 00:17:11,560
Speaker 1: It was yeah, interesting, you gotta just but me and

366
00:17:11,600 --> 00:17:14,560
Speaker 1: then look and then in the in just like that,

367
00:17:14,680 --> 00:17:17,680
Speaker 1: we all for the for the good or the bad.

368
00:17:18,080 --> 00:17:22,480
Speaker 1: We all evolved, we all became grown ups and either

369
00:17:22,520 --> 00:17:27,240
Speaker 1: our anxieties grew or we kind of were more relaxed,

370
00:17:27,359 --> 00:17:30,480
Speaker 1: or we were more you know. I feel like Anthony

371
00:17:30,560 --> 00:17:33,240
Speaker 1: wasn't as He's still blunt, but he wasn't as rude.

372
00:17:33,280 --> 00:17:34,680
Speaker 1: He definitely evolved more.

373
00:17:34,960 --> 00:17:36,880
Speaker 2: I think you're right. I had not thought about that.

374
00:17:37,200 --> 00:17:40,240
Speaker 1: No. I remember her saying, Michael, when I with the bakery,

375
00:17:40,240 --> 00:17:42,040
Speaker 1: I'm like, so, I'm not going to be messing around

376
00:17:42,080 --> 00:17:43,760
Speaker 1: with these guys at the bakery. Because he was such

377
00:17:43,800 --> 00:17:46,280
Speaker 1: a promistuous character and he was like, no, no, no, you don't.

378
00:17:46,560 --> 00:17:49,280
Speaker 1: You don't ship where you eat right, and you've evolved,

379
00:17:49,280 --> 00:17:50,280
Speaker 1: and I just thought.

380
00:17:50,720 --> 00:17:54,920
Speaker 2: Wow, yeah, yeah, definitely, definitely you grew up.

381
00:17:54,880 --> 00:17:58,240
Speaker 1: And definitely you became a married woman with a solid

382
00:17:58,280 --> 00:18:04,000
Speaker 1: marriage and kids and chaos. Definitely you dealt with that brilliantly.

383
00:18:04,080 --> 00:18:07,040
Speaker 3: I told you that how you made me laugh out.

384
00:18:06,960 --> 00:18:07,960
Speaker 2: Loud a lot?

385
00:18:08,440 --> 00:18:14,320
Speaker 1: Really the premiere the second the second season with you,

386
00:18:15,160 --> 00:18:16,840
Speaker 1: the downsized.

387
00:18:16,119 --> 00:18:19,400
Speaker 2: Premiere, Oh yeah, yeah yeah, the Writer's Strike premiere.

388
00:18:19,280 --> 00:18:24,800
Speaker 1: Yeah, the writers yep, yep. I uh uh. I remember

389
00:18:25,880 --> 00:18:26,920
Speaker 1: saying to you, you're.

390
00:18:26,840 --> 00:18:29,400
Speaker 2: So thank you, babe, and.

391
00:18:29,320 --> 00:18:31,200
Speaker 1: You've had beautiful things to say about me. You said

392
00:18:31,200 --> 00:18:32,639
Speaker 1: it to me first, but I was didn't say to

393
00:18:32,640 --> 00:18:33,439
Speaker 1: you because you said it to me.

394
00:18:33,480 --> 00:18:37,400
Speaker 2: I was like, you're so funny, but you're so hard

395
00:18:37,440 --> 00:18:40,199
Speaker 2: on yourself and you're you're it cracks me up. But

396
00:18:40,280 --> 00:18:43,280
Speaker 2: you did obviously have a lot of challenges. I the

397
00:18:43,320 --> 00:18:45,560
Speaker 2: thing that I thought about when I was watching this episode,

398
00:18:45,760 --> 00:18:48,720
Speaker 2: there's a scene where I'm the coffee shop scene. I've

399
00:18:48,720 --> 00:18:52,280
Speaker 2: got this stack of magazines, the Bridal magazines, and you

400
00:18:52,640 --> 00:18:55,840
Speaker 2: say it exactly. That scene almost killed me. With the

401
00:18:55,840 --> 00:18:57,919
Speaker 2: props we've all been there we've all been there in

402
00:18:57,960 --> 00:19:00,760
Speaker 2: the prop scenes. Okay, you know it's hard. And this

403
00:19:00,880 --> 00:19:04,680
Speaker 2: was Dennis Erdmand directing. Do you remember Dennis. Yes, and

404
00:19:04,840 --> 00:19:08,119
Speaker 2: I've forgotten that. This is when Dennis shows up to direct.

405
00:19:08,400 --> 00:19:11,320
Speaker 1: Yeah he was, he was. He was Darren's partner, Yes

406
00:19:11,440 --> 00:19:11,959
Speaker 1: he was.

407
00:19:12,080 --> 00:19:13,240
Speaker 2: And I thought it was good.

408
00:19:13,960 --> 00:19:15,480
Speaker 3: Yeah, he was great. He was lovely to work with.

409
00:19:15,600 --> 00:19:16,359
Speaker 3: I had a great time.

410
00:19:16,520 --> 00:19:17,480
Speaker 2: Yeah, he's a sweet guy.

411
00:19:17,880 --> 00:19:19,399
Speaker 1: It was just a late night, you know.

412
00:19:19,600 --> 00:19:21,120
Speaker 2: Oh, every night was a late night.

413
00:19:21,359 --> 00:19:23,560
Speaker 1: And I don't think the other thing about that second

414
00:19:23,600 --> 00:19:25,720
Speaker 1: scene that got cut. I was told that that, you know,

415
00:19:25,760 --> 00:19:28,119
Speaker 1: it was so late and they didn't get enough coverage

416
00:19:28,160 --> 00:19:31,119
Speaker 1: and oh, which was another reason why they cut it.

417
00:19:31,160 --> 00:19:33,720
Speaker 1: So it just when you get out to four four

418
00:19:33,760 --> 00:19:36,639
Speaker 1: a m. You can get wonky, as you know.

419
00:19:36,760 --> 00:19:39,600
Speaker 2: Oh my god. Yes, I mean how we functioned at

420
00:19:39,640 --> 00:19:42,879
Speaker 2: all is amazing, you know what I'm saying, Like, I

421
00:19:43,320 --> 00:19:46,160
Speaker 2: remember the exhaustion. I think that's why I don't remember

422
00:19:46,200 --> 00:19:49,439
Speaker 2: everything now, because I'm just like so past tired, you know.

423
00:19:50,640 --> 00:19:53,520
Speaker 2: But but you know, all good, oh good, Okay, wait,

424
00:19:53,600 --> 00:19:57,720
Speaker 2: let's go, let's go in order. So Carrie's storyline super fascinating.

425
00:19:57,960 --> 00:20:01,919
Speaker 2: Didn't remember this at all. And I think it really

426
00:20:02,800 --> 00:20:07,280
Speaker 2: really seems to like the vibe of having an affair,

427
00:20:07,880 --> 00:20:11,280
Speaker 2: which I think is great that they brought it because previously,

428
00:20:11,320 --> 00:20:13,520
Speaker 2: like when they were in the Stanhope, like it's kind

429
00:20:13,520 --> 00:20:18,000
Speaker 2: of gorgeous, right, like Charles McDougal film that and is

430
00:20:18,040 --> 00:20:22,200
Speaker 2: so cinematic and beautiful, and now we see like the

431
00:20:22,240 --> 00:20:26,000
Speaker 2: gritty reality of having to hide and like they're cranky

432
00:20:26,040 --> 00:20:27,520
Speaker 2: with each other. He's like, I've got to be at

433
00:20:27,520 --> 00:20:28,440
Speaker 2: work in forty minutes.

434
00:20:28,640 --> 00:20:31,000
Speaker 3: Forty minutes and it's just like, okay, this is that

435
00:20:31,240 --> 00:20:31,840
Speaker 3: just hitting it.

436
00:20:31,840 --> 00:20:32,919
Speaker 4: And then I know.

437
00:20:34,960 --> 00:20:37,120
Speaker 1: It's it's very ick.

438
00:20:37,280 --> 00:20:38,880
Speaker 2: No wonder if she feels so terrible.

439
00:20:39,320 --> 00:20:42,240
Speaker 1: Oh, and there she goes. You know, it's like I said,

440
00:20:42,520 --> 00:20:45,680
Speaker 1: you know, dare to be hated. That's that's judged.

441
00:20:45,440 --> 00:20:48,800
Speaker 2: Too absolutely, And I mean she's so brave, like she

442
00:20:49,000 --> 00:20:51,359
Speaker 2: just does it. She does, but also she brings such

443
00:20:51,560 --> 00:20:53,720
Speaker 2: truth like it's so real, you.

444
00:20:53,680 --> 00:20:55,439
Speaker 1: Know, it's fantastic.

445
00:20:56,080 --> 00:20:59,879
Speaker 2: Sarahja's magnificence beyond beyond beyond and so gorgeous.

446
00:21:00,400 --> 00:21:04,399
Speaker 1: Oh, she looks forwarteous and such good performance. And Chris

447
00:21:04,480 --> 00:21:05,119
Speaker 1: is wonderful and.

448
00:21:05,240 --> 00:21:09,679
Speaker 2: It's so good. He's so good. But also I did

449
00:21:09,760 --> 00:21:12,280
Speaker 2: hate him, you know, of course.

450
00:21:12,400 --> 00:21:15,239
Speaker 3: Of course, because you know he was messing with your

451
00:21:15,240 --> 00:21:15,800
Speaker 3: best friend.

452
00:21:16,040 --> 00:21:16,600
Speaker 4: Yeah.

453
00:21:16,640 --> 00:21:18,800
Speaker 2: And also when he's like, oh, I'm going to tell her,

454
00:21:18,800 --> 00:21:20,480
Speaker 2: and she said, but are you really? I mean, it's

455
00:21:20,480 --> 00:21:24,160
Speaker 2: a very interesting dynamic of like on the one hand

456
00:21:24,200 --> 00:21:26,560
Speaker 2: she kind of seems like she wants him to and

457
00:21:26,600 --> 00:21:28,920
Speaker 2: on the other hand she doesn't. And then the thing

458
00:21:28,960 --> 00:21:31,040
Speaker 2: that I didn't remember at all, And people do bring

459
00:21:31,040 --> 00:21:32,360
Speaker 2: this up to me, and I'm always like, I don't

460
00:21:32,359 --> 00:21:34,800
Speaker 2: know what strang about when and I'm jumping to the end,

461
00:21:34,840 --> 00:21:37,320
Speaker 2: but we're going to talk about Natasha. But before we do,

462
00:21:37,480 --> 00:21:40,400
Speaker 2: when at the very end, she says, we're so over

463
00:21:40,480 --> 00:21:44,280
Speaker 2: that we need another name for over. Yeah, another word

464
00:21:44,320 --> 00:21:46,800
Speaker 2: for over. It's such a great line. And people talk

465
00:21:46,840 --> 00:21:48,119
Speaker 2: to me about that, and I'm like, I don't know

466
00:21:48,200 --> 00:21:52,359
Speaker 2: when that happens, but okay, it happens here and rightly so,

467
00:21:52,840 --> 00:21:56,359
Speaker 2: because ick a million times ick on this situation.

468
00:21:56,720 --> 00:21:57,639
Speaker 4: It's boy, And.

469
00:21:59,320 --> 00:22:00,960
Speaker 1: I mean, was he are they gonna call her?

470
00:22:01,280 --> 00:22:03,480
Speaker 2: I don't think he was. I think he's like daring her,

471
00:22:03,520 --> 00:22:06,359
Speaker 2: like they have such a weird like like I dare

472
00:22:06,400 --> 00:22:08,600
Speaker 2: you type you know thing. But then she doesn't really

473
00:22:08,640 --> 00:22:10,200
Speaker 2: want him to and she says, I need more time.

474
00:22:10,280 --> 00:22:13,560
Speaker 2: It's so interestingly written. I mean, what a fantastic Michael

475
00:22:13,560 --> 00:22:17,440
Speaker 2: Patrick wrote this one. And it's just incredible. It's so so,

476
00:22:17,440 --> 00:22:20,720
Speaker 2: so so incredibly good. Okay, so let's talk about Carrie

477
00:22:20,760 --> 00:22:25,240
Speaker 2: from the beginning. So she's having the affair. It's elegant

478
00:22:25,280 --> 00:22:32,000
Speaker 2: to really really bad hotels. They're they're complaining, and then oh,

479
00:22:32,040 --> 00:22:34,560
Speaker 2: he seems jealous and he says to her something like,

480
00:22:34,640 --> 00:22:37,240
Speaker 2: you know, are you you know, saving it for the

481
00:22:37,320 --> 00:22:39,399
Speaker 2: boyfriend or whatever, and she's like, don't talk to me

482
00:22:39,600 --> 00:22:42,320
Speaker 2: like that. I'm like, oh god, I'm so scared. I'm

483
00:22:42,320 --> 00:22:42,760
Speaker 2: so scared.

484
00:22:42,800 --> 00:22:43,200
Speaker 1: It's dick.

485
00:22:43,320 --> 00:22:46,119
Speaker 2: It's so dick. But it's also so real, you know.

486
00:22:46,160 --> 00:22:49,080
Speaker 2: I feel like they're like peeling layers of each other off,

487
00:22:49,320 --> 00:22:51,480
Speaker 2: do you know what I mean, to the reality of

488
00:22:51,880 --> 00:22:52,480
Speaker 2: who they are.

489
00:22:53,000 --> 00:22:57,840
Speaker 1: As the room gets gets dirtier and slimier and and

490
00:22:57,920 --> 00:22:59,760
Speaker 1: less glamorous, so does the affair.

491
00:23:00,160 --> 00:23:03,679
Speaker 2: Definitely. And I think that's so beautifully done and so

492
00:23:04,080 --> 00:23:06,200
Speaker 2: accurate because affairs are horrible.

493
00:23:06,960 --> 00:23:09,560
Speaker 3: And then that the Natasha stuff.

494
00:23:09,720 --> 00:23:11,760
Speaker 2: Oh, let's not get there yet. Let's talk about when

495
00:23:11,800 --> 00:23:14,480
Speaker 2: she tells Miranda, because I love the scene. Oh yeah,

496
00:23:14,920 --> 00:23:17,760
Speaker 2: so much. I look forward now that I'm rewatching as

497
00:23:17,760 --> 00:23:20,640
Speaker 2: a fan more so, right I'm I'm I always look

498
00:23:20,680 --> 00:23:24,520
Speaker 2: forward to a Carrie Miranda scene because they're super amazing

499
00:23:24,880 --> 00:23:28,800
Speaker 2: and you never quite know who's going to be what way.

500
00:23:28,880 --> 00:23:30,560
Speaker 2: You know, you know that Miranda is going to tell

501
00:23:30,560 --> 00:23:32,640
Speaker 2: it like it is right, but like when she says

502
00:23:32,680 --> 00:23:34,359
Speaker 2: I have to tell you something, Miranda's like, well now

503
00:23:34,400 --> 00:23:37,120
Speaker 2: I'm scared. Like it's so they're so great together. They're

504
00:23:37,119 --> 00:23:40,280
Speaker 2: so great together and just the different vibe. And I

505
00:23:40,840 --> 00:23:45,440
Speaker 2: like how Miranda handles finding out because she is equally

506
00:23:45,520 --> 00:23:48,080
Speaker 2: telling it like it is, like you know, this is

507
00:23:48,359 --> 00:23:52,320
Speaker 2: a horrible mistake. But also she's worried for Carrie, you know,

508
00:23:52,880 --> 00:23:55,560
Speaker 2: and she's not judgmental. I mean, she's definitely telling her

509
00:23:55,600 --> 00:23:58,199
Speaker 2: don't do it, but she's not like you're a bad person,

510
00:23:58,480 --> 00:23:58,760
Speaker 2: you know what.

511
00:23:58,800 --> 00:24:02,400
Speaker 1: I'm saying, Probably because Carrie says to her, you're gonna

512
00:24:02,400 --> 00:24:04,200
Speaker 1: hate me for this, and she kind of does a

513
00:24:04,280 --> 00:24:07,199
Speaker 1: disclaimer before because she knows what she's like and how

514
00:24:07,240 --> 00:24:09,960
Speaker 1: she's gonna feel. Right doesn't come at her. I think

515
00:24:10,000 --> 00:24:14,159
Speaker 1: because there was a buffer there. Definitely knows that she

516
00:24:14,200 --> 00:24:17,919
Speaker 1: doesn't want the whole truth from her, so she says it,

517
00:24:17,960 --> 00:24:20,879
Speaker 1: but I think she leaves stuff out that she's feeling

518
00:24:20,960 --> 00:24:21,479
Speaker 1: and thinking.

519
00:24:21,720 --> 00:24:23,960
Speaker 2: I think for sure, I think for sure. But I

520
00:24:23,960 --> 00:24:25,840
Speaker 2: think it's nice how she handles it, you know what

521
00:24:25,880 --> 00:24:28,520
Speaker 2: I'm saying, Like, because Carrie's obviously troubled. It's not like

522
00:24:28,560 --> 00:24:31,280
Speaker 2: Carrie's like, I'm having an affair and it's great. She's saying,

523
00:24:31,440 --> 00:24:33,560
Speaker 2: I know, it's terrible. What do I do? I don't know?

524
00:24:33,600 --> 00:24:36,720
Speaker 2: And she says, you stop right, which obviously Carrie doesn't do.

525
00:24:36,760 --> 00:24:39,639
Speaker 2: But then they cut to Carrie and aiden, this killed me.

526
00:24:39,920 --> 00:24:42,080
Speaker 2: I don't remember any of this, and he's kissing her

527
00:24:42,080 --> 00:24:46,160
Speaker 2: and like going like m mmmm, and she just wants

528
00:24:46,200 --> 00:24:49,240
Speaker 2: to jump out of her skin. Oh I just felt that,

529
00:24:49,680 --> 00:24:53,880
Speaker 2: like to my core. It's awful. Like I can't even

530
00:24:53,960 --> 00:24:57,800
Speaker 2: believe that she just doesn't just fully bail, but you know,

531
00:24:57,880 --> 00:24:59,560
Speaker 2: she kind of does in a certain way. But like

532
00:25:00,280 --> 00:25:02,920
Speaker 2: to your person who's you know, supposedly a person who

533
00:25:02,960 --> 00:25:05,040
Speaker 2: doesn't know that you're doing this other thing that you

534
00:25:05,080 --> 00:25:07,760
Speaker 2: don't like the sound he's making while he's kissing you.

535
00:25:08,119 --> 00:25:09,280
Speaker 2: I don't think I would do that.

536
00:25:09,960 --> 00:25:11,240
Speaker 1: No, No, I wouldn't.

537
00:25:11,560 --> 00:25:14,440
Speaker 2: No, it's it's it's tough like the fact that he,

538
00:25:15,480 --> 00:25:18,240
Speaker 2: you know, tries his best to be like, oh, okay,

539
00:25:18,280 --> 00:25:21,800
Speaker 2: I won't make that sound. I'm like, Aiden, what a sweetheart.

540
00:25:22,040 --> 00:25:23,040
Speaker 2: Oh my god.

541
00:25:24,000 --> 00:25:26,640
Speaker 1: She know she's she's not nice to the one that's

542
00:25:26,760 --> 00:25:29,880
Speaker 1: very caring to her, and she's nice the one that's

543
00:25:29,920 --> 00:25:30,920
Speaker 1: a son of a bitch.

544
00:25:31,080 --> 00:25:34,280
Speaker 3: I know, because she's an adult.

545
00:25:34,560 --> 00:25:37,479
Speaker 2: Sometimes I know it's kind of but it's also just

546
00:25:37,680 --> 00:25:40,879
Speaker 2: she's so relatable, but also I feel for her because

547
00:25:40,880 --> 00:25:43,200
Speaker 2: she's so stuck. Like, on the one hand, she feels

548
00:25:43,240 --> 00:25:45,479
Speaker 2: horrible and they're like cranky with each other over at

549
00:25:45,480 --> 00:25:47,880
Speaker 2: the affair, and then she doesn't like the sound Aidan's

550
00:25:47,920 --> 00:25:50,400
Speaker 2: making and she tells him and then he's like, oh,

551
00:25:50,440 --> 00:25:53,159
Speaker 2: it's just so everything, so uncomfortable for her, and she

552
00:25:53,320 --> 00:25:57,160
Speaker 2: does it so brilliantly, so brilliantly, but it really made

553
00:25:57,200 --> 00:25:59,840
Speaker 2: me uncomfortable watching it even right Like, I was just like,

554
00:26:00,680 --> 00:26:02,399
Speaker 2: I just want to jump out of my own skin.

555
00:26:02,880 --> 00:26:04,000
Speaker 1: It's really uncomfortable.

556
00:26:04,080 --> 00:26:05,359
Speaker 2: Yeah, I was like, see, that's why I'm not in

557
00:26:05,400 --> 00:26:10,200
Speaker 2: a relationship. It was one of those moments I want

558
00:26:10,200 --> 00:26:12,040
Speaker 2: to get one of these jams. I want to get

559
00:26:12,119 --> 00:26:14,240
Speaker 2: one of these jams because you're trying to take care

560
00:26:14,240 --> 00:26:15,800
Speaker 2: of yourself, but then you're also trying to take care

561
00:26:15,840 --> 00:26:17,439
Speaker 2: of the other people. But then you're also just like

562
00:26:17,560 --> 00:26:21,119
Speaker 2: everything's bad. You know, everything's bad. Oh God, it stressed

563
00:26:21,119 --> 00:26:23,639
Speaker 2: me out a lot watching it, but it was just

564
00:26:23,720 --> 00:26:27,160
Speaker 2: so good though, And I also feel like, what other

565
00:26:27,320 --> 00:26:29,800
Speaker 2: television show can you think of? I mean, I'm sure

566
00:26:29,800 --> 00:26:32,239
Speaker 2: there's got to be some somewhere, but like, it's so

567
00:26:32,600 --> 00:26:36,240
Speaker 2: rare to be able to see this done in a

568
00:26:36,400 --> 00:26:38,960
Speaker 2: not soap opera e way, do you know what I mean,

569
00:26:39,359 --> 00:26:41,400
Speaker 2: like the reality of the feelings.

570
00:26:41,560 --> 00:26:43,960
Speaker 1: No, the last thing it was was soap opera. No,

571
00:26:44,280 --> 00:26:47,280
Speaker 1: it's so good.

572
00:26:47,480 --> 00:26:49,800
Speaker 2: It's amazing to me. I mean I kind of knew,

573
00:26:49,800 --> 00:26:51,080
Speaker 2: but like rewatching, I'm.

574
00:26:50,960 --> 00:26:53,320
Speaker 1: Like, wow, that's why it holds up. It's you know,

575
00:26:53,640 --> 00:26:58,200
Speaker 1: And each scene with Aidan throughout that episode got more

576
00:26:58,240 --> 00:27:01,080
Speaker 1: and more uncomfortable, like he's gonna go.

577
00:27:01,080 --> 00:27:04,080
Speaker 2: And he's gotta go, He's gotta.

578
00:27:03,720 --> 00:27:05,640
Speaker 1: Go because it's true.

579
00:27:06,080 --> 00:27:11,080
Speaker 2: It's awful, you know, stifled and can't be shut down.

580
00:27:11,359 --> 00:27:14,040
Speaker 2: Isn't it the worst? Oh it's the worst. I know.

581
00:27:14,119 --> 00:27:16,280
Speaker 2: I really fell for Aiden, I really really felt for

582
00:27:16,320 --> 00:27:18,800
Speaker 2: Aiden this whole time. I didn't feel for Big though,

583
00:27:18,840 --> 00:27:23,360
Speaker 2: but that's okay, well, oh wait, what about the time

584
00:27:23,400 --> 00:27:26,879
Speaker 2: when she's in the really CD hotel room lobby and

585
00:27:26,920 --> 00:27:30,200
Speaker 2: the guy thinks she's a hooker. Oh my god. This

586
00:27:30,240 --> 00:27:32,160
Speaker 2: is the second time in the show that someone has

587
00:27:32,200 --> 00:27:35,560
Speaker 2: thought Carry is a hooker, you guys, what on earth

588
00:27:36,040 --> 00:27:39,399
Speaker 2: in the first season. He's furious about it, I know,

589
00:27:39,560 --> 00:27:42,560
Speaker 2: and rightly, so rightly, so, oh my god. And that's

590
00:27:42,560 --> 00:27:44,760
Speaker 2: when they come out and I run into them, and

591
00:27:44,760 --> 00:27:48,879
Speaker 2: they're of course very very chagrined, and I'm kind of

592
00:27:48,960 --> 00:28:03,280
Speaker 2: polite ish, but it's awkward. Then you see me packing,

593
00:28:03,359 --> 00:28:05,720
Speaker 2: which I didn't remember this at all either. I'm packing

594
00:28:05,760 --> 00:28:08,159
Speaker 2: to move to trays when when Carrie and I have

595
00:28:08,280 --> 00:28:10,960
Speaker 2: the scene, I'm packing up and she's just standing there

596
00:28:11,040 --> 00:28:13,760
Speaker 2: and she's kind of theoretically helping me, but she's mostly

597
00:28:13,800 --> 00:28:15,320
Speaker 2: just standing there. But that's why I get to war

598
00:28:15,400 --> 00:28:17,920
Speaker 2: jeans and T shirt. Because Pat Field really never wanted

599
00:28:17,920 --> 00:28:20,040
Speaker 2: me to wear jeans and T shirt. I'm wearing jeans

600
00:28:20,040 --> 00:28:22,840
Speaker 2: and T shirt and like my own Adidas or doctor

601
00:28:22,880 --> 00:28:25,359
Speaker 2: Shoul's flip flops, I don't know which one it is.

602
00:28:25,359 --> 00:28:27,920
Speaker 1: I couldn't see, but look look great.

603
00:28:28,119 --> 00:28:30,160
Speaker 2: Thank you so much, thank you so much. I remember

604
00:28:30,280 --> 00:28:32,800
Speaker 2: not feeling great whenever I did get to ward jeans

605
00:28:32,840 --> 00:28:35,240
Speaker 2: because she believed that I should really never wear jeans,

606
00:28:35,680 --> 00:28:38,120
Speaker 2: but I did. I did look back and think like

607
00:28:38,240 --> 00:28:41,640
Speaker 2: I am so dumb that I didn't feel great, like stupid.

608
00:28:41,480 --> 00:28:43,680
Speaker 4: Woman because we don't know what you look like.

609
00:28:43,800 --> 00:28:46,480
Speaker 2: That's why I don't. I don't and I certainly didn't

610
00:28:46,480 --> 00:28:48,880
Speaker 2: then at all. No, I didn't.

611
00:28:49,360 --> 00:28:53,720
Speaker 3: And so when you yeah, and I think you needed

612
00:28:53,720 --> 00:28:53,880
Speaker 3: to be.

613
00:28:54,160 --> 00:28:56,600
Speaker 1: Also because the show is so much about fashion, it's like, well,

614
00:28:56,600 --> 00:28:57,800
Speaker 1: why aren't I in something?

615
00:28:58,400 --> 00:29:00,680
Speaker 2: No, No, I wanted to be in Gene. I mean

616
00:29:00,880 --> 00:29:03,640
Speaker 2: I was exhausted by those clothes, you know what I'm saying,

617
00:29:03,720 --> 00:29:05,520
Speaker 2: Like it was so much and you know how I

618
00:29:05,640 --> 00:29:07,880
Speaker 2: dressed in life, right like I you know, I try

619
00:29:07,920 --> 00:29:09,720
Speaker 2: to look nice for the podcast, but you know I

620
00:29:10,400 --> 00:29:12,680
Speaker 2: would love to be in like my same sweater and

621
00:29:12,720 --> 00:29:14,560
Speaker 2: my same jeans every single day. It would be great.

622
00:29:14,640 --> 00:29:15,760
Speaker 2: I don't think I want to be on that in

623
00:29:15,800 --> 00:29:18,560
Speaker 2: a TV show, right, But like the height of all

624
00:29:18,600 --> 00:29:21,640
Speaker 2: of it was like a lot, you know obviously, I

625
00:29:21,680 --> 00:29:23,719
Speaker 2: mean now I love it more, but back then I

626
00:29:23,760 --> 00:29:25,600
Speaker 2: just remember, like, oh, thank god I can wear jeans.

627
00:29:25,720 --> 00:29:29,560
Speaker 3: Well, you know, ask ask Danny and Molly.

628
00:29:29,720 --> 00:29:34,200
Speaker 1: I hate fittings, up it out, hate them, hate them.

629
00:29:34,280 --> 00:29:36,200
Speaker 1: Just just I do it as fast as I can.

630
00:29:36,640 --> 00:29:39,120
Speaker 1: I mean, I tell them what I like and what

631
00:29:39,160 --> 00:29:42,160
Speaker 1: I don't like. But I'm not crazy picky about my clothes.

632
00:29:41,840 --> 00:29:44,760
Speaker 2: Which is great and that's refreshing for them.

633
00:29:45,160 --> 00:29:49,640
Speaker 1: No, I'm oh, yeah, you give me something that works,

634
00:29:49,040 --> 00:29:52,320
Speaker 1: and like, you know, also, I was like, I would

635
00:29:52,320 --> 00:29:54,320
Speaker 1: like By the second season, I was like, just give

636
00:29:54,360 --> 00:29:56,280
Speaker 1: me stuff that I'm gonna like to wear, but I'm

637
00:29:56,320 --> 00:29:57,440
Speaker 1: not gonna want to take home.

638
00:29:57,840 --> 00:30:00,800
Speaker 4: Oh so but then I calm stuff.

639
00:30:00,560 --> 00:30:02,240
Speaker 2: Any No, I was like, why wouldn't you want to

640
00:30:02,280 --> 00:30:03,239
Speaker 2: have stuff you want to take?

641
00:30:03,360 --> 00:30:04,800
Speaker 3: I did well the first season. I did, and and

642
00:30:04,840 --> 00:30:05,760
Speaker 3: I took.

643
00:30:05,800 --> 00:30:08,640
Speaker 1: I took what I wanted. But you know, Michael liked

644
00:30:08,680 --> 00:30:11,360
Speaker 1: being black a lot. And there was one time and

645
00:30:11,760 --> 00:30:13,280
Speaker 1: just like that. I think it was the party you

646
00:30:13,320 --> 00:30:15,840
Speaker 1: had that I had like a light pink jacket on

647
00:30:15,880 --> 00:30:18,760
Speaker 1: with flowers, oh never, and I loved it and I

648
00:30:18,800 --> 00:30:22,040
Speaker 1: was like, I took that. Oh that was good beautiful. Yeah.

649
00:30:22,080 --> 00:30:24,520
Speaker 1: So yeah, but it was a lot of blues and blacks,

650
00:30:24,520 --> 00:30:26,160
Speaker 1: which I wear in life.

651
00:30:26,560 --> 00:30:29,120
Speaker 2: Yeah. I also think like they have their color palette

652
00:30:29,160 --> 00:30:31,400
Speaker 2: for each you know, character, and they have to have

653
00:30:31,520 --> 00:30:35,160
Speaker 2: us be you know, somewhat in sync when we're together, right, So,

654
00:30:35,240 --> 00:30:37,880
Speaker 2: like everyone can't be wearing black all the time unless

655
00:30:37,960 --> 00:30:39,440
Speaker 2: it's a black occasion.

656
00:30:39,760 --> 00:30:42,560
Speaker 1: And Michael was very picky about what Anthony wore. He

657
00:30:42,720 --> 00:30:45,240
Speaker 1: was way more than I was.

658
00:30:45,480 --> 00:30:49,560
Speaker 2: Wow, Molly told me, okay, wow, wow, wow. I love

659
00:30:49,600 --> 00:30:51,600
Speaker 2: to hear that. That's interesting. Okay, Now we get to

660
00:30:51,640 --> 00:30:55,280
Speaker 2: the part where Tatasha. So basically they're in the CD

661
00:30:55,440 --> 00:30:57,960
Speaker 2: hotels and apparently there's some scene that we don't see

662
00:30:58,000 --> 00:30:59,240
Speaker 2: where Carrie's like, I don't want to be in the

663
00:30:59,280 --> 00:31:02,480
Speaker 2: city hotel. Let's let's well, we have to be at someone's.

664
00:31:02,200 --> 00:31:04,160
Speaker 1: House, right, let's do it right?

665
00:31:04,840 --> 00:31:06,840
Speaker 4: Might betten right right?

666
00:31:06,880 --> 00:31:08,760
Speaker 2: They might have had a scene that got cut. Who knows.

667
00:31:09,080 --> 00:31:13,760
Speaker 2: But they're at his beige house because everything's beige now,

668
00:31:14,280 --> 00:31:16,520
Speaker 2: and they're in the by beige bed. She's in the

669
00:31:16,520 --> 00:31:18,880
Speaker 2: beage bed. He's got to go to work. He goes

670
00:31:18,920 --> 00:31:22,200
Speaker 2: to work and she's in this kind of like pink

671
00:31:23,240 --> 00:31:26,480
Speaker 2: rummaging through the fridge and she hears Natasha come home

672
00:31:26,520 --> 00:31:27,840
Speaker 2: from the Hampton's early.

673
00:31:27,680 --> 00:31:30,080
Speaker 1: And oh, yeah, she came home early from the Hamptons.

674
00:31:30,280 --> 00:31:32,360
Speaker 2: Yeah, he thinks she's in the Hamptons and she's going

675
00:31:32,440 --> 00:31:34,240
Speaker 2: to stay there because he says he's going to call

676
00:31:34,280 --> 00:31:36,520
Speaker 2: her on Monday, which I thought was also such an

677
00:31:36,520 --> 00:31:38,520
Speaker 2: odd comment from him. This is when he says I'm

678
00:31:38,520 --> 00:31:41,000
Speaker 2: going to call her on Monday, and she goes, you know,

679
00:31:41,320 --> 00:31:44,240
Speaker 2: this is when she says, no, she needs more time

680
00:31:44,360 --> 00:31:47,280
Speaker 2: or whatever. Right, And then Natasha comes in and she

681
00:31:47,360 --> 00:31:49,800
Speaker 2: tries to get out the back service entrance, which is

682
00:31:49,800 --> 00:31:52,200
Speaker 2: how apartments are, and if we had we're on the

683
00:31:52,200 --> 00:31:54,480
Speaker 2: air now everyone be complaining about the back door, but

684
00:31:54,560 --> 00:31:56,920
Speaker 2: that is actually how apartments are in big, big old

685
00:31:56,960 --> 00:31:57,520
Speaker 2: buildings in.

686
00:31:57,440 --> 00:31:58,080
Speaker 1: New York South.

687
00:31:59,000 --> 00:32:01,200
Speaker 4: This kitchen entrances exactly.

688
00:32:01,240 --> 00:32:03,479
Speaker 2: It's the service entrance, that's what they would call it.

689
00:32:03,520 --> 00:32:05,320
Speaker 2: And it would go to an elevator that's in the

690
00:32:05,360 --> 00:32:07,920
Speaker 2: back where you could bring furniture up or whatever different

691
00:32:07,960 --> 00:32:10,040
Speaker 2: you know, things like workmen would come up in the

692
00:32:10,080 --> 00:32:14,200
Speaker 2: back elevator. There's rules in these kinds of building deliveries

693
00:32:14,200 --> 00:32:17,000
Speaker 2: exactly exactly. So Carrie is trying to get out the back,

694
00:32:17,040 --> 00:32:20,880
Speaker 2: but the chain lock is on and she can't get out.

695
00:32:21,240 --> 00:32:24,120
Speaker 2: So then she gets out and she's running down the

696
00:32:24,160 --> 00:32:27,600
Speaker 2: stairs and Natasha and her beautiful white outfit, which is

697
00:32:27,680 --> 00:32:30,760
Speaker 2: I think all she wears is running down after her

698
00:32:30,800 --> 00:32:33,120
Speaker 2: and falls on face.

699
00:32:33,720 --> 00:32:34,800
Speaker 1: It before she goes to the door.

700
00:32:35,000 --> 00:32:38,080
Speaker 2: Yeah, and she says, Carrie, Carrie, I knew you were

701
00:32:38,120 --> 00:32:40,720
Speaker 2: having an affair, but not in my house. Oh my god,

702
00:32:40,920 --> 00:32:46,640
Speaker 2: so upsetting, so upsetting on her face, on that beautiful face,

703
00:32:48,560 --> 00:32:50,200
Speaker 2: like yes, thank God.

704
00:32:50,240 --> 00:32:53,440
Speaker 1: She lifts her head and there's so much.

705
00:32:53,280 --> 00:32:56,160
Speaker 3: Fuss, and they put she puts her in a cab.

706
00:32:56,320 --> 00:32:58,680
Speaker 2: She puts her in a cab, and then someone told me,

707
00:32:58,760 --> 00:33:01,760
Speaker 2: I believe because we talked to Bridget earlier and Bridget

708
00:33:01,800 --> 00:33:05,200
Speaker 2: couldn't remember if she had ad libbed she Carrie puts

709
00:33:05,200 --> 00:33:06,760
Speaker 2: her in a cab and is trying to tell the

710
00:33:06,760 --> 00:33:09,880
Speaker 2: cab to go to the nearest hospital, and Bridget is

711
00:33:09,960 --> 00:33:12,480
Speaker 2: trying to lock Natasha is trying to lock the door.

712
00:33:12,520 --> 00:33:14,600
Speaker 2: So Carrie gank it in. And someone told me that

713
00:33:14,640 --> 00:33:19,600
Speaker 2: they listened to Michael Patrick's DVD, you know, narrative of it,

714
00:33:19,680 --> 00:33:23,760
Speaker 2: and that Bridget had ad libed that, which is super brilliant,

715
00:33:23,880 --> 00:33:26,560
Speaker 2: super brilliant. But the windows rolled down, so she's like

716
00:33:26,720 --> 00:33:29,360
Speaker 2: frantically trying to it's a funny kind of thing, and

717
00:33:29,400 --> 00:33:32,480
Speaker 2: so Carrie just gets in the front, which is very cool.

718
00:33:32,560 --> 00:33:35,480
Speaker 2: I love this whole sequence. And then it's so good

719
00:33:35,480 --> 00:33:38,080
Speaker 2: when they cut to the hospital and you see Big

720
00:33:38,120 --> 00:33:41,680
Speaker 2: coming in but he obviously doesn't know Carrie's there, and

721
00:33:41,720 --> 00:33:44,160
Speaker 2: the look on his face when he sees Carrie there

722
00:33:44,600 --> 00:33:47,320
Speaker 2: because probably Natasha killed him, or the doctors called him

723
00:33:47,400 --> 00:33:49,600
Speaker 2: or someone called him, right, he doesn't realize Carrie's there

724
00:33:49,600 --> 00:33:52,160
Speaker 2: and he sees her. It's such a good moment. He stops,

725
00:33:52,200 --> 00:33:55,120
Speaker 2: he sees Carrie, the look on her face.

726
00:33:56,200 --> 00:33:58,680
Speaker 1: It's just like, well, she's done, then.

727
00:33:58,760 --> 00:34:01,520
Speaker 2: Done, and like so oh sad and upset of how

728
00:34:01,560 --> 00:34:03,760
Speaker 2: it's actually gone down. And I love how in the

729
00:34:03,800 --> 00:34:06,680
Speaker 2: beginning of the episode, before this happens, there's a lot

730
00:34:06,720 --> 00:34:09,080
Speaker 2: of talk about, like with Miranda, and I think with

731
00:34:09,160 --> 00:34:11,920
Speaker 2: me also, I mean, because Carrie's like, couldn't we just

732
00:34:11,920 --> 00:34:13,560
Speaker 2: get out of it with no one getting hurt? No

733
00:34:13,560 --> 00:34:15,880
Speaker 2: one for the wiser. She says this to Miranda, and

734
00:34:15,960 --> 00:34:18,000
Speaker 2: I'm like, no, no, you can't get out of it

735
00:34:18,000 --> 00:34:19,880
Speaker 2: with no one getting hurt, and Miranda's basically know you.

736
00:34:20,040 --> 00:34:24,919
Speaker 2: And then who gets actually physically hurt, Natasha. It's so perfect. Yeah,

737
00:34:25,200 --> 00:34:28,960
Speaker 2: it's so good, so so good, Oh my god.

738
00:34:28,960 --> 00:34:31,000
Speaker 1: But she gets her there, she gets her that she

739
00:34:31,080 --> 00:34:34,160
Speaker 1: makes God, yes, she had to go with her.

740
00:34:34,280 --> 00:34:36,880
Speaker 2: Oh definitely. Oh, we would have been very very angry

741
00:34:36,880 --> 00:34:37,480
Speaker 2: with Carrie.

742
00:34:37,239 --> 00:34:39,319
Speaker 1: If she had not been with her and be like,

743
00:34:39,320 --> 00:34:40,640
Speaker 1: why no, she.

744
00:34:40,560 --> 00:34:42,319
Speaker 2: Would never do that. She would never do that because

745
00:34:42,320 --> 00:34:44,960
Speaker 2: she's not a bad person. That's what's so great about it.

746
00:34:45,160 --> 00:34:46,800
Speaker 1: Well, she runs right up to her on the stairs.

747
00:34:46,800 --> 00:34:49,040
Speaker 1: I mean, she's very caring. She didn't keep running no,

748
00:34:49,239 --> 00:34:53,160
Speaker 1: you know, since he's very caring and she really, boy,

749
00:34:53,200 --> 00:34:55,400
Speaker 1: that's brutal. And then and then it's over.

750
00:34:55,600 --> 00:34:57,600
Speaker 2: I know. And then it's so over that we need

751
00:34:57,640 --> 00:35:00,480
Speaker 2: a new word for over. And that's so good. It's

752
00:35:00,480 --> 00:35:02,880
Speaker 2: such a good line. It's such a good line, and

753
00:35:02,920 --> 00:35:05,799
Speaker 2: she delivers it so beautifully, and her face is just

754
00:35:05,920 --> 00:35:10,239
Speaker 2: like like she's just empty of feeling, you know, like

755
00:35:10,320 --> 00:35:13,319
Speaker 2: it's been too much. It's so so incredibly good.

756
00:35:14,960 --> 00:35:19,000
Speaker 1: Yeah, it's a great episode. It's a rare I didn't realize.

757
00:35:20,600 --> 00:35:24,479
Speaker 2: And then she goes home and Aiden's there, Oh god,

758
00:35:25,360 --> 00:35:28,239
Speaker 2: and he looks so adorable and he says, where were

759
00:35:28,239 --> 00:35:29,920
Speaker 2: you all day? And she says she was at a

760
00:35:30,000 --> 00:35:35,680
Speaker 2: museum I know, And he says, how was it? She said, good,

761
00:35:36,000 --> 00:35:38,440
Speaker 2: it's kind of funny. And then she goes in her

762
00:35:38,480 --> 00:35:40,840
Speaker 2: bathroom but she shuts all the doors. She says she

763
00:35:40,840 --> 00:35:43,000
Speaker 2: has to wash her face, and she shuts all the

764
00:35:43,000 --> 00:35:44,920
Speaker 2: door so she can like have a moment to recover.

765
00:35:45,360 --> 00:35:48,120
Speaker 2: But I did feel, I did feel because Aiden is like,

766
00:35:48,719 --> 00:35:51,840
Speaker 2: you know, he's he's fine. Like the fact that Aiden

767
00:35:51,920 --> 00:35:56,080
Speaker 2: could have been kind of, you know, somehow able to

768
00:35:56,960 --> 00:36:00,680
Speaker 2: emotionally regulate himself after she's been so weak to him

769
00:36:01,080 --> 00:36:03,600
Speaker 2: and messed up is kind of impressive.

770
00:36:03,600 --> 00:36:07,920
Speaker 1: I think, yes, yeah, oh yeah, well he he he

771
00:36:08,160 --> 00:36:13,839
Speaker 1: was kind of very forgiving, very forgiving, and and I'm

772
00:36:13,880 --> 00:36:17,640
Speaker 1: sure she was very relieved he was there even though

773
00:36:17,640 --> 00:36:20,879
Speaker 1: it was, you know, a tough day.

774
00:36:21,200 --> 00:36:23,720
Speaker 4: But for sure it is so how are you sharing?

775
00:36:23,800 --> 00:36:24,839
Speaker 1: Is that for Carrie too?

776
00:36:24,880 --> 00:36:27,040
Speaker 2: I agree? I agree, But then I believe it's the

777
00:36:27,040 --> 00:36:29,080
Speaker 2: next episode that I get married and they break up,

778
00:36:29,480 --> 00:36:33,160
Speaker 2: so it's a little window. But I also totally understand

779
00:36:33,320 --> 00:36:36,960
Speaker 2: why she feels so horrible that he doesn't know. I

780
00:36:37,000 --> 00:36:39,360
Speaker 2: get it. I get it. I mean, it's a really

781
00:36:39,400 --> 00:36:41,440
Speaker 2: tough it's a really tough thing. Like I don't know,

782
00:36:41,719 --> 00:36:46,360
Speaker 2: like if you just cheated, like like like a weird

783
00:36:46,800 --> 00:36:48,640
Speaker 2: moment of cheating that would be one thing, but this

784
00:36:48,680 --> 00:36:51,400
Speaker 2: is a whole emotional like this is her ex with

785
00:36:51,480 --> 00:36:55,560
Speaker 2: unfinished business, it's so much more. I totally get why

786
00:36:55,600 --> 00:36:56,960
Speaker 2: she feels like she has to tell him in the

787
00:36:57,000 --> 00:36:58,000
Speaker 2: next episode, do you.

788
00:36:58,160 --> 00:37:02,800
Speaker 1: Yeah, yeah, oh yeah yeah, because this this just layers

789
00:37:02,800 --> 00:37:03,560
Speaker 1: of guilt.

790
00:37:03,520 --> 00:37:06,560
Speaker 2: Yeah yeah, yeah yeah. And you can't move forward feeling

791
00:37:06,680 --> 00:37:08,719
Speaker 2: like they don't know who you are, that you're you

792
00:37:08,760 --> 00:37:10,480
Speaker 2: know that you did this, and that you're.

793
00:37:11,640 --> 00:37:12,680
Speaker 1: That's the next episode.

794
00:37:12,680 --> 00:37:14,600
Speaker 4: But yeah, I know it.

795
00:37:14,719 --> 00:37:16,680
Speaker 1: I know these two men just.

796
00:37:16,640 --> 00:37:18,080
Speaker 3: Continued in her life.

797
00:37:17,840 --> 00:37:18,600
Speaker 1: Through all of it.

798
00:37:18,680 --> 00:37:22,640
Speaker 4: Though I know, I know, I know they're both iterations.

799
00:37:22,640 --> 00:37:27,000
Speaker 1: That's fascinating to me. I love it, and and the

800
00:37:27,040 --> 00:37:29,799
Speaker 1: fans love it too. You know, they they're all they're

801
00:37:29,840 --> 00:37:33,479
Speaker 1: either team Big or team teammate, but they it's which

802
00:37:33,520 --> 00:37:38,719
Speaker 1: is why I think it was so split, and they

803
00:37:38,920 --> 00:37:41,400
Speaker 1: just they kept them both in because they were both

804
00:37:41,480 --> 00:37:45,360
Speaker 1: so those relationships were both so popular with the audience.

805
00:37:45,719 --> 00:37:49,440
Speaker 2: Also, I just think they are so interestingly different, and

806
00:37:49,480 --> 00:37:52,680
Speaker 2: it's a different part of her that gets involved, like

807
00:37:52,760 --> 00:37:55,760
Speaker 2: that comes out with each one. But it's side note,

808
00:37:55,800 --> 00:37:58,320
Speaker 2: and this also is not based on anything that anyone

809
00:37:58,360 --> 00:38:00,480
Speaker 2: said to me. It's my own feeling. I do feel

810
00:38:00,480 --> 00:38:02,640
Speaker 2: like that's part of the reason that we ended in

811
00:38:02,800 --> 00:38:05,640
Speaker 2: just like that is because we really really ended Aiden.

812
00:38:07,040 --> 00:38:10,839
Speaker 2: Sorry for anyone that I'm giving anything away, but like

813
00:38:11,000 --> 00:38:15,480
Speaker 2: once Aiden was really done, I feel like creatively there

814
00:38:15,560 --> 00:38:20,200
Speaker 2: was like a emptiness that Michael and Sarah Jessica didn't

815
00:38:20,560 --> 00:38:23,040
Speaker 2: have an immediate answer for do you know what I'm saying,

816
00:38:23,520 --> 00:38:26,040
Speaker 2: And I don't know. They need to have that like

817
00:38:26,239 --> 00:38:31,120
Speaker 2: creative motor driving them of like we're going here, you

818
00:38:31,160 --> 00:38:33,160
Speaker 2: know what I'm saying, And they didn't have that, And

819
00:38:33,160 --> 00:38:36,040
Speaker 2: I think that they need that. That's how they operate.

820
00:38:36,160 --> 00:38:39,319
Speaker 2: But the two of them together like as a good partnership,

821
00:38:39,360 --> 00:38:42,480
Speaker 2: you know, a good creative partnership. Anyway, side note, of course,

822
00:38:43,480 --> 00:38:45,560
Speaker 2: so here we are, let's go back. I want to

823
00:38:45,600 --> 00:38:49,120
Speaker 2: know what you think of Samantha's storyline getting the HIV test.

824
00:38:49,360 --> 00:38:50,399
Speaker 2: What did you think of this?

825
00:38:50,760 --> 00:38:52,840
Speaker 1: Well, the fact that she thought she was being taken

826
00:38:52,840 --> 00:38:56,359
Speaker 1: into that little room and the way she fainted was

827
00:38:56,400 --> 00:39:01,160
Speaker 1: so brilliant. I didn't remember any of this magnificent episode.

828
00:39:01,160 --> 00:39:04,360
Speaker 1: Also because it's such a thing that I have sex

829
00:39:04,400 --> 00:39:08,640
Speaker 1: and I'm fine, I'm I'm clean, I'm I'm I'm not diseased.

830
00:39:09,120 --> 00:39:12,440
Speaker 1: You know that whole thing. And then she's confronted by

831
00:39:12,440 --> 00:39:14,880
Speaker 1: a guy who has as much sex as she does,

832
00:39:15,360 --> 00:39:17,440
Speaker 1: and he's like, I'm not going to do this if

833
00:39:17,760 --> 00:39:20,719
Speaker 1: you don't get tested, and then so she wants him

834
00:39:20,760 --> 00:39:23,520
Speaker 1: so badly that it makes her go get tested. And

835
00:39:23,560 --> 00:39:25,959
Speaker 1: it's horrifying. And I mean, look, as a gay man coming

836
00:39:26,040 --> 00:39:29,400
Speaker 1: up in the UH in the eighties and nineties, you know,

837
00:39:29,520 --> 00:39:34,600
Speaker 1: they're those tests were horrifying, horrifying, scary think about it,

838
00:39:34,719 --> 00:39:37,400
Speaker 1: you know, yeah, and being taken into that little room

839
00:39:37,600 --> 00:39:41,760
Speaker 1: or whatever. But the way she fell, it's the fainting

840
00:39:41,760 --> 00:39:46,600
Speaker 1: that I was like, wow, and me too, you you

841
00:39:46,840 --> 00:39:48,160
Speaker 1: she just thought she was going to get.

842
00:39:48,000 --> 00:39:52,520
Speaker 2: The death sentence, so scary, so so scary, and she

843
00:39:52,560 --> 00:39:55,839
Speaker 2: faints very beautifully. It's all. I like the shot a lot,

844
00:39:55,920 --> 00:39:58,439
Speaker 2: like it's the angel and the way she falls.

845
00:39:58,960 --> 00:40:00,760
Speaker 1: All those things in all those yeah.

846
00:40:00,600 --> 00:40:04,200
Speaker 2: Yeah, she hits the medical cards, so all the tools fall.

847
00:40:04,320 --> 00:40:06,640
Speaker 2: It's really good. It's really really good. I don't think

848
00:40:06,680 --> 00:40:09,240
Speaker 2: I ever went to one of those centers to get tested,

849
00:40:09,280 --> 00:40:11,520
Speaker 2: so I never didn't. Never I think I got tested

850
00:40:11,560 --> 00:40:15,880
Speaker 2: it like doctor, doctor, Yeah, did you go to one

851
00:40:15,920 --> 00:40:16,680
Speaker 2: of those places?

852
00:40:17,040 --> 00:40:17,239
Speaker 1: No?

853
00:40:17,360 --> 00:40:20,480
Speaker 2: I had, Yeah, yeah, I mean, it's kind of intense

854
00:40:20,560 --> 00:40:21,640
Speaker 2: to go to one of those places.

855
00:40:21,719 --> 00:40:24,279
Speaker 4: I think, you know, no exactly, this is you know,

856
00:40:24,600 --> 00:40:25,120
Speaker 4: you're lucky.

857
00:40:25,320 --> 00:40:26,920
Speaker 1: You know, it's a privilege to be able to have

858
00:40:27,320 --> 00:40:30,040
Speaker 1: they can a privilege to be able to have a doctor. Yeah,

859
00:40:30,080 --> 00:40:32,960
Speaker 1: you know, I've been going through the years, and I

860
00:40:32,760 --> 00:40:36,080
Speaker 1: was very comforting and you know, you're gonna be fine,

861
00:40:36,080 --> 00:40:38,040
Speaker 1: and you know, and that's he was right, you know,

862
00:40:38,120 --> 00:40:39,200
Speaker 1: that's the way it went.

863
00:40:39,680 --> 00:40:40,440
Speaker 2: Yeah, thank god.

864
00:40:41,520 --> 00:40:45,480
Speaker 1: Yeah, but those like those clinics are your number at

865
00:40:45,480 --> 00:40:48,880
Speaker 1: those clinics. Although the nurse that she was dealing with

866
00:40:49,040 --> 00:40:51,320
Speaker 1: was very kind and very comforting.

867
00:40:51,520 --> 00:40:53,719
Speaker 2: I know she was kind of comforting, but apparently she

868
00:40:53,760 --> 00:40:55,000
Speaker 2: was trying to take her in the back room so

869
00:40:55,080 --> 00:40:57,600
Speaker 2: he could she could lecture her about her sex life,

870
00:40:58,160 --> 00:41:01,960
Speaker 2: which is not good, not good because she also scared

871
00:41:02,000 --> 00:41:04,440
Speaker 2: the Jesus out of her and made poor Samantha faint.

872
00:41:04,719 --> 00:41:06,640
Speaker 2: But this is what I love so much.

873
00:41:06,680 --> 00:41:06,839
Speaker 1: So.

874
00:41:07,080 --> 00:41:10,680
Speaker 2: The guy that she's with is played by Sam Robarts,

875
00:41:10,719 --> 00:41:12,799
Speaker 2: who I feel like, did anyone look up if he's

876
00:41:12,840 --> 00:41:17,680
Speaker 2: related to Jason Robarts. Yes, he's Jason Robarts's son, Jason

877
00:41:17,760 --> 00:41:21,960
Speaker 2: rot Yes, remember Jason Robart's incredible, incredible actor. And I

878
00:41:22,040 --> 00:41:25,520
Speaker 2: remember I think they wanted something like someone really amazing

879
00:41:25,680 --> 00:41:28,680
Speaker 2: to play kind of the male version of Samantha that

880
00:41:28,800 --> 00:41:32,440
Speaker 2: she would of course really want and vibe with. But

881
00:41:32,480 --> 00:41:34,439
Speaker 2: also I love how he is with her.

882
00:41:35,520 --> 00:41:39,440
Speaker 1: Yeah, oh yeah, he's you know, he's very sexual, but

883
00:41:39,560 --> 00:41:40,919
Speaker 1: he won't do it.

884
00:41:41,040 --> 00:41:43,800
Speaker 2: Like he has such a great like he's so open,

885
00:41:44,080 --> 00:41:46,080
Speaker 2: but also in the way that Samantha is, right, because

886
00:41:46,080 --> 00:41:49,319
Speaker 2: Amantha is so open about her sexuality and unapologetic, but

887
00:41:49,440 --> 00:41:52,439
Speaker 2: also he's got such clear boundaries, right, but he also

888
00:41:52,480 --> 00:41:55,840
Speaker 2: has this swing like he's interesting and fun, but also like, no, no,

889
00:41:56,239 --> 00:41:57,759
Speaker 2: you have to have an AIDS test. What do you

890
00:41:57,840 --> 00:41:59,600
Speaker 2: mean you have an ad AIDS test. I like the

891
00:41:59,640 --> 00:42:01,640
Speaker 2: whole thing so much, me too.

892
00:42:01,920 --> 00:42:04,840
Speaker 1: And they were meeting, you know, they were meeting the

893
00:42:05,400 --> 00:42:08,399
Speaker 1: male and female, the male and female equivalent of each

894
00:42:08,440 --> 00:42:09,120
Speaker 1: other sexually.

895
00:42:09,320 --> 00:42:11,440
Speaker 2: I know. I wish he could have stayed. Wouldn't that

896
00:42:11,520 --> 00:42:13,920
Speaker 2: have been interesting? Like what would have happened?

897
00:42:14,360 --> 00:42:18,880
Speaker 1: Yeah, I don't know. I don't know either. Well, they

898
00:42:18,880 --> 00:42:21,120
Speaker 1: both would have cheated on each other eventually.

899
00:42:20,760 --> 00:42:23,319
Speaker 2: That's probably true, but at least it would have been mutual, right,

900
00:42:23,440 --> 00:42:25,520
Speaker 2: so maybe whatever. I don't know, but I really loved

901
00:42:25,600 --> 00:42:28,719
Speaker 2: him and I do. I just vaguely remember that, you know,

902
00:42:28,760 --> 00:42:33,080
Speaker 2: because she has so many incredibly beautiful guys right and

903
00:42:33,520 --> 00:42:35,680
Speaker 2: always really good as well. But I do remember that

904
00:42:35,719 --> 00:42:37,520
Speaker 2: they really wanted him to be special, and I did

905
00:42:37,520 --> 00:42:40,319
Speaker 2: think that Sam Robards did a fantastic job, and I

906
00:42:40,360 --> 00:42:42,399
Speaker 2: wish we had had had more of him in the show.

907
00:42:42,640 --> 00:42:45,880
Speaker 2: But I do love that we did this whole episode.

908
00:42:45,880 --> 00:42:48,399
Speaker 2: I'd kind of forgotten about it, but I do think

909
00:42:48,440 --> 00:42:52,399
Speaker 2: it's so important to show like kind of the reality

910
00:42:53,239 --> 00:42:56,799
Speaker 2: of you know, her, the way that her lifestyle. You

911
00:42:56,800 --> 00:42:58,480
Speaker 2: know what I'm saying that, like you do need to

912
00:42:58,520 --> 00:43:02,520
Speaker 2: actually take responsible for yourself within that lifestyle. You don't

913
00:43:02,560 --> 00:43:04,719
Speaker 2: need to apologize for the lifestyle, which you need to

914
00:43:04,719 --> 00:43:05,640
Speaker 2: take responsibility.

915
00:43:05,680 --> 00:43:08,319
Speaker 1: And this scen where you're all, you know, saying that

916
00:43:08,400 --> 00:43:12,720
Speaker 1: you whether you've been tested or not in lifetime for HIV,

917
00:43:12,840 --> 00:43:15,799
Speaker 1: and and you don't you you're like you don't even

918
00:43:15,800 --> 00:43:17,960
Speaker 1: say anything because you're like too busy with the magazines and.

919
00:43:17,920 --> 00:43:20,600
Speaker 2: You want, well, I'm in bride world and I don't

920
00:43:20,600 --> 00:43:22,520
Speaker 2: want anything to come into bride World.

921
00:43:22,960 --> 00:43:25,840
Speaker 1: No, And you don't even have to ask Charlotte.

922
00:43:25,400 --> 00:43:28,359
Speaker 2: That, right, I know, But in reality, Charlotte got around

923
00:43:28,440 --> 00:43:30,359
Speaker 2: quite a bit and did need to have an a test,

924
00:43:30,440 --> 00:43:33,120
Speaker 2: and I'm sure she did it or obg Ann or whatever, but.

925
00:43:33,080 --> 00:43:34,359
Speaker 3: It's way too busy with her.

926
00:43:34,280 --> 00:43:37,359
Speaker 2: Magazine exactly because at that point she's got, she's got,

927
00:43:37,400 --> 00:43:39,720
Speaker 2: she's got the stack of magazines. And also Charlotte apparently

928
00:43:39,719 --> 00:43:42,200
Speaker 2: has never heard of stylists, which is really funny.

929
00:43:43,440 --> 00:43:47,840
Speaker 1: You know what was interested in when she's when Samantha said,

930
00:43:48,200 --> 00:43:50,640
Speaker 1: I'll send you a list of styles, so I wonder

931
00:43:50,680 --> 00:43:51,680
Speaker 1: if I was on that list.

932
00:43:51,760 --> 00:43:53,880
Speaker 2: Of course you were. That's how we got you.

933
00:43:54,440 --> 00:43:56,440
Speaker 1: With you, which I never realized that until I know

934
00:43:56,520 --> 00:43:56,880
Speaker 1: I didn't.

935
00:43:56,920 --> 00:43:58,800
Speaker 2: I don't remember that at all either, And I also

936
00:43:58,920 --> 00:44:01,480
Speaker 2: just think it's so funn But I do think also

937
00:44:01,760 --> 00:44:04,640
Speaker 2: at this point in time, it wasn't like it is

938
00:44:04,760 --> 00:44:07,799
Speaker 2: now where you're always hearing about actors stylists and the

939
00:44:07,800 --> 00:44:10,960
Speaker 2: stylists are big names themselves, and you know, everything's like

940
00:44:11,239 --> 00:44:13,440
Speaker 2: everyone's very aware. It was not like that back then.

941
00:44:13,480 --> 00:44:15,360
Speaker 2: I didn't have a stylist at this point in life.

942
00:44:15,880 --> 00:44:18,040
Speaker 1: No, no, no, it wasn't.

943
00:44:18,480 --> 00:44:20,759
Speaker 2: I didn't either, No, no, no, Because we're about to

944
00:44:20,760 --> 00:44:23,279
Speaker 2: get nominated for our first Emmy. In fact, we might

945
00:44:23,480 --> 00:44:25,480
Speaker 2: this might be around the time. I feel like the

946
00:44:25,520 --> 00:44:28,480
Speaker 2: nominations for the Emmys come out in August, is the

947
00:44:28,520 --> 00:44:31,120
Speaker 2: awards were in September. I feel like this is around

948
00:44:31,160 --> 00:44:33,759
Speaker 2: the time that we got nominated for the show the

949
00:44:33,800 --> 00:44:37,040
Speaker 2: first time, which was like the most thrilling thing that

950
00:44:37,080 --> 00:44:40,640
Speaker 2: ever happened. Great, right, yeah, right, yes, And then we

951
00:44:40,760 --> 00:44:44,719
Speaker 2: didn't win that first year. Maybe Sir Jessica won, but

952
00:44:44,880 --> 00:44:49,920
Speaker 2: we didn't win till the next year, which was the

953
00:44:49,960 --> 00:44:53,200
Speaker 2: semi Emmys because of nine to eleven. Right, So Kim

954
00:44:53,239 --> 00:44:56,160
Speaker 2: and I were there alone, Sarah and Cynthia I think

955
00:44:56,200 --> 00:45:00,120
Speaker 2: we're both doing plays, but they had pushed the Emmys,

956
00:45:00,160 --> 00:45:02,279
Speaker 2: you know, because we didn't feel like it was appropriate.

957
00:45:02,760 --> 00:45:04,879
Speaker 2: It's the next year. But we got nominated this year

958
00:45:05,360 --> 00:45:08,000
Speaker 2: and we go when we present. And the reason that

959
00:45:08,040 --> 00:45:10,200
Speaker 2: I remember all this is because I didn't have a stylist.

960
00:45:10,239 --> 00:45:12,000
Speaker 2: I had a publicist, but I didn't have a stylist,

961
00:45:12,600 --> 00:45:18,560
Speaker 2: and I was like, oh, so stressed about what to wear.

962
00:45:18,800 --> 00:45:21,880
Speaker 2: I mean so stressed. And I went to all of

963
00:45:21,920 --> 00:45:24,720
Speaker 2: these designers that my publicists would call them, I think,

964
00:45:24,960 --> 00:45:27,000
Speaker 2: and I would go just me. I would just show

965
00:45:27,080 --> 00:45:29,840
Speaker 2: up and they would everyone would be like, oh, you

966
00:45:29,840 --> 00:45:33,160
Speaker 2: should definitely wear this one. This is amazing. You need

967
00:45:33,200 --> 00:45:35,319
Speaker 2: to be sexy. So like, at one point I had

968
00:45:35,320 --> 00:45:38,560
Speaker 2: this Michael Kor's dress that was very cut out and

969
00:45:39,040 --> 00:45:41,799
Speaker 2: very sexy because I played the not sexy one, right,

970
00:45:41,880 --> 00:45:44,200
Speaker 2: So there were certain people in the fashion world who

971
00:45:44,239 --> 00:45:46,799
Speaker 2: felt like I needed to dress like aggressively sexy, right.

972
00:45:47,160 --> 00:45:50,359
Speaker 2: But my publicist at the time felt like, no, no,

973
00:45:50,440 --> 00:45:52,439
Speaker 2: that is not true. You are on a show called

974
00:45:52,480 --> 00:45:54,840
Speaker 2: Sex and the City. You need to look like a princess,

975
00:45:54,920 --> 00:45:56,719
Speaker 2: she said to me. I was like, oh, oh, I

976
00:45:56,719 --> 00:45:58,239
Speaker 2: have a princess. I don't know. So then I went

977
00:45:58,239 --> 00:46:00,399
Speaker 2: to a different designer. I had like a ball gown on. Right,

978
00:46:00,640 --> 00:46:03,160
Speaker 2: So I had a stack of polaroids that I just

979
00:46:03,200 --> 00:46:06,080
Speaker 2: went around town. I went to my manager, I was like,

980
00:46:06,239 --> 00:46:07,880
Speaker 2: look at all these polaroids, tell me which one I

981
00:46:07,920 --> 00:46:10,319
Speaker 2: should wear. Then I would go to my publicis, I say,

982
00:46:10,520 --> 00:46:12,080
Speaker 2: look at all my polaroids and tell me what I

983
00:46:12,120 --> 00:46:14,640
Speaker 2: shd wear. I'd go to my agents, please tell me what.

984
00:46:14,840 --> 00:46:17,839
Speaker 2: But of course everyone had a different opinion. Right. So

985
00:46:17,960 --> 00:46:21,160
Speaker 2: I had gone to Valentino in one of these fittings

986
00:46:21,200 --> 00:46:23,200
Speaker 2: and had put on the gorgeous dress that I loved.

987
00:46:23,239 --> 00:46:25,600
Speaker 2: That I would have been done with then everyone had

988
00:46:25,640 --> 00:46:28,600
Speaker 2: different opinion and got me very very confused. So at

989
00:46:28,600 --> 00:46:31,360
Speaker 2: the very last minute, my publicist said, you know, you

990
00:46:31,360 --> 00:46:33,000
Speaker 2: should go to this stylist. I'm not going to say

991
00:46:33,000 --> 00:46:35,120
Speaker 2: who she was, And so I go to this stylist

992
00:46:35,160 --> 00:46:37,479
Speaker 2: who was very much the hot stylist at the time,

993
00:46:37,840 --> 00:46:42,080
Speaker 2: and she had this apartment like condo. I went to

994
00:46:42,120 --> 00:46:44,200
Speaker 2: her for the fitting and in the center of the

995
00:46:44,280 --> 00:46:49,880
Speaker 2: room was up mountain of gowns on the floor and

996
00:46:49,920 --> 00:46:52,920
Speaker 2: I was like, oh now. So I was standing in

997
00:46:52,920 --> 00:46:55,560
Speaker 2: the corner like really just trying to contain myself because

998
00:46:55,560 --> 00:46:57,440
Speaker 2: I wanted to pick them all up and hang them

999
00:46:57,440 --> 00:46:59,680
Speaker 2: all up. I was so stressed. And there were all

1000
00:46:59,719 --> 00:47:02,080
Speaker 2: these gowns that I had seen pictures of and look books,

1001
00:47:02,120 --> 00:47:06,080
Speaker 2: but this stylist was parting them basically right for her clients,

1002
00:47:06,440 --> 00:47:10,480
Speaker 2: and I was like, uh, should I try some of

1003
00:47:10,520 --> 00:47:12,080
Speaker 2: them all? And then we're on the floor, like what

1004
00:47:12,120 --> 00:47:15,239
Speaker 2: should I do? So eventually what happened was I ended

1005
00:47:15,280 --> 00:47:17,880
Speaker 2: up wearing the Valentino that I had already tried on

1006
00:47:17,920 --> 00:47:22,080
Speaker 2: by myself. She was so ridiculous. It was a really

1007
00:47:22,160 --> 00:47:26,719
Speaker 2: interesting first stylistic experience because it did really teach me

1008
00:47:26,760 --> 00:47:29,160
Speaker 2: a lot like there's there's a lot of drama in

1009
00:47:29,160 --> 00:47:30,080
Speaker 2: the stylist world.

1010
00:47:30,560 --> 00:47:35,280
Speaker 1: Yeah, oh, I bet this is why I like slap

1011
00:47:35,320 --> 00:47:38,279
Speaker 1: on a nice tuxedo. The man can do that and

1012
00:47:38,440 --> 00:47:39,040
Speaker 1: just go.

1013
00:47:39,320 --> 00:47:41,319
Speaker 2: It's true. I don't know if that's true now though,

1014
00:47:41,760 --> 00:47:45,120
Speaker 2: because now, oh there's a lot of commentary online. Oh

1015
00:47:45,160 --> 00:47:47,560
Speaker 2: my gosh, you don't want those guys to be mad

1016
00:47:47,600 --> 00:47:48,400
Speaker 2: at you.

1017
00:47:48,440 --> 00:47:51,640
Speaker 1: No, it's true, but you know what I'm it's exhausting,

1018
00:47:51,680 --> 00:47:52,239
Speaker 1: as you know.

1019
00:47:52,440 --> 00:47:54,920
Speaker 2: It is exhausting. It's true.

1020
00:47:55,080 --> 00:47:57,759
Speaker 1: The only warch I went to was during this was

1021
00:47:57,800 --> 00:48:03,560
Speaker 1: the SAG Awards. We were oh and we won one year, we.

1022
00:48:03,640 --> 00:48:05,960
Speaker 2: Did, we won two years because I've got two Saga

1023
00:48:05,960 --> 00:48:06,840
Speaker 2: Awards at my house.

1024
00:48:07,480 --> 00:48:09,120
Speaker 1: I think we win.

1025
00:48:09,360 --> 00:48:11,440
Speaker 2: Do we win ensemble?

1026
00:48:12,200 --> 00:48:13,839
Speaker 1: Yeah, I know that, but do we win? I wonder

1027
00:48:13,880 --> 00:48:15,520
Speaker 1: if I was there the first time, the first the

1028
00:48:15,560 --> 00:48:16,359
Speaker 1: first time we won.

1029
00:48:16,440 --> 00:48:21,880
Speaker 2: I don't know. They all blend in my mind. Yeah, yeah, yeah, yeah, yeah.

1030
00:48:22,080 --> 00:48:23,880
Speaker 2: It's really fun, so much fun to go to all

1031
00:48:23,920 --> 00:48:24,279
Speaker 2: those things.

1032
00:48:24,320 --> 00:48:24,640
Speaker 1: Anyway.

1033
00:48:24,640 --> 00:48:26,279
Speaker 2: I think it's so funny that Charlotte had never heard

1034
00:48:26,280 --> 00:48:28,759
Speaker 2: of getting a stylist, and thank god Samantha Delsert and

1035
00:48:28,800 --> 00:48:31,520
Speaker 2: then I get you. Yeah, it all worked out, It

1036
00:48:31,560 --> 00:48:32,040
Speaker 2: all worked out.

1037
00:48:33,320 --> 00:48:34,759
Speaker 3: I was the foth stylist for you.

1038
00:48:35,239 --> 00:48:37,200
Speaker 2: I know you were great, you were perfect, and you

1039
00:48:37,280 --> 00:48:39,680
Speaker 2: had a big personality like like stylists do.

1040
00:48:40,120 --> 00:48:41,759
Speaker 1: I was also thinking, like when I was like the

1041
00:48:41,840 --> 00:48:44,759
Speaker 1: lace appl cave, I didn't know what that was.

1042
00:48:44,840 --> 00:48:45,799
Speaker 2: Oh, you pulled it off.

1043
00:48:45,840 --> 00:48:49,480
Speaker 1: I hadn't learned that, and and just memorize it, Like

1044
00:48:49,520 --> 00:48:53,400
Speaker 1: I said, I'd never I couldn't be a I couldn't

1045
00:48:53,520 --> 00:48:57,400
Speaker 1: pick out your shoes and your girls to come up

1046
00:48:57,400 --> 00:48:59,200
Speaker 1: to be like I wish you picked out my dress

1047
00:48:59,320 --> 00:49:02,839
Speaker 1: and you want that, you want your wedding, you know.

1048
00:49:02,920 --> 00:49:04,959
Speaker 1: And then when I became a baker, it's like that's

1049
00:49:04,960 --> 00:49:06,400
Speaker 1: what I really do in real life.

1050
00:49:06,560 --> 00:49:09,280
Speaker 2: Yay, yay, Yes, you evolved.

1051
00:49:09,880 --> 00:49:21,960
Speaker 1: That was all right.

1052
00:49:22,000 --> 00:49:25,600
Speaker 2: So here let's talk about Miranda and this sandwich. Oh

1053
00:49:25,640 --> 00:49:31,640
Speaker 2: my god, so funny and so meme ish, like how

1054
00:49:31,760 --> 00:49:36,560
Speaker 2: perfectly meme related storyline, like before memes were a thing, you.

1055
00:49:36,560 --> 00:49:37,000
Speaker 1: Know what I mean.

1056
00:49:37,640 --> 00:49:40,600
Speaker 2: But there's the sandwich guy and he's saying.

1057
00:49:40,440 --> 00:49:44,399
Speaker 4: Eat me, and I'm obsessed with him.

1058
00:49:44,440 --> 00:49:48,239
Speaker 1: She's pissed off at first, then she becomes like he stressed.

1059
00:49:47,880 --> 00:49:49,800
Speaker 3: To complain about her, and they're like, well, he's a

1060
00:49:49,840 --> 00:49:51,960
Speaker 3: sandwich so that's.

1061
00:49:53,080 --> 00:49:55,160
Speaker 2: She goes in. She's very mean too. She goes in

1062
00:49:55,200 --> 00:49:57,759
Speaker 2: and she's like, your sandwich is harassing women, and he's like,

1063
00:49:57,840 --> 00:50:00,600
Speaker 2: you're crazy woman, which is of course exact what everyone

1064
00:50:00,600 --> 00:50:02,799
Speaker 2: want to say to you back then. But then she

1065
00:50:03,280 --> 00:50:06,080
Speaker 2: fantasizes about him and wants to meet him, which is

1066
00:50:06,360 --> 00:50:09,200
Speaker 2: fully insane. Okay, fully bonkers.

1067
00:50:09,600 --> 00:50:10,879
Speaker 1: Take off your masks.

1068
00:50:10,800 --> 00:50:11,080
Speaker 4: I know.

1069
00:50:11,200 --> 00:50:15,360
Speaker 2: And then he's like, this kind of this kid. He's adorable.

1070
00:50:15,800 --> 00:50:18,960
Speaker 2: But why she has such a negative reaction when he's

1071
00:50:19,000 --> 00:50:21,960
Speaker 2: this kid is interesting to me, Like what did she

1072
00:50:22,040 --> 00:50:22,960
Speaker 2: think he was going to be.

1073
00:50:24,080 --> 00:50:29,239
Speaker 1: I don't know, maybe of interest to her, it's cute,

1074
00:50:29,239 --> 00:50:32,080
Speaker 1: but she was like, oh he's a baby bye right right.

1075
00:50:32,120 --> 00:50:35,560
Speaker 2: But also, Miranda looks so incredible in these outfits on

1076
00:50:35,600 --> 00:50:39,080
Speaker 2: the street, like she's like at the height of her power.

1077
00:50:39,320 --> 00:50:42,000
Speaker 2: You know, yeah, oh this is good listen to. I

1078
00:50:42,040 --> 00:50:44,759
Speaker 2: would just want to say Carrie's, Carrie's. I love to

1079
00:50:44,800 --> 00:50:47,160
Speaker 2: say Carrie's, you know, when she's wondering about her things

1080
00:50:47,239 --> 00:50:50,480
Speaker 2: in the apartment. It's really good. Later that night, I

1081
00:50:50,520 --> 00:50:53,440
Speaker 2: got to thinking about safe sex. Odd, how only when

1082
00:50:53,480 --> 00:50:56,280
Speaker 2: our physical life is at risk do we follow certain

1083
00:50:56,320 --> 00:50:59,680
Speaker 2: guidelines to protect ourselves. But what about our emotional lives.

1084
00:51:00,000 --> 00:51:02,600
Speaker 2: Wouldn't it be nice if there was a pamphlet to

1085
00:51:02,680 --> 00:51:06,319
Speaker 2: warn us what unsafe behavior might be high risk to

1086
00:51:06,400 --> 00:51:11,040
Speaker 2: ourselves or our relationships. And even if you fake, even

1087
00:51:11,080 --> 00:51:14,080
Speaker 2: if you take precautions and emotionally try to protect yourself

1088
00:51:14,480 --> 00:51:18,640
Speaker 2: when you crawl in bed with someone. Is sex ever safe?

1089
00:51:19,080 --> 00:51:21,960
Speaker 2: But also I think it's so true because I don't

1090
00:51:21,960 --> 00:51:27,279
Speaker 2: feel like sex is ever safe personally, emotionally, emotionally. You

1091
00:51:27,280 --> 00:51:29,600
Speaker 2: know what I mean. I'm not good. I'm not good

1092
00:51:29,600 --> 00:51:33,160
Speaker 2: at covering it all up and playing the game and whatever.

1093
00:51:33,320 --> 00:51:34,360
Speaker 2: It's just too much.

1094
00:51:34,800 --> 00:51:37,120
Speaker 3: Men can separate it women. It's emotional.

1095
00:51:37,440 --> 00:51:40,279
Speaker 2: I know it. I know it. I know it. I

1096
00:51:40,320 --> 00:51:43,160
Speaker 2: think I've asked you before. It's always interesting to ask

1097
00:51:43,200 --> 00:51:46,440
Speaker 2: people again, though, because sometimes you change your mind. Do

1098
00:51:46,480 --> 00:51:48,000
Speaker 2: you feel like you're a Charlotte?

1099
00:51:48,360 --> 00:51:50,239
Speaker 1: I feel like no.

1100
00:51:50,360 --> 00:51:52,960
Speaker 3: I think you know, it's like your mother or your father.

1101
00:51:53,040 --> 00:51:56,080
Speaker 1: I have elements of both of them. Yeah, I feel

1102
00:51:56,080 --> 00:52:00,640
Speaker 1: like I feel in a way, I my mind and

1103
00:52:00,800 --> 00:52:02,399
Speaker 1: so Charlotte for the most part.

1104
00:52:02,440 --> 00:52:04,839
Speaker 2: But she No, I think that's Miranda. I would say.

1105
00:52:04,960 --> 00:52:07,600
Speaker 2: I would say speaking one's mind would be like a Miranda.

1106
00:52:07,719 --> 00:52:11,040
Speaker 1: Yeah, don't you think I guess I probably am a Miranda.

1107
00:52:11,160 --> 00:52:16,279
Speaker 2: I kind of think you're right, because like the thing

1108
00:52:16,320 --> 00:52:18,600
Speaker 2: that I love though about Miranda is like, on the

1109
00:52:18,640 --> 00:52:20,919
Speaker 2: one hand, everyone goes like, oh, she's you know, she's

1110
00:52:20,960 --> 00:52:22,759
Speaker 2: kind of hard and whatever, but like she also is

1111
00:52:22,800 --> 00:52:25,040
Speaker 2: so squishy inside, which is so true about you.

1112
00:52:25,680 --> 00:52:28,680
Speaker 1: And yes, and to the people that I love, I

1113
00:52:28,719 --> 00:52:30,759
Speaker 1: am pointed about what I need to let them know.

1114
00:52:30,920 --> 00:52:35,920
Speaker 2: If yeah, but you're inside like a squishy, squishy loyal friend, you.

1115
00:52:35,880 --> 00:52:38,759
Speaker 1: Know, you know, then I feel bad. Yeah, I have

1116
00:52:38,800 --> 00:52:44,160
Speaker 1: a lot of guilt. I'm pretty, I'm pretty. I'm a softie.

1117
00:52:44,160 --> 00:52:46,800
Speaker 1: For the most part. I try to present as a

1118
00:52:46,920 --> 00:52:47,759
Speaker 1: very hard.

1119
00:52:47,800 --> 00:52:49,920
Speaker 2: I know you do you do, and I mean it

1120
00:52:50,000 --> 00:52:51,960
Speaker 2: takes some time to get to the soft but but

1121
00:52:52,000 --> 00:52:53,640
Speaker 2: then it's worth it.

1122
00:52:54,080 --> 00:52:55,280
Speaker 1: Yeah, it's true.

1123
00:52:55,560 --> 00:52:59,120
Speaker 2: Yeah, it's a good quality. It's a good quality. And

1124
00:52:59,200 --> 00:53:01,719
Speaker 2: I do think like if you look at Anthony's evolution,

1125
00:53:02,040 --> 00:53:05,719
Speaker 2: that's what's really really fun about looking at your early episodes,

1126
00:53:06,560 --> 00:53:09,520
Speaker 2: I mean, just your evolution as a character, but also

1127
00:53:10,480 --> 00:53:13,400
Speaker 2: I know that you felt like, oh, I'm so nervous

1128
00:53:13,400 --> 00:53:15,160
Speaker 2: and can I get all these words right? And then

1129
00:53:15,480 --> 00:53:17,920
Speaker 2: the prop prop scenes are always hard, but like you're

1130
00:53:17,960 --> 00:53:22,520
Speaker 2: so fantastic and you're so specifically you like the character

1131
00:53:22,640 --> 00:53:26,319
Speaker 2: is like full fully formed, you know. I yes, he

1132
00:53:26,440 --> 00:53:29,680
Speaker 2: evolves over time, definitely, but like the breath of fresh

1133
00:53:29,719 --> 00:53:32,640
Speaker 2: air when you come, especially because I think where Charlotte

1134
00:53:32,719 --> 00:53:34,640
Speaker 2: was at that time, because I'm in this bride mode,

1135
00:53:35,040 --> 00:53:37,480
Speaker 2: I'm with Trey and Trey and I don't really talk

1136
00:53:37,520 --> 00:53:40,200
Speaker 2: that honestly, right, like to have you coming in there

1137
00:53:40,239 --> 00:53:41,040
Speaker 2: like this is.

1138
00:53:40,960 --> 00:53:44,080
Speaker 1: What it is exactly, I tell you like it is

1139
00:53:44,239 --> 00:53:45,880
Speaker 1: and it's great.

1140
00:53:46,680 --> 00:53:50,520
Speaker 2: It's so so great and so needed, like, thank god

1141
00:53:50,560 --> 00:53:54,000
Speaker 2: we kept you. Thank the Lord, Michael Patrick King.

1142
00:53:54,880 --> 00:53:58,600
Speaker 1: Thank you every day. Yes, give us another season and

1143
00:53:59,080 --> 00:53:59,480
Speaker 1: stop it.

1144
00:54:01,239 --> 00:54:03,880
Speaker 2: We have to let him reset. He's doing the comeback.

1145
00:54:04,160 --> 00:54:07,160
Speaker 2: He's going to reset, he's going to get new inspiration.

1146
00:54:07,520 --> 00:54:09,400
Speaker 2: I have faith, I do. I have faith.

1147
00:54:09,680 --> 00:54:11,080
Speaker 1: Yeah, wait to see the comeback. By the way, I.

1148
00:54:11,840 --> 00:54:14,120
Speaker 2: Know, I'm very excited to see the comeback.

1149
00:54:14,400 --> 00:54:14,640
Speaker 4: I know.

1150
00:54:14,719 --> 00:54:16,680
Speaker 2: They were really into it. He and Lisa wrote the

1151
00:54:16,719 --> 00:54:17,920
Speaker 2: whole show themselves.

1152
00:54:18,120 --> 00:54:20,239
Speaker 1: The two of them together are magic and it's a

1153
00:54:20,280 --> 00:54:23,200
Speaker 1: brilliant combination. And they do both those seasons were so

1154
00:54:23,280 --> 00:54:25,560
Speaker 1: good and this is their final one, you know, but

1155
00:54:25,600 --> 00:54:27,279
Speaker 1: there was so much time in between each one.

1156
00:54:27,320 --> 00:54:29,319
Speaker 2: But I know, but you know the idea. I think

1157
00:54:29,320 --> 00:54:32,120
Speaker 2: they've announced it so I can say it. She's doing

1158
00:54:32,160 --> 00:54:35,920
Speaker 2: the first sitcom written by a I. Valerie Cherish on

1159
00:54:36,040 --> 00:54:40,680
Speaker 2: the Comeback is doing the first sitcom AI. It's so

1160
00:54:41,120 --> 00:54:42,520
Speaker 2: timely and great.

1161
00:54:43,239 --> 00:54:44,879
Speaker 1: Oh that sounds amazing. I can't wait.

1162
00:54:44,960 --> 00:54:46,600
Speaker 2: I know, I can't wait either. I can't wait either.

1163
00:54:46,920 --> 00:54:48,560
Speaker 2: Thank you so much for joining us.

1164
00:54:48,760 --> 00:54:49,480
Speaker 1: I'll see you soon.