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Speaker 1: So I'm like, uh, excuse me, fucking cueball loser, no cuts,

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Speaker 1: no butts, no coconuts.

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Speaker 2: Back of the line bobs. And then somebody goes.

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Speaker 1: Like, do you know who that is? That's the Dolly Lama,

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Speaker 1: And I was like, I don't care if it's fucking

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Speaker 1: Dolly Barbie Dolly, you know, like, just get the fuck

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Speaker 1: out of the line. Hey, welcome to the show. Hollywood Handbook.

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Speaker 1: What Up? What Up?

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Speaker 2: Everybody?

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Speaker 3: An inside his guide to kicking button dropping names in

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Speaker 3: the red carpet lined back hallways of this industry we

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Speaker 3: call showbiz. This is a show where we talk about movies,

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Speaker 3: making them, TV doing it, film.

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Speaker 1: Writing, acting, do in, producing, do in directing, every part

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Speaker 1: of industry in the Hollywood showbiz stuff, and also lifestyle

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Speaker 1: stuff about the town and things we like and don't

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Speaker 1: like and people we know. Plus music sometimes plus also

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Speaker 1: some stuff with music and entertainment at large live theater

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Speaker 1: we get digging into sometimes. I mean, that's what the

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Speaker 1: show is today.

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Speaker 3: On the show we want to talk about we like

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Speaker 3: to talk about trends. Sean and I look at trends

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Speaker 3: and we notice them and we anticipate them. And one

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Speaker 3: of the trends that we're seeing. A lot that we

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Speaker 3: like is random humor.

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Speaker 1: I can't get e enough random humor. I think that

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Speaker 1: it's just that sweet spot that they've been tapping into

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Speaker 1: lately where they really hit you with a wtf up

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Speaker 1: the side of your head and your lift, just shaking,

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Speaker 1: laughing and shaking your head and going how did they

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Speaker 1: come up with that?

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Speaker 2: That came out of nowhere?

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Speaker 1: It's so random because is about surprise. I was gonna

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Speaker 1: say it, yes, okay, do it again. Comedy is about

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Speaker 1: It's about surprise.

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Speaker 3: And the surprising thing about stuff that's random is that

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Speaker 3: it's out of nowhere and you don't know, like how

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Speaker 3: they come up with That's.

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Speaker 1: And leave it to the pros, because I've seen some

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Speaker 1: shitty attempts at YouTube to do random humor, and it's

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Speaker 1: don't and don't do it there. It's for commercials that

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Speaker 1: we watch and people actually get paid to do this shit.

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Speaker 3: Relax, and that's sort of what we want to talk about.

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Speaker 1: Random humor in the wrong hands can be very unsurprising

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Speaker 1: and therefore not actually that comed random but predictable and

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Speaker 1: not funny, and so it's not good.

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Speaker 3: Uh, And so we want we have a segment that

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Speaker 3: we really love to do on the show where we

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Speaker 3: talk about some of the things that you have to

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Speaker 3: remember you're being random and when you're doing comedy in

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Speaker 3: a random way. And we went through a bunch of

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Speaker 3: names for it. Rando rules, that's so random.

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Speaker 1: But I think what we landed on is Evan Randoh.

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Speaker 1: It's a tribute to our friend Evan Dando. Evan, of course,

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Speaker 1: is lead singer the Lemonheads. If you haven't listened to It's

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Speaker 1: a shame about Ray in a while, give it a spin.

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Speaker 1: It really is classic nineties pop song. He had that

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Speaker 1: cool Missus Robinson cover and so Evan not the candy

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Speaker 1: that's not songs. No, But when we're with Evan, we

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Speaker 1: are frequently watching the commercials. He doesn't like to fast

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Speaker 1: forward the commercials because he loves to see what's Rando

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Speaker 1: that's gonna come on?

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Speaker 2: And his last name happens to rhyme.

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Speaker 1: So sorry, Marlon Rando, but we had to go with

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Speaker 1: Evan because we're a little closer with him. He didn't

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Speaker 1: pull any weird shit where he sent some fucking Indian

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Speaker 1: to do the Academy War and I want a dative

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Speaker 1: American so I can say that that was remember, Yeah

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Speaker 1: that was Rando. That was pretty Rando.

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Speaker 2: Yeah, that was Marlon Rando.

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Speaker 1: If you don't know what I'm talking about, look up,

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Speaker 1: just google like Marlon Rando saka Juwe or some shit,

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Speaker 1: and you'll probably fucking find this weird garbage you tried

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Speaker 1: to pull on our movie celebration. Just google, like, weird

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Speaker 1: freak bitch at the show. Yeah, fucking deer skin, fucking

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Speaker 1: feather uniform, freako hand out for what? Yeah, you're trying

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Speaker 1: to Yeah, for what may I ask? Trying to rub elbows?

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Speaker 1: Get numbers from fucking Robert Downey Junior or some shit. Yeah,

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Speaker 1: and yeah, google that shit. You'll find the fucking thing

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Speaker 1: I'm talking about. Ooh makes me so mad as one

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Speaker 1: eighth Native American that she embarrassed us.

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Speaker 3: Like that, because will you send for like, when you

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Speaker 3: want a parlay with the other tribe, you send the

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Speaker 3: chief or the or the rainstick man.

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Speaker 1: You don't send.

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Speaker 2: Send a medicine man too. You don't send a squaw. No,

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Speaker 2: that's just not how it works.

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Speaker 1: And of course Marlin doesn't know that, no, because he's surprised. Surprise, Actually,

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Speaker 1: isn't that in touch with the earth, and that's unfortunately

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Speaker 1: probably why he died. Now let's get into what's rando

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Speaker 1: and what's not Evan Randoh? Shall we what's rando?

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Speaker 3: We watch these commercials and we watch we watch computers

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Speaker 3: and we watch all this stuff. And the thing one

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Speaker 3: of the Rando rules, the thing that's so rando that

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Speaker 3: we love when we see it is stuff about riding unicorns.

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Speaker 1: Dude, unicorns aren't real. So the fact that you see

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Speaker 1: a unicorn, but not just that somebody's riding it.

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Speaker 3: Somebody's riding it and it's like something usually if you

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Speaker 3: really want to step it up, something should be coming

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Speaker 3: out of its butt.

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Speaker 1: Oh right, And they're casual about it. The person's riding it,

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Speaker 1: and they're not saying, hey, I'm writing a ucorn? How

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Speaker 1: did this happen? What they're saying is like pass me

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Speaker 1: the skittles?

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Speaker 3: Yeah, because and what is usually coming out of the unicorns.

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Speaker 3: But if you're really doing a good rando is rainbows. Yeah,

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Speaker 3: rainbow shoots out it.

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Speaker 1: So sometimes money it flies up, you know, flies and

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Speaker 1: pales a leprechaun on the horn and then you go

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Speaker 1: like okay, So if that's one thing that's real, then

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Speaker 1: the other thing's real too, and it's killing it so funny.

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Speaker 3: Or like sometimes in the animal space, two different animals

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Speaker 3: are fighting each other and that can be also super rando.

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Speaker 2: Oh yeah, and then they talk to each other.

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Speaker 1: Uh huh, you cannot do that, so Rando. If the

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Speaker 1: animal's sitting there, it's like the last thing I expect

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Speaker 1: is he's gonna talk. Yeah, like a ninja bear.

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Speaker 2: Oh god, I'm laughing.

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Speaker 1: If the bear does this a samurai sword move and

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Speaker 1: then he says like hi yah or anything, I'm just like, okay,

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Speaker 1: just roll me up and put me in the casket already,

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Speaker 1: because I'm just dying laughing.

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Speaker 3: And it's like I'm you know, I see that, and

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Speaker 3: I'm buying those cookies.

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Speaker 1: Yeah, and I've got to eat them too. And I

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Speaker 1: would say one thing that's major Rando that I have

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Speaker 1: been loving lately is like a loof igno. Yeah, like

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Speaker 1: a weird celebrity that's so fucked up that it's like.

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Speaker 3: Where okay, a yeah, where have you been? Or like

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Speaker 3: a mister t or like a guy who's like pretty

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Speaker 3: tough and oh.

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Speaker 1: Yeah, but what he's doing is like having a tea

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Speaker 1: party with like a fucking h Teddy Bear. Oh yeah,

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Speaker 1: if it's a fucking tough wrestler and he's doing something

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Speaker 1: that like a pussy would do, like a real little bitch,

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Speaker 1: and he's fucking doing it like it's okay.

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Speaker 2: I'm like Rando enough to see him.

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Speaker 4: But to have him doing something Rando, Hello, surprise, I'm laughing.

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Speaker 4: And then at that point I'm like, I'm gonna use

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Speaker 4: this car insurance. And in the same world as like

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Speaker 4: maybe an actor we forgot what if you're like commercial

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Speaker 4: is like, uh like basically looks just like a TV

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Speaker 4: show that hasn't even been on for like years.

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Speaker 5: Yeah, and if it's something so cordy and fucked up

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Speaker 5: like Baywatch and it's like, uh, this sucked, but you

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Speaker 5: guys know so good that like it sucks so bad,

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Speaker 5: it's like it's so it's the best. Yeah, And I

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Speaker 5: love like sometimes how stuff is bad and that makes

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Speaker 5: it just so funny and good.

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Speaker 2: So funny, dude. Oh when it sucks, it's.

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Speaker 1: Awesome, so awesome, how bad and it sucks.

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Speaker 2: Really good?

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Speaker 1: And that's one thing you could do that's rand and

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Speaker 1: you know what will be saying, Uh, I think I'm

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Speaker 1: gonna use that kind of tractor. Next time. Here's one

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Speaker 1: thing that is about as rando as it gets if. Okay,

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Speaker 1: so right now it's twenty fourteen, so like people are

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Speaker 1: using like a credit card, but it's like whatever the

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Speaker 1: eighteenth century, it's like a viking or a night dude.

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Speaker 2: H they didn't have those back.

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Speaker 1: Then, and them being like normal guy like trying to

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Speaker 1: be like normal guys and like trying to hang out

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Speaker 1: with like a yes or anything, anyone from any era

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Speaker 1: being in the modern stuff. Yeah, dude, yeah, ultimate rando

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Speaker 1: because okay, man a night a Shakespeare guy. Yeah, a

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Speaker 1: frigging uh I said, Shakespeare guy, a frigging u moon

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Speaker 1: man Eskimo, Yeah, a Chinese dude, anything like a pirate

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Speaker 1: or a fucking bug, like a fucking you know, big

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Speaker 1: crawling bug. Yeah, like and from any time dinosaur man.

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Speaker 3: Oh yeah, And what about some of those commercials that

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Speaker 3: are like don't even seem like they're about the thing, you.

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Speaker 1: Know, dude, At that point, the product reveals random, what's

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Speaker 1: that you're you made yourself random? And then you can

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Speaker 1: buy something that's rando, dude. That's the bravest kind of commercial. Okay,

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Speaker 1: it's just like you paid money for this, but I

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Speaker 1: love it. It's just like a good small movie about whatever,

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Speaker 1: like gangsters, you know, drinking coffee.

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Speaker 2: And then at the end.

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Speaker 1: It's like, oh no, the way like use our soap

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Speaker 1: It's like, oh yeah, I think I will because it's

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Speaker 1: fucking hilarious.

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Speaker 2: That's a really good way to be Rando.

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Speaker 1: And I don't. That's not on YouTube. You're not soap company.

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Speaker 1: You know, you're just some fucking teenage punk it things

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Speaker 1: you could do something Rando get out of here.

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Speaker 3: Yeah, it's not like what's so good about being Rando

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Speaker 3: is It makes it seem like it's something you can

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Speaker 3: just do, like without going to school or like having

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Speaker 3: money and stuff. But it's actually really hard to do good.

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Speaker 1: It is because those specifics have to be thought of

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Speaker 1: and then everyone has to agree that they're Rando, A wizard,

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Speaker 1: a cowboy. Okay, these are the kind of things that

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Speaker 1: are very very Rando Evan.

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Speaker 3: It's like you you think you have a great idea

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Speaker 3: for something Rando in a video where you're gonna like

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Speaker 3: marry a pizza or something, and.

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Speaker 1: That is that example is good. But if you wouldn't

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Speaker 1: think of that, you know, it's not you would come

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Speaker 1: we can't think of that. We can't come up with

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Speaker 1: an example for something that's not good, Rando. But because

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Speaker 1: we are actually wired in this totally twisted, fucked up

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Speaker 1: way where it's maybe even only we appreciate these commercials.

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Speaker 1: I feel like no one's talking about them.

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Speaker 3: Think of the bad version of that, Like if you

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Speaker 3: had like a genie that could like summon like like

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Speaker 3: a shoot laser beams.

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Speaker 2: That's really good.

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Speaker 1: God, I can't. I'm trying. I'm trying. I'm trying. I'm trying.

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Speaker 2: What okay, what about.

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Speaker 1: Okay, you're on Jupiter, but you're like looking for your

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Speaker 1: pet raccoon. Oh dude, that's that's so random. Yeah, that

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Speaker 1: is really good. You know you try around like uh

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Speaker 1: a microphone, Uh it squirts p on you see, that's

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Speaker 1: really random. Okay, Well, anyway, you guys, just think of

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Speaker 1: what you would think of. You just think, I.

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Speaker 3: Mean, we don't need to give you an example. Whatever

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Speaker 3: you thought of, and you'll know you are trying.

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Speaker 1: To keep up. That's the that's the example. Just fill

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Speaker 1: that in, or even what you thought we were gonna

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Speaker 1: say at the end of whatever I said the microphone

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Speaker 1: was gonna do, or what you would have someone doing

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Speaker 1: on Jupiter obviously looking for a pet raccoon, or being

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Speaker 1: friends with a walrus, doing a square dance with a walrus.

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Speaker 2: That's very good.

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Speaker 1: Yeah, but what you would have thought of is probably

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Speaker 1: not that good and definitely not that good. Evan would

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Speaker 1: love these, by the way.

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Speaker 6: He would do like that though, that laugh he does

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Speaker 6: when he sees something that's that's so random.

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Speaker 1: Yeah, it's whole. His whole body is just like he's

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Speaker 1: just rolling around. M Yeah, he rolls around and we

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Speaker 1: have to put down a mat. We got a great

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Speaker 1: guest today, D C. Pearson is here from the movies

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Speaker 1: and comedy and he's here to talk to us about

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Speaker 1: the business. Coming right up on Hollywood Handbook. Hollywood hand Book.

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Speaker 1: Oh yeah, I can't sleep without accumidator. You have to

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Speaker 1: have it. You gotta have it. And also like I

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Speaker 1: get my eight glasses. You know, I just wake up

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Speaker 1: with a mouthful of water or else you're pure toxic

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Speaker 1: and I swallow it and then I'm just good for

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Speaker 1: the day.

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Speaker 2: Thank you.

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Speaker 1: Hey, what what up?

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Speaker 3: Welcome to Hollywood Handbook and Insider's Guy to kicking button,

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Speaker 3: dropping names in the red carpet lineback hallways, of this

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Speaker 3: industry we call show biz. Speaking of kicking button wrapping

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Speaker 3: names in the red carpet line back hallways of this industry,

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Speaker 3: we call showbiz.

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Speaker 1: We have a great guest today who does exactly that.

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Speaker 1: His name is D. C. Pearson.

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Speaker 7: Hey, guys, movies, TV movies, TV shows, commercial scenes, commercial shows, magazines,

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Speaker 7: web TV, books, books, phone shows.

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Speaker 1: How do you?

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Speaker 2: How do you?

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Speaker 1: We know how? How?

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Speaker 8: Yeah, but we know how web TV? I missed that platform.

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Speaker 1: Oh such a good platform. Yeah?

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Speaker 2: Oh what's what are some of your favorite platforms?

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Speaker 8: Some of my platforms. Some of my favorite platforms I

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Speaker 8: think they jump out at me are Internet?

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Speaker 6: Mmmm?

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Speaker 1: So big? Now Web Yes, that's starting to be. That's

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Speaker 1: starting to get Substeam, Verizon v cast. Mmmm.

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Speaker 8: There's a thing on flip phones two thousand and six

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Speaker 8: kind of like pre you could get like video on

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Speaker 8: your phone was like not really super big. It was like, oh,

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Speaker 8: on your flip phone you can get like, you know,

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Speaker 8: mobisodes of Charmed.

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Speaker 1: You could only get oh yeah, well because there's one

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Speaker 1: point too where you could only get like ten second videos.

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Speaker 8: Yeah, And that to me, I feel like that's that's

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Speaker 8: more than what you need. That's why I feel like

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Speaker 8: Vine is such a great thing.

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Speaker 1: Well, it seemed almost twice as long as what I

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Speaker 1: wanted to watch a lot at the time. And broadcast

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Speaker 1: dot com if you remember a broadcast, that's a great portal.

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Speaker 1: It was such a great Well, now it's my favorite

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Speaker 1: way to get to the Yahoo homepage. You just punch

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Speaker 1: it in and it takes you right to Yahoo readirects. Yes, well,

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Speaker 1: when I'm watching my Crackle shows on.

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Speaker 8: So there's a reason that crack is in the name

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Speaker 8: of those Yes.

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Speaker 1: Because they're so adapted Crackle pop because they're so like

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Speaker 1: rices and yeah, like Rice Crispy's is addictive, and so

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Speaker 1: are the Sony Crackle shows. I just know that I'm

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Speaker 1: in for fun.

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Speaker 3: What about players? What are some of our favorite players?

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Speaker 7: Oh?

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Speaker 8: Bottom line, it's no coincidence. It's called real player.

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Speaker 1: Yes, real you're seeing when you open a video and

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Speaker 1: it's like you're inside you're seeing the video. Am I

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Speaker 1: wrong that they've never really improved from win AMP? I mean,

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Speaker 1: am I crazy for the win AMP?

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Speaker 2: I like, yeah, for the.

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Speaker 1: Win Yeah FTW for the win AMP.

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Speaker 8: That was a great, great visualizer on there. So I

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Speaker 8: was like, yeah, that's what Radiohead looks like.

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Speaker 1: Comedy Central Player is very good. I love the way

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Speaker 1: that website works when you go and you get to

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Speaker 1: see a lot of commercials, and then it'll stop, and

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Speaker 1: then it stops, and then you get up to forty

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Speaker 1: seconds of content, and then the commercial will break in

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Speaker 1: during the content, which is weird that they stop on

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Speaker 1: other shows. It's weird that they stop the show and

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Speaker 1: then do the commercial.

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Speaker 9: For I.

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Speaker 3: Just like Player, you just get the commercial and then oh,

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Speaker 3: I've got to hear the end of that sentence.

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Speaker 1: Well.

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Speaker 8: The thing I like about a lot of TV network's

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Speaker 8: websites is like, I want to go to a place

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Speaker 8: where I'm like, yeah, a lot of other websites, places

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Speaker 8: like Google have figured out, like quote unquote how to

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Speaker 8: make websites. But I like the feeling that somebody whose

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Speaker 8: main love was not designing websites built this thing from

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Speaker 8: the ground up.

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Speaker 1: Somebody like me. I feel like I could have done it.

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Speaker 1: When I'm on Comedy Central a lot of times, let's

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Speaker 1: say I think I want to see half a Patris

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Speaker 1: O'Neil stand up joke, but what I really want to

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Speaker 1: see is like a commercial for broad City or three

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Speaker 1: commercials for it. What's good about web.

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Speaker 3: Advertising now is you can associate like say that take

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Speaker 3: the Geico ads with the talking paintings, the ones that talk,

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Speaker 3: they talk to each other.

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Speaker 2: Yeah, cats paintings are friends.

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Speaker 8: Yeah.

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Speaker 3: You can associate those ads that play every time you

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Speaker 3: watch a video with the feeling of getting ready to

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Speaker 3: watch your video and like not being able to yet.

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Speaker 3: You know, That's what I want for my brand, that

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Speaker 3: anticipation and the desire to to do a different thing.

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Speaker 1: Have you guys noticed this though, that you never are

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Speaker 1: buffering during the commercials, but you're always buffering during the content.

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Speaker 7: Mm hmm.

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Speaker 2: Is that suspicious to you?

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Speaker 8: I mean, I think whatever it takes for you know,

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Speaker 8: to have like for corporations to have verticals.

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Speaker 1: Yeah, oh yeah. I love when people complain about commercials.

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Speaker 1: It's like, uh, that's what pays for the fucking shows.

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Speaker 8: We're all selling soap, guys. We're just selling soap.

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Speaker 1: That means the bottom line, that's that's that's like a

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Speaker 1: pretty savvy thing, uh speak on soaps. What kind of

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Speaker 1: soaps do you like as far?

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Speaker 8: I mean I don't personally, my girl and I we

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Speaker 8: don't use soap in our home because soap is actually corrosive. Yeah,

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Speaker 8: it actually rips your skins a thing that was developed

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Speaker 8: by companies to literally sell. So they were like, what's

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Speaker 8: a thing that doesn't exist? And then they were like soap,

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Speaker 8: Well you need those oils, and they're like, yeah, let's

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Speaker 8: create them. Yeah exactly, Yeah, you need those oils exactly.

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Speaker 8: There's a reason are called essential oils because they're essential

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Speaker 8: and if you use soap, you get rid of them.

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Speaker 8: It's like, oh, let's be less oily. It's like, no,

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Speaker 8: let's be more. Let's be less oily in the mid

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Speaker 8: East and more oily on ourselves.

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Speaker 1: Yes, and I do use soap, but it's sort of

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Speaker 1: to me because it's so dangerous, you know, it's sort

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Speaker 1: of like an extreme sports. Yeah, you have to have something,

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Speaker 1: you know. It's like okay, yeah.

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Speaker 8: You yeah, you can't have gluten, can't have you know,

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Speaker 8: stuff like that, but I can every now and yeah

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Speaker 8: you can like indulge in like oh no oils.

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Speaker 1: Yeah No, it's something to celebrate with. Is just to

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Speaker 1: get that soap out and just feel the adrenaline when

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Speaker 1: you know you shouldn't be doing it. Well, DC, we

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Speaker 1: didn't just bring you here to talk about soap. We

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Speaker 1: brought you here to talk about auditions. Now, some people

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Speaker 1: think auditions take place in the audition room, but you

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Speaker 1: know that the real audition happens in the waiting room outside.

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Speaker 8: Yeah, I mean think you think about like a bullfight,

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Speaker 8: where does the real bullfight take place?

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Speaker 2: Does it take place in the cape? In what I'm sorry,

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Speaker 2: the guy's got a cape on?

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Speaker 1: The guy does have a cape, but it doesn't take

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Speaker 1: place in the cape.

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Speaker 8: Right, Speaking of.

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Speaker 1: Which, the cape, I'm saying that's what people think. Yeah,

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Speaker 1: the cape.

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Speaker 8: Is is a scheme that I definitely miss for sure.

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Speaker 1: That show.

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Speaker 8: You guys remember that that NBC dot com.

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Speaker 2: Yeah, the cape, Yeah, he got a cape made him

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Speaker 2: a superhero.

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Speaker 1: So good.

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Speaker 8: I feel like superheroes have really come alive on television.

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Speaker 8: I feel like the yadium that cries out for them.

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Speaker 8: But but yeah, so, but a bullfight doesn't take place

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Speaker 8: in the ring, like, well that's what we're all watching,

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Speaker 8: but it really takes.

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Speaker 2: Place or or in the cape.

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Speaker 8: Yeah, no, it doesn't in the cape.

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Speaker 1: Or the ring.

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Speaker 8: Yeah, and bye by ring, I do mean the arena.

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Speaker 8: I don't mean like the movie. I don't mean the movie.

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Speaker 8: For sure, it does, but people think that some people

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Speaker 8: do Some people think it's place in the original Japanese version,

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Speaker 8: Ring Ring, Yeah, it takes place.

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Speaker 1: No thanks, not for you the original version. No thanks,

400
00:22:09,640 --> 00:22:13,520
Speaker 1: give me Naomi Watts and a nice bag of kettle corn.

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00:22:15,960 --> 00:22:19,399
Speaker 8: So the audition really like in in the in the

402
00:22:19,400 --> 00:22:21,600
Speaker 8: waiting room, that's where everybody is jockeying. If all you're

403
00:22:21,640 --> 00:22:24,920
Speaker 8: doing in the waiting room is waiting, brother, you got

404
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Speaker 8: another thing coming.

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Speaker 1: Yeah, you're missing most of your opportunities.

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00:22:28,040 --> 00:22:30,359
Speaker 8: Yeah, for real, Like people just sit in the waiting

407
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Speaker 8: room and I see a lot of other you know,

408
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Speaker 8: my fellow my fellow artists on their phone.

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Speaker 1: Let's let's let's walk through, walk through. The people are

410
00:22:40,880 --> 00:22:46,800
Speaker 1: looking at their scripts like kind of Yeah.

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Speaker 8: I walk in the door. I've just come from like

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Speaker 8: a beautiful Santa Monica day. I've come from, I've I've

413
00:22:52,359 --> 00:22:54,880
Speaker 8: come east to go there. I've come from like Venice

414
00:22:55,760 --> 00:23:00,560
Speaker 8: or further Venice, and I come in and you know,

415
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Speaker 8: I walk in the room, I walk over to there's

416
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Speaker 8: like a sign in sheet that's going to be on

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00:23:04,080 --> 00:23:07,280
Speaker 8: a table. First of all, you shay, useful tool, Yeah,

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00:23:07,520 --> 00:23:11,000
Speaker 8: super useful you should, but yeh, A useful tool like

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00:23:11,040 --> 00:23:13,520
Speaker 8: for them to keep track of who's coming in, but

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00:23:13,560 --> 00:23:16,280
Speaker 8: also a useful track for you to keep track of

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Speaker 8: who your competitors are and also establish a little bit

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Speaker 8: of dominance. So you walk in the room, you should

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Speaker 8: look around and even if let's say you're going in

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Speaker 8: for I don't know, an AT and T commercial, if

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Speaker 8: there's like a giant Neon sign, like flash literally flashing

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00:23:32,680 --> 00:23:36,960
Speaker 8: AT and T commercial audition here today, you should still

427
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Speaker 8: be like, is this the AT and T thing?

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Speaker 2: Because you got so many things.

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00:23:41,840 --> 00:23:44,679
Speaker 8: Today, Yeah, exactly, and you don't know which one of

430
00:23:44,680 --> 00:23:47,440
Speaker 8: them you might have gone to. You just like started

431
00:23:47,480 --> 00:23:49,879
Speaker 8: spinning the wheel of your day and you've landed on

432
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Speaker 8: one of the many things that you've done. You've probably

433
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Speaker 8: been reading for a pilot in front of Larry Charles.

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00:23:54,960 --> 00:23:58,720
Speaker 8: You've probably been auditioning for an industrial that's going to

435
00:23:58,800 --> 00:24:02,000
Speaker 8: teach Apple employees how to make cleaner iPad screens. You've

436
00:24:02,000 --> 00:24:05,919
Speaker 8: probably had a development meeting on a script that you

437
00:24:05,960 --> 00:24:08,960
Speaker 8: wrote that's about like a meme, you know what I mean.

438
00:24:08,960 --> 00:24:11,760
Speaker 8: You might have had a meeting on your like mad bro,

439
00:24:12,040 --> 00:24:16,040
Speaker 8: Yeah you mad bro? Or I whends that movie coming out,

440
00:24:16,760 --> 00:24:21,000
Speaker 8: I mean, God willing, God bless will have sold a

441
00:24:21,000 --> 00:24:28,200
Speaker 8: angry Ashley Wagner gift the movie to DreamWorks SKG actually

442
00:24:28,280 --> 00:24:30,639
Speaker 8: just dream DreamWorks k I just sold it to that

443
00:24:30,840 --> 00:24:35,360
Speaker 8: part of the company, the Katzenberg scheme. And so yeah,

444
00:24:35,400 --> 00:24:38,560
Speaker 8: so you should you should walk in? Is this the

445
00:24:38,600 --> 00:24:40,720
Speaker 8: at and T thing that's going to force somebody to

446
00:24:40,800 --> 00:24:42,800
Speaker 8: like look up and interact with you? Now you have

447
00:24:43,119 --> 00:24:48,280
Speaker 8: you put them on their heels. You should be wearing uh.

448
00:24:48,600 --> 00:24:50,239
Speaker 8: You know a lot of a lot of people are like, oh,

449
00:24:50,240 --> 00:24:52,000
Speaker 8: you should dress up for like what the part is? Like,

450
00:24:52,040 --> 00:24:57,359
Speaker 8: what's the role? Like, Oh, you should dress up for farmer, doctor, whatever, clown.

451
00:24:57,359 --> 00:24:58,760
Speaker 8: I don't know about you, guys. I don't have all

452
00:24:58,760 --> 00:25:01,399
Speaker 8: that stuff. That's the costumer job. Okay, that's when I

453
00:25:01,440 --> 00:25:03,240
Speaker 8: that's for when I get on. That's when I get

454
00:25:03,280 --> 00:25:05,280
Speaker 8: to the fitting and I'm like, which of this stuff

455
00:25:05,280 --> 00:25:08,040
Speaker 8: am I gonna wear? So you should always be wearing

456
00:25:08,160 --> 00:25:13,440
Speaker 8: like a really old jean jacket, it's super super old.

457
00:25:13,920 --> 00:25:15,520
Speaker 2: What about a cowboy hat?

458
00:25:16,280 --> 00:25:18,960
Speaker 8: It depends. It should be like distressed, and it should

459
00:25:19,000 --> 00:25:22,040
Speaker 8: have a Coachella related story that goes with it. All

460
00:25:22,080 --> 00:25:25,080
Speaker 8: of your garments should have a story. For example, these

461
00:25:25,200 --> 00:25:29,040
Speaker 8: jeans that I'm wearing were dug up in Chile. They

462
00:25:29,040 --> 00:25:30,600
Speaker 8: were actually naturally.

463
00:25:30,240 --> 00:25:32,680
Speaker 1: Occurring as long as you found it.

464
00:25:33,320 --> 00:25:36,679
Speaker 8: I didn't find it. I purchased them, right, But somebody,

465
00:25:36,880 --> 00:25:40,600
Speaker 8: somebody should somebody should have. Nobody made, nobody made. Yeah,

466
00:25:40,640 --> 00:25:43,480
Speaker 8: if you have clothes that somebody made, that's not ethical.

467
00:25:43,680 --> 00:25:48,120
Speaker 8: It's I mean karma. Is it not a thing? No,

468
00:25:48,440 --> 00:25:48,920
Speaker 8: it's a thing.

469
00:25:49,280 --> 00:25:53,600
Speaker 1: Now, just quickly, would you like to do a little

470
00:25:53,640 --> 00:25:57,040
Speaker 1: sort of play acting game. Sure, I like the opportunity

471
00:25:57,080 --> 00:25:59,840
Speaker 1: to perform here. What if let's say I'm in a

472
00:26:00,160 --> 00:26:02,320
Speaker 1: tend that I didn't write the script so I don't

473
00:26:02,320 --> 00:26:04,720
Speaker 1: already know the lines, which is basically never the case,

474
00:26:05,359 --> 00:26:08,280
Speaker 1: and I'm going to be sort of going over my

475
00:26:08,320 --> 00:26:11,359
Speaker 1: lines quietly to myself and you be you.

476
00:26:12,280 --> 00:26:13,840
Speaker 8: And also another audition.

477
00:26:13,520 --> 00:26:19,840
Speaker 2: O, this phone's so big. This phone is so big.

478
00:26:21,640 --> 00:26:22,760
Speaker 2: This phone's so big.

479
00:26:23,000 --> 00:26:24,159
Speaker 8: Hey, bro, where did you study?

480
00:26:25,960 --> 00:26:26,600
Speaker 1: What me?

481
00:26:26,760 --> 00:26:26,920
Speaker 7: Yeah?

482
00:26:26,960 --> 00:26:27,600
Speaker 1: Where'd you study?

483
00:26:28,760 --> 00:26:28,960
Speaker 8: Oh?

484
00:26:29,240 --> 00:26:31,760
Speaker 1: Uh?

485
00:26:32,560 --> 00:26:36,679
Speaker 8: Juilliard? Yeah, I know I recognize you from there. It

486
00:26:36,720 --> 00:26:38,560
Speaker 8: was a trick question. I also went to Juilliard.

487
00:26:40,480 --> 00:26:42,399
Speaker 2: Oh, hey, what's up?

488
00:26:42,440 --> 00:26:42,600
Speaker 8: Man?

489
00:26:42,640 --> 00:26:43,119
Speaker 2: I'm Sean.

490
00:26:43,480 --> 00:26:44,359
Speaker 8: Hey what's up? Dude?

491
00:26:45,359 --> 00:26:45,600
Speaker 1: DC?

492
00:26:47,080 --> 00:26:50,280
Speaker 8: I should say it like he already knows, right, But

493
00:26:50,280 --> 00:26:52,040
Speaker 8: I'm doing him. I'm doing him a courtesy. I don't

494
00:26:52,080 --> 00:26:54,159
Speaker 8: want to make him look bad by having to be like,

495
00:26:54,320 --> 00:26:57,120
Speaker 8: you know, oh, I already know your name. I want

496
00:26:57,119 --> 00:26:58,159
Speaker 8: to say it, but I want to say in kind

497
00:26:58,160 --> 00:27:00,199
Speaker 8: of a tossed off way, like you know, and then

498
00:27:00,200 --> 00:27:01,440
Speaker 8: they'll probably say yeah for my name.

499
00:27:01,520 --> 00:27:02,120
Speaker 1: Yeah exactly.

500
00:27:02,280 --> 00:27:04,080
Speaker 8: There's a thing that you can do where you can

501
00:27:04,119 --> 00:27:06,320
Speaker 8: act like someone is totally your equal in your bro

502
00:27:06,440 --> 00:27:09,399
Speaker 8: and somebody that you know really really well, but you

503
00:27:09,440 --> 00:27:13,280
Speaker 8: can still but while still being intensely condescending. And I

504
00:27:13,320 --> 00:27:14,800
Speaker 8: think that's really really important.

505
00:27:15,240 --> 00:27:18,880
Speaker 1: Yes, I think that is too. And I would almost say,

506
00:27:18,880 --> 00:27:20,960
Speaker 1: you might want your voice to be even louder.

507
00:27:21,600 --> 00:27:26,040
Speaker 8: Oh my voice. Yeah. I find that I kind of

508
00:27:26,119 --> 00:27:28,199
Speaker 8: let the room start to tune into me and what

509
00:27:28,240 --> 00:27:30,760
Speaker 8: I've got going on, and then that's when I really

510
00:27:30,800 --> 00:27:32,639
Speaker 8: crank the volume up, you know what I mean. It's like,

511
00:27:32,920 --> 00:27:35,920
Speaker 8: if I'm speaking quietly, you're gonna lean in, But then

512
00:27:35,960 --> 00:27:39,280
Speaker 8: once you're leaned in, boom, turn up the volume right

513
00:27:39,720 --> 00:27:40,359
Speaker 8: Spider style.

514
00:27:40,480 --> 00:27:43,480
Speaker 1: We start quietly, and then once you've got me engaged,

515
00:27:43,800 --> 00:27:47,840
Speaker 1: then it becomes for everyone, you know.

516
00:27:48,200 --> 00:27:51,320
Speaker 8: Yeah, yeah exactly. That That's what people don't understand. It's

517
00:27:51,359 --> 00:27:53,200
Speaker 8: not just that we're all like jocking for a position

518
00:27:53,240 --> 00:27:54,720
Speaker 8: in the waiting room. The waiting room is a show

519
00:27:55,240 --> 00:27:57,399
Speaker 8: and the host. If you show up and there is

520
00:27:57,480 --> 00:28:00,760
Speaker 8: no host, you look around, nobody's hosting the show. Congratulations,

521
00:28:00,800 --> 00:28:02,040
Speaker 8: you're our sineo, you know what I mean.

522
00:28:02,280 --> 00:28:05,840
Speaker 3: And to that end, like for people like Sean and I,

523
00:28:06,520 --> 00:28:09,639
Speaker 3: we are in the casting office and we're not. That's

524
00:28:09,680 --> 00:28:12,200
Speaker 3: why when you walk into the like to the door

525
00:28:12,240 --> 00:28:13,920
Speaker 3: they bring you in for the audition, that just takes

526
00:28:13,960 --> 00:28:16,639
Speaker 3: you outside, because the real audition was in the waiting

527
00:28:16,680 --> 00:28:20,080
Speaker 3: room exactly, and we were watching for someone with leadership

528
00:28:20,200 --> 00:28:21,800
Speaker 3: qualities to put on our show.

529
00:28:21,960 --> 00:28:24,760
Speaker 8: We cast leaders even if they don't have a kind

530
00:28:24,800 --> 00:28:27,879
Speaker 8: of like police station style smoked glass mirror that the

531
00:28:27,960 --> 00:28:30,639
Speaker 8: people casting the commercial are merely using to observe the

532
00:28:30,680 --> 00:28:32,760
Speaker 8: waiting room and then they're not really doing anything in

533
00:28:32,760 --> 00:28:35,920
Speaker 8: the audition room because that's not really where the audition happens. Literally,

534
00:28:36,240 --> 00:28:39,240
Speaker 8: you should you should want to come into the audition

535
00:28:39,320 --> 00:28:42,360
Speaker 8: room with an energy off of the waiting room, like

536
00:28:42,720 --> 00:28:45,760
Speaker 8: they should hear people like laughing, They should hear somebody

537
00:28:45,800 --> 00:28:48,680
Speaker 8: when you walk into the audition room, be like that guy,

538
00:28:48,760 --> 00:28:50,280
Speaker 8: you know what I mean? Like you should really come

539
00:28:50,280 --> 00:28:53,240
Speaker 8: in with like and almost like they're watching a sitcom

540
00:28:53,320 --> 00:28:57,560
Speaker 8: on which you are both Kramer and like somebody way

541
00:28:57,560 --> 00:29:00,400
Speaker 8: cooler than Kramer, and they've never seen it before, but

542
00:29:00,440 --> 00:29:02,400
Speaker 8: they immediately know, Like that's the dude.

543
00:29:03,520 --> 00:29:08,840
Speaker 1: I always say, if you can't control the attention of

544
00:29:09,080 --> 00:29:13,560
Speaker 1: a waiting room full of actors trying to learn their lines,

545
00:29:14,120 --> 00:29:16,200
Speaker 1: how can I expect you to control the attention of

546
00:29:16,240 --> 00:29:18,480
Speaker 1: the millions of fans who are gonna go see my

547
00:29:18,560 --> 00:29:22,800
Speaker 1: movie and TV shows. So that's why I if you'll

548
00:29:22,840 --> 00:29:27,360
Speaker 1: see sometimes in movies they'll show an audition and the

549
00:29:27,400 --> 00:29:30,240
Speaker 1: guys are looking at a monitor of sort of the

550
00:29:30,280 --> 00:29:32,680
Speaker 1: person auditioning, as if that's the audition.

551
00:29:33,080 --> 00:29:35,200
Speaker 2: No, that monitor's showing the waiting room.

552
00:29:35,520 --> 00:29:38,440
Speaker 1: It's showing what they just did in the waiting room. Yeah,

553
00:29:38,440 --> 00:29:41,000
Speaker 1: when you're reading the lines in there, I already know

554
00:29:41,080 --> 00:29:42,600
Speaker 1: the lines exactly.

555
00:29:42,640 --> 00:29:46,000
Speaker 8: Everyone knows their lines. We were all born with you.

556
00:29:46,440 --> 00:29:49,560
Speaker 8: We don't learn anything. They only remember yeahpak on, So

557
00:29:49,640 --> 00:29:52,400
Speaker 8: I don't learn my lines. I only remember lines that

558
00:29:52,480 --> 00:29:55,080
Speaker 8: I had forgotten that I knew. So, like you know,

559
00:29:55,320 --> 00:29:57,640
Speaker 8: if Golden Corral is running a special right now where

560
00:29:57,640 --> 00:30:00,400
Speaker 8: you can get seven ninety nine unlimited stake and or

561
00:30:00,480 --> 00:30:03,440
Speaker 8: brisket like, and I'm looking at those I'm not learning

562
00:30:03,560 --> 00:30:07,320
Speaker 8: the lines. I'm remembering. Oh right, they will have that now?

563
00:30:07,760 --> 00:30:08,760
Speaker 1: Is that real? Can you do that?

564
00:30:09,280 --> 00:30:12,560
Speaker 8: Yeah? Yeah, I mean it's just something that it's a

565
00:30:12,640 --> 00:30:14,560
Speaker 8: it's a way to look at learning. But it's also

566
00:30:14,640 --> 00:30:18,240
Speaker 8: I mean the unlimited steak and brisket and or brisket.

567
00:30:19,400 --> 00:30:23,000
Speaker 8: I mean, look inside your heart, you know already.

568
00:30:22,680 --> 00:30:25,240
Speaker 1: Why is it? And or who picks or.

569
00:30:27,120 --> 00:30:29,240
Speaker 8: I think that there is just a way to save money.

570
00:30:29,320 --> 00:30:32,200
Speaker 1: Because it's unlimited. So if it's unlimited.

571
00:30:31,720 --> 00:30:35,840
Speaker 8: I think that you have to catch the waitress or

572
00:30:35,840 --> 00:30:37,720
Speaker 8: not the waitress, but the girl at the counter that

573
00:30:37,760 --> 00:30:40,760
Speaker 8: you're paying. You have to she'll be like okay, great,

574
00:30:40,760 --> 00:30:42,880
Speaker 8: you wanted the steak or brisket, and you have to

575
00:30:42,880 --> 00:30:45,920
Speaker 8: catch her and be like mmm, steak and brisket. That's

576
00:30:45,960 --> 00:30:47,600
Speaker 8: just kind of way for them to maximize their vertical.

577
00:30:47,680 --> 00:30:49,600
Speaker 8: It's like a cat and mouse kind of special that

578
00:30:49,640 --> 00:30:51,600
Speaker 8: they're running. Another thing that I wanted to talk about

579
00:30:51,640 --> 00:30:53,800
Speaker 8: is when you see someone that you know in the

580
00:30:53,840 --> 00:30:57,680
Speaker 8: waiting room and if there should always be someone that

581
00:30:57,760 --> 00:30:59,680
Speaker 8: you know in the waiting room because this town is

582
00:30:59,720 --> 00:31:00,360
Speaker 8: like a family.

583
00:31:01,200 --> 00:31:04,000
Speaker 1: It really is like a small family, small It's a

584
00:31:04,120 --> 00:31:05,400
Speaker 1: small world.

585
00:31:05,440 --> 00:31:08,400
Speaker 8: I was on It's a Small World, like the ride

586
00:31:08,400 --> 00:31:10,080
Speaker 8: the other day, because you know, me and some of

587
00:31:10,080 --> 00:31:11,960
Speaker 8: my guys like really like to go to Disneyland because

588
00:31:11,960 --> 00:31:16,240
Speaker 8: I'm for still kids, you know, yeah exactly, we're still kids,

589
00:31:16,280 --> 00:31:19,040
Speaker 8: and that's really I love Disney.

590
00:31:19,280 --> 00:31:21,520
Speaker 3: And I get to go for free. So it's like

591
00:31:21,640 --> 00:31:24,240
Speaker 3: I have the silver pas, so it's like, why not.

592
00:31:24,440 --> 00:31:26,960
Speaker 1: Well, I'm moving money to not go just go after

593
00:31:27,080 --> 00:31:27,760
Speaker 1: work every time.

594
00:31:27,760 --> 00:31:29,360
Speaker 8: One time the other day, I was in my car

595
00:31:29,480 --> 00:31:31,960
Speaker 8: and I realized I wasn't at Disneyland and therefore wasting money,

596
00:31:32,000 --> 00:31:37,560
Speaker 8: and I started screaming. So we were we were.

597
00:31:39,920 --> 00:31:44,880
Speaker 1: Oh man, oh, I think I was behind you.

598
00:31:44,880 --> 00:31:48,400
Speaker 8: You know that kind of stuff. But I actually really

599
00:31:48,440 --> 00:31:50,479
Speaker 8: don't ever get that angry because I find that negative

600
00:31:50,480 --> 00:31:54,080
Speaker 8: emotion is like yeah, exactly, seriously, you got to surround

601
00:31:54,080 --> 00:31:56,440
Speaker 8: yourself with positive people and positivity and there's no room

602
00:31:56,480 --> 00:31:59,280
Speaker 8: in life. It comes back to you self reflection or

603
00:31:59,480 --> 00:32:01,600
Speaker 8: like if somebody brings me a salad and there's a

604
00:32:01,600 --> 00:32:03,080
Speaker 8: hair in it, I'm gonna be like, this was meant

605
00:32:03,080 --> 00:32:05,320
Speaker 8: to be and then I will actually yell at them

606
00:32:05,360 --> 00:32:06,960
Speaker 8: and send it back. But that's because they tried to

607
00:32:06,960 --> 00:32:09,400
Speaker 8: bring negative feeling into my life that hair.

608
00:32:09,680 --> 00:32:09,920
Speaker 1: Yeah.

609
00:32:09,920 --> 00:32:11,720
Speaker 8: So I was at Disneyland and I was on that ride.

610
00:32:11,720 --> 00:32:13,320
Speaker 8: It's a small world, and I was like, this is

611
00:32:13,400 --> 00:32:16,960
Speaker 8: way bigger than Hollywood. Mm hmm, you know what I mean.

612
00:32:17,880 --> 00:32:21,800
Speaker 3: Which is like a family of like something bad happened

613
00:32:21,800 --> 00:32:24,680
Speaker 3: to a bunch of the grandparents and so they're mostly gone.

614
00:32:24,760 --> 00:32:28,880
Speaker 1: It's like the single mom and yes, the hip single

615
00:32:28,960 --> 00:32:30,680
Speaker 1: mom who got pregnant as a teen.

616
00:32:30,800 --> 00:32:34,400
Speaker 8: Maybe she does have like a grandma who you can

617
00:32:34,440 --> 00:32:38,280
Speaker 8: tell is like seven years older than her, right, and

618
00:32:38,560 --> 00:32:41,000
Speaker 8: it's actually pretty good looking for a grandma yea.

619
00:32:41,200 --> 00:32:43,600
Speaker 2: And also total guilf am I right, bros.

620
00:32:43,800 --> 00:32:45,440
Speaker 8: And also you can probably get a lot of b

621
00:32:45,560 --> 00:32:49,040
Speaker 8: stories about her learning how to hashtag the grandma, you

622
00:32:49,040 --> 00:32:50,960
Speaker 8: know what I mean. She doesn't quite get it, but

623
00:32:51,040 --> 00:32:55,840
Speaker 8: she's getting there. Yeah. So yeah, so if I see

624
00:32:55,880 --> 00:32:58,280
Speaker 8: somebody that I know, it's really immediately important for me

625
00:32:58,320 --> 00:33:01,520
Speaker 8: to engage with them. I immediately engage with the men

626
00:33:01,600 --> 00:33:05,440
Speaker 8: that I know first, and you know, it's just like

627
00:33:05,480 --> 00:33:06,280
Speaker 8: what's up, what's up?

628
00:33:06,280 --> 00:33:06,440
Speaker 1: Bro?

629
00:33:06,520 --> 00:33:07,360
Speaker 8: Oh dude, how you doing?

630
00:33:07,400 --> 00:33:07,760
Speaker 1: Sweet?

631
00:33:07,800 --> 00:33:09,400
Speaker 8: Like we you know, and then we're like I haven't

632
00:33:09,400 --> 00:33:11,680
Speaker 8: seen you since and whatever, I haven't seen him since.

633
00:33:11,680 --> 00:33:15,480
Speaker 8: Should be something where we were both paid a job. Yeah, exactly, yes,

634
00:33:15,600 --> 00:33:17,840
Speaker 8: always mention a job. Oh my god, I haven't seen

635
00:33:17,880 --> 00:33:22,160
Speaker 8: you since that, you know, four billion dollar Microsoft campaign?

636
00:33:22,200 --> 00:33:24,400
Speaker 8: That was a huge campaign. Do they ran that for

637
00:33:24,400 --> 00:33:27,680
Speaker 8: so long? We're both telling things you get that? Did

638
00:33:27,720 --> 00:33:32,000
Speaker 8: you get that other check? Like a year later? Dude,

639
00:33:32,000 --> 00:33:35,640
Speaker 8: that saved my ass, that kind of thing they were

640
00:33:35,640 --> 00:33:38,480
Speaker 8: about to take away my yamaha, but no, that kind

641
00:33:38,480 --> 00:33:38,880
Speaker 8: of stuff.

642
00:33:38,920 --> 00:33:41,400
Speaker 1: And then with the women, there's usually like a weird

643
00:33:41,560 --> 00:33:43,760
Speaker 1: well well yeah, but that's I'll get to that in

644
00:33:43,800 --> 00:33:45,400
Speaker 1: a second. But with it with the dudes, what you

645
00:33:45,440 --> 00:33:47,320
Speaker 1: should do is you should be on hey, yeah, please

646
00:33:47,520 --> 00:33:49,320
Speaker 1: do you guys know you do you guys refer to.

647
00:33:49,280 --> 00:33:51,800
Speaker 8: Your your your girlfriend, your significant other? You never say that, right,

648
00:33:51,840 --> 00:33:54,160
Speaker 8: You always say girl? Right? We all do that, right, Yeah,

649
00:33:54,200 --> 00:33:56,720
Speaker 8: like how's your how's your girl? Like if he's like,

650
00:33:56,760 --> 00:33:59,520
Speaker 8: how's my girl? Because if I say girlfriend, that means like, oh,

651
00:33:59,520 --> 00:34:01,160
Speaker 8: we might get married someday. And I'm not about that.

652
00:34:01,200 --> 00:34:03,640
Speaker 8: I'm not about traditional labels, you know what I mean?

653
00:34:03,880 --> 00:34:06,440
Speaker 8: Like that's so last century. It's like you're you know,

654
00:34:06,720 --> 00:34:08,480
Speaker 8: we don't mate for life, and.

655
00:34:08,400 --> 00:34:11,719
Speaker 1: Even once you are married, I think girl is still the.

656
00:34:11,640 --> 00:34:14,320
Speaker 8: Oh yeah, totally. Well, it's like if we were married,

657
00:34:14,360 --> 00:34:17,160
Speaker 8: we should have been married like by Joe Rogan in

658
00:34:17,400 --> 00:34:21,240
Speaker 8: like a Vegas adjacent DMT ceremony and it wasn't about

659
00:34:21,280 --> 00:34:24,759
Speaker 8: like husband wife, it was about like partners. But one

660
00:34:24,760 --> 00:34:28,520
Speaker 8: of us has like a real macho thing going on.

661
00:34:28,920 --> 00:34:33,920
Speaker 3: So I bet she wouldn't say like your boy, no, no, no,

662
00:34:34,440 --> 00:34:35,520
Speaker 3: she would use your full name.

663
00:34:35,640 --> 00:34:36,320
Speaker 1: Yeah, exactly.

664
00:34:36,360 --> 00:34:40,040
Speaker 8: She would be like my, my partner, my DMT, my

665
00:34:40,120 --> 00:34:43,759
Speaker 8: Joe Rogan, DMT partner, DC person and everyone in the

666
00:34:44,239 --> 00:34:46,759
Speaker 8: yeah from and enlist my credits. But she shouldn't have to.

667
00:34:47,160 --> 00:34:49,160
Speaker 8: She will, but she when she lists my credits, she

668
00:34:49,160 --> 00:34:51,880
Speaker 8: should list the name of like a giant movie that

669
00:34:51,920 --> 00:34:54,160
Speaker 8: hasn't come out yet but everybody's aware of because it's

670
00:34:54,160 --> 00:34:58,120
Speaker 8: a hot project. So so I'm like, you know, like

671
00:34:58,239 --> 00:35:00,319
Speaker 8: Sean if he's in the waiting room, like how's your girl?

672
00:35:00,600 --> 00:35:04,800
Speaker 8: And then I will pull out my latest iPhone and

673
00:35:04,920 --> 00:35:09,200
Speaker 8: I will have like pictures of my girl like doing activities,

674
00:35:09,520 --> 00:35:12,680
Speaker 8: a looking smoking, be doing activities.

675
00:35:12,920 --> 00:35:16,000
Speaker 1: Right, so it's like how's your girl? It's like so good.

676
00:35:16,440 --> 00:35:19,759
Speaker 1: We were just at exactly X thing where you would

677
00:35:19,760 --> 00:35:20,560
Speaker 1: be in a bikini.

678
00:35:21,160 --> 00:35:26,040
Speaker 8: Yeah exactly. We were just in uh A, Biza and

679
00:35:26,080 --> 00:35:27,640
Speaker 8: the guy's like, oh, that's great. I went to that

680
00:35:27,760 --> 00:35:29,520
Speaker 8: festival that they have there. And you're like, oh, it's

681
00:35:29,560 --> 00:35:31,160
Speaker 8: you got to go on the off season. That's really

682
00:35:31,200 --> 00:35:32,040
Speaker 8: when it's like popping.

683
00:35:32,200 --> 00:35:34,200
Speaker 2: Yeah, yeah, yeah, and you let them know.

684
00:35:34,280 --> 00:35:36,520
Speaker 1: You go like, oh, yeah, I used to go to

685
00:35:36,560 --> 00:35:42,080
Speaker 1: that festival, right, it got shitty.

686
00:35:43,280 --> 00:35:45,919
Speaker 8: Is a strong is really strong, And that's what it's about.

687
00:35:45,960 --> 00:35:50,279
Speaker 8: It's about strength and in all things. And so yeah,

688
00:35:50,320 --> 00:35:53,040
Speaker 8: you and if let's say I say a vacation destination

689
00:35:53,280 --> 00:35:56,120
Speaker 8: that you haven't been to, you should always be like,

690
00:35:56,200 --> 00:35:58,200
Speaker 8: yeah you have, you've been there and it's so shitty,

691
00:35:58,320 --> 00:36:00,880
Speaker 8: or you like know it so well that you're like,

692
00:36:01,080 --> 00:36:04,360
Speaker 8: oh yeah, totally. Did you see Miguel and you're like

693
00:36:04,360 --> 00:36:08,320
Speaker 8: I don't know. I mean you're like yeah, And then likewise,

694
00:36:08,400 --> 00:36:10,800
Speaker 8: like you should know it better than than he does.

695
00:36:10,880 --> 00:36:14,319
Speaker 8: And likewise, if let's say that I've been I say

696
00:36:14,320 --> 00:36:16,239
Speaker 8: a place like oh we were in Nepaul and you

697
00:36:16,320 --> 00:36:18,439
Speaker 8: haven't been there, and you're like, oh, I haven't been there,

698
00:36:19,000 --> 00:36:21,799
Speaker 8: it should the idea of someone not having been there

699
00:36:21,840 --> 00:36:23,960
Speaker 8: should cause me to be like unable to speak like,

700
00:36:24,040 --> 00:36:25,960
Speaker 8: let's do a role play. I'll say, I'll say we

701
00:36:26,000 --> 00:36:27,520
Speaker 8: were just in a Paul. You say we haven't been there,

702
00:36:27,560 --> 00:36:28,520
Speaker 8: and then I'll react.

703
00:36:28,239 --> 00:36:30,080
Speaker 1: Okay, it's gonna be hard for me because I have

704
00:36:30,239 --> 00:36:30,680
Speaker 1: been there.

705
00:36:31,560 --> 00:36:33,840
Speaker 8: That's what That's what the craft is, and I do

706
00:36:33,960 --> 00:36:38,040
Speaker 8: mean the movie. So yeah, so, uh, my girl and

707
00:36:38,080 --> 00:36:42,080
Speaker 8: I were just in a Paul. Oh I.

708
00:36:44,200 --> 00:36:53,239
Speaker 2: Sorry, I need a second, Paul. What I haven't been there?

709
00:37:06,520 --> 00:37:07,080
Speaker 8: You know what I mean?

710
00:37:07,280 --> 00:37:08,400
Speaker 2: Yeah?

711
00:37:08,440 --> 00:37:10,640
Speaker 8: Like I just got like kicked in the throat by

712
00:37:10,719 --> 00:37:13,080
Speaker 8: a young Jackie Chan because you haven't been to Nepaul.

713
00:37:13,160 --> 00:37:16,920
Speaker 8: And the idea of anyone not having been anywhere, it's stupid,

714
00:37:17,840 --> 00:37:18,279
Speaker 8: makes sense.

715
00:37:19,320 --> 00:37:22,160
Speaker 1: Oh, I get it. A lot of times I'll sort

716
00:37:22,160 --> 00:37:25,200
Speaker 1: of pull one of these. I'll go try telling me

717
00:37:25,239 --> 00:37:26,240
Speaker 1: you haven't been to Nepal.

718
00:37:26,320 --> 00:37:32,160
Speaker 8: Okay, I'm gonna okay, yeah, okay, I'm gonna make my

719
00:37:32,200 --> 00:37:32,799
Speaker 8: own nough. Yeah.

720
00:37:32,920 --> 00:37:33,280
Speaker 1: Please.

721
00:37:34,239 --> 00:37:36,000
Speaker 2: So I was just in Nepal.

722
00:37:36,280 --> 00:37:37,000
Speaker 1: Do you like it?

723
00:37:37,680 --> 00:37:39,080
Speaker 8: Whoa haven't been to Nepal?

724
00:37:39,440 --> 00:37:40,000
Speaker 9: Awkward?

725
00:37:42,239 --> 00:37:42,479
Speaker 8: Right?

726
00:37:42,760 --> 00:37:43,160
Speaker 1: Yeah?

727
00:37:43,360 --> 00:37:44,799
Speaker 2: But what's your favorite part of it?

728
00:37:46,000 --> 00:37:46,200
Speaker 7: Oh?

729
00:37:46,320 --> 00:37:47,440
Speaker 2: You were serious?

730
00:37:49,239 --> 00:38:00,000
Speaker 1: Oh uh that's okay? Man, Hey, uh, I gotta fuck

731
00:38:00,200 --> 00:38:07,200
Speaker 1: make a deuce and then I'm and then I'm Splitsville,

732
00:38:07,280 --> 00:38:07,560
Speaker 1: you know.

733
00:38:07,520 --> 00:38:10,600
Speaker 3: I'm watching in the Catholic office at that point, and

734
00:38:10,719 --> 00:38:13,600
Speaker 3: I hear you go say, you gotta fucking make a duce.

735
00:38:15,360 --> 00:38:16,799
Speaker 3: I don't know if I send everyone else home?

736
00:38:16,880 --> 00:38:19,080
Speaker 1: Men? Is it just to be polite? Do I? Just like?

737
00:38:19,080 --> 00:38:22,080
Speaker 8: I like that guy's so good that probably that guy

738
00:38:22,320 --> 00:38:25,279
Speaker 8: is diet probably like creates so many beneficial bacteria to

739
00:38:25,320 --> 00:38:27,760
Speaker 8: his body that he's probably making fucking sick deuces.

740
00:38:27,960 --> 00:38:30,120
Speaker 3: What is it like when you see I got on

741
00:38:30,120 --> 00:38:32,160
Speaker 3: this train a while ago, Like when you see one

742
00:38:32,200 --> 00:38:34,440
Speaker 3: of the women and now I'm sort of like, oh,

743
00:38:34,520 --> 00:38:38,600
Speaker 3: yeah you should. It's like someone probably that you have boofed.

744
00:38:38,960 --> 00:38:43,839
Speaker 8: Yeah, well, undoubtedly. Hollywoods like a family. It's a lot

745
00:38:43,920 --> 00:38:44,759
Speaker 8: like a like.

746
00:38:44,760 --> 00:38:45,840
Speaker 2: A small family.

747
00:38:46,840 --> 00:38:47,960
Speaker 1: They all boof each other.

748
00:38:48,040 --> 00:38:50,360
Speaker 2: Well because it's so small, it's.

749
00:38:50,200 --> 00:38:53,200
Speaker 8: So see, there's not there's like an energy. It's one

750
00:38:53,200 --> 00:38:55,160
Speaker 8: of those families where there's like an energy that everyone

751
00:38:55,239 --> 00:38:59,319
Speaker 8: either has boofed but now they're cool, or they will,

752
00:38:59,440 --> 00:39:02,279
Speaker 8: they're they're they're on their way to boofin.

753
00:39:02,040 --> 00:39:04,440
Speaker 1: They're gonna or are they just would or they.

754
00:39:04,320 --> 00:39:06,680
Speaker 8: Would yeah, or there's like kind of a sort of

755
00:39:06,680 --> 00:39:08,840
Speaker 8: like unspoken agreement like we would, but we're both we

756
00:39:08,880 --> 00:39:14,359
Speaker 8: would again, Yeah, exactly, totally Hotel New Hampshire.

757
00:39:15,560 --> 00:39:20,280
Speaker 1: Too scary, go ahead. Uh yeah.

758
00:39:20,320 --> 00:39:22,320
Speaker 8: So so it's a similar thing, like we should acknowledge

759
00:39:22,520 --> 00:39:24,200
Speaker 8: each other, like, oh my god, I haven't seen you

760
00:39:24,400 --> 00:39:27,879
Speaker 8: since we both did you know, I don't know that

761
00:39:28,000 --> 00:39:31,480
Speaker 8: Jason rightman stage reading of Baby's day out or something.

762
00:39:32,760 --> 00:39:36,440
Speaker 1: So funny, it's so funny how bad it is. So

763
00:39:36,800 --> 00:39:39,080
Speaker 1: it's just like sucks, it's so funny.

764
00:39:40,080 --> 00:39:43,960
Speaker 2: Oh god, it's so like shitty. It sucks.

765
00:39:44,160 --> 00:39:45,359
Speaker 1: I love it. I love it.

766
00:39:45,480 --> 00:39:50,920
Speaker 8: I watch it. So yeah, so you should see you

767
00:39:50,920 --> 00:39:52,640
Speaker 8: should see her, and we kind of we acknowledge each

768
00:39:52,680 --> 00:39:54,520
Speaker 8: other like, oh we haven't. I haven't seen you in

769
00:39:54,560 --> 00:39:57,480
Speaker 8: a really long time. And then you should be like,

770
00:39:57,560 --> 00:40:00,640
Speaker 8: oh are you you know you should uh, there should

771
00:40:00,640 --> 00:40:02,319
Speaker 8: just be a real energy like it, like we we

772
00:40:02,400 --> 00:40:03,680
Speaker 8: kind of I think we already covered it, like you

773
00:40:03,719 --> 00:40:06,800
Speaker 8: should have either we definitely had sex at some point

774
00:40:06,920 --> 00:40:11,120
Speaker 8: or we we would or were probably about to. And

775
00:40:11,160 --> 00:40:16,320
Speaker 8: you should be like you look like dynamite, you know

776
00:40:16,360 --> 00:40:18,959
Speaker 8: what I mean? Yeah, you're kissed, You're.

777
00:40:18,880 --> 00:40:21,280
Speaker 1: Like, god, damn.

778
00:40:22,400 --> 00:40:28,959
Speaker 8: Fuck fucking Cornias are puking right now.

779
00:40:30,040 --> 00:40:34,239
Speaker 1: Yes, definitely sexualize them for the rest of the room

780
00:40:34,640 --> 00:40:39,600
Speaker 1: and do it exactly seemingly innocent compliment but makes positive

781
00:40:39,760 --> 00:40:45,440
Speaker 1: very yeah, exactly, fuck girl, fuck yeah. So it's you've boofed,

782
00:40:45,760 --> 00:40:48,960
Speaker 1: uh huh, you could boof again exactly, and right now

783
00:40:48,960 --> 00:40:52,759
Speaker 1: you're thinking about pulling the trigger on it. And then

784
00:40:52,800 --> 00:40:56,120
Speaker 1: I'll often go, how's your girl, because a lot of

785
00:40:56,160 --> 00:41:00,840
Speaker 1: the chicks that I I'm fucking with you both do

786
00:41:00,960 --> 00:41:04,080
Speaker 1: both styles. Yeah, and if that was a guy, it

787
00:41:04,120 --> 00:41:07,880
Speaker 1: would be gross, but it's so it's.

788
00:41:07,760 --> 00:41:08,960
Speaker 2: Fine, it's fine.

789
00:41:09,239 --> 00:41:11,920
Speaker 1: Legalize it, Yeah, legalize it, you know, sure, I have

790
00:41:11,920 --> 00:41:12,960
Speaker 1: no opinion on that.

791
00:41:13,239 --> 00:41:16,040
Speaker 8: No, I don't mean, like I do not homophobic. I

792
00:41:16,040 --> 00:41:18,879
Speaker 8: think every I love everyone. We're all just sort of

793
00:41:19,080 --> 00:41:22,200
Speaker 8: like on this big round starship called Earth, just trying

794
00:41:22,200 --> 00:41:24,960
Speaker 8: to make it. I just mean, like if like when

795
00:41:25,000 --> 00:41:28,440
Speaker 8: girls do it, it's fucking so smoking hots.

796
00:41:27,920 --> 00:41:34,000
Speaker 1: So it's definitely that the legalize that being the law exactly. Yeah.

797
00:41:34,160 --> 00:41:36,359
Speaker 8: Like when you have to do two women are into

798
00:41:36,400 --> 00:41:39,439
Speaker 8: each other sexually, it's more for me than for them,

799
00:41:39,640 --> 00:41:40,279
Speaker 8: do you know what I mean?

800
00:41:41,760 --> 00:41:46,600
Speaker 1: Uh? Yeah, because they don't actually like each other. They

801
00:41:46,680 --> 00:41:49,880
Speaker 1: like they like the attention they get from me, right, Like,

802
00:41:49,920 --> 00:41:53,160
Speaker 1: but what they really want is to so far.

803
00:41:53,280 --> 00:42:00,920
Speaker 3: Yeah, I think they should legalize everything, like as a

804
00:42:01,320 --> 00:42:03,839
Speaker 3: you know, I'm a libertarian, and I say, like, you know,

805
00:42:03,920 --> 00:42:06,320
Speaker 3: like not even no, no more states and stuff.

806
00:42:06,400 --> 00:42:09,200
Speaker 8: Just like I think something that's super important as like

807
00:42:09,239 --> 00:42:12,319
Speaker 8: a conversational topic is because kids will come up in

808
00:42:12,320 --> 00:42:14,520
Speaker 8: the room, like, oh, people would have kids, how's your kids?

809
00:42:14,560 --> 00:42:17,560
Speaker 8: Oh my god, dude's so great? You know, how's Gindin?

810
00:42:18,719 --> 00:42:22,680
Speaker 8: How's you know link? Et cetera, et cetera, et cetera.

811
00:42:22,719 --> 00:42:24,719
Speaker 8: And if you like, my girl and I don't have

812
00:42:25,080 --> 00:42:28,319
Speaker 8: kids because we haven't even had our Joe Rogan DMT

813
00:42:28,440 --> 00:42:31,480
Speaker 8: ceremony yet, But like it's really important that you know

814
00:42:31,960 --> 00:42:34,359
Speaker 8: how you would raise your kids and that it be

815
00:42:34,520 --> 00:42:38,160
Speaker 8: like super interesting, Like you got to have a real

816
00:42:38,239 --> 00:42:41,239
Speaker 8: like strong take on parenting. Like I don't want to

817
00:42:41,280 --> 00:42:44,879
Speaker 8: see the plain old like parenting like mom, dad, Oh

818
00:42:45,000 --> 00:42:47,520
Speaker 8: we when they're bad, we say no, don't do that.

819
00:42:47,560 --> 00:42:51,000
Speaker 8: Like I want to see like a real strong reinterpretation.

820
00:42:51,080 --> 00:42:53,880
Speaker 8: I should see like the parenting equivalent of like a

821
00:42:54,040 --> 00:42:55,440
Speaker 8: crazy impressionist painting.

822
00:42:55,560 --> 00:42:59,040
Speaker 1: That's a good talking point for audition waiting rooms, is

823
00:42:59,120 --> 00:43:03,640
Speaker 1: what unconventional style of parent you'll be for sure? For

824
00:43:03,719 --> 00:43:06,000
Speaker 1: sure like it should be a strong kind of music,

825
00:43:06,600 --> 00:43:10,000
Speaker 1: like kids like oh, I can't wait. I already have

826
00:43:10,080 --> 00:43:14,480
Speaker 1: like ninety the Pixies baby teas of various. I don't

827
00:43:14,480 --> 00:43:16,279
Speaker 1: even listen to the Pixies. I just think, like, what

828
00:43:16,480 --> 00:43:18,200
Speaker 1: the kids in Seattle in nineteen eighty three?

829
00:43:18,239 --> 00:43:22,120
Speaker 8: What's going on? But I think my girl and I

830
00:43:22,200 --> 00:43:24,080
Speaker 8: have discussed we're gonna I don't know if you guys

831
00:43:24,080 --> 00:43:27,640
Speaker 8: have heard about this style of parenting that's really popular

832
00:43:27,680 --> 00:43:29,160
Speaker 8: in Hollywood right now. I can't think of exactly what

833
00:43:29,239 --> 00:43:32,200
Speaker 8: it's called, but basically, you treat babies like their adults,

834
00:43:33,160 --> 00:43:34,719
Speaker 8: and I think that that does.

835
00:43:34,800 --> 00:43:39,000
Speaker 1: They are like they are, They're like they really are,

836
00:43:39,120 --> 00:43:41,680
Speaker 1: just basically like you if you like couldn't speak or

837
00:43:41,760 --> 00:43:43,879
Speaker 1: like that hold your head up in the air. Yeah,

838
00:43:43,880 --> 00:43:45,200
Speaker 1: but some people can't even do that.

839
00:43:45,280 --> 00:43:47,600
Speaker 8: Like a rattle, what's a rattle? A rattle was invented

840
00:43:47,640 --> 00:43:49,320
Speaker 8: by growerps, not by babies.

841
00:43:49,360 --> 00:43:51,840
Speaker 3: That's our phones now, our phones are rattles. It's the

842
00:43:51,880 --> 00:43:52,479
Speaker 3: same thing.

843
00:43:52,680 --> 00:43:54,040
Speaker 2: That's too true.

844
00:43:54,600 --> 00:43:57,160
Speaker 1: So I feel like that's already we hold them, we

845
00:43:57,200 --> 00:44:00,920
Speaker 1: all hold them, well, we're holding them there and.

846
00:44:02,560 --> 00:44:05,880
Speaker 2: Yeah, okay, we're talking into.

847
00:44:05,680 --> 00:44:12,680
Speaker 1: Them, you know, on them, on them they know about

848
00:44:15,640 --> 00:44:17,720
Speaker 1: Have you heard about ways? Dude?

849
00:44:17,719 --> 00:44:21,960
Speaker 8: Ways is insane? Like sometimes I just put in like

850
00:44:22,000 --> 00:44:23,640
Speaker 8: the direction of where I want to go, and then

851
00:44:23,760 --> 00:44:25,480
Speaker 8: it takes me there and like a totally different way

852
00:44:25,480 --> 00:44:27,040
Speaker 8: than I normally have been. And then when i'm that's

853
00:44:27,040 --> 00:44:28,480
Speaker 8: when I'm like, it is about to day.

854
00:44:28,520 --> 00:44:30,640
Speaker 1: And then does that give you something to say about

855
00:44:30,640 --> 00:44:31,759
Speaker 1: how you got there? Oh?

856
00:44:32,080 --> 00:44:32,640
Speaker 8: For sure?

857
00:44:32,880 --> 00:44:36,760
Speaker 1: Oh baby Alexis Bledell is the voice of my ways

858
00:44:36,840 --> 00:44:37,360
Speaker 1: right now.

859
00:44:38,200 --> 00:44:40,279
Speaker 8: But I just wanted to say really quickly, I think

860
00:44:40,320 --> 00:44:43,839
Speaker 8: that that style of parenting is already pass because I've

861
00:44:43,880 --> 00:44:45,400
Speaker 8: heard that at least half of the cast of How

862
00:44:45,400 --> 00:44:48,200
Speaker 8: I Met Your Mother ascribes to it, So that's already over.

863
00:44:49,239 --> 00:44:50,280
Speaker 2: I'm in company.

864
00:44:50,400 --> 00:44:52,160
Speaker 8: What my girl and I are planning on doing is

865
00:44:52,200 --> 00:44:56,360
Speaker 8: Benjamin Button parenting, where we immediately raise our child like

866
00:44:56,719 --> 00:44:59,959
Speaker 8: he's an old old man, and then as he aged

867
00:45:00,160 --> 00:45:03,319
Speaker 8: is he's like younger. So like when he's zero, will

868
00:45:03,320 --> 00:45:05,480
Speaker 8: treat him like he's eighty years old, and we'll like

869
00:45:05,600 --> 00:45:07,000
Speaker 8: argue with him and be like, we need to put

870
00:45:07,040 --> 00:45:08,880
Speaker 8: you in a home. You can't take care of yourself anymore.

871
00:45:09,360 --> 00:45:11,680
Speaker 8: When he's like ten, he'll be like seventy and we'll

872
00:45:11,680 --> 00:45:15,160
Speaker 8: be like, he's still got it going on, you know, etcetera,

873
00:45:15,200 --> 00:45:19,680
Speaker 8: etcetera for years, and when he's forty, he'll be forty,

874
00:45:19,680 --> 00:45:20,400
Speaker 8: that will be the one time.

875
00:45:20,600 --> 00:45:22,240
Speaker 2: Yes, actual, that'll be nice.

876
00:45:22,400 --> 00:45:25,799
Speaker 1: Yeah, I'll bet that one. We're still parenting him less stressful.

877
00:45:26,320 --> 00:45:32,600
Speaker 3: Now, thank you for coming in, DC, and rate us

878
00:45:32,640 --> 00:45:33,360
Speaker 3: on iTunes.

879
00:45:33,560 --> 00:45:37,200
Speaker 1: Please rate us on iTunes. Please do like our Facebook

880
00:45:37,239 --> 00:45:39,640
Speaker 1: page and talk to us on the talk to us arms.

881
00:45:39,680 --> 00:45:43,600
Speaker 1: We won't necessarily talk back. No, we won't necessarily talk

882
00:45:43,640 --> 00:45:47,720
Speaker 1: back or even see it, but you know, go ahead

883
00:45:47,760 --> 00:45:53,040
Speaker 1: and try and please buy the pro version. What is

884
00:45:53,080 --> 00:45:54,239
Speaker 1: the pro version giving away?

885
00:45:54,280 --> 00:45:54,720
Speaker 8: This week?

886
00:45:54,880 --> 00:46:07,520
Speaker 1: The pro version is DC. Who's the person gotier? Andy Nice?

887
00:46:07,920 --> 00:46:12,279
Speaker 3: Bought the pro version this week? Again again at the

888
00:46:12,320 --> 00:46:16,640
Speaker 3: prize is d C. Pearson reacting to your name on

889
00:46:16,719 --> 00:46:18,880
Speaker 3: an audition sign and sheet.

890
00:46:19,480 --> 00:46:20,799
Speaker 1: So it's Andy.

891
00:46:20,560 --> 00:46:30,960
Speaker 8: Nice, Andy Nice. One word chops, Bye bye.

892
00:46:35,080 --> 00:46:38,080
Speaker 1: This has been an Earwolf Media production Executive producers Jeff

893
00:46:38,120 --> 00:46:39,080
Speaker 1: Ulrick and Scott Ackerman.

894
00:46:39,239 --> 00:46:41,080
Speaker 2: For more information, visit Earwolf dot.

895
00:46:40,920 --> 00:46:55,600
Speaker 9: Com, ear Warf Radio, Boom dot com.

896
00:46:55,640 --> 00:46:56,600
Speaker 1: The Wolf Dead