1 00:00:00,240 --> 00:00:04,680 Speaker 1: From UFOs to psychic powers and government conspiracies. History is 2 00:00:04,800 --> 00:00:09,080 Speaker 1: riddled with unexplained events. You can turn back now or 3 00:00:09,160 --> 00:00:12,119 Speaker 1: learn this stuff they don't want you to know. A 4 00:00:12,200 --> 00:00:13,880 Speaker 1: production of iHeartRadio. 5 00:00:24,640 --> 00:00:27,120 Speaker 2: Hello, welcome back to the show. My name is Matt, 6 00:00:27,200 --> 00:00:28,160 Speaker 2: my name is Noah. 7 00:00:28,280 --> 00:00:31,080 Speaker 3: They call me Ben. We're joined as always with our 8 00:00:31,160 --> 00:00:35,440 Speaker 3: super producer, Dylan the Tennessee pal Fagan. Most importantly, you 9 00:00:35,600 --> 00:00:39,120 Speaker 3: are you. You are here. That makes this the stuff 10 00:00:39,200 --> 00:00:44,000 Speaker 3: they don't want you to know. Friends, neighbors, fellow conspiracy realists. 11 00:00:44,040 --> 00:00:50,000 Speaker 3: It is no secret that modern society is diplomatically put complicated. 12 00:00:50,240 --> 00:00:53,440 Speaker 3: You know, it wasn't too long ago that it seemed 13 00:00:53,560 --> 00:00:59,320 Speaker 3: almost everyone was getting quote unquote canceled for all manner 14 00:00:59,440 --> 00:01:03,920 Speaker 3: of things, these concerns, competing interest moving at a rapid pace. 15 00:01:04,040 --> 00:01:07,280 Speaker 3: What can or cannot be said, what can or cannot 16 00:01:07,360 --> 00:01:11,039 Speaker 3: be asked? And of course what's up with all those 17 00:01:11,280 --> 00:01:12,080 Speaker 3: lizard people. 18 00:01:12,720 --> 00:01:15,959 Speaker 2: Well yeah, we're also in a time where conspiracy theories 19 00:01:16,080 --> 00:01:19,360 Speaker 2: are far more mainstream than they have ever been. And 20 00:01:19,440 --> 00:01:22,800 Speaker 2: you put those things together and you just you got 21 00:01:22,800 --> 00:01:25,760 Speaker 2: a wacky reality. We're all hanging out in right now. 22 00:01:25,760 --> 00:01:29,039 Speaker 4: Right well, when the White House Press briefing room is 23 00:01:29,040 --> 00:01:32,520 Speaker 4: full of quote unquote influencers who are often peddling the 24 00:01:32,680 --> 00:01:36,120 Speaker 4: very conspiracy theories that we talk about on this show. 25 00:01:36,720 --> 00:01:39,200 Speaker 4: It really does sort of put a very bizarre and 26 00:01:39,319 --> 00:01:41,800 Speaker 4: Orwellian twist on quote unquote the. 27 00:01:41,840 --> 00:01:46,480 Speaker 3: News bizarre Orwellian. Also, we still have not received a 28 00:01:46,560 --> 00:01:50,000 Speaker 3: response from the White House in our addition to join 29 00:01:50,120 --> 00:01:53,880 Speaker 3: their press room briefly, but hope springs a turtle and 30 00:01:54,400 --> 00:01:58,360 Speaker 3: we have something very special for you today, fellow listeners. 31 00:01:58,560 --> 00:02:02,080 Speaker 3: We are diving deep into these questions and more with 32 00:02:02,280 --> 00:02:07,080 Speaker 3: none other than the award winning creator, the actor, the writer, director, producer, 33 00:02:07,360 --> 00:02:13,120 Speaker 3: I'll say it, the philosopher create Yes, creator of the 34 00:02:13,200 --> 00:02:18,080 Speaker 3: hit podcast Cancelation Island, please join us and welcoming none 35 00:02:18,120 --> 00:02:21,720 Speaker 3: other than the legendary John Cameron Mitchell. John, thank you 36 00:02:21,760 --> 00:02:22,919 Speaker 3: for joining us today. 37 00:02:23,160 --> 00:02:25,120 Speaker 5: Well, thank you. I don't know if I can measure 38 00:02:25,200 --> 00:02:25,960 Speaker 5: up to you. 39 00:02:26,040 --> 00:02:27,320 Speaker 3: Must you must. 40 00:02:29,639 --> 00:02:30,120 Speaker 5: Go on. 41 00:02:38,880 --> 00:02:40,400 Speaker 2: Can I get something out of the way, guys that 42 00:02:40,560 --> 00:02:42,799 Speaker 2: is not related to our interview, you must as well. 43 00:02:44,120 --> 00:02:47,680 Speaker 2: John Cameron Mitchell, I just have to say, Uh, one 44 00:02:47,720 --> 00:02:51,240 Speaker 2: of my favorite characters on screen in a long time 45 00:02:51,360 --> 00:02:55,919 Speaker 2: is Gabe Parrish. I freaking love Shrill and Gabe Parish, 46 00:02:56,080 --> 00:02:57,280 Speaker 2: thank you for making that happen. 47 00:02:57,760 --> 00:03:00,640 Speaker 5: You're welcome. That's what happens when an old punk rocker 48 00:03:00,800 --> 00:03:04,079 Speaker 5: kurdles into a book magazine editor. 49 00:03:04,720 --> 00:03:06,240 Speaker 6: It's beautiful, right. 50 00:03:06,440 --> 00:03:09,320 Speaker 2: I didn't know you directed several episodes of that show, 51 00:03:09,480 --> 00:03:12,960 Speaker 2: so I did, you didn't. IMDb is just wrong. 52 00:03:13,320 --> 00:03:14,799 Speaker 7: That's conspiracy. 53 00:03:14,840 --> 00:03:18,480 Speaker 5: Oh yeah, I mean I have a feeling I might 54 00:03:18,480 --> 00:03:21,079 Speaker 5: have if it had continued. I wish it well. 55 00:03:21,120 --> 00:03:23,720 Speaker 4: Speaking of the Internet being wrong, you and I hung 56 00:03:23,720 --> 00:03:25,160 Speaker 4: out not too long ago when you were coming through 57 00:03:25,160 --> 00:03:28,000 Speaker 4: it in Atlanta doing some incredible talks on a kind 58 00:03:28,000 --> 00:03:30,640 Speaker 4: of a lecture circuit here at Emory, and someone asked 59 00:03:30,639 --> 00:03:34,160 Speaker 4: you about your pronouns because of what Wikipedia said, I 60 00:03:34,200 --> 00:03:36,960 Speaker 4: believe it has couched you as being non binary. And 61 00:03:37,000 --> 00:03:38,480 Speaker 4: you were like, no, that's not true, and I have 62 00:03:38,480 --> 00:03:40,760 Speaker 4: no control over Wikipedia. I just thought that was a 63 00:03:40,880 --> 00:03:41,880 Speaker 4: very interesting. 64 00:03:43,640 --> 00:03:46,440 Speaker 5: It isn't untrue that I'm non binary. I just don't 65 00:03:46,480 --> 00:03:47,160 Speaker 5: like the term. 66 00:03:47,360 --> 00:03:50,119 Speaker 4: Of course, but to be categorized by that in that way, 67 00:03:50,280 --> 00:03:52,080 Speaker 4: I just thought it was interesting, right, No, nothing to 68 00:03:52,120 --> 00:03:52,520 Speaker 4: do with me. 69 00:03:53,120 --> 00:03:53,920 Speaker 7: Well, it's interesting. 70 00:03:53,960 --> 00:03:54,120 Speaker 3: You know. 71 00:03:54,160 --> 00:03:59,440 Speaker 5: Identity is being an actor, being a writer. Identity, which 72 00:03:59,520 --> 00:04:04,760 Speaker 5: always had good intentions of calling awareness to systems that 73 00:04:05,080 --> 00:04:10,600 Speaker 5: are unfair. But identity. You know, we Americans love to 74 00:04:10,640 --> 00:04:15,000 Speaker 5: monetize things, We love to commercialize things, and identity just 75 00:04:15,040 --> 00:04:19,359 Speaker 5: became felt like another kind of group to sell to, 76 00:04:19,920 --> 00:04:22,200 Speaker 5: you know, in a way bar code. You know, we're 77 00:04:22,279 --> 00:04:25,960 Speaker 5: almost selling our own identity to ourselves and all the 78 00:04:26,000 --> 00:04:29,080 Speaker 5: accessories that go with it, you know, like philosophy and 79 00:04:29,120 --> 00:04:32,680 Speaker 5: fashion and other things. And to me, it's the opposite 80 00:04:32,680 --> 00:04:34,680 Speaker 5: of what an artist should be doing, which is just 81 00:04:35,040 --> 00:04:39,760 Speaker 5: you know, trying on different identities. I you know, imagining 82 00:04:39,800 --> 00:04:42,440 Speaker 5: yourself as someone you are not. That is the point 83 00:04:42,480 --> 00:04:45,240 Speaker 5: of fiction, is putting your feet in the shoes of 84 00:04:45,279 --> 00:04:48,120 Speaker 5: someone you're not and going, wow, I actually have something 85 00:04:48,160 --> 00:04:52,920 Speaker 5: in common, which is the opposite of identities story, which 86 00:04:53,000 --> 00:04:55,479 Speaker 5: is stay in your lane, don't tell a story that's 87 00:04:55,520 --> 00:04:57,920 Speaker 5: not your own. And then you end up going, what 88 00:04:58,040 --> 00:05:00,320 Speaker 5: is my story? Who am I? You know, are these 89 00:05:00,360 --> 00:05:04,080 Speaker 5: artificial categories that were being rammed into Well. 90 00:05:03,960 --> 00:05:06,359 Speaker 3: I think it's interest. I think that's the show. 91 00:05:06,560 --> 00:05:07,440 Speaker 6: Oh no, for sure. 92 00:05:07,520 --> 00:05:09,560 Speaker 4: Well, it's also interesting to see that that's almost an 93 00:05:09,600 --> 00:05:11,600 Speaker 4: issue that you see on both sides of the whether 94 00:05:11,640 --> 00:05:14,159 Speaker 4: it be politically speaking, left or right. You have people 95 00:05:14,240 --> 00:05:16,719 Speaker 4: on the left maybe guilty of what you're describing. And 96 00:05:16,720 --> 00:05:20,000 Speaker 4: then folks on the right this mega pushed towards identity 97 00:05:20,000 --> 00:05:23,840 Speaker 4: politics and just like you know, ideology overall, but they 98 00:05:23,880 --> 00:05:25,520 Speaker 4: somehow have a lot in common. 99 00:05:26,320 --> 00:05:28,880 Speaker 5: Yeah, and deep censorship. You know, the farther you go 100 00:05:28,960 --> 00:05:30,800 Speaker 5: to the so called right or left, you end up 101 00:05:30,800 --> 00:05:34,560 Speaker 5: in the middle. And you know, my there was I 102 00:05:34,560 --> 00:05:37,480 Speaker 5: had a line in my first podcast series, which was 103 00:05:37,520 --> 00:05:40,960 Speaker 5: a musical called anthem Homunculus, which is out there now 104 00:05:41,520 --> 00:05:44,320 Speaker 5: is someone says, you know, the the both the arch 105 00:05:44,480 --> 00:05:49,000 Speaker 5: conservative and the arch liberal both got shut on by 106 00:05:49,000 --> 00:05:55,320 Speaker 5: their dad. The only difference was the conservative thought they 107 00:05:55,400 --> 00:05:56,159 Speaker 5: deserved it. 108 00:05:57,760 --> 00:05:59,160 Speaker 3: I like that. I like that. 109 00:05:59,240 --> 00:05:59,600 Speaker 6: Unpack. 110 00:05:59,720 --> 00:06:02,839 Speaker 3: Wow, there's an our Boro set play for sure. 111 00:06:03,279 --> 00:06:03,680 Speaker 5: Yea yeah. 112 00:06:04,080 --> 00:06:08,480 Speaker 3: And with this, uh, with this, John, hopefully we're conveying 113 00:06:08,520 --> 00:06:12,240 Speaker 3: that we are all tremendous fans of your work and 114 00:06:12,480 --> 00:06:16,600 Speaker 3: we wanted to maybe open up our conversation. Now, speaking 115 00:06:16,760 --> 00:06:21,120 Speaker 3: a little bit about your podcast, your newest podcast, Cancelation Island. 116 00:06:21,640 --> 00:06:26,159 Speaker 3: You and your co writer Michael You leverage humor, empathy, 117 00:06:26,360 --> 00:06:32,360 Speaker 3: and philosophy to take just a genuine, non lectury, non 118 00:06:32,560 --> 00:06:37,400 Speaker 3: condescending approach to some pretty serious concerns that you've alluded 119 00:06:37,440 --> 00:06:41,160 Speaker 3: to just a few moments ago. Could you describe Cancelation 120 00:06:41,240 --> 00:06:43,880 Speaker 3: Island for our audience and maybe give us a bit 121 00:06:43,920 --> 00:06:47,799 Speaker 3: of a detail about what inspired you to create this show. 122 00:06:48,560 --> 00:06:50,800 Speaker 5: So, I had a lot of friends who had been 123 00:06:50,960 --> 00:06:55,839 Speaker 5: canceled ten or or so years ago when this was 124 00:06:55,839 --> 00:06:58,560 Speaker 5: coming up as a as a you know, worldwide issue 125 00:06:58,600 --> 00:07:03,320 Speaker 5: of like you know, in purity being the possibility of 126 00:07:03,760 --> 00:07:07,640 Speaker 5: shut down, you know, sutting down career lives, livelihood, ways 127 00:07:07,640 --> 00:07:12,520 Speaker 5: of making money, social presence. And it affected a lot 128 00:07:12,520 --> 00:07:15,680 Speaker 5: of my friends in a negative way. Of course, it 129 00:07:15,720 --> 00:07:18,840 Speaker 5: was coming from good intentions, trying to call account to 130 00:07:19,080 --> 00:07:23,080 Speaker 5: people who hadn't been the legal system failing in some ways, 131 00:07:23,120 --> 00:07:28,760 Speaker 5: but then in other ways it was not able to 132 00:07:28,800 --> 00:07:32,720 Speaker 5: see the full spectrum of a person, you know, seeing 133 00:07:32,760 --> 00:07:37,080 Speaker 5: their face while they're saying it informs the words, you know, 134 00:07:37,280 --> 00:07:40,400 Speaker 5: it sometimes oftens and mitigates the words. And when we 135 00:07:40,480 --> 00:07:45,280 Speaker 5: see just the words on a tweet, it's like, you know, 136 00:07:45,760 --> 00:07:48,640 Speaker 5: the CBD to the full spectrum cannabis. You know, it's 137 00:07:48,720 --> 00:07:52,760 Speaker 5: just a part of it, and you can't react fully 138 00:07:53,160 --> 00:07:55,840 Speaker 5: or you overreact because you're not seeing the whole image 139 00:07:55,880 --> 00:07:59,160 Speaker 5: of a person in front of you. Digital culture has 140 00:07:59,280 --> 00:08:05,800 Speaker 5: amplify paranoia, misunderstanding, conspiracy theories for sure, and there would 141 00:08:05,840 --> 00:08:10,520 Speaker 5: be no Trump. Without digital culture, there would be no polarization. 142 00:08:11,280 --> 00:08:13,679 Speaker 5: We would no longer be in the state of mind 143 00:08:13,720 --> 00:08:17,640 Speaker 5: that I describe in cancellation as when all news is 144 00:08:17,680 --> 00:08:21,600 Speaker 5: fake all stories are true. 145 00:08:21,840 --> 00:08:24,120 Speaker 3: Wow, yes, you. 146 00:08:24,080 --> 00:08:27,440 Speaker 5: Know, when facts are in fact suspect and degraded by 147 00:08:27,520 --> 00:08:29,800 Speaker 5: the powers that be. You know, of course Trump is saying, 148 00:08:29,800 --> 00:08:31,920 Speaker 5: you know, if there are no facts, science doesn't really 149 00:08:31,920 --> 00:08:34,920 Speaker 5: mean anything. It's just what he wants things to believe 150 00:08:34,960 --> 00:08:38,680 Speaker 5: that those are the facts. But in that situation where 151 00:08:38,679 --> 00:08:42,720 Speaker 5: we fact a suspect, in effect, all news is fake 152 00:08:42,760 --> 00:08:46,080 Speaker 5: and all stories are true, and that can mean conspiracy theories, 153 00:08:46,480 --> 00:08:50,679 Speaker 5: but it can also mean beautifully nuanced fiction in which 154 00:08:50,720 --> 00:08:55,640 Speaker 5: we can find ourselves in other people's shoes and characters' 155 00:08:55,800 --> 00:08:59,920 Speaker 5: shoes and suddenly identifying with their emotions people we hadn't 156 00:09:00,120 --> 00:09:03,360 Speaker 5: seem to have nothing in common with. So it's an opportunity. 157 00:09:03,920 --> 00:09:09,520 Speaker 5: It's a strange situation when facts are disrespected, but maybe 158 00:09:09,559 --> 00:09:12,079 Speaker 5: the only tool we have left our stories. 159 00:09:14,440 --> 00:09:18,560 Speaker 3: That's brilliant, brilliantly put John. We also, you know, we 160 00:09:18,600 --> 00:09:23,600 Speaker 3: see we see the weaponization, right of the concept of 161 00:09:24,120 --> 00:09:29,880 Speaker 3: fake news, this cavalcade of always on culture, everybody being 162 00:09:30,040 --> 00:09:34,840 Speaker 3: required to have a statement yeah, sometimes to their detriment. Right, 163 00:09:35,640 --> 00:09:40,760 Speaker 3: would you do us the favor of defining the concept 164 00:09:40,920 --> 00:09:46,400 Speaker 3: of cancelation and therefore cancel culture as it's understood in 165 00:09:46,600 --> 00:09:48,400 Speaker 3: the modern West today. 166 00:09:49,000 --> 00:09:51,520 Speaker 5: Well, you know, it's a funny term that just seemed 167 00:09:51,559 --> 00:09:55,760 Speaker 5: to kind of come up maybe ten or you know, 168 00:09:55,800 --> 00:10:01,320 Speaker 5: twelve years ago, as the you know me too was 169 00:10:01,400 --> 00:10:07,440 Speaker 5: coming up, as you know, understandings about racism and police brutality. Obviously, 170 00:10:07,480 --> 00:10:14,200 Speaker 5: I come from AIDS activism and queer rights where we 171 00:10:14,480 --> 00:10:18,120 Speaker 5: cancelation wasn't really our goal, because it was more like survival. 172 00:10:19,200 --> 00:10:22,959 Speaker 5: We would make fun of corporations trying to make money 173 00:10:23,000 --> 00:10:27,440 Speaker 5: on our backs and on our deaths, but we didn't 174 00:10:27,600 --> 00:10:30,960 Speaker 5: try to get rid of anybody. You know, we wouldn't 175 00:10:30,960 --> 00:10:33,880 Speaker 5: have mind had getting rid of Bush and Reagan, who 176 00:10:34,160 --> 00:10:37,640 Speaker 5: kind of left us to die. But it was more 177 00:10:37,679 --> 00:10:41,560 Speaker 5: about who can we work with? Right during AIDS activism, 178 00:10:41,640 --> 00:10:46,400 Speaker 5: we worked every angle, we negotiated with big pharma and saying, 179 00:10:46,440 --> 00:10:49,040 Speaker 5: even if you don't care about us, you could make 180 00:10:49,080 --> 00:10:53,120 Speaker 5: billions if you save our lives. As well as a 181 00:10:53,160 --> 00:10:55,280 Speaker 5: two It was a two track thing going on. We 182 00:10:55,280 --> 00:10:58,840 Speaker 5: were also in the streets making fun of homophobes and 183 00:10:58,920 --> 00:11:02,720 Speaker 5: hateful capital It's like people put a giant condom on 184 00:11:02,760 --> 00:11:06,360 Speaker 5: the house of anti gay Senator Jesse Helms, and it 185 00:11:06,440 --> 00:11:09,680 Speaker 5: was a you know, don't mess with the gays because 186 00:11:09,760 --> 00:11:13,160 Speaker 5: they will. You know, they know, they know how to 187 00:11:13,200 --> 00:11:17,960 Speaker 5: take you down with flair and you know, with nuanced. 188 00:11:18,200 --> 00:11:20,720 Speaker 4: Yeah, well, I think nuance there is the key, because 189 00:11:20,760 --> 00:11:22,960 Speaker 4: it seems to me that the kind of black and 190 00:11:22,960 --> 00:11:29,880 Speaker 4: white sort of I guess division that's created by cancelation 191 00:11:30,440 --> 00:11:35,560 Speaker 4: isn't particularly helpful or useful towards a larger discourse or 192 00:11:35,600 --> 00:11:38,760 Speaker 4: towards the idea of individuals being able to have redemption 193 00:11:39,040 --> 00:11:42,400 Speaker 4: arcs or even I don't know. It makes everybody scared 194 00:11:42,440 --> 00:11:46,000 Speaker 4: to speak their minds for fear they may be, you know, 195 00:11:46,040 --> 00:11:47,880 Speaker 4: have that target focused on them, right. 196 00:11:47,760 --> 00:11:50,360 Speaker 5: And it comes from again good intentions. We're going to 197 00:11:50,400 --> 00:11:54,840 Speaker 5: take out the bad guy. But we as outsiders, as oddballs, 198 00:11:55,000 --> 00:11:59,120 Speaker 5: understand that there is nuance in the world. We understand 199 00:11:59,800 --> 00:12:02,440 Speaker 5: that when people judge you from how you look or 200 00:12:02,559 --> 00:12:04,840 Speaker 5: say you have to hide a secret about yourself, like 201 00:12:04,880 --> 00:12:09,120 Speaker 5: your sexuality, or inner gender. Then you understand there's a 202 00:12:09,160 --> 00:12:14,360 Speaker 5: surface and then there's a deeper, nuanced truth underneath it. 203 00:12:14,760 --> 00:12:16,640 Speaker 5: When everything goes your way, when you're part of the 204 00:12:16,679 --> 00:12:20,400 Speaker 5: ruling class, you get very literal right. Things are what 205 00:12:20,440 --> 00:12:23,240 Speaker 5: they look like. And when she hits the fan, as 206 00:12:23,240 --> 00:12:27,360 Speaker 5: it does in life, who has the skills to deal 207 00:12:27,400 --> 00:12:31,319 Speaker 5: with complexity? But the outsiders, you know, they're the ones 208 00:12:31,360 --> 00:12:34,720 Speaker 5: who know. Being an outsider can kill you if you 209 00:12:34,760 --> 00:12:36,679 Speaker 5: don't feel like you belong, but it can also make 210 00:12:37,920 --> 00:12:41,920 Speaker 5: you an innovator and a hero and a freedom fighter. 211 00:12:42,920 --> 00:12:48,040 Speaker 5: So cancelation almost goes against what we know as complexity, 212 00:12:48,280 --> 00:12:52,480 Speaker 5: as nuance, as the possibility of change, of redemption. Like 213 00:12:52,520 --> 00:12:54,600 Speaker 5: you're saying, I grew up very Catholic, so I still 214 00:12:54,640 --> 00:12:59,480 Speaker 5: believe that people. Maybe you know, I'm misinformant, but I 215 00:13:00,240 --> 00:13:04,400 Speaker 5: see people changing, you know, I see people wanting to 216 00:13:04,559 --> 00:13:07,559 Speaker 5: xpiate their sins and move on, and I want to 217 00:13:07,600 --> 00:13:11,320 Speaker 5: help that. So cancelation is like black or white, you're in, 218 00:13:11,360 --> 00:13:16,960 Speaker 5: you're out, And it risks us imitating ro pressors. You know, 219 00:13:17,040 --> 00:13:21,439 Speaker 5: who are who are more black and white. So cancelation 220 00:13:21,559 --> 00:13:25,920 Speaker 5: became a weapon when the legal system failed, and it 221 00:13:25,960 --> 00:13:28,840 Speaker 5: was an imperfect one. It was an blunt instrument and 222 00:13:28,880 --> 00:13:34,040 Speaker 5: it would beat down people who were just slightly off, 223 00:13:34,679 --> 00:13:39,040 Speaker 5: you know, message, and it couldn't handle nuance and complexity, 224 00:13:39,120 --> 00:13:43,439 Speaker 5: and certainly the Internet has problems with that. Headwig, in fact, 225 00:13:43,520 --> 00:13:47,440 Speaker 5: got canceled during COVID at the height of let's say, 226 00:13:47,559 --> 00:13:51,120 Speaker 5: political correctness in the Western world or the let's say, 227 00:13:51,120 --> 00:13:55,800 Speaker 5: the industrial world. And it happened because there was a production, 228 00:13:56,000 --> 00:13:59,839 Speaker 5: a big production happening with a queer actor who was 229 00:13:59,880 --> 00:14:04,920 Speaker 5: a big star, and some young people who identified as 230 00:14:05,160 --> 00:14:08,840 Speaker 5: non binary trans said, well, as a trans role, only 231 00:14:08,880 --> 00:14:13,400 Speaker 5: trans people can play it, and it destroyed the production. 232 00:14:14,160 --> 00:14:18,640 Speaker 5: The actor got into DM fights, drunken DM fights with 233 00:14:18,760 --> 00:14:22,320 Speaker 5: those people who are really just young actors who wanted 234 00:14:22,320 --> 00:14:25,800 Speaker 5: the role. You know, They're not enough gender non conforming roles, 235 00:14:25,800 --> 00:14:27,720 Speaker 5: that's for sure, and I always try to write them, 236 00:14:28,120 --> 00:14:30,360 Speaker 5: but I don't limit who can play things. You know, 237 00:14:30,480 --> 00:14:32,800 Speaker 5: like Headveig is about drag and rock and roll. It's 238 00:14:32,840 --> 00:14:35,640 Speaker 5: not about trans. The character is forced into an operation 239 00:14:35,840 --> 00:14:37,960 Speaker 5: that is not a trans story. That's a story of 240 00:14:39,080 --> 00:14:42,600 Speaker 5: mutilation by the patriarchy telling us what is male and 241 00:14:42,600 --> 00:14:45,440 Speaker 5: what is female, and a female is a man without 242 00:14:45,440 --> 00:14:50,080 Speaker 5: a penis you know it's bullsh and all my trans 243 00:14:50,120 --> 00:14:53,120 Speaker 5: friends understand that. But when you're nineteen in trans and 244 00:14:53,160 --> 00:14:57,200 Speaker 5: you're weaned on political correctness, you're like, well, that's roles 245 00:14:57,240 --> 00:15:00,960 Speaker 5: being stolen from me. And the actor they canceled ended 246 00:15:01,040 --> 00:15:05,000 Speaker 5: up trying to kill himself twice, you know, and I 247 00:15:05,000 --> 00:15:08,640 Speaker 5: think one of the accusers has apologized since. But it's like, 248 00:15:08,880 --> 00:15:10,360 Speaker 5: is Headtig really the enemy here? 249 00:15:10,920 --> 00:15:11,160 Speaker 3: You know? 250 00:15:12,160 --> 00:15:14,240 Speaker 4: It seems like a waste of time, a lot of 251 00:15:15,520 --> 00:15:18,440 Speaker 4: let's focus on Yes, let's focus on bigger. 252 00:15:19,360 --> 00:15:22,080 Speaker 5: Steve Bonnet's work for him. 253 00:15:22,440 --> 00:15:26,160 Speaker 3: Yeah, We're We're that's a great point. We're also we're 254 00:15:26,160 --> 00:15:30,680 Speaker 3: also looking at a situation where, you know, on this show, John, 255 00:15:30,800 --> 00:15:36,000 Speaker 3: we often say that life is one non consensual game 256 00:15:36,040 --> 00:15:41,080 Speaker 3: of long form improv and everybody has to everybody has 257 00:15:41,120 --> 00:15:47,120 Speaker 3: to understand there are more commonalities, right, and differences are beautiful. 258 00:15:47,200 --> 00:15:51,600 Speaker 3: They should be celebrated, not weaponized, not leveraged to other 259 00:15:52,160 --> 00:15:56,000 Speaker 3: u This this is something a thread we could argue 260 00:15:56,040 --> 00:16:01,640 Speaker 3: that runs through Cancelation Island, because they're is without spoiling 261 00:16:01,680 --> 00:16:06,360 Speaker 3: too much, there is a fantastic dollop of the conspiratorial 262 00:16:06,440 --> 00:16:10,320 Speaker 3: thought to which you earlier allude. We're gonna pause for 263 00:16:10,480 --> 00:16:13,000 Speaker 3: a word from our sponsor and then we'll be back 264 00:16:13,080 --> 00:16:28,240 Speaker 3: with more from John and we're back. Personally, really enjoy 265 00:16:28,400 --> 00:16:32,560 Speaker 3: episode four, where things kick off and we get this, uh, 266 00:16:33,600 --> 00:16:37,360 Speaker 3: we get this download of one of our show's favorite 267 00:16:37,400 --> 00:16:41,920 Speaker 3: conspiracy theories of all time, which speaks in brilliant metaphor 268 00:16:42,560 --> 00:16:47,240 Speaker 3: to these questions of identity, the idea that a secret 269 00:16:47,600 --> 00:16:52,280 Speaker 3: faction of the world's most powerful people are in fact 270 00:16:53,000 --> 00:16:54,320 Speaker 3: not people at all, but. 271 00:16:54,280 --> 00:17:00,800 Speaker 6: Like extra dimensional yeah reptiz. Yeah, Oh sorry, I'm. 272 00:17:00,680 --> 00:17:02,600 Speaker 4: Just gonna say, Ben, I was reading up on some 273 00:17:02,640 --> 00:17:05,359 Speaker 4: of the metaphor of that that you mentioned, and I 274 00:17:05,440 --> 00:17:08,000 Speaker 4: love I'm really excited to get into this because it 275 00:17:08,080 --> 00:17:10,879 Speaker 4: becomes when you start to look at it like a metaphor, 276 00:17:11,240 --> 00:17:15,160 Speaker 4: a way of describing just sort of unseen forces rather 277 00:17:15,200 --> 00:17:19,760 Speaker 4: than a literal, you know, exterior, you know, interloper from 278 00:17:19,800 --> 00:17:23,439 Speaker 4: another dimension, and it can often have that effect of 279 00:17:23,480 --> 00:17:25,159 Speaker 4: what we call or we didn't make this up, but 280 00:17:25,359 --> 00:17:28,800 Speaker 4: the thought terminating cliche where there's some truth to something 281 00:17:28,880 --> 00:17:32,000 Speaker 4: or it represents a truth, but by going to all 282 00:17:32,040 --> 00:17:35,080 Speaker 4: in with the weird thing, you kind of throw the 283 00:17:35,080 --> 00:17:37,200 Speaker 4: baby out with the bath order for a lot of people, 284 00:17:37,760 --> 00:17:39,359 Speaker 4: so Here's here's the. 285 00:17:39,440 --> 00:17:43,240 Speaker 3: Question, John, When you and Michael are writing this and 286 00:17:43,280 --> 00:17:51,439 Speaker 3: you chose this long running conspiratorial thought process, right, be 287 00:17:51,520 --> 00:17:55,600 Speaker 3: it a cliche or not? What drew you to this? 288 00:17:55,760 --> 00:17:59,800 Speaker 3: What fascinates you about the reptilian concept? 289 00:18:00,080 --> 00:18:05,000 Speaker 5: Well, to me, conspiracy theories have always been somewhat interesting. 290 00:18:05,160 --> 00:18:09,760 Speaker 5: Though part of me goes, where are the conspiracy theories 291 00:18:09,800 --> 00:18:15,760 Speaker 5: of people secretly trying to help us? You know, we 292 00:18:15,880 --> 00:18:18,679 Speaker 5: know they're not everyone is evil, and we also know 293 00:18:18,760 --> 00:18:21,639 Speaker 5: that secret things happen in different ways, and some people 294 00:18:21,760 --> 00:18:25,880 Speaker 5: actually are. You know, there's a term paranoid, which means 295 00:18:25,920 --> 00:18:28,760 Speaker 5: the irrational beliefs some is trying to hurt you. But 296 00:18:28,960 --> 00:18:32,320 Speaker 5: another term, which I've used in an anthem, which is pronoid, 297 00:18:32,400 --> 00:18:36,480 Speaker 5: which is the irrational belief that someone's trying to help you. 298 00:18:36,880 --> 00:18:37,920 Speaker 7: Why are aliens? 299 00:18:38,680 --> 00:18:42,040 Speaker 5: I know, why are aliens and lizards always bent on 300 00:18:42,280 --> 00:18:46,399 Speaker 5: doing evil? You know, who aren't some humans good or 301 00:18:46,560 --> 00:18:50,080 Speaker 5: seeking good? And why wouldn't you know aliens and lizards 302 00:18:50,720 --> 00:18:54,159 Speaker 5: follow suit with their complexity. Actually, that's what our second 303 00:18:54,160 --> 00:18:58,520 Speaker 5: season is all about, is aliens canceling aliens. 304 00:19:01,200 --> 00:19:03,679 Speaker 2: Well, you know, John, there is a really interesting movement 305 00:19:03,840 --> 00:19:08,600 Speaker 2: happening in kind of that UFO UAP space where there 306 00:19:08,680 --> 00:19:14,280 Speaker 2: is a there's a growing belief that whatever the extraterrestrials 307 00:19:14,320 --> 00:19:16,840 Speaker 2: are that are being seen, you know in the skies, 308 00:19:17,200 --> 00:19:21,480 Speaker 2: are here to help humanity at some point, like save 309 00:19:21,560 --> 00:19:27,160 Speaker 2: ourselves essentially from ourselves. So there is there is some 310 00:19:27,520 --> 00:19:30,040 Speaker 2: thread of that kind of rolling through right now, but 311 00:19:30,080 --> 00:19:32,439 Speaker 2: it's certainly not as prominent as you know. 312 00:19:32,800 --> 00:19:39,400 Speaker 5: As we know, conspiracy theories, like conceptions of God, exist 313 00:19:39,680 --> 00:19:44,280 Speaker 5: to explain things we don't like, you know, about our lives, 314 00:19:45,000 --> 00:19:50,840 Speaker 5: like death. That's why God was invented to explain death, conspiracy. 315 00:19:50,840 --> 00:19:54,800 Speaker 5: And when God becomes less popular and religion becomes less popular, 316 00:19:55,240 --> 00:19:59,520 Speaker 5: conspiracy theories and other belief systems come to the fore. 317 00:20:00,240 --> 00:20:02,920 Speaker 5: And we as Americans are very innovative about all kinds 318 00:20:02,920 --> 00:20:07,400 Speaker 5: of things, including our conspiracy theories and even our religions. 319 00:20:07,440 --> 00:20:10,320 Speaker 5: You could say that Latter day Saints and you know, 320 00:20:10,480 --> 00:20:17,280 Speaker 5: other homemade scientology, you know, homemade religious American religions do 321 00:20:17,400 --> 00:20:20,320 Speaker 5: the same thing, but they have a you know, explaining 322 00:20:21,400 --> 00:20:28,119 Speaker 5: why we're unhappy, but also creates very lovely capitalist goals. 323 00:20:28,280 --> 00:20:33,640 Speaker 5: Mormonism and scientist might the American because they're making money 324 00:20:33,720 --> 00:20:36,760 Speaker 5: is almost close, you know, you're closer to God when 325 00:20:36,760 --> 00:20:37,399 Speaker 5: you make money. 326 00:20:38,200 --> 00:20:40,400 Speaker 4: We always talk about just how money is a religion 327 00:20:40,440 --> 00:20:41,200 Speaker 4: and of itself. 328 00:20:41,240 --> 00:20:42,800 Speaker 6: Often that something that comes up here. 329 00:20:44,119 --> 00:20:49,439 Speaker 5: Catholicism is very close to that prosperity Catholic Catholicism and 330 00:20:49,680 --> 00:20:54,320 Speaker 5: very far from former Pope, you know, Francis is more 331 00:20:54,640 --> 00:20:55,320 Speaker 5: let's say. 332 00:20:55,160 --> 00:20:58,080 Speaker 6: Socialism benevolent, yes, yeah, yeah, because. 333 00:20:57,880 --> 00:21:01,760 Speaker 5: You know, there's nothing more socialist than early Christianity. So 334 00:21:02,320 --> 00:21:05,600 Speaker 5: in other words, I find all of this really fascinating, 335 00:21:05,720 --> 00:21:08,800 Speaker 5: and you know, I might just jump back to a 336 00:21:08,920 --> 00:21:14,280 Speaker 5: very early conspiracy theory in effect in the early Christian Church. 337 00:21:14,520 --> 00:21:18,960 Speaker 5: You know, in Hedwig Headig in the Angry inch My musical, 338 00:21:19,880 --> 00:21:24,000 Speaker 5: there's a character named Tommy nosis Gnosa. 339 00:21:23,680 --> 00:21:25,640 Speaker 6: The Gnostic Gospels, right. 340 00:21:25,440 --> 00:21:29,080 Speaker 5: And he is inspired by the Gnostic Christian Gospels, which 341 00:21:29,160 --> 00:21:34,000 Speaker 5: were Christian texts that were considered heretical and not allowed 342 00:21:34,000 --> 00:21:36,359 Speaker 5: to be in the Bible, that had a really interesting 343 00:21:37,400 --> 00:21:42,040 Speaker 5: non authoritarian view of Christianity and more less sexist and 344 00:21:42,160 --> 00:21:44,520 Speaker 5: more Buddhist in the way, you know, so we can 345 00:21:44,560 --> 00:21:49,760 Speaker 5: all be God. And even Aleister Crowley and his spirituality 346 00:21:50,440 --> 00:21:54,000 Speaker 5: sprang from Gnosticism. You know. I live in a house that. 347 00:21:54,680 --> 00:21:57,360 Speaker 7: Used to be a chapter of Aleister Crowley's Church. 348 00:21:59,040 --> 00:22:06,400 Speaker 5: What Oto What Oriental Templars, which was an ancient Freemason 349 00:22:06,560 --> 00:22:10,080 Speaker 5: group that Alistair took over and remade in his image 350 00:22:10,160 --> 00:22:16,119 Speaker 5: and used Thelma, you know, his philosophy, which the golden 351 00:22:16,200 --> 00:22:20,200 Speaker 5: rule was do what thou wilt, which was. 352 00:22:20,119 --> 00:22:23,520 Speaker 4: Then co opted by Satanism or the Church of States, right. 353 00:22:24,320 --> 00:22:30,360 Speaker 3: And they got weaponized by outsiders, right, creating a moral 354 00:22:30,520 --> 00:22:37,119 Speaker 3: panic rather than a curiosity toward how people were like, 355 00:22:37,280 --> 00:22:41,320 Speaker 3: toward the motive of why someone would seek to understand 356 00:22:41,480 --> 00:22:45,479 Speaker 3: the universe through this specific lens. And that's something you know, 357 00:22:45,520 --> 00:22:48,760 Speaker 3: that's something that we returned to time and time again 358 00:22:49,880 --> 00:22:53,000 Speaker 3: on the show. You Know you Can, and you returned 359 00:22:53,040 --> 00:22:55,240 Speaker 3: to it. I would argue time and time again in 360 00:22:55,320 --> 00:23:01,320 Speaker 3: your work it is devilishly convenient to lack nuance right 361 00:23:01,400 --> 00:23:05,840 Speaker 3: to make that black and white binary decision. But your work, 362 00:23:06,520 --> 00:23:09,560 Speaker 3: not just in Cancelation Island, but overall, I would posit 363 00:23:09,960 --> 00:23:16,359 Speaker 3: your work challenges the audience to exercise empathy and curiosity. 364 00:23:16,720 --> 00:23:20,440 Speaker 3: And that's why that's why we find it so fascinating 365 00:23:21,119 --> 00:23:25,760 Speaker 3: that you included one of the one of the primary 366 00:23:26,080 --> 00:23:30,399 Speaker 3: weaponized conspiracy theories used to other people, right, like, I 367 00:23:30,440 --> 00:23:32,919 Speaker 3: don't like this guy. Therefore lizards. 368 00:23:33,720 --> 00:23:36,240 Speaker 7: Well, to get back to the lizard people. 369 00:23:36,960 --> 00:23:41,600 Speaker 5: Which you know, the most complex or let's say, uh, 370 00:23:42,680 --> 00:23:48,520 Speaker 5: thorough investigation of is by Ike what's his name. 371 00:23:48,400 --> 00:23:51,320 Speaker 6: David, You know him, We spoke to him on the show. 372 00:23:51,359 --> 00:23:54,879 Speaker 5: He's legendary and he has an Alistair Crowley like aura 373 00:23:54,960 --> 00:23:56,480 Speaker 5: about him. 374 00:23:56,960 --> 00:23:59,480 Speaker 7: But he posits this. 375 00:24:00,800 --> 00:24:04,160 Speaker 5: There's been versions of this kind of conspiracy theory throughout 376 00:24:04,160 --> 00:24:07,479 Speaker 5: the ages, which is hidden people among us, right, hiding 377 00:24:07,520 --> 00:24:11,680 Speaker 5: their true identities in positions of power, the most popular 378 00:24:11,720 --> 00:24:17,400 Speaker 5: one of course, being the anti Semitic version of that. Right, right, 379 00:24:17,440 --> 00:24:21,840 Speaker 5: the diaspora of people who don't at that time have 380 00:24:21,960 --> 00:24:28,800 Speaker 5: their own land filtering through the world and taking over, Right, 381 00:24:28,840 --> 00:24:31,560 Speaker 5: that's a big conspiracy thing. It's like they are trying 382 00:24:31,600 --> 00:24:33,480 Speaker 5: to take over. 383 00:24:33,920 --> 00:24:36,879 Speaker 4: Take our land, take our jobs, take our women, whatever 384 00:24:36,920 --> 00:24:39,320 Speaker 4: it might be, convert our youth exactly. 385 00:24:39,359 --> 00:24:42,000 Speaker 5: And that's you know, people have identified, you know, had 386 00:24:42,000 --> 00:24:45,280 Speaker 5: pushed that to trans people in the recent years, you know, 387 00:24:45,400 --> 00:24:48,359 Speaker 5: probably the least powerful group we could puzzibly think of. 388 00:24:49,840 --> 00:24:53,640 Speaker 5: And you know, billionaires like JK. Rowling and Dave Chappelle 389 00:24:53,760 --> 00:24:57,800 Speaker 5: spending all of their capital on punching down to this 390 00:24:58,359 --> 00:25:02,520 Speaker 5: group of new group, group of lizard people among us 391 00:25:02,520 --> 00:25:06,600 Speaker 5: called trans people. Originally it was whoever you didn't like, right, 392 00:25:06,720 --> 00:25:10,160 Speaker 5: it was foreigners, it was Jews, it was black people, 393 00:25:10,200 --> 00:25:14,160 Speaker 5: it was versions of queer people. Women, you know, were 394 00:25:14,200 --> 00:25:21,680 Speaker 5: always considered subhuman and somewhat dangerous. Immigrants going to shadowy 395 00:25:21,800 --> 00:25:27,760 Speaker 5: immigrant coming to take over, to infiltrate right our purity 396 00:25:28,600 --> 00:25:33,680 Speaker 5: and the protocols of Zion of course, you know, pushing 397 00:25:34,400 --> 00:25:42,359 Speaker 5: the alternate reality of invasion, secret invasion. And to me, 398 00:25:42,680 --> 00:25:48,600 Speaker 5: the lizard people one is such a perfect uh, you know, 399 00:25:48,640 --> 00:25:51,160 Speaker 5: it seems to also come a little bit from scientology, right, 400 00:25:51,240 --> 00:25:57,920 Speaker 5: the sort of right, the uh, the perfect undetectable conspiracy 401 00:25:57,920 --> 00:26:00,520 Speaker 5: theory where because you know, when I was a kid 402 00:26:00,359 --> 00:26:05,040 Speaker 5: that you know, Donald Sutherland in what was that movie 403 00:26:05,080 --> 00:26:09,080 Speaker 5: where body auditernactures was the perfect you know, early version 404 00:26:09,119 --> 00:26:12,240 Speaker 5: of that, right, and sixties and seventies was really the 405 00:26:12,359 --> 00:26:17,679 Speaker 5: heyday of conspiracy theory in our panic about authority. It 406 00:26:17,760 --> 00:26:20,280 Speaker 5: tended to come a little bit more from the left 407 00:26:20,359 --> 00:26:24,040 Speaker 5: at that time, right, because Nixon was ascendant in the 408 00:26:24,160 --> 00:26:28,240 Speaker 5: Vietnam War, and now it's you know, from all sides politically, 409 00:26:28,280 --> 00:26:31,600 Speaker 5: you know, conspiracy theories meet in the middle, like past 410 00:26:31,760 --> 00:26:36,480 Speaker 5: l QAnon, you know, the wellness meeting, meeting, the anti 411 00:26:36,560 --> 00:26:41,640 Speaker 5: vaxxers meeting, the you know Robert F. Kenady Junior who 412 00:26:41,640 --> 00:26:44,400 Speaker 5: actually came to head Big weirdly and came backstage. Isn't 413 00:26:44,440 --> 00:26:45,040 Speaker 5: that strange? 414 00:26:45,960 --> 00:26:47,960 Speaker 6: What did he bring? Eryl? 415 00:26:48,600 --> 00:26:51,120 Speaker 5: It was back in the you know, the late nineties. No, 416 00:26:51,200 --> 00:26:53,280 Speaker 5: he was blank faced and lizard like. 417 00:26:55,520 --> 00:26:55,840 Speaker 3: All right. 418 00:26:56,080 --> 00:26:57,439 Speaker 5: I didn't know, He's like, what are you doing here? 419 00:26:57,520 --> 00:27:00,600 Speaker 5: Didn't crack is mind, didn't seem to like it. Maybe 420 00:27:00,600 --> 00:27:02,840 Speaker 5: he was. He was probably dating some model back then. 421 00:27:02,840 --> 00:27:04,800 Speaker 5: It's like, let's goy, come on this guy. 422 00:27:05,680 --> 00:27:07,919 Speaker 6: That was that was that in his drugs period? 423 00:27:08,160 --> 00:27:11,400 Speaker 5: Perhaps eight okay, maybe a little past. 424 00:27:11,480 --> 00:27:15,480 Speaker 3: I also love how this model is Australia. 425 00:27:16,040 --> 00:27:19,560 Speaker 5: For some reason, I just become Australian and I'm John. 426 00:27:19,640 --> 00:27:21,240 Speaker 4: Can I do rail for a second and just point 427 00:27:21,240 --> 00:27:23,280 Speaker 4: out that you were the voice of the dunker use Kangaroo. 428 00:27:23,880 --> 00:27:25,080 Speaker 7: How do you do your old dog? 429 00:27:27,200 --> 00:27:29,120 Speaker 2: I cannot believe that is true. 430 00:27:29,200 --> 00:27:29,760 Speaker 3: It is true. 431 00:27:31,560 --> 00:27:34,200 Speaker 6: It was an and you're acting your gig days. 432 00:27:34,400 --> 00:27:36,680 Speaker 4: I mean like not you know you girl, always an actor, 433 00:27:37,320 --> 00:27:39,520 Speaker 4: but incredible, incredible. 434 00:27:39,840 --> 00:27:41,440 Speaker 6: Just had to I had to bring that up, and 435 00:27:41,440 --> 00:27:42,919 Speaker 6: I'm mad that they've changed the design. 436 00:27:43,040 --> 00:27:44,600 Speaker 3: They're just little d coins now. 437 00:27:44,600 --> 00:27:47,440 Speaker 5: Now and it's the you know, it was the animated 438 00:27:47,720 --> 00:27:52,360 Speaker 5: kangaroos among us. 439 00:27:50,560 --> 00:27:54,400 Speaker 3: Amazing a lizard could never. 440 00:27:55,600 --> 00:27:57,280 Speaker 7: This particular you know. 441 00:27:57,840 --> 00:28:00,320 Speaker 5: In Cancelation Island. Just to set it up a bit more, 442 00:28:00,680 --> 00:28:06,560 Speaker 5: we have a Holly Hunter creates or founds a kind 443 00:28:06,560 --> 00:28:11,000 Speaker 5: of pilot project called Renewal, and it's about taking a 444 00:28:11,119 --> 00:28:16,080 Speaker 5: curated group of canceled people, bringing them to a desert 445 00:28:16,080 --> 00:28:20,960 Speaker 5: island which only has a decommissioned CIA Black site on it, 446 00:28:21,640 --> 00:28:24,440 Speaker 5: which they have remodeled with the help of Michael Core's 447 00:28:24,960 --> 00:28:30,600 Speaker 5: into a lovely resort. And they've curated a group of 448 00:28:31,160 --> 00:28:34,720 Speaker 5: gen Z therapists because what they lack in life experience, 449 00:28:34,800 --> 00:28:38,960 Speaker 5: they make up for uncertainty. And they are going to 450 00:28:39,040 --> 00:28:42,920 Speaker 5: treat these curated group of canceled people that goes from 451 00:28:42,920 --> 00:28:46,240 Speaker 5: a slightly windsteining character to someone who just slip of 452 00:28:46,280 --> 00:28:50,560 Speaker 5: a tongue and really does not belong in limbo in 453 00:28:50,640 --> 00:28:55,720 Speaker 5: the doghouse. And quickly after a couple episodes, all of 454 00:28:55,760 --> 00:29:03,040 Speaker 5: our satire about cancel culture is stripped away when mortality, 455 00:29:03,920 --> 00:29:08,600 Speaker 5: uh you know appears, which means, oh my God, there's 456 00:29:08,640 --> 00:29:12,200 Speaker 5: a giant, life threatening hurricane, Hurricane Swift. 457 00:29:12,600 --> 00:29:13,200 Speaker 7: What do they call it? 458 00:29:13,240 --> 00:29:16,080 Speaker 5: Hurricane Taylor? Because it is Swift, they rename it hur 459 00:29:16,480 --> 00:29:20,640 Speaker 5: Beyonce in the spirit of impending diversity. Then someone else says, 460 00:29:21,040 --> 00:29:23,920 Speaker 5: Beyonce doesn't really write her own songs. This is for real, 461 00:29:24,080 --> 00:29:27,000 Speaker 5: let's call it Hurricane Solange. They keep changing the name 462 00:29:27,040 --> 00:29:34,320 Speaker 5: of But in that madness, people start disappearing from the 463 00:29:34,360 --> 00:29:39,160 Speaker 5: rehab and we start to realize there is someone still 464 00:29:39,280 --> 00:29:43,440 Speaker 5: there from the CIA Black Site living in the bunker beneath, 465 00:29:44,400 --> 00:29:50,640 Speaker 5: and that is a rogue conspiracy adult CI, a linguist 466 00:29:51,080 --> 00:29:53,720 Speaker 5: you know, who sees himself as a bit of a 467 00:29:53,960 --> 00:29:58,600 Speaker 5: you know, born identity figure. Now, who is the jont 468 00:29:58,880 --> 00:30:03,600 Speaker 5: Listen not Jones like the John the Baptist too, K 469 00:30:04,720 --> 00:30:10,040 Speaker 5: of Kanon, which we've invented as our version of the 470 00:30:10,120 --> 00:30:16,360 Speaker 5: secret Lizard people conspiracy among us? And K like Q 471 00:30:16,840 --> 00:30:19,640 Speaker 5: is an unidentified figure who seems to have knowledge and 472 00:30:19,720 --> 00:30:26,200 Speaker 5: power but is incognito. And Uh Casper All the characters' 473 00:30:26,280 --> 00:30:29,400 Speaker 5: names begin with K, which makes him suspicious. 474 00:30:30,080 --> 00:30:30,920 Speaker 7: Casper with the K. 475 00:30:32,640 --> 00:30:37,440 Speaker 5: Is the ghost like rogues CIA agent living beneath monitoring 476 00:30:37,440 --> 00:30:41,280 Speaker 5: this subsurd rehab above and starting to kidnap members of 477 00:30:41,280 --> 00:30:44,840 Speaker 5: the rehab because he thinks they might be k and 478 00:30:45,400 --> 00:30:49,560 Speaker 5: you know, he needs to reconnect their brain so they 479 00:30:49,600 --> 00:30:53,479 Speaker 5: become Because it's a very complex, as all conspiracy theories 480 00:30:53,560 --> 00:31:01,440 Speaker 5: are situation, and our case though the uh, the lizards 481 00:31:01,440 --> 00:31:07,000 Speaker 5: seem to become real. Any woman is impregnated by one 482 00:31:07,040 --> 00:31:10,640 Speaker 5: of the lizards and gives birth and then they arrive 483 00:31:10,840 --> 00:31:17,920 Speaker 5: and they're really nice. Okay, you guys are also upset 484 00:31:18,000 --> 00:31:20,760 Speaker 5: and canceling and this and that. It's like, how can 485 00:31:20,800 --> 00:31:21,640 Speaker 5: we help? 486 00:31:23,120 --> 00:31:25,440 Speaker 3: Right? Right, we come in peace. 487 00:31:25,760 --> 00:31:27,320 Speaker 7: As opposed to pieces. 488 00:31:29,120 --> 00:31:31,000 Speaker 2: We're gonna take a quick break here, here a word 489 00:31:31,040 --> 00:31:32,640 Speaker 2: from our sponsor, will be right. 490 00:31:32,400 --> 00:31:42,760 Speaker 6: Back, and we're back. 491 00:31:46,800 --> 00:31:52,200 Speaker 3: This is something that again I hesitate to overuse the 492 00:31:52,240 --> 00:31:58,560 Speaker 3: word residence, but this exploration of dare we say truth 493 00:31:58,800 --> 00:32:04,760 Speaker 3: through fiction? I think it challenges our audience to explore 494 00:32:05,320 --> 00:32:09,360 Speaker 3: not just metaphor, but to apply that metaphor to lived 495 00:32:09,520 --> 00:32:14,440 Speaker 3: experience right on an individual level. So I'm with you, John, 496 00:32:14,560 --> 00:32:18,440 Speaker 3: I'm hoping that there are lizard people. I would love 497 00:32:18,480 --> 00:32:23,520 Speaker 3: it if one of the many alleged reptilians came out 498 00:32:23,520 --> 00:32:26,960 Speaker 3: and finally had the press conference and said Hey, you 499 00:32:27,040 --> 00:32:32,719 Speaker 3: know what, Yes, yeah, it's all true. We're worried about you. 500 00:32:32,800 --> 00:32:33,120 Speaker 5: Guys. 501 00:32:33,200 --> 00:32:35,680 Speaker 3: You should call your mom. You know what I mean. 502 00:32:37,120 --> 00:32:40,800 Speaker 5: Some of our brethren, you know, really I don't want 503 00:32:40,840 --> 00:32:44,280 Speaker 5: you around anymore. We can't be responsible for all of them. 504 00:32:44,320 --> 00:32:47,680 Speaker 5: We're as complex as you, Donald Trump. One of our 505 00:32:47,720 --> 00:32:49,280 Speaker 5: brethren has different plans. 506 00:32:49,320 --> 00:32:51,600 Speaker 7: We're sorry about. 507 00:32:52,480 --> 00:32:54,880 Speaker 2: Right, right, this guy. 508 00:32:54,680 --> 00:32:59,880 Speaker 7: They come out, sorry. 509 00:33:00,000 --> 00:33:03,840 Speaker 3: Peez, that's how it happens. There's a public apology. They're like, look, 510 00:33:05,280 --> 00:33:06,800 Speaker 3: hashtag not all lizards. 511 00:33:09,960 --> 00:33:14,480 Speaker 2: Yeah, guys, I want to go down the lizard path more. 512 00:33:14,480 --> 00:33:16,959 Speaker 2: But I have to sidebar on something that came up 513 00:33:16,960 --> 00:33:19,800 Speaker 2: a little while ago, just because I cannot stop thinking 514 00:33:19,840 --> 00:33:23,120 Speaker 2: about it. John, Can you please tell us more about 515 00:33:23,120 --> 00:33:26,200 Speaker 2: your house, Like, has anything weird happened in there? Any 516 00:33:26,360 --> 00:33:28,720 Speaker 2: strange spots in the house that have different energy. 517 00:33:28,920 --> 00:33:33,000 Speaker 5: Well, my house is one hundred and eighty years old 518 00:33:32,160 --> 00:33:35,440 Speaker 5: in the middle of the Bywater part of New Orleans, 519 00:33:36,080 --> 00:33:40,240 Speaker 5: and we bought it, as I said, from a chapter 520 00:33:40,560 --> 00:33:48,120 Speaker 5: of the Oto the Oortist Templar Orientis, which Crowley did 521 00:33:48,200 --> 00:33:51,680 Speaker 5: run for many years worldwide. He didn't live in this house, 522 00:33:51,680 --> 00:33:53,840 Speaker 5: but he spent time in New Orleans and it was 523 00:33:53,880 --> 00:33:57,120 Speaker 5: his favorite town in the US, and as it's mine. 524 00:33:57,320 --> 00:34:01,440 Speaker 5: And I came upon it at the time when everyone 525 00:34:01,520 --> 00:34:03,080 Speaker 5: was buying and it was the one house that was 526 00:34:03,120 --> 00:34:06,120 Speaker 5: not selling, and I was like, what's wrong? As a curse, 527 00:34:06,200 --> 00:34:08,680 Speaker 5: you know, what's going on? And I walked in and 528 00:34:08,719 --> 00:34:13,840 Speaker 5: there's this fifty foot ballroom with a stage. The walls 529 00:34:13,880 --> 00:34:19,800 Speaker 5: were decorated with kind of you know, planet signs, and 530 00:34:19,840 --> 00:34:24,440 Speaker 5: there was elements of the Jupiter Square, which is it 531 00:34:24,600 --> 00:34:28,000 Speaker 5: has to do with Jupiter's xenios aspect, which has to 532 00:34:28,040 --> 00:34:31,439 Speaker 5: do with hospitality, where you see a square of numbers numerology, 533 00:34:32,040 --> 00:34:36,080 Speaker 5: every line adds up to thirty four or something, and 534 00:34:36,200 --> 00:34:39,359 Speaker 5: it had to do with hospitality. And so there's all 535 00:34:39,400 --> 00:34:42,479 Speaker 5: this imagery here and a cool you know Moroccan arch 536 00:34:42,600 --> 00:34:46,960 Speaker 5: in my kitchen. And I made friends with the original 537 00:34:46,960 --> 00:34:49,560 Speaker 5: owner and she sent me some photographs. 538 00:34:49,640 --> 00:34:50,600 Speaker 6: It was a. 539 00:34:52,000 --> 00:34:56,360 Speaker 5: Funeral home for fifty years, you know. And the brand 540 00:34:56,400 --> 00:35:00,880 Speaker 5: of arch Druidess of Louisiana will I mean a warden 541 00:35:01,719 --> 00:35:07,839 Speaker 5: of course, alliteration. And I kept finding out more than 542 00:35:07,840 --> 00:35:12,839 Speaker 5: it was five different churches after that, the Catholic meeting hall. 543 00:35:12,960 --> 00:35:15,319 Speaker 5: There was a baptisma font in our floor. There was 544 00:35:16,040 --> 00:35:18,680 Speaker 5: a pentagram up in our route and our attic. 545 00:35:19,800 --> 00:35:22,239 Speaker 6: Thank god they didn't overhaul it, you know. I mean, 546 00:35:22,400 --> 00:35:24,719 Speaker 6: that's incredible, you know. 547 00:35:25,080 --> 00:35:28,239 Speaker 5: And we poured a lot of money into it at 548 00:35:28,280 --> 00:35:30,640 Speaker 5: the time, and now I can't afford it. 549 00:35:30,680 --> 00:35:36,640 Speaker 3: But well, this, John, if of me, this reminds me 550 00:35:36,880 --> 00:35:40,680 Speaker 3: of uh, what I call a sleeper line. Like the 551 00:35:41,239 --> 00:35:46,959 Speaker 3: language here in Cancelation Island is we're inherently humorous. We're 552 00:35:47,040 --> 00:35:52,200 Speaker 3: not again talking down to people. Nobody ever, nobody ever 553 00:35:52,360 --> 00:35:56,799 Speaker 3: really established rapport via condescension, right, And so one of 554 00:35:56,840 --> 00:36:01,719 Speaker 3: the sleeper lines that I, uh, that I clung to 555 00:36:02,040 --> 00:36:06,319 Speaker 3: and listen back in often is the line you can 556 00:36:06,360 --> 00:36:09,920 Speaker 3: see the spirits in everything. And this sort of reminds 557 00:36:09,960 --> 00:36:14,520 Speaker 3: me of of Matt's question earlier regarding the Oto house 558 00:36:14,600 --> 00:36:18,440 Speaker 3: in which you now reside. And it also it reminds 559 00:36:18,480 --> 00:36:21,760 Speaker 3: me of oh, what's that thing in Japanese folklore where 560 00:36:21,880 --> 00:36:25,680 Speaker 3: if an inanimate object is or a place is well 561 00:36:25,760 --> 00:36:29,479 Speaker 3: cared for for a century plus, it acquires its own 562 00:36:29,520 --> 00:36:33,400 Speaker 3: sort of animism. I'm sorry, this is wait wait. 563 00:36:33,080 --> 00:36:35,680 Speaker 2: Wait, was any have you experienced anything in the house? 564 00:36:35,760 --> 00:36:37,800 Speaker 5: John, Well, I haven't. 565 00:36:37,840 --> 00:36:38,000 Speaker 3: You know. 566 00:36:38,000 --> 00:36:41,279 Speaker 5: It's interesting because I I came in it felt good. 567 00:36:41,360 --> 00:36:44,239 Speaker 5: It felt like a personality, you know. It wasn't like 568 00:36:44,440 --> 00:36:47,920 Speaker 5: an abode it was it felt like a presence that 569 00:36:48,120 --> 00:36:53,440 Speaker 5: was control and interested and curious. And a Hurricane Ida 570 00:36:53,560 --> 00:36:55,760 Speaker 5: hit right after, and there was a lot of trouble 571 00:36:55,840 --> 00:36:58,600 Speaker 5: and you know, trying to get the house together. We 572 00:36:58,640 --> 00:37:02,600 Speaker 5: had a house sitter probably was on math and the 573 00:37:03,239 --> 00:37:05,960 Speaker 5: energy was in the room in the house. And after 574 00:37:06,000 --> 00:37:09,520 Speaker 5: we extracted him with I had to bribe him to 575 00:37:09,520 --> 00:37:10,440 Speaker 5: get out and he stole. 576 00:37:10,840 --> 00:37:11,400 Speaker 3: Oh. 577 00:37:12,200 --> 00:37:15,279 Speaker 5: I didn't prosecute because usually those type of people, their 578 00:37:15,320 --> 00:37:19,200 Speaker 5: life is their actual sentence. I think he was arrested later. 579 00:37:19,280 --> 00:37:24,120 Speaker 5: But what I brought in a voodoo priestess, because you know, yes, 580 00:37:24,280 --> 00:37:26,960 Speaker 5: and in New Orleans you work with bo's here and 581 00:37:27,000 --> 00:37:29,399 Speaker 5: there's a lot of cultures and you're like, whatever works right. 582 00:37:30,840 --> 00:37:34,480 Speaker 5: And the voodoo person wanted said I need the house 583 00:37:34,520 --> 00:37:37,279 Speaker 5: for ninety minutes. I need a pail of water and 584 00:37:37,320 --> 00:37:38,360 Speaker 5: a single egg. 585 00:37:39,800 --> 00:37:39,960 Speaker 2: Whoa. 586 00:37:40,480 --> 00:37:44,719 Speaker 3: And this is before eggs were financial flats. 587 00:37:44,640 --> 00:37:46,920 Speaker 5: And it was actually a not you know, a my 588 00:37:47,000 --> 00:37:52,160 Speaker 5: friend's chicken egg. Actually, this is so New Orleans. She's 589 00:37:52,440 --> 00:37:55,520 Speaker 5: our witchy real estate agent who sold me the house. 590 00:37:55,560 --> 00:37:58,279 Speaker 5: She has her own chickens, you know, this is how 591 00:37:58,320 --> 00:38:05,160 Speaker 5: we're you. And so Sally, the priestess, came in. We 592 00:38:05,200 --> 00:38:07,279 Speaker 5: don't know what happened to the egg. I'm sure no 593 00:38:07,320 --> 00:38:09,000 Speaker 5: one ate it. But she said, you know, the house 594 00:38:09,040 --> 00:38:13,440 Speaker 5: feels very good. You don't clear the house of spirits, 595 00:38:13,680 --> 00:38:17,359 Speaker 5: you work with them, right, and I love you feel it. 596 00:38:17,640 --> 00:38:20,759 Speaker 5: And she said the only negative energy I had was 597 00:38:20,760 --> 00:38:22,640 Speaker 5: in this one room, which turned out to be the 598 00:38:23,400 --> 00:38:27,680 Speaker 5: meth heads room. Wow, interestingly right, and there's a weird 599 00:38:27,719 --> 00:38:30,680 Speaker 5: crawl space above that, which. 600 00:38:32,160 --> 00:38:32,880 Speaker 7: Yeah, it was. 601 00:38:33,840 --> 00:38:35,960 Speaker 5: Actually there was a lot of lighting instruments up there 602 00:38:36,040 --> 00:38:40,239 Speaker 5: for the ballroom, which is interesting. But you know, I 603 00:38:40,239 --> 00:38:42,920 Speaker 5: was a little scared, but she really cleared it. It 604 00:38:43,000 --> 00:38:46,279 Speaker 5: felt good people who come in here, So I haven't 605 00:38:46,280 --> 00:38:49,120 Speaker 5: had any negative I've known when the house is unhappy. 606 00:38:49,200 --> 00:38:49,440 Speaker 3: I e. 607 00:38:49,640 --> 00:38:52,520 Speaker 5: We haven't been taken care of it. You know, it 608 00:38:52,560 --> 00:38:55,960 Speaker 5: loves people. It loves events, you know, artistic events. It's 609 00:38:56,000 --> 00:38:58,320 Speaker 5: becoming a bit of an artist's residency. I'm trying to 610 00:38:58,400 --> 00:38:59,440 Speaker 5: raise money to. 611 00:38:59,520 --> 00:39:01,320 Speaker 7: Keep it local. 612 00:39:01,360 --> 00:39:04,640 Speaker 5: People can use it for whatever it can charge. 613 00:39:04,520 --> 00:39:08,239 Speaker 3: Yeah, John, if I if I could interject there, and Matt, 614 00:39:08,280 --> 00:39:09,960 Speaker 3: sorry if I stepped on you when I was setting 615 00:39:10,000 --> 00:39:13,680 Speaker 3: up the question I wanted to get to you, so John, 616 00:39:14,320 --> 00:39:18,680 Speaker 3: at least we can confirm at least some people there 617 00:39:18,880 --> 00:39:22,279 Speaker 3: have felt there is a you know, far be it 618 00:39:22,320 --> 00:39:24,960 Speaker 3: to call it animism, but felt a presence. 619 00:39:25,200 --> 00:39:27,560 Speaker 5: They feel, yes, they feel the presidence of the house. 620 00:39:27,920 --> 00:39:30,480 Speaker 5: But also, here's my favorite thing that happened. I new 621 00:39:30,600 --> 00:39:32,880 Speaker 5: Orleans is a place you talk to strangers, You talk 622 00:39:32,920 --> 00:39:35,839 Speaker 5: to people in the street, you invite them over spontaneously. 623 00:39:35,960 --> 00:39:38,480 Speaker 5: It's like, that's why I'm here. But I invited this 624 00:39:39,040 --> 00:39:43,799 Speaker 5: guitarist over and his pregnant wife, and we sat in 625 00:39:43,840 --> 00:39:46,080 Speaker 5: our ballroom and she's very calm, and. 626 00:39:47,800 --> 00:39:50,839 Speaker 7: She said, was this a mortuary? 627 00:39:52,280 --> 00:39:54,760 Speaker 5: And it hasn't been a mortuary since in nineteen thirty 628 00:39:54,920 --> 00:39:57,920 Speaker 5: and there's no I just had found out like the 629 00:39:57,960 --> 00:40:00,799 Speaker 5: week before that it had been a merched mort and 630 00:40:00,800 --> 00:40:03,240 Speaker 5: I said, well, yes, how did you know? And she said, 631 00:40:03,920 --> 00:40:05,279 Speaker 5: I grew up in a mortuary. 632 00:40:06,120 --> 00:40:07,879 Speaker 7: And this feels about right. 633 00:40:09,560 --> 00:40:14,160 Speaker 5: I'm like, okay, my other friends said people died in 634 00:40:14,200 --> 00:40:17,800 Speaker 5: your house. I was like, nobody dies in a mortuary. 635 00:40:18,920 --> 00:40:21,040 Speaker 6: We're at Disney World, that's true. 636 00:40:21,880 --> 00:40:26,799 Speaker 2: Room they just hang out here for a while, y'all. 637 00:40:26,840 --> 00:40:28,400 Speaker 6: Can I just say it's super creepy that. 638 00:40:28,520 --> 00:40:30,160 Speaker 4: I was just looking something up on the Internet and 639 00:40:30,239 --> 00:40:33,759 Speaker 4: I got served an ad for Orgone Energy Pyramids. I 640 00:40:33,800 --> 00:40:38,840 Speaker 4: think that the computer is listening, and I think I 641 00:40:38,880 --> 00:40:40,400 Speaker 4: will It's only fifty five. 642 00:40:40,560 --> 00:40:42,839 Speaker 3: All right for this whole accounting sixty four? 643 00:40:42,960 --> 00:40:47,359 Speaker 4: Maybe Okay, there's a company Orgone Pyramids Incorporated. 644 00:40:47,440 --> 00:40:50,240 Speaker 2: Don't you have to create Orgon Energy unclear? 645 00:40:51,880 --> 00:40:53,120 Speaker 6: Don't ask questions, don't. 646 00:40:53,160 --> 00:40:58,600 Speaker 5: As we all know, I love the Orgon box for sure. 647 00:40:59,120 --> 00:40:59,799 Speaker 3: Yeah. 648 00:41:00,000 --> 00:41:05,520 Speaker 5: I always said scary, but you know, fascinating, queer familiar 649 00:41:05,680 --> 00:41:08,399 Speaker 5: for me. And I lived his house in Kansas as 650 00:41:08,440 --> 00:41:10,640 Speaker 5: a kid, but I never part of your story there 651 00:41:11,040 --> 00:41:14,759 Speaker 5: in Anthem, Yes so Anthem. My composer Brian Weller, and 652 00:41:14,800 --> 00:41:18,360 Speaker 5: I actually drove around Kansas where it took place and 653 00:41:18,360 --> 00:41:21,800 Speaker 5: where I lived, and I knocked on William Burrow's door, thinking, 654 00:41:21,840 --> 00:41:23,880 Speaker 5: what the hell you know in Lawrence, Kansas, where he 655 00:41:23,960 --> 00:41:26,919 Speaker 5: used to live, and the caretaker came out and said, 656 00:41:26,960 --> 00:41:30,840 Speaker 5: what as if they'd experienced this before, And I said, 657 00:41:30,960 --> 00:41:34,000 Speaker 5: I'm writing a musical that might actually take place on 658 00:41:34,160 --> 00:41:37,759 Speaker 5: this porch. You know, I saw the characters living in 659 00:41:37,760 --> 00:41:40,440 Speaker 5: William Burrow's old house. And he's like, all right, I 660 00:41:40,480 --> 00:41:45,239 Speaker 5: haven't heard that one, come on in, you say, some 661 00:41:45,400 --> 00:41:49,440 Speaker 5: Japanese hipster, you know, And I this tiny house with 662 00:41:49,520 --> 00:41:53,400 Speaker 5: a huge garden, bullet holes in the ceiling that Bill 663 00:41:53,480 --> 00:41:57,400 Speaker 5: had shot, and I ended up we ended up writing 664 00:41:57,400 --> 00:42:03,440 Speaker 5: our first draft at Burrow's house house so cool. Anthemunculus, 665 00:42:03,560 --> 00:42:08,280 Speaker 5: which has a character based on Bill played by Ben 666 00:42:08,960 --> 00:42:12,520 Speaker 5: Foster who played them in the film Kill Your Darlings, 667 00:42:13,440 --> 00:42:19,759 Speaker 5: And so Burrows, you know, Heroin inspired occultism, which was 668 00:42:19,880 --> 00:42:23,799 Speaker 5: mixed with science, you know, in his particular inimitable way, 669 00:42:24,640 --> 00:42:27,840 Speaker 5: and you know, perhaps junk sides of the Oregon box. 670 00:42:27,880 --> 00:42:32,839 Speaker 5: But again whatever works right right, it inspired us as well. 671 00:42:32,880 --> 00:42:35,319 Speaker 5: And if you think about it, we're all sort of 672 00:42:35,400 --> 00:42:38,680 Speaker 5: in William Burrow's absurd world now. I mean Trump is 673 00:42:38,719 --> 00:42:42,040 Speaker 5: a Burrows type character, oh for sure. 674 00:42:42,400 --> 00:42:43,759 Speaker 3: Ooh ooh. 675 00:42:44,280 --> 00:42:47,879 Speaker 2: Can we talk about the Lavender Scare, like way back 676 00:42:47,920 --> 00:42:51,719 Speaker 2: in the day when when the you know, the executive 677 00:42:51,880 --> 00:42:54,960 Speaker 2: branch decided, oh, we have to be afraid, just like 678 00:42:55,040 --> 00:42:57,680 Speaker 2: with the quote red scare, we have to be afraid 679 00:42:57,719 --> 00:43:02,879 Speaker 2: of anyone who is quote you're talking about now I'm 680 00:43:02,880 --> 00:43:05,400 Speaker 2: talking about now. It feels like it feels like we're 681 00:43:05,840 --> 00:43:10,000 Speaker 2: time traveling a bit or just re experiencing something. 682 00:43:10,400 --> 00:43:12,719 Speaker 3: History is always closer than it looks in the rear 683 00:43:12,800 --> 00:43:13,360 Speaker 3: view mirror. 684 00:43:13,480 --> 00:43:16,800 Speaker 5: Oh yes, And as we know back then, gay people 685 00:43:16,920 --> 00:43:20,960 Speaker 5: and now translated more to trans people are the lizard 686 00:43:21,000 --> 00:43:25,520 Speaker 5: people among us for the maga type rights. You know 687 00:43:25,640 --> 00:43:29,600 Speaker 5: that everyone needs a scapegoat, and they're very convenient because 688 00:43:30,000 --> 00:43:34,160 Speaker 5: in their view they are trans people are alien and 689 00:43:34,800 --> 00:43:39,479 Speaker 5: unnatural and subverting, you know, God's will or whatever God 690 00:43:39,520 --> 00:43:42,040 Speaker 5: they feel they I don't know what kind. 691 00:43:41,880 --> 00:43:44,719 Speaker 3: Of God that is, but the convenient God for the. 692 00:43:44,760 --> 00:43:46,719 Speaker 7: Day exactly which we all do. 693 00:43:46,960 --> 00:43:51,960 Speaker 5: As the subject of my new play, Claude Cahun said 694 00:43:52,080 --> 00:43:54,120 Speaker 5: she was an anti Nazi artist. 695 00:43:54,920 --> 00:43:56,440 Speaker 7: We get the God we deserve. 696 00:44:00,000 --> 00:44:01,920 Speaker 4: Well, with that in mind, do you mind if we 697 00:44:01,960 --> 00:44:04,120 Speaker 4: backtrack a little bit you brought up and I'm sorry 698 00:44:04,120 --> 00:44:05,440 Speaker 4: I had to step away for just a second, so 699 00:44:05,480 --> 00:44:07,800 Speaker 4: I hopefully I didn't miss this, But you were talking 700 00:44:07,840 --> 00:44:12,160 Speaker 4: about the Gnostic Gospels and these kind of parts of 701 00:44:12,200 --> 00:44:15,160 Speaker 4: the Bible that are inconvenient perhaps that were not included 702 00:44:15,400 --> 00:44:19,000 Speaker 4: for folks that maybe have weaponized that religion, that particular religion, 703 00:44:19,080 --> 00:44:22,560 Speaker 4: and many others, of course, but inconvenient for them. There's 704 00:44:22,640 --> 00:44:26,600 Speaker 4: another aspect of that in the book of Enoch, and 705 00:44:26,640 --> 00:44:30,720 Speaker 4: that is also a great kind of analog I suppose 706 00:44:30,760 --> 00:44:33,000 Speaker 4: for this idea of lizard people and potentially even where 707 00:44:33,040 --> 00:44:35,080 Speaker 4: they came from the idea. And I know, Ben, this 708 00:44:35,200 --> 00:44:38,640 Speaker 4: is a big wheelhouse for you, the nephelum and the 709 00:44:38,719 --> 00:44:42,680 Speaker 4: idea that these angels bred with humans and created you know, 710 00:44:42,800 --> 00:44:47,200 Speaker 4: these this other race of you know, human angel hybrids 711 00:44:47,520 --> 00:44:50,880 Speaker 4: that can be seen as a stand in for this 712 00:44:51,000 --> 00:44:54,040 Speaker 4: idea of lizard people. But there's also some very interesting 713 00:44:54,120 --> 00:44:57,160 Speaker 4: kind of queer culture wrapped up in that the idea 714 00:44:57,280 --> 00:45:01,040 Speaker 4: that Sodom and Gomorrah was actually home to some of 715 00:45:01,080 --> 00:45:05,200 Speaker 4: these you know, angel human hybrids, and that a lot 716 00:45:05,239 --> 00:45:08,520 Speaker 4: of that is maybe potentially where some of the anti 717 00:45:08,640 --> 00:45:13,359 Speaker 4: queer rhetoric comes from. Because the Bible doesn't actually refer to, 718 00:45:14,000 --> 00:45:17,000 Speaker 4: you know, specifically by name the act of being engaged. 719 00:45:17,040 --> 00:45:20,279 Speaker 4: I think it's the idea of seeking something about unusual 720 00:45:20,360 --> 00:45:23,160 Speaker 4: flesh or there's a term that I'm maybe misconstruing, but 721 00:45:23,440 --> 00:45:26,680 Speaker 4: there's this sense that or there's this theory that perhaps 722 00:45:27,080 --> 00:45:30,920 Speaker 4: that is referencing these nephelem but it's not actually contained 723 00:45:30,960 --> 00:45:33,080 Speaker 4: within the Bible because that book was cut out, so 724 00:45:33,120 --> 00:45:35,480 Speaker 4: I don't know, maybe a bit broad and I'm bringing 725 00:45:35,560 --> 00:45:38,680 Speaker 4: up maybe multiple points, but maybe something we could touch 726 00:45:38,719 --> 00:45:39,400 Speaker 4: on real quick. Well. 727 00:45:39,440 --> 00:45:41,640 Speaker 5: One of the things about the Gnostics that I mean, 728 00:45:41,880 --> 00:45:46,719 Speaker 5: having grown up extremely Catholic beyond and you know, as 729 00:45:46,760 --> 00:45:50,839 Speaker 5: a kid taught by Benedictine monks in Scotland and at 730 00:45:50,840 --> 00:45:54,520 Speaker 5: that time a little queer boy, I actually considering, you know, 731 00:45:54,719 --> 00:45:57,680 Speaker 5: monk hood. My mom later was like, you're gay. 732 00:45:57,880 --> 00:46:01,319 Speaker 7: That's the that's the place for you. 733 00:46:02,120 --> 00:46:04,880 Speaker 5: And I'm like, oh god, Mom, there's problems with that. 734 00:46:04,960 --> 00:46:06,040 Speaker 7: She's like, that's just. 735 00:46:06,080 --> 00:46:11,520 Speaker 5: Anti Catholic propaganda. There was no abuse. I'm like, okay, 736 00:46:12,200 --> 00:46:14,360 Speaker 5: I've dodged it by the skin of my teeth and 737 00:46:14,440 --> 00:46:17,640 Speaker 5: the schools. But what was what I did love about 738 00:46:17,680 --> 00:46:20,680 Speaker 5: it is of course the Catholic the queerness of it, 739 00:46:20,800 --> 00:46:26,200 Speaker 5: you know, not not the gayness, but the weird iconography, 740 00:46:26,400 --> 00:46:30,160 Speaker 5: the cosmology, you know, the Lord of the ringsness of 741 00:46:30,239 --> 00:46:33,439 Speaker 5: it that, you know, the Jesus on the Cross, which 742 00:46:33,480 --> 00:46:37,360 Speaker 5: is so gay. And then Mary, who's you know, almost 743 00:46:37,360 --> 00:46:40,239 Speaker 5: as important as Jesus in many cultures the only way 744 00:46:40,680 --> 00:46:44,600 Speaker 5: into Christianity for women for centuries. 745 00:46:44,880 --> 00:46:46,680 Speaker 3: The religious syncretism. 746 00:46:46,520 --> 00:46:49,320 Speaker 5: Of taking gods and making them into saints and making 747 00:46:49,320 --> 00:46:52,640 Speaker 5: them into Mary. It's a very smart thing to do 748 00:46:52,680 --> 00:46:55,360 Speaker 5: when you're trying to missionize. 749 00:46:56,080 --> 00:46:59,239 Speaker 4: Don't forget the costumes for sure. But also this back 750 00:46:59,280 --> 00:47:01,239 Speaker 4: back to the nephil and thing. Ben, maybe you can 751 00:47:01,280 --> 00:47:03,880 Speaker 4: speak on this the giants aspect of it, or I 752 00:47:03,920 --> 00:47:08,720 Speaker 4: believe their offspring were giants, and this was this notion 753 00:47:08,880 --> 00:47:12,680 Speaker 4: the giants were kind of gods among men, gods on earth. 754 00:47:12,840 --> 00:47:16,839 Speaker 4: And that's also inconvenient for the Bible property. 755 00:47:16,520 --> 00:47:18,200 Speaker 5: That's right, like how do you fit that? As well 756 00:47:18,280 --> 00:47:21,319 Speaker 5: as slavery if forget that one. But you know, what 757 00:47:21,400 --> 00:47:27,560 Speaker 5: the Gnostics talked about was the creator God as the villain, 758 00:47:28,719 --> 00:47:29,000 Speaker 5: you know. 759 00:47:29,840 --> 00:47:33,000 Speaker 3: Yeah, the imperfect god of the lesser universe. 760 00:47:33,120 --> 00:47:36,200 Speaker 5: Yes, that's right. And the mother of that god was 761 00:47:36,440 --> 00:47:44,440 Speaker 5: named Sophia, was in effect a non binary entity, you know, 762 00:47:45,120 --> 00:47:48,400 Speaker 5: like in the film like the Angels, right, there's really 763 00:47:48,520 --> 00:47:52,000 Speaker 5: gender there. It was sort of all genders in a way. 764 00:47:52,640 --> 00:47:56,560 Speaker 5: And Sophia, which means wisdom, came from the Pleroma, which 765 00:47:56,600 --> 00:48:01,840 Speaker 5: was the higher heavens to give birth in our world, 766 00:48:02,080 --> 00:48:06,200 Speaker 5: our universe, so to speak, almost illicitly, because you were 767 00:48:06,200 --> 00:48:09,279 Speaker 5: supposed to give birth with a partner in a way. 768 00:48:09,280 --> 00:48:11,080 Speaker 5: And she was like, I'm going to do it myself, 769 00:48:12,080 --> 00:48:18,880 Speaker 5: parthenogenetic reproduction in effect, and in their some Gnostic stories, 770 00:48:19,360 --> 00:48:25,120 Speaker 5: she was so horrified at what she produced that she 771 00:48:25,320 --> 00:48:31,760 Speaker 5: wrapped God's face in a cloud and tiptoed away, leaving 772 00:48:31,840 --> 00:48:35,280 Speaker 5: him to think he was the only thing in existence. 773 00:48:36,160 --> 00:48:39,240 Speaker 5: So I talk about this in my show The Origin 774 00:48:39,280 --> 00:48:43,359 Speaker 5: of Love, which talks about how Hedvig came about. And 775 00:48:43,400 --> 00:48:46,840 Speaker 5: I say, well, kids, to the Gnostics, God was a 776 00:48:46,920 --> 00:48:53,319 Speaker 5: dumpster baby and his flawedness and it was a male 777 00:48:53,400 --> 00:49:00,600 Speaker 5: identified thing begat our flawedness. And Adam and Eve, let's say, 778 00:49:00,640 --> 00:49:03,520 Speaker 5: Adam at first was lifeless, and it took the spark 779 00:49:03,560 --> 00:49:06,399 Speaker 5: of Sophia, you know, the divine spark coming to give 780 00:49:06,440 --> 00:49:11,000 Speaker 5: it life. And Eve was a manifestation of Sophia. So 781 00:49:11,520 --> 00:49:16,560 Speaker 5: in Headgig, Tommy compares Headwig to Eve, the woman who 782 00:49:16,600 --> 00:49:22,360 Speaker 5: wanted to know shit, the first saint, and even Jesus 783 00:49:22,480 --> 00:49:25,640 Speaker 5: was a kind of manifestation of Eve to the Gnostics 784 00:49:25,680 --> 00:49:28,000 Speaker 5: as someone who brought up love, which was not a 785 00:49:28,040 --> 00:49:31,080 Speaker 5: word used in terms of divinity in the Old Testament. 786 00:49:32,040 --> 00:49:35,960 Speaker 5: And so this was fascinating to me because even as 787 00:49:35,960 --> 00:49:38,560 Speaker 5: a kid, I'm like, what is the problem with eating 788 00:49:38,600 --> 00:49:41,440 Speaker 5: the apple? From the tree of knowledge. She just is 789 00:49:41,480 --> 00:49:43,920 Speaker 5: a scientist. She wants to know things. The guy was 790 00:49:44,680 --> 00:49:50,000 Speaker 5: incurious in his man cave watching football while he was 791 00:49:50,080 --> 00:49:54,000 Speaker 5: trying to make things happen, And I'm like, what is 792 00:49:54,080 --> 00:49:56,439 Speaker 5: wrong with that? Even as a child, I'm like, this 793 00:49:56,719 --> 00:50:00,920 Speaker 5: story is being interpreted incorrectly. So when I read the 794 00:50:00,960 --> 00:50:04,480 Speaker 5: gnost six, I'm like, bingo, this is another way to 795 00:50:04,560 --> 00:50:09,760 Speaker 5: look at Christianity. Same stories of Christianity. And it talked 796 00:50:09,960 --> 00:50:14,120 Speaker 5: about the inner spark within all of us, Sophia within 797 00:50:14,200 --> 00:50:16,360 Speaker 5: all of us, which is where you get that idea 798 00:50:16,360 --> 00:50:20,040 Speaker 5: of we have our own divinity, which was very threatening 799 00:50:20,080 --> 00:50:21,800 Speaker 5: to an authoritarian church. 800 00:50:22,200 --> 00:50:28,200 Speaker 3: Oh oh, no, kidding, Yeah, and hold the phone, folks, 801 00:50:28,239 --> 00:50:32,160 Speaker 3: friends and neighbors. We're going deep in this conversation, so 802 00:50:32,320 --> 00:50:35,120 Speaker 3: much so that we're going to make this interview segment 803 00:50:35,520 --> 00:50:38,960 Speaker 3: a two parter. Now we're not sure where we're ending 804 00:50:39,040 --> 00:50:43,719 Speaker 3: it just yet. Full disclosure, So we don't know what 805 00:50:43,800 --> 00:50:48,080 Speaker 3: we've Singer. We left you right right, but we don't 806 00:50:48,080 --> 00:50:51,600 Speaker 3: want to leave you again without a dope spell to 807 00:50:51,680 --> 00:50:55,760 Speaker 3: spit too, So spit too, Spit two. So please joined 808 00:50:55,880 --> 00:50:58,000 Speaker 3: us in a few days where we'll follow up with 809 00:50:58,040 --> 00:51:01,279 Speaker 3: part two of our conversation with John Cameron Mitchell and 810 00:51:01,400 --> 00:51:04,879 Speaker 3: Cancelation Island. In the meantime, you can find us online. 811 00:51:05,000 --> 00:51:07,720 Speaker 3: You can call us on a telephone. You can always 812 00:51:07,760 --> 00:51:09,720 Speaker 3: reach us at our good old fashioned email address. 813 00:51:10,200 --> 00:51:12,799 Speaker 4: Online. 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You can call us right now and tell 822 00:51:39,360 --> 00:51:41,239 Speaker 2: us what you think about that, or for anything else 823 00:51:41,239 --> 00:51:43,640 Speaker 2: we've been talking about so far. Our number is one 824 00:51:43,800 --> 00:51:48,239 Speaker 2: eight three three std WYTK. When you call in, give 825 00:51:48,239 --> 00:51:49,920 Speaker 2: yourself a cool nickname and let us know if we 826 00:51:49,920 --> 00:51:52,080 Speaker 2: can use your name and message on the air. If 827 00:51:52,080 --> 00:51:54,759 Speaker 2: you don't like using your voice to communicate, why not 828 00:51:55,000 --> 00:51:58,040 Speaker 2: send us an email. We are the entities that. 829 00:51:58,040 --> 00:52:01,440 Speaker 3: Read each piece of correspondence we receive. Now, of course, 830 00:52:01,520 --> 00:52:04,400 Speaker 3: you don't have to just choose one thing you can email, 831 00:52:04,480 --> 00:52:06,759 Speaker 3: even if you do like being on the phone. We 832 00:52:06,880 --> 00:52:10,680 Speaker 3: accept all covers here, joined us out here in the dark. 833 00:52:10,760 --> 00:52:13,959 Speaker 3: Be well aware, yet I'm afraid. Sometimes the void writes back, 834 00:52:14,000 --> 00:52:15,880 Speaker 3: how do you know for sure? It's one way to 835 00:52:15,920 --> 00:52:38,400 Speaker 3: find out conspiracy at iHeartRadio dot com. 836 00:52:38,600 --> 00:52:40,640 Speaker 2: Stuff they Don't want you to know is a production 837 00:52:40,760 --> 00:52:45,279 Speaker 2: of iHeartRadio. For more podcasts from iHeartRadio, visit the iHeartRadio app, 838 00:52:45,360 --> 00:52:48,600 Speaker 2: Apple Podcasts, or wherever you listen to your favorite shows.