WEBVTT - Contact w/ Nicole Sullivan

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<v Speaker 1>Of the law and order franchises. SVU is considered especially watchable.

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<v Speaker 2>We are the amateur detectives who kind of investigate the

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<v Speaker 2>vicious felonies.

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<v Speaker 1>These episodes are based on. These are our stories. Done done, Hello,

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<v Speaker 1>and welcome back to That's Messed Up n SVU podcast.

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<v Speaker 1>I'm your host Kara Klink and I'm Liza Traeger.

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<v Speaker 2>We're coming to you fast from We're actually really slow

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<v Speaker 2>and we're a very long podcast, but we do talk fast.

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<v Speaker 2>We talked SVU True Crime. We have an incredible guest.

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<v Speaker 2>It was hard to edit because we talked for an

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<v Speaker 2>hour and a half, So stay tuned for that joy.

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<v Speaker 2>And we're actually recording fresh off of our Palm Springs vacation.

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<v Speaker 1>Oh, we had a lot luxurious vacation in Palm Springs,

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<v Speaker 1>or I was without children for two full days, two

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<v Speaker 1>and a half full days, and it was glorious, such

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<v Speaker 1>a nice house. We had so much fun.

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<v Speaker 2>One of our friends napped and he got up and

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<v Speaker 2>he goes, no one needed me, No one needed me

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<v Speaker 2>for anything.

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<v Speaker 1>He was like so exciting. Like I woke up one

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<v Speaker 1>day from falling asleep reading a book on the on

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<v Speaker 1>an outside piece of furniture, and like everybody was just

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<v Speaker 1>quietly doing their own thing. People were either sleeping or

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<v Speaker 1>they were in the pool, but they were in the

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<v Speaker 1>pool being quiet, Like everyone was just having like a

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<v Speaker 1>collective quiet time. And I was like, did something happen?

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<v Speaker 1>Where is everybody? Like I was so disoriented.

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<v Speaker 2>We all just said a little mushrooms and then we

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<v Speaker 2>if you guys don't have these, if you're in a pool,

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<v Speaker 2>one of the best inventions. It's like there's a blow

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<v Speaker 2>up tube and a blow up tube small, like a

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<v Speaker 2>maybe a foot and a half two feet attached.

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<v Speaker 1>By a net.

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<v Speaker 2>So you put your body on the net and you're

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<v Speaker 2>like feet and head dangle off the floaties, but you're

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<v Speaker 2>just fully weightless in the pool. And then I sat

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<v Speaker 2>in it with my arms up for a while and

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<v Speaker 2>you're just weightless.

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<v Speaker 1>It's cool. They're great. You can't imagine station. You can't

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<v Speaker 1>imagine you're like, this little flimsy thing's not gonna hold

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<v Speaker 1>my whole body weight, and it does. It feels like

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<v Speaker 1>you're just like in a bed in the water. It's great. No.

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<v Speaker 2>Our friend who showed up the last day of the trip,

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<v Speaker 2>I was like, here, use this, and he was like,

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<v Speaker 2>so skeptical.

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<v Speaker 1>He's like, what's the catch?

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<v Speaker 2>Like, he was just so not into it, and then

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<v Speaker 2>I put him in there and he was like, oh, yeah,

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<v Speaker 2>this is nice.

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<v Speaker 1>Sorry if you were.

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<v Speaker 2>Trying to get one on me, I'm like, ye't no tricks,

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<v Speaker 2>just treats, okay, tricks like I am a I like

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<v Speaker 2>to float U.

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<v Speaker 1>Yeah.

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<v Speaker 2>It was And I've never been in a pool that

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<v Speaker 2>was so like windy. I would like, not whindy. How

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<v Speaker 2>would you say it? It's like you walk in shallow

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<v Speaker 2>but then it curves so there's like two full pools

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<v Speaker 2>within a pool, and then there's like in the middle

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<v Speaker 2>an infinity ledge into like the desert mountains, but then

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<v Speaker 2>in the center center pool a hot tub, and to

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<v Speaker 2>the right of that a swim up bar.

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<v Speaker 1>I mean, there's like all kinds of like and so

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<v Speaker 1>many ledges. We've talked about ledges before on this podcast.

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<v Speaker 1>Just like it's like a big horseshoe kind of but

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<v Speaker 1>very large, and a little bridge that takes you to

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<v Speaker 1>the hot tub. You could swim under the bridge. It

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<v Speaker 1>was fun. We had a blast. And Lisa's bracelets, I know,

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<v Speaker 1>she talked about them. She made bracelets for the birthday boy.

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<v Speaker 2>They were, well, I should have given them days before

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<v Speaker 2>so we could have wear them all week.

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<v Speaker 1>It just never seemed right.

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<v Speaker 2>I was in my head about these bracelets and what

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<v Speaker 2>needed to happen, and it's like I should have just

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<v Speaker 2>given it to him day one and he could have

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<v Speaker 2>passed it out and we could have all enjoyed the bracelets.

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<v Speaker 1>I don't know why I waited to have it, looking

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<v Speaker 1>for a perfect time. We kept looking, We're like, this

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<v Speaker 1>is it, this is the moment, and then one person

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<v Speaker 1>would walk away. We'd be like, it's ruined, we can't

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<v Speaker 1>give the bracelets.

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<v Speaker 2>Well, then I ended up doing it while our one

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<v Speaker 2>friend got COVID and had to pass out and never

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<v Speaker 2>be seen again. Who planned the whole trip and you

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<v Speaker 2>know sponsored it. We were a little kittens. Yeah on

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<v Speaker 2>the screen, Yeah it was. It was so great and

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<v Speaker 2>our friend cooked. I mean, it was just like, I

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<v Speaker 2>don't think I've ever truly experienced such expectationless hang for days.

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<v Speaker 2>It was like, you want to do drugs, do not?

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<v Speaker 2>You don't have to drink, go to bed. I mean

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<v Speaker 2>my friend, my best friend goes to bed at nine.

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<v Speaker 1>I hate her. I'd punch her in the face every

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<v Speaker 1>second night. If I could.

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<v Speaker 2>I know, this is a podcast about abuse and we're

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<v Speaker 2>anti but like this bitch is always going to bed early.

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<v Speaker 1>But like, yeah, people, I was the last to bed

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<v Speaker 1>every night, but I stayed up late one night with you. Yeah,

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<v Speaker 1>I was like middle of the road. And then the

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<v Speaker 1>last night I actually regret. I really wanted to stay

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<v Speaker 1>up later that night. I know because I thought when

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<v Speaker 1>you woke up from the couch you'd come. We were

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<v Speaker 1>playing the movie game in the in the hot tub.

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<v Speaker 1>You were Yeah, because I knew that. I knew you

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<v Speaker 1>were sleeping on the couch. Because then when we walked out,

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<v Speaker 1>people didn't realize you still weren't there. They were like, whoa,

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<v Speaker 1>I've thought I thought she was here. So yeah, you

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<v Speaker 1>went to bed pretty early.

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<v Speaker 2>But nothing like it just was like eat when you want,

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<v Speaker 2>don't eat when you have this thing, float a little,

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<v Speaker 2>read a book, have a talk.

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<v Speaker 1>Change, and we had some We had some characters like

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<v Speaker 1>that our friends got yoga and like this woman came

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<v Speaker 1>into taught a bunch of us yoga and it was

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<v Speaker 1>like she was the most Palm Springs yoga teacher you

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<v Speaker 1>would ever imagine.

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<v Speaker 2>And I skipped down on yoga to float with my

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<v Speaker 2>three friends.

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<v Speaker 1>What was the yoga? What was she like? She was

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<v Speaker 1>just like you know, she was like very tan and

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<v Speaker 1>tattooed with like these flower bell bottoms on and was

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<v Speaker 1>just like yeah, just breathe into your practice and like

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<v Speaker 1>very just a total cartoon character of a yoga and structure,

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<v Speaker 1>you know. And then we got an amazing man in

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<v Speaker 1>our lives. I'll let you tell about him.

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<v Speaker 2>I didn't connect with him the way you all did.

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<v Speaker 2>It made me uncomfortable.

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<v Speaker 1>I didn't it and I I didn't. The sprinklers were

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<v Speaker 1>a gift for me, but I was surprised. I was

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<v Speaker 1>surprised he was the way he was. I will say that,

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<v Speaker 1>like I was laughing because I was like this feels

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<v Speaker 1>like a sketch or like are we being punked? Like

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<v Speaker 1>essentially we had a habachi chef and he came on

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<v Speaker 1>and get made like it was amazing, Like we felt

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<v Speaker 1>like real housewives, like just a dinner. We were like

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<v Speaker 1>looking at the mountains outside dinner. Very nice. But he

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<v Speaker 1>was doing a lot of like well be sporting. Yeah no, no,

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<v Speaker 1>I was just yetding. He was doing it like he

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<v Speaker 1>was if you imagine like so like ketch up with

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<v Speaker 1>mustard bottles from like uh or salt and vinegar bottles

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<v Speaker 1>from like subway. It was like those filled with sake

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<v Speaker 1>and he was just like squirting it into our mouths

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<v Speaker 1>and everybody had to like count. It was like very

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<v Speaker 1>for fradish, you know, like like one, two three. I like,

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<v Speaker 1>I just kept doing it, and I would count good

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<v Speaker 1>at it.

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<v Speaker 2>And he would be squeezing this liquor in my mouth,

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<v Speaker 2>but I would still have like remnants of foods, like

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<v Speaker 2>the pieces of rice would be floating in the soji

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<v Speaker 2>in my mouth, and I'm like, I don't want to

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<v Speaker 2>do that. And every time he came near me with

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<v Speaker 2>those bottles, I'm like, I don't want to spill anymore.

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<v Speaker 2>But then he came out with a gatorade giant jug

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<v Speaker 2>of liquor and that he went. He squirt it into

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<v Speaker 2>my mouth and he kept going juicy, juicy, and I

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<v Speaker 2>was like, yea, I'll take some juicy, but I just

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<v Speaker 2>but we're not even on the first or second court.

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<v Speaker 2>He's still like chopping up stuff. We're not even at

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<v Speaker 2>the first course. He's chopping he's making stuff. And I

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<v Speaker 2>hear it, I hear the and I go oh no,

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<v Speaker 2>and it was like a movie. I'm so glad to

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<v Speaker 2>have experienced it. The sprinklers go on everywhere, the lawn

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<v Speaker 2>is covered in sprinklers.

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<v Speaker 1>He keeps cooking.

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<v Speaker 2>He is unfazed, and I am joyed that I get

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<v Speaker 2>to leave and watch pandemonium.

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<v Speaker 1>But then I got to lead. We like, you know,

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<v Speaker 1>shut the power off. I like having an adventure.

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<v Speaker 2>But yeah, I loved being like, it's just so I

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<v Speaker 2>kept thinking of parasite, to be honest, was like, were

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<v Speaker 2>these like people in this giant house and this? Yeah,

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<v Speaker 2>but he was happy when the sprinklers went off on us.

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<v Speaker 1>Yeah, but he was also like it felt like he

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<v Speaker 1>was doing a character. He was just like juicy juicy drink.

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<v Speaker 2>More like, and he was getting hammered. We're like, are

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<v Speaker 2>you driving like what he was? He kept being like,

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<v Speaker 2>you can assign the juicy juicy and then he would

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<v Speaker 2>juicy juicy in his mouth like he was getting fucking hammered.

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<v Speaker 2>It just I don't Yeah, I liked the first thing

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<v Speaker 2>when our friend cooked and we got to just sit down.

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<v Speaker 1>Yeah, he was a wild character. But the yum yum

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<v Speaker 1>sauce was delicious. It was very It was mayo. Of course,

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<v Speaker 1>we love it. And of course I love it. It

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<v Speaker 1>was like a creamy sauce that was delicious.

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<v Speaker 2>But it reminded me of The Simpsons because they like whatever.

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<v Speaker 2>It's Marge's twisted world episode with the pretzels, but her

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<v Speaker 2>nemeses go into business with like a Fleetipeda truck. I

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<v Speaker 2>talk about this all the time, but like, instead a

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<v Speaker 2>full offl they're like crunch patties. But Tahini flavor sauce in.

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<v Speaker 1>A yeah yum yum sauce is basically like some kind

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<v Speaker 1>of Mayo dressing with spices. But but we oh, but

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<v Speaker 1>we're burying the lead.

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<v Speaker 2>Kara and I karaoke until two in the morning, and

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<v Speaker 2>except one person was awake. The thing is I did

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<v Speaker 2>I was the first to start karaoke that night around

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<v Speaker 2>six pm when dinner started being cooked or like five,

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<v Speaker 2>and I was the last. Like I did karaoke for

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<v Speaker 2>five full hours. I don't know how I still have

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<v Speaker 2>my throat. But like we were singing Arabian nights, like

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<v Speaker 2>we were doing deep cut Disney, not the hits it.

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<v Speaker 1>Was we did. We did some Alpha Ba and Glinda

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<v Speaker 1>and then we segued into very deep cut Disney. It

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<v Speaker 1>was so crazy I don't even know the words.

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<v Speaker 2>I feel like we we started with Gaga. Well, it

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<v Speaker 2>was actually a great experien it's for me and baby.

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<v Speaker 2>It's because I felt safe because it was all our friends.

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<v Speaker 2>But usually with karaoke, like I don't want to look

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<v Speaker 2>at the words. I want to be a performer, Like

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<v Speaker 2>I want to know a song inside and out, and

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<v Speaker 2>like I was singing to Green Day songs I didn't

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<v Speaker 2>really know. Like looking at the words is fine, and

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<v Speaker 2>I'm kind it's kind of opened me up where I'm

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<v Speaker 2>gonna be more free at karaoke to just like pick

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<v Speaker 2>a song and do it right. I did try to

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<v Speaker 2>do Desposito and that was a mistake. And I don't

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<v Speaker 2>know any of those words.

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<v Speaker 1>Also, if you're wondering what happened with the sprinklers, our

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<v Speaker 1>friends did go inside and grab towels and just cover

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<v Speaker 1>all the sprinklers with towels so that we didn't just

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<v Speaker 1>sit getting soaked. And I thought that we turned the

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<v Speaker 1>water off. Oh they did.

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<v Speaker 2>When I originally well because we needed the owners of

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<v Speaker 2>the house to text us so but before they texted

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<v Speaker 2>us back, we were throwing towels everywhere, and then we

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<v Speaker 2>went and turned off the water.

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<v Speaker 1>Oh okay, smart, Oh my god. I just couldn't believe it.

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<v Speaker 1>I was like, I haven't noticed a sprinkler on this

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<v Speaker 1>house in two days. And then the day it comes on,

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<v Speaker 1>we're out there sitting waiting. Oh my god.

0:11:02.880 --> 0:11:05.200
<v Speaker 2>So then we came home and then our friend was

0:11:05.240 --> 0:11:07.080
<v Speaker 2>so sick. I've been taking tests like I'm fine, but

0:11:07.120 --> 0:11:09.680
<v Speaker 2>not that you guys care. I'm not id you, but

0:11:10.760 --> 0:11:13.120
<v Speaker 2>like you know, I was gonna have one more day

0:11:13.120 --> 0:11:15.680
<v Speaker 2>at our friend's house, like to lounge before the flights,

0:11:15.760 --> 0:11:17.600
<v Speaker 2>but that was not gonna happen.

0:11:18.240 --> 0:11:24.079
<v Speaker 1>And so the New York crew we went to Alcove. Oh,

0:11:24.160 --> 0:11:27.280
<v Speaker 1>I love Alcove. I love Alcove. It's one of my

0:11:27.400 --> 0:11:29.600
<v Speaker 1>favorite places in LA. I'm obsessed with it. But I've

0:11:29.640 --> 0:11:30.679
<v Speaker 1>never sat at the bar. And we were at the

0:11:30.720 --> 0:11:33.800
<v Speaker 1>bar for five hours. Oh my gosh.

0:11:33.840 --> 0:11:35.800
<v Speaker 2>And then I was like pretty hammered, and I said,

0:11:35.800 --> 0:11:38.600
<v Speaker 2>do you have a cake flight? And he goes, no,

0:11:39.280 --> 0:11:41.400
<v Speaker 2>but I'll find you a piece of cake.

0:11:41.640 --> 0:11:44.040
<v Speaker 1>And so he got us about to ask you did

0:11:44.040 --> 0:11:46.000
<v Speaker 1>you eat any cake? Because there was cakes are right

0:11:46.040 --> 0:11:46.560
<v Speaker 1>near the bar.

0:11:46.800 --> 0:11:48.280
<v Speaker 2>Well that's why I was like, I can't choose a cake.

0:11:48.280 --> 0:11:50.640
<v Speaker 2>Do you have a little sampler cake platter, and he

0:11:50.720 --> 0:11:52.440
<v Speaker 2>was like, no, but we have some deformed cakes you

0:11:52.480 --> 0:11:55.280
<v Speaker 2>can have. So he gave us like an ugly piece

0:11:55.280 --> 0:11:56.440
<v Speaker 2>of cake that looked gorgeous.

0:11:56.480 --> 0:11:59.280
<v Speaker 1>I love it, but I had graze.

0:11:59.400 --> 0:12:02.760
<v Speaker 2>There's a happy I mean, I love alcove in and out.

0:12:02.800 --> 0:12:04.600
<v Speaker 2>Give me that tuneam I didn't have the tune them out.

0:12:04.640 --> 0:12:06.520
<v Speaker 2>But oh my god, we had Jimmy Johns in the

0:12:06.520 --> 0:12:08.600
<v Speaker 2>way out. Is there not a more perfect vacation than

0:12:08.840 --> 0:12:12.760
<v Speaker 2>ending on Jimmy John's. No, that's amazing. There was an

0:12:12.920 --> 0:12:15.760
<v Speaker 2>Arby's surprise. Our friend loves Arby's. You know, we all

0:12:15.800 --> 0:12:19.120
<v Speaker 2>have our secrets, and his friends ordered him Arby's.

0:12:19.440 --> 0:12:22.439
<v Speaker 1>Which have you ever had? I had never had Arby's.

0:12:22.640 --> 0:12:24.240
<v Speaker 1>I enjoyed my Halopeno poppers.

0:12:24.280 --> 0:12:27.000
<v Speaker 2>I was about to say those Jlopano poppers. Yeah, I

0:12:27.040 --> 0:12:29.840
<v Speaker 2>would eat just those. They were fucking incredible. They were good,

0:12:29.960 --> 0:12:32.040
<v Speaker 2>better than a restaurant like. I felt like the layers

0:12:32.040 --> 0:12:34.800
<v Speaker 2>of the crunch with the cream and the fried were perfect.

0:12:35.160 --> 0:12:36.800
<v Speaker 1>Yeah, those were really good. I had a couple of

0:12:36.800 --> 0:12:39.200
<v Speaker 1>Wazzarella sticks and then the people that ordered that got

0:12:39.240 --> 0:12:41.199
<v Speaker 1>me an impossible burger because they know I don't do Arby's,

0:12:41.240 --> 0:12:44.880
<v Speaker 1>and Arby's doesn't offer really anything for vegetarians, so that

0:12:44.920 --> 0:12:46.640
<v Speaker 1>which is weird because I don't think that meat is

0:12:46.679 --> 0:12:52.160
<v Speaker 1>actually me like, I wonder. I guess their whole thing

0:12:52.240 --> 0:12:53.760
<v Speaker 1>is like, we have the meat, so we can't have

0:12:53.800 --> 0:12:55.000
<v Speaker 1>anything else for anybody else.

0:12:55.040 --> 0:12:57.240
<v Speaker 2>But you know, I had two, I had three arby

0:12:57.280 --> 0:12:59.000
<v Speaker 2>sandwiches that we like. I kept making them.

0:12:59.000 --> 0:13:03.200
<v Speaker 1>I kept putting my own cheese, oh, microwaving them. It happened.

0:13:03.320 --> 0:13:04.880
<v Speaker 1>I don't know what to tell you, guys. You know

0:13:04.920 --> 0:13:10.360
<v Speaker 1>what we were living in a life of luxury. Wait,

0:13:10.760 --> 0:13:14.840
<v Speaker 1>did you give Rosie her gummy vampires? Loves them? And

0:13:15.120 --> 0:13:18.560
<v Speaker 1>she loves them even more Oscar Okay loves them. Keeps

0:13:18.559 --> 0:13:20.000
<v Speaker 1>coming home from school and going, can I have a

0:13:20.000 --> 0:13:21.480
<v Speaker 1>gummy fang? And I'm like you have to wait till

0:13:21.480 --> 0:13:23.600
<v Speaker 1>after dinner And he's like no, he like threw a

0:13:23.600 --> 0:13:26.880
<v Speaker 1>fit yesterday because he could have a gummy fang. Loves them. There.

0:13:27.080 --> 0:13:28.840
<v Speaker 1>I actually you ate one in front of me and

0:13:28.840 --> 0:13:30.800
<v Speaker 1>you were like, eh, not what I was expecting or

0:13:30.840 --> 0:13:32.520
<v Speaker 1>not your favorite. I thought that. I think they're delicious.

0:13:32.520 --> 0:13:35.080
<v Speaker 1>I've had a couple of them. Oh good good. I'm like, yeah,

0:13:35.440 --> 0:13:36.839
<v Speaker 1>they look like dentures.

0:13:37.440 --> 0:13:42.440
<v Speaker 2>Yeah, but yeah, I think I hope everyone gets rich

0:13:42.520 --> 0:13:44.640
<v Speaker 2>friends who get them a giant house, some palm springs.

0:13:44.640 --> 0:13:46.120
<v Speaker 1>I don't know what else to tell you, wish that

0:13:46.160 --> 0:13:49.440
<v Speaker 1>for all of you. That's our problemn expression September for

0:13:49.520 --> 0:13:51.960
<v Speaker 1>all of you. Oh yeah, when this episode comes out,

0:13:52.000 --> 0:13:55.400
<v Speaker 1>it'll just have been my birthday. Oh my god, I'll

0:13:55.440 --> 0:13:59.160
<v Speaker 1>have gone to dinner. I'm doing like a chill birthday

0:13:59.200 --> 0:14:01.280
<v Speaker 1>because the palm Springs was really taking up a lot

0:14:01.280 --> 0:14:05.280
<v Speaker 1>of my excitement for you know, weeks. So I didn't

0:14:05.320 --> 0:14:07.000
<v Speaker 1>really like plan anything, and.

0:14:06.920 --> 0:14:10.320
<v Speaker 2>I'm no even yesterday someone said I looked tan and

0:14:11.679 --> 0:14:12.640
<v Speaker 2>I was happy about that.

0:14:13.559 --> 0:14:16.839
<v Speaker 1>That's great. You were very conscious about your sunscreen. Though,

0:14:16.840 --> 0:14:20.880
<v Speaker 1>I will say, in case your dermatologist listens, if mine does,

0:14:21.000 --> 0:14:24.000
<v Speaker 1>she certainly hates me. But I was going to say,

0:14:24.000 --> 0:14:27.080
<v Speaker 1>speaking of birthdays, I want to call out that last

0:14:27.120 --> 0:14:31.280
<v Speaker 1>week our episode Monogamy came out on John Ritter's birthday.

0:14:32.840 --> 0:14:35.200
<v Speaker 1>Isn't that crazy that, like a lot of people have

0:14:35.280 --> 0:14:36.880
<v Speaker 1>message us and been like, did you guys do that

0:14:36.880 --> 0:14:38.400
<v Speaker 1>on purpose? And I just want to let everyone know

0:14:38.440 --> 0:14:41.200
<v Speaker 1>we did not know that that was a coincidence, but

0:14:41.800 --> 0:14:45.160
<v Speaker 1>kind of crazy because we did talk about how much

0:14:45.200 --> 0:14:45.720
<v Speaker 1>we love him.

0:14:45.800 --> 0:14:48.440
<v Speaker 2>I feel like that is not a coincidence. I mean

0:14:48.440 --> 0:14:50.120
<v Speaker 2>it is an actual coincidence.

0:14:50.320 --> 0:14:54.160
<v Speaker 1>Yeah, but spiritually I don't feel like it's a coincidence.

0:14:54.200 --> 0:14:58.120
<v Speaker 1>Stars aligning. Yeah, yeah, I do feel that way.

0:14:58.520 --> 0:15:00.320
<v Speaker 2>Oh remember when we went some plums for the one

0:15:00.360 --> 0:15:03.280
<v Speaker 2>time and you got for a tarot person that was yeah,

0:15:03.360 --> 0:15:03.720
<v Speaker 2>I like.

0:15:03.760 --> 0:15:07.320
<v Speaker 1>Yeah, she's great. I like that. She was one that

0:15:07.360 --> 0:15:09.320
<v Speaker 1>told me there was feminine and energy around my pregnancy

0:15:09.320 --> 0:15:11.440
<v Speaker 1>even then I had Oscar. But there's still the jury

0:15:11.480 --> 0:15:13.440
<v Speaker 1>still out on Oscar. He does love to wear a dress,

0:15:13.440 --> 0:15:14.640
<v Speaker 1>so she could have been completely right.

0:15:14.960 --> 0:15:17.760
<v Speaker 2>Yeah, boys can have feminine energy because he also loves Elsa.

0:15:18.400 --> 0:15:20.400
<v Speaker 1>He does, and he loves Gabby. He loves a lot

0:15:20.440 --> 0:15:22.240
<v Speaker 1>of stuff that is classically found.

0:15:22.240 --> 0:15:24.920
<v Speaker 2>Wait, Kara, did I tell you too? I also my

0:15:25.000 --> 0:15:28.040
<v Speaker 2>quick little la jaunt. I went to Laurel Hardware for

0:15:28.080 --> 0:15:28.600
<v Speaker 2>the first time.

0:15:28.800 --> 0:15:30.720
<v Speaker 1>Oh, what were your thoughts?

0:15:31.200 --> 0:15:34.040
<v Speaker 2>It's a scene. Everyone's sexy. I don't know how people

0:15:34.040 --> 0:15:36.160
<v Speaker 2>got to eat in crop tops. That is a confusing

0:15:36.200 --> 0:15:39.520
<v Speaker 2>thing for me. I don't under I understand crop tops

0:15:39.560 --> 0:15:41.520
<v Speaker 2>out and about going to dinner and a crop top

0:15:41.840 --> 0:15:45.120
<v Speaker 2>I will never understand. I mean even if with having

0:15:45.160 --> 0:15:48.360
<v Speaker 2>like I just don't but a scene buzzy.

0:15:48.400 --> 0:15:50.680
<v Speaker 1>We were outside. The food not very good, and I

0:15:50.680 --> 0:15:53.160
<v Speaker 1>should have known. I think everyone is wearing a crop top.

0:15:53.560 --> 0:15:55.720
<v Speaker 1>That's the thing. It used to be good. And then

0:15:55.760 --> 0:15:57.840
<v Speaker 1>I think, because like I used to live by this restaurant,

0:15:57.840 --> 0:15:59.920
<v Speaker 1>everybody no because you told me about it before, that's

0:16:00.040 --> 0:16:03.440
<v Speaker 1>ye excited. It's an outdoorsy like Ceni La restaurant, and

0:16:03.440 --> 0:16:04.960
<v Speaker 1>I used to go there, like take my parents or

0:16:05.000 --> 0:16:06.120
<v Speaker 1>Jared and I would to go on a date. It's

0:16:06.120 --> 0:16:08.200
<v Speaker 1>actually the last meal I ate before I had Rosie

0:16:08.200 --> 0:16:09.800
<v Speaker 1>was at Laurel Hardware. We went and had dinner there

0:16:09.800 --> 0:16:13.040
<v Speaker 1>and then we checked into the hospital, and I think

0:16:13.080 --> 0:16:15.280
<v Speaker 1>that they basically were like, oh, we can kind of

0:16:15.360 --> 0:16:17.400
<v Speaker 1>like chill with the food because no one's really eating it,

0:16:17.400 --> 0:16:20.360
<v Speaker 1>because like everybody's gorgeous. Every server I've ever had there

0:16:20.360 --> 0:16:23.760
<v Speaker 1>could be a cover model, like every server is so beautiful.

0:16:23.800 --> 0:16:26.480
<v Speaker 1>And I'm just like, oh, exactly what you're saying, Like, yeah,

0:16:26.480 --> 0:16:28.280
<v Speaker 1>they don't really need to serve great food because people

0:16:28.280 --> 0:16:30.720
<v Speaker 1>are probably not eating, but they used to have great food.

0:16:30.720 --> 0:16:32.080
<v Speaker 1>I used to love a lot of the food there.

0:16:32.520 --> 0:16:34.600
<v Speaker 1>And they have a great drink called I think the

0:16:34.640 --> 0:16:37.240
<v Speaker 1>gangster that's like a watermelon bod could drink that I love.

0:16:37.680 --> 0:16:39.400
<v Speaker 2>No, Like, I would go back for a vibe, Like

0:16:39.440 --> 0:16:41.520
<v Speaker 2>it seems like a good place for a big group dinner,

0:16:42.480 --> 0:16:44.480
<v Speaker 2>you know, like you can fit a lot of people.

0:16:44.640 --> 0:16:47.080
<v Speaker 2>It's a lot of different types of food. But they

0:16:47.160 --> 0:16:50.360
<v Speaker 2>kept bragging about making the like the pizza dough and

0:16:50.480 --> 0:16:54.520
<v Speaker 2>pasta in house, and it's like, huh really yeah.

0:16:54.480 --> 0:16:56.480
<v Speaker 1>Yeah yeah, And they're always like that's one of the

0:16:56.520 --> 0:16:58.760
<v Speaker 1>places where they're always like, have you eaten with us before?

0:16:58.880 --> 0:17:01.400
<v Speaker 1>So everything's designed to share. It's like you're like, okay,

0:17:01.400 --> 0:17:03.560
<v Speaker 1>but everything is the price of an entree. So it's

0:17:03.600 --> 0:17:06.879
<v Speaker 1>just funny that you're like everything's designed to share. But

0:17:07.240 --> 0:17:10.200
<v Speaker 1>I you know, it's it's definitely worth like an LA

0:17:10.320 --> 0:17:13.800
<v Speaker 1>fun night out if you're in town. Look at us

0:17:13.840 --> 0:17:16.439
<v Speaker 1>doing unsponsored spawn for Laurel Hardware.

0:17:16.520 --> 0:17:19.719
<v Speaker 2>I did so many LA stuff. I went to swingers.

0:17:20.040 --> 0:17:21.440
<v Speaker 2>I feel like that's very LA.

0:17:22.000 --> 0:17:30.040
<v Speaker 1>Okay the diner, Yeah, yeah, I guess that's it. Well.

0:17:30.080 --> 0:17:32.880
<v Speaker 2>No, I had a huge moment because I was at

0:17:33.240 --> 0:17:37.040
<v Speaker 2>Diego's class in West Hollywood for the Taylor Swift Tuesday

0:17:37.600 --> 0:17:41.400
<v Speaker 2>and as I walked out of class, Taylor had endorsed Harris,

0:17:41.760 --> 0:17:43.639
<v Speaker 2>so we're very happy.

0:17:43.960 --> 0:17:47.720
<v Speaker 1>I sat on a bench and I was just like, yes, bitch,

0:17:47.880 --> 0:17:51.880
<v Speaker 1>childless cat lady like I was really really happy. Yeah.

0:17:51.880 --> 0:17:54.199
<v Speaker 1>I thought that she chose good words and she was.

0:17:54.400 --> 0:17:56.560
<v Speaker 1>It was a good it was a great endorsement. So

0:17:56.920 --> 0:17:58.919
<v Speaker 1>happy that she has come out and done that. And

0:17:58.960 --> 0:18:02.480
<v Speaker 1>then Donald Trump on truth social I hate Taylor Swift

0:18:02.480 --> 0:18:08.399
<v Speaker 1>in caps. So we're dealing with a child and some

0:18:08.440 --> 0:18:11.480
<v Speaker 1>people are still undecided. It's so fun.

0:18:13.200 --> 0:18:13.440
<v Speaker 3>Yeah.

0:18:14.200 --> 0:18:16.600
<v Speaker 2>The the evil thoughts that go through my head as

0:18:16.640 --> 0:18:20.080
<v Speaker 2>you say that is who is the guy Ken in

0:18:20.119 --> 0:18:20.800
<v Speaker 2>the red sweater?

0:18:21.280 --> 0:18:25.520
<v Speaker 1>Got a life? Remember him? Do you remember get in Bone?

0:18:25.640 --> 0:18:25.840
<v Speaker 3>Yeah?

0:18:25.880 --> 0:18:30.919
<v Speaker 1>Yeah, yeah, yeah, I'm just confused. I hate one is

0:18:30.960 --> 0:18:37.120
<v Speaker 1>shoe voters, but I am just like abortion for all. Yeah,

0:18:37.359 --> 0:18:41.560
<v Speaker 1>on demand. Let's we should probably get started because this

0:18:41.680 --> 0:18:44.720
<v Speaker 1>interview is going to be deluxe because it's it is long.

0:18:45.080 --> 0:18:46.840
<v Speaker 2>Well, I can't wait to hear about your birthday. I

0:18:46.840 --> 0:18:50.360
<v Speaker 2>know you're doing something chill but hopefully spectacular.

0:18:50.880 --> 0:18:54.199
<v Speaker 1>Yeah. Maybe some fun uh fun events will befall me,

0:18:54.280 --> 0:18:57.359
<v Speaker 1>but we'll see as usual. Guys. A reminder that we

0:18:57.400 --> 0:18:59.720
<v Speaker 1>are on tour coming up very soon in just like

0:18:59.800 --> 0:19:03.080
<v Speaker 1>three but I'm also sure kids will make you something

0:19:03.080 --> 0:19:05.639
<v Speaker 1>you sliss. You know, Yeah, they'll do something cute. I

0:19:06.280 --> 0:19:09.520
<v Speaker 1>will see, We'll see, It'll be no, they will, they will.

0:19:11.720 --> 0:19:15.440
<v Speaker 1>We're gonna be in Denver, Phoenix, San Diego, La San Francisco,

0:19:15.520 --> 0:19:17.760
<v Speaker 1>and Portland. Go to That's Messed Up Live dot com

0:19:17.800 --> 0:19:20.720
<v Speaker 1>for tickets. That's where we have all the legit ticket links.

0:19:21.040 --> 0:19:24.320
<v Speaker 1>I also wanted to also go to That's Messed Up

0:19:24.359 --> 0:19:26.320
<v Speaker 1>Live dot com. You can also scroll down and click

0:19:26.359 --> 0:19:29.600
<v Speaker 1>on Lisa's I think where I have Lisa's website. It

0:19:29.600 --> 0:19:31.480
<v Speaker 1>takes you to her link tree that has all her

0:19:31.600 --> 0:19:35.720
<v Speaker 1>tour dates because she's on the road. And I'm starting

0:19:35.800 --> 0:19:40.400
<v Speaker 1>a new live stream slash podcast with my good friend

0:19:40.520 --> 0:19:45.160
<v Speaker 1>Jackie Zebrowski over on the lot Last podcast Network. It's

0:19:45.200 --> 0:19:47.480
<v Speaker 1>going to be called Who's the Bitch. It's a live

0:19:47.600 --> 0:19:51.880
<v Speaker 1>calling advice show. If you're interested in sharing a crazy

0:19:51.920 --> 0:19:55.639
<v Speaker 1>story with us, you can do it by DM email, voicemail,

0:19:55.800 --> 0:19:57.679
<v Speaker 1>or you can call in live during our live streams.

0:19:57.720 --> 0:20:00.920
<v Speaker 1>The first live stream is Monday, September alreadieth, and then

0:20:01.000 --> 0:20:02.560
<v Speaker 1>episodes will come out every Wednesday.

0:20:03.880 --> 0:20:07.680
<v Speaker 2>I also feel like there's a big crossover between exactly

0:20:07.800 --> 0:20:10.880
<v Speaker 2>right and last podcast left network.

0:20:11.040 --> 0:20:12.720
<v Speaker 1>People. Yes, I feel a lot.

0:20:12.680 --> 0:20:15.040
<v Speaker 2>Of it might be a big match made in heaven

0:20:15.160 --> 0:20:17.880
<v Speaker 2>for a lot of you. Yeah, so if you're out

0:20:17.880 --> 0:20:20.680
<v Speaker 2>of a guy, I'm gonna start prank calling the dial.

0:20:22.240 --> 0:20:25.200
<v Speaker 1>Yes, oh my god, don't dare you? You start calling

0:20:25.240 --> 0:20:27.360
<v Speaker 1>in and like disguising your voice. You're like, I host

0:20:27.400 --> 0:20:29.800
<v Speaker 1>a podcast with this dumb bitch, and I'm like, Lisa,

0:20:29.960 --> 0:20:35.280
<v Speaker 1>stop calling. But yeah, so those are That's like a

0:20:35.440 --> 0:20:37.359
<v Speaker 1>new thing I've got going on. Go see li'sa on

0:20:37.359 --> 0:20:39.400
<v Speaker 1>the road. Come see us on the road. Guys, we're excited,

0:20:39.440 --> 0:20:39.840
<v Speaker 1>we're working.

0:20:40.160 --> 0:20:42.320
<v Speaker 2>I do have one more thing to add, and I

0:20:42.359 --> 0:20:45.439
<v Speaker 2>apologize that we can't stop ever talking. But I was

0:20:45.920 --> 0:20:47.639
<v Speaker 2>staying at a friend's house while he was out of

0:20:47.680 --> 0:20:51.840
<v Speaker 2>town in LA and his roommate left the oven on.

0:20:52.080 --> 0:20:56.040
<v Speaker 2>Oh my god, Oh you know I'm sensitive to monoxide

0:20:56.080 --> 0:20:59.760
<v Speaker 2>like most humans, yes, mentally, and like you would already

0:20:59.760 --> 0:21:02.520
<v Speaker 2>told me about your family's like aversion to even candles,

0:21:02.560 --> 0:21:04.840
<v Speaker 2>And so I immediately texted you back, going, don't tell

0:21:04.880 --> 0:21:06.840
<v Speaker 2>your mom like she cannot know about this.

0:21:07.160 --> 0:21:10.440
<v Speaker 1>Like I was like couching, like, god, a man, I'm

0:21:10.440 --> 0:21:14.400
<v Speaker 1>watching Southern Like I don't feel what's going on during

0:21:14.440 --> 0:21:17.719
<v Speaker 1>a historic LA heat wave. It's on four hundred degrees.

0:21:18.320 --> 0:21:21.680
<v Speaker 1>Oh my fucking god, I'm glad you made it out.

0:21:22.040 --> 0:21:24.680
<v Speaker 1>All right, let's get started. We've got a great episode

0:21:24.680 --> 0:21:25.280
<v Speaker 1>for you guys.

0:21:30.359 --> 0:21:33.840
<v Speaker 2>All right, so we will be doing Contact, not the

0:21:33.960 --> 0:21:38.400
<v Speaker 2>space movie. Do you know there's a movie name Contact. Yes,

0:21:38.480 --> 0:21:40.879
<v Speaker 2>I think it's Jody Foster Johnny Depp, but I'm not

0:21:40.880 --> 0:21:43.159
<v Speaker 2>sure it is. It is Jody Foster for sure. I

0:21:43.160 --> 0:21:44.720
<v Speaker 2>don't know about Johnny Depp, but it is for sure

0:21:44.760 --> 0:21:47.040
<v Speaker 2>Jody Foster. And Katia talks about it all the time.

0:21:47.040 --> 0:21:49.680
<v Speaker 1>It's like a joke about her on her podcast and

0:21:50.080 --> 0:21:52.600
<v Speaker 1>also in un all the time they're making Contact jokes,

0:21:52.600 --> 0:21:55.080
<v Speaker 1>and like, really, I just don't know if it's like

0:21:55.840 --> 0:21:59.199
<v Speaker 1>Matthew McConney, Matthew mconnay. I don't know if it's like

0:21:59.200 --> 0:22:01.879
<v Speaker 1>a movie that's so bad it's good, or it's like

0:22:01.960 --> 0:22:04.240
<v Speaker 1>actually a good movie that people overlooked. Like I really

0:22:04.240 --> 0:22:06.600
<v Speaker 1>can't tell the vibe from what they're talking about, but

0:22:06.960 --> 0:22:09.680
<v Speaker 1>they reference Contact an insane amount of times on that.

0:22:10.200 --> 0:22:14.440
<v Speaker 2>Shohnny Depp was in the Astronaut's Wife. That's the space

0:22:14.560 --> 0:22:15.880
<v Speaker 2>of it all. But I don't even think it's about

0:22:15.880 --> 0:22:19.000
<v Speaker 2>outer space. Yeah, like I think it's he comes back,

0:22:19.040 --> 0:22:20.960
<v Speaker 2>but clea Duval friend of the Pod, isn't it.

0:22:21.000 --> 0:22:22.520
<v Speaker 1>I have not seen any of these movies. Let me

0:22:22.560 --> 0:22:25.320
<v Speaker 1>see what the contact? What is it even about?

0:22:25.840 --> 0:22:29.840
<v Speaker 2>Doctor Ellie Arroway, after years of searching, finds conclusive radio

0:22:29.920 --> 0:22:38.600
<v Speaker 2>proof of extraterrestrial intelligence sending plans for a mysterious machine. Okay, great,

0:22:39.000 --> 0:22:43.280
<v Speaker 2>very nineties. Tom Scarett, another friend of the Pod. It's

0:22:43.320 --> 0:22:45.080
<v Speaker 2>really crazy. He can't get away from the Friends of

0:22:45.080 --> 0:22:49.840
<v Speaker 2>the Pod. Now, no, they really are everywhere. Okay, but

0:22:49.960 --> 0:22:54.840
<v Speaker 2>this is actually season one of SVU, episode nineteen, and

0:22:54.880 --> 0:22:58.480
<v Speaker 2>it is really cool to watch season one because I

0:22:58.560 --> 0:23:02.879
<v Speaker 2>feel you see the round work of the consistent moments

0:23:02.880 --> 0:23:03.880
<v Speaker 2>through the years.

0:23:03.960 --> 0:23:06.879
<v Speaker 1>You know what I mean? Yes, Like I'm like, ah,

0:23:06.960 --> 0:23:10.119
<v Speaker 1>this of course this is gonna happen, but it hadn't before.

0:23:10.440 --> 0:23:14.240
<v Speaker 1>Like this is where it all it all went down.

0:23:14.480 --> 0:23:17.800
<v Speaker 2>So it starts off, We're in a bustling subway, blonde

0:23:17.840 --> 0:23:20.160
<v Speaker 2>business lady on the phone and oh my god, it's

0:23:20.280 --> 0:23:23.200
<v Speaker 2>Nicole Sullivan and she's in bangs and you know, she's

0:23:23.200 --> 0:23:26.719
<v Speaker 2>holding a coffee and she's talking about great prices. She

0:23:26.760 --> 0:23:28.840
<v Speaker 2>does lose the call right as the train comes and

0:23:28.880 --> 0:23:31.440
<v Speaker 2>the phone is a full antenna, like she grabbed it

0:23:31.480 --> 0:23:32.280
<v Speaker 2>from the kitchen wall.

0:23:32.320 --> 0:23:38.320
<v Speaker 1>Phone it just like with her, so like, I'm just

0:23:38.720 --> 0:23:40.280
<v Speaker 1>like this, you guys know, this is one of my

0:23:40.320 --> 0:23:42.840
<v Speaker 1>most haunting episodes. But also I love it because I

0:23:42.880 --> 0:23:43.199
<v Speaker 1>love her.

0:23:43.320 --> 0:23:47.080
<v Speaker 2>I think she's great, She's very good, and she made

0:23:47.400 --> 0:23:51.040
<v Speaker 2>me and my family laugh for years and now it

0:23:51.080 --> 0:23:54.120
<v Speaker 2>will be the opposite. And so, you know, the train

0:23:54.240 --> 0:23:57.359
<v Speaker 2>is moderately packed. We get shots of everyone's faces, and

0:23:57.400 --> 0:23:59.560
<v Speaker 2>then they pull out and they're on the f train

0:23:59.720 --> 0:24:02.720
<v Speaker 2>and then uh oh, someone comes in and he has

0:24:02.760 --> 0:24:06.119
<v Speaker 2>a box cutter, and this man grabs Nicole, pushes her

0:24:06.160 --> 0:24:09.880
<v Speaker 2>against the middle like middle train door area, and does

0:24:09.960 --> 0:24:12.880
<v Speaker 2>rape her. And the there's a shot from the other

0:24:12.960 --> 0:24:15.760
<v Speaker 2>side of the glass, so you see her face get smashed.

0:24:15.840 --> 0:24:18.600
<v Speaker 1>So that's really graphic, just very graphic. And then you

0:24:18.640 --> 0:24:23.640
<v Speaker 1>see people notice and not do anything to help, and yeah,

0:24:23.640 --> 0:24:26.000
<v Speaker 1>that's fucked up and crazy. And so I thought about

0:24:26.000 --> 0:24:30.679
<v Speaker 1>this a lot because everyone's just watching it happen. But

0:24:30.800 --> 0:24:34.280
<v Speaker 1>the box cutter does change everything because what if you

0:24:34.400 --> 0:24:36.760
<v Speaker 1>do get involved and then the box cutter cuts this

0:24:36.840 --> 0:24:40.160
<v Speaker 1>person's deck, Like, at what point do you get attacked. Well,

0:24:40.160 --> 0:24:42.320
<v Speaker 1>remember like, do you do you know this? Do you

0:24:42.359 --> 0:24:46.119
<v Speaker 1>know the comic Doug Smith or see he stopped a

0:24:46.119 --> 0:24:48.440
<v Speaker 1>woman from getting assaulted on a train platform and got

0:24:48.520 --> 0:24:50.879
<v Speaker 1>slashed in the face and still has a scar from it,

0:24:50.920 --> 0:24:54.439
<v Speaker 1>But he's a hero. I mean, it's very like. It

0:24:54.480 --> 0:24:56.919
<v Speaker 1>obviously makes me think of Kitty Genevezi, even though like

0:24:57.080 --> 0:24:59.960
<v Speaker 1>in our research and a lot of the after more

0:25:00.080 --> 0:25:03.879
<v Speaker 1>recent studies of Kitty Genevezia wasn't exactly like the same

0:25:03.920 --> 0:25:06.359
<v Speaker 1>thing where so many people are just standing around watching

0:25:06.359 --> 0:25:09.520
<v Speaker 1>a crime happen. But in this case that is what's happening,

0:25:09.600 --> 0:25:12.199
<v Speaker 1>and it's very That's why this is so haunting to me,

0:25:12.240 --> 0:25:14.480
<v Speaker 1>I think as well, not only because I took the

0:25:14.520 --> 0:25:19.520
<v Speaker 1>subway so much, but also that like just all these

0:25:19.520 --> 0:25:22.199
<v Speaker 1>people would stand around and not do anything like I

0:25:22.320 --> 0:25:24.159
<v Speaker 1>like to think I would do something. I've stood up

0:25:24.200 --> 0:25:27.040
<v Speaker 1>to people on the train before who albeit do not

0:25:27.119 --> 0:25:29.600
<v Speaker 1>have weapons as far as I know, but who have

0:25:29.720 --> 0:25:32.120
<v Speaker 1>been like harassing older women or something like that. I've

0:25:32.160 --> 0:25:34.840
<v Speaker 1>definitely said something, and I've at least been like, you

0:25:34.880 --> 0:25:37.040
<v Speaker 1>can yell at me instead of this old lady. You know,

0:25:37.480 --> 0:25:40.120
<v Speaker 1>but I don't know, You're right the box cutter scary

0:25:41.000 --> 0:25:44.199
<v Speaker 1>and if the trains in mids or yeah, like if

0:25:44.240 --> 0:25:46.600
<v Speaker 1>the train's in mid stop, you can you get somebody

0:25:47.040 --> 0:25:49.600
<v Speaker 1>like I'll get into it more with the real crime

0:25:49.640 --> 0:25:52.640
<v Speaker 1>as well. But there's not always conductors and all these trains,

0:25:52.680 --> 0:25:54.840
<v Speaker 1>like some of them are not being conducted. There's less staff,

0:25:54.840 --> 0:25:59.760
<v Speaker 1>there's cutbacks like so you know, yeah, or by somebody

0:25:59.720 --> 0:26:02.479
<v Speaker 1>always tough, what a freak.

0:26:03.280 --> 0:26:08.360
<v Speaker 2>So yeah, people are noticing sitting watching her get viciously

0:26:08.480 --> 0:26:10.840
<v Speaker 2>raped and then he runs out at the next stop.

0:26:11.200 --> 0:26:14.200
<v Speaker 2>She crumbles slowly to the floor in shock. She's breathing heavy.

0:26:14.280 --> 0:26:17.200
<v Speaker 2>And of course we're in the credits old school baby,

0:26:17.240 --> 0:26:19.399
<v Speaker 2>I feel like there was a more what is it

0:26:19.440 --> 0:26:24.159
<v Speaker 2>a Sepia like, yeah, yes, there was like a brown

0:26:24.359 --> 0:26:29.120
<v Speaker 2>tinge to the credits, I would say. And so we're

0:26:29.160 --> 0:26:31.600
<v Speaker 2>at the office they're saying, oh, it happened again on

0:26:31.640 --> 0:26:33.560
<v Speaker 2>the Sea train, and it's like, no, I noticed it

0:26:33.600 --> 0:26:35.359
<v Speaker 2>was the F train, So are we talking about another

0:26:35.440 --> 0:26:37.760
<v Speaker 2>one or what's going on here?

0:26:37.800 --> 0:26:39.720
<v Speaker 1>Because that's not a reason it haunted me because the

0:26:39.760 --> 0:26:42.000
<v Speaker 1>Sea was my train, I know.

0:26:42.280 --> 0:26:44.720
<v Speaker 2>But I they pulled out and showed a thing of

0:26:44.760 --> 0:26:49.760
<v Speaker 2>the F so I am confused, But Anyway, so we

0:26:49.840 --> 0:26:53.280
<v Speaker 2>have Curly cue Michelle Hurd Season one Marishka. Suspenders are

0:26:53.280 --> 0:26:57.280
<v Speaker 2>popping on Kragan and basically this dude is like three

0:26:57.359 --> 0:27:01.080
<v Speaker 2>seconds boom gone. And this has happened seven times in

0:27:01.160 --> 0:27:03.360
<v Speaker 2>six months, which sucks. So they all go to work

0:27:04.920 --> 0:27:08.840
<v Speaker 2>Munch slash Monique slash Michelle. They are walking and working.

0:27:09.240 --> 0:27:12.160
<v Speaker 2>Munch is in his feelings because it's his wedding anniversary,

0:27:12.480 --> 0:27:15.680
<v Speaker 2>and so she asks which one and he says exactly.

0:27:16.119 --> 0:27:16.479
<v Speaker 1>Lol.

0:27:17.119 --> 0:27:22.359
<v Speaker 2>So they meet some uniform Munch's Munch in this episode

0:27:22.560 --> 0:27:24.600
<v Speaker 2>like he's the lead detective.

0:27:24.640 --> 0:27:27.879
<v Speaker 1>It seems it seems like I'm in this episode. And

0:27:27.920 --> 0:27:29.760
<v Speaker 1>then a reporter is there as well.

0:27:29.880 --> 0:27:32.800
<v Speaker 2>So anyways, they get to the train, there's uniform cops

0:27:32.880 --> 0:27:35.760
<v Speaker 2>and a reporter is there. They hate him, but he's like, no,

0:27:35.840 --> 0:27:39.680
<v Speaker 2>I'm helping. We're on Spring Street. It's paused the train.

0:27:39.760 --> 0:27:43.200
<v Speaker 2>Cops want to to start the train again, but our

0:27:43.200 --> 0:27:46.159
<v Speaker 2>people want to investigate since there was a rape. We

0:27:46.240 --> 0:27:50.640
<v Speaker 2>have Georgi aka Wellie Yang and he is the CSU

0:27:50.720 --> 0:27:54.280
<v Speaker 2>tech here on the seam on the scene, not a seam,

0:27:54.720 --> 0:27:58.119
<v Speaker 2>and he has like some you know, sassy banter with mine.

0:27:58.359 --> 0:28:02.840
<v Speaker 2>Oh god. The Bureau crats, and so they do that. Sadly,

0:28:02.880 --> 0:28:05.320
<v Speaker 2>it's hard to get prints though, because all the metal

0:28:05.359 --> 0:28:08.640
<v Speaker 2>has anti graffiti sprays on it, like there's some kind

0:28:08.640 --> 0:28:12.160
<v Speaker 2>of oils on it, and that also prevents oils from

0:28:12.280 --> 0:28:14.199
<v Speaker 2>hands getting on it. But they have prints on the

0:28:14.200 --> 0:28:18.320
<v Speaker 2>glass window, but several hundreds, so that's kind of tough.

0:28:18.359 --> 0:28:21.120
<v Speaker 2>And all the footprints are partial, but the coffee cup

0:28:21.160 --> 0:28:22.960
<v Speaker 2>is still on the floor, so that is a whim

0:28:23.320 --> 0:28:25.879
<v Speaker 2>And so then that leads us tentacle Sullivan's apartment, and

0:28:25.960 --> 0:28:28.200
<v Speaker 2>she says, you know, if I didn't stop for coffee,

0:28:28.440 --> 0:28:31.359
<v Speaker 2>I would have been on a different train, and she's messy.

0:28:31.480 --> 0:28:31.679
<v Speaker 1>You know.

0:28:31.720 --> 0:28:34.080
<v Speaker 2>I always like hearing the stories of the opposite of that,

0:28:34.359 --> 0:28:37.280
<v Speaker 2>like I was gonna be there on nine to eleven,

0:28:37.400 --> 0:28:39.800
<v Speaker 2>but I decided not to fly, you know, like, oh,

0:28:39.880 --> 0:28:40.600
<v Speaker 2>I know.

0:28:40.680 --> 0:28:43.760
<v Speaker 1>Like so many stories like that of people I've heard, like, oh,

0:28:43.800 --> 0:28:46.040
<v Speaker 1>my friend's dad was late for a meeting that day

0:28:46.080 --> 0:28:49.000
<v Speaker 1>and missed nine to eleven, Like my friend decided to

0:28:49.600 --> 0:28:52.520
<v Speaker 1>take his call from home, like all kinds of shit

0:28:52.600 --> 0:28:53.560
<v Speaker 1>like that. It's crazy.

0:28:53.840 --> 0:28:56.560
<v Speaker 2>Yeah, I lighting doors, Oh yeah, I like that better

0:28:56.840 --> 0:29:01.600
<v Speaker 2>versus oh, this terrible thing happened. Yeah, so that sucks,

0:29:01.680 --> 0:29:05.479
<v Speaker 2>but she has a messy bonn and a gray zippy hoodie,

0:29:05.560 --> 0:29:10.320
<v Speaker 2>you know, home comfortable, amazing view. She curls up on

0:29:10.360 --> 0:29:12.480
<v Speaker 2>a chair as the detectives tell her it's not her FM.

0:29:12.560 --> 0:29:17.000
<v Speaker 2>She's like, yeah, I know, so she's got she's got attitude.

0:29:16.480 --> 0:29:17.440
<v Speaker 1>And I do enjoy that.

0:29:17.760 --> 0:29:20.560
<v Speaker 2>And they try, you know, I'm glad the detectives are

0:29:20.560 --> 0:29:21.560
<v Speaker 2>doing their job, and I'm glad.

0:29:21.600 --> 0:29:24.120
<v Speaker 1>She's like, shut the fuck up. So then they try

0:29:24.120 --> 0:29:26.320
<v Speaker 1>to get scoop. She got on it. Hoyt.

0:29:26.680 --> 0:29:29.840
<v Speaker 2>I hate it, sketch her criminal corn, like the worst,

0:29:31.280 --> 0:29:31.760
<v Speaker 2>the worst.

0:29:31.760 --> 0:29:35.560
<v Speaker 1>Wait stop ever you say Hoyit skirmer Horn or Hoyd Schirmerhorn,

0:29:35.960 --> 0:29:37.680
<v Speaker 1>I like hate it. I never want to say it

0:29:37.720 --> 0:29:41.120
<v Speaker 1>out loud. I truly just go like hoy Like, I

0:29:41.200 --> 0:29:42.680
<v Speaker 1>know I used to babysit a kid, don't.

0:29:42.720 --> 0:29:45.800
<v Speaker 2>I'm also never there, like I'm never really there, so

0:29:46.040 --> 0:29:48.960
<v Speaker 2>I you know, I think it's my the ace in Brooklyn.

0:29:49.160 --> 0:29:51.680
<v Speaker 2>So but that's like the only time I've ever I

0:29:51.680 --> 0:29:53.680
<v Speaker 2>don't fuck around with Hoyts Schmemermorn.

0:29:54.000 --> 0:29:54.600
<v Speaker 1>I hate it.

0:29:55.360 --> 0:29:57.600
<v Speaker 2>So she was taking it up to the fiftieth Street

0:29:58.360 --> 0:30:01.840
<v Speaker 2>and at the station she stop for a latte. She

0:30:01.920 --> 0:30:04.239
<v Speaker 2>did not see him before the attack, and you know,

0:30:04.320 --> 0:30:06.960
<v Speaker 2>this is kind of a common thing too, but she's,

0:30:07.920 --> 0:30:10.960
<v Speaker 2>you know, she's okay with it, but also realizing that

0:30:11.040 --> 0:30:14.000
<v Speaker 2>she did just stand still and what the fuck? Like

0:30:14.040 --> 0:30:17.719
<v Speaker 2>all that kickboxing for nothing, and you know, but it

0:30:17.760 --> 0:30:20.080
<v Speaker 2>happened so fast she couldn't even believe it was happening.

0:30:20.480 --> 0:30:23.880
<v Speaker 2>And while Stable's trying to ask questions, he's sneezing, he's wet,

0:30:23.960 --> 0:30:26.560
<v Speaker 2>gross tissues, He's a sick mess. She is grossed out

0:30:26.560 --> 0:30:28.680
<v Speaker 2>by him. But she did get a good look at

0:30:28.680 --> 0:30:33.560
<v Speaker 2>the attacker, thin sandy brown, pointy beak, nose, but she

0:30:33.640 --> 0:30:36.120
<v Speaker 2>can't tell the height because you know, he had her pinned.

0:30:36.600 --> 0:30:39.880
<v Speaker 2>And she's such a good actress. She's emotional but controlled.

0:30:40.520 --> 0:30:42.880
<v Speaker 2>There was a knife, she says, or something, and he

0:30:42.960 --> 0:30:46.040
<v Speaker 2>was wearing dark clothing with a hooded sweatshirt. And she

0:30:46.160 --> 0:30:49.240
<v Speaker 2>says that he was panting at her, panting like a dog,

0:30:49.680 --> 0:30:52.400
<v Speaker 2>and he did leave his mark on her dress. So that's,

0:30:52.800 --> 0:30:57.040
<v Speaker 2>you know, Monica Lewinsky style. What a dumb bitch friend

0:30:57.240 --> 0:30:58.240
<v Speaker 2>that friend was?

0:30:58.400 --> 0:31:01.920
<v Speaker 1>What is it in a trip? Yeah? Fuck her? Oh yeah, well,

0:31:01.920 --> 0:31:03.840
<v Speaker 1>I mean they don't do her, They don't do her

0:31:03.880 --> 0:31:07.160
<v Speaker 1>any favors in the in the TV series where Sarah

0:31:07.160 --> 0:31:09.760
<v Speaker 1>Paulson plays her like they do her no favors. They

0:31:09.760 --> 0:31:12.240
<v Speaker 1>make her look like a sad fucking bitch. For her,

0:31:12.320 --> 0:31:14.560
<v Speaker 1>she is right, like why would you fuck over your

0:31:14.560 --> 0:31:17.680
<v Speaker 1>friend like that? She was like, I don't know. The

0:31:17.680 --> 0:31:19.600
<v Speaker 1>way that they at least portray her in that is

0:31:19.640 --> 0:31:22.440
<v Speaker 1>that she had this like overinflated sense of importance, that

0:31:22.520 --> 0:31:25.280
<v Speaker 1>like it was her job to make sure that integrity

0:31:25.360 --> 0:31:28.000
<v Speaker 1>was existing inside the government and that you don't do

0:31:28.080 --> 0:31:30.240
<v Speaker 1>this kind of thing in the Oval office, and that

0:31:30.600 --> 0:31:32.479
<v Speaker 1>she had to be the one to step forward, and

0:31:32.520 --> 0:31:34.920
<v Speaker 1>like I think she always thought, at least the way

0:31:34.920 --> 0:31:37.120
<v Speaker 1>they portray her, and again it's a television show, that

0:31:37.200 --> 0:31:39.440
<v Speaker 1>she was going to have this like shining moment and

0:31:39.480 --> 0:31:42.320
<v Speaker 1>be like upheld like a hero and not. And then

0:31:42.800 --> 0:31:46.320
<v Speaker 1>the show shows how kind of devastated she was by

0:31:46.320 --> 0:31:50.480
<v Speaker 1>how everybody treated her, like she was ridiculed on Saturday

0:31:50.560 --> 0:31:52.880
<v Speaker 1>Night Live and played by John Goodman, you know, like

0:31:53.000 --> 0:31:55.720
<v Speaker 1>she she didn't get what she wanted, that's for sure,

0:31:56.680 --> 0:32:01.040
<v Speaker 1>and she was a bad friend, a terrible friend. The

0:32:01.080 --> 0:32:03.320
<v Speaker 1>other thing is I will say about this fucking guy

0:32:03.560 --> 0:32:08.920
<v Speaker 1>is like, what kind of psychotic like not confidence, arrogance,

0:32:09.000 --> 0:32:11.680
<v Speaker 1>like to go onto a train that crowded and commit

0:32:11.720 --> 0:32:13.920
<v Speaker 1>a crime like this and to think no one will

0:32:13.920 --> 0:32:16.960
<v Speaker 1>stop me, and and you didn't have to think it.

0:32:17.000 --> 0:32:19.360
<v Speaker 1>That's what happened, Like yeah, end of the day, no

0:32:19.400 --> 0:32:24.680
<v Speaker 1>one does anything. So it's like, look, a lot of

0:32:24.680 --> 0:32:26.480
<v Speaker 1>things can happen on trains that are like less crowd

0:32:26.480 --> 0:32:29.120
<v Speaker 1>this this train is at rush hour, Like it's really

0:32:29.800 --> 0:32:34.440
<v Speaker 1>kind of wildly I don't know, ballsy and arrogant to

0:32:34.840 --> 0:32:37.640
<v Speaker 1>do it, but I guess it worked out in his favor.

0:32:38.040 --> 0:32:41.880
<v Speaker 2>But many times, yeah, yeah, so hopefully there's evidence there.

0:32:41.920 --> 0:32:43.760
<v Speaker 2>But we go to talk to some of the witnesses.

0:32:43.840 --> 0:32:47.080
<v Speaker 2>A man in a suit said he did watch, so

0:32:47.280 --> 0:32:51.680
<v Speaker 2>that's cool. Yea truly insane. But the suitman could tell

0:32:51.720 --> 0:32:54.600
<v Speaker 2>that this guy was white, five ten hooded sweatshirt and

0:32:55.200 --> 0:32:57.880
<v Speaker 2>like a heavy jacket and it's navy.

0:32:57.520 --> 0:33:00.240
<v Speaker 1>Color, and he does some kind of it's a navy peace.

0:33:00.360 --> 0:33:03.640
<v Speaker 2>But he does some kind of like navel joke that

0:33:03.680 --> 0:33:05.760
<v Speaker 2>doesn't go over well, Like he tries to do some

0:33:05.920 --> 0:33:10.920
<v Speaker 2>like I'm in the Navy, does not land gross gross scringe,

0:33:11.400 --> 0:33:13.720
<v Speaker 2>and then he says, you know, but the guy had

0:33:13.760 --> 0:33:17.600
<v Speaker 2>dirty pants and strip streaks, and then he remember being like,

0:33:17.720 --> 0:33:19.520
<v Speaker 2>oh yeah, because I was like, oh, I don't want

0:33:19.560 --> 0:33:21.400
<v Speaker 2>to be near the paint guy because he might get

0:33:21.400 --> 0:33:24.400
<v Speaker 2>it on my jacket. Benson hands and Pockets walks towards

0:33:24.440 --> 0:33:27.120
<v Speaker 2>him and says he's on her and you're worried about

0:33:27.160 --> 0:33:27.680
<v Speaker 2>your coat.

0:33:28.160 --> 0:33:29.520
<v Speaker 1>So that was annoying.

0:33:29.840 --> 0:33:32.520
<v Speaker 2>So then now we're with a man in a trench coat,

0:33:32.520 --> 0:33:35.760
<v Speaker 2>and Jeffries and Munch want like they want to put

0:33:35.800 --> 0:33:38.440
<v Speaker 2>some decoys out there, some ghosts to look for him,

0:33:38.680 --> 0:33:41.880
<v Speaker 2>and Jefferies goes, okay, well, then go do that, and

0:33:41.920 --> 0:33:45.000
<v Speaker 2>then they start like bullying these these transit people too.

0:33:45.040 --> 0:33:47.760
<v Speaker 2>They're like, where are the cameras, where are the transit cops?

0:33:47.800 --> 0:33:51.400
<v Speaker 2>What's going on? And this dude gets defensive and is like, hey, yeah,

0:33:51.480 --> 0:33:52.760
<v Speaker 2>next year we'll have all that.

0:33:52.920 --> 0:33:55.040
<v Speaker 1>But even all the computers in the world.

0:33:54.920 --> 0:33:56.640
<v Speaker 2>Are not going to stop some guy from sticking his

0:33:56.680 --> 0:34:00.760
<v Speaker 2>hand up some girl's skirt. And she yells rape greenberg,

0:34:01.000 --> 0:34:07.240
<v Speaker 2>not fondling, not petting, not unwanted advances, rape on your subway, remember,

0:34:07.840 --> 0:34:13.680
<v Speaker 2>and he walks away. She does stare him down. Now

0:34:13.680 --> 0:34:16.160
<v Speaker 2>we have to go talk to another witness. Munched Stable

0:34:16.239 --> 0:34:18.759
<v Speaker 2>are talking to her to flower shop outdoor situation.

0:34:19.360 --> 0:34:20.759
<v Speaker 1>She's not helpful, she.

0:34:20.719 --> 0:34:23.880
<v Speaker 2>Didn't hear anything, doesn't remember anything, doesn't want to say anything,

0:34:23.920 --> 0:34:24.560
<v Speaker 2>like we hate her.

0:34:24.600 --> 0:34:27.640
<v Speaker 1>So we leave and it's like, bitch, you did see

0:34:27.640 --> 0:34:27.879
<v Speaker 1>it all.

0:34:27.920 --> 0:34:29.960
<v Speaker 2>We saw you watch her, We saw you watch her

0:34:30.000 --> 0:34:32.560
<v Speaker 2>getting raped, and now you're pretending you don't know anything.

0:34:32.920 --> 0:34:35.040
<v Speaker 2>But she has an accent, so maybe she's scared of

0:34:35.040 --> 0:34:37.520
<v Speaker 2>the cops or something. So we have a team meeting.

0:34:37.560 --> 0:34:40.280
<v Speaker 2>They're all at the office. Craigan introduces them to doctor

0:34:40.360 --> 0:34:46.440
<v Speaker 2>Audrey Jackson, a forensic psychologist aka Audrey McDonald Broadway legend.

0:34:46.800 --> 0:34:49.040
<v Speaker 2>So the Deputy commissioner thought it would be good if

0:34:49.080 --> 0:34:51.719
<v Speaker 2>she joined the team, and of course they are less

0:34:51.719 --> 0:34:52.360
<v Speaker 2>than thrilled.

0:34:52.560 --> 0:34:55.400
<v Speaker 1>Only Benson says high to her. They fill Daddy.

0:34:55.160 --> 0:34:57.440
<v Speaker 2>Craigan in on everything they learned through the day, and

0:34:57.600 --> 0:35:00.600
<v Speaker 2>the thing is like, and the the only thing they

0:35:00.600 --> 0:35:03.120
<v Speaker 2>can find consistent with all the victims that is that

0:35:03.160 --> 0:35:06.800
<v Speaker 2>they were all wearing skirts. And Adre is not impressed

0:35:06.800 --> 0:35:09.120
<v Speaker 2>and she's like, that's all you got, and stablerd turns

0:35:09.120 --> 0:35:12.480
<v Speaker 2>around pissed and super dead Pant says, women wearing skirts

0:35:12.480 --> 0:35:16.839
<v Speaker 2>on the subway like an extra little detail. But then

0:35:16.920 --> 0:35:20.560
<v Speaker 2>She's like okay, and then they all tell her they're

0:35:20.600 --> 0:35:24.160
<v Speaker 2>like it's different ages, racist bodies, everything, and she pushes back,

0:35:24.200 --> 0:35:26.920
<v Speaker 2>so she's like okay, So he overpowers them. Is the

0:35:27.000 --> 0:35:30.279
<v Speaker 2>knife part of it, like the thrill of overpowering and

0:35:30.320 --> 0:35:33.879
<v Speaker 2>she's it's not like they're she's being Were they mean

0:35:33.960 --> 0:35:36.799
<v Speaker 2>to bed Wong when he first started to I.

0:35:36.719 --> 0:35:39.560
<v Speaker 1>Think that's the thing, is like, yeah, she's coming at

0:35:39.600 --> 0:35:42.400
<v Speaker 1>it from the psychological she's the pre beady Wong, the

0:35:42.440 --> 0:35:44.759
<v Speaker 1>pre Wong, and they're kind of like, what the fuck

0:35:44.800 --> 0:35:46.800
<v Speaker 1>are you doing. They're not used to it yet, I guess,

0:35:46.960 --> 0:35:49.080
<v Speaker 1>and so they're kind of like, you're in our business.

0:35:49.160 --> 0:35:51.879
<v Speaker 1>But I don't know if they're mean to him at

0:35:51.880 --> 0:35:52.440
<v Speaker 1>the beginning.

0:35:53.760 --> 0:35:56.239
<v Speaker 2>My confusion is like she's only trying to help you

0:35:56.280 --> 0:36:00.319
<v Speaker 2>guys solve this crime, So like, what's the what's the problem.

0:36:00.560 --> 0:36:03.880
<v Speaker 1>Yeah, that's what I don't understand here. He didn't come

0:36:03.920 --> 0:36:06.719
<v Speaker 1>out until his first Quang's first episode is not until

0:36:06.719 --> 0:36:09.840
<v Speaker 1>the end of season two with Peak, which we have covered,

0:36:10.440 --> 0:36:13.560
<v Speaker 1>And I wonder if when he was talking about all

0:36:13.600 --> 0:36:16.480
<v Speaker 1>the hat pin pricking that they were like shut the

0:36:16.480 --> 0:36:20.680
<v Speaker 1>fuck up. But like, yeah, I'm figuring it out. You know, yeah,

0:36:20.680 --> 0:36:23.600
<v Speaker 1>and she's helpful here. It's just like, I don't know,

0:36:23.600 --> 0:36:26.280
<v Speaker 1>maybe they're trying to show why the police are silly,

0:36:26.400 --> 0:36:30.800
<v Speaker 1>Like aren't usually detectives in the movies studying at a library,

0:36:31.000 --> 0:36:33.480
<v Speaker 1>you know what I mean? Yeah? Yeah, yeah, we need you,

0:36:33.520 --> 0:36:35.920
<v Speaker 1>We need we need Clarice Starling to get inside.

0:36:35.640 --> 0:36:38.640
<v Speaker 2>The head of the guy, you know, like yeah, but

0:36:38.760 --> 0:36:42.239
<v Speaker 2>they hate and she's like, listen, I'm just here to help,

0:36:42.239 --> 0:36:44.440
<v Speaker 2>and Craig and Flatley says, we're over the moon. You

0:36:44.440 --> 0:36:47.480
<v Speaker 2>have come to help so much walks on over to

0:36:47.520 --> 0:36:50.200
<v Speaker 2>her and goes, okay, doctor lady, tell us what insights

0:36:50.280 --> 0:36:52.640
<v Speaker 2>you have and she's like, well, he's a dog.

0:36:53.080 --> 0:36:54.600
<v Speaker 1>What gets him off is the hunt.

0:36:54.640 --> 0:36:56.880
<v Speaker 2>And Monique is like, you make it sound like foreplay,

0:36:56.960 --> 0:36:59.640
<v Speaker 2>and she's like, yep, to him, it is. And you

0:36:59.640 --> 0:37:02.279
<v Speaker 2>can't really plant any decoys or anything because you don't

0:37:02.320 --> 0:37:04.680
<v Speaker 2>have a type. And so I guess we just have

0:37:04.800 --> 0:37:07.440
<v Speaker 2>to wait till the next crime. And much answers a

0:37:07.520 --> 0:37:10.640
<v Speaker 2>ringing phone and uh oh, no more waiting needed. The

0:37:10.719 --> 0:37:14.200
<v Speaker 2>dog found another human fire hydrant, which is language I

0:37:14.320 --> 0:37:17.799
<v Speaker 2>didn't really need. But they're off to fifty Night the

0:37:17.800 --> 0:37:20.320
<v Speaker 2>Street and we meet a real New York or wise

0:37:20.400 --> 0:37:23.520
<v Speaker 2>guy type of cop. He's confident, and we also see

0:37:23.560 --> 0:37:24.680
<v Speaker 2>the reporter from before.

0:37:24.800 --> 0:37:27.640
<v Speaker 1>There's a nod. They nod, So the wise Guy walks

0:37:27.719 --> 0:37:29.800
<v Speaker 1>up to them proudly. He's like, yeah, we got to

0:37:29.880 --> 0:37:33.040
<v Speaker 1>suspect apprehended. This guy looks like a creep.

0:37:33.560 --> 0:37:37.279
<v Speaker 2>And this guy's name is Bruce Bond, and well, it's

0:37:37.320 --> 0:37:40.840
<v Speaker 2>funny the character both the this is this happens twice

0:37:40.880 --> 0:37:43.800
<v Speaker 2>in this episode where the first name of the character

0:37:43.840 --> 0:37:45.960
<v Speaker 2>and the actor name are the same, only the last

0:37:46.040 --> 0:37:48.160
<v Speaker 2>name is different. So Bruce and then later we'll meet

0:37:48.200 --> 0:37:51.200
<v Speaker 2>us out that is their real name, so oh yeah, yeah, yeah,

0:37:51.239 --> 0:37:55.359
<v Speaker 2>And so he was officer lou and Fargo if you're

0:37:56.320 --> 0:38:00.239
<v Speaker 2>thinking about who this man is. And so he in

0:38:00.280 --> 0:38:03.240
<v Speaker 2>cement room bars and he does look like a creep. Sorry,

0:38:04.080 --> 0:38:06.640
<v Speaker 2>and he says the train jerked and I fell against her.

0:38:07.000 --> 0:38:09.400
<v Speaker 2>Oh you fell okay? Well how many times did you

0:38:09.440 --> 0:38:12.759
<v Speaker 2>fall against her? And he's like, ah, she overreacted, and

0:38:12.840 --> 0:38:16.600
<v Speaker 2>Benson's goes, well I think she underreacted. And this dude

0:38:16.680 --> 0:38:18.960
<v Speaker 2>is like, I had a hand on a pole and

0:38:18.960 --> 0:38:21.719
<v Speaker 2>then one in my pocket and it's like doing what

0:38:22.640 --> 0:38:25.160
<v Speaker 2>and Benson goes, we have three witnesses that put you

0:38:25.200 --> 0:38:27.040
<v Speaker 2>on top of her, and he's like, the train jerk,

0:38:27.120 --> 0:38:29.680
<v Speaker 2>the train jerked. He has paint on his pants, ding,

0:38:29.760 --> 0:38:32.720
<v Speaker 2>ding ding, and then he's like, well, it's from painting

0:38:32.760 --> 0:38:34.960
<v Speaker 2>a window, and Benson goes, well, if you paint for

0:38:35.000 --> 0:38:36.719
<v Speaker 2>a living, why would you remember if it's like from

0:38:36.719 --> 0:38:37.720
<v Speaker 2>one window or another.

0:38:37.760 --> 0:38:40.000
<v Speaker 1>That doesn't make sense. He stands up.

0:38:40.040 --> 0:38:42.520
<v Speaker 2>He doesn't say much, but you know, it does give

0:38:42.560 --> 0:38:45.759
<v Speaker 2>a better view of the paint. And Benson asked him

0:38:45.800 --> 0:38:47.680
<v Speaker 2>to take his pants off. He doesn't really want to,

0:38:47.760 --> 0:38:50.440
<v Speaker 2>but you know he has to. But he starts talking

0:38:50.480 --> 0:38:52.759
<v Speaker 2>about window displays and that's what he actually works on,

0:38:52.920 --> 0:38:55.640
<v Speaker 2>is like store windows. But then he says kind of

0:38:55.680 --> 0:38:56.960
<v Speaker 2>and they're like, what the fuck do you mean by

0:38:57.040 --> 0:38:59.560
<v Speaker 2>kind of? And why didn't you say anything about any

0:38:59.600 --> 0:39:02.279
<v Speaker 2>of this? And he's like, well, I'm scared. You know,

0:39:02.320 --> 0:39:05.080
<v Speaker 2>it sounds fruity. It sounds fruity that I do store

0:39:05.120 --> 0:39:08.560
<v Speaker 2>window displays, but I like women. And they're like, okay,

0:39:08.920 --> 0:39:12.200
<v Speaker 2>take your pants off. What are you talking about. Audre

0:39:12.239 --> 0:39:14.879
<v Speaker 2>and Craigan are in the spy window and Audre does

0:39:14.960 --> 0:39:17.480
<v Speaker 2>not think this is the guy. He is sweating and

0:39:17.600 --> 0:39:20.680
<v Speaker 2>childlike and he seems like a kid that's lying about

0:39:20.680 --> 0:39:23.360
<v Speaker 2>a book he didn't read. And he feels guilty about

0:39:23.400 --> 0:39:26.160
<v Speaker 2>something though, but she doesn't think it's this. Craigan makes

0:39:26.160 --> 0:39:28.400
<v Speaker 2>a joke, well maybe you know he's Catholic and he

0:39:28.440 --> 0:39:32.880
<v Speaker 2>feels guilty about everything. But so then they go to

0:39:33.080 --> 0:39:35.080
<v Speaker 2>the DNA check on the sample in the pants and

0:39:35.120 --> 0:39:37.880
<v Speaker 2>compare it to the other seven rapes, and this is

0:39:37.880 --> 0:39:40.600
<v Speaker 2>when he's denying all the rapes and uh oh, Stabler

0:39:40.680 --> 0:39:43.239
<v Speaker 2>notices in the pocket that he takes off that there

0:39:43.640 --> 0:39:45.880
<v Speaker 2>is a hole. There's a hole in the pocket and

0:39:45.920 --> 0:39:50.399
<v Speaker 2>it's a PERV trick. So she Benson like goes at

0:39:50.480 --> 0:39:53.600
<v Speaker 2>him and she calls his dick Willie, which is uncomfortable.

0:39:53.880 --> 0:39:57.759
<v Speaker 2>So then he's denying its public masturbating or being a

0:39:57.760 --> 0:40:00.759
<v Speaker 2>perver rapist. But they arrest his ass and Craigan says,

0:40:00.800 --> 0:40:03.880
<v Speaker 2>we'll just see how this jives with the other witnesses.

0:40:04.680 --> 0:40:09.320
<v Speaker 1>Jib what it's like this Episodes from nineteen seventy four. Okay,

0:40:09.480 --> 0:40:12.239
<v Speaker 1>I so i I've had I've come across this in

0:40:12.320 --> 0:40:15.960
<v Speaker 1>English before, and our English teachers can like come help us,

0:40:16.000 --> 0:40:19.160
<v Speaker 1>But like I believe you're supposed to be saying jibes

0:40:19.920 --> 0:40:25.359
<v Speaker 1>like it's g j I b ees and people have

0:40:25.760 --> 0:40:32.040
<v Speaker 1>sort of like I thought jibe was like a sailing term. No,

0:40:32.320 --> 0:40:35.280
<v Speaker 1>actually that's wrong. I don't know, maybe I'm incorrect.

0:40:36.000 --> 0:40:39.640
<v Speaker 2>Uh, but like I think it's jibes with like a V,

0:40:39.920 --> 0:40:40.520
<v Speaker 2>like a victor.

0:40:41.200 --> 0:40:43.680
<v Speaker 1>I know, but I've heard people say that doesn't vibe

0:40:43.680 --> 0:40:45.239
<v Speaker 1>with what I'm talking about. I've heard people say it

0:40:45.239 --> 0:40:48.160
<v Speaker 1>with a B and like yeah, So like in Britannica,

0:40:48.320 --> 0:40:51.240
<v Speaker 1>jibe is in the Britannic it says his story didn't

0:40:51.280 --> 0:40:53.759
<v Speaker 1>jibe with the testimony of other witnesses. What he what

0:40:53.840 --> 0:40:56.680
<v Speaker 1>he told me doesn't jibe with my experience, So it

0:40:56.840 --> 0:41:00.640
<v Speaker 1>does mean that. And I think it's based off sailing.

0:41:00.719 --> 0:41:02.719
<v Speaker 1>It says to cause, because to jive is to send

0:41:02.760 --> 0:41:05.719
<v Speaker 1>us cause a sailboat to switch direction. So then I

0:41:05.719 --> 0:41:09.319
<v Speaker 1>think people took it like mixed it with jive, but

0:41:09.480 --> 0:41:11.120
<v Speaker 1>jive is a different thing.

0:41:11.840 --> 0:41:16.400
<v Speaker 2>The jib can also work in this context. I feel like,

0:41:16.440 --> 0:41:17.920
<v Speaker 2>are we jiving together?

0:41:19.000 --> 0:41:22.600
<v Speaker 1>Well, if you look it up, in Britannica, jive is

0:41:23.120 --> 0:41:26.000
<v Speaker 1>talking jive like street jive is like a slang term

0:41:26.320 --> 0:41:29.799
<v Speaker 1>like remember from the movie Airplane where it goes, excuse me,

0:41:29.960 --> 0:41:33.239
<v Speaker 1>miss do you speak jive. It's like a it's like

0:41:33.560 --> 0:41:37.720
<v Speaker 1>never deceptive or foolish talk and informal language that includes

0:41:37.719 --> 0:41:41.239
<v Speaker 1>many slang terms, a type of lively music that is

0:41:41.280 --> 0:41:43.440
<v Speaker 1>especially popular in the early part of the twentieth century.

0:41:44.120 --> 0:41:47.799
<v Speaker 1>And then to say in the US, an old old

0:41:47.800 --> 0:41:51.080
<v Speaker 1>definition is to say something foolish or deceptive. I think

0:41:51.120 --> 0:41:53.959
<v Speaker 1>he's like quote, I think he's jiving me, like there's

0:41:54.040 --> 0:41:57.800
<v Speaker 1>nothing in here about something going along with what you're saying.

0:41:57.840 --> 0:41:59.719
<v Speaker 1>I think the word is supposed to be jibe, but

0:41:59.800 --> 0:42:03.279
<v Speaker 1>I agree that it has been. It is like so

0:42:03.400 --> 0:42:06.839
<v Speaker 1>many words that people have sort of mutated and they've

0:42:06.880 --> 0:42:10.440
<v Speaker 1>taken over different Meaningsica dot com.

0:42:10.760 --> 0:42:12.560
<v Speaker 2>Well, I didn't know jibe with a bee as in

0:42:12.680 --> 0:42:16.560
<v Speaker 2>boy was even a word. Yeah, but I wonder if

0:42:16.600 --> 0:42:20.399
<v Speaker 2>it's Craigan's saying it, if it's like a cultural thing

0:42:20.440 --> 0:42:22.600
<v Speaker 2>that you're like saying the society switches it up all

0:42:22.600 --> 0:42:25.359
<v Speaker 2>the time, or if it's just the little typer guy

0:42:25.360 --> 0:42:27.480
<v Speaker 2>who does the closed captioning or woman.

0:42:27.880 --> 0:42:32.600
<v Speaker 1>Yeah, that was.

0:42:32.520 --> 0:42:36.239
<v Speaker 2>Like the one thing about the forty fifth president when

0:42:36.280 --> 0:42:40.400
<v Speaker 2>he was just like fireman or woman or whatever, and

0:42:40.400 --> 0:42:43.239
<v Speaker 2>it's like you could just say firefighter, you fucking illiterate,

0:42:43.280 --> 0:42:51.759
<v Speaker 2>fuck like the I like, it's just so crazy. So

0:42:52.280 --> 0:42:54.480
<v Speaker 2>we go talk to an old lady who saw it

0:42:54.520 --> 0:42:58.239
<v Speaker 2>all and they're circling and the moving and she's like,

0:42:58.320 --> 0:43:00.880
<v Speaker 2>you know, I saw his hands and in the pocket,

0:43:01.160 --> 0:43:03.920
<v Speaker 2>and she was leaning on the medal pole and the

0:43:04.000 --> 0:43:06.000
<v Speaker 2>train jerked and he grabbed the metal pole so we

0:43:06.040 --> 0:43:09.840
<v Speaker 2>wouldn't run into her and adjusted himself. And she's like,

0:43:09.960 --> 0:43:12.960
<v Speaker 2>it was a train jerk, but then he started to

0:43:13.000 --> 0:43:15.880
<v Speaker 2>rub uck against her and that was on purpose.

0:43:16.400 --> 0:43:18.160
<v Speaker 1>And I do really love this old lady.

0:43:18.280 --> 0:43:20.480
<v Speaker 2>But she says, the woman said nothing, and that's why

0:43:20.520 --> 0:43:22.719
<v Speaker 2>this old lady was loud about it. She goes for

0:43:22.760 --> 0:43:24.640
<v Speaker 2>all the times I just stood there and took it

0:43:25.239 --> 0:43:28.319
<v Speaker 2>enough already. And her name is Sylvia Cotters and she

0:43:28.400 --> 0:43:32.280
<v Speaker 2>passed in twenty sixteen, but she wasn't three episodes of SVU,

0:43:32.560 --> 0:43:34.160
<v Speaker 2>so if you'd like to see.

0:43:33.920 --> 0:43:34.920
<v Speaker 1>This cutie again.

0:43:35.400 --> 0:43:39.320
<v Speaker 2>She's then Blinded from season nine and Quickie from season eleven.

0:43:40.440 --> 0:43:42.640
<v Speaker 2>I remember what blind it is, but Quickie, I don't remember,

0:43:42.760 --> 0:43:43.799
<v Speaker 2>just off the top of my head.

0:43:43.840 --> 0:43:46.560
<v Speaker 1>But yeah I don't either. Maybe anonymous quiki dot com

0:43:46.600 --> 0:43:51.680
<v Speaker 1>I'm oh, yeah, that would be amazing, And of course,

0:43:52.000 --> 0:43:54.080
<v Speaker 1>this woman was on an episode of Sex and the

0:43:54.120 --> 0:43:57.960
<v Speaker 1>City the Ick Factor, but her IMDb is mostly credits

0:43:58.000 --> 0:44:01.520
<v Speaker 1>that our old lady, lady, on bench tourist lady and

0:44:01.719 --> 0:44:04.920
<v Speaker 1>so on, so she has played a lot of ladies.

0:44:05.560 --> 0:44:07.840
<v Speaker 2>So we're back in the office and the reporter wants

0:44:07.880 --> 0:44:11.600
<v Speaker 2>to fuck Benson. He's like, oh, man, I missed you

0:44:11.760 --> 0:44:13.760
<v Speaker 2>at that crime scene and she's like, oh, I missed

0:44:13.760 --> 0:44:18.960
<v Speaker 2>you too. There are sparks and they talk Bruce Abbin, you.

0:44:18.880 --> 0:44:20.640
<v Speaker 1>Know, he wants scoop Is he the one?

0:44:20.719 --> 0:44:23.280
<v Speaker 2>And Benson's like, I don't know, you know, it looks promising,

0:44:23.320 --> 0:44:25.279
<v Speaker 2>but we'll see. And then it seems like they're going

0:44:25.320 --> 0:44:28.960
<v Speaker 2>to eat dim sum at eight pm together. Exciting. But

0:44:29.160 --> 0:44:32.080
<v Speaker 2>before we see that, we go to a bricklayer and

0:44:32.120 --> 0:44:35.279
<v Speaker 2>he's husky, he's hot, he has really broad shoulders and

0:44:36.000 --> 0:44:38.400
<v Speaker 2>he's the guy that like pushed Bruce off the woman

0:44:38.560 --> 0:44:41.200
<v Speaker 2>and got into the altercation. And he's like, I put

0:44:41.520 --> 0:44:44.720
<v Speaker 2>I did a Nelson on her, and Jeffreys goes half

0:44:44.719 --> 0:44:49.000
<v Speaker 2>for full and he goes full and he's like, how

0:44:49.040 --> 0:44:52.400
<v Speaker 2>is she doing? And he's super caring and strong and stout,

0:44:52.440 --> 0:44:55.160
<v Speaker 2>and we are obsessed, and he has overalls on. So

0:44:55.280 --> 0:44:58.520
<v Speaker 2>now we go to the hospital and the employee there,

0:44:58.719 --> 0:45:02.120
<v Speaker 2>doctor nurse, I don't remember, but they say no penetration,

0:45:02.440 --> 0:45:05.040
<v Speaker 2>you know, thank god, and he did a pelvic and

0:45:05.920 --> 0:45:06.960
<v Speaker 2>no sign of trauma.

0:45:07.480 --> 0:45:08.840
<v Speaker 1>And she keeps saying, nothing happen.

0:45:09.280 --> 0:45:13.200
<v Speaker 2>And amazing actress Dina Pearlman, and she was actually in

0:45:13.200 --> 0:45:16.120
<v Speaker 2>another SVU episode Pure and that's what Martin short from

0:45:16.120 --> 0:45:19.279
<v Speaker 2>season six. If you remember, yes, and if you remember that,

0:45:19.360 --> 0:45:23.520
<v Speaker 2>you must remember that she is the woman from Sex

0:45:23.560 --> 0:45:27.280
<v Speaker 2>and the City that in the money episode with Carrie

0:45:27.400 --> 0:45:30.440
<v Speaker 2>and Charlotte goes to like melt down her engagement ring

0:45:30.480 --> 0:45:32.839
<v Speaker 2>and this woman wants to, you know, turn her shit

0:45:32.880 --> 0:45:36.920
<v Speaker 2>into bagette and they start melting the diamonds and she

0:45:36.920 --> 0:45:39.760
<v Speaker 2>gets very very upset. And so she's the diamond woman

0:45:40.239 --> 0:45:45.200
<v Speaker 2>from that. She says, he rubbed up, yes, but it's

0:45:45.239 --> 0:45:46.680
<v Speaker 2>not different from most days.

0:45:46.680 --> 0:45:47.400
<v Speaker 1>On the subway.

0:45:48.200 --> 0:45:51.160
<v Speaker 2>Munch and Jeffreys are there and she's like, listen, you

0:45:51.200 --> 0:45:52.680
<v Speaker 2>got to watch out on the subway.

0:45:53.000 --> 0:45:54.759
<v Speaker 1>You read a line, you scan the car.

0:45:54.880 --> 0:45:57.520
<v Speaker 2>You read a line, you scan the car, and you

0:45:57.640 --> 0:46:00.400
<v Speaker 2>mind your own business, which is what that lady should

0:46:00.400 --> 0:46:00.960
<v Speaker 2>have done.

0:46:01.120 --> 0:46:02.640
<v Speaker 1>She's like, there was no rape.

0:46:02.680 --> 0:46:05.840
<v Speaker 2>There wasn't even a flashing situation, which actually did happen

0:46:05.880 --> 0:46:09.200
<v Speaker 2>to me two weeks ago, and it's always gross, and

0:46:09.320 --> 0:46:12.000
<v Speaker 2>I wish I had a subit. I wish I had

0:46:12.040 --> 0:46:15.480
<v Speaker 2>a Mustang and lived in the suburbs, and Munch goes, Amen.

0:46:16.239 --> 0:46:19.640
<v Speaker 2>So we're back, and now it's Craigan and Audra. They

0:46:19.680 --> 0:46:22.560
<v Speaker 2>are fighting. She's like, he didn't rape her, and Craigan goes,

0:46:22.880 --> 0:46:25.839
<v Speaker 2>he just didn't get that chance. So it's lineup time

0:46:25.920 --> 0:46:28.080
<v Speaker 2>and Craigan's like, let's bring them all down here, and

0:46:28.120 --> 0:46:30.120
<v Speaker 2>Audras pissed and she's like, what you want them to

0:46:30.160 --> 0:46:31.040
<v Speaker 2>take the train down?

0:46:31.080 --> 0:46:33.520
<v Speaker 1>And he goes, that's not my problem.

0:46:34.080 --> 0:46:37.360
<v Speaker 2>Season one Kragan, Yeah, he goes, what you think I

0:46:37.360 --> 0:46:39.680
<v Speaker 2>should pick up each of these women and she's like, yeah,

0:46:39.680 --> 0:46:42.520
<v Speaker 2>that's exactly what I think. If their anxiety goes up

0:46:42.520 --> 0:46:44.600
<v Speaker 2>on transit and that's how they get around, you don't

0:46:44.600 --> 0:46:47.400
<v Speaker 2>want them stressed during the lineup, do you. And he

0:46:47.480 --> 0:46:50.000
<v Speaker 2>finally is like, yeah, yeah, you're right, you're right. You know, well,

0:46:50.200 --> 0:46:52.279
<v Speaker 2>we'll make sure to get these IDs and make sure

0:46:52.280 --> 0:46:53.600
<v Speaker 2>they go as smooth as possible.

0:46:54.080 --> 0:46:56.320
<v Speaker 1>So Bruce and a bunch of shlubs are in a lineup.

0:46:56.360 --> 0:46:59.240
<v Speaker 2>Woman after one woman says nope, nope, nope, nope, nope.

0:46:59.360 --> 0:47:02.600
<v Speaker 2>One bleach lady is pissed, and she goes, I guess

0:47:02.600 --> 0:47:06.360
<v Speaker 2>I'll stay taking cabs, and the other is stressed, but

0:47:06.520 --> 0:47:08.960
<v Speaker 2>you know, you know, Audre is touching her shoulder, and

0:47:09.000 --> 0:47:11.839
<v Speaker 2>one woman with curls is crazed and she's like, it's

0:47:11.960 --> 0:47:14.520
<v Speaker 2>number two, no, number four, yes, no, I don't know,

0:47:15.000 --> 0:47:17.319
<v Speaker 2>and then she's crying. She is stressed. It is sad,

0:47:17.400 --> 0:47:20.319
<v Speaker 2>she says. She sees parts of him everywhere, every man

0:47:20.400 --> 0:47:22.239
<v Speaker 2>on the street. She doesn't see him in there, but

0:47:22.320 --> 0:47:26.320
<v Speaker 2>more than anything, she wishes she did. She breathes, she leaves.

0:47:26.719 --> 0:47:29.800
<v Speaker 2>Another woman says number one, and then a goth cries

0:47:29.920 --> 0:47:34.439
<v Speaker 2>on Jeffrey's shoulder. So now it's Nicole Sullivan and she's like, well,

0:47:34.440 --> 0:47:36.359
<v Speaker 2>what if I'm wrong and they're like, well, that would

0:47:36.360 --> 0:47:39.319
<v Speaker 2>be a trial issue. She's like trial and they go yeah,

0:47:39.320 --> 0:47:41.319
<v Speaker 2>but we also have the DNA, and so she goes, well,

0:47:41.320 --> 0:47:42.799
<v Speaker 2>if you have the DNA, doesn't matter if I'm right

0:47:42.840 --> 0:47:45.000
<v Speaker 2>or wrong right, and Benson goes, well, we would need

0:47:45.040 --> 0:47:47.239
<v Speaker 2>your testimony for the jury, and she goes, yeah, but

0:47:47.320 --> 0:47:49.239
<v Speaker 2>why do you need any of this if you have

0:47:49.280 --> 0:47:52.440
<v Speaker 2>the seamen but anyways, she doesn't even see him.

0:47:52.640 --> 0:47:54.919
<v Speaker 1>We go to blackout. So now there's a lawyer woman.

0:47:54.960 --> 0:47:57.160
<v Speaker 1>We've never seen her in our lives. Again, I don't know,

0:47:57.239 --> 0:48:00.080
<v Speaker 1>I don't know her. And Craigan and Audra are the

0:48:01.680 --> 0:48:02.600
<v Speaker 1>what do we do now?

0:48:02.760 --> 0:48:05.080
<v Speaker 2>And Audre's gonna bully him to admit to the fondling

0:48:05.160 --> 0:48:07.920
<v Speaker 2>because he knows he's guilty. And she goes in their

0:48:07.960 --> 0:48:10.440
<v Speaker 2>guns blazing because just approved to this whole department that

0:48:10.520 --> 0:48:12.600
<v Speaker 2>she's good at her job. Because even when she's like,

0:48:12.840 --> 0:48:15.279
<v Speaker 2>I think he'll do this in that Kraigan's.

0:48:14.760 --> 0:48:17.040
<v Speaker 1>Like, okay, bitch, you know, like he is not.

0:48:17.880 --> 0:48:20.960
<v Speaker 2>He's not trusting of her until the lawyer tries to

0:48:20.960 --> 0:48:23.440
<v Speaker 2>give attitude and she tells him to shut up. She

0:48:23.560 --> 0:48:25.640
<v Speaker 2>lets Bruce know that they are not going to charge

0:48:25.680 --> 0:48:27.560
<v Speaker 2>him for the rapes because they know he didn't do it,

0:48:27.600 --> 0:48:30.319
<v Speaker 2>and he's very surprised that they even believed him. Then

0:48:30.360 --> 0:48:33.160
<v Speaker 2>she asks if he likes riding the subways. He goes, yes,

0:48:33.239 --> 0:48:35.640
<v Speaker 2>The motion rocks you side to side, front to back,

0:48:35.719 --> 0:48:36.960
<v Speaker 2>and it's soothing.

0:48:37.239 --> 0:48:39.880
<v Speaker 1>The lawyer jumps out of his skin. What is this babbel?

0:48:40.080 --> 0:48:42.080
<v Speaker 2>And she's like, I'm trying to make him feel better,

0:48:42.520 --> 0:48:45.560
<v Speaker 2>and he says he says, that's my job, and she goes, no,

0:48:45.920 --> 0:48:48.560
<v Speaker 2>your job is to get him a lesser charge of fondling.

0:48:49.120 --> 0:48:52.080
<v Speaker 2>Bruce stutters out his life story. He's a geek from

0:48:52.120 --> 0:48:55.040
<v Speaker 2>South Dakota. He's an artist. He came to New York.

0:48:55.080 --> 0:48:57.040
<v Speaker 2>It was his dream, but he doesn't know what happened.

0:48:57.040 --> 0:49:00.520
<v Speaker 2>Everything just evaporated. He got drunk and he went to

0:49:00.520 --> 0:49:03.400
<v Speaker 2>a porno place where they like dance behind the window,

0:49:03.400 --> 0:49:05.120
<v Speaker 2>and the next thing he knew he was against the

0:49:05.120 --> 0:49:08.080
<v Speaker 2>glass sweeping. And so then he got on the subway

0:49:08.520 --> 0:49:11.040
<v Speaker 2>and he's saying he didn't do anything because he already

0:49:11.120 --> 0:49:13.880
<v Speaker 2>relieved himself at the porno place. He was not looking

0:49:13.920 --> 0:49:16.120
<v Speaker 2>for sex, but this woman was just so lovely and

0:49:16.160 --> 0:49:18.960
<v Speaker 2>he saw her and when he realized what he was doing,

0:49:19.000 --> 0:49:22.799
<v Speaker 2>he pulled back, but he just wanted some contact. So

0:49:22.840 --> 0:49:25.480
<v Speaker 2>we're at a walk and talk Audre and Craigan, and

0:49:25.520 --> 0:49:28.040
<v Speaker 2>she goes, I don't think he's violent, and Craigan goes,

0:49:28.080 --> 0:49:30.120
<v Speaker 2>he carries her on a box cutter, and she goes, yeah,

0:49:30.120 --> 0:49:34.160
<v Speaker 2>maybe it's to actually open boxes, but he goes, fine,

0:49:34.200 --> 0:49:36.080
<v Speaker 2>then it's not him than who And she's like, well,

0:49:36.120 --> 0:49:38.960
<v Speaker 2>you're looking for your classic power rapist, a guy who

0:49:39.000 --> 0:49:43.000
<v Speaker 2>feels powerless and disenfranchised and uses violence to gain control

0:49:43.280 --> 0:49:46.080
<v Speaker 2>and then goes back to feeling powerless. That's why he

0:49:46.120 --> 0:49:48.600
<v Speaker 2>wants to get caught. And so now we're at a

0:49:48.640 --> 0:49:52.080
<v Speaker 2>bar and this is like very season one. We don't

0:49:52.160 --> 0:49:56.280
<v Speaker 2>it's Benson's out on the town. She's flirting. The reporter

0:49:56.400 --> 0:49:58.560
<v Speaker 2>keeps babbling about the case, and she goes, are we

0:49:58.640 --> 0:50:01.640
<v Speaker 2>working or flirting? And he goes, We're always working and

0:50:01.680 --> 0:50:04.480
<v Speaker 2>she's like, so, I guess we're not flirting and he goes, no,

0:50:04.680 --> 0:50:07.080
<v Speaker 2>I'm offering my undying love to you for the ten

0:50:07.160 --> 0:50:10.080
<v Speaker 2>millionth time, and she goes, well, maybe tonight you'll get lucky,

0:50:10.400 --> 0:50:12.520
<v Speaker 2>and he's like really. So then we go back to

0:50:12.719 --> 0:50:15.960
<v Speaker 2>talking about the subway rapist and they're drinking bottled beer

0:50:16.160 --> 0:50:18.759
<v Speaker 2>and I like that little touch. He then encourages her

0:50:18.840 --> 0:50:21.400
<v Speaker 2>to write a book about sex offenders because she really

0:50:21.480 --> 0:50:24.600
<v Speaker 2>knows these guys well and that's why people move away

0:50:24.640 --> 0:50:28.560
<v Speaker 2>from her on the couch and she's like, gee, thanks,

0:50:28.680 --> 0:50:30.799
<v Speaker 2>that's nice for me, and she gets up to walk

0:50:30.840 --> 0:50:33.360
<v Speaker 2>away and she has a strappy black tank top on

0:50:33.480 --> 0:50:36.000
<v Speaker 2>and then you know, party top diamond studs. But he

0:50:36.040 --> 0:50:38.439
<v Speaker 2>gets up and he's not letting her walk out, and

0:50:38.560 --> 0:50:41.440
<v Speaker 2>she smiles seductively at him, being like, oh, you're blocking

0:50:41.480 --> 0:50:41.880
<v Speaker 2>the door.

0:50:42.120 --> 0:50:42.480
<v Speaker 1>Love that.

0:50:43.160 --> 0:50:45.200
<v Speaker 2>So they smile and they are now making out on

0:50:45.239 --> 0:50:49.319
<v Speaker 2>the couch obsessed. We see a radiator, we see some

0:50:49.440 --> 0:50:53.360
<v Speaker 2>candle six and honestly, it's like a girl vertical blind.

0:50:54.200 --> 0:50:55.399
<v Speaker 1>But she wants to hook up.

0:50:55.440 --> 0:50:59.719
<v Speaker 2>We've never seen Benson this horny. But he can't stop

0:50:59.760 --> 0:51:02.360
<v Speaker 2>bringing up sex crimes. And he's like, do you like

0:51:02.400 --> 0:51:04.680
<v Speaker 2>to have sex with your eyes closed? And she's like, no,

0:51:04.760 --> 0:51:07.680
<v Speaker 2>I like to have sex with my white eyes wide open, baby.

0:51:08.160 --> 0:51:10.479
<v Speaker 2>And so there's more kissing and he keeps trying to talk,

0:51:10.520 --> 0:51:13.160
<v Speaker 2>and she keeps wanting to hook up and for him

0:51:13.160 --> 0:51:15.959
<v Speaker 2>to stop bringing up the rape case. And then while

0:51:15.960 --> 0:51:18.959
<v Speaker 2>wrapped around like he's wrapped around her from the back,

0:51:19.080 --> 0:51:22.120
<v Speaker 2>he goes, let's pretend I'm the guy from the subway.

0:51:22.560 --> 0:51:26.600
<v Speaker 2>She's turned off immediately tells him to stop it. He like,

0:51:26.680 --> 0:51:29.719
<v Speaker 2>she is so grossed out, and she goes, ugh, I'm

0:51:29.719 --> 0:51:32.320
<v Speaker 2>gonna go wash my face and hands and my mouth.

0:51:32.640 --> 0:51:34.839
<v Speaker 2>And there's the door and make sure you're out when

0:51:34.840 --> 0:51:38.279
<v Speaker 2>I get out of here. Gone, and she slams the door.

0:51:38.360 --> 0:51:41.319
<v Speaker 2>He feels stupid, but not stupid enough because while he's

0:51:41.360 --> 0:51:45.600
<v Speaker 2>gathering his things, he finds her files and goes through them.

0:51:46.120 --> 0:51:48.759
<v Speaker 2>So then Craigan at his desk reading a folded newspaper

0:51:48.760 --> 0:51:51.239
<v Speaker 2>as Benson enters his office, and we know this is

0:51:51.360 --> 0:51:52.200
<v Speaker 2>not going to be good.

0:51:52.480 --> 0:51:53.880
<v Speaker 1>And he's like, Wow, it's wild.

0:51:53.880 --> 0:51:56.279
<v Speaker 2>This reporter seemed to get right inside the head of

0:51:56.320 --> 0:51:59.200
<v Speaker 2>this rapist, like he got it straight from the horse's mouth.

0:51:59.520 --> 0:52:02.560
<v Speaker 2>She's like, fuck him and his imagination. He was at

0:52:02.560 --> 0:52:04.360
<v Speaker 2>my apartment and on his way out, I turned my

0:52:04.400 --> 0:52:07.640
<v Speaker 2>back for a fucking second. And Craigan goes, never turn

0:52:07.680 --> 0:52:11.759
<v Speaker 2>your back on a reporter. She feels really bad and

0:52:11.960 --> 0:52:14.400
<v Speaker 2>is like, believe me, I won't. He asks if she

0:52:14.960 --> 0:52:17.240
<v Speaker 2>wants him to handle and she goes, oh no, don't worry,

0:52:17.360 --> 0:52:19.880
<v Speaker 2>I will. Munch comes in to say there's been another

0:52:19.960 --> 0:52:23.000
<v Speaker 2>fucking rape and the car is waiting for them at

0:52:23.040 --> 0:52:27.200
<v Speaker 2>Delancey Street station. He sends Munch and Jeffrey's Benson gets

0:52:27.200 --> 0:52:30.239
<v Speaker 2>reassurance from Craigan that they're good, and he's like, we're good,

0:52:30.280 --> 0:52:33.960
<v Speaker 2>We're good. So we're back with an accent heavy uniform

0:52:34.000 --> 0:52:36.080
<v Speaker 2>cop leading them through the subway car and explains that

0:52:36.160 --> 0:52:38.480
<v Speaker 2>the lady was in shock and was taken to the hospital.

0:52:38.840 --> 0:52:41.480
<v Speaker 2>One of the eyewitnesses grabbed the guy's coat and some

0:52:41.600 --> 0:52:44.399
<v Speaker 2>card fell out of the pocket. What's the card? What's

0:52:44.440 --> 0:52:48.840
<v Speaker 2>the card? And it is a parking stub. So but

0:52:49.000 --> 0:52:51.000
<v Speaker 2>he takes the train, So what's with the parking stub?

0:52:51.040 --> 0:52:53.600
<v Speaker 2>That seems very strange to them. So but it is

0:52:53.640 --> 0:52:56.040
<v Speaker 2>their first lead, so they're very excited. The parking stub

0:52:56.120 --> 0:53:00.279
<v Speaker 2>is from six fifty am that morning from Queen's. When

0:53:00.280 --> 0:53:02.239
<v Speaker 2>they go to the garage, the car is not there,

0:53:02.719 --> 0:53:05.600
<v Speaker 2>and so much is suspicious of the parking attendant, like

0:53:05.680 --> 0:53:07.920
<v Speaker 2>how did this dude get this ticket without the.

0:53:07.880 --> 0:53:09.719
<v Speaker 1>Car being dropped off? Like what's going on?

0:53:10.160 --> 0:53:13.120
<v Speaker 2>And he says, well, policy has lost ticket, pays Max

0:53:13.600 --> 0:53:16.919
<v Speaker 2>and he's lying. Munches get like, we all know he's lying.

0:53:16.960 --> 0:53:19.520
<v Speaker 2>Much knows he's lying. So we gotta we gotta get

0:53:19.600 --> 0:53:22.760
<v Speaker 2>to the truth. And Jeffries is digging in the little

0:53:22.760 --> 0:53:26.319
<v Speaker 2>box where do they work in the little box? What

0:53:26.320 --> 0:53:27.760
<v Speaker 2>do they call that little box?

0:53:29.160 --> 0:53:30.840
<v Speaker 1>Whatever? Their little parking box.

0:53:30.880 --> 0:53:35.160
<v Speaker 2>That's where that's where Jeffries is digging around, and she

0:53:35.400 --> 0:53:37.839
<v Speaker 2>finds that the car was picked up a couple hours ago.

0:53:38.239 --> 0:53:41.760
<v Speaker 2>So Munch is like, oh, so the policy has lost ticket,

0:53:41.880 --> 0:53:44.720
<v Speaker 2>you keep the maximum. He doesn't want to get fired,

0:53:44.880 --> 0:53:47.360
<v Speaker 2>so he tells us exactly who this person from the

0:53:47.400 --> 0:53:47.799
<v Speaker 2>car is.

0:53:48.280 --> 0:53:50.719
<v Speaker 1>So he goes, this guy always parks here, white.

0:53:50.520 --> 0:53:54.120
<v Speaker 2>Skinny, pointy nose, a couple of cars, van or a truck,

0:53:54.160 --> 0:53:58.000
<v Speaker 2>but all from the same place, Dual's painting contractors. So

0:53:58.040 --> 0:53:59.880
<v Speaker 2>we head on over to Duels and we talked to

0:53:59.920 --> 0:54:03.359
<v Speaker 2>a painter and white overalls being classic as hell, you know,

0:54:03.560 --> 0:54:06.279
<v Speaker 2>like he looks like he paints, he's carrying stuff, like

0:54:06.320 --> 0:54:09.879
<v Speaker 2>he's busy at the detectives, he has a flannel, he's

0:54:09.920 --> 0:54:12.840
<v Speaker 2>got it going on. And so he tells Jefferys in

0:54:12.920 --> 0:54:15.160
<v Speaker 2>Munch that only one white guy works with them, so

0:54:15.239 --> 0:54:21.120
<v Speaker 2>that's easy, and that's sal Avelino played by sal Viscuso, and.

0:54:21.120 --> 0:54:21.960
<v Speaker 1>He stays working.

0:54:22.040 --> 0:54:24.480
<v Speaker 2>His first credit is the nineteen seventies and he did

0:54:24.560 --> 0:54:28.480
<v Speaker 2>like a bunch of episodes of mash so really exciting.

0:54:28.800 --> 0:54:31.720
<v Speaker 2>And one credit that really caught my eye was he's

0:54:31.760 --> 0:54:35.640
<v Speaker 2>the voice of the Reservoir Dogs video game, which I

0:54:35.719 --> 0:54:40.040
<v Speaker 2>didn't even know that it existed, and it probably is

0:54:40.120 --> 0:54:44.520
<v Speaker 2>really violent, Like do you just saw his ear off, like, I.

0:54:44.560 --> 0:54:50.240
<v Speaker 1>Don't my video great question. Oh yeah, it's Cops.

0:54:50.280 --> 0:54:53.319
<v Speaker 2>It's basically a cops shoot him up game from two

0:54:53.400 --> 0:54:57.920
<v Speaker 2>thousand and six. This is so funny. I wonder if

0:54:57.920 --> 0:55:00.759
<v Speaker 2>it did well, Maybe that'll be my thing. I'll play

0:55:00.840 --> 0:55:05.000
<v Speaker 2>video games from movies like I bet that could get

0:55:05.320 --> 0:55:08.880
<v Speaker 2>get me excited. I mean, the graphics seem worse than

0:55:08.920 --> 0:55:14.719
<v Speaker 2>two thousand and six, but maybe I don't. Maybe two

0:55:14.760 --> 0:55:18.680
<v Speaker 2>thousand and six was just that long ago. Yeah, graphics

0:55:18.719 --> 0:55:22.680
<v Speaker 2>have come along line, that's for sure, but we're still

0:55:22.680 --> 0:55:25.560
<v Speaker 2>talking to the guy just getting scoop and the scoop

0:55:25.560 --> 0:55:28.000
<v Speaker 2>guys like, yeah, Sal's been here for about a year,

0:55:28.120 --> 0:55:31.200
<v Speaker 2>part time, not even that, but you know, because he's

0:55:31.200 --> 0:55:33.359
<v Speaker 2>annoying when he takes the car, you never know when

0:55:33.360 --> 0:55:35.760
<v Speaker 2>he'll come back. He took a car to get some supplies,

0:55:35.880 --> 0:55:37.280
<v Speaker 2>came back three hours later.

0:55:37.640 --> 0:55:39.720
<v Speaker 1>He's like, I'm gonna fire him one of these days.

0:55:39.800 --> 0:55:42.759
<v Speaker 2>And they're like, well, is it the same job, same time,

0:55:42.840 --> 0:55:44.960
<v Speaker 2>type of place, and he goes, no, no, no, it's different

0:55:45.040 --> 0:55:46.920
<v Speaker 2>jobs all over the city, different places.

0:55:47.280 --> 0:55:49.040
<v Speaker 1>It just depends on the errands that come in.

0:55:49.400 --> 0:55:51.799
<v Speaker 2>But like even recently, he took a lunch break a

0:55:51.800 --> 0:55:54.880
<v Speaker 2>few days ago and that lasted all afternoon. And I

0:55:54.920 --> 0:55:57.160
<v Speaker 2>don't think it's a drinking problem. They suggest he's a drunk.

0:55:57.200 --> 0:55:59.680
<v Speaker 2>He's like, no, I'm a drunk. Something else is up

0:55:59.680 --> 0:56:03.920
<v Speaker 2>with these this guy. But Sally is working, so you know.

0:56:04.040 --> 0:56:07.520
<v Speaker 2>They point to his pointy nose. They point to him.

0:56:07.800 --> 0:56:10.880
<v Speaker 2>His nose fits the description. He's covered in paint. This

0:56:11.040 --> 0:56:13.520
<v Speaker 2>is perfect. So they bring his ass in. Munch makes

0:56:13.560 --> 0:56:15.000
<v Speaker 2>fun of him.

0:56:14.320 --> 0:56:17.200
<v Speaker 1>They're like, oh great, you only have twelve dollars in

0:56:17.200 --> 0:56:19.160
<v Speaker 1>his pockets. What a great big fortune.

0:56:19.560 --> 0:56:23.400
<v Speaker 2>And he goes, I'm just a house painter, and Munch's like, yeah, yeah,

0:56:23.440 --> 0:56:26.680
<v Speaker 2>so was Hitler and who was also an impotent schlub

0:56:26.680 --> 0:56:29.439
<v Speaker 2>who needed violence to get it up. It's like, you're

0:56:29.480 --> 0:56:35.319
<v Speaker 2>coming on Strong, Strong. There's no games and confessions here.

0:56:35.800 --> 0:56:38.239
<v Speaker 2>But he has two driver's licenses, which is weird. One

0:56:38.600 --> 0:56:40.080
<v Speaker 2>he's like, oh yeah, yeah, I found it. I just

0:56:40.120 --> 0:56:42.760
<v Speaker 2>didn't have time to return it. It's someone named Sindra

0:56:42.920 --> 0:56:46.480
<v Speaker 2>Lawnstine and she is an organ donor. They ask where

0:56:46.520 --> 0:56:48.240
<v Speaker 2>he finds a He goes, I don't know, a street,

0:56:48.239 --> 0:56:51.239
<v Speaker 2>a job, I'm not sure. Munch goes or the subway,

0:56:51.760 --> 0:56:53.640
<v Speaker 2>and then they find his metro card, which is great,

0:56:53.800 --> 0:56:55.280
<v Speaker 2>so now they can track.

0:56:55.080 --> 0:56:56.160
<v Speaker 1>Wherever he's been going.

0:56:56.920 --> 0:56:59.960
<v Speaker 2>But when they go to get more information from fucking

0:57:00.200 --> 0:57:04.040
<v Speaker 2>trenchy over there, the fucking system is frozen and the

0:57:04.120 --> 0:57:06.840
<v Speaker 2>transit like he's just like, oh, technology, what are you

0:57:06.880 --> 0:57:10.080
<v Speaker 2>gonna do? Munch is getting impatient, so rowdy, and the

0:57:10.120 --> 0:57:12.400
<v Speaker 2>dude is like, what do you want from me? And

0:57:12.480 --> 0:57:15.520
<v Speaker 2>Munch goes to sit on the third rail and walks away.

0:57:16.160 --> 0:57:19.200
<v Speaker 2>So now the painter Sal has a nice young attorney

0:57:19.240 --> 0:57:22.200
<v Speaker 2>who's ready to rumble. She says he can't do the

0:57:22.240 --> 0:57:25.000
<v Speaker 2>lineup right now, and Craigan goes, what are you talking about?

0:57:25.040 --> 0:57:26.320
<v Speaker 1>Like she no one respects her.

0:57:26.480 --> 0:57:29.920
<v Speaker 2>Basically, Craigan assumes it's because he's like too tired or something,

0:57:29.960 --> 0:57:32.400
<v Speaker 2>because he goes, well, he can rest between IDs, we're

0:57:32.440 --> 0:57:34.720
<v Speaker 2>doing it, and then she goes, well, fine, but he

0:57:34.760 --> 0:57:36.960
<v Speaker 2>needs to be first in line, and they're like okay,

0:57:37.160 --> 0:57:39.000
<v Speaker 2>number one, Sal, way to go.

0:57:39.440 --> 0:57:40.560
<v Speaker 1>And it's just.

0:57:42.240 --> 0:57:44.920
<v Speaker 2>So my confusion is like why she was like he

0:57:45.000 --> 0:57:46.480
<v Speaker 2>can't do the lineup today?

0:57:46.680 --> 0:57:48.960
<v Speaker 1>That's like what I wasn't the lawyer, Like, wasn't the

0:57:49.040 --> 0:57:51.560
<v Speaker 1>lawyer like my client is tired? I thought there was

0:57:51.600 --> 0:57:53.640
<v Speaker 1>a line like that where the guy was like, I'm

0:57:53.720 --> 0:57:56.200
<v Speaker 1>defending my dirtbag client and he needs a nap, Like

0:57:56.320 --> 0:57:58.040
<v Speaker 1>I thought there was something like that.

0:57:58.040 --> 0:58:01.000
<v Speaker 2>No, because that's what Craigan responds. He's like, he can

0:58:01.080 --> 0:58:04.800
<v Speaker 2>rest between IDs. But then she's like demands he's going

0:58:04.840 --> 0:58:07.000
<v Speaker 2>to be first in line. And it seems like a

0:58:07.960 --> 0:58:11.840
<v Speaker 2>like an agent like negotiating where it's like.

0:58:11.920 --> 0:58:16.480
<v Speaker 1>Yeah, fine, if you don't use that for that position. Yeah,

0:58:16.520 --> 0:58:18.760
<v Speaker 1>but if she books this pilot, she's out for this

0:58:18.840 --> 0:58:21.800
<v Speaker 1>and you have to let her out. Yeah. It's seemed

0:58:21.920 --> 0:58:23.040
<v Speaker 1>very like okay, so.

0:58:24.120 --> 0:58:26.800
<v Speaker 2>Like you were already ready with another request, like it

0:58:26.920 --> 0:58:30.320
<v Speaker 2>just seems wild, but he allows it. Craigan doesn't care,

0:58:30.400 --> 0:58:32.600
<v Speaker 2>so you know, it's his lucky number one and he

0:58:32.640 --> 0:58:35.120
<v Speaker 2>gets to walk out first. And before they even all

0:58:35.160 --> 0:58:39.000
<v Speaker 2>come out, Nicole Sullivan knows it's number one and it's

0:58:39.080 --> 0:58:40.520
<v Speaker 2>quick and they're like, well, no, you have to wait,

0:58:40.560 --> 0:58:41.760
<v Speaker 2>and she goes, I don't give a shit, I know

0:58:41.800 --> 0:58:44.440
<v Speaker 2>it's number one. And then she asked jeffries, now what

0:58:44.760 --> 0:58:46.520
<v Speaker 2>and they say, well, we'll hit you up when it's

0:58:46.520 --> 0:58:49.960
<v Speaker 2>time to testify for court. And she says, Jen, you

0:58:50.000 --> 0:58:54.160
<v Speaker 2>did great, and she's like yeah, yeah, walks off, and

0:58:54.200 --> 0:58:56.520
<v Speaker 2>then so she go but she goes back into this

0:58:56.560 --> 0:58:58.480
<v Speaker 2>little room where all the other girls are waiting for

0:58:58.520 --> 0:59:02.760
<v Speaker 2>the lineup id as well because she forgot her scarf.

0:59:02.840 --> 0:59:05.160
<v Speaker 2>But then one of the women, the Emo woman, asks

0:59:05.200 --> 0:59:07.720
<v Speaker 2>how was it? And she goes short and quick, and

0:59:07.960 --> 0:59:11.000
<v Speaker 2>another woman goes like him, and then the Emo girls

0:59:11.080 --> 0:59:13.479
<v Speaker 2>that little bastard, and then the man in the suit

0:59:13.520 --> 0:59:15.880
<v Speaker 2>that's obviously supposed to be there to make sure something

0:59:15.960 --> 0:59:18.800
<v Speaker 2>like this doesn't happen goes, ah, you can't do it,

0:59:18.880 --> 0:59:21.320
<v Speaker 2>and then Jeffries enters and she is pissed.

0:59:21.360 --> 0:59:22.280
<v Speaker 1>She's like fuck.

0:59:23.120 --> 0:59:25.400
<v Speaker 2>So they talk to the suit man in the office

0:59:25.520 --> 0:59:28.000
<v Speaker 2>and it's so it's Kragan's office as much as they're Jeffreys.

0:59:28.040 --> 0:59:29.440
<v Speaker 2>They're all mad at this guy and he's like, it

0:59:29.440 --> 0:59:31.480
<v Speaker 2>happens so quick, and they're like, yeah, you should have

0:59:31.520 --> 0:59:37.840
<v Speaker 2>been faster, loser. So then he then goes super sexist immediately.

0:59:38.240 --> 0:59:40.480
<v Speaker 2>Oh you know there are six women in there. You know,

0:59:40.520 --> 0:59:43.800
<v Speaker 2>they all start yacking at once. And this is another

0:59:43.960 --> 0:59:48.520
<v Speaker 2>fucking weird word choice, like yaking to me is puking.

0:59:48.840 --> 0:59:51.760
<v Speaker 2>And then I know about yapping, but I didn't know yaking.

0:59:51.880 --> 0:59:54.240
<v Speaker 1>Well, what about the song that goes yackety yack, don't

0:59:54.240 --> 0:59:59.680
<v Speaker 1>talk back? Whoa yeah, yaking as barf, Like is a

0:59:59.760 --> 1:00:02.680
<v Speaker 1>late or that's a more that's a more recent thing.

1:00:03.040 --> 1:00:05.560
<v Speaker 1>There's a lot of shit on the show that is like,

1:00:05.960 --> 1:00:07.760
<v Speaker 1>you know, it started in ninety nine. A lot of

1:00:07.800 --> 1:00:11.840
<v Speaker 1>the writers are older. Like there's something else in the

1:00:11.960 --> 1:00:13.960
<v Speaker 1>in the next episode we're gonna do that's like an

1:00:14.000 --> 1:00:15.960
<v Speaker 1>old definition of something that I had to look up

1:00:15.960 --> 1:00:17.840
<v Speaker 1>and was like, oh, they're using like the old definition

1:00:17.880 --> 1:00:20.480
<v Speaker 1>of it. Like it's just, you know, I don't want

1:00:20.520 --> 1:00:22.520
<v Speaker 1>to I'm not trying to be agis against the writers,

1:00:22.560 --> 1:00:27.439
<v Speaker 1>but you know, it's not all like holding up or choice. Yeah,

1:00:27.440 --> 1:00:30.880
<v Speaker 1>these are so fucking weird in this one, they all

1:00:30.960 --> 1:00:34.400
<v Speaker 1>start yacking at once, you know, these broads like yeah,

1:00:34.400 --> 1:00:37.000
<v Speaker 1>it's a definite. It's like you could have.

1:00:36.640 --> 1:00:40.800
<v Speaker 2>Screamed loud above them, like you could have shoved her out,

1:00:40.880 --> 1:00:43.680
<v Speaker 2>Like there's just so much But why why were you

1:00:43.720 --> 1:00:46.760
<v Speaker 2>even outside to make sure that she yeah, go in,

1:00:47.000 --> 1:00:48.120
<v Speaker 2>grab her scarf for her?

1:00:49.560 --> 1:00:52.080
<v Speaker 1>So I supposed to be in so that he could

1:00:52.080 --> 1:00:54.280
<v Speaker 1>stop them from comparing notes and talking to each other.

1:00:54.320 --> 1:00:56.160
<v Speaker 1>Why can't they all be in separate rooms like to

1:00:56.240 --> 1:00:59.640
<v Speaker 1>avoid any kind of tainting. I don't know, it's very confusing,

1:00:59.680 --> 1:01:02.760
<v Speaker 1>but I remember this scene all the time. I always

1:01:02.800 --> 1:01:06.040
<v Speaker 1>think about this scene because I'm like, oh yeah, like

1:01:06.520 --> 1:01:08.440
<v Speaker 1>when someone's there for an ID, you can't let them

1:01:08.480 --> 1:01:11.480
<v Speaker 1>be near anyone else. And yet this show constantly like parades,

1:01:11.520 --> 1:01:15.800
<v Speaker 1>witnesses by each other, parades, purps by victims, like everybody's

1:01:15.800 --> 1:01:19.200
<v Speaker 1>constantly just like oopsie, this fancy meeting you here in

1:01:19.280 --> 1:01:22.120
<v Speaker 1>this precinct. Like it's just it's I mean, it's a

1:01:22.120 --> 1:01:24.800
<v Speaker 1>TV device, but it's kind of nuts because I'm always like,

1:01:24.840 --> 1:01:27.800
<v Speaker 1>don't forget season one, the idea was tainted anyway.

1:01:28.280 --> 1:01:30.960
<v Speaker 2>I know we're at court arguing just this, the two

1:01:30.960 --> 1:01:32.360
<v Speaker 2>white women brunette lawyers.

1:01:32.400 --> 1:01:33.680
<v Speaker 1>They're fighting to the judge.

1:01:33.880 --> 1:01:37.880
<v Speaker 2>Who's Peter Francis James playing Judge Kevin Beck.

1:01:37.920 --> 1:01:40.040
<v Speaker 1>And we've seen him before. I think he's one of

1:01:40.040 --> 1:01:41.200
<v Speaker 1>the sexier judges.

1:01:41.640 --> 1:01:44.600
<v Speaker 2>And he has been in five episodes all season one

1:01:44.600 --> 1:01:47.880
<v Speaker 2>and two, which is wild because I really he's made

1:01:47.920 --> 1:01:48.720
<v Speaker 2>an impression on me.

1:01:48.760 --> 1:01:51.360
<v Speaker 1>I would say, oh yeah, yeah, yeah, this guy had

1:01:51.600 --> 1:01:52.960
<v Speaker 1>I had to refresh, but yeah, I.

1:01:52.920 --> 1:01:56.200
<v Speaker 2>Know, I don't watch season one or two that often,

1:01:56.760 --> 1:01:58.680
<v Speaker 2>and it was just a sunder for season two, So

1:01:58.720 --> 1:02:02.400
<v Speaker 2>I am like, why am I so obsessed with him?

1:02:03.040 --> 1:02:06.520
<v Speaker 1>Yeah? I don't know. He's also a theater boy. Man.

1:02:07.760 --> 1:02:12.000
<v Speaker 1>He definitely a man. Oh and he in twenty two

1:02:12.120 --> 1:02:15.200
<v Speaker 1>twenty three was in the revival of Funny Girl, Oh

1:02:15.240 --> 1:02:18.480
<v Speaker 1>Cool with the Liah Michelle of this podcast Liah Michelle.

1:02:21.400 --> 1:02:26.760
<v Speaker 2>Yeah, sexy judge and you know, listen, does this exchange

1:02:26.840 --> 1:02:27.520
<v Speaker 2>during the lineup?

1:02:27.560 --> 1:02:29.680
<v Speaker 1>Fuck up the trial or not? What will he decide?

1:02:29.720 --> 1:02:31.520
<v Speaker 1>And uh? Oh case dismissed.

1:02:31.920 --> 1:02:34.280
<v Speaker 2>Munch and Jeffreys look at each other in despair and

1:02:34.280 --> 1:02:37.600
<v Speaker 2>that we remember what this is called the gallows, the galley,

1:02:37.960 --> 1:02:41.600
<v Speaker 2>the audience court. Oh we figured this out. Yeah, I

1:02:41.640 --> 1:02:42.240
<v Speaker 2>think it's.

1:02:42.160 --> 1:02:44.200
<v Speaker 1>Galley, the gallery.

1:02:44.400 --> 1:02:48.320
<v Speaker 2>We've said Gali, but I think gallery, gallery gallery.

1:02:48.360 --> 1:02:49.080
<v Speaker 1>I knew it was something.

1:02:49.400 --> 1:02:51.919
<v Speaker 2>So they're back at the office and Stabler's leaning back

1:02:51.920 --> 1:02:55.000
<v Speaker 2>in a chair just like fuck. So without an idea,

1:02:55.080 --> 1:02:58.800
<v Speaker 2>it could just be considered consensual? What And then it's like,

1:02:58.840 --> 1:03:01.120
<v Speaker 2>what do you mean can said sex with a stranger

1:03:01.160 --> 1:03:03.760
<v Speaker 2>in a subway holding a box cutter? On what fucking planet?

1:03:03.800 --> 1:03:06.000
<v Speaker 2>They're like, what planet is this judge on? And then

1:03:06.040 --> 1:03:10.280
<v Speaker 2>Benson goes Planet of the Apes and this man is

1:03:10.320 --> 1:03:14.640
<v Speaker 2>not white? Yeah, it is not a good it's crazy.

1:03:14.880 --> 1:03:16.880
<v Speaker 1>I don't think we meant to catch Benson an a

1:03:17.000 --> 1:03:21.160
<v Speaker 1>racist moment, but I think but we did in by accident.

1:03:21.200 --> 1:03:25.160
<v Speaker 1>Whether it's a microaggression or not, it is definitely not

1:03:25.240 --> 1:03:28.200
<v Speaker 1>a good look. No, it's really bad. I'm glad you

1:03:28.320 --> 1:03:31.160
<v Speaker 1>also caught that. I was like, am I gonna just

1:03:31.280 --> 1:03:35.440
<v Speaker 1>pretend that didn't happen? We love Marushka, she didn't do anything. No,

1:03:35.560 --> 1:03:38.360
<v Speaker 1>we have to say something. But I think she also

1:03:38.760 --> 1:03:42.040
<v Speaker 1>is referring to just like it's a man who doesn't

1:03:42.040 --> 1:03:44.480
<v Speaker 1>care about what happens to women, you know. But it's

1:03:44.680 --> 1:03:45.560
<v Speaker 1>bad word choice.

1:03:45.960 --> 1:03:49.080
<v Speaker 2>Yeah, And so then Kraigan just wants to keep it moving.

1:03:49.160 --> 1:03:51.520
<v Speaker 2>He's like, Okay, so what about the ID we found

1:03:51.560 --> 1:03:53.080
<v Speaker 2>seize your los Lonstein.

1:03:53.160 --> 1:03:54.120
<v Speaker 1>Maybe that's our ticket.

1:03:54.520 --> 1:03:56.919
<v Speaker 2>She hasn't returned their calls though, and the DMV has

1:03:56.960 --> 1:03:58.800
<v Speaker 2>not sent her a new idea yet. And that was

1:03:58.920 --> 1:04:01.560
<v Speaker 2>seven months ago. All of her credit card numbers, though,

1:04:01.600 --> 1:04:05.400
<v Speaker 2>were changed at that time, so something occurred seven months ago.

1:04:06.000 --> 1:04:08.720
<v Speaker 2>Her address changed, credit card numbers changed, and she could

1:04:08.760 --> 1:04:11.720
<v Speaker 2>be one of the victims and not attainted witness. Towards

1:04:11.720 --> 1:04:14.919
<v Speaker 2>the end of this meeting, Craigan realizes, wait, Jeffries isn't here,

1:04:14.960 --> 1:04:17.040
<v Speaker 2>what the fuck? And Munch goes, Oh, she's sitting on

1:04:17.080 --> 1:04:20.160
<v Speaker 2>his ass ready to arrest him. He smirks, he likes that.

1:04:20.680 --> 1:04:23.680
<v Speaker 2>So you know, we see her car. So he's using

1:04:23.720 --> 1:04:25.880
<v Speaker 2>a box cutter to open boxes. He's at work, he's

1:04:25.920 --> 1:04:29.720
<v Speaker 2>carrying paint things, and Jeffries is watching closely from her vehicle.

1:04:30.120 --> 1:04:32.080
<v Speaker 2>And so now we go to some random man working

1:04:32.120 --> 1:04:34.120
<v Speaker 2>in the streets, like, I don't know who this is,

1:04:34.200 --> 1:04:36.960
<v Speaker 2>and Stable I've said, that's so many this I don't know.

1:04:36.960 --> 1:04:39.080
<v Speaker 1>There's something about season one that is not as clear

1:04:39.120 --> 1:04:41.480
<v Speaker 1>than when they had their formulas, Like it is just

1:04:41.640 --> 1:04:43.560
<v Speaker 1>more I think they're still working it out.

1:04:43.760 --> 1:04:47.240
<v Speaker 2>Yeah, like I get more confused, I would say in

1:04:47.280 --> 1:04:50.600
<v Speaker 2>the earlier because there was another episode we did recently

1:04:50.600 --> 1:04:52.280
<v Speaker 2>where there was like a whole scene where we both

1:04:52.320 --> 1:04:53.720
<v Speaker 2>were like, I have no idea.

1:04:53.480 --> 1:04:55.840
<v Speaker 1>What just yeah, what is happening here? Yeah, So as

1:04:55.880 --> 1:04:57.760
<v Speaker 1>I think it's like trying to set up red herrings

1:04:57.800 --> 1:05:00.040
<v Speaker 1>and get people to think move their thoughts to a

1:05:00.080 --> 1:05:02.560
<v Speaker 1>different thing, and like it's just something you're like, why

1:05:02.600 --> 1:05:04.600
<v Speaker 1>is that even here? Especially if you're used to like

1:05:04.640 --> 1:05:08.200
<v Speaker 1>the more efficient like current or middle seasons, you know

1:05:08.800 --> 1:05:11.240
<v Speaker 1>where it's like down to a science.

1:05:11.640 --> 1:05:14.000
<v Speaker 2>Yeah, so we're at just like a random man and

1:05:14.080 --> 1:05:17.000
<v Speaker 2>Stabler and Munch asks if he knows Sedra, and he does.

1:05:17.640 --> 1:05:20.240
<v Speaker 2>She's the cleaning she's a cleaning lady with the Mona

1:05:20.280 --> 1:05:23.800
<v Speaker 2>Lisa smile. But she works at thirty fourth Street subway station,

1:05:23.880 --> 1:05:26.200
<v Speaker 2>which is five blocks away from her place. But she

1:05:26.240 --> 1:05:28.120
<v Speaker 2>has to ride all the way to ninety sixth Street

1:05:28.120 --> 1:05:29.880
<v Speaker 2>to punch in and then has to go all the

1:05:29.880 --> 1:05:31.560
<v Speaker 2>way back, and then I wonder if she has to

1:05:31.560 --> 1:05:33.160
<v Speaker 2>go all the way back to clock out, like that

1:05:33.360 --> 1:05:36.960
<v Speaker 2>is insane, but he says she never complains and that

1:05:37.000 --> 1:05:37.760
<v Speaker 2>she's a saint.

1:05:38.280 --> 1:05:40.080
<v Speaker 1>So Benson goes down to.

1:05:40.040 --> 1:05:43.920
<v Speaker 2>The reporter and she's pissed and he's like, whatever, you

1:05:43.920 --> 1:05:45.720
<v Speaker 2>didn't let me read it, so your boss needs to

1:05:45.800 --> 1:05:48.800
<v Speaker 2>chill out, and she goes, yeah, yeah, you found it

1:05:48.840 --> 1:05:52.120
<v Speaker 2>with your reporter instincts. But guess what, my captain isn't

1:05:52.160 --> 1:05:54.320
<v Speaker 2>gonna care about the details, so it looks like I

1:05:54.440 --> 1:05:57.280
<v Speaker 2>screwed up. And he says, you're being too hard on yourself,

1:05:57.360 --> 1:05:59.160
<v Speaker 2>and she tells him to save it and throws a

1:05:59.200 --> 1:06:01.640
<v Speaker 2>file on his desk. It's a cold case. You want

1:06:01.640 --> 1:06:04.040
<v Speaker 2>a good story, you should check it out. He looks

1:06:04.080 --> 1:06:08.360
<v Speaker 2>at it and he reads aloud Philip sternet Hagen convicted

1:06:08.400 --> 1:06:09.920
<v Speaker 2>of strangulation and tortured.

1:06:09.960 --> 1:06:10.920
<v Speaker 1>Who the hell is this?

1:06:11.000 --> 1:06:13.200
<v Speaker 2>And Benson says, Oh, it's a guy who had a

1:06:13.280 --> 1:06:16.080
<v Speaker 2>rich fantasy life who couldn't stop a man who uses

1:06:16.080 --> 1:06:19.120
<v Speaker 2>women without the slightest tinge of regret. He gets what's

1:06:19.120 --> 1:06:21.560
<v Speaker 2>happening now and shuts the file and shifts in a seat,

1:06:21.560 --> 1:06:25.040
<v Speaker 2>and she says, a man like you, A man like you,

1:06:25.520 --> 1:06:27.600
<v Speaker 2>And then all of his coworkers are staring at him.

1:06:28.160 --> 1:06:30.360
<v Speaker 1>You get an idea of why Benson doesn't date much.

1:06:30.400 --> 1:06:32.240
<v Speaker 1>They set it up real quick at the beginning.

1:06:33.600 --> 1:06:35.880
<v Speaker 2>Well, because I forgot about this guy in this episode

1:06:35.880 --> 1:06:38.160
<v Speaker 2>because in the future, when she talks about dying, she says,

1:06:38.160 --> 1:06:39.959
<v Speaker 2>it's like the people that want to recreate the file,

1:06:40.000 --> 1:06:43.360
<v Speaker 2>like they're two turned on like that. I bet there's

1:06:43.400 --> 1:06:45.920
<v Speaker 2>people that are just looking for an SVU detective or

1:06:45.960 --> 1:06:47.160
<v Speaker 2>something or some sort.

1:06:47.000 --> 1:06:50.120
<v Speaker 1>Of well, and she's also like only dating ever guys

1:06:50.120 --> 1:06:52.680
<v Speaker 1>that are just conveniently right there falling in love with

1:06:52.760 --> 1:06:57.880
<v Speaker 1>the city. Yeah, Cassidy, this reporter guy, it'll randomly be

1:06:58.120 --> 1:07:01.160
<v Speaker 1>FBI guys, or like that Da in the Bronx from

1:07:01.160 --> 1:07:02.920
<v Speaker 1>the episode we did with Michael Beach. You know, it's

1:07:02.960 --> 1:07:03.760
<v Speaker 1>like always working.

1:07:03.760 --> 1:07:06.520
<v Speaker 2>That what happens if you all you do is work,

1:07:06.600 --> 1:07:08.200
<v Speaker 2>everyone you date will be from work.

1:07:08.280 --> 1:07:10.200
<v Speaker 1>Yeah, it's all just like people that fall in love

1:07:10.200 --> 1:07:12.200
<v Speaker 1>with her on the job. And then she's like, it's

1:07:12.240 --> 1:07:13.840
<v Speaker 1>too close to work. Yeah.

1:07:13.880 --> 1:07:17.120
<v Speaker 2>And then one abuser from her past, you know, the

1:07:17.600 --> 1:07:21.960
<v Speaker 2>quin guy. But okay, okay, So Munch and Sailor go

1:07:22.000 --> 1:07:23.000
<v Speaker 2>to chat with Cedra.

1:07:23.440 --> 1:07:25.400
<v Speaker 1>They show her the ID. Oh my god, she's so

1:07:25.440 --> 1:07:26.560
<v Speaker 1>happy to have it back.

1:07:26.960 --> 1:07:28.760
<v Speaker 2>They ask if she lost in She goes, yeah, on

1:07:28.800 --> 1:07:31.720
<v Speaker 2>the subway, you know, some guy bumped into me. And

1:07:31.760 --> 1:07:34.720
<v Speaker 2>then Munch clocks her pregnant belly immediately and she sits

1:07:34.720 --> 1:07:37.280
<v Speaker 2>at Craigan's desk and she puts her feet up. So

1:07:37.280 --> 1:07:39.320
<v Speaker 2>they meet her at the train station. They bring her

1:07:39.360 --> 1:07:42.640
<v Speaker 2>into the police station and she's chilling.

1:07:42.640 --> 1:07:43.280
<v Speaker 1>They're all being.

1:07:43.160 --> 1:07:45.600
<v Speaker 2>Really really sweet to her, and then she goes, hey,

1:07:45.720 --> 1:07:48.280
<v Speaker 2>we're all just civil servants here. And she goes, oh please,

1:07:48.360 --> 1:07:51.120
<v Speaker 2>I'm a janitor on the subway and she giggles, and

1:07:51.160 --> 1:07:55.000
<v Speaker 2>Sailor goes, tough job, and she's doing eight or nine weeks,

1:07:55.000 --> 1:07:58.320
<v Speaker 2>and Sablor starts babbling about his wife's pregnancy and timing

1:07:58.440 --> 1:08:01.240
<v Speaker 2>and he smiles at her, and basically she's not getting it.

1:08:01.280 --> 1:08:02.840
<v Speaker 2>But they all think the rapist is the father of

1:08:02.880 --> 1:08:05.880
<v Speaker 2>her baby. Since that happened seven months ago, she's doing

1:08:05.920 --> 1:08:07.760
<v Speaker 2>eight to nine weeks, it's closer to ten months.

1:08:07.800 --> 1:08:08.800
<v Speaker 1>Blah blah blah.

1:08:08.880 --> 1:08:10.960
<v Speaker 2>You know, he took the wallet and she's like, yeah,

1:08:10.960 --> 1:08:13.560
<v Speaker 2>I'm so happy you got it back. But so I

1:08:13.560 --> 1:08:16.160
<v Speaker 2>think she's naive, I'm not really sure, or she's trying

1:08:16.160 --> 1:08:16.960
<v Speaker 2>to keep it secret.

1:08:17.000 --> 1:08:19.760
<v Speaker 1>She wants this baby, I don't get I feel as

1:08:19.840 --> 1:08:23.200
<v Speaker 1>though they are trying to portray her as possibly a

1:08:23.240 --> 1:08:26.280
<v Speaker 1>little bit not all there, you know.

1:08:27.240 --> 1:08:29.280
<v Speaker 2>So then Kragan bends down to her level and goes, so,

1:08:29.320 --> 1:08:30.840
<v Speaker 2>what kind of bump was it? And she's like it

1:08:30.880 --> 1:08:33.200
<v Speaker 2>was an accident, you know, the car was crowded and

1:08:33.240 --> 1:08:34.920
<v Speaker 2>I was off duty. And he's like, well, were we

1:08:34.920 --> 1:08:37.760
<v Speaker 2>wearing a dress? She goes, oh, yeah, But again she

1:08:37.840 --> 1:08:40.800
<v Speaker 2>is not understanding what's happening. She asks whether asking her

1:08:40.840 --> 1:08:43.280
<v Speaker 2>all these questions, and Munch bends down to the ground

1:08:43.320 --> 1:08:46.240
<v Speaker 2>and pleads like that they need her help. So she's

1:08:46.240 --> 1:08:49.040
<v Speaker 2>an overall's pink turtleneck again like an in like a

1:08:49.160 --> 1:08:53.160
<v Speaker 2>young outfit, and she finally agrees to help and drops

1:08:53.200 --> 1:08:55.760
<v Speaker 2>the game. She's like and so they show her the mugshots.

1:08:55.760 --> 1:08:58.240
<v Speaker 2>She points to sal it was him. They offer to

1:08:58.240 --> 1:09:00.439
<v Speaker 2>get her food and Stabler helps her eyes. She says,

1:09:00.479 --> 1:09:03.000
<v Speaker 2>grab my arm, not my hand. I have a cold,

1:09:03.040 --> 1:09:05.800
<v Speaker 2>and then she grabs his hand immediately, so now they

1:09:05.800 --> 1:09:07.559
<v Speaker 2>do have to go pick him up. But she's not

1:09:07.560 --> 1:09:10.880
<v Speaker 2>going to admit that it's rape. So Kragan's like, Munch, well,

1:09:11.000 --> 1:09:13.760
<v Speaker 2>we need to make him say it then, so they

1:09:13.800 --> 1:09:16.200
<v Speaker 2>push him down. Jeffrey's and Munch meet him in cement

1:09:16.280 --> 1:09:21.280
<v Speaker 2>room bars and Munch mentions the amniocentesis on a complaining

1:09:21.280 --> 1:09:24.760
<v Speaker 2>witness and he's like, whoa for pregnant ladies? And he's

1:09:24.800 --> 1:09:27.840
<v Speaker 2>like kind of happy. He's like, you're not putting me

1:09:27.880 --> 1:09:30.000
<v Speaker 2>on right. This must be some kind of bluff, and

1:09:30.080 --> 1:09:32.760
<v Speaker 2>Jeffries goes, well, the first seven women you got lucky there,

1:09:32.800 --> 1:09:34.760
<v Speaker 2>but not number eight bad luck.

1:09:34.840 --> 1:09:35.720
<v Speaker 1>You knocked her up.

1:09:35.920 --> 1:09:39.760
<v Speaker 2>He's like what he like, cannot believe this, and then

1:09:39.800 --> 1:09:42.679
<v Speaker 2>Cidra sits out there with Stabler and he's confused because

1:09:42.720 --> 1:09:44.559
<v Speaker 2>he had a cold for a week and then she

1:09:44.720 --> 1:09:47.679
<v Speaker 2>touched him and now it's gone, so she's a witch

1:09:47.880 --> 1:09:51.160
<v Speaker 2>burn her, and then they bring sal out and they

1:09:51.200 --> 1:09:54.040
<v Speaker 2>actually chocked, like this is like running into each other.

1:09:54.040 --> 1:09:57.280
<v Speaker 2>That's become classic SVU. But because it's season one, like,

1:09:57.320 --> 1:09:59.639
<v Speaker 2>what's going on? And I assumed it was set up

1:09:59.760 --> 1:10:03.920
<v Speaker 2>by the detectives, but like Stabler seems pissed and Munches

1:10:04.000 --> 1:10:05.800
<v Speaker 2>to hold him back and be like, no, let's see

1:10:05.800 --> 1:10:08.400
<v Speaker 2>what happens. So it doesn't seem that planned, but it

1:10:08.400 --> 1:10:12.719
<v Speaker 2>seems so obvious. I'm obsessed. So yeah, So the pregnant woman,

1:10:13.080 --> 1:10:15.920
<v Speaker 2>she sees the you know, the rapists, they're they're interacting,

1:10:15.960 --> 1:10:19.200
<v Speaker 2>and he goes, oh my god, flower dress, tulips.

1:10:19.240 --> 1:10:20.559
<v Speaker 1>They said you were number eight.

1:10:20.640 --> 1:10:23.720
<v Speaker 2>I was wondering what happened because I knew it when

1:10:23.960 --> 1:10:26.760
<v Speaker 2>we when I did you, something beautiful could happen, and

1:10:26.760 --> 1:10:29.920
<v Speaker 2>that you would get pregnant and have my baby. When

1:10:29.920 --> 1:10:32.479
<v Speaker 2>I get out, we will be together, okay, a family.

1:10:32.640 --> 1:10:36.320
<v Speaker 2>Jeffreys carries him out as he says, my baby, my baby.

1:10:36.640 --> 1:10:39.759
<v Speaker 2>Stablor joins in, dragging his ass out, and then Cadra

1:10:39.960 --> 1:10:43.559
<v Speaker 2>like cries into Munsha's chest and that stick wolf baby.

1:10:44.439 --> 1:10:46.679
<v Speaker 1>It is kind of weird that like I had Audra

1:10:46.800 --> 1:10:49.320
<v Speaker 1>McDonald on staff, and they didn't have her do like

1:10:49.360 --> 1:10:51.599
<v Speaker 1>a super quick work up on what's going on with Cidra.

1:10:51.800 --> 1:10:56.960
<v Speaker 1>Like she's like she's avoiding, like she basically has mentally

1:10:56.960 --> 1:10:58.840
<v Speaker 1>blocked out this trauma that happened to her and is

1:10:58.920 --> 1:11:02.680
<v Speaker 1>like channeling everything into like excitement about being pregnant. And

1:11:03.760 --> 1:11:05.800
<v Speaker 1>I don't know, like that would have been like to me,

1:11:05.880 --> 1:11:08.439
<v Speaker 1>a interesting little thing to do about, like, oh, yeah,

1:11:08.439 --> 1:11:11.679
<v Speaker 1>this can happen. You can be assaulted and seven months

1:11:11.760 --> 1:11:16.680
<v Speaker 1>later still not fully let yourself be even acknowledge it,

1:11:16.840 --> 1:11:19.960
<v Speaker 1>you know. Yeah, and if she's so child like, like

1:11:20.000 --> 1:11:21.920
<v Speaker 1>I wonder if she's out there fucking around or not,

1:11:22.200 --> 1:11:28.800
<v Speaker 1>you know, outside of this weird attack. Yeah, well a

1:11:28.840 --> 1:11:33.960
<v Speaker 1>wild one, a haunting one. I mean anyway, it's also

1:11:34.240 --> 1:11:36.280
<v Speaker 1>you know, the true crime is not gonna get any better,

1:11:36.320 --> 1:11:47.400
<v Speaker 1>so buckle up, everybody. This episode, I believe is based

1:11:47.400 --> 1:11:50.520
<v Speaker 1>on the nineteen ninety eight James Smith case in Brooklyn

1:11:50.960 --> 1:11:53.800
<v Speaker 1>in November of nineteen ninety eight, which is, you know

1:11:54.120 --> 1:11:57.000
<v Speaker 1>what the year before this episode came out, probably like

1:11:57.080 --> 1:12:00.759
<v Speaker 1>right as they were writing this season. Police and Nasau County,

1:12:00.840 --> 1:12:03.040
<v Speaker 1>New York, which is Long Island arrested a twenty nine

1:12:03.080 --> 1:12:05.840
<v Speaker 1>year old named James Smith in connection with a fifteen

1:12:05.920 --> 1:12:08.280
<v Speaker 1>year old girl who he had attempted to sexually assault

1:12:08.360 --> 1:12:11.559
<v Speaker 1>a week earlier. And guess how they found him. She

1:12:11.760 --> 1:12:14.439
<v Speaker 1>spotted his ass on the damn street a week later.

1:12:14.520 --> 1:12:16.000
<v Speaker 1>She was walking down the street with her mind and

1:12:16.000 --> 1:12:18.120
<v Speaker 1>she's like, that's the fucking guy that tried to rape

1:12:18.120 --> 1:12:21.320
<v Speaker 1>me at the subway at the bus stop. I think.

1:12:21.800 --> 1:12:25.320
<v Speaker 1>So she had managed to get away and call police

1:12:25.479 --> 1:12:28.200
<v Speaker 1>and then save the day when she spotted him a

1:12:28.200 --> 1:12:30.600
<v Speaker 1>week later. This was in Freeport, New York, where he

1:12:30.680 --> 1:12:33.720
<v Speaker 1>was also accused of sexually abusing a sixteen year old,

1:12:34.320 --> 1:12:38.960
<v Speaker 1>and he had several aliases, including Bart Roman and Robert Gaines.

1:12:39.479 --> 1:12:41.719
<v Speaker 1>And while he had a long rap sheet of drug

1:12:41.760 --> 1:12:44.479
<v Speaker 1>and robbery convictions, he had never been arrested for sexual assault.

1:12:44.520 --> 1:12:46.840
<v Speaker 1>So this was not This was definitely the case of

1:12:47.120 --> 1:12:51.920
<v Speaker 1>somebody's m O changing, right. So he was eventually connected

1:12:51.960 --> 1:12:54.479
<v Speaker 1>to a string of attacks on women waiting for trains

1:12:54.520 --> 1:12:57.759
<v Speaker 1>or buses in Park Slope, Carroll Gardens, and downtown Brooklyn.

1:12:58.160 --> 1:13:00.840
<v Speaker 1>All of these attacks were connected by the victims who

1:13:00.840 --> 1:13:03.320
<v Speaker 1>had all given a similar description of the guy, plus

1:13:03.560 --> 1:13:06.040
<v Speaker 1>fingerprints that several of the scenes matched each other, so

1:13:06.080 --> 1:13:09.960
<v Speaker 1>we were the police in Brooklyn were all working on

1:13:10.320 --> 1:13:12.880
<v Speaker 1>like finding this one guy, and then he gets arrested

1:13:12.920 --> 1:13:16.559
<v Speaker 1>in Long Island, which are separate obviously police departments. Smith

1:13:16.640 --> 1:13:20.320
<v Speaker 1>had become a suspect in the Brooklyn attacks after someone

1:13:20.360 --> 1:13:24.200
<v Speaker 1>anonymously called Brooklyn SVU about him, and I'm like, who

1:13:24.240 --> 1:13:26.240
<v Speaker 1>is this Who's calling? Is it someone he knows? Like

1:13:26.280 --> 1:13:28.680
<v Speaker 1>did he brag about the crimes to somebody? Like we

1:13:28.800 --> 1:13:30.800
<v Speaker 1>never find out, but like, who is this anonymous call?

1:13:30.880 --> 1:13:32.840
<v Speaker 1>That's just like, by the way, the guy you're looking

1:13:32.840 --> 1:13:37.040
<v Speaker 1>for in Brooklyn is James Smith. Apparently his mugshot was published,

1:13:37.080 --> 1:13:39.440
<v Speaker 1>and when it was published, he fled the city, presumably

1:13:39.439 --> 1:13:41.280
<v Speaker 1>to Long Island, which is where he went on he like,

1:13:41.360 --> 1:13:42.960
<v Speaker 1>even though he knew the police in Brooklyn to look

1:13:43.000 --> 1:13:45.240
<v Speaker 1>for me, like, can't stop attacking women, so he does

1:13:45.280 --> 1:13:47.680
<v Speaker 1>it in Long Island until he gets caught there. In

1:13:47.720 --> 1:13:50.479
<v Speaker 1>the Brooklyn spree, he attacked his first victim on the

1:13:50.520 --> 1:13:53.280
<v Speaker 1>subway platform for the M train in March of ninety eight,

1:13:53.640 --> 1:13:55.680
<v Speaker 1>flashing a gun at his nineteen year old victim and

1:13:55.680 --> 1:13:57.959
<v Speaker 1>then assaulting her at the end of the platform. Horrible.

1:13:58.600 --> 1:14:01.839
<v Speaker 1>Six months later in September, a man fitting his description

1:14:02.080 --> 1:14:05.320
<v Speaker 1>Rob dripped and sodomized a twenty year old after following

1:14:05.320 --> 1:14:07.840
<v Speaker 1>her onto the G train. So that's probably the one

1:14:07.840 --> 1:14:12.400
<v Speaker 1>that's most likely related to the episode because it happened

1:14:12.439 --> 1:14:15.439
<v Speaker 1>on the moving train. This was around eleven thirty PM

1:14:16.160 --> 1:14:18.200
<v Speaker 1>and not like four am, like there must have been

1:14:18.240 --> 1:14:20.120
<v Speaker 1>people on the train, like a G train at eleven

1:14:20.200 --> 1:14:22.519
<v Speaker 1>thirty at night there are people on it. So I

1:14:22.520 --> 1:14:25.880
<v Speaker 1>don't know. But less than two hours later they believed

1:14:25.920 --> 1:14:28.040
<v Speaker 1>he used a box cutter to threaten a fifteen year

1:14:28.040 --> 1:14:30.960
<v Speaker 1>old girl, who he assaulted while she was waiting for

1:14:31.040 --> 1:14:33.760
<v Speaker 1>the B sixty one bus in downtown Brooklyn. And then

1:14:33.800 --> 1:14:35.880
<v Speaker 1>he got away in a cab. So this guy's like

1:14:36.000 --> 1:14:39.840
<v Speaker 1>jumping into cabs running away. It's wild. The last crime

1:14:39.960 --> 1:14:42.559
<v Speaker 1>in this little wave of crimes happened at nine point

1:14:42.560 --> 1:14:46.000
<v Speaker 1>thirty in the damn morning. About six days later. He

1:14:46.080 --> 1:14:47.960
<v Speaker 1>pretended to have a gun and threatened to shoot a

1:14:48.000 --> 1:14:50.360
<v Speaker 1>twenty three year old on an R train unless she

1:14:50.400 --> 1:14:54.080
<v Speaker 1>performed oral sex on him, and that was also on

1:14:54.120 --> 1:14:56.080
<v Speaker 1>a moving train, but as the train approached the station

1:14:56.160 --> 1:14:59.800
<v Speaker 1>in Park Slope she refused. He fled, so a couple

1:14:59.840 --> 1:15:03.280
<v Speaker 1>of times his victims got away. But it's wild because

1:15:03.320 --> 1:15:05.800
<v Speaker 1>like the first case was March and then six months later.

1:15:05.880 --> 1:15:07.920
<v Speaker 1>It was like a bunch of cases in quick successions.

1:15:07.960 --> 1:15:11.000
<v Speaker 1>So I wonder if he definitely attacked in the six

1:15:11.040 --> 1:15:13.840
<v Speaker 1>months and that women just didn't report it or what,

1:15:14.080 --> 1:15:16.280
<v Speaker 1>because I can't imagine this guy just like took a break.

1:15:16.760 --> 1:15:20.360
<v Speaker 1>But now considering that he committed two crimes within ten

1:15:20.400 --> 1:15:22.639
<v Speaker 1>hours of each other, and then another one six days later,

1:15:23.360 --> 1:15:25.240
<v Speaker 1>now we get to the point in my research where

1:15:25.280 --> 1:15:27.479
<v Speaker 1>I find out that the guy's name was actually Bart

1:15:27.600 --> 1:15:30.439
<v Speaker 1>Roman and that James Smith was an alias. But it's

1:15:30.560 --> 1:15:32.160
<v Speaker 1>very weird that the New York Times did not go

1:15:32.240 --> 1:15:35.000
<v Speaker 1>back and correct any of that. They are just calling

1:15:35.040 --> 1:15:37.360
<v Speaker 1>him James Smith in all of their articles. So his

1:15:37.439 --> 1:15:40.160
<v Speaker 1>name is Bart Roman, and he was eventually indicted on

1:15:40.240 --> 1:15:43.000
<v Speaker 1>thirty five counts in December of ninety eight, and he

1:15:43.080 --> 1:15:46.840
<v Speaker 1>pled not guilty, but he was convicted, and I can't

1:15:46.840 --> 1:15:48.880
<v Speaker 1>find out how many counts he got, but he received

1:15:48.880 --> 1:15:53.200
<v Speaker 1>one hundred years. So then I'm going to look him

1:15:53.280 --> 1:15:57.719
<v Speaker 1>up in the incarceration database and he's listed as Robert Gaines,

1:15:57.760 --> 1:16:00.600
<v Speaker 1>which is one of his other names, So I'm like,

1:16:00.640 --> 1:16:02.760
<v Speaker 1>how many names are you legally allowed to have? Like

1:16:02.800 --> 1:16:05.920
<v Speaker 1>I thought he would be under bart Roman in jail,

1:16:06.040 --> 1:16:08.920
<v Speaker 1>but if you look him up under bart Roman there's

1:16:08.960 --> 1:16:11.839
<v Speaker 1>his earlier robbery charges. But if you look under Robert Gaines,

1:16:12.200 --> 1:16:15.599
<v Speaker 1>you see that he's incarcerated at Mohawk Correctional Facility in Rome,

1:16:15.760 --> 1:16:17.920
<v Speaker 1>New York. He received one hundred years. Did I say

1:16:17.920 --> 1:16:23.000
<v Speaker 1>that already? He's he's in there for convictions of sodomy

1:16:23.000 --> 1:16:25.200
<v Speaker 1>in the first, sexual abuse in the first, attempted rape

1:16:25.200 --> 1:16:27.360
<v Speaker 1>in the first, and robbery in the third. And he's

1:16:27.360 --> 1:16:31.160
<v Speaker 1>not eligible for parole until twenty ninety nine. So that's life. Baby,

1:16:31.240 --> 1:16:34.559
<v Speaker 1>he's not getting out. And what's wild is that when

1:16:34.560 --> 1:16:36.960
<v Speaker 1>I went to go then google him under Robert L. Gaines,

1:16:37.160 --> 1:16:40.080
<v Speaker 1>there is a different rapist in Cleveland named Robert L. Gaines.

1:16:40.160 --> 1:16:43.960
<v Speaker 1>So it's not all men except most men named Robert Gaines.

1:16:44.800 --> 1:16:48.760
<v Speaker 1>So that's the crime that this is based on, with

1:16:49.200 --> 1:16:51.719
<v Speaker 1>a little twist of the man got away using many

1:16:51.720 --> 1:16:56.720
<v Speaker 1>different names. But it's really crazy. There's not too too

1:16:56.800 --> 1:16:59.960
<v Speaker 1>much about this, like after he is, about the actual

1:17:00.160 --> 1:17:02.719
<v Speaker 1>trial or anything. There's just like when he gets sentenced

1:17:02.760 --> 1:17:05.720
<v Speaker 1>and stuff, and but oh yeah, but one of the

1:17:05.840 --> 1:17:09.000
<v Speaker 1>one of the articles I read was saying that somebody

1:17:09.080 --> 1:17:11.920
<v Speaker 1>tried to go get somebody on one of these crime

1:17:12.040 --> 1:17:13.479
<v Speaker 1>and during one of these crimes, I think the one

1:17:13.479 --> 1:17:16.720
<v Speaker 1>where he assaulted someone on the train and due to cutbacks,

1:17:16.760 --> 1:17:19.080
<v Speaker 1>there was no drive, there was no conductor at that car,

1:17:19.200 --> 1:17:21.800
<v Speaker 1>so it was like hard to find anybody who could

1:17:21.840 --> 1:17:24.120
<v Speaker 1>stop the train or call the police or anything like that.

1:17:24.720 --> 1:17:28.240
<v Speaker 1>So but it is it is wild how packed the

1:17:28.280 --> 1:17:31.720
<v Speaker 1>train is and nobody is helping in this episode. But

1:17:31.800 --> 1:17:35.080
<v Speaker 1>that's that on that a short, a short crime. He

1:17:35.160 --> 1:17:37.719
<v Speaker 1>still resides in prison where he will reside till he dies,

1:17:37.960 --> 1:17:40.680
<v Speaker 1>and I think that's probably for the best. We have

1:17:40.720 --> 1:17:43.720
<v Speaker 1>an amazing guest, incredible, I have an assizing guests. We

1:17:43.760 --> 1:17:45.800
<v Speaker 1>have an amazing guest. Don't go anywhere. You're gonna get

1:17:45.800 --> 1:17:49.800
<v Speaker 1>your palette cleanse from all the laundingness of this episode

1:17:49.840 --> 1:18:00.559
<v Speaker 1>and true crime. Don't go anywhere, guys, Today's Guests is

1:18:00.600 --> 1:18:03.320
<v Speaker 1>a comedy icon. She was an original cast member on

1:18:03.400 --> 1:18:06.479
<v Speaker 1>mad TV, a regular on sitcoms like King of Queens

1:18:06.520 --> 1:18:09.760
<v Speaker 1>and Blackish. She's a prolific voice actor. You can hear

1:18:09.760 --> 1:18:13.360
<v Speaker 1>on Family Guy, Kim Possible, The Penguins of Madagascar, and

1:18:13.640 --> 1:18:16.479
<v Speaker 1>truly just a huge figure in Lisa and My lives

1:18:16.520 --> 1:18:20.120
<v Speaker 1>growing up, and you know her today as Jen Calder,

1:18:20.240 --> 1:18:22.519
<v Speaker 1>the victim who accidentally gets her case thrown out for

1:18:22.600 --> 1:18:26.120
<v Speaker 1>biasing other victims. Please enjoy our chat with the iconic

1:18:26.200 --> 1:18:30.840
<v Speaker 1>Nicole Sullivan. Yay, my gosh, so happy you're here. Ah,

1:18:31.479 --> 1:18:33.360
<v Speaker 1>this is a yet I never thought we would get.

1:18:33.479 --> 1:18:36.320
<v Speaker 1>I really never thought this would happen, you guy. You

1:18:36.400 --> 1:18:42.640
<v Speaker 1>guys are so entertaining, Like, oh, I'm not I don't.

1:18:42.400 --> 1:18:45.080
<v Speaker 3>Like I mean, I listened to podcasts, but like a

1:18:45.120 --> 1:18:47.519
<v Speaker 3>few here and there, Like I just I can't listen

1:18:47.840 --> 1:18:51.120
<v Speaker 3>that much to people, and I'm such a reality whore,

1:18:51.800 --> 1:18:54.000
<v Speaker 3>so like I try to follow the reality stuff and

1:18:54.040 --> 1:18:56.840
<v Speaker 3>like sometimes I'm just like okay, okay, shut then.

1:18:57.120 --> 1:19:00.640
<v Speaker 1>And I don't feel that you guys, I mind. You

1:19:00.680 --> 1:19:04.639
<v Speaker 1>so entertaining. That's like, oh my god, an honor, because

1:19:04.960 --> 1:19:08.479
<v Speaker 1>I like grew up a huge Mad TV fan, like

1:19:09.280 --> 1:19:13.679
<v Speaker 1>flipping the channels back between Fox and like Fox and SNL,

1:19:13.840 --> 1:19:16.160
<v Speaker 1>you know, NBC, so that I can watch SNL mad TV.

1:19:16.479 --> 1:19:19.240
<v Speaker 1>But I always loved mad TV because you guys did

1:19:19.280 --> 1:19:21.800
<v Speaker 1>all these parodies and I wasn't really I was like

1:19:21.880 --> 1:19:24.920
<v Speaker 1>political comedy wasn't really my thing then, and I was like,

1:19:25.000 --> 1:19:28.599
<v Speaker 1>I love these parodies. I love these characters, Like, I mean,

1:19:28.640 --> 1:19:30.760
<v Speaker 1>I don't know, you're just like one of the You're

1:19:30.840 --> 1:19:34.559
<v Speaker 1>one of my comedy like legends of my youth. And

1:19:34.600 --> 1:19:38.640
<v Speaker 1>I'm like so excited to talk to you today. We

1:19:38.680 --> 1:19:40.799
<v Speaker 1>have to cut the gushing. We cannot have our listeners

1:19:40.880 --> 1:19:44.240
<v Speaker 1>hearing this. They cannot hear me, you know, bowing down

1:19:44.360 --> 1:19:49.000
<v Speaker 1>like this, they can hear it. Status status is important. Yeah,

1:19:49.040 --> 1:19:51.360
<v Speaker 1>Like I'm gonna they're gonna lose respect for me if

1:19:51.360 --> 1:19:54.240
<v Speaker 1>they just hear me just telling you how obsessed I am.

1:19:54.840 --> 1:19:56.599
<v Speaker 2>Well, so you know you were a fan of Law

1:19:56.600 --> 1:19:59.960
<v Speaker 2>and Order going in when you got the SVU of

1:20:00.080 --> 1:20:01.200
<v Speaker 2>at All, what were your thoughts?

1:20:01.240 --> 1:20:02.120
<v Speaker 1>It was season one.

1:20:02.680 --> 1:20:06.120
<v Speaker 3>I was so obsessed and I was doing a show

1:20:06.120 --> 1:20:07.840
<v Speaker 3>I was working in New York. I grew up in

1:20:07.880 --> 1:20:10.200
<v Speaker 3>New York, but I was doing a show for like

1:20:10.240 --> 1:20:12.840
<v Speaker 3>five six months in New York TV show and I

1:20:12.920 --> 1:20:15.360
<v Speaker 3>was like, I told my manager. I was like agent,

1:20:15.360 --> 1:20:17.800
<v Speaker 3>I was like, if there's any way that could be,

1:20:18.360 --> 1:20:20.320
<v Speaker 3>just to call, And like two weeks later, he's a

1:20:20.320 --> 1:20:22.479
<v Speaker 3>given audition go in and I was like, oh my,

1:20:22.560 --> 1:20:25.679
<v Speaker 3>and it was my dream come true.

1:20:25.720 --> 1:20:28.720
<v Speaker 1>I couldn't believe I got to do it.

1:20:28.760 --> 1:20:31.680
<v Speaker 3>I was like, it was the greatest it was the

1:20:31.680 --> 1:20:33.719
<v Speaker 3>greatest get of a job I've ever had my left.

1:20:33.600 --> 1:20:37.639
<v Speaker 1>I was like, so you went to Chelsea Peers. Yeah,

1:20:37.680 --> 1:20:39.240
<v Speaker 1>you did it all. You did it all.

1:20:39.439 --> 1:20:44.160
<v Speaker 3>The apartment we shot in overlooking, Yeah, I mean, who

1:20:44.200 --> 1:20:45.240
<v Speaker 3>has that apart.

1:20:45.000 --> 1:20:47.160
<v Speaker 1>This woman, this woman that you play is like this

1:20:47.320 --> 1:20:52.760
<v Speaker 1>boss bitch, stock trading, coffee swilling New York. And I

1:20:52.800 --> 1:20:55.720
<v Speaker 1>love her. When the detectives are like, it's not your

1:20:55.760 --> 1:20:58.519
<v Speaker 1>fall and your character goes yeah, I know, And I

1:20:58.560 --> 1:21:01.680
<v Speaker 1>loved that. I love anybody that throws it back at

1:21:01.680 --> 1:21:06.800
<v Speaker 1>Maloney for sure. But what it was, it's it's an

1:21:06.880 --> 1:21:10.880
<v Speaker 1>intense role. It was an intense scene the cold open.

1:21:11.360 --> 1:21:13.720
<v Speaker 3>And I'll tell you what was fascinating is that we

1:21:13.720 --> 1:21:17.559
<v Speaker 3>were it was the guy playing the guy was was

1:21:18.080 --> 1:21:20.559
<v Speaker 3>very method and really dark and freaked me out.

1:21:21.280 --> 1:21:23.040
<v Speaker 1>And they had like a fake box cutter.

1:21:23.080 --> 1:21:25.160
<v Speaker 3>But it didn't feel great on the neck, like you

1:21:25.160 --> 1:21:27.920
<v Speaker 3>know it like it was like it was a it

1:21:27.960 --> 1:21:31.280
<v Speaker 3>was a really hard scene to shoot in the subway

1:21:31.800 --> 1:21:34.280
<v Speaker 3>car like it was just weird and dark.

1:21:34.800 --> 1:21:39.440
<v Speaker 1>And Dick Wolf came to set, no where.

1:21:39.360 --> 1:21:42.000
<v Speaker 3>To God came to set all of a sudden, was

1:21:42.040 --> 1:21:44.160
<v Speaker 3>standing on the platform because they you know, they owned

1:21:44.200 --> 1:21:45.200
<v Speaker 3>like a platform right now.

1:21:45.200 --> 1:21:48.360
<v Speaker 1>Yeah, we didn't know that they own a platform.

1:21:48.439 --> 1:21:53.479
<v Speaker 3>They owned like a defunct trains station somewhere, like two

1:21:53.520 --> 1:21:56.400
<v Speaker 3>things that aren't a stops anymore for regular people. They

1:21:56.560 --> 1:21:58.720
<v Speaker 3>own those two stops, and they own a train that

1:21:58.800 --> 1:22:01.760
<v Speaker 3>just can go back and forth between the Wow, that's

1:22:01.800 --> 1:22:04.479
<v Speaker 3>how they that's why they can do subway trains. And

1:22:04.560 --> 1:22:07.639
<v Speaker 3>so dick Wolf came down to that platform, and I

1:22:07.680 --> 1:22:11.200
<v Speaker 3>was like stick Wolf and he said, and I don't

1:22:11.200 --> 1:22:11.439
<v Speaker 3>want to.

1:22:11.400 --> 1:22:13.000
<v Speaker 1>Pull him, because like God, if I don't don't want

1:22:13.040 --> 1:22:13.800
<v Speaker 1>Dick Wolf that at me.

1:22:13.880 --> 1:22:18.479
<v Speaker 3>But he said something to the likes of, this is

1:22:19.160 --> 1:22:21.920
<v Speaker 3>the darkest thing we've ever done.

1:22:22.600 --> 1:22:26.080
<v Speaker 1>Yeah. I was like, oh, He's like this is, uh,

1:22:26.120 --> 1:22:28.160
<v Speaker 1>this is And I was like, oh, all right, well

1:22:28.160 --> 1:22:30.800
<v Speaker 1>here we go. All right, take tick four, let's go.

1:22:31.520 --> 1:22:34.960
<v Speaker 3>It was he was like genuinely like Jesus, well, I mean,

1:22:35.920 --> 1:22:38.320
<v Speaker 3>and it's a graph, yes, I was.

1:22:38.400 --> 1:22:41.439
<v Speaker 2>There were no illusions to stuff. Sometimes there's an allusion

1:22:41.479 --> 1:22:44.599
<v Speaker 2>to a crime, but this was like the full time,

1:22:44.880 --> 1:22:47.760
<v Speaker 2>very graphic. And then the horror of everyone watching and

1:22:47.840 --> 1:22:48.559
<v Speaker 2>not doing anything.

1:22:48.560 --> 1:22:49.880
<v Speaker 1>I mean, it's Karen.

1:22:49.960 --> 1:22:52.920
<v Speaker 2>We always do a thing where some of the episodes

1:22:52.960 --> 1:22:55.160
<v Speaker 2>are the most haunting to us or have haunted us

1:22:55.160 --> 1:22:57.880
<v Speaker 2>for years, where we just and this is Kara's number

1:22:57.880 --> 1:22:59.200
<v Speaker 2>one where she just thinks.

1:22:58.960 --> 1:23:01.160
<v Speaker 1>It has always been my mother haunting episode because I

1:23:01.200 --> 1:23:04.160
<v Speaker 1>lived in New York for eleven years and I rode

1:23:04.160 --> 1:23:06.479
<v Speaker 1>the subway multiple times a day, and I remember sometimes

1:23:06.479 --> 1:23:09.200
<v Speaker 1>I would just be zoning out and I would just

1:23:09.280 --> 1:23:12.000
<v Speaker 1>remember that scene and be like, oh my god, like

1:23:12.479 --> 1:23:15.160
<v Speaker 1>and I really like, I fainted on the subway one time,

1:23:15.280 --> 1:23:17.640
<v Speaker 1>and all these people came and helped me, Like a

1:23:17.680 --> 1:23:20.160
<v Speaker 1>woman came off another train to give me an apple,

1:23:20.280 --> 1:23:22.360
<v Speaker 1>Like all kinds of big people helped me. And so

1:23:22.439 --> 1:23:25.320
<v Speaker 1>I like to believe that New York, that this isn't

1:23:25.360 --> 1:23:27.640
<v Speaker 1>like the reality of New York, that people will help you.

1:23:27.840 --> 1:23:31.519
<v Speaker 1>But that's like, that's so haunting about it to me, Like, yeah,

1:23:31.600 --> 1:23:34.439
<v Speaker 1>I've obviously watched five hundred plus episodes of this television show.

1:23:34.479 --> 1:23:37.640
<v Speaker 1>We've seen worse than like a woman, you know, getting assaulted.

1:23:38.439 --> 1:23:41.559
<v Speaker 1>You know, season there was a subway machete thing, and

1:23:41.600 --> 1:23:43.519
<v Speaker 1>that was a lot. Yeah, yeah, that's a lot, But

1:23:43.640 --> 1:23:46.519
<v Speaker 1>like there's been so much, but this one. I think

1:23:46.560 --> 1:23:49.559
<v Speaker 1>it's like that, it's so every day, it's so all

1:23:49.600 --> 1:23:51.760
<v Speaker 1>of us. It was so crowded, like he can't feel

1:23:51.840 --> 1:23:53.840
<v Speaker 1>like there's a safety in a crowd, and he can't

1:23:53.880 --> 1:23:54.680
<v Speaker 1>even have it.

1:23:54.760 --> 1:23:58.320
<v Speaker 3>You can't believe, like there's no possible way that someone

1:23:58.320 --> 1:24:01.880
<v Speaker 3>could be that taken by surprise and that like threatened

1:24:01.920 --> 1:24:03.880
<v Speaker 3>with well, of course you get a knife to your throat,

1:24:04.120 --> 1:24:06.519
<v Speaker 3>You're not gonna do any sad movements. You're just gonna

1:24:06.560 --> 1:24:10.640
<v Speaker 3>stay still, Yeah, and that no one understand.

1:24:10.680 --> 1:24:13.280
<v Speaker 1>Oh, it's horrible, no, And you're like pressed up and

1:24:13.320 --> 1:24:15.240
<v Speaker 1>like we can see your breath. I mean half the

1:24:15.280 --> 1:24:17.400
<v Speaker 1>time on the episodes, we don't even see the attack.

1:24:17.479 --> 1:24:20.800
<v Speaker 1>They just find a victim a body or whatever, you know,

1:24:20.920 --> 1:24:22.519
<v Speaker 1>Like we don't even see it half the time. And

1:24:22.520 --> 1:24:25.360
<v Speaker 1>then this one is like cold open right to it

1:24:25.479 --> 1:24:29.439
<v Speaker 1>like this, it's like it's it's jarring. So you're part

1:24:29.479 --> 1:24:32.519
<v Speaker 1>of a long line of people that have played of

1:24:32.640 --> 1:24:35.439
<v Speaker 1>comedians who have played serious roles on the show, right, So,

1:24:36.240 --> 1:24:38.200
<v Speaker 1>I mean you're you're probably one of the first. But

1:24:38.280 --> 1:24:41.439
<v Speaker 1>later in the episode, in the seasons, it's like Kathy Griffin,

1:24:41.560 --> 1:24:45.080
<v Speaker 1>Robin Williams, Martin shortpob Saget Margaret show like huge comedy

1:24:45.120 --> 1:24:50.240
<v Speaker 1>people that play these serious parts. But what we always

1:24:50.240 --> 1:24:51.960
<v Speaker 1>say that we love about the first like kind of

1:24:52.240 --> 1:24:54.519
<v Speaker 1>twelve seasons of the show is that there was like

1:24:54.560 --> 1:24:56.280
<v Speaker 1>a little bit of levity to it, even though this

1:24:56.400 --> 1:24:59.519
<v Speaker 1>is so dark, Like I do think your character you're acting,

1:24:59.640 --> 1:25:02.559
<v Speaker 1>lets the little bit of like like lightness in like

1:25:02.600 --> 1:25:05.240
<v Speaker 1>when you're talking to the cops and like later you know, like.

1:25:05.280 --> 1:25:08.479
<v Speaker 3>Yeah, well like the fact that Maloney Maloney had had

1:25:08.520 --> 1:25:11.680
<v Speaker 3>a cold and like yeah, yeah, and I got to

1:25:11.680 --> 1:25:15.080
<v Speaker 3>react to like ew you be like ugh, like yeah,

1:25:15.200 --> 1:25:18.200
<v Speaker 3>why are you in my apartment with your so I

1:25:18.240 --> 1:25:20.599
<v Speaker 3>mean that's you that you're like, I'm speaking to your point.

1:25:20.760 --> 1:25:23.400
<v Speaker 1>That's exactly it Like there is some levity, yes, exactly.

1:25:23.400 --> 1:25:26.400
<v Speaker 1>And I think it's like such a genius thing to

1:25:26.560 --> 1:25:29.360
<v Speaker 1>employ because of course, all of these people that I

1:25:29.439 --> 1:25:32.680
<v Speaker 1>just named, including you, are like trained actors who can

1:25:32.760 --> 1:25:35.120
<v Speaker 1>aren't just like doing sketches all the time, you know,

1:25:35.240 --> 1:25:39.240
<v Speaker 1>like can do a myriad of things. But it's it's

1:25:39.320 --> 1:25:42.640
<v Speaker 1>so I'm like, so, I mean maybe because we're also comedians.

1:25:42.680 --> 1:25:45.679
<v Speaker 1>I just love watching comics do their thing because I

1:25:45.720 --> 1:25:49.800
<v Speaker 1>actually I so believed everything that like the pain that

1:25:49.880 --> 1:25:51.640
<v Speaker 1>was happening with you. But then also I was like

1:25:51.720 --> 1:25:54.000
<v Speaker 1>loving when you were kind of having these little lilting

1:25:54.080 --> 1:25:58.280
<v Speaker 1>moments of you know, funny. Well, I think you guys

1:25:58.320 --> 1:26:00.160
<v Speaker 1>are squeaking out.

1:26:00.000 --> 1:26:02.599
<v Speaker 3>Because you guys are both comedians, you like, and I'm

1:26:02.640 --> 1:26:05.600
<v Speaker 3>not trying to like pat the comedian world on the

1:26:05.640 --> 1:26:09.120
<v Speaker 3>back but a little bit. But I am like, one

1:26:09.680 --> 1:26:15.360
<v Speaker 3>comedy can translate to drama because comedy is pain, you know,

1:26:15.439 --> 1:26:18.120
<v Speaker 3>wrapped in a bow and stuck with like a you know,

1:26:18.200 --> 1:26:21.080
<v Speaker 3>a googly eyed face on it. Like that's sort of

1:26:21.080 --> 1:26:24.160
<v Speaker 3>what comedy is. And it doesn't necessarily work in reverse. Right,

1:26:24.200 --> 1:26:27.559
<v Speaker 3>We've seen a lot of examples, Like there's amazing dramatic

1:26:27.600 --> 1:26:30.280
<v Speaker 3>actors that like, you're like, I guess.

1:26:30.160 --> 1:26:33.080
<v Speaker 1>It was funny, Like your voice goes like I think

1:26:33.560 --> 1:26:37.679
<v Speaker 1>I think funny like it's not. It doesn't necessarily translate

1:26:37.720 --> 1:26:38.400
<v Speaker 1>the other way.

1:26:38.479 --> 1:26:40.800
<v Speaker 3>And I think that's something that a lot of people

1:26:40.840 --> 1:26:44.880
<v Speaker 3>don't know, is that most good comedians can really solidly

1:26:45.200 --> 1:26:46.200
<v Speaker 3>do some good drama.

1:26:46.400 --> 1:26:48.960
<v Speaker 2>Yeah, someone recently told me that's a lot of because

1:26:48.960 --> 1:26:51.559
<v Speaker 2>when you're doing comedy, you have to listen and react

1:26:51.600 --> 1:26:53.680
<v Speaker 2>to things on the fly. And so I think it

1:26:54.560 --> 1:26:57.599
<v Speaker 2>like a little more present or able to kind of

1:26:58.200 --> 1:26:58.800
<v Speaker 2>roll with it.

1:26:58.920 --> 1:27:04.280
<v Speaker 3>And I also think it's for me on Mad TV.

1:27:05.200 --> 1:27:07.800
<v Speaker 3>And I wasn't a comedian going and like, I never

1:27:07.840 --> 1:27:08.880
<v Speaker 3>studied the groundlings.

1:27:08.880 --> 1:27:09.760
<v Speaker 1>I never did.

1:27:09.920 --> 1:27:12.360
<v Speaker 3>I had a sketch show with my friends just because

1:27:12.400 --> 1:27:14.680
<v Speaker 3>you know, back then you would do the showcases like

1:27:14.720 --> 1:27:16.840
<v Speaker 3>that was the big thing. You'd get your friends together

1:27:16.840 --> 1:27:19.360
<v Speaker 3>and do a showcase. And back then, casting directors they

1:27:19.360 --> 1:27:21.120
<v Speaker 3>don't do anything anymore.

1:27:21.080 --> 1:27:23.960
<v Speaker 1>But back then, back then they have TikTok. They have

1:27:24.000 --> 1:27:27.320
<v Speaker 1>TikTok the right. Yeah, they're looking at people.

1:27:27.520 --> 1:27:30.559
<v Speaker 3>So they they would show up and they you know,

1:27:30.640 --> 1:27:32.719
<v Speaker 3>if they liked you, they'd send you to their boss

1:27:32.760 --> 1:27:34.400
<v Speaker 3>and you know things. It worked like that. So I

1:27:34.400 --> 1:27:36.280
<v Speaker 3>did a sketch show like that, but I wasn't a

1:27:36.400 --> 1:27:41.599
<v Speaker 3>comedian at all. And uh, I realized quickly when on

1:27:41.640 --> 1:27:43.920
<v Speaker 3>MED to be like really, part of the key is

1:27:43.960 --> 1:27:48.439
<v Speaker 3>not being afraid to look like a dope, look like

1:27:48.640 --> 1:27:52.439
<v Speaker 3>and like look stupid and crazy and like, oh she's

1:27:52.479 --> 1:27:53.160
<v Speaker 3>trying too hard.

1:27:53.200 --> 1:27:54.720
<v Speaker 1>Then you're doing it right, you know. I mean there's

1:27:54.760 --> 1:27:56.040
<v Speaker 1>a lot of that to it.

1:27:56.280 --> 1:28:00.920
<v Speaker 3>That a lot of uh, you know, good looking people

1:28:01.000 --> 1:28:04.880
<v Speaker 3>aren't willing to do understandably understandably, like they've got a

1:28:04.920 --> 1:28:06.599
<v Speaker 3>different thing they have to sell.

1:28:07.000 --> 1:28:10.240
<v Speaker 1>But if you're willing to look stupid, that's a huge

1:28:10.400 --> 1:28:12.920
<v Speaker 1>leg up in the comedy world. Totally. Yeah.

1:28:13.000 --> 1:28:14.240
<v Speaker 2>I don't know if it's a pet pee for you,

1:28:14.240 --> 1:28:16.599
<v Speaker 2>but when celebrities do interviews and they'll be like, oh

1:28:16.640 --> 1:28:19.600
<v Speaker 2>my god, she is the funniest person alive, and it's like,

1:28:19.640 --> 1:28:23.200
<v Speaker 2>there's no fucking way, Like I can't imagine Blake Lively

1:28:23.240 --> 1:28:24.840
<v Speaker 2>is just like crushing it at dinner.

1:28:24.960 --> 1:28:29.160
<v Speaker 1>But wait, I feel like we also need to clarify

1:28:29.200 --> 1:28:31.080
<v Speaker 1>that the reason we know that you're a Law and

1:28:31.160 --> 1:28:33.000
<v Speaker 1>Order fan before we even asked you that in this

1:28:33.080 --> 1:28:36.720
<v Speaker 1>interview is because you sent us a video of you

1:28:36.880 --> 1:28:40.640
<v Speaker 1>and Michael McDonald. Also one of my mad TV obsessions,

1:28:41.320 --> 1:28:44.479
<v Speaker 1>you guys doing this sketch I guess that you did

1:28:44.560 --> 1:28:47.439
<v Speaker 1>for REDTV where you where you're like trying to get

1:28:47.479 --> 1:28:50.400
<v Speaker 1>the attention of the casting directors for Law and Order

1:28:50.439 --> 1:28:53.599
<v Speaker 1>and you're doing all of these characters. Like I took

1:28:53.640 --> 1:28:54.480
<v Speaker 1>the screenshot.

1:28:54.840 --> 1:28:58.559
<v Speaker 2>What I loved the most was like the sexual innuendo Emmy,

1:28:59.240 --> 1:29:02.080
<v Speaker 2>Like that was so good because Melinda is so s

1:29:02.320 --> 1:29:05.960
<v Speaker 2>like they are all throughout franchises on Dexter two, like

1:29:06.000 --> 1:29:07.960
<v Speaker 2>all the science people are always.

1:29:07.640 --> 1:29:10.000
<v Speaker 1>Like saucy medical, saucy medical examiner.

1:29:10.240 --> 1:29:12.680
<v Speaker 4>See, and then they say something they say and then

1:29:12.720 --> 1:29:15.000
<v Speaker 4>they say something at the end that's like, oh, oh

1:29:15.000 --> 1:29:17.920
<v Speaker 4>my god, like jarring, like their belly button was found

1:29:17.920 --> 1:29:20.640
<v Speaker 4>inside their eyeball. Oh my god, oh my god, Like

1:29:20.680 --> 1:29:22.519
<v Speaker 4>they're sort of doing bits and then they say something

1:29:22.600 --> 1:29:25.880
<v Speaker 4>horrible and like something A lot of sexuals to be like,

1:29:25.920 --> 1:29:30.519
<v Speaker 4>oh you found semen where Oh my god. Yeah, yeah, jarring,

1:29:30.520 --> 1:29:33.439
<v Speaker 4>the whole thing, Uh, just total tangent.

1:29:33.520 --> 1:29:37.680
<v Speaker 3>Like another fun fact quote unquote when I did the

1:29:37.760 --> 1:29:41.160
<v Speaker 3>episode is I was dating this guy in LA who

1:29:41.200 --> 1:29:44.120
<v Speaker 3>I kind of knew wasn't into me, but I was like,

1:29:44.280 --> 1:29:48.000
<v Speaker 3>he really should be, Like I couldn't get why he wasn't.

1:29:48.320 --> 1:29:50.760
<v Speaker 3>He was like this, he was like the set photographer

1:29:50.760 --> 1:29:52.599
<v Speaker 3>on Ma TIV. And I was like, I mean, he's

1:29:52.640 --> 1:29:55.759
<v Speaker 3>taking my picture all the time. All he pays attention

1:29:55.800 --> 1:29:59.760
<v Speaker 3>to me. And so we dated like a little bit

1:29:59.800 --> 1:30:01.519
<v Speaker 3>and I went to New York to do this show

1:30:02.040 --> 1:30:04.720
<v Speaker 3>and he broke up with me the night before I

1:30:04.800 --> 1:30:08.639
<v Speaker 3>shot the scene in the apartment or I'm supposhit. And

1:30:08.720 --> 1:30:10.519
<v Speaker 3>so it was one of those things like you get

1:30:10.520 --> 1:30:13.120
<v Speaker 3>stressed out when you have to cry cry, and cue

1:30:13.240 --> 1:30:15.040
<v Speaker 3>is like, you know you can do it, Like it's

1:30:15.080 --> 1:30:17.200
<v Speaker 3>just there's a lot to it, and sometimes you need

1:30:17.240 --> 1:30:20.080
<v Speaker 3>a song in your ear. Sometimes you need glistering. And

1:30:20.120 --> 1:30:21.920
<v Speaker 3>I was able, not that I was like sobbing everything,

1:30:22.080 --> 1:30:24.200
<v Speaker 3>but I was able to do the tears. And they

1:30:24.200 --> 1:30:26.759
<v Speaker 3>actually didn't they picked they picked a take with less tears,

1:30:26.760 --> 1:30:29.400
<v Speaker 3>which I found interesting. But I was able to do

1:30:29.439 --> 1:30:31.320
<v Speaker 3>the tears because I was like, and I just got

1:30:31.400 --> 1:30:32.800
<v Speaker 3>fucking numb blessness.

1:30:34.600 --> 1:30:35.640
<v Speaker 1>I can't relieve it worked out well.

1:30:35.640 --> 1:30:37.120
<v Speaker 2>Whenever I think of that, I think of the Katy

1:30:37.200 --> 1:30:41.080
<v Speaker 2>Perry documentary with Russell Brand texting breaking up their marriage

1:30:41.160 --> 1:30:42.800
<v Speaker 2>right before she was about to perform for like two

1:30:42.880 --> 1:30:45.599
<v Speaker 2>hundred thousand people in Brazil, and you know, you don't

1:30:45.640 --> 1:30:48.000
<v Speaker 2>go tour in South America often, and she's just like

1:30:48.080 --> 1:30:51.840
<v Speaker 2>bawling and having to just go perform. And so when

1:30:51.840 --> 1:30:54.200
<v Speaker 2>I heard night before, I'm like, that's a sociopia, Like

1:30:54.360 --> 1:30:56.200
<v Speaker 2>why are you trying to ruin someone's stuff?

1:30:56.760 --> 1:30:59.800
<v Speaker 3>Yeah, but I'm not sure. I'm not sure he was aware.

1:30:59.880 --> 1:31:01.759
<v Speaker 3>I don't think he I don't think he considered.

1:31:01.920 --> 1:31:04.160
<v Speaker 1>But even over text it's like wait till wait till

1:31:04.200 --> 1:31:06.680
<v Speaker 1>you get back, Like I don't know, yeah, take me

1:31:06.720 --> 1:31:08.280
<v Speaker 1>to coffee view of it all.

1:31:08.880 --> 1:31:12.400
<v Speaker 2>Wait, So, since you've done all the franchises, who are

1:31:12.439 --> 1:31:13.640
<v Speaker 2>your favorite detectives?

1:31:16.840 --> 1:31:18.120
<v Speaker 1>This is why I'm so bad?

1:31:18.680 --> 1:31:23.320
<v Speaker 3>Well, I love Jesse, Yeah, I mean Lenny, Like you know,

1:31:23.560 --> 1:31:26.280
<v Speaker 3>I mean here, I Here's the thing about Chris Maloney

1:31:26.360 --> 1:31:31.639
<v Speaker 3>is he's the nicest human being in the world. Like

1:31:31.920 --> 1:31:34.599
<v Speaker 3>I saw him at a dinner party. I don't know,

1:31:34.720 --> 1:31:37.120
<v Speaker 3>years ago, but like, you know, not as long as

1:31:37.160 --> 1:31:39.479
<v Speaker 3>the show. And I saw him at the dinner party and

1:31:39.560 --> 1:31:40.880
<v Speaker 3>he was like hey, and I was like, I did

1:31:40.880 --> 1:31:42.519
<v Speaker 3>an episode of your show. It was a bad And

1:31:42.600 --> 1:31:44.600
<v Speaker 3>he was like, oh that was you know, because everyone's like,

1:31:44.600 --> 1:31:48.680
<v Speaker 3>oh that was a Maloney was like that was that

1:31:48.760 --> 1:31:50.680
<v Speaker 3>was a hard one to while I was like, yeah,

1:31:50.720 --> 1:31:53.120
<v Speaker 3>yeah it was. You know, yeah, it's hard to And

1:31:54.080 --> 1:31:56.240
<v Speaker 3>the dinner party is going in all night long.

1:31:56.439 --> 1:31:59.040
<v Speaker 1>He can't. It's like hard to describe how nice this is.

1:31:59.080 --> 1:32:02.479
<v Speaker 3>Like when you're a comedian and you're and you know,

1:32:02.560 --> 1:32:04.760
<v Speaker 3>you can kind of act, but like other people don't.

1:32:04.960 --> 1:32:05.800
<v Speaker 1>And he all night.

1:32:05.760 --> 1:32:07.679
<v Speaker 3>Long, he would just refer to us as he would

1:32:07.720 --> 1:32:10.000
<v Speaker 3>refer to me as a peer. Oh he would say,

1:32:10.040 --> 1:32:12.080
<v Speaker 3>you know, like you know when we when we're out

1:32:12.120 --> 1:32:14.200
<v Speaker 3>there doing our thing, and you know when like as

1:32:14.240 --> 1:32:15.080
<v Speaker 3>actors we need to.

1:32:15.080 --> 1:32:16.720
<v Speaker 1>Like he he just.

1:32:16.720 --> 1:32:20.240
<v Speaker 3>Included me in his club, which he didn't need to, like,

1:32:20.280 --> 1:32:22.920
<v Speaker 3>he's Chris Maloney and he did all night and I

1:32:23.360 --> 1:32:26.639
<v Speaker 3>just left there thinking, like, what an incredible person.

1:32:27.160 --> 1:32:30.160
<v Speaker 1>So I think also he respects comedy. And I bet

1:32:30.200 --> 1:32:32.880
<v Speaker 1>you he knew your work and was like, respected you

1:32:32.960 --> 1:32:35.479
<v Speaker 1>a lot because he loves He left a lot under

1:32:35.560 --> 1:32:37.759
<v Speaker 1>SVU and ended up doing comedy for a little while.

1:32:38.560 --> 1:32:41.280
<v Speaker 1>Yeah you know, yeah, yeah, yeah, So but I think

1:32:41.320 --> 1:32:44.000
<v Speaker 1>that that really story about him. You know, we we

1:32:44.040 --> 1:32:46.360
<v Speaker 1>get a lot of great stories about Marishka. We don't

1:32:46.360 --> 1:32:49.120
<v Speaker 1>get as many about Maloney, just not because there's anything

1:32:49.240 --> 1:32:50.679
<v Speaker 1>about him, but it's just I think he's a little

1:32:50.720 --> 1:32:54.040
<v Speaker 1>bit more standoffish and everyone has like a you know,

1:32:54.120 --> 1:32:56.639
<v Speaker 1>a story about her being so effusive and lovely or whatever.

1:32:56.680 --> 1:32:59.719
<v Speaker 1>But maybe you don't tell us that tell us the teenicle.

1:33:00.120 --> 1:33:03.559
<v Speaker 3>Eh uh No, I know that she my one of

1:33:03.560 --> 1:33:07.640
<v Speaker 3>my close friends, Krista Crystal Lawrence, uh Bill Lawrence and

1:33:07.680 --> 1:33:08.200
<v Speaker 3>Crysal Lord.

1:33:08.240 --> 1:33:09.160
<v Speaker 1>Today they have a house.

1:33:09.160 --> 1:33:11.479
<v Speaker 3>They have a house in Malibu and Brushka has a

1:33:11.479 --> 1:33:14.880
<v Speaker 3>house in the Hamptons and every and every summer they trade.

1:33:14.960 --> 1:33:15.920
<v Speaker 1>They trade for a month.

1:33:16.040 --> 1:33:20.520
<v Speaker 3>Oh, which is the rich It's the richest ship. I

1:33:20.560 --> 1:33:22.400
<v Speaker 3>like every time I think about it, I'm like, just

1:33:22.439 --> 1:33:27.000
<v Speaker 3>these multi MOLDI millionaires just live in each other's homes

1:33:27.000 --> 1:33:27.519
<v Speaker 3>for a month.

1:33:27.800 --> 1:33:30.680
<v Speaker 1>Yeah, I don't know what about it fascinates me.

1:33:30.880 --> 1:33:33.759
<v Speaker 2>Well, well, because they're still doing apartments swapping like us.

1:33:33.880 --> 1:33:35.120
<v Speaker 1>You know, it's like it's like.

1:33:35.400 --> 1:33:37.360
<v Speaker 3>I Aaron BB like, do they do they have a

1:33:37.400 --> 1:33:39.760
<v Speaker 3>closet you can't go in an airbby.

1:33:39.520 --> 1:33:43.320
<v Speaker 1>There's a management closet that says do not enter enter

1:33:43.640 --> 1:33:45.880
<v Speaker 1>are the rules like take out the garbage before you? Like,

1:33:45.960 --> 1:33:47.720
<v Speaker 1>I don't know how it were. If you guys could

1:33:48.280 --> 1:33:50.800
<v Speaker 1>can mash and Peter hermit, that would be great.

1:33:51.800 --> 1:33:54.000
<v Speaker 3>And let's be honest, they both they both have staff,

1:33:54.080 --> 1:33:57.680
<v Speaker 3>right does the staff traveling with does it travel or

1:33:57.680 --> 1:33:59.040
<v Speaker 3>do they stay in place?

1:33:59.200 --> 1:34:01.400
<v Speaker 1>I don't know. I would if you've got cook you like,

1:34:01.520 --> 1:34:03.519
<v Speaker 1>I would bet that they stay in place because they

1:34:03.520 --> 1:34:08.360
<v Speaker 1>know the property. But then like personal assistance go with Okay,

1:34:08.479 --> 1:34:12.000
<v Speaker 1>That's why I would like the chef's stay because they

1:34:12.040 --> 1:34:13.960
<v Speaker 1>know the kitchen and they know where to source their

1:34:14.160 --> 1:34:18.200
<v Speaker 1>their foods and their vegetables and their organic farmers markets

1:34:18.240 --> 1:34:19.040
<v Speaker 1>and stuff in the area.

1:34:19.160 --> 1:34:21.680
<v Speaker 3>And then is it like below deck where they get

1:34:21.720 --> 1:34:26.640
<v Speaker 3>a list of their likes and just like banguage.

1:34:25.439 --> 1:34:29.559
<v Speaker 1>Do they have to check that? Oh below deck, Man Deck.

1:34:29.760 --> 1:34:34.000
<v Speaker 1>I just did a giant like. It took me a

1:34:34.040 --> 1:34:35.479
<v Speaker 1>month and a half, which isn't that long.

1:34:35.520 --> 1:34:38.040
<v Speaker 2>Honestly, I did a giant rewatch of the Real Housewives

1:34:38.040 --> 1:34:40.080
<v Speaker 2>of Orange County and I just finished this week. I

1:34:40.120 --> 1:34:42.200
<v Speaker 2>feel free seventeen eighteen seasons?

1:34:42.920 --> 1:34:45.200
<v Speaker 3>Can I can? I? Okay, go ahead, because I have

1:34:45.280 --> 1:34:47.280
<v Speaker 3>a real serious question as it was brutal.

1:34:47.360 --> 1:34:50.000
<v Speaker 2>It was brutal, It wasn't even joy at the They

1:34:50.040 --> 1:34:52.120
<v Speaker 2>are the most vile people I've ever seen in my life.

1:34:52.160 --> 1:34:53.320
<v Speaker 1>But what is the question.

1:34:54.600 --> 1:34:57.439
<v Speaker 3>That so I've never I'd never seen a Real Housewives

1:34:57.479 --> 1:35:00.400
<v Speaker 3>episode in my life. My friend Lisa Shannon is the

1:35:00.560 --> 1:35:02.639
<v Speaker 3>executive producer of New York.

1:35:02.760 --> 1:35:08.400
<v Speaker 1>And so Ling. Oh, okay, she's she's brilliant.

1:35:09.200 --> 1:35:14.240
<v Speaker 3>She single handedly got watch your Chops the clothing design. Yeah,

1:35:14.280 --> 1:35:16.240
<v Speaker 3>she like single handedly got her to say.

1:35:18.240 --> 1:35:18.719
<v Speaker 1>She's amazing.

1:35:18.800 --> 1:35:22.160
<v Speaker 3>But uh so, during pandemic, I'd never seen an episode

1:35:22.160 --> 1:35:24.360
<v Speaker 3>of any I was like, Lisa weird chatting.

1:35:24.400 --> 1:35:24.840
<v Speaker 1>She's in my book.

1:35:24.840 --> 1:35:27.160
<v Speaker 3>We're at a book club and we're chatting, and she's like,

1:35:27.240 --> 1:35:28.800
<v Speaker 3>you've never seen And I'm like, I love reality, but

1:35:28.880 --> 1:35:29.920
<v Speaker 3>just I don't know if that's for me. She's like,

1:35:29.960 --> 1:35:33.160
<v Speaker 3>I'm going to send you one episode of of of

1:35:33.320 --> 1:35:36.960
<v Speaker 3>Housewives of New York. It's not aired yet. You can't

1:35:37.000 --> 1:35:37.759
<v Speaker 3>show it to anyone.

1:35:38.360 --> 1:35:40.479
<v Speaker 1>You just have to watch it. And it was season

1:35:40.520 --> 1:35:42.559
<v Speaker 1>Oh god, I'm gonna get the season eleven. It's okay,

1:35:42.760 --> 1:35:43.679
<v Speaker 1>just tell us what happens.

1:35:43.720 --> 1:35:47.800
<v Speaker 3>Well know, episode four, episode four, it's when Leah gets

1:35:47.880 --> 1:35:51.640
<v Speaker 3>naked and runs around the pool with That was the

1:35:51.720 --> 1:35:56.720
<v Speaker 3>first and I was like, and I Then I was like,

1:35:56.800 --> 1:36:00.639
<v Speaker 3>and now I'm so I started New York beginning because

1:36:00.640 --> 1:36:02.880
<v Speaker 3>I didn't want to. I did the same thing with

1:36:02.960 --> 1:36:04.760
<v Speaker 3>vander Pump. I didn't even know about the show until

1:36:04.760 --> 1:36:07.000
<v Speaker 3>I heard scandabal. I said, no one tell me anything.

1:36:07.240 --> 1:36:11.400
<v Speaker 3>I binge watched that from the beginning. Uh so, also,

1:36:11.640 --> 1:36:15.400
<v Speaker 3>here's here's my quest, Atlanta. I did, and by the end,

1:36:15.479 --> 1:36:19.560
<v Speaker 3>I felt like I had burst three horrible babs. Like

1:36:19.800 --> 1:36:23.200
<v Speaker 3>I felt, I felt exhausted and with very little to show. Yeah,

1:36:23.320 --> 1:36:24.040
<v Speaker 3>like I felt.

1:36:25.160 --> 1:36:28.760
<v Speaker 1>People crazy because you're just hearing them fight all day

1:36:28.840 --> 1:36:30.800
<v Speaker 1>for eight out. You're just they're fighting, their fighting, And

1:36:30.880 --> 1:36:32.040
<v Speaker 1>so then I was out in the world and I

1:36:32.120 --> 1:36:33.560
<v Speaker 1>was just like, shut up. And then I was like,

1:36:33.640 --> 1:36:38.120
<v Speaker 1>what the fuck? Like it infiltrated my being in a

1:36:38.320 --> 1:36:41.719
<v Speaker 1>very I had to leave Atlanta. I actually, I actually

1:36:41.840 --> 1:36:43.519
<v Speaker 1>was a big fan of Atlanta at the beginning, and

1:36:43.600 --> 1:36:46.760
<v Speaker 1>I left about halfway through and said, it's too much.

1:36:46.880 --> 1:36:49.519
<v Speaker 1>It's just like I don't mind a good fight once

1:36:49.560 --> 1:36:51.080
<v Speaker 1>in a while, but it felt like it was all

1:36:51.200 --> 1:36:53.280
<v Speaker 1>fighting and screaming, and I was like, I gotta go.

1:36:53.439 --> 1:36:56.080
<v Speaker 1>And then I came back and I revisited. I came back.

1:36:56.360 --> 1:36:58.880
<v Speaker 1>I came back and joined back on like with with

1:36:59.080 --> 1:37:02.479
<v Speaker 1>like Phaedra, like a later Porscha seasons and stuff like that.

1:37:02.680 --> 1:37:04.320
<v Speaker 1>But I needed a break.

1:37:05.040 --> 1:37:08.720
<v Speaker 2>You also do so much animation. Do you ever get

1:37:08.840 --> 1:37:12.920
<v Speaker 2>like toys or like drawings of the characters you do?

1:37:13.360 --> 1:37:15.040
<v Speaker 2>Like are the figures?

1:37:15.240 --> 1:37:17.840
<v Speaker 1>Let's talk. Let's talk about that for a second, because

1:37:17.880 --> 1:37:18.759
<v Speaker 1>that's a real issue.

1:37:19.120 --> 1:37:22.400
<v Speaker 3>I've done a lot of shows, and it began years

1:37:22.400 --> 1:37:24.479
<v Speaker 3>ago with Buzz light Year of Star Command, which is

1:37:24.520 --> 1:37:26.519
<v Speaker 3>like a buzz light Year spin off, and it's buzz

1:37:26.600 --> 1:37:29.799
<v Speaker 3>Lightyer and Princess Mironova, who like left being a princess

1:37:29.920 --> 1:37:33.720
<v Speaker 3>to fight in the Space Wars, and they came out

1:37:33.720 --> 1:37:36.320
<v Speaker 3>with the action figures for all the characters except Princess

1:37:36.720 --> 1:37:37.760
<v Speaker 3>no Miranva and she.

1:37:37.920 --> 1:37:39.360
<v Speaker 1>Was really like the second in command.

1:37:39.880 --> 1:37:44.280
<v Speaker 3>And then it happened again and again and every time,

1:37:44.400 --> 1:37:46.920
<v Speaker 3>and I was like, this is so horrible. And I

1:37:46.960 --> 1:37:49.800
<v Speaker 3>remember speaking with someone at some event, you know, some

1:37:50.240 --> 1:37:54.040
<v Speaker 3>con somewhere, and I spoke with the guy who was

1:37:54.160 --> 1:37:56.200
<v Speaker 3>like in charge of you know, somewhat in charge of

1:37:56.280 --> 1:37:58.400
<v Speaker 3>the things. I'm like, can I just be honest, dude,

1:37:58.439 --> 1:38:02.360
<v Speaker 3>it feels very like very anti female power, Like it

1:38:02.439 --> 1:38:05.920
<v Speaker 3>feels like you only. And his response was, the little

1:38:05.960 --> 1:38:08.760
<v Speaker 3>girls don't play with tiny action figures like that. They

1:38:08.920 --> 1:38:11.240
<v Speaker 3>just don't. And that's why we don't do it, because

1:38:11.240 --> 1:38:14.360
<v Speaker 3>they don't buy it. And I'm I get I'm like,

1:38:14.840 --> 1:38:16.360
<v Speaker 3>like that one haunts me because it's.

1:38:16.160 --> 1:38:19.479
<v Speaker 1>Also not true because they make them now and now

1:38:19.680 --> 1:38:22.320
<v Speaker 1>kids play with them all the time, you know exactly,

1:38:22.400 --> 1:38:24.400
<v Speaker 1>So I just think they hadn't been introduced.

1:38:24.680 --> 1:38:27.240
<v Speaker 3>Like the guy was going off these numbers and it

1:38:27.320 --> 1:38:29.200
<v Speaker 3>was the chicken or the egg, and it was definitely

1:38:29.400 --> 1:38:31.040
<v Speaker 3>the chicken he was looking at like yeah.

1:38:31.200 --> 1:38:33.040
<v Speaker 1>He was like, no, no one likes the chicken. I'm like,

1:38:33.080 --> 1:38:34.680
<v Speaker 1>but you haven't given them the egg, And it's a

1:38:34.720 --> 1:38:37.000
<v Speaker 1>horrible no. It makes sense. It's like if you're not

1:38:37.160 --> 1:38:40.040
<v Speaker 1>giving the girls anything that's going they're going to identify

1:38:40.160 --> 1:38:43.360
<v Speaker 1>with or representation of any kind, you know, then like

1:38:43.560 --> 1:38:45.320
<v Speaker 1>they're like, oh, yeah, I guess gi Jo's are for

1:38:45.400 --> 1:38:47.720
<v Speaker 1>boys and that's it. Like that whole toy cat.

1:38:47.960 --> 1:38:52.439
<v Speaker 3>Was so such like like horrible old fashioned thinking and

1:38:52.479 --> 1:38:53.880
<v Speaker 3>I remember thinking like can that be true?

1:38:53.920 --> 1:38:56.840
<v Speaker 1>And now like a Mowana thing and everyone all the

1:38:56.880 --> 1:38:59.600
<v Speaker 1>girls buy them. So he was wrong. But that's the

1:38:59.680 --> 1:39:00.559
<v Speaker 1>answer question is.

1:39:00.880 --> 1:39:03.040
<v Speaker 3>There's not been a lot, Like I have a couple

1:39:03.080 --> 1:39:05.600
<v Speaker 3>of figures from like you know, like Tim Possible there

1:39:05.680 --> 1:39:06.320
<v Speaker 3>was like a you know.

1:39:07.840 --> 1:39:09.880
<v Speaker 1>What a happy meal that had she go in it

1:39:10.000 --> 1:39:11.639
<v Speaker 1>for a little bit, and so I have a few

1:39:11.640 --> 1:39:11.960
<v Speaker 1>of those.

1:39:12.160 --> 1:39:17.200
<v Speaker 3>But but regardless, I've had amazing experiences with animation, Like

1:39:17.280 --> 1:39:19.639
<v Speaker 3>I I've loved so many of the shows I've done.

1:39:19.760 --> 1:39:21.800
<v Speaker 1>Yeah, you've done like a lot of Family Guys too, right,

1:39:21.840 --> 1:39:23.200
<v Speaker 1>I feel like I always see your name in the

1:39:23.400 --> 1:39:26.360
<v Speaker 1>credits for Family Guy. I'm a BoJack girl. That's like

1:39:26.600 --> 1:39:29.400
<v Speaker 1>that was okay, Oh my god, Okay, I have to again,

1:39:29.439 --> 1:39:32.160
<v Speaker 1>I'm taking up too much. No, this is okay. I

1:39:32.520 --> 1:39:33.759
<v Speaker 1>have two stories. I have two stories.

1:39:33.760 --> 1:39:36.160
<v Speaker 3>Okay, first I'll tell the BoJack Horseman story, which is

1:39:36.200 --> 1:39:38.800
<v Speaker 3>not really that much story. But they said, hey, Nicole,

1:39:38.840 --> 1:39:40.719
<v Speaker 3>they're doing this new show called BoJack Horseman.

1:39:41.200 --> 1:39:44.160
<v Speaker 1>Uh, what's not Lisa Kudro, But what's the other woman

1:39:44.200 --> 1:39:47.760
<v Speaker 1>who's the the main woman in it? Alison Amy Sedaris

1:39:48.120 --> 1:39:52.160
<v Speaker 1>or Alison No, maybe it was She's pretty fairline, but

1:39:52.520 --> 1:39:55.280
<v Speaker 1>Lisa Kudro is in season two, she's an owl for

1:39:55.360 --> 1:39:57.160
<v Speaker 1>a few episodes. It was the first scene. It was

1:39:57.200 --> 1:39:59.280
<v Speaker 1>the first episode, and it was the main female. Forget

1:39:59.439 --> 1:39:59.840
<v Speaker 1>if it was.

1:40:00.160 --> 1:40:03.360
<v Speaker 3>Uh, I forget which part it was any or the

1:40:03.520 --> 1:40:06.120
<v Speaker 3>part Okay anyway, So they said they're not they're not

1:40:06.160 --> 1:40:07.960
<v Speaker 3>able to make the table ree Can you read for them,

1:40:07.960 --> 1:40:09.600
<v Speaker 3>which I've done at other things, like you just go

1:40:09.640 --> 1:40:11.400
<v Speaker 3>to a table read and you read their part. And

1:40:11.680 --> 1:40:13.880
<v Speaker 3>we did the reading and I remember walking out and

1:40:13.920 --> 1:40:16.320
<v Speaker 3>I was walking it with like a friend of mine

1:40:16.320 --> 1:40:17.959
<v Speaker 3>who was writing, and I said.

1:40:18.080 --> 1:40:19.400
<v Speaker 2>What the fuck.

1:40:21.320 --> 1:40:25.639
<v Speaker 1>Are they out of their minds? This is the stupidest thing.

1:40:26.000 --> 1:40:30.240
<v Speaker 1>I have ever. I was so judgmentle next thing, I know,

1:40:30.640 --> 1:40:33.960
<v Speaker 1>the larger following huge it. I was like, and I'm

1:40:34.240 --> 1:40:37.000
<v Speaker 1>that's always for me. I never can guess what's gonna

1:40:37.160 --> 1:40:38.400
<v Speaker 1>like make it and be good. I can.

1:40:38.600 --> 1:40:41.040
<v Speaker 3>I have zero radar for that. So that was my

1:40:41.360 --> 1:40:44.400
<v Speaker 3>dumb BoJack Risman. But here's my Family Guy story.

1:40:44.840 --> 1:40:47.919
<v Speaker 1>So what year is it? Two thousand?

1:40:48.920 --> 1:40:52.160
<v Speaker 3>Anyway, it's the year before Family Guy and Future I'm

1:40:52.160 --> 1:40:53.360
<v Speaker 3>gonna come on the air because they came on the

1:40:53.400 --> 1:40:53.960
<v Speaker 3>air at the same.

1:40:53.840 --> 1:40:58.200
<v Speaker 1>So they both came on I think in like ninety eight, honestly, no, no, okay, okay, yeah,

1:40:58.200 --> 1:41:01.840
<v Speaker 1>because I remember watching them my freshmen year college. Okay,

1:41:02.200 --> 1:41:03.040
<v Speaker 1>so it's ninety eight.

1:41:03.479 --> 1:41:07.080
<v Speaker 3>That super Bowl was in Miami that year, and so

1:41:07.600 --> 1:41:09.960
<v Speaker 3>Fox back in the day had so much money. I mean,

1:41:10.680 --> 1:41:13.400
<v Speaker 3>they spent money on us, like they would give you

1:41:13.479 --> 1:41:16.320
<v Speaker 3>per dms of like five hundred. It was crazy, like

1:41:16.400 --> 1:41:19.679
<v Speaker 3>if they just ORed money into actors, flew us everywhere.

1:41:19.920 --> 1:41:22.640
<v Speaker 3>So there's a hell of us at the at the

1:41:23.200 --> 1:41:26.599
<v Speaker 3>at the super Bowl in Miami that year, and stuff

1:41:26.680 --> 1:41:28.360
<v Speaker 3>was happening, and we're supposed to get on the little chart,

1:41:28.400 --> 1:41:30.080
<v Speaker 3>our little Fox charter bus to take us to the

1:41:30.160 --> 1:41:34.520
<v Speaker 3>next event, and I got there early and Seth McFarlane

1:41:34.600 --> 1:41:37.200
<v Speaker 3>was there early, who I obviously didn't know who it was.

1:41:37.800 --> 1:41:40.160
<v Speaker 3>And on the Fox little bus, the little rent to

1:41:40.200 --> 1:41:42.400
<v Speaker 3>bus they were doing, they had a thing running of

1:41:42.640 --> 1:41:44.559
<v Speaker 3>like they're for the upfronts, like the clips of all

1:41:44.600 --> 1:41:46.720
<v Speaker 3>the shows, clips of all the shows, like selling it,

1:41:47.560 --> 1:41:49.360
<v Speaker 3>and so that was on loop and we sat there

1:41:49.400 --> 1:41:52.240
<v Speaker 3>for like twenty minutes watching the five minute thing four

1:41:52.280 --> 1:41:56.120
<v Speaker 3>times in a row that year. Earlier that year, I

1:41:56.240 --> 1:41:59.719
<v Speaker 3>had been cast as the lead in Futurama the Cyclopes woman,

1:42:00.280 --> 1:42:01.479
<v Speaker 3>not the lead, but you know, the lead.

1:42:01.520 --> 1:42:03.080
<v Speaker 1>Fuh.

1:42:03.880 --> 1:42:07.599
<v Speaker 3>I recorded an episode and they fired me and they're

1:42:07.640 --> 1:42:09.760
<v Speaker 3>like it's not the voice isn't working or not. I

1:42:09.840 --> 1:42:13.880
<v Speaker 3>was like, okay, horrible, Okay. Then they recorded a couple

1:42:13.920 --> 1:42:15.880
<v Speaker 3>of episodes they called me back. I said, we don't

1:42:15.920 --> 1:42:18.800
<v Speaker 3>know what we were thinking. We've tried a million other voice.

1:42:18.880 --> 1:42:22.920
<v Speaker 3>Nothing's as good as you. Please we beg you know,

1:42:22.960 --> 1:42:24.960
<v Speaker 3>blah blah blah. And I was like, okay, okay, loo,

1:42:25.000 --> 1:42:27.439
<v Speaker 3>come back. So we came back, recorded those episodes that

1:42:27.520 --> 1:42:33.160
<v Speaker 3>they then they fired me again. I was obviously like

1:42:33.640 --> 1:42:38.200
<v Speaker 3>really sad, heart broken, but like angry, like why would you.

1:42:38.520 --> 1:42:40.479
<v Speaker 1>That's messing with someone's head. Like, if you didn't want me,

1:42:40.560 --> 1:42:41.080
<v Speaker 1>don't use me.

1:42:41.720 --> 1:42:43.840
<v Speaker 3>So we're watching the clips and both of us, you know,

1:42:43.960 --> 1:42:46.240
<v Speaker 3>I introduced each other watching it and the future.

1:42:46.360 --> 1:42:49.040
<v Speaker 1>It's just just a long story. The Futurama clips were like.

1:42:49.360 --> 1:42:51.640
<v Speaker 3>Ten to one time, like Future Ama Da Da Da da,

1:42:51.680 --> 1:42:54.240
<v Speaker 3>and they were giving family to like ten seconds, and

1:42:54.400 --> 1:42:55.840
<v Speaker 3>he goes, that's my show, and I'm like, oh, and

1:42:55.960 --> 1:42:59.439
<v Speaker 3>I go I think, goes, I hate Matt Greening, and

1:42:59.520 --> 1:42:59.840
<v Speaker 3>I was like.

1:42:59.880 --> 1:43:02.040
<v Speaker 1>I hate them too, Hi, what's your name?

1:43:02.320 --> 1:43:04.320
<v Speaker 3>And we introduced ourselves and sat next to each other

1:43:04.520 --> 1:43:06.920
<v Speaker 3>on that bus, just ripping into Futurama, which is of

1:43:06.960 --> 1:43:09.639
<v Speaker 3>course an amazing show and great and of course Matt

1:43:09.720 --> 1:43:10.879
<v Speaker 3>magrig is brilliant.

1:43:11.160 --> 1:43:13.519
<v Speaker 1>We don't hate him, but like, we were so angry

1:43:13.640 --> 1:43:14.320
<v Speaker 1>and bitter.

1:43:14.160 --> 1:43:17.240
<v Speaker 3>That day on that bus, and we became besties and

1:43:17.439 --> 1:43:19.280
<v Speaker 3>like hung out all the time after that.

1:43:19.479 --> 1:43:23.240
<v Speaker 1>Just our love our hate of Futurama. Love it. I

1:43:23.360 --> 1:43:27.400
<v Speaker 1>love when hatred brings people together. Yeah, yeah, that is

1:43:27.760 --> 1:43:30.960
<v Speaker 1>such a funny stories. I can't believe they jerked you

1:43:31.000 --> 1:43:31.600
<v Speaker 1>around like that.

1:43:31.840 --> 1:43:34.720
<v Speaker 3>I know, I guess I can, but yeah, that was

1:43:34.760 --> 1:43:36.439
<v Speaker 3>myly the only job I've ever been fired from.

1:43:36.560 --> 1:43:38.560
<v Speaker 1>And it's hard because like that literally is like a

1:43:38.640 --> 1:43:41.880
<v Speaker 1>lake house. I couldn't I know. Oh my god, that's

1:43:41.920 --> 1:43:44.000
<v Speaker 1>like that was a big job to none. It's still

1:43:44.040 --> 1:43:46.360
<v Speaker 1>the only thing playing on Comedy Central. And by the way,

1:43:46.439 --> 1:43:48.160
<v Speaker 1>I just really quickly googled it. It was the very

1:43:48.200 --> 1:43:50.439
<v Speaker 1>beginning of ninety nine, not ninety eight, but I was close.

1:43:50.760 --> 1:43:54.200
<v Speaker 2>Oh okay, great, just for That's what's tough about the bit,

1:43:54.360 --> 1:43:56.600
<v Speaker 2>Like when you're testing and you have to sign for

1:43:56.800 --> 1:43:59.439
<v Speaker 2>money that you might make and you sure just like

1:43:59.560 --> 1:44:03.640
<v Speaker 2>really play off faring and then it's uh that they

1:44:03.720 --> 1:44:04.559
<v Speaker 2>really like to do that.

1:44:05.439 --> 1:44:07.400
<v Speaker 3>And you're hoping, like maybe this is the one show

1:44:07.439 --> 1:44:10.160
<v Speaker 3>Matt does and it's not going to be funny, and

1:44:10.240 --> 1:44:11.840
<v Speaker 3>of course it's brilliant and funny.

1:44:11.560 --> 1:44:14.760
<v Speaker 1>And oh my god, wait, I want to go back

1:44:14.960 --> 1:44:19.800
<v Speaker 1>to I'm from Skokye next to instance So Illinois.

1:44:20.640 --> 1:44:26.360
<v Speaker 3>That's where the van is from, Skooky from TV from Illinois.

1:44:27.520 --> 1:44:31.040
<v Speaker 3>That's yes, she literally skoky that's where the mall is

1:44:31.120 --> 1:44:33.160
<v Speaker 3>and Skooky Illinois. Oh my god.

1:44:33.400 --> 1:44:36.519
<v Speaker 1>I just love everyone that goes to Northwest. Lisa somehow

1:44:36.840 --> 1:44:39.559
<v Speaker 1>escaped any kind of Midwest accent at all.

1:44:39.520 --> 1:44:41.360
<v Speaker 2>Like I don't thinks I'm from New York. I think

1:44:41.400 --> 1:44:43.200
<v Speaker 2>I would watch The Nanny too much as a kid

1:44:43.320 --> 1:44:43.840
<v Speaker 2>or something like.

1:44:43.880 --> 1:44:44.160
<v Speaker 1>I don't.

1:44:44.240 --> 1:44:46.960
<v Speaker 3>And I have zero New York accent and totally picked

1:44:47.000 --> 1:44:49.840
<v Speaker 3>up on the Midwestern And that's much more what I

1:44:49.960 --> 1:44:51.920
<v Speaker 3>sound like in Midwestern than New York.

1:44:51.960 --> 1:44:53.080
<v Speaker 1>I never had the New York accent.

1:44:53.200 --> 1:44:56.320
<v Speaker 2>But Northwestern has churned out like some of the best

1:44:56.360 --> 1:44:58.960
<v Speaker 2>comedy people ever and just performers.

1:44:59.040 --> 1:45:01.719
<v Speaker 1>Yeah it's a good school. Yeah, it's a great school.

1:45:01.760 --> 1:45:03.600
<v Speaker 1>I did not. I was not successful there. I was

1:45:03.680 --> 1:45:04.320
<v Speaker 1>not popular.

1:45:04.520 --> 1:45:06.640
<v Speaker 3>I was not casting a lot of stuff like I

1:45:06.680 --> 1:45:08.000
<v Speaker 3>would just you know, back then, it was like the

1:45:08.040 --> 1:45:10.000
<v Speaker 3>cast list was on the wall like you see in movies.

1:45:10.280 --> 1:45:12.120
<v Speaker 3>It really was like now, I'm sure they get emails,

1:45:12.160 --> 1:45:14.200
<v Speaker 3>but like back then, everyone looked at the wall to

1:45:14.240 --> 1:45:15.640
<v Speaker 3>get in the and.

1:45:15.680 --> 1:45:17.519
<v Speaker 1>Then do they try to like do they try to

1:45:17.600 --> 1:45:19.280
<v Speaker 1>like hit you up to come back and like talk

1:45:19.479 --> 1:45:21.880
<v Speaker 1>to the school and like you know, be involved, And

1:45:21.920 --> 1:45:23.880
<v Speaker 1>you're like, yeah, you guys. It wasn't actually that great

1:45:24.240 --> 1:45:28.040
<v Speaker 1>for me, but I had to bet, like you know why,

1:45:28.120 --> 1:45:28.479
<v Speaker 1>I love it.

1:45:28.800 --> 1:45:31.120
<v Speaker 3>I really had the best fucking time, And then I

1:45:31.200 --> 1:45:33.560
<v Speaker 3>had to make my own things, Like I worked with

1:45:33.640 --> 1:45:36.160
<v Speaker 3>the student I like, I was like, I'll direct apply it,

1:45:36.280 --> 1:45:38.360
<v Speaker 3>like I had to make my own reality because I

1:45:38.439 --> 1:45:42.280
<v Speaker 3>wasn't popular and getting the parts. But it totally trained

1:45:42.320 --> 1:45:44.439
<v Speaker 3>me for LA. Like when people come out and they're

1:45:44.479 --> 1:45:46.960
<v Speaker 3>like they're the star of their musical and wherever town

1:45:47.120 --> 1:45:48.600
<v Speaker 3>and they come out to LA and it's hard, I'm like,

1:45:49.000 --> 1:45:50.840
<v Speaker 3>oh shit, no is always the answer.

1:45:51.000 --> 1:45:52.559
<v Speaker 1>Yeah, I mean when you get a yes, I mean

1:45:52.600 --> 1:45:56.120
<v Speaker 1>I already knew that coming out that is so good.

1:45:56.360 --> 1:45:58.600
<v Speaker 1>That's like really great. I feel like for me that

1:45:58.760 --> 1:46:02.000
<v Speaker 1>was commercial commercial auditions. I would just do a million

1:46:02.040 --> 1:46:03.760
<v Speaker 1>commercial auditions and go, well, I'm never going to get

1:46:03.760 --> 1:46:05.920
<v Speaker 1>any of this and then just move on with my day.

1:46:05.920 --> 1:46:09.400
<v Speaker 1>And it really helped me set the mindset of forgetting

1:46:09.400 --> 1:46:12.479
<v Speaker 1>about it. As soon as you audition, can I speak

1:46:12.520 --> 1:46:12.680
<v Speaker 1>to that?

1:46:12.800 --> 1:46:15.439
<v Speaker 3>So I I'm like that with audition auditions, like I

1:46:15.520 --> 1:46:17.280
<v Speaker 3>do it and then I forget. People like or my

1:46:17.400 --> 1:46:19.240
<v Speaker 3>Maner's like that audition for what, I'm like, what was that?

1:46:19.400 --> 1:46:21.160
<v Speaker 3>I'd like, I don't even remember I did it. A

1:46:21.240 --> 1:46:26.200
<v Speaker 3>Commercial auditions messed with my head so badly because it

1:46:26.320 --> 1:46:28.800
<v Speaker 3>was like you get one second to be like this

1:46:28.960 --> 1:46:31.000
<v Speaker 3>burger's juicier than I thought that's not real. Yeah, but

1:46:31.120 --> 1:46:33.360
<v Speaker 3>like I was like, I was like, let's come here again,

1:46:33.680 --> 1:46:35.320
<v Speaker 3>and that's the one line. And I would get in

1:46:35.360 --> 1:46:38.840
<v Speaker 3>the car after it and put my rearview mirror and

1:46:38.960 --> 1:46:40.960
<v Speaker 3>do the line a hundred times and think like, how

1:46:41.000 --> 1:46:42.040
<v Speaker 3>could I have done that better?

1:46:42.240 --> 1:46:42.840
<v Speaker 1>Like it messed?

1:46:43.040 --> 1:46:43.160
<v Speaker 3>Uh?

1:46:43.760 --> 1:46:45.360
<v Speaker 1>Or I was going in all the time in New

1:46:45.439 --> 1:46:47.920
<v Speaker 1>York for commercial auditions, and then like Deborah Wilson from

1:46:47.960 --> 1:46:49.800
<v Speaker 1>Mad TV would be there. I'd be like, I think

1:46:49.880 --> 1:46:52.840
<v Speaker 1>she's getting this, you know, like yeah, Like or I'd

1:46:52.880 --> 1:46:54.760
<v Speaker 1>be like with six girls from Orange is the New Black,

1:46:54.800 --> 1:46:56.439
<v Speaker 1>and be like, why are we here? Why are the

1:46:56.520 --> 1:46:57.200
<v Speaker 1>rest of us here?

1:46:57.800 --> 1:47:00.840
<v Speaker 3>Like that, Yeah, the waiting room, But don't you kind

1:47:00.880 --> 1:47:02.559
<v Speaker 3>of miss but don't you kind of miss it now

1:47:02.560 --> 1:47:03.400
<v Speaker 3>that we don't get them?

1:47:03.479 --> 1:47:03.679
<v Speaker 4>Yeah?

1:47:04.080 --> 1:47:06.360
<v Speaker 2>I made I made, I made people. I only got

1:47:06.479 --> 1:47:09.120
<v Speaker 2>a snip it. I truly got maybe a year. I

1:47:09.200 --> 1:47:11.719
<v Speaker 2>got maybe a year of impersonal auditions in my career,

1:47:11.960 --> 1:47:14.320
<v Speaker 2>like in New York running around, so you would be.

1:47:14.320 --> 1:47:16.280
<v Speaker 1>A little longer, but you were still in like this

1:47:16.439 --> 1:47:20.479
<v Speaker 1>is horrible stage. No, I love it. I love celeb stuff.

1:47:20.520 --> 1:47:22.720
<v Speaker 2>I love Hollywood, Like it's why I wanted to do

1:47:22.880 --> 1:47:27.360
<v Speaker 2>everything so I loved seeing famous people in the rooms

1:47:27.560 --> 1:47:30.160
<v Speaker 2>or running around, and I felt so cool going to

1:47:30.240 --> 1:47:32.400
<v Speaker 2>my acting coach and walking to the audition, like I

1:47:32.560 --> 1:47:33.679
<v Speaker 2>romanticized so much.

1:47:33.760 --> 1:47:35.320
<v Speaker 1>So I really yeah, me too.

1:47:35.360 --> 1:47:38.160
<v Speaker 3>I loved it, and I'm like it was so much fun.

1:47:38.200 --> 1:47:39.840
<v Speaker 3>I met all my good friends in those rooms and

1:47:40.080 --> 1:47:41.120
<v Speaker 3>now I don't see them.

1:47:41.040 --> 1:47:43.679
<v Speaker 1>And yeah, probably my big embarrassing one was I knew

1:47:43.720 --> 1:47:45.680
<v Speaker 1>I was bombing. I knew it wasn't going good. So

1:47:45.720 --> 1:47:46.479
<v Speaker 1>I go cold, we just.

1:47:46.560 --> 1:47:49.760
<v Speaker 2>Please stop this, Like, I just this is bad. They're like, no, finish, shit,

1:47:49.800 --> 1:47:53.479
<v Speaker 2>it's fine. I go okay, but I just this isn't

1:47:53.560 --> 1:47:54.120
<v Speaker 2>going well.

1:47:54.240 --> 1:47:56.120
<v Speaker 1>And then I walked out and Lena Hall was going

1:47:56.160 --> 1:47:58.800
<v Speaker 1>in after me, and I was like, okay, cool, but

1:48:00.080 --> 1:48:03.160
<v Speaker 1>is your little uh silver lining. I love that you

1:48:03.240 --> 1:48:05.720
<v Speaker 1>called yourself out of like this is not We're not

1:48:05.880 --> 1:48:08.920
<v Speaker 1>going anywhere. I'm embarrassed, like I don't want to I

1:48:08.960 --> 1:48:10.640
<v Speaker 1>don't want to continue. You don't want this.

1:48:10.840 --> 1:48:12.960
<v Speaker 2>I don't want this, Like why are we pretending? Yeah,

1:48:13.439 --> 1:48:15.080
<v Speaker 2>I'm good enough, But I guess that's how you learn

1:48:15.680 --> 1:48:16.599
<v Speaker 2>is not doing well.

1:48:16.640 --> 1:48:18.439
<v Speaker 1>I love that you did that. Yeah for all this,

1:48:19.000 --> 1:48:22.160
<v Speaker 1>Uh thanks, any last minute tidbits from your time on

1:48:22.320 --> 1:48:25.360
<v Speaker 1>SVU twenty four years right, I got so I got

1:48:25.479 --> 1:48:26.679
<v Speaker 1>so lost on the SVU.

1:48:28.280 --> 1:48:30.960
<v Speaker 3>I would just say, like my so the takeaways was

1:48:31.040 --> 1:48:35.080
<v Speaker 3>the dick wolf moment washd just really okay, here's here's

1:48:35.240 --> 1:48:38.360
<v Speaker 3>here's the story and it's doesn't baby. So we're shooting

1:48:38.439 --> 1:48:40.360
<v Speaker 3>the thing and there now they're shooting through the window,

1:48:40.479 --> 1:48:43.200
<v Speaker 3>right reverse shots. So yeah, it's my face against the

1:48:43.280 --> 1:48:46.200
<v Speaker 3>little subway haunting. Yes, hunting.

1:48:46.360 --> 1:48:48.600
<v Speaker 1>And the director had to call me over and he

1:48:48.680 --> 1:48:50.120
<v Speaker 1>did it privately, which was really kind.

1:48:50.200 --> 1:48:53.400
<v Speaker 3>He's like, hey, he goes, can you not open your

1:48:53.479 --> 1:48:59.720
<v Speaker 3>eyes so wide when you're getting attacked? Attacked? Can you

1:48:59.840 --> 1:49:02.080
<v Speaker 3>not when your eyes so what? It kind of comes

1:49:02.120 --> 1:49:03.120
<v Speaker 3>across funny.

1:49:06.320 --> 1:49:07.120
<v Speaker 1>Like I was like that.

1:49:07.320 --> 1:49:09.280
<v Speaker 3>I was like, I say, okay, okay. He's like, it's

1:49:09.320 --> 1:49:11.639
<v Speaker 3>a little loose sill ball when your eyes are really wide.

1:49:13.320 --> 1:49:17.960
<v Speaker 3>And I mean that's the weirdest and best and humiliating

1:49:18.120 --> 1:49:18.920
<v Speaker 3>note of all time.

1:49:19.000 --> 1:49:21.600
<v Speaker 1>And I loved it. I loved it. I did not

1:49:21.760 --> 1:49:25.519
<v Speaker 1>open as much. That is so funny, because yeah, I

1:49:25.640 --> 1:49:27.720
<v Speaker 1>think of you as like doing these characters with like

1:49:27.840 --> 1:49:30.400
<v Speaker 1>big like you know, yes, your eyes are a big

1:49:30.439 --> 1:49:31.639
<v Speaker 1>part of your comedy persona.

1:49:31.680 --> 1:49:32.040
<v Speaker 3>And I love that.

1:49:32.120 --> 1:49:33.920
<v Speaker 1>He's like, we need to tone that down. We don't.

1:49:34.040 --> 1:49:35.880
<v Speaker 1>It's not about that, It's not about the eyes today.

1:49:35.960 --> 1:49:39.960
<v Speaker 2>Yes, what wait, is there anything that's coming out soon

1:49:40.160 --> 1:49:41.719
<v Speaker 2>that you would want people to know about?

1:49:41.880 --> 1:49:42.080
<v Speaker 1>Yeah?

1:49:42.240 --> 1:49:48.200
<v Speaker 3>Projects, Sex Lives of College Girls. Oh, I small a

1:49:48.360 --> 1:49:52.160
<v Speaker 3>small part in two episodes. Uh, but I love that part.

1:49:52.240 --> 1:49:54.840
<v Speaker 3>I love that character, and I love that show. I

1:49:54.920 --> 1:49:58.000
<v Speaker 3>think the girls are so like I just find them

1:49:58.080 --> 1:50:00.280
<v Speaker 3>so charming on screen. I think it's such a a

1:50:00.439 --> 1:50:03.760
<v Speaker 3>really cute and lovely show. So I always promote it.

1:50:03.880 --> 1:50:08.120
<v Speaker 1>Oh, amazing, Great, it's on Max Max ex Slice of

1:50:08.160 --> 1:50:10.879
<v Speaker 1>College Girls on Max. Amazing.

1:50:10.920 --> 1:50:15.080
<v Speaker 3>Timothy Shallomey's sister is I play the mother. She's the lead,

1:50:15.080 --> 1:50:16.200
<v Speaker 3>and I play the mother to hers.

1:50:16.360 --> 1:50:20.000
<v Speaker 1>She's delight Ooh I didn't even know Timothy Shalomey had

1:50:20.040 --> 1:50:22.439
<v Speaker 1>a sister in the biz. That's fun. Have a great

1:50:22.479 --> 1:50:24.960
<v Speaker 1>rest of your day. We so appreciate you taking the time.

1:50:25.040 --> 1:50:25.639
<v Speaker 1>This was the best.

1:50:25.720 --> 1:50:27.439
<v Speaker 3>This has been a bless I knew it was going

1:50:27.520 --> 1:50:29.120
<v Speaker 3>to be super fun. I was so excited about it.

1:50:29.120 --> 1:50:35.679
<v Speaker 3>I knew and it was as good as I wanted it. Wow,

1:50:36.280 --> 1:50:38.519
<v Speaker 3>ninety minutes. We had to cap that at ninety minutes.

1:50:38.520 --> 1:50:41.120
<v Speaker 3>And we truly could have talked to her for longer.

1:50:41.560 --> 1:50:44.760
<v Speaker 1>For so much longer. But also she just likes what

1:50:44.880 --> 1:50:49.960
<v Speaker 1>we like. Yeah, so much matching interests. That's nice, so

1:50:50.120 --> 1:50:53.000
<v Speaker 1>like we like. I'd been thinking ever since we talked

1:50:53.000 --> 1:50:54.960
<v Speaker 1>to her about how she's like. And I don't know

1:50:54.960 --> 1:50:56.960
<v Speaker 1>if Casey kept this in the interview or not, but

1:50:57.040 --> 1:50:58.920
<v Speaker 1>how she was like, I don't think my kids like me,

1:50:59.080 --> 1:51:01.280
<v Speaker 1>and I was like, oh no, oh, is that my future?

1:51:02.080 --> 1:51:05.200
<v Speaker 1>My kids were gonna like me? I mean, she's obviously

1:51:05.240 --> 1:51:06.519
<v Speaker 1>being funny about it. She's like, I mean they like

1:51:06.560 --> 1:51:09.200
<v Speaker 1>when I buy them sushi, but like they don't like me.

1:51:09.320 --> 1:51:12.639
<v Speaker 1>I was like, oh no, but I've been Nicole Sullivan's

1:51:12.760 --> 1:51:14.880
<v Speaker 1>words have been ringing in my ears. And I ran

1:51:14.960 --> 1:51:17.160
<v Speaker 1>into like a mutual that we have and I was like,

1:51:17.320 --> 1:51:19.439
<v Speaker 1>I got to talk to Nicole Sullivan and she was like,

1:51:19.840 --> 1:51:21.479
<v Speaker 1>isn't she the best? And I was like, yes, she

1:51:21.640 --> 1:51:23.920
<v Speaker 1>was truly the best. I love talking to her. We

1:51:24.000 --> 1:51:28.080
<v Speaker 1>were like counseling her on Housewives, but Housewives is coming back.

1:51:28.320 --> 1:51:30.760
<v Speaker 1>We have salt. I'm just like, so on the edge

1:51:30.760 --> 1:51:35.000
<v Speaker 1>of my seat for more epic entertainment. I think while

1:51:35.000 --> 1:51:36.760
<v Speaker 1>you're waiting, you got to get into a secret lives

1:51:36.760 --> 1:51:39.599
<v Speaker 1>and Mormon wives. I know, but I know you're holding back, Charmed.

1:51:39.640 --> 1:51:41.280
<v Speaker 2>I am holding back because I know I'm just gonna

1:51:41.280 --> 1:51:44.640
<v Speaker 2>be upset by it's religion and chauvinism. Like it's just

1:51:44.840 --> 1:51:48.599
<v Speaker 2>two things that rilly me in a way that I like, can't.

1:51:48.680 --> 1:51:51.040
<v Speaker 2>I know, I'm gonna see this young younger because.

1:51:52.320 --> 1:51:54.760
<v Speaker 1>I can't. But I just think you might like how

1:51:54.800 --> 1:51:57.280
<v Speaker 1>it's not all of them following it. You know, like

1:51:57.439 --> 1:51:59.240
<v Speaker 1>half of them are kind of like what. Half of

1:51:59.280 --> 1:52:01.720
<v Speaker 1>them are like we drink, you know, half of them

1:52:01.760 --> 1:52:03.120
<v Speaker 1>are like we do. I think the other half are

1:52:03.200 --> 1:52:06.400
<v Speaker 1>like cheersing with cokes and wine glasses. I do want

1:52:06.439 --> 1:52:07.920
<v Speaker 1>to try all the Mormon drinks.

1:52:07.960 --> 1:52:10.000
<v Speaker 2>I do want to have a Doctor Pepper with coconut

1:52:10.040 --> 1:52:12.559
<v Speaker 2>cream and a lot you know, I want to Yeah, yeah, yeah, I.

1:52:12.560 --> 1:52:15.120
<v Speaker 1>Would like to have a little fun. Excuse me, do

1:52:15.160 --> 1:52:16.360
<v Speaker 1>you have a Mormon drink? Flight?

1:52:18.360 --> 1:52:18.600
<v Speaker 3>You know what?

1:52:18.680 --> 1:52:21.320
<v Speaker 1>I just remember? And I have a potato tiketo in

1:52:21.439 --> 1:52:25.559
<v Speaker 1>my fridge. Ooh, I love a potato tiqito. Any Mexican

1:52:25.600 --> 1:52:27.240
<v Speaker 1>foods where you just shoved some potato in there?

1:52:27.439 --> 1:52:27.599
<v Speaker 3>Yeah.

1:52:27.640 --> 1:52:32.840
<v Speaker 2>I went after Union Hall last night and I did

1:52:32.920 --> 1:52:35.880
<v Speaker 2>have a Leachi margarita. Not as good as a Leachi martini.

1:52:35.920 --> 1:52:41.439
<v Speaker 2>I'll be honest, it was disgusting. Doesn't match. But anyway

1:52:42.000 --> 1:52:45.000
<v Speaker 2>back to our you know what, now that we're on

1:52:45.120 --> 1:52:49.200
<v Speaker 2>the fucking post, we could talk about the NYPD. Fucking

1:52:50.320 --> 1:52:53.040
<v Speaker 2>watch if you get groped, Watch if you actually need help.

1:52:53.640 --> 1:52:57.559
<v Speaker 2>These motherfuckers. Someone jumped the turnstile. It's a two dollars

1:52:57.840 --> 1:53:04.679
<v Speaker 2>ninety cent ticket. Four people shot. The NYPD shot four

1:53:04.840 --> 1:53:06.560
<v Speaker 2>people on a train platform.

1:53:06.920 --> 1:53:10.840
<v Speaker 1>Pew pew, pew. Like it's fucking guns and robbers. Why

1:53:10.880 --> 1:53:13.599
<v Speaker 1>are you trying to shoot people for like pretty much

1:53:13.760 --> 1:53:16.120
<v Speaker 1>any kind of robbery, Like, I don't know, I just

1:53:16.160 --> 1:53:20.040
<v Speaker 1>don't think anybody's like stuff is worth someone dying. No,

1:53:20.880 --> 1:53:22.960
<v Speaker 1>get the cops out of our fucking subways.

1:53:23.200 --> 1:53:28.439
<v Speaker 2>Stop harassing the churoh women, stop fucking shooting civilians. And

1:53:28.479 --> 1:53:30.920
<v Speaker 2>why don't you get rapists, Why don't you start fucking

1:53:31.600 --> 1:53:32.400
<v Speaker 2>arresting each other?

1:53:32.520 --> 1:53:36.920
<v Speaker 1>You lose it actually, like like perfectly attaches to this

1:53:37.120 --> 1:53:39.840
<v Speaker 1>episode with because of like the subway stuff, because yeah,

1:53:39.880 --> 1:53:43.320
<v Speaker 1>you would immediately think, oh, this crime in the subway,

1:53:43.439 --> 1:53:45.200
<v Speaker 1>get the police in there, but like, look what they're

1:53:45.240 --> 1:53:49.439
<v Speaker 1>fucking doing Jesus, that story's crazy and did one person

1:53:49.520 --> 1:53:51.200
<v Speaker 1>die or one person's in critical condition?

1:53:51.320 --> 1:53:54.920
<v Speaker 2>I know that I unfortunately am a headline only woman,

1:53:55.280 --> 1:53:58.320
<v Speaker 2>and I have no details. No, no, I do read

1:53:58.320 --> 1:54:00.559
<v Speaker 2>the news for our show. I am very involved.

1:54:00.800 --> 1:54:02.280
<v Speaker 1>Yeah yeah, yeah, you just don't know the answer to

1:54:02.360 --> 1:54:06.400
<v Speaker 1>that question. And that's absolutely acceptable. I'm fine, that's fine.

1:54:06.439 --> 1:54:09.439
<v Speaker 1>I just guilty. Yeah, I mean for the post mortem,

1:54:09.479 --> 1:54:13.880
<v Speaker 1>I was gonna be like, well, I think give New

1:54:13.960 --> 1:54:16.439
<v Speaker 1>Yorkers more of a benefit of the doubt, because I

1:54:16.560 --> 1:54:20.640
<v Speaker 1>do think that they like help. Like I talked, I

1:54:20.760 --> 1:54:22.559
<v Speaker 1>talked about how I fainted in the subway in New

1:54:22.640 --> 1:54:24.519
<v Speaker 1>York and a lot of people helped me, you know.

1:54:25.360 --> 1:54:28.559
<v Speaker 1>But and I have stepped in when I've seen people

1:54:28.600 --> 1:54:32.560
<v Speaker 1>getting harassed and stuff like that, but like this, that

1:54:32.800 --> 1:54:35.040
<v Speaker 1>scene is just so haunting to me. How everybody just

1:54:35.160 --> 1:54:37.320
<v Speaker 1>kind of like reads their paper and like makes eyes

1:54:37.360 --> 1:54:38.840
<v Speaker 1>at each other like are we going to do anything?

1:54:38.840 --> 1:54:41.480
<v Speaker 1>And then no one does anything and the story Nicole

1:54:41.520 --> 1:54:45.640
<v Speaker 1>said that even dick Wolf was like yeah, yeah, yeah, yeah,

1:54:47.920 --> 1:54:50.160
<v Speaker 1>Well we found an episode that fucked dick Wolf up.

1:54:50.280 --> 1:54:52.400
<v Speaker 1>So that's and that's in season one, and he kept

1:54:52.800 --> 1:54:57.640
<v Speaker 1>chugging along, so not fucked up enough, I guess chugging

1:54:58.000 --> 1:55:03.520
<v Speaker 1>uh along, but yeah, this is a I don't know.

1:55:03.720 --> 1:55:07.800
<v Speaker 1>I think it's like everybody, every woman is very like

1:55:08.920 --> 1:55:12.120
<v Speaker 1>up on high alert. I think on public transportation, like

1:55:12.200 --> 1:55:14.360
<v Speaker 1>you just are like you just have to be looking

1:55:14.400 --> 1:55:17.200
<v Speaker 1>around at your surroundings and like figuring out you know.

1:55:18.040 --> 1:55:21.320
<v Speaker 2>No, And there's a younger comic at the cellar and

1:55:21.520 --> 1:55:24.000
<v Speaker 2>she was about to take an hour long train ride

1:55:24.080 --> 1:55:27.040
<v Speaker 2>home and I was like, oh, yeah, damn, Like it's

1:55:27.120 --> 1:55:29.400
<v Speaker 2>two in the morning and you're just something alone on

1:55:29.560 --> 1:55:34.080
<v Speaker 2>the eat Like fuck. I feel lucky that I can

1:55:35.240 --> 1:55:41.200
<v Speaker 2>take a cheap car, yes, because those lay ones are expensive.

1:55:41.240 --> 1:55:43.960
<v Speaker 2>They add up, it's hard, so I feel really lucky

1:55:44.040 --> 1:55:44.840
<v Speaker 2>to be close by.

1:55:45.520 --> 1:55:47.000
<v Speaker 1>I had a friend who used to fall asleep on

1:55:47.040 --> 1:55:48.680
<v Speaker 1>the train all the time, and she'd be like, it's

1:55:48.720 --> 1:55:50.720
<v Speaker 1>not that big of a deal. I'm only one stop pass.

1:55:50.760 --> 1:55:53.040
<v Speaker 1>If I fall asleep, I'll just walk. And I'm like, no,

1:55:53.320 --> 1:55:56.240
<v Speaker 1>it's not about missing your stop. Like stop falling asleep

1:55:56.280 --> 1:55:59.760
<v Speaker 1>on the train gonna get fucking kidnapped or like a

1:56:00.080 --> 1:56:04.120
<v Speaker 1>alted Like I don't know, but everybody in every city

1:56:04.160 --> 1:56:06.920
<v Speaker 1>that you're on, you know, just we I'm always telling everybody,

1:56:07.000 --> 1:56:08.720
<v Speaker 1>keep your wits about you. Don't be staring at your

1:56:08.720 --> 1:56:11.160
<v Speaker 1>phone too hard for too long, even though I'm guilty

1:56:11.200 --> 1:56:14.040
<v Speaker 1>of it. Just glance up, make sure everybody around you

1:56:14.240 --> 1:56:17.040
<v Speaker 1>is normal and not being all I got care.

1:56:17.240 --> 1:56:19.200
<v Speaker 2>It's actually so funny because I put it in the

1:56:19.240 --> 1:56:22.720
<v Speaker 2>shared album. But I took a video of the sprinkler

1:56:22.800 --> 1:56:25.160
<v Speaker 2>situation and everyone running chaos and you are in a

1:56:25.200 --> 1:56:27.280
<v Speaker 2>white dress in the middle of it, all on your

1:56:27.360 --> 1:56:28.920
<v Speaker 2>phone looking at it hard.

1:56:31.440 --> 1:56:34.000
<v Speaker 1>I felt safe. I felt safe. We were running, going

1:56:34.080 --> 1:56:37.440
<v Speaker 1>wild and you it was it was. It was very

1:56:37.560 --> 1:56:39.680
<v Speaker 1>stoned when that happened, and I was like, I know

1:56:39.840 --> 1:56:41.400
<v Speaker 1>that's what made you pass. And then I think I

1:56:41.560 --> 1:56:43.840
<v Speaker 1>was just looking at my phone, going, wait, what's going

1:56:43.920 --> 1:56:46.400
<v Speaker 1>on with the sprinkler? Like I just I tried to

1:56:46.440 --> 1:56:49.200
<v Speaker 1>smoke a little weed to like be like food, and

1:56:49.280 --> 1:56:50.920
<v Speaker 1>then it was it's always backfires.

1:56:50.960 --> 1:56:54.160
<v Speaker 2>I need to not But now we found a tarantula.

1:56:54.280 --> 1:56:56.720
<v Speaker 2>Oh my god, I did a terrible thing, actually that

1:56:56.840 --> 1:56:59.760
<v Speaker 2>I will confess on this. So my friend has like

1:56:59.800 --> 1:57:04.040
<v Speaker 2>a giant phobia of frogs. It is an irrational fear.

1:57:04.320 --> 1:57:05.600
<v Speaker 1>She knows it. It is bad.

1:57:06.120 --> 1:57:09.200
<v Speaker 2>Yes, one night during beer pong, we saw a frog

1:57:09.840 --> 1:57:13.320
<v Speaker 2>tiny one, Yeah, tiny were you there was that when

1:57:13.320 --> 1:57:15.560
<v Speaker 2>you saw the frog? Yeah? And I yelled at every

1:57:15.600 --> 1:57:17.840
<v Speaker 2>and I go, don't you fucking tell her? No one

1:57:17.920 --> 1:57:21.360
<v Speaker 2>can tell her about the frog, like it'll ruin everything.

1:57:21.520 --> 1:57:24.440
<v Speaker 2>So while we're at all coved getting drunk, I remember

1:57:24.520 --> 1:57:28.520
<v Speaker 2>the frog. And since the vacation is done, I go, oh,

1:57:28.920 --> 1:57:32.160
<v Speaker 2>I do have something to reveal. Biggest mistake of my life.

1:57:32.720 --> 1:57:35.840
<v Speaker 2>I ruined everything. The phobia is deeper than I could

1:57:35.880 --> 1:57:40.160
<v Speaker 2>have ever envision. She basically said, that's the one place

1:57:40.240 --> 1:57:43.640
<v Speaker 2>I've ever felt safe like to go. And I didn't

1:57:43.640 --> 1:57:45.600
<v Speaker 2>realize she was always on hi alert. And then Lane

1:57:45.680 --> 1:57:48.240
<v Speaker 2>was like fuck. And because she's like, well, I'm always

1:57:48.280 --> 1:57:50.040
<v Speaker 2>on edge, I'm in Florida, I'm always looking, she goes,

1:57:50.040 --> 1:57:51.800
<v Speaker 2>if you see one in New York, do not tell me.

1:57:51.920 --> 1:57:52.880
<v Speaker 1>She goes, do not do this.

1:57:53.360 --> 1:57:55.120
<v Speaker 2>And it's like the biggest mistake I've ever made in

1:57:55.200 --> 1:57:56.880
<v Speaker 2>my life because it's the one place, she says, she

1:57:56.960 --> 1:57:59.800
<v Speaker 2>always feels free and safe and isn't always checking for frogs.

1:57:59.840 --> 1:58:02.600
<v Speaker 2>And I go, are you always checking for frogs?

1:58:02.720 --> 1:58:04.880
<v Speaker 1>And she is, oh my god.

1:58:05.520 --> 1:58:08.320
<v Speaker 2>It's so it's such a phobia that she is always

1:58:08.440 --> 1:58:11.000
<v Speaker 2>thinking about it and I can't believe it that I

1:58:11.080 --> 1:58:14.959
<v Speaker 2>took the one safe haven away from her by revealing

1:58:15.040 --> 1:58:17.000
<v Speaker 2>the frog. What I thought was safe because we were

1:58:17.040 --> 1:58:20.520
<v Speaker 2>just like drunk out of springs And she goes, well,

1:58:20.520 --> 1:58:23.080
<v Speaker 2>it's just gonna be like everywhere else. I'm always on edge,

1:58:23.080 --> 1:58:25.960
<v Speaker 2>I'm always circling. She's like lifeguard looking for a frog

1:58:26.000 --> 1:58:26.520
<v Speaker 2>at all times.

1:58:27.520 --> 1:58:29.760
<v Speaker 1>Oh my god, maybe we need to figure out some

1:58:29.880 --> 1:58:32.440
<v Speaker 1>kind of like exposure therapy for her. And they started,

1:58:32.720 --> 1:58:35.080
<v Speaker 1>and then they started reminiscing of all the times she's

1:58:35.160 --> 1:58:38.440
<v Speaker 1>hat like at restaurants, like always looking under tables, and

1:58:38.440 --> 1:58:40.400
<v Speaker 1>I'm like, I didn't know it ran this deep. I'm

1:58:40.440 --> 1:58:43.400
<v Speaker 1>the worst friend ever. No, you were telling her about

1:58:43.400 --> 1:58:46.040
<v Speaker 1>something that happened a forty twenty four hours earlier. I mean,

1:58:46.200 --> 1:58:48.160
<v Speaker 1>who could know it went so deep? But like now

1:58:48.200 --> 1:58:48.720
<v Speaker 1>I guess we know.

1:58:48.880 --> 1:58:50.800
<v Speaker 2>This is what my mom always says, I talk too much.

1:58:50.880 --> 1:58:53.880
<v Speaker 2>I need to shut my mouth, like stop telling people's stuff.

1:58:54.280 --> 1:58:55.840
<v Speaker 2>And that would have been perfect, but I was like

1:58:55.960 --> 1:58:57.600
<v Speaker 2>so fucked up like that. It just like hit me

1:58:57.640 --> 1:58:59.360
<v Speaker 2>and I go, oh, this will be a funny thing.

1:59:00.120 --> 1:59:04.040
<v Speaker 2>And then it was like I'll never feel relaxed again.

1:59:04.080 --> 1:59:05.960
<v Speaker 2>She goes, it was the only place I can relax.

1:59:07.960 --> 1:59:09.600
<v Speaker 2>She goes, I didn't know even frogs are there. She goes,

1:59:09.640 --> 1:59:12.200
<v Speaker 2>thank god, I didn't know during the dinner because it's

1:59:12.240 --> 1:59:14.480
<v Speaker 2>like a wet and she goes, but I should have known.

1:59:14.640 --> 1:59:16.760
<v Speaker 2>I go, well, there's tons of crickets. There was crickets

1:59:16.800 --> 1:59:19.920
<v Speaker 2>in my room. And she goes, oh, well, that's the frogs, pray.

1:59:20.040 --> 1:59:22.400
<v Speaker 2>I should have known there were frogs, like she knows

1:59:22.480 --> 1:59:24.720
<v Speaker 2>what they're eating, like she knows of a cricket's ear.

1:59:25.160 --> 1:59:26.840
<v Speaker 1>God, oh my god.

1:59:27.480 --> 1:59:29.440
<v Speaker 2>But then other people saw a snake on the property.

1:59:29.440 --> 1:59:31.080
<v Speaker 2>I'm glad I didn't see that. That would have really

1:59:31.120 --> 1:59:34.560
<v Speaker 2>fucked me up, but not that I would never relax again.

1:59:36.400 --> 1:59:38.360
<v Speaker 1>Poor thing. We need to look into like an exposure

1:59:38.400 --> 1:59:40.120
<v Speaker 1>therapy for her. Maybe there's like someone that can like

1:59:40.280 --> 1:59:42.400
<v Speaker 1>slowly introduce her to like a nice frog, and we

1:59:42.440 --> 1:59:44.200
<v Speaker 1>can like figure out some way that she can get

1:59:44.240 --> 1:59:44.520
<v Speaker 1>over it.

1:59:45.160 --> 1:59:47.960
<v Speaker 2>I don't know she's been strong before because her friend

1:59:48.040 --> 1:59:49.600
<v Speaker 2>Cassidy got married and she was in the wedding and

1:59:49.640 --> 1:59:52.600
<v Speaker 2>there were frogs at the pond and it was hard

1:59:52.640 --> 1:59:55.880
<v Speaker 2>for her. Oh yeah, because she had to wear he

1:59:56.320 --> 1:59:59.960
<v Speaker 2>oh thong heels, thong kitten.

1:59:59.720 --> 2:00:07.160
<v Speaker 1>Heels like flip flop kitten heels. Yikes, that's a choice, okay,

2:00:07.960 --> 2:00:12.520
<v Speaker 1>and that's also a lot of toe exposed for frog touching. Anyway,

2:00:13.040 --> 2:00:15.080
<v Speaker 1>let's move on. This is gonna be the longest episode

2:00:15.120 --> 2:00:17.920
<v Speaker 1>of our podcast history. Uh, what would is it? Okay?

2:00:17.960 --> 2:00:18.360
<v Speaker 3>If I move on?

2:00:19.040 --> 2:00:20.880
<v Speaker 2>Yeah, I was gonna say I was like shaking crickets

2:00:20.920 --> 2:00:23.000
<v Speaker 2>out of my clothes with no thought in my brain.

2:00:23.480 --> 2:00:28.440
<v Speaker 1>Yeah, no thought in or out. Yeah, I mean I

2:00:28.600 --> 2:00:29.880
<v Speaker 1>had I had crickets in my house.

2:00:30.080 --> 2:00:32.240
<v Speaker 2>But I also like, I hate getting nauseous from drugs

2:00:32.240 --> 2:00:34.320
<v Speaker 2>and hating too much. Like I've just been very like

2:00:34.520 --> 2:00:37.880
<v Speaker 2>more not into it. But I was like, I just

2:00:37.920 --> 2:00:39.720
<v Speaker 2>want to eat the drugs to be included, but not

2:00:39.840 --> 2:00:40.520
<v Speaker 2>feel anything.

2:00:40.640 --> 2:00:45.200
<v Speaker 1>And that is what happened was I hate mallia mushrooms

2:00:45.480 --> 2:00:48.240
<v Speaker 1>and just floated and was like waiting for people to

2:00:48.320 --> 2:00:55.960
<v Speaker 1>start talking again. I'm like, when is solitary hour over? Okay,

2:00:56.240 --> 2:00:58.240
<v Speaker 1>Let's move on to our what would Sister Peg do?

2:00:58.360 --> 2:01:01.160
<v Speaker 1>Our weekly segment where we direct you towards an organization

2:01:01.480 --> 2:01:02.000
<v Speaker 1>a website.

2:01:02.080 --> 2:01:03.840
<v Speaker 2>I do want to interrupt again, but it is funny

2:01:03.960 --> 2:01:06.360
<v Speaker 2>to see all the couple and everyone different because you

2:01:06.480 --> 2:01:08.480
<v Speaker 2>and one other couple were the reading couples, but you

2:01:08.560 --> 2:01:11.040
<v Speaker 2>were real books and they were kindle books, but like, yeah,

2:01:11.640 --> 2:01:13.760
<v Speaker 2>you guys were the readers of the of that.

2:01:13.920 --> 2:01:16.080
<v Speaker 1>I just am trying to get through this book because

2:01:16.160 --> 2:01:19.160
<v Speaker 1>I'm so late for book club every month and I'm

2:01:19.240 --> 2:01:20.920
<v Speaker 1>just reading at the last minute, and then I'm one

2:01:20.960 --> 2:01:22.880
<v Speaker 1>of the only people that's ever finished the book. But

2:01:23.000 --> 2:01:24.440
<v Speaker 1>I was like, oh, on this trip, I'll get some

2:01:24.600 --> 2:01:26.720
<v Speaker 1>chance to read and like actually get ahead in the

2:01:26.720 --> 2:01:28.960
<v Speaker 1>book and not be like the day before book club

2:01:29.080 --> 2:01:33.520
<v Speaker 1>fucking freaking out and binge reading. But yes, I love

2:01:33.560 --> 2:01:36.480
<v Speaker 1>a I actually have. Oh no, that's not true. I've

2:01:36.480 --> 2:01:38.320
<v Speaker 1>read a book on my kindle fire, but I don't

2:01:38.400 --> 2:01:43.040
<v Speaker 1>usually I'm more of a paper book person. Anyway, Let's

2:01:43.080 --> 2:01:44.840
<v Speaker 1>move on to our what would Sister Peg Do? This

2:01:45.000 --> 2:01:49.480
<v Speaker 1>is our weekly segment where we direct you towards an article,

2:01:49.760 --> 2:01:51.960
<v Speaker 1>a blog post that I love to talk about. No,

2:01:52.280 --> 2:01:55.040
<v Speaker 1>not a website, an organization, something that has more information

2:01:55.600 --> 2:01:58.160
<v Speaker 1>for you about what we talked about today, or something

2:01:58.200 --> 2:01:59.560
<v Speaker 1>that could be helpful for you. And I wanted to

2:01:59.600 --> 2:02:02.800
<v Speaker 1>point you to an article on the rain website. Rain

2:02:03.160 --> 2:02:05.440
<v Speaker 1>stands for the Rape, Abuse and Incest National Network. We've

2:02:05.440 --> 2:02:07.640
<v Speaker 1>called them out many times on this podcast, but they

2:02:07.800 --> 2:02:12.040
<v Speaker 1>had an article specifically about street harassment, which encompasses like

2:02:12.120 --> 2:02:16.000
<v Speaker 1>public transportation harassment. So they lay out the definition the

2:02:16.080 --> 2:02:18.360
<v Speaker 1>effects that street harassment can have and it also has

2:02:18.400 --> 2:02:20.040
<v Speaker 1>helpful tips of what to do if you're a victim

2:02:20.080 --> 2:02:23.320
<v Speaker 1>in this situation as well as how to help out

2:02:23.480 --> 2:02:27.640
<v Speaker 1>if you witness street harassment. So, according to Rain, when

2:02:27.680 --> 2:02:30.640
<v Speaker 1>in doubt, assume you should help. So for more information

2:02:30.760 --> 2:02:34.360
<v Speaker 1>on that, go to rainr ai n N dot org

2:02:34.840 --> 2:02:37.440
<v Speaker 1>and we will post that in our show notes as

2:02:37.520 --> 2:02:39.960
<v Speaker 1>usual and as a story the day this episode comes out.

2:02:40.000 --> 2:02:42.680
<v Speaker 1>And all of our stories for our episodes and are

2:02:42.720 --> 2:02:45.400
<v Speaker 1>what would sister peg Do's and things we just mentioned

2:02:45.440 --> 2:02:47.960
<v Speaker 1>on the podcast are saved in our Instagram highlights, so

2:02:48.000 --> 2:02:51.720
<v Speaker 1>you can always go through there and check out past things.

2:02:53.240 --> 2:02:55.680
<v Speaker 1>Thank you so much for that. And next week is

2:02:55.720 --> 2:02:58.760
<v Speaker 1>our two hundredth episode scar Beer Beer Beer.

2:03:00.080 --> 2:03:03.640
<v Speaker 2>We're doing PC from season eleven, episode thirteen.

2:03:03.880 --> 2:03:09.840
<v Speaker 1>Get with it jive turkeys? Is that a thing? I think? So?

2:03:11.800 --> 2:03:13.960
<v Speaker 1>Thank you guys so much for listening. As always, we

2:03:14.120 --> 2:03:18.160
<v Speaker 1>love all of you. Come see us on tour, follow

2:03:18.240 --> 2:03:20.360
<v Speaker 1>us on Instagram, the usual shit. We'll see you guys

2:03:20.400 --> 2:03:20.760
<v Speaker 1>next week.

2:03:21.160 --> 2:03:32.720
<v Speaker 2>Bye, E Done Done, That's Messed Up as an Exactly

2:03:32.840 --> 2:03:33.440
<v Speaker 2>Right production.

2:03:33.880 --> 2:03:35.920
<v Speaker 1>If you have compliments you'd like to give us or

2:03:36.040 --> 2:03:38.280
<v Speaker 1>episodes you'd like us to cover, shoot us an email

2:03:38.320 --> 2:03:40.840
<v Speaker 1>it That's Messed uppod at gmail dot com.

2:03:41.240 --> 2:03:44.360
<v Speaker 2>Follow the podcast on Instagram at That's Messed Up Pod

2:03:44.600 --> 2:03:47.440
<v Speaker 2>and on Twitter at Messed Up Pod, and follow us

2:03:47.520 --> 2:03:50.440
<v Speaker 2>personally at Kara Klank and at glitter Cheese.

2:03:50.760 --> 2:03:53.400
<v Speaker 1>As always, please see our show notes for sources and

2:03:53.480 --> 2:03:54.080
<v Speaker 1>more information.

2:03:54.560 --> 2:03:57.520
<v Speaker 2>Thank you so much to our senior producer Casey O'Brien

2:03:57.680 --> 2:04:01.080
<v Speaker 2>and our associate producer Christina Chambs, and to our.

2:04:01.080 --> 2:04:04.320
<v Speaker 1>Mixer John Bradley and our guest booker Patrick Cottner, and

2:04:04.520 --> 2:04:07.280
<v Speaker 1>to Henry Kaperski for our theme song and Carly Jean

2:04:07.360 --> 2:04:10.600
<v Speaker 1>Andrews for our artwork. Thank you to our executive producers

2:04:10.640 --> 2:04:14.640
<v Speaker 1>Georgia Hardstart, Karen Kilgarriff, Daniel Kramer, and everybody at Exactly

2:04:14.720 --> 2:04:16.840
<v Speaker 1>Right Media. Dun Dun