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Speaker 1: The volume, Welcome Back, Happy, top of the week, or

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Speaker 1: whenever you are listening to this episode, We're back sponsored

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Speaker 1: by Boost.

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Speaker 2: Good afternoon, mall. How you feeling, I'm great. How you doing, man,

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Speaker 2: I'm good, I'm good. I got a good surprise. Welcome today,

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Speaker 2: saw Marra. Yeah, I haven't seen us so long.

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Speaker 3: Oh my gosh. She's so big. She's like having full conversations. Yep.

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Speaker 3: I'm praying for you man.

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Speaker 1: Attitude opinions.

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Speaker 2: Yo, it's so funny seeing you go like into like daddy,

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Speaker 2: like who.

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Speaker 1: Made you a like who trusted you with a kid? Bro,

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Speaker 1: I don't trust myself. I lost her in the ballpit

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Speaker 1: in the American Dream yesterday. She was gonna drown.

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Speaker 3: She's got so big man. It was good.

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Speaker 1: Ye yeah, no, it was good to have her in

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Speaker 1: the office for a little bit. But yeah, I just

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Speaker 1: did a just did it did in tomorrow weekend? Yeah,

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Speaker 1: you know, playground swimming, went to American Dream. Overpriced shit,

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Speaker 1: but typical typical New Jersey dad type weekend more or less.

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Speaker 1: But it really wasn't much.

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Speaker 3: Yeah I did. I walked.

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Speaker 2: It's like it's like a park not too far from

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Speaker 2: where I live at It's like and they have like

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Speaker 2: a whole trail where you could run ride bikes. So

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Speaker 2: I just walked there listening to new music on Saturday

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Speaker 2: because since.

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Speaker 3: It was nice out. Yeah, that's all I did.

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Speaker 2: I ain't really going to where I went uptown, went

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Speaker 2: to Harlem. It's still like, uh, do you telling me that?

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Speaker 3: Essent you? No? I didn't, but a few people saw me.

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Speaker 3: They was like, yo, tell Rory, what's up. I was like,

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Speaker 3: I will do So. It's like I told you, we

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Speaker 3: like Redd and meth bro We can't.

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Speaker 2: I can't be nowhere without you. You can't be nowhere without.

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Speaker 4: Me, you know.

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Speaker 1: What's more?

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Speaker 2: What's more doing? I don't have no idea. Actually, what's

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Speaker 2: sold Rory? He's chilling.

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Speaker 1: I guess at least they call you by your dear

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Speaker 1: proper name. Yeah, what's Ory? I'm right here. Shit is insane,

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Speaker 1: But it's funny. You did bring up Amara and it

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Speaker 1: being funny that my dad. Because I was at the

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Speaker 1: playground in Jersey City on it was it Friday or Saturday,

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Speaker 1: and a pod fan came up. He was like, are

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Speaker 1: you really like a dad?

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Speaker 3: Yeah, like in real life? Yeah, because it just looked.

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Speaker 1: Weird after you watch somebody for ten years, like, oh shit,

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Speaker 1: I hasn't connected on my head. They're like a car

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Speaker 1: Like you really do this, dad, Like you be with

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Speaker 1: your kid, like your present in your child's life, like

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Speaker 1: for real, Like I think a little too present. Yeah,

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Speaker 1: I think it's just getting a little too coddle. Like

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Speaker 1: I might need to abandon her for a little bit.

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Speaker 2: Yeah, give give them some character, you know what I'm saying.

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Speaker 2: Let herm just feel a little bit what it feels

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Speaker 2: like to be a bandon.

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Speaker 1: Yeah. No, every now and then, like if we're not

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Speaker 1: playing hide and seek, I'll just like disappear behind.

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Speaker 3: The slides just to see what she do, like just

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Speaker 3: to see what what does she do? Like if you

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Speaker 3: if you see she.

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Speaker 1: Looks around, No, she looks around like with a face

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Speaker 1: of concern, and then she just starts searching. Okay, but yeah,

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Speaker 1: then I try to teach her, like all right, go

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Speaker 1: where'd we park? Go to the car, and like, of

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Speaker 1: course I'm watching her. I could run, but yeah, she's

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Speaker 1: at I mean two and a half, but she staw

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Speaker 1: at that age that she's consciously aware, like you gotta

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Speaker 1: learn shit, Yeah, mine is a sponge. Yeah you know,

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Speaker 1: I can't just keep playing fucking DMX in the car

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Speaker 1: for her. I got to give her some real life skills.

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Speaker 3: It's so interesting to see kids get bigger.

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Speaker 1: Man.

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Speaker 3: My nephew was like, I think.

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Speaker 1: I saw his I think was today the first first

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Speaker 1: day of school? Fit your sister's posts. This is this

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Speaker 1: he had that ship on. This is the second second

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Speaker 1: week he was mini moll for sert to school. This

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Speaker 1: is his second week back.

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Speaker 2: But it's just funny, like like calling him now, like

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Speaker 2: when I FaceTime him and stuff. It's like he got

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Speaker 2: like his own little I guess, like things going on now,

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Speaker 2: like you just want to be like by hisself in

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Speaker 2: his room on this phone. And it's funny because I'm like, damn,

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Speaker 2: like yo, when I haven't spoken to you in a

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Speaker 2: couple of days, what's up man? Like where's the love?

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Speaker 2: And He's just like, you know, I'm just chilling is today.

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Speaker 2: I'm all excited to talk to him. What you did today?

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Speaker 2: I forgot you? Like if you did that much stuff

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Speaker 2: Like he don't even want to kick it no more.

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Speaker 1: Like once kids get like real friends, not just friends

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Speaker 1: school live in the same building, like friends for real,

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Speaker 1: they're not They're not interested I'm just when they need something,

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Speaker 1: be super interested.

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Speaker 3: Oh no, no, no, listen, listen, day listen. It's so funny.

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Speaker 1: How's the problem.

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Speaker 2: It's so funny man that you say that, because anytime

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Speaker 2: he called me with a certain energy, like he's hype

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Speaker 2: and he's what I'm saying, he jumping around in his room.

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Speaker 3: I'm like, hey, come man, car never fails. Like I'm like,

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Speaker 3: what's up? Man? Now I get right to it, Like

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Speaker 3: what's up? What you want?

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Speaker 2: Because you're not gonna trick me with this? Hey, uncle maul,

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Speaker 2: how you feeling?

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Speaker 3: What's up?

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Speaker 5: Man?

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Speaker 3: How much you want? Because I know it's some money.

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Speaker 3: You're about to ask for some money.

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Speaker 1: But that's not a kid thing though, adults don't grow

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Speaker 1: out of that either.

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Speaker 3: No, no, no, it's just funny.

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Speaker 1: You know somebody needs something? Oh absolutely, let's as this

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Speaker 1: time and half.

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Speaker 3: Yeah that's what you need? What do you need?

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Speaker 1: Like?

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Speaker 3: What do you want? What did you see? What you

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Speaker 3: want your mom to order that?

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Speaker 2: I got to send her the money for it, Like,

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Speaker 2: don't got to give me all of this house your day?

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Speaker 3: Like, just tell me what's up. But he's a good kid,

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Speaker 3: so so good.

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Speaker 1: Yeah, I got invited to this like. ESPN launched it

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Speaker 1: on Friday, and I was like, oh, I got you know,

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Speaker 1: my daughter tonight and too late to try to find

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Speaker 1: a babysitting. They're like, no, it's kid friendly. I hopped

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Speaker 1: on Instagram and saw the fucking clips in there screaming

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Speaker 1: diamonds look like Peep with the loudest eight away I've

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Speaker 1: ever heard. I was like, people just want to set

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Speaker 1: you up for your children to be like traumatized. Yeah, like,

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Speaker 1: why would you think that this event was kid friendly?

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Speaker 3: That's crazy, man, got to know what it takes.

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Speaker 1: But you took the head webster hall type speakers in

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Speaker 1: like a venue the size of this.

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Speaker 2: But nah, but don't do that because you had a

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Speaker 2: Marra at his concert with the big headphones on, which

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Speaker 2: she was three weeks old.

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Speaker 1: Yeah, but again she had big headphones on and she

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Speaker 1: was this big and was asleep in her stroller with

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Speaker 1: the sound machine with the stroller thing that went over.

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Speaker 2: So it's the young lady that brought her baby to

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Speaker 2: the show in DC's still she's still no. I don't

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Speaker 2: know if that's wilder. Are you taking a Marrow concert?

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Speaker 2: It was a joy show? Nah, man, it's very it's

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Speaker 2: soft arm is much louder than our live shows.

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Speaker 1: I don't know, man, what you mean. You don't know.

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Speaker 3: We don't have music banging at our shows.

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Speaker 2: It was just when we walk out, like music, Keith, Yeah,

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Speaker 2: that's it and that's it, and it's us talking.

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Speaker 3: You add a three week old to Marra.

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Speaker 2: At a show with headphones on so that it could

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Speaker 2: cancel out the noise. I mean, nobody at.

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Speaker 3: A Rory and Maul podcast needs headphones to cancel out

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Speaker 3: the noise.

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Speaker 1: Maybe cancel us more than a young genius. But in

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Speaker 1: that very same venue the next year, a fight broke out.

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Speaker 3: That is true.

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Speaker 1: Can you imagine holding a baby when that fight broke out.

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Speaker 2: Yeah, but that wasn't really a fight. That was just

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Speaker 2: a little like get him out of here.

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Speaker 1: Yeah, But chairs were moved, hatrons were moved. That was

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Speaker 1: if you had a child that was but there were breastfeeding,

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Speaker 1: Your titty would be out and you'd be holding your

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Speaker 1: baby like yeah, what the fuck?

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Speaker 2: Yeah, But that's that's just you know, when you bring

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Speaker 2: black people together, chairs got to be able to move.

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Speaker 2: You can't have too many bolted chairs when black people

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Speaker 2: an We need the chairs to either defend ourselves.

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Speaker 1: Huge white audience.

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Speaker 3: We have a huge, a huge white fan Thank you

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Speaker 3: to all our white fan base, Thank you, Rory, because

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Speaker 3: I'm sure they're here for you.

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Speaker 1: No, no, no, no, white white hip hop fans would only

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Speaker 1: be here for you.

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Speaker 3: That's a fact.

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Speaker 1: But and we don't know that. Like we were talking about,

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Speaker 1: we weren't sure if John B was white or not.

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Speaker 1: A lot of our white fans are the ones where if.

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Speaker 3: No, no, where, We wouldn't know if John By was white.

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Speaker 3: He didn't know if John B was white, but I

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Speaker 3: knew he was a white.

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Speaker 1: Certain white people, if you get the right haircut, you

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Speaker 1: can look a little bit Puerto Rican. And I think

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Speaker 1: especially our New York white fans if they have on

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Speaker 1: a fitted hat with a sticker still on the top

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Speaker 1: and like that type of shape up.

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Speaker 3: Albanian for sure. Albanian.

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Speaker 1: But Albanians are white, except for the ones in the Bronx. Yeah,

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Speaker 1: they're their own race of violence. But yeah, I think

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Speaker 1: a lot of our white fans, I could could pass

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Speaker 1: his Puerto Rican and the.

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Speaker 2: Yeah, you could be Puerto Rican. It all depends on

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Speaker 2: the hair. The style of the hair. You could be

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Speaker 2: the Puerto Rican. You could be Mexican. You could be

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Speaker 2: Albanian as well.

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Speaker 1: And I mean only listening to Jadakiss on the way

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Speaker 1: to the show. Yeah, yeah, these are you can't tell sometimes.

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Speaker 2: Yeah, absolutely well, Roy, happy four hundredth episode. This is

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Speaker 2: officially our four hundredth but not episode.

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Speaker 1: Thank you, Josh, thank you, thank you. Demarius is.

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Speaker 2: So much, so much the matter four episode that she

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Speaker 2: decided not to be here today so she can be

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Speaker 2: on a beautiful island in carousel, Sandy Butt, just on

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Speaker 2: Sandy Cheeks. But she's having a good time, so you know,

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Speaker 2: shout out to baby d. But yes, it is our

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Speaker 2: four episode, Rory. They thought that we would never see it.

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Speaker 2: They thought that we would never be here. I don't

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Speaker 2: know who they are, but I'm sure some of them

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Speaker 2: are out there. They exist, Yeah, some of them are

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Speaker 2: out there. They hit me up every now and get

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Speaker 2: in remind me that I ain't shit, and you know that.

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Speaker 2: You know, has Kaled ever explained who they is? No,

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Speaker 2: Kyla has a lot of explaining to do. That would

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Speaker 2: be like the bottom of the list.

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Speaker 1: You know. I thought on Thursday after we left the

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Speaker 1: podcast that I was on DJ Kellen's album.

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Speaker 3: Why did you think you want d J Kellen's album.

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Speaker 1: So Brandy, our lawyer, texted me, was like, hey, did

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Speaker 1: you see that email from yesterday? And I was like,

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Speaker 1: oh yeah, I'll get back to you. So I open

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Speaker 1: it and I'm thinking, this is for Jay did something

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Speaker 1: for Khaled's album, okay. So I hit Jay and I

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Speaker 1: was like, yo, you never sent me what you did

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Speaker 1: for Kaled. He was like, I didn't do anything kal

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Speaker 1: So I hit Brandy. She was like, no, this is

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Speaker 1: for you. I said, I never worked with DJ Kalen.

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Speaker 1: Then I'm thinking, oh, maybe like emberone, like Abs so

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Speaker 1: like Isaiahshaud would put our pod on there. Because the

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Speaker 1: offer was for one dollar in perpetuity a dollar okay,

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Speaker 1: which is that's no knock to Calid because sometimes when

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Speaker 1: people do swaps or like work together, you just got

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Speaker 1: to put a cent or a dollar a thing. So

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Speaker 1: I'm like, well, I never worked with Kalid. Maybe a

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Speaker 1: beat pack or something I did for another artist got

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Speaker 1: to Khalid and now they're trying to do paperwork. So

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Speaker 1: I hit Lenny, who manages Kalt, and I'm like, hey,

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Speaker 1: got this email. Confused. He said, oh, Kaled said he

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Speaker 1: spoke to you last week and cleared everything up. I said,

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Speaker 1: I've never spoken more than three words to DJ Kalen

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Speaker 1: in my entire life, and they've been in passing, like yo,

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Speaker 1: what salute? Yeah, let's work the three words.

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Speaker 3: Will we the best?

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Speaker 1: Yeah, it's always been in a concert that's too loud,

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Speaker 1: and he like, we've never had like a real conversation.

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Speaker 3: Yeah.

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Speaker 1: So Lenny's like, Okay, I literally just got the phone

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Speaker 1: with him. Then he's like, I'm gonna call him back.

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Speaker 1: So then Lenny hits me back like five minutes later,

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Speaker 1: He's like, CALLI says, he just got off the phone

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Speaker 1: with you and cleared everything up. I said, Lenny, I

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Speaker 1: swear to god, I don't know what the fuck. And

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Speaker 1: then I never heard back. So I may or may

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Speaker 1: not be on the DJ.

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Speaker 2: Yeah, I'm think it's saying to say that that's not

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Speaker 2: you and the album, but you know, it's all good.

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Speaker 3: Maybe some of my Rory mackelroy.

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Speaker 1: But see that that's happened, which maybe I've said on Patreon,

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Speaker 1: not on a regular There's another Rory from the West

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Speaker 1: Coast that I think used to work with YG, and

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Speaker 1: we had YG on Paluza once or twice, so I

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Speaker 1: got real cool with his team, So I would get

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Speaker 1: all these like random YG records or random calls at

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Speaker 1: like four a m. Because I guess there's another Rory

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Speaker 1: from the West Coast that is pretty popular behind the scenes.

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Speaker 1: So then I guess he maybe left YG's company started

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Speaker 1: working with TDE, so I would be getting all these

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Speaker 1: like sir records, getting all these TD exclusives and like, yo, Roy,

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Speaker 1: we shouled to clear the sample. I'm like, I mean,

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Speaker 1: I don't own the rights to it. Maybe you should

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Speaker 1: talk to the person, like, oh, rong Roy, I'm telling

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Speaker 1: you for years I have a vault full of West

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Speaker 1: Coast music unreleased because they thought they were sending it

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Speaker 1: to a different Rory.

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Speaker 3: That is crazy. Well hopefully you are if you are

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Speaker 3: on the album, congrats.

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Speaker 1: Well I want to negotiate to at least two dollars.

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Speaker 2: Well, yeah, you gotta get just for your time. I mean,

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Speaker 2: the time that you spent on the art is definitely worth.

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Speaker 1: But I assumed out the gate it was gonna be

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Speaker 1: like oh Roy, TD okay A and r A top

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Speaker 1: dog cool.

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Speaker 3: Yeah.

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Speaker 1: I guess he also worked with YG as well at

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Speaker 1: one point, because they would hit me up NonStop, but

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Speaker 1: shout out to the other Roy salute. I mean we

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Speaker 1: have the same hard drive at this point.

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Speaker 2: Yeah, that's funny that that got to you though, Like

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Speaker 2: that email, No.

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Speaker 1: It'd be text. It's just everyone from TD with me, okay, okay,

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Speaker 1: got you? Yeah, like sir would just be sending me records.

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Speaker 1: I'm like, yo, what the fuck?

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Speaker 3: But no, did you say you got email or something?

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Speaker 1: No, That's where it's confusing. And I still don't know.

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Speaker 1: I have to follow up with Leney. They kallets team

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Speaker 1: put a contract together and sent it to Brandy our

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Speaker 1: lawyer got you. So I don't even know how that,

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Speaker 1: like how someone's.

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Speaker 3: Like, oh even got to the Brandy is how did.

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Speaker 1: Someone even get to break That's where I was confused

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Speaker 1: and thought, oh, we must be like on the intro,

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Speaker 1: probably saying like something you know, something bad, so bad.

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Speaker 1: Even though we fuck with Khalid and support Kalid through

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Speaker 1: and through, we've all made comments about kaleg shit. So

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Speaker 1: maybe I'm thinking like when the uh I have two

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Speaker 1: Drake songs on whatever and like that, I thought maybe

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Speaker 1: he was doing like a collage of snippets in the

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Speaker 1: beginning and he just wanted to get paperwork. Yeah, and

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Speaker 1: that wasn't the case.

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Speaker 3: Okay, all right, well.

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Speaker 2: Whatever it is, man, congrats the caalt or whatever he

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Speaker 2: got coming, and congrats to you if you have your

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Speaker 2: dollar and perpetuity coming. Pretty sure that's gonna help you

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Speaker 2: out in this.

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Speaker 1: After taxes tough after taxes on the dollar, I'm trying

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Speaker 1: to think, like what expensive.

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Speaker 3: What are you going to do? Like, you got so

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Speaker 3: many options, so many ways you can go with that.

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Speaker 1: Well, I was talking with Brandy. She takes five percent.

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Speaker 1: We're really busting this dollar down. Benner takes twenty.

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Speaker 5: There.

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Speaker 3: See, you gotta do what you got to do with

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Speaker 3: that dollar.

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Speaker 1: There's a bar in I want to say, in North

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Speaker 1: Hollywood or Van Eyes or something where if you bring

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Speaker 1: in a royalty check more for the acting side, but

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Speaker 1: a royalty check that's under a dollar, like in the

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Speaker 1: sense they give you a free beer and then they

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Speaker 1: post the royalty checks like all over the bar. Like

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Speaker 1: people that have worked on law and order get like

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Speaker 1: a penny every six months, and you can bring that

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Speaker 1: in and they can post it on their wall. You

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Speaker 1: get a free beer, which I think is like a genius.

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Speaker 1: Like a North Hollywood Van Eyes struggling actor area that's

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Speaker 1: like genius. You're definitely taking my six cents for seven

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Speaker 1: dollars beer, Like that's a fair exchange to do that.

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Speaker 1: But yes, march on sale. I'm wearing the mall one today.

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Speaker 1: New Roy Mull's down. It looks very looks very wealthy. Yeah, yeah,

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Speaker 1: I'm excited about this Prosperity peck. But that's available now.

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Speaker 1: Also some other merch there. All of our episodes for

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Speaker 1: five dollars a month are available ad free at patreon

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Speaker 1: dot com. Forward slash numerate mal and Yeah, man, that

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Speaker 1: was kind of the quick twenty five minute recap of

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Speaker 1: what's been going on.

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Speaker 3: And going on in your life.

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Speaker 1: Yeah, I mean, I'm more concerned about little nas X,

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Speaker 1: but that's you know, it's another conversation I did.

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Speaker 3: I thought that was fake. I'm not gonna lie.

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Speaker 2: Last week when that news broke and he was walking

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Speaker 2: down is the Studio City, I think.

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Speaker 1: He's probably going on his way to that bar.

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Speaker 2: Yeah, I thought that that was fake. But come come

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Speaker 2: to find out that he was actually arrested. He's being

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Speaker 2: charged with I think three felonies or something like that,

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Speaker 2: assaulting a police officer.

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Speaker 1: You guys put me on game of this. I thought

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Speaker 1: it was still some tro I didn't know he was

357
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Speaker 1: really like but ass naked and being arrested.

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Speaker 2: Yeah, no, he definitely was arrested. Now I we'll say this,

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Speaker 2: Hopefully Little X is okay, clearly right, you know, whatever

360
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Speaker 2: he has going on, hopefully he makes you do it. Now,

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Speaker 2: if out of this he puts out a record in

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Speaker 2: that record get you know, goes to the top of

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Speaker 2: the charts, then we're gonna have to have another conversation

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Speaker 2: because what is this, what is this moment really about?

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Speaker 2: If he puts out a song after this and it's

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Speaker 2: on top of the charts, it's like, all right, do

367
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Speaker 2: we start believing in all these theories? But you know,

368
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Speaker 2: these humiliation rituals in industry, like what I.

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Speaker 1: Meant to have that conversation.

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Speaker 3: Hopefully his health is fine.

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Speaker 1: Oh you know, I'm YouTube rabbit hole Illuminati all day.

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Speaker 3: But if he put a song out next month, do

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Speaker 3: you know what.

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Speaker 1: You'd have to do the Little nas X for a

375
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Speaker 1: humiliation ritual? He dropped from heaven with his ash cheeks

376
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Speaker 1: open and landed on the devil's dick in one of

377
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Speaker 1: his videos. You know what you gotta dude for us

378
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Speaker 1: humiliation ritual? It's not walking down venture. But at about

379
00:15:46,040 --> 00:15:48,440
Speaker 1: that video, you gotta do some You actually have to

380
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Speaker 1: like dress him up and make him a Christian to baptizing.

381
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Speaker 3: You gotta get him cleaned up, like the really humiliated.

382
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Speaker 1: Like send him to a Trump rally and like support

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Speaker 1: the truth. Then I feel like that would get him there.

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Speaker 3: But I don't know.

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00:16:02,840 --> 00:16:07,040
Speaker 1: He's probably listen, anyone that goes from that level of

386
00:16:07,080 --> 00:16:11,320
Speaker 1: stardom to the drop that's there at least potential for

387
00:16:11,560 --> 00:16:16,280
Speaker 1: drug use depression. I get it. He became famous out

388
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Speaker 1: of fucking nowhere as.

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Speaker 3: A young kid.

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00:16:17,920 --> 00:16:21,360
Speaker 1: He was what was he even twenty by the time

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Speaker 1: that record came out. I don't even know if he's

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Speaker 1: above eighteen.

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Speaker 2: Old Town wrote, Yeah, nah, I think he was a

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Speaker 2: little older than eighteend to either way.

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Speaker 1: He was a young kid and it fucking happened out

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Speaker 1: of nowhere and became the biggest record ever. He had

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Speaker 1: a good record with the Jack Carlow shit, but then

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Speaker 1: everything just started to fall. Yeah he was twenty years old.

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Speaker 3: Yeah he was twenty. Okay, he was young. He was young.

400
00:16:42,760 --> 00:16:46,720
Speaker 1: So I mean, I I do empathize with which I

401
00:16:46,840 --> 00:16:48,560
Speaker 1: know fans don't give a fuck it's like you're rich

402
00:16:48,600 --> 00:16:50,760
Speaker 1: and famous and you get to do this as a gig.

403
00:16:50,800 --> 00:16:53,160
Speaker 1: Stop complaining. But I do have empathy for people that

404
00:16:53,280 --> 00:16:56,760
Speaker 1: go into that level of fame and then just completely

405
00:16:56,760 --> 00:17:00,880
Speaker 1: fucking drop. Depression and vices. Will problem start to fill

406
00:17:00,920 --> 00:17:02,520
Speaker 1: in those gaps.

407
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Speaker 3: Yeah, but people don't look at it like that.

408
00:17:04,359 --> 00:17:06,000
Speaker 2: You know that people, you know, you look at people

409
00:17:06,000 --> 00:17:10,200
Speaker 2: that have, you know, our fame and money as all

410
00:17:10,200 --> 00:17:12,800
Speaker 2: of their problems should be solved and life.

411
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Speaker 3: Should be beautiful.

412
00:17:14,040 --> 00:17:16,520
Speaker 2: But you know, people don't don't understand that that those heights,

413
00:17:16,520 --> 00:17:19,000
Speaker 2: and you know, with that type of success comes you

414
00:17:19,040 --> 00:17:20,720
Speaker 2: know a lot of a lot of things that you

415
00:17:20,840 --> 00:17:23,240
Speaker 2: weren't prepared for, and especially when you're young, you don't

416
00:17:23,240 --> 00:17:24,760
Speaker 2: know how to deal with it. So you know, we're

417
00:17:24,800 --> 00:17:27,119
Speaker 2: cracking jokes, little nas. You know, we don't got no

418
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Speaker 2: ill feelings towards you. We do hope that he's okay.

419
00:17:30,640 --> 00:17:32,960
Speaker 1: And I mean, I guess I apologize for being controlled,

420
00:17:32,960 --> 00:17:36,520
Speaker 1: but again I sort of don't because he is the

421
00:17:36,520 --> 00:17:38,399
Speaker 1: boy that's cried troll. I never know it's serious with

422
00:17:38,480 --> 00:17:42,320
Speaker 1: him with anything, So this felt like an on brand thing. Again,

423
00:17:42,440 --> 00:17:45,600
Speaker 1: I didn't hear the second part of him actually attacking cops. Now,

424
00:17:46,080 --> 00:17:47,600
Speaker 1: now you got to go back to the marketing team

425
00:17:47,640 --> 00:17:49,920
Speaker 1: and be like, are you guys he lived in this

426
00:17:49,960 --> 00:17:50,600
Speaker 1: world a little too.

427
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Speaker 3: Yeah, he stole that one. He really linked into that.

428
00:17:53,800 --> 00:17:56,679
Speaker 1: This wasn't on our vision board. Yeah, so, I mean,

429
00:17:57,520 --> 00:17:58,840
Speaker 1: I feel for him, but I don't know this. This

430
00:17:58,920 --> 00:18:02,760
Speaker 1: could also be you know, he'll plee out and go

431
00:18:03,280 --> 00:18:06,119
Speaker 1: to rehab instead of jail because hey, guys have a

432
00:18:06,200 --> 00:18:08,840
Speaker 1: drug problem. That's why I did this and jail time, and.

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00:18:08,720 --> 00:18:11,119
Speaker 2: Then he'll sample Amy wine houses they try to make

434
00:18:11,160 --> 00:18:13,400
Speaker 2: me go to rehab. Yeah, it'll be a number one

435
00:18:13,440 --> 00:18:14,680
Speaker 2: song and then we'll be back.

436
00:18:15,040 --> 00:18:17,760
Speaker 1: It's the rinsing repeat of we've seen celebrities and we've

437
00:18:17,760 --> 00:18:18,399
Speaker 1: seen addiction.

438
00:18:18,560 --> 00:18:22,200
Speaker 3: This thing we've seen. We've seen this thing already. We've

439
00:18:22,240 --> 00:18:23,520
Speaker 3: seen it. That's all I'm saying.

440
00:18:23,560 --> 00:18:26,080
Speaker 1: We've seen someons you're really a drug addict, and sometimes

441
00:18:26,080 --> 00:18:28,520
Speaker 1: you're just Vincent Chase that went on a litw coke

442
00:18:28,560 --> 00:18:30,320
Speaker 1: binge with a porn star and just didn't want to

443
00:18:30,320 --> 00:18:30,760
Speaker 1: go to jail.

444
00:18:31,040 --> 00:18:34,480
Speaker 3: And sometimes you just haven't found your single yet, so you.

445
00:18:34,440 --> 00:18:38,200
Speaker 1: Know, sometimes you've taken all your records to ry from TD.

446
00:18:38,480 --> 00:18:40,159
Speaker 2: Yeah, he said this ain't the one. This ain't we

447
00:18:40,200 --> 00:18:42,400
Speaker 2: can't go with this one. We need something else. Let's

448
00:18:42,440 --> 00:18:43,160
Speaker 2: do something else.

449
00:18:44,119 --> 00:18:46,720
Speaker 1: But yeah, shit, how would you how would you want

450
00:18:46,720 --> 00:18:47,879
Speaker 1: your public meltdown to go?

451
00:18:49,480 --> 00:18:51,480
Speaker 3: How would I want my damn? I don't want a

452
00:18:51,480 --> 00:18:52,159
Speaker 3: public meltdown.

453
00:18:52,560 --> 00:18:55,560
Speaker 1: I just living the hypothetical that there was a public

454
00:18:55,600 --> 00:18:58,280
Speaker 1: melt down. I hope to god I would be high

455
00:18:58,520 --> 00:19:01,240
Speaker 1: doing a public meltown. Sober would be like see that

456
00:19:01,359 --> 00:19:03,680
Speaker 1: first and secondhand embarrassment. I want to live in the.

457
00:19:04,080 --> 00:19:05,919
Speaker 3: Nah, but that's the thing. I would want to be sober.

458
00:19:06,000 --> 00:19:07,640
Speaker 1: A sober moultown would be so embarrassing.

459
00:19:07,720 --> 00:19:09,680
Speaker 2: Yeah, Like I want to be sober for like, because

460
00:19:09,720 --> 00:19:11,280
Speaker 2: what is the what is what would I be?

461
00:19:12,520 --> 00:19:13,960
Speaker 3: What would they be like killing me?

462
00:19:14,280 --> 00:19:17,000
Speaker 1: I'm not saying you would do this. I'll put myself

463
00:19:17,080 --> 00:19:20,119
Speaker 1: in little knas x's shoes or lack their of shoes.

464
00:19:21,480 --> 00:19:25,840
Speaker 1: If I was walking down venture a butt ass saying

465
00:19:25,880 --> 00:19:28,000
Speaker 1: all the ship he was saying, then attack police officers

466
00:19:28,400 --> 00:19:31,959
Speaker 1: and then you later found out I was sober? What

467
00:19:31,960 --> 00:19:33,400
Speaker 1: would you say on this podcast?

468
00:19:34,560 --> 00:19:37,040
Speaker 2: You walk down the street butt naked, everybody thought you

469
00:19:37,560 --> 00:19:39,120
Speaker 2: were drugged up out your mind, and then.

470
00:19:39,000 --> 00:19:40,800
Speaker 1: You later find out like na, Noah, they did a drug. Dad,

471
00:19:40,840 --> 00:19:46,119
Speaker 1: he was clean, he'd be like, lock that fucking person. No,

472
00:19:46,320 --> 00:19:49,080
Speaker 1: I mean I would have it's a sick fuck. Yeah,

473
00:19:49,119 --> 00:19:52,600
Speaker 1: but you gotta have the excuse of some type of opioate.

474
00:19:52,280 --> 00:19:54,600
Speaker 2: Because that's just streaking. That's just like, you know, we're

475
00:19:54,600 --> 00:19:56,800
Speaker 2: going streaking. You don't have to.

476
00:19:56,800 --> 00:19:58,080
Speaker 3: You don't have to, you know what I mean. It's like, Okay,

477
00:19:58,080 --> 00:19:59,080
Speaker 3: you lost the you lost.

478
00:19:59,440 --> 00:20:03,560
Speaker 1: Can you streak at a slow pace? You gotta have

479
00:20:03,560 --> 00:20:05,680
Speaker 1: a light jog or something to you. You had a group.

480
00:20:06,080 --> 00:20:08,520
Speaker 1: You streaking by yourself is weird because.

481
00:20:08,280 --> 00:20:10,560
Speaker 3: I mean we've we had a friend of mine growing up.

482
00:20:10,560 --> 00:20:13,720
Speaker 2: We had him ride around the Bronx like butt naked

483
00:20:13,720 --> 00:20:15,360
Speaker 2: on the bike when he lost the bet.

484
00:20:15,400 --> 00:20:17,000
Speaker 1: I was about I was just about to say, did

485
00:20:17,040 --> 00:20:17,560
Speaker 1: he lose a bit?

486
00:20:17,600 --> 00:20:19,159
Speaker 2: But because he lost the bet, But it was the

487
00:20:19,240 --> 00:20:21,320
Speaker 2: craziest ship at the time, because it's like, yo, he's

488
00:20:21,400 --> 00:20:25,600
Speaker 2: really on this bike. One of the busiest intersections in

489
00:20:25,640 --> 00:20:28,600
Speaker 2: the Bronx on the Grand Concourse and Fordham Road, butt

490
00:20:28,680 --> 00:20:29,560
Speaker 2: naked riding a bike.

491
00:20:29,800 --> 00:20:32,040
Speaker 1: Yeah, but that's a bet. Like I can see a

492
00:20:32,040 --> 00:20:35,120
Speaker 1: white person doing the streaking thing. But like y'all version

493
00:20:35,119 --> 00:20:37,399
Speaker 1: of that is like in the Basement and Belly when

494
00:20:37,440 --> 00:20:38,399
Speaker 1: they made Homie strip.

495
00:20:38,560 --> 00:20:40,400
Speaker 3: Na, that was totally that.

496
00:20:40,400 --> 00:20:41,800
Speaker 1: That was a total version of streaking.

497
00:20:42,600 --> 00:20:45,880
Speaker 3: No, that was totally. That was totally different. That's not streaking.

498
00:20:47,480 --> 00:20:50,119
Speaker 1: That's black people's version of it. I'm streaking for sure.

499
00:20:50,320 --> 00:20:51,520
Speaker 3: Nah, that's not streaking.

500
00:20:51,520 --> 00:20:55,159
Speaker 2: Now Little knas X hopefully again he knows he's fine

501
00:20:55,200 --> 00:20:58,239
Speaker 2: and he gets yourself cleaned up whatever drugs he was on.

502
00:21:00,040 --> 00:21:01,800
Speaker 3: But yeah, man, I bet I see no Number one

503
00:21:01,800 --> 00:21:02,480
Speaker 3: song next month.

504
00:21:02,480 --> 00:21:05,800
Speaker 1: I know that I would hope mine Obviously no one

505
00:21:05,800 --> 00:21:07,200
Speaker 1: would be harmed, but I would definitely want to be

506
00:21:07,359 --> 00:21:10,920
Speaker 1: on an opioid where I was hallucinating. I would want

507
00:21:10,920 --> 00:21:13,119
Speaker 1: to have like maybe a super soaker gun, like just

508
00:21:13,160 --> 00:21:15,679
Speaker 1: so it would be like fun, silly mental breakdowns. But

509
00:21:16,800 --> 00:21:21,280
Speaker 1: I would want to say not profound things, but open

510
00:21:21,400 --> 00:21:24,920
Speaker 1: ended things that Illuminati YouTube would pick up and take

511
00:21:25,000 --> 00:21:29,280
Speaker 1: as law. Because there's like certain people. Who's the guy

512
00:21:29,359 --> 00:21:31,119
Speaker 1: rest in peace to the gentleman. He was cool with

513
00:21:31,119 --> 00:21:35,360
Speaker 1: the guy from Friends that also passed away. He killed himself,

514
00:21:35,400 --> 00:21:38,359
Speaker 1: but he was going in on Hollywood right before he died,

515
00:21:38,680 --> 00:21:43,800
Speaker 1: and he saw Matthew Perry. He was friends with Matthew Perry. Yeah, sorry,

516
00:21:43,800 --> 00:21:45,520
Speaker 1: for forgetting his name and rest in peace. He had

517
00:21:45,520 --> 00:21:48,240
Speaker 1: put out a bunch of videos before he took his

518
00:21:48,280 --> 00:21:52,040
Speaker 1: own life, quote unquote, exposing Hollywood, and granted he could

519
00:21:52,080 --> 00:21:53,960
Speaker 1: have been right, but there's also a high chance he

520
00:21:53,960 --> 00:21:55,440
Speaker 1: could have just had some mental health issues and some

521
00:21:55,520 --> 00:21:57,320
Speaker 1: drug issues and was just saying shit.

522
00:21:57,240 --> 00:21:58,640
Speaker 3: Well that's what they're hoping that people think.

523
00:21:59,160 --> 00:22:01,960
Speaker 1: And I'm saying I want during my mental breakdown, I

524
00:22:02,000 --> 00:22:03,639
Speaker 1: want to say a bunch of open ended things that

525
00:22:03,720 --> 00:22:06,639
Speaker 1: make me look like some profit or some genius. And

526
00:22:06,680 --> 00:22:09,160
Speaker 1: I'm literally just babbling. Yeah, that's that's how I want

527
00:22:09,200 --> 00:22:11,880
Speaker 1: my mental breakdown to go. Like now he's really exposed

528
00:22:11,880 --> 00:22:14,159
Speaker 1: in the music industry and it's like, meanwhile, he just

529
00:22:14,359 --> 00:22:16,280
Speaker 1: had the same name as an A and r at TD,

530
00:22:16,520 --> 00:22:18,520
Speaker 1: Like he really has no pull. He's not even on

531
00:22:18,600 --> 00:22:19,560
Speaker 1: Kali's album.

532
00:22:19,600 --> 00:22:22,480
Speaker 2: Like he went crazy because he thought he was on

533
00:22:22,560 --> 00:22:25,119
Speaker 2: Kalid's album and come to find out he's not on

534
00:22:25,200 --> 00:22:27,480
Speaker 2: Kali's album, so he just started tweaking.

535
00:22:27,720 --> 00:22:31,720
Speaker 1: That would be a funny bit if if once the

536
00:22:31,800 --> 00:22:35,000
Speaker 1: Kalid album comes out, I stand outside Rock Nation office

537
00:22:35,160 --> 00:22:40,119
Speaker 1: picketing with the contract. At least pay me my dog.

538
00:22:40,080 --> 00:22:42,320
Speaker 2: Yeah, give me my yeah, give me my dollar, give

539
00:22:42,359 --> 00:22:44,520
Speaker 2: me my klae shitning't that dollar man?

540
00:22:44,640 --> 00:22:45,280
Speaker 3: Cash at that?

541
00:22:46,000 --> 00:22:48,760
Speaker 1: I feel like Khalid now that that's verse swaps. If

542
00:22:48,800 --> 00:22:50,480
Speaker 1: I'm doing it for a dollar, that's verse swaps. So

543
00:22:50,800 --> 00:22:51,680
Speaker 1: you gotta come on the park.

544
00:22:53,000 --> 00:22:54,679
Speaker 3: Callum ain't doing no pod what.

545
00:22:55,400 --> 00:22:58,000
Speaker 1: I think this will be the first run because things

546
00:22:58,040 --> 00:23:00,800
Speaker 1: are a bit different for CALLI he would have to

547
00:23:00,840 --> 00:23:04,480
Speaker 1: go on a proper press run. Different because I think

548
00:23:04,600 --> 00:23:08,960
Speaker 1: him as the promotional machine isn't what it was before,

549
00:23:09,040 --> 00:23:11,280
Speaker 1: because he's pulled back a bit, like during the Vine

550
00:23:11,359 --> 00:23:13,760
Speaker 1: days and was it Vine that he got super popular on.

551
00:23:13,840 --> 00:23:16,639
Speaker 1: It was before TikTok, snapchat, Snapchat, like he could go

552
00:23:16,680 --> 00:23:18,360
Speaker 1: on Allen he could do, which he probably still can,

553
00:23:18,520 --> 00:23:21,080
Speaker 1: but he was like he was himself the entity he

554
00:23:21,119 --> 00:23:23,480
Speaker 1: didn't need to like. The press run was happy to

555
00:23:23,480 --> 00:23:26,240
Speaker 1: have him, not the other way around. He's pulled back

556
00:23:26,240 --> 00:23:28,600
Speaker 1: from a lot of that stuff. So I think he

557
00:23:28,640 --> 00:23:31,000
Speaker 1: needs to go back to the press. I mean, which

558
00:23:31,040 --> 00:23:34,280
Speaker 1: is fine. I mean, I think Khaled is in a very.

559
00:23:36,320 --> 00:23:38,240
Speaker 2: Obviously you know, we we fuck with calib but I

560
00:23:38,280 --> 00:23:40,520
Speaker 2: think this may be like to what you're saying. I

561
00:23:40,560 --> 00:23:44,679
Speaker 2: think he's in a very different space now though, Yeah, I.

562
00:23:44,640 --> 00:23:48,280
Speaker 1: Mean I felt since Father of Asad, which I thought

563
00:23:48,320 --> 00:23:50,840
Speaker 1: was a really really good album, that it's kind of

564
00:23:50,840 --> 00:23:55,000
Speaker 1: been what'shy washy, Like there's joints, but they're not as

565
00:23:55,040 --> 00:23:57,919
Speaker 1: good as the previous Kalid projects. And he's been fine.

566
00:23:58,160 --> 00:24:01,280
Speaker 1: Like maybe he doesn't hit number one because of a

567
00:24:01,320 --> 00:24:05,040
Speaker 1: Tyler album, but he still has like joints. I've seen

568
00:24:05,119 --> 00:24:07,760
Speaker 1: Kaled fail with two albums by Kalid standards, not by

569
00:24:08,200 --> 00:24:10,200
Speaker 1: I could dream to do the numbers that Khaled does.

570
00:24:10,720 --> 00:24:13,400
Speaker 1: But and he's fine, Like he still comes back. People

571
00:24:13,400 --> 00:24:15,360
Speaker 1: are still going to listen to a Kalid ab. He's

572
00:24:15,359 --> 00:24:17,880
Speaker 1: still going to get all the A list artists, is it?

573
00:24:19,000 --> 00:24:19,439
Speaker 1: I think so?

574
00:24:20,240 --> 00:24:21,920
Speaker 3: I think, you know, I think that he does have.

575
00:24:22,960 --> 00:24:25,560
Speaker 1: Well yeah, I mean he kind of went out I

576
00:24:25,680 --> 00:24:27,680
Speaker 1: want to live there. But if you look even then,

577
00:24:28,359 --> 00:24:32,439
Speaker 1: has Drake given anyone more music besides maybe Ross and

578
00:24:32,480 --> 00:24:34,160
Speaker 1: a lot of those records are Kalid records?

579
00:24:34,200 --> 00:24:34,919
Speaker 3: Like yeah, but I.

580
00:24:34,920 --> 00:24:36,960
Speaker 2: Mean when I say he's in a different like he

581
00:24:37,520 --> 00:24:40,359
Speaker 2: doesn't have the two Drake records that he probably was

582
00:24:40,720 --> 00:24:41,199
Speaker 2: banking on.

583
00:24:41,840 --> 00:24:43,679
Speaker 1: I mean, he got one of the most iconic jay

584
00:24:43,760 --> 00:24:46,400
Speaker 1: Z verses of the last fifteen years.

585
00:24:46,440 --> 00:24:48,160
Speaker 2: I don't think jay Z will give him on another verse.

586
00:24:48,840 --> 00:24:50,879
Speaker 2: I think I think that was Jays. I think Gods

587
00:24:50,920 --> 00:24:53,639
Speaker 2: did was Jay's Like, you got to think about a

588
00:24:53,720 --> 00:24:56,760
Speaker 2: j performed that record at the Grammys outside of like

589
00:24:56,960 --> 00:24:59,440
Speaker 2: the whole verse, like Crypto Arena, like you know what

590
00:24:59,480 --> 00:25:02,600
Speaker 2: I mean, Like he really gave Khaled like a whole thing.

591
00:25:02,680 --> 00:25:04,080
Speaker 1: I didn't like that they put Friday at the kids

592
00:25:04,119 --> 00:25:05,080
Speaker 1: table with John Legend.

593
00:25:05,280 --> 00:25:08,320
Speaker 2: Yeah, but I mean to the point of not having

594
00:25:09,000 --> 00:25:11,240
Speaker 2: Drake records that you obviously would banking on.

595
00:25:11,800 --> 00:25:13,680
Speaker 3: I don't think he'll have another jay Z Verse.

596
00:25:13,840 --> 00:25:16,280
Speaker 1: Here's the thing though, I didn't think on God did

597
00:25:16,280 --> 00:25:17,840
Speaker 1: he would get a jay z Verse and he got

598
00:25:17,840 --> 00:25:21,040
Speaker 1: a four minute jay z Verse. If I'll admit when

599
00:25:21,080 --> 00:25:22,960
Speaker 1: I'm wrong, and I probably said it on the podcast,

600
00:25:23,119 --> 00:25:24,960
Speaker 1: ain't no way he get another jay Z Like. I

601
00:25:25,000 --> 00:25:27,000
Speaker 1: just didn't feel like the timing was there or Kaled

602
00:25:27,080 --> 00:25:29,320
Speaker 1: was even focusing on music like that at that point.

603
00:25:29,400 --> 00:25:32,120
Speaker 1: And then he got one of the greatest Hove guest

604
00:25:32,119 --> 00:25:33,400
Speaker 1: features ever, which.

605
00:25:33,160 --> 00:25:35,000
Speaker 2: Is why I think he won't get another one. I

606
00:25:35,000 --> 00:25:36,280
Speaker 2: think that was Jay's Like.

607
00:25:36,720 --> 00:25:40,359
Speaker 1: But Jay will do things. Jay will give versus to

608
00:25:40,440 --> 00:25:44,720
Speaker 1: his investments, and that's why you get to Beyonce and

609
00:25:44,760 --> 00:25:46,760
Speaker 1: jay Z records on two different Kalid projects, one with

610
00:25:46,760 --> 00:25:50,600
Speaker 1: the Future like he's invested in Klit, he manages Kaled, so.

611
00:25:51,960 --> 00:25:56,160
Speaker 2: Yeah, but I still don't again, what an artist like Jay,

612
00:25:56,200 --> 00:25:58,840
Speaker 2: who's obviously a legacy artist at this point, Like, I

613
00:25:58,880 --> 00:26:02,760
Speaker 2: just don't know what he does after a record or

614
00:26:02,880 --> 00:26:05,479
Speaker 2: verse like God did like now what We're Gonna give

615
00:26:05,480 --> 00:26:07,040
Speaker 2: It was another I Got the Keys Like you don't

616
00:26:07,040 --> 00:26:09,439
Speaker 2: really but to me, it just feels like this is

617
00:26:09,480 --> 00:26:11,600
Speaker 2: my I'm bowing out, like I'm done, You know what

618
00:26:11,600 --> 00:26:11,800
Speaker 2: I mean?

619
00:26:11,920 --> 00:26:14,480
Speaker 3: What else? What else? What other type of song could

620
00:26:14,760 --> 00:26:16,760
Speaker 3: Kalid and or Jay make for Kali?

621
00:26:16,840 --> 00:26:17,199
Speaker 1: Do you know what I mean?

622
00:26:17,240 --> 00:26:18,640
Speaker 3: I just don't understand where you go from there.

623
00:26:18,720 --> 00:26:21,840
Speaker 1: I don't think he should pivot to the younger, younger audience.

624
00:26:21,880 --> 00:26:24,159
Speaker 1: I think throwing them in the mix a little bits whatever.

625
00:26:24,200 --> 00:26:27,480
Speaker 1: But Kali's real connections of where he can have moments

626
00:26:28,200 --> 00:26:32,199
Speaker 1: is when he gets legacy acts ie getting a jay

627
00:26:32,280 --> 00:26:35,320
Speaker 1: Z Verse to be the intro on his album Last Time.

628
00:26:35,320 --> 00:26:39,880
Speaker 1: That was the moment I mean, Rihanna, technically, I guess

629
00:26:40,040 --> 00:26:43,080
Speaker 1: was legacy when Wild Thoughts came out. But having moments

630
00:26:43,119 --> 00:26:46,000
Speaker 1: like that, having Alisha Keys on your project, having like

631
00:26:46,119 --> 00:26:48,240
Speaker 1: all these crazy A list names that don't usually do

632
00:26:48,280 --> 00:26:50,399
Speaker 1: shit will be like, all right, I'll give my verse

633
00:26:50,560 --> 00:26:53,320
Speaker 1: for the year or my record for the year to Kalid.

634
00:26:53,480 --> 00:26:55,160
Speaker 1: I don't know if the younger generation gives a fuck

635
00:26:55,160 --> 00:26:57,840
Speaker 1: about that. But I also don't know if legacy acts

636
00:26:57,880 --> 00:27:02,800
Speaker 1: are running to do that anymore either. Like Rihanna, it

637
00:27:02,880 --> 00:27:06,000
Speaker 1: took us a Smurf's movie that she was fucking heavily

638
00:27:06,040 --> 00:27:07,399
Speaker 1: involved in to get a record out of that. I

639
00:27:07,440 --> 00:27:10,520
Speaker 1: don't know if she's doing a album. I mean, do

640
00:27:10,560 --> 00:27:11,440
Speaker 1: you think she would get on it.

641
00:27:12,560 --> 00:27:15,560
Speaker 2: I don't think Rihanna is making music because Rihanna realizes

642
00:27:15,640 --> 00:27:17,800
Speaker 2: or feels like it's just not worth her time. The

643
00:27:17,880 --> 00:27:21,560
Speaker 2: music industry is it's a dying thing, Like what is

644
00:27:21,560 --> 00:27:24,200
Speaker 2: the music industry? You see all these artists from years ago, Rory,

645
00:27:24,240 --> 00:27:27,200
Speaker 2: we've seen everybody selling their catalog Yeah, and we didn't

646
00:27:27,200 --> 00:27:30,160
Speaker 2: know why why people selling their entire catalogs for because

647
00:27:30,160 --> 00:27:31,600
Speaker 2: it's like if I can give this much money for

648
00:27:31,640 --> 00:27:34,400
Speaker 2: this music. Now with the way with the way streaming

649
00:27:34,480 --> 00:27:38,000
Speaker 2: is affecting you know things, and how it paid AI.

650
00:27:39,040 --> 00:27:41,879
Speaker 2: I think artists just realized, like this thing that we

651
00:27:41,920 --> 00:27:45,480
Speaker 2: get we came in on with this with this thing

652
00:27:45,560 --> 00:27:49,920
Speaker 2: called you know, the music industry is changing. I don't

653
00:27:49,960 --> 00:27:53,720
Speaker 2: think that somebody like Rihanna. Obviously she doesn't need the money.

654
00:27:53,840 --> 00:27:56,639
Speaker 2: So it's like it comes it comes to the thing

655
00:27:56,680 --> 00:27:57,800
Speaker 2: that is she inspired?

656
00:27:58,480 --> 00:28:00,600
Speaker 1: Yes, that's why I think it's it's comes down.

657
00:28:00,480 --> 00:28:01,640
Speaker 3: So why is she not inspired?

658
00:28:02,400 --> 00:28:04,920
Speaker 2: Because of all the bullshit that surrounds it, the way

659
00:28:04,960 --> 00:28:07,760
Speaker 2: people move on from music so fast now, it's like

660
00:28:07,960 --> 00:28:09,280
Speaker 2: you could put out a you could put out a

661
00:28:09,280 --> 00:28:13,679
Speaker 2: classic album right now and people will be done with

662
00:28:13,720 --> 00:28:14,399
Speaker 2: it in a month.

663
00:28:14,960 --> 00:28:15,400
Speaker 1: Yeah.

664
00:28:16,119 --> 00:28:17,400
Speaker 3: So it's like when the artists that.

665
00:28:17,560 --> 00:28:22,600
Speaker 2: You know, like a legacy artist, Rihanna, jay Z, whoever

666
00:28:22,600 --> 00:28:26,080
Speaker 2: else the legacy artists are, you can see why they

667
00:28:26,080 --> 00:28:28,199
Speaker 2: would not be inspired to put out new things if

668
00:28:28,200 --> 00:28:31,359
Speaker 2: they're making so much money in other areas. Rihanna is,

669
00:28:32,280 --> 00:28:34,120
Speaker 2: you know, on top of the beauty world right now,

670
00:28:34,240 --> 00:28:37,080
Speaker 2: billion dollar industry. Like she doesn't music to her, it

671
00:28:37,160 --> 00:28:40,680
Speaker 2: has to either inspire just to be inspired or just

672
00:28:40,720 --> 00:28:42,720
Speaker 2: at a point where she's just like totally in love

673
00:28:42,800 --> 00:28:45,520
Speaker 2: with the sound that she found in the studio and

674
00:28:45,880 --> 00:28:48,040
Speaker 2: you know, like the things that have come together as

675
00:28:48,040 --> 00:28:50,160
Speaker 2: far as the songs, but to.

676
00:28:50,200 --> 00:28:51,640
Speaker 3: Just be like Rihanna, give us album.

677
00:28:51,760 --> 00:28:54,520
Speaker 2: She's not doing that, Like an artist like that is

678
00:28:54,560 --> 00:28:57,920
Speaker 2: not doing it because they feel like yo' it's not

679
00:28:57,960 --> 00:29:00,400
Speaker 2: what y'all think it is. As consumers us on the album, SI, well,

680
00:29:00,400 --> 00:29:01,920
Speaker 2: we know a little bit more about the industry, but

681
00:29:02,880 --> 00:29:07,760
Speaker 2: the average consumer doesn't realize the business. The music business

682
00:29:07,800 --> 00:29:09,080
Speaker 2: is not what it once was.

683
00:29:09,480 --> 00:29:12,040
Speaker 1: But that was the beauty of the Kalid album or

684
00:29:12,040 --> 00:29:15,560
Speaker 1: the Kalid single. I e a hove like, I have

685
00:29:15,600 --> 00:29:17,360
Speaker 1: no interest in putting out an album this year, but

686
00:29:17,680 --> 00:29:19,840
Speaker 1: there's plenty of things I do want to say that

687
00:29:19,920 --> 00:29:25,720
Speaker 1: I don't address unless I'm putting music out. But I'm

688
00:29:25,720 --> 00:29:29,120
Speaker 1: saying in Rihanna's only because to be inspired by one record,

689
00:29:29,200 --> 00:29:30,640
Speaker 1: or you could have one record on your hard drive

690
00:29:30,640 --> 00:29:33,440
Speaker 1: that you love and it's like, I have to wait

691
00:29:33,480 --> 00:29:35,440
Speaker 1: to put this out because it needs to be surrounded

692
00:29:35,440 --> 00:29:38,040
Speaker 1: by something. But that was the genius of the Kalid project.

693
00:29:38,480 --> 00:29:41,400
Speaker 1: Like even the jay Z Beyonce Shining record, which I

694
00:29:41,400 --> 00:29:43,240
Speaker 1: think is incredible, it's one of my favorite jay Z

695
00:29:43,320 --> 00:29:45,720
Speaker 1: and Beyonce collapsed. I don't think they would have ever

696
00:29:45,760 --> 00:29:48,320
Speaker 1: put that out had it not been around something specific.

697
00:29:49,360 --> 00:29:50,040
Speaker 3: It has to make sense.

698
00:29:50,080 --> 00:29:52,760
Speaker 1: We got Beyonce rapping with future and hove on top off,

699
00:29:52,840 --> 00:29:56,160
Speaker 1: Like that's not coming out unless Beyonce is doing something

700
00:29:56,360 --> 00:30:00,000
Speaker 1: or jay Z is doing something right, Khalid gives those opportunity.

701
00:30:00,360 --> 00:30:03,440
Speaker 1: I just don't know if anyone's like running to care

702
00:30:03,480 --> 00:30:04,960
Speaker 1: for that in the current climate, which is not a

703
00:30:05,040 --> 00:30:07,720
Speaker 1: not to calid it's a not to the climate. But

704
00:30:07,800 --> 00:30:10,560
Speaker 1: I mean, Rihanna putting out that smurf thing, I don't

705
00:30:10,560 --> 00:30:11,920
Speaker 1: think she's inspired her. I think she would have put

706
00:30:11,960 --> 00:30:13,480
Speaker 1: music out because again, she doesn't need the money, she

707
00:30:13,520 --> 00:30:15,120
Speaker 1: doesn't have to march to anyone's drums or.

708
00:30:15,080 --> 00:30:17,120
Speaker 3: The fuck you want to whatever, do whatever she wants.

709
00:30:17,200 --> 00:30:20,960
Speaker 1: She wants to put out Celtic reggae, she could do

710
00:30:21,000 --> 00:30:26,040
Speaker 1: it because it's Rihanna. Yeah, I feel like she would

711
00:30:26,120 --> 00:30:28,480
Speaker 1: do that with a Kalid album if that was a thing,

712
00:30:28,560 --> 00:30:30,760
Speaker 1: that if those moments mattered anymore. I just don't know

713
00:30:30,760 --> 00:30:33,560
Speaker 1: if moments are a thing in the music industry anymore.

714
00:30:34,160 --> 00:30:35,040
Speaker 3: What all the moments?

715
00:30:36,960 --> 00:30:40,160
Speaker 1: Uh? Everything outside of the music is the moment?

716
00:30:40,240 --> 00:30:45,160
Speaker 2: Is it just us seeing like artists names featured together

717
00:30:45,160 --> 00:30:47,640
Speaker 2: on the song that we never thought like, okay, we

718
00:30:47,680 --> 00:30:49,600
Speaker 2: never thought we would see these two work together, Like

719
00:30:49,680 --> 00:30:50,280
Speaker 2: that's a moment.

720
00:30:50,360 --> 00:30:52,200
Speaker 3: Okay, we got to hear what that's about what they did.

721
00:30:52,760 --> 00:30:55,440
Speaker 2: But again, even with that, once you hit it w record,

722
00:30:55,480 --> 00:30:59,719
Speaker 2: it's like we just move on the consumers, the average,

723
00:30:59,720 --> 00:31:02,240
Speaker 2: we just move on from things so fast now things

724
00:31:02,280 --> 00:31:03,560
Speaker 2: don't sit with us.

725
00:31:03,600 --> 00:31:05,360
Speaker 3: Like That's why back to what I was.

726
00:31:05,280 --> 00:31:08,520
Speaker 2: Saying, I don't really care if Jay puts out another

727
00:31:08,560 --> 00:31:11,800
Speaker 2: album because I know what's gonna happen. The people that

728
00:31:12,400 --> 00:31:13,920
Speaker 2: grew up with J and that love Jay and hold

729
00:31:13,920 --> 00:31:16,560
Speaker 2: them to high regard, we're gonna love it. But there's

730
00:31:16,600 --> 00:31:19,480
Speaker 2: a whole new generation now and people like that have

731
00:31:19,600 --> 00:31:23,120
Speaker 2: platforms and spaces and they don't care about Jay like that,

732
00:31:23,160 --> 00:31:25,160
Speaker 2: Like they don't hold them to that regard like we do.

733
00:31:25,280 --> 00:31:30,000
Speaker 2: Like Cardy just did the sample the record. Imagine they

734
00:31:30,000 --> 00:31:32,640
Speaker 2: players that song started charting. Again, that's the first time

735
00:31:32,680 --> 00:31:34,760
Speaker 2: some people ever even heard that Jay record.

736
00:31:35,120 --> 00:31:37,760
Speaker 1: Yeah, but again with someone like a Rihanna or J

737
00:31:38,080 --> 00:31:43,400
Speaker 1: why would their mind move to the younger generation? Why

738
00:31:43,440 --> 00:31:44,600
Speaker 1: why would they even care about that?

739
00:31:45,480 --> 00:31:47,560
Speaker 2: I mean, not that they don't care, but to an extent,

740
00:31:47,680 --> 00:31:51,360
Speaker 2: you have to care about the younger generation because it's

741
00:31:51,400 --> 00:31:53,800
Speaker 2: a large part of the consumers. It's a large part

742
00:31:53,800 --> 00:31:57,719
Speaker 2: of the people that are you know, influencing the sound

743
00:31:57,880 --> 00:32:00,479
Speaker 2: and the new trends and things that are going on.

744
00:32:00,680 --> 00:32:03,320
Speaker 2: Even the slang, the way people talk, the way people dress.

745
00:32:03,560 --> 00:32:06,719
Speaker 2: It's always going to lean a little younger. That's just

746
00:32:06,880 --> 00:32:09,320
Speaker 2: how it's always been. So you have to kind of

747
00:32:09,320 --> 00:32:13,160
Speaker 2: be in tune with what the new generation is kind

748
00:32:13,200 --> 00:32:15,480
Speaker 2: of doing and what they're into now. Not that you

749
00:32:15,560 --> 00:32:17,600
Speaker 2: have to care. I don't like Jay and Rihanna. These

750
00:32:17,680 --> 00:32:20,400
Speaker 2: people are you know, life is set forever for these people.

751
00:32:20,480 --> 00:32:22,840
Speaker 2: But I'm just saying, if you're going to put your

752
00:32:23,360 --> 00:32:26,320
Speaker 2: art into this space, into the consumer space, you have

753
00:32:26,360 --> 00:32:28,480
Speaker 2: to look at who's consuming it, and a large part

754
00:32:28,520 --> 00:32:30,720
Speaker 2: of the consumer base is the younger audience.

755
00:32:30,720 --> 00:32:34,520
Speaker 1: Well, then let's stay specifically on rap because that pop

756
00:32:34,560 --> 00:32:37,440
Speaker 1: is a bit different. Yes, it's different with Rihanna than

757
00:32:37,440 --> 00:32:39,680
Speaker 1: it would be with a Hoover and Nas. I mean,

758
00:32:39,720 --> 00:32:43,120
Speaker 1: for example, even like when Michael Butterflies hit, but did

759
00:32:43,120 --> 00:32:45,880
Speaker 1: that album hit like? It is definitely different with the

760
00:32:45,880 --> 00:32:47,920
Speaker 1: pop world because a young generation, no matter what your

761
00:32:47,960 --> 00:32:49,600
Speaker 1: pop star. Yeah, the same way. I always tell you

762
00:32:49,600 --> 00:32:51,240
Speaker 1: that Chris Brown is bigger than Wuebo. I don't understand

763
00:32:51,240 --> 00:32:53,520
Speaker 1: why you don't think that. But the younger generation still

764
00:32:53,560 --> 00:32:54,920
Speaker 1: cares about Chris Brown as a pop star.

765
00:32:55,040 --> 00:32:56,520
Speaker 6: Yeah.

766
00:32:56,760 --> 00:33:01,280
Speaker 1: With that said, why would NAS put out six projects

767
00:33:01,280 --> 00:33:01,760
Speaker 1: with hit Boy?

768
00:33:01,920 --> 00:33:02,000
Speaker 3: Like?

769
00:33:02,040 --> 00:33:04,880
Speaker 1: Why who cares what the younger generation? I'm feeding my

770
00:33:05,080 --> 00:33:09,320
Speaker 1: audience and showing hip hop being the youngest genre, how

771
00:33:09,360 --> 00:33:12,680
Speaker 1: it's aging. They're leading the charge of that. Four forty

772
00:33:12,680 --> 00:33:14,840
Speaker 1: four was a prime example of how hip hop can age.

773
00:33:15,000 --> 00:33:16,840
Speaker 1: No dispect to Carreras or Big Daddy Kane or whatever,

774
00:33:16,920 --> 00:33:20,960
Speaker 1: but they never kept going with the times. Hove and

775
00:33:21,040 --> 00:33:22,959
Speaker 1: Nas have shown how hip hop can age. Why why

776
00:33:23,000 --> 00:33:24,840
Speaker 1: would they have to beat to the drum of hip

777
00:33:24,880 --> 00:33:27,280
Speaker 1: hop just being a young young man's game. At one point,

778
00:33:27,280 --> 00:33:29,120
Speaker 1: it was because it was just a young genre. Now

779
00:33:29,120 --> 00:33:31,680
Speaker 1: it's not hope about seven albums. I guarantee his core

780
00:33:31,680 --> 00:33:34,880
Speaker 1: would give a fuck and he would sell out arenas constantly.

781
00:33:34,880 --> 00:33:40,920
Speaker 3: He'd be grateful, dead nosteen like the corps will always care,

782
00:33:41,000 --> 00:33:42,000
Speaker 3: The core will always kid.

783
00:33:42,040 --> 00:33:42,120
Speaker 4: Now.

784
00:33:42,160 --> 00:33:45,040
Speaker 2: I'm not saying core is their core, right. It's not

785
00:33:45,160 --> 00:33:46,680
Speaker 2: saying Jay doesn't doesn't.

786
00:33:46,680 --> 00:33:49,480
Speaker 1: Not an MF doom core, right, It's a it's an

787
00:33:49,520 --> 00:33:50,320
Speaker 1: arena corps.

788
00:33:50,160 --> 00:33:50,360
Speaker 7: You know.

789
00:33:51,200 --> 00:33:54,920
Speaker 2: I'm not saying that an artist like Jay Z or

790
00:33:55,040 --> 00:33:58,840
Speaker 2: personal businessman like jay Z. He doesn't really, he's not

791
00:33:59,240 --> 00:34:03,040
Speaker 2: trying to, you know, move to the beat of somebody

792
00:34:03,040 --> 00:34:04,960
Speaker 2: else to move. When we say moving, he isn't. That's

793
00:34:05,000 --> 00:34:09,680
Speaker 2: doesn't apply there. I'm just saying that when you're selling anything,

794
00:34:09,960 --> 00:34:11,840
Speaker 2: I don't care what it is. As a business person,

795
00:34:12,320 --> 00:34:15,040
Speaker 2: you have to look at the consumer base and you

796
00:34:15,160 --> 00:34:17,799
Speaker 2: have to try to you know, again, your core is

797
00:34:17,800 --> 00:34:20,480
Speaker 2: your core, but you do want to pull in some

798
00:34:20,560 --> 00:34:23,560
Speaker 2: of the newer audience and things like that, just because

799
00:34:23,560 --> 00:34:25,600
Speaker 2: that's just the business that you're in here in the

800
00:34:25,719 --> 00:34:30,080
Speaker 2: entertainment business now with the music business being in the

801
00:34:30,080 --> 00:34:32,560
Speaker 2: status in back to what we're saying about Kali, it,

802
00:34:33,480 --> 00:34:37,880
Speaker 2: do you go just legacy album with legacy acts. I

803
00:34:37,880 --> 00:34:39,920
Speaker 2: don't know if you don't. I don't know if Khaled

804
00:34:40,120 --> 00:34:41,640
Speaker 2: is willing to do that.

805
00:34:41,760 --> 00:34:43,840
Speaker 1: And I think he has a clip song. I'm just

806
00:34:43,920 --> 00:34:46,080
Speaker 1: I'm just like guessing. Shit. Yeah, Like I think there's

807
00:34:46,080 --> 00:34:48,319
Speaker 1: probably clips record on there. I think you'll probably get

808
00:34:48,320 --> 00:34:53,120
Speaker 1: a young thug record. I think he'll get I'm sure beaves.

809
00:34:53,320 --> 00:34:53,520
Speaker 3: Yeah.

810
00:34:53,520 --> 00:34:55,319
Speaker 1: But now, but now, but it's a bunch of bet

811
00:34:55,320 --> 00:34:55,680
Speaker 1: Like that's.

812
00:34:55,600 --> 00:34:57,439
Speaker 3: What I said. But now we just talking about things

813
00:34:57,440 --> 00:34:58,439
Speaker 3: that we've already gotten.

814
00:34:58,520 --> 00:35:01,120
Speaker 1: So now trying to think of moments that would make sense.

815
00:35:01,120 --> 00:35:02,799
Speaker 3: So now that goes back to what I'm saying.

816
00:35:02,840 --> 00:35:06,279
Speaker 2: I don't think jay Z gives Khalid a verse at

817
00:35:06,360 --> 00:35:09,720
Speaker 2: least not for at least not for this project. Because again,

818
00:35:09,840 --> 00:35:12,960
Speaker 2: I just gave you the gods did we did that.

819
00:35:12,960 --> 00:35:15,200
Speaker 3: That was a whole thing. But we was at the

820
00:35:15,280 --> 00:35:17,680
Speaker 3: table the final last Supper type of Viole and we

821
00:35:17,760 --> 00:35:18,520
Speaker 3: gave you that.

822
00:35:19,080 --> 00:35:21,240
Speaker 2: Where do we go now, like do we give another

823
00:35:21,400 --> 00:35:23,759
Speaker 2: a diet version of that? Like it just starts to

824
00:35:23,800 --> 00:35:26,440
Speaker 2: feel like, Okay, we've had this. You're giving us the

825
00:35:26,480 --> 00:35:29,120
Speaker 2: same thing. You're just kind of like, you know, reheating

826
00:35:29,120 --> 00:35:29,680
Speaker 2: it and adding.

827
00:35:30,120 --> 00:35:32,360
Speaker 1: But that's that's been Kalid, even when I thought his

828
00:35:32,440 --> 00:35:33,720
Speaker 1: albums were great.

829
00:35:33,880 --> 00:35:34,719
Speaker 3: But how long is that?

830
00:35:35,360 --> 00:35:37,279
Speaker 1: How long are you saying that Father's I was the

831
00:35:37,360 --> 00:35:39,400
Speaker 1: last one that I was like, I fuck with this project?

832
00:35:39,480 --> 00:35:41,600
Speaker 2: Yeah, but that's so again, So now we're gonna start

833
00:35:41,640 --> 00:35:43,440
Speaker 2: in like, uh it was even that.

834
00:35:43,400 --> 00:35:46,200
Speaker 1: One wasn't up to like super Pars the rest of it,

835
00:35:46,200 --> 00:35:48,279
Speaker 1: but it was still a solid, solid project. Yeah, this

836
00:35:48,440 --> 00:35:51,239
Speaker 1: record I go back to on that often. But I

837
00:35:51,280 --> 00:35:53,000
Speaker 1: think it goes back to your original point, which I

838
00:35:53,000 --> 00:35:55,360
Speaker 1: completely agree with rihann and know it's if you're inspired

839
00:35:55,400 --> 00:35:58,920
Speaker 1: like God did. Kaled was at the office playing that record,

840
00:35:59,000 --> 00:36:03,440
Speaker 1: was ross Wayne and Friday like he wasn't playing that

841
00:36:03,760 --> 00:36:04,719
Speaker 1: for Hove to get on.

842
00:36:05,239 --> 00:36:08,120
Speaker 3: Mm hm, well let me stop you right there. M hm.

843
00:36:08,560 --> 00:36:11,279
Speaker 2: Whenever an artist plays a record like that around there,

844
00:36:11,600 --> 00:36:14,080
Speaker 2: don't you know you don't see, don't don't do this

845
00:36:14,120 --> 00:36:17,120
Speaker 2: thing that you're doing. You know how this industry shit goes.

846
00:36:17,280 --> 00:36:19,920
Speaker 2: If jay Z is sitting on that couch, listen, I

847
00:36:19,960 --> 00:36:24,520
Speaker 2: have a record, and I'm playing this record, trust and

848
00:36:24,560 --> 00:36:25,839
Speaker 2: believe it's something.

849
00:36:25,520 --> 00:36:26,760
Speaker 3: In my DNA that said.

850
00:36:26,960 --> 00:36:29,520
Speaker 2: I hope he loves this ship and he and he

851
00:36:29,560 --> 00:36:31,200
Speaker 2: wants to go to the studio right now.

852
00:36:31,280 --> 00:36:34,480
Speaker 1: Hove and Lenny are his managers. Obviously he goes to

853
00:36:34,560 --> 00:36:37,480
Speaker 1: rock to play them the music. I'm sure if it

854
00:36:37,520 --> 00:36:39,960
Speaker 1: would have been the Boujoo bons On record, if Hove

855
00:36:40,000 --> 00:36:41,839
Speaker 1: would have been like yo, I'm going, I'm sure Kluin

856
00:36:41,840 --> 00:36:46,480
Speaker 1: wouldn't hold anything. He doesn't anything thing. It's if he's inspired.

857
00:36:46,480 --> 00:36:49,360
Speaker 1: I don't think he was going in there like I

858
00:36:49,440 --> 00:36:52,120
Speaker 1: just blocked the verse off on God did, because the

859
00:36:52,320 --> 00:36:56,359
Speaker 1: whole ship after that was like damn, do we keep

860
00:36:56,400 --> 00:36:58,440
Speaker 1: Wayne and because Wayne and Ross had great verses, but

861
00:36:58,480 --> 00:37:01,240
Speaker 1: it's like, this is the moment? Is this just the intro?

862
00:37:02,160 --> 00:37:04,279
Speaker 1: Is it just this five minute old verse? And then

863
00:37:04,320 --> 00:37:06,239
Speaker 1: we move on because I already told Wayne and Ross

864
00:37:06,239 --> 00:37:08,360
Speaker 1: stay on this. I think it comes down to inspiration.

865
00:37:09,480 --> 00:37:12,040
Speaker 1: If what I'm saying, if Hove here's something he's inspired by,

866
00:37:12,080 --> 00:37:14,799
Speaker 1: he'll do it. I don't think he's sitting there like

867
00:37:14,840 --> 00:37:16,799
Speaker 1: this is the Kalid album. I don't give him anything.

868
00:37:16,800 --> 00:37:19,720
Speaker 1: If he doesn't hear anything, then he's not getting a verse. Now, Okay,

869
00:37:19,960 --> 00:37:23,600
Speaker 1: you're right, because there's a lot of butt also gets

870
00:37:23,640 --> 00:37:26,040
Speaker 1: inspired when y'all have talked wild shit about m there's

871
00:37:26,080 --> 00:37:27,480
Speaker 1: a lot of Super Bowl shit. I'm sure he wants

872
00:37:27,480 --> 00:37:30,800
Speaker 1: to address, yeah shit, even when they had written testimony

873
00:37:31,160 --> 00:37:32,480
Speaker 1: whole that shit to get off his chest with an

874
00:37:32,560 --> 00:37:34,960
Speaker 1: NFL stuff like now I have something to say and

875
00:37:35,000 --> 00:37:36,640
Speaker 1: if you put it something out all right.

876
00:37:37,120 --> 00:37:38,840
Speaker 3: Yeah, but you know how the industry is, and we

877
00:37:38,920 --> 00:37:39,480
Speaker 3: know Cal.

878
00:37:39,600 --> 00:37:42,319
Speaker 1: He has a thousand Caesar Palace cas in his head

879
00:37:42,360 --> 00:37:42,600
Speaker 1: right now.

880
00:37:42,640 --> 00:37:46,080
Speaker 2: Kallat is the fucking one of the greatest salesman. And

881
00:37:46,560 --> 00:37:49,480
Speaker 2: sure here if you think that Kali didn't.

882
00:37:49,320 --> 00:37:53,279
Speaker 3: Walk that record in that room, and he didn't look

883
00:37:53,320 --> 00:37:55,759
Speaker 3: at Jay in his eyes and start moving his shoulders

884
00:37:56,080 --> 00:37:58,640
Speaker 3: trying to feed j Yo, you don't feel that, Like

885
00:37:58,680 --> 00:38:01,840
Speaker 3: you don't know Calen is a salesman.

886
00:38:01,880 --> 00:38:04,279
Speaker 2: He's gonna he gonna sell your shit. You didn't even

887
00:38:04,280 --> 00:38:07,080
Speaker 2: know you wanted to buy. So it's like if he

888
00:38:07,160 --> 00:38:09,600
Speaker 2: played that verse for Jay, of course.

889
00:38:09,320 --> 00:38:13,399
Speaker 1: He was think. I just think there's certain artists at

890
00:38:13,400 --> 00:38:16,279
Speaker 1: a point in their career that the sales pitch doesn't work.

891
00:38:16,400 --> 00:38:18,440
Speaker 1: It's what I hear on this record, Like, no.

892
00:38:18,400 --> 00:38:20,920
Speaker 2: It's not that recently that it's not that the sales

893
00:38:20,920 --> 00:38:24,200
Speaker 2: pitch doesn't work. It's that it doesn't work on you anymore.

894
00:38:24,480 --> 00:38:25,920
Speaker 3: That's work on somebody.

895
00:38:26,480 --> 00:38:30,080
Speaker 1: I don't know that same thing an artist at that point.

896
00:38:31,120 --> 00:38:33,880
Speaker 1: Even I rewatched I'm sorry everyone for making this a

897
00:38:33,920 --> 00:38:37,000
Speaker 1: whole cast. I rewatched the Black album of Fade a

898
00:38:37,080 --> 00:38:40,879
Speaker 1: black movie. And even when Farrell, after the phone call,

899
00:38:41,239 --> 00:38:43,080
Speaker 1: was trying to pitch, because we know Fharrell to be

900
00:38:43,280 --> 00:38:47,359
Speaker 1: a salesman, Hove walked in through his keys on and

901
00:38:47,400 --> 00:38:49,719
Speaker 1: Farrell said, all right, it's like the end of Carlegles

902
00:38:49,719 --> 00:38:51,120
Speaker 1: with and Hope that's the speech.

903
00:38:51,239 --> 00:38:54,000
Speaker 3: Yeah, that's it, get right to it. Yeah, some ship

904
00:38:54,120 --> 00:38:57,120
Speaker 3: is just like all right, yeah you sometimes you said,

905
00:38:57,600 --> 00:39:00,000
Speaker 3: he started mumbling the moment those fucking fore chords came

906
00:39:00,280 --> 00:39:02,880
Speaker 3: like all right, this is at All you have to

907
00:39:02,920 --> 00:39:04,200
Speaker 3: do is play this. You don't have to sell this

908
00:39:04,280 --> 00:39:05,640
Speaker 3: like this is that speech.

909
00:39:07,080 --> 00:39:07,319
Speaker 2: That's it.

910
00:39:07,440 --> 00:39:10,120
Speaker 3: That's it. So again, I don't know you know what

911
00:39:10,200 --> 00:39:11,560
Speaker 3: Calin does with this project.

912
00:39:12,160 --> 00:39:16,120
Speaker 2: Just give Rory his dollar and life will be life

913
00:39:16,120 --> 00:39:18,000
Speaker 2: will be better better for everyone.

914
00:39:18,120 --> 00:39:20,440
Speaker 1: Will you protest outside rock Nation with me?

915
00:39:20,760 --> 00:39:22,520
Speaker 3: Oh? Yeah, you gotta give me half of that dollar

916
00:39:22,520 --> 00:39:23,279
Speaker 3: though we.

917
00:39:23,239 --> 00:39:27,719
Speaker 1: Gotta bustle my contract. Actually, you gotta give me half

918
00:39:27,719 --> 00:39:29,520
Speaker 1: of that dollar because I either asked brain and I said

919
00:39:29,520 --> 00:39:31,640
Speaker 1: the mall get one too, because again I thought it

920
00:39:31,680 --> 00:39:32,400
Speaker 1: was a podcast.

921
00:39:32,640 --> 00:39:34,560
Speaker 3: That's so that's on the arm. Keep that. Don't worry

922
00:39:34,560 --> 00:39:35,719
Speaker 3: about that dollar. That's all you.

923
00:39:35,800 --> 00:39:38,319
Speaker 1: Yeah see that's that's like you gotta eat.

924
00:39:38,320 --> 00:39:38,879
Speaker 3: You gotta eat.

925
00:39:40,080 --> 00:39:41,279
Speaker 1: You got all my people to eat.

926
00:39:41,440 --> 00:39:43,120
Speaker 3: I want anybody. Everybody eats for me.

927
00:39:43,200 --> 00:39:43,359
Speaker 4: Man.

928
00:39:43,400 --> 00:39:50,279
Speaker 2: It's all love, all the time, all the time, and not.

929
00:39:50,680 --> 00:39:52,960
Speaker 2: It's never been that. It hasn't been a day Rory

930
00:39:53,239 --> 00:39:55,160
Speaker 2: that I have not thought about if I asked you

931
00:39:55,200 --> 00:39:58,160
Speaker 2: this question before, have you ever day you text me

932
00:39:58,239 --> 00:39:59,400
Speaker 2: and you asked me this every.

933
00:39:59,239 --> 00:40:01,319
Speaker 1: Day, Okay, but maybe it's not resonating with you.

934
00:40:01,400 --> 00:40:01,680
Speaker 3: Okay.

935
00:40:01,719 --> 00:40:04,080
Speaker 1: Have you ever saw a phone plan through Wold great price,

936
00:40:04,120 --> 00:40:05,319
Speaker 1: but then your bill is way higher?

937
00:40:05,360 --> 00:40:07,759
Speaker 3: You're like, Yo, what the absolutely?

938
00:40:07,880 --> 00:40:10,520
Speaker 1: But with Boost Mobile you paid twenty five dollars a

939
00:40:10,520 --> 00:40:13,080
Speaker 1: month forever. That's unlimited talk, text data. That's why I

940
00:40:13,120 --> 00:40:15,200
Speaker 1: can ask you this question and text you this question

941
00:40:15,360 --> 00:40:18,520
Speaker 1: every day every day is because I have unlimited data

942
00:40:18,600 --> 00:40:19,919
Speaker 1: for twenty five dollars.

943
00:40:19,600 --> 00:40:21,640
Speaker 2: And you got to visit boostmobile dot com or roar.

944
00:40:21,719 --> 00:40:23,560
Speaker 2: You can head to your local boostore today and get

945
00:40:23,640 --> 00:40:26,360
Speaker 2: unlimited talk, text and data for twenty five dollars a

946
00:40:26,360 --> 00:40:29,680
Speaker 2: month forever. Five G speeds are not available in all areas.

947
00:40:29,719 --> 00:40:33,400
Speaker 2: After thirty GB, customers may experience slower speeds. Customers will

948
00:40:33,440 --> 00:40:35,040
Speaker 2: pay twenty five dollars a month as long as they

949
00:40:35,080 --> 00:40:37,800
Speaker 2: remain active on the Boost Unlimited plan.

950
00:40:43,600 --> 00:40:46,399
Speaker 1: I could see a Cardi moment on there. OKAYL say

951
00:40:46,480 --> 00:40:48,200
Speaker 1: we get pivot from calend because I do want to

952
00:40:48,200 --> 00:40:52,600
Speaker 1: get into Cardi and Imaginary Player and matter much. But

953
00:40:52,600 --> 00:40:53,880
Speaker 1: I think they'd a Cardi shan. I don't want to

954
00:40:53,920 --> 00:40:56,960
Speaker 1: talk about any female rappers no more. Why I think

955
00:40:57,000 --> 00:40:59,200
Speaker 1: that's sexist. No, no want you know, Demeris is an area.

956
00:40:59,600 --> 00:41:01,719
Speaker 1: You know what that is said? I mean I want

957
00:41:01,719 --> 00:41:03,560
Speaker 1: all of the I want all of them to keep talking.

958
00:41:03,560 --> 00:41:05,279
Speaker 1: They ship and looking good and doing they thing, but

959
00:41:05,520 --> 00:41:06,520
Speaker 1: it's ain't looking good.

960
00:41:06,560 --> 00:41:09,240
Speaker 2: I just don't think it's fair for me to speak

961
00:41:09,680 --> 00:41:12,239
Speaker 2: speak on their music because they're not making they're not

962
00:41:12,280 --> 00:41:14,640
Speaker 2: making these records for me a person like me, like,

963
00:41:14,719 --> 00:41:16,600
Speaker 2: they don't care, like CARTI doesn't care if I.

964
00:41:16,600 --> 00:41:18,920
Speaker 3: Like her verse NICKI doesn't care if I like her

965
00:41:19,000 --> 00:41:20,919
Speaker 3: verse like they don't. They don't give a fuck.

966
00:41:21,080 --> 00:41:21,560
Speaker 1: They care.

967
00:41:21,680 --> 00:41:23,359
Speaker 3: No, they know. They just don't want you to shit

968
00:41:23,400 --> 00:41:25,080
Speaker 3: on it. They care if you shit on it.

969
00:41:25,239 --> 00:41:26,719
Speaker 2: But if I don't speak on it, I don't think

970
00:41:26,800 --> 00:41:28,200
Speaker 2: like then nobody's gonna be upset.

971
00:41:28,719 --> 00:41:30,800
Speaker 1: Just can I play Demeris today?

972
00:41:30,960 --> 00:41:31,240
Speaker 3: Cool?

973
00:41:32,320 --> 00:41:35,839
Speaker 1: Okay? I think they do care, not specifically about us

974
00:41:35,880 --> 00:41:38,560
Speaker 1: per se, but they're in a male dominated field where

975
00:41:38,719 --> 00:41:41,040
Speaker 1: male opinions are the ones that give you a stamp,

976
00:41:41,280 --> 00:41:43,239
Speaker 1: which I would argue with Demeris that women are the

977
00:41:43,239 --> 00:41:45,319
Speaker 1: people that move the fucking needle. And when women like

978
00:41:45,400 --> 00:41:48,239
Speaker 1: some men gonna like it, we're gonna be working if

979
00:41:48,239 --> 00:41:50,560
Speaker 1: they like it, we love it. But I do see

980
00:41:50,560 --> 00:41:53,200
Speaker 1: that side from a woman's point of view there that like, yeah,

981
00:41:53,239 --> 00:41:55,120
Speaker 1: I need male media to fuck with this too, because

982
00:41:55,160 --> 00:41:57,799
Speaker 1: y'all have stamped hip hop has been male dominated for

983
00:41:57,840 --> 00:42:00,600
Speaker 1: fifty years. Yeah, but it's not y'all are the ones

984
00:42:00,600 --> 00:42:03,680
Speaker 1: that say when something's good or not as far as perception.

985
00:42:04,360 --> 00:42:06,399
Speaker 1: But if you go to a show, like you don't

986
00:42:06,440 --> 00:42:08,960
Speaker 1: need a man yeah to like to stamp anything at all, Like,

987
00:42:09,080 --> 00:42:11,240
Speaker 1: but that's just not You got a stamp by Fendy,

988
00:42:11,440 --> 00:42:14,560
Speaker 1: Like you get a stamp based off on the on

989
00:42:14,560 --> 00:42:17,360
Speaker 1: the business side, on the business buzzing with her own.

990
00:42:17,200 --> 00:42:20,279
Speaker 3: Ship on the business side. I understand that, but media.

991
00:42:20,040 --> 00:42:21,920
Speaker 1: Business do go hand in hands, so they do care

992
00:42:22,000 --> 00:42:22,439
Speaker 1: in that regord.

993
00:42:22,640 --> 00:42:25,640
Speaker 2: H it doesn't like and it's it's it's honestly unfair

994
00:42:25,719 --> 00:42:29,520
Speaker 2: because again, if it's a Cardi or Nikki or Meg

995
00:42:29,680 --> 00:42:33,240
Speaker 2: or you know, Lot or whoever. You know, the ladies

996
00:42:33,280 --> 00:42:36,400
Speaker 2: that are putting our music, they're not they're not recording

997
00:42:36,400 --> 00:42:41,799
Speaker 2: these verses thinking, oh, I hope he likes it or

998
00:42:41,840 --> 00:42:45,279
Speaker 2: he likes it. It's more so like they want the

999
00:42:45,320 --> 00:42:46,080
Speaker 2: women to love it.

1000
00:42:46,120 --> 00:42:48,359
Speaker 1: They want the women to say otherwise huh, my phone

1001
00:42:48,400 --> 00:42:49,120
Speaker 1: would say otherwise.

1002
00:42:49,160 --> 00:42:51,600
Speaker 2: But that's because that's because you're saying if you hear

1003
00:42:51,640 --> 00:42:54,359
Speaker 2: the song, you're saying something to the to the to

1004
00:42:54,400 --> 00:42:56,040
Speaker 2: the side of you don't like it or you're not

1005
00:42:56,080 --> 00:42:56,600
Speaker 2: feeling it.

1006
00:42:56,960 --> 00:42:58,239
Speaker 3: That's when it.

1007
00:42:58,120 --> 00:43:00,719
Speaker 2: Becomes a conversation to your phone, like, YO, why'd you

1008
00:43:00,719 --> 00:43:04,000
Speaker 2: say that? But I just don't feel you know, just

1009
00:43:04,040 --> 00:43:07,600
Speaker 2: being honest, Like it's just like, because that's that's not

1010
00:43:07,640 --> 00:43:09,360
Speaker 2: for me. It's almost like, why am I even speaking

1011
00:43:09,360 --> 00:43:12,200
Speaker 2: on that when I know that wasn't created with me

1012
00:43:12,280 --> 00:43:14,280
Speaker 2: in mind, Like, that's not I don't.

1013
00:43:14,040 --> 00:43:15,799
Speaker 1: Think that's even really a gender thing per se. Because

1014
00:43:15,840 --> 00:43:17,160
Speaker 1: even when we came in here to talk about the

1015
00:43:17,200 --> 00:43:19,400
Speaker 1: Cardi shit, I started by saying, I shouldn't be the

1016
00:43:19,400 --> 00:43:21,640
Speaker 1: one to review this, but this is this.

1017
00:43:21,600 --> 00:43:24,560
Speaker 2: Is agreed, God awful, but I agree, but I should

1018
00:43:24,680 --> 00:43:26,480
Speaker 2: I shouldn't be the one because again, it's not made

1019
00:43:26,960 --> 00:43:29,759
Speaker 2: for me. It's not I'm not supposed to like it

1020
00:43:29,840 --> 00:43:31,160
Speaker 2: to an extent, you know what I'm saying. It's like, Yo,

1021
00:43:31,239 --> 00:43:31,840
Speaker 2: this wasn't.

1022
00:43:32,239 --> 00:43:34,640
Speaker 1: Laid, but it's made for the masses, so the masses

1023
00:43:35,160 --> 00:43:37,279
Speaker 1: can comment. Yeah, but if it's not for me with

1024
00:43:37,280 --> 00:43:40,200
Speaker 1: masses though, you don't think somebody the masses.

1025
00:43:40,280 --> 00:43:42,600
Speaker 2: Yeah, but somebody like me who grew up on a

1026
00:43:42,640 --> 00:43:44,399
Speaker 2: different type of hip hop, different type of rap.

1027
00:43:44,440 --> 00:43:47,319
Speaker 1: Well, but it's damning the same neighbors there fifteen minutes.

1028
00:43:47,360 --> 00:43:48,520
Speaker 3: Well yeah, but the gap.

1029
00:43:48,640 --> 00:43:51,719
Speaker 1: Do you've dated a Cardi but they dated her?

1030
00:43:52,000 --> 00:43:52,160
Speaker 5: No?

1031
00:43:52,239 --> 00:43:56,799
Speaker 3: The yes, the clips is crazy. It's all I'm saying.

1032
00:43:56,880 --> 00:43:57,560
Speaker 3: Just clean that up.

1033
00:43:57,600 --> 00:43:59,920
Speaker 2: No, not her, but yes, we're from the same neighborhood,

1034
00:44:00,200 --> 00:44:03,200
Speaker 2: same culture, So I understand that. But again, it's a

1035
00:44:03,239 --> 00:44:05,520
Speaker 2: different time now when you're told about rap hip hop

1036
00:44:05,560 --> 00:44:07,719
Speaker 2: and you know, do you think it's the type of music, like,

1037
00:44:07,719 --> 00:44:10,520
Speaker 2: it's just a different it's a content.

1038
00:44:10,640 --> 00:44:14,560
Speaker 1: I think I think you would judge in this education

1039
00:44:14,600 --> 00:44:16,960
Speaker 1: if it came out. I think you would judge a

1040
00:44:16,960 --> 00:44:20,720
Speaker 1: little Simms album. I think there's plenty of women artists

1041
00:44:20,760 --> 00:44:23,120
Speaker 1: that would be I think you're just talking about the content.

1042
00:44:23,480 --> 00:44:25,239
Speaker 3: It's the content. It's not for me. That content is

1043
00:44:25,239 --> 00:44:25,600
Speaker 3: not for me.

1044
00:44:25,920 --> 00:44:30,000
Speaker 1: Now, I love being dembarrassed. Would you not say that

1045
00:44:30,040 --> 00:44:33,279
Speaker 1: imaginary player Cardi's not really doing pussy rap on.

1046
00:44:33,239 --> 00:44:36,680
Speaker 3: That she She told me this, like even if it's not.

1047
00:44:36,760 --> 00:44:40,120
Speaker 1: Like ho, everyone relaxed, but she she just flexing the

1048
00:44:40,120 --> 00:44:42,440
Speaker 1: way any other rapper would it's not a pussy rap record.

1049
00:44:42,560 --> 00:44:43,160
Speaker 3: Yeah, but it's not.

1050
00:44:43,239 --> 00:44:45,680
Speaker 2: Again, it's just a tonal no, no, no, it's just

1051
00:44:45,840 --> 00:44:49,759
Speaker 2: it's just the content me. It's like my demograph, that's

1052
00:44:49,800 --> 00:44:51,920
Speaker 2: not it's not for it's not for my demograph. It's

1053
00:44:51,920 --> 00:44:54,680
Speaker 2: not for my age group, it's not for like, it's

1054
00:44:54,680 --> 00:44:55,439
Speaker 2: just not you know what I'm saying.

1055
00:44:55,440 --> 00:44:55,719
Speaker 3: It's not.

1056
00:44:55,800 --> 00:44:58,280
Speaker 2: It's like I want to see her all the success

1057
00:44:58,280 --> 00:44:59,960
Speaker 2: that she's shooting for. I want to see a get

1058
00:45:00,080 --> 00:45:04,400
Speaker 2: because again I'm supporting Cardi. But it's almost unfair for

1059
00:45:04,440 --> 00:45:07,920
Speaker 2: me to sit here and give my opinions on a

1060
00:45:07,960 --> 00:45:10,920
Speaker 2: Cardi record because again, I don't think she made that

1061
00:45:11,000 --> 00:45:13,480
Speaker 2: record caring if I like it or not, you know

1062
00:45:13,480 --> 00:45:13,919
Speaker 2: what I'm saying.

1063
00:45:13,920 --> 00:45:15,239
Speaker 3: So it's like for me to speak on it.

1064
00:45:15,239 --> 00:45:17,040
Speaker 1: It's like with proof, that's just where I disagree.

1065
00:45:17,760 --> 00:45:19,600
Speaker 2: I'm just saying. I'm just saying that's how I feel.

1066
00:45:19,600 --> 00:45:21,279
Speaker 2: It's like, damn, man, I don't really want to tell

1067
00:45:21,320 --> 00:45:23,239
Speaker 2: it because I'll give her your number and she can

1068
00:45:23,280 --> 00:45:24,000
Speaker 2: curse you out in stead.

1069
00:45:24,080 --> 00:45:26,560
Speaker 3: Because even look, even as much as as much as

1070
00:45:26,560 --> 00:45:29,080
Speaker 3: I love Cardio and support and all of that, I

1071
00:45:29,120 --> 00:45:32,160
Speaker 3: don't play Cardi's music. Way would I play Cardi's music.

1072
00:45:33,440 --> 00:45:33,879
Speaker 3: It's not.

1073
00:45:33,920 --> 00:45:35,680
Speaker 2: But that's what I'm saying. So, so then why would

1074
00:45:35,719 --> 00:45:37,960
Speaker 2: she puts out a song? Why am I even speaking

1075
00:45:38,000 --> 00:45:38,160
Speaker 2: on it?

1076
00:45:39,560 --> 00:45:39,759
Speaker 7: Now?

1077
00:45:39,800 --> 00:45:40,680
Speaker 3: I'm saluting her.

1078
00:45:41,239 --> 00:45:43,200
Speaker 2: I want, I want to I want anybody that fuck

1079
00:45:43,560 --> 00:45:45,919
Speaker 2: to love it. But for me to sit on sit

1080
00:45:46,040 --> 00:45:49,399
Speaker 2: on my platform and speak on it, sometimes I'll be like, damn,

1081
00:45:49,440 --> 00:45:51,480
Speaker 2: I don't want and you know this, be honestly, I

1082
00:45:51,480 --> 00:45:53,480
Speaker 2: feel I don't want to speak because but again, not

1083
00:45:53,520 --> 00:45:55,200
Speaker 2: because I don't like Cardi and I don't support I

1084
00:45:55,200 --> 00:45:57,319
Speaker 2: don't think she's dope. It's because I feel like it's

1085
00:45:57,400 --> 00:46:01,680
Speaker 2: unfair because she really is not making music in these songs.

1086
00:46:01,719 --> 00:46:04,040
Speaker 2: For somebody like me, she's not. So it's like, why

1087
00:46:04,080 --> 00:46:07,160
Speaker 2: the fuck am I even speaking on it? But you

1088
00:46:07,239 --> 00:46:09,360
Speaker 2: make up with her, I want to speak on it,

1089
00:46:09,440 --> 00:46:11,759
Speaker 2: and you know, give her her a praise, like yo,

1090
00:46:11,880 --> 00:46:13,000
Speaker 2: do your thing, like you know what I'm.

1091
00:46:12,840 --> 00:46:15,640
Speaker 3: Saying, I'm rooting for you. But it's almost unfair to

1092
00:46:15,719 --> 00:46:18,560
Speaker 3: even talk about the music because again, I'm not going

1093
00:46:18,640 --> 00:46:20,360
Speaker 3: to be playing Cardi's music anywhere.

1094
00:46:20,719 --> 00:46:22,680
Speaker 1: You do this weird thing in podcasting where you like

1095
00:46:22,680 --> 00:46:25,640
Speaker 1: try to make logical sense. No, this is a this

1096
00:46:25,680 --> 00:46:27,359
Speaker 1: is a world that doesn't happen.

1097
00:46:27,440 --> 00:46:28,400
Speaker 3: But let me explain something to you.

1098
00:46:28,719 --> 00:46:33,480
Speaker 2: I know, I know in a universe, I understand, I

1099
00:46:33,560 --> 00:46:35,960
Speaker 2: understand listen, but I understand that.

1100
00:46:36,000 --> 00:46:38,319
Speaker 3: But that's just who I am. I'm being me. It's

1101
00:46:38,360 --> 00:46:39,000
Speaker 3: not a character.

1102
00:46:39,280 --> 00:46:41,600
Speaker 2: I have to bring logic into everything I have to.

1103
00:46:42,239 --> 00:46:45,200
Speaker 2: I know I'm at a handicap with this. Trust me.

1104
00:46:45,640 --> 00:46:47,520
Speaker 2: We've been doing this for years. I know where I

1105
00:46:47,560 --> 00:46:51,319
Speaker 2: stand on things, my thought process, my moral compass. I

1106
00:46:51,360 --> 00:46:54,200
Speaker 2: am at a handicap because everybody is not going to

1107
00:46:54,239 --> 00:46:56,120
Speaker 2: be aligned with the things that I feel and things.

1108
00:46:55,920 --> 00:46:57,760
Speaker 3: That I say. I get that, but I can't stop

1109
00:46:57,760 --> 00:46:58,560
Speaker 3: being who I am.

1110
00:46:59,200 --> 00:47:03,000
Speaker 1: I mean, what's gotten tiring with on my side, like

1111
00:47:03,040 --> 00:47:07,719
Speaker 1: mentally exhausting, which has become a handicap. I always want

1112
00:47:07,840 --> 00:47:09,200
Speaker 1: music to be good. I'm not one of those weird

1113
00:47:09,200 --> 00:47:10,960
Speaker 1: people that's like praying for pays to be bad. But

1114
00:47:11,000 --> 00:47:14,640
Speaker 1: also sure even artists that I do really like and

1115
00:47:14,680 --> 00:47:18,520
Speaker 1: sometimes their music isn't the best. I don't want to

1116
00:47:18,560 --> 00:47:20,759
Speaker 1: come in here and shit on it. Like I know

1117
00:47:20,920 --> 00:47:23,560
Speaker 1: art is to be critiqued, but I just don't really

1118
00:47:23,600 --> 00:47:26,399
Speaker 1: have that in me anymore. To like if I think

1119
00:47:26,400 --> 00:47:28,960
Speaker 1: someone is like genuinely trapped I'd rather like not talk

1120
00:47:28,960 --> 00:47:31,600
Speaker 1: about it because then also like, what's the game we're playing?

1121
00:47:31,600 --> 00:47:35,319
Speaker 1: What is the dopamine hit for the listener? Right? Just

1122
00:47:35,360 --> 00:47:38,160
Speaker 1: streaming that I don't like an artist that we've all

1123
00:47:38,320 --> 00:47:42,840
Speaker 1: liked forever now their music sucks, right, I just don't like.

1124
00:47:42,880 --> 00:47:45,600
Speaker 1: That's why I also on the side pray like like

1125
00:47:45,760 --> 00:47:48,120
Speaker 1: Jid's album, I was like, please be good, please be good,

1126
00:47:48,160 --> 00:47:50,400
Speaker 1: Please be good, because I would never want to come

1127
00:47:50,400 --> 00:47:54,160
Speaker 1: in here. And it's not because I'm phony or not

1128
00:47:54,239 --> 00:47:56,080
Speaker 1: realizing that this is the job too to say when

1129
00:47:56,080 --> 00:47:59,480
Speaker 1: something is bad or good. It's just exhausting to just

1130
00:47:59,560 --> 00:48:03,400
Speaker 1: tearrapy people down, Like yeah, when it comes to like

1131
00:48:03,440 --> 00:48:05,400
Speaker 1: playboard carding, that's shining for me, I don't care that

1132
00:48:05,440 --> 00:48:07,080
Speaker 1: shit could be a that could be illmatic to you,

1133
00:48:07,160 --> 00:48:08,680
Speaker 1: it's trash to me. I don't like. I don't care

1134
00:48:08,800 --> 00:48:12,640
Speaker 1: nortous CARDI orders of fans, but artists person artists of course,

1135
00:48:12,680 --> 00:48:15,440
Speaker 1: not artists that I do care about, Like thank God

1136
00:48:15,480 --> 00:48:17,879
Speaker 1: the Cliffs album was great, then God Ji D's album

1137
00:48:18,000 --> 00:48:20,879
Speaker 1: was great. Thank God ghost Face albums though, yes, which

1138
00:48:20,920 --> 00:48:23,080
Speaker 1: was the only one that I did listen to this week,

1139
00:48:23,080 --> 00:48:24,640
Speaker 1: But yes, that was one of those two that was

1140
00:48:24,640 --> 00:48:29,640
Speaker 1: like mass appeal, come on please, yes, smoked it. Yeah,

1141
00:48:30,960 --> 00:48:33,480
Speaker 1: So yeah, I don't know, it's just which I'm I'll

1142
00:48:33,480 --> 00:48:36,600
Speaker 1: probably you know, they'll be comments because I know a

1143
00:48:36,600 --> 00:48:38,560
Speaker 1: lot of the pod fans like that's a lot of

1144
00:48:38,560 --> 00:48:41,120
Speaker 1: them paid off on that, like not positivity. And I'm

1145
00:48:41,120 --> 00:48:43,000
Speaker 1: not saying I have to just sit here and have

1146
00:48:43,120 --> 00:48:45,400
Speaker 1: flowers and just be like everything's great. No, we should

1147
00:48:45,480 --> 00:48:47,719
Speaker 1: tell the truth. But I don't always just want to

1148
00:48:47,760 --> 00:48:50,320
Speaker 1: shit on someone because I don't particularly like their music,

1149
00:48:50,960 --> 00:48:53,120
Speaker 1: Like I'm not going to go back to imaginary players

1150
00:48:53,600 --> 00:48:56,520
Speaker 1: mm hmm. But again, it's not really like for me,

1151
00:48:56,680 --> 00:48:59,000
Speaker 1: am I excited for the Cardi album? Do I pray

1152
00:48:59,040 --> 00:48:59,759
Speaker 1: it's fucking good?

1153
00:49:00,480 --> 00:49:00,640
Speaker 3: Say?

1154
00:49:00,680 --> 00:49:03,440
Speaker 1: Because I like good music and I hope Cardy succeeds

1155
00:49:03,480 --> 00:49:05,120
Speaker 1: in her life. I don't think she's a scumbag and

1156
00:49:05,200 --> 00:49:07,400
Speaker 1: she was a dirt bag, like fuck it. But I

1157
00:49:07,400 --> 00:49:10,680
Speaker 1: don't know, I just don't understand that that concept of

1158
00:49:10,719 --> 00:49:14,359
Speaker 1: like hoping things suck, like then we can tear them

1159
00:49:14,400 --> 00:49:15,120
Speaker 1: down like it's.

1160
00:49:15,120 --> 00:49:18,279
Speaker 3: Over fast, like but you know that that's we see

1161
00:49:18,440 --> 00:49:20,560
Speaker 3: you do you know that that's just how this thing is,

1162
00:49:21,480 --> 00:49:22,120
Speaker 3: this podcasting.

1163
00:49:22,160 --> 00:49:24,200
Speaker 1: It's just a reflection of crabs in the barrel.

1164
00:49:24,560 --> 00:49:27,719
Speaker 3: Negative, negative things are going to travel fast.

1165
00:49:27,920 --> 00:49:31,760
Speaker 1: Literally all the political news outlets want the world to exactly.

1166
00:49:31,840 --> 00:49:33,919
Speaker 1: Nobody wants to be like, hey, that Bill was good.

1167
00:49:35,760 --> 00:49:38,480
Speaker 1: That actually the great idea. Nobody wants to say that.

1168
00:49:38,719 --> 00:49:40,680
Speaker 1: Nobody And it's like, all right, cool, I get it, man.

1169
00:49:40,680 --> 00:49:42,840
Speaker 1: But again, sometimes we sit here and you know, just

1170
00:49:42,840 --> 00:49:44,759
Speaker 1: told my certain artists. You know, I'm just like, damn man,

1171
00:49:44,800 --> 00:49:46,759
Speaker 1: because that's not It's not for me. So I don't

1172
00:49:46,800 --> 00:49:48,920
Speaker 1: really want to talk. But again I want. I think

1173
00:49:48,960 --> 00:49:52,359
Speaker 1: that reflection has starting to get on your man's as

1174
00:49:52,400 --> 00:49:56,759
Speaker 1: far as what I think, when people project negativity on

1175
00:49:56,800 --> 00:49:58,759
Speaker 1: you for so long, sometimes you become a characterure of

1176
00:49:58,760 --> 00:50:01,520
Speaker 1: what people project on you. I think, I know Drake

1177
00:50:01,560 --> 00:50:03,759
Speaker 1: be joking around, but Rob Markman is like one of

1178
00:50:03,800 --> 00:50:06,000
Speaker 1: the few journalists that we have and I know, I mean,

1179
00:50:06,080 --> 00:50:09,480
Speaker 1: Drake didn't say anything crazy, but I think him he's

1180
00:50:09,480 --> 00:50:12,680
Speaker 1: projecting because people have been shitting on him for a

1181
00:50:12,760 --> 00:50:15,800
Speaker 1: year and I think now he's just getting his payback.

1182
00:50:15,840 --> 00:50:18,160
Speaker 1: But he doesn't need to. Rob don't bother nobody unless

1183
00:50:18,160 --> 00:50:20,880
Speaker 1: he said something about Drake that I missed. I just

1184
00:50:20,920 --> 00:50:25,120
Speaker 1: feel like attacking, even though I don't think I say

1185
00:50:25,360 --> 00:50:29,160
Speaker 1: negative things about Drake. I think my world would be

1186
00:50:29,200 --> 00:50:31,799
Speaker 1: more of a place for Drake to attack than Rob's world.

1187
00:50:31,800 --> 00:50:33,759
Speaker 1: And I'm not saying me specifically or Rob specifically. I

1188
00:50:33,800 --> 00:50:36,080
Speaker 1: just think Rob is on a journalistic side and we're

1189
00:50:36,120 --> 00:50:39,320
Speaker 1: on a commentary side. And I think Rob's very objective

1190
00:50:39,320 --> 00:50:40,880
Speaker 1: and fair and everything that he does. I think a

1191
00:50:40,880 --> 00:50:42,880
Speaker 1: lot of stuff that we do, even though we are objective,

1192
00:50:42,880 --> 00:50:44,799
Speaker 1: has emotion involved in it as well, So it's an

1193
00:50:44,840 --> 00:50:46,719
Speaker 1: easier back and forth. And I could see where artists

1194
00:50:46,719 --> 00:50:49,920
Speaker 1: feel a certain way. Does Rob bother anyone? I think

1195
00:50:50,000 --> 00:50:51,400
Speaker 1: Rob is an incredible journalist and one of the few

1196
00:50:51,440 --> 00:50:52,600
Speaker 1: hip hop journalists we have left.

1197
00:50:52,719 --> 00:50:54,600
Speaker 2: Yeah, but you're speaking, you may be speaking about things

1198
00:50:54,600 --> 00:50:55,799
Speaker 2: that you probably just don't know.

1199
00:50:55,920 --> 00:50:57,919
Speaker 1: Oh That's why I asked unless there was something I missed,

1200
00:50:57,920 --> 00:51:01,680
Speaker 1: Because I remember, even when Drake was roast to me

1201
00:51:01,680 --> 00:51:03,520
Speaker 1: in the HIGHG comments, he kept bringing up Rob Markman.

1202
00:51:03,600 --> 00:51:05,719
Speaker 1: I was like, why keep bringing up Rob? Is there

1203
00:51:05,760 --> 00:51:07,200
Speaker 1: some history there that I'm unaware of?

1204
00:51:07,920 --> 00:51:09,680
Speaker 3: I mean, I don't know. Probably.

1205
00:51:09,760 --> 00:51:11,400
Speaker 2: I just don't think that Drake is the type of

1206
00:51:11,440 --> 00:51:15,440
Speaker 2: person that will, you know, talk down to somebody or

1207
00:51:15,960 --> 00:51:18,719
Speaker 2: talk negatively about somebody unless it's a you know, you

1208
00:51:18,800 --> 00:51:21,680
Speaker 2: never really see. You only see the person with the

1209
00:51:21,719 --> 00:51:25,160
Speaker 2: bigger platform strike back. You never see what the person

1210
00:51:25,440 --> 00:51:27,080
Speaker 2: is mad at or what they're responding to.

1211
00:51:27,160 --> 00:51:29,520
Speaker 3: You only see the response. So I think that's what

1212
00:51:29,520 --> 00:51:29,880
Speaker 3: this is.

1213
00:51:29,920 --> 00:51:33,359
Speaker 2: I think it's some things behind the scenes that may

1214
00:51:33,360 --> 00:51:37,040
Speaker 2: have happened over the last couple of years that you know,

1215
00:51:37,360 --> 00:51:39,640
Speaker 2: just left a bad taste in Drake's mouth. And of course,

1216
00:51:39,680 --> 00:51:41,400
Speaker 2: because he is who he is, we're only going to

1217
00:51:41,440 --> 00:51:44,719
Speaker 2: see his response. And now it's like he's, you know,

1218
00:51:44,800 --> 00:51:48,640
Speaker 2: disrespecting the journalists. Who doesn't bother anybody and you know.

1219
00:51:48,680 --> 00:51:52,840
Speaker 1: People admittedly, so I did, of course I follow, you know,

1220
00:51:52,840 --> 00:51:54,399
Speaker 1: a lot of what Rob does, and I did follow

1221
00:51:54,440 --> 00:51:55,719
Speaker 1: the battle back and forth. I thought he did a

1222
00:51:55,760 --> 00:51:59,759
Speaker 1: great job covering the battle. I'm sure there was something

1223
00:51:59,760 --> 00:52:01,279
Speaker 1: they I could have missed. I don't think it's coming

1224
00:52:01,280 --> 00:52:03,200
Speaker 1: out of nowhere. I also think, though Drake in a

1225
00:52:03,239 --> 00:52:06,239
Speaker 1: jokingly way, sometimes is disconnected with media and who he

1226
00:52:06,320 --> 00:52:09,080
Speaker 1: thinks people are. And it's not a narcisstic thing. I

1227
00:52:09,080 --> 00:52:12,000
Speaker 1: can just only go off me as an example when

1228
00:52:12,000 --> 00:52:14,160
Speaker 1: he would put me and Rob in certain categories of

1229
00:52:14,200 --> 00:52:17,520
Speaker 1: like just these straight hip hop nerds, like when he

1230
00:52:17,520 --> 00:52:20,160
Speaker 1: would make jokes of like Roy would only like me

1231
00:52:20,200 --> 00:52:22,799
Speaker 1: if I worked with Griselda, and like, I'm like, dude,

1232
00:52:22,840 --> 00:52:25,719
Speaker 1: you like know, I like only listened to pop music

1233
00:52:25,800 --> 00:52:27,880
Speaker 1: and R and B right, like as much as the

1234
00:52:27,960 --> 00:52:29,520
Speaker 1: underground hip hop nerd I am. I think you have

1235
00:52:29,600 --> 00:52:32,360
Speaker 1: me skewed, Like I'm not the guy that's like, yo,

1236
00:52:32,440 --> 00:52:34,440
Speaker 1: did you hear a mortal technique dance with the Devil? Like?

1237
00:52:34,480 --> 00:52:37,680
Speaker 1: I'm not that guy, I mean, And I think he

1238
00:52:37,719 --> 00:52:42,399
Speaker 1: probably thinks Rob is the representation of the older hip

1239
00:52:42,440 --> 00:52:47,320
Speaker 1: hop nerd that rejected Drake in nine when things started

1240
00:52:47,320 --> 00:52:49,359
Speaker 1: to change, whereas I was the one that was like, oh,

1241
00:52:49,640 --> 00:52:51,640
Speaker 1: finally this guy saved fucking hip hop because it was

1242
00:52:51,680 --> 00:52:54,359
Speaker 1: going in a bad direction at that point. Right yeah,

1243
00:52:54,440 --> 00:52:57,600
Speaker 1: I think he has a different because he's so up here,

1244
00:52:58,480 --> 00:53:01,759
Speaker 1: he may not fully understand and everyone's taste level or

1245
00:53:01,760 --> 00:53:04,800
Speaker 1: what we talk about outside of things that don't pertain

1246
00:53:04,840 --> 00:53:07,000
Speaker 1: to him, which is fine, he doesn't need to do that.

1247
00:53:07,440 --> 00:53:09,200
Speaker 1: We all live in our bubble. I thought it was

1248
00:53:09,239 --> 00:53:11,320
Speaker 1: kind of like out of left field that Rob is

1249
00:53:11,400 --> 00:53:11,919
Speaker 1: nice as fuck.

1250
00:53:12,080 --> 00:53:16,239
Speaker 2: Yeah, but that's again, he probably has a different for sure,

1251
00:53:16,360 --> 00:53:18,680
Speaker 2: you know what I mean different, different relationship with Rob

1252
00:53:18,760 --> 00:53:21,080
Speaker 2: and some things were said or some things were done

1253
00:53:21,440 --> 00:53:22,640
Speaker 2: that he knows about that.

1254
00:53:22,719 --> 00:53:25,960
Speaker 3: You know, we don't have no idea. It's a lot

1255
00:53:25,960 --> 00:53:26,080
Speaker 3: of that.

1256
00:53:26,200 --> 00:53:28,920
Speaker 2: Sometimes again, all the time you only see the person

1257
00:53:28,960 --> 00:53:30,560
Speaker 2: with the bigger platform response out.

1258
00:53:30,440 --> 00:53:32,640
Speaker 1: You're talking to me the amount of times I've applied

1259
00:53:32,640 --> 00:53:35,880
Speaker 1: to something, and the whole narrative history is erased from it,

1260
00:53:35,920 --> 00:53:38,080
Speaker 1: and I look like the fucking psychopath. I'm like, no,

1261
00:53:38,200 --> 00:53:40,120
Speaker 1: do you not realize? But of course I've been ignoring

1262
00:53:40,160 --> 00:53:42,120
Speaker 1: someone for five years. I finally say something.

1263
00:53:42,160 --> 00:53:44,239
Speaker 2: But of course, because of the time that we're in,

1264
00:53:45,280 --> 00:53:48,080
Speaker 2: anything that Drake says now is super magnified, and he's

1265
00:53:48,120 --> 00:53:52,760
Speaker 2: super he's super upset, and he's salty, and he's disgruntled,

1266
00:53:52,840 --> 00:53:55,200
Speaker 2: and you know, he thinks the world is against it.

1267
00:53:55,200 --> 00:53:56,320
Speaker 3: It's gonna be all.

1268
00:53:56,160 --> 00:53:58,440
Speaker 2: Of that added to that now, just because of the

1269
00:53:58,440 --> 00:54:00,440
Speaker 2: things that we've gone through the last couple of years

1270
00:54:00,760 --> 00:54:02,920
Speaker 2: and where we are now. So no matter what he does,

1271
00:54:03,480 --> 00:54:05,920
Speaker 2: it's going to be looked at as, oh, this is

1272
00:54:05,960 --> 00:54:10,960
Speaker 2: his response because you know, uh, maybe Mark supported the

1273
00:54:11,080 --> 00:54:13,400
Speaker 2: not like US records, So now Drake's mad at anybody

1274
00:54:13,400 --> 00:54:15,279
Speaker 2: that did that. And when it's like Okay, you may

1275
00:54:15,280 --> 00:54:17,120
Speaker 2: think it's that, but it may be something else too,

1276
00:54:17,200 --> 00:54:18,640
Speaker 2: maybe something deeper than that as well.

1277
00:54:19,440 --> 00:54:21,719
Speaker 1: If you got mad at everyone that like not like us,

1278
00:54:21,800 --> 00:54:24,240
Speaker 1: it'd be well be exhausting.

1279
00:54:24,280 --> 00:54:25,000
Speaker 3: That's what I'm saying.

1280
00:54:25,080 --> 00:54:27,239
Speaker 1: And again we get off the Drake thing. This is

1281
00:54:27,280 --> 00:54:29,440
Speaker 1: the one thing I'm not saying you, but a lot

1282
00:54:29,480 --> 00:54:33,440
Speaker 1: of the Ovio fan base it's okay if y'all can say, like,

1283
00:54:33,520 --> 00:54:36,440
Speaker 1: you know, maybe Drake is a little I don't want

1284
00:54:36,440 --> 00:54:38,960
Speaker 1: to say salty, but feels a way like that's okay.

1285
00:54:39,280 --> 00:54:40,520
Speaker 3: I feel I've been saying that.

1286
00:54:41,280 --> 00:54:43,040
Speaker 1: I was like, yo, he's someone bothered while out there,

1287
00:54:43,080 --> 00:54:43,920
Speaker 1: I'm like, it's good.

1288
00:54:43,920 --> 00:54:46,720
Speaker 3: You should be bothered. No, I've been saying that probably.

1289
00:54:46,560 --> 00:54:49,960
Speaker 1: Like okay to feel No, he's like, let's be Drake

1290
00:54:50,000 --> 00:54:51,839
Speaker 1: not thinking about Yeah, he probably is thinking about that.

1291
00:54:52,000 --> 00:54:54,680
Speaker 2: Bro Listen, if you know, if anybody knows, you know,

1292
00:54:54,880 --> 00:54:59,399
Speaker 2: I'm very vocal. People celebrated and danced to him being

1293
00:54:59,440 --> 00:55:02,279
Speaker 2: calling the worst thing you could ever be called as

1294
00:55:02,280 --> 00:55:02,600
Speaker 2: a man.

1295
00:55:02,880 --> 00:55:05,800
Speaker 1: How do you feel about the Bobby alt Off. I

1296
00:55:05,840 --> 00:55:09,520
Speaker 1: don't know if it's announcement that they are working together,

1297
00:55:09,520 --> 00:55:11,320
Speaker 1: because again, like Hove, when I said he'll do stuff

1298
00:55:11,320 --> 00:55:14,880
Speaker 1: for his investments. As Drake just doing a Bobby interview

1299
00:55:14,920 --> 00:55:17,719
Speaker 1: after she closed her deal, which I thought was a

1300
00:55:17,719 --> 00:55:20,839
Speaker 1: good move. She tried to frank oshin her deal set

1301
00:55:20,880 --> 00:55:24,279
Speaker 1: her her podcast was over and then relaunched a whole

1302
00:55:24,280 --> 00:55:27,080
Speaker 1: new one and her and Drake are back in the bed,

1303
00:55:27,160 --> 00:55:30,000
Speaker 1: just with a better background. I don't think Drake is

1304
00:55:30,040 --> 00:55:33,120
Speaker 1: just doing this unless he's invested in something with Bobby.

1305
00:55:33,800 --> 00:55:35,839
Speaker 2: I mean it could be that he could he could

1306
00:55:36,120 --> 00:55:38,520
Speaker 2: have some type of investment with Bobby and you know

1307
00:55:38,560 --> 00:55:41,239
Speaker 2: in the podcast and you know, have her as his

1308
00:55:41,560 --> 00:55:43,880
Speaker 2: you know, I like to call you know how Michael

1309
00:55:43,920 --> 00:55:45,319
Speaker 2: Jordan had a Ma rashod.

1310
00:55:45,600 --> 00:55:49,080
Speaker 1: You think you think Bobby is Yeah, I mean just

1311
00:55:49,080 --> 00:55:50,960
Speaker 1: somebody that he could just checks out, go to and

1312
00:55:51,000 --> 00:55:52,680
Speaker 1: have a cool, fun conversation with with.

1313
00:55:52,880 --> 00:55:56,600
Speaker 2: You know, It's not no bullshit or I mean, ice

1314
00:55:56,680 --> 00:56:00,960
Speaker 2: Man's name is Bobby Drake. So I don't know if

1315
00:56:01,000 --> 00:56:03,320
Speaker 2: that plays into it, right.

1316
00:56:03,680 --> 00:56:06,879
Speaker 1: All you YouTubers that are forcing artists to have all

1317
00:56:06,920 --> 00:56:08,200
Speaker 1: these entendres, and.

1318
00:56:08,280 --> 00:56:10,319
Speaker 3: I mean they did that, They did that with the

1319
00:56:10,360 --> 00:56:10,920
Speaker 3: whole Kendrick.

1320
00:56:11,200 --> 00:56:13,400
Speaker 1: No, no, no, no no, And I'm just no, I know,

1321
00:56:13,480 --> 00:56:16,120
Speaker 1: I'm just saying it can be culture in general, where

1322
00:56:16,200 --> 00:56:18,320
Speaker 1: now everything has to mean something.

1323
00:56:18,320 --> 00:56:20,480
Speaker 2: I'm just saying it could be. It could be is

1324
00:56:20,480 --> 00:56:22,920
Speaker 2: what I'm saying. That's all it could be. It could

1325
00:56:22,920 --> 00:56:25,759
Speaker 2: be a bunch of different reasons. Why if somebody feels like,

1326
00:56:25,960 --> 00:56:29,000
Speaker 2: you know, he's doing it because I don't know, like

1327
00:56:29,080 --> 00:56:32,320
Speaker 2: he's he's attracted to Bobby. Also, I don't know whatever

1328
00:56:32,560 --> 00:56:35,600
Speaker 2: people are thinking think that. I'm just saying, whatever, it

1329
00:56:35,719 --> 00:56:38,640
Speaker 2: is cool he's doing a podcast with Bobby Alto.

1330
00:56:38,760 --> 00:56:40,600
Speaker 1: And of course I love when artists their stories and

1331
00:56:40,640 --> 00:56:43,000
Speaker 1: Easter eggs and those are writers, those are generational talents.

1332
00:56:43,040 --> 00:56:46,239
Speaker 1: I like all that. But I also sometimes like, Okay,

1333
00:56:46,360 --> 00:56:49,600
Speaker 1: Ill Madic was my best album? All right, I guess

1334
00:56:49,600 --> 00:56:52,920
Speaker 1: we'll go with still Madic. Like not everything has to

1335
00:56:52,960 --> 00:56:57,120
Speaker 1: be right. Sometimes it's just like You're right, which is

1336
00:56:57,160 --> 00:57:00,759
Speaker 1: a classic. Absolutely, Like sometimes it does. Everything doesn't have

1337
00:57:00,840 --> 00:57:02,760
Speaker 1: to be I get what Drake is doing with Pinocchio

1338
00:57:02,800 --> 00:57:04,440
Speaker 1: and he's carrying the bag. What does the bag mean?

1339
00:57:04,480 --> 00:57:06,840
Speaker 1: That's because we live in this world now where everything

1340
00:57:06,880 --> 00:57:09,360
Speaker 1: is a rabbit hole. There's a thread on Twitter, Everything

1341
00:57:09,440 --> 00:57:11,520
Speaker 1: even if it doesn't make sense, has to make connected

1342
00:57:11,520 --> 00:57:14,200
Speaker 1: to something else. I just would Bobby, I mean, I

1343
00:57:14,239 --> 00:57:17,920
Speaker 1: said the same thing with Aiden, and I can be

1344
00:57:17,960 --> 00:57:20,600
Speaker 1: objective and understand why Drake would want to avoid hip

1345
00:57:20,600 --> 00:57:24,360
Speaker 1: hop media or avoid any real conversation until the time

1346
00:57:24,440 --> 00:57:26,560
Speaker 1: is right of when the album comes out, and he

1347
00:57:26,600 --> 00:57:30,280
Speaker 1: does want to address everything. But you know, perception is

1348
00:57:30,360 --> 00:57:33,760
Speaker 1: still a thing which I think Drake still cares about. Yeah,

1349
00:57:34,040 --> 00:57:35,840
Speaker 1: I don't want to hear it. I mean, I liked

1350
00:57:35,920 --> 00:57:40,320
Speaker 1: him and Bobby on the first interview, but.

1351
00:57:38,760 --> 00:57:42,320
Speaker 3: For what who would you like to hear him with us?

1352
00:57:43,320 --> 00:57:44,480
Speaker 1: And they're just going to flip this to be like

1353
00:57:44,520 --> 00:57:47,520
Speaker 1: I'm salty anyone that if Drake went to Drink Champs tomorrow,

1354
00:57:47,520 --> 00:57:48,040
Speaker 1: I'd be a static.

1355
00:57:48,880 --> 00:57:49,760
Speaker 3: I wouldn't.

1356
00:57:49,920 --> 00:57:51,400
Speaker 1: If Drake wins to Hot ninety seven tomorrow, ILL be

1357
00:57:51,400 --> 00:57:53,280
Speaker 1: a stack. Drake went to Charlotage tomorrow, I'd be a static.

1358
00:57:54,040 --> 00:57:56,520
Speaker 1: If Drake's sat with Rob Markman, I'd be a static.

1359
00:57:56,760 --> 00:57:59,120
Speaker 3: Like but Bobby also off the United Static.

1360
00:57:59,400 --> 00:58:00,000
Speaker 1: I'm going to watch it.

1361
00:58:03,400 --> 00:58:04,880
Speaker 3: He doesn't want a Drake robmar Now.

1362
00:58:04,920 --> 00:58:07,440
Speaker 1: I'm just trying to let you guys know it's not

1363
00:58:08,040 --> 00:58:11,120
Speaker 1: a salty thing where I'm like mad that Drake is.

1364
00:58:11,440 --> 00:58:13,320
Speaker 1: I'm not the person that's like if Drake won't sit

1365
00:58:13,360 --> 00:58:15,720
Speaker 1: with me, yo, like, then fuck him the way they

1366
00:58:15,720 --> 00:58:17,760
Speaker 1: tried to paint Elliot when Elliott had pointed out, like,

1367
00:58:17,880 --> 00:58:19,600
Speaker 1: you're not sitting with anyone from the culture, and they

1368
00:58:19,600 --> 00:58:21,520
Speaker 1: took that as you're salty that he won't sit with you,

1369
00:58:21,800 --> 00:58:25,439
Speaker 1: when Elliot just said somebody of the culture. I'm just saying,

1370
00:58:25,520 --> 00:58:29,240
Speaker 1: I want the Drake interview that answers the questions that

1371
00:58:29,400 --> 00:58:31,880
Speaker 1: I have as a fan at the moment. I'm sure this,

1372
00:58:31,880 --> 00:58:35,160
Speaker 1: Bobby Shu'll be funny. Their first interview was fucking hilarious.

1373
00:58:35,480 --> 00:58:37,920
Speaker 1: I've watched it more than once. It's very funny. I

1374
00:58:38,000 --> 00:58:39,400
Speaker 1: just don't don't really care at this point.

1375
00:58:39,440 --> 00:58:40,360
Speaker 3: Yeah, I just don't.

1376
00:58:40,440 --> 00:58:42,640
Speaker 2: I mean, if you, no matter who you want Drake

1377
00:58:42,680 --> 00:58:45,440
Speaker 2: to sit with, once he sits with them, people are

1378
00:58:45,440 --> 00:58:47,360
Speaker 2: gonna say, oh, they didn't ask him this, if he

1379
00:58:47,400 --> 00:58:48,960
Speaker 2: didn't talk about that, he didn't enjoy it. And even

1380
00:58:48,960 --> 00:58:51,040
Speaker 2: if he does, even if they ask all the questions

1381
00:58:51,600 --> 00:58:55,160
Speaker 2: that we all want to hear answers to, however, Drake

1382
00:58:55,200 --> 00:58:56,480
Speaker 2: answers it, people gonna feel a.

1383
00:58:56,440 --> 00:58:58,840
Speaker 3: Way about that. Listen, So it's gonna be think pieces

1384
00:58:58,840 --> 00:59:02,240
Speaker 3: about his answers, be about his answers, and it dreams

1385
00:59:02,240 --> 00:59:04,880
Speaker 3: about how come he didn't answer this? It's like, everybody,

1386
00:59:05,040 --> 00:59:06,360
Speaker 3: just shut the fuck up.

1387
00:59:06,880 --> 00:59:12,840
Speaker 1: Somebody perfect right now, Angie Martinez. Angie creates a very

1388
00:59:12,880 --> 00:59:17,120
Speaker 1: warm environment, does not avoid questions because Angie will ask

1389
00:59:17,160 --> 00:59:18,919
Speaker 1: you that shit, but she will do it in such

1390
00:59:18,960 --> 00:59:21,200
Speaker 1: an amazing way. That's why she's so good. That's why

1391
00:59:21,200 --> 00:59:25,040
Speaker 1: she's a legend. It'll almost feel like it's a soft question,

1392
00:59:25,080 --> 00:59:27,240
Speaker 1: but she's really asking that shit. She would be a

1393
00:59:27,240 --> 00:59:27,840
Speaker 1: perfect person.

1394
00:59:27,920 --> 00:59:29,720
Speaker 2: Yeah, but then if he goes to sit with Angie,

1395
00:59:29,720 --> 00:59:31,440
Speaker 2: know what they'll say, Oh, why he didn't sit with

1396
00:59:31,440 --> 00:59:33,840
Speaker 2: black Boy Max, Why he didn't go sit with this person,

1397
00:59:33,920 --> 00:59:35,240
Speaker 2: Why he didn't go to Charlomage why?

1398
00:59:36,080 --> 00:59:39,280
Speaker 1: I think it doesn't matter now, just want him to

1399
00:59:39,280 --> 00:59:44,280
Speaker 1: sit with somebody that is going to ask. I'm not

1400
00:59:44,320 --> 00:59:49,120
Speaker 1: saying like straight hardball, fucking knock it out the park, YO,

1401
00:59:49,600 --> 00:59:52,600
Speaker 1: tell me how you found out if you think Whitney

1402
00:59:52,840 --> 00:59:56,480
Speaker 1: was abused, I'm just saying, Bobby, and it'll be like

1403
00:59:56,480 --> 00:59:59,480
Speaker 1: a curb episode, which is fine, But I think fans

1404
00:59:59,520 --> 01:00:01,720
Speaker 1: want to hear from Drake now.

1405
01:00:02,080 --> 01:00:02,280
Speaker 7: Now.

1406
01:00:02,480 --> 01:00:04,320
Speaker 1: I think the goalpost moves a lot.

1407
01:00:05,040 --> 01:00:06,520
Speaker 3: Oh with him, it moves every every hour.

1408
01:00:07,280 --> 01:00:10,920
Speaker 1: I very much enjoyed the conversation with Sissy and Kendrick.

1409
01:00:11,840 --> 01:00:13,560
Speaker 1: But I hold Kendrick to the same thing. I want

1410
01:00:13,600 --> 01:00:15,920
Speaker 1: Kendrick just sit with somebody, not that he has to,

1411
01:00:16,120 --> 01:00:19,720
Speaker 1: but yeah, that's Sissor. Conversation was great and I get

1412
01:00:19,920 --> 01:00:20,640
Speaker 1: that was GQ.

1413
01:00:20,600 --> 01:00:24,960
Speaker 2: Right, bizarre Harper Harper Was it Harper Harper or something

1414
01:00:25,000 --> 01:00:25,320
Speaker 2: like that.

1415
01:00:25,800 --> 01:00:29,320
Speaker 1: I thought it was a really cool conversation between two

1416
01:00:30,440 --> 01:00:35,280
Speaker 1: incredible minds. But I also I would love Kendricks like

1417
01:00:35,320 --> 01:00:45,680
Speaker 1: I loved Nodeska sat with him. Rob Markner, Kendrick, Kendrick.

1418
01:00:45,440 --> 01:00:46,920
Speaker 2: Need to get about you need to get up. I'll

1419
01:00:46,920 --> 01:00:48,440
Speaker 2: just see, like Kendrick sit right there. Let me talk

1420
01:00:48,480 --> 01:00:48,920
Speaker 2: to Kendrick.

1421
01:00:48,920 --> 01:00:50,440
Speaker 1: I would love that. I think that'd be Let me.

1422
01:00:50,400 --> 01:00:52,560
Speaker 3: Talk to Kendrick. I got I got some questions for Kendrick.

1423
01:00:52,600 --> 01:00:53,479
Speaker 1: I think that would be great.

1424
01:00:53,560 --> 01:00:57,720
Speaker 2: Yeah, I'm gonna askally Rob ain't gonna ask because me

1425
01:00:57,760 --> 01:00:59,040
Speaker 2: and Kendrick, you know what I'm saying, Like, it's just

1426
01:00:59,040 --> 01:01:01,680
Speaker 2: it's just different coming from my face in Rob's face.

1427
01:01:01,960 --> 01:01:03,200
Speaker 1: First of all, I have told.

1428
01:01:03,040 --> 01:01:04,800
Speaker 3: You, but me and Kendrick are probably the same complation.

1429
01:01:04,840 --> 01:01:05,600
Speaker 3: This is a little different.

1430
01:01:05,600 --> 01:01:10,160
Speaker 1: If I ask him, which I want the world to

1431
01:01:10,160 --> 01:01:12,160
Speaker 1: know and appreciate you for this. I've told you off

1432
01:01:12,160 --> 01:01:15,080
Speaker 1: camera if you if Drake wants to do an interview

1433
01:01:15,120 --> 01:01:18,000
Speaker 1: with you, that's like, I won't feel a way. I

1434
01:01:18,000 --> 01:01:19,240
Speaker 1: don't need to go. I don't need to be there.

1435
01:01:19,240 --> 01:01:21,520
Speaker 1: I don't need to produce anything like go do that.

1436
01:01:21,560 --> 01:01:22,560
Speaker 1: And you have said which.

1437
01:01:22,400 --> 01:01:23,800
Speaker 3: I love you me by myself.

1438
01:01:23,880 --> 01:01:24,040
Speaker 4: Yeah.

1439
01:01:24,240 --> 01:01:26,760
Speaker 1: Yeah, And you said no, I would want which is cool.

1440
01:01:27,040 --> 01:01:29,360
Speaker 1: I'm saying I was leaving us out of it. I

1441
01:01:29,440 --> 01:01:31,600
Speaker 1: want Drake to sit with you. I would want Kendrick

1442
01:01:31,640 --> 01:01:32,160
Speaker 1: to sit with you.

1443
01:01:32,920 --> 01:01:33,600
Speaker 3: I don't want to.

1444
01:01:33,680 --> 01:01:36,919
Speaker 1: I don't also think people would be surprised. I think

1445
01:01:36,920 --> 01:01:39,840
Speaker 1: you would ask Drake real questions. I don't think it

1446
01:01:39,880 --> 01:01:43,440
Speaker 1: would be what the internet has painted you as where

1447
01:01:43,520 --> 01:01:46,479
Speaker 1: it would just be getting off Drake quote unquote talking points.

1448
01:01:46,480 --> 01:01:48,680
Speaker 1: I think you'd ask him real shit. And I think

1449
01:01:48,720 --> 01:01:51,760
Speaker 1: it'd be a comfortable environment. And if he wouldn't want

1450
01:01:51,760 --> 01:01:54,360
Speaker 1: me there, I wouldn't feel no fucking way. Well just

1451
01:01:54,920 --> 01:01:57,240
Speaker 1: just bring me back some tim wltons And you know,

1452
01:01:57,320 --> 01:01:57,800
Speaker 1: I don't.

1453
01:01:57,640 --> 01:02:00,480
Speaker 3: Know, No, I don't think it's something wanting you to.

1454
01:02:00,600 --> 01:02:04,560
Speaker 2: I just you know, I just laugh at certain shit

1455
01:02:04,640 --> 01:02:06,360
Speaker 2: that I read online sometimes.

1456
01:02:05,920 --> 01:02:06,160
Speaker 3: Like.

1457
01:02:08,280 --> 01:02:11,520
Speaker 2: Because I've never been honest Jewelry. I've never thought about

1458
01:02:11,920 --> 01:02:15,640
Speaker 2: sitting and talking to Drake on camera. It's never once

1459
01:02:15,680 --> 01:02:16,680
Speaker 2: crossed my mind.

1460
01:02:17,200 --> 01:02:20,200
Speaker 3: Why is that? Because I mean.

1461
01:02:21,480 --> 01:02:25,240
Speaker 2: Our conversation and our exchanges are like that of me

1462
01:02:25,400 --> 01:02:27,320
Speaker 2: and any of my other homeboys, where it's like I

1463
01:02:27,360 --> 01:02:29,160
Speaker 2: never thought about having my homeboy in front of a

1464
01:02:29,200 --> 01:02:30,920
Speaker 2: camera asking him the sh that we talk about. So

1465
01:02:31,880 --> 01:02:34,640
Speaker 2: I get Drake is who he is, but I don't

1466
01:02:34,760 --> 01:02:37,440
Speaker 2: look at it through that lens or look at it

1467
01:02:37,480 --> 01:02:41,520
Speaker 2: with that mindset. It's like we speak, we laugh about shit,

1468
01:02:41,880 --> 01:02:44,520
Speaker 2: we talk about shit. He's you know, trusted me with

1469
01:02:44,680 --> 01:02:46,480
Speaker 2: some of his music and some of you know, personal

1470
01:02:46,520 --> 01:02:49,160
Speaker 2: shit he's going through. But I think it's that because

1471
01:02:49,200 --> 01:02:51,880
Speaker 2: he knows that I'm not thinking. I'm not thinking interview.

1472
01:02:51,960 --> 01:02:54,720
Speaker 3: I don't If Drake never gives me sit down on

1473
01:02:54,760 --> 01:02:56,000
Speaker 3: the camera, I wouldn't give a fuck.

1474
01:02:56,080 --> 01:02:58,480
Speaker 1: Oh no, But I know that part right, But people

1475
01:02:58,520 --> 01:02:58,800
Speaker 1: don't know.

1476
01:02:59,120 --> 01:03:00,840
Speaker 2: I'm saying it for people that I don't know that.

1477
01:03:01,160 --> 01:03:03,440
Speaker 2: So I've never thought about, Oh damn, I hope he

1478
01:03:03,480 --> 01:03:06,200
Speaker 2: comes sitting. That's never once crossed my mind. So when

1479
01:03:06,240 --> 01:03:06,960
Speaker 2: you say if you have a.

1480
01:03:06,880 --> 01:03:08,880
Speaker 1: Real relationship him, that's why they think you're doing it

1481
01:03:08,880 --> 01:03:09,920
Speaker 1: to leverage an interview, which I.

1482
01:03:09,920 --> 01:03:12,160
Speaker 3: Know is which is fucking crazy. But that's cool. They

1483
01:03:12,160 --> 01:03:16,600
Speaker 3: could think that. But what I'm saying is, I don't.

1484
01:03:16,160 --> 01:03:18,000
Speaker 2: If you and me and you didn't have a podcast

1485
01:03:18,000 --> 01:03:20,280
Speaker 2: together and you're putting out dope albums and this, that

1486
01:03:20,320 --> 01:03:22,360
Speaker 2: and the thirty you had gone through some shit, you

1487
01:03:22,480 --> 01:03:24,240
Speaker 2: my guy, I wouldn't be thinking, like, damn, I hope

1488
01:03:24,320 --> 01:03:26,080
Speaker 2: Rory one day wants to come and sit on camera

1489
01:03:26,080 --> 01:03:28,400
Speaker 2: and we could have this come that shit doesn't even

1490
01:03:28,440 --> 01:03:29,680
Speaker 2: cross my mind.

1491
01:03:30,240 --> 01:03:32,520
Speaker 1: With a real friendship. There's an artist that But now

1492
01:03:32,560 --> 01:03:34,880
Speaker 1: if you sell you, I I want to get off

1493
01:03:34,960 --> 01:03:36,760
Speaker 1: more and I want to get it off with you.

1494
01:03:37,200 --> 01:03:40,120
Speaker 2: Set up the camera's pause. All right, cool, But I'm

1495
01:03:40,160 --> 01:03:43,440
Speaker 2: not in my mind that doesn't even you know. So

1496
01:03:43,560 --> 01:03:45,800
Speaker 2: when I see people say, oh, he didn't he gotta

1497
01:03:45,800 --> 01:03:46,480
Speaker 2: get mall in it?

1498
01:03:46,560 --> 01:03:47,919
Speaker 1: Why why?

1499
01:03:48,040 --> 01:03:52,960
Speaker 2: Like I don't because because truthfully, truthfully, the things that

1500
01:03:53,560 --> 01:03:56,000
Speaker 2: we talk about I wouldn't even talk about on camera.

1501
01:03:56,960 --> 01:03:58,480
Speaker 3: I would never ask him that on camera.

1502
01:03:58,800 --> 01:04:00,480
Speaker 2: You get what I'm saying, Because I just don't think

1503
01:04:00,480 --> 01:04:03,640
Speaker 2: that people are even worth to answer.

1504
01:04:04,720 --> 01:04:07,160
Speaker 3: Okay, you know what I mean? Because it's like, okay,

1505
01:04:07,360 --> 01:04:09,440
Speaker 3: even if he says, even if we get Drake, we

1506
01:04:09,480 --> 01:04:11,520
Speaker 3: get we get the d let's paint the scenario form,

1507
01:04:11,920 --> 01:04:14,240
Speaker 3: we get the Drake interview. Gosh, we asked every question

1508
01:04:14,280 --> 01:04:17,080
Speaker 3: that's online. Everybody stands for the week. I don't whatever

1509
01:04:17,520 --> 01:04:18,280
Speaker 3: Drake said, bring the.

1510
01:04:19,760 --> 01:04:20,000
Speaker 1: Wherever.

1511
01:04:20,200 --> 01:04:21,120
Speaker 3: I wouldn't give a fuck.

1512
01:04:21,440 --> 01:04:24,400
Speaker 1: Let's do it in Toronto, even if he's in New York.

1513
01:04:24,440 --> 01:04:25,120
Speaker 1: Let's fly this throng.

1514
01:04:25,240 --> 01:04:28,000
Speaker 3: There's things that we've spoken about that I would never

1515
01:04:29,480 --> 01:04:30,160
Speaker 3: ask on care.

1516
01:04:30,080 --> 01:04:32,600
Speaker 1: Of course, but I still think there's like basic ship

1517
01:04:32,640 --> 01:04:35,720
Speaker 1: that Bobby's not gonna ask, or it'll be pitched as

1518
01:04:35,760 --> 01:04:38,160
Speaker 1: like a sarcasm. She'll be like, but she's like, who's

1519
01:04:38,160 --> 01:04:39,080
Speaker 1: this Kendrick cut? Okay.

1520
01:04:39,080 --> 01:04:43,080
Speaker 2: But even even if she does that right, even if

1521
01:04:43,120 --> 01:04:45,400
Speaker 2: she asks the hard hitting questions, even.

1522
01:04:45,200 --> 01:04:47,560
Speaker 1: If she gets to like Bobby asking her, I'm just

1523
01:04:47,560 --> 01:04:50,200
Speaker 1: saying we're a pivot. She'd go from that that human

1524
01:04:50,200 --> 01:04:53,000
Speaker 1: ship to fucking Barbara Wall. Don't know. I know that,

1525
01:04:53,080 --> 01:04:56,760
Speaker 1: we don't know work done. I don't know if she

1526
01:04:56,760 --> 01:04:58,160
Speaker 1: got working on. So you're putting out I don't know

1527
01:04:58,200 --> 01:05:01,160
Speaker 1: about that. What I'm saying is it's certain shit that

1528
01:05:01,320 --> 01:05:04,880
Speaker 1: I would never ask. I just would not ask like

1529
01:05:04,920 --> 01:05:07,720
Speaker 1: it's just I'm just not I'm not, But it's not

1530
01:05:07,760 --> 01:05:09,480
Speaker 1: that I got that serious to me. I guess my

1531
01:05:09,520 --> 01:05:13,560
Speaker 1: point is the stuff that would be fine to ask,

1532
01:05:13,680 --> 01:05:15,440
Speaker 1: I think you would ask, and that's the stuff that

1533
01:05:15,480 --> 01:05:17,680
Speaker 1: people want to hear, the stuff that you know and

1534
01:05:17,760 --> 01:05:20,200
Speaker 1: you know only just y'all conversations. I don't even think

1535
01:05:20,240 --> 01:05:21,720
Speaker 1: that's the stuff people would even want.

1536
01:05:21,760 --> 01:05:24,320
Speaker 2: Story even in that, you know why, it doesn't matter

1537
01:05:24,520 --> 01:05:27,680
Speaker 2: because even if he answers the question you could ask,

1538
01:05:27,720 --> 01:05:28,400
Speaker 2: whatever question.

1539
01:05:28,400 --> 01:05:29,960
Speaker 1: It's gonna be tough satisfying.

1540
01:05:29,960 --> 01:05:34,480
Speaker 2: It's not gonna satisfy in me fucking body, no matter

1541
01:05:34,600 --> 01:05:37,880
Speaker 2: what he says, no matter what he does, no matter

1542
01:05:37,920 --> 01:05:41,040
Speaker 2: what album he puts out, people already having in mind

1543
01:05:41,360 --> 01:05:44,280
Speaker 2: that don't like Drake and that don't like Cool, it

1544
01:05:44,320 --> 01:05:46,400
Speaker 2: doesn't matter what he says. So when people get all

1545
01:05:46,440 --> 01:05:49,240
Speaker 2: worked up about him announcing who he's sitting down talking to,

1546
01:05:49,680 --> 01:05:51,640
Speaker 2: I'm just laughing because I'm like, no matter who he

1547
01:05:51,760 --> 01:05:55,080
Speaker 2: talks to, people are still gonna feel a way about it.

1548
01:05:56,320 --> 01:05:58,200
Speaker 2: So that's why I'm just like, yo, I don't even

1549
01:05:58,320 --> 01:06:01,200
Speaker 2: think like that. Like my thing is that I want

1550
01:06:01,400 --> 01:06:04,360
Speaker 2: great music and I want people to be happy in

1551
01:06:04,360 --> 01:06:05,520
Speaker 2: their lives and mother.

1552
01:06:05,520 --> 01:06:06,480
Speaker 3: Raise their families.

1553
01:06:06,720 --> 01:06:09,560
Speaker 2: That's I don't care if he sits down or she

1554
01:06:09,640 --> 01:06:12,520
Speaker 2: sits down with what again? I don't care, bro, I

1555
01:06:13,080 --> 01:06:16,640
Speaker 2: really that ship does not cross my mind at all.

1556
01:06:17,560 --> 01:06:18,920
Speaker 3: I don't care about it. Like that.

1557
01:06:19,160 --> 01:06:24,520
Speaker 1: What if Drake asked you to do Bobby's second episode

1558
01:06:25,360 --> 01:06:28,760
Speaker 1: in the event that he has uh invested into this

1559
01:06:28,800 --> 01:06:29,400
Speaker 1: new venture?

1560
01:06:29,880 --> 01:06:31,040
Speaker 3: Like me and Bobby sit down?

1561
01:06:31,080 --> 01:06:32,680
Speaker 1: Want to want to be in the next guess like

1562
01:06:32,680 --> 01:06:34,320
Speaker 1: how she went to like Drake and then Mark Cuban,

1563
01:06:34,520 --> 01:06:36,200
Speaker 1: It'd be like Drake and then Mare.

1564
01:06:36,680 --> 01:06:39,760
Speaker 3: Oh I'm kicking with Bobby? Yeah, why not?

1565
01:06:40,320 --> 01:06:41,040
Speaker 1: I probably wouldn't.

1566
01:06:41,040 --> 01:06:44,680
Speaker 3: I wouldn't. I mean, yeah, she seemed like it seems

1567
01:06:44,680 --> 01:06:46,680
Speaker 3: like a cool like a cool conversation, like you know,

1568
01:06:46,720 --> 01:06:48,840
Speaker 3: I mean, like what's the what's the pushback there?

1569
01:06:48,880 --> 01:06:51,760
Speaker 1: Like I don't really care that much. Yeah, Like I'm like, okay,

1570
01:06:51,960 --> 01:06:54,120
Speaker 1: call me a culture vulture. I did. I've definitely went

1571
01:06:54,160 --> 01:06:54,919
Speaker 1: on rants about Bobby.

1572
01:06:54,920 --> 01:06:57,400
Speaker 3: I just don't really care that much about it.

1573
01:06:57,880 --> 01:07:00,640
Speaker 1: H In the beginning, it was a little it was

1574
01:07:00,720 --> 01:07:01,400
Speaker 1: just a little weird.

1575
01:07:01,600 --> 01:07:04,320
Speaker 3: I thought. What was weird was like she was a plant,

1576
01:07:04,320 --> 01:07:04,800
Speaker 3: Like where did she go?

1577
01:07:05,000 --> 01:07:05,160
Speaker 4: Yeah?

1578
01:07:05,240 --> 01:07:08,240
Speaker 1: Yeah, it was more so that and like, uh, where

1579
01:07:08,240 --> 01:07:10,520
Speaker 1: her like the specific type of acts in the beginning

1580
01:07:10,600 --> 01:07:13,800
Speaker 1: that her team was focused on, and then she branched

1581
01:07:13,800 --> 01:07:15,880
Speaker 1: out and then had to come back to hip hop

1582
01:07:16,320 --> 01:07:19,280
Speaker 1: because that the real reaction with that dry humor stuff

1583
01:07:19,400 --> 01:07:21,760
Speaker 1: came because she was coming from outside of the culture.

1584
01:07:22,720 --> 01:07:25,880
Speaker 1: When she would do it with you know, whether it

1585
01:07:25,960 --> 01:07:30,600
Speaker 1: be Bobby Lee or Mark Cuban or other people, she

1586
01:07:30,600 --> 01:07:32,760
Speaker 1: couldn't lean on that because you weren't getting the same

1587
01:07:32,800 --> 01:07:35,280
Speaker 1: reaction either the comedian was carrying it or Mark Cuban

1588
01:07:35,360 --> 01:07:37,120
Speaker 1: was just answering like he wouldn't any interview, which just

1589
01:07:37,200 --> 01:07:40,280
Speaker 1: wasn't interesting the way it was when Drake is playing

1590
01:07:40,400 --> 01:07:41,960
Speaker 1: Rack City Bitch and she's like, I don't know who

1591
01:07:41,960 --> 01:07:46,360
Speaker 1: this is, or she's doing an awful bit. I forgot

1592
01:07:46,400 --> 01:07:49,840
Speaker 1: Shorty's name of I'm a musician, I'm a magician, which

1593
01:07:50,280 --> 01:07:52,080
Speaker 1: which I don't eve understand why'll found that like that

1594
01:07:52,200 --> 01:07:55,840
Speaker 1: was such a bad stage bit. So, yeah, I've definitely

1595
01:07:55,840 --> 01:07:58,400
Speaker 1: had some pushback, But what I do with Bobby's jenner VI, Yeah,

1596
01:07:58,400 --> 01:07:59,880
Speaker 1: I don't like, I don't care that much.

1597
01:08:00,400 --> 01:08:02,160
Speaker 2: I just don't know when people get so worked up

1598
01:08:02,200 --> 01:08:04,120
Speaker 2: about these things. I just don't know who they be

1599
01:08:04,160 --> 01:08:07,080
Speaker 2: wanting people like who do y'all? Y'all like you can't

1600
01:08:07,080 --> 01:08:09,160
Speaker 2: sit and talk with everybody, Like no artists can sit

1601
01:08:09,200 --> 01:08:12,560
Speaker 2: and talk with everybody. So when people get upset, oh,

1602
01:08:12,800 --> 01:08:14,600
Speaker 2: he's not talking nobody from the culture. He's not talking.

1603
01:08:15,120 --> 01:08:18,240
Speaker 2: He said and talked with one of his cloturemen's yachty.

1604
01:08:18,320 --> 01:08:20,280
Speaker 2: They had a conversation and they kicked it up.

1605
01:08:20,320 --> 01:08:20,880
Speaker 1: That was pre.

1606
01:08:22,280 --> 01:08:27,519
Speaker 3: Beef though, Yeah, okay, so now post beef, they want

1607
01:08:28,160 --> 01:08:28,760
Speaker 3: who do they want?

1608
01:08:28,840 --> 01:08:31,320
Speaker 1: Know? I think that's everyone's point that Drake was very

1609
01:08:31,400 --> 01:08:35,840
Speaker 1: much talking to everybody in the culture pre beef, and

1610
01:08:35,880 --> 01:08:40,040
Speaker 1: now that that happens, it's only been streamers that are

1611
01:08:40,080 --> 01:08:43,040
Speaker 1: not of not even just hip hop, just not music period.

1612
01:08:43,400 --> 01:08:48,599
Speaker 1: So it appears like you're avoiding any type of question

1613
01:08:48,680 --> 01:08:50,920
Speaker 1: that would be asked, which, by the way, I'm fine

1614
01:08:50,920 --> 01:08:53,160
Speaker 1: with at the moment, because I think there's a time

1615
01:08:53,160 --> 01:08:55,040
Speaker 1: and place when you can address those things, and I

1616
01:08:55,040 --> 01:08:57,400
Speaker 1: think it should come with the album. If he wants

1617
01:08:57,439 --> 01:09:00,640
Speaker 1: to just fucking kick it with streamers now and just

1618
01:09:00,680 --> 01:09:03,439
Speaker 1: make a little hoot shot jokes every now and then, cool,

1619
01:09:03,880 --> 01:09:05,360
Speaker 1: But at some point I think he needs to sit

1620
01:09:05,400 --> 01:09:07,080
Speaker 1: down with somebody.

1621
01:09:07,280 --> 01:09:10,800
Speaker 2: I think he does, and I think he will. I

1622
01:09:10,840 --> 01:09:12,519
Speaker 2: also don't feel I also don't understand how.

1623
01:09:13,960 --> 01:09:14,360
Speaker 3: I'm with you.

1624
01:09:14,439 --> 01:09:16,519
Speaker 2: I also I'm with you on that as well, But

1625
01:09:16,600 --> 01:09:18,439
Speaker 2: I just don't understand how people don't.

1626
01:09:18,200 --> 01:09:19,600
Speaker 3: See the side of it where.

1627
01:09:21,240 --> 01:09:25,160
Speaker 2: Somebody like Drake and what he you know, is currently

1628
01:09:25,520 --> 01:09:28,760
Speaker 2: dealing with and going through what he went through and

1629
01:09:28,760 --> 01:09:32,200
Speaker 2: what he had to sit back and watch people support

1630
01:09:32,600 --> 01:09:36,599
Speaker 2: and amplify. And I don't understand how people don't see

1631
01:09:36,600 --> 01:09:39,640
Speaker 2: how he's turned off and like, I'm never fucking with

1632
01:09:39,720 --> 01:09:42,439
Speaker 2: them again. I'll never kick it with them again. I'll

1633
01:09:42,479 --> 01:09:45,000
Speaker 2: never go to that radio station again. I'll never sit down.

1634
01:09:45,479 --> 01:09:46,760
Speaker 2: How do people not see that?

1635
01:09:46,960 --> 01:09:49,160
Speaker 3: Oh? So, see the thing is people are taking it.

1636
01:09:50,120 --> 01:09:52,320
Speaker 3: Oh it's this hip hop, it's just raps entertainment.

1637
01:09:53,960 --> 01:09:57,439
Speaker 2: Cool, But you're not the person standing there that has

1638
01:09:57,520 --> 01:10:02,800
Speaker 2: to watch people support a message about you that again

1639
01:10:02,920 --> 01:10:05,200
Speaker 2: is the most egregious, most disgusting thing they could ever

1640
01:10:05,240 --> 01:10:09,679
Speaker 2: put on the man, especially a father. How do people

1641
01:10:09,760 --> 01:10:13,240
Speaker 2: not factor that in? Like, maybe he's never going to

1642
01:10:13,320 --> 01:10:16,559
Speaker 2: Hot ninety seven again. Oh, maybe he's never fifteen years ago.

1643
01:10:16,600 --> 01:10:18,400
Speaker 2: I was just so, I was just bringing in other

1644
01:10:18,720 --> 01:10:21,160
Speaker 2: but I'm saying, why do people not why do people

1645
01:10:21,200 --> 01:10:23,760
Speaker 2: feel like he should just get over it and just

1646
01:10:23,800 --> 01:10:26,280
Speaker 2: move on and just sit down with everybody and talk that.

1647
01:10:26,320 --> 01:10:26,680
Speaker 3: Why do that?

1648
01:10:27,240 --> 01:10:30,240
Speaker 1: I just said it just one No, I'm just I'm

1649
01:10:30,240 --> 01:10:31,479
Speaker 1: just going to question, like.

1650
01:10:31,400 --> 01:10:33,439
Speaker 3: Why do people people don't factor that.

1651
01:10:33,520 --> 01:10:35,000
Speaker 1: You want to have from them, because because when you

1652
01:10:35,040 --> 01:10:36,400
Speaker 1: get somebody that is of that.

1653
01:10:36,280 --> 01:10:38,000
Speaker 2: Why do you want to hear from him so he

1654
01:10:38,040 --> 01:10:40,479
Speaker 2: can answer question? People are like, Nah, he's lying, He ain't. No,

1655
01:10:40,600 --> 01:10:42,400
Speaker 2: that's not how you feel. You know he's lying now

1656
01:10:42,439 --> 01:10:44,639
Speaker 2: he don't. Why are you suing the Nah, you're suing

1657
01:10:44,640 --> 01:10:45,080
Speaker 2: the labels?

1658
01:10:45,080 --> 01:10:47,960
Speaker 3: You a rat, you a snitch? What? What the fuck

1659
01:10:47,960 --> 01:10:49,040
Speaker 3: are we talking about here?

1660
01:10:49,160 --> 01:10:51,920
Speaker 1: And obviously I'm not saying Kendrick hasn't done little Easter

1661
01:10:51,960 --> 01:10:54,559
Speaker 1: egg stuff like the super Bowl promo or anything. But

1662
01:10:54,640 --> 01:10:57,479
Speaker 1: for the most part, he stays quiet and off social media,

1663
01:10:57,840 --> 01:11:01,519
Speaker 1: whereas Drake with the Iceman episodes. There's a bunch of

1664
01:11:01,520 --> 01:11:05,720
Speaker 1: things still regarding the beef Instagram, He's talking about it

1665
01:11:05,800 --> 01:11:08,240
Speaker 1: a lot, he says stuff on stage, certain times, he's

1666
01:11:08,680 --> 01:11:11,880
Speaker 1: wearing certain outfits that address it. That's where I think

1667
01:11:11,880 --> 01:11:13,400
Speaker 1: people want more from him. It's like, all right, if

1668
01:11:13,400 --> 01:11:16,800
Speaker 1: you're going to keep constantly reminding us every day about this,

1669
01:11:17,200 --> 01:11:19,280
Speaker 1: plus all the lawsuit stuff that goes out every day.

1670
01:11:19,479 --> 01:11:21,080
Speaker 1: People want to hear from Drake. I don't think it's

1671
01:11:21,080 --> 01:11:23,040
Speaker 1: crazy for fans to want to hear from him when

1672
01:11:23,040 --> 01:11:25,080
Speaker 1: he also constantly, in his own way, brings it.

1673
01:11:25,120 --> 01:11:25,559
Speaker 3: Up as well.

1674
01:11:25,680 --> 01:11:28,000
Speaker 1: Whereas Kendrick not to say he's quiet all the time,

1675
01:11:28,040 --> 01:11:31,920
Speaker 1: he finds different ways to go about it, less energy

1676
01:11:32,000 --> 01:11:35,599
Speaker 1: over there because he's kind of to himself, whereas Drake

1677
01:11:35,640 --> 01:11:37,080
Speaker 1: is forward facing with it, even when he's talking to

1678
01:11:37,120 --> 01:11:38,840
Speaker 1: these streamers about gamble and I'll throw in low shots

1679
01:11:38,920 --> 01:11:39,200
Speaker 1: like no.

1680
01:11:39,360 --> 01:11:42,640
Speaker 3: The difference is Drake is the biggest artist in the world.

1681
01:11:42,560 --> 01:11:45,640
Speaker 1: And constantly addressing it.

1682
01:11:47,160 --> 01:11:48,000
Speaker 3: Well should he not?

1683
01:11:48,280 --> 01:11:50,800
Speaker 1: No, I think he should. I'm just believe answering why

1684
01:11:50,800 --> 01:11:52,759
Speaker 1: people would want to hear from Drake.

1685
01:11:52,640 --> 01:11:54,120
Speaker 2: They're going to always want to hear from the biggest

1686
01:11:54,160 --> 01:11:55,080
Speaker 2: artists in the world.

1687
01:11:54,840 --> 01:11:59,080
Speaker 1: Sure, but specifically that's why the rap Radar interview was

1688
01:11:59,120 --> 01:12:01,080
Speaker 1: so held it Outside of of beat Out and Elliott

1689
01:12:01,080 --> 01:12:03,040
Speaker 1: doing a great job in that interview and asking every

1690
01:12:03,120 --> 01:12:06,439
Speaker 1: question we wanted to hear, there was a lot going

1691
01:12:06,439 --> 01:12:08,240
Speaker 1: on in Drake's life at that time, whether it be

1692
01:12:08,280 --> 01:12:10,760
Speaker 1: his kid, whether it be the meek milshit, whether it

1693
01:12:10,760 --> 01:12:12,679
Speaker 1: be the pusha t shit, like a lot was going

1694
01:12:12,720 --> 01:12:15,679
Speaker 1: on where we want to hear from the biggest artist

1695
01:12:15,760 --> 01:12:17,679
Speaker 1: in the world, and this is the first biggest artist

1696
01:12:17,720 --> 01:12:22,200
Speaker 1: in the world that we've had access to. You can't

1697
01:12:22,280 --> 01:12:24,439
Speaker 1: name another artist at Drake's level that we've ever had

1698
01:12:24,479 --> 01:12:26,680
Speaker 1: access to the way we have access to him. No

1699
01:12:26,840 --> 01:12:30,040
Speaker 1: other a lister of that magnitude has been on social

1700
01:12:30,040 --> 01:12:32,280
Speaker 1: media the same way, the same way. Be outside, like

1701
01:12:32,880 --> 01:12:37,000
Speaker 1: that's where things are a bit different. Like even shit

1702
01:12:37,080 --> 01:12:39,080
Speaker 1: with Madonna, who was kind of outside like that, she

1703
01:12:39,200 --> 01:12:42,240
Speaker 1: was still like you still question you still didn't know

1704
01:12:42,240 --> 01:12:44,120
Speaker 1: what was going on, Like you didn't know she was

1705
01:12:44,160 --> 01:12:46,840
Speaker 1: dating Hasten Jack. If she had Instagram, maybe you would

1706
01:12:46,840 --> 01:12:49,160
Speaker 1: be like, you have questions, Yeah, why are you walking

1707
01:12:49,200 --> 01:12:50,439
Speaker 1: out with Haitian Jack? Why are you on Live with

1708
01:12:50,479 --> 01:12:50,920
Speaker 1: Haitian Jack?

1709
01:12:51,000 --> 01:12:51,280
Speaker 3: Right now?

1710
01:12:51,760 --> 01:12:55,320
Speaker 1: Things would be different. But yeah, he's forward facing. He's

1711
01:12:55,320 --> 01:12:57,960
Speaker 1: the most forward facing star we've ever had in music.

1712
01:12:58,080 --> 01:13:00,439
Speaker 1: I asked a question to you, so people once they

1713
01:13:00,439 --> 01:13:02,280
Speaker 1: get a taste of that, now you got to live

1714
01:13:02,320 --> 01:13:05,200
Speaker 1: in this world. No you don't, I'm saying from a

1715
01:13:05,240 --> 01:13:06,000
Speaker 1: fan perspective.

1716
01:13:06,040 --> 01:13:08,479
Speaker 2: Yeah, well, fans got to understand that an artist is

1717
01:13:08,520 --> 01:13:10,640
Speaker 2: not doesn't have to move when you say move and

1718
01:13:10,640 --> 01:13:12,479
Speaker 2: do what you say, do and skip.

1719
01:13:12,600 --> 01:13:15,599
Speaker 1: Of course that's all, And of course I mean listen.

1720
01:13:16,439 --> 01:13:20,439
Speaker 1: The fact that Jesse's even given us more answers than

1721
01:13:20,520 --> 01:13:23,400
Speaker 1: Drake is probably why we're on this side. Jesse, did

1722
01:13:23,400 --> 01:13:24,040
Speaker 1: you watch the doc?

1723
01:13:24,439 --> 01:13:27,839
Speaker 2: No, I would never watch it, Jesse Smoley, Jesse Simule,

1724
01:13:27,920 --> 01:13:30,519
Speaker 2: I would never watch his doctor watch he's in it

1725
01:13:30,560 --> 01:13:33,280
Speaker 2: because I told you years ago. Man, the fucking sandwich

1726
01:13:33,320 --> 01:13:36,400
Speaker 2: made it home. Like cut this ship. Don't piss on

1727
01:13:36,439 --> 01:13:39,160
Speaker 2: me and tell me it's raining, bro, Like, let's just

1728
01:13:39,200 --> 01:13:42,639
Speaker 2: come downstairs so we can fight, like like what you're

1729
01:13:42,680 --> 01:13:43,160
Speaker 2: talking about?

1730
01:13:43,320 --> 01:13:47,080
Speaker 3: Like, No, I don't want to watch this shit. I

1731
01:13:47,120 --> 01:13:47,960
Speaker 3: don't want to watch it.

1732
01:13:48,040 --> 01:13:49,640
Speaker 2: Like I know, I'm not one of these people that

1733
01:13:49,720 --> 01:13:51,120
Speaker 2: I don't want to watch this shit. I don't want

1734
01:13:51,120 --> 01:13:53,680
Speaker 2: to see another O. J. Simpson documentary. I don't want

1735
01:13:53,680 --> 01:13:54,639
Speaker 2: to see another Jesse Smith.

1736
01:13:54,680 --> 01:13:56,360
Speaker 1: You don't need another one, but I'd always watch.

1737
01:13:56,400 --> 01:13:58,160
Speaker 2: I don't want to see none of that ship. I

1738
01:13:58,200 --> 01:14:01,040
Speaker 2: don't care about none of this shit. Jussey is a liar.

1739
01:14:01,360 --> 01:14:05,080
Speaker 2: The fucking the sub made it home after he got.

1740
01:14:05,200 --> 01:14:06,719
Speaker 1: The hung the noose the noose.

1741
01:14:06,880 --> 01:14:09,519
Speaker 2: The noose made it. He got waited at the bottom

1742
01:14:09,520 --> 01:14:12,080
Speaker 2: of bleach, Like, what do we talk? How the fuck

1743
01:14:12,160 --> 01:14:14,400
Speaker 2: did the meatball sub make it back to the condo?

1744
01:14:15,720 --> 01:14:16,720
Speaker 2: What the fuck do we know?

1745
01:14:16,840 --> 01:14:16,880
Speaker 4: You?

1746
01:14:17,040 --> 01:14:19,680
Speaker 3: Nothing happened, bro, nothing happened to you?

1747
01:14:21,000 --> 01:14:23,280
Speaker 1: All right? So I watched it, of course you did.

1748
01:14:23,840 --> 01:14:25,760
Speaker 3: You go. You the type of person you gonna see

1749
01:14:25,760 --> 01:14:27,479
Speaker 3: a rabbit hole and you're gonna go get your rabbit

1750
01:14:27,479 --> 01:14:30,640
Speaker 3: ears and jump in it. Yeah, yeah, you that guy.

1751
01:14:30,960 --> 01:14:33,120
Speaker 1: If Elmer Fudd is with a gun right there, I'm

1752
01:14:33,200 --> 01:14:36,760
Speaker 1: jumping right with the ears on. Ye.

1753
01:14:38,600 --> 01:14:41,759
Speaker 3: So what did stay? Standing on a hint and told Jesse.

1754
01:14:41,760 --> 01:14:43,960
Speaker 1: The first half of it is everything you've seen before.

1755
01:14:43,960 --> 01:14:47,160
Speaker 1: There's been a million Jusse docs. You guys can skip

1756
01:14:47,560 --> 01:14:50,760
Speaker 1: the whole first half of the documentary. It's nothing new whatsoever,

1757
01:14:50,800 --> 01:14:53,519
Speaker 1: except you're speaking to the actual cops that even did

1758
01:14:53,520 --> 01:14:59,080
Speaker 1: a few interviews before. Now, what I took away from

1759
01:14:59,280 --> 01:15:01,599
Speaker 1: this doc it was kind of me looking in the

1760
01:15:01,680 --> 01:15:07,719
Speaker 1: mirror as a conspiracy theorist. We are so easily turned

1761
01:15:07,760 --> 01:15:11,439
Speaker 1: over by absolute nonsense when we want everything to be

1762
01:15:11,479 --> 01:15:13,880
Speaker 1: a conspiracy. So the second half of this doc has

1763
01:15:13,920 --> 01:15:16,280
Speaker 1: like three journalists that aren't even like, Nay, we don't

1764
01:15:16,280 --> 01:15:18,479
Speaker 1: even know the fuck they are. They're just some random people.

1765
01:15:18,760 --> 01:15:23,439
Speaker 1: Yeah that like went and got some footage and started

1766
01:15:23,520 --> 01:15:27,200
Speaker 1: questioning it. And I saw the timeline turn on Friday

1767
01:15:27,320 --> 01:15:30,320
Speaker 1: of like, damn, maybe Jesse was telling the truth. So

1768
01:15:31,000 --> 01:15:32,200
Speaker 1: when I go, that's.

1769
01:15:32,000 --> 01:15:34,120
Speaker 3: What these documentaries are, and that's what they intended to.

1770
01:15:34,360 --> 01:15:39,360
Speaker 1: Someone as conspiracy theorists were so easily turned two people

1771
01:15:39,400 --> 01:15:41,200
Speaker 1: that we have no idea who the fuck they are,

1772
01:15:42,320 --> 01:15:44,760
Speaker 1: started saying, you know, ten seconds is missing here. Then

1773
01:15:44,800 --> 01:15:50,120
Speaker 1: they found a clip of two guys that matched the

1774
01:15:50,240 --> 01:15:56,360
Speaker 1: clothing description walking past Jesse's building, and they're like, those

1775
01:15:56,360 --> 01:15:58,679
Speaker 1: are two white men. And then they passed the fucking

1776
01:15:58,720 --> 01:16:01,360
Speaker 1: iPad around to everybody. That's white men. That's white men.

1777
01:16:01,680 --> 01:16:05,680
Speaker 1: I watched the clip that's two fucking black guys. Like

1778
01:16:06,200 --> 01:16:08,639
Speaker 1: everyone was like, nah, shit is different now. I said, Yo,

1779
01:16:08,760 --> 01:16:11,160
Speaker 1: what we are so easily swayed when we want something

1780
01:16:11,200 --> 01:16:16,759
Speaker 1: to be a conspiracy. They found footage of the two brothers.

1781
01:16:17,520 --> 01:16:20,040
Speaker 1: Just say like, you don't know what black people look like.

1782
01:16:20,320 --> 01:16:22,760
Speaker 3: It's stupid. That's why I can't watch it. Don't look

1783
01:16:22,800 --> 01:16:24,400
Speaker 3: like white men, That's why I can't watch it.

1784
01:16:24,479 --> 01:16:26,640
Speaker 1: I was like that's a white man. No it's not. No,

1785
01:16:27,320 --> 01:16:28,360
Speaker 1: that's two black guys.

1786
01:16:28,400 --> 01:16:28,920
Speaker 3: Listen, man, we.

1787
01:16:29,400 --> 01:16:31,120
Speaker 1: Know and the brothers like, yeah, that's right there.

1788
01:16:31,560 --> 01:16:31,720
Speaker 3: Yo.

1789
01:16:31,840 --> 01:16:37,000
Speaker 1: They followed. They followed all the cameras, the Uber share

1790
01:16:37,360 --> 01:16:39,680
Speaker 1: to the cab, everything, the brothers all the way with

1791
01:16:39,880 --> 01:16:43,240
Speaker 1: ring cameras back to their exact fucking address. This is

1792
01:16:43,560 --> 01:16:47,519
Speaker 1: this is a non story. He fucking lied like trying

1793
01:16:47,560 --> 01:16:49,880
Speaker 1: to make this now into and granted, I think the

1794
01:16:49,960 --> 01:16:54,280
Speaker 1: Chicago police have lied for a century, they're just not

1795
01:16:54,400 --> 01:16:58,439
Speaker 1: lying here like this is ridiculous of how they tried

1796
01:16:58,439 --> 01:17:01,240
Speaker 1: to shift them to here's some new information. No, this

1797
01:17:01,360 --> 01:17:05,720
Speaker 1: is a money wrap and you found three halfway YouTube journalists,

1798
01:17:05,760 --> 01:17:09,400
Speaker 1: no disrespect to try to make a new story off

1799
01:17:09,439 --> 01:17:13,599
Speaker 1: some footage that is bullshit. What's funny is they're big.

1800
01:17:13,640 --> 01:17:16,599
Speaker 1: Their big get was Jesse was like, well there was two.

1801
01:17:17,439 --> 01:17:20,000
Speaker 1: There was two witnesses that no one ever brought up

1802
01:17:20,040 --> 01:17:22,720
Speaker 1: that was in court. There was this black kid that

1803
01:17:22,840 --> 01:17:26,360
Speaker 1: says he saw two white men later on the dock.

1804
01:17:26,439 --> 01:17:29,200
Speaker 1: They passed the iPad to him with the footage that

1805
01:17:29,280 --> 01:17:31,040
Speaker 1: everyone keeps saying these are white men. He's the only

1806
01:17:31,040 --> 01:17:33,320
Speaker 1: one that went on nots to black guys.

1807
01:17:35,160 --> 01:17:35,920
Speaker 3: And there you have it.

1808
01:17:36,960 --> 01:17:39,880
Speaker 1: This is why star witness went nots to black guys,

1809
01:17:40,400 --> 01:17:42,240
Speaker 1: and this is why I can't watch that shit come on.

1810
01:17:42,280 --> 01:17:43,800
Speaker 1: And then there was another witness in the buildings that

1811
01:17:43,880 --> 01:17:46,600
Speaker 1: she saw a white man outside the building. But that

1812
01:17:46,680 --> 01:17:49,360
Speaker 1: all was weird to me too, because he got allegedly

1813
01:17:49,439 --> 01:17:52,200
Speaker 1: jumped like blocks the way wasn't even in front of

1814
01:17:52,200 --> 01:17:54,960
Speaker 1: his building like that. Yeah, he made it look like

1815
01:17:55,600 --> 01:17:58,240
Speaker 1: this is just not like a this is not a

1816
01:17:58,240 --> 01:18:00,679
Speaker 1: thing why black people saw. They made me as somebody

1817
01:18:00,680 --> 01:18:02,640
Speaker 1: like I had to look at my own kinds, like

1818
01:18:03,479 --> 01:18:07,200
Speaker 1: what do we like? We get jet fuel can like

1819
01:18:07,280 --> 01:18:09,600
Speaker 1: it can bend beams. It can't melt them, but it

1820
01:18:09,640 --> 01:18:10,280
Speaker 1: can bend them.

1821
01:18:10,360 --> 01:18:10,599
Speaker 3: Yeah.

1822
01:18:10,760 --> 01:18:12,800
Speaker 1: We And even though I think that one is true,

1823
01:18:13,840 --> 01:18:16,760
Speaker 1: not everything is a conspiracy, dough like, no one was

1824
01:18:16,800 --> 01:18:20,720
Speaker 1: conspiring against that. I'm not watching it because after you

1825
01:18:20,800 --> 01:18:22,880
Speaker 1: go back to the hour and a half evidence before that,

1826
01:18:23,000 --> 01:18:26,080
Speaker 1: let's just get to the facts. Two white guys on

1827
01:18:26,160 --> 01:18:29,280
Speaker 1: the coldest day in Chicago history, we're walking around a

1828
01:18:29,280 --> 01:18:33,400
Speaker 1: wealthy neighborhood with a noose and bleach that also are

1829
01:18:33,439 --> 01:18:36,280
Speaker 1: fans of Empire. Yeah, and happened to run across Jesse

1830
01:18:36,360 --> 01:18:37,160
Speaker 1: Smilettit subway.

1831
01:18:42,240 --> 01:18:43,800
Speaker 2: You got a better chance of bumping in the Michael

1832
01:18:43,880 --> 01:18:47,639
Speaker 2: Jordan on a cold night in Chicago than Jesse smile.

1833
01:18:47,800 --> 01:18:50,439
Speaker 2: Are you fucking kidding me? No, Man, that ship. I

1834
01:18:50,439 --> 01:18:52,200
Speaker 2: can't watch it like that. You know what I watched.

1835
01:18:52,240 --> 01:18:53,720
Speaker 2: I watched the Cowboys documentary.

1836
01:18:54,000 --> 01:18:55,000
Speaker 1: Oh that's on my cue.

1837
01:18:55,000 --> 01:18:58,400
Speaker 3: That the trailer. I'll watched that good, good documentary.

1838
01:18:59,600 --> 01:19:00,519
Speaker 1: Those heads that admitted.

1839
01:19:00,760 --> 01:19:03,160
Speaker 2: I mean, there's been some, you know, Cowboy documentaries. This

1840
01:19:03,240 --> 01:19:04,880
Speaker 2: is not the first one, obviously, but this was. This

1841
01:19:05,000 --> 01:19:07,479
Speaker 2: was a good one. It's good to see, you know,

1842
01:19:07,600 --> 01:19:10,679
Speaker 2: them have Dion in the documentary being with coach coach

1843
01:19:10,720 --> 01:19:12,080
Speaker 2: promise that in his life now.

1844
01:19:12,640 --> 01:19:14,320
Speaker 3: But it was a really good documentary. You should definitely

1845
01:19:14,360 --> 01:19:15,080
Speaker 3: check it out. Definitely.

1846
01:19:15,120 --> 01:19:18,040
Speaker 2: I didn't realize that it's been thirty years since the Cowboys,

1847
01:19:18,120 --> 01:19:21,599
Speaker 2: up since they won the Super Bowl, But yeah, man,

1848
01:19:21,640 --> 01:19:23,720
Speaker 2: those days it was it was good seeing those old

1849
01:19:23,800 --> 01:19:27,479
Speaker 2: highlights and those games and you know, like reliving those

1850
01:19:27,520 --> 01:19:29,519
Speaker 2: moments like oh shitting and hear in the back stories

1851
01:19:29,560 --> 01:19:33,840
Speaker 2: from irs Emma Smith and Deon Sanders and Michael Irvin.

1852
01:19:35,880 --> 01:19:37,479
Speaker 3: And even Jerry Jones.

1853
01:19:37,520 --> 01:19:40,439
Speaker 2: Like I kind of heard stories about Jerry Jones over

1854
01:19:40,439 --> 01:19:42,719
Speaker 2: the years, but seeing him in the documentary What Stories

1855
01:19:42,760 --> 01:19:48,120
Speaker 2: Your Well him just being ah too, Tony. No that

1856
01:19:48,479 --> 01:19:49,800
Speaker 2: he addressed that as well.

1857
01:19:49,840 --> 01:19:50,840
Speaker 3: But no, he was there.

1858
01:19:50,960 --> 01:19:51,760
Speaker 1: He was just checking it out.

1859
01:19:51,800 --> 01:19:53,080
Speaker 3: He didn't know what was going on. He was just

1860
01:19:53,120 --> 01:19:53,800
Speaker 3: at school that day.

1861
01:19:54,360 --> 01:19:56,680
Speaker 1: But I saw a group of people like what they're doing?

1862
01:19:56,760 --> 01:19:57,400
Speaker 3: Who are yeah?

1863
01:19:57,400 --> 01:19:57,519
Speaker 4: Who?

1864
01:19:58,080 --> 01:20:00,559
Speaker 2: And they just called him in the backgrounds. That's that was.

1865
01:20:00,720 --> 01:20:03,240
Speaker 2: But no, him, you know, the way he purchased the

1866
01:20:03,280 --> 01:20:07,400
Speaker 2: team and him just really wanting to be hands on

1867
01:20:08,400 --> 01:20:11,000
Speaker 2: with everything, and then you know, kind of him and

1868
01:20:11,120 --> 01:20:14,280
Speaker 2: coach Johnson kind of like you know, having it their

1869
01:20:14,320 --> 01:20:17,439
Speaker 2: their their spat, but them also being such close friends

1870
01:20:17,439 --> 01:20:20,280
Speaker 2: and winning a national title at Arkansas and College together.

1871
01:20:22,200 --> 01:20:23,240
Speaker 3: It was just good to see.

1872
01:20:23,040 --> 01:20:25,639
Speaker 2: That dynamic of Jerry Jones, who just was a guy

1873
01:20:25,680 --> 01:20:28,240
Speaker 2: who you know, believed in this team that he bought

1874
01:20:28,240 --> 01:20:31,320
Speaker 2: and wanted them to be great and was willing to

1875
01:20:31,360 --> 01:20:33,880
Speaker 2: do any and everything what other men doing the laundry

1876
01:20:33,920 --> 01:20:36,760
Speaker 2: for the team, whether it men, you know, whatever it was.

1877
01:20:36,800 --> 01:20:39,800
Speaker 2: He just wanted to be a part of the organization.

1878
01:20:40,080 --> 01:20:40,200
Speaker 4: Now.

1879
01:20:40,200 --> 01:20:41,800
Speaker 2: He didn't just want to own the team and just

1880
01:20:42,240 --> 01:20:44,360
Speaker 2: you know, be in his office looking down on everybody

1881
01:20:44,439 --> 01:20:46,880
Speaker 2: like he wanted to really be in the mix and

1882
01:20:47,000 --> 01:20:48,840
Speaker 2: you know, you know, and be and be in the

1883
01:20:49,160 --> 01:20:51,080
Speaker 2: players faces and let the players know that he was

1884
01:20:51,120 --> 01:20:54,639
Speaker 2: there for them. The whole thing I forgot about when

1885
01:20:54,600 --> 01:20:58,080
Speaker 2: they was trying to call Troy Troyman a racist. I

1886
01:20:58,120 --> 01:21:01,760
Speaker 2: forgot about that whole thing in the nineties and then

1887
01:21:01,800 --> 01:21:04,080
Speaker 2: Troy being there front row and Michael Irvin had to

1888
01:21:04,080 --> 01:21:06,360
Speaker 2: go to court for his ship, like you know, like

1889
01:21:06,400 --> 01:21:08,519
Speaker 2: it was just it was just cool to see to

1890
01:21:08,680 --> 01:21:10,639
Speaker 2: see those gentlemen where they had in their lives now

1891
01:21:10,760 --> 01:21:12,760
Speaker 2: kind of relived that and talk about those moments in

1892
01:21:12,800 --> 01:21:15,360
Speaker 2: those days. But it was a good documentary. Definitely should

1893
01:21:15,360 --> 01:21:18,200
Speaker 2: watch it. I'm not a Cowboys fan, but you cannot be.

1894
01:21:18,280 --> 01:21:21,040
Speaker 2: You cannot grow up in the nineties watching football and

1895
01:21:21,080 --> 01:21:23,559
Speaker 2: not you know, just have respect for what they did.

1896
01:21:23,720 --> 01:21:25,520
Speaker 1: Is it safe to say, though that they're not America's

1897
01:21:25,520 --> 01:21:30,360
Speaker 1: team late eighties, in the nineties, they they had legendary run.

1898
01:21:30,760 --> 01:21:34,320
Speaker 1: Does that make you America's team? I mean, if you

1899
01:21:34,320 --> 01:21:37,479
Speaker 1: want to get to the technicality technicality, the technicalities is

1900
01:21:37,479 --> 01:21:39,480
Speaker 1: there's a dynasty called the Patriots.

1901
01:21:40,000 --> 01:21:43,320
Speaker 3: Well, yes, I think every America successful.

1902
01:21:43,439 --> 01:21:47,679
Speaker 2: Yes, But I liked what coach Khlor from the Steelers

1903
01:21:47,880 --> 01:21:50,760
Speaker 2: He was like, if anything, Pittsburgh is the fucking America's team,

1904
01:21:50,840 --> 01:21:53,960
Speaker 2: Like I'm not at Collins, still in Country, like still

1905
01:21:53,960 --> 01:21:55,960
Speaker 2: Mills State, like you know we like so when he

1906
01:21:56,000 --> 01:21:58,000
Speaker 2: said that, I was like, got a point there, like.

1907
01:21:58,240 --> 01:22:02,360
Speaker 1: Yeah, if you're gonna name actually they campaign in Pennsylvania,

1908
01:22:02,439 --> 01:22:04,040
Speaker 1: you get what I'm saying. That's that's an America.

1909
01:22:04,160 --> 01:22:04,800
Speaker 3: I understand that.

1910
01:22:04,880 --> 01:22:07,400
Speaker 2: But you know, just the Cowboys being one of the

1911
01:22:07,439 --> 01:22:13,280
Speaker 2: most recognizable franchises, recognizable logos in the world, being worth.

1912
01:22:13,320 --> 01:22:15,440
Speaker 3: I think probably eight nine ten billionaire.

1913
01:22:16,320 --> 01:22:19,960
Speaker 1: It's outside of Yankees, it's probably no. Number two, But

1914
01:22:20,000 --> 01:22:24,920
Speaker 1: I don't know because LaaS just so, so, what do

1915
01:22:24,960 --> 01:22:26,280
Speaker 1: you think Lake Boys would sell for?

1916
01:22:28,360 --> 01:22:35,040
Speaker 3: Yeah?

1917
01:22:35,080 --> 01:22:38,160
Speaker 1: Oh wait, Demarus is calling us. You're going to try

1918
01:22:38,200 --> 01:22:38,960
Speaker 1: to celebrate for her.

1919
01:22:39,000 --> 01:22:41,000
Speaker 2: Yeah, let's see what she's doing. Man, she's on vacation.

1920
01:22:41,800 --> 01:22:44,439
Speaker 2: You know that time on Conspiracy Theorist. Check it out,

1921
01:22:44,640 --> 01:22:48,040
Speaker 2: Baby de been calling out, missing work, all kind of shit.

1922
01:22:48,520 --> 01:22:52,679
Speaker 3: We're getting close with the predictions might be coming true. Yo. Listen,

1923
01:22:52,760 --> 01:22:53,680
Speaker 3: I'm gonna let you know.

1924
01:22:53,680 --> 01:22:56,599
Speaker 1: It might retire. Yeah, yeah, yeah, she don't got to work.

1925
01:22:56,640 --> 01:22:58,479
Speaker 3: No man, listen, man, we gotta call it and check

1926
01:22:58,720 --> 01:23:00,920
Speaker 3: yourself a Richmond. Let's checking on baby D right now.

1927
01:23:00,960 --> 01:23:01,920
Speaker 3: See what the hell going on?

1928
01:23:02,120 --> 01:23:04,200
Speaker 1: Don't try to celebrate. I'm sure she's between that like

1929
01:23:04,320 --> 01:23:07,000
Speaker 1: dinner and uh later night activity whatever.

1930
01:23:07,760 --> 01:23:09,559
Speaker 3: You better answer this goddamn phone. I know that.

1931
01:23:09,680 --> 01:23:12,880
Speaker 1: No, she's calling special guests in the Zoom Zoom room

1932
01:23:13,439 --> 01:23:16,760
Speaker 1: live from who the fuck knows Baby D. And the

1933
01:23:16,840 --> 01:23:19,640
Speaker 1: D is for making d D D is that d

1934
01:23:19,800 --> 01:23:25,760
Speaker 1: R undisclosed location. I'm in kurausel curausew.

1935
01:23:26,840 --> 01:23:29,439
Speaker 3: I know what they'll do outside. A lot of topless

1936
01:23:29,479 --> 01:23:31,799
Speaker 3: beaches out there, A lot of new beaches.

1937
01:23:32,160 --> 01:23:33,240
Speaker 7: You just made that up.

1938
01:23:34,360 --> 01:23:36,599
Speaker 3: A lot of new beaches and curres out there.

1939
01:23:36,760 --> 01:23:40,439
Speaker 1: Yeah, where is cursel like in the world?

1940
01:23:41,080 --> 01:23:43,640
Speaker 7: Aruba and air is part of the ABC Islands.

1941
01:23:44,040 --> 01:23:46,559
Speaker 1: Oh okay, so the LGBT they got the whole ship.

1942
01:23:46,600 --> 01:23:47,840
Speaker 3: Now, yo, listen, they got island.

1943
01:23:48,000 --> 01:23:48,639
Speaker 1: That's crazy.

1944
01:23:48,680 --> 01:23:50,439
Speaker 3: They got islands, they got all kind of they got

1945
01:23:50,479 --> 01:23:51,160
Speaker 3: clothing brands.

1946
01:23:51,479 --> 01:23:52,360
Speaker 1: You put it right up there.

1947
01:23:52,479 --> 01:23:53,200
Speaker 3: I left it alone.

1948
01:23:53,360 --> 01:23:54,120
Speaker 1: I left it alone.

1949
01:23:54,160 --> 01:23:55,479
Speaker 3: Yeah, baby, how you feeling.

1950
01:23:56,720 --> 01:23:58,160
Speaker 7: I'm okay. I'm in a little bit of pain, but

1951
01:23:58,200 --> 01:23:58,639
Speaker 7: I'm okay.

1952
01:23:58,720 --> 01:24:00,559
Speaker 2: We just wanted to We just wanted to checking on

1953
01:24:00,640 --> 01:24:02,439
Speaker 2: you. You know what I'm saying. See how you was feeling,

1954
01:24:02,479 --> 01:24:04,760
Speaker 2: See how you was doing. Make sure you're getting you

1955
01:24:04,800 --> 01:24:07,880
Speaker 2: know your tan on. You got the right oils because

1956
01:24:07,920 --> 01:24:09,559
Speaker 2: you know it's melanated people. We gotta have the right

1957
01:24:09,600 --> 01:24:10,679
Speaker 2: oils when we sit in that sun.

1958
01:24:10,760 --> 01:24:12,080
Speaker 3: Now, mm hmm.

1959
01:24:12,920 --> 01:24:16,800
Speaker 5: Yeah, I'm good. I'm getting ten. I'm outside. Actually I'm

1960
01:24:16,840 --> 01:24:19,080
Speaker 5: not outside. I've been in this airbnb this entire time.

1961
01:24:19,120 --> 01:24:21,080
Speaker 3: But but that's outside.

1962
01:24:21,840 --> 01:24:23,400
Speaker 7: Yeah, somebody outside.

1963
01:24:23,800 --> 01:24:25,080
Speaker 3: Yeah, there you go. Look at you?

1964
01:24:25,520 --> 01:24:28,400
Speaker 1: That is that the front nine? Youna lift golf in

1965
01:24:28,400 --> 01:24:29,880
Speaker 1: the background. You're not gonna go play. No, you're not

1966
01:24:29,880 --> 01:24:31,160
Speaker 1: gonna we'll go play. No live golf.

1967
01:24:31,200 --> 01:24:33,720
Speaker 3: You gotta pay live golf, regular golf. You gotta play

1968
01:24:33,800 --> 01:24:34,320
Speaker 3: live golf.

1969
01:24:35,360 --> 01:24:35,759
Speaker 7: Yeah.

1970
01:24:36,080 --> 01:24:38,240
Speaker 1: So what's your vacation swag? Like, what do you usually

1971
01:24:38,240 --> 01:24:40,599
Speaker 1: do besides falling the pool? Uh?

1972
01:24:42,160 --> 01:24:42,439
Speaker 3: What?

1973
01:24:42,640 --> 01:24:44,479
Speaker 7: That's why I tell you ship you talk too much.

1974
01:24:45,000 --> 01:24:46,240
Speaker 1: Oh no, we're gonna show the video too.

1975
01:24:46,320 --> 01:24:48,840
Speaker 2: Yeah, we gotta post that clip. Actually, that's gonna be

1976
01:24:48,840 --> 01:24:50,080
Speaker 2: the thumb. Noiw is that gonna make?

1977
01:24:50,200 --> 01:24:51,600
Speaker 1: Is that gonna make one of your locks?

1978
01:24:52,880 --> 01:24:54,880
Speaker 7: I was thinking about it. It's embarrassing though.

1979
01:24:54,920 --> 01:24:57,000
Speaker 2: Baby, when the last time your leg went like that

1980
01:24:57,160 --> 01:24:59,920
Speaker 2: far behind you and like because that looked like it,

1981
01:25:00,240 --> 01:25:02,320
Speaker 2: that looked like you could be out for about three weeks.

1982
01:25:02,880 --> 01:25:04,720
Speaker 2: Jason Tatum might have felt just like that one time

1983
01:25:04,720 --> 01:25:05,360
Speaker 2: I was out bro.

1984
01:25:05,520 --> 01:25:07,640
Speaker 1: Ther whole jaw, and that we could actually tease it

1985
01:25:07,640 --> 01:25:09,120
Speaker 1: here and then you could put it on your vlog,

1986
01:25:09,400 --> 01:25:10,960
Speaker 1: so like everyone will rush to see you bust your

1987
01:25:10,960 --> 01:25:11,639
Speaker 1: ass on your vlog.

1988
01:25:11,880 --> 01:25:13,880
Speaker 7: You want to see my bruise, look at my brus

1989
01:25:13,960 --> 01:25:14,919
Speaker 7: God yeah.

1990
01:25:14,840 --> 01:25:17,200
Speaker 3: Oh yeah, no, that's bad. That's bad.

1991
01:25:17,520 --> 01:25:20,080
Speaker 1: Holy ship all right for those Jamarus was trying to

1992
01:25:20,080 --> 01:25:22,439
Speaker 1: like be sexy by setting the camera up and walk

1993
01:25:22,479 --> 01:25:24,880
Speaker 1: on the side of the was that the invisible pool,

1994
01:25:25,479 --> 01:25:28,640
Speaker 1: never never ending Infinity pool? Trying to walk in the

1995
01:25:28,720 --> 01:25:30,800
Speaker 1: infinity pool and completely.

1996
01:25:30,240 --> 01:25:33,840
Speaker 3: Slid invisible pool that was right there. We can see

1997
01:25:33,840 --> 01:25:34,240
Speaker 3: the pool.

1998
01:25:35,720 --> 01:25:38,320
Speaker 2: It's infinity No, it gives the Lord that it's just

1999
01:25:38,560 --> 01:25:39,559
Speaker 2: never never ending.

2000
01:25:39,600 --> 01:25:42,240
Speaker 1: Well, Demarus is still falling. Yes, it was the Infinity fall.

2001
01:25:42,360 --> 01:25:44,519
Speaker 1: She was walking on the side and straight busts her

2002
01:25:44,600 --> 01:25:47,240
Speaker 1: ass trying to look sexy for the vlog. But that

2003
01:25:47,400 --> 01:25:50,200
Speaker 1: was the funniest video, Like I air dropped that to

2004
01:25:50,280 --> 01:25:53,479
Speaker 1: my computer too, Like that needs to be on multiple clouds.

2005
01:25:54,800 --> 01:25:57,040
Speaker 1: When you when you when you're coming back to work

2006
01:25:58,400 --> 01:25:58,920
Speaker 1: to work.

2007
01:25:59,280 --> 01:26:01,160
Speaker 3: Yeah, niggas ain't get.

2008
01:26:01,120 --> 01:26:02,360
Speaker 7: My two weeks in the mouth.

2009
01:26:02,800 --> 01:26:03,000
Speaker 5: Nah.

2010
01:26:03,080 --> 01:26:04,439
Speaker 3: But I mean let me know, like you know what

2011
01:26:04,439 --> 01:26:08,120
Speaker 3: I'm saying, let me look out for it from Yeah,

2012
01:26:08,160 --> 01:26:09,840
Speaker 3: where where'd you mail it from? And where'd you mail

2013
01:26:09,880 --> 01:26:10,040
Speaker 3: it to?

2014
01:26:10,439 --> 01:26:12,840
Speaker 7: Like from from here middle of the ocean, so.

2015
01:26:17,400 --> 01:26:19,160
Speaker 3: Right, Yeah, that takes more days to take a little

2016
01:26:19,160 --> 01:26:20,960
Speaker 3: more day. We might get that Thursday or on trip.

2017
01:26:21,000 --> 01:26:21,599
Speaker 3: It's all good.

2018
01:26:22,160 --> 01:26:24,080
Speaker 7: Yeah, I'll be her Thursday. I'll be a work Thursday.

2019
01:26:24,360 --> 01:26:26,320
Speaker 1: Any any women of the night out there?

2020
01:26:27,640 --> 01:26:27,920
Speaker 4: Nah?

2021
01:26:27,960 --> 01:26:29,559
Speaker 7: But down I d in clubs here.

2022
01:26:30,120 --> 01:26:31,800
Speaker 1: That's that's not good.

2023
01:26:32,680 --> 01:26:33,160
Speaker 7: No, it ain't.

2024
01:26:33,200 --> 01:26:34,880
Speaker 5: It ain't good because I went to we went to

2025
01:26:34,920 --> 01:26:36,320
Speaker 5: go pay for some girl to get in, and we

2026
01:26:36,360 --> 01:26:37,559
Speaker 5: realized the ain't I d her?

2027
01:26:37,560 --> 01:26:38,960
Speaker 7: And I looked at her, and he looked at her,

2028
01:26:38,960 --> 01:26:39,240
Speaker 7: and we.

2029
01:26:39,200 --> 01:26:43,439
Speaker 3: Said, y'all went to pay for a girl to get in?

2030
01:26:44,320 --> 01:26:45,920
Speaker 5: Yeah, like she was going to get in or whatever,

2031
01:26:45,960 --> 01:26:47,479
Speaker 5: and we were going to pay for her to get in.

2032
01:26:47,800 --> 01:26:50,040
Speaker 5: But then we realized that they didn't I d her.

2033
01:26:50,320 --> 01:26:53,280
Speaker 3: This was some random gol that y'all just saw it. Yeah,

2034
01:26:53,360 --> 01:26:53,680
Speaker 3: she was.

2035
01:26:53,760 --> 01:26:57,120
Speaker 5: Pretty, but he looked young, but she looked too young

2036
01:26:57,160 --> 01:26:57,800
Speaker 5: to be in a club.

2037
01:26:57,920 --> 01:27:01,920
Speaker 1: I was like, I, which'll like eighteen nineteen young or

2038
01:27:01,960 --> 01:27:03,920
Speaker 1: like fourteen fifteen years But she.

2039
01:27:04,000 --> 01:27:05,920
Speaker 7: Was like, come on, bro, no, she looked like she

2040
01:27:06,040 --> 01:27:08,519
Speaker 7: was like twenty. She looked like she could be twenty three.

2041
01:27:08,640 --> 01:27:10,200
Speaker 7: She could be oh after.

2042
01:27:10,080 --> 01:27:12,040
Speaker 1: When you say young, she could not be.

2043
01:27:12,080 --> 01:27:14,240
Speaker 5: And we weren't gonna find that out on our own.

2044
01:27:14,360 --> 01:27:15,200
Speaker 5: So now I'm cool.

2045
01:27:15,280 --> 01:27:17,120
Speaker 1: Is the club age even twenty one out there? I

2046
01:27:17,160 --> 01:27:17,960
Speaker 1: feel like it's eighteen.

2047
01:27:18,240 --> 01:27:20,000
Speaker 7: I don't know. I think it's like eighteen. That's what

2048
01:27:20,120 --> 01:27:22,479
Speaker 7: I wasn't. We weren't thinking that, you know, you.

2049
01:27:22,360 --> 01:27:22,920
Speaker 1: Had something else.

2050
01:27:22,920 --> 01:27:24,720
Speaker 2: You mom to be careful. You don't want to come

2051
01:27:24,720 --> 01:27:28,519
Speaker 2: back with a rico. Get you for trafficking right now?

2052
01:27:28,520 --> 01:27:32,240
Speaker 2: You you don't cross little condoscar. Yeah, that's how see,

2053
01:27:32,280 --> 01:27:33,960
Speaker 2: that's how you have the marathon.

2054
01:27:36,439 --> 01:27:36,599
Speaker 1: Yo.

2055
01:27:37,160 --> 01:27:38,559
Speaker 3: Yo, we're your doc dropper.

2056
01:27:38,640 --> 01:27:38,720
Speaker 4: Yo.

2057
01:27:41,040 --> 01:27:44,880
Speaker 1: All right, man, I lit't me. Is your guess laying? Yeah,

2058
01:27:44,960 --> 01:27:45,479
Speaker 1: it's not me.

2059
01:27:46,080 --> 01:27:50,160
Speaker 5: That girl name is Gilaylay, not very Max, whatever her

2060
01:27:50,240 --> 01:27:50,600
Speaker 5: name is.

2061
01:27:50,680 --> 01:27:52,559
Speaker 3: Just make sure you don't do nothing on at island

2062
01:27:52,560 --> 01:27:53,559
Speaker 3: that we can't do.

2063
01:27:53,560 --> 01:27:56,800
Speaker 2: Here in America. Every all rules still apply. Just because

2064
01:27:56,840 --> 01:27:58,760
Speaker 2: you abroad. Don't try to mix in with the with

2065
01:27:58,840 --> 01:27:59,320
Speaker 2: the locals.

2066
01:27:59,360 --> 01:28:02,240
Speaker 3: And do locals. We fly right to a ruber. He

2067
01:28:02,320 --> 01:28:03,960
Speaker 3: tried this house.

2068
01:28:04,120 --> 01:28:09,639
Speaker 2: He tried to They took the gas out of his jest. Yeah,

2069
01:28:09,640 --> 01:28:11,879
Speaker 2: it is like, nah, Fair, you ain't taking off.

2070
01:28:12,360 --> 01:28:15,679
Speaker 7: Baby about today? What gonna talk about without me? That's crazy?

2071
01:28:16,400 --> 01:28:18,920
Speaker 3: Oh man, I got all kind of questions for Rory today.

2072
01:28:18,960 --> 01:28:19,160
Speaker 5: Man.

2073
01:28:20,240 --> 01:28:21,519
Speaker 2: Yeah, I just want to just want to talk to

2074
01:28:21,600 --> 01:28:23,240
Speaker 2: Rory today. I don't even care about what's going on

2075
01:28:23,280 --> 01:28:26,519
Speaker 2: in the culture. I didn't even do anything this weeknd no, no,

2076
01:28:26,840 --> 01:28:28,639
Speaker 2: not like no interrogation questions.

2077
01:28:29,080 --> 01:28:31,040
Speaker 1: I just want to know, Like Josh giggling over there,

2078
01:28:31,040 --> 01:28:32,599
Speaker 1: like like I missed the pre production meeting.

2079
01:28:32,920 --> 01:28:35,760
Speaker 3: Oh no, no, no, nothing like that, just just kicking it.

2080
01:28:36,320 --> 01:28:37,519
Speaker 3: We had to check. We had to check in on

2081
01:28:37,600 --> 01:28:39,280
Speaker 3: baby dealal make sure you was good out there.

2082
01:28:39,439 --> 01:28:42,880
Speaker 5: Yeah cool, Thanks thanks for calling.

2083
01:28:43,000 --> 01:28:46,160
Speaker 2: It's technically our four hundredth episode, which technically it's not.

2084
01:28:46,360 --> 01:28:49,720
Speaker 2: It's not with all the Patreon episodes and we we

2085
01:28:49,760 --> 01:28:51,000
Speaker 2: well four hundred.

2086
01:28:50,760 --> 01:28:52,400
Speaker 1: But our additional episode. We didn't put a.

2087
01:28:52,439 --> 01:28:55,479
Speaker 5: Number two regular episode, our four hundred regular episode, which

2088
01:28:55,520 --> 01:28:56,639
Speaker 5: is important, right.

2089
01:28:56,920 --> 01:28:59,360
Speaker 1: I guess is it important?

2090
01:28:59,439 --> 01:29:00,360
Speaker 3: I mean yeah, I guess it is.

2091
01:29:00,360 --> 01:29:01,759
Speaker 1: It's like important to YG it's.

2092
01:29:01,600 --> 01:29:04,040
Speaker 2: Important if you do four hundred of anything. I mean,

2093
01:29:04,040 --> 01:29:06,040
Speaker 2: if you try to eat four hundred manzarella sticks. That

2094
01:29:06,160 --> 01:29:06,959
Speaker 2: was very important.

2095
01:29:09,479 --> 01:29:12,120
Speaker 1: That's why she's still That's why you still got gas. Now,

2096
01:29:14,360 --> 01:29:15,720
Speaker 1: what's the play of the rest of the trip? You

2097
01:29:15,720 --> 01:29:17,360
Speaker 1: guys do your ATV shet.

2098
01:29:18,840 --> 01:29:21,280
Speaker 7: No, we might, we might jet ski, we might sleep.

2099
01:29:21,320 --> 01:29:22,920
Speaker 7: We really out of We don't know. We're old, bro,

2100
01:29:23,600 --> 01:29:25,000
Speaker 7: we old, we old.

2101
01:29:25,160 --> 01:29:28,760
Speaker 3: This nigga just turned thirty. What are you talking about?

2102
01:29:29,080 --> 01:29:30,200
Speaker 7: I'm thirty plus.

2103
01:29:30,400 --> 01:29:31,880
Speaker 3: That don't even but you got a You're not even

2104
01:29:31,880 --> 01:29:33,240
Speaker 3: a full thirty one yet though.

2105
01:29:34,720 --> 01:29:37,400
Speaker 1: Listen, I'm old, y'all.

2106
01:29:37,439 --> 01:29:39,240
Speaker 7: See I got this robe and it's like twelve o'clock.

2107
01:29:40,280 --> 01:29:43,720
Speaker 2: Rob is just that's vacation shit. That's I don't care

2108
01:29:43,720 --> 01:29:45,040
Speaker 2: how old you all. I ain't nigga nohe to do

2109
01:29:45,080 --> 01:29:48,080
Speaker 2: with being old. Vacation of rover is a must when

2110
01:29:48,080 --> 01:29:48,759
Speaker 2: you on vacation.

2111
01:29:49,640 --> 01:29:50,120
Speaker 7: Mm hmm.

2112
01:29:50,960 --> 01:29:54,519
Speaker 5: That's pretty big on the tide of talking your niggas

2113
01:29:54,520 --> 01:29:55,240
Speaker 5: for rom on vacation.

2114
01:29:55,280 --> 01:29:57,439
Speaker 7: It's feels too much like work. I love y'all. Happy

2115
01:29:57,479 --> 01:29:59,000
Speaker 7: four hundred. This was amazing.

2116
01:29:59,160 --> 01:30:00,120
Speaker 3: Four hundred.

2117
01:30:01,680 --> 01:30:03,639
Speaker 1: For by Safe Travels.

2118
01:30:03,960 --> 01:30:06,840
Speaker 5: Get some rest, okay, right next time? I text you

2119
01:30:06,880 --> 01:30:09,880
Speaker 5: at eleven o'clock PM. Don't fake sleep, bro, I hate them. Like,

2120
01:30:09,920 --> 01:30:13,000
Speaker 5: if you get asked, just say that, like, don't fake sleep.

2121
01:30:12,800 --> 01:30:15,560
Speaker 7: At eleven o'clock. Well, first of all, wow, I was

2122
01:30:15,640 --> 01:30:16,080
Speaker 7: knocked up.

2123
01:30:16,160 --> 01:30:19,320
Speaker 1: That's because I was in bed with Lamara, so you're gross.

2124
01:30:19,800 --> 01:30:24,760
Speaker 1: But yes, I was asleep with that time, just because

2125
01:30:24,760 --> 01:30:26,400
Speaker 1: I get under these girls.

2126
01:30:27,680 --> 01:30:28,840
Speaker 7: Me like the niggas from Brooklyn Road.

2127
01:30:28,880 --> 01:30:33,000
Speaker 5: All right, I'm gonna holler at you bye.

2128
01:30:33,920 --> 01:30:34,240
Speaker 3: You see.

2129
01:30:34,240 --> 01:30:37,880
Speaker 1: Her energy is a little even different too, vacation, nonchalant.

2130
01:30:38,040 --> 01:30:41,120
Speaker 1: They didn't really want to talk. No, I'm I'm with

2131
01:30:41,200 --> 01:30:42,040
Speaker 1: you on your the.

2132
01:30:42,160 --> 01:30:43,599
Speaker 3: I know that I think she's about to retire now

2133
01:30:43,680 --> 01:30:46,720
Speaker 3: it's over. Hey, hey look, hey, who'll be breaking the death?

2134
01:30:47,040 --> 01:30:48,960
Speaker 3: Y'all might be right. You might have called that one right,

2135
01:30:49,280 --> 01:30:50,280
Speaker 3: she might be out of here.

2136
01:30:50,360 --> 01:30:51,840
Speaker 1: Well you just found out last week that she had

2137
01:30:51,840 --> 01:30:54,599
Speaker 1: a man. Yeah, so, I mean you know how, from

2138
01:30:54,600 --> 01:30:56,759
Speaker 1: my understanding, he's pretty financially stable.

2139
01:30:57,040 --> 01:30:57,240
Speaker 3: Yeah.

2140
01:30:57,840 --> 01:30:59,840
Speaker 1: Oh god, I would love for a girl to retire me.

2141
01:31:00,080 --> 01:31:02,120
Speaker 1: Oh man, I would love to just zoom in with

2142
01:31:02,200 --> 01:31:07,200
Speaker 1: y'all from Curse a curros out zoom from care like, yeah,

2143
01:31:07,240 --> 01:31:09,479
Speaker 1: let me check my lady. I'll be the house husband. Yeah,

2144
01:31:09,920 --> 01:31:11,200
Speaker 1: let me check with her to see if it's okay.

2145
01:31:11,479 --> 01:31:14,280
Speaker 3: Sorry, let me see what's on her schedule. She got playing.

2146
01:31:14,400 --> 01:31:16,640
Speaker 1: I need to make her dinner. Oh yeah, absolutely, and

2147
01:31:16,720 --> 01:31:19,160
Speaker 1: make her shoes. That's crazy though. Shit, that was like

2148
01:31:19,200 --> 01:31:23,000
Speaker 1: a whole different demeris aura. I feel like vacation vacation.

2149
01:31:23,120 --> 01:31:25,400
Speaker 1: Excuse me, Nah, that was the vacation where I think

2150
01:31:25,479 --> 01:31:27,439
Speaker 1: I could be on permanent vacation.

2151
01:31:27,600 --> 01:31:28,040
Speaker 3: Yeah.

2152
01:31:29,160 --> 01:31:29,800
Speaker 1: I like this life.

2153
01:31:29,800 --> 01:31:31,360
Speaker 3: I could do this soft life.

2154
01:31:31,560 --> 01:31:34,879
Speaker 1: I could do this with that said, do we have voicemails?

2155
01:31:34,920 --> 01:31:36,280
Speaker 3: Josh got mail.

2156
01:31:37,439 --> 01:31:40,600
Speaker 1: These are brought to you by Boost. Let's see what

2157
01:31:40,640 --> 01:31:44,680
Speaker 1: everyone has to say this week. Yo. So I got

2158
01:31:44,720 --> 01:31:47,479
Speaker 1: this girl that I work with, right and don't do

2159
01:31:47,520 --> 01:31:49,680
Speaker 1: it. It was these two girls that I work with and me.

2160
01:31:49,880 --> 01:31:52,719
Speaker 6: We were just talking about just you know, people locally

2161
01:31:52,760 --> 01:31:55,960
Speaker 6: that we know whatever, whatever. Long story short, this one girl,

2162
01:31:56,000 --> 01:31:58,720
Speaker 6: her name is Cast. She shows me this video of

2163
01:31:58,800 --> 01:32:03,280
Speaker 6: this one girl. It's a sex video. It's this girl

2164
01:32:03,320 --> 01:32:06,360
Speaker 6: getting fucked, you know what I mean, on her phone

2165
01:32:06,600 --> 01:32:08,960
Speaker 6: and they're talking about how you know this girl, she's

2166
01:32:09,080 --> 01:32:12,439
Speaker 6: she's trash, she's no good whatever, whatever, And I said, Cas,

2167
01:32:12,479 --> 01:32:14,439
Speaker 6: why do you have that in your phone, Like why

2168
01:32:14,439 --> 01:32:15,720
Speaker 6: are you holding on to it?

2169
01:32:16,160 --> 01:32:17,320
Speaker 3: Like what do you have to do with this?

2170
01:32:17,720 --> 01:32:19,519
Speaker 6: And she just says, oh, I just have this for

2171
01:32:19,640 --> 01:32:23,320
Speaker 6: blackmail just in case this girl wants to talk shit

2172
01:32:23,840 --> 01:32:26,280
Speaker 6: or just in case me and this girl ever have

2173
01:32:26,360 --> 01:32:26,919
Speaker 6: a problem.

2174
01:32:28,120 --> 01:32:29,799
Speaker 7: And dog, I thought that was the.

2175
01:32:29,640 --> 01:32:34,960
Speaker 6: Weirdest shit Ever's I've never heard of anybody doing any

2176
01:32:35,000 --> 01:32:38,080
Speaker 6: shit like that in my life, Like that is wild.

2177
01:32:38,280 --> 01:32:40,720
Speaker 6: Just in case you have you have sex blackmail on

2178
01:32:40,760 --> 01:32:44,240
Speaker 6: your phone of this girl, just in case she ever

2179
01:32:44,360 --> 01:32:48,000
Speaker 6: fucks with you. Let me know, especially Baby D, let

2180
01:32:48,040 --> 01:32:50,880
Speaker 6: me know, is this a normal thing that girls be

2181
01:32:50,920 --> 01:32:51,559
Speaker 6: doing out here?

2182
01:32:52,760 --> 01:32:55,519
Speaker 1: Well? Baby D is making her own sex blackmail video. Yes,

2183
01:32:55,560 --> 01:32:57,880
Speaker 1: in CURSL right now, Yes, she's making it.

2184
01:32:58,040 --> 01:33:00,840
Speaker 2: She's making a three part documentary and Cure us out

2185
01:33:01,439 --> 01:33:04,880
Speaker 2: with the same producers of the Jesse, same ones, same ones.

2186
01:33:05,360 --> 01:33:08,400
Speaker 1: I think anything with people have in sex is way

2187
01:33:08,520 --> 01:33:10,760
Speaker 1: over the line, Like I think the revenge Born thing

2188
01:33:10,960 --> 01:33:15,400
Speaker 1: is corny. I think all that those are private instrument moments. Yeah, definitely.

2189
01:33:16,360 --> 01:33:19,920
Speaker 1: I've always found that like very uh, that stuff needs

2190
01:33:19,920 --> 01:33:26,439
Speaker 1: to say sacred. Those are intimate moments. There is something

2191
01:33:26,880 --> 01:33:29,600
Speaker 1: when I was a less becoming person that I have

2192
01:33:29,680 --> 01:33:33,200
Speaker 1: held in my phone as blackmail at the time. I

2193
01:33:33,240 --> 01:33:37,040
Speaker 1: don't care anymore. There was somebody that I mean, beef

2194
01:33:37,080 --> 01:33:40,439
Speaker 1: is a two way street pulse. I didn't feel like

2195
01:33:40,479 --> 01:33:42,680
Speaker 1: I was beefing with this person. And for all you

2196
01:33:42,760 --> 01:33:45,800
Speaker 1: read it and YouTube people, it's it's not anything which

2197
01:33:45,840 --> 01:33:47,639
Speaker 1: you think of the podcast world. I promise you don't

2198
01:33:47,640 --> 01:33:50,920
Speaker 1: need to do the science. There was somebody that was

2199
01:33:51,280 --> 01:33:54,280
Speaker 1: a complete weirdo on the internet. I have a video

2200
01:33:54,520 --> 01:33:57,519
Speaker 1: of him fighting somebody that pretends to be a tough guy,

2201
01:33:57,800 --> 01:34:01,040
Speaker 1: like that's his whole image is I'm tough, Like I'm

2202
01:34:01,080 --> 01:34:03,960
Speaker 1: that guy. I'll beat anybody up this and that. I

2203
01:34:03,960 --> 01:34:08,559
Speaker 1: have a video of him fighting and it does not

2204
01:34:08,640 --> 01:34:13,200
Speaker 1: appear that he knows how to fight at all. And

2205
01:34:13,240 --> 01:34:17,280
Speaker 1: I have had that in my phone for about a decade.

2206
01:34:18,960 --> 01:34:22,040
Speaker 1: It's just been sitting there just in case somebody has

2207
01:34:22,120 --> 01:34:23,800
Speaker 1: just been talking about me for longs like I had.

2208
01:34:23,880 --> 01:34:27,080
Speaker 1: But it's there like it exists. Yeah, and I wouldn't

2209
01:34:27,120 --> 01:34:28,800
Speaker 1: do anything with it now. I'm not that person. I

2210
01:34:28,840 --> 01:34:31,040
Speaker 1: honestly do not care. If I came across that person.

2211
01:34:31,720 --> 01:34:33,479
Speaker 1: We're not going to ever be friends or speak. But

2212
01:34:33,520 --> 01:34:35,840
Speaker 1: it's not on site. I don't give a fuck. Yeah,

2213
01:34:35,840 --> 01:34:39,519
Speaker 1: fucking thirty five years old with the daughter. But there

2214
01:34:39,600 --> 01:34:42,400
Speaker 1: was times when I was like, one day crossed the hedge,

2215
01:34:42,760 --> 01:34:43,920
Speaker 1: just say one thing on Twitter.

2216
01:34:45,000 --> 01:34:45,639
Speaker 3: He letting it fly.

2217
01:34:46,439 --> 01:34:48,400
Speaker 1: Yeah, but that's like, don't do this tough guy shit.

2218
01:34:48,439 --> 01:34:51,639
Speaker 1: When I have a full minute video of you. Clearly

2219
01:34:52,040 --> 01:34:54,040
Speaker 1: it looked like and I don't want to shoot on Meek,

2220
01:34:54,120 --> 01:34:55,640
Speaker 1: but remember when everyone killed Meek when he was just

2221
01:34:55,720 --> 01:34:57,880
Speaker 1: hitting the bag. It was worse than that. Yeah, I

2222
01:34:57,920 --> 01:34:59,360
Speaker 1: was like, I thought you was the biggest thug in

2223
01:34:59,360 --> 01:34:59,720
Speaker 1: New York.

2224
01:35:00,560 --> 01:35:03,439
Speaker 3: Yeah. Nah, I don't know if I have any any

2225
01:35:03,560 --> 01:35:04,280
Speaker 3: videos like that.

2226
01:35:04,400 --> 01:35:07,240
Speaker 1: And losing a fight to somebody that's not a tough guy, right,

2227
01:35:07,920 --> 01:35:11,000
Speaker 1: somebody that's just a cool who's actually smoking shit currently

2228
01:35:11,080 --> 01:35:15,479
Speaker 1: right now. And you people know what I'm talking about.

2229
01:35:15,479 --> 01:35:17,840
Speaker 1: And you losing a fight to somebody that is just

2230
01:35:17,880 --> 01:35:19,960
Speaker 1: a cool guy that don't be mine of his business.

2231
01:35:20,320 --> 01:35:23,080
Speaker 1: Don't act like a tough guy. Just be chilling, yeah,

2232
01:35:23,800 --> 01:35:25,400
Speaker 1: soft spoken, respectful.

2233
01:35:25,479 --> 01:35:26,360
Speaker 3: Those are the ones. Though.

2234
01:35:27,680 --> 01:35:30,080
Speaker 1: He couldn't fight either, But how you.

2235
01:35:31,760 --> 01:35:33,760
Speaker 3: I thought you say like he was kicking ass or

2236
01:35:33,800 --> 01:35:36,360
Speaker 3: something like that, but he couldn't fight either, Okay, okay, gotcha.

2237
01:35:36,439 --> 01:35:38,920
Speaker 1: It looked it looked like fucking too fighting.

2238
01:35:39,080 --> 01:35:43,640
Speaker 2: Okay, sorry, my back, that's not okay to say more. No,

2239
01:35:43,720 --> 01:35:45,679
Speaker 2: one can't let that fly bad.

2240
01:35:46,040 --> 01:35:48,880
Speaker 1: No, it was just a hilarious video and I kept

2241
01:35:48,880 --> 01:35:53,719
Speaker 1: that in my phone. I may have even put Michael

2242
01:35:53,800 --> 01:35:55,559
Speaker 1: Jackson beat It music behind.

2243
01:35:56,160 --> 01:35:58,479
Speaker 3: Oh you have with it? Oh you started editing the video? Okay,

2244
01:35:58,560 --> 01:35:59,920
Speaker 3: got you? All right?

2245
01:36:00,640 --> 01:36:02,600
Speaker 1: Yeah? So all right, I get the blackmail thing. I

2246
01:36:02,600 --> 01:36:05,880
Speaker 1: think anything sexually related that's crazy. That's fucked up because

2247
01:36:06,120 --> 01:36:08,040
Speaker 1: that's an intimate thing. You're trying to blackmail someone with

2248
01:36:08,120 --> 01:36:11,120
Speaker 1: intimate moments. How that got on your phone? Like, that's

2249
01:36:11,160 --> 01:36:14,240
Speaker 1: weird and get rid of it. But now I feel

2250
01:36:14,240 --> 01:36:16,960
Speaker 1: like somebody that fought in public and somebody just happened

2251
01:36:17,000 --> 01:36:18,519
Speaker 1: to send me that video. I think I can hold that.

2252
01:36:19,400 --> 01:36:22,320
Speaker 2: Yeah, but like you said, now, oh no, I wouldn't.

2253
01:36:22,479 --> 01:36:27,880
Speaker 2: Yeah something, get get what you're saying. Yeah, No, that

2254
01:36:27,880 --> 01:36:31,080
Speaker 2: that's putting out or holding somebody's sex tape.

2255
01:36:31,200 --> 01:36:33,679
Speaker 1: And I've ran into that person and realized, oh, you're

2256
01:36:33,720 --> 01:36:36,080
Speaker 1: not who you say you are more than once.

2257
01:36:36,280 --> 01:36:38,840
Speaker 3: So yeah, at this point, that's different from a sex tape.

2258
01:36:38,840 --> 01:36:39,000
Speaker 4: Though.

2259
01:36:39,040 --> 01:36:41,479
Speaker 1: That's way, no way different, that's totally different. I'm not

2260
01:36:41,479 --> 01:36:42,800
Speaker 1: comparing the too. I was just trying to bring up

2261
01:36:42,800 --> 01:36:44,599
Speaker 1: my experience of a black male video that I happened

2262
01:36:44,640 --> 01:36:44,840
Speaker 1: to have.

2263
01:36:45,000 --> 01:36:46,360
Speaker 3: Yeah, I don't. I don't have no black mail.

2264
01:36:46,400 --> 01:36:48,840
Speaker 1: I don't and I'm the thank God because I don't

2265
01:36:48,840 --> 01:36:51,559
Speaker 1: want people to send me like sexual blackmail videos. But

2266
01:36:51,880 --> 01:36:54,360
Speaker 1: that's like an interesting strategy. Is that what women are

2267
01:36:54,360 --> 01:36:55,960
Speaker 1: doing in the streets, like, yo, you got beef with this?

2268
01:36:56,080 --> 01:36:58,559
Speaker 3: But that's what he's that's what he's asking. I don't know.

2269
01:36:58,640 --> 01:36:59,479
Speaker 3: I don't know if women to do.

2270
01:36:59,520 --> 01:37:01,600
Speaker 2: I know women can be very caddy and very you know,

2271
01:37:01,920 --> 01:37:06,080
Speaker 2: sure they could play those games, but that's a I

2272
01:37:06,080 --> 01:37:09,400
Speaker 2: mean with the t app now, right, is that like it?

2273
01:37:09,640 --> 01:37:11,720
Speaker 2: I don't know that that that could be something for

2274
01:37:11,760 --> 01:37:12,280
Speaker 2: the tea app.

2275
01:37:13,400 --> 01:37:15,880
Speaker 1: Yeah, if I just if you're doing it, I mean,

2276
01:37:15,880 --> 01:37:17,320
Speaker 1: if you want to send you a dick and all

2277
01:37:17,400 --> 01:37:22,160
Speaker 1: that to somebody, cool, But sending somebody else to email

2278
01:37:22,240 --> 01:37:24,479
Speaker 1: them is like a whole nother that's a whole another

2279
01:37:24,560 --> 01:37:27,040
Speaker 1: level where like how but they've got to be in

2280
01:37:27,160 --> 01:37:32,799
Speaker 1: like their early twenties or something, or they're older on Facebook,

2281
01:37:32,840 --> 01:37:35,160
Speaker 1: because I've noticed that about old people that are on Facebook,

2282
01:37:35,160 --> 01:37:37,920
Speaker 1: they're very petty in Blackmaily, No.

2283
01:37:38,000 --> 01:37:41,480
Speaker 3: That's just women. Sometimes it could be very petty.

2284
01:37:41,240 --> 01:37:43,400
Speaker 1: But also then just showing that to somebody at work,

2285
01:37:44,200 --> 01:37:48,200
Speaker 1: that's wild. There was somebody that we both know in

2286
01:37:48,240 --> 01:37:50,599
Speaker 1: the music industry that used to do that. That would

2287
01:37:50,600 --> 01:37:54,720
Speaker 1: be very odd not send he would show himself two

2288
01:37:54,760 --> 01:37:59,320
Speaker 1: women at like industry dinners like fucking I always found

2289
01:37:59,360 --> 01:38:01,360
Speaker 1: that like really strength. He doesn't have a documentary out

2290
01:38:01,360 --> 01:38:04,880
Speaker 1: on him yet I could happen that sounds that wasn't

2291
01:38:04,880 --> 01:38:06,720
Speaker 1: like I don't make it seem like I was like

2292
01:38:06,880 --> 01:38:12,120
Speaker 1: uh co signing anything like I just everyone knew that

2293
01:38:12,120 --> 01:38:14,200
Speaker 1: that was like his go to, like maybe it worked

2294
01:38:14,280 --> 01:38:15,360
Speaker 1: way what mean you go to is.

2295
01:38:15,360 --> 01:38:18,080
Speaker 2: Fucking wow, and you know who it is he gonna

2296
01:38:18,080 --> 01:38:20,760
Speaker 2: show you his sex tay what Yeah.

2297
01:38:21,160 --> 01:38:23,680
Speaker 1: The amount of women that have told me, I'm like, yeah, no,

2298
01:38:23,760 --> 01:38:26,640
Speaker 1: everyone says he does that like but not like like

2299
01:38:26,680 --> 01:38:29,880
Speaker 1: not sends it to them, which both are wrong, but

2300
01:38:30,000 --> 01:38:31,960
Speaker 1: like would just be out be like yo, and he'd

2301
01:38:32,000 --> 01:38:34,400
Speaker 1: be doing all like some bestie like friends. I think,

2302
01:38:34,439 --> 01:38:36,080
Speaker 1: like a dog in this chick out last night and

2303
01:38:36,120 --> 01:38:39,640
Speaker 1: show it to a girl he worked with, like at

2304
01:38:39,680 --> 01:38:43,960
Speaker 1: a label. What show do not show me that?

2305
01:38:44,000 --> 01:38:45,680
Speaker 3: Like I have a theory about guys will do that

2306
01:38:46,120 --> 01:38:47,679
Speaker 3: what's your theory. I think they gay?

2307
01:38:48,200 --> 01:38:51,679
Speaker 1: Okay, you want to prove to women.

2308
01:38:51,800 --> 01:38:54,679
Speaker 2: You're a coworker that you want to prove to women

2309
01:38:54,760 --> 01:38:58,480
Speaker 2: that you sleep with women, proven.

2310
01:38:58,200 --> 01:39:00,560
Speaker 1: Of somebody hed get bitious, like be into women, that

2311
01:39:00,600 --> 01:39:01,439
Speaker 1: you get bitches is funny.

2312
01:39:01,479 --> 01:39:03,680
Speaker 2: I'm just saying I have. It's just a theory. So

2313
01:39:03,920 --> 01:39:06,280
Speaker 2: it's not no you conspiracy theory. It's just a theory

2314
01:39:06,320 --> 01:39:09,160
Speaker 2: that men that do ship like that. I've always looked

2315
01:39:09,160 --> 01:39:12,200
Speaker 2: at them, like, why are you looking for that validation?

2316
01:39:12,360 --> 01:39:14,880
Speaker 2: Like what you feel like? They're behind your back? They

2317
01:39:14,960 --> 01:39:18,600
Speaker 2: might feel like you like men, So anybody got to

2318
01:39:18,680 --> 01:39:21,080
Speaker 2: prove that. Nah, I'll be fucking women. I sleep with women.

2319
01:39:21,720 --> 01:39:27,120
Speaker 1: Okay, Now you say that I had theories about that guy. Yeah,

2320
01:39:27,760 --> 01:39:28,720
Speaker 1: and I know when I tell you.

2321
01:39:28,840 --> 01:39:30,160
Speaker 2: Let me go, let I've seen your wills turn to

2322
01:39:30,200 --> 01:39:33,479
Speaker 2: get keep thinking you go. You're gonna see the moment

2323
01:39:33,479 --> 01:39:35,360
Speaker 2: in your in your mind when I tell you who's

2324
01:39:35,400 --> 01:39:36,320
Speaker 2: the Leo moment like he.

2325
01:39:36,360 --> 01:39:39,640
Speaker 1: Is gay, he's gay. It's gonna tell you who it is.

2326
01:39:39,680 --> 01:39:43,280
Speaker 1: Off Mike, You're gonna saying, now you're gonna.

2327
01:39:43,280 --> 01:39:43,760
Speaker 3: Blow the name.

2328
01:39:43,800 --> 01:39:50,600
Speaker 2: I'll say now, one hundred percent, one hundred percent homosexuality absolutely.

2329
01:39:50,640 --> 01:39:51,559
Speaker 1: I think I met him through you.

2330
01:39:52,120 --> 01:39:53,680
Speaker 3: No, no, No, we're not doing that. No you did not.

2331
01:39:54,000 --> 01:39:59,080
Speaker 3: I yes, you did not know. I promise you did not.

2332
01:39:59,200 --> 01:40:00,200
Speaker 3: You know who you met him doing?

2333
01:40:00,240 --> 01:40:01,759
Speaker 1: It was not No, but who brought him into the circle.

2334
01:40:02,280 --> 01:40:03,640
Speaker 3: He did not me?

2335
01:40:03,920 --> 01:40:06,519
Speaker 1: Oh, I thought you did the fuck? No, I got No.

2336
01:40:06,600 --> 01:40:08,160
Speaker 1: I have no issues with him outside of doing that

2337
01:40:08,200 --> 01:40:10,160
Speaker 1: to well, I think I think that was weird.

2338
01:40:09,840 --> 01:40:10,760
Speaker 3: On what I'm saying.

2339
01:40:10,800 --> 01:40:13,080
Speaker 1: You definitely do like we're not friends where I'd be like, hey, bro,

2340
01:40:13,120 --> 01:40:14,880
Speaker 1: don't do that, nothing like that. But he did.

2341
01:40:15,160 --> 01:40:16,400
Speaker 3: No, you didn't mean him through me.

2342
01:40:16,640 --> 01:40:18,400
Speaker 1: No. Oh I thought you would have brought him around.

2343
01:40:18,439 --> 01:40:23,160
Speaker 3: No, definitely not absolutely not Nope.

2344
01:40:23,880 --> 01:40:25,599
Speaker 1: But once you started saying that, I'm like, yeah, actually

2345
01:40:25,600 --> 01:40:26,200
Speaker 1: always thought.

2346
01:40:26,080 --> 01:40:27,639
Speaker 3: He was good.

2347
01:40:28,439 --> 01:40:31,080
Speaker 2: I'm telling you it's there's little reminists there. But yes,

2348
01:40:31,120 --> 01:40:34,000
Speaker 2: to your coworker, she's bugging, And definitely don't tell her

2349
01:40:34,040 --> 01:40:35,840
Speaker 2: none of your secrets because she's gonna probably be wearing

2350
01:40:35,880 --> 01:40:38,920
Speaker 2: a wire or voice record you telling her some ship

2351
01:40:38,960 --> 01:40:41,719
Speaker 2: by the fucking water cooler at work. So be careful

2352
01:40:41,720 --> 01:40:44,040
Speaker 2: with her because she got that, she got that caniving

2353
01:40:44,680 --> 01:40:47,519
Speaker 2: you know, blackmail energy, blackmaile spirit inside her.

2354
01:40:47,600 --> 01:40:49,200
Speaker 3: So I guess I trust nobody like that.

2355
01:40:49,280 --> 01:40:51,840
Speaker 1: I guess I just don't understand with like blackmail to

2356
01:40:51,960 --> 01:40:56,799
Speaker 1: that level. Doesn't blackmail really work because of like public perception,

2357
01:40:58,520 --> 01:41:03,000
Speaker 1: Like I understand like rappers because of how weird the

2358
01:41:03,080 --> 01:41:05,280
Speaker 1: rap genre has always been in that regard, if you

2359
01:41:05,280 --> 01:41:06,800
Speaker 1: have to be on your toes, you never know who

2360
01:41:08,960 --> 01:41:13,640
Speaker 1: revealing certain things is part of that. What is she

2361
01:41:13,680 --> 01:41:15,960
Speaker 1: going to show it to? She's gonna post it on

2362
01:41:15,960 --> 01:41:18,200
Speaker 1: Facebook before it gets flagged and three people are gonna

2363
01:41:18,200 --> 01:41:21,160
Speaker 1: see it, Like, what's the blackmail here? You blackmail are

2364
01:41:21,200 --> 01:41:21,639
Speaker 1: from money?

2365
01:41:21,680 --> 01:41:23,400
Speaker 3: Like there'd be so she wasn't.

2366
01:41:23,439 --> 01:41:25,120
Speaker 2: It was somebody that she was sleeping with that she

2367
01:41:25,160 --> 01:41:27,519
Speaker 2: wasn't supposed to be sleeping with. It could be that

2368
01:41:27,520 --> 01:41:28,200
Speaker 2: type of situation.

2369
01:41:28,320 --> 01:41:30,600
Speaker 1: But all right, what's your end game? I guess with blackmail,

2370
01:41:31,439 --> 01:41:34,719
Speaker 1: I don't fully understand it unless you have a proper

2371
01:41:34,880 --> 01:41:39,040
Speaker 1: end goal. What is even with even without the person,

2372
01:41:39,080 --> 01:41:44,519
Speaker 1: even with whrrors that do the NBA thing? Like what

2373
01:41:44,560 --> 01:41:47,360
Speaker 1: am I going to sue you for? You don't have anything? No,

2374
01:41:49,479 --> 01:41:51,960
Speaker 1: but what what are we exposing to four people in

2375
01:41:51,960 --> 01:41:52,840
Speaker 1: the world that no one.

2376
01:41:52,720 --> 01:41:55,479
Speaker 2: Knows about in her circle and her community at work

2377
01:41:55,760 --> 01:41:57,120
Speaker 2: that maybe somebody she wasn't.

2378
01:41:56,960 --> 01:42:00,280
Speaker 1: Supposed to be sleeping with, so she could lose their

2379
01:42:00,360 --> 01:42:00,840
Speaker 1: job or something.

2380
01:42:01,000 --> 01:42:03,360
Speaker 3: Lose their job. It could be a you know, it

2381
01:42:03,400 --> 01:42:04,519
Speaker 3: could be somebody's husband.

2382
01:42:04,760 --> 01:42:08,040
Speaker 1: Okay, but what are you then exploiting this person for.

2383
01:42:09,320 --> 01:42:12,160
Speaker 1: You're not knee deep in the home rerecords, So you know,

2384
01:42:12,160 --> 01:42:14,840
Speaker 1: I'm gonna go to HR with this video. You fucking

2385
01:42:14,960 --> 01:42:17,000
Speaker 1: let's just use the coworker thing. You fucking a coworker.

2386
01:42:17,439 --> 01:42:21,280
Speaker 1: I show you, I got the evidence here. What do

2387
01:42:21,320 --> 01:42:22,840
Speaker 1: you do? I get thirty percent of your paycheck? Like,

2388
01:42:22,880 --> 01:42:23,519
Speaker 1: what are we doing here?

2389
01:42:23,720 --> 01:42:25,439
Speaker 2: No, but it's not, it's they just it's just to

2390
01:42:25,520 --> 01:42:28,240
Speaker 2: out the person and to you know, expose them.

2391
01:42:28,760 --> 01:42:30,759
Speaker 1: But the point of black man is to hold something

2392
01:42:30,920 --> 01:42:32,840
Speaker 1: over their head so they do something else.

2393
01:42:33,720 --> 01:42:37,479
Speaker 2: Well, no, yes, but I think that in her in

2394
01:42:37,520 --> 01:42:40,760
Speaker 2: this so I'll expose this. Yes, that's typically how it goes,

2395
01:42:40,800 --> 01:42:44,360
Speaker 2: but I think in this case it's she may have

2396
01:42:44,439 --> 01:42:46,439
Speaker 2: something on this person as well. So it's like, all right,

2397
01:42:47,160 --> 01:42:48,880
Speaker 2: I got dirt on you too, Like, so if you

2398
01:42:49,200 --> 01:42:51,080
Speaker 2: expose my dirt, I'm expose your dirt.

2399
01:42:51,080 --> 01:42:52,000
Speaker 3: That's what this feels like.

2400
01:42:52,120 --> 01:42:53,719
Speaker 1: Okay, it feels like I see that if.

2401
01:42:53,560 --> 01:42:55,760
Speaker 3: She exposed what I did or what I be doing.

2402
01:42:55,920 --> 01:42:57,679
Speaker 3: We just I got something on her too.

2403
01:42:58,320 --> 01:43:01,519
Speaker 1: Yeah, I mean I'm I guess I understand the women

2404
01:43:01,720 --> 01:43:04,240
Speaker 1: like keep it cute blackmail, Like bitch, keep it cute

2405
01:43:04,240 --> 01:43:04,960
Speaker 1: because I know things.

2406
01:43:05,000 --> 01:43:05,160
Speaker 5: Yeah.

2407
01:43:05,200 --> 01:43:07,719
Speaker 1: Yeah, but then even I don't know. With the Internet,

2408
01:43:07,920 --> 01:43:11,559
Speaker 1: when everyone with one hundred followers puts their whole life

2409
01:43:11,560 --> 01:43:13,920
Speaker 1: story or someone else's and it catches traction and goes

2410
01:43:14,000 --> 01:43:18,320
Speaker 1: viral for a day, nothing changes in your life except

2411
01:43:18,320 --> 01:43:23,040
Speaker 1: for everything around you failing. Yeah, the timeline moves on.

2412
01:43:23,280 --> 01:43:26,120
Speaker 1: You benefited nothing from this, Yeah, but that's why you

2413
01:43:26,280 --> 01:43:27,760
Speaker 1: to live in this world while the rest of us

2414
01:43:27,800 --> 01:43:29,880
Speaker 1: went to the next messy timeline thing.

2415
01:43:30,360 --> 01:43:32,760
Speaker 3: It's just petty shit, that's all. Yeah.

2416
01:43:32,800 --> 01:43:34,560
Speaker 1: I mean I would tell that girl just delete it.

2417
01:43:35,080 --> 01:43:36,519
Speaker 1: There's nothing good gonna come from it.

2418
01:43:36,800 --> 01:43:40,120
Speaker 2: Yeah, something you never know sometimes you gotta. When they

2419
01:43:40,160 --> 01:43:42,920
Speaker 2: get petty, we get petty er. So that's what that's

2420
01:43:42,920 --> 01:43:44,720
Speaker 2: what it feels like. If it's like that girl, No,

2421
01:43:44,800 --> 01:43:47,040
Speaker 2: the other the girl in the video knows something about

2422
01:43:47,080 --> 01:43:49,320
Speaker 2: her and she just holding that like all right, if

2423
01:43:49,360 --> 01:43:50,960
Speaker 2: she ever try to expose my shit?

2424
01:43:53,320 --> 01:43:54,360
Speaker 1: How do you determine that line?

2425
01:43:54,360 --> 01:43:54,599
Speaker 3: Though?

2426
01:43:55,479 --> 01:43:58,479
Speaker 1: Because I'm not that type of person clearly, because there's

2427
01:43:58,479 --> 01:44:00,519
Speaker 1: plenty of shit I could have told the world about

2428
01:44:00,600 --> 01:44:04,040
Speaker 1: and never did. It would like when do you cross

2429
01:44:04,080 --> 01:44:05,680
Speaker 1: that line? Like how do you how do you keep

2430
01:44:05,680 --> 01:44:10,880
Speaker 1: it cute with an enemy publicly, like let's all relax.

2431
01:44:11,720 --> 01:44:14,920
Speaker 2: I mean this could go yeah, but I think it

2432
01:44:15,000 --> 01:44:19,320
Speaker 2: depends on again, if if she exposes her for something

2433
01:44:19,360 --> 01:44:22,120
Speaker 2: that only she knows, and she's like, yo, you know me,

2434
01:44:22,200 --> 01:44:24,120
Speaker 2: hold that down. You know what I mean, don't never

2435
01:44:24,200 --> 01:44:26,160
Speaker 2: let that cat out the bag because you know, I

2436
01:44:26,200 --> 01:44:29,160
Speaker 2: got some shit on YouTube. So it's just that she

2437
01:44:29,200 --> 01:44:32,080
Speaker 2: feels like if that ever gets exposed and she got

2438
01:44:32,160 --> 01:44:34,120
Speaker 2: something to get her look back, I think that's it

2439
01:44:34,360 --> 01:44:36,240
Speaker 2: feels like that it's not a black mail, that's that's

2440
01:44:36,320 --> 01:44:38,919
Speaker 2: as she's trying to gain financially. Like in this situation,

2441
01:44:39,000 --> 01:44:41,400
Speaker 2: it's just like I got some shit I can expose

2442
01:44:41,439 --> 01:44:44,240
Speaker 2: her because she got some shit that she could expose

2443
01:44:44,280 --> 01:44:44,800
Speaker 2: me as well.

2444
01:44:45,240 --> 01:44:48,400
Speaker 1: That that's where you brought up handicaps before in podcasting,

2445
01:44:48,600 --> 01:44:50,920
Speaker 1: and I'm not saying podcasting per se, but just in life,

2446
01:44:50,960 --> 01:44:53,760
Speaker 1: like that's where I have a handicap. I would just

2447
01:44:53,800 --> 01:44:57,040
Speaker 1: feel so nasty, like I'd feel like an actual female

2448
01:44:57,360 --> 01:44:59,559
Speaker 1: Oh yeah, like I just I'm never gonna I don't

2449
01:44:59,560 --> 01:45:04,280
Speaker 1: care how much like you say, that's that's true, false,

2450
01:45:04,960 --> 01:45:08,599
Speaker 1: whatever the fuck you say. I'm just what I'm gonna

2451
01:45:08,600 --> 01:45:10,080
Speaker 1: sit yo. Did you know.

2452
01:45:10,560 --> 01:45:13,080
Speaker 2: Yeah, that's what she's supposed to do on the podcast.

2453
01:45:12,800 --> 01:45:15,280
Speaker 2: I know that that's what they want from me.

2454
01:45:15,320 --> 01:45:19,160
Speaker 1: I'd feel so fucking like tweeting like did you know, Yeah, that's.

2455
01:45:19,000 --> 01:45:21,280
Speaker 3: What they want. They want that they want that gossip

2456
01:45:21,360 --> 01:45:22,719
Speaker 3: be nasty.

2457
01:45:23,000 --> 01:45:25,240
Speaker 1: Just couldn't vindic I'm talking about like real shit, not

2458
01:45:25,360 --> 01:45:29,360
Speaker 1: like funny banter back and forth shit. I'm like real

2459
01:45:29,400 --> 01:45:32,519
Speaker 1: shit that I could say, Oh absolutely, I'd feel so weird.

2460
01:45:32,520 --> 01:45:35,240
Speaker 1: It's like, even if somebody did something super foul publicly,

2461
01:45:35,439 --> 01:45:36,160
Speaker 1: I still wouldn't.

2462
01:45:37,520 --> 01:45:39,120
Speaker 3: I'm at a handicap, bro, or so I'm gon keep

2463
01:45:39,160 --> 01:45:40,400
Speaker 3: saying'm a handicap in this in this.

2464
01:45:40,400 --> 01:45:45,160
Speaker 2: Industry, bro, because it's some ship that I would never ever.

2465
01:45:45,080 --> 01:45:48,160
Speaker 3: Fucking say a repeat. But I know if I was

2466
01:45:48,160 --> 01:45:48,799
Speaker 3: that type.

2467
01:45:48,560 --> 01:45:51,439
Speaker 1: Of person and then for what for the fans to

2468
01:45:51,560 --> 01:45:53,800
Speaker 1: listen for one day, yeah, talk about it on a

2469
01:45:54,760 --> 01:45:57,720
Speaker 1: Twitter face viral, and then move on the next day

2470
01:45:57,760 --> 01:45:58,240
Speaker 1: to the next time.

2471
01:45:58,240 --> 01:45:59,400
Speaker 3: I don't do that because you know how it goes.

2472
01:45:59,439 --> 01:46:01,000
Speaker 3: You go viral for some shit you said.

2473
01:46:01,320 --> 01:46:03,599
Speaker 2: Then you get an interview on another platform talking about

2474
01:46:03,600 --> 01:46:06,120
Speaker 2: the viral moment, and then you'll get a brand deal

2475
01:46:06,479 --> 01:46:10,040
Speaker 2: based off the virality. I mean, no road spark, somebody,

2476
01:46:10,120 --> 01:46:11,720
Speaker 2: somebody would come in and throw your bag, just.

2477
01:46:13,760 --> 01:46:15,720
Speaker 3: Somebody, somebody had come in and.

2478
01:46:15,680 --> 01:46:18,599
Speaker 2: Throw your bag, just for going viral and being nasty

2479
01:46:18,640 --> 01:46:19,519
Speaker 2: and exposing people.

2480
01:46:19,520 --> 01:46:19,960
Speaker 3: You know that.

2481
01:46:20,920 --> 01:46:21,400
Speaker 1: I don't know.

2482
01:46:21,560 --> 01:46:24,000
Speaker 3: I don't really, you're crazy.

2483
01:46:24,040 --> 01:46:26,360
Speaker 1: No, I think there's there's a blot like the uh,

2484
01:46:26,880 --> 01:46:30,599
Speaker 1: the way they say legacy media, I would say legacy gossip. Uh,

2485
01:46:30,880 --> 01:46:34,160
Speaker 1: platforms and no disrespects like Shade Room, Jason Lee, Hollywood,

2486
01:46:34,160 --> 01:46:35,880
Speaker 1: and a lot like I think they would say their gossip.

2487
01:46:35,920 --> 01:46:36,880
Speaker 3: No oh yeah for sure.

2488
01:46:36,960 --> 01:46:39,640
Speaker 1: Yeah, like they of course get that. But you're just

2489
01:46:39,680 --> 01:46:42,240
Speaker 1: saying something about somebody. You're not getting a brand deal.

2490
01:46:42,760 --> 01:46:44,320
Speaker 3: But Jason Lee gets a pass because he can do

2491
01:46:44,320 --> 01:46:44,960
Speaker 3: that because he's gay.

2492
01:46:45,040 --> 01:46:51,880
Speaker 1: No Jason, yes, right, and he's a senator, But but

2493
01:46:51,920 --> 01:46:55,280
Speaker 1: he could do it. Also, Jason Lee also built a

2494
01:46:55,439 --> 01:46:59,720
Speaker 1: legitimate fucking business, whether it be on gossip that's everyone else's. No.

2495
01:46:59,800 --> 01:47:02,840
Speaker 1: He basically Jason Lee didn't just be like, hey did

2496
01:47:02,840 --> 01:47:04,880
Speaker 1: you hear about No, No, no, no, that's a businessman that

2497
01:47:04,960 --> 01:47:07,920
Speaker 1: created a whole shade room. I've disagree with a lot

2498
01:47:07,960 --> 01:47:11,240
Speaker 1: of shit they've done. That's but it's not nasty. But

2499
01:47:11,280 --> 01:47:13,439
Speaker 1: it's no, no, no, it's not nasty coming from Jason Lee.

2500
01:47:14,160 --> 01:47:16,759
Speaker 1: It's expected, fair, it's expected.

2501
01:47:16,800 --> 01:47:18,160
Speaker 3: It's not nasty. It's expected.

2502
01:47:18,479 --> 01:47:20,880
Speaker 1: But then again, you have people like Nay don't like

2503
01:47:20,880 --> 01:47:22,920
Speaker 1: the gossip world, nasty expectations.

2504
01:47:22,920 --> 01:47:23,800
Speaker 3: That's what it is, all right.

2505
01:47:23,800 --> 01:47:26,960
Speaker 1: But TMZ in Hollywood unlocked. When they say something, I

2506
01:47:26,960 --> 01:47:29,559
Speaker 1: believe them. So as much as they start they may

2507
01:47:29,680 --> 01:47:32,360
Speaker 1: start out as gossip, they have made it to a

2508
01:47:32,360 --> 01:47:36,280
Speaker 1: place where I look at TMZ. If somebody's dead and

2509
01:47:36,439 --> 01:47:40,360
Speaker 1: CNN posts it, I'm like, I don't know. If TMZ

2510
01:47:40,520 --> 01:47:44,439
Speaker 1: posts it, they're fucking dead. Yeah, gossip base, but that's

2511
01:47:44,479 --> 01:47:46,840
Speaker 1: not gossip though somebody being dead. If Jason Lee says

2512
01:47:46,840 --> 01:47:48,760
Speaker 1: something about Rihanna, I know that shit is one thousand.

2513
01:47:48,520 --> 01:47:50,840
Speaker 3: Percentro It depends on what it is.

2514
01:47:52,760 --> 01:47:54,880
Speaker 1: Jason, of course has had his gossip moments, but when

2515
01:47:54,880 --> 01:47:59,120
Speaker 1: he say something, he's usually right.

2516
01:47:58,400 --> 01:48:01,519
Speaker 2: One thing that will say he's not much of a liar.

2517
01:48:01,600 --> 01:48:03,840
Speaker 2: I'm not gonna put lie on him. There's a lot

2518
01:48:03,840 --> 01:48:06,040
Speaker 2: of ship he talked about there's a lot of lying about.

2519
01:48:06,680 --> 01:48:08,439
Speaker 2: I don't know if Jason is wanted to be lying,

2520
01:48:08,640 --> 01:48:10,599
Speaker 2: because I've seen him talk about ship. I'm like, how

2521
01:48:10,640 --> 01:48:10,880
Speaker 2: do you know.

2522
01:48:10,920 --> 01:48:15,000
Speaker 3: He ain't lying? Because I know that I'd be like, Yo,

2523
01:48:15,040 --> 01:48:16,599
Speaker 3: he ain't lying because I've been.

2524
01:48:16,560 --> 01:48:18,439
Speaker 2: Through that years ago, Like I knew that person was

2525
01:48:18,479 --> 01:48:21,960
Speaker 2: doing so you know what I mean. But yeah, let Jason,

2526
01:48:22,080 --> 01:48:23,920
Speaker 2: let Jason Lee get his ship off, but not me.

2527
01:48:24,040 --> 01:48:24,680
Speaker 2: I can't do that.

2528
01:48:24,760 --> 01:48:26,400
Speaker 1: No, do we have another voicemail?

2529
01:48:28,479 --> 01:48:28,920
Speaker 3: What's up?

2530
01:48:29,080 --> 01:48:34,519
Speaker 4: Rory Maul the marriage have a question for y'all? Would

2531
01:48:34,560 --> 01:48:37,760
Speaker 4: y'all rather have your own radio station on Grand theft

2532
01:48:39,560 --> 01:48:47,040
Speaker 4: uh be playable characters in the next Death Jam game?

2533
01:48:48,479 --> 01:48:51,799
Speaker 4: I make an audio cameo and a Spider Man movie.

2534
01:48:52,800 --> 01:48:55,080
Speaker 4: If these things can happen, what would y'all? What would

2535
01:48:55,160 --> 01:48:57,360
Speaker 4: y'all pick? And what would the reason be?

2536
01:48:57,720 --> 01:49:00,320
Speaker 1: That's a really, really really here the last what he

2537
01:49:00,360 --> 01:49:03,160
Speaker 1: said audio cameo in a Spider Man movie?

2538
01:49:03,600 --> 01:49:04,639
Speaker 3: An audio cameo?

2539
01:49:05,240 --> 01:49:08,160
Speaker 1: Yeah, as far as like, yeah, we were speaking, I

2540
01:49:08,200 --> 01:49:10,280
Speaker 1: don't know if Spider Man was sweeching Man.

2541
01:49:10,600 --> 01:49:14,160
Speaker 3: Through a cab, like spider Man listening to our podcast, yeah.

2542
01:49:14,080 --> 01:49:15,880
Speaker 1: Or like you know, like sometimes they'll crash into a

2543
01:49:15,880 --> 01:49:18,800
Speaker 1: cab window and just be like and then like, yeah,

2544
01:49:18,800 --> 01:49:21,920
Speaker 1: maybe something like that, or versus what grand theft auto

2545
01:49:22,000 --> 01:49:27,080
Speaker 1: radio station or being an actual character in a like

2546
01:49:27,160 --> 01:49:32,360
Speaker 1: def Jam Vendetta fighting video game. I'm taking the Spider

2547
01:49:32,560 --> 01:49:36,519
Speaker 1: Man one out right away. I'm only dealing with option

2548
01:49:36,640 --> 01:49:37,400
Speaker 1: A and B at this.

2549
01:49:37,439 --> 01:49:39,120
Speaker 2: The Spider Man one will be the obvious go to

2550
01:49:39,400 --> 01:49:40,800
Speaker 2: you think, so absolutely.

2551
01:49:41,000 --> 01:49:43,080
Speaker 1: I don't think there's like staying value in that because

2552
01:49:43,080 --> 01:49:45,160
Speaker 1: of those action movies, how quick everything goes. I don't

2553
01:49:45,200 --> 01:49:46,160
Speaker 1: know if that audio.

2554
01:49:45,880 --> 01:49:48,000
Speaker 3: Cameo Spider Man series fucked up.

2555
01:49:48,120 --> 01:49:51,760
Speaker 1: No, I'm aware of the audience, but like would have value,

2556
01:49:52,400 --> 01:49:54,240
Speaker 1: Like are people going to be like, all right, let's

2557
01:49:54,240 --> 01:49:54,840
Speaker 1: go listen to that.

2558
01:49:55,520 --> 01:49:57,200
Speaker 3: Here's what the DTA radio is interesting.

2559
01:49:57,240 --> 01:50:00,439
Speaker 1: So the GTA radio one would be my immediate yes,

2560
01:50:00,560 --> 01:50:05,599
Speaker 1: no matter what. Thing in the earlier GTA days because

2561
01:50:05,960 --> 01:50:08,920
Speaker 1: shit music broke off that like you would sit there,

2562
01:50:09,760 --> 01:50:12,000
Speaker 1: I could recite some of those commercials word for word

2563
01:50:12,040 --> 01:50:13,240
Speaker 1: when you would just be out there trying to keep

2564
01:50:14,040 --> 01:50:19,080
Speaker 1: But now when people stream people do other things with GTA,

2565
01:50:19,120 --> 01:50:21,679
Speaker 1: they're also talking to other people. Is the GTA radio

2566
01:50:21,840 --> 01:50:24,240
Speaker 1: have the same effect that it used to because now

2567
01:50:24,280 --> 01:50:25,880
Speaker 1: everyone's doing other things while they're.

2568
01:50:25,720 --> 01:50:28,080
Speaker 3: Playing gt Which one can we monetize?

2569
01:50:30,600 --> 01:50:32,400
Speaker 1: I mean all three of the least one I would

2570
01:50:32,400 --> 01:50:33,840
Speaker 1: say would be the Spider Man one that would be

2571
01:50:33,920 --> 01:50:35,519
Speaker 1: a DJ Khalid dollar fee.

2572
01:50:36,720 --> 01:50:38,120
Speaker 3: So I would go with GTA Radio.

2573
01:50:39,680 --> 01:50:41,880
Speaker 2: That's so many people play that game and actually, like

2574
01:50:41,880 --> 01:50:43,080
Speaker 2: you know, me own that game.

2575
01:50:42,960 --> 01:50:45,479
Speaker 1: Like, I mean, it's who would even know what a

2576
01:50:45,520 --> 01:50:49,439
Speaker 1: def jam like Vendetta game would do? Would be cool

2577
01:50:49,439 --> 01:50:51,840
Speaker 1: to be a video game? Not that person. But no,

2578
01:50:52,320 --> 01:50:53,599
Speaker 1: I was just about say, it's ego, you're not gonna

2579
01:50:53,640 --> 01:50:55,680
Speaker 1: get any money. Who knows if it work? To me?

2580
01:50:55,760 --> 01:50:59,360
Speaker 1: The obvious answer is GTA. But does that still sit

2581
01:50:59,439 --> 01:51:01,600
Speaker 1: with people the way because I played the last g

2582
01:51:01,680 --> 01:51:03,960
Speaker 1: t A But I mean they should. They be on

2583
01:51:04,000 --> 01:51:07,000
Speaker 1: they call it duty ship with a bunch of people playing,

2584
01:51:07,000 --> 01:51:09,360
Speaker 1: they talking to each other like it's the radio station.

2585
01:51:09,520 --> 01:51:12,720
Speaker 1: Still the thing the way it was when I was

2586
01:51:12,720 --> 01:51:13,080
Speaker 1: a kid.

2587
01:51:13,120 --> 01:51:15,240
Speaker 3: Well, for the simple fact that I just think that.

2588
01:51:16,880 --> 01:51:18,960
Speaker 2: More people buy g t A and play GCA than

2589
01:51:19,000 --> 01:51:21,120
Speaker 2: are gonna go watch a Spider Man movie.

2590
01:51:23,360 --> 01:51:26,519
Speaker 1: They're probably well no, probably not neck No.

2591
01:51:26,720 --> 01:51:32,280
Speaker 3: G t A is different fucking g t A video game. Dude.

2592
01:51:32,360 --> 01:51:35,040
Speaker 1: I remember I remember g T A two. This was

2593
01:51:35,200 --> 01:51:37,679
Speaker 1: back when my cousin was throwing ferrets Bonnie and Clyde

2594
01:51:37,680 --> 01:51:39,240
Speaker 1: on top of me. He had gt I remember g

2595
01:51:39,320 --> 01:51:41,960
Speaker 1: t A two. It's like an aerial view. G t

2596
01:51:42,000 --> 01:51:43,800
Speaker 1: A three is when like everything changed. It's like a

2597
01:51:43,840 --> 01:51:47,200
Speaker 1: real video game. I remember that aerial V one. It's

2598
01:51:47,280 --> 01:51:50,160
Speaker 1: so crazy that to watch those types of things.

2599
01:51:50,520 --> 01:51:52,400
Speaker 3: Yeah, I will say g T a radio station on

2600
01:51:52,479 --> 01:51:56,400
Speaker 3: g T A. Yeah they g g A.

2601
01:51:56,479 --> 01:51:58,559
Speaker 1: I mean, I know it's pretty much done, but like

2602
01:51:58,600 --> 01:52:00,200
Speaker 1: we have a whole drop ox of ram ray deal

2603
01:52:00,240 --> 01:52:03,200
Speaker 1: with funny ads if you.

2604
01:52:02,200 --> 01:52:03,919
Speaker 3: If you need a radio station, definitely.

2605
01:52:03,960 --> 01:52:06,120
Speaker 1: They can update video games in real time now absolutely,

2606
01:52:06,120 --> 01:52:07,040
Speaker 1: just throw us in the mix.

2607
01:52:07,840 --> 01:52:08,000
Speaker 3: Now.

2608
01:52:08,000 --> 01:52:12,559
Speaker 2: The Spider Man one is just cool as fuck. That's

2609
01:52:12,640 --> 01:52:14,200
Speaker 2: just like g TA is way cooler to me.

2610
01:52:14,240 --> 01:52:17,160
Speaker 3: And the Spider Man a hell know?

2611
01:52:17,920 --> 01:52:18,800
Speaker 1: And which spider Man?

2612
01:52:19,600 --> 01:52:20,400
Speaker 3: Whose Spider Man?

2613
01:52:20,439 --> 01:52:22,559
Speaker 1: That's like, which Spider Man we talk is in it?

2614
01:52:23,680 --> 01:52:26,800
Speaker 1: I oh, it's in the cartoon one.

2615
01:52:27,080 --> 01:52:30,439
Speaker 3: The cartoon one man put me in g TA dog.

2616
01:52:31,000 --> 01:52:31,760
Speaker 3: I'm a radio station.

2617
01:52:31,840 --> 01:52:33,800
Speaker 1: If you don't bring Toby back, I don't want to.

2618
01:52:34,760 --> 01:52:37,479
Speaker 2: Sad Zinda and she's like rushing to get dressed and

2619
01:52:37,560 --> 01:52:40,360
Speaker 2: like the pod is playing like in her crib or

2620
01:52:40,360 --> 01:52:41,920
Speaker 2: something like that, and Spider Man is out out the

2621
01:52:41,920 --> 01:52:44,360
Speaker 2: window like hurry up, we late, Like he gives a

2622
01:52:44,439 --> 01:52:47,240
Speaker 2: ride to the to the like to the banquet, he

2623
01:52:47,320 --> 01:52:48,679
Speaker 2: swings through the city like you know what I'm saying.

2624
01:52:48,720 --> 01:52:50,680
Speaker 1: They don't listen to Frank Sinatra. They listen to you

2625
01:52:50,720 --> 01:52:53,680
Speaker 1: and I dumb ass? Okay, No at that point, if

2626
01:52:53,680 --> 01:52:57,719
Speaker 1: they're driving to the met Gala, yeah, okay, yeah, that

2627
01:52:57,720 --> 01:53:00,639
Speaker 1: that would get us like some real Ryan's Crest type

2628
01:53:00,680 --> 01:53:02,760
Speaker 1: press at that point, like what were they listening to?

2629
01:53:03,080 --> 01:53:04,920
Speaker 1: Which shows how edgy and in the culture they are?

2630
01:53:05,080 --> 01:53:06,479
Speaker 1: Yeah right, I wouldn't be bad at that.

2631
01:53:06,479 --> 01:53:08,679
Speaker 2: And it's like us talking about like Spider Man being

2632
01:53:08,680 --> 01:53:11,040
Speaker 2: seen in Manhattan last night.

2633
01:53:11,400 --> 01:53:14,599
Speaker 1: But if Spider Man crashes into like a woman uber

2634
01:53:14,680 --> 01:53:16,720
Speaker 1: driver and she just happens to be listening to hey,

2635
01:53:16,760 --> 01:53:17,680
Speaker 1: do we have voicemails?

2636
01:53:17,840 --> 01:53:18,080
Speaker 3: Yeah?

2637
01:53:18,200 --> 01:53:20,720
Speaker 1: I was like, I'm cool, Like, I don't think it's

2638
01:53:20,720 --> 01:53:21,840
Speaker 1: going to resonate with the fans the.

2639
01:53:21,840 --> 01:53:25,400
Speaker 2: Way Yeah, no, give me GTA radio before that.

2640
01:53:25,479 --> 01:53:28,200
Speaker 1: Absolutely, But I mean that goes back to when I

2641
01:53:28,200 --> 01:53:30,519
Speaker 1: asked you, I was that Patreon today or last episode

2642
01:53:30,560 --> 01:53:31,200
Speaker 1: of Who Do You Want?

2643
01:53:31,240 --> 01:53:31,559
Speaker 3: To fight.

2644
01:53:31,720 --> 01:53:33,280
Speaker 1: I still want to be like in a video game.

2645
01:53:33,320 --> 01:53:34,200
Speaker 1: I think that'd be cool.

2646
01:53:34,320 --> 01:53:36,960
Speaker 3: In high school. All the three of these scenarios are cool.

2647
01:53:36,960 --> 01:53:40,280
Speaker 2: But oh yeah, yeah, being in a video game is

2648
01:53:40,439 --> 01:53:43,400
Speaker 2: you know, that's I think that's taking you directly back

2649
01:53:43,439 --> 01:53:44,200
Speaker 2: to your childhood.

2650
01:53:44,240 --> 01:53:46,280
Speaker 3: Like, whoever, you never thought that you would be an

2651
01:53:46,280 --> 01:53:47,160
Speaker 3: actual video game.

2652
01:53:47,479 --> 01:53:49,599
Speaker 1: But what if one of like the new GTA missions

2653
01:53:49,600 --> 01:53:53,000
Speaker 1: because it's in Vice City's a new one, right, it's Miami.

2654
01:53:55,040 --> 01:53:59,120
Speaker 1: I mean the world has changed. Criminals are going on podcasts.

2655
01:54:00,080 --> 01:54:03,880
Speaker 1: What if we were like, like what if we were

2656
01:54:03,880 --> 01:54:07,639
Speaker 1: a mission where like Vladimir whatever the fuck they they

2657
01:54:07,680 --> 01:54:09,960
Speaker 1: make the guy name. He has to go on a

2658
01:54:10,000 --> 01:54:12,840
Speaker 1: podcast one of the missions and like talk about his

2659
01:54:12,880 --> 01:54:15,760
Speaker 1: crimes to get money in the video game. Yeah, like

2660
01:54:15,880 --> 01:54:19,559
Speaker 1: let's say he snitched and then he no, but you

2661
01:54:19,560 --> 01:54:21,800
Speaker 1: know the missions like and g t A you gotta

2662
01:54:21,840 --> 01:54:23,559
Speaker 1: get money and like part of that is like he

2663
01:54:23,720 --> 01:54:26,600
Speaker 1: goes on a podcast and like g t A, yeah, no,

2664
01:54:26,640 --> 01:54:28,880
Speaker 1: we're it's this podcast. In g t A he does

2665
01:54:28,880 --> 01:54:30,760
Speaker 1: the weird walk into our studio. I'm not mad at

2666
01:54:30,760 --> 01:54:33,800
Speaker 1: that parks a stolen car outside that just stays.

2667
01:54:33,480 --> 01:54:36,080
Speaker 3: There, got you, Yeah, I'm not like you.

2668
01:54:36,000 --> 01:54:38,440
Speaker 1: Know how the like the rays come up, like when

2669
01:54:38,480 --> 01:54:40,560
Speaker 1: he gets to the mission, like we're right here is

2670
01:54:40,600 --> 01:54:41,000
Speaker 1: the mission?

2671
01:54:41,040 --> 01:54:42,920
Speaker 3: Got you? Yeah, that he sits there, that would be

2672
01:54:42,960 --> 01:54:43,440
Speaker 3: pretty cool.

2673
01:54:43,720 --> 01:54:45,520
Speaker 1: And then it's like you come in like, hey, we're

2674
01:54:45,520 --> 01:54:51,000
Speaker 1: one of our family and it's just a g T

2675
01:54:51,080 --> 01:54:52,400
Speaker 1: A whatever character they pick.

2676
01:54:54,200 --> 01:54:56,000
Speaker 2: Oh, man, before we leave, we do got a highlight.

2677
01:54:56,080 --> 01:54:58,040
Speaker 2: There's some new music where new music came out. We

2678
01:54:58,080 --> 01:55:02,080
Speaker 2: spoke about a little bit. Preame Clientele too. Yes, shout

2679
01:55:02,080 --> 01:55:04,800
Speaker 2: out the ghost Face, great project, great album.

2680
01:55:04,840 --> 01:55:07,480
Speaker 3: Man, it's just dope to see you know, all the

2681
01:55:07,520 --> 01:55:07,920
Speaker 3: older guy.

2682
01:55:07,960 --> 01:55:09,400
Speaker 2: They say hip hop is a young man spoil but

2683
01:55:09,400 --> 01:55:11,440
Speaker 2: it seems like all the older acts are putting out better,

2684
01:55:11,520 --> 01:55:12,800
Speaker 2: better albums, better music.

2685
01:55:13,760 --> 01:55:16,960
Speaker 3: So shout out to ghost Face. Uh chance to.

2686
01:55:17,000 --> 01:55:19,920
Speaker 1: Rapper, Well, yeah, man's that's been out two weeks, right,

2687
01:55:19,960 --> 01:55:20,760
Speaker 1: it's been two weeks.

2688
01:55:20,880 --> 01:55:23,480
Speaker 2: Oh No, off Set, off Set, Yes, we all heard

2689
01:55:23,560 --> 01:55:25,480
Speaker 2: that album even though we've had it.

2690
01:55:25,520 --> 01:55:29,360
Speaker 1: But you know, yeah, I like there's joints on there

2691
01:55:29,360 --> 01:55:32,560
Speaker 1: that I like. No, definitely, as far as his solo projects,

2692
01:55:32,560 --> 01:55:33,880
Speaker 1: this is this is definitely my favorite.

2693
01:55:33,880 --> 01:55:35,800
Speaker 3: But again, this is his best.

2694
01:55:35,800 --> 01:55:37,840
Speaker 1: This is that's one of those that I know. I'm

2695
01:55:37,920 --> 01:55:41,520
Speaker 1: just gonna like certain records on those type of projects.

2696
01:55:41,800 --> 01:55:45,000
Speaker 2: But yeah, most artists, I only like certain songs on

2697
01:55:45,040 --> 01:55:46,440
Speaker 2: that on the album, So I take those songs and

2698
01:55:46,480 --> 01:55:47,000
Speaker 2: I go back.

2699
01:55:46,920 --> 01:55:48,840
Speaker 3: To them a little bit. But this is for me,

2700
01:55:48,920 --> 01:55:51,120
Speaker 3: this is off Set's best solo project.

2701
01:55:51,240 --> 01:55:54,360
Speaker 1: But I have not stopped listening to that Chance album.

2702
01:55:54,560 --> 01:55:55,360
Speaker 3: It's a good project.

2703
01:55:55,440 --> 01:55:58,440
Speaker 1: But I'm gonna have give it. Give it four weeks,

2704
01:55:58,640 --> 01:56:02,120
Speaker 1: I'm gonna start having some some crazy hot takes. Yeah,

2705
01:56:02,160 --> 01:56:04,720
Speaker 1: about that Chance album, I've been playing it's one of

2706
01:56:04,760 --> 01:56:05,640
Speaker 1: it's one of those to me.

2707
01:56:05,760 --> 01:56:10,760
Speaker 2: I've been playing the Bryce until the devices. It sounds

2708
01:56:10,800 --> 01:56:13,680
Speaker 2: good man. I like the way he I like the way.

2709
01:56:14,120 --> 01:56:16,480
Speaker 2: I'm looking forward to the solids though.

2710
01:56:17,040 --> 01:56:19,760
Speaker 3: That's the one. I think that's the weather's changing.

2711
01:56:20,000 --> 01:56:21,760
Speaker 1: That's the one for me. Yeah, I'm more concerned.

2712
01:56:21,920 --> 01:56:24,680
Speaker 2: I like Vices Vices, No, it's it's it's dope, but

2713
01:56:24,720 --> 01:56:27,680
Speaker 2: I like, I'm looking forward to to the solid project.

2714
01:56:28,000 --> 01:56:30,320
Speaker 1: I want to wait for Demeris to get back to

2715
01:56:30,480 --> 01:56:32,520
Speaker 1: dive into Mariah the Scientists, because I know that's one

2716
01:56:32,520 --> 01:56:35,840
Speaker 1: of her favorite artists. We do have to have a

2717
01:56:35,880 --> 01:56:38,040
Speaker 1: Maria's Scientist pen conversation one day.

2718
01:56:38,520 --> 01:56:41,520
Speaker 3: Okay, what's the top.

2719
01:56:42,800 --> 01:56:47,520
Speaker 1: Top ten right now. Yeah, Pen, I can see certain

2720
01:56:47,600 --> 01:56:51,680
Speaker 1: music not being for you or whatever. Pen, I don't know,

2721
01:56:51,680 --> 01:56:54,080
Speaker 1: man Ria might be top ten, I think. I think,

2722
01:56:54,080 --> 01:56:58,800
Speaker 1: no matter what happens when Mariah's career, if Rihanna gets inspired,

2723
01:56:59,160 --> 01:57:01,800
Speaker 1: Mariah should be writing mm hmm. She has that type

2724
01:57:01,800 --> 01:57:03,000
Speaker 1: of being in my opinion, I.

2725
01:57:03,040 --> 01:57:05,640
Speaker 2: Never really listened to much of her music outside of

2726
01:57:05,680 --> 01:57:08,000
Speaker 2: like the songs that I go to because you know,

2727
01:57:09,360 --> 01:57:11,840
Speaker 2: people on Instagram post a song and their reels and

2728
01:57:11,840 --> 01:57:13,360
Speaker 2: stuff like that. I'm like, damn, that sound dope, and

2729
01:57:13,400 --> 01:57:15,640
Speaker 2: I'll go to the song. But I never really like

2730
01:57:15,840 --> 01:57:18,240
Speaker 2: got into her like music like that, like really just

2731
01:57:18,240 --> 01:57:21,000
Speaker 2: went and listened to all of her Shitna she be talking.

2732
01:57:21,040 --> 01:57:22,600
Speaker 2: The songs I've heard are dope, though.

2733
01:57:24,240 --> 01:57:26,600
Speaker 1: I guess we'll just get the rest of this this

2734
01:57:26,680 --> 01:57:29,000
Speaker 1: list off before we get out of here. Ice Spicey

2735
01:57:29,160 --> 01:57:31,520
Speaker 1: is a new song with Mia sample. Didn't hear it?

2736
01:57:32,640 --> 01:57:34,879
Speaker 1: I listen coming off to Denzel.

2737
01:57:37,600 --> 01:57:40,480
Speaker 3: Sure, I'm not letting you do that.

2738
01:57:40,840 --> 01:57:42,720
Speaker 2: Do what man, because you sound like you're trying to

2739
01:57:42,720 --> 01:57:43,960
Speaker 2: sho on the the Bronx legend.

2740
01:57:44,000 --> 01:57:48,240
Speaker 1: I'm not. No, I capitalized like after Denzel was your

2741
01:57:48,280 --> 01:57:52,680
Speaker 1: supporting actor, like you gave Denzel. Look now you're trying

2742
01:57:52,720 --> 01:57:57,400
Speaker 1: to give I look like, I totally get it. Rampage

2743
01:57:57,440 --> 01:58:00,400
Speaker 1: Jackson's son, You're a dirt.

2744
01:58:00,440 --> 01:58:03,960
Speaker 3: Back to jail and he should go to prison, definitely.

2745
01:58:04,800 --> 01:58:06,560
Speaker 1: If he doesn't go to jail. Not that I don't

2746
01:58:06,600 --> 01:58:11,720
Speaker 1: question our judicial system because of Jesse Smlett, but what

2747
01:58:11,760 --> 01:58:15,800
Speaker 1: the fuck. That's the most sucker ship. Come on, We're

2748
01:58:15,880 --> 01:58:17,760
Speaker 1: in a fake wrestling match and you start doing That's

2749
01:58:17,800 --> 01:58:19,080
Speaker 1: the most sucker shit I've ever seen.

2750
01:58:19,480 --> 01:58:22,520
Speaker 2: That's absolutely I think he's definitely going to prison for that.

2751
01:58:23,400 --> 01:58:26,200
Speaker 1: Jada Kissing Beanie announced joined the album. Is that fully

2752
01:58:26,240 --> 01:58:28,080
Speaker 1: confirmed or is that a back.

2753
01:58:27,920 --> 01:58:30,800
Speaker 3: And forth thing they were on I g on the video.

2754
01:58:30,920 --> 01:58:32,200
Speaker 3: I saw it.

2755
01:58:32,240 --> 01:58:35,400
Speaker 1: I saw it. I just didn't know. This is one

2756
01:58:35,440 --> 01:58:39,120
Speaker 1: of those times that I think AI is a good thing.

2757
01:58:39,960 --> 01:58:43,160
Speaker 1: I would love for Beans to lay all of his

2758
01:58:43,280 --> 01:58:46,960
Speaker 1: vocals and have AI improve his voice based off the

2759
01:58:47,080 --> 01:58:49,560
Speaker 1: unfortunate situation he was put in that affected his voice.

2760
01:58:50,240 --> 01:58:52,280
Speaker 1: I think AI is good in this because I want

2761
01:58:52,320 --> 01:58:54,760
Speaker 1: to of course, I want to hear Kissing Bean's history

2762
01:58:55,080 --> 01:58:57,280
Speaker 1: one of the greatest battles of all time. Of Course,

2763
01:58:57,320 --> 01:59:00,800
Speaker 1: I want to hear Kissing Beans together. I just hope

2764
01:59:01,800 --> 01:59:02,640
Speaker 1: they use AI.

2765
01:59:03,320 --> 01:59:05,400
Speaker 3: They will. I think Beans has has has.

2766
01:59:05,640 --> 01:59:06,920
Speaker 1: Beans right and lay everything down.

2767
01:59:06,920 --> 01:59:08,640
Speaker 2: But just I think he said that already. He would

2768
01:59:08,680 --> 01:59:10,400
Speaker 2: he would definitely use that technology.

2769
01:59:10,480 --> 01:59:12,520
Speaker 1: Just just put his voice back to to what it was.

2770
01:59:14,680 --> 01:59:15,480
Speaker 1: But I'm excited.

2771
01:59:15,680 --> 01:59:17,240
Speaker 3: A lot of bars, a lot of bars.

2772
01:59:18,600 --> 01:59:21,920
Speaker 2: Yeah, they they're not rapping like Kissing Beans and a

2773
01:59:21,920 --> 01:59:24,080
Speaker 2: lot of these dudes, I ain't rapping like that. I'm

2774
01:59:24,160 --> 01:59:26,760
Speaker 2: looking forward to that. Hopefully they make it happen, but

2775
01:59:26,800 --> 01:59:27,960
Speaker 2: I would. I would love to hear that.

2776
01:59:28,040 --> 01:59:29,440
Speaker 1: When was the last time he went back to that

2777
01:59:29,520 --> 01:59:33,480
Speaker 1: kiss in Fab project?

2778
01:59:34,560 --> 01:59:36,240
Speaker 3: Sometime last year. I listened to a couple of games.

2779
01:59:36,280 --> 01:59:37,280
Speaker 3: That album was dope, though.

2780
01:59:37,360 --> 01:59:39,600
Speaker 1: Go back to it today, slept on back to it today.

2781
01:59:39,720 --> 01:59:42,440
Speaker 2: Yeah, that's one of the most slept on projects in

2782
01:59:42,480 --> 01:59:47,000
Speaker 2: recent years. That that album is fucking yeah absolutely, Freddie

2783
01:59:47,040 --> 01:59:49,720
Speaker 2: Virgus Jason right, Yeah, there was some joints on it, definitely,

2784
01:59:49,720 --> 01:59:50,840
Speaker 2: I definitely.

2785
01:59:50,560 --> 01:59:52,080
Speaker 3: I think we had that conversation though.

2786
01:59:52,160 --> 01:59:54,160
Speaker 1: That album was I went back to it. Yeah, it

2787
01:59:54,280 --> 01:59:54,839
Speaker 1: is crazy.

2788
01:59:54,840 --> 01:59:57,000
Speaker 3: No, Yeah, that project was dope. That project was. I'm

2789
01:59:57,080 --> 01:59:58,520
Speaker 3: listening to it tonight. Yeah, it's gonna be.

2790
01:59:58,480 --> 02:00:00,800
Speaker 1: My if only we were on the same label as

2791
02:00:00,840 --> 02:00:03,320
Speaker 1: kiss and like could talk to him.

2792
02:00:03,400 --> 02:00:05,920
Speaker 3: That's the conversation for another day. Rory, we'll talk to

2793
02:00:06,000 --> 02:00:06,480
Speaker 3: y'all soon.

2794
02:00:06,600 --> 02:00:07,880
Speaker 1: Can you ask Volume to see if we can get

2795
02:00:07,880 --> 02:00:10,040
Speaker 1: a Drake interview, See if they can reach out to

2796
02:00:10,080 --> 02:00:10,400
Speaker 1: his team.

2797
02:00:11,200 --> 02:00:14,040
Speaker 3: Be safe, be blessed. We'll talk to y'all soon. I'm

2798
02:00:14,080 --> 02:00:17,760
Speaker 3: that nigga. He's just Ginger Peace. No