1 00:00:00,240 --> 00:00:03,680 Speaker 1: Hello the Internet, and welcome to this episode of Beatles 2 00:00:03,720 --> 00:00:09,479 Speaker 1: Group Master Bass Trend. Something I didn't know about until 3 00:00:09,920 --> 00:00:12,760 Speaker 1: this morning. Still don't really know about it, but I 4 00:00:12,800 --> 00:00:13,800 Speaker 1: was gonna explain it to me. 5 00:00:15,520 --> 00:00:16,200 Speaker 2: My name's Jack. 6 00:00:16,520 --> 00:00:24,200 Speaker 1: That over there is Miles, and it's it's Wednesday afternoon. 7 00:00:24,600 --> 00:00:28,120 Speaker 1: You know, we're just getting over that hump. We're just 8 00:00:28,240 --> 00:00:31,040 Speaker 1: right there, just it's about to By the end of 9 00:00:31,040 --> 00:00:33,600 Speaker 1: this episode, we're going to be going downhill, hands in 10 00:00:33,640 --> 00:00:38,879 Speaker 1: the air, pooping and hollering. But until then, we do, 11 00:00:38,960 --> 00:00:41,319 Speaker 1: of course, have to talk about a couple of our 12 00:00:41,440 --> 00:00:44,880 Speaker 1: faves who are getting We're getting fucking railroaded. 13 00:00:44,920 --> 00:00:45,160 Speaker 2: Man. 14 00:00:45,600 --> 00:00:49,240 Speaker 3: Yeah, Okay, now I'm gonna have to, I guess boycott 15 00:00:49,320 --> 00:00:52,159 Speaker 3: the state of Texas for what they're doing at Alex Jones. 16 00:00:52,440 --> 00:00:56,240 Speaker 1: This is bullshit. So last we checked in with Alex Jones. 17 00:00:57,080 --> 00:01:03,080 Speaker 1: Previously checking Alex Jones, he had been sued successfully for 18 00:01:03,880 --> 00:01:08,839 Speaker 1: a cool one point five billy Billy a billy and 19 00:01:09,080 --> 00:01:13,440 Speaker 1: then he declared bankruptcy and we were like, nothing's fair 20 00:01:13,440 --> 00:01:15,319 Speaker 1: in the world. He's going to get away with it. 21 00:01:16,480 --> 00:01:20,400 Speaker 1: But it turns out judges hate this motherfucker, like yeah, 22 00:01:20,600 --> 00:01:24,039 Speaker 1: for good reason, because he's flagrantly still doing the crime 23 00:01:24,120 --> 00:01:27,919 Speaker 1: that he's being tried for. He's still just like flaunting 24 00:01:28,000 --> 00:01:33,440 Speaker 1: reality and being glib and being cynical in the face 25 00:01:33,640 --> 00:01:40,000 Speaker 1: of judgment. And so last year, bankruptcy Judge Christopher Lopez 26 00:01:40,120 --> 00:01:45,319 Speaker 1: ruled that Alex Jones can't discharge the defamation awards because 27 00:01:45,360 --> 00:01:49,480 Speaker 1: those debts stemmed from intentional and malicious conduct. So he 28 00:01:49,520 --> 00:01:52,240 Speaker 1: can't just be like, sorry, guys, bankrupt over here, I 29 00:01:52,360 --> 00:01:57,520 Speaker 1: declare bankruptcy. And no that wasn't enough, sir. Yeah, yeah. 30 00:01:57,720 --> 00:02:01,760 Speaker 3: Now, the group of his general unsecured creditors, which is 31 00:02:01,800 --> 00:02:05,880 Speaker 3: basically mostly made up of Sandy Hook families, they basically 32 00:02:05,920 --> 00:02:08,639 Speaker 3: they had, they had, they had a decision to make. 33 00:02:09,040 --> 00:02:11,880 Speaker 3: There was Alex Jones offer to them that said, okay, 34 00:02:12,000 --> 00:02:14,720 Speaker 3: how about I give you five and a half million 35 00:02:14,800 --> 00:02:18,040 Speaker 3: dollars a year at least for ten years, and then 36 00:02:18,080 --> 00:02:20,079 Speaker 3: we'll call it even for the fact that I completely 37 00:02:20,120 --> 00:02:22,600 Speaker 3: destroyed your lives and called you guys crisis actors, despite 38 00:02:22,639 --> 00:02:24,560 Speaker 3: the horrific loss that you experienced. 39 00:02:24,200 --> 00:02:26,520 Speaker 1: The lowest point that a human being could possibly be. 40 00:02:27,000 --> 00:02:29,200 Speaker 2: The other option, and I don't think it's that good. 41 00:02:29,240 --> 00:02:31,200 Speaker 3: That's probably what Alex Jones like this is probably not 42 00:02:31,320 --> 00:02:35,880 Speaker 3: that great, which is to you know, methodically liquidate and 43 00:02:36,000 --> 00:02:40,400 Speaker 3: redistribute my property and cash. The family is pretty much 44 00:02:40,480 --> 00:02:43,560 Speaker 3: unanimously voted for the ladder and say yeah. 45 00:02:43,840 --> 00:02:48,960 Speaker 1: Yeah, let's let's liquidate this shit, let's take it, let's 46 00:02:49,000 --> 00:02:49,920 Speaker 1: see what's going on. 47 00:02:49,960 --> 00:02:53,680 Speaker 3: And this also preserves potential legal actions against parties affiliated 48 00:02:53,680 --> 00:02:57,480 Speaker 3: with Jones and his Info Wars program, so uh. 49 00:02:57,200 --> 00:02:57,959 Speaker 2: Yeah, we will see. 50 00:02:57,960 --> 00:02:59,880 Speaker 3: I think the next step here is to actually see 51 00:02:59,880 --> 00:03:03,120 Speaker 3: how this will all happen mechanically, like what is what? 52 00:03:03,120 --> 00:03:06,960 Speaker 2: What could be turned into what? But yeah, not not 53 00:03:07,040 --> 00:03:08,760 Speaker 2: a great time for Alex Jones. 54 00:03:10,040 --> 00:03:12,480 Speaker 1: Unfortunately, they're just uh yeah, they're just gonna carve his 55 00:03:12,560 --> 00:03:13,040 Speaker 1: ass up. 56 00:03:13,240 --> 00:03:17,080 Speaker 2: You hate to see it. Focus really, no, this is great. 57 00:03:17,200 --> 00:03:18,000 Speaker 2: Fuck that guy. 58 00:03:18,600 --> 00:03:21,760 Speaker 1: I hope he just spends the rest of his life 59 00:03:21,960 --> 00:03:25,040 Speaker 1: agonizing over you know, how he's going to pay for 60 00:03:25,040 --> 00:03:26,960 Speaker 1: his next meal, which I doubt is going to be 61 00:03:27,080 --> 00:03:30,520 Speaker 1: that but it sounds sounds stressful. 62 00:03:30,560 --> 00:03:33,280 Speaker 2: Deservedly so fuck yeah, I would love to see that. 63 00:03:33,400 --> 00:03:35,920 Speaker 3: Like his he resorts to only being able to eat 64 00:03:35,960 --> 00:03:37,840 Speaker 3: his nutriceuticals for sustenance. 65 00:03:38,160 --> 00:03:42,000 Speaker 1: Yeah, like was that on the table? Must eat nutricity? 66 00:03:42,560 --> 00:03:44,320 Speaker 3: You got to take care, you got to take a 67 00:03:44,520 --> 00:03:47,640 Speaker 3: whole bottle of your nutriceuticals every hour on the hour. 68 00:03:48,200 --> 00:03:49,520 Speaker 2: Yeah, and see what happens. 69 00:03:49,880 --> 00:03:53,520 Speaker 1: Letitia James, the New York Attorney General, said, Uh, there 70 00:03:53,560 --> 00:03:54,640 Speaker 1: was some question. 71 00:03:54,480 --> 00:03:54,960 Speaker 2: Like, how's it? 72 00:03:55,120 --> 00:03:57,920 Speaker 1: How's Trump supposed to pay all this money that they're 73 00:03:57,960 --> 00:04:00,680 Speaker 1: asking for? You have the guys made of money. He's 74 00:04:00,720 --> 00:04:01,520 Speaker 1: the debt king. 75 00:04:01,720 --> 00:04:05,080 Speaker 2: Okay, even though he said four hundred million dollars, I'll. 76 00:04:07,200 --> 00:04:11,160 Speaker 1: Sp okay, he's the debt king. He's leveraged. For the 77 00:04:11,160 --> 00:04:15,280 Speaker 1: purposes of this conversation. Don't forget what I said three 78 00:04:15,280 --> 00:04:16,920 Speaker 1: and a half minutes ago, for the purposes of this 79 00:04:16,960 --> 00:04:18,719 Speaker 1: conversation over leverage. 80 00:04:19,160 --> 00:04:22,800 Speaker 2: Please, what's he going to mean? Yeah? 81 00:04:23,560 --> 00:04:26,359 Speaker 1: I left my wallet at home, first of all, So like, oh, 82 00:04:26,520 --> 00:04:28,680 Speaker 1: what am I supposed that ship? He has to go 83 00:04:28,760 --> 00:04:30,599 Speaker 1: post the money like it was thirty. 84 00:04:30,480 --> 00:04:35,800 Speaker 2: Days in the ah. Shit, what mister Trump. You wouldn't 85 00:04:35,839 --> 00:04:36,200 Speaker 2: believe it. 86 00:04:36,960 --> 00:04:39,560 Speaker 3: I lost I forgot my fucking wallet back in the 87 00:04:39,560 --> 00:04:41,920 Speaker 3: plane or actually, I think back in Florida. 88 00:04:42,120 --> 00:04:44,160 Speaker 2: So I guess I'm gonna go. 89 00:04:45,160 --> 00:04:47,880 Speaker 1: That's really Oh man, I feel really shitty about this, 90 00:04:48,120 --> 00:04:49,040 Speaker 1: I really, I think is. 91 00:04:48,960 --> 00:04:49,640 Speaker 2: What the kids say. 92 00:04:49,960 --> 00:04:53,400 Speaker 1: Yeah, So she was like, well, here's one thing. There 93 00:04:53,480 --> 00:04:56,680 Speaker 1: are a number of buildings that I can just like 94 00:04:57,279 --> 00:05:00,640 Speaker 1: walk to right now that have your name on them. 95 00:05:00,800 --> 00:05:02,960 Speaker 1: So maybe why why don't we put them on the 96 00:05:03,000 --> 00:05:05,719 Speaker 1: table in order to collect on this little fine. 97 00:05:05,960 --> 00:05:07,799 Speaker 2: Yeah, the quote being quote. 98 00:05:07,880 --> 00:05:10,320 Speaker 3: If he does not have funds to pay off the judgment, 99 00:05:10,520 --> 00:05:13,880 Speaker 3: then we will seek judgment enforcement mechanisms in court, and 100 00:05:13,920 --> 00:05:17,000 Speaker 3: we will ask the judge to seize his assets. We 101 00:05:17,080 --> 00:05:19,839 Speaker 3: are prepared to make sure that the judgment is paid 102 00:05:19,880 --> 00:05:22,760 Speaker 3: to New Yorkers. And yes, I look at forty Wall 103 00:05:22,800 --> 00:05:27,599 Speaker 3: Street each and every day, meanings his grand goose the 104 00:05:27,640 --> 00:05:28,159 Speaker 3: trumped hour. 105 00:05:28,880 --> 00:05:31,359 Speaker 2: So I mean we shall see. I mean, he definitely 106 00:05:31,360 --> 00:05:32,320 Speaker 2: has a right to appeal. 107 00:05:32,440 --> 00:05:35,400 Speaker 3: It doesn't seem like that would really go anywhere aside 108 00:05:35,400 --> 00:05:39,320 Speaker 3: from just delaying the inevitable. But yeah, I think I 109 00:05:39,320 --> 00:05:42,400 Speaker 3: think the financial squirm fest is well and truly on 110 00:05:42,520 --> 00:05:45,240 Speaker 3: at this point. Unless you know, obviously there could be 111 00:05:45,279 --> 00:05:49,800 Speaker 3: a you know, just a very generous benefactor who swoops in. 112 00:05:50,720 --> 00:05:54,560 Speaker 1: Yeah, and you know, as they have swooped in and 113 00:05:54,600 --> 00:05:58,839 Speaker 1: like bought half of professional golf and yes, yes, yeah 114 00:05:59,080 --> 00:06:03,360 Speaker 1: other things and so United Football Club. It is kind 115 00:06:03,360 --> 00:06:06,599 Speaker 1: of wonderful that like the thing that he his like 116 00:06:06,760 --> 00:06:09,719 Speaker 1: cheat code to this point of just like people are dumb, 117 00:06:09,880 --> 00:06:12,240 Speaker 1: just put your name on everything and they won't be 118 00:06:12,240 --> 00:06:15,400 Speaker 1: able to not think of you as rich, like actually 119 00:06:15,440 --> 00:06:16,880 Speaker 1: as sucking him here, and. 120 00:06:16,880 --> 00:06:18,920 Speaker 2: Yeah, you're labeling ship for him. 121 00:06:19,960 --> 00:06:22,719 Speaker 1: It looks like right there, you see the one that 122 00:06:22,800 --> 00:06:26,440 Speaker 1: has your name in it, and like no letters, it's 123 00:06:26,440 --> 00:06:29,240 Speaker 1: not me, must be, must be somebody else. I didn't 124 00:06:29,320 --> 00:06:32,560 Speaker 1: do ship. I'm poor, I suck it, I kind of suck. 125 00:06:33,200 --> 00:06:34,320 Speaker 1: I'm not good at money. 126 00:06:34,400 --> 00:06:35,160 Speaker 2: Could you imagine? 127 00:06:35,279 --> 00:06:38,120 Speaker 3: That's his defense, just like he has to lean into that, 128 00:06:38,200 --> 00:06:39,960 Speaker 3: like his ego. He's like, fuck, my only way to 129 00:06:39,960 --> 00:06:42,080 Speaker 3: survive is like you're on her. I kind of suck 130 00:06:42,560 --> 00:06:45,840 Speaker 3: and I'm broke, so like, don't don't do this to me. 131 00:06:46,440 --> 00:06:52,520 Speaker 1: Ship at this Okay, I'm terrible, It's fine, like fucking whatever. 132 00:06:52,720 --> 00:06:56,080 Speaker 3: Just take everything from me, okay, like fucking everyone I know, 133 00:06:56,600 --> 00:06:59,000 Speaker 3: like whatever, don't even care, do it? 134 00:06:59,080 --> 00:07:00,440 Speaker 2: Then? Shot? 135 00:07:01,120 --> 00:07:04,279 Speaker 1: Yeah, we're going to yeah, yea, yeah, no, no, no, for sure, 136 00:07:04,320 --> 00:07:06,280 Speaker 1: for sure all those things are true, and we are 137 00:07:06,320 --> 00:07:08,720 Speaker 1: going to Beyonce. 138 00:07:09,760 --> 00:07:14,240 Speaker 2: Yes, you don't say country. You don't say Beyonce. 139 00:07:15,240 --> 00:07:20,400 Speaker 1: The famous country artists ye Now scored her first number 140 00:07:20,400 --> 00:07:23,480 Speaker 1: one hit on the Billboard Hot Country Songs Chart with 141 00:07:23,800 --> 00:07:28,520 Speaker 1: Texas hold them, making her the first black female artist 142 00:07:28,760 --> 00:07:31,320 Speaker 1: to top the chart, which is why doing it. 143 00:07:31,680 --> 00:07:35,520 Speaker 2: Yeah, I didn't know that she hit. She's top nine 144 00:07:35,800 --> 00:07:38,080 Speaker 2: genre specific billboard charts. 145 00:07:38,400 --> 00:07:41,840 Speaker 3: Yeah, Latin rap, gospel, like every like this is nine, 146 00:07:42,080 --> 00:07:42,880 Speaker 3: this is the ninth. 147 00:07:43,160 --> 00:07:45,120 Speaker 1: She's just collecting billboard charts. 148 00:07:45,440 --> 00:07:48,520 Speaker 3: Is there like an egot for hitting every single genre 149 00:07:48,520 --> 00:07:49,640 Speaker 3: specific billboard chart? 150 00:07:50,040 --> 00:07:51,440 Speaker 1: I mean, I might as well be one. We just 151 00:07:51,440 --> 00:07:53,440 Speaker 1: got to figure out what word it spells we need. 152 00:07:53,720 --> 00:07:58,960 Speaker 1: We're gonna need some valves in here, like yeah, r G. 153 00:08:00,400 --> 00:08:05,720 Speaker 1: See she did a hip hopera too, but that's an 154 00:08:05,920 --> 00:08:07,720 Speaker 1: H so that's gonna make it so. 155 00:08:08,800 --> 00:08:15,160 Speaker 3: Chor Okay, let's sure, Okay, we can We'll work with this. 156 00:08:15,760 --> 00:08:19,880 Speaker 1: I guess what is a adult Christian? 157 00:08:20,120 --> 00:08:25,560 Speaker 3: Adult pop, Christian country, electronic, holiday, internet jazz, Latin R 158 00:08:25,600 --> 00:08:30,760 Speaker 3: and B, hip hop, rock, alternative, world music? International? 159 00:08:31,760 --> 00:08:35,440 Speaker 1: Is it possible for her to do international like world 160 00:08:35,520 --> 00:08:36,640 Speaker 1: rhythms like she would have? 161 00:08:36,679 --> 00:08:41,080 Speaker 3: I guess yeah, that would be a little bit carpet baggery, though, 162 00:08:41,440 --> 00:08:44,800 Speaker 3: you know if you're just like, yeah, I switched nationalities to. 163 00:08:46,480 --> 00:08:48,840 Speaker 2: It, just like I hit that chart on top of 164 00:08:48,880 --> 00:08:50,040 Speaker 2: the Pervian charts. 165 00:08:51,240 --> 00:08:53,200 Speaker 3: But yeah, I have a feeling I wonder if I 166 00:08:53,200 --> 00:08:55,080 Speaker 3: think it could just mean it's just that like in 167 00:08:55,120 --> 00:08:56,920 Speaker 3: some of these world charts that like you were top 168 00:08:57,000 --> 00:09:02,040 Speaker 3: of the country's specific charts. Yeah, yeah, but there's so 169 00:09:02,200 --> 00:09:05,200 Speaker 3: many there's so look for some valves. 170 00:09:04,679 --> 00:09:07,080 Speaker 1: Here that you could that would make it so that 171 00:09:07,120 --> 00:09:09,280 Speaker 1: we could create a word that's fun to say, like 172 00:09:09,400 --> 00:09:10,480 Speaker 1: you got you know. 173 00:09:10,480 --> 00:09:14,400 Speaker 3: Yeah adult adult is like the closest valel one you 174 00:09:14,480 --> 00:09:18,640 Speaker 3: get and then it's really it's slim pickens from there. 175 00:09:21,360 --> 00:09:23,359 Speaker 2: The Latin. 176 00:09:27,240 --> 00:09:31,240 Speaker 3: Is adult is adult, Christian country dance, holiday, Internet jazz, 177 00:09:31,360 --> 00:09:35,880 Speaker 3: Latin R and b Rock. Okay, so I think we're hey, 178 00:09:36,160 --> 00:09:38,040 Speaker 3: hit the adit Beyonce. 179 00:09:38,520 --> 00:09:40,360 Speaker 2: We will. We can't wait to see you there at 180 00:09:40,400 --> 00:09:41,240 Speaker 2: the top of the mountain. 181 00:09:41,600 --> 00:09:44,120 Speaker 1: All right, let's take a quick break and we'll be 182 00:09:44,240 --> 00:09:57,640 Speaker 1: right back. And we are back and we are we 183 00:09:57,720 --> 00:09:58,959 Speaker 1: are as promised. 184 00:09:59,320 --> 00:10:01,760 Speaker 2: And this one, I don't like this story. 185 00:10:01,920 --> 00:10:07,240 Speaker 1: I don't like hearing that Malia Obama uh put put 186 00:10:07,280 --> 00:10:11,000 Speaker 1: it on the line, made a short film and people 187 00:10:11,040 --> 00:10:12,040 Speaker 1: aren't liking it. 188 00:10:12,960 --> 00:10:15,760 Speaker 2: No, it's not getting not getting in love. 189 00:10:16,160 --> 00:10:21,480 Speaker 3: She has It debuted at Sun Dances, her directorial debut 190 00:10:22,000 --> 00:10:24,080 Speaker 3: it's called The Heart and apparently it's about like a 191 00:10:24,240 --> 00:10:26,320 Speaker 3: son grieving the loss of a parent. 192 00:10:27,760 --> 00:10:32,080 Speaker 2: And she's credited as Malia Anne. Mm hmm, I have. 193 00:10:32,280 --> 00:10:34,960 Speaker 3: I don't know why she'd I mean, her last name 194 00:10:35,040 --> 00:10:37,480 Speaker 3: is like the coolest part is such a cool last name. 195 00:10:37,520 --> 00:10:39,280 Speaker 3: I don't know why it is a cool last hide that, 196 00:10:39,559 --> 00:10:41,440 Speaker 3: but I guess that. I guess it's something to do 197 00:10:41,480 --> 00:10:44,280 Speaker 3: with her dad or something. Who's like the president was 198 00:10:44,320 --> 00:10:48,439 Speaker 3: the president, and yeah, a lot of like the reviews, 199 00:10:48,640 --> 00:10:50,439 Speaker 3: it's so funny, like I still think of her as 200 00:10:50,440 --> 00:10:52,920 Speaker 3: like a child from when her dad was in office, 201 00:10:52,960 --> 00:10:55,120 Speaker 3: and I'm like, oh man, it's twenty she is. 202 00:10:55,160 --> 00:10:59,400 Speaker 1: That's too young to a film at Sundance. For the 203 00:10:59,440 --> 00:11:01,840 Speaker 1: most part, you're like a generational genius. 204 00:11:02,200 --> 00:11:04,160 Speaker 3: Yeah, cut your teeth a little bit, you know what 205 00:11:04,240 --> 00:11:06,880 Speaker 3: I mean, get your get your get your reps in 206 00:11:06,880 --> 00:11:08,040 Speaker 3: in some writer's. 207 00:11:07,720 --> 00:11:11,600 Speaker 2: Rooms, film festival. I don't know. Yeah, yeah, and so 208 00:11:11,720 --> 00:11:11,959 Speaker 2: I'll do. 209 00:11:12,120 --> 00:11:14,200 Speaker 3: Then people are just being like me, I haven't seen it, 210 00:11:14,200 --> 00:11:16,160 Speaker 3: so I can't say, like I'm like, leave her alone 211 00:11:16,240 --> 00:11:17,560 Speaker 3: like this, it was okay, like it. 212 00:11:17,760 --> 00:11:18,160 Speaker 2: I don't know. 213 00:11:18,240 --> 00:11:20,880 Speaker 3: People are not holding back though, or not holding back, 214 00:11:20,920 --> 00:11:23,400 Speaker 3: but it seems consistent that people. 215 00:11:23,880 --> 00:11:25,360 Speaker 2: One review said, this is fucked up. 216 00:11:25,400 --> 00:11:28,760 Speaker 3: Quote honoring her father's legacy by dropping a giant bomb 217 00:11:28,800 --> 00:11:31,000 Speaker 3: and not receiving any criticism for it. 218 00:11:31,360 --> 00:11:37,640 Speaker 1: Wow, I mean it's not fully it's not a bomb. 219 00:11:37,679 --> 00:11:40,480 Speaker 1: I'm sure it didn't cost that much money that you 220 00:11:40,480 --> 00:11:41,640 Speaker 1: could say it bombed. 221 00:11:41,840 --> 00:11:42,400 Speaker 2: But no. 222 00:11:42,880 --> 00:11:44,839 Speaker 3: But like other people are like looking at some of 223 00:11:44,920 --> 00:11:48,200 Speaker 3: the thanks in the credits, Like one said thanks to 224 00:11:48,320 --> 00:11:51,559 Speaker 3: Steven and Kate, Like we're thanked in the closing credits, and. 225 00:11:51,480 --> 00:11:54,839 Speaker 2: Then like Steven Spielberg, Kate and Kate Capshaw, is that 226 00:11:55,200 --> 00:11:58,800 Speaker 2: is that? Who? Well, I don't know. Let's fine, let's 227 00:11:58,800 --> 00:12:01,160 Speaker 2: just leave let's leave last names out of this. Let's 228 00:12:01,240 --> 00:12:05,079 Speaker 2: leave last names out of it. That is okay, by 229 00:12:05,080 --> 00:12:05,440 Speaker 2: the way. 230 00:12:05,320 --> 00:12:07,400 Speaker 1: If you're not using the last name Obama, Like would 231 00:12:07,440 --> 00:12:11,200 Speaker 1: it be cool if you know, yeah, just let we 232 00:12:11,240 --> 00:12:12,360 Speaker 1: could just. 233 00:12:11,920 --> 00:12:15,040 Speaker 2: Just lean into it. Yeah, fuck it. The thing is, 234 00:12:15,120 --> 00:12:16,280 Speaker 2: no one is I'm sorry. 235 00:12:16,320 --> 00:12:18,640 Speaker 3: This is just the shitty part about being a first 236 00:12:18,920 --> 00:12:21,200 Speaker 3: kid or whatever the real title is is You're you 237 00:12:21,240 --> 00:12:24,600 Speaker 3: will never escape the fucking legacy of the of the 238 00:12:24,679 --> 00:12:26,840 Speaker 3: parent who was at one point one of the most 239 00:12:26,880 --> 00:12:28,520 Speaker 3: powerful people on the planet. 240 00:12:29,040 --> 00:12:29,840 Speaker 2: It just is what it is. 241 00:12:29,880 --> 00:12:33,160 Speaker 3: And it's funny because she was working like with Donald 242 00:12:33,200 --> 00:12:35,440 Speaker 3: Glover and like was in like a writer's room and 243 00:12:35,480 --> 00:12:37,559 Speaker 3: a couple of projects, and apparently, like I think his 244 00:12:37,600 --> 00:12:41,520 Speaker 3: production company put out the short or part of like 245 00:12:41,559 --> 00:12:44,120 Speaker 3: the production of the of the short, and apparently he 246 00:12:44,520 --> 00:12:48,000 Speaker 3: like in an GQ article last year, he said that 247 00:12:48,040 --> 00:12:50,439 Speaker 3: he said to her, quote, You're Obama's daughter, so if 248 00:12:50,440 --> 00:12:53,640 Speaker 3: you make a bad film, it will follow you around. 249 00:12:53,800 --> 00:12:55,559 Speaker 2: I think it's just sort of like here's some advice. 250 00:12:55,679 --> 00:12:57,720 Speaker 3: Like maybe he was saying, like maybe pump the brakes, 251 00:12:57,720 --> 00:13:00,360 Speaker 3: because like, don't like, if you're gonna come out with something, 252 00:13:00,440 --> 00:13:01,880 Speaker 3: it has to be fucking fever. 253 00:13:03,160 --> 00:13:06,160 Speaker 1: She released a bad film and then like told everybody 254 00:13:06,200 --> 00:13:07,080 Speaker 1: about that advice. 255 00:13:08,000 --> 00:13:08,280 Speaker 2: Yeah. 256 00:13:09,080 --> 00:13:15,000 Speaker 1: Oh but man, buddy, buddy, buddy, h whatever. Anyways, what happened? 257 00:13:15,280 --> 00:13:19,480 Speaker 1: You're just twenty five. Everyone's you know, the NEPO baby thing. 258 00:13:19,559 --> 00:13:22,600 Speaker 1: Everybody loves to jump on that. So it's just a 259 00:13:22,640 --> 00:13:25,720 Speaker 1: tough time to be the child of a president and 260 00:13:25,800 --> 00:13:27,439 Speaker 1: just trying to make some off. I made so much 261 00:13:27,480 --> 00:13:31,600 Speaker 1: shitty stuff in my like twenties, Like yeah, by all 262 00:13:31,640 --> 00:13:34,840 Speaker 1: means like that this is not but just you have 263 00:13:34,920 --> 00:13:38,880 Speaker 1: to be like super thick skinned and like not be 264 00:13:39,160 --> 00:13:41,480 Speaker 1: like paying any attention to what people are saying and 265 00:13:41,520 --> 00:13:45,360 Speaker 1: all the undue attention or you know, you should just 266 00:13:45,960 --> 00:13:46,920 Speaker 1: hide that shit. 267 00:13:47,280 --> 00:13:49,959 Speaker 3: Yeah, use a fucking pseudonym or whatever and just put 268 00:13:50,000 --> 00:13:53,200 Speaker 3: a bunch of workout and just be like, you know, yeah, whatever, 269 00:13:53,240 --> 00:13:54,120 Speaker 3: this is the shit I made. 270 00:13:54,160 --> 00:13:56,120 Speaker 2: But that's the shitty part of the scrutiny. 271 00:13:56,120 --> 00:13:58,679 Speaker 3: And like, yeah to the like being creative, it's like 272 00:13:58,760 --> 00:14:01,560 Speaker 3: turned like those good idea is, they're in there, but 273 00:14:01,720 --> 00:14:04,120 Speaker 3: sometimes the shittier ones have to come out first before 274 00:14:04,120 --> 00:14:05,040 Speaker 3: you get to the good ones. 275 00:14:05,120 --> 00:14:07,520 Speaker 2: Oh you know, it's like a shitty ones. Yeah, they 276 00:14:07,520 --> 00:14:08,800 Speaker 2: almost always come out first. 277 00:14:08,920 --> 00:14:10,760 Speaker 3: But because if you don't, but if you don't open 278 00:14:10,840 --> 00:14:13,120 Speaker 3: up your creative tap and let the shitty ones flow, 279 00:14:13,280 --> 00:14:14,680 Speaker 3: the good ones aren't gonna come either. 280 00:14:14,720 --> 00:14:17,000 Speaker 2: So in a way, I'm like, don't hey, keep your 281 00:14:17,000 --> 00:14:20,880 Speaker 2: head up, Malia. And you know there's whoever you are? 282 00:14:20,920 --> 00:14:24,720 Speaker 1: You mysterious person who I've never heard of before, Malia Ann. 283 00:14:25,720 --> 00:14:29,960 Speaker 2: Whoever you are? Shut up? 284 00:14:30,080 --> 00:14:34,760 Speaker 1: Steven and Kate, Hey, can you say Beatle Cinematic Universe 285 00:14:35,200 --> 00:14:36,760 Speaker 1: the BCU? 286 00:14:37,040 --> 00:14:41,000 Speaker 2: No? No, I can't. Oh shit, are you okay? Are you? 287 00:14:41,120 --> 00:14:43,680 Speaker 1: Is there something going on? Linguistic with the linguistic part 288 00:14:43,720 --> 00:14:44,200 Speaker 1: of your brain. 289 00:14:44,520 --> 00:14:46,560 Speaker 3: Just difficult for me to wrap my head around that 290 00:14:46,640 --> 00:14:47,600 Speaker 3: in the concept. 291 00:14:47,960 --> 00:14:52,000 Speaker 1: Sam Mendez, director of nineteen seventeen and American Beauty, has 292 00:14:52,040 --> 00:14:56,680 Speaker 1: announced that he's making four feature films, each one of 293 00:14:56,720 --> 00:15:00,720 Speaker 1: them told from a different band members perspective of pour 294 00:15:00,800 --> 00:15:03,240 Speaker 1: one out for Pete Best, who's he's never gonna get 295 00:15:03,240 --> 00:15:08,000 Speaker 1: his movie made, or Billy Preston or Billy Preston, Yeah, yeah, 296 00:15:08,000 --> 00:15:08,920 Speaker 1: he I feel. 297 00:15:08,720 --> 00:15:11,160 Speaker 3: Like his would be way more interesting than I mean, 298 00:15:11,200 --> 00:15:13,800 Speaker 3: I'm not trying to talk shit about Ringo, but you know, 299 00:15:14,720 --> 00:15:15,480 Speaker 3: I mean Ringo's. 300 00:15:15,920 --> 00:15:19,600 Speaker 1: If Ringos isn't like an animated children's movie, I'm gonna 301 00:15:19,600 --> 00:15:21,320 Speaker 1: be confused as what. 302 00:15:21,320 --> 00:15:24,160 Speaker 2: The fuck's going on? But it's just a bunch of 303 00:15:24,280 --> 00:15:27,720 Speaker 2: mump It's it's a muppet movie. 304 00:15:29,880 --> 00:15:32,160 Speaker 1: That would be cool if like they just went wildly 305 00:15:32,240 --> 00:15:35,160 Speaker 1: different genres for each of them, right, Paul and Ringo 306 00:15:35,160 --> 00:15:37,520 Speaker 1: in these states of Lennon and Harrison have all granted 307 00:15:37,560 --> 00:15:41,800 Speaker 1: permission for the films, meaning they will actually feature Beatles songs. 308 00:15:42,560 --> 00:15:44,480 Speaker 2: So this song is not like that Hendrix movie. 309 00:15:44,520 --> 00:15:46,880 Speaker 3: Wasn't there that Hendrix movie that had to fucking no 310 00:15:47,160 --> 00:15:50,320 Speaker 3: licensed music and it's like, you can't need. 311 00:15:50,200 --> 00:15:51,600 Speaker 2: That, it's all about just the vibes. 312 00:15:51,760 --> 00:15:55,240 Speaker 1: But it's, uh, this makes a lot of sense to 313 00:15:55,280 --> 00:15:58,240 Speaker 1: me based on what we're seeing with like they need 314 00:15:58,280 --> 00:16:03,880 Speaker 1: to create big projects that somehow replace like comic book movies, 315 00:16:04,120 --> 00:16:07,720 Speaker 1: and this makes sense. Like we're seeing you know, Oppenheimer 316 00:16:07,960 --> 00:16:12,800 Speaker 1: massive biopick, you know, the one Love the Bob Marley 317 00:16:12,840 --> 00:16:15,160 Speaker 1: biopick as we recently talked about, did much better than 318 00:16:15,160 --> 00:16:19,040 Speaker 1: they were expecting. This this is an interesting project that 319 00:16:19,280 --> 00:16:23,600 Speaker 1: makes sense to me. Also could suck, but. 320 00:16:25,080 --> 00:16:25,560 Speaker 2: I don't know. 321 00:16:25,640 --> 00:16:28,320 Speaker 1: I think that they're gonna make all four at once 322 00:16:28,480 --> 00:16:35,160 Speaker 1: and then like release them with a kind of experimental cadence. 323 00:16:35,520 --> 00:16:36,760 Speaker 2: That they've never done before. 324 00:16:36,840 --> 00:16:39,040 Speaker 3: So the only thing it's okay, what would that be. 325 00:16:39,120 --> 00:16:42,960 Speaker 3: It's either all four at once or one every week 326 00:16:43,560 --> 00:16:46,920 Speaker 3: or one every month, like four months in a row. Yeah, 327 00:16:46,960 --> 00:16:50,480 Speaker 3: they'll come out in twenty twenty seven. Sam Mendez, he's 328 00:16:50,520 --> 00:16:53,640 Speaker 3: you know, he made American Beauty, which doesn't hold up, 329 00:16:53,640 --> 00:16:57,760 Speaker 3: but he also made nineteen seventeen, which was pretty fun 330 00:16:57,800 --> 00:17:01,280 Speaker 3: to watch, And I don't don't know, I could see 331 00:17:01,320 --> 00:17:04,679 Speaker 3: it be an interesting I like Road to Perdition I 332 00:17:04,720 --> 00:17:11,480 Speaker 3: believe was also him yeah, we'll see Sam. I mean, 333 00:17:11,880 --> 00:17:13,280 Speaker 3: this is the thing we were talking about. I mean 334 00:17:13,320 --> 00:17:15,360 Speaker 3: we were talking off Mike yesterday after we were done 335 00:17:15,440 --> 00:17:19,919 Speaker 3: talking about the The Marley thing is like some things 336 00:17:20,000 --> 00:17:23,520 Speaker 3: are just too cool to try and capture with actors. 337 00:17:23,840 --> 00:17:26,320 Speaker 3: Like it's like a documentary is the only thing that 338 00:17:26,359 --> 00:17:29,560 Speaker 3: will do certain figures justice and not that I'm like, 339 00:17:29,600 --> 00:17:31,600 Speaker 3: and the Beatles are the coolest, but I just think 340 00:17:31,640 --> 00:17:34,680 Speaker 3: because of their popularity, like too many people have their 341 00:17:34,720 --> 00:17:36,720 Speaker 3: own version of what they want them to be that 342 00:17:36,760 --> 00:17:38,239 Speaker 3: I don't know if you're going to be able to 343 00:17:38,720 --> 00:17:39,680 Speaker 3: thread the needle there. 344 00:17:40,400 --> 00:17:43,959 Speaker 2: Yeah, but hey, question of Sam. Shout out to you. 345 00:17:44,800 --> 00:17:47,680 Speaker 1: By the way, superroducer Brian is saying Road to Perdition 346 00:17:47,880 --> 00:17:51,520 Speaker 1: in nineteen seventeen don't hold up. I would not know 347 00:17:51,600 --> 00:17:53,720 Speaker 1: because I only saw those movies when they came out. 348 00:17:53,920 --> 00:17:58,080 Speaker 2: But what about jar Head? Does that hold up? Was 349 00:17:58,080 --> 00:18:00,720 Speaker 2: that him? He was jar Head? I think he had 350 00:18:00,760 --> 00:18:03,720 Speaker 2: something to do with it. Yeah, he directed jar Head. 351 00:18:04,080 --> 00:18:04,680 Speaker 2: Jar Head. 352 00:18:05,320 --> 00:18:09,640 Speaker 1: I never even saw it in the first place, because okay, wait, 353 00:18:09,800 --> 00:18:14,680 Speaker 1: it's like a meditation on war and not like an 354 00:18:14,680 --> 00:18:15,760 Speaker 1: actual war movie. 355 00:18:16,400 --> 00:18:19,159 Speaker 2: Yeah, no thanks. 356 00:18:18,640 --> 00:18:21,000 Speaker 1: I'll just watch Rambo three again. 357 00:18:21,119 --> 00:18:23,000 Speaker 3: I read it because at the time, I was just 358 00:18:23,040 --> 00:18:26,880 Speaker 3: like into reading all kinds of like military shit. But yeah, 359 00:18:26,920 --> 00:18:30,560 Speaker 3: the book, the film was not nothing holds up anymore. 360 00:18:31,000 --> 00:18:34,760 Speaker 1: Yeah, so all right, well it'll be maybe a good 361 00:18:34,760 --> 00:18:37,400 Speaker 1: watch once through, a good once through. 362 00:18:37,480 --> 00:18:38,000 Speaker 2: We'll give this. 363 00:18:38,600 --> 00:18:43,560 Speaker 1: Speaking of giving something a good once over, apparently the 364 00:18:43,560 --> 00:18:49,720 Speaker 1: Beatles used to masturbate together while screaming out celebrities names 365 00:18:49,800 --> 00:18:52,800 Speaker 1: for some reason. Wait, it just feels very like just 366 00:18:53,160 --> 00:18:57,000 Speaker 1: bored rich white people shit. Like it feels like something 367 00:18:57,000 --> 00:19:00,439 Speaker 1: that like Skull and Bones the Yale fraternity would do. 368 00:19:00,960 --> 00:19:05,359 Speaker 3: Oh wow, what wow? Someone someone wrote this article. 369 00:19:05,760 --> 00:19:06,560 Speaker 2: Come Together. 370 00:19:07,359 --> 00:19:15,240 Speaker 3: Paul McCartney recalls Bele's crew masturbations. That's amazing, he said, 371 00:19:15,280 --> 00:19:18,360 Speaker 3: he apparently he McCartney said it didn't happen that often, 372 00:19:18,520 --> 00:19:20,760 Speaker 3: and they quote didn't think much of the moments at 373 00:19:20,760 --> 00:19:23,680 Speaker 3: that time. What it was was over at John's house 374 00:19:24,240 --> 00:19:27,040 Speaker 3: and it was just a group of us and instead 375 00:19:27,080 --> 00:19:29,800 Speaker 3: of just getting roaring drunken partying. I don't even know 376 00:19:29,800 --> 00:19:32,159 Speaker 3: if we were staying over anything. We were all just 377 00:19:32,200 --> 00:19:35,080 Speaker 3: in these chairs and the lights were out and somebody 378 00:19:35,119 --> 00:19:39,280 Speaker 3: started masturbating, so we all did. Part of the fund 379 00:19:39,400 --> 00:19:42,199 Speaker 3: was shouting the name of someone who might assist with fantasies. 380 00:19:42,600 --> 00:19:47,640 Speaker 3: We were just Bridget Bardoux whoo and everyone would thrash 381 00:19:47,720 --> 00:19:51,520 Speaker 3: a bit more. That was until lenn added, That was 382 00:19:51,600 --> 00:19:54,560 Speaker 3: until Lennon added Winston Churchill. 383 00:19:56,080 --> 00:19:57,520 Speaker 2: The moments in their tracks. 384 00:19:57,800 --> 00:19:59,920 Speaker 3: I think it wasn't one off, McCartney continued, Or maybe 385 00:20:00,000 --> 00:20:02,400 Speaker 3: it was like a two off. It wasn't a big thing. 386 00:20:02,800 --> 00:20:04,360 Speaker 3: It was just the kind of thing you didn't think 387 00:20:04,440 --> 00:20:06,639 Speaker 3: much of. Yeah, it's quite raunchy when you think about it. 388 00:20:06,640 --> 00:20:08,960 Speaker 3: There's so many things like that from when you're a 389 00:20:09,040 --> 00:20:11,480 Speaker 3: kid that you look back and you're on you're like, did. 390 00:20:11,280 --> 00:20:13,800 Speaker 2: We do that? Is this when they're like ten or eleven? 391 00:20:13,960 --> 00:20:15,840 Speaker 2: Or how? I feel like. 392 00:20:16,119 --> 00:20:18,399 Speaker 3: This is maybe when they were like younger and like 393 00:20:18,440 --> 00:20:21,320 Speaker 3: playing all through Europe before they became like the big band, 394 00:20:21,480 --> 00:20:25,600 Speaker 3: like in that Prey the era or whatever. But hey man, 395 00:20:26,000 --> 00:20:28,919 Speaker 3: they were just they were just making space bagels, you know, 396 00:20:29,080 --> 00:20:29,680 Speaker 3: for each other. 397 00:20:30,280 --> 00:20:32,920 Speaker 2: Good for them. 398 00:20:33,119 --> 00:20:35,440 Speaker 1: But yeah, so everybody's like, well, the upcoming Beetles movie 399 00:20:35,480 --> 00:20:38,600 Speaker 1: include the group jerk off session. The four Beatles movies 400 00:20:38,640 --> 00:20:41,359 Speaker 1: will all include the bit where they jerk off together, 401 00:20:41,840 --> 00:20:45,919 Speaker 1: but from four different perspectives. Oh wow, I mean it 402 00:20:45,960 --> 00:20:48,719 Speaker 1: sounds like they were children, So maybe not a good idea. 403 00:20:49,720 --> 00:20:51,439 Speaker 2: Yeah, let's let's let's get all the let's get all 404 00:20:51,440 --> 00:20:52,160 Speaker 2: the details. 405 00:20:51,880 --> 00:20:54,679 Speaker 3: Ironed out before we were demanding the group jo session. 406 00:20:54,840 --> 00:20:57,840 Speaker 1: Yeah, but anyways, you know, I'm here for this. I 407 00:20:57,880 --> 00:21:01,800 Speaker 1: don't think it'll it's a least interesting, you know, it's 408 00:21:01,880 --> 00:21:04,080 Speaker 1: it's what one of the like a lot of people 409 00:21:04,080 --> 00:21:06,720 Speaker 1: have been like, the movies are fucked. How are they 410 00:21:06,760 --> 00:21:11,200 Speaker 1: ever gonna replace the brilliance of the Marvel cinematic universe. 411 00:21:12,000 --> 00:21:13,840 Speaker 1: I don't know, there's a lot of things to make 412 00:21:13,880 --> 00:21:15,800 Speaker 1: movies about. It turns out, Yeah. 413 00:21:15,800 --> 00:21:18,040 Speaker 2: Stop thinking that that was a fucking be all end 414 00:21:18,040 --> 00:21:20,679 Speaker 2: all of cinema. That's first, fucking well, what are they 415 00:21:20,800 --> 00:21:21,320 Speaker 2: gonna do? 416 00:21:21,880 --> 00:21:24,959 Speaker 1: Yeah, talk about movies that I'm not gonna say it. 417 00:21:25,119 --> 00:21:28,359 Speaker 1: I'm not gonna say they don't hold up. But the 418 00:21:28,440 --> 00:21:31,960 Speaker 1: others people are saying, folks, I don't know. It's not 419 00:21:32,200 --> 00:21:32,800 Speaker 1: saying it. 420 00:21:33,280 --> 00:21:35,399 Speaker 2: I'm just hearing it, hearing Marty stuff. 421 00:21:35,680 --> 00:21:39,439 Speaker 1: Who is thanked by my good friend Malia Anne in 422 00:21:39,520 --> 00:21:45,399 Speaker 1: her thanks session Marty Scorsese. Anyways, those are some of 423 00:21:45,400 --> 00:21:49,280 Speaker 1: the things that are trending on this Wednesday, February twenty First, 424 00:21:49,400 --> 00:21:51,919 Speaker 1: we are back tomorrow with the whole last episode of 425 00:21:52,000 --> 00:21:54,760 Speaker 1: the show. Until then, be kind to each other, be 426 00:21:54,880 --> 00:21:58,160 Speaker 1: kind to yourself, get the vaccine, don't do nothing about 427 00:21:58,160 --> 00:22:00,720 Speaker 1: white supremacy, and we will talk o kyo tomorrow. 428 00:22:00,880 --> 00:22:01,879 Speaker 2: Bye bye